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{"Unnamed: 0": 433, "text": "The psychopathological impact of the SARS CoV 2 epidemic on subjects suffering from different mental disorders An observational retrospective study SARS CoV 2 infection causes a pulmonary disease COVID 19 which spread worldwide generating fear anxiety depression in the general population as well as among subjects affected by mental disorders Little is known about which different psychopathological changes the pandemic caused among individuals affected by different psychiatric disorders which represents the aim of the present study Specific psychometric scales were administered at three time points T0 as outbreak of pandemic T1 as lockdown period T2 as reopening Descriptive analyses and linear regression models were performed A total of 166 outpatients were included Overall psychometric scores showed a significant worsening at T1 with a mild improvement at T2 Only psychopathology in schizophrenia SKZ patients and obsessive compulsive OC symptoms did not significantly improve at T2 Subjects affected by personality disorders PDs resulted to be more compromised in terms of general psychopathology than depressed and anxiety OC ones and showed more severe anxiety symptoms than SKZ patients In conclusion subjects affected by PDs require specific clinical attention during COVID 19 pandemic Moreover the worsening of SKZ and OC symptoms should be strictly monitored by clinicians as these aspects did not improve with the end of lockdown measures Further studies on larger samples are needed to confirm our results ClinicalTrials gov Identifier NCT04694482 ", "label": 0}
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{"Unnamed: 0": 644, "text": "Will Nothing Be the Same Again Changes in Lifestyle during COVID 19 Pandemic and Consequences on Mental Health Social isolation caused by the COVID 19 pandemic has drastically affected lifestyles from sedentary behaviors to reduced physical activity from disrupted sleep patterns to altered dietary habits As a consequence serious mental and emotional responses have been registered There was a significant decline in physical and other meaningful activities of daily living leisure social activity and education In children collateral effects of the pandemic include inadequate nutrition with a risk of both overweight and underweight addiction to screens lack of schooling and psychosocial difficulties Older adults are frequently unable to adapt to lockdown measures and suffer from depression and cognitive complaints Recent studies focusing on changes in lifestyle during the Covid 19 pandemic and consequences on mental health have been identified in PubMed Medline Scopus Embase and ScienceDirect All the available literature has been retrospectively reviewed The results of the present narrative review suggest that mental distress caused by social isolation seems to be linked not only to personality characteristics but also to several lifestyle components sleep disruption altered eating habits reduced physical activity This review aims to explore major changes in the lifestyle and quality of life and the impact of these changes on mental health and to inform clinicians and policymakers about elements that may reduce the negative psychological effects of the quarantine period imposed during this worldwide crisis There is an urgent need for tailored preventive diagnostic and therapeutic mental health interventions for the general population and for higher risk groups ", "label": 0}
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{"Unnamed: 0": 321, "text": "Autoantibodies stabilize neutrophil extracellular traps in COVID 19 The release of neutrophil extracellular traps b NETs b by hyperactive neutrophils is recognized to play an important role in the thromboinflammatory milieu inherent to severe presentations of COVID 19 At the same time a variety of functional autoantibodies have been observed in individuals with severe COVID 19 where they likely contribute to immunopathology Here we aimed to determine the extent to which autoantibodies might target NETs in COVID 19 and if detected to elucidate their potential functions and clinical associations We measured anti NET antibodies in 328 individuals hospitalized with COVID 19 alongside 48 healthy controls We found high anti NET activity in the IgG and IgM fractions of 27 and 60 of patients respectively There was a strong correlation between anti NET IgG and anti NET IgM r 0 4 p 0 0001 Both anti NET IgG and IgM tracked with high levels of circulating NETs impaired oxygenation efficiency and high circulating D dimer Furthermore patients who required mechanical ventilation had a greater burden of anti NET antibodies than did those not requiring oxygen supplementation Levels of anti NET IgG and to a lesser extent anti NET IgM demonstrated an inverse correlation with the efficiency of NET degradation by COVID sera Furthermore purified IgG from COVID sera with high levels of anti NET antibodies impaired the ability of healthy control serum to degrade NETs In summary many individuals hospitalized with COVID 19 have anti NET antibodies which likely impair NET clearance and may potentiate SARS CoV 2 mediated thromboinflammation ", "label": 1}
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{"text": "I got my first real six string\nBought it at the five and dime\nPlayed it til my fingers bled\nWas the summer of 69\nMe and some guys from school\nHad a band and we tried real hard\nJimmy quit and Jody got married\nI shoulda known wed never get far\nBut when I look back now\nThat summer seemed to last forever\nAnd if I had the choice\nYa, Id always wanna be there\nThose were the best days of my life\nAint no use in complainin\nWhen you got a job to do\nSpent my evenins down at the drive-in\nAnd thats when I met you, ya\nStandin on your mamas porch\nYou told me that youd wait forever\nOh, and when you held my hand\nI knew that it was now or never\nThose were the best days of my life\nOh Yeah!\nBack in the summer of 69\nOh!\nMan, we were killin time\nWe were young and restless\nWe needed to unwind\nI guess nothin can last forever\nForever, no...\nYeah!\nAnd now the times are changin\nLook at everything thats come and gone\nSometimes when I play that old six string\nI think about ya n wonder what went wrong\nStandin on your mamas porch\nYou told me it would last forever\nOh, the way you held my hand\nI knew that it was now or never\nThose were the best days of my life\nOh yeah\nBack in the summer of 69\nUh-huh\nIt was the summer of 69\nOh yeah\nMe and my baby in a 69\nOh! Oh!\nIt was the summer, summer, summer of"}
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{"text": "Oh, thinkin about our younger years\nThere was only you and me\nWe were young and wild and free\nNow nothin can take you away from me\nWeve been down that road before\nBut thats over now\nYou keep me comin back for more\nBaby, youre all that I want\nWhen youre lyin here in my arms\nIm findin it hard to believe\nWere in Heaven\nAnd love is all that I need\nAnd I found it there in your heart\nIt isnt too hard to see\nWere in Heaven\nOh, once in your life you find someone\nWho will turn your world around\nBring you up when youre feelin down\nYeah, nothin could change what you mean to me\nOh, theres lots that I could say\nBut just hold me now\nCause our love will light the way\nAnd baby youre all that I want\nWhen youre lyin here in my arms\nIm finding it hard to believe\nWere in Heaven\nYeah, love is all that I need\nAnd I found it there in your heart\nIt isnt too hard to see\nWere in Heaven, yeah\nIve been waitin for so long\nFor somethin to arrive\nFor love to come along\nNow our dreams are comin true\nThrough the good times and the bad\nYeah, Ill be standin there by you\nAnd baby youre all that I want\nWhen youre lyin here in my arms\nIm findin it hard to believe\nWere in Heaven\nAnd love is all that I need\nAnd I found it there in your heart\nIt isnt too hard to see\nWere in Heaven, Heaven, woah\nYoure all that I want\nYoure all that I need"}
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{"text": "Look into my eyes\nYou will see\nWhat you mean to me\nSearch your heart\nSearch your soul\nAnd when you find me there\nYoull search no more\nDont tell me\nIts not worth tryin for\nYou cant tell me\nIts not worth dyin for\nYou know its true\nEverything I do\nI do it for you\nLook into your heart\nYou will find\nTheres nothin there to hide\nTake me as I am\nTake my life\nI would give it all\nI would sacrifice\nDont tell me\nIts not worth fightin for\nI cant help it\nTheres nothin I want more\nYou know its true\nEverything I do\nI do it for you\nTheres no love\nLike your love\nAnd no other\nCould give more love\nTheres nowhere\nUnless youre there\nAll the time\nAll the way, yeah\nLook into your heart, babe\nYeah\nOh yeah\nOh, you cant tell me\nIts not worth tryin for\nI cant help it\nTheres nothin I want more\nYeah, I would fight for you\nId lie for you\nWalk the wire for you\nYeah, Id die for you\nYou know its true\nEverything I do\nOh\nI do it for you\nEverything I do, darling\nAnd well see it through\nWe will see it through\nOh yeah\nYeah!\nSearch your heart, search your soul\nYou cant tell me it aint worth dying for\nOh yeah\nIll be there, yeah, oh\nIll walk the wire for you, yeah\nI will die for you\nOh yeah\nAll the time\nIm going all the way, all the way, yeah\nTake me by the hand\nOw"}
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{"text": "To really love a woman\nTo understand her - You gotta know her deep inside\nHear every thought - See every dream\nAnd give her wings when she wants to fly\nThen when you find yourself lyin helpless in her arms\nYou know you really love a woman\nWhen you love a woman\nYou tell her that shes really wanted\nWhen you love a woman you tell her that shes the one\nCause she needs somebody\nTo tell her that its gonna last forever\nSo tell me have you ever really\nReally, really ever loved a woman?\nTo really love a woman - Let her hold you\nTil you know how she needs to be touched\nYouve gotta breathe her - really taste her\nTil you can feel her in your blood\nAnd when you can see your unborn children in her eyes\nYou know you really love a woman\nWhen you love a woman\nYou tell her that shes really wanted\nWhen you love a woman you tell her that shes the one\nCause she needs somebody\nTo tell her that youll always be together\nSo tell me have you ever really\nReally, really ever loved a woman?\nOh - You got to give her some faith - Hold her tight\nA little tenderness - gotta treat her right\nShe will be there for you, takin good care of you\nYou really gotta love your woman\nThen when you find yourself lyin helpless in her arms\nYou know you really love a woman\nWhen you love a woman\nYou tell her that shes really wanted\nWhen you love a woman you tell her that shes the one\nCause she needs somebody\nTo tell her that its gonna last forever\nSo tell me have you ever really\nReally, really ever loved a woman?\nYeah, just tell me have you ever really\nReally, really ever loved a woman?\nOh, just tell me have you ever really\nReally, really ever loved a woman?"}
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{"text": "Still feels like our first night together\nFeels like the first kiss and its gettin better baby\nNo one can better this\nStill holdin on, youre still the one\nFirst time our eyes met - the same feeling I get\nOnly feels much stronger - I wanna love you longer\nYou still turn the fire on\nSo if youre feelin lonely, dont\nYoure the only one I ever want\nI only wanna make it good\nSo if I love you a little more than I should\nPlease forgive me - I know not what I do\nPlease forgive me - I cant stop loving you\nDont deny me - this pain Im going through\nPlease forgive me - if I need ya like I do\nPlease believe me - every word I say is true\nPlease forgive me - I cant stop loving you\nStill feels like our best times are together\nFeels like the first touch\nWere still gettin closer baby\nCant get close enough\nIm still holdin on - youre still number one\nI remember the smell of your skin\nI remember everything\nI remember all your moves - I remember you yeah\nI remember the night - you know I still do\nSo if youre feelin lonely dont\nYoure the only one I ever want\nI only wanna make it good\nSo if I love you a little more than I should\nPlease forgive me - I know not what I do\nPlease forgive me - I cant stop loving you\nDont deny me - this pain Im going through\nPlease forgive me - if I need ya like I do\nOh believe me - every word I say is true\nPlease forgive me - I cant stop loving you\nOne thing Im sure of - is the way we make love\nThe one thing I depend on\nIs for us to stay strong\nWith every word and every breath Im prayin\nThats why Im sayin\nPlease forgive me - I know not what I do\nPlease forgive me - I cant stop loving you\nDont deny me - this pain Im going through\nPlease forgive me - if I need you like I do\nBabe believe me - every word I say is true\nPlease forgive me - If I cant stop loving you\nNever leave me - I dont know what I do\nPlease forgive me - I cant stop loving you\nCant stop loving you"}
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{"text": "She says her love for me could never die\nBut thatd change if she ever found out about you and I\nOh, but her love is cold\nWouldnt hurt her if she didnt know, cause\nWhen it gets too much\nI need to feel your touch\nIm gonna run to you\nIm gonna run to you\nCause when the feelings right Im gonna run all night\nIm gonna run to you\nShes got a heart of gold, shed never let me down\nBut youre the one that always turns me on, you keep me comin round\nI know her love is true\nBut its so damn easy makin love to you\nI got my mind made up\nI need to feel your touch\nIm gonna run to you\nYeah, Im gonna run to you\nCause when the feelings right Im gonna stay all night\nIm gonna run to you\nYeah, Im gonna run to you\nOh, when the feelings right Im gonna run all night\nIm gonna run to you\nWhen the feelings right\nOoohh\nOh, Im gonna run to you\nYeah, Im gonna run to you\nCause when the feelings right Im gonna stay all night\nIm gonna run to you\nOh, Im gonna run to you\nYeah, when the feelings right Im gonna stay all night\nOh, when the feelings right now\nOh, yeah, when the feelings right now\nIm gonna run to you\nOh, oh\nYeah, Im gonna run to you\nYeah, now\nOh, Im gonna run to you, run to you\nYeah, Im gonna run to you"}
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{"text": "When you love someone - Youll do anything\nYoull do all the crazy things - That you cant explain\nYoull shoot the moon - Put out the sun\nWhen you love someone\nYoull deny the truth - Believe a lie\nTherell be times that youll believe - You could really fly\nBut your lonely nights - Have just begun\nWhen you love someone\nWhen you love someone - Youll feel it deep inside\nAnd nothin else - Could ever change your mind\nWhen you want someone - When you need someone\nWhen you love someone\nWhen you love someone - Youll sacrifice\nYoud give it everything you got and you wont think twice\nYoud risk it all - No matter what may come\nWhen you love someone\nYoull shoot the moon - Put out the sun\nWhen you love someone"}
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{"text": "Sound the bugle now\nPlay it just for me\nAs the seasons change\nRemember how I used to be\nNow I cant go on\nI cant even start\nIve got nothing left\nJust an empty heart\nIm a soldier wounded\nSo I must give up the fight\nTheres nothing more for me\nLead me away... or leave me lying here\nSound the bugle now\nTell them I dont care\nTheres not a road I know\nThat leads to anywhere\nWithout a light, I fear that I will\nStumble in the dark\nLay right down, decide not to go on\nThen from on high\nSomewhere in the distance\nTheres a voice that calls\nRemember who you are\nIf you lose yourself\nYour courage soon will follow\nSo be strong tonight\nRemember who you are\nYoure a soldier now\nFighting in a battle\nTo be free once more\nThats worth fighting for"}
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{"text": "Ive been wandering around the house all night\nWondering what the hell to do\nYeah, Im trying to concentrate but\nAll I can think of is you\nWell, the phone dont ring cause my friends aint home\nIm tired of being all alone\nGot the TV on cause the radios playing\nSongs that remind me of you\nBaby, when youre gone\nI realize Im in love\nDays go on and on\nAnd the nights just seem so long\nEven food dont taste that good\nDrink aint doing what it should\nThings just feel so wrong\nBaby, when youre gone\nYeah\nIve been driving up and down these streets\nTrying to find somewhere to go\nYeah, Im looking for a familiar face\nBut theres no one I know\nOh, this is torture, this is pain\nIt feels like Im gonna go insane\nI hope youre coming back real soon\nCause I dont know what to do\nBaby, when youre gone \nI realize Im in love\nDays go on and on \nAnd the nights just seem so long\nEven food dont taste that good\nDrink aint doing what it should\nThings just feel so wrong\nOh yeah\nBaby, when youre gone\nOh, baby, when youre gone\nOh, baby, when youre gone \nI realize Im in love \nDays go on and on\nAnd the nights just seem so long\nEven food dont taste that good \nDrink aint doing what it should\nAh, things just feel so wrong \nBaby, when youre gone \nOh, baby, when youre gone\nYeah, baby, when youre gone"}
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{"text": "Here I am, this is me\nI come into this world so wild and free\nHere I am, so young and strong\nRight here in the place where I belong\nIts a new world, its a new start\nIts alive with the beating of a young heart\nIts a new day in a new land\nAnd its waiting for me\nHere I am\nOh, its a new world, its a new start\nIts alive with the beating of a young heart\nYeah, its a new day in a new land\nAnd its waiting for me\nHere I am"}
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{"feat_bid": 161, "feat_is_aggregate": false, "feat_source": "pinkmonkey", "feat_chapter_path": "all_chapterized_books/161-chapters/12.txt", "feat_summary_path": "finished_summaries/pinkmonkey/Sense and Sensibility/section_11_part_0.txt", "feat_book_id": "Sense and Sensibility.chapter 12", "feat_summary_id": "chapter 12", "feat_content": null, "feat_summary": "{\"name\": \"Chapter 12\", \"url\": \"https://web.archive.org/web/20180820034609/http://www.pinkmonkey.com/booknotes/monkeynotes/pmSenseSensibility27.asp\", \"summary\": \"Mrs. Dashwood and her daughters are busy attending parties and balls. Marianne is in her element. She is overjoyed in the company of Willoughby, who showers much affection and attention on her. Elinor even feels left out at times. Deprived of friends of her own age, she is often thrown in the company of Mrs. Jennings and Lady Middleton. At such times she welcomes the presence of Colonel Brandon. Brandon often talks of Marianne and asks Elinor about her sister's preferences.