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C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#3
|
Was he able to pay his debts?
| 0y
| 0y
|
{
"texts": [
"His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one"
],
"answer_starts": [
1655
]
}
|
{
"text": "His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one",
"answer_start": 1655
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
Q: Was he able to pay his debts?
A: His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#4
|
What debt didnt he pay?
| 0y
| 2x
|
{
"texts": [
"Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come."
],
"answer_starts": [
1779
]
}
|
{
"text": "Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come.",
"answer_start": 1779
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
Q: Was he able to pay his debts?
A: His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one
Q: What debt didnt he pay?
A: Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come.
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#5
|
How much money did he owed Perry?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2238
]
}
|
{
"text": "unknown",
"answer_start": 2238
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
Q: Was he able to pay his debts?
A: His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one
Q: What debt didnt he pay?
A: Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come.
Q: How much money did he owed Perry?
A: unknown
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#6
|
Did Frankie ever go on a tour or live performance?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2238
]
}
|
{
"text": "unknown",
"answer_start": 2238
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
Q: Was he able to pay his debts?
A: His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one
Q: What debt didnt he pay?
A: Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come.
Q: How much money did he owed Perry?
A: unknown
Q: Did Frankie ever go on a tour or live performance?
A: unknown
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#7
|
What are other interesting facts about "That's My Desire"?
| 0y
| 2x
|
{
"texts": [
"Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland."
],
"answer_starts": [
232
]
}
|
{
"text": "Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland.",
"answer_start": 232
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
Q: Was he able to pay his debts?
A: His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one
Q: What debt didnt he pay?
A: Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come.
Q: How much money did he owed Perry?
A: unknown
Q: Did Frankie ever go on a tour or live performance?
A: unknown
Q: What are other interesting facts about "That's My Desire"?
A: Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland.
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#8
|
Did he have other songs besides that one?
| 1n
| 0y
|
{
"texts": [
"A series of hit singles quickly followed, including \"Black and Blue\", \"Mam'selle\", \"Two Loves Have I\", \"Shine\", \"On the Sunny Side of the Street\", \"Monday Again\", and many others."
],
"answer_starts": [
2058
]
}
|
{
"text": "A series of hit singles quickly followed, including \"Black and Blue\", \"Mam'selle\", \"Two Loves Have I\", \"Shine\", \"On the Sunny Side of the Street\", \"Monday Again\", and many others.",
"answer_start": 2058
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_0
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
"That's My Desire"
|
Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song--meaning new to his repertoire at Berg's--but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one--fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
Q: What is "That's My Desire"?
A: His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire".
Q: Was "That's My Desire" a success?
A: It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. It also made it to the No. 4 spot on the Mainstream
Q: Are there any other interesting aspects about this article?
A: Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt,
Q: Was he able to pay his debts?
A: His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one
Q: What debt didnt he pay?
A: Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come.
Q: How much money did he owed Perry?
A: unknown
Q: Did Frankie ever go on a tour or live performance?
A: unknown
Q: What are other interesting facts about "That's My Desire"?
A: Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland.
Q: Did he have other songs besides that one?
A: A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others.
|
C_c8691cfc5e7c4133958c04f7f7c54073_0_q#9
|
Were any of them a success?
| 1n
| 0y
|
{
"texts": [
"A series of hit singles"
],
"answer_starts": [
2058
]
}
|
{
"text": "A series of hit singles",
"answer_start": 2058
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#0
|
What was Beltone?
| 0y
| 2x
|
{
"texts": [
"company called \"Beltone Records."
],
"answer_starts": [
52
]
}
|
{
"text": "company called \"Beltone Records.",
"answer_start": 52
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#1
|
What was atlas?
| 0y
| 2x
|
{
"texts": [
"Atlas Records,"
],
"answer_starts": [
411
]
}
|
{
"text": "Atlas Records,",
"answer_start": 411
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#2
|
Did the record company make any music?
| 0y
| 0y
|
{
"texts": [
"Laine cut his first two numbers for Atlas in the King mode,"
],
"answer_starts": [
765
]
}
|
{
"text": "Laine cut his first two numbers for Atlas in the King mode,",
"answer_start": 765
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#3
|
What happened with these songs?
| 0y
| 2x
|
{
"texts": [
"The ruse worked and the record sold moderately well, although limited to the \"race\" market."
],
"answer_starts": [
978
]
}
|
{
"text": "The ruse worked and the record sold moderately well, although limited to the \"race\" market.",
"answer_start": 978
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
Q: What happened with these songs?
A: The ruse worked and the record sold moderately well, although limited to the "race" market.
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#4
|
What was the ruse?
| 0y
| 2x
|
{
"texts": [
"backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist"
],
"answer_starts": [
825
]
}
|
{
"text": "backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist",
"answer_start": 825
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
Q: What happened with these songs?
A: The ruse worked and the record sold moderately well, although limited to the "race" market.
Q: What was the ruse?
A: backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#5
|
What happened after that?
| 0y
| 2x
|
{
"texts": [
"Laine cut the remainder of his songs for Atlas in his own style,"
],
"answer_starts": [
1070
]
}
|
{
"text": "Laine cut the remainder of his songs for Atlas in his own style,",
"answer_start": 1070
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
Q: What happened with these songs?
A: The ruse worked and the record sold moderately well, although limited to the "race" market.
Q: What was the ruse?
A: backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist
Q: What happened after that?
A: Laine cut the remainder of his songs for Atlas in his own style,
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#6
|
What was his style?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1907
]
}
|
{
"text": "unknown",
"answer_start": 1907
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
Q: What happened with these songs?
A: The ruse worked and the record sold moderately well, although limited to the "race" market.
Q: What was the ruse?
A: backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist
Q: What happened after that?
A: Laine cut the remainder of his songs for Atlas in his own style,
Q: What was his style?
A: unknown
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#7
|
Were any other songs made?
| 0y
| 0y
|
{
"texts": [
"\"Pickle in the Middle with the Mustard on Top\" and \"I May Be Wrong"
],
"answer_starts": [
1283
]
}
|
{
"text": "\"Pickle in the Middle with the Mustard on Top\" and \"I May Be Wrong",
"answer_start": 1283
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
Q: What happened with these songs?
A: The ruse worked and the record sold moderately well, although limited to the "race" market.
Q: What was the ruse?
A: backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist
Q: What happened after that?
A: Laine cut the remainder of his songs for Atlas in his own style,
Q: What was his style?
A: unknown
Q: Were any other songs made?
A: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#8
|
Were any of these songs successful?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1907
]
}
|
{
"text": "unknown",
"answer_start": 1907
}
|
C_c8691cfc5e7c4133958c04f7f7c54073_1
|
Frankie Laine
|
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 - February 6, 2007) was an Italian American singer, songwriter, and actor whose career spanned 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Cry of the Wild Goose", "A Woman In Love", "Jezebel", "High Noon"
|
At Beltone and Atlas
|
Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following.
Q: What was Beltone?
A: company called "Beltone Records.
Q: What was atlas?
A: Atlas Records,
Q: Did the record company make any music?
A: Laine cut his first two numbers for Atlas in the King mode,
Q: What happened with these songs?
A: The ruse worked and the record sold moderately well, although limited to the "race" market.
Q: What was the ruse?
A: backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist
Q: What happened after that?
A: Laine cut the remainder of his songs for Atlas in his own style,
Q: What was his style?
A: unknown
Q: Were any other songs made?
A: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong
Q: Were any of these songs successful?
A: unknown
|
C_c8691cfc5e7c4133958c04f7f7c54073_1_q#9
|
Is there anything else interesting?
| 0y
| 0y
|
{
"texts": [
"He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach"
],
"answer_starts": [
1383
]
}
|
{
"text": "He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach",
"answer_start": 1383
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#0
|
What type of style does Adam have?
| 0y
| 2x
|
{
"texts": [
"Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation."
],
"answer_starts": [
0
]
}
|
{
"text": "Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.",
"answer_start": 0
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#1
|
Where does he find his style choices?
| 0y
| 2x
|
{
"texts": [
"He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,"
],
"answer_starts": [
139
]
}
|
{
"text": "He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,",
"answer_start": 139
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#2
|
What do people think of his style?
| 0y
| 2x
|
{
"texts": [
"While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent."
],
"answer_starts": [
385
]
}
|
{
"text": "While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.",
"answer_start": 385
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#3
|
Did Adam make any appearances ?
| 0y
| 0y
|
{
"texts": [
"Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's \"Talk@Playground"
],
"answer_starts": [
800
]
}
|
{
"text": "Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's \"Talk@Playground",
"answer_start": 800
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#4
|
What is Adam's image?
| 0y
| 2x
|
{
"texts": [
"who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual."
],
"answer_starts": [
697
]
}
|
{
"text": "who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.",
"answer_start": 697
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
Q: What is Adam's image?
A: who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#5
|
What is notable about his image?
| 0y
| 2x
|
{
"texts": [
"Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:"
],
"answer_starts": [
1873
]
}
|
{
"text": "Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:",
"answer_start": 1873
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
Q: What is Adam's image?
A: who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
Q: What is notable about his image?
A: Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#6
|
What designers does he use for his style?
| 2m
| 2x
|
{
"texts": [
"His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers,"
],
"answer_starts": [
555
]
}
|
{
"text": "His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers,",
"answer_start": 555
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
Q: What is Adam's image?
A: who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
Q: What is notable about his image?
A: Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:
Q: What designers does he use for his style?
A: His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers,
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#7
|
Does he showcase his style anywhere?
| 0y
| 0y
|
{
"texts": [
"He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover."
],
"answer_starts": [
1003
]
}
|
{
"text": "He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover.",
"answer_start": 1003
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
Q: What is Adam's image?
A: who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
Q: What is notable about his image?
A: Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:
Q: What designers does he use for his style?
A: His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers,
Q: Does he showcase his style anywhere?
A: He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover.
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#8
|
WHat did he wear?
| 0y
| 2x
|
{
"texts": [
"He was the subject for whom the young designers of \"All on the Line with Joe Zee\" created a modern look, which he then critiqued along with the show's hosts."
],
"answer_starts": [
1121
]
}
|
{
"text": "He was the subject for whom the young designers of \"All on the Line with Joe Zee\" created a modern look, which he then critiqued along with the show's hosts.",
"answer_start": 1121
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
Q: What is Adam's image?
A: who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
Q: What is notable about his image?
A: Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:
Q: What designers does he use for his style?
A: His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers,
Q: Does he showcase his style anywhere?
A: He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover.
Q: WHat did he wear?
