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dbpedia
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1
| 23 |
https://www.theguardian.com/film/2010/nov/11/dino-de-laurentiius-dies
|
en
|
Film producer Dino De Laurentiis dies
|
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[
"Catherine Shoard",
"www.theguardian.com"
] |
2010-11-11T00:00:00
|
The prolific Italian movie producer whose name was synonymous with grandiose spectacle, if questionable taste, has died aged 91
|
en
|
the Guardian
|
https://www.theguardian.com/film/2010/nov/11/dino-de-laurentiius-dies
|
The age of the producer extraordinaire, whose name on the opening credits was a guarantee of operatic emotions and grandiose spectacle, looked one step closer to the end today, with the announcement that Dino De Laurentiis has died aged 91.
A man whose diminutive stature (he was 5ft 4in) was no obstacle to his enormous ambition or prodigious output (more than 500 films), De Laurentiis started his career selling his family's pasta. After serving in the Italian army in the second world war, he established himself as a film producer, and swiftly became famous for the 1949 classic Bitter Rice, directed by Giuseppe De Santis, and then a handful of neo-realist hits made in collaboration with Carlo Ponti, including Federico Fellini's La Strada in 1954 and Nights of Cabiria in 1957.
De Laurentiis went solo, and produced a string of films that belied both his eagerness for commercial success and his joie de vivre, among them James Bond spoof Kiss the Girls and Make Them Die, a spaghetti western, Anzio (1968) and Barbarella (also 1968). But the film business in Italy wasn't as thriving as a decade before and he left the country for the US in the early 1970s, where he set up his own studio in North Carolina. This became a powerhouse of what even at the time were recognised as classics (cult or otherwise), including Sidney Lumet's Serpico (1973), Michael Winner's Death Wish (1974), Sydney Pollack's Three Days of the Condor (1975), John Wayne's final western, The Shootist (1976), Ingmar Bergman's The Serpent's Egg (1977) and Arnold Schwarzenegger's breakthrough film, Conan the Barbarian (1982). He also worked fruitfully with David Lynch – making Dune in 1984, and Blue Velvet, two years later. These films – and others, such as Ragtime in 1981 – were testimony to De Laurentiis's talents not just as an old-school movie mogul, prepared to lavish cash on whatever genre he fancied, but also a producer with the guts to take a punt and the ability spot a serious talent.
Yet his name became, for a while, synonymous with a particular type of costly endeavour that, were it not a turkey, certainty pushed the boundaries of taste. Movies such as the legendary King Kong remake (1976), killer whale film Orca (1977), disaster movie Hurricane (1979), Flash Gordon remake (1980), Halloween II (the 1981 sequel to John Carpenter's 1978 classic horror film) and King Kong Lives (1986) led to his being dubbed "Dino De Horrendous" by critics Harry and Michael Medved in 1980.
Most recently, De Laurentiis was the driving force between the big-screen transfers of Thomas Harris's Hannibal Lecter novels, beginning with Manhunter in 1986, skipping 1991's The Silence of the Lambs, and picking the series up again for Hannibal (2001), Red Dragon (2002) and Hannibal Rising – one of an astonishing three titles he oversaw as recently as 2007. De Laurentiis picked up an Oscar for La Strada in 1954, and was honoured by the Academy in 2001 with Irving G Thalberg Memorial award.
De Laurentiis was married twice and is survived by six of his seven daughters. His only son, Federico, died at 26 in a plane crash.
|
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202
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dbpedia
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0
| 80 |
https://www.deseret.com/1992/10/17/19011021/movie-starring-madonna-tagged-with-nc-17-rating/
|
en
|
MOVIE STARRING MADONNA TAGGED WITH NC-17 RATING
|
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1992-10-17T00:00:00
|
MGM and Dino De Laurentiis' ``Body of Evidence,'' starring Madonna and Willem Dafoe, has received an NC-17 rating from the Motion Picture Producers Association, equivalent to the old X rating. The association's classification and rating administration tagged the film with an NC-17 for what it said were explicit sexual scenes. It is scheduled for release next Jan-uary.
|
en
|
/pf/resources/deseretnews/favicon.png?d=160
|
Deseret News
|
https://www.deseret.com/1992/10/17/19011021/movie-starring-madonna-tagged-with-nc-17-rating/
|
MGM and Dino De Laurentiis' "Body of Evidence," starring Madonna and Willem Dafoe, has received an NC-17 rating from the Motion Picture Producers Association, equivalent to the old X rating.
The association's classification and rating administration tagged the film with an NC-17 for what it said were explicit sexual scenes. It is scheduled for release next Jan-uary."Body of Evidence" involves a woman, accused of murdering her lover, who seduces her attorney during the course of her trial. The studio has the option of releasing the film as is or to make cuts necessary for an R rating.
|
||||
202
|
dbpedia
|
0
| 18 |
https://www.heraldtribune.com/story/news/2010/11/12/producer-de-laurentiis-dies/28978273007/
|
en
|
Producer De Laurentiis dies
|
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"HILLEL ITALIE, Sarasota Herald-Tribune"
] |
2010-11-12T00:00:00
|
He was a small man who dreamed big, hit the highest heights and failed like few others. \n Dino De Laurentiis was born to be a movie producer. \n The Academy Award-winning legend of the Italian New Wav…
|
en
|
Sarasota Herald-Tribune
|
https://www.heraldtribune.com/story/news/2010/11/12/producer-de-laurentiis-dies/28978273007/
|
He was a small man who dreamed big, hit the highest heights and failed like few others.
Dino De Laurentiis was born to be a movie producer.
The Academy Award-winning legend of the Italian New Wave and producer of "Serpico" and "Barbarella" who helped revolutionize the way movies are bankrolled and helped personify the no-limits life of a cinematic king, died Wednesday night at the age of 91 in Beverly Hills.
His dozens of credits included the art-house classics "La Strada" and "Nights of Cabiria," the cult favorite "Blue Velvet," the Hollywood epics "War and Peace" and "The Bible," and such mainstream hits as "Three Days of the Condor." He backed horror films ("Halloween 2"), police drama ("Serpico") and the most far-out science fiction fused with sex and sexuality ("Barbarella").
And when he bombed, he really bombed: "Dune," about which director David Lynch complained he was denied creative control; the Madonna vehicle "Body of Evidence"; the 1976 remake of "King Kong," which nearly finished off the career of Jessica Lange before it really started.
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America.
He was tiny, but tough, a veritable Napoleon on the set and utterly tireless. "Such a little lion," was how his second wife, producer Martha De Laurentiis, put it when he turned 80.
Throughout his career, he alternated lavish, big-budget productions with less commercial films by directors such as Robert Altman, Ingmar Bergman and Lynch, and he often packaged the blockbusters with art films to secure distribution for the smaller films.
"The extraordinary thing that Dino taught all of us is the true figure of the independent producer," De Laurentiis' nephew, Aurelio De Laurentiis, a noted Italian film producer, said Thursday. "He always behaved in the U.S. as a major studio, even though he was a one-man show."
"He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly," said granddaughter Giada De Laurentiis, a star chef and host on Food Network.
Raised outside Naples and one of six children born into the family's pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking.
He was central to the rise of Italy's film industry, which in the 1950s rose to international prominence as the Italian New Wave.
De Laurentiis' initial success began after World War II, starting with "Bitter Rice," in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, he went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic "War and Peace" (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
With the lure of huge salaries, he often imported international movie stars to boost a film's prospects. For Fellini's "La Strada," which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini's "Nights of Cabiria," which won the foreign film Oscar a year later.
At Dinocitta, De Laurentiis married Hollywood stars with spectacle: "Barrabas" (Quinn); "The Bible" (George C. Scott, Ava Gardner); "Anzio" (Robert Mitchum); "Waterloo" (Rod Steiger). He also made more offbeat fare, such as Roger Vadim's sex romp, "Barbarella" (Jane Fonda).
He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies.
He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group.
The Oscar-winning "Serpico," in 1973 with Al Pacino, was De Laurentiis' Hollywood debut. Charles Bronson's "Death Wish," Robert Redford's "Three Days of the Condor" and John Wayne's last film, "The Shootist," followed.
Though flops like "King Kong" and "Hurricane" could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash.
The strain of the loss helped end De Laurentiis' marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of "King Kong Lives."
De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
"My philosophy is very simple," he once said. "To feel young, you must work as long as you can."
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202
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dbpedia
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2
| 56 |
https://time.com/archive/6598026/death-of-a-showman-dino-de-laurentiis-1919-2010/
|
en
|
Death of a Showman: Dino De Laurentiis (1919-2010)
|
https://time.com/favicon.ico
|
https://time.com/favicon.ico
|
[] |
[] |
[] |
[
""
] | null |
[
"Richard Corliss"
] |
2010-11-12T05:00:00+00:00
|
A dreamer and a salesman, producer De Laurentiis gave the world masterpieces and flops, kitsch and Kong
|
en
|
/favicon.ico
|
TIME
|
https://time.com/archive/6598026/death-of-a-showman-dino-de-laurentiis-1919-2010/
|
For his first five years, Agostino De Laurentiis didn’t speak, but his mother Giuseppina showed no concern. “Look at it this way,” she said of the lively child. “When he begins to talk, nobody will be able to make him stop.” By the time he was 15, as a traveling representative for Pastaficio Moderno, his father Aurelio’s food business, the kid from Naples had turned words to his advantage. “Agostino’s greatest asset — which he’d use to straighten out a million different messes, in decades to come — was his overwhelming skill as a communicator,” wrote his biographer Tullio Kezich. “He knew how to charm, how to dazzle … The gratified Aurelio recognized that his son was a born salesman.”
What is a salesman but a fellow with a dollar and a dream? Speaking in urgent Italian or broken English, peddling pasta for his papa or producing hundreds of films in a career that spanned nearly 70 years, Dino de Laurentiis knew that salesmanship demanded showmanship, and he had both in his blood. His dreams could cost a few lire, like the Italian comedies he made with Toto (10 films) and Alberto Sordi (22 films) or the many millions of dollars he poured into his 1976 remake of King Kong . His production of Federico Fellini’s La Strada won the Oscar for best foreign-language film; Year of the Dragon and Body of Evidence were short-listed for Razzies. Some of his movies (Death Wish, Conan the Barbarian, Hannibal) earned a bundle; on others (The Bible, Hurricane, Dune) he nearly lost his silk shirt. But Dino never lost his drive or his nerve. His death Wednesday, Nov. 10, at 91 in Beverly Hills, Calif., closed the books on a 5-ft., 4-in. giant of the movie business.
(See the All-TIME 100 Movies.)
He could have been an Italian cousin of the East European Jews who built the American movie empire. Short of stature, chomping on a pricey cigar, seated behind an enormous desk in a chair that elevated him above his visitors, he pursued his impulses with energy and chutzpah. And like MGM’s Irving Thalberg and Dino’s partner and rival Carlo Ponti, he had a movie-star wife. Silvana Mangano had been an instant sensation as the dirty-dancing peasant in the 1949 Bitter Rice . The star and her producer wed that year; they had four children and were still married when she died 40 years later. They made 22 films together, and if Mangano never reached the superstar heights of Ponti’s bride, Sophia Loren, she matured into an actress of erotic elegance. (Shortly after Mangano’s death, he married American producer Martha Schumacher, who survives him. They had two daughters.)
(See TIME’s cover story on Dino De Laurentiis’ King Kong .)
This golden huckster was susceptible to the spiels of other talented dreamers; he was a sucker for auteurs, from Roberto Rossellini to Sergei Bondarchuk, David Cronenberg to Sam Raimi. When Ingmar Bergman exiled himself from Sweden after a tax wrangle, he got De Laurentiis’ backing for the Berlin-made The Serpent’s Egg . After David Lynch had a hit with The Elephant Man , Dino financed Lynch’s goofball epic Dune , and when no one in Hollywood would have lunch with the post– Heaven’s Gate Michael Cimino, Dino let him make Year of the Dragon . More than an enabler, he was a creative businessman. In 1953, seeing the potential for worldwide appeal in Fellini’s early films, he imported American actors Anthony Quinn and Richard Basehart to star with Fellini’s wife Giulietta Masina in La Strada . De Laurentiis and Fellini teamed again on Nights of Cabiria , another international success — though Dino filched the Cabiria negative to excise a long monologue he thought superfluous. The two men never again worked together.
Art-house hits are fine, but a big producer must make big movies. Emboldened by having crossed movie cultures with La Strada , Dino hired Audrey Hepburn and Henry Fonda to star in the 1956 War and Peace , directed by Hollywood stalwart King Vidor and shot at Dinocitta, the studio he had built in Rome. The film tanked, but the paisano didn’t regret his overreaching. He’d do it again and again, leaving fate to sort out the hits and the flops. Gambling on movies wasn’t so much an addiction as a religion, as natural as breathing hard on a run up a steep hill — kind of like Sisyphus. “Dino is never happier than in a King Kong situation,” one associate said, “where the stakes are enormous, where he can win or lose everything.”
In the 1960s, toward the end of Hollywood’s fascination with biblical epics, De Laurentiis planned a series of Old Testament drama, beginning with Genesis , to be directed by the great French minimalist Robert Bresson. For the Noah’s Ark sequence, Dino hired a huge menagerie of animals, but when Bresson told him he’d be shooting only the tracks left by the animals, Dino fired him and shut down the multifilm project. (He settled for one movie, The Bible , directed by John Huston.) He then made a Napoleon film starring Rod Steiger and ignored the implications of the title — Waterloo . After Jaws did smash box office, Dino figured anything big, bad and wet was surefire. But the whale adventure Orca went belly-up, and The Hurricane was less a disaster movie than a disaster. Often he needed the less grandiose product — the Jane Fonda Barbarella , the slave-lust melodrama Mandingo , Charles Bronson’s Death Wish series — to pay off the doomed epics.
A Bergman or Fellini could stay close to home, but an ambitious producer just had to go Hollywood. De Laurentiis’ 1954 comedy An American in Rome starred Sordi as a young Italian who loves all things American: he tries to speak like Gary Cooper and walk like John Wayne, and he threatens suicide unless he can secure a visa to the States. De Laurentiis didn’t have to go that far. When the Italian government reduced its film subsidies in the late ’60s, he left for America. First stop: New York City, where he sponsored four movies — The Valachi Papers, Serpico, Death Wish and Three Days of the Condor — that painted Manhattan as the town where every nightmare can come true.
That description might also fit the New York–shot King Kong , except that Dino, in a TIME cover story on the production, called it “the greatest love story ever made.” He was enthralled with Jessica Lange, his young leading lady (whom he had signed after nixing another promising ingenue, Meryl Streep, as “ugly”), and with the emotional bond between her character and the big ape. “No one cry when Jaws die,” Dino told TIME. “But when the monkey die, people gonna cry. Intellectuals gonna love Kong . Even film buffs who love the first Kong gonna love ours. Why? Because I no give them crap.” As it happened, De Laurentiis’ Kong , like Peter Jackson’s 2005 remake, would not obliterate the memory of the original. The film’s only lasting poignancy is its connection with the site of the ape’s demise: the World Trade Center.
After Kong , De Laurentiis moved to Hollywood, where his record was just as impressively erratic. What other producer would find both E.L. Doctorow’s novel Ragtime and Alex Raymond’s Flash Gordon comic strip suitable for lavish film versions? In the ’80s, De Laurentiis forged sustaining relationships with two other authors: Stephen King, from whose fiction Dino birthed five features, and Thomas Harris, whose first Hannibal Lecter novel, Red Dragon , he filmed in 1986 as Manhunter . Over the next two decades he produced four more Lecter movies (another company made The Silence of the Lambs ). To spur the notoriously slow writer to finish the Hannibal manuscript, Dino sent his own pasta chef to Miami. He knew that, one way or another, artists need to be fed.
(See Graydon Carter on De Laurentiis for TIME.)
Like father, like son: the De Laurentiises are ardent foodies. (So is Dino’s granddaughter Giada, who has her own show on the Food Network.) In 1982, believing that America didn’t have pasta nearly as delizioso as the stuff from papa Aurelio’s spaghetti factory, he opened the DDL Foodshow in Manhattan. “He has filled his showpiece with a 32-ft. counter for cold salads, 20 ft. of charcuterie and 139 chefs, bakers and pastrymakers,” wrote then TIME staffer Graydon Carter. “De Laurentiis is no stranger to the delights of kitchen duty. ‘When I cook,’ says he, ‘my brain stops completely.’ ”
Actually, the Foodshow shut down, but Dino’s brain never did, not until Wednesday. He dreamed for a living, constantly and productively, and left a film legacy nearly as succulent as his own legend.
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https://b-masters.com/roundtables/56-from-the-bible-to-barbarella/
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|
56: From The Bible To Barbarella « The B
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https://b-masters.com/roundtables/56-from-the-bible-to-barbarella/
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As a teenager, Agostino “Dino” De Laurentiis enrolled in Rome’s Centro Sperimentale di Cinematografia, gaining experience behind the camera as a grip and an assistant director, and in front of it as an extra and in bit parts. By the age of twenty he had produced his first film, but the coming of WWII put his career on hold. When it resumed, De Laurentiis became an international name as the main producer behind the celebrated Italian neorealist movement, with both La Strada and Nights Of Cabiria winning the Academy Award for Best Foreign Film. However, it was, perhaps, the 1956 version of War And Peace that most pointed the way forward, with its American cast and director drafted into a European film, in a production that was in all conceivable ways BIG.
At the beginning of the 1960s, De Laurentiis built his own production facilities outside Rome, from whence issued everything from biblical epics to pop-art spectacles, and from spaghetti westerns to Shakespeare. In the early 1970s, he relocated to the US, and initiated that phase of his career for which he is, perhaps unfairly, best-known—and most notorious—with a series of productions whose ambitions were matched only by their wrongheadedness. Meanwhile, the “DEG” logo of his production company, De Laurentiis Entertainment Group, began (like its contemporary, Cannon) to convey a certain message to genre fans, appearing on Amityville sequels, Halloween sequels and Stephen King adaptations seemingly without number; while the producer balanced out his Academy Awards when Body Of Evidence took home the Razzie for Worst Picture in 1993.
But it is hard to argue with 2000’s choice of Dino De Laurentiis as the recipient of the Irving G. Thalberg Memorial Award—if only for the sheer scale of his contribution to the motion picture industry: at the time of his death in 2010, he had been involved in over 600 films.
So join us as we consider just a few of them.
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Dino De Laurentiis, Famed Film Producer, Dies
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One of the giants of post-World War II Italian cinema, he went on to produce in Hollywood too. De Laurentiis was behind films such as Serpico, La Strada and Day of the Condor.
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NPR
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https://www.npr.org/sections/thetwo-way/2010/11/11/131242421/dino-de-laurentiis-famed-film-producer-has-died
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"One of the giants of Italian cinema in its post-war heyday" has died, NPR's Sylvia Poggioli reports from Rome:
Sylvia Poggioli on Dino De Laurentiis
Dino De Laurentiis, who produced movies such as Serpico, War and Peace and Three Days of the Condor and co-produced some of Federico Fellini's greatest films, was 91. He "passed away inside his Beverly Hills home," according to The Hollywood Reporter.
The IMDB.com list of films on De Laurentiis' resume is daunting and wide-ranging. Along with those mentioned above, there was Hannibal, Dune, La Strada, Conan the Barbarian and Ragtime. He won Oscars for La Strada (1954) and Nights of Cabiria (1957).
"Cinema has lost one of its greats," Walter Veltroni, an Italian lawmaker and former mayor of Rome who founded the Rome Film Festival, tells AFP. "The name of Dino De Laurentiis is tied to the history of cinema."
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Dino De Laurentiis - biography
Producer’s Biography:
Dino De Laurentiis (Torre Annunziata, Campania, Italy, August 8, 1919 - Beverly Hills, Los Angeles, California, USA, November 10, 2010)
Dino De Laurentiis is one of the most famous Italian producers. Born as Agostino De Laurentiis, during his career spanning over seven decades, he produced more than a hundred and fifty films and worked with the most famous international directors and actors. A true film lover, as a seventeen year old boy he left his home to enroll in film school. However, WW II interrupted his studies at the Roman Centro Sperimentale di Cinematografia and he began working on film sets. Thanks to hard work and perseverance, at the age of twenty two he produced his first film L'amore canta (1941). After serving in the military in WW II he returned to film as executive producer for Lux, at the time one of the biggest Italian film companies. His first commercial success was the neorealist film Riso amaro (1949) directed by Giuseppe De Santis. That same year he married the film’s star Silvana Mangano. In 1950, he went into partnership with producer Carlo Ponti and they founded the production house Ponti-De Laurentiis Cinematografica. In the 1950s, they made many successful Italian films, for example with Federico Fellini’s Road (La Strada, 1954) they won an Oscar for Best Foreign Film. He showed signs of his future inclination to spectacles in the Italian-American production of Ulisse (1954) starring Kirk Douglas. He produced a great commercial success with his second international co-production War and Peace (1956) by King Vidor. In the second half of the 1950s, he parted ways with Ponti and worked on his dream to open his own film studio in order to film spectacles. His dream came true in the 1960s when he opened the filming complex Dinocitta' Studios in Rome where John Houston made his historical spectacle The Bible: In the Beginning... (1966), which seriously breached its budget limitations. Laurentiis continued producing films based on comic books such as Barbarella (1968), directed by Roger Vadim, which did not impress critics but was well liked by audiences, and Diabolik (1968) directed by Mario Bava. In the 1970s, Dinocitta' Studios went bankrupt and Laurentiis sold the film studio and moved to the US. In North Carolina, he opened his own film studio called DEG (DeLaurentiis Entertainment Group), but it did not last very long. In the 1970s his most famous productions included: Serpico (1973) directed by Sidney Lumet, Death Wish (1974) by Michael Winner, Three Days of the Condor (1975) by Sydney Pollack and The Serpent's Egg (1977) by Ingmar Bergman, while his remake of King Kong (1976) received very bad critics’ reviews. In the 1980s, he produced the successful and popular Conan the Barbarian (1982) by John Milius, which launched Arnold Schwarzenegger as a new action star, while Hurricane (1979) by Jan Troell, Ragtime (1981) by Miloš Forman and Dune (1984) by David Lynch were commercially unsuccessful. Nevertheless, he collaborated again with David Lynch when he produced his famous Blue Velvet (1986). He also produced several film adaptations of Stephen King’s novels: The Dead Zone, (1983), Cat's Eye (1985), Silver Bullet (1985) and Maximum Overdrive (1986) as well as four films about Hannibal Lecter, writer Thomas Harris’ character: Manhunter (1986) by Michael Mann, Hannibal (2001) by Ridley Scott, Red Dragon (2002) by Brett Ratner and Hannibal Rising (2007) by Peter Webber. Even though he became an American citizen in 1986, he continued to film in Italy (U-571, 2000 by Jonathan Mostow). In 2001, the American Film Academy awarded him with the Irving G. Thalberg lifetime achievement award. He received another lifetime achievement award at the Venice Film Festival three years later.
Filmography:
Virgin Territory (co producer) (2007)
The Last Legion (co producer) (2007)
Hannibal Rising (co producer) (2007)
Red Dragon (co producer) (2002)
Hannibal (co producer) (2001)
U-571 (co producer) (2000)
Breakdown (co producer) (1997)
Unforgettable (co producer) (1996)
Slave of Dreams (TV film) (1995)
Assassins (executive producer) (1995)
Solomon & Sheba (TV film) (1995)
Body of Evidence (1993)
Army of Darkness (executive producer) (1992)
Once Upon a Crime... (1992)
Sometimes They Come Back (TV film) (executive producer) (1991)
Desperate Hours (co producer) (1990)
King Kong Lives (executive producer) (1986)
Tai-Pan (executive producer) (1986)
Manhunter (co producer) (1986)
Maximum Overdrive (executive producer) (1986)
Silver Bullet (co producer) (1985)
Year of the Dragon (1985)
Cat's Eye (1985)
Dune (executive producer) (1984)
Conan the Destroyer (executive producer) (1984)
The Bounty (executive producer) (1984)
The Dead Zone (executive producer - unaccredited) (1983)
Amityville II: The Possession (co producer) (1982)
Conan the Barbarian (executive producer - unaccredited) (1982)
Ragtime (1981)
Flash Gordon (1980)
Hurricane (1979)
King of the Gypsies (executive producer) (1978)
The Brink's Job (executive producer) (1978)
The Serpent's Egg (1977)
Orca (executive producer) (1977)
The White Buffalo (executive producer) (1977)
King Kong (1976)
Drum (co producer) (1976)
Buffalo Bill and the Indians, or Sitting Bull's History Lesson (executive producer) (1976)
Lipstick (executive producer) (1976)
Three Days of the Condor (executive producer - unaccredited) (1975)
Mandingo (1975)
Porgi l'altra guancia (1974)
Death Wish (co producer, unaccredited) (1974)
Tough Guys (1974)
Crazy Joe (1974)
Neveroyatnye priklyucheniya italyantsev v Rossii (1974)
Serpico (executive producer) (1973)
Valdez, il mezzosangue (co producer, unaccredited) (1973)
La più bella serata della mia vita (1972)
Lo Scopone scientifico (1972)
Boccaccio (1972)
Causa di divorzio (1972)
La violenza: Quinto potere (1972)
The Valachi Papers (1972)
Io non vedo, tu non parli, lui non sente (1971)
Osvobozhdenie: Napravleniye glavnogo udara (1971)
The Deserter (co producer) (1971)
A Man Called Sledge (1970)
Waterloo (1970)
Io non scappo... fuggo (1970)
Una breve stagione (1969)
Il primo premio si chiama Irene (documentary) (1969)
Barbagia (1969)
Nerosubianco (1969)
L'amante di Gramigna (1969)
Fräulein Doktor (1969)
Roma come Chicago (1968)
Barbarella (1968)
Lo sbarco di Anzio (1968)
Capriccio all'italiana (1968)
Banditi a Milano (1968)
L'odissea (mini TV serija) (1968)
Diabolik (co producer) (1968)
Vietnam, guerra e pace (documentary) (1968)
Lo straniero (1967)
Matchless (co producer) (1967)
Le streghe (1967)
Vietnam guerra senza fronte (documentary) (1967)
The Bible: In the Beginning... (1966)
Se tutte le donne del mondo (executive producer) (1966)
Battle of the Bulge (executive producer - unaccredited) (1965)
Le tigre se parfume à la dynamite (co producer) (1965)
I tre volti (1965)
Menage all'italiana (1965)
Thrilling (1965)
Il disco volante (1964)
La mia signora (1964)
Cadavere per signora (co producer) (1964)
Il giovedì (1964)
Il boom (1963)
Il diavolo (1963)
Le ore dell'amore (co producer) (1963)
Il processo di Verona (1963)
Il maestro di Vigevano (1963)
Mafioso (executive producer) (1962)
Io amo, tu ami (documentary) (executive producer) (1962)
Il commissario (executive producer) (1962)
Le pillole di Ercole (1962)
Barabba (1961)
Una vita difficile (1961)
Il giudizio universale (1961)
The Best of Enemies (executive producer) (1961)
Il re di Poggioreale (co producer) (1961)
Maciste contro il vampiro (executive producer) (1961)
Il federale (executive producer) (1961)
Il gobbo (1961)
Crimen (co producer) (1961)
Tutti a casa (1960)
Sotto dieci bandiere (1960)
5 Branded Women (1960)
La grande guerra (1959)
La tempesta (1958)
Fortunella (1958)
This Angry Age (1958)
Guardia, ladro e cameriera (1958)
Le notti di Cabiria (1957)
Guendalina (executive producer) (1957)
Malafemmena (co producer) (1957)
Le diciottenni (co producer) (1956)
War and Peace (co producer) (1956)
Un giorno in pretura (unaccredited) (1956)
La bella mugnaia (co producer) (1955)
Ragazze d'oggi (co producer) (1955)
La donna del fiume (co producer) (1954)
Siluri umani (co producer) (1954)
Attila (co producer) (1954)
Un americano a Roma (co producer) (1954)
L'oro di Napoli (co producer) (1954)
La romana (co producer) (1954)
Ulisse (co producer) (1954)
Mambo (co producer) (1954)
La strada (co producer) (1954)
Jolanda la figlia del corsaro nero (co producer) (1954)
Miseria e nobiltà (co producer) (1954)
Dov'è la libertà...? (co producer) (1954)
Anni facili (co producer) (1953)
La lupa (co producer) (1953)
Totò a colori (co producer) (1953)
Le infedeli (co producer) (1953)
I sette dell'orsa maggiore (co producer) (1953)
Fratelli d'Italia (co producer) (1952)
I tre corsari (co producer) (1952)
La tratta delle bianche (co producer) (1952)
Europa '51 (co producer) (1952)
Gli undici moschettieri (documentary) (co producer) (1952)
Anna (co producer) (1951)
Guardie e ladri (co producer) (1951)
Il padrone del vapore (co producer) (1951)
L'ultimo incontro (co producer) (1951)
Totò terzo uomo (co producer) (1951)
Accidenti alle tasse!! (co producer) (1951)
Il brigante Musolino (co producer) (1950)
Napoli milionaria (co producer) (1950)
Romanticismo (co producer) (1950)
Il lupo della Sila (1949)
Adamo ed Eva (1949)
Riso amaro (1949)
I pompieri di Viggiù (1949)
Il cavaliere misterioso (1948)
Molti sogni per le strade (1948)
La figlia del capitano (1947)
Il bandito (1946)
Aquila Nera (1946)
L'amore canta (co producer) (1941)
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https://www.nytimes.com/1993/01/15/movies/review-film-did-she-use-her-body-as-a-murder-weapon.html
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Review/Film; Did She Use Her Body As a Murder Weapon?
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Courtroom melodrama and sex teaser. Sluggish and unintentionally funny.
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What to do about poor Madonna? After gaining screen credibility with sharp, funny performances in smallish roles in "Dick Tracy" and "A League of Their Own," and as the great mocking Queen Bee in her own documentary, "Truth or Dare," she lands back at square one in "Body of Evidence," a sluggish courtroom melodrama relieved only by unintenional laughter. As major corporate decisions go, "Body of Evidence" ranks with the Edsel. It's not going anywhere. As a movie, it looks as if it wanted to be "Basic Instinct," though it winds up more like "Ilsa, She-Wolf of the SS."
It's easy to understand why the actress thought there might be Madonna-like possibilities in Brad Mirman's screenplay. She plays Rebecca Carlson, a woman on trial for a murder in which she allegedly used her body as the lethal weapon. Her victim, who is seen only as a wide-eyed, somewhat surprised-looking corpse in the opening sequence, is a rich old fellow with an unreliable heart and a fondness for sex toys.
Robert Garrett (Joe Mantegna), the district attorney, is sure that Rebecca did willingly, and with full knowledge of the victim's frail ticker, have intercourse with him to the point of his death in a session that involved homemade porn videos, handcuffs and nipple clamps. There's also the matter of the $8 million Rebecca stands to inherit. When questioned about these embarrassing facts by Frank Dulaney (Willem Dafoe), the crackerjack lawyer she hires to defend her, all Rebecca can say is, "They've taken something good between two people in love and made it dirty."
Rebecca has an explanation for everything. When confronted by a witness who claims to have seen her sniffing cocaine, she proves that the white powder was really Chinese peony roots, which, as everyone within the film knows, are a naturally buffered asprin substitute.
"Body of Evidence" demonstrates the same teasing, rather parochial obsession with sadomasochistic game-playing that dominates the fantasies of Madonna's 1992 best-selling publishing phenomenon, "Sex," though without the book's redeemingly childlike, go-for-broke smuttiness. "Body of Evidence" is not a star's cannily packaged reveries. It means to be coherent both as a mystery story and as an odyssey of sexual liberation, but works as neither. It's not even blatant as a star vehicle. "Body of Evidence" is a movie that might actually have been better if the star had been more demanding. Perhaps the camera would have been more kind to her. Perhaps not.
"Body of Evidence" is not a movie for which the blame can be assigned by anyone who was not on hand before, during and after production. A lot of good people were involved, including Uli Edel, the German-born director who was responsible for the fine screen adaptation of "Last Exit to Brooklyn." His work here makes Paul Verhoeven, the man who directed "Basic Instinct," seem the equal of Orson Welles.
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Italian Film Producer Dino de Laurentiis, 91, Dies
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Italian Film Producer Dino de Laurentiis, 91, dies
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BELLAVITÆ
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https://bellavitae.com/italian-film-producer-dino-de-laurentiis-91-dies/
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From the Los Angeles Times:
LOS ANGELES — Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his nation’s film industry after World War II and for more than six decades produced films as diverse as the Federico Fellini classic “La Strada” and the 1976 remake of “King Kong,” has died. He was 91.
Mr. De Laurentiis, who moved to the United States in the 1970s and continued to produce films until 2007, died Wednesday night at his Beverly Hills home, his daughter Raffaella De Laurentiis said Thursday. The cause was not given.
Mr. De Laurentiis began his career as a producer in Italy in the 1940s and in the next decade produced two Oscar-winning best foreign films: Fellini’s “La Strada” (with then-partner Carlo Ponti) and Fellini’s “Nights of Cabiria.”
During the De Laurentiis-Ponti partnership in the ’50s, they launched into foreign-film production in Italy, producing director Mario Camerini’s “Ulysses,” and King Vidor’s “War and Peace.”
As producers in Italy after World War II, “De Laurentiis and Ponti in particular took the function of producer, which had never been highly regarded in European cinema before this and raised it to a higher level,” said University of Southern California film professor Rick Jewell.
In 1962, the producer began building a sprawling studio complex on the outskirts of Rome that he called Dinocitta: Dino City.
During the 1960s he produced films such as “Barabbas,” “The Bible” and “Barbarella.” Mr. De Laurentiis is credited with pioneering the now-common practice of financing films by preselling the distribution rights in foreign countries.
After selling his studio and moving to the United States in the 1970s, De Laurentiis produced films such as “Serpico,” “Death Wish,” “Three Days of the Condor,” “The Serpent’s Egg,” “Ragtime” and “Conan the Barbarian.”
.
Further reading:
Dino de Laurentiis Company Official Website
New York Times: Dino de Laurentiis, Prolific Film Producer, Dies at 91
National Public Radio: Dino De Laurentiis, Famed Film Producer, Has Died
LIFE magazine: Who Was Dino De Laurentiis?
People magazine: Dino de Laurentiis Dies
Fox News: Italian Film Legend Dino de Laurentiis Dead at 91
Internet Movie Database: Dino De Laurentiis
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Dino De Laurentiis
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Agostino De Laurentiis, usually credited as Dino De Laurentiis, was an Italian Academy Award-winning movie producer.
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https://www.wikiwand.com/simple/Dino_De_Laurentiis
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Agostino De Laurentiis, usually credited as Dino De Laurentiis (8 August 1919 – 10 November 2010), was an Italian Academy Award-winning movie producer.
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De Laurentiis, Dino 1919(?)–(Dino de Laurentiis [1]) PERSONALOriginal name, Agostino De Laurentiis; born August 8, 1919 (some sources say 1918), in Torre Annunziata, Italy; immigrated to the United States [2], c.
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https://www.encyclopedia.com/people/literature-and-arts/film-and-television-biographies/dino-de-laurentiis
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PERSONAL
Original name, Agostino De Laurentiis; born August 8, 1919 (some sources say 1918), in Torre Annunziata, Italy; immigrated to the United States, c. 1970 (some sources say 1973); son of Rosario Aurelio (a pasta manufacturer) and Giuseppina (maiden name, Salvatore) De Laurentiis; brother of Luigi De Laurentiis (a producer); uncle of Aurelio De Laurentiis (a producer); grandfather of Dino de Laurentiis (a filmmaker); married Silvana Mangano (an actress), July 17, 1949 (died, 1989); married Martha Schumacher (a producer), April 7, 1990; children: (first marriage) Federico (died, 1981), Veronica, Raffaella (a producer), Francesca; (second marriage) Carolyna, Dina. Education: Studied film at Centro Sperimentale di Cinematografia, Rome, 1937-39.
Addresses:
Office—Dino De Laurentiis Company, 100 Universal City Plaza, Bungalow 5195, Universal City, CA 91608.
Career:
Producer and studio executive. Real Cine, Turin, Italy, founder, 1941; Lux Films, executive producer, 1942; Ponti-De Laurentiis Productions, founder (with Carlo Ponti), 1950, affiliated with company, 1950-57; operated Dinocitta Studio in the 1960s; De Laurentiis Entertainment Group (sometimes referred to as DEG) Film Studios, Wilmington, NC, founder, 1983, affiliated with company, 1983-89; Embassy Pictures, chair and member of the board of directors, 1985; DEG Productions, founder, 1986, chief executive officer and president, 1986-88; De Laurentiis Entertainment, Ltd., Australia, founder, 1986, chief executive officer and president, 1986-88; Dino De Laurentiis Co., founder and principal, beginning 1988; Dino de Laurentiis Communications, founder, 1990; Dino De Laurentiis Company, Universal City, CA, chief executive officer. Contributor to periodicals, including American Cinematographer, American Film, Cine Revue, Film Comment, Film Francais, and Interview. Owner of the restaurants DDL Foodshow and DDL Bistro, New York City. Also worked as a pasta salesman and importer. Military service: Served in the Italian Army during World War II.
Awards, Honors:
Silver Lion Award, Venice International Film Festival, 1952, for Europa 51; Silver Ribbon Award (with Carlo Ponti), best producer, Italian National Syndicated of Film Journalists, 1954, and Academy Award and New York Film Critics Circle Award (with Ponti), both best foreign language film, 1956, all for La strada; Golden Globe Award, best foreign language film, 1956, for War and Peace; Golden David Award, best production, David di Donatello Awards, Academy Award, best foreign language film, 1957, Silver Ribbon, best producer, Italian National Syndicate of Film Journalists, 1958, all for Le notti di Cabiria; Golden David Award, David di Donatello Awards, 1959, for La tempesta; Academy Award nomination, best foreign language film, 1959, for La grande guerra; David di Donatello Award, best production, 1961, for Tutti a casa; Silver Ribbon Award, best producer, Italian National Syndicate of Film Journalists, 1961; David di Donatello Award, best production, 1966, for The Bible … In the Beginning; Golden Laurel Award nomination, best producer, Producers Guild of America, 1966; David di Donatello Award (with others), best production, 1968, for Banditi a Milano; David di Donatello Award (with others), best film, 1971, for Waterloo; Life Achievement Award, Academy of Science Fiction, Fantasy, and Horror Films, 1997; Pietro Bianchi Award, Venice Film Festival, 1999; Cinecitta Award, David di Donatello Awards, 2000; Irving G. Thalberg Memorial Award, Academy of Motion Picture Arts and Sciences, 2001; "The General" Honorary Award, Sitges—Catalonian International Film Festival, 2002; Career Golden Lion Award, Venice Film Festival, 2003; Lifetime Achievement Award in Motion Pictures, Producers Guild of America, 2004; Career Award, Flaiano International Prize, 2002; 50th Anniversary David di Donatello Award, 2006.
CREDITS
Film Executive Producer:
Guendalina, 1957.
Io amo, tu ami (also known as J'aime, tu aimes and I Love, You Love), 1960.
Maciste contre il vampiro (also known as Goliath and the Island of Vampires, Maciste vs. the Vampire, The Vampires, and Goliath and the Vampires), 1961.
Il federale (also known as Mission ultra-secrete, Operation Idiot, and The Fascist), 1961.
Il commisario (also known as The Police Commissioner), 1962.
I due nemici (also known as The Best of Enemies), Columbia, 1962.
Mafioso, 1962.
(Uncredited) Battle of the Bulge, 1965.
Se tutte le donne del mondo (also known as If All the Women in the World, Kiss the Girls and Make Them Die, and Operazione paradiso), 1966.
Waterloo, Paramount, 1970.
Serpico, 1974.
Death Wish, Paramount, 1974.
Three Days of the Condor (also known as 3 Days of the Condor), Paramount, 1975.
Lipstick, Paramount, 1976.
Orca (also known as Orca: The Killer Whale, The Killer Whale, and La orca), Paramount, 1977.
The White Buffalo (also known as Hunt to Kill), United Artists, 1977.
King of the Gypsies, Paramount, 1978.
The Brink's Job (also known as Big Stickup at Brink's), Universal, 1979.
Conan the Barbarian, Universal, 1982.
The Bounty, Paramount, 1983.
The Dead Zone, Paramount, 1983.
Conan the Destroyer, Universal, 1984.
Dune, Universal, 1984.
Maximum Overdrive, De Laurentiis Entertainment Group, 1986.
Tai-Pan, De Laurentiis Entertainment Group, 1986.
King Kong Lives (also known as King Kong 2), De Laurentiis Entertainment Group, 1987.
Executive producer, Kuffs, Universal, 1992.
Army of Darkness (also known as Army of Darkness: Evil Dead 3, Army of Darkness: The Ultimate Experience in Medieval Horror, Bruce Campbell vs. Army of Darkness, Captain Supermarket, Evil Dead 3, Army of Darkness: The Medieval Dead, The Evil Dead 3: Army of Darkness, and Medieval Dead), Universal, 1993.
Assassins (also known as Day of Reckoning), Warner Bros., 1995.
Film Producer:
Troppo tardi t'ho conosciuta, 1939.
L'amore canta (also known as Love Song), 1941.
Il miserie del Signor Travet, 1942.
Malombra, 1942.
Margherita fra i tre, 1942.
La donna della montagne, 1943.
Il bandito (also known as The Bandit), 1946.
Il cavaliere misterioso (also known as The Mysterious Cavalier and The Mysterious Rider), 1947.
Il passatore, 1947.
La figlia del capitano (also known as The Captain's Daughter), 1947.
Molti sogni per le strade (also known as Woman Trouble and The Street Has Many Dreams), 1948.
Riso amaro (also known as Bitter Rice), 1949.
Il lupo della Sila (also known as Lure of the Sila and The Wolf of the Sila), 1949.
I pompieri di Viggiu (also known as The Fireman of Viggiu), 1949.
Adamo ed Eva (also known as Adam and Eve), 1950.
Il brigante Musolini (also known as Outlaw Girl), 1950.
Romanticismo, 1950.
Accidenti alle tasse!! (also known as Accidents to the Taxes!!), 1951.
(With Carlo Ponti) Anna, IFE, 1951.
Botta e risposta, 1951.
Guardie e ladri (also known as Cops and Robbers), 1951.
L' ultimo incontro (also known as The Last Meeting), 1951.
Romanticismo, 1951.
Il padrone del vapore, 1951.
Toto terzo uomo (also known as Toto the Third Man), 1951.
Dov'e la liberta? (also known as Where Is Freedom?), 1952.
Fratelli d'italia (also known as Brothers of Italy), 1952.
Gli undici moschettieri (also known as The Eleven Musketeers), 1952.
I sette dell'orsa maggiore (also known as Hell Raiders of the Deep and Panique a Gilbraltar), 1952.
I tre cosari, 1952.
Jolanda, la figlia del corsaro nero (also known as Jolanda, the Daughter of the Black Corsair and Yolanda), 1952.
Toto a colori (also known as Toto in Color), 1952.
Anni facili (also known as Easy Years), 1953.
Il paese dei campanelli (also known as Ces voyous d'hommes and The Country of the Campanelli), 1953.
La lupa (also known as She Wolf and The Devil Is a Woman), 1953.
La tratta delle bianche (also known as Girls Marked for Danger, Ship of Condemned Women, and The White Slave Trade), 1953.
(With Carlo Ponti) Sensualita (also known as Two Nights with Cleopatra), Ultra, 1953.
(With Carlo Ponti) Le infedeli (also known as The Unfaithfuls), 1953.
Miseria e nobilta (also known as Poverty and Nobility), 1954.
Siluri umani (also known as Human Torpedoes and Torpilles humaines), 1954.
La romana (also known as The Woman of Rome and La belle Romaine), 1954.
(With Carlo Ponti) Attila (also known as Attila the Hun, Attila fleau de Dieu, and Attila, il flagello di Dio), 1954.
(With Carlo Ponti) Un giorno in pretura (also known as A Day in Court), 1954.
Dov'e la liberta? (also known as Where Is Freedom?), 1954.
Miseria e nobilita (also known as Poverty and Nobility), 1954.
(With Carlo Ponti) La strada (also known as The Road), 1954.
Un Americano a Roma (also known as An American in Rome), 1954.
Il coraggio, 1955.
Le diciottenni (also known as Eighteen Year Olds), 1955.
Mambo, Paramount, 1955.
Ragazze d'oggi (also known as La chasse aux marins and Girls of Today), 1955.
(With Carlo Ponti and William W. Schorr) Ulysses (also known as Ulisse), Paramount, 1955.
(With Carlo Ponti) La bella mugnaia (also known as The Miller's Beautiful Wife and The Miller's Wife), 1955.
L'oro di Napoli (also known as Every Day's a Holiday and Gold of Naples), Distributors Corp. of America, 1955.
La banda degli honesti, 1956.
Toto, Peppino, e … la malafemmina, 1956.
War and Peace (also known as Guerre e pace), Paramount, 1956.
Le notti di Cabiria (also known as Cabiria, Les nuits de Cabriria, and Nights of Cabiria), 1957.
Fortunella, 1957.
Malafemmina, 1957.
Barrage contre le Pacifique (also known as The Sea Wall, This Angry Age, and La diga sul Pacifico), Columbia, 1958.
Guardia, ladro e cameriera (also known as Maid, Thief, and Guard), 1958.
La tempesta (also known as Tempest and La Tempete), Paramount, 1958.
Fortunella, 1958.
La grande guerra (also known as La grande guerre and The Great War), 1959.
Giovanna e le altre (also known as Five Branded Women and Jovanka e le altre), Paramount, 1960.
Le pillole di Ercole (also known as Hercules Pills), 1960.
Sotto dieci bandiere (also known as Under Ten Flags), Paramount, 1960.
Tutti a casa (also known as La grande pagaille and Everybody Goes Home), 1960.
Ill gobbo (also known as Le bossu de Rome and The Hunchback of Rome), 1960.
Crimen (also known as Criminals, Killing in Monte Carlo, Chacun son alibi, and … And Suddenly It's Murder!), 1960.
(With Vittorio De Sica) Il giudizia universale (also known as The Last Judgment and Le jugement dernier), 1961.
Una vita difficile (also known as A Difficult Life), 1961.
Il re di Poggioreale (also known as Black City), 1961.
Barabbas (also known as Barabba), Columbia, 1962.
Il processo di Verona (also known as Le proces de Verone and The Verona Trial), 1962.
Le pillole di Ercole (also known as Hercules' Pills and Les pilules d'Hercule), 1962.
Il boom, 1963.
Il diavolo (also known as Amore in Stockholm, The Devil, and To Bed or Not to Bed), Continental Distributing, 1963.
Il giovedi (also known as The Thursday), 1963.
Il maestro di Vigevano (also known as The Teacher from Vigevano), 1963.
L'immortelle, Grove, 1963.
Cadavere per signora (also known as Corpse for the Lady and I due detectives), 1964.
Crazy Desire, Embassy, 1964.
Eighteen in the Sun, Goldstone, 1964.
Il disco volante (also known as The Flying Saucer), Dino De Laurentiis, 1964.
La mia signora (also known as My Wife), 1964.
I tre volti (also known as The Three Faces and Three Faces of a Woman), Dino De Laurentiis, 1965.
Le ore dell more (also known as The Hours of Love), Cinema V, 1965.
Menage all taliana (also known as Menage Italian Style), 1965.
An Orchid for the Tiger (also known as Le tigre se parfume a la dynamite, Our Agent Tiger, La tigre profumata all dinamite, and El tigre se perfuma condinamita), 1965.
The Railroad Man, Continental Distributing, 1965.
Thrilling, 1965.
The Bible … In the Beginning (also known as The Bible and La Bibbia), Twentieth Century-Fox, 1966.
Le streghe (also known as Les sorcieres and The Witches), 1966.
The Hills Run Red, United Artists, 1967.
Lo straniero (also known as The Stranger, Amare per vivere, and L'stranger), Paramount, 1967.
Matchless, United Artists, 1967.
My Wife's Enemy, Magna, 1967.
Navajo Joe, United Artists, 1967.
Anzio (also known as The Battle for Anzio and Lo sbarco di Anzio), Columbia, 1968.
Banditi a Milano (also known as Bandits in Milan and The Violent Four), Paramount, 1968.
Barbarella (also known as Barbarella, Queen of the Galaxy), Paramount, 1968.
The Bride Wore Black, Lopert, 1968.
Capriccio all taliana (also known as Caprice Italian Style), 1968.
Diabolik (also known as Danger: Diabolik and Danger: Diabolik!), Paramount, 1968.
L'mante di Gramigna (also known as Lyubovnitzite na Graminya and The Bandit), 1968.
Pierrot le fou, Pathe, 1968.
Roma come Chicago (also known as Bandits in Rome, Rome Like Chicago, and The Violent Four), 1968.
Romeo and Juliet, Paramount, 1968.
Fraulein Doktor (also known as The Betrayal, Fraeulein Doktor, and Gospodjica Doktor-Spijunka Bez Imena), 1968.
Barbagia (also known as The Tough and the Mighty and La societa del malessere), 1969.
The Brain, Paramount, 1969.
Io non scappo … fuggo, 1969.
Monte Carlo or Bust!, 1969.
Osvobozhdenie: Napravleniye glavnogo udara (also known as Liberation and The Direction of the Main Blow), 1969.
Those Daring Young Men in Their Jaunty Jalopies, Paramount, 1969.
Una breve stagione (also known as A Brief Season), 1969.
Nerosubianco (also known as Black on White and The Artful Penetration of Barbara), 1969.
Il primo premio si chiama Irene (also known as Danimarca—L'incredible realta deall nuova morale and First Prize Irene), 1969.
Io non scappo fuggo, 1970.
La spina dorsale del diavolo (also known as The Deserter, The Devil Backbone, Ride to Glory, and Djavolja kicma), Paramount, 1970.
A Man Called Sledge (also known as Sledge), Columbia, 1970.
Waterloo, Paramount, 1970.
Io non vedo, tu no parli, lui non sente, 1971.
Causa di divorzio (also known as Cause of Divorce), 1972.
Lo scopone scientifico (also known as The Scientific Cardplayer and The Scopone Game), 1972.
Boccaccio, 1972.
The Valachi Papers (also known as Joe Valachi, Carteggio Valachi, Cosa Nostra, I segreti di Cosa Nostra, Joe Valachi: I segreti Cosa Nostra, and Le dossier Valachi), Columbia, 1972.
La piu bella serata della mia vita (also known as La plus belle soiree de ma vie and The Most Wonderful Evening of My Life), 1972.
The Stone Killer, Columbia, 1973.
(Uncredited) Valdez, il mezzosangue (also known as Valdez the Halfbreed, The Valdez Horses, Wild Horses, Caballos salvajes, and Chino), 1973.
Crazy Joe, Columbia, 1974.
Porgi l'ultra guancia (also known as Don't Turn the Other Cheek, Turn the Other Cheek, The Two Missionaries, I due missionari, and Les deux missionaires), Titanus, 1974.
Serpico, Paramount, 1974.
Uomini duri (also known as Three Tough Guys, Tough Guys, and Les durs), Paramount, 1974.
Neveroyatnye priklyucheniya italyantesev v Rossii (also known as Una matta, matta, matta corsa in Russia, and Unbelievable Adventures of Italians in Russia), 1974.
(Uncredited) Death Wish, 1974.
Mandingo, 1975.
Buffalo Bill and the Indians, or Sitting Bull's History Lesson, United Artists, 1976.
Casanova (also known as Fellini's "Casanova" and Il Casanova di Federico Fellini), Universal, 1976.
Drum, United Artists, 1976.
Face to Face (also known as Ansikte mot ansikte), Paramount, 1976.
King Kong, Paramount, 1976.
Mean Frank and Crazy Tony, Aquarius, 1976.
The Shootist, Paramount, 1976.
Das Schlangenei (also known as The Serpent's Egg), Paramount, 1977.
