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4400 = The Remix ( Lady Gaga album ) =
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4401 The Remix is a remix album by American recording artist Lady Gaga . Released in Japan on March 3 , 2010 , it contains remixes of the songs from her first studio album , The Fame ( 2008 ) , and her third extended play , The Fame Monster ( 2009 ) . A revised version of the track list was prepared for release in additional markets , beginning with Mexico on May 3 , 2010 . A number of recording artists have produced the songs , including Pet Shop Boys , Passion Pit and The Sound of Arrows . The remixed versions feature both uptempo and downtempo compositions , with altered vocals from Gaga .
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4402 The album received mixed reviews from contemporary critics , but some noted how Gaga was able to sell the songs from The Fame in new and novel ways . It reached the top of charts in Greece and the Dance / Electronic Albums chart of Billboard magazine in the United States . In other nations , The Remix charted within the top ten in Belgium ( Flanders and Wallonia region ) , Canada , Ireland , Japan , Mexico , the United Kingdom and the Billboard 200 chart of United States , while reaching the top @-@ twenty in others . It was certified platinum in Japan and Brazil and received gold certification in Belgium and Russia . Worldwide the album has sold over 500 @,@ 000 copies , and it is among the best @-@ selling remix albums of all time .
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4403 = = Background = =
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4404 On April 15 , 2010 , The Guardian reported that a number of artists , including Pet Shop Boys , Passion Pit and rock musician Marilyn Manson , have contributed to a remix album by Lady Gaga , titled The Remix . The remixes included in the package had been previously released alongside Gaga 's single releases in the past years . The album was originally released in Japan on March 3 , 2010 , containing sixteen of the remixes . The revised version , consisting of seventeen remixes , was released on May 3 , 2010 , the first market being Mexico . Manson features on the Chew Fu remix of " LoveGame " , while Passion Pit remixed " Telephone " and Pet Shop Boys remixed " Eh , Eh ( Nothing Else I Can Say ) " . Other artists who remixed Gaga 's songs included Alphabeat , Frankmusik , Stuart Price , Monarchy and Robots to Mars . The album was released in the United Kingdom on May 10 , 2010 and featured a different artwork for that region . The US release of the album was announced by Interscope Records in July 2010 and it was released on August 3 , 2010 .
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4405 = = Composition = =
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4406 Chuck Campbell from the California Chronicle felt that the main " trick " adopted by the producers behind The Remix , was to preserve the integrity of Gaga 's nuances in her songs , at the same time bringing something new to her music . The second song in the track list , the " LLG vs GLG Radio Mix " of " Poker Face " , features a computerized chanting of the " mum @-@ mum @-@ mum @-@ mah " hook of the song . Stuart Price remixed " Paparazzi " into an electronic version , changing the original mid @-@ tempo composition of the song . New vocals were added on top of the song , giving it a jungle @-@ like vibe , according to Nicki Escuerdo from Phoenix New Times . She also felt that the remix of " LoveGame " featuring Manson , changed the original composition by " giving the originally innocent and fun song an almost demonic quality " . According to Campbell , The Monarchy Stylites remix of " Dance in the Dark " " pump [ ed ] extra oomph " into the song , with addition of drum beats . Richard Vission 's remix of " Just Dance " introduced an elastic rhythm in the song , while Frankmusik changed the soft composition of " Eh , Eh ( Nothing Else I Can Say ) " to a more upbeat one , also manipulating Gaga 's vocals in the process . Campbell also added that the Passion Pit remix of " Telephone " felt like a " theatrical set up for a song that feels like it 's going somewhere , but never does " ; the remix consists of synths , with a thumping beat accompanying the song . Sound of Arrows remixed " Alejandro " , changing the dark nature of its music into a bright , summery jam while " Bad Romance " was remixed by Starsmith , making it a complete dance track .
