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following the album 's release in japan it debuted at number nine on the oricon albums chart on the issue dated may 17 2010 the album moved to a new peak of number seven and has since been certified platinum by the recording industry association of japan ( riaj ) for shipments of 250 @@ 000 copies in australia the remix entered the aria albums chart at its peak position of number 12 on may 16 2010 remaining on the chart for a total of five weeks in the united kingdom the album debuted at number three on the official uk albums chart dated may 22 2010 and has sold 166 @@ 440 copies according to the official charts company being certified gold by the british phonographic industry ( bpi ) across europe the album debuted at seven on the european top 100 albums chart of billboard the remix also reached the top of the charts in greece while attaining top @@ ten positions in belgium ( flanders and wallonia ) czech republic ireland the netherlands and new zealand
in the united states the remix charted at number six on the billboard 200 dated august 21 2010 with 39 @@ 000 copies sold it became gaga 's third top ten album on the billboard 200 it also debuted at number one on billboard 's dance / electronic albums making this gaga 's third number one entry on the chart the same week her studio albums the fame and the fame monster were at positions two and three respectively billboard chart manager keith caulfield noted that gaga became the first act to occupy the chart 's top three positions in its nine @@ year history she additionally charted on the billboard 200 with the fame at number 12 and the fame monster at number 27 marking the first time an artist placed three concurrent titles in the top 30 since 1993 when garth brooks last achieved the feat on the january 23 1993 chart by placing four sets in the top 30 the chase at number two beyond the season at number 23 <unk> ' the wind at number 26 and no fences at number 29 according to nielsen soundscan the remix has sold 314 @@ 000 copies in us as of april 2016 in canada the album debuted at number five on the canadian albums chart issue dated may 22 2010 and remained on the chart for a total of ten weeks the remix has sold more than 500 @@ 000 copies worldwide and it is among the best @@ selling remix albums of all time
= = track listings = =
= = credits and personnel = =
credits adapted from the liner notes of uk pressings of the remix track numbers correspond to international ( non @@ us and japan ) pressings
= = charts = =
= = certifications = =
= = release history = =
= architecture of the song dynasty =
the architecture of the song dynasty ( 960 1279 ) was noted for its towering buddhist pagodas enormous stone and wooden bridges lavish tombs and extravagant palaces although literary works on architecture existed beforehand architectural writing blossomed during the song dynasty maturing into a more professional form that described dimensions and working materials in a concise organized manner in addition to the examples still standing depictions in song artwork architectural drawings and illustrations in published books all aid modern historians in understanding the architecture of the period
the professions of architect master craftsman carpenter and structural engineer did not have the high status of the confucian scholar @@ officials during the dynastic era architectural knowledge had been passed down orally for thousands of years usually from craftsman fathers to their sons there were also government agencies and schools for construction building and engineering the song dynasty 's building manuals aided not only the various private workshops but also the craftsmen employed by the central government
= = city and palace = =
the layout of ancient chinese capitals such as bianjing capital of the northern song followed the guidelines in kao gong ji which specified a square city wall with several gates on each side and passageways for the emperor the outer city of ancient bianjing was built during the reign of emperor shenzong to a rectangular plan almost square in proportions about 6 km ( 3 @@ 7 mi ) from north to south and 7 km ( 4 @@ 3 mi ) from west to east the south wall had three gates with <unk> gate in the center <unk> gate to the east and <unk> gate to the west the other walls had four gates each in the east wall were <unk> gate ( at the southern end ) <unk> gate <unk> gate and north @@ east water gate in the west wall <unk> gate west water gate <unk> gate and <unk> gate and in the north wall <unk> gate ( at the eastern end ) <unk> gate new wild <unk> gate and <unk> gate the gates in the center of each of the four sides were reserved for the emperor these gates had straight passages and only two sets of doors while the other city gates had zigzag passages and were guarded by three sets of doors
the song artist zhang zeduan 's painting along the river during the qingming festival depicts the <unk> gate in detail the building on top had a five @@ ridged roof with a shallow slope in the song dynasty style supported prominently by two sets of brackets ( dougong ) the lower bracket assembly rested on the city gate to form a wooden foundation while the upper assembly supported the roof similar to the dougong in an extant song building the goddess temple in taiyuan this method of using bracket assemblies to support superstructure was specified in li jie 's 12th @@ century building manual yingzao fashi as <unk> ( literally flat base )