A: He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts.
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#9
|
What was his critique?
| 2m
| 2x
|
{
"texts": [
"they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'\""
],
"answer_starts": [
2083
]
}
|
{
"text": "they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'\"",
"answer_start": 2083
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_0
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Style and image
|
Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.
Q: What type of style does Adam have?
A: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation.
Q: Where does he find his style choices?
A: He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery,
Q: What do people think of his style?
A: While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent.
Q: Did Adam make any appearances ?
A: Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground
Q: What is Adam's image?
A: who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
Q: What is notable about his image?
A: Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes:
Q: What designers does he use for his style?
A: His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers,
Q: Does he showcase his style anywhere?
A: He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover.
Q: WHat did he wear?
A: He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts.
Q: What was his critique?
A: they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'"
|
C_207ac1056ad74f14ac26d3194ede7a5e_0_q#10
|
What is an interesting fact about his image?
| 1n
| 2x
|
{
"texts": [
"Lambert is represented by London-based MiLK Management modelling agency as of July 2016."
],
"answer_starts": [
2556
]
}
|
{
"text": "Lambert is represented by London-based MiLK Management modelling agency as of July 2016.",
"answer_start": 2556
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#0
|
Is Adam's voice special?
| 2m
| 0y
|
{
"texts": [
"Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones."
],
"answer_starts": [
708
]
}
|
{
"text": "Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.",
"answer_start": 708
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#1
|
Did Adam like to sing as a child?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1579
]
}
|
{
"text": "unknown",
"answer_start": 1579
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#2
|
What do people normally say about his voice?
| 2m
| 1n
|
{
"texts": [
"Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command."
],
"answer_starts": [
0
]
}
|
{
"text": "Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.",
"answer_start": 0
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#3
|
Who has his voice been compared to?
| 2m
| 1n
|
{
"texts": [
"Whitney Houston and Aretha Franklin,"
],
"answer_starts": [
595
]
}
|
{
"text": "Whitney Houston and Aretha Franklin,",
"answer_start": 595
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#4
|
Have things have celebrities said about his singing?
| 2m
| 1n
|
{
"texts": [
"Queen guitarist Brian May noted that Lambert's voice has \"sensitivity, depth, maturity, and awesome range"
],
"answer_starts": [
920
]
}
|
{
"text": "Queen guitarist Brian May noted that Lambert's voice has \"sensitivity, depth, maturity, and awesome range",
"answer_start": 920
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
Q: Have things have celebrities said about his singing?
A: Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#5
|
Who else has talked about his voice?
| 0y
| 1n
|
{
"texts": [
"Pharrell Williams,"
],
"answer_starts": [
1167
]
}
|
{
"text": "Pharrell Williams,",
"answer_start": 1167
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
Q: Have things have celebrities said about his singing?
A: Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range
Q: Who else has talked about his voice?
A: Pharrell Williams,
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#6
|
What did Pharrell say?
| 2m
| 1n
|
{
"texts": [
"This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range."
],
"answer_starts": [
1257
]
}
|
{
"text": "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range.",
"answer_start": 1257
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
Q: Have things have celebrities said about his singing?
A: Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range
Q: Who else has talked about his voice?
A: Pharrell Williams,
Q: What did Pharrell say?
A: This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range.
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#7
|
Is there anything else important?
| 0y
| 0y
|
{
"texts": [
"In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice"
],
"answer_starts": [
1361
]
}
|
{
"text": "In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice",
"answer_start": 1361
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
Q: Have things have celebrities said about his singing?
A: Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range
Q: Who else has talked about his voice?
A: Pharrell Williams,
Q: What did Pharrell say?
A: This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range.
Q: Is there anything else important?
A: In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#8
|
How much did he insure it for?
| 2m
| 1n
|
{
"texts": [
"$48 million."
],
"answer_starts": [
1460
]
}
|
{
"text": "$48 million.",
"answer_start": 1460
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
Q: Have things have celebrities said about his singing?
A: Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range
Q: Who else has talked about his voice?
A: Pharrell Williams,
Q: What did Pharrell say?
A: This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range.
Q: Is there anything else important?
A: In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice
Q: How much did he insure it for?
A: $48 million.
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#9
|
Was there any more interesting things about Adam?
| 2m
| 0y
|
{
"texts": [
"Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest."
],
"answer_starts": [
336
]
}
|
{
"text": "Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest.",
"answer_start": 336
}
|
C_207ac1056ad74f14ac26d3194ede7a5e_1
|
Adam Lambert
|
Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and stage actor. Since 2009, he has sold over 3 million albums and 5 million singles worldwide. Lambert rose to fame in 2009 after finishing as runner-up on the eighth season of American Idol. Later that year, he released his debut album, For Your Entertainment, which debuted at number three on the U.S. Billboard 200.
|
Voice
|
Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command. Kathie Bretches-Urban, co-founder of Metropolitan Educational Theatre Network (now MET2) where Lambert performed as a youth, said "He has invested his entire life in music and performing ... He'd just come out onstage, and it popped". Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest. In a March 2012 interview, rock artist Meat Loaf rated Lambert's voice in the company of only two others, Whitney Houston and Aretha Franklin, based on "that jet pack quality to their voice that just lets it take off." Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones. In 2011, when he took the stage at the MTV Europe Music Awards, honoree Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range and power which will make jaws drop"; while Roger Taylor added that Lambert had "the best range I've ever heard" in a BBC interview in 2012. Pharrell Williams, after collaborating with Lambert on his Trespassing album, commented, "This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range." In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice for $48 million. A source told the newspaper: "Insurance for stars is a big deal in the US and Adam's voice is his bacon."
Q: Is Adam's voice special?
A: Lambert's total recorded vocal range spans from bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.
Q: Did Adam like to sing as a child?
A: unknown
Q: What do people normally say about his voice?
A: Critics, celebrities and colleagues have been outspoken in their praise for Lambert's vocal command.
Q: Who has his voice been compared to?
A: Whitney Houston and Aretha Franklin,
Q: Have things have celebrities said about his singing?
A: Queen guitarist Brian May noted that Lambert's voice has "sensitivity, depth, maturity, and awesome range
Q: Who else has talked about his voice?
A: Pharrell Williams,
Q: What did Pharrell say?
A: This kid has a voice like a siren - there's no guys singing in that Steve Winwood-Peter Cetera range.
Q: Is there anything else important?
A: In October 2012, British tabloid the Sunday Mirror reported that Lambert had insured his voice
Q: How much did he insure it for?
A: $48 million.
Q: Was there any more interesting things about Adam?
A: Record producer Rob Cavallo once described Lambert as having an unlimited range, and able to sing every note on a guitar from the lowest to the highest.
|
C_207ac1056ad74f14ac26d3194ede7a5e_1_q#10
|
What is his range?
| 0y
| 2x
|
{
"texts": [
"bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones."
],
"answer_starts": [
756
]
}
|
{
"text": "bass E to B flat above tenor high C (E2 - B5), giving him three octaves and six semitones.",
"answer_start": 756
}
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1
|
José Martí
|
Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
|
Modernism
|
The modernists, in general, use a subjective language. Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression. There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking. Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form. Modernism mostly searches for the visions and realities, the expression takes in the impressions, the state of mind, without reflection and without concept. This is the law of subjectivity. We can see this in works of Marti, one of the first modernists, who conceives the literary task like an invisible unity, an expressive totality, considering the style like "a form of the content" (forma del contenido). The difference that Marti established between prose and poetry are conceptual. Poetry, as he believes, is a language of the permanent subjective: the intuition and the vision. The prose is an instrument and a method of spreading the ideas, and has the goal of elevating, encouraging and animating these ideas rather than having the expression of tearing up the heart, complaining and moaning. The prose is a service to his people. Marti produces a system of specific signs "an ideological code" (codigo ideologico). These symbols claim their moral value and construct signs of ethic conduct. Marti's modernism was a spiritual attitude that was reflected on the language. All his writing defines his moral world. One could also say that his ideological and spiritual sphere is fortified in his writing. The difference between Marti and other modernist initiators such as Manuel Gutierrez Najera, Julian del Casal, and Jose Asuncion Silva (and the similarity between him and Manuel Gonzalez Prada) lies in the profound and transcendent value that he gave to literature, converting prose into an article or the work of a journalist. This hard work was important in giving literature authentic and independent value and distancing it from mere formal amusement. Manuel Gutierez Najera, Ruben Dario, Miguel de Unamuno and Jose Enrique Rodo saved the Martinian articles, which will have an endless value in the writings of the American continent. Apart from Martinian articles. essay writing and literature starts to authorize itself as an alternative and privileged way to talk about politics. Literature starts to apply itself the only hermeneutics able to resolve the enigmas of a Latin American identity.
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1_q#0
|
How is Jose Marti associated with Modernism?
| 0y
| 2x
|
{
"texts": [
"Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression."
],
"answer_starts": [
55
]
}
|
{
"text": "Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression.",
"answer_start": 55
}
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1
|
José Martí
|
Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
|
Modernism
|
The modernists, in general, use a subjective language. Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression. There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking. Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form. Modernism mostly searches for the visions and realities, the expression takes in the impressions, the state of mind, without reflection and without concept. This is the law of subjectivity. We can see this in works of Marti, one of the first modernists, who conceives the literary task like an invisible unity, an expressive totality, considering the style like "a form of the content" (forma del contenido). The difference that Marti established between prose and poetry are conceptual. Poetry, as he believes, is a language of the permanent subjective: the intuition and the vision. The prose is an instrument and a method of spreading the ideas, and has the goal of elevating, encouraging and animating these ideas rather than having the expression of tearing up the heart, complaining and moaning. The prose is a service to his people. Marti produces a system of specific signs "an ideological code" (codigo ideologico). These symbols claim their moral value and construct signs of ethic conduct. Marti's modernism was a spiritual attitude that was reflected on the language. All his writing defines his moral world. One could also say that his ideological and spiritual sphere is fortified in his writing. The difference between Marti and other modernist initiators such as Manuel Gutierrez Najera, Julian del Casal, and Jose Asuncion Silva (and the similarity between him and Manuel Gonzalez Prada) lies in the profound and transcendent value that he gave to literature, converting prose into an article or the work of a journalist. This hard work was important in giving literature authentic and independent value and distancing it from mere formal amusement. Manuel Gutierez Najera, Ruben Dario, Miguel de Unamuno and Jose Enrique Rodo saved the Martinian articles, which will have an endless value in the writings of the American continent. Apart from Martinian articles. essay writing and literature starts to authorize itself as an alternative and privileged way to talk about politics. Literature starts to apply itself the only hermeneutics able to resolve the enigmas of a Latin American identity.
