manu/mldr-zoomed-100char-total-queries-documents

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107_117	illustration, paintings) or cinematographic (The Blood of a Poet, Orpheus, Beauty and the Beast),
107_118	is pervaded with homosexual undertones, homoerotic imagery/symbolism or camp. In 1947 Paul Morihien
107_119	published a clandestine edition of Querelle de Brest by Jean Genet, featuring 29 very explicit
107_120	erotic drawings by Cocteau. In recent years several albums of Cocteau's homoerotica have been
107_121	available to the general public.
107_122	It is widely believed that Cocteau had affairs with Raymond Radiguet, Jean Desbordes, Marcel Khill,
107_123	and Panama Al Brown.
107_124	In the 1930s, Cocteau is rumoured to have had a very brief affair with Princess Natalie Paley, the
107_125	daughter of a Romanov Grand Duke and herself a sometime actress, model, and former wife of
107_126	couturier Lucien Lelong.
107_127	Cocteau's longest-lasting relationships were with French actors Jean Marais and Édouard Dermit,
107_128	whom Cocteau formally adopted. Cocteau cast Marais in The Eternal Return (1943), Beauty and the
107_129	Beast (1946), Ruy Blas (1947), and Orpheus (1949).
107_130	Death
107_131	Cocteau died of a heart attack at his château in Milly-la-Forêt, Essonne, France, on 11 October
107_132	1963 at the age of 74. His friend, French singer Édith Piaf, died the day before but that was
107_133	announced on the morning of Cocteau's day of death; it has been said, in a story which is almost
107_134	certainly apocryphal, that his heart failed upon hearing of Piaf's death. Cocteau's health had
107_135	already been in decline for several months, and he had previously had a severe heart attack on 22
107_136	April 1963. A more plausible suggestion for the reason behind this decline in health has been
107_137	proposed by author Roger Peyrefitte, who notes that Cocteau had been devastated by a breach with
107_138	his longtime friend, socialite and notable patron Francine Weisweiller, as a result of an affair
107_139	she had been having with a minor writer. Weisweiller and Cocteau did not reconcile until shortly
107_140	before Cocteau's death.
107_141	According to his wishes Cocteau is buried beneath the floor of the Chapelle Saint-Blaise des
107_142	Simples in Milly-la-Forêt. The epitaph on his gravestone set in the floor of the chapel reads: "I
107_143	stay with you" ("Je reste avec vous").
107_144	Honours and awards
107_145	In 1955, Cocteau was made a member of the Académie Française and The Royal Academy of Belgium.
107_146	During his life, Cocteau was commander of the Legion of Honor, Member of the Mallarmé Academy,
107_147	German Academy (Berlin), American Academy, Mark Twain (U.S.A) Academy, Honorary President of the
107_148	Cannes Film Festival, Honorary President of the France-Hungary Association and President of the
107_149	Jazz Academy and of the Academy of the Disc.
107_150	Filmography Works Literature Poetry Novels Theatre Poetry and criticism Journalistic poetry
107_151	Film Director Scriptwriter Dialogue writer Director of Photography Artworks
107_152	Recordings
107_153	Colette par Jean Cocteau, discours de réception à l'Académie Royale de Belgique, Ducretet-Thomson
107_154	300 V 078 St.
107_155	Les Mariés de la Tour Eiffel and Portraits-Souvenir, La Voix de l'Auteur LVA 13
107_156	Plain-chant by Jean Marais, extracts from the piece Orphée by Jean-Pierre Aumont, Michel Bouquet,
107_157	Monique Mélinand, Les Parents terribles by Yvonne de Bray and Jean Marais, L'Aigle à deux têtes par
107_158	Edwige Feuillère and Jean Marais, L'Encyclopédie Sonore 320 E 874, 1971
107_159	Collection of three vinyl recordings of Jean Cocteau including La Voix humaine by Simone Signoret,
107_160	18 songs composed by Louis Bessières, Bee Michelin and Renaud Marx, on double-piano Paul Castanier,
107_161	Le Discours de réception à l'Académie française, Jacques Canetti JC1, 1984
107_162	Derniers propos à bâtons rompus avec Jean Cocteau, 16 September 1963 à Milly-la-Forêt, Bel Air