\", \"analysis\": \"Notes Jane Austen paints the picture of an eighteenth-century upper middle-class society. The Dashwoods and Middletons are shown to be busy attending parties and balls. Their main occupation is socializing, and they take pleasure in entertaining people. Every young girl waits for a respectable young man to woo her, and her parents hope for a match between them. They lead a leisurely life, perhaps unusual to the modern reader. Marianne is exhilarated by the looks and manners of her lover. She does not care to understand his essential nature. Obsessed with Willoughby, she ignores Colonel Brandon and unconsciously hurts him. Blinded by her infatuation for Willoughby, she is not able to realize the worth of the Colonel or detect the intensity of his feelings. This chapter again emphasizes the difference in attitudes between Willoughby and Colonel Brandon. Both men are attracted to Marianne. Willoughby displays his affection by wooing Marianne, like a dashing hero would, while Colonel Brandon admires his lady love from a distance and silently hopes to win her favor. Willoughby is interested only in flirting with Marianne, but the Colonel, like a sincere person, looks forward to a lasting relationship. CHAPTER 12 Summary Marianne gets carried away by Willoughby's showy gestures. When he offers her a horse, she accepts it readily and talks about it to her sister. Elinor is shocked to learn this and asks Marianne to decline the offer, as it would prove too costly for them. Elinor observes Willoughby's behavior towards her sister and detects a note of intimacy in it. Margaret tells Elinor about her suspicion of an engagement between Marianne and Willoughby. Later, at Mrs. Jennings' insistence, Margaret gives a hint about Elinor's attachment to Edward, much to Elinor's embarrassment. Notes The chapter hints at the extent of the involvement of Marianne with Willoughby. Willoughby tries to impress Marianne by offering her a horse as a gift, and Marianne foolishly accepts the offer without giving a thought to the expenditure involved. Willoughby's superficiality and Marianne's gullibility are exposed in this episode. Chapter 12 also reveals the character of the youngest of the Dashwood girls. Margaret, one of the minor characters in the novel, is otherwise ignored by Austen. Only a few chapters give a glimpse into her personality. Margaret, like a typical teenager, gets excited over little things and jumps to conclusions easily. She derives pleasure from revealing secrets. She informs Elinor about the impending marriage between Marianne and Willoughby because she saw the young man taking a lock of hair from her sister . At the Park, she gives hints about the relationship between Elinor and Edward to Mrs. Jennings, much to the embarrassment of her sister. Like a reckless teenager, she is always in a hurry to impart information not meant to be disclosed publicly. CHAPTER 13 Summary Everyone is eagerly looking forward to their picnic at Whitewell. However, on the morning of the outing, a letter arrives for Colonel Brandon and alters the situation. The letter disturbs Brandon, and he informs the others about his decision to leave immediately for the town. The picnic is canceled, much to the disappointment of all, since it is not possible to proceed to Whitewell without the assistance of the Colonel. Sir John Middleton suggests that they should go for a ride in the carriage around the countryside. Marianne and Willoughby take a separate carriage. They visit Allenham on the sly. When Elinor learns about their visit, she is angry with Marianne for not observing the rules of propriety. Marianne justifies her action. Notes An element of suspense is introduced in this chapter. After the Colonel reads the letter, he turns grave and decides to leave for the town immediately. He evades the questions of Mrs. Jennings and declines to postpone his visit. After he leaves, Mrs. Jennings hints at the possibility of his visiting his illegitimate daughter, Miss Williams. Through this bit of information, Austen arouses the curiosity of the reader regarding the mysterious past of Colonel Brandon. Marianne and Willoughby are insensitive to the feelings of the Colonel and fail to sympathize with his plight. They criticize Brandon for spoiling the afternoon. Colonel Brandon comes across as a man in control of his emotions. Even though he is disturbed by the contents of the letter, he does not reveal his misery to others. Like a gentleman, he excuses himself from the party and bows to Marianne before taking his leave. His silence speaks volumes. The chapter relates one more incident which creates a clash between the good sense of Elinor and the sensibility of Marianne. Marianne makes a secret visit to Allenham with Willoughby but does not feel guilty about what she has done. Elinor's sense of decorum causes her to condemn her sister's actions, as she does not approve of Marianne's visiting a stranger's house with a man to whom she is not even engaged, at least not openly.\"}", "text": "\n\nAs Elinor and Marianne were walking together the next morning the\nlatter communicated a piece of news to her sister, which in spite of\nall that she knew before of Marianne's imprudence and want of thought,\nsurprised her by its extravagant testimony of both. Marianne told her,\nwith the greatest delight, that Willoughby had given her a horse, one\nthat he had bred himself on his estate in Somersetshire, and which was\nexactly calculated to carry a woman. Without considering that it was\nnot in her mother's plan to keep any horse, that if she were to alter\nher resolution in favour of this gift, she must buy another for the\nservant, and keep a servant to ride it, and after all, build a stable\nto receive them, she had accepted the present without hesitation, and\ntold her sister of it in raptures.\n\n\"He intends to send his groom into Somersetshire immediately for it,\"\nshe added, \"and when it arrives we will ride every day. You shall\nshare its use with me. Imagine to yourself, my dear Elinor, the\ndelight of a gallop on some of these downs.\"\n\nMost unwilling was she to awaken from such a dream of felicity to\ncomprehend all the unhappy truths which attended the affair; and for\nsome time she refused to submit to them. As to an additional servant,\nthe expense would be a trifle; Mama she was sure would never object to\nit; and any horse would do for HIM; he might always get one at the\npark; as to a stable, the merest shed would be sufficient. Elinor then\nventured to doubt the propriety of her receiving such a present from a\nman so little, or at least so lately known to her. This was too much.\n\n\"You are mistaken, Elinor,\" said she warmly, \"in supposing I know very\nlittle of Willoughby. I have not known him long indeed, but I am much\nbetter acquainted with him, than I am with any other creature in the\nworld, except yourself and mama. It is not time or opportunity that is\nto determine intimacy;--it is disposition alone. Seven years would be\ninsufficient to make some people acquainted with each other, and seven\ndays are more than enough for others. I should hold myself guilty of\ngreater impropriety in accepting a horse from my brother, than from\nWilloughby. Of John I know very little, though we have lived together\nfor years; but of Willoughby my judgment has long been formed.\"\n\nElinor thought it wisest to touch that point no more. She knew her\nsister's temper. Opposition on so tender a subject would only attach\nher the more to her own opinion. But by an appeal to her affection for\nher mother, by representing the inconveniences which that indulgent\nmother must draw on herself, if (as would probably be the case) she\nconsented to this increase of establishment, Marianne was shortly\nsubdued; and she promised not to tempt her mother to such imprudent\nkindness by mentioning the offer, and to tell Willoughby when she saw\nhim next, that it must be declined.\n\nShe was faithful to her word; and when Willoughby called at the\ncottage, the same day, Elinor heard her express her disappointment to\nhim in a low voice, on being obliged to forego the acceptance of his\npresent. The reasons for this alteration were at the same time\nrelated, and they were such as to make further entreaty on his side\nimpossible. His concern however was very apparent; and after\nexpressing it with earnestness, he added, in the same low voice,--\"But,\nMarianne, the horse is still yours, though you cannot use it now. I\nshall keep it only till you can claim it. When you leave Barton to\nform your own establishment in a more lasting home, Queen Mab shall\nreceive you.\"\n\nThis was all overheard by Miss Dashwood; and in the whole of the\nsentence, in his manner of pronouncing it, and in his addressing her\nsister by her Christian name alone, she instantly saw an intimacy so\ndecided, a meaning so direct, as marked a perfect agreement between\nthem. From that moment she doubted not of their being engaged to each\nother; and the belief of it created no other surprise than that she, or\nany of their friends, should be left by tempers so frank, to discover\nit by accident.\n\nMargaret related something to her the next day, which placed this\nmatter in a still clearer light. Willoughby had spent the preceding\nevening with them, and Margaret, by being left some time in the parlour\nwith only him and Marianne, had had opportunity for observations,\nwhich, with a most important face, she communicated to her eldest\nsister, when they were next by themselves.\n\n\"Oh, Elinor!\" she cried, \"I have such a secret to tell you about\nMarianne. I am sure she will be married to Mr. Willoughby very soon.\"\n\n\"You have said so,\" replied Elinor, \"almost every day since they first\nmet on High-church Down; and they had not known each other a week, I\nbelieve, before you were certain that Marianne wore his picture round\nher neck; but it turned out to be only the miniature of our great\nuncle.\"\n\n\"But indeed this is quite another thing. I am sure they will be\nmarried very soon, for he has got a lock of her hair.\"\n\n\"Take care, Margaret. It may be only the hair of some great uncle of\nHIS.\"\n\n\"But, indeed, Elinor, it is Marianne's. I am almost sure it is, for I\nsaw him cut it off. Last night after tea, when you and mama went out\nof the room, they were whispering and talking together as fast as could\nbe, and he seemed to be begging something of her, and presently he took\nup her scissors and cut off a long lock of her hair, for it was all\ntumbled down her back; and he kissed it, and folded it up in a piece of\nwhite paper; and put it into his pocket-book.\"\n\nFor such particulars, stated on such authority, Elinor could not\nwithhold her credit; nor was she disposed to it, for the circumstance\nwas in perfect unison with what she had heard and seen herself.\n\nMargaret's sagacity was not always displayed in a way so satisfactory\nto her sister. When Mrs. Jennings attacked her one evening at the\npark, to give the name of the young man who was Elinor's particular\nfavourite, which had been long a matter of great curiosity to her,\nMargaret answered by looking at her sister, and saying, \"I must not\ntell, may I, Elinor?\"\n\nThis of course made every body laugh; and Elinor tried to laugh too.\nBut the effort was painful. She was convinced that Margaret had fixed\non a person whose name she could not bear with composure to become a\nstanding joke with Mrs. Jennings.\n\nMarianne felt for her most sincerely; but she did more harm than good\nto the cause, by turning very red and saying in an angry manner to\nMargaret,\n\n\"Remember that whatever your conjectures may be, you have no right to\nrepeat them.\"\n\n\"I never had any conjectures about it,\" replied Margaret; \"it was you\nwho told me of it yourself.\"\n\nThis increased the mirth of the company, and Margaret was eagerly\npressed to say something more.\n\n\"Oh! pray, Miss Margaret, let us know all about it,\" said Mrs.\nJennings. \"What is the gentleman's name?\"\n\n\"I must not tell, ma'am. But I know very well what it is; and I know\nwhere he is too.\"\n\n\"Yes, yes, we can guess where he is; at his own house at Norland to be\nsure. He is the curate of the parish I dare say.\"\n\n\"No, THAT he is not. He is of no profession at all.\"\n\n\"Margaret,\" said Marianne with great warmth, \"you know that all this is\nan invention of your own, and that there is no such person in\nexistence.\"\n\n\"Well, then, he is lately dead, Marianne, for I am sure there was such\na man once, and his name begins with an F.\"\n\nMost grateful did Elinor feel to Lady Middleton for observing, at this\nmoment, \"that it rained very hard,\" though she believed the\ninterruption to proceed less from any attention to her, than from her\nladyship's great dislike of all such inelegant subjects of raillery as\ndelighted her husband and mother. The idea however started by her, was\nimmediately pursued by Colonel Brandon, who was on every occasion\nmindful of the feelings of others; and much was said on the subject of\nrain by both of them. Willoughby opened the piano-forte, and asked\nMarianne to sit down to it; and thus amidst the various endeavours of\ndifferent people to quit the topic, it fell to the ground. But not so\neasily did Elinor recover from the alarm into which it had thrown her.\n\nA party was formed this evening for going on the following day to see a\nvery fine place about twelve miles from Barton, belonging to a\nbrother-in-law of Colonel Brandon, without whose interest it could not\nbe seen, as the proprietor, who was then abroad, had left strict orders\non that head. The grounds were declared to be highly beautiful, and\nSir John, who was particularly warm in their praise, might be allowed\nto be a tolerable judge, for he had formed parties to visit them, at\nleast, twice every summer for the last ten years. They contained a\nnoble piece of water; a sail on which was to a form a great part of the\nmorning's amusement; cold provisions were to be taken, open carriages\nonly to be employed, and every thing conducted in the usual style of a\ncomplete party of pleasure.\n\nTo some few of the company it appeared rather a bold undertaking,\nconsidering the time of year, and that it had rained every day for the\nlast fortnight;--and Mrs. Dashwood, who had already a cold, was\npersuaded by Elinor to stay at home.\n\n\n", "feat_chapter_length": 1559.0, "feat_summary_name": "Chapter 12", "feat_summary_url": "https://web.archive.org/web/20180820034609/http://www.pinkmonkey.com/booknotes/monkeynotes/pmSenseSensibility27.asp", "target": "Mrs. Dashwood and her daughters are busy attending parties and balls. Marianne is in her element. She is overjoyed in the company of Willoughby, who showers much affection and attention on her. Elinor even feels left out at times. Deprived of friends of her own age, she is often thrown in the company of Mrs. Jennings and Lady Middleton. At such times she welcomes the presence of Colonel Brandon. Brandon often talks of Marianne and asks Elinor about her sister's preferences.", "feat_summary_analysis": "Notes Jane Austen paints the picture of an eighteenth-century upper middle-class society. The Dashwoods and Middletons are shown to be busy attending parties and balls. Their main occupation is socializing, and they take pleasure in entertaining people. Every young girl waits for a respectable young man to woo her, and her parents hope for a match between them. They lead a leisurely life, perhaps unusual to the modern reader. Marianne is exhilarated by the looks and manners of her lover. She does not care to understand his essential nature. Obsessed with Willoughby, she ignores Colonel Brandon and unconsciously hurts him. Blinded by her infatuation for Willoughby, she is not able to realize the worth of the Colonel or detect the intensity of his feelings. This chapter again emphasizes the difference in attitudes between Willoughby and Colonel Brandon. Both men are attracted to Marianne. Willoughby displays his affection by wooing Marianne, like a dashing hero would, while Colonel Brandon admires his lady love from a distance and silently hopes to win her favor. Willoughby is interested only in flirting with Marianne, but the Colonel, like a sincere person, looks forward to a lasting relationship. CHAPTER 12 Summary Marianne gets carried away by Willoughby's showy gestures. When he offers her a horse, she accepts it readily and talks about it to her sister. Elinor is shocked to learn this and asks Marianne to decline the offer, as it would prove too costly for them. Elinor observes Willoughby's behavior towards her sister and detects a note of intimacy in it. Margaret tells Elinor about her suspicion of an engagement between Marianne and Willoughby. Later, at Mrs. Jennings' insistence, Margaret gives a hint about Elinor's attachment to Edward, much to Elinor's embarrassment. Notes The chapter hints at the extent of the involvement of Marianne with Willoughby. Willoughby tries to impress Marianne by offering her a horse as a gift, and Marianne foolishly accepts the offer without giving a thought to the expenditure involved. Willoughby's superficiality and Marianne's gullibility are exposed in this episode. Chapter 12 also reveals the character of the youngest of the Dashwood girls. Margaret, one of the minor characters in the novel, is otherwise ignored by Austen. Only a few chapters give a glimpse into her personality. Margaret, like a typical teenager, gets excited over little things and jumps to conclusions easily. She derives pleasure from revealing secrets. She informs Elinor about the impending marriage between Marianne and Willoughby because she saw the young man taking a lock of hair from her sister . At the Park, she gives hints about the relationship between Elinor and Edward to Mrs. Jennings, much to the embarrassment of her sister. Like a reckless teenager, she is always in a hurry to impart information not meant to be disclosed publicly. CHAPTER 13 Summary Everyone is eagerly looking forward to their picnic at Whitewell. However, on the morning of the outing, a letter arrives for Colonel Brandon and alters the situation. The letter disturbs Brandon, and he informs the others about his decision to leave immediately for the town. The picnic is canceled, much to the disappointment of all, since it is not possible to proceed to Whitewell without the assistance of the Colonel. Sir John Middleton suggests that they should go for a ride in the carriage around the countryside. Marianne and Willoughby take a separate carriage. They visit Allenham on the sly. When Elinor learns about their visit, she is angry with Marianne for not observing the rules of propriety. Marianne justifies her action. Notes An element of suspense is introduced in this chapter. After the Colonel reads the letter, he turns grave and decides to leave for the town immediately. He evades the questions of Mrs. Jennings and declines to postpone his visit. After he leaves, Mrs. Jennings hints at the possibility of his visiting his illegitimate daughter, Miss Williams. Through this bit of information, Austen arouses the curiosity of the reader regarding the mysterious past of Colonel Brandon. Marianne and Willoughby are insensitive to the feelings of the Colonel and fail to sympathize with his plight. They criticize Brandon for spoiling the afternoon. Colonel Brandon comes across as a man in control of his emotions. Even though he is disturbed by the contents of the letter, he does not reveal his misery to others. Like a gentleman, he excuses himself from the party and bows to Marianne before taking his leave. His silence speaks volumes. The chapter relates one more incident which creates a clash between the good sense of Elinor and the sensibility of Marianne. Marianne makes a secret visit to Allenham with Willoughby but does not feel guilty about what she has done. Elinor's sense of decorum causes her to condemn her sister's actions, as she does not approve of Marianne's visiting a stranger's house with a man to whom she is not even engaged, at least not openly.", "feat_summary_length": 81.0, "feat_analysis_length": 819.0, "evaluation_predictions": [0, 139, 352, 1039, 108, 173, 92734, 111, 52067, 127, 2044, 424, 108, 109, 4988, 3387, 215, 120, 71598, 148, 634, 215, 114, 3470, 108, 156, 120, 178, 148, 20744, 1847, 124, 169, 1432, 115, 17299, 14626, 108, 111, 162, 117, 1270, 7123, 112, 1635, 114, 1590, 107, 4733, 2635, 120, 126, 140, 146, 115, 215, 1499, 131, 116, 511, 112, 376, 189, 3470, 108, 120, 175, 265, 195, 112, 7548, 215, 2406, 115, 9624, 113, 136, 1283, 108, 265, 355, 631, 372, 118, 109, 15598, 108, 111, 376, 114, 15598, 112, 1978, 126, 108, 111, 244, 149, 108, 736, 114, 3908, 112, 719, 183, 107, 452, 3387, 215, 3051, 120, 265, 138, 1978, 109, 3470, 290, 242, 108, 111, 173, 126, 8350, 108, 265, 138, 537, 203, 207, 122, 215, 107, 139, 352, 242, 108, 173, 265, 117, 1600, 122, 215, 1499, 108, 265, 30910, 135, 9798, 120, 71598, 117, 3657, 112, 6281, 24466, 108, 111, 120, 157, 138, 129, 2096, 1186, 25308, 109, 352, 242, 107, 9798, 3387, 92734, 120, 265, 111, 6281, 24466, 138, 129, 3807, 134, 109, 24466, 116, 118, 114, 396, 108, 111, 265, 3387, 215, 112, 823, 215, 1499, 160, 109, 2914, 107, 9798, 649, 120, 265, 358, 146, 235, 742, 160, 109, 3444, 108, 155, 120, 265, 117, 334, 120, 126, 138, 248, 295, 115, 109, 352, 324, 390, 107, 9798, 237, 3387, 9798, 120, 265, 148, 1455, 135, 6281, 24466, 120, 6281, 24466, 148, 174, 3657, 112, 1263, 107, 16085, 3398, 107, 9798, 6937, 9798, 175, 265, 2368, 742, 160, 6281, 24466, 131, 116, 2914, 108, 111, 9798, 649, 265, 148, 146, 1455, 742, 160, 126, 107, 9798, 1168, 112, 9798, 131, 116, 480, 112, 258, 165, 180, 117, 313, 124, 107, 452, 5258, 165, 120, 9798, 148, 174, 2826, 118, 1761, 231, 108, 111, 117, 239, 3657, 112, 114, 729, 265, 148, 394, 1455, 113, 269, 107, 9798, 117, 10441, 112, 543, 120, 9798, 117, 3657, 108, 111, 3387, 9798, 112, 823, 9798, 160, 109, 990, 107, 9798, 148, 220, 641, 180, 112, 171, 122, 9798, 108, 155, 265, 117, 7182, 120, 9798, 111, 9798, 138, 129, 2826, 783, 107, 9798, 6207, 112, 8634, 9798, 120, 109, 3444, 138, 146, 248, 295, 108, 155, 9798, 17308, 112, 2427, 112, 9798, 107, 9798, 2163, 109, 480, 112, 275, 112, 1186, 25308, 112, 236, 6281, 24466, 111, 3387, 215, 1499, 120, 9798, 138, 146, 129, 350, 112, 2265, 109, 1275, 262, 265, 117, 314, 5313, 107, 9798, 108, 802, 108, 6207, 112, 17769, 9798, 112, 275, 122, 215, 108, 155, 215, 1499, 17308, 112, 538, 215, 275, 108, 1609, 120, 126, 192, 129, 314, 1095, 118, 9798, 112, 179, 2826, 107, 9798, 13174, 112, 275, 108, 111, 6937, 9798, 112, 753, 122, 215, 118, 114, 324, 390, 108, 167, 120, 265, 137, 179, 112, 235, 9798, 340, 107, 9798, 4143, 112, 9798, 120, 9798, 358, 146, 245, 112, 13225, 114, 729, 170, 148, 394, 174, 2826, 269, 108, 111, 358, 146, 1216, 112, 129, 2826, 112, 966, 997, 107, 9798, 163, 649, 120, 9798, 1]}
