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1750 Strachan was unsurprised at the French reaction , and returned fire immediately , the proximity of the ships preventing any manoeuvres . Within twenty minutes the combat was decided , the French captain hauling down his colours with his ship battered and more than 60 men wounded or dead . The French ship carried significantly weaker cannon than Phoenix , with 6 and 12 pounder guns to the 9 and 18 pounders aboard the British squadron . In addition , Résolue was heavily outnumbered : no other French warships were in the area while the British had three large frigates within sight . French losses eventually totalled 25 men killed and 60 wounded , Strachan suffering just six killed and 11 wounded in return .
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1751 = = Aftermath = =
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1752 With the enemy subdued , Strachan ordered a thorough search of the captured vessels , but could find no contraband and returned control to the French commander . The French officer however refused , insisting that he and his ship were treated as prisoners of war . Cornwallis ordered the merchant ships released to continue their journey and for the frigate to be towed back to Mahé , where it was anchored in the roads with its sails and topmasts struck . Provision was subsequently made at Mahé by Strachan for the wounded French sailors . Soon afterwards Saint @-@ Félix arrived at Mahé in his frigate Cybèle and reacted furiously at the discovery that one of his neutral ships had been attacked and captured by the British . When Cornwallis insisted that his ships had been acting within their orders , Saint @-@ Félix promised reprisals if any of his vessels were attacked again and withdrew with both Cybèle and Résolue later in the day , followed by Minerva and Phoenix . One account reported that Saint @-@ Félix actually ordered his crew to fire on Cornwallis but that they refused . The British shadowed the French for several days , openly stopping and searching French merchant ships but without provoking a response from Saint @-@ Félix . Résolue and Phoenix were subsequently detached by their commanders , Cornwallis and Saint @-@ Félix remaining in contact for several more days before finally separating .
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1753 News of the encounter was conveyed back to France , but the country was at this time in one of the most turbulent eras of the ongoing Revolution and little notice was taken of events in India . Historian William James notes that under normal political circumstances the action would have had more significant ramifications , while Edward Pelham Brenton claims that the French deliberately ignored the report out of fear of antagonising Britain . In Britain , the Admiralty approved of Cornwallis ' actions , suggesting that the French were deliberately using the guise of trade to support Mysore against Britain . The action had no effect on the ongoing war in India , which was now centred on the inland city of Seringapatam . As British forces closed on the city in February 1792 , the Tipu Sultan initiated peace talks which brought the war to an end in exchange for concessions to the Company and its Indian allies .
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1754 = Loose ( Nelly Furtado album ) =
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1755 Loose is the third studio album by Canadian singer and songwriter Nelly Furtado , released on 6 June 2006 by Geffen Records and the Mosley Music Group . Following the release of Furtado 's second album , Folklore ( 2003 ) through DreamWorks Records , it was announced that Universal Music Group would acquire DreamWorks Records , the later was folded into the Interscope Geffen A & M umbrella where Furtado would release any new music . Timbaland and his protégé Danja produced the bulk of the album , which incorporates influences of dance , R & B and hip hop . The album explores the theme of female sexuality and has been described as introspective or even sad in parts .
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1756 The album received criticism because of the sexual image Furtado adopted for the recording , as some critics felt it was a ploy to sell more records . Further controversy rose over accusations of plagiarism on Timbaland 's part in the song " Do It " ( which contained the melody from Finnish musician Janne Suni 's song " Acidjazzed Evening " without proper authorization ) when recordings were leaked onto YouTube . The record was seen generally as critically and commercially successful . It reached high positions on charts across the world , and according to an August 2009 press release , it had sold more than 12 million copies worldwide , making it the best @-@ selling album of 2006 – 07 and the twenty @-@ second best @-@ selling album of the 2000s .
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1757 The album was heavily promoted , released in several editions and supported by the Get Loose Tour , which is the subject of the concert DVD Loose : The Concert . " Loose " debuted at number one , making it Furtado 's first album to top the chart along with eight singles were released from the album , including the US number @-@ one singles " Promiscuous " and " Say It Right " , which received Grammy Award nominations for Best Pop Collaboration with Vocals and Best Female Pop Vocal Performance , respectively . Other successful singles include the UK number @-@ one single " Maneater " and the European number one single " All Good Things ( Come to an End ) " .
