manu/mldr-zoomed-100char-total-queries-documents

chunk_id stringlengths 3 9	chunk stringlengths 1 100
89_62	André Michaux to sell the properties. He sold the garden near Charleston, but the concern expressed
89_63	by Du Pont and his son Eleuthère Irénée du Pont preserved the New Jersey garden in Saunier's care
89_64	and continued to support it. Saunier continued to send seeds to France for the rest of his life,
89_65	and is credited with introducing into gardens the chinquapin (Castanea pumila) and the smoking bean
89_66	tree (Catalpa bignonioides).
89_67	Aaron Burr recorded meeting Michaux in Paris on September 17, 1810, but this was apparently
89_68	Francois Andre Michaux, the son. According to Burr he went "to Michaux's, the botanist, who was
89_69	many years in the United States, and has written a valuable little book of his travels. He is now
89_70	publishing his account of our trees, which will be extremely interesting. It demonstrates that we
89_71	(not the whole continent, but the United States alone) have three times the number of useful trees
89_72	that Europe can boast..." Burr's cited quote would apply equally to both Michaux', father and son,
89_73	and perhaps more to the son, who had been in America a total of some 6 years, and had recently
89_74	(1804) written about his travels in America, and was subsequently working on his later opus on
89_75	American trees.
89_76	Legacy
89_77	Carolina lily (Lilium michauxii), Michaux's saxifrage (Saxifraga michauxii), and several other
89_78	plants are named for him.
89_79	Michaux State Forest in Pennsylvania (U.S.), which protects over 344 square kilometers (over 85,000
89_80	acres), is named for him.
89_81	André-Michaux Ecological Reserve in Quebec, Canada, which protects 450 hectares, is named for him.
89_82	His son François André Michaux published an Histoire des arbres forestiers de l'Amérique
89_83	septentrionale (3 vols., 1810–1813), with 156 plates, of which an English translation appeared in
89_84	1817-1819 as The North American Sylva.
89_85	Michaux Stone — Michaux brought a boundary stone or kudurru back from his Near Eastern trip. It
89_86	was originally found by a French physician living in Baghdad, near the site of a 12th-century BCE
89_87	Babylonian town named Bak-da-du. On a small part of an embankment on the Tigris—near the Al-Karkh
89_88	end of the Baab El-Maudham Bridge—is another archeological site attributed to the second Babylonian
89_89	period, circa 600 BCE. Michaux sold the kudurru to the "Institute Constituting the Commission for
89_90	Scientific Travel and the Custodians of the Museum of Antiquities in France in 1800, for 1200
89_91	francs. The 'Michaux stone' or Caillou Michaux was then placed in the Cabinet des Médailles of the
89_92	Bibliothèque Nationale at that time.
89_93	Writings
89_94	Michaux wrote two valuable works on North American plants: the Histoire des chênes de l'Amérique
89_95	septentrionale (1801), with 36 plates, and the Flora Boreali-Americana (2 vols., 1803), with 51
89_96	plates. Although this 1803 work appeared to be the work of the father, François claimed some 15
89_97	years later that the work had been completed after his father's death and published posthumously by
89_98	himself and another botanist.
89_99	See also European and American voyages of scientific exploration François Cagnet Notes
89_100	References References Savage, Henry (1959). Discovering America 1700–1875. Harper & Row, 70–73. .
89_101	Further Reading Fishman, Gail (2001). Journeys Through Paradise. University Press of Florida.
89_102	Michaux, André (2020). André Michaux in North America: journals and letters, 1785-1797 / translated
89_103	from the French, edited, and annotated by Charlie Williams, Eliane M. Norman & Walter Kingsley
89_104	Taylor; with a foreword by James E. McClellan III. University of Alabama Press.
89_105	Pluchet, Régis (2014), L'extraordinaire voyage d'un botaniste en Perse, ed. Privat, Toulouse.
89_106	Savage, Henry Jr. and Elizabeth J. Savage (1986). André and François André Michaux. University
89_107	Press of Virginia.
89_108	Sources External links
89_109	Daniel Stowe Botanical Garden: André Michaux
89_110	Biodiversity Heritage Library: books by André Michaux
89_111	French botanists French taxonomists 01 1746 births 1802 deaths Bryologists Pteridologists
89_112	Botanists active in North America Botanists with author abbreviations People of colonial New Jersey
89_113	North Charleston, South Carolina People from Versailles 18th-century French botanists
