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"text": "But I've taken steps to imprison it in the tent, and it can't get out till I permit it. Be on the watch for signs of movement.\" Then he looked hard at Maloney. \"But no violence, or shooting, remember, Mr. Maloney, unless you want a murder on your hands."
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"text": "It has been my endeavor to follow Dr. G. Stanley Hall's suggestions in his monograph, \"How to Teach Reading,\" where he asks for \"true child editions, made by testing many children with the work piece meal and cutting and adapting the material till it really and closely fitted the minds and hearts of the children.\""
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| 495.92 | 12.519 | 0 |
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"text": "XLI. For \"IS\" and \"IS NOT\" though with Rule and Line, And, \"UP AND DOWN\" without, I could define, I yet in all I only cared to know, Was never deep in anything but Wine."
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| 700.96 | 13.199 | 0 |
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"text": "KUZA NAMA. (\"Book of Pots\") LIX. Listen again. One Evening at the Close Of Ramazan, ere the better Moon arose, In that old Potter's Shop I stood alone With the clay Population round in Rows."
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| 405.44 | 12.079 | 0 |
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"text": "XXXIII. Then to the rolling Heav'n itself I cried, Asking, \"What Lamp had Destiny to guide Her little Children stumbling in the Dark?\" And \"A blind understanding!\" Heav'n replied."
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| 41.48 | 10.88 | 0 |
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"text": "II. Dreaming when Dawn's Left Hand was in the Sky I heard a Voice within the Tavern cry, \"Awake, my Little ones, and fill the Cup Before Life's Liquor in its Cup be dry.\""
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| 607.68 | 10.88 | 0 |
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"text": "LI. The Moving Finger writes; and, having writ, Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it."
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large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_29
| 429.28 | 10.119 | 0 |
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"text": "XXXV. I think the Vessel, that with fugitive Articulation answer'd, once did live, And merry make; and the cold Lip I kiss'd How many Kisses might it take and give."
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large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_50
| 733.6 | 18.559 | 0 |
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"text": "LXII. Another said \"Why, ne'er a peevish Boy Would break the Bowl from which he drank in Joy; Shall He that made the Vessel in pure Love And Fansy, in an after Rage destroy!\" LXIII. None answer'd this; but after Silence spake A Vessel of a more ungainly Make: \"They sneer at me for leaning all awry; What?"
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large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_51
| 723.76 | 9.839 | 0 |
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"text": "LXI. Then said another \"Surely not in vain My substance from the common Earth was ta'en, That He who subtly wrought me into Shape Should stamp me back to common Earth again.\""
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large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_55
| 88.08 | 13.08 | 0 |
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"text": "VI. And David's Lips are lock't; but in divine High piping Pelevi, with \"Wine! Wine! Wine! Red Wine!\" the Nightingale cries to the Rose That yellow Cheek of hers to'incarnadine."
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large/1708/rubaiyat_a_librivox_64kb_mp3/rubaiyat_1_khayyam_64kb_65
| 519.92 | 20.2 | 0 |
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"text": "XLIII. The Grape that can with Logic absolute The Two and Seventy jarring Sects confute: The subtle Alchemist that in a Trice Life's leaden Metal into Gold transmute. XLIV. The mighty Mahmud, the victorious Lord, That all the misbelieving and black Horde Of Fears and Sorrows that infest the Soul Scatters and slays with his enchanted Sword."
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| 584.28 | 11.399 | 0 |
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"text": "XLVIX. 'Tis all a Chequer board of Nights and Days Where Destiny with Men for Pieces plays: Hither and thither moves, and mates, and slays, And one by one back in the Closet lays."
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| 802.52 | 9.079 | 0 |
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"text": "LXVIII. That ev'n my buried Ashes such a Snare Of Perfume shall fling up into the Air, As not a True Believer passing by But shall be overtaken unaware."
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| 414.88 | 14.88 | 0 |
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"text": "Moral speeches are undoubtedly his leading article, and of these, it must be owned, he has an inexhaustible stock. He is as chock full of noble sentiments as a bladder is of wind."
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| 499.48 | 6.519 | 0 |
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"text": "The early Christian martyrs were sinful and worldly compared with an Adelphi gallery."
