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/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
02084b8f-6f88-7e80-ee6a-997688fa7709
|
What is the name of Jeff's sister?
|
[
"Maggie"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
48c8a9b4-16cb-3dc7-1171-f89da0925602
|
Who do they escapes the clutches of?
|
[
"of the guard dog"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
f3197ceb-7b17-08b9-b5b2-0b84d70ec64d
|
When does Janey kiss Jeff?
|
[
"Before the show"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
dbd19615-de31-94f8-72b2-d47598a71305
|
Who does Janet employ to help her get out of the house undetected?
|
[
"Lynne"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
c4ffcab4-2d85-8c36-eb38-ac2d3d2805d8
|
Who cuts the wires to the security system?
|
[
"Janey"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
284c8155-4d56-a14f-1313-033619e0e07f
|
Why does Jeff fight with Janey?
|
[
"if Natalie doesn't win, his father will lose his job"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
410b68db-31ca-4c26-735e-5a2c19c29dc2
|
Who does Jeff become close to through their rehearsals?
|
[
"Janey"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
a1b1759d-5b62-d5cc-06a7-09832ded9183
|
Who is the tie between?
|
[
"Janey, Jeff, Natalie, and her partner"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
9e5f4e21-9fa8-c827-48e9-7a680d482aaa
|
Who brings Janet the message that Jeff will compete?
|
[
"Maggie"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
a37327b3-6c86-91e1-3b98-e3c797d7bf84
|
What is the relationship between Janet and Lynne?
|
[
"friends"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
dd587dc1-a71f-55a4-1222-6632df6954d2
|
What happens if Natalie doesn't will?
|
[
"Jeff's father will lose his job"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
71884cfe-6e24-fb30-bfec-01ccf10290d2
|
What is the name of the show that Janey's in the running to join?
|
[
"Dance TV"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
d4fe1810-9015-3ea4-57ce-296143d15c87
|
Who wins the dance off?
|
[
"Jeff and Janey"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
4abf204b-5bc8-428a-e147-5b6752da24a9
|
What did Janey's father install in the house?
|
[
"a camera security system"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
d734cac7-cb8d-abaa-f6ef-6ebe91675b61
|
Jeff's father works for who's company?
|
[
"Natalie's father"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
689e0792-f3bf-2c03-d2e0-95281ff7ab4c
|
What do Janey and Jeff do before she runs inside the house?
|
[
"Kiss"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
0407d851-cc0d-02f6-c475-2b1e6a46460c
|
Whose family turns to the contest on the television?
|
[
"Janey"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
f33dd278-0e6a-5e98-b6e0-6bd1503b5ea1
|
Where is Robert transferred to?
|
[] | true |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
48cbc59f-d4a5-5b4d-772d-c4bd72b6bc2d
|
When does the decision come back?
|
[
"After all of the dancers are done"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
121c5896-4689-8f90-da83-f0ba411c30e4
|
Who provided the girls with the party invitation?
|
[
"Drew"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
24183b25-2347-90a4-1bc2-38162f6c25ab
|
Who are being given copies of Natalie's party invitation?
|
[
"strangers all over town (social rejects such as drag queens, lady bodybuilders, etc)."
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
9198075d-f7b4-1626-0613-fb3ec9c4e7f1
|
What animal did Janey have to get past?
|
[
"Dog"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
c450025f-8581-f8bf-7f25-28a6c91c4746
|
Who is Miss Dance TV?
|
[
"Lynne"
] | false |
/m/06r7r1
|
Janey Glenn (Sarah Jessica Parker) is an "army brat" who is thrilled when her stern, military-minded father (Ed Lauter) is transferred to Chicago, the home of her favorite dance show "Dance TV". At her Catholic girls school, she quickly makes a new friend in Lynne Stone (Helen Hunt) due to their shared love of dance and Dance TV. When her strict and conservative father nixes the idea of her traveling to downtown Chicago to try out, Janey accompanies Lynne to the auditions.At the auditions, an enemy is made of spoiled rich girl Natalie Sands (Holly Gagnier) when she rudely parks her car where Lynne is walking. The auditions are going well until Lynne's partner gets her cut (it is later found out that Natalie paid him to have her kicked out). Janey and a guy named Jeff Maline (Lee Montgomery) both shine, albeit partnered with others at first. They are later paired once the final cut is made. Jeff loves to dance although his working-class father is drilling him to go to trade school and is following his heart instead of his father's wishes.Both Janey and Jeff argue and verbally trade blows initially due to their disparate upbringings. Despite Jeff's natural ability to dance, he has never taken a class. Janey has been taking both gymnastics and dance classes for 10 years. Helping them to get off on the wrong foot is also Janey's inability to practice when it's convenient for Jeff. Things are further complicated by Natalie's meddling (she finds out that Janey skipped choir practice to meet Jeff and calls her father to tell, posing as "Sister Natalie").An excellent opportunity for both girls to get back at Natalie presents itself when Jeff is invited to her coming out debutane party. Janey, Lynn, and Jeff's younger sister Maggie (Shannen Doherty) make copies of Natalie's invitation, provided by Jeff's best friend Drew (Jonathan Silverman) and pass them out to strangers all over town (social rejects such as drag queens, lady bodybuilders, etc). Jeff and Drew attend the party and watch the chaos ensue when all of the extra invited people show up as do Lynne, Janey and Maggie watching from the window with joy at Natalie's humiliation.Over the next few weeks, Janey and Jeff have become close through their rehearsals. One night he tells her to meet him not at the rehearsal studio but at a club. While they are enjoying some unstructured dance time, Jeff is taken away by a girl who locked her keys in her car. Meanwhile, a large admirer moves in on her. On Jeff's return, a fight ensues and after Jeff sucker punches the much larger man they run out of the club together. Once at Janey's house, she is aglow over what her life has become: she's in the running to become a Dance TV