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1758 = = Background = =
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1759 Furtado 's second album , Folklore , was released in November 2003 . The lead single is " Powerless ( Say What You Want ) " and the second single is the ballad " Try " . The album was not as successful as her debut , partly due to the album 's less " poppy " sound . " Powerless ( Say What You Want ) " was later remixed , featuring Colombian rocker Juanes , who had previously worked with Furtado on his track " Fotografía " ( " Photograph " ) . The two would collaborate again on " Te Busqué " ( " I searched for you " ) , the single from Furtado 's album Loose . The album was underpromoted from her label DreamWorks Records ; it was announced on 11 November 2003 that Universal Music Group reached an agreement to acquire DreamWorks Records from DreamWorks SKG for " about $ 100 million " . The purchase came at a time when the music business was " going through major changes " as it struggled to " counter falling sales and the impact of unofficial online music sales " . DreamWorks Records was folded into the Interscope Geffen A & M umbrella label in January 2004 . Furtado 's recording contract was then absorbed into Geffen Records .
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1760 = = Recording = =
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1761 Furtado began work on Loose by holding with emcee Jellystone what she referred to as a " hip @-@ hop workshop " , in which they would " write rhymes , dissect them , and try different flows over beats . " The first producers she worked with were Track & Field — who co @-@ produced her first two albums , Whoa , Nelly ! ( 2000 ) and Folklore ( 2003 ) — and by May 2005 , she had collaborated with Swollen Members and K 'naan . She worked with Nellee Hooper in London on reggae @-@ oriented material and with Lester Mendez in Los Angeles on acoustic songs . One of the tracks Mendez helped to create is " Te Busqué " , which is co @-@ written by and features Juanes , who collaborated with Furtado on his 2002 song " Fotografía " . During her time in Los Angeles , she worked with Rick Nowels , who co @-@ wrote and produced " In God 's Hands " and " Somebody to Love " .
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1762 In Miami , Florida , Furtado collaborated with Pharrell ( who introduced her to reggaeton and who gave her a " shout @-@ out " in his 2005 single " Can I Have It Like That " ) and Scott Storch ( with whom she recorded a " straight @-@ up rap song " ) before entering the studio with Timbaland . He and his protégé at the time , Danja , co @-@ produced eight of the tracks , with another produced solely by Danja . For some of the beats on the songs , Timbaland finished work on ones already present in the studio that were half @-@ developed or just " nucleuses " ; the rest were completely reworked . Furtado recorded around forty tracks for Loose , deciding which she would include based on the sonics of the album — she called Timbaland " a sonic extraterrestrial " who came up with a sequence of songs that flowed , and said that the one she had devised was supposedly unsatisfactory . She recorded an unreleased collaboration with Justin Timberlake , " Crowd Control " , which she described as " kind of sexy " and " a cute , clubby , upbeat , fun track " . Other songs considered for inclusion on the album include " Chill Boy " , " Friend of Mine " , " Go " , " Hands in the Air " , " Pretty Boy " , " Vice " and " Weak " .
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1763 Furtado said in her diary on her official website that she recorded a remix of " Maneater " with rapper Lil Wayne ; it was only released as part of a compilation album , Timbaland 's Remix & Soundtrack Collection , she also used the instrumental of the song during many television performances of " Maneater " . A version of " All Good Things ( Come to an End ) " featuring vocals by Coldplay lead singer Chris Martin , who co @-@ wrote the song , was not released after a request from Martin 's label , EMI . The song was released on the album , but only Furtado 's vocals are featured . Furtado explained that " Loose was 90 percent written with a beat first , and then I ’ d write my melodies and songs to the beat . "
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1764 = = Post @-@ production = =
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1765 The " off @-@ the @-@ cuff " conclusion to production was one of the reasons the album was titled Loose . It was named partly after the spontaneous decisions she made when creating the album . The album is also called Loose because it is " the opposite of calculated " and came naturally to Furtado and Timbaland ; she called him her " distant musical cousin because he was always pushing boundaries and always carving out his own path " , which she believed she was doing with Loose . " I think you have to keep surprising people as an artist , and I like that — I love doing that " , she said . Loose was also named partly for the R & B girl group TLC , who Furtado said she admires for " taking back their sexuality , showing they were complete women . " She said she wanted the album to be " assertive and cool " and " sexy but fun " , like TLC , MC Lyte , Queen Latifah and Janet Jackson , who inspired Furtado because , as she put it , she was " comfortable in her sexuality and womanhood " when her 1993 single " That 's the Way Love Goes " was released .
