Spaces:
Sleeping
Sleeping
ANDREW HUBERMAN: Welcome to | |
the Huberman Lab podcast, | |
where we discuss science | |
and science-based tools | |
for everyday life. | |
[MUSIC PLAYING] | |
I'm Andrew Huberman, | |
and I'm a Professor | |
of Neurobiology | |
and Ophthalmology | |
at Stanford School of Medicine. | |
Today, my guest is | |
Dr. Lex Fridman Dr. | |
Lex Fridman is an expert | |
in electrical and computer | |
engineering, artificial | |
intelligence, and robotics. | |
He is also the host of the | |
Lex Fridman Podcast, which | |
initially started | |
as a podcast focus | |
on technology and | |
science of various kinds, | |
including computer | |
science and physics, | |
but rapidly evolved to include | |
guests and other topics | |
as a matter of focus, | |
including sport. | |
For instance, Dr. Lex | |
Freedman is a Black Belt | |
in Brazilian jujitsu. | |
And he's had numerous | |
guests on who | |
come from the fields | |
of Brazilian jujitsu, | |
both from the coaching side | |
and from the competitor side. | |
He also has shown | |
an active interest | |
in topics such as chess | |
and essentially anything | |
that involves intense activation | |
and engagement of the mind | |
and/or body. | |
In fact, the Lex | |
Fridman podcast has | |
evolved to take on | |
very difficult topics | |
such as mental health-- he's | |
had various psychiatrists | |
and other guests on that | |
relate to mental health | |
and mental illness, as well as | |
guest focused on geopolitics | |
and some of the more | |
controversial issues | |
that face our times. | |
He's had comedians, he's had | |
scientists, he's had friends, | |
he's had enemies on his podcast. | |
Lex has a phenomenal, I would | |
say a 1 in an eight billion | |
ability to find these people, | |
make them comfortable, | |
and in that comfort, both | |
try to understand them | |
and to confront them and to | |
push them so that we all learn. | |
All of which is to say that | |
Lex Fridman is no longer just | |
an accomplished scientist, | |
he certainly is that. | |
But he has also become one of | |
the more preeminent thought | |
leaders on the planet. | |
And if there's anything | |
that really captures | |
the essence of Lex | |
Fridman, it's his love | |
of learning, his desire to share | |
with us, the human experience, | |
and to broaden that experience | |
so that we all may benefit. | |
In many ways, our discussion | |
during today's episode | |
captures the many | |
facets of Lex Fridman, | |
although no conversation, of | |
course, could capture them all. | |
We sit down to the | |
conversation just days | |
after Lex returned from | |
Ukraine, where he deliberately | |
placed himself into the | |
tension of that environment | |
in order to understand the | |
geopolitics of the region | |
and to understand | |
exactly what was | |
happening at the level of the | |
ground and the people there. | |
You may notice that he carries | |
quite a lot of both, emotion | |
and knowledge and understanding. | |
And yet in a very | |
classic Lex Fridman way, | |
you'll notice that | |
he's able to zoom out | |
of his own experience around | |
any number of different topics | |
and view them through | |
a variety of lenses | |
so that first of all, everyone | |
feel included, but most of all, | |
so that everyone learned | |
something new, that | |
is to gain new perspective. | |
Our discussion also ventures | |
into the waters of social media | |
and how that | |
landscape is changing | |
the way that science and | |
technology are communicated. | |
We also get into the topics of | |
motivation drive and purpose, | |
both finding it and executing | |
on that drive and purpose. | |
I should mention that this is | |
episode 100 of the Huberman Lab | |
Podcast. | |
And I would be remiss | |
if I did not tell you | |
that there would be no | |
Huberman Lab Podcast, | |
were it not for Lex Fridman. | |
I was a fan of the | |
Lex Fridman Podcast | |
long before I was ever invited | |
on to the podcast as a guest. | |
And after our first | |
recording, Lex | |
was the one that suggested | |
that I start a podcast. | |
He only gave me two | |
pieces of advice. | |
The first piece of advice | |
was, start a podcast. | |
And the second | |
piece of advice was | |
that I not just make it me | |
blabbing into the microphone | |
and staring at the camera. | |
So I can safely say | |
that I at least followed | |
half of his advice, and that | |
I am ever grateful for Lex, | |
both as a friend, a | |
colleague in science, | |
and now fellow podcaster for | |
making the suggestion that we | |
start this podcast. | |
I already mentioned | |
a few of the topics | |
covered on today's podcast. | |
But I can assure you that | |
there is far more to the person | |
that many of us | |
know as Lex Fridman. | |
If you are somebody interested | |
in artificial intelligence, | |
engineering, or robotics, | |
today's discussion | |
is most certainly for you. | |
And if you are not, | |
but you are somebody | |
who is interested in world | |
politics, and more importantly, | |
the human experience, | |
both the individual | |
and the collective | |
human experience, | |
Lex shares what can | |
only be described | |
as incredible insights | |
into what he views | |
as the human experience and what | |
is optimal in order to derive | |
from our time on this planet. | |
Before we begin, I'd | |
like to emphasize | |
that this podcast is separate | |
from my teaching and research | |
roles at Stanford. | |
It is however, part of | |
my desire and effort | |
to bring zero cost to | |
consumer information | |
about science and | |
science-related tools | |
to the general public. | |
In keeping with | |
that theme, I'd like | |
to thank the sponsors | |
of today's podcast. | |
Our first sponsor is LMNT. | |
LMNT is an electrolyte drink | |
with everything you need | |
and nothing you don't. | |
That means the electrolytes, | |
sodium, potassium, | |
and magnesium are in LMNT | |
in the correct ratios. | |
But it has no sugar. | |
As I mentioned before | |
on the podcast, | |
electrolytes are | |
critical to the function | |
of every cell in the | |
body, and especially | |
the cells in your brain, | |
meaning neurons or nerve cells. | |
Indeed, the ability | |
for nerve cells | |
to be active and communicate | |
with one another critically | |
depends on sodium, | |
potassium, and magnesium. | |
You can get electrolytes | |
from a variety of sources. | |
But it's often hard to get | |
them in the proper ratios, | |
even from food. | |
So if you're somebody who's | |
exercising a lot and sweating, | |
or if you're somebody | |
following, for instance, | |
a low carbohydrate or even a | |
semi-low carbohydrate diet, | |
that will cause you to | |
excrete electrolytes. | |
I tend to have my | |
LMNT first thing | |
in the morning when I wake up | |
or within the first few hours | |
of waking, any time while | |
or after I'm exercising, | |
or I've sweat a lot, such | |
as exiting the sauna. | |
If you'd like to try LMNT | |
you can go to drinkLMNT-- | |
that's LMNT..com/Huberman to | |
claim a free element sample | |
pack with your purchase. | |
Again, that's drinkLMNT, | |
LMNT.com/Huberman to my free | |
sample pack. | |
Today's episode is also | |
brought to us by Levels. | |
Levels is a program | |
that lets you | |
see how different foods affect | |
your health by giving you | |
real-time feedback on your | |
diet using a continuous glucose | |
monitor. | |
Now blood glucose or blood | |
sugar is a critical aspect | |
of your immediate | |
and long term health, | |
and indeed, your | |
feelings of vigor | |
and mental clarity and | |
well-being at any moment. | |
One of the key things is to know | |
how different foods and food | |
combinations and | |
timing of food intake | |
is impacting blood glucose. | |
And with Levels, | |
you're able to assess | |
all of that in real time. | |
I tried Levels. | |
And what it taught | |
me, for instance, | |
was that I can eat certain | |
foods at certain times of day. | |
But if I eat them at | |
other times a day, | |
I get a blood sugar crash. | |
It also taught me, | |
for instance, how | |
to space my exercise | |
and my food intake. | |
It turns out for me, exercising | |
fasted is far more beneficial. | |
That's something I | |
learned using Levels. | |
And it's completely | |
transformed, not | |
just the spacing and timing | |
of my diet and exercise, | |
but also use of things like | |
the sauna and other activities. | |
It's been a tremendous | |
learning for me | |
that's really shaped an enormous | |
number of factors in my life | |
that have led to me feeling | |
far more vigorous with far more | |
mental focus and physical | |
strength and endurance. | |
So if you're interested in | |
learning more about Levels | |
and trying a continuous | |
glucose monitor yourself, | |
go to levels.link/Huberman. | |
Again that's levels.link, | |
L-I-N-K/Huberman. | |
Today's episode is also | |
brought to us by Eight Sleep. | |
Eight Sleep make smart mattress | |
covers with cooling, heating, | |
and sleep tracking capacity. | |
I've talked many | |
times on this podcast | |
about the critical relationship | |
between sleep and body | |
temperature. | |
That is in order to fall | |
asleep and stay deeply asleep | |
throughout the night, | |
our body temperature | |
needs to drop by | |
about 1 to 3 degrees. | |
And conversely when we | |
wake up in the morning, | |
that is in large part, | |
because of our body heating up | |
by 1 to 3 degrees. | |
Now people have different | |
core body temperatures. | |
And they tend to run colder or | |
hotter throughout the night. | |
Eight Sleep allows you | |
to adjust the temperature | |
of your sleeping | |
environment so that you | |
have the optimal temperature | |
that gets you the best night's | |
sleep. | |
I started sleeping on | |
an Eight Sleep mattress | |
cover about eight months ago. | |
And it has completely | |
transformed my sleep. | |
I sleep so much deeper, | |
I wake up far less | |
during the middle of | |
the night, if at all, | |
and I wake up feeling far | |
better than I ever have, | |
even after the same | |
amount of sleep. | |
If you want to try | |
Eight Sleep, you can go | |
to eightsleep.com/Huberman to | |
save up to $400 off their sleep | |
fit holiday bundle, which | |
includes their new Pod 3 cover. | |
Eight Sleep currently | |
ships in the USA, | |
Canada, United Kingdom, | |
select countries in the EU, | |
and Australia. | |
Again, that's | |
eightsleep.com/Huberman. | |
And now for my discussion with | |
Dr. Lex Fridman, welcome back. | |
LEX FRIDMAN: It's good | |
to be back in a bedroom. | |
This feels like a porn set. | |
I apologize to open that way. | |
I've never been in a porn | |
set, so I should admit this. | |
ANDREW HUBERMAN: Our | |
studio has being renovated. | |
So here we are for the | |
monumental recording | |
of episode 100-- | |
LEX FRIDMAN: Episode | |
100 of the Huberman Lab | |
Podcast, which was inspired | |
by the Lex Fridman Podcast. | |
Some people already | |
know the story. | |
But I'll repeat it again | |
for those that don't. | |
There would not be a | |
Huberman Lab Podcast, | |
were it not for Lex Fridman. | |
Because after recording | |
as a guest on his podcast | |
a few years ago, he | |
made the suggestion | |
that I start a podcast. | |
And he explained | |
to me how it works. | |
And he said, "You | |
should start a podcast. | |
But just make sure | |
that it's not you | |
blabbing the whole | |
time, Andrew." | |
And I only sort of | |
followed the advice. | |
LEX FRIDMAN: Yeah, | |
well, you surprised me, | |
surprised the world, that | |
you're able to talk for hours | |
and cite some of the | |
best science going on | |
and be able to | |
give people advice | |
without many interruptions | |
or edits or any of that. | |
I mean, that takes an | |
incredible amount of skill | |
that you're probably born with. | |
And some of it is developed. | |
I mean, the whole science | |
community is proud of you, man. | |
Stanford is proud of you. | |
So yeah, it's a beautiful thing. | |
It was really surprising. | |
Because it's unclear | |
how a scientist can | |
do a great podcast | |
that's not just | |
shooting the shit | |
about random stuff, | |
but really is giving very | |
structured, good advice | |
that's boiling down the | |
state of the art science | |
into something that's | |
actually useful for people. | |
So that was impressive. | |
It's like holy shit, he | |
actually pulled this off. | |
And doing it every week | |
on a different topic-- | |
I mean, I'm usually | |
positive, especially | |
for people I love and support. | |
But damn, I thought, | |
there's no way | |
he's going to be able to pull | |
this off week after week. | |
And it's been only getting | |
better and better and better. | |
Had a whole rant on a recent | |
podcast, I forget with who, | |
of how awesome you are | |
with Rana el Kaliouby. | |
She's a emotion recognition | |
person, AI person. | |
And then she didn't | |
know who you were. | |
And I was like, what | |
the hell do you mean? | |
And I just went on this whole | |
rant of how awesome you are. | |
Is hilarious. | |
ANDREW HUBERMAN: Well, I'm | |
very gratified to hear this. | |
I'm-- it's a little | |
uncomfortable for me to hear | |
but listen, I'm just really | |
happy if people are getting | |
information that they like | |
and can make actionable. | |
And it was inspired by you. | |
And look right back at you. | |
I've followed a number of | |
your structural formats. | |
Attire, I don't wear a tie. | |
I'm constantly reminded | |
about this by my father. | |
LEX FRIDMAN: Yeah. | |
ANDREW HUBERMAN: Who says | |
what-- he'd saw my podcast. | |
And he was like, why | |
don't you dress properly | |
like your friend Lex? | |
He literally said that. | |
And it's a debate that | |
goes back and forth. | |
But nonetheless-- | |
LEX FRIDMAN: How does it feel? | |
Episode 100. | |
How does it feel? | |
ANDREW HUBERMAN: | |
You know, I think. | |
LEX FRIDMAN: Can you | |
imagine you're here? | |
You hear after so many | |
episodes and done so much. | |
I mean, the number of | |
hours is just insane. | |
The amount of | |
passion, the amount | |
of work you put into | |
this, what's it feel like? | |
ANDREW HUBERMAN: It feels great. | |
And it feels very much | |
like the horizon is still | |
at the same distance | |
in front of me. | |
Every episode, I just try | |
and get information there. | |
And the process that we | |
talked about on your podcast. | |
We won't go into it of | |
collecting information, | |
distilling it down | |
to some simple notes, | |
walking around, | |
listening to music, | |
trying to figure out | |
what the motifs are, | |
and then-- as just like you, | |
I don't use a teleprompter | |
or anything like that. | |
There's very minimal notes. | |
So it feels great, | |
and I love it. | |
And again, I'm just grateful | |
to you for inspiring it. | |
And I just want to keep | |
going and do more of it. | |
And I should say | |
I am also relieved | |
that we're sitting here because | |
you recently went overseas | |
to a very intense war zone, | |
literally, the Ukraine. | |
And the entire time | |
that you were there, | |
I was genuinely concerned. | |
The world's a unpredictable | |
place, in general. | |
And we don't always get the only | |
vote and what happens to us. | |
So first of all, | |
welcome back safely, | |
one peace, one alive peace. | |
And what was that like? | |
I mean, at a broad level, | |
at a specific level, | |
what drew you there? | |
What surprised you? | |
And how do you think it changed | |
you in coming back here? | |
LEX FRIDMAN: I think | |
there's a lot to say. | |
But first, it is | |
really good to be back. | |
One of the things | |
that when you go | |
to a difficult part of the world | |
or a part of the world that's | |
going through | |
something difficult, | |
you really appreciate how | |
great it is to be an American. | |
Everything. | |
The easy access to food. | |
Despite what people think, the | |
stable, reliable rule of law. | |
The lack of corruption in that | |
you can trust that if you start | |
a business or if you take | |
on various pursuits in life | |
that there's not going to | |
be at-scale manipulation | |
of your efforts such | |
that you can't succeed. | |
So this kind of | |
capitalism is in it's-- | |
the ideal of capitalism is | |
really still burning bright | |
in this country. | |
And it really makes you | |
appreciate those aspects. | |
And also just the ability to | |
have a home for generations, | |
across generations. | |
So you can have your | |
grandfather live | |
in Kentucky in a certain city. | |
And then his children lived | |
there, and you live there, | |
and then it just | |
continues on and on. | |
That's the kind of thing you can | |
have when you don't have war. | |
Because war destroys | |
entire communities. | |
And it destroys | |
histories, generations, | |
like life stories that stretch | |
across the generations. | |
So-- | |
ANDREW HUBERMAN: Yeah yeah. | |
I didn't even think about | |
that until you said just now. | |
But photographs, hard drives | |
get destroyed or just abandoned. | |
LEX FRIDMAN: Yeah. | |
ANDREW HUBERMAN: Libraries. | |
I mean, nowadays, things | |
exist in the cloud | |
but are still a lot of-- | |
LEX FRIDMAN: Yeah. | |
ANDREW HUBERMAN: | |
--material goods | |
that are irreplaceable, right. | |
LEX FRIDMAN: Well, even in rural | |
parts of the United States, | |
they don't exist in | |
the cloud, right. | |
A lot of people still, well, | |
even in towns, they still | |
love the physical photo | |
album of your family. | |
A lot of people still | |
store their photographs | |
of families in the VHS tapes and | |
all that kind of stuff, yeah. | |
But I think-- there's so many | |
things I've learned and really | |
felt the lessons. | |
One of which is nobody gives a | |
damn when your photos are gone | |
and all that kind of | |
stuff, your house is gone. | |
The thing time and time | |
again I saw for people | |
that lost everything is how | |
happy they are for the people. | |
They love the friends, the | |
family that are still alive. | |
That's the only thing | |
they talk about. | |
That, in fact, they | |
don't mention actually | |
with much dramatic sort | |
of vigor about the trauma | |
of losing your home. | |
They're just non-stop saying | |
how lucky they are that person X | |
person Y is still here. | |
And that makes you realize | |
that when you lose everything, | |
it's still-- | |
it makes you realize | |
what really matters, | |
which is the people | |
in your life. | |
I mean, a lot of people kind | |
of realize that later in life, | |
when you're facing mortality, | |
when you're facing your death, | |
or you get a cancer | |
diagnosis, that kind of stuff. | |
I think people here in | |
America, in California, | |
with the fires, you you | |
can still lose your home. | |
You are going to | |
realize, like, nah. | |
It doesn't really matter. | |
It's a pain in the ass | |
but what matters is still | |
the family, the | |
people, and so on. | |
I think the most intense thing-- | |
I talked to several hundred | |
people, some of which | |
is recorded. | |
I've really been | |
struggling to put that out | |
because I have to | |
edit it myself. | |
And so you're talking about 30, | |
40 hours of footage, and it-- | |
ANDREW HUBERMAN: Is | |
emotionally struggling? | |
LEX FRIDMAN: Yeah. | |
It is extremely difficult. | |
ANDREW HUBERMAN: Are you | |
like emotional struggle? | |
LEX FRIDMAN: It's | |
extremely difficult. | |
So I talked to a | |
lot of politicians. | |
The number two in the | |
country, number three. | |
I'll be back there to | |
talk to the president | |
to do a three-hour conversation. | |
Those are easy to edit. | |
They're really heartfelt | |
and thoughtful folks | |
from different perspectives | |
on the geopolitics of the war. | |
But the ones that | |
really hard to edit | |
is like grandmas that are | |
in the middle of nowhere. | |
They lost everything. | |
They still have hope, | |
they still have love. | |
And some of them have-- | |
some of them, many of | |
them, unfortunately, | |
have now hate in their heart. | |
So in February, when | |
Russia invaded Ukraine, | |
this is the thing I | |
realized about War. | |
One of the most | |
painful one lessons | |
is that war creates | |
generational hate. | |
We sometimes think about war | |
as a thing that kills people, | |
kills civilians, kills | |
soldiers, takes away lives, | |
injures people. | |
But we don't | |
directly think about | |
the secondary and | |
tertiary effects | |
of that which lasts decades. | |
Which is anyone who's lost | |
the father or a mother | |
or a daughter or a son, | |
they now hate not just | |
the individual | |
soldiers or the leaders | |
that invaded their country but | |
the entirety of the people. | |
So it's not that they | |
hate Vladimir Putin | |
or hate the Russian military. | |
They hate Russian people. | |
So that tears the | |
fabric of a thing | |
that, for me-- my half | |
my family's from Ukraine, | |
half of my family | |
is from Russia. | |
But there is-- | |
I remember the pain the | |
triumph of World War two | |
still resonates through | |
my entire family tree. | |
And so, you remember when | |
the Russians and Ukrainians | |
fought together against | |
this Nazi invasion. | |
You remember a lot of that. | |
And now, to see the fabric | |
of this peoples torn apart | |
completely with hate is really, | |
really difficult. For me, | |
just to realize that | |
things will just never | |
be the same on this particular | |
cultural, historical aspect. | |
But also, there's so many | |
painful ways in which | |
things will never be the same. | |
Which is we've seen that | |
it's possible to have | |
a major hot war in | |
the 21st century. | |
I think a lot of people | |
are watching this. | |
China is watching this. | |
India is watching this. | |
United States is watching this | |
and thinking we can actually | |
have a large-scale war. | |
And I think the lessons | |
learned from that. | |
Might be the kind that lead | |