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4407 = = Critical reception = =
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4408 Upon its release , the album met with mixed reviews . At Metacritic it holds an aggregate score of 54 out of 100 points , indicating generally mixed or average reviews . Simon Cage from the Daily Express gave the album three out of five stars and felt that although she " has a winning way with ostentatious hats " , Gaga 's true talent lies in selling the same album over and over again . " It ’ s great but ... enough already ! " Music critic J. D. Considine , while reviewing the album for The Globe and Mail , complimented the piano and voice version of " Poker Face " adding that the latter was " the smartest track on her newest remix album " . He felt that the song " brings out her inner Elton John . And yes , this move , too , is probably just another bit of calculated image management , but that doesn ’ t make it any less brilliant . " Robert Copsey from Digital Spy noted that the release of The Remix was a more natural progression than music labels trying to " cash @-@ in " by releasing something not associated with the artist . He complimented the remixers featured in the album , calling them " as vital to keeping the singer 's music fresh as her Haus Of GaGa designers are to her image . "
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4409 Stephen Thomas Erlewine from Allmusic gave the album three out of five stars , but felt that the track list could have been shortened . Erlewine complimented some of the remixes , including those by Pet Shop Boys and Space Cowboy , adding that The Remix " is not an essential addition to Gaga ’ s canon goes without saying ... but there ’ s glitz and glamour to enjoy here . " Mark Beech , reviewing the album for Bloomberg Television , noticed that the already familiar tracks from Gaga " are given a new sheen by the Pet Shop Boys and sometime Madonna producer Stuart Price . " Nicki Escudero from Phoenix New Times gave a positive review saying that the songs featured in The Remix can be a great addition during workouts , as well as staple dance floor music . She listed the Chew Fu remix of " LoveGame " as a highlight from the album . Monica Herrera from Billboard complimented the album saying " Gaga has employed a collection of more @-@ than @-@ capable producers to make her dance @-@ ready smashes from The Fame and The Fame Monster even more danceworthy . " Giving it three out of five stars , Caryn Ganz from Rolling Stone noted an uneven sequencing among the tracks in The Remix . She felt that the Passion Pit remix of " Telephone " was the best remix on the album .
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4410 = = Chart performance = =
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4411 Following the album 's release in Japan , it debuted at number nine on the Oricon Albums Chart . On the issue dated May 17 , 2010 , the album moved to a new peak of number seven and has since been certified platinum by the Recording Industry Association of Japan ( RIAJ ) for shipments of 250 @,@ 000 copies . In Australia , The Remix entered the ARIA Albums Chart at its peak position of number 12 on May 16 , 2010 , remaining on the chart for a total of five weeks . In the United Kingdom , the album debuted at number three on the official UK Albums Chart dated May 22 , 2010 , and has sold 166 @,@ 440 copies according to the Official Charts Company , being certified gold by the British Phonographic Industry ( BPI ) . Across Europe , the album debuted at seven on the European Top 100 Albums chart of Billboard . The Remix also reached the top of the charts in Greece , while attaining top @-@ ten positions in Belgium ( Flanders and Wallonia ) , Czech Republic , Ireland , the Netherlands and New Zealand .
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4412 In the United States , The Remix charted at number six on the Billboard 200 dated August 21 , 2010 , with 39 @,@ 000 copies sold . It became Gaga 's third top ten album on the Billboard 200 . It also debuted at number one on Billboard 's Dance / Electronic Albums making this Gaga 's third number one entry on the chart . The same week , her studio albums The Fame and The Fame Monster were at positions two and three respectively . Billboard chart manager Keith Caulfield noted that Gaga became the first act to occupy the chart 's top three positions , in its nine @-@ year history . She additionally charted on the Billboard 200 with The Fame at number 12 and The Fame Monster at number 27 , marking the first time an artist placed three concurrent titles in the top 30 since 1993 , when Garth Brooks last achieved the feat on the January 23 , 1993 , chart by placing four sets in the top 30 : The Chase at number two , Beyond the Season at number 23 , Ropin ' the Wind at number 26 and No Fences at number 29 . According to Nielsen SoundScan , The Remix has sold 314 @,@ 000 copies in US as of April 2016 . In Canada , the album debuted at number five on the Canadian Albums Chart issue dated May 22 , 2010 , and remained on the chart for a total of ten weeks . The Remix has sold more than 500 @,@ 000 copies worldwide , and it is among the best @-@ selling remix albums of all time .
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4413 = = Track listings = =
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4414 = = Credits and personnel = =
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4415 Credits adapted from the liner notes of UK pressings of The Remix . Track numbers correspond to international ( non @-@ US and Japan ) pressings .
