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1.48k
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stringlengths 2
162
| context
stringlengths 1.35k
11.2k
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stringlengths 40
41
| question
stringlengths 1
131
| followup
class label 3
classes | yesno
class label 3
classes | answer
dict | orig_answer
dict |
|---|---|---|---|---|---|---|---|---|---|---|
C_8f7fac246686419095d0aa03c67dc933_1
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
San Francisco Warriors
|
In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories. In the All-Star Game one season later, Barry erupted for 38 points as the West team stunned the East squad, which featured Wilt Chamberlain, Oscar Robertson, Bill Russell and head coach Red Auerbach among other all-time greats. Later that season, Barry and company extended the mighty Philadelphia 76ers to six highly competitive games in the NBA Finals, something that Russell and the Boston Celtics could not do in the Eastern Conference playoffs. That 76ers team is considered to be one of the greatest in basketball history. Nicknamed the "Miami Greyhound" by longtime San Francisco-area broadcaster Bill King because of his slender physical build and remarkable quickness and instincts, the 6'7" Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season. The following year, he won the 1967 NBA All-Star Game MVP award with a 38-point outburst and led the NBA in scoring with a 35.6 point per game average -- which still ranks as the eighth- highest output in league annals. Teamed with star center Nate Thurmond in San Francisco, Barry helped take the Warriors to the 1967 NBA Finals, which they lost to the Philadelphia 76ers in six games. Including a 55-point outburst in Game 3, Barry averaged 40.8 points per game in the series, an NBA Finals record that stood for three decades. Upset that he was not paid incentive monies that he believed due from Warriors owner Franklin Mieuli, Barry jumped to the ABA's Oakland Oaks, who offered him a lucrative contract and the chance to play for Bruce Hale, his then father-in-law. The three-year contract offer from Pat Boone, the singer and team owner, was estimated to be worth $500,000, with Barry saying "the offer Oakland made me was one I simply couldn't turn down" and that it would make him one of basketball's highest-paid players. The courts ordered Barry to sit out the 1967-68 season before he starred in the ABA, upholding the validity of the reserve clause in his contract. He preceded St. Louis Cardinals' outfielder Curt Flood, whose better-known challenge to the reserve clause went all the way to the U.S. Supreme Court, by two years as the first American major-league professional athlete to bring a court action against it. The ensuing negative publicity cast Barry in a negative light, portraying him as selfish and money-hungry. However, many NBA players at the time were looking at jumping to the ABA for more lucrative contracts. Barry would star in the ABA, twice averaging more than 30 points per game.
Q: when did he join the san fransico warriors?
A: In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories.
Q: where did he come from?
A: unknown
|
C_8f7fac246686419095d0aa03c67dc933_1_q#2
|
did he set any records with the warriors?
| 0y
| 0y
|
{
"texts": [
"Barry erupted for 38 points as the West team stunned the East squad,"
],
"answer_starts": [
136
]
}
|
{
"text": "Barry erupted for 38 points as the West team stunned the East squad,",
"answer_start": 136
}
|
C_8f7fac246686419095d0aa03c67dc933_1
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
San Francisco Warriors
|
In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories. In the All-Star Game one season later, Barry erupted for 38 points as the West team stunned the East squad, which featured Wilt Chamberlain, Oscar Robertson, Bill Russell and head coach Red Auerbach among other all-time greats. Later that season, Barry and company extended the mighty Philadelphia 76ers to six highly competitive games in the NBA Finals, something that Russell and the Boston Celtics could not do in the Eastern Conference playoffs. That 76ers team is considered to be one of the greatest in basketball history. Nicknamed the "Miami Greyhound" by longtime San Francisco-area broadcaster Bill King because of his slender physical build and remarkable quickness and instincts, the 6'7" Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season. The following year, he won the 1967 NBA All-Star Game MVP award with a 38-point outburst and led the NBA in scoring with a 35.6 point per game average -- which still ranks as the eighth- highest output in league annals. Teamed with star center Nate Thurmond in San Francisco, Barry helped take the Warriors to the 1967 NBA Finals, which they lost to the Philadelphia 76ers in six games. Including a 55-point outburst in Game 3, Barry averaged 40.8 points per game in the series, an NBA Finals record that stood for three decades. Upset that he was not paid incentive monies that he believed due from Warriors owner Franklin Mieuli, Barry jumped to the ABA's Oakland Oaks, who offered him a lucrative contract and the chance to play for Bruce Hale, his then father-in-law. The three-year contract offer from Pat Boone, the singer and team owner, was estimated to be worth $500,000, with Barry saying "the offer Oakland made me was one I simply couldn't turn down" and that it would make him one of basketball's highest-paid players. The courts ordered Barry to sit out the 1967-68 season before he starred in the ABA, upholding the validity of the reserve clause in his contract. He preceded St. Louis Cardinals' outfielder Curt Flood, whose better-known challenge to the reserve clause went all the way to the U.S. Supreme Court, by two years as the first American major-league professional athlete to bring a court action against it. The ensuing negative publicity cast Barry in a negative light, portraying him as selfish and money-hungry. However, many NBA players at the time were looking at jumping to the ABA for more lucrative contracts. Barry would star in the ABA, twice averaging more than 30 points per game.
Q: when did he join the san fransico warriors?
A: In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories.
Q: where did he come from?
A: unknown
Q: did he set any records with the warriors?
A: Barry erupted for 38 points as the West team stunned the East squad,
|
C_8f7fac246686419095d0aa03c67dc933_1_q#3
|
did he win any awards?
| 0y
| 0y
|
{
"texts": [
"Barry won the NBA Rookie of the Year Award after averaging 25.7 points"
],
"answer_starts": [
799
]
}
|
{
"text": "Barry won the NBA Rookie of the Year Award after averaging 25.7 points",
"answer_start": 799
}
|
C_8f7fac246686419095d0aa03c67dc933_1
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
San Francisco Warriors
|
In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories. In the All-Star Game one season later, Barry erupted for 38 points as the West team stunned the East squad, which featured Wilt Chamberlain, Oscar Robertson, Bill Russell and head coach Red Auerbach among other all-time greats. Later that season, Barry and company extended the mighty Philadelphia 76ers to six highly competitive games in the NBA Finals, something that Russell and the Boston Celtics could not do in the Eastern Conference playoffs. That 76ers team is considered to be one of the greatest in basketball history. Nicknamed the "Miami Greyhound" by longtime San Francisco-area broadcaster Bill King because of his slender physical build and remarkable quickness and instincts, the 6'7" Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season. The following year, he won the 1967 NBA All-Star Game MVP award with a 38-point outburst and led the NBA in scoring with a 35.6 point per game average -- which still ranks as the eighth- highest output in league annals. Teamed with star center Nate Thurmond in San Francisco, Barry helped take the Warriors to the 1967 NBA Finals, which they lost to the Philadelphia 76ers in six games. Including a 55-point outburst in Game 3, Barry averaged 40.8 points per game in the series, an NBA Finals record that stood for three decades. Upset that he was not paid incentive monies that he believed due from Warriors owner Franklin Mieuli, Barry jumped to the ABA's Oakland Oaks, who offered him a lucrative contract and the chance to play for Bruce Hale, his then father-in-law. The three-year contract offer from Pat Boone, the singer and team owner, was estimated to be worth $500,000, with Barry saying "the offer Oakland made me was one I simply couldn't turn down" and that it would make him one of basketball's highest-paid players. The courts ordered Barry to sit out the 1967-68 season before he starred in the ABA, upholding the validity of the reserve clause in his contract. He preceded St. Louis Cardinals' outfielder Curt Flood, whose better-known challenge to the reserve clause went all the way to the U.S. Supreme Court, by two years as the first American major-league professional athlete to bring a court action against it. The ensuing negative publicity cast Barry in a negative light, portraying him as selfish and money-hungry. However, many NBA players at the time were looking at jumping to the ABA for more lucrative contracts. Barry would star in the ABA, twice averaging more than 30 points per game.
Q: when did he join the san fransico warriors?
A: In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories.
Q: where did he come from?
A: unknown
Q: did he set any records with the warriors?
A: Barry erupted for 38 points as the West team stunned the East squad,
Q: did he win any awards?
A: Barry won the NBA Rookie of the Year Award after averaging 25.7 points
|
C_8f7fac246686419095d0aa03c67dc933_1_q#4
|
did he have any injuries?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2641
]
}
|
{
"text": "unknown",
"answer_start": 2641
}
|
C_8f7fac246686419095d0aa03c67dc933_1
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
San Francisco Warriors
|
In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories. In the All-Star Game one season later, Barry erupted for 38 points as the West team stunned the East squad, which featured Wilt Chamberlain, Oscar Robertson, Bill Russell and head coach Red Auerbach among other all-time greats. Later that season, Barry and company extended the mighty Philadelphia 76ers to six highly competitive games in the NBA Finals, something that Russell and the Boston Celtics could not do in the Eastern Conference playoffs. That 76ers team is considered to be one of the greatest in basketball history. Nicknamed the "Miami Greyhound" by longtime San Francisco-area broadcaster Bill King because of his slender physical build and remarkable quickness and instincts, the 6'7" Barry won the NBA Rookie of the Year Award after averaging 25.7 points and 10.6 rebounds per game in the 1965-66 season. The following year, he won the 1967 NBA All-Star Game MVP award with a 38-point outburst and led the NBA in scoring with a 35.6 point per game average -- which still ranks as the eighth- highest output in league annals. Teamed with star center Nate Thurmond in San Francisco, Barry helped take the Warriors to the 1967 NBA Finals, which they lost to the Philadelphia 76ers in six games. Including a 55-point outburst in Game 3, Barry averaged 40.8 points per game in the series, an NBA Finals record that stood for three decades. Upset that he was not paid incentive monies that he believed due from Warriors owner Franklin Mieuli, Barry jumped to the ABA's Oakland Oaks, who offered him a lucrative contract and the chance to play for Bruce Hale, his then father-in-law. The three-year contract offer from Pat Boone, the singer and team owner, was estimated to be worth $500,000, with Barry saying "the offer Oakland made me was one I simply couldn't turn down" and that it would make him one of basketball's highest-paid players. The courts ordered Barry to sit out the 1967-68 season before he starred in the ABA, upholding the validity of the reserve clause in his contract. He preceded St. Louis Cardinals' outfielder Curt Flood, whose better-known challenge to the reserve clause went all the way to the U.S. Supreme Court, by two years as the first American major-league professional athlete to bring a court action against it. The ensuing negative publicity cast Barry in a negative light, portraying him as selfish and money-hungry. However, many NBA players at the time were looking at jumping to the ABA for more lucrative contracts. Barry would star in the ABA, twice averaging more than 30 points per game.
Q: when did he join the san fransico warriors?
A: In Barry's first season in the NBA with the Warriors, the team improved from 17 to 35 victories.
Q: where did he come from?
A: unknown
Q: did he set any records with the warriors?
A: Barry erupted for 38 points as the West team stunned the East squad,
Q: did he win any awards?
A: Barry won the NBA Rookie of the Year Award after averaging 25.7 points
Q: did he have any injuries?