the city wall itself was built with rammed earth a technique also detailed in yingzao fashi vol iii standards for moat stronghold and masonry work
foundation for every square chi apply two dan of earth on top of it lay a mixture of broken brick tile and crushed stones also two dan for every five @@ cun layer of earth two men standing face to face should tamp six times with pestles each man pounding three times on a dent then tamp four times on each dent two men again standing face to face each pounding twice on the same dent then tamp two more times each man pounding once following this tamp the surface with pestles or stamp with feet randomly to even out the surface every five @@ cun layer of earth should be compressed to three cun every three @@ cun layer of brick and stone to one and a half cun
rammed @@ earth walls during this time were tapered the thickness of the wall is greatest at the base and decreases steadily with increasing height as detailed in li jie 's book
during the song dynasty the city of bianjing had three enclosures the outer city wall the inner city wall and the palace at the center the inner city was rectangular with three doors on each side the palace enclosure was also rectangular with a watch tower on each of the four corners it had four main gates <unk> gate to the west donghua gate to the east <unk> gate to the north and xuande gate also known as duan gate or <unk> at the south xuande gate had five @@ paneled doors painted red and decorated with gold tacks its walls were lavishly decorated with dragon phoenix and floating @@ cloud patterns to match the carved beams painted rafters and glazed @@ tile roof there were also two glazed dragons each biting an end of the rooftop ridge its tail pointing to the sky the symbolic function of these chi wei was explained in yingzao fashi
there is a dragon in the east sea whose tail ( wei ) is similar to that of a sparrow @@ hawk ( chi ) it stirs up waves and causes rainfall so people put its likeness on the rooftop to prevent fire however they misnamed it sparrow @@ hawk tail ( chi wei )
running southward from xuande gate was the imperial boulevard about two hundred paces wide with the imperial corridors on either side merchants opened shops in the corridors until 1112 when they were banned two rows of black fencing were placed at the center of the boulevard as a barrier to pedestrians and carriages along the inner sides of the fences ran the brick @@ lined imperial water <unk> filled with lotus about 400 m ( 1 @@ 300 ft ) south from xuande gate the bian river intercepted the imperial boulevard which crossed it over the stone zhou bridge balustraded and flat @@ decked this design of a boulevard with a stone bridge crossing a river was later imitated in the forbidden city during spring and summer mingled peach plum pear and apricot trees adorned the banks of the bian with a variety of flowers
= = buddhist pagodas = =
following the reign of the han dynasty ( 202 bc 220 ad ) the idea of the buddhist stupa entered chinese culture as a means to house and protect scriptural sutras during the southern and northern dynasties period the distinctive chinese pagoda was developed its predecessors being the tall watch towers and towering residential apartments of the han dynasty ( as inferred from models in han @@ era tombs ) during the sui ( 581 618 ) and tang ( 618 907 ) periods chinese pagodas were developed from purely wooden structures to use articulated stone and brick which could more easily survive fires caused by lightning or arson and were less susceptible to decay the earliest brick pagoda that remains extant is the <unk> pagoda built in 523 and a typical example of a tang @@ era stone pagoda is the giant wild goose pagoda constructed in 652 although buddhist influences on china waned after the late tang period numerous buddhist pagoda towers were built during the song dynasty tall chinese pagodas were often built in the countryside rather than within a city 's walls largely to avoid competition with the cosmic @@ imperial authority embodied in the cities ' <unk> and gate @@ towers the giant wild goose pagoda built in a city ward of what was southeastern chang 'an is among the exceptions
the iron pagoda of <unk> temple in kaifeng earned it name from the iron @@ grey color of the glazed bricks forming the tower originally built of wood by the architect yu hao it was struck by lightning and burned down in 1044 during the northern song period in 1049 the pagoda was rebuilt as it appears today under the order of emperor renzong of song this 13 @@ story pagoda structured on an octagonal base is 56 @@ 88 meters ( 186 @@ 6 ft ) tall its glazed tile bricks feature carved artwork of dancing figures solemn ministers and buddhist themes ( see gallery below )
