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Title: Visage (band) Background: Visage were a British synthpop band, formed in London in 1978. The band became closely linked to the burgeoning New Romantic fashion movement of the early 1980s, and are best known for their hit "Fade to Grey" which was released in late 1980. In the UK, the band achieved two Top 20 albums (Visage and The Anvil) and five Top 30 singles before the commercial failure of their third album (Beat Boy) led to their break-up in 1985. The band has seen various line-up changes over the years, all fronted by vocalist Steve Strange, who resurrected the band name in the 2000s. Section: Second incarnation (2004-2010) Passage: Steve Strange reappeared on the music scene in 2002, after several years of battling a heroin addiction and other personal problems. He performed several Visage songs on the Here and Now Xmas Tour - a revival of 1980s pop acts. Some time after the performance, Strange decided to create a "Mark II" of Visage with people from several electronic bands and projects: Steven Young, Sandrine Gouriou and Rosie Harris from Seize and Ross Tregenza from Jetstream Lovers/Goteki. After the announcement of the formation of the new line-up and several television appearances, plans for reworking old material and releasing a new record made slow progress. An updated version of "Fade to Grey" was produced in 2005. In 2006, Strange also collaborated with the electronic duo Punx Soundcheck and provided vocals on the track "In the Dark", which was included on the duo's debut double album When Machines Ruled the World. The first Visage mk II track was released in 2007, entitled "Diary of a Madman". Written by Strange with Visage mk II member Ross Tregenza, the track was co-produced by original Visage member Dave Formula. This song was made available for download from their official website in return for a donation to the charity Children in Need. However, no further new material surfaced from this line-up. The long-since deleted Visage VHS video collection was repackaged for release on DVD in Summer 2006, though it was mistakenly titled Visage Live. In 2008, Strange (and Visage II keyboardist Sandrine Gouriou) made an appearance in the BBC drama series Ashes to Ashes which is set in 1981. In it, they performed the song "Fade to Grey" in a scene set in the "Blitz" nightclub. In 2009, Strange and Egan appeared in Living TV's Pop Goes the Band, a series in which pop stars from the 1980s are given a complete makeover in return for a one-off performance. The Visage episode aired on 16 March 2009, and was the first time that the two men had spoken in over 20 years. The episode focused (like others in the series) more on getting them fit in the gym than on the current state of their relationship, though they appeared to get on well enough. At the culmination of the episode, they performed "Fade to Grey". In 2010, new remixes of "Fade to Grey" were produced by club DJs Michael Gray and Lee Mortimer to celebrate the 30th anniversary of the song. The remixes were included on a new compilation album, The Face - The Very Best of Visage, which was released in March 2010. Question: When was Visage formed? Answer: 2002, Question: What happened in 2004? Answer: CANNOTANSWER Question: What can you tell me about the bands second incarnation? Answer: "In the Dark", which was included on the duo's debut double album Question: Was there anything else about the second incarnation?
[ "entitled \"Diary of a Madman\"." ]
Title: Manorialism Background: Manorialism was an essential element of feudal society. It was the organizing principle of rural economy that originated in the Roman villa system of the Late Roman Empire, and was widely practiced in medieval western and parts of central Europe. It was slowly replaced by the advent of a money-based market economy and new forms of agrarian contract. Manorialism was characterised by the vesting of legal and economic power in a Lord of the Manor, supported economically from his own direct landholding in a manor (sometimes called a fief), and from the obligatory contributions of a legally subject part of the peasant population under the jurisdiction of himself and his manorial court. Section: Historical and geographical distribution Passage: The term is most often used with reference to medieval Western Europe. Antecedents of the system can be traced to the rural economy of the later Roman Empire (Dominate). With a declining birthrate and population, labor was the key factor of production. Successive administrations tried to stabilise the imperial economy by freezing the social structure into place: sons were to succeed their fathers in their trade, councilors were forbidden to resign, and coloni, the cultivators of land, were not to move from the land they were attached to. The workers of the land were on their way to becoming serfs. Several factors conspired to merge the status of former slaves and former free farmers into a dependent class of such coloni: it was possible to be described as servus et colonus, "both slave and colonus". Laws of Constantine I around 325 both reinforced the semi-servile status of the coloni and limited their rights to sue in the courts; the Codex Theodosianus promulgated under Theodosius II extended these restrictions. The legal status of adscripti, "bound to the soil", contrasted with barbarian foederati, who were permitted to settle within the imperial boundaries, remaining subject to their own traditional law. As the Germanic kingdoms succeeded Roman authority in the West in the fifth century, Roman landlords were often simply replaced by Germanic ones, with little change to the underlying situation or displacement of populations. The process of rural self-sufficiency was given an abrupt boost in the eighth century, when normal trade in the Mediterranean Sea was disrupted. The thesis put forward by Henri Pirenne, while disputed widely, supposes that the Arab conquests forced the medieval economy into even greater ruralization and gave rise to the classic feudal pattern of varying degrees of servile peasantry underpinning a hierarchy of localised power centers. Question: What is the historical and geographical distribution? Answer: The term is most often used with reference to medieval Western Europe. Question: Why was this plan implemented?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Charles Barkley Background: Barkley was born and raised in Leeds, Alabama, ten miles (16 km) outside Birmingham, and attended Leeds High School. As a junior, Barkley stood 5 ft 10 in (1.78 m) and weighed 220 pounds (100 kg). He failed to make the varsity team and was named as a reserve. However, during the summer Barkley grew to 6 ft 4 in (1.93 m) and earned a starting position on the varsity as a senior. Section: Gambling Passage: Barkley is known for his compulsive gambling. In an interview with ESPN's Trey Wingo, Barkley revealed that he lost approximately $10 million through gambling. In addition, he also admitted to losing $2.5 million "in a six-hour period" while playing blackjack. Although Barkley openly admits to his problem, he claims it is not serious since he can afford to support the habit. When approached by fellow TNT broadcaster Ernie Johnson about the issue, Barkley replied, "It's not a problem. If you're a drug addict or an alcoholic, those are problems. I gamble for too much money. As long as I can continue to do it I don't think it's a problem. Do I think it's a bad habit? Yes, I think it's a bad habit. Am I going to continue to do it? Yes, I'm going to continue to do it." Despite suffering big losses, Barkley also claims to have won on several occasions. During a trip to Las Vegas, he claims to have won $700,000 from playing blackjack and betting on the Indianapolis Colts to defeat the Chicago Bears in Super Bowl XLI. He went on to state, however, "No matter how much I win, it ain't a lot. It's only a lot when I lose. And you always lose. I think it's fun, I think it's exciting. I'm gonna continue to do it, but I have to get to a point where I don't try to break the casino 'cause you never can." In May 2008, the Wynn Las Vegas casino filed a civil complaint against Barkley, alleging that he had failed to pay a $400,000 debt stemming from October 2007. Barkley responded by taking blame for letting time lapse on the repayment of the debt and promptly paid the casino. After repaying his debt, Barkley stated during a pregame show on TNT, "I've got to stop gambling...I am not going to gamble anymore. For right now, the next year or two, I'm not going to gamble... Just because I can afford to lose money doesn't mean I should do it." Question: How did Barkley gamble? Answer: playing blackjack and betting on the Indianapolis Colts to defeat the Chicago Bears in Super Bowl XLI. Question: Did he gamble after the Super Bowl bet?
[ "It's only a lot when I lose. And you always lose. I think it's fun, I think it's exciting. I'm gonna continue to do it," ]
Title: April O'Neil Background: April O'Neil is a fictional character from the Teenage Mutant Ninja Turtles comics. She is the first human ally of the Turtles: Leonardo, Donatello, Raphael, and Michelangelo. April made her first appearance in the Mirage comic series in 1984 as a computer programmer. She was later portrayed as a strong-willed news reporter in the Turtles' first animated series, as a warrior in the Teenage Mutant Ninja Turtles Adventures comic produced by Archie Comics, and various other personas in different TMNT media. Section: Mirage Comics Passage: In the original Mirage Comics storyline for Teenage Mutant Ninja Turtles, April O'Neil was a skilled computer programmer and assistant to a famous yet nefarious scientist, Baxter Stockman. She helped program his MOUSER robots but, after discovering Baxter was using them to burrow into bank vaults, she fled his workshop. Robots chased her into the sewer where she was promptly saved by three of the Turtles. The Turtles later successfully fended off a MOUSER invasion. After leaving her job with Baxter, April decided to open an antique shop. The shop was subsequently destroyed in a battle between the Turtles and Shredder and the Foot Clan. April and the Turtles retreated to a farm house in Northampton, Massachusetts to recover and during this time she suffered recurrent nightmares about the Foot Clan's attack. During the mid-1990s, April became romantically involved with the violent vigilante Casey Jones, and the two of them eventually raised Shadow, the child of Casey's late wife Gabrielle, as their own. In Volume 2 of the TMNT comics, April was attacked by a huge robot controlled by the brain of her former boss, Baxter Stockman, and injected with nanobots. With the help of the Utroms, the Turtles injected April with turtle versions of nanobots to stop Baxter's plan. The intervention saved April before Baxter's nanobots could reach her brain stem and kill her. The attack rendered April sterile. To deal with the emotional strain she became a female version of "Nobody", a vigilante crime fighter, until her identity was discovered by Casey Jones. With the help of Renet, a time-traveler who took April back through time, it was revealed that April was really a living drawing brought to life with the help of Kirby's crystal. She was drawn by her father before his own biological daughter Robyn O'Neil was born. Although Kirby drew with pencil that would vanish after a while, April's father used a pen, which might explain why April lived past thirty without vanishing. Questions of realness and morality were too much for April; she bid farewell to Shadow and Casey and travelled to Alaska to be alone with her thoughts. Although the trip helped April cope with her demons and led to her eventual return to New York, her family history remained unexplored. The Mirage Studios version of April has dark brown/black hair (though early color reprints of Volume 1 depicted her hair color as red/light brown). Most subsequent incarnations of April are redheads. In the September 1985 re-printing of issue one, artist Ryan Brown depicts April as a katana-wielding ninja warrior in his back cover pin-up. Question: Who was Mirage Comics? Answer: In the original Mirage Comics storyline for Teenage Mutant Ninja Turtles, April O'Neil was a skilled computer programmer Question: Did Mirage Comics make any other comics?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: April O'Neil Background: April O'Neil is a fictional character from the Teenage Mutant Ninja Turtles comics. She is the first human ally of the Turtles: Leonardo, Donatello, Raphael, and Michelangelo. April made her first appearance in the Mirage comic series in 1984 as a computer programmer. She was later portrayed as a strong-willed news reporter in the Turtles' first animated series, as a warrior in the Teenage Mutant Ninja Turtles Adventures comic produced by Archie Comics, and various other personas in different TMNT media. Section: Teenage Mutant Ninja Turtles (2003 series) Passage: In the 2003 cartoon series, April, voiced by Veronica Taylor in English and Yuko Kato in Japanese, got a costume change and her hair color was altered to a dark magenta tone for the new incarnation of the animated series produced by 4Kids Entertainment. However, her role was similar to that of the Mirage Studios character: again, she served as an assistant to Baxter Stockman until his Mouser experiments got out of control, and after the Turtles saved her she became a faithful friend, ally, and "big sister" to them. April made much more use of her scientific expertise and she often used her computer skills to aid the Turtles. She developed a closer relationship to Donatello, who shared many of her interests. In Season 7 she sometimes helped Donatello to collect Splinter's data bits. April developed a modest knowledge of combat skills after training with Splinter. Her quick thinking was often instrumental to the Turtles' survival. April is romantically attracted to Casey Jones, though their contrasting personalities often make them bicker. By the third season, the two seemed to have quite a serious romantic relationship. In the series finale, "Wedding Bells and Bytes", she and Casey finally got married. The young adult April continues to learn how to defend herself against Foot ninjas and other monstrosities by undergoing basic ninja training from the Turtles. She is quite skilled in some useful firearms, and can easily go through a laser grid with no problem at all. In the seventh and final season, she dons a yellow-and-black jumpsuit and carries a tanto sword to further perfect her fighting skills. At one point, she became psionically linked with a female mermaid-like mutant who had telepathically shown her the hardships of her childhood and that the few of her kind were on the verge of extinction. In addition to her recently developed ninjutsu skills, April is incredibly intelligent, smart and resourceful in complex scientific fields; similar to her good friend Donatello. So much that she even had worked for the eccentric Baxter Stockman as his assistant. She was able to hack into the computers of Shredder's stronghold and even breach several codes. She was seen wielding a katana in the special episode "Turtles Forever". Question: What is O'Neil's role in Teenage Mutant Ninja Turtles? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: She was seen wielding a katana in the special episode "Turtles Forever". Question: Was the 2003 series animated?
[ "In the 2003 cartoon series, April, voiced by Veronica Taylor in English" ]
Title: Dreamgirls (film) Background: Dreamgirls is a 2006 American romantic musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name by composer Henry Krieger and lyricist/librettist Tom Eyen, Dreamgirls is a film a clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit, Michigan girl group known as the Dreams and their manipulative record executive. The film adaptation of Dreamgirls stars Jamie Foxx, Beyonce, Eddie Murphy, and Jennifer Hudson, and also features Danny Glover, Anika Noni Rose and Keith Robinson. Section: Music Passage: Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film. Question: What were some of the songs in the movie? Answer: Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." Question: What were some others? Answer: And I Am Telling You I'm Not Going" Question: What genre of music was in the movie? Answer: reflected then-modern R&B/pop sensibilities. Question: Who were the artists that performed the music? Answer: "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie Question: Were there any famous artists in the movie?
[ "\"Listen\", with additional music by Scott Cutler and Beyonce Knowles," ]
Title: Dreamgirls (film) Background: Dreamgirls is a 2006 American romantic musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name by composer Henry Krieger and lyricist/librettist Tom Eyen, Dreamgirls is a film a clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit, Michigan girl group known as the Dreams and their manipulative record executive. The film adaptation of Dreamgirls stars Jamie Foxx, Beyonce, Eddie Murphy, and Jennifer Hudson, and also features Danny Glover, Anika Noni Rose and Keith Robinson. Section: Premieres, road show engagements, and general releases Passage: Dreamgirls premiered on December 4, 2006 at the Ziegfeld Theatre in New York City, where it received a standing ovation. The film's Los Angeles premiere was held on December 11 at the Wilshire Theater in Beverly Hills. Similar to the releases of older Hollywood musicals such as The Sound of Music, My Fair Lady, and West Side Story, Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Tickets for the reserved seats were $25 each; the premium price included a forty-eight page full-color program and a limited-print lithograph. This release made Dreamgirls the first American feature film to have a roadshow release since Man of La Mancha in 1972. Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. The film's national release, at regular prices, began on December 25. Outside of the U.S., Dreamgirls opened in Australia on January 18, and in the United Kingdom on February 2. Releases in other countries began on various dates between January and early March. Dreamgirls eventually grossed $103 million in North America, and almost $155 million worldwide. DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007 in DVD, HD DVD, and Blu-ray formats. The DVD version was issued in two editions: a one-disc standard version and a two-disc "Showstopper Edition". The two-disc version also included a feature-length production documentary, production featurettes, screen tests, animatics, and other previsualization materials and artwork. Both DVD versions featured alternate and extended versions of the musical numbers from the film as extras, including the "Effie, Sing My Song" scene deleted during previews. Both the Blu-ray and HD DVD versions were issued in two-disc formats. Dreamgirls was the first DreamWorks film to be issued in a high definition home entertainment format. As of 2017, total domestic video sales to date are at $95.1 million. A "Director's Extended Edition" of Dreamgirls was released on Blu-Ray and Digital HD on October 10, 2017 by Paramount Home Media Distribution. This version, based on edits done for preview screenings before the film's release, runs ten minutes longer than the theatrical version and features longer musical numbers (including songs and verses cut during previews) and additional scenes. Question: When was the Premiere of Dreamgirls? Answer: Dreamgirls premiered on December 4, 2006 at Question: Where was the premiere? Answer: at the Ziegfeld Theatre in New York City, Question: When was the official release of the movie? Answer: The film's Los Angeles premiere was held on December 11 at Question: Was it successful when it premiered? Answer: Dreamgirls earned a total of $851,664 from the roadshow engagements, playing to sold-out houses on the weekends. Question: Where were the roadshow engagements? Answer: Dreamgirls debuted with three special ten-day roadshow engagements beginning on December 15, 2006 at the Ziegfeld Theatre in New York City, Question: Were these the only roadshow engagements? Answer: the Cinerama Dome in Los Angeles, and the AMC Metreon 15 in San Francisco. Question: How long was it in theaters?
[ "DreamWorks Home Entertainment released Dreamgirls to home video on May 1, 2007" ]
Title: Charles Barkley Background: Barkley was born and raised in Leeds, Alabama, ten miles (16 km) outside Birmingham, and attended Leeds High School. As a junior, Barkley stood 5 ft 10 in (1.78 m) and weighed 220 pounds (100 kg). He failed to make the varsity team and was named as a reserve. However, during the summer Barkley grew to 6 ft 4 in (1.93 m) and earned a starting position on the varsity as a senior. Section: Legacy Passage: During his 16-year NBA career, Barkley was regarded as one of the most controversial, outspoken and dominating players in the history of basketball. His impact on the sport went beyond his rebounding titles, assists, scoring and physical play. His confrontational mannerisms often led to technical fouls and fines on the court, and his larger than life persona sometimes gave rise to national controversy off of it, such as when he was featured in ads that rejected pro athletes as role models and declared, "I am not a role model." Although his words often led to controversy, according to Barkley his mouth was never the cause because it always spoke the truth. He stated, "I don't create controversies. They're there long before I open my mouth. I just bring them to your attention." Besides his on-court fights with other players, he has exhibited confrontational behavior off-court. He was arrested for breaking a man's nose during a fight after a game with the Milwaukee Bucks and also for throwing a man through a plate-glass window after being struck with a glass of ice. Barkley continues to be popular with the fans and media because of his sense of humor and honesty. As a player, Barkley was a perennial All-Star who earned league MVP honors in 1993. He employed a physical style of play that earned him the nicknames "Sir Charles" and "The Round Mound of Rebound". He was named to the All-NBA team eleven times and earned two gold medals as a member of the United States Olympic Basketball team. He led both teams in scoring and was instrumental in helping the 1992 "Dream Team" and 1996 Men's Basketball team compile a perfect 16-0 record. He retired as one of only four players in NBA history to record at least 20,000 points, 10,000 rebounds and 4,000 assists in their career, In recognition of his collegiate and NBA achievements, Barkley's number 34 jersey was officially retired by Auburn University on March 3, 2001. In the same month, the Philadelphia 76ers also officially retired Barkley's jersey. On March 20, 2004, the Phoenix Suns honored Barkley as well by retiring his jersey including him in the "Suns Ring of Honor". In recognition of his achievements as a player, Barkley was inducted into the Naismith Memorial Basketball Hall of Fame in 2006. Question: What kind of legacy does Charles Barkley have? Answer: During his 16-year NBA career, Question: What did he do to in his career to have a legacy? Answer: Barkley was regarded as one of the most controversial, outspoken and dominating players in the history of basketball. Question: What made him controversial? Answer: His confrontational mannerisms often led to technical fouls and fines on the court, and his larger than life persona Question: Did he have conflicts with his teammates due to this? Answer: CANNOTANSWER Question: What kind of controverseries did he bring to people's attention?
[ "Besides his on-court fights with other players, he has exhibited confrontational behavior off-court." ]
Title: A-Teens Background: A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album. Section: Teen Spirit (2001) Passage: The band's second album, entitled "Teen Spirit", featured a compilation of tracks that were not ABBA covers and when it was finally released on 26 February 2001, it debuted at number two in the Swedish Charts. This pop sensation hit reached the top ten in other countries and entered at number eighty-three on the World Charts, number thirteen on the European Albums Chart, number fourteen on CNN's WorldBeat Album Charts and peaked at number fifty in the United States selling over 60,000 copies in its first two weeks, ensuring Gold Status for sales exceeding the 500,000 copies in the United States alone. Prior to the release of the album, the A-Teens became one of the first bands to broadcast one of their shows on MSN's Websites. The UK releases were delayed due to A-Teens' failure with their previous album in that country. When "Upside Down" was released there in May 2001, it became their biggest hit in the country. The single peaked at number ten in the United Kingdom becoming their only top ten hit in that country. The album was delayed and released after the second single, "Halfway Around The World" in late October 2001. The single barely made the top thirty and the album did not chart in the top 75. Before they started their concert tour in the U.S. the band went to promote their album to Asia, with stops in Japan, Singapore, Malaysia where they did show for MTV Asia and Thailand, with great success, especially in the former where Coca-Cola signed the band to become the face of the brand there and promote, "We were the first international artists ever to appear on a soda can there. They printed 15 million of them; we went home with ten!" Remembers Sara, The cans were distributed around the country that year. Also in 2001, the A-Teens performed as top billing during the Radio Disney Live! 2001 World Tour in Chicago and Philadelphia markets. The group promoted their album with a forty-three-date tour with Aaron Carter around the U.S. Back in Europe, the band toured with No Angels in Germany. By the end of 2001, Teen Spirit went on to sell over 1 million copies worldwide and were invited by Walt Disney/Buena Vista to record the European soundtrack for the movie "The Princess Diaries". As the movie had already been released in North and South America, the movie was set to be released in Europe in the winter 2001. "Heartbreak Lullaby" a song written by Cathy Dennis (famous for writing Kylie Minogue's number one hit, "Can't Get You Out of My Head") and Kasmanaut, the video was shot in Germany in late October, in the middle of their tour. The single was released in December 2001 and it became another top ten hit for the band in their home country spending four months inside the charts. Question: What was Teen Spirit? Answer: The band's second album, entitled "Teen Spirit", Question: When was the album released? Answer: it was finally released on 26 February 2001, Question: Was the album a hit? Answer: it debuted at number two in the Swedish Charts. Question: was it a hit in other parts of the world? Answer: This pop sensation hit reached the top ten in other countries Question: Could you tell me if there is any interesting information on the article please?
[ "Before they started their concert tour in the U.S. the band went to promote their album to Asia," ]
Title: A-Teens Background: A-Teens (stylized as A*Teens) were a Swedish pop music group from Stockholm, Sweden, formed by Niklas Berg in 1998 as an ABBA tribute band called ABBA Teens and later renamed A-Teens. The band members were Marie Serneholt, Amit Sebastian Paul, Dhani Lennevald and Sara Lumholdt. The band's debut album became a success around the world and in 2001 it was reported that the band had sold 6 million albums worldwide. After six years together, the band announced they would take a break in 2004 after the release of their Greatest Hits album. Section: The ABBA Generation (1999) Passage: In 1998, Marie, Sara, Dhani, and Amit were musically united as the ABBA Teens. However, the group's name was changed to the A-Teens to avoid litigation. This choice allowed the band more freedom in creating their own style of music. In early 1999, the band started the recording process of what would be their debut album, The ABBA Generation, consisting purely of ABBA covers reinterpreted with a modern pop and electronic flair to appeal to a new generation of young pop fans. Their first single, "Mamma Mia", topped the charts in over ten countries including their home country Sweden where it stayed at number one for eight consecutive weeks. The album hit the peak position in Sweden & Chile and became a top ten hit throughout the world. Further singles enjoyed similar success ensuring top ten placings across the globe, and the album overall sold more than 3 million copies worldwide, being certified Gold or Platinum in over 22 different countries. The band's music video for "Dancing Queen" features a plot very similar to the 1985 John Hughes film The Breakfast Club. In addition, the principal seen in the music video was played by Paul Gleason, the same actor who was the principal in the film. The single reached ninety-five on the Billboard Hot 100 and sold over 500,000 copies in the U.S. alone, being certified Gold. In early 2000, the band embarked on a U.S. promotional tour, and on the verge of the release of their album in the United States, the band was invited to tour with Britney Spears that summer in her U.S. Tour. They also made several appearances on Disney and Nickelodeon to promote their music. The band's debut became a hit in North America, where the album reached seventy-one on the Billboard 200 Albums Chart being certified Gold in September 2000, but its sales reached the million mark in 2001. That month, the A-Teens won a Viva Music Award for Best International Newcomer, competing with the likes of Christina Aguilera and Blink-182, and also the band announced what would be the lead single from their second album and their first to be an original song, "Upside Down", which would also become their signature song. The song was released to Swedish radios on 23 October 2000, and was later unleashed worldwide. When the single was commercially released, it reached number two in Sweden and was later certified 2x Platinum. The song became the band's biggest hit when it reached the top ten in several countries and when the single was released in the United States. The physical single reached number six on the Billboard Hot 100 Single Sales Chart, selling over 500,000 copies in three weeks and being certified Gold. In January 2001, the band was nominated for "Best Swedish Group" at the NRJ Awards. Question: What is The Abba Generation? Answer: In early 1999, the band started the recording process of what would be their debut album, The ABBA Generation, Question: what music was on The ABBA Generation? Answer: consisting purely of ABBA covers reinterpreted with a modern pop and electronic flair to appeal to a new generation of young pop fans. Question: When was The ABBA Generation released? Answer: CANNOTANSWER Question: Who worked with the A-Teens to produce The Abba Generation? Answer: CANNOTANSWER Question: Was The Abba Generation successful? Answer: Their first single, "Mamma Mia", topped the charts in over ten countries including their home country Sweden where it stayed at number one for eight consecutive weeks. Question: What did they do after the album was released? Answer: In early 2000, the band embarked on a U.S. promotional tour, and on the verge of the release of their album in the United States, Question: Did the band travel out of the US?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Rex Harrison Background: Sir Reginald Carey "Rex" Harrison (5 March 1908 - 2 June 1990) was an English actor of stage and screen. Harrison began his career on the stage in 1924. He served in the Royal Air Force during World War II, reaching the rank of flight lieutenant. He won his first Tony Award for his performance as Henry VIII in the play Anne of the Thousand Days in 1949. Section: Youth and stage career Passage: Harrison was born at Derry House in Huyton, Lancashire, the son of Edith Mary (nee Carey) and William Reginald Harrison, a cotton broker. He was educated at Liverpool College. After a bout of childhood measles, Harrison lost most of the sight in his left eye, which on one occasion caused some on-stage difficulty. He first appeared on the stage in 1924 in Liverpool. Harrison's acting career was interrupted during World War II while serving in the Royal Air Force, reaching the rank of Flight Lieutenant. He acted in various stage productions until 11 May 1990. He acted in the West End of London when he was young, appearing in the Terence Rattigan play French Without Tears, which proved to be his breakthrough role. He alternated appearances in London and New York in such plays as Bell, Book and Candle (1950), Venus Observed, The Cocktail Party, The Kingfisher and The Love of Four Colonels, which he also directed. He won his first Tony Award for his appearance at the Shubert Theatre as Henry VIII in Maxwell Anderson's play Anne of the Thousand Days and international superstardom (and a second Tony) for his portrayal of Henry Higgins in the musical My Fair Lady, where he appeared opposite Julie Andrews. Later appearances included Pirandello's Henry IV, a 1984 appearance at the Haymarket Theatre with Claudette Colbert in Frederick Lonsdale's Aren't We All?, and one on Broadway at the Brooks Atkinson Theatre presented by Douglas Urbanski, at the Haymarket in J. M. Barrie's The Admirable Crichton with Edward Fox. He returned as Henry Higgins in the revival of My Fair Lady directed by Patrick Garland in 1981, cementing his association with the plays of George Bernard Shaw, which included a Tony nominated performance as Shotover in Heartbreak House, Julius Caesar in Caesar and Cleopatra, and General Burgoyne in a Los Angeles production of The Devil's Disciple. Question: where did he grow up Answer: Harrison was born at Derry House in Huyton, Lancashire, Question: what year was he born Answer: CANNOTANSWER Question: when did his stage career start Answer: He first appeared on the stage in 1924 Question: what was his first performance Answer: He acted in the West End of London Question: was it well recieved Answer: appearing in the Terence Rattigan play French Without Tears, which proved to be his breakthrough role. Question: what was he most well known for early on Answer: He won his first Tony Award for his appearance at the Shubert Theatre as Henry VIII Question: what did the critics have to say about any of his work
[ "Tony nominated performance as Shotover in Heartbreak House," ]
Title: Rex Harrison Background: Sir Reginald Carey "Rex" Harrison (5 March 1908 - 2 June 1990) was an English actor of stage and screen. Harrison began his career on the stage in 1924. He served in the Royal Air Force during World War II, reaching the rank of flight lieutenant. He won his first Tony Award for his performance as Henry VIII in the play Anne of the Thousand Days in 1949. Section: In film Passage: Harrison's film debut was in The Great Game (1930), other notable early films include The Citadel (1938), Night Train to Munich (1940), Major Barbara (1941), Blithe Spirit (1945), Anna and the King of Siam (1946), The Ghost and Mrs. Muir (1947), and The Foxes of Harrow (1947). He was best known for his portrayal of Professor Henry Higgins in the 1964 film version of My Fair Lady, based on the eponymous Broadway production (which in turn was based on George Bernard Shaw's play Pygmalion), for which Harrison won a Best Actor Oscar. He also starred in 1967's Doctor Dolittle. At the height of his box office clout after the success of My Fair Lady, Harrison proved a domineering and demanding force during production, demanding auditions for prospective composers after musical playwright Leslie Bricusse was contracted and demanding to have his singing recorded live during shooting, only to agree to have it rerecorded in post-production. He also disrupted production with incidents with his wife, Rachel Roberts and deliberate misbehaviour, such as when he deliberately moved his yacht in front of cameras during shooting in St. Lucia and refused to move it out of sight due to contract disputes. Harrison was at one point temporarily replaced by Christopher Plummer, until he agreed to be more cooperative. He starred in the 1968 comedy The Honey Pot, a modern adaptation of Ben Jonson's play Volpone. Two of his co-stars, Maggie Smith and Cliff Robertson, were to become lifelong friends. Both spoke at his New York City memorial at the Little Church Around the Corner when Harrison died in 1990. Harrison was not by any objective standards a singer (his talking on pitch style he used in My Fair Lady would be adopted by many other classically trained actors with limited vocal ranges); the music was usually written to allow for long periods of recitative, or "speaking to the music". Nevertheless, "Talk to the Animals", which Harrison performed in Doctor Dolittle, won the Academy Award for Best Original Song in 1967. Despite excelling in comedy (Noel Coward described him as "The best light comedy actor in the world--except for me."), he attracted favourable notices in dramatic roles such as his portrayal of Julius Caesar in Cleopatra (1963) and as Pope Julius II in The Agony and the Ecstasy (1965), opposite Charlton Heston as Michelangelo. He also acted in a Hindi film Shalimar alongside Indian Bollywood star Dharmendra as well as appearing as an ageing homosexual man opposite Richard Burton as his lover in Staircase (1969). Question: What was the first film that he starred in? Answer: Harrison's film debut was in The Great Game Question: Was is considered to be a success? Answer: ). He was best known for his portrayal of Professor Henry Higgins in the 1964 film version of My Fair Lady, Question: Did he act in any other films?