The Great Train Robbery, United Artists, 1979.
Hurricane (also known as Forbidden Paradise), Paramount, 1979.
Flash Gordon, Universal, 1980.
Halloween II, Universal, 1981.
Ragtime (also known as Love and Glory), Paramount, 1981.
Amityville II: The Possession, Orion, 1982.
Striking Back, 1982.
Amityville 3-D, Orion, 1983.
Firestarter, Universal, 1984.
Cat's Eye (also known as Stephen King's "Cat's Eye"), Metro-Goldwyn-Mayer/United Artists, 1985.
Marie, Metro-Goldwyn-Mayer/United Artists, 1985.
Red Sonja, Metro-Goldwyn-Mayer/United Artists, 1985.
Stephen King's "Silver Bullet" (also known as Silver Bullet), Paramount, 1985.
Year of the Dragon, Metro-Goldwyn-Mayer/United Artists, 1985.
Blue Velvet, De Laurentiis Entertainment Group, 1986.
Crimes of the Heart, De Laurentiis Entertainment Group, 1986.
Manhunter (also known as Red Dragon: The Pursuit of Hannibal Lecter and Red Dragon: The Curse of Hannibal Lecter), De Laurentiis Entertainment Group, 1986.
Raw Deal, De Laurentiis Entertainment Group, 1986.
Trick or Treat, De Laurentiis Entertainment Group, 1986.
The Bedroom Window, De Laurentiis Entertainment Group, 1987.
Date with an Angel, De Laurentiis Entertainment Group, 1987.
From the Hip, De Laurentiis Entertainment Group, 1987.
Hiding Out (also known as Adult Education), De Laurentiis Entertainment Group, 1987.
Million Dollar Mystery, De Laurentiis Entertainment Group, 1987.
Rampage, De Laurentiis Entertainment Group, 1987.
Collision Course, De Laurentiis Entertainment Group, 1988.
Pumpkinhead, Metro-Goldwyn-Mayer/United Artists, 1988.
Traxx (also known as Trax), De Laurentiis Entertainment Group, 1988.
Weeds, De Laurentiis Entertainment Group, 1988.
Desperate Hours, Metro-Goldwyn-Mayer, 1990.
Once Upon a Crime (also known as Criminals, Over My Dead Body, Returning Napoleon, 7 Gauner und ein Dackel, Es war einmal ein Mord, and Troublemakers), Metro-Goldwyn-Mayer, 1992.
Body of Evidence (also known as Deadly Evidence), Dino De Laurentiis Communications, 1993.
Bound, De Laurentiis Entertainment Group, 1996.
Unforgettable, Metro-Goldwyn-Mayer, 1996.
Breakdown, Paramount, 1997.
U-571, Universal, 2000.
Hannibal, Metro-Goldwyn-Mayer/United Artists, 2001.
Red Dragon (also known as Roter Drache), Universal, 2002.
Hannibal Rising (also known as Hannibal Lecter—Le origini del male and Hannibal Lecter—Les origines du mal), Metro-Goldwyn-Mayer, 2007.
The Last Legion (also known as La derniere legion and L'ultima legione), Weinstein Company, 2007.
Virgin Territory, Metro-Goldwyn-Mayer, 2007.
Film Coproducer:
Napoli milionaria (also known as Naples Millionaire and Side Street Story), 1950.
(As Dino de Laurentiis) La donna del fiume (also known as La fille du fleuve, The River Girl, and Woman of the River), 1955.
Film Associate Producer:
Europa 51 (also known as No Greater Love and The Greatest Love), 1952.
Film Production Supervisor:
Troppo tardi t'ho conosciuta (also known as I Met You Too Late), 1940.
L'ultimo combattimento (also known as The Last Fight), 1941.
Film Production Manager:
L'amore canta (also known as Love Song), 1941.
Margherita fra I tre (also known as Margherita and Her Three Uncles), 1942.
Zaza, 1944.
La donna della montagna (also known as The Mountain Woman), 1944.
Aquila nera (also known as Return of the Black Eagle and The Black Eagle), 1946.
Film Unit Manager:
Le miserie del Signor Travet (also known as His Young Wife), 1945.
Film Presenter:
Anima nera (also known as Ame noire), 1962.
Lo sbarco di Anzio (also known as Anzio and The Battle of Anzio), 1968.
La spina dorsale del diavolo (also known as The Deserter, The Devil Backbone, and Djavolja kicma), Paramount, 1970.
The Stone Killer (also known as L'assassino di pietra), 1973.
Death Wish, 1974.
Buffalo Bill and the Indians, or Sitting Bull's History Lesson (also known as Buffalo Bill and the Indians), 1976.
The Shootist, 1976.
King Kong, 1976.
The First Great Train Robbery (also known as The Great Train Robbery), 1979.
The Dead Zone, 1983.
Amityville 3-D (also known as Amityville III: The Demon and Amityville: The Demon), 1983.
Year of the Dragon, 1985.
Marie (also known as Marie: A True Story), 1985.
Once Upon a Crime (also known as 7 Gauner und ein dackel and Es war einmal ein mord), 1992.
Red Dragon (also known as Roter Drache), Universal, 2002.
The Last Legion (also known as Le derniere legion and L'ultima legione), Weinstein Company, 2007.
Film Appearances:
L'orologio a cucu (also known as The Cuckoo Clock), 1938.
Il fattorino del fioraio, Batticuore (also known as Heartbeat), 1939.
Un fattorino, I grandi magazzini (also known as Department Store), 1939.
Piccolo hotel (also known as Small Hotel), 1939.
Dino, Troppo tardi t'ho conosciuta (also known as I Met You Too Late), 1940.
Uno degli studenti con la penna, Boccaccio, 1940.
L'ultimo combattimento (also known as The Last Fight), 1941.
I tre volti (also known as The Three Faces and Three Faces of a Woman), Dino De Laurentiis, 1965.
Himself, Conan Unchained: The Making of "Conan" (documentary; also known as Conan Unchained: The Making of "Conan the Barbarian"), Universal Studios Home Video, 2000.
Himself, Breaking the Silence: The Making of "Hannibal" (documentary), Metro-Goldwyn-Mayer Home Entertainment, 2001.
Himself, A Director's Journey: The Making of "Red Dragon" (documentary short), Universal Home Video, 2003.
Himself, Federico Fellini—Mit den augen der anderen (documentary; also known as Federico Fellini—Through the Eyes of Others), Preview Release GmbH, 2003.
Television Producer; Miniseries:
L'Odissea (also known as The Adventures of Ulysses, Die Odyssee, Odissea, and Le avventure di Ullisse), 1969.
Noble House, NBC, 1987.
Television Executive Producer; Movies:
Dracula's Widow, HBO, 1988.
Stephen King's "Sometimes They Come Back" (also known as Sometimes They Come Back), CBS, 1991.
Slave of Dreams, Showtime, 1995.
Solomon and Sheba, Showtime, 1995.
Television Appearances; Specials:
Dino De Laurentiis: The Last Movie Mogul, 2001.
Inside "Red Dragon," 2002.
Mario Bava: Operazione paura, 2004.
Television Appearances; Episodic:
The Tonight Show Starring Johnny Carson, NBC, 1970.
"Sophia Loren: Actress Italian Style," Biography, Arts and Entertainment, 1997.
"Anthony Quinn: A Lust for Life," Biography, Arts and Entertainment, 1998.
OTHER SOURCES
Periodicals:
Business Week, March 13, 1989.
Forbes, March 7, 1988.
Los Angeles Times, January 23, 2001.
Variety, February 24, 1988; March 21, 1990; August 28, 2000, p. F22; May 26, 2003, p. 68; August 25, 2003, p. S16; December 6, 2004, p. S28.
DE LAURENTIIS, Dino
Producer. Nationality: Italian. Born: Torre Annunciata, 8 August 1919. Education: Attended Centro Sperimentale di Cinematografia, Rome. Military Service: During World War II. Family: Married 1) the actress Silvana Mangano, 1949 (deceased), one son (deceased), three daughters; 2) the producer Martha Schumacher. Career: Worked as extra, actor, propman, unit manager, and assistant director while still in school; 1939—produced his first film, Troppo tardi t'ho conosciuta; early 1950s—co-founded Ponti-De Laurentiis production company with Carlo Ponti: dissolved, 1957; built Dinocittà studio in early 1960s: sold to Italian government, early 1970s; resettled in the United States with Embassy Pictures, and, in 1985, De Laurentiis Entertainment Group (resigned as chairman of the board, 1988). Awards: Academy Award, for La strada, 1954, and Nights of Cabiria, 1956. Address: De Laurentiis Communications, 8670 Wilshire Boulevard, Beverly Hills, California 90211, U.S.A.
Films as Producer:
1939
Troppo tardi t'ho conosciuta (Caraccioli)
1941
L'amore canta (Poggioli)
1942
Margherita fra i tre (Perilli); Malombra (Soldati)
1943
La donna della montagne (Castellani)
1946
Il miserie del Signor Travet (Soldati); Il bandito (Lattuada)
1947
La figlia del capitano (Camerini); Il passatore (Coletta)
1948
Riso amaro (Bitter Rice) (de Santis); Molti sogni per le strade (Women Trouble) (Camerini)
1949
Il lupo della Sila (Lure of the Sila) (Coletti)
1950
Il brigante Mussolini (Camerini); Napoli milionaria (de Filippo); Adamo e Eva (Mattòli)
1951
Guardie e ladri (Cops and Robbers) (Steno and Monicelli); Botta e risposta (Soldati); Romanticismo (Fracassi); Sensualità (Fracassi); Totò a colori (Totò in Color) (Steno)
1952
Anna (Lattuada) (co); Europa '51 (Rossellini); I tre corsari (Soldati); La tratta delle bianche (Girls Marked Danger) (Comencini); Jolanda, la figlia del Corsaro Nero (Soldati)
1953
Anni facili (Easy Years) (Zampa); Dov'è la libertà? (Rossellini); La Lupa (The She-Wolf) (Lattuada)
1954
Ulisse (Ulysses) (Camerini); La strada (Fellini); La romana (Woman of Rome) (Zampa)
1955
Il coraggio (Paolella); Mambo (Rossen); L'oro di Napoli (Gold of Naples) (De Sica); La donna del fiume (Soldati); La bella mugnaia (The Miller's Beautiful Wife) (Camerini)
1956
Guendalina (Lattuada); La banda degli honesti (Mastrocinque); Totò, Peppino, e . . . la malafemmina (Mastrocinque); War and Peace (K. Vidor); La notti di Cabiria (Nights of Cabiria; Cabiria) (Fellini)
1958
Barrage contre le Pacifique (La diga sul Pacifico; The Sea Wall; This Angry Age) (Clément); La tempesta (Tempest) (Lattuada); Fortunella (de Filippo)
1959
La grande guerra (The Great War) (Monicelli)
1960
Giovanna e le altre (Five Branded Women) (Ritt); Crimen (. . . and Suddenly It's Murder) (Camerini); Tutti a casa (Everybody Go Home!) (Comencini); Il gobbo (The Hunchback of Rome) (Lizzani)
1961
I due nemici (The Best of Enemies) (Hamilton); Il giudizia universale (The Last Judgment) (De Sica); Barabba (Barabbas) (Fleischer); Io amo, tu ami (I Love, You Love) (Blasetti)
1962
Mafioso (Lattuada)
1963
Il boom (De Sica); Il diavolo (To Bed or Not to Bed) (Polidoro)
1965
La Bibbia (The Bible . . . in the Beginning) (Huston)
1966
Se tutte le donne del mondo (Kiss the Girls and Make Them Die) (Levin and Maiuri)
1967
Lo straniero (The Stranger) (Visconti); Le streghe (The Witches) (Visconti and others)
1968
La sbarco di Anzio (Anzio; The Battle for Anzio) (Coletti and Dmytryk); Barbarella (Vadim); Diabolik (Danger: Diabolik) (Bava); Fraulein Doktor (Lattuada); Banditi a Milano (The Violent Four) (Lizzani); Romeo and Juliet (Zeffirelli)
1969
Una breve stagione (A Brief Season) (Castellani)
1970
Waterloo (Bondarchuk); La spina dorsale del diavolo (Kennedy)
1971
The Deserter (Kennedy)
1972
Joe Valachi—i segreti di Cosa Nostra (The Valachi Papers) (Kennedy)
1973
The Stone Killer (Winner); Serpico (Lumet)
1975
Mandingo (Fleischer)
1976
Casanova (Fellini); Drum (Carter); King Kong (Guillermin); Ansikte mot ansikte (Face to Face) (Bergman); Buffalo Bill and the Indians (Altman); The Shootist (Siegel)
1977
Das Schlangenei (The Serpent's Egg) (Bergman)
1979
Hurricane (Troell); Flash Gordon (Hodges)
1981
Ragtime (Forman); Conan the Barbarian (Milius)
1984
Conan the Destroyer (Fleischer); Firestarter (Lester)
1985
Year of the Dragon (Cimino); Red Sonja (Fleischer); Marie (Donaldson); Cat's Eye (Teague); Silver Bullet (Attias)
1990
Desperate Hours (Cimino)
1991
Sometimes They Come Back (McLoughlin—for TV)
1992
Once upon a Crime (Criminals; Over My Dead Body; Troublemakers; Returning Napoleon) (Levy)
1993
Body of Evidence (Edel)
1995
Solomon & Sheba (Young—for TV); Assassins (Donner) (exec); Slave of Dreams (Young—for TV)
1996
Unforgettable (Dahl)
1997
Breakdown (Mostow)
Films as Executive Producer:
1954
Un giorno in pretura (A Day in Court) (Steno) (co)
1961
Maciste contre il vampiro (Goliath and the Vampire) (Gentilomo and Corbucci)
1974
Death Wish (Winner)
1975
Three Days of the Condor (Pollack)
1977
La orca (Orca) (E. Visconti); The White Buffalo (Lee Thompson)
1978
The Brink's Job (Friedkin); King of the Gypsies (Pierson)
1983
The Dead Zone (Cronenberg)
1984
The Bounty (Donaldson)
1985
Dune (Lynch)
1986
Tai Pan (Duke); Crimes of the Heart (Beresford); Blue Velvet (Lynch); Maximum Overdrive (Stephen King)
Publications
By DE LAURENTIIS: articles—
Bianco e Nero (Rome), no. 7–8, 1961.
Interview (New York), January 1973.
Film Français (Paris), 11 June 1976.
American Film (Washington, D.C.), December/January 1977.
American Cinematographer (Hollywood), January 1977.
Ciné Revue (Paris), 6 January 1977.
Film Comment (New York), January/February 1977.
Ciné Revue (Paris), 15 May 1980.
Stills (London), June/July 1984.
On DE LAURENTIIS: articles—
Films and Filming (London), January 1957.
Film Français (Paris), 15 June 1984.
National Film Theatre Booklet (London), July 1984.
American Film (Washington, D.C.), November 1984.
Film Français (Paris), 28 December 1984.
Cinema Papers (Melbourne), March 1987.
Time, 11 January 1988.
Variety (New York), 24 February 1988.
Variety (New York), 3 February 1992.
Astronomy, November 1994.
Variety (New York), 10 May 1999.
* * *
One of the most colorful, prolific, and successful producers in the contemporary motion picture business, Dino De Laurentiis has proven his entrepreneurial skills time and again, growing from an independent Italian producer into an international conglomerate. His product, from low-budget neorealist works to multimillion dollar spectacles, has always stressed entertainment value, and no matter what the era, he has managed to overcome the exigencies of the fickle motion picture industry to produce consistently crowd-pleasing fare. In the 1950s and 1960s it was the epic; in the 1970s and 1980s a flow of Charles Bronson and Arnold Schwarzenegger action movies, and a series of Stephen King horror shows. De Laurentiis has been a popular media figure with his flamboyant personality and high profile; very much a mogul in the tradition of Samuel Goldwyn, he maintains a strong degree of production value with talented directors, actors, writers, and technicians. What other producer, for example, has produced films by Fellini, Bergman, Rossellini, De Sica, Visconti, Vidor, Huston, Lumet, Forman, Altman, Friedkin, Pollack, Cimino, and Cronenberg, to name but a few? Their films bear the De Laurentiis imprimatur; at the same time, he has shown his fondness for such impersonal, reliable directorial technicians as Richard Fleischer, John Guillermin, and Michael Winner on many of his bread-andbutter pictures.
De Laurentiis attended the Centro Sperimentale di Cinematografia in Rome at the age of 16, then gained practical filmmaking experience in the Italian film industry as an actor, prop man, assistant director, and unit manager. By the age of 20, he had produced his first major film, L'amore canta, then organized Realcine in Turin in order to arrange financing for his productions. World War II disrupted his progress, and Realcine was destroyed during the war. De Laurentiis was at the heart of the postwar neorealism movement in Italy, helping to revitalize the Italian cinema. He scored his first international success with Giuseppe de Santis's Bitter Rice, a stark drama of the women who work the rice fields of the Po Valley, starring Silvana Mangano (whom De Laurentiis married shortly thereafter). The producer solidified his status when he formed the Ponti-De Laurentiis Production Company with Carlo Ponti in the early 1950s.
Together, De Laurentiis and Ponti produced films by Roberto Rossellini (Europa '51), Vittorio De Sica (Gold of Naples), and Federico Fellini (La strada). Europa '51, starring Rossellini's wife Ingrid Bergman, was a bleak disappointment, typical of the Rossellini-Bergman films, but it did give the producers the prestige of a former Hollywood star. They had much better fortune with De Sica and Fellini—Gold of Naples is an exceptional anthology of four vignettes dealing with Neapolitan life, while La strada has become a classic of world cinema, a beautiful and affecting drama of a loutish circus performer and the young woman he abuses, brilliantly directed by Fellini and acted by Anthony Quinn and Giulietta Massina. La strada won De Laurentiis and Ponti an Academy Award for Best Foreign Film, and worldwide recognition as the preeminent producers in Italy.
De Laurentiis realized the box-office appeal of epics during the 1950s, when small-screen television began stealing motion picture audiences. Another advantage was attracting big-name stars to increase the size of their potential audience, and with this in mind Ponti and De Laurentiis produced two gargantuan spectacles, Mario Camerini's Ulysses, starring Kirk Douglas and Silvana Mangano, and King Vidor's War and Peace with Henry Fonda and Audrey Hepburn. Ulysses, indirectly based on Homer's saga of ancient Greece, sold on the strength of Douglas's marquee value; it is a tedious, talky picture. War and Peace was more successful, with the Tolstoy novel condensed into two hours and 30 minutes, marked by vivid imagery of the Napoleonic Wars, and King Vidor's eye for character and landscape.
De Laurentiis and Ponti went their separate ways after these films, and De Laurentiis created a new independent production company. Nights of Cabiria, a Fellini film about a wistful prostitute (played by Massina), won De Laurentiis another Best Foreign Film Oscar, and later served as the basis for the Broadway musical and film Sweet Charity. Although he still produced Italian movies such as Cabiria and Mario Monicelli's The Great War, a comedy-drama set during World War I, De Laurentiis continued with a policy of U.S.-Italo co-productions, frequently releasing in America through Paramount, filming in Italy with English-speaking stars and directors. In the early 1960s, he constructed a vast studio complex outside Rome and used it as a base of operations for production, as well as leasing it to other independents. In addition to such steamy dramas as Martin Ritt's Five Branded Women and René Clément's This Angry Age, De Laurentiis made money from epics such as Richard Fleischer's Barabbas and particularly from The Bible . . . in the Beginning, directed by John Huston with an all-star cast reverently recreating the great tales of the Old Testament. De Laurentiis had another prestigious blockbuster with Franco Zeffirelli's adaptation of Romeo and Juliet. For once the Shakespeare tragedy was correctly cast with teenagers in the leads, and the picture struck a chord with the rebellious young generation of the late 1960s.
De Laurentiis moved to America in the early 1970s, after Italy imposed tight tax restrictions on the film industry. Since then his career has expanded rapidly. He continued to support individualistic filmmakers such as Fellini (Casanova) and Ingmar Bergman (Face to Face, The Serpent's Egg), and experienced noble failures with Robert Altman's Buffalo Bill and the Indians and William Friedkin's The Brink's Job, but began to rely more and more on sure-fire mass appeal material. A series of Charles Bronson action films—The Valachi Papers, The Stone Killer, and Death Wish—were huge moneymakers, and employed a graphic, streetwise realism. Although De Laurentiis still made important films such as Sidney Lumet's Serpico. (the true story of New York police corruption), Sydney Pollack's CIA thriller Three Days of the Condor, Don Siegel's The Shootist, (a nostalgic Western and John Wayne's last movie), and Milos Forman's impressive turn-of-the-century epic Ragtime, he found it profitable to exploit more popular genres.
For a time in the 1970s, it seemed as though the producer was dedicated to such overwrought kitsch as Mandingo, Orca, and Hurricane. Of these only Mandingo was a resounding box-office hit, spawning a sequel, Drum. While he had enjoyed a science-fiction success with Roger Vadim's sexy Barbarella, De Laurentiis's other sci-fi films, Flash Gordon and David Lynch's $50 million Dune did not perform well. Much stronger were the Conan films; Robert E. Howard's classic sword and sorcery adventures were faithfully transmitted to the screen with Arnold Schwarzenegger in the title role. John Milius directed Conan the Barbarian; Richard Fleischer handled the inferior sequel Conan the Destroyer, as well as a related adventure, Red Sonja. After a well-mounted remake of The Bounty with Mel Gibson as Fletcher Christian and Anthony Hopkins as Captain Bligh under Roger Donaldson's direction, De Laurentiis opened new studios in Wilmington, North Carolina. In 1985 he acquired Embassy Pictures and formed De Laurentiis Entertainment Group, a new distribution and production company, making many of its films at the North Carolina studios. Again, there was a familiar pattern to the De Laurentiis product, with prestigious films (Crimes of the Heart), epics (Tai-Pan), action movies (Desperate Hours), and occasionally the offbeat (Blue Velvet). Horror pictures have been the mainstay of De Laurentiis's output in recent years, especially the successful Stephen King movies—The Dead Zone, Firestarter, Cat's Eye, Silver Bullet, and Maximum Overdrive. De Laurentiis has seemingly beat the system by surviving as an independent producer for 50 years, capping his career with a thriving distribution company. It is no surprise. For 50 years, De Laurentiis has been making movies, not just deals, and his prodigious body of work is rare indeed in today's film industry. Few producers possess his sense of daring—he was the only producer to hire Michael Cimino, for example, after the Heaven's Gate debacle, and their film, Year of the Dragon, helped Cimino back on his feet—or his sense of showmanship, whether promoting the sublime or the banal.
—John A. Gallagher
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Producer Dino de Laurentiis Passes Away at Age 91
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[
"Brian Gallagher"
] |
2010-11-11T20:22:47+00:00
|
The Oscar-winning legend produced over 500 movies in his 70-year career including Serpico, Dune and Army of Darkness.
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MovieWeb
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https://movieweb.com/producer-dino-de-laurentiis-passes-away-at-age-91/
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Legendary movie producer Dino De Laurentiis has passed away at the age of 91 in his Beverly Hills home.
Dino De Laurentiis won his first Oscar for producing Federico Fellini's 1957 movie La Strada, which won Best Foriegn Language Film. His Nights of Cabiria won the same award a year later, in 1958. He moved from Italy to Hollywood in the 1960s and produced such movies as Serpico, the 1976 failed remake of King Kong, Conan The Barbarian, Dune, Army Of Darkness and the Silence Of The Lambs sequels Hannibal and Red Dragon.
Dino De Laurentiis was born on August 8, 1919 in a small village near Naples, Italy. He first entered the movie business at the age of 20 and never looked back. He also received the Irving Thalberg Award at the 2001 Academy Awards for his lifetime of achievement in the film industry. Here's what he said after receiving the award:
"I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters."
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Dino De Laurentiis: 10 essential films
|
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2019-08-08T14:01:25+01:00
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For his centenary, we pick out 10 key releases from across the Italian super-producer’s six decades in film.
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BFI
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https://www.bfi.org.uk/lists/dino-de-laurentiis-10-essential-films
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In a career that spanned over 60 years, Dino De Laurentiis proved himself to be a titan of the film industry – a larger than life figure who managed to recover from every costly box office bomb he produced. His love of pure cinematic spectacle, and his desire to make the Italian film industry as powerful as Hollywood, helped get his name on the international stage in the 1950s, but an eventual relocation across the Atlantic saw him earn the nickname “Dino De Horrendous” after less than glowing responses to many of his big budget efforts.
De Laurentiis’s career was originally supposed to blossom on the other side of the camera, studying as an actor at the Italian National Film School before the Second World War broke out. Many years later, inspired by the works of Rossellini, he produced a number of neorealist films – most notably Bitter Rice (1949), which brought his name to international attention. From there, his productions became gradually more epic in scope and his name synonymous with blockbusters that were the antithesis of these early films.
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On the centenary of the producer’s birth, we’re taking a look at 10 essential films he produced.
La strada (1954)
Director: Federico Fellini
De Laurentiis had something of a complicated relationship with Fellini. The producer would often wax lyrical about cutting 10 minutes out of Nights of Cabiria against the director’s wishes, and at one Venice Film Festival Fellini heckled Jean-Luc Godard’s tribute to the producer by insisting La strada was made in spite of him, not because of him. Like many later De Laurentiis productions, La strada sharply divided critics on its original premiere. A few years later, it was re-evaluated as a masterpiece and awarded the inaugural Academy Award for Best Foreign Language Film after finally releasing in America.
Danger: Diabolik (1968)
Director: Mario Bava
Production on Mario Bava’s comic strip adaptation, routinely cited as a favourite by the likes of Quentin Tarantino and Edgar Wright, was tortured to say the least. When its original director Seth Holt was fired, De Laurentiis sharply reduced the budget, allocating those funds to his other comic strip adaptation of that year, Barbarella (1968). As a result, Bava had to prioritise style over substance, using kitschy production design to hide the limited sets, and created one of the most unusual comic book movies in cinema history. If post-9/11 superhero movies are defined by Christopher Nolan’s Dark Knight trilogy, then the swinging 60s had their perfect superhero match with Diabolik.
Serpico (1973)
Director: Sidney Lumet
It may have been released a year after The Godfather (1972) sprang him to fame, but that didn’t stop De Laurentiis claiming he discovered Al Pacino, seeing him in an off-broadway play and hiring him for the crime biopic being produced by Produzion De Laurentiis International. Sidney Lumet’s thriller, documenting Frank Serpico’s decade plus battle to bring the crooked cops in the New York Police Department to justice, remains one of the finest crime films of the 70s – and one of the essential Pacino performances. After this success, the actor and director worked again just two years later, on the equally heralded Dog Day Afternoon (1975).
Face to Face (1976)
Director: Ingmar Bergman
One of De Laurentiis’s final European films, after a financial scandal surrounding his troubled studio, “Dinocittà” led him to leave Italy, Face to Face sounds like a parody of an existentially despairing Ingmar Bergman effort when summarised. Liv Ullmann stars as Dr Jenny Isaksson, a psychiatrist who, through stress with her work, begins to succumb to delusions that torture her and make her unable to deal with both her personal and professional obligations. One of the director’s most celebrated films upon release, earning him a second Best Director nomination, Face to Face is now an unfortunately overlooked Bergman work, mostly remembered as a gag in Annie Hall (1977).
King Kong (1976)
Director: John Guillermin
Somewhat less celebrated is De Laurentiis’s first big Hollywood production. Initially premiering to mixed critical responses, albeit leaving with an Oscar win for visual effects, John Guillermin’s remake of the monster movie classic holds up pretty well after a bloated Peter Jackson remake and 2017’s lacklustre “cinematic universe” starter Kong: Skull Island. Many years before Jackson transformed Andy Serkis via motion capture, makeup guru Rick Baker managed to inject pathos into the titular role. De Laurentiis saw this passion project as an antidote to the new breed of monster movie, claiming that “When Jaws dies, nobody cries. When Kong dies, they all cry.”
Year of the Dragon (1985)
Director: Michael Cimino
Both De Laurentiis and American filmmaker Michael Cimino were responsible for costly critical and commercial bombs that threatened to derail their entire careers, but only one managed to get back on their feet time and time again. So, it was only a matter of time before Cimino was rescued from director jail post-Heaven’s Gate (1980) by the producer, with a gritty noir tale that feels like an interrogation of his own attitudes towards race following the controversy of The Deer Hunter (1978). The film was a Razzie nominee upon release, but now feels ahead of its time in assessing the relationship between racism and cultural appropriation.
Blue Velvet (1986)
Director: David Lynch
The existence of Blue Velvet is entirely due to Lynch’s previous film, Dune (1984), a costly flop that the producer assumed would be a hit on the level of Star Wars (1977). Prior to production on that divisive adaptation of Frank Herbert’s novel, De Laurentiis made Lynch sign a three picture contract, for one original movie and one Dune sequel – and the resulting film, the smallest production on the De Laurentiis Entertainment Group slate, became one of the defining films of the 80s. Regarded as a cult oddity on release, Lynch’s nightmarish descent into the dark heart of suburbia is now likely to be considered the greatest film bearing the De Laurentiis name.
Manhunter (1986)
Director: Michael Mann
After meeting author Thomas Harris, De Laurentiis did everything he could to snap up the rights to his book Red Dragon. But Michael Mann’s icily detached adaptation was given the cold shoulder by audiences and critics alike, only to be reassessed in the wake of later screen adaptations of Harris’s Hannibal Lecter novels. Brian Cox’s performance is chilling due to how ordinary he makes the character appear – a different kind of nightmare to the theatrics Anthony Hopkins would later bring to the role. Famously, De Laurentiis passed on adapting the Silence of the Lambs after the failure of Manhunter, but a lengthy studio battle ensured his involvement in all future Lecter productions.
Army of Darkness (1992)
Director: Sam Raimi
After the surprise commercial success of Evil Dead II (1987), De Laurentiis agreed to finance a third outing for Bruce Campbell’s Ash, as Sam Raimi sent him back to the middle ages for the period horror romp the director and star had always dreamed of making. De Laurentiis, who had taken projects out of director’s hands in the past, gave Raimi full creative freedom, but the film’s eventual distributor, Universal, took over and called for reshoots, diluting the original ending and some of the bloodier violence. Fortunately, the tortured production is far from apparent in the final film, the most purely fun Raimi has made.
Breakdown (1997)
Director: Jonathan Mostow
The last truly great film bearing the producer’s name, Jonathan Mostow’s Breakdown is a taut thriller that marries the road rage of Spielberg’s Duel (1971) with the same thirst for revenge as the Charles Bronson films De Laurentiis had produced decades earlier. Watched today, the film’s simple pleasures are all the more remarkable due to how they differ from contemporary action fare. There are no fast edits or shaky-cam anywhere in sight, and the film’s tension comes as much from watching a well-mannered man’s forced descent into vengeance as it does the bloody revenge he eventually embarks upon.
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Dino De Laurentiis
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2017-08-18T08:30:48+00:00
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Agostino Dino De Laurentiis (dino de laurntis 8 August 1919 10 November 2010) was an Italian film producer. Along with Carlo Ponti, he was one of the producers who brought Italian cinema to the international scene at the end of World War II. He produced or coproduced more than 500 films,
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/favicon.ico
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Alchetron.com
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https://alchetron.com/Dino-De-Laurentiis
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Early life
De Laurentiis was born at Torre Annunziata in the province of Naples, and grew up selling spaghetti made by his father's pasta factory. He started his studies at the Centro Sperimentale di Cinematografia in Rome in the years 1937–1938 then interrupted by the outbreak of the Second World War.
Film production
Following his first movie, L'ultimo Combattimento (1940), Laurentiis produced nearly 150 films during the next seven decades. In 1946 his company, the Dino de Laurentiis Cinematografica, moved into production. In the early years, De Laurentiis produced Italian neorealist films such as Bitter Rice (1949) and the Fellini classics La Strada (1954) and Nights of Cabiria (1956), often in collaboration with producer Carlo Ponti. In the 1960s, Laurentiis built his own studio facilities, although these financially collapsed during the 1970s. During this period, though, De Laurentiis produced such films as Barabbas (1961), a Christian religious epic; The Bible: In the Beginning (1966), Kiss the Girls and Make Them Die, an imitation James Bond film; Navajo Joe (1966), a spaghetti western; Anzio (1968), a World War II film; Barbarella (1968) and Danger: Diabolik (1968), both successful comic book adaptations; and The Valachi Papers (1972), made to coincide with the popularity of The Godfather.
De Laurentiis relocated to the US in 1976, and became an American citizen in 1986. In the 1980s he had his own studio, De Laurentiis Entertainment Group (DEG), based in Wilmington, North Carolina. The building of the studio made Wilmington a center of film and television production.
De Laurentiis made a number of successful and acclaimed films, including The Scientific Cardplayer (1972), Serpico (1973), Death Wish (1974), Mandingo (1975), Three Days of the Condor (1975), The Shootist (1976), Drum (1976), Ingmar Bergman's The Serpent's Egg (1977), Ragtime (1981), Conan the Barbarian (1982), Blue Velvet (1986) and Breakdown (1997). De Laurentiis' name become well known through the 1976 King Kong remake, which was a commercial hit; Lipstick (1976), a rape and revenge drama; Orca (1977), a killer whale film; The White Buffalo (1977), a western; the disaster movie Hurricane (1979); the remake of Flash Gordon (1980); David Lynch's Dune (1984); and King Kong Lives (1986). De Laurentiis also made several adaptations of Stephen King's works, including The Dead Zone (1983), Cat's Eye (1985), Silver Bullet (1985), and Maximum Overdrive (1986). De Laurentiis's company was involved with the horror sequels Halloween II (1981), Evil Dead II (1987) and Army of Darkness (1992).
De Laurentiis also produced the first Hannibal Lecter film, Manhunter (1986), an adaptation of the Thomas Harris novel Red Dragon. He passed on adapting the novels' sequel, The Silence of the Lambs (1991), but produced the two follow-ups, Hannibal (2001) and Red Dragon (2002), a re-adaptation of the novel. He also produced the prequel Hannibal Rising (2007), which tells the story of how Hannibal becomes a serial killer.
DDL Foodshow
In the 1980s, de Laurentiis owned and operated DDL Foodshow, a specialty retailer with two gourmet Italian markets in New York City and Los Angeles.
Family
His brief first marriage in Italy was annulled. In 1949, De Laurentiis married actress Silvana Mangano, with whom he had four children: Veronica; Raffaella, who is also a film producer; Federico, another producer who died in a plane crash in 1981 (Dino's movie Dune is dedicated to him); and Francesca. De Laurentiis and Mangano divorced in 1988; she died in 1989. In 1990, he married Martha Schumacher, who produced many of his films since 1985, and with whom he had two daughters, Carolyna and Dina. One of his grandchildren is Giada De Laurentiis, host of Everyday Italian, Behind the Bash, Giada at Home, and Giada's Weekend Getaways on Food Network. He was the younger brother of Luigi De Laurentiis, who became a film producer after Dino did, and uncle of Aurelio De Laurentiis, also a producer and the chairman of S.S.C. Napoli football club.
Awards and recognitions
In 1958, he won the Academy Award for Best Foreign Film for producing La Strada, back when producers and directors would win the award instead of the country it was made in.
In 2001, he received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences.
In 2012, he received the America Award of the Italy-USA Foundation (in memory).
Death
De Laurentiis died on 10 November 2010 at his residence in Beverly Hills at the age of 91.
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Dino De Laurentiis
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Agostino "Dino" De Laurentiis was an Italian film producer and businessman who held both Italian and American citizenship. Following a brief acting career in the late 1930s and early 1940s, he moved into film production; alongside Carlo Ponti, he brought Italian cinema to the international scene in the post-World War II period. He produced or co-produced over 500 films, with 38 of his Hollywood films receiving Academy Award nominations. He was also the creator and operator of DDL Foodshow, a chain of Italian specialty foods stores.
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Wikiwand
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https://www.wikiwand.com/en/Dino_De_Laurentiis
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Agostino "Dino" De Laurentiis (Italian: [ˈdiːno de lauˈrɛnti.is]; 8 August 1919 – 10 November 2010) was an Italian film producer and businessman who held both Italian and American citizenship. Following a brief acting career in the late 1930s and early 1940s, he moved into film production; alongside Carlo Ponti, he brought Italian cinema to the international scene in the post-World War II period. He produced or co-produced over 500 films, with 38 of his Hollywood films receiving Academy Award nominations. He was also the creator and operator of DDL Foodshow, a chain of Italian specialty foods stores.
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Make Your Day
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R.I.P. Dino De Laurentiis – The Wild Eye
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2010-11-11T13:50:33+00:00
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http://www.thewildeye.co.uk/blog/latest-news/r-i-p-dino-de-laurentiis/
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Sad news, prolific producer Dino De Laurentiis has died. There’s a brief obit on The Guardian website…
The age of the producer extraordinaire, whose name on the opening credits was a guarantee of operatic emotions and grandiose spectacle, looked one step closer to the end today, with the announcement that Dino De Laurentiis has died aged 91.
A man whose diminutive stature (he was 5ft 4in) was no obstacle to his enormous ambition or prodigious output (more than 500 films), De Laurentiis started his career selling his family’s spaghetti. After serving in the Italian army in the second world war, he established himself as a film producer, and swiftly became famous for the 1949 classic Bitter Rice, directed by Giuseppe De Santis, and then a handful of neo-realist hits made in collaboration with Carlo Ponti, including Federico Fellini’s La Strada in 1954 and Nights of Cabiria in 1957.
De Laurentiis went solo, and produced a string of films that belied both his eagerness for commercial success and his joie de vivre, among them James Bond spoof Kiss the Girls and Make Them Die, a spaghetti western, Anzio (1968) and Barbarella (also 1968). But the film business in Italy wasn’t as thriving as a decade before and he left the country for the US in the early 1970s, where he set up his own studio in North Carolina. This became a powerhouse of what even at the time were recognised as classics (cult or otherwise), including Sidney Lumet’s Serpico (1973), Michael Winner’s Death Wish (1974), Sydney Pollack’s Three Days of the Condor (1975), John Wayne’s final western, The Shootist (1976), Ingmar Bergman’s The Serpent’s Egg (1977) and Arnold Schwarzenegger’s breakthrough film, Conan the Barbarian (1982). He also worked fruitfully with David Lynch – making Dune in 1984, and Blue Velvet, two years later. These films – and others, such as Ragtime in 1981 – were testimony to De Laurentiius’s talents not just as an old-school movie mogul, prepared to lavish cash on whatever genre he fancied, but also a producer with the guts to take a punt and the ability spot a serious talent.
Yet his name became, for a while, synonymous with a particular type of costly endeavour that, were it not a turkey, certainty pushed the boundaries of taste. Movies such as the legendary King Kong remake (1976), killer whale film Orca (1977), disaster movie Hurricane (1979), Flash Gordon remake (1980), Halloween II (the 1981 sequel to John Carpenter’s 1978 classic horror film) and King Kong Lives (1986) led to his being dubbed “Dino De Horrendous” by critics Harry and Michael Medved in 1980.
Most recently, De Laurentiis was the driving force between the big-screen transfers of Thomas Harris novels, beginning with Manhunter in 1986, and continuing with Hannibal Lecter’s second screen incarnation, when Anthony Hopkins took over the role for 1991’s The Silence of the Lambs. That film went on to win a “grand slam” at the Oscars – one of only three films ever to do so. De Laurentiius also picked up an Oscar for La Strada in 1954, and was honoured by the Academy in 2001 with Irving G Thalberg Memorial award.
De Laurentiis was married twice and is survived by six of his seven daughters. His only son, Federico, died at 26 in a plane crash.
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Legendary movie producer Dino De Laurentiis dies
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2010-11-12T07:21:20+00:00
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Oscar-winning Italian film producer Dino De Laurentiis, who brought 500 films to the big screen including La Strada, Serpico, and Three Days Of The Condor, has died at age 91.
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https://www.iol.co.za/entertainment/celebrity-news/legendary-movie-producer-dino-de-laurentiis-dies-988715
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Los Angeles - Oscar-winning Italian film producer Dino De Laurentiis, who brought 500 films to the big screen including La Strada, Serpico, and Three Days Of The Condor, has died at age 91, his family said on Thursday.
De Laurentiis, who produced several Italian classics such as Federico Fellini's La Strada, for which he won an Oscar in 1957, died at his Beverly Hills home late on Wednesday.
"Dino De Laurentiis, patriarch of the De Laurentiis family, Academy Award-winning producer and film legend, died on Wednesday, November 10, 2010 at 10PM (PST) at his home in Beverly Hills, California surrounded by family. He was 91," his Hollywood producer daughter Raffaella De Laurentiis said in a statement.
The cause of death was not immediately known.
The filmmaker's granddaughter Giada, a chef who hosts a show on the US Food Network TV channel, called him a "true inspiration."
"He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly," Giada De Laurentiis said.
Funeral arrangements have not yet been determined.
De Laurentiis was born on Aug. 8, 1919 in Torre Annunziata, near Naples, but moved to the United States in the 1970s.
He entered the film industry at age 20, and went on to produce more than 500 movies, including those by Fellini and Roberto Rossellini.
He moved to the United States after the failure of his film studios in Rome, and turned to a string of big international productions known for their grandiose style, including expensive failures such as Hurricane and Tai-Pan.
He was behind the King Kong remake of 1976, the killer whale film Orca, several adaptations of Stephen King's novels, and most recently Hannibal, the 2001 sequel to The Silence Of The Lambs.
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Featuring 3 Producers’ Best Contributions to Italian Cinema
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[
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[
"The Italian Tribune"
] |
2018-09-13T09:27:41+00:00
|
The spotlight is now placed on important men of the Italian Cinema, Dino De Laurentiis, Carlo Ponti, and actor/director Vittorio De Sica.
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en
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The Italian Tribune
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https://italiantribune.com/the-history-of-the-italian-cinema-3/
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Part 13 – De Laurentiis, Ponti and De Sica
This week we place the spotlight on three important men of the Italian Cinema, producers Dino De Laurentiis, Carlo Ponti and actor/director Vittorio De Sica.
Dino De Laurentiis was a film producer, who over his 60-year career, produced more than 600 films. He produced an extraordinary variety of films, including the Fellini-directed Oscar-winning Best Foreign Film, La Strada, co-produced with Carlo Ponti, and Nights of Cabiria.
He was born on August 8, 1919, in Torre Annunziata, outside of Naples. The son of a pasta maker, he went to Rome to study at the Centro Sperimentale di Cinematografia while in his teens and gained hands-on experience in film making. At the age of 20, De Laurentiis produced his first picture, Troppo tardi t’ho conosciuta (1939). This was soon followed by L’amore canta (1941). His work was soon affected by World War II. He scored his first international success with Bitter Rice in 1949, staring Silvana Mangano. Di Laurentiis and Mangano fell in love and married that same year and became a super couple in the Italian film world. The couple had four children and the marriage lasted nearly 40 years. They divorced in 1988 and Mangano died the following year. One of his grandchildren is Giada De Laurentiis, the host of numerous shows on the Food Network.
In the 1960s, De Laurentiis built his own studio facilities. During this period, though, heproduced such films as Barabbas (1961), The Bible: In the Beginning (1966), Kiss the Girls and Make Them Die, Navajo Joe (1966), Anzio (1968), Barbarella (1968) and Danger: Diabolik (1968).
De Laurentiis made several successful and acclaimed films during the 1970s, including Serpico (1973), Death Wish (1974), Three Days of the Condor (1975), The Shootist (1976), Ragtime (1981), Conan the Barbarian (1982), Blue Velvet (1986) and Breakdown (1997). His name became well known through the 1976 King Kong remake. He also produced the first Hannibal Lecter film, Manhunter in 1986 but passed on adapting the novel’s sequel, The Silence of the Lambs in 1991. He did produce the two follow-ups and the prequel. De Laurentiis died in 2010.
De Laurentiis’ films were often in collaboration with producer Carlo Ponti, who is the next producer spotlighted.
Carlo Ponti produced more than 150 films, including La Strada, War and Peace and Doctor Zhivago. He is also well remembered for having discovered and later marrying screen icon, Sophia Loren.
Ponti was born on December 11, 1912, in Magenta, Italy, a suburb of Milan. He graduated with a law degree from the University of Milan in 1934 and joined his father’s law firm. Although always interested in films, his entry in the world began through his law practice, by negotiating contracts in the industry.
Ponti accepted an offer from Riccardo Gualino’s Lux Film in Rome in 1941, where he produced a series of commercially successful films featuring the comedian Totò. Ponti produced the successful films Boccaccio ’70 (1962), Marriage Italian Style (1964) and Yesterday, Today and Tomorrow (1965), but his most popular and financially successful film was Doctor Zhivago, released in 1965. He subsequently produced three notable films with Michelangelo Antonioni, Blowup (1966), Zabriskie Point (1970) and The Passenger (1974).
In 1946, he married Giuliana Fiastri with whom he had a daughter and a son. While serving as a judge in a beauty contest in 1951, Ponti met a minor actress named Sofia Lazzaro (real name Sofia Villani Scicolone). Later that year, he cast her in his film Anna. In 1952, Ponti’s Goffredo Lombardo, head of production at Titanus, changed Lazzaro’s name to Sophia Loren.
Five years later, Ponti obtained a Mexican divorce from his first wife and married Sophia Loren by proxy. Divorce was still forbidden in Italy and ultimately, to avoid legal issues, Ponti, his first wife, Giuliana and Loren all moved to France and became citizens. Their applications for citizenship were personally approved by French President Georges Pompidou. Loren remained married to Ponti until his death in January, 2007.
The last to be spotlighted is a man whose directorial influence can be seen in the productions of countless films. Vittorio De Sica had a prolific career that spanned 55 years, in which he directed 35 films and acted in more than 150.
Born in Sora, Italy, in the Lazio region in 1902, De Sica began his career as an actor in 1918, with a small part in a silent film. Throughout the 1920s, he performed in films and musical theater and with touring companies before attaining stardom in Italy with his role in Mario Camerini’s 1932 film, Gli uomini, che mascalzoni! (What Rascals Men Are!). De Sica’s subsequent roles throughout the 1930s established him as a romantic leading man who was especially deft at light comedy, in the same manner as Cary Grant.
Although he maintained a successful acting career until the end of his life, De Sica’s directorial efforts, usually in collaboration with screenwriter Cesare Zavattini, are regarded as his most influential contribution to cinema history. The roots of Neorealism are found in De Sica’s early works, particularly Teresa Venerdì (1941) and I bambini ci guardano (1942). It was during the postwar era that De Sica became one of the world’s most acclaimed directors with four masterpieces: Sciuscià (1946’s Shoeshine), an account of the tragic lives of two children during the American occupation of Italy; Ladri di biciclette (The Bicycle Thief, 1948), an Oscar winner for Best Foreign Film; Miracolo a Milano (Miracle in Milan, 1951), a dark comedy about the clash of rich and poor in Milan and Umberto D. (1952), a tragedy about a lonely retiree, his dog and a young maid who takes pity upon them both.
In addition, to his directing success, De Sica continued to be a successful actor. He was nominated for an Academy Award for his performance in A Farewell to Arms (1957). In 1970, De Sica’s Il giardino dei Finzi-Contini won the Oscar for Best Foreign Film. De Sica’s last film, Il viaggio (1974’s The Voyage), paired Richard Burton with De Sica’s favorite actress, Sophia Loren. He died in Paris later that year.
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22 Enigmatic Facts About Dino De Laurentiis
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[
"Sheba Doty"
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2023-10-27T13:01:18+08:00
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Discover the fascinating life and career of Dino De Laurentiis with these 22 enigmatic facts, from his prolific filmography to his impact on the entertainment industry.
|
en
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https://facts.net/wp-content/uploads/2019/09/fac-icon.ico
|
Facts.net
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https://facts.net/celebrity/22-enigmatic-facts-about-dino-de-laurentiis/
|
Dino De Laurentiis was born on August 8, 1919, in Torre Annunziata, Italy.
Dino De Laurentiis, one of the most influential figures in the film industry, was born in Torre Annunziata, Italy on August 8, His passion for storytelling and movies began at a young age, setting the stage for his illustrious career that would span decades.
He produced over 500 films throughout his career.
Dino De Laurentiis had an unmatched dedication to his craft, producing over 500 films during his career. From critically acclaimed masterpieces to commercially successful blockbusters, his diverse portfolio showcased his ability to bring captivating stories to the big screen.
Dino De Laurentiis won an Academy Award for Best Foreign Language Film four times.
With his keen eye for talent and exceptional storytelling, Dino De Laurentiis achieved considerable success at the Academy Awards. He won the prestigious Best Foreign Language Film award four times, solidifying his reputation as a visionary producer.
Dino De Laurentiis collaborated with renowned directors like Federico Fellini and David Lynch.
Known for his ability to attract talented directors, Dino De Laurentiis had the privilege of collaborating with visionary filmmakers such as Federico Fellini and David Lynch. These collaborations resulted in critically acclaimed films that left a lasting impact on the industry.
He produced the 1976 version of “King Kong.”
Dino De Laurentiis was the mastermind behind the 1976 version of “King Kong,” a modern retelling of the iconic story. This blockbuster film became a commercial success and showcased his ability to bring beloved characters to life.
Dino De Laurentiis established his own film studio, the Dino De Laurentiis Company.
Driven by his entrepreneurial spirit, Dino De Laurentiis founded his own film studio, aptly named the Dino De Laurentiis Company. This studio became the creative hub for many groundbreaking films, further solidifying his impact on the industry.
Dino De Laurentiis produced the first Hannibal Lecter film, “Manhunter,” in 1986.
In 1986, Dino De Laurentiis produced “Manhunter,” the first film featuring the iconic character Hannibal Lecter. This psychological thriller laid the foundation for the successful “Silence of the Lambs” franchise, showcasing De Laurentiis’ knack for recognizing compelling stories.
He received a star on the Hollywood Walk of Fame in 2003.
In recognition of his immense contributions to the entertainment industry, Dino De Laurentiis was honored with a star on the Hollywood Walk of Fame in This prestigious accolade was a testament to his enduring legacy.
Dino De Laurentiis produced the hit TV series “Hannibal” in 2013.
Continuing his fascination with the Hannibal Lecter character, Dino De Laurentiis produced the television series “Hannibal” in The show garnered critical acclaim for its thrilling storytelling and visually stunning production.
He worked with renowned actors like Anthony Hopkins, Jack Nicholson, and Arnold Schwarzenegger.
Throughout his career, Dino De Laurentiis had the privilege of working with esteemed actors such as Anthony Hopkins, Jack Nicholson, and Arnold Schwarzenegger. His ability to attract and collaborate with top talent contributed to the success of his films.
Dino De Laurentiis produced the 1984 film “Conan the Destroyer.”
Adding to his impressive repertoire, Dino De Laurentiis produced the fantasy film “Conan the Destroyer” in This action-packed adventure further showcased his versatility as a producer.
He was known for his larger-than-life personality and infectious enthusiasm.
Those who knew Dino De Laurentiis spoke of his larger-than-life personality and boundless enthusiasm for the film industry. His infectious energy was contagious and left a lasting impression on everyone he worked with.
Dino De Laurentiis was heavily involved in the Italian Neorealism movement.
As a producer, Dino De Laurentiis played a pivotal role in the Italian Neorealism movement during the 1940s and 1950s. He championed films that depicted the harsh realities of post-war Italy, contributing to the development of this influential cinematic movement.
He produced the epic historical drama “Barabbas” in 1961.
In 1961, Dino De Laurentiis produced the epic historical drama “Barabbas,” starring Anthony Quinn. This grand-scale production showcased his ability to bring captivating stories from history to life on the big screen.
Dino De Laurentiis received a Lifetime Achievement Award from the Academy of Motion Picture Arts and Sciences in 2001.
The Academy of Motion Picture Arts and Sciences recognized Dino De Laurentiis’ immense contributions to the industry by presenting him with a prestigious Lifetime Achievement Award in This honor celebrated his remarkable career and lasting impact on the world of cinema.
