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stringlengths 36
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stringlengths 3
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stringlengths 33
1.48k
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stringlengths 2
162
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stringlengths 1.35k
11.2k
| turn_id
stringlengths 40
41
| question
stringlengths 1
131
| followup
class label 3
classes | yesno
class label 3
classes | answer
dict | orig_answer
dict |
|---|---|---|---|---|---|---|---|---|---|---|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
On tour
|
Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).
Q: When was The Monkees first tour?
A: the band went out on the road and made their debut live performance in December 1966 in Hawaii.
Q: Was the tour successful?
A: unknown
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0_q#2
|
Who was the lead singer?
| 1n
| 0y
|
{
"texts": [
"Dolenz came forward to sing a lead vocal"
],
"answer_starts": [
2305
]
}
|
{
"text": "Dolenz came forward to sing a lead vocal",
"answer_start": 2305
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
On tour
|
Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).
Q: When was The Monkees first tour?
A: the band went out on the road and made their debut live performance in December 1966 in Hawaii.
Q: Was the tour successful?
A: unknown
Q: Who was the lead singer?
A: Dolenz came forward to sing a lead vocal
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0_q#3
|
Was there any controversy?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2574
]
}
|
{
"text": "unknown",
"answer_start": 2574
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
On tour
|
Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).
Q: When was The Monkees first tour?
A: the band went out on the road and made their debut live performance in December 1966 in Hawaii.
Q: Was the tour successful?
A: unknown
Q: Who was the lead singer?
A: Dolenz came forward to sing a lead vocal
Q: Was there any controversy?
A: unknown
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0_q#4
|
What is one of the highlights of the article?
| 1n
| 0y
|
{
"texts": [
"Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts."
],
"answer_starts": [
0
]
}
|
{
"text": "Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts.",
"answer_start": 0
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
On tour
|
Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).
Q: When was The Monkees first tour?
A: the band went out on the road and made their debut live performance in December 1966 in Hawaii.
Q: Was the tour successful?
A: unknown
Q: Who was the lead singer?
A: Dolenz came forward to sing a lead vocal
Q: Was there any controversy?
A: unknown
Q: What is one of the highlights of the article?
A: Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0_q#5
|
Did the band want to play live shows?
| 1n
| 0y
|
{
"texts": [
"They had no time to rehearse a live performance except between takes on set."
],
"answer_starts": [
396
]
}
|
{
"text": " They had no time to rehearse a live performance except between takes on set.",
"answer_start": 396
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
On tour
|
Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).
Q: When was The Monkees first tour?
A: the band went out on the road and made their debut live performance in December 1966 in Hawaii.
Q: Was the tour successful?
A: unknown
Q: Who was the lead singer?
A: Dolenz came forward to sing a lead vocal
Q: Was there any controversy?
A: unknown
Q: What is one of the highlights of the article?
A: Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts.
Q: Did the band want to play live shows?
A: They had no time to rehearse a live performance except between takes on set.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0_q#6
|
Who played the drums on the live tour?
| 1n
| 0y
|
{
"texts": [
"With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal),"
],
"answer_starts": [
2208
]
}
|
{
"text": "With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal),",
"answer_start": 2208
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
On tour
|
Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts. The massive success of the series--and its spin-off records--created intense pressure to mount a touring version of the group. Against the initial wishes of the producers, the band went out on the road and made their debut live performance in December 1966 in Hawaii. They had no time to rehearse a live performance except between takes on set. They worked on the TV series all day, recorded in the studio at night and slept very little. The weekends were usually filled with special appearances or filming of special sequences. These performances were sometimes used during the actual series. The episode "Too Many Girls (Fern and Davy)" opens with a live version of "(I'm Not Your) Steppin' Stone" being performed as the scene was shot. One entire episode was filmed featuring live music. The last show of the premiere season, "Monkees on Tour", was shot in a documentary style by filming a concert in Phoenix, Arizona, on January 21, 1967. Bob Rafelson wrote and directed the episode. In DVD commentary tracks included in the Season One release, Nesmith admitted that Tork was better at playing guitar than bass. In Tork's commentary he stated that Jones was a good drummer, and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass and Jones on drums, with Dolenz taking the fronting role. The four Monkees performed all the instruments and vocals for most of the live set. The most notable exceptions were during each member's solo sections where, during the December 1966 - May 1967 tour, they were backed by the Candy Store Prophets. During the summer 1967 tour of the United States and the UK (from which the Live 1967 recordings are taken), they were backed by a band called the Sundowners. The Monkees toured Australia and Japan in 1968. The results were far better than expected. Wherever they went, the group was greeted by scenes of fan adulation reminiscent of Beatlemania. This gave the singers increased confidence in their fight for control over the musical material chosen for the series. With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal), the Monkees' live act constituted a classic power trio of electric guitar, electric bass and drums (except when Tork passed the bass part to Jones or one of the Sundowners in order to take up the banjo or electric keyboards).
Q: When was The Monkees first tour?
A: the band went out on the road and made their debut live performance in December 1966 in Hawaii.
Q: Was the tour successful?
A: unknown
Q: Who was the lead singer?
A: Dolenz came forward to sing a lead vocal
Q: Was there any controversy?
A: unknown
Q: What is one of the highlights of the article?
A: Pleased with their initial efforts, Columbia (over Kirshner's objections) planned to send the Monkees out to play live concerts.
Q: Did the band want to play live shows?
A: They had no time to rehearse a live performance except between takes on set.
Q: Who played the drums on the live tour?
A: With Jones sticking primarily to vocals and tambourine (except when filling in on the drums when Dolenz came forward to sing a lead vocal),
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_0_q#7
|
Did the band sell out any concert dates?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2574
]
}
|
{
"text": "unknown",
"answer_start": 2574
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#0
|
What happened with The Monkees were on television?
| 0y
| 2x
|
{
"texts": [
"In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer."
],
"answer_starts": [
0
]
}
|
{
"text": "In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.",
"answer_start": 0
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with The Monkees were on television?
A: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#1
|
How long did this dilemnna last?
| 0y
| 2x
|
{
"texts": [
"Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer."
],
"answer_starts": [
552
]
}
|
{
"text": "Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer.",
"answer_start": 552
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with The Monkees were on television?
A: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.
Q: How long did this dilemnna last?
A: Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#2
|
When did they officially have a concert and went on stage?
| 1n
| 2x
|
{
"texts": [
"Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing."
],
"answer_starts": [
2316
]
}
|
{
"text": "Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing.",
"answer_start": 2316
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with The Monkees were on television?
A: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.
Q: How long did this dilemnna last?
A: Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer.
Q: When did they officially have a concert and went on stage?
A: Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#3
|
What are some important aspects of the article?
| 0y
| 2x
|
{
"texts": [
"This theoretical lineup was actually depicted once, in the music video for the band's song \"Words\", which shows Jones on drums,"
],
"answer_starts": [
1461
]
}
|
{
"text": "This theoretical lineup was actually depicted once, in the music video for the band's song \"Words\", which shows Jones on drums,",
"answer_start": 1461
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with The Monkees were on television?
A: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.
Q: How long did this dilemnna last?
A: Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer.
Q: When did they officially have a concert and went on stage?
A: Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing.
Q: What are some important aspects of the article?
A: This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums,
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#4
|
Did the band become successful on stage?
| 1n
| 2x
|
{
"texts": [
"there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings."
],
"answer_starts": [
2635
]
}
|
{
"text": "there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.",
"answer_start": 2635
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with The Monkees were on television?
A: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.
Q: How long did this dilemnna last?
A: Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer.
Q: When did they officially have a concert and went on stage?
A: Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing.
Q: What are some important aspects of the article?
A: This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums,
Q: Did the band become successful on stage?
A: there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#5
|
What happened with the unreleased recordings?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2779
]
}
|
{
"text": "unknown",
"answer_start": 2779
}
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1
|
The Monkees
|
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.
|
From television to concert stage
|
In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with The Monkees were on television?
A: In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer.
Q: How long did this dilemnna last?
A: Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer.
Q: When did they officially have a concert and went on stage?
A: Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing.
Q: What are some important aspects of the article?
A: This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums,
Q: Did the band become successful on stage?
A: there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
Q: What happened with the unreleased recordings?
A: unknown
|
C_8c3fb3875c8840fa9f3e0e21e8bc24ba_1_q#6
|
What else is important that happened with their concerts on stage?
| 2m
| 2x
|
{
"texts": [
"In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage."
],
"answer_starts": [
1662
]
}
|
{
"text": "In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage.",
"answer_start": 1662
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#0
|
When did T.S begin poetry?
| 0y
| 2x
|
{
"texts": [
"In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, \"I am very dependent upon women (I mean female society).\""
],
"answer_starts": [
0
]
}
|
{
"text": "In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, \"I am very dependent upon women (I mean female society).\"",
"answer_start": 0
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#1
|
What was the response?
| 2m
| 2x
|
{
"texts": [
"Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915."
],
"answer_starts": [
125
]
}
|
{
"text": "Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.",
"answer_start": 125
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#2
|
Did they have any children?
| 0y
| 1n
|
{
"texts": [
"The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,"
],
"answer_starts": [
680
]
}
|
{
"text": "The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,",
"answer_start": 680
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
Q: Did they have any children?
A: The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#3
|
What were some of the symptoms?
| 0y
| 2x
|
{
"texts": [
"habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot"
],
"answer_starts": [
860
]
}
|
{
"text": "habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot",
"answer_start": 860
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
Q: Did they have any children?
A: The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,
Q: What were some of the symptoms?
A: habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#4
|
Where did he send her?
| 0y
| 2x
|
{
"texts": [
"Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947."
],
"answer_starts": [
1239
]
}
|
{
"text": "Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947.",
"answer_start": 1239
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
Q: Did they have any children?
A: The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,
Q: What were some of the symptoms?
A: habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot
Q: Where did he send her?
A: Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947.
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#5
|
What happened after her death?
| 0y
| 2x
|
{
"texts": [
"From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers,"
],
"answer_starts": [
2628
]
}
|
{
"text": "From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers,",
"answer_start": 2628
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
Q: Did they have any children?
A: The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,
Q: What were some of the symptoms?
A: habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot
Q: Where did he send her?
A: Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947.
Q: What happened after her death?
A: From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers,
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#6
|
What happened after they shared the flat?
| 0y
| 2x
|
{
"texts": [
"On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well,"
],
"answer_starts": [
3120
]
}
|
{
"text": "On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well,",
"answer_start": 3120
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
Q: Did they have any children?
A: The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,
Q: What were some of the symptoms?