regular, has a great best friend as well as a boyfriend. They finally kiss before she excitedly runs inside.Meanwhile, Natalie vows to intensify her personal war against Janey and her friends given the total wreck that her party became. She convinces her father to become more involved in insuring her win. This is an easy feat considering that her father owns the company that Jeff's father works for. One day Natalie's father, J.P. Sands (Morgan Woodward), corners Jeff and tells him that if Natalie doesn't win, his father will lose his job. This puts Jeff in a bad mood and he fights with Janey when he arrives at rehearsal. Her mood quickly matches his when she arrives home and sneaks in the house only to find that her overprotective father has installed a camera security system. He then grounds her for her continuous deception, making it virtually impossible for her to attend the dance contest finals.Meanwhile, Jeff's surly attitude and decreased desire to be in the contest is noticed by his father. Once he finally gets his son to talk about what is going on, he simply asks if he can win the contest. When Jeff answers "yes" he is instructed to do so... his job be damned. However, Janey is still on restriction and doesn't know Jeff has changed his mind. However, that changes when Janey's little brother brings her a message relayed by Maggie that Jeff will compete and she employs Lynne to get her out of the house undetected.Once Lynne arrives, Janey cuts the wires to the security system, climbs out her second-floor bedroom window, and escapes the clutches of the guard dog. When they arrive at the station, Janey makes the elevator up to the studio and Lynne doesn't. She runs upstairs to make the beginning of the show, embracing and kissing Jeff as she arrives. The show begins and the competition is underway. Midway through the show, Janey's family turns to the contest on the television and sees her dancing. Her father, furious, storms out of the house, on the way to the studio. Meanwhile, Janey's mother (Margaret Howell) is in tears with pride as her younger brother cheers his sister on and Jeff's father watches the show from his neighborhood pub.After all of the dancers are done, the decision comes back: there is a tie between Janey and Jeff and Natalie and her partner. A dance off ensues. Natalie goes first and when done, strolls off the stage proudly, believing she's won. But after Janey tells Jeff "Let's do it.", they pull out all the stops with a series of synchronized gymnastics Janey has taught Jeff over their time together. When the judges deliberate again, the decision is unanimous: Jeff and Janey win! Natalie is furious and begins to berate her partner over costing her the contest. When she goes to her father to complain, he finally puts his foot down and tells his spoiled child to shut up.... to her amazement. When Janey spots her father in the studio, she thinks she's in for trouble, but nothing could be further from the truth as he is extremely proud of her. Miss Dance TV is called to the stage and when she enters, it is none other than Lynne, who has received the job when the former Miss Dance TV quit during the show. Janey, Lynne and Maggie all cheer to celebrate their victory.
|
Girls Just Want to Have Fun
|
f6847f1b-c42e-1ade-369b-6a963985732f
|
One night, Janey and Jeff meet not at the rehearsal studio but where?
|
[
"at a club"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
637bfd62-5cf4-63e1-7634-ba1567ec2299
|
What does Ray hit with a pick-axe?
|
[
"Methain gas pipe",
"Gas line"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
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f68669e6-5f9f-daf2-b17e-aedf9cfe5d5d
|
Who talks to an officer?
|
[
"Art"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
|
4821820d-65be-1af4-3276-8f0f9d82b566
|
Who disables the Klopeks' security system?
|
[] | true |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
4eb22a19-bbca-6d42-ac13-892cdbdbcfe1
|
Who are the people theorize about Walter's disappearance?
|
[
"Ray, Art, Bonnie and Ricky Butler",
"Ray and Art"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
5f022537-e8cd-d0db-a037-c0d9594e9052
|
who checks the contents of the garbage truck ?
|
[
"Rumsfield and Art",
"Art"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
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3298f507-04d4-d0d5-7695-08960f56d1e7
|
what ray watch?
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[
"television",
"The Klopeks digging in their back yard with pick-axes in a rainstorm"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
|
a7fdf43d-a39a-e6b3-6cff-98e073cc965b
|
What is the name of Carol's son?
|
[
"Dave",
"Ricky"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
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8c50e63f-2c6c-f3d5-35f8-ecbba4b29d10
|
Who was in the ambulance?
|
[
"Ray, Hans and Werner",
"Ray"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
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e30e8ca5-ef95-6952-e1d7-d6245ed08444
|
Who is Ray's wife?
|
[
"Carol"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
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23c64e69-157f-ab4f-cfb7-22d8b13d58bd
|
Who had a medical problem and his family took him to the hospital?
|
[
"Walter"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
e01a984a-ac79-3295-7def-172cd9fc7b84
|
Whose neighbour is Walter Seznick?
|
[
"Bonnie Rumsfield",
"Rumsfield"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
2d9a514f-09da-027e-cf61-7cdbf4af7a2e
|
What does Hans crash into?
|
[
"Art's house",
"Weingartners' house"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
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963420ab-13ad-cb35-7465-b548000b6103
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Who does Ray believe murdered Walter?
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[] | true |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
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The 'Burbs
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9cd025dc-d123-0a74-07bf-475818e98f77
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Who does Art go into the Kolpes' house to rescue?
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[] | true |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
e5134d85-7d61-dd98-c4a9-73144689eb0b
|
What kind of arrest did Ray make?
