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{"Unnamed: 0": 6, "tweet": "Leaguer Yes, flu, who is sick. But covid infection for these effects all in the body, which is fine for most of us right now, but the infection rate is still high, so wearing a mask for a few more is not a test", "polarity": "positive"}
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{"Unnamed: 0": 7, "tweet": "It's booster day on campus, go to the building and grab your Covid Jab. The booster bus is there until 4 p.m. today - all you need is ID and proof of your previous vaccine.", "polarity": "positive"}
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{"Unnamed: 0": 8, "tweet": "I am opposed to the COVID vaccine, but generally after vaccination diagnosis following the global pandemic, which is the probable reason.", "polarity": "positive"}
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{"Unnamed: 0": 9, "tweet": "Because Canada is full of goodness, it took a while to sweep it away. It's about getting a Covid vaccine - how stupid is that? There were several billion - if it were dangerous, we would know.", "polarity": "positive"}
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{"labels": 3, "text": "Good shoe for office work. They will scuff very easy so be aware."}
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{"labels": 1, "text": "I have had the Patricia II wedge in black for about 1 year & wore them regularly in season. When I saw the Patricia at a good price in navy (from 6pm), I purchased them because I thought they would fit just like my Patricia IIs. I was wrong, and paid the price with return shipping that 6pm doesn't pay.<br /><br />The crocs website says that crocs aren't suppose to fit like other sandals - they are suppose to be looser & thus more comfortable - I normally wear an 8-1/2, so have now tried both an 8 & a 9 in the Patricia shoe (I have an 8 in the Patricia II). The Patricia 9 swims on my feet & they would be a hazard to walk around in. The size 8 fits my left foot (which is my wider foot) but is too narrow on my right foot. When I placed the shoes sole to sole, I did notice a slight difference in the width, which, apparently, my foot notices too. I can only conclude a manufacturing defect. But, it is this shoe specifically or the form for this shoe? (others have written the shoe is narrow).<br /><br />Consequently, if you have a wider foot, order the Patricia II instead of this one & if you are a 1/2 size, order down, not up."}
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{"labels": 1, "text": "Width not right and size too small if width had been just little wider and ordered size larger would have been good. Loved the shoe look"}
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{"labels": 0, "text": "I received these shoes and they weren't the same as the picture described them, they were a different color. When i tried to return them, the shipping wasn't paid for. So i had to pay $20 for shipping. A waste of time and money. I dont recommend anyone to buy from TheSmartBuy."}
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{"labels": 2, "text": "They began to split alone the mesh material after a month but loved the shoe and the feel of it"}
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{"labels": 4, "text": "Excellent shoes , very confortable and litgthweight !"}
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{"labels": 0, "text": "Usually love Ethnies product. In this case the raised arch area of one shoe is too far back and raised to the point of discomfort.<br />The other shoe fits fine.?? Had to wear em before I figured it out so im stuck with em.<br />Also, they do run a bit narrow(or at least one shoe did) ;)"}
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{"labels": 1, "text": "Could not get my foot into the shoe. Was disappointed and returned them."}
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{"labels": 3, "text": "Everything about the boot is great."}
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{"labels": 2, "text": "Nice looking shoe, okay for short-term wear. Much narrower than other size 11's that I have - tight fit!"}
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{"words": ["Confidence", "in", "the", "pound", "is", "widely", "expected", "to", "take", "another", "sharp", "dive", "if", "trade", "figures", "for", "September", ",", "due", "for", "release", "tomorrow", ",", "fail", "to", "show", "a", "substantial", "improvement", "from", "July", "and", "August", "'s", "near-record", "deficits", "."], "labels": ["NN", "IN", "DT", "NN", "VBZ", "RB", "VBN", "TO", "VB", "DT", "JJ", "NN", "IN", "NN", "NNS", "IN", "NNP", ",", "JJ", "IN", "NN", "NN", ",", "VB", "TO", "VB", "DT", "JJ", "NN", "IN", "NNP", "CC", "NNP", "POS", "JJ", "NNS", "."]}
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{"words": ["``", "If", "there", "is", "another", "bad", "trade", "number", ",", "there", "could", "be", "an", "awful", "lot", "of", "pressure", ",", "''", "noted", "Simon", "Briscoe", ",", "U.K.", "economist", "for", "Midland", "Montagu", ",", "a", "unit", "of", "Midland", "Bank", "PLC", "."], "labels": ["``", "IN", "EX", "VBZ", "DT", "JJ", "NN", "NN", ",", "EX", "MD", "VB", "DT", "JJ", "NN", "IN", "NN", ",", "''", "VBD", "NNP", "NNP", ",", "NNP", "NN", "IN", "NNP", "NNP", ",", "DT", "NN", "IN", "NNP", "NNP", "NNP", "."]}
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{"words": ["The", "August", "deficit", "and", "the", "#", "2.2", "billion", "gap", "registered", "in", "July", "are", "topped", "only", "by", "the", "#", "2.3", "billion", "deficit", "of", "October", "1988", "."], "labels": ["DT", "NNP", "NN", "CC", "DT", "#", "CD", "CD", "NN", "VBN", "IN", "NNP", "VBP", "VBN", "RB", "IN", "DT", "#", "CD", "CD", "NN", "IN", "NNP", "CD", "."]}
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{"words": ["Sanjay", "Joshi", ",", "European", "economist", "at", "Baring", "Brothers", "&", "Co.", ",", "said", "there", "is", "no", "sign", "that", "Britain", "'s", "manufacturing", "industry", "is", "transforming", "itself", "to", "boost", "exports", "."], "labels": ["NNP", "NNP", ",", "JJ", "NN", "IN", "NNP", "NNPS", "CC", "NNP", ",", "VBD", "EX", "VBZ", "DT", "NN", "IN", "NNP", "POS", "NN", "NN", "VBZ", "VBG", "PRP", "TO", "VB", "NNS", "."]}
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{"words": ["At", "the", "same", "time", ",", "he", "remains", "fairly", "pessimistic", "about", "the", "outlook", "for", "imports", ",", "given", "continued", "high", "consumer", "and", "capital", "goods", "inflows", "."], "labels": ["IN", "DT", "JJ", "NN", ",", "PRP", "VBZ", "RB", "JJ", "IN", "DT", "NN", "IN", "NNS", ",", "VBN", "VBD", "JJ", "NN", "CC", "NN", "NNS", "NNS", "."]}
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{"id": "0", "tokens": ["Bubble", "tea", "near", "thu", "thiem", "area"], "ner_tags": [3, 4, 0, 5, 6, 0]}
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{"id": "4", "tokens": ["Popular", "ramen", "places", "in", "Tokyo"], "ner_tags": [10, 4, 0, 0, 6]}
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{"id": "5", "tokens": ["what", "is", "the", "most", "recommended", "food", "around", "here"], "ner_tags": [0, 0, 0, 9, 10, 4, 0, 0]}
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{"text": "many of our disney movies do n 't play on this dvd player .", "label": 0, "label_text": "negative"}
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{"text": "player has a problem with dual-layer dvd 's such as alias season 1 and season 2 .", "label": 0, "label_text": "negative"}
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{"text": "i know the saying is `` you get what you pay for `` but at this stage of game dvd players must have better quality than this - there is no excuse .", "label": 0, "label_text": "negative"}
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{"text": "will never purchase apex again .", "label": 0, "label_text": "negative"}
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{"text": "customer service and technical support are overloaded and non responsive - tells you about the quality of their products and their willingness to stand behind them .", "label": 0, "label_text": "negative"}
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{"text": "then my dvds would stop playing in the middle , or not even be read at all .", "label": 0, "label_text": "negative"}
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{"text": "new cds almost always began skipping after a few plays .", "label": 0, "label_text": "negative"}
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{"text": "i thought it was just the player , but then i started checking the discs to find that the apex 2600 is actually ruining my media .", "label": 0, "label_text": "negative"}
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{"text": "this player is not worth any price and i recommend that you do n 't purchase it .", "label": 0, "label_text": "negative"}
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{"text": "apex does n 't answer the phone .", "label": 0, "label_text": "negative"}
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{"lang": "en", "sentence": "My town is a medium - sized city with eighty thousand inhabitants .", "modified": "My town is a medium size city with eighty thousand inhabitants .", "transformation": "OTHER", "__index_level_0__": 0}
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{"lang": "en", "sentence": "It has a high - density population because of its small territory .", "modified": "It has a high density population because its small territory .", "transformation": "PUNCT, PREP", "__index_level_0__": 1}
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{"lang": "en", "sentence": "Although it is an industrial city , there are many shops and department stores .", "modified": "Despite of it is an industrial city , there are many shops and department stores .", "transformation": "PREP, PREP", "__index_level_0__": 2}
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{"lang": "en", "sentence": "I recommend visiting the artificial lake in the center of the city which is surrounded by a park .", "modified": "I recommend visiting the artificial lake in the certer of the city which is surrounded by a park .", "transformation": "SPELL", "__index_level_0__": 3}
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{"lang": "en", "sentence": "Pasteries are very common and most of them offer the special dessert of the city .", "modified": "Pasteries are very common and most of them offer the special dessert from the city .", "transformation": "K, PREP", "__index_level_0__": 4}
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{"lang": "en", "sentence": "There is a commercial zone along the widest street of the city where you can find all kinds of businesses : banks , bars , chemists , cinemas , pet shops , restaurants , fast food restaurants , grocers , travel agencies , supermarkets and others .", "modified": "There are a comercial zone along the widest street of the city where you can find all kind of establishments : banks , bars , chemists , cinemas , pet shops , restaurants , fast food restaurants , groceries , travel agencies , supermarkets and others .", "transformation": "VERB:SVA, SPELL, NOUN:NUM, NOUN, NOUN", "__index_level_0__": 5}
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{"lang": "en", "sentence": "Most of the shops have sales and offers in at least three months of the year : January , June and August .", "modified": "Most of the shops have sales and offers at least three months of the year : January , June and August .", "transformation": "PREP", "__index_level_0__": 6}
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{"lang": "en", "sentence": "The quality of the products and services is quite good , because there is huge competition . However , I recommend you be careful of fakes or cheats .", "modified": "The quality of the products and services are quite good , because there are a huge competition , however I suggest you taking care about some fakes or cheats .", "transformation": "VERB:SVA, VERB:SVA, DET, OTHER, VERB, VERB, MORPH, PREP, DET", "__index_level_0__": 7}
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{"lang": "en", "sentence": "Everyone has his own plans .", "modified": "Everyone has his own plans .", "transformation": "noop", "__index_level_0__": 8}
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{"lang": "en", "sentence": "Some people want to be a doctor , others want to be a teacher .", "modified": "People want to be a doctor , other want to be a teacher .", "transformation": "DET, NOUN:NUM", "__index_level_0__": 9}
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{"sentence": "The truth is that you pay for your lifestyle in hours.", "label": 0}
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{"sentence": "Israeli soldiers Sunday violently suppressed a peaceful anti-wall protest in the town of Beit Jala near Bethlehem, according to local sources", "label": 1}