the period also featured true cast @@ iron pagodas such as the iron pagoda of <unk> temple ( jade springs temple ) dangyang hubei province built in 1061 it incorporates 53 @@ 848 kg ( 118 @@ 715 lb ) of cast iron and stands 21 @@ 28 m ( 69 @@ 8 ft ) tall imitating contemporary wooden stone and brick pagodas the pagoda features sloping eaves and an octagonal base another iron pagoda was constructed in 1105 <unk> shandong and was cast layer by layer in octagonal sections standing 78 feet high several such cast iron pagodas exist in china today
the liuhe pagoda or six harmonies pagoda is another example of song @@ era pagoda architecture it is located in the southern song capital of hangzhou in zhejiang province at the foot of <unk> hill facing the qiantang river although the original was destroyed in 1121 the current tower was erected in 1156 and fully restored by 1165 it stands 59 @@ 89 m ( 196 @@ 5 ft ) tall and was constructed from a red brick frame with 13 stages of wooden eaves because of its size the pagoda served as a permanent lighthouse to aid sailors at night ( as described in hangzhou fu zhi )
the <unk> temple pagoda in <unk> county of sichuan province ( near chengdu ) is a brick pagoda that was built between 1023 and 1026 according to inscriptions running along its first storey it has a square base on a <unk> pedestal thirteen stories totaling 28 m ( 92 ft ) in height and multiple layers of eaves similar in style to the earlier tang pagodas of chang 'an the giant wild goose pagoda and the small wild goose pagoda
wood @@ and @@ brick hybrid pagodas were also built the first four floors of the octagonal 42 m ( 138 ft ) <unk> pagoda of 1045 are brick ( with wooden eaves ) while from the fifth floor up it is entirely made of wood even pagodas made of stone or brick featured architectural elements that were typical of chinese wooden buildings for example the pizhi pagoda built from 1056 to 1063 uses the dougong brackets typical of wooden architecture to hold up pent shingled roofs and tiers both of these pagodas feature interior staircases although the <unk> pagoda 's only reaches to the fourth floor and the pizhi pagoda 's to the fifth however the pizhi pagoda features winding exterior stairs that provide access to the ninth and topmost floor
although the pagoda of <unk> temple is the tallest extant wooden pagoda the tallest chinese pagoda built in the dynastic era that remains standing is the liaodi pagoda completed in 1055 it is 84 meters ( 276 ft ) tall with an octagonal base on a large platform surpassing the 69 @@ meter ( 226 ft ) <unk> pagoda which had held the record since its construction in the 9th century by the kingdom of dali although the liaodi pagoda served its religious purpose as a buddhist landmark in the kaiyuan monastery of ding county hebei province its great height gave it another valuable function as a military watch tower that was used to observe movements of the liao enemy beside their utility in surveillance pagoda towers could also serve as astronomical observatories one such is the <unk> astronomical observatory built in 1276 and still standing today
<unk> pagoda
= = temples = =
it was not uncommon for wealthy or powerful families to facilitate the construction of large temple complexes usually by donating a portion of their family estate to a buddhist sect often the land already contained buildings that could be re @@ purposed for religions use the fei ( <unk> ) family of the town of <unk> located just west of shanghai converted a mansion on their property into a buddhist sutra @@ <unk> hall and later built several other religious buildings around the hall this spurred a boom in temple construction in the area causing <unk> to become a major center of the white lotus sect of buddhism which in turn spurred the construction of more temples and lead the town to become a significant location within the song the nearby town of <unk> gained prominence shortly after the fall of the song in large part to the construction of temples and other religious buildings which spanned the entire song empire
apart from stimulating the development of urban areas temples and religious buildings featured a number of unique aesthetic and structural features the temple of the saintly mother ( <unk> ) and the hall of sacrifice of the jin temple ( <unk> ) located in a southeastern suburb of taiyuan city shanxi province are extant examples of early song architecture the temple of the saintly mother is the main building of the jin temple first built in the period between 1023 and 1032 and renovated in 1102 it has a double @@ eaved roof with nine ridges and two dragon @@ heads with wide @@ open jaws biting the ends of the main ridge the roof is supported by massive dougong brackets corresponding to drawings in yingzao fashi the eaves of the temple of the saintly mother curve upward slightly at each end a characteristic of song architecture the columns of the façade decorated with dragons that coil around the shafts become progressively taller with increasing distance to either side of the central pair the building has a porch around it the sole example of such a structure another unique feature of the site is a cross @@ shaped bridge that leads to the goddess temple
the trinity hall of xuan miao temple ( <unk> ) situated in the heart of suzhou city is another example of song architecture in 1982 it was established as a national heritage site by the chinese government
