cchoi1022/wikitext-103-v1 · Datasets at Hugging Face

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in 1983 84 the duo recorded eleven songs with orlando at unique studios in new york west end girls opportunities ( let 's make lots of money ) one more chance i want a lover a man could get arrested i get excited two divided by zero rent it 's a sin pet shop boys and later tonite orlando played most of the instruments on west end girls including the jazz riff at the end lowe played one chord and the bassline it included a drum part lifted from michael jackson 's billie jean and an arrangement involving what tennant called barry white chords orlando was thrilled by the song 's production his idea was to make a rap record in a british accent
in april 1984 west end girls was released becoming a club hit in los angeles and san francisco and a minor dance hit in belgium and france but was only available in the united kingdom as a 12 import in march 1985 after long negotiations pet shop boys cut their contractual ties with orlando and hired manager tom watkins who signed them with emi they re @@ recorded west end girls with producer stephen hague and re @@ released the song in late 1985 topping the charts in both the uk and the us
in an interview on <unk> 's synth britannia programme ( video on youtube at 1h <unk> 19s ) neil tennant explains the role of the then new sampling technology on the track and how every single sound came from the newly introduced e @@ mu emulator keyboard

= = = music and lyrics = = =

west end girls is a synthpop song influenced by hip hop music the song 's socially conscious streak as well as the propulsive bass line derives from grandmaster flash 's protest rap song the message lowe and hague created a snaky obsessive rhythm punch for the music replacing the song 's previously sparse beats and minimal keyboard lines
tennant started to write the song when he was staying at his cousin 's house in nottingham while watching a gangster film just when he was going to sleep he came up with the lines sometimes you 're better off dead there 's a gun in your hand and it 's pointing at your head the lyrics were inspired by ts eliot 's poem the waste land particularly in the use of different narrative voices and arcane references the song 's lyrics are largely concerned with class inner @@ city pressure tennant later said that some listeners had assumed the song referred to prostitutes but was actually about rough boys getting a bit of posh
the lyric from lake geneva to the finland station refers to the train route taken by vladimir lenin when he was smuggled by the germans to russia during world war i a pivotal event in the russian revolution indeed it is highly likely the lyric was inspired by the book to the finland station by edmund wilson a very famous work on the history of revolutionary thought and socialism that tennant would have at least heard of if not read as a student the bobby orlando @@ produced version of the single included another line all your stopping stalling and starting / who do you think you are joe stalin which was removed for the 1985 version

= = critical reception = =

west end girls has been generally well received by music critics stephen thomas erlewine from allmusic in a review of the album please called the song hypnotic adding that it 's not only a classic dance single it 's a classic pop single in a review for the group 's second studio album actually rob hoerburger from rolling stone magazine commented that west end girls was as catchy as anything on the radio in 1986 praising its enticing bass line and foreboding synth riffs but felt that it was almost nullified by peevish spoken asides and the cryptic posturing of the duo 's lyrics in a review of the live album concrete michael hubbard from musicomh said that west end girls was one of the songs that round out a collection that never feels too long or superfluous adding that it goes some way to installing tennant and lowe as national treasures
nitsuh abebe from pitchfork media in a review of their compilation album <unk> pet shop boys the hits commented that in the song we meet tennant not as a singer but as a speaker adding that he mumbles the verses to us not like a star but like a stranger in a raincoat slinking alongside you and pointing out the sights
in 1987 west end girls won for best single at the brit awards and for best international hit at the ivor novello awards in 2005 the british academy of composers and songwriters gave to west end girls the ivor novello award for song of the decade between the years 1985 and 1994