He produced the critically acclaimed film “La Strada” by Federico Fellini in 1954.
Dino De Laurentiis produced Federico Fellini’s masterpiece “La Strada” in The film was highly acclaimed for its poignant storytelling and haunting performances, solidifying De Laurentiis’ reputation as a producer with a discerning eye for talent.
Dino De Laurentiis partnered with renowned author Stephen King to bring several of his novels to the big screen.
Recognizing the literary genius of Stephen King, Dino De Laurentiis collaborated with the esteemed author to adapt several of his novels into successful films. Their partnership resulted in iconic films like “Firestarter” and “Cat’s Eye,” adding to De Laurentiis’ impressive filmography.
He produced the legendary epic film “Serpico” in 1973.
Dino De Laurentiis produced the gripping crime drama “Serpico” in 1973, starring Al Pacino. The film was a critical and commercial success, further solidifying De Laurentiis’ reputation as a producer with an eye for impactful storytelling.
Dino De Laurentiis was the first Italian producer to win the Irving G. Thalberg Memorial Award.
The Irving G. Thalberg Memorial Award is one of the highest honors in the film industry, recognizing producers who have made significant contributions to the art of filmmaking. Dino De Laurentiis became the first Italian producer to receive this prestigious award, a testament to his immense talent and influence.
He produced the science fiction classic “Dune” in 1984.
Dino De Laurentiis brought the captivating world of Frank Herbert’s “Dune” to life in The film, directed by David Lynch, transported audiences to a mesmerizing future universe and showcased De Laurentiis’ ability to delve into diverse genres.
Dino De Laurentiis passed away on November 10, 2010, at the age of 91.
After a legendary career that spanned over six decades, Dino De Laurentiis passed away on November 10, His innovative spirit and extraordinary talent left an indelible mark on the film industry, and his legacy continues to inspire future generations of filmmakers.
The Dino De Laurentiis Company continues to produce films in his honor.
Although Dino De Laurentiis is no longer with us, his legacy lives on through the Dino De Laurentiis Company. This production company, established by his family, carries forward his vision and commitment to creating exceptional films that captivate audiences worldwide.
Conclusion
In conclusion, Dino De Laurentiis was an enigmatic figure in the world of cinema. With a career spanning over six decades, he made significant contributions to the film industry and left a lasting impact through his work as a producer and entrepreneur.
De Laurentiis was known for his visionary approach, taking risks and pushing boundaries to bring unique and groundbreaking stories to the screen. His films, ranging from epic historical dramas to gritty crime thrillers, captivated audiences around the world and earned numerous accolades.
While he faced his fair share of challenges and setbacks, De Laurentiis remained determined and resilient, always finding a way to overcome obstacles and deliver compelling and memorable films. His passion for storytelling and dedication to his craft solidified his status as one of the most influential figures in the history of cinema.
As we reflect on the life and legacy of Dino De Laurentiis, we are reminded of the power of imagination and creativity in shaping the world of entertainment. His contributions to the film industry will continue to inspire generations of filmmakers and cinephiles for years to come.
FAQs
Q: What were some of Dino De Laurentiis’ most notable films?
A: Dino De Laurentiis produced a wide range of notable films throughout his career, including “Conan the Barbarian,” “Hannibal,” “Serpico,” “King Kong,” and “La Strada,” to name just a few.
Q: Did Dino De Laurentiis win any awards for his work?
A: Yes, De Laurentiis received numerous awards and honors, including an Academy Award for Best Foreign Language Film for “La Strada” and a Lifetime Achievement Award from the Academy of Motion Picture Arts and Sciences.
Q: How did Dino De Laurentiis revolutionize the film industry?
A: De Laurentiis was known for his innovative and ambitious approach to filmmaking. He was one of the first producers to actively pursue international co-productions, which helped broaden the scope of his films and bring together talent from different countries.
Q: Was Dino De Laurentiis involved in any other ventures besides film production?
A: Yes, De Laurentiis was involved in various other ventures, including owning and operating a chain of restaurants and launching a line of pasta sauces under his own name.
Q: What is Dino De Laurentiis’ legacy in the film industry?
A: Dino De Laurentiis’ legacy in the film industry is marked by his artistic vision, entrepreneurial spirit, and the enduring impact of the films he produced. He leaves behind a rich body of work that continues to entertain and inspire audiences worldwide.
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Dearly Departed Dino De Laurentiis
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2010-11-11T00:00:00
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Veteran movie mogul Dino De Laurentiis passed away Wednesday night. The acclaimed Italian producer was 91. You might not know who Dino De Laurentiis is, but if you grew up watching 80s genre films, then you've probably seen his name before, countless times. Of course, if you weren't an uber-movie-geek with an endless capacity for…
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en
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https://secure.gravatar.com/blavatar/fd3c9b3834bfbc229802599b94c6e99894d0d50ee321de24e782305966395361?s=32
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Shooting the Script
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https://shootingthescript.wordpress.com/2010/11/11/dearly-departed-dino-de-laurentiis/
|
Veteran movie mogul Dino De Laurentiis passed away Wednesday night. The acclaimed Italian producer was 91. You might not know who Dino De Laurentiis is, but if you grew up watching 80s genre films, then you’ve probably seen his name before, countless times.
Of course, if you weren’t an uber-movie-geek with an endless capacity for useless information, then you might not be so quick to recall all the films that opened with, “Dino De Laurentiis Presents,” and the wave of giddy fanboy glee that followed.
De Laurentiis was a prolific producer, with a career that spanned nearly seventy years, until he gave up producing in 2007. For we children of the 80s, the “golden age” of bombastic De Laurentiis productions was from 1974 to 1993 (approximately). It was a time of science-fiction, swords & sorcery, action, adventure, and horror. However, De Laurentiis was a purveyor of more than just over-the-top spectacle. (And no, he didn’t produce Sylvester Stallone’s ode to arm-wrestling truck-drivers. Over the Top was Golan/Globus and Cannon Group.)
With a list of credits that run the gamut, De Laurentiis’ canon was called, “high-brow and low-brow, huge moneymakers and expensive flops,” by Associate Press Hollywood’s Bob Thomas.
And before I revel in some of what might be considered his “lesser” films, I feel the need to point out some of his crowning achievements.
Not only did De Laurentiis produce cult classics like Danger: Diabolik, Barbarella, the 1980 remake of Flash Gordon, the 1976 remake of King Kong and the follow-up, King Kong Lives, he also produced the Kirk Douglas classic Ulysses, Anthony Quinn’s Barabbas, War & Peace with Henry Fonda & Audrey Hepburn, and Federico Felinni’s La Strada & Nights of Cabiria, both of which won Academy Awards for Best Foreign Film. So, he’s kind of a big deal.
That being said, I offer a list of my top ten favorite films produced by Dino De Laurentiis, most of which have won a place in my heart through repetitive viewing in the 80s.
10. Maximum Overdrive (1986) – Dir. Stephen King
I will be the first to admit that this is not a very good movie. It’s pretty bad, but in the best possible way. After a mysterious comet passes over the earth, machines come to life with a serious case of blood-lust. Semi-trucks run people down. Electric knives turn on their operators. Gas pumps blind innocent truckers. Soda machines take out entire little-league teams. A rag-tag group of people, led by Emelio Estevez, do their best to survive a world where machines have minds of their own before they become slaves to the very tools designed to help them. This film also made me terrified of the Green Goblin for years. And yes, director Stephen King is THAT Stephen King, author of The Shining, Carrie, etc. This was his one and only foray into film directing, which earned him a nomination for Worst Director by the Golden Rasberry Awards.
9. Red Sonja (1985) – Dir. Richard Fleischer
Again, not the best movie, but I love it anyway. It’s not as good as Conan the Barbarian, but it’s better than Conan the Destroyer, which Fleischer also directed… not as good as The Beastmaster either, but that’s neither here nor there. You got swords. You got sorcery. You got Schwarzenegger. You got Ennio Morricone‘s score. You got Brigitte Nielsen in her prime. This was her first role, before she got a taste for the flavor of love. Throw in a young Ernie Reyes, Jr. It’s all good fun. So what if Schwarzenegger says it’s one of his worst movies. I still love it.
8. Orca (1977) – Dir. Michael Anderson
Orca’s are Killer Whales… if there’s one thing seeing this movie burns in you mind, it’s that. Seeing this movie also made going to Sea World every summer a bit less intriguing. It’s not as much fun to watch Shamu flying through the air when you think he might snap and try to exact his revenge, taking a few lives and limbs as the price for crossing him. As if Jaws hadn’t already sealed my fate as a landlubber, Orca comes along and makes me realize that even the sea creatures presented as our “friends” are not to be trifled with.
7. Death Wish (1974) – Dir. Michael Winner
Don’t mess with Charlie Bronson. And god help you if you mess with his family. Death Wish is a cinematic milestone, an urbanized western of sorts, with its depiction of a civilian resorting to violent vigilantism in the wake of personal tragedy. It’s just an amazingly bad-ass movie.
6. Army of Darkness (1993) – Dir. Sam Raimi
There is a special place in my heart for Army of Darkness. It was the first Sam Raimi film I saw on the big screen, and I loved every minute of it. It’s Sam Raimi and Bruce Campbell… need I say more?
5. Serpico (1973) – Dir. Sidney Lumet
Serpico would also be on my list of top ten favorite Al Pacino films and top ten Sidney Lumet films. For some reason I hear more praise for Dog Day Afternoon, which is also a great film, also a Lumet/Pacino collaboration, but I prefer Serpico. The true story of Frank Serpico, a New York City police officer who goes undercover to expose the corruption in the NYPD. It’s a crime classic, definitely not one of De Laurentiis “lesser” films, even though it is often referred to as merely a “minor classic.”
4. Blue Velvet (1986) – Dir. David Lynch
I didn’t really grow up watching Blue Velvet. I actually watched Dune a lot more, as it seemed to be on the Sci Fi Channel every other day. But, Blue Velvet is a favorite that I finally discovered later on in life. And without De Laurentiis we might not have the Blue Velvet we know and love (or hate, as most people seem to). De Laurentiis gave Lynch complete artistic freedom to make the film he wanted to make, including final cut privileges. So, I thank Dino for giving Lynch the opportunity to make the film he wanted to make. And I wasn’t completely ignorant of Blue Velvet growing up. I remember an episode of Empty Nest where Harry was dating a younger girl and her invitation to watch Blue Velvet being considered taboo. (Bonus points to anyone born after 1980 who actually remember the show Empty Nest.)
3. The Dead Zone (1983) – Dir. David Cronenberg
De Laurentiis had a close relationship with Stephen King, and as a result he produced adaptations of several of King’s stories, including: Firestarter, Silver Bullet, and Cat’s Eye. The Dead Zone is, by far, my favorite of these adaptations. Christopher Walken plays the tragic, Cassandra-like Johnny Smith, plagued by visions of things to come. Though it isn’t one of Cronenberg’s body-horror films, it does not disappoint. In fact, Cronenberg throws in some amazingly disturbing scenes where what he leaves to your imagination makes them all the more haunting. If you haven’t seen it, check it out. And I’ll leave you with one word before you give it go: scissors.
2. Evil Dead II: Dead by Dawn (1987) – Sam Raimi
I bet you were wondering why I short-changed Army of Darkness. Well, that’s because Evil Dead II is my favorite in the series. I love this movie. In Raimi’s Dead trilogy, this is the film that is just right, for me. Its blend of campy humor and bloody horror is spot on. As much as I love Army of Darkness, I have to be in the mood for how campy it is. And as for the first Evil Dead, it is a classic to be sure, but with Evil Dead II they’ve got a bit more elbow room to really make things shine.
1. Conan the Barbarian (1982) – Dir. John Milius
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Category:Films produced by Dino De Laurentiis
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Film producer Dino De Laurentiis dead at 91, family confirms
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The family of Dino De Laurentiis has confirmed the film producer's death to CNN.
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en
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http://www.cnn.com/2010/SHOWBIZ/11/11/obit.de.laurentiis/index.html
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(CNN) -- The family of Dino De Laurentiis has confirmed the film producer's death to CNN.
A statement from Raffaella De Laurentiis, family spokesperson and daughter of Dino De Laurentiis, said he died at 10 p.m. PT Wednesday at his Beverly Hills, California, home, surrounded by family. He was 91.
In a separate statement, his granddaughter, celebrity chef Giada De Laurentiis, said, "My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly."
De Laurentiis produced more than 160 films and was nominated for 35 Oscars. He won the Academy Award for best foreign-language film for 1954's "La Strada," directed by fellow Italian Federico Fellini, according to imdb.com.
He produced the Jane Fonda cult classic "Barbarella" in 1968 and moved to the United States shortly after, according to Digital Spy.
He also had a reputation for backing big-budget bombs, but there were many successes, both critically and at the box office.
Among his credits are "Serpico," "Three Days of the Condor," "Flash Gordon," "Dune" and the 1976 remake of "King Kong."
He did not produce "The Silence of the Lambs" in 1991 but did take charge of sequels "Hannibal" and "Hannibal Rising," according to DigitalSpy.
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https://moviebobcentral.com/2010/11/11/dino-de-laurentiis-1919-2010/
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en
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Dino De Laurentiis: 1919 – 2010
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2010-11-11T00:00:00
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We have lost one of the most important movie producers of all time.To film geeks of my generation, Dino's name was basically an opening-credits signal that you were about to see something unique, strange, not necessarily "good" but hard to forget: Danger: Diabolik!, Barbarella, Mandingo, Death Wish, King Kong/King Kong Lives!, Orca, Flash Gordon, Conan the…
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MOVIEBOB CENTRAL
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https://moviebobcentral.com/2010/11/11/dino-de-laurentiis-1919-2010/
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We have lost one of the most important movie producers of all time.
To film geeks of my generation, Dino’s name was basically an opening-credits signal that you were about to see something unique, strange, not necessarily “good” but hard to forget: Danger: Diabolik!, Barbarella, Mandingo, Death Wish, King Kong/King Kong Lives!, Orca, Flash Gordon, Conan the Barbarian, Dead Zone, Dune, Cat’s Eye, Manhunter, Army of Darkness… his career from the late-60s to the early-2000s speaks for itself; but he’d lived a lifetime before that.
He was a true independent – at once a profit-minded businessman and a bizzarely-visionary risk-taker with a love for garrish, overblown spectacle; an Italian renegade with the energy and style of a Golden Age Hollywood mogul. Along with his more infamous features, he also produced “art-films,” war movies, historical epics and romances. He put big budgets and studio support behind a diverse selection of filmmakers from Ingmar Bergman to Frederico Fellini to Sam Raimi to John Milius to David Lynch. He backed John Wayne’s last film, and produced the Wachowski Brother’s first screenplay (AND their debut feature.) He brought us “Nights of Cabiria,” “La Strada” and “Transformers: The Movie.”
If pressed, I don’t think anyone could name a modern equivalent to him in the current film world – that volatile mix of ruthless mogul businessman and art-lover of “questionable” artistic taste isn’t much seen these days. In his ever-expanding producer role, Guillermo del Toro MAYBE comes close in terms of vision… but in terms of actual triumph it’s likely we’ll never see another like him.
De Laurentiis was 91, and lived a life the way one ought to be lived: Fully. He is survived by a small army of children and grandchildren, including Hollywood producer Raefella and Food Network personality Giada.
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https://deadline.com/2021/12/martha-delaurentiis-dead-producer-for-hannibal-wife-dino-delaurentiis-1234885157/
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Martha De Laurentiis Dies: ‘Hannibal’ & ‘Red Dragon’ Producer Was 67
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2021-12-05T21:34:20+00:00
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Martha De Laurentiis Dies: Producer For 'Hannibal' And 'Red Dragon' Was 67
|
en
|
Deadline
|
https://deadline.com/2021/12/martha-delaurentiis-dead-producer-for-hannibal-wife-dino-delaurentiis-1234885157/
|
Martha De Laurentiis, an American film and TV producer and wife of Dino De Laurentiis, died early in the morning of December 4 after a long battle with cancer.
“My mother was both a warm, generous, optimistic soul – my father always referred to her as his ‘sunshine’ – and a fierce protector,” her daughter Dina De Laurentiis told Deadline today. “A treasured wife, mother, and grandmother, and a friend who touched so many, as well as a nurturer – and protector – of creative people on the movies and television she loved. She put family first, but got up every morning passionate about building upon my father’s legacy and continuing to forge her own. Her kindness, intelligence and grace will continue to inspire us.”
Due to Covid-19 concerns, there will be small, private memorial service in the near future.
Watch on Deadline
The expansive producing resume of Martha De Laurentiis (credited as Martha Schumacher until 1995) includes such films as Breakdown, U-571, Hannibal, Red Dragon Hannibal Rising with her late husband, and the 2013 TV series adaptation Hannibal, developed and executive produced by Bryan Fuller.
“I met Martha DeLaurentiis 10 years ago,” Fuller said in a statement to Deadline. “She welcomed me into her home, and fed me perfectly cooked pasta overwhelmed with white truffles as I professed to her my love for Hannibal Lecter, the cannibal psychiatrist. I’m writing now to profess my love and deep admiration for Martha, the canny producer. Through decades of on-the-ground, in-the-trenches filmmaking, she evolved a signature style. Smart, tasteful, elegant, respectful and present. Always positive and always pulled together. She read every draft of every script, was on set every opportunity. She was the most glamorous cheerleader anyone could ask for. Martha supported the storytellers with all her might, every artist, every craftsperson. She treated us all like family. Martha DeLaurentiis has been and always will be The Matriarch.”
In 1980, Martha and Dino De Laurentiis, who passed away in 2010, founded the Dino De Laurentiis production company, on which she served as chairman.
Martha De Laurentiis’ recent producing credits include the 2018 feature Arctic. Fittingly, her last movie is the upcoming Firestarter, a reboot of De Laurentiis’ very first movie as a producer, the 1984 big-screen adaptation of Stephen King’s novel.
With her husband Dino, whom she married in 1990, Martha De Laurentiis had two daughters, Carolyna and Dina. As well, Martha De Laurentiis is survived by her parents Walter and Mary Schumacher, her brothers Walter Schumacher, Jr. and Rod Schumacher, and her partner of the last 10 years, Randy Sherman.
Dominic Patten contributed to this report
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Dino De Laurentiis
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2010-11-11T18:14:00+00:00
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Dino De Laurentiis, who died on November 11 aged 91, was an Italian film mogul who modelled himself on Samuel Goldwyn and helped to earn his country's film industry the nickname "Hollywood on the Tiber".
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The Telegraph
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https://www.telegraph.co.uk/news/obituaries/culture-obituaries/film-obituaries/8127250/Dino-De-Laurentiis.html
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As an independent producer working outside the major studios, he craved both fame and fortune. He sought the respect that would come from backing critically admired directors, but he also had a streak of the showman and yearned to make blockbusters like Cecil B DeMille did. To a degree he succeeded in both aims.
The early masters of neo-realism – Vittorio De Sica, Roberto Rossellini, Luchino Visconti and Federico Fellini – all made films for him. Two by Fellini, La Strada (1954) and Le Notti di Cabiria (1956), won Oscars as best foreign film. Later, De Laurentiis produced two of Ingmar Bergman's pictures, Face to Face (1976) and The Serpent's Egg (1977).
He also stuck loyally by gifted American directors when they were out of favour or off form. Robert Altman made one of his less successful pictures, Buffalo Bill and the Indians (1976), for De Laurentiis, who also helped the luckless Michael Cimino back on his feet after the commercial disaster of Heaven's Gate. Neither of the films Cimino made for him – Year of the Dragon (1985) and Desperate Hours (1990) – was a hit, and it took courage to back him.
De Laurentiis would always follow a hunch, whether it was David Cronenberg experimenting with lending Stephen King respectability in The Dead Zone (1983); Czech director Milos Forman dabbling in American historical fiction in Ragtime (1981); or the veteran Don Siegel daring to make a downbeat Western about a cancer-racked gunman, played by John Wayne, in The Shootist (1976).
Not all his hunches paid off. The young David Lynch, with minimal professional experience behind him, delivered a costly and disappointing version of the sci-fi classic Dune in 1984. Yet De Laurentiis gave him a second chance and was rewarded with Blue Velvet (1986), which was Oscar-nominated and widely acclaimed as one of the most original American films of the decade.
As a creative producer, De Laurentiis was seldom given the credit he deserved, partly because his flamboyant personality and epic ambitions generally caught the headlines. While part of him got on with the serious business of making durable movies, another had the instincts of a circus ringmaster. Though he claimed his favourite reading was Tolstoy and Homer, when he came to make films of their work he went straight for the star-studded spectacular, casting Kirk Douglas in Ulysses (1954) and Henry Fonda, Audrey Hepburn and Mel Ferrer in War and Peace (1956). Big, long and expensive, they earned him a reputation only for extravagance.
He turned to outer space in Barbarella (1968), Flash Gordon (1980) and Dune (1984); restaged the great battle in Waterloo (1970) and the Crucifixion in Barabbas (1961); and thought to film the Bible as a 15-hour movie, with each book handled by a different director. In the end, even he had to recognise that the project was unviable, so he downsized it, focusing exclusively on Genesis and hiring John Huston to direct it all – now called simply The Bible ... in the Beginning (1966).
It was for such follies that De Laurentiis came to be remembered – plus his ambition to be an old-style Hollywood studio boss. He made some of his biggest pictures at Cinecitta (Cinema City), the giant Roman studios set up by Mussolini in 1936, but longed to build a state-of-the-art facility of his own. When he did so, at a cost of $30 million, he immodestly called it Dinocitta.
Running a studio, however, overstretched his talents. He was more an impresario than a tycoon, and was forced eventually to sell Dinocitta to the Italian government. Subsequently he ran another studio complex, at Wilmington, North Carolina, but this did not flourish either, and in 1988 was driven into so-called Chapter 11 bankruptcy – an American legal term affording a company protection from its creditors.
De Laurentiis was nothing if not resilient. Within two years of filing for bankruptcy and being sued for divorce by his estranged wife, the actress Silvana Mangano, he resurfaced with a new company and made further films, including the controversial Body of Evidence (1993), a soft-core sex thriller with Madonna.
He was born Agostino De Laurentiis on August 8 1919, the son of a pasta maker, in Torre Annunziata on the Bay of Naples. His father expected him to join the family business, and as a teenager Dino travelled around Italy selling spaghetti. But he wanted to be an actor and, at the age of 17, left home to enrol at film school in Rome.
His father disapproved and cut off his allowance, forcing him to seek work as an extra to pay for his tuition at the Centro Sperimentale di Cinematografia. Rumour has it that his lifelong preference for black (never brown) shoes dated from that time.
He had landed a small part in a movie with the then popular actress Assia Norris, for which he was required to wear black shoes. He could not afford them but persuaded a shoe shop to let him have them on tick, payable out of his first day's wages. Next day was Sunday and the shop was shut, so he journeyed out to the proprietor's home to pay his debt. After this he wore nothing but black shoes lest his luck change.
Official biographies say he deserted and hid on the island of Capri, awaiting liberation by the Allies. That is where, allegedly, he read and re-read The Odyssey and War and Peace and formed a determination one day to film them. He resumed production in 1946 with Le Miserie del Signor Travet and plunged into the new realist trend that was superseding the artificial comedies of the fascist era.
In this vein he produced Il Bandito (1946) by Alberto Lattuada; Molti Sogni per le Strade (1948) with Anna Magnani; and Bitter Rice (1948) by Giuseppe De Santis, a story of migrant workers in the rice fields of the Po valley. Steamy and melodramatic, this last achieved worldwide attention thanks to the prominent charms of its leading lady, Silvana Mangano, whom De Laurentiis married during production.
In the early Fifties, De Laurentiis went into partnership with Carlo Ponti, soon to become Sophia Loren's husband. Between them, they made some 80 films in six years. Vittorio De Sica contributed Gold of Naples (1955), a portmanteau picture about aspects of Neapolitan life; there were two works by his neo-realist rival, Roberto Rossellini – Europa '51 (1952) and Where Is Liberty? (1953) – plus a melodrama, Mambo (1955), directed by Hollywood's Robert Rossen as a vehicle for Silvana Mangano.
De Laurentiis made an error of judgment in 1959 by pulling out of Fellini's La Dolce Vita. As a parent, he could not stomach the scene in which two children are murdered by their father. The director would not remove it, so De Laurentiis and Fellini parted company and an opportunity was lost to back one of the most successful Italian films ever made. Not until 1968, with Franco Zeffirelli's Romeo and Juliet, did De Laurentiis enjoy another international hit.
The indifferent performance of his Italian productions in the late Sixties persuaded him to sell up and relocate to America, acquiring Embassy Pictures. He floated his company on Wall Street in 1985 as De Laurentiis Entertainment Group. At first he enjoyed popular success with the Charles Bronson one-man vigilante pictures The Stone Killer (1973) and Death Wish (1974). He also produced Sidney Lumet's acclaimed police thriller Serpico (1973) and was reconciled with Fellini on the 1974 film Casanova.
But he burned his fingers with a string of expensive flops, such as Dune, which swallowed $50 million, and two "turkeys" of 1986 – the $21 million King Kong Lives and Tai Pan, which cost $25 million.
These left De Laurentiis's company with a mountain of debt. In 1988 he stepped down as chairman and the company went bust shortly afterwards. But he carried on filming.
In the new millennium De Laurentiis was associated with Hannibal (2001), Red Dragon (2002), Hannibal Rising (2007) and The Last Legion (also 2007).
In 2005, with Cinecitta, he established CLA Studios on a 370-acre site in Morocco.
He married Silvana Mangano in 1949. They separated in 1983, and she began divorce proceedings in 1988, a year before her death.
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Dino De Laurentiis – producer of ‘Serpico’ and ‘The Shootist’ – dies at 91
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2010-11-11T00:00:00+00:00
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NEW YORK — He was a small man who dreamed big, hit the highest heights and failed like few others. Dino De Laurentiis was born to be a movie producer. The Academy Award-winning legend of the Italian New Wave and producer of “Serpico” and “Barbarella” who helped revolutionize the way movies are bankrolled and helped […]
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en
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Daily News
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https://www.dailynews.com/20101111/dino-de-laurentiis-ndash-producer-of-serpico-and-the-shootist-ndash-dies-at-91/
|
NEW YORK — He was a small man who dreamed big, hit the highest heights and failed like few others.
Dino De Laurentiis was born to be a movie producer.
The Academy Award-winning legend of the Italian New Wave and producer of “Serpico” and “Barbarella” who helped revolutionize the way movies are bankrolled and helped personify the no-limits life of a cinematic king, died Wednesday night at the age of 91 in Beverly Hills.
His dozens of credits included the art-house classics “La Strada” and “Nights of Cabiria,” the cult favorite “Blue Velvet,” the Hollywood epics “War and Peace” and “The Bible,” and such mainstream hits as “Three Days of the Condor.” He backed horror films (“Halloween 2”), police drama (“Serpico”) and the most far-out science fiction fused with sex and sexuality (“Barbarella”).
And when he bombed, he really bombed: “Dune,” about which director David Lynch complained he was denied creative control; the Madonna vehicle “Body of Evidence”; the 1976 remake of “King, Kong,” which nearly finished off the career of Jessica Lange before it really started.
Not all his movies had big budgets, but De Laurentiis didn’t think a film was real without real money.
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America.
He was tiny, but tough, a veritable Napoleon on the set and utterly tireless. “Such a little lion,” was how his second wife, producer Martha De Laurentiis, put it when he turned 80.
“He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” granddaughter Giada De Laurentiis, a star chef and host on Food Network, said.
The Oscar-winning “Serpico,” in 1973 with Al Pacino, was De Laurentiis’ Hollywood debut. Charles Bronson’s “Death Wish,” Robert Redford’s “Three Days of the Condor” and John Wayne’s last film, “The Shootist,” followed.
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https://www.starnewsonline.com/story/news/2014/11/14/de-laurentiis-talks-about-life-after-dino-to-make-stop-at-cucalorus/30971498007/
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en
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De Laurentiis talks about life after Dino, to make stop at Cucalorus
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2014-11-14T00:00:00
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As her last name indicates, De Laurentiis didn't join the secretarial pool.
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en
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Wilmington StarNews
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https://www.starnewsonline.com/story/news/2014/11/14/de-laurentiis-talks-about-life-after-dino-to-make-stop-at-cucalorus/30971498007/
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If Martha De Laurentiis had followed the career path envisioned by her teenage self, she'd likely be sitting behind a desk right now.
The Ohio native had few vocational options in her small, everyone-knows-your-name hometown. Her family didn't have stake in a medical practice or a law firm. Teaching and nursing were options, but she was eyeing a career in secretarial administration.
"I always wanted to be Della Street from 'Perry Mason,'" De Laurentiis said. "She was so smart behind Perry Mason. She was the one that followed the lead and always saved the day."
But as her last name indicates, De Laurentiis didn't join the secretarial pool.
Instead, a move to New York City and a few right-place-right-time jobs landed her in the world of film producing and in the path of Dino De Laurentiis, a legendary Italian producer who arrived in America in the '70s to take Hollywood by storm.
Saturday, De Laurentiis, now the matriarch of the De Laurentiis Company, will make her first appearance the 20th anniversary Cucalorus Film Festival to join the exhibition's career retrospective of Dino, who died in 2010. Following a screening of his film "Crimes of the Heart" at 4 p.m. in Thalian Hall, she will participate in a panel to discuss his legacy and their years in Wilmington.
Honoring the memory of her partner in life and producing is something of which she never tires.
"I love any opportunity to remember Dino," she said. "And I always love for people to see his work and remember who he was. I just wish they had more time to see all he produced."
Martha De Laurentiis' own title as a producer first came in 1982, two years after meeting Dino while working in an extras casting office in New York City. She was exploring the idea of producing and informed him she intended to pursue a project with several colleagues.
"I'll never forget what he said to me. 'I no want you to go out and broken your nose,'" said De Laurentiis, mimicking Dino's thick Italian accent. To her, this was his warning of the fickle movie-making business.
So he posed a counter offer. If she wanted to produce, he would make her associate producer of his next movie: the locally filmed "Firestarter."
Under his umbrella, she didn't break her nose. In fact, the years the couple spent in Wilmington were a prosperous time for the industry when more than 30 films were produced from 1984 to 1988.
In the '80s, De Laurentiis, then Schumacher, spent her early producing years alongside Dino working on such films as 1984's "Firestarter" and 1986's "Maximum Overdrive" in Wilmington. The mid-1980s cemented the region's status as a film production hub. It's also when the couple's love affair blossomed.
Dino's wife, Silvana Mangano, had moved back to Europe after the couple's only son, Federico, died in a plane crash in 1981. She and Dino separated in 1983.
Martha married Dino in 1990, a year after Mangano's death.
"It was in Wilmington, out from under the eyes of Hollywood that we were able to work together and live together," she said.
From that period, De Laurentiis still holds onto memories like creating miniature bridges and shooting at truck stops in Leland with Stephen King while filming "Maximum Overdrive."
"But I can't say there was one favorite memory over the other or one tragedy over another," she said. "That is why we are hooked into our business. Because it is creative and problem solving."
That thrilling and artistic uncertainty is what keeps her firmly in the business today. These days, she can be found far from the Port City in Vancouver where she executive produces NBC's "Hannibal." She's also working on no less than eight different projects, including a television reimagining of "Barberella" for Amazon.
Despite her and Dino's exit from Wilmington in 1990 after his company, De Laurentiis Entertainment Group, filed for bankruptcy, her ties to Wilmington remain strong.
She recently made the trek back in October to see her parents, who live locally. It was her father's 84th birthday.
Two decades later, the Wrightsville Beach waterfront home she and Dino shared still stands as her escape from the light of Hollywood. She doesn't get back as much, but she finds comfort in knowing their home, and the memories, are here.
"Wilmington is the heart and soul of Dino and I's relationship," De Laurentiis said.
Hunter Ingram: 343-2327
On Twitter: @WilmonFilm
What: A screening of the 1986 film "Crimes of the Heart," filmed in Southeastern North Carolina. A Q&A with producer Martha De Laurentiis, plus longtime industry workers Mark Fincannon and Chunky Huse will follow the screening. When: 4 p.m. Saturday, Nov. 15 Where: Thalian Hall, 310 Chestnut St. Details: Single tickets are $15. For information about Cucalorus passes and other festival tickets, visit cucalorus.org.
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Explore the filmography of Dino De Laurentiis on Rotten Tomatoes! Discover ratings, reviews, and more. Click for details!
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A Hollywood player for decades, producer Dino De Laurentiis produced a remarkable mix of motion pictures, ranging from art house fare like Fellini's "La Strada" (1954) to camp classics like "Barbarella" (1968) to spectacles like "King Kong" (1976) and "Tai Pan" (1986), as well as popular entertainment like "Hannibal" (2001). Ever since he began his producing career with the international hit "Riso Amaro" ("Bitter Rice") (1948), De Laurentiis financed, produced or distributed hundreds of movies, including some of the most significant ever made in cinema history, like "Serpico" (1973), "Death Wish" (1974) and "Conan the Barbarian" (1982). Toward the end of the 20th century, De Laurentiis - who had missed out on the massive success of "Silence of the Lambs (1991) after declining the rights following the failure of "Manhunter" (1986) - saw a resurgence with the box office hit "Hannibal" (2001), which spawned another successful sequel, "Red Dragon" (2002), and cemented his place as one of cinema's most prolific producers.
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Dino De Laurentiis. Producer: Die Nächte der Cabiria. Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War...
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IMDb
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https://www.imdb.com/name/nm0209569/
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Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War II, De Laurentiis went back into film production, and in 1946 scored a critical and commercial international hit with Bitterer Reis (1949) ("Bitter Rice"). He later married its star, Silvana Mangano. De Laurentiis eventually formed a partnership with producer Carlo Ponti, and the team had a string of hits, including several by director Federico Fellini. After the partnership dissolved, De Laurentiis embarked on a plan to build his own studio facilities, which would enable him to make the kind of massive spectacles he wanted to make. The studio complex, called Dinocitta', eventually was forced to close down due to a combination of hard times in the Italian film industry and a string of flops by De Laurentiis himself. De Laurentiis eventually sold the property to the Italian government and moved his base of production to the United States. He again opened up a film production complex in Wilmington, North Carolina, called DEG Studios, but was eventually forced by economic conditions to sell that, too. De Laurentiis has had some critical successes since his move to the U.S. (Ragtime (1981)), but most of his U.S. productions have been critically lambasted, although several have been commercial successes.
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Dino De Laurentiis facts for kids
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https://kids.kiddle.co/Dino_De_Laurentiis
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Agostino "Dino" De Laurentiis (Italian: [ˈdiːno de lauˈrɛnti.is]; 8 August 1919 – 10 November 2010) was an Italian-American film producer. Along with Carlo Ponti, he was one of the producers who brought Italian cinema to the international scene at the end of World War II. He produced or co-produced more than 500 films, of which 38 were nominated for Academy Awards. He also had a brief acting career in the late 1930s and early 1940s.
Early life
De Laurentiis was born at Torre Annunziata in the province of Naples, and grew up selling spaghetti made by his father's pasta factory. He studied at the Centro Sperimentale di Cinematografia in Rome in 1937 and 1938, when his studies were interrupted by the outbreak of World War II.
Career
Film production
De Laurentiis produced his first film, L'ultimo Combattimento, in 1941. In 1946 his company, the Dino de Laurentiis Cinematografica, moved into production. In the early years, De Laurentiis produced Italian neorealist films such as Bitter Rice (1949) and the early Fellini works La Strada (1954) and Nights of Cabiria (1956), often in collaboration with producer Carlo Ponti.
In the 1960s, Laurentiis built his own studio facilities. He produced such films as Barabbas (1961), a Christian religious epic; The Bible: In the Beginning... (1966); Kiss the Girls and Make Them Die, an imitation James Bond film; Navajo Joe (1966), a spaghetti Western; Anzio (1968), a World War II film; Barbarella (1968) and Danger: Diabolik (1968), both successful comic book adaptations; and The Valachi Papers (1972), released before its originally scheduled date in order to capitalize on the popularity of The Godfather. His studio financially collapsed during the 1970s.
De Laurentiis moved to the U.S. in 1976, and became an American citizen in 1986. In the 1980s he had his own studio, De Laurentiis Entertainment Group (DEG), based in Wilmington, North Carolina. The building of the studio made Wilmington a center of film and television production. In 1990, De Laurentiis obtained backing from an Italian friend and formed another company, Dino De Laurentiis Communications in Beverly Hills.
De Laurentiis made a number of successful and/or acclaimed films, including The Scientific Cardplayer (1972), Serpico (1973), Death Wish (1974), Mandingo (1975), Three Days of the Condor (1975), The Shootist (1976), Drum (1976), Ingmar Bergman's The Serpent's Egg (1977), Ragtime (1981), Conan the Barbarian (1982), Blue Velvet (1986) and Breakdown (1997). De Laurentiis' name became well known through the 1976 King Kong remake, which was a commercial hit; Lipstick (1976); Orca (1977); The White Buffalo (1977), a western; the disaster movie Hurricane (1979); the remake of Flash Gordon (1980); David Lynch's Dune (1984); and King Kong Lives (1986). De Laurentiis also produced several adaptations of Stephen King works, including The Dead Zone (1983), Cat's Eye (1985), Silver Bullet (1985), and Maximum Overdrive (1986). De Laurentiis's company was involved with the horror sequels Halloween II (1981), Evil Dead II (1987) and Army of Darkness (1992).
De Laurentiis also produced the first Hannibal Lecter film, Manhunter (1986), an adaptation of the Thomas Harris novel Red Dragon. He passed on adapting the novels' sequel, The Silence of the Lambs (1991), but produced the two follow-ups, Hannibal (2001) and Red Dragon (2002), a re-adaptation of the novel. He also produced the prequel Hannibal Rising (2007).
DDL Foodshow
DDL Foodshow was an Italian specialty foods store with the three locations, two in New York City and one in Beverly Hills in Los Angeles. They were opened in the early 1980s and owned and operated by De Laurentiis.
The first store was opened in the restored palm court in the ornate lobby of the Endicott Hotel on Manhattan's Upper West Side in close proximity to the older establishment, Zabar's food emporium on Broadway. The first NYC store opened in November 1982, and it was reported that the store "opened to crowds of 30,000 over the Thanksgiving weekend, when de Laurentiis himself greeted customers at the door." The store's assistant manager said that "it was like the premiere of a movie."
Food critic Gael Greene wrote a scathing review on the opening in New York. In an interview with the Chicago Tribune a month later, she admitted that the store was "probably the most stunningly handsome grocery in the world, certainly in New York," but "the pricing was insane. They hadn't paid enough attention to the competition." She reported that she'd talked to De Laurentiis: "Dino's reaction was that I'm full of it. And we're meeting over a bowl of pasta to discuss it." A review in The San Francisco Examiner said that it was "worth a peek and a purchase."
DDL Foodshow was later considered to be a forebear of the new Italian specialty goods food-store restaurant dining attraction Eataly.
Family
His brief first marriage in Italy was annulled. In 1949, De Laurentiis married actress Silvana Mangano, with whom he had four children: Veronica; Raffaella, who is also a film producer; Federico De Laurentiis, his only son, a producer who died in a plane crash in 1981 (Dino's movie Dune is dedicated to him); and Francesca. De Laurentiis and Mangano divorced in 1988; she died in 1989. In 1990, he married Martha Schumacher, who produced many of his films beginning in 1985, and with whom he had two daughters, Carolyna and Dina. One of his grandchildren is Giada De Laurentiis, host of Everyday Italian, Behind the Bash, Giada at Home, and Giada's Weekend Getaways on Food Network. He was the younger brother of Luigi De Laurentiis, who became a film producer after Dino had done so, and uncle of Aurelio De Laurentiis, also a producer, and the chairman of S.S.C. Napoli football club.
Awards and recognitions
In 1958, he won the Academy Award for Best Foreign Film for producing La Strada. At the time producers and directors would win the award instead of the country it was made in.
In 2001, he received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences.
In 2012, he received the America Award of the Italy-USA Foundation (in memory).
Death
De Laurentiis died on 10 November 2010 at his residence in Beverly Hills at the age of 91.
Filmography
Films produced
Year Title Director Notes 1946 Black Eagle Riccardo Freda The Bandit Alberto Lattuada 1947 The Captain's Daughter Mario Camerini Bullet for Stefano Duilio Coletti 1948 Bitter Rice Giuseppe De Santis The Street Has Many Dreams Mario Camerini 1949 The Wolf of the Sila Duilio Coletti 1951 Anna Alberto Lattuada 1952 Europe '51 Roberto Rossellini Lieutenant Giorgio Raffaello Matarazzo Toto in Color Steno 1953 Funniest Show on Earth Mario Mattoli The Unfaithfuls Mario Monicelli Man, Beast and Virtue Steno 1954 La Strada Federico Fellini Attila Pietro Francisci Woman of Rome Luigi Zampa The Gold of Naples Vittorio De Sica Poverty and Nobility Mario Mattoli Where Is Freedom? Roberto Rossellini A Slice of Life Alessandro Blasetti, Paul Paviot An American in Rome Steno 1955 Ulysses Mario Camerini The River Girl Mario Soldati Mambo Robert Rossen The Miller's Beautiful Wife Mario Camerini 1956 War and Peace King Vidor Nights of Cabiria Federico Fellini 1958 This Angry Age René Clément Tempest Alberto Lattuada 1959 The Great War Mario Monicelli 1960 Everybody Go Home Luigi Comencini Five Branded Women Martin Ritt Under Ten Flags Duilio Coletti Crimen Mario Camerini The Hunchback of Rome Carlo Lizzani 1961 The Last Judgment Vittorio De Sica A Difficult Life Dino Risi The Fascist Luciano Salce The Best of Enemies Guy Hamilton Black City Duilio Coletti 1962 Mafioso Alberto Lattuada The Italian Brigands Mario Camerini 1963 Il Boom Vittorio De Sica The Verona Trial Carlo Lizzani 1964 My Wife Luigi Comencini, Mauro Bolognini, Tinto Brass 1965 Battle of the Bulge Ken Annakin Uncredited 1966 The Bible: In the Beginning John Huston Kiss the Girls and Make Them Die Henry Levin Navajo Joe Sergio Corbucci The Hills Run Red Carlo Lizzani 1967 The Stranger Luchino Visconti Matchless Alberto Lattuada The Witches Luchino Visconti, Mauro Bolognini, Pier Paolo Pasolini, Franco Rossi, Vittorio De Sica 1968 Danger: Diabolik Mario Bava Barbarella Roger Vadim Anzio Edward Dmytryk, Duilio Coletti Bandits in Milan Carlo Lizzani Caprice Italian Style Mauro Bolognini, Mario Monicelli, Pier Paolo Pasolini, Steno 1969 Fräulein Doktor Alberto Lattuada Brief Season Renato Castellani The Bandit Carlo Lizzani 1970 A Man Called Sledge Vic Morrow Waterloo Sergei Bondarchuk The Deserter Burt Kennedy 1972 The Valachi Papers Terence Young The Assassin of Rome Damiano Damiani The Most Wonderful Evening of My Life Ettore Scola 1973 Serpico Sidney Lumet Chino John Sturges Mean Frank and Crazy Tony Michele Lupo 1974 Death Wish Michael Winner Two Missionaries Franco Rossi Crazy Joe Carlo Lizzani Three Tough Guys Duccio Tessari 1975 Mandingo Richard Fleischer 1976 King Kong John Guillermin Buffalo Bill and the Indians, or Sitting Bull's History Lesson Robert Altman Drum Steve Carver The Serpent's Egg Ingmar Bergman The Shootist Don Siegel 1977 Orca Michael Anderson 1978 The Brink's Job William Friedkin King of the Gypsies Frank Pierson 1979 Hurricane Jan Troell 1980 Flash Gordon Mike Hodges 1981 Beyond the Reef Frank C. Clarke Halloween II Rick Rosenthal Ragtime Miloš Forman 1982 Fighting Back Lewis Teague Conan the Barbarian John Milius Amityville II: The Possession Damiano Damiani 1983 Amityville 3-D Richard Fleischer Halloween III: Season of the Witch Tommy Lee Wallace Dead Zone David Cronenberg 1984 The Bounty Roger Donaldson Firestarter Mark L. Lester Conan the Destroyer Richard Fleischer Dune David Lynch 1985 Maximum Overdrive Stephen King Marie Roger Donaldson Silver Bullet Daniel Attias Cat's Eye Lewis Teague Year of the Dragon Michael Cimino Red Sonja Richard Fleischer 1986 Crimes of the Heart Bruce Beresford Raw Deal John Irvin Blue Velvet David Lynch Trick or Treat Charles Martin Smith Tai-Pan Daryl Duke Manhunter Michael Mann King Kong Lives John Guillermin 1987 Million Dollar Mystery Richard Fleischer Hiding Out Bob Giraldi Evil Dead II Sam Raimi The Bedroom Window Curtis Hanson From the Hip Bob Clark 1989 Collision Course Lewis Teague 1990 Sometimes They Come Back Tom McLoughlin Desperate Hours Michael Cimino 1992 Once Upon a Crime Eugene Levy Kuffs Bruce A. Evans Army of Darkness Sam Raimi Body of Evidence Uli Edel 1995 Solomon & Sheba Robert Young Slave of Dreams Rumpelstiltskin Mark Jones Assassins Richard Donner 1996 Unforgettable John Dahl Bound The Wachowskis 1997 Breakdown Jonathan Mostow 2000 U-571 2001 Hannibal Ridley Scott 2002 Red Dragon Brett Ratner 2006 The Last Legion Doug Lefler 2007 Hannibal Rising Peter Webber Virgin Territory David Leland
See also
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Dino De Laurentiis
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2010-11-12T00:01:00+00:00
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In January 2005 when the film trade paper Screen International launched a ten-part series entitled “The Pioneers”, it chose to begin it with a profile of the Italian producer Dino De Laurentiis.It was
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https://www.thetimes.com/article/dino-de-laurentiis-xdnp6l8pcf6
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In January 2005 when the film trade paper Screen International launched a ten-part series entitled “The Pioneers”, it chose to begin it with a profile of the Italian producer Dino De Laurentiis.
It was an apt choice. Not only had he worked with such diverse directors as Federico Fellini and Michael Winner and set up film studios in Italy and the US, but he had also pioneered independent movie-making outside the big Hollywood studios.
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Dino De Laurentiis
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Agostino Dino De Laurentiis was an Italian film producer best known for producing science fiction, fantasy, and horror films.
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https://cdn.moviefone.com/legacy/assets/favicon/mf_favicon_rounded.ico
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https://www.moviefone.com/celebrity/dino-de-laurentiis/1849227/main/
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https://www.cleveland.com/people/2010/11/dinio_de_laurentiis_pivotal_pr.html
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Dino De Laurentiis, pivotal producer of 'Serpico', dies at 91
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2010-11-11T23:07:23+00:00
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De Laurentiis was a legend of Italian New Wave filmmaking. His works also included "Bitter Rice," ''La Strada" and "Death Wish."
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Jake Coyle, AP Entertainment Writer
LOS ANGELES -- Dino De Laurentiis, an Academy Award-winning film impresario and producer of "Serpico" and "Barbarella," who helped revolutionize the way movies are bankrolled and sold, has died. He was 91.
The producer's daughter said her father was surrounded by family when he died Wednesday night at his home in Beverly Hills. The statement from Raffaella De Laurentiis did not give a cause of death.
"My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly," granddaughter Giada De Laurentiis, a star chef and host on Food Network, said Thursday.
De Laurentiis was a legend of Italian New Wave filmmaking. His works also included "Bitter Rice," ''La Strada" and "Death Wish."
He was tiny, but tough, a veritable Napoleon on the set and utterly tireless. "Such a little lion," was how his second wife, producer Martha De Laurentiis, put it when he turned 80.
Like any larger-than-life movie figure, De Laurentiis went through boom times and busts. But he always bounced back and his passion for movies never dimmed.
His career spanned hundreds of films, including several Oscar winners and he worked with some of the biggest stars and best directors in the business. His credits include box office and/or critical successes such as "U-571," ''War and Peace," ''Ragtime," ''Three Days of the Condor" and "Blue Velvet."
A pivotal figure in postwar Italian New Wave cinema, De Laurentiis moved to the United States in the 1970s, becoming a citizen in 1986. But this son of a Neapolitan pasta maker never lost his thick Italian accent and tried to spend a month in Capri and Rome each year.
The Oscar-winning "Serpico," in 1973 with Al Pacino, was De Laurentiis' Hollywood debut. But by then, he already had two Italian-made Oscar-winners: Federico Fellini's "La Strada" and "Nights of Cabiria" to his credit.
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America.
Throughout his career, he alternated lavish, big-budget productions with less commercial films by directors such as Robert Altman, Ingmar Bergman and David Lynch, and he often packaged the blockbusters with art films to secure distribution for the smaller films.
De Laurentiis was capable of bold, brilliant strokes and audacious risks. In his 80s, he could still pull off a major coup by snapping up the movie rights to "Hannibal," novelist Thomas Harris' sequel to hit "The Silence of the Lambs" (Anthony Hopkins, Jodie Foster).
One of six children, he was born in Torre Annunziata on the Bay of Naples on Aug. 8, 1919. When he was 16, he headed for Rome to study acting. When he was 18, he produced his first film. A few years later, he started his own production company in Turin.
The serious success began after World War II, starting with "Bitter Rice," in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, De Laurentiis went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic "War and Peace" (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
He also teamed up with acclaimed New Wave directors. One of his most successful partnerships was with the legendary Federico Fellini. Together they made "La Strada" and "Nights of Cabiria," Oscar winners for best foreign film in 1957 and 1958.
De Laurentiis built a huge new studio on the outskirts of Rome, called it Dinocitta (Dino city), and began producing spectacles with Hollywood stars: "Barrabas" (Anthony Quinn), "The Bible" (George C. Scott, Ava Gardner), "Anzio" (Robert Mitchum), "Waterloo" (Rod Steiger). He also made more offbeat fare, such as Roger Vadim's sex romp, "Barbarella" (Jane Fonda).
The studio folded in 1972, the victim of rising costs and De Laurentiis left for United States, where he produced his formula of alternating grandiose spectacle with more sophisticated fare.
He got off to a strong start in the United States with "Serpico," then followed it up with another success, "Three Days of the Condor," a spy thriller starring Robert Redford.
But he was also battered by flops, including the infamous "Dune," in 1984 and a truly awful "King Kong" sequel.
Personal tragedy also took its toll. In 1981, his son Federico was killed in a plane crash. "My father still to this day can't speak of him. ... He told me that every morning he wakes up and thinks of him," De Laurentiis' daughter Veronica said nearly 20 years after Federico's death.
The strain of the loss helped end his marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of "King Kong Lives."
Yet De Laurentiis, close to 70 years old, was undaunted and started over.
Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
"My philosophy is very simple," De Laurentiis once said. "To feel young, you must work as long as you can."
Survivors include three daughters with Mangano — Rafaela, Francesca and Veronica — and two with Schumacher: Carolina and Dina. Funeral arrangements have not yet been determined.
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De Laurentiis, Dino 1919(?)–(Dino de Laurentiis [1]) PERSONALOriginal name, Agostino De Laurentiis; born August 8, 1919 (some sources say 1918), in Torre Annunziata, Italy; immigrated to the United States [2], c.
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PERSONAL
Original name, Agostino De Laurentiis; born August 8, 1919 (some sources say 1918), in Torre Annunziata, Italy; immigrated to the United States, c. 1970 (some sources say 1973); son of Rosario Aurelio (a pasta manufacturer) and Giuseppina (maiden name, Salvatore) De Laurentiis; brother of Luigi De Laurentiis (a producer); uncle of Aurelio De Laurentiis (a producer); grandfather of Dino de Laurentiis (a filmmaker); married Silvana Mangano (an actress), July 17, 1949 (died, 1989); married Martha Schumacher (a producer), April 7, 1990; children: (first marriage) Federico (died, 1981), Veronica, Raffaella (a producer), Francesca; (second marriage) Carolyna, Dina. Education: Studied film at Centro Sperimentale di Cinematografia, Rome, 1937-39.