to a major World War III | |
in the 21st century. | |
So one of the things I realized | |
watching the whole scene | |
is that we don't know | |
shit about what's going | |
to happen in the 21st century. | |
And it might-- we kind of have | |
this intuition like surely | |
there's not going | |
to be another war. | |
ANDREW HUBERMAN: Like | |
we'll just coast. | |
LEX FRIDMAN: Yeah. | |
ANDREW HUBERMAN: Yeah. | |
LEX FRIDMAN: Yeah, pandemic. | |
Yeah-- | |
ANDREW HUBERMAN: | |
And back to normal. | |
LEX FRIDMAN: Back to normal-- | |
ANDREW HUBERMAN: | |
Whatever that is. | |
LEX FRIDMAN: But you | |
have to remember, | |
at the end of World War I, | |
as Woodrow Wilson called it, | |
the war to end all wars. | |
Nobody ironically, | |
in a dark way, | |
it was also the roaring 20s | |
when people believed this. | |
There will never be | |
another World War. | |
And 20 years after that, | |
the rise of Nazi Germany. | |
A charismatic leader | |
that captivated | |
the minds of | |
millions and built up | |
a military that can | |
take on the whole world. | |
And so it makes you realize | |
that this is still possible. | |
This is still possible. | |
And then the tension. | |
You see this-- the media | |
machine, the propaganda | |
machine, that I've gotten | |
to see every aspect of. | |
It's still fueling that division | |
between America and China. | |
Between Russia and India. | |
And then Africa has | |
a complicated thing | |
that's trying to figure | |
out who are they with, | |
who are they against. | |
And just this tension is | |
building and building. | |
And like it makes you | |
realize like we might-- | |
the thing that might | |
shake human civilization | |
may not be so far off. | |
That's a realization | |
you get to really feel. | |
I mean, there's all | |
kinds of other lessons. | |
And one of which is propaganda. | |
Is I got to-- | |
I get a lot of letters, emails. | |
And some of them are full | |
of really intense language, | |
full of hate from | |
every side toward me. | |
Or, well, the hate is | |
towards me as representing | |
side X. And X stands as a | |
variable for every side. | |
So either I'm a Zelensky | |
show, or I'm a Putin show, | |
or I'm a NATO show, | |
or I'm an America-- | |
America show-- | |
American empire show. | |
Or I'm a Democrat | |
or a Republican. | |
Because it's already been, | |
in this country, politicized. | |
I think there's a sense of | |
Ukraine is this place that's | |
full of corruption. | |
Why are we sending money there? | |
I think that's kind | |
of the messaging | |
on the Republican side. | |
On the Democratic side-- | |
I'm not even keeping track | |
of the actual messaging | |
and the conspiracy theories | |
and the narratives, | |
but they are-- the | |
tension is there. | |
And I get to feel it directly. | |
And what you get to | |
really experience | |
is there's a large | |
number of narratives | |
that all are extremely | |
confident themselves that they | |
know the truth. | |
People are convinced, | |
first of all, | |
that they're not being lied to. | |
People in Russia think | |
there's no propaganda. | |
They think that, | |
yes, yes, there is | |
like state-sponsored | |
propaganda, but we're all | |
smart enough to ignore the lame | |
propaganda that's everywhere. | |
They know that we can think | |
on our own, we know the truth, | |
and everybody kind of | |
speaks in this way. | |
Everybody in the | |
United States says, | |
well, yes, there's | |
mainstream media, | |
they're full of messaging and | |
propaganda, but we're smart. | |
We can think on our own. | |
Of course, we see through that. | |
Everybody says this. | |
And then the conclusion | |
of their thought | |
is often hatred towards some | |
group, whatever that group is. | |
And the more you've | |
lost, the more | |
intense the feeling of hatred. | |
It's a really | |
difficult field to walk | |
through calmly and | |
with an open mind | |
and try to understand | |
what's really going on. | |
ANDREW HUBERMAN: | |
It's super intense. | |
That's the only words that | |
come to mind as I hear this. | |
You mentioned something that | |
it seems that hate generalizes. | |
It's against an entire | |
group or an entire country. | |
Why do you think it is that | |
hate generalizes and that love | |
may or may not generalize? | |
LEX FRIDMAN: I've | |
had-- sort of one, | |
as you can imagine, the | |
kind of question I asked | |
is, do you have love | |
or hate in your heart? | |
It's a question I | |
asked almost everybody. | |
And then I would dig | |
into this exact question | |
that you're asking. | |
I think some of the most | |
beautiful things I've | |
heard which is people | |
that are full of hate | |
are able to | |
self-introspect about it. | |
They know they shouldn't feel | |
it, but they can't help it. | |
It's not-- they know that | |
ultimately the thing that | |
helps them and helps everyone | |
is to feel love for fellow man, | |
but they can't help it. | |
They know. | |
It's like a drug, they | |
say like hate escalates, | |
it's like a vicious spiral. | |
You just can't help it. | |
And the question I | |
also asked is, do you | |
think you'll ever be | |
able to forgive Russia? | |
And after much thought almost-- | |
it's split, but most | |
people will say no. | |
I will never be able to forgive. | |
ANDREW HUBERMAN: And because | |
of the generalization | |
you talked about earlier, that | |
could even include all Ru-- | |
LEX FRIDMAN: All Russians. | |
ANDREW HUBERMAN: | |
In that statements, | |
they mean all Russians. | |
LEX FRIDMAN: Because | |
if you do nothing | |
that's as bad or worse | |
than being part of the army | |
that invades. | |
So the people that are | |
just sitting there, | |
the good Germans, the people | |
that are just quietly going | |
on with their lives, you're | |
just as bad, if not worse, | |
is their perspective. | |
ANDREW HUBERMAN: | |
Earlier, you said | |
that going over | |
to the Ukraine now | |
allowed you to | |
realize just so many | |
of the positives of being | |
here in the United States. | |
I have a good friend. | |
We both know him. | |
I won't name him | |
by name, but we've | |
communicated the | |
three of us from | |
tier-one Special Operations. | |
He spent years | |
doing deployments. | |
Really amazing individual. | |
And I remember when the pandemic | |
hit, he said on a text thread | |
you know, Americans aren't used | |
to the government interfering | |
with their plans. | |
Around the world, | |
many people are | |
familiar with governments | |
dramatically interfering | |
with their plans. | |
Sometimes even in a | |
seemingly random way. | |
Here we were not | |
braced for that. | |
I mean, we get speeding | |
tickets, and there's lines | |
to vote and things like that. | |
But I think the pandemic | |
was one of the first times, | |
at least in my life, that I | |
can remember where it really | |
seemed like the government was | |
impeding what people naturally | |
wanted to do. | |
And that was a shock | |
for people here. | |
And I have a what might | |
seem like a somewhat | |
mundane question, | |
but it's something | |
that I saw on social media. | |
A lot of people were | |
asking me to ask you, | |
and I was curious about too. | |
What was a typical | |
day like over there? | |
Were sleeping in a bed, were | |
you sleeping on the ground? | |
Everyone seems to want to know. | |
What were you eating? | |
Were you eating once a day? | |
Were you eating your steak? | |
Or were you-- were you in fairly | |
deprived conditions over there? | |
I saw a couple photos | |
that you posted out | |
of doors in front of rubble. | |
With pith helmet on in one case. | |
What was that typical | |
day like over there? | |
LEX FRIDMAN: So | |
there's two modes. | |
One of them-- I spent | |
a lot of time in Kyiv, | |
which is much safer than-- | |
it may be obvious to state | |
but for people who don't know, | |
it's in the middle | |
of the country, | |
and it's much safer | |
than the actual front. | |
The word the battle | |
is happening. | |
So much, much safer | |
than Kyiv even | |
is Lviv which is the | |
Western part of the country. | |
So the times I | |
spent in Kyiv were | |
fundamentally different than | |
the time I spent at the front. | |
And I went to the | |
Kherson region, | |
which is where a lot of really | |
heated battle was happening. | |
There's several areas. | |
So there's Kharkiv. | |
It's in the Northeast | |
of the country. | |
And then there's Donbas region, | |
which is East of the country. | |
And then there's Kherson | |
region, which, by the way, | |
I'm not good at geography, so | |
is the Southeast of the country. | |
And that's where, at | |
least when I was there, | |
was a lot of really | |
heated fighting happening. | |
So when I was in | |
the Kherson region, | |
it's what you would imagine. | |
The place-- I stayed in a | |
hotel where all the lights | |
have to stay off. | |
So the entire town, | |
all the lights are off. | |
You have to navigate | |
through the darkness | |
and use your phone | |
to shine, and so on. | |
ANDREW HUBERMAN: This is | |
terrible for the circadian | |
system. | |
LEX FRIDMAN: Yeah. | |
ANDREW HUBERMAN: Yeah. | |
LEX FRIDMAN: That's exactly-- | |
I was this-- how can I do this? | |
Where's my element | |
and Athletic Greens? | |
How can I function? | |
No. | |
There's I think it was balanced | |
by the deep appreciation | |
of being alive. | |
[LAUGHTER] | |
ANDREW HUBERMAN: | |
Right now I-- mean, | |
this is the reason | |
that I asked-- | |
LEX FRIDMAN: Stress-wise. | |
ANDREW HUBERMAN: | |
This is the reason | |
I ask is we get used to all | |
these creature comforts. | |
LEX FRIDMAN: Yes. | |
ANDREW HUBERMAN: And | |
we don't need them, | |
but we often come | |
to depend on them | |
in a way that makes us | |
feel like we need them. | |
LEX FRIDMAN: Yeah, | |
but very quickly, | |
there's something about | |
the intensity of life | |
that you see in people's | |
eyes because they're | |
living through a war that makes | |
you forget all those creature | |
comforts. | |
And it was actually-- | |
I'm somebody who hates | |
traveling and so on. | |
I love the creature habits. | |
I love-- I love the | |
comfort of the ritual right | |
but all of that was | |
forgotten very quickly. | |
Just the intensity of | |
feeling, the intensity of | |
love that people have for | |
each other, that was obvious. | |
In terms of food-- | |
so there's a curfew. | |
So depends on what | |
part of the country. | |
But usually, you basically have | |
to scamper home like 9:00 PM. | |
So the hard curfew in a lot of | |
places is 11:00 PM at night. | |
But by then, you | |
have to be home. | |
So-- in some places, it's 10:00. | |
So at 9:00 PM, you | |
start going home. | |
Which, for me, was | |
kind of wonderful | |
also because I get to spend-- | |
I get to be forced to spend time | |
alone and think for many hours | |
in wherever I'm staying. | |
Which is really nice. | |
And everywhere there's a | |
calmness and the quietness | |
to the whole thing. | |
In terms of food, once a day. | |
Just the food is incredibly | |
cheap and incredibly delicious. | |
People are still-- | |
one of the things | |
they can still take pride | |
in is making the best | |
possible food they can. | |
So meat-- but they do | |
admire American meat, | |
so the meat is not as great as | |
it could be in that country. | |
But I ate borsch every day, | |
all that kind of stuff. | |
Mostly meat. | |
So spend the entire day-- | |
wake up in the | |
morning with coffee, | |
spend the entire day | |
talking to people. | |
Which for me is very | |
difficult because | |
of the intensity of the story. | |
It's one after the | |
other after the other. | |
We just talk to regular | |
people, talk to soldiers, | |
talk to politicians, | |
all kinds of soldiers. | |
I talked to people there who | |
are doing rescue missions, so | |
Americans. | |
I hung out with Tim Kennedy. | |
ANDREW HUBERMAN: Oh, yeah? | |
The great Tim Kennedy. | |
LEX FRIDMAN: The great | |
Tim Kennedy, who-- | |
also him and many | |
others revealed to me | |
one of the many | |
reasons I'm proud to be | |
an American is how trained | |
and skilled and effective | |
American soldiers are. | |
ANDREW HUBERMAN: I guess for | |
listeners of this podcast maybe | |
we should familiarize | |
them with who | |
Tim Kennedy is because I | |
realized that a number of them | |
will know, but-- | |
LEX FRIDMAN: How do you do that? | |
How do you try to | |
summarize a man? | |
ANDREW HUBERMAN: Right. | |
We can be accurate | |
but not exhaustive, | |
as any good data are | |
accurate but not exhaustive. | |
Very skilled and accomplished | |
MMA fighter, very skilled | |
and accomplished former | |
Special Operations member, | |
American Patriot, and | |
podcaster too, right? | |
Does he have his own podcast? | |
LEX FRIDMAN: Maybe. | |
ANDREW HUBERMAN: OK. | |
LEX FRIDMAN: Maybe. | |
ANDREW HUBERMAN: We know Andy | |
Stumpf has his own podcast. | |
LEX FRIDMAN: Yes. | |
ANDREW HUBERMAN: Yeah. | |
LEX FRIDMAN: Which is | |
an amazing podcast. | |
Yeah, Andy's great. | |
ANDREW HUBERMAN: Yeah. | |
Clearing Hot podcast | |
with Andy Stumpf. | |
LEX FRIDMAN: But | |
also Tim Kennedy | |
is like the embodiment of | |
America to the most beautiful | |
and the most ridiculous degree. | |
So he's like what you imagine-- | |
what is it, Team America? | |
I just imagine him | |
shirtless on a tank rolling | |
into enemy territory | |
just screaming | |
at the top of his lungs. | |
That's just his personality. | |
ANDREW HUBERMAN: | |
But not posturing. | |
He actually does the | |
work, as they say. | |
LEX FRIDMAN: So | |
this is the thing. | |
He really embodies that. | |
Now, some of that is just | |
his personality and humor. | |
I'd like to sort of comment | |
on the humor of things, | |
not just with him. | |
There's very one other | |
interesting thing I've learned. | |
But also when he's | |
actually helping people | |
he's extremely good | |
at what he does, | |
which is building | |
teams that rescue, that | |
go into the most dangerous areas | |
of Ukraine, dangerous areas | |
anywhere else, and | |
they get the job done. | |
And one of the things I | |
heard time and time again, | |
which what's really | |
interesting to me, | |
that Ukrainian soldiers said | |
that comparing Ukrainian, | |
Russian, and American | |
soldiers, American soldiers | |
are the bravest, which was | |
very interesting for me | |
to hear given how | |
high the morale is | |
for the Ukrainian soldiers. | |
But that just | |
reveals that training | |
enables you to be brave. | |
So it's not just about how well | |
trained they are and so on, | |
it's how intense and ferocious | |
they are in the fighting. | |
And it makes you realize, | |
this is American army, | |
not just through the technology, | |
especially the special force | |
guys. | |
They're still one of | |
the most effective | |
and terrifying | |
armies in the world. | |
And listen, just | |
for context, I'm | |
somebody who is, for the most | |
part, anti-war, a pacifist. | |
But you get to see some of the | |
realities of war kind of wake | |
you up to what needs to get | |
done to protect sovereignty, | |
to protect some of the values, | |
to protect civilians and homes | |
and all that kind of stuff. | |
Sometimes war has to happen. | |
And I should also | |
mention the Russian side | |
because while I haven't gotten | |
to experience the Russian side | |
yet I do fully plan to travel to | |
Russia, as I've told everybody. | |
I was very upfront with | |
everybody about this. | |
I would like to hear | |
the story of Russians. | |
But I do know from the Ukrainian | |
side, like the grandmas-- | |
I love grandmas. | |
They told me stories that | |
the Russians really-- | |
the ones that entered their | |
villages, they really, really | |
believed they're saving | |
Ukraine from Nazis, | |
from Nazi occupation. | |
So they feel that | |
Ukraine is under control | |
of Nazi organizations | |
and they believe | |
they're saving | |
the country that's | |
their brothers and sisters. | |
I think propaganda and I think | |
truth is a very difficult thing | |
to arrive with in that war zone. | |
I think in the 21st | |
century one of the things | |
you realize that so much of war, | |
even more so than in the past, | |
is an information war. | |
And people that just use Twitter | |
for their source of information | |
might be surprised to know | |
how much misinformation there | |
is on Twitter, like real | |
narratives being sold, | |
and so it's really hard | |
to know who to believe. | |
And through all of that you | |
have to try to keep an open mind | |
and ultimately | |
ignore the powerful | |
and listen to actual | |
citizens, actual people. | |
That's the other | |
maybe obvious lesson | |
is that war is waged by | |
powerful, rich people, | |
and it's the poor | |
people that suffer. | |
And that's just visible | |
time and time again. | |
ANDREW HUBERMAN: You mentioned | |
the fact that people still | |
enjoy food or the | |
pleasure of cooking, | |
or there's occasional humor | |
or maybe frequent humor. | |
I know Jocko Willink has | |
talked about this in warfare | |
in that all the elements of | |
the human spirit and condition | |
still emerge at various times. | |
I find this amazing, | |
and you and I | |
have had conversations | |
about this before, | |
but the aperture of the mind. | |
The classic story | |
that comes to mind | |
is the one of Viktor | |
Frankl or Nelson Mandela. | |
You put somebody into a | |
small box of confinement | |
and some people break | |
under those conditions | |
and other people | |
find entire stories | |
within a centimeter | |
of concrete that | |
can occupy them, real stories | |
and richness or humor or love | |
or fascination and surprise. | |
And I find this so interesting | |
that the mind is so adaptable. | |
We talked about creature | |
comforts and then lack | |
of creature comforts and | |
the way that we can adapt, | |
and yet, humans are | |
always striving, | |
it seems, or one would hope, | |
for these better conditions | |
to better their conditions. | |
So as you've come back-- | |
and you've been here | |
now back in the States | |
for how long after your trip? | |
LEX FRIDMAN: Depends | |
on this podcast | |
release but it felt | |
like I've never | |
left, so practically | |
speaking, a couple months. | |
ANDREW HUBERMAN: OK. | |
Yeah. | |
And we won't be shy. | |
We're recording | |
this mid-September. | |
LEX FRIDMAN: We actually | |
recorded this several years ago | |
so we're anticipating | |
in the future. | |
ANDREW HUBERMAN: | |
This is where we're | |
going to start telling you this | |
is a simulation, you and Joe. | |
I'm still trying to figure | |
out what that actually means. | |
I'd like to take a quick | |
break and acknowledge | |
one of our sponsors, | |
Athletic Greens. | |
Athletic Greens, now called AG1, | |
is a vitamin mineral probiotic | |
drink that covers all of your | |
foundational nutritional needs. | |
I've been taking Athletic | |
Greens since 2012 | |
so I'm delighted that they're | |
sponsoring the podcast. | |
The reason I started taking | |
Athletic Greens and the reason | |
I still take Athletic Greens, | |
once or usually twice a day, | |
is that it gets | |
me the probiotics | |
that I need for gut health. | |
Our gut is very important. | |
It's populated by | |
gut microbiota that | |
communicate with the brain, the | |
immune system, and basically | |
all the biological | |
systems of our body | |
to strongly impact our | |
immediate and long term health, | |
and those probiotics | |
in Athletic Greens | |
are optimal and vital | |
for microbiotic health. | |
In addition, Athletic | |
Greens contains | |
a number of adaptogens, | |
vitamins, and minerals | |
that make sure that all of my | |
foundational nutritional needs | |
are met, and it tastes great. | |
If you'd like to try | |
Athletic Greens you can go | |
to athleticgreens.com/huberman | |
and they'll give you five free | |
travel packs that make it really | |
easy to mix up Athletic Greens | |
while you're on the road, in the | |
car, on the plane, et cetera, | |
and they'll give you a year | |
supply of vitamin D3, K2. | |
Again, that's | |
athleticgreens.com/huberman | |
to get the five free travel | |
packs and the year supply | |
of vitamin D3, K2. | |
I know I speak for | |
many people when | |
I say that we are very | |
happy that you're back. | |
We know that it's not going | |
to be the first and last trip, | |
that there will be | |
others, and that you'll | |
be going to Russia as well | |
and presumably other places | |
as well in order to explore. | |
And I have to say, as a | |
podcaster and as your friend, | |
I was really inspired at | |
your sense of adventure | |
and your sense of | |
not just adventure, | |
but thoughtful, | |
respectful adventure. | |
You understood what | |
you were doing. | |
You weren't just going there | |
to get some wartime footage | |
or something. | |
This wasn't a kick or a thrill. | |
This is really serious | |
and remains serious. | |
So thank you for doing it, | |
and please, next time you go, | |
bring Tim Kennedy again. | |
LEX FRIDMAN: I feel like | |
Tim Kennedy gets you into-- | |
will take you because | |
he really loves | |
going to the most dangerous | |
places and helping people. | |
So I think he'd get me into | |
more trouble than it's worth. | |
And I should mention | |
that, I mean, | |
there's many reasons I | |
went, but it's definitely | |
not something I take | |
lightly or want to do again. | |
ANDREW HUBERMAN: Right. | |
LEX FRIDMAN: So I'm doing | |
things that I don't want to do, | |
I just feel like I have to. | |
ANDREW HUBERMAN: | |
You're compelled. | |
LEX FRIDMAN: So I | |
don't think there's-- | |
now I'll definitely talk | |
about it, as we all should. | |
There's different | |
areas of the world that | |
are seeing a lot of suffering. | |
Yemen. | |
There's so many atrocities | |
going on in the world today, | |
but this one is just | |
personal to me so I want to-- | |
I feel like I'm qualified | |
just because of the language. | |
So most of the talking, | |