Q: How is Jose Marti associated with Modernism?
A: Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression.
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1_q#1
|
Where were his ideas accepted?
| 0y
| 2x
|
{
"texts": [
"There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking."
],
"answer_starts": [
236
]
}
|
{
"text": "There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking.",
"answer_start": 236
}
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1
|
José Martí
|
Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
|
Modernism
|
The modernists, in general, use a subjective language. Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression. There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking. Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form. Modernism mostly searches for the visions and realities, the expression takes in the impressions, the state of mind, without reflection and without concept. This is the law of subjectivity. We can see this in works of Marti, one of the first modernists, who conceives the literary task like an invisible unity, an expressive totality, considering the style like "a form of the content" (forma del contenido). The difference that Marti established between prose and poetry are conceptual. Poetry, as he believes, is a language of the permanent subjective: the intuition and the vision. The prose is an instrument and a method of spreading the ideas, and has the goal of elevating, encouraging and animating these ideas rather than having the expression of tearing up the heart, complaining and moaning. The prose is a service to his people. Marti produces a system of specific signs "an ideological code" (codigo ideologico). These symbols claim their moral value and construct signs of ethic conduct. Marti's modernism was a spiritual attitude that was reflected on the language. All his writing defines his moral world. One could also say that his ideological and spiritual sphere is fortified in his writing. The difference between Marti and other modernist initiators such as Manuel Gutierrez Najera, Julian del Casal, and Jose Asuncion Silva (and the similarity between him and Manuel Gonzalez Prada) lies in the profound and transcendent value that he gave to literature, converting prose into an article or the work of a journalist. This hard work was important in giving literature authentic and independent value and distancing it from mere formal amusement. Manuel Gutierez Najera, Ruben Dario, Miguel de Unamuno and Jose Enrique Rodo saved the Martinian articles, which will have an endless value in the writings of the American continent. Apart from Martinian articles. essay writing and literature starts to authorize itself as an alternative and privileged way to talk about politics. Literature starts to apply itself the only hermeneutics able to resolve the enigmas of a Latin American identity.
Q: How is Jose Marti associated with Modernism?
A: Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression.
Q: Where were his ideas accepted?
A: There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking.
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1_q#2
|
Who did Marti spread this idea too?
| 0y
| 2x
|
{
"texts": [
"Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form."
],
"answer_starts": [
373
]
}
|
{
"text": "Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form.",
"answer_start": 373
}
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1
|
José Martí
|
Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
|
Modernism
|
The modernists, in general, use a subjective language. Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression. There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking. Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form. Modernism mostly searches for the visions and realities, the expression takes in the impressions, the state of mind, without reflection and without concept. This is the law of subjectivity. We can see this in works of Marti, one of the first modernists, who conceives the literary task like an invisible unity, an expressive totality, considering the style like "a form of the content" (forma del contenido). The difference that Marti established between prose and poetry are conceptual. Poetry, as he believes, is a language of the permanent subjective: the intuition and the vision. The prose is an instrument and a method of spreading the ideas, and has the goal of elevating, encouraging and animating these ideas rather than having the expression of tearing up the heart, complaining and moaning. The prose is a service to his people. Marti produces a system of specific signs "an ideological code" (codigo ideologico). These symbols claim their moral value and construct signs of ethic conduct. Marti's modernism was a spiritual attitude that was reflected on the language. All his writing defines his moral world. One could also say that his ideological and spiritual sphere is fortified in his writing. The difference between Marti and other modernist initiators such as Manuel Gutierrez Najera, Julian del Casal, and Jose Asuncion Silva (and the similarity between him and Manuel Gonzalez Prada) lies in the profound and transcendent value that he gave to literature, converting prose into an article or the work of a journalist. This hard work was important in giving literature authentic and independent value and distancing it from mere formal amusement. Manuel Gutierez Najera, Ruben Dario, Miguel de Unamuno and Jose Enrique Rodo saved the Martinian articles, which will have an endless value in the writings of the American continent. Apart from Martinian articles. essay writing and literature starts to authorize itself as an alternative and privileged way to talk about politics. Literature starts to apply itself the only hermeneutics able to resolve the enigmas of a Latin American identity.
Q: How is Jose Marti associated with Modernism?
A: Marti's stylistic creed is part of the necessity to de-codify the logic rigor and the linguistic construction and to eliminate the intellectual, abstract and systematic expression.
Q: Where were his ideas accepted?
A: There is the deliberate intention and awareness to expand the expressive system of the language. The style changes the form of thinking.
Q: Who did Marti spread this idea too?
A: Without falling into unilateralism, Marti values the expression because language is an impression and a feeling through the form.
|
C_e9e5914bdadf4dfeb64e25c721bbe263_1_q#3
|
Did he believe in Freedom for people?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2619
]
}
|
{
"text": "unknown",
"answer_start": 2619
}
|
C_8d84501a42c5470b9c506cba0f0098f4_1
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
Career beginnings
|
By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
|
C_8d84501a42c5470b9c506cba0f0098f4_1_q#0
|
When did he begin his career?
| 0y
| 2x
|
{
"texts": [
"By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit"
],
"answer_starts": [
0
]
}
|
{
"text": "By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit",
"answer_start": 0
}
|
C_8d84501a42c5470b9c506cba0f0098f4_1
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
Career beginnings
|
By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
Q: When did he begin his career?
A: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit
|
C_8d84501a42c5470b9c506cba0f0098f4_1_q#1
|
What was the name of their group?
| 2m
| 2x
|
{
"texts": [
"The Womack Brothers,"
],
"answer_starts": [
99
]
}
|
{
"text": "The Womack Brothers,",
"answer_start": 99
}
|
C_8d84501a42c5470b9c506cba0f0098f4_1
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
Career beginnings
|
By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
Q: When did he begin his career?
A: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit
Q: What was the name of their group?
A: The Womack Brothers,
|
C_8d84501a42c5470b9c506cba0f0098f4_1_q#2
|
Was his parents supportive of their group?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1976
]
}
|
{
"text": "unknown",
"answer_start": 1976
}
|
C_8d84501a42c5470b9c506cba0f0098f4_1
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
Career beginnings
|
By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
Q: When did he begin his career?
A: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit
Q: What was the name of their group?
A: The Womack Brothers,
Q: Was his parents supportive of their group?
A: unknown
|
C_8d84501a42c5470b9c506cba0f0098f4_1_q#3
|
Who were his musical influences ?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1976
]
}
|
{
"text": "unknown",
"answer_start": 1976
}
|
C_8d84501a42c5470b9c506cba0f0098f4_1
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
Career beginnings
|
By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
Q: When did he begin his career?
A: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit
Q: What was the name of their group?
A: The Womack Brothers,
Q: Was his parents supportive of their group?
A: unknown
Q: Who were his musical influences ?
A: unknown
|
C_8d84501a42c5470b9c506cba0f0098f4_1_q#4
|
Are there any other interesting aspects about this article?
| 1n
| 0y
|
{
"texts": [
"During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname."
],
"answer_starts": [
683
]
}
|
{
"text": "During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname.",
"answer_start": 683
}
|
C_8d84501a42c5470b9c506cba0f0098f4_1
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
Career beginnings
|
By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
Q: When did he begin his career?
A: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit
Q: What was the name of their group?
A: The Womack Brothers,
Q: Was his parents supportive of their group?
A: unknown
Q: Who were his musical influences ?
A: unknown
Q: Are there any other interesting aspects about this article?
A: During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname.
|
C_8d84501a42c5470b9c506cba0f0098f4_1_q#5
|
Was he able to complete his education while on tour?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1976
]
}
|
{
"text": "unknown",
"answer_start": 1976
}
|
C_8d84501a42c5470b9c506cba0f0098f4_0
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
1967-1972: Early solo career
|
Circa 1965, Womack relocated to Memphis where he worked at Chips Moman's American Studios. He played guitar on recordings by Joe Tex and the Box Tops. Womack played guitar on several of Aretha Franklin's albums, including Lady Soul, but not on the hit song "Chain of Fools", as erroneously reported. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of Womack's songs and insisted on recording them. Among the songs were "I'm a Midnight Mover" and "I'm in Love". In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin'". In 1969, Womack forged a partnership with Gabor Szabo and with Szabo, penned the instrumental "Breezin'", later a hit for George Benson. Womack also worked with rock musicians Sly and the Family Stone and Janis Joplin, contributing vocals and guitar work on the Family Stone's accomplished album There's a Riot Goin' On, and penning the ballad "Trust Me", for Joplin on her album Pearl. In fact, Womack was one of the last people to see Joplin alive, having visited her hours before she died at the Landmark Hotel in Los Angeles, California. After two more albums with Minit, Bobby switched labels, signing with United Artists where he changed his attire and his musical direction with the album Communication. The album bolstered his first top 40 hit, "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
|
C_8d84501a42c5470b9c506cba0f0098f4_0_q#0
|
How did he start his solo career?
| 0y
| 2x
|
{
"texts": [
"In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,"
],
"answer_starts": [
517
]
}
|
{
"text": "In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,",
"answer_start": 517
}
|
C_8d84501a42c5470b9c506cba0f0098f4_0
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
1967-1972: Early solo career
|
Circa 1965, Womack relocated to Memphis where he worked at Chips Moman's American Studios. He played guitar on recordings by Joe Tex and the Box Tops. Womack played guitar on several of Aretha Franklin's albums, including Lady Soul, but not on the hit song "Chain of Fools", as erroneously reported. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of Womack's songs and insisted on recording them. Among the songs were "I'm a Midnight Mover" and "I'm in Love". In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin'". In 1969, Womack forged a partnership with Gabor Szabo and with Szabo, penned the instrumental "Breezin'", later a hit for George Benson. Womack also worked with rock musicians Sly and the Family Stone and Janis Joplin, contributing vocals and guitar work on the Family Stone's accomplished album There's a Riot Goin' On, and penning the ballad "Trust Me", for Joplin on her album Pearl. In fact, Womack was one of the last people to see Joplin alive, having visited her hours before she died at the Landmark Hotel in Los Angeles, California. After two more albums with Minit, Bobby switched labels, signing with United Artists where he changed his attire and his musical direction with the album Communication. The album bolstered his first top 40 hit, "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
Q: How did he start his solo career?