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4416 = = Charts = =
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4417 = = Certifications = =
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4418 = = Release history = =
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4419 = Architecture of the Song dynasty =
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4420 The architecture of the Song dynasty ( 960 – 1279 ) was noted for its towering Buddhist pagodas , enormous stone and wooden bridges , lavish tombs , and extravagant palaces . Although literary works on architecture existed beforehand , architectural writing blossomed during the Song dynasty , maturing into a more professional form that described dimensions and working materials in a concise , organized manner . In addition to the examples still standing , depictions in Song artwork , architectural drawings , and illustrations in published books all aid modern historians in understanding the architecture of the period .
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4421 The professions of architect , master craftsman , carpenter , and structural engineer did not have the high status of the Confucian scholar @-@ officials during the dynastic era . Architectural knowledge had been passed down orally for thousands of years , usually from craftsman fathers to their sons . There were also government agencies and schools for construction , building , and engineering . The Song dynasty 's building manuals aided not only the various private workshops , but also the craftsmen employed by the central government .
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4422 = = City and palace = =
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4423 The layout of ancient Chinese capitals , such as Bianjing , capital of the Northern Song , followed the guidelines in Kao Gong Ji , which specified a square city wall with several gates on each side and passageways for the emperor . The outer city of ancient Bianjing was built during the reign of Emperor Shenzong to a rectangular plan , almost square in proportions , about 6 km ( 3 @.@ 7 mi ) from north to south and 7 km ( 4 @.@ 3 mi ) from west to east . The south wall had three gates , with Nanxun Gate in the center , Chenzhou Gate to the east , and Dailou Gate to the west . The other walls had four gates each : in the east wall were Dongshui Gate ( at the southern end ) , Xinsong Gate , Xinchao Gate , and North @-@ East Water Gate ; in the west wall Xinzheng Gate , West Water Gate , Wansheng Gate , and Guzi Gate ; and in the north wall Chenqiao Gate ( at the eastern end ) , Fengqiu Gate , New Wild Jujube Gate and Weizhou Gate . The gates in the center of each of the four sides were reserved for the emperor ; these gates had straight passages and only two sets of doors , while the other city gates had zigzag passages and were guarded by three sets of doors .
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4424 The Song artist Zhang Zeduan 's painting Along the River During the Qingming Festival depicts the Dongshui Gate in detail : the building on top had a five @-@ ridged roof with a shallow slope in the Song dynasty style , supported prominently by two sets of brackets ( dougong ) . The lower bracket assembly rested on the city gate to form a wooden foundation , while the upper assembly supported the roof , similar to the dougong in an extant Song building , the Goddess Temple in Taiyuan . This method of using bracket assemblies to support superstructure was specified in Li Jie 's 12th @-@ century building manual Yingzao Fashi as pingzuo ( literally " flat base " ) .
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4425 The city wall itself was built with rammed earth , a technique also detailed in Yingzao Fashi , vol . III , " Standards for Moat , Stronghold and Masonry Work " :
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4426 Foundation : For every square chi , apply two dan of earth ; on top of it lay a mixture of broken brick , tile and crushed stones , also two dan . For every five @-@ cun layer of earth , two men , standing face to face , should tamp six times with pestles , each man pounding three times on a dent ; then tamp four times on each dent , two men again standing face to face , each pounding twice on the same dent ; then tamp two more times , each man pounding once . Following this , tamp the surface with pestles or stamp with feet randomly to even out the surface . Every five @-@ cun layer of earth should be compressed to three cun ; every three @-@ cun layer of brick and stone to one and a half cun .
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4427 Rammed @-@ earth walls during this time were tapered : the thickness of the wall is greatest at the base and decreases steadily with increasing height , as detailed in Li Jie 's book .