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{"feat_bid": 110, "feat_is_aggregate": false, "feat_source": "gradesaver", "feat_chapter_path": "all_chapterized_books/110-chapters/20.txt", "feat_summary_path": "finished_summaries/gradesaver/Tess of the D'Urbervilles/section_2_part_5.txt", "feat_book_id": "Tess of the D'Urbervilles.chapter 20", "feat_summary_id": "chapter 20", "feat_content": null, "feat_summary": "{\"name\": \"Chapter 20\", \"url\": \"https://web.archive.org/web/20210410060617/https://www.gradesaver.com/tess-of-the-durbervilles/study-guide/summary-phase-3-chapters-16-24\", \"summary\": \"Tess had never in her recent life been so happy and would possibly never be so happy again. She and Tess stand between predilection and love. For Angel, Tess represents a visionary essence of woman, and calls her Artemis, Demeter, and other fanciful names, but she insists that he call her simply Tess. Tess seems to exhibit a dignified largeness of disposition and physique. The two are always the first to awake at the dairy house, where they feel an impressive isolation, as if they are Adam and Eve.\", \"analysis\": \"Hardy makes explicit that Tess's time at Talbothays dairy is an idyllic respite from her normal toil and hardship, yet states that this happiness will be short-lived, foreshadowing greater adversity for Tess Durbeyfield. Hardy compares Angel and Tess to Adam and Eve in the mornings, thus foreshadowing a later fall from perfection. It is the idealism and perfection that Tess finds at Talbothays that leads to this shaky foundation for her happiness; Angel Clare adores Tess as a representation of perfection. To Angel, Tess is a goddess such as Artemis or Demeter, a symbol of perfection rather than a person with obvious faults and foibles. There is a great irony in Angel's adoration for Tess; Angel exalts Tess as a goddess for her strength and disposition, yet this perfection comes from the adversity stemming from her greatest weakness\"}", "text": "\n\nThe season developed and matured. Another year's instalment of\nflowers, leaves, nightingales, thrushes, finches, and such ephemeral\ncreatures, took up their positions where only a year ago others had\nstood in their place when these were nothing more than germs and\ninorganic particles. Rays from the sunrise drew forth the buds and\nstretched them into long stalks, lifted up sap in noiseless streams,\nopened petals, and sucked out scents in invisible jets and\nbreathings.\n\nDairyman Crick's household of maids and men lived on comfortably,\nplacidly, even merrily. Their position was perhaps the happiest of\nall positions in the social scale, being above the line at which\nneediness ends, and below the line at which the _convenances_ begin\nto cramp natural feelings, and the stress of threadbare modishness\nmakes too little of enough.\n\nThus passed the leafy time when arborescence seems to be the one\nthing aimed at out of doors. Tess and Clare unconsciously studied\neach other, ever balanced on the edge of a passion, yet apparently\nkeeping out of it. All the while they were converging, under an\nirresistible law, as surely as two streams in one vale.\n\nTess had never in her recent life been so happy as she was now,\npossibly never would be so happy again. She was, for one thing,\nphysically and mentally suited among these new surroundings. The\nsapling which had rooted down to a poisonous stratum on the spot of\nits sowing had been transplanted to a deeper soil. Moreover she, and\nClare also, stood as yet on the debatable land between predilection\nand love; where no profundities have been reached; no reflections\nhave set in, awkwardly inquiring, \"Whither does this new current tend\nto carry me? What does it mean to my future? How does it stand\ntowards my past?\"\n\nTess was the merest stray phenomenon to Angel Clare as yet--a rosy,\nwarming apparition which had only just acquired the attribute of\npersistence in his consciousness. So he allowed his mind to be\noccupied with her, deeming his preoccupation to be no more than a\nphilosopher's regard of an exceedingly novel, fresh, and interesting\nspecimen of womankind.\n\nThey met continually; they could not help it. They met daily in that\nstrange and solemn interval, the twilight of the morning, in the\nviolet or pink dawn; for it was necessary to rise early, so very\nearly, here. Milking was done betimes; and before the milking came\nthe skimming, which began at a little past three. It usually fell\nto the lot of some one or other of them to wake the rest, the first\nbeing aroused by an alarm-clock; and, as Tess was the latest arrival,\nand they soon discovered that she could be depended upon not to sleep\nthough the alarm as others did, this task was thrust most frequently\nupon her. No sooner had the hour of three struck and whizzed,\nthan she left her room and ran to the dairyman's door; then up the\nladder to Angel's, calling him in a loud whisper; then woke her\nfellow-milkmaids. By the time that Tess was dressed Clare was\ndownstairs and out in the humid air. The remaining maids and the\ndairyman usually gave themselves another turn on the pillow, and did\nnot appear till a quarter of an hour later.\n\nThe gray half-tones of daybreak are not the gray half-tones of the\nday's close, though the degree of their shade may be the same. In\nthe twilight of the morning, light seems active, darkness passive;\nin the twilight of evening it is the darkness which is active and\ncrescent, and the light which is the drowsy reverse.\n\nBeing so often--possibly not always by chance--the first two persons\nto get up at the dairy-house, they seemed to themselves the first\npersons up of all the world. In these early days of her residence\nhere Tess did not skim, but went out of doors at once after rising,\nwhere he was generally awaiting her. The spectral, half-compounded,\naqueous light which pervaded the open mead impressed them with\na feeling of isolation, as if they were Adam and Eve. At this\ndim inceptive stage of the day Tess seemed to Clare to exhibit a\ndignified largeness both of disposition and physique, an almost\nregnant power, possibly because he knew that at that preternatural\ntime hardly any woman so well endowed in person as she was likely to\nbe walking in the open air within the boundaries of his horizon; very\nfew in all England. Fair women are usually asleep at mid-summer\ndawns. She was close at hand, and the rest were nowhere.\n\nThe mixed, singular, luminous gloom in which they walked along\ntogether to the spot where the cows lay often made him think of the\nResurrection hour. He little thought that the Magdalen might be\nat his side. Whilst all the landscape was in neutral shade his\ncompanion's face, which was the focus of his eyes, rising above the\nmist stratum, seemed to have a sort of phosphorescence upon it. She\nlooked ghostly, as if she were merely a soul at large. In reality\nher face, without appearing to do so, had caught the cold gleam of\nday from the north-east; his own face, though he did not think of\nit, wore the same aspect to her.\n\nIt was then, as has been said, that she impressed him most deeply.\nShe was no longer the milkmaid, but a visionary essence of woman--a\nwhole sex condensed into one typical form. He called her Artemis,\nDemeter, and other fanciful names half teasingly, which she did not\nlike because she did not understand them.\n\n\"Call me Tess,\" she would say askance; and he did.\n\nThen it would grow lighter, and her features would become simply\nfeminine; they had changed from those of a divinity who could confer\nbliss to those of a being who craved it.\n\nAt these non-human hours they could get quite close to the waterfowl.\nHerons came, with a great bold noise as of opening doors and\nshutters, out of the boughs of a plantation which they frequented at\nthe side of the mead; or, if already on the spot, hardily maintained\ntheir standing in the water as the pair walked by, watching them by\nmoving their heads round in a slow, horizontal, passionless wheel,\nlike the turn of puppets by clockwork.\n\nThey could then see the faint summer fogs in layers, woolly, level,\nand apparently no thicker than counterpanes, spread about the meadows\nin detached remnants of small extent. On the gray moisture of the\ngrass were marks where the cows had lain through the night--dark-green\nislands of dry herbage the size of their carcasses, in the general\nsea of dew. From each island proceeded a serpentine trail, by which\nthe cow had rambled away to feed after getting up, at the end of\nwhich trail they found her; the snoring puff from her nostrils, when\nshe recognized them, making an intenser little fog of her own amid\nthe prevailing one. Then they drove the animals back to the barton,\nor sat down to milk them on the spot, as the case might require.\n\nOr perhaps the summer fog was more general, and the meadows lay like\na white sea, out of which the scattered trees rose like dangerous\nrocks. Birds would soar through it into the upper radiance, and\nhang on the wing sunning themselves, or alight on the wet rails\nsubdividing the mead, which now shone like glass rods. Minute\ndiamonds of moisture from the mist hung, too, upon Tess's eyelashes,\nand drops upon her hair, like seed pearls. When the day grew quite\nstrong and commonplace these dried off her; moreover, Tess then\nlost her strange and ethereal beauty; her teeth, lips, and eyes\nscintillated in the sunbeams and she was again the dazzlingly fair\ndairymaid only, who had to hold her own against the other women of\nthe world.\n\nAbout this time they would hear Dairyman Crick's voice, lecturing the\nnon-resident milkers for arriving late, and speaking sharply to old\nDeborah Fyander for not washing her hands.\n\n\"For Heaven's sake, pop thy hands under the pump, Deb! Upon my soul,\nif the London folk only knowed of thee and thy slovenly ways, they'd\nswaller their milk and butter more mincing than they do a'ready; and\nthat's saying a good deal.\"\n\nThe milking progressed, till towards the end Tess and Clare, in\ncommon with the rest, could hear the heavy breakfast table dragged\nout from the wall in the kitchen by Mrs Crick, this being the\ninvariable preliminary to each meal; the same horrible scrape\naccompanying its return journey when the table had been cleared.\n\n\n", "feat_chapter_length": 1349.0, "feat_summary_name": "Chapter 20", "feat_summary_url": "https://web.archive.org/web/20210410060617/https://www.gradesaver.com/tess-of-the-durbervilles/study-guide/summary-phase-3-chapters-16-24", "target": "Tess had never in her recent life been so happy and would possibly never be so happy again. She and Tess stand between predilection and love. For Angel, Tess represents a visionary essence of woman, and calls her Artemis, Demeter, and other fanciful names, but she insists that he call her simply Tess. Tess seems to exhibit a dignified largeness of disposition and physique. The two are always the first to awake at the dairy house, where they feel an impressive isolation, as if they are Adam and Eve.", "feat_summary_analysis": "Hardy makes explicit that Tess's time at Talbothays dairy is an idyllic respite from her normal toil and hardship, yet states that this happiness will be short-lived, foreshadowing greater adversity for Tess Durbeyfield. Hardy compares Angel and Tess to Adam and Eve in the mornings, thus foreshadowing a later fall from perfection. It is the idealism and perfection that Tess finds at Talbothays that leads to this shaky foundation for her happiness; Angel Clare adores Tess as a representation of perfection. To Angel, Tess is a goddess such as Artemis or Demeter, a symbol of perfection rather than a person with obvious faults and foibles. There is a great irony in Angel's adoration for Tess; Angel exalts Tess as a goddess for her strength and disposition, yet this perfection comes from the adversity stemming from her greatest weakness", "feat_summary_length": 89.0, "feat_analysis_length": 138.0, "evaluation_predictions": [0, 139, 578, 113, 2215, 108, 2163, 108, 565, 273, 30873, 108, 78553, 772, 108, 3068, 27644, 108, 111, 176, 7551, 839, 164, 153, 3157, 241, 209, 114, 232, 754, 536, 196, 5121, 115, 153, 295, 173, 219, 195, 1015, 154, 197, 22377, 111, 38545, 7945, 107, 36767, 135, 109, 14207, 2388, 5381, 109, 14550, 111, 13261, 183, 190, 300, 36698, 108, 10598, 164, 23898, 115, 3543, 2097, 8502, 108, 1963, 20732, 108, 111, 24692, 165, 20814, 115, 11131, 18585, 111, 5985, 116, 107, 436, 109, 277, 157, 195, 68115, 108, 365, 142, 23731, 775, 108, 130, 4942, 130, 228, 8502, 115, 156, 110, 18765, 107, 37365, 111, 17864, 49799, 4525, 276, 176, 108, 521, 4998, 124, 109, 2143, 113, 114, 2421, 108, 610, 5175, 1727, 165, 113, 126, 107, 452, 140, 108, 118, 156, 474, 108, 5560, 111, 10421, 5943, 790, 219, 177, 7290, 107, 139, 68938, 162, 196, 11723, 308, 112, 114, 27980, 86479, 124, 109, 1640, 113, 203, 41554, 196, 174, 42579, 112, 114, 4190, 3081, 107, 5612, 265, 108, 111, 17864, 163, 108, 5121, 130, 610, 124, 109, 1241, 317, 94081, 111, 298, 206, 241, 220, 2717, 24889, 7398, 133, 174, 2455, 206, 220, 17328, 133, 323, 115, 108, 53329, 44430, 108, 198, 56825, 3663, 358, 136, 177, 582, 2509, 112, 1635, 213, 152, 463, 358, 126, 1021, 112, 161, 533, 152, 722, 358, 126, 1281, 1239, 161, 555, 3801, 37365, 140, 109, 213, 17111, 17841, 8388, 112, 17864, 130, 610, 121, 121, 304, 44500, 108, 8309, 65342, 162, 196, 209, 188, 4540, 109, 21454, 113, 21454, 115, 169, 8982, 107, 285, 1608, 169, 653, 112, 129, 8452, 122, 215, 108, 28335, 273, 169, 57035, 112, 129, 220, 154, 197, 114, 27350, 131, 116, 4650, 113, 142, 28718, 2794, 108, 1163, 108, 111, 1154, 20867, 113, 1590, 8778, 107, 322, 1676, 1036, 115, 120, 4768, 111, 33081, 12319, 108, 109, 33615, 113, 109, 1039, 108, 115, 109, 23392, 132, 3331, 13675, 206, 118, 126, 140, 993, 112, 2423, 616, 108, 167, 221, 616, 108, 264, 107, 139, 2612, 273, 140, 479, 129, 23601, 206, 111, 269, 109, 56299, 642, 109, 60794, 108, 162, 1219, 134, 114, 332, 555, 339, 107, 168, 832, 3175, 112, 109, 367, 113, 109, 7016, 25699, 116, 112, 4619, 164, 109, 1004, 113, 183, 108, 111, 157, 3120, 164, 109, 10167, 112, 109, 7016, 1121, 131, 116, 480, 107, 139, 7016, 1121, 108, 5262, 597, 13137, 108, 111, 169, 1750, 108, 8197, 108, 195, 115, 109, 480, 134, 109, 166, 113, 109, 2612, 273, 108, 111, 109, 2612, 25699, 116, 3120, 164, 112, 109, 2612, 1121, 111, 1049, 342, 175, 178, 196, 684, 215, 107, 285, 243, 178, 196, 107, 285, 898, 183, 120, 178, 196, 146, 684, 215, 115, 114, 300, 166, 108, 111, 120, 178, 140, 146, 334, 175, 265, 196, 684, 342, 107, 285, 237, 1049, 215, 175, 265, 1606, 342, 108, 111, 265, 243, 265, 368, 146, 107, 452, 243, 265, 196, 146, 108, 111, 178, 898, 215, 120, 265, 196, 394, 684, 342, 269, 107, 452, 898, 342, 1]}
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{"feat_bid": 1232, "feat_is_aggregate": false, "feat_source": "shmoop", "feat_chapter_path": "all_chapterized_books/1232-chapters/09.txt", "feat_summary_path": "finished_summaries/shmoop/The Prince/section_9_part_0.txt", "feat_book_id": "The Prince.chapter 9", "feat_summary_id": "chapter 9", "feat_content": null, "feat_summary": "{\"name\": \"Chapter 9\", \"url\": \"https://web.archive.org/web/20210420060055/https://www.shmoop.com/study-guides/literature/prince-machiavelli/summary/chapter-9\", \"summary\": \"Rulers that come to power because of the support of the people are the total opposite of bloody conquers. Everyone loves 'em. They're not too smart, or even extra lucky, but just enough to get by. Our new ruler has three options for his new place: a monarchy where power goes to the nobles, a republic where power goes to the people, and anarchy. In monarchies, either the nobles or the people decide to concentrate all the power in one person, the king. Seems simple enough, but a king who comes to power because of the nobles will have a hard time. After all, the nobles have lots of power to throw around, too. Remember, you don't want anyone who can compete with you around, and these are the people with the weapons. What are the regular people going to do to you? Poke you with their potatoes? Bottom line: be friends with the people, because the nobles have too many tricks up their sleeves. More on nobles. There are two kinds, those who are totally 100% loyally part of your fan club and those who aren't. Out of those who aren't, there are two kinds. Those who are just scaredy-cats , and those who are planning something. The latter are the ones to watch out for because they will turn on you at the drop of a hat. Okay, back to the people. You need to be on their side. It's pretty easy, actually, because they basically just don't want to be oppressed and tortured. Also, if they thought you were going to be super mean, and you turn out to be okay, they will love you even more than if they loved you from the start. They're easy to please. Some people say that it's a bad idea to depend on the support of the people. Machiavelli just doesn't agree--he says that's only the case if you're stupid and think they'll fight for you or rescue you. That's not going to happen. But they can support you and not turn against you. Problems for the ruler supported by the people? When they want to become an absolute ruler, they need either give direct command or rule though other people who they give power to. The problem is, these people aren't always the most trustworthy--before you know it, everything is up in flames. So, make sure your people always need not only your government , but you specifically, and everything will be okay.\", \"analysis\": \"\"}", "text": "\nBut coming to the other point--where a leading citizen becomes the\nprince of his country, not by wickedness or any intolerable violence,\nbut by the favour of his fellow citizens--this may be called a civil\nprincipality: nor is genius or fortune altogether necessary to attain to\nit, but rather a happy shrewdness. I say then that such a principality\nis obtained either by the favour of the people or by the favour of the\nnobles. Because in all cities these two distinct parties are found,\nand from this it arises that the people do not wish to be ruled nor\noppressed by the nobles, and the nobles wish to rule and oppress the\npeople; and from these two opposite desires there arises in cities one\nof three results, either a principality, self-government, or anarchy.\n\nA principality is created either by the people or by the nobles,\naccordingly as one or other of them has the opportunity; for the nobles,\nseeing they cannot withstand the people, begin to cry up the reputation\nof one of themselves, and they make him a prince, so that under his\nshadow they can give vent to their ambitions. The people, finding\nthey cannot resist the nobles, also cry up the reputation of one of\nthemselves, and make him a prince so as to be defended by his authority.\nHe who obtains sovereignty by the assistance of the nobles maintains\nhimself with more difficulty than he who comes to it by the aid of\nthe people, because the former finds himself with many around him who\nconsider themselves his equals, and because of this he can neither rule\nnor manage them to his liking. But he who reaches sovereignty by popular\nfavour finds himself alone, and has none around him, or few, who are not\nprepared to obey him.\n\nBesides this, one cannot by fair dealing, and without injury to others,\nsatisfy the nobles, but you can satisfy the people, for their object is\nmore righteous than that of the nobles, the latter wishing to oppress,\nwhile the former only desire not to be oppressed. It is to be added also\nthat a prince can never secure himself against a hostile people, because\nof there being too many, whilst from the nobles he can secure himself,\nas they are few in number. The worst that a prince may expect from a\nhostile people is to be abandoned by them; but from hostile nobles he\nhas not only to fear abandonment, but also that they will rise against\nhim; for they, being in these affairs more far-seeing and astute, always\ncome forward in time to save themselves, and to obtain favours from him\nwhom they expect to prevail. Further, the prince is compelled to live\nalways with the same people, but he can do well without the same nobles,\nbeing able to make and unmake them daily, and to give or take away\nauthority when it pleases him.\n\nTherefore, to make this point clearer, I say that the nobles ought to\nbe looked at mainly in two ways: that is to say, they either shape their\ncourse in such a way as binds them entirely to your fortune, or they do\nnot. Those who so bind themselves, and are not rapacious, ought to be\nhonoured and loved; those who do not bind themselves may be dealt\nwith in two ways; they may fail to do this through pusillanimity and a\nnatural want of courage, in which case you ought to make use of them,\nespecially of those who are of good counsel; and thus, whilst in\nprosperity you honour them, in adversity you do not have to fear them.\nBut when for their own ambitious ends they shun binding themselves, it\nis a token that they are giving more thought to themselves than to you,\nand a prince ought to guard against such, and to fear them as if they\nwere open enemies, because in adversity they always help to ruin him.