A: habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot
Q: Where did he send her?
A: Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947.
Q: What happened after her death?
A: From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers,
Q: What happened after they shared the flat?
A: On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well,
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#7
|
How did he know her to be?
| 0y
| 2x
|
{
"texts": [
"as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am"
],
"answer_starts": [
3268
]
}
|
{
"text": "as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am",
"answer_start": 3268
}
|
C_06c73fabdb8b44c18b3a606c72dea024_1
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
Poetry
|
In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)." Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915. After a short visit alone to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed. The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health, and as time went on, he became increasingly detached from her. The couple formally separated in 1933 and in 1938 Vivienne's brother, Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947. Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film. In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land." By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932-1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital, Stoke Newington, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965. On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am with virtually no one in attendance other than his wife's parents. Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land. Valerie Eliot died on 9 November 2012 at her home in London. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J.H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year. The only thing that matters is that these should be perfect in their kind, so that each should be an event." Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets, and then collected them in books. His first collection was Prufrock and Other Observations (1917). In 1920, he published more poems in Ara Vos Prec (London) and Poems: 1920 (New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected The Waste Land and the poems in Prufrock and Poems into one volume and added The Hollow Men to form Poems: 1909-1925. From then on, he updated this work as Collected Poems. Exceptions are Old Possum's Book of Practical Cats (1939), a collection of light verse; Poems Written in Early Youth, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in The Harvard Advocate, and Inventions of the March Hare: Poems 1909-1917, material Eliot never intended to have published, which appeared posthumously in 1997. During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: T S Eliot and French Poetry (Macmillan, 2011), that he was deeply influenced by French poets from Baudelaire to Paul Valery. He himself wrote in his 1940 essay on W.B. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats," On Poetry and Poets, 1948)
Q: When did T.S begin poetry?
A: In a letter to Aiken late in December 1914, Eliot, aged 26, wrote, "I am very dependent upon women (I mean female society)."
Q: What was the response?
A: Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.
Q: Did they have any children?
A: The marriage was markedly unhappy, in part because of Vivienne's health issues. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms,
Q: What were some of the symptoms?
A: habitually high temperature, fatigue, insomnia, migraines, and colitis. This, coupled with apparent mental instability, meant that she was often sent away by Eliot
Q: Where did he send her?
A: Maurice, had her committed to a lunatic asylum, against her will, where she remained until her death of heart disease in 1947.
Q: What happened after her death?
A: From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers,
Q: What happened after they shared the flat?
A: On 10 January 1957, at the age of 68, Eliot married Esme Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well,
Q: How did he know her to be?
A: as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in a church at 6:15 am
|
C_06c73fabdb8b44c18b3a606c72dea024_1_q#8
|
Did they have a happy marriage?
| 2m
| 2x
|
{
"texts": [
"Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press,"
],
"answer_starts": [
3480
]
}
|
{
"text": "Eliot had no children with either of his wives. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press,",
"answer_start": 3480
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#0
|
What is The Love Song of J.?
| 0y
| 2x
|
{
"texts": [
"of the poem"
],
"answer_starts": [
242
]
}
|
{
"text": "of the poem",
"answer_start": 242
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#1
|
What is interesting about the poem?
| 0y
| 2x
|
{
"texts": [
"poem follows the conscious experience of a man, Prufrock (relayed in the \"stream of consciousness\" form characteristic of the Modernists), lamenting his physical and intellectual inertia"
],
"answer_starts": [
538
]
}
|
{
"text": "poem follows the conscious experience of a man, Prufrock (relayed in the \"stream of consciousness\" form characteristic of the Modernists), lamenting his physical and intellectual inertia",
"answer_start": 538
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#2
|
How is the poem written?
| 0y
| 2x
|
{
"texts": [
"The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,"
],
"answer_starts": [
1112
]
}
|
{
"text": "The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,",
"answer_start": 1112
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#3
|
When was the poem written?
| 0y
| 2x
|
{
"texts": [
"when he was only twenty-two."
],
"answer_starts": [
254
]
}
|
{
"text": "when he was only twenty-two.",
"answer_start": 254
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
Q: When was the poem written?
A: when he was only twenty-two.
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#4
|
What is the poem about?
| 2m
| 2x
|
{
"texts": [
"The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,"
],
"answer_starts": [
889
]
}
|
{
"text": "The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,",
"answer_start": 889
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
Q: When was the poem written?
A: when he was only twenty-two.
Q: What is the poem about?
A: The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#5
|
Is his work similar to any other poets?
| 2m
| 0y
|
{
"texts": [
"poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet"
],
"answer_starts": [
1116
]
}
|
{
"text": "poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet",
"answer_start": 1116
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
Q: When was the poem written?
A: when he was only twenty-two.
Q: What is the poem about?
A: The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,
Q: Is his work similar to any other poets?
A: poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#6
|
Was he a fan of Hamlet?
| 2m
| 0y
|
{
"texts": [
"influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet"
],
"answer_starts": [
1145
]
}
|
{
"text": "influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet",
"answer_start": 1145
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
Q: When was the poem written?
A: when he was only twenty-two.
Q: What is the poem about?
A: The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,
Q: Is his work similar to any other poets?
A: poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
Q: Was he a fan of Hamlet?
A: influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#7
|
Is there anything else interesting?
| 0y
| 0y
|
{
"texts": [
"Its now-famous opening lines, comparing the evening sky to \"a patient etherised upon a table\", were considered shocking and offensive,"
],
"answer_starts": [
283
]
}
|
{
"text": "Its now-famous opening lines, comparing the evening sky to \"a patient etherised upon a table\", were considered shocking and offensive,",
"answer_start": 283
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
Q: When was the poem written?
A: when he was only twenty-two.
Q: What is the poem about?
A: The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,
Q: Is his work similar to any other poets?
A: poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
Q: Was he a fan of Hamlet?
A: influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
Q: Is there anything else interesting?
A: Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive,
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#8
|
Why were the lines shocking?
| 1n
| 2x
|
{
"texts": [
"Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets."
],
"answer_starts": [
444
]
}
|
{
"text": "Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets.",
"answer_start": 444
}
|
C_06c73fabdb8b44c18b3a606c72dea024_0
|
T. S. Eliot
|
Thomas Stearns Eliot, (26 September 1888 - 4 January 1965) was a British essayist, publisher, playwright, literary and social critic, and "one of the twentieth century's major poets". He moved from his native United States to England in 1914 at the age of 25, settling, working, and marrying there. He eventually became a British subject in 1927 at the age of 39, renouncing his American passport. Eliot attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" (1915), which was seen as a masterpiece of the Modernist movement.
|
The Love Song of J. Alfred Prufrock
|
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia with the recurrent theme of carnal love unattained. Critical opinion is divided as to whether the narrator leaves his residence during the course of the narration. The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind, as, for example, in the refrain "In the room the women come and go". The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in The Times Literary Supplement on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry."
Q: What is The Love Song of J.?
A: of the poem
Q: What is interesting about the poem?
A: poem follows the conscious experience of a man, Prufrock (relayed in the "stream of consciousness" form characteristic of the Modernists), lamenting his physical and intellectual inertia
Q: How is the poem written?
A: The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works,
Q: When was the poem written?
A: when he was only twenty-two.
Q: What is the poem about?
A: The locations described can be interpreted either as actual physical experiences, mental recollections, or as symbolic images from the unconscious mind,
Q: Is his work similar to any other poets?
A: poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
Q: Was he a fan of Hamlet?
A: influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet
Q: Is there anything else interesting?
A: Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive,
Q: Why were the lines shocking?
A: Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets.
|
C_06c73fabdb8b44c18b3a606c72dea024_0_q#9
|
Was his writing different from others?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1577
]
}
|
{
"text": "unknown",
"answer_start": 1577
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
|
C_d176d19f876d4d3099d259a59f85849e_1_q#0
|
What personnel were there on the Total Life Forever album?
| 0y
| 2x
|
{
"texts": [
"produced by Luke Smith,"
],
"answer_starts": [
363
]
}
|
{
"text": "produced by Luke Smith,",
"answer_start": 363
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
|
C_d176d19f876d4d3099d259a59f85849e_1_q#1
|
Did any new musicians join the band for the album Total Life Forever?
| 1n
| 0y
|
{
"texts": [
"Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity."
],
"answer_starts": [
375
]
}
|
{
"text": "Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.",
"answer_start": 375
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
Q: Did any new musicians join the band for the album Total Life Forever?
A: Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.
|
C_d176d19f876d4d3099d259a59f85849e_1_q#2
|
Did Foals go on tour to support the album?
| 1n
| 1n
|
{
"texts": [
"Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together."
],
"answer_starts": [
1861
]
}
|
{
"text": "Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together.",
"answer_start": 1861
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
Q: Did any new musicians join the band for the album Total Life Forever?
A: Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.
Q: Did Foals go on tour to support the album?
A: Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together.
|
C_d176d19f876d4d3099d259a59f85849e_1_q#3
|
Did the album Total Life Forever win any awards?
| 1n
| 1n
|
{
"texts": [
"The album was nominated for the 2010 Mercury Prize."
],
"answer_starts": [
1758
]
}
|
{
"text": "The album was nominated for the 2010 Mercury Prize.",
"answer_start": 1758
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
Q: Did any new musicians join the band for the album Total Life Forever?
A: Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.
Q: Did Foals go on tour to support the album?
A: Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together.
Q: Did the album Total Life Forever win any awards?
A: The album was nominated for the 2010 Mercury Prize.
|
C_d176d19f876d4d3099d259a59f85849e_1_q#4
|
Were any songs from Total Life Forever used on a soundtrack?
| 0y
| 0y
|
{
"texts": [
"\"Spanish Sahara\" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts."
],
"answer_starts": [
1293
]
}
|
{
"text": " \"Spanish Sahara\" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts.",
"answer_start": 1293
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
Q: Did any new musicians join the band for the album Total Life Forever?
A: Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.
Q: Did Foals go on tour to support the album?
A: Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together.
Q: Did the album Total Life Forever win any awards?
A: The album was nominated for the 2010 Mercury Prize.
Q: Were any songs from Total Life Forever used on a soundtrack?
A: "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts.
|
C_d176d19f876d4d3099d259a59f85849e_1_q#5
|
Are there any other interesting aspects about this article?
| 2m
| 0y
|
{
"texts": [
"the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album."
],
"answer_starts": [
871
]
}
|
{
"text": "the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album.",
"answer_start": 871
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
Q: Did any new musicians join the band for the album Total Life Forever?
A: Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.
