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My Neighbor Totoro
In 1989, Streamline Pictures produced an exclusive dub for use on transpacific flights by Japan Airlines. Troma Films, under their 50th St. Films banner, distributed the dub of the film co-produced by Jerry Beck. This dub was released to United States theaters in 1993, on VHS and laserdisc in the United States by Fox Video in 1994, and on DVD in 2002. The rights to this dub expired in 2004, so it was re-released by Walt Disney Home Entertainment on March 7, 2006 with a new dub cast. This version was also released in Australia by Madman on March 15, 2006 and in the UK by Optimum Releasing on March 27, 2006. This DVD release is the first version of the film in the United States to include both Japanese and English language tracks.
"My Neighbor Totoro" was critically acclaimed and has amassed a worldwide cult following in the years after its release. The film and its titular character, Totoro, have become cultural icons. The film has grossed over at the worldwide box office as of September 2019, in addition to generating approximately from home video sales and from licensed merchandise sales, adding up to approximately in total lifetime revenue.
"My Neighbor Totoro" ranked 41st in "Empire" magazine's "The 100 Best Films Of World Cinema" in 2010, and Totoro was ranked 18th on Empire's 50 Best Animated Film Characters list. A list of the greatest animated films in "Time Out" ranked the film number 1. A similar list compiled by the editors of "Time Out" ranked the film number 3. "My Neighbor Totoro" was also the highest-ranking animated film on the 2012 "Sight & Sound" critics' poll of all-time greatest films. The character made multiple cameo appearances in a number of Studio Ghibli films and video games and also serves as the mascot for the studio and is recognized as one of the most popular characters in Japanese animation. Totoro was ranked 24th on IGN's top 25 anime characters.
In 1958 Japan, university professor Tatsuo Kusakabe and his two daughters, Satsuki and Mei, move into an old house to be closer to the hospital where the girls' mother, Yasuko, is recovering from a long-term illness. The house is inhabited by tiny creatures called "susuwatari"—small, dark, dust-like house spirits seen when moving from light to dark places. When the girls become comfortable in their new house, the soot spirits leave to find another empty house.
One day, Mei discovers two small spirits who lead her into the hollow of a large camphor tree. She befriends a larger spirit, which identifies itself by a series of roars that she interprets as "Totoro". She falls asleep atop Totoro, but when Satsuki finds her, she is on the ground. Despite many attempts, Mei is unable to show her family Totoro's tree. Tatsuo comforts her by telling her that Totoro will reveal himself when he wants to.
One rainy night, the girls are waiting for Tatsuo's bus, which is late. Mei falls asleep on Satsuki's back, and Totoro appears beside them, allowing Satsuki to see him for the first time. Totoro has only a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken for her father. Totoro is delighted and gives her a bundle of nuts and seeds in return. A giant, bus-shaped cat halts at the stop, and Totoro boards it and leaves. Shortly after, Tatsuo's bus arrives.
The girls plant the seeds. A few days later, they awaken at midnight to find Totoro and his colleagues engaged in a ceremonial dance around the planted seeds. The girls join in and the seeds grow into an enormous tree. Totoro takes the girls for a ride on a magical flying top. In the morning, the tree is gone but the seeds have indeed sprouted; it is left unclear whether the girls were dreaming.
The girls find out that a planned visit by Yasuko has to be postponed because of a setback in her treatment. Mei does not take this well and argues with Satsuki, later leaving for the hospital to bring fresh corn to Yasuko. Her disappearance prompts Satsuki and the neighbors to search for her. In desperation, Satsuki returns to the camphor tree and pleads for Totoro's help. Delighted to help, he summons the Catbus, which carries her to where the lost Mei sits. The bus then whisks them over the countryside to see Yasuko in the hospital. The girls overhear a conversation between their parents and discover that she has been kept in hospital by a minor cold but is otherwise doing well. They secretly leave the ear of corn on the windowsill, where it is discovered by their parents, and return home.
Eventually, Mei and Satsuki's mother returns home, and the sisters play with other children, while Totoro and his friends watch them from afar.