[ "He also starred in 1967's Doctor Dolittle." ]
Title: National Inventors Hall of Fame Background: The National Inventors Hall of Fame (NIHF) is an American not-for-profit organization which recognizes individual engineers and inventors who hold a U.S. patent of highly significant technology. Founded in 1973, its primary mission is to "honor the people responsible for the great technological advances that make human, social and economic progress possible." Besides the Hall of Fame, it also operates a museum in Alexandria, Virginia, and a middle school in Akron, Ohio, and sponsors educational programs, a collegiate competition, and special projects all over the United States to encourage creativity among students. As of 2018, 562 inventors have been inducted, mostly constituting historic persons from the past three centuries, but including about 100 living inductees. Section: Activities Passage: In Alexandria, the National Inventors Hall of Fame operates a museum in the U.S. Patent and Trademark Office building at 600 Dulany Street, with a gallery of digital portraits of the honorees, interactive kiosks and a theater. Admission is free. In addition to the exhibits of the artifacts and documents from the collections of the Patent and Trademark Office, it also promotes future generations of inventors by sponsoring the Invent Now Kids program, Camp Invention, Club Invention and the Collegiate Inventors Competition as well as, with national partners, many ventures and special projects. Camp Invention, founded in 1990, is a daytime summer camp for children, with program sites in 49 states. Camp Invention is the only nationally recognized summer program focused on creativity, innovation, real-world problem solving and the spirit of the invention. The Collegiate Inventors Competition was created in 1990 to encourage college and university students to be creative and innovative with science, engineering and technology for dealing with the problems of the world. Since then, with the help from the sponsors, it has awarded more than $1 million to the winning students in two categories, undergraduate and graduate. In 2012, the first places were won with a delivery therapy for treating cancer and a way to facilitate suturing in abdominal surgery. Other finalists included the use of CT scanning and 3-D printing technology to replicate an amputee's lost hand, a low-profile shoulder brace that can be applied by the athletes themselves, and an electric motorcycle that runs on spheres instead of wheels. Question: what types of activities took place? Answer: it also promotes future generations of inventors by sponsoring the Invent Now Kids program, Camp Invention, Question: what types of actives do these programs bring to kids? Answer: Camp Invention, founded in 1990, is a daytime summer camp for children, with program sites in 49 states. Question: what types of science projects are the kids doing in camp?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Robert F. Kennedy Background: Robert Francis Kennedy was born on November 20, 1925, in Brookline, Massachusetts, the seventh child of businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His older brothers were Joseph P. Kennedy Jr. and John F. "Jack" Kennedy, who was elected the 35th President of the United States in 1960. His younger brother was longtime United States Senator Edward M. "Ted" Kennedy. All four of his grandparents were children of Irish immigrants. Section: Relationship with parents Passage: In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their freshman year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and like her, he became a devout Catholic and throughout his lifetime he practiced his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." Question: what was his relationship like with his father? Answer: his father dubbed him the "runt" of the family and wrote him off. Question: What year did Kennedy move his wife and Daughter to Georgetown? Answer: CANNOTANSWER Question: Did he ever work for his father?
[ "Joe Sr. was satisfied with Kennedy as an adult, believing him to have become \"hard as nails\", more like him than any of the other children," ]
Title: Robert F. Kennedy Background: Robert Francis Kennedy was born on November 20, 1925, in Brookline, Massachusetts, the seventh child of businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His older brothers were Joseph P. Kennedy Jr. and John F. "Jack" Kennedy, who was elected the 35th President of the United States in 1960. His younger brother was longtime United States Senator Edward M. "Ted" Kennedy. All four of his grandparents were children of Irish immigrants. Section: JFK Senate campaign and Joseph McCarthy (1952-1955) Passage: In November 1951, Kennedy moved with his wife and daughter to a townhouse in Georgetown in Washington, D.C., and started work as a lawyer in the Internal Security Section of the Criminal Division of the U.S. Department of Justice; the section was charged with investigating suspected Soviet agents. In February 1952, he was transferred to the Eastern District of New York in Brooklyn to prosecute fraud cases. On June 6, 1952, Kennedy resigned to manage his brother John's successful 1952 U.S. Senate campaign in Massachusetts. JFK's victory was of great importance to the Kennedy family, elevating him to national prominence, and turning him into a serious potential presidential candidate. But his brother's victory was equally important to Robert, who felt he had succeeded in eliminating his father's negative perceptions of him. In December 1952, at the behest of his father, Kennedy was appointed by family friend Republican Senator Joseph McCarthy as assistant counsel of the U.S. Senate Permanent Subcommittee on Investigations, However, Kennedy disapproved of the senator's aggressive methods of garnering intelligence on suspected communists. This was a highly visible job for him. He resigned in July 1953, but "retained a fondness for McCarthy". The period of July 1953 to January 1954 saw him at "a professional and personal nadir", feeling that he was adrift while trying to prove himself to the rest of the Kennedy family. After a period as an assistant to his father on the Hoover Commission, Kennedy rejoined the Senate committee staff as chief counsel for the Democratic minority in February 1954. That month, McCarthy's chief counsel Roy Cohn subpoenaed Annie Lee Moss, accusing her of membership in the Communist Party. Kennedy revealed that Cohn had called the wrong Annie Lee Moss and he requested the file on Moss from the FBI. FBI director J. Edgar Hoover had been forewarned by Cohn and denied him access, referring to RFK as "an arrogant whipper-snapper". When the Democrats gained the majority in the Senate in January 1955, Kennedy became chief counsel and was a background figure in the televised Army-McCarthy Hearings of 1954 into McCarthy's conduct. The Annie Lee Moss incident turned Cohn into an enemy, which led to Kennedy assisting Democratic senators in ridiculing Cohn during the hearings. The animosity grew to the point where Cohn had to be restrained after asking RFK if he wanted to fight him. For his work on the McCarthy committee, Kennedy was included in a list of Ten Outstanding Young Men of 1954, created by the U.S. Junior Chamber of Commerce. His father had arranged the nomination, his first national award. In 1955, Kennedy was admitted to practice before the United States Supreme Court. Question: Who did he run against in the senate? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: The period of July 1953 to January 1954 saw him at "a professional and personal nadir", Question: what type of lawyer was he?
[ "was charged with investigating suspected Soviet agents." ]
Title: Brian Wilson Background: Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. After signing with Capitol Records in 1962, Wilson wrote or co-wrote more than two dozen Top 40 hits for the group. In addition to his lifelong struggles with mental illness, Wilson is known for his unorthodox approaches to pop composition and mastery of recording techniques, and he is widely acknowledged as one of the most innovative and significant songwriters of the late 20th century. The Beach Boys were formed by Brian, his brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine. Section: Success and record producing Passage: Recording sessions for the band's first album took place in Capitol's basement studios in the famous tower building in August 1962, but early on Brian lobbied for a different place to cut Beach Boy tracks. The large rooms were built to record the big orchestras and ensembles of the 1950s, not small rock groups. At Brian's insistence, Capitol agreed to let the Beach Boys pay for their own outside recording sessions, to which Capitol would own all the rights, and in return the band would receive a higher royalty rate on their record sales. Additionally, during the taping of their first LP Brian fought for, and won, the right to be in charge of the production - though this fact was not acknowledged with an album liner notes production credit. In January 1963, the Beach Boys recorded their first top-ten (cresting at number three in the United States) single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts at Hollywood's United Western Recorders on Sunset Boulevard. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The Surfin' U.S.A. album was also a big hit in the United States, reaching number two on the national sales charts by early July 1963. The Beach Boys had become a top-rank recording and touring band. Brian was for the first time officially credited as the Beach Boys' producer on the Surfer Girl album, recorded in June and July 1963 and released that September. This LP reached number seven on the national charts, containing singles that were top 15 hits. Feeling that surfing songs had become limiting, Brian decided to produce a set of largely car-oriented tunes for the Beach Boys' fourth album, Little Deuce Coupe, which was released in October 1963, only three weeks after the Surfer Girl LP. The departure of guitarist David Marks from the band that month meant that Brian was forced to resume touring with the Beach Boys, for a time reducing his availability in the recording studio. For much of the decade, Brian attempted to establish himself as a record producer by working with various artists. On July 20, 1963, "Surf City", which he co-wrote with Jan Berry of Jan and Dean, was his first composition to reach the top of the US charts. The resulting success pleased Brian, but angered both Murry and Capitol Records. Murry went so far as to order his oldest son to sever any future collaborations with Jan and Dean. Brian's other non-Beach Boy work in this period included tracks by the Castells, Donna Loren, Sharon Marie, the Timers, and the Survivors. The most notable group to which Wilson would attach himself in this era would be the Honeys, which Wilson intended as the female counterpart to the Beach Boys, and as an attempt to compete with Phil Spector-led girl groups such as the Crystals and the Ronettes. He continued juggling between recording with the Beach Boys and producing records for other artists, but with less success at the latter--except for Jan and Dean. Question: When did Wilson begin producing records? Answer: Brian attempted to establish himself as a record producer by working with various artists. On July 20, 1963, Question: What artists did he work with? Answer: Brian's other non-Beach Boy work in this period included tracks by the Castells, Donna Loren, Sharon Marie, the Timers, and the Survivors. Question: Did he work with anyone else? Answer: Phil Spector-led girl groups such as the Crystals and the Ronettes. Question: Did he have other successes?
[ "The Surfin' U.S.A. album was also a big hit in the United States, reaching number two on the national sales charts by early July 1963." ]
Title: James Traficant Background: James Anthony Traficant Jr. (May 8, 1941 - September 27, 2014) was a Democratic, and later independent, politician and member of the United States House of Representatives from Ohio. He represented the 17th Congressional District, which centered on his hometown of Youngstown and included parts of three counties in northeast Ohio's Mahoning Valley. He was expelled from the House after being convicted of taking bribes, filing false tax returns, racketeering and forcing his aides to perform chores at his farm in Ohio and houseboat in Washington, D.C. Section: U.S. House of Representatives Passage: In the House, Traficant was known for his flamboyant and eccentric style. He often dressed poorly, with narrow neckties (then out of style), wide-lapel sport-coats and an occasional denim suit. He also sported an unkempt pompadour, which he jokingly claimed he cut with a weed whacker (it was revealed, after his conviction, that he wore a toupee). His trademark closing lines while addressing the House were "Beam me up..." and "I yield back the fact..." His website featured a picture of him swinging a two-by-four with the words "Bangin' away in D.C." While in Congress, Traficant was a supporter of immigration reduction, and a strong opponent of illegal immigration. In the controversy surrounding the defeat of Congressman Bob Dornan (R-CA) by Democrat Loretta Sanchez, Traficant was the only Democratic member of Congress who advocated a new election, due to Dornan's allegations of voting in that race by undocumented immigrants (the allegations went unproven, and a new election was not held). Traficant's major legislative accomplishment in the House was the adoption of some of his proposals to constrain enforcement activities by the Internal Revenue Service against delinquent taxpayers. After the Republicans took control of the House in 1995, Traficant tended to vote more often with the Republicans than with his own party. On the issue of abortion, Traficant voted with the position of the National Right to Life Committee 95% of the time in the 105th Congress, and 100% of the time in the 106th and 107th Congresses. However, he voted against all four articles of impeachment against Bill Clinton. After he voted for Republican Dennis Hastert for Speaker of the House in 2001, the Democrats stripped him of his seniority and refused to give him any committee assignments. Because the Republicans did not assign him to any committees either, Traficant became the first member of the House of Representatives in over a century--outside the top leadership--to lack a single committee assignment. Question: What was james role in the house of respresentatives. Answer: Congress, Question: What else did James do?
[ "After the Republicans took control of the House in 1995, Traficant tended to vote more often with the Republicans" ]
Title: James Traficant Background: James Anthony Traficant Jr. (May 8, 1941 - September 27, 2014) was a Democratic, and later independent, politician and member of the United States House of Representatives from Ohio. He represented the 17th Congressional District, which centered on his hometown of Youngstown and included parts of three counties in northeast Ohio's Mahoning Valley. He was expelled from the House after being convicted of taking bribes, filing false tax returns, racketeering and forcing his aides to perform chores at his farm in Ohio and houseboat in Washington, D.C. Section: Early life, education, and career Passage: Born into a working-class Catholic family in Youngstown, Ohio, Traficant was the son of Agnes (nee Farkas) and James Anthony Traficant Sr. He was of mostly Italian and Slovak ancestry. Traficant graduated from Cardinal Mooney High School in 1959 and the University of Pittsburgh in 1963. He played quarterback for Pitt's football team, and his teammates included Mike Ditka. Traficant was drafted in the NFL's twentieth round (276th overall) by the Pittsburgh Steelers in 1963, and tried out for the Steelers and the Oakland Raiders of the American Football League, but did not play professionally. He later obtained a master's degree from the University of Pittsburgh (1973) and another from Youngstown State University (1976). At the start of his career, Traficant worked as consumer finance director for the Youngstown Community Action Program. He taught courses on drug and alcohol dependency and recovery at Youngstown State University and Kent State University, as well as lecturing on drug and alcohol abuse for colleges and government agencies outside Ohio. In addition, Traficant taught at the Ohio Peace Officer Training Academy. He was the executive director of the Mahoning County Drug Program from 1971 to 1981, and Sheriff of Mahoning County from 1981 to 1985. While serving as sheriff, Traficant made national headlines by refusing to execute foreclosure orders on several unemployed homeowners, many of whom had been left out of work by the recent closures of steel mills. This endeared him to the local population, which was dealing with a declining economy following the closures and relocations of steel making and steel-associated businesses. In 1983, he was charged with racketeering for accepting bribes. Traficant, who represented himself in the criminal trial, argued that he accepted the bribes only as part of his own alleged secret undercover investigation into corruption. Traficant was acquitted of the charges, becoming the only person ever to win a Racketeer Influenced and Corrupt Organizations Act (RICO) case while representing himself. Publicity from the RICO trial increased Traficant's local visibility. He was elected as a Democrat to Congress from Ohio's 17th District, defeating Lyle Williams, a three-term Republican incumbent. He was reelected eight times without serious opposition. Question: Did he have any siblings? Answer: CANNOTANSWER Question: Where did he go to school? Answer: Traficant graduated from Cardinal Mooney High School in 1959 and the University of Pittsburgh in 1963. Question: what did he do after he graduated? Answer: He played quarterback for Pitt's football team, Question: How long did he play football? Answer: and tried out for the Steelers and the Oakland Raiders of the American Football League, but did not play professionally. He later obtained a master's degree Question: Did he do any other interesting work after that?
[ "He taught courses on drug and alcohol dependency and recovery at Youngstown State University and Kent State University," ]
Title: Mel Blanc Background: Blanc was born in San Francisco, California to Russian-Jewish parents Frederick and Eva Blank, the younger of two children. He grew up in the neighborhood of Western Addition in San Francisco, and later in Portland, Oregon, where he attended Lincoln High School. Growing up, he had a fondness for voices and dialect which he began voicing at the age of 10. He claimed that he changed the spelling of his name when he was 16, from "Blank" to "Blanc", because a teacher told him that he would amount to nothing and be like his name, a "blank". Section: Later career Passage: In the 1970s, Blanc gave a series of college lectures across the US and appeared in commercials for American Express. He also collaborated on a special with the Boston-based Shriners Burns Institute called Ounce of Prevention, which became a 30-minute TV special. Throughout the 1980s, Blanc performed his Looney Tunes characters for bridging sequences in various compilation films of Golden-Age-era Warner Bros. cartoons, such as The Looney Looney Looney Bugs Bunny Movie, Bugs Bunny's 3rd Movie: 1001 Rabbit Tales, Daffy Duck's Fantastic Island, and Daffy Duck's Quackbusters. His final performance of his "Looney Tunes" roles was in Bugs Bunny's Wild World of Sports (1989). After spending most of two seasons voicing the diminutive robot Twiki in Buck Rogers in the 25th Century, Blanc's last original character was Heathcliff, in the early 1980s. In the 1983 live-action film Strange Brew, Blanc voiced the father of Bob and Doug MacKenzie, at the request of comedian Rick Moranis. In the 1988 live-action/animated movie Who Framed Roger Rabbit, Blanc reprised several of his classic "Looney Tunes" roles (Bugs, Daffy, Porky, Tweety, and Sylvester), but left Yosemite Sam to Joe Alaskey (who later became one of Blanc's regular replacements until his death in 2016). As Disney produced the film, the company had to obtain permission from Warner Bros. and other studios in order to feature the non-Disney characters in the movie. The film was also one of very few Disney projects Blanc was involved in. Blanc died just a year after the film's release. His final recording session was for Jetsons: The Movie (1990). Question: Did Mel continue in comedy later in his career ? Answer: Throughout the 1980s, Blanc performed his Looney Tunes characters for bridging sequences in various compilation films of Golden-Age-era Warner Bros. cartoons, Question: What were some of the cartoons ? Answer: such as The Looney Looney Looney Bugs Bunny Movie, Bugs Bunny's 3rd Movie: Question: Did he work in radio ? Answer: CANNOTANSWER Question: What year did his career end ?
[ "his death in 2016" ]
Title: Mel Blanc Background: Blanc was born in San Francisco, California to Russian-Jewish parents Frederick and Eva Blank, the younger of two children. He grew up in the neighborhood of Western Addition in San Francisco, and later in Portland, Oregon, where he attended Lincoln High School. Growing up, he had a fondness for voices and dialect which he began voicing at the age of 10. He claimed that he changed the spelling of his name when he was 16, from "Blank" to "Blanc", because a teacher told him that he would amount to nothing and be like his name, a "blank". Section: Radio work Passage: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm. With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show. Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death. By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie. Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". Question: What did he do on the radio? Answer: KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. Question: Did he get any awards for his work in radio? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, Question: Did he have his own radio show? Answer: produce and co-host his Cobweb and Nuts show with his wife Estelle, Question: What did they talk about on the show?
[ "Cobweb and Nuts" ]
Title: Art Bell Background: Art Bell III was born in Jacksonville, North Carolina, to Arthur Bell, Jr., a United States Marine Corps captain, and Jane Gumaer Bell, a Marine drill instructor. Arthur Bell, Jr. died in 2000, and Jane Bell died December 23, 2008. Bell has always been interested in radio, and at the age of 13 became a licensed amateur radio operator. Bell now holds an Amateur Extra Class license, which is in the top U.S. Federal Communications Commission license class. Section: Broadcasting career Passage: During the early 1970s, Bell lived in Watsonville, California and worked for KIDD 630 AM in Monterey, California. He also worked for KMST channel 46. First a rock music disc jockey before moving into talk radio, Bell's original 1978 late-night Las Vegas program on KDWN was a political call-in show under the name West Coast AM. In 1988, Bell and Alan Corberth renamed the show Coast to Coast AM and moved its broadcast from the Plaza Hotel in Las Vegas to Bell's home in Pahrump. Bell abandoned conventional political talk in favor of topics such as gun control and conspiracy theories, leading to a significant bump in his overnight ratings. The show's focus again shifted significantly after the Oklahoma City bombing in 1995. Many in the media did not want to be blamed for inciting anti-government or militia actions like the bombing. Subsequently, Bell discussed off-beat topics like the paranormal, the occult, UFOs, protoscience and pseudoscience. During his tenure at KDWN Bell met and married his third wife, Ramona, who later handled production and management duties for the program. According to The Washington Post in its February 23, 1997 edition, Bell was at the time America's highest-rated late-night radio talk show host, broadcast on 328 stations. According to The Oregonian in its June 22, 1997 edition, Coast to Coast AM with Art Bell was on 460 stations. At its initial peak in popularity, Coast to Coast AM was syndicated on more than 500 radio stations and claimed 15 million listeners nightly. Bell's studios were located in his home in the town of Pahrump, located in Nye County, Nevada; hence the voice-over catchphrase, "from the Kingdom of Nye". Question: How did Bell get started in broadcasting? Answer: During the early 1970s, Bell lived in Watsonville, California and worked for KIDD 630 AM in Monterey, California. Question: Did he do any other shows or programs after that one?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Art Bell Background: Art Bell III was born in Jacksonville, North Carolina, to Arthur Bell, Jr., a United States Marine Corps captain, and Jane Gumaer Bell, a Marine drill instructor. Arthur Bell, Jr. died in 2000, and Jane Bell died December 23, 2008. Bell has always been interested in radio, and at the age of 13 became a licensed amateur radio operator. Bell now holds an Amateur Extra Class license, which is in the top U.S. Federal Communications Commission license class. Section: Critical reputation Passage: Fans regard Bell as a master showman, noting that he calls his show "absolute entertainment" and expressly says he does not necessarily accept every guest or caller's claims but only offers a forum where they will not be openly ridiculed. Bell was one of only a few talk show hosts who did not screen incoming calls, but this changed in 2006. On the October 31, 2006 edition of Coast to Coast AM, (renamed for the night to Ghost to Ghost AM), Bell was asked why he was now using call screeners. The explanation given was that for him to use unscreened open phone lines while in the Philippines would require listeners to call there directly at enormous cost to them. Art admitted that he should have chosen New Zealand instead of the Philippines as an alternative to the USA. He said, "It was a bad choice, and I'll regret it, one day, in the near future." He subsequently stopped screening calls upon his return to the United States. His calm attitude, patient questions, and ability to tease substance from nebulous statements of callers and guests gave his show a relaxed yet serious atmosphere. This earned him praise from those who declare that the paranormal deserves a mature outlet of discussion in the media as well as the approval of those simply amused by the nightly parade of bizarre, typically fringe topics. Ed Dames, Richard C. Hoagland, Terence McKenna, Dannion Brinkley, David John Oates, and Robert Bigelow have all been regular guests. Some of Bell's regular guests, particularly Hoagland, continue to be regular guests on Coast to Coast AM now hosted by George Noory. Bell's own interests, however, extend beyond the paranormal. He has interviewed singers Crystal Gayle, Willie Nelson, Merle Haggard, Eric Burdon and Gordon Lightfoot, comedian George Carlin, writer Dean Koontz, hard science fiction writer Greg Bear, X-Files writer/creator Chris Carter, TV talk host Regis Philbin, Star Trek actor Leonard Nimoy, actor Dan Aykroyd, former Luftwaffe pilot Bruno Stolle, actress Jane Seymour, actress Ellen Muth, actor and TV host Robert Stack, human rights lawyer John Loftus, legendary disc jockey Casey Kasem, and frequent guests physicist Michio Kaku and SETI astronomers Seth Shostak and H. Paul Shuch. Beginning in late 1996, Bell was criticized for reporting rumors that Comet Hale-Bopp was being trailed by a UFO. It was speculated that members of the Heaven's Gate group committed mass suicide based on rumors Bell aired, but others dismissed the idea, noting that the Heaven's Gate website stated: "Whether Hale-Bopp has a 'companion' or not is irrelevant from our perspective." Susan Wright reported, however, that Bell was also "one of the first to publicize expert opinions refuting the 'alien' companion" said to have been shadowing Hale-Bopp, such as that published in 1998 from the Jet Propulsion Laboratory suggesting that "the satellite's main diameter is ~30 km," and accordingly natural rather than artificial. Question: What did critics think of Bell's show? Answer: Beginning in late 1996, Bell was criticized for reporting rumors that Comet Hale-Bopp was being trailed by a UFO. Question: Was this before the famous suicide of cult members? Answer: It was speculated that members of the Heaven's Gate group committed mass suicide based on rumors Bell aired, Question: Has he been criticized for anything else?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Cute (Japanese idol group) Background: Cute, stylized as -ute (kiyuto, Kyuto), was a Japanese idol girl group part of Hello! Project collective produced by Tsunku, who also writes almost all the group's songs. Cute consisted of Maimi Yajima, Saki Nakajima, Airi Suzuki, Chisato Okai, and Mai Hagiwara, who were all members of Hello! Project Kids prior to the group's formation. Section: 2007-2008: Major-label debut, 58th Kohaku Uta Gassen & the Japan Record Awards Passage: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10. On December 30, 2007, Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night, so Tsunku accepted the award for them. The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. They performed a number together with Morning Musume and Berryz Kobo. At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", which was chosen as one of the best works of the year. Losing to the boyband Exile, that year they had to be content with a Gold Award, which is given to all main prize nominees. The prizewinning song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and said, "I want the girls to sing it as a modern fairytale." So Itsuki let him use the song. For Cute, it was rearranged from enka into boogie and the lyrics were slightly modified. In what was called a collaboration by Tsunku and a rivalry between two performers by Sankei Sports, they both released the song as CD singles, Cute on July 30 and Itsuki as his 132nd single later in the year. Question: Which label did Cute work with in 2007-08? Answer: On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. Question: What is the 58th Kohaky Uta Gassen? Answer: The year ended with the group's debut at the 58th NHK Kohaku Uta Gassen, an annual music show broadcast on December 31. Question: What specific songs did they perform?
[ "Cute received the Japan Record Award for Best New Artist. The girls were too young to appear on stage at the awards ceremony, broadcast live late at night," ]
Title: Cute (Japanese idol group) Background: Cute, stylized as -ute (kiyuto, Kyuto), was a Japanese idol girl group part of Hello! Project collective produced by Tsunku, who also writes almost all the group's songs. Cute consisted of Maimi Yajima, Saki Nakajima, Airi Suzuki, Chisato Okai, and Mai Hagiwara, who were all members of Hello! Project Kids prior to the group's formation. Section: 2013-2014: Paris and Live at Budokan Passage: On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ute." On March 5, it was announced that -ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "-ute no Hi". On July 16, ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ute released their 26th single I miss you / THE FUTURE. On November 20, ute performed alongside other artists at Tower Records' 35th anniversary event Question: What happened in 2013? Answer: On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. Question: Where else did they perform? Answer: In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. Question: What happened with this song?
[ "Both \"Kokoro no Sakebi wo Uta ni Shitemita\" and \"Love take it all\" were used for their collaboration \"Your Reebok x ute.\"" ]
Title: Camille Saint-Saëns Background: Charles-Camille Saint-Saens (French: [SaRl kamij sesas]; 9 October 1835 - 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saens was a musical prodigy, making his concert debut at the age of ten. Section: Early career Passage: On leaving the Conservatoire in 1853, Saint-Saens accepted the post of organist at the ancient Parisian church of Saint-Merri near the Hotel de Ville. The parish was substantial, with 26,000 parishioners; in a typical year there were more than two hundred weddings, the organist's fees from which, together with fees for funerals and his modest basic stipend, gave Saint-Saens a comfortable income. The organ, the work of Francois-Henri Clicquot, had been badly damaged in the aftermath of the French Revolution and imperfectly restored. The instrument was adequate for church services but not for the ambitious recitals that many high-profile Parisian churches offered. With enough spare time to pursue his career as a pianist and composer, Saint-Saens composed what became his opus 2, the Symphony in E (1853). This work, with military fanfares and augmented brass and percussion sections, caught the mood of the times in the wake of the popular rise to power of Napoleon III and the restoration of the French Empire. The work brought the composer another first prize from the Societe Sainte-Cecile. Among the musicians who were quick to spot Saint-Saens's talent were the composers Gioachino Rossini, Hector Berlioz and Franz Liszt, and the influential singer Pauline Viardot, who all encouraged him in his career. In early 1858 Saint-Saens moved from Saint-Merri to the high-profile post of organist of La Madeleine, the official church of the Empire; Liszt heard him playing there and declared him the greatest organist in the world. Although in later life he had a reputation for outspoken musical conservatism, in the 1850s Saint-Saens supported and promoted the most modern music of the day, including that of Liszt, Robert Schumann and Richard Wagner. Unlike many French composers of his own and the next generation, Saint-Saens, for all his enthusiasm for and knowledge of Wagner's operas, was not influenced by him in his own compositions. He commented, "I admire deeply the works of Richard Wagner in spite of their bizarre character. They are superior and powerful, and that is sufficient for me. But I am not, I have never been, and I shall never be of the Wagnerian religion." Question: Where did he begin his early career? Answer: On leaving the Conservatoire in 1853, Saint-Saens accepted the post of organist at the ancient Parisian church of Saint-Merri near the Hotel de Ville. Question: How long did he hold that position? Answer: CANNOTANSWER Question: Was he popular?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Camille Saint-Saëns Background: Charles-Camille Saint-Saens (French: [SaRl kamij sesas]; 9 October 1835 - 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saens was a musical prodigy, making his concert debut at the age of ten. Section: Music Passage: In the early years of the 20th century, the anonymous author of the article on Saint-Saens in Grove's Dictionary of Music and Musicians wrote: Saint-Saens is a consummate master of composition, and no one possesses a more profound knowledge than he does of the secrets and resources of the art; but the creative faculty does not keep pace with the technical skill of the workman. His incomparable talent for orchestration enables him to give relief to ideas which would otherwise be crude and mediocre in themselves ... his works are on the one hand not frivolous enough to become popular in the widest sense, nor on the other do they take hold of the public by that sincerity and warmth of feeling which is so convincing. Although a keen modernist in his youth, Saint-Saens was always deeply aware of the great masters of the past. In a profile of him written to mark his eightieth birthday, the critic D C Parker wrote, "That Saint-Saens knows Rameau ... Bach and Handel, Haydn and Mozart, must be manifest to all who are familiar with his writings. His love for the classical giants and his sympathy with them form, so to speak, the foundation of his art." Less attracted than some of his French contemporaries to the continuous stream of music popularised by Wagner, Saint-Saens often favoured self-contained melodies. Though they are frequently, in Ratner's phrase, "supple and pliable", more often than not they are constructed in three- or four-bar sections, and the "phrase pattern AABB is characteristic". An occasional tendency to neoclassicism, influenced by his study of French baroque music, is in contrast with the colourful orchestral music more widely identified with him. Grove observes that he makes his effects more by characterful harmony and rhythms than by extravagant scoring. In both of those areas of his craft he was normally content with the familiar. Rhythmically, he inclined to standard double, triple or compound metres (although Grove points to a 5/4 passage in the Piano Trio and another in 7/4 in the Polonaise for two pianos). From his time at the Conservatoire he was a master of counterpoint; contrapuntal passages crop up, seemingly naturally, in many of his works. Question: What are some important things to know about the music? Answer: Saint-Saens is a consummate master of composition, and no one possesses a more profound knowledge than he does of the secrets and resources of the art; Question: Was he well known by many? Answer: his works are on the one hand not frivolous enough to become popular in the widest sense, Question: Is there anything else that is important regarding his music?
[ "Rhythmically, he inclined to standard double, triple or compound metres" ]
Title: Inzamam-ul-Haq Background: Inzamam-ul-Haq ( pronunciation ;Punjabi, Urdu: nDmm lHq; born 3 March 1970), also known as Inzy, is a former Pakistani cricketer, and former captain. He is the leading run scorer for Pakistan in one-day internationals, and the third-highest run scorer for Pakistan in Test cricket. He was the captain of the Pakistan national cricket team from 2003-07 and is considered to be one of the best leaders in Pakistan Cricket history. Inzamam rose to fame in the semi-final of the 1992 Cricket World Cup. Section: Captaincy Passage: Inzamam captained Pakistan in thirty Tests, winning eleven, drawing nine and losing ten. Only three players have captained Pakistan in more Test matches, but all have better win-loss records and only Imran Khan has a lower win percentage than Inzamam. Although the Oval Test match in 2006 was poised as a victory for Pakistan before the controversy took place and had it not occurred, Inzamam's record would have had a win more and a loss less. However, Inzamam held the captaincy until March 2007, the longest captaincy tenure since 1992, when Imran Khan retired. Captaincy had a positive effect on Inzamam's batting, often leading by example in pressure situations, averaging greater as a captain (52) than without (50). In ODI's Inzamam also held the highest average as captain in ODI's and is currently third on that list behind the former Australian skipper Ricky Ponting and the Indian captain Mahendra Singh Dhoni. After early failures in Australia, he took a depleted Pakistan side to India in 2005 and played an important role in securing a draw by winning the final test match from an unlikely position with an innings of 184 runs. He subsequently led his side to an ODI success against West Indies (away), England (home) and Sri Lanka (away) as well as Test Series victories against England (home), India (home), Sri Lanka (away). Inzamam had seemed to have united the Pakistan side and victories led them to 2nd place in the ICC Test Rankings and 3rd place in the ICC ODI Ranking. The latter part of Inzamam's tenure as Pakistan captain was less successful and the team was embroiled in many controversies culminating in a disappointingly early exit from the 2007 Cricket World Cup at the hands of lowly ranked Ireland. In the 2007 Cricket World Cup, Inzamam captained the Pakistani team to its first loss to associate ICC member Ireland (on St Patrick's Day). This result and their previous loss to West Indies, led to them being knocked out of the tournament. A day later he announced his retirement from One Day International Cricket and resignation as Test captain. The announcement was made the same day that Bob Woolmer, Pakistan's coach, died in his hotel room in Kingston, Jamaica. He dedicated his final ODI to Woolmer to whom he shared a good relationship with for three years and affectionately called him 'The Bob'. Question: What team was he captain for? Answer: Inzamam captained the Pakistani team Question: When was he captain of the Pakistani team? Answer: CANNOTANSWER Question: Was he captain of any other team? Answer: Inzamam captained the Pakistani team Question: Did he like being captain of the Pakistani team?