= = music video = =

the video was directed by andy morahan and eric watson and consists of shots of the duo around london at the beginning of the video noises from the city can be heard a camera passes lowe on the street and focus on two vintage dolls in a shop window then appears a sequence of quick cuts with shots of the city 's different sub @@ cultures the video freezes and cuts to tennant and lowe who walk through an empty wentworth street in petticoat lane market they stand in front of a red garage door tennant is in front dressed with a long coat white shirt and dark necktie directly addressing the camera with lowe standing behind him with a blank expression lowe is filmed in double @@ exposure and appears almost ghostlike in other shots tennant walks imperiously while lowe follows behind as if one were a master and the other an apprentice
then the video shows various shots at waterloo station as the chorus starts in slow motion the camera pans across the whsmith shop on the station concourse as the duo walk past it cuts to a brief shot of a no 42 red double @@ decker bus showing the destination as aldgate also advertising the stage @@ show evita then black and white shots of the tower bridge westminster and the westminster palace clock tower from the sky the duo poses on the south bank of the river thames in a pastiche of a postcard image with the houses of parliament as a background
the camera shows shots of young women and passes through arcades and cinemas in leicester square the camera now passes south africa house showing protestors in the non @@ stop picket an anti @@ apartheid vigil the video cuts to a closeup of tennant singing the chorus with a purple neon sign passing across his face at the end the camera passes again through leicester square where people queue to see fletch and desperately seeking susan the video was nominated for best new artist in a video at the 1986 mtv video music awards but lost to a @@ ha 's take on me

= = chart performance = =

west end girls was first released in april 1984 through writer and producer bobby orlando 's label the song was a club hit in the united states and in some european countries such as belgium where it debuted at number 24 on the vrt top 30 chart on 28 july 1984 peaking at 17 four weeks later in canada west end girls first entered the rpm singles chart in april 1985 reaching a peak position of 81 in june 1985
having signed with emi the group released their first major label single opportunities ( let 's make lots of money ) in mid @@ 1985 but it failed to attract attention the pet shop boys then decided to re @@ record west end girls and issue this new version as a single producer stephen hague helmed the new re @@ recorded version of west end girls
the re @@ recorded version of west end girls was released in the united kingdom in october 1985 debuting on the uk singles chart at number 80 and within eight weeks of its release it had reached the top of the chart it maintained the number one position for two weeks and received a gold certification by the british phonographic industry ( bpi ) in january 1986 across europe west end girls also topped the singles chart in norway as well as peaking in the top three in belgium germany ireland the netherlands sweden and switzerland
in canada where the original recording of west end girls had already been a minor hit in 1985 the re @@ recorded version was issued as a single in early 1986 the re @@ recorded song entered the chart in march 1986 peaking at number one for one week on 17 may 1986 in the united states west end girls debuted on the billboard hot 100 at number 71 reaching the number one position on 10 may 1986 and remained on the chart for 20 weeks the song also peaked at number one on billboard 's hot dance music / club play chart for two weeks

= = formats and track listings = =


= = credits and personnel = =

neil tennant vocals lyrics
chris lowe keyboards artwork design
helena springs additional vocals
bobby orlando producer ( 1984 release )
stephen hague producer ( 1985 release )
steve jerome engineer 1984 release
david jacob engineer
frank roszak remixing
eric watson photography

= = charts and certifications = =


= = = chart positions = = =


= = = year @@ end charts = = =


= = = certifications = = =


= = east 17 version = =

in 1993 east 17 covered west end girls for their album walthamstow with limited chart success

= = = track listings = = =

7
west end girls ( faces on posters mix )
west end girls ( kicking in chairs )

= = = charts = = =



= wrapped in red =

wrapped in red is the sixth studio album by american recording artist kelly clarkson released on october 25 2013 by rca records the album is a follow @@ up to her first greatest hits album greatest hits chapter one and its companion extended play the <unk> sessions vol 2 produced by greg kurstin it is her first christmas album and her first record to be solely released by rca wrapped in red consists of sixteen tracks featuring five co @@ penned original songs and eleven cover versions of christmas standards and carols two of which are duets featuring recording artists ronnie dunn reba mcentire and trisha yearwood
weary of constantly being asked for her primary genre clarkson had long @@ desired to record a christmas album as a means to defy genre limitations she commissioned kurstin who had studied jazz music under the tutelage of jaki byard to produce the entire album drawing inspirations from the soundtracks to the features a charlie brown christmas and white christmas as well as the christmas albums by mariah carey mcentire and phil spector they experimented on various styles and sounds using spector 's famed wall of sound technique to a create a contemporary holiday theme to classics the christmas music of wrapped in red comprises a variety of the genres such pop jazz country and soul marking a departure from the pop rock sound established from her previous studio albums while its lyrics share a singular theme of the color red which represents a plethora of emotions during the holidays
wrapped in red debuted on the billboard 200 chart at number 3 and topped the billboard top holiday albums chart with 70 @@ 000 copies sold in its first week of release for nine consecutive weeks wrapped in red stayed on the top ten of both charts and was certified platinum by the recording industry association of america and music canada by the end of 2013 it became the year 's best @@ selling christmas release in the united states and the second best @@ selling christmas release in canada its lead single underneath the tree became an international top forty christmas hit song and was radio 's most @@ played new holiday song of 2013 in promoting wrapped in red she appeared in red dresses on various televised appearances and filmed an accompanying television special kelly clarkson 's cautionary christmas music tale at the venetian las vegas which premiered on nbc on december 11 2013 in 2014 clarkson released the title track as the second single and hosted an annual christmas benefit concert miracle on broadway at the bridgestone arena on december 20 2014