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4428 During the Song dynasty , the city of Bianjing had three enclosures : the outer city wall , the inner city wall , and the palace at the center . The inner city was rectangular , with three doors on each side . The palace enclosure was also rectangular , with a watch tower on each of the four corners . It had four main gates : Xihua Gate to the west , Donghua Gate to the east , Gongchen Gate to the north , and Xuande Gate , also known as Duan Gate or Xuandelou , at the south . Xuande Gate had five @-@ paneled doors , painted red and decorated with gold tacks ; its walls were lavishly decorated with dragon , phoenix and floating @-@ cloud patterns to match the carved beams , painted rafters and glazed @-@ tile roof . There were also two glazed dragons , each biting an end of the rooftop ridge , its tail pointing to the sky . The symbolic function of these chi wei was explained in Yingzao Fashi :
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4429 There is a dragon in the East Sea , whose tail ( wei ) is similar to that of a sparrow @-@ hawk ( chi ) ; it stirs up waves and causes rainfall , so people put its likeness on the rooftop to prevent fire . However , they misnamed it " sparrow @-@ hawk tail " ( chi wei ) .
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4430 Running southward from Xuande Gate was the Imperial Boulevard , about two hundred paces wide , with the Imperial Corridors on either side . Merchants opened shops in the Corridors until 1112 , when they were banned . Two rows of black fencing were placed at the center of the boulevard as a barrier to pedestrians and carriages . Along the inner sides of the fences ran the brick @-@ lined Imperial Water Furrows , filled with lotus . About 400 m ( 1 @,@ 300 ft ) south from Xuande Gate , the Bian River intercepted the Imperial Boulevard , which crossed it over the stone Zhou Bridge , balustraded and flat @-@ decked . This design of a boulevard with a stone bridge crossing a river was later imitated in the Forbidden City . During spring and summer , mingled peach , plum , pear and apricot trees adorned the banks of the Bian with a variety of flowers .
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4431 = = Buddhist pagodas = =
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4432 Following the reign of the Han dynasty , ( 202 BC – 220 AD ) , the idea of the Buddhist stupa entered Chinese culture , as a means to house and protect scriptural sutras . During the Southern and Northern Dynasties period , the distinctive Chinese pagoda was developed , its predecessors being the tall watch towers and towering residential apartments of the Han dynasty ( as inferred from models in Han @-@ era tombs ) . During the Sui ( 581 – 618 ) and Tang ( 618 – 907 ) periods , Chinese pagodas were developed from purely wooden structures to use articulated stone and brick , which could more easily survive fires caused by lightning or arson and were less susceptible to decay . The earliest brick pagoda that remains extant is the Songyue Pagoda , built in 523 , and a typical example of a Tang @-@ era stone pagoda is the Giant Wild Goose Pagoda , constructed in 652 . Although Buddhist influences on China waned after the late Tang period , numerous Buddhist pagoda towers were built during the Song dynasty . Tall Chinese pagodas were often built in the countryside rather than within a city 's walls , largely to avoid competition with the cosmic @-@ imperial authority embodied in the cities ' drum- and gate @-@ towers . The Giant Wild Goose Pagoda , built in a city ward of what was southeastern Chang 'an , is among the exceptions .
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4433 The Iron Pagoda of Youguo Temple in Kaifeng earned it name from the iron @-@ grey color of the glazed bricks forming the tower . Originally built of wood by the architect Yu Hao , it was struck by lightning and burned down in 1044 , during the Northern Song period . In 1049 the pagoda was rebuilt as it appears today , under the order of Emperor Renzong of Song . This 13 @-@ story pagoda , structured on an octagonal base , is 56 @.@ 88 meters ( 186 @.@ 6 ft ) tall . Its glazed tile bricks feature carved artwork of dancing figures , solemn ministers , and Buddhist themes ( see gallery below ) .
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4434 The period also featured true cast @-@ iron pagodas , such as the Iron Pagoda of Yuquan Temple ( Jade Springs Temple ) , Dangyang , Hubei Province . Built in 1061 , it incorporates 53 @,@ 848 kg ( 118 @,@ 715 lb ) of cast iron and stands 21 @.@ 28 m ( 69 @.@ 8 ft ) tall . Imitating contemporary wooden , stone , and brick pagodas , the pagoda features sloping eaves and an octagonal base . Another iron pagoda was constructed in 1105 , Jining , Shandong , and was cast layer by layer in octagonal sections , standing 78 feet high . Several such cast iron pagodas exist in China today .
