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The film opens with con-dog Charlie B Barker and his pal Itchy, attempting to break out of the local pound.Charlie and Itchy return to the casino that Charlie ran with his old partner, Carface. Unknown to Charlie, Carface was responsible for Charlie going to 'the pound,' with Carface intending to take over the whole gambling operation. Charlie notices that the gambling clientele are not too happy with the way things have been run while he has been away, and Charlie goes to see Carface.Carface then convinces Charlie that they need to split up the business, since he is now a wanted fugitive. A going away party is then held for Charlie later that evening, with Charlie getting drunk, and Carface giving him a pocketwatch. Charlie is mentally unable to comprehend where he is, when Carface's goons blindfold him, and take him down to a dock, where a car is put in motion many yards away. Itchy has heard about the plan, but is too late to stop the car from killing Charlie.Charlie soon finds himself in Heaven, being explained things by a dog named Whippet. She explains that all dogs go to heaven, though is surprised when going over Charlie's record, finding very little regarding kindness and loyalty from him. Charlie is shown that the watch he was given by Carface is connected to his own heart, and because it stopped, Charlie is now dead. When Charlie asks why it can't simply be wound back up to send him back, Whippet explains that this is not allowed. Even so, Charlie manages to get the watch away from her, and returns to life. However, as he rockets towards Earth, Whippet's voice is heard saying that he can never come back now.Charlie soon finds Itchy, who at first thinks Charlie is a ghost, but then grows even more concerned when Charlie wants to get back at Carface for attempting to kill him. Itchy is concerned because he has heard word that Carface has a monster that he has locked away.Charlie and Itchy break into Carface's place, only to find that the monster is actually a little girl named Ann-Marie, who can talk to animals. Carface has been using her to win (and fix) almost all the 'rat races' that the casino he runs has. Charlie soon convinces Ann-Marie that since she's an orphan, he can help her find a family that will adopt her, as well as intending to use the money that she helps win them to be given to the poor. While at the horse track, Charlie swipes the wallet of a young couple, and uses the money to help them win their first race.Charlie uses Ann-Marie's skills to make him enough money to start a new casino. Soon after, Ann-Marie finds the wallet that Charlie stole, and refuses to talk to him again. Later that evening, Charlie has a nightmare in which he ends up in a fiery lake of lava, where demons intend to drag him under. Charlie then wakes to find Ann-Marie gone.He soon finds that she has returned the wallet to the young couple, who seem more than happy to give her a good breakfast. Charlie finds her, and guilts her into coming back with him. However, Carface has found that Charlie is alive, and intends to kill Charlie, before he and Ann-Marie make their escape.They find their way into a sewer system, where a gang of sewer rats intends to sacrifice Charlie to a big-lipped alligator. However, Charlie gives a long-pitched howl, which causes the alligator to spare Charlie's life due to his great singing voice. Unfortunately, Ann-Marie has caught a bad cold from being in the sewer, and Charlie is unsure what to do.When Itchy finds Charlie, he explains that Carface and his goons have torched their casino. Charlie contends that they'll rebuild, and use Ann-Marie to recoup their losses, with plans to give her to an orphanage afterwards. However, Ann-Marie hears Charlie's words and runs off. She is soon recovered shortly by Carface and taken to a derelict ship off the coast of New Orleans.Charlie goes after her, and ends up in a scuffle with Carface. Their fight soon causes some fuel to spill and a fire to erupt on the ship. When Carface bites down on Charlie's tail, Charlie gives a long howl that is heard by the alligator from before. It comes to his rescue and chases off Carface, but ends up dislodging the ship from the shore, sending it adrift.Charlie attempts to save Ann-Marie, but almost loses his watch that keeps him alive. At a moral crossroads, Charlie lets the watch sink into the water, and pushes Ann-Marie out of the boat on a wooden doorframe. Eventually, the water overtakes the watch, and it stops ticking.Some time later, the young couple have taken Ann-Marie in, as she still recovers from her sickness. Charlie's spirit then visits her, under the supervision of an enormous, dark hell-hound. However, a glowing sphere appears, and the hell-hound disintegrates. As the sphere approaches Charlie, Whippet's voice can be heard, and explains that since Charlie gave his life to save Ann-Marie, he can go to Heaven. Ann-Marie then wakes up, and the two say their goodbyes.
|
All Dogs Go to Heaven
|
9aa1d2c8-fc2a-fad5-9b04-43bef68fc2f4
|
Who tells Charlie he has regained his place in heaven?
|
[
"Whippet"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
aa4c2a58-73f4-5040-6dd4-1c047c825c96
|
Rahmat does not express herself at all how?
|
[
"because her real name is Baran"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
7b50db5e-42d0-de8e-3f24-a3f24848b1dc
|
How Does Baran get her shoe back?
|
[] | true |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
1b4e1b93-151f-f27d-25af-5c441a4d6fc9
|
Who replaces Najaf?
|
[
"Rahmat"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
67ff3f46-4010-93db-9888-9d4553c2bdab
|
Who's house is lafeet at?
|
[] | true |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
64462da1-e2cf-3602-a0d9-d6151a0c1605
|
What happens to Memar?
|
[] | true |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
cf25810f-0a51-c006-038a-82a5404db5c8
|
Who frees Baran's shoe from the mud?
|
[
"Lateef"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
ff202ce6-a8dd-90c1-f97f-30fa1efb1854
|
Who decides to locate Soltan to get some news of Rahmat?
|
[
"Lateef"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
db102cc5-d7f9-a4e9-f1cc-7077f48bbaf0
|
Is NAJAF a Turkish worker or an Afghan worker?
|
[
"Afghan"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
c484a947-4ac8-0375-89db-e9a4ee5e05ed
|
What is Baran carrying out of the river?
|
[
"Logs"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
2272ed7b-bb29-186f-4381-c2e9e77059d2
|
Is RAHMAT an old man?
|
[
"No"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
e80137ed-e8f6-0c77-04dc-44ec93c633b5
|
Who must pay a fine?
|
[] | true |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
98ce2b95-f010-0d5b-83be-65581f5cae62
|
How do Baran and Lateef exchange their feelings of love?
|
[
"eye contact and physical proximity"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
e8d4d81d-4775-725b-af78-8f181ef43d5c
|
How hold is Lateef
|
[
"17"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
51861de6-f0f3-e1e5-8e17-664d782240b0
|
Who manages the construction site where Lateef works?
|
[
"Memar"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
21dc3033-20ba-25dc-d9bb-5d74e54a2e0a
|
What happens because NAJAF fell from a building?
|
[
"Breaks his leg"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
054d960a-4998-c8a0-90c7-42d9ccf2a333
|
Is Lateef shocked and worried at the end?
|
[
"no"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
917f60a3-6bef-f2a0-1f60-9f2f764dada8
|
Memar has to lay off of all illegal what?
|
[
"Afghan workers"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
a07f3a52-0e51-ce87-1a22-dae7b3d0f9be
|
Who does Lateef bring the money to?
|
[
"Majaf"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
eb41d079-b534-7ced-1e17-e11ce690c1ec
|
What takes Baran away?
|
[
"truck"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
99f7189a-dd82-db25-4746-f6e1dda506b8
|
What is Najaf loading on the truck?
|
[
"house hold effects"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
a03b5639-5691-2cfe-5b0e-1b96039c963c
|
How did Najeef's brother die
|
[
"killed in war"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
371b2965-e4a7-4ab7-220f-54f9b2c4e275
|
Who works in the village near the river?
|
[
"the afghans"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
7f3d29e8-5b66-92a6-eb8e-4aba5692f697
|
What does Lateef discover by spying on Rahmat?
|
[
"Lateef discovers Rahmat is a girl"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
93e218a2-3b10-a078-ebfc-e2cef263b54e
|
How does Najaf break his leg?
|
[
"Falling from a building."
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
5f64bf5a-bb99-2c56-7065-e0fd22f42f21
|
Who lives in the village where Lateef goes?
|
[
"Afghans"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
91bbf089-48ac-8a0d-3dc6-85862199394a
|
What Happens to Baran's footprint?
|
[
"the rain covers the footprint as lateef stares at it and smiles"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
4bd17ea0-1429-dc71-5983-5b9e87c9a8ee
|
What relative of Najaf's was killed in war?
|
[] | true |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
145a0a64-bfc7-5cd1-3618-7f107d67ce51
|
Whose absence does Lateef can't bear?
|
[
"rahmat absense lateef cant bear"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
02cfb4ff-bce7-1b69-1e29-e229679925c0
|
Is one of the locations Afghanistan?
|
[
"No"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
509d1f15-fa4e-f132-681f-a778121d3666
|
Who is beaten and taken to the police station?
|
[] | true |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
6b8caff8-52ed-f56b-dac3-9e30a5ad04c2
|
What is Rahmat's real name?
|
[
"Baran"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
3cf68fb5-d42d-b354-ca23-61845d6700c3
|
Who performs a surprise inspection?
|
[
"the labour inspection performed a surprise inspection"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
a917928b-9942-5e78-c691-45f48bd5877f
|
What is rahmats real name?
|
[
"BARAN"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
4e9e4641-f371-9415-c3a2-da52d429b806
|
What's handed to Soltan?
|
[
"Money"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
d2ba4bba-40e6-a27b-02f6-0bfb2b589577
|
What does Baran's shoe get stuck in?
|
[
"mud"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
9d54db78-56d2-e7f5-d18b-26f6e7b824a1
|
Where do the men try to meet up at the next day?
|
[
"at the shrine"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
bf7653a4-b273-3873-da16-783b8158a30d
|
What does Lateef sell?
|
[
"Tea and food"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
22db7ff2-3657-84d9-0c40-ec012031695b
|
What does NAJAF fall from?
|
[
"Building"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
316d3867-9939-cf63-f130-b1f423436a57
|
Who does Lateef struggle with?
|
[
"The inspectors"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
9875cf98-bcbc-aa2a-e834-d50ca9548f43
|
After NAJAF falls from the building and breaks his leg, is left there or taken to the hospital?
|
[
"Hospital"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
81e60a31-1852-b2d2-7a3f-e5f52089f1e5
|
Who helps Najaf load the truck
|
[
"Lateef"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
175792c5-6e10-d647-37fb-8ad30a43b923
|
What do the women carry from the river?
|
[
"heavy stones"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
5815b415-4489-747e-e748-1298b69a1795
|
Is SOLTAN a Turkish worker or an Afghan worker?
|
[
"Turkish"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
c26f1a44-ad41-0e20-c080-f9762c076d0d
|
Is it true or false that there is no issue with Soltan's family in Afghanistan?
|
[
"true"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
fe6f8707-192f-b9be-9df9-5be9f9ba8a4c
|
In which courtyard, near a graveyard does the Afghan families are gathered for a local milk ceremony?
|
[
"the courtyard of a shrine"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
f7ba595b-5e05-98ed-88dd-4057da1d6acf
|
What country does Soltan move to?
|
[
"Afghanistan"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
94fb2c32-d46f-3aef-d383-e2647a85bf1d
|
Who is on crutches?
|
[
"Soltan"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
f6c8ebf3-0752-114b-cdd5-217ba2bfe600
|
What Happens to Baran's shoe?
|
[
"breaks"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
8c46db28-cf27-1953-74d8-8a7e1ee63f83
|
Does Lateef refuse money?
|
[
"No"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
496afe55-6976-beca-7a1b-ffa132976146
|
Did Najaf tell Soltan to keep the money and go to Afghanistan?
|
[
"Yes"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
0d35c975-c29b-0836-3820-ee47b4e16f1e
|
What does Najaf beg Memar to lend him?
|
[
"Money"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
728b9e65-6777-aa5b-fa25-41b42552c463
|
Who does Lateef meet in the Afghan village?
|
[
"Baren"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
35ded88a-28aa-af70-dac1-c8a56df13dc0
|
What does Rahmat do when she comes face to face with them?
|
[
"She panics and runs away"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
f2b0e976-a298-0095-35ad-97c5a2e45785
|
Did Najaf take the money?
|
[
"Yes"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
92d69abc-a30a-fbff-32b3-23fc17310446
|
Who stands in famale clothing among the Afghans in the courtyard?
|
[
"Rahmat"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
b85a682c-3703-0a99-3a03-a2545b3c3915
|
Why do the villagers gather at the shrine?
|
[
"Local milk ceremony"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
526151a3-cac6-ab25-1d99-930ec6915a1b
|
Who is begging for money?
|
[
"Najaf"
] | false |
/m/06bzxz
|
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.