[ "The latter part of Inzamam's tenure as Pakistan captain was less successful and the team was embroiled in many controversies" ]
Title: Y. A. Tittle Background: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team. Section: Profile and playing style Passage: Tittle threw the ball from a sidearm, almost underhand position, something novel at those times, though it was common practice in earlier decades. It was this seemingly underhand style that drew the curiosity and admiration of many fans. In tandem with his baldness--for which he was frequently referred to as the "Bald Eagle"--he made for a very striking personality. Despite his throwing motion, he had a very strong and accurate arm with a quick release. It was because of his quick release and ability to read defenses that he became one of the best screen passers in the NFL. He was a perfectionist and highly competitive, and he expected the same of his teammates. He possessed rare leadership and game-planning skills, and played with great enthusiasm even in his later years. "Tittle has the attitude of a high school kid, with the brain of a computer," said Giants teammate Frank Gifford. Baltimore Colts halfback Lenny Moore, when asked in 1963 to compare Tittle and Colts quarterback Johnny Unitas, said: I played with Tittle in the Pro Bowl two years ago, and I discovered he's quite a guy ... He and John, however, are entirely different types ... Tittle is a sort of 'con man' with his players ... he comes into a huddle and 'suggests' that maybe this or that will work on account of something he saw happen on a previous play ... The way he puts it, you're convinced it's a good idea and maybe it will work. John, now, he's a take-charge guy ... He tells you what the other guy's going to do, what he's going to do, and what he wants you to do. Tittle's most productive years came when he was well beyond his athletic prime. On his ability to improve with age, he credited a feel for the game that came from his years of experience in the league. "If you could learn it by studying movies, a good smart college quarterback could learn all you've got to learn in three weeks and then come in and be as good as the old heads," he told Sports Illustrated in 1963. "But they can't." Question: what was the profile? Answer: Tittle threw the ball from a sidearm, almost underhand position, something novel at those times, Question: was he the only person to do this? Answer: it was common practice in earlier decades. Question: was he married?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Y. A. Tittle Background: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team. Section: Early years and college career Passage: Born and raised in Marshall, Texas, to Alma and Yelberton Abraham Tittle Sr., Yelberton Abraham Tittle Jr. aspired to be a quarterback from a young age. He spent hours in his backyard throwing a football through a tire swing, emulating his neighbor and boyhood idol, Sammy Baugh. Tittle played high school football at Marshall High School. In his senior year the team posted an undefeated record and reached the state finals. After a recruiting battle between Louisiana State University and the University of Texas, Tittle chose to attend LSU in Baton Rouge, Louisiana, and play for the LSU Tigers. He was part of a successful 1944 recruiting class under head coach Bernie Moore that included halfbacks Jim Cason, Dan Sandifer, and Ray Coates. Freshmen were eligible to play on the varsity during World War II, so Tittle saw playing time immediately. He later said the finest moment of his four years at LSU was beating Tulane as a freshman, a game in which he set a school record with 238 passing yards. It was one of two games the Tigers won that season. Moore started Tittle at tailback in the single-wing formation his first year, but moved him to quarterback in the T formation during his sophomore season. As a junior in 1946, Tittle's three touchdown passes in a 41-27 rout of rival Tulane helped ensure LSU a spot in the Cotton Bowl Classic. Known notoriously as the "Ice Bowl", the 1947 Cotton Bowl pitted LSU against the Arkansas Razorbacks in sub-freezing temperatures on an ice-covered field in Dallas, Texas. LSU moved the ball much better than the Razorbacks, but neither team was able to score, and the game ended in a 0-0 tie. Tittle and Arkansas end Alton Baldwin shared the game's MVP award. Following the season, United Press International (UPI) placed Tittle on its All-Southeastern Conference (SEC) first-team. UPI again named Tittle its first-team All-SEC quarterback in 1947. In Tittle's day of iron man football, he played on both offense and defense. While on defense during a 20-18 loss to SEC champion Ole Miss in his senior season, Tittle's belt buckle was torn off as he intercepted a pass from Charlie Conerly and broke a tackle. He ran down the sideline with one arm cradling the ball and the other holding up his pants. At the Ole Miss 20-yard line, as he attempted to stiff-arm a defender, Tittle's pants fell and he tripped and fell onto his face. The fall kept him from scoring the game-winning touchdown. In total, during his college career Tittle set school passing records with 162 completions out of 330 attempts for 2,525 yards and 23 touchdowns. He scored seven touchdowns himself as a runner. His passing totals remained unbroken until Bert Jones surpassed them in the 1970s. Question: when did tittle first start playing football? Answer: Tittle played high school football at Marshall High School. Question: what college did he go to? Answer: Tittle chose to attend LSU in Baton Rouge, Question: did he only ever play quarterback? Answer: Moore started Tittle at tailback in the single-wing formation his first year, Question: was moore his coach at LSU? Answer: LSU Question: did he play quarterback in only the T formation for the rest of his career at LSU?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: T-Pain Background: Najm was born and raised in Tallahassee, Florida. His stage name is short for "Tallahassee Pain", and was chosen because of the hardships he experienced while living there. Najm was brought up in a Muslim household, but he has expressed his lack of interest in the concept of religion. At just three years old he got his first taste of the music business when a friend of the family, gospel jazz artist/producer Ben Tankard, allowed him to spend time and "twist the knobs" at his recording studio. Section: 2007-2009: Thr33 Ringz Passage: In 2007, T-Pain began work on his third album with Rocco Valdes, Akon and Lil Wayne. The album was also his first under his Nappy Boy Entertainment. T-Pain's third studio album, Thr33 Ringz, was released on November 11, 2008. The album sold 168,000 records in its first week, reaching number four on the Billboard 200. A mixtape, Pr33 Ringz, was released in early 2008 before the album. The album was preceded by three singles. Its lead single, "Can't Believe It", featuring Lil Wayne, was released in July 2008. The single reached number seven on the Hot 100 and number two on the Hot R&B/Hip-Hop Songs chart. The album's second single, "Chopped 'N' Skrewed", featuring Ludacris, was released in September 2008. The single reached number twenty-seven on the Hot 100 and number three on the Hot R&B/Hip-Hop Songs chart. The third and final single from the album, "Freeze", featuring Chris Brown, was released in October 2008 and reached number thirty-eight on the Hot 100 and number thirty-nine on the Hot R&B/Hip-Hop Songs chart. Guest appearances on Thr33 Ringz included T.I., Lil Wayne, Ludacris, DJ Khaled, Ciara, Chris Brown and Kanye West among others. Pr33 Ringz was the introduction mixtape for the album. In 2008, T-Pain continued to appear on numerous rap singles, such as "She Got It" by 2 Pistols, "Go Girl" by Ciara, "The Boss" by Rick Ross, "Cash Flow" by Ace Hood, "Shawty Get Loose" by Lil Mama, "One More Drink" by Ludacris, and "Go Hard" by DJ Khaled with Kanye West. T-Pain and Ludacris collaborated to perform "Chopped 'N' Skrewed" and "One More Drink" on American late-night television programs Jimmy Kimmel Live! on ABC in November 2008 and on NBC's Saturday Night Live in the same month. T-Pain appeared again on SNL in February 2009 (on the episode hosted by Bradley Cooper with musical guest TV on the Radio) in the SNL Digital Short. T-Pain also supported the album in 2009 with his Thr33 Ringz Tour, which included sold out shows across North America. T-Pain and rapper Lil Wayne formed the duo T-Wayne in 2008. The duo released a self-titled mixtape in late 2008; it charted on the Billboard 200 in January 2009. Their debut album was going to be released in 2009, but never was. In 2009, T-Pain hosted the BET Awards afterparty and paid tribute to Michael Jackson in West Covina. Question: What is Thr33 Ringz? Answer: T-Pain's third studio album, Thr33 Ringz, was released on November 11, 2008. Question: How did the album do? Answer: The album sold 168,000 records in its first week, Question: Did he go on tour during that time? Answer: T-Pain also supported the album in 2009 with his Thr33 Ringz Tour, Question: Who toured with him? Answer: CANNOTANSWER Question: Did he win any awards for that album? Answer: The single reached number seven on the Hot 100 and number two on the Hot R&B/Hip-Hop Songs chart. Question: Did he win any grammy's for this album?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: T-Pain Background: Najm was born and raised in Tallahassee, Florida. His stage name is short for "Tallahassee Pain", and was chosen because of the hardships he experienced while living there. Najm was brought up in a Muslim household, but he has expressed his lack of interest in the concept of religion. At just three years old he got his first taste of the music business when a friend of the family, gospel jazz artist/producer Ben Tankard, allowed him to spend time and "twist the knobs" at his recording studio. Section: 2007-2008: Epiphany Passage: In mid-2006, T-Pain began work on his second album, now with the Zomba Label Group as well as Konvict Muzik and Jive Records. The album, titled Epiphany, was released on June 5, 2007. The album sold 171,000 records in its first week, reaching number one on the Billboard 200. The record has since sold 819,000 records in the United States. The album was preceded by the lead single "Buy U a Drank (Shawty Snappin')" featuring Yung Joc in February 2007. The single reached number one on both the Hot 100 and Hot R&B/Hip-Hop Songs chart, becoming his first single to top charts. The album's second single, "Bartender", featuring Akon was released in June 2007 and reached number five on the Hot 100 and number nine on the Hot R&B/Hip-Hop Songs chart. The third and final single from the album, "Church", was released in October 2007 but failed to chart in the United States. Speaking in May 2007 to noted UK R&B writer Pete Lewis, of the award-winning Blues & Soul about his reason for naming his second album 'Epiphany', T-Pain stated: "One of the two dictionary meanings of epiphany is 'a sudden moment of insight or revelation'. And to me the title 'Epiphany' signifies the moment I realized that, to make the best music I can, I needed to just go in the studio and be myself, and not concentrate so hard on following other people's formulas." While promoting his second album, T-Pain made guest appearances on multiple songs by other artists. T-Pain was featured on "I'm a Flirt" (remix) by R. Kelly with T.I., "Outta My System" by Bow Wow, "Baby Don't Go" by Fabolous, "I'm So Hood" by DJ Khaled with many other rappers, "Shawty" by Plies, "Kiss Kiss" by Chris Brown, "Low" by Flo Rida, and "Good Life" by Kanye West. In two weeks in late 2007, T-Pain was featured on four top ten singles on the Billboard Hot 100 chart "Good Life" with Kanye West later won the BET Award for Best Collaboration and was nominated in several other categories. In 2008, the single won a Grammy Award for Best Rap Song. Question: What number album was Epiphany for T-Pain? Answer: his second album, Question: What was the result of Epiphany's release? Answer: The album sold 171,000 records in its first week, reaching number one on the Billboard 200. Question: When was Epiphany released?
[ "June 5, 2007." ]
Title: Yi Jianlian Background: Yi Jianlian (simplified Chinese: Yi Jian Lian ; traditional Chinese: Yi Jian Lian ; pinyin: Yi Jianlian, pronounced [i tcjenljen], EE JEN lee-EN; born October 27, 1987) is a Chinese professional basketball player for the Guangdong Southern Tigers of the Chinese Basketball Association (CBA). He has also played in the National Basketball Association (NBA) for the Milwaukee Bucks, New Jersey Nets, Washington Wizards and Dallas Mavericks. Yi joined the Guangdong Southern Tigers for the 2002-03 CBA season, and subsequently won the CBA Rookie of the Year award. In his first five years with Guangdong, the team won three CBA titles. Section: CBA career Passage: As a child, Yi's parents did not allow him to join a sports school, which is designed for children predicted to be future professional athletes. However, a sports school's basketball coach who noticed Yi's potential in playing street basketball persuaded Yi's family to allow him to train professionally. Hoping to sign Yi to an endorsement deal, Adidas invited him to attend the company's ABCD camp in New Jersey in 2002, where he competed against all-American high school players. After returning to China later that year, he signed a professional contract with Chinese Basketball Association side Guangdong Southern Tigers and averaged 3.5 points and 1.9 rebounds per game in his first season. He also averaged 7.3 points and 7.3 rebounds per game in four games during the playoffs, and won the Rookie of the Year award. Yi was featured in TIME's August 2003 article titled "The Next Yao Ming". In each of his next three seasons, Yi led Guangdong to the CBA championship and he was awarded the CBA finals' most valuable player honor in 2006. In Yi's final season in the Chinese Basketball Association before he entered the 2007 NBA draft, he averaged a career-high 24.9 points and 11.5 rebounds per game, but his team lost to the Bayi Rockets in the playoff finals. During the 2011 NBA lockout, Yi signed a one-year contract to return to the Guangdong Southern Tigers. Unlike most NBA players who went to the Chinese Basketball Association during that time, he received an option to return to the NBA once the lockout had been resolved. After the lockout ended, he signed with the Dallas Mavericks for the remainder of the 2011-12 season. Yi re-joined the Guangdong Southern Tigers for the 2012-13 CBA season and went on to win a fourth championship that season. In October 2016, Yi returned to Guangdong after spending training camp with the Los Angeles Lakers. Question: what was the CBA career? Answer: Chinese Basketball Association Question: when did this career start? Answer: Adidas invited him to attend the company's ABCD camp in New Jersey in 2002, Question: did he go? Answer: he competed against all-American high school players. Question: did he stay with them?
[ "After the lockout ended, he signed with the Dallas Mavericks for the remainder of the 2011-12 season." ]
Title: Yi Jianlian Background: Yi Jianlian (simplified Chinese: Yi Jian Lian ; traditional Chinese: Yi Jian Lian ; pinyin: Yi Jianlian, pronounced [i tcjenljen], EE JEN lee-EN; born October 27, 1987) is a Chinese professional basketball player for the Guangdong Southern Tigers of the Chinese Basketball Association (CBA). He has also played in the National Basketball Association (NBA) for the Milwaukee Bucks, New Jersey Nets, Washington Wizards and Dallas Mavericks. Yi joined the Guangdong Southern Tigers for the 2002-03 CBA season, and subsequently won the CBA Rookie of the Year award. In his first five years with Guangdong, the team won three CBA titles. Section: NBA draft Passage: Yi was not expected to enter the NBA draft until 2009 because the Chinese Basketball Association ruled that players are not allowed to leave for foreign leagues until they turned 22. In early 2006, however, Yi announced that he would enter the 2006 NBA draft although he eventually decided to withdraw, saying he was "not good enough to compete in the NBA and needed more experience." Later that year, the Guangdong Southern Tigers announced that Yi would enter the 2007 NBA draft. Yi chose Dan Fegan as his agent to represent him in the NBA draft and flew to Los Angeles to participate in pre-NBA draft camps. Before the draft, Yi was predicted by many to be picked anywhere from third to twelfth. On 28 June 2007, Yi was selected by the Milwaukee Bucks with the sixth overall pick in the 2007 NBA draft, despite Fegan warning the Milwaukee Bucks not to pick Yi and not allowing them to be one of the teams invited to Yi's pre-draft private workouts in Los Angeles. Fegan did not want Milwaukee to select Yi because the city of Milwaukee did not have a large Asian-American community. However, Milwaukee's general manager Larry Harris said they had only drafted the best player available to them. Yi and Sun Yue together marked the first time in NBA draft history where two Chinese born players were selected in the same draft, which was a feat that would not be repeated again until 2016. After the draft, Milwaukee attempted to convince Yi to sign with the team and on 2 July 2007, the owner of the Bucks franchise, Herb Kohl, wrote a letter to Yi and his representatives, hoping to persuade Yi to sign with the team. Three days later, head coach Larry Krystkowiak and Harris met with Yi, attempting to influence him to play for Milwaukee, however, Yi's representatives requested that the team trade Yi to another team with a city that had a large Chinese presence. Chinese officials also required that any team Yi played for would have to give him sufficient playing time for him to improve for the 2008 Summer Olympics. Kohl made a special trip to Hong Kong to appeal to Yi personally and he assured Chinese officials that Yi would have sufficient playing time. On 29 August 2007, the Milwaukee Bucks and Yi agreed to a standard, multi-year rookie contract. Question: How did the NBA learn of him? Answer: Yi announced that he would enter the 2006 NBA draft Question: What is the first team he played for in America?
[ "Milwaukee Bucks" ]
Title: Jennifer Capriati Background: Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida. Section: 1990-1991: The records Passage: She won the Junior Orange Bowl in both the 12- and the 14-year categories, and is one of only nine tennis players to win the Junior Orange Bowl championship twice in its 70-year history, which list includes Andy Murray, Jimmy Connors, Monica Seles, and Yishai Oliel. Capriati made her professional debut as a 13-year-old, reaching the finals of two of her first three pro events, losing to Gabriela Sabatini and Martina Navratilova in the Boca Raton and Hilton Head tournaments respectively, earning her first two wins over top-10 players (No. 10 Helena Sukova and number-five Arantxa Sanchez Vicario). She entered the rankings in April, at No. 23. Capriati made her Grand Slam debut at the French Open. She went all the way to the semifinals, losing to eventual champion Monica Seles. She then reached the fourth round at Wimbledon, losing to Steffi Graf. Later in the year Capriati won her first career title in Puerto Rico, defeating Zina Garrison. After this victory Capriati entered the world's top 10. She qualified for the WTA Championships, narrowly losing to Graf in the first round in three sets. She finished her first season as a professional at World Number Eight. Throughout the season Capriati set multiple "youngest ever" records. She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. She was also the fourth-youngest player to win a WTA title. In her second season as a touring pro, Capriati established herself as a consistent top-10 player. She won two singles titles during the summer hard court circuit, defeating World No. 1 Monica Seles in a third set tie-breaker in finals of San Diego, and Katerina Maleeva in straight sets in the final of Toronto. She also reached two Grand Slam semifinals, at Wimbledon and the US Open. At Wimbledon, the 15-year-old Capriati stunned nine-time champion Martina Navratilova, defeating her in the quarterfinals in straight sets. Capriati became the youngest person to ever reach the semifinal round of the tournament, losing to Sabatini. At the US Open, Capriati defeated Sabatini in the quarters but lost in the semis to eventual champion Seles after serving for the match twice. Capriati qualified for the year-end championships for the second time, reaching the quarterfinals. She ended the year at No. 6, which would be a career high until 2001. Capriati also won the only doubles title of her career at the Italian Open, partnering with Seles. Question: What records did she have Answer: She was the youngest player to reach a tour final, the youngest player to reach the semifinals at the French Open, Question: what else was she the youngest player to do Answer: the youngest seed ever at Wimbledon, and the youngest player to qualify for the season-ending championships. Question: how old was she Answer: Capriati made her professional debut as a 13-year-old, Question: what else did she accomplish as a teenager Answer: In her second season as a touring pro, Capriati established herself as a consistent top-10 player. Question: did she beat anyone else famous
[ "and Katerina Maleeva in straight sets in the final of Toronto." ]
Title: Jennifer Capriati Background: Jennifer Maria Capriati (born March 29, 1976) is an American former professional tennis player. A member of the International Tennis Hall of Fame, she won three singles championships in Grand Slam tournaments, was the gold medalist at the 1992 Summer Olympics, reached the World No. 1 ranking, and is considered one of the greatest tennis players of all time. Capriati set a number of youngest-ever records at the start of her career. She made her professional debut in 1990 at the age of 13 years 11 months, reaching the final of the hard-court tournament in Boca Raton, Florida. Section: 1999-2000: Ascent Passage: 1999 was Capriati's best season in several years. She won her first title in six years at Strasbourg, defeating ninth ranked Nathalie Tauziat in a quarterfinal for her first win over a top 10 player in two years. She defeated Russian Elena Likhovtseva in the final. She won her second title of the year at Quebec City, defeating American Chanda Rubin in the final. She also reached the round of 16 at both Roland Garros and US Open. She finished the year at No. 23. At the 2000 Australian Open, Capriati reached her first Grand Slam semifinal in nine years before losing to eventual champion Lindsay Davenport in straight sets. At the Miami Masters, Capriati defeated World No. 6 Serena Williams for her first win over a player ranked in the top six in four years en route to a quarterfinal finish. Shortly after, Capriati was sidelined with right Achilles tendonitis in April and an elbow injury in June. Capriati had a strong fall season, winning her ninth career title at Luxembourg, defeating Magdalena Maleeva. She also finished runner up in Quebec City to Chanda Rubin and was a semifinalist in Zurich. These results propelled Capriati back into the top 20 for the first time since April 1994. She qualified for the season-ending championships for the first time in seven years. Her year-end ranking was 14, her highest in seven years. Capriati was also a member of the US Fed Cup Team, winning a singles and doubles rubber in the US's victory over Spain in the final. Question: What happened in 1999? Answer: 1999 was Capriati's best season in several years. Question: Did she set any records? Answer: CANNOTANSWER Question: What was her ascent? Answer: She won her first title in six years at Strasbourg, Question: What title did she win? Answer: She won her second title of the year at Quebec City, defeating American Chanda Rubin in the final. Question: Who were her influences?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Spice Girls Background: The Spice Girls are an English pop girl group formed in 1994. The group originally consisted of Melanie Brown ("Scary Spice"), Melanie Chisholm ("Sporty Spice"), Emma Bunton ("Baby Spice"), Geri Halliwell ("Ginger Spice"), and Victoria Beckham, nee Adams ("Posh Spice"). They were signed to Virgin Records and released their debut single "Wannabe" in 1996, which hit number one in 37 countries and established them as a global phenomenon. Their debut album Spice sold more than 31 million copies worldwide, becoming the best-selling album by a female group in history. Section: 1998-2000: Forever and hiatus Passage: While on tour in the United-States, the group continued to record new material and released a new song, "Goodbye", before Christmas in 1998. The song was seen as a tribute to Geri Halliwell, and when it topped the UK Singles Chart it became their third consecutive Christmas number-one - equalling the record previously set by the Beatles. Later in 1998, Bunton and Chisholm appeared at the 1998 MTV Europe Music Awards without their other band members, and the group won two awards: "Best Pop Act" and "Best Group" for a second time. In late 1998, Brown and Adams announced they were both pregnant; Brown was married to dancer Jimmy Gulzer and became known as Mel G for a brief period. She gave birth to daughter Phoenix Chi in February 1999. One month later, Adams gave birth to son Brooklyn, whose father was then Manchester United footballer David Beckham. Later that year, she married Beckham in a highly publicised wedding in Ireland. The Spice Girls returned to the studio in August 1999, after an eight-month recording break to start work on their third and last studio album. The album's sound was initially more pop-influenced, similar to their first two albums, and included production from Eliot Kennedy. The album's sound took a mature direction when American producers like Rodney Jerkins, Jimmy Jam and Terry Lewis came on to collaborate with the group. In December 1999 they performed live for a UK-only tour, Christmas in Spiceworld, in London and Manchester, also showcasing new songs from the third album. During 1999, the group recorded the character Amneris' song "My Strongest Suit" in Elton John and Tim Rice's Aida, a concept album which would later go on to fuel the musical version of Verdi's Aida. The band performed again at the 2000 Brit Awards, where they received a Lifetime Achievement Award. Despite being at the event, Halliwell did not join her former bandmates on stage. In November 2000, the group released Forever. Sporting a new edgier R&B sound, the album received a lukewarm response from critics. In the US, the album peaked at number thirty-nine on the Billboard 200 albums chart. In the UK, the album was released the same week as Westlife's Coast to Coast album and the chart battle was widely reported by the media, where Westlife won the battle reaching number one in the UK, leaving the Spice Girls at number two. The lead single from Forever, the double A-side "Holler"/"Let Love Lead the Way", became the group's ninth number one single in the UK. However the song failed to break onto the Billboard Hot 100 singles chart stateside, instead peaking at number seven on the Bubbling Under Hot 100 Singles. "Holler" did peak at number thirty-one on the Hot Dance Music/Club Play chart in 2000. The only major performance of the lead single came at the MTV Europe Music Awards on 16 November 2000. In total, Forever achieved only a fraction of the success of its two best-selling predecessors, selling five million copies. In December 2000, the group unofficially announced that they were beginning an indefinite hiatus and would be concentrating on their solo careers in regards to their foreseeable future, although they pointed out that the group was not splitting. Question: Is "forever" the name of one of their albums? Answer: In November 2000, the group released Forever. Question: Was it a popular album? Answer: In total, Forever achieved only a fraction of the success of its two best-selling predecessors, selling five million copies. Question: Was that the reason that the spice girls took a hiatus? Answer: December 2000, the group unofficially announced that they were beginning an indefinite hiatus and would be concentrating on their solo careers Question: How long was the hiatus? Answer: indefinite Question: Did they win any awards during this time?
[ "the group won two awards: \"Best Pop Act\" and \"Best Group\" for a second time." ]
Title: Spice Girls Background: The Spice Girls are an English pop girl group formed in 1994. The group originally consisted of Melanie Brown ("Scary Spice"), Melanie Chisholm ("Sporty Spice"), Emma Bunton ("Baby Spice"), Geri Halliwell ("Ginger Spice"), and Victoria Beckham, nee Adams ("Posh Spice"). They were signed to Virgin Records and released their debut single "Wannabe" in 1996, which hit number one in 37 countries and established them as a global phenomenon. Their debut album Spice sold more than 31 million copies worldwide, becoming the best-selling album by a female group in history. Section: Girl power Passage: The phrase "girl power" put a name to a social phenomenon, but the slogan was met with mixed reactions. The phrase was a label for the particular facet of post classical neo-feminist empowerment embraced by the band: that a sensual, feminine appearance and equality between the sexes need not be mutually exclusive. This concept was by no means original in the pop world: both Madonna and Bananarama had employed similar outlooks. The phrase itself had also appeared in a few songs by British girl groups and bands since at least 1987; most notably, it was the name of British pop duo Shampoo's 1996 single and album, later credited by Halliwell as the inspiration for the Spice Girls' mantra. However, it was not until the emergence of the Spice Girls in 1996 with "Wannabe", that the concept of "girl power" exploded onto the common consciousness. The phrase was regularly uttered by all five members--although most closely associated with Halliwell--and was often delivered with a peace sign. The slogan also featured on official Spice Girls merchandise and on some of the outfits the group members wore. The Spice Girls' version was distinctive. Its message of empowerment appealed to young girls, adolescents and adult women, and it emphasised the importance of strong and loyal friendship among females. In all, the focused, consistent presentation of "girl power" formed the centrepiece of their appeal as a band. Some commentators credit the Spice Girls with reinvigorating mainstream feminism--popularized as "girl power"--in the 1990s, with their mantra serving as a gateway to feminism for their young fans. On the other hand, some critics dismissed it as no more than a shallow marketing tactic, while others took issue with the emphasis on physical appearance, concerned about the potential impact on self-conscious and/or impressionable youngsters. Regardless, the phrase became a cultural phenomenon, adopted as the mantra for millions of girls and even making it into the Oxford English Dictionary. In summation of the concept, author Ryan Dawson said, "The Spice Girls changed British culture enough for Girl Power to now seem completely unremarkable." The Spice Girls' debut single "Wannabe" has been hailed as an "iconic girl power anthem". In 2016, the United Nations' Global Goals "#WhatIReallyReallyWant" campaign filmed a global remake of the original music video for "Wannabe" to highlight gender inequality issues faced by women across the world. The video, which was launched on YouTube and ran in movie theatres internationally, featured British girl group M.O, Canadian "viral sensation" Taylor Hatala, Nigerian-British singer Seyi Shay and Bollywood actress Jacqueline Fernandez lip-syncing to the song in various locations around the world. In response to the remake, Beckham said, "How fabulous is it that after 20 years the legacy of the Spice Girls' girl power is being used to encourage and empower a whole new generation?" At the 43rd People's Choice Awards in January 2017, American actress Blake Lively dedicated her "Favorite Dramatic Movie Actress" award to "girl power" in her acceptance speech, and credited the Spice Girls, saying: "What was so neat about them was that they're all so distinctly different, and they were women, and they owned who they were, and that was my first introduction into girl power." Question: how did "girl power" become popular? Answer: The phrase itself had also appeared in a few songs by British girl groups and bands since at least 1987; Question: Was there any songs related to girl power? Answer: notably, it was the name of British pop duo Shampoo's 1996 single and album, later credited by Halliwell as the inspiration for the Spice Girls' mantra. Question: what other celebrities used that term? Answer: At the 43rd People's Choice Awards in January 2017, American actress Blake Lively dedicated her "Favorite Dramatic Movie Actress" award to "girl power" Question: did that continue in the 2000's and beyond?
[ "The Spice Girls' debut single \"Wannabe\" has been hailed as an \"iconic girl power anthem\". In 2016," ]
Title: Sinhalese people Background: The Sinhalese (Sinhala: siNhl jaatiy Sinhala Jathiya, also known as Hela) are an Indo-Aryan-speaking ethnic group native to the island of Sri Lanka. They constitute about 75% of the Sri Lankan population and number greater than 16.2 million. The Sinhalese identity is based on language, historical heritage and religion. The Sinhalese people speak the Sinhalese language, an Indo-Aryan language, and are predominantly Theravada Buddhists, although a small percentage of Sinhalese follow branches of Christianity. Section: Early kingdoms Passage: Prince Vijaya and his 700 followers left Supparaka, landed on the island at a site believed to be in the district of Chilaw, near modern-day Mannar, and founded the Kingdom of Tambapanni. It is recorded the Vijaya made his landing on the day of Buddha's death. Vijaya claimed Tambapanni his capital and soon the whole island come under this name. Tambapanni was originally inhabited and governed by Yakkhas, having their capital at Sirisavatthu and their queen Kuveni. According to the Samyutta Commentary, Tambapanni was one hundred leagues in extent. After landing in Tambapanni Vijaya met Kuveni the queen of the Yakkhas, who was disguised as a beautiful woman but was really a 'yakkini' (devil) named Sesapathi. At the end of his reign, Vijaya, having trouble choosing a successor, sent a letter to the city of his ancestors, Sinhapura, in order to invite his brother Sumitta to take over the throne. However, Vijaya had died before the letter had reached its destination, so the elected minister of the people Upatissa, the Chief government minister or prime minister and leading chief among the Sinhalese became regent and acted as regent for a year. After his coronation, which was held in the Kingdom of Tambapanni, he left it, building another one, bearing his own name. While he was king, Upatissa established the new capital Upatissa, in which the kingdom was moved to from the Kingdom of Tambapanni. When Vijaya's letter arrived, Sumitta had already succeeded his father as king of his country, and so he sent his son Panduvasdeva to rule Upatissa Nuwara. Upatissa Nuwara was seven or eight miles further north of the Kingdom of Tambapanni. It was named after the regent king Upatissa, who was the prime minister of Vijaya, and was founded in 505 BC after the death of Vijaya and the end of the Kingdom of Tambapanni. Question: Were the kingdoms run by men or women? Answer: Prince Vijaya and his 700 followers left Supparaka, landed on the island at a site believed to be in the district of Chilaw, Question: Were there other rulers besides Prince Vijaya?
[ "Tambapanni was originally inhabited and governed by Yakkhas," ]
Title: Sinhalese people Background: The Sinhalese (Sinhala: siNhl jaatiy Sinhala Jathiya, also known as Hela) are an Indo-Aryan-speaking ethnic group native to the island of Sri Lanka. They constitute about 75% of the Sri Lankan population and number greater than 16.2 million. The Sinhalese identity is based on language, historical heritage and religion. The Sinhalese people speak the Sinhalese language, an Indo-Aryan language, and are predominantly Theravada Buddhists, although a small percentage of Sinhalese follow branches of Christianity. Section: Cuisine Passage: Sinhalese cuisine is one of the most complex cuisines of South Asia. Due to its proximity to South India, Sinhalese cuisine shows some influence, yet is in many ways quite distinct. As a major trade hub, it draws influence from colonial powers that were involved in Sri Lanka and by foreign traders. Rice, which is consumed daily, can be found at any occasion, while spicy curries are favourite dishes for lunch and dinner. Some of the Sri Lankan dishes have striking resemblance to Kerala cuisine, which could be due to the similar geographic and agricultural features with Kerala. A well-known rice dish with Sinhalese is Kiribath, meaning "Milk Rice." In addition to sambols, Sinhalese eat "Mallung"- chopped leaves mixed with grated coconut and red onions. Coconut milk is found in most Sri Lankan dishes to give the cuisine its unique flavour. Sri Lanka has long been renowned for its spices. The best known is cinnamon which is native to Sri Lanka. In the 15th and 16th centuries, spice and ivory traders from all over the world who came to Sri Lanka brought their native cuisines to the island, resulting in a rich diversity of cooking styles and techniques. Lamprais rice boiled in stock with a special curry, accompanied by frikkadels (meatballs), all of which is then wrapped in a banana leaf and baked as a Dutch-influenced Sri Lankan dish. Dutch and Portuguese sweets also continue to be popular. British influences include roast beef and roast chicken. Also, the influence of the Indian cooking methods and food have played a major role in what Sri Lankans eat. The island nation's cuisine mainly consists of boiled or steamed rice served with curry. This usually consists of a "main curry" of fish or chicken, as well as several other curries made with vegetables, lentils and even fruit curries. Side-dishes include pickles, chutneys and "sambols". The most famous of these is the coconut sambol, made of ground coconut mixed with chili peppers, dried Maldive fish and lime juice. This is ground to a paste and eaten with rice, as it gives zest to the meal and is believed to increase appetite. Question: Which of the Sinhalese people cuisine was mentioned? Answer: Sinhalese cuisine is one of the most complex cuisines of South Asia. Question: Do they name the process or equipment in making the cuisine? Answer: The island nation's cuisine mainly consists of boiled or steamed rice served with curry. Question: What else was mentioned about this cuisine? Answer: Sri Lanka has long been renowned for its spices. The best known is cinnamon which is native to Sri Lanka. Question: Where there names of the part of the world mentioned?