= = background = =

clarkson had expressed interest in recording a christmas album for years having recorded various christmas songs such as oh holy night and my grown up christmas list on the american idol the great holiday classics ( 2003 ) i 'll be home for christmas on itunes session ( 2011 ) and being featured on blake shelton 's christmas album cheers it 's christmas ( 2012 ) weary of constantly being asked for her primary genre she felt that recording a christmas album would finally pave a way for her to explore other different genres she remarked i always get asked what genre i 'm in ' is this country or pop or rock what are you ' and what 's cool about making the christmas album was ' oh there are no limitations we can do whatever we want ' she further added the thing about christmas is that it almost doesn 't matter what mood you 're in or what kind of a year you 've had it 's a fresh start i 'm going to clear the air and take stock of the good that 's happened
discussions about making her sixth studio album being a christmas record began on december 2012 a month after releasing her first greatest hits album greatest hits chapter one having found the opportunity to do so clarkson commissioned producer and multi @@ instrumentalist greg kurstin whom she had previously collaborated with on her albums stronger and chapter one to solely produce the whole album despite having been raised in a jewish faith and unfamiliar with christmas songs kurstin still agreed to produce the project as a result the record marked the second time her studio album only had a single producer ( the first being david kahne solely producing my december in 2007 ) it also marked the fourth time kurstin had solely produced an entire studio album apart from being a member of the musical groups the bird and the bee and <unk> tah ( the first three being lily allen 's it 's not me it 's you in 2009 sia 's we are born in 2010 and the shins ' port of morrow in 2012 )

= = recording = =

recording sessions of the basic instrumental tracks for wrapped in red took place in kurstin 's echo studio in los angeles while orchestral sessions were recorded at eastwest studios in hollywood and featured vocals recorded in the barn studio in nashville in recording tracks for the album clarkson and kurstin wanted to showcase as many different styles as they could by experimenting in various sounds and styles to create fresh contemporary sound to classic @@ sounding music he recalled it was a lot of fun for us because we got to go back to our roots when kelly started singing it was clear she had the chops and had been trained to do anything further adding we really experimented it was so much fun and liberating and it pays off kurstin who studied with jazz musician jaki byard at the new school for jazz and contemporary music recruited various jazz and soul musicians such as james gadson kevin dukes roy mccurdy and bill withers to perform on the record to resonate a memphis soul sound he also collaborated with joseph trapanese to arrange and conduct a chamber orchestra
in providing instrumentation for the record kurstin used all of his instruments such as a mellotron and a chamberlin taping them from a distance to stimulate the wall of sound a recording technique originally developed by phil spector that was popular in the early 1960s he enlisted clarkson to provide all the background vocals herself clarkson who grew up singing in a chorus was pleased with the aspect saying blending is something i knew how to do from childhood sometimes i 'd have to do an alto instead of a soprano because they needed a bigger sound but i 've never had to do anything like this before doing all my backup vocals essentially being my own choir together they began to record in may 2013 and continued through the summer of that year beginning by recording white christmas with clarkson in the vocal booth and with kurstin on a piano she commented the production is all him i would be just like ' hey can we make this more jazz hey can we make this more bluesy and he just like harry potter made this happen it 's so weird