As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.
From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.
Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard where Afghan families are gathered for a local milk ceremony. He inquires about Soltan, but gets no clues. Among the Afghans in the courtyard stands Rahmat in female clothing. She sees Lateef, stares at him for a while, then leaves the ceremony. Lateef is not aware of her presence. The next day on the road, he finds Soltan, and learns that Rahmat works in the village near the river. Lateef rushes there to find Rahmat in a pitiful state, working with other women carrying heavy stones from the river. He is distressed, and wants to find a way to help her out of that ordeal.
He gets all his accumulated wages from Memar, and hands them to Soltan, asking him to pass them on to Najaf. They agree to meet the next day at the shrine after Soltan has given the money to Najaf. The next day at the shrine, instead of Soltan, Najaf shows up to inform Lateef that Soltan has gone to Afghanistan. He tells Lateef that Soltan came to him and offered him some money he'd borrowed from someone. He also tells Lateef he has refused the money, and has advised Soltan to keep it for himself, and use it to leave immediately for Afghanistan where he had a life and death issue in his family. Lateef is now shocked and worried.
Lateef becomes even more worried the next day when he overhears a conversation in Najaf's house that Najaf is now faced with family problems in Afghanistan, as his brother has been killed in the war. He also hears Rahmat's real name is BARAN. Lateef goes back to the river to find Baran, who is exhausted, carrying logs out of the river in an atmosphere reminiscent of a war field. Powerless before the hardship she is going through, Lateef returns to the construction site in a state of depression. The next morning, Najaf on his crutches is at the construction site to meet Memar. Lateef overhears Najaf begging Memar without success to lend him some money.
Lateef makes a desperate attempt to get money. He sells the only valuable thing he has, his identity card. When he brings the money to Najaf, Lateef learns that thanks to this money, Najaf and his family will return to Afghanistan. Lateef is overwhelmed by this news, and finds refuge in the shrine. There, in a state of anguish and despair, he hears from all around him the same sounds he heard when he first saw Baran. He surrenders to his fate.
The next day in a dreamlike atmosphere, while helping Najaf to load a truck with household effects, Lateef, with a serene look, is finally face-to-face with Baran. Through eye contact and physical proximity, they exchange their feelings of love. As Baran covers herself and walks to the truck, her shoe gets stuck in the mud. Lateef gets on his knees, takes her shoe out of the mud, and hands it to Baran so she can wear it and leave. The truck takes Baran away. Left alone in the empty place, Lateef stares at the footstep in the mud left by Baran's shoe, and smiles while the rain covers it.
|
Baran
|
7d05cdf9-960e-77ea-83e8-0ecf430bd42a
|
Who runs away?
|
[
"Rahmat"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
e6549169-8546-7fc5-5422-0a78b01fe5d0
|
Who is found tied to the bed?
|
[
"Irina"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
3961ab95-407e-823c-800b-866eccb73821
|
What is the name of the disaster?
|
[
"Battle of Stalingrad"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
a5b7c5ce-88eb-4f95-2bf4-8c18cf90457d
|
Who offers to help Witzland and Reiser avoid capture?
|
[
"Irina"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
1227e7ea-4926-1eb9-6404-79b388b9dcb3
|
How does Otto die?
|
[
"Otto shoots himself in the head"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
37f7cf26-740e-749c-e94d-309273acd721
|
Who tries to save the trapped young German girls?
|
[
"Irina"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
15273203-3191-31b9-4d0f-e54222a89498
|
Who have surrounded the German Sixth Army?
|
[
"The Soviets",
"russians"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
797eae6e-3239-77bb-a8bb-05016f8ff156
|
Who reassigns the penal battalion?
|
[
"Hauptmann Musk",
"the lt."
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
2fab8c3c-ebe3-4f8b-218b-9189db5d622c
|
Where were the young girls trapped?
|
[
"in the building"
] | false |
/m/0k951mn
|
The film opens in Japan in the wake of the 2011 earthquake and tsunami. As emergency personnel work to reach some victims trapped underground, one rescuer tries to keep the victims calm by telling the story of how he came to have five fathers, all killed during the Great Patriotic War (World War II). The trapped victims are young German students and the rescuers are Russian.
In 1942, after the initial attack on Stalingrad, a small group of Russian soldiers take cover in a large five story residential building that happens to provide cover for a Russian crossing point on the Volga river. Five of these soldiers become the five fathers in the story: Polyakov ("Angel") who had become embittered when his wife and daughter were killed in an air raid; Chvanov, whose hatred of the Germans comes from their cruel treatment and methodical murder of his family; Nikiforov, a talented tenor singer before the war, who had become a cruel and vicious fighter; Sergey, drafted into the war as a spotter; and Captain Gromov, a veteran and hero who leads the group after finding them. The soldiers encounter a young girl named Katya, living alone in the building after her family had been killed. As they spend the next few days together, the soldiers grow fond of her, and she of them.
Germans encamped near the crossing are led by Hauptmann Kahn; a highly decorated, but disillusioned soldier who falls in love with a Russian woman named Masha, who resembles his late wife. She at first detests him, but soon begins to reciprocate his love, although they cannot speak each other's language. Oberstleutnant Henze arrives to take command of the Germans. He chides Kahn both for his attraction to Masha, as well as his failure to eradicate the Russian soldiers. Henze decides to set an example by rounding up the Russian civilians living in the bombed out buildings, then burning a woman and her daughter alive. This enrages the Russian soldiers who ambush the Germans, killing several, but losing several of their own men in the process. The Germans and Russians then retreat to their own shelters to wait the others out. One afternoon, Chvanov teaches Katya how to aim her gun at a German washing himself at a water faucet and startled, accidentally shoots him, which causes retaliation that injures Chvanov.
During one of his visits to Masha, Kahn promises to take her to safety when the time comes. On her 19th birthday, Katya is presented with a handmade cake from the soldiers, with a song by Nikiforov, whom she had earlier recognized as a famous singer. She is then given the gift of a bathtub filled with hot water, a luxury no one has experienced since the siege began. Sergey takes Katya to his old lookout spot, located in a building not occupied by either the Germans or the Russians. The two spend the night together, unknowingly creating the narrator of our story.
After Polyakov ricocheted[clarification needed] an artillery shell into the German complex, Kahn is ordered to begin the attack on them; he takes Masha to an abandoned building, hoping to save her from the coming fight. As she begs him to stay with her, she is shot by Chvanov for being a collaborator, enraging Kahn. Nikiforov is taken captive by the Germans, where he manages to brutally stab Henze before being killed himself. Henze's death puts Kahn back in charge.
German reinforcements arrive with tanks that have the range to take out the Russian soldiers and their building. They open fire, fatally injuring Chvanov. Kahn and his soldiers attack, shooting Polyakov to death. Kahn then finds Gromov on the second floor trying to use a radio. The two of them shoot each other several times before collapsing. Sergey reaches them and uses the radio to order an air strike on their building, which is being overrun by German soldiers. Katya watches with a broken heart as the building is leveled, leaving no one inside alive.
Back in the present day, the Germans are freed from the building. The girl to whom Sergey (who had been named after his biological father) had told his story seeks him out, and they share a moment of understanding before he is driven away.
|
Stalingrad
|
146e0c9f-6f07-32df-6843-df902b15fef2
|
Is the film Russian?
|
[
"yes"
] | false |
/m/09vjm5
|
Ben Stride (Randolph Scott) walks into a desert cave encampment during a nighttime rainstorm. He encounters two men taking shelter next to a fire and asks to join them. Stride tells the men he's from the town of Silver Springs, which provokes a mysterious reaction from the two men. They discuss a robbery and murder that recently occurred there. The men become suspicious of Stride, and when they realize his intentions, he guns them down.
The following day Stride tracks someone through the Arizona wilderness and comes upon a wagon stuck in the mud. Stride uses the two horses he confiscated from the men at the encampment to help pull the wagon clear, and the wagon's owners, John and Annie Greer, are grateful. Travelers from Kansas City, they admit they are inexperienced at frontier life and ask Stride to ride with them as they head south to the border town of Flora Vista on their way west to California. Greer says he hopes to find a sales job there, but has been taking odd jobs along the way. The mention of Flora Vista arouses Stride's curiosity and he agrees to take them to the border. As the trio travels, Annie shows a growing attraction to Stride. At one point they are stopped by a US Army detail, whose commanding officer (Stuart Whitman) tells them to go back, as Chiricahua Apache have been spotted in the area and he cannot guarantee their safety.
Stride and the Greers travel on, finding a stagecoach relay station and encountering Bill Masters (Lee Marvin) and Clete (Don Barry), two former nemeses of Stride's. As they all spend the night at the station, Masters tells the Greers that Stride was once the sheriff of Silver Springs, and his wife was killed during the robbery of the Wells Fargo freight office. Stride has been tracking and killing the seven men who performed the robbery, and Masters intends to abscond with the $20,000 dollars in gold they stole once Stride has accomplished his task. Annie feels sympathy for Stride, who confesses that he feels guilty about his wife's death because at the time he was no longer sheriff and didn't have another job, so she took one at the freight office and was working the night of the incident. Before the wagon heads out of the station, with Masters and Clete tagging along opportunistically, they are met by Chiricahua warriors. The Apache leave when Stride gives up one of the horses to the hungry tribesmen.
The group encounters one of the Wells Fargo robbers, who is being chased by Indians. Unaware of the man's part in the robbery, Stride saves him from the Apache. The man, however, recognizes Stride and nearly kills him, but Stride is saved when Masters shoots the man in the back.
One night, Masters "reminisces" about a woman stolen away from her husband by a tall stranger, clearly suggesting that Stride is doing just that with Annie Greer. Furious at Masters's impropriety, Stride sends Masters and Clete away into the night.