Q: Did Foals go on tour to support the album?
A: Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together.
Q: Did the album Total Life Forever win any awards?
A: The album was nominated for the 2010 Mercury Prize.
Q: Were any songs from Total Life Forever used on a soundtrack?
A: "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts.
Q: Are there any other interesting aspects about this article?
A: the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album.
|
C_d176d19f876d4d3099d259a59f85849e_1_q#6
|
How popular was the TLF site?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2057
]
}
|
{
"text": "unknown",
"answer_start": 2057
}
|
C_d176d19f876d4d3099d259a59f85849e_1
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Total Life Forever: 2009-2010
|
In August 2009, Foals started recording their second album at Svenska Grammofon Studion in Gothenburg, Sweden. The album, Total Life Forever, has been described by the band members as sounding like "tropical prog" and "like the dream of an eagle dying". The band have described the album as being "a lot less funk" than they had originally planned. The album was produced by Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity. The band's frontman, Yannis Philippakis, has professed a longtime interest in futurology, with it informing numerous songs on Total Life Forever. On 1 March 2010, the promotional single "Spanish Sahara" was first played on Zane Lowe's show Radio 1. The Foals' website was updated that night with the video for the track, directed by longtime collaborator Dave Ma, and on 6 March, the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album. The last clip appeared on 12 March, with a password entry for Foals' new website. The site was opened on 13 March and presented the art concept and media including samples of songs, photos and videos. Lead single "This Orient" was released on 3 May 2010. The album was finally released on 10 May 2010. "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts. It was also used in the soundtrack of the second season of the E4 drama Misfits. It was released as a full physical single in September 2010, featuring an edited remix starring the strings of London Contemporary Orchestra. In 2015, it was used by French studio Dontnod Entertainment in the game Life Is Strange as the music for one of its final endings. The album was nominated for the 2010 Mercury Prize. In an interview with online magazine Coup de Main, Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together. "It's just like touring with your family, it's nice".
Q: What personnel were there on the Total Life Forever album?
A: produced by Luke Smith,
Q: Did any new musicians join the band for the album Total Life Forever?
A: Luke Smith, formerly of Clor. The album's title is named after an element of Ray Kurzweil's theory of singularity.
Q: Did Foals go on tour to support the album?
A: Jimmy Smith said how the band members live together on and off the road - heading to Australia to record demos for their next album together.
Q: Did the album Total Life Forever win any awards?
A: The album was nominated for the 2010 Mercury Prize.
Q: Were any songs from Total Life Forever used on a soundtrack?
A: "Spanish Sahara" was featured in trailers for season seven of Entourage, season four of Skins and Outcasts.
Q: Are there any other interesting aspects about this article?
A: the Total Life Forever site was launched. There puzzles revealed images, lyrics and sound clips of songs from the album.
Q: How popular was the TLF site?
A: unknown
|
C_d176d19f876d4d3099d259a59f85849e_1_q#7
|
Were there other soundtracks?
| 0y
| 0y
|
{
"texts": [
"Lead single \"This Orient\" was released on 3 May 2010."
],
"answer_starts": [
1193
]
}
|
{
"text": "Lead single \"This Orient\" was released on 3 May 2010.",
"answer_start": 1193
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
|
C_d176d19f876d4d3099d259a59f85849e_0_q#0
|
what was significant about Holy Fire?
| 0y
| 2x
|
{
"texts": [
"Holy Fire was produced by Flood and Alan Moulder,"
],
"answer_starts": [
241
]
}
|
{
"text": "Holy Fire was produced by Flood and Alan Moulder,",
"answer_start": 241
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
|
C_d176d19f876d4d3099d259a59f85849e_0_q#1
|
was it an album or song?
| 2m
| 2x
|
{
"texts": [
"The album's lead single, \"Inhaler\", received its first radio play on 5 November 2012."
],
"answer_starts": [
70
]
}
|
{
"text": "The album's lead single, \"Inhaler\", received its first radio play on 5 November 2012.",
"answer_start": 70
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
Q: was it an album or song?
A: The album's lead single, "Inhaler", received its first radio play on 5 November 2012.
|
C_d176d19f876d4d3099d259a59f85849e_0_q#2
|
what other songs were on the album?
| 2m
| 2x
|
{
"texts": [
"They played the song \"My Number\" for the first time on Later... with Jools Holland."
],
"answer_starts": [
156
]
}
|
{
"text": "They played the song \"My Number\" for the first time on Later... with Jools Holland.",
"answer_start": 156
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
Q: was it an album or song?
A: The album's lead single, "Inhaler", received its first radio play on 5 November 2012.
Q: what other songs were on the album?
A: They played the song "My Number" for the first time on Later... with Jools Holland.
|
C_d176d19f876d4d3099d259a59f85849e_0_q#3
|
did the album win any awards?
| 0y
| 0y
|
{
"texts": [
"Q awarded Foals with the Best Live Act award the same year while \"Inhaler\" received the Best Track award from NME."
],
"answer_starts": [
1829
]
}
|
{
"text": "Q awarded Foals with the Best Live Act award the same year while \"Inhaler\" received the Best Track award from NME.",
"answer_start": 1829
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
Q: was it an album or song?
A: The album's lead single, "Inhaler", received its first radio play on 5 November 2012.
Q: what other songs were on the album?
A: They played the song "My Number" for the first time on Later... with Jools Holland.
Q: did the album win any awards?
A: Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME.
|
C_d176d19f876d4d3099d259a59f85849e_0_q#4
|
what is the NME?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2166
]
}
|
{
"text": "unknown",
"answer_start": 2166
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
Q: was it an album or song?
A: The album's lead single, "Inhaler", received its first radio play on 5 November 2012.
Q: what other songs were on the album?
A: They played the song "My Number" for the first time on Later... with Jools Holland.
Q: did the album win any awards?
A: Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME.
Q: what is the NME?
A: unknown
|
C_d176d19f876d4d3099d259a59f85849e_0_q#5
|
which members played on this album?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2166
]
}
|
{
"text": "unknown",
"answer_start": 2166
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
Q: was it an album or song?
A: The album's lead single, "Inhaler", received its first radio play on 5 November 2012.
Q: what other songs were on the album?
A: They played the song "My Number" for the first time on Later... with Jools Holland.
Q: did the album win any awards?
A: Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME.
Q: what is the NME?
A: unknown
Q: which members played on this album?
A: unknown
|
C_d176d19f876d4d3099d259a59f85849e_0_q#6
|
is there anything else interesting about Holy Fire in 2012-2013?
| 0y
| 0y
|
{
"texts": [
"Not only this, but in a reader-nominated \"Best Album of 2013\" poll, Holy Fire topped the list;"
],
"answer_starts": [
1944
]
}
|
{
"text": "Not only this, but in a reader-nominated \"Best Album of 2013\" poll, Holy Fire topped the list;",
"answer_start": 1944
}
|
C_d176d19f876d4d3099d259a59f85849e_0
|
Foals (band)
|
Foals are a rock band from Oxford, England formed in 2005, consisting of lead vocalist and lead guitarist Yannis Philippakis, drummer and percussionist Jack Bevan, rhythm guitarist Jimmy Smith, and keyboardist Edwin Congreave. They are currently signed to Warner Bros. Records, and have released four studio albums: Antidotes (2008), Total Life Forever (2010), Holy Fire (2013), What Went Down (2015), one video album, six extended plays and nineteen singles. The band have toured internationally and have featured at Glastonbury, Coachella and Roskilde festivals.
|
Holy Fire: 2012-2013
|
Holy Fire was released in both the UK and the US on 11 February 2013. The album's lead single, "Inhaler", received its first radio play on 5 November 2012. They played the song "My Number" for the first time on Later... with Jools Holland. Holy Fire was produced by Flood and Alan Moulder, who have worked with many artists, including Nine Inch Nails, The Smashing Pumpkins and My Bloody Valentine. The album was recorded at Assault & Battery studios in London. Yannis Philippakis stated that the recording process had some unconventional moments: "At one point we even made these poor studio interns collect bones. We were inspired by voodoo, these Haitian rhythms. We collected some ourselves, from butchers in Willesden High Road. Mainly cows, I think often they had gristle and cartilage on them, mainly cow and occasionally sheep. We had to order these big pots because one of the shoulder blades was too big! We boiled the flesh away so we could use them as percussion! We wanted to get primitive!" According to The Guardian: "Their producers, Flood and Alan Moulder, even tricked them by recording their rehearsal in order to capture a more uninhibited sound." In late November to mid-December, Foals toured the UK for an album preview. The tour was supported by Petite Noir (a close friend of Philippakis'). In summer 2013, they attended a number of festivals and headlined Latitude Festival in Suffolk in July. The band have recently played a World and UK tour, which ended with two sell out shows at Alexandra Palace in February. The two shows were in stark contrast compared to playing the same venue 7 years earlier to an almost empty room while supporting Bloc Party, a sentiment which lead singer Philippakis did not fail to mention during the live shows. Holy Fire was nominated for the Mercury Prize in 2013. Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME. Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list; as did single "My Number" in a "Best Song of 2013" poll, beating NME favourites Arctic Monkeys, amongst other acclaimed bands.
Q: what was significant about Holy Fire?
A: Holy Fire was produced by Flood and Alan Moulder,
Q: was it an album or song?
A: The album's lead single, "Inhaler", received its first radio play on 5 November 2012.
Q: what other songs were on the album?
A: They played the song "My Number" for the first time on Later... with Jools Holland.
Q: did the album win any awards?
A: Q awarded Foals with the Best Live Act award the same year while "Inhaler" received the Best Track award from NME.
Q: what is the NME?
A: unknown
Q: which members played on this album?
A: unknown
Q: is there anything else interesting about Holy Fire in 2012-2013?