107_163	311035
107_164	Les Enfants terribles, radio version with Jean Marais, Josette Day, Silvia Monfort and Jean
107_165	Cocteau, CD Phonurgia Nova , 1992
107_166	Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de
107_167	Monte-Carlo and Mes sœurs, n'aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith
107_168	Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques
107_169	Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from
107_170	Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges
107_171	Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997
107_172	Poems by Jean Cocteau read by the author, CD EMI 8551082, 1997
107_173	Hommage à Jean Cocteau, mélodies d'Henri Sauguet, Arthur Honegger, Louis Durey, Darius Milhaud,
107_174	Erik Satie, Jean Wiener, Max Jacob, Francis Poulenc, Maurice Delage, Georges Auric, Guy Sacre, by
107_175	Jean-François Gardeil (baritone) and Billy Eidi (piano), CD Adda 581177, 1989
107_176	Le Testament d'Orphée, journal sonore, by Roger Pillaudin, 2 CD INA / Radio France 211788, 1998
107_177	Journals Stamps 1960: Marianne de Cocteau See also
107_178	Jean Cocteau Repertory List of ambulance drivers during World War I Footnotes
107_179	References
107_180	Breton, André (1953). La Clé des champs, p. 77. Paris: Éditions du Sagittaire.Crucifixion
107_181	translated into Bengali by Malay Roy Choudhury
107_182	Steegmuller, Francis (1970). Cocteau: A Biography. Boston: Atlantic-Little Brown & Company. .
107_183	Further reading
107_184	Evans, Arthur B. (1977). Jean Cocteau and his Films of Orphic Identity. Philadelphia: Art Alliance
107_185	Press. .
107_186	Peters, Arthur King. (1986) Jean Cocteau and His World. New York: Vendôme Press.
107_187	Tsakiridou, Cornelia A., ed. (1997). Reviewing Orpheus: Essays on the Cinema and Art of Jean
107_188	Cocteau. Lewisburg, Pa.: Bucknell University Press. .
107_189	Album Cocteau. Biographie et iconographie de Pierre Bergé. Bibliothèque de la Pléiade. Éditions
107_190	Gallimard, 2006. .
107_191	External links
107_192	Cocteau/cinema Bibliography (via UC Berkeley) Cocteau CMEF Cap d'Ail
107_193	Cocteau et La chapelle Saint-Blaise-des-Simples
107_194	Raquel Bitton: The Sparrow and the Birdman'', a drama focusing on the relationship of Cocteau to
107_195	Edith Piaf
107_196	Maison Jean Cocteau – Cocteau's former home
107_197	1889 births 1963 deaths People from Maisons-Laffitte Lycée Condorcet alumni
107_198	French ballet librettists 20th-century French dramatists and playwrights
107_199	French experimental filmmakers French fantasy writers French film directors French illustrators
107_200	French novelists 20th-century French painters 20th-century male artists French male painters
107_201	French poets French male screenwriters French screenwriters Writers from Île-de-France
107_202	Prince des poètes Christian poets Christian novelists Les Six French gay writers
107_203	LGBT film directors LGBT screenwriters LGBT Roman Catholics Surrealist filmmakers
107_204	French surrealist artists French stamp designers French Roman Catholics
107_205	Members of the Académie Française
107_206	Members of the Académie royale de langue et de littérature françaises de Belgique
107_207	Commandeurs of the Légion d'honneur LGBT dramatists and playwrights French LGBT poets
107_208	French LGBT novelists Painters of the Return to Order 20th-century French screenwriters
108_0	Thorne Head Preserve is a 96 acre (39 hectare) property administered by Kennebec Estuary Land Trust
108_1	(KELT) located at the extreme end of High Street in north Bath, Maine which includes half a mile of
108_2	shoreline alongside Whiskeag Creek and the Kennebec River. The land was purchased in 2000.
108_3	The wildlife and nature preserve forms one end of the Whiskeag Trail and as such provides a
108_4	trailhead kiosk with maps and rules and parking for about a dozen vehicles although there are no
108_5	toilet or picnic facilities. The Preserve is open to the public free of charge from dawn till dusk
108_6	daily.
108_7	History