Masters and Clete reach Flora Vista ahead of the wagon, and there meet with the Wells Fargo bandits waiting for delivery of their gold. Masters tells their leader, Payte Bodeen (John Larch), that Stride is heading in their direction to kill all of them and avenge his wife's death. Bodeen dispatches two of the bandits to meet Stride before he can reach Flora Vista. Meanwhile, Stride leaves Greer and Annie, telling them to continue on without him. Stride rides ahead into a canyon alone and is ambushed by the two bank robbers but kills them both. Wounded in the leg, Stride is knocked unconscious while trying to ride away with one of the bandits' horses.
Bodeen tells Masters that Greer is the man he paid to deliver the gold from the robbery to Flora Vista, and Masters berates himself for letting this escape him. Meantime, Greer and Annie come upon the unconscious Stride and nurse his wounds. Greer admits to his wife and Stride that he was paid $500 to deliver the Wells Fargo box containing the gold hidden in the wagon. Stride takes the gold away from Greer to draw the rest of the bandits out from town, and Greer and Annie head into Flora Vista to notify the local sheriff.
Greer arrives in town without the gold, telling Bodeen that Stride has it, and as he walks down the street toward the sheriff's office, Bodeen guns him down. The last two bandits, Bodeen and Clint, ride out to confront Stride, but are killed by Masters and Clete instead. Masters then kills Clete and walks out into the clearing where Stride has placed the box of gold. They face off, and Stride kills Masters before he can pull his guns.
Stride returns the gold to Wells Fargo and tells Annie that he is going to take a job as a deputy sheriff in Silver Springs. He puts her on a stagecoach bound for California, then rides away. Annie, however, tells the stage driver she isn't going.
|
Seven Men from Now
|
64c5253a-226f-5ab9-82ee-cd178222fab0
|
Where did seven gunmen kill a person and rob a Wells Fargo station?
|
[
"Silver Springs"
] | false |
/m/09vjm5
|
Ben Stride (Randolph Scott) walks into a desert cave encampment during a nighttime rainstorm. He encounters two men taking shelter next to a fire and asks to join them. Stride tells the men he's from the town of Silver Springs, which provokes a mysterious reaction from the two men. They discuss a robbery and murder that recently occurred there. The men become suspicious of Stride, and when they realize his intentions, he guns them down.
The following day Stride tracks someone through the Arizona wilderness and comes upon a wagon stuck in the mud. Stride uses the two horses he confiscated from the men at the encampment to help pull the wagon clear, and the wagon's owners, John and Annie Greer, are grateful. Travelers from Kansas City, they admit they are inexperienced at frontier life and ask Stride to ride with them as they head south to the border town of Flora Vista on their way west to California. Greer says he hopes to find a sales job there, but has been taking odd jobs along the way. The mention of Flora Vista arouses Stride's curiosity and he agrees to take them to the border. As the trio travels, Annie shows a growing attraction to Stride. At one point they are stopped by a US Army detail, whose commanding officer (Stuart Whitman) tells them to go back, as Chiricahua Apache have been spotted in the area and he cannot guarantee their safety.
Stride and the Greers travel on, finding a stagecoach relay station and encountering Bill Masters (Lee Marvin) and Clete (Don Barry), two former nemeses of Stride's. As they all spend the night at the station, Masters tells the Greers that Stride was once the sheriff of Silver Springs, and his wife was killed during the robbery of the Wells Fargo freight office. Stride has been tracking and killing the seven men who performed the robbery, and Masters intends to abscond with the $20,000 dollars in gold they stole once Stride has accomplished his task. Annie feels sympathy for Stride, who confesses that he feels guilty about his wife's death because at the time he was no longer sheriff and didn't have another job, so she took one at the freight office and was working the night of the incident. Before the wagon heads out of the station, with Masters and Clete tagging along opportunistically, they are met by Chiricahua warriors. The Apache leave when Stride gives up one of the horses to the hungry tribesmen.
The group encounters one of the Wells Fargo robbers, who is being chased by Indians. Unaware of the man's part in the robbery, Stride saves him from the Apache. The man, however, recognizes Stride and nearly kills him, but Stride is saved when Masters shoots the man in the back.
One night, Masters "reminisces" about a woman stolen away from her husband by a tall stranger, clearly suggesting that Stride is doing just that with Annie Greer. Furious at Masters's impropriety, Stride sends Masters and Clete away into the night.
Masters and Clete reach Flora Vista ahead of the wagon, and there meet with the Wells Fargo bandits waiting for delivery of their gold. Masters tells their leader, Payte Bodeen (John Larch), that Stride is heading in their direction to kill all of them and avenge his wife's death. Bodeen dispatches two of the bandits to meet Stride before he can reach Flora Vista. Meanwhile, Stride leaves Greer and Annie, telling them to continue on without him. Stride rides ahead into a canyon alone and is ambushed by the two bank robbers but kills them both. Wounded in the leg, Stride is knocked unconscious while trying to ride away with one of the bandits' horses.
Bodeen tells Masters that Greer is the man he paid to deliver the gold from the robbery to Flora Vista, and Masters berates himself for letting this escape him. Meantime, Greer and Annie come upon the unconscious Stride and nurse his wounds. Greer admits to his wife and Stride that he was paid $500 to deliver the Wells Fargo box containing the gold hidden in the wagon. Stride takes the gold away from Greer to draw the rest of the bandits out from town, and Greer and Annie head into Flora Vista to notify the local sheriff.
Greer arrives in town without the gold, telling Bodeen that Stride has it, and as he walks down the street toward the sheriff's office, Bodeen guns him down. The last two bandits, Bodeen and Clint, ride out to confront Stride, but are killed by Masters and Clete instead. Masters then kills Clete and walks out into the clearing where Stride has placed the box of gold. They face off, and Stride kills Masters before he can pull his guns.
Stride returns the gold to Wells Fargo and tells Annie that he is going to take a job as a deputy sheriff in Silver Springs. He puts her on a stagecoach bound for California, then rides away. Annie, however, tells the stage driver she isn't going.
|
Seven Men from Now
|
e3803695-1107-7852-21d1-641c32e931a7
|
Where was Ben Stride a sheriff?
|
[
"Silver Springs"
] | false |
/m/09vjm5
|
Ben Stride (Randolph Scott) walks into a desert cave encampment during a nighttime rainstorm. He encounters two men taking shelter next to a fire and asks to join them. Stride tells the men he's from the town of Silver Springs, which provokes a mysterious reaction from the two men. They discuss a robbery and murder that recently occurred there. The men become suspicious of Stride, and when they realize his intentions, he guns them down.
The following day Stride tracks someone through the Arizona wilderness and comes upon a wagon stuck in the mud. Stride uses the two horses he confiscated from the men at the encampment to help pull the wagon clear, and the wagon's owners, John and Annie Greer, are grateful. Travelers from Kansas City, they admit they are inexperienced at frontier life and ask Stride to ride with them as they head south to the border town of Flora Vista on their way west to California. Greer says he hopes to find a sales job there, but has been taking odd jobs along the way. The mention of Flora Vista arouses Stride's curiosity and he agrees to take them to the border. As the trio travels, Annie shows a growing attraction to Stride. At one point they are stopped by a US Army detail, whose commanding officer (Stuart Whitman) tells them to go back, as Chiricahua Apache have been spotted in the area and he cannot guarantee their safety.
Stride and the Greers travel on, finding a stagecoach relay station and encountering Bill Masters (Lee Marvin) and Clete (Don Barry), two former nemeses of Stride's. As they all spend the night at the station, Masters tells the Greers that Stride was once the sheriff of Silver Springs, and his wife was killed during the robbery of the Wells Fargo freight office. Stride has been tracking and killing the seven men who performed the robbery, and Masters intends to abscond with the $20,000 dollars in gold they stole once Stride has accomplished his task. Annie feels sympathy for Stride, who confesses that he feels guilty about his wife's death because at the time he was no longer sheriff and didn't have another job, so she took one at the freight office and was working the night of the incident. Before the wagon heads out of the station, with Masters and Clete tagging along opportunistically, they are met by Chiricahua warriors. The Apache leave when Stride gives up one of the horses to the hungry tribesmen.
The group encounters one of the Wells Fargo robbers, who is being chased by Indians. Unaware of the man's part in the robbery, Stride saves him from the Apache. The man, however, recognizes Stride and nearly kills him, but Stride is saved when Masters shoots the man in the back.
One night, Masters "reminisces" about a woman stolen away from her husband by a tall stranger, clearly suggesting that Stride is doing just that with Annie Greer. Furious at Masters's impropriety, Stride sends Masters and Clete away into the night.
Masters and Clete reach Flora Vista ahead of the wagon, and there meet with the Wells Fargo bandits waiting for delivery of their gold. Masters tells their leader, Payte Bodeen (John Larch), that Stride is heading in their direction to kill all of them and avenge his wife's death. Bodeen dispatches two of the bandits to meet Stride before he can reach Flora Vista. Meanwhile, Stride leaves Greer and Annie, telling them to continue on without him. Stride rides ahead into a canyon alone and is ambushed by the two bank robbers but kills them both. Wounded in the leg, Stride is knocked unconscious while trying to ride away with one of the bandits' horses.
Bodeen tells Masters that Greer is the man he paid to deliver the gold from the robbery to Flora Vista, and Masters berates himself for letting this escape him. Meantime, Greer and Annie come upon the unconscious Stride and nurse his wounds. Greer admits to his wife and Stride that he was paid $500 to deliver the Wells Fargo box containing the gold hidden in the wagon. Stride takes the gold away from Greer to draw the rest of the bandits out from town, and Greer and Annie head into Flora Vista to notify the local sheriff.
Greer arrives in town without the gold, telling Bodeen that Stride has it, and as he walks down the street toward the sheriff's office, Bodeen guns him down. The last two bandits, Bodeen and Clint, ride out to confront Stride, but are killed by Masters and Clete instead. Masters then kills Clete and walks out into the clearing where Stride has placed the box of gold. They face off, and Stride kills Masters before he can pull his guns.
Stride returns the gold to Wells Fargo and tells Annie that he is going to take a job as a deputy sheriff in Silver Springs. He puts her on a stagecoach bound for California, then rides away. Annie, however, tells the stage driver she isn't going.
|
Seven Men from Now
|
54758e34-801a-7b61-d105-473378a1aed8
|
Who did Ben Stride jail in the past?
|
[] | true |
/m/09vjm5
|
Ben Stride (Randolph Scott) walks into a desert cave encampment during a nighttime rainstorm. He encounters two men taking shelter next to a fire and asks to join them. Stride tells the men he's from the town of Silver Springs, which provokes a mysterious reaction from the two men. They discuss a robbery and murder that recently occurred there. The men become suspicious of Stride, and when they realize his intentions, he guns them down.
The following day Stride tracks someone through the Arizona wilderness and comes upon a wagon stuck in the mud. Stride uses the two horses he confiscated from the men at the encampment to help pull the wagon clear, and the wagon's owners, John and Annie Greer, are grateful. Travelers from Kansas City, they admit they are inexperienced at frontier life and ask Stride to ride with them as they head south to the border town of Flora Vista on their way west to California. Greer says he hopes to find a sales job there, but has been taking odd jobs along the way. The mention of Flora Vista arouses Stride's curiosity and he agrees to take them to the border. As the trio travels, Annie shows a growing attraction to Stride. At one point they are stopped by a US Army detail, whose commanding officer (Stuart Whitman) tells them to go back, as Chiricahua Apache have been spotted in the area and he cannot guarantee their safety.