A: Not only this, but in a reader-nominated "Best Album of 2013" poll, Holy Fire topped the list;
|
C_d176d19f876d4d3099d259a59f85849e_0_q#7
|
what media outlet had the reader-nominated poll?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2166
]
}
|
{
"text": "unknown",
"answer_start": 2166
}
|
C_e4799c7ab09e48849d2675f52a95608b_0
|
Hole (band)
|
Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.
|
Live performances
|
Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage. The band often destroyed equipment and guitars at the end of concerts, and Love would ramble between songs, bring fans onstage, and stage dive, sometimes returning with her clothes torn off of her or sustaining injuries. In a 1995 New York Magazine article, journalist John Homans addressed Love's frequent stage diving during Hole's concerts: The most shocking, frightening, and fascinating image in rock in the last few years is Courtney Love's stage dive... When some male performers do it, it looks like muscular, frat-boy fun, controlled aggression... For obvious reasons, the practice was strictly no-girls-allowed, but Love, typically, decided that she wanted to do it, too. Groped, ravaged, she compared the experience to being raped, wrote a song about it, and now does it just about every show. Nina Gordon of Veruca Salt, who toured with Hole in 1995, recalled Love's erratic behavior onstage, saying "She would just go off and [the rest of the band] would just kind of stand there." The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted: "I was completely high on dope; I cannot remember much about it." She later criticized her behavior during that time, saying: "I [saw] pictures of how I looked. It's disgusting. I'm ashamed. There's death and there's disease and there's misery and there's giving up your soul... The human spirit mixed with certain powders is not the person, it's [a] demonic presence." Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956). The style was later dubbed "kinderwhore" by the media, and consisted of babydoll dresses, slips and nightgowns, and smeared makeup. Kurt Loder likened her onstage attire to a "debauched ragdoll", and John Peel noted in his review of the band's 1994 Reading Festival performance, that "[Love], swaying wildly and with lipstick smeared on her face, hands and, I think, her back, as well as on the collar of her dress, [...] would have drawn whistles of astonishment in Bedlam. The band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." Rolling Stone referred to the style as "a slightly more politically charged version of grunge; apathy turned into ruinous angst, which soon became high fashion's favorite pose." The band's set lists for live shows were often loose, featuring improvisational jams and rough performances of unreleased songs. By 1998, their live performances had become less aggressive and more restrained, although Love continued to bring fans onstage, and would often go into the crowd while singing.
|
C_e4799c7ab09e48849d2675f52a95608b_0_q#0
|
What live performances did they have?
| 0y
| 2x
|
{
"texts": [
"Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage."
],
"answer_starts": [
0
]
}
|
{
"text": "Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage.",
"answer_start": 0
}
|
C_e4799c7ab09e48849d2675f52a95608b_0
|
Hole (band)
|
Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.
|
Live performances
|
Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage. The band often destroyed equipment and guitars at the end of concerts, and Love would ramble between songs, bring fans onstage, and stage dive, sometimes returning with her clothes torn off of her or sustaining injuries. In a 1995 New York Magazine article, journalist John Homans addressed Love's frequent stage diving during Hole's concerts: The most shocking, frightening, and fascinating image in rock in the last few years is Courtney Love's stage dive... When some male performers do it, it looks like muscular, frat-boy fun, controlled aggression... For obvious reasons, the practice was strictly no-girls-allowed, but Love, typically, decided that she wanted to do it, too. Groped, ravaged, she compared the experience to being raped, wrote a song about it, and now does it just about every show. Nina Gordon of Veruca Salt, who toured with Hole in 1995, recalled Love's erratic behavior onstage, saying "She would just go off and [the rest of the band] would just kind of stand there." The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted: "I was completely high on dope; I cannot remember much about it." She later criticized her behavior during that time, saying: "I [saw] pictures of how I looked. It's disgusting. I'm ashamed. There's death and there's disease and there's misery and there's giving up your soul... The human spirit mixed with certain powders is not the person, it's [a] demonic presence." Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956). The style was later dubbed "kinderwhore" by the media, and consisted of babydoll dresses, slips and nightgowns, and smeared makeup. Kurt Loder likened her onstage attire to a "debauched ragdoll", and John Peel noted in his review of the band's 1994 Reading Festival performance, that "[Love], swaying wildly and with lipstick smeared on her face, hands and, I think, her back, as well as on the collar of her dress, [...] would have drawn whistles of astonishment in Bedlam. The band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." Rolling Stone referred to the style as "a slightly more politically charged version of grunge; apathy turned into ruinous angst, which soon became high fashion's favorite pose." The band's set lists for live shows were often loose, featuring improvisational jams and rough performances of unreleased songs. By 1998, their live performances had become less aggressive and more restrained, although Love continued to bring fans onstage, and would often go into the crowd while singing.
Q: What live performances did they have?
A: Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage.
|
C_e4799c7ab09e48849d2675f52a95608b_0_q#1
|
Where did the incidents take place?
| 0y
| 2x
|
{
"texts": [
"onstage."
],
"answer_starts": [
142
]
}
|
{
"text": "onstage.",
"answer_start": 142
}
|
C_e4799c7ab09e48849d2675f52a95608b_0
|
Hole (band)
|
Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.
|
Live performances
|
Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage. The band often destroyed equipment and guitars at the end of concerts, and Love would ramble between songs, bring fans onstage, and stage dive, sometimes returning with her clothes torn off of her or sustaining injuries. In a 1995 New York Magazine article, journalist John Homans addressed Love's frequent stage diving during Hole's concerts: The most shocking, frightening, and fascinating image in rock in the last few years is Courtney Love's stage dive... When some male performers do it, it looks like muscular, frat-boy fun, controlled aggression... For obvious reasons, the practice was strictly no-girls-allowed, but Love, typically, decided that she wanted to do it, too. Groped, ravaged, she compared the experience to being raped, wrote a song about it, and now does it just about every show. Nina Gordon of Veruca Salt, who toured with Hole in 1995, recalled Love's erratic behavior onstage, saying "She would just go off and [the rest of the band] would just kind of stand there." The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted: "I was completely high on dope; I cannot remember much about it." She later criticized her behavior during that time, saying: "I [saw] pictures of how I looked. It's disgusting. I'm ashamed. There's death and there's disease and there's misery and there's giving up your soul... The human spirit mixed with certain powders is not the person, it's [a] demonic presence." Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956). The style was later dubbed "kinderwhore" by the media, and consisted of babydoll dresses, slips and nightgowns, and smeared makeup. Kurt Loder likened her onstage attire to a "debauched ragdoll", and John Peel noted in his review of the band's 1994 Reading Festival performance, that "[Love], swaying wildly and with lipstick smeared on her face, hands and, I think, her back, as well as on the collar of her dress, [...] would have drawn whistles of astonishment in Bedlam. The band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." Rolling Stone referred to the style as "a slightly more politically charged version of grunge; apathy turned into ruinous angst, which soon became high fashion's favorite pose." The band's set lists for live shows were often loose, featuring improvisational jams and rough performances of unreleased songs. By 1998, their live performances had become less aggressive and more restrained, although Love continued to bring fans onstage, and would often go into the crowd while singing.
Q: What live performances did they have?
A: Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage.
Q: Where did the incidents take place?
A: onstage.
|
C_e4799c7ab09e48849d2675f52a95608b_0_q#2
|
What were some of the notable performances?
| 0y
| 2x
|
{
"texts": [
"Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956)."
],
"answer_starts": [
1631
]
}
|
{
"text": "Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956).",
"answer_start": 1631
}
|
C_e4799c7ab09e48849d2675f52a95608b_0
|
Hole (band)
|
Hole was an American alternative rock band formed by singer and guitarist Courtney Love and lead guitarist Eric Erlandson in Los Angeles, California in 1989. Influenced by Los Angeles' punk rock scene, and produced by Kim Gordon of Sonic Youth, the band's debut album, Pretty on the Inside (1991), attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), which garnered them four Grammy nominations, marked a notable departure from their earlier punk influences, boasting a more commercially viable, "mature" sound.
|
Live performances
|
Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage. The band often destroyed equipment and guitars at the end of concerts, and Love would ramble between songs, bring fans onstage, and stage dive, sometimes returning with her clothes torn off of her or sustaining injuries. In a 1995 New York Magazine article, journalist John Homans addressed Love's frequent stage diving during Hole's concerts: The most shocking, frightening, and fascinating image in rock in the last few years is Courtney Love's stage dive... When some male performers do it, it looks like muscular, frat-boy fun, controlled aggression... For obvious reasons, the practice was strictly no-girls-allowed, but Love, typically, decided that she wanted to do it, too. Groped, ravaged, she compared the experience to being raped, wrote a song about it, and now does it just about every show. Nina Gordon of Veruca Salt, who toured with Hole in 1995, recalled Love's erratic behavior onstage, saying "She would just go off and [the rest of the band] would just kind of stand there." The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted: "I was completely high on dope; I cannot remember much about it." She later criticized her behavior during that time, saying: "I [saw] pictures of how I looked. It's disgusting. I'm ashamed. There's death and there's disease and there's misery and there's giving up your soul... The human spirit mixed with certain powders is not the person, it's [a] demonic presence." Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956). The style was later dubbed "kinderwhore" by the media, and consisted of babydoll dresses, slips and nightgowns, and smeared makeup. Kurt Loder likened her onstage attire to a "debauched ragdoll", and John Peel noted in his review of the band's 1994 Reading Festival performance, that "[Love], swaying wildly and with lipstick smeared on her face, hands and, I think, her back, as well as on the collar of her dress, [...] would have drawn whistles of astonishment in Bedlam. The band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." Rolling Stone referred to the style as "a slightly more politically charged version of grunge; apathy turned into ruinous angst, which soon became high fashion's favorite pose." The band's set lists for live shows were often loose, featuring improvisational jams and rough performances of unreleased songs. By 1998, their live performances had become less aggressive and more restrained, although Love continued to bring fans onstage, and would often go into the crowd while singing.
Q: What live performances did they have?
A: Throughout the duration of the 1990s, the band received widespread media coverage due to Love's often rambunctious and unpredictable behavior onstage.
Q: Where did the incidents take place?
A: onstage.
Q: What were some of the notable performances?
A: Love's stage attire also garnered notoriety, influenced in part by Carroll Baker's wardrobe in the film Baby Doll (1956).
|
C_e4799c7ab09e48849d2675f52a95608b_0_q#3
|
What else is interesting about their performances?
| 0y
| 2x
|
{
"texts": [
"The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted:"
],
"answer_starts": [
1148
]
}
|
{
"text": "The majority of Love's chaotic behavior onstage was a result of heavy drug use at the time, which she admitted:",
"answer_start": 1148
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
|
C_0132b441c0734dd79005362980b23848_1_q#0
|
What was the Chicago Eight trial about?
| 0y
| 2x
|
{
"texts": [
"Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,"
],
"answer_starts": [
0
]
}
|
{
"text": "Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,",
"answer_start": 0
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
|
C_0132b441c0734dd79005362980b23848_1_q#1
|
Where any others being tried with him?
| 0y
| 0y
|
{
"texts": [
"He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,"
],
"answer_starts": [
224
]
}
|
{
"text": "He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,",
"answer_start": 224
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
|
C_0132b441c0734dd79005362980b23848_1_q#2
|
and who else?
| 0y
| 2x
|
{
"texts": [
"John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale"
],
"answer_starts": [
404
]
}
|
{
"text": "John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale",
"answer_start": 404
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
Q: and who else?