A: In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,
|
C_8d84501a42c5470b9c506cba0f0098f4_0_q#1
|
What singles were on this album?
| 0y
| 2x
|
{
"texts": [
"he scored his first major hit with a cover of The Mamas & the Papas' \"California Dreamin"
],
"answer_starts": [
619
]
}
|
{
"text": "he scored his first major hit with a cover of The Mamas & the Papas' \"California Dreamin",
"answer_start": 619
}
|
C_8d84501a42c5470b9c506cba0f0098f4_0
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
1967-1972: Early solo career
|
Circa 1965, Womack relocated to Memphis where he worked at Chips Moman's American Studios. He played guitar on recordings by Joe Tex and the Box Tops. Womack played guitar on several of Aretha Franklin's albums, including Lady Soul, but not on the hit song "Chain of Fools", as erroneously reported. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of Womack's songs and insisted on recording them. Among the songs were "I'm a Midnight Mover" and "I'm in Love". In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin'". In 1969, Womack forged a partnership with Gabor Szabo and with Szabo, penned the instrumental "Breezin'", later a hit for George Benson. Womack also worked with rock musicians Sly and the Family Stone and Janis Joplin, contributing vocals and guitar work on the Family Stone's accomplished album There's a Riot Goin' On, and penning the ballad "Trust Me", for Joplin on her album Pearl. In fact, Womack was one of the last people to see Joplin alive, having visited her hours before she died at the Landmark Hotel in Los Angeles, California. After two more albums with Minit, Bobby switched labels, signing with United Artists where he changed his attire and his musical direction with the album Communication. The album bolstered his first top 40 hit, "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
Q: How did he start his solo career?
A: In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,
Q: What singles were on this album?
A: he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin
|
C_8d84501a42c5470b9c506cba0f0098f4_0_q#2
|
Did this receive any awards or set any records?
| 0y
| 2x
|
{
"texts": [
"The album bolstered his first top 40 hit,"
],
"answer_starts": [
1423
]
}
|
{
"text": "The album bolstered his first top 40 hit,",
"answer_start": 1423
}
|
C_8d84501a42c5470b9c506cba0f0098f4_0
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
1967-1972: Early solo career
|
Circa 1965, Womack relocated to Memphis where he worked at Chips Moman's American Studios. He played guitar on recordings by Joe Tex and the Box Tops. Womack played guitar on several of Aretha Franklin's albums, including Lady Soul, but not on the hit song "Chain of Fools", as erroneously reported. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of Womack's songs and insisted on recording them. Among the songs were "I'm a Midnight Mover" and "I'm in Love". In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin'". In 1969, Womack forged a partnership with Gabor Szabo and with Szabo, penned the instrumental "Breezin'", later a hit for George Benson. Womack also worked with rock musicians Sly and the Family Stone and Janis Joplin, contributing vocals and guitar work on the Family Stone's accomplished album There's a Riot Goin' On, and penning the ballad "Trust Me", for Joplin on her album Pearl. In fact, Womack was one of the last people to see Joplin alive, having visited her hours before she died at the Landmark Hotel in Los Angeles, California. After two more albums with Minit, Bobby switched labels, signing with United Artists where he changed his attire and his musical direction with the album Communication. The album bolstered his first top 40 hit, "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
Q: How did he start his solo career?
A: In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,
Q: What singles were on this album?
A: he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin
Q: Did this receive any awards or set any records?
A: The album bolstered his first top 40 hit,
|
C_8d84501a42c5470b9c506cba0f0098f4_0_q#3
|
What others did it receive?
| 1n
| 2x
|
{
"texts": [
"\"That's the Way I Feel About Cha\", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972."
],
"answer_starts": [
1465
]
}
|
{
"text": "\"That's the Way I Feel About Cha\", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.",
"answer_start": 1465
}
|
C_8d84501a42c5470b9c506cba0f0098f4_0
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
1967-1972: Early solo career
|
Circa 1965, Womack relocated to Memphis where he worked at Chips Moman's American Studios. He played guitar on recordings by Joe Tex and the Box Tops. Womack played guitar on several of Aretha Franklin's albums, including Lady Soul, but not on the hit song "Chain of Fools", as erroneously reported. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of Womack's songs and insisted on recording them. Among the songs were "I'm a Midnight Mover" and "I'm in Love". In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin'". In 1969, Womack forged a partnership with Gabor Szabo and with Szabo, penned the instrumental "Breezin'", later a hit for George Benson. Womack also worked with rock musicians Sly and the Family Stone and Janis Joplin, contributing vocals and guitar work on the Family Stone's accomplished album There's a Riot Goin' On, and penning the ballad "Trust Me", for Joplin on her album Pearl. In fact, Womack was one of the last people to see Joplin alive, having visited her hours before she died at the Landmark Hotel in Los Angeles, California. After two more albums with Minit, Bobby switched labels, signing with United Artists where he changed his attire and his musical direction with the album Communication. The album bolstered his first top 40 hit, "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
Q: How did he start his solo career?
A: In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,
Q: What singles were on this album?
A: he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin
Q: Did this receive any awards or set any records?
A: The album bolstered his first top 40 hit,
Q: What others did it receive?
A: "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
|
C_8d84501a42c5470b9c506cba0f0098f4_0_q#4
|
Did he remain with Minit records until 1972?
| 1n
| 2x
|
{
"texts": [
"Bobby switched labels, signing with United Artists where he changed his attire and his musical direction"
],
"answer_starts": [
1288
]
}
|
{
"text": "Bobby switched labels, signing with United Artists where he changed his attire and his musical direction",
"answer_start": 1288
}
|
C_8d84501a42c5470b9c506cba0f0098f4_0
|
Bobby Womack
|
Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
|
1967-1972: Early solo career
|
Circa 1965, Womack relocated to Memphis where he worked at Chips Moman's American Studios. He played guitar on recordings by Joe Tex and the Box Tops. Womack played guitar on several of Aretha Franklin's albums, including Lady Soul, but not on the hit song "Chain of Fools", as erroneously reported. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of Womack's songs and insisted on recording them. Among the songs were "I'm a Midnight Mover" and "I'm in Love". In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin'". In 1969, Womack forged a partnership with Gabor Szabo and with Szabo, penned the instrumental "Breezin'", later a hit for George Benson. Womack also worked with rock musicians Sly and the Family Stone and Janis Joplin, contributing vocals and guitar work on the Family Stone's accomplished album There's a Riot Goin' On, and penning the ballad "Trust Me", for Joplin on her album Pearl. In fact, Womack was one of the last people to see Joplin alive, having visited her hours before she died at the Landmark Hotel in Los Angeles, California. After two more albums with Minit, Bobby switched labels, signing with United Artists where he changed his attire and his musical direction with the album Communication. The album bolstered his first top 40 hit, "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
Q: How did he start his solo career?
A: In 1968, Bobby signed with Minit Records and recorded his first solo album, Fly Me to the Moon,
Q: What singles were on this album?
A: he scored his first major hit with a cover of The Mamas & the Papas' "California Dreamin
Q: Did this receive any awards or set any records?
A: The album bolstered his first top 40 hit,
Q: What others did it receive?
A: "That's the Way I Feel About Cha", which peaked at number two R&B and number twenty-seven on the Billboard Hot 100 in the spring of 1972.
Q: Did he remain with Minit records until 1972?
A: Bobby switched labels, signing with United Artists where he changed his attire and his musical direction
|
C_8d84501a42c5470b9c506cba0f0098f4_0_q#5
|
What year did he switch?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1603
]
}
|
{
"text": "unknown",
"answer_start": 1603
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#0
|
What was his best 'comeback' hit?
| 2m
| 2x
|
{
"texts": [
"\"Operator\"."
],
"answer_starts": [
1492
]
}
|
{
"text": "\"Operator\".",
"answer_start": 1492
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#1
|
How well did this one do?
| 1n
| 2x
|
{
"texts": [
"charted in the UK,"
],
"answer_starts": [
1449
]
}
|
{
"text": "charted in the UK,",
"answer_start": 1449
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
Q: How well did this one do?
A: charted in the UK,
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#2
|
Did he admit he was gay during this timeframe?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2798
]
}
|
{
"text": "unknown",
"answer_start": 2798
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
Q: How well did this one do?
A: charted in the UK,
Q: Did he admit he was gay during this timeframe?
A: unknown
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#3
|
Did he do any major interviews during this time?
| 2m
| 2x
|
{
"texts": [
"\". Little Richard spent much of the rest of the decade as a guest on TV shows"
],
"answer_starts": [
1501
]
}
|
{
"text": "\". Little Richard spent much of the rest of the decade as a guest on TV shows",
"answer_start": 1501
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
Q: How well did this one do?
A: charted in the UK,
Q: Did he admit he was gay during this timeframe?
A: unknown
Q: Did he do any major interviews during this time?
A: ". Little Richard spent much of the rest of the decade as a guest on TV shows
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#4
|
What type of tv shows was he on?
| 1n
| 2x
|
{
"texts": [
"Down and Out in Beverly Hills,"
],
"answer_starts": [
922
]
}
|
{
"text": "Down and Out in Beverly Hills,",
"answer_start": 922
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
Q: How well did this one do?
A: charted in the UK,
Q: Did he admit he was gay during this timeframe?
A: unknown
Q: Did he do any major interviews during this time?
A: ". Little Richard spent much of the rest of the decade as a guest on TV shows
Q: What type of tv shows was he on?
A: Down and Out in Beverly Hills,
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#5
|
Are there any other interesting aspects about this article?
| 2m
| 0y
|
{
"texts": [
"He also recorded a rock and roll version of \"The Itsy Bitsy Spider\" that year that led to a deal with Disney Records,"
],
"answer_starts": [
2293
]
}
|
{
"text": "He also recorded a rock and roll version of \"The Itsy Bitsy Spider\" that year that led to a deal with Disney Records,",
"answer_start": 2293
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
Q: How well did this one do?
A: charted in the UK,
Q: Did he admit he was gay during this timeframe?
A: unknown
Q: Did he do any major interviews during this time?
A: ". Little Richard spent much of the rest of the decade as a guest on TV shows
Q: What type of tv shows was he on?
A: Down and Out in Beverly Hills,
Q: Are there any other interesting aspects about this article?
A: He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records,
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#6
|
Any other things that he did with Disney?
| 1n
| 0y
|
{
"texts": [
"resulting in the release of a hit 1992 children's album, Shake It All About."