Stride and the Greers travel on, finding a stagecoach relay station and encountering Bill Masters (Lee Marvin) and Clete (Don Barry), two former nemeses of Stride's. As they all spend the night at the station, Masters tells the Greers that Stride was once the sheriff of Silver Springs, and his wife was killed during the robbery of the Wells Fargo freight office. Stride has been tracking and killing the seven men who performed the robbery, and Masters intends to abscond with the $20,000 dollars in gold they stole once Stride has accomplished his task. Annie feels sympathy for Stride, who confesses that he feels guilty about his wife's death because at the time he was no longer sheriff and didn't have another job, so she took one at the freight office and was working the night of the incident. Before the wagon heads out of the station, with Masters and Clete tagging along opportunistically, they are met by Chiricahua warriors. The Apache leave when Stride gives up one of the horses to the hungry tribesmen.
The group encounters one of the Wells Fargo robbers, who is being chased by Indians. Unaware of the man's part in the robbery, Stride saves him from the Apache. The man, however, recognizes Stride and nearly kills him, but Stride is saved when Masters shoots the man in the back.
One night, Masters "reminisces" about a woman stolen away from her husband by a tall stranger, clearly suggesting that Stride is doing just that with Annie Greer. Furious at Masters's impropriety, Stride sends Masters and Clete away into the night.
Masters and Clete reach Flora Vista ahead of the wagon, and there meet with the Wells Fargo bandits waiting for delivery of their gold. Masters tells their leader, Payte Bodeen (John Larch), that Stride is heading in their direction to kill all of them and avenge his wife's death. Bodeen dispatches two of the bandits to meet Stride before he can reach Flora Vista. Meanwhile, Stride leaves Greer and Annie, telling them to continue on without him. Stride rides ahead into a canyon alone and is ambushed by the two bank robbers but kills them both. Wounded in the leg, Stride is knocked unconscious while trying to ride away with one of the bandits' horses.
Bodeen tells Masters that Greer is the man he paid to deliver the gold from the robbery to Flora Vista, and Masters berates himself for letting this escape him. Meantime, Greer and Annie come upon the unconscious Stride and nurse his wounds. Greer admits to his wife and Stride that he was paid $500 to deliver the Wells Fargo box containing the gold hidden in the wagon. Stride takes the gold away from Greer to draw the rest of the bandits out from town, and Greer and Annie head into Flora Vista to notify the local sheriff.
Greer arrives in town without the gold, telling Bodeen that Stride has it, and as he walks down the street toward the sheriff's office, Bodeen guns him down. The last two bandits, Bodeen and Clint, ride out to confront Stride, but are killed by Masters and Clete instead. Masters then kills Clete and walks out into the clearing where Stride has placed the box of gold. They face off, and Stride kills Masters before he can pull his guns.
Stride returns the gold to Wells Fargo and tells Annie that he is going to take a job as a deputy sheriff in Silver Springs. He puts her on a stagecoach bound for California, then rides away. Annie, however, tells the stage driver she isn't going.
|
Seven Men from Now
|
131e102a-7b1b-7ed0-6b7e-e73358c45908
|
Who is the lone cowboy?
|
[] | true |
/m/09vjm5
|
Ben Stride (Randolph Scott) walks into a desert cave encampment during a nighttime rainstorm. He encounters two men taking shelter next to a fire and asks to join them. Stride tells the men he's from the town of Silver Springs, which provokes a mysterious reaction from the two men. They discuss a robbery and murder that recently occurred there. The men become suspicious of Stride, and when they realize his intentions, he guns them down.
The following day Stride tracks someone through the Arizona wilderness and comes upon a wagon stuck in the mud. Stride uses the two horses he confiscated from the men at the encampment to help pull the wagon clear, and the wagon's owners, John and Annie Greer, are grateful. Travelers from Kansas City, they admit they are inexperienced at frontier life and ask Stride to ride with them as they head south to the border town of Flora Vista on their way west to California. Greer says he hopes to find a sales job there, but has been taking odd jobs along the way. The mention of Flora Vista arouses Stride's curiosity and he agrees to take them to the border. As the trio travels, Annie shows a growing attraction to Stride. At one point they are stopped by a US Army detail, whose commanding officer (Stuart Whitman) tells them to go back, as Chiricahua Apache have been spotted in the area and he cannot guarantee their safety.
Stride and the Greers travel on, finding a stagecoach relay station and encountering Bill Masters (Lee Marvin) and Clete (Don Barry), two former nemeses of Stride's. As they all spend the night at the station, Masters tells the Greers that Stride was once the sheriff of Silver Springs, and his wife was killed during the robbery of the Wells Fargo freight office. Stride has been tracking and killing the seven men who performed the robbery, and Masters intends to abscond with the $20,000 dollars in gold they stole once Stride has accomplished his task. Annie feels sympathy for Stride, who confesses that he feels guilty about his wife's death because at the time he was no longer sheriff and didn't have another job, so she took one at the freight office and was working the night of the incident. Before the wagon heads out of the station, with Masters and Clete tagging along opportunistically, they are met by Chiricahua warriors. The Apache leave when Stride gives up one of the horses to the hungry tribesmen.
The group encounters one of the Wells Fargo robbers, who is being chased by Indians. Unaware of the man's part in the robbery, Stride saves him from the Apache. The man, however, recognizes Stride and nearly kills him, but Stride is saved when Masters shoots the man in the back.
One night, Masters "reminisces" about a woman stolen away from her husband by a tall stranger, clearly suggesting that Stride is doing just that with Annie Greer. Furious at Masters's impropriety, Stride sends Masters and Clete away into the night.
Masters and Clete reach Flora Vista ahead of the wagon, and there meet with the Wells Fargo bandits waiting for delivery of their gold. Masters tells their leader, Payte Bodeen (John Larch), that Stride is heading in their direction to kill all of them and avenge his wife's death. Bodeen dispatches two of the bandits to meet Stride before he can reach Flora Vista. Meanwhile, Stride leaves Greer and Annie, telling them to continue on without him. Stride rides ahead into a canyon alone and is ambushed by the two bank robbers but kills them both. Wounded in the leg, Stride is knocked unconscious while trying to ride away with one of the bandits' horses.
Bodeen tells Masters that Greer is the man he paid to deliver the gold from the robbery to Flora Vista, and Masters berates himself for letting this escape him. Meantime, Greer and Annie come upon the unconscious Stride and nurse his wounds. Greer admits to his wife and Stride that he was paid $500 to deliver the Wells Fargo box containing the gold hidden in the wagon. Stride takes the gold away from Greer to draw the rest of the bandits out from town, and Greer and Annie head into Flora Vista to notify the local sheriff.
Greer arrives in town without the gold, telling Bodeen that Stride has it, and as he walks down the street toward the sheriff's office, Bodeen guns him down. The last two bandits, Bodeen and Clint, ride out to confront Stride, but are killed by Masters and Clete instead. Masters then kills Clete and walks out into the clearing where Stride has placed the box of gold. They face off, and Stride kills Masters before he can pull his guns.
Stride returns the gold to Wells Fargo and tells Annie that he is going to take a job as a deputy sheriff in Silver Springs. He puts her on a stagecoach bound for California, then rides away. Annie, however, tells the stage driver she isn't going.
|
Seven Men from Now
|
df7021a5-115f-4600-6d84-afaf94b73be4
|
Who did the gunmen kill?
|
[
"Ben Strides Wife"
] | false |
/m/09vjm5
|
Ben Stride (Randolph Scott) walks into a desert cave encampment during a nighttime rainstorm. He encounters two men taking shelter next to a fire and asks to join them. Stride tells the men he's from the town of Silver Springs, which provokes a mysterious reaction from the two men. They discuss a robbery and murder that recently occurred there. The men become suspicious of Stride, and when they realize his intentions, he guns them down.
The following day Stride tracks someone through the Arizona wilderness and comes upon a wagon stuck in the mud. Stride uses the two horses he confiscated from the men at the encampment to help pull the wagon clear, and the wagon's owners, John and Annie Greer, are grateful. Travelers from Kansas City, they admit they are inexperienced at frontier life and ask Stride to ride with them as they head south to the border town of Flora Vista on their way west to California. Greer says he hopes to find a sales job there, but has been taking odd jobs along the way. The mention of Flora Vista arouses Stride's curiosity and he agrees to take them to the border. As the trio travels, Annie shows a growing attraction to Stride. At one point they are stopped by a US Army detail, whose commanding officer (Stuart Whitman) tells them to go back, as Chiricahua Apache have been spotted in the area and he cannot guarantee their safety.
Stride and the Greers travel on, finding a stagecoach relay station and encountering Bill Masters (Lee Marvin) and Clete (Don Barry), two former nemeses of Stride's. As they all spend the night at the station, Masters tells the Greers that Stride was once the sheriff of Silver Springs, and his wife was killed during the robbery of the Wells Fargo freight office. Stride has been tracking and killing the seven men who performed the robbery, and Masters intends to abscond with the $20,000 dollars in gold they stole once Stride has accomplished his task. Annie feels sympathy for Stride, who confesses that he feels guilty about his wife's death because at the time he was no longer sheriff and didn't have another job, so she took one at the freight office and was working the night of the incident. Before the wagon heads out of the station, with Masters and Clete tagging along opportunistically, they are met by Chiricahua warriors. The Apache leave when Stride gives up one of the horses to the hungry tribesmen.
The group encounters one of the Wells Fargo robbers, who is being chased by Indians. Unaware of the man's part in the robbery, Stride saves him from the Apache. The man, however, recognizes Stride and nearly kills him, but Stride is saved when Masters shoots the man in the back.
One night, Masters "reminisces" about a woman stolen away from her husband by a tall stranger, clearly suggesting that Stride is doing just that with Annie Greer. Furious at Masters's impropriety, Stride sends Masters and Clete away into the night.
Masters and Clete reach Flora Vista ahead of the wagon, and there meet with the Wells Fargo bandits waiting for delivery of their gold. Masters tells their leader, Payte Bodeen (John Larch), that Stride is heading in their direction to kill all of them and avenge his wife's death. Bodeen dispatches two of the bandits to meet Stride before he can reach Flora Vista. Meanwhile, Stride leaves Greer and Annie, telling them to continue on without him. Stride rides ahead into a canyon alone and is ambushed by the two bank robbers but kills them both. Wounded in the leg, Stride is knocked unconscious while trying to ride away with one of the bandits' horses.
Bodeen tells Masters that Greer is the man he paid to deliver the gold from the robbery to Flora Vista, and Masters berates himself for letting this escape him. Meantime, Greer and Annie come upon the unconscious Stride and nurse his wounds. Greer admits to his wife and Stride that he was paid $500 to deliver the Wells Fargo box containing the gold hidden in the wagon. Stride takes the gold away from Greer to draw the rest of the bandits out from town, and Greer and Annie head into Flora Vista to notify the local sheriff.