|
[
"Citizen's arrest",
"Citizen's"
] | false |
/m/02v5nx
|
The film starts on a small cul-de-sac suburban neighborhood somewhere in the USA Midwest. Late one evening, Ray Peterson (Tom Hanks) is unable to sleep, and a strange noise from the house next door causes him to go outside. However, Ray just stares at the rather unkempt house as a mysterious wind blows dead leaves around his feet, and several more unexplained noises are heard.The next day, Ray's wife Carol (Carrie Fisher) is non-plussed that Ray has chosen to spend his week's vacation just sitting around the house doing nothing. She attempts to convince Ray to take her and their 10-year-old son Dave (Cory Danziger) up to a nearby lake for a fishing retreat, but Ray refuses to do so. Suddenly, the sound of gunshots are heard in the backyard, and Ray sees his overweight and immature neighbor Art Weingartner (Rick Ducommun) shooting at some crows with a shotgun.Art then invites himself into the Peterson's home for breakfast, and explains that his wife (who is away for a few weeks visiting her parents) wants the crows taken care of. The crows seem have just shown up recently. Talk soon switches to the neighboring house to the right of the Peterson's. The previous neighbors, an elderly couple known as "The Knapps," have supposedly sold their property to a family going by the name of Klopek. Art eerily explains how the realtor who sold the Klopeks their new home, said their last house burnt to the ground. Art also claims that so far, the Klopeks have not seemed at all neighborly, given that no one has seen them since they moved in several weeks ago. Dave then explains that he saw three of them with his telescope... digging in their back yard one night.After breakfast, Ray opens up the garage, and Art notes that one of the Klopeks, a scruffy red-headed young man, (Courtney Gaines) is standing on the porch. Both egg the other on to say "Hi," but the unnamed stranger quickly goes back inside the house. Next, the two decide to go over and ring the doorbell. This causes a chain reaction that causes a lamp to be knocked aside, revealing a hidden beehive that chases off Ray and Art.Later that evening, Ray goes over to Art's place where he also encounters Ricky Butler (Corey Feldman), a teenager on the block whose parents are away. As strange noises begin to eminate from the Klopek's house, Art tells the story of a Soda Fountain owner long ago known as Skip. One day, a strange odor began eminating from Skip's house, and eventually, a fire broke out. When the firemen went inside, they found that the local Soda Fountain owner had murdered his family with an ice pick, and stored them in the basement. Art eerily explains that: "almost every town has some strange mystery like that... some of which may be happening right under your nose."Ray soon tires of Art's antics and goes back inside to watch television. But soon after, Art gets Ray to come back out, where they meet up with Lt. Mark Rumsfield (Bruce Dern), a militarist Vietnam veteran who lives across the street from the Klopek's. Rumsfield has given the men use of an infrared night scope, and they take up position behind Rumsfield's garbage cans. As they watch the house, a strange noise is head, and bright lights flash from under the house's porch, before a rank odor permeates the air.Ray is about to go across the street and figure out what's going on, when suddenly, the garage door on the Klopek's house opens up, and the three men see a car pull out, and the scruffy man they saw before emerges. He then pulls out several trash bags, and attempts to stuff them into the already full garbage cans, using a stick. Once the car pulls back into the garage, a rain storm hits, and Rumsfield says they'll investigate what is in the cans further once "first light" comes around. Later that evening, Ray looks out his bedroom window, and sees three hooded figures in the Klopek's backyard, digging large holes.The next day, Rumsfield and Art stop the garbage men (Dick Miller and Robert Picardo) from taking the Klopek's trash and dump the trash into the street, but they find nothing in the black plastic bags. Ray then explains what he saw through the rain-streaked window last night. Art then claims that the supposed bodies that were in the trash bags were taken out in the rain, and buried in the backyard when the guy who drove the car saw them.Soon after, Rumsfield's young blonde floozy wife Bonnie (Wendy Schaal) finds Queenie, a little dog belonging to an elderly and grouchy neighbor named Walter Seznick (Gale Gordon). The group goes over to Walter's house, but when he doesn't answer the door, Rumsfield uses a glass-cutter to enter, and they find the television still on, and a chair turned over. Further investigation leads the group to the kitchen, where Walter's toupee is found on a counter. Rumsfield immediately suspects foul play, but Ray demands everyone leave the house. Ray keeps Queenie at his place, and leaves a little note for Walter, which simply reads: "Walter, I have your dog." As he slides the note under Walter's door, Ray glances towards the Klopek's house, and sees an old man (Brother Theodore) watching him from the Klopek's second floor window. When Ray says a greeting, the old man quickly shuts the window.That evening, Ray and Art meet in the basement of Ray's house, where Art has found a book on demon worship and Satanic sacrifices. Art insists that the Klopeks are Satanists, but Ray refuses to believe this. The conversation soon leads Ray to have a nightmare in which he is served up as a sacrifice.The next morning, Art and Rumsfield slide a note under the Klopek's door and ring the bell, before running off. When Art tells Ray about this, Ray panics, thinking that the Klopek's now suspect that he slid the note under the door, given the old Klopek man saw him do it to Walter's house the previous day. The conversation soon stops when Ray's dog returns with a bone, that Art soon classifies as a femur, or a human thigh-bone. Art thinks that the bone is Walter. Ray and Art scream until they see a figure behind the fence of the Klopek house (the old man) walking in the Klopek back yard who throws a crumpled up piece of paper into the back yard of Ray's house. Art goes to look at the paper and says that it's the note that he wrote. Ray panics more, thinking that he is now a marked man, while the immature Art still does not comprehend.Soon after, Carol and Bonnie feel that the guys in the neighborhood are acting childish. Carol proposes a simple solution: everyone will go over, knock on the door, and talk to these new neighbors. Due to Art being one of the more off-the-cuff persons, he is not invited.Ray, Carol, Rumsfield and Bonnie go over to the Klopeks where they meet Hans (the scruffy young man Ray first saw on the porch and driving the car). Minutes later Reuben (the old man Ray saw looking at him from the window) whom is Hans' uncle, soon enters. He is very cold and hostile around the guests, especially Ray. Soon after, Werner Klopek (Henry Gibson) enters to meet their guests. Ray is very nervous thinking that the Klopeks will do something to him now that he is in their house.During drinks, Werner is the more friendly and hospitable of the three. He explains that he is a practicing pathologist at a local university and his older brother Reuben (a retired college professor) and nephew Hans (a college dropout) have been traveling with him from place to place for years during his work. Werner explains that they will be driving to the university tomorrow because they will soon be transferring out of the current university he works at, and the family will be moving again. When the extremely wary Ray accidentally spills tea on himself, he runs and accidentally opens the basement door, only to have the Klopek's huge Great Dane dog come barreling out, and into the backyard... where it quickly spots Art, who had tried to sneak in through the back of the house. The dog chases Art off, but not before he sets off a burglar alarm while climbing over the Klopek's backyard fence.The group leaves the Klopeks and go to the Peterson's house. While Art and Rumsfield still see the Klopek's as psychos and they are hiding something, Ray (who is now strangely calm) claims he agrees with Carol and Bonnie that the Klopeks are all right. Ray then ushers the two men into his study, and then reveals something he found at the Klopeks and hid in his shorts: Walter's toupee. Ray explains that he had slipped the toupee back inside Walter's house the previous day, but when the dog came out of the Klopek's basement and everyone was out on the back porch while the dog was chasing Art, Ray found the toupee in the Klopek living room wedged in a stack of mail... which was addressed to Walter. This leads the three to believe that the Klopeks are trying to cover their murderous trail. Ray explains that the