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4435 The Liuhe Pagoda , or Six Harmonies Pagoda , is another example of Song @-@ era pagoda architecture . It is located in the Southern Song capital of Hangzhou , in Zhejiang Province , at the foot of Yuelun Hill facing the Qiantang River . Although the original was destroyed in 1121 , the current tower was erected in 1156 and fully restored by 1165 . It stands 59 @.@ 89 m ( 196 @.@ 5 ft ) tall , and was constructed from a red brick frame with 13 stages of wooden eaves . Because of its size , the pagoda served as a permanent lighthouse to aid sailors at night ( as described in Hangzhou Fu Zhi ) .
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4436 The Zhengjue Temple Pagoda in Pengxian County of Sichuan Province ( near Chengdu ) is a brick pagoda that was built between 1023 and 1026 , according to inscriptions running along its first storey . It has a square base on a sumeru pedestal , thirteen stories totaling 28 m ( 92 ft ) in height , and multiple layers of eaves similar in style to the earlier Tang pagodas of Chang 'an , the Giant Wild Goose Pagoda and the Small Wild Goose Pagoda .
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4437 Wood @-@ and @-@ brick hybrid pagodas were also built . The first four floors of the octagonal , 42 m ( 138 ft ) Lingxiao Pagoda of 1045 are brick ( with wooden eaves ) , while from the fifth floor up it is entirely made of wood . Even pagodas made of stone or brick featured architectural elements that were typical of Chinese wooden buildings ; for example the Pizhi Pagoda , built from 1056 to 1063 , uses the dougong brackets typical of wooden architecture to hold up pent , shingled roofs and tiers . Both of these pagodas feature interior staircases , although the Lingxiao Pagoda 's only reaches to the fourth floor , and the Pizhi Pagoda 's to the fifth . However , the Pizhi Pagoda features winding exterior stairs that provide access to the ninth and topmost floor .
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4438 Although the Pagoda of Fogong Temple is the tallest extant wooden pagoda , the tallest Chinese pagoda built in the dynastic era that remains standing is the Liaodi Pagoda . Completed in 1055 , it is 84 meters ( 276 ft ) tall , with an octagonal base on a large platform , surpassing the 69 @-@ meter ( 226 ft ) Qianxun Pagoda , which had held the record since its construction in the 9th century by the Kingdom of Dali . Although the Liaodi Pagoda served its religious purpose as a Buddhist landmark in the Kaiyuan Monastery of Ding County , Hebei province , its great height gave it another valuable function , as a military watch tower that was used to observe movements of the Liao enemy . Beside their utility in surveillance , pagoda towers could also serve as astronomical observatories ; one such is the Gaocheng Astronomical Observatory , built in 1276 and still standing today .
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4439 Yunyan pagoda
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4440 = = Temples = =
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4441 It was not uncommon for wealthy or powerful families to facilitate the construction of large temple complexes , usually by donating a portion of their family estate to a Buddhist sect . Often the land already contained buildings that could be re @-@ purposed for religions use . The Fei ( 費 ) family of the town of Jinze , located just west of Shanghai , converted a mansion on their property into a Buddhist sutra @-@ recitiation hall , and later built several other religious buildings around the hall . This spurred a boom in temple construction in the area , causing Jinze to become a major center of the White Lotus sect of Buddhism , which in turn spurred the construction of more temples and lead the town to become a significant location within the Song . The nearby town of Nanxiang gained prominence shortly after the fall of the Song in large part to the construction of temples and other religious buildings , which spanned the entire Song empire .
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4442 Apart from stimulating the development of urban areas , temples and religious buildings featured a number of unique aesthetic and structural features . The Temple of the Saintly Mother ( 圣母殿 ) and the Hall of Sacrifice of the Jin Temple ( 晋祠 ) , located in a southeastern suburb of Taiyuan City , Shanxi province , are extant examples of early Song architecture . The Temple of the Saintly Mother is the main building of the Jin Temple , first built in the period between 1023 and 1032 and renovated in 1102 . It has a double @-@ eaved roof with nine ridges , and two dragon @-@ heads with wide @-@ open jaws biting the ends of the main ridge . The roof is supported by massive dougong brackets corresponding to drawings in Yingzao Fashi . The eaves of the Temple of the Saintly Mother curve upward slightly at each end , a characteristic of Song architecture . The columns of the façade , decorated with dragons that coil around the shafts , become progressively taller with increasing distance to either side of the central pair . The building has a porch around it , the sole example of such a structure ; another unique feature of the site is a cross @-@ shaped bridge that leads to the Goddess Temple .