Greer arrives in town without the gold, telling Bodeen that Stride has it, and as he walks down the street toward the sheriff's office, Bodeen guns him down. The last two bandits, Bodeen and Clint, ride out to confront Stride, but are killed by Masters and Clete instead. Masters then kills Clete and walks out into the clearing where Stride has placed the box of gold. They face off, and Stride kills Masters before he can pull his guns.
Stride returns the gold to Wells Fargo and tells Annie that he is going to take a job as a deputy sheriff in Silver Springs. He puts her on a stagecoach bound for California, then rides away. Annie, however, tells the stage driver she isn't going.
|
Seven Men from Now
|
25fad053-a01a-3e94-d436-e2c608f1d2dd
|
Who ate Ben Stride's horse?
|
[
"tribesmen"
] | false |
/m/02x1ntq
|
Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Pedro Infante) lives with his adopted daughter "Chachita" (Evita Muñoz) and woos pretty Celia, known as "La Chorreada" (Blanca Estela Pavón). Around them, a group of people live their lives in many different ways: a pair of always-drunk women are known as "La Tostada" (Toasted) and "La Guayaba" (Guava); a beautiful woman (Katy Jurado) who's a sleepy-head La que se levanta tarde (The one who wakes up late); and a mysterious hooker nick named: La Tisica ("TB ridden one") with tuberculosis and a dark past.
After Pepe successfully finishes some jobs, he asks Chachita to save the money in a place only she's supposed to know, but unwillingly she lets Don Pilar, (La chorreada's stepfather) know the location. He then steals the money before the eyes of Pepe's wheelchair bound mother referred to as "La Paralitica" ( the paraplegic one). When Pepe learns of the missing money he becomes upset with Chachita. Later, their friends are sent to jail because they rob some food. Pepe begins to work for Doña Merenciana in order to earn some money to bail them out, but in the process he learns of a mysterious man called Ledo who robs and kills Merenciana. Pepe El Toro finds the body and is accused by Montes, a rich man infatuated with Celia, for killing Merenciana and sends him to jail.
Back at the neighborhood, Don Pilar begans to feel guilty over his actions, until he became crazy and brutally beats Pepe's mother. Meanwhile, La Tisica tries to get closer to Chachita, who in turn rejects her attentions and became very ill. When Pepe learns that his mother went to the hospital he breaks out of jail so he can be able to say farewell to her. At the same time La Tisica is also dying as the doctors are trying to help her, but a desperate Chachita begins push off and reject all of La Tisica 's attempts to endear to her until an angry Pepe tells Chachita that La Tisica is her biological mother. As both women break in tears La Tisica dies, at the same time of La Paralitica, Pepe cries over her body and turns himself in to the authorities.
Back in jail, Pepe encounters again with Ledo who tries to rob him a memento from his mother and both began to fight in a closed cell. Ledo gains the upper hand but when he tries to stab Pepe, he counterattacks and stabs Ledo in the eye making him to lose it. Pepe then gains the upper hand but instead of killing him he sends him off to the door and makes him confess that he killed Merenciana.
Finally Pepe reunites with La Chorreada and Chachita and forms a family. At this point the poor kids stop gazing the book and throw it back in the trash can.
This is the first installment of the first trilogy in Mexican cinema. It was followed by Ustedes los ricos "You, the wealthy (1948) and Pepe El Toro Pepe, the bull (1952). A fourth film, Ni pobres ni ricos, "Neither rich, nor poor" was never made due to the premature death of Pedro Infante.[2] (This latter title is shared with a 1953 Gloria MarÃn movie.)
|
Nosotros los pobres
|
83dbc692-3f95-b13b-4bb6-0eb756e18b69
|
What type of shop does Pepe have?
|
[] | true |
/m/02x1ntq
|
Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Pedro Infante) lives with his adopted daughter "Chachita" (Evita Muñoz) and woos pretty Celia, known as "La Chorreada" (Blanca Estela Pavón). Around them, a group of people live their lives in many different ways: a pair of always-drunk women are known as "La Tostada" (Toasted) and "La Guayaba" (Guava); a beautiful woman (Katy Jurado) who's a sleepy-head La que se levanta tarde (The one who wakes up late); and a mysterious hooker nick named: La Tisica ("TB ridden one") with tuberculosis and a dark past.
After Pepe successfully finishes some jobs, he asks Chachita to save the money in a place only she's supposed to know, but unwillingly she lets Don Pilar, (La chorreada's stepfather) know the location. He then steals the money before the eyes of Pepe's wheelchair bound mother referred to as "La Paralitica" ( the paraplegic one). When Pepe learns of the missing money he becomes upset with Chachita. Later, their friends are sent to jail because they rob some food. Pepe begins to work for Doña Merenciana in order to earn some money to bail them out, but in the process he learns of a mysterious man called Ledo who robs and kills Merenciana. Pepe El Toro finds the body and is accused by Montes, a rich man infatuated with Celia, for killing Merenciana and sends him to jail.
Back at the neighborhood, Don Pilar begans to feel guilty over his actions, until he became crazy and brutally beats Pepe's mother. Meanwhile, La Tisica tries to get closer to Chachita, who in turn rejects her attentions and became very ill. When Pepe learns that his mother went to the hospital he breaks out of jail so he can be able to say farewell to her. At the same time La Tisica is also dying as the doctors are trying to help her, but a desperate Chachita begins push off and reject all of La Tisica 's attempts to endear to her until an angry Pepe tells Chachita that La Tisica is her biological mother. As both women break in tears La Tisica dies, at the same time of La Paralitica, Pepe cries over her body and turns himself in to the authorities.
Back in jail, Pepe encounters again with Ledo who tries to rob him a memento from his mother and both began to fight in a closed cell. Ledo gains the upper hand but when he tries to stab Pepe, he counterattacks and stabs Ledo in the eye making him to lose it. Pepe then gains the upper hand but instead of killing him he sends him off to the door and makes him confess that he killed Merenciana.
Finally Pepe reunites with La Chorreada and Chachita and forms a family. At this point the poor kids stop gazing the book and throw it back in the trash can.
This is the first installment of the first trilogy in Mexican cinema. It was followed by Ustedes los ricos "You, the wealthy (1948) and Pepe El Toro Pepe, the bull (1952). A fourth film, Ni pobres ni ricos, "Neither rich, nor poor" was never made due to the premature death of Pedro Infante.[2] (This latter title is shared with a 1953 Gloria MarÃn movie.)
|
Nosotros los pobres
|
fd167193-561f-5053-762b-f0a778b8303c
|
Who does Pepe go see when he escapes from jail?
|
[
"La Chorreada and Chachita"
] | false |
/m/02x1ntq
|
Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Pedro Infante) lives with his adopted daughter "Chachita" (Evita Muñoz) and woos pretty Celia, known as "La Chorreada" (Blanca Estela Pavón). Around them, a group of people live their lives in many different ways: a pair of always-drunk women are known as "La Tostada" (Toasted) and "La Guayaba" (Guava); a beautiful woman (Katy Jurado) who's a sleepy-head La que se levanta tarde (The one who wakes up late); and a mysterious hooker nick named: La Tisica ("TB ridden one") with tuberculosis and a dark past.
After Pepe successfully finishes some jobs, he asks Chachita to save the money in a place only she's supposed to know, but unwillingly she lets Don Pilar, (La chorreada's stepfather) know the location. He then steals the money before the eyes of Pepe's wheelchair bound mother referred to as "La Paralitica" ( the paraplegic one). When Pepe learns of the missing money he becomes upset with Chachita. Later, their friends are sent to jail because they rob some food. Pepe begins to work for Doña Merenciana in order to earn some money to bail them out, but in the process he learns of a mysterious man called Ledo who robs and kills Merenciana. Pepe El Toro finds the body and is accused by Montes, a rich man infatuated with Celia, for killing Merenciana and sends him to jail.
Back at the neighborhood, Don Pilar begans to feel guilty over his actions, until he became crazy and brutally beats Pepe's mother. Meanwhile, La Tisica tries to get closer to Chachita, who in turn rejects her attentions and became very ill. When Pepe learns that his mother went to the hospital he breaks out of jail so he can be able to say farewell to her. At the same time La Tisica is also dying as the doctors are trying to help her, but a desperate Chachita begins push off and reject all of La Tisica 's attempts to endear to her until an angry Pepe tells Chachita that La Tisica is her biological mother. As both women break in tears La Tisica dies, at the same time of La Paralitica, Pepe cries over her body and turns himself in to the authorities.
Back in jail, Pepe encounters again with Ledo who tries to rob him a memento from his mother and both began to fight in a closed cell. Ledo gains the upper hand but when he tries to stab Pepe, he counterattacks and stabs Ledo in the eye making him to lose it. Pepe then gains the upper hand but instead of killing him he sends him off to the door and makes him confess that he killed Merenciana.
Finally Pepe reunites with La Chorreada and Chachita and forms a family. At this point the poor kids stop gazing the book and throw it back in the trash can.
This is the first installment of the first trilogy in Mexican cinema. It was followed by Ustedes los ricos "You, the wealthy (1948) and Pepe El Toro Pepe, the bull (1952). A fourth film, Ni pobres ni ricos, "Neither rich, nor poor" was never made due to the premature death of Pedro Infante.[2] (This latter title is shared with a 1953 Gloria MarÃn movie.)
|
Nosotros los pobres
|
5304b752-1701-0421-00dc-068b4a54f827
|
What crime is Pepe accused of?
|
[
"Murder"
] | false |
/m/0hgmxjk
|
When their carriage loses a wheel while traveling over the Borgo
Pass, the five stranded passengers, Imre Polvi [ Vic Winner] and four young women --
Karen [Kaydee Politoff], Senta [Rosanna Yanni], Marlene [Ingrid Garbo], and Elke [Mirta
Miller] -- are forced to seek refuge at the Klinik
Dr Kargos. It was near here, Imre explains to the girls, that Jonathan
Harker and Professor van Helsing finally put an end to the king of the
vampires, Count Dracula. The sanitarium once held the laboratories of Dr
Kargos, who was hanged for his unsavory research in blood studies. It has
recently been purchased by an Austrian physician, Dr Wendell Marlow [Paul Naschy], who
is agreeable to putting up the travelers until supplies arrive in a week
and they can hitch a ride back to Bistritz.The first night in the somewhat rundown sanitarium (Marlow is having
difficulty hiring local workers) seems to go well. Karen and Senta share a
room while Elke, Marlene, and Imre have their own rooms, although Imre
finds his way to Marlene's bedroom for a little lovemaking. When Karen
leaves her room to close a window banging in the storm, she runs into a
vampire, but Marlow returns her to her bed, assuring both Karen and Senta
that it must have been a tramp taking refuge from the bad weather. The
next day Marlene and Imre go off alone while the other girls swim in the
pool and explore the sanitarium, ending up in a library where they find an
old book about Dracula's immortality that foretells a time when a true
virgin will fall in love with Dracula and give herself to him willingly.