Animism is a large theme in this film according to Eriko Ogihara-Schuck. Totoro has animistic traits and has kami status according to his surroundings and being referred to as ""mori no nushi,"" or "master of the forest". Totoro lives in a camphor tree in a Shinto shrine surrounded by a Shinto rope, these are all characteristics of a kami. Moreover, Ogihara-Schuck writes that when Mei returns from her encounter with Totoro her father takes Mei and her sister to the shrine to greet and thank Totoro. This is a common practice in the Shinto tradition following an encounter with a kami.
Art director Kazuo Oga was drawn to the film when Hayao Miyazaki showed him an original image of Totoro standing in a satoyama. The director challenged Oga to raise his standards, and Oga's experience with "My Neighbor Totoro" jump-started the artist's career. Oga and Miyazaki debated the palette of the film, Oga seeking to paint black soil from Akita Prefecture and Miyazaki preferring the color of red soil from the Kantō region. The ultimate product was described by Studio Ghibli producer Toshio Suzuki: "It was nature painted with translucent colors."
Oga's conscientious approach to "My Neighbor Totoro" was a style that the "International Herald Tribune" recognized as "[updating] the traditional Japanese animist sense of a natural world that is fully, spiritually alive". The newspaper described the final product:
Oga's work on "My Neighbor Totoro" led to his continued involvement with Studio Ghibli. The studio assigned jobs to Oga that would play to his strengths, and Oga's style became a trademark style of Studio Ghibli.
In several of Miyazaki's initial conceptual watercolors, as well as on the theatrical release poster and on later home video releases, only one young girl is depicted, rather than two sisters. According to Miyazaki, "If she was a little girl who plays around in the yard, she wouldn't be meeting her father at a bus stop, so we had to come up with two girls instead. And that was difficult." The opening sequence of the film was not storyboarded, Miyazaki said. "The sequence was determined through permutations and combinations determined by the time sheets. Each element was made individually and combined in the time sheets..." The ending sequence depicts the mother's return home and the signs of her return to good health by playing with Satsuki and Mei outside.
The storyboard depicts the town of Matsuko as the setting, with the year being 1955; Miyazaki stated that it was not exact and the team worked on a setting "in the recent past". The film was originally set to be an hour long, but throughout the process it grew to respond to the social context including the reason for the move and the father's occupation. Eight animators worked on the movie, which was completed in eight months.
Miyazaki has said that Totoro is "not a spirit: he's only an animal. I believe he lives on acorns. He's supposedly the forest keeper, but that's only a half-baked idea, a rough approximation." The character of Mei was modeled on Miyazaki's niece.
After writing and filming "Nausicaä of the Valley of the Wind" (1984) and "Castle in the Sky" (1986), Hayao Miyazaki began directing "My Neighbor Totoro" for Studio Ghibli. Miyazaki's production paralleled his colleague Isao Takahata's production of "Grave of the Fireflies". Miyazaki's film was financed by executive producer Yasuyoshi Tokuma, and both "My Neighbor Totoro" and "Grave of the Fireflies" were released on the same bill in 1988. The dual billing was considered "one of the most moving and remarkable double bills ever offered to a cinema audience".
In Japan, "My Neighbor Totoro" initially sold 801,680 tickets and earned a distribution rental income of in 1988. , the film's total box office gross receipts in Japan amounted to ().
The film has received international releases since 2002. Overall, the film has grossed $30,476,708 overseas, for a total of at the worldwide box office.
30 years after its original release in Japan, "My Neighbour Totoro" received a Chinese theatrical release in December 2018. The delay was due to long-standing political tensions between China and Japan, but many Chinese nevertheless became familiar with Miyazaki's films due to rampant video piracy. In its opening weekend, ending December 16, 2018, "My Neighbour Totoro" grossed , entering the box office charts at number two, behind only Hollywood film "Aquaman" at number one and ahead of Bollywood film "Padman" at number three. By its second weekend, "My Neighbor Totoro" grossed in China. As of February 2019, it grossed $25,798,550 in China.