\n\nTherefore, one who becomes a prince through the favour of the people\nought to keep them friendly, and this he can easily do seeing they\nonly ask not to be oppressed by him. But one who, in opposition to\nthe people, becomes a prince by the favour of the nobles, ought, above\neverything, to seek to win the people over to himself, and this he may\neasily do if he takes them under his protection. Because men, when they\nreceive good from him of whom they were expecting evil, are bound more\nclosely to their benefactor; thus the people quickly become more devoted\nto him than if he had been raised to the principality by their favours;\nand the prince can win their affections in many ways, but as these vary\naccording to the circumstances one cannot give fixed rules, so I omit\nthem; but, I repeat, it is necessary for a prince to have the people\nfriendly, otherwise he has no security in adversity.\n\nNabis,(*) Prince of the Spartans, sustained the attack of all Greece,\nand of a victorious Roman army, and against them he defended his country\nand his government; and for the overcoming of this peril it was only\nnecessary for him to make himself secure against a few, but this would\nnot have been sufficient had the people been hostile. And do not let any\none impugn this statement with the trite proverb that \"He who builds on\nthe people, builds on the mud,\" for this is true when a private citizen\nmakes a foundation there, and persuades himself that the people will\nfree him when he is oppressed by his enemies or by the magistrates;\nwherein he would find himself very often deceived, as happened to the\nGracchi in Rome and to Messer Giorgio Scali(+) in Florence. But granted\na prince who has established himself as above, who can command, and is\na man of courage, undismayed in adversity, who does not fail in other\nqualifications, and who, by his resolution and energy, keeps the whole\npeople encouraged--such a one will never find himself deceived in them,\nand it will be shown that he has laid his foundations well.\n\n (*) Nabis, tyrant of Sparta, conquered by the Romans under\n Flamininus in 195 B.C.; killed 192 B.C.\n\n (+) Messer Giorgio Scali. This event is to be found in\n Machiavelli's \"Florentine History,\" Book III.\n\nThese principalities are liable to danger when they are passing from the\ncivil to the absolute order of government, for such princes either rule\npersonally or through magistrates. In the latter case their government\nis weaker and more insecure, because it rests entirely on the goodwill\nof those citizens who are raised to the magistracy, and who, especially\nin troubled times, can destroy the government with great ease, either\nby intrigue or open defiance; and the prince has not the chance amid\ntumults to exercise absolute authority, because the citizens and\nsubjects, accustomed to receive orders from magistrates, are not of\na mind to obey him amid these confusions, and there will always be in\ndoubtful times a scarcity of men whom he can trust. For such a prince\ncannot rely upon what he observes in quiet times, when citizens have\nneed of the state, because then every one agrees with him; they all\npromise, and when death is far distant they all wish to die for him;\nbut in troubled times, when the state has need of its citizens, then\nhe finds but few. And so much the more is this experiment dangerous,\ninasmuch as it can only be tried once. Therefore a wise prince ought to\nadopt such a course that his citizens will always in every sort and\nkind of circumstance have need of the state and of him, and then he will\nalways find them faithful.\n\n\n\n", "feat_chapter_length": 1217.0, "feat_summary_name": "Chapter 9", "feat_summary_url": "https://web.archive.org/web/20210420060055/https://www.shmoop.com/study-guides/literature/prince-machiavelli/summary/chapter-9", "target": "Rulers that come to power because of the support of the people are the total opposite of bloody conquers. Everyone loves 'em. They're not too smart, or even extra lucky, but just enough to get by. Our new ruler has three options for his new place: a monarchy where power goes to the nobles, a republic where power goes to the people, and anarchy. In monarchies, either the nobles or the people decide to concentrate all the power in one person, the king. Seems simple enough, but a king who comes to power because of the nobles will have a hard time. After all, the nobles have lots of power to throw around, too. Remember, you don't want anyone who can compete with you around, and these are the people with the weapons. What are the regular people going to do to you? Poke you with their potatoes? Bottom line: be friends with the people, because the nobles have too many tricks up their sleeves. More on nobles. There are two kinds, those who are totally 100% loyally part of your fan club and those who aren't. Out of those who aren't, there are two kinds. Those who are just scaredy-cats , and those who are planning something. The latter are the ones to watch out for because they will turn on you at the drop of a hat. Okay, back to the people. You need to be on their side. It's pretty easy, actually, because they basically just don't want to be oppressed and tortured. Also, if they thought you were going to be super mean, and you turn out to be okay, they will love you even more than if they loved you from the start. They're easy to please. Some people say that it's a bad idea to depend on the support of the people. Machiavelli just doesn't agree--he says that's only the case if you're stupid and think they'll fight for you or rescue you. That's not going to happen. But they can support you and not turn against you. Problems for the ruler supported by the people? When they want to become an absolute ruler, they need either give direct command or rule though other people who they give power to. The problem is, these people aren't always the most trustworthy--before you know it, everything is up in flames. So, make sure your people always need not only your government , but you specifically, and everything will be okay.", "feat_summary_analysis": null, "feat_summary_length": 414.0, "feat_analysis_length": 1.0, "evaluation_predictions": [0, 202, 5191, 2922, 117, 732, 707, 141, 109, 200, 132, 141, 109, 12262, 116, 108, 7520, 130, 156, 132, 176, 113, 183, 148, 109, 730, 107, 139, 12262, 116, 1213, 112, 7904, 164, 109, 3077, 113, 156, 113, 1118, 108, 111, 157, 193, 342, 114, 18729, 108, 167, 120, 365, 169, 7572, 157, 137, 361, 10591, 112, 153, 13141, 107, 139, 200, 108, 1663, 157, 967, 7718, 183, 108, 163, 7904, 164, 153, 3077, 108, 111, 193, 183, 114, 18729, 167, 130, 112, 129, 18215, 141, 169, 3653, 107, 139, 3741, 120, 114, 18729, 218, 1337, 135, 114, 16710, 200, 117, 112, 129, 7771, 141, 183, 206, 155, 135, 16710, 12262, 116, 178, 148, 146, 209, 112, 2417, 31096, 108, 155, 163, 120, 157, 138, 2423, 464, 342, 206, 118, 157, 108, 270, 115, 219, 7044, 154, 571, 121, 38550, 111, 42815, 108, 329, 331, 782, 115, 166, 112, 803, 1118, 107, 139, 18729, 170, 7048, 22525, 141, 785, 5089, 5258, 1847, 1600, 108, 111, 148, 3546, 279, 342, 108, 132, 324, 108, 170, 127, 146, 1831, 112, 19887, 342, 107, 343, 178, 170, 2052, 114, 18729, 5258, 1847, 115, 114, 975, 241, 178, 117, 3231, 112, 1612, 169, 282, 750, 108, 111, 178, 117, 3354, 112, 3739, 124, 109, 225, 113, 109, 200, 112, 1480, 342, 107, 139, 229, 230, 112, 1480, 1847, 117, 112, 854, 109, 200, 118, 153, 225, 108, 111, 112, 854, 183, 112, 225, 342, 115, 228, 771, 107, 139, 211, 230, 117, 112, 361, 342, 114, 10844, 113, 153, 15008, 108, 111, 109, 453, 117, 112, 823, 183, 120, 157, 246, 146, 129, 4304, 113, 342, 107, 222, 109, 453, 230, 108, 109, 18729, 6937, 183, 112, 823, 342, 120, 157, 127, 4304, 113, 169, 7597, 108, 111, 120, 178, 246, 146, 2417, 183, 107, 139, 453, 230, 117, 118, 109, 18729, 112, 823, 109, 200, 120, 178, 117, 4304, 113, 153, 7597, 108, 155, 120, 178, 138, 394, 129, 350, 112, 1612, 1847, 464, 183, 108, 262, 157, 127, 314, 223, 111, 314, 571, 121, 43521, 107, 139, 776, 230, 117, 120, 109, 18729, 246, 854, 183, 175, 157, 138, 225, 342, 108, 155, 157, 138, 146, 107, 139, 2868, 230, 117, 109, 18729, 131, 116, 230, 113, 2405, 109, 200, 175, 157, 245, 342, 112, 225, 183, 108, 111, 175, 157, 171, 146, 108, 178, 138, 854, 183, 118, 126, 107, 139, 4575, 230, 117, 169, 230, 112, 854, 118, 225, 107, 285, 6937, 183, 175, 178, 137, 225, 183, 107, 322, 416, 2816, 108, 111, 237, 178, 6937, 175, 157, 192, 129, 2747, 112, 225, 107, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0]}
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{"feat_bid": 23042, "feat_is_aggregate": false, "feat_source": "sparknotes", "feat_chapter_path": "all_chapterized_books/23042-chapters/4.txt", "feat_summary_path": "finished_summaries/sparknotes/The Tempest/section_4_part_0.txt", "feat_book_id": "The Tempest.act ii.scene ii", "feat_summary_id": "act ii, scene ii", "feat_content": null, "feat_summary": "{\"name\": \"Act II, scene ii\", \"url\": \"https://web.archive.org/web/20210131162607/https://www.sparknotes.com/shakespeare/tempest/section5/\", \"summary\": \"Caliban enters with a load of wood, and thunder sounds in the background. Caliban curses and describes the torments that Prospero's spirits subject him to: they pinch, bite, and prick him, especially when he curses. As he is thinking of these spirits, Caliban sees Trinculo and imagines him to be one of the spirits. Hoping to avoid pinching, he lies down and covers himself with his cloak. Trinculo hears the thunder and looks about for some cover from the storm. The only thing he sees is the cloak-covered Caliban on the ground. He is not so much repulsed by Caliban as curious. He cannot decide whether Caliban is a \\\"man or a fish\\\" . He thinks of a time when he traveled to England and witnessed freak-shows there. Caliban, he thinks, would bring him a lot of money in England. Thunder sounds again and Trinculo decides that the best shelter in sight is beneath Caliban's cloak, and so he joins the man-monster there. Stephano enters singing and drinking. He hears Caliban cry out to Trinculo, \\\"Do not torment me! O!\\\" . Hearing this and seeing the four legs sticking out from the cloak, Stephano thinks the two men are a four-legged monster with a fever. He decides to relieve this fever with a drink. Caliban continues to resist Trinculo, whom he still thinks is a spirit tormenting him. Trinculo recognizes Stephano's voice and says so. Stephano, of course, assumes for a moment that the monster has two heads, and he promises to pour liquor in both mouths. Trinculo now calls out to Stephano, and Stephano pulls his friend out from under the cloak. While the two men discuss how they arrived safely on shore, Caliban enjoys the liquor and begs to worship Stephano. The men take full advantage of Caliban's drunkenness, mocking him as a \\\"most ridiculous monster\\\" as he promises to lead them around and show them the isle.\", \"analysis\": \"Analysis Trinculo and Stephano are the last new characters to be introduced in the play. They act as comic foils to the main action, and will in later acts become specific parodies of Antonio and Sebastian. At this point, their role is to present comically some of the more serious issues in the play concerning Prospero and Caliban. In Act I, scene ii, Prospero calls Caliban a \\\"slave\\\" , \\\"thou earth\\\" , \\\"Filth\\\" , and \\\"Hag-seed\\\" . Stephano and Trinculo's epithet of choice in Act II, scene ii and thereafter is \\\"monster.\\\" But while these two make quite clear that Caliban is seen as less than human by the Europeans on the island, they also treat him more humanely than Prospero does. Stephano and Trinculo, a butler and a jester respectively, remain at the low end of the social scale in the play, and have little difficulty finding friendship with the strange islander they meet. \\\" Misery acquaints a man with strange bedfellows,\\\" says Trinculo , and then hastens to crawl beneath Caliban's garment in order to get out of the rain. The similarity, socially and perhaps physically as well, between Trinculo and Caliban is further emphasized when Stephano, drunk, initially mistakes the two for a single monster: \\\"This is some monster of the isle with four legs\\\" . More important than the emphasis on the way in which Caliban seems to others more monster than man, is the way in which this scene dramatizes the initial encounter between an almost completely isolated, \\\"primitive\\\" culture and a foreign, \\\"civilized\\\" one. The reader discovers during Caliban and Prospero's confrontation in Act I, scene ii that Prospero initially \\\"made much of\\\" Caliban ; that he gave Caliban \\\"Water with berries in't\\\" ; that Caliban showed him around the island; and that Prospero later imprisoned Caliban, after he had taken all he could take from him. The reader can see these events in Act II, scene ii, with Trinculo and Stephano in the place of Prospero. Stephano calls Caliban a \\\"brave monster,\\\" as they set off singing around the island. In addition, Stephano and Trinculo give Caliban wine, which Caliban finds to be a \\\"celestial liquor\\\" . Moreover, Caliban initially mistakes Stephano and Trinculo for Prospero's spirits, but alcohol convinces him that Stephano is a \\\"brave god\\\" and decides unconditionally to \\\"kneel to him\\\" . This scene shows the foreign, civilized culture as decadent and manipulative: Stephano immediately plans to \\\"inherit\\\" the island , using Caliban to show him all its virtues. Stephano and Trinculo are a grotesque, parodic version of Prospero upon his arrival twelve years ago. Godlike in the eyes of the native, they slash and burn their way to power. By this point, Caliban has begun to resemble a parody of himself. Whereas he would \\\"gabble like / A thing most brutish\\\" upon Prospero's arrival, because he did not know language, he now is willfully inarticulate in his drunkenness. Immediately putting aside his fear that these men are spirits sent to do him harm, Caliban puts his trust in them for all the wrong reasons. What makes Caliban's behavior in this scene so tragic is that we might expect him, especially after his eloquent curses of Prospero in Act I, scene ii, to know better.\"}", "text": "SCENE II.\n\n_Another part of the island._\n\n _Enter CALIBAN with a burden of wood. A noise of thunder heard._\n\n_Cal._ All the infections that the sun sucks up\nFrom bogs, fens, flats, on Prosper fall, and make him\nBy inch-meal a disease! His spirits hear me,\nAnd yet I needs must curse. But they'll nor pinch,\nFright me with urchin-shows, pitch me i' the mire, 5\nNor lead me, like a firebrand, in the dark\nOut of my way, unless he bid 'em: but\nFor every trifle are they set upon me;\nSometime like apes, that mow and chatter at me,\nAnd after bite me; then like hedgehogs, which 10\nLie tumbling in my barefoot way, and mount\nTheir pricks at my footfall; sometime am I\nAll wound with adders, who with cloven tongues\nDo hiss me into madness.\n\n _Enter TRINCULO._\n\n Lo, now, lo!\nHere comes a spirit of his, and to torment me 15\nFor bringing wood in slowly. I'll fall flat;\nPerchance he will not mind me.\n\n_Trin._ Here's neither bush nor shrub, to bear off any\nweather at all, and another storm brewing; I hear it sing i'\nthe wind: yond same black cloud, yond huge one, looks 20\nlike a foul bombard that would shed his liquor. If it should\nthunder as it did before, I know not where to hide my head:\nyond same cloud cannot choose but fall by pailfuls. What\nhave we here? a man or a fish? dead or alive? A fish: he\nsmells like a fish; a very ancient and fish-like smell; a kind 25\nof not of the newest Poor-John. A strange fish! Were I\nin England now, as once I was, and had but this fish\npainted, not a holiday fool there but would give a piece of\nsilver: there would this monster make a man; any strange\nbeast there makes a man: when they will not give a doit to 30\nrelieve a lame beggar, they will lay out ten to see a dead\nIndian. Legged like a man! and his fins like arms! Warm\no' my troth! I do now let loose my opinion; hold it no\nlonger: this is no fish, but an islander, that hath lately\nsuffered by a thunderbolt. [_Thunder._] Alas, the storm is come 35\nagain! my best way is to creep under his gaberdine; there\nis no other shelter hereabout: misery acquaints a man with\nstrange bed-fellows. I will here shroud till the dregs of the\nstorm be past.\n\n _Enter STEPHANO, singing: a bottle in his hand._\n\n_Ste._ I shall no more to sea, to sea, 40\n Here shall I die a-shore,--\n\nThis is a very scurvy tune to sing at a man's funeral: well,\nhere's my comfort. [_Drinks._\n\n\n[_Sings._ The master, the swabber, the boatswain, and I,\n The gunner, and his mate, 45\n Loved Mall, Meg, and Marian, and Margery,\n But none of us cared for Kate;\n For she had a tongue with a tang,\n Would cry to a sailor, Go hang!\n She loved not the savour of tar nor of pitch; 50\n Yet a tailor might scratch her where'er she did itch.\n Then, to sea, boys, and let her go hang!\n\nThis is a scurvy tune too: but here's my comfort. [_Drinks._\n\n_Cal._ Do not torment me:--O!\n\n_Ste._ What's the matter? Have we devils here? Do 55\nyou put tricks upon 's with savages and men of Ind, ha? I\nhave not scaped drowning, to be afeard now of your four\nlegs; for it hath been said, As proper a man as ever went\non four legs cannot make him give ground; and it shall be\nsaid so again, while Stephano breathes at's nostrils. 60\n\n_Cal._ The spirit torments me:--O!\n\n_Ste._ This is some monster of the isle with four legs, who\nhath got, as I take it, an ague. Where the devil should he\nlearn our language? I will give him some relief, if it be\nbut for that. If I can recover him, and keep him tame, and 65\nget to Naples with him, he's a present for any emperor that\never trod on neat's-leather.\n\n_Cal._ Do not torment me, prithee; I'll bring my wood\nhome faster.\n\n_Ste._ He's in his fit now, and does not talk after the 70\nwisest. He shall taste of my bottle: if he have never drunk\nwine afore, it will go near to remove his fit. If I can recover\nhim, and keep him tame, I will not take too much for\nhim; he shall pay for him that hath him, and that soundly.\n\n_Cal._ Thou dost me yet but little hurt; thou wilt anon, I 75\nknow it by thy trembling: now Prosper works upon thee.\n\n_Ste._ Come on your ways; open your mouth; here is that\nwhich will give language to you, cat: open your mouth; this\nwill shake your shaking, I can tell you, and that soundly:\nyou cannot tell who's your friend: open your chaps again. 80\n\n_Trin._ I should know that voice: it should be--but he\nis drowned; and these are devils:--O defend me!\n\n_Ste._ Four legs and two voices,--a most delicate monster!\nHis forward voice, now, is to speak well of his friend;\nhis backward voice is to utter foul speeches and to detract. 85\nIf all the wine in my bottle will recover him, I will help\nhis ague. Come:--Amen! I will pour some in thy other\nmouth.\n\n_Trin._ Stephano!\n\n_Ste._ Doth thy other mouth call me? Mercy, mercy! 90\nThis is a devil, and no monster: I will leave him; I have\nno long spoon.\n\n_Trin._ Stephano! If thou beest Stephano, touch me,\nand speak to me; for I am Trinculo,--be not afeard,--thy\ngood friend Trinculo. 95\n\n_Ste._ If thou beest Trinculo, come forth: I'll pull thee\nby the lesser legs: if any be Trinculo's legs, these are they.\nThou art very Trinculo indeed! How earnest thou to be\nthe siege of this moon-calf? can he vent Trinculos?\n\n_Trin._ I took him to be killed with a thunder-stroke. 100\nBut art thou not drowned, Stephano? I hope, now, thou\nart not drowned. Is the storm overblown? I hid me\nunder the dead moon-calf's gaberdine for fear of the storm.\nAnd art thou living, Stephano? O Stephano, two Neapolitans\nscaped! 105\n\n_Ste._ Prithee, do not turn me about; my stomach is not\nconstant.\n\n_Cal._ [_aside_] These be fine things, an if they be not sprites.\nThat's a brave god, and bears celestial liquor:\nI will kneel to him. 110\n\n_Ste._ How didst thou 'scape? How camest thou hither?\nswear, by this bottle, how thou camest hither. I escaped\nupon a butt of sack, which the sailors heaved o'erboard, by\nthis bottle! which I made of the bark of a tree with mine\nown hands, since I was cast ashore. 115\n\n_Cal._ I'll swear, upon that bottle, to be thy true subject;\nfor the liquor is not earthly.\n\n_Ste._ Here; swear, then, how thou escapedst.\n\n_Trin._ Swum ashore, man, like a duck: I can swim\nlike a duck, I'll be sworn. 120\n\n_Ste._ Here, kiss the book. Though thou canst swim\nlike a duck, thou art made like a goose.\n\n_Trin._ O Stephano, hast any more of this?\n\n_Ste._ The whole butt, man: my cellar is in a rock by\nthe sea-side, where my wine is hid. How now, moon-calf! 125\nhow does thine ague?\n\n_Cal._ Hast thou not dropp'd from heaven?\n\n_Ste._ Out o' the moon, I do assure thee: I was the man\ni' the moon when time was.\n\n_Cal._ I have seen thee in her, and I do adore thee: 130\nMy mistress show'd me thee, and thy dog, and thy bush.\n\n_Ste._ Come, swear to that; kiss the book: I will furnish\nit anon with new contents: swear.\n\n_Trin._ By this good light, this is a very shallow monster!