When this happens, Dracula will be restored to his full power and will
rule mankind for all eternity, and his daughter Radna will also be
awakened.The second night, as Imre makes his way to Marlene's room again, he
is attacked and bitten by the vampire/tramp. When Imre finally makes it to
Marlene's room, he bites her, too. Meanwhile, Karen can't sleep, so she
leaves her bedroom and finds Marlow sitting in a chair, reading. Since
Marlow has been gone all day (checking his traps, he says), they take a
stroll together and talk about his lonely life. The next morning, the
girls notice that Marlene and Imre have disappeared but chalk it up to
them going off together and getting lost in the forest. The girls spend
the day looking for them, until Senta gets her foot caught in one of
Marlow's traps. When they return to the sanitarium, Marlow begins to clean
up the blood but then relinquishes the duty to Karen so that he can get
some disinfectant.During the night, Marlene bites Elke's neck. Senta wakes up and pokes
her head outside her bedroom door. She sees Marlow walking down the hall.
Senta has had the hots for Marlow since the day they arrived, so she
invites him into her bed and he is all too happy to join her, although he
does lecture her afterwards about how they shouldn't have done this.
Besides, Senta is not a virgin. Meanwhile, Imre tries to put the bite on
Karen, but her scream brings Marlow running. Marlow bests Imre and tosses
him out the window. Imre falls on a stick of some sort and is impaled.
Suddenly, Karen is attacked by the vampire/tramp. Marlow fights with him,
but the tramp seems to be getting the best of Marlow, until Marlow catches
up with him and drives a stake through his heart. Karen cowers in Marlow's
arms and reveals that she's in love with him. Marlow promises that they
will leave tomorrow.When Karen wakes up, Marlow is gone. She goes in search of him and
hears him calling her. She follows his voice into a chamber of coffins and
finds Marlene, Elke, and Senta (who has now become a vampire) waiting for
her. Marlow reveals himself as Dracula and tells Karen of his plan to use
her to cause his final rebirth along with the rebirth of his daughter
Radna, then he cuts Karen's neck and drinks her blood. With the first
ceremony completed, he imprisons Karen to wait until the next full moon
when they will perform the second ceremony.When the next full moon comes around, the three vampiresses kidnap a
virgin from the village and whip her until her blood flows. Then they hang
her upside down over Radna's coffin and slit her neck. At the same time,
they slit Karen's wrist so that Karen's blood will mingle with the
innocent virgin's blood, both combining to give life to Radna. After going
through all that in order to awaken Radna, however, Dracula/Marlow
decides, out of love for Karen, not to awaken Radna and has her coffin
tossed in a lake. He stakes Senta through the heart and hangs Marlene and
Elke out in the sun to fry. But, when Dracula/Marlow asks Karen to
renounce her mortal life and unite with him, Karen refuses, so he thrusts
a stake through his own heart and turns to dust. Alone now, Karen begins
the long walk over the mountains to Bistritz.Original Synopsis by bj_kuehl.
|
Count Dracula's Great Love
|
789123c2-5f0d-7e57-f71e-df07c247dfc8
|
Where is the creepy sanitarium located?
|
[
"Transylvania"
] | false |
/m/0hgmxjk
|
When their carriage loses a wheel while traveling over the Borgo
Pass, the five stranded passengers, Imre Polvi [ Vic Winner] and four young women --
Karen [Kaydee Politoff], Senta [Rosanna Yanni], Marlene [Ingrid Garbo], and Elke [Mirta
Miller] -- are forced to seek refuge at the Klinik
Dr Kargos. It was near here, Imre explains to the girls, that Jonathan
Harker and Professor van Helsing finally put an end to the king of the
vampires, Count Dracula. The sanitarium once held the laboratories of Dr
Kargos, who was hanged for his unsavory research in blood studies. It has
recently been purchased by an Austrian physician, Dr Wendell Marlow [Paul Naschy], who
is agreeable to putting up the travelers until supplies arrive in a week
and they can hitch a ride back to Bistritz.The first night in the somewhat rundown sanitarium (Marlow is having
difficulty hiring local workers) seems to go well. Karen and Senta share a
room while Elke, Marlene, and Imre have their own rooms, although Imre
finds his way to Marlene's bedroom for a little lovemaking. When Karen
leaves her room to close a window banging in the storm, she runs into a
vampire, but Marlow returns her to her bed, assuring both Karen and Senta
that it must have been a tramp taking refuge from the bad weather. The
next day Marlene and Imre go off alone while the other girls swim in the
pool and explore the sanitarium, ending up in a library where they find an
old book about Dracula's immortality that foretells a time when a true
virgin will fall in love with Dracula and give herself to him willingly.
When this happens, Dracula will be restored to his full power and will
rule mankind for all eternity, and his daughter Radna will also be
awakened.The second night, as Imre makes his way to Marlene's room again, he
is attacked and bitten by the vampire/tramp. When Imre finally makes it to
Marlene's room, he bites her, too. Meanwhile, Karen can't sleep, so she
leaves her bedroom and finds Marlow sitting in a chair, reading. Since
Marlow has been gone all day (checking his traps, he says), they take a
stroll together and talk about his lonely life. The next morning, the
girls notice that Marlene and Imre have disappeared but chalk it up to
them going off together and getting lost in the forest. The girls spend
the day looking for them, until Senta gets her foot caught in one of
Marlow's traps. When they return to the sanitarium, Marlow begins to clean
up the blood but then relinquishes the duty to Karen so that he can get
some disinfectant.During the night, Marlene bites Elke's neck. Senta wakes up and pokes
her head outside her bedroom door. She sees Marlow walking down the hall.
Senta has had the hots for Marlow since the day they arrived, so she
invites him into her bed and he is all too happy to join her, although he
does lecture her afterwards about how they shouldn't have done this.
Besides, Senta is not a virgin. Meanwhile, Imre tries to put the bite on
Karen, but her scream brings Marlow running. Marlow bests Imre and tosses
him out the window. Imre falls on a stick of some sort and is impaled.
Suddenly, Karen is attacked by the vampire/tramp. Marlow fights with him,
but the tramp seems to be getting the best of Marlow, until Marlow catches
up with him and drives a stake through his heart. Karen cowers in Marlow's
arms and reveals that she's in love with him. Marlow promises that they
will leave tomorrow.When Karen wakes up, Marlow is gone. She goes in search of him and
hears him calling her. She follows his voice into a chamber of coffins and
finds Marlene, Elke, and Senta (who has now become a vampire) waiting for
her. Marlow reveals himself as Dracula and tells Karen of his plan to use
her to cause his final rebirth along with the rebirth of his daughter
Radna, then he cuts Karen's neck and drinks her blood. With the first
ceremony completed, he imprisons Karen to wait until the next full moon
when they will perform the second ceremony.When the next full moon comes around, the three vampiresses kidnap a
virgin from the village and whip her until her blood flows. Then they hang
her upside down over Radna's coffin and slit her neck. At the same time,
they slit Karen's wrist so that Karen's blood will mingle with the
innocent virgin's blood, both combining to give life to Radna. After going
through all that in order to awaken Radna, however, Dracula/Marlow
decides, out of love for Karen, not to awaken Radna and has her coffin
tossed in a lake. He stakes Senta through the heart and hangs Marlene and
Elke out in the sun to fry. But, when Dracula/Marlow asks Karen to
renounce her mortal life and unite with him, Karen refuses, so he thrusts
a stake through his own heart and turns to dust. Alone now, Karen begins
the long walk over the mountains to Bistritz.Original Synopsis by bj_kuehl.
|
Count Dracula's Great Love
|
23fdbeee-8e76-2505-bc4d-8a5f20978934
|
Where do they lose a carriage wheel?
|
[
"The Borgo Pass"
] | false |
/m/0hgmxjk
|
When their carriage loses a wheel while traveling over the Borgo
Pass, the five stranded passengers, Imre Polvi [ Vic Winner] and four young women --
Karen [Kaydee Politoff], Senta [Rosanna Yanni], Marlene [Ingrid Garbo], and Elke [Mirta
Miller] -- are forced to seek refuge at the Klinik
Dr Kargos. It was near here, Imre explains to the girls, that Jonathan
Harker and Professor van Helsing finally put an end to the king of the
vampires, Count Dracula. The sanitarium once held the laboratories of Dr
Kargos, who was hanged for his unsavory research in blood studies. It has
recently been purchased by an Austrian physician, Dr Wendell Marlow [Paul Naschy], who
is agreeable to putting up the travelers until supplies arrive in a week
and they can hitch a ride back to Bistritz.The first night in the somewhat rundown sanitarium (Marlow is having
difficulty hiring local workers) seems to go well. Karen and Senta share a
room while Elke, Marlene, and Imre have their own rooms, although Imre
finds his way to Marlene's bedroom for a little lovemaking. When Karen
leaves her room to close a window banging in the storm, she runs into a
vampire, but Marlow returns her to her bed, assuring both Karen and Senta
that it must have been a tramp taking refuge from the bad weather. The
next day Marlene and Imre go off alone while the other girls swim in the
pool and explore the sanitarium, ending up in a library where they find an
old book about Dracula's immortality that foretells a time when a true
virgin will fall in love with Dracula and give herself to him willingly.
When this happens, Dracula will be restored to his full power and will
rule mankind for all eternity, and his daughter Radna will also be
awakened.The second night, as Imre makes his way to Marlene's room again, he
is attacked and bitten by the vampire/tramp. When Imre finally makes it to
Marlene's room, he bites her, too. Meanwhile, Karen can't sleep, so she
leaves her bedroom and finds Marlow sitting in a chair, reading. Since
Marlow has been gone all day (checking his traps, he says), they take a
stroll together and talk about his lonely life. The next morning, the
girls notice that Marlene and Imre have disappeared but chalk it up to
them going off together and getting lost in the forest. The girls spend
the day looking for them, until Senta gets her foot caught in one of
Marlow's traps. When they return to the sanitarium, Marlow begins to clean
up the blood but then relinquishes the duty to Karen so that he can get
some disinfectant.During the night, Marlene bites Elke's neck. Senta wakes up and pokes
her head outside her bedroom door. She sees Marlow walking down the hall.
Senta has had the hots for Marlow since the day they arrived, so she
invites him into her bed and he is all too happy to join her, although he
does lecture her afterwards about how they shouldn't have done this.
Besides, Senta is not a virgin. Meanwhile, Imre tries to put the bite on
Karen, but her scream brings Marlow running. Marlow bests Imre and tosses
him out the window. Imre falls on a stick of some sort and is impaled.