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4443 The Trinity Hall of Xuan Miao Temple ( 玄妙观 ) , situated in the heart of Suzhou city , is another example of Song architecture . In 1982 , it was established as a National Heritage Site by the Chinese government .
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4444 The Jingling Palace ( 景灵宫 , Jingling Gong ) , a temple to the legendary Yellow Emperor located near modern @-@ day Qufu , was built in the 11th century . It was subsequently destroyed near the end of the Yuan dynasty . However , several other structures in Shou Qiu , the complex that Jingling Palace was situated in , remain intact . Two giant tortoise @-@ borne steles flank what was the entrance to the palace . One of the two steles , the Stele of the Sorrow of 10 @,@ 000 , is at 52 meters ( 171 ft ) high , the tallest unmarked stele in the country . A large pyramid constructed of rounded stone blocks , the symbolic tomb of the Yellow Emperor 's son Shaohao , is located outside the Shou Qiu complex . Another important large tortoise @-@ borne stele of the same period has been preserved at the Dai Miao of Mount Tai .
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4445 = = Bridges = =
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4446 Bridges over waterways had been known in China since the ancient Zhou dynasty . During the Song dynasty , large trestle bridges were constructed , such as that built by Zhang Zhongyan in 1158 . There were also large bridges made entirely of stone , like the Ba Zi Bridge of Shaoxing , built in 1256 and still standing today . Bridges with pavilions crowning their central spans were often featured in such paintings as the landscapes of Xia Gui ( 1195 – 1224 ) . Long , covered corridor bridges , like the 12th @-@ century Rainbow Bridge in Wuyuan , Jiangxi province , which has wide stone @-@ based piers and a wooden superstructure , were also built .
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4447 While serving as an administrator for Hangzhou , the poet Su Shi ( 1037 – 1101 ) had a large pedestrian causeway built across the West Lake , which still bears his name : Sudi ( 蘇堤 ) . In 1221 , the Taoist traveler Qiu Changchun visited Genghis Khan in Samarkand , describing various Chinese bridges encountered on the way there through the Tian Shan Mountains , east of Yining . The historian Joseph Needham quotes him as saying :
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4448 [ The road had ] " no less than 48 timber bridges of such width that two carts can drive over them side by side " . It had been built by Chang Jung [ Zhang Rong ] and the other engineers of the Chagatai some years before . The wooden trestles of Chinese bridges from the − 3rd century [ BC ] onwards were no doubt similar to those supposed to have been employed in Julius Caesar 's bridge of − 55 [ BC ] across the Rhine , or drawn by Leonardo , or found in use in Africa . But where in + 13th century [ AD ] Europe could a two @-@ lane highway like Chang Jung 's have been found ?
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4449 In Fujian Province , enormous beam bridges were built during the Song dynasty . Some of these were as long as 1 @,@ 220 m ( 4 @,@ 000 ft ) , with individual spans of up to 22 m ( 72 ft ) in length ; their construction necessitated moving massive stones of 203 t ( 203 @,@ 000 kg ) . No names of the engineers were recorded or appear in the inscriptions on the bridges , which give only the names of local officials who sponsored them and oversaw their construction and repair . However , there might have been an engineering school in Fujian , headed by a prominent engineer known as Cai Xiang ( 1012 – 1067 ) , who had risen to the position of governmental prefect in Fujian . Between 1053 and 1059 , he planned and supervised the construction of the large Wanan Bridge ( once called the Luoyang Bridge ) near Quanzhou ( on the border of the present @-@ day Luojiang District and Huai 'an County . This bridge , a stone structure similar to a number of other bridges found in Fujian , still stands , and features ship @-@ like piers bound to their bases using mucilage from oysters as an adhesive . It is 731 m ( 2 @,@ 398 ft ) in length , 5 m ( 16 ft ) in width , and 7 m ( 23 ft ) in height . Another famous bridge near Quanzhou , the Anping Bridge , was constructed between 1138 and 1151 .