],
"answer_starts": [
2411
]
}
|
{
"text": "resulting in the release of a hit 1992 children's album, Shake It All About.",
"answer_start": 2411
}
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1
|
Little Richard
|
Little Richard was born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia. He was the third of twelve children of Leva Mae (nee Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub, the Tip In Inn.
|
Comeback (1984-1999)
|
In 1984, Little Richard filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson gave Little Richard monetary compensation from his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released Little Richard's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Little Richard to the spotlight. Little Richard returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release. Reconciling his roles as evangelist and rock and roll musician for the first time, Little Richard stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Little Richard spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Little Richard provided rhythmic preaching and background vocals on the extended live version of the U2-B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert. In 1990, Little Richard contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of U.S. troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About. Throughout the 1990s, Little Richard performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.
Q: What was his best 'comeback' hit?
A: "Operator".
Q: How well did this one do?
A: charted in the UK,
Q: Did he admit he was gay during this timeframe?
A: unknown
Q: Did he do any major interviews during this time?
A: ". Little Richard spent much of the rest of the decade as a guest on TV shows
Q: What type of tv shows was he on?
A: Down and Out in Beverly Hills,
Q: Are there any other interesting aspects about this article?
A: He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records,
Q: Any other things that he did with Disney?
A: resulting in the release of a hit 1992 children's album, Shake It All About.
|
C_77dfb97bd2734ddeaf7d18e113090d8f_1_q#7
|
Did his band agree with his gay tendencies?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2798
]
}
|
{
"text": "unknown",
"answer_start": 2798
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Somerset and England (1980 to 1980-81)
|
Mike Brearley announced his retirement from Test cricket after the Jubilee Test in Bombay and, somewhat surprisingly given his lack of captaincy experience, Botham was appointed to replace him as England's captain for the forthcoming home series against West Indies, who were at the time the world's outstanding team. Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful, the team achieving no wins, eight draws and four defeats under his leadership. In addition, his form suffered and was eventually dismissed from the post, although he did actually resign just before the selectors were about to fire him. In Botham's defence, nine of his matches as captain were against West Indies, who afterwards won twelve of their next thirteen Tests against England. The other three were all against Australia. In 1980, which was a wet summer, West Indies had the better of all five Test matches, although, with the rain constantly intervening, they were able to win only one of them. Botham had a poor season as a bowler and, in all first-class cricket, took just 40 wickets at the high average of 34.67 with a best return of only four for 38. He did better as a batsman, scoring 1,149 runs (the second time, after 1976, that he topped a thousand in a season) at 42.55. He completed two centuries and six other half-centuries. His highest score in the season was ultimately the highest of his career: 228 for Somerset against Gloucestershire at Taunton in May. He batted for just over three hours, hitting 27 fours and ten sixes. With Gloucestershire batting out time for a draw on the final day, Somerset used all eleven players as bowlers. Apart from an innings of 57 in the first Test, Botham contributed little to England in the series and that innings was the only time he reached 50 in all his twelve Tests as England captain. Somerset came close to retaining their JPL title in 1980 but had to be content with second place, only two points behind Warwickshire. They finished a credible fifth in the County Championship but were eliminated from both the Gillette and B&H Cups in the opening phase. Botham led England on the controversial tour of the West Indies from January to April 1981. The second Test, scheduled to be played at Bourda, was cancelled after the Guyanese government revoking the visa of Robin Jackman because of his playing and coaching links with South Africa. The other four Tests were played and West Indies won the series 2-0 but England were helped by rain in the two drawn matches. Botham took the most wickets for England, but Wisden said "his bowling never recovered the full rhythm of a year before". His batting, however, apart from one good LOI performance, "was found wanting in technique, concentration and eventually in confidence". In Wisden's view, Botham's loss of form "could be cited as eloquent evidence of the undesirability of saddling a fast bowler and vital all-rounder with the extra burden of captaincy".
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0_q#0
|
Did he play at Somerset?
| 1n
| 2x
|
{
"texts": [
"Somerset came close to retaining their JPL title in 1980 but had to be content with second place,"
],
"answer_starts": [
1850
]
}
|
{
"text": "Somerset came close to retaining their JPL title in 1980 but had to be content with second place,",
"answer_start": 1850
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Somerset and England (1980 to 1980-81)
|
Mike Brearley announced his retirement from Test cricket after the Jubilee Test in Bombay and, somewhat surprisingly given his lack of captaincy experience, Botham was appointed to replace him as England's captain for the forthcoming home series against West Indies, who were at the time the world's outstanding team. Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful, the team achieving no wins, eight draws and four defeats under his leadership. In addition, his form suffered and was eventually dismissed from the post, although he did actually resign just before the selectors were about to fire him. In Botham's defence, nine of his matches as captain were against West Indies, who afterwards won twelve of their next thirteen Tests against England. The other three were all against Australia. In 1980, which was a wet summer, West Indies had the better of all five Test matches, although, with the rain constantly intervening, they were able to win only one of them. Botham had a poor season as a bowler and, in all first-class cricket, took just 40 wickets at the high average of 34.67 with a best return of only four for 38. He did better as a batsman, scoring 1,149 runs (the second time, after 1976, that he topped a thousand in a season) at 42.55. He completed two centuries and six other half-centuries. His highest score in the season was ultimately the highest of his career: 228 for Somerset against Gloucestershire at Taunton in May. He batted for just over three hours, hitting 27 fours and ten sixes. With Gloucestershire batting out time for a draw on the final day, Somerset used all eleven players as bowlers. Apart from an innings of 57 in the first Test, Botham contributed little to England in the series and that innings was the only time he reached 50 in all his twelve Tests as England captain. Somerset came close to retaining their JPL title in 1980 but had to be content with second place, only two points behind Warwickshire. They finished a credible fifth in the County Championship but were eliminated from both the Gillette and B&H Cups in the opening phase. Botham led England on the controversial tour of the West Indies from January to April 1981. The second Test, scheduled to be played at Bourda, was cancelled after the Guyanese government revoking the visa of Robin Jackman because of his playing and coaching links with South Africa. The other four Tests were played and West Indies won the series 2-0 but England were helped by rain in the two drawn matches. Botham took the most wickets for England, but Wisden said "his bowling never recovered the full rhythm of a year before". His batting, however, apart from one good LOI performance, "was found wanting in technique, concentration and eventually in confidence". In Wisden's view, Botham's loss of form "could be cited as eloquent evidence of the undesirability of saddling a fast bowler and vital all-rounder with the extra burden of captaincy".
Q: Did he play at Somerset?
A: Somerset came close to retaining their JPL title in 1980 but had to be content with second place,
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0_q#1
|
Did he play for Somerset?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2974
]
}
|
{
"text": "unknown",
"answer_start": 2974
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Somerset and England (1980 to 1980-81)
|
Mike Brearley announced his retirement from Test cricket after the Jubilee Test in Bombay and, somewhat surprisingly given his lack of captaincy experience, Botham was appointed to replace him as England's captain for the forthcoming home series against West Indies, who were at the time the world's outstanding team. Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful, the team achieving no wins, eight draws and four defeats under his leadership. In addition, his form suffered and was eventually dismissed from the post, although he did actually resign just before the selectors were about to fire him. In Botham's defence, nine of his matches as captain were against West Indies, who afterwards won twelve of their next thirteen Tests against England. The other three were all against Australia. In 1980, which was a wet summer, West Indies had the better of all five Test matches, although, with the rain constantly intervening, they were able to win only one of them. Botham had a poor season as a bowler and, in all first-class cricket, took just 40 wickets at the high average of 34.67 with a best return of only four for 38. He did better as a batsman, scoring 1,149 runs (the second time, after 1976, that he topped a thousand in a season) at 42.55. He completed two centuries and six other half-centuries. His highest score in the season was ultimately the highest of his career: 228 for Somerset against Gloucestershire at Taunton in May. He batted for just over three hours, hitting 27 fours and ten sixes. With Gloucestershire batting out time for a draw on the final day, Somerset used all eleven players as bowlers. Apart from an innings of 57 in the first Test, Botham contributed little to England in the series and that innings was the only time he reached 50 in all his twelve Tests as England captain. Somerset came close to retaining their JPL title in 1980 but had to be content with second place, only two points behind Warwickshire. They finished a credible fifth in the County Championship but were eliminated from both the Gillette and B&H Cups in the opening phase. Botham led England on the controversial tour of the West Indies from January to April 1981. The second Test, scheduled to be played at Bourda, was cancelled after the Guyanese government revoking the visa of Robin Jackman because of his playing and coaching links with South Africa. The other four Tests were played and West Indies won the series 2-0 but England were helped by rain in the two drawn matches. Botham took the most wickets for England, but Wisden said "his bowling never recovered the full rhythm of a year before". His batting, however, apart from one good LOI performance, "was found wanting in technique, concentration and eventually in confidence". In Wisden's view, Botham's loss of form "could be cited as eloquent evidence of the undesirability of saddling a fast bowler and vital all-rounder with the extra burden of captaincy".
Q: Did he play at Somerset?
A: Somerset came close to retaining their JPL title in 1980 but had to be content with second place,
Q: Did he play for Somerset?
A: unknown
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0_q#2
|
What did Ian do in 1980?
| 2m
| 2x
|
{
"texts": [
"Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful,"
],
"answer_starts": [
318
]
}
|
{
"text": "Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful,",
"answer_start": 318
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Somerset and England (1980 to 1980-81)
|
Mike Brearley announced his retirement from Test cricket after the Jubilee Test in Bombay and, somewhat surprisingly given his lack of captaincy experience, Botham was appointed to replace him as England's captain for the forthcoming home series against West Indies, who were at the time the world's outstanding team. Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful, the team achieving no wins, eight draws and four defeats under his leadership. In addition, his form suffered and was eventually dismissed from the post, although he did actually resign just before the selectors were about to fire him. In Botham's defence, nine of his matches as captain were against West Indies, who afterwards won twelve of their next thirteen Tests against England. The other three were all against Australia. In 1980, which was a wet summer, West Indies had the better of all five Test matches, although, with the rain constantly intervening, they were able to win only one of them. Botham had a poor season as a bowler and, in all first-class cricket, took just 40 wickets at the high average of 34.67 with a best return of only four for 38. He did better as a batsman, scoring 1,149 runs (the second time, after 1976, that he topped a thousand in a season) at 42.55. He completed two centuries and six other half-centuries. His highest score in the season was ultimately the highest of his career: 228 for Somerset against Gloucestershire at Taunton in May. He batted for just over three hours, hitting 27 fours and ten sixes. With Gloucestershire batting out time for a draw on the final day, Somerset used all eleven players as bowlers. Apart from an innings of 57 in the first Test, Botham contributed little to England in the series and that innings was the only time he reached 50 in all his twelve Tests as England captain. Somerset came close to retaining their JPL title in 1980 but had to be content with second place, only two points behind Warwickshire. They finished a credible fifth in the County Championship but were eliminated from both the Gillette and B&H Cups in the opening phase. Botham led England on the controversial tour of the West Indies from January to April 1981. The second Test, scheduled to be played at Bourda, was cancelled after the Guyanese government revoking the visa of Robin Jackman because of his playing and coaching links with South Africa. The other four Tests were played and West Indies won the series 2-0 but England were helped by rain in the two drawn matches. Botham took the most wickets for England, but Wisden said "his bowling never recovered the full rhythm of a year before". His batting, however, apart from one good LOI performance, "was found wanting in technique, concentration and eventually in confidence". In Wisden's view, Botham's loss of form "could be cited as eloquent evidence of the undesirability of saddling a fast bowler and vital all-rounder with the extra burden of captaincy".