In 1988, US-based company Streamline Pictures produced an exclusive English language dub of the film for use as an in-flight movie on Japan Airlines flights. Due to his disappointment with the result of the heavily edited English version of "Nausicaä of the Valley of the Wind", Miyazaki would not permit any part of the movie to be edited out, all the names had to remain the same (with the exception being Catbus), the translation had to be as close to the original Japanese as possible, and no part of the movie could be changed for any reason, cultural or linguistic (which was very common at the time) despite creating problems with some English viewers, particularly in explaining the origin of the name "Totoro". It was produced by John Daly and Derek Gibson, with co-producer Jerry Beck. In April 1993, Troma Films, under their 50th St. Films banner, distributed the dub of the film as a theatrical release, and was later released onto VHS by Fox Video.
In 2004, Disney produced an all new English dub of the movie to be released after the rights to the Streamline dub had expired. As is the case with Disney's other English dubs of Miyazaki films, the Disney version of "Totoro" features a star-heavy cast, including Dakota and Elle Fanning as Satsuki and Mei, Timothy Daly as Mr. Kusakabe, Pat Carroll as Granny, Lea Salonga as Mrs. Kusakabe, and Frank Welker as Totoro and Catbus. The songs for the new dub retained the same translation as the previous dub, but were sung by Sonya Isaacs. The songs for the Streamline version of "Totoro" were sung by Cassie Byram. Disney's English-language dub premiered on October 23, 2005; it then appeared at the 2005 Hollywood Film Festival. The Turner Classic Movies cable television network held the television premiere of Disney's new English dub on January 19, 2006, as part of the network's salute to Hayao Miyazaki. (TCM aired the dub as well as the original Japanese with English subtitles.) The Disney version was initially released on DVD in the United States on March 7, 2006, but is now out of print. This version of the film has since been used in all English-speaking regions.
The movie was released to VHS and LaserDisc by Tokuma Shoten in August 1988 under their Animage Video label. Buena Vista Home Entertainment Japan (now Walt Disney Japan) would later reissue the VHS on June 27, 1997 as part of their "Ghibli ga Ippai" series, and was later released to DVD on September 28, 2001, including both the original Japanese and the Streamline Pictures English dub. Disney would later release the film on Blu-ray in the country on July 18, 2012. The DVD was re-released on July 16, 2014, using the remastered print from the Blu-ray and having the Disney produced English dub instead of Streamline's.
In 1993, Fox Video released the Streamline Pictures dub of "My Neighbor Totoro" on VHS and LaserDisc in the United States and was later released to DVD in 2002. After the rights to the dub expired in 2004, Walt Disney Home Entertainment re-released the movie on DVD on March 7, 2006 with Disney's newly produced English dub and the original Japanese version. A reissue of "Totoro", "Castle in the Sky", and "Kiki's Delivery Service" featuring updated cover art highlighting its Studio Ghibli origins was released by Walt Disney Studios Home Entertainment on March 2, 2010, coinciding with the US DVD and Blu-ray debut of "Ponyo", and was It was later released on Blu-Ray Disc on May 21, 2013. GKIDS re-issued the film on Blu-ray and DVD on October 17, 2017.
The Disney-produced Dub has also been released onto DVD and Blu-ray by distributors like Madman Entertainment in Australia and Optimum Releasing/StudioCanal UK in the United Kingdom.
In Japan, the film sold 3.5million VHS and DVD units as of April 2012, equivalent to approximately () at an average retail price of ( on DVD and on VHS). In the United States, the film sold over 500,000 VHS units by 1996, equivalent to approximately at a retail price of $19.98, with the later 2010 DVD release selling a further 3.8million units and grossing in the United States as of October 2018. In total, the film's home video releases have sold 7.8million units and grossed approximately in Japan and the United States.
"My Neighbor Totoro" received widespread acclaim from film critics. Review aggregator Rotten Tomatoes reported that 94% of critics gave positive reviews, with an average rating of 8.4/10 based on 48 reviews. The website's critical consensus states, “"My Neighbor Totoro" is a heartwarming, sentimental masterpiece that captures the simple grace of childhood." On Metacritic, the film has a weighted average rating of 86 out of 100, based on 15 critics, indicating "universal acclaim". It is listed as a "must-see" by Metacritic. "My Neighbor Totoro" was voted the highest-ranking animated film on the 2012 "Sight & Sound" critics' poll of all-time greatest films.