[ "Dutch and Portuguese sweets also continue to be popular. British influences include roast beef and roast chicken." ]
Title: Anton Webern Background: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself. Section: Performance style Passage: Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions. Question: What was Webern's style like? Answer: Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; Question: What was he best known for? Answer: extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, Question: Are there any other interesting aspects about this article?
[ "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors" ]
Title: Anton Webern Background: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself. Section: Formative juvenilia and emergence from study, opp. 1-2, 1899-1908 Passage: Webern published little of his early work in particular; like Brahms, though perhaps for not entirely the same reasons, Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record "all" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's "Mondnacht" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Morike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language. Question: what was Juvenilia? Answer: Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, Question: is there anything interesting in the article? Answer: Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; Question: what are his other works? Answer: Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Question: What genre did he play?
[ "Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet." ]
Title: Johnny Unitas Background: John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, who both were of Lithuanian descent; he grew up in the Mount Washington neighborhood. When Johnny was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. Section: Final years Passage: In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21-0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining into mediocrity. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29-22). The last meeting was a memorable one, which took place on September 24, 1972, at Memorial Stadium. Unitas threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44-34 Jets victory - their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas' last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. Unitas was not the starter for this game, but the Colts were blowing the Bills out by a score of 28-0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35-7. Question: What did he do in his later years? Answer: In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. Question: Did Unitas have a family?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Journey (band) Background: Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987. During that period, the band released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms". Section: 1981-1983: Height of popularity Passage: With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans. Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600. This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time. Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance. Question: what happened in 1981? Answer: ". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, Question: how was the album received? Answer: Escape was released on July 31, 1981, and immediately the album became a mainstream success. Question: did it have any hit singles? Answer: included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". Question: did they go on tour? Answer: CANNOTANSWER Question: what was the criticism?
[ "The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that \"Journey was a dead end for San Francisco area rock." ]
Title: Journey (band) Background: Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987. During that period, the band released a series of hit songs, including "Don't Stop Believin'" (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms". Section: 1977-1980: New musical direction Passage: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, with whom keyboardist Gregg Rolie could share lead vocal duties. The band hired Robert Fleischman and transitioned to a more popular style, akin to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977 and together the new incarnation of the band wrote the hit "Wheel in the Sky"; however, management differences resulted in Fleischman leaving within the year. In late 1977, Journey hired Steve Perry as their new lead singer. Herbie Herbert, the band's manager, also hired Roy Thomas Baker as a producer to add a layered sound approach as Baker had done with his previous band, Queen. With their new lead singer and talented new producer, Journey released their fourth album, Infinity (1978). This album set Journey on their road to stardom with their first RIAA-certified platinum album. This album, with their hit song "Wheel in the Sky" (#57 U.S.), set Journey on a new path with a more mainstream sound to make their highest chart success to date. In late 1978, manager Herbie Herbert fired drummer Aynsley Dunbar, who joined Bay Area rivals Jefferson Starship shortly thereafter. He was replaced by Berklee-trained jazz drummer Steve Smith. Perry, Schon, Rolie, Smith and Valory recorded Evolution (1979), which gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'" (#16); and Departure (1980), which reached No. 8 on the album charts. Journey's newfound success brought the band an almost entirely new fan base. During the 1980 Departure world tour, the band recorded a live album, Captured. Keyboardist Gregg Rolie then left the band, the second time in his career he left a successful act. Keyboardist Stevie "Keys" Roseman was brought in to record the lone studio track for Captured, "The Party's Over (Hopelessly in Love)," but Rolie recommended pianist Jonathan Cain of The Babys as the permanent replacement. With Cain's replacement of Rolie's Hammond B-3 organ with his own synthesizers, the band was poised for a new decade in which they would achieve their greatest musical success. Question: Can you provide a little background information on the 1977-1980 musical direction? Answer: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, Question: What did Robert do to bring about those changes?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Hugh Trevor-Roper Background: Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany. Section: English Civil War Passage: In November 1945, Trevor-Roper was ordered by Dick White, the then head of counter-intelligence in the British sector of Berlin, to investigate the circumstances of Adolf Hitler's death, and to rebut the Soviet propaganda that Hitler was alive and living in the West. Using the alias of "Major Oughton", Trevor-Roper interviewed or prepared questions for several officials, high and low, who had been present in the Fuhrerbunker with Hitler, and who had been able to escape to the West, including Bernd Freytag von Loringhoven. For the most part Trevor-Roper relied on investigations and interviews by hundreds of British, American and Canadian intelligence officers. He did not have access to Soviet materials. Working rapidly, Trevor-Roper drafted his report, which served as the basis for his most famous book, The Last Days of Hitler in which he described the last ten days of Hitler's life, and the fates of some of the higher-ranking members of the inner circle as well of key lesser figures. Trevor-Roper transformed the evidence into a literary work, with sardonic humour and drama, and was much influenced by the prose styles of two of his favourite historians, Edward Gibbon and Lord Macaulay. The book was cleared by British officials in 1946 for publication as soon as the war crimes trials ended. It was published in English in 1947; six English editions and many foreign language editions followed. According to American journalist Ron Rosenbaum, Trevor-Roper received a letter from Lisbon written in Hebrew stating that the Stern Gang would assassinate him for The Last Days of Hitler, which they considered portrayed Hitler as a "demoniacal" figure but let ordinary Germans who followed Hitler off the hook, and for this he deserved to die. Rosenbaum reports that Trevor-Roper told him this was the most extreme response he had ever received for one of his books. Trevor-Roper was famous for his lucid and acerbic writing style. In reviews and essays he could be pitilessly sarcastic, and devastating in his mockery. In attacking Arnold J. Toynbee's A Study of History, for instance, Trevor-Roper accused Toynbee of regarding himself as a Messiah complete with "the youthful Temptations; the missionary Journeys; the Miracles; the Revelations; the Agony". For Trevor-Roper, the major themes of early modern Europe were its intellectual vitality, and the quarrels between Protestant and Catholic states, the latter being outpaced by the former, economically and constitutionally. In Trevor-Roper's view, another theme of early modern Europe was expansion overseas in the form of colonies and intellectual expansion in the form of the Reformation and the Enlightenment. In Trevor-Roper's view, the witch hunts of the 16th and 17th centuries can ultimately be traced back to the conflict between the religious values of the Reformation and the rationalistic approach of what became the Enlightenment. Trevor-Roper argued that history should be understood as an art, not a science and that the attribute of a successful historian was imagination. He viewed history as full of contingency, with the past neither a story of continuous advance nor of continuous decline but the consequence of choices made by individuals at the time. In his studies of early modern Europe, Trevor-Roper did not focus exclusively upon political history but sought to examine the interaction between the political, intellectual, social and religious trends. His preferred medium of expression was the essay rather than the book. In his essays in social history, written during the 1950s and 1960s, Trevor-Roper was influenced by the work of the French Annales School, especially Fernand Braudel and did much to introduce the work of the Annales school to the English-speaking world. In the 1950s, Trevor-Roper wrote that Braudel and the rest of the school were doing much innovative historical work but were "totally excluded from Oxford which remains, in historical matters, a retrograde provincial backwater". In Trevor-Roper's opinion, the dispute between the Puritans and the Arminians was a major, although not the sole, cause of the English Civil War. For him, the dispute was over such issues as free will and predestination and the role of preaching versus the sacraments; only later did the dispute become a matter of the structure of the Church of England. The Puritans desired a more decentralised and egalitarian church, with an emphasis on the laity, while the Arminians wished for an ordered church with a hierarchy, an emphasis on divine right and salvation through free will. As a historian of early modern Britain, Trevor-Roper was known for his disputes with fellow historians such as Lawrence Stone and Christopher Hill, whose materialist (and in some measure "inevitablist") explanations of the English Civil War he attacked. Trevor-Roper was a leading player in the historiographical storm over the gentry (also known as the Gentry controversy), a dispute with the historians R. H. Tawney and Stone, about whether the English gentry were, economically, on the way down or up, in the century before the English Civil War and whether this helped cause that war. Stone, Tawney and Hill argued that the gentry were rising economically and that this caused the Civil War. Trevor-Roper argued that while office-holders and lawyers were prospering, the lesser gentry were in decline. A third group of history men around J. H. Hexter and Geoffrey Elton, argued that the causes of the Civil War had nothing to do with the gentry. In 1948, a paper put forward by Stone in support of Tawney's thesis was vigorously attacked by Trevor-Roper, who showed that Stone had exaggerated the debt problems of the Tudor nobility. He also rejected Tawney's theories about the rising gentry and declining nobility, arguing that he was guilty of selective use of evidence and that he misunderstood the statistics. Question: What was his interest or views of the English Civil War? Answer: In Trevor-Roper's opinion, the dispute between the Puritans and the Arminians was a major, although not the sole, cause of the English Civil War. Question: What else did he think of the war? Answer: For him, the dispute was over such issues as free will and predestination and the role of preaching versus the sacraments; Question: What were results of the war?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Veterans Committee Background: The Veterans Committee was the popular name of the National Baseball Hall of Fame Committee to Consider Managers, Umpires, Executives and Long-Retired Players; a former voting committee of the U.S. Baseball Hall of Fame that provided an opportunity for Hall of Fame enshrinement to all individuals who are eligible for induction but ineligible for consideration by the Baseball Writers' Association of America (BBWAA). The term "Veterans Committee" (was composed of four committees of baseball veterans) is taken from the body's former official name: National Baseball Hall of Fame Committee on Baseball Veterans (1953). In July 2010, the Veterans Committee name was changed by the Hall of Fame Board of Directors and its name was no longer officially used by the Hall of Fame, which called three new 16-member voting committees by era: the Expansion Era Committee (1973-present), the Golden Era Committee (1947-1972), and the Pre-Integration Era Committee (1876-1946) - each, "The Committee" (the term "Veterans Committee" is still being used by some sports media). The three committees met on a rotating cycle once every three years to elect candidates from each era to the Hall of Fame that have been "identified" by a BBWAA-appointed "Screening Committee" named the "Historical Overview Committee" (10-12 representatives; BBWAA members). Section: 2009 election Passage: (Last Veterans Committee election; for the Class of 2010) With the 2007 rules changes, the composite ballot was split into two separate ballots--one for managers and umpires and the other for executives. Also, the voting membership of the Committee, which previously included all living members of the Hall, was reduced to include just a handful of those members, plus additional executives and sportswriters. Voting for both the managers/umpires and executives ballots, which now takes place prior to inductions in even-numbered years, began with the 2008 class of inductees, when two managers and three executives were elected. To be eligible, managers and umpires must be retired for at least five years, or for at least six months if they are age 65 or older, while executives must be either retired or at least age 65. A Historical Overview Committee of sportswriters appointed by the BBWAA's Board of Directors met to develop a ballot of ten managers and umpires. The managers/umpires list was then submitted to a panel composed of Hall of Fame members, executives and veteran media members for a final vote. A separate ballot of ten executives was developed by a panel including executives, players and writers, which was the same committee which finally voted in that area. The final ballots were released in November 2009. Each panel member was allowed to vote for up to four individuals on each ballot, and each candidate who received 75% of the vote from either panel was elected; therefore, a maximum of five inductions were possible from each ballot. Voting was conducted at baseball's winter meetings in Indianapolis on December 6, 2009, with the results announced the next day; as was the case with the 2008 class of inductees, the Committee met to discuss the candidates, although the previous three elections had been conducted by mail. Question: what happened in 2009? Answer: With the 2007 rules changes, the composite ballot was split into two separate ballots--one for managers and umpires and the other for executives. Question: why was it changed? Answer: CANNOTANSWER Question: what else did it include?
[ "players and writers, which was the same committee which finally voted in that area." ]
Title: Veterans Committee Background: The Veterans Committee was the popular name of the National Baseball Hall of Fame Committee to Consider Managers, Umpires, Executives and Long-Retired Players; a former voting committee of the U.S. Baseball Hall of Fame that provided an opportunity for Hall of Fame enshrinement to all individuals who are eligible for induction but ineligible for consideration by the Baseball Writers' Association of America (BBWAA). The term "Veterans Committee" (was composed of four committees of baseball veterans) is taken from the body's former official name: National Baseball Hall of Fame Committee on Baseball Veterans (1953). In July 2010, the Veterans Committee name was changed by the Hall of Fame Board of Directors and its name was no longer officially used by the Hall of Fame, which called three new 16-member voting committees by era: the Expansion Era Committee (1973-present), the Golden Era Committee (1947-1972), and the Pre-Integration Era Committee (1876-1946) - each, "The Committee" (the term "Veterans Committee" is still being used by some sports media). The three committees met on a rotating cycle once every three years to elect candidates from each era to the Hall of Fame that have been "identified" by a BBWAA-appointed "Screening Committee" named the "Historical Overview Committee" (10-12 representatives; BBWAA members). Section: 2008 election Passage: The Veterans Committee election process, radically changed in 2001, was revamped yet again in July 2007. The changes that most directly affected this election involved elections of non-players (managers, umpires and executives). Under the 2001 rules, elections of non-players would be held every fourth year on a "composite ballot". No candidate was elected from the composite ballot in 2003 or 2007. With the 2007 rules changes, the composite ballot was split into two separate ballots--one for managers and umpires and the other for executives. Also, the voting membership of the Committee, which previously included all living members of the Hall, was now reduced to include just a handful of those members, plus additional executives and sportswriters (only one of whom had been among the previous electorate). Voting for both the managers/umpires and executives ballots will now take place prior to inductions in even-numbered years, starting with 2008. To be eligible, managers and umpires need to be retired for at least five years, or for at least six months if they are age 65 or older, while executives need to be either retired or at least age 65. A Historical Overview Committee of eleven sportswriters appointed by the BBWAA's Board of Directors met to develop a ballot of ten managers and umpires; the committee members were: Dave Van Dyck (Chicago Tribune), Bob Elliott (Toronto Sun), Rick Hummel (St. Louis Post-Dispatch), Steve Hirdt (Elias Sports Bureau), Moss Klein (Newark Star-Ledger), Bill Madden (New York Daily News), Ken Nigro (formerly Baltimore Sun), Jack O'Connell (MLB.com), Nick Peters (The Sacramento Bee), Tracy Ringolsby (Rocky Mountain News) and Mark Whicker (The Orange County Register). The managers/umpires list was submitted to a sixteen-member panel composed of ten Hall of Famers (eight players and two managers), three executives and three veteran media members for a final vote. A separate ballot of ten executives was developed by a twelve-member panel including seven executives, two players and three writers, which was the same committee which did the final voting in that area. On November 8, 2007, the final ballots were released. Each panel member could vote for up to four individuals on each ballot, and each candidate who received 75% of the vote from either panel would be elected; therefore, a maximum of five inductions was possible from each ballot. Voting was conducted at baseball's winter meetings in Nashville, Tennessee on December 2, 2007, with the results announced on December 3; it was the first time since 2001 that the Committee met to discuss candidates, as the previous three elections had been conducted by mail. Question: Were there any rule changes for 2008? Answer: The changes that most directly affected this election involved elections of non-players (managers, umpires and executives). Question: How were those changes made? Answer: CANNOTANSWER Question: How were they decided to be on the ballot?
[ "Historical Overview Committee of eleven sportswriters appointed by the BBWAA's Board of Directors met to develop a ballot of ten managers and umpires;" ]
Title: Hugh Trevor-Roper Background: Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany. Section: General crisis of the 17th century Passage: A notable thesis propagated by Trevor-Roper was the "general crisis of the 17th century". He argued that the middle years of the 17th century in Western Europe saw a widespread break-down in politics, economics and society caused by demographic, social, religious, economic and political problems. In this "general crisis," various events, such as the English Civil War, the Fronde in France, the climax of the Thirty Years' War in Germany, troubles in the Netherlands, and revolts against the Spanish Crown in Portugal, Naples and Catalonia, were all manifestations of the same problems. The most important causes of the "general crisis" in Trevor-Roper's opinion were conflicts between "Court" and "Country"; that is between the increasingly powerful centralizing, bureaucratic, sovereign princely states, represented by the Court, and the traditional, regional, land-based aristocracy and gentry, representing the country. In addition, he said that the religious and intellectual changes introduced by the Reformation and the Renaissance were important secondary causes of the "general crisis." The "general crisis" thesis generated controversy between supporters of this theory, and those, such as the Marxist historian Eric Hobsbawm, who agreed with him that there was a "general crisis," but saw the problems of 17th century Europe as more economic in origin than Trevor-Roper would allow. A third faction denied that there was any "general crisis," for example the Dutch historian Ivo Schoffer, the Danish historian Niels Steengsgaard, and the Soviet historian A. D. Lublinskaya. Trevor-Roper's "general crisis" thesis provoked much discussion, and led experts in 17th century history such as Roland Mousnier, J. H. Elliott, Lawrence Stone, E. H. Kossmann, Eric Hobsbawm and J. H. Hexter to become advocates of the pros and cons of the theory. At times the discussion became quite heated; the Italian Marxist historian Rosario Villari, speaking of the work of Trevor-Roper and Mousnier, claimed that: "The hypothesis of imbalance between bureaucratic expansion and the needs of the state is too vague to be plausible, and rests on inflated rhetoric, typical of a certain type of political conservative, rather than on effective analysis." Villari accused Trevor-Roper of downgrading the importance of what Villari called the English Revolution (the usual Marxist term for the English Civil War), and insisted that the "general crisis" was part of a Europe-wide revolutionary movement. Another Marxist critic of Trevor-Roper the Soviet historian A. D. Lublinskaya attacked the concept of a conflict between "Court" and "Country" as fiction, arguing there was no "general crisis;" instead she maintained that the so-called "general crisis" was merely the emergence of capitalism. Question: What were Trevor-Ropers thoughts on the general crisis of the 17th century? Answer: He argued that the middle years of the 17th century in Western Europe saw a widespread break-down in politics, economics and society Question: What were the effects of this break-down? Answer: English Civil War, the Fronde in France, the climax of the Thirty Years' War in Germany, troubles in the Netherlands, and revolts against the Spanish Crown Question: How did European society and its people change after these major shifts?
[ "In addition, he said that the religious and intellectual changes introduced by the Reformation and the Renaissance were important secondary causes of the \"general crisis.\"" ]
Title: Bad Brains Background: Bad Brains is an American hardcore punk band formed in Washington, D.C., in 1977. They are widely regarded as among the pioneers of hardcore punk, though the band's members have objected to this term to describe their music. They are also an adept reggae band, while later recordings featured elements of other genres like funk, heavy metal, hip hop and soul. Bad Brains are followers of the Rastafari movement. Section: Dr. Know and H.R.'s health issues and Mind Power (2015-present) Passage: On November 3, 2015, Bad Brains announced on their Facebook page that Dr. Know (Gary Miller) was hospitalized and on life support, after many other musicians reported so. Bad Brains later announced, on November 10, that Dr. Know had come off life support and was "under close care" after a heart attack and subsequent organ failure. His bandmates were asking fans to help via a GoFundMe campaign to pay his expenses for rehabilitation. After nearly three months in the hospital, he was transferred to a medical rehabilitation facility for the physical therapy and other necessary treatment he needed to make a full recovery. On March 15, 2016, it was reported that Bad Brains frontman H.R. was diagnosed with a rare type of headache called SUNCT, and was seeking $15,000 to fight the "Suicide Syndrome" using methods not covered by health insurance; as a result, a GoFundMe page was created. According to the GoFundMe page, H.R. had dealt with "several health issues" in recent years that he had been able to overcome. In a December 2016 interview with Rolling Stone, where Dr. Know and bassist Darryl Jenifer talked about the band members' health issues and the status and future of Bad Brains, it was revealed that the band hopes they will record the follow-up to Into the Future, titled Mind Power. On June 8, the band played an unannounced short gig in Darryl Jenifer's art exhibition. They played three songs with H.R. on vocals, two songs with Lamb of God frontman Randy Blythe on vocals and one song with Sid McCray singing with the band for the first time in 39 years. On April 2017, it was announced the Bad Brains would play an exclusive 40th anniversary set at Riot Fest in Chicago's Douglas Park. On September 16, 2017, they made that Riot Fest appearance, playing ten songs with H.R. on vocals and three songs with Randy Blythe on vocals. Question: What is Dr. Know? Answer: Dr. Know (Gary Miller) Question: What is the significance of Dr Know?
[ "Dr. Know had come off life support and was \"under close care\"" ]
Title: Scott Weiland Background: Scott Richard Weiland (; ne Kline, October 27, 1967 - December 3, 2015) was an American musician, singer and songwriter. During a career spanning three decades, Weiland was best known as the lead singer of the band Stone Temple Pilots from 1989 to 2002 and 2008 to 2013. He was also a member of supergroup Velvet Revolver from 2003 to 2008 and recorded one album with another supergroup, Art of Anarchy. Section: Artistry Passage: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album. Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate." Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. Question: What kind of art did Scott do? Answer: Weiland's vocal and musical style Question: Did that album have an singles on it or successful songs?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Scott Weiland Background: Scott Richard Weiland (; ne Kline, October 27, 1967 - December 3, 2015) was an American musician, singer and songwriter. During a career spanning three decades, Weiland was best known as the lead singer of the band Stone Temple Pilots from 1989 to 2002 and 2008 to 2013. He was also a member of supergroup Velvet Revolver from 2003 to 2008 and recorded one album with another supergroup, Art of Anarchy. Section: Relationships and family Passage: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007. In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat." Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic. Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011. In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. Question: Was Scott Weiland married? Answer: Weiland married Janina Castaneda on September 17, 1994; Question: How did he meet his wife? Answer: CANNOTANSWER Question: Why did he divorce from his wife?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Art Bell Background: Art Bell III was born in Jacksonville, North Carolina, to Arthur Bell, Jr., a United States Marine Corps captain, and Jane Gumaer Bell, a Marine drill instructor. Arthur Bell, Jr. died in 2000, and Jane Bell died December 23, 2008. Bell has always been interested in radio, and at the age of 13 became a licensed amateur radio operator. Bell now holds an Amateur Extra Class license, which is in the top U.S. Federal Communications Commission license class. Section: Critical reputation Passage: Fans regard Bell as a master showman, noting that he calls his show "absolute entertainment" and expressly says he does not necessarily accept every guest or caller's claims but only offers a forum where they will not be openly ridiculed. Bell was one of only a few talk show hosts who did not screen incoming calls, but this changed in 2006. On the October 31, 2006 edition of Coast to Coast AM, (renamed for the night to Ghost to Ghost AM), Bell was asked why he was now using call screeners. The explanation given was that for him to use unscreened open phone lines while in the Philippines would require listeners to call there directly at enormous cost to them. Art admitted that he should have chosen New Zealand instead of the Philippines as an alternative to the USA. He said, "It was a bad choice, and I'll regret it, one day, in the near future." He subsequently stopped screening calls upon his return to the United States. His calm attitude, patient questions, and ability to tease substance from nebulous statements of callers and guests gave his show a relaxed yet serious atmosphere. This earned him praise from those who declare that the paranormal deserves a mature outlet of discussion in the media as well as the approval of those simply amused by the nightly parade of bizarre, typically fringe topics. Ed Dames, Richard C. Hoagland, Terence McKenna, Dannion Brinkley, David John Oates, and Robert Bigelow have all been regular guests. Some of Bell's regular guests, particularly Hoagland, continue to be regular guests on Coast to Coast AM now hosted by George Noory. Bell's own interests, however, extend beyond the paranormal. He has interviewed singers Crystal Gayle, Willie Nelson, Merle Haggard, Eric Burdon and Gordon Lightfoot, comedian George Carlin, writer Dean Koontz, hard science fiction writer Greg Bear, X-Files writer/creator Chris Carter, TV talk host Regis Philbin, Star Trek actor Leonard Nimoy, actor Dan Aykroyd, former Luftwaffe pilot Bruno Stolle, actress Jane Seymour, actress Ellen Muth, actor and TV host Robert Stack, human rights lawyer John Loftus, legendary disc jockey Casey Kasem, and frequent guests physicist Michio Kaku and SETI astronomers Seth Shostak and H. Paul Shuch. Beginning in late 1996, Bell was criticized for reporting rumors that Comet Hale-Bopp was being trailed by a UFO. It was speculated that members of the Heaven's Gate group committed mass suicide based on rumors Bell aired, but others dismissed the idea, noting that the Heaven's Gate website stated: "Whether Hale-Bopp has a 'companion' or not is irrelevant from our perspective." Susan Wright reported, however, that Bell was also "one of the first to publicize expert opinions refuting the 'alien' companion" said to have been shadowing Hale-Bopp, such as that published in 1998 from the Jet Propulsion Laboratory suggesting that "the satellite's main diameter is ~30 km," and accordingly natural rather than artificial. Question: Why was his reputation critical? Answer: Bell was criticized for reporting rumors that Comet Hale-Bopp was being trailed by a UFO. Question: Who criticized him? Answer: " Susan Wright reported, however, that Bell was also "one of the first to publicize expert opinions Question: Did he ever do an interview about his beliefs? Answer: CANNOTANSWER Question: What were his beliefs about UFO's?
[ "criticized for reporting rumors that Comet Hale-Bopp was being trailed by a UFO." ]
Title: Art Bell Background: Art Bell III was born in Jacksonville, North Carolina, to Arthur Bell, Jr., a United States Marine Corps captain, and Jane Gumaer Bell, a Marine drill instructor. Arthur Bell, Jr. died in 2000, and Jane Bell died December 23, 2008. Bell has always been interested in radio, and at the age of 13 became a licensed amateur radio operator. Bell now holds an Amateur Extra Class license, which is in the top U.S. Federal Communications Commission license class. Section: Broadcasting career Passage: During the early 1970s, Bell lived in Watsonville, California and worked for KIDD 630 AM in Monterey, California. He also worked for KMST channel 46. First a rock music disc jockey before moving into talk radio, Bell's original 1978 late-night Las Vegas program on KDWN was a political call-in show under the name West Coast AM. In 1988, Bell and Alan Corberth renamed the show Coast to Coast AM and moved its broadcast from the Plaza Hotel in Las Vegas to Bell's home in Pahrump. Bell abandoned conventional political talk in favor of topics such as gun control and conspiracy theories, leading to a significant bump in his overnight ratings. The show's focus again shifted significantly after the Oklahoma City bombing in 1995. Many in the media did not want to be blamed for inciting anti-government or militia actions like the bombing. Subsequently, Bell discussed off-beat topics like the paranormal, the occult, UFOs, protoscience and pseudoscience. During his tenure at KDWN Bell met and married his third wife, Ramona, who later handled production and management duties for the program. According to The Washington Post in its February 23, 1997 edition, Bell was at the time America's highest-rated late-night radio talk show host, broadcast on 328 stations. According to The Oregonian in its June 22, 1997 edition, Coast to Coast AM with Art Bell was on 460 stations. At its initial peak in popularity, Coast to Coast AM was syndicated on more than 500 radio stations and claimed 15 million listeners nightly. Bell's studios were located in his home in the town of Pahrump, located in Nye County, Nevada; hence the voice-over catchphrase, "from the Kingdom of Nye". Question: Why did bell screen calls? Answer: CANNOTANSWER Question: what did he change the program name to?
[ "In 1988, Bell and Alan Corberth renamed the show Coast to Coast AM" ]
Title: Houston Livestock Show and Rodeo Background: The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibitions and rodeo in the world. It also includes one of the richest regular-season rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003. It was previously held in the Astrodome. Section: Rodeo and concert Passage: One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is run independently of the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, but the winnings do not count towards the competitors' qualification for the PRCA National Finals Rodeo. RodeoHouston is an invitational, featuring 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. On the final evening, the rodeo hosts the Cinch SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. The finals and the SuperShoot are televised on Fox Sports. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Tejano music night generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Question: Where is the Rodeo located? Answer: held in NRG Stadium. Question: How long does the rodeo last? Answer: 20 consecutive evenings of rodeo and concert, Question: How many people participate in the rodeo? Answer: featuring 280 of the top professional cowboys. Question: What kind of events happen? Answer: rodeo and concert, Question: Do they have food or drinks available for purchase?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Houston Livestock Show and Rodeo Background: The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibitions and rodeo in the world. It also includes one of the richest regular-season rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003. It was previously held in the Astrodome. Section: Trail rides Passage: Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about 3 miles (4.8 km) per hour, covering up to 17 miles (27 km) each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. Question: What are trail rides? Answer: Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. Question: Are trail rides open to the public? Answer: As of 2017, there were 13 official trail rides, totaling over 3,000 riders. Question: Do people ride on horses? Answer: The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. Question: Is there a charge to participate? Answer: Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. Question: Can you rent a horse or wagon? Answer: The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. Question: How many days is the trail ride? Answer: The trail rides last from a few days to three weeks, depending on the distance they cover. Question: Are children allowed to participate in the trail ride?