Werner had mentioned that they would all be going to the University the next day, and the three plot to investigate the Klopek's house and back yard, intent on finding Walter's corpse.The next day, after Mark Rumsfield watches the Klopeks, along with their dog, drive away, he gets ready by putting on military fatigues and arming himself with an assault rifle. At the same time, Ray sends his wife and son off to visit her sister, claiming that he and Art are going to play golf later on in the day. Carol is clearly suspicious to Ray's sudden change in behavior, but she leaves anyway. Once they are gone, the three men leap into action. They first attempt to disable the Klopek's alarm system by disabling the power to their house which activates the trip-wires around their backyard fence. When Art, dressed as a maintenance man, climbs up a poll to cut the power, he accidentally cuts the main circuit cable for the entire block (and probably the whole neighborhood) and gets electrocuted and falls from the poll, but the power to the Klopek alarms is disabled anyway. While Rumsfield sets up a "command post" on top of the roof of his house to watch for the Klopeks in case they return, Ray and Art scale the back fence of the Klopeks back yard and begin digging all around the yard looking for any dead bodies.Meanwhile, Ricky, seeing the action unfolding before him, calls several of his friends and they come on over to watch the events unfolding as if watching a drive-in movie. Rumsfield is annoyed by the literal party in the front yard of Ricky's house next door.As the day wears into the hot summer afternoon, Ray and Art, after having dug several holes in the Klopek's back yard where Ray supposedly saw them digging, finds nothing. Ray suggests they check inside the house. Finding the back door locked, the frustrated but determined Ray breaks a back window and unlocks the back door. The two of them venture to the basement where they find a large old furnace. When Art turns it on, it creates a blast of flames which makes them realize that the furnace (with a thermostat temperature of 5,000 F degrees) is no ordinary furnace. Ray suspects that after killing Walter, the Klopeks burned his body up in the furnace and buried the bones in a patch of earth ground of the basement. Ray and Art again begin digging the ground of the basement to look for the body. Ray continues digging for a few more hours as he hits ground water and then finds something metal when he hits with his his pick axe.As nightfall comes, Rumsfield, still on the roof of his house, notices a car pulling up in Walter's driveway where a middle aged couple gets out and to his shock, a frail-looking Walter, using a walker, exits the car. Ricky, watching from his front porch and Art, exiting the Klopek house from the front door into the street, also see Walter alive and are all in shock. But none of them notice the three Klopeks returning to their house. Seeing the lights from the basement on when the whole neighborhood is dark, they quietly drive away and return a few minutes later followed by a police car, which they are then spotted. Rumsfield tries to warn Ray on the CB radio he has, but Ray is still frantically digging and doesn't hear Rumsfield's warning. Art runs back inside the Klopek house to warn Ray, while Ricky tries to stall the Klopeks and the police by literally jumping in front of their cars to get them to stop.In the Klopek basement, when Ray finally tries to clear the ground water away from his find, he hits it again with the pick axe and bubbles start appearing in the groundwater and he realizes that he just hit the underground methane gas line and he warns Art to run when he returns to the basement. Ray struggles to get out of the hole as the gas begins flooding the whole house... while the Klopek furnace is still running. Outside, as Ricky and Rumsfield try to stall the Klopeks and the policeman from entering their house, Art runs outside yelling that they hit a gas pipe when seconds later the entire Klopek house explodes in a huge mass of flames, in which the spire of their roof lands on the policeman's car. Thinking that Ray is dead, Art is revealed when a partly burned Ray emerges from the burning Klopek house.Some hours later, Carol arrives back home to check up on Ray and sees fire trucks, ambulances, and a huge crowd in front of the Klopek house. Carol finds the shaken Ray being treated for his injuries. Nearby, Art talks to a police detective (Franklin Ajay) who tells Art that Walter was at the hospital for the last three days when on Monday night he apparently had a heart attack in which he called his daughter and son-in-law who live a few miles away where they took him to the hospital. The reason why Walter's mail and toupee were in the Klopek house when Ray found them is that Walter's son phoned the Klopeks to ask them to pick up Walter's mail in which the toupee got mixed up with the rest of the magazines and letters when Ray slipped it back through the mail slot of Walter's house.While Art claims that sooner or later the rest of the skeleton to the femur bone will be found eventually, Ray explodes at him claiming that because they never found anything, that the Klopeks really are innocent of any crimes and they have been really immature and over reactive the entire time. When Art still fails to comprehend Ray's explanation, he attacks Art, and has to be retrained. Angry and exhausted, Ray gets into on an ambulance stretcher and demands that they take him to the hospital for further treatment of his injuries.While in the ambulance, Werner Klopek enters, but he is now suddenly cold and suspicious to Ray. Werner tells Ray that he may have fooled Art and the others with his speech about Klopeks, but he cannot fool him. The confused Ray doesn't know what Werner is talking about, and the doctor mentions about Ray investigating his basement and found a skull in the furnace (which Ray didn't prior to Art turning the furnace on). Werner thinks that Ray knows all about the bones and the skull in the furnace and tells Ray that the femur bone that he found indeed belonged to a murder victim whom was Mr. Knapp. Werner tells Ray that they took the house and killed both Mr. and Mrs. Knapp after they refused to sell it to the Klopeks and they apparently cooked the bodies and ate them... implying that the Klopeks are a practicing cannibal cult.Ray makes an attempt to escape, but realizes that Hans is driving the ambulance as Werner attempts to stab Ray with a hypodermic needle to kill him. In the struggle, Ray manages to grab at Hans who loses control of the ambulance and attempting to avoid hitting a pizza delivery van, runs the ambulance into Art's house at the end of the street. The ambulance back doors fling open and the stretcher with Ray and Werner still struggling on it falls out and rolls down the street which ends when they hit the Klopek's car still parked outside the remains of their burned-out house in which the car trunk pops open. Now with witnesses around, Ray claims that the Klopeks are indeed murderers and part of a cannibal cult. Ricky happens by and points out to everyone that the trunk of the Klopeks car is filled with hundreds of human bones and a few dozen human skulls. (It is implied that most of the bones belong to human bodies stolen by the Klopeks from morgues and various college pathology labs for personal consumption) The police arrest Werner and Reuben, but Hans is nowhere to be found. Rumsfield finds Hans attempting to escape, but chases him and captures him.With Ray in the clear and the fire trucks and police leaving the scene, Ray and Carol are glad that he is all right and they agree to leave tomorrow to take the remainder of Ray's vacation at the lake. When Art approaches and tells them about the media circus coming to the neighborhood over the next few days to investigate the 'Klopek Cannibal Cult', Ray and Carol are not interested in staying around. Just then, Mark and Bonnie Rumsefield tell Art that his wife is home early and his house is on fire from the damage caused by the ambulance still lodged in the front door of his house. Art is shocked and devastated... but its mostly about his wife being home.While Art goes to try to explain what is going on to his wife, the fire trucks return to try to put out the fire to Art's house. With another crowd gathering to watch the action, Ray and Carol go to their house unnoticed, except by Ricky in which Ray tells him to "keep an eye on the neighborhood" while he is away for his vacation. Ricky agrees as Ray and Carol enter their house for the night. Ricky, breaking the fourth wall, looks at the viewers and replies" God, I love this street!" He then goes back to talking to his friends as well as the two garbage men as the image backs away from the street, and area to an overhead view from space as to where the movie began.