A: unknown
|
C_8f7fac246686419095d0aa03c67dc933_1_q#5
|
who was his coach?
| 0y
| 2x
|
{
"texts": [
"Red Auerbach"
],
"answer_starts": [
283
]
}
|
{
"text": "Red Auerbach",
"answer_start": 283
}
|
C_8f7fac246686419095d0aa03c67dc933_0
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
Oakland Oaks
|
After the 1966-67 season, Barry became one of the first NBA players to jump to the American Basketball Association when he signed with the Oakland Oaks. In the ABA's first season, the Oaks were the only ABA team located in the same market as an NBA team (the Warriors). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season. Barry instead worked on Oaks radio broadcasts during the ABA's first season. During the 1968-69 season Barry suited up for the Oaks and averaged 34 points per game. He also led the ABA in free throw percentage for the season (a feat he repeated in the 1970-71 and 1971-72 seasons). However, on December 27, 1968, late in a game against the New York Nets, Barry and Kenny Wilburn collided and Barry tore ligaments in his knee. He tried to play again in January but only aggravated the injury and sat out the rest of the season, only appearing in 35 games as a result. Despite the injury Barry was named to the ABA All-Star team. The Oaks finished with a record of 60-18, winning the Western Division by 14 games over the second place New Orleans Buccaneers. In the 1969 ABA Playoffs the Oaks defeated the Denver Rockets in a seven-game series and then defeated New Orleans in the Western Division finals. In the finals the Oaks defeated the Indiana Pacers 4 games to 1 to win the 1969 ABA Championship. The Oaks' on-court success had not translated into solid attendance. The team averaged 2,800 fans per game. Instead of remaining in Oakland for another season to see if the championship would draw fans, the team was sold by owner Pat Boone and relocated to Washington, D.C. for the 1969-70 season.
|
C_8f7fac246686419095d0aa03c67dc933_0_q#0
|
when did he join oakland
| 0y
| 2x
|
{
"texts": [
"After the 1966-67 season,"
],
"answer_starts": [
0
]
}
|
{
"text": "After the 1966-67 season,",
"answer_start": 0
}
|
C_8f7fac246686419095d0aa03c67dc933_0
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
Oakland Oaks
|
After the 1966-67 season, Barry became one of the first NBA players to jump to the American Basketball Association when he signed with the Oakland Oaks. In the ABA's first season, the Oaks were the only ABA team located in the same market as an NBA team (the Warriors). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season. Barry instead worked on Oaks radio broadcasts during the ABA's first season. During the 1968-69 season Barry suited up for the Oaks and averaged 34 points per game. He also led the ABA in free throw percentage for the season (a feat he repeated in the 1970-71 and 1971-72 seasons). However, on December 27, 1968, late in a game against the New York Nets, Barry and Kenny Wilburn collided and Barry tore ligaments in his knee. He tried to play again in January but only aggravated the injury and sat out the rest of the season, only appearing in 35 games as a result. Despite the injury Barry was named to the ABA All-Star team. The Oaks finished with a record of 60-18, winning the Western Division by 14 games over the second place New Orleans Buccaneers. In the 1969 ABA Playoffs the Oaks defeated the Denver Rockets in a seven-game series and then defeated New Orleans in the Western Division finals. In the finals the Oaks defeated the Indiana Pacers 4 games to 1 to win the 1969 ABA Championship. The Oaks' on-court success had not translated into solid attendance. The team averaged 2,800 fans per game. Instead of remaining in Oakland for another season to see if the championship would draw fans, the team was sold by owner Pat Boone and relocated to Washington, D.C. for the 1969-70 season.
Q: when did he join oakland
A: After the 1966-67 season,
|
C_8f7fac246686419095d0aa03c67dc933_0_q#1
|
what did he achieve with them
| 0y
| 2x
|
{
"texts": [
"). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season."
],
"answer_starts": [
267
]
}
|
{
"text": "). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season.",
"answer_start": 267
}
|
C_8f7fac246686419095d0aa03c67dc933_0
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
Oakland Oaks
|
After the 1966-67 season, Barry became one of the first NBA players to jump to the American Basketball Association when he signed with the Oakland Oaks. In the ABA's first season, the Oaks were the only ABA team located in the same market as an NBA team (the Warriors). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season. Barry instead worked on Oaks radio broadcasts during the ABA's first season. During the 1968-69 season Barry suited up for the Oaks and averaged 34 points per game. He also led the ABA in free throw percentage for the season (a feat he repeated in the 1970-71 and 1971-72 seasons). However, on December 27, 1968, late in a game against the New York Nets, Barry and Kenny Wilburn collided and Barry tore ligaments in his knee. He tried to play again in January but only aggravated the injury and sat out the rest of the season, only appearing in 35 games as a result. Despite the injury Barry was named to the ABA All-Star team. The Oaks finished with a record of 60-18, winning the Western Division by 14 games over the second place New Orleans Buccaneers. In the 1969 ABA Playoffs the Oaks defeated the Denver Rockets in a seven-game series and then defeated New Orleans in the Western Division finals. In the finals the Oaks defeated the Indiana Pacers 4 games to 1 to win the 1969 ABA Championship. The Oaks' on-court success had not translated into solid attendance. The team averaged 2,800 fans per game. Instead of remaining in Oakland for another season to see if the championship would draw fans, the team was sold by owner Pat Boone and relocated to Washington, D.C. for the 1969-70 season.
Q: when did he join oakland
A: After the 1966-67 season,
Q: what did he achieve with them
A: ). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season.
|
C_8f7fac246686419095d0aa03c67dc933_0_q#2
|
where did he come from
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1672
]
}
|
{
"text": "unknown",
"answer_start": 1672
}
|
C_8f7fac246686419095d0aa03c67dc933_0
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
Oakland Oaks
|
After the 1966-67 season, Barry became one of the first NBA players to jump to the American Basketball Association when he signed with the Oakland Oaks. In the ABA's first season, the Oaks were the only ABA team located in the same market as an NBA team (the Warriors). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season. Barry instead worked on Oaks radio broadcasts during the ABA's first season. During the 1968-69 season Barry suited up for the Oaks and averaged 34 points per game. He also led the ABA in free throw percentage for the season (a feat he repeated in the 1970-71 and 1971-72 seasons). However, on December 27, 1968, late in a game against the New York Nets, Barry and Kenny Wilburn collided and Barry tore ligaments in his knee. He tried to play again in January but only aggravated the injury and sat out the rest of the season, only appearing in 35 games as a result. Despite the injury Barry was named to the ABA All-Star team. The Oaks finished with a record of 60-18, winning the Western Division by 14 games over the second place New Orleans Buccaneers. In the 1969 ABA Playoffs the Oaks defeated the Denver Rockets in a seven-game series and then defeated New Orleans in the Western Division finals. In the finals the Oaks defeated the Indiana Pacers 4 games to 1 to win the 1969 ABA Championship. The Oaks' on-court success had not translated into solid attendance. The team averaged 2,800 fans per game. Instead of remaining in Oakland for another season to see if the championship would draw fans, the team was sold by owner Pat Boone and relocated to Washington, D.C. for the 1969-70 season.
Q: when did he join oakland
A: After the 1966-67 season,
Q: what did he achieve with them
A: ). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season.
Q: where did he come from
A: unknown
|
C_8f7fac246686419095d0aa03c67dc933_0_q#3
|
who did he play with
| 0y
| 2x
|
{
"texts": [
"). However, on December 27, 1968, late in a game against the New York Nets,"
],
"answer_starts": [
650
]
}
|
{
"text": "). However, on December 27, 1968, late in a game against the New York Nets,",
"answer_start": 650
}
|
C_8f7fac246686419095d0aa03c67dc933_0
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
Oakland Oaks
|
After the 1966-67 season, Barry became one of the first NBA players to jump to the American Basketball Association when he signed with the Oakland Oaks. In the ABA's first season, the Oaks were the only ABA team located in the same market as an NBA team (the Warriors). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season. Barry instead worked on Oaks radio broadcasts during the ABA's first season. During the 1968-69 season Barry suited up for the Oaks and averaged 34 points per game. He also led the ABA in free throw percentage for the season (a feat he repeated in the 1970-71 and 1971-72 seasons). However, on December 27, 1968, late in a game against the New York Nets, Barry and Kenny Wilburn collided and Barry tore ligaments in his knee. He tried to play again in January but only aggravated the injury and sat out the rest of the season, only appearing in 35 games as a result. Despite the injury Barry was named to the ABA All-Star team. The Oaks finished with a record of 60-18, winning the Western Division by 14 games over the second place New Orleans Buccaneers. In the 1969 ABA Playoffs the Oaks defeated the Denver Rockets in a seven-game series and then defeated New Orleans in the Western Division finals. In the finals the Oaks defeated the Indiana Pacers 4 games to 1 to win the 1969 ABA Championship. The Oaks' on-court success had not translated into solid attendance. The team averaged 2,800 fans per game. Instead of remaining in Oakland for another season to see if the championship would draw fans, the team was sold by owner Pat Boone and relocated to Washington, D.C. for the 1969-70 season.
Q: when did he join oakland
A: After the 1966-67 season,
Q: what did he achieve with them
A: ). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season.
Q: where did he come from
A: unknown
Q: who did he play with
A: ). However, on December 27, 1968, late in a game against the New York Nets,
|
C_8f7fac246686419095d0aa03c67dc933_0_q#4
|
did he win award
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1672
]
}
|
{
"text": "unknown",
"answer_start": 1672
}
|
C_8f7fac246686419095d0aa03c67dc933_0
|
Rick Barry
|
Richard Francis Dennis Barry III (born March 28, 1944) is an American retired professional basketball player who played in both the American Basketball Association (ABA) and National Basketball Association (NBA). Named one of the 50 Greatest Players in history by the NBA in 1996, Barry is the only player to lead the National Collegiate Athletic Association (NCAA), ABA and NBA in scoring for an individual season. He was known for his unorthodox but effective underhand free throw shooting technique, and at the time of his retirement in 1980, his .900 free throw percentage ranked first in NBA history. In 1987, Barry was inducted into the Naismith Memorial Basketball Hall of Fame.
|
Oakland Oaks
|
After the 1966-67 season, Barry became one of the first NBA players to jump to the American Basketball Association when he signed with the Oakland Oaks. In the ABA's first season, the Oaks were the only ABA team located in the same market as an NBA team (the Warriors). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season. Barry instead worked on Oaks radio broadcasts during the ABA's first season. During the 1968-69 season Barry suited up for the Oaks and averaged 34 points per game. He also led the ABA in free throw percentage for the season (a feat he repeated in the 1970-71 and 1971-72 seasons). However, on December 27, 1968, late in a game against the New York Nets, Barry and Kenny Wilburn collided and Barry tore ligaments in his knee. He tried to play again in January but only aggravated the injury and sat out the rest of the season, only appearing in 35 games as a result. Despite the injury Barry was named to the ABA All-Star team. The Oaks finished with a record of 60-18, winning the Western Division by 14 games over the second place New Orleans Buccaneers. In the 1969 ABA Playoffs the Oaks defeated the Denver Rockets in a seven-game series and then defeated New Orleans in the Western Division finals. In the finals the Oaks defeated the Indiana Pacers 4 games to 1 to win the 1969 ABA Championship. The Oaks' on-court success had not translated into solid attendance. The team averaged 2,800 fans per game. Instead of remaining in Oakland for another season to see if the championship would draw fans, the team was sold by owner Pat Boone and relocated to Washington, D.C. for the 1969-70 season.
Q: when did he join oakland
A: After the 1966-67 season,
Q: what did he achieve with them
A: ). The Warriors went to court and prevented Barry from playing for the Oaks during the 1967-68 season.
Q: where did he come from
A: unknown
Q: who did he play with
A: ). However, on December 27, 1968, late in a game against the New York Nets,
Q: did he win award
A: unknown
|
C_8f7fac246686419095d0aa03c67dc933_0_q#5
|
what trophy did he win with them
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1672
]
}
|
{
"text": "unknown",
"answer_start": 1672
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#0
|
What has Sakamoto produced?
| 0y
| 2x
|
{
"texts": [
"Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,"
],
"answer_starts": [
0
]
}
|
{
"text": "Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,",
"answer_start": 0
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#1
|
Did Rose do well as an album?
| 0y
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1715
]
}
|
{
"text": "unknown",
"answer_start": 1715
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#2
|
What other albums did he produce?
| 0y
| 2x
|
{
"texts": [
"1994 album A Place In The Sun."