Addresses:
Office—Dino De Laurentiis Company, 100 Universal City Plaza, Bungalow 5195, Universal City, CA 91608.
Career:
Producer and studio executive. Real Cine, Turin, Italy, founder, 1941; Lux Films, executive producer, 1942; Ponti-De Laurentiis Productions, founder (with Carlo Ponti), 1950, affiliated with company, 1950-57; operated Dinocitta Studio in the 1960s; De Laurentiis Entertainment Group (sometimes referred to as DEG) Film Studios, Wilmington, NC, founder, 1983, affiliated with company, 1983-89; Embassy Pictures, chair and member of the board of directors, 1985; DEG Productions, founder, 1986, chief executive officer and president, 1986-88; De Laurentiis Entertainment, Ltd., Australia, founder, 1986, chief executive officer and president, 1986-88; Dino De Laurentiis Co., founder and principal, beginning 1988; Dino de Laurentiis Communications, founder, 1990; Dino De Laurentiis Company, Universal City, CA, chief executive officer. Contributor to periodicals, including American Cinematographer, American Film, Cine Revue, Film Comment, Film Francais, and Interview. Owner of the restaurants DDL Foodshow and DDL Bistro, New York City. Also worked as a pasta salesman and importer. Military service: Served in the Italian Army during World War II.
Awards, Honors:
Silver Lion Award, Venice International Film Festival, 1952, for Europa 51; Silver Ribbon Award (with Carlo Ponti), best producer, Italian National Syndicated of Film Journalists, 1954, and Academy Award and New York Film Critics Circle Award (with Ponti), both best foreign language film, 1956, all for La strada; Golden Globe Award, best foreign language film, 1956, for War and Peace; Golden David Award, best production, David di Donatello Awards, Academy Award, best foreign language film, 1957, Silver Ribbon, best producer, Italian National Syndicate of Film Journalists, 1958, all for Le notti di Cabiria; Golden David Award, David di Donatello Awards, 1959, for La tempesta; Academy Award nomination, best foreign language film, 1959, for La grande guerra; David di Donatello Award, best production, 1961, for Tutti a casa; Silver Ribbon Award, best producer, Italian National Syndicate of Film Journalists, 1961; David di Donatello Award, best production, 1966, for The Bible … In the Beginning; Golden Laurel Award nomination, best producer, Producers Guild of America, 1966; David di Donatello Award (with others), best production, 1968, for Banditi a Milano; David di Donatello Award (with others), best film, 1971, for Waterloo; Life Achievement Award, Academy of Science Fiction, Fantasy, and Horror Films, 1997; Pietro Bianchi Award, Venice Film Festival, 1999; Cinecitta Award, David di Donatello Awards, 2000; Irving G. Thalberg Memorial Award, Academy of Motion Picture Arts and Sciences, 2001; "The General" Honorary Award, Sitges—Catalonian International Film Festival, 2002; Career Golden Lion Award, Venice Film Festival, 2003; Lifetime Achievement Award in Motion Pictures, Producers Guild of America, 2004; Career Award, Flaiano International Prize, 2002; 50th Anniversary David di Donatello Award, 2006.
CREDITS
Film Executive Producer:
Guendalina, 1957.
Io amo, tu ami (also known as J'aime, tu aimes and I Love, You Love), 1960.
Maciste contre il vampiro (also known as Goliath and the Island of Vampires, Maciste vs. the Vampire, The Vampires, and Goliath and the Vampires), 1961.
Il federale (also known as Mission ultra-secrete, Operation Idiot, and The Fascist), 1961.
Il commisario (also known as The Police Commissioner), 1962.
I due nemici (also known as The Best of Enemies), Columbia, 1962.
Mafioso, 1962.
(Uncredited) Battle of the Bulge, 1965.
Se tutte le donne del mondo (also known as If All the Women in the World, Kiss the Girls and Make Them Die, and Operazione paradiso), 1966.
Waterloo, Paramount, 1970.
Serpico, 1974.
Death Wish, Paramount, 1974.
Three Days of the Condor (also known as 3 Days of the Condor), Paramount, 1975.
Lipstick, Paramount, 1976.
Orca (also known as Orca: The Killer Whale, The Killer Whale, and La orca), Paramount, 1977.
The White Buffalo (also known as Hunt to Kill), United Artists, 1977.
King of the Gypsies, Paramount, 1978.
The Brink's Job (also known as Big Stickup at Brink's), Universal, 1979.
Conan the Barbarian, Universal, 1982.
The Bounty, Paramount, 1983.
The Dead Zone, Paramount, 1983.
Conan the Destroyer, Universal, 1984.
Dune, Universal, 1984.
Maximum Overdrive, De Laurentiis Entertainment Group, 1986.
Tai-Pan, De Laurentiis Entertainment Group, 1986.
King Kong Lives (also known as King Kong 2), De Laurentiis Entertainment Group, 1987.
Executive producer, Kuffs, Universal, 1992.
Army of Darkness (also known as Army of Darkness: Evil Dead 3, Army of Darkness: The Ultimate Experience in Medieval Horror, Bruce Campbell vs. Army of Darkness, Captain Supermarket, Evil Dead 3, Army of Darkness: The Medieval Dead, The Evil Dead 3: Army of Darkness, and Medieval Dead), Universal, 1993.
Assassins (also known as Day of Reckoning), Warner Bros., 1995.
Film Producer:
Troppo tardi t'ho conosciuta, 1939.
L'amore canta (also known as Love Song), 1941.
Il miserie del Signor Travet, 1942.
Malombra, 1942.
Margherita fra i tre, 1942.
La donna della montagne, 1943.
Il bandito (also known as The Bandit), 1946.
Il cavaliere misterioso (also known as The Mysterious Cavalier and The Mysterious Rider), 1947.
Il passatore, 1947.
La figlia del capitano (also known as The Captain's Daughter), 1947.
Molti sogni per le strade (also known as Woman Trouble and The Street Has Many Dreams), 1948.
Riso amaro (also known as Bitter Rice), 1949.
Il lupo della Sila (also known as Lure of the Sila and The Wolf of the Sila), 1949.
I pompieri di Viggiu (also known as The Fireman of Viggiu), 1949.
Adamo ed Eva (also known as Adam and Eve), 1950.
Il brigante Musolini (also known as Outlaw Girl), 1950.
Romanticismo, 1950.
Accidenti alle tasse!! (also known as Accidents to the Taxes!!), 1951.
(With Carlo Ponti) Anna, IFE, 1951.
Botta e risposta, 1951.
Guardie e ladri (also known as Cops and Robbers), 1951.
L' ultimo incontro (also known as The Last Meeting), 1951.
Romanticismo, 1951.
Il padrone del vapore, 1951.
Toto terzo uomo (also known as Toto the Third Man), 1951.
Dov'e la liberta? (also known as Where Is Freedom?), 1952.
Fratelli d'italia (also known as Brothers of Italy), 1952.
Gli undici moschettieri (also known as The Eleven Musketeers), 1952.
I sette dell'orsa maggiore (also known as Hell Raiders of the Deep and Panique a Gilbraltar), 1952.
I tre cosari, 1952.
Jolanda, la figlia del corsaro nero (also known as Jolanda, the Daughter of the Black Corsair and Yolanda), 1952.
Toto a colori (also known as Toto in Color), 1952.
Anni facili (also known as Easy Years), 1953.
Il paese dei campanelli (also known as Ces voyous d'hommes and The Country of the Campanelli), 1953.
La lupa (also known as She Wolf and The Devil Is a Woman), 1953.
La tratta delle bianche (also known as Girls Marked for Danger, Ship of Condemned Women, and The White Slave Trade), 1953.
(With Carlo Ponti) Sensualita (also known as Two Nights with Cleopatra), Ultra, 1953.
(With Carlo Ponti) Le infedeli (also known as The Unfaithfuls), 1953.
Miseria e nobilta (also known as Poverty and Nobility), 1954.
Siluri umani (also known as Human Torpedoes and Torpilles humaines), 1954.
La romana (also known as The Woman of Rome and La belle Romaine), 1954.
(With Carlo Ponti) Attila (also known as Attila the Hun, Attila fleau de Dieu, and Attila, il flagello di Dio), 1954.
(With Carlo Ponti) Un giorno in pretura (also known as A Day in Court), 1954.
Dov'e la liberta? (also known as Where Is Freedom?), 1954.
Miseria e nobilita (also known as Poverty and Nobility), 1954.
(With Carlo Ponti) La strada (also known as The Road), 1954.
Un Americano a Roma (also known as An American in Rome), 1954.
Il coraggio, 1955.
Le diciottenni (also known as Eighteen Year Olds), 1955.
Mambo, Paramount, 1955.
Ragazze d'oggi (also known as La chasse aux marins and Girls of Today), 1955.
(With Carlo Ponti and William W. Schorr) Ulysses (also known as Ulisse), Paramount, 1955.
(With Carlo Ponti) La bella mugnaia (also known as The Miller's Beautiful Wife and The Miller's Wife), 1955.
L'oro di Napoli (also known as Every Day's a Holiday and Gold of Naples), Distributors Corp. of America, 1955.
La banda degli honesti, 1956.
Toto, Peppino, e … la malafemmina, 1956.
War and Peace (also known as Guerre e pace), Paramount, 1956.
Le notti di Cabiria (also known as Cabiria, Les nuits de Cabriria, and Nights of Cabiria), 1957.
Fortunella, 1957.
Malafemmina, 1957.
Barrage contre le Pacifique (also known as The Sea Wall, This Angry Age, and La diga sul Pacifico), Columbia, 1958.
Guardia, ladro e cameriera (also known as Maid, Thief, and Guard), 1958.
La tempesta (also known as Tempest and La Tempete), Paramount, 1958.
Fortunella, 1958.
La grande guerra (also known as La grande guerre and The Great War), 1959.
Giovanna e le altre (also known as Five Branded Women and Jovanka e le altre), Paramount, 1960.
Le pillole di Ercole (also known as Hercules Pills), 1960.
Sotto dieci bandiere (also known as Under Ten Flags), Paramount, 1960.
Tutti a casa (also known as La grande pagaille and Everybody Goes Home), 1960.
Ill gobbo (also known as Le bossu de Rome and The Hunchback of Rome), 1960.
Crimen (also known as Criminals, Killing in Monte Carlo, Chacun son alibi, and … And Suddenly It's Murder!), 1960.
(With Vittorio De Sica) Il giudizia universale (also known as The Last Judgment and Le jugement dernier), 1961.
Una vita difficile (also known as A Difficult Life), 1961.
Il re di Poggioreale (also known as Black City), 1961.
Barabbas (also known as Barabba), Columbia, 1962.
Il processo di Verona (also known as Le proces de Verone and The Verona Trial), 1962.
Le pillole di Ercole (also known as Hercules' Pills and Les pilules d'Hercule), 1962.
Il boom, 1963.
Il diavolo (also known as Amore in Stockholm, The Devil, and To Bed or Not to Bed), Continental Distributing, 1963.
Il giovedi (also known as The Thursday), 1963.
Il maestro di Vigevano (also known as The Teacher from Vigevano), 1963.
L'immortelle, Grove, 1963.
Cadavere per signora (also known as Corpse for the Lady and I due detectives), 1964.
Crazy Desire, Embassy, 1964.
Eighteen in the Sun, Goldstone, 1964.
Il disco volante (also known as The Flying Saucer), Dino De Laurentiis, 1964.
La mia signora (also known as My Wife), 1964.
I tre volti (also known as The Three Faces and Three Faces of a Woman), Dino De Laurentiis, 1965.
Le ore dell more (also known as The Hours of Love), Cinema V, 1965.
Menage all taliana (also known as Menage Italian Style), 1965.
An Orchid for the Tiger (also known as Le tigre se parfume a la dynamite, Our Agent Tiger, La tigre profumata all dinamite, and El tigre se perfuma condinamita), 1965.
The Railroad Man, Continental Distributing, 1965.
Thrilling, 1965.
The Bible … In the Beginning (also known as The Bible and La Bibbia), Twentieth Century-Fox, 1966.
Le streghe (also known as Les sorcieres and The Witches), 1966.
The Hills Run Red, United Artists, 1967.
Lo straniero (also known as The Stranger, Amare per vivere, and L'stranger), Paramount, 1967.
Matchless, United Artists, 1967.
My Wife's Enemy, Magna, 1967.
Navajo Joe, United Artists, 1967.
Anzio (also known as The Battle for Anzio and Lo sbarco di Anzio), Columbia, 1968.
Banditi a Milano (also known as Bandits in Milan and The Violent Four), Paramount, 1968.
Barbarella (also known as Barbarella, Queen of the Galaxy), Paramount, 1968.
The Bride Wore Black, Lopert, 1968.
Capriccio all taliana (also known as Caprice Italian Style), 1968.
Diabolik (also known as Danger: Diabolik and Danger: Diabolik!), Paramount, 1968.
L'mante di Gramigna (also known as Lyubovnitzite na Graminya and The Bandit), 1968.
Pierrot le fou, Pathe, 1968.
Roma come Chicago (also known as Bandits in Rome, Rome Like Chicago, and The Violent Four), 1968.
Romeo and Juliet, Paramount, 1968.
Fraulein Doktor (also known as The Betrayal, Fraeulein Doktor, and Gospodjica Doktor-Spijunka Bez Imena), 1968.
Barbagia (also known as The Tough and the Mighty and La societa del malessere), 1969.
The Brain, Paramount, 1969.
Io non scappo … fuggo, 1969.
Monte Carlo or Bust!, 1969.
Osvobozhdenie: Napravleniye glavnogo udara (also known as Liberation and The Direction of the Main Blow), 1969.
Those Daring Young Men in Their Jaunty Jalopies, Paramount, 1969.
Una breve stagione (also known as A Brief Season), 1969.
Nerosubianco (also known as Black on White and The Artful Penetration of Barbara), 1969.
Il primo premio si chiama Irene (also known as Danimarca—L'incredible realta deall nuova morale and First Prize Irene), 1969.
Io non scappo fuggo, 1970.
La spina dorsale del diavolo (also known as The Deserter, The Devil Backbone, Ride to Glory, and Djavolja kicma), Paramount, 1970.
A Man Called Sledge (also known as Sledge), Columbia, 1970.
Waterloo, Paramount, 1970.
Io non vedo, tu no parli, lui non sente, 1971.
Causa di divorzio (also known as Cause of Divorce), 1972.
Lo scopone scientifico (also known as The Scientific Cardplayer and The Scopone Game), 1972.
Boccaccio, 1972.
The Valachi Papers (also known as Joe Valachi, Carteggio Valachi, Cosa Nostra, I segreti di Cosa Nostra, Joe Valachi: I segreti Cosa Nostra, and Le dossier Valachi), Columbia, 1972.
La piu bella serata della mia vita (also known as La plus belle soiree de ma vie and The Most Wonderful Evening of My Life), 1972.
The Stone Killer, Columbia, 1973.
(Uncredited) Valdez, il mezzosangue (also known as Valdez the Halfbreed, The Valdez Horses, Wild Horses, Caballos salvajes, and Chino), 1973.
Crazy Joe, Columbia, 1974.
Porgi l'ultra guancia (also known as Don't Turn the Other Cheek, Turn the Other Cheek, The Two Missionaries, I due missionari, and Les deux missionaires), Titanus, 1974.
Serpico, Paramount, 1974.
Uomini duri (also known as Three Tough Guys, Tough Guys, and Les durs), Paramount, 1974.
Neveroyatnye priklyucheniya italyantesev v Rossii (also known as Una matta, matta, matta corsa in Russia, and Unbelievable Adventures of Italians in Russia), 1974.
(Uncredited) Death Wish, 1974.
Mandingo, 1975.
Buffalo Bill and the Indians, or Sitting Bull's History Lesson, United Artists, 1976.
Casanova (also known as Fellini's "Casanova" and Il Casanova di Federico Fellini), Universal, 1976.
Drum, United Artists, 1976.
Face to Face (also known as Ansikte mot ansikte), Paramount, 1976.
King Kong, Paramount, 1976.
Mean Frank and Crazy Tony, Aquarius, 1976.
The Shootist, Paramount, 1976.
Das Schlangenei (also known as The Serpent's Egg), Paramount, 1977.
The Great Train Robbery, United Artists, 1979.
Hurricane (also known as Forbidden Paradise), Paramount, 1979.
Flash Gordon, Universal, 1980.
Halloween II, Universal, 1981.
Ragtime (also known as Love and Glory), Paramount, 1981.
Amityville II: The Possession, Orion, 1982.
Striking Back, 1982.
Amityville 3-D, Orion, 1983.
Firestarter, Universal, 1984.
Cat's Eye (also known as Stephen King's "Cat's Eye"), Metro-Goldwyn-Mayer/United Artists, 1985.
Marie, Metro-Goldwyn-Mayer/United Artists, 1985.
Red Sonja, Metro-Goldwyn-Mayer/United Artists, 1985.
Stephen King's "Silver Bullet" (also known as Silver Bullet), Paramount, 1985.
Year of the Dragon, Metro-Goldwyn-Mayer/United Artists, 1985.
Blue Velvet, De Laurentiis Entertainment Group, 1986.
Crimes of the Heart, De Laurentiis Entertainment Group, 1986.
Manhunter (also known as Red Dragon: The Pursuit of Hannibal Lecter and Red Dragon: The Curse of Hannibal Lecter), De Laurentiis Entertainment Group, 1986.
Raw Deal, De Laurentiis Entertainment Group, 1986.
Trick or Treat, De Laurentiis Entertainment Group, 1986.
The Bedroom Window, De Laurentiis Entertainment Group, 1987.
Date with an Angel, De Laurentiis Entertainment Group, 1987.
From the Hip, De Laurentiis Entertainment Group, 1987.
Hiding Out (also known as Adult Education), De Laurentiis Entertainment Group, 1987.
Million Dollar Mystery, De Laurentiis Entertainment Group, 1987.
Rampage, De Laurentiis Entertainment Group, 1987.
Collision Course, De Laurentiis Entertainment Group, 1988.
Pumpkinhead, Metro-Goldwyn-Mayer/United Artists, 1988.
Traxx (also known as Trax), De Laurentiis Entertainment Group, 1988.
Weeds, De Laurentiis Entertainment Group, 1988.
Desperate Hours, Metro-Goldwyn-Mayer, 1990.
Once Upon a Crime (also known as Criminals, Over My Dead Body, Returning Napoleon, 7 Gauner und ein Dackel, Es war einmal ein Mord, and Troublemakers), Metro-Goldwyn-Mayer, 1992.
Body of Evidence (also known as Deadly Evidence), Dino De Laurentiis Communications, 1993.
Bound, De Laurentiis Entertainment Group, 1996.
Unforgettable, Metro-Goldwyn-Mayer, 1996.
Breakdown, Paramount, 1997.
U-571, Universal, 2000.
Hannibal, Metro-Goldwyn-Mayer/United Artists, 2001.
Red Dragon (also known as Roter Drache), Universal, 2002.
Hannibal Rising (also known as Hannibal Lecter—Le origini del male and Hannibal Lecter—Les origines du mal), Metro-Goldwyn-Mayer, 2007.
The Last Legion (also known as La derniere legion and L'ultima legione), Weinstein Company, 2007.
Virgin Territory, Metro-Goldwyn-Mayer, 2007.
Film Coproducer:
Napoli milionaria (also known as Naples Millionaire and Side Street Story), 1950.
(As Dino de Laurentiis) La donna del fiume (also known as La fille du fleuve, The River Girl, and Woman of the River), 1955.
Film Associate Producer:
Europa 51 (also known as No Greater Love and The Greatest Love), 1952.
Film Production Supervisor:
Troppo tardi t'ho conosciuta (also known as I Met You Too Late), 1940.
L'ultimo combattimento (also known as The Last Fight), 1941.
Film Production Manager:
L'amore canta (also known as Love Song), 1941.
Margherita fra I tre (also known as Margherita and Her Three Uncles), 1942.
Zaza, 1944.
La donna della montagna (also known as The Mountain Woman), 1944.
Aquila nera (also known as Return of the Black Eagle and The Black Eagle), 1946.
Film Unit Manager:
Le miserie del Signor Travet (also known as His Young Wife), 1945.
Film Presenter:
Anima nera (also known as Ame noire), 1962.
Lo sbarco di Anzio (also known as Anzio and The Battle of Anzio), 1968.
La spina dorsale del diavolo (also known as The Deserter, The Devil Backbone, and Djavolja kicma), Paramount, 1970.
The Stone Killer (also known as L'assassino di pietra), 1973.
Death Wish, 1974.
Buffalo Bill and the Indians, or Sitting Bull's History Lesson (also known as Buffalo Bill and the Indians), 1976.
The Shootist, 1976.
King Kong, 1976.
The First Great Train Robbery (also known as The Great Train Robbery), 1979.
The Dead Zone, 1983.
Amityville 3-D (also known as Amityville III: The Demon and Amityville: The Demon), 1983.
Year of the Dragon, 1985.
Marie (also known as Marie: A True Story), 1985.
Once Upon a Crime (also known as 7 Gauner und ein dackel and Es war einmal ein mord), 1992.
Red Dragon (also known as Roter Drache), Universal, 2002.
The Last Legion (also known as Le derniere legion and L'ultima legione), Weinstein Company, 2007.
Film Appearances:
L'orologio a cucu (also known as The Cuckoo Clock), 1938.
Il fattorino del fioraio, Batticuore (also known as Heartbeat), 1939.
Un fattorino, I grandi magazzini (also known as Department Store), 1939.
Piccolo hotel (also known as Small Hotel), 1939.
Dino, Troppo tardi t'ho conosciuta (also known as I Met You Too Late), 1940.
Uno degli studenti con la penna, Boccaccio, 1940.
L'ultimo combattimento (also known as The Last Fight), 1941.
I tre volti (also known as The Three Faces and Three Faces of a Woman), Dino De Laurentiis, 1965.
Himself, Conan Unchained: The Making of "Conan" (documentary; also known as Conan Unchained: The Making of "Conan the Barbarian"), Universal Studios Home Video, 2000.
Himself, Breaking the Silence: The Making of "Hannibal" (documentary), Metro-Goldwyn-Mayer Home Entertainment, 2001.
Himself, A Director's Journey: The Making of "Red Dragon" (documentary short), Universal Home Video, 2003.
Himself, Federico Fellini—Mit den augen der anderen (documentary; also known as Federico Fellini—Through the Eyes of Others), Preview Release GmbH, 2003.
Television Producer; Miniseries:
L'Odissea (also known as The Adventures of Ulysses, Die Odyssee, Odissea, and Le avventure di Ullisse), 1969.
Noble House, NBC, 1987.
Television Executive Producer; Movies:
Dracula's Widow, HBO, 1988.
Stephen King's "Sometimes They Come Back" (also known as Sometimes They Come Back), CBS, 1991.
Slave of Dreams, Showtime, 1995.
Solomon and Sheba, Showtime, 1995.
Television Appearances; Specials:
Dino De Laurentiis: The Last Movie Mogul, 2001.
Inside "Red Dragon," 2002.
Mario Bava: Operazione paura, 2004.
Television Appearances; Episodic:
The Tonight Show Starring Johnny Carson, NBC, 1970.
"Sophia Loren: Actress Italian Style," Biography, Arts and Entertainment, 1997.
"Anthony Quinn: A Lust for Life," Biography, Arts and Entertainment, 1998.
OTHER SOURCES
Periodicals:
Business Week, March 13, 1989.
Forbes, March 7, 1988.
Los Angeles Times, January 23, 2001.
Variety, February 24, 1988; March 21, 1990; August 28, 2000, p. F22; May 26, 2003, p. 68; August 25, 2003, p. S16; December 6, 2004, p. S28.
DE LAURENTIIS, Dino
Producer. Nationality: Italian. Born: Torre Annunciata, 8 August 1919. Education: Attended Centro Sperimentale di Cinematografia, Rome. Military Service: During World War II. Family: Married 1) the actress Silvana Mangano, 1949 (deceased), one son (deceased), three daughters; 2) the producer Martha Schumacher. Career: Worked as extra, actor, propman, unit manager, and assistant director while still in school; 1939—produced his first film, Troppo tardi t'ho conosciuta; early 1950s—co-founded Ponti-De Laurentiis production company with Carlo Ponti: dissolved, 1957; built Dinocittà studio in early 1960s: sold to Italian government, early 1970s; resettled in the United States with Embassy Pictures, and, in 1985, De Laurentiis Entertainment Group (resigned as chairman of the board, 1988). Awards: Academy Award, for La strada, 1954, and Nights of Cabiria, 1956. Address: De Laurentiis Communications, 8670 Wilshire Boulevard, Beverly Hills, California 90211, U.S.A.
Films as Producer:
1939
Troppo tardi t'ho conosciuta (Caraccioli)
1941
L'amore canta (Poggioli)
1942
Margherita fra i tre (Perilli); Malombra (Soldati)
1943
La donna della montagne (Castellani)
1946
Il miserie del Signor Travet (Soldati); Il bandito (Lattuada)
1947
La figlia del capitano (Camerini); Il passatore (Coletta)
1948
Riso amaro (Bitter Rice) (de Santis); Molti sogni per le strade (Women Trouble) (Camerini)
1949
Il lupo della Sila (Lure of the Sila) (Coletti)
1950
Il brigante Mussolini (Camerini); Napoli milionaria (de Filippo); Adamo e Eva (Mattòli)
1951
Guardie e ladri (Cops and Robbers) (Steno and Monicelli); Botta e risposta (Soldati); Romanticismo (Fracassi); Sensualità (Fracassi); Totò a colori (Totò in Color) (Steno)
1952
Anna (Lattuada) (co); Europa '51 (Rossellini); I tre corsari (Soldati); La tratta delle bianche (Girls Marked Danger) (Comencini); Jolanda, la figlia del Corsaro Nero (Soldati)
1953
Anni facili (Easy Years) (Zampa); Dov'è la libertà? (Rossellini); La Lupa (The She-Wolf) (Lattuada)
1954
Ulisse (Ulysses) (Camerini); La strada (Fellini); La romana (Woman of Rome) (Zampa)
1955
Il coraggio (Paolella); Mambo (Rossen); L'oro di Napoli (Gold of Naples) (De Sica); La donna del fiume (Soldati); La bella mugnaia (The Miller's Beautiful Wife) (Camerini)
1956
Guendalina (Lattuada); La banda degli honesti (Mastrocinque); Totò, Peppino, e . . . la malafemmina (Mastrocinque); War and Peace (K. Vidor); La notti di Cabiria (Nights of Cabiria; Cabiria) (Fellini)
1958
Barrage contre le Pacifique (La diga sul Pacifico; The Sea Wall; This Angry Age) (Clément); La tempesta (Tempest) (Lattuada); Fortunella (de Filippo)
1959
La grande guerra (The Great War) (Monicelli)
1960
Giovanna e le altre (Five Branded Women) (Ritt); Crimen (. . . and Suddenly It's Murder) (Camerini); Tutti a casa (Everybody Go Home!) (Comencini); Il gobbo (The Hunchback of Rome) (Lizzani)
1961
I due nemici (The Best of Enemies) (Hamilton); Il giudizia universale (The Last Judgment) (De Sica); Barabba (Barabbas) (Fleischer); Io amo, tu ami (I Love, You Love) (Blasetti)
1962
Mafioso (Lattuada)
1963
Il boom (De Sica); Il diavolo (To Bed or Not to Bed) (Polidoro)
1965
La Bibbia (The Bible . . . in the Beginning) (Huston)
1966
Se tutte le donne del mondo (Kiss the Girls and Make Them Die) (Levin and Maiuri)
1967
Lo straniero (The Stranger) (Visconti); Le streghe (The Witches) (Visconti and others)
1968
La sbarco di Anzio (Anzio; The Battle for Anzio) (Coletti and Dmytryk); Barbarella (Vadim); Diabolik (Danger: Diabolik) (Bava); Fraulein Doktor (Lattuada); Banditi a Milano (The Violent Four) (Lizzani); Romeo and Juliet (Zeffirelli)
1969
Una breve stagione (A Brief Season) (Castellani)
1970
Waterloo (Bondarchuk); La spina dorsale del diavolo (Kennedy)
1971
The Deserter (Kennedy)
1972
Joe Valachi—i segreti di Cosa Nostra (The Valachi Papers) (Kennedy)
1973
The Stone Killer (Winner); Serpico (Lumet)
1975
Mandingo (Fleischer)
1976
Casanova (Fellini); Drum (Carter); King Kong (Guillermin); Ansikte mot ansikte (Face to Face) (Bergman); Buffalo Bill and the Indians (Altman); The Shootist (Siegel)
1977
Das Schlangenei (The Serpent's Egg) (Bergman)
1979
Hurricane (Troell); Flash Gordon (Hodges)
1981
Ragtime (Forman); Conan the Barbarian (Milius)
1984
Conan the Destroyer (Fleischer); Firestarter (Lester)
1985
Year of the Dragon (Cimino); Red Sonja (Fleischer); Marie (Donaldson); Cat's Eye (Teague); Silver Bullet (Attias)
1990
Desperate Hours (Cimino)
1991
Sometimes They Come Back (McLoughlin—for TV)
1992
Once upon a Crime (Criminals; Over My Dead Body; Troublemakers; Returning Napoleon) (Levy)
1993
Body of Evidence (Edel)
1995
Solomon & Sheba (Young—for TV); Assassins (Donner) (exec); Slave of Dreams (Young—for TV)
1996
Unforgettable (Dahl)
1997
Breakdown (Mostow)
Films as Executive Producer:
1954
Un giorno in pretura (A Day in Court) (Steno) (co)
1961
Maciste contre il vampiro (Goliath and the Vampire) (Gentilomo and Corbucci)
1974
Death Wish (Winner)
1975
Three Days of the Condor (Pollack)
1977
La orca (Orca) (E. Visconti); The White Buffalo (Lee Thompson)
1978
The Brink's Job (Friedkin); King of the Gypsies (Pierson)
1983
The Dead Zone (Cronenberg)
1984
The Bounty (Donaldson)
1985
Dune (Lynch)
1986
Tai Pan (Duke); Crimes of the Heart (Beresford); Blue Velvet (Lynch); Maximum Overdrive (Stephen King)
Publications
By DE LAURENTIIS: articles—
Bianco e Nero (Rome), no. 7–8, 1961.
Interview (New York), January 1973.
Film Français (Paris), 11 June 1976.
American Film (Washington, D.C.), December/January 1977.
American Cinematographer (Hollywood), January 1977.
Ciné Revue (Paris), 6 January 1977.
Film Comment (New York), January/February 1977.
Ciné Revue (Paris), 15 May 1980.
Stills (London), June/July 1984.
On DE LAURENTIIS: articles—
Films and Filming (London), January 1957.
Film Français (Paris), 15 June 1984.
National Film Theatre Booklet (London), July 1984.
American Film (Washington, D.C.), November 1984.
Film Français (Paris), 28 December 1984.
Cinema Papers (Melbourne), March 1987.
Time, 11 January 1988.
Variety (New York), 24 February 1988.
Variety (New York), 3 February 1992.
Astronomy, November 1994.
Variety (New York), 10 May 1999.
* * *
One of the most colorful, prolific, and successful producers in the contemporary motion picture business, Dino De Laurentiis has proven his entrepreneurial skills time and again, growing from an independent Italian producer into an international conglomerate. His product, from low-budget neorealist works to multimillion dollar spectacles, has always stressed entertainment value, and no matter what the era, he has managed to overcome the exigencies of the fickle motion picture industry to produce consistently crowd-pleasing fare. In the 1950s and 1960s it was the epic; in the 1970s and 1980s a flow of Charles Bronson and Arnold Schwarzenegger action movies, and a series of Stephen King horror shows. De Laurentiis has been a popular media figure with his flamboyant personality and high profile; very much a mogul in the tradition of Samuel Goldwyn, he maintains a strong degree of production value with talented directors, actors, writers, and technicians. What other producer, for example, has produced films by Fellini, Bergman, Rossellini, De Sica, Visconti, Vidor, Huston, Lumet, Forman, Altman, Friedkin, Pollack, Cimino, and Cronenberg, to name but a few? Their films bear the De Laurentiis imprimatur; at the same time, he has shown his fondness for such impersonal, reliable directorial technicians as Richard Fleischer, John Guillermin, and Michael Winner on many of his bread-andbutter pictures.
De Laurentiis attended the Centro Sperimentale di Cinematografia in Rome at the age of 16, then gained practical filmmaking experience in the Italian film industry as an actor, prop man, assistant director, and unit manager. By the age of 20, he had produced his first major film, L'amore canta, then organized Realcine in Turin in order to arrange financing for his productions. World War II disrupted his progress, and Realcine was destroyed during the war. De Laurentiis was at the heart of the postwar neorealism movement in Italy, helping to revitalize the Italian cinema. He scored his first international success with Giuseppe de Santis's Bitter Rice, a stark drama of the women who work the rice fields of the Po Valley, starring Silvana Mangano (whom De Laurentiis married shortly thereafter). The producer solidified his status when he formed the Ponti-De Laurentiis Production Company with Carlo Ponti in the early 1950s.
Together, De Laurentiis and Ponti produced films by Roberto Rossellini (Europa '51), Vittorio De Sica (Gold of Naples), and Federico Fellini (La strada). Europa '51, starring Rossellini's wife Ingrid Bergman, was a bleak disappointment, typical of the Rossellini-Bergman films, but it did give the producers the prestige of a former Hollywood star. They had much better fortune with De Sica and Fellini—Gold of Naples is an exceptional anthology of four vignettes dealing with Neapolitan life, while La strada has become a classic of world cinema, a beautiful and affecting drama of a loutish circus performer and the young woman he abuses, brilliantly directed by Fellini and acted by Anthony Quinn and Giulietta Massina. La strada won De Laurentiis and Ponti an Academy Award for Best Foreign Film, and worldwide recognition as the preeminent producers in Italy.
De Laurentiis realized the box-office appeal of epics during the 1950s, when small-screen television began stealing motion picture audiences. Another advantage was attracting big-name stars to increase the size of their potential audience, and with this in mind Ponti and De Laurentiis produced two gargantuan spectacles, Mario Camerini's Ulysses, starring Kirk Douglas and Silvana Mangano, and King Vidor's War and Peace with Henry Fonda and Audrey Hepburn. Ulysses, indirectly based on Homer's saga of ancient Greece, sold on the strength of Douglas's marquee value; it is a tedious, talky picture. War and Peace was more successful, with the Tolstoy novel condensed into two hours and 30 minutes, marked by vivid imagery of the Napoleonic Wars, and King Vidor's eye for character and landscape.
De Laurentiis and Ponti went their separate ways after these films, and De Laurentiis created a new independent production company. Nights of Cabiria, a Fellini film about a wistful prostitute (played by Massina), won De Laurentiis another Best Foreign Film Oscar, and later served as the basis for the Broadway musical and film Sweet Charity. Although he still produced Italian movies such as Cabiria and Mario Monicelli's The Great War, a comedy-drama set during World War I, De Laurentiis continued with a policy of U.S.-Italo co-productions, frequently releasing in America through Paramount, filming in Italy with English-speaking stars and directors. In the early 1960s, he constructed a vast studio complex outside Rome and used it as a base of operations for production, as well as leasing it to other independents. In addition to such steamy dramas as Martin Ritt's Five Branded Women and René Clément's This Angry Age, De Laurentiis made money from epics such as Richard Fleischer's Barabbas and particularly from The Bible . . . in the Beginning, directed by John Huston with an all-star cast reverently recreating the great tales of the Old Testament. De Laurentiis had another prestigious blockbuster with Franco Zeffirelli's adaptation of Romeo and Juliet. For once the Shakespeare tragedy was correctly cast with teenagers in the leads, and the picture struck a chord with the rebellious young generation of the late 1960s.
De Laurentiis moved to America in the early 1970s, after Italy imposed tight tax restrictions on the film industry. Since then his career has expanded rapidly. He continued to support individualistic filmmakers such as Fellini (Casanova) and Ingmar Bergman (Face to Face, The Serpent's Egg), and experienced noble failures with Robert Altman's Buffalo Bill and the Indians and William Friedkin's The Brink's Job, but began to rely more and more on sure-fire mass appeal material. A series of Charles Bronson action films—The Valachi Papers, The Stone Killer, and Death Wish—were huge moneymakers, and employed a graphic, streetwise realism. Although De Laurentiis still made important films such as Sidney Lumet's Serpico. (the true story of New York police corruption), Sydney Pollack's CIA thriller Three Days of the Condor, Don Siegel's The Shootist, (a nostalgic Western and John Wayne's last movie), and Milos Forman's impressive turn-of-the-century epic Ragtime, he found it profitable to exploit more popular genres.
For a time in the 1970s, it seemed as though the producer was dedicated to such overwrought kitsch as Mandingo, Orca, and Hurricane. Of these only Mandingo was a resounding box-office hit, spawning a sequel, Drum. While he had enjoyed a science-fiction success with Roger Vadim's sexy Barbarella, De Laurentiis's other sci-fi films, Flash Gordon and David Lynch's $50 million Dune did not perform well. Much stronger were the Conan films; Robert E. Howard's classic sword and sorcery adventures were faithfully transmitted to the screen with Arnold Schwarzenegger in the title role. John Milius directed Conan the Barbarian; Richard Fleischer handled the inferior sequel Conan the Destroyer, as well as a related adventure, Red Sonja. After a well-mounted remake of The Bounty with Mel Gibson as Fletcher Christian and Anthony Hopkins as Captain Bligh under Roger Donaldson's direction, De Laurentiis opened new studios in Wilmington, North Carolina. In 1985 he acquired Embassy Pictures and formed De Laurentiis Entertainment Group, a new distribution and production company, making many of its films at the North Carolina studios. Again, there was a familiar pattern to the De Laurentiis product, with prestigious films (Crimes of the Heart), epics (Tai-Pan), action movies (Desperate Hours), and occasionally the offbeat (Blue Velvet). Horror pictures have been the mainstay of De Laurentiis's output in recent years, especially the successful Stephen King movies—The Dead Zone, Firestarter, Cat's Eye, Silver Bullet, and Maximum Overdrive. De Laurentiis has seemingly beat the system by surviving as an independent producer for 50 years, capping his career with a thriving distribution company. It is no surprise. For 50 years, De Laurentiis has been making movies, not just deals, and his prodigious body of work is rare indeed in today's film industry. Few producers possess his sense of daring—he was the only producer to hire Michael Cimino, for example, after the Heaven's Gate debacle, and their film, Year of the Dragon, helped Cimino back on his feet—or his sense of showmanship, whether promoting the sublime or the banal.
—John A. Gallagher
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2017-02-07T23:17:11-05:00
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Dino De Laurentiisfilm producerBorn: 8/8/1918Birthplace: Torre Annunziata, Italy Having produced several widely acclaimed Italian films in the 1950s, including Fellini's La Strada (1954) and Nights of Cabiria (1956), he later became known for his large-scale international productions.
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/themes/ip/favicon.ico
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InfoPlease
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https://www.infoplease.com/biographies/art-entertainment/dino-de-laurentiis
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Current Events
View captivating images and news briefs about critical government decisions, medical discoveries, technology breakthroughs, and more. From this page, you'll see news events organized chronologically by month and separated into four categories: World News, U.S. News, Disaster News, and Science & Technology News.
We also collect a summary of each week's events, from one Friday to the next, so make sure you check back every week for fascinating updates on the world around to help keep you updated on the latest happenings from across the globe!
Current Events 2023
Check out the November News and Events Here:
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202
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dbpedia
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1
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https://www.mashed.com/338906/is-giada-de-laurentiis-related-to-dino-de-laurentiis/
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en
|
Is Giada De Laurentiis Related To Dino De Laurentiis?
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2021-02-22T16:04:37+00:00
|
Giada De Laurentiis isn't necessarily the most famous person in her family. That honor might go to her grandfather, legendary film producer Dino De Laurentiis.
|
en
|
Mashed
|
https://www.mashed.com/338906/is-giada-de-laurentiis-related-to-dino-de-laurentiis/
|
As famous as Giada De Laurentiis is, she's not necessarily the most famous person in her family. That honor might actually go to her grandfather, the legendary film producer and foodie, Dino De Laurentiis, for whom Giada's late, beloved younger brother was named. The elder Dino De Laurentiis was born in Italy in 1919, according to Brittanica. One of seven children, he was raised near Naples, went to film school in Rome and, soon after, started working in the Italian film industry. His first hit was the 1949 drama Riso amaro (translation: Bitter Rice). It starred Silvana Mangano, with whom he fell in love and married that same year (via IMDb).
Dino De Laurentiis and Silvia Mangano had four children before their 1988 divorce. One of those children was Veronica De Laurentiis. Born in Italy in 1950, Veronica entered the film industry at age 20 when she was cast in a film Dino was producing, Waterloo, which starred Christopher Plummer and Rod Steiger (via IMDb). That same year, 1970, Veronica married Alex De Benedetti, an actor, himself. Before the year was over, the couple welcomed their first child: Giada Pamela De Benedetti, who was born in Rome on August 22 (via IMDb). And who did little Giada Pamela De Benedetti grow up to become? Why, none other than Giada De Laurentiis! (She changed her name subsequently, via Biography.)
At the age of seven, following her parents' divorce, Giada De Benedetti moved from Italy with her mother and younger siblings to Los Angeles, Calif. It's no accident that the family chose L.A. as their new home, a Hollywood neighborhood that has become synonymous with the American film industry, because Giada's grandfather, Dino De Laurentiis, the legendary film producer, had moved there in 1973 and was already making films in the U.S. (via IMDb), including the Academy Award-winning Serpico, starring Al Pacino (via IMDb).
Dino De Laurentiis had a film career that spanned more than seven decades and included more than 600 movies. But what you may not know about the grandfather of Giada De Laurentiis is that he was a lifelong foodie. The son of a spaghetti maker (via IMDb), he worked at his father's spaghetti factory as a kid and developed a "lifelong passion for food and an appreciation for business," according to the blog Italian Cinema Today. In 1982, "believing that America didn't have pasta nearly as delizioso as the stuff from papa Aurelio's spaghetti factory," Dino opened the Italian food store, DDL Foodshow in New York City (via Time).
Like her grandfather, Giada De Laurentiis is a proud Italian-American with a great love for food. And it looks as if she might be on her way to becoming the most famous De Laurentiis yet.
|
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en
|
Movie producer Dino De Laurentiis dies
|
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"dino de laurentiis",
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2010-11-12T00:00:00-06:00
|
LOS ANGELES • Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his country's film industry after World War II and for more than six decades produced films
|
en
|
https://www.stltoday.com/content/tncms/site/icon.ico
|
STLtoday.com
|
https://www.stltoday.com/news/national/movie-producer-dino-de-laurentiis-dies/article_42a0aa41-63e6-5962-9ad5-6e80f6f71d27.html
|
LOS ANGELES • Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his country's film industry after World War II and for more than six decades produced films as diverse as the 1954 Federico Fellini classic "La Strada" and the 1976 remake of "King Kong," has died. He was 91.
Mr. De Laurentiis, who moved to the United States in the 1970s, died Wednesday (Nov. 10, 2010) at his home in Beverly Hills..
Once described by Los Angeles Times columnist Patrick Goldstein as "a master showman, the last survivor of a bygone era of swashbuckling Hollywood producers ... who made movies fueled by grandiose schemes and consummate salesmanship," Mr. De Laurentiis launched his career as a producer in Italy in the 1940s.
In the 1950s, he produced two Oscar-winning best foreign films — Fellini's "La Strada" and Fellini's "Nights of Cabiria" (1957).
During the 1960s — he is credited with pioneering the now-common practice of financing films by pre-selling the distribution rights in foreign countries — Mr. De Laurentiis produced films such as director Richard Fleischer's "Barabbas," starring Anthony Quinn; John Huston's star-studded "The Bible:" and Roger Vadim's "Barbarella," starring Jane Fonda.
Listen now and subscribe: Apple Podcasts | Google Podcasts | Spotify | RSS Feed | SoundStack | All Of Our Podcasts
His company also produced Franco Zeffirelli's adaptation of "Romeo and Juliet."
After selling his studio and moving to the United States in the 1970s, Mr. De Laurentiis produced films such as "Serpico," "Death Wish," "Three Days of the Condor," "The Serpent's Egg" and "Ragtime." But Mr. De Laurentiis' name also became synonymous with expensive box-office failures such as "Dune," "Tai-Pan" and "King Kong Lives."
The son of a pasta manufacturer, he was born Agostino De Laurentiis on Aug. 8, 1919, in Torre Annunziata, some 17 miles from Naples.
One of seven children, he dropped out of school at 15 and traveled as a salesman for his father's pasta factory. But he wasn't enamored of the family business.
In 1937, the movie-struck teenager was accepted to the first-year acting course at a new film school in Rome.
At the end of the year, Mr. De Laurentiis realized he didn't have the makings of a successful actor and realized he'd rather be behind the camera — as a producer.
He worked for a time as an extra, stagehand, electrician and director's assistant before changing his first name from Agostino to Dino and launching a production company.
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2
| 61 |
https://www.bloomberg.com/news/articles/2010-11-11/film-producer-dino-de-laurentiis-dies-in-los-angeles-at-91-ansa-reports
|
en
|
Dino De Laurentiis, Producer of Film Spectacles, Dies at 91
|
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2010-11-11T00:00:00
|
Dino De Laurentiis, the son of Italian pasta makers who became a prolific movie producer of blockbuster hits such as “Serpico,” expensive duds such as “Dune” and sweeping epics including “War and Peace,” has died. He was 91.
|
en
|
Bloomberg.com
|
https://www.bloomberg.com/news/articles/2010-11-11/film-producer-dino-de-laurentiis-dies-in-los-angeles-at-91-ansa-reports
|
Dino De Laurentiis, the son of Italian pasta makers who became a prolific movie producer of blockbuster hits such as “Serpico,” expensive duds such as “Dune” and sweeping epics including “War and Peace,” has died. He was 91.
He died in Los Angeles, his longtime adopted home, Agence France-Presse reported, citing his family. He lived in Beverly Hills with his third wife, Martha. The news agency said his nephew, producer Aurelio De Laurentiis, confirmed his uncle’s death to reporters in Rome.
|
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202
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dbpedia
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1
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https://www.bbc.com/news/entertainment-arts-11734039
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en
|
Dino De Laurentiis, film producer, dies aged 91
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2010-11-11T14:51:54+00:00
|
Dino De Laurentiis, the Italian-born producer of movies including Flash Gordon and Dune, dies in Los Angeles at the age of 91, his family has said.
|
en
|
BBC News
|
https://www.bbc.com/news/entertainment-arts-11734039
|
Dino De Laurentiis, legendary producer of such cult films as Flash Gordon and Dune, has died in Los Angeles aged 91, his family has said.
He began his career in Italy working with Roberto Rossellini and Federico Fellini, winning an Oscar for producing the latter's 1954 film La Strada.
After moving to the US in the 1970s, he oversaw films such as Serpico, Death Wish and the 1976 remake of King Kong.
He also produced four films featuring the serial killer Hannibal Lecter.
His daughter Raffaella De Laurentiis said in a statement her father was surrounded by family when he died on Wednesday night at his home in Beverly Hills. She did not give a cause of death.
"Cinema has lost one of its greats," said Walter Veltroni, former mayor of Rome and a founder of the International Rome Film Festival.
"The name of Dino De Laurentiis is tied to the history of cinema," he told the AFP news agency.
The son of pasta makers, De Laurentiis was born on 8 August 1919 in Torre Annunziata, near Naples.
|
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3
| 56 |
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|
en
|
Dino De Laurentiis To Be Laid To Rest
|
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2010-11-15T11:18:57-08:00
|
The life and career of Italian film mogul and Hollywood producer Dino De Laurentiis will be remembered Monday during funeral services at the Cathedral of Our Lady of the Angels.
|
en
|
https://www.cbsnews.com/losangeles/news/dino-de-laurentiis-to-be-laid-to-rest/
|
LOS ANGELES (CBS) — The life and career of Italian film mogul and Hollywood producer Dino De Laurentiis will be remembered Monday during funeral services at the Cathedral of Our Lady of the Angels.
De Laurentiis, 91, died Wednesday night at his home in Beverly Hills.
De Laurentiis was a giant in the Italian film industry, producing Federico Fellini's Oscar-winning foreign film "La Strada." While still in Italy, he produced films including "Barabbas," starring Anthony Quinn; John Huston's "The Bible"; and "Barbarella," starring a young Jane Fonda.
He moved his movie-making empire to the United States in the 1970s, producing films such as "Serpico" with Al Pacino, "Death Wish" and "Three Days of the Condor."
He was also the producer behind "Conan the Barbarian" and "Conan the Destroyer," starring now-Gov. Arnold Schwarzenegger.
In 2001, he was given the Irving G. Thalberg Memorial Award by the Academy of Motion Picture Arts and Sciences.
De Laurentiis was married twice. His first wife, Italian actress Silvana Mangano, died in 1989. They had four children. He and his second wife, Martha, had two children.
(©2010 CBS Local Media, a division of CBS Radio Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed. Wire services contributed to this report.)
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Body of Evidence (1993)
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Body of Evidence is a film directed by Uli Edel with Madonna, Willem Dafoe, Joe Mantegna, Anne Archer .... Year: 1993. Original title: Body of Evidence. Synopsis: Madonna stars as Rebecca Carlson, a sexually independent gallery owner who has a penchant for sadomasochistic sex. Her relationship with an elderly man, Andrew Marsh (Michael Forest), who has a heart ...You can watch Body of Evidence through Rent,buy,ads on the platforms: Google Play Movies,Apple TV,YouTube,Fandango At Home,AMC on Demand,The Roku Channel,Tubi TV,Pluto TV
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https://www.filmaffinity.com/us/film442548.html
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Is the synopsis/plot summary missing? Do you want to report a spoiler, error or omission? Please send us a message.
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https://wikizilla.org/wiki/Dino_De_Laurentiis
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Dino De Laurentiis
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2024-02-09T21:27:06+00:00
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Agostino "Dino" De Laurentiis was an Italian-American film producer, responsible for producing over 500 films in his lifetime. Born in Naples, Italy, De Laurentiis began studying film prior to the outbreak of World War II, which interrupted his studies. He produced his first film in 1941, and founded his own production company in 1946. De Laurentiis produced numerous films in his native Italy over the following decades, many of which were critically acclaimed even internationally, until his studio closed down in the 1970s. He moved to the United States in 1976, and was granted American citizenship a decade later. While in Hollywood, De Laurentiis produced several high-profile blockbuster films, with the 1976 King Kong remake arguably putting his name on the map in Hollywood as a major producer. In 1980, De Laurentiis and his future wife, producer Martha Schumacher, founded a new production company, the Dino De Laurentiis Company. This company produced nearly all of the couple's films from then on. De Laurentiis died in 2010 at the age of 91, with his widow serving as the chairperson of their company until her death in 2021.
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en
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/favicon-32x32.png
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Wikizilla
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https://wikizilla.org/wiki/Dino_De_Laurentiis
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Agostino "Dino" De Laurentiis was an Italian-American film producer, responsible for producing over 500 films in his lifetime. Born in Naples, Italy, De Laurentiis began studying film prior to the outbreak of World War II, which interrupted his studies. He produced his first film in 1941, and founded his own production company in 1946. De Laurentiis produced numerous films in his native Italy over the following decades, many of which were critically acclaimed even internationally, until his studio closed down in the 1970s. He moved to the United States in 1976, and was granted American citizenship a decade later. While in Hollywood, De Laurentiis produced several high-profile blockbuster films, with the 1976 King Kong remake arguably putting his name on the map in Hollywood as a major producer. In 1980, De Laurentiis and his future wife, producer Martha Schumacher, founded a new production company, the Dino De Laurentiis Company. This company produced nearly all of the couple's films from then on. De Laurentiis died in 2010 at the age of 91, with his widow serving as the chairperson of their company until her death in 2021.