by the way, I was doing, | |
it was in Russian. | |
And so because of the language, | |
because of my history, | |
I felt like I had to do | |
this particular thing. | |
I think it's, in many ways, | |
stupid and dangerous, and that | |
was made clear to me. | |
But I do many things | |
of this nature | |
because the heart | |
pulls towards that. | |
But also there's | |
a freedom to not-- | |
I'm afraid of death, but I | |
think there's a freedom to-- | |
it's almost like, | |
OK, if I die, I | |
want to take full advantage of | |
not having a family currently. | |
I feel like when you | |
have a family there's | |
a responsibility for others | |
so you immediately become | |
more conservative and careful. | |
I feel like I want to | |
take full advantage | |
of this particular | |
moment in my life | |
when you can be a little | |
bit more accepting of risk. | |
ANDREW HUBERMAN: Well, | |
you should definitely | |
reproduce at some point. | |
Maybe before next time you | |
should just freeze some sperm. | |
LEX FRIDMAN: I-- | |
ANDREW HUBERMAN: Really, that-- | |
LEX FRIDMAN: Is that what | |
you do with ice baths? | |
Is how that works? | |
ANDREW HUBERMAN: You | |
know, it's interesting. | |
There's always an opportunity | |
to do some science protocols. | |
You know that there are | |
products on the internet, | |
and there are actually a few | |
decent manuscripts looking | |
at how cold exposure can | |
increase testosterone levels, | |
but it doesn't happen | |
by the cold directly. | |
Good scientists, as the authors | |
of those papers, were and are, | |
realized that it's the | |
vasoconstriction and then | |
the vasodilation. | |
As people warm up again | |
there's increased blood flow | |
to the testicles, | |
and in women it | |
seems there's probably | |
increased blood flow | |
to the reproductive organs as | |
well after people warm back up. | |
So that seems to cause some | |
sort of hyper nourishment | |
of the various cells, the | |
Sertoli and Leydig cells | |
of the testes that | |
lead to increased | |
output of testosterone and in | |
women testosterone as well. | |
So the cold exposure in | |
any case is obviously a-- | |
do you do the ice bath? | |
Are you into that? | |
LEX FRIDMAN: I've | |
not done that yet. | |
ANDREW HUBERMAN: As a | |
Russian you probably consider | |
that a hot tub. | |
LEX FRIDMAN: Yeah, exactly. | |
Yeah. | |
It's a nice thing to have fun | |
with every once in a while | |
to warm up. | |
No, I haven't done that. | |
Been kind of waiting | |
to maybe do it together | |
with you at some point. | |
ANDREW HUBERMAN: Great. | |
LEX FRIDMAN: Because | |
we have a guide. | |
ANDREW HUBERMAN: | |
We have one here. | |
It'll be | |
straightforward for you. | |
I always say that the | |
adrenaline comes in waves, | |
and so if you just | |
think about it walls, | |
like you're going through a | |
number of walls of adrenaline | |
as opposed to going for time, | |
it becomes rather trivial. | |
With your jujitsu | |
background and what | |
you'll immediately recognize | |
the physiological sensation. | |
Even though it's | |
cold specifically, | |
it's the adrenaline | |
that makes you | |
want to hop out of the thing. | |
LEX FRIDMAN: And | |
you've seen Joe's. | |
So Joe set up a | |
really nice man cave-- | |
or it's not even a cave | |
because it's so big. | |
It's like a network | |
of man caves. | |
But it has a ice bath and | |
a sauna next to each other. | |
ANDREW HUBERMAN: We have one of | |
those here, ice bath and sauna. | |
So we'll have to get you | |
in it one of these days. | |
LEX FRIDMAN: Sounds | |
like trouble. | |
ANDREW HUBERMAN: Maybe | |
tonight, maybe tomorrow. | |
No, although there is a-- | |
I don't know the underlying | |
physiological basis | |
but there does seem to | |
be a trend toward truth | |
telling in the sauna. | |
Some people will refer | |
to them as truth barrels. | |
Mine's a barrel sauna | |
shaped like a barrel. | |
Who knows why? | |
Maybe under intense | |
heat duress people just | |
feel compelled to share. | |
LEX FRIDMAN: Well, I have | |
a complicated relationship | |
with saunas because of | |
all the weight cutting. | |
ANDREW HUBERMAN: Oh. | |
LEX FRIDMAN: Some of | |
the deepest suffering-- | |
sorry to interrupt-- | |
I've done was in the sauna. | |
It's very-- I mean, I've gone | |
to some dark places in a sauna | |
because, I mean, I wrestled | |
my whole life, judo, jujitsu, | |
and those weights cuts | |
can really test the mind. | |
So you're-- truth telling. | |
Yeah, it's a certain | |
kind of truth | |
telling because | |
you're sitting there | |
and the clock moves slower than | |
it has ever moved in your life. | |
Yeah. | |
So I usually, for | |
the most part, I | |
would try to have a bunch of | |
sweats, garbage bags, and all | |
that kind of stuff, and run. | |
It's easier because you | |
can distract the mind. | |
In the sauna you can't | |
distract the mind. | |
It's just and all the excuses | |
and all the weaknesses | |
in your mind just | |
coming to the surface, | |
and you're just sitting there | |
and sweating-- or not sweating. | |
That's the worst. | |
ANDREW HUBERMAN: And talk | |
about visual aperture. | |
You're in a small box so it also | |
inspires some claustrophobia | |
even if you're not | |
claustrophobic. | |
That's absolutely true. | |
And the desire to just | |
get out of the thing | |
is where you get a pretty | |
serious adrenaline surge | |
from in the sauna as well. | |
Now, the sauna actually will-- | |
it won't deplete testosterone | |
but it kills sperm. | |
So for people that-- | |
sperm are on a 60 | |
day sperm cycle | |
so if you're trying | |
to donate sperm-- | |
because that's what | |
got us on to this-- | |
or fertilize an egg or | |
eggs in whatever format, | |
dish or in vivo, as we say | |
in science, which means-- | |
well, you can look it up, folks. | |
The 60 day sperm cycle. | |
So if you go into | |
a really hot sauna | |
or a hot bath or a | |
hot tub, in 60 days | |
those sperm are going to be-- | |
a significantly | |
greater portion of them | |
will be dead, will | |
be non-viable. | |
So there's a simple solution. | |
People just put ice pack down | |
there or a jar, not this jar, | |
but a jar of cold fluid between | |
their legs and just sit there, | |
or they go back and | |
forth between the ice | |
bath and the sauna. | |
But you probably-- if you're | |
going to go back over there | |
you should freeze sperm. | |
We're going to do a couple | |
episodes on fertility when | |
it's relatively inexpensive. | |
And you're young so | |
you probably do it now | |
because there is a association | |
with autism as males get older. | |
It's not a strong one. | |
It's significant but it's | |
still a small contribution | |
to the autism phenotype. | |
LEX FRIDMAN: As you age | |
don't sperm get wiser or no? | |
There's no science to back that? | |
ANDREW HUBERMAN: No, but men | |
can conceive healthy children | |
at a considerable age. | |
But in any case-- | |
but no, they don't get wiser. | |
What happens is interesting-- | |
LEX FRIDMAN: Finely aged steak. | |
ANDREW HUBERMAN: Well, it's a | |
little bit like the maturation | |
of the brain in the sense | |
that some of the sperm | |
get much better at swimming | |
and then many of them | |
get less good. | |
Motility is a strong correlate | |
of the DNA of the sperm. | |
LEX FRIDMAN: This is | |
probably a good time | |
to announce that I'm | |
selling my sperm as an NFTs. | |
I wanted to see how much that-- | |
ANDREW HUBERMAN: Oh my goodness. | |
LEX FRIDMAN: Riding | |
the crypto wave. | |
ANDREW HUBERMAN: Well, your | |
children, your future children | |
and my future children, are | |
supposed to do jujitsu together | |
since I've only done | |
the one jujitsu class | |
so I'm strongly vested | |
in you having children. | |
LEX FRIDMAN: Yes. | |
ANDREW HUBERMAN: But only | |
in the friendly kind of way. | |
LEX FRIDMAN: Well, yes. | |
Friendly competition | |
kind of way. | |
Yeah. | |
Dominance of the clan. | |
Yep. | |
For sure. | |
ANDREW HUBERMAN: So moving | |
on to science, but still | |
with our minds in the Ukraine. | |
Did you encounter any scientists | |
or see any universities? | |
As we know, in this country | |
and in Europe and elsewhere, | |
science takes infrastructure. | |
You need buildings, you need | |
laboratories, you need robots, | |
you need a lot of equipment, | |
and you need minus 80 freezers | |
and you need incubators | |
and you need money | |
and you need technicians. | |
And typically it's been | |
the wealthier countries | |
that have been able to | |
do more research for sake | |
of research and development | |
and prioritization. | |
Certainly the Ukraine had | |
some marvelous universities | |
and marvelous scientists. | |
What's going on with science | |
and scientists over there? | |
And gosh, can we even | |
calculate the loss of discovery | |
that is occurring as a | |
consequence of this conflict? | |
LEX FRIDMAN: So science goes on. | |
Before the war Ukraine had | |
a very vibrant tech sector, | |
which means engineering | |
and all that kind of stuff, | |
and Kyiv has a lot of | |
excellent universities | |
and they still go on. | |
The biggest hit, I | |
would say, is not | |
the infrastructure | |
of the science, | |
but the fact, because | |
of the high morale, | |
everybody is joining | |
the military. | |
So everybody is | |
going to the front | |
to fight, including you, Andrew | |
Huberman, would be fighting, | |
and not because you have | |
to but because you want to. | |
And everybody you know | |
would be really proud | |
that you're fighting, | |
even though everyone tries | |
to convince, Andrew | |
Huberman, you | |
have much better | |
ways to contribute. | |
There's deep honor in fighting | |
for your country, yes, | |
but there are better ways to | |
contribute to your country | |
than just picking up a gun that | |
you're not that trained with | |
and going to the front. | |
Still, they do it. | |
Scientists, engineers, | |
CEOs, professors, students-- | |
ANDREW HUBERMAN: Men and women? | |
LEX FRIDMAN: Actors-- | |
men and women. | |
Obviously, primarily | |
men, but men and women. | |
Much more than you would | |
see in other militaries, | |
women are-- everybody. | |
Everybody wants to fight. | |
Everybody's proud of fighting. | |
There's no discussion | |
of pacifism. | |
Should we be fighting? | |
Is this right? | |
Is this-- everybody's | |
really proud of fighting. | |
So there's this | |
kind of black hole | |
that pulls everything, | |
all the resources, | |
into the war effort that's | |
not just financial but also | |
psychological. | |
So it's like if you're a | |
scientist it feels like what-- | |
it feels almost like | |
you're dishonoring humanity | |
by continuing to do things | |
you were doing before. | |
There's a lot of people that | |
converted to being soldiers. | |
They literally watch | |
a YouTube video | |
of how to shoot | |
a particular gun, | |
how to arm a drone | |
with a grenade. | |
If you're a tech | |
person you know how | |
to work with drones so | |
you're going to use that, | |
use whatever skills you got, | |
figure out whatever skills | |
you got and how to use them to | |
help the effort on the front. | |
And so that's a big hit. | |
But that said, I've talked | |
to a lot of folks in Kyiv-- | |
faculty primarily in the | |
tech economics space, | |
so I didn't get a chance | |
to interact with folks who | |
are on the biology, chemistry, | |
neuroscience side of things, | |
but that still goes on. | |
So one of the really | |
impressive things about Ukraine | |
is that they're able to maintain | |
infrastructure like road, food | |
supply, all that kind of stuff, | |
education, while the war is | |
going on, especially in Kyiv. | |
The war started | |
where nobody knew | |
whether Kyiv was going to be | |
taken by the Russian forces. | |
It was surrounded. | |
And a lot of experts from | |
outside were convinced that | |
Russia would take | |
Kyiv, and they didn't. | |
And one of the really | |
impressive things as a leader-- | |
one of the things I | |
really experienced | |
is that a lot of people | |
criticized Zelenskyy | |
before the war. | |
He only had about | |
30% approval rate. | |
A lot of people | |
didn't like Zelenskyy. | |
But one of the | |
great things he did | |
as a leader, which I'm not | |
sure many leaders would | |
be able to do, is when Kyiv | |
was clearly being invaded he | |
chose to stay. | |
He stayed in the capital. | |
Everybody, all the American | |
military, the intelligence | |
agencies, NATO, his own staff, | |
advisors all told him to flee, | |
and he stayed. | |
And so I think that was a | |
beacon, a symbol for the rest, | |
for the universities, | |
for science, | |
for the infrastructure | |
that we're staying too, | |
and that kept the | |
whole thing going. | |
There's an interesting social | |
experiment that happened, | |
I think for folks who | |
are interested in gun | |
control in this | |
country in particular, | |
is one of the decisions | |
they made early on | |
is to give guns to everybody. | |
Semi-automatics. | |
ANDREW HUBERMAN: | |
Early on in the war? | |
LEX FRIDMAN: Early | |
on in the war, yeah. | |
So everybody got a gun. | |
They also released | |
a bunch of prisoners | |
from prison because | |
there was no staff | |
to keep the prisons running. | |
And so there's a | |
very interesting | |
psychological experiment of, | |
like, how is this going to go? | |
Everybody has a gun. | |
Are they going to | |
start robbing places? | |
Are they going to | |
start taking advantage | |
of a chaotic situation? | |
And what happened is | |
that crime went to zero. | |
So it turned out that | |
this, as an experiment, | |
worked wonderfully. | |
ANDREW HUBERMAN: That's a | |
case where love generalized. | |
LEX FRIDMAN: Yes. | |
ANDREW HUBERMAN: Or | |
at least hate did not. | |
We don't know if it's | |
love or it's sort of lack | |
of initiative for common | |
culture directed hate. | |
LEX FRIDMAN: Yeah. | |
I don't-- right. | |
I think that's very correct | |
to say that it wasn't | |
hate that was unifying people. | |
It was love of country, | |
love of community. | |
It's probably the same thing | |
that will happen to humans when | |
aliens invade as well. | |
It's the common effort. | |
Everybody puts everything | |
else to the side. | |
Plus just the sheer amount | |
of guns is similar to Texas. | |
You realize, well, | |
there's going to be | |
a self-correcting mechanism very | |
quickly because the rule of law | |
was also put aside, right? | |
Basically the police | |
force lost a lot of power | |
because everybody else | |
has guns and they're | |
kind of taking the law | |
into their own hands. | |
That system, at least | |
in this particular case | |
in this particular moment | |
in human history, worked. | |
It's an interesting | |
lesson, you know? | |
ANDREW HUBERMAN: It is. | |
I had an interesting contrast | |
that I'll share with you | |
because you mentioned Texas. | |
So not so long ago | |
I was in Austin. | |
I often visit you or others | |
in Austin, as you know. | |
And many doors that I walked | |
past, including a school, | |
said no firearms | |
past this point. | |
It was a sticker on the door. | |
You see this on | |
hospitals sometimes. | |
I saw this at Baylor College | |
of Medicine, et cetera. | |
Relatively common | |
to see in Texas, | |
not so common in California. | |
And then I flew to the | |
San Francisco Bay Area, | |
was walking by an elementary | |
school in my old neighborhood, | |
and saw a similar | |
sticker and looked at it | |
and it said, no peanuts | |
or other allergy | |
containing foods past | |
this point on the door | |
of this elementary school. | |
So quite a different | |
contrast, guns and peanuts. | |
Now, peanut allergies, | |
obviously, are very serious | |
for some people, although | |
there's great research out | |
of Stanford showing that | |
early exposure to peanuts | |
can prevent the allergies. | |
But don't start rubbing yourself | |
in peanut butter, folks, | |
if you have a peanut allergy. | |
That's not the best | |
way to deal with it. | |
In any case, the | |
contrast of what's | |
dangerous, the contrast of | |
the familiarity with guns | |
versus no familiarity. | |
In Israel and elsewhere you see | |
machine guns in the airport. | |
In Germany, Frankfurt, you see | |
machine guns in the airport. | |
Not so common in | |
the United States. | |
So again, I feel like there's | |
this aperture of vision. | |
There's this aperture of | |
pleasures versus creature | |
comforts and lack of | |
creature comforts, | |
and then there's this | |
aperture of danger, right? | |
People who are | |
familiar with guns | |
are familiar with people | |
coming in and setting | |
their firearm on the table | |
and eating dinner, you know? | |
But if you're not accustomed | |
to that it's jarring, right? | |
LEX FRIDMAN: I should mention-- | |
people know this | |
throughout human history-- | |
but the human ability | |
to get assimilated now, | |
get used to violence | |
is incredible. | |
So you could be living | |
in a peaceful time, | |
like we're here now, and | |
there would be one explosion, | |
like a 9/11 type of situation. | |
That would be a huge shock. | |
It's terrifying. | |
Everybody freaks out. | |
The second one is a huge drop | |
off in how freaked out you get. | |
And in a matter of | |
days, sometimes hours, | |
it becomes the normal. | |
I've talked to so many | |
people in Kharkiv, | |
which is one of the towns that's | |
seen a lot of heated battle. | |
You ask them, is it safe there? | |
In fact, when I went to the-- | |
closer and closer to the | |
war zone you ask people, | |
is it safe? | |
And their answer's usually, | |
yeah, it's pretty safe. | |
ANDREW HUBERMAN: It's | |
all signal to noise. | |
LEX FRIDMAN: Nobody has told | |
me except Western reporters | |
sitting in the West | |
Side of Ukraine, | |
it's really dangerous here. | |
Everyone's like, | |
yeah, it's good. | |
My uncle just died yesterday. | |
He was shot. | |
But it's pretty good. | |
The farm is still running. | |
How do I put it? | |
They focus on the | |
positive, that's one. | |
But there's a | |
deeper truth there, | |
which is just get used | |
to difficult situations | |
and the stuff that | |
make you happy | |
and the stuff that | |
make you upset | |
is relative to that new | |
normal that you establish. | |
ANDREW HUBERMAN: Well, | |
I grew up in California | |
and there were a | |
lot of earthquakes. | |
I remember the '89 | |
quake, I remember | |
the Embarcadero | |
Freeway pancaking | |
on top of people and cars. | |
I remember I moved to | |
Southern California, | |
there was a Northridge quake. | |
Wherever I move there | |
seem to be earthquakes. | |
I never worry about | |
earthquakes, ever. | |
I just don't. | |
In fact, I don't | |
like the destruction | |
they cause, but every once | |
in a while an earthquake will | |
roll through and it's | |
kind of exciting. | |
It sounds like a | |
train coming through. | |
It's like, wow, like | |
the Earth is moving. | |
You know? | |
Again, I don't want | |
anyone to get harmed, | |
but I enjoy a good rumble | |
coming through nonetheless. | |
It's signal to noise. | |
But if I saw a | |
tornado I'd freak out, | |
and people from the Midwest | |
are probably comfortable with-- | |
Dan Gable, the great | |
wrestler from the Midwest | |
that you know and I've | |
never met but I have | |
great respect for, he's | |
probably-- sees a tornado | |
and is like, ah, yeah. | |
Maybe. | |
Yeah. | |
You know? | |
So I think signal | |
to noise is real. | |
Before I neglect, | |
although I won't | |
forget, speaking of signal | |
to noise and environment, | |
you are returning | |
to or have gone back | |
to one of your original | |
natural habitats, | |
which is the Massachusetts | |
Institute of Technology which | |
is-- | |
LEX FRIDMAN: Natural | |
habitat, yeah. | |
ANDREW HUBERMAN: It's actually | |
difficult to pronounce in full. | |
MIT, right? | |
So you've been spending some | |
time there teaching and doing | |
other things. | |
Tell us what you're up | |
to with MIT recently. | |
LEX FRIDMAN: Well, I'm | |
really glad that you, | |
being on the West Coast, know | |
the difference between Boston, | |
New York. | |
I feel like a lot of people | |
think it's like the East Coast. | |
ANDREW HUBERMAN: It's | |
very different, especially | |
the Bostonians and New Yorkers. | |
LEX FRIDMAN: They | |
get very aggressive. | |
ANDREW HUBERMAN: Oh my goodness. | |
LEX FRIDMAN: Yeah, I love it. | |
I gave lectures there in | |
front of a in person crowd. | |
ANDREW HUBERMAN: What | |
were you talking about? | |
LEX FRIDMAN: For the | |
AI, so different aspects | |
of AI and robotics, machine | |
learning-- machine learning. | |
So for people who know the | |
artificial intelligence field | |
they usually don't | |
use the term AI, | |
and people from outside AIs. | |
The biggest breakthroughs | |
in the machine | |
learning field with some | |
discussion of robotics | |
and so on. | |
Yeah. | |
It was in person. | |
It was wonderful. | |
I'm a sucker for that. | |
I really avoided teaching | |
or any kind of interaction | |
during COVID because people | |
put a lot of emphasis | |
on but also got comfortable | |
with remote teaching, | |
and I think nobody enjoyed it. | |
Except there's a notion | |
that it's much easier to | |
do because you don't | |
have to travel. | |
You can do it in your | |
pajamas kind of thing. | |
But when you actually | |
get to do it, | |
you don't get the | |
same kind of joy | |
that you do when | |
you're teaching. | |
As a student you don't get the | |
same kind of joy of learning. | |
It's not as effective and | |
all that kind of stuff. | |
So to be in person together | |
with people, to see their eyes, | |
to get their excitement, to | |
get the questions and all | |
the interactions, | |
that was awesome. | |
And I'm still a sucker and a | |
believer in the ideal of MIT, | |
of the University. | |
I think it's an | |
incredible place. | |
There's something | |
in the air still. | |
But it really hit-- | |