[ "Some of the participants are able to join only on weekends or at the end of the trip." ]
Title: Jane Roberts Background: Dorothy Jane Roberts (May 8, 1929 - September 5, 1984) was an American author, poet, self-proclaimed psychic, and spirit medium, who claimed to channel an energy personality who called himself "Seth." Her publication of the Seth texts, known as the Seth Material, established her as one of the preeminent figures in the world of paranormal phenomena. The Yale University Library Manuscripts and Archives maintains a collection entitled Jane Roberts Papers (MS 1090), which documents the career and personal life of Jane Roberts, including journals, poetry, correspondence, audio and video recordings, and other materials donated after her death by Roberts' husband and other individuals and organizations. Section: Criticism Passage: Roberts and the Seth Material have attracted critiques from outside the paranormal community. The poet Charles Upton, in his collection of essays titled The System of Antichrist, posited that Roberts multiplied the self due to a fear of death. His opinion was that the Seth texts are based on a misunderstanding of both Christianity and of Eastern religions. Professor of psychology and noted critic of parapsychology James E. Alcock opined, "In light of all this, the Seth materials must surely be viewed as less than ordinary. There certainly was the time and talent for fraud to play a role, but we cannot discriminate between that possibility and the possibility of unconscious production--at any rate, given these circumstances, there seems little need to consider the involvement of any supernatural agency." Seth's teaching of a philosophy far more detailed than and not in keeping with traditional Church-authority, God-separate-from Creation, one-mortal-life, Jesus-centered messages has also received its share of criticism from some Christian believers. Various ministries have warned their members about the dangers and deceptions of reading channeled messages from Roberts and others. The Seth Material has been considered in certain circles to be "a book entirely written by a demon. A woman simply wrote it down as it was dictated to her by the demon; and, of course, it just destroys everything that is true in terms of God's revelation," and as evidence for "Devil possession." Videos such as Jane Roberts' Seth Speaks is Anti-Catholic Hate Books - Allowed By The Media protested that Seth was "a demon from hell contacted through a ouija board." Science writer Karen Stollznow has written that much of Roberts work was "criticized for being a rip-off of Christian and Eastern philosophy. It comes as no surprise that Seth influenced such authors as Deepak Chopra and Louise Hay." Since Roberts' death, others have claimed to channel Seth. In the introduction to Seth's first dictated book, Seth Speaks, "he" says, "communications will come exclusively through Ruburt [Seth's name for Jane] at all times, to protect the integrity of the material." In The Seth Material, Jane Roberts wrote: "Several people have told me that Seth communicated with them through automatic writing, but Seth denies any such contacts." At least one person has claimed more recently to channel Roberts. Question: What did this do Answer: Roberts and the Seth Material have attracted critiques from outside the paranormal community. Question: What was the worst part of this Answer: The poet Charles Upton, in his collection of essays titled The System of Antichrist, posited that Roberts multiplied the self due to a fear of death. Question: What did they lead them to do
[ "His opinion was that the Seth texts are based on a misunderstanding of both Christianity and of Eastern religions." ]
Title: Jane Roberts Background: Dorothy Jane Roberts (May 8, 1929 - September 5, 1984) was an American author, poet, self-proclaimed psychic, and spirit medium, who claimed to channel an energy personality who called himself "Seth." Her publication of the Seth texts, known as the Seth Material, established her as one of the preeminent figures in the world of paranormal phenomena. The Yale University Library Manuscripts and Archives maintains a collection entitled Jane Roberts Papers (MS 1090), which documents the career and personal life of Jane Roberts, including journals, poetry, correspondence, audio and video recordings, and other materials donated after her death by Roberts' husband and other individuals and organizations. Section: Reception and influence Passage: Seth's effect upon New Age thinkers has been profound. The title jacket of "The Nature of Personal Reality, A Seth Book," published in 1994 (Amber-Allen/New World Library), contains testimonials from some of the most notable thinkers and writers within the movement. Marianne Williamson, Deepak Chopra, Shakti Gawain, Dan Millman, Louise Hay, Richard Bach, and others express the effect the Seth Material had upon their own awakening. In words similar to Williamson's they state: "Seth was one of my first metaphysical teachers. He remains a constant source of knowledge and inspiration in my life." Catherine L. Albanese, professor of religious history at the University of Chicago, stated that in the 1970s the Seth Material "launched an era of nationwide awareness" of the channeling trend. She believes it contributed to the "self-identity of an emergent New Age movement and also augment[ed] its ranks." John P. Newport, in his study of the impact of New Age beliefs on contemporary culture, described the central focus of the Seth material as the idea that, for each individual: "you create your own reality." (Briefly summarized, our beliefs generate emotions which trigger our memories and organize our associations. Eventually those beliefs become manifested in our physical lives and health.) Newport wrote that this foundational concept of the New Age movement was first developed in the "Seth Material." Historian Robert C. Fuller, a professor of religious studies at Bradley University, wrote that Seth filled the role of guide for what Fuller called "unchurched American spirituality," related to concepts of reincarnation, karma, free will, ancient metaphysical wisdom, and "Christ consciousness." Some writers noted, "Husband Robert Butts stated that similarities exist between Seth's ideas and those of various religious, philosophical, and mystical doctrines from the Near, Middle, or Far East... and we've done a little reading on Buddhism, Hinduism, Zen, and Taoism, for example, not to mention subjects like shamanism, voodooism, and obeah." The late amateur physicist Michael Talbot wrote, "To my great surprise--and slight annoyance--I found that Seth eloquently and lucidly articulated a view of reality that I had arrived at only after great effort and an extensive study of both paranormal phenomena and quantum physics." Question: What was the best out of them Answer: Seth's effect upon New Age thinkers has been profound. The title jacket of "The Nature of Personal Reality, Question: What was wrong was this
[ "Marianne Williamson, Deepak Chopra, Shakti Gawain, Dan Millman, Louise Hay, Richard Bach, and others express the effect the Seth Material had upon their own awakening." ]
Title: Slim Pickens Background: Louis Burton Lindley Jr. was born in Kingsburg, California, the son of Sally Mosher (nee Turk) and Louis Bert Lindley Sr., a Texas-born dairy farmer. Young Lindley was an excellent horse rider from an early age. Known as "Bert" to his family and friends, he grew bored with dairy farming and began to make a few dollars by riding broncos and roping steers in his early teens. His father found out and forbade this activity but he took no notice, went to compete in a rodeo, and was told by the doubtful rodeo manager that there would be "slim pickin's" for him. Section: Dr. Strangelove Passage: Pickens played B-52 pilot Major T. J. "King" Kong. in Dr. Strangelove. Stanley Kubrick cast Pickens after Peter Sellers, who played three other roles in the film, sprained his ankle and was unable to perform in the role due to having to work in the cramped cockpit set. Pickens was chosen because his accent and comic sense were perfect for the role of Kong, a cartoonishly patriotic and gung-ho B-52 commander. He was not given the script to the entire film, but only those portions in which he played a part. Three memorable scenes featuring Pickens were: A monologue meant to steel the crew for their duty after he receives the definitive inflight order to bomb a strategic target in the USSR Reading aloud to his crew the contents of their survival kits (possibly the first mention of condoms in a Hollywood film): After listing the contents usable for barter with Russian women (prophylactics, nylons, lipstick, etc.), as well as a .45 automatic pistol, Major Kong said, "Shoot, a fella could have a pretty good time in Big D [Dallas] with all this stuff." This line had to be looped (the reference to Dallas changed to "weekend in Vegas") after the November 22, 1963, screening for critics was cancelled due to President John F. Kennedy's assassination. Best known of all, Pickens riding a dropped H-bomb to a certain death, whooping and waving his cowboy hat (in the manner of a rodeo performer bronc riding or bull riding), not knowing its detonation will trigger a Russian doomsday device Pickens credited Dr. Strangelove as a turning point in his career. Previously, he was "Hey you" on sets and afterward he was addressed as "Mr. Pickens". He once said, "After Dr. Strangelove, the roles, the dressing rooms, and the checks all started gettin' bigger." Pickens said he was amazed at the difference a single movie could make. However, Pickens also said that working with Stanley Kubrick proved too difficult due to Kubrick's perfectionist style of directing with multiple takes for nearly every shot, especially with the climactic H-bomb riding scene, which was done in just over 100 takes. In the late 1970s, Pickens was offered the part of Dick Hallorann in Kubrick's adaptation of Stephen King's The Shining, but Pickens stipulated that he would appear in the film only if Kubrick was required to shoot Pickens' scenes in fewer than 100 takes. Instead, Pickens' agent showed the script to Don Schwartz, the agent of Scatman Crothers, and Crothers accepted the role. Question: What does Dr Strangelove refer to? Answer: CANNOTANSWER Question: What did you find interesting about Slim in your reading? Answer: He was not given the script to the entire film, but only those portions in which he played a part. Question: what did he play a part in without a script? Answer: "King" Kong. Question: Who did he act with in Dr. Strangelove? Answer: CANNOTANSWER Question: Did Slim receive any recognitions for any of his work?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Slim Pickens Background: Louis Burton Lindley Jr. was born in Kingsburg, California, the son of Sally Mosher (nee Turk) and Louis Bert Lindley Sr., a Texas-born dairy farmer. Young Lindley was an excellent horse rider from an early age. Known as "Bert" to his family and friends, he grew bored with dairy farming and began to make a few dollars by riding broncos and roping steers in his early teens. His father found out and forbade this activity but he took no notice, went to compete in a rodeo, and was told by the doubtful rodeo manager that there would be "slim pickin's" for him. Section: Film career Passage: After nearly 20 years of rodeo work, his distinctive Oklahoma-Texas drawl (though he was a lifelong Californian), his wide eyes, moon face, and strong physical presence gained him a role in the Western film film Rocky Mountain (1950) starring Errol Flynn. He appeared in many more Westerns, playing both villains and comic sidekicks to the likes of Rex Allen. Hollywood made good use of Pickens' rodeo background. He did not need a stand-in for horseback scenes, and he was able to gallop his own Appaloosa horses across the desert, or drive a stagecoach pulled by a six-horse team. In a large number of films and TV shows, he wore his own hats and boots, and rode his own horses and mules. Pickens appeared in dozens of films, including Rocky Mountain (1950), Old Oklahoma Plains (1952), Down Laredo Way (1953), Tonka (1959), One-Eyed Jacks (1961) with Marlon Brando, Dr. Strangelove (1964), Major Dundee (1965) with Charlton Heston, the remake of Stagecoach (1966; Pickens played the driver, portrayed in the 1939 film by Andy Devine), Never a Dull Moment (1968), The Cowboys (1972) with John Wayne, Ginger in the Morning (1974) with Fred Ward, Blazing Saddles (1974), Poor Pretty Eddie (1975), Rancho Deluxe (1975), The Getaway with Steve McQueen, Tom Horn (1980), also with McQueen, Beyond the Poseidon Adventure (1979) with Michael Caine and Karl Malden, An Eye for an Eye (1966) and Pat Garrett and Billy the Kid (1973). He had a small but memorable role in Steven Spielberg's 1941 (1979) in scenes with Toshiro Mifune and Christopher Lee; during one scene, he enumerates the objects on his person, similar to the way he does in the "Survival Kit Contents Check" scene in Dr. Strangelove. In 1978, Pickens lent his voice to theme park Silver Dollar City as a character named Rube Dugan, for a ride called "Rube Dugan's Diving Bell". The diving bell was a simulation ride that took passengers on a journey to the bottom of Lake Silver and back. The ride was in operation from 1978 to 1984. He also played werewolf sheriff Sam Newfield in The Howling (1981). In 1960, he appeared in the NBC Western series, Overland Trail in the episode "Sour Annie" with fellow guest stars Mercedes McCambridge and Andrew Prine. Pickens appeared five times on NBC's Outlaws (1960-62) Western series as the character "Slim". The program, starring Barton MacLane, was the story of a U.S. marshal in Oklahoma Territory -- deputies played by Don Collier, Jock Gaynor, and Bruce Yarnell -- and the outlaws that they pursued. In 1967, Pickens had a recurring role as the scout California Joe Milner on the ABC military Western Custer, starring Wayne Maunder in the title role. In 1975, Pickens was in another Western, playing the evil, limping bank robber in Walt Disney's The Apple Dumpling Gang; that same year, the exploitation classic Poor Pretty Eddie was released, with Pickens portraying twisted Sheriff Orville. He provided the voice of B.O.B. in the 1979 Disney science-fiction thriller The Black Hole. His last film was his least notable, Pink Motel (1982) with Phyllis Diller. Question: what did his film career consist of? Answer: In a large number of films and TV shows, he wore his own hats and boots, and rode his own horses and mules. Question: who did he work with? Answer: Steve McQueen, Tom Horn (1980), also with McQueen, Beyond the Poseidon Adventure (1979) with Michael Caine and Karl Malden, Question: what was his greatest accomplishment mentioned in the article? Answer: In 1975, Pickens was in another Western, playing the evil, limping bank robber in Walt Disney's The Apple Dumpling Gang; Question: did he ever win any awards? Answer: CANNOTANSWER Question: what is the most important fact mentioned in this article?
[ "He provided the voice of B.O.B. in the 1979 Disney science-fiction thriller The Black Hole. His last film was his least notable, Pink Motel (1982) with Phyllis Diller." ]
Title: Ray Allen Background: The third of five children, Allen was born at Castle Air Force Base near Merced, California, the son of Walter Sr. and Flora Allen. A military child, he spent time growing up in Saxmundham in England, Altus in Oklahoma, Edwards Air Force Base in California, and Germany. After years of traveling and constant moving, he moved to Dalzell, South Carolina where he would attend high school for the next four years. When he first arrived, he was always the odd man out that kids often picked on for his formative language that he used due to his elementary years in Britain. Section: Seattle SuperSonics (2003-2007) Passage: Allen remained with the Bucks midway through the 2002-03 season, when he was dealt to the Sonics, along with Ronald Murray, former UConn teammate Kevin Ollie, and a conditional first round draft pick, in exchange for Gary Payton and Desmond Mason. After an injury-riddled 2003-04 season, he was named to the All-NBA Second Team and, alongside teammate Rashard Lewis, led the Sonics to the Conference Semifinals in 2005. During the 2004 preseason, Allen had a brief war of words with Los Angeles Lakers guard Kobe Bryant, whom Allen accused of alienating teammates trying to prove that he did not need Shaquille O'Neal to win games and championships. Allen told the press that if the Lakers remained a mediocre squad, "in about a year or two he will be calling out to (Lakers owner) Jerry Buss that we need some help in here, or trade me." When asked about Allen's comments, Bryant responded, "Don't even put me and that dude in the same breath." After the 2004-05 season, Allen signed a 5-year, $80 million contract extension. In the 2006-07 regular season, he averaged a career-high 26.4 points per game while adding 4.5 rebounds and 4.1 assists per game. During his Seattle SuperSonics tenure, Allen achieved many individual accomplishments. On March 12, 2006, Allen became the 97th player in NBA history to score 15,000 points. On April 7, 2006, Allen moved into second place on the NBA's list of all-time 3-point field goals made, trailing only Reggie Miller. On April 19, 2006, Allen broke Dennis Scott's ten-year-old NBA record for 3-point field goals made in a season in a game against the Denver Nuggets. The record has since been broken by Stephen Curry. On January 12, 2007, Allen scored a career-high 54 points against the Utah Jazz in a 122-114 overtime win, the second most in Sonics history. Shortly after, he had ankle surgery on both ankles and missed the remainder of the 2006-07 season. Question: Was Seattle Allen's first team? Answer: CANNOTANSWER Question: Why did Allen leave the SuperSonics? Answer: he had ankle surgery on both ankles and missed the remainder of the 2006-07 season. Question: What accomplishments did he achieve with the SuperSonics? Answer: On March 12, 2006, Allen became the 97th player in NBA history to score 15,000 points. Question: What were his problems with Kobe Bryant?
[ "Allen accused of alienating teammates trying to prove that he did not need Shaquille O'Neal to win games and championships." ]
Title: Ray Allen Background: The third of five children, Allen was born at Castle Air Force Base near Merced, California, the son of Walter Sr. and Flora Allen. A military child, he spent time growing up in Saxmundham in England, Altus in Oklahoma, Edwards Air Force Base in California, and Germany. After years of traveling and constant moving, he moved to Dalzell, South Carolina where he would attend high school for the next four years. When he first arrived, he was always the odd man out that kids often picked on for his formative language that he used due to his elementary years in Britain. Section: Miami Heat (2012-2014) Passage: Allen rejected a two-year, $12 million offer to return to the Boston Celtics and accepted a three-year deal with the Miami Heat, who were limited to their mid-level exception amount of slightly more than $3 million per season. During Allen's first season with the Miami Heat, he averaged 10.9 points per game and made 88.6% of his free throws while playing an average of 25.8 minutes per game. On April 25, 2013, while playing Milwaukee in Game 3 of the first round of the playoffs, Allen made his 322nd career three-pointer in the playoffs, which broke Reggie Miller's record for most three-pointers made in NBA playoff history. Allen returned to his favorite #34 jersey upon joining the Heat. In Game 6 of the NBA Finals against the San Antonio Spurs, as the Heat trailed by three points, Allen made a game-tying 3-pointer with 5.2 seconds left in the fourth quarter. Having rallied from a 10-point deficit at the end of the third quarter, the Heat won in overtime 103-100 over the San Antonio Spurs and forced a seventh game in the series. With the Heat leading 101-100, Allen stole the ball from Manu Ginobili under the Spurs' basket and drew a foul with 1.9 seconds remaining in the overtime period. Allen made both ensuing free throws to put Miami up 103-100. Allen played 41 minutes in Game 6 off the bench and scored 9 points on 3-for-8 field goal shooting; his game-tying three-pointer was the only three-pointer he made in three attempts. Allen also had one defensive rebound and two assists. In Game 7, which the Heat won 95-88 to win its second consecutive championship, Allen played 20 minutes off the bench. Although he made none of 4 field goal attempts and had 3 turnovers, Allen recorded 4 defensive rebounds and 4 assists. On June 29, 2013, Allen picked up his $3.23 million player option to stay with the Heat through the 2013-14 NBA season. During the regular season, Allen played in 73 games, starting 9 of them, averaging 9.6 points and shooting 37 percent from three point range. In the playoffs, Allen scored 19 points on 4-7 three point shooting in game 4 of the conference semifinals against the Brooklyn Nets. Then in Game 3 against the Indiana Pacers in an Eastern Conference Finals rematch, Allen hit four 3-point shots in the fourth quarter and put them up 2-1 in the series. The Heat won the series in six games to advance to the NBA Finals for the fourth straight year and Allen's second. The Heat faced the Spurs again in the 2014 NBA Finals, but they lost the series in five games. Question: What happened in 2012? Answer: Allen rejected a two-year, $12 million offer to return to the Boston Celtics Question: Did he sign with someone else? Answer: accepted a three-year deal with the Miami Heat, Question: How much did they offer him Answer: limited to their mid-level exception amount of slightly more than $3 million per season. Question: Did he do well playing for them? Answer: broke Reggie Miller's record for most three-pointers made in NBA playoff history. Question: What was his overall stats? Answer: During Allen's first season with the Miami Heat, he averaged 10.9 points per game and made 88.6% of his free throws Question: Did he play with them in 2014?
[ "The Heat faced the Spurs again in the 2014 NBA Finals," ]
Title: Rod Serling Background: Serling was born on December 25, 1924, in Syracuse, New York, to a Jewish family. He was the second of two sons born to Esther (nee Cooper) and Samuel Lawrence Serling. Serling's father had worked as a secretary and amateur inventor before having children, but took on his father-in-law's profession as a grocer to earn a steady income. Sam Serling later became a butcher after the Great Depression forced the store to close. Section: Television Passage: Serling moved from radio to television, as a writer for WKRC-TV in Cincinnati. His duties included writing testimonial advertisements for dubious medical remedies and scripts for a comedy duo. He continued at WKRC after graduation and, amidst the mostly dreary day-to-day work, also created a series of scripts for a live TV program, The Storm, as well as for other anthology dramas (a format which was in demand by networks based in New York). Following a full day of classes (or, in later years, work), he spent evenings on his own, writing. He sent manuscripts to publishers and received forty rejection slips during these early years. In 1950, Serling hired Blanche Gaines as an agent. His radio scripts received more rejections, so he began rewriting them for television. Whenever a script was rejected by one program, he would resubmit it to another, eventually finding a home for many in either radio or television. As Serling's college years ended, his scripts began to sell. He continued to write for television and eventually left WKRC to become a full-time freelance writer. He recalled, "Writing is a demanding profession and a selfish one. And because it is selfish and demanding, because it is compulsive and exacting, I didn't embrace it. I succumbed to it." According to his wife, Serling "just up and quit one day, during the winter of 1952, about six months before our first daughter Jody was born--though he was also doing some freelancing and working on a weekly dramatic show for another Cincinnati station." He and his family moved to Connecticut in early 1953. Here he made a living by writing for the live dramatic anthology shows that were prevalent at the time, including Kraft Television Theatre, Appointment with Adventure and Hallmark Hall of Fame. By the end of 1954, his agent convinced him he needed to move to New York, "where the action is." The writer Marc Scott Zicree, who spent years researching his book The Twilight Zone Companion, noted, "Sometimes the situations were cliched, the characters two-dimensional, but always there was at least some search for an emotional truth, some attempt to make a statement on the human condition." Question: was he ever on television? Answer: Serling moved from radio to television, as a writer for WKRC-TV in Cincinnati. Question: what shows did he write for? Answer: as a writer for WKRC-TV in Cincinnati. Question: did he write funny material? Answer: The writer Marc Scott Zicree, who spent years researching his book The Twilight Zone Companion, Question: did he enjoy writing for television? Answer: He continued to write for television and eventually left WKRC to become a full-time freelance writer. Question: what;s another interesting fact about his television?
[ "In 1950, Serling hired Blanche Gaines as an agent." ]
Title: Tangerine Dream Background: Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese being the only continuous member until his death in January 2015. The best known line-up of the group was its mid-70s trio of Froese, Christopher Franke, and Peter Baumann. In the late 1970s, Johannes Schmoelling replaced Baumann. Section: Going Independent Passage: Several of the band's albums released during the 1990s were nominated for Grammy Awards. Since then, Tangerine Dream with Jerome Froese took a directional change away from the new-age leanings of those albums and toward an electronica style. After Jerome's departure, founder Edgar Froese steered the band in a direction somewhat reminiscent of material throughout their career. In later years, Tangerine Dream released albums in series. The Dream Mixes series began in 1995 with the last being released in 2010. The Divine Comedy series, based on the writings of Dante Alighieri, spanned 2002-2006. From 2007-2010, the Five Atomic Seasons were released. Most recently, the Eastgate Sonic Poems series, based on the works of famous poetic authors such as Edgar Allan Poe and Franz Kafka, began in 2011, with the last appearing in 2013. Also, beginning in 2007, Tangerine Dream released a number of EPs, referred to as "CupDiscs" by the band. Edgar Froese also released a number of solo recordings which are similar in style to Tangerine Dream's work. Jerome Froese released a number of singles as TDJ Rome that are similar to his work within the Dream Mixes series. In 2005 he released his first solo album Neptunes under the name Jerome Froese. In 2006 Jerome left Tangerine Dream to concentrate on his solo career. His second solo album Shiver Me Timbers was released on 29 October 2007, and his third, Far Side of the Face, was released in 2012. Beginning in 2011, Jerome Froese joined with former Tangerine Dream member Johannes Schmoelling and keyboardist Robert Waters to form the band Loom, which plays original material as well as Tangerine Dream classics. Thorsten Quaeschning, leader of Picture Palace Music, was brought into Tangerine Dream in 2005, and contributed to most of the band's albums and CupDiscs since then. The group had recording contracts with Ohr, Virgin, Jive Electro, Private Music, and Miramar, and many of the minor soundtracks were released on Varese Sarabande. In 1996, the band founded their own record label, TDI, and more recently, Eastgate. Subsequent albums are today generally not available in normal retail channels but are sold by mail-order or through online channels. The same applies to their Miramar releases, the rights to which the band bought back. Meanwhile, their Ohr and Jive Electro catalogs (known as the "Pink" and "Blue" Years) are currently owned by Esoteric Recordings. Question: when tangerine dream go independent? Answer: Edgar Froese steered the band in a direction somewhat reminiscent of material throughout their career. Question: what direction was that? Answer: career. Question: did they win awards as a independent?
[ "Ohr, Virgin, Jive Electro, Private Music, and Miramar," ]
Title: The Apples in Stereo Background: The Apples in Stereo, styled as The Apples in stereo, are an American rock band associated with Elephant Six Collective, a group of bands also including Neutral Milk Hotel and The Olivia Tremor Control. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet). The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music. Section: 1994-1995: Hypnotic Suggestion and Fun Trick Noisemaker Passage: Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose. In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio). Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s. A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." Question: What is Hypnotic Suggestion? Answer: The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. Question: Was this album successul? Answer: CANNOTANSWER Question: What were the single hits?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Vicente Fernández Background: Born on 17 February 1940 in the suburb of Huentitan El Alto in Guadalajara, Jalisco, Fernandez spent his early years on his father Ramon's ranch on the outskirts of Guadalajara. He also worked at a young age as a waiter, dish washer, cashier, and finally manager of his uncle's restaurant. "Chente", as he was known to all, became fond of the idyllic ranch lifestyle. His mother often took him to see the films of Pedro Infante; he has said of these films' significance: "When I was 6 or 7, I would go see Pedro Infante's movies, and I would tell my mother, 'When I grow up, I'll be like him.' Section: Awards and nominations Passage: In 1990, he released the album Vicente Fernandez y las clasicas de Jose Alfredo Jimenez, a tribute to Mexico's famous songwriter Jose Alfredo Jimenez. The album earned him Billboard and Univision's Latin Music Award for Mexican Regional Male Artist of the Year, which he won 5 times from 1989 to 1993. In 1998, he was inducted into Billboard's Latin Music Hall of Fame. In 2002, the Latin Recording Academy recognized Fernandez as Person of the Year. That year he celebrated his 35th anniversary in the entertainment industry, a career in which he has sold more than 50 million records. He has 51 albums listed on the Recording Industry Association of America (RIAA) for gold, platinum, and multiplatinum selling records. He also has his own star on the walk of fame in Hollywood, California; over 5,000 people attended his star-presentation ceremony, which is a record itself. Fernandez also has an arena in Guadalajara named in his honor, a star placed with his hand prints and name at the Paseo de las Luminarias in Mexico City. In 2010, Fernandez was awarded his first Grammy Award for Best Regional Mexican Album for his record Necesito de Ti. On October 10, 2012, a stretch of 26th Street (a street in a Hispanic neighborhood of Chicago called Little Village) was named in his honor. In 2015, Fernandez was awarded his second Grammy Award for Best Regional Mexican Music Album (including Tejano) for the album Mano A Mano - Tangos A La Manera De Vicente Fernandez. Question: What awards has he received? Answer: The album earned him Billboard and Univision's Latin Music Award for Mexican Regional Male Artist of the Year, which he won 5 times from 1989 to 1993. Question: Which album was that? Answer: Vicente Fernandez y las clasicas de Jose Alfredo Jimenez, Question: Has he won any Grammys? Answer: In 2015, Fernandez was awarded his second Grammy Award for Best Regional Mexican Music Album Question: What did he win his forst Grammy for? Answer: Fernandez was awarded his first Grammy Award for Best Regional Mexican Album for his record Necesito de Ti. Question: Has he been nominated for awards which he has not won? Answer: In 1998, he was inducted into Billboard's Latin Music Hall of Fame. Question: Has he been honored by the Mexican government?
[ "On October 10, 2012, a stretch of 26th Street (a street in a Hispanic neighborhood of Chicago called Little Village) was named in his honor." ]
Title: Vicente Fernández Background: Born on 17 February 1940 in the suburb of Huentitan El Alto in Guadalajara, Jalisco, Fernandez spent his early years on his father Ramon's ranch on the outskirts of Guadalajara. He also worked at a young age as a waiter, dish washer, cashier, and finally manager of his uncle's restaurant. "Chente", as he was known to all, became fond of the idyllic ranch lifestyle. His mother often took him to see the films of Pedro Infante; he has said of these films' significance: "When I was 6 or 7, I would go see Pedro Infante's movies, and I would tell my mother, 'When I grow up, I'll be like him.' Section: Breakthrough Passage: In the spring of 1966, Javier Solis, Mexico's most popular traditional singer, died. Discos CBS, the recording label in the Mexican department of CBS Records International, offered Fernandez a recording contract. He released his first recording, "Perdoname", with the company in 1966; Fernandez still records for the label, which is now Sony Music Latin of Sony Music Entertainment. He branched into acting with the 1971 film Tacos al Carbon. His first hit movie, for which he did the soundtrack, was 1974's La Ley del Monte. He stopped acting in 1991. Maintaining the ranchera tradition, Fernandez always performs wearing the charro, an embroidered suit and sombrero. In 1970, just as Fernandez was about to go onstage, his father died. Overwhelmed by the tragic news but determined not to let the crowd go without a show, Fernandez went onstage and performed. By the end of the night the critics were comparing him to other famous ranchera artists like Jose Alfredo Jimenez, Jorge Negrete, and Javier Solis. Since then his music has expanded rapidly. In 1998, he continued to tour despite the kidnapping of his oldest son. (He was released 4 months later when ransom was paid.) Fernandez has recorded more than 50 albums in 35 years and claims to have recorded 300 more songs, making another 30 albums possible even if he retires. When he records an album, he spends 12-13 hours in the studio recording up to 18 songs; he takes a day off, then returns for another marathon session of recording another 15 or more songs. From this accumulation, he and his producer choose 12 tracks. Fernandez's greatest hit was "Volver, volver," released in 1972; his first million-selling album was 1983's 15 Grandes con el numero uno. In 1987 he launched his first tour outside the United States and Mexico when he traveled to Bolivia and Colombia. On April 16, 2016 Vicente Fernandez performed for the last time in his career at Estadio Azteca effectively announcing his retirement. Question: What happened with Vicente Fernandezes Breathrough? Answer: In 1970, just as Fernandez was about to go onstage, his father died. Question: By any chance did he act in any movies?
[ "He branched into acting with the 1971 film Tacos al Carbon." ]
Title: Queens of the Stone Age Background: Queens of the Stone Age are an American rock band formed in 1996 in Palm Desert, California. The band's line-up includes founder Josh Homme (lead vocals, guitar, piano), alongside band members Troy Van Leeuwen (guitar, lap steel, keyboard, percussion, backing vocals), Michael Shuman (bass guitar, keyboard, backing vocals), Dean Fertita (keyboards, guitar, percussion, backing vocals), and Jon Theodore (drums, percussion). Formed after the dissolution of Homme's previous band, Kyuss, Queens of the Stone Age developed a style of riff-oriented, heavy rock music. Their sound has since evolved to incorporate a variety of different styles and influences, including working with ZZ Top member Billy Gibbons, Nirvana drummer and Foo Fighters frontman Dave Grohl, and Screaming Trees frontman Mark Lanegan who has been a steady contributor to the band. Section: Songs for the Deaf, mainstream exposure and Oliveri's departure (2001-2004) Passage: Foo Fighters frontman and former Nirvana drummer, Dave Grohl, joined in late 2001 to record drums for their third album. Songs for the Deaf was released in August 2002, again featuring Lanegan, along with former A Perfect Circle guitarist Troy Van Leeuwen to the touring line-up following the album's release. Also featured on Songs for the Deaf for the final track "Mosquito Song" were former A Perfect Circle bassist Paz Lenchantin on viola and piano, and Dean Ween on guitar. This record was supposed to sound bizarre--like lightning in a bottle. We also were extremely fucked up. It even sounds that way to me, like a crazy person. The radio interludes are supposed to be like the drive from L.A. to Joshua Tree, a drive that makes you feel like you're letting go--more David Lynch with every mile. Songs for the Deaf was a critical hit and was certified gold in 2003, with sales of over 900,000. The singles "No One Knows" and "Go with the Flow" became hits on radio and MTV, with the former just outside the Billboard Top 40. "No One Knows" and "Go with the Flow" were also featured on the first iterations of the popular video games Guitar Hero and Rock Band (respectively). The Songs for the Deaf tour culminated in a string of headline dates in Australia in January 2004. Grohl returned to his other projects and was replaced on the European leg of the tour by former Danzig drummer Joey Castillo, who joined the band full-time. After the tour, Homme fired Oliveri, as he was convinced that Oliveri had been physically abusive to his girlfriend: "A couple years ago, I spoke to Nick about a rumor I heard. I said, 'If I ever find out that this is true, I can't know you, man.'" Homme considered breaking up the band after firing Oliveri, but found a new determination to continue. Oliveri countered in the press that the band had been "poisoned by hunger for power" and that without him, they were "Queens Lite." He later softened his opinion and said: "My relationship with Josh is good. The new Queens record kicks ass." The two reportedly are still friends and as of October 2006, Oliveri was interested in rejoining the band. Oliveri later contributed to a Queens of the Stone Age for the first time in nine years, contributing backing vocals to the band's sixth album, ...Like Clockwork. Question: Why did Oliveri leave? Answer: After the tour, Homme fired Oliveri, as he was convinced that Oliveri had been physically abusive to his girlfriend: " Question: What kind of mainstream exposure did they have? Answer: Songs for the Deaf was a critical hit and was certified gold in 2003, with sales of over 900,000. Question: Are there any other interesting aspects about this article?