A: John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale
|
C_0132b441c0734dd79005362980b23848_1_q#3
|
What happened that they became known as the Chicago Seven rather than Eight?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2421
]
}
|
{
"text": "unknown",
"answer_start": 2421
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
Q: and who else?
A: John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale
Q: What happened that they became known as the Chicago Seven rather than Eight?
A: unknown
|
C_0132b441c0734dd79005362980b23848_1_q#4
|
What happened during the trial?
| 0y
| 2x
|
{
"texts": [
"Abbie Hoffman's courtroom antics frequently grabbed the headlines;"
],
"answer_starts": [
676
]
}
|
{
"text": "Abbie Hoffman's courtroom antics frequently grabbed the headlines;",
"answer_start": 676
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
Q: and who else?
A: John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale
Q: What happened that they became known as the Chicago Seven rather than Eight?
A: unknown
Q: What happened during the trial?
A: Abbie Hoffman's courtroom antics frequently grabbed the headlines;
|
C_0132b441c0734dd79005362980b23848_1_q#5
|
what antics?
| 0y
| 2x
|
{
"texts": [
"defendants Hoffman and Rubin appeared in court dressed in judicial robes,"
],
"answer_starts": [
752
]
}
|
{
"text": "defendants Hoffman and Rubin appeared in court dressed in judicial robes,",
"answer_start": 752
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
Q: and who else?
A: John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale
Q: What happened that they became known as the Chicago Seven rather than Eight?
A: unknown
Q: What happened during the trial?
A: Abbie Hoffman's courtroom antics frequently grabbed the headlines;
Q: what antics?
A: defendants Hoffman and Rubin appeared in court dressed in judicial robes,
|
C_0132b441c0734dd79005362980b23848_1_q#6
|
What else happened during the trial?
| 0y
| 2x
|
{
"texts": [
"Hoffman was sworn in as a witness with his hand giving the finger."
],
"answer_starts": [
848
]
}
|
{
"text": "Hoffman was sworn in as a witness with his hand giving the finger.",
"answer_start": 848
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
Q: and who else?
A: John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale
Q: What happened that they became known as the Chicago Seven rather than Eight?
A: unknown
Q: What happened during the trial?
A: Abbie Hoffman's courtroom antics frequently grabbed the headlines;
Q: what antics?
A: defendants Hoffman and Rubin appeared in court dressed in judicial robes,
Q: What else happened during the trial?
A: Hoffman was sworn in as a witness with his hand giving the finger.
|
C_0132b441c0734dd79005362980b23848_1_q#7
|
What was the verdict?
| 0y
| 2x
|
{
"texts": [
"four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines."
],
"answer_starts": [
1792
]
}
|
{
"text": "four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines.",
"answer_start": 1792
}
|
C_0132b441c0734dd79005362980b23848_1
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Chicago Eight conspiracy trial
|
Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests, which were met by a violent police response during the 1968 Democratic National Convention in Chicago. He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis, John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale (before his trial was severed from the others). Presided over by Judge Julius Hoffman (no relation to Hoffman, about which he joked throughout the trial), Abbie Hoffman's courtroom antics frequently grabbed the headlines; one day, defendants Hoffman and Rubin appeared in court dressed in judicial robes, while on another day, Hoffman was sworn in as a witness with his hand giving the finger. Judge Hoffman became the favorite courtroom target of the Chicago Seven defendants, who frequently would insult the judge to his face. Abbie Hoffman told Judge Hoffman "you are a 'shande fur de Goyim' [disgrace in front of the gentiles]. You would have served Hitler better." He later added that "your idea of justice is the only obscenity in the room." Both Davis and Rubin told the Judge "this court is bullshit." When Hoffman was asked in what state he resided, he replied the "state of mind of my brothers and sisters". Other celebrities were called as "cultural witnesses" including Allen Ginsberg, Phil Ochs, Arlo Guthrie, Norman Mailer and others. Hoffman closed the trial with a speech in which he quoted Abraham Lincoln, making the claim that the president himself, if alive today, would also be arrested in Chicago's Lincoln Park. On February 18, 1970, Hoffman and four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines. All seven defendants were found not guilty of conspiracy. At sentencing, Hoffman suggested the judge try LSD and offered to set him up with "a dealer he knew in Florida" (the judge was known to be headed to Florida for a post-trial vacation). Each of the five was sentenced to five years in prison and a $5,000 fine. However, all convictions were subsequently overturned by the Seventh Circuit Court of Appeals. The Walker Commission later found that in fact it had been a "police riot".
Q: What was the Chicago Eight trial about?
A: Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in anti-Vietnam War protests,
Q: Where any others being tried with him?
A: He was among the group that came to be known as the Chicago Seven (originally known as the Chicago Eight), which included fellow Yippie Jerry Rubin, David Dellinger, Rennie Davis,
Q: and who else?
A: John Froines, Lee Weiner, future California state senator Tom Hayden and Black Panther Party co-founder Bobby Seale
Q: What happened that they became known as the Chicago Seven rather than Eight?
A: unknown
Q: What happened during the trial?
A: Abbie Hoffman's courtroom antics frequently grabbed the headlines;
Q: what antics?
A: defendants Hoffman and Rubin appeared in court dressed in judicial robes,
Q: What else happened during the trial?
A: Hoffman was sworn in as a witness with his hand giving the finger.
Q: What was the verdict?
A: four of the other defendants (Rubin, Dellinger, Davis, and Hayden) were found guilty of intent to incite a riot while crossing state lines.
|
C_0132b441c0734dd79005362980b23848_1_q#8
|
What was his verdict?
| 0y
| 2x
|
{
"texts": [
"Each of the five was sentenced to five years in prison and a $5,000 fine."
],
"answer_starts": [
2175
]
}
|
{
"text": "Each of the five was sentenced to five years in prison and a $5,000 fine.",
"answer_start": 2175
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
|
C_0132b441c0734dd79005362980b23848_0_q#0
|
What happened at woodstock?
| 0y
| 2x
|
{
"texts": [
"At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party."
],
"answer_starts": [
0
]
}
|
{
"text": "At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.",
"answer_start": 0
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
|
C_0132b441c0734dd79005362980b23848_0_q#1
|
was he successful in the interrupting?
| 0y
| 2x
|
{
"texts": [
"He grabbed a microphone and yelled, \"I think this is a pile of shit while John Sinclair rots in prison ...\""
],
"answer_starts": [
160
]
}
|
{
"text": "He grabbed a microphone and yelled, \"I think this is a pile of shit while John Sinclair rots in prison ...\"",
"answer_start": 160
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Q: was he successful in the interrupting?
A: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
|
C_0132b441c0734dd79005362980b23848_0_q#2
|
what happened after that?
| 0y
| 2x
|
{
"texts": [
"Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted \"Fuck off! Fuck off my fucking stage!\" and"
],
"answer_starts": [
268
]
}
|
{
"text": "Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted \"Fuck off! Fuck off my fucking stage!\" and",
"answer_start": 268
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Q: was he successful in the interrupting?
A: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
Q: what happened after that?
A: Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and
|
C_0132b441c0734dd79005362980b23848_0_q#3
|
What happened next?
| 0y
| 2x
|
{
"texts": [
"and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman."
],
"answer_starts": [
436
]
}
|
{
"text": "and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman.",
"answer_start": 436
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Q: was he successful in the interrupting?
A: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
Q: what happened after that?
A: Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and
Q: What happened next?
A: and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman.
|
C_0132b441c0734dd79005362980b23848_0_q#4
|
was anyone arrested at this point?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1913
]
}
|
{
"text": "unknown",
"answer_start": 1913
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Q: was he successful in the interrupting?
A: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
Q: what happened after that?
A: Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and
Q: What happened next?
A: and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman.
Q: was anyone arrested at this point?
A: unknown
|
C_0132b441c0734dd79005362980b23848_0_q#5
|
did anyone get hurt?
| 0y
| 2x
|
{
"texts": [
"He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage."
],
"answer_starts": [
1686
]
}
|
{
"text": "He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage.",
"answer_start": 1686
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Q: was he successful in the interrupting?
A: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
Q: what happened after that?
A: Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and
Q: What happened next?
A: and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman.
Q: was anyone arrested at this point?
A: unknown
Q: did anyone get hurt?
A: He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage.
|
C_0132b441c0734dd79005362980b23848_0_q#6
|
Are there any other interesting aspects about this article?
| 0y
| 2x
|
{
"texts": [
"1971's Steal This Book in the section \"Free Communication,\" Hoffman encourages his readership"
],
"answer_starts": [
1115
]
}
|
{
"text": "1971's Steal This Book in the section \"Free Communication,\" Hoffman encourages his readership",
"answer_start": 1115
}
|
C_0132b441c0734dd79005362980b23848_0
|
Abbie Hoffman
|
Abbot Howard Hoffman (November 30, 1936 - April 12, 1989) was an American political and social activist, anarchist, and revolutionary who co-founded the Youth International Party ("Yippies"). Hoffman was arrested and tried for conspiracy and inciting to riot as a result of his role in protests that led to violent confrontations with police during the 1968 Democratic National Convention, along with Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. The group was known collectively as the "Chicago Eight"; when Seale's prosecution was separated from the others, they became known as the Chicago Seven. While the defendants were initially convicted of intent to incite a riot, the verdicts were overturned on appeal.
|
Controversy at Woodstock
|
At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..." Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman. Townshend later said that while he actually agreed with Hoffman on Sinclair's imprisonment, he would have knocked him offstage regardless of the content of his message, given that Hoffman had violated the "sanctity of the stage," i.e., the right of the band to perform uninterrupted by distractions not relevant to the show. The incident took place during a camera change, and was not captured on film. The audio of this incident, however, can be heard on The Who's box set, Thirty Years of Maximum R&B (Disc 2, Track 20, "Abbie Hoffman Incident"). In 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership to take to the stage at rock concerts to use the pre-assembled audience and PA system to get their message out. However he mentions that "interrupting the concert is frowned upon since it is only spitting in the faces of people you are trying to reach." In Woodstock Nation, Hoffman mentions the incident, and says he was on a bad LSD trip at the time. Joe Shea, then a reporter for the Times Herald-Record, newspaper that covered the event on-site, said he saw the incident. He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage. He does not recall any "shove" from Townshend, and discounts both men's accounts.
Q: What happened at woodstock?
A: At Woodstock in 1969, Hoffman reportedly interrupted The Who's performance to attempt to speak against the jailing of John Sinclair of the White Panther Party.