the jingling palace ( <unk> jingling gong ) a temple to the legendary yellow emperor located near modern @@ day qufu was built in the 11th century it was subsequently destroyed near the end of the yuan dynasty however several other structures in shou qiu the complex that jingling palace was situated in remain intact two giant tortoise @@ borne steles flank what was the entrance to the palace one of the two steles the stele of the sorrow of 10 @@ 000 is at 52 meters ( 171 ft ) high the tallest unmarked stele in the country a large pyramid constructed of rounded stone blocks the symbolic tomb of the yellow emperor 's son <unk> is located outside the shou qiu complex another important large tortoise @@ borne stele of the same period has been preserved at the dai miao of mount tai
= = bridges = =
bridges over waterways had been known in china since the ancient zhou dynasty during the song dynasty large trestle bridges were constructed such as that built by zhang zhongyan in 1158 there were also large bridges made entirely of stone like the ba zi bridge of shaoxing built in 1256 and still standing today bridges with pavilions crowning their central spans were often featured in such paintings as the landscapes of xia gui ( 1195 1224 ) long covered corridor bridges like the 12th @@ century rainbow bridge in wuyuan jiangxi province which has wide stone @@ based piers and a wooden superstructure were also built
while serving as an administrator for hangzhou the poet su shi ( 1037 1101 ) had a large pedestrian causeway built across the west lake which still bears his name sudi ( <unk> ) in 1221 the taoist traveler qiu changchun visited genghis khan in samarkand describing various chinese bridges encountered on the way there through the tian shan mountains east of yining the historian joseph needham quotes him as saying
[ the road had ] no less than 48 timber bridges of such width that two carts can drive over them side by side it had been built by chang jung [ zhang rong ] and the other engineers of the chagatai some years before the wooden trestles of chinese bridges from the − 3rd century [ bc ] onwards were no doubt similar to those supposed to have been employed in julius caesar 's bridge of − 55 [ bc ] across the rhine or drawn by leonardo or found in use in africa but where in + 13th century [ ad ] europe could a two @@ lane highway like chang jung 's have been found
in fujian province enormous beam bridges were built during the song dynasty some of these were as long as 1 @@ 220 m ( 4 @@ 000 ft ) with individual spans of up to 22 m ( 72 ft ) in length their construction necessitated moving massive stones of 203 t ( 203 @@ 000 kg ) no names of the engineers were recorded or appear in the inscriptions on the bridges which give only the names of local officials who sponsored them and oversaw their construction and repair however there might have been an engineering school in fujian headed by a prominent engineer known as cai xiang ( 1012 1067 ) who had risen to the position of governmental prefect in fujian between 1053 and 1059 he planned and supervised the construction of the large <unk> bridge ( once called the luoyang bridge ) near quanzhou ( on the border of the present @@ day <unk> district and huai 'an county this bridge a stone structure similar to a number of other bridges found in fujian still stands and features ship @@ like piers bound to their bases using mucilage from oysters as an adhesive it is 731 m ( 2 @@ 398 ft ) in length 5 m ( 16 ft ) in width and 7 m ( 23 ft ) in height another famous bridge near quanzhou the anping bridge was constructed between 1138 and 1151
other examples of song bridges include <unk> bridge a stone arch bridge in yiwu zhejiang province the bridge was built in 1213 the sixth year of the <unk> era in the southern song dynasty song @@ era pontoon bridges include the <unk> bridge 400 m ( 1 ⁄ 4 mi ) long which may still be seen today
= = tombs of the northern song emperors = =
located southwest of gongyi city in gongxian county henan province the large tombs of the northern song number about one thousand including individual tombs for song emperors empresses princes princesses consorts and members of the extended family the complex extends approximately 7 km ( 4 @@ 3 mi ) from east to west and 8 km ( 5 @@ 0 mi ) from north to south the construction of the complex began in 963 ad during the reign of the first song ruler emperor taizu of song whose father is also buried at the site the only northern song emperors not buried there are emperor huizong of song and emperor qinzong of song who died in captivity after the jurchen invasion of northern china in 1127 lining the spirit ways of the tomb complex are hundreds of song sculptures and statues of tigers rams lions horses with grooms horned beasts and mythical creatures government officials military generals foreign ambassadors and others featured in an enormous display of song @@ era artwork