|
The 'Burbs
|
55bf7026-a776-5b57-0932-0fac9daf812f
|
Where is Mayfield Place located?
|
[
"Colonial Street",
"USA Midwest"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
28d8e3bf-f4d5-d8c7-6fc1-85643d557300
|
who plan to bust out their friend Randy from prison?
|
[
"sampson"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
fa065810-53ec-21ce-9877-14cfe6732663
|
Who kills Savior?
|
[
"Rabbit and Bear"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
a9b07ebf-cdf2-9b64-eb6e-cf3fa9a792d2
|
who is Madigan?
|
[
"sampson's friend",
"A police officer and bagman for the mafia"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
c77dd330-412b-89f5-1d67-03ea4f434c5a
|
Who is in prison?
|
[
"Randy"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
89c85862-7329-7bb3-c302-141043d9851b
|
who manage to escape from inside the prison ?
|
[
"sonny",
"Randy and Pappy"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
f9ba170b-48ed-ee12-ce55-ddae7b5943eb
|
what is nightclub called as?
|
[
"\"The Cottontail\"",
"The Cottontail"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
8c0334f4-2785-1018-0809-32a861d9ceba
|
Who is Randy's cellmate?
|
[
"Pappy"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
13892fce-1a94-a801-fb3a-0297e2023230
|
Who is Sonny's father?
|
[
"The Godfather"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
ebbabe30-4087-0b1e-25c9-effc9999f6b7
|
Where do rabbit, bear, and fox move?
|
[
"Harlem"
] | false |
/m/07kxn6
|
In the South, Sampson and the local Preacherman plan to bust out their friend Randy from prison. As they rush to the prison, the two are stopped by a roadblock and have a shootout with the police. Meanwhile, Randy and another cellmate named Pappy escape from inside the prison and wait for Sampson and the Preacherman to help them get out. While waiting for them, Randy unwillingly listens to Pappy tell a story about three guys that resemble Randy and his friends. Pappy's story is told in animation set against live-action background photos and footage.
Brother Rabbit, Brother Bear, and Preacher Fox are forced to pack up and leave their Southern settings after the bank mortgages their home and sells it to a man who turns it into a brothel. The trio moves to Harlem, "home to every black man". When they arrive, Rabbit, Bear, and Fox find that it is not all that it is made out to be. They encounter a con man named Simple Savior, a phony revolutionary leader who claims to be the cousin of "Black Jesus", and that he gives his followers "the strength to kill whites". In a flashy stage performance in his "church", Savior acts out being brutalized by symbols of black oppressionârepresented by images of John Wayne, Elvis Presley, and Richard Nixon, before asking his parishioners for "donations". Rabbit and his friends quickly realize Savior's "revolution" is merely a money making scam. Rabbit openly steals a large portion of the donation money, prompting Savior to try to have him killed. After Rabbit tricks his would-be murderers (in a paraphrasing of the story of Br'er Rabbit and the briar patch), he and Bear kill Savior. This allows Rabbit to take over Savior's racket, putting him in line to become the head of all organized crime in Harlem. Rabbit lays out his plan to keep all organized crime money in Harlem. But first, he has to get rid of a few other opponents. Savior's former partners tell Rabbit they will join him but only if he can kill his opponents, otherwise they will kill him instead.
Rabbit first goes up against Madigan, a virulently racist and homophobic white police officer and bagman for the Mafia, who demonstrates his contempt for African Americans in various ways, including a refusal to bathe before an anticipated encounter with them (he believes they're not worth it). When Madigan finds out that Rabbit has been taking his payoffs, he and his cohorts, Ruby and Bobby, are led to a nightclub called "The Cottontail". A black stripper distracts him while an LSD sugar cube is dropped into his drink. Madigan, while under the influence of his spiked drink, is then maneuvered into a sexual liaison with a stereotypically effeminate gay man, and then shoved into women's clothing representative of the mammy archetype, adorned in blackface, and shoved out the back of the club where he discovers that Ruby and Bobby are dead. While recovering from being drugged, he fires his gun randomly, and is shot to death by the police after shooting one of them.[3]
Rabbit's final target is the Godfather who lives in the subway with his wife and gay sons. The contract for killing Rabbit is given to his only straight son Sonny. Arriving outside Rabbit's nightclub in blackface and clothing representative of minstrel show stereotypes, Sonny is shot multiple times by Rabbit before dying in an explosion caused by a car crash. His body is cremated and taken back home, where his mother weeps over his ashes. Also during the shootout with Sonny, Bear defends Rabbit and is shot several times. Rabbit helps an injured Bear to safety. During his recovery, Bear becomes torn between staying with Rabbit or starting a new crime-free life. Bear decides to look for Fox in order to seek his advice. Upon arriving at Fox's newly acquired brothel, Bear is "married" to a girl he, Fox, and Rabbit met during the fight with Savior's men. Under the advisement of Fox, Bear becomes a boxer for the Mafia. During one of Bear's fights, Rabbit sets up a melting imitation of himself made out of tar. As the Mafiosos take turns stabbing at the "tar rabbit", they become stuck together. Rabbit leaves a bomb next to them and then he, Bear, Fox, and the opponent boxer rush out of the boxing arena as it blows up.
The live-action story ends with Randy and Pappy escaping from the prison while being shot at by various white cops, but managing to make it out alive.