Q: was he successful in the interrupting?
A: He grabbed a microphone and yelled, "I think this is a pile of shit while John Sinclair rots in prison ..."
Q: what happened after that?
A: Pete Townshend was adjusting his amplifier between songs and turned to look at Hoffman over his left shoulder. Townshend shouted "Fuck off! Fuck off my fucking stage!" and
Q: What happened next?
A: and reportedly ran at Hoffman with his guitar and hit Hoffman in the back, although Townshend later denied attacking Hoffman.
Q: was anyone arrested at this point?
A: unknown
Q: did anyone get hurt?
A: He recalled that Hoffman was actually hit in the back of the head by Townshend's guitar and toppled directly into the pit in front of the stage.
Q: Are there any other interesting aspects about this article?
A: 1971's Steal This Book in the section "Free Communication," Hoffman encourages his readership
|
C_0132b441c0734dd79005362980b23848_0_q#7
|
did the book do well?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1913
]
}
|
{
"text": "unknown",
"answer_start": 1913
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_0
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Views on religion
|
Carroll did not believe in an omnipotent, omniscient, omnipresent god. However, in his essay "Why I am not an atheist", Carroll described his dislike of the term "atheist" because he feels that the term is being exploited by theists and used as a straw man argument. He felt that the term implies a dogmatic set of beliefs and carries its own share of negative baggage. So, Carroll suggested that atheists might as well adopt the term "Brights" with all its negative connotations. The only religion that Carroll found attractive after abandoning Catholicism, despite never following it, is Buddhism as taught by the Dalai Lama. Carroll has always maintained the opinion that people have to be more skeptical of religion than they are now. He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking. Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism. When asked about the relationship between violence and religion he said that he can't recall anything negative about his religious upbringing, and that maybe Catholicism can provide more good than harm. He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence. Carroll believed that some people rely on religion as their only source of morality and as a source of comfort. However, he found it distressing that some people are unable to find meaning in their lives without religion. In an interview with Beyond a Doubt he said "There is nothing dull about a life without fairies, Easter bunnies, devils, ghosts, magic crystals, etc. Life is only boring to boring people."
|
C_46925cfff01d4cb695410ce27ce4cfbc_0_q#0
|
What did Carroll think about religion?
| 0y
| 2x
|
{
"texts": [
"Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism."
],
"answer_starts": [
900
]
}
|
{
"text": "Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism.",
"answer_start": 900
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_0
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Views on religion
|
Carroll did not believe in an omnipotent, omniscient, omnipresent god. However, in his essay "Why I am not an atheist", Carroll described his dislike of the term "atheist" because he feels that the term is being exploited by theists and used as a straw man argument. He felt that the term implies a dogmatic set of beliefs and carries its own share of negative baggage. So, Carroll suggested that atheists might as well adopt the term "Brights" with all its negative connotations. The only religion that Carroll found attractive after abandoning Catholicism, despite never following it, is Buddhism as taught by the Dalai Lama. Carroll has always maintained the opinion that people have to be more skeptical of religion than they are now. He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking. Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism. When asked about the relationship between violence and religion he said that he can't recall anything negative about his religious upbringing, and that maybe Catholicism can provide more good than harm. He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence. Carroll believed that some people rely on religion as their only source of morality and as a source of comfort. However, he found it distressing that some people are unable to find meaning in their lives without religion. In an interview with Beyond a Doubt he said "There is nothing dull about a life without fairies, Easter bunnies, devils, ghosts, magic crystals, etc. Life is only boring to boring people."
Q: What did Carroll think about religion?
A: Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism.
|
C_46925cfff01d4cb695410ce27ce4cfbc_0_q#1
|
What is significant about his views?
| 0y
| 2x
|
{
"texts": [
"He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking."
],
"answer_starts": [
741
]
}
|
{
"text": "He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking.",
"answer_start": 741
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_0
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Views on religion
|
Carroll did not believe in an omnipotent, omniscient, omnipresent god. However, in his essay "Why I am not an atheist", Carroll described his dislike of the term "atheist" because he feels that the term is being exploited by theists and used as a straw man argument. He felt that the term implies a dogmatic set of beliefs and carries its own share of negative baggage. So, Carroll suggested that atheists might as well adopt the term "Brights" with all its negative connotations. The only religion that Carroll found attractive after abandoning Catholicism, despite never following it, is Buddhism as taught by the Dalai Lama. Carroll has always maintained the opinion that people have to be more skeptical of religion than they are now. He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking. Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism. When asked about the relationship between violence and religion he said that he can't recall anything negative about his religious upbringing, and that maybe Catholicism can provide more good than harm. He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence. Carroll believed that some people rely on religion as their only source of morality and as a source of comfort. However, he found it distressing that some people are unable to find meaning in their lives without religion. In an interview with Beyond a Doubt he said "There is nothing dull about a life without fairies, Easter bunnies, devils, ghosts, magic crystals, etc. Life is only boring to boring people."
Q: What did Carroll think about religion?
A: Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism.
Q: What is significant about his views?
A: He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking.
|
C_46925cfff01d4cb695410ce27ce4cfbc_0_q#2
|
What else did he say about religion?
| 0y
| 2x
|
{
"texts": [
"He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence."
],
"answer_starts": [
1267
]
}
|
{
"text": "He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence.",
"answer_start": 1267
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_0
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Views on religion
|
Carroll did not believe in an omnipotent, omniscient, omnipresent god. However, in his essay "Why I am not an atheist", Carroll described his dislike of the term "atheist" because he feels that the term is being exploited by theists and used as a straw man argument. He felt that the term implies a dogmatic set of beliefs and carries its own share of negative baggage. So, Carroll suggested that atheists might as well adopt the term "Brights" with all its negative connotations. The only religion that Carroll found attractive after abandoning Catholicism, despite never following it, is Buddhism as taught by the Dalai Lama. Carroll has always maintained the opinion that people have to be more skeptical of religion than they are now. He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking. Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism. When asked about the relationship between violence and religion he said that he can't recall anything negative about his religious upbringing, and that maybe Catholicism can provide more good than harm. He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence. Carroll believed that some people rely on religion as their only source of morality and as a source of comfort. However, he found it distressing that some people are unable to find meaning in their lives without religion. In an interview with Beyond a Doubt he said "There is nothing dull about a life without fairies, Easter bunnies, devils, ghosts, magic crystals, etc. Life is only boring to boring people."
Q: What did Carroll think about religion?
A: Carroll tended to have a moderate outlook on religion. He believed that religion has a role to play in people's lives and he didn't condemn religion for terrorism.
Q: What is significant about his views?
A: He said in multiple interviews that religion is an area that skeptics don't target enough, and that pure faith is winning the race against critical thinking.
Q: What else did he say about religion?
A: He didn't believe religion causes wars, he rather believed that it serves as an excuse for people who will go to war regardless of religion's existence.
|
C_46925cfff01d4cb695410ce27ce4cfbc_0_q#3
|
Why is this significant?
| 0y
| 2x
|
{
"texts": [
"Carroll believed that some people rely on religion as their only source of morality and as a source of comfort."
],
"answer_starts": [
1420
]
}
|
{
"text": "Carroll believed that some people rely on religion as their only source of morality and as a source of comfort.",
"answer_start": 1420
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_1
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Writer
|
Carroll is the author of Becoming a Critical Thinker, a textbook for introductory logic and critical thinking courses. It covers subjects such as language and critical thinking, the mass media and other sources of information, fallacies of reasoning, and inductive and deductive arguments. The book is subtitled A Guide for the New Millennium. Pearson Educational published the first edition in 2000 and the second edition was published in 2005. Becoming a Critical Thinker was born out of Carroll's classwork during his time in Sacramento City College. The Skeptic's Dictionary is the print version of the website skepdic.com and is available in Dutch, English, Japanese, Korean, and Russian. It provides definitions, arguments, and essays on supernatural, occult, paranormal, and pseudo-scientific subjects. The book features many examples of pseudoscientific beliefs over its eight chapters. In the last chapter, Carroll provides ways to improve critical thinking and skepticism. Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise. The book came about when Ted Weinstein, a literary agent, contacted Carroll about creating the book. The book was eventually published by John Wiley & Son in August 2003 as an inexpensive paperback. The book is intended to be biased towards the skeptical side; it is not targeted towards true believers. Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011. In 2013, it was published as a children's book under the title Mysteries and Science: Exploring Aliens, Ghosts, Monsters, the End of the World and Other Weird Things. He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed! which was initially published by the James Randi Educational Foundation as an e-book in 2011. A paperback version is available from Lulu. The Critical Thinker's Dictionary was published in 2013. It features short articles about cognitive biases and logical fallacies.
|
C_46925cfff01d4cb695410ce27ce4cfbc_1_q#0
|
Was he a writer?
| 2m
| 0y
|
{
"texts": [
"Carroll is the author of Becoming a Critical Thinker,"
],
"answer_starts": [
0
]
}
|
{
"text": "Carroll is the author of Becoming a Critical Thinker,",
"answer_start": 0
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_1
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Writer
|
Carroll is the author of Becoming a Critical Thinker, a textbook for introductory logic and critical thinking courses. It covers subjects such as language and critical thinking, the mass media and other sources of information, fallacies of reasoning, and inductive and deductive arguments. The book is subtitled A Guide for the New Millennium. Pearson Educational published the first edition in 2000 and the second edition was published in 2005. Becoming a Critical Thinker was born out of Carroll's classwork during his time in Sacramento City College. The Skeptic's Dictionary is the print version of the website skepdic.com and is available in Dutch, English, Japanese, Korean, and Russian. It provides definitions, arguments, and essays on supernatural, occult, paranormal, and pseudo-scientific subjects. The book features many examples of pseudoscientific beliefs over its eight chapters. In the last chapter, Carroll provides ways to improve critical thinking and skepticism. Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise. The book came about when Ted Weinstein, a literary agent, contacted Carroll about creating the book. The book was eventually published by John Wiley & Son in August 2003 as an inexpensive paperback. The book is intended to be biased towards the skeptical side; it is not targeted towards true believers. Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011. In 2013, it was published as a children's book under the title Mysteries and Science: Exploring Aliens, Ghosts, Monsters, the End of the World and Other Weird Things. He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed! which was initially published by the James Randi Educational Foundation as an e-book in 2011. A paperback version is available from Lulu. The Critical Thinker's Dictionary was published in 2013. It features short articles about cognitive biases and logical fallacies.
Q: Was he a writer?