\nI afeard of him! A very weak monster! The 135\nman i' the moon! A most poor credulous monster! Well\ndrawn, monster, in good sooth!\n\n_Cal._ I'll show thee every fertile inch o' th' island;\nAnd I will kiss thy foot: I prithee, be my god.\n\n_Trin._ By this light, a most perfidious and drunken 140\nmonster! when's god's asleep, he'll rob his bottle.\n\n_Cal._ I'll kiss thy foot; I'll swear myself thy subject.\n\n_Ste._ Come on, then; down, and swear.\n\n_Trin._ I shall laugh myself to death at this puppy-headed\nmonster. A most scurvy monster! I could find in 145\nmy heart to beat him,--\n\n_Ste._ Come, kiss.\n\n_Trin._ But that the poor monster's in drink: an abominable\nmonster!\n\n_Cal._ I'll show thee the best springs; I'll pluck thee berries; 150\nI'll fish for thee, and get thee wood enough.\nA plague upon the tyrant that I serve!\nI'll bear him no more sticks, but follow thee,\nThou wondrous man.\n\n_Trin._ A most ridiculous monster, to make a wonder 155\nof a poor drunkard!\n\n_Cal._ I prithee, let me bring thee where crabs grow;\nAnd I with my long nails will dig thee pig-nuts;\nShow thee a jay's nest, and instruct thee how\nTo snare the nimble marmoset; I'll bring thee 160\nTo clustering filberts, and sometimes I'll get thee\nYoung scamels from the rock. Wilt thou go with me?\n\n_Ste._ I prithee now, lead the way, without any more\ntalking. Trinculo, the king and all our company else being\ndrowned, we will inherit here: here; bear my bottle: fellow 165\nTrinculo, we'll fill him by and by again.\n\n_Cal. sings drunkenly._] Farewell, master; farewell, farewell!\n\n_Trin._ A howling monster; a drunken monster!\n\n_Cal._ No more dams I'll make for fish;\n Nor fetch in firing 170\n At requiring;\n Nor scrape trencher, nor wash dish:\n 'Ban, 'Ban, Cacaliban\n Has a new master:--get a new man.\n\nFreedom, hey-day! hey-day, freedom! freedom, hey-day, 175\nfreedom!\n\n_Ste._ O brave monster! Lead the way. [_Exeunt._\n\n\n Notes: II, 2.\n\n 4: _nor_] F1 F2. _not_ F3 F4.\n 15: _and_] _now_ Pope. _sent_ Edd. conj. (so Dryden).\n 21: _foul_] _full_ Upton conj.\n 35: [Thunder] Capell.\n 38: _dregs_] _drench_ Collier MS.\n 40: SCENE III. Pope.\n [a bottle in his hand] Capell.]\n 46: _and Marian_] _Mirian_ Pope.\n 56: _savages_] _salvages_ Ff.\n 60: _at's nostrils_] Edd. _at 'nostrils_ F1. _at nostrils_ F2 F3 F4.\n _at his nostrils_ Pope.\n 78: _you, cat_] _you Cat_ Ff. _a cat_ Hanmer. _your cat_ Edd. conj.\n 84: _well_] F1 om. F2 F3 F4.\n 115, 116: Steevens prints as verse, _I'll ... thy True ... earthly._\n 118: _swear, then, how thou escapedst_] _swear then: how escapedst\n thou?_ Pope.\n 119: _Swum_] _Swom_ Ff.\n 131: _and thy dog, and thy bush_] _thy dog and bush_ Steevens.\n 133: _new_] F1. _the new_ F2 F3 F4.\n 135: _weak_] F1. _shallow_ F2 F3 F4.\n 138: _island_] F1. _isle_ F2 F3 F4.\n 150-154, 157-162, printed as verse by Pope (after Dryden).\n 162: _scamels_] _shamois_ Theobald. _seamalls, stannels_ id. conj.\n 163: Ste.] F1. Cal. F2 F3 F4.\n 165: Before _here; bear my bottle_ Capell inserts [To Cal.].\n See note (XII).\n 172: _trencher_] Pope (after Dryden). _trenchering_ Ff.\n 175: _hey-day_] Rowe. _high-day_ Ff.\n\n\n\n\n\n", "feat_chapter_length": 2642.0, "feat_summary_name": "Act II, scene ii", "feat_summary_url": "https://web.archive.org/web/20210131162607/https://www.sparknotes.com/shakespeare/tempest/section5/", "target": "Caliban enters with a load of wood, and thunder sounds in the background. Caliban curses and describes the torments that Prospero's spirits subject him to: they pinch, bite, and prick him, especially when he curses. As he is thinking of these spirits, Caliban sees Trinculo and imagines him to be one of the spirits. Hoping to avoid pinching, he lies down and covers himself with his cloak. Trinculo hears the thunder and looks about for some cover from the storm. The only thing he sees is the cloak-covered Caliban on the ground. He is not so much repulsed by Caliban as curious. He cannot decide whether Caliban is a \"man or a fish\" . He thinks of a time when he traveled to England and witnessed freak-shows there. Caliban, he thinks, would bring him a lot of money in England. Thunder sounds again and Trinculo decides that the best shelter in sight is beneath Caliban's cloak, and so he joins the man-monster there. Stephano enters singing and drinking. He hears Caliban cry out to Trinculo, \"Do not torment me! O!\" . Hearing this and seeing the four legs sticking out from the cloak, Stephano thinks the two men are a four-legged monster with a fever. He decides to relieve this fever with a drink. Caliban continues to resist Trinculo, whom he still thinks is a spirit tormenting him. Trinculo recognizes Stephano's voice and says so. Stephano, of course, assumes for a moment that the monster has two heads, and he promises to pour liquor in both mouths. Trinculo now calls out to Stephano, and Stephano pulls his friend out from under the cloak. While the two men discuss how they arrived safely on shore, Caliban enjoys the liquor and begs to worship Stephano. The men take full advantage of Caliban's drunkenness, mocking him as a \"most ridiculous monster\" as he promises to lead them around and show them the isle.", "feat_summary_analysis": "Analysis Trinculo and Stephano are the last new characters to be introduced in the play. They act as comic foils to the main action, and will in later acts become specific parodies of Antonio and Sebastian. At this point, their role is to present comically some of the more serious issues in the play concerning Prospero and Caliban. In Act I, scene ii, Prospero calls Caliban a \"slave\" , \"thou earth\" , \"Filth\" , and \"Hag-seed\" . Stephano and Trinculo's epithet of choice in Act II, scene ii and thereafter is \"monster.\" But while these two make quite clear that Caliban is seen as less than human by the Europeans on the island, they also treat him more humanely than Prospero does. Stephano and Trinculo, a butler and a jester respectively, remain at the low end of the social scale in the play, and have little difficulty finding friendship with the strange islander they meet. \" Misery acquaints a man with strange bedfellows,\" says Trinculo , and then hastens to crawl beneath Caliban's garment in order to get out of the rain. The similarity, socially and perhaps physically as well, between Trinculo and Caliban is further emphasized when Stephano, drunk, initially mistakes the two for a single monster: \"This is some monster of the isle with four legs\" . More important than the emphasis on the way in which Caliban seems to others more monster than man, is the way in which this scene dramatizes the initial encounter between an almost completely isolated, \"primitive\" culture and a foreign, \"civilized\" one. The reader discovers during Caliban and Prospero's confrontation in Act I, scene ii that Prospero initially \"made much of\" Caliban ; that he gave Caliban \"Water with berries in't\" ; that Caliban showed him around the island; and that Prospero later imprisoned Caliban, after he had taken all he could take from him. The reader can see these events in Act II, scene ii, with Trinculo and Stephano in the place of Prospero. Stephano calls Caliban a \"brave monster,\" as they set off singing around the island. In addition, Stephano and Trinculo give Caliban wine, which Caliban finds to be a \"celestial liquor\" . Moreover, Caliban initially mistakes Stephano and Trinculo for Prospero's spirits, but alcohol convinces him that Stephano is a \"brave god\" and decides unconditionally to \"kneel to him\" . This scene shows the foreign, civilized culture as decadent and manipulative: Stephano immediately plans to \"inherit\" the island , using Caliban to show him all its virtues. Stephano and Trinculo are a grotesque, parodic version of Prospero upon his arrival twelve years ago. Godlike in the eyes of the native, they slash and burn their way to power. By this point, Caliban has begun to resemble a parody of himself. Whereas he would \"gabble like / A thing most brutish\" upon Prospero's arrival, because he did not know language, he now is willfully inarticulate in his drunkenness. Immediately putting aside his fear that these men are spirits sent to do him harm, Caliban puts his trust in them for all the wrong reasons. What makes Caliban's behavior in this scene so tragic is that we might expect him, especially after his eloquent curses of Prospero in Act I, scene ii, to know better.", "feat_summary_length": 321.0, "feat_analysis_length": 546.0, "evaluation_predictions": [0, 6696, 386, 11485, 11209, 122, 114, 6469, 113, 1277, 107, 202, 3543, 113, 24049, 117, 1455, 107, 202, 2748, 113, 169, 30910, 342, 108, 111, 32962, 116, 342, 738, 321, 2415, 1277, 115, 3642, 107, 285, 30910, 126, 5959, 532, 109, 2316, 151, 18263, 1662, 310, 810, 2329, 108, 18263, 1662, 1124, 156, 108, 978, 599, 172, 114, 14079, 56306, 120, 192, 5590, 169, 14934, 107, 240, 126, 246, 24049, 130, 126, 368, 269, 108, 125, 235, 146, 241, 112, 5490, 161, 693, 151, 18263, 2007, 310, 2329, 967, 632, 155, 1251, 141, 114, 51308, 4717, 116, 107, 285, 3452, 65076, 3167, 108, 111, 265, 3452, 342, 107, 285, 3387, 215, 120, 178, 3452, 215, 108, 111, 120, 178, 138, 248, 215, 112, 19290, 108, 241, 265, 138, 129, 2826, 112, 114, 31367, 107, 452, 3387, 342, 120, 265, 138, 248, 342, 112, 109, 1917, 108, 241, 178, 138, 129, 8056, 122, 215, 107, 452, 649, 120, 265, 3452, 215, 1896, 108, 155, 120, 265, 117, 4304, 113, 342, 107, 452, 6937, 342, 112, 248, 215, 247, 112, 2159, 108, 111, 178, 649, 120, 178, 192, 248, 215, 122, 342, 175, 178, 256, 107, 285, 649, 120, 175, 178, 195, 112, 275, 112, 2159, 239, 108, 178, 192, 361, 215, 114, 1038, 113, 2691, 151, 186, 192, 129, 136, 9832, 193, 114, 729, 206, 189, 4768, 14002, 186, 493, 114, 729, 107, 285, 237, 649, 120, 109, 4233, 138, 4490, 165, 2069, 112, 236, 114, 2609, 2128, 108, 111, 157, 138, 4490, 342, 165, 112, 236, 109, 513, 113, 114, 2609, 53920, 107, 139, 4233, 117, 792, 435, 108, 111, 109, 9832, 117, 114, 729, 108, 155, 178, 117, 142, 142, 117, 27996, 108, 120, 28905, 6707, 4742, 141, 114, 24049, 32110, 107, 285, 117, 114, 9832, 108, 111, 169, 229, 230, 117, 112, 331, 247, 112, 109, 3138, 121, 18689, 107, 285, 1728, 112, 248, 65076, 3167, 111, 34363, 554, 122, 342, 112, 19290, 107, 285, 6937, 183, 241, 157, 137, 258, 114, 2414, 112, 248, 183, 112, 1917, 107, 322, 1854, 120, 157, 138, 275, 112, 109, 3682, 113, 3397, 108, 241, 157, 138, 129, 350, 112, 258, 109, 2414, 107, 322, 511, 112, 248, 109, 2414, 112, 109, 3154, 113, 19290, 107, 1, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0]}
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{"texts": ["DSA-2378-1 ffmpeg -- several vulnerabilities\n\nSeveral vulnerabilities have been discovered in FFmpeg, a multimedia\nplayer, server and encoder. ", "Multiple input validations in the decoders\nfor QDM2, VP5, VP6, VMD and SVQ1 files could lead to the execution of\narbitrary code.", "\n\nFor the stable distribution (squeeze), this problem has been fixed in\nversion 4:0.5.6-3.", "\n\nFor the unstable distribution (sid), this problem has been fixed in\nversion 4:0.7.3-1 of the libav source package."], "meta": {"pile_set_name": "Pile-CC"}, "scores": [0.0010113399475812912, 0.0006504844641312957, 0.0006192015716806054, 0.0005778502090834081], "avg_score": 0.0007147190481191501, "num_sents": 4}
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{"texts": ["\n<!", "DOCTYPE html>\n<html lang=\"en\">\n\t<head>\n\t\t<meta charset=\"utf-8\" />\n\t\t<meta name=\"generator\" content=\"JsDoc Toolkit\" />\n\t\t<title>tQuery.", "RatamahattaMD2Character | tQuery library</title>\n\n\t\t<meta name=\"viewport\" content=\"width=device-width, initial-scale=1.0, maximum-scale=1.0\" />\n\t\t<meta name=\"mobileoptimized\" content=\"0\" />\n\t\n\t\t<link rel=\"stylesheet\" href=\"../css/all.css\" media=\"all\" />\n\t\t<link rel=\"stylesheet\" href=\"../css/handheld.css\" media=\"only screen and (max-width: 660px)\" />\n\t\t<link rel=\"stylesheet\" href=\"../css/handheld.css\" media=\"handheld\" />\n\t\t<link rel=\"stylesheet\" href=\"../css/screen.css\" media=\"screen and (min-width: 661px)\" />\n\n\t\t<script src=\"../javascript/all.js\"></script>\n\t\t<!", "--[if lt IE 9]>\n\t\t\t<script src=\"../javascript/html5.js\"></script>\n\t\t<![", "endif]-->\n\t</head>\n\n\t<body>\n\n<div class=\"index\">\n\t<div class=\"menu\">\n\t\t<div class=\"indexLinks\">\n\t\t\t<a href=\"../index.html\">Classes</a>\n\t\t\t<a href=\"../files.html\">Files</a>\n\t\t</div>\n\t\n\t\t<h2 class=\"heading1\">Classes</h2>\n\t\t\n\t\t<input type=\"text\" name=\"classFilter\" class=\"classFilter\" id=\"ClassFilter\" placeholder=\"Filter\"></input>\n\t\t\n\t\t<nav>\n\t\t\t<ul class=\"classList\" id=\"ClassList\">\n\t\t\t\t\n\t\t\t\t\t<li><a href=\"../symbols/tQuery.html\">tQuery</a></li>\n\t\t\t\t\n\t\t\t\t\t<li><a href=\"../symbols/tQuery.", "Animation.html\">tQuery<span class='break'> </span>.<span class='break'> </span>Animation</a></li>\n\t\t\t\t\n\t\t\t\t\t<li><a href=\"../symbols/tQuery.", "Animations.html\">tQuery<span class='break'> </span>.<span class='break'> </span>Animations</a></li>\n\t\t\t\t\n\t\t\t\t\t<li><a href=\"../symbols/tQuery.createAnimations.html\">tQuery<span class='break'> </span>.<span class='break'> </span>createAnimations</a></li>\n\t\t\t\t\n\t\t\t\t\t<li><a href=\"../symbols/tQuery.", "Geometry.html\">tQuery<span 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target=\"_blank\">Codeview</a> 1.2<br />\n\t\t\tGenerated on:\n\t\t\t<time datetime='2012-9-23' pubdate>2012-9-23 18:39</time>\n\t\t</footer>\n\t</div>\n</div>\n\n<div class=\"index indexStatic\"></div>\n\n<div class=\"content\">\n\t<div class=\"innerContent\">\n\t\t<article>\n\t\t\t<header>\n\t\t\t\t<h1 class=\"classTitle\">\n\t\t\t\t\t\n\t\t\t\t\tClass <span>tQuery.", "RatamahattaMD2Character</span>\n\t\t\t\t</h1>\n\t\t\t\t\n\t\t\t\t<div class=\"intro\">\n\t\t\t\t\t<p class=\"description summary\">\n\t\t\t\t\t\t\n\t\t\t\t\t</p>\n\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<ul class=\"summary\">\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<li>Defined in: <a href=\"../symbols/src/plugins_md2character_tquery.md2character.ratamahatta.js.html\">tquery.md2character.ratamahatta.js</a></li>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<li>Extends <span class=\"fixedFont\">\n\t\t\t\t\t\t\t\t<a href=\"../symbols/tQuery.", "MD2Character.html\">tQuery.", "MD2Character</a></span></li>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t</ul>\n\t\t\t\t\t\n\t\t\t\t</div>\n\t\t\t</header>\n\t\t\t\n\t\t\t\n\t\t\t\t<section>\n\t\t\t\t\t<div class=\"props\">\n\t\t\t\t\t\t<table class=\"summaryTable\" cellspacing=\"0\" summary=\"A summary of the constructor documented in the class tQuery.", "RatamahattaMD2Character.\"", ">\n\t\t\t\t\t\t\t<caption class=\"sectionTitle\">Class Summary</caption>\n\t\t\t\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t\t\t<th scope=\"col\">Constructor Attributes</th>\n\t\t\t\t\t\t\t\t\t<th scope=\"col\">Constructor Name and Description</th>\n\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t</thead>\n\t\t\t\t\t\t\t<tbody>\n\t\t\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t\t\t<td class=\"attributes\"> </td>\n\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\" >\n\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\">\n\t\t\t\t\t\t\t\t\t\t\t<b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#constructor\">tQuery.", "RatamahattaMD2Character</a></b>()\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"description\">implement Ratamahatta character.</div>\n\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t</tbody>\n\t\t\t\t\t\t</table>\n\t\t\t\t\t</div>\n\t\t\t\t</section>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t<section>\n\t\t\t\t\t\n\t\t\t\t\t\t<nav>\n\t\t\t\t\t\t\t<div class=\"props\">\n\t\t\t\t\t\t\t\t<table class=\"summaryTable\" cellspacing=\"0\" summary=\"A summary of the fields documented in the class tQuery.", "RatamahattaMD2Character.\"", ">\n\t\t\t\t\t\t\t\t\t<caption class=\"sectionTitle\">Field Summary</caption>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t\t\t\t\t<th scope=\"col\">Field Attributes</th>\n\t\t\t\t\t\t\t\t\t\t\t<th scope=\"col\">Field Name and Description</th>\n\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t</thead>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<tbody>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"attributes\"><static> </td>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\">\n\t\t\t\t\t\t\t\t\t\t\t\t\ttQuery.", "RatamahattaMD2Character.<b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#.hookKeyboard\">hookKeyboard</a></b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"description\">Hook the keyboard</div>\n\t\t\t\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"attributes\"><static> </td>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\">\n\t\t\t\t\t\t\t\t\t\t\t\t\ttQuery.", "RatamahattaMD2Character.<b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#.unhookKeyboard\">unhookKeyboard</a></b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"description\">unhook the keyboard</div>\n\t\t\t\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t</tbody>\n\t\t\t\t\t\t\t\t</table>\n\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t</nav>\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<nav>\n\t\t\t\t\t\t\t<dl class=\"inheritsList\">\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t</dl>\n\t\t\t\t\t\t</nav>\n\t\t\t\t\t\n\t\t\t\t</section>\n\t\t\t\n\t<!--", "\n\t#### METHODS SUMMARY\n\t-->\n\t\t\t\n\t\t\t\t<section>\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"props\">\n\t\t\t\t\t\t<h2 class=\"sectionTitle\">Method Summary</h2>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<nav>\n\t\t\t\t\t\t\t\t<table class=\"summaryTable\" id=\"MethodsList\" cellspacing=\"0\" summary=\"A summary of the methods documented in the class tQuery.", "RatamahattaMD2Character.\"", ">\n\t\t\t\t\t\t\t\t\t<thead>\n\t\t\t\t\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t\t\t\t\t<th scope=\"col\">Method Attributes</th>\n\t\t\t\t\t\t\t\t\t\t\t<th scope=\"col\">Method Name and Description</th>\n\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t</thead>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<tbody>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<tr\n\t\t\t\t\t\t\t\t\t\t\t\t class='item0'\n\t\t\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"attributes\"> </td>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\"><b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#goForward\">goForward</a></b>(angle)\n\t\t\t\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"description\">go forward to a distance</div>\n\t\t\t\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<tr\n\t\t\t\t\t\t\t\t\t\t\t\t class='item1'\n\t\t\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"attributes\"> </td>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\"><b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#turn\">turn</a></b>(angle)\n\t\t\t\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"description\">Turn to an angle</div>\n\t\t\t\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<tr\n\t\t\t\t\t\t\t\t\t\t\t\t class='item2'\n\t\t\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"attributes\"> </td>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\"><b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#turnLeft\">turnLeft</a></b>(angle)\n\t\t\t\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"description\">Turn left</div>\n\t\t\t\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<tr\n\t\t\t\t\t\t\t\t\t\t\t\t class='item3'\n\t\t\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"attributes\"> </td>\n\t\t\t\t\t\t\t\t\t\t\t\t<td class=\"nameDescription\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont\"><b><a href=\"../symbols/tQuery.", "RatamahattaMD2Character.html#turnRight\">turnRight</a></b>(angle)\n\t\t\t\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"description\">Turn right</div>\n\t\t\t\t\t\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t</tbody>\n\t\t\t\t\t\t\t\t</table>\n\t\t\t\t\t\t\t</nav>\n\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<nav>\n\t\t\t\t\t\t\t\t<dl class=\"inheritsList\" id=\"MethodsListInherited\">\n\t\t\t\t\t\t\t\t<dt>Methods borrowed from class <span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html\">tQuery.", "MD2Character</a></span>: </dt><dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#animation\">animation</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#container\">container</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#destroy\">destroy</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#isLoaded\">isLoaded</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#load\">load</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#scale\">scale</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#setPlaybackRate\">setPlaybackRate</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#setSkin\">setSkin</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#setWeapon\">setWeapon</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#setWireframe\">setWireframe</a></span></dd> <dd><span class='fixedFont'><a href=\"../symbols/tQuery.", "MD2Character.html#update\">update</a></span></dd>\n\t\t\t\t\t\t\t\t</dl>\n\t\t\t\t\t\t\t</nav>\n\t\t\t\t\t\t\n\t\t\t\t\t</div>\n\t\t\t\t</section>\n\t\t\t\n\t\t\t\n\t<!