the layout and style of the song tombs resemble those found in the contemporary tangut kingdom of the western xia which also had an auxiliary burial site associated with each tomb at the center of each burial site is a truncated pyramidal tomb each having once been guarded by a four @@ walled enclosure with four centered gates and four corner towers about 100 km ( 62 mi ) from gongxian is the baisha tomb which contains elaborate facsimiles in brick of chinese timber frame construction from door lintels to pillars and pedestals to bracket sets that adorn interior walls the baisha tomb has two large separate chambers with conical ceilings a large staircase leads down to the entrance doors of the subterranean tomb
= = literature = =
during the song dynasty previous works on architecture were brought to more sophisticated levels of description as in yili <unk> written by li <unk> in 1193 ad one of the most definitive works however was the earlier mu jing ( timberwork manual ) ascribed to yu hao and written sometime between 965 and 995 yu hao was responsible for the construction of a wooden pagoda tower in kaifeng which was destroyed by lightning and replaced by the brick iron pagoda soon after in his time books on architecture were still considered a lowly scholarly achievement due to the craft 's status so mu jing was not even recorded in the official court bibliography although the book itself was lost to history the scientist and statesman shen kuo wrote of yu 's work extensively in his dream pool essays of 1088 praising it as a work of architectural genius saying that no one in his own time could reproduce such a work shen kuo singled out among other passages a scene in which yu hao gives advice to another artisan @@ architect about slanting struts in order to brace a pagoda against the wind and a passage in which yu hao describes the three sections of a building the area above the crossbeams the area above ground and the foundation and then proceeds to provide proportional ratios and construction techniques for each section
several years later li jie ( <unk> 1065 1110 ) published yingzao fashi ( treatise on architectural methods or state building standards ) although similar books came before it such as <unk> ling ( national building law ) of the early tang dynasty ( 618 907 ) li 's book is the earliest technical manual on chinese architecture to have survived in full
= = = yingzao fashi = = =
yingzao fashi is a technical treatise on architecture and craftsmanship written by li jie an architect and official at the directorate of buildings and construction li completed the book in 1100 and presented it to emperor zhezong of song in the last year of his reign his successor emperor huizong of song had li 's treatise officially published three years later in 1103 for the benefit of foremen architects and literate craftsmen the book was intended to provide standard regulations to not only the engineering agencies of the central government but also the many workshops and artisan families throughout china who could benefit from using a well @@ written government manual on building practices
yingzao fashi included building codes and regulations accounting information descriptions of construction materials and classification of crafts in its 34 chapters the book outlined units of measurement and the construction of moats fortifications stonework and woodwork for the latter it included specifications for making bracketing units with inclined arms and joints for columns and beams it also provided specifications for wood carving drilling sawing bamboo work tiling wall building and decoration the book contained recipes for decorative paints glazes and coatings also listing proportions for mixing mortars used in masonry brickwork and manufacture of glazed tiles illustrating practices and standards with drawings his book outlined structural carpentry in great detail providing standard dimensional measurements for all components used here he developed a standard eight @@ grade system for sizing timber elements known as the cai @@ fen system of units which could be universally applied in buildings about 8 of li jie 's book was derived from pre @@ existing written material on architecture while the majority of the book documented the inherited traditions of craftsmen and architects the yingzao fashi provided a full glossary of technical terms that included mathematical formulae building proportions and construction techniques and discussed the implications of the local topography for construction at a particular site he also estimated the monetary costs of hiring laborers of different skill levels from various crafts on the basis of a day 's work in addition to the price of the materials they would need and according to the season in which they were to be employed
= = architecture in song artwork = =
= lost horizons ( lemon jelly album ) =
lost horizons is the second studio album from the british electronic duo lemon jelly released on 7 october 2002 released by xl recordings and produced by nick franglen the album generated two charting singles in the uk space walk and nice weather for ducks the latter has often been called the album 's stand @@ out track the album which is built around a mix of organic instrumentation and idiosyncratic samples was met with largely positive reviews by music critics although it was somewhat critiqued due to its near @@ constant mellowness