Selected filmography
King Kong (1976) - Producer
King Kong Lives (1986) - Executive producer [with Ronald Shusett]
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https://www.rottentomatoes.com/m/body_of_evidence
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Body of Evidence
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When an elderly millionaire is found dead with cocaine in his system, his will leaves $8 million to Rebecca Carlson (Madonna), who was having an affair with him. District attorney Robert Garrett (Joe Mantegna) decides to prosecute Rebecca, arguing that she deliberately engaged in wild sex with the old man to overexcite him and lead to his premature death. Defense attorney Frank Dulaney (Willem Dafoe) defends Rebecca in court while getting sucked into a dangerous affair with her.
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Rotten Tomatoes
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https://www.rottentomatoes.com/m/body_of_evidence
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Let's keep in touch!
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https://www.thetimes.com/article/dino-de-laurentiis-xdnp6l8pcf6
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Dino De Laurentiis
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In January 2005 when the film trade paper Screen International launched a ten-part series entitled “The Pioneers”, it chose to begin it with a profile of the Italian producer Dino De Laurentiis.It was
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https://www.thetimes.com/article/dino-de-laurentiis-xdnp6l8pcf6
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In January 2005 when the film trade paper Screen International launched a ten-part series entitled “The Pioneers”, it chose to begin it with a profile of the Italian producer Dino De Laurentiis.
It was an apt choice. Not only had he worked with such diverse directors as Federico Fellini and Michael Winner and set up film studios in Italy and the US, but he had also pioneered independent movie-making outside the big Hollywood studios.
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https://www.upi.com/amp/Archives/1992/09/11/Madonna-Dafoe/8468716184000/
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Madonna-Dafoe
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1992-09-11T00:00:00
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MGM and Dino De Laurentiis' 'Body of Evidence,' starring Madonna and Willem Dafoe, has received an NC-17 rating from the Motion Picture Producers...
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https://www.upi.com/favicon.ico
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UPI
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https://www.upi.com/Archives/1992/09/11/Madonna-Dafoe/8468716184000/
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HOLLYWOOD -- MGM and Dino De Laurentiis' 'Body of Evidence,' starring Madonna and Willem Dafoe, has received an NC-17 rating from the Motion Picture Producers Association, equivalent to the old X rating.
The association's classification and rating administration tagged the film with an NC-17 for what it said was explicit sexual scenes. It is scheduled for release next January.
Advertising
'Body of Evidence' involves a woman accused of murdering her lover who seduces her attorney during the course of her trial. The studio has the option of releasing the film as is or to make cuts necessary for an R rating.NEWLN: ------NEWLN: Ullmann project
HOLLYWOOD (UPI) -- Actress Liv Ullmann's film, 'Sofie,' which marks her directorial debut, is among some 50 new movies scheduled for exhibition at the Puerto Rico International Film Festival in November.
Ullmann will be present with the Nordisk Film production and will participate in a panel discussion on women filmmakers with Whoopi Goldberg.
Ten Spanish-language films will be among pictures shown along with movies from China, Germany, Czechoslovakia, Argentina and several Hollywood films.NEWLN: ------NEWLN: Foster film
HOLLYWOOD (UPI) -- Jodie Foster has been tabbed for the starring role in 'Dead Reckoning,' dealing with a woman lawyer involved in a plot to assassinate a U.S. senator.
Producer Arnold Kopelson compares the plot to 'Three Days of the Condor,' a Robert Redford thriller of a decade ago.
Academy Award-winner Foster is scheduled to begin work on the Warner Bros. film early next year. Kopelson and Warners acquired the script for $1 million from writer Christine Roum.NEWLN: ------NEWLN: New trek
HOLLYWOOD (UPI) -- Paramount Television has set the cast for the new syndicated spinoff series 'Star Trek: Deep Space Nine,' which makes its debut in January.
Spun off from the studio's 'Star Trek: The Next Generation,' the new series follows the adventures of a Starfleet force on a remote space station in the 24th century.
The cast features Avery Brooks, Rene Auberjonois, Siddig El Fadil, Terry Farrell, Cirroc Lofton, Colm Meany, Armin Shimmerman and Nana Visitor.NEWLN: ------NEWLN: 'Lambs' sequel
HOLLYWOOD (UPI) -- Independent producer Dino De Laurentiis has agreed to give Universal Studios first negotiation/last refusal rights to bid on domestic distribution to the sequel to 'Silence of the Lambs.'
Under the agreement, Universal also will distribute De Laurentiis' 'Army of Darkness,' directed by Sam Raimi, early next year.
Earlier this year the studio and De Laurentiis were locked in a legal dispute over distribution rights to both projects.NEWLN: ------NEWLN: Gibson directs
HOLLYWOOD (UPI) -- Actor Mel Gibson makes his directorial debut with 'The Man Without a Face' currently shooting on locations in and around Rockport and Deer Isle, Maine.
Gibson will star in the Warner Bros. film with Nick Stahl, 12, in a story about the relationship between a young boy strugging with the loss of his father and the town recluse played by Gibson.
Scheduled for release next spring, 'The Man Without a Face' also features Margaret Whitton, Gaby Hoffman, Fay Masterson, Geoffrey Lewis and Richard Masur.
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https://www.rottentomatoes.com/celebrity/dino_de_laurentis
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Dino De Laurentiis
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Explore the filmography of Dino De Laurentiis on Rotten Tomatoes! Discover ratings, reviews, and more. Click for details!
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https://www.rottentomatoes.com/assets/pizza-pie/images/favicon.ico
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Rotten Tomatoes
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https://www.rottentomatoes.com/celebrity/dino_de_laurentis
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A Hollywood player for decades, producer Dino De Laurentiis produced a remarkable mix of motion pictures, ranging from art house fare like Fellini's "La Strada" (1954) to camp classics like "Barbarella" (1968) to spectacles like "King Kong" (1976) and "Tai Pan" (1986), as well as popular entertainment like "Hannibal" (2001). Ever since he began his producing career with the international hit "Riso Amaro" ("Bitter Rice") (1948), De Laurentiis financed, produced or distributed hundreds of movies, including some of the most significant ever made in cinema history, like "Serpico" (1973), "Death Wish" (1974) and "Conan the Barbarian" (1982). Toward the end of the 20th century, De Laurentiis - who had missed out on the massive success of "Silence of the Lambs (1991) after declining the rights following the failure of "Manhunter" (1986) - saw a resurgence with the box office hit "Hannibal" (2001), which spawned another successful sequel, "Red Dragon" (2002), and cemented his place as one of cinema's most prolific producers.
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https://kinotuskanac.hr/en/article/dino-de-laurentiis-biografija
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Dino De Laurentiis
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Kino Tuškanac
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http://kinotuskanac.hr/en/article/dino-de-laurentiis-biografija
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Dino De Laurentiis - biography
Producer’s Biography:
Dino De Laurentiis (Torre Annunziata, Campania, Italy, August 8, 1919 - Beverly Hills, Los Angeles, California, USA, November 10, 2010)
Dino De Laurentiis is one of the most famous Italian producers. Born as Agostino De Laurentiis, during his career spanning over seven decades, he produced more than a hundred and fifty films and worked with the most famous international directors and actors. A true film lover, as a seventeen year old boy he left his home to enroll in film school. However, WW II interrupted his studies at the Roman Centro Sperimentale di Cinematografia and he began working on film sets. Thanks to hard work and perseverance, at the age of twenty two he produced his first film L'amore canta (1941). After serving in the military in WW II he returned to film as executive producer for Lux, at the time one of the biggest Italian film companies. His first commercial success was the neorealist film Riso amaro (1949) directed by Giuseppe De Santis. That same year he married the film’s star Silvana Mangano. In 1950, he went into partnership with producer Carlo Ponti and they founded the production house Ponti-De Laurentiis Cinematografica. In the 1950s, they made many successful Italian films, for example with Federico Fellini’s Road (La Strada, 1954) they won an Oscar for Best Foreign Film. He showed signs of his future inclination to spectacles in the Italian-American production of Ulisse (1954) starring Kirk Douglas. He produced a great commercial success with his second international co-production War and Peace (1956) by King Vidor. In the second half of the 1950s, he parted ways with Ponti and worked on his dream to open his own film studio in order to film spectacles. His dream came true in the 1960s when he opened the filming complex Dinocitta' Studios in Rome where John Houston made his historical spectacle The Bible: In the Beginning... (1966), which seriously breached its budget limitations. Laurentiis continued producing films based on comic books such as Barbarella (1968), directed by Roger Vadim, which did not impress critics but was well liked by audiences, and Diabolik (1968) directed by Mario Bava. In the 1970s, Dinocitta' Studios went bankrupt and Laurentiis sold the film studio and moved to the US. In North Carolina, he opened his own film studio called DEG (DeLaurentiis Entertainment Group), but it did not last very long. In the 1970s his most famous productions included: Serpico (1973) directed by Sidney Lumet, Death Wish (1974) by Michael Winner, Three Days of the Condor (1975) by Sydney Pollack and The Serpent's Egg (1977) by Ingmar Bergman, while his remake of King Kong (1976) received very bad critics’ reviews. In the 1980s, he produced the successful and popular Conan the Barbarian (1982) by John Milius, which launched Arnold Schwarzenegger as a new action star, while Hurricane (1979) by Jan Troell, Ragtime (1981) by Miloš Forman and Dune (1984) by David Lynch were commercially unsuccessful. Nevertheless, he collaborated again with David Lynch when he produced his famous Blue Velvet (1986). He also produced several film adaptations of Stephen King’s novels: The Dead Zone, (1983), Cat's Eye (1985), Silver Bullet (1985) and Maximum Overdrive (1986) as well as four films about Hannibal Lecter, writer Thomas Harris’ character: Manhunter (1986) by Michael Mann, Hannibal (2001) by Ridley Scott, Red Dragon (2002) by Brett Ratner and Hannibal Rising (2007) by Peter Webber. Even though he became an American citizen in 1986, he continued to film in Italy (U-571, 2000 by Jonathan Mostow). In 2001, the American Film Academy awarded him with the Irving G. Thalberg lifetime achievement award. He received another lifetime achievement award at the Venice Film Festival three years later.
Filmography:
Virgin Territory (co producer) (2007)
The Last Legion (co producer) (2007)
Hannibal Rising (co producer) (2007)
Red Dragon (co producer) (2002)
Hannibal (co producer) (2001)
U-571 (co producer) (2000)
Breakdown (co producer) (1997)
Unforgettable (co producer) (1996)
Slave of Dreams (TV film) (1995)
Assassins (executive producer) (1995)
Solomon & Sheba (TV film) (1995)
Body of Evidence (1993)
Army of Darkness (executive producer) (1992)
Once Upon a Crime... (1992)
Sometimes They Come Back (TV film) (executive producer) (1991)
Desperate Hours (co producer) (1990)
King Kong Lives (executive producer) (1986)
Tai-Pan (executive producer) (1986)
Manhunter (co producer) (1986)
Maximum Overdrive (executive producer) (1986)
Silver Bullet (co producer) (1985)
Year of the Dragon (1985)
Cat's Eye (1985)
Dune (executive producer) (1984)
Conan the Destroyer (executive producer) (1984)
The Bounty (executive producer) (1984)
The Dead Zone (executive producer - unaccredited) (1983)
Amityville II: The Possession (co producer) (1982)
Conan the Barbarian (executive producer - unaccredited) (1982)
Ragtime (1981)
Flash Gordon (1980)
Hurricane (1979)
King of the Gypsies (executive producer) (1978)
The Brink's Job (executive producer) (1978)
The Serpent's Egg (1977)
Orca (executive producer) (1977)
The White Buffalo (executive producer) (1977)
King Kong (1976)
Drum (co producer) (1976)
Buffalo Bill and the Indians, or Sitting Bull's History Lesson (executive producer) (1976)
Lipstick (executive producer) (1976)
Three Days of the Condor (executive producer - unaccredited) (1975)
Mandingo (1975)
Porgi l'altra guancia (1974)
Death Wish (co producer, unaccredited) (1974)
Tough Guys (1974)
Crazy Joe (1974)
Neveroyatnye priklyucheniya italyantsev v Rossii (1974)
Serpico (executive producer) (1973)
Valdez, il mezzosangue (co producer, unaccredited) (1973)
La più bella serata della mia vita (1972)
Lo Scopone scientifico (1972)
Boccaccio (1972)
Causa di divorzio (1972)
La violenza: Quinto potere (1972)
The Valachi Papers (1972)
Io non vedo, tu non parli, lui non sente (1971)
Osvobozhdenie: Napravleniye glavnogo udara (1971)
The Deserter (co producer) (1971)
A Man Called Sledge (1970)
Waterloo (1970)
Io non scappo... fuggo (1970)
Una breve stagione (1969)
Il primo premio si chiama Irene (documentary) (1969)
Barbagia (1969)
Nerosubianco (1969)
L'amante di Gramigna (1969)
Fräulein Doktor (1969)
Roma come Chicago (1968)
Barbarella (1968)
Lo sbarco di Anzio (1968)
Capriccio all'italiana (1968)
Banditi a Milano (1968)
L'odissea (mini TV serija) (1968)
Diabolik (co producer) (1968)
Vietnam, guerra e pace (documentary) (1968)
Lo straniero (1967)
Matchless (co producer) (1967)
Le streghe (1967)
Vietnam guerra senza fronte (documentary) (1967)
The Bible: In the Beginning... (1966)
Se tutte le donne del mondo (executive producer) (1966)
Battle of the Bulge (executive producer - unaccredited) (1965)
Le tigre se parfume à la dynamite (co producer) (1965)
I tre volti (1965)
Menage all'italiana (1965)
Thrilling (1965)
Il disco volante (1964)
La mia signora (1964)
Cadavere per signora (co producer) (1964)
Il giovedì (1964)
Il boom (1963)
Il diavolo (1963)
Le ore dell'amore (co producer) (1963)
Il processo di Verona (1963)
Il maestro di Vigevano (1963)
Mafioso (executive producer) (1962)
Io amo, tu ami (documentary) (executive producer) (1962)
Il commissario (executive producer) (1962)
Le pillole di Ercole (1962)
Barabba (1961)
Una vita difficile (1961)
Il giudizio universale (1961)
The Best of Enemies (executive producer) (1961)
Il re di Poggioreale (co producer) (1961)
Maciste contro il vampiro (executive producer) (1961)
Il federale (executive producer) (1961)
Il gobbo (1961)
Crimen (co producer) (1961)
Tutti a casa (1960)
Sotto dieci bandiere (1960)
5 Branded Women (1960)
La grande guerra (1959)
La tempesta (1958)
Fortunella (1958)
This Angry Age (1958)
Guardia, ladro e cameriera (1958)
Le notti di Cabiria (1957)
Guendalina (executive producer) (1957)
Malafemmena (co producer) (1957)
Le diciottenni (co producer) (1956)
War and Peace (co producer) (1956)
Un giorno in pretura (unaccredited) (1956)
La bella mugnaia (co producer) (1955)
Ragazze d'oggi (co producer) (1955)
La donna del fiume (co producer) (1954)
Siluri umani (co producer) (1954)
Attila (co producer) (1954)
Un americano a Roma (co producer) (1954)
L'oro di Napoli (co producer) (1954)
La romana (co producer) (1954)
Ulisse (co producer) (1954)
Mambo (co producer) (1954)
La strada (co producer) (1954)
Jolanda la figlia del corsaro nero (co producer) (1954)
Miseria e nobiltà (co producer) (1954)
Dov'è la libertà...? (co producer) (1954)
Anni facili (co producer) (1953)
La lupa (co producer) (1953)
Totò a colori (co producer) (1953)
Le infedeli (co producer) (1953)
I sette dell'orsa maggiore (co producer) (1953)
Fratelli d'Italia (co producer) (1952)
I tre corsari (co producer) (1952)
La tratta delle bianche (co producer) (1952)
Europa '51 (co producer) (1952)
Gli undici moschettieri (documentary) (co producer) (1952)
Anna (co producer) (1951)
Guardie e ladri (co producer) (1951)
Il padrone del vapore (co producer) (1951)
L'ultimo incontro (co producer) (1951)
Totò terzo uomo (co producer) (1951)
Accidenti alle tasse!! (co producer) (1951)
Il brigante Musolino (co producer) (1950)
Napoli milionaria (co producer) (1950)
Romanticismo (co producer) (1950)
Il lupo della Sila (1949)
Adamo ed Eva (1949)
Riso amaro (1949)
I pompieri di Viggiù (1949)
Il cavaliere misterioso (1948)
Molti sogni per le strade (1948)
La figlia del capitano (1947)
Il bandito (1946)
Aquila Nera (1946)
L'amore canta (co producer) (1941)
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Agostino 'Dino' De Laurentiis was an Italian film producer best known for producing science fiction, fantasy, and horror films.
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A Hollywood player for decades, producer Dino De Laurentiis produced a remarkable mix of motion pictures, ranging from art house fare like Fellini's "La Strada" (1954) to camp classics like "Barbarella" (1968) to spectacles like "King Kong" (1976) and "Tai Pan" (1986), as well as popular entertainment like "Hannibal" (2001). Ever since he began his producing career with the international hit "Riso Amaro" ("Bitter Rice") (1948), De Laurentiis financed, produced or distributed hundreds of movies, including some of the most significant ever made in cinema history, like "Serpico" (1973), "Death Wish" (1974) and "Conan the Barbarian" (1982).
Toward the end of the 20th century, De Laurentiis - who had missed out on the massive success of "Silence of the Lambs (1991) after declining the rights following the failure of "Manhunter" (1986) - saw a resurgence with the box office hit "Hannibal" (2001), which spawned another successful sequel, "Red Dragon" (2002), and cemented his place as one of cinema's most prolific producers.
Born on Aug. 8, 1918 in Torre Annunciata, Italy, a small city in the province of Naples, De Laurentiis was raised by his father, Rosario, a pasta maker, and his mother, Giusppina. Though he entered his father's pasta business while still a teenager, De Laurentiis found the idea of selling spaghetti unappealing and instead moved to Rome, where he enrolled in the Centro Sperimentale di Cinematografia. De Laurentiis supported himself with acting roles and behind the scenes work until he decided to become a producer in 1939, making his producing debut with "Troppo tardi t'ho conosciuta."
But it took another nine years before he enjoyed a real international success with the neo-realistic "Riso Amaro" ("Bitter Rice") (1948), one of the landmark films in the Italian neorealist movement that emerged after World War II. The film starred a buxom Silvana Mangano, whom De Laurentiis married in July 1949, as a rice field worker wooed by two men; one respectable (Raf Vallone) and the other a fugitive (Vittorio Gassman). The couple collaborated in several more ensuing films, including "Il Lupo della Sila" ("The Lure of Sila") (1949), "Il Brigante Musolino" ("Outlaw Girl") (1950) and "Anna" (1951).
In the 1950s, De Laurentiis joined with Sophia Loren's husband Carlo Ponti to form a production company that oversaw several prestigious Italian films, including Federico Fellini's Oscar-winning melodrama set in the seedy world of a travelling carnival, "La Strada" (1954). They went on to make "Attila" (1955), "The Miller's Wife" (1955) and "Guendalina" (1957) before dissolving their partnership.
By that time, De Laurentiis had branched out on his own, overseeing the epic "War and Peace" (1956), directed by King Vidor and starring Audrey Hepburn and Henry Fonda, while reuniting with Fellini on the Oscar-winning "The Nights of Cabiria" (1957). In 1959, De Laurentiis oversaw his third Academy Award-nominated foreign language motion picture, "The Great War."
Meanwhile, as the 1960s unfolded, De Laurentiis built his own studio, Dino Citta, and began teaming with some of the European cinema's finest filmmakers like Vittorio De Sica on "The Last Judgment" (1962), Jean-Luc Godard on "Pierre le fou" (1965) and Claude Chabrol on "An Orchid for the Tiger" (1965). He also worked the Hollywood scene with films like the religious-themed dramas "Barrabas" (1962) and the John Huston-directed "The Bible" (1966). This combination of art house and commercial fare reached absurd heights in 1968 with the odd combination of Francois Truffaut's "The Bride Wore Black" and Roger Vadim's "Barbarella".
When Dino Citta failed, De Laurentiis relocated to the United States in the early 1970s and initiated a run of films that proved popular at the box office. He was producer of "The Valachi Papers" (1972), which was based on fact and purported to tell the real story of the Italian Mafia that a film like "The Godfather" was unable to do. Meanwhile, "Serpico" (1973) garnered praise for its true-life tale of police corruption as well as for Al Pacino's magnificent portrayal as an idealistic young cop in jeopardy for not taking bribes. He followed with "Death Wish" (1974), which perhaps tapped most into the zeitgeist, serving up a revenge tale that spawned several sequels starring Charles Bronson and countless imitations.
While the spy thriller "Three Days of the Condor" (1975) combined the elements of pulp entertainment with highbrow aspirations embodied in star Robert Redford and director Sydney Pollack, De Laurentiis waded in the muck with lowbrow entertainment like the dreadful "Mandingo" (1975) and the more noisome sequel "Drum" (1976).
Perhaps the producer's greatest act of hubris was undertaking the remake of the 1933 classic "King Kong" (1976), which he hoped would rival "Jaws" (1975) in terms of box office take. Famously declaring that "When Jaws dies, nobody cries. When Kong dies, they all cry," De Laurentiis instead delivered a campy, low-brow effort full off cheesy dialogue and over-the-top performances from Jessica Lange, Jeff Bridges and Charles Grodin. Not losing his flair for the high-brow, De Laurentiis reteamed with Fellini one last time for "Fellini's Casanova" (1976), the director's ill-fated biopic of the great lover (Donald Sutherland).
After producing Ingmar Bergman's venture into English-language filmmaking, "The Serpent's Egg" (1978), he produced "The Great Train Robbery" (1979) and "Flash Gordon" (1980) while delivering an intriguing adaptation of E.L. Doctorow's historical novel, "Ragtime" (1981), directed by Milos Forman. Meanwhile, he helped introduce the world to Arnold Schwarzenegger by producing "Conan the Barbarian" (1982), which later spawned a sequel "Conant the Destroyer" (1984) and an off-shoot, "Red Sonja" (1985).
Amid much fanfare in 1983, De Laurentiis announced the formation of the De Laurentiis Entertainment Group (DEG), which included a state-of-the-art film studio in Wilmington, NC. Serving as chairman and CEO, he oversaw an ambitious slate of films, most of which proved to be box office disappointments. Despite the presence of stars Anthony Hopkins and Mel Gibson, "The Bounty" (1984), a retelling of the famous mutiny, failed to find an audience.
Most disappointing of all was "Dune" (1984), director David Lynch's wildly ambitious and overly muddled distillation of Frank Herbert's classic sci-fi novel, which proved to be both an expensive failure and a frustrating mess for audiences. After the failures of projects like "Year of the Dragon" (1985) and "Tai Pan" (1986), De Laurentiis ceded defeat and resigned from DEG in 1988, while the following year, he lost his wife, Silvana Mangano, to lung cancer.
Perhaps a lesser figure would have been driven from the industry, but the formidable De Laurentiis formed Dino De Laurentiis Communications and produced the remake of "The Desperate Hours" (1990). Following his first foray into American television, "Stephen King's 'Sometimes They Come Back'" (CBS, 1991), he returned to features as the executive producer of "Kuffs" (1992) while signing Madonna to star in "Body of Evidence" (1993), a "Basic Instinct"-inspired knockoff.
Returning to the small screen, De Laurentiis returned to the biblically-inspired films of the 1960s and oversaw a remake of "Solomon and Sheba" (Showtime, 1995) which starred Jimmy Smits as the biblical ruler of Israel and Halle Berry as the Queen of Sheba. Also that year, he steered the television movie depicting the biblical Joseph (Adrian Pasdar) and his rise out of slavery to become the chief minister to the Pharaoh of Egypt (Orso Maria Guerrini) in the oddly-titled "Slave of Dreams" (Showtime, 1995). Although the Ray Liotta thriller "Unforgettable" (1996) was anything but, De Laurentiis enjoyed a critical hit with "Breakdown" (1997), a taut thriller starring Kurt Russell as a husband looking for his wife's kidnapper after a breakdown in the middle of Nowhere, New Mexico. As the years piled on, De Laurentiis slowed down his output, though he did remain active while receiving the Irving G. Thalberg Award from the Academy of Motion Picture Arts and Sciences in 2001.
Following the underwhelming World War II yarn "U-571" (2000), De Laurentiis brought "Hannibal" (2001) - the long-awaited sequel to "The Silence of the Lambs" (1991) - to the screen. Previously, his company held the rights to Thomas Harris' novels and was behind the Michael Mann-helmed "Manhunter" (1986). But the financial wreckage left behind from that box office failure forced the company to pass on "Lambs," only to see Orion Pictures make a huge hit that won multiple Oscars. Determined to not let such an opportunity pass him by again, De Laurentiis at long last managed to convince Anthony Hopkins to reprise Dr. Hannibal Lecter despite "Lambs" star Jodie Foster and director Jonathan Demme declining to participate. With Julianne Moore as Clarice Starling and Ridley Scott in the director's chair, De Laurentiis finally brought the picture to screen. Though a huge box office hit - the film earned $58 million its opening weekend - "Hannibal" received mix reviews at best and zero Oscar nominations. De Laurentiis went back to the well with "Red Dragon" (2002), a remake of "Manhunter" starring Hopkins and Edward Norton.
Several years later, he produced "Hannibal Rising" (2007), a prequel that saw the rise of Hannibal Lecter (Gaspard Ulliel) as a notorious serial killer. The film was savaged by critics on its way to becoming a box office dud. Although his final project was not a major success, De Laurentiis left behind a sweeping legacy of producing quality films, as well as sharing his unrequited love of the art form itself with the rest of the world. De Laurentiis passed away on Nov. 10, 2010 in his Beverly Hills home, surrounded by loved ones. He was 91 years old.
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Film producer Dino De Laurentiis dead at 91, family confirms
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The family of Dino De Laurentiis has confirmed the film producer's death to CNN.
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http://www.cnn.com/2010/SHOWBIZ/11/11/obit.de.laurentiis/index.html
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(CNN) -- The family of Dino De Laurentiis has confirmed the film producer's death to CNN.
A statement from Raffaella De Laurentiis, family spokesperson and daughter of Dino De Laurentiis, said he died at 10 p.m. PT Wednesday at his Beverly Hills, California, home, surrounded by family. He was 91.
In a separate statement, his granddaughter, celebrity chef Giada De Laurentiis, said, "My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly."
De Laurentiis produced more than 160 films and was nominated for 35 Oscars. He won the Academy Award for best foreign-language film for 1954's "La Strada," directed by fellow Italian Federico Fellini, according to imdb.com.
He produced the Jane Fonda cult classic "Barbarella" in 1968 and moved to the United States shortly after, according to Digital Spy.
He also had a reputation for backing big-budget bombs, but there were many successes, both critically and at the box office.
Among his credits are "Serpico," "Three Days of the Condor," "Flash Gordon," "Dune" and the 1976 remake of "King Kong."
He did not produce "The Silence of the Lambs" in 1991 but did take charge of sequels "Hannibal" and "Hannibal Rising," according to DigitalSpy.
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De Laurentiis, last of the movie moguls, dies
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[
"GMA News"
] |
2010-11-12T07:26:38+08:00
|
NEW YORK – He was a small man who dreamed big, hit the highest heights and failed like few others. Dino De Laurentiis was born to be a movie producer. He died Wednesday night at the age of 91 in Beverly Hills.
|
en
|
https://www.gmanetwork.com/favicon.ico
|
GMA News Online
|
https://www.gmanetwork.com/news/showbiz/content/205785/de-laurentiis-last-of-the-movie-moguls-dies/story/
|
NEW YORK â He was a small man who dreamed big, hit the highest heights and failed like few others. Dino De Laurentiis was born to be a movie producer. The Academy Award-winning legend of the Italian New Wave and producer of "Serpico" and "Barbarella" who helped revolutionize the way movies are bankrolled and helped personify the no-limits life of a cinematic king, died Wednesday night at the age of 91 in Beverly Hills. His dozens of credits included the art-house classics "La Strada" and "Nights of Cabiria," the cult favorite "Blue Velvet," the Hollywood epics "War and Peace" and "The Bible," and such mainstream hits as "Three Days of the Condor." He backed horror films ("Halloween 2"), police drama ("Serpico") and the most far-out science fiction fused with sex and sexuality ("Barbarella"). And when he bombed, he really bombed: "Dune," about which director David Lynch complained he was denied creative control; the Madonna vehicle "Body of Evidence"; the 1976 remake of "King Kong," which nearly finished off the career of Jessica Lange before it really started. Not all his movies had big budgets, but De Laurentiis didn't think a film was real without real money. "Night of Earth" director Jim Jarmusch has spoken of meeting with the producer at his office, where De Laurentiis' desk was big as Jarmusch's apartment. He spoke to Jarmusch about the director's low-cost productions. "He asked me, 'Why do you make amateur films instead of professional ones?'" Jarmusch once recalled. "I asked what made a film amateur or professional. He said any film that costs more than $5 million is professional." De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America. He was tiny, but tough, a veritable Napoleon on the set and utterly tireless. "Such a little lion," was how his second wife, producer Martha De Laurentiis, put it when he turned 80. Throughout his career, he alternated lavish, big-budget productions with less commercial films by directors such as Robert Altman, Ingmar Bergman and Lynch, and he often packaged the blockbusters with art films to secure distribution for the smaller films. "The extraordinary thing that Dino taught all of us is the true figure of the independent producer," De Laurentiis' nephew, Aurelio De Laurentiis, a noted Italian film producer, said Thursday. "He always behaved in the US as a major studio, even though he was a one-man show." "He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly," granddaughter Giada De Laurentiis, a star chef and host on Food Network, said. Raised outside of Naples and one of six children born into the family's pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking. He was central to the rise of Italy's film industry, which in the 1950s rose to international prominence as the Italian New Wave. De Laurentiis' initial success began after World War II, starting with "Bitter Rice," in 1948, which launched the career of his first wife, Silvana Mangano. In 1950, he went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic "War and Peace" (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955. With the lure of huge salaries, he often imported international movie stars to boost a film's prospects. For Fellini's "La Strada," which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini's "Nights of Cabiria," which won the foreign film Oscar a year later. At Dinocitta, De Laurentiis married Hollywood stars with spectacle: "Barrabas" (Quinn); "The Bible" (George C. Scott, Ava Gardner); "Anzio" (Robert Mitchum); "Waterloo" (Rod Steiger). He also made more offbeat fare, such as Roger Vadim's sex romp, "Barbarella" (Jane Fonda). De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America. He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies. He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group. The Oscar-winning "Serpico," in 1973 with Al Pacino, was De Laurentiis' Hollywood debut. Charles Bronson's "Death Wish," Robert Redford's "Three Days of the Condor" and John Wayne's last film, "The Shootist," followed. He often stayed loyal to young, talented directors, even though the results weren't always strong. He made "Buffalo Bill and the Indians" with Robert Altman. Even after Michael Cimino's huge flop "Heaven's Gate," De Laurentiis made "Year of the Dragon" and "Desperate Hours" with him. Despite the failure of "Dune," he stuck with David Lynch and two years later produced the acclaimed "Blue Velvet." De Laurentis also continued to be a small factory for tackiness. Though he had earlier worked with revered filmmakers such as Victorio De Sica, Roberto Rossellini and Ingmar Bergman, some of his schlock included the plantation drama "Mandingo," the horror film "Amityville II," the cult comedy "Army of Darkness" and Madonna's "Body of Evidence." Though flops like "King Kong" and "Hurricane" could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash. The strain of the loss helped end De Laurentiis' marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of "King Kong Lives." De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again. "My philosophy is very simple," he once said. "To feel young, you must work as long as you can." â AP
|
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202
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dbpedia
|
0
| 24 |
https://www.mycast.io/stories/body-of-evidence/roles/producer/4289280/suggestions/dino-de-laurentiis/6781787
|
en
|
Fan Casting Dino De Laurentiis as Producer of Body of Evidence on myCast
|
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[] | null |
Fan casting Dino De Laurentiis as the producer for Body of Evidence . Vote now on myCast!
|
myCast - Fan Casting Your Favorite Stories
|
https://www.mycast.io/stories/body-of-evidence/roles/producer/4289280/suggestions/dino-de-laurentiis/6781787
|
Join myCast
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Join myCast
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Join thousands of other users in fan casting your favorite stories. Take 30 seconds to create a completely free profile, which will allow you to:
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||||||
202
|
dbpedia
|
3
| 4 |
https://letterboxd.com/producer/dino-de-laurentiis/
|
en
|
Films produced by Dino De Laurentiis
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Films produced by Dino De Laurentiis
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https://letterboxd.com/producer/dino-de-laurentiis/
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Letterboxd is an independent service created by a small team, and we rely mostly on the support of our members to maintain our site and apps. Please consider upgrading to a Pro account—for less than a couple bucks a month, you’ll get cool additional features like all-time and annual stats pages (example), the ability to select (and filter by) your favorite streaming services, and no ads!
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https://www.sandiegouniontribune.com/2010/11/11/de-laurentiis-pivotal-producer-of-serpico-dies/
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De Laurentiis, pivotal producer of ‘Serpico,’ dies
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2010-11-11T00:00:00
|
Dino De Laurentiis, one of the last great, intrepid film producers who with unmatched showmanship shepherded movies as varied as “La Strada” and “Barbarella,” has died. He was 91. “My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” […]
|
en
|
San Diego Union-Tribune
|
https://www.sandiegouniontribune.com/2010/11/11/de-laurentiis-pivotal-producer-of-serpico-dies/
|
Dino De Laurentiis, one of the last great, intrepid film producers who with unmatched showmanship shepherded movies as varied as “La Strada” and “Barbarella,” has died. He was 91.
“My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” granddaughter Giada De Laurentiis, a star chef and host on Food Network, said Thursday.
De Laurentiis helped build the Italian film industry during the heyday of its New Wave, oversaw seminal American films such as “Serpico” and “Blue Velvet,” and pursued blockbusters in flops like “Dune” and critical fiascos such as the 1976 remake of “King Kong.”
In producing more than 500 wide-ranging films over six decades, he presided over an incredible mix of high and low. That the same filmmaker could be involved with Federico Fellini’s “Nights of Cabiria” and Arnold Schwarzenegger’s “Conan the Barbarian” would seem to contradict normal understanding of taste. Instead, he was irrevocably drawn to the spectacle of the movies.
“Our industry is a special one,” he told The Associated Press in 1998. “You deal every day with different people, creative people. Every day is different at work. To produce a movie, you have to create the star, you make script, you find director. You have to shoot the movie.”
De Laurentiis, who died Wednesday night in Beverly Hills, pioneered the way films were sold internationally. He played the part of entrepreneur in grand style, dressing in fine suits and frequently sipping cappuccino. The sprawling studio complex he built on the outskirts of Rome he dubbed Dinocitta (Dino City).
“The extraordinary thing that Dino taught all of us is the true figure of the independent producer,” film producer Aurelio De Laurentiis said Thursday about his uncle. “He always behaved in the U.S. as a major studio, even though he was a one-man show.”
Raised outside of Naples and one of six children born into the family’s pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking.
Though he initially trained in Rome to be an actor, De Laurentiis once said, “I see my face in the mirror, and I said, ‘No, my ambition is not to be an actor.’ I realized the exciting place was behind the camera with the producer, director and so on.”
He was central to the rise of Italy’s film industry, which in the 1950s rose to international prominence as the Italian New Wave.
Italian Premier Silvio Berlusconi sent a telegram of condolences to the family on Thursday, saying De Laurentiis had been a “protagonist of a century of cinema in Italy and America.” Italian President Giorgio Napolitano said his “long and passionate” career had “contributed to the rebirth of Italian cinema in the post-World War II years.”
De Laurentiis’ initial success began after World War II, starting with “Bitter Rice,” in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, he went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic “War and Peace” (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
With the lure of huge salaries, he often imported international movie stars to boost a film’s prospects. For Fellini’s “La Strada,” which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini’s “Nights of Cabiria,” which won the foreign film Oscar a year later.
At Dinocitta, De Laurentiis married Hollywood stars with spectacle: “Barrabas” (Quinn); “The Bible” (George C. Scott, Ava Gardner); “Anzio” (Robert Mitchum); “Waterloo” (Rod Steiger). He also made more offbeat fare, such as Roger Vadim’s sex romp, “Barbarella” (Jane Fonda).
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America. The Academy of Motion Picture Arts and Sciences gave him the Irving G. Thalberg Memorial Award in 2001.
He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies. He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group.
The Oscar-winning “Serpico,” in 1973 with Al Pacino, was De Laurentiis’ Hollywood debut. Charles Bronson’s “Death Wish,” Robert Redford’s “Three Days of the Condor” and John Wayne’s last film, “The Shootist,” followed.
He often stayed loyal to young, talented directors, even though the results weren’t always strong. He made “Buffalo Bill and the Indians” with Robert Altman. Even after Michael Cimino’s huge flop “Heaven’s Gate,” De Laurentiis made “Year of the Dragon” and “Desperate Hours” with him. Despite the failure of “Dune,” he stuck with David Lynch and two years later produced the acclaimed “Blue Velvet.”
Lynch recalled him as having “more energy than ten people on PCP.”
“If something ever came up that required something to be done, Dino’s hand would in one millisecond go to the phone and deal with the thing, get the thing done,” said Lynch. “There’s maybe no rhyme or reason to what struck his fancy, but when he got it, he was just a pitbull.”
De Laurentis also continued to be a small factory for tackiness. Though he had earlier worked with revered filmmakers such as Victorio De Sica, Roberto Rossellini and Ingmar Bergman, some of his schlock included the plantation drama “Mandingo,” the horror film “Amityville II,” the cult comedy “Army of Darkness” and Madonna’s “Body of Evidence.”
“Dino always said you need three things in life: brains, heart and balls, and I hope I’ve exemplified that advice throughout my career,” Schwarzenegger, who credits De Laurentiis with his big break in movies, said Thursday in a statement.
Though flops like “King Kong” and “Hurricane” could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash. The strain of the loss helped end De Laurentiis’ marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of “King Kong Lives.”
De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
“My philosophy is very simple,” he once said. “To feel young, you must work as long as you can.”
Survivors include three daughters with Mangano – Rafaela, Francesca and Veronica – and two with Schumacher: Carolina and Dina. Funeral arrangements have not yet been determined.
—
Associated Press writer Nicole Winfield in Rome, Colleen Barry in Milan, AP Television Writer Frazier Moore in New York and former AP writer Candice Hughes contributed to this report.
Originally Published: November 11, 2010 at 12:10 p.m.
Dino De Laurentiis, one of the last great, intrepid film producers who with unmatched showmanship shepherded movies as varied as “La Strada” and “Barbarella,” has died. He was 91.
“My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” granddaughter Giada De Laurentiis, a star chef and host on Food Network, said Thursday.
De Laurentiis helped build the Italian film industry during the heyday of its New Wave, oversaw seminal American films such as “Serpico” and “Blue Velvet,” and pursued blockbusters in flops like “Dune” and critical fiascos such as the 1976 remake of “King Kong.”
In producing more than 500 wide-ranging films over six decades, he presided over an incredible mix of high and low. That the same filmmaker could be involved with Federico Fellini’s “Nights of Cabiria” and Arnold Schwarzenegger’s “Conan the Barbarian” would seem to contradict normal understanding of taste. Instead, he was irrevocably drawn to the spectacle of the movies.
“Our industry is a special one,” he told The Associated Press in 1998. “You deal every day with different people, creative people. Every day is different at work. To produce a movie, you have to create the star, you make script, you find director. You have to shoot the movie.”
De Laurentiis, who died Wednesday night in Beverly Hills, pioneered the way films were sold internationally. He played the part of entrepreneur in grand style, dressing in fine suits and frequently sipping cappuccino. The sprawling studio complex he built on the outskirts of Rome he dubbed Dinocitta (Dino City).
“The extraordinary thing that Dino taught all of us is the true figure of the independent producer,” film producer Aurelio De Laurentiis said Thursday about his uncle. “He always behaved in the U.S. as a major studio, even though he was a one-man show.”
Raised outside of Naples and one of six children born into the family’s pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking.
Though he initially trained in Rome to be an actor, De Laurentiis once said, “I see my face in the mirror, and I said, ‘No, my ambition is not to be an actor.’ I realized the exciting place was behind the camera with the producer, director and so on.”
He was central to the rise of Italy’s film industry, which in the 1950s rose to international prominence as the Italian New Wave.
Italian Premier Silvio Berlusconi sent a telegram of condolences to the family on Thursday, saying De Laurentiis had been a “protagonist of a century of cinema in Italy and America.” Italian President Giorgio Napolitano said his “long and passionate” career had “contributed to the rebirth of Italian cinema in the post-World War II years.”
De Laurentiis’ initial success began after World War II, starting with “Bitter Rice,” in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, he went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic “War and Peace” (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
With the lure of huge salaries, he often imported international movie stars to boost a film’s prospects. For Fellini’s “La Strada,” which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini’s “Nights of Cabiria,” which won the foreign film Oscar a year later.
At Dinocitta, De Laurentiis married Hollywood stars with spectacle: “Barrabas” (Quinn); “The Bible” (George C. Scott, Ava Gardner); “Anzio” (Robert Mitchum); “Waterloo” (Rod Steiger). He also made more offbeat fare, such as Roger Vadim’s sex romp, “Barbarella” (Jane Fonda).
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America. The Academy of Motion Picture Arts and Sciences gave him the Irving G. Thalberg Memorial Award in 2001.
He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies. He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group.
The Oscar-winning “Serpico,” in 1973 with Al Pacino, was De Laurentiis’ Hollywood debut. Charles Bronson’s “Death Wish,” Robert Redford’s “Three Days of the Condor” and John Wayne’s last film, “The Shootist,” followed.
He often stayed loyal to young, talented directors, even though the results weren’t always strong. He made “Buffalo Bill and the Indians” with Robert Altman. Even after Michael Cimino’s huge flop “Heaven’s Gate,” De Laurentiis made “Year of the Dragon” and “Desperate Hours” with him. Despite the failure of “Dune,” he stuck with David Lynch and two years later produced the acclaimed “Blue Velvet.”
Lynch recalled him as having “more energy than ten people on PCP.”
“If something ever came up that required something to be done, Dino’s hand would in one millisecond go to the phone and deal with the thing, get the thing done,” said Lynch. “There’s maybe no rhyme or reason to what struck his fancy, but when he got it, he was just a pitbull.”
De Laurentis also continued to be a small factory for tackiness. Though he had earlier worked with revered filmmakers such as Victorio De Sica, Roberto Rossellini and Ingmar Bergman, some of his schlock included the plantation drama “Mandingo,” the horror film “Amityville II,” the cult comedy “Army of Darkness” and Madonna’s “Body of Evidence.”
“Dino always said you need three things in life: brains, heart and balls, and I hope I’ve exemplified that advice throughout my career,” Schwarzenegger, who credits De Laurentiis with his big break in movies, said Thursday in a statement.
Though flops like “King Kong” and “Hurricane” could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash. The strain of the loss helped end De Laurentiis’ marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of “King Kong Lives.”
De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
“My philosophy is very simple,” he once said. “To feel young, you must work as long as you can.”
Survivors include three daughters with Mangano – Rafaela, Francesca and Veronica – and two with Schumacher: Carolina and Dina. Funeral arrangements have not yet been determined.
—
Associated Press writer Nicole Winfield in Rome, Colleen Barry in Milan, AP Television Writer Frazier Moore in New York and former AP writer Candice Hughes contributed to this report.
Originally Published: November 11, 2010 at 12:10 p.m.
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https://www.celebritynetworth.com/richest-businessmen/producers/dino-de-laurentiis-net-worth/
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Dino De Laurentiis Net Worth
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Dino De Laurentiis was an Oscar-winning Italian-American film producer who had a net worth of $120 million at the time of his death in 2010. De Laurentiis founded the production company Dino de Laurentiis Cinematografica in 1946 and produced more than 180 projects
|
en
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Celebrity Net Worth
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https://www.celebritynetworth.com/richest-businessmen/producers/dino-de-laurentiis-net-worth/
|
What was Dino De Laurentiis' net worth?
Dino De Laurentiis was an Oscar-winning Italian-American film producer who had a net worth of $120 million at the time of his death in 2010. De Laurentiis founded the production company Dino de Laurentiis Cinematografica in 1946 and produced more than 180 projects, including "La Strada" (1954), "War and Peace" (1956), "The Bible: In the Beginning" (1966), "King Kong" (1976), "Conan the Barbarian" (1982), "Dune" (1984), and "Hannibal" (2001). Dino also produced the Stephen King films "Dead Zone" (1983), "Firestarter" (1984), "Maximum Overdrive" (1985), "Silver Bullet" (1985), "Cat's Eye" (1985), and "Sometimes They Come Back" (1990).
Though De Laurentiis was primarily known for feature films, he produced an episode of the 1968 miniseries "Odissea" as well as the 1995 TV movies "Solomon & Sheba" and "Slave of Dreams." He briefly worked as an actor, appearing in the films "L'orologio a cucù" (1938), "Heartbeat" (1939), "Department Store" (1939), "Small Hotel" (1939), "I Met You Too Late" (1940), "Boccaccio" (1940), and "The Last Fight" (1941). Dino also owned and operated the Italian specialty foods store DDL Foodshow, which had two New York locations and one in Los Angeles. De Laurentiis passed away in November 2010 at the age of 91.
Early Life
Dino De Laurentiis was born Agostino De Laurentiis on August 8, 1919, in Torre Annunziata, Kingdom of Italy. His father owned a pasta factory, and during his youth, Dino sold spaghetti made by the factory. De Laurentiis attended Rome's Centro Sperimentale di Cinematografia from 1937 to 1938, but his studies were interrupted when World War II began. Dino had an older brother named Luigi, who was also a film producer.
Career
De Laurentiis' first film was 1940's "L'ultimo Combattimento," and by the end of the decade, he had produced "L'amore canta" (1941), "Return of the Black Eagle" (1946), "The Bandit" (1946), "The Captain's Daughter" (1947), "Bullet for Stefano" (1947), "Bitter Rice" (1948), "The Street Has Many Dreams" (1948), and "The Wolf of the Sila" (1949). In the '50s, Dino produced films such as "Anna" (1951), "Funniest Show on Earth" (1953), "The Unfaithfuls" (1953), "Woman of Rome" (1954), "An American in Rome" (1954), "Ulysses" (1955), "War and Peace" (1956), "Tempest" (1958), and "The Great War" (1959), and he won an Academy Award for 1954's "La Strada," which was directed by Federico Fellini. De Laurentiis produced more than 30 films in the '60s, including "The Hunchback of Rome" (1960), "The Last Judgment" (1961), "The Best of Enemies" (1961), "Mafioso" (1962), "The Hills Run Red" (1966), "The Stranger" (1967), "The Witches" (1967), "Barbarella" (1968), and the 1966 John Hutson-directed epic "The Bible: In the Beginning," which starred Ava Gardner, Peter O'Toole, and George C. Scott. He then produced "Waterloo" (1970), "The Valachi Papers" (1972), "The Assassin of Rome" (1972), "Serpico" (1973), and "Death Wish" (1974), and in 1976, he produced "King Kong," which grossed $90.6 million against a $24 million budget. That year he also moved to America, and he became a U.S. citizen 10 years later.
In the '80s, Dino launched De Laurentiis Entertainment Group in Wilmington, North Carolina, and he is credited with bringing the film industry to the city, which came to be known as "Wilmywood" and "Hollywood East." In 1990, he opened Dino De Laurentiis Communications in Los Angeles. De Laurentiis produced numerous horror movies in the '80s and early '90s, including "Halloween II" (1981), "Amityville II: The Possession" (1982), "Amityville 3-D" (1983), "Halloween III: Season of the Witch" (1983), "Trick or Treat" (1986), "Evil Dead II" (1987), "Army of Darkness" (1992), and several adaptations of Stephen King novels and short stories. Around this time, he also produced notable films such as "Flash Gordon" (1980), "Ragtime" (1981), "Conan the Barbarian" (1982), "Conan the Destroyer" (1984), "Dune" (1984), "Blue Velvet" (1986), and "King Kong Lives" (1986). De Laurentiis produced 1986's "Manhunter," which was based on Thomas Harris' 1981 novel "Red Dragon," the first book in his "Hannibal Lecter" series. Dino later produced three more films featuring Hannibal Lecter: "Hannibal" (2001), "Red Dragon" (2002), and "Hannibal Rising" (2007). In the late '90s, De Laurentiis produced the films "Unforgettable" (1996), "Bound" (1996), and "Breakdown" (1997), and in the last decade of his life, he produced "U-571" (2000), "The Last Legion" (2007), and "Virgin Territory" (2007).
Personal Life
After his first marriage was annulled, Dino married actress Silvana Mangano on July 17, 1949. Dino and Silvana had four children together, daughters Veronica, Raffaella, and Francesca and son Federico. Raffaella and Federico both became film producers, but sadly Federico died in a plane crash at the age of 26. De Laurentiis and Mangano divorced in 1988, and Silvana died the following year. Dino married producer Martha Schumacher on April 7, 1990, and they remained married until his death in 2010. Martha produced several films with Dino, such as "Breakdown" and "Hannibal," and they had two daughters together, Dina and Carolyna. Famed chef Giada De Laurentiis is one of Dino's grandchildren.
Death
On November 10, 2010, Dino passed away at his Beverly Hills home at the age of 91. According to his daughter Raffaella, De Laurentiis was surrounded by his family when he died. After Dino's death, his granddaughter Giada paid tribute to him, telling "The Hollywood Reporter," "My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly."
Awards and Nominations
In 1957, De Laurentiis won an Academy Award for Best Foreign Language Film for "La strada," and in 2001, he was honored with the Irving G. Thalberg Memorial Award. Dino received eight David di Donatello Awards: Best Production (Migliore Produzione) for "Le notti di Cabiria" (1957), "Tutti a casa" (1961), "The Bible: In the Beginning…" (1966), and "Banditi a Milano" (1968), Best Film (Miglior Film) for "Waterloo" (1971), a Golden Plate (1965), a Cinecittà Award (2000), and a 50th Anniversary David (2006). He earned six nominations from the Italian National Syndicate of Film Journalists, winning the Silver Ribbon for Best Producer (Produttore del Miglior Film) for "La strada" in 1955, "Le notti di Cabiria" in 1958, and "Tutti a casa" and "Il gobbo" in 1961. De Laurentiis received Lifetime Achievement Awards from the Academy of Science Fiction, Fantasy & Horror Films (1997) and the PGA Awards (2004), and he earned a Palm Springs International Film Festival Distinguished Achievement Award in 2000. Dino won a Laceno d'Oro for Best Producer at the 1960 Avellino Neorealism Film Festival and a Golden Cup for "Lo scopone scientifico" at the 1973 Golden Goblets, and he received a Pietro Bianchi Award (1999) and Career Golden Lion (2003) at the Venice Film Festival. In 2002, he earned a Career Award at the Flaiano International Prizes and "The General" Honorary Award at the Sitges – Catalonian International Film Festival, and in 2012, he posthumously received the Italy-USA Foundation's America Award.
Real Estate
In 1987, Dino and his wife Martha paid $2.8 million for a 6-acre property in Beverly Hills that features a 6,000 square-foot mansion. A few months after Martha's death in late 2021, this home came to market with a $37.5 million asking price:
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The Greatest Showman On Earth
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[
"Mike Goodridge",
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2010-11-18T13:26:00+00:00
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The late Dino De Laurentiis can be remembered for a spectacular producing career but he also invented the foreign sales business and spawned a breed of international movie moguls.
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https://www.screendaily.com/production/the-greatest-showman-on-earth/5020700.article
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The death of Dino De Laurentiis last week also marks the death of a unique movie showman.