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1766 During the recording of Loose , Furtado listened to several electro and rock musicians , including Bloc Party , System of a Down , M.I.A. , Feist , Queens of the Stone Age , Metric and Death from Above 1979 , some of whom influenced the " rock sound " present on the album and the " coughing , laughing , distorted basslines " that were kept in the songs deliberately . According to her , music by such bands is " very loud and has a garage theme " to it , some of which she felt she captured on the album . Furtado has said rock music is " rhythmic again " and hip hop @-@ influenced after it had become " so churning and boring . " Because the mixing engineers were aware of Timbaland and Furtado 's rock influences , the songs were mixed on a mixing board in the studio instead of " the fancy mixer at the end " . Furtado said she preferred the louder volume that process gave to the album because she wanted it to sound like her demo tapes , which she prefers to her finished albums . She said , " It didn 't have that final wash over it ; it didn 't have the final pressing at the end , save for a couple sounds " .
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1767 = = Music and lyrics = =
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1768 Furtado said that with the release of her albums before Loose , she had wanted to prove herself as a musician and earn respect from listeners through using many different instruments on an album , which most hip hop musicians did not do . After she believed she had accomplished that , she felt she had freedom to make the type of music she " really love [ d ] " . Furtado said her previous problem with hip hop was that she did not think it was good enough to base one of her albums on , but that she then asked herself why she was being " pretentious " . The album represents her separating from such notions and , in her words , " jumping in the deep end of the pool — ' Ahh , screw it , this is fun ! ' " . Furtado said she considers herself " all over the map " and promiscuous musically because she is not faithful to one style .
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1769 For the first time , Furtado worked with a variety of record producers and followed a more collaborative approach in creating the album . Produced primarily by Timbaland and Danja , Loose showcases Furtado experimenting with a more R & B – hip hop sound and , as she put it , the " surreal , theatrical elements of ' 80s music " . She has categorized the album 's sound as punk @-@ hop , which she describes as Eurythmics @-@ influenced " modern , poppy , spooky music " and stated that " there 's a mysterious , after @-@ midnight vibe to [ it ] that 's extremely visceral " . Furtado has described the album as " more urban , more American , more hip @-@ hop , [ and ] more simplified " than her earlier work , which she said was more layered and textured because she " tend [ s ] to overthink things " . In contrast , during her studio time with Timbaland , she said she was " in the VIP boys club of just letting go " and being more impulsive . According to Furtado , instead of " pristine stuff " , the album features " really raw " elements such as distorted bass lines , laughter from studio outtakes and general " room for error " . Furtado has said Loose is not as much about the lyrics , which are not included in the liner notes , as it is about " indulging in pleasures — whether it 's dancing or lovemaking . " According to her , she wasn 't trying to be sexy with the album — " I think I just am sexy now " , she said .
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1770 = = Songs = =
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1771 The opening track , " Afraid " ( featuring rapper Attitude ) , is a description of Furtado 's fear of what people think of her , and she has said the chorus reminds her of " walking down the hall in high school ... because you live from the outside in . Now that I 'm an adult , I care about the inside of me ... Before I said I didn 't care about what people thought about me , but I really did . " " Maneater " is an uptempo electro rock song that combines 1980s electro synths and a more dance @-@ oriented beat . The up @-@ tempo song has prominent electropop and synthpop influences and is lyrically related to how people become " hot on themselves " when dancing in their underwear in front of a mirror . " Promiscuous " ( featuring Timbaland ) was inspired by a flirting exchange Furtado had with Attitude , who co @-@ wrote the song
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1772 She has characterised the fifth track , " Showtime " , as " a proper R & B slow jam " . " No Hay Igual " is a hip hop and reggaeton song , that has a Spanglish tongue twister over " future @-@ tropic " beats . The song contains a " sharp mix " of percussion and " empowered chanting " . In " No Hay Igual " , Furtado sings in Spanish and raps in Portuguese over a reggaeton rhythm . The album also features more introspective songs , and The Sunday Times wrote that it " has a surprising sadness to it . " The seventh track , " Te Busqué " , which features Latin singer Juanes , is about Furtado 's experiences with depression , which she said she has had periodically since she was around seventeen years old . Furtado said she was unsure what " Say It Right " is about , but that it encapsulates her feeling when she wrote it and " taps into this other sphere " ; in an interview for The Sunday Times , it was mentioned that it is about her breakup with DJ Jasper Gahunia , the father of her daughter . " In God 's Hands " , another song on the album , was also inspired by the end of their relationship .