in the united kingdom lost horizons peaked at number 20 on the official albums chart whereas in the united states it peaked at number 24 on billboard 's top electronic albums component chart the album 's two singles space walk and nice weather for ducks were also successful peaking on the uk singles chart at number 36 and 16 respectively the album was nominated for the mercury music prize in 2003 was eventually certified gold by the british phonographic industry for shipments exceeding 100 @@ 000 copies
= = music = =
lost horizons opens with elements which blends acoustic guitars <unk> synths skittering breakbeat rhythms a folksy harmonica and a falsetto ' doo @@ doo ' chorus <unk> the music is a voiceover courtesy of english actor john standing that lists the basic ' elements ' that make up the world ash metal water wood fire and ( eventually later in the song ) sky the second track space walk is set to a recording of ed white 's 1965 space walk on the gemini 4 mission franglen and deakin chose to use the sample after listening to an album called flight to the moon ( 1969 ) the two were struck by how moving and emotive many of the tracks were deakin later said ' one small step ' leaves me cold because it was so obviously scripted but the spacewalk even after hearing it so many times it 's so vivid
ramblin ' man features a conversation between an interviewer ( the voice of michael deakin father of lemon jelly 's fred deakin ) and john the ramblin ' man ( the voice of standing ) during which he lists various places from around the world ranging from from small sussex villages to major world capitals when listed in the order in which the locations are narrated the message bagpuss sees all things is spelled out midway through the song ( from brixton at four minutes ten seconds to san josé at four minutes 31 seconds ) using the first letter of each location the fourth track return to patagonia features several jazz @@ inspired elements
the song nice weather for ducks is built around a sample inspired by john langstaff 's song all the ducks this song was based on the popular dutch children 's song alle <unk> <unk> in het water ( translated all the ducks are swimming in the water ) franglen later said that he and deakin were drawn to langstaff 's recording because it had a gentle madness to it slightly unhinged the duo had attempted to clear langstaff 's version for sampling but were unable to in the end they had enn reitel re @@ record the vocal snippet franglen while noting that reitel 's performance was good said that once the sample was re @@ recorded its edge disappeared experimental number 6 arguably the album 's darkest track features a faux field recording of a doctor documenting the side effects of an unnamed drug administered to a patient the recording tells how the patient progresses from normalcy to an overwhelming sense of well @@ being and euphoria before eventually expiring the album closes with the curse of ka <unk> which features a two @@ part harmony chorus and jazzy drum loop
= = reception = =
= = = critical reviews = = =
lost horizons received mostly positive reviews from music critics although several critics critiqued the album 's near @@ constant mellowness stuart mason of allmusic called the album a delightful but slightly faceless blend of lounge pop subtle beats found sound with mellow jazz influences a reviewer for entertainmentie praised the band for approaching electronica from a new angle writing this london @@ based duo employ playschool pianos acoustic guitars and sprightly beats to create laid @@ back instrumentals guaranteed to sooth even the most restless of souls [ ] what really marks lemon jelly as exciting new talents is their quirky sense of humour which they use to brighten up their sound with skilful [ sic ] use of nursery rhymes brass bands and offbeat samples pascal wyse of the guardian wrote everything is approachable and purely crafted but lost horizons cheats banality with some choice quirks magnificent seven strings astronauts chatting panoramic sound effects chris dahlen of pitchfork media felt that the album was a little too saccharine at times but that it is the perfect disc to throw on after your four @@ disc <unk> dub groove mix has put the whole party to sleep it 's like eight flavors of ribbon candy beach balls hitting the ground like hail and a big plastic clown face that blows helium
many reviews singled out nice weather for ducks as the album 's stand @@ out track mason selected the dreamy acoustic guitar @@ based song as one of the album 's highlights in his review dahlen described it as the most likeable on the album and concluded that it is a happy @@ <unk> lollipop of a song that nicely sums this record up sunny bright and vaguely irritating <unk> wrote when the flugelhorn arrives on ' nice weather for ducks ' it is impossible to believe there is any evil in the world conversely several critics felt that experiment number six did not fit with the mood of the rest of the album <unk> called it a pool of darkness that comes as quite a shock dahlen felt that the song is is the only break in the [ album 's ] mood while he enjoyed the song 's concept calling it so different and sinister that it 's more intriguing than the rest of the album he felt that it was annoyingly displaced hermann on the other hand called the track clever and spooky with music so well crafted that [ the concept ] works