],
"answer_starts": [
327
]
}
|
{
"text": "1994 album A Place In The Sun.",
"answer_start": 327
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#3
|
Besides Rose and A Place in the Sun, did he produce others?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1715
]
}
|
{
"text": "unknown",
"answer_start": 1715
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
Q: Besides Rose and A Place in the Sun, did he produce others?
A: unknown
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#4
|
What else is significant about his production work?
| 0y
| 2x
|
{
"texts": [
"He's got this reputation as a boffin, a professor of music who sits in front of a computer screen."
],
"answer_starts": [
1203
]
}
|
{
"text": "He's got this reputation as a boffin, a professor of music who sits in front of a computer screen.",
"answer_start": 1203
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
Q: Besides Rose and A Place in the Sun, did he produce others?
A: unknown
Q: What else is significant about his production work?
A: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen.
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#5
|
How did he get that reputation?
| 0y
| 2x
|
{
"texts": [
"screen. But he's more intuitive than that, and he's always trying to corrupt what he knows."
],
"answer_starts": [
1294
]
}
|
{
"text": "screen. But he's more intuitive than that, and he's always trying to corrupt what he knows.",
"answer_start": 1294
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
Q: Besides Rose and A Place in the Sun, did he produce others?
A: unknown
Q: What else is significant about his production work?
A: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen.
Q: How did he get that reputation?
A: screen. But he's more intuitive than that, and he's always trying to corrupt what he knows.
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#6
|
Why else is that reputation not deserved?
| 0y
| 2x
|
{
"texts": [
"Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes,"
],
"answer_starts": [
1386
]
}
|
{
"text": "Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes,",
"answer_start": 1386
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
Q: Besides Rose and A Place in the Sun, did he produce others?
A: unknown
Q: What else is significant about his production work?
A: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen.
Q: How did he get that reputation?
A: screen. But he's more intuitive than that, and he's always trying to corrupt what he knows.
Q: Why else is that reputation not deserved?
A: Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes,
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#7
|
Why does he take that break and play hip hop?
| 0y
| 2x
|
{
"texts": [
"minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things."
],
"answer_starts": [
1481
]
}
|
{
"text": "minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things.",
"answer_start": 1481
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
Q: Besides Rose and A Place in the Sun, did he produce others?
A: unknown
Q: What else is significant about his production work?
A: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen.
Q: How did he get that reputation?
A: screen. But he's more intuitive than that, and he's always trying to corrupt what he knows.
Q: Why else is that reputation not deserved?
A: Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes,
Q: Why does he take that break and play hip hop?
A: minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things.
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#8
|
Have any of the albums he produced won awards or recognition?
| 0y
| 0y
|
{
"texts": [
"and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds."
],
"answer_starts": [
1578
]
}
|
{
"text": "and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.",
"answer_start": 1578
}
|
C_629ee751849d4bd68067c4ce503b30c6_0
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
Production work
|
Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose, the same year that the Yellow Magic Orchestra was disbanded. Sakamoto subsequently worked with artists such as Thomas Dolby; Aztec Camera, on the Dreamland (1993) album; and Imai Miki, co-producing her 1994 album A Place In The Sun. Roddy Frame, who worked with Sakamoto as a member of Aztec Camera, explained in a 1993 interview preceding the release of Dreamland that he had had to wait a lengthy period of time before he was able to work with Sakamoto, who wrote two soundtracks, a solo album and the music for the opening ceremony at the Barcelona Olympics, prior to working with Frame over four weeks in a New York studio. Frame said that he was impressed by the work of YMO and the Merry Christmas Mr Lawrence soundtrack, explaining: "That's where you realise that the atmosphere around his compositions is actually in the writing - it's got nothing to do with synthesisers." Frame's decision to ask Sakamoto was finalized after he saw his performance at the Japan Festival that was held in London, United Kingdom. Of his experience recording with Sakamoto, Frame said: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen. But he's more intuitive than that, and he's always trying to corrupt what he knows. Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
Q: What has Sakamoto produced?
A: Sakamoto's production credits represent a prolific career in this role. In 1983, he produced Mari Iijima's debut album Rose,
Q: Did Rose do well as an album?
A: unknown
Q: What other albums did he produce?
A: 1994 album A Place In The Sun.
Q: Besides Rose and A Place in the Sun, did he produce others?
A: unknown
Q: What else is significant about his production work?
A: He's got this reputation as a boffin, a professor of music who sits in front of a computer screen.
Q: How did he get that reputation?
A: screen. But he's more intuitive than that, and he's always trying to corrupt what he knows.
Q: Why else is that reputation not deserved?
A: Halfway through the day in the studio, he will stop and play some hip hop or some house for 10 minutes,
Q: Why does he take that break and play hip hop?
A: minutes, and then go back to what he was doing. He's always trying to trip himself up like that, and to discover new things.
Q: Have any of the albums he produced won awards or recognition?
A: and to discover new things. Just before we worked together he'd been out in Borneo, I think, with a DAT machine, looking for new sounds.
|
C_629ee751849d4bd68067c4ce503b30c6_0_q#9
|
Where else does he look for new sounds?
| 0y
| 2x
|
{
"texts": [
"machine, looking for new sounds."
],
"answer_starts": [
1682
]
}
|
{
"text": "machine, looking for new sounds.",
"answer_start": 1682
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#0
|
What happen in 2010
| 0y
| 2x
|
{
"texts": [
"Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,"
],
"answer_starts": [
0
]
}
|
{
"text": "Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,",
"answer_start": 0
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#1
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year."
],
"answer_starts": [
861
]
}
|
{
"text": "On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.",
"answer_start": 861
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#2
|
What happen with his illness
| 2m
| 2x
|
{
"texts": [
"year. He announced a break from his work while he sought treatment and recovery."
],
"answer_starts": [
992
]
}
|
{
"text": "year. He announced a break from his work while he sought treatment and recovery.",
"answer_start": 992
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#3
|
What happen in the present day
| 0y
| 2x
|
{
"texts": [
"In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;"
],
"answer_starts": [
1402
]
}
|
{
"text": "In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;",
"answer_start": 1402
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
Q: What happen in the present day
A: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#4
|
what was the name of the album
| 2m
| 2x
|
{
"texts": [
"the new album, titled async, was released on March 29, 2017 to critical acclaim."
],
"answer_starts": [
1513
]
}
|
{
"text": "the new album, titled async, was released on March 29, 2017 to critical acclaim.",
"answer_start": 1513
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
Q: What happen in the present day
A: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;
Q: what was the name of the album
A: the new album, titled async, was released on March 29, 2017 to critical acclaim.
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#5
|
How did it do
| 1n
| 2x
|
{
"texts": [
"released on March 29, 2017 to critical acclaim."
],
"answer_starts": [
1546
]
}
|
{
"text": "released on March 29, 2017 to critical acclaim.",
"answer_start": 1546
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
Q: What happen in the present day
A: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;
Q: what was the name of the album
A: the new album, titled async, was released on March 29, 2017 to critical acclaim.
Q: How did it do
A: released on March 29, 2017 to critical acclaim.
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#6
|
What else was he known for
| 0y
| 2x
|
{
"texts": [
"In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014)."
],
"answer_starts": [
743
]
}
|
{
"text": "In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).",
"answer_start": 743
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
Q: What happen in the present day
A: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;
Q: what was the name of the album
A: the new album, titled async, was released on March 29, 2017 to critical acclaim.
Q: How did it do
A: released on March 29, 2017 to critical acclaim.
Q: What else was he known for
A: In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#7
|
Did he get any awards
| 2m
| 0y
|
{
"texts": [
"In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014)."
],
"answer_starts": [
743
]
}
|
{
"text": "In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).",
"answer_start": 743
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
Q: What happen in the present day
A: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;
Q: what was the name of the album
A: the new album, titled async, was released on March 29, 2017 to critical acclaim.
Q: How did it do
A: released on March 29, 2017 to critical acclaim.
Q: What else was he known for
A: In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).
Q: Did he get any awards
A: In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#8
|
What else stood out in this article
| 1n
| 2x
|
{
"texts": [
"). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant."
],
"answer_starts": [
1298
]
}
|
{
"text": "). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant.",
"answer_start": 1298
}
|
C_629ee751849d4bd68067c4ce503b30c6_1
|
Ryuichi Sakamoto
|
Ryuichi Sakamoto (Ban Ben Long Yi , Sakamoto Ryuichi, born January 17, 1952) (Japanese pronunciation: [sakamoto rjW:itci]) is a Japanese musician, singer, composer, record producer, activist, writer, actor and dancer, based in Tokyo and New York. He began his career while at university in the 1970s, as a session musician, producer, and arranger.
|
2010s-present
|
Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani, including the installations LIFE - fluid, invisible, inaudible... (2007-2013), commissioned by YCAM, Yamaguchi, collapsed and silence spins at the Museum of Contemporary Art Tokyo in 2012 and 2013 Sharjah Biennial (U.A.E.), LIFE-WELL in 2013 and a special version for Park Hyatt Tokyo's 20th anniversary in 2014, and he did music for the joint performance LIFE-WELL featuring the actor Noh/Kyogen Mansai Nomura, and for Shiro Takatani's performance ST/LL in 2015. In 2013, Sakamoto was a jury member at the 70th Venice International Film Festival. The jury viewed 20 films and was chaired by filmmaker Bernardo Bertolucci. In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014). On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year. He announced a break from his work while he sought treatment and recovery. On August 3, 2015, Sakamoto posted on his website that he was "in great shape ... I am thinking about returning to work" and announced that he would be providing music for Yoji Yamada's Haha to Kuraseba (Living with My Mother). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant. In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records; the new album, titled async, was released on March 29, 2017 to critical acclaim. In February 2018, he was selected to be on the jury for the main competition section of the 68th Berlin International Film Festival.
Q: What happen in 2010
A: Throughout the latter part of the 2000s, Sakamoto collaborated on several projects with visual artist Shiro Takatani,
Q: Are there any other interesting aspects about this article?
A: On July 10, Sakamoto released a statement indicating that he had been diagnosed with oropharyngeal cancer in late June of the same year.
Q: What happen with his illness
A: year. He announced a break from his work while he sought treatment and recovery.
Q: What happen in the present day
A: In January 2017 it was announced that Sakamoto would release a solo album in April 2017 through Milan Records;
Q: what was the name of the album
A: the new album, titled async, was released on March 29, 2017 to critical acclaim.
Q: How did it do
A: released on March 29, 2017 to critical acclaim.
Q: What else was he known for
A: In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).
Q: Did he get any awards
A: In 2014, Sakamoto became the first Guest Artistic Director of The Sapporo International Art Festival 2014 (SIAF2014).
Q: What else stood out in this article
A: ). In 2015, Sakamoto also composed the score for the Alejandro Gonzalez Inarritu's film, The Revenant.
|
C_629ee751849d4bd68067c4ce503b30c6_1_q#9
|
What happen in 2011
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1727
]
}
|
{
"text": "unknown",
"answer_start": 1727
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
|
C_631ab21a502a494b81eca81de4509b49_0_q#0
|
what were ken's affiliations before 2005?
| 0y
| 2x
|
{
"texts": [
"Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012."