89_114	18th-century French scientists 18th-century French writers 18th-century French male writers
90_0	, better known by his stage name HISASHI, is a Japanese musician best known as the lead guitarist of
90_1	the rock band Glay. He is particularly associated with the brand Tokai, designing a series of
90_2	personal signature guitars, based on their Talbo model.
90_3	Biography
90_4	History
90_5	Hisashi was born in Hirosaki, Aomori, the second of two sons; his father was a surgeon. His family
90_6	moved north to Hakodate, Hokkaido, by the time he began secondary school. As an adolescent and
90_7	young teen, Hisashi took an interest in post-punk and metal bands, particularly influenced by Boøwy
90_8	and X Japan. He states that when he first asked his parents for a guitar, it was given in
90_9	confidence as it was the first thing he had truly wanted. He began studying guitar independently
90_10	from that time and is a self-taught guitarist. He later produced collaborative tracks with many of
90_11	his early influences.
90_12	At age 17, Hisashi witnessed the sudden fatal collapse of his father, an incident Hisashi cites as
90_13	his departure from childhood. Before becoming successful, Hisashi worked in various part-time jobs
90_14	including at a gaming center and a convenience store, while meeting to perform in live houses
90_15	during the night. Hisashi first became familiar with Takuro and Teru as the two were a year above
90_16	him in school and shared his interest in the local indie scene. Takuro sought Hisashi as a
90_17	guitarist for Glay but he found Glay's music unappealing at the time because of their many pop and
90_18	love songs. He had also gained a small following in another band, Ari (蟻, Ant), which better suited
90_19	his own taste in heavy punk and experimental music. He claims that their performances were largely
90_20	improvised, with the vocalist sometimes only screaming and throwing chairs. When Ari disbanded,
90_21	Hisashi agreed to accompany Takuro and Teru, and after graduation relocated with them to Tokyo.
90_22	Hisashi has been a cover model on various magazines including guitar-oriented publication GIGS and
90_23	fashion-oriented publication Silver Accessory, and is well known for his continually evolving
90_24	personal style. Together with his bandmate Jiro, the two are particularly known for their visual
90_25	kei looks and on-stage theatrics, however, in recent years the pair have toned down their image,
90_26	sporting more contemporary clothing and hairstyles.
90_27	Songs by Hisashi
90_28	In addition to arranging the guitar lines and solos for all of Glay's songs, Hisashi is the second
90_29	most active songwriter and lyricist for Glay, after Takuro. Songs written by Hisashi often display
90_30	strong punk and electronic influences and his lyrics are typically more abstract and metaphorical
90_31	than those of Takuro and the other members. He has also contributed a variety of instrumental
90_32	tracks for the band's albums and live performances. In 2011, his track "EverKrack" was the first of
90_33	his songs to be given an official music video. His next official video was in 2016, a fully
90_34	animated production "Kanojo wa Zombie" for their single "G4・IV", which reached #1 on the Oricon
90_35	singles chart on his 44th birthday.
90_36	1995: "Cynical" (c/w "Ikiteku Tsuyosa") 1996: "Neuromancer" (c/w "a Boy ~zutto wasurenai~")
90_37	1998: "AI" (c/w "Soul Love") 1998: "Doku Rock" (c/w "Be With You")
90_38	2000: "Surf Rider" (c/w "Missing You") 2000: "Denki Iruka Kimyou na Shikou" (album One Love)
90_39	2000: "Prize" (album One Love)
90_40	2002: "Giant Strong Faust Super Star" (c/w "Mata Koko de Aimashou")
90_41	2002: "Brothel Creepers" (c/w "Aitai Kimochi", cowritten with Takuro)
90_42	2003: "17ans" (album Rare Collectives vol.2) 2003: "17bars" (album Rare Collectives vol.2)
90_43	2003: "I'm yours (Knightmare Mix '99)" (album Rare Collectives vol.2 remixed by Hisashi)
90_44	2004: "coyote, colored darkness" (album The Frustrated)
90_45	2004: "The Frustrated" (album The Frustrated, cowritten with Takuro under the pseudonym
90_46	"Kombinat-12")

89_62

André Michaux to sell the properties. He sold the garden near Charleston, but the concern expressed

89_63

by Du Pont and his son Eleuthère Irénée du Pont preserved the New Jersey garden in Saunier's care

89_64

and continued to support it. Saunier continued to send seeds to France for the rest of his life,

89_65

and is credited with introducing into gardens the chinquapin (Castanea pumila) and the smoking bean

89_66

tree (Catalpa bignonioides).