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{"sentence": "A day after police arrested hundreds of protesters demonstrating against Belarus' authoritarian President Alexander Lukashenko , the opposition coordination council said three of its members have been abducted. The Belarusian Coordination Council said in a statement that Maria Kolesnikova, a member of its executive council", "label": 1}
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{"sentence": "Ethiopian police said the pistols were discovered during a search on a public transport vehicle along the Desie-Mekane-Selam road in Amhara Regional State.", "label": 1}
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{"sentence": "The Iraqi government forces and Kurdistan's Peshmerga forces have agreed to a temporary ceasefire in a town located northwest of the northern city of Mosul, following nearly two weeks of fighting, a security official told EFE on Friday", "label": 1}
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{"sentence": "There's a message for you if you look up.", "label": 0}
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{"sentence": "I had a friend in high school named Rick Shaw, but he was fairly useless as a mode of transport.", "label": 0}
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{"sentence": "Further details have emerged about fighting between al-Shabab fighters and government soldiers that occurred on the outskirts of Mogadishu today. The clash came after suspected al-Shabab fighters attacked a military post in Sinka Dher village [in southern Somalia]", "label": 1}
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{"sentence": "Al-Shabab members charged a camp outside Afgoye, hosting government forces on the night of 22 April, reportedly inflicting unspecified casualties on the government groups.", "label": 1}
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{"sentence": "Early on Sunday, police arrested a famous actor wanted for supporting opposition to the coup, his wife said, while Facebook deleted the military's main page under its standards prohibiting the incitement of violence", "label": 1}
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{"feat_bid": 161, "feat_is_aggregate": false, "feat_source": "pinkmonkey", "feat_chapter_path": "all_chapterized_books/161-chapters/12.txt", "feat_summary_path": "finished_summaries/pinkmonkey/Sense and Sensibility/section_11_part_0.txt", "feat_book_id": "Sense and Sensibility.chapter 12", "feat_summary_id": "chapter 12", "feat_content": null, "feat_summary": "{\"name\": \"Chapter 12\", \"url\": \"https://web.archive.org/web/20180820034609/http://www.pinkmonkey.com/booknotes/monkeynotes/pmSenseSensibility27.asp\", \"summary\": \"Mrs. Dashwood and her daughters are busy attending parties and balls. Marianne is in her element. She is overjoyed in the company of Willoughby, who showers much affection and attention on her. Elinor even feels left out at times. Deprived of friends of her own age, she is often thrown in the company of Mrs. Jennings and Lady Middleton. At such times she welcomes the presence of Colonel Brandon. Brandon often talks of Marianne and asks Elinor about her sister's preferences.\", \"analysis\": \"Notes Jane Austen paints the picture of an eighteenth-century upper middle-class society. The Dashwoods and Middletons are shown to be busy attending parties and balls. Their main occupation is socializing, and they take pleasure in entertaining people. Every young girl waits for a respectable young man to woo her, and her parents hope for a match between them. They lead a leisurely life, perhaps unusual to the modern reader. Marianne is exhilarated by the looks and manners of her lover. She does not care to understand his essential nature. Obsessed with Willoughby, she ignores Colonel Brandon and unconsciously hurts him. Blinded by her infatuation for Willoughby, she is not able to realize the worth of the Colonel or detect the intensity of his feelings. This chapter again emphasizes the difference in attitudes between Willoughby and Colonel Brandon. Both men are attracted to Marianne. Willoughby displays his affection by wooing Marianne, like a dashing hero would, while Colonel Brandon admires his lady love from a distance and silently hopes to win her favor. Willoughby is interested only in flirting with Marianne, but the Colonel, like a sincere person, looks forward to a lasting relationship. CHAPTER 12 Summary Marianne gets carried away by Willoughby's showy gestures. When he offers her a horse, she accepts it readily and talks about it to her sister. Elinor is shocked to learn this and asks Marianne to decline the offer, as it would prove too costly for them. Elinor observes Willoughby's behavior towards her sister and detects a note of intimacy in it. Margaret tells Elinor about her suspicion of an engagement between Marianne and Willoughby. Later, at Mrs. Jennings' insistence, Margaret gives a hint about Elinor's attachment to Edward, much to Elinor's embarrassment. Notes The chapter hints at the extent of the involvement of Marianne with Willoughby. Willoughby tries to impress Marianne by offering her a horse as a gift, and Marianne foolishly accepts the offer without giving a thought to the expenditure involved. Willoughby's superficiality and Marianne's gullibility are exposed in this episode. Chapter 12 also reveals the character of the youngest of the Dashwood girls. Margaret, one of the minor characters in the novel, is otherwise ignored by Austen. Only a few chapters give a glimpse into her personality. Margaret, like a typical teenager, gets excited over little things and jumps to conclusions easily. She derives pleasure from revealing secrets. She informs Elinor about the impending marriage between Marianne and Willoughby because she saw the young man taking a lock of hair from her sister . At the Park, she gives hints about the relationship between Elinor and Edward to Mrs. Jennings, much to the embarrassment of her sister. Like a reckless teenager, she is always in a hurry to impart information not meant to be disclosed publicly. CHAPTER 13 Summary Everyone is eagerly looking forward to their picnic at Whitewell. However, on the morning of the outing, a letter arrives for Colonel Brandon and alters the situation. The letter disturbs Brandon, and he informs the others about his decision to leave immediately for the town. The picnic is canceled, much to the disappointment of all, since it is not possible to proceed to Whitewell without the assistance of the Colonel. Sir John Middleton suggests that they should go for a ride in the carriage around the countryside. Marianne and Willoughby take a separate carriage. They visit Allenham on the sly. When Elinor learns about their visit, she is angry with Marianne for not observing the rules of propriety. Marianne justifies her action. Notes An element of suspense is introduced in this chapter. After the Colonel reads the letter, he turns grave and decides to leave for the town immediately. He evades the questions of Mrs. Jennings and declines to postpone his visit. After he leaves, Mrs. Jennings hints at the possibility of his visiting his illegitimate daughter, Miss Williams. Through this bit of information, Austen arouses the curiosity of the reader regarding the mysterious past of Colonel Brandon. Marianne and Willoughby are insensitive to the feelings of the Colonel and fail to sympathize with his plight. They criticize Brandon for spoiling the afternoon. Colonel Brandon comes across as a man in control of his emotions. Even though he is disturbed by the contents of the letter, he does not reveal his misery to others. Like a gentleman, he excuses himself from the party and bows to Marianne before taking his leave. His silence speaks volumes. The chapter relates one more incident which creates a clash between the good sense of Elinor and the sensibility of Marianne. Marianne makes a secret visit to Allenham with Willoughby but does not feel guilty about what she has done. Elinor's sense of decorum causes her to condemn her sister's actions, as she does not approve of Marianne's visiting a stranger's house with a man to whom she is not even engaged, at least not openly.\"}", "text": "\n\nAs Elinor and Marianne were walking together the next morning the\nlatter communicated a piece of news to her sister, which in spite of\nall that she knew before of Marianne's imprudence and want of thought,\nsurprised her by its extravagant testimony of both. Marianne told her,\nwith the greatest delight, that Willoughby had given her a horse, one\nthat he had bred himself on his estate in Somersetshire, and which was\nexactly calculated to carry a woman. Without considering that it was\nnot in her mother's plan to keep any horse, that if she were to alter\nher resolution in favour of this gift, she must buy another for the\nservant, and keep a servant to ride it, and after all, build a stable\nto receive them, she had accepted the present without hesitation, and\ntold her sister of it in raptures.\n\n\"He intends to send his groom into Somersetshire immediately for it,\"\nshe added, \"and when it arrives we will ride every day. You shall\nshare its use with me. Imagine to yourself, my dear Elinor, the\ndelight of a gallop on some of these downs.\"\n\nMost unwilling was she to awaken from such a dream of felicity to\ncomprehend all the unhappy truths which attended the affair; and for\nsome time she refused to submit to them. As to an additional servant,\nthe expense would be a trifle; Mama she was sure would never object to\nit; and any horse would do for HIM; he might always get one at the\npark; as to a stable, the merest shed would be sufficient. Elinor then\nventured to doubt the propriety of her receiving such a present from a\nman so little, or at least so lately known to her. This was too much.\n\n\"You are mistaken, Elinor,\" said she warmly, \"in supposing I know very\nlittle of Willoughby. I have not known him long indeed, but I am much\nbetter acquainted with him, than I am with any other creature in the\nworld, except yourself and mama. It is not time or opportunity that is\nto determine intimacy;--it is disposition alone. Seven years would be\ninsufficient to make some people acquainted with each other, and seven\ndays are more than enough for others. I should hold myself guilty of\ngreater impropriety in accepting a horse from my brother, than from\nWilloughby. Of John I know very little, though we have lived together\nfor years; but of Willoughby my judgment has long been formed.\"\n\nElinor thought it wisest to touch that point no more. She knew her\nsister's temper. Opposition on so tender a subject would only attach\nher the more to her own opinion. But by an appeal to her affection for\nher mother, by representing the inconveniences which that indulgent\nmother must draw on herself, if (as would probably be the case) she\nconsented to this increase of establishment, Marianne was shortly\nsubdued; and she promised not to tempt her mother to such imprudent\nkindness by mentioning the offer, and to tell Willoughby when she saw\nhim next, that it must be declined.\n\nShe was faithful to her word; and when Willoughby called at the\ncottage, the same day, Elinor heard her express her disappointment to\nhim in a low voice, on being obliged to forego the acceptance of his\npresent. The reasons for this alteration were at the same time\nrelated, and they were such as to make further entreaty on his side\nimpossible. His concern however was very apparent; and after\nexpressing it with earnestness, he added, in the same low voice,--\"But,\nMarianne, the horse is still yours, though you cannot use it now. I\nshall keep it only till you can claim it. When you leave Barton to\nform your own establishment in a more lasting home, Queen Mab shall\nreceive you.\"\n\nThis was all overheard by Miss Dashwood; and in the whole of the\nsentence, in his manner of pronouncing it, and in his addressing her\nsister by her Christian name alone, she instantly saw an intimacy so\ndecided, a meaning so direct, as marked a perfect agreement between\nthem. From that moment she doubted not of their being engaged to each\nother; and the belief of it created no other surprise than that she, or\nany of their friends, should be left by tempers so frank, to discover\nit by accident.\n\nMargaret related something to her the next day, which placed this\nmatter in a still clearer light. Willoughby had spent the preceding\nevening with them, and Margaret, by being left some time in the parlour\nwith only him and Marianne, had had opportunity for observations,\nwhich, with a most important face, she communicated to her eldest\nsister, when they were next by themselves.\n\n\"Oh, Elinor!\" she cried, \"I have such a secret to tell you about\nMarianne. I am sure she will be married to Mr. Willoughby very soon.\"\n\n\"You have said so,\" replied Elinor, \"almost every day since they first\nmet on High-church Down; and they had not known each other a week, I\nbelieve, before you were certain that Marianne wore his picture round\nher neck; but it turned out to be only the miniature of our great\nuncle.\"\n\n\"But indeed this is quite another thing. I am sure they will be\nmarried very soon, for he has got a lock of her hair.\"\n\n\"Take care, Margaret. It may be only the hair of some great uncle of\nHIS.