],
"answer_starts": [
904
]
}
|
{
"text": "Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.",
"answer_start": 904
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
|
C_631ab21a502a494b81eca81de4509b49_0_q#1
|
how did his support turn out?
| 0y
| 2x
|
{
"texts": [
"With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013"
],
"answer_starts": [
1002
]
}
|
{
"text": "With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013",
"answer_start": 1002
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
|
C_631ab21a502a494b81eca81de4509b49_0_q#2
|
how did the campaign turn out?
| 0y
| 2x
|
{
"texts": [
"launched a campaign in March 2013 for a new left-wing party which was founded as \"Left Unity\" on 30 November."
],
"answer_starts": [
1082
]
}
|
{
"text": "launched a campaign in March 2013 for a new left-wing party which was founded as \"Left Unity\" on 30 November.",
"answer_start": 1082
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
Q: how did the campaign turn out?
A: launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November.
|
C_631ab21a502a494b81eca81de4509b49_0_q#3
|
what was his absolute biggest accomplishment?
| 0y
| 2x
|
{
"texts": [
"and stood for election to the European Parliament on the Respect list in 2004."
],
"answer_starts": [
593
]
}
|
{
"text": "and stood for election to the European Parliament on the Respect list in 2004.",
"answer_start": 593
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
Q: how did the campaign turn out?
A: launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November.
Q: what was his absolute biggest accomplishment?
A: and stood for election to the European Parliament on the Respect list in 2004.
|
C_631ab21a502a494b81eca81de4509b49_0_q#4
|
did he win the election in 2004?
| 1n
| 2x
|
{
"texts": [
"Loach was elected to the national council of Respect the following November."
],
"answer_starts": [
672
]
}
|
{
"text": "Loach was elected to the national council of Respect the following November.",
"answer_start": 672
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
Q: how did the campaign turn out?
A: launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November.
Q: what was his absolute biggest accomplishment?
A: and stood for election to the European Parliament on the Respect list in 2004.
Q: did he win the election in 2004?
A: Loach was elected to the national council of Respect the following November.
|
C_631ab21a502a494b81eca81de4509b49_0_q#5
|
Are there any other interesting aspects about this article?
| 0y
| 2x
|
{
"texts": [
"Loach was among the six people in court who offered surety for Julian Assange when he was arrested in"
],
"answer_starts": [
1341
]
}
|
{
"text": "Loach was among the six people in court who offered surety for Julian Assange when he was arrested in",
"answer_start": 1341
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
Q: how did the campaign turn out?
A: launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November.
Q: what was his absolute biggest accomplishment?
A: and stood for election to the European Parliament on the Respect list in 2004.
Q: did he win the election in 2004?
A: Loach was elected to the national council of Respect the following November.
Q: Are there any other interesting aspects about this article?
A: Loach was among the six people in court who offered surety for Julian Assange when he was arrested in
|
C_631ab21a502a494b81eca81de4509b49_0_q#6
|
when was he arrested?
| 0y
| 2x
|
{
"texts": [
"he was arrested in London on 7 December 2010."
],
"answer_starts": [
1424
]
}
|
{
"text": "he was arrested in London on 7 December 2010.",
"answer_start": 1424
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
Q: how did the campaign turn out?
A: launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November.
Q: what was his absolute biggest accomplishment?
A: and stood for election to the European Parliament on the Respect list in 2004.
Q: did he win the election in 2004?
A: Loach was elected to the national council of Respect the following November.
Q: Are there any other interesting aspects about this article?
A: Loach was among the six people in court who offered surety for Julian Assange when he was arrested in
Q: when was he arrested?
A: he was arrested in London on 7 December 2010.
|
C_631ab21a502a494b81eca81de4509b49_0_q#7
|
does the article state why he was arrested?
| 0y
| 1n
|
{
"texts": [
"The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London."
],
"answer_starts": [
1470
]
}
|
{
"text": "The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.",
"answer_start": 1470
}
|
C_631ab21a502a494b81eca81de4509b49_0
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Affiliations before 2015
|
Loach first joined the Labour Party from the early 1960s. In 1980s, he was in the Labour Party because of the presence of "a radical element that was critical of the leadership", but Loach had left the Labour Party by the mid-1990s after being a member for 30 years. During the 1960s and 1970s, he was associated with (or a member of) the Socialist Labour League (later the Workers Revolutionary Party), the International Socialists (later the Socialist Workers Party or SWP) and the International Marxist Group. Involved in Respect - The Unity Coalition from its beginnings in January 2004, and stood for election to the European Parliament on the Respect list in 2004. Loach was elected to the national council of Respect the following November. When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway. Later, his connection with Respect ended. Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012. With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November. Loach gave a press conference during the launch of Left Unity's manifesto for the 2015 general election. Together with John Pilger and Jemima Khan, Loach was among the six people in court who offered surety for Julian Assange when he was arrested in London on 7 December 2010. The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
Q: what were ken's affiliations before 2005?
A: Loach supported the Trade Unionist and Socialist Coalition in the London Assembly election, 2012.
Q: how did his support turn out?
A: With the support of the activist Kate Hudson and academic Gilbert Achcar, Loach launched a campaign in March 2013
Q: how did the campaign turn out?
A: launched a campaign in March 2013 for a new left-wing party which was founded as "Left Unity" on 30 November.
Q: what was his absolute biggest accomplishment?
A: and stood for election to the European Parliament on the Respect list in 2004.
Q: did he win the election in 2004?
A: Loach was elected to the national council of Respect the following November.
Q: Are there any other interesting aspects about this article?
A: Loach was among the six people in court who offered surety for Julian Assange when he was arrested in
Q: when was he arrested?
A: he was arrested in London on 7 December 2010.
Q: does the article state why he was arrested?
A: The money was forfeited when Assange skipped bail to seek asylum in the Embassy of Ecuador, London.
|
C_631ab21a502a494b81eca81de4509b49_0_q#8
|
whats the most interesting part of this article, in your opinion?
| 0y
| 2x
|
{
"texts": [
"When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway."
],
"answer_starts": [
749
]
}
|
{
"text": "When Respect split in 2007, Loach identified with Respect Renewal, the faction identified with George Galloway.",
"answer_start": 749
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
|
C_631ab21a502a494b81eca81de4509b49_1_q#0
|
where did he spend his early life in?
| 0y
| 2x
|
{
"texts": [
"Loach was born in Nuneaton, Warwickshire,"
],
"answer_starts": [
0
]
}
|
{
"text": "Loach was born in Nuneaton, Warwickshire,",
"answer_start": 0
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
|
C_631ab21a502a494b81eca81de4509b49_1_q#1
|
what were the significant aspects of his early life?
| 0y
| 2x
|
{
"texts": [
"He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford."
],
"answer_starts": [
89
]
}
|
{
"text": "He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.",
"answer_start": 89
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
|
C_631ab21a502a494b81eca81de4509b49_1_q#2
|
what does the article say about Wednesday play
| 0y
| 2x
|
{
"texts": [
"Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965"
],
"answer_starts": [
282
]
}
|
{
"text": "Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965",
"answer_start": 282
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
Q: what does the article say about Wednesday play
A: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965
|
C_631ab21a502a494b81eca81de4509b49_1_q#3
|
what more is known about this ?
| 0y
| 2x
|
{
"texts": [
"They portray working-class people in conflict with the authorities above them."
],
"answer_starts": [
448
]
}
|
{
"text": "They portray working-class people in conflict with the authorities above them.",
"answer_start": 448
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
Q: what does the article say about Wednesday play
A: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965
Q: what more is known about this ?
A: They portray working-class people in conflict with the authorities above them.
|
C_631ab21a502a494b81eca81de4509b49_1_q#4
|
what was the outcome of this portrayal?
| 2m
| 2x
|
{
"texts": [
"was broadcast at a time when the debate was at a height in the United Kingdom."
],
"answer_starts": [
646
]
}
|
{
"text": "was broadcast at a time when the debate was at a height in the United Kingdom.",
"answer_start": 646
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
Q: what does the article say about Wednesday play
A: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965
Q: what more is known about this ?
A: They portray working-class people in conflict with the authorities above them.
Q: what was the outcome of this portrayal?
A: was broadcast at a time when the debate was at a height in the United Kingdom.
|
C_631ab21a502a494b81eca81de4509b49_1_q#5
|
what is the most interesting aspect of this section?
| 0y
| 2x
|
{
"texts": [
"Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969)."
],
"answer_starts": [
1443
]
}
|
{
"text": "Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969).",
"answer_start": 1443
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
Q: what does the article say about Wednesday play
A: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965
Q: what more is known about this ?
A: They portray working-class people in conflict with the authorities above them.
Q: what was the outcome of this portrayal?
A: was broadcast at a time when the debate was at a height in the United Kingdom.
Q: what is the most interesting aspect of this section?
A: Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969).
|
C_631ab21a502a494b81eca81de4509b49_1_q#6
|
was kes successful?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2020
]
}
|
{
"text": "unknown",
"answer_start": 2020
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
Q: what does the article say about Wednesday play
A: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965
Q: what more is known about this ?
A: They portray working-class people in conflict with the authorities above them.
Q: what was the outcome of this portrayal?
A: was broadcast at a time when the debate was at a height in the United Kingdom.
Q: what is the most interesting aspect of this section?
A: Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969).
Q: was kes successful?
A: unknown
|
C_631ab21a502a494b81eca81de4509b49_1_q#7
|
anything else?
| 2m
| 0y
|
{
"texts": [
"The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines."
],
"answer_starts": [
1532
]
}
|
{
"text": "The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines.",
"answer_start": 1532
}
|
C_631ab21a502a494b81eca81de4509b49_1
|
Ken Loach
|
Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
|
Early life, The Wednesday Play and Kes
|
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.
Q: where did he spend his early life in?
A: Loach was born in Nuneaton, Warwickshire,
Q: what were the significant aspects of his early life?
A: He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford.
Q: what does the article say about Wednesday play
A: Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965
Q: what more is known about this ?
A: They portray working-class people in conflict with the authorities above them.
Q: what was the outcome of this portrayal?
A: was broadcast at a time when the debate was at a height in the United Kingdom.
Q: what is the most interesting aspect of this section?
A: Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969).
Q: was kes successful?
A: unknown
Q: anything else?
A: The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines.
|
C_631ab21a502a494b81eca81de4509b49_1_q#8
|
did he do anything important during his early life?
| 2m
| 0y
|
{
"texts": [
"He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force."
],
"answer_starts": [
187
]
}
|
{
"text": "He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force.",
"answer_start": 187
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#0
|
What was Here Comes the Fuzz?
| 2m
| 2x
|
{
"texts": [
"Ronson's debut album,"
],
"answer_starts": [
393
]
}
|
{
"text": "Ronson's debut album,",
"answer_start": 393
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#1
|
When was it released?
| 2m
| 2x
|
{
"texts": [
"2003."
],
"answer_starts": [
452
]
}
|
{
"text": "2003.",
"answer_start": 452
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#2
|
Did he produce the album?
| 1n
| 0y
|
{
"texts": [
"Mark made the leap from DJ to producer"
],
"answer_starts": [
0
]
}
|
{
"text": "Mark made the leap from DJ to producer",
"answer_start": 0
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
Q: Did he produce the album?
A: Mark made the leap from DJ to producer
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#3
|
Did the album sell well?
| 2m
| 1n
|
{
"texts": [
"Despite poor initial sales it was well received by critics."
],
"answer_starts": [
458
]
}
|
{
"text": "Despite poor initial sales it was well received by critics.",
"answer_start": 458
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
Q: Did he produce the album?
A: Mark made the leap from DJ to producer
Q: Did the album sell well?