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1773 = = Singles = =
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1774 In April 2006 , a remix of " No Hay Igual " featuring Calle 13 was issued as a club single in the US . During the same period , " Promiscuous " ( featuring Timbaland ) was released for digital download in North America . Promiscuous became Furtado 's first single to top the US Billboard Hot 100 and was released in Australia , where it reached the top five . The lead single in Europe and Latin America , " Maneater " , was released in late May to early June 2006 . It became Furtado 's first single to top the UK Singles Chart and made the top ten in other countries ; it reached the top five in Germany and the top twenty in France and Latin America . The second single in Europe , " Promiscuous " , was released in late August to early September 2006 but it did not perform as well as " Maneater " . It peaked inside the top five in the UK and the top ten in other countries , including Germany , and it reached the top twenty in France . During the same period , " Maneater " began its run as the second single in North America ; it was not as successful as " Promiscuous " , reaching number twenty @-@ two in Canada and the top twenty in the US , though it became a top five single on the ARIA Singles Chart .
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1775 Releases of the third North American single , " Say It Right " , and the third Europe single , " All Good Things ( Come to an End ) " , took place in November and December , and the third Latin American single , " Promiscuous " , was released in January 2007 . " Say It Right " went to number one in the US and on the Nielsen BDS airplay chart in Canada ( where it was not given a commercial release ) , and it reached the top five in Australia . " All Good Things ( Come to an End ) " reached number one on the pan @-@ European singles chart and the top five in the UK , and it was the album 's most successful single in Germany , where it topped the chart , and in France , where it became a top ten hit . After the release of " Say It Right " in Europe in March 2007 , the single reached the top five in Germany and the top ten in the UK , where it was a download @-@ only release . The video for " All Good Things ( Come to an End ) " was released in North America during this period . " All Good Things ( Come to an End ) " peaked in the top five in Canada and in the top twenty in Australia , though it only reached the lower half of the US Hot 100 .
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1776 The album 's fifth and final UK single was " In God 's Hands " , and the fifth and final single in North America was " Do It " . In May 2007 , Furtado mentioned the possibility of a sixth or seventh single , mentioning the examples of Nickelback 's All the Right Reasons and The Pussycat Dolls ' PCD as albums that were being supported by seven singles at the time . Furtado said she liked the possibility because she thought Loose was good and " want [ ed ] people to hear as much of it as possible " before she took time off . Two other songs , " Te Busqué " and " No Hay Igual " , were released as singles in other regions of the world . " Te Busqué " was the lead single in Spain because of the limited success hip @-@ hop / R & B @-@ influenced songs in the style of " Promiscuous " and " Maneater " achieved in the country . It was not released in the United States , but it was given airplay on Latin music radio stations and reached the top forty on Billboard 's Latin Pop Airplay chart . The " No Hay Igual " remix featuring Calle 13 was released in Latin America , and the music video debuted in September .
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1777 = = Release and promotion = =
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1778 The album was first released in Japan on 7 June 2006 through Universal Music Group before being released two days later in Germany . In the United Kingdom Loose was released on 12 June 2006 via Geffen Records and was released eight days later on 20 June 2006 in Canada and the United States .
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1779 In 2007 the album was re @-@ released in Germany . The re @-@ release included bonus content .
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1780 During the promotion of Loose , Furtado performed at major music festivals and award shows . In Europe , she appeared at Rock am Ring and Rock @-@ im @-@ Park in Germany and the Pinkpop Festival in the Netherlands in June 2006 . She performed in Canada at the Calgary Stampede , the Ottawa Bluesfest in July , and at the Ovation Music Festival in September . Shortly after her August 2006 performance at the Summer Sonic in Japan , she sang at the Teen Choice Awards . In November , she contributed to the entertainment during the World Music Awards , the American Music Awards and the 94th Grey Cup halftime show . She performed at the 2007 NRJ Music Awards , held in January 2007 .