= = composition = =


= = = theme and influences = = =

clarkson has cited the color red as the album 's only theme a color traditionally associated with christmas she affiliated the color to various emotions in the holidays wanting to stray away from her usual pop sound she described wrapped in red 's music as a representation to explore different genres such as jazz country and memphis soul she recalled what 's cool about christmas albums is you can do jazz rock and roll you can do pop you can do blues like you can do all that stuff and it works cause it 's all classic and it 's <unk> sounding she also noted that the album 's multitude of styles positively contributes to her artistic goal saying my best friend from childhood heard it and said ' this is what you sound like before everything else ' and i agree it 's my core sound back in the day when artists came out with things like fall to pieces and bridge over troubled water those songs transcended genres it wasn 't ' where is it going to fit ' you catered to whatever the song calls for and that 's exactly what i did without having to have an umbrella for everything
in gathering inspirations for wrapped in red clarkson started by listening to bing crosby 's and rosemary clooney 's soundtracks from the 1954 feature film white christmas as well as mariah carey 's merry christmas ( 1994 ) and merry christmas to you ( 1997 ) by reba mcentire while kurstin who used to play in a jazz band took influences from a charlie brown christmas by the vince guaraldi trio and a christmas gift for you by phil spector as his inspirations which resulted to the album 's wall of sound resonance clarkson also cited that her relationship with her then @@ fiancé brandon blackstock had inspired some of the album 's lyrical content

= = = song analysis = = =

clarkson shares writing credits on all five original songs on wrapped in red some of which were written in december 2012 to avoid writing christmas tunes during the 2013 summer season she co @@ wrote the opening and the title track wrapped in red with ashley <unk> <unk> eubanks and shane mcanally a christmas ballad the song was inspired by a scene in the holiday feature film love actually ( 2003 ) in which someone confesses unrequited love towards another critics singled out the track the one that resonates the wall of sound the most the second track underneath the tree was written by clarkson and kurstin making it the first time they had co @@ written a track together clarkson remarked greg and i have worked a lot together but usually i just come in and i just sing we 've never have actually written a song together at this point and he and i were like ' let 's just try to write something for the record rca records chief executive peter edge remarked that its release as a single was partly inspired by the success of all i want for christmas is you by carey the following track is a rendition of the holiday standard have yourself a merry little christmas which clarkson had selected for its saccharine content
clarkson favored run run rudolph as her favorite classic saying just because it got to be a little more rock and roll she also remarked that please come home for christmas ( bells will be ringing ) was the first song selected for inclusion after her mother 's recommendation and the song 's melancholic lyrics written by clarkson and eubanks every christmas was the first song to be written for the album she revealed that the song narrates of her holiday life prior to meeting blackstock mcentire 's stepson saying every christmas i was just like ' this is going to be different right i 'm going to actually find someone and not be pathetically alone for the rest of my life ' the seventh track is a cover of elvis presley 's blue christmas its follow @@ up a rendition of baby it 's cold outside features ronnie dunn clarkson had approached dunn thinking that his personality suited the song 's content well saying like it 's straight @@ up his personality to say all of that to try and get you to stay and have a drink winter dreams ( brandon 's song ) was written by clarkson <unk> and eubanks as a companion piece to every christmas dedicated to blackstock the song accounts her holiday after meeting him she remarked christmas changes it morphs it comes to life a little more it s just a happier time
the tenth track white christmas was the first song to be recorded for wrapped in red a cover of rodgers and hammerstein 's my favorite things follows up as the eleventh track clarkson opted for the broadway performance of the song to stray away from julie andrews 's version citing i think you shouldn 't go near anywhere of what she 's doing because she 's so good clarkson and kurstin co @@ wrote 4 carats with cathy dennis and livvi franc originally written a pop song they converted it as a christmas song to fit the album 's theme describing it as a crossover between eartha kitt 's santa baby ( 1953 ) and madonna 's material girl ( 1984 ) a rendition of imogen heap 's just for now was described by clarkson as her highly dysfunctional environment saying can we just stop for like five minutes and have like a normal christmas setting the song begins by sampling the melody of the christmas tune carol of the bells the closing track a rendition of the traditional carol silent night features mcentire and trisha yearwood and ends in an a capella setting between the trio in addition two tracks were also included in the deluxe edition of the album the first clarkson 's cover of i 'll be home for christmas from itunes session and the second her rendition of the first stanza of the ecclesiastical hymn oh come oh come emmanuel