A: Despite poor initial sales it was well received by critics.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#4
|
Were there any singles?
| 2m
| 0y
|
{
"texts": [
"\"Like a Feather\""
],
"answer_starts": [
349
]
}
|
{
"text": "\"Like a Feather\"",
"answer_start": 349
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
Q: Did he produce the album?
A: Mark made the leap from DJ to producer
Q: Did the album sell well?
A: Despite poor initial sales it was well received by critics.
Q: Were there any singles?
A: "Like a Feather"
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#5
|
Did Like a Feather do well on the charts?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1675
]
}
|
{
"text": "unknown",
"answer_start": 1675
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
Q: Did he produce the album?
A: Mark made the leap from DJ to producer
Q: Did the album sell well?
A: Despite poor initial sales it was well received by critics.
Q: Were there any singles?
A: "Like a Feather"
Q: Did Like a Feather do well on the charts?
A: unknown
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#6
|
What did he do after this album?
| 1n
| 2x
|
{
"texts": [
"In 2004, Ronson formed his own record label,"
],
"answer_starts": [
1301
]
}
|
{
"text": "In 2004, Ronson formed his own record label,",
"answer_start": 1301
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
Q: Did he produce the album?
A: Mark made the leap from DJ to producer
Q: Did the album sell well?
A: Despite poor initial sales it was well received by critics.
Q: Were there any singles?
A: "Like a Feather"
Q: Did Like a Feather do well on the charts?
A: unknown
Q: What did he do after this album?
A: In 2004, Ronson formed his own record label,
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#7
|
What was the name of his record label?
| 2m
| 2x
|
{
"texts": [
"Allido Records,"
],
"answer_starts": [
1346
]
}
|
{
"text": "Allido Records,",
"answer_start": 1346
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2001-05: Here Comes the Fuzz and initial producing
|
Mark made the leap from DJ to producer after Nikka Costa's manager heard one of his sets and introduced the musicians. Ronson produced Costa's song "Everybody Got Their Something," and Ronson soon signed a record contract with Elektra Records. He had already produced tracks for Hilfiger ads and, in 2001, used the connection to have Costa's single "Like a Feather" used in an advertisement. Ronson's debut album, Here Comes the Fuzz, was released in 2003. Despite poor initial sales it was well received by critics. As well as writing the songs on the album, Ronson created the beats, played guitar, keyboards, and bass. The album featured performances from artists from diverse genres, including Mos Def, Jack White, Sean Paul, Nikka Costa, Nappy Roots and Rivers Cuomo. The best known song from the album, "Ooh Wee," samples "Sunny" by Boney M and features Nate Dogg, Ghostface Killah, Trife Da God, and Saigon. It was featured that year in the movie Honey and its soundtrack. The song was later used in the movies Hitch and Harold & Kumar Escape from Guantanamo Bay. Two weeks after releasing Here Comes the Fuzz, Elektra Records dropped him. Ronson has since produced multiple songs on the albums of singers Lamya, Macy Gray, Christina Aguilera, Amy Winehouse, Lily Allen, and Robbie Williams. In 2004, Ronson formed his own record label, Allido Records, a subsidiary of Sony BMG's J Records, along with his longtime manager Rich Kleiman. The first artist he signed to Allido was rapper Saigon, who later left to sign with Just Blaze's Fort Knox Entertainment. He has signed Rhymefest, most well known for winning the Grammy for co-writing Kanye West's "Jesus Walks."
Q: What was Here Comes the Fuzz?
A: Ronson's debut album,
Q: When was it released?
A: 2003.
Q: Did he produce the album?
A: Mark made the leap from DJ to producer
Q: Did the album sell well?
A: Despite poor initial sales it was well received by critics.
Q: Were there any singles?
A: "Like a Feather"
Q: Did Like a Feather do well on the charts?
A: unknown
Q: What did he do after this album?
A: In 2004, Ronson formed his own record label,
Q: What was the name of his record label?
A: Allido Records,
|
C_d5d7c57a056e48fbb1667f80ffeb5358_1_q#8
|
What else interesting happened during these years?
| 2m
| 2x
|
{
"texts": [
"The first artist he signed to Allido was rapper Saigon,"
],
"answer_starts": [
1446
]
}
|
{
"text": "The first artist he signed to Allido was rapper Saigon,",
"answer_start": 1446
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#0
|
When was the Record Collection released?
| 0y
| 2x
|
{
"texts": [
"September 2010."
],
"answer_starts": [
126
]
}
|
{
"text": "September 2010.",
"answer_start": 126
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#1
|
Is this an album?
| 0y
| 0y
|
{
"texts": [
"Ronson confirmed the name of his new album Record Collection,"
],
"answer_starts": [
23
]
}
|
{
"text": "Ronson confirmed the name of his new album Record Collection,",
"answer_start": 23
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#2
|
Did this album do well?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1681
]
}
|
{
"text": "unknown",
"answer_start": 1681
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
Q: Did this album do well?
A: unknown
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#3
|
Were there any hit songs?
| 0y
| 0y
|
{
"texts": [
"The first single \"Bang Bang Bang\". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,"
],
"answer_starts": [
286
]
}
|
{
"text": "The first single \"Bang Bang Bang\". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,",
"answer_start": 286
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
Q: Did this album do well?
A: unknown
Q: Were there any hit songs?
A: The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#4
|
What other songs reached the charts?
| 1n
| 2x
|
{
"texts": [
"The second single from the album, \"The Bike Song\", was 19 September 2010"
],
"answer_starts": [
567
]
}
|
{
"text": "The second single from the album, \"The Bike Song\", was 19 September 2010",
"answer_start": 567
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
Q: Did this album do well?
A: unknown
Q: Were there any hit songs?
A: The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,
Q: What other songs reached the charts?
A: The second single from the album, "The Bike Song", was 19 September 2010
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#5
|
Were there any other successes/
| 2m
| 0y
|
{
"texts": [
"He provided the score for the 2011 film Arthur."
],
"answer_starts": [
1418
]
}
|
{
"text": "He provided the score for the 2011 film Arthur.",
"answer_start": 1418
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
Q: Did this album do well?
A: unknown
Q: Were there any hit songs?
A: The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,
Q: What other songs reached the charts?
A: The second single from the album, "The Bike Song", was 19 September 2010
Q: Were there any other successes/
A: He provided the score for the 2011 film Arthur.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#6
|
What else did he do during this time?
| 0y
| 2x
|
{
"texts": [
"Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project."
],
"answer_starts": [
1466
]
}
|
{
"text": "Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project.",
"answer_start": 1466
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
Q: Did this album do well?
A: unknown
Q: Were there any hit songs?
A: The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,
Q: What other songs reached the charts?
A: The second single from the album, "The Bike Song", was 19 September 2010
Q: Were there any other successes/
A: He provided the score for the 2011 film Arthur.
Q: What else did he do during this time?
A: Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#7
|
Did this do well?
| 1n
| 2x
|
{
"texts": [
"His song \"A La Modeliste\" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste."
],
"answer_starts": [
1558
]
}
|
{
"text": "His song \"A La Modeliste\" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.",
"answer_start": 1558
}
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0
|
Mark Ronson
|
Ronson was born at the Wellington Hospital, St John's Wood, London, to Jewish parents, Laurence Ronson, a real-estate speculator and music manager, and Ann Dexter. His ancestors emigrated from Austria, Russia, and Lithuania. Ronson was brought up in Masorti Judaism and had a Bar Mitzvah ceremony. The Ronson family had been one of Britain's wealthiest families in the 1980s; however, "the Ronson family lost $1 billion of its own money in the property crash of the early 1990's."
|
2010-12: Record Collection
|
In the Spring of 2010, Ronson confirmed the name of his new album Record Collection, and said that he hoped to have it out by September 2010. Additionally, Ronson announced the name of his new band, "The Business Intl.'", which is the alias adopted by Ronson on the third studio album. The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart, giving Ronson his fourth Top 10 single. The single also entered the Irish Singles Chart, where it peaked at number 18. The second single from the album, "The Bike Song", was 19 September 2010 and features Kyle Falconer from The View and Spank Rock. The album was released on 27 September 2010. This is the first Ronson albums on which he features as a singer. Although Ronson had never met Michael Jackson he was given the vocal track to a song titled "Lovely Way", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album Michael. He submitted the track, but it did not make the track listing for Michael. Ronson said about the rumours surrounding the vocals on the track (due to the controversy surrounding the Cascio tracks on that same album), "It was definitely him singing. I was given a vocal track to work with but I never actually met Michael. [...] It's in the vein of Elton John's 'Goodbye Yellow Brick Road' and John Lennon's 'Imagine'." He provided the score for the 2011 film Arthur. Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project. His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
Q: When was the Record Collection released?
A: September 2010.
Q: Is this an album?
A: Ronson confirmed the name of his new album Record Collection,
Q: Did this album do well?
A: unknown
Q: Were there any hit songs?
A: The first single "Bang Bang Bang". which featured rapper Q-Tip and singer MNDR was released on 12 July 2010, where it peaked at number 6 on the UK Singles Chart,
Q: What other songs reached the charts?
A: The second single from the album, "The Bike Song", was 19 September 2010
Q: Were there any other successes/
A: He provided the score for the 2011 film Arthur.
Q: What else did he do during this time?
A: Ronson was one of the artists featured in the 2012 documentary Re:GENERATION Music Project.
Q: Did this do well?
A: His song "A La Modeliste" features Mos Def, Erykah Badu, Trombone Shorty, members of The Dap-Kings, and Zigaboo Modeliste.
|
C_d5d7c57a056e48fbb1667f80ffeb5358_0_q#8
|
What other achievements did he have/
| 0y
| 2x
|
{
"texts": [
"he was given the vocal track to a song titled \"Lovely Way\", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album"
],
"answer_starts": [
855
]
}
|
{
"text": "he was given the vocal track to a song titled \"Lovely Way\", sung by Michael Jackson, in 2010 to produce for Jackson's posthumous album",
"answer_start": 855
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#0
|
what was the budget about?
| 0y
| 2x
|
{
"texts": [
"The federal budget ran a deficit every year Ford was President."
],
"answer_starts": [
0
]
}
|
{
"text": "The federal budget ran a deficit every year Ford was President.",
"answer_start": 0
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
Q: what was the budget about?
A: The federal budget ran a deficit every year Ford was President.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#1
|
what was the deficit?
| 2m
| 2x
|
{
"texts": [
"This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976."
],
"answer_starts": [
1220
]
}
|
{
"text": "This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976.",
"answer_start": 1220
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
Q: what was the budget about?
A: The federal budget ran a deficit every year Ford was President.
Q: what was the deficit?
A: This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#2
|
what did he do about it?
| 2m
| 2x
|
{
"texts": [
"Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction."
],
"answer_starts": [
875
]
}
|
{
"text": "Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction.",
"answer_start": 875
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
Q: what was the budget about?
A: The federal budget ran a deficit every year Ford was President.
Q: what was the deficit?
A: This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976.
Q: what did he do about it?
A: Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#3
|
how did ford react to the criticism?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1691
]
}
|
{
"text": "unknown",
"answer_start": 1691
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
Q: what was the budget about?
A: The federal budget ran a deficit every year Ford was President.
Q: what was the deficit?
A: This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976.
Q: what did he do about it?
A: Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction.
Q: how did ford react to the criticism?
A: unknown
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#4
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"Ford signed the Education for All Handicapped Children Act of 1975,"
],
"answer_starts": [
175
]
}
|
{
"text": "Ford signed the Education for All Handicapped Children Act of 1975,",
"answer_start": 175
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
Q: what was the budget about?