A: Carroll is the author of Becoming a Critical Thinker,
|
C_46925cfff01d4cb695410ce27ce4cfbc_1_q#1
|
What was the book about?
| 2m
| 2x
|
{
"texts": [
"a textbook for introductory logic and critical thinking courses."
],
"answer_starts": [
54
]
}
|
{
"text": "a textbook for introductory logic and critical thinking courses.",
"answer_start": 54
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_1
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Writer
|
Carroll is the author of Becoming a Critical Thinker, a textbook for introductory logic and critical thinking courses. It covers subjects such as language and critical thinking, the mass media and other sources of information, fallacies of reasoning, and inductive and deductive arguments. The book is subtitled A Guide for the New Millennium. Pearson Educational published the first edition in 2000 and the second edition was published in 2005. Becoming a Critical Thinker was born out of Carroll's classwork during his time in Sacramento City College. The Skeptic's Dictionary is the print version of the website skepdic.com and is available in Dutch, English, Japanese, Korean, and Russian. It provides definitions, arguments, and essays on supernatural, occult, paranormal, and pseudo-scientific subjects. The book features many examples of pseudoscientific beliefs over its eight chapters. In the last chapter, Carroll provides ways to improve critical thinking and skepticism. Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise. The book came about when Ted Weinstein, a literary agent, contacted Carroll about creating the book. The book was eventually published by John Wiley & Son in August 2003 as an inexpensive paperback. The book is intended to be biased towards the skeptical side; it is not targeted towards true believers. Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011. In 2013, it was published as a children's book under the title Mysteries and Science: Exploring Aliens, Ghosts, Monsters, the End of the World and Other Weird Things. He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed! which was initially published by the James Randi Educational Foundation as an e-book in 2011. A paperback version is available from Lulu. The Critical Thinker's Dictionary was published in 2013. It features short articles about cognitive biases and logical fallacies.
Q: Was he a writer?
A: Carroll is the author of Becoming a Critical Thinker,
Q: What was the book about?
A: a textbook for introductory logic and critical thinking courses.
|
C_46925cfff01d4cb695410ce27ce4cfbc_1_q#2
|
Did he write anything else?
| 2m
| 0y
|
{
"texts": [
"Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011."
],
"answer_starts": [
1409
]
}
|
{
"text": "Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011.",
"answer_start": 1409
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_1
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Writer
|
Carroll is the author of Becoming a Critical Thinker, a textbook for introductory logic and critical thinking courses. It covers subjects such as language and critical thinking, the mass media and other sources of information, fallacies of reasoning, and inductive and deductive arguments. The book is subtitled A Guide for the New Millennium. Pearson Educational published the first edition in 2000 and the second edition was published in 2005. Becoming a Critical Thinker was born out of Carroll's classwork during his time in Sacramento City College. The Skeptic's Dictionary is the print version of the website skepdic.com and is available in Dutch, English, Japanese, Korean, and Russian. It provides definitions, arguments, and essays on supernatural, occult, paranormal, and pseudo-scientific subjects. The book features many examples of pseudoscientific beliefs over its eight chapters. In the last chapter, Carroll provides ways to improve critical thinking and skepticism. Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise. The book came about when Ted Weinstein, a literary agent, contacted Carroll about creating the book. The book was eventually published by John Wiley & Son in August 2003 as an inexpensive paperback. The book is intended to be biased towards the skeptical side; it is not targeted towards true believers. Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011. In 2013, it was published as a children's book under the title Mysteries and Science: Exploring Aliens, Ghosts, Monsters, the End of the World and Other Weird Things. He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed! which was initially published by the James Randi Educational Foundation as an e-book in 2011. A paperback version is available from Lulu. The Critical Thinker's Dictionary was published in 2013. It features short articles about cognitive biases and logical fallacies.
Q: Was he a writer?
A: Carroll is the author of Becoming a Critical Thinker,
Q: What was the book about?
A: a textbook for introductory logic and critical thinking courses.
Q: Did he write anything else?
A: Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011.
|
C_46925cfff01d4cb695410ce27ce4cfbc_1_q#3
|
What was that about?
| 2m
| 2x
|
{
"texts": [
"Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise."
],
"answer_starts": [
984
]
}
|
{
"text": "Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise.",
"answer_start": 984
}
|
C_46925cfff01d4cb695410ce27ce4cfbc_1
|
Robert Todd Carroll
|
Carroll was born in Joliet, Illinois on May 18, 1945. His father worked in a coal processing plant. The family moved to San Diego in 1954 where Carroll grew up. He describes his early years in Ocean Beach as an ideal childhood.
|
Writer
|
Carroll is the author of Becoming a Critical Thinker, a textbook for introductory logic and critical thinking courses. It covers subjects such as language and critical thinking, the mass media and other sources of information, fallacies of reasoning, and inductive and deductive arguments. The book is subtitled A Guide for the New Millennium. Pearson Educational published the first edition in 2000 and the second edition was published in 2005. Becoming a Critical Thinker was born out of Carroll's classwork during his time in Sacramento City College. The Skeptic's Dictionary is the print version of the website skepdic.com and is available in Dutch, English, Japanese, Korean, and Russian. It provides definitions, arguments, and essays on supernatural, occult, paranormal, and pseudo-scientific subjects. The book features many examples of pseudoscientific beliefs over its eight chapters. In the last chapter, Carroll provides ways to improve critical thinking and skepticism. Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise. The book came about when Ted Weinstein, a literary agent, contacted Carroll about creating the book. The book was eventually published by John Wiley & Son in August 2003 as an inexpensive paperback. The book is intended to be biased towards the skeptical side; it is not targeted towards true believers. Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011. In 2013, it was published as a children's book under the title Mysteries and Science: Exploring Aliens, Ghosts, Monsters, the End of the World and Other Weird Things. He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed! which was initially published by the James Randi Educational Foundation as an e-book in 2011. A paperback version is available from Lulu. The Critical Thinker's Dictionary was published in 2013. It features short articles about cognitive biases and logical fallacies.
Q: Was he a writer?
A: Carroll is the author of Becoming a Critical Thinker,
Q: What was the book about?
A: a textbook for introductory logic and critical thinking courses.
Q: Did he write anything else?
A: Carroll also wrote a children's version of the Skeptic's dictionary which was released online on July 22, 2011.
Q: What was that about?
A: Similar to the website, it takes a skeptical stance, typically assuming that something is false until proven otherwise.
|
C_46925cfff01d4cb695410ce27ce4cfbc_1_q#4
|
What else did he write about?
| 2m
| 2x
|
{
"texts": [
"He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed!"
],
"answer_starts": [
1688
]
}
|
{
"text": "He also wrote Unnatural Acts: Critical Thinking, Skepticism, and Science Exposed!",
"answer_start": 1688
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#0
|
what happened in 1961?
| 0y
| 2x
|
{
"texts": [
"On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her."
],
"answer_starts": [
0
]
}
|
{
"text": "On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.",
"answer_start": 0
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
Q: what happened in 1961?
A: On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#1
|
who called?
| 0y
| 2x
|
{
"texts": [
"it was Alfred Hitchcock"
],
"answer_starts": [
133
]
}
|
{
"text": "it was Alfred Hitchcock",
"answer_start": 133
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
Q: what happened in 1961?
A: On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.
Q: who called?
A: it was Alfred Hitchcock
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#2
|
then what happened?
| 0y
| 2x
|
{
"texts": [
"she agreed to sign a seven-year contract."
],
"answer_starts": [
254
]
}
|
{
"text": "she agreed to sign a seven-year contract.",
"answer_start": 254
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
Q: what happened in 1961?
A: On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.
Q: who called?
A: it was Alfred Hitchcock
Q: then what happened?
A: she agreed to sign a seven-year contract.
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#3
|
what movies did they make together?
| 1n
| 2x
|
{
"texts": [
"and was asked by Hitchcock to play the leading role in his upcoming film The Birds. \""
],
"answer_starts": [
2033
]
}
|
{
"text": "and was asked by Hitchcock to play the leading role in his upcoming film The Birds. \"",
"answer_start": 2033
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
Q: what happened in 1961?
A: On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.
Q: who called?
A: it was Alfred Hitchcock
Q: then what happened?
A: she agreed to sign a seven-year contract.
Q: what movies did they make together?
A: and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#4
|
what else did she do?
| 0y
| 2x
|
{
"texts": [
"Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films,"
],
"answer_starts": [
863
]
}
|
{
"text": "Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films,",
"answer_start": 863
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
Q: what happened in 1961?
A: On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.
Q: who called?
A: it was Alfred Hitchcock
Q: then what happened?
A: she agreed to sign a seven-year contract.
Q: what movies did they make together?
A: and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "
Q: what else did she do?
A: Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films,
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#5
|
what was the previous films?
| 2m
| 2x
|
{
"texts": [
"such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam."
],
"answer_starts": [
1000
]
}
|
{
"text": "such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam.",
"answer_start": 1000
}
|
C_c860e15022e34b1dad7537f92a040eb3_1
|
Tippi Hedren
|
Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.
|
Discovery (1961)
|
On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents. Hitchcock later said, "I was not primarily concerned with how she looked in person. Most important was her appearance on the screen, and I liked that immediately. She has a touch of that high-style, lady-like quality which was once well-represented in films by actresses like Irene Dunne, Grace Kelly, Claudette Colbert, and others but which is now quite rare." Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to, and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name. Hitchcock was impressed with Hedren. As production designer Robert F. Boyle explained, "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Afterward, Hedren was invited to lunch with Hitchcock, his wife, Alma, and Lew Wasserman, head of Universal, at one of Hitchcock's favorite restaurants, Chasen's. There she was presented with a golden pin of three birds in flight, adorned by three tiny seed pearls, and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "I was so stunned. It never occurred to me that I would be given a leading role in a major motion picture. I had great big tears in my eyes", Hedren later recalled.
Q: what happened in 1961?
A: On October 13, 1961, she received a call from an agent who told her a producer was interested in working with her.
Q: who called?
A: it was Alfred Hitchcock
Q: then what happened?
A: she agreed to sign a seven-year contract.
Q: what movies did they make together?
A: and was asked by Hitchcock to play the leading role in his upcoming film The Birds. "
Q: what else did she do?
A: Hitchcock put Hedren through an extensive color screen test that lasted two days and cost $25,000, doing scenes from his previous films,
Q: what was the previous films?