A pioneer on a number of levels, De Laurentiis took on Hollywood and its institutionalized studio system, acquiring desirable properties, financing them independently through a foreign pre-sales model which he essentially devised and attracting some of the biggest talent in the business to his films. In the process, he often worked with the studios in different distribution arrangements but the idea was always to remain independent, financially and creatively.
Of course he was always a high roller. Running through his wildly erratic filmography spanning back to 1941 was his passion to bring epic spectacles to the screen. He shot War And Peace in 1956; he took on The Bible in 1966; he staged lavish battles in The Battle For Anzio (1968) and Waterloo (1970) and dared to remake King Kong in 1976. He put Orca in the water in 1977, brought Flash Gordon and Conan The Barbarian to film in the 80s, remade Mutiny On The Bounty (again) and introduced us to Hannibal Lecter in Manhunter (1986). In Ragtime, Tai-Pan and Dune, he dared to film vast, apparently unfilmable novels. His ambition was limitless. Like Cecil B DeMille or DW Griffith, he endeavoured to bring audiences sights and sounds they had never seen before.
But he also knew the value of sex appeal. He was the producer of Barbarella, which turned Jane Fonda into one of the world’s biggest sex icons; he produced Mandingo and Drum, those exploitation 70s hits blending sex and slavery in 19th century America; he put a scantily clad Jessica Lange in Kong’s giant hand, served up Margaux and Mariel Hemingway in rape thriller Lipstick and did what any sane movie producer would do – cast sexy pop queen Madonna in a steamy thriller called Body Of Evidence. Many of these films are famous for being awful, of course, but Dino was often selling the package, the sex appeal of what he was making. How it turned out was a different matter altogether.
Along the way, Dino took creative risks and matches of talent with material which sometimes worked and sometimes didn’t. Was sensitive Swedish master Jan Troell really the right man to make the disaster movie Hurricane? And De Laurentiis would clash with David Lynch over the final cut of Dune, a film about which Lynch is still reluctant to talk.
But he also gave crucial breaks to Sam Raimi, the Wachowski Brothers and Michael Mann and along the way worked with Bergman, Fellini, Altman, Cronenberg and Huston.
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Dino De Laurentiis • FlixPatrol
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Agostino Dino De Laurentiis was an Italian film producer best known for producing science fiction, fantasy, and horror films.
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FlixPatrol
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https://flixpatrol.com/person/dino-de-laurentiis/
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Numbers represent the title popularity measured on streaming. Every day, we track the popularity of movies and TV shows on Netflix, HBO Max, Disney+, Amazon Prime Video, Paramount+, and other streaming services in more than 160 countries worldwide. Viewership by hours or accounts is not provided, so we use the rankings from TOP 10 and other popularity charts, and from that, we build the point system for tracking the changes. See more about how the points and numbers are calculated.
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[] |
[] |
[
"Dino De Laurentiis"
] | null |
[
"IMDb"
] | null |
Dino De Laurentiis. Producer: Die Nächte der Cabiria. Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War...
|
en
|
IMDb
|
https://www.imdb.com/name/nm0209569/
|
Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War II, De Laurentiis went back into film production, and in 1946 scored a critical and commercial international hit with Bitterer Reis (1949) ("Bitter Rice"). He later married its star, Silvana Mangano. De Laurentiis eventually formed a partnership with producer Carlo Ponti, and the team had a string of hits, including several by director Federico Fellini. After the partnership dissolved, De Laurentiis embarked on a plan to build his own studio facilities, which would enable him to make the kind of massive spectacles he wanted to make. The studio complex, called Dinocitta', eventually was forced to close down due to a combination of hard times in the Italian film industry and a string of flops by De Laurentiis himself. De Laurentiis eventually sold the property to the Italian government and moved his base of production to the United States. He again opened up a film production complex in Wilmington, North Carolina, called DEG Studios, but was eventually forced by economic conditions to sell that, too. De Laurentiis has had some critical successes since his move to the U.S. (Ragtime (1981)), but most of his U.S. productions have been critically lambasted, although several have been commercial successes.
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dbpedia
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https://www.ranker.com/list/films-produced-by-dino-de-laurentiis-producer/reference%3Fpage%3D2
|
en
|
Movies Produced by Dino De Laurentiis
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https://imgix.ranker.com/list_img_v2/10327/290327/original/films-produced-by-dino-de-laurentiis-producer-u4
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[
""
] | null |
[
"Reference"
] |
2010-06-09T00:00:00
|
List of popular Dino De Laurentiis movies, listed here by prominence with movie trailers when available. Various bits of information about these films are ...
|
en
|
/img/icons/touch-icon-iphone.png
|
Ranker
|
https://www.ranker.com/list/films-produced-by-dino-de-laurentiis-producer/reference
|
List of popular Dino De Laurentiis movies, listed here by prominence with movie trailers when available. Various bits of information about these films are included with each film, such as the actors that starred in them and who directed them. This list of famous films Dino De Laurentiis produced includes both blockbusters and independent movies. Use this list to find out what movies Dino De Laurentiis produced and how many movies Dino De Laurentiis produced. While this may not be a complete list of every movie Dino De Laurentiis produced, all well-known Dino De Laurentiis producer credits are included.
Films here include everything from Hannibal to Three Days of the Condor.
This list answers the questions, "What movies has Dino De Laurentiis produced?" and "What are the best Dino De Laurentiis movies?"
|
||
202
|
dbpedia
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3
| 10 |
https://www.imdb.com/list/ls505379683/
|
en
|
Dino De Laurentiis — Producer
|
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[] |
[] |
[
""
] | null |
[] | null |
Dino De Laurentiis (1919 – 2010) was an Italian (later naturalized American) film producer.
He was one of the producers who brought Italian cinema to the international scene at the end of World War II.
He produced or co-produced more than 500 films, of which 38 were nominated for Academy Awards.
Which is your favorite title produced by Dino De Laurentiis? (IMDb rating 5.0 or higher)
Cast your Vote in the Live Poll (https://www.imdb.com/poll/oqmH6Yhcc9g/)
Join the Discussion Here in the IMDb Poll Community Forum (https://community-imdb.sprinklr.com/conversations/imdb-poll/poll-suggestion-dino-de-laurentiis/60d24fa5af04f4612e3c91f5)
|
en
|
IMDb
|
https://www.imdb.com/list/ls505379683/
|
Dino De Laurentiis (1919 – 2010) was an Italian (later naturalized American) film producer.
He was one of the producers who brought Italian cinema to the international scene at the end of World War II.
He produced or co-produced more than 500 films, of which 38 were nominated for Academy Awards.
Which is your favorite title produced by Dino De Laurentiis?
(IMDb rating 5.0 or higher)
Cast your Vote in the Live Poll
Join the Discussion Here in the IMDb Poll Community Forum
|
|||||
202
|
dbpedia
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0
| 45 |
https://todayinmadonnahistory.com/tag/bloodhounds-of-broadway/
|
en
|
Bloodhounds of Broadway « Today In Madonna History
|
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Posts about Bloodhounds of Broadway written by Jay and sonicboy19
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en
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https://secure.gravatar.com/blavatar/a0a8d5db754ceabb572b9c23ef9eb2dc770e70b9d989891568251de6da9b6669?s=32
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Today In Madonna History
|
https://todayinmadonnahistory.com/tag/bloodhounds-of-broadway/
|
On April 16 1993, Body Of Evidence (starring Madonna) opened in cinemas across the U.K.
Roger Ebert had this to say about the film:
I’ve seen comedies with fewer laughs than Body of Evidence, and this is a movie that isn’t even trying to be funny. It’s an excruciatingly incompetent entry in the Basic Instinct genre, filled with lines that only a screenwriter could love, and burdened with a plot that confuses mystery with confusion.
The movie stars Madonna, who after Bloodhounds of Broadway, Shanghai Surprise and Who’s That Girl? now nails down her title as the queen of movies that were bad ideas right from the beginning. She plays a kinky dominatrix involved in ingenious and hazardous sex with an aging millionaire who has a bad heart. He dies after an evening’s entertainment, and Madonna is charged with his murder.
On March 26 1983, the music video for Madonna’s Everybody was briefly mentioned in Billboard magazine along side the music video for Konk’s Konk Party, noting that both videos were directed by Ed Steinberg of Soft Focus Productions. What is not mentioned and likely not known to the columnist (considering they think Madonna is the name of a group!) is that Madonna appears as an extra in Konk Party along with her pals Erika Belle and Martin Burgoyne. Original Sonic Youth drummer and member of Konk, Richard Edson, is also featured in the video. Edson would later appear in the film Desperately Seeking Susan, holding open a newspaper box for Madonna, and is pictured prominently next to Madonna in the film’s cast photo – which is unusual considering the brevity of his time on-screen. He worked with Madonna again in 1988, playing the character of Johnny Crackow in the film, Bloodhounds Of Broadway.
Sonic Youth would explore their own fascination with Madonna with their side project, Ciccone Youth. In liner notes for Sonic Youth’s reissue of their landmark album, Daydream Nation (1988), the band revealed that they had given an advance copy of Ciccone Youth’s The Whitey Album (1988) to Madonna’s sister, who was working in Warner’s art department at the time, seeking Madonna’s approval for the use of her image on the album cover (her songs Into The Groove & Burning Up were also covered & sampled). Word came back that Madonna had no issues with it, adding that she remembered the band from their early days in New York.
Sonic Youth made humourous references to Madonna’s place in popular culture in their promotional artwork throughout the 80’s – typically designed by bassist/vocalist/guitarist and visual artist, Kim Gordon. They were even known to use Madonna’s music as interludes during guitar changes at their shows in the 80’s, bewildering audience members who were not privy to their shared origins as part of the early 80’s underground music scene in NYC.
In another connection, Sonic Youth’s 2004 album, Sonic Nurse, featured artwork from Richard Prince’s acclaimed Nurse Paintings series. In 2015, Madonna used a rotating selection of paintings from her own art collection as backdrops for a series of press junket interviews to promote her Rebel Heart album. One of the paintings displayed was Prince’s Heartbreak Nurse from his Nurse Paintings series.
On November 3 1989, Bloodhounds of Broadway was released in New York.
Here is the review summary by Hal Erickson of the New York Times:
Produced for theatrical released by PBS’ American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year’s Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, “The Brain” (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film’s plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer.
On March 26 1983, the music video for Madonna’s Everybody was briefly mentioned in Billboard magazine along side the music video for Konk’s Konk Party, noting that both videos were directed by Ed Steinberg of Soft Focus Productions. What is not mentioned and likely not known to the columnist (considering they think Madonna is the name of a group!) is that Madonna appears as an extra in Konk Party along with her pals Erika Belle and Martin Burgoyne. Original Sonic Youth drummer and member of Konk, Richard Edson, is also featured in the video. Edson would later appear in the film Desperately Seeking Susan, holding open a newspaper box for Madonna, and is pictured prominently next to Madonna in the film’s cast photo – which is unusual considering the brevity of his time on-screen. He worked with Madonna again in 1988, playing the character of Johnny Crackow in the film, Bloodhounds Of Broadway.
Sonic Youth would explore their own fascination with Madonna with their side project, Ciccone Youth. In liner notes for Sonic Youth’s reissue of their landmark album, Daydream Nation (1988), the band revealed that they had given an advance copy of Ciccone Youth’s The Whitey Album (1988) to Madonna’s sister, who was working in Warner’s art department at the time, seeking Madonna’s approval for the use of her image on the album cover (her songs Into The Groove & Burning Up were also covered & sampled). Word came back that Madonna had no issues with it, adding that she remembered the band from their early days in New York.
Sonic Youth made humourous references to Madonna’s place in popular culture in their promotional artwork throughout the 80’s – typically designed by bassist/vocalist/guitarist and visual artist, Kim Gordon. They were even known to use Madonna’s music as interludes during guitar changes at their shows in the 80’s, bewildering audience members who were not privy to their shared origins as part of the early 80’s underground music scene in NYC.
In another connection, Sonic Youth’s 2004 album, Sonic Nurse, featured artwork from Richard Prince’s acclaimed Nurse Paintings series. In 2015, Madonna used a rotating selection of paintings from her own art collection as backdrops for a series of press junket interviews to promote her Rebel Heart album. One of the paintings displayed was Prince’s Heartbreak Nurse from his Nurse Paintings series.
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https://www.nyctransitforums.com/topic/23352-dino-de-laurentis-dies/
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en
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Dino De Laurentis dies.
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2010-11-11T16:56:14+00:00
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Dino De Laurentiis, who produced more than 160 films and was nominated for Oscars 35 times, has died at age 91, according to the Hollywood Reporter. De Laurentiis won the Academy Award for best foreign-language film for 1954's "La Strada," directed by fellow Italian Federico Fellini, according to...
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NYC Transit Forums
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https://www.nyctransitforums.com/topic/23352-dino-de-laurentis-dies/
|
Dino De Laurentiis, who produced more than 160 films and was nominated for Oscars 35 times, has died at age 91, according to the Hollywood Reporter.
De Laurentiis won the Academy Award for best foreign-language film for 1954's "La Strada," directed by fellow Italian Federico Fellini, according to imdb.com.
He produced the Jane Fonda cult classic "Barbarella" in 1968 and moved to the United States shortly after, according to Digital Spy.
He had a reputation for backing big-budget bombs, but he made good movies too. Among his credits are "Serpico," "Three Days of the Condor," "Flash Gordon," "Dune" and the 1976 remake of "King Kong."
He did not produce "The Silence of the Lambs" in 1991 but did take charge of "Hannibal" and "Hannibal Rising," according to DigitalSpy.
He was the grandfather of celebrity chef Giada De Laurentiis.
http://news.blogs.cnn.com/2010/11/11/movie-producer-dino-de-laurentiis-dies/?hpt=T2
--------------------------------------------------
His influence has shaped modern cinema, i for one am a big fan of his work.
- A
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https://www.gamesradar.com/the-20-best-dino-de-laurentiis-movies/
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The 20 Best Dino De Laurentiis Movies
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[
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2010-11-12T15:00:00+00:00
|
In memory of the master showman
|
en
|
gamesradar
|
https://www.gamesradar.com/the-20-best-dino-de-laurentiis-movies/
|
Bitter Rice (1949)
In the neorealist swirl of post-war Italy, young bespectacled producer Dino De Laurentiis, on a salary at Lux Film, worked alongside writer/director Giuseppe De Santis in this down-at-heel rice-field romance.
The film starred Silvana Mangano as heaving peasant girl Silvana – she became a star and, soon after, De Laurentiis’ wife.
La Strada (1954)
“One day Fellini called me and said, ‘Dino, nobody wants this film of mine. I’m sending over the screenplay, and we’ll see if you’re interested.’”
And that, according to De Laurentiis, is how Fellini’s poetic masterpiece began. The film was an international hit, and earned de Laurentiis his first Oscar, for Best Foreign Language Film.
The Nights Of Cabiria (1957)
A second teaming with Fellini, again starring the director’s wide-eyed wife, Giulietta Masina.
After the drifting fable of La Strada, Cabiria is a return to a more direct neorealism, with Masina’s feisty working girl encountering a cross-section of Italy while roaming Rome’s red light district. It’s De Laurentiis’ best Italian film, and earned him a second Oscar.
Barabbas (1961)
Dino was never shy of chasing a box-office trend, and in an era of biblical epics and runaway productions, Barabbas was his sandy shot at the big time.
And, while it doesn’t quite measure up to its big influences Ben-Hur and Spartacus, the production has serious heft, and Anthony Quinn is suitably anguished as the man released from crucifixion ahead of Christ.
Barbarella (1968)
A unique and disastrous meeting of De Laurentiis’ European sensibilities with a Hollywood budget and stars.
The result is a barely-constructed sex-com sci-fi overflowing with gauche props and camp-glitz set design that, like polyester and savage bowl cuts, has somehow become cultishly fashionable.
Waterloo (1970)
De Laurentiis was by now an independent producer, but used his dealmaking skills to set up elaborately financed blockbusters with international backing that rivalled Hollywood’s homegrown giants.
Waterloo was as big as they came, with Russian co-financing and a then-record budget of around $40 million powering awesomely scaled battle sequences featuring 17,000 extras from the Soviet army.
Serpico (1973)
Sidney Lumet’s corrupt cop thriller was the first film De Laurentiis made after moving to the United States in the early ‘70s.
The producer bought the rights to Peter Maas’ book for $450,000 on the strength of a few pages, and pulled strings with friend and Paramount boss Charles Bluhdorn to make sure his dream team of Lumet and Al Pacino made the film.
Death Wish (1974)
As a producer De Laurentiis relied heavily on his own taste and intuition in picking projects. So it’s remarkable that his track record flits so quickly between art house and pure trash.
Luckily, this is good trash, with Charles Bronson’s geologically-faced everyman turning mad vigilante after his family is killed. “I didn’t ask myself whether it was a fascist film or any crap like that,” the producer stormed. “I understood it was a story the public could identify with.”
Three Days Of The Condor (1975)
The pendulum swings again, with De Laurentiis setting up the framework for this brilliant, shadowy post-Watergate thriller starring Hollywood golden boy Robert Redford.
It’s among the producer’s finest films, worthy of mention in the same breath as All The President’s Men and The Conversation, as Redford’s sweater-wearing CIA bookworm trips over the wrong secret and ends up on the run.
King Kong (1976)
Another of Dino’s blockbusters paid for with a spiderweb of international financing.
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https://www.firstshowing.net/2010/prolific-italian-producer-dino-de-laurentiis-passes-away-at-91/
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Legendary Italian Producer Dino de Laurentiis Passes Away at 91
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2010-11-11T09:56:24-05:00
|
In the film industry, there's always been this stigma that anyone can be a film producer. But when it comes to legendary Italian producer Dino de Laurentiis, there are few who measure up to his great stature and achievements. Sadly, The New York Times reports the producer died at his home in LA at 91
|
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/favicon.ico
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FirstShowing.net
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https://www.firstshowing.net/2010/prolific-italian-producer-dino-de-laurentiis-passes-away-at-91/
|
In the film industry, there's always been this stigma that anyone can be a film producer. But when it comes to legendary Italian producer Dino de Laurentiis, there are few who measure up to his great stature and achievements. Sadly, The New York Times reports the producer died at his home in LA at 91 years old. He was surrounded by family when he passed early this morning, and he leaves behind a legacy in cinema that spans over 500 films and seven decades of hard work in motion pictures. The super producer worked with the finest filmmakers in history, some of which are already waiting for him in that movie theater in the sky.
As a producer de Laurentiis garnered himself not one, but two Academy Awards for producing two films from one of Italy's finest filmmakers, Federico Fellini. Both 1954's La Strada and 1957's Nights of Cabiria resulted in Oscar wins for Best Foreign Film. But aside from his fine work alongside his Italian colleagues, here in the States, de Laurentiis was also responsible for classics like Barbarella, Serpico and Three Days of the Condor. The producer also dabbled in adaptation with films like The Valachi Papers (about many infamous mobsters) and even the fiercely panned 1976 remake of King Kong with Jessica Lange and Jeff Bridges.
Yes, as many hits that came de Larentiis' way, there were also flops. Though he worked with director David Lynch on Blue Velvet, a film largely considered to be Lynch's best film, the producer also was unfortunately apart of the director's flop in the 1984 adaptation of Dune. But de Laurentiis took all his success and mistakes in stride and continued on in his career, and there are still titles in development that will boast his name including the remake of Barbarella and a big screen adaptation of "MacGyver" that's in the works. Though he's left this world, he leaves behind a legacy that will last forever. Rest in peace, sir.
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Italian film producer Dino De Laurentiis dies
|
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2010-11-11T15:16:47.775000+00:00
|
Was behind Serpico, King Kong and close to 500 other films
|
en
|
The Globe and Mail
|
https://www.theglobeandmail.com/arts/film/italian-film-producer-dino-de-laurentiis-dies/article1241669/
|
Dino De Laurentiis, an Academy Award-winning film impresario and producer of Serpico and Barbarella, who helped revolutionize the way movies are bankrolled and sold, has died. He was 91.
The producer's daughter said her father was surrounded by family when he died Wednesday night at his home in Beverly Hills. The statement from Raffaella De Laurentiis did not give a cause of death.
"My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly," granddaughter Giada De Laurentiis, a star chef and host on Food Network, said Thursday.
De Laurentiis was a legend of Italian New Wave filmmaking. His works also included Bitter Rice, La Strada and Death Wish.
He was tiny but tough, a veritable Napoleon on the set and utterly tireless. "Such a little lion," was how his second wife, producer Martha De Laurentiis, put it when he turned 80.
Like any larger-than-life movie figure, De Laurentiis went through boom times and busts. But he always bounced back and his passion for movies never dimmed.
His career spanned hundreds of films, including several Oscar winners, and he worked with some of the biggest stars and best directors in the business. His credits include box office and/or critical successes such as U-571, War and Peace, Ragtime, Three Days of the Condor and Blue Velvet.
A pivotal figure in postwar Italian New Wave cinema, De Laurentiis moved to the United States in the 1970s, becoming a citizen in 1986. But this son of a Neapolitan pasta maker never lost his thick Italian accent and tried to spend a month in Capri and Rome each year.
The Oscar-winning Serpico, in 1973 with Al Pacino, was De Laurentiis' Hollywood debut. But by then, he already had two Italian-made Oscar-winners: Federico Fellini's La Strada and Nights of Cabiria to his credit.
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America.
Throughout his career, he alternated lavish, big-budget productions with less commercial films by directors such as Robert Altman, Ingmar Bergman and David Lynch, and he often packaged the blockbusters with art films to secure distribution for the smaller films.
De Laurentiis was capable of bold, brilliant strokes and audacious risks. In his 80s, he could still pull off a major coup by snapping up the movie rights to Hannibal, novelist Thomas Harris' sequel to hit The Silence of the Lambs.
One of six children, he was born in Torre Annunziata on the Bay of Naples on Aug. 8, 1919. When he was 16, he headed for Rome to study acting. When he was 18, he produced his first film. A few years later, he started his own production company in Turin.
The serious success began after World War II, starting with Bitter Rice, in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, De Laurentiis went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic War and Peace (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
He also teamed up with acclaimed New Wave directors. One of his most successful partnerships was with the legendary Federico Fellini. Together they made La Strada and Nights of Cabiria, Oscar winners for best foreign film in 1957 and 1958.
De Laurentiis built a huge new studio on the outskirts of Rome, called it Dinocitta (Dino city), and began producing spectacles with Hollywood stars: Barrabas (Anthony Quinn), The Bible (George C. Scott, Ava Gardner), Anzio (Robert Mitchum), Waterloo (Rod Steiger). He also made more offbeat fare, such as Roger Vadim's sex romp, Barbarella (Jane Fonda).
The studio folded in 1972, the victim of rising costs, and De Laurentiis left for United States, where he produced his formula of alternating grandiose spectacle with more sophisticated fare.
He got off to a strong start in the United States with Serpico, then followed it up with another success, Three Days of the Condor, a spy thriller starring Robert Redford.
But he was also battered by flops, including the infamous Dune, in 1984 and a truly awful King Kong sequel.
Personal tragedy also took its toll. In 1981, his son Federico was killed in a plane crash. "My father still to this day can't speak of him. ... He told me that every morning he wakes up and thinks of him," De Laurentiis' daughter Veronica said nearly 20 years after Federico's death.
The strain of the loss helped end his marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of King Kong Lives.
Yet De Laurentiis, close to 70 years old, was undaunted and started over.
Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
"My philosophy is very simple," De Laurentiis once said. "To feel young, you must work as long as you can."
Survivors include three daughters with Mangano - Rafaela, Francesca and Veronica - and two with Schumacher: Carolina and Dina. Funeral arrangements have not yet been determined.
|
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202
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dbpedia
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https://movies.fandom.com/wiki/Body_of_Evidence
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Body of Evidence
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2024-07-12T14:06:28+00:00
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Body of Evidence is a 1993 erotic thriller film directed by Uli Edel, written by Brad Mirman, and starring Madonna and Willem Dafoe, with Joe Mantegna, Anne Archer, Julianne Moore, and Jürgen Prochnow in supporting roles. Madonna's performance in the film was panned by film critics and it marked...
|
en
|
https://static.wikia.nocookie.net/filmguide/images/4/4a/Site-favicon.ico/revision/latest?cb=20230313154015
|
Moviepedia
|
https://movies.fandom.com/wiki/Body_of_Evidence
|
Body of Evidence is a 1993 erotic thriller film directed by Uli Edel, written by Brad Mirman, and starring Madonna and Willem Dafoe, with Joe Mantegna, Anne Archer, Julianne Moore, and Jürgen Prochnow in supporting roles.
Madonna's performance in the film was panned by film critics and it marked her fourth film acting performance to be panned, following Shanghai Surprise, Who's That Girl, and Bloodhounds of Broadway.
In France and Japan, the film was released under the name Body. In Japan, Madonna's other 1993 film Dangerous Game was released there as Body IIeven though the films have nothing in common nor are related to each other in narrative.
Plot[]
The elderly and wealthy Andrew Marsh dies from complications stemming from an erotic incident involving bondage and homemade pornography. The main suspect is his lover Rebecca Carlson who proclaims her innocence to lawyer Frank Dulaney. Initially believing her, Frank agrees to represent her.
District Attorney Robert Garrett seeks to prove that Rebecca deliberately killed Marsh in bed to receive the $8 million he left her in his will. As the trial begins, Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Frank's unsuspecting wife, Sharon.
During their first sexual encounter, Rebecca secures Frank's arms behind his back using his own belt and alternately pours hot wax and champagne on him before having sex.
After an ex-lover of Rebecca's, Jeffrey Roston, testifies that he also had a heart condition, and both changed his will to favour Rebecca, and that she was sexually domineering and compelled him to engage in sexual activity with no regard to his health, describing an incident that clearly resonates with Frank's own experience, Frank attempts to end their affair.
Sharon confronts him about the affair having figured it out from a phone call with Rebecca as well as the strange marks on his body from the hot wax. Frank goes to Rebecca's home and accuses her of telling his wife about them (although Sharon says she worked it out from her tone alone). Rebecca taunts Frank, and he pushes her to the ground. Rebecca begins to masturbate on the floor in front of him. Rebecca pulls out handcuffs, Frank forcibly cuffs her hands instead and sexually assaults her. Initially she resists before appearing to enjoy the assault.
Footage from Marsh's home video reveals that he had an affair with his secretary, Joanne Braslow, who is a key witness against Rebecca. He also had previously left Joanne more money in his will before beginning his relationship with Rebecca. She says that she was hurt but she loved him and would never hurt him. However, there is evidence that she bought the murder weapon. Rebecca suggests to Frank that the secretary tried to frame her, but he is now less sure of her innocence in the crime.
Rebecca takes the stand and her surprising testimony that Roston had an affair with another man convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank and indicates that she is guilty after all.
Frank still cannot resist going to Rebecca's home, where he overhears an incriminating conversation between her and Marsh's doctor, Alan Paley. He confronts the co-conspirators, realizing that it was Paley who supplied the fatal dose of cocaine. Rebecca is amused by Frank's discovery of her manipulating him, but Paley is shocked to learn that she was sleeping with Frank as well. Rebecca mocks both men, bluntly acknowledging that she used her sexual prowess to control and humiliate both of them, as well as Marsh. Paley realizes she does not care about him and becomes enraged.
After a struggle with Frank who tries to save Rebecca, Paley shoots her twice. She plunges from a window to her death. Paley is arrested for murdering her.
Before leaving the scene with his wife to repair their relationship, Frank then tells Garret he should've won the case with Garrett replying: "I did".
Cast[]
Madonna as Rebecca Carlson
Willem Dafoe as Frank Dulaney
Joe Mantegna as Robert Garrett
Anne Archer as Joanne Braslow
Julianne Moore as Sharon Dulaney
Stan Shaw as Charles Briggs
Charles Hallahan as Dr. McCurdy
Lillian Lehman as Judge Mabel Burnham
Mark Rolston as Detective Reese
Jeff Perry as Gabe
Richard Riehle as Detective Griffin
Jürgen Prochnow as Dr. Alan Paley
Frank Langella as Jeffrey Roston
|
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1
| 72 |
https://www.latimes.com/archives/blogs/afterword/story/2010-11-11/italian-filmmaker-dino-de-laurentiis-dies-at-91
|
en
|
Italian filmmaker Dino De Laurentiis dies at 91
|
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2010-11-11T00:00:00
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This article was originally on a blog post platform and may be missing photos, graphics or links.
|
en
|
/apple-touch-icon.png
|
Los Angeles Times
|
https://www.latimes.com/archives/blogs/afterword/story/2010-11-11/italian-filmmaker-dino-de-laurentiis-dies-at-91
|
This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts.
Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his country’s film industry after World War II and for more than six decades produced films as diverse as the 1954 Federico Fellini classic “La Strada” and the 1976 remake of “King Kong,” has died. He was 91.
The Italian media reported his death Thursday morning.
[Updated at 8:40 a.m.: De Laurentiis, who moved to the United States in the 1970s, died Wednesday night at his Beverly Hills home, his daughter Raffaella De Laurentiis, said in a statement Thursday. The cause was not given. An earlier version of this post said Italian media reported that he died in Los Angeles.]
Once described by Los Angeles Times columnist Patrick Goldstein as “a master showman, the last survivor of a bygone era of swashbuckling Hollywood producers ... who made movies fueled by grandiose schemes and consummate salesmanship,” De Laurentiis launched his long career as a producer in Italy in the 1940s.
In the 1950s, he produced two Oscar-winning best foreign films — Fellini’s “La Strada” (with then-partner Carlo Ponti) and Fellini’s “Nights of Cabiria” (1957).
In 1962, the prolific producer began building a sprawling studio complex on the outskirts of Rome that he called Dinocitta — Dino City.
During the 1960s — he is credited with pioneering the now-common practice of financing films by pre-selling the distribution rights in foreign countries — De Laurentiis produced films such as director Richard Fleischer’s “Barabbas,” starring Anthony Quinn; John Huston’s star-studded “The Bible”; and Roger Vadim’s “Barbarella,” starring Jane Fonda.
His company also produced Franco Zeffirelli’s adaptation of “Romeo and Juliet.”
After selling his studio and moving to the United States in the 1970s, De Laurentiis produced films such as “Serpico,” “Death Wish,” “Three Days of the Condor,” “The Serpent’s Egg,” “Ragtime” and “Conan the Barbarian.”
But De Laurentiis’ name also became synonymous with expensive box-office failures such as “Dune,” “Tai-Pan” and “King Kong Lives.”
The son of a pasta manufacturer, he was born Agostino De Laurentiis on Aug. 8, 1919, in Torre Annunziata, some 17 miles from Naples.
One of seven children, he dropped out of school at 15 and traveled as a salesman for his father’s pasta factory. But he wasn’t enamored of the family business.
In 1937, the movie-struck teenager was accepted to the first-year acting course at a new film school in Rome, Centro Sperimentale di Cinematografia.
At the end of the year, De Laurentiis realized he didn’t have the makings of a successful actor and realized he’d rather be behind the camera — as a producer.
He worked for a time as an extra, stagehand, electrician and director’s assistant before changing his first name from Agostino to Dino and launching a production company.
A full obituary will follow at www.latimes.com/obits.
-- Dennis McLellan
|
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202
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dbpedia
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3
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https://screendollars.com/dino-de-laurentiis-dies-on-11-10-2010/
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en
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Dino De Laurentiis Dies on 11/10/2010
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In an industry where anyone can claim to be an independent producer, Dino De Laurentiis was the real thing. Unlike so many others who spent decades seeking an
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Screendollars
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https://screendollars.com/dino-de-laurentiis-dies-on-11-10-2010/
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Last revised on December 30, 2020
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08 – General
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https://variety.com/2001/film/news/de-laurentiis-not-foreign-to-success-1117794668/
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De Laurentiis not foreign to success
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2001-03-01T07:00:00+00:00
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Since Hollywood was initially built by outsiders and its product often celebrates them, it's perhaps fitting, and yet ironic, that one of the movie biz's greatest outsiders, Dino De Laurentiis, will receive one of the industry's ultimate insider awards.
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en
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Variety
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https://variety.com/2001/film/news/de-laurentiis-not-foreign-to-success-1117794668/
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HOLLYWOOD — Since Hollywood was initially built by outsiders and its product often celebrates them, it’s perhaps fitting, and yet ironic, that one of the movie biz’s greatest outsiders, Dino De Laurentiis, will receive one of the industry’s ultimate insider awards.
De Laurentiis, 82, resurrected Italy’s postwar movie industry, invented the international co-production, launched the careers of dozens of filmmakers and stars, stood as the central figure in the distribution of foreign-made films across international boundaries (especially into the United States), then came to Hollywood and successfully produced scores of outstanding films for over three decades.
As unquestionably the greatest and most successful independent producer in film history, he came, he saw, he conquered — not unlike some of the heroes in his historical epics.
And the Academy of Motion Picture Arts & Sciences’ Board of Governors will celebrate the man who personally produced more than 200 movies and had a substantial hand in realizing or distributing 400 others all over the globe — and built three studios — by giving him the Irving G. Thalberg Award on Oscar night.
“His love of, passion for and dedication to making motion pictures has suffused through his career,” says Acad president Robert Rehme. “He has always had the courage to make the films that he believes in.”
The diversity of De Laurentiis’ filmography encompasses John Huston’s “The Bible” (1966) as well as Roger Vadim’s “Barbarella” (1968), John Wayne’s valedictory film “The Shootist” (1976) and David Lynch’s influential “Blue Velvet” (1986), the great and time-honored classics from director Federico Fellini, and titles such as “Hell Raiders From the Deep” (1952) and “Girls Marked for Danger” (1953).
“It was a big surprise,” De Laurentiis says of being honored. “I’m very happy and flattered. I have always made pictures by relying on my passion and energy and on my humility.”
Though he has officially received one Oscar for producing foreign-film winner “La Strada” in 1956, De Laurentiis’ films have accumulated a total of 33 nominations in various different categories.
“In the way I work, I approach any business meeting in good faith and with an open mind,” De Laurentiis says. “If I disagree with what a studio wants, I go on my own and do the picture without the studio. When I find new talent, I do all I can. For instance, with (writer-director) Jonathan Mostow and ‘Breakdown’ (the 1997 missing-wife thriller starring Kurt Russell), I shopped it to all the studios and they say, ‘It’s a good script, but change the director.’ I say sorry to all the studios, because I know Jon Mostow will do a fantastic job.
“Then I get a call from Sherry Lansing at Paramount and she says, ‘Dino, I’m still interested.’ And I sell the picture. In all my life I have tried to realize my dreams. ‘War and Peace’ (the 1956 adaptation of the Leo Tolstoy classic starring Henry Fonda) was a dream. But I did it. I made it come true. Many people think that you need money to make a movie. No, you need a good idea, a good script and a good director. Then the money will come to the idea.”
The son of a Naples pasta maker, De Laurentiis enrolled in Rome’s Centro Sperimentale di Cinematografia at 17, and worked as an extra, actor, prop man, unit manager and assistant director, producing his first film before he was 20.
His first hit proved to be “Bitter Rice” (1946), about rice harvesters in the Po River Valley. It starred Vittoria Gassman and Silvana Mangano, the future Mrs. De Laurentiis, in a sensual performance that made her an international star.
De Laurentiis worked to reinvigorate the Italian film industry after the war, and he produced and/or distributed films made by many of the notable Italo directors of the era: the Fellini films, Alberto Attuada’s “Il Bandito” (1946), Roberto Rossellini’s “Europa ’51” (1952), Vittorio de Sica’s “Gold of Naples” (1954), Mario Camerini’s “Ulysses” (1955) and Mario Monicello’s “The Great War” (1960).
He partnered in the early and mid-1950s with that other great name of Italian producing, Carlo Ponti, but their pact dissolved in 1957.
At this time, American and British actors began to be attracted to De Laurentiis productions — Kirk Douglas and Anthony Quinn in particular for “Ulysses” — and they made many of his films bankable in all territories. International co-productions in the truest sense with polyglot casts and crews became a business trend in the 1960s.
De Laurentiis made such truly internationally constructed pictures as director Richard Fleischer’s “Barabbas” (1962), with Quinn, Mangano and Jack Palance; Sergei Bondarchuk’s “Waterloo” (1970), with Rod Steiger and Orson Welles; and Burt Kennedy’s “The Deserter” (1971), with John Huston and Bekim Fehmiu.
The producer says his most fondly remembered picture is director Sidney Lumet’s “Serpico” (1973), starring Al Pacino as real-life New York undercover cop Frank Serpico.
“I say this film not because of how excellent it was or any awards it earned, or the making of it, all of which were great,” De Laurentiis says.
“When I decided to move to the U.S. from Italy, my English was very poor and I didn’t know anyone in the American film industry and I didn’t know the audience,” he says. “So, one day, I called Peter Maas, who I had met. I said, ‘Peter, give me something new.’
“He told me he was working on this book about this cop. I met with him and read the first 20 pages, which captured the character of Serpico. I said, ‘I am going to buy this for the movies. We’re going to get a great actor and we’re going to make a good movie. And we did it better than expected. So then I say to myself, ‘Dino, I can do it in America, too.’ It made me believe in myself.”
His critical or financial hits since then include Sydney Pollack’s “Three Days of the Condor” (1975), Robert Altman’s “Buffalo Bill and the Indians, or Sitting Bull’s History Lesson” (1976), Milos Forman’s “Ragtime” (1981, eight Oscar noms), John Milius’ “Conan the Barbarian” (1982), David Cronenberg’s “The Dead Zone” (1983) and Roger Donaldson’s remake, “The Bounty” (1984).
His most recent pictures have been the submarine drama “U-571” and “Hannibal,” the sequel to the multi-Oscar-winning “Silence of the Lambs” that has delivered boffo box office numbers.
When a De Laurentiis picture failed, it was often in a huge way, as with the “The Bible”; Swedish great Ingmar Bergman’s one American venture, “The Serpent’s Egg” (1978); the remakes of “King Kong” (1976) and “Hurricane” (1979); David Lynch’s “Dune” (1984); and the Madonna-wallow noir “Body of Evidence” (1993).
In the late 1980s, his mini-major studio, De Laurentiis Entertainment Group, rode the crest of cutting-edge critical approval with “Blue Velvet.” And he built three major studios: Dino Citta in Rome; what is now Screen Gems in Wilmington, N.C.; and Village Roadshow Studios in Australia.
“In Italy, we needed modern studio facilities as we were doing ‘Barabbas’ and ‘The Bible,’ so I had to build it,” De Laurentiis says. “We were making ‘Firestarter’ in North Carolina, and they said, ‘North Carolina needs more industry,’ so I build that one. And in Australia, it gives them their first big, modern studio.
“Why did I do this? As a producer, I like to create new ways to work, new distribution systems, new stars, new directors, give young people a chance. This is the job of the producer.”
The Thalberg award was established in 1937 to commemorate the career of MGM’s mercurial production chief of the 1920s and ’30s, and be awarded to “creative producers whose bodies of work reflect a consistently high quality of motion picture production.” Recent winners include Warren Beatty, Steven Spielberg, George Lucas and Clint Eastwood.
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Dino De Laurentiis Biography & Filmography
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2022-06-30T08:52:30+00:00
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Agostino “Dino” De Laurentiis was an Italian-American film producer who died on November 10, 2010.
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en
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Weird Italy
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https://weirditaly.com/person/dino-de-laurentiis/
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Dino De Laurentiis
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Dino De Laurentiis
Agostino “Dino” De Laurentiis was an Italian-American film producer who died on November 10, 2010. He was one of the producers who, along with Carlo Ponti, pushed Italian film on the international stage towards the end of WWII. He produced or co-produced almost 500 films, 38 of which received Academy Award nominations. In the late 1930s and early 1940s, he also had a brief acting career. De Laurentiis died on November 10, 2010, at the age of 91, in his Beverly Hills home.
Film productions
Department Store (I grandi magazzini) (1939)
Love Song (L’amore canta) (1941)
Aquila nera (1946)
Il bandito (1946)
La figlia del capitano (1947)
Molti sogni per le strade (1948)
Il cavaliere misterioso (1948)
I pompieri di Viggiù (1949)
Adamo ed Eva (1949)
Riso amaro (1949)
Il lupo della Sila (1949)
Napoli milionaria (1950)
Il brigante Musolino (1950)
Romanticismo (1951)
Il padrone del vapore (1951)
Accidenti alle tasse!! (1951)
Totò terzo uomo (1951)
Ultimo incontro (1951)
Guardie e ladri (1951)
Anna (1951)
Totò a colori (1952)
Jolanda, la figlia del Corsaro Nero (1952)
Gli 11 moschettieri (1952)
Europe ’51 (Europa ’51) (1952)
La tratta delle bianche (1952)
I tre corsari (1952)
Fratelli d’Italia (1952)
I sette dell’Orsa maggiore (1953)
Le infedeli (1953)
La lupa (1953)
Anni facili (1953)
Un giorno in pretura (1953) uncredited
Dov’è la libertà…? (1954)
Miseria e nobiltà (1954)
La Strada (1954)
Mambo (1954)
Ulysses (Ulisse) (1954)
Un americano a Roma (1954)
La romana (1954)
L’oro di Napoli (1954)
Attila (1954)
Siluri umani (1954)
La donna del fiume (1954)
Ragazze d’oggi (1955)
Le diciottenni (1955)
La bella mugnaia (1955)
War and Peace (Guerra e Pace) (1956)
Malafemmena (1957)
Guendalina (1957) Executive Producer
Nights of Cabiria (Le notti di Cabiria) (1957)
Guardia, ladro e cameriera (1958)
La diga sul pacifico (1958)
Fortunella (1958)
La tempesta (1958)
La grande guerra (1959)
Io amo, tu ami (1960) Executive Producer
Il gobbo (1960)
Jovanka e le altre (1960)
Sotto dieci bandiere (1960)
Tutti a casa (1960)
Crimen (1961)
Il federale (1961) Executive Producer
Maciste contro il vampiro (1961) Executive Producer
Il re di Poggioreale (1961)
I due nemici (1961)
Il giudizio universale (1961)
Una vita difficile (1961)
Barabba (1961)
Le pillole di Ercole (1962)
Il commissario (1962)
Mafioso (1962) Executive Producer
Il maestro di Vigevano (1963)
Il giovedì (1963)
Il processo di Verona (1963)
Le ore dell’amore (1963)
Il diavolo (1963)
Il boom (1963)
Cadavere per signora (1964)
La mia signora (1964)
Il disco volante (1964)
Thrilling (1965)
Menage all’italiana (1965)
I tre volti (1965)
La tigre profumata alla dinamite (Le Tigre se parfume à la dynamite) (1965)
La battaglia dei giganti (Battle of the Bulge) (1965) Executive Producer, uncredited
The Bible: In the Beginning (La Bibbia) (1966)
Se tutte le donne del mondo (1966) Executive Producer
Le streghe (1967)
Matchless (1967)
Lo straniero (1967)
Vietnam, guerra e pace (1968)
Diabolik (1968)
Odissea (1968)
Banditi a Milano (1968)
Capriccio all’italiana (1968)
Lo sbarco di Anzio (1968)
Barbarella (1968)
Roma come Chicago (1968)
Fraulein Doktor (1969)
L’amante di Gramigna (1969)
Nerosubianco (1969)
Barbagia (La società del malessere) (1969)
Il primo premio si chiama Irene (1969)
Una breve stagione (1969)
Io non scappo… fuggo (1970)
Waterloo (1970)
A Man Called Sledge (Sledge) (1970)
Io non vedo, tu non parli, lui non sente (1971)
Io non spezzo… rompo (1971)
La spina dorsale del diavolo (1971)
Osvobozhdenie: Napravleniye glavnogo udara (1971)
Joe Valachi, i segreti di cosa nostra (1972)
Causa di divorzio (1972)
Boccaccio (1972)
Lo scopone scientifico (1972)
La più bella serata della mia vita (1972)
Valdez, il mezzosangue (1973) uncredited
Serpico (1973) Executive Producer
Una matta, matta, matta corsa in Russia (1974)
Crazy Joe (1974)
Death Wish (Il giustiziere della notte) (1974) uncredited
Uomini duri (1974)
Porgi l’altra guancia (1974)
Mandingo (1975)
Three Days of the Condor (I tre giorni del Condor) (1975) Executive Producer, uncredited
Lipstick (Stupro) (1976) Executive Producer
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (Buffalo Bill e gli indiani) (1976) Executive Producer
Drum (Drum, l’ultimo mandingo) (1976)
King Kong (1976)
The White Buffalo (Sfida a White Buffalo) (1977) Executive Producer
Orca (L’orca assassina) (1977) Executive Producer
The Serpent’s Egg (L’uovo del serpente) (1977)
The Brink’s Job (Pollice da scasso) (1978) Executive Producer
King of the Gypsies (Il re degli zingari) (1978) Executive Producer
Hurricane (Uragano) (1979)
Flash Gordon (1980)
Ragtime (1981)
Halloween II (Il signore della morte) (1981)
Conan the Barbarian (1982)
Amityville II: The Possession (Amityville Possession) (1982)
Halloween III: Season of the Witch (Halloween III – Il signore della notte) (1982)
The Dead Zone (La zona morta) (1983) Executive Producer, uncredited
The Bounty (Il Bounty) (1984) Executive Producer
Conan the Destroyer (Conan il distruttore), directed by Richard Fleischer (1984) Executive Producer
Dune, directed by David Lynch (1984) Executive Producer
Cat’s Eye (L’occhio del gatto), directed by Lewis Teague (1985)
Year of the Dragon (L’anno del dragone), directed by Michael Cimino (1985)
Silver Bullet (Unico indizio la luna piena), directed by Daniel Attias (1985)
Red Sonja (Yado), directed by Richard Fleischer (1985)
Raw Deal (Codice Magnum), directed by John Irvin (1986)
Maximum Overdrive (Brivido), directed by Stephen King (1986) Executive Producer
Manhunter (Manhunter – Frammenti di un omicidio), directed by Michael Mann (1986)
Blue Velvet (Velluto blu), directed by David Lynch (1986)
Radioactive Dreams, directed by Albert Pyun (1986)
Tai-Pan, directed by Daryl Duke (1986) Executive Producer
Crimes of the Heart (Crimini del cuore), directed by Bruce Beresford (1986)
King Kong Lives (King Kong 2), directed by John Guillermin (1986) Executive Producer
Trick or Treat (Morte a 33 giri), directed by Charles Martin Smith (1986)
The Bedroom Window (La finestra della camera da letto), directed by Curtis Hanson (1987)
From the Hip (Colpo di scena), directed by Bob Clark (1987)
Evil Dead II: Dead by Dawn (La casa 2), directed by Sam Raimi (1987)
Million Dollar Mystery (Il mistero da 4 milioni di dollari), directed by Richard Fleischer (1987)
Weeds (Il seme della gramigna), directed by John Hancock (1987)
Hiding Out, directed by Bob Giraldi (1987)
Date with an Angel (Appuntamento con un angelo), directed by Tom McLoughlin (1987)
Rampage (Assassino senza colpa?), directed by William Friedkin (1987)
Traxx, directed by Jerome Gary (1988)
Pumpkinhead, directed by Stan Winston (1988)
Illegally Yours (Illegalmente tuo), directed by Peter Bogdanovich (1988)
Dracula’s Widow, directed by Christopher Coppola (1988)
Tapeheads, directed by Bill Fishman (1988)
Bill & Ted’s Excellent Adventure, directed by Stephen Herek (1989)
Earth Girls Are Easy (Le ragazze della Terra sono facili), directed by Julien Temple (1989)
Collision Course, directed by Lewis Teague (1989)
Desperate Hours (Ore disperate), directed by Michael Cimino (1990)
Body of Evidence (Body of Evidence – Il corpo del reato), directed by Uli Edel (1993)
Army of Darkness (L’armata delle tenebre), directed by Sam Raimi (1993)
U-571, directed by Jonathan Mostow (2000)
Hannibal, directed by Ridley Scott (2001)
Kung Pow: Enter the Fist (Kung Pow) (2002)
Red Dragon, directed by Brett Ratner (2002)
Hannibal Rising (Hannibal Lecter – Le origini del male), directed by Peter Webber (2007)
The Last Legion (L’ultima legione), directed by Doug Lefler (2007)
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https://ultimatepopculture.fandom.com/wiki/Dino_De_Laurentiis
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Dino De Laurentiis
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2024-07-29T22:27:06+00:00
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Agostino "Dino" De Laurentiis (Italian: 8 August 1919 – 10 November 2010) was an Italian film producer. Along with Carlo Ponti, he was one of the producers who brought Italian cinema to the international scene at the end of World War II. He produced or co-produced more than 500 films, of which...
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Ultimate Pop Culture Wiki
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https://ultimatepopculture.fandom.com/wiki/Dino_De_Laurentiis
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Agostino "Dino" De Laurentiis (Italian: [ˈdiːno de lauˈrɛnti.is] 8 August 1919 – 10 November 2010) was an Italian film producer. Along with Carlo Ponti, he was one of the producers who brought Italian cinema to the international scene at the end of World War II. He produced or co-produced more than 500 films, of which 38 were nominated for Academy Awards. He also had a brief acting career in the late 1930s and early 1940s.
Early life[]
De Laurentiis was born at Torre Annunziata in the province of Naples, and grew up selling spaghetti made by his father's pasta factory. He started his studies at the Centro Sperimentale di Cinematografia in Rome in the years 1937–1938 then interrupted by the outbreak of the Second World War.[1]
Career[]
Film production[]
Following his first movie, L'ultimo Combattimento (1940), Laurentiis produced nearly 150 films during the next seven decades. In 1946 his company, the Dino de Laurentiis Cinematografica, moved into production. In the early years, De Laurentiis produced Italian neorealist films such as Bitter Rice (1949) and the Fellini classics La Strada (1954) and Nights of Cabiria (1956), often in collaboration with producer Carlo Ponti. In the 1960s, Laurentiis built his own studio facilities, although these financially collapsed during the 1970s. During this period, though, De Laurentiis produced such films as Barabbas (1961), a Christian religious epic; The Bible: In the Beginning (1966), Kiss the Girls and Make Them Die, an imitation James Bond film; Navajo Joe (1966), a spaghetti western; Anzio (1968), a World War II film; Barbarella (1968) and Danger: Diabolik (1968), both successful comic book adaptations; and The Valachi Papers (1972), made to coincide with the popularity of The Godfather.[citation needed]
De Laurentiis relocated to the US in 1976,[2] and became an American citizen in 1986.[3] In the 1980s he had his own studio, De Laurentiis Entertainment Group (DEG), based in Wilmington, North Carolina. The building of the studio made Wilmington a center of film and television production.[4]
De Laurentiis made a number of successful and acclaimed films, including The Scientific Cardplayer (1972), Serpico (1973), Death Wish (1974), Mandingo (1975), Three Days of the Condor (1975), The Shootist (1976), Drum (1976), Ingmar Bergman's The Serpent's Egg (1977), Ragtime (1981), Conan the Barbarian (1982), Blue Velvet (1986) and Breakdown (1997). De Laurentiis' name became well known through the 1976 King Kong remake, which was a commercial hit; Lipstick (1976), a rape and revenge drama; Orca (1977), a killer whale film; The White Buffalo (1977), a western; the disaster movie Hurricane (1979); the remake of Flash Gordon (1980); David Lynch's Dune (1984); and King Kong Lives (1986). De Laurentiis also made several adaptations of Stephen King's works, including The Dead Zone (1983), Cat's Eye (1985), Silver Bullet (1985), and Maximum Overdrive (1986). De Laurentiis's company was involved with the horror sequels Halloween II (1981), Evil Dead II (1987) and Army of Darkness (1992).
De Laurentiis also produced the first Hannibal Lecter film, Manhunter (1986), an adaptation of the Thomas Harris novel Red Dragon. He passed on adapting the novels' sequel, The Silence of the Lambs (1991),[citation needed] but produced the two follow-ups, Hannibal (2001) and Red Dragon (2002), a re-adaptation of the novel. He also produced the prequel Hannibal Rising (2007), which tells the story of how Hannibal becomes a serial killer.