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| 515.16 | 16.52 | 0 |
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"text": "or the police attempt to run him in. Then two villains, three extra hired ruffians and four detectives are about his fighting weight. If he knocks down less than three men with one blow, he fears that he must be ill, and wonders \"Why this strange weakness?\""
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"text": "He soon gives up trying it at all, and prefers to eke out an uncertain existence by sponging upon good natured old Irish women and generous but weak minded young artisans who have left their native village to follow him and enjoy the advantage of his company and conversation."
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_2
| 96.68 | 15 | 0 |
[
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"start": 0,
"duration": 15,
"channel": 0,
"language": "English",
"speaker": "1823",
"text": "Then he gets suddenly let in, generally by the comic man. It always happens so. Yet the villain is always intensely surprised each time. He never seems to learn anything from experience."
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_9
| 670.88 | 17.359 | 0 |
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"speaker": "1823",
"text": "In nine cases out of ten you would get off scot free but for this idiotic custom of yours. Do keep away from the place. Go abroad or to the sea side when the last act begins and stop there till it is over. You will be safe then."
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_10
| 358.24 | 8.76 | 0 |
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"language": "English",
"speaker": "1823",
"text": "The maid or friend does not waste time in simile or in metaphor. She calls him a black hearted scoundrel and clumps him over the head."
}
] |
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|
MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_02_jerome_64kb_34
| 254.24 | 17.279 | 0 |
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"speaker": "1823",
"text": "If there were any other crimes he could commit to win her affection, he would, for her sweet sake, commit them cheerfully. But he doesn't know any others at all events, he is not well up in any others and she still does not care for him, and what is he to do?"
}
] |
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|
MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb_17
| 186.96 | 14.839 | 0 |
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"recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb",
"start": 0,
"duration": 14.839,
"channel": 0,
"language": "English",
"speaker": "1823",
"text": "It is quite a fine night before she comes on the scene: the moment she appears it begins to snow. It snows heavily all the while she remains about, and the instant she goes it clears up again and keeps dry for the rest of the evening."
}
] |
{
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|
MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_03_jerome_64kb_27
| 488.96 | 12.96 | 0 |
[
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"start": 0,
"duration": 12.96,
"channel": 0,
"language": "English",
"speaker": "1823",
"text": "No, our advice to the stage heroine is to get rid of the hero as soon as possible, marry the villain, and go and live abroad somewhere where the comic man won't come fooling around. She will be much happier."
}
] |
{
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|
MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_9
| 390.92 | 16.799 | 0 |
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"recording_id": "large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb",
"start": 0,
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"channel": 0,
"language": "English",
"speaker": "1823",
"text": "Middle class people and others on the stage who are short of purses have to content themselves with throwing about rolls of bank notes and tipping servants with five pound checks. Very stingy people on the stage have been known to be so cussed mean as to give away mere sovereigns."
}
] |
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|
MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_29
| 217.28 | 13.279 | 0 |
[
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"speaker": "1823",
"text": "As we have said, he is not a rich man and he never seems to earn any money. Sometimes he keeps a shop, and in the way he manages business it must be an expensive thing to keep, for he never charges anybody for anything, he is so generous."
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_32
| 295.44 | 7.04 | 0 |
[
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"channel": 0,
"language": "English",
"speaker": "1823",
"text": "How can any one with a human heart beneath his bosom suggest that people like that should pay for their rest and washing?"
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_04_jerome_64kb_44
| 490.08 | 7.6 | 0 |
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"language": "English",
"speaker": "1823",
"text": "He does it all in such a genial, light hearted spirit that it is not in one's heart to feel angry with him."
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_05_jerome_64kb_27
| 336.52 | 11 | 0 |
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"language": "English",
"speaker": "1823",
"text": "On the eldest daughter's birthday, when there is a big party on, is his favorite time. He comes in about midnight and tells them just as they are going down to supper."
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_05_jerome_64kb_36
| 472.96 | 19.6 | 0 |
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"speaker": "1823",
"text": "In stage literature of a frivolous nature the lawyer is a very different individual. In comedy he is young, he possesses chambers, and he is married (there is no doubt about this latter fact); and his wife and his mother in law spend most of the day in his office and make the dull old place quite lively for him."