89_67

Aaron Burr recorded meeting Michaux in Paris on September 17, 1810, but this was apparently

89_68

Francois Andre Michaux, the son. According to Burr he went "to Michaux's, the botanist, who was

89_69

many years in the United States, and has written a valuable little book of his travels. He is now

89_70

publishing his account of our trees, which will be extremely interesting. It demonstrates that we

89_71

(not the whole continent, but the United States alone) have three times the number of useful trees

89_72

that Europe can boast..." Burr's cited quote would apply equally to both Michaux', father and son,

89_73

and perhaps more to the son, who had been in America a total of some 6 years, and had recently

89_74

(1804) written about his travels in America, and was subsequently working on his later opus on

89_75

American trees.

89_76

Legacy

89_77

Carolina lily (Lilium michauxii), Michaux's saxifrage (Saxifraga michauxii), and several other

89_78

plants are named for him.

89_79

Michaux State Forest in Pennsylvania (U.S.), which protects over 344 square kilometers (over 85,000

89_80

acres), is named for him.

89_81

André-Michaux Ecological Reserve in Quebec, Canada, which protects 450 hectares, is named for him.

89_82

His son François André Michaux published an Histoire des arbres forestiers de l'Amérique

89_83

septentrionale (3 vols., 1810–1813), with 156 plates, of which an English translation appeared in

89_84

1817-1819 as The North American Sylva.

89_85

Michaux Stone — Michaux brought a boundary stone or kudurru back from his Near Eastern trip. It

89_86

was originally found by a French physician living in Baghdad, near the site of a 12th-century BCE

89_87

Babylonian town named Bak-da-du. On a small part of an embankment on the Tigris—near the Al-Karkh

89_88

end of the Baab El-Maudham Bridge—is another archeological site attributed to the second Babylonian

89_89

period, circa 600 BCE. Michaux sold the kudurru to the "Institute Constituting the Commission for

89_90

Scientific Travel and the Custodians of the Museum of Antiquities in France in 1800, for 1200

89_91

francs. The 'Michaux stone' or Caillou Michaux was then placed in the Cabinet des Médailles of the

89_92

Bibliothèque Nationale at that time.

89_93

Writings

89_94

Michaux wrote two valuable works on North American plants: the Histoire des chênes de l'Amérique

89_95

septentrionale (1801), with 36 plates, and the Flora Boreali-Americana (2 vols., 1803), with 51

89_96

plates. Although this 1803 work appeared to be the work of the father, François claimed some 15

89_97

years later that the work had been completed after his father's death and published posthumously by

89_98

himself and another botanist.

89_99

See also European and American voyages of scientific exploration François Cagnet Notes

89_100

References References Savage, Henry (1959). Discovering America 1700–1875. Harper & Row, 70–73. .

89_101

Further Reading Fishman, Gail (2001). Journeys Through Paradise. University Press of Florida.

89_102

Michaux, André (2020). André Michaux in North America: journals and letters, 1785-1797 / translated

89_103

from the French, edited, and annotated by Charlie Williams, Eliane M. Norman & Walter Kingsley

89_104

Taylor; with a foreword by James E. McClellan III. University of Alabama Press.

89_105

Pluchet, Régis (2014), L'extraordinaire voyage d'un botaniste en Perse, ed. Privat, Toulouse.

89_106

Savage, Henry Jr. and Elizabeth J. Savage (1986). André and François André Michaux. University

89_107

Press of Virginia.