Film critic Roger Ebert of the "Chicago Sun-Times" identified "My Neighbor Totoro" as one of his "Great Movies", calling it "one of the lovingly hand-crafted works of Hayao Miyazaki". In his review, Ebert declared ""My Neighbor Totoro" is based on experience, situation and exploration—not on conflict and threat", and described its appeal:
The 1993 translation was not as well received as the 2006 translation. Leonard Klady of the entertainment trade newspaper "Variety" wrote of the 1993 translation, that "My Neighbor Totoro" demonstrated "adequate television technical craft" that was characterized by "muted pastels, homogenized pictorial style and [a] vapid storyline". Klady described the film's environment, "Obviously aimed at an international audience, the film evinces a disorienting combination of cultures that produces a nowhere land more confused than fascinating." Stephen Holden of "The New York Times" described the 1993 translation as "very visually handsome", and believed that the film was "very charming" when "dispensing enchantment". Despite the highlights, Holden wrote, "Too much of the film, however, is taken up with stiff, mechanical chitchat."
Matthew Leyland of "Sight & Sound" reviewed the DVD released in 2006, "Miyazaki's family fable is remarkably light on tension, conflict and plot twists, yet it beguiles from beginning to end... what sticks with the viewer is the every-kid credibility of the girls' actions as they work, play and settle into their new surroundings." Leyland praised the DVD transfer of the film, but noted that the disc lacked a look at the film's production, instead being overabundant with storyboards.
Phillip E. Wegner makes a case for the film being an example of alternative history citing the utopian-like setting of the anime.
"My Neighbor Totoro" set its writer-director Hayao Miyazaki on the road to success. The film's central character, Totoro, is as famous among Japanese children as Winnie-the-Pooh is among British ones. "The Independent" recognized Totoro as one of the greatest cartoon characters, describing the creature, "At once innocent and awe-inspiring, King Totoro captures the innocence and magic of childhood more than any of Miyazaki's other magical creations." The "Financial Times" recognized the character's appeal, commenting that "[Totoro] is more genuinely loved than Mickey Mouse could hope to be in his wildest—not nearly so beautifully illustrated—fantasies." Totoro and characters from the movie play a significant role in the Ghibli Museum, including a large catbus and the Straw Hat Cafe.
The environmental journal "Ambio" described the influence of "My Neighbor Totoro", "[It] has served as a powerful force to focus the positive feelings that the Japanese people have for satoyama and traditional village life." The film's central character Totoro was used as a mascot by the Japanese "Totoro Hometown Fund Campaign" to preserve areas of satoyama in the Saitama Prefecture. The fund, started in 1990 after the film's release, held an auction in August 2008 at Pixar Animation Studios to sell over 210 original paintings, illustrations, and sculptures inspired by "My Neighbor Totoro".
Totoro has made cameo appearances in multiple Studio Ghibli films, including "Pom Poko", "Kiki's Delivery Service", and "Whisper of the Heart". Various other anime series and films have featured cameos, including one episode of the Gainax TV series "His and Her Circumstances". Miyazaki uses Totoro as a part of his Studio Ghibli company logo.
A main-belt asteroid, discovered on December 31, 1994, was named 10160 Totoro after the film's central character. Totoro makes a cameo appearance in the Pixar film "Toy Story 3" (2010); the film's art director Daisuke Tsutsumi is married to Miyazaki's niece, who was the original inspiration for the character Mei in "My Neighbour Totoro".
In 2013 a velvet worm species "Eoperipatus totoro", recently discovered in Vietnam, was named after Totoro: "Following the request of Pavel V. Kvartalnov, Eduard A. Galoyan and Igor V. Palko, the species is named after the main character of the cartoon movie "My Neighbour Totoro" by Hayao Miyazaki (1988, Studio Ghibli), who uses a many-legged animal as a vehicle, which according to the collectors resembles a velvet worm."