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_4
| 620.32 | 7.32 | 0 |
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"start": 0,
"duration": 7.32,
"channel": 0,
"language": "English",
"speaker": "1823",
"text": "She has grit and go in her. She is alive. She can do something to help herself besides calling for \"George.\""
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_10
| 107.6 | 12.16 | 0 |
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"language": "English",
"speaker": "1823",
"text": "They all go with her in a body when she calls on her young man, and it is as much as she can do to persuade them to go into the next room even for five minutes, and give her a chance."
}
] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_19
| 79.16 | 19.799 | 0 |
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"speaker": "1823",
"text": "She seems a smart business woman, and she would probably get on very well if it were not for her friends and relations. Friends and relations are a trying class of people even in real life, as we all know, but the friends and relations of the stage adventuress are a particularly irritating lot."
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_31
| 385.68 | 12.399 | 0 |
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"speaker": "1823",
"text": "All attempts to kill this young man ought really to be given up now. The job has been tried over and over again by villains and bad people of all kinds, but no one has ever succeeded."
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_43
| 39.6 | 18.76 | 0 |
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"speaker": "1823",
"text": "the innocent joy of the pure hearted boy long ere the demoralizing influence of our vaunted civilization has dragged him down into the depths of the short clay. But behind the cigarette on the stage lurks ever black hearted villainy and abandoned womanhood."
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] |
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_45
| 304.24 | 18.08 | 0 |
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"text": "You can waste your time on earthquakes and shipwrecks, volcanic eruptions, floods, explosions, railway accidents, and such like sort of things, if you are foolish enough to do so; but it is no good your imagining that anything of the kind can hurt him, because it can't."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_46
| 536.08 | 5.76 | 0 |
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"text": "It always means sudden death!\" To return to our adventuress."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_06_jerome_64kb_50
| 36.56 | 2.319 | 0 |
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"text": "It is the dissipation of the Y."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_07_jerome_64kb_1
| 490.8 | 19.2 | 0 |
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"text": "We took the letter to our own solicitors and explained the circumstances to them. They said it seemed to be a very sad case, but advised us to pay the 50 pounds, and we borrowed the money and did so. Since then we have lost faith, somehow, in the British drama as a guide to the conduct of life."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_07_jerome_64kb_36
| 318.4 | 18.32 | 0 |
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"text": "We felt this was the time to begin. We skipped between her and the door. We held our hat in front of us, cocked our head on one side, and said: \"Don't go! don't go!\" The girl seemed alarmed. We began to get a little nervous ourselves, but we had begun it and we meant to go through with it."
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_8
| 188.4 | 10.16 | 0 |
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"text": "The stage child does not wear a hole in the seat of its knickerbockers and have to have a patch let in. The stage child comes downstairs on its feet."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_19
| 623.76 | 12.64 | 0 |
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"text": "We asked him if he would like to try any other place of amusement, but he said \"No.\" He said that when you came to think of it, it seemed a waste of money for a man with eleven children of his own to go about to places of entertainment nowadays."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_20
| 606.12 | 17.64 | 0 |
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"text": "The hall was densely crowded, and we had great difficulty in forcing our way to our seats. We reached them at length, and then turned our eyes toward the orchestra. \"The marvelous boy pianist only ten years old!\" was giving a recital. Then our friend rose and said he thought he would give it up and go home."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_21
| 274.08 | 6.16 | 0 |
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"text": "After that it runs amuck up and down the whole play and makes everybody sit up all round."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_30
| 280.24 | 15.44 | 0 |
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"text": "It asks eminently respectable old maids if they wouldn't like to have a baby; and it wants to know why bald headed old men have left off wearing hair, and why other old gentlemen have red noses and if they were always that color."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_38
| 568.4 | 17.119 | 0 |
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"text": "We assured him that he would really see a grown up person if he waited a bit, so he sat out the boys and also their little sister on a bicycle and waited for the next item. It turned out to be an infant phenomenon who sang and danced in fourteen different costumes, and we once more fled."