\"\n\n\"But, indeed, Elinor, it is Marianne's. I am almost sure it is, for I\nsaw him cut it off. Last night after tea, when you and mama went out\nof the room, they were whispering and talking together as fast as could\nbe, and he seemed to be begging something of her, and presently he took\nup her scissors and cut off a long lock of her hair, for it was all\ntumbled down her back; and he kissed it, and folded it up in a piece of\nwhite paper; and put it into his pocket-book.\"\n\nFor such particulars, stated on such authority, Elinor could not\nwithhold her credit; nor was she disposed to it, for the circumstance\nwas in perfect unison with what she had heard and seen herself.\n\nMargaret's sagacity was not always displayed in a way so satisfactory\nto her sister. When Mrs. Jennings attacked her one evening at the\npark, to give the name of the young man who was Elinor's particular\nfavourite, which had been long a matter of great curiosity to her,\nMargaret answered by looking at her sister, and saying, \"I must not\ntell, may I, Elinor?\"\n\nThis of course made every body laugh; and Elinor tried to laugh too.\nBut the effort was painful. She was convinced that Margaret had fixed\non a person whose name she could not bear with composure to become a\nstanding joke with Mrs. Jennings.\n\nMarianne felt for her most sincerely; but she did more harm than good\nto the cause, by turning very red and saying in an angry manner to\nMargaret,\n\n\"Remember that whatever your conjectures may be, you have no right to\nrepeat them.\"\n\n\"I never had any conjectures about it,\" replied Margaret; \"it was you\nwho told me of it yourself.\"\n\nThis increased the mirth of the company, and Margaret was eagerly\npressed to say something more.\n\n\"Oh! pray, Miss Margaret, let us know all about it,\" said Mrs.\nJennings. \"What is the gentleman's name?\"\n\n\"I must not tell, ma'am. But I know very well what it is; and I know\nwhere he is too.\"\n\n\"Yes, yes, we can guess where he is; at his own house at Norland to be\nsure. He is the curate of the parish I dare say.\"\n\n\"No, THAT he is not. He is of no profession at all.\"\n\n\"Margaret,\" said Marianne with great warmth, \"you know that all this is\nan invention of your own, and that there is no such person in\nexistence.\"\n\n\"Well, then, he is lately dead, Marianne, for I am sure there was such\na man once, and his name begins with an F.\"\n\nMost grateful did Elinor feel to Lady Middleton for observing, at this\nmoment, \"that it rained very hard,\" though she believed the\ninterruption to proceed less from any attention to her, than from her\nladyship's great dislike of all such inelegant subjects of raillery as\ndelighted her husband and mother. The idea however started by her, was\nimmediately pursued by Colonel Brandon, who was on every occasion\nmindful of the feelings of others; and much was said on the subject of\nrain by both of them. Willoughby opened the piano-forte, and asked\nMarianne to sit down to it; and thus amidst the various endeavours of\ndifferent people to quit the topic, it fell to the ground. But not so\neasily did Elinor recover from the alarm into which it had thrown her.\n\nA party was formed this evening for going on the following day to see a\nvery fine place about twelve miles from Barton, belonging to a\nbrother-in-law of Colonel Brandon, without whose interest it could not\nbe seen, as the proprietor, who was then abroad, had left strict orders\non that head. The grounds were declared to be highly beautiful, and\nSir John, who was particularly warm in their praise, might be allowed\nto be a tolerable judge, for he had formed parties to visit them, at\nleast, twice every summer for the last ten years. They contained a\nnoble piece of water; a sail on which was to a form a great part of the\nmorning's amusement; cold provisions were to be taken, open carriages\nonly to be employed, and every thing conducted in the usual style of a\ncomplete party of pleasure.\n\nTo some few of the company it appeared rather a bold undertaking,\nconsidering the time of year, and that it had rained every day for the\nlast fortnight;--and Mrs. Dashwood, who had already a cold, was\npersuaded by Elinor to stay at home.\n\n\n", "feat_chapter_length": 1559.0, "feat_summary_name": "Chapter 12", "feat_summary_url": "https://web.archive.org/web/20180820034609/http://www.pinkmonkey.com/booknotes/monkeynotes/pmSenseSensibility27.asp", "target": "Mrs. Dashwood and her daughters are busy attending parties and balls. Marianne is in her element. She is overjoyed in the company of Willoughby, who showers much affection and attention on her. Elinor even feels left out at times. Deprived of friends of her own age, she is often thrown in the company of Mrs. Jennings and Lady Middleton. At such times she welcomes the presence of Colonel Brandon. Brandon often talks of Marianne and asks Elinor about her sister's preferences.", "feat_summary_analysis": "Notes Jane Austen paints the picture of an eighteenth-century upper middle-class society. The Dashwoods and Middletons are shown to be busy attending parties and balls. Their main occupation is socializing, and they take pleasure in entertaining people. Every young girl waits for a respectable young man to woo her, and her parents hope for a match between them. They lead a leisurely life, perhaps unusual to the modern reader. Marianne is exhilarated by the looks and manners of her lover. She does not care to understand his essential nature. Obsessed with Willoughby, she ignores Colonel Brandon and unconsciously hurts him. Blinded by her infatuation for Willoughby, she is not able to realize the worth of the Colonel or detect the intensity of his feelings. This chapter again emphasizes the difference in attitudes between Willoughby and Colonel Brandon. Both men are attracted to Marianne. Willoughby displays his affection by wooing Marianne, like a dashing hero would, while Colonel Brandon admires his lady love from a distance and silently hopes to win her favor. Willoughby is interested only in flirting with Marianne, but the Colonel, like a sincere person, looks forward to a lasting relationship. CHAPTER 12 Summary Marianne gets carried away by Willoughby's showy gestures. When he offers her a horse, she accepts it readily and talks about it to her sister. Elinor is shocked to learn this and asks Marianne to decline the offer, as it would prove too costly for them. Elinor observes Willoughby's behavior towards her sister and detects a note of intimacy in it. Margaret tells Elinor about her suspicion of an engagement between Marianne and Willoughby. Later, at Mrs. Jennings' insistence, Margaret gives a hint about Elinor's attachment to Edward, much to Elinor's embarrassment. Notes The chapter hints at the extent of the involvement of Marianne with Willoughby. Willoughby tries to impress Marianne by offering her a horse as a gift, and Marianne foolishly accepts the offer without giving a thought to the expenditure involved. Willoughby's superficiality and Marianne's gullibility are exposed in this episode. Chapter 12 also reveals the character of the youngest of the Dashwood girls. Margaret, one of the minor characters in the novel, is otherwise ignored by Austen. Only a few chapters give a glimpse into her personality. Margaret, like a typical teenager, gets excited over little things and jumps to conclusions easily. She derives pleasure from revealing secrets. She informs Elinor about the impending marriage between Marianne and Willoughby because she saw the young man taking a lock of hair from her sister . At the Park, she gives hints about the relationship between Elinor and Edward to Mrs. Jennings, much to the embarrassment of her sister. Like a reckless teenager, she is always in a hurry to impart information not meant to be disclosed publicly. CHAPTER 13 Summary Everyone is eagerly looking forward to their picnic at Whitewell. However, on the morning of the outing, a letter arrives for Colonel Brandon and alters the situation. The letter disturbs Brandon, and he informs the others about his decision to leave immediately for the town. The picnic is canceled, much to the disappointment of all, since it is not possible to proceed to Whitewell without the assistance of the Colonel. Sir John Middleton suggests that they should go for a ride in the carriage around the countryside. Marianne and Willoughby take a separate carriage. They visit Allenham on the sly. When Elinor learns about their visit, she is angry with Marianne for not observing the rules of propriety. Marianne justifies her action. Notes An element of suspense is introduced in this chapter. After the Colonel reads the letter, he turns grave and decides to leave for the town immediately. He evades the questions of Mrs. Jennings and declines to postpone his visit. After he leaves, Mrs. Jennings hints at the possibility of his visiting his illegitimate daughter, Miss Williams. Through this bit of information, Austen arouses the curiosity of the reader regarding the mysterious past of Colonel Brandon. Marianne and Willoughby are insensitive to the feelings of the Colonel and fail to sympathize with his plight. They criticize Brandon for spoiling the afternoon. Colonel Brandon comes across as a man in control of his emotions. Even though he is disturbed by the contents of the letter, he does not reveal his misery to others. Like a gentleman, he excuses himself from the party and bows to Marianne before taking his leave. His silence speaks volumes. The chapter relates one more incident which creates a clash between the good sense of Elinor and the sensibility of Marianne. Marianne makes a secret visit to Allenham with Willoughby but does not feel guilty about what she has done. Elinor's sense of decorum causes her to condemn her sister's actions, as she does not approve of Marianne's visiting a stranger's house with a man to whom she is not even engaged, at least not openly.", "feat_summary_length": 81.0, "feat_analysis_length": 819.0, "evaluation_predictions": [2, 139, 352, 1039, 108, 48582, 3387, 215, 3051, 120, 71598, 148, 634, 215, 114, 3470, 108, 156, 120, 178, 20744, 124, 169, 1432, 115, 9097, 14626, 108, 111, 162, 140, 1270, 7123, 112, 1635, 114, 1590, 107, 48582, 12070, 120, 126, 117, 146, 115, 215, 1499, 131, 116, 511, 112, 376, 189, 5525, 108, 167, 265, 355, 631, 372, 118, 109, 15598, 108, 111, 376, 114, 15598, 112, 1978, 126, 108, 111, 244, 149, 108, 736, 114, 3908, 112, 719, 183, 107, 39142, 108, 126, 131, 116, 314, 249, 107, 48582, 237, 1168, 124, 112, 416, 120, 178, 14179, 112, 1053, 169, 13717, 190, 9097, 14626, 1501, 118, 126, 111, 173, 126, 8350, 145, 138, 1978, 290, 242, 107, 10443, 112, 681, 108, 161, 6900, 70125, 108, 109, 7018, 113, 114, 50839, 124, 181, 113, 219, 308, 116, 107, 566, 24335, 140, 265, 112, 28523, 135, 253, 114, 2065, 113, 110, 78899, 415, 112, 12888, 149, 109, 13197, 19735, 162, 3243, 109, 9723, 206, 111, 118, 181, 166, 265, 6914, 112, 2663, 112, 183, 107, 398, 112, 142, 853, 15598, 108, 109, 5524, 192, 129, 114, 63988, 206, 7535, 178, 140, 334, 192, 394, 2951, 112, 126, 206, 111, 189, 3470, 192, 329, 171, 118, 26485, 206, 178, 382, 329, 179, 156, 134, 109, 1669, 206, 130, 112, 114, 3908, 108, 109, 213, 17111, 5590, 192, 129, 4414, 107, 48617, 120, 265, 117, 19410, 108, 48582, 649, 108, 198, 386, 35981, 38461, 125, 235, 221, 332, 113, 71598, 107, 125, 133, 146, 606, 342, 300, 3482, 108, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0]}