A four-volume series of "ani-manga" books, which use color images and lines directly from the film, was published in Japan in May 1988 by Tokuma. The series was licensed for English language release in North America by Viz Media, which released the books from November 10, 2004, through February 15, 2005. A 111-page picture book based on the film and aimed at younger readers was released by Tokuma on June 28, 1988 and, in a 112-page English translation, by Viz on November 8, 2005. A 176-page art book containing conceptual art from the film and interviews with the production staff was released by Tokuma on July 15, 1988 and, in English translation, by Viz on November 8, 2005. A hardcover "light novel" written by Tsugiko Kubo and illustrated by Hayao Miyazaki was released by Viz in 2013.
is a thirteen-minute sequel to "My Neighbor Totoro", written and directed by Miyazaki. Chika Sakamoto, who voiced Mei in "Totoro", returned to voice Mei in this short. Hayao Miyazaki himself did the voice of the Granny Cat ("Neko Baa-chan"), as well as Totoro. It concentrates on the character of Mei Kusakabe from the original film and her adventures one night with the Kittenbus (the offspring of the Catbus from the film) and other cat-oriented vehicles.
Originally released in Japan in 2003, the short is regularly shown at the Ghibli Museum, but has not been released to home video. It was shown briefly in the United States in 2006 to honor the North American release of fellow Miyazaki film "Spirited Away" and at a Juvenile Diabetes Research Foundation fundraiser a few days later.
The "Tonari no Totoro" Soundtrack was originally released in Japan on May 1, 1988 by Tokuma Shoten. The CD primarily features the musical score used in the film composed by Joe Hisaishi, except for five vocal pieces performed by Azumi Inoue. It has since been re-released twice, once on November 21, 1996, and again on August 25, 2004.
Numerous licensed merchandise of Totoro have been sold in Japan for decades after the film's release. Totoro licensed merchandise sales in Japan grossed in 1999, during 20032007, at least in 2008, and during 20102012. Combined, Totoro licensed merchandise sales have grossed at least () in Japan between 1999 and 2012.
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https://en.wikipedia.org/wiki?curid=20669
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Maribor
Maribor ( , , ; also known by other historical names) is the second-largest city in Slovenia and the largest city of the traditional region of Lower Styria. It is also the seat of the City Municipality of Maribor, the seat of the Drava statistical region and the Eastern Slovenia region. Maribor is also the economic, administrative, educational, and cultural centre of eastern Slovenia.
Maribor was first mentioned as a castle in 1164, as a settlement in 1209, and as a city in 1254. Like most Slovene ethnic territory, Maribor was under Habsburg rule until 1918, when Rudolf Maister and his men secured the city for the State of Slovenes, Croats and Serbs, which then joined the Kingdom of Serbia to form the Kingdom of Yugoslavia. In 1991 Maribor became part of independent Slovenia.
Maribor, along with the Portuguese city of Guimarães, was selected the European Capital of Culture for 2012.
Maribor was attested in historical sources as "Marpurch" circa 1145 (and later as "Marchburch", "Marburc", and "Marchpurch"), and is a compound of Middle High German "march" 'march (borderland)' + "burc" 'fortress'. In modern times, the town's German name was "Marburg an der Drau" (; literally, 'Marburg on the Drava').
The Slovene name "Maribor" is an artificial Slovenized creation, coined by Stanko Vraz in 1836. Vraz created the name in the spirit of Illyrianism by analogy with the name "Brandenburg" (cf. Lower Sorbian "Bramborska"). Locally, the town is known in Slovene as "Marprk" or "Marprog". In addition to its Slovene and German names, the city is also known as "Marburgum" in Latin and "Marburgo" in Italian.
The oldest known remnants of settlement in the Maribor area date back to the 5th millennium BC, at the time of the Chalcolithic. With the construction of Maribor's western bypass, larger settlements were discovered dating from the 44th to 42nd century BC. Another settlement from around the same period was also discovered in Spodnje Hoče, a town right next to Maribor and another below Melje Hill near Malečnik. Another settlement below Melje Hill was also found dating to the 4th millennium BC.
A more intense period of settlement of the Maribor area occurred in the 3rd millennium BC with the advent of the Bronze Age. In the 13th to 12th century BC, in the age of the Urnfield culture, new settlements were found in Pekel. Around 1000 BC, new settlers moved to the Maribor area. An urnfield cemetery was found from that period in today's "Mladinska ulica" and another necropolis was also found in Pobrežje.