A: The federal budget ran a deficit every year Ford was President.
Q: what was the deficit?
A: This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976.
Q: what did he do about it?
A: Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction.
Q: how did ford react to the criticism?
A: unknown
Q: Are there any other interesting aspects about this article?
A: Ford signed the Education for All Handicapped Children Act of 1975,
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#5
|
what did that act do?
| 2m
| 2x
|
{
"texts": [
"which established special education throughout the United States."
],
"answer_starts": [
243
]
}
|
{
"text": "which established special education throughout the United States.",
"answer_start": 243
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Budget
|
The federal budget ran a deficit every year Ford was President. Despite his reservations about how the program ultimately would be funded in an era of tight public budgeting, Ford signed the Education for All Handicapped Children Act of 1975, which established special education throughout the United States. Ford expressed "strong support for full educational opportunities for our handicapped children" according to the official White House press release for the bill signing. The economic focus began to change as the country sank into the worst recession since the Great Depression four decades earlier. The focus of the Ford administration turned to stopping the rise in unemployment, which reached nine percent in May 1975. In January 1975, Ford proposed a 1-year tax reduction of $16 billion to stimulate economic growth, along with spending cuts to avoid inflation. Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction. In Congress, the proposed amount of the tax reduction increased to $22.8 billion in tax cuts and lacked spending cuts. In March 1975, Congress passed, and Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975. This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976. When New York City faced bankruptcy in 1975, Mayor Abraham Beame was unsuccessful in obtaining Ford's support for a federal bailout. The incident prompted the New York Daily News' famous headline "Ford to City: Drop Dead", referring to a speech in which "Ford declared flatly ... that he would veto any bill calling for 'a federal bail-out of New York City'".
Q: what was the budget about?
A: The federal budget ran a deficit every year Ford was President.
Q: what was the deficit?
A: This resulted in a federal deficit of around $53 billion for the 1975 fiscal year and $73.7 billion for 1976.
Q: what did he do about it?
A: Ford was criticized greatly for quickly switching from advocating a tax increase to a tax reduction.
Q: how did ford react to the criticism?
A: unknown
Q: Are there any other interesting aspects about this article?
A: Ford signed the Education for All Handicapped Children Act of 1975,
Q: what did that act do?
A: which established special education throughout the United States.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_0_q#6
|
did he sign any other acts?
| 2m
| 0y
|
{
"texts": [
"Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975."
],
"answer_starts": [
1131
]
}
|
{
"text": "Ford signed into law, these income tax rebates as part of the Tax Reduction Act of 1975.",
"answer_start": 1131
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#0
|
When did he pardon Nixon?
| 0y
| 2x
|
{
"texts": [
"On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president."
],
"answer_starts": [
4375
]
}
|
{
"text": "On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.",
"answer_start": 4375
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#1
|
How did people respond to the pardon?
| 0y
| 2x
|
{
"texts": [
"Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a \"corrupt bargain\" had been struck between the men."
],
"answer_starts": [
4901
]
}
|
{
"text": "Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a \"corrupt bargain\" had been struck between the men.",
"answer_start": 4901
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
Q: How did people respond to the pardon?
A: Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#2
|
Did Nixon say anything about the pardon?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
7075
]
}
|
{
"text": "unknown",
"answer_start": 7075
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
Q: How did people respond to the pardon?
A: Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men.
Q: Did Nixon say anything about the pardon?
A: unknown
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#3
|
What happened after he pardoned Nixon?
| 0y
| 2x
|
{
"texts": [
"pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency."
],
"answer_starts": [
5068
]
}
|
{
"text": "pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency.",
"answer_start": 5068
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
Q: How did people respond to the pardon?
A: Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men.
Q: Did Nixon say anything about the pardon?
A: unknown
Q: What happened after he pardoned Nixon?
A: pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#4
|
What did Ford do as president?
| 1n
| 2x
|
{
"texts": [
"\". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives."
],
"answer_starts": [
5861
]
}
|
{
"text": "\". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives.",
"answer_start": 5861
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
Q: How did people respond to the pardon?
A: Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men.
Q: Did Nixon say anything about the pardon?
A: unknown
Q: What happened after he pardoned Nixon?
A: pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency.
Q: What did Ford do as president?
A: ". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives.
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#5
|
What did he say to Congress?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
7075
]
}
|
{
"text": "unknown",
"answer_start": 7075
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
Q: How did people respond to the pardon?
A: Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men.
Q: Did Nixon say anything about the pardon?
A: unknown
Q: What happened after he pardoned Nixon?
A: pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency.
Q: What did Ford do as president?
A: ". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives.
Q: What did he say to Congress?
A: unknown
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#6
|
What else did Ford do during this time?
| 0y
| 2x
|
{
"texts": [
"In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as \"my predecessor\" or \"the former president.\""
],
"answer_starts": [
6037
]
}
|
{
"text": "In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as \"my predecessor\" or \"the former president.\"",
"answer_start": 6037
}
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1
|
Gerald Ford
|
Ford was born Leslie Lynch King Jr. on July 14, 1913, at 3202 Woolworth Avenue in Omaha, Nebraska, where his parents lived with his paternal grandparents. His mother was Dorothy Ayer Gardner and his father was Leslie Lynch King Sr., a wool trader and a son of prominent banker Charles Henry King and Martha Alicia King (nee Porter). Gardner separated from King just sixteen days after her son's birth. She took her son with her to the Oak Park, Illinois, home of her sister Tannisse and brother-in-law, Clarence Haskins James.
|
Pardon of Nixon
|
After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one." During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory. Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman". In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". To become House Speaker, Ford worked to help Republicans across the country get a majority in the chamber, often traveling on the rubber chicken circuit. After a decade of failing to do so, he promised his wife that he would try again in 1974 then retire in 1976. On October 10, 1973, Vice President Spiro Agnew resigned and then pleaded no contest to criminal charges of tax evasion and money laundering, part of a negotiated resolution to a scheme in which he accepted $29,500 in bribes while governor of Maryland. According to The New York Times, Nixon "sought advice from senior Congressional leaders about a replacement." The advice was unanimous. "We gave Nixon no choice but Ford," House Speaker Carl Albert recalled later. Ford agreed to the nomination, telling his wife that the Vice Presidency would be "a nice conclusion" to his career. Ford was nominated to take Agnew's position on October 12, the first time the vice-presidential vacancy provision of the 25th Amendment had been implemented. The United States Senate voted 92 to 3 to confirm Ford on November 27. Only three Senators, all Democrats, voted against Ford's confirmation: Gaylord Nelson of Wisconsin, Thomas Eagleton of Missouri and William Hathaway of Maine. On December 6, 1973, the House confirmed Ford by a vote of 387 to 35. One hour after the confirmation vote in the House, Ford took the oath of office as Vice President of the United States. Ford became Vice President as the Watergate scandal was unfolding. On Thursday, August 1, 1974, Chief of Staff Alexander Haig contacted Ford to tell him that "smoking gun" evidence had been found. The evidence left little doubt that President Nixon had been a part of the Watergate cover-up. At the time, Ford and his wife, Betty, were living in suburban Virginia, waiting for their expected move into the newly designated vice president's residence in Washington, D.C. However, "Al Haig asked to come over and see me," Ford later said, "to tell me that there would be a new tape released on a Monday, and he said the evidence in there was devastating and there would probably be either an impeachment or a resignation. And he said, 'I'm just warning you that you've got to be prepared, that things might change dramatically and you could become President.' And I said, 'Betty, I don't think we're ever going to live in the vice president's house.'" On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president. In a televised broadcast to the nation, Ford explained that he felt the pardon was in the best interests of the country, and that the Nixon family's situation "is a tragedy in which we all have played a part. It could go on and on and on, or someone must write the end to it. I have concluded that only I can do that, and if I can, I must." Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men. They said that Ford's pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency. Ford's first press secretary and close friend Jerald terHorst resigned his post in protest after the pardon. According to Bob Woodward, Nixon Chief of Staff Alexander Haig proposed a pardon deal to Ford. He later decided to pardon Nixon for other reasons, primarily the friendship he and Nixon shared. Regardless, historians believe the controversy was one of the major reasons Ford lost the 1976 presidential election, an observation with which Ford agreed. In an editorial at the time, The New York Times stated that the Nixon pardon was a "profoundly unwise, divisive and unjust act" that in a stroke had destroyed the new president's "credibility as a man of judgment, candor and competence". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives. In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president." When, on a 1974 trip to California, White House correspondent Fred Barnes pressed Ford on the matter, Ford replied in surprisingly frank manner: "I just can't bring myself to do it." After Ford left the White House in January 1977, the former President privately justified his pardon of Nixon by carrying in his wallet a portion of the text of Burdick v. United States, a 1915 U.S. Supreme Court decision which stated that a pardon indicated a presumption of guilt, and that acceptance of a pardon was tantamount to a confession of that guilt. In 2001, the John F. Kennedy Library Foundation awarded the John F. Kennedy Profile in Courage Award to Ford for his pardon of Nixon. In presenting the award to Ford, Senator Edward Kennedy said that he had initially been opposed to the pardon, but later decided that history had proved Ford to have made the correct decision.
Q: When did he pardon Nixon?
A: On September 8, 1974, Ford issued Proclamation 4311, which gave Nixon a full and unconditional pardon for any crimes he might have committed against the United States while president.
Q: How did people respond to the pardon?
A: Ford's decision to pardon Nixon was highly controversial. Critics derided the move and said a "corrupt bargain" had been struck between the men.
Q: Did Nixon say anything about the pardon?
A: unknown
Q: What happened after he pardoned Nixon?
A: pardon was granted in exchange for Nixon's resignation, which had elevated Ford to the presidency.
Q: What did Ford do as president?
A: ". On October 17, 1974, Ford testified before Congress on the pardon. He was the first sitting president since Abraham Lincoln to testify before the House of Representatives.
Q: What did he say to Congress?
A: unknown
Q: What else did Ford do during this time?
A: In the months following the pardon, Ford often declined to mention President Nixon by name, referring to him in public as "my predecessor" or "the former president."
|
C_af3bbb45b1df4be090ad87b27e8c2f42_1_q#7
|
What did Nixon do after the pardon?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
7075
]
}
|
{
"text": "unknown",
"answer_start": 7075
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#0
|
What was special about cowdrey's style?
| 1n
| 2x
|
{
"texts": [
"delighted crowds throughout the world with his style and elegance"
],
"answer_starts": [
766
]
}
|
{
"text": "delighted crowds throughout the world with his style and elegance",
"answer_start": 766
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#1
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"\". Cowdrey himself thought that \"the proudest thing in my career was that I kept surviving"
],
"answer_starts": [
1806
]
}
|
{
"text": "\". Cowdrey himself thought that \"the proudest thing in my career was that I kept surviving",
"answer_start": 1806
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
Q: Are there any other interesting aspects about this article?
A: ". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#2
|
How was his elegance displayed?
| 2m
| 2x
|
{
"texts": [
"His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked \"Why don't you caress the ball through extra cover like your father?\""
],
"answer_starts": [
834
]
}
|
{
"text": "His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked \"Why don't you caress the ball through extra cover like your father?\"",
"answer_start": 834
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
Q: Are there any other interesting aspects about this article?
A: ". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving
Q: How was his elegance displayed?
A: His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?"
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#3
|
Were there other elements of his fathers style mentioned?
| 1n
| 0y
|
{
"texts": [
"Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father."
],
"answer_starts": [
372
]
}
|
{
"text": "Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father.",
"answer_start": 372
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
Q: Are there any other interesting aspects about this article?
A: ". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving
Q: How was his elegance displayed?