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{"feat_bid": 110, "feat_is_aggregate": false, "feat_source": "gradesaver", "feat_chapter_path": "all_chapterized_books/110-chapters/20.txt", "feat_summary_path": "finished_summaries/gradesaver/Tess of the D'Urbervilles/section_2_part_5.txt", "feat_book_id": "Tess of the D'Urbervilles.chapter 20", "feat_summary_id": "chapter 20", "feat_content": null, "feat_summary": "{\"name\": \"Chapter 20\", \"url\": \"https://web.archive.org/web/20210410060617/https://www.gradesaver.com/tess-of-the-durbervilles/study-guide/summary-phase-3-chapters-16-24\", \"summary\": \"Tess had never in her recent life been so happy and would possibly never be so happy again. She and Tess stand between predilection and love. For Angel, Tess represents a visionary essence of woman, and calls her Artemis, Demeter, and other fanciful names, but she insists that he call her simply Tess. Tess seems to exhibit a dignified largeness of disposition and physique. The two are always the first to awake at the dairy house, where they feel an impressive isolation, as if they are Adam and Eve.\", \"analysis\": \"Hardy makes explicit that Tess's time at Talbothays dairy is an idyllic respite from her normal toil and hardship, yet states that this happiness will be short-lived, foreshadowing greater adversity for Tess Durbeyfield. Hardy compares Angel and Tess to Adam and Eve in the mornings, thus foreshadowing a later fall from perfection. It is the idealism and perfection that Tess finds at Talbothays that leads to this shaky foundation for her happiness; Angel Clare adores Tess as a representation of perfection. To Angel, Tess is a goddess such as Artemis or Demeter, a symbol of perfection rather than a person with obvious faults and foibles. There is a great irony in Angel's adoration for Tess; Angel exalts Tess as a goddess for her strength and disposition, yet this perfection comes from the adversity stemming from her greatest weakness\"}", "text": "\n\nThe season developed and matured. Another year's instalment of\nflowers, leaves, nightingales, thrushes, finches, and such ephemeral\ncreatures, took up their positions where only a year ago others had\nstood in their place when these were nothing more than germs and\ninorganic particles. Rays from the sunrise drew forth the buds and\nstretched them into long stalks, lifted up sap in noiseless streams,\nopened petals, and sucked out scents in invisible jets and\nbreathings.\n\nDairyman Crick's household of maids and men lived on comfortably,\nplacidly, even merrily. Their position was perhaps the happiest of\nall positions in the social scale, being above the line at which\nneediness ends, and below the line at which the _convenances_ begin\nto cramp natural feelings, and the stress of threadbare modishness\nmakes too little of enough.\n\nThus passed the leafy time when arborescence seems to be the one\nthing aimed at out of doors. Tess and Clare unconsciously studied\neach other, ever balanced on the edge of a passion, yet apparently\nkeeping out of it. All the while they were converging, under an\nirresistible law, as surely as two streams in one vale.\n\nTess had never in her recent life been so happy as she was now,\npossibly never would be so happy again. She was, for one thing,\nphysically and mentally suited among these new surroundings. The\nsapling which had rooted down to a poisonous stratum on the spot of\nits sowing had been transplanted to a deeper soil. Moreover she, and\nClare also, stood as yet on the debatable land between predilection\nand love; where no profundities have been reached; no reflections\nhave set in, awkwardly inquiring, \"Whither does this new current tend\nto carry me? What does it mean to my future? How does it stand\ntowards my past?\"\n\nTess was the merest stray phenomenon to Angel Clare as yet--a rosy,\nwarming apparition which had only just acquired the attribute of\npersistence in his consciousness. So he allowed his mind to be\noccupied with her, deeming his preoccupation to be no more than a\nphilosopher's regard of an exceedingly novel, fresh, and interesting\nspecimen of womankind.\n\nThey met continually; they could not help it. They met daily in that\nstrange and solemn interval, the twilight of the morning, in the\nviolet or pink dawn; for it was necessary to rise early, so very\nearly, here. Milking was done betimes; and before the milking came\nthe skimming, which began at a little past three. It usually fell\nto the lot of some one or other of them to wake the rest, the first\nbeing aroused by an alarm-clock; and, as Tess was the latest arrival,\nand they soon discovered that she could be depended upon not to sleep\nthough the alarm as others did, this task was thrust most frequently\nupon her. No sooner had the hour of three struck and whizzed,\nthan she left her room and ran to the dairyman's door; then up the\nladder to Angel's, calling him in a loud whisper; then woke her\nfellow-milkmaids. By the time that Tess was dressed Clare was\ndownstairs and out in the humid air. The remaining maids and the\ndairyman usually gave themselves another turn on the pillow, and did\nnot appear till a quarter of an hour later.\n\nThe gray half-tones of daybreak are not the gray half-tones of the\nday's close, though the degree of their shade may be the same. In\nthe twilight of the morning, light seems active, darkness passive;\nin the twilight of evening it is the darkness which is active and\ncrescent, and the light which is the drowsy reverse.\n\nBeing so often--possibly not always by chance--the first two persons\nto get up at the dairy-house, they seemed to themselves the first\npersons up of all the world. In these early days of her residence\nhere Tess did not skim, but went out of doors at once after rising,\nwhere he was generally awaiting her. The spectral, half-compounded,\naqueous light which pervaded the open mead impressed them with\na feeling of isolation, as if they were Adam and Eve. At this\ndim inceptive stage of the day Tess seemed to Clare to exhibit a\ndignified largeness both of disposition and physique, an almost\nregnant power, possibly because he knew that at that preternatural\ntime hardly any woman so well endowed in person as she was likely to\nbe walking in the open air within the boundaries of his horizon; very\nfew in all England. Fair women are usually asleep at mid-summer\ndawns. She was close at hand, and the rest were nowhere.\n\nThe mixed, singular, luminous gloom in which they walked along\ntogether to the spot where the cows lay often made him think of the\nResurrection hour. He little thought that the Magdalen might be\nat his side. Whilst all the landscape was in neutral shade his\ncompanion's face, which was the focus of his eyes, rising above the\nmist stratum, seemed to have a sort of phosphorescence upon it. She\nlooked ghostly, as if she were merely a soul at large. In reality\nher face, without appearing to do so, had caught the cold gleam of\nday from the north-east; his own face, though he did not think of\nit, wore the same aspect to her.\n\nIt was then, as has been said, that she impressed him most deeply.\nShe was no longer the milkmaid, but a visionary essence of woman--a\nwhole sex condensed into one typical form. He called her Artemis,\nDemeter, and other fanciful names half teasingly, which she did not\nlike because she did not understand them.\n\n\"Call me Tess,\" she would say askance; and he did.\n\nThen it would grow lighter, and her features would become simply\nfeminine; they had changed from those of a divinity who could confer\nbliss to those of a being who craved it.\n\nAt these non-human hours they could get quite close to the waterfowl.\nHerons came, with a great bold noise as of opening doors and\nshutters, out of the boughs of a plantation which they frequented at\nthe side of the mead; or, if already on the spot, hardily maintained\ntheir standing in the water as the pair walked by, watching them by\nmoving their heads round in a slow, horizontal, passionless wheel,\nlike the turn of puppets by clockwork.\n\nThey could then see the faint summer fogs in layers, woolly, level,\nand apparently no thicker than counterpanes, spread about the meadows\nin detached remnants of small extent. On the gray moisture of the\ngrass were marks where the cows had lain through the night--dark-green\nislands of dry herbage the size of their carcasses, in the general\nsea of dew. From each island proceeded a serpentine trail, by which\nthe cow had rambled away to feed after getting up, at the end of\nwhich trail they found her; the snoring puff from her nostrils, when\nshe recognized them, making an intenser little fog of her own amid\nthe prevailing one. Then they drove the animals back to the barton,\nor sat down to milk them on the spot, as the case might require.\n\nOr perhaps the summer fog was more general, and the meadows lay like\na white sea, out of which the scattered trees rose like dangerous\nrocks. Birds would soar through it into the upper radiance, and\nhang on the wing sunning themselves, or alight on the wet rails\nsubdividing the mead, which now shone like glass rods. Minute\ndiamonds of moisture from the mist hung, too, upon Tess's eyelashes,\nand drops upon her hair, like seed pearls. When the day grew quite\nstrong and commonplace these dried off her; moreover, Tess then\nlost her strange and ethereal beauty; her teeth, lips, and eyes\nscintillated in the sunbeams and she was again the dazzlingly fair\ndairymaid only, who had to hold her own against the other women of\nthe world.\n\nAbout this time they would hear Dairyman Crick's voice, lecturing the\nnon-resident milkers for arriving late, and speaking sharply to old\nDeborah Fyander for not washing her hands.\n\n\"For Heaven's sake, pop thy hands under the pump, Deb! Upon my soul,\nif the London folk only knowed of thee and thy slovenly ways, they'd\nswaller their milk and butter more mincing than they do a'ready; and\nthat's saying a good deal.\"\n\nThe milking progressed, till towards the end Tess and Clare, in\ncommon with the rest, could hear the heavy breakfast table dragged\nout from the wall in the kitchen by Mrs Crick, this being the\ninvariable preliminary to each meal; the same horrible scrape\naccompanying its return journey when the table had been cleared.\n\n\n", "feat_chapter_length": 1349.0, "feat_summary_name": "Chapter 20", "feat_summary_url": "https://web.archive.org/web/20210410060617/https://www.gradesaver.com/tess-of-the-durbervilles/study-guide/summary-phase-3-chapters-16-24", "target": "Tess had never in her recent life been so happy and would possibly never be so happy again. She and Tess stand between predilection and love. For Angel, Tess represents a visionary essence of woman, and calls her Artemis, Demeter, and other fanciful names, but she insists that he call her simply Tess. Tess seems to exhibit a dignified largeness of disposition and physique. The two are always the first to awake at the dairy house, where they feel an impressive isolation, as if they are Adam and Eve.", "feat_summary_analysis": "Hardy makes explicit that Tess's time at Talbothays dairy is an idyllic respite from her normal toil and hardship, yet states that this happiness will be short-lived, foreshadowing greater adversity for Tess Durbeyfield. Hardy compares Angel and Tess to Adam and Eve in the mornings, thus foreshadowing a later fall from perfection. It is the idealism and perfection that Tess finds at Talbothays that leads to this shaky foundation for her happiness; Angel Clare adores Tess as a representation of perfection. To Angel, Tess is a goddess such as Artemis or Demeter, a symbol of perfection rather than a person with obvious faults and foibles. 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{"feat_bid": 1232, "feat_is_aggregate": false, "feat_source": "shmoop", "feat_chapter_path": "all_chapterized_books/1232-chapters/09.txt", "feat_summary_path": "finished_summaries/shmoop/The Prince/section_9_part_0.txt", "feat_book_id": "The Prince.chapter 9", "feat_summary_id": "chapter 9", "feat_content": null, "feat_summary": "{\"name\": \"Chapter 9\", \"url\": \"https://web.archive.org/web/20210420060055/https://www.shmoop.com/study-guides/literature/prince-machiavelli/summary/chapter-9\", \"summary\": \"Rulers that come to power because of the support of the people are the total opposite of bloody conquers. Everyone loves 'em. They're not too smart, or even extra lucky, but just enough to get by. Our new ruler has three options for his new place: a monarchy where power goes to the nobles, a republic where power goes to the people, and anarchy. In monarchies, either the nobles or the people decide to concentrate all the power in one person, the king. Seems simple enough, but a king who comes to power because of the nobles will have a hard time. After all, the nobles have lots of power to throw around, too. Remember, you don't want anyone who can compete with you around, and these are the people with the weapons. What are the regular people going to do to you? Poke you with their potatoes? Bottom line: be friends with the people, because the nobles have too many tricks up their sleeves. More on nobles. There are two kinds, those who are totally 100% loyally part of your fan club and those who aren't. Out of those who aren't, there are two kinds. Those who are just scaredy-cats , and those who are planning something. The latter are the ones to watch out for because they will turn on you at the drop of a hat. Okay, back to the people. You need to be on their side. It's pretty easy, actually, because they basically just don't want to be oppressed and tortured. Also, if they thought you were going to be super mean, and you turn out to be okay, they will love you even more than if they loved you from the start. They're easy to please. Some people say that it's a bad idea to depend on the support of the people. Machiavelli just doesn't agree--he says that's only the case if you're stupid and think they'll fight for you or rescue you. That's not going to happen. But they can support you and not turn against you. Problems for the ruler supported by the people? When they want to become an absolute ruler, they need either give direct command or rule though other people who they give power to. The problem is, these people aren't always the most trustworthy--before you know it, everything is up in flames. So, make sure your people always need not only your government , but you specifically, and everything will be okay.\", \"analysis\": \"\"}", "text": "\nBut coming to the other point--where a leading citizen becomes the\nprince of his country, not by wickedness or any intolerable violence,\nbut by the favour of his fellow citizens--this may be called a civil\nprincipality: nor is genius or fortune altogether necessary to attain to\nit, but rather a happy shrewdness. I say then that such a principality\nis obtained either by the favour of the people or by the favour of the\nnobles. Because in all cities these two distinct parties are found,\nand from this it arises that the people do not wish to be ruled nor\noppressed by the nobles, and the nobles wish to rule and oppress the\npeople; and from these two opposite desires there arises in cities one\nof three results, either a principality, self-government, or anarchy.