the pandemic hit | |
universities hard because-- | |
and I can say this. | |
This is not you saying it. | |
This is me saying it. | |
That administrations-- | |
as in all cases | |
when people criticize | |
institutions, | |
the pandemic has given more | |
power to the administration | |
and taken away power from | |
the faculty and the students, | |
and that's from | |
everybody involved, | |
including the administration. | |
That's a concern | |
because a university | |
is about the teachers | |
and the students. | |
That should be primary. | |
And whenever you have | |
a pandemic there's | |
an opportunity to increase | |
the amount of rules. | |
One of the things that | |
really bothered me, | |
and I'll scream from | |
the top of the MIT dome, | |
about this is they've instituted | |
a new temp ticket system. | |
Which is if you're a visitor | |
to the campus at MIT, | |
you have to register. | |
You have to, first of all, | |
show that you're vaccinated, | |
but more importantly, there's | |
a process to visiting. | |
You need to get | |
permission to visit. | |
One of the reasons I loved MIT, | |
unlike some other institutions, | |
MIT just leaves the | |
door open to anyone. | |
In classrooms you can roll | |
in the ridiculous characters. | |
The students that | |
are usually doing | |
business stuff or economics | |
can roll into a physics class | |
and just-- you're | |
kind of not allowed | |
but it's a gray area | |
so you let that happen, | |
and that creates a flourishing | |
of a community that | |
was beautiful. | |
And I think adding extra rules | |
puts a squeeze on and limits | |
some of the | |
flourishing, and I hope | |
some of that | |
dissipates over time | |
as we kind of let go of | |
the risk aversion that | |
was created by the pandemic. | |
As we kind of enter | |
the normal return back | |
some of that | |
flourishing can happen. | |
But when you're actually | |
in there with the students, | |
it was magic. | |
I love it. | |
I love it. | |
ANDREW HUBERMAN: Well, some | |
of your earliest videos | |
on your YouTube channel were | |
of you in the classroom, right? | |
That's how this all started. | |
LEX FRIDMAN: Yeah. | |
Yeah. | |
That's how YouTube-- | |
putting stuff on YouTube | |
is terrifying, right? | |
ANDREW HUBERMAN: | |
Well, especially | |
at the time when you did it. | |
Again, you're a | |
pioneer in that sense. | |
You did that, Jordan | |
Peterson did that. | |
Putting up lectures is-- | |
yeah. | |
I teach still. | |
Every winter I teach-- | |
direct a course, and I'll | |
be doing even more teaching | |
going forward. | |
But the idea of those | |
videos being on the web is-- | |
yeah, that spikes my | |
cortisol a little bit. | |
LEX FRIDMAN: Yeah. | |
It's terrifying | |
because you get-- | |
and everybody has a | |
different experience. | |
For me being a junior | |
research scientist | |
the kind of natural | |
concern is like, who am I? | |
And when I was giving | |
this lecture it's like, | |
I don't deserve any of this. | |
ANDREW HUBERMAN: That's your | |
humility coming through, | |
and I actually | |
think that humility | |
on the part of an | |
instructor is good | |
because those that think that | |
they are entitled, and who else | |
could give this lecture? | |
Then I worry more. | |
I once heard-- I don't | |
know if it's still | |
true-- that at Caltech, | |
the great California | |
Institute of Technology | |
not far from here, | |
that many of the | |
faculty are actually | |
afraid of the students. | |
Not physically | |
afraid, but they're | |
intellectually afraid because | |
the students are so smart. | |
And teaching there can | |
be downright frightening, | |
I've heard. | |
But that's great. | |
Keeps everybody on their toes. | |
And you know, I've been | |
corrected in lecture | |
before at Stanford | |
and elsewhere. | |
When my lab was at UC San | |
Diego where someone will say, | |
hey, wait, last lecture you said | |
this and now you said that-- | |
or on the podcast. | |
You know? | |
And I think it's that | |
moment where you sometimes | |
feel that urge to defend and | |
you go, oh, you're right, | |
and I think it depends | |
on how one was trained. | |
My graduate advisor was | |
wonderful at saying, | |
I don't know, all the time. | |
And she went to Harvard, | |
Radcliffe, UCSF, and Caltech. | |
Brilliant woman. | |
And had no problem | |
saying, I don't know. | |
LEX FRIDMAN: I don't | |
have that problem either. | |
So I usually have two guys | |
that somebody speaks up, | |
grab them, drag them out of | |
the room, never see them again. | |
So everybody is | |
really supportive. | |
You don't understand that the | |
amount of love and support | |
I get is-- | |
ANDREW HUBERMAN: Especially when | |
the last few students are there | |
and everybody seems to be | |
nodding as you're going. | |
No, I think that I'd love to | |
sit-in on one of your lectures. | |
I know very little about AI, | |
machine learning, or robotics. | |
But-- | |
LEX FRIDMAN: Have you | |
ever talked at MIT? | |
Have you ever given lectures? | |
ANDREW HUBERMAN: Oh, yeah. | |
When I went on the job market | |
as a faculty member my final two | |
choices were between | |
MIT Picower-- | |
I had an on-paper offer. | |
Wonderful place. | |
Wonderful place to | |
do neuroscience. | |
And UC San Diego, which is a | |
wonderful neuroscience program. | |
In the end it made | |
sense for me be | |
on the West Coast | |
for personal reasons, | |
but there's some amazing | |
neuroscience going on there. | |
Goodness. | |
And that's always been true | |
and is going to continue. | |
It's been a long time since | |
I've been invited back there. | |
Oddly enough when I started | |
doing more podcasting-- | |
and I still run a lab but I | |
shrunk my lab considerably | |
as I've done more podcasting-- | |
I've received fewer | |
academic lecture | |
invites, which makes sense. | |
But now they're | |
sort of coming back. | |
And so when people | |
invite now I always | |
say, do you want me to talk | |
about the ventral thalamus | |
and its role in | |
anxiety and aggression | |
or do you want me to | |
talk about the podcast? | |
And my big fear is | |
I'm going to go back | |
to give a lecture about | |
the retina or something | |
and I'll start off with | |
an Athletic Greens read | |
or something like | |
that just reflexively. | |
Just kidding. | |
That wouldn't happen. | |
But listen, I think | |
it's great to continue | |
to keep a foot in both places. | |
I was so happy to | |
hear that you're | |
teaching at MIT because | |
podcasting is one thing, | |
teaching is another, and | |
there's overlap there | |
in the Venn diagram. | |
But listen, the students | |
that get to sit-in | |
on one of your | |
lectures-- and you | |
may see me sitting | |
there in the audience | |
soon when I creep | |
into your class. | |
LEX FRIDMAN: In sunglasses. | |
ANDREW HUBERMAN: That's right. | |
Wearing a red shirt. | |
You won't recognize me. | |
Are certainly | |
receiving a great gift. | |
I've watched your lectures on | |
YouTube, even the early ones, | |
and listen, I know you to | |
be a phenomenal teacher. | |
LEX FRIDMAN: Yeah, | |
there's something about-- | |
so I'm also doing-- | |
I stayed up pretty | |
late last night | |
working for a | |
deadline on a paper. | |
One of the things | |
that I hope to do | |
for hopefully the rest of my | |
life is to continue publishing, | |
and I think it's really | |
important to do that | |
even if you continue the podcast | |
because you want to be just | |
on your own intellectual | |
and scientific journey | |
as you do podcasting. | |
At least for me, and especially | |
on the engineering side | |
because I want to | |
build stuff, and I | |
think that keeps | |
your ego in check, | |
keeps you humble | |
because I think if you | |
talk too much on a microphone | |
you start getting-- | |
you might lose track | |
of the grounding that | |
comes from engineering | |
and from science | |
and the scientific process and | |
the criticisms that you get, | |
all that kind of stuff. | |
ANDREW HUBERMAN: And how | |
slow and iterative it is. | |
We have two papers right now | |
that are in the revision stage, | |
and it's been a very long road. | |
And I was asked this recently | |
because I met with my chairman. | |
He said, do you want to | |
continue to run a lab or are | |
you just going to go | |
full time on the podcast? | |
And Stanford has been very | |
supportive, I must say, | |
as I know MIT has been of you. | |
And I said, oh, | |
I absolutely want | |
to continue to be involved | |
in research and do research. | |
And when you start | |
talking about these papers | |
and we're looking over my-- | |
this was my yearly review | |
and looking back | |
I'm like, goodness, | |
these papers have been in | |
play for a very long time. | |
So it's a long road but | |
you learn more and more, | |
and the more time you | |
spend myopically looking | |
at a bunch of data the more you | |
learn and the more you think. | |
I totally agree. | |
Talking to these | |
devices for podcasts | |
is wonderful because it's fun. | |
It relieves a certain itch that | |
we both have and hopefully it | |
lands some important information | |
out there for people, | |
but doing research is the-- | |
I guess if you know, you know. | |
There's the unpeeling | |
of the onion, | |
knowing that there could | |
be something there. | |
There's just nothing like it. | |
LEX FRIDMAN: I mean, you do-- | |
especially with the pandemic. | |
And for me, both | |
Twitter and the podcast | |
have made me much more | |
impatient about the slowness | |
of the review process because-- | |
ANDREW HUBERMAN: | |
Twitter will do that. | |
LEX FRIDMAN: Twitter will. | |
But even with podcast | |
you have a cool-- | |
you'll find something cool | |
and then you have ideas | |
and you'll just say them and | |
they'll be out pretty quickly. | |
ANDREW HUBERMAN: Then we do a | |
post right now about something | |
that we both found interesting | |
and it's out in the world. | |
Yep. | |
LEX FRIDMAN: And | |
you can write up | |
something, like there | |
is a culture in computer | |
science of posting stuff | |
on arXiv and preprints | |
that don't get annual review, | |
and sometimes they don't even | |
go through the review process | |
ever because people just | |
start using them if it's code. | |
And it's like, what's | |
the point of this? | |
It works. | |
It's self evident that it works | |
because people are using it, | |
and that I think applies | |
more to engineering fields | |
because it's an actual | |
tool that works. | |
It doesn't matter if-- you don't | |
have to scientifically prove | |
that it works. | |
It works because it's | |
using for a lot of people. | |
ANDREW HUBERMAN: Well, sorry | |
to interrupt, but I just-- | |
for point of reference, | |
the famous paper | |
describing the | |
double helix which | |
earned Watson and | |
Crick the Nobel Prize | |
and should have earned Rosalind | |
Franklin Nobel Prize too, | |
of course, but they got it for | |
the structure of DNA of course. | |
That paper was never | |
reviewed at Nature. | |
They published it because its | |
importance was self evident, | |
or whatever. | |
They decided-- | |
LEX FRIDMAN: So the editors. | |
ANDREW HUBERMAN: It was that | |
purely editorial decision, | |
I believe. | |
I mean, that's what I | |
was told by someone who's | |
currently an editor at Nature. | |
If that turns out | |
to not be correct | |
someone will tell us in | |
the comments for sure. | |
LEX FRIDMAN: Well, I think-- | |
ANDREW HUBERMAN: That's | |
pretty interesting, right? | |
LEX FRIDMAN: That's | |
really interested. | |
ANDREW HUBERMAN: Perhaps the | |
most significant discovery | |
in biology and | |
bioengineering which | |
was leading to | |
bioengineering as well, | |
of course, of the last | |
century was not peer reviewed. | |
LEX FRIDMAN: Yeah, but-- | |
so Eric Weinstein, | |
but many others | |
have talked about | |
this, which is, I mean, | |
I don't think people understand | |
how poor the peer review | |
process is. | |
Just the amount of-- | |
because you think peer | |
review it means all the | |
best peers get together | |
and they review your | |
stuff, but it's unpaid work | |
and it's usually a | |
small number of people. | |
And they have a very | |
select perspective | |
so they might not be the | |
best person, especially | |
if it's super novel work. | |
ANDREW HUBERMAN: And it's | |
who has time to do it. | |
I'm on a bunch of | |
editorial boards still. | |
Why, I don't know, but I | |
enjoy the peer review process | |
and sending papers out. | |
Oftentimes the best | |
scientists are very busy | |
and don't have time to review. | |
And oftentimes the | |
more premiere journals | |
will select from a kind | |
of a unique kit of very | |
good scientists who are | |
very close to the work, | |
sometimes the people are | |
very far from the work. | |
It really depends. | |
LEX FRIDMAN: And both | |
have negatives, right? | |
If you're very close | |
to the work there's | |
jealousy, and all those | |
basic human things. | |
Very far from the | |
work you might not | |
appreciate the | |
nuanced contribution, | |
all that kind of stuff. | |
ANDREW HUBERMAN: And | |
there's psychology. | |
Sorry to interrupt again, but | |
a good friend of mine who's | |
extremely successful | |
neuroscientist, | |
Howard Hughes | |
investigator, et cetera, | |
always told me that they-- | |
I won't even say whether | |
or not who they are. | |
They select their | |
reviewers on the basis | |
of who has been publishing | |
very well recently because they | |
assume that that | |
person is going to be | |
more benevolent because | |
they have been doing | |
well so that the love expands. | |
LEX FRIDMAN: That's a good | |
point to that, actually. | |
But the idea is that | |
editors might actually | |
be the best reviewers, so that | |
was the traditional-- that's | |
the thing I wanted to mention | |
that Eric Weinstein talks | |
about, that back several | |
decades ago editors had | |
much more power. | |
And there is something to be | |
made for that because editors | |
are the ones who are responsible | |
for crafting the journal. | |
They really are | |
invested in this, | |
and they're also | |
often experts, right? | |
It makes sense for | |
an editor to have | |
a bit of power in this case. | |
Usually if an idea is truly | |
novel you could see it, | |
And so it makes | |
sense for an editor | |
to have more power | |
in that regard. | |
Of course for me, | |
I think peer review | |
should be done the | |
way tweets are done, | |
which is crowdsourced | |
or Amazon reviews. | |
ANDREW HUBERMAN: Let | |
the crowd decide. | |
LEX FRIDMAN: Let | |
the crowd decide, | |
and let the crowd add depth | |
and breadth and context | |
for the contribution. | |
So if the paper overstates | |
the degree of contribution, | |
the crowd will | |
check you on that. | |
If there's not enough support | |
or the conclusions are not | |
supported by the evidence, the | |
crowd will check you on that. | |
There could be, of course, | |
political bickering | |
that enters the | |
picture, especially | |
on very controversial | |
topics, but I | |
think I trust the | |
intelligence of human beings | |
to figure that out. | |
And I think most of us | |
are trying to figure | |
this whole process out. | |
I just wish it was | |
happening much faster | |
because on the important | |
topics, the review | |
cycle could be faster. | |
And we learned | |
that through COVID | |
that Twitter was | |
actually pretty effective | |
at doing science communication. | |
It was really interesting. | |
Some of the best | |
scientists took to Twitter | |
to communicate their own | |
work and other people's work, | |
and always putting | |
into the caveats | |
that it's not peer reviewed and | |
so on, but it's all out there | |
and the data just moves so fast. | |
And if you want | |
stuff to move fast, | |
Twitter is the best medium | |
of communication for that. | |
It's cool to see. | |
ANDREW HUBERMAN: I'd like | |
to take a brief break | |
and thank our sponsor, | |
InsideTracker. | |
InsideTracker is a | |
personalized nutrition platform | |
that analyzes data | |
from your blood and DNA | |
to help you better | |
understand your body | |
and help you reach | |
your health goals. | |
I've long been a believer in | |
getting regular blood work done | |
for the simple reason that | |
many of the factors that impact | |
your immediate and | |
long term health | |
can only be analyzed from | |
a quality blood test. | |
The problem with a | |
lot of blood and DNA | |
tests out there, however, | |
is that you get data | |
back about metabolic | |
factors, lipids, and hormones | |
and so forth, but you don't | |
know what to do with those data. | |
InsideTracker | |
solves that problem | |
and makes it very easy | |
for you to understand | |
what sorts of nutritional, | |
behavioral, maybe even | |
supplementation | |
based interventions | |
you might want to | |
take on in order | |
to adjust the numbers of those | |
metabolic factors, hormones, | |
lipids, and other | |
things that impact | |
your immediate and long | |
term health to bring | |
those numbers into the | |
ranges that are appropriate | |
and, indeed, optimal for you. | |
If you'd like to try | |
InsideTracker you can visit | |
insidetracker.com/huberman to | |
get $200 off an ultimate plan | |
or 34% off the entire site as | |
a special Black Friday deal now | |
through the end of November. | |
Again, that's | |
insidetracker.com/huberman, | |
and use the code | |
Huberman at checkout. | |
I'm now on Twitter | |
more regularly, | |
and initially it | |
was just Instagram. | |
And I remember you and I used to | |
have these over dinner or drink | |
conversations where I'd say, | |
I don't understand Twitter. | |
And you'd say, I don't | |
understand Instagram. | |
And of course, we | |
understand how it worked | |
and how to work each | |
respective platform, | |
but I think we were both | |
trying to figure out | |
what is driving the psychology | |
of these different venues | |
because they are quite distinct | |
psychologies for whatever | |
reason. | |
I think I'm finally starting | |
to understand Twitter and enjoy | |
it a little bit. | |
Initially I wasn't | |
prepared for the level | |
of reflexive scrutiny. | |
It sounds a little | |
bit oxymoronic, | |
but that people pick | |
up on one small thing | |
and then drive it | |
down that trajectory. | |
It didn't seem to be happening | |
quite as much on Instagram, | |
but I love your tweets. | |
I do have a question | |
about your Twitter account | |
and how you-- do you have sort | |
of internal filters of what | |
you'll put up and won't put up? | |
Because sometimes you'll | |
put up things that | |
are about life and reflections. | |
Other times you'll put up | |
things like what you're | |
excited about in | |
AI, or of course, | |
point to various podcasts | |
including your own, | |
but others as well. | |
How do you approach | |
social media? | |
Not in how do you | |
regulate your behavior | |
on there in terms of how | |
much time, et cetera. | |
I know you've talked | |
about that before. | |
But you know, what's your | |
mindset around social media | |
when you go on there to either | |
post or forage or respond | |
to information? | |
LEX FRIDMAN: I think | |
I try to add some-- | |
not the sound cliche, but some | |
love out there into the world | |
into, as OJ Simpson | |
calls it, Twitter world. | |
I think there is this viral | |
negativity that can take hold, | |
and I try to find the right | |
language to add good vibes out | |
there. | |
And it's actually | |
really, really tricky | |
because there's something about | |
positivity that sounds fake. | |
I can't quite put | |
my finger on it, | |
but whenever I talk about | |
love and positive and almost | |
childlike in my curiosity | |
and positivity, people | |
start to think, surely he | |
has skeletons in the closet. | |
There's dead bodies | |
in his basement. | |
This must be a fake-- | |
ANDREW HUBERMAN: | |
No, it's the attic. | |
LEX FRIDMAN: It's the attic? | |
ANDREW HUBERMAN: The attic. | |
LEX FRIDMAN: I keep | |
mine in the basement. | |
That's the details. | |
ANDREW HUBERMAN: I was | |
referring to your attic. | |
I don't have an attic or a | |
basement, nor dead bodies. | |
I just want to be very clear. | |
LEX FRIDMAN: Yeah. | |
I do have an attic and actually | |
I haven't been up there. | |
Maybe there is bodies up there. | |
But yes, I prefer the basement. | |
It's colder down there. | |
I like it. | |
No, but there's an assumption | |
that this is not genuine | |
or it's disingenuous | |
in some kind of way. | |
And so I try to find the | |
right language for that kind | |
of stuff, how to be positive. | |
Some of it I was really inspired | |
by Elon's approach to Twitter. | |
Not all of it, but | |
when he just is silly. | |
I found that silliness-- | |
I think it's Hermann Hesse | |
said something to paraphrase-- | |
one of my favorite writers-- | |
ANDREW HUBERMAN: Yeah, same. | |
LEX FRIDMAN: I | |
think in Steppenwolf | |
said, learn what is | |
to be taken seriously | |
and laugh at the rest. | |
I think I try to be | |
silly, laugh at myself, | |
laugh at the absurdity | |
of life, and then in part | |
when I'm serious, try to | |
just be positive, just | |
to see a positive perspective. | |
And also, as you said, | |
people pick out certain words | |
and so on and they | |
attack each other, | |
attack me over certain usage | |
of words in a particular tweet. | |
I think the thing I try to do is | |
think positively towards them, | |
like do not escalate. | |
So whenever somebody's | |
criticizing me and so on, | |
I just smile. | |
If there's a lesson to | |
be learned, I learn it | |
and then I just send | |
good vibes their way. | |
Don't respond, and | |
just hopefully, | |
through karma and through the | |
ripple effect of positivity, | |
have an impact on them and | |
the rest of the Twitter. | |
And what you find | |
is that builds-- | |
your actions create | |
the community. | |
So how I behave gets me | |