107_117

illustration, paintings) or cinematographic (The Blood of a Poet, Orpheus, Beauty and the Beast),

107_118

is pervaded with homosexual undertones, homoerotic imagery/symbolism or camp. In 1947 Paul Morihien

107_119

published a clandestine edition of Querelle de Brest by Jean Genet, featuring 29 very explicit

107_120

erotic drawings by Cocteau. In recent years several albums of Cocteau's homoerotica have been

107_121

available to the general public.

107_122

It is widely believed that Cocteau had affairs with Raymond Radiguet, Jean Desbordes, Marcel Khill,

107_123

and Panama Al Brown.

107_124

In the 1930s, Cocteau is rumoured to have had a very brief affair with Princess Natalie Paley, the

107_125

daughter of a Romanov Grand Duke and herself a sometime actress, model, and former wife of

107_126

couturier Lucien Lelong.

107_127

Cocteau's longest-lasting relationships were with French actors Jean Marais and Édouard Dermit,

107_128

whom Cocteau formally adopted. Cocteau cast Marais in The Eternal Return (1943), Beauty and the

107_129

Beast (1946), Ruy Blas (1947), and Orpheus (1949).

107_130

Death

107_131

Cocteau died of a heart attack at his château in Milly-la-Forêt, Essonne, France, on 11 October

107_132

1963 at the age of 74. His friend, French singer Édith Piaf, died the day before but that was

107_133

announced on the morning of Cocteau's day of death; it has been said, in a story which is almost

107_134

certainly apocryphal, that his heart failed upon hearing of Piaf's death. Cocteau's health had

107_135

already been in decline for several months, and he had previously had a severe heart attack on 22

107_136

April 1963. A more plausible suggestion for the reason behind this decline in health has been

107_137

proposed by author Roger Peyrefitte, who notes that Cocteau had been devastated by a breach with

107_138

his longtime friend, socialite and notable patron Francine Weisweiller, as a result of an affair

107_139

she had been having with a minor writer. Weisweiller and Cocteau did not reconcile until shortly

107_140

before Cocteau's death.

107_141

According to his wishes Cocteau is buried beneath the floor of the Chapelle Saint-Blaise des

107_142

Simples in Milly-la-Forêt. The epitaph on his gravestone set in the floor of the chapel reads: "I

107_143

stay with you" ("Je reste avec vous").

107_144

Honours and awards

107_145

In 1955, Cocteau was made a member of the Académie Française and The Royal Academy of Belgium.

107_146

During his life, Cocteau was commander of the Legion of Honor, Member of the Mallarmé Academy,

107_147

German Academy (Berlin), American Academy, Mark Twain (U.S.A) Academy, Honorary President of the

107_148

Cannes Film Festival, Honorary President of the France-Hungary Association and President of the

107_149

Jazz Academy and of the Academy of the Disc.

107_150

Filmography Works Literature Poetry Novels Theatre Poetry and criticism Journalistic poetry

107_151

Film Director Scriptwriter Dialogue writer Director of Photography Artworks

107_152

Recordings

107_153

Colette par Jean Cocteau, discours de réception à l'Académie Royale de Belgique, Ducretet-Thomson

107_154

300 V 078 St.

107_155

Les Mariés de la Tour Eiffel and Portraits-Souvenir, La Voix de l'Auteur LVA 13

107_156

Plain-chant by Jean Marais, extracts from the piece Orphée by Jean-Pierre Aumont, Michel Bouquet,

107_157

Monique Mélinand, Les Parents terribles by Yvonne de Bray and Jean Marais, L'Aigle à deux têtes par

107_158

Edwige Feuillère and Jean Marais, L'Encyclopédie Sonore 320 E 874, 1971

107_159

Collection of three vinyl recordings of Jean Cocteau including La Voix humaine by Simone Signoret,

107_160

18 songs composed by Louis Bessières, Bee Michelin and Renaud Marx, on double-piano Paul Castanier,

107_161

Le Discours de réception à l'Académie française, Jacques Canetti JC1, 1984

107_162

Derniers propos à bâtons rompus avec Jean Cocteau, 16 September 1963 à Milly-la-Forêt, Bel Air

107_163

311035

107_164

Les Enfants terribles, radio version with Jean Marais, Josette Day, Silvia Monfort and Jean

107_165

Cocteau, CD Phonurgia Nova , 1992

107_166

Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de

107_167

Monte-Carlo and Mes sœurs, n'aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith

107_168

Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques

107_169

Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from

107_170

Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges

107_171

Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997

107_172

Poems by Jean Cocteau read by the author, CD EMI 8551082, 1997

107_173

Hommage à Jean Cocteau, mélodies d'Henri Sauguet, Arthur Honegger, Louis Durey, Darius Milhaud,

107_174

Erik Satie, Jean Wiener, Max Jacob, Francis Poulenc, Maurice Delage, Georges Auric, Guy Sacre, by

107_175

Jean-François Gardeil (baritone) and Billy Eidi (piano), CD Adda 581177, 1989

107_176

Le Testament d'Orphée, journal sonore, by Roger Pillaudin, 2 CD INA / Radio France 211788, 1998

107_177

Journals Stamps 1960: Marianne de Cocteau See also

107_178

Jean Cocteau Repertory List of ambulance drivers during World War I Footnotes

107_179

References

107_180

Breton, André (1953). La Clé des champs, p. 77. Paris: Éditions du Sagittaire.Crucifixion

107_181

translated into Bengali by Malay Roy Choudhury

107_182

Steegmuller, Francis (1970). Cocteau: A Biography. Boston: Atlantic-Little Brown & Company. .

107_183