Suddenly, Karen is attacked by the vampire/tramp. Marlow fights with him,
but the tramp seems to be getting the best of Marlow, until Marlow catches
up with him and drives a stake through his heart. Karen cowers in Marlow's
arms and reveals that she's in love with him. Marlow promises that they
will leave tomorrow.When Karen wakes up, Marlow is gone. She goes in search of him and
hears him calling her. She follows his voice into a chamber of coffins and
finds Marlene, Elke, and Senta (who has now become a vampire) waiting for
her. Marlow reveals himself as Dracula and tells Karen of his plan to use
her to cause his final rebirth along with the rebirth of his daughter
Radna, then he cuts Karen's neck and drinks her blood. With the first
ceremony completed, he imprisons Karen to wait until the next full moon
when they will perform the second ceremony.When the next full moon comes around, the three vampiresses kidnap a
virgin from the village and whip her until her blood flows. Then they hang
her upside down over Radna's coffin and slit her neck. At the same time,
they slit Karen's wrist so that Karen's blood will mingle with the
innocent virgin's blood, both combining to give life to Radna. After going
through all that in order to awaken Radna, however, Dracula/Marlow
decides, out of love for Karen, not to awaken Radna and has her coffin
tossed in a lake. He stakes Senta through the heart and hangs Marlene and
Elke out in the sun to fry. But, when Dracula/Marlow asks Karen to
renounce her mortal life and unite with him, Karen refuses, so he thrusts
a stake through his own heart and turns to dust. Alone now, Karen begins
the long walk over the mountains to Bistritz.Original Synopsis by bj_kuehl.
|
Count Dracula's Great Love
|
f262f72f-c294-5c8b-d5dd-3cfab0f6f0ab
|
How many women were in the stagecoach?
|
[
"4"
] | false |
/m/0hgmxjk
|
When their carriage loses a wheel while traveling over the Borgo
Pass, the five stranded passengers, Imre Polvi [ Vic Winner] and four young women --
Karen [Kaydee Politoff], Senta [Rosanna Yanni], Marlene [Ingrid Garbo], and Elke [Mirta
Miller] -- are forced to seek refuge at the Klinik
Dr Kargos. It was near here, Imre explains to the girls, that Jonathan
Harker and Professor van Helsing finally put an end to the king of the
vampires, Count Dracula. The sanitarium once held the laboratories of Dr
Kargos, who was hanged for his unsavory research in blood studies. It has
recently been purchased by an Austrian physician, Dr Wendell Marlow [Paul Naschy], who
is agreeable to putting up the travelers until supplies arrive in a week
and they can hitch a ride back to Bistritz.The first night in the somewhat rundown sanitarium (Marlow is having
difficulty hiring local workers) seems to go well. Karen and Senta share a
room while Elke, Marlene, and Imre have their own rooms, although Imre
finds his way to Marlene's bedroom for a little lovemaking. When Karen
leaves her room to close a window banging in the storm, she runs into a
vampire, but Marlow returns her to her bed, assuring both Karen and Senta
that it must have been a tramp taking refuge from the bad weather. The
next day Marlene and Imre go off alone while the other girls swim in the
pool and explore the sanitarium, ending up in a library where they find an
old book about Dracula's immortality that foretells a time when a true
virgin will fall in love with Dracula and give herself to him willingly.
When this happens, Dracula will be restored to his full power and will
rule mankind for all eternity, and his daughter Radna will also be
awakened.The second night, as Imre makes his way to Marlene's room again, he
is attacked and bitten by the vampire/tramp. When Imre finally makes it to
Marlene's room, he bites her, too. Meanwhile, Karen can't sleep, so she
leaves her bedroom and finds Marlow sitting in a chair, reading. Since
Marlow has been gone all day (checking his traps, he says), they take a
stroll together and talk about his lonely life. The next morning, the
girls notice that Marlene and Imre have disappeared but chalk it up to
them going off together and getting lost in the forest. The girls spend
the day looking for them, until Senta gets her foot caught in one of
Marlow's traps. When they return to the sanitarium, Marlow begins to clean
up the blood but then relinquishes the duty to Karen so that he can get
some disinfectant.During the night, Marlene bites Elke's neck. Senta wakes up and pokes
her head outside her bedroom door. She sees Marlow walking down the hall.
Senta has had the hots for Marlow since the day they arrived, so she
invites him into her bed and he is all too happy to join her, although he
does lecture her afterwards about how they shouldn't have done this.
Besides, Senta is not a virgin. Meanwhile, Imre tries to put the bite on
Karen, but her scream brings Marlow running. Marlow bests Imre and tosses
him out the window. Imre falls on a stick of some sort and is impaled.
Suddenly, Karen is attacked by the vampire/tramp. Marlow fights with him,
but the tramp seems to be getting the best of Marlow, until Marlow catches
up with him and drives a stake through his heart. Karen cowers in Marlow's
arms and reveals that she's in love with him. Marlow promises that they
will leave tomorrow.When Karen wakes up, Marlow is gone. She goes in search of him and
hears him calling her. She follows his voice into a chamber of coffins and
finds Marlene, Elke, and Senta (who has now become a vampire) waiting for
her. Marlow reveals himself as Dracula and tells Karen of his plan to use
her to cause his final rebirth along with the rebirth of his daughter
Radna, then he cuts Karen's neck and drinks her blood. With the first
ceremony completed, he imprisons Karen to wait until the next full moon
when they will perform the second ceremony.When the next full moon comes around, the three vampiresses kidnap a
virgin from the village and whip her until her blood flows. Then they hang
her upside down over Radna's coffin and slit her neck. At the same time,
they slit Karen's wrist so that Karen's blood will mingle with the
innocent virgin's blood, both combining to give life to Radna. After going
through all that in order to awaken Radna, however, Dracula/Marlow
decides, out of love for Karen, not to awaken Radna and has her coffin
tossed in a lake. He stakes Senta through the heart and hangs Marlene and
Elke out in the sun to fry. But, when Dracula/Marlow asks Karen to
renounce her mortal life and unite with him, Karen refuses, so he thrusts
a stake through his own heart and turns to dust. Alone now, Karen begins
the long walk over the mountains to Bistritz.Original Synopsis by bj_kuehl.
|
Count Dracula's Great Love
|
01af9e03-8407-45f1-7811-6dc82aa40cc6
|
What is played over and over again as the credits roll?
|
[
"The opening scene"
] | false |
/m/0hgmxjk
|
When their carriage loses a wheel while traveling over the Borgo
Pass, the five stranded passengers, Imre Polvi [ Vic Winner] and four young women --
Karen [Kaydee Politoff], Senta [Rosanna Yanni], Marlene [Ingrid Garbo], and Elke [Mirta
Miller] -- are forced to seek refuge at the Klinik
Dr Kargos. It was near here, Imre explains to the girls, that Jonathan
Harker and Professor van Helsing finally put an end to the king of the
vampires, Count Dracula. The sanitarium once held the laboratories of Dr
Kargos, who was hanged for his unsavory research in blood studies. It has
recently been purchased by an Austrian physician, Dr Wendell Marlow [Paul Naschy], who
is agreeable to putting up the travelers until supplies arrive in a week
and they can hitch a ride back to Bistritz.The first night in the somewhat rundown sanitarium (Marlow is having
difficulty hiring local workers) seems to go well. Karen and Senta share a
room while Elke, Marlene, and Imre have their own rooms, although Imre
finds his way to Marlene's bedroom for a little lovemaking. When Karen
leaves her room to close a window banging in the storm, she runs into a
vampire, but Marlow returns her to her bed, assuring both Karen and Senta
that it must have been a tramp taking refuge from the bad weather. The
next day Marlene and Imre go off alone while the other girls swim in the
pool and explore the sanitarium, ending up in a library where they find an
old book about Dracula's immortality that foretells a time when a true
virgin will fall in love with Dracula and give herself to him willingly.
When this happens, Dracula will be restored to his full power and will
rule mankind for all eternity, and his daughter Radna will also be
awakened.The second night, as Imre makes his way to Marlene's room again, he
is attacked and bitten by the vampire/tramp. When Imre finally makes it to
Marlene's room, he bites her, too. Meanwhile, Karen can't sleep, so she
leaves her bedroom and finds Marlow sitting in a chair, reading. Since
Marlow has been gone all day (checking his traps, he says), they take a
stroll together and talk about his lonely life. The next morning, the
girls notice that Marlene and Imre have disappeared but chalk it up to
them going off together and getting lost in the forest. The girls spend
the day looking for them, until Senta gets her foot caught in one of
Marlow's traps. When they return to the sanitarium, Marlow begins to clean
up the blood but then relinquishes the duty to Karen so that he can get
some disinfectant.During the night, Marlene bites Elke's neck. Senta wakes up and pokes
her head outside her bedroom door. She sees Marlow walking down the hall.
Senta has had the hots for Marlow since the day they arrived, so she
invites him into her bed and he is all too happy to join her, although he
does lecture her afterwards about how they shouldn't have done this.
Besides, Senta is not a virgin. Meanwhile, Imre tries to put the bite on
Karen, but her scream brings Marlow running. Marlow bests Imre and tosses
him out the window. Imre falls on a stick of some sort and is impaled.
Suddenly, Karen is attacked by the vampire/tramp. Marlow fights with him,
but the tramp seems to be getting the best of Marlow, until Marlow catches
up with him and drives a stake through his heart. Karen cowers in Marlow's
arms and reveals that she's in love with him. Marlow promises that they
will leave tomorrow.When Karen wakes up, Marlow is gone. She goes in search of him and
hears him calling her. She follows his voice into a chamber of coffins and
finds Marlene, Elke, and Senta (who has now become a vampire) waiting for
her. Marlow reveals himself as Dracula and tells Karen of his plan to use
her to cause his final rebirth along with the rebirth of his daughter
Radna, then he cuts Karen's neck and drinks her blood. With the first
ceremony completed, he imprisons Karen to wait until the next full moon
when they will perform the second ceremony.When the next full moon comes around, the three vampiresses kidnap a
virgin from the village and whip her until her blood flows. Then they hang
her upside down over Radna's coffin and slit her neck. At the same time,
they slit Karen's wrist so that Karen's blood will mingle with the
innocent virgin's blood, both combining to give life to Radna. After going
through all that in order to awaken Radna, however, Dracula/Marlow
decides, out of love for Karen, not to awaken Radna and has her coffin
tossed in a lake. He stakes Senta through the heart and hangs Marlene and
Elke out in the sun to fry. But, when Dracula/Marlow asks Karen to
renounce her mortal life and unite with him, Karen refuses, so he thrusts
a stake through his own heart and turns to dust. Alone now, Karen begins
the long walk over the mountains to Bistritz.Original Synopsis by bj_kuehl.
|
Count Dracula's Great Love
|
27de58b9-6f33-52fb-7274-baa7d5a21d0c
|
Who has purchased the sanitarium?
|
[
"Dr. Wendell Marlow/Dracula"
] | false |
/m/026ndzk
|
The real "Fort Apache" in the summer of 2007â1086 Simpson Street in the Bronx, formerly the New York Police Department's 41st Precinct Station. 40°49â²32.07â³N 73°53â²33.72â³W / 40.8255750°N 73.8927000°W / 40.8255750; -73.8927000
Police officers face many challenges in the decaying, impoverished, high-crime South Bronx region of New York City. Among these officers are NYPD officers Murphy (Newman) and Corelli (Wahl), who work out of the 41st precinct, nicknamed "Fort Apache" because to those who work there, it feels like an army outpost in foreign territory (an allusion to Fort Apache out of the Old West). The streets are filled with dangerous gangs, criminals, and drug dealers. Unemployment is very high and the neighbourhood is filled with garbage and wrecked buildings. While Murphy is a hard-drinking and lonely divorced father, he has a great camaraderie with Corelli. As well, Murphy's life improves when he meets a young nurse, Isabella, and they start a romantic relationship.