surrounded by certain people. | |
But lately, especially Ukraine | |
is one topic like this, | |
I also thought | |
about talking to-- | |
somebody who reached out | |
to me is Andrew Tate, | |
who's extremely controversial. | |
From the perspective of a lot | |
of people is a misogynist. | |
ANDREW HUBERMAN: | |
I've heard his name | |
and I know that there's a lot | |
of controversy around him. | |
Maybe you could familiarize me. | |
I've been pretty nose | |
down in podcast prep | |
and I tried to do this | |
vacation thing for about three, | |
four weeks. | |
LEX FRIDMAN: I've | |
heard about that. | |
ANDREW HUBERMAN: Yeah. | |
And it sort of worked. | |
I did get some time in | |
the Colorado wilderness | |
by myself, which was great. | |
I did get some downtime. | |
But in any event, it mainly | |
consisted of reading and-- | |
LEX FRIDMAN: And nature? | |
ANDREW HUBERMAN: Reading | |
and nature, sauna, ice bath, | |
working out, good food, | |
a little extra sleep, | |
these kinds of things I | |
really felt I needed it. | |
But I am pretty | |
naive when it comes | |
to the kind of | |
current controversies | |
but I've heard his | |
name, and I think | |
he's been deplatformed | |
on a couple of platforms. | |
Do I have that right? | |
LEX FRIDMAN: Yeah, he's | |
been-- so I should also | |
admit that while I might | |
know more than you, | |
it's not by much. | |
So it's like a | |
five-year-old talking | |
to a four-year-old right now. | |
ANDREW HUBERMAN: Is he | |
an athlete, a podcaster? | |
LEX FRIDMAN: So basic summary, | |
he used to be a fighter, | |
a kickboxer, I believe. | |
Was pretty successful. | |
And then during | |
that and after that | |
I think he was on | |
a reality show, | |
and he had all these programs | |
that are basically pickup | |
artist advice. | |
He has this community of | |
people where he gives advice | |
on how to pick up women, how to | |
be successful in relationships, | |
how to make a lot of | |
money, and it costs money | |
to enter those programs. | |
So a lot of the criticism | |
that he gets is kind of-- | |
it's like a pyramid scheme | |
where you convince people | |
to join so that they | |
can make more money | |
and then they convince others | |
to join, and that kind of stuff. | |
But that's not why I'm | |
interested in talking to him. | |
I'm interested because | |
one of the guests-- | |
maybe I should mention who, but | |
one of the female guests I had, | |
really a big scientist, said | |
that her two kids that are 13 | |
and 12 really look up | |
to Andrew to entertain-- | |
ANDREW HUBERMAN: Is it male | |
children, female children? | |
LEX FRIDMAN: Male. | |
And I hear this | |
time and time again. | |
So he is somebody that a lot of | |
teens, young teens, look up to. | |
So I haven't done | |
serious research. | |
I usually try to avoid doing | |
research until I agree to talk | |
and then I go deep. | |
But there is an | |
aspect to the way | |
he talks about women that, while | |
I understand and I understand | |
certain dynamics in | |
relationships work for people | |
and he's one such | |
person, but I think | |
him being really disrespectful | |
towards women is not what I-- | |
it's not how I see what | |
it means to be a good man. | |
So the conversation I | |
want to have with him | |
is about masculinity. | |
What does masculinity | |
mean in the 21st century? | |
And so when I think | |
about that kind of stuff, | |
and because we're | |
talking about Twitter, | |
it's like going into a war zone. | |
I'm a happy go | |
lucky person, but-- | |
ANDREW HUBERMAN: You're | |
like, send me to Ukraine, | |
but I don't want to have | |
this conversation on Twitter. | |
LEX FRIDMAN: Because | |
it's a really, really, | |
really tricky one because | |
also, as you know, | |
when you do a podcast, | |
everybody wants you to win. | |
It's everything | |
you do is positive. | |
Maybe you'll say the wrong | |
thing as inaccurate thing | |
and you can correct yourself. | |
With Andrew Tate, with Donald | |
Trump, with folks like this, | |
you have to-- | |
I mean, it's a | |
professional boxing. | |
I think you have | |
to push the person. | |
You have to be really eloquent. | |
You have to be also empathetic | |
because you can't just | |
do what journalists | |
do, which is talk down | |
to the person the entire time. | |
That's easy. | |
The hard thing is to | |
empathize with the person, | |
to understand them, to | |
steel man their case, | |
but also to make your own case. | |
So in that case about what | |
it means to be a man, to me | |
a strong man is somebody | |
who is respectful to women. | |
Not out of weakness, not out | |
of social justice warrior | |
signaling, and all that kind | |
of stuff, but out of that's | |
what a strong man does. | |
They don't need to be | |
disrespectful to prove | |
their position in life. | |
He is often-- now, a lot of | |
people say it's a character. | |
He's being misogynistic. | |
He's being a misogynist as a | |
kind of-- for entertainment | |
purposes. | |
ANDREW HUBERMAN: | |
So like an avatar. | |
LEX FRIDMAN: Yeah. | |
But to me, that avatar has a | |
lot of influence on young folks | |
so the character has impact. | |
ANDREW HUBERMAN: | |
Oh, I don't think | |
you can separate the | |
avatar and the person | |
in terms of the | |
impact, as you said. | |
In fact, there are | |
a number of accounts | |
on Twitter and Instagram and | |
elsewhere which people have | |
only revealed their first | |
names or they give themself | |
another name or they're | |
using a cartoon image. | |
And part of that, I | |
believe, in at least | |
from some of these individuals | |
who actually know who they are, | |
I understand as an attempt to | |
maintain their privacy, which | |
is important to many people. | |
And in some cases so that | |
they can be more inflammatory | |
and then just pop up | |
elsewhere as something | |
else without anyone knowing | |
that it's the same person. | |
LEX FRIDMAN: Some of-- | |
this is the dark stuff. | |
I've been reading a lot about | |
Ukraine and Nazi Germany, | |
so the '30s and | |
the '40s and so on, | |
and you get to see how | |
much the absurdity turns | |
to evil quickly. | |
One of the things I worry-- | |
one of the things | |
I really don't like | |
to see on Twitter | |
and the internet | |
is how many statements | |
end with LOL. | |
It's like you think just because | |
something is kind of funny | |
or is funny or is | |
legitimately funny, | |
it also doesn't have a | |
deep effect on society. | |
So that's such a | |
difficult gray area | |
because some of the best | |
comedy is dark and mean, | |
but it reveals some important | |
truth that we need to consider. | |
But sometimes comedy | |
is just covering up | |
for destructive | |
ideology, and you | |
have to know the line | |
between those two. | |
Hitler was seen as a joke in | |
the late '20s and the '30s | |
in Nazi Germany until the | |
joke became very serious. | |
You have to be careful | |
to know the difference | |
between the joke and the | |
reality and do all that. | |
I mean, in a conversation-- | |
I'm just such a big | |
believer in conversation | |
to be able to reveal something | |
through conversation, | |
but I don't know. | |
One of the big-- | |
you and I challenge | |
ourselves all the time. | |
I don't know if I | |
have what it takes | |
to have a good, empathetic, | |
but adversarial conversation. | |
ANDREW HUBERMAN: I need to learn | |
more about this Tate person, | |
or not learn about them. | |
Yeah. | |
It sounds like maybe | |
it's something to skip. | |
I don't know because, again, I'm | |
not familiar with the content. | |
But I was going to | |
ask you whether or not | |
you've seeked out | |
or whether or not | |
you would ever consider | |
having Donald Trump as a guest | |
on your podcast. | |
LEX FRIDMAN: Yeah, I've | |
talked to Joe a lot about this | |
and I really believe I can have | |
a good conversation with Donald | |
Trump, but I haven't seen many | |
good conversations with him. | |
So part of me thinks-- | |
part of me believes | |
it's possible, | |
but he often effectively | |
runs over the interviewer. | |
ANDREW HUBERMAN: You could | |
sit him down, give him | |
an element in Athletic Greens. | |
LEX FRIDMAN: Just relax. | |
ANDREW HUBERMAN: | |
That nice, cool, air | |
conditioned black | |
curtain studio you've got | |
and a different | |
side might come out. | |
Context is powerful. | |
LEX FRIDMAN: Well, Joe's | |
really good at this, | |
which is relaxing the person. | |
Like here, have a drink. | |
Smoke a joint, or | |
whatever it is. | |
But this energy of | |
just, let's relax, | |
and there's laughter and so on. | |
I don't think-- as | |
people know, I'm just | |
not good at that kind of stuff. | |
So I think the way I could have | |
a good conversation with him | |
is to really understand | |
his worldview, | |
be able to steel | |
man his worldview | |
and those that support him. | |
Which is, I'm sorry | |
to say for people | |
who seem to hate Donald Trump, | |
is a very large percentage | |
of the country. | |
And so you have to really | |
empathize with those people. | |
You have to empathize with | |
Donald Trump, the human being, | |
and from that perspective, | |
ask him hard questions. | |
ANDREW HUBERMAN: | |
So who do you think | |
is the counterpoint | |
if you're going | |
to seek balance in your guests. | |
If you're going | |
to have Trump on, | |
then you have to have who on? | |
LEX FRIDMAN: Well, | |
that's interesting. | |
ANDREW HUBERMAN: | |
Anthony Fauci seems | |
to be strongly associated | |
with counter values, at least | |
in the eye of the public. | |
I think he's retiring soon, but. | |
LEX FRIDMAN: Yeah, | |
he's retiring. | |
So that's really | |
interesting, Anthony Fauci. | |
Yeah, definitely, but I don't | |
think he's a counterbalance. | |
He's a complicated, | |
fascinating figure | |
who seems to have attracted | |
a lot of hate and distrust, | |
but also-- | |
ANDREW HUBERMAN: And | |
love from some people. | |
LEX FRIDMAN: And love. | |
ANDREW HUBERMAN: And | |
love from some people. | |
I mean, I know people, not | |
even necessarily scientists, | |
who have pro-Fauci shirts. | |
I've seen people with anti-Fauci | |
shirts, excuse me, certainly, | |
but who adore him. | |
There are people who adore | |
him in the same way there | |
are people that adore Trump. | |
It's so interesting that | |
one species of animal | |
you get such divergent | |
neural circuitry. | |
LEX FRIDMAN: It | |
almost feels like it's | |
by design and every single topic | |
we find tension and division is | |
fascinating to watch. | |
I mean, I got to really witness | |
it from zero to a hundred | |
in Ukraine, where there is | |
not huge significant division. | |
There was in certain parts of | |
Ukraine, but across Europe, | |
across the world there | |
was not that much division | |
between Russia and Ukraine, | |
and it was just born | |
overnight, this intense hatred. | |
You see the same kind of stuff | |
with Fauci over the pandemic. | |
At first we were all | |
huddled in uncertainty. | |
There is a togetherness | |
with the pandemic. | |
Of course, there | |
is more difficult | |
because you're isolated. | |
But then you start | |
to figure out-- | |
probably the politicians and | |
the media try to figure out, | |
how can I take a side | |
here and how can I | |
now start reporting on | |
this side or that side | |
and say how the | |
other side is wrong? | |
And so I think Anthony Fauci | |
is a part of just being used | |
as a scapegoat | |
for certain things | |
as part of that kind of | |
narrative of division. | |
But I think-- so Trump is | |
a singular figure that, | |
to me, represents something | |
important in American history. | |
I'm not sure what | |
that is, but I think | |
you have to think-- you | |
put on your historian hat, | |
go forward in time, | |
and think back. | |
How will he be remembered 20, | |
30, 40, 50 years from now? | |
Who is the opposite of that? | |
You have to-- | |
I would really have | |
to think about that | |
because Trump was so singular. | |
I think AOC is an | |
interesting one, | |
but she's so young it's | |
unclear to know how-- | |
if she represents a legitimately | |
large scale movement or not. | |
Bernie Sanders is an | |
interesting option, | |
but I wish he would be | |
30, 40 years younger. | |
The young Bernie | |
would be a good-- | |
ANDREW HUBERMAN: There are | |
scientists working on that. | |
LEX FRIDMAN: Yeah, I think so. | |
ANDREW HUBERMAN: Not | |
him specifically, but-- | |
LEX FRIDMAN: Well, yeah. | |
Maybe him. | |
We never know. | |
There is a big conspiracy | |
theory that Putin is-- | |
that that's a body double. | |
It's no longer him. | |
ANDREW HUBERMAN: | |
Bernie is Putin? | |
LEX FRIDMAN: No, no, no, no. | |
ANDREW HUBERMAN: I'm having a | |
hard time merging that image. | |
LEX FRIDMAN: The conspiracy | |
theory is-- no, no, no. | |
That the Putin we see on | |
camera today is a body double. | |
ANDREW HUBERMAN: Well, | |
one thing that in science, | |
and in particular, | |
in anatomy, there's | |
a classification scheme for | |
different types of anatomists, | |
which they either say you're | |
a lumper or a splitter. | |
Some people like to call a | |
whole structure something, | |
not necessarily | |
just for simplicity | |
but for a lot of reasons. | |
And then other people like | |
to microdivide the nucleus | |
into multiple names. | |
And of course, people used to | |
be able to name different brain | |
structures after themselves. | |
So that would be the nucleus of | |
Lex and the Huberman vesiculus | |
or whatever. | |
Less of that nowadays. | |
And by the way, those structures | |
don't actually exist just yet. | |
We haven't defined those yet. | |
I was making those names up. | |
But what's interesting is it | |
seems like in the last five | |
years, there's been | |
a lot of trend-- | |
there's been a trend, excuse | |
me, toward a requirement | |
for lumping. | |
You can't say-- it seems that | |
it's not allowed, if you will, | |
to say, hey, yeah, you know-- | |
and here I'm not stating my-- | |
I will never reveal | |
my preferences | |
about pandemic related things | |
for hopefully obvious reasons. | |
Some people will say | |
vaccines, yes, but masks, no. | |
Or vaccines and masks, | |
yes, but let people work. | |
And other people will say, | |
no, everyone stay home. | |
And then other people will | |
say, no, no vaccines, no masks. | |
Let everybody work. | |
No one was saying no vaccines, | |
no masks, and stay home, | |
I don't think. | |
So there's this sort | |
of lumping, right? | |
The boundaries around | |
ideology really | |
did start to defy science. | |
I mean, it wasn't scientific. | |
It was one part science-ish | |
at times and sometimes | |
really hardcore science. | |
Other times it was | |
politics, economics. | |
I mean, we really | |
saw the confluence | |
of all these different | |
domains of society | |
that use very different | |
criteria to evaluate the world. | |
I mean, as a | |
scientist, I remember | |
when the vaccines | |
first came out and I | |
asked somebody, one | |
of the early concerns | |
I had that was actually | |
satisfied for me was, | |
how does this thing turn off? | |
If you start generating | |
mRNA, how does it actually | |
get turned off? | |
So I asked a friend, they | |
know a lot about RNA biology. | |
And I said, you know, | |
how does it turn off? | |
They explained it to me and | |
I was like, OK, makes sense. | |
I asked some other questions. | |
But most people aren't | |
going to think about it | |
at that level of | |
detail necessarily, | |
but it did seem | |
that there was just | |
kind of amorphous | |
blobs of ideology | |
that they grabbed on | |
to things and then | |
there was this need for | |
a chasm between them. | |
It was almost felt like it | |
became illegal, in some ways, | |
to want two of the things from | |
that menu and one of the things | |
from that menu. | |
I really felt like I | |
was being constrained | |
by a kind of like | |
Bento box model | |
where I didn't get to define | |
what was in the Bento box. | |
I could either have Bento | |
box A or Bento box Z, | |
but nothing in between. | |
LEX FRIDMAN: And I | |
think on that topic | |
and I think a lot of | |
topics, most people | |
are in the middle with | |
humility, uncertainty, | |
and they're just kind of | |
trying to figure it out. | |
And I think there is just | |
the extremes defining | |
the nature of this division. | |
So I think it's the | |
role of a lot of us | |
in our individual | |
lives, and also | |
if you have a | |
platform of any kind, | |
I think you have to try to walk | |
in the middle with the empathy | |
and humility. | |
And that's actually what science | |
is about is the humility. | |
I'm still thinking about | |
who's the opposite of Trump. | |
ANDREW HUBERMAN: Well, | |
maybe there is none. | |
I mean, maybe Fauci is | |
orthogonal to Trump. | |
I mean, not everything | |
has an opposite. | |
I mean, maybe he's | |
an n of 1 maybe | |
he's in the minority | |
of one because he | |
was an outsider from Washington | |
who then made it there. | |
LEX FRIDMAN: But also I wonder-- | |
you have to pick your battles | |
because every battle you fight | |
you should take very seriously. | |
And just the amount | |
of hate I get, | |
I got, and I still get | |
for having sat down | |
with the Pfizer CEO, that was | |
a very valuable lesson for me. | |
ANDREW HUBERMAN: Oh, that | |
one got you a lot of heat? | |
LEX FRIDMAN: Yeah, it | |
still does because-- | |
ANDREW HUBERMAN: Because you | |
had some pretty controversial | |
guests on from time to time. | |
LEX FRIDMAN: Yeah, that one-- | |
ANDREW HUBERMAN: Is he | |
still the Pfizer CEO? | |
LEX FRIDMAN: I believe so. | |
ANDREW HUBERMAN: CEOs | |
turn over like crazy. | |
This is the thing | |
I didn't realize. | |
In science if somebody moves | |
institutions it's a big deal. | |
Most people don't have more | |
than two moves in their career, | |
maybe. | |
But they often move to the | |
next building is a big deal. | |
But it in biotech-- | |
it's like have a former | |
colleague of mine | |
from San Diego and | |
he's been a CEO here, | |
then he's a CEO there. | |
He went back to a company | |
he was a CEO before. | |
He's probably back | |
at the university | |
we worked at for all I know. | |
It's amazing how much | |
moving around there. | |
It is a very | |
itinerant profession. | |
LEX FRIDMAN: Yeah, | |
I think they're-- | |
in certain companies, I guess | |
in biotech would be the case, | |
the CEO is more of like a | |
manager type so you can-- | |
jumping around benefits | |
your experience | |
so you become better and | |
better being a manager. | |
There's some leader | |
revolutionary CEOs | |
that stick around for | |
longer because they're | |
so critical to | |
pivoting a company, | |
like the Microsoft | |
CEO currently. | |
Sundar Pichai is | |
somebody like that. | |
Obviously, Elon Musk is | |
somebody like that that | |
is part of pivoting a company | |
into new domains constantly, | |
but yeah. | |
In biotech there's a machine. | |
In the eyes of a lot of people, | |
big pharma is like big tobacco. | |
It's the epitome of everything | |
that is wrong with capitalism. | |
It's evil, right? | |
And so I showed up | |
in the conversation | |
where I thought with | |
a pretty open mind | |
and really asked what I | |
thought were difficult | |
questions of him. | |
I don't think he's ever sat | |
down to a grilling of that kind. | |
In fact, I'm pretty sure | |
they cut the interview short | |
because of that, and | |
I thought literally it | |
was hot in the room | |
and we're sweating | |
and I was asking | |
tough questions. | |
For somebody that half the | |
country or a large percent | |
of the country believes he's | |
alleviated a lot of-- he | |
helped, through the financial | |
resources that Pfizer has, | |
helped alleviate a lot of | |
suffering in the world. | |
And so I thought for | |
somebody like that, | |
I was asking pretty | |
hard questions. | |
Boy, did I get to | |
hear from the side-- | |
usually one of the sides is | |
more intense in their anger. | |
So there are certain | |
political topics-- | |
like with Andrew | |
Tate, for example, | |
I would hear from a very-- | |
it would probably be | |
the left, far left, | |
that would write very angrily. | |
And so that's a group | |
you'll hear from. | |
The Pfizer CEO, I didn't | |
get almost any messages | |
from people saying, why | |
did you go so hard on him? | |
He's an incredible human, | |
incredible leader and CEO | |
of a company that helped | |
us with the vaccine | |
that nobody thought would be | |
possible to develop so quickly. | |
ANDREW HUBERMAN: You did not | |
get letters of that sort? | |
LEX FRIDMAN: I did not. | |
I mean, here and there, | |
but the sea of people | |
that said everything | |
from me being | |
weak that I wasn't able | |
to call out this person, | |
how do you sit down, how do | |
you platform this evil person, | |
how do you make him look | |
human, all that kind of stuff. | |
And you have to deal with that. | |
You have to-- of | |
course, it's great. | |
It's great because I have to | |
do some soul searching, which | |
is like, did I? | |
You have to ask | |
some hard questions. | |
I love criticism like that. | |
You get to-- | |
I had some low points. | |
There's definitely some despair | |
and you start to wonder, | |
was I too weak? | |
Should I have talked to him? | |
What is true? | |
And you sit there alone | |
and just marinate in that. | |
Hopefully over time | |
that makes you better, | |
but I still don't know what the | |
right answer with that one is. | |
ANDREW HUBERMAN: Well, I feel | |
that money plays a role here. | |
When people think | |
big pharma, they | |
think billions of dollars-- | |
maybe even trillions | |
of dollars, really. | |
And certainly people who make a | |
lot of money get scrutiny that | |
others don't. | |
Part of it is that they are | |
often not always visible, | |
but I think that there is | |
a natural and reflexive-- | |
and I'm not justifying it. | |