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MonoCut
|
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_39
| 174.2 | 14.199 | 0 |
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"text": "A stage child does not ask twenty complicated questions a minute about things that you don't understand, and then wind up by asking why you don't seem to know anything, and why wouldn't anybody teach you anything when you were a little boy."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_08_jerome_64kb_46
| 496.72 | 8 | 0 |
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"text": "He wanted to forget that there were such things as children in the world. We got up to the Strand and dropped into the first theater we came to."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_09_jerome_64kb_4
| 316 | 19.2 | 0 |
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"text": "As for Trafalgar Square, the hero always chooses that spot when he wants to get away from the busy crowd and commune in solitude with his own bitter thoughts; and the good old lawyer leaves his office and goes there to discuss any very delicate business over which he particularly does not wish to be disturbed."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_09_jerome_64kb_20
| 442.4 | 18.959 | 0 |
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"text": "So, too, with the maiden. Most girls of fifteen off the stage, so our experience goes, know as much as there is any actual necessity for them to know, Mr. Gilbert notwithstanding; but when we see a young lady of fifteen on the stage we wonder where her cradle is."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_09_jerome_64kb_28
| 365 | 15.679 | 0 |
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"text": "How it has managed to get blocked we cannot say. It has the whole road to itself, and is, in fact, itself the only traffic for miles round. Yet there it sticks for hours. The police make no attempt to move it on and the passengers seem quite contented."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_09_jerome_64kb_29
| 23.76 | 14.48 | 0 |
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"text": "The comic lovers' mission in life is to serve as a sort of \"relief\" to the misery caused the audience by the other characters in the play; and all that is wanted now is something that will be a relief to the comic lovers."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_10_jerome_64kb_21
| 288.24 | 5.6 | 0 |
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"text": "The stage peasantry like to do their love making as much in public as possible."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_10_jerome_64kb_28
| 96 | 18.599 | 0 |
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"text": "They are very sympathetic, are stage peasants. They never seem to have any affairs of their own to think about, but they make up for this by taking a three hundred horse power interest in things in which they have no earthly concern. What particularly rouses them is the heroine's love affairs. They could listen to them all day."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_11_jerome_64kb_8
| 96.8 | 11.039 | 0 |
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"text": "When the good old man is a trustee for any one he can battle against adversity much longer. He is a plucky old fellow, and while that trust money lasts he keeps a brave heart and fights on boldly."
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MonoCut
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large/1823/stage_land_0803_librivox_64kb_mp3/stageland_12_jerome_64kb_0
| 125.44 | 19.559 | 0 |
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"text": "In the center of the poster he was having a friendly fight with seventeen ladies and gentlemen. Judging from the costumes, the affair appeared to be a wedding. A few of the guests had already been killed and lay dead about the floor. The survivors, however, were enjoying themselves immensely, and of all that gay group he was the gayest."
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MonoCut
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| 211.44 | 18 | 0 |
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"text": "We have seen railway trains rushing into each other at the rate of sixty miles an hour. We have seen houses blown up by dynamite two hundred feet into the air. We have seen the defeat of the Spanish Armada, the destruction of Pompeii, and the return of the British army from Egypt in one \"set\" each."
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MonoCut
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| 191.68 | 9.2 | 0 |
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MonoCut
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| 31.28 | 3.199 | 0 |
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MonoCut
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| 55.2 | 8.639 | 0 |
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"text": "This comes from the habit people on the stage have of recognizing their friends, not by their faces and voices, but by their cloaks and hats."
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MonoCut
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| 104.48 | 15.599 | 0 |
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"text": "Sadly the slow acts pass away until one day, as it is getting near closing time, she puts on the blue ulster and the red bonnet again and comes in at the old original door. Then he recognizes her and asks her where she has been all these cruel years."
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MonoCut
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| 130.88 | 13.44 | 0 |
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"text": "The detective comes in to their secret councils, with his hat drawn down over his eyes, and followed by the hero speaking in a squeaky voice; and the villains mistake them for members of the band and tell them all their plans."
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MonoCut
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| 178.08 | 9.16 | 0 |
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"text": "But it is only in his very busy moments that he has to work to this extent; most of his time is occupied in chatting with the captain."
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MonoCut
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| 20.48 | 17.04 | 0 |
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"text": "And I thought I had the folk within: I had the sound of a violin; I had a glimpse through curtain laces Of youthful forms and youthful faces. I had such company outward bound. I went till there were no cottages found."
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MonoCut
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| 8.2 | 12.279 | 0 |
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"text": "Good Hours I HAD for my winter evening walk No one at all with whom to talk, But I had the cottages in a row Up to their shining eyes in snow."