--", "\n\t#### EVENTS SUMMARY\n\t-->\n\t\t\t\n\t<!--", "\n\t#### CONSTRUCTOR DETAILS\n\t-->\n\t\t\t\n\t\t\t\t<section>\n\t\t\t\t\t<div class=\"details props\">\n\t\t\t\t\t\t<div class=\"innerProps\">\n\t\t\t\t\t\t\t<h2 class=\"sectionTitle\" id=\"constructor\">\n\t\t\t\t\t\t\t\tClass Detail\n\t\t\t\t\t\t\t</h2>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"fixedFont\">\n\t\t\t\t\t\t\t\t<b>tQuery.", "RatamahattaMD2Character</b>()\n\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\timplement Ratamahatta character.", "\nTODO seems to have issue with multilple characters. ", "it may be about material \ncaching. ", "seems typically a microcache issue.", "\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t</div>\n\t\t\t\t\t</div>\n\t\t\t\t</section>\n\t\t\t\n\t<!--", "\n\t#### FIELD DETAILS\n\t-->\n\t\t\t\n\t\t\t\t<section>\n\t\t\t\t\t<div class=\"details props\">\n\t\t\t\t\t\t<div class=\"innerProps\">\n\t\t\t\t\t\t\t<h2 class=\"sectionTitle\">\n\t\t\t\t\t\t\t\tField Detail\n\t\t\t\t\t\t\t</h2>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\"fixedFont heading\" id=\".hookKeyboard\">\n\t\t\t\t\t\t\t\t\t<span class='lighter'>\n\t\t\t\t\t\t\t\t\t<static> \n\t\t\t\t\t\t\t\t\t</span>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<span class=\"light\">tQuery.", "RatamahattaMD2Character.</span><b>hookKeyboard</b>\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\t\tHook the keyboard\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<br />\n\t\t\t\t\t\t\t\t\t\t<i>Defined in: </i> <a href=\"../symbols/src/plugins_minecraft_tquery.minecraftchar.keyboard.js.html\">tquery.minecraftchar.keyboard.js</a>.", "\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\"hr\"></div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\"fixedFont heading\" id=\".unhookKeyboard\">\n\t\t\t\t\t\t\t\t\t<span class='lighter'>\n\t\t\t\t\t\t\t\t\t<static> \n\t\t\t\t\t\t\t\t\t</span>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<span class=\"light\">tQuery.", "RatamahattaMD2Character.</span><b>unhookKeyboard</b>\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\t\tunhook the keyboard\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<br />\n\t\t\t\t\t\t\t\t\t\t<i>Defined in: </i> <a href=\"../symbols/src/plugins_minecraft_tquery.minecraftchar.keyboard.js.html\">tquery.minecraftchar.keyboard.js</a>.", "\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t</div>\n\t\t\t\t\t</div>\n\t\t\t\t</section>\n\t\t\t\n\t<!--", "\n\t#### METHOD DETAILS\n\t-->\t\t\n\t\t\t\n\t\t\t\t<section>\n\t\t\t\t\t<div class=\"details props\">\n\t\t\t\t\t\t<div class=\"innerProps\">\n\t\t\t\t\t\t\t<h2 class=\"sectionTitle\">\n\t\t\t\t\t\t\t\tMethod Detail\n\t\t\t\t\t\t\t</h2>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<ul class=\"methodDetail\" id=\"MethodDetail\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<li \n\t\t\t\t\t\t\t\t\t\t class='item0'\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont heading\" id=\"goForward\">\n\t\t\t\t\t\t\t\t\t\t\t<span class='lighter'>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</span>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<b>goForward</b>(angle)\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\t\t\t\tgo forward to a distance\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<dl class=\"detailList params\">\n\t\t\t\t\t\t\t\t\t\t\t\t<dt class=\"heading\">Parameters:</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"light fixedFont\">{Number}</span> <b>angle</b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dd>angle to turn to in radian</dd>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</dl>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"hr\"></div>\n\t\t\t\t\t\t\t\t\t</li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<li \n\t\t\t\t\t\t\t\t\t\t class='item1'\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont heading\" id=\"turn\">\n\t\t\t\t\t\t\t\t\t\t\t<span class='lighter'>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</span>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<b>turn</b>(angle)\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\t\t\t\tTurn to an angle\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<dl class=\"detailList params\">\n\t\t\t\t\t\t\t\t\t\t\t\t<dt class=\"heading\">Parameters:</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"light fixedFont\">{Number}</span> <b>angle</b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dd>angle to turn to in radian</dd>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</dl>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"hr\"></div>\n\t\t\t\t\t\t\t\t\t</li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<li \n\t\t\t\t\t\t\t\t\t\t class='item2'\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont heading\" id=\"turnLeft\">\n\t\t\t\t\t\t\t\t\t\t\t<span class='lighter'>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</span>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<b>turnLeft</b>(angle)\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\t\t\t\tTurn left\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<dl class=\"detailList params\">\n\t\t\t\t\t\t\t\t\t\t\t\t<dt class=\"heading\">Parameters:</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"light fixedFont\">{Number}</span> <b>angle</b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dd>angle to turn to in radian</dd>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</dl>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"hr\"></div>\n\t\t\t\t\t\t\t\t\t</li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<li \n\t\t\t\t\t\t\t\t\t\t class='item3'\n\t\t\t\t\t\t\t\t\t>\n\t\t\t\t\t\t\t\t\t\t<div class=\"fixedFont heading\" id=\"turnRight\">\n\t\t\t\t\t\t\t\t\t\t\t<span class='lighter'>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</span>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<b>turnRight</b>(angle)\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\t\t\t\t\t\tTurn right\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<dl class=\"detailList params\">\n\t\t\t\t\t\t\t\t\t\t\t\t<dt class=\"heading\">Parameters:</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"light fixedFont\">{Number}</span> <b>angle</b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t</dt>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<dd>angle to turn to in radian</dd>\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t</dl>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t</li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t</ul>\n\t\t\t\t\t\t</div>\n\t\t\t\t\t</div>\n\t\t\t\t</section>\n\t\t\t\n\t\t\t\n\t<!--", "\n\t#### EVENT DETAILS\n\t-->\t\t\n\t\t\t\n\t\t</article>\n\t</div>\n</div>\n\n\t\t<script type=\"text/javascript\">\n\t\t\twbos.", "CssTools.", "MediaQueryFallBack.", "LoadCss('../css/screen.css', '../css/handheld.css', 660)\n\t\t\tcodeview.classFilter.", "Init()\n\t\t</script>\n\t</body>\n</html>\n\n"], "meta": {"pile_set_name": "Github"}, "scores": [0.00659463694319129, 0.0007284487364813685, 0.0008783679222688079, 0.000800998997874558, 0.0011999208945780993, 0.0008522527641616762, 0.0009218761697411537, 0.0007804292254149914, 0.0008646143833175302, 0.0008964595617726445, 0.000820767309051007, 0.001021706615574658, 0.0008021981921046972, 0.000886656460352242, 0.0009092200780287385, 0.0013469650875777006, 0.0009310148889198899, 0.000878619437571615, 0.0014669130323454738, 0.0009254752076230943, 0.0008767765830270946, 0.00961277075111866, 0.0008320279303006828, 0.0018434663070365787, 0.0017200927250087261, 0.00961277075111866, 0.0009519935701973736, 0.0028341328725218773, 0.0030103905592113733, 0.0028341328725218773, 0.011758854612708092, 0.0007748348289169371, 0.00961277075111866, 0.0008756554452702403, 0.0013247182359918952, 0.0014361270004883409, 0.0013681697892025113, 0.0013963425299152732, 0.0009254752076230943, 0.0010746957268565893, 0.0011300570331513882, 0.0009653207962401211, 0.028808312490582466, 0.0010378832230344415, 0.0012610170524567366, 0.0010187969310209155, 0.0010021781781688333, 0.0010710627539083362, 0.0011067652376368642, 0.0008844659896567464, 0.0015414725057780743, 0.0008610840886831284, 0.0008158264681696892, 0.0016251441556960344, 0.000993530498817563, 0.0020877805072814226, 0.0006590292905457318, 0.0012291097082197666, 0.0007705416646786034, 0.0028379058931022882, 0.0007381495670415461, 0.003201077226549387, 0.0012291097082197666, 0.0012709383154287934, 0.0006883321329951286, 0.000984239624813199, 0.00082467618631199, 0.0007629410247318447, 0.0007720907451584935], "avg_score": 0.002193660579075146, "num_sents": 69}
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{"texts": ["1. ", "Field of the Invention\nThis invention relates to a suspension system for an attraction type magnetically floated travelling body.", "\n2. ", "Description of the Prior Art\nAn attraction type magnetically floated travelling body is arranged to be floated in the air by attraction forces of electromagnets exerted on rails and then is caused to travel by a propelling means such as a linear motor with a floating gap of about 10 mm maintained along the rails. ", "The floating gap is extremely small.", "\nThis means that, where the travelling body is arranged to travel at a high speed of 70 to 80 meters/sec. ", "or thereabout, thorough consideration is required for maintaining the above stated amount of gap unvaried. ", "There has previously been developed an independent suspension system in which electromagnets are attached to a travelling body through a secondary suspension arrangement. ", "In this system, many electromagnets to be attached to the travelling body are divided into a number of groups. ", "Each group is firmly assembled into an independent module (or an assembled unit structural body) independently of other groups and the module is attached to the travelling body through the secondary suspension arrangement. ", "Compared with the so-called fixed suspension system, the module arrangement makes each of the modules mobile independently of the travelling body and imparts an improved capability for following the rail to each electromagnet to lower the degree of dependency upon the precision required in laying the rails, i.e. precision in carrying out the laying, maintenance and inspection work on the rails is required to a less degree. ", "Besides, with this system employed, the travelling body becomes more comfortable to ride on, because the movement of the electromagnets, such as vibration of the electromagnets in following warped parts of the rails, is not directly transmitted to the travelling body. ", "The present invention is directed to an improvement on this suspension system."], "meta": {"pile_set_name": "USPTO Backgrounds"}, "scores": [0.0009392039501108229, 0.0005747716641053557, 0.0011860732920467854, 0.0006063400069251657, 0.0006789775216020644, 0.0007189448806457222, 0.0006201739888638258, 0.0006169507396407425, 0.000562849105335772, 0.0005554452654905617, 0.0006042833556421101, 0.0006735392962582409, 0.000596427998971194], "avg_score": 0.0006872293127414125, "num_sents": 13}
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{"texts": ["[The use of titanium mesh plates for graft fixation in mandibular osteoplasty].", "\nOpportunities of the use of mesh titanium plates as fixing devices are considered at reconstruction operations. ", "Data of following up 8 patients with defects of the mandible of various location and extent are analysed. ", "They were operated with reconstruction of the mandible with iliac graft and bone graft fixing with the mesh titanium plates. ", "A technique of the operations is described, a case of successful use of mesh titanium implant modelled by the form of the mandible in repair of the mandible defect. ", "The analysis of long-term results shows the potential efficiency of the use of mesh titanium plates as fixing adaptations in bone plastic operations."], "meta": {"pile_set_name": "PubMed Abstracts"}, "scores": [0.001469407114200294, 0.0005315957823768258, 0.0007027374231256545, 0.0010682294378057122, 0.0005931694759055972, 0.0005385271506384015], "avg_score": 0.0008172777306754142, "num_sents": 6}
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{"texts": ["Q:\n\nHow can I redirect to a particular view based on url in grails\n\nI am using grails 2.5.5 version, Suppose I am entering url as www.localhost:8080/app-name then it should open the MyHome.gsp, suppose if I give other url ex: demo1.localhost.com:8080/app-name then it should redirect to some login page like login.jsp. ", "How can I do that?", "\n\nA:\n\nLet me break it up for you :\nSuppose I have www.localhost:8080/app-name \nsuppose if I give other url ex: demo1.localhost.com:8080/app-name\nYour app starts here:\nCase 1 :/app-name\ncase 2 :/app-name\nThe rest of that url is actually DNS and configurating binding tomcat specific or wild card urls to a given application.", "\nSo in short you need to filter entire url in the application parse url and redirect in your app accordingly. ", "\nYou need to then intercept every url with grails 2 there is SecurityFilters which so far as i know works with apache-shiro may also work with spring security.", "\nand within it you need to overall check for something like\nURL url = new URL(request.getRequestURL().toString())\n String subdomain=url.host\n if (subdomain.contains('.')) {", "\n subdomain= subdomain.split('.", "')[0]\n }\nthat then returns your `demo1` you then redirect it another url if it matches your specific rule.", "\n\nBut as I said you are talking about superficial stuff here as I expressed what the address is or how somone gets to the app has nothing to do with the actual application. ", "This is why IT is big business. ", "Big business not because everyone tries to narrow everything down into one box doing all of this but because when situations likes this happen bigger thinking is needed i.e. do i need a load balancer something like F5 that will split traffic according to a given url and send to another app container that asks for authorisation.", "\nsubdomain= subdomain.split('.", "')[1] in that case then but this leaves room for errors since user could put in demo1.somedomain.com and if that resolves well it is either split by subdomain= subdomain.split('.", "')[0] \nI would do this then \nString subdomain=url.host\n\n if (subdomain.contains('.')) {", "\n def splitter= subdomain.split('.')", "\n subdomain= splitter[0]\n if (subdomain=='www' && splitter.size()>1) {\n subdomain= splitter[1] \n }\n }\n\n"], "meta": {"pile_set_name": "StackExchange"}, "scores": [0.000920530641451478, 0.0008683850755915046, 0.0007094580214470625, 0.004069144371896982, 0.000643421895802021, 0.0011815610341727734, 0.012564842589199543, 0.0009719140361994505, 0.0006781722768209875, 0.0007754549733363092, 0.0006734648486599326, 0.012564842589199543, 0.0018417526734992862, 0.0015386509476229548, 0.020815696567296982, 0.008478966541588306], "avg_score": 0.00433101619273657, "num_sents": 16}
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{"texts": ["Nearly half of American men have a genital human papillomavirus (HPV) infection, but a much smaller percentage have received the HPV vaccine, according to a new study.", "\n\nThe results show that about 45 percent of U.S. men under age 60 have a genital HPV infection, which translates to about 35 million men, the researchers said. ", "What's more, 25 percent of men were infected with so-called \"high-risk\" types of HPV, which, compared with low-risk types of HPV, are more strongly linked with cancer. ", "Only about 11 percent of U.S. men had received the HPV vaccine, according to the study, published today (Jan. 19) in the journal JAMA Oncology.", "\n\nAnd surprisingly, the researchers found a high rate of HPV infection in older men. ", "In fact, the highest rate of HPV infection seen in the study was among those ages 58 to 59 (the oldest age group in the study). ", "This higher rate of HPV infection in older men contrasts with what's been seen in women: The HPV infection rate is lower in older in woman than in younger ones. [", "Men vs. Women: Our Key Physical Differences Explained]\n\nThe \"consistent, high infection rate among all age groups in men was very striking, because this was not expected,\" said Dr. Jasmine Han, who led study and is the chief of gynecologic oncology at the Womack Army Medical Center in Fort Bragg, North Carolina.", "\n\nThe study is the first to estimate the percentage of U.S. men that have a genital HPV infection.", "\n\nThe researchers hope the findings will increase public awareness of the current low HPV vaccination rate and the high HPV prevalence rate, Han told Live Science. ", "HPV-associated cancers in men are increasing, she noted. ", "There is a very effective \"vaccine that could eradicate HPV-associated cancers in both women and men, but the prevalence remains high despite the availability\" of these vaccines, she said.", "\n\nThe current vaccination age cutoff for men, 26, should be re-evaluated in light of the new findings showing a widespread high HPV prevalence rate among all age groups, Han said.", "\n\nHPV in men\n\nHuman papillomaviruses are a group of more than 150 related viruses that infect different parts of the body. ", "HPVs that infect the genital area can spread as sexually transmitted infections. ", "Most infections go away on their own, but some can linger and lead to health problems, including genital warts and cancer, according to the Centers for Disease Control and Prevention.", "\n\nIn the past, efforts to prevent HPV infection focused mainly on women, because HPV infections can lead to cervical cancer. ", "But in 2009, health officials approved the HPV vaccine for males, and the vaccine is now recommended for both females and males ages 11 to 26 years old.", "\n\nHowever, few studies have looked at the prevalence of genital HPV infection in men, or how many men receive the HPV vaccine.", "\n\nIn the new study, researchers analyzed information from 1,868 men ages 18 to 59, who took part in a national health survey from 2013 to 2014. ", "In addition to answering questions, the men in the study underwent a physical exam. ", "As part of that exam, the participants swabbed their penises. ", "The samples were then tested for DNA from nearly 40 different types of HPV.", "\n\nMen in the youngest age group, ages 18 to 22, had the lowest rate of infection, with about 29 percent of men in this group having an HPV infection. ", "But the rate of HPV infection was higher, 46.5 percent, among men ages 23 to 27, and it reached 51 percent among men ages 28 to 32.", "\n\nAmong men in their late 30s and early 40s, the rate of HPV infection was slightly lower, but among men ages 58 and 59, the rate was nearly 60 percent, the study found.", "\n\nIn contrast, a 2011 study of HPV infections in women found that the rate of HPV infection was nearly 54 percent among 20- to 24-year-olds, but only 39 percent among 50- to 59-year-olds.", "\n\nVaccinate older men?", "\n\nThe finding of a lower rate of HPV infection in younger men compared with older ones may, in part, reflect the current recommendation to give the HPV vaccine to younger men. ", "Among men ages 18 to 22 in the study, 22 percent had received the HPV vaccine.", "\n\nIn addition, some studies suggest that men's immune systems don't respond as strongly to fight off HPV infections as women's systems do. ", "What's more, people's immune systems decline with age, which may be why the older men in the study had accumulated a higher rate of infections than the younger group, Han speculated.", "\n\nFinally, some studies have found that men tend to have a similar number of new and recent sexual partners, regardless of their age, which provides continued opportunity for HPV infection throughout their lives, the researchers said.", "\n\nBecause the study was conducted at a single point in time, it cannot determine why older men had higher rates of HPV infection, the researchers noted. ", "The study also cannot determine the effect of the HPV vaccine on the risk of infection among different age groups. [", "5 Dangerous Vaccination Myths]\n\nStill, the researchers estimated that more than 25 million American men are eligible for the HPV vaccine, but haven't received it. ", "HPV vaccination \"may have a profound effect on the prevention of HPV-related cancers\" in both men and women, because men serve as reservoirs for HPV infections for women and because HPV can also cause genital and oral cancers in men, the researchers said.", "\n\nAdditional reporting by Karen Rowan.", "\n\nOriginal article on Live Science."], "meta": {"pile_set_name": "OpenWebText2"}, "scores": [0.005633857101202011, 0.0017555125523358583, 0.0023320643231272697, 0.0006501615862362087, 0.0009274397161789238, 0.0006556297885254025, 0.0014334843726828694, 0.0008830858860164881, 0.00501222675666213, 0.0006014491082169116, 0.0008271725382655859, 0.0006663637468591332, 0.0007828089292161167, 0.0016741210129112005, 0.052512019872665405, 0.02548033744096756, 0.005621632561087608, 0.0011426977580413222, 0.000826983421575278, 0.000580554420594126, 0.0006024554604664445, 0.9174482226371765, 0.0005723065696656704, 0.001402886351570487, 0.0012137542944401503, 0.001031836261972785, 0.0014908610610291362, 0.019229348748922348, 0.0007034429581835866, 0.0008022113470360637, 0.0009096257272176445, 0.000650210480671376, 0.0012305767741054296, 0.0007733422098681331, 0.0005945240845903754, 0.0006754838395863771, 0.0010896064341068268, 0.0006017194828018546, 0.0006129146786406636], "avg_score": 0.027221408520395365, "num_sents": 39}
