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|---|---|---|---|
900 | 900 |
` realistic '
| 1 |
901 | 901 |
nicely done
| 1 |
902 | 902 |
a summer of good stuff
| 1 |
903 | 903 |
the satire is just too easy to be genuinely satisfying .
| 0 |
904 | 904 |
sustains
| 1 |
905 | 905 |
neither is it as smart
| 0 |
906 | 906 |
fare , with enough creative energy and wit to entertain all ages
| 1 |
907 | 907 |
the movie is powerful and provocative .
| 1 |
908 | 908 |
time literally stops on a dime in the tries-so-hard-to-be-cool `` clockstoppers , '' but that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life
| 0 |
909 | 909 |
sharp edges and a deep vein of sadness
| 1 |
910 | 910 |
those who do n't entirely ` get ' godard 's distinctive discourse will still come away with a sense of his reserved but existential poignancy .
| 1 |
911 | 911 |
not only are the film 's sopranos gags incredibly dated and unfunny , they also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were .
| 0 |
912 | 912 |
'n safe as to often play like a milquetoast movie of the week blown up for the big screen
| 0 |
913 | 913 |
like to skip but film buffs should get to know
| 1 |
914 | 914 |
narrative discipline
| 1 |
915 | 915 |
samuel l. jackson
| 1 |
916 | 916 |
is this films reason for being .
| 1 |
917 | 917 |
the old saying goes , because it 's true
| 1 |
918 | 918 |
take any 12-year-old boy to see this picture
| 1 |
919 | 919 |
aims for poetry and ends up sounding like satire
| 0 |
920 | 920 |
come close to the level of intelligence and visual splendor that can be seen in other films
| 0 |
921 | 921 |
embracing than monty
| 1 |
922 | 922 |
is it hokey
| 0 |
923 | 923 |
as assaults on america 's knee-jerk moral sanctimony
| 0 |
924 | 924 |
that 's hardly any fun to watch
| 0 |
925 | 925 |
get caught up in the thrill of the company 's astonishing growth
| 1 |
926 | 926 |
it 's on par with the first one
| 1 |
927 | 927 |
is moody , oozing , chilling and heart-warming all at once
| 1 |
928 | 928 |
is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
| 1 |
929 | 929 |
is in the right place , his plea for democracy and civic action laudable
| 1 |
930 | 930 |
above most of its ilk
| 1 |
931 | 931 |
with spy kids 2 : the island of lost dreams , however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
| 1 |
932 | 932 |
from kevin kline who unfortunately works with a two star script
| 0 |
933 | 933 |
change watching such a character , especially when rendered in as flat and
| 0 |
934 | 934 |
i do n't think so .
| 0 |
935 | 935 |
devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and the grandeur of the best next generation episodes is lacking
| 0 |
936 | 936 |
is always a joy to watch , even when her material is not first-rate
| 1 |
937 | 937 |
great to see this turd squashed under a truck , preferably a semi
| 0 |
938 | 938 |
bile , and irony
| 0 |
939 | 939 |
a faulty premise ,
| 0 |
940 | 940 |
haphazardness
| 0 |
941 | 941 |
the plot grows thin soon ,
| 0 |
942 | 942 |
beloved-major
| 1 |
943 | 943 |
by no means a great movie , but it is a refreshingly forthright one .
| 1 |
944 | 944 |
crossing-over mumbo jumbo
| 0 |
945 | 945 |
virtually unwatchable
| 0 |
946 | 946 |
its premise is smart , but
| 1 |
947 | 947 |
was amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise .
| 1 |
948 | 948 |
who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent
| 0 |
949 | 949 |
light-hearted
| 1 |
950 | 950 |
heavy with flabby rolls of typical toback machinations .
| 0 |
951 | 951 |
to show us a good time
| 1 |
952 | 952 |
pitiful , slapdash disaster .
| 0 |
953 | 953 |
is one of the year 's best
| 1 |
954 | 954 |
even witty
| 1 |
955 | 955 |
a fierce dance
| 1 |
956 | 956 |
crippled
| 0 |
957 | 957 |
this piece of crap
| 0 |
958 | 958 |
... the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience .
| 1 |
959 | 959 |
the most wondrous love story in years , it is a great film .
| 1 |
960 | 960 |
its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream
| 1 |
961 | 961 |
particularly impressive
| 1 |
962 | 962 |
in the process comes out looking like something wholly original
| 1 |
963 | 963 |
submerging
| 1 |
964 | 964 |
nearly as fresh or enjoyable
| 1 |
965 | 965 |
miserable and smug
| 0 |
966 | 966 |
my great pleasure
| 1 |
967 | 967 |
it all unfolds predictably , and the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense .
| 0 |
968 | 968 |
fascinating , dark thriller
| 1 |
969 | 969 |
more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films .
| 1 |
970 | 970 |
down the reality drain
| 0 |
971 | 971 |
the only way to tolerate this insipid , brutally clueless film might be with a large dose of painkillers .
| 0 |
972 | 972 |
a historic scandal
| 0 |
973 | 973 |
that 's steeped in mystery and a ravishing , baroque beauty
| 1 |
974 | 974 |
cool stuff packed into espn 's ultimate x.
| 1 |
975 | 975 |
idea ( of middle-aged romance ) is not handled well and , except for the fine star performances
| 0 |
976 | 976 |
their lamentations are pretty much self-centered
| 0 |
977 | 977 |
a pretty decent kid-pleasing ,
| 1 |
978 | 978 |
of classic romantic comedy to which it aspires
| 1 |
979 | 979 |
, bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .
| 1 |
980 | 980 |
is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music
| 1 |
981 | 981 |
would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head
| 0 |
982 | 982 |
give a pretty good overall picture of the situation in laramie following the murder of matthew shepard
| 1 |
983 | 983 |
the fine line between cheese and earnestness remarkably well
| 1 |
984 | 984 |
a documentary fails to live up to -- or offer any new insight into -- its chosen topic
| 0 |
985 | 985 |
serious movie-goers embarking upon this journey
| 1 |
986 | 986 |
insistent and repetitive
| 0 |
987 | 987 |
nausea
| 0 |
988 | 988 |
of survival wrapped in the heart-pounding suspense of a stylish psychological thriller
| 1 |
989 | 989 |
no art
| 0 |
990 | 990 |
seems to exist only for its climactic setpiece
| 0 |
991 | 991 |
more silly than scary
| 0 |
992 | 992 |
's funny .
| 1 |
993 | 993 |
its execution and skill
| 1 |
994 | 994 |
's coherent , well shot , and tartly
| 1 |
995 | 995 |
you wish you were at home watching that movie instead of in the theater watching this one
| 0 |
996 | 996 |
's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance
| 0 |
997 | 997 |
underdeveloped
| 0 |
998 | 998 |
the jokes are flat
| 0 |
999 | 999 |
a heartening tale of small victories
| 1 |
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