A: His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?"
Q: Were there other elements of his fathers style mentioned?
A: Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father.
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#4
|
Did Chris have a unique style?
| 1n
| 0y
|
{
"texts": [
"His cover-drive was still his chief glory, but other shots were scarcely inferior:"
],
"answer_starts": [
0
]
}
|
{
"text": "His cover-drive was still his chief glory, but other shots were scarcely inferior:",
"answer_start": 0
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
Q: Are there any other interesting aspects about this article?
A: ". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving
Q: How was his elegance displayed?
A: His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?"
Q: Were there other elements of his fathers style mentioned?
A: Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father.
Q: Did Chris have a unique style?
A: His cover-drive was still his chief glory, but other shots were scarcely inferior:
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#5
|
What were some of Chris's other shots like?
| 2m
| 2x
|
{
"texts": [
"With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose."
],
"answer_starts": [
201
]
}
|
{
"text": "With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose.",
"answer_start": 201
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
Q: Are there any other interesting aspects about this article?
A: ". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving
Q: How was his elegance displayed?
A: His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?"
Q: Were there other elements of his fathers style mentioned?
A: Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father.
Q: Did Chris have a unique style?
A: His cover-drive was still his chief glory, but other shots were scarcely inferior:
Q: What were some of Chris's other shots like?
A: With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose.
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#6
|
Did Colin's other son have a particular style?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2781
]
}
|
{
"text": "unknown",
"answer_start": 2781
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Style
|
His cover-drive was still his chief glory, but other shots were scarcely inferior: the glory of the moon and stars as opposed to the rich glory of the sun. There seemed to be no effort about his work. With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose. Johnny Moyes Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father. When he arrived at Tonbridge School he was placed immediately in the First XI even though he was only 13, and became the youngest cricketer to play at Lord's. He was a fine strokemaker who possessed a full array of stokes around the wicket "a masterly batsman with an excellent technique he... delighted crowds throughout the world with his style and elegance". His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?" and replied "If I could, I would". Cowdrey also liked to experiment with new grips and unconventional strokes, to the annoyance of purists who thought his technique was already near perfect and Cowdrey himself noted that "I have not been a good player when the going is easy... unless the match provided a problem to solve, a theory to test, a hurdle to leap, a challenge worthy of battle, I have never been fully plugged in". At the start of his career the England batting was fragile and Cowdrey never forgot that his wicket was too important to throw away, sometimes treating bowlers too cautiously for a man of his great talents, John Arlott commenting "Cowdrey could sink into pits of uncertainty when the fire ceased to burn, allowing himself to be dominated by bowlers inferior to him in skill". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving", playing Lindwall and Miller at 21 and Lillee and Thomson at 41, still able to move immaculately into line even though he hadn't played for months. His quick reflexes also made him an outstanding slip, whose 120 catches was a Test record for a fielder. In his youth, Cowdrey was a useful leg-spinner at club level, but only took 63 first-class wickets at a cost of 51.21 apiece. He claimed if Alan Knott hadn't misread a googly he would have picked up a Test wicket, though his son Chris wrote "I can't see Knotty losing sleep over that one". In Cowdrey's last Test at Melbourne the fans famously hung out a banner 'M.C.G. FANS THANK COLIN - 6 TOURS', with Cowdrey "wearing a large straw sun-hat ... signing endless autographs, posing for photographs and exchanging friendly talk with young and old in the way that has made him as popular a cricketer as has ever visited Australia".
Q: What was special about cowdrey's style?
A: delighted crowds throughout the world with his style and elegance
Q: Are there any other interesting aspects about this article?
A: ". Cowdrey himself thought that "the proudest thing in my career was that I kept surviving
Q: How was his elegance displayed?
A: His favourite stroke was the most pleasing - the cover drive, his son Chris Cowdrey was always asked "Why don't you caress the ball through extra cover like your father?"
Q: Were there other elements of his fathers style mentioned?
A: Cowdrey was a prodigy who learned to bat as soon as he could walk thanks to his cricket-mad father.
Q: Did Chris have a unique style?
A: His cover-drive was still his chief glory, but other shots were scarcely inferior:
Q: What were some of Chris's other shots like?
A: With a short back-swing he persuaded the ball through the gaps, guiding it with an iron hand inside the velvet glove which disguised his power and purpose.
Q: Did Colin's other son have a particular style?
A: unknown
|
C_c2eef74fe4a540d4bb9763781bb11b9f_0_q#7
|
Did Colin have any comments about Chris?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2781
]
}
|
{
"text": "unknown",
"answer_start": 2781
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#0
|
what happened in 1970-1971 in Australia and New Zealand?
| 1n
| 2x
|
{
"texts": [
"Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,"
],
"answer_starts": [
0
]
}
|
{
"text": "Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,",
"answer_start": 0
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#1
|
was he ever in Australia?
| 0y
| 0y
|
{
"texts": [
"In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,"
],
"answer_starts": [
1499
]
}
|
{
"text": "In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,",
"answer_start": 1499
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
Q: was he ever in Australia?
A: In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#2
|
did his team win the MCC tour?
| 0y
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
6850
]
}
|
{
"text": "unknown",
"answer_start": 6850
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
Q: was he ever in Australia?
A: In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,
Q: did his team win the MCC tour?
A: unknown
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#3
|
how did he do with his Oxford University team?
| 0y
| 2x
|
{
"texts": [
"He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords."
],
"answer_starts": [
1429
]
}
|
{
"text": "He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords.",
"answer_start": 1429
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
Q: was he ever in Australia?
A: In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,
Q: did his team win the MCC tour?
A: unknown
Q: how did he do with his Oxford University team?
A: He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords.
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#4
|
was his the University's leading captain?
| 1n
| 0y
|
{
"texts": [
"In 1954 he captained Oxford University"
],
"answer_starts": [
1499
]
}
|
{
"text": "In 1954 he captained Oxford University",
"answer_start": 1499
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
Q: was he ever in Australia?
A: In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,
Q: did his team win the MCC tour?
A: unknown
Q: how did he do with his Oxford University team?
A: He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords.
Q: was his the University's leading captain?
A: In 1954 he captained Oxford University
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#5
|
did he play in New Zealand?
| 0y
| 0y
|
{
"texts": [
"They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland,"
],
"answer_starts": [
6529
]
}
|
{
"text": "They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland,",
"answer_start": 6529
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
Q: was he ever in Australia?
A: In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,
Q: did his team win the MCC tour?
A: unknown
Q: how did he do with his Oxford University team?
A: He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords.
Q: was his the University's leading captain?
A: In 1954 he captained Oxford University
Q: did he play in New Zealand?
A: They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland,
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#6
|
did he ever make it?
| 2m
| 2x
|
{
"texts": [
"but he added 76 with Alan Knott (96), and the danger was averted."
],
"answer_starts": [
6784
]
}
|
{
"text": "but he added 76 with Alan Knott (96), and the danger was averted.",
"answer_start": 6784
}
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1
|
Colin Cowdrey
|
Cowdrey's father, Ernest Arthur Cowdrey, played for the Surrey County Cricket Club Second XI and Berkshire County Cricket Club in the Minor Counties, but lacked the talent to enter first-class cricket and his father made him join a bank. Ernest Cowdrey had been born in Calcutta, moved to India to run a tea plantation and played the 1926-27 MCC touring team for the Madras Europeans XI and top scored with 48. His mother, Molly Cowdrey (nee Taylor), played tennis and hockey. Michael Colin Cowdrey was born on his father's tea plantation at Ootacamund, Madras Presidency, although his birthplace was usually misrecorded as Bangalore 100 miles to the north.
|
Australia and New Zealand 1970-71
|
Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs, 87 against Middlesex Young Amateurs and 79 against Surrey Young Amateurs. He was asked to join the Kent Second XI in 1949 and played Norfolk, Wiltshire and Devon. In 1949-1950 Cowdrey was made the school cricket captain and in 1950 made 126 not out for Public Schools against the Combined Services at Lords. This was followed by being called up for Kent County Cricket Club while still only 17 and he made 15 and 26 on his first-class debut against Derbyshire. Cowdrey made his first first-class century in 1951, 143 for the Free Foresters vs Oxford University, soon followed by 106 for the Gentlemen vs Players at Scarborough, captained by Len Hutton with Alec Bedser leading the bowling. After the match the Yorkshire captain Brian Sellers told him "If you are not playing for England and on that boat to Australia there'll only be one person to blame". He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans, at 18 the youngest man to be capped by Kent. Cowdrey won a Heath Harrison Exhibition award and a place at Brasenose College at Oxford University to study geography in the autumn of 1951. He played for the Oxford University Cricket Club in 1952 and 1953 at the start of the season and the rest of the summer for Kent. He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords. In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia, replacing Willie Watson. Len Hutton later told him that his selection was a gamble, but it was thought that his technique would be good on the hard Australian wickets. At 21, Cowdrey was the youngest man in the side and the schoolboy photographs used in the brochures made him appear younger. He had yet to make a century in the County Championship, go on tour or play a Test, though he was made twelfth man for the Fourth Test against Pakistan and fielded for 20 minutes, but was so nervous he could barely watch. I scored 114 in the first innings and 97 in the second. I will not claim that the first innings was a particularly good one, as it took me almost seven hours. But neither would I pretend that it was not immensely satisfying. I took ball after ball, blow after blow on that improvised body-shield but was able to stand firm...The second innings was the best I ever played. From the firm foundations of real confidence I was able to get after the bowling and repay Hall, particularly, for some of the anguish he had caused me. I had one glorious hour against him...I hooked him twice in a row and reduced him to the kind of despair which, but a fortnight earlier, had been exclusively mine. After the poor tour of Australia the previous year a revamped England team was taken to the Caribbean under the management of the forthright Walter Robins. Cowdrey was roped in to open the innings with Geoff Pullar as May thought he was the best player of fast bowling. Even though it was not to Cowdrey's liking he made 491 runs (54.55) and two centuries. England won the Second Test by 256 runs despite play being held up by a riot, but May suffered an internal injury and had to go to hospital every morning before play. May soldiered on, but Cowdrey knew he would soon be in charge and was so affected by nerves before the Third Test that he "would have given anything not to have played". To face the fast bowlers he wore rubber padding sewn into his shirt and recovered to make 114 and 97 despite Wes Hall taking 7/69 in England's first innings of 277, no one else making over 30. May had to fly home for treatment (and was unfit to play for 18 months) so Cowdrey took charge in the Fourth Test, winning the toss and top scoring with 65 in England's 295 as Hall took 6/90. The West Indies overtook this with 402, but Ted Dexter (110) and Raman Subba Row (100) saved the match. In the Fifth Test Brian Statham flew home to his sick son, but Cowdrey won the toss and again chose to bat, top scoring with 119 in England's 393. Trailing 1-0 the West Indies needed a win to even the series and Gerry Alexander declared at 338/8 to force a result. Cowdrey was out for a duck and England were 148/6 before they were saved by M.J.K. Smith (96) and Jim Parks (101). Cowdrey declared at 350/7 leaving the West Indies 406 to win in 52 overs and their 209/5 gave England their first series win in the West Indies. Even so, Robins publicly upbraided Cowdrey for not making an earlier declaration to make an exciting finish. I saw as my farewell to the major stage of cricket, and it would be dishonest to say I saw it sentimentally as an actor or an opera singer who wants to leave the stage with a memorable performance...I hoped to return to Australia for the fifth time, this time as England captain, and win the Ashes with the team I had built, nutured and encouraged. I was to learn, or course, that such romantic conceptions are not only born in the minds of fiction writers, but can die there as well. Cowdrey was made vice-captain for an Australian tour for the fourth time and Illingworth's tough no-nonsense approach to the game clashed with the MCC tour manager David Clark, who had been captain of Kent in Cowdrey's youth and had given him his county cap. As a result, Illingworth effectively took over the running of the tour with the support of the players and Clark's influence declined, as did that of Cowdrey, who as his only ally he became isolated, though he still had his Kent team-mates Derek Underwood, Alan Knott and Brian Luckhurst. The players tended to avoid the press and public, even to the point of having their meals in their hotel rooms, and only Cowdrey made an effort to meet and greet the cricket fans. The rotund Cowdrey was in the sunset of his career and failed on tour, making only one century - 101 against Victoria - which was so slow that he was likened to a beached whale. In the First Test he overtook Wally Hammond's record of 7,249 runs to become the most prolific Test batsmen, a record he held for a year when it was overtaken by Gary Sobers. Cowdrey made only 1 run in the inaugural One Day International at Melbourne and was dropped for the Fourth Test, had his cap stolen while fielding in the Fifth Test and was dropped again for the Sixth and Seventh Tests. Illingworth won an argumentative series 2-0 and regained the Ashes, but Cowdrey only made 82 runs (20.50) in the series. They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland, coming in at 63/4 in the second innings when New Zealand had a real chance of winning their first victory against England, but he added 76 with Alan Knott (96), and the danger was averted.