I certainly don't | |
feel this because I | |
know some people who | |
are very wealthy, | |
some people who are very poor. | |
I can't say it scales | |
with happiness at all. | |
People are always | |
shocked to hear that, | |
but that's what I've observed | |
in very wealthy people. | |
But that people who | |
have a lot of money | |
are often held to a | |
different standard | |
because people resent | |
that, some people resent | |
that, and maybe there are | |
other reasons as well. | |
I mean, among people | |
who are very wealthy, | |
oftentimes the wish | |
is for status, right? | |
Not money. | |
You get a bunch of | |
billionaires in a room, | |
and unless one of | |
them is Elon, who | |
also has immense status | |
for his accomplishments, | |
typically if you put a | |
Nobel Prize winner in a room | |
with a bunch of | |
billionaires they're | |
all talking to that person. | |
Right? | |
And there are many very | |
interesting billionaires. | |
But status is something that is | |
often but not always associated | |
with money, but is a much | |
rarer form of uniqueness | |
out there, a | |
positive uniqueness-- | |
if one considers status positive | |
because there's a downside to. | |
So I wonder whether or not the | |
Pfizer CEO caught extra heat | |
because people | |
assume, and I probably | |
assume also, that his | |
salary is quite immense. | |
LEX FRIDMAN: Yeah. | |
So because I have a | |
lot of data on this. | |
I can answer it. | |
It's a very good hypothesis. | |
Let's test that scientifically. | |
ANDREW HUBERMAN: He's about to | |
tell me it's a great hypothesis | |
but it's wrong. | |
I know the smirk. | |
I know the smirk. | |
LEX FRIDMAN: I honestly | |
think it's wrong. | |
That effect is there | |
for a lot of people, | |
but I think the distrust | |
is not towards the CEO. | |
The distrust is | |
towards the company. | |
One of the really | |
difficult soul searching I | |
had to do, which is just having | |
to interact with Pfizer folks | |
at every level, from | |
junior to the CEO, | |
they're all really nice people. | |
They have a mission. | |
They talk about trying | |
to really help people | |
because that's the | |
best way to make | |
money is to come | |
up with medicine | |
that helps a lot of people. | |
The mission is clear. | |
They're all good people, a lot | |
of really brilliant people, | |
PhDs. | |
So you can have a system | |
where all the people are good, | |
including the CEO. | |
And by good, I mean | |
people that really | |
are trying to do everything. | |
They dedicate their | |
whole life to do good. | |
And yet, you have to think | |
that that system can deviate | |
from a path that does good | |
because you start to deceive | |
yourself of what is good, | |
you turn it into a game | |
where money does come into | |
play from a company perspective | |
where you convince yourself | |
the more money you make, | |
the more good you'll | |
be able to do. | |
And then you start to focus | |
more and more and more | |
on making more money, and then | |
you can really deviate and lose | |
track of what is actually good. | |
I'm not saying necessarily | |
Pfizer does that, | |
but I think companies | |
could do that. | |
You can apply that criticism | |
to social media companies, | |
to big pharma companies. | |
One of the big lessons for me-- | |
I don't know what the answer | |
is, but that all the people | |
inside the company | |
can be good, people | |
you would want to | |
hang out with, people | |
you would want to work with, | |
but as a company is doing evil. | |
That's a possibility. | |
So the distrust I don't think | |
is towards the billionaire | |
individual, which I do | |
see a lot of in this case. | |
I think it's Wall | |
Street distrust, | |
that the machinery of this | |
particular organization | |
has gone off track. | |
ANDREW HUBERMAN: It's the | |
generalization of hate again. | |
LEX FRIDMAN: Yeah. | |
And then good luck | |
figuring out what is true. | |
This is the tough stuff. | |
But I should say | |
the individuals-- | |
individual scientists | |
at the NIH and Pfizer | |
are just incredible people. | |
They're really brilliant people. | |
I never trust the administration | |
or the business people-- | |
no offense, business people. | |
But the scientists | |
are always good. | |
They have the right | |
motivator in life. | |
But again, they can | |
have blinders on. | |
Too focused on the science. | |
Nazi Germany has a | |
history of people | |
just too focused on | |
the science and then | |
the politicians use the | |
scientists to achieve | |
whatever end they want. | |
But if you just look narrowly | |
at the journey of a scientist, | |
it's a beautiful one | |
because they're ultimately | |
in it for the | |
curiosity, the moment | |
of discovery versus money. | |
I mean, prestige probably does | |
come into play later in life, | |
but especially young scientists. | |
They're after the-- | |
it's like they're | |
pulling at the | |
threat of curiosity | |
to try to discover | |
something big. | |
They get excited by | |
that kind of stuff, | |
and it's beautiful to see. | |
ANDREW HUBERMAN: It | |
is beautiful see. | |
I have a former | |
graduate student, | |
now a postdoc at | |
Caltech, and I don't even | |
know she had a cell phone. | |
She would come in the lab, put | |
her cell phone into the desk, | |
and she was | |
tremendously productive. | |
But that wasn't why | |
I brought it up. | |
She was productive as a side | |
effect of just being absolutely | |
committed and | |
obsessed to discover | |
the answers to the | |
questions she was | |
asking as best she could, and | |
it was-- you could feel it. | |
You could just feel the | |
intensity, and just incredibly | |
low activation energy. | |
If there was an experiment to | |
do she would just go do it. | |
You're teaching at MIT. | |
You are obviously | |
traveling the world, | |
you're right on the podcast | |
a lot of coverage of chess | |
recently, which is interesting. | |
I don't play chess but-- | |
LEX FRIDMAN: Oh, I have | |
some scientific questions | |
to you about that. | |
ANDREW HUBERMAN: Oh, OK. | |
Sure. | |
Let's get to those for sure. | |
And then-- | |
LEX FRIDMAN: You're | |
not going to like it. | |
ANDREW HUBERMAN: Oh, no. | |
OK. | |
And then also some very-- | |
do I have to spell | |
Massachusetts again? | |
LEX FRIDMAN: Of course. | |
ANDREW HUBERMAN: | |
Also you still seem | |
to have a proclivity for finding | |
guests that are controversial, | |
right? | |
You're thinking about Tate, | |
we're talking about Trump, | |
we're talking about the Pfizer | |
CEO, we're talking about Fauci. | |
These are intense people. | |
And so what we're | |
getting folks is a-- | |
we're not doing | |
neuroimaging here | |
in the traditional sense of | |
putting someone into a scanner. | |
What we're doing | |
here is we're using, | |
as the great Karl Deisseroth, | |
who was on your podcast-- | |
LEX FRIDMAN: Thank you for that. | |
Thank you for connecting us. | |
He's an incredible person. | |
ANDREW HUBERMAN: He's an | |
incredible psychiatrist, | |
bioengineer, and human | |
being and writer, | |
and your conversation | |
with him was phenomenal. | |
I listened to it twice. | |
I actually have taken notes. | |
We talk about it | |
in this household. | |
We really do. | |
His description of | |
love is not to be | |
missed, I'll just | |
leave it at that, | |
because if I try and say | |
it I won't capture it well. | |
But we're getting | |
a language based | |
map of at least a portion | |
of Lex Fridman's brain here. | |
So what else is going on | |
these days in that brain | |
as it relates to robotics, AI? | |
Our last conversation | |
was a lot about robots | |
and the potential for | |
robot-human interaction. | |
Even what is a robot, et cetera. | |
Are you still working on robots | |
or focused on robots, and where | |
is science showing up in your | |
life besides the things we've | |
already talked about? | |
LEX FRIDMAN: So I | |
think the last time | |
we talked was before Ukraine. | |
ANDREW HUBERMAN: Yes. | |
You were just about to leave. | |
LEX FRIDMAN: Yes. | |
I mean-- | |
ANDREW HUBERMAN: So | |
that's why I went on. | |
I was like, you | |
know, this might be | |
the last-- you said you | |
wanted to come out here | |
before or after. | |
I was like, come | |
out there before. | |
I want to see you before you go. | |
But here you are in the flesh. | |
LEX FRIDMAN: So a lot of-- | |
just a lot of my mind has | |
been occupied, obviously, | |
with that part of the world. | |
But most of the | |
difficult struggles | |
that I'm still going through | |
is that I haven't launched | |
the company that | |
I want to launch | |
and the company | |
has to do with AI. | |
I mean, it's maybe a | |
longer conversation, | |
but the ultimate dream is | |
to put robots in every home. | |
But short term I see | |
there a possibility | |
of launching a | |
social media company, | |
and it's a nontrivial | |
explanation why that | |
leads to robots in the home. | |
But it's basically | |
the algorithms | |
that fuel effective | |
social robotics, so | |
robots that you can form | |
a deep connection with. | |
And so I've been really-- yeah, | |
I've been building prototypes | |
but struggling that | |
I don't have maybe, | |
if I were to be critical, | |
the guts to launch a company. | |
ANDREW HUBERMAN: Or the time. | |
LEX FRIDMAN: Well, | |
it's combined. | |
ANDREW HUBERMAN: I think | |
you've got the guts. | |
I mean, it's clear if you'll | |
do an interview with the Pfizer | |
CEO and you're considering | |
putting this Tate | |
fellow on your podcast and | |
you've gone to the Ukraine | |
that you have the guts. | |
It means not doing quite | |
a lot of other things. | |
LEX FRIDMAN: That's what I mean. | |
It does take-- the thing | |
is, as many people know, | |
when you fill your | |
day and you're busy, | |
that busyness becomes an excuse | |
that you use against doing | |
the things that scare you. | |
A lot of people use | |
family in this way. | |
You know, my wife, | |
my kids, I can't. | |
When in reality some of the most | |
successful people have a wife | |
and have kids and have | |
families and they still do it. | |
And so a lot of times we can | |
fill the day with busy work, | |
with-- | |
yeah, of course, I have podcasts | |
and all this kind of stuff. | |
And they make me happy and | |
they're all-- they're wonderful | |
and there's research, | |
there's teaching, and so on. | |
But all of that can just serve | |
as an excuse from the thing | |
that my heart says is | |
the right thing to do, | |
and that's why I don't | |
have the guts, the guts | |
to say no to | |
basically everything | |
and then to focus all out. | |
Because part of it is | |
I'm unlikely to fail | |
at anything in my life | |
currently because I've already | |
found a comfortable place. | |
With a startup it's | |
mostly going to be-- | |
most likely going to | |
be a failure, if not | |
an embarrassing failure. | |
ANDREW HUBERMAN: Well, | |
the machine learning data | |
that I'm aware of-- | |
I don't know a lot | |
about machine learning, | |
but within the realm | |
of neuroscience, | |
say that a failure | |
rate of about 15% | |
is optimal for | |
neuroplasticity and growth. | |
Whether or not that translates | |
to all kinds of practices | |
isn't clear, but getting | |
trials right 85% of the time | |
seems to be optimal | |
for language learning, | |
seems to be optimal | |
for mathematics, | |
and it seems to be optimal | |
for physical pursuits | |
on average, right? | |
I'm sure I'm going-- | |
you have more machine | |
learning geeks | |
that listen to your podcast | |
than listen to this podcast, | |
but it doesn't mean you have | |
to fail on 15% of your weight | |
sets, folks. | |
I mean, it could be 16%. | |
No, I'm just kidding. | |
It's not exact, but it's a | |
pretty good rule of thumb. | |
LEX FRIDMAN: I think a | |
lot of startup founders | |
would literally murder | |
for 85% chance of success. | |
I think given all the | |
opportunities I have, | |
the skill set, the funding, | |
all that kind of stuff, | |
my chances are relatively | |
high for success. | |
But what relatively high | |
means in the startup world | |
is still far, far below 85. | |
You're talking about | |
single digit percentages. | |
Most startups fail. | |
ANDREW HUBERMAN: Well, | |
I think it means-- | |
the decision to focus on the | |
company and not on other things | |
means the decision to close | |
the hatch on dopamine retrieval | |
from all these other things that | |
are very predictable sources | |
of dopamine. | |
Not that everything is | |
dopamine, but dopamine | |
is, I think, the primary | |
chemical driver of motivation. | |
If you know that you can get | |
some degree of satisfaction | |
from scrolling social media | |
or from that particular cup | |
of coffee, that's what | |
you're going to do. | |
That's what you're going to | |
consume unless you somehow | |
invert the algorithm | |
and you say, | |
it's actually my | |
denial of myself | |
drinking that coffee that's | |
going to be the dopamine. | |
Right? | |
LEX FRIDMAN: Oh, interesting. | |
ANDREW HUBERMAN: And | |
that's the beauty | |
of having a forebrain is that | |
you can make those decisions. | |
This is the essence, | |
I do believe, | |
of what we see of David Goggins. | |
There's much more there. | |
There's a person that none | |
of us know and only he knows, | |
of course. | |
But the idea that the pain | |
is the source of dopamine. | |
The limbic friction, as I | |
sometimes like to call it, | |
is the source of dopamine. | |
That runs counter to how | |
most nervous systems work, | |
but it's decision based, right? | |
It's not because his | |
musculature is a certain way | |
or he had CRISPR or something. | |
It's because he decides that. | |
And I think that's | |
amazing, but what | |
it means in terms of | |
starting a company | |
and changing priorities is | |
a closing the hatch on all | |
or many of the current | |
sources of dopamine | |
so that you can derive | |
dopamine from the failures | |
within this narrow | |
context, and there's | |
a very reductionist view | |
and neurocentric view | |
of what we're talking about. | |
But I think about this a lot. | |
I mean, the decision to choose | |
one relationship versus another | |
is a decision to close down | |
other opportunities, right? | |
So I think that the | |
decision to order one thing | |
off the menu versus others | |
is the decision to close down | |
those other hatches. | |
So I think that you | |
absolutely can do it. | |
It's just a question of, | |
can you flip the algorithm? | |
LEX FRIDMAN: Yeah. | |
Remap the source of | |
dopamine to something else. | |
ANDREW HUBERMAN: Right. | |
And maybe go out there | |
not to succeed but make | |
the-- the journey is the | |
destination type thing, | |
but when you're financially | |
vested in your time-- | |
and as far as I | |
know, we only get | |
one life, at least | |
on this planet | |
and you want to spend | |
that wisely, right? | |
LEX FRIDMAN: And a lot of the | |
people that surround you-- | |
people are really | |
important, and I | |
don't have people around me that | |
say you should do a start up. | |
It's very difficult to | |
find such people because-- | |
ANDREW HUBERMAN: Is Austin | |
big startup culture right now? | |
LEX FRIDMAN: Yeah, it is. | |
It is. | |
But it doesn't make sense | |
for me to do a startup. | |
This is what the people | |
that love me my whole life | |
have been telling me, | |
it doesn't make sense | |
what you're doing right now. | |
Just do the thing you | |
were doing previously. | |
ANDREW HUBERMAN: Why | |
do I get the sense | |
that because they | |
are saying this | |
you're apt to go against them? | |
LEX FRIDMAN: No. | |
Actually, I was never | |
that, unfortunately. | |
Unfortunately, I need-- | |
I've talked to people I love, | |
my parents, family, and so on, | |
friends. | |
I'm one of those people that | |
needs unconditional support | |
for difficult things. | |
I know myself coaching | |
wise is good-- | |
so here's how I | |
get coached best. | |
Let's say wrestling. | |
I like a coach that says, | |
you want to win the Olympics? | |
They will not-- if | |
I say I want to win | |
the gold medal at the | |
Olympics in freestyle | |
wrestling I want a coach that | |
doesn't blink once and hears me | |
and believes that I | |
can do it, and then | |
is viciously intense and | |
cruel to me on that pursuit. | |
If you want to do | |
this, let's do this. | |
Right? | |
But that's support. | |
That positivity, I don't-- | |
I'm never-- I'm not energized, | |
nor do I see that as love, | |
a person saying-- | |
basically criticizing that. | |
Saying, you're too old to win | |
the Olympic gold medal, right? | |
Or all the things | |
you can come up with. | |
That's not helpful to me | |
and I can't find a dopamine, | |
or I haven't yet, a dopamine | |
source from the haters. | |
Basically people that are | |
criticizing you, trying | |
to prove them wrong. | |
It never got me off. | |
It never-- | |
ANDREW HUBERMAN: Whereas some | |
people seem to like that. | |
I mean, David Goggins | |
seems to come to mind. | |
He seems driven by many sources. | |
He has access-- | |
I don't know because | |
I've never asked him, | |
but if I were to | |
venture a guess, | |
I'd say that he probably | |
has a lot of options | |
inside his head as how to | |
push through challenge. | |
Not just overcome pain, | |
but he'll post sometimes | |
about the fact that | |
people will say | |
this or people will do this | |
and talk about the pushback | |
approach. | |
He'll also talk | |
about the pushback | |
approach that's purely | |
internal that doesn't | |
involve anyone else. | |
Great versatility there. | |
LEX FRIDMAN: Yeah. | |
There's literally | |
like a voice he | |
yells that represents | |
some kind of devil that | |
wants him to fail, | |
and he calls them | |
bitch and all kinds of things | |
saying, you know, fuck you. | |
I'm not. | |
There's always an enemy and | |
he's going against that enemy. | |
I mean, I wish-- | |
maybe that's something. | |
I mean, it's really interesting. | |
Maybe you can remap it this | |
way so that you can construct-- | |
that's a kind of | |
obvious mechanism. | |
Construct an amorphous | |
blob that is a hater that | |
wants you to fail, right? | |
That's kind of the | |
David Goggins thing. | |
And that blob says you're | |
too weak, you're too dumb, | |
you're too old, | |
you're too fat, you're | |
too whatever, and getting you | |
to want to quit and so on. | |
And then you start getting | |
angry at that blob, | |
and maybe that's | |
a good motivator. | |
I haven't personally | |
really tried that. | |
ANDREW HUBERMAN: Well, I've | |
had external challenge when | |
I was a postdoc, very | |
prominent laboratory-- | |
several prominent | |
laboratories, in fact, | |
were working on the | |
same thing that I was, | |
and I was just | |
this lowly postdoc | |
working on a project | |
pretty independent | |
from the lab I was in. | |
And there was | |
competition but there | |
was plenty of room for everybody | |
to win, but in my head-- | |
and frankly, I won't | |
disclose who this is. | |
And because there was some | |
legitimate competition there | |
and a little bit of | |
friction-- not too much, | |
healthy scientific friction-- | |
yeah, I might have pushed | |
a few extra hours or more, | |
a little bit. | |
I have to say, it | |
felt metabolizing. | |
It felt catabolic, right? | |
I couldn't be sustained by it. | |
And I contrast that with | |
the podcast or the work | |
that my laboratory | |
is doing now focused | |
on stress and human performance, | |
et cetera, and it's pure love. | |
It's pure curiosity and love. | |
I mean, there are hard | |
days, but I never-- there's | |
no adversary in the picture. | |
They're the practical | |
workings of life that-- | |
LEX FRIDMAN: That was the thing | |
that Joe really inspired me on, | |
and people do create | |
adversarial relationships | |
in podcasting because you get-- | |
YouTubers do this. | |
They hate seeing somebody | |
else be successful. | |
There's a feeling of | |
jealousy, and some people even | |
see that as healthy. | |
Mr. Beast is somebody, some | |
of these popular YouTubers, | |
how do they get 100 million | |
views and I only get 20 views? | |
ANDREW HUBERMAN: Mr. | |
Beast devoted his entire-- | |
according to him, | |
his entire life | |
he's been focused on becoming | |
this massive YouTube channel. | |
LEX FRIDMAN: Well, that, | |
he's inspiring in many ways, | |
but there's some | |
people that become | |
famous for doing much less | |
insane pursuit of greatness | |
than Mr. Beast. | |
People become famous and | |
on social media and so on, | |
and it's easy to | |
be jealous of them. | |
One of the early things | |
I've learned from Joe just | |
being a fan of his | |
podcast is how much | |
he celebrated everybody. | |
And again, maybe I ruined | |
my whole dopamine thing | |
but I don't get energized by | |
people that become popular. | |
In the podcasting | |
space and YouTube, | |
it doesn't-- it's awesome. | |
All of it is awesome and | |
I'm inspired by that. | |
But the problem is that's | |
not a good motivator. | |
Inspiration is like, oh, | |
cool, humans can do this. | |
This is beautiful. | |
But it's not-- | |
I'm looking. | |
I'm looking for a | |
forcing function. | |
That's why I gave away | |
the salary from MIT. | |
I was hoping my bank | |
account had zero. | |
That would be a forcing | |
function to be like, oh shit. | |
You know? | |
And you're not allowed | |
to have a normal job, | |
so I wanted to launch-- | |
and then the podcast | |
becomes a source of income. | |
So it's like, goddammit. | |
ANDREW HUBERMAN: Yeah. | |
Yeah. | |
Well, and here I have | |
to confess my biases. | |
You are so good at what you | |
do in the realm of podcast-- | |
and you're excellent at | |
other things as well, | |
I just have less | |
experience in those things. | |
I know here I'm taking | |
the liberty of speaking | |
for many, many people | |
in just saying, | |