89_108

Sources External links

89_109

Daniel Stowe Botanical Garden: André Michaux

89_110

Biodiversity Heritage Library: books by André Michaux

89_111

French botanists French taxonomists 01 1746 births 1802 deaths Bryologists Pteridologists

89_112

Botanists active in North America Botanists with author abbreviations People of colonial New Jersey

89_113

North Charleston, South Carolina People from Versailles 18th-century French botanists

89_114

18th-century French scientists 18th-century French writers 18th-century French male writers

90_0

, better known by his stage name HISASHI, is a Japanese musician best known as the lead guitarist of

90_1

the rock band Glay. He is particularly associated with the brand Tokai, designing a series of

90_2

personal signature guitars, based on their Talbo model.

90_3

Biography

90_4

History

90_5

Hisashi was born in Hirosaki, Aomori, the second of two sons; his father was a surgeon. His family

90_6

moved north to Hakodate, Hokkaido, by the time he began secondary school. As an adolescent and

90_7

young teen, Hisashi took an interest in post-punk and metal bands, particularly influenced by Boøwy

90_8

and X Japan. He states that when he first asked his parents for a guitar, it was given in

90_9

confidence as it was the first thing he had truly wanted. He began studying guitar independently

90_10

from that time and is a self-taught guitarist. He later produced collaborative tracks with many of

90_11

his early influences.

90_12

At age 17, Hisashi witnessed the sudden fatal collapse of his father, an incident Hisashi cites as

90_13

his departure from childhood. Before becoming successful, Hisashi worked in various part-time jobs

90_14

including at a gaming center and a convenience store, while meeting to perform in live houses

90_15

during the night. Hisashi first became familiar with Takuro and Teru as the two were a year above

90_16

him in school and shared his interest in the local indie scene. Takuro sought Hisashi as a

90_17

guitarist for Glay but he found Glay's music unappealing at the time because of their many pop and

90_18

love songs. He had also gained a small following in another band, Ari (蟻, Ant), which better suited

90_19

his own taste in heavy punk and experimental music. He claims that their performances were largely

90_20

improvised, with the vocalist sometimes only screaming and throwing chairs. When Ari disbanded,

90_21

Hisashi agreed to accompany Takuro and Teru, and after graduation relocated with them to Tokyo.

90_22

Hisashi has been a cover model on various magazines including guitar-oriented publication GIGS and

90_23

fashion-oriented publication Silver Accessory, and is well known for his continually evolving

90_24

personal style. Together with his bandmate Jiro, the two are particularly known for their visual

90_25

kei looks and on-stage theatrics, however, in recent years the pair have toned down their image,

90_26

sporting more contemporary clothing and hairstyles.

90_27

Songs by Hisashi

90_28

In addition to arranging the guitar lines and solos for all of Glay's songs, Hisashi is the second

90_29

most active songwriter and lyricist for Glay, after Takuro. Songs written by Hisashi often display

90_30

strong punk and electronic influences and his lyrics are typically more abstract and metaphorical

90_31

than those of Takuro and the other members. He has also contributed a variety of instrumental

90_32

tracks for the band's albums and live performances. In 2011, his track "EverKrack" was the first of

90_33

his songs to be given an official music video. His next official video was in 2016, a fully

90_34

animated production "Kanojo wa Zombie" for their single "G4・IV", which reached #1 on the Oricon

90_35

singles chart on his 44th birthday.

90_36

1995: "Cynical" (c/w "Ikiteku Tsuyosa") 1996: "Neuromancer" (c/w "a Boy ~zutto wasurenai~")

90_37

1998: "AI" (c/w "Soul Love") 1998: "Doku Rock" (c/w "Be With You")

90_38

2000: "Surf Rider" (c/w "Missing You") 2000: "Denki Iruka Kimyou na Shikou" (album One Love)

90_39

2000: "Prize" (album One Love)

90_40

2002: "Giant Strong Faust Super Star" (c/w "Mata Koko de Aimashou")

90_41

2002: "Brothel Creepers" (c/w "Aitai Kimochi", cowritten with Takuro)

90_42

2003: "17ans" (album Rare Collectives vol.2) 2003: "17bars" (album Rare Collectives vol.2)

90_43

2003: "I'm yours (Knightmare Mix '99)" (album Rare Collectives vol.2 remixed by Hisashi)

90_44

2004: "coyote, colored darkness" (album The Frustrated)

90_45

2004: "The Frustrated" (album The Frustrated, cowritten with Takuro under the pseudonym

90_46

"Kombinat-12")