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1781 Furtado embarked on a world concert tour , the Get Loose Tour , on 16 February 2007 in the UK , in support of the album ; the tour included thirty @-@ one dates in Europe and Canada , with additional shows in the US , Japan , Australia and Latin America . Furtado described the show as a " full sensory experience " with " a beginning , middle and end ... [ it ] takes you on a journey " , also stressing the importance of crowd involvement and " spontaneity and rawness , because those are my roots , you know ? I started by doing club shows , and that 's the energy I love , the raw club energy of just feeling like you 're rocking out . " Though Furtado said choreographed dance routines were to be included in the show , she described it as " music @-@ based ... Everything else is just to keep it sophisticated and sensual and fun . " Furtado said she hoped to have Chris Martin , Juanes , Justin Timberlake , Timbaland and Calle 13 to guest on the tour , and have a " revolving door " of opening acts with Latin musicians opening in the US .
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1782 = = Commercial performance = =
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1783 Loose debuted at number one on the Canadian Albums Chart , selling more than 34 @,@ 000 copies in its first week , at that time the year 's strongest debut for a Canadian artist . In late July , after Furtado embarked on a short tour of Canada and made a guest appearance on the television show Canadian Idol , the album returned to number one . It subsequently stayed near the top of the album chart until late January 2007 , when it reached number one again for two weeks . It was the third best @-@ selling album of 2006 in Canada , and the highest selling by a female solo artist , with 291 @,@ 700 copies sold . The Canadian Recording Industry Association ( CRIA ) certified Loose five times platinum in May 2007 for shipments of more than 500 @,@ 000 copies . It stayed in the top twenty for fifty @-@ seven weeks .
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1784 The album debuted at number one on the US Billboard 200 chart , making it Furtado 's first album to top the chart with first @-@ week sales of 219 @,@ 000 ; it was certified platinum by the Recording Industry Association of America ( RIAA ) and ranked sixty @-@ fourth on the Billboard 2006 year @-@ end chart . Loose exited the US top ten in August 2006 but re @-@ entered it in March 2007 , and according to Nielsen SoundScan in October 2007 , it had sold two million units . The album ranked thirty @-@ second on the Billboard 2007 year @-@ end chart .
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1785 In the United Kingdom , Loose entered the albums chart at number five ; in its forty @-@ third week , it reached number four , and it was certified double platinum for shipments to retailers of more than 600 @,@ 000 copies . As of July 2007 , it had sold roughly 827 @,@ 000 copies in the UK . The record was certified two times platinum in Australia for more than 140 @,@ 000 units shipped ; it reached number four there and was placed forty @-@ fourth on the Australian Australian Recording Industry Association ( ARIA ) list of 2006 bestsellers . The album entered the chart in Germany at number one , spent a record forty @-@ nine weeks in the German top ten , and was certified five times platinum . Loose reached number one on the European Top 100 Albums chart in early 2007 , spending ten non @-@ consecutive weeks at number one . By March 2007 , it had been certified gold or platinum in twenty @-@ five countries . According to a Geffen Records press release , Loose had sold more than seven million copies by November 2007 .
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1786 = = Critical reception = =
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1787 Loose received generally positive reviews from music critics ; it holds an average score of 71 out of 100 at aggregate website Metacritic . AllMusic and musicOMH cited the " revitalising " effect of Timbaland on Furtado 's music , and The Guardian called it " slick , smart and surprising . " Q found most of it to be " an inventive , hip @-@ hop @-@ inflected delight . " Kelefa Sanneh of The New York Times wrote that " the music and the lyrics are mainly aimed at dance floors , and yet this album keeps reminding listeners that a dance floor is one of the most complicated places on earth . " In its review , AllMusic wrote " It 's on this final stretch of the album that the Furtado and Timbaland pairing seems like a genuine collaboration , staying true to the Nelly of her first two albums , but given an adventurous production that helps open her songs up ... Timbaland has revitalized Nelly Furtado both creatively and commercially with Loose " . She won her first BRIT Award — Best International Female — in 2007 .
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1788 In a mixed review , Nick Catucci of The Village Voice felt that Furtado " sauces up a bit too luridly " and lacks " chemistry " with Timbaland , writing that Loose " isn 't a love child , but a bump @-@ and @-@ grind that never finds a groove " . Vibe stated , " she loses herself in Gwen Stefani – like posturing , as on “ Glow , ” and ethnic fusions like “ No Hay Igual ” or “ Te Busqué . " In his consumer guide for The Village Voice , Robert Christgau gave the album a " B " and named it " dud of the month " , indicating " a bad record whose details rarely merit further thought . " Christgau viewed that its dance @-@ oriented tracks " might accomplish God 's great plan on the dance @-@ floor . But as songs they 're not much " .