[ "The Songs for the Deaf tour culminated in a string of headline dates in Australia in January 2004." ]
Title: Queens of the Stone Age Background: Queens of the Stone Age are an American rock band formed in 1996 in Palm Desert, California. The band's line-up includes founder Josh Homme (lead vocals, guitar, piano), alongside band members Troy Van Leeuwen (guitar, lap steel, keyboard, percussion, backing vocals), Michael Shuman (bass guitar, keyboard, backing vocals), Dean Fertita (keyboards, guitar, percussion, backing vocals), and Jon Theodore (drums, percussion). Formed after the dissolution of Homme's previous band, Kyuss, Queens of the Stone Age developed a style of riff-oriented, heavy rock music. Their sound has since evolved to incorporate a variety of different styles and influences, including working with ZZ Top member Billy Gibbons, Nirvana drummer and Foo Fighters frontman Dave Grohl, and Screaming Trees frontman Mark Lanegan who has been a steady contributor to the band. Section: Formation and debut album (1996-1999) Passage: After the breakup of his previous band, Kyuss, in 1995, Josh Homme briefly joined Screaming Trees as a touring guitarist, before deciding to form a new band, Gamma Ray. In 1996 they released the eponymous Gamma Ray EP, featuring "Born to Hula" and "If Only Everything" (which would later appear on their self-titled debut as 'If Only'). The EP featured Matt Cameron of Soundgarden and Pearl Jam, Van Conner from Screaming Trees, and percussionist Victor Indrizzo. Gamma Ray changed their name in 1997 after the German power metal band Gamma Ray threatened to sue. The name "Queens of the Stone Age" came from a nickname given to Kyuss by their producer Chris Goss. Homme said of the name: "Kings would be too macho. The Kings of the Stone Age wear armor and have axes and wrestle. The Queens of the Stone Age hang out with the Kings of the Stone Age's girlfriends when they wrestle ... Rock should be heavy enough for the boys and sweet enough for the girls. That way everyone's happy and it's more of a party. Kings of the Stone Age is too lopsided." The first release under the Queens of the Stone Age name was the song "18 A.D.," released on the compilation album Burn One Up! Music for Stoners which featured members of the Dutch stoner rock band Beaver. The band's first live appearance was on November 20, 1997, at OK Hotel in Seattle, Washington, with Cameron on drums, Mike Johnson of Dinosaur Jr. on bass and John McBain of Monster Magnet on guitar. In December that year, the band released a split EP, Kyuss/Queens of the Stone Age, which featured three tracks from the Gamma Ray sessions as well as three Kyuss tracks recorded in 1995 prior to their breakup. Queens of the Stone Age released their self-titled debut in 1998 on Stone Gossard's and Regan Hagar's label Loosegroove Records, and on vinyl by Man's Ruin Records. Homme played guitar and bass on the album (the latter credited to Homme's alter-ego Carlo Von Sexron), Alfredo Hernandez on the drums, and several other contributions by Chris Goss and Hutch. Homme reportedly asked Screaming Trees vocalist Mark Lanegan to appear on the record, but he was unable due to other commitments. Soon after the recording sessions were finished for the album, former Kyuss bassist Nick Oliveri joined the group, and touring commenced with a band consisting entirely of ex-Kyuss members. Guitarist Dave Catching joined shortly after. From this point forward, the band's line-up would change frequently; by the time their second album was being recorded, Hernandez had left the group to play in other bands. Question: What was the name of their debut album? Answer: Gamma Ray EP, Question: Was the album a success? Answer: CANNOTANSWER Question: Did they receive any awards for their debut album? Answer: CANNOTANSWER Question: How did the band Queens of the Stone Age form? Answer: After the breakup of his previous band, Kyuss, in 1995, Josh Homme briefly joined Screaming Trees as a touring guitarist, before deciding to form a new band, Question: Why did the producer give Kyuss the nickname?
[ "Homme said of the name: \"Kings would be too macho. The Kings of the Stone Age wear armor and have axes and wrestle." ]
Title: Nitty Gritty Dirt Band Background: The Nitty Gritty Dirt Band, an American country rock band, has existed in various forms since its founding in Long Beach, California in 1966. The group's membership has had at least a dozen changes over the years, including a period from 1976 to 1981 when the band performed and recorded as the Dirt Band. Constant members since the early times are singer-guitarist Jeff Hanna and drummer Jimmie Fadden. Multi-instrumentalist John McEuen was with the band from 1966 to 1986 and returned during 2001 departing once again in November 2017. Section: 1966-69 Passage: The Nitty Gritty Dirt Band was founded around 1966 in Long Beach, California by singer-guitarist Jeff Hanna and singer-songwriter guitarist Bruce Kunkel who had performed as the New Coast Two and later the Illegitimate Jug Band. Trying, in the words of the band's website, to "figure out how not to have to work for a living," Hanna and Kunkel joined informal jam sessions at McCabe's Guitar Shop in Long Beach. There they met a few other musicians: guitarist/washtub bassist Ralph Barr, guitarist-clarinetist Les Thompson, harmonicist and jug player Jimmie Fadden, and guitarist-vocalist Jackson Browne. As Nitty Gritty Dirt Band, the six men started as a jug band and adopted the burgeoning southern California folk rock musical style, playing in local clubs while wearing pinstripe suits and cowboy boots. Their first paying performance was at the Golden Bear in Huntington Beach, California. Browne was in the band for only a few months before he left to concentrate on a solo career as a singer-songwriter. He was replaced by John McEuen on banjo, fiddle, mandolin, and steel guitar. McEuen's older brother, William, was the group's manager, and he helped the band get signed with Liberty Records, which released the group's debut album, The Nitty Gritty Dirt Band during 1967. The band's first single, "Buy for Me the Rain," was a Top 40 success, and the band gained exposure on The Tonight Show Starring Johnny Carson, as well as concerts with such disparate artists as Jack Benny and The Doors. A second album, Ricochet, was released later during the year and was less successful than their first. Kunkel wanted the band to "go electric", and include more original material. Bruce left the group to form WordSalad and Of The People. He was replaced by multi-instrumentalist Chris Darrow. By 1968, the band adopted electrical instruments anyway, and added drums. The first electric album, Rare Junk, was a commercial failure, as was their next, Alive. The band continued to gain publicity, mainly as a novelty act, making an appearance in the 1968 film, For Singles Only, and a cameo appearance in the 1969 musical western film, Paint Your Wagon, performing "Hand Me Down That Can o' Beans". The band also played Carnegie Hall as an opening act for Bill Cosby and played in a jam session with Dizzy Gillespie. Question: Who formed the band? Answer: singer-guitarist Jeff Hanna and singer-songwriter guitarist Bruce Kunkel Question: How did they gather the other members of the band? Answer: Hanna and Kunkel joined informal jam sessions at McCabe's Guitar Shop in Long Beach. Question: What was the first album that the band recorded?
[ "Liberty Records, which released the group's debut album, The Nitty Gritty Dirt Band during 1967." ]
Title: Nitty Gritty Dirt Band Background: The Nitty Gritty Dirt Band, an American country rock band, has existed in various forms since its founding in Long Beach, California in 1966. The group's membership has had at least a dozen changes over the years, including a period from 1976 to 1981 when the band performed and recorded as the Dirt Band. Constant members since the early times are singer-guitarist Jeff Hanna and drummer Jimmie Fadden. Multi-instrumentalist John McEuen was with the band from 1966 to 1986 and returned during 2001 departing once again in November 2017. Section: 1969-76 Passage: The group was inactive for a 6-month period after Paint Your Wagon, then reformed with Jimmy Ibbotson replacing Chris Darrow. With William McEuen as producer and a renegotiated contract that gave the band more artistic freedom, the band recorded and released Uncle Charlie & His Dog Teddy, issued in 1970. Embracing a straight, traditional country and bluegrass sound, the album included the group's best-known singles; a cover version of Jerry Jeff Walker's "Mr. Bojangles", Michael Nesmith's "Some of Shelley's Blues", and four Kenny Loggins songs including "House at Pooh Corner", the first recordings of Loggins's songs. Their version of "Mr. Bojangles" became the group's first hit, peaking at #9 on Billboard's all genre Hot 100 chart, with an unusual 36 weeks on the charts. The next album, All The Good Times, released during early 1972, had a similar style. Nitty Gritty Dirt Band next sought to solidify its reputation as a country band when band member John McEuen asked Earl Scruggs if he would record with the group. Earl's "yes" was followed the next week when John asked Doc Watson the same question, receiving the same answer of 'yes'. This set in motion the further addition of other artists, and with the help of Earl and Louise Scruggs, they set to traveling to Nashville, Tennessee and recording what was to become a triple album, Will the Circle Be Unbroken with Nashville stalwarts Roy Acuff, Earl Scruggs, and Jimmy Martin, country pioneer Mother Maybelle Carter, folk-blues guitarist Doc Watson, Merle Travis, Norman Blake, and others. The title is from the song, "Will the Circle Be Unbroken (By and By)", as adapted by A. P. Carter, and reflects the album's theme of trying to tie together three generations of musicians: long-haired boys from California and older veterans of the middle American establishment. The track "I Saw the Light" with Acuff singing, was a success, and the album received two nominations for Grammy Award. Veteran fiddler Vassar Clements was introduced to a wider audience by the album and gave him a new career. The band also toured Japan twice soon after this period. After the next album Les Thompson left the group, making the band a foursome. Stars & Stripes Forever was a live album that mixed old successes such as "Buy for Me the Rain" and "Mr. Bojangles" with Circle collaborations (fiddler Vassar Clements was a guest performer) and long storytelling spoken-word monologues. A studio album, Dream, was also released. During July 1974, the band was among the headline acts at the Ozark Music Festival at the Missouri State Fairgrounds in Sedalia, Missouri. Some estimates put the crowd at 350,000 people, which would make this one of the largest music events in history. At another concert, the band opened for the rock band Aerosmith. Question: Were they on tour in 1969 Answer: CANNOTANSWER Question: Was Uncle Charlie and his Dog Teddy a hit?
[ "Their version of \"Mr. Bojangles\" became the group's first hit, peaking at #9 on Billboard's all genre Hot 100 chart," ]
Title: Kevin Spacey Background: Spacey was born in South Orange, New Jersey, to Kathleen Ann (nee Knutson), a secretary, and Thomas Geoffrey Fowler, a technical writer and data consultant. He has an older brother, Randy Fowler, who is a limo driver and Rod Stewart impersonator in Boise, Idaho, and a sister, Julie Ann Fowler Keir, an office worker. His family relocated to Southern California when Spacey was four years old. Randy Fowler (from whom Spacey is estranged) has stated that their father, whom he described as a racist "Nazi supporter", was sexually and physically abusive, and that Spacey had shut down emotionally and become "very sly and smart" to avoid whippings. Section: 1981-1999 Passage: Spacey's first professional stage appearance was as a spear carrier in a New York Shakespeare Festival performance of Henry VI, Part 1 in 1981. The following year, he made his first Broadway appearance, as Oswald in a production of Henrik Ibsen's Ghosts, starring Liv Ullmann. Then he portrayed Philinte in Moliere's The Misanthrope. In 1984, he appeared in a production of David Rabe's Hurlyburly, in which he rotated through each of the male parts (he would later play Mickey in the film version). Next came Anton Chekhov's The Seagull. In 1986, he appeared in a production of Sleuth in a New Jersey dinner theatre. His prominence as a stage actor began in 1986, when he was cast opposite Jack Lemmon, Peter Gallagher and Bethel Leslie as Jamie, the eldest Tyrone son, in Jonathan Miller's lauded production of Eugene O'Neill's Long Day's Journey into Night. Lemmon in particular would become a mentor to him and was invited, along with Spacey's high school drama teacher, to be present when Spacey received his star on the Hollywood Walk of Fame in 1999. He made his first major television appearance in the second-season premiere of Crime Story, playing a Kennedy-esque American senator. Although his interest soon turned to film, Spacey remained actively involved in the live theater community. In 1991, he won a Tony Award for his portrayal of Uncle Louie in Neil Simon's Broadway hit Lost in Yonkers. Spacey's father was unconvinced that Spacey could make a career for himself as an actor, and did not change his mind until Spacey became well-known. Some of Spacey's early roles include a widowed eccentric millionaire on L.A. Law, the television miniseries The Murder of Mary Phagan (1988), opposite Lemmon, and the comedy See No Evil, Hear No Evil (1989). He earned a fan base after playing the criminally insane arms dealer Mel Profitt on the television series Wiseguy. He quickly developed a reputation as a character actor, and was cast in bigger roles, including one-half of a bickering Connecticut couple in the dark comedy film The Ref (1994), a malicious Hollywood studio boss in the satire Swimming with Sharks, and the malevolent office manager in the ensemble film Glengarry Glen Ross (1992), gaining him positive notices by critics. His performance as the enigmatic criminal Verbal Kint in 1995's The Usual Suspects won him the Academy Award for Best Supporting Actor. Spacey appeared in the 1995 thriller film Seven, making a sudden entrance late in the film as the serial killer John Doe after going unmentioned in the film's advertisements and opening credits. His work in Seven, The Usual Suspects and Outbreak earned him Best Supporting Actor honors at the 1995 Society of Texas Film Critics Awards. He remarked in 2013: "I think people just like me evil for some reason. They want me to be a son of a bitch." Spacey played an egomaniacal district attorney in A Time to Kill (1996), and founded Trigger Street Productions in 1997, with the purpose of producing and developing entertainment across various media. He made his directorial debut with the film Albino Alligator (1996). The film was a failure at the box office, grossing $339,379 with a budget of $6 million, but critics praised Spacey's direction. He also voiced Hopper in the animated film A Bug's Life (1998). Question: what happened in 1981 for Spacey? Answer: Spacey's first professional stage appearance was as a spear carrier in a New York Shakespeare Festival performance of Henry VI, Part 1 in 1981. Question: Did he perform any in other appearances? Answer: The following year, he made his first Broadway appearance, Question: What was the name of his broadway appearance? Answer: Oswald in a production of Henrik Ibsen's Ghosts, Question: Did he ever win any awards for his appearances? Answer: Spacey received his star on the Hollywood Walk of Fame Question: Did anything significant happen in 1999? Answer: his star on the Hollywood Walk of Fame in 1999. Question: Are there any other interesting aspects about this article? Answer: Spacey appeared in the 1995 thriller film Seven, Question: Did he produce any films?
[ "He made his directorial debut with the film Albino Alligator (1996)." ]
Title: Kevin Spacey Background: Spacey was born in South Orange, New Jersey, to Kathleen Ann (nee Knutson), a secretary, and Thomas Geoffrey Fowler, a technical writer and data consultant. He has an older brother, Randy Fowler, who is a limo driver and Rod Stewart impersonator in Boise, Idaho, and a sister, Julie Ann Fowler Keir, an office worker. His family relocated to Southern California when Spacey was four years old. Randy Fowler (from whom Spacey is estranged) has stated that their father, whom he described as a racist "Nazi supporter", was sexually and physically abusive, and that Spacey had shut down emotionally and become "very sly and smart" to avoid whippings. Section: 2011-2017 Passage: Spacey is a patron of the Shakespeare Schools Festival, a charity that enables school children across the UK to perform Shakespeare in professional theatres. He also sits on the board of directors of the Motion Picture and Television Fund. On March 18, 2011, it was announced that Spacey was cast as Frank Underwood in the Netflix series House of Cards. He was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series at the 65th Primetime Emmy Awards in 2013, becoming the first lead actor to be Primetime Emmy nominated from a web television series. He went on to win the Golden Globe award for Best Actor in a Television Series Drama at the 72nd Golden Globe Awards and Screen Actors Guild nomination for Outstanding Performance by a Male Actor in a Drama Series at the 21st Screen Actors Guild Awards for his season 2 performance. In July 2011, Spacey co-starred in the black comedy film Horrible Bosses, which grossed over $209.6 million at the box office. He executive produced the biographical survival thriller film Captain Phillips in 2013, which was nominated for the Academy Award for Best Picture. Spacey portrayed founder and president of the private military corporation Atlas Corporation, Jonathan Irons, in the 2014 video game Call of Duty: Advanced Warfare through motion capture. Spacey starred as President Richard Nixon in the comedy-drama Elvis & Nixon (2016). The film is based on the meeting that took place between Nixon and singer Elvis Presley (Michael Shannon) in December 1970 wherein Presley requested Nixon swear him in as an undercover agent in the Bureau of Narcotics and Dangerous Drugs. He next starred in the comedy film Nine Lives, as a man trapped in the body of a cat. The film was released on August 5, 2016. In March 2017, it was announced that Spacey would portray J. Paul Getty in Ridley Scott's All the Money in the World. He shot his role in the film in 10 days over the summer of 2017. However, due to the sexual assault allegations against Spacey, the company announced on November 8, 2017 that all of his footage would be excised, and Christopher Plummer would replace Spacey as Getty in re-shoots. In spite of the very tight schedule, TriStar Pictures completed the new version of the film in time for a December 25 release. Question: Was there any legal trouble for Spacey between 2011 - 2017? Answer: He was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series at the 65th Primetime Emmy Awards in 2013, Question: What was another one?
[ "Screen Actors Guild nomination for Outstanding Performance by a Male Actor in a Drama Series at the 21st Screen Actors Guild Awards for his season 2 performance." ]
Title: Hanson (band) Background: Hanson is an American pop rock band from Tulsa, Oklahoma, United States, formed by brothers Isaac (guitar, bass, piano, vocals), Taylor (keyboards, piano, guitar, drums, vocals), and Zac (drums, piano, guitar, vocals). Supporting members include Dimitrius Collins (keyboards, guitar), and Andrew Perusi (bass) who have toured and performed live with the band since 2007. They are best known for the 1997 hit song "MMMBop" from their debut album released through Mercury, Polygram, Middle of Nowhere, which earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band suffered from the merger that eliminated their label, Mercury Records . Section: 1997-2000: Commercial success Passage: Middle of Nowhere was released in the US on May 6, 1997, selling 10 million copies worldwide. May 6 was declared 'Hanson Day' in Tulsa by Oklahoma's then-governor Frank Keating. Although 'Hanson Day' was originally intended to be a one-time occurrence, many Hanson fans all over the world still recognize May 6 as Hanson Day every year. Hanson's popularity exploded during the summer of 1997, and Mercury Records released Hanson's first documentary Tulsa, Tokyo, and the Middle of Nowhere and their Christmas album Snowed In in the wake of their success. Hanson also launched MOE (which stood for Middle of Everywhere), a fan club magazine that ran for 12 issues. After numerous unauthorized biographies of each of the brothers were published, Hanson turned to their close friend, Jarrod Gollihare of Admiral Twin, to write their authorized biography. Hanson: The Official Book reached number 9 on the New York Times Best Sellers List (nonfiction) on February 1, 1998. The band was nominated for three Grammy Awards in 1998: Record of the Year, Best New Artist, and Best Pop Performance by a Duo or Group with Vocal. During the summer of 1998, Hanson began a highly successful concert tour, the Albertane Tour. They performed a string of shows throughout stadiums and arenas in the US, targeting young audiences with a playful and energetic style. A live album, titled Live From Albertane, was released the following fall, as well as their second documentary The Road to Albertane. In response to the demand for their earlier work, Hanson re-released MMMBop as 3 Car Garage, minus four tracks, in May 1998. To date, the tracks from Boomerang have not been re-released. Three tracks from Boomerang ("Boomerang", "More Than Anything", and "Rain (Falling Down)") and two of the remaining tracks from MMMBop ("Incredible" and "Baby (You're So Fine)") were released on the first MOE CD sent to fan club members. During the Albertane Tour, Hanson wrote and demoed what would later become the songs for their second major studio album, This Time Around. During this time period, Mercury Records, the band's label, had been merged with Island Def Jam. Almost immediately following the changeover in May 2000, Hanson released their second album, This Time Around, but due to lack of promotional funding, sales were low and the label eventually pulled funding for their tour. The band toured through the summer and fall of 2000 on their own funds. Question: What happened in 1997 Answer: Middle of Nowhere was released in the US on May 6, 1997, selling 10 million copies worldwide. Question: What was the most popular hit Answer: The band was nominated for three Grammy Awards in 1998: Record of the Year, Best New Artist, and Best Pop Performance by a Duo or Group with Vocal. Question: What were some of the songs in the album Answer: CANNOTANSWER Question: tell me about their commercial success Answer: In response to the demand for their earlier work, Hanson re-released MMMBop as 3 Car Garage, minus four tracks, in May 1998. Question: what else happened in 1998
[ "Hanson: The Official Book reached number 9 on the New York Times Best Sellers List (nonfiction) on February 1, 1998." ]
Title: Hermann Göring Background: Goring was born on 12 January 1893 at the Marienbad Sanatorium in Rosenheim, Bavaria. His father, Heinrich Ernst Goring (31 October 1839 - 7 December 1913), a former cavalry officer, had been the first Governor-General of the German protectorate of South-West Africa (modern-day Namibia). Heinrich had five children from a previous marriage. Goring was the fourth of five children by Heinrich's second wife, Franziska Tiefenbrunn (1859-15 July 1943), a Bavarian peasant. Section: World War I Passage: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, a garrison town less than 2 km from the French frontier. He was hospitalized with rheumatism, a result of the damp of trench warfare. While he was recovering, his friend Bruno Loerzer convinced him to transfer to what would become, by October 1916, the Luftstreitkrafte ("air combat forces") of the German army, but his request was turned down. Later that year, Goring flew as Loerzer's observer in Feldflieger Abteilung 25 (FFA 25) - Goring had informally transferred himself. He was discovered and sentenced to three weeks' confinement to barracks, but the sentence was never carried out. By the time it was supposed to be imposed, Goring's association with Loerzer had been made official. They were assigned as a team to FFA 25 in the Crown Prince's Fifth Army. They flew reconnaissance and bombing missions, for which the Crown Prince invested both Goring and Loerzer with the Iron Cross, first class. After completing the pilot's training course, Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, commanded by Loerzer, in February 1917. He steadily scored air victories until May, when he was assigned to command Jagdstaffel 27. Serving with Jastas 5, 26, and 27, he continued to win victories. In addition to his Iron Crosses (1st and 2nd Class), he received the Zaehring Lion with swords, the Friedrich Order, the House Order of Hohenzollern with swords third class, and finally, in May 1918, the coveted Pour le Merite. According to Hermann Dahlmann, who knew both men, Goring had Loerzer lobby for the award. He finished the war with 22 victories. A thorough post-war examination of Allied loss records showed that only two of his awarded victories were doubtful. Three were possible and 17 were certain, or highly likely. On 7 July 1918, following the death of Wilhelm Reinhard, successor to Manfred von Richthofen, Goring was made commander of the famed "Flying Circus", Jagdgeschwader 1. His arrogance made him unpopular with the men of his squadron. In the last days of the war, Goring was repeatedly ordered to withdraw his squadron, first to Tellancourt airdrome, then to Darmstadt. At one point, he was ordered to surrender the aircraft to the Allies; he refused. Many of his pilots intentionally crash-landed their planes to keep them from falling into enemy hands. Like many other German veterans, Goring was a proponent of the Stab-in-the-back legend, the belief which held that the German Army had not really lost the war, but instead was betrayed by the civilian leadership: Marxists, Jews, and especially the Republicans, who had overthrown the German monarchy. Question: What did Hitler awarded Hermann Goring? Answer: CANNOTANSWER Question: What was Hermann Goring position in Germany? Answer: During the first year of World War I, Goring served with his infantry regiment in the area of Mulhausen, Question: How good of a soldier was Hermann Goring? Answer: Goring was assigned to Jagdstaffel 5. Seriously wounded in the hip in aerial combat, he took nearly a year to recover. He then was transferred to Jagdstaffel 26, Question: How many victories did Hermann Goring have in World War I?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: T. E. Lawrence Background: Thomas Edward Lawrence was born on 16 August 1888 in Tremadog, Carnarvonshire (now Gwynedd), Wales in a house named Gorphwysfa, now known as Snowdon Lodge. His Anglo-Irish father Thomas Chapman had left his wife Edith after he fell in love and had a son with Sarah Junner, a young Scotswoman who had been engaged as governess to his daughters. Sarah was the daughter of Elizabeth Junner and John Lawrence, who worked as a ship's carpenter and was a son of the household in which Elizabeth had been a servant. She was dismissed four months before Sarah was born. Section: Fall of Damascus Passage: At the age of 15, Lawrence and his schoolfriend Cyril Beeson cycled around Berkshire, Buckinghamshire, and Oxfordshire, visited almost every village's parish church, studied their monuments and antiquities, and made rubbings of their monumental brasses. Lawrence and Beeson monitored building sites in Oxford and presented their finds to the Ashmolean Museum. The Ashmolean's Annual Report for 1906 said that the two teenage boys "by incessant watchfulness secured everything of antiquarian value which has been found." In the summers of 1906 and 1907, Lawrence and Beeson toured France by bicycle, collecting photographs, drawings, and measurements of medieval castles. In August 1907 Lawrence wrote home: "The Chaignons & the Lamballe people, complimented me on my wonderful French: I have been asked twice since I arrived what part of France I came from". From 1907 to 1910, Lawrence read History at Jesus College, Oxford. In the summer of 1909, he set out alone on a three-month walking tour of crusader castles in Ottoman Syria, during which he travelled 1,000 mi (1,600 km) on foot. Lawrence graduated with First Class Honours after submitting a thesis titled The Influence of the Crusades on European Military Architecture--to the End of the 12th Century, based on his field research with Beeson in France, notably in Chalus, and his solo research in the Middle East. Lawrence was fascinated by the Middle Ages with his brother Arnold writing in 1937 that for him "medieval researches" were a "dream way of escape from bourgeois England". In 1910 Lawrence was offered the opportunity to become a practising archaeologist in the Middle East, at Carchemish, in the expedition that D. G. Hogarth was setting up on behalf of the British Museum. Hogarth arranged a "Senior Demyship", a form of scholarship, for Lawrence at Magdalen College, Oxford, to fund Lawrence's work at PS100 a year. In December 1910, he sailed for Beirut and on his arrival went to Jbail (Byblos), where he studied Arabic. He then went to work on the excavations at Carchemish, near Jerablus in northern Syria, where he worked under Hogarth, R. Campbell Thompson of the British Museum, and Leonard Woolley, until 1914. He later stated that everything which he had accomplished he owed to Hogarth. While excavating at Carchemish, Lawrence met Gertrude Bell. In 1912 Lawrence worked briefly with Flinders Petrie at Kafr Ammar in Egypt. The chief elements of the Arab strategy, developed chiefly by Faisal and Lawrence, were firstly to avoid capturing Medina, and secondly to extend northwards through Maan and Deraa to Damascus and beyond. The Emir Faisal wanted to lead regular attacks against the Ottomans, which Lawrence persuaded him to drop. Lawrence wrote about the Bedouin as a fighting force: "The value of the tribes is defensive only and their real sphere is guerilla warfare. They are intelligent, and very lively, almost reckless, but too individualistic to endure commands, or fight in line, or to help each other. It would, I think, be possible to make an organized force out of them...The Hejaz war is one of dervishes against regular forces-and we are on the side of the dervishes. Our text-books do not apply to its conditions at all". Medina was an attractive target for the revolt as Islam's second-holiest site, and because its Ottoman garrison was weakened by disease and isolation. It became clear that it was advantageous to leave it there rather than try to capture it, while continually attacking, but not permanently breaking, the Hejaz railway south from Damascus. This prevented the Ottomans from making effective use of their troops at Medina, and forced them to dedicate many resources to defending and repairing the railway line. The movement north to Damascus and eventually Aleppo is interesting in the context of the Sykes-Picot agreement. While it is not known when Lawrence learned the details of Sykes-Picot, nor if or when he briefed Faisal on what he knew, there is good reason to think that both these things happened, and earlier rather than later. In particular, the Arab strategy of northward extension makes perfect sense given the Sykes-Picot language that spoke of an independent Arab entity in Syria, which would only be granted if the Arabs liberated the territory themselves. The French, and some of their British Liaison officers, were specifically uncomfortable about the northward movement, as it would weaken French colonial claims. Lawrence was involved in the build-up to the capture of Damascus in the final weeks of the war. He was not present at the city's formal surrender, much to his disappointment and contrary to instructions that he had issued, having arrived several hours after the city had fallen. Lawrence entered Damascus around 9 am on 1 October 1918 but was the third arrival of the day; the first was the 10th Australian Light Horse Brigade, led by Major A.C.N. 'Harry' Olden, who formally accepted the surrender of the city from acting Governor Emir Said. Lawrence was instrumental in establishing a provisional Arab government under Faisal in newly liberated Damascus - which he had envisioned as the capital of an Arab state. Faisal's rule as king, however, came to an abrupt end in 1920, after the battle of Maysaloun, when the French Forces of General Gouraud entered Damascus under the command of General Mariano Goybet, destroying Lawrence's dream of an independent Arabia. During the closing years of the war, Lawrence sought to convince his superiors in the British government that Arab independence was in their interests - with mixed success. The secret Sykes-Picot Agreement between France and Britain contradicted the promises of independence that he had made to the Arabs and frustrated his work. In 1918, he cooperated with war correspondent Lowell Thomas for a short period. During this time, Thomas and his cameraman Harry Chase shot a great deal of film and many photographs, which Thomas used in a highly lucrative slide-show presentation that toured the world after the war. [Lowell Thomas] went to Jerusalem where he met Lawrence, whose enigmatic figure in Arab uniform fired his imagination. With Allenby's permission he linked up with Lawrence for a brief couple of weeks ... Returning to America, Thomas, early in 1919, started his lectures, supported by moving pictures of veiled women, Arabs in their picturesque robes, camels and dashing Bedouin cavalry, which took the nation by storm, after running at Madison Square Garden in New York. On being asked to come to England, he made the condition he would do so if asked by the King and given Drury Lane or Covent Garden ... He opened at Covent Garden on 14 August 1919 ... And so followed a series of some hundreds of lectures - film shows, attended by the highest in the land ... Question: What was the Fall of Damascus? Answer: the city's formal surrender, Question: Was this a book? Answer: Lawrence was involved in the build-up to the capture of Damascus Question: What role did he play? Answer: Lawrence was involved in the build-up to the capture of Damascus in the final weeks of the war. Question: Are there any other interesting aspects about this article?
[ "In 1918, he cooperated with war correspondent Lowell Thomas for a short period." ]
Title: T. E. Lawrence Background: Thomas Edward Lawrence was born on 16 August 1888 in Tremadog, Carnarvonshire (now Gwynedd), Wales in a house named Gorphwysfa, now known as Snowdon Lodge. His Anglo-Irish father Thomas Chapman had left his wife Edith after he fell in love and had a son with Sarah Junner, a young Scotswoman who had been engaged as governess to his daughters. Sarah was the daughter of Elizabeth Junner and John Lawrence, who worked as a ship's carpenter and was a son of the household in which Elizabeth had been a servant. She was dismissed four months before Sarah was born. Section: Seven Pillars of Wisdom Passage: Lawrence's major work is Seven Pillars of Wisdom, an account of his war experiences. In 1919, he had been elected to a seven-year research fellowship at All Souls College, Oxford, providing him with support while he worked on the book. In addition to being a memoir of his experiences during the war, certain parts also serve as essays on military strategy, Arabian culture and geography, and other topics. Lawrence re-wrote Seven Pillars of Wisdom three times, once "blind" after he lost the manuscript while changing trains at Reading railway station. The list of his alleged "embellishments" in Seven Pillars is long, though many such allegations have been disproved with time, most definitively in Jeremy Wilson's authorised biography. However, Lawrence's own notebooks refute his claim to have crossed the Sinai Peninsula from Aqaba to the Suez Canal in just 49 hours without any sleep. In reality, this famous camel ride lasted for more than 70 hours and was interrupted by two long breaks for sleeping, which Lawrence omitted when he wrote his book. Lawrence acknowledged having been helped in the editing of the book by George Bernard Shaw. In the preface to Seven Pillars, Lawrence offered his "thanks to Mr. and Mrs. Bernard Shaw for countless suggestions of great value and diversity: and for all the present semicolons". The first public edition was published in 1926 as a high-priced private subscription edition, printed in London by Herbert John Hodgson and Roy Manning Pike, with illustrations by Eric Kennington, Augustus John, Paul Nash, Blair Hughes-Stanton, and Hughes-Stanton's wife Gertrude Hermes. Lawrence was afraid that the public would think that he would make a substantial income from the book, and he stated that it was written as a result of his war service. He vowed not to take any money from it, and indeed he did not, as the sale price was one third of the production costs. This, along with his "saintlike" generosity, left Lawrence in substantial debt. Question: What is the Seven Pillars of Wisdom ? Answer: Lawrence's major work is Seven Pillars of Wisdom, an account of his war experiences. Question: When was the book published ? Answer: CANNOTANSWER Question: How was the book received by critics ? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: The list of his alleged "embellishments" in Seven Pillars is long, though many such allegations have been disproved with time, Question: What are these embellishments ? Answer: his claim to have crossed the Sinai Peninsula from Aqaba to the Suez Canal in just 49 hours without any sleep. Question: Who countered his claims ? Answer: disproved with time, most definitively in Jeremy Wilson's authorised biography. Question: Why did TE Lawrence right the book ?