The main plot of the film is interspersed with animated vignettes depicting a white, blond, large-breasted Miss America who serves as a personification of the United States. In each of these short scenes, she seduces a black man (meant to depict the African-American populace), only to instead beat or kill him.
|
Coonskin
|
d1c6695b-5118-1122-9ddd-b3f5fb534692
|
What does Bear become
|
[
"a boxer"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
e8e9023b-0ab5-4e88-e683-cb63e5d9ef61
|
where does debbie hide a body?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
925d1e20-4ad8-8c63-42df-7abccb0fea20
|
In which year was the murder taken place?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
6f077b31-1607-709c-5bf6-c82edae61a81
|
Who has Jackie been visiting in Haslemere?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
6d419cc7-a464-7268-9317-d283320874d3
|
Who is Dorothy's stepsister?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
9987eb86-4a63-c6b1-7339-08c6dba30338
|
what is the name of the woman who lives in an isolated farmhouse?
|
[
"Dorothy Yates"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
5cd71395-3ccd-2451-533b-a5fd9cc4f140
|
where is dorothy's home?
|
[
"Haslemere, Surrey"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
cb620b4a-6bb4-933c-7ce8-96f71978bb3e
|
how many people were killed by dorothy yates?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
e5bd1907-1028-15b7-5900-0948203fc2b5
|
where did debbie hide the body before the police arrived?
|
[
"in a car shelter"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
586f2af8-fcb8-dbd2-99c7-eebc2f82891d
|
who has arguments with jackie?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
b864a4b8-9e28-f884-3514-8d4f9b7137a3
|
Who is Jackie's stepmum?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
8b07e2f9-99d6-2cd8-13dd-8df19b0f5be7
|
Who does Debbie argue with?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
23679da0-46c4-b793-b1f0-e169cc3a8442
|
what is the name of dorothy's stepdaughter?
|
[
"Debbie"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
37d6d60f-c847-030c-424b-2eea5d9c5a11
|
Where do Jackie's parents live?
|
[
"A foreboding looking house"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
6bce24e6-fffc-fcaf-0a10-9eb4bf02930f
|
Where does Debbie hide a body?
|
[
"Trunk of her car"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
c6b2cc75-c067-6c5e-d485-165ad1ee1c37
|
in what city did debbie become involved in a fight?
|
[
"London"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
5e37f317-eff3-6421-14b0-d1f48d490ac6
|
who is dorothy's stepsister?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
532b54ce-a973-24c5-3e21-03d7f8d44854
|
who is jackie's stepmum?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
abe96352-22dc-93b0-bdae-695a3dc1fcbe
|
in which year was the murder taken place?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
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Frightmare
|
54891f01-1086-9890-3c22-6007facc86ff
|
who does debbie argue with?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
247c73e1-63f8-725e-5b8d-0a48409696c9
|
Who is Edmund's daughter from a previous marriage?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
f7b390a5-f8ff-8545-c156-d3cc837961d7
|
who has jackie been visiting in haslemere?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
0245bf5e-3476-ff67-2693-19b76fa2f0d4
|
who is edmund's daughter from a previous marriage?
|
[] | true |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
9a7ad8c6-6c0a-ceb9-5729-c9d27a327d49
|
dorothy was released from th institution after it was discovered she was what?
|
[
"a cannibal who killed and partially ate at least six people in 1957"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
4d3aa57a-1d24-df5e-a4fe-5581e7983860
|
Who has arguments with Jackie?
|
[
"Debra"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
b2be3d85-4669-43e0-8e26-87d9de94a9d5
|
How many people were killed by Dorothy Yates?
|
[
"Four"
] | false |
/m/02vwws9
|
A group of drama students idolize their favourite horror film star, Conrad Razkoff (Ferdy Mayne). In the beginning, Conrad is acting in a commercial for dentures, and the Director (Peter Kastner) stops the filming because he does not like Conrad's performance. While the director sits on the edge of the balcony, an angry Conrad pushes him off with his cane. Later, Conrad visits a school and talks about his performances, only to faint under excitement. One of the Drama students, Meg (Jennifer Starrett), revives him. Later, as Conrad sits in his bed, his obese director Wolfgang (Leon Askin) visits him. After a long talk about his death arrangements, Conrad closes his eyes and tricks the director into believing he is dead. Then, the director denounces him until Conrad springs up and smothers him with a pillow. After Conrad dies, the seven drama students, Meg, Saint (Luca Bercovici), Bobo (Scott Thomson), Eve (Carlene Olson), Donna (Donna McDaniel), Oscar (Alan Stock), and Stu (Jeffrey Combs), go to the cemetery after dark, they sneak into the tomb where Conrad's coffin resides. The lights turn on and they see a film of Conrad stating that he welcomes them into his tomb, unless,he says, they have broken in. Creeped out, Meg asks them not to take Conrad, but they do, and take him to an old mansion where they stay for the night.
That night, Conrad's coffin explodes, and he rises from the dead. Later, Oscar and Donna are having sex but Donna says she is scared. Oscar goes to investigate and has his tongue ripped out by Conrad in the attic. Donna becomes worried and walks outside only to see Conrad, who uses black magic to set her on fire. Later, the five remaining teens realize that Oscar and Donna are missing and begin to look for them. Bob however is put in a trance by Conrad and walks to Conrad's tomb, only to suffocate from vapors that are released inside the crypt. Eve decides to watch a movie and is lured out of her room by the sound of Donna's voice, only to be smashed into the wall by Conrad's coffin, and hidden with Oscar's body.
Meg, Saint, and Stu realize that the other two are now missing and begin to panic, and Meg decides she's going to tell the police. Stu runs upstairs to get a flashlight since Saint's car will not start, only to be decapitated by Conrad who then sends his severed head out onto the front lawn of the mansion. Meg and Saint venture outside looking for Stu and find Donna's burnt body, and hurry back inside. Saint decides to try to fix his car, while Conrad traps Meg in the attic, where she impales him with a cross. Saint safely hides her unconscious body and takes Conrad's body with him to put back in the crypt, while the police arrive to the mansion finding a delirious Meg and all her dead friends. At the cemetery, Conrad attacks Saint and puts him in the crematorium, and goes back to his grave. A while later, his wife and his psychic friend arrive to say their final goodbyes to the "dead" Conrad, only Conrad kills his psychic after she steals his jewelry from his body, and his wife locks the crypt for forever. The final scene shows a video being played on the television installed in the crypt of Conrad informing the audience that hell is actually quite pleasant and hopes that more respect will be shown for the dead.
|
Frightmare
|
05b2011a-10b6-988b-a5a4-9c1280eab127
|
where do jackie's parents live?
|
[] | true |
/m/0808x51
|
Benoit Gando (Laurent Lucas) is a French insurance agent visiting a picturesque Northern Ontario town for a conference. He has a steady marriage with a nuclear engineer and an eleven-year-old daughter. Benoit is leaving a convenience store as twenty-seven-year-old rookie cop Kate Logan mistakes him for a suspected rapist. She explains the misunderstanding and lets him go, although it is possible she made up the story to get herself introduced to him, but the question arises how did she know who he was beforehand. Later that evening she shows up at his motel and offers him a drink in order to make up for the encounter. He accepts and due to her "innocent" flirtations they end up sleeping together.