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1789 = = Impact = =
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1790 Considerable attention was generated by the more sexual image of Furtado presented in promotion and publicity for the album , and in particular the music videos for " Promiscuous " and " Maneater " , in which she dances around with her midriff exposed . According to Maclean 's magazine , some said that Furtado 's progression was a natural transformation of a pop singer ; others believed that she had " sold out " in an effort to garner record sales , particularly after her second album was a commercial failure in comparison to her first . Maclean 's wrote that her makeover " seems a bit forced " and contrasted her with singers such as Madonna and Emily Haines of Metric : " [ they ] seem to be completely in control , even somewhat intimidating in their sexuality : they 've made a calculated decision for commercial and feminist reasons . In contrast , Furtado 's new , overt sexuality comes off as unoriginal — overdone by thousands of pouty pop stars with a quarter of Furtado 's natural talent ... the revamping feels as if it 's been imposed rather than chosen by the unique , articulate singer we 've seen in the past . "
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1791 Dose magazine wrote that Furtado 's new " highly sexualized " image was manufactured , and noted the involvement in the album 's development of Geffen 's Jimmy Iovine , who helped to develop the Pussycat Dolls , a girl group known for their sexually suggestive dance routines . The writer also criticised Furtado 's discussion of her buttocks and apparent rejection of feminism in a Blender magazine interview , writing : " Girls , do you hear that churning ? Those are the ideas of Gloria Steinem turning in their grave . " A writer for the Canadian Broadcasting Corporation said that cynics could attribute Furtado 's commercial success with Loose to her " amped @-@ up sex appeal . " The writer added that , the failure of Janet Jackson 's album Damita Jo ( 2004 ) indicated such a move was not infallible . Furtado was " still demure compared to many of her competitors " — she avoided sporting lingerie or performing " Christina Aguilera @-@ style gyrations or calisthenics " in the " Promiscuous " and " Maneater " videos . " Despite its dramatic arrival ... Furtado 's new image doesn ’ t feel calculated " , he said . " [ She ] seems to be thinking less and feeling more , to the benefit of her music . "
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1792 In early 2007 , a video hosted on YouTube led to reports that the song " Do It " , and the Timbaland @-@ produced ringtone " Block Party " that inspired it , used — without authorization — the melody from Finnish demoscene musician Janne " Tempest " Suni 's song " Acidjazzed Evening " , winner of the Assembly 2000 oldskool music competition . Timbaland used the record of C64 adaptation of the song written by Glenn Rune Gallefoss ( GRG ) . Timbaland admitted sampling the song , but said that he had no time to research its intellectual owner . Hannu Sormunen , a Finnish representative of Universal which represents Nelly Furtado in Finland , commented the controversy as follows in the 15 January 2007 issue of Iltalehti ; " In case that the artist decides to pursue the matter further , it 's on him to go to America and confront them with the local use of law . It will require a considerable amount of faith and , of course , money . " On 9 February 2007 , Timbaland commented on the issue in an MTV interview : " It makes me laugh . The part I don 't understand , the dude is trying to act like I went to his house and took it from his computer . I don 't know him from a can of paint . I 'm 15 years deep . That 's how you attack a king ? You attack moi ? Come on , man . You got to come correct . You the laughing stock . People are like , ' You can 't be serious . ' "
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1793 On 12 June 2009 , Mikko Välimäki , who is one of the legal counsels of Kernel Records , the owner of the sound recording rights , reported that the case had been filed in Florida . In January 2008 , Turkish newspapers reported that Kalan Müzik , the record label that released Turkish folk singer Muhlis Akarsu 's album Ya Dost Ya Dost , pressed charges against Furtado for the Loose track " Wait for You " , which label officials said features the bağlama instrumental part of Akarsu 's song " Allah Allah Desem Gelsem . "
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1794 = = Track listing = =
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1795 = = = Reissues = = =
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1796 Notes
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1797 ^ a signifies a vocal producer
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1908.751220703125 6 WikiText2
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1798 = = Personnel = =
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1207.3323974609375 5 WikiText2
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1799 = = = Production = = =
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