With the Iron Age and the Hallstatt Culture, new settlements began to appear on hills. One of them was Poštela in the Pohorje Mountains. Poštela was an old town that was abandoned in the 6th century BC and inhabited again in the 2nd century BC.
During Roman times, the area where Maribor later developed was part of the province of Noricum, right on the border with Pannonia. During that period, Roman agricultural estates known as "villae rusticae" filled the area around Radvanje, Betnava, Bohova, and Hoče. The best-known of them was in today's Borova Vas neighborhood of Maribor. An important trade route was also established in the area, connecting Celeia and Flavia Solva in one direction with Poetovio and central Noricum on the other.
After the fall of the Roman Empire, the Maribor area was settled by the Slavs.
A Slavic cemetery was found in Radvanje dating to the 10th century AD. The area of what later became Maribor was first part of Samo's Empire and later the area stood on the border between Carantania and Lower Pannonia. In 843 the area was absorbed into the Frankish Empire.
In the Frankish Empire, the area again stood on the border, this time between the Frankish Empire and the Principality of Hungary. To protect the Frankish Empire from Hungarian raids, a castle was built on Pyramid Hill. The castle was mentioned for the first time on 20 October 1164 as "Castrum Marchburch". A settlement soon began to grow below the castle. Maribor was first mentioned as a market near the castle in 1204, and it received town privileges in 1254. It is likely that the castle stood before 1164 because Bernard of Trixien, the count of the region, already used the title "Bernhard von Marchpurg" 'Bernard of Maribor' in 1124.
The town began to grow rapidly after the victory of Rudolf I of the Habsburg dynasty over King Otakar II of Bohemia in 1278. The town built fortifications, and trade, viticulture, and crafts started to grow. The town had a monopoly over the entire region and also controlled the viticulture trade with Carinthia. The first churches were built, and also around this time the first Jews arrived. The Jews built their own ghetto in the southeastern part of town, where they also built the Maribor Synagogue. Most Slovenians lived in the northwestern part of town on what is now Slovenian Street ("Slovenska ulica"). In 1478, a second castle was built on the northeastern side of the town, today known as Maribor Castle. In 1480 and in 1481, Matthias Corvinus besieged the town but failed to conquer it on both occasions. In 1496, Maximilian I issued a decree to expel all Jews from Maribor and Styria. In 1515, the Maribor Town Hall was built and a few years later, in 1532, Maribor again came under siege, this time by the Ottoman Empire. In the battle that became known as the Siege of Maribor, a 100,000-strong Ottoman army under the leadership of Suleiman the Magnificent attacked the town, which was defended only by the local garrison and its citizens. Despite all the odds, Maribor was defended and the legend of the Maribor shoemaker who raised the sluice gates and flooded the Ottoman army is still popular today.
In the 17th century, numerous fires razed the town. The biggest ones occurred in 1601, 1645, 1648, and 1700. Because of them, the town was rebuilt numerous times. In addition to fires, the plague decimated the town's population. The largest plague epidemics occurred in 1646, 1664, and 1680. Due to the plague, the town lost 35 percent of its population. In gratitude for the end of the plague, a plague column was built in 1681, with the original being replaced in 1743. In 1846, the Southern Railway was built through the town, which resulted in great economic growth and territorial expansion. In 1859, Anton Martin Slomšek, a bishop of the Diocese of Lavant, transferred the seat of the diocese to Maribor, and he further encouraged the use of Slovene. With the transfer, Maribor also received its first higher school. Four years later, Maribor was connected with Carinthia with the construction of the railway from Maribor to Prevalje. The first daily Slovenian newspaper, called "Slovenski narod", was established in 1868 on today's Slomšek Square ("Slomškov trg"). On 4 April 1883, the first electric light in Slovene ethnic territory was installed on Castle Square ("Grajski trg"). The renowned electrical engineer Nikola Tesla lived in Maribor from 1878 to 1879, where he received his first job. Maribor National Hall was built in 1899, and it became a political, cultural, and economic centre for all Styrian Slovenes.