DDL Foodshow[]
In the 1980s, de Laurentiis owned and operated DDL Foodshow, a specialty retailer with two gourmet Italian markets in New York City and Los Angeles.[5]
Family[]
His brief first marriage in Italy was annulled.[6] In 1949, De Laurentiis married actress Silvana Mangano, with whom he had four children: Veronica; Raffaella, who is also a film producer; Federico, another producer who died in a plane crash in 1981 (Dino's movie Dune is dedicated to him); and Francesca. De Laurentiis and Mangano divorced in 1988;[7] she died in 1989. In 1990, he married Martha Schumacher, who produced many of his films since 1985, and with whom he had two daughters, Carolyna and Dina. One of his grandchildren is Giada De Laurentiis, host of Everyday Italian, Behind the Bash, Giada at Home, and Giada's Weekend Getaways on Food Network. He was the younger brother of Luigi De Laurentiis, who became a film producer after Dino did, and uncle of Aurelio De Laurentiis, also a producer and the chairman of S.S.C. Napoli football club.
Awards and recognitions[]
In 1958, he won the Academy Award for Best Foreign Film for producing La Strada, back when producers and directors would win the award instead of the country it was made in.
In 2001, he received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences.[citation needed]
In 2012, he received the America Award of the Italy-USA Foundation (in memory).[citation needed]
Death[]
De Laurentiis died on 10 November 2010 at his residence in Beverly Hills at the age of 91.[8][9][10][11]
Selected filmography[]
Year Title Director 1946 Black Eagle Riccardo Freda The Bandit Alberto Lattuada 1947 The Captain's Daughter Mario Camerini Bullet for Stefano Duilio Coletti 1948 Bitter Rice Giuseppe De Santis The Street Has Many Dreams Mario Camerini 1949 The Wolf of the Sila Duilio Coletti 1951 Anna Alberto Lattuada 1952 Europe '51 Roberto Rossellini Toto in Color Steno 1953 Funniest Show on Earth Mario Mattoli The Unfaithfuls Mario Monicelli Man, Beast and Virtue Steno 1954 La Strada Federico Fellini Attila Pietro Francisci Woman of Rome Luigi Zampa The Gold of Naples Vittorio De Sica Poverty and Nobility Mario Mattoli Where Is Freedom? Roberto Rossellini A Slice of Life Alessandro Blasetti, Paul Paviot An American in Rome Steno 1955 Ulysses Mario Camerini The River Girl Mario Soldati Mambo Robert Rossen The Miller's Beautiful Wife Mario Camerini 1956 War and Peace King Vidor Nights of Cabiria Federico Fellini 1958 This Angry Age René Clément Tempest Alberto Lattuada 1959 The Great War Mario Monicelli 1960 Everybody Go Home Luigi Comencini Five Branded Women Martin Ritt Under Ten Flags Duilio Coletti Crimen Mario Camerini The Hunchback of Rome Carlo Lizzani 1961 The Last Judgment Vittorio De Sica A Difficult Life Dino Risi The Fascist Luciano Salce The Best of Enemies Guy Hamilton Black City Duilio Coletti 1962 Mafioso Alberto Lattuada The Italian Brigands Mario Camerini 1963 Il Boom Vittorio De Sica The Verona Trial Carlo Lizzani 1965 Battle of the Bulge Ken Annakin 1966 The Bible: In the Beginning John Huston Kiss the Girls and Make Them Die Henry Levin 1967 The Stranger Luchino Visconti Matchless Alberto Lattuada 1968 Danger: Diabolik Mario Bava Barbarella Roger Vadim Anzio Edward Dmytryk, Duilio Coletti Bandits in Milan Carlo Lizzani 1969 Fräulein Doktor Alberto Lattuada Brief Season Renato Castellani The Bandit Carlo Lizzani 1970 A Man Called Sledge Vic Morrow Waterloo Sergei Bondarchuk The Deserter Burt Kennedy 1972 The Valachi Papers Terence Young The Assassin of Rome Damiano Damiani The Most Wonderful Evening of My Life Ettore Scola 1973 Serpico Sidney Lumet Chino John Sturges Mean Frank and Crazy Tony Michele Lupo 1974 Death Wish Michael Winner Two Missionaries Franco Rossi Crazy Joe Carlo Lizzani Three Tough Guys Duccio Tessari 1975 Mandingo Richard Fleischer 1976 King Kong John Guillermin Buffalo Bill and the Indians, or Sitting Bull's History Lesson Robert Altman Drum Steve Carver The Serpent's Egg Ingmar Bergman The Shootist Don Siegel 1978 The Brink's Job William Friedkin King of the Gypsies Frank Pierson 1979 Hurricane Jan Troell 1980 Flash Gordon Mike Hodges 1981 Halloween II Rick Rosenthal Ragtime Miloš Forman 1982 Fighting Back Lewis Teague Conan the Barbarian John Milius Amityville II: The Possession Damiano Damiani 1983 Amityville 3-D Richard Fleischer Halloween III: Season of the Witch Tommy Lee Wallace Dead Zone David Cronenberg 1984 The Bounty Roger Donaldson Firestarter Mark L. Lester Conan the Destroyer Richard Fleischer Dune David Lynch 1985 Maximum Overdrive Stephen King Marie Roger Donaldson Silver Bullet Daniel Attias Cat's Eye Lewis Teague Year of the Dragon Michael Cimino Red Sonja Richard Fleischer 1986 Crimes of the Heart Bruce Beresford Raw Deal John Irvin Blue Velvet David Lynch Trick or Treat Charles Martin Smith Tai-Pan Daryl Duke Manhunter Michael Mann King Kong Lives John Guillermin 1987 Million Dollar Mystery Richard Fleischer Hiding Out Bob Giraldi Evil Dead II Sam Raimi The Bedroom Window Curtis Hanson 1989 Collision Course Lewis Teague From the Hip Bob Clark 1990 Sometimes They Come Back Tom McLoughlin Desperate Hours Michael Cimino 1992 Once Upon a Crime Eugene Levy Kuffs Bruce A. Evans Army of Darkness Sam Raimi 1993 Body of Evidence Uli Edel 1995 Solomon & Sheba Robert Young Slave of Dreams Robert Young Rumpelstiltskin Mark Jones (I) Assassins Richard Donner 1996 Unforgettable John Dahl Bound The Wachowskis 1997 Breakdown Jonathan Mostow 2000 U-571 Jonathan Mostow 2001 Hannibal Ridley Scott 2002 Red Dragon Brett Ratner 2006 The Last Legion Doug Lefler 2007 Hannibal Rising Peter Webber Virgin Territory David Leland
References[]
[]
Dino De Laurentiis Company Official site
Dino De Laurentiis at Find a Grave
Dino De Laurentiis at the Internet Movie Database
Who Was Dino De Laurentiis? – image slideshow by Life magazine
Template:Nastro d'Argento Best Producer
Page Template:Hlist/styles.css must have content model "Sanitized CSS" for TemplateStyles (current model is "wikitext").
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Dino De Laurentiis Dead at 91
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Dino De Laurentiis died today at age 91. Hollywood is a lot poorer for his passing.
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Unwinnable | Videogames & Geek Culture
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https://unwinnable.com/2010/11/11/dino-de-laurentis-dead-at-91/
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“Conan! What is best in life?”
“To crush your enemies, see them driven before you and to hear the lamentation of their women.”
“That is good! That is good.”
Today we bid a fond farewell to movie producer Dino De Laurentiis, who died today in his Beverly Hills home at the age of 91.
To me, De Laurentiis is the perfect portrait of the old school movie producer, a man of seemingly endless energy (he produced 166 movies over his 66 year career) and a powerful creative vision that overshadowed so many of the directors he worked with.
Sadly, most of his American movies are considered schlock. Certainly there are some bad ones (Body of Evidence) and some financial disasters (Dune), but for every one of those lackluster efforts, there are plenty of movies that made a huge impact on me. Conan the Barbarian. Army of Darkness. Silver Bullet. Serpico. The Dead Zone. Flash fucking Gordon.
So many of his movies contributed to the way I separate the cool from the not-cool. Are they good in the same way we say that Hitchcock movies are good? Not at all, but they are important. Ridiculous, overblown – maybe, but when you see the words ‘Produced by Dino De Laurentiis’ in the opening credits, you know exactly what kind of movie you are in for.
Hollywood is a lot poorer for his passing.
~
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Movies Produced by Dino De Laurentiis
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2010-06-09T00:00:00
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List of popular Dino De Laurentiis movies, listed here by prominence with movie trailers when available. Various bits of information about these films are ...
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/img/icons/touch-icon-iphone.png
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Ranker
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https://www.ranker.com/list/films-produced-by-dino-de-laurentiis-producer/reference
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List of popular Dino De Laurentiis movies, listed here by prominence with movie trailers when available. Various bits of information about these films are included with each film, such as the actors that starred in them and who directed them. This list of famous films Dino De Laurentiis produced includes both blockbusters and independent movies. Use this list to find out what movies Dino De Laurentiis produced and how many movies Dino De Laurentiis produced. While this may not be a complete list of every movie Dino De Laurentiis produced, all well-known Dino De Laurentiis producer credits are included.
Films here include everything from Hannibal to Three Days of the Condor.
This list answers the questions, "What movies has Dino De Laurentiis produced?" and "What are the best Dino De Laurentiis movies?"
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Log in or sign up for an account on TikTok. Start watching to discover real people and real videos that will make your day.
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[
"Dino De Laurentiis"
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[
"IMDb"
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Dino De Laurentiis. Producer: Die Nächte der Cabiria. Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War...
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IMDb
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https://www.imdb.com/name/nm0209569/
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Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War II, De Laurentiis went back into film production, and in 1946 scored a critical and commercial international hit with Bitterer Reis (1949) ("Bitter Rice"). He later married its star, Silvana Mangano. De Laurentiis eventually formed a partnership with producer Carlo Ponti, and the team had a string of hits, including several by director Federico Fellini. After the partnership dissolved, De Laurentiis embarked on a plan to build his own studio facilities, which would enable him to make the kind of massive spectacles he wanted to make. The studio complex, called Dinocitta', eventually was forced to close down due to a combination of hard times in the Italian film industry and a string of flops by De Laurentiis himself. De Laurentiis eventually sold the property to the Italian government and moved his base of production to the United States. He again opened up a film production complex in Wilmington, North Carolina, called DEG Studios, but was eventually forced by economic conditions to sell that, too. De Laurentiis has had some critical successes since his move to the U.S. (Ragtime (1981)), but most of his U.S. productions have been critically lambasted, although several have been commercial successes.
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Dino De Laurentiis RIP
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http://upload.wikimedia.org/wikipedia/commons/5/5d/Dino_de_laurentiis_crop.jpg
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[
"axerules"
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2010-11-11T21:10:21+00:00
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The Italian producer of Conan the Barbarian, Dino (Agostino) De Laurentiis, is dead. http://www.movieline.com/2010/11/producer-dino-de-laurentiis-dead-at-91.php
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conancompletist.forumactif.com
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https://conancompletist.forumactif.com/t1794-dino-de-laurentiis-rip
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A bit of a maniac - but maybe he had to be - he swam with the sharks and he was massively successful. He had imagination - he gave us "Conan" and "Flash Gordon" and "Dune".
I have a TV programme about Dino I taped a few years ago. Here are a few lines from it:
John Milius: Dino was as tough as you could ever get. The difference between him and studio executives today is that today they're tough because they're all scared - but Dino was BIG. He had total confidence in himself. He had that killer instinct!
Dino: The way I work, I'm very straight. I'm no Machiavelli. I tell very clear to the director how the picture is to be done. If we disagree... "Goodbye", and I go with somebody else. If we agree, we make the picture together.
John Milius: You know, he'd say, "You must a-do this!", "You must a-do that!"... and I just wouldn't listen. I'd just go do what I wanted, and most of the time I'd get away with it. But he'd always try and catch me. He'd always try and find me doing something wrong so he could have something over me, and threaten me with it! Then he'd tell everybody else he was gonna threaten to fire me, and stuff - and he was ruthless!
Raffaella De Laurentiis: John loves fighting. He just likes to challenge any authority figure around. It's just a style he has. And of course Dino loves it too. And on "Conan", the two of them, every day - it's like the typical "Who's got the bigger dick?" thing...
Dino: Well, I fight to put things right if something is wrong. But always John and I come in agreement. We decide what is best for the picture.
Milius: So he said, "If you make a-this movie a hit, I give you a golden sword. Bulgari make a-you a golden sword!" The trouble is, the movie WAS a hit - and I said, "Where's my golden sword?" He gave me the finger! "THERE's your golden sword!!!" That's Dino!
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Dino De Laurentiis
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[
"Contributors to Headhunter's Horror House Wiki"
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Agostino "Dino" De Laurentiis was an Italian film producer born in Torre Annunziata, Campania in Naples on August 8th, 1919. De Laurentiis was the founder of De Laurentiis Entertainment Group and produced more than 150 films over the span of seven decades. He passed away in Los Angeles...
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/skins-ucp/mw139/common/favicon.ico
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Headhunter's Horror House Wiki
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https://headhuntershorrorhouse.fandom.com/wiki/Dino_De_Laurentiis
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Dino De Laurentiis Birth name: Agostino De Laurentiis Gender: Male Medium(s): Film Roles: Producer Date of birth: August 8th, 1919 Place of birth: Torre Annunziata, Campania, Italy Date of death: November 10th, 2010 Place of death: Beverly Hills, Los Angeles, California 1st Horror: King Kong (1976)
Agostino "Dino" De Laurentiis was an Italian film producer born in Torre Annunziata, Campania in Naples on August 8th, 1919. De Laurentiis was the founder of De Laurentiis Entertainment Group and produced more than 150 films over the span of seven decades. He passed away in Los Angeles, California on Friday, November 10th, 2010 at the age of 91. [1]
Body of work[]
Film[]
Film Year Role King Kong 1976 Producer Orca 1977 Executive producer Halloween II 1981 Executive producer Halloween III: Season of the Witch 1982 Executive producer Amityville II: The Possession 1982 Executive producer Cat's Eye 1985 Producer Silver Bullet 1985 Producer Maximum Overdrive 1986 Executive producer Manhunter 1986 Executive producer King Kong Lives 1986 Executive producer Sometimes They Come Back 1991 Executive producer Army of Darkness 1992 Executive producer Hannibal 2001 Producer Red Dragon 2002 Producer Hannibal Rising 2007 Producer
Notes & Trivia[]
Dino De Laurentiis was married to fellow producer Martha Schumacher from April 7th, 1990 until his death on November 10th, 2010.
Dino De Laurentiis was uncredited for his participation on the 1981 horror film Halloween II as well as it's 1982 sequel Halloween III: Season of the Witch.
Dino De Laurentiis was uncredited for his participation on the 1982 film Amityville II: The Possession.
Dino De Laurentiis was uncredited for his participation on the 1986 psycho-thriller film Manhunter.
Other works[]
[]
Dino De Laurentiis at Wikipedia
References[]
Amityville Horror Actor or Crew member
This article relates to actors, crew members and other behind-the-scenes creators pertaining to the Amityville Horror franchise. This template will categorize articles that include it into the Amityville Horror Crew category.
Evil Dead Actor or Crew member
This article relates to actors or production crew members pertaining to the Evil Dead film franchise. This template will categorize articles that include it into the Evil Dead crew members category.
Halloween Actor or Crew member
This article relates to actors, crew members and other behind-the-scenes creators pertaining to the Halloween franchise. This template will categorize articles that include it into the Halloween Crew category.
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Agostino De Laurentiis, usually credited as Dino De Laurentiis, was an Italian Academy Award-winning movie producer.
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Wikiwand
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https://www.wikiwand.com/simple/Dino_De_Laurentiis
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Agostino De Laurentiis, usually credited as Dino De Laurentiis (8 August 1919 – 10 November 2010), was an Italian Academy Award-winning movie producer.
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https://variety.com/2010/film/markets-festivals/dino-de-laurentiis-dies-at-91-1118027321/
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Dino De Laurentiis dies at 91
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2010-11-11T13:48:37+00:00
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Dino De Laurentiis, who died Wednesday evening at his Beverly Hills home, leaves a legacy of showmanship and international financing innovations that will arguably be as long-lasting and influential as any of his films.
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en
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Variety
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https://variety.com/2010/film/markets-festivals/dino-de-laurentiis-dies-at-91-1118027321/
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Dino De Laurentiis, who died Wednesday evening at his Beverly Hills home, leaves a legacy of showmanship and international financing innovations that will arguably be as long-lasting and influential as any of his films.
De Laurentiis, who was 91, was one of the first producers to make an art of the foreign pre-sale in financing films and to supply the studios with international co-productions. The first of De Laurentiis’ epic films was the 1956 “War and Peace,” directed by King Vidor and starring Audrey Hepburn and Henry Fonda. A decade later, his international epics and his financing strategies flowered with titles like “The Bible” (1966), “Barbarella” (1968), “Flash Gordon” (1980), “Ragtime” (1981), “The Bounty” (1984), David Lynch’s $45 million “Dune” (1984) and perhaps most famously, his 1976 remake of “King Kong,” starring Jeff Bridges and a then-unknown Jessica Lange.
Though few of these were big box office performers, and critical reaction was mixed, he turned each of them into an “event” by wooing the press, throwing splashy events at international festivals such as Cannes, and relentlessly beating the PR drum.
He was so prolific his films were artistically all over the map, ranging from two Federico Fellini classics — “La Strada” (1954) and “Nights of Cabiria” (1957) — to “Death Wish” (1974) and “Serpico” (1973). Along the way, there were plenty of crime capers, gangster movies and exploitation pics with such titles as “Kiss the Girls and Make Them Die” and “Goliath and the Vampires.”
At the age of 22, he produced his first film, “L’amore canta” (1941), financed independently in Turin. He founded Real Cine in Turin that year and became exec producer of Lux Film in 1942.
He was one of the first producers of neo-realist films after the war, including 1945’s “La miserie del Signor Travet,” “Il bandito,” “La fighlia del capitano” and “Il brigante Musolino.” His first international success came in 1949 with “Bitter Rice,” a mixture of neo-realism and eroticism.
In a 2009 interview with Variety, De Laurentiis said the producer’s role is “to create a dream.” Talking about Italy’s post-war filmmaking scene, he said: “After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.”
In the early ’50s, he joined forces with Carlo Ponti on such films as “Anna,” and “Il lupo della sila.” Their 1954 “Ulysses” starring Kirk Douglas did nothing to bolster his international status.
But the 1954 Fellini production “La strada,” starring the helmer’s wife, Giulietta Masina, was a major event, winning the Grand Prize at the Venice Film Festival, the New York Film Critics Award and the Oscar for foreign-language film. De Laurentiis earned a second Oscar for Fellini’s “Nights of Cabiria” the following year, though he pulled out of producing “La Dolce Vita” (1960), Fellini’s biggest international success.
De Laurentiis also made gritty urban action films, including “Serpico,” “Three Days of the Condor” and “Death Wish,” which was a major success and spawned numerous sequels.
He was born Agostino De Laurentiis in Torre Annunziata, a small town near Naples. His family planned for him to take over its pasta manufacturing business, but the 17-year-old ran away to Rome and enrolled in the Cento Sperimentale di Cinematografia with plans to be an actor. His father cut off his allowance, but De Laurentiis persevered (he would eventually bring brothers Luigi and Alfredo into the business), working his way through school.
The budding thesp soon moved behind the scenes, working as an assistant director and unit production manager.
De Laurentiis was nothing if not visionary. He built Dinocitta, a $25 million state-of-the-art production facility outside Rome, in 1964, though it later went bankrupt.
In the mid-’90s he moved Stateside to make films and created De Laurentiis Entertainment. He bought the Embassy library and built production facilities in North Carolina. DEG went bankrupt by the end of the decade, plagued by costly failures. It was just one of many independent distribution entities that failed to compete effectively with the major studios.
But he never stopped working. De Laurentiis Communications was founded in 1990 and produced several not-so-successful films including 1993’s “Body of Evidence,” starring Madonna. He even reopened Dinocitta at one point.
Rarely using his own money and creating handsome terms for himself on his productions, De Laurentiis enjoyed a comfortable life. He married his “Bitter Rice” star Silvana Mangano in 1949. After they divorced 34 years later, he wed 33-year-old producer Martha Schumacher, who was president of his new production company, with daughter Rafaella De Laurentiis as head of production.
According to Martha De Laurentiis, “It’s not that he cares about the money least, but he cares about it last.”Dino De Laurentiis agreed. “To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.”
Of the hundreds of films he oversaw, some were terrible, many are forgotten, but the list of notable efforts also include Fellini’s “Casanova” (1976), Bergman’s “The Serpent’s Egg” (1977), Robert Altman’s “Buffalo Bill and the Indians” (1976) and David Lynch’s “Blue Velvet” (1986).
His work continued through “Hannibal Rising,” a 2007 prequel to the Hannibal Lecter saga.
That film resulted from a long and bitter suit that he waged against Universal over sequel rights to “Silence of the Lambs,” which eventually allowed him to produce another film giving U first right of refusal. He continued working on several film projects until his death.
At the ceremony for the 2000 Oscars, he was awarded the prestigious Irving Thalberg Award.
“My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice,” said granddaughter Giada De Laurentiis, a Food Network host and author.
A son, Federico, died in 1981 in a mid-air plane collision in Alaska while shooting a wildlife documentary. Aside from his wife and daughter Raffaella, he is survived by four other daughters, three sisters, five grandchildren including Giada, and two great-grandchildren.
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Dino De Laurentiis
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2004-01-10T11:57:58+00:00
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https://en.wikipedia.org/wiki/Dino_De_Laurentiis
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Italian-American film producer (1919–2010)
Agostino "Dino" De Laurentiis (Italian: [ˈdiːno de lauˈrɛnti.is]; 8 August 1919 – 10 November 2010) was an Italian film producer and businessman who held both Italian and American citizenship. Following a brief acting career in the late 1930s and early 1940s, he moved into film production; alongside Carlo Ponti, he brought Italian cinema to the international scene in the post-World War II period. He produced or co-produced over 500 films, with 38 of his Hollywood films receiving Academy Award nominations. He was also the creator and operator of DDL Foodshow, a chain of Italian specialty foods stores.
Early life
[edit]
Agostino De Laurentiis was born in Torre Annunziata, Kingdom of Italy, on 8 August 1919. He grew up selling spaghetti made by his father's pasta factory. His older brother, Luigi De Laurentiis (1917–1992), later followed him into film production. He studied at the Centro Sperimentale di Cinematografia in 1937 and 1938, but his studies were interrupted by the outbreak of World War II.[1]
Career
[edit]
Film production
[edit]
De Laurentiis produced his first film, L'ultimo Combattimento, in 1941. His company, the Dino de Laurentiis Cinematografica, moved into film production in 1946. In the early years, De Laurentiis produced Italian neorealist films such as Bitter Rice (1949) and the early Fellini works La Strada (1954) and Nights of Cabiria (1956), often in collaboration with producer Carlo Ponti.
In the 1960s, De Laurentiis built his own studio facilities. He produced such films as Barabbas (1961), a Christian religious epic; The Bible: In the Beginning... (1966); Kiss the Girls and Make Them Die, an imitation James Bond film; Navajo Joe (1966), a spaghetti Western; Anzio (1968), a World War II film; Barbarella (1968) and Danger: Diabolik (1968), both successful comic book adaptations; and The Valachi Papers (1972), released before its originally scheduled date in order to capitalize on the popularity of The Godfather.[citation needed]
In 1973, De Laurentiis relocated his headquarters to New York and he was reportedly considering to produce an American television series.[2] His studio financially collapsed during the 1970s.[citation needed] In the 1980s, he had his own studio: De Laurentiis Entertainment Group (DEG) based in Wilmington, North Carolina. The studio made Wilmington an unexpected center of film and television production.[3] In 1990, he obtained backing from an Italian friend and formed another company: Dino De Laurentiis Communications in Beverly Hills.
De Laurentiis produced a number of successful films, including The Scientific Cardplayer (1972), Serpico (1973), Death Wish (1974), Mandingo (1975), Three Days of the Condor (1975), The Shootist (1976), Drum (1976), Ingmar Bergman's The Serpent's Egg (1977), Ragtime (1981), Conan the Barbarian (1982), Blue Velvet (1986) and Breakdown (1997). De Laurentiis' name became well known through the 1976 King Kong remake, which was a commercial hit; Lipstick (1976), a rape and revenge drama; Orca (1977), a killer whale film; The White Buffalo (1977), a western; the disaster movie Hurricane (1979); the remake of Flash Gordon (1980); David Lynch's Dune (1984); The Bounty (1984); and King Kong Lives (1986).
De Laurentiis produced several adaptations of Stephen King works, including The Dead Zone (1983), Cat's Eye (1985), Silver Bullet (1985), and Maximum Overdrive (1986). De Laurentiis' company was involved with the horror sequels Halloween II (1981), Evil Dead II (1987), and Army of Darkness (1992). De Laurentiis also produced the first Hannibal Lecter film, Manhunter (1986), an adaptation of the Thomas Harris novel Red Dragon. He passed on adapting the novels' sequel, The Silence of the Lambs (1991),[citation needed] but produced the two follow-ups, Hannibal (2001) and Red Dragon (2002), a re-adaptation of the novel. He also produced the prequel Hannibal Rising (2007), which tells the story of how Hannibal becomes a serial killer.
DDL Foodshow
[edit]
DDL Foodshow was an Italian specialty foods store with three locations: two in New York City and one in Beverly Hills. They were opened in the mid-1980s, and were owned and operated by De Laurentiis.[4]
The first store was opened in the restored palm court in the ornate lobby of the historic Endicott Hotel, now a co-op on Manhattan's Upper West Side, near the existing Zabar's food emporium on Broadway.[5] The first NYC store opened in November 1982, and it was reported that the store "opened to crowds of 30,000 over the Thanksgiving weekend, when de Laurentiis himself greeted customers at the door". The store's assistant manager said that "it was like the premiere of a movie".[6]
The food critic Gael Greene wrote a scathing review on the opening in New York.[5] In an interview with the Chicago Tribune a month later, she admitted that the store was "probably the most stunningly handsome grocery in the world, certainly in New York", but "the pricing was insane. They hadn't paid enough attention to the competition." She reported that she'd talked to De Laurentiis: "Dino's reaction was that I'm full of it. And we're meeting over a bowl of pasta to discuss it."[7] A review in The San Francisco Examiner said that it was "worth a peek and a purchase".[8][9]
DDL Foodshow was later considered to be a forebear of the new Italian specialty goods food-store restaurant dining attraction Eataly.[10]
Personal life
[edit]
De Laurentiis' brief first marriage in Italy was annulled.[11]
In 1949, De Laurentiis married Italian-British actress Silvana Mangano, with whom he had four children: Veronica, an author and actress; Raffaella, a fellow film producer; Federico, also a film producer who died in a plane crash in 1981; and Francesca. His granddaughter through Veronica is chef Giada De Laurentiis, while his nephew through his brother Luigi is fellow film producer Aurelio De Laurentiis. He and Mangano divorced in 1988,[12] and she died of lung cancer the following year.
Having lived in the U.S. since 1976,[13] De Laurentiis became an American citizen in 1986.[14]
In 1990, De Laurentiis married American producer Martha Schumacher, who had produced many of his films since 1985. They had two daughters named Carolyna and Dina and remained married until his death in 2010. Schumacher died of cancer in 2021.
Death
[edit]
On 10 November 2010, at the age of 91, De Laurentiis died at his home in Beverly Hills, California.[15][16][17][18]
Awards and recognitions
[edit]
In 1958, De Laurentiis won the Academy Award for Best Foreign Film for producing La Strada. It was the only time where individuals could win the award instead of the country it was made in and in the case of the first Foreign Film Oscar, he and his fellow producer won the Academy Award, as opposed to the director of the film Federico Fellini.
In 2001, De Laurentiis received the Irving G. Thalberg Memorial Award from the Academy of Motion Picture Arts and Sciences.[19]
In 2012, De Laurentiis posthumously received the America Award of the Italy–USA Foundation.[citation needed]
Filmography
[edit]
Films produced
Year Title Director Notes 1946 Black Eagle Riccardo Freda The Bandit Alberto Lattuada 1947 The Captain's Daughter Mario Camerini Bullet for Stefano Duilio Coletti 1948 Bitter Rice Giuseppe De Santis The Street Has Many Dreams Mario Camerini 1949 The Wolf of the Sila Duilio Coletti 1951 Anna Alberto Lattuada 1952 Europe '51 Roberto Rossellini Lieutenant Giorgio Raffaello Matarazzo Toto in Color Steno 1953 Funniest Show on Earth Mario Mattoli The Unfaithfuls Mario Monicelli Man, Beast and Virtue Steno 1954 La Strada Federico Fellini Attila Pietro Francisci Woman of Rome Luigi Zampa The Gold of Naples Vittorio De Sica Poverty and Nobility Mario Mattoli Where Is Freedom? Roberto Rossellini A Slice of Life Alessandro Blasetti, Paul Paviot An American in Rome Steno Ulysses Mario Camerini 1955 The River Girl Mario Soldati Mambo Robert Rossen The Miller's Beautiful Wife Mario Camerini 1956 War and Peace King Vidor Nights of Cabiria Federico Fellini 1958 This Angry Age René Clément Tempest Alberto Lattuada 1959 The Great War Mario Monicelli 1960 Everybody Go Home Luigi Comencini Five Branded Women Martin Ritt Under Ten Flags Duilio Coletti Crimen Mario Camerini The Hunchback of Rome Carlo Lizzani 1961 The Last Judgment Vittorio De Sica A Difficult Life Dino Risi The Fascist Luciano Salce The Best of Enemies Guy Hamilton Black City Duilio Coletti 1962 Mafioso Alberto Lattuada The Italian Brigands Mario Camerini 1963 Il Boom Vittorio De Sica The Verona Trial Carlo Lizzani 1964 My Wife Luigi Comencini, Mauro Bolognini, Tinto Brass 1965 Battle of the Bulge [citation needed] Ken Annakin Uncredited 1966 The Bible: In the Beginning John Huston Kiss the Girls and Make Them Die Henry Levin Navajo Joe Sergio Corbucci The Hills Run Red Carlo Lizzani 1967 The Stranger Luchino Visconti Matchless Alberto Lattuada The Witches Luchino Visconti, Mauro Bolognini, Pier Paolo Pasolini, Franco Rossi, Vittorio De Sica 1968 Danger: Diabolik Mario Bava Barbarella Roger Vadim Anzio Edward Dmytryk, Duilio Coletti Bandits in Milan Carlo Lizzani Caprice Italian Style Mauro Bolognini, Mario Monicelli, Pier Paolo Pasolini, Steno 1969 Fräulein Doktor Alberto Lattuada Brief Season Renato Castellani The Bandit Carlo Lizzani 1970 A Man Called Sledge Vic Morrow Waterloo Sergei Bondarchuk The Deserter Burt Kennedy 1972 The Valachi Papers Terence Young The Assassin of Rome Damiano Damiani The Most Wonderful Evening of My Life Ettore Scola 1973 Serpico Sidney Lumet Chino John Sturges Mean Frank and Crazy Tony Michele Lupo 1974 Death Wish Michael Winner Two Missionaries Franco Rossi Crazy Joe Carlo Lizzani Three Tough Guys Duccio Tessari 1975 Mandingo Richard Fleischer 1976 King Kong John Guillermin Buffalo Bill and the Indians, or Sitting Bull's History Lesson Robert Altman Drum Steve Carver The Serpent's Egg Ingmar Bergman The Shootist Don Siegel 1977 Orca Michael Anderson 1978 The Brink's Job William Friedkin King of the Gypsies Frank Pierson 1979 Hurricane Jan Troell 1980 Flash Gordon Mike Hodges 1981 Beyond the Reef Frank C. Clarke Halloween II Rick Rosenthal Ragtime Miloš Forman 1982 Fighting Back Lewis Teague Conan the Barbarian John Milius Amityville II: The Possession Damiano Damiani Halloween III: Season of the Witch Tommy Lee Wallace 1983 Amityville 3-D Richard Fleischer Dead Zone David Cronenberg 1984 The Bounty Roger Donaldson Firestarter Mark L. Lester Conan the Destroyer Richard Fleischer Dune David Lynch 1985 Maximum Overdrive Stephen King Marie Roger Donaldson Silver Bullet Daniel Attias Cat's Eye Lewis Teague Year of the Dragon Michael Cimino Red Sonja Richard Fleischer 1986 Crimes of the Heart Bruce Beresford Raw Deal John Irvin Blue Velvet David Lynch Trick or Treat Charles Martin Smith Tai-Pan Daryl Duke Manhunter Michael Mann King Kong Lives John Guillermin 1987 Million Dollar Mystery Richard Fleischer Hiding Out Bob Giraldi Evil Dead II Sam Raimi The Bedroom Window Curtis Hanson From the Hip Bob Clark 1989 Collision Course Lewis Teague 1990 Sometimes They Come Back Tom McLoughlin Desperate Hours Michael Cimino 1992 Once Upon a Crime Eugene Levy Kuffs Bruce A. Evans Army of Darkness Sam Raimi Body of Evidence Uli Edel 1995 Solomon & Sheba Robert Young Slave of Dreams Rumpelstiltskin Mark Jones Assassins Richard Donner 1996 Unforgettable John Dahl Bound The Wachowskis 1997 Breakdown Jonathan Mostow 2000 U-571 2001 Hannibal Ridley Scott 2002 Red Dragon Brett Ratner 2006 The Last Legion Doug Lefler 2007 Hannibal Rising Peter Webber Virgin Territory David Leland
References
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https://www.starnewsonline.com/story/news/2010/11/11/dino-de-laurentiis-producer-who-brought-film-to-wilmington-dies-at-age-91/30845682007/
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Dino De Laurentiis, producer who brought film to Wilmington, dies at age 91
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"Ben Steelman Ben.Steelman@StarNewsOnline.com, Wilmington Star-News"
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2010-11-11T00:00:00
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Dino De Laurentiis, the colorful Italian film producer who launched the film industry in Wilmington, has died in Los Angeles. He was 91.
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Wilmington StarNews
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https://www.starnewsonline.com/story/news/2010/11/11/dino-de-laurentiis-producer-who-brought-film-to-wilmington-dies-at-age-91/30845682007/
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NOTE: This is a corrected version of this story. An earlier version included an incorrect date for the release of "King Kong."
Dino De Laurentiis, the colorful Italian film producer who launched the film industry in Wilmington, has died in Los Angeles, family sources said Thursday. He was 91.
A spokesman for the producer’s daughter said De Laurentiis died late Wednesday night at his Beverly Hills home. No cause of death was given.
“He's responsible for all this being here,” said Johnny Griffin, director of the Wilmington Regional Film Commission.
In a career that began before World War II, De Laurentiis produced more than 500 films, from classics such as Federico Fellini's “La Strada” to pop hits such as “Barbarella” and the 1976 version of “King Kong.”
In 1983, however, he was working with Frank Capra Jr. on an adaptation of the Stephen King novel “Firestarter.” The production needed a Southern plantation as a set.
As Jean Nance described it in “Cinematic Wilmington,” Capra found a photo of Orton Plantation, in Brunswick County, on the cover of Southern Accents magazine in a film studio research library. He and De Laurentiis contacted North Carolina's governor, Jim Hunt. Before long, Capra was flying to Orton on the governor's helicopter, to strike a deal with the Sprunt family, who owned Orton at the time.
“People ask me, why did he come to Wilmington?” Griffin said. “He came to do a film” – as in one film – “at Orton Plantation.”
Before long, however, De Laurentiis decided to stay. He organized a production company, De Laurentiis Entertainment Group (DEG) and began to build up a studio complex off North 23rd Street in Wilmington.
De Laurentiis began to send other film projects to New Hanover, Brunswick and Pender counties, including “Cat's Eye,” “Silver Bullet,” “Year of the Dragon,” “Manhunter” and “Blue Velvet.”
By 1986, he was releasing a string of made-in-Wilmington features under the DEG label, including “Raw Deal” with Arnold Schwarzenegger, “Maximum Overdrive” (which brought actor Pat Hingle to the area as a permanent resident) and “Crimes of the Heart.” A critical highlight came with “Blue Velvet,” a complex, darkly erotic mystery that many consider director David Lynch's best film.
De Laurentiis, meanwhile, made a striking impression on the area, entertaining lavishly at his large Wrightsville Beach home. He publicly kept company with Martha Schumacher, the associate producer of “Firestarter” who became head of the Wilmington studio, while his wife, the actress Silvana Mangano, remained in Italy.
De Laurentiis and Schumacher were married in 1990, after Mangano died. The couple had two daughters. De Laurentiis also had four other children from previous marriages, including film producer Raffaella De Laurentiis.
Survivors include Giada De Laurentiis, the chef, cookbook author and host of The Food Network's “Giada at Home.” She is the daughter of Dino De Laurentiis' daughter Veronica De Laurentiis.
The good times ended in 1988, however, when DEG went bankrupt after too many of its pictures bombed disastrously at the box office. De Laurentiis resigned as DEG president and left town, although he did not completely sever local ties. Martha De Laurentiis still owns real estate in the area, according to New Hanover County tax records.
The studio De Laurentiis built still remains, now owned by EUE/Screen Gems. It is ranked as the largest film production complex outside California.
“Dino's real impact, though, is really the crew base,” said Bill Vasser, executive vice president of EUE/Screen Gems. “He brought in the best craftspeople – the best scenic painters, the best grips, the best electricians – who then trained local people to make films.
“The result is, we have the third largest film crew in the United States,” Vasser added. “They may be working in Atlanta and all over the country, but they make their homes here. And some of them are already into the second generation in the industry.”
Born Aug. 18, 1918, in Torre Annunciata, a small city outside Naples, Dino De Laurentiis started in his family's pasta-making business but soon headed to film school in Rome.
He produced his first picture in 1939 but did not achieve international acclaim until the 1948 release of “Bitter Rice” by director Giuseppe de Santis, a major film in Italy's postwar “neo-realistic” movement.
In the 1950s, De Laurentiis was associated with the great director Federico Fellini, producing his “La Strada” and “Nights in Cabiria.” In 1957, De Laurentiis would share an Oscar when “La Strada” was named Best Foreign Film.
In 2001, the Academy of Motion Picture Arts and Sciences further honored De Laurentiis with an Irving G. Thalberg award for lifetime achievement.
As the 1950s progressed, however, De Laurentiis turned to bigger, more popular projects. He produced an epic version of Tolstoy's “War and Peace,” released in 1956, starring Henry Fonda and Audrey Hepburn, and “The Bible,” a film version of Genesis, directed by John Huston.
In the 1960s, he built his own studio, Dino Citta and launched projects with such directors as Vittorio de Sica, Jean-Luc Godard, Luchino Visconti and Claude Chabrol.
After Dino Citta failed, however, De Laurentiis moved his base of operations to the United States, producing such successful films as “The Valachi Papers,” “Serpico,” “Death Wish,” “Mandingo,” “Three Days of the Condor” and “Ragtime.”
His “King Kong” – a 1976 update in which the great ape fell from the World Trade Center towers instead of the Empire State Building – was ridiculed by critics but earned $80 million at the box office. In the process, it launched the career of its female lead, a former fashion model named Jessica Lange.
Lange would later travel to Southport to co-star in “Crimes of the Heart,” an adaptation of the Beth Henley comedy and a De Laurentiis project.
De Laurentiis quickly recovered from his DEG setback and continued to produce films well into the 21st century. Among his later successes was the “Silence of the Lambs” sequel “Hannibal,” filmed in part on the Biltmore estate outside Asheville.
Ben Steelman: 343-2208
On Twitter.com: @StarNewsOnline
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Oscar-winning producer Dino De Laurentiis dies at Beverley Hills home aged 91
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De Laurentiis, who brought 500 films to the big screen including 'La Strada', 'Serpico' and 'Barbarella', helped to revolutionise the way movies were bankrolled and sold.
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/favicon.ico?v=2
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Mail Online
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https://www.dailymail.co.uk/tvshowbiz/article-1329102/Oscar-winning-producer-Dino-De-Laurentiis-dies-Beverley-Hills-home-aged-91.html
|
The film impresario and producer Dino De Laurentiis who helped revolutionise the way movies are funded and sold, has died. He was 91.
The Academy Award-winning legend of the Italian New Wave and producer of 'Serpico' and 'Barbarella' helped personify the no-limits life of a cinematic king.
His credits included the art-house classics 'La Strada' and 'Nights Of Cabiria', the cult favourite 'Blue Velvet', the Hollywood epics 'War And Peace' and 'The Bible', and such mainstream hits as 'Three Days Of The Condor'.
Dino De Laurentiis who has died at the age of 91. He is seen here at a film premiere with his wife Martha. They married in 1991 when he was 71 and she 29
He also backed horror films ('Halloween 2'), police drama ('Serpico') and the science fiction movie ('Barbarella').
But there were plenty of failures too and when he bombed, he really bombed. Among that list were 'Dune', about which director David Lynch complained he was denied creative control; the Madonna vehicle 'Body of Evidence'; the 1976 remake of 'King Kong', which nearly finished off the career of Jessica Lange before it really started.
Not all his movies had big budgets, but De Laurentiis didn't think a film was real without real money. 'Night Of Earth' director Jim Jarmusch has spoken of meeting with the producer at his office, where De Laurentiis' desk was big as Jarmusch's apartment. He spoke to Jarmusch about the director's low-cost productions.
He was central to the rise of Italy's film industry, which in the 1950s rose to international prominence as the Italian New Wave. This image from an awards ceremony in 1958 shows, from left, De Laurentiis, film director Federico Fellini, and (far right) the Italian actress Giulietta Masina
With the lure of huge salaries, he often imported international movie stars to boost a film's prospects.. This image from 1961 shows De Laurentiis (right) with U.S. actors Mel Ferrer and Audrey Hepburn at the premiere of Barabbas in Italy
The film Dune, directed by David Lynch and featuring Sting (pictured) failed at the box office. But he continued to back Lynch who went on to make the critically acclaimed Blue Velvet
'He asked me, 'Why do you make amateur films instead of professional ones?"'' Jarmusch once recalled. 'I asked what made a film amateur or professional.
'He said any film that costs more than $5million is professional.'
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America.
He was tiny, but tough, a veritable Napoleon on the set and utterly tireless. 'Such a little lion,' was how his second wife, producer Martha De Laurentiis, put it when he turned 80.
Throughout his career, he alternated lavish, big-budget productions with less commercial films by directors such as Robert Altman, Ingmar Bergman and Lynch, and he often packaged the blockbusters with art films to secure distribution for the smaller films.
'The extraordinary thing that Dino taught all of us is the true figure of the independent producer,' said his nephew, Aurelio De Laurentiis, a noted Italian film producer.
'He always behaved in the U.S. as a major studio, even though he was a one-man show.'
'He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,' said his granddaughter Giada De Laurentiis, a TV chef and host on Food Network.
Raised outside of Naples and one of six children born into the family's pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking.
He was central to the rise of Italy's film industry, which in the 1950s rose to international prominence as the Italian New Wave.
De Laurentiis' initial success began after World War II, starting with 'Bitter Rice', in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, he went into business with another rising director, Carlo Ponti.
They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic 'War And Peace' (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
With the lure of huge salaries, he often imported international movie stars to boost a film's prospects.
For Fellini's 'La Strada', which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini's 'Nights of Cabiria', which won the foreign film Oscar a year later.
At Dinocitta, De Laurentiis married Hollywood stars with spectacle: 'Barrabas" (Quinn); "The Bible" (George C. Scott, Ava Gardner); "Anzio" (Robert Mitchum); "Waterloo" (Rod Steiger).
He also made more offbeat fare, such as Roger Vadim's sex romp, "Barbarella" (Jane Fonda).
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America.
He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies.
He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group.
The Oscar-winning "Serpico," in 1973 with Al Pacino, was De Laurentiis' Hollywood debut. Charles Bronson's "Death Wish," Robert Redford's "Three Days of the Condor" and John Wayne's last film, "The Shootist," followed.
He often stayed loyal to young, talented directors, even though the results weren't always strong. He made 'Buffalo Bill And The Indians" with Robert Altman.
Even after Michael Cimino's huge flop "Heaven's Gate," De Laurentiis made "Year of the Dragon" and "Desperate Hours" with him.
Despite the failure of "Dune," he stuck with David Lynch and two years later produced the acclaimed "Blue Velvet."
De Laurentis also continued to be a small factory for tackiness. Though he had earlier worked with revered filmmakers such as Victorio De Sica, Roberto Rossellini and Ingmar Bergman, some of his schlock included the plantation drama "Mandingo," the horror film "Amityville II," the cult comedy "Army of Darkness" and Madonna's "Body of Evidence."
Though flops like 'King Kong' and "Hurricane" could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash. Mangano, his wife of more than four decades, died in 1989.
De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
|
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dbpedia
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https://www.sandiegouniontribune.com/2010/11/11/de-laurentiis-pivotal-producer-of-serpico-dies/
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De Laurentiis, pivotal producer of ‘Serpico,’ dies
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2010-11-11T00:00:00
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Dino De Laurentiis, one of the last great, intrepid film producers who with unmatched showmanship shepherded movies as varied as “La Strada” and “Barbarella,” has died. He was 91. “My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” […]
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San Diego Union-Tribune
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https://www.sandiegouniontribune.com/2010/11/11/de-laurentiis-pivotal-producer-of-serpico-dies/
|
Dino De Laurentiis, one of the last great, intrepid film producers who with unmatched showmanship shepherded movies as varied as “La Strada” and “Barbarella,” has died. He was 91.
“My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” granddaughter Giada De Laurentiis, a star chef and host on Food Network, said Thursday.
De Laurentiis helped build the Italian film industry during the heyday of its New Wave, oversaw seminal American films such as “Serpico” and “Blue Velvet,” and pursued blockbusters in flops like “Dune” and critical fiascos such as the 1976 remake of “King Kong.”
In producing more than 500 wide-ranging films over six decades, he presided over an incredible mix of high and low. That the same filmmaker could be involved with Federico Fellini’s “Nights of Cabiria” and Arnold Schwarzenegger’s “Conan the Barbarian” would seem to contradict normal understanding of taste. Instead, he was irrevocably drawn to the spectacle of the movies.
“Our industry is a special one,” he told The Associated Press in 1998. “You deal every day with different people, creative people. Every day is different at work. To produce a movie, you have to create the star, you make script, you find director. You have to shoot the movie.”
De Laurentiis, who died Wednesday night in Beverly Hills, pioneered the way films were sold internationally. He played the part of entrepreneur in grand style, dressing in fine suits and frequently sipping cappuccino. The sprawling studio complex he built on the outskirts of Rome he dubbed Dinocitta (Dino City).
“The extraordinary thing that Dino taught all of us is the true figure of the independent producer,” film producer Aurelio De Laurentiis said Thursday about his uncle. “He always behaved in the U.S. as a major studio, even though he was a one-man show.”
Raised outside of Naples and one of six children born into the family’s pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking.
Though he initially trained in Rome to be an actor, De Laurentiis once said, “I see my face in the mirror, and I said, ‘No, my ambition is not to be an actor.’ I realized the exciting place was behind the camera with the producer, director and so on.”
He was central to the rise of Italy’s film industry, which in the 1950s rose to international prominence as the Italian New Wave.
Italian Premier Silvio Berlusconi sent a telegram of condolences to the family on Thursday, saying De Laurentiis had been a “protagonist of a century of cinema in Italy and America.” Italian President Giorgio Napolitano said his “long and passionate” career had “contributed to the rebirth of Italian cinema in the post-World War II years.”
De Laurentiis’ initial success began after World War II, starting with “Bitter Rice,” in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, he went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic “War and Peace” (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
With the lure of huge salaries, he often imported international movie stars to boost a film’s prospects. For Fellini’s “La Strada,” which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini’s “Nights of Cabiria,” which won the foreign film Oscar a year later.
At Dinocitta, De Laurentiis married Hollywood stars with spectacle: “Barrabas” (Quinn); “The Bible” (George C. Scott, Ava Gardner); “Anzio” (Robert Mitchum); “Waterloo” (Rod Steiger). He also made more offbeat fare, such as Roger Vadim’s sex romp, “Barbarella” (Jane Fonda).
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America. The Academy of Motion Picture Arts and Sciences gave him the Irving G. Thalberg Memorial Award in 2001.
He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies. He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group.
The Oscar-winning “Serpico,” in 1973 with Al Pacino, was De Laurentiis’ Hollywood debut. Charles Bronson’s “Death Wish,” Robert Redford’s “Three Days of the Condor” and John Wayne’s last film, “The Shootist,” followed.
He often stayed loyal to young, talented directors, even though the results weren’t always strong. He made “Buffalo Bill and the Indians” with Robert Altman. Even after Michael Cimino’s huge flop “Heaven’s Gate,” De Laurentiis made “Year of the Dragon” and “Desperate Hours” with him. Despite the failure of “Dune,” he stuck with David Lynch and two years later produced the acclaimed “Blue Velvet.”
Lynch recalled him as having “more energy than ten people on PCP.”
“If something ever came up that required something to be done, Dino’s hand would in one millisecond go to the phone and deal with the thing, get the thing done,” said Lynch. “There’s maybe no rhyme or reason to what struck his fancy, but when he got it, he was just a pitbull.”
De Laurentis also continued to be a small factory for tackiness. Though he had earlier worked with revered filmmakers such as Victorio De Sica, Roberto Rossellini and Ingmar Bergman, some of his schlock included the plantation drama “Mandingo,” the horror film “Amityville II,” the cult comedy “Army of Darkness” and Madonna’s “Body of Evidence.”
“Dino always said you need three things in life: brains, heart and balls, and I hope I’ve exemplified that advice throughout my career,” Schwarzenegger, who credits De Laurentiis with his big break in movies, said Thursday in a statement.
Though flops like “King Kong” and “Hurricane” could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash. The strain of the loss helped end De Laurentiis’ marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of “King Kong Lives.”
De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
“My philosophy is very simple,” he once said. “To feel young, you must work as long as you can.”
Survivors include three daughters with Mangano – Rafaela, Francesca and Veronica – and two with Schumacher: Carolina and Dina. Funeral arrangements have not yet been determined.
—
Associated Press writer Nicole Winfield in Rome, Colleen Barry in Milan, AP Television Writer Frazier Moore in New York and former AP writer Candice Hughes contributed to this report.
Originally Published: November 11, 2010 at 12:10 p.m.
Dino De Laurentiis, one of the last great, intrepid film producers who with unmatched showmanship shepherded movies as varied as “La Strada” and “Barbarella,” has died. He was 91.
“My grandfather was a true inspiration. He was my biggest champion in life and a constant source for wisdom and advice. I will miss him dearly,” granddaughter Giada De Laurentiis, a star chef and host on Food Network, said Thursday.
De Laurentiis helped build the Italian film industry during the heyday of its New Wave, oversaw seminal American films such as “Serpico” and “Blue Velvet,” and pursued blockbusters in flops like “Dune” and critical fiascos such as the 1976 remake of “King Kong.”
In producing more than 500 wide-ranging films over six decades, he presided over an incredible mix of high and low. That the same filmmaker could be involved with Federico Fellini’s “Nights of Cabiria” and Arnold Schwarzenegger’s “Conan the Barbarian” would seem to contradict normal understanding of taste. Instead, he was irrevocably drawn to the spectacle of the movies.
“Our industry is a special one,” he told The Associated Press in 1998. “You deal every day with different people, creative people. Every day is different at work. To produce a movie, you have to create the star, you make script, you find director. You have to shoot the movie.”
De Laurentiis, who died Wednesday night in Beverly Hills, pioneered the way films were sold internationally. He played the part of entrepreneur in grand style, dressing in fine suits and frequently sipping cappuccino. The sprawling studio complex he built on the outskirts of Rome he dubbed Dinocitta (Dino City).