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MonoCut
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large/1856/grandma_janice_01_librivox_64kb_mp3/grandma_janice_03_various_64kb_2
| 19.72 | 7.72 | 0 |
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"text": "He is very, very like me, from the heels up to the head; And I see him jump before me, when I jump into my bed."
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MonoCut
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| 66.16 | 6.079 | 0 |
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"text": "The Chinese plate looked very blue,And wailed, \"Oh, dear! what shall we do!\""
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MonoCut
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| 30.84 | 11 | 0 |
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"text": "How public like a Frog To tell your name the livelong June To an admiring Bog!"
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MonoCut
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large/1856/grandma_janice_01_librivox_64kb_mp3/grandma_janice_09_various_64kb_1
| 31.6 | 6.839 | 0 |
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"text": "I made a boat, I made a town, I searched the caverns up and down, And named them one and all."
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MonoCut
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| 74.2 | 10.2 | 0 |
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"text": "Alas! and as my home I neared, How very big my nurse appeared, How great and cool the rooms!"
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MonoCut
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| 21.6 | 14.039 | 0 |
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"text": "The Owl looked up to the stars above,And sang to a small guitar,\"O lovely Pussy! O Pussy, my love,What a beautiful Pussy you are, you are, you are,What a beautiful Pussy you are.\""
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MonoCut
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| 829.2 | 21.32 | 0 |
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"text": "\"He hasn't got any hind legs!\" he called out. \"Fancy a rabbit without any hind legs!\" And he began to laugh. \"I have!\" cried the little Rabbit. \"I have got hind legs! I am sitting on them!\""
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MonoCut
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| 1,354.48 | 10.119 | 0 |
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"text": "And a tear, a real tear, trickled down his little shabby velvet nose and fell to the ground."
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MonoCut
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| 1,651.88 | 16.92 | 0 |
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"text": "And about his little soft nose and his round black eyes there was something familiar, so that the Boy thought to himself: \"Why, he looks just like my old Bunny that was lost when I had scarlet fever!\""
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MonoCut
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| 942.56 | 15.359 | 0 |
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"text": "But there was no answer, only the little ants ran to and fro, and the bracken swayed gently where the two strangers had passed. The Velveteen Rabbit was all alone."
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"text": "\"Real isn't how you are made,\" said the Skin Horse. \"It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.\""
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MonoCut
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"text": "And when the Boy dropped off to sleep, the Rabbit would snuggle down close under his little warm chin and dream, with the Boy's hands clasped close round him all night long."
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MonoCut
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MonoCut
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MonoCut
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MonoCut
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MonoCut
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"text": "\"It doesn't happen all at once,\" said the Skin Horse. \"You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept."
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MonoCut
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"text": "They must have been very well made, for their seams didn't show at all, and they changed shape in a queer way when they moved; one minute they were long and thin and the next minute fat and bunchy, instead of always staying the same like he did."
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MonoCut
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| 568.24 | 18.08 | 0 |
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"text": "He was wet through with the dew and quite earthy from diving into the burrows the Boy had made for him in the flower bed, and Nana grumbled as she rubbed him off with a corner of her apron. Spring Time \"You must have your old Bunny!\" she said."
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MonoCut
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"text": "Their feet padded softly on the ground, and they crept quite close to him, twitching their noses, while the Rabbit stared hard to see which side the clockwork stuck out, for he knew that people who jump generally have something to wind them up. But he couldn't see it."
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MonoCut
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"text": "But he snuggled down patiently, and looked forward to the time when the Boy should be well again, and they would go out in the garden amongst the flowers and the butterflies and play splendid games in the raspberry thicket like they used to."
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MonoCut
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| 619.52 | 16.88 | 0 |
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"text": "He was Real. The Boy himself had said it. That night he was almost too happy to sleep, and so much love stirred in his little sawdust heart that it almost burst."
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MonoCut
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large/1856/grandma_janice_01_librivox_64kb_mp3/grandma_janice_17_various_64kb_1
| 9.8 | 19.359 | 0 |
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"text": "[Illustration] AT THE SEASIDE When I was down beside the sea, A wooden spade they gave to me To dig the sandy shore. My holes were hollow like a cup, In every hole the sea came up, Till it could hold no more."