In 1900, the city itself had a population that was 82.3% Austrian German (19,298 people) and 17.3% Slovene (4,062 people; based on the language spoken at home); most of the city's capital and public life was in Austrian German hands. However, the county excluding the city had only 10,199 Austrian Germans and 78,888 Slovene inhabitants, meaning the city was completely surrounded by majority-Slovene ethnic territory. Some former independent settlements that later became part of the city had more ethnic Slovenes than Austrian Germans (e.g., Krčevina, Radvanje, Tezno), whereas others had more Austrian Germans than ethnic Slovenes (e.g., Pobrežje and Studenci). In 1913, a new bridge was opened over the Drava River, today known as the Old Bridge. In World War I, the 47th Infantry Regiment of the Austro-Hungarian Army was based in the city and also fought on the Isonzo front. During the First World War many Slovenes in Carinthia and Styria were detained on suspicion of being enemies of the Austrian Empire. This led to distrust between Austrian Germans and Slovenes.
After the collapse of the Austrian-Hungarian Empire in 1918, Maribor was claimed by both the State of Slovenes, Croats and Serbs and German Austria. On 1 November 1918, a meeting was held by Colonel Anton Holik in the Melje barracks, where it was decided that the city would be part of German Austria. Ethnic Slovene Major Rudolf Maister, who was present at the meeting, denounced the decision and organised Slovenian military units that were able to seize control of the city. All Austrian officers and soldiers were disarmed and demobilised to the new state of German Austria. The German city council then held a secret meeting, where it was decided to do whatever possible to regain Maribor for German Austria. They organised a military unit called the Green Guard ("Schutzwehr"), and approximately 400 well-armed soldiers of this unit opposed the pro-Slovenian and pro-Yugoslav Major Maister. Slovenian troops surprised and disarmed the Green Guard early on the morning of 23 November. Thereafter, the city remained in Slovenian hands.
On 27 January 1919, Austrian Germans gathered to await the United States peace delegation at the city's marketplace were fired upon by Slovenian troops. Nine citizens were killed and some eighteen were seriously wounded; who had actually ordered the shooting has never been unequivocally established. German sources accused Maister's troops of shooting without cause. In turn Slovene witnesses such as Maks Pohar claimed that the Austrian Germans attacked the Slovenian soldiers guarding the town hall, one even discharging a revolver and hitting one Slovenian soldier in the bayonet. The German-language media called the incident "Marburg's Bloody Sunday". As Maribor was now firmly in the hands of the Slovenian forces and surrounded completely by Slovenian territory; the city had been recognised as part of the Kingdom of Serbs, Croats and Slovenes without a plebiscite in the Treaty of Saint-Germain of 10 September 1919 between the victors and German Austria. For his actions in Maribor and later in the Austro-Slovene conflict in Carinthia, Rudolf Maister is today considered a Slovenian national hero.
After 1918, most of Maribor's Austrian Germans left the Kingdom of Serbs, Croats and Slovenes for Austria. A policy of cultural assimilation was pursued in Yugoslavia against the Austrian German minority similar to the Germanization policy followed by Austria against its Slovene minority in Carinthia. From 1922 to 1929, Maribor was the seat of the Maribor Oblast, a subdivision within Yugoslavia and was later part of the Drava Banovina. Up until World War II, Maribor was considered the fastest-developing city in the country.
In 1941 Lower Styria, the predominantly Slovene part of Styria, was annexed by Nazi Germany. German troops marched into the town at 9 pm on 8 April 1941. On 26 April Adolf Hitler, who encouraged his followers to "make this land German again", visited Maribor and a grand reception was organised in the city castle by the local Germans. Immediately after the occupation, Nazi Germany began mass expulsions of Slovenes to the Independent State of Croatia, Serbia, and later to the concentration and work camps in Germany. The Nazi goal was to Germanize the population of Lower Styria after the war. Slovene patriots were taken hostage and many were later shot in the prisons of Maribor and Graz. This led to organised resistance by Slovene partisans. The first act of resistance in Maribor and occupied Slovenia occurred only three days after Hitler's visit, when Slovene communists and SKOJ members burned two German cars.