\n\nA principality is created either by the people or by the nobles,\naccordingly as one or other of them has the opportunity; for the nobles,\nseeing they cannot withstand the people, begin to cry up the reputation\nof one of themselves, and they make him a prince, so that under his\nshadow they can give vent to their ambitions. The people, finding\nthey cannot resist the nobles, also cry up the reputation of one of\nthemselves, and make him a prince so as to be defended by his authority.\nHe who obtains sovereignty by the assistance of the nobles maintains\nhimself with more difficulty than he who comes to it by the aid of\nthe people, because the former finds himself with many around him who\nconsider themselves his equals, and because of this he can neither rule\nnor manage them to his liking. But he who reaches sovereignty by popular\nfavour finds himself alone, and has none around him, or few, who are not\nprepared to obey him.\n\nBesides this, one cannot by fair dealing, and without injury to others,\nsatisfy the nobles, but you can satisfy the people, for their object is\nmore righteous than that of the nobles, the latter wishing to oppress,\nwhile the former only desire not to be oppressed. It is to be added also\nthat a prince can never secure himself against a hostile people, because\nof there being too many, whilst from the nobles he can secure himself,\nas they are few in number. The worst that a prince may expect from a\nhostile people is to be abandoned by them; but from hostile nobles he\nhas not only to fear abandonment, but also that they will rise against\nhim; for they, being in these affairs more far-seeing and astute, always\ncome forward in time to save themselves, and to obtain favours from him\nwhom they expect to prevail. Further, the prince is compelled to live\nalways with the same people, but he can do well without the same nobles,\nbeing able to make and unmake them daily, and to give or take away\nauthority when it pleases him.\n\nTherefore, to make this point clearer, I say that the nobles ought to\nbe looked at mainly in two ways: that is to say, they either shape their\ncourse in such a way as binds them entirely to your fortune, or they do\nnot. Those who so bind themselves, and are not rapacious, ought to be\nhonoured and loved; those who do not bind themselves may be dealt\nwith in two ways; they may fail to do this through pusillanimity and a\nnatural want of courage, in which case you ought to make use of them,\nespecially of those who are of good counsel; and thus, whilst in\nprosperity you honour them, in adversity you do not have to fear them.\nBut when for their own ambitious ends they shun binding themselves, it\nis a token that they are giving more thought to themselves than to you,\nand a prince ought to guard against such, and to fear them as if they\nwere open enemies, because in adversity they always help to ruin him.\n\nTherefore, one who becomes a prince through the favour of the people\nought to keep them friendly, and this he can easily do seeing they\nonly ask not to be oppressed by him. But one who, in opposition to\nthe people, becomes a prince by the favour of the nobles, ought, above\neverything, to seek to win the people over to himself, and this he may\neasily do if he takes them under his protection. Because men, when they\nreceive good from him of whom they were expecting evil, are bound more\nclosely to their benefactor; thus the people quickly become more devoted\nto him than if he had been raised to the principality by their favours;\nand the prince can win their affections in many ways, but as these vary\naccording to the circumstances one cannot give fixed rules, so I omit\nthem; but, I repeat, it is necessary for a prince to have the people\nfriendly, otherwise he has no security in adversity.\n\nNabis,(*) Prince of the Spartans, sustained the attack of all Greece,\nand of a victorious Roman army, and against them he defended his country\nand his government; and for the overcoming of this peril it was only\nnecessary for him to make himself secure against a few, but this would\nnot have been sufficient had the people been hostile. And do not let any\none impugn this statement with the trite proverb that \"He who builds on\nthe people, builds on the mud,\" for this is true when a private citizen\nmakes a foundation there, and persuades himself that the people will\nfree him when he is oppressed by his enemies or by the magistrates;\nwherein he would find himself very often deceived, as happened to the\nGracchi in Rome and to Messer Giorgio Scali(+) in Florence. But granted\na prince who has established himself as above, who can command, and is\na man of courage, undismayed in adversity, who does not fail in other\nqualifications, and who, by his resolution and energy, keeps the whole\npeople encouraged--such a one will never find himself deceived in them,\nand it will be shown that he has laid his foundations well.\n\n (*) Nabis, tyrant of Sparta, conquered by the Romans under\n Flamininus in 195 B.C.; killed 192 B.C.\n\n (+) Messer Giorgio Scali. This event is to be found in\n Machiavelli's \"Florentine History,\" Book III.\n\nThese principalities are liable to danger when they are passing from the\ncivil to the absolute order of government, for such princes either rule\npersonally or through magistrates. In the latter case their government\nis weaker and more insecure, because it rests entirely on the goodwill\nof those citizens who are raised to the magistracy, and who, especially\nin troubled times, can destroy the government with great ease, either\nby intrigue or open defiance; and the prince has not the chance amid\ntumults to exercise absolute authority, because the citizens and\nsubjects, accustomed to receive orders from magistrates, are not of\na mind to obey him amid these confusions, and there will always be in\ndoubtful times a scarcity of men whom he can trust. For such a prince\ncannot rely upon what he observes in quiet times, when citizens have\nneed of the state, because then every one agrees with him; they all\npromise, and when death is far distant they all wish to die for him;\nbut in troubled times, when the state has need of its citizens, then\nhe finds but few. And so much the more is this experiment dangerous,\ninasmuch as it can only be tried once. Therefore a wise prince ought to\nadopt such a course that his citizens will always in every sort and\nkind of circumstance have need of the state and of him, and then he will\nalways find them faithful.\n\n\n\n", "feat_chapter_length": 1217.0, "feat_summary_name": "Chapter 9", "feat_summary_url": "https://web.archive.org/web/20210420060055/https://www.shmoop.com/study-guides/literature/prince-machiavelli/summary/chapter-9", "target": "Rulers that come to power because of the support of the people are the total opposite of bloody conquers. Everyone loves 'em. They're not too smart, or even extra lucky, but just enough to get by. Our new ruler has three options for his new place: a monarchy where power goes to the nobles, a republic where power goes to the people, and anarchy. In monarchies, either the nobles or the people decide to concentrate all the power in one person, the king. Seems simple enough, but a king who comes to power because of the nobles will have a hard time. After all, the nobles have lots of power to throw around, too. Remember, you don't want anyone who can compete with you around, and these are the people with the weapons. What are the regular people going to do to you? Poke you with their potatoes? Bottom line: be friends with the people, because the nobles have too many tricks up their sleeves. More on nobles. There are two kinds, those who are totally 100% loyally part of your fan club and those who aren't. Out of those who aren't, there are two kinds. Those who are just scaredy-cats , and those who are planning something. The latter are the ones to watch out for because they will turn on you at the drop of a hat. Okay, back to the people. You need to be on their side. It's pretty easy, actually, because they basically just don't want to be oppressed and tortured. Also, if they thought you were going to be super mean, and you turn out to be okay, they will love you even more than if they loved you from the start. They're easy to please. Some people say that it's a bad idea to depend on the support of the people. Machiavelli just doesn't agree--he says that's only the case if you're stupid and think they'll fight for you or rescue you. That's not going to happen. But they can support you and not turn against you. Problems for the ruler supported by the people? When they want to become an absolute ruler, they need either give direct command or rule though other people who they give power to. The problem is, these people aren't always the most trustworthy--before you know it, everything is up in flames. So, make sure your people always need not only your government , but you specifically, and everything will be okay.", "feat_summary_analysis": null, "feat_summary_length": 414.0, "feat_analysis_length": 1.0, "evaluation_predictions": [2, 222, 136, 3697, 108, 63773, 2138, 169, 5241, 120, 114, 964, 7776, 2052, 109, 4138, 113, 169, 531, 141, 16063, 113, 109, 337, 113, 169, 3345, 3238, 107, 182, 117, 568, 114, 3541, 5191, 2922, 108, 111, 126, 117, 3686, 707, 141, 109, 5089, 113, 109, 200, 132, 141, 109, 19767, 113, 109, 12262, 116, 107, 2110, 115, 149, 2114, 219, 228, 5057, 1829, 127, 374, 108, 111, 135, 136, 126, 13648, 120, 109, 200, 171, 146, 1216, 112, 129, 8258, 3001, 39924, 141, 109, 12262, 111, 109, 12262, 1216, 112, 2613, 111, 50118, 109, 200, 206, 111, 135, 219, 228, 3994, 8359, 186, 13648, 115, 2114, 156, 113, 339, 602, 108, 707, 114, 5191, 2922, 110, 108, 813, 121, 20812, 110, 108, 132, 72252, 107, 202, 5191, 2922, 117, 732, 707, 141, 200, 132, 12262, 116, 7520, 130, 156, 132, 176, 113, 183, 148, 109, 730, 206, 118, 12262, 116, 108, 1749, 157, 967, 9868, 109, 200, 108, 1213, 112, 7904, 164, 109, 3077, 113, 156, 113, 1118, 108, 111, 157, 193, 342, 114, 18729, 108, 167, 120, 365, 169, 7572, 157, 137, 361, 10591, 112, 153, 13141, 107, 139, 200, 108, 1663, 157, 967, 7718, 12262, 116, 163, 7904, 164, 153, 3077, 116, 108, 111, 193, 183, 114, 18729, 167, 130, 112, 129, 18215, 141, 169, 3653, 107, 285, 170, 2426, 116, 22525, 141, 109, 2057, 113, 12262, 116, 8273, 1847, 122, 154, 5200, 197, 178, 170, 472, 112, 126, 141, 109, 2637, 113, 200, 108, 262, 109, 1319, 5258, 1847, 122, 223, 279, 342, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0]}
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{"feat_bid": 23042, "feat_is_aggregate": false, "feat_source": "sparknotes", "feat_chapter_path": "all_chapterized_books/23042-chapters/4.txt", "feat_summary_path": "finished_summaries/sparknotes/The Tempest/section_4_part_0.txt", "feat_book_id": "The Tempest.act ii.scene ii", "feat_summary_id": "act ii, scene ii", "feat_content": null, "feat_summary": "{\"name\": \"Act II, scene ii\", \"url\": \"https://web.archive.org/web/20210131162607/https://www.sparknotes.com/shakespeare/tempest/section5/\", \"summary\": \"Caliban enters with a load of wood, and thunder sounds in the background. Caliban curses and describes the torments that Prospero's spirits subject him to: they pinch, bite, and prick him, especially when he curses. As he is thinking of these spirits, Caliban sees Trinculo and imagines him to be one of the spirits. Hoping to avoid pinching, he lies down and covers himself with his cloak. Trinculo hears the thunder and looks about for some cover from the storm. The only thing he sees is the cloak-covered Caliban on the ground. He is not so much repulsed by Caliban as curious. He cannot decide whether Caliban is a \\\"man or a fish\\\" . He thinks of a time when he traveled to England and witnessed freak-shows there. Caliban, he thinks, would bring him a lot of money in England. Thunder sounds again and Trinculo decides that the best shelter in sight is beneath Caliban's cloak, and so he joins the man-monster there. Stephano enters singing and drinking. He hears Caliban cry out to Trinculo, \\\"Do not torment me! O!\\\" . Hearing this and seeing the four legs sticking out from the cloak, Stephano thinks the two men are a four-legged monster with a fever. He decides to relieve this fever with a drink. Caliban continues to resist Trinculo, whom he still thinks is a spirit tormenting him. Trinculo recognizes Stephano's voice and says so. Stephano, of course, assumes for a moment that the monster has two heads, and he promises to pour liquor in both mouths. Trinculo now calls out to Stephano, and Stephano pulls his friend out from under the cloak. While the two men discuss how they arrived safely on shore, Caliban enjoys the liquor and begs to worship Stephano. The men take full advantage of Caliban's drunkenness, mocking him as a \\\"most ridiculous monster\\\" as he promises to lead them around and show them the isle.