“The extraordinary thing that Dino taught all of us is the true figure of the independent producer,” film producer Aurelio De Laurentiis said Thursday about his uncle. “He always behaved in the U.S. as a major studio, even though he was a one-man show.”
Raised outside of Naples and one of six children born into the family’s pasta-making business, De Laurentiis quickly realized that his destiny was in moviemaking.
Though he initially trained in Rome to be an actor, De Laurentiis once said, “I see my face in the mirror, and I said, ‘No, my ambition is not to be an actor.’ I realized the exciting place was behind the camera with the producer, director and so on.”
He was central to the rise of Italy’s film industry, which in the 1950s rose to international prominence as the Italian New Wave.
Italian Premier Silvio Berlusconi sent a telegram of condolences to the family on Thursday, saying De Laurentiis had been a “protagonist of a century of cinema in Italy and America.” Italian President Giorgio Napolitano said his “long and passionate” career had “contributed to the rebirth of Italian cinema in the post-World War II years.”
De Laurentiis’ initial success began after World War II, starting with “Bitter Rice,” in 1948, which launched the career of his first wife, Silvana Mangano.
In 1950, he went into business with another rising director, Carlo Ponti. They soon dominated the Italian movie business, monopolizing top stars such as Mangano, Sophia Loren (who later married Ponti) and Marcello Mastroianni. Their first international production was the epic “War and Peace” (Henry Fonda, Audrey Hepburn, Mel Ferrer) in 1955.
With the lure of huge salaries, he often imported international movie stars to boost a film’s prospects. For Fellini’s “La Strada,” which won the Academy Award for foreign language film in 1957, he persuaded Anthony Quinn to come to Rome. De Laurentiis also produced Fellini’s “Nights of Cabiria,” which won the foreign film Oscar a year later.
At Dinocitta, De Laurentiis married Hollywood stars with spectacle: “Barrabas” (Quinn); “The Bible” (George C. Scott, Ava Gardner); “Anzio” (Robert Mitchum); “Waterloo” (Rod Steiger). He also made more offbeat fare, such as Roger Vadim’s sex romp, “Barbarella” (Jane Fonda).
De Laurentiis was one of the first producers to understand the box-office potential of foreign audiences, and helped invent international co-productions, raising money by pre-selling distribution rights outside North America. The Academy of Motion Picture Arts and Sciences gave him the Irving G. Thalberg Memorial Award in 2001.
He began to move away from his base in Italy in the 1960s when the government changed the rules to mandate totally Italian productions to qualify for subsidies. He sold Dinocitta to the government in 1972. He relocated the studio in Wilmington, N.C., and dubbed his production company the De Laurentiis Entertainment Group.
The Oscar-winning “Serpico,” in 1973 with Al Pacino, was De Laurentiis’ Hollywood debut. Charles Bronson’s “Death Wish,” Robert Redford’s “Three Days of the Condor” and John Wayne’s last film, “The Shootist,” followed.
He often stayed loyal to young, talented directors, even though the results weren’t always strong. He made “Buffalo Bill and the Indians” with Robert Altman. Even after Michael Cimino’s huge flop “Heaven’s Gate,” De Laurentiis made “Year of the Dragon” and “Desperate Hours” with him. Despite the failure of “Dune,” he stuck with David Lynch and two years later produced the acclaimed “Blue Velvet.”
Lynch recalled him as having “more energy than ten people on PCP.”
“If something ever came up that required something to be done, Dino’s hand would in one millisecond go to the phone and deal with the thing, get the thing done,” said Lynch. “There’s maybe no rhyme or reason to what struck his fancy, but when he got it, he was just a pitbull.”
De Laurentis also continued to be a small factory for tackiness. Though he had earlier worked with revered filmmakers such as Victorio De Sica, Roberto Rossellini and Ingmar Bergman, some of his schlock included the plantation drama “Mandingo,” the horror film “Amityville II,” the cult comedy “Army of Darkness” and Madonna’s “Body of Evidence.”
“Dino always said you need three things in life: brains, heart and balls, and I hope I’ve exemplified that advice throughout my career,” Schwarzenegger, who credits De Laurentiis with his big break in movies, said Thursday in a statement.
Though flops like “King Kong” and “Hurricane” could be shaken off, personal tragedy took its toll. In 1981, his son Federico was killed in a plane crash. The strain of the loss helped end De Laurentiis’ marriage to Mangano. They were divorced in 1988, the same year De Laurentiis Entertainment Group went into bankruptcy, finished off by the flop of “King Kong Lives.”
De Laurentiis, close to 70, was undaunted and started over. Within two years, he had a new wife, 29-year-old Martha Schumacher, formed a new company and started producing moneymakers again.
“My philosophy is very simple,” he once said. “To feel young, you must work as long as you can.”
Survivors include three daughters with Mangano – Rafaela, Francesca and Veronica – and two with Schumacher: Carolina and Dina. Funeral arrangements have not yet been determined.
—
Associated Press writer Nicole Winfield in Rome, Colleen Barry in Milan, AP Television Writer Frazier Moore in New York and former AP writer Candice Hughes contributed to this report.
Originally Published: November 11, 2010 at 12:10 p.m.
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https://www.findagrave.com/memorial/61431503/dino-de_laurentiis
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2010) – Find a Grave Gedenkstätte
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Motion Picture Producer. Born Agostino De Laurentiis at Torre Annunziata, Naples, Italy, he studied at the Centro Sperimentale di Cinematografia in Rome prior to World War II, earning tuition by working as an extra, actor, and prop man. He produced his first film, L'Amore Canta, before his 21st birthday. After 1946 his...
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https://www.denverpost.com/2010/11/11/italian-filmmaker-dino-de-laurentiis-dies-at-91/
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Italian filmmaker Dino De Laurentiis dies at 91
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[
"The Los Angeles Times",
"Migration"
] |
2010-11-11T00:00:00
|
Italian filmmaker Dino De Laurentiis dies at 91
|
en
|
The Denver Post
|
https://www.denverpost.com/2010/11/11/italian-filmmaker-dino-de-laurentiis-dies-at-91/
|
LOS ANGELES — Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his country’s film industry after World War II and for more than six decades produced films as diverse as the 1954 Federico Fellini classic “La Strada” and the 1976 remake of “King Kong,” has died. He was 91.
De Laurentiis, who moved to the United States in the 1970s, died in Los Angeles, Italian media reported Thursday morning.
Once described by Los Angeles Times columnist Patrick Goldstein as “a master showman, the last survivor of a bygone era of swashbuckling Hollywood producers . . . who made movies fueled by grandiose schemes and consummate salesmanship,” De Laurentiis launched his long career as a producer in Italy in the 1940s.
In the 1950s, he produced two Oscar- winning best foreign films — Fellini’s “La Strada” (with then-partner Carlo Ponti) and Fellini’s “Nights of Cabiria” (1957).
In 1962, the prolific producer began building a sprawling studio complex on the outskirts of Rome that he called Dinocitta — Dino City.
During the 1960s, De Laurentiis produced films such as director Richard Fleischer’s “Barabbas,” starring Anthony Quinn; John Huston’s star-studded “The Bible”; and Roger Vadim’s “Barbarella,” starring Jane Fonda.
His company also produced Franco Zeffirelli’s adaptation of “Romeo and Juliet.”
He is credited with pioneering in the ’60s the now-common practice of financing films by pre-selling the distribution rights in foreign countries.
After selling his studio and moving to the United States in the 1970s, De Laurentiis produced films such as “Serpico,” “Death Wish,” “Three Days of the Condor,” “The Serpent’s Egg,” “Ragtime” and “Conan the Barbarian.”
But De Laurentiis’ name also became synonymous with expensive box-office failures such as “Dune,” “Tai-Pan” and “King Kong Lives.”
The son of a pasta manufacturer, he was born Agostino De Laurentiis on Aug. 8, 1919, in Torre Annunziata, some 17 miles from Naples.
One of seven children, he dropped out of school at 15 and traveled as a salesman for his father’s pasta factory. But he wasn’t enamored of the family business.
In 1937, the movie-struck teenager was accepted to the first-year acting course at a new film school in Rome, Centro Sperimentale di Cinematografia.
At the end of the year, De Laurentiis realized he didn’t have the makings of a successful actor and realized he’d rather be behind the camera — as a producer.
He worked for a time as an extra, stagehand, electrician and director’s assistant before changing his first name from Agostino to Dino and launching a production company.
Inside.
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202
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dbpedia
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0
| 33 |
https://www.latimes.com/archives/la-xpm-1993-01-10-ca-1348-story.html
|
en
|
A look inside Hollywood and the movies. : READER BEWARE : Madonna’s ‘Body’ Isn’t Cornwell’s
|
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[
""
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[
"Jane Galbraith"
] |
1993-01-10T00:00:00
|
Screen credits on movies have reached ridiculous proportions--everyone from assistant parking coordinator to the star's personal trainer--but a credit on Madonna's upcoming movie "Body of Evidence" is a new one on us.
|
en
|
/apple-touch-icon.png
|
Los Angeles Times
|
https://www.latimes.com/archives/la-xpm-1993-01-10-ca-1348-story.html
|
Screen credits on movies have reached ridiculous proportions--everyone from assistant parking coordinator to the star’s personal trainer--but a credit on Madonna’s upcoming movie “Body of Evidence” is a new one on us.
In tiny type at the bottom of advertisements for “Body of Evidence, “ after credits for the actors, director, producers, screenwriter and musical scorer, is a cryptic disclaimer: “Not based on the novel by Patricia Cornwell.”
As the titles are the same, Cornwell was clearly not amused to realize that her second best-selling novel featuring the brilliant detective work of pathologist Dr. Kay Scarpetta might be confused with the upcoming sexually explicit thriller starring the singer-actress in a role where she’s accused of killing her lover while making love. The screenplay is by Brad Mirman.
“I’m very opposed to the exploitation of sexual violence. It’s like the dark side of the moon compared to what I write about,” Cornwell said. “I don’t want to sound like a saint, but people would be making an error if they went to the movie thinking it had anything to do with my books.”
Instead of undergoing a costly legal claim to try and force a title change--which they might not have won--Cornwell’s New York attorney Neil Rosini said an amicable resolution was agreed to by producers Dino De Laurentiis and distributor MGM on behalf of his client to run a one-line clarification on ads. The novelization of the movie tie-in book from Harper has been retitled “Deadly Evidence.”
Cornwell’s “Body of Evidence,” published in early 1991, follows medical examiner Scarpetta as she solves the grisly murder of an aspiring novelist who had asked, but did not receive, police protection from an unknown assailant. Cornwell’s writing has been praised for its strong, clever writing style; her protagonist Dr. Scarpetta is “increasingly a woman of sensibility and deep concerns, able to be tough-minded, independent and soft-hearted at the same time,” according to Charles Champlin in a Los Angeles Times’ book review.
“Body of Evidence,” the movie, is described in the press materials with this come-on line: “Did Rebecca Carlson (Madonna) use her body as a weapon for murder or an instrument for love?”
In the film, Madonna’s character hires hot-shot attorney Willem Dafoe to defend her against a murder rap--and he has a hard time resisting her “deviant” sexual attractions.
The movie initially received an NC-17 rating, but was trimmed down to an R. It has yet to be reviewed by critics.
What’s unusual about this credit contretemps is how Cornwell has publicly called attention to herself for not wanting to be associated with a production rather than preferring to keep a low profile.
Arbitration over such things as who gets what credit on a particular movie keeps a lot of entertainment lawyers, agents and guild officials in business. In this case, Cornwall had additional motives. She, too, has a Hollywood career.
She is now busy adapting to the screen her fourth Scarpetta novel, “Cruel and Unusual,” to be published in June, for Columbia Pictures. Demi Moore will play the title role.
The author is in town for Friday’s premiere of “Body of Evidence”--an occasion in which she said she’ll have the opportunity to meet Madonna and give her a “Body of Evidence” book-promotion T-shirt on which she (good-naturedly) intends to scrawl the words “Not based on the Madonna movie” across the bottom.
|
||
202
|
dbpedia
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1
| 86 |
https://fbiography.com/in-memoriam-producer-martha-de-laurentiis-1954-2021/
|
en
|
In Memoriam: Producer Martha De Laurentiis, 1954
|
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[] |
[] |
[
""
] | null |
[
"ACS Admin"
] |
2021-12-25T19:36:20+00:00
|
en
|
FBIography
|
https://fbiography.com/in-memoriam-producer-martha-de-laurentiis-1954-2021/
|
Martha De Laurentiis died on Sunday, December 4, 2021, at age 67 following a courageous battle with brain cancer. She passed away peacefully at her home in Beverly Hills, California, surrounded by her partner Dr. Randy Sherman and her daughters Carolyna and Dina. She also is survived by her parents, two brothers, and granddaughter Giada De Laurentiis.
Born Martha Schumacher in 1954, she grew up in Piqua, Ohio and was crowned Ohio’s Junior Miss in 1972. She graduated from Ball State University in Indiana and briefly worked as a model in New York. She switched careers in the late 1970s and entered the world of film production. There, she met the already well-known Dino De Laurentiis. Despite an age difference of 35 years, they formed a personal and professional relationship and got married in 1990.
During her career with Dino and then on her own, she created 40 motion pictures and television series, including Manhunter, Red Dragon, Hannibal, Hannibal Rising, U-571, Breakdown, Blue Velvet, Near Dark, Dark Zone, Artic, and Crimes of the Heart. She also produced the television series Hannibal.
Martha became known to the FBI’s public affairs personnel through her company’s occasional requests for assistance during the production of the motion pictures Manhunter, Red Dragon (a remake of Manhunter), Hannibal, and Hannibal Rising. Martha and Dino sought the rights as well to make the movie The Silence of the Lambs from the book of the same name, but the bidding did not go their way. To ensure that would not happen again, they bought the motion picture and television rights to the Hannibal Lecter name from book author Thomas Harris and made all three subsequent movies and the television show.
In addition to being a producer, Martha managed the construction and operations of three major film studios: Screen Gems Studios in Wilmington, North Carolina; the Village Roadshows Studios on the Gold Coast in Australia; and the CLA Studios in Ouarzazate, Morocco.
She was deeply passionate about helping women’s causes and with other charitable work. She loved traveling to Italy with Dino and her family. She loved opera as well, so much so that she arranged for an original work Vide Cor Meum to be composed and filmed as part of her 2001 motion picture Hannibal. The Hannibal Lecter character also loved opera, and this was incorporated into a major scene as well.
She had countless professional and personal friendships in the United States and abroad. Following the death of Mr. De Laurentiis in 2010 at age 91, Martha was the companion of Dr. Sherman, a surgeon in Los Angeles.
Martha is fondly remembered by all of the FBI personnel she met over the years. Retired FBI Special Agent Leane Blevins, who was assigned by the FBI to provide technical assistance as needed during the production of Red Dragon in 2002 as it filmed scenes in Los Angeles and in Baltimore, recalls that it was “truly was a pleasure to work with Martha.”
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Dino De Laurentiis | Biography, Films, & Facts
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Dino De Laurentiis, Italian-born American film producer known for his prolific output of films ranging from the populist to the cerebral. In Italy he produced La Strada, and he was behind the American production of such films as Serpico, Ragtime, and Blue Velvet, among many others.
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Encyclopedia Britannica
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https://www.britannica.com/biography/Dino-De-Laurentiis
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Dino De Laurentiis (born August 8, 1919, Torre Annunziata, Italy—died November 11, 2010, Beverly Hills, California, U.S.) was an Italian-born American film producer known for his prolific output of films ranging from the populist to the cerebral.
De Laurentiis—one of seven children—was raised near Naples. After leaving school at age 15, he briefly worked for his father, a pasta manufacturer, before attending the Centro Sperimentale di Cinematografia, a film school in Rome. He acted and performed odd jobs on film sets before producing his first film at age 20. He scored his first hit with Riso amaro (1949; Bitter Rice), a drama about Italian rice-field workers that was dominated by the sensuous presence of Silvana Mangano, his future wife.
Britannica Quiz
Oscar-Worthy Movie Trivia
De Laurentiis formed a joint production company with fellow producer Carlo Ponti and produced films such as Federico Fellini’s La strada (1954) and Le notti di Cabiria (1957; The Nights of Cabiria), both of which won Academy Awards for best foreign-language film. In 1964 he opened a studio, Dinocittà, where he made several epics; their lack of success, combined with increasingly stringent nationalist restrictions on film production, forced him to sell the studio in the early 1970s. By that time, he had established strong relations with American studios, particularly Paramount Pictures, which distributed Romeo and Juliet (1968) and Barbarella (1968).
De Laurentiis then moved to the United States, where he produced such popular films as the crime drama Serpico (1973)—the rights to which he acquired when the biography upon which it was based was only a 20-page draft—Death Wish (1974), Three Days of the Condor (1975), and King Kong (1976), as well as Ragtime (1981), a critically lauded adaptation of E.L. Doctorow’s novel. In 1984 he opened another film studio in Wilmington, North Carolina, and—after engineering the De Laurentiis Entertainment Group (DEG), an umbrella company—he opened production offices in Australia. DEG failed four years later, though it managed to release such classics as director David Lynch’s Blue Velvet (1986) and Bill and Ted’s Excellent Adventure (1989).
However, the production company he cofounded (1983) with his future wife, Martha Schumacher, survived to produce cult classics such as Army of Darkness (1992). De Laurentiis had also acquired the rights to Thomas Harris’s novels about serial killer Hannibal Lecter, and, though he was not involved with the production of The Silence of the Lambs (1991), he produced Manhunter (1986)—later remade as Red Dragon (2002)—Hannibal (2001), and Hannibal Rising (2007).
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Dino De Laurentiis
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Agostino "Dino" De Laurentiis was an Italian film producer and businessman who held both Italian and American citizenship. Following a brief acting career in the late 1930s and early 1940s, he moved into film production; alongside Carlo Ponti, he brought Italian cinema to the international scene in the post-World War II period. He produced or co-produced over 500 films, with 38 of his Hollywood films receiving Academy Award nominations. He was also the creator and operator of DDL Foodshow, a chain of Italian specialty foods stores.
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Wikiwand
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https://www.wikiwand.com/en/Dino_De_Laurentiis
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Agostino "Dino" De Laurentiis (Italian: [ˈdiːno de lauˈrɛnti.is]; 8 August 1919 – 10 November 2010) was an Italian film producer and businessman who held both Italian and American citizenship. Following a brief acting career in the late 1930s and early 1940s, he moved into film production; alongside Carlo Ponti, he brought Italian cinema to the international scene in the post-World War II period. He produced or co-produced over 500 films, with 38 of his Hollywood films receiving Academy Award nominations. He was also the creator and operator of DDL Foodshow, a chain of Italian specialty foods stores.
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https://www.vulture.com/2010/11/producer_dino_de_laurentiis_di.html
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Producer Dino De Laurentiis Dies at 91
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He produced 500 films, from 'La Strada' to 'Serpico.' View the Slideshow.
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For his first five years, Agostino De Laurentiis didn't speak, but his mother Giuseppina showed no concern. "Look at it this way," she said of the lively child. "When he begins to talk, nobody will be...
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https://content.time.com/time/favicon.ico
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TIME.com
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https://content.time.com/time/specials/packages/article/0,28804,2036683_2036477_2036983,00.html
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For his first five years, Agostino De Laurentiis didn't speak, but his mother Giuseppina showed no concern. "Look at it this way," she said of the lively child. "When he begins to talk, nobody will be able to make him stop." By the time he was 15, the kid from Naples had turned words to his advantage. "Agostino's greatest asset which he'd use to straighten out a million different messes, in decades to come was his overwhelming skill as a communicator," wrote his biographer Tullio Kezich. "He knew how to charm, how to dazzle... [he] was a born salesman."
Speaking in urgent Italian or broken English, producing hundreds of films in a career that spanned nearly 70 years, Dino de Laurentiis knew that salesmanship demanded showmanship, and he had both in his blood. His dreams could cost a few lire, like the Italian comedies he made with Toto (10 films) and Alberto Sordi (22 films) or the many millions of dollars he poured into his 1976 remake of King Kong. His production of Federico Fellini's La Strada won the Oscar for best foreign-language film; Year of the Dragon and Body of Evidence were short-listed for Razzies. Some of his movies (Death Wish, Conan the Barbarian, Hannibal) earned a bundle; on others (The Bible, Hurricane, Dune) he nearly lost his silk shirt. But Dino never lost his drive or his nerve. His death Nov. 10 in Beverly Hills, Calif., closed the books on a 5-ft., 4-in. giant of the movie business.
Richard Corliss
A version of this story previously appeared on TIME.com on Nov. 12, 2010.
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Dino De Laurentiis: Remembering the ever-impolitic movie producer
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2010-11-11T00:00:00
|
Dino De Laurentiis: Remembering the ever-impolitic movie producer
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en
|
/favicon.ico
|
EW.com
|
https://ew.com/article/2010/11/11/dino-de-laurentiis-producer-legacy/
|
Image Credit: Keith Hamshere/Getty ImagesYou don’t make nearly 150 films over seven decades without ruffling a few feathers. And Dino De Laurentiis, who died last night at age 91 in his home in Beverly Hills, ruffled enough to stuff a king-sized mattress. Years ago, during auditions for Jessica Lange’s part in his 1976 remake of King Kong, he called Meryl Streep “a pig.” At least the producer had the courtesy to do it in Italian, even though it turned out Steep spoke the language fluently (“I’m very sorry that I disappoint you,” she shot back). When Jodie Foster declined to do a Silence of the Lambs sequel, De Laurentiis famously dismissed the actress who had won an Oscar playing Clarice Sterling as “not sexy” enough for the role. In 2006, this reporter personally witnessed De Laurentiis’ motivational techniques on the set of Hannibal Rising. The small old man with the big booming Italiano accent wobbled into the soundstage in the middle of a scene, banged his cane on a table, and shouted at the crew, “Film-a faster!”
Whatever works. And whatever else you can say about De Laurentiis, he produced some great movies, starting with Fellini’s early work in Italy in the 1950s, and moving on to iconic Hollywood productions like Barbarella in the 1960s and Death Wish and Serpico in the 1970s. He also made some not so great movies, like David Lynch’s 1984 adaptation of Dune, and Madonna’s 1993 thriller Body of Evidence. But De Laurentiis was always amusing, even if the films he made sometimes weren’t. “Submarina movies, they always make-a de money,” he said in 2000, right before the release of U-571, a submarine movie that didn’t. He was, in many ways, the prototype for the flamboyant, bombastic producer—without him, Harvey Weinstein and Joel Silver might not have been possible.
“Film-a faster!” would be a fitting epitaph on his tombstone.
Read more:
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https://www.ranker.com/list/films-produced-by-dino-de-laurentiis-producer/reference
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en
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Movies Produced by Dino De Laurentiis
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2010-06-09T00:00:00
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List of popular Dino De Laurentiis movies, listed here by prominence with movie trailers when available. Various bits of information about these films are ...
|
en
|
/img/icons/touch-icon-iphone.png
|
Ranker
|
https://www.ranker.com/list/films-produced-by-dino-de-laurentiis-producer/reference
|
List of popular Dino De Laurentiis movies, listed here by prominence with movie trailers when available. Various bits of information about these films are included with each film, such as the actors that starred in them and who directed them. This list of famous films Dino De Laurentiis produced includes both blockbusters and independent movies. Use this list to find out what movies Dino De Laurentiis produced and how many movies Dino De Laurentiis produced. While this may not be a complete list of every movie Dino De Laurentiis produced, all well-known Dino De Laurentiis producer credits are included.
Films here include everything from Hannibal to Three Days of the Condor.
This list answers the questions, "What movies has Dino De Laurentiis produced?" and "What are the best Dino De Laurentiis movies?"
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202
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dbpedia
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2
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https://reactormag.com/filmmaker-dino-de-laurentiis-1919-2010/
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en
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Dune and Conan Film Producer Dino De Laurentiis 1919
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2010-11-11T18:47:00+00:00
|
Italian movie producer Dino De Laurentiis has died at the age of 91. A film student in Rome whose studies were interrupted by World War II, De Laurentiis got his start in producing by working with legendary directors Roberto Rossellini and Federico Fellini during the height of the Italian neo-realist period. He was successful enough […]
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en
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Reactor
|
https://reactormag.com/filmmaker-dino-de-laurentiis-1919-2010/
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Italian movie producer Dino De Laurentiis has died at the age of 91. A film student in Rome whose studies were interrupted by World War II, De Laurentiis got his start in producing by working with legendary directors Roberto Rossellini and Federico Fellini during the height of the Italian neo-realist period. He was successful enough at it that by the 1960s, De Laurentiis built his own studio facilities in Italy.
By that point, De Laurentiis’s creative focus had evolved, and he began producing the type of very expensive, glossy genre pictures that he’s best known for today. The most emblematic of his 60s output was perhaps Barbarella, featuring Jane Fonda in various states of undress as aliens try to have sex with her. It’s easy to dismiss it as an exploitation picture—because it is—but there’s a good-natured self-awareness to Barbarella (on everyone’s part but Jane Fonda, who is apparently under the impression that she’s doing high drama) that makes it hard to dislike. That is, unless the leaden pacing puts you to sleep.
The 1970s saw De Laurentiis’s Italian studio fail financially, but he responded by relocating to Los Angeles and offering his talents to the American movie industry. The results were partly good (Serpico), partly bad (Death Wish), and partly ugly (the 1976 remake of King Kong), but met with sufficient financial success that he was, by the end of the decade, a fixture in Hollywood.
With 1980s Flash Gordon, De Laurentiis returned to the science fiction camp aesthetic of Barbarella, but without the faint musk of sleaziness, and with Max von Sydow as Ming the Merciless, and a soundtrack by Queen. Despite these amazingly brilliant selling points, Flash Gordon underperformed at the box office, in part due to the financial profligacy that made Dino’s Italian studio go out of business. Undeterred, De Laurentiis went on to produce both Conan movies, spinoff Red Sonja…and Dune.
It was not enough to be associated with campy science fiction movies, or expensive movies that flopped, or movies that didn’t make much sense. Dino De Laurentiis, it seemed, wished to do all at once. Dune represents the realization of that goal. It was very campy. Extremely expensive. Performed hideously at the box office. And even if you read the book, the movie makes no sense. (In fact, the more you read, the less sense it makes.) As such, it is a magnificent achievement in cinema and maybe De Laurentiis’ finest moment as a producer.
De Laurentiis would continue producing for nearly the remainder of his days (his last picture was released in 2007), with less ostentation and more consistency, though this combination meant that the possibilities of great heights or lows—however one regards Barbarella, Flash Gordon, Conan, or Dune—were diminished. Through sheer staying power, he managed to outlast the unkind nickname bestowed on him by the Medved brothers, “Dino De Horrendous,” and be remembered more as an old lion than as a shlock merchant.
Now, upon his passing, let us remember Dino De Laurentiis for his irreplaceable contributions to camp SF cinema. For sheer entertainment value—ironic or no his pictures were nearly always entertaining—he has few peers. Let us not smirk at him, but allow ourselves to smile.
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dbpedia
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1
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http://italiancinemaarttoday.blogspot.com/2019/12/the-extraordinary-career-and-legacy-of.html
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en
|
The Extraordinary Career and Legacy of Dino De Laurentiis
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2019-12-30T22:18:00-08:00
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Producer Dino De Laurentiis was one of the most prolific filmmakers ever, having produced or co-produced more than 600 films during a car...
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en
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http://italiancinemaarttoday.blogspot.com/favicon.ico
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http://italiancinemaarttoday.blogspot.com/2019/12/the-extraordinary-career-and-legacy-of.html
|
Producer Dino De Laurentiis was one of the most prolific filmmakers ever, having produced or co-produced more than 600 films during a career that spanned seven decades. His legacy continues not only through the work of his children and grandchildren but also through a new generation of filmmakers in his Italian hometown.
De Laurentiis was born in the shadow of Mount Vesuvius on Aug. 8, 1919, in the city of Torre Annunziata, located just minutes from the ruins of Pompeii. As a child, he worked at a local pasta factory owned and operated by his father. That experience had a profound effect on him, shaping a lifelong passion for food and an appreciation for business.
At the age of 17, he decided to leave home for the big city. He arrived in Rome and enrolled in the prestigious film school, Centro Sperimentale di Cinematografia. After attending the school for about a year, he managed to produce one film in 1940, The Last Combat, before having to leave Rome temporarily for military duty during the years leading up to World War II.
Vittorio Gassman and Silvana Mangano in Bitter Rice
He found his way back to Rome in 1944, starting his own production company in 1947 and releasing the first of many blockbusters two years later with the neorealist classic, Riso amaro (Bitter Rice). The film follows seasonal workers in the rice fields of northern Italy during the post-war economic depression. It stars Silvana Mangano and Vittorio Gassman, two stunning young actors at the beginning of their legendary careers. De Laurentiis not only had a hit movie on his hands, but he also found a life partner in Mangano. The couple wed that year and went on to have four children: Veronica, Raffaella, Francesca, and Federico.
De Laurentiis teamed up the following year with another prolific producer, Carlo Ponti. Their collaboration lasted seven years. Among the many successful films they produced were The Unfaithfuls by Mario Monicelli (1953); Where Is Freedom? by Roberto Rossellini (1954); La Strada by Federico Fellini (1954); The Gold of Naples by Vittorio De Sica (1954); Ulysses by Mario Camerini, starring Kirk Douglas and Anthony Quinn along with Mangano (1954); and the 1956 Italy/America production of War and Peace, directed by King Wallis Vidor and starring Audrey Hepburn and Henry Fonda.
After parting ways with Ponti, De Laurentiis established his own film studios on the outskirts of Rome in an area known as the Castelli Romani. He named it Dinocittà, to mimic Rome’s Cinecittà. The idea came after the worldwide success of the 1957 Ben Hur which was filmed at the iconic Rome studio. The production ignited an international desire to shoot in Rome, so De Laurentiis, being the businessman that he was, capitalized on this new demand and built the enormous production facility. The studio was quite popular during the 1960s and early 70s and attracted big names in Italy and the United States. On any given day, there would be the likes of Vittorio De Sica, Michelangelo Antonioni, John Huston, Charlton Heston, Bette Davis, Elizabeth Taylor, and Jane Fonda.
It was a time of experimentation with a bit of fun thrown in. Italian directors worked with American actors and vice versa. B-grade westerns and war pictures were made, like Sergio Corbucci’s Navajo Joe (1966), starring Burt Reynolds, and the Civil War drama The Hills Run Red, starring American writer/actor Thomas Hunter. A couple of the more high-profile films to come out of Dinocittà were The Taming of the Shrew by Franco Zeffirelli, starring Elizabeth Taylor and Richard Burton (1967); Barbarella, starring Jane Fonda (1968); Anzio, starring Robert Mitchum (1968); and Waterloo with Orson Welles and Christopher Plummer (1970).
Although production continued at Dinocittà through the 70s, it was arguably one costly 1966 production that marked the beginning of financial problems that would eventually lead to the demise of the facility. The 1966 film, The Bible: In the Beginning, was a big-budget, elaborate production directed by John Huston with an ensemble cast that included Ava Gardner and Peter O’Toole. The plot covered the major events of the Bible in an abstract, artistic way but lacks in-depth storytelling. It was the highest-grossing film of the year in 1966 but was not able to turn a profit. The property was seized by the government for nonpayment of taxes, in the 1970s. Shortly thereafter, De Laurentiis picked up and moved his film career and his family to the United States. He told the Italian press, "I left Rome because of intolerance towards politicians, trade unions, wrong laws, the impossibility of turning an artisanal cinema like the Italian one into an industrial and international cinema."
Dinocittà was no longer in business but his production company was. Shortly after moving to Hollywood, he made his mark there with a string of hits that included Serpico (1973), Death Wish (1974), and Three Days of the Condor (1975). The success of Steven Spielberg’s Jaws inspired him to remake the 1933 King Kong but with a sentimentality that he felt Jaws lacked. One of his infamous quotes was "When Jaws dies, nobody cries. When Kong dies, we all cry." With that thought in mind, De Laurentiis got to work on his big-budget remake. The 1976 film starring Jessica Lange, Jeff Bridges, and Charles Grodin turned out to be an international hit, even though critics did not completely embrace it.
Silvana Mangano in Dune
A trio of box office successes followed with Flash Gordon (1980) Ragtime (1981) and Conan the Barbarian (1982). Then in 1984, De Laurentiis released Dune which at the time was called “his most ambitious project yet.” Adapted from Frank Herbert's popular sci-fi novel by the same name, Dune, although not a great commercial success at the time, was responsible for the launch of numerous careers in the 1980s, including director David Lynch and cast members Kyle MacLachlan and Virginia Madsen. The period of the early 80s also marked the beginning of De Laurentiis’ collaboration with his daughter Raffaele, who followed in his footsteps becoming a producer in her own right.
Apart from those over-the-top, action-adventure, and sci-fi films, De Laurentiis produced two exceptional dramas in the mid-80s. He teamed up again in 1986 with director David Lynch and actor Kyle MacLachlan for Blue Velvet. Isabella Rossellini accepted the lead role of tortured nightclub singer Dorothy Vallens after Helen Mirren reportedly turned it down due to the provocative nature of the character. Laura Dern and Dennis Hopper costar. Lynch created a surreal world inside this film, making it a cult classic.
One year later, De Laurentiis produced the lesser-known Black Eyes (also called Dark Eyes), a 19th-century period film recounting the story of an Italian who falls in love with a Russian woman. A 1987 Italy/Russia coproduction starring Marcello Mastroianni and Silvana Mangano, the film was made two years before Mangano passed away. She was 57 years old and still so beautiful. It is no longer in print or available on VOD. However, there are clips on YouTube worth checking out to see two legendary actors together in the twilight of their careers. It was Mangano’s last principal role. She and De Laurentiis separated in 1983 and divorced in 1988 but continued to work together until her untimely death at the age of 59.
Watch the trailer for Black Eyes...
De Laurentiis married fellow producer Martha Schumacher in 1990 and the couple continued to produce films. Among them were Hannibal (2001) and Hannibal Rising (2007). He passed away on Nov. 10, 2010, at the age of 91 at his home in Beverly Hills, but his legacy lives on in so many ways.
His widow, Martha, is at the helm of the De Laurentiis Company, which has studios in Vermont, Australia, and Morocco, and has provided production facilities for recent blockbusters like Aquaman, Iron Man 3, and Fox Television’s Sleepy Hollow. Dino’s nephew Aurelio De Laurentiis has his production company, Filmauro, and is a long-time collaborator of Carlo Verdone in particular. On this side of the Atlantic, Dino’s daughter Raffaella continues to work as a film producer.
De Laurentiis’ daughter Veronica has found her niche in activism, in particular, empowering women and helping them overcome abuse and get their lives back on track. In 2011, she started the non-profit Silvana Mangano Center “to create a network to help, educate and give a second chance to all victims of violence, abuse, and stalking.” She also started her own web series that invites abused women to tell their stories. “Dillo a Veronica” (Tell Veronica) is broadcast on YouTube and Facebook. Visit veronicadelaurentiis.com for more information.
Giada De Laurentiis on location in Florence for Giada in Italy
In the spirit of his humble beginnings and the DDL Food Show, an Italian specialty foods store that Dino De Laurentiis started in New York and California in the early1980s, his granddaughter, celebrity chef Giada De Laurentiis has carried on his legacy and passion for food. Since she made her debut on the Food Network in 2003, Giada has always been open about the influence her grandfather has had on her becoming a chef.
During the first season of her Food Network series, Giada in Italy, she went right back to where it all started. In the episode titled, Dino’s Pasta Factory, Giada and her Aunt Raffaella (Aunt Raffy) visited Torre Annunziata, birthplace of Dino and where her great-grandparents once owned a pasta factory. Afterward, they created some regional dishes inspired by the day. Click here to watch clips from the episode.
During Season 3, Giada brought her mother, aunt, and daughter to Capri, Italy, the family’s longtime vacation spot and a stone’s throw from Torre Annunziata, to celebrate her grandfather’s 100th birthday. The episode, titled, “Dino's 100th Birthday Party” is a moving, sentimental tribute to her grandfather’s legacy and her own Italian origins. Season 3 is still available on VOD. Recipes from all three seasons of Giada in Italy are available on the Food Network’s website.
Presenting my short film at the 2018 Cortodino Film Festival
Founded in 2010, the Cortodino Film Festival showcases short films from all over the world and carries on De Laurentiis' legacy. Held at a high school, the audience is made up of students during the day, and then in the evening, the adults come together to discuss cinema with guest filmmakers. I presented my short documentary, Luigi Di Gianni: Soul of the South, at the 2019 edition and spoke with the festival’s director, Filippo Germano, about its significance. “The festival is dedicated to Dino De Laurentiis because he was born here in Torre Annunziata and it’s the hometown of his family. We also remember his brothers, producers Luigi and Aurelio De Laurentiis.” Germano went on to explain how the screenings are continuing Dino’s legacy for the next generation of filmmakers. “Dino De Laurentiis was known in his career as a producer for discovering new talents. So our festival is aimed at young filmmakers under the age of 35 in Italian cinema to pull up new, young talent for Italian cinema. Many of the films are presented by the filmmakers, creating a path of film literacy for the young people of our community to ensure that they can also be inspired by the world of cinema and find their own creative voice.”
Watch a clip from my interview with Filippo Germano...
Many films that De Laurentiis produced or coproduced are easily available online. Today, the grounds of Dinocittà are being enjoyed by a whole new generation. Cinecittà World, a theme park with spectacular recreations of famous movie sets, was built on the site of the old studios. Visit https://www.cinecittaworld.it for more information.
Labels
A photo exhibit dedicated to actor Franco Gasparri, a heartthrob of the 1970s, is underway at the Casa del Cinema in Rome. The exhibit opened in May with a documentary by his daughter Stella, a tireless promoter of her father's work. The exhibit consists of 150 photos chosen by the actor's family. Born on Halloween 1948, Gasparri began his film career as a teenager in the early sixties taking on small parts and supporting roles. He appeared in films of the Italian Peplum genre such as "Goliath against the Giants" (1961), "Sansone" (1961) and "The Fury of Hercules" (1962). A symbol of masculine perfection, he was known for his trademark male tresses, Greek God-like profile and green eyes. He enjoyed widespread popularity as an actor during the launch of fotoromanzi, a form of comicstrip storytelling that uses photographs rather than illustrations for the images. Gasparri rose to cinematic stardom in the mid-seventies with a police-themed
Ornella Muti was born Francesca Romana Rivelli in Rome in 1955 to a Neapolitan father and an Estonian mother. She began her career as a model during her teenage years and made her film debut in 1970 with La Moglie più bella (The Most Beautiful Wife). Her follow-up role was in the 1971 film, Sole nella pelle (Sun on the Skin) in which she played the daughter of wealthy parents who runs off with a hippie they don’t approve of. The film offers a telling journey through Italian society in the seventies with the political climate, the breathtaking seaside as well as the styles and cars of that time. Much of the film is set amid the sunny Italian seaside and succeeds in capturing the innocence and beauty of first love. Muti made her American film debut in 1980 with Flash Gordon . She played the role of Princess Aura. She’s appeared in two other American films, including, Oscar , which was directed by John Landis and featured Don Ameche, Chaz Palminteri, and Sylvester Stallone
A compelling 2018 documentary by Claudio Poli aims to shed light on a chapter of Nazi history that is still relevant today. “Hitler Versus Picasso and the Others” is the story of how the Führer didn’t just take countless human lives but also robbed a whole culture of its artistic heritage. Narrated by actor Toni Servillo, “Hitler Versus Picasso and the Others” takes viewers on an incredible journey in search of masterpieces stolen during World War II. The stories of individual works are told by people who witnessed the looting, much of which took place during raids on homes and galleries belonging to Jewish collectors. The documentary reveals that 600,000 works of art were stolen from private owners, museums, churches and galleries. The confiscated artwork was either kept by the Nazi elite, warehoused, sold or destroyed in bonfires. Few benefited more from this large-scale heist than Hildebrand Gurlitt, Hitler’s so-called art dealer, who kept many of the most priceless treasures for
Monica Bellucci as Malèna Born in Umbria in 1964, Monica Bellucci is one of the most recognizable faces of international cinema. But she didn't always have her sights set on the spotlight. She went to college to study law and modeled to pay her tuition. Her success in the fashion world coupled with the offers that were pouring in to appear on the big screen eventually took over, changing her fate. Bellucci made her on-screen debut in the 1990 television movie, " Vita coi figli." Just two years later, she scored her first American role in Francis Ford Coppola's "Dracula." In addition to her native language, she speaks fluent English and French, which has made for a smooth transition from Italian to international cinema. Stateside, she has acted in blockbusters such as "The Matrix-Reloaded," " The Passion of the Christ" and " The Sorcerer's Apprentice." She has also appeared in several French films, a
The Toronto International Film Festival is wrapping up its retrospective of the cinematic collaboration of husband and wife team, Nicoletta Braschi and Roberto Benigni. Over the last few days, the couple have participated in discussions, Q & A sessions and have introduced several of their films. Today, I attended a screening of "La voce della luna" (The voice of the moon). It was Federico Fellini's last film and is a wonderful tribute to the director's signature poetic madness. The film gave Benigni the opportunity to team up with fellow beloved comic, Paolo Villaggio, and the two created a truly unforgettable adventure. Today's screening began with an introduction by Benigni. The moments leading up to his introduction were noticeably serious and somewhat tense. Benigni's publicist and TIFF security staunchly guarded his privacy. There was no interaction and no photos were allowed. Guided by his entourage, he walked quickly from the Green Room to th
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Dino De Laurentiis: For Decades, A Big-Picture Guy
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[
""
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[
"Bob Mondello"
] |
2010-11-11T00:00:00
|
The Italian-born movie mogul died Wednesday, after a six-decade career producing an array of films — more than 160 of them — that ranged from Oscar-winning prestige projects to complete flops.
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en
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NPR
|
https://www.npr.org/2010/11/11/131244809/dino-de-laurentiis-for-decades-a-big-picture-guy
|
Movie producer Dino De Laurentiis, whose pictures ranged from Oscar winners to exploitation films -- from Fellini's La Strada to Conan the Barbarian -- died Wednesday. He was 91.
De Laurentiis began his career in Italy during World War II and moved to Hollywood in the 1970s, producing more than 160 films in his six-decade career.
The dozens of directors with whom De Laurentiis created films included some of the biggest names in movie history: Ingmar Bergman, Federico Fellini, John Huston, Roberto Rossellini, King Vidor, Robert Altman. There were a pair of influential Sidneys (Lumet and Pollack) along with a pair of seriously weird Davids -- horror director David Cronenberg and Blue Velvet director David Lynch.
What kind of movies did the brash, cigar-chomping De Laurentiis like? It sometimes seemed there wasn't a kind he didn't like. The '70s remake of King Kong he backed was widely dismissed as commercial junk, as were some of the other potboilers De Laurentiis made after his arrival in Hollywood: Charles Bronson shoot-em-ups, Stephen King horror flicks, the trashy plantation melodrama Mandingo. But the filmmaker never worried much what critics thought, as he told NPR in 2002.
"The audience wants to be attracted not by the critics, [but] by a great story," De Laurentiis said. "You must deliver to the audience emotion -- and when I say emotion, I mean suspense, drama, love."
And stars. Lots of stars. In the 1950s, De Laurentiis paid top dollar to recruit some of America's brightest lights for his European epics. Henry Fonda and Audrey Hepburn lived through War and Peace; Kirk Douglas was his Ulysses. He paid Anthony Quinn's salary for a little Fellini oddity about traveling circus performers. La Strada would go on to win the foreign film Oscar in 1957.
The following year, without so much as telling the director, De Laurentiis recut Fellini's Nights of Cabiria, the source material for the musical Sweet Charity, and won Fellini another Oscar. By the early '60s, the producer was working from his own studio in Rome, churning out eight or nine films a year -- Italian pictures for local distribution along with more ambitious international fare for world markets, including the battlefield drama Anzio with Robert Mitchum and the sci-fi spoof Barbarella with Jane Fonda.
In the '70s, De Laurentiis moved to the U.S., first establishing a foothold with tense thrillers -- Serpico, Death Wish, Three Days of the Condor -- then using the profits they earned to make prestige projects like Ragtime. But for every well-received movie, he seemed to make two trashier ones -- Orca, The Killer Whale; Hurricane, and the science-fiction disaster Dune.
His successes allowed him to build a film studio in North Carolina, and his failures forced him to sell the studio so he could finance more pictures. Always, though, he was the same scrappy, cinema-crazed showman who'd scraped together every cent he had in 1940 to rent a flashy car and convince his first financial backer he had the moxie to make a movie. Brashness worked early on for Dino De Laurentiis, and it kept on working for more than six decades.
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http://jabootu.net/%3Fp%3D4022
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Jabootu's Bad Movie Dimension
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[
""
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[
"Ken Begg"
] | null |
Devoted to savoring films at the very bottom of the Cinematic Bell Curve since 1997
|
Jabootu's Bad Movie Dimension
|
http://jabootu.net
|
Watch Party tonight!
You'll want to join us tonight if you can. I hope to see you there. →
By Ken Begg |
Monster of the Day #3462
Clever. That guy lured that robot in so that could fire his mouth beams directly into the robot's eyes. →
By Ken Begg |
Watch Party tonight!
Don't worry, Galaxy Jane picked it.* [Well, out of two choices I gave her.] →
By Ken Begg |
Watch Party tonight!
I do want to say, though, that the movie I'm showing tonight is normally not the one I'd be showing tonight, by which I mean right after School for Unclaimed Girls. It's not the same… Read more →
By Ken Begg |
Monster of the Day #3532
"Hey, doc, can you help me? I've had this coffin' in my chest." I can't put my finger on it, but I really like this poster for some reason. →
By Ken Begg |
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https://www.ign.com/articles/2010/11/11/dino-de-laurentiis-dies
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en
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Dino De Laurentiis Dies
|
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[] |
[] |
[
""
] | null |
[
"Jim Vejvoda"
] |
2010-11-11T00:00:00
|
Iconic film producer Dino De Laurentiis has died. He was 91. His films include La Strada, Flash Gordon, Dune, Barbarella, Serpico, and the Hannibal Lecter series.
|
en
|
https://kraken.ignimgs.com/favicon.ico
|
IGN
|
https://www.ign.com/articles/2010/11/11/dino-de-laurentiis-dies
|
Iconic film producer Dino De Laurentiis has died. He was 91.
De Laurentiis was the producer of more than 500 films (!) and won an Oscar for the Federico Fellini classic La Strada. The Academy honored him with the Irving G. Thalberg Memorial Award in 2001.
De Laurentiis began his film career in the Italian post-war neo-realist period before becoming one of the biggest producers of Hollywood sci-fi, fantasy and horror films.
He produced all of the Hannibal Lecter movies from Manhunter to Hannibal Rising except for Silence of the Lambs. He also produced Barbarella, Flash Gordon, Breakdown, U-571, Ragtime, The Bible: In the Beginning... , and the 1976 remake of King Kong, and exec produced Serpico, Dune, The Dead Zone, The Bounty, Army of Darkness and Conan the Destroyer. His earlier films include War and Peace, Waterloo, Ulysses, Riso Amaro, Nights of Cabiria and Europa.
And those are just some of the films he helped bring to life. There are many more that he helped get made that he never received official credit on.
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https://www.flavorwire.com/129652/required-viewing-10-films-produced-by-dino-de-laurentiis
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en
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Required Viewing: 10 Films Produced by Dino De Laurentiis
|
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[
""
] | null |
[
"Judy Berman"
] |
2010-11-11T17:45:56+00:00
|
Today brings sad news for art-film snobs and B-movie fanboys alike: prolific producer Dino De Laurentiis has died. The 91-year-old Italian â who Food Network viewers may also know as Giadaâs grandpa â worked with some of 20th-century cinemaâs mostâ¦
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en
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/assets/icon-ca7f8a6d76.png
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Flavorwire
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https://www.flavorwire.com/129652/required-viewing-10-films-produced-by-dino-de-laurentiis
|
Today brings sad news for art-film snobs and B-movie fanboys alike: prolific producer Dino De Laurentiis has died. The 91-year-old Italian â who Food Network viewers may also know as Giadaâs grandpa â worked with some of 20th-century cinemaâs most important filmmakers, including Federico Fellini, Sidney Lumet, and David Lynch. But De Laurentiis was also game for fun trash, financing everything from Barbarella to Sam Raimiâs early horror flicks. After the jump, we celebrate both sides of the producer, in a list of 10 De Laurentiis films everyone should see.
Bitter Rice (1949)
De Laurentiis originally made his name as a producer of Italian neorealist films. His best, and an international success, was director Giuseppe de Santisâ Bitter Rice. The sexy flick follows a beautiful peasant rice harvester (played by Silvana Magnano) who falls in with a pair of miscreants and finds herself won over by their dangerous ways.
La Strada (1954)
Eventually, De Laurentiis fell in with Federico Fellini, who also began his career as a neorealist. Felliniâs wife Giulietta Masina starred in the directorâs first classic film, about a young woman whose mother sells her to a gypsy. Although it doesnât quite break the neorealist style, La Strada, with its musical and circus elements, certainly contained hints of Felliniâs later preoccupations.
The Nights of Cabiria (1957)
When no one else would finance Felliniâs movie about a prostitute, De Laurentiis took the risk. Masina stars again, as a streetwalker named Cabiria Ceccarelli, who struggles to stay positive despite her depressing circumstances. Fun fact: The Nights of Cabiriaâs script was co-written with that grittiest of Italian filmmakers, Pier Paolo Pasolini.
Barbarella (1968)
De Laurentiis also collaborated on some English-language films before moving to the U.S. in the â70s. His work on Roger Vadimâs 1968 cult classic Barbarella â starring intergalactic superhero Jane Fonda â is the best example of De Laurentiisâ soft spot for pulp. And if you havenât seen this midnight movie staple yet, well, what are you waiting for?
Serpico (1973)
In Sidney Lumetâs 1973 crime drama, Al Pacino stars as the real-life hippie cop Frank Serpico, who took on New York Cityâs corrupt police force. His 1975 Pacino collaboration, Dog Day Afternoon, may get more critical love, but Serpico is essential viewing for anyone who enjoyed that film. The role has been widely hailed as one of Pacinoâs best â and thatâs certainly saying a lot.
Three Days of the Condor (1975)
Another New York story â hey, they were popular in the â70s, and for good reason â Sidney Pollackâs Three Days of the Condor is a political thriller, starring Robert Redford as a C.I.A. employee who becomes caught in a web of government conspiracy.
Conan the Barbarian (1982)
More classic De Laurentiis-enabled cheese: Californiaâs gubernator stars as Conan the Barbarian â a loving, fighting, generally shirtless brute who worships steel or something. Based on a comic book, the film is basically the male equivalent of Barbarella.
Dune (1984)
Critics hated Dune, and director David Lynch wasnât thrilled with it, either. But the sci-fi epic â which De Laurentiis hired Lynch to make â has certainly earned a cult audience over the years. Itâs worth watching, if only for the appropriately ridiculous score, by Toto (the folks who brought us âAfricaâ).
Blue Velvet (1986)
Directly after finishing Dune, Lynch went on to make the film that defined his career â and, as with The Nights of Cabiria, De Laurentiis was the only producer who would pay for such a strange project. Chances are, you know the rest: Dennis Hopper. Isabella Rossellinni. Kyle Mclachlan. Laura Dern. Gas masks. Sex crimes. Surreal musical performances. If you havenât seen it yet, see it now in Dinoâs honor.
Evil Dead 2 (1987)
Yes, Dino De Laurentiis is even partially responsible for Sam Raimiâs fanboy favorite. Widely held to be better than its predecessor, Evil Dead 2 kicks off with your classic horror clichés â a guy, a girl, an abandoned cabin with a supernatural past â and ends up, well, very funny, if you have a gross sense of humor. De Laurentiis Entertainment Group also bankrolled the final film in the trilogy, Army of Darkness.
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