[ "In addition to being a memoir of his experiences during the war, certain parts also serve as essays on military strategy," ]
Title: Rosalind Franklin Background: Rosalind Elsie Franklin (25 July 1920 - 16 April 1958) was an English chemist and X-ray crystallographer who made contributions to the understanding of the molecular structures of DNA (deoxyribonucleic acid), RNA (ribonucleic acid), viruses, coal, and graphite. Although her works on coal and viruses were appreciated in her lifetime, her contributions to the discovery of the structure of DNA were largely recognised posthumously. Born to a prominent British Jewish family, Franklin was educated at a private day school at Norland Place in West London, Lindores School for Young Ladies in Sussex, and St Paul's Girls' School, London. Then she studied the Natural Sciences Tripos at Newnham College, Cambridge, from which she graduated in 1941. Section: Education and early life Passage: Franklin was born on 25 July 1920 in 50 Chepstow Villas, Notting Hill, London, into an affluent and influential British Jewish family. Her father was Ellis Arthur Franklin (1894-1964), a politically liberal London merchant banker who taught at the city's Working Men's College, and her mother was Muriel Frances Waley (1894-1976). Rosalind was the elder daughter and the second child in the family of five children. David (born 1919) was the eldest brother; Colin (born 1923), Roland (born 1926), and Jenifer (born 1929) were her younger siblings. Her father's uncle was Herbert Samuel (later Viscount Samuel), who was the Home Secretary in 1916 and the first practising Jew to serve in the British Cabinet. Her aunt, Helen Caroline Franklin, known in the family as Mamie, was married to Norman de Mattos Bentwich, who was the Attorney General in the British Mandate of Palestine. Helen Caroline Franklin was active in trade union organisation and the women's suffrage movement, and was later a member of the London County Council. Her uncle, Hugh Franklin, was another prominent figure in the suffrage movement, although his actions therein embarrassed the Franklin family. Rosalind's middle name, "Elsie", was in memory of Hugh's first wife, who died in the 1918 flu pandemic. Her family was actively involved with the Working Men's College, where her father taught the subjects of electricity, magnetism, and the history of the Great War in the evenings, later becoming the vice-principal. Franklin's parents helped settle Jewish refugees from Europe who had escaped the Nazis, particularly those from the Kindertransport. They took in two Jewish children to their home, and one of them, a nine-year-old Austrian, Evi Eisenstadter, shared Jenifer's room. (Evi's father Hans Mathias Eisenstadter had been imprisoned in Buchenwald, and after liberation, the family adopted the surname "Ellis".) From early childhood, Franklin showed exceptional scholastic abilities. At age six, she joined her brother Roland at Norland Place School, a private day school in West London. At that time, her aunt Mamie (Helen Bentwich), described her to her husband: "Rosalind is alarmingly clever - she spends all her time doing arithmetic for pleasure, and invariably gets her sums right." She also developed an early interest in cricket and hockey. At age nine, she entered a boarding school, Lindores School for Young Ladies in Sussex. The school was near the seaside, and the family wanted a good environment for her delicate health. She was eleven when she went to St Paul's Girls' School, West London, one of the few girls' schools in London that taught physics and chemistry. At St Paul's she excelled in science, Latin, and sports. She also learned German, and became fluent in French, a language she would later find useful. She topped her classes, and won annual awards. Her only educational weakness was in music, for which the school music director, the composer Gustav Holst, once called upon her mother to inquire whether she might have suffered from hearing problem or tonsillitis. With six distinctions, she passed her matriculation in 1938, winning a scholarship for university, the School Leaving Exhibition of PS30 a year for three years, and PS5 from her grandfather. Her father asked her to give the scholarship to a deserving refugee student. Question: When was she born? Answer: 25 July 1920 Question: Where was she born? Answer: 50 Chepstow Villas, Notting Hill, London, Question: Did she have any hobbies? Answer: Rosalind is alarmingly clever - she spends all her time doing arithmetic for pleasure, and invariably gets her sums right. Question: Was her IQ ever tested?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Rosalind Franklin Background: Rosalind Elsie Franklin (25 July 1920 - 16 April 1958) was an English chemist and X-ray crystallographer who made contributions to the understanding of the molecular structures of DNA (deoxyribonucleic acid), RNA (ribonucleic acid), viruses, coal, and graphite. Although her works on coal and viruses were appreciated in her lifetime, her contributions to the discovery of the structure of DNA were largely recognised posthumously. Born to a prominent British Jewish family, Franklin was educated at a private day school at Norland Place in West London, Lindores School for Young Ladies in Sussex, and St Paul's Girls' School, London. Then she studied the Natural Sciences Tripos at Newnham College, Cambridge, from which she graduated in 1941. Section: Cambridge and World War II Passage: Franklin went to Newnham College, Cambridge in 1938 and studied chemistry within the Natural Sciences Tripos. There she met the spectroscopist Bill Price, who worked with her as a laboratory demonstrator and who later became one of her senior colleagues at King's College London. In 1941, she was awarded second-class honours from her final exams. The distinction was accepted as a bachelor's degree in qualifications for employment. Cambridge began awarding titular B.A. and M.A. degrees to women from 1947, and the previous women graduates retroactively received these. In her last year at Cambridge, she met a French refugee Adrienne Weill, a former student of Marie Curie, who had a huge influence on her life and career and helped her to improve her spoken French. Franklin was awarded a research fellowship at Newnham College, with which she joined the physical chemistry laboratory of the University of Cambridge to work under Ronald Norrish, who later won the Nobel Prize in Chemistry. In her one year of work there, she did not have much success. As described by his biographer, Norrish was "obstinate and almost perverse in argument, overbearing and sensitive to criticism". He could not decide for her what to work upon, and at that time was succumbing to heavy drinking. Franklin wrote that he made her despise him completely. Resigning from Norrish's Lab, she fulfilled the requirements of the National Service Acts by working as an assistant research officer at the British Coal Utilisation Research Association (BCURA) in 1942. The BCURA was located on the Coombe Springs Estate near Kingston upon Thames near the southwestern boundary of London. Norrish acted as advisor to the military at BCURA. John G. Bennett was the director. Marcello Pirani and Victor Goldschmidt, both refugees from the Nazis, were consultants and lectured at BCURA while Franklin worked there. During her BCURA research, she stayed at Adrienne Weill's boarding house in Cambridge until her cousin Irene Franklin asked to join her in a vacated house of her uncle in Putney. With Irene, she volunteered as an Air Raid Warden and regularly made patrols to see the welfare of people during air raids. She studied the porosity of coal using helium to determine its density. Through this, she discovered the relationship between the fine constrictions in the pores of coals and the permeability of the porous space. By concluding that substances were expelled in order of molecular size as temperature increased, she helped classify coals and accurately predict their performance for fuel purposes and for production of wartime devices such as gas masks. This work was the basis of her Ph.D. thesis The physical chemistry of solid organic colloids with special reference to coal for which the University of Cambridge University awarded her a Ph.D. in 1945. It was also the basis of several papers. Question: what happened with Rosalind and Cambridge? Answer: Franklin went to Newnham College, Cambridge in 1938 and studied chemistry within the Natural Sciences Tripos. Question: did he graduate? Answer: In 1941, she was awarded second-class honours from her final exams. Question: what happened to her during WW II? Answer: CANNOTANSWER Question: what did she work on in the laboratory?
[ "She studied the porosity of coal using helium to determine its density." ]
Title: Exposé (group) Background: Expose is an American Latin freestyle vocal group. Primarily consisting of lead vocalists Jeanette Jurado, Ann Curless, and Gioia Bruno, the group achieved much of their success between 1984 and 1993, becoming the first group to have four top ten hits on the Billboard Hot 100 chart from its debut album, including the 1988 #1 hit "Seasons Change". In March 2015, Billboard magazine named the group the eighth most-successful girl group of all-time. The group was popular in dance clubs, mainstream Top 40 and adult contemporary charts in the United States. Section: Exposure (1986-1988) Passage: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour. Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?". During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. Question: What type of Exposure happened in 1986? Answer: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" Question: What other hits did they release? Answer: During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, Question: Did things work out for the new girls? Answer: Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 Question: Did they have any other hits that got the US Hot 100? Answer: The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Question: Did they get any awards?
[ "a Soul Train Award nomination for Best New Artist;" ]
Title: Exposé (group) Background: Expose is an American Latin freestyle vocal group. Primarily consisting of lead vocalists Jeanette Jurado, Ann Curless, and Gioia Bruno, the group achieved much of their success between 1984 and 1993, becoming the first group to have four top ten hits on the Billboard Hot 100 chart from its debut album, including the 1988 #1 hit "Seasons Change". In March 2015, Billboard magazine named the group the eighth most-successful girl group of all-time. The group was popular in dance clubs, mainstream Top 40 and adult contemporary charts in the United States. Section: Personnel changes (1986) Passage: During the recording of the group's first studio album Exposure, the personnel of the group changed. Reports vary based on the source. According to People magazine, one of the original singers quit while two of the girls were fired midway through the recording of the first album, but according to Billboard, all three were fired. Arista records felt that the three original singers lacked star potential. Martinee states that he made the decision himself to replace the three girls, while Miller maintains it was all their choice, and Jurado confirms that Lorenzo wanted to leave. Shortly thereafter, Casanas pursued a solo career and Lorenzo pursued other ambitions; they were replaced by Jeanette Jurado and Gioia Bruno. Miller began a solo career; she was replaced by Ann Curless. Lorenzo returned to the dance charts with the Vendetta Records releases "I Wanna Know" in 1988, and "Stop Me if I Fall in Love" in 1990, while Laurie Miller released the 12" single "Parallels" on Atlantic Records and a second single "Love is a Natural Magical Thing" on Meet Me In Miami Records. Laurie evolved into a headline performer frequently showcasing her talents on cruises with a more intimate jazz style, and formed her own entertainment company called Xica productions. Casanas later resurfaced as a solo artist (Sandee) and released a solo album, Only Time Will Tell, which garnered the club hits "You're The One", "Love Desire", and the Clivilles & Cole-produced bassline-heavy hit "Notice Me". She continued to tour actively in dance clubs and freestyle shows, until her death on December 15, 2008, of a seizure at the age of 46. All three original members: Casanas, Lorenzo and Miller later contributed vocals on songs on the Miami group Will to Power's eponymous 1988 debut album. Gioia Bruno also provided lead vocals on Will to Power's 2004 album, Spirit Warrior. Question: When did Expose release? Answer: Arista records felt that the three original singers lacked star potential. Question: Why did the group change?
[ "According to People magazine, one of the original singers quit while two of the girls were fired midway through the recording of the first album," ]
Title: Billie Holiday Background: Eleanora Fagan (April 7, 1915 - July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education. Section: 1935-38: Recordings with Teddy Wilson Passage: In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade. They were given free rein to improvise the material. Holiday's improvisation of melody to fit the emotion was revolutionary. Their first collaboration included "What a Little Moonlight Can Do" and "Miss Brown to You". "What a Little Moonlight Can Do" has been deemed her "claim to fame." Brunswick did not favor the recording session, because producers wanted Holiday to sound more like Cleo Brown. After "What a Little Moonlight Can Do" garnered success, however, the company began considering Holiday an artist in her own right. She began recording under her own name a year later (on the 35-cent Vocalion label), producing a series of extraordinary performances with groups comprising the swing era's finest musicians. The sessions were co-produced by Hammond and Bernie Hanighen. With their arrangements, Wilson and Holiday took pedestrian pop tunes, such as "Twenty-Four Hours a Day" (number 6 Pop) and "Yankee Doodle Went to Town", and turned them into jazz classics. Most of Holiday's recordings with Wilson or under her own name during the 1930s and early 1940s are regarded as important parts of the jazz vocal library. She was then in her twenties. Another frequent accompanist was the tenor saxophonist Lester Young, who had been a boarder at her mother's house in 1934 and with whom Holiday had a special rapport. He said, "I think you can hear that on some of the old records, you know. Some time I'd sit down and listen to 'em myself, and it sound like two of the same voices, if you don't be careful, you know, or the same mind, or something like that." Young nicknamed her "Lady Day", and she called him "Prez". Hammond spoke about the commercial impact of the Wilson-Holiday sides from 1935 to 1938, calling them a great asset to Brunswick. The record label, according to Hammond, was broke and unable to record many jazz tunes. Wilson, Holiday, Young, and other musicians came into the studio without musical arrangements and improvised as they performed, dispensing with the expense of having written arrangements, so that the records they produced were cheap. Holiday was never given any royalties for her work, instead being paid a flat fee, which saved the company money. Some of the records produced were successful, such as "I Cried for You", which sold 15,000 copies. Hammond said of the record, "15,000 ... was a giant hit for Brunswick in those days. I mean a giant hit. Most records that made money sold around three to four thousand." Question: What happened in 1935? Answer: In 1935 Holiday was signed to Brunswick Records by John Hammond to record current pop tunes with Teddy Wilson in the new swing style for the growing jukebox trade. Question: What happened in 1936? Answer: Hammond spoke about the commercial impact of the Wilson-Holiday sides from 1935 to 1938, calling them a great asset to Brunswick. Question: What happened in 1937? Answer: CANNOTANSWER Question: What happened in 1938? Answer: CANNOTANSWER Question: What was recorded with Teddy Wilson? Answer: Wilson, Holiday, Young, and other musicians came into the studio without musical arrangements and improvised as they performed, Question: Why wasn't Holiday given any royalties?
[ "saved the company money." ]
Title: Billie Holiday Background: Eleanora Fagan (April 7, 1915 - July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education. Section: 1929-35: Early career Passage: As a young teenager, Holiday started singing in nightclubs in Harlem. She took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday", the birth surname of her father, but eventually changed it to "Holiday", his performing name. The young singer teamed up with a neighbor, the tenor saxophone player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Benny Goodman recalled hearing Holiday in 1931 at the Bright Spot. As her reputation grew, she played in many clubs, including Mexico's and the Alhambra Bar and Grill, where she met Charles Linton, a vocalist who later worked with Chick Webb. It was also during this period that she connected with her father, who was playing in Fletcher Henderson's band. Late in 1932, at the age of 17, Holiday replaced the singer Monette Moore at Covan's, a club on West 132nd Street. The producer John Hammond, who loved Moore's singing and had come to hear her, first heard Holiday there in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933, with Benny Goodman. She recorded two songs: "Your Mother's Son-in-Law" and "Riffin' the Scotch", the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch", released on November 11, sold 5,000 copies. Hammond was impressed by Holiday's singing style and said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age. In 1935, Holiday had a small role as a woman abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang "Saddest Tale". Question: what happened in 1929? Answer: Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club. Question: what else did they do? Answer: As her reputation grew, she played in many clubs, including Mexico's and the Alhambra Bar and Grill, Question: what music did she produce? Answer: Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933, Question: how many copies did the other two sell?
[ "\", released on November 11, sold 5,000 copies." ]
Title: Stevie Ray Vaughan Background: Stephen Ray Vaughan (October 3, 1954 - August 27, 1990) was an American musician, singer, songwriter, and record producer. In spite of a short-lived mainstream career spanning seven years, he was one of the most influential guitarists in the revival of blues in the 1980s. AllMusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death." Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie. Section: Early years Passage: In May 1969, after leaving the Brooklyn Underground, Vaughan joined a band called the Southern Distributor. He had learned The Yardbirds' "Jeff's Boogie" and played the song at the audition. Mike Steinbach, the group's drummer, commented: "The kid was fourteen. We auditioned him on 'Jeff's Boogie,' really fast instrumental guitar, and he played it note for note." Although they played pop rock covers, Vaughan conveyed his interest in the addition of blues songs to the group's repertoire; he was told that he wouldn't earn a living playing blues music and the band parted ways. Later that year, bassist Tommy Shannon walked into a Dallas club and heard Vaughan playing guitar. Fascinated by the skillful playing, which he described as "incredible even then", Shannon borrowed a bass guitar and the two jammed. Within a few years, they began performing together in a band called Krackerjack. In February 1970, Vaughan joined a band called Liberation, which was a nine-piece group with a horn section. Having spent the past month briefly playing bass with Jimmie in Texas Storm, he had originally auditioned as bassist. Impressed by Vaughan's guitar playing, Scott Phares, the group's original guitarist, modestly became the bassist. In mid-1970, they performed at the Adolphus Hotel in downtown Dallas, where ZZ Top asked them to perform. During Liberation's break, Vaughan jammed with ZZ Top on the Nightcaps song "Thunderbird". Phares later described the performance: "They tore the house down. It was awesome. It was one of those magical evenings. Stevie fit in like a glove on a hand." Attending Justin F. Kimball High School during the early 1970s, Vaughan's late-night gigs contributed to his neglect in his studies, including music theory; he would often sleep during class. His musical career pursuit was disapproved by many of the school's administrators, but he was also encouraged by many people to strive for a career in art, including his art teacher. In his sophomore year, he attended an evening class for experimental art at Southern Methodist University, but bailed when it conflicted with rehearsal. Vaughan later spoke of his dislike of the school and stated that he had to receive a daily note from the principal about his grooming. Question: When did Stevie get started? Answer: 1969, Question: What was his first album? Answer: 1970s, Question: Where did he grow up? Answer: Brooklyn Question: When was he born? Answer: CANNOTANSWER Question: Where did he attend school? Answer: Justin F. Kimball High School Question: Did he go to college? Answer: Southern Methodist University, Question: Who did he play with?
[ "ZZ Top" ]
Title: Stevie Ray Vaughan Background: Stephen Ray Vaughan (October 3, 1954 - August 27, 1990) was an American musician, singer, songwriter, and record producer. In spite of a short-lived mainstream career spanning seven years, he was one of the most influential guitarists in the revival of blues in the 1980s. AllMusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death." Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie. Section: First recordings Passage: In September 1970, Vaughan made his first studio recordings with the band Cast of Thousands, which included future actor Stephen Tobolowsky. They recorded two songs, "Red, White and Blue" and "I Heard a Voice Last Night", for a compilation album, A New Hi, that featured various teenage bands from Dallas. In late January 1971, feeling confined by playing pop hits with Liberation, Vaughan formed his own band, Blackbird. After growing tired of the Dallas music scene, he dropped out of school and moved with the band to Austin, Texas, which had more liberal and tolerant audiences. There, Vaughan initially took residence at the Rolling Hills Country Club, a venue that would later become the Soap Creek Saloon. Blackbird played at several clubs in Austin and opened shows for bands such as Sugarloaf, Wishbone Ash, and Zephyr, but could not maintain a consistent lineup. In early December 1972, Vaughan left Blackbird and joined a rock band named Krackerjack; he performed with them for less than three months. In March 1973, Vaughan joined Marc Benno's band, the Nightcrawlers, after meeting Benno at a jam session years before. The band featured vocalist Doyle Bramhall, who met Vaughan when he was twelve years old. The next month, the Nightcrawlers recorded an album at Sunset Sound Recorders in Hollywood for A&M Records. While the album was rejected by A&M, it included Vaughan's first songwriting efforts, "Dirty Pool" and "Crawlin'". Soon afterward, he and the Nightcrawlers traveled back to Austin without Benno. In mid-1973, they signed a contract with Bill Ham, manager for ZZ Top, and played various gigs across the South, though many of them were disastrous. Ham left the band stranded in Mississippi without any way to make it back home and demanded reimbursement from Vaughan for equipment expenses; Ham was never reimbursed. In 1975, Vaughan joined a six-piece band called Paul Ray and the Cobras that included guitarist Denny Freeman and saxophonist Joe Sublett. For the next two-and-a-half years, he earned a living performing weekly at a popular venue in town, the Soap Creek Saloon, and ultimately the newly opened Antone's, widely known as Austin's "home of the blues". In late 1976, Vaughan recorded a single with them, "Other Days" as the A-side and "Texas Clover" as the B-side. Playing guitar on both tracks, the single was released on February 7, 1977. In March, readers of the Austin Sun voted them as Band of the Year. In addition to playing with the Cobras, Vaughan jammed with many of his influences at Antone's, including Buddy Guy, Hubert Sumlin, Jimmy Rogers, Lightnin' Hopkins, and Albert King. Vaughan toured with the Cobras during much of 1977, but near the end of September, after they decided to strive for a mainstream musical direction, he left the band and formed Triple Threat Revue, which included singer Lou Ann Barton, bassist W. C. Clark, and drummer Fredde Pharaoh. In January 1978, they recorded four songs in Austin, including Vaughan's composition "I'm Cryin'". The thirty-minute audio recording marks the only known studio recording of the band. Question: what was his very first recording Answer: In September 1970, Vaughan made his first studio recordings with the band Cast of Thousands, Question: what year did he tour 1st Answer: Vaughan toured with the Cobras during much of 1977, Question: did he have any other tours Answer: For the next two-and-a-half years, he earned a living performing weekly at a popular venue in town, the Soap Creek Saloon, Question: any other bars ? Answer: the newly opened Antone's, widely known as Austin's "home of the blues". Question: what year did he hit it big Answer: In January 1978, they recorded four songs in Austin, including Vaughan's composition "I'm Cryin'". Question: did he have any major hits Answer: In late 1976, Vaughan recorded a single with them, "Other Days" as the A-side and "Texas Clover" as the B-side. Question: did he ever perform with others Answer: Vaughan jammed with many of his influences at Antone's, including Buddy Guy, Hubert Sumlin, Jimmy Rogers, Lightnin' Hopkins, and Albert King. Question: who was the best Answer: Jimmy Rogers, Question: is he still living
[ "Dallas. In late January 1971, feeling confined by playing pop hits with Liberation, Vaughan formed his own band, Blackbird." ]
Title: Marian Anderson Background: Marian Anderson (February 27, 1897 - April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Music critic Alan Blyth said: "Her voice was a rich, vibrant contralto of intrinsic beauty." Most of her singing career was spent performing in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting. Section: European fame Passage: In 1933, Anderson made her European debut in a concert at Wigmore Hall in London, where she was received enthusiastically. She spent the early 1930s touring throughout Europe where she did not encounter the racial prejudices she had experienced in America. In the summer of 1930, she went to Scandinavia, where she met the Finnish pianist Kosti Vehanen who became her regular accompanist and her vocal coach for many years. She also met Jean Sibelius through Vehanen after he had heard her in a concert in Helsinki. Moved by her performance, Sibelius invited them to his home and asked his wife to bring champagne in place of the traditional coffee. Sibelius commented to Anderson of her performance that he felt that she had been able to penetrate the Nordic soul. The two struck up an immediate friendship, which further blossomed into a professional partnership, and for many years Sibelius altered and composed songs for Anderson to perform. He created a new arrangement of the song "Solitude" and dedicated it to Anderson in 1939. Originally The Jewish Girl's Song from his 1906 incidental music to Belshazzar's Feast, it later became the "Solitude" section of the orchestral suite derived from the incidental music. In 1934, impresario Sol Hurok offered Anderson a better contract than she previously had with Arthur Judson. He became her manager for the rest of her performing career and through his persuasion she came back to perform in America. In 1935, Anderson made her first recital appearance in New York at Town Hall, which received highly favorable reviews by music critics. She spent the next four years touring throughout the United States and Europe. She was offered opera roles by several European houses but, due to her lack of acting experience, Anderson declined all of those offers. She did, however, record a number of opera arias in the studio, which became bestsellers. Anderson, accompanied by Vehanen, continued to tour throughout Europe during the mid-1930s. She visited Eastern European capitals and Russia and returned again to Scandinavia, where "Marian fever" had spread to small towns and villages where she had thousands of fans. She quickly became a favorite of many conductors and composers of major European orchestras. During a 1935 tour in Salzburg, the conductor Arturo Toscanini told her she had a voice "heard once in a hundred years". In the late 1930s, Anderson gave about 70 recitals a year in the United States. Although by then quite famous, her stature did not completely end the prejudice she confronted as a young black singer touring the United States. She was still denied rooms in certain American hotels and was not allowed to eat in certain American restaurants. Because of this discrimination, Albert Einstein, a champion of racial tolerance, hosted Anderson on many occasions, the first being in 1937 when she was denied a hotel before performing at Princeton University. She last stayed with him months before he died in 1955. Question: How was she percieved in Europe? Answer: Anderson made her European debut in a concert at Wigmore Hall in London, where she was received enthusiastically. Question: Was there ever any conflicts?
[ "her stature did not completely end the prejudice she confronted as a young black singer touring the United States." ]
Title: Marian Anderson Background: Marian Anderson (February 27, 1897 - April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Music critic Alan Blyth said: "Her voice was a rich, vibrant contralto of intrinsic beauty." Most of her singing career was spent performing in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting. Section: Later life Passage: Although Anderson retired from singing in 1965, she continued to appear publicly. On several occasions she narrated Aaron Copland's Lincoln Portrait, including a performance with the Philadelphia Orchestra at Saratoga in 1976, conducted by the composer. Her achievements were recognized and honored with many prizes, including the NAACP's Spingarn Medal in 1939; University of Pennsylvania Glee Club Award of Merit in 1973; the United Nations Peace Prize, New York City's Handel Medallion, and the Congressional Gold Medal, all in 1977; Kennedy Center Honors in 1978; the George Peabody Medal in 1981; the National Medal of Arts in 1986; and a Grammy Award for Lifetime Achievement in 1991. In 1980, the United States Treasury Department coined a half-ounce gold commemorative medal with her likeness, and in 1984 she was the first recipient of the Eleanor Roosevelt Human Rights Award of the City of New York. She has been awarded honorary doctoral degrees from Howard University, Temple University and Smith College. In 1986, Anderson's husband, Orpheus Fisher, died after 43 years of marriage. Anderson remained in residence at Marianna Farm until 1992, one year before her death. Although the property was sold to developers, various preservationists as well as the City of Danbury fought to protect Anderson's studio. Their efforts proved successful and the Danbury Museum and Historical Society received a grant from the State of Connecticut, relocated the structure, restored it, and opened it to the public in 2004. In addition to seeing the studio, visitors can see photographs and memorabilia from milestones in Anderson's career. Anderson died of congestive heart failure on April 8, 1993, at age 96. She had suffered a stroke a month earlier. She died in Portland, Oregon, at the home of her nephew, conductor James DePreist, where she had relocated the year prior. She is interred at Eden Cemetery, in Collingdale, Pennsylvania, a suburb of Philadelphia. Question: When did Marian die? Answer: April 8, 1993, at age 96. Question: What did she do before dying?
[ "Anderson remained in residence at Marianna Farm until 1992," ]
Title: Captain Beefheart Background: Don Van Vliet (, born Don Glen Vliet; January 15, 1941 - December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. He conducted a rotating ensemble called the Magic Band, with whom he released 13 studio albums between 1964 and 1982. His music blended elements of blues, free jazz, and rock with avant-garde composition, idiosyncratic rhythms, and his surrealist wordplay and wide vocal range. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Section: Mirror Man Passage: In 1971 some of the recordings done for Buddah were released as Mirror Man, bearing a liner note claiming that the material had been recorded in "...one night in Los Angeles in 1965". This was a ruse to circumvent possible copyright issues. The material was recorded in November and December 1967. Essentially a "jam" album, described as pushing "the boundaries of conventional blues-rock, with a Beefheart vocal tossed in here and there. Some may miss Beefheart's surreal poetry, gruff vocals, and/or free jazz influence, while others may find it fascinating to hear the Magic Band simply letting go and cutting loose." The album's "miss-credit errors" also state band members as "Alex St. Clare Snouffer" (Alex St. Clare/Alexis Snouffer), "Antennae Jimmy Simmons" (Semens/Jeff Cotton) and "Jerry Handsley" (Handley). First vinyl was issued in both a die-cut gatefold (revealing a "cracked" mirror) and a single sleeve with same image. The UK Buddah issue was part of the Polydor-manufactured "Select" series. During his first trip to England in January 1968, Captain Beefheart was briefly represented in the UK by mod icon Peter Meaden, an early manager of the Who. The Captain and his band members were initially denied entry to the United Kingdom, because Meaden had illegally booked them for gigs without applying for appropriate work permits. After returning to Germany for a few days, the group was permitted to re-enter the UK, when they recorded material for John Peel's radio show and appeared at the Middle Earth venue, introduced by Peel on Saturday January 20. By this time, they had terminated their association with Meaden. On January 27, 1968, Beefheart performed in the MIDEM Music Festival on the beach at Cannes, France. Alex St. Claire left the band in June 1968 after their return from a second European tour and was replaced by teenager Bill Harkleroad; bassist Jerry Handley left a few weeks later. Question: What was mirror man? Answer: In 1971 some of the recordings done for Buddah were released as Mirror Man, Question: Is there anything notable about the album? Answer: bearing a liner note claiming that the material had been recorded in "...one night in Los Angeles in 1965". Question: Why was it recorded in only one night? Answer: This was a ruse to circumvent possible copyright issues. Question: Who did they jam with on the album?
[ "CANNOTANSWER", "Not enough information", "Cannot answer", "Do not know" ]
Title: Captain Beefheart Background: Don Van Vliet (, born Don Glen Vliet; January 15, 1941 - December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. He conducted a rotating ensemble called the Magic Band, with whom he released 13 studio albums between 1964 and 1982. His music blended elements of blues, free jazz, and rock with avant-garde composition, idiosyncratic rhythms, and his surrealist wordplay and wide vocal range. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Section: Safe as Milk Passage: After fulfilling their deal for two singles the band presented demos to A&M during 1966 for what would become the Safe as Milk album. A&M's Jerry Moss reportedly described this new direction as "too negative" and dropped the band from the label, although still under contract. Much of the demo recording was accomplished at Art Laboe's Original Sound Studio, then with Gary Marker on the controls at Sunset Sound on 8-track. By the end of 1966 they were signed to Buddah Records and much of the demo work was transferred to 4-track, at the behest of Krasnow and Perry, in the RCA Studio in Hollywood, where the recording was finalized. Tracks that were originally laid down in the demo by Doug Moon are therefore taken up by Ry Cooder's work in the release, as Moon had departed over "musical differences" at this juncture. Drummer John French had now joined the group and it would later (notably on Trout Mask Replica) be his patience that was required to transcribe Van Vliet's creative ideas (often expressed by whistling or banging on the piano) into musical form for the other group members. On French's departure this role was taken over by Bill Harkleroad for Lick My Decals Off, Baby. Many of the lyrics on the Safe as Milk album were written by Van Vliet in collaboration with the writer Herb Bermann, who befriended Van Vliet after seeing him perform at a bar-gig in Lancaster in 1966. The song "Electricity" was a poem written by Bermann, who gave Van Vliet permission to adapt it to music. Much of the Safe as Milk material was honed and arranged by the arrival of 20-year-old guitar prodigy Ry Cooder, who had been brought into the group after much pressure from Vliet. The band began recording in spring 1967, with Richard Perry cutting his teeth in his first job as producer. The album was released in September 1967. Richie Unterberger of Allmusic called the album "blues-rock gone slightly askew, with jagged, fractured rhythms, soulful, twisting vocals from Van Vliet, and more doo wop, soul, straight blues, and folk-rock influences than he would employ on his more avant garde outings." Question: What is Safe as Milk Answer: After fulfilling their deal for two singles the band presented demos to A&M during 1966 for what would become the Safe as Milk album. Question: Were the two singles included on the Safe as milk album Answer: CANNOTANSWER Question: Was the album a hit? Answer: Richie Unterberger of Allmusic called the album "blues-rock gone slightly askew, with jagged, fractured rhythms, soulful, twisting vocals from Van Vliet, Question: Did they win any awards for this album
[ "twisting vocals from Van Vliet, and more doo wop, soul, straight blues, and folk-rock influences than he would employ on his more avant garde outings.\"" ]
Title: Dick Williams Background: Richard Hirschfeld Williams (May 7, 1929 - July 7, 2011) was an American left fielder, third baseman, manager, coach and front office consultant in Major League Baseball. Known especially as a hard-driving, sharp-tongued manager from 1967 to 1969 and from 1971 to 1988, he led teams to three American League pennants, one National League pennant, and two World Series triumphs. He is one of seven managers to win pennants in both major leagues, and joined Bill McKechnie in becoming only the second manager to lead three franchises to the Series. He and Lou Piniella are the only managers in history to lead four teams to seasons of 90 or more wins. Section: Montreal Expos Passage: In 1977, he returned to Montreal as manager of the Expos, who had just come off 107 losses and a last-place finish in the NL East. Team president John McHale and general manager Jim Fanning had been impressed with Williams' efforts in Boston and Oakland, and thought he was what the Expos needed to finally become a winner. After cajoling the Expos into improved, but below .500, performances in his first two seasons, Williams turned the 1979-80 Expos into pennant contenders. The team won over 90 games both years--the first winning seasons in franchise history. The 1979 unit won 95 games, the most that the franchise would win in Montreal. However, they finished second each time to the eventual World Champion (the Pittsburgh Pirates in 1979 and the Philadelphia Phillies in 1980). Williams was never afraid to give young players a chance to play, and his Expos teams were flush with young talent, including All-Stars such as outfielder Andre Dawson and catcher Gary Carter. With a solid core of young players and a fruitful farm system, the Expos seemed a lock to contend for a long time to come. But Williams' hard edge alienated his players--especially his pitchers--and ultimately wore out his welcome. He labeled pitcher Steve Rogers a fraud with "king of the mountain syndrome" - meaning that Rogers had been a good pitcher on a bad team for so long that he was unable to "step up" when the team became good. Williams also lost confidence in closer Jeff Reardon, whom the Montreal front office had acquired in a much publicized trade with the Mets. When the 1981 Expos performed below expectations, Williams was fired during the pennant drive on September 7. With the arrival of his easy-going successor Jim Fanning, who restored Reardon to the closer's role, the inspired Expos made the playoffs for the only time in their 36-year history in Montreal. However, they fell in heartbreaking fashion to Rick Monday and the eventual World Champion Los Angeles Dodgers in a five-game NLCS. Question: What happened at the montreal expos? Answer: Williams turned the 1979-80 Expos into pennant contenders. Question: How did he turn them into pennant contenders? Answer: The team won over 90 games both years--the first winning seasons in franchise history. Question: Did any of the younger players ever let him down?