I sure as hell hope you | |
don't shut down the podcast. | |
But as your friend | |
and as somebody | |
who cares very deeply about | |
your happiness and your deeper | |
satisfaction, if it's | |
in your heart's heart | |
to do a company, well then, | |
damn it, do the company. | |
LEX FRIDMAN: And a lot | |
of it I wouldn't even | |
categorize as happiness. | |
I don't know if you have | |
things like that in your life, | |
but I'm probably the happiest | |
I could possibly be right now. | |
ANDREW HUBERMAN: | |
That's wonderful. | |
LEX FRIDMAN: But | |
the thing is there's | |
a longing for the | |
start up that has | |
nothing to do with happiness. | |
It's something else. | |
ANDREW HUBERMAN: | |
That's that itch. | |
That's that itch. | |
LEX FRIDMAN: I'm pretty sure | |
I'll be less happy because it's | |
a really tough process. | |
I mean, to whatever degree | |
you can extract happiness | |
from struggle, yes, maybe. | |
But I don't see it. | |
I think I'll have some | |
very, very low points. | |
There's a lot of people | |
who find companies-- | |
found companies know about. | |
And I also want to | |
be in a relationship, | |
I want to get married, | |
and sure as hell | |
a startup is not | |
going to increase | |
the likelihood of that. | |
ANDREW HUBERMAN: We | |
could start up a family | |
and start a company. | |
LEX FRIDMAN: Well, that's a-- | |
I'm a huge believer | |
in that, which | |
is get in a relationship | |
at a low point | |
in your life, which is-- | |
[LAUGHTER] | |
ANDREW HUBERMAN: Sorry. | |
I'm not disputing your stance, | |
nor am I agreeing with it. | |
It's just every once | |
in a while there's | |
a Lex Fridmanism that hits a | |
particular circuit in my brain. | |
I have to just laugh out loud. | |
LEX FRIDMAN: I just | |
think that it's | |
easy to have a relationship | |
when everything is good. | |
The relationships that become | |
strong and are tested quickly | |
are the ones when | |
shit is going down. | |
ANDREW HUBERMAN: Well, then | |
there's hope for me yet. | |
Before we sat down I was | |
having a conversation | |
with my podcast | |
producer, who is a-- | |
I wouldn't say avid, rather he's | |
a rabid consumer of podcasts | |
and finds these amazing | |
podcasts, small podcasts | |
and unique episodes. | |
Anyway, we were talking | |
about some stuff | |
that he had seen and read | |
in the business sector, | |
and he was talking about | |
the difference between job, | |
career, and a calling, right? | |
And I think he was | |
extracting this | |
from conversations of CEOs | |
and founders, et cetera. | |
I forget the specific | |
founders that | |
brought this to light for him. | |
But that this idea that | |
if you focus on a job | |
you can make an income, and | |
hopefully you enjoy your job | |
or not hate it too much. | |
A career represents a | |
sort of, in my mind, | |
a kind of series of | |
evolutions that one | |
can go through-- junior | |
professor, tenure, et cetera. | |
But a calling has a whole | |
other level of energetic pull | |
to it because it | |
includes career and job | |
and it includes this | |
concept of a life. | |
It's very hard to draw the line | |
between a calling in career | |
and a calling in the | |
other parts of your life. | |
So the question, | |
therefore, is, do | |
you feel a calling | |
to start this company | |
or is it more of a compulsion | |
that irritates you? | |
Is it something you | |
wish would go away | |
or is it something that | |
you hope won't go away? | |
LEX FRIDMAN: No, I | |
hope it won't go away. | |
It's a calling. | |
It's a calling. | |
ANDREW HUBERMAN: | |
That's beautiful. | |
LEX FRIDMAN: It's like | |
when I see a robot-- | |
when I first | |
interacted with robots, | |
and it became even stronger the | |
more sophisticated the robots | |
I interacted, with | |
I see a magic there. | |
And you're like, | |
you look around, | |
does anyone else see this magic? | |
It's kind of like maybe | |
when you fall in love, | |
like that feeling. | |
Does anyone else | |
notice this person | |
that just walked in the room? | |
I feel that way | |
about robots, and I | |
can elaborate what that | |
means but I'm not even sure I | |
can convert it into words. | |
I just feel like the | |
social integration | |
of robots in society will create | |
a really interesting world. | |
And our ability to | |
anthropomorphize | |
when we look at a robot and | |
our ability to feel things | |
when we look at a robot is | |
something that most of us | |
don't yet experience, | |
but I think | |
everybody will experience | |
in the next few decades. | |
And I just want to be | |
a part of exploring | |
that because it hasn't been | |
really thoroughly explored. | |
The best roboticists | |
in the world | |
are not currently working | |
on that problem at all. | |
They try to avoid human | |
beings completely, | |
and nobody's really | |
working that problem | |
in terms of when you | |
look at the numbers. | |
All the big tech companies | |
that are investing money, | |
the closest thing | |
to that is Alexa | |
and basically being a servant | |
to help tell you the weather | |
or play music and so on. | |
It's not trying to | |
form a deep connection. | |
And so sometimes you | |
just notice the thing. | |
Not only do I notice the magic. | |
There's a gut | |
feeling, which I try | |
not to speak to because | |
there's no track record, | |
but I feel like I can be good | |
at bringing that magic out | |
of the robot. | |
And there's no data that | |
says I would be good at that, | |
but there's a feeling. | |
It's just a feeling. | |
Because I've done | |
so many things-- | |
I love doing playing guitar, | |
all that kind of stuff, jujitsu. | |
I've never felt that feeling. | |
When I'm doing | |
jujitsu I don't feel | |
the magic of the genius | |
required to be extremely good. | |
At guitar I don't | |
feel any of that. | |
But I've noticed that in | |
others, great musicians, | |
they notice the magic | |
about the thing they do | |
and they ran with it. | |
And I just always thought-- | |
I think it had a different | |
form before I knew robots | |
existed, before I existed. | |
The form was more about | |
the magic between humans. | |
I think of it as love, but | |
the smile that two friends | |
have towards each other | |
when I was really young. | |
And people would be excited | |
when they first know each other | |
and notice each other, | |
and there's that moment | |
that they share that | |
feeling together. | |
I was like, wow, that's | |
really interesting. | |
It is really interesting | |
that these two | |
separate intelligent | |
organisms are | |
able to connect all of a sudden | |
on this deep emotional level. | |
It's like, huh. | |
It's just beautiful to see, | |
and I notice the magic of that. | |
And then when I started a | |
programming-- programming, | |
period, but then programming | |
AI systems, you realize, oh, | |
that could be-- | |
that's not just between | |
humans and humans. | |
That could be humans and | |
other entities, dogs, cats, | |
and robots. | |
And so I-- for some reason | |
it hit me the most intensely | |
when I saw robots. | |
So yeah, it's a calling. | |
But it's a calling that I can | |
just enjoy the vision of it, | |
the vision of a future world, of | |
an exciting future world that's | |
full of cool stuff, or I can | |
be part of building that. | |
And being part of | |
building that means | |
doing the hard work | |
of capitalism, which | |
is like raising funds from | |
people, which for me, right | |
now, is the easy part, and | |
then hiring a lot of people. | |
I don't know how much you know | |
about hiring, but hiring-- | |
ANDREW HUBERMAN: Hiring | |
excellent people. | |
LEX FRIDMAN: | |
Excellent people that | |
will define the | |
trajectory of not only | |
your company, but your whole | |
existence as a human being. | |
And building it up, not | |
failing them because now | |
they all depend on you, | |
and not failing the world | |
with an opportunity | |
to bring something | |
that brings joy to people. | |
And all of that | |
pressure, just non-stop | |
fires that you have to put out. | |
The drama, the having | |
to work with people | |
you've never worked with like | |
lawyers and human resources | |
and supply chain. | |
And because this is | |
very compute heavy, | |
the computer infrastructure, | |
managing security, | |
cybersecurity, because you're | |
dealing with people's data. | |
So now you have to understand | |
not only the cybersecurity | |
of data and the privacy, how | |
to maintain privacy correctly | |
with data, but also the | |
psychology of people trusting | |
you with their data. | |
And how, if you look at Mark | |
Zuckerberg and Jack Dorsey | |
and those folks, | |
they seem to be hated | |
by a large number of people. | |
ANDREW HUBERMAN: Jack seemed-- | |
I didn't-- | |
LEX FRIDMAN: Much less so, yes. | |
ANDREW HUBERMAN: I think I | |
always think of Jack as a loved | |
individual, but-- | |
LEX FRIDMAN: Well, yeah, you | |
have a very positive view | |
of the world, yes. | |
ANDREW HUBERMAN: I like Jack a | |
lot and I like his mind and I-- | |
someone close to him | |
described him to me | |
recently as he's an | |
excellent listener. | |
That's what they | |
said about Jack, | |
and that's my | |
experience of him too. | |
Very private person so | |
we'll leave it at that. | |
But listen, I think | |
Jack Dorsey is | |
one of the greats of | |
the last 200 years | |
and is just much quieter | |
about his stance on things | |
than a lot of people. | |
But much of what we see in | |
the world that's wonderful, | |
I think we owe him | |
a debt of gratitude. | |
I'm just voicing my | |
stance here, but-- | |
LEX FRIDMAN: And the person. | |
This is really important. | |
ANDREW HUBERMAN: Yeah. | |
LEX FRIDMAN: A wonderful | |
person, a brilliant person, | |
a good person, | |
but you still have | |
to pay the price of making | |
any kind of mistakes | |
as the head of a company. | |
You don't get any extra bonus | |
points for being a good person. | |
ANDREW HUBERMAN: But his | |
willingness to go on Rogan | |
and deal directly and say, | |
I don't know an answer | |
to that in some cases. | |
But to deal directly with some | |
really challenging questions | |
to me earned him | |
tremendous respect. | |
LEX FRIDMAN: Yes. | |
As an individual. | |
He was still part of him-- | |
you've said-- OK, | |
and I love Jack too, | |
and I interact with him often. | |
ANDREW HUBERMAN: He's | |
been on your podcast. | |
LEX FRIDMAN: Yes. | |
But he's also part of a | |
system, as we talked about, | |
and I would argue that Jack | |
shouldn't have brought anyone | |
else with him on that podcast. | |
If you go-- | |
ANDREW HUBERMAN: | |
Oh, that's right. | |
He had a cadre of-- | |
LEX FRIDMAN: Oh, he had I | |
guess the head legal with him. | |
And also it requires a | |
tremendous amount of skill | |
to go on a podcast | |
like Joe Rogan | |
and be able to win over | |
the trust of people | |
by being able to be | |
transparent and communicate | |
how the company really works | |
because the more you reveal | |
about how a social | |
media company works, | |
the more you open | |
up for security, | |
the vector of attacks increases. | |
Also, there's a lot of | |
difficult decisions in terms | |
of censorship and | |
not that are made | |
that if you make | |
them transparent | |
you're going to get an order | |
of magnitude more hate. | |
So you have to make all | |
those kinds of decisions, | |
and I think that's one of | |
the things I have to realize | |
is you have to take that | |
avalanche of potentially | |
hate if you make mistakes. | |
ANDREW HUBERMAN: Well, you | |
have a very clear picture | |
of this architecture | |
of what's required | |
in order to create a company. | |
Of course, there's | |
division of labor too. | |
I mean, you don't have to do | |
all of those things in detail, | |
but finding people that | |
are excellent to do-- | |
to run the critical | |
segments is obviously key. | |
I'll just say what | |
I said earlier, | |
which is if it's in your heart's | |
heart to start a company, | |
if that, indeed, | |
is your calling, | |
and it sounds like it | |
is, then I can't wait. | |
LEX FRIDMAN: Does the | |
heart have a heart? | |
I don't know. | |
What's that | |
expression even mean? | |
ANDREW HUBERMAN: Probably not. | |
LEX FRIDMAN: We | |
romanticize the heart. | |
ANDREW HUBERMAN: In my lab | |
at one point, early days | |
we worked on cuttlefish, and | |
they have multiple hearts, | |
but they pump green | |
blood, believe it or not. | |
Very fascinating animal. | |
Speaking of hearts | |
and green blood, | |
earlier today | |
before we sat down I | |
solicited four questions on | |
Instagram in a brief post. | |
LEX FRIDMAN: Do you want to-- | |
ANDREW HUBERMAN: If you'll-- | |
LEX FRIDMAN: --look | |
at some of them? | |
ANDREW HUBERMAN: Yes, let's | |
take these in real time. | |
My podcast team is always | |
teasing me that I never | |
have any charge on my phone. | |
I'm one of these people that | |
likes to run in the yellow, | |
or whatever it is. | |
LEX FRIDMAN: An iPhone? | |
ANDREW HUBERMAN: Yeah. | |
LEX FRIDMAN: It's funny | |
how always the iPhone | |
people are out of battery. | |
It's weird. | |
ANDREW HUBERMAN: Well, | |
I just got a new one. | |
LEX FRIDMAN: So weird. | |
ANDREW HUBERMAN: I mean, this | |
one has plenty of battery. | |
I just got a new one so | |
I have different numbers | |
for different things, | |
personal and work, et cetera. | |
I'm trying that now. | |
All right. | |
Get into the-- | |
LEX FRIDMAN: I have a chess | |
thing too to mention to you. | |
ANDREW HUBERMAN: | |
Oh, yes, please. | |
Will I insult you if I look up | |
these questions as you ask me? | |
LEX FRIDMAN: No, no. | |
But I will insult you by asking | |
you this question because I | |
think it's hilarious. | |
So there's been a controversy | |
about cheating where | |
Hans Niemann, who | |
is a 2,700 player-- | |
ANDREW HUBERMAN: Oh, yeah. | |
LEX FRIDMAN: --was | |
accused of cheating. | |
ANDREW HUBERMAN: I saw that | |
clip on your clips channel. | |
By the way, I love | |
your clips channel, | |
but I listen to | |
your full channel. | |
LEX FRIDMAN: The big accusation | |
is that he cheated by having-- | |
I mean, it's half | |
joke but it's starting | |
getting me to wonder whether-- | |
so that you can cheat by having | |
vibrating anal beads so you | |
can send messages to-- | |
ANDREW HUBERMAN: Well, let's | |
rephrase that statement. | |
Not you can, but one can. | |
LEX FRIDMAN: One can. | |
One can. | |
ANDREW HUBERMAN: | |
Yeah, thank you. | |
LEX FRIDMAN: That was | |
a personal attack, yes. | |
But it made me realize, I mean-- | |
ANDREW HUBERMAN: I'm just going | |
to adjust myself in my seat | |
here. | |
LEX FRIDMAN: I use | |
it all the time | |
for podcasting to | |
send myself messages | |
to remind myself of notes. | |
But it's interesting. | |
I mean, it-- | |
ANDREW HUBERMAN: I'm not | |
going to call you again. | |
LEX FRIDMAN: Yeah, that's | |
exactly where I keep my phone. | |
It did get me down this | |
whole rabbit hole of, well, | |
how would you be able to | |
send communication in order | |
to cheat in different sports? | |
I mean, that doesn't even have | |
to do with chess in particular, | |
but it's interesting | |
in chess and poker | |
that there's mechanisms | |
modern day where | |
you're streaming live | |
the competition so people | |
can watch it on TV. | |
If they can only send | |
you a signal back, they-- | |
it's just a fun little | |
thing to think about | |
and if it's possible | |
to pull off. | |
So I wanted to get your | |
scientific evaluation of that-- | |
ANDREW HUBERMAN: To | |
cheat using some sort | |
of interoceptive device? | |
LEX FRIDMAN: Yeah. | |
Vibrating of some kind. | |
Yeah. | |
Or no, no. | |
That's one way to send | |
signals is, like, Morse code, | |
basically. | |
ANDREW HUBERMAN: Yeah. | |
So there's a famous-- | |
I believe there's | |
a famous real world | |
story of physics students-- | |
I'm going to get | |
some of this wrong | |
so I'm saying this in | |
kind of coarse form | |
so that somebody | |
will correct this. | |
But I believe it was physics | |
graduate students from UC Santa | |
Cruz or somewhere else, | |
maybe it was Caltech-- | |
a bunch of universities | |
so that no one associates | |
it with any one university | |
that went to Vegas | |
and used some sort of tactile | |
device for card counting thing. | |
This was actually | |
demonstrated also-- | |
not this particular | |
incident, I don't think-- | |
in the movie Casino | |
where they spotted a-- | |
I remember Robert | |
De Niro, who you | |
have a not so vague resemblance | |
to, by the way, in Taxi Driver. | |
LEX FRIDMAN: God, I wish I had | |
a De Niro impression right now. | |
Travis Bickle. | |
ANDREW HUBERMAN: | |
Look it up, folks. | |
Travis Bickle is if Lex ever | |
shaved his head into a Mohawk. | |
LEX FRIDMAN: I would. | |
ANDREW HUBERMAN: So he had a | |
tapping device on his ankle | |
that was signaling. | |
Someone else was counting | |
cards and then signaling | |
to that person. | |
So yeah, that could be | |
done in the tactile way. | |
It could be done, | |
obviously, earpieces | |
if it's deep earpiece. | |
I think there are ways | |
that they look for that. | |
Certainly any kind | |
of vibrational device | |
in whatever orifice provided | |
someone could pay attention | |
to that while still | |
playing the game. | |
Yeah, I think it's | |
entirely possible. | |
Now, could it be | |
done purely neurally? | |
Could there be | |
something that was-- | |
and listen, it wouldn't have | |
to even be below the skull. | |
This is where whenever people | |
hear about Neuralink or brain | |
machine interface | |
they always think, | |
oh, you have to drill | |
down below the skull | |
and put a chip below | |
into the skull. | |
I think there are people | |
walking around nowadays | |
with glucose monitoring devices, | |
like Levels-- which I've used | |
and it was very informative | |
for me, actually, | |
as a kind of an experiment. | |
Gave me a lot of interesting | |
insights about my blood sugar | |
regulation, how it reacts to | |
different foods, et cetera. | |
Well, you can implant | |
a tactile device | |
below the skin with | |
a simple incision. | |
Actually, one of the | |
neurosurgeons at Neuralink | |
I know well because he | |
came up at some point | |
through my laboratory | |
and was at Stanford, | |
and he actually has put in a | |
radio receiver in his hand, | |
and his wife has it too. | |
And he can open locks | |
of his house and things | |
like that, so he's been doing-- | |
LEX FRIDMAN: Under the skin? | |
ANDREW HUBERMAN: Under the skin. | |
You can go to-- | |
LEX FRIDMAN: How does that work? | |
So how do you use-- | |
ANDREW HUBERMAN: A piercer. | |
You go to a body | |
piercer type person | |
and they can just | |
slide it under there, | |
and it's got a battery | |
life of something | |
and some fairly long duration. | |
LEX FRIDMAN: How do you | |
experience the tactile-- | |
the haptics of it? | |
ANDREW HUBERMAN: Oh, no. | |
That just allows him to | |
open certain locks with just | |
his hand, but you could easily | |
put some sort of tactile device | |
in there. | |
LEX FRIDMAN: But does it | |
have to connect to the nerves | |
or is it just like-- | |
just vibration? | |
ANDREW HUBERMAN: | |
No, just vibration. | |
LEX FRIDMAN: And | |
you can probably | |
sense it even if it's | |
under the skin, I wonder. | |
ANDREW HUBERMAN: And | |
it can be by-- it | |
can be Bluetooth linked. | |
I mean, I've seen-- | |
there's an Engineering | |
Laboratory at the University | |
of Illinois, Champaign-Urbana, | |
that's got an amazing | |
device which is | |
about the size of a Band-Aid. | |
It goes on the | |
clavicles and it uses | |
sound waves pinged into the | |
body to measure cavitation. | |
Think about this for a moment. | |
This is being used in | |
the military where, | |
let's say, you're leading | |
an operation or something. | |
People are getting shot, | |
shot at, and on a laptop | |
you can see where the | |
bullet entry points are. | |
Are people dead? | |
Are they bleeding out? | |
Entry, exit points. | |
You can get-- take it out | |
of the battlefield scenario. | |
You can get breathing, body | |
position 24 hours a day. | |
There's so much that you can | |
do looking at cavitation. | |
So these same sorts of | |
devices on 12 hour Bluetooth | |
could be used to send | |
all sorts of signals. | |
Maybe every time you're | |
supposed to hold your hand-- | |
I'm not a good gambler | |
so I only play roulette | |
when I go to Vegas because | |
you just long, boring games, | |
but you get some good mileage | |
out of each out of each run, | |
usually. | |
But maybe every time | |
you're supposed to hold, | |
the person gets a | |
stomach cinching | |
because this is stimulating | |
the vagus a little bit | |
and they get a little | |
bit of an ache. | |
So it doesn't have | |
to be Morse code. | |
It can be yes, no, maybe. | |
Right? | |
It can be green, red, | |
yellow type signaling. | |
It doesn't have to be very | |
sophisticated to give somebody | |
a significant advantage. | |
Anyway, I haven't thought | |
about this in detail | |
before this conversation | |
but, oh, yeah, | |
there's an immense landscape. | |
LEX FRIDMAN: I don't | |
know if you know | |
a poker player named Phil Ivey? | |
ANDREW HUBERMAN: No, I don't | |
follow the gambling thing. | |
LEX FRIDMAN: Well, | |
he's considered | |
to be one of the | |
greatest poker players | |
of all time legitimately. | |
He's just incredibly good. | |
But he got-- there's | |
this big case where | |
he was accused of | |
cheating and prove-- | |
and it's not really | |
cheating, which | |
is what's really fascinating. | |
Is it turns out-- | |
so he plays poker. | |
Texas Hold'em, mostly, | |
but all kinds of poker. | |
It turns out that the grid | |
on the back of the cards | |
is often printed a | |
little bit imperfectly, | |
and so you can use the | |
asymmetry of the imperfections | |
to try to figure | |
out certain cards. | |