in 1983 84 the duo recorded eleven songs with orlando at unique studios in new york west end girls opportunities ( let 's make lots of money ) one more chance i want a lover a man could get arrested i get excited two divided by zero rent it 's a sin pet shop boys and later tonite orlando played most of the instruments on west end girls including the jazz riff at the end lowe played one chord and the bassline it included a drum part lifted from michael jackson 's billie jean and an arrangement involving what tennant called barry white chords orlando was thrilled by the song 's production his idea was to make a rap record in a british accent

in april 1984 west end girls was released becoming a club hit in los angeles and san francisco and a minor dance hit in belgium and france but was only available in the united kingdom as a 12 import in march 1985 after long negotiations pet shop boys cut their contractual ties with orlando and hired manager tom watkins who signed them with emi they re @@ recorded west end girls with producer stephen hague and re @@ released the song in late 1985 topping the charts in both the uk and the us

in an interview on <unk> 's synth britannia programme ( video on youtube at 1h <unk> 19s ) neil tennant explains the role of the then new sampling technology on the track and how every single sound came from the newly introduced e @@ mu emulator keyboard

= = = music and lyrics = = =

west end girls is a synthpop song influenced by hip hop music the song 's socially conscious streak as well as the propulsive bass line derives from grandmaster flash 's protest rap song the message lowe and hague created a snaky obsessive rhythm punch for the music replacing the song 's previously sparse beats and minimal keyboard lines

tennant started to write the song when he was staying at his cousin 's house in nottingham while watching a gangster film just when he was going to sleep he came up with the lines sometimes you 're better off dead there 's a gun in your hand and it 's pointing at your head the lyrics were inspired by ts eliot 's poem the waste land particularly in the use of different narrative voices and arcane references the song 's lyrics are largely concerned with class inner @@ city pressure tennant later said that some listeners had assumed the song referred to prostitutes but was actually about rough boys getting a bit of posh

the lyric from lake geneva to the finland station refers to the train route taken by vladimir lenin when he was smuggled by the germans to russia during world war i a pivotal event in the russian revolution indeed it is highly likely the lyric was inspired by the book to the finland station by edmund wilson a very famous work on the history of revolutionary thought and socialism that tennant would have at least heard of if not read as a student the bobby orlando @@ produced version of the single included another line all your stopping stalling and starting / who do you think you are joe stalin which was removed for the 1985 version

= = critical reception = =

west end girls has been generally well received by music critics stephen thomas erlewine from allmusic in a review of the album please called the song hypnotic adding that it 's not only a classic dance single it 's a classic pop single in a review for the group 's second studio album actually rob hoerburger from rolling stone magazine commented that west end girls was as catchy as anything on the radio in 1986 praising its enticing bass line and foreboding synth riffs but felt that it was almost nullified by peevish spoken asides and the cryptic posturing of the duo 's lyrics in a review of the live album concrete michael hubbard from musicomh said that west end girls was one of the songs that round out a collection that never feels too long or superfluous adding that it goes some way to installing tennant and lowe as national treasures

nitsuh abebe from pitchfork media in a review of their compilation album <unk> pet shop boys the hits commented that in the song we meet tennant not as a singer but as a speaker adding that he mumbles the verses to us not like a star but like a stranger in a raincoat slinking alongside you and pointing out the sights

in 1987 west end girls won for best single at the brit awards and for best international hit at the ivor novello awards in 2005 the british academy of composers and songwriters gave to west end girls the ivor novello award for song of the decade between the years 1985 and 1994

= = music video = =

the video was directed by andy morahan and eric watson and consists of shots of the duo around london at the beginning of the video noises from the city can be heard a camera passes lowe on the street and focus on two vintage dolls in a shop window then appears a sequence of quick cuts with shots of the city 's different sub @@ cultures the video freezes and cuts to tennant and lowe who walk through an empty wentworth street in petticoat lane market they stand in front of a red garage door tennant is in front dressed with a long coat white shirt and dark necktie directly addressing the camera with lowe standing behind him with a blank expression lowe is filmed in double @@ exposure and appears almost ghostlike in other shots tennant walks imperiously while lowe follows behind as if one were a master and the other an apprentice