\", \"analysis\": \"Analysis Trinculo and Stephano are the last new characters to be introduced in the play. They act as comic foils to the main action, and will in later acts become specific parodies of Antonio and Sebastian. At this point, their role is to present comically some of the more serious issues in the play concerning Prospero and Caliban. In Act I, scene ii, Prospero calls Caliban a \\\"slave\\\" , \\\"thou earth\\\" , \\\"Filth\\\" , and \\\"Hag-seed\\\" . Stephano and Trinculo's epithet of choice in Act II, scene ii and thereafter is \\\"monster.\\\" But while these two make quite clear that Caliban is seen as less than human by the Europeans on the island, they also treat him more humanely than Prospero does. Stephano and Trinculo, a butler and a jester respectively, remain at the low end of the social scale in the play, and have little difficulty finding friendship with the strange islander they meet. \\\" Misery acquaints a man with strange bedfellows,\\\" says Trinculo , and then hastens to crawl beneath Caliban's garment in order to get out of the rain. The similarity, socially and perhaps physically as well, between Trinculo and Caliban is further emphasized when Stephano, drunk, initially mistakes the two for a single monster: \\\"This is some monster of the isle with four legs\\\" . More important than the emphasis on the way in which Caliban seems to others more monster than man, is the way in which this scene dramatizes the initial encounter between an almost completely isolated, \\\"primitive\\\" culture and a foreign, \\\"civilized\\\" one. The reader discovers during Caliban and Prospero's confrontation in Act I, scene ii that Prospero initially \\\"made much of\\\" Caliban ; that he gave Caliban \\\"Water with berries in't\\\" ; that Caliban showed him around the island; and that Prospero later imprisoned Caliban, after he had taken all he could take from him. The reader can see these events in Act II, scene ii, with Trinculo and Stephano in the place of Prospero. Stephano calls Caliban a \\\"brave monster,\\\" as they set off singing around the island. In addition, Stephano and Trinculo give Caliban wine, which Caliban finds to be a \\\"celestial liquor\\\" . Moreover, Caliban initially mistakes Stephano and Trinculo for Prospero's spirits, but alcohol convinces him that Stephano is a \\\"brave god\\\" and decides unconditionally to \\\"kneel to him\\\" . This scene shows the foreign, civilized culture as decadent and manipulative: Stephano immediately plans to \\\"inherit\\\" the island , using Caliban to show him all its virtues. Stephano and Trinculo are a grotesque, parodic version of Prospero upon his arrival twelve years ago. Godlike in the eyes of the native, they slash and burn their way to power. By this point, Caliban has begun to resemble a parody of himself. Whereas he would \\\"gabble like / A thing most brutish\\\" upon Prospero's arrival, because he did not know language, he now is willfully inarticulate in his drunkenness. Immediately putting aside his fear that these men are spirits sent to do him harm, Caliban puts his trust in them for all the wrong reasons. What makes Caliban's behavior in this scene so tragic is that we might expect him, especially after his eloquent curses of Prospero in Act I, scene ii, to know better.\"}", "text": "SCENE II.\n\n_Another part of the island._\n\n _Enter CALIBAN with a burden of wood. A noise of thunder heard._\n\n_Cal._ All the infections that the sun sucks up\nFrom bogs, fens, flats, on Prosper fall, and make him\nBy inch-meal a disease! His spirits hear me,\nAnd yet I needs must curse. But they'll nor pinch,\nFright me with urchin-shows, pitch me i' the mire, 5\nNor lead me, like a firebrand, in the dark\nOut of my way, unless he bid 'em: but\nFor every trifle are they set upon me;\nSometime like apes, that mow and chatter at me,\nAnd after bite me; then like hedgehogs, which 10\nLie tumbling in my barefoot way, and mount\nTheir pricks at my footfall; sometime am I\nAll wound with adders, who with cloven tongues\nDo hiss me into madness.\n\n _Enter TRINCULO._\n\n Lo, now, lo!\nHere comes a spirit of his, and to torment me 15\nFor bringing wood in slowly. I'll fall flat;\nPerchance he will not mind me.\n\n_Trin._ Here's neither bush nor shrub, to bear off any\nweather at all, and another storm brewing; I hear it sing i'\nthe wind: yond same black cloud, yond huge one, looks 20\nlike a foul bombard that would shed his liquor. If it should\nthunder as it did before, I know not where to hide my head:\nyond same cloud cannot choose but fall by pailfuls. What\nhave we here? a man or a fish? dead or alive? A fish: he\nsmells like a fish; a very ancient and fish-like smell; a kind 25\nof not of the newest Poor-John. A strange fish! Were I\nin England now, as once I was, and had but this fish\npainted, not a holiday fool there but would give a piece of\nsilver: there would this monster make a man; any strange\nbeast there makes a man: when they will not give a doit to 30\nrelieve a lame beggar, they will lay out ten to see a dead\nIndian. Legged like a man! and his fins like arms! Warm\no' my troth! I do now let loose my opinion; hold it no\nlonger: this is no fish, but an islander, that hath lately\nsuffered by a thunderbolt. [_Thunder._] Alas, the storm is come 35\nagain! my best way is to creep under his gaberdine; there\nis no other shelter hereabout: misery acquaints a man with\nstrange bed-fellows. I will here shroud till the dregs of the\nstorm be past.\n\n _Enter STEPHANO, singing: a bottle in his hand._\n\n_Ste._ I shall no more to sea, to sea, 40\n Here shall I die a-shore,--\n\nThis is a very scurvy tune to sing at a man's funeral: well,\nhere's my comfort. [_Drinks._\n\n\n[_Sings._ The master, the swabber, the boatswain, and I,\n The gunner, and his mate, 45\n Loved Mall, Meg, and Marian, and Margery,\n But none of us cared for Kate;\n For she had a tongue with a tang,\n Would cry to a sailor, Go hang!\n She loved not the savour of tar nor of pitch; 50\n Yet a tailor might scratch her where'er she did itch.\n Then, to sea, boys, and let her go hang!\n\nThis is a scurvy tune too: but here's my comfort. [_Drinks._\n\n_Cal._ Do not torment me:--O!\n\n_Ste._ What's the matter? Have we devils here? Do 55\nyou put tricks upon 's with savages and men of Ind, ha? I\nhave not scaped drowning, to be afeard now of your four\nlegs; for it hath been said, As proper a man as ever went\non four legs cannot make him give ground; and it shall be\nsaid so again, while Stephano breathes at's nostrils. 60\n\n_Cal._ The spirit torments me:--O!\n\n_Ste._ This is some monster of the isle with four legs, who\nhath got, as I take it, an ague. Where the devil should he\nlearn our language? I will give him some relief, if it be\nbut for that. If I can recover him, and keep him tame, and 65\nget to Naples with him, he's a present for any emperor that\never trod on neat's-leather.\n\n_Cal._ Do not torment me, prithee; I'll bring my wood\nhome faster.\n\n_Ste._ He's in his fit now, and does not talk after the 70\nwisest. He shall taste of my bottle: if he have never drunk\nwine afore, it will go near to remove his fit. If I can recover\nhim, and keep him tame, I will not take too much for\nhim; he shall pay for him that hath him, and that soundly.\n\n_Cal._ Thou dost me yet but little hurt; thou wilt anon, I 75\nknow it by thy trembling: now Prosper works upon thee.\n\n_Ste._ Come on your ways; open your mouth; here is that\nwhich will give language to you, cat: open your mouth; this\nwill shake your shaking, I can tell you, and that soundly:\nyou cannot tell who's your friend: open your chaps again. 80\n\n_Trin._ I should know that voice: it should be--but he\nis drowned; and these are devils:--O defend me!\n\n_Ste._ Four legs and two voices,--a most delicate monster!\nHis forward voice, now, is to speak well of his friend;\nhis backward voice is to utter foul speeches and to detract. 85\nIf all the wine in my bottle will recover him, I will help\nhis ague. Come:--Amen! I will pour some in thy other\nmouth.\n\n_Trin._ Stephano!\n\n_Ste._ Doth thy other mouth call me? Mercy, mercy! 90\nThis is a devil, and no monster: I will leave him; I have\nno long spoon.\n\n_Trin._ Stephano! If thou beest Stephano, touch me,\nand speak to me; for I am Trinculo,--be not afeard,--thy\ngood friend Trinculo. 95\n\n_Ste._ If thou beest Trinculo, come forth: I'll pull thee\nby the lesser legs: if any be Trinculo's legs, these are they.\nThou art very Trinculo indeed! How earnest thou to be\nthe siege of this moon-calf? can he vent Trinculos?\n\n_Trin._ I took him to be killed with a thunder-stroke. 100\nBut art thou not drowned, Stephano? I hope, now, thou\nart not drowned. Is the storm overblown? I hid me\nunder the dead moon-calf's gaberdine for fear of the storm.\nAnd art thou living, Stephano? O Stephano, two Neapolitans\nscaped! 105\n\n_Ste._ Prithee, do not turn me about; my stomach is not\nconstant.\n\n_Cal._ [_aside_] These be fine things, an if they be not sprites.\nThat's a brave god, and bears celestial liquor:\nI will kneel to him. 110\n\n_Ste._ How didst thou 'scape? How camest thou hither?\nswear, by this bottle, how thou camest hither. I escaped\nupon a butt of sack, which the sailors heaved o'erboard, by\nthis bottle! which I made of the bark of a tree with mine\nown hands, since I was cast ashore. 115\n\n_Cal._ I'll swear, upon that bottle, to be thy true subject;\nfor the liquor is not earthly.\n\n_Ste._ Here; swear, then, how thou escapedst.\n\n_Trin._ Swum ashore, man, like a duck: I can swim\nlike a duck, I'll be sworn. 120\n\n_Ste._ Here, kiss the book. Though thou canst swim\nlike a duck, thou art made like a goose.\n\n_Trin._ O Stephano, hast any more of this?\n\n_Ste._ The whole butt, man: my cellar is in a rock by\nthe sea-side, where my wine is hid. How now, moon-calf! 125\nhow does thine ague?\n\n_Cal._ Hast thou not dropp'd from heaven?\n\n_Ste._ Out o' the moon, I do assure thee: I was the man\ni' the moon when time was.\n\n_Cal._ I have seen thee in her, and I do adore thee: 130\nMy mistress show'd me thee, and thy dog, and thy bush.\n\n_Ste._ Come, swear to that; kiss the book: I will furnish\nit anon with new contents: swear.\n\n_Trin._ By this good light, this is a very shallow monster!\nI afeard of him! A very weak monster! The 135\nman i' the moon! A most poor credulous monster! Well\ndrawn, monster, in good sooth!\n\n_Cal._ I'll show thee every fertile inch o' th' island;\nAnd I will kiss thy foot: I prithee, be my god.\n\n_Trin._ By this light, a most perfidious and drunken 140\nmonster! when's god's asleep, he'll rob his bottle.\n\n_Cal._ I'll kiss thy foot; I'll swear myself thy subject.\n\n_Ste._ Come on, then; down, and swear.\n\n_Trin._ I shall laugh myself to death at this puppy-headed\nmonster. A most scurvy monster! I could find in 145\nmy heart to beat him,--\n\n_Ste._ Come, kiss.\n\n_Trin._ But that the poor monster's in drink: an abominable\nmonster!\n\n_Cal._ I'll show thee the best springs; I'll pluck thee berries; 150\nI'll fish for thee, and get thee wood enough.\nA plague upon the tyrant that I serve!\nI'll bear him no more sticks, but follow thee,\nThou wondrous man.\n\n_Trin._ A most ridiculous monster, to make a wonder 155\nof a poor drunkard!\n\n_Cal._ I prithee, let me bring thee where crabs grow;\nAnd I with my long nails will dig thee pig-nuts;\nShow thee a jay's nest, and instruct thee how\nTo snare the nimble marmoset; I'll bring thee 160\nTo clustering filberts, and sometimes I'll get thee\nYoung scamels from the rock. Wilt thou go with me?\n\n_Ste._ I prithee now, lead the way, without any more\ntalking. Trinculo, the king and all our company else being\ndrowned, we will inherit here: here; bear my bottle: fellow 165\nTrinculo, we'll fill him by and by again.\n\n_Cal. sings drunkenly._] Farewell, master; farewell, farewell!\n\n_Trin._ A howling monster; a drunken monster!\n\n_Cal._ No more dams I'll make for fish;\n Nor fetch in firing 170\n At requiring;\n Nor scrape trencher, nor wash dish:\n 'Ban, 'Ban, Cacaliban\n Has a new master:--get a new man.\n\nFreedom, hey-day! hey-day, freedom! freedom, hey-day, 175\nfreedom!\n\n_Ste._ O brave monster! Lead the way. [_Exeunt._\n\n\n Notes: II, 2.\n\n 4: _nor_] F1 F2. _not_ F3 F4.\n 15: _and_] _now_ Pope. _sent_ Edd. conj. (so Dryden).\n 21: _foul_] _full_ Upton conj.\n 35: [Thunder] Capell.\n 38: _dregs_] _drench_ Collier MS.\n 40: SCENE III. Pope.\n [a bottle in his hand] Capell.]\n 46: _and Marian_] _Mirian_ Pope.\n 56: _savages_] _salvages_ Ff.\n 60: _at's nostrils_] Edd. _at 'nostrils_ F1. _at nostrils_ F2 F3 F4.\n _at his nostrils_ Pope.\n 78: _you, cat_] _you Cat_ Ff. _a cat_ Hanmer. _your cat_ Edd. conj.\n 84: _well_] F1 om. F2 F3 F4.\n 115, 116: Steevens prints as verse, _I'll ... thy True ... earthly._\n 118: _swear, then, how thou escapedst_] _swear then: how escapedst\n thou?_ Pope.\n 119: _Swum_] _Swom_ Ff.\n 131: _and thy dog, and thy bush_] _thy dog and bush_ Steevens.\n 133: _new_] F1. _the new_ F2 F3 F4.\n 135: _weak_] F1. _shallow_ F2 F3 F4.\n 138: _island_] F1. _isle_ F2 F3 F4.