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{"example_id": 0, "string": "captain marvel", "text": " fantasy novelist David Gemmell. Achilles is featured heavily in the novel The Firebrand by Marion Zimmer Bradley. The comic book hero Captain Marvel is endowed with the courage of Achilles, as well ", "correct_id": "Q534153", "wrong_id": "Q41421", "correct_description": "fictional DC character", "wrong_description": "American basketball player and businessman"}
|
{"example_id": 1, "string": "captain marvel", "text": " their own limited series. Characters with featured stories in the run included Black Canary, Blackhawk, Captain Marvel, Catwoman, Deadman, Nightwing, Phantom Lady (Dee Tyler), Phantom Stranger, Secret Six, Speedy, and Wild ", "correct_id": "Q534153", "wrong_id": "Q28023421", "correct_description": "fictional DC character", "wrong_description": "Wikimedia disambiguation page"}
|
{"example_id": 2, "string": "captain marvel", "text": " Captain Marvel's secret identity is a boy named Billy Batson - a deliberate attempt to play on the daydreams of a young readership. Sometimes the distinction as to ", "correct_id": "Q534153", "wrong_id": "Q28023421", "correct_description": "fictional DC character", "wrong_description": "Wikimedia disambiguation page"}
|
{"example_id": 3, "string": "corfu", "text": " the city of Corfu Greece, Empress of Austria Elisabeth of Bavaria also known as Sissi built in 1890 a summer palace with Achilles as its central theme and ", "correct_id": "Q121378", "wrong_id": "Q3453113", "correct_description": "Greek island in the Ionian Sea", "wrong_description": "village in New York, U.S."}
|
{"example_id": 4, "string": "corfu", "text": " modern interpreters favour identification of Scheria with the island of Corfu, which is within 80 miles of Ithaca. Locals on Corfu had long claimed this, based on the rock ", "correct_id": "Q121378", "wrong_id": "Q3453113", "correct_description": "Greek island in the Ionian Sea", "wrong_description": "village in New York, U.S."}
|
{"example_id": 5, "string": "corfu", "text": " Caesar Adest) had no active missions during World War I. In 1926 she attacked the Greek island of Corfu, as a reaction against the killing of Italian representatives in Ioannina. She ", "correct_id": "Q121378", "wrong_id": "Q238325", "correct_description": "Greek island in the Ionian Sea", "wrong_description": "Wikimedia disambiguation page"}
|
{"example_id": 7, "string": "hera", "text": " a tale which offers an alternative version of these events: in Argonautica (iv.760) Hera alludes to Thetis's chaste resistance to the advances of Zeus, that Thetis was so loyal ", "correct_id": "Q38012", "wrong_id": "Q37162645", "correct_description": "godess from Greek mythology, wife and sister of Zeus", "wrong_description": "family name"}
|
{"example_id": 8, "string": "hera", "text": "Hera had persuaded Aphrodite to convince her son Eros to make Aeetes's daughter, Medea, fall in love with Jason. As a result, Medea aided Jason in his tasks. First, Jason had ", "correct_id": "Q38012", "wrong_id": "Q242337", "correct_description": "godess from Greek mythology, wife and sister of Zeus", "wrong_description": "Wikimedia disambiguation page"}
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{"example_id": 9, "string": "hera", "text": " Labours, in which Heracles, the (reconciled) enemy of Hera, visited in turn \"all the other sites of the Goddess throughout the world, to conquer every conceivable 'monster' of ", "correct_id": "Q38012", "wrong_id": "Q242337", "correct_description": "godess from Greek mythology, wife and sister of Zeus", "wrong_description": "Wikimedia disambiguation page"}
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{"example_id": 10, "string": "hera", "text": " (with divine help from Hera, Thetis, and the Nereids). Jason chose to brave the Planctae instead of braving Scylla and Charybdis.", "correct_id": "Q38012", "wrong_id": "Q5732468", "correct_description": "godess from Greek mythology, wife and sister of Zeus", "wrong_description": "type of Surface-to-surface guided missile"}
|
{"translation": {"Italian": "Grazie .", "Spanish": "Gracias ."}}
|
{"id": 99248, "title": "Obama Lays Wreath at Arlington National Cemetery", "headline": "Obama Lays Wreath at Arlington National Cemetery. President Barack Obama has laid a wreath at the Tomb of the Unknowns to honor", "source": "USA TODAY", "topic": "obama", "publish_date": "2002-04-02 00:00:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 10423, "title": "A Look at the Health of the Chinese Economy", "headline": "Tim Haywood, investment director business-unit head for fixed income at Gam, discusses the China beige book and the state of the economy.", "source": "Bloomberg", "topic": "economy", "publish_date": "2008-09-20 00:00:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 18828, "title": "Nouriel Roubini: Global Economy Not Back to 2008", "headline": "Nouriel Roubini, NYU professor and chairman at Roubini Global Economics, explains why the global economy isn't facing the same conditions", "source": "Bloomberg", "topic": "economy", "publish_date": "2012-01-28 00:00:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 27788, "title": "Finland GDP Expands In Q4", "headline": "Finland's economy expanded marginally in the three months ended December, after contracting in the previous quarter, preliminary figures from Statistics Finland showed Monday. ", "source": "RTT News", "topic": "economy", "publish_date": "2015-03-01 00:06:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 27789, "title": "Tourism, govt spending buoys Thai economy in January", "headline": "Tourism and public spending continued to boost the economy in January, in light of contraction in private consumption and exports, according to the Bank of Thailand data. ", "source": "The Nation - Thailand's English news", "topic": "economy", "publish_date": "2015-03-01 00:11:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
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{"id": 27790, "title": "Intellitec Solutions to Host 13th Annual Spring Microsoft Dynamics User Group", "headline": "Over 100 attendees expected to see latest version of Microsoft Dynamics SL and Dynamics GP (PRWeb February 29, 2016) Read the full story at http://www.prweb.com/releases/2016/03/prweb13238571.htm ", "source": "PRWeb", "topic": "microsoft", "publish_date": "2015-03-01 00:19:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 80762, "title": "Obama, stars pay a musical tribute to Ray Charles", "headline": "First lady Michelle Obama speaks in the State Dinning Room at the White House in Washington, Wednesday, Feb. 24, 2016, during an interactive student workshop on the musical legacy of Ray Charles , where students from 10 schools and community organizations from across the country participate as part of the "In Performance at the White House" series. ", "source": "Coast Reporter", "topic": "obama", "publish_date": "2015-03-01 00:45:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 80771, "title": "Fire claims more than 100-year-old barn in Hancock County", "headline": "A Hancock County man lost a barn early Monday morning that had been in his family more than 100 years. ", "source": "WTHR Indianapolis", "topic": "palestine", "publish_date": "2015-03-01 01:20:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"id": 27803, "title": "Microsoft's new Windows 10 ad targets Apple", "headline": "New Delhi, Feb.29 : Technology giant Microsoft has targeted its rival Apple in its new series of ads focusing on Windows 10, gross bugs, and the Windows machines. ", "source": "New Kerala", "topic": "microsoft", "publish_date": "2015-03-01 01:32:00", "facebook": -1, "google_plus": -1, "linked_in": -1}
|
{"feat_id": "13716782", "text": "Kelly: Oh! Oh! Can I pick the first question?\r\nJessica: Sure. Go for it!\r\nKelly: What's the scariest place you've been to!\r\nJessica: I'll start: Palermo in Italy.\r\nMickey: And what's so scary about that? Did you break your nail? :P\r\nJessica: Shut it, Mickey! No, there are the Capuchin Catacombs with 8000 corpses! \r\nKelly: Ewwww! Corpses? Rly?\r\nJessica: Yeah! And you can look at them like museum exhibits. I think they're divided somehow, but have no clue how!\r\nOllie: That's so cool! Do you get to see the bones or are they covered up?\r\nJessica: Well, partly. Most of them were exhibited in their clothes. Basically only skulls and hands. \r\nMickey: I'm writing this one down! That's so precious!\r\nOllie: Me too!", "target": "The scariest place for Jessica was the Capuchin Catacombs in Palermo.", "evaluation_predictions": [0, 3, 106, 4, 2697, 36, 3, 6, 15, 40, 3, 17607, 1799, 3, 11, 23, 4, 3, 11782, 68]}
|
{"feat_id": "13716592", "text": "Carrie: Just back from Fantastic Beast :)\r\nGina: and what do you think?\r\nCarrie: generally good - as usual nice special effect and visuals, an ok plot, a glimpse of the wizarding community in the US.\r\nAlex: Sounds cool. I was thinking of going this weekend with Lane, but I've seen some bad reviews.\r\nCarrie: Depends on what you expect really - I have a lot of sentiment towards Harry Potter so, I'm gonna like everything the do. But seriously the movie was decent. However, if you're expecting to have your mind blown, then no, it's not THAT good.\r\nGina: I agree. I saw it last week and basically I'm satisfied.\r\nAlex: No spoilers, girls.\r\nCarrie: no worries ;)\r\nCarrie: And Gina, what do you think about Eddie Redmayne as Newt?\r\nGina: I loved him <3 I loved how introverted and awkward he was and how caring he was towards the animals. And with all that he showed a lot of confidence in his beliefs and was a genuinely compassionate character\r\nCarrie: not your standard protagonist, that's for sure\r\nGina: and that's what I liked about him\r\nAlex: Maybe I'll go and see it sooner so we can all talk about it.\r\nCarrie: go see it. If' you're not expecting god-knows-what you're going to enjoy it ;)", "target": "Carrie and Gina saw \"Fantastic Beast\" and liked it. Ginna loved Eddie Redmayne as Newt. ", "evaluation_predictions": [0, 3683, 6, 4, 36, 3, 6, 5179, 18, 3, 4, 18, 18, 6, 4, 2277, 40, 9, 98, 23]}
|
{"feat_id": "13728528", "text": "Samantha: How are you doing today?\r\nRobyn: better, but I really exaggerated with bier last night\r\nSamantha: was it really only bier?\r\nRobyn: sure, why?\r\nSamantha: I don't know, your eyes, behaviour\r\nRobyn: you want to say I took drugs?\r\nSamantha: I'm only asking, I don't have anything against drugs\r\nRobyn: but I have and I never take them\r\nSamantha: ok, sorry, I didn't intend to offend you\r\nRobyn: I just drank too much, that's eat\r\nSamantha: much too much\r\nRobyn: yes, I lost control a bit\r\nRobyn: I am sorry for that\r\nSamantha: important that you feel better today", "target": "Robyn drank too much beer last night and lost control. She is feeling better today.", "evaluation_predictions": [0, 3027, 1453, 378, 36, 3, 8046, 3, 111, 1139, 3, 18, 11, 222, 3, 13941, 72, 3, 27, 11]}
|
{"feat_id": "13813429", "text": "Peyton: I have been asking you to bring that video game for me\r\nCameron: Honey, I am not having enough time to come home\r\nPeyton: When would you come home?\r\nCameron: I will have to stay out of town for another week i guess\r\nPeyton: Cant you just deliver that game through the courier? :P\r\nCameron: Dont be mean :/\r\nPeyton: Get the job done and come to home then. ASAP :P", "target": "Peyton is expecting Cameron to bring the video game. Cameron will probably be out for another week.", "evaluation_predictions": [0, 17562, 36, 3, 6, 4341, 12023, 3, 9, 19, 4112, 1139, 3, 22, 11, 3, 73, 1798, 155, 397]}
|
{"feat_id": "13731477", "text": "Gene: Did you get the package I sent you\r\nJack: No, when did you send it?\r\nGene: on Friday\r\nJack: shit I should have gotten it by now\r\nJack: send me the tracking umber I;ll check whats up\r\nGene: 12345678900", "target": "Jack has not received yet the package Gene had sent him on Friday. She sent him the tracking number, so he could check the status of the shipment. ", "evaluation_predictions": [0, 3, 6, 5, 3, 7823, 9, 63, 4, 3, 6, 3, 5102, 1139, 5128, 36, 3, 6, 22, 3]}
|
{"feat_id": "13730896", "text": "Russ: Hi Gurdun, are you feeling better?\r\nGurdun: Hi Ross, a little bit better, yes, thank you.\r\nRuss: Do you think you'll be back at the uni this week?\r\nGurdun: Not tomorrow for sure, but I hope Wednesday maybe.\r\nRuss: Oh, that's fine.\r\nGurdun: Yeah. I'm feeling a bit weak still\r\nRuss: I guess that's pretty normal at this stage.\r\nGurdun: I believe so. And the muscle pain.\r\nRuss: I know what you mean. I had flu like that three months ago.\r\nGurdun: Luckily the headache's gone. It was absolutely awful.\r\nRuss: True enough. I had the same.\r\nGurdun: Anyway, how are things with you?\r\nRuss: Same old, same old, you know. Not much happening in the middle of term.\r\nGurdun: And the team?\r\nRuss: Oh yeah, we won the last match. It was a good game.\r\nGurdun: Great. Listen Russ, I need to run. Catch up later.\r\nRuss: OK, talk to you later.", "target": "Gurdun has the flu. He is feeling better. Gurdun hopes he'll be back at the uni on Wednesday. Russ and his team won the last match. ", "evaluation_predictions": [0, 3, 2955, 19, 36, 3, 78, 6, 3, 7198, 18, 197, 7, 3, 6, 15, 40, 3, 80, 4]}
|
{"feat_id": "13730348", "text": "Susan: Will you be home tomorrow?\r\nRob: Why do you ask?\r\nSusan: We could have dinner together if you have time after work\r\nRob: Sure! Sounds great\r\nSusan: Fantastic! I will cook something special then!", "target": "Rob will be home tomorrow. Rob and Susan will have dinner together after Rob's work. Susan will cook something special.", "evaluation_predictions": [0, 55, 1898, 36, 3, 6, 3406, 483, 1522, 3124, 11, 27, 7554, 72, 55, 1898, 36, 3, 6, 3406]}
|
{"feat_id": "13731077", "text": "Evan: Hi Dennis, I need to cancel my lesson tomorrow, sorry.\r\nDennis: Fine, what's up?\r\nEvan: Oh, got the flu, been off college since Tuesday. Should be ok for next Thurs.\r\nDennis: OK, just tell me in good time if you can't make it. Hope you feel better soon.\r\nEvan: Bye, Den! Thanks.", "target": "Evan can't come to his lesson tomorrow, because he's got the flu.", "evaluation_predictions": [0, 3, 4, 2395, 36, 3, 6, 15, 40, 3, 63, 11, 222, 3, 22, 11, 3, 5, 4, 9]}
|
{"feat_id": "13817550", "text": "Lorena: Hi, can you help me with something?\r\nMartin: Well, I can try.\r\nMartin: Depends what it is?\r\nLorena: I got a new desk and it comes with assembly instructions but I give up, I just can't do it.\r\nLorena: I'm illiterate when it comes to instructions, haha.\r\nLorena: So I could really use some help...\r\nMartin: Hmm, I can't today, but how about tomorrow? Shouldn't take long anyway.\r\nLorena: Yeah, it's fine! I just need it for the weekend, but tomorrow's great! Sorry for troubling you again.\r\nMartin: Don't mention it, we've known each other for so long it's almost like we're siblings, haha.\r\nLorena: Thanks a lot! I should be home by 6, so let me know when you can.", "target": "Martin is going to help Lorena assemble a new desk. He is coming to her house tomorrow.", "evaluation_predictions": [0, 3, 5, 11, 5735, 36, 3, 6, 846, 15, 22, 3, 22, 666, 3, 13941, 7, 3, 6, 846]}
|
{"feat_id": "13681441", "text": "Joanna: They are sending emails about Lewandowska.\r\nMerve: What happened?\r\nJoanna: <file_photo> \r\nMerve: Wooow!\r\nJoanna: She is hospitalized because she has measles.\r\nMerve: She had what?\r\nJoanna: Anyone who had contact with her within the last couple of days must get vaccinated.\r\nMerve: Luckily I didn't see her since the last semester...\r\nJoanna: I did, she is my thesis mentor :(\r\nMerve: What will you do?\r\nJoanna: They are organizing vaccinations in the main building from 17th until 19th.\r\nMerve: You have to go!\r\nJoanna: I know... And I just started working so I really don't have a lot of time.\r\nMerve: Come on, this is really important.\r\nJoanna: I will try to do it before work on 18th, hopefully I won't lose the entire day...", "target": "Lewandowska has measles. There are vaccinations in the main building from 17th until 19th for everyone who had contact with her. ", "evaluation_predictions": [0, 3, 5, 4, 174, 346, 174, 4878, 3, 6, 19, 3, 9, 3, 5, 4, 174, 346, 174, 4878]}
|
{"prediction": false, "hash": 2832057944996605931}
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{"prediction": false, "hash": -5114418600523833763}
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{"prediction": false, "hash": -3420718566133615595}
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{"prediction": false, "hash": 1802751896039200543}
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{"prediction": false, "hash": 6973375206359865567}
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{"prediction": false, "hash": 7336618430616893074}
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{"prediction": false, "hash": -884972746755726408}
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{"prediction": false, "hash": -8458104628284523552}
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{"prediction": false, "hash": -1265837910746300426}
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{"prediction": true, "hash": -2637706510264954488}
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{"text": "The counselor helped the laborer because", "classes": [" he is a very kind person.", " she is a very kind person."], "target": 0, "evaluation_predictions": [-3.236607789993286, -12.566505432128906, -6.591337203979492, -3.87923264503479, -9.461257934570312, -3.111633539199829, -6.08526611328125, -0.9079687595367432, -3.098365306854248, -1.1709669828414917, -4.9808454513549805, -3.897012710571289, -1.4007763862609863, -0.8584807515144348, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
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{"text": "The lawyer talked with the counselor because", "classes": [" she needed to gather additional evidence for the case.", " he needed to gather additional evidence for the case."], "target": 0, "evaluation_predictions": [-3.236607789993286, -12.566505432128906, -6.591337203979492, -3.87923264503479, -9.461257934570312, -3.111633539199829, -6.08526611328125, -2.293748140335083, -3.191586494445801, -1.0190352201461792, -4.483132362365723, -3.0374956130981445, -0.8962142467498779, -0.7969591021537781, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
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{"text": "The driver offered a ride to the teacher but", "classes": [" he refused the offer.", " she refused the offer."], "target": 0, "evaluation_predictions": [-3.236607789993286, -9.645072937011719, -8.941654205322266, -3.2003378868103027, -1.4531149864196777, -8.11652946472168, -5.463810920715332, -1.8635295629501343, -4.344507217407227, -0.788671612739563, -7.311309814453125, -5.5814971923828125, -1.7068967819213867, -2.36868953704834, -1.1941888332366943, -1.2506184577941895, -0.5466743111610413, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