Q: what happened in 1970-1971 in Australia and New Zealand?
A: Cowdrey was asked to play for Kent Young Amateurs in 1948 and made 157 against Sussex Young Amateurs,
Q: was he ever in Australia?
A: In 1954 he captained Oxford University and was a surprise choice for the MCC tour of Australia,
Q: did his team win the MCC tour?
A: unknown
Q: how did he do with his Oxford University team?
A: He made 50 and 57 for the Gentlemen vs the 1953 Australians at Lords.
Q: was his the University's leading captain?
A: In 1954 he captained Oxford University
Q: did he play in New Zealand?
A: They carried on to New Zealand, Cowdrey missed the First Test and needed a runner to make 54 and 45 in the Second Test at Auckland,
Q: did he ever make it?
A: but he added 76 with Alan Knott (96), and the danger was averted.
|
C_c2eef74fe4a540d4bb9763781bb11b9f_1_q#7
|
did he ever win awards?
| 0y
| 0y
|
{
"texts": [
"He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans,"
],
"answer_starts": [
959
]
}
|
{
"text": "He made 1,189 runs (33.02) in the 1951 season and was awarded his county cap by captain David Clark after making 71 against the touring South Africans,",
"answer_start": 959
}
|
C_4e2d6b727a964816a52e090405939b47_0
|
Cold War Kids
|
Cold War Kids is an American indie rock band from Long Beach, California. Band members are Nathan Willett (vocals, piano, guitar), Matt Maust (bass guitar), David Quon (guitar, backing vocals), Matthew Schwartz (backing vocals, keyboards and piano, percussion, guitar), and Joe Plummer (drums, percussion). Former members of the band include Dann Gallucci (guitar, keyboards, percussion), Matt Aveiro (drums, percussion), and Jonnie Russell (guitar, vocals, piano, keyboards, percussion). Forming in 2004 in Fullerton California, the Cold War Kids' early releases came from independent record label Monarchy Music.
|
2012-2015: Dear Miss Lonelyhearts and Hold My Home
|
In January 2012, Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band and premiere on their new single "Minimum Day". On January 15, 2013, the band announced a new single, "Miracle Mile", for their fourth album, Dear Miss Lonelyhearts. The latter was released on April 2, 2013. They followed that up with an EP titled Tuxedos, released on September 17, 2013. They promoted both efforts with a U.S. headline tour that ended on November 6, 2013. In November 2013, they announced that a fifth album was in the works. On November 10, 2013, the Orange County Register reported that drummer Matt Aveiro had left the band, and that Modest Mouse drummer Joe Plummer would be holding his place indefinitely. In March 2014, Cold War Kids collaborated with Belgian brewer Stella Artois and sonic inventor Andy Cavatorta for a project titled "Chalice Symphony" that involved using the brewer's famous drinking glasses as instruments for the band to use to record the track "A Million Eyes". The behind-the-scenes videos were used as commercials and were uploaded on the brewer's YouTube page. The song was released on iTunes on March 3, 2014, and the music video that went along with the track premiered on YouTube on April 4, 2014. In May 2014, Willett and Maust worked on a side project with We Barbarians' Nathan Warkentin called French Style Furs. The project's debut album, Is Exotic Bait, was released on July 8, 2014. The album was recorded with the assistance of Nick Launay, and the lyrics used were adapted from the poetry of twentieth-century Catholic monk and philosopher Thomas Merton. On July 15, 2014, Cold War Kids released the first single, "All This Could Be Yours", from their fifth album Hold My Home, which was released on October 21. The release of Hold My Home had drummer Joe Plummer and multi-instrumentalist/singer Matthew Schwartz being credited as proper members of the band on the album's liner notes as opposed to touring members as previously credited. The album also spawned the single "First" in February 2015. Despite mixed reactions from critics on the overall quality and consistency of the album, "First" went on to chart at number 1 on the Billboard Alternative Songs chart, making it the band's highest charting single ever.
|
C_4e2d6b727a964816a52e090405939b47_0_q#0
|
What was the highlight of 2012?
| 2m
| 2x
|
{
"texts": [
"Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band"
],
"answer_starts": [
17
]
}
|
{
"text": "Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band",
"answer_start": 17
}
|
C_4e2d6b727a964816a52e090405939b47_0
|
Cold War Kids
|
Cold War Kids is an American indie rock band from Long Beach, California. Band members are Nathan Willett (vocals, piano, guitar), Matt Maust (bass guitar), David Quon (guitar, backing vocals), Matthew Schwartz (backing vocals, keyboards and piano, percussion, guitar), and Joe Plummer (drums, percussion). Former members of the band include Dann Gallucci (guitar, keyboards, percussion), Matt Aveiro (drums, percussion), and Jonnie Russell (guitar, vocals, piano, keyboards, percussion). Forming in 2004 in Fullerton California, the Cold War Kids' early releases came from independent record label Monarchy Music.
|
2012-2015: Dear Miss Lonelyhearts and Hold My Home
|
In January 2012, Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band and premiere on their new single "Minimum Day". On January 15, 2013, the band announced a new single, "Miracle Mile", for their fourth album, Dear Miss Lonelyhearts. The latter was released on April 2, 2013. They followed that up with an EP titled Tuxedos, released on September 17, 2013. They promoted both efforts with a U.S. headline tour that ended on November 6, 2013. In November 2013, they announced that a fifth album was in the works. On November 10, 2013, the Orange County Register reported that drummer Matt Aveiro had left the band, and that Modest Mouse drummer Joe Plummer would be holding his place indefinitely. In March 2014, Cold War Kids collaborated with Belgian brewer Stella Artois and sonic inventor Andy Cavatorta for a project titled "Chalice Symphony" that involved using the brewer's famous drinking glasses as instruments for the band to use to record the track "A Million Eyes". The behind-the-scenes videos were used as commercials and were uploaded on the brewer's YouTube page. The song was released on iTunes on March 3, 2014, and the music video that went along with the track premiered on YouTube on April 4, 2014. In May 2014, Willett and Maust worked on a side project with We Barbarians' Nathan Warkentin called French Style Furs. The project's debut album, Is Exotic Bait, was released on July 8, 2014. The album was recorded with the assistance of Nick Launay, and the lyrics used were adapted from the poetry of twentieth-century Catholic monk and philosopher Thomas Merton. On July 15, 2014, Cold War Kids released the first single, "All This Could Be Yours", from their fifth album Hold My Home, which was released on October 21. The release of Hold My Home had drummer Joe Plummer and multi-instrumentalist/singer Matthew Schwartz being credited as proper members of the band on the album's liner notes as opposed to touring members as previously credited. The album also spawned the single "First" in February 2015. Despite mixed reactions from critics on the overall quality and consistency of the album, "First" went on to chart at number 1 on the Billboard Alternative Songs chart, making it the band's highest charting single ever.
Q: What was the highlight of 2012?
A: Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band
|
C_4e2d6b727a964816a52e090405939b47_0_q#1
|
What happened to Russell?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2313
]
}
|
{
"text": "unknown",
"answer_start": 2313
}
|
C_4e2d6b727a964816a52e090405939b47_0
|
Cold War Kids
|
Cold War Kids is an American indie rock band from Long Beach, California. Band members are Nathan Willett (vocals, piano, guitar), Matt Maust (bass guitar), David Quon (guitar, backing vocals), Matthew Schwartz (backing vocals, keyboards and piano, percussion, guitar), and Joe Plummer (drums, percussion). Former members of the band include Dann Gallucci (guitar, keyboards, percussion), Matt Aveiro (drums, percussion), and Jonnie Russell (guitar, vocals, piano, keyboards, percussion). Forming in 2004 in Fullerton California, the Cold War Kids' early releases came from independent record label Monarchy Music.
|
2012-2015: Dear Miss Lonelyhearts and Hold My Home
|
In January 2012, Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band and premiere on their new single "Minimum Day". On January 15, 2013, the band announced a new single, "Miracle Mile", for their fourth album, Dear Miss Lonelyhearts. The latter was released on April 2, 2013. They followed that up with an EP titled Tuxedos, released on September 17, 2013. They promoted both efforts with a U.S. headline tour that ended on November 6, 2013. In November 2013, they announced that a fifth album was in the works. On November 10, 2013, the Orange County Register reported that drummer Matt Aveiro had left the band, and that Modest Mouse drummer Joe Plummer would be holding his place indefinitely. In March 2014, Cold War Kids collaborated with Belgian brewer Stella Artois and sonic inventor Andy Cavatorta for a project titled "Chalice Symphony" that involved using the brewer's famous drinking glasses as instruments for the band to use to record the track "A Million Eyes". The behind-the-scenes videos were used as commercials and were uploaded on the brewer's YouTube page. The song was released on iTunes on March 3, 2014, and the music video that went along with the track premiered on YouTube on April 4, 2014. In May 2014, Willett and Maust worked on a side project with We Barbarians' Nathan Warkentin called French Style Furs. The project's debut album, Is Exotic Bait, was released on July 8, 2014. The album was recorded with the assistance of Nick Launay, and the lyrics used were adapted from the poetry of twentieth-century Catholic monk and philosopher Thomas Merton. On July 15, 2014, Cold War Kids released the first single, "All This Could Be Yours", from their fifth album Hold My Home, which was released on October 21. The release of Hold My Home had drummer Joe Plummer and multi-instrumentalist/singer Matthew Schwartz being credited as proper members of the band on the album's liner notes as opposed to touring members as previously credited. The album also spawned the single "First" in February 2015. Despite mixed reactions from critics on the overall quality and consistency of the album, "First" went on to chart at number 1 on the Billboard Alternative Songs chart, making it the band's highest charting single ever.
Q: What was the highlight of 2012?
A: Cold War Kids announced that former Modest Mouse guitarist Dann Gallucci would take Russell's place in the band
Q: What happened to Russell?
A: unknown
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C_4e2d6b727a964816a52e090405939b47_0_q#2
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When did they work on Dear Miss Lonelyhearts?
| 2m
| 2x
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{
"texts": [
"On January 15, 2013, the band announced a new single, \"Miracle Mile\", for their fourth album,"
],
"answer_starts": [
177
]
}
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{
"text": "On January 15, 2013, the band announced a new single, \"Miracle Mile\", for their fourth album,",
"answer_start": 177
}
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