then the video shows various shots at waterloo station as the chorus starts in slow motion the camera pans across the whsmith shop on the station concourse as the duo walk past it cuts to a brief shot of a no 42 red double @@ decker bus showing the destination as aldgate also advertising the stage @@ show evita then black and white shots of the tower bridge westminster and the westminster palace clock tower from the sky the duo poses on the south bank of the river thames in a pastiche of a postcard image with the houses of parliament as a background

the camera shows shots of young women and passes through arcades and cinemas in leicester square the camera now passes south africa house showing protestors in the non @@ stop picket an anti @@ apartheid vigil the video cuts to a closeup of tennant singing the chorus with a purple neon sign passing across his face at the end the camera passes again through leicester square where people queue to see fletch and desperately seeking susan the video was nominated for best new artist in a video at the 1986 mtv video music awards but lost to a @@ ha 's take on me

= = chart performance = =

west end girls was first released in april 1984 through writer and producer bobby orlando 's label the song was a club hit in the united states and in some european countries such as belgium where it debuted at number 24 on the vrt top 30 chart on 28 july 1984 peaking at 17 four weeks later in canada west end girls first entered the rpm singles chart in april 1985 reaching a peak position of 81 in june 1985

having signed with emi the group released their first major label single opportunities ( let 's make lots of money ) in mid @@ 1985 but it failed to attract attention the pet shop boys then decided to re @@ record west end girls and issue this new version as a single producer stephen hague helmed the new re @@ recorded version of west end girls

the re @@ recorded version of west end girls was released in the united kingdom in october 1985 debuting on the uk singles chart at number 80 and within eight weeks of its release it had reached the top of the chart it maintained the number one position for two weeks and received a gold certification by the british phonographic industry ( bpi ) in january 1986 across europe west end girls also topped the singles chart in norway as well as peaking in the top three in belgium germany ireland the netherlands sweden and switzerland

in canada where the original recording of west end girls had already been a minor hit in 1985 the re @@ recorded version was issued as a single in early 1986 the re @@ recorded song entered the chart in march 1986 peaking at number one for one week on 17 may 1986 in the united states west end girls debuted on the billboard hot 100 at number 71 reaching the number one position on 10 may 1986 and remained on the chart for 20 weeks the song also peaked at number one on billboard 's hot dance music / club play chart for two weeks

= = formats and track listings = =

= = credits and personnel = =

neil tennant vocals lyrics

chris lowe keyboards artwork design

helena springs additional vocals

bobby orlando producer ( 1984 release )

stephen hague producer ( 1985 release )

steve jerome engineer 1984 release

david jacob engineer

frank roszak remixing

eric watson photography

= = charts and certifications = =

= = = chart positions = = =

= = = year @@ end charts = = =

= = = certifications = = =

= = east 17 version = =

in 1993 east 17 covered west end girls for their album walthamstow with limited chart success

= = = track listings = = =

7

west end girls ( faces on posters mix )

west end girls ( kicking in chairs )

= = = charts = = =

= wrapped in red =

wrapped in red is the sixth studio album by american recording artist kelly clarkson released on october 25 2013 by rca records the album is a follow @@ up to her first greatest hits album greatest hits chapter one and its companion extended play the <unk> sessions vol 2 produced by greg kurstin it is her first christmas album and her first record to be solely released by rca wrapped in red consists of sixteen tracks featuring five co @@ penned original songs and eleven cover versions of christmas standards and carols two of which are duets featuring recording artists ronnie dunn reba mcentire and trisha yearwood

weary of constantly being asked for her primary genre clarkson had long @@ desired to record a christmas album as a means to defy genre limitations she commissioned kurstin who had studied jazz music under the tutelage of jaki byard to produce the entire album drawing inspirations from the soundtracks to the features a charlie brown christmas and white christmas as well as the christmas albums by mariah carey mcentire and phil spector they experimented on various styles and sounds using spector 's famed wall of sound technique to a create a contemporary holiday theme to classics the christmas music of wrapped in red comprises a variety of the genres such pop jazz country and soul marking a departure from the pop rock sound established from her previous studio albums while its lyrics share a singular theme of the color red which represents a plethora of emotions during the holidays