Q: Did he play at Somerset?
A: Somerset came close to retaining their JPL title in 1980 but had to be content with second place,
Q: Did he play for Somerset?
A: unknown
Q: What did Ian do in 1980?
A: Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful,
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0_q#3
|
Who did he play against?
| 2m
| 2x
|
{
"texts": [
"against West Indies,"
],
"answer_starts": [
246
]
}
|
{
"text": "against West Indies,",
"answer_start": 246
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Somerset and England (1980 to 1980-81)
|
Mike Brearley announced his retirement from Test cricket after the Jubilee Test in Bombay and, somewhat surprisingly given his lack of captaincy experience, Botham was appointed to replace him as England's captain for the forthcoming home series against West Indies, who were at the time the world's outstanding team. Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful, the team achieving no wins, eight draws and four defeats under his leadership. In addition, his form suffered and was eventually dismissed from the post, although he did actually resign just before the selectors were about to fire him. In Botham's defence, nine of his matches as captain were against West Indies, who afterwards won twelve of their next thirteen Tests against England. The other three were all against Australia. In 1980, which was a wet summer, West Indies had the better of all five Test matches, although, with the rain constantly intervening, they were able to win only one of them. Botham had a poor season as a bowler and, in all first-class cricket, took just 40 wickets at the high average of 34.67 with a best return of only four for 38. He did better as a batsman, scoring 1,149 runs (the second time, after 1976, that he topped a thousand in a season) at 42.55. He completed two centuries and six other half-centuries. His highest score in the season was ultimately the highest of his career: 228 for Somerset against Gloucestershire at Taunton in May. He batted for just over three hours, hitting 27 fours and ten sixes. With Gloucestershire batting out time for a draw on the final day, Somerset used all eleven players as bowlers. Apart from an innings of 57 in the first Test, Botham contributed little to England in the series and that innings was the only time he reached 50 in all his twelve Tests as England captain. Somerset came close to retaining their JPL title in 1980 but had to be content with second place, only two points behind Warwickshire. They finished a credible fifth in the County Championship but were eliminated from both the Gillette and B&H Cups in the opening phase. Botham led England on the controversial tour of the West Indies from January to April 1981. The second Test, scheduled to be played at Bourda, was cancelled after the Guyanese government revoking the visa of Robin Jackman because of his playing and coaching links with South Africa. The other four Tests were played and West Indies won the series 2-0 but England were helped by rain in the two drawn matches. Botham took the most wickets for England, but Wisden said "his bowling never recovered the full rhythm of a year before". His batting, however, apart from one good LOI performance, "was found wanting in technique, concentration and eventually in confidence". In Wisden's view, Botham's loss of form "could be cited as eloquent evidence of the undesirability of saddling a fast bowler and vital all-rounder with the extra burden of captaincy".
Q: Did he play at Somerset?
A: Somerset came close to retaining their JPL title in 1980 but had to be content with second place,
Q: Did he play for Somerset?
A: unknown
Q: What did Ian do in 1980?
A: Botham led England in twelve Tests in 1980 and 1981 but he was unsuccessful,
Q: Who did he play against?
A: against West Indies,
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_0_q#4
|
Are there any other interesting aspects about this article?
| 2m
| 0y
|
{
"texts": [
"his form suffered and was eventually dismissed from the post,"
],
"answer_starts": [
487
]
}
|
{
"text": "his form suffered and was eventually dismissed from the post,",
"answer_start": 487
}
|
C_b80aaf83bab441d7a0195048d6a09917_0
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
The Powerless Rise and Decas (2010-2011)
|
After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011.
|
C_b80aaf83bab441d7a0195048d6a09917_0_q#0
|
Are The Powerless Rise and Decas both albums?
| 0y
| 2x
|
{
"texts": [
"band toured in support of The Powerless Rise,"
],
"answer_starts": [
488
]
}
|
{
"text": "band toured in support of The Powerless Rise,",
"answer_start": 488
}
|
C_b80aaf83bab441d7a0195048d6a09917_0
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
The Powerless Rise and Decas (2010-2011)
|
After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011.
Q: Are The Powerless Rise and Decas both albums?
A: band toured in support of The Powerless Rise,
|
C_b80aaf83bab441d7a0195048d6a09917_0_q#1
|
Was The Powerless Rise well received by fans?
| 0y
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2079
]
}
|
{
"text": "unknown",
"answer_start": 2079
}
|
C_b80aaf83bab441d7a0195048d6a09917_0
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
The Powerless Rise and Decas (2010-2011)
|
After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011.
Q: Are The Powerless Rise and Decas both albums?
A: band toured in support of The Powerless Rise,
Q: Was The Powerless Rise well received by fans?
A: unknown
|
C_b80aaf83bab441d7a0195048d6a09917_0_q#2
|
Was Decas well received?
| 1n
| 2x
|
{
"texts": [
"the band headlined a US tour with support from Winds of Plague and After the Burial."
],
"answer_starts": [
1002
]
}
|
{
"text": "the band headlined a US tour with support from Winds of Plague and After the Burial.",
"answer_start": 1002
}
|
C_b80aaf83bab441d7a0195048d6a09917_0
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
The Powerless Rise and Decas (2010-2011)
|
After recording through 2009, the band's fifth record The Powerless Rise was streamed on the MySpace Music website on May 7, 2010 up until May 10, 2010. The album was officially released on May 11, 2010 and received generally positive critical acclaim, with one critic saying: "Fans of metalcore in general, and As I Lay Dying in particular, will be more than satisfied with The Powerless Rise, as the band's gradual progression and consistency makes this their best album." In 2010 the band toured in support of The Powerless Rise, headlining the majority of their shows. In the first half of the year, the band embarked on a US tour with Demon Hunter, blessthefall, and War of Ages. This was followed by a mid-2010 headlining tour titled "The Cool Tour" across the US, and a headlining tour across US/Canada that also featured All That Remains, Unearth, and Carnifex. The band's final headline tour of the year was in Europe, with Heaven Shall Burn, Suicide Silence, and Sylosis. In February 2011, the band headlined a US tour with support from Winds of Plague and After the Burial. The band then toured in late April/early May with Trivium, in support of Disturbed, on the "Music as a Weapon" tour in Australia and New Zealand. Then at the end of May and beginning of June, the band headlined a few performances with Heaven Shall Burn. On November 8, 2011, As I Lay Dying released a compilation, Decas, in honor of the band's ten-year anniversary. The album featured three new, original songs; four cover versions of songs by bands such as Slayer, Judas Priest and Descendents; a re-recorded medley that uses parts of several songs taken from Beneath the Encasing of Ashes; and four remixes, consisting of one song from each of their albums since Frail Words Collapse. The album's first track "Paralyzed" was released as a lyric video on September 13, 2011, and as a free download on iTunes on November 7, the day before the album's release. The band embarked on the "A Decade of Destruction" tour, coinciding with the release of the album, from November to December 2011.
Q: Are The Powerless Rise and Decas both albums?
A: band toured in support of The Powerless Rise,
Q: Was The Powerless Rise well received by fans?
A: unknown
Q: Was Decas well received?
A: the band headlined a US tour with support from Winds of Plague and After the Burial.
|
C_b80aaf83bab441d7a0195048d6a09917_0_q#3
|
Were there any changes in band members during this time?
| 0y
| 2x
|
{
"texts": [
"The band embarked on the \"A Decade of Destruction\" tour, coinciding with the release of the album,"
],
"answer_starts": [
1948
]
}
|
{
"text": "The band embarked on the \"A Decade of Destruction\" tour, coinciding with the release of the album,",
"answer_start": 1948
}
|
C_b80aaf83bab441d7a0195048d6a09917_1
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
Formation and first releases (2000-2004)
|
After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball.
|
C_b80aaf83bab441d7a0195048d6a09917_1_q#0
|
Where did the band's fifth record stream?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2590
]
}
|
{
"text": "unknown",
"answer_start": 2590
}
|
C_b80aaf83bab441d7a0195048d6a09917_1
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
Formation and first releases (2000-2004)
|
After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball.
Q: Where did the band's fifth record stream?
A: unknown
|
C_b80aaf83bab441d7a0195048d6a09917_1_q#1
|
What was the name of one of their songs?
| 1n
| 2x
|
{
"texts": [
"\"94 Hours\" and \"Forever\""
],
"answer_starts": [
2492
]
}
|
{
"text": "\"94 Hours\" and \"Forever\"",
"answer_start": 2492
}
|
C_b80aaf83bab441d7a0195048d6a09917_1
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
Formation and first releases (2000-2004)
|
After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball.
Q: Where did the band's fifth record stream?
A: unknown
Q: What was the name of one of their songs?
A: "94 Hours" and "Forever"
|
C_b80aaf83bab441d7a0195048d6a09917_1_q#2
|
When was their compilation released?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2590
]
}
|
{
"text": "unknown",
"answer_start": 2590
}
|
C_b80aaf83bab441d7a0195048d6a09917_1
|
As I Lay Dying (band)
|
As I Lay Dying is an American metalcore band from San Diego, California. Founded in 2000 by vocalist Tim Lambesis, the establishment of the band's first full lineup, which included drummer Jordan Mancino, occurred in 2001. As I Lay Dying has released six albums, one split album, and two compilation albums. As I Lay Dying's fourth studio album An Ocean
|
Formation and first releases (2000-2004)
|
After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel. Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy. As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003. In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball.
Q: Where did the band's fifth record stream?
A: unknown
Q: What was the name of one of their songs?
A: "94 Hours" and "Forever"
Q: When was their compilation released?