\n 150-154, 157-162, printed as verse by Pope (after Dryden).\n 162: _scamels_] _shamois_ Theobald. _seamalls, stannels_ id. conj.\n 163: Ste.] F1. Cal. F2 F3 F4.\n 165: Before _here; bear my bottle_ Capell inserts [To Cal.].\n See note (XII).\n 172: _trencher_] Pope (after Dryden). _trenchering_ Ff.\n 175: _hey-day_] Rowe. _high-day_ Ff.\n\n\n\n\n\n", "feat_chapter_length": 2642.0, "feat_summary_name": "Act II, scene ii", "feat_summary_url": "https://web.archive.org/web/20210131162607/https://www.sparknotes.com/shakespeare/tempest/section5/", "target": "Caliban enters with a load of wood, and thunder sounds in the background. Caliban curses and describes the torments that Prospero's spirits subject him to: they pinch, bite, and prick him, especially when he curses. As he is thinking of these spirits, Caliban sees Trinculo and imagines him to be one of the spirits. Hoping to avoid pinching, he lies down and covers himself with his cloak. Trinculo hears the thunder and looks about for some cover from the storm. The only thing he sees is the cloak-covered Caliban on the ground. He is not so much repulsed by Caliban as curious. He cannot decide whether Caliban is a \"man or a fish\" . He thinks of a time when he traveled to England and witnessed freak-shows there. Caliban, he thinks, would bring him a lot of money in England. Thunder sounds again and Trinculo decides that the best shelter in sight is beneath Caliban's cloak, and so he joins the man-monster there. Stephano enters singing and drinking. He hears Caliban cry out to Trinculo, \"Do not torment me! O!\" . Hearing this and seeing the four legs sticking out from the cloak, Stephano thinks the two men are a four-legged monster with a fever. He decides to relieve this fever with a drink. Caliban continues to resist Trinculo, whom he still thinks is a spirit tormenting him. Trinculo recognizes Stephano's voice and says so. Stephano, of course, assumes for a moment that the monster has two heads, and he promises to pour liquor in both mouths. Trinculo now calls out to Stephano, and Stephano pulls his friend out from under the cloak. While the two men discuss how they arrived safely on shore, Caliban enjoys the liquor and begs to worship Stephano. The men take full advantage of Caliban's drunkenness, mocking him as a \"most ridiculous monster\" as he promises to lead them around and show them the isle.", "feat_summary_analysis": "Analysis Trinculo and Stephano are the last new characters to be introduced in the play. They act as comic foils to the main action, and will in later acts become specific parodies of Antonio and Sebastian. At this point, their role is to present comically some of the more serious issues in the play concerning Prospero and Caliban. In Act I, scene ii, Prospero calls Caliban a \"slave\" , \"thou earth\" , \"Filth\" , and \"Hag-seed\" . Stephano and Trinculo's epithet of choice in Act II, scene ii and thereafter is \"monster.\" But while these two make quite clear that Caliban is seen as less than human by the Europeans on the island, they also treat him more humanely than Prospero does. Stephano and Trinculo, a butler and a jester respectively, remain at the low end of the social scale in the play, and have little difficulty finding friendship with the strange islander they meet. \" Misery acquaints a man with strange bedfellows,\" says Trinculo , and then hastens to crawl beneath Caliban's garment in order to get out of the rain. The similarity, socially and perhaps physically as well, between Trinculo and Caliban is further emphasized when Stephano, drunk, initially mistakes the two for a single monster: \"This is some monster of the isle with four legs\" . More important than the emphasis on the way in which Caliban seems to others more monster than man, is the way in which this scene dramatizes the initial encounter between an almost completely isolated, \"primitive\" culture and a foreign, \"civilized\" one. The reader discovers during Caliban and Prospero's confrontation in Act I, scene ii that Prospero initially \"made much of\" Caliban ; that he gave Caliban \"Water with berries in't\" ; that Caliban showed him around the island; and that Prospero later imprisoned Caliban, after he had taken all he could take from him. The reader can see these events in Act II, scene ii, with Trinculo and Stephano in the place of Prospero. Stephano calls Caliban a \"brave monster,\" as they set off singing around the island. In addition, Stephano and Trinculo give Caliban wine, which Caliban finds to be a \"celestial liquor\" . Moreover, Caliban initially mistakes Stephano and Trinculo for Prospero's spirits, but alcohol convinces him that Stephano is a \"brave god\" and decides unconditionally to \"kneel to him\" . This scene shows the foreign, civilized culture as decadent and manipulative: Stephano immediately plans to \"inherit\" the island , using Caliban to show him all its virtues. Stephano and Trinculo are a grotesque, parodic version of Prospero upon his arrival twelve years ago. Godlike in the eyes of the native, they slash and burn their way to power. By this point, Caliban has begun to resemble a parody of himself. Whereas he would \"gabble like / A thing most brutish\" upon Prospero's arrival, because he did not know language, he now is willfully inarticulate in his drunkenness. Immediately putting aside his fear that these men are spirits sent to do him harm, Caliban puts his trust in them for all the wrong reasons. What makes Caliban's behavior in this scene so tragic is that we might expect him, especially after his eloquent curses of Prospero in Act I, scene ii, to know better.", "feat_summary_length": 321.0, "feat_analysis_length": 546.0, "evaluation_predictions": [2, 222, 372, 297, 113, 109, 2273, 108, 6696, 6969, 116, 148, 114, 6469, 113, 1277, 107, 202, 3543, 113, 24049, 148, 174, 1455, 108, 111, 178, 17183, 116, 126, 107, 285, 17183, 116, 290, 4917, 120, 109, 1796, 110, 116, 13412, 116, 164, 943, 1078, 27288, 116, 108, 61767, 116, 108, 15631, 108, 111, 193, 342, 943, 1060, 3218, 121, 34459, 114, 1568, 147, 139, 9095, 1232, 342, 108, 111, 610, 125, 397, 112, 17183, 107, 343, 157, 131, 267, 3001, 11777, 108, 4634, 213, 532, 131, 109, 110, 56987, 108, 371, 240, 756, 213, 108, 172, 114, 1316, 13269, 108, 115, 109, 1700, 3666, 113, 161, 230, 108, 2424, 178, 5469, 131, 4192, 108, 155, 321, 290, 63988, 127, 157, 323, 1071, 213, 206, 2768, 172, 114, 19520, 108, 120, 45642, 111, 24890, 134, 213, 108, 325, 244, 6084, 213, 206, 237, 172, 53415, 116, 108, 162, 377, 3730, 36962, 115, 161, 31799, 230, 108, 111, 5412, 943, 139, 41866, 116, 134, 161, 63600, 206, 9455, 346, 125, 436, 9047, 122, 535, 1129, 108, 170, 122, 40534, 454, 39787, 943, 842, 169, 116, 213, 190, 20727, 107, 139, 9095, 331, 111, 32962, 342, 118, 2415, 1277, 115, 3642, 107, 125, 131, 267, 1251, 2055, 206, 4957, 51143, 178, 138, 146, 653, 213, 107, 285, 30910, 126, 5959, 111, 126, 978, 172, 114, 14079, 56306, 120, 192, 5590, 169, 14934, 107, 240, 126, 246, 24049, 130, 126, 368, 269, 108, 125, 235, 146, 241, 112, 5490, 161, 693, 151, 18263, 1662, 310, 810, 2329, 18263, 1662, 1124, 156, 108, 978, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0]}
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{"Unnamed: 0": 0, "title": "The Meeting (2012 film)", "text": "The Meeting is a 2012 Nigerian romantic comedy drama film produced by Rita Dominic & Mildred Okwo and directed by Mildred Okwo. It stars Femi Jacobs, Rita Dominic, Linda Ejiofor, Kehinde Bankole and Jide Kosoko with Special Appearances from Nse Ikpe Etim, Kate Henshaw and Chinedu Ikedieze. It received 6 nominations at the 9th Africa Movie Academy Awards and won the award for the category Achievement In Make-Up. Plot The film opens at the Nnamdi Azikiwe International Airport, Abuja, with a phone conversation between Mr. Makinde Esho (Femi Jacobs) and his Managing director (Jide Kosoko). Makinde is reminded by his MD about how important it is for him to get an authorization from the Ministry of Land, and return to Lagos with a positive feedback. Just as Makinde is about to board a Taxi, he is interrupted by Ejura (Linda Ejiofor), a female Corp member who pleads for a Lift, as she is short on cash and there is a long queue at the ATM. Makinde refuses at first, but after much persuasion from Ejura, he reluctantly agrees. Even though Ejura had promised earlier to keep mute during the ride, her inquisitive nature gives Makinde facial expressions that prompt answers and eventually start a conversation. Mr Makinde arrives at the Ministry of land and is met by a scenario involving Mr. Ugor (Chinedu Ikedieze), being forced out of the building by security operatives. Makinde is in awe but manages to help find his way to the reception desk to meet the minister's discourteous secretary, Clara Ikemba (Rita Dominic). He is unapologetically informed by Clara that his meeting, which was originally scheduled for 9:30 am, has been moved to 4:30 pm. Makinde retires his stance and joins the other appointees who are all seated to see the minister. While waiting, Clara informs the appointees that she sells recharge cards and cold drinks to cater for their needs as they wait to see the minister, Ejura also calls Mr Makinde to thank him for the ride he gave to her earlier while he was having his lunch at a nearby eatery . Several hours has gone past and Makinde is yet to get a word from the secretary about his rescheduled meeting. He decides to inquire about it from her but to his surprise, she informs him rudely that the minister has already left the office. Makinde argues that she could have told him and others waiting, instead of making people waste their precious time. Clara replies him \"OYO (meaning On Your Own) is their case\", a slang which means everyman is responsible to himself and she has no business telling them to wait or go home. The meeting is eventually rescheduled for the following day. Makinde checks into a hotel. While trying to fight boredom, Ejura calls and eventually joins Makinde in the hotel in a bid to keep him company. Makinde is set to give his presentation to the minister on Tuesday morning, but just as the secretary is about to inform the minister of his presence, a group of Igbo kinsmen"}
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{"Unnamed: 0": 4, "title": "East Coast", "text": "East Coast may refer to: Entertainment East Coast hip hop, a subgenre of hip hop \"East Coast\" (ASAP Ferg song), 2017 \"East Coast\" (Saves the Day song), 2004 East Coast FM, a radio station in Co. Wicklow, Ireland East Coast Swing, a form of social partner dance Places East Coast of the United States Eastern United States (by extension of the above) East Coast (New Zealand electorate) Atlantic Canada, New Brunswick, Prince Edward Island, Nova Scotia, and Newfoundland and Labrador Australian south-east coast drainage division, an area of southern Australia Eastern states of Australia East Region, Singapore Gisborne District, area of New Zealand referred to as the East Coast Levante, Spain, eastern region of the Iberian Peninsula East coast of India or Eastern Coastal Plains, includes the Coromandel Coast Transportation East Coast (train operating company), a former train company in the UK East Coast Buses, a subsidiary of Lothian Buses in Scotland East Coast Greenway, biking and walking route in U.S. East Coast Main Line, English railway link East Coast Parkway, an expressway on the southeastern coast of Singapore East Coast Railway Zone (India), one of the sixteen railway zones of Indian Railways Florida East Coast Railway, a Class II railroad operating in the US state of Florida New Brunswick East Coast Railway, a historic Canadian railway that operated in New Brunswick East Coast of Peninsular Malaysia London North Eastern Railway, UK train company Other East coast akalat, a small passerine bird East Coast bias, when American East Coast sports teams are given undue weight by broadcasters East Coast Borough Council, proposed name for Ards and North Down Borough Council, Northern Ireland, UK"}
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{"Unnamed: 0": 5, "title": "Junior Fisher", "text": "Junior Fisher (born 2 April 1978) is a Caymanian footballer who plays as a defender. He has represented the Cayman Islands at full international level. References Category:Association football defenders Category:Living people Category:1978 births Category:Caymanian footballers Category:Cayman Islands international footballers Category:George Town SC players Category:Scholars International players"}
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{"Unnamed: 0": 6, "title": "Sandersdorf", "text": "Sandersdorf is a village and a former municipality in the district of Anhalt-Bitterfeld, in Saxony-Anhalt, Germany. Since 1 July 2009, it is part of the town Sandersdorf-Brehna. It is situated approximately 5 km west of Bitterfeld, and 27 km northeast of Halle (Saale). The village contains the Sandersdorf Castle, a 17th-century stately home erected on the site of a fortified castle from the mid 12th century. It is the birthplace of German author Johann Gottfried Schnabel. References Category:Villages in Saxony-Anhalt Category:Bezirk Halle ro:Sandersdorf"}