[ "But Williams' hard edge alienated his players--especially his pitchers--and ultimately wore out his welcome. He labeled pitcher Steve Rogers a fraud" ]
Title: Dick Williams Background: Richard Hirschfeld Williams (May 7, 1929 - July 7, 2011) was an American left fielder, third baseman, manager, coach and front office consultant in Major League Baseball. Known especially as a hard-driving, sharp-tongued manager from 1967 to 1969 and from 1971 to 1988, he led teams to three American League pennants, one National League pennant, and two World Series triumphs. He is one of seven managers to win pennants in both major leagues, and joined Bill McKechnie in becoming only the second manager to lead three franchises to the Series. He and Lou Piniella are the only managers in history to lead four teams to seasons of 90 or more wins. Section: Final seasons in uniform Passage: When another perennial loser, the Seattle Mariners, lost 19 of their first 28 games in 1986 under Chuck Cottier, Williams came back to the American League West on May 6 for the first time in almost a decade. The Mariners showed some life that season and almost reached .500 the following season. However, Williams' autocratic managing style no longer played with the new generation of ballplayers. Williams was fired on June 8, 1988 with Seattle 23-33 and in sixth place. It would be his last major-league managing job. Williams' career won-loss totals were 1,571 wins and 1,451 losses over 21 seasons. In 1989, Williams was named manager of the West Palm Beach Tropics of the Senior Professional Baseball Association, a league featuring mostly former major league players 35 years of age and older. The Tropics went 52-20 in the regular season and ran away with the Southern Division title. Despite their regular season dominance, the Tropics lost 12-4 to the St. Petersburg Pelicans in the league's championship game. The Tropics folded at the end of the season, and the rest of the league folded a year later. He remained in the game, however, as a special consultant to George Steinbrenner and the New York Yankees. In 1990, Williams published his autobiography, No More Mister Nice Guy. His acrimonious departure in 1969 distanced Williams from the Red Sox for the remainder of the Yawkey ownership period (through 2001), but after the change in ownership and management that followed, he was selected to the team's Hall of Fame in 2006. Williams's number was recently retired by the Fort Worth Cats. The Cats were a popular minor league team in Fort Worth and Williams played there while he was working his way through the Dodgers system. The Cats merged/disbanded around 1960 but in recent years returned as an independent minor league team. The "New" Cats retired Williams' number. Question: What was one of the things he did in his final season? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: Williams' autocratic managing style no longer played with the new generation of ballplayers. Question: Why didn't it work for the new generation? Answer: CANNOTANSWER Question: Why didn't he continue managing? Answer: The Tropics folded at the end of the season, and the rest of the league folded a year later. Question: What was the last team he worked with?
[ "New York Yankees." ]
Title: Paul Klee Background: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture. Section: Mature career Passage: In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer Hans Goltz, whose influential gallery gave Klee major exposure, and some commercial success. A retrospective of over 300 works in 1920 was also notable. Klee taught at the Bauhaus from January 1921 to April 1931. He was a "Form" master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: "I also approve of these forces competing one with the other if the result is achievement." Klee was also a member of Die Blaue Vier (The Blue Four), with Kandinsky, Lyonel Feininger, and Alexej von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major monograph on Klee's work was published, written by Will Grohmann. Klee also taught at the Dusseldorf Academy from 1931 to 1933, and was singled out by a Nazi newspaper, "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew." His home was searched by the Gestapo and he was fired from his job. His self-portrait Struck from the List (1933) commemorates the sad occasion. In 1933-4, Klee had shows in London and Paris, and finally met Pablo Picasso, whom he greatly admired. The Klee family emigrated to Switzerland in late 1933. Klee was at the peak of his creative output. His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; it is also one of his largest, most finely worked paintings. He produced nearly 500 works in 1933 during his last year in Germany. However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years. His output in 1936 was only 25 pictures. In the later 1930s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso. Klee's simpler and larger designs enabled him to keep up his output in his final years, and in 1939 he created over 1,200 works, a career high for one year. He used heavier lines and mainly geometric forms with fewer but larger blocks of color. His varied color palettes, some with bright colors and others sober, perhaps reflected his alternating moods of optimism and pessimism. Back in Germany in 1937, seventeen of Klee's pictures were included in an exhibition of "Degenerate art" and 102 of his works in public collections were seized by the Nazis. Question: What was one of Klee's significant works during his mature career? Answer: His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; Question: What is somethings significant about Ad Parnassum? Answer: the best example of his pointillist style; it is also one of his largest, most finely worked paintings. Question: What are some other works from his mature period? Answer: CANNOTANSWER Question: What can you tell me about his style from this period? Answer: He used heavier lines and mainly geometric forms with fewer but larger blocks of color. Question: Besides heavier lines and geometric forms, what else makes his work from this period recognizable? Answer: His varied color palettes, some with bright colors and others sober, Question: How did Kandinsky and Picasso encourage him?
[ "However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death." ]
Title: Paul Klee Background: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture. Section: Mystical-abstract period, 1914-1919 Passage: During his twelve-day educational trip to Tunis in April 1914 Klee produced with Macke and Moilliet watercolor paintings, which implement the strong light and color stimulus of the North African countryside in the fashion of Paul Cezanne and Robert Delaunays' cubistic form concepts. The aim was not to imitate nature, but to create compositions analogous to nature's formative principle, as in the works In den Hausern von Saint-Germain (In the Houses of Saint-Germain) and Strassencafe (Streetcafe). Klee conveyed the scenery in a grid, so that it dissolves into colored harmony. He also created abstract works in that period such as Abstract and Farbige Kreise durch Farbbander verbunden (Colored Circles Tied Through Inked Ribbons). He never abandoned the object; a permanent segregation never took place. It took over ten years that Klee worked on experiments and analysis of the color, resulting to an independent artificial work, whereby his design ideas were based on the colorful oriental world. Fohn im Marc'schen Garten (Foehn at Marc's Garden) was made after the Turin trip. It indicates the relations between color and the stimulus of Macke and Delaunay. Although elements of the garden are clearly visible, a further steering towards abstraction is noticeable. In his diary Klee wrote the following note at that time: In the large molding pit are lying ruins, on which one partially hangs. They provide the material for the abstraction. [...] The terrible the world, the abstract the art, while a happy world produces secularistic art. Under the impression of his military service he created the painting Trauerblumen (Velvetbells) in 1917, which, with its graphical signs, vegetal and phantastic shapes, is a forerunner of his future works, harmonically combining graphic, color and object. For the first time birds appear in the pictures, such as in Blumenmythos (Flower Myth) from 1918, mirroring the flying and falling planes he saw in Gersthofen, and the photographed plane crashes. In the 1918 watercolor painting Einst dem Grau der Nacht enttaucht, a compositional implemented poem, possible written by Klee, he incorporated letters in small, in terms of color separated squares, cutting off the first verse from the second one with silver paper. At the top of the cardboard, which carries the picture, the verses are inscribed in manuscript form. Here, Klee did not lean on Delaunay's colors, but on Marc's, although the picture content of both painters does not correspond with each other. Herwarth Walden, Klee's art dealer, saw in them a "Wachablosung" (changing of the guard) of his art. Since 1919 he often used oil colors, with which he combined watercolors and colored pencil. The Villa R (Kunstmuseum Basel) from 1919 unites visible realities such as sun, moon, mountains, trees and architectures, as well as surreal pledges and sentiment readings. Question: What was a famous work that came out during the Mystical-abstract period? Answer: Fohn im Marc'schen Garten (Foehn at Marc's Garden) was made after the Turin trip. Question: What other painters were famous during this period? Answer: in the fashion of Paul Cezanne and Robert Delaunays' cubistic form concepts. Question: Was World War I important in the Mystical-abstract period? Answer: Under the impression of his military service he created the painting Trauerblumen (Velvetbells) in 1917, Question: Who were Klee's colleagues during this period? Answer: in the fashion of Paul Cezanne and Robert Delaunays' cubistic form concepts. Question: What famous work did Cezanne produce during the period?
[ "as in the works In den Hausern von Saint-Germain (In the Houses of Saint-Germain) and Strassencafe (Streetcafe)." ]
Title: Vanilla Ice Background: Robert Matthew Van Winkle was born in Dallas, Texas, on October 31, 1967. Van Winkle has never known his biological father; he was given the family name of the Dutch man his mother was married to at the time of his birth. When Van Winkle was four, his mother divorced. Afterward, he grew up moving between Dallas and Miami, where his new stepfather worked at a car dealership. Section: Mind Blowin, music break and drug abuse (1994-1996) Passage: After almost non-stop touring for the previous three years, Ice took a break from music in 1993 and began competing in jet skiing (becoming the 6th best jet ski racer in the world and obtaining sponsorship from Kawasaki) as well as resuming Motocross racing. By 1994, Ice received less publicity and became removed from the public spotlight. After becoming more interested with the Rastafari movement, Ice became a vegetarian, grew dreadlocks and talked more openly about smoking cannabis. On March 22, 1994, Ice released his second studio album, Mind Blowin'. Reviews were unfavorable. Entertainment Weekly reviewer James Bernard called the album "more clunky than funky". Rolling Stone reviewer Danyel Smith praised the song "Get Loose" as "snappy", writing that although the lyrics are "inane", "the song is a thumping party, one of the few places where Ice loosens up. He sounds solid at the beginning of 'The Wrath' as well ... In 'Now and Forever,' a wet dream kind of song, Ice goes back to goofy lyrics." Allrovi reviewer Stephen Thomas Erlewine wrote that "There isn't a single moment that establishes a distinct musical identity, and the whole thing is rather embarrassing." Primus bassist Les Claypool stated in response to Ice's cannabis-oriented lyrics: "That's all fine and dandy and cute, but it could be misconstrued and manipulated by the wrong people." When asked about the drug oriented sound years later, Vanilla Ice said "A lot of the record is drug oriented because I was doing a lot of drugs at the time". Shortly afterward, SBK went bankrupt. At around this time, Ice began using ecstasy, cocaine and heroin. During periods of heavy drug use, Ice received many tattoos from artist acquaintances. According to Ice, he "was in [his] binge days. [He] didn't even realize how many [he] was getting". Ice attempted suicide with a heroin overdose on July 4, 1994 but was revived by his friends. After being revived, Ice decided that it was time to change his lifestyle. As a symbol of his attempt to begin anew, he got a tattoo of a leaf on his stomach. After expanding his Mind Blowin tour overseas in 1995, Ice sold his estate in California and took a break from music, rather focusing on motocrossing and jet skiing in Florida. By the summer Ice was the world's No. 6-ranked sit-down Jet Ski racer, competing nearly every weekend and earning a Kawasaki sponsorship. Uncertain about his future career, Ice studied real estate and started working on the side renovating and selling houses. In late 1995, Ice set up a recording studio in Miami and joined a grunge band, Pickin Scabz. The name was set to reflect Ice's career and how he was healing from his suicide attempt and that he was now "picking up the pieces". Ice expressed an interest in performing hip hop-influenced rock music, but found that the band was unable to produce the sound he was looking for. In 1996, longtime associate and friend Monte Lipman signed Ice as an artist for Universal Republic Records. He did guest vocals with no stage name for the song "Boom" by Bloodhound Gang on their CD One Fierce Beer Coaster. Question: What drugs did he use Answer: grew dreadlocks and talked more openly about smoking cannabis. Question: Did he have drug issues Answer: ". Ice attempted suicide with a heroin overdose on July 4, 1994 but was revived by his friends. Question: why did he stop doing music Answer: After being revived, Ice decided that it was time to change his lifestyle. Question: what year was this Answer: 1994 Question: what is mind blown
[ "After expanding his Mind Blowin tour overseas in 1995," ]
Title: Vanilla Ice Background: Robert Matthew Van Winkle was born in Dallas, Texas, on October 31, 1967. Van Winkle has never known his biological father; he was given the family name of the Dutch man his mother was married to at the time of his birth. When Van Winkle was four, his mother divorced. Afterward, he grew up moving between Dallas and Miami, where his new stepfather worked at a car dealership. Section: Early career (1985-1989) Passage: In 1985, he was focusing all of his energy on motocross, winning three championships. After breaking his ankle during a race, Ice was not interested in racing professionally for some time, using his spare time to perfect his dance moves and creating his own while his ankle was healing. Ice used his beatboxing and breakdancing skills as a street performer with his friends at local malls during this time. One evening he visited City Lights, a South Dallas nightclub, where he was dared to go on stage by his friend Squirrel during an open-mic. He won the crowd over and was asked by City Lights manager John Bush if he wanted to perform regularly, which he accepted. Ice would be joined on stage with his disc jockey D-Shay and Zero as well as Earthquake, the local disc jockey at City Lights. The Vanilla Ice Posse or The V.I.P. would also perform with Ice on stage. As a performer for City Lights, Ice opened up for N.W.A, Public Enemy, The D.O.C., Tone Loc, 2 Live Crew, Paula Abdul, Sinbad and MC Hammer. In January 1987, Ice was stabbed five times during a scuffle outside of City Lights. After spending ten days at the hospital, Ice signed a contract with the owner of City Lights, Tommy Quon and his management company, Ultrax. Two years later, Ice would open for EPMD, Ice-T, Stetsasonic, and Sir Mix-A-Lot on the Stop the Violence Tour. Quon saw commercial potential in Ice's rapping and dancing skills. Buying studio time with Quon's earnings from City Lights, they recorded songs that had been perfected on stage by Ice and his acquaintances with various producers, including Khayree. The two year production was distributed by an independent record company called Ichiban Records in 1989. "Play That Funky Music" was released as the album's first single, with "Ice Ice Baby" appearing as the B-side. Tommy Quon personally sent out the single to various radio stations around the US, but the single was seldom played and when it was, it did not get the reaction Quon was hoping for. When disc jockey Darrell Jaye in Georgia played "Ice Ice Baby" instead of the single's A-side, the song gained a quick fanbase and other radio stations followed suit. Quon financed $8,000 for the production of a music video for "Ice Ice Baby", which received heavy airplay by The Box, increasing public interest in the song. Following the success of "Ice Ice Baby", record producer Suge Knight and two bodyguards arrived at The Palm in West Hollywood, where Ice was eating. After shoving Ice's bodyguards aside, Knight and his own bodyguards sat down in front of Ice, staring at him before finally asking "How you doin'?" Similar incidents were repeated on several occasions. Eventually, Knight showed up at Ice's hotel suite on the fifteenth floor of the Bel Age Hotel, accompanied by a member of the Los Angeles Raiders football team. According to Ice, Knight took him out on the balcony by himself, and implied that he would throw him off the balcony unless he signed the publishing rights to the song over to Knight; Knight used Ice's money to help fund Death Row Records. Question: what happened in 1985 Answer: In 1985, he was focusing all of his energy on motocross, Question: did he win anything in 1985
[ "Ice used his beatboxing and breakdancing skills as a street performer" ]
Title: Arthur Tedder, 1st Baron Tedder Background: Tedder was born the son of Sir Arthur John Tedder and Emily Charlotte Tedder (nee Bryson) at the Glenguin Distillery (now Glengoyne) in the Campsie Fells, north of Glasgow. His father was distinguished as the Commissioner of the Board of Customs who devised the old age pension scheme. His father's occupation meant that the young Tedder saw different parts of the British Isles, spending 1895 to 1898 in Lerwick on the Shetland Isles and 1899-1901 in Elgin, in the County of Moray. In 1902 the family moved to Croydon in Surrey and Tedder attended the Whitgift School until 1909, when he went up to the University of Cambridge. Section: Inter-war years Passage: Tedder was given command of No. 274 Squadron, equipped with the Handley Page V/1500, the largest RAF bomber of its time, at RAF Bircham Newton in May 1919. On 1 August 1919, Tedder accepted a permanent commission in the new Royal Air Force (RAF). Renamed No. 207 Squadron in February 1920 and equipped with DH9a bombers, the squadron was briefly deployed to Turkey in 1922-23 during the Chanak Crisis. Tedder attended the RN Staff College in late 1923 and through the spring of 1924. Promoted to wing commander on 1 January 1924, Tedder became station commander at RAF Digby and Commandant of No. 2 Flying Training School RAF there in September 1924, before joining the air staff in the Directorate of Training at the Air Ministry in January 1927. He attended the Imperial Defence College in 1928 and then became Assistant Commandant at the RAF Staff College in January 1929. Promoted to group captain on 1 January 1931, he went to the Air Armament School at RAF Eastchurch as officer commanding in January 1932. On 4 April 1934 he became Director of Training at the Air Ministry, gaining promotion to air commodore on 1 July 1934. In November 1936, Tedder was appointed Air Officer Commanding (AOC) RAF Far Eastern Forces which gave him command over RAF units from Burma to Hong Kong and Borneo. Appointed a Companion of the Order of the Bath on 1 February 1937, he was promoted to air vice marshal on 1 July 1937 and became Director General for Research in the Air Ministry in July 1938. Question: What years were the Inter-war years? Answer: CANNOTANSWER Question: Are there any other interesting aspects about this article? Answer: Promoted to wing commander on 1 January 1924, Tedder became station commander at RAF Digby and Commandant of No. 2 Flying Training School RAF Question: What did he do after that?
[ "He attended the Imperial Defence College in 1928 and then became Assistant Commandant at the RAF Staff College" ]
Title: Arthur Tedder, 1st Baron Tedder Background: Tedder was born the son of Sir Arthur John Tedder and Emily Charlotte Tedder (nee Bryson) at the Glenguin Distillery (now Glengoyne) in the Campsie Fells, north of Glasgow. His father was distinguished as the Commissioner of the Board of Customs who devised the old age pension scheme. His father's occupation meant that the young Tedder saw different parts of the British Isles, spending 1895 to 1898 in Lerwick on the Shetland Isles and 1899-1901 in Elgin, in the County of Moray. In 1902 the family moved to Croydon in Surrey and Tedder attended the Whitgift School until 1909, when he went up to the University of Cambridge. Section: First World War Passage: Tedder was promoted to lieutenant in the Dorset Regiment on 14 October 1914, and arrived back in Britain in December. He was posted to a reserve unit at Wyke Regis on the Dorset coast where he seriously injured his knee in February. Following his injury Tedder was unable to carry out full infantry service and, although he briefly carried out duties at a base camp in Calais, he pressed for a transfer to the Royal Flying Corps. In January 1916, Tedder was accepted into the Royal Flying Corps and he was asked to attend the No. 1 School of Aeronautics. in Reading. He was promoted to captain on 21 March 1916. In April he attended the Central Flying School where he learned to fly and gained his 'wings'. In June 1916, Tedder served as a pilot with No. 25 Squadron RFC flying the Bristol Scout C on the Western Front. On 9 August 1916, Tedder was given additional responsibilities as he was made a flight commander with 25 Squadron. The first day of 1917 saw Tedder promoted to major and appointed officer commanding No. 70 Squadron RFC. Tedder remained on the Western Front and his new squadron was equipped with the Sopwith 1 1/2 Strutter. He was awarded the Italian Silver Medal for Military Valour on 26 May 1917. Tedder was appointed officer commanding No. 67 Squadron at RFC Shawbury on 25 June 1917 and became commander of the School of Navigation and Bomb Dropping in Egypt the following year. Another change soon followed and on 24 June 1918 Tedder was appointed officer commanding 38th Wing, also based in Egypt. He was promoted to the temporary rank of lieutenant colonel on 23 July 1918 (rank relinquished on 2 April 1919). Question: Did he have an military office in the war? Answer: He was posted to a reserve unit at Wyke Regis on the Dorset coast where he seriously injured his knee in February. Question: What part of the military did he serve in?
[ "Royal Flying Corps." ]
Title: Limp Bizkit Background: Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows. Section: Music, influences, and lyrics Passage: Durst wanted Limp Bizkit to be a "megaband" which could cross over into as many different styles of music as possible. Limp Bizkit's music has predominately been described as nu metal, rap metal and rap rock. Limp Bizkit have also been described as alternative metal, alternative rock and post-grunge. In 2000, the New York Daily News labelled the band as "frat-metal". Limp Bizkit's music is noted for its "kinetic, frenzied energy". Otto is adept in drumming in a variety of styles ranging from Brazilian and Afro-Cuban music to bebop and funk. DJ Lethal functions as a sound designer for the band, shaping their sound. According to Lethal, "I try and bring new sounds, not just the regular chirping scratching sounds. [...] It's all different stuff that you haven't heard before. I'm trying to be like another guitar player." Borland's guitar playing is experimental and nontraditional, and he is noted for his creative use of six and seven-string guitars. Three Dollar Bill, Yall features him playing without a guitar pick, performing with two hands, one playing melodic notes, and the other playing chord progressions. His guitar playing has made use of octave shapes, and choppy, eighth-note rhythms, sometimes accompanied by muting his strings with his left hand, creating a percussive sound. Borland has also made use of unevenly accented syncopated sixteenth notes to create a disorienting effect, and hypnotic, droning licks. The song "Stuck" uses a sustain pedal in the first bar, and muted riffs in the second bar. AllMusic writer Stephen Thomas Erlewine said that their album, Significant Other, contains "flourishes of neo-psychedelia on pummeling metal numbers" and "swirls of strings, even crooning, at the most unexpected background". The band did not employ solos until Gold Cobra (except for the song "Underneath The Gun" out of Results May Vary), however, during the recording of Significant Other, drummer John Otto performed an extended solo in the middle of the song "Nobody Like You". Durst's lyrics are often profane, scatological or angry. Much of Durst's lyrical inspiration came from growing up and his personal life. The song "Sour", from the album Three Dollar Bill, Yall, was inspired by Durst's problems with his girlfriend. His breakup with her inspired the Significant Other songs "Nookie" and "Re-Arranged". When describing Limp Bizkit's lyrics, The Michigan Daily said "In a less-serious vein, Limp Bizkit used the nu-metal sound as a way to spin testosterone fueled fantasies into snarky white-boy rap. Oddly, audiences took frontman Fred Durst more seriously than he wanted, failing to see the intentional silliness in many of his songs." Furthermore, Limp Bizkit's lyrics were described as "misogynistic". The Unquestionable Truth (Part 1) focuses on more serious and darker lyrical subject matter, including Catholic sex abuse cases, terrorism and fame. Influences cited by the band on Limp Bizkit's music include Tool and Korn. Durst has also said that Pantera "motivated him" to form Limp Bizkit. Question: Who wrote most of their lyrics? Answer: Durst Question: What were some of their early hits?
[ "Nobody Like You" ]
Title: Limp Bizkit Background: Limp Bizkit is an American rap rock band from Jacksonville, Florida, formed in 1994. Their lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), and Wes Borland (guitars, backing vocals). Their music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in the band's elaborate live shows. Section: Departure of Borland and Results May Vary (2001-03) Passage: In October 2001, Durst released a statement on their website stating that "Limp Bizkit and Wes Borland have amicably decided to part ways. Both Limp Bizkit and Borland will continue to pursue their respective musical careers. Both wish each other the best of luck in all future endeavors." Durst also stated that the band would "comb the world for the illest guitar player known to man" to replace Borland. After holding a nationwide audition for a new guitarist, called "Put Your Guitar Where Your Mouth Is", the band recorded with Snot guitarist Mike Smith, but later scrapped their recording sessions with Smith. Durst told a fan site that he had a falling out with Smith, saying "We are the type of people that stay true to our family and our instincts and at any moment will act on intuition as a whole. Mike wasn't the guy. We had fun playing with him but always knew, in the back of our minds, that he wasn't where we needed him to be mentally." After recording another album without Smith, the band scrapped the new sessions and assembled a new album combining songs from different sessions. During the album's production, the working title changed from Bipolar to Panty Sniffer, and was completed under the title Results May Vary. Under Durst's sole leadership, the album encompassed a variety of styles, and featured a cover of The Who's "Behind Blue Eyes", which differed from the original's arrangement in its inclusion of a Speak & Spell during the song's bridge. In the Summer of 2003, Limp Bizkit participated on the Summer Sanitarium Tour, headlined by Metallica. At the tour's stop in Chicago, attendees of the concert threw items and heckled Durst from the moment he walked on stage. With the crowd chanting "Fuck Fred Durst" and continuing their assault on him, Durst threw the mic down after six songs and walked off stage, but not before heckling the crowd back. He repeatedly said, "Limp Bizkit are the best band in the world!" until a roadie took his microphone away. An article in the Sun-Times stated that the hostility was started by radio personality Mancow. Results May Vary was released on September 23, 2003, and received largely unfavorable reviews. Allmusic reviewer Stephen Thomas Erlewine panned the album, writing, "the music has no melody, hooks, or energy, [and] all attention is focused on the clown jumping up and down and screaming in front, and long before the record is over, you're left wondering, how the hell did he ever get to put this mess out?" The Guardian reviewer Caroline Sullivan wrote, "At least Limp Bizkit can't be accused of festering in the rap-rock ghetto [...] But Durst's problems are ever-present - and does anybody still care?" Despite criticisms of the album, it was a commercial success, peaking at No. 3 on the Billboard 200. Question: How many Albums was sold of Departure of Borland? Answer: "Limp Bizkit and Wes Borland have amicably decided to part ways. Question: Was Results May Vary successful?
[ "Despite criticisms of the album, it was a commercial success, peaking at No. 3 on the Billboard 200." ]
Title: Chris Farley Background: Farley was born on February 15, 1964, in Madison, Wisconsin. His father, Thomas John Farley, Sr. (1936-1999), owned an oil company, and his mother, Mary Anne (nee Crosby), was a housewife. He had four siblings: Tom Jr., Kevin, John, and Barbara. His cousin, Jim, is the CEO and Chairman at Ford Motor Company Europe. Section: Unfinished projects Passage: Farley was originally cast as the voice of the title character in the movie Shrek, recording 85% of the character's dialogue, but died just before recording was finished. A story reel featuring a sample of Farley's recorded dialogue was released officially in 2015. The original version of Shrek was more like Farley himself, according to his brother. Farley was slated for another voice role in Dinosaur as a young male brachiosaurus named Sorbus who, despite his gigantic nature, was frightened of heights. After his death, the character was rewritten as Baylene, an elderly female Brachiosaurus played by British actress Joan Plowright. At the time of his death, Farley had been in talks to costar with Vince Vaughn in The Gelfin, and to star in a biographical film about comedian Fatty Arbuckle. Jim Carrey's role in the 1996 film The Cable Guy was originally intended for Farley, but scheduling conflicts forced him to decline. Farley was slated to appear in a third Ghostbusters film, which was at the time intended to be about a new trio of Ghostbusters taking on overpopulation in Hell. Dav Pilkey, author of the children's book series Captain Underpants, had wanted Farley to play the title role in a potential television series based on the books, but discarded the idea after Farley's death. Farley had been in talks for the lead in an adaptation of the novel A Confederacy of Dunces. Farley even expressed interest in portraying Atuk in an adaptation of the novel The Incomparable Atuk. Both of these shelved projects, along with the Arbuckle biopic, have been alleged to be cursed as Farley, John Belushi, and John Candy were each attached to all three roles, and all three died before any of the films entered production. Question: What was an unfinished project? Answer: Farley was originally cast as the voice of the title character in the movie Shrek, recording 85% of the character's dialogue, but died just before recording was finished. Question: Who replaced him? Answer: A story reel featuring a sample of Farley's recorded dialogue was released officially in 2015. The original version of Shrek was more like Farley himself, according to his brother. Question: What else did he leave unfinished? Answer: Farley was slated for another voice role in Dinosaur as a young male brachiosaurus named Sorbus who, despite his gigantic nature, was frightened of heights. Question: What was another unfinished work?
[ "Jim Carrey's role in the 1996 film The Cable Guy was originally intended for Farley, but scheduling conflicts forced him to decline." ]
Title: Cassie Ventura Background: Cassie Ventura was born in 1986 in New London, Connecticut; the daughter of a Filipino father and a mother of African-American, Mexican and West Indian descent. She attended the Williams School, a preparatory school, located on the Connecticut College campus. At age 14 Cassie began modeling, and when she was sixteen, she was modeling for local department stores, Delia's fashion catalog, and Seventeen. Cassie also briefly appeared in R&B singer Mario's "Just a Friend 2002" music video. Section: 2008-13: Acting and RockaByeBaby Passage: In 2008 Cassie made her film debut as Sophie Donovan in the dance film Step Up 2: The Streets, Cassie also sang the lead single "Is It You" to the Step Up soundtrack. The song was released on November 13, 2007, and peaked at eighty-five on the Canadian Hot 100 and fifty-two in the United Kingdom. In July 2009, Cassie announced that her second studio album's title would be Electro Love. Cassie said that her new album will demonstrate more "independence"; there will be a "difference in vocals, a little bit more personality. And it's definitely a sensual album". Three singles have been released from the album; "Official Girl" featuring Lil Wayne in August 2008, "Must Be Love" featuring Diddy in April 2009, and "Let's Get Crazy" featuring Akon in August 2009. All three singles failed to chart in the United States. After several delays, it was announced in December 2009 that Cassie had signed a new record deal with Interscope Records. She is featured in a spread in the August/September issue of Bust in which she said a new single will be released in the fall. She has recently told her Twitter followers that she is still in the studio recording for her album. At the time of an October 2010 interview with HitQuarters, A&R Daniel 'Skid' Mitchell said that Cassie had already recorded around fifty songs for the album. Mitchell said that she was taking her time over the album because she is keen for "it to be something that people are going to respect". She also appeared in rapper Wiz Khalifa's "Roll Up" music video as his love interest. Cassie released the single, "King of Hearts", which was released in the United States on February 14, 2012, along with the official music video. On April 24, 2012, Cassie performed the single live for the first time at BET's 106 & Park music video show. She concluded the performance with a brief dance number set to the Kanye West remix of the song, along with four dancers. After the performance Cassie and 106 & Park were worldwide trending topics on Twitter and it received mostly mixed to positive reviews from various online media outlets. The single, "Balcony", featuring Young Jeezy, was then sent to U.S. urban radio stations on September 18, 2012. On September 13, 2012, Nicki Minaj released the debut single off her re-release album Pink Friday: Roman Reloaded - The Re-Up, titled "The Boys", featuring Cassie. The song was then sent to urban radios on September 25 and a music video was released on October 18. In July 2012, Cassie announced in a letter to her fans that she had been working simultaneously on her album and a new mixtape titled RockaByeBaby. RockaByeBaby was released on April 11, 2013, and was named the best mixtape of the year by Dazed & Confused. The mixtape saw the release of "Numb" featuring American rapper Rick Ross on April 2, along with the songs accompanying music video and "Paradise" featuring rapper Wiz Khalifa premiered on April 9, 2013 alongside the video on BET 106 & Park. In April 2013 it was announced that Cassie was the face of the Summer 2013 Forever 21 collection. Question: Was rockabyebaby a movie Answer: her album and a new mixtape titled RockaByeBaby. Question: did it do well
[ "was named the best mixtape of the year by Dazed & Confused." ]