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MonoCut
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| 105.12 | 20.959 | 0 |
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"text": "19:139:015 My substance was not hid from thee, when I was made in secret, and curiously wrought in the lowest parts of the earth. 19:139:016 Thine eyes did see my substance, yet being unperfect; and in thy book all my members were written, which in continuance were fashioned, when as yet there was none of them."
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MonoCut
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| 51.96 | 10.52 | 0 |
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"text": "or whither shall I flee from thy presence? 19:139:008 If I ascend up into heaven, thou art there: if I make my bed in hell, behold, thou art there."
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MonoCut
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"text": "That is why the stage, with all its efforts, can never be as artificial as life; even in an Ibsen drama one must reveal to the audience things that one would suppress before the children or servants."
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"text": "After all, life teems with things that have no earthly reason. And whenever the characters could think of nothing brilliant to say about marriage or the War Office, they could open a window and listen to the howling of the wolves. But that would be very seldom.\""
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"text": "She began with a dancing bear, and you know Agatha doesn't approve of dancing, except at Buckingham Palace under proper supervision. And then she got up on the piano and gave them an organ monkey; I gather she went in for realism rather than a Maeterlinckian treatment of the subject."
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"text": "Well, they were getting along quite happily, and their married life was one continuous exchange of picture postcards; and then one day they were thrown together on some neutral ground where foursomes and washerwomen overlapped, and discovered that they were hopelessly divided on the Fiscal Question."
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MonoCut
|
large/1868/reginald_0709_librivox_64kb_mp3/reginald_12_saki_64kb_5
| 140.24 | 17.119 | 0 |
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"speaker": "1868",
"text": "That isn't where the indelicacy comes in. She went out riding with me, which was entirely her own suggestion, and as we were coming home through some meadows she made a quite unnecessary attempt to see if her pony would jump a rather messy sort of brook that was there."
}
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MonoCut
|
large/1868/reginald_0709_librivox_64kb_mp3/reginald_12_saki_64kb_25
| 157.36 | 8.199 | 0 |
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"speaker": "1868",
"text": "It wouldn't. It went with her as far as the water's edge, and from that point Mrs. Nicorax went on alone."
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] |
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|
MonoCut
|
large/1868/reginald_0709_librivox_64kb_mp3/reginald_12_saki_64kb_26
| 92.16 | 11.759 | 0 |
[
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"language": "English",
"speaker": "1868",
"text": "I didn't like to question him on the subject that showed my delicacy. Mrs. Nicorax says I have no delicacy; she hasn't forgiven me about the mice."
}
] |
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{
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|
MonoCut
|
large/1868/reginald_0709_librivox_64kb_mp3/reginald_13_saki_64kb_0
| 466.64 | 9.279 | 0 |
[
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"recording_id": "large/1868/reginald_0709_librivox_64kb_mp3/reginald_13_saki_64kb",
"start": 0,
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"channel": 0,
"language": "English",
"speaker": "1868",
"text": "I hate travelling on Boxing Day, but one must occasionally do things that one dislikes."
}
] |
{
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"sources": [
{
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0
],
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}
|
MonoCut
|
large/1868/reginald_0709_librivox_64kb_mp3/reginald_13_saki_64kb_27
| 302.6 | 15.959 | 0 |
[
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"channel": 0,
"language": "English",
"speaker": "1868",
"text": "A young lady with a confidential voice favoured us with a long recitation about a little girl who died or did something equally hackneyed, and then the Major gave us a graphic account of a struggle he had with a wounded bear."
}
] |
{
"id": "large/1868/reginald_0709_librivox_64kb_mp3/reginald_13_saki_64kb",
"sources": [
{
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}
|
MonoCut
|
large/1868/reginald_0709_librivox_64kb_mp3/reginald_14_saki_64kb_9
| 145.08 | 15.72 | 0 |
[
{
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"recording_id": "large/1868/reginald_0709_librivox_64kb_mp3/reginald_14_saki_64kb",
"start": 0,
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"channel": 0,
"language": "English",
"speaker": "1868",
"text": "The Duchess objected to the Amen, which I thought gave an air of forgiveness and _chose jugee_ to the whole thing; also she said it wasn't Persian enough, as though I were trying to sell her a kitten whose mother had married for love rather than pedigree."
}
] |
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{
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0
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|
MonoCut
|
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