A: such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam.
|
C_c860e15022e34b1dad7537f92a040eb3_1_q#6
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to,"
],
"answer_starts": [
1074
]
}
|
{
"text": "According to Balsam, Hedren was very nervous but studied every line, did every move she was asked to,",
"answer_start": 1074
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
|
C_4ae264bb519742a6a69d937366655fe4_0_q#0
|
How did he get involved with the Long Beach International Karate?
| 2m
| 2x
|
{
"texts": [
"At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships"
],
"answer_starts": [
0
]
}
|
{
"text": "At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships",
"answer_start": 0
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Q: How did he get involved with the Long Beach International Karate?
A: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
|
C_4ae264bb519742a6a69d937366655fe4_0_q#1
|
What did he do there?
| 0y
| 2x
|
{
"texts": [
"performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart."
],
"answer_starts": [
107
]
}
|
{
"text": "performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.",
"answer_start": 107
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Q: How did he get involved with the Long Beach International Karate?
A: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
Q: What did he do there?
A: performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.
|
C_4ae264bb519742a6a69d937366655fe4_0_q#2
|
Did he do anything else of note there?
| 0y
| 0y
|
{
"texts": [
"In the same Long Beach event he also performed the \"One inch punch.\""
],
"answer_starts": [
252
]
}
|
{
"text": "In the same Long Beach event he also performed the \"One inch punch.\"",
"answer_start": 252
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Q: How did he get involved with the Long Beach International Karate?
A: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
Q: What did he do there?
A: performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.
Q: Did he do anything else of note there?
A: In the same Long Beach event he also performed the "One inch punch."
|
C_4ae264bb519742a6a69d937366655fe4_0_q#3
|
Who did he punch?
| 0y
| 2x
|
{
"texts": [
"His volunteer was Bob Baker of Stockton, California."
],
"answer_starts": [
856
]
}
|
{
"text": "His volunteer was Bob Baker of Stockton, California.",
"answer_start": 856
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Q: How did he get involved with the Long Beach International Karate?
A: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
Q: What did he do there?
A: performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.
Q: Did he do anything else of note there?
A: In the same Long Beach event he also performed the "One inch punch."
Q: Who did he punch?
A: His volunteer was Bob Baker of Stockton, California.
|
C_4ae264bb519742a6a69d937366655fe4_0_q#4
|
Did Bob get hurt?
| 1n
| 2x
|
{
"texts": [
"Baker recalled. \"When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable\"."
],
"answer_starts": [
968
]
}
|
{
"text": "Baker recalled. \"When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable\".",
"answer_start": 968
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Q: How did he get involved with the Long Beach International Karate?
A: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
Q: What did he do there?
A: performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.
Q: Did he do anything else of note there?
A: In the same Long Beach event he also performed the "One inch punch."
Q: Who did he punch?
A: His volunteer was Bob Baker of Stockton, California.
Q: Did Bob get hurt?
A: Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".
|
C_4ae264bb519742a6a69d937366655fe4_0_q#5
|
Did he do another Long Beach event after this one?
| 0y
| 0y
|
{
"texts": [
"Lee appeared at the 1967 Long Beach International Karate Championships"
],
"answer_starts": [
1366
]
}
|
{
"text": "Lee appeared at the 1967 Long Beach International Karate Championships",
"answer_start": 1366
}
|
C_4ae264bb519742a6a69d937366655fe4_0
|
Bruce Lee
|
Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
|
Long Beach International Karate Championships
|
At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Q: How did he get involved with the Long Beach International Karate?
A: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
Q: What did he do there?
A: performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.
Q: Did he do anything else of note there?
A: In the same Long Beach event he also performed the "One inch punch."
Q: Who did he punch?
A: His volunteer was Bob Baker of Stockton, California.
Q: Did Bob get hurt?
A: Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".
Q: Did he do another Long Beach event after this one?
A: Lee appeared at the 1967 Long Beach International Karate Championships
|
C_4ae264bb519742a6a69d937366655fe4_0_q#6
|
Did anything exciting happen?
| 2m
| 0y
|
{
"texts": [
"performed various demonstrations, including the famous \"unstoppable punch\" against USKA world Karate champion Vic Moore."
],
"answer_starts": [
1441
]
}
|
{
"text": "performed various demonstrations, including the famous \"unstoppable punch\" against USKA world Karate champion Vic Moore.",
"answer_start": 1441
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
|
C_7be1a298ead14398a279969abcbef986_0_q#0
|
Can you give me more information about Faith Hill's country music success?
| 0y
| 0y
|
{
"texts": [
"Hill's debut album was Take Me as I Am (1993);"
],
"answer_starts": [
0
]
}
|
{
"text": "Hill's debut album was Take Me as I Am (1993);",
"answer_start": 0
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
|
C_7be1a298ead14398a279969abcbef986_0_q#1
|
Did her album become popular?
| 0y
| 0y
|
{
"texts": [
"); sales were strong, buoyed by the chart success of \"Wild One\"."
],
"answer_starts": [
44
]
}
|
{
"text": "); sales were strong, buoyed by the chart success of \"Wild One\".",
"answer_start": 44
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
Q: Did her album become popular?
A: ); sales were strong, buoyed by the chart success of "Wild One".
|
C_7be1a298ead14398a279969abcbef986_0_q#2
|
How long did it stay on the charts?
| 0y
| 2x
|
{
"texts": [
"number one position for four consecutive weeks"
],
"answer_starts": [
185
]
}
|
{
"text": "number one position for four consecutive weeks",
"answer_start": 185
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
Q: Did her album become popular?
A: ); sales were strong, buoyed by the chart success of "Wild One".
Q: How long did it stay on the charts?
A: number one position for four consecutive weeks
|
C_7be1a298ead14398a279969abcbef986_0_q#3
|
What else happened during the years 1993-1997?
| 0y
| 2x
|
{
"texts": [
"Her version of \"Piece of My Heart\", also went to the top of the country charts in 1994."
],
"answer_starts": [
274
]
}
|
{
"text": "Her version of \"Piece of My Heart\", also went to the top of the country charts in 1994.",
"answer_start": 274
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
Q: Did her album become popular?
A: ); sales were strong, buoyed by the chart success of "Wild One".
Q: How long did it stay on the charts?
A: number one position for four consecutive weeks
Q: What else happened during the years 1993-1997?
A: Her version of "Piece of My Heart", also went to the top of the country charts in 1994.
|
C_7be1a298ead14398a279969abcbef986_0_q#4
|
Did she sell many albums?
| 0y
| 0y
|
{
"texts": [
"The album sold a total of 3 million copies."
],
"answer_starts": [
362
]
}
|
{
"text": "The album sold a total of 3 million copies.",
"answer_start": 362
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
Q: Did her album become popular?
A: ); sales were strong, buoyed by the chart success of "Wild One".
Q: How long did it stay on the charts?
A: number one position for four consecutive weeks
Q: What else happened during the years 1993-1997?
A: Her version of "Piece of My Heart", also went to the top of the country charts in 1994.
Q: Did she sell many albums?
A: The album sold a total of 3 million copies.
|
C_7be1a298ead14398a279969abcbef986_0_q#5
|
What did she do after her album sold a total of 3 million copies?
| 0y
| 2x
|
{
"texts": [
"The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords."
],
"answer_starts": [
463
]
}
|
{
"text": "The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords.",
"answer_start": 463
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
Q: Did her album become popular?
A: ); sales were strong, buoyed by the chart success of "Wild One".
Q: How long did it stay on the charts?
A: number one position for four consecutive weeks
Q: What else happened during the years 1993-1997?
A: Her version of "Piece of My Heart", also went to the top of the country charts in 1994.
Q: Did she sell many albums?
A: The album sold a total of 3 million copies.
Q: What did she do after her album sold a total of 3 million copies?
A: The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords.
|
C_7be1a298ead14398a279969abcbef986_0_q#6
|
How long did it take her to heal properly?
| 0y
| 2x
|
{
"texts": [
"cords. It Matters to Me finally appeared in 1995"
],
"answer_starts": [
571
]
}
|
{
"text": "cords. It Matters to Me finally appeared in 1995",
"answer_start": 571
}
|
C_7be1a298ead14398a279969abcbef986_0
|
Faith Hill
|
Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
|
1993-1997: Country music success
|
Hill's debut album was Take Me as I Am (1993); sales were strong, buoyed by the chart success of "Wild One". Hill became the first female country singer in 30 years to hold Billboard's number one position for four consecutive weeks when "Wild One" managed the feat in 1994. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album sold a total of 3 million copies. Other singles from the album include "Take Me as I Am". The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her third number-one country single. Several other top 10 singles followed, and more than 3 million copies of the album were sold. The fifth single from the album, "I Can't Do That Anymore", was written by country music artist Alan Jackson. Other singles from the album include "You Can't Lose Me", "Someone Else's Dream", and "Let's Go to Vegas". During this period, Hill appeared on the acclaimed PBS music program Austin City Limits. In spring 1996, Hill began the Spontaneous Combustion Tour with country singer Tim McGraw. At that time, Hill had recently become engaged to her former producer, Scott Hendricks, and McGraw had recently broken an engagement. McGraw and Hill were quickly attracted to each other and began an affair. After discovering that Hill was pregnant with their first child, the couple married on October 6, 1996. The couple have three daughters together: Gracie Katherine (born 1997), Maggie Elizabeth (born 1998) and Audrey Caroline (born 2001). Since their marriage, Hill and McGraw have endeavored never to be apart for more than three consecutive days. After the release of It Matters to Me, Hill took a three-year break from recording to give herself a rest from four years of touring and to begin a family with McGraw. During her break, she joined forces with her husband for their first duet, "It's Your Love". The song stayed at number one for six weeks, and won awards from both the Academy of Country Music and the Country Music Association. Hill has remarked that sometimes when they perform the song together, "it [doesn't] feel like anybody else was really watching."
Q: Can you give me more information about Faith Hill's country music success?
A: Hill's debut album was Take Me as I Am (1993);
Q: Did her album become popular?
A: ); sales were strong, buoyed by the chart success of "Wild One".
Q: How long did it stay on the charts?
A: number one position for four consecutive weeks
Q: What else happened during the years 1993-1997?
A: Her version of "Piece of My Heart", also went to the top of the country charts in 1994.
Q: Did she sell many albums?
A: The album sold a total of 3 million copies.
Q: What did she do after her album sold a total of 3 million copies?
A: The recording of Faith's second album was delayed by surgery to repair a ruptured blood vessel on her vocal cords.
Q: How long did it take her to heal properly?
A: cords. It Matters to Me finally appeared in 1995
|
C_7be1a298ead14398a279969abcbef986_0_q#7
|
Was that her second album?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2285
]
}
|
{
"text": "unknown",
"answer_start": 2285
}
|
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