A: unknown
|
C_b80aaf83bab441d7a0195048d6a09917_1_q#3
|
What happened in 2010?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2590
]
}
|
{
"text": "unknown",
"answer_start": 2590
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Jubilee Test, India, February 1980
|
Botham's third overseas tour was to India in February 1980. It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay. It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match. England's wicketkeeper Bob Taylor held ten catches in the match, eight of them off Botham's bowling. India won the toss and decided to bat first but, with Botham taking six for 58, they were all out on day one for 242. England replied with 296, the highlight being Botham's 114 from just 144 balls; he began his innings with England in trouble at 57 for four. This quickly became 58 for five and Botham was joined by England's other match hero Taylor. England's first five batsmen had contributed just 51 to the total. Botham was often unfairly labelled a "big hitter" but in fact his style was very orthodox (i.e., he "played straight") and in this innings he scored 17 fours but, significantly, no sixes. Taylor provided dogged support and their sixth wicket partnership realised 171 runs. When Botham was out near the end of day two, the score was 229 for six and England reached 232 for six at close of play, still ten runs behind. On the third morning, Taylor led England past India's total and, with useful batting performances by the specialist bowlers, England totalled 296 to gain a first innings lead of 54. India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance. They were all out early on the fourth day for 149. Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106. Geoffrey Boycott and Graham Gooch scored the necessary runs for England to win by ten wickets with a day to spare.
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1_q#0
|
What is the Jubilee test?
| 0y
| 2x
|
{
"texts": [
"It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay."
],
"answer_starts": [
60
]
}
|
{
"text": "It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.",
"answer_start": 60
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Jubilee Test, India, February 1980
|
Botham's third overseas tour was to India in February 1980. It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay. It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match. England's wicketkeeper Bob Taylor held ten catches in the match, eight of them off Botham's bowling. India won the toss and decided to bat first but, with Botham taking six for 58, they were all out on day one for 242. England replied with 296, the highlight being Botham's 114 from just 144 balls; he began his innings with England in trouble at 57 for four. This quickly became 58 for five and Botham was joined by England's other match hero Taylor. England's first five batsmen had contributed just 51 to the total. Botham was often unfairly labelled a "big hitter" but in fact his style was very orthodox (i.e., he "played straight") and in this innings he scored 17 fours but, significantly, no sixes. Taylor provided dogged support and their sixth wicket partnership realised 171 runs. When Botham was out near the end of day two, the score was 229 for six and England reached 232 for six at close of play, still ten runs behind. On the third morning, Taylor led England past India's total and, with useful batting performances by the specialist bowlers, England totalled 296 to gain a first innings lead of 54. India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance. They were all out early on the fourth day for 149. Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106. Geoffrey Boycott and Graham Gooch scored the necessary runs for England to win by ten wickets with a day to spare.
Q: What is the Jubilee test?
A: It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1_q#1
|
What is significant about this?
| 0y
| 2x
|
{
"texts": [
"It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match."
],
"answer_starts": [
212
]
}
|
{
"text": "It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match.",
"answer_start": 212
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Jubilee Test, India, February 1980
|
Botham's third overseas tour was to India in February 1980. It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay. It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match. England's wicketkeeper Bob Taylor held ten catches in the match, eight of them off Botham's bowling. India won the toss and decided to bat first but, with Botham taking six for 58, they were all out on day one for 242. England replied with 296, the highlight being Botham's 114 from just 144 balls; he began his innings with England in trouble at 57 for four. This quickly became 58 for five and Botham was joined by England's other match hero Taylor. England's first five batsmen had contributed just 51 to the total. Botham was often unfairly labelled a "big hitter" but in fact his style was very orthodox (i.e., he "played straight") and in this innings he scored 17 fours but, significantly, no sixes. Taylor provided dogged support and their sixth wicket partnership realised 171 runs. When Botham was out near the end of day two, the score was 229 for six and England reached 232 for six at close of play, still ten runs behind. On the third morning, Taylor led England past India's total and, with useful batting performances by the specialist bowlers, England totalled 296 to gain a first innings lead of 54. India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance. They were all out early on the fourth day for 149. Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106. Geoffrey Boycott and Graham Gooch scored the necessary runs for England to win by ten wickets with a day to spare.
Q: What is the Jubilee test?
A: It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.
Q: What is significant about this?
A: It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match.
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1_q#2
|
Did he have any other notable achievements?
| 0y
| 0y
|
{
"texts": [
"England replied with 296, the highlight being Botham's 114 from just 144 balls;"
],
"answer_starts": [
580
]
}
|
{
"text": "England replied with 296, the highlight being Botham's 114 from just 144 balls;",
"answer_start": 580
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Jubilee Test, India, February 1980
|
Botham's third overseas tour was to India in February 1980. It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay. It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match. England's wicketkeeper Bob Taylor held ten catches in the match, eight of them off Botham's bowling. India won the toss and decided to bat first but, with Botham taking six for 58, they were all out on day one for 242. England replied with 296, the highlight being Botham's 114 from just 144 balls; he began his innings with England in trouble at 57 for four. This quickly became 58 for five and Botham was joined by England's other match hero Taylor. England's first five batsmen had contributed just 51 to the total. Botham was often unfairly labelled a "big hitter" but in fact his style was very orthodox (i.e., he "played straight") and in this innings he scored 17 fours but, significantly, no sixes. Taylor provided dogged support and their sixth wicket partnership realised 171 runs. When Botham was out near the end of day two, the score was 229 for six and England reached 232 for six at close of play, still ten runs behind. On the third morning, Taylor led England past India's total and, with useful batting performances by the specialist bowlers, England totalled 296 to gain a first innings lead of 54. India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance. They were all out early on the fourth day for 149. Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106. Geoffrey Boycott and Graham Gooch scored the necessary runs for England to win by ten wickets with a day to spare.
Q: What is the Jubilee test?
A: It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.
Q: What is significant about this?
A: It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match.
Q: Did he have any other notable achievements?
A: England replied with 296, the highlight being Botham's 114 from just 144 balls;
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1_q#3
|
What else happened at this event?
| 0y
| 2x
|
{
"texts": [
"India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance."
],
"answer_starts": [
1480
]
}
|
{
"text": "India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance.",
"answer_start": 1480
}
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1
|
Ian Botham
|
Sir Ian Terence Botham, OBE (born 24 November 1955) is an English former cricketer and current cricket commentator. Widely regarded as one of the greatest all-rounders in cricket history, Botham represented England in both Test and One-Day International cricket. He played most of his first-class cricket for Somerset, and also for Worcestershire, Durham and Queensland. He was an aggressive right-handed batsman and, as a right arm fast-medium bowler, was noted for his swing bowling.
|
Jubilee Test, India, February 1980
|
Botham's third overseas tour was to India in February 1980. It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay. It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match. England's wicketkeeper Bob Taylor held ten catches in the match, eight of them off Botham's bowling. India won the toss and decided to bat first but, with Botham taking six for 58, they were all out on day one for 242. England replied with 296, the highlight being Botham's 114 from just 144 balls; he began his innings with England in trouble at 57 for four. This quickly became 58 for five and Botham was joined by England's other match hero Taylor. England's first five batsmen had contributed just 51 to the total. Botham was often unfairly labelled a "big hitter" but in fact his style was very orthodox (i.e., he "played straight") and in this innings he scored 17 fours but, significantly, no sixes. Taylor provided dogged support and their sixth wicket partnership realised 171 runs. When Botham was out near the end of day two, the score was 229 for six and England reached 232 for six at close of play, still ten runs behind. On the third morning, Taylor led England past India's total and, with useful batting performances by the specialist bowlers, England totalled 296 to gain a first innings lead of 54. India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance. They were all out early on the fourth day for 149. Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106. Geoffrey Boycott and Graham Gooch scored the necessary runs for England to win by ten wickets with a day to spare.
Q: What is the Jubilee test?
A: It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.
Q: What is significant about this?
A: It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match.
Q: Did he have any other notable achievements?
A: England replied with 296, the highlight being Botham's 114 from just 144 balls;
Q: What else happened at this event?
A: India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance.
|
C_aff4f27c18ba439d913f5b9bc4d32fbe_1_q#4
|
What else is notable/
| 0y
| 2x
|
{
"texts": [
"Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106."
],
"answer_starts": [
1680
]
}
|
{
"text": "Botham was the outstanding performer again, taking seven for 48 which gave him match figures of thirteen for 106.",
"answer_start": 1680
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#0
|
what happened in 1974?
| 2m
| 2x
|
{
"texts": [
"In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade."
],
"answer_starts": [
0
]
}
|
{
"text": "In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.",
"answer_start": 0
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#1
|
what was the album?
| 2m
| 2x
|
{
"texts": [
"Streetlife Serenade."
],
"answer_starts": [
65
]
}
|
{
"text": "Streetlife Serenade.",
"answer_start": 65
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#2
|
was it successful?
| 1n
| 2x
|
{
"texts": [
"It is perhaps best known for \"The Entertainer\", a No. 34 hit in the US."
],
"answer_starts": [
318
]
}
|
{
"text": "It is perhaps best known for \"The Entertainer\", a No. 34 hit in the US.",
"answer_start": 318
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
Q: was it successful?
A: It is perhaps best known for "The Entertainer", a No. 34 hit in the US.
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#3
|
what was the turnstiles?
| 2m
| 2x
|
{
"texts": [
"the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band."
],
"answer_starts": [
1055
]
}
|
{
"text": "the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band.",
"answer_start": 1055
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
Q: was it successful?
A: It is perhaps best known for "The Entertainer", a No. 34 hit in the US.
Q: what was the turnstiles?
A: the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band.
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#4
|
was it successful?
| 0y
| 0y
|
{
"texts": [
"\"Say Goodbye to Hollywood\" was a minor hit; Ronnie Spector recorded a cover"
],
"answer_starts": [
1386
]
}
|
{
"text": " \"Say Goodbye to Hollywood\" was a minor hit; Ronnie Spector recorded a cover",
"answer_start": 1386
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
Q: was it successful?
A: It is perhaps best known for "The Entertainer", a No. 34 hit in the US.
Q: what was the turnstiles?
A: the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band.
Q: was it successful?
A: "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#5
|
did he win any awards?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2263
]
}
|
{
"text": "unknown",
"answer_start": 2263
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
Q: was it successful?
A: It is perhaps best known for "The Entertainer", a No. 34 hit in the US.
Q: what was the turnstiles?
A: the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band.
Q: was it successful?
A: "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover
Q: did he win any awards?