In a subsequent encounter, Kate shows Benoit how to hold and aim her service revolver. While he playfully does this, never having handled one before, the revolver goes off and a bullet is lodged in the wall of the motel room. Fearing the loss of her job, Kate drags Benoit deeper into the affair and both are now on the run. Benoit just wants to go to the police and tell them the truth that it was just an accident. She keeps him hooked by threatening to tell his wife that they slept together. She tells him that they will come up with a better solution.
The outcome of the situation is tragic, for everyone but Kate. This woman manages to destroy many lives yet comes out of it unscathed.
|
The Kate Logan Affair
|
761e715f-401d-ee0e-af7e-bc65c6827a8e
|
What is Kate Logan's occupation?
|
[
"Rookie cop"
] | false |
/m/0808x51
|
Benoit Gando (Laurent Lucas) is a French insurance agent visiting a picturesque Northern Ontario town for a conference. He has a steady marriage with a nuclear engineer and an eleven-year-old daughter. Benoit is leaving a convenience store as twenty-seven-year-old rookie cop Kate Logan mistakes him for a suspected rapist. She explains the misunderstanding and lets him go, although it is possible she made up the story to get herself introduced to him, but the question arises how did she know who he was beforehand. Later that evening she shows up at his motel and offers him a drink in order to make up for the encounter. He accepts and due to her "innocent" flirtations they end up sleeping together.
In a subsequent encounter, Kate shows Benoit how to hold and aim her service revolver. While he playfully does this, never having handled one before, the revolver goes off and a bullet is lodged in the wall of the motel room. Fearing the loss of her job, Kate drags Benoit deeper into the affair and both are now on the run. Benoit just wants to go to the police and tell them the truth that it was just an accident. She keeps him hooked by threatening to tell his wife that they slept together. She tells him that they will come up with a better solution.
The outcome of the situation is tragic, for everyone but Kate. This woman manages to destroy many lives yet comes out of it unscathed.
|
The Kate Logan Affair
|
0be96a6e-5ec2-b3d7-0767-18a50f57ed00
|
What nationality is Benoit Gando?
|
[
"French"
] | false |
/m/0808x51
|
Benoit Gando (Laurent Lucas) is a French insurance agent visiting a picturesque Northern Ontario town for a conference. He has a steady marriage with a nuclear engineer and an eleven-year-old daughter. Benoit is leaving a convenience store as twenty-seven-year-old rookie cop Kate Logan mistakes him for a suspected rapist. She explains the misunderstanding and lets him go, although it is possible she made up the story to get herself introduced to him, but the question arises how did she know who he was beforehand. Later that evening she shows up at his motel and offers him a drink in order to make up for the encounter. He accepts and due to her "innocent" flirtations they end up sleeping together.
In a subsequent encounter, Kate shows Benoit how to hold and aim her service revolver. While he playfully does this, never having handled one before, the revolver goes off and a bullet is lodged in the wall of the motel room. Fearing the loss of her job, Kate drags Benoit deeper into the affair and both are now on the run. Benoit just wants to go to the police and tell them the truth that it was just an accident. She keeps him hooked by threatening to tell his wife that they slept together. She tells him that they will come up with a better solution.
The outcome of the situation is tragic, for everyone but Kate. This woman manages to destroy many lives yet comes out of it unscathed.
|
The Kate Logan Affair
|
0a72dfd9-4a9d-f374-8e2b-908a9a455cd5
|
How does Kate stop Benoit from telling her superiors about her errors?
|
[
"Starts and affair with him"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
3d88aa73-cbc9-9a62-859e-a15bf7b30ac8
|
How does Arenas manage to find himself?
|
[
"By moving to La Habana"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
ce46db8f-7222-ec01-4d26-0187a27986fe
|
What is Reinaldo move in the sixties?
|
[
"La Habana"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
f9e4e901-9c95-26bb-0126-99506c47dfeb
|
What type of award does Arenas earn in the writing test?
|
[
"Honorable mention"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
b3641513-45fe-cbd3-2f6b-c57938fcf385
|
When was Reinaldo Arenas born?
|
[
"Jul 16, 1943"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
4e1f6499-7f62-9056-6b36-b779dc3a2eeb
|
Where did the main character go to in the sixties to continue his studies?
|
[
"La Habana"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
d3e41de6-90f2-2fb8-ec88-f605e89d76ba
|
What year was Arenas born in?
|
[
"1943"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
35e3bf2c-683b-9f30-5fc9-5cbe624753ac
|
What is Arenas' diagnosis?
|
[] | true |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
955c5366-98a8-bc63-1040-c6c724ffa598
|
Who is the autobiography "Before Night Falls" about?
|
[
"Reinaldo Arenas"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
6c3c111b-5f78-19db-c59e-28caacdb09f1
|
Who is arrested for allegedly sexually assaulting minors?
|
[] | true |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
a2ec7d3a-1738-3298-5f75-27ffaa94f59e
|
Who wrote the autobiography that "Before Night Falls" is based off of?
|
[
"Reinaldo Arenas"
] | false |
/m/0clh4y
|
Before Night Falls is the story of the writer, novelist, and poet Reinaldo Arenas who was born in a poor rural area of Eastern Cuba. He initially supported the Cuban Revolution that brought Fidel Castro to power in 1959. Arenas moved to La Habana in 1963 and grew interested in writing. In 1966 he published El mundo alucinante (Hallucinations) which received critical acclaim and won honorable mention from the Union of Cuban Writers and Artists.