So if you play and you remember | |
that a certain card is, like-- | |
I think the 8 in that deck that | |
he was accused of-- an 8 and 9 | |
were slightly different | |
symmetry wise. | |
So he can now ask | |
the dealer actually | |
to rotate it to | |
check the symmetry. | |
So you would ask the dealer | |
to rotate the card to see that | |
there's-- to detect the | |
asymmetry of the back | |
of the card, and now he | |
knows which cards are | |
8's and 9's or likelier to be | |
8's and 9's, and he was using | |
that information to play | |
poker and win a lot of money. | |
But it's just a | |
slight advantage. | |
And his case is-- and | |
in fact, the judge | |
found this, that he's | |
not actually cheating, | |
but it's not right. | |
You can't use this kind | |
of extra information. | |
So it's fascinating that you | |
can discover these little holes | |
in games if you pay | |
close enough attention. | |
ANDREW HUBERMAN: Yeah. | |
It's fascinating. | |
And I think that I | |
did watch that clip | |
about the potential of a | |
cheating event in chess, | |
and the fact that a | |
number of chess players | |
admit to cheating at some | |
point in their career. | |
Very, very interesting. | |
LEX FRIDMAN: Well, | |
it was online. | |
So online cheating | |
is easier, right? | |
When you're playing | |
online cheating | |
in a game where the machine | |
is much better than the human, | |
it's very difficult to | |
prove that you're human. | |
And that applies, by the | |
way, another really big thing | |
is in social media, the bots. | |
If you're running a | |
social media company | |
you have to deal with the | |
bots and they become-- | |
one of the really | |
exciting things | |
in machine learning and | |
artificial intelligence, to me, | |
is the very fast improvement | |
of language models. | |
So neural networks | |
that generate text, | |
that interpret text, that | |
generate from text, images | |
and all that kind of stuff. | |
But you're now going to | |
create incredible bots that | |
look awfully a lot like humans. | |
ANDREW HUBERMAN: | |
Well, at least they're | |
not going to be those | |
crypto bots that | |
seem to populate my comment | |
section when I post anything | |
on Instagram. | |
I actually delete those | |
even though they add | |
to the comment roster and if-- | |
they bother me so much. | |
I spend at least 10, 15 minutes | |
on each post just deleting | |
those. | |
I don't know what | |
they need to do | |
but I'm not interested | |
in those, whatever | |
it is they're offering. | |
Speaking of nonbots, | |
I'm going to assume | |
that all the questions | |
are not from bots. | |
There are a lot of | |
questions here-- | |
more than 10,000 questions. | |
Goodness. | |
I'll just take a few, | |
working from top to bottom. | |
What ideas have you been | |
wrestling with lately? | |
And I think about | |
the company as one, | |
but as I scroll to the | |
next, what are some others? | |
LEX FRIDMAN: Well, some of | |
the things we've talked about, | |
which is the ideas of how | |
to understand what is true, | |
what is true about a human | |
being, how to reveal that, | |
how to reveal that | |
through conversation, how | |
to challenge that | |
properly, that it leads | |
to understanding not derision. | |
So that applies to | |
everybody from Donald Trump | |
to Vladimir Putin. | |
Also another idea is there's | |
a deep distrust of science | |
in trying to understand-- the | |
growing distrust of science, | |
trying to understand what's | |
the role of those of us | |
that have a foot in the | |
scientific community, | |
how to regain some | |
of that trust. | |
Also, there's-- as we talked | |
about, how to find and how to-- | |
yeah, how to find and how to | |
maintain a good relationship. | |
I mean, that's really been-- | |
I've never felt | |
quite as lonely as I | |
have this year with Ukraine. | |
It's just like, so many | |
times I would just lay there | |
and just feeling so deeply alone | |
because I felt that my home-- | |
not my home literally | |
because I'm an American. | |
I'm a proud American. | |
I'll die an American. | |
But my home in the | |
sense of generationally, | |
my family's home, is now going-- | |
has been changed forever. | |
There's no more being proud of | |
being from the former Russia | |
or Ukraine. | |
It's now a political | |
message to say-- | |
to show your pride, and so | |
it's been extremely lonely. | |
And within that world, with | |
all the things I'm pursuing, | |
how do you find a | |
successful relationship? | |
It has been tough. | |
But obviously-- and | |
there's a huge number | |
of technical ideas | |
with the startup of, | |
like, how the hell do | |
you make this thing work? | |
ANDREW HUBERMAN: Well, | |
the relationship topic | |
is one we talked a | |
little bit about, | |
and last time we touched on | |
in a little bit more detail. | |
We're going to come back to | |
that, so I've made a note here. | |
What or who inspired | |
Lex, you, to wear | |
a suit every time you podcast? | |
That's a good question. | |
I don't know the answer to that. | |
LEX FRIDMAN: So there's two | |
answers to that question. | |
One is a suit and two is | |
a black suit and black tie | |
because I used to do-- | |
I used to have more variety, | |
which is like it was always | |
a black suit but | |
I would sometimes | |
do a red tie and a blue tie. | |
But that was mostly me | |
trying to fit in to society | |
because varieties-- you're | |
supposed to have some variety. | |
What inspired me at first | |
was a general culture | |
that doesn't take | |
itself seriously | |
in terms of how you present | |
yourself to the world. | |
So in academia, | |
in the tech world, | |
at Google, everybody was wearing | |
pajamas and very relaxed. | |
In the tech. | |
I don't know how it | |
is in the science, | |
in the chemistry, | |
biology, and so on. | |
But in computer science | |
everybody was very-- | |
I mean, very relaxed in | |
terms of the stuff they | |
wear so I wanted to try | |
to really take myself | |
seriously and take every | |
single moment seriously | |
and everything I do | |
seriously, and the suit | |
made me feel that way. | |
I don't know how it looks, | |
but it made me feel that way. | |
And I think, in terms | |
of people I look up | |
to that wore a suit that made | |
me think of that is probably | |
Richard Feynman. | |
I see-- | |
ANDREW HUBERMAN: He was | |
a wonderful human being. | |
LEX FRIDMAN: I see him as the | |
epitome of class and humor | |
and brilliance, and | |
obviously I could never | |
come close to that kind of-- | |
be able to simply explain | |
really complicated ideas | |
and to have humor and wit, | |
but definitely aspire to that. | |
And then there's | |
just the Mad Men, | |
that whole era of the '50s, | |
the classiness of that. | |
There's something | |
about a suit that | |
both removes the importance | |
of fashion from the character. | |
You see the person. | |
I think not to-- | |
I forgot who said this. | |
Might be, like, Coco Chanel | |
or somebody like this. | |
Is that you wear a shabby dress | |
and everyone sees the dress. | |
You wear a beautiful dress | |
and everybody sees the woman. | |
So in that sense it was-- | |
hopefully I'm quoting | |
that correctly, but-- | |
ANDREW HUBERMAN: Sounds good. | |
LEX FRIDMAN: I think | |
there's a sense in which | |
a simple, classy suit | |
allows people to focus | |
on your character and then do | |
so with the full responsibility | |
of that, this is who I am. | |
Yeah. | |
ANDREW HUBERMAN: I love | |
that, and I love what | |
you said just prior to that. | |
My father, who, again, | |
is always asking me | |
why I don't dress formally | |
like you do always | |
said to me growing | |
up, if you overdress | |
slightly, at least people know | |
that you took them seriously. | |
So it's a sign of respect for | |
your audience too in my eyes. | |
Someone asked, is there an AI | |
equivalent of psychedelics? | |
And I'm assuming they | |
mean is there something | |
that machines can do | |
for themselves in order | |
to alter their neural circuitry | |
through unconventional | |
activation patterns. | |
LEX FRIDMAN: Yes, obviously. | |
Well, I don't know exactly | |
how psychedelics work, | |
but you can see that with | |
all the diffusion models | |
now with Dali and the | |
stable diffusion that | |
generates from text, art. | |
It's basically a small | |
injection of noise | |
into a system that has | |
a deep representation | |
of visual information. | |
So it is able to convert text to | |
art in introducing uncertainty | |
into that noise into that. | |
That's kind of maybe. | |
I could see that as a | |
parallel to psychedelics, | |
and it's able to create | |
some incredible things. | |
From a conceptual | |
understanding of a thing, | |
it can create incredible | |
art that no human, I think, | |
could have at least | |
easily created | |
through a bit of | |
introduction of randomness. | |
Randomness does a lot of work | |
in the machine learning world. | |
Just enough. | |
ANDREW HUBERMAN: There are | |
a lot of requests of you | |
for relationship, | |
a lot of requests | |
about statistics about you, | |
data about you specifically. | |
Flipping past those, | |
what was the hardest belt | |
to achieve in jujitsu? | |
I would have assumed | |
the black belt, | |
but is that actually true? | |
LEX FRIDMAN: No. | |
I mean, everybody has | |
a different journey | |
through jujitsu, as people know. | |
For me, the black belt | |
was the ceremonial belt, | |
which is not usually the case, | |
because I fought the wars. | |
I trained twice a day for I | |
don't know how many years-- | |
seven, eight years. | |
I competed nonstop. | |
I competed against people | |
much better than me. | |
I competed against many | |
and beaten many black belts | |
and brown belts. | |
I think, for me personally, | |
the hardest belt | |
was the brown belt because, | |
for people who know jujitsu, | |
the size of tournament divisions | |
for blue belts and purple belts | |
is just humongous. | |
Like Worlds, when I competed | |
at Worlds it was, like, | |
140 people in a division, | |
which means you have to win-- | |
I forget how many times, | |
but seven, eight, nine times | |
in a row to medal. | |
And so I just had to put in a | |
lot of work during that time. | |
And especially for competitors, | |
instructors usually | |
really make you earn a belt. | |
So to earn the purple belt was | |
extremely difficult. | |
Extremely difficult. And then | |
to earn the brown | |
belt means I had | |
to compete nonstop against other | |
purple belts, which are young. | |
You're talking about-- the | |
people that usually compete | |
are, like, 23, 24, | |
25-year-olds that are shredded, | |
incredible cardio. | |
They can, for some reason, are | |
in their life where they can-- | |
no kids, nothing. | |
They can dedicate | |
everything to this pursuit | |
so they're training two, | |
three, four times a day. | |
Diet is on point. | |
You're going-- and for me, | |
because they're usually bigger | |
and taller than me and | |
just more aggressive, | |
actual good athletes, yeah, I | |
had to go through a lot of wars | |
to earn that brown | |
belt. But then-- | |
ANDREW HUBERMAN: I got to | |
try this jujitsu thing. | |
LEX FRIDMAN: Yeah, you should. | |
But it's a different-- | |
ANDREW HUBERMAN: | |
Well, I tried it. | |
I did the one class, but I | |
really want to embrace it. | |
LEX FRIDMAN: As you know, | |
many pursuits like jujitsu | |
are different if you're doing it | |
in your 20s and 30s and later. | |
It's like it's a different-- | |
you're not-- you can have a | |
bit of an ego in your 20s. | |
You can have that | |
fire under you, | |
but you should be more | |
zenlike and wise and patient | |
later in life. | |
ANDREW HUBERMAN: | |
Well, one would hope. | |
That's the wisdom. | |
LEX FRIDMAN: I think | |
Rogan is still a meathead. | |
He still goes hard and | |
crazy and he's still | |
super competitive on | |
that, so some people can-- | |
Jocko is somebody like that. | |
ANDREW HUBERMAN: | |
Well, whatever they're | |
doing they're doing something | |
right because they're still | |
in it, and that's | |
super impressive. | |
There were far too many | |
questions to ask all of them, | |
but several, if not many, asked | |
a highly appropriate question | |
for where we are in the | |
arc of this discussion. | |
And this is one, admittedly, | |
that you ask in your podcast | |
all the time, but I | |
get the great pleasure | |
of being in the question | |
asker seat today. | |
And so, what is your | |
advice to young people? | |
LEX FRIDMAN: So I just | |
gave a lecture at MIT | |
and the amount of love I | |
got there is incredible. | |
And so of course, who | |
you're talking to is usually | |
undergrads, maybe young | |
graduate students, and so there | |
one person did ask for advice | |
as a question at the end. | |
I did a bunch of Q&A. So my | |
answer was that the world will | |
tell you to find a work-life | |
balance, to explore, | |
to try to-- | |
try different fields | |
to see what you really | |
connect with, variety, | |
general education, all | |
that kind of stuff. | |
And I said in your | |
20s I think you | |
should find one thing | |
you're passionate about | |
and work harder at that than | |
you worked at anything else | |
in your life. | |
And if it destroys | |
you, it destroys you. | |
That's advice for in your 20s. | |
I don't know how universally | |
true that advice is, | |
but I think at least | |
give that a chance. | |
Sacrifice, real sacrifice | |
towards a thing you | |
really care about, | |
and work your ass off. | |
That said, I've | |
met so many people, | |
and I'm starting to | |
think that advice is best | |
applied or best tried in | |
the engineer disciplines, | |
especially programming. | |
I think there's a bunch of | |
disciplines in which you | |
can achieve success | |
with much fewer hours, | |
and it's much more | |
important to actually | |
have a clarity of | |
thinking and great ideas | |
and have an energetic mind. | |
The grind in certain disciplines | |
does not produce great work. | |
I just know that in computer | |
science and programming | |
it often does. | |
Some of the best people ever | |
that have built systems, | |
have programmed systems are | |
usually like the John Carmack | |
kind of people that drink | |
soda, eat pizza, and program | |
18 hours a day. | |
So I don't know actually. | |
You have to, I think, really | |
go discipline specific. | |
So my advice applies | |
to my own life | |
which has been mostly | |
spent behind that computer, | |
and for that you really, really | |
have to put in the hours. | |
And what that means | |
is essentially | |
it feels like a grind. | |
I do recommend that you should | |
at least try it in your own. | |
That if you interview some of | |
the most accomplished people | |
ever, I think if | |
they're honest with you | |
they're going to | |
talk about their 20s | |
as a journey of a lot of pain | |
and a lot of really hard work. | |
I think what really | |
happens, unfortunately, | |
is a lot of those successful | |
people later in life | |
will talk about | |
work-life balance. | |
They'll say, you | |
know what I learned | |
from that process is that it's | |
really important to get, like, | |
sun in the morning, | |
to have health, | |
to have good relationships. | |
ANDREW HUBERMAN: Hire a chef. | |
LEX FRIDMAN: Yeah, a chef. | |
Exactly. | |
But I think you have | |
forgot-- those people have | |
forgotten the value | |
of the journey they | |
took to that lesson. | |
I think work-life balance is | |
best learned the hard way. | |
My own perspective. | |
There are certain things you | |
can only learn the hard way, | |
and so you should learn | |
that the hard way. | |
Yeah, so that's | |
definitely advice. | |
And I should say that I | |
admire people that work hard. | |
If you want to get | |
on my good side, | |
I think there are the | |
people that give everything | |
they got towards something. | |
It doesn't actually | |
matter what it | |
is, but towards achieving | |
excellence in a thing. | |
That's the highest thing that | |
we can reach for as human beings | |
I think is excellence | |
at a thing. | |
ANDREW HUBERMAN: I love it. | |
Well, speaking of | |
excellent at a thing. | |
Whether or not it's teaching | |
at MIT or the podcast | |
or the company that | |
resides in the near future | |
that you create-- | |
once again, I'm speaking for | |
an enormous number of people | |
that excellence and hard | |
work, certainly, are woven | |
through everything that you do. | |
Every time I sit down with | |
you I begin and finish | |
with such an immense feeling | |
of joy and appreciation | |
and gratitude, and it wouldn't | |
be a Lex Fridman podcast, | |
or in case of Lex even | |
being a guest on a podcast, | |
if the word love weren't | |
mentioned at least 10 times. | |
So the feelings of gratitude | |
for all the work you do, | |
for taking the time here today | |
to share with us what you're | |
doing, your thoughts, | |
your insights, what | |
you're perplexed about and what | |
drives you and your callings. | |
LEX FRIDMAN: Can I read a poem? | |
ANDREW HUBERMAN: Yes, please. | |
He was trying to | |
cut me off post. | |
That was getting a little long. | |
LEX FRIDMAN: No. | |
No, no, no. | |
I was thinking | |
about this recently. | |
It's one of my favorite | |
Robert Frost poems, and I-- | |
because I wrote several | |
essays on it, as you do, | |
because I think it's a | |
popular one that's read. | |
Essays being, like, trying | |
to interpret poetry, | |
and it's one that | |
sticks with me. | |
I mean, both its calm beauty, | |
but in the seriousness | |
of what it means because I | |
ultimately think it's the-- | |
so "Stopping by a Woods | |
on a Snowy Evening." | |
I think it's ultimately | |
a human being, a man, | |
asking the old Sisyphus, the | |
old Camus question of, why live? | |
I think this poem, | |
even though it | |
doesn't seem like it is a | |
question of a man contending | |
with suicide and | |
choosing to live. | |
Whose woods these | |
are, I think I know. | |
His house is in the | |
village, though. | |
He will not see me stopping | |
here to watch his woods fill up | |
with snow. | |
My little horse | |
must think it queer | |
to stop without a farmhouse near | |
between the woods and frozen | |
lake, the darkest | |
evening of the year. | |
He gives this | |
harness bells a shake | |
to ask if there's some mistake. | |
The only other sound's the sweep | |
of easy wind and downy flake. | |
The woods are lovely, | |
dark, and deep, | |
but I have promises to keep | |
and miles to go before I sleep, | |
and miles to go before I sleep. | |
The woods representing | |
the darkness, | |
the comfort of the woods | |
representing death, | |
and he's a man choosing to live. | |
Yeah, I think about that often, | |
especially my darker moments | |
is you have promises to keep. | |
Thank you for having me, Andrew. | |
You're a beautiful human being. | |
I love you, brother. | |
ANDREW HUBERMAN: I | |
love you, brother. | |
Thank you for joining me today | |
for my discussion with Dr. Lex | |
Fridman, and special thanks to | |
Dr. Lex Fridman for inspiring | |
me to start this podcast. | |
If you're learning from | |
and/or enjoying this podcast, | |
please subscribe to | |
our YouTube channel. | |
That's a terrific zero | |
cost way to support us. | |
In addition, please subscribe | |
to the podcast on Spotify | |
and on Apple, and on | |
both Spotify and Apple | |
you can leave us up | |
to a five star review. | |
If you have questions | |
or suggestions | |
about topics and | |
guests you'd like | |
me to include on the | |
Huberman Lab podcast, | |
please put those in the | |
comments section on YouTube. | |
I do read all the comments. | |
In addition, please | |
check out the sponsors | |
mentioned at the beginning | |
of today's episode. | |
That's the best way to | |
support this podcast. | |
During today's episode we | |
did not discuss supplements, | |
but on many previous episodes | |
of the Huberman Lab podcast | |
we do discuss supplements | |
because while supplements | |
aren't necessarily | |
for everybody, | |
many people derive | |
tremendous benefit from them | |
for things like enhancing | |
sleep and focus and hormone | |
augmentation and so forth. | |
The Huberman Lab | |
podcast has partnered | |
with Momentous | |
Supplements because they | |
are of the very highest quality | |
and they ship internationally. | |
In addition to that, they have | |
single ingredient formulations | |
that allow you to devise the | |
supplement regimen that's | |
most effective and most | |
cost effective for you. | |
If you'd like to see the | |
supplements discussed | |
on the Huberman Lab | |
podcast, please go | |
to livemomentous.com/huberman. | |
If you haven't already signed | |
up for the Huberman lab podcast | |
zero cost neural | |
network newsletter, | |
we invite you to do so. | |
It's a monthly | |
newsletter that has | |
summaries of podcast episodes | |
and various protocols distilled | |
into simple form. | |
You can sign up | |
for the newsletter | |
by going to hubermanlab.com, | |
go to the menu, | |
and look for Newsletter. | |
You supply your email, but we do | |
not share it with anybody else. | |
And as I mentioned | |
before, the newsletter | |
is completely zero cost. | |
And if you're not already | |
following us on social media, | |
we are @hubermanlab | |
on Instagram, | |
@hubermanlab on Twitter, and | |
@hubermanlab on Facebook, | |
and at all of those | |
sites I provide | |
science and science related | |
tools for mental health, | |
physical health, and | |
performance, some of which | |
overlap with information covered | |
on the Huberman Lab podcast, | |
but often which is distinct | |
from information covered | |
on the Huberman Lab podcast. | |
So again, that's @hubermanlab | |
on Instagram, Twitter, | |
and Facebook. | |
Thank you, again, for joining me | |
for the discussion with Dr. Lex | |
Fridman, and as | |
always, thank you | |
for your interest in science. | |
[MUSIC PLAYING] |