A: unknown
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#6
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"Upset that \"Piano Man\" had been significantly cut for radio play, Joel wrote \"The Entertainer\" as a sarcastic response:"
],
"answer_starts": [
390
]
}
|
{
"text": "Upset that \"Piano Man\" had been significantly cut for radio play, Joel wrote \"The Entertainer\" as a sarcastic response:",
"answer_start": 390
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
Q: was it successful?
A: It is perhaps best known for "The Entertainer", a No. 34 hit in the US.
Q: what was the turnstiles?
A: the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band.
Q: was it successful?
A: "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover
Q: did he win any awards?
A: unknown
Q: Are there any other interesting aspects about this article?
A: Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response:
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#7
|
what was the sarcastic response?
| 1n
| 2x
|
{
"texts": [
"\"If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05.\""
],
"answer_starts": [
510
]
}
|
{
"text": "\"If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05.\"",
"answer_start": 510
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_0
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1974-1977: Streetlife Serenade and Turnstiles
|
In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade. His manager at the time was Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant; Troy would soon be replaced by Joel's wife Elizabeth. Streetlife Serenade contains references to suburbia and the inner city. It is perhaps best known for "The Entertainer", a No. 34 hit in the US. Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05." Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel dislikes it himself), it contains the notable songs "Los Angelenos" and "Root Beer Rag", an instrumental that was a staple of his live set in the 1970s. In late 1975, Joel played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album. Disenchanted with Los Angeles, Joel returned to New York City in 1975 and recorded Turnstiles, the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band. Produced by James William Guercio (then Chicago's producer), Turnstiles was first recorded at Caribou Ranch with members of Elton John's band. Dissatisfied with the result, Joel re-recorded the songs and produced the album himself. "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover as did Nigel Olsson, then drummer with Elton John. In a 2008 radio interview, Joel said that he no longer performs the song because singing it in its high original key "shreds" his vocal cords; however, he did finally play it live for the first time since 1982 when he sang it at the Hollywood Bowl in May 2014. Though never released as a single, "New York State of Mind" became one of Joel's best-known songs; Barbra Streisand and Tony Bennett have each recorded covers (Bennett's a duet with Joel on Playing with My Friends: Bennett Sings the Blues). Other notable songs from the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)", "Say Goodbye to Hollywood", (a live version of which became a Top 40 hit), and "Prelude/Angry Young Man", a concert mainstay.
Q: what happened in 1974?
A: In 1974, Joel recorded his second Columbia album in Los Angeles, Streetlife Serenade.
Q: what was the album?
A: Streetlife Serenade.
Q: was it successful?
A: It is perhaps best known for "The Entertainer", a No. 34 hit in the US.
Q: what was the turnstiles?
A: the first album he recorded with the group of hand-picked musicians who became the Billy Joel Band.
Q: was it successful?
A: "Say Goodbye to Hollywood" was a minor hit; Ronnie Spector recorded a cover
Q: did he win any awards?
A: unknown
Q: Are there any other interesting aspects about this article?
A: Upset that "Piano Man" had been significantly cut for radio play, Joel wrote "The Entertainer" as a sarcastic response:
Q: what was the sarcastic response?
A: "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05."
|
C_09bc86877b8f4698b94a8ba1b42f124c_0_q#8
|
what happened in 1977?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2263
]
}
|
{
"text": "unknown",
"answer_start": 2263
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#0
|
What was he doing musically in 1965?
| 0y
| 2x
|
{
"texts": [
"Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965."
],
"answer_starts": [
862
]
}
|
{
"text": "Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.",
"answer_start": 862
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#1
|
What was the name of the first recording by the Echoes?
| 0y
| 2x
|
{
"texts": [
"Joel played on a demo version of \"Leader of the Pack\","
],
"answer_starts": [
1112
]
}
|
{
"text": "Joel played on a demo version of \"Leader of the Pack\",",
"answer_start": 1112
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#2
|
Did they do mostly covers?
| 0y
| 2x
|
{
"texts": [
"Joel states that in 1964 he played on a recording of the Shangri-Las' \"Remember (Walking in the Sand)\""
],
"answer_starts": [
1219
]
}
|
{
"text": "Joel states that in 1964 he played on a recording of the Shangri-Las' \"Remember (Walking in the Sand)\"",
"answer_start": 1219
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
Q: Did they do mostly covers?
A: Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)"
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#3
|
What other songs did The Echoes do?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2243
]
}
|
{
"text": "unknown",
"answer_start": 2243
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
Q: Did they do mostly covers?
A: Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)"
Q: What other songs did The Echoes do?
A: unknown
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#4
|
What did he do after being in The Echoes?
| 0y
| 2x
|
{
"texts": [
"Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records."
],
"answer_starts": [
1741
]
}
|
{
"text": "Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.",
"answer_start": 1741
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
Q: Did they do mostly covers?
A: Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)"
Q: What other songs did The Echoes do?
A: unknown
Q: What did he do after being in The Echoes?
A: Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#5
|
What style of music did The Hassles play?
| 0y
| 2x
|
{
"texts": [
"Influenced by early-rock-and-roll and rhythm-and-blues"
],
"answer_starts": [
0
]
}
|
{
"text": "Influenced by early-rock-and-roll and rhythm-and-blues",
"answer_start": 0
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
Q: Did they do mostly covers?
A: Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)"
Q: What other songs did The Echoes do?
A: unknown
Q: What did he do after being in The Echoes?
A: Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.
Q: What style of music did The Hassles play?
A: Influenced by early-rock-and-roll and rhythm-and-blues
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#6
|
What was their first record?
| 0y
| 2x
|
{
"texts": [
"Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf)."
],
"answer_starts": [
1854
]
}
|
{
"text": "Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf).",
"answer_start": 1854
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
Q: Did they do mostly covers?
A: Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)"
Q: What other songs did The Echoes do?
A: unknown
Q: What did he do after being in The Echoes?
A: Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.
Q: What style of music did The Hassles play?
A: Influenced by early-rock-and-roll and rhythm-and-blues
Q: What was their first record?
A: Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf).
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#7
|
Did they have any success with those records?
| 0y
| 2x
|
{
"texts": [
"All were commercial failures."
],
"answer_starts": [
1962
]
}
|
{
"text": "All were commercial failures.",
"answer_start": 1962
}
|
C_09bc86877b8f4698b94a8ba1b42f124c_1
|
Billy Joel
|
William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.
|
1965-1970: Early career
|
Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.
Q: What was he doing musically in 1965?
A: Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965.
Q: What was the name of the first recording by the Echoes?
A: Joel played on a demo version of "Leader of the Pack",
Q: Did they do mostly covers?
A: Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)"
Q: What other songs did The Echoes do?
A: unknown
Q: What did he do after being in The Echoes?
A: Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records.
Q: What style of music did The Hassles play?
A: Influenced by early-rock-and-roll and rhythm-and-blues
Q: What was their first record?
A: Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf).
Q: Did they have any success with those records?
A: All were commercial failures.
|
C_09bc86877b8f4698b94a8ba1b42f124c_1_q#8
|
When did he leave The Hassles?
| 0y
| 2x
|
{
"texts": [
"Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila,"
],
"answer_starts": [
1992
]
}
|
{
"text": "Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila,",
"answer_start": 1992
}
|
C_675f2d1788f54159904f22e241a0e643_1
|
Foreigner (band)
|
Foreigner is an English-American rock band, originally formed in New York City in 1976 by veteran English musician Mick Jones ex-Spooky Tooth and fellow Briton and ex-King Crimson member Ian McDonald along with American vocalist Lou Gramm. Jones came up with the band's name as he, McDonald and Dennis Elliott were British, while Gramm, Al Greenwood and Ed Gagliardi were American. Their biggest hit single, "I Want to Know What Love Is", topped the United Kingdom and United States charts among others. They are one of the world's best-selling bands of all time with worldwide sales of more than 80 million records, including 37.5 million records in the US.
|
Lou Gramm's departure
|
In the late 1980s, Jones and Gramm each put out solo efforts on Atlantic. Gramm released Ready or Not in January 1987 and shortly after its release, rehearsals for Foreigner's next album had started but ground to a halt as Lou's status with the group was uncertain. But after the promotion and concert dates for Lou's album were finished, cooler heads prevailed and Lou rejoined Foreigner in the studio for Inside Information, which was out at the end of 1987. Jones had Mick Jones in August 1989, then Gramm followed with his second solo release, Long Hard Look (October 1989), and decided to leave the group in May 1990 while preparing to tour behind Long Hard Look as the opener for Steve Miller Band. After finishing this tour, Gramm went on to form the short-lived band Shadow King, which put out one eponymous album on Atlantic in October 1991. Meanwhile, Jones brought in a new lead singer, Johnny Edwards (formerly of the bands Buster Brown, Montrose, King Kobra, Northrup and Wild Horses). Edwards made his first live appearance with Foreigner at the Long Island club Stephen Talkhouse on August 15, 1990, where he, Jones, Dennis Elliott and Rick Wills appeared, joined by special guests Terry Thomas (on guitar, who produced their next album) and Eddie Mack on harmonica. The new edition of Foreigner released the album Unusual Heat in June 1991. This was at the time their worst selling album and only climbed as high as No. 117 on the Billboard 200, although "Lowdown and Dirty" was a minor mainstream rock hit, reaching No. 4 on that chart. In July 1991, the new lineup of Foreigner played some European dates then made its official US debut on August 9 performing on the second night of a Billy Joel benefit concert at Deep Hollow Ranch in Montauk, New York to raise funds for the preservation of Montauk Point Lighthouse. For their 1991 tour, Jeff Jacobs, who had played in Joel's band, was brought in as the new keyboardist and Mark Rivera returned. But during the fall leg of this tour, Elliott decided to leave the group after a concert at The Ritz in NYC on November 14, 1991 and embark on a career as a wood sculptor. Larry Aberman was then recruited as a temporary replacement until Mark Schulman arrived in 1992 to hold down the drum throne for the next three years. Scott Gilman (guitar, sax, flute) joined the touring band in 1992 and Thom Gimbel took over from Gilman and Rivera in late 1992 after they departed. When Gimbel went to Aerosmith in 1993, Gilman returned to handle the guitar/sax/flute duties until Gimbel came back permanently in the spring of 1995.
|
C_675f2d1788f54159904f22e241a0e643_1_q#0
|
When did Gramm leave?
| 0y
| 2x
|
{
"texts": [
"late 1980s, Jones and Gramm each put out solo efforts on Atlantic."
],
"answer_starts": [
7
]
}
|
{
"text": "late 1980s, Jones and Gramm each put out solo efforts on Atlantic.",
"answer_start": 7
}
|
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