Arenas openly gay lifestyle eventually let to trouble and in 1973 he was charged with ideological deviation and sent to jail, but escaped, was rearrested, then imprisoned in El Morro. He was released in 1976 and in 1980 was part of the Mariel Boat lift to the United States. While in New York City Arenas published Cantando en el pozo (Singing From the Well) in 1982, followed by El palacio de la blanquísimas mofetas (Palace of white Skunks) in 1982 and El portero (The Doorman) in 1987. He committed suicide by overdose on December 7, 1990 at age 47. His memoir, Antes que anochezca (Before Night Falls) was published three years later, and is a principal source of this film, produced in 2000. Arenas is played by the Spanish actor Javier Bardem, whose performance and Cuban accent are absolutely perfect.
|
Before Night Falls
|
082d9e82-3227-d3ed-7ae9-c1726b9b63ce
|
Oriente is the birth place of which character?
|
[
"Reinaldo Arenas"
] | false |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
41b25dd5-863a-7937-1b08-c487f672f9a4
|
Zach tells which character about his relationship only to find that she already knew about it?
|
[
"Shaun"
] | false |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
a319df75-5961-6e06-3aab-cbc8633719e6
|
Where does Jeanne go ?
|
[] | true |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
d2d5626d-3d29-f7c4-8481-a1f798448b9f
|
Shaun submit's Xach's application to what kind of school?
|
[] | true |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
46a6c5fe-a680-4bcb-71a8-d03ed9665aa5
|
Who develops a close friendship with shaun?
|
[] | true |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
b8f80610-cf98-496a-9459-df1a61828a79
|
Who does Shaun build a strong bond with?
|
[
"Cody"
] | false |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
20e59b7a-90f0-e4e5-61f7-883e203868fe
|
Who does Zach go to see ?
|
[
"Shaun"
] | false |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
0952871d-473b-6522-0eba-f5d55b0a288f
|
Who is gabe's older brother?
|
[
"Shaun"
] | false |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
51d34d9f-4de0-0587-0b91-2cde1d0cae7b
|
In what city does Alan get a job?
|
[] | true |
/m/04gtf_g
|
After the death of her husband, Dr. Cara Harding's (Julianne Moore) faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father (Jeffrey DeMunn) introduces her to Adam (Jonathan Rhys Meyers), a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. Cara quickly discovers that his other personalities were murder victims; and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming victims themselves.
|
Shelter
|
965255c7-3902-4d48-d41b-0175fd7ba88d
|
What does Zach remind Jeanne of ?
|
[] | true |
/m/0439fn
|
Five strangers go with a tourist group to view old catacombs. They do not realise that they are all dead. Separated from the main group, they find themselves in a room with the mysterious Crypt Keeper (Ralph Richardson), who details how each of the strangers have died.
⦠And All Through the House (The Vault of Horror #35)Â
After Joanne Clayton (Joan Collins) kills her husband (Martin Boddey) on Christmas Eve, she prepares to hide his body but hears a radio announcement stating that a homicidal maniac (Oliver MacGreevy) is on the loose. She sees the killer (who is dressed in a Santa Claus costume) outside her house but cannot call the police without exposing her own crimes.
Believing the maniac to be Santa, Joanne's young daughter (Chloe Franks) unlocks the door and lets him into the house, whereupon he starts to strangle Joanne to death.
Reflection of Death (Tales from the Crypt #23)Â
Carl Maitland (Ian Hendry) abandons his family to be with Susan Blake (Angela Grant). After they drive off together, they are involved in a car accident. He wakes up in the wrecked car and attempts to hitch-hike home, but no one will stop for him. Arriving at his house, he sees his wife (Susan Denny) with another man.
He knocks on the door, but she screams and slams the door. He then goes to see Susan to find out that she is blind from the accident. She says that Carl died two years ago from the crash. Looking in a reflective tabletop he sees he has the face of a corpse. Carl then wakes up and finds out that it was a dream but the moment he does, the crash occurs as it did before.
Poetic Justice (The Haunt of Fear No. 12, MarchâApril 1952)Â
Edward Elliott (David Markham) and his son James (Robin Phillips) are a snobbish pair who resent their neighbour, dust man Arthur Grimsdyke (Peter Cushing) who owns a number of animals and entertains children in his house. To get rid of what they see as a blight on the neighbourhood, they push Grimsdyke into a frenzy by conducting a smear campaign against him, first resulting in the removal of his beloved dogs (one of them came back to him), persuading a member of the council to have him removed from his job, and later exploiting parents' paranoiac fears about child molestation.
On Valentine's Day, James sends Grimsdyke a number of poison-pen Valentines, supposedly from the neighbours, driving the old man to suicide. One year later, Grimsdyke comes back from the dead and takes revenge on James: the following morning, Edward finds his son dead with a note that says he was bad and that he had no heart-- the word "heart" represented by James's heart, torn from his body.
Wish You Were Here (The Haunt of Fear #22, NovemberâDecember 1953), is a variation on W. W. Jacobs' famed short story "The Monkey's Paw."
Ineffective businessman Ralph Jason (Richard Greene) is close to financial ruin. His wife Enid (Barbara Murray) discovers a Chinese figurine that says it will grant three wishes to whoever possesses it; Enid decides to wish for a fortune; surprisingly, it comes true. However, Ralph is killed on the way to his lawyer's office to collect it. The lawyer (Roy Dotrice) then advises Enid she will inherit a fortune from her deceased husband's life insurance plan. She uses her second wish to bring him back to the way he was just before the accident but learns that his death was due to a heart attack (caused by fright when he sees the figure of "death" following him on a motorcycle).
As she uses her final wish to bring him back alive and to live forever, she discovers that he was embalmed. She tries to kill him to end his pain but because she wished him to live forever, every bit of him is alive. She has now trapped him in eternal pain.
Blind Alleys (Tales from the Crypt No. 46, FebruaryâMarch 1955)
Major William Rogers (Nigel Patrick), the new incompetent director of a home for the blind (making up mostly of elderly and middle-aged men), makes drastic financial cuts, reducing heat and rationing food for the residents, while he lives in luxury with his dog Shane, a German Shepherd. When he ignores complaints and a man dies due to the cold, the blind residents, led by the stone-faced George Carter (Patrick Magee) exact an equally cruel revenge.
After Carter and his group subdue the staff, they lure and trap Major Rogers as well as his dog in two separate rooms in the basement. The blind men then begin constructing in the basement a maze of narrow corridors, some of them lined with razor blades. They starve the Major's dog, then place the Major in the maze's centre and turn off the lights. As the major attempts to escape, cutting himself and bleeding, the inmates release the starving dog...
After completing the final tale, the Crypt Keeper reveals that he was not warning them of what would happen, but telling them what had happened; they have all "died without repentance". Clues to this twist can be spotted throughout the film, including Joan Collins' character wearing the brooch her husband had given her for Christmas just before she killed him. The door to Hell opens, and the visitors all enter. "And now⦠who is next?" asks the Crypt Keeper, turning to face the camera. "Perhaps you?" (The earlier Amicus anthology Torture Garden featured a similar ending, breaking the fourth wall).
|
Tales from the Crypt
|
a29e08ae-8283-8ecc-f46e-2027ed22d13e
|
What did the note say Edward's son did not have?
|
[
"heart"
] | false |
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