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{"text": "The cleaner got mad at the farmer because", "classes": [" she brought lots of dirt.", " he brought lots of dirt."], "target": 0, "evaluation_predictions": [-3.236607789993286, -9.645072937011719, -8.941654205322266, -3.2003378868103027, -1.4531149864196777, -8.11652946472168, -5.463810920715332, -1.3078378438949585, -4.284558296203613, -0.815682590007782, -6.990126132965088, -5.5103373527526855, -1.5164430141448975, -2.3536720275878906, -1.2132941484451294, -1.13985276222229, -0.531937301158905, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "The carpenter met with the teacher so that", "classes": [" she could fix the cabinets in the classroom.", " he could fix the cabinets in the classroom."], "target": 0, "evaluation_predictions": [-3.236607789993286, -8.221769332885742, -9.25577163696289, -2.471602439880371, -3.721825122833252, -0.6985801458358765, -1.0009294748306274, -8.566696166992188, -3.6402969360351562, -2.6068825721740723, -1.7236738204956055, -3.5529651641845703, -0.6819959282875061, -1.0532419681549072, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "The salesperson met with the counselor because", "classes": [" she was distressed.", " he was distressed."], "target": 0, "evaluation_predictions": [-3.236607789993286, -8.221769332885742, -9.25577163696289, -2.471602439880371, -3.721825122833252, -0.6985801458358765, -1.0009294748306274, -8.566696166992188, -3.6402969360351562, -2.0530076026916504, -1.1942453384399414, -4.002196311950684, -0.7731314897537231, -1.0198546648025513, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "The receptionist reminded the cook to wear suits because", "classes": [" she always forgets.", " he always forgets."], "target": 0, "evaluation_predictions": [-3.236607789993286, -11.777950286865234, -6.79185676574707, -4.910323143005371, -1.1122177839279175, -2.4438114166259766, -7.963124752044678, -2.383216619491577, -2.605299472808838, -6.483132839202881, -8.695368766784668, -0.04215076193213463, -2.437678813934326, -3.1553754806518555, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "The sheriff told the counselor that", "classes": [" he was under investigation.", " she was under investigation."], "target": 0, "evaluation_predictions": [-3.236607789993286, -11.777950286865234, -6.79185676574707, -4.910323143005371, -1.1122177839279175, -2.4438114166259766, -7.963124752044678, -2.383216619491577, -0.6243662238121033, -5.846092700958252, -8.678272247314453, -0.04939495027065277, -2.810595750808716, -3.016446590423584, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "The supervisor was impressed by the tailor because", "classes": [" she is easily impressed.", " he is easily impressed."], "target": 0, "evaluation_predictions": [-3.236607789993286, -7.557697772979736, -4.638721466064453, -8.580008506774902, -2.218960762023926, -1.6523151397705078, -6.626265525817871, -6.930047035217285, -1.3168456554412842, -2.166429042816162, -0.5781710743904114, -5.9202070236206055, -1.090812087059021, -7.773068428039551, -1.731529712677002, -0.734221875667572, -2.6251227855682373, -0.6193925738334656, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "The driver picked up bread from the baker because", "classes": [" she was employed as a delivery service.", " he was employed as a delivery service."], "target": 0, "evaluation_predictions": [-3.236607789993286, -7.557697772979736, -4.638721466064453, -8.580008506774902, -2.218960762023926, -1.6523151397705078, -6.626265525817871, -6.930047035217285, -1.3168456554412842, -0.6822086572647095, -0.48911651968955994, -4.9307355880737305, -0.9457578659057617, -7.81339168548584, -1.9655778408050537, -0.6216867566108704, -2.1021244525909424, -0.6070985794067383, 0.0, -100.0, -100.0, -100.0, -100.0, -100.0, -100.0]}
|
{"text": "Showers continued throughout the week in the Bahia cocoa zone alleviating the drought since early January and improving prospects for the coming temporao although normal humidity levels have not been restored Comissaria Smith said in its weekly review. The dry period means the temporao will be late this year. Arrivals for the week ended February 22 were 155221 bags of 60 kilos making a cumulative total for the season of 5.93 mln against 5.81 at the same stage last year. Again it seems that cocoa delivered earlier on consignment was included in the arrivals figures. Comissaria Smith said there is still some doubt as to how much old crop cocoa is still available as harvesting has practically come to an end. With total Bahia crop estimates around 6.4 mln bags and sales standing at almost 6.2 mln there are a few hundred thousand bags still in the hands of farmers middlemen exporters and processors. There are doubts as to how much of this cocoa would be fit for export as shippers are now experiencing dificulties in obtaining +Bahia superior+ certificates. In view of the lower quality over recent weeks farmers have sold a good part of their cocoa held on consignment. Comissaria Smith said spot bean prices rose to 340 to 350 cruzados per arroba of 15 kilos. Bean shippers were reluctant to offer nearby shipment and only limited sales were booked for March shipment at 1750 to 1780 dlrs per tonne to ports to be named. New crop sales were also light and all to open ports with June/July going at 1850 and 1880 dlrs and at 35 and 45 dlrs under New York july Aug/Sept at 1870 1875 and 1880 dlrs per tonne FOB. Routine sales of butter were made. March/April sold at 4340 4345 and 4350 dlrs. April/May butter went at 2.27 times New York May June/July at 4400 and 4415 dlrs Aug/Sept at 4351 to 4450 dlrs and at 2.27 and 2.28 times New York Sept and Oct/Dec at 4480 dlrs and 2.27 times New York Dec Comissaria Smith said. Destinations were the U.S. Covertible currency areas Uruguay and open ports. Cake sales were registered at 785 to 995 dlrs for March/April 785 dlrs for May 753 dlrs for Aug and 0.39 times New York Dec for Oct/Dec. Buyers were the U.S. Argentina Uruguay and convertible currency areas. Liquor sales were limited with March/April selling at 2325 and 2380 dlrs June/July at 2375 dlrs and at 1.25 times New York July Aug/Sept at 2400 dlrs and at 1.25 times New York Sept and Oct/Dec at 1.25 times New York Dec Comissaria Smith said. Total Bahia sales are currently estimated at 6.13 mln bags against the 1986/87 crop and 1.06 mln bags against the 1987/88 crop. Final figures for the period to February 28 are expected to be published by the Brazilian Cocoa Trade Commission after carnival which ends midday on February 27. Reuter", "target": "BAHIA COCOA REVIEW"}
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{"text": "Standard Oil Co and BP North America Inc said they plan to form a venture to manage the money market borrowing and investment activities of both companies. BP North America is a subsidiary of British Petroleum Co Plc <BP> which also owns a 55 pct interest in Standard Oil. The venture will be called BP/Standard Financial Trading and will be operated by Standard Oil under the oversight of a joint management committee. Reuter", "target": "STANDARD OIL <SRD> TO FORM FINANCIAL UNIT"}
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{"text": "Texas Commerce Bancshares Incs Texas Commerce Bank-Houston said it filed an application with the Comptroller of the Currency in an effort to create the largest banking network in Harris County. The bank said the network would link 31 banks having 13.5 billion dlrs in assets and 7.5 billion dlrs in deposits. Reuter", "target": "TEXAS COMMERCE BANCSHARES <TCB> FILES PLAN"}
|
{"text": "BankAmerica Corp is not under pressure to act quickly on its proposed equity offering and would do well to delay it because of the stocks recent poor performance banking analysts said. Some analysts said they have recommended BankAmerica delay its up to one-billion-dlr equity offering which has yet to be approved by the Securities and Exchange Commission. BankAmerica stock fell this week along with other banking issues on the news that Brazil has suspended interest payments on a large portion of its foreign debt. The stock traded around 12 down 1/8 this afternoon after falling to 11-1/2 earlier this week on the news. Banking analysts said that with the immediate threat of the First Interstate Bancorp <I> takeover bid gone BankAmerica is under no pressure to sell the securities into a market that will be nervous on bank stocks in the near term. BankAmerica filed the offer on January 26. It was seen as one of the major factors leading the First Interstate withdrawing its takeover bid on February 9. A BankAmerica spokesman said SEC approval is taking longer than expected and market conditions must now be re-evaluated. The circumstances at the time will determine what we do said Arthur Miller BankAmericas Vice President for Financial Communications when asked if BankAmerica would proceed with the offer immediately after it receives SEC approval. Id put it off as long as they conceivably could said Lawrence Cohn analyst with Merrill Lynch Pierce Fenner and Smith. Cohn said the longer BankAmerica waits the longer they have to show the market an improved financial outlook. Although BankAmerica has yet to specify the types of equities it would offer most analysts believed a convertible preferred stock would encompass at least part of it. Such an offering at a depressed stock price would mean a lower conversion price and more dilution to BankAmerica stock holders noted Daniel Williams analyst with Sutro Group. Several analysts said that while they believe the Brazilian debt problem will continue to hang over the banking industry through the quarter the initial shock reaction is likely to ease over the coming weeks. Nevertheless BankAmerica which holds about 2.70 billion dlrs in Brazilian loans stands to lose 15-20 mln dlrs if the interest rate is reduced on the debt and as much as 200 mln dlrs if Brazil pays no interest for a year said Joseph Arsenio analyst with Birr Wilson and Co. He noted however that any potential losses would not show up in the current quarter. With other major banks standing to lose even more than BankAmerica if Brazil fails to service its debt the analysts said they expect the debt will be restructured similar to way Mexicos debt was minimizing losses to the creditor banks. Reuter", "target": "TALKING POINT/BANKAMERICA <BAC> EQUITY OFFER"}
|
{"text": "The U.S. Agriculture Department reported the farmer-owned reserve national five-day average price through February 25 as follows (Dlrs/Bu-Sorghum Cwt) - Natl Loan Release Call Avge Rate-X Level Price Price Wheat 2.55 2.40 IV 4.65 -- V 4.65 -- VI 4.45 -- Corn 1.35 1.92 IV 3.15 3.15 V 3.25 -- X - 1986 Rates. Natl Loan Release Call Avge Rate-X Level Price Price Oats 1.24 0.99 V 1.65 -- Barley n.a. 1.56 IV 2.55 2.55 V 2.65 -- Sorghum 2.34 3.25-Y IV 5.36 5.36 V 5.54 -- Reserves I II and III have matured. Level IV reflects grain entered after Oct 6 1981 for feedgrain and after July 23 1981 for wheat. Level V wheat/barley after 5/14/82 corn/sorghum after 7/1/82. Level VI covers wheat entered after January 19 1984. X-1986 rates. Y-dlrs per CWT (100 lbs). n.a.-not available. Reuter", "target": "NATIONAL AVERAGE PRICES FOR FARMER-OWNED RESERVE"}
|
{"text": "Argentine grain board figures show crop registrations of grains oilseeds and their products to February 11 in thousands of tonnes showing those for futurE shipments month 1986/87 total and 1985/86 total to February 12 1986 in brackets: Bread wheat prev 1655.8 Feb 872.0 March 164.6 total 2692.4 (4161.0). Maize Mar 48.0 total 48.0 (nil). Sorghum nil (nil) Oilseed export registrations were: Sunflowerseed total 15.0 (7.9) Soybean May 20.0 total 20.0 (nil) The board also detailed export registrations for subproducts as follows SUBPRODUCTS Wheat prev 39.9 Feb 48.7 March 13.2 Apr 10.0 total 111.8 (82.7) . Linseed prev 34.8 Feb 32.9 Mar 6.8 Apr 6.3 total 80.8 (87.4). Soybean prev 100.9 Feb 45.1 MAr nil Apr nil May 20.0 total 166.1 (218.5). Sunflowerseed prev 48.6 Feb 61.5 Mar 25.1 Apr 14.5 total 149.8 (145.3). Vegetable oil registrations were : Sunoil prev 37.4 Feb 107.3 Mar 24.5 Apr 3.2 May nil Jun 10.0 total 182.4 (117.6). Linoil prev 15.9 Feb 23.6 Mar 20.4 Apr 2.0 total 61.8 (76.1). Soybean oil prev 3.7 Feb 21.1 Mar nil Apr 2.0 May 9.0 Jun 13.0 Jul 7.0 total 55.8 (33.7). REUTER", "target": "ARGENTINE 1986/87 GRAIN/OILSEED REGISTRATIONS"}
|
{"text": "Red Lion Inns Limited Partnership said it filed a registration statement with the Securities and Exchange Commission covering a proposed offering of 4790000 units of limited partnership interests. The company said it expects the offering to be priced at 20 dlrs per unit. It said proceeds from the offering along with a 102.5 mln dlr mortgage loan will be used to finance its planned acquisition of 10 Red Lion hotels. Reuter", "target": "RED LION INNS FILES PLANS OFFERING"}
|
{"text": "Moodys Investors Service Inc said it lowered the debt and preferred stock ratings of USX Corp and its units. About seven billion dlrs of securities is affected. Moodys said Marathon Oil Cos recent establishment of up to one billion dlrs in production payment facilities on its prolific Yates Field has significant negative implications for USXs unsecured creditors. The company appears to have positioned its steel segment for a return to profit by late 1987 Moodys added. Ratings lowered include those on USXs senior debt to BA-1 from BAA-3. Reuter", "target": "USX <X> DEBT DOWGRADED BY MOODY'S"}
|
{"text": "Champion Products Inc said its board of directors approved a two-for-one stock split of its common shares for shareholders of record as of April 1 1987. The company also said its board voted to recommend to shareholders at the annual meeting April 23 an increase in the authorized capital stock from five mln to 25 mln shares. Reuter", "target": "CHAMPION PRODUCTS <CH> APPROVES STOCK SPLIT"}
|
{"text": "Computer Terminal Systems Inc said it has completed the sale of 200000 shares of its common stock and warrants to acquire an additional one mln shares to <Sedio N.V.> of Lugano Switzerland for 50000 dlrs. The company said the warrants are exercisable for five years at a purchase price of .125 dlrs per share. Computer Terminal said Sedio also has the right to buy additional shares and increase its total holdings up to 40 pct of the Computer Terminals outstanding common stock under certain circumstances involving change of control at the company. The company said if the conditions occur the warrants would be exercisable at a price equal to 75 pct of its common stocks market price at the time not to exceed 1.50 dlrs per share. Computer Terminal also said it sold the technolgy rights to its Dot Matrix impact technology including any future improvements to <Woodco Inc> of Houston Tex. for 200000 dlrs. But it said it would continue to be the exclusive worldwide licensee of the technology for Woodco. The company said the moves were part of its reorganization plan and would help pay current operation costs and ensure product delivery. Computer Terminal makes computer generated labels forms tags and ticket printers and terminals. Reuter", "target": "COMPUTER TERMINAL SYSTEMS <CPML> COMPLETES SALE"}
|
{"dataset_name": "generated_reviews_enth", "dataset_config": "None", "text": "Does \"I had a hard time finding a case for my new LG Lucid 2 but finally found this one on amazon. The colors are really pretty and it works just as well as, if not better than the otterbox. Hopefully there will be more available by next Xmas season. Overall, very cute case. I love cheetah's. :)\" seem like a positive review to you?\n\nyes"}
|
{"dataset_name": "generated_reviews_enth", "dataset_config": "None", "text": "Rate the positivity of this review (1 being the lowest and 5 the highest).\\n\"The story was not bad. However, the typos made it difficult and painful to read. Not sure what an editor looks for. I found myself going back just one sentence after a paragraph only because of missing words. This makes you wonder if English is Mr. Jones' second language with all that editing. And since this appears in Kindle version, it does detract from enjoyment or at least make me more aware of that.\"\n\n2"}
|
{"dataset_name": "generated_reviews_enth", "dataset_config": "None", "text": "How positive is the review \"This product is completely useless. It cannot be used with any of the 3 cell batteries listed on the page. The charger itself appears to heat up, so I can see if it could take a charge. Not sure how they would work in another product, but these don't allow you use them in an NP-E4U Battery Grip or any other brand that uses those batteries. Don't waste your money! And make absolutely sure yours won't damage your charger.\"? Give a score between\n 0 and 5.\n\n1"}
|
{"dataset_name": "generated_reviews_enth", "dataset_config": "None", "text": "On a scale from 1 to 5, how positive is the review \"I ordered this for my 2 year old daughter. She loved it. The only down side to it was the handle that you push when you turn back and forth. It broke off within 10 minutes of her giving the scooter a good push. Otherwise it's a great little scooter. I would recommend it! My daughter is already asking me where she can get another one so we won't be switching between them as much. I highly suggest buying this. It's very cute too.\"?\n\n4"}
|
{"dataset_name": "generated_reviews_enth", "dataset_config": "None", "text": "Do you think \"My children love Jake and the Neverland Pirates and as soon as I heard about this one on Pandora, they had to have it. So instead of getting it for Christmas, we waited until New Years Eve. When opening it, the back broke in 2 seconds, before my son could even put any cards into it, so he couldn't use it! We bought another just like mine, but he was still disappointed that didn't work either.\" is a positive review?\n\nno"}
|
{"dataset_name": "social_i_qa", "dataset_config": "None", "text": "I heard that Cameron decided to have a barbecue and gathered her friends together.\n\nAnd I was wondering How would Others feel as a result?\n\nlike attending"}
|
{"dataset_name": "social_i_qa", "dataset_config": "None", "text": "Jan needed to give out jobs for an upcoming project at work.\n\nGiven the context: What will Others want to do next?\n\nPossible answers: disagree with Jan, get to work, argue with the assignments\n\nget to work"}
|
{"dataset_name": "social_i_qa", "dataset_config": "None", "text": "Remy was an expert fisherman and was on the water with Kai. Remy baited Kai's hook.\n\nGiven the question \"What will Remy want to do next?\", is \"cast the line\" a valid answer?\n\nYes"}
|
{"dataset_name": "social_i_qa", "dataset_config": "None", "text": "Addison gave a hug to Skylar's son when they were feeling down.\n\nGiven that the answer to a question is \"better\", what is the question?\n\nWhy did Addison do this?"}
|
{"dataset_name": "social_i_qa", "dataset_config": "None", "text": "Kai found one for sale online but it was too much money for her.\n\nGiven the context: What does Kai need to do before this?\n\nOpen up her laptop"}
|
{"reviewId": "gp:AOqpTOGe0Imrtwy7pTDmkxpK1n-eP8qQQNWrRNAamfwJkaDtF5fGQWBcxPso5KHF9oXUpVpDxnnhlBGDiwMwuOM", "content_x": "Refuses to start without phone permission. That's absolutely not ok, even if you pretend it's for TTS", "label0": "?", "label1": "?", "userName": "Steffen Hottner", "userImage": "https://play-lh.googleusercontent.com/a/AATXAJwfOQiL2xSNsuKePk__zdNXDWGhYffxopX26rfD=mo", "content_y": "Refuses to start without phone permission. That's absolutely not ok, even if you pretend it's for TTS", "score": 1, "thumbsUpCount": 0, "reviewCreatedVersion": "2.7.1.0", "at": "2020-12-15 14:37:47", "replyContent": null, "repliedAt": null, "category": "Productivity", "type": "Paid", "appName": "ezPDF Reader PDF Annotate Form"}
|
{"reviewId": "gp:AOqpTOFtpN1oYO5wxZ_doEe4M7XQ35g4e2snb10vAOJdEWCgU8DA0wTFPAy8jcDESfMutQt25cDyLUJK3xRecFw", "content_x": "App reagiert nicht und wird gleich wieder geschlossen. Samsung A41 Android 11. Also ist die App nutzlos", "label0": "B", "label1": "B", "userName": "M Kueffner", "userImage": "https://play-lh.googleusercontent.com/a/AATXAJyWcbpV0Uwc_1XsgGTsMcP99_Mff5qec33WG8cN=mo", "content_y": "App reagiert nicht und wird gleich wieder geschlossen. Samsung A41 Android 11. Also ist die App nutzlos", "score": 1, "thumbsUpCount": 0, "reviewCreatedVersion": "10.0.4", "at": "2021-10-25 07:58:14", "replyContent": null, "repliedAt": null, "category": "Music & Audio", "type": "Paid", "appName": "PowerAudio Pro Music Player"}
|
{"reviewId": "gp:AOqpTOGP_bYfKCmwjgZ7PtTAcAy85RiBkzdZUOA1YSwRkZ5vIkA3r8JsY_PABLqyoikbrjssWRKkI4a92XxNajs", "content_x": "Macht hier bitte mit,es lohnt!,!!!!!!!!!!!", "label0": "I", "label1": "I", "userName": "Sebastian Schmidt", "userImage": "https://play-lh.googleusercontent.com/a-/AOh14GhNP5DOQNLSDG-XiiHE41scEKHz367DiU57xii4sQ", "content_y": "Macht hier bitte mit,es lohnt!,!!!!!!!!!!!", "score": 5, "thumbsUpCount": 0, "reviewCreatedVersion": "2.7.00.4", "at": "2022-03-19 01:54:57", "replyContent": null, "repliedAt": null, "category": "Education", "type": "Free", "appName": "Samsung Global Goals"}
|
{"reviewId": "gp:AOqpTOGXanBUL_ieXrqt-y0HebEE5Y75xcTRVVAYuQ9bFX78tAxL6j_b8eYQOPhFdMey-G5zB1wsWFhDODduiw", "content_x": "GOOGLE SAU SCHLECHT GEWORDEN", "label0": "I", "label1": "I", "userName": "Dirk Glamann", "userImage": "https://play-lh.googleusercontent.com/a-/AOh14Giz83MHgmDDkuUqwXiitRC6HtYWaIK9DeqftUB0HQ", "content_y": "GOOGLE SAU SCHLECHT GEWORDEN", "score": 1, "thumbsUpCount": 0, "reviewCreatedVersion": "2.21.330.4.90", "at": "2022-03-26 12:14:34", "replyContent": null, "repliedAt": null, "category": "Productivity", "type": "Free", "appName": "Google Drive"}
|
{"id": 0, "text": "' '' Andrew Noble '' ' - fisico britannico", "tokens": ["'", "''", "Andrew", "Noble", "''", "'", "-", "fisico", "britannico"], "ner_tags_readable": ["O", "O", "B-PER", "I-PER", "O", "O", "O", "O", "B-LOC"], "ner_tags": [0, 0, 1, 2, 0, 0, 0, 0, 5], "ner_labels": ["O", "B-PER", "I-PER", "B-ORG", "I-ORG", "B-LOC", "I-LOC"]}
|
{"id": 1, "text": "Eliminato al 4T da Andy Murray [3]", "tokens": ["Eliminato", "al", "4T", "da", "Andy", "Murray", "[3]"], "ner_tags_readable": ["O", "O", "O", "O", "B-PER", "I-PER", "O"], "ner_tags": [0, 0, 0, 0, 1, 2, 0], "ner_labels": ["O", "B-PER", "I-PER", "B-ORG", "I-ORG", "B-LOC", "I-LOC"]}
|
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