The precinct is one of the worst and most dilapidated in the entire department, approaching demolition and staffed mostly by officers who are unwanted by and have been transferred out of other precincts. Additionally, the precinct's officers do not represent the large Puerto Rican community, as only 4% of the officers are Hispanic in the largest non-English speaking section of the Bronx. Corelli and Murphy attempt to maintain law and order by catching pimps and robbers, but they are having conflicts with corrupt fellow officers, officers who use police brutality as well as with a newly appointed police captain, Connolly (Asner). There is rioting due to alleged police brutality, as well as issues related to the deaths of two rookie cops, who were shot by a drug addict at the film's beginning. During the riot, Murphy and Corelli witness an officer throwing an innocent teenager off an apartment roof, who falls to his death. As Murphy becomes more intimate with Isabella, they begin a sexual relationship. While she is sleeping, Murphy notices injection drug "track marks" on her skin. She later admits that she uses heroin as a way to relax from working in such a stressful environment. She tells him that other hospital employees also use heroin.
Illustrating the hopeless futility of policing in the precinct, the killer of the two cops is never found, despite mass arrests and interrogations. The body of the drug addict, who was killed, was later shown as an anonymous bundle, dumped in the roadside trash. With nothing to link her to the deaths of the rookie officers, the police remain ignorant of the fact that she was the killer. At the end of the movie, the killer is never identified by the police. Murphy is broken when Isabelle dies from a drug overdose. Murphy wrestles with the moral question of whether he should maintain the "blue code" and not inform authorities about the officer who threw the teen off the roof. Murphy decides to resign and tell the police chief about the officer killing the teen, a decision that will make all the other officers hate him and view him as a "stool pigeon". Murphy seems to be on the verge of quitting the force, when he sees a purse snatcher rob a person and flee. Murphy and Corelli chase the robber, and the movie ends in a freeze frame as Murphy leaps to tackle him. It is an ambiguous ending, which leaves the viewer to decide if the robber was captured or not.
|
Fort Apache, The Bronx
|
4a9a73a3-1390-2557-7f56-7a0fa75178c1
|
Who comes in as the New precinct.
|
[
"Connolly."
] | false |
/m/026ndzk
|
The real "Fort Apache" in the summer of 2007â1086 Simpson Street in the Bronx, formerly the New York Police Department's 41st Precinct Station. 40°49â²32.07â³N 73°53â²33.72â³W / 40.8255750°N 73.8927000°W / 40.8255750; -73.8927000
Police officers face many challenges in the decaying, impoverished, high-crime South Bronx region of New York City. Among these officers are NYPD officers Murphy (Newman) and Corelli (Wahl), who work out of the 41st precinct, nicknamed "Fort Apache" because to those who work there, it feels like an army outpost in foreign territory (an allusion to Fort Apache out of the Old West). The streets are filled with dangerous gangs, criminals, and drug dealers. Unemployment is very high and the neighbourhood is filled with garbage and wrecked buildings. While Murphy is a hard-drinking and lonely divorced father, he has a great camaraderie with Corelli. As well, Murphy's life improves when he meets a young nurse, Isabella, and they start a romantic relationship.
The precinct is one of the worst and most dilapidated in the entire department, approaching demolition and staffed mostly by officers who are unwanted by and have been transferred out of other precincts. Additionally, the precinct's officers do not represent the large Puerto Rican community, as only 4% of the officers are Hispanic in the largest non-English speaking section of the Bronx. Corelli and Murphy attempt to maintain law and order by catching pimps and robbers, but they are having conflicts with corrupt fellow officers, officers who use police brutality as well as with a newly appointed police captain, Connolly (Asner). There is rioting due to alleged police brutality, as well as issues related to the deaths of two rookie cops, who were shot by a drug addict at the film's beginning. During the riot, Murphy and Corelli witness an officer throwing an innocent teenager off an apartment roof, who falls to his death. As Murphy becomes more intimate with Isabella, they begin a sexual relationship. While she is sleeping, Murphy notices injection drug "track marks" on her skin. She later admits that she uses heroin as a way to relax from working in such a stressful environment. She tells him that other hospital employees also use heroin.
Illustrating the hopeless futility of policing in the precinct, the killer of the two cops is never found, despite mass arrests and interrogations. The body of the drug addict, who was killed, was later shown as an anonymous bundle, dumped in the roadside trash. With nothing to link her to the deaths of the rookie officers, the police remain ignorant of the fact that she was the killer. At the end of the movie, the killer is never identified by the police. Murphy is broken when Isabelle dies from a drug overdose. Murphy wrestles with the moral question of whether he should maintain the "blue code" and not inform authorities about the officer who threw the teen off the roof. Murphy decides to resign and tell the police chief about the officer killing the teen, a decision that will make all the other officers hate him and view him as a "stool pigeon". Murphy seems to be on the verge of quitting the force, when he sees a purse snatcher rob a person and flee. Murphy and Corelli chase the robber, and the movie ends in a freeze frame as Murphy leaps to tackle him. It is an ambiguous ending, which leaves the viewer to decide if the robber was captured or not.
|
Fort Apache, The Bronx
|
1b5ab4b6-79c3-8e59-df40-53199c7132f3
|
What is the name of Murphy's girl/pal
|
[
"Isabella."
] | false |
/m/026ndzk
|
The real "Fort Apache" in the summer of 2007â1086 Simpson Street in the Bronx, formerly the New York Police Department's 41st Precinct Station. 40°49â²32.07â³N 73°53â²33.72â³W / 40.8255750°N 73.8927000°W / 40.8255750; -73.8927000
Police officers face many challenges in the decaying, impoverished, high-crime South Bronx region of New York City. Among these officers are NYPD officers Murphy (Newman) and Corelli (Wahl), who work out of the 41st precinct, nicknamed "Fort Apache" because to those who work there, it feels like an army outpost in foreign territory (an allusion to Fort Apache out of the Old West). The streets are filled with dangerous gangs, criminals, and drug dealers. Unemployment is very high and the neighbourhood is filled with garbage and wrecked buildings. While Murphy is a hard-drinking and lonely divorced father, he has a great camaraderie with Corelli. As well, Murphy's life improves when he meets a young nurse, Isabella, and they start a romantic relationship.
The precinct is one of the worst and most dilapidated in the entire department, approaching demolition and staffed mostly by officers who are unwanted by and have been transferred out of other precincts. Additionally, the precinct's officers do not represent the large Puerto Rican community, as only 4% of the officers are Hispanic in the largest non-English speaking section of the Bronx. Corelli and Murphy attempt to maintain law and order by catching pimps and robbers, but they are having conflicts with corrupt fellow officers, officers who use police brutality as well as with a newly appointed police captain, Connolly (Asner). There is rioting due to alleged police brutality, as well as issues related to the deaths of two rookie cops, who were shot by a drug addict at the film's beginning. During the riot, Murphy and Corelli witness an officer throwing an innocent teenager off an apartment roof, who falls to his death. As Murphy becomes more intimate with Isabella, they begin a sexual relationship. While she is sleeping, Murphy notices injection drug "track marks" on her skin. She later admits that she uses heroin as a way to relax from working in such a stressful environment. She tells him that other hospital employees also use heroin.
Illustrating the hopeless futility of policing in the precinct, the killer of the two cops is never found, despite mass arrests and interrogations. The body of the drug addict, who was killed, was later shown as an anonymous bundle, dumped in the roadside trash. With nothing to link her to the deaths of the rookie officers, the police remain ignorant of the fact that she was the killer. At the end of the movie, the killer is never identified by the police. Murphy is broken when Isabelle dies from a drug overdose. Murphy wrestles with the moral question of whether he should maintain the "blue code" and not inform authorities about the officer who threw the teen off the roof. Murphy decides to resign and tell the police chief about the officer killing the teen, a decision that will make all the other officers hate him and view him as a "stool pigeon". Murphy seems to be on the verge of quitting the force, when he sees a purse snatcher rob a person and flee. Murphy and Corelli chase the robber, and the movie ends in a freeze frame as Murphy leaps to tackle him. It is an ambiguous ending, which leaves the viewer to decide if the robber was captured or not.
|
Fort Apache, The Bronx
|
85596523-461b-56ef-562c-6bc08a6fcf32
|
What's the nick name for the 41st Precinct
|
[
"Fort Apache."
] | false |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
2daea82e-445e-960d-0640-7615843427b4
|
Who is thought to be Johnnys murderer?
|
[] | true |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
c1bb0fa6-b511-f9c6-d030-a12bc3b76013
|
How many Tempio brothers are there?
|
[] | true |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
d6938fcc-0c94-af0f-acd8-a41d60bc8f4a
|
Who's lives does Chez reflect on?
|
[] | true |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
519c0f04-7560-26b1-8a55-b45123d18b3e
|
Who was not murdered by rival gangsters?
|
[] | true |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
cff0abff-d5ed-d6a7-56bc-5b077ce729db
|
Who shoots and kills Ray?
|
[] | true |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
706d1de2-1ff6-f1cc-5557-722bf2496798
|
What are the brothers attending at the beginning of the movie?
|
[] | true |
/m/02wjf2
|
Shokichi Amamiya (Hideji Otaki) is a difficult 69-year-old man, married to Kikue (Kin Sugai). He dies suddenly of a heart attack, and it falls to his daughter Chizuko (Nobuko Miyamoto) and son-in-law Wabisuke Inoue (Tsutomu Yamazaki) to organize the funeral at their house.
Among other things, the family have to choose a coffin, hire a priest, hold a wake, learn formal funeral etiquette and hold the service itself.
During the three days of preparation, various tensions within the family are hinted at, such as resentment of a rich but stingy uncle, Inoue's affair with a younger woman, and possibly an affair the dead man himself had with a female gateball player.
After the service, the long suffering wife delivers a dignified speech to the family regretting that the hospital would not let her be with her husband as he died.
|
The Funeral
|
223597f0-2f5d-5369-3c8a-ed8a57c39c01
|
Who is Ray's wife?
|
[] | true |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
90e55025-431d-15a1-e169-4a22f4d3782a
|
Who called Lola and what he wanted?
|
[
"Manni & to drive him to deliver the money to his boss",
"Manni called, that he needed money to pay Ronnie"
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
ff9a9a83-2008-6d46-1b62-844c557b37b2
|
What fatally wounds Manni?
|
[
"ambulance"
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
e20727ab-c0a7-d36c-7c38-fb782715f882
|
Where does Manni leave the bag of money?
|
[
"in front of the store",
"Throws it at the police.",
"Subway"
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
bdce29a4-89e4-0c95-4725-1bcd7f64a79e
|
Who is Lola's boyfriend?
|
[
"Manni",
"Manni."
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
0855dc08-624e-5d83-7483-2679e531fbd8
|
Who causes a car accident between Mr. Meyer and Ronnie?
|
[
"Manni",
"lola",
"Lola"
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
bcae277e-7a64-3f52-3222-2b71c5a86515
|
How much does she win at roulette?
|
[
"103500 marks",
"Not mentioned"
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
a0b72b26-4ebd-aaef-feeb-80c0e3495ee4
|
Who does Lola try to save?
|
[
"Manni",
"She is trying to save her boyfriend's life."
] | false |
/m/02chjf
|
The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.
|
Run Lola Run
|
77538021-691c-fb75-8f26-25050cc8e25f
|
A thief, Mr. Meyer, and what other character died in the car crash?
|
[
"Lola's boyfriend"
] | false |
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