wrapped in red debuted on the billboard 200 chart at number 3 and topped the billboard top holiday albums chart with 70 @@ 000 copies sold in its first week of release for nine consecutive weeks wrapped in red stayed on the top ten of both charts and was certified platinum by the recording industry association of america and music canada by the end of 2013 it became the year 's best @@ selling christmas release in the united states and the second best @@ selling christmas release in canada its lead single underneath the tree became an international top forty christmas hit song and was radio 's most @@ played new holiday song of 2013 in promoting wrapped in red she appeared in red dresses on various televised appearances and filmed an accompanying television special kelly clarkson 's cautionary christmas music tale at the venetian las vegas which premiered on nbc on december 11 2013 in 2014 clarkson released the title track as the second single and hosted an annual christmas benefit concert miracle on broadway at the bridgestone arena on december 20 2014

= = background = =

clarkson had expressed interest in recording a christmas album for years having recorded various christmas songs such as oh holy night and my grown up christmas list on the american idol the great holiday classics ( 2003 ) i 'll be home for christmas on itunes session ( 2011 ) and being featured on blake shelton 's christmas album cheers it 's christmas ( 2012 ) weary of constantly being asked for her primary genre she felt that recording a christmas album would finally pave a way for her to explore other different genres she remarked i always get asked what genre i 'm in ' is this country or pop or rock what are you ' and what 's cool about making the christmas album was ' oh there are no limitations we can do whatever we want ' she further added the thing about christmas is that it almost doesn 't matter what mood you 're in or what kind of a year you 've had it 's a fresh start i 'm going to clear the air and take stock of the good that 's happened

discussions about making her sixth studio album being a christmas record began on december 2012 a month after releasing her first greatest hits album greatest hits chapter one having found the opportunity to do so clarkson commissioned producer and multi @@ instrumentalist greg kurstin whom she had previously collaborated with on her albums stronger and chapter one to solely produce the whole album despite having been raised in a jewish faith and unfamiliar with christmas songs kurstin still agreed to produce the project as a result the record marked the second time her studio album only had a single producer ( the first being david kahne solely producing my december in 2007 ) it also marked the fourth time kurstin had solely produced an entire studio album apart from being a member of the musical groups the bird and the bee and <unk> tah ( the first three being lily allen 's it 's not me it 's you in 2009 sia 's we are born in 2010 and the shins ' port of morrow in 2012 )

= = recording = =

recording sessions of the basic instrumental tracks for wrapped in red took place in kurstin 's echo studio in los angeles while orchestral sessions were recorded at eastwest studios in hollywood and featured vocals recorded in the barn studio in nashville in recording tracks for the album clarkson and kurstin wanted to showcase as many different styles as they could by experimenting in various sounds and styles to create fresh contemporary sound to classic @@ sounding music he recalled it was a lot of fun for us because we got to go back to our roots when kelly started singing it was clear she had the chops and had been trained to do anything further adding we really experimented it was so much fun and liberating and it pays off kurstin who studied with jazz musician jaki byard at the new school for jazz and contemporary music recruited various jazz and soul musicians such as james gadson kevin dukes roy mccurdy and bill withers to perform on the record to resonate a memphis soul sound he also collaborated with joseph trapanese to arrange and conduct a chamber orchestra

in providing instrumentation for the record kurstin used all of his instruments such as a mellotron and a chamberlin taping them from a distance to stimulate the wall of sound a recording technique originally developed by phil spector that was popular in the early 1960s he enlisted clarkson to provide all the background vocals herself clarkson who grew up singing in a chorus was pleased with the aspect saying blending is something i knew how to do from childhood sometimes i 'd have to do an alto instead of a soprano because they needed a bigger sound but i 've never had to do anything like this before doing all my backup vocals essentially being my own choir together they began to record in may 2013 and continued through the summer of that year beginning by recording white christmas with clarkson in the vocal booth and with kurstin on a piano she commented the production is all him i would be just like ' hey can we make this more jazz hey can we make this more bluesy and he just like harry potter made this happen it 's so weird