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{"question": "do good samaritan laws protect those who help at an accident", "passage": "Good Samaritan law -- Good Samaritan laws offer legal protection to people who give reasonable assistance to those who are, or who they believe to be, injured, ill, in peril, or otherwise incapacitated. The protection is intended to reduce bystanders' hesitation to assist, for fear of being sued or prosecuted for unintentional injury or wrongful death. An example of such a law in common-law areas of Canada: a good Samaritan doctrine is a legal principle that prevents a rescuer who has voluntarily helped a victim in distress from being successfully sued for wrongdoing. Its purpose is to keep people from being reluctant to help a stranger in need for fear of legal repercussions should they make some mistake in treatment. By contrast, a duty to rescue law requires people to offer assistance and holds those who fail to do so liable.", "idx": 1, "label": 1, "processed_input": "boolq passage: Good Samaritan law -- Good Samaritan laws offer legal protection to people who give reasonable assistance to those who are, or who they believe to be, injured, ill, in peril, or otherwise incapacitated. The protection is intended to reduce bystanders' hesitation to assist, for fear of being sued or prosecuted for unintentional injury or wrongful death. An example of such a law in common-law areas of Canada: a good Samaritan doctrine is a legal principle that prevents a rescuer who has voluntarily helped a victim in distress from being successfully sued for wrongdoing. Its purpose is to keep people from being reluctant to help a stranger in need for fear of legal repercussions should they make some mistake in treatment. By contrast, a duty to rescue law requires people to offer assistance and holds those who fail to do so liable. question: do good samaritan laws protect those who help at an accident", "processed_output": "True"}
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{"question": "is windows movie maker part of windows essentials", "passage": "Windows Movie Maker -- Windows Movie Maker (formerly known as Windows Live Movie Maker in Windows 7) is a discontinued video editing software by Microsoft. It is a part of Windows Essentials software suite and offers the ability to create and edit videos as well as to publish them on OneDrive, Facebook, Vimeo, YouTube, and Flickr.", "idx": 2, "label": 1, "processed_input": "boolq passage: Windows Movie Maker -- Windows Movie Maker (formerly known as Windows Live Movie Maker in Windows 7) is a discontinued video editing software by Microsoft. It is a part of Windows Essentials software suite and offers the ability to create and edit videos as well as to publish them on OneDrive, Facebook, Vimeo, YouTube, and Flickr. question: is windows movie maker part of windows essentials", "processed_output": "True"}
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{"question": "is confectionary sugar the same as powdered sugar", "passage": "Powdered sugar -- Powdered sugar, also called confectioners' sugar, icing sugar, and icing cake, is a finely ground sugar produced by milling granulated sugar into a powdered state. It usually contains a small amount of anti-caking agent to prevent clumping and improve flow. Although most often produced in a factory, powdered sugar can also be made by processing ordinary granulated sugar in a coffee grinder, or by crushing it by hand in a mortar and pestle.", "idx": 3, "label": 1, "processed_input": "boolq passage: Powdered sugar -- Powdered sugar, also called confectioners' sugar, icing sugar, and icing cake, is a finely ground sugar produced by milling granulated sugar into a powdered state. It usually contains a small amount of anti-caking agent to prevent clumping and improve flow. Although most often produced in a factory, powdered sugar can also be made by processing ordinary granulated sugar in a coffee grinder, or by crushing it by hand in a mortar and pestle. question: is confectionary sugar the same as powdered sugar", "processed_output": "True"}
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{"question": "is elder scrolls online the same as skyrim", "passage": "The Elder Scrolls Online -- As with other games in The Elder Scrolls series, the game is set on the continent of Tamriel. The events of the game occur a millennium before those of The Elder Scrolls V: Skyrim and around 800 years before The Elder Scrolls III: Morrowind and The Elder Scrolls IV: Oblivion. It has a broadly similar structure to Skyrim, with two separate conflicts progressing at the same time, one with the fate of the world in the balance, and one where the prize is supreme power on Tamriel. In The Elder Scrolls Online, the first struggle is against the Daedric Prince Molag Bal, who is attempting to meld the plane of Mundus with his realm of Coldharbour, and the second is to capture the vacant imperial throne, contested by three alliances of the mortal races. The player character has been sacrificed to Molag Bal, and Molag Bal has stolen their soul, the recovery of which is the primary game objective.", "idx": 4, "label": 0, "processed_input": "boolq passage: The Elder Scrolls Online -- As with other games in The Elder Scrolls series, the game is set on the continent of Tamriel. The events of the game occur a millennium before those of The Elder Scrolls V: Skyrim and around 800 years before The Elder Scrolls III: Morrowind and The Elder Scrolls IV: Oblivion. It has a broadly similar structure to Skyrim, with two separate conflicts progressing at the same time, one with the fate of the world in the balance, and one where the prize is supreme power on Tamriel. In The Elder Scrolls Online, the first struggle is against the Daedric Prince Molag Bal, who is attempting to meld the plane of Mundus with his realm of Coldharbour, and the second is to capture the vacant imperial throne, contested by three alliances of the mortal races. The player character has been sacrificed to Molag Bal, and Molag Bal has stolen their soul, the recovery of which is the primary game objective. question: is elder scrolls online the same as skyrim", "processed_output": "False"}
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{"question": "can you use oyster card at epsom station", "passage": "Epsom railway station -- Epsom railway station serves the town of Epsom in Surrey. It is located off Waterloo Road and is less than two minutes' walk from the High Street. It is not in the London Oyster card zone unlike Epsom Downs or Tattenham Corner stations. The station building was replaced in 2012/2013 with a new building with apartments above the station (see end of article).", "idx": 5, "label": 0, "processed_input": "boolq passage: Epsom railway station -- Epsom railway station serves the town of Epsom in Surrey. It is located off Waterloo Road and is less than two minutes' walk from the High Street. It is not in the London Oyster card zone unlike Epsom Downs or Tattenham Corner stations. The station building was replaced in 2012/2013 with a new building with apartments above the station (see end of article). question: can you use oyster card at epsom station", "processed_output": "False"}
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{"question": "will there be a season 4 of da vinci's demons", "passage": "Da Vinci's Demons -- The series premiered in the United States on Starz on 12 April 2013, and its second season premiered on 22 March 2014. The series was renewed for a third season, which premiered on 24 October 2015. On 23 July 2015, Starz announced that the third season would be the show's last. However Goyer has left it open for a miniseries return.", "idx": 6, "label": 0, "processed_input": "boolq passage: Da Vinci's Demons -- The series premiered in the United States on Starz on 12 April 2013, and its second season premiered on 22 March 2014. The series was renewed for a third season, which premiered on 24 October 2015. On 23 July 2015, Starz announced that the third season would be the show's last. However Goyer has left it open for a miniseries return. question: will there be a season 4 of da vinci's demons", "processed_output": "False"}
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{"question": "is the federal court the same as the supreme court", "passage": "Federal judiciary of the United States -- The federal courts are composed of three levels of courts. The Supreme Court of the United States is the court of last resort. It is generally an appellate court that operates under discretionary review, which means that the Court can choose which cases to hear, by granting writs of certiorari. There is therefore generally no basic right of appeal that extends automatically all the way to the Supreme Court. In a few situations (like lawsuits between state governments or some cases between the federal government and a state) it sits as a court of original jurisdiction.", "idx": 7, "label": 0, "processed_input": "boolq passage: Federal judiciary of the United States -- The federal courts are composed of three levels of courts. The Supreme Court of the United States is the court of last resort. It is generally an appellate court that operates under discretionary review, which means that the Court can choose which cases to hear, by granting writs of certiorari. There is therefore generally no basic right of appeal that extends automatically all the way to the Supreme Court. In a few situations (like lawsuits between state governments or some cases between the federal government and a state) it sits as a court of original jurisdiction. question: is the federal court the same as the supreme court", "processed_output": "False"}
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{"question": "did abraham lincoln write the letter in saving private ryan", "passage": "Bixby letter -- In the 1998 war film Saving Private Ryan, General George Marshall (played by Harve Presnell) reads the Bixby letter to his officers before giving the order to find and send home Private James Francis Ryan after Ryan's three brothers died in battle.", "idx": 8, "label": 1, "processed_input": "boolq passage: Bixby letter -- In the 1998 war film Saving Private Ryan, General George Marshall (played by Harve Presnell) reads the Bixby letter to his officers before giving the order to find and send home Private James Francis Ryan after Ryan's three brothers died in battle. question: did abraham lincoln write the letter in saving private ryan", "processed_output": "True"}
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{"question": "is batman and robin a sequel to batman forever", "passage": "Batman & Robin (film) -- With the box office success of Batman Forever in June 1995, Warner Bros. immediately commissioned a sequel. They hired director Joel Schumacher and writer Akiva Goldsman to reprise their duties the following August, and decided it was best to fast track production for a June 1997 target release date, which is a break from the usual 3-year gap between films. Schumacher wanted to homage both the broad camp style of the 1960s television series and the work of Dick Sprang. The storyline of Batman & Robin was conceived by Schumacher and Goldsman during pre-production on A Time to Kill. Portions of Mr. Freeze's back-story were based on the Batman: The Animated Series episode ``Heart of Ice'', written by Paul Dini.", "idx": 9, "label": 1, "processed_input": "boolq passage: Batman & Robin (film) -- With the box office success of Batman Forever in June 1995, Warner Bros. immediately commissioned a sequel. They hired director Joel Schumacher and writer Akiva Goldsman to reprise their duties the following August, and decided it was best to fast track production for a June 1997 target release date, which is a break from the usual 3-year gap between films. Schumacher wanted to homage both the broad camp style of the 1960s television series and the work of Dick Sprang. The storyline of Batman & Robin was conceived by Schumacher and Goldsman during pre-production on A Time to Kill. Portions of Mr. Freeze's back-story were based on the Batman: The Animated Series episode ``Heart of Ice'', written by Paul Dini. question: is batman and robin a sequel to batman forever", "processed_output": "True"}
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{"text": "There's the slight issue of consent with paedophilia and beastiality", "target": "No target", "topic": "lgbt", "label": 0}
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{"text": "Not everyone has the option of a rainbow reaction; I don't but wish I did.", "target": "No target", "topic": "lgbt", "label": 0}
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{"text": "don't worry about it, you can get treated, if you must!", "target": "No target", "topic": "lgbt", "label": 1}
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{"text": "Top praise to Jonathan Billington for being our speelcheck", "target": "No target", "topic": "lgbt", "label": 0}
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{"text": "Who mentioned standards?", "target": "No target", "topic": "lgbt", "label": 0}
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