= = composition = =

= = = theme and influences = = =

clarkson has cited the color red as the album 's only theme a color traditionally associated with christmas she affiliated the color to various emotions in the holidays wanting to stray away from her usual pop sound she described wrapped in red 's music as a representation to explore different genres such as jazz country and memphis soul she recalled what 's cool about christmas albums is you can do jazz rock and roll you can do pop you can do blues like you can do all that stuff and it works cause it 's all classic and it 's <unk> sounding she also noted that the album 's multitude of styles positively contributes to her artistic goal saying my best friend from childhood heard it and said ' this is what you sound like before everything else ' and i agree it 's my core sound back in the day when artists came out with things like fall to pieces and bridge over troubled water those songs transcended genres it wasn 't ' where is it going to fit ' you catered to whatever the song calls for and that 's exactly what i did without having to have an umbrella for everything

in gathering inspirations for wrapped in red clarkson started by listening to bing crosby 's and rosemary clooney 's soundtracks from the 1954 feature film white christmas as well as mariah carey 's merry christmas ( 1994 ) and merry christmas to you ( 1997 ) by reba mcentire while kurstin who used to play in a jazz band took influences from a charlie brown christmas by the vince guaraldi trio and a christmas gift for you by phil spector as his inspirations which resulted to the album 's wall of sound resonance clarkson also cited that her relationship with her then @@ fiancé brandon blackstock had inspired some of the album 's lyrical content

= = = song analysis = = =

clarkson shares writing credits on all five original songs on wrapped in red some of which were written in december 2012 to avoid writing christmas tunes during the 2013 summer season she co @@ wrote the opening and the title track wrapped in red with ashley <unk> <unk> eubanks and shane mcanally a christmas ballad the song was inspired by a scene in the holiday feature film love actually ( 2003 ) in which someone confesses unrequited love towards another critics singled out the track the one that resonates the wall of sound the most the second track underneath the tree was written by clarkson and kurstin making it the first time they had co @@ written a track together clarkson remarked greg and i have worked a lot together but usually i just come in and i just sing we 've never have actually written a song together at this point and he and i were like ' let 's just try to write something for the record rca records chief executive peter edge remarked that its release as a single was partly inspired by the success of all i want for christmas is you by carey the following track is a rendition of the holiday standard have yourself a merry little christmas which clarkson had selected for its saccharine content

clarkson favored run run rudolph as her favorite classic saying just because it got to be a little more rock and roll she also remarked that please come home for christmas ( bells will be ringing ) was the first song selected for inclusion after her mother 's recommendation and the song 's melancholic lyrics written by clarkson and eubanks every christmas was the first song to be written for the album she revealed that the song narrates of her holiday life prior to meeting blackstock mcentire 's stepson saying every christmas i was just like ' this is going to be different right i 'm going to actually find someone and not be pathetically alone for the rest of my life ' the seventh track is a cover of elvis presley 's blue christmas its follow @@ up a rendition of baby it 's cold outside features ronnie dunn clarkson had approached dunn thinking that his personality suited the song 's content well saying like it 's straight @@ up his personality to say all of that to try and get you to stay and have a drink winter dreams ( brandon 's song ) was written by clarkson <unk> and eubanks as a companion piece to every christmas dedicated to blackstock the song accounts her holiday after meeting him she remarked christmas changes it morphs it comes to life a little more it s just a happier time

the tenth track white christmas was the first song to be recorded for wrapped in red a cover of rodgers and hammerstein 's my favorite things follows up as the eleventh track clarkson opted for the broadway performance of the song to stray away from julie andrews 's version citing i think you shouldn 't go near anywhere of what she 's doing because she 's so good clarkson and kurstin co @@ wrote 4 carats with cathy dennis and livvi franc originally written a pop song they converted it as a christmas song to fit the album 's theme describing it as a crossover between eartha kitt 's santa baby ( 1953 ) and madonna 's material girl ( 1984 ) a rendition of imogen heap 's just for now was described by clarkson as her highly dysfunctional environment saying can we just stop for like five minutes and have like a normal christmas setting the song begins by sampling the melody of the christmas tune carol of the bells the closing track a rendition of the traditional carol silent night features mcentire and trisha yearwood and ends in an a capella setting between the trio in addition two tracks were also included in the deluxe edition of the album the first clarkson 's cover of i 'll be home for christmas from itunes session and the second her rendition of the first stanza of the ecclesiastical hymn oh come oh come emmanuel