Maribor was the site of a German prisoner-of-war camp from 1941 to 1945 for many British, Australian, and New Zealand troops who had been captured in Crete in 1941. In 1944, the largest mass rescue of POWs of the war in Europe took place when 105 Allied prisoners from the camp were freed by Slovene partisans in the Raid at Ožbalt. The city, a major industrial centre with an extensive armament industry, was systematically bombed by the Allies in the closing years of World War II. A total of 29 bombing raids devastated some 47% of the city area, killing 483 civilians and leaving over 4,200 people homeless. Over 2,600 people died in Maribor during the war. By the end of the war, Maribor was the most war-damaged major town of Yugoslavia. The remaining German-speaking population, except those who had actively supported the resistance during the war, was summarily expelled at the end of the war in May 1945. At the same time Croatian Home Guard members and their relatives who tried to escape from Yugoslavia were executed by the Yugoslav Army. The existence of nine mass graves in and near Maribor was revealed after Slovenia's independence.
After the Second World War, Maribor became part of SR Slovenia, within SFR Yugoslavia. A major process of renewal and reconstruction began in the city. Maribor soon after became the industrial centre of Slovenia and the whole of Yugoslavia, hosting many known companies such as the Maribor Automobile Factory among others. The first clash between the Yugoslav People's Army and the Slovenian Territorial Defence in Slovenia's war of independence happened in nearby Pekre and on the streets of Maribor resulting in the conflicts first casualty. After Slovenia seceded from Yugoslavia in 1991, the loss of the Yugoslav market severely strained the city's economy, which was based on heavy industry. The city saw a record unemployment rate of nearly 25%.
The economic situation of Maribor after the mid-1990s crisis worsened again with the onset of global economic crisis combined with the European sovereign-debt crisis, which was one of the causes for the beginning of 2012–13 Maribor protests which spread into 2012–2013 Slovenian protests. During the year 2012 Maribor was also one of two European Capitals of Culture and the following year Maribor was the European Youth Capital.
On the Drava River lies Maribor Island (). The oldest public bath, still important and much visited place in Maribor, is located there.
There are two hills in Maribor: Calvary Hill and Pyramid Hill, both surrounded by vineyards. The latter dominates the northern border of the city. Ruins of the first Maribor castle from the 11th century and a chapel from the 19th century also stand there. The hill offers an easily accessible scenic overlook of Maribor and the countryside to the south over the Drava River.
The city of Maribor is divided into 11 districts () of the City Municipality of Maribor. The Drava River separates the districts of Center, Koroška Vrata, and Ivan Cankar to the north from other districts south of it. The various city districts are connected by four road bridges, a rail bridge, and a pedestrian bridge.
Maribor has a humid continental climate (Köppen climate classification: Dfb), bordering on oceanic climate (Köppen: Cfb). Average temperatures hover around zero degrees Celsius during the winter. Summers are generally warm. Average temperatures during the city's warmest month (July) exceed 20 degrees Celsius, which is one of the main reasons for the Maribor wine tradition. The city sees on average roughly of precipitation annually and it's one of the sunniest Slovene cities, with an average of 266 sunny days throughout the course of the year. The most recent temperature heatwave record for August is 40.6 °C, measured at the Maribor–Tabor weather station by the Slovenian Environment Agency (ARSO) on 8 August 2013.
Many historical structures stand in Maribor. Of the remains of city walls surrounding the old downtown, the most prominent are the Judgement Tower, the Water Tower, and the Jewish Tower. Maribor Cathedral was built in the Gothic style in the 13th century. Maribor Synagogue was built in the 14th century, and is the second oldest synagogue of Europe. Today it serves as a centre for cultural activities. Other prominent Medieval buildings are Maribor Castle, Betnava Castle, and the ruins of Upper Maribor Castle on Pyramid Hill. Town Hall was constructed in the Renaissance style, and the Plague Column in the Baroque style.
At the start of the 21st century, plans were made for a new modern business, residential and entertainment district, called the Drava Gate () and nicknamed the "Maribor Manhattan". The project includes many new exclusive residential apartments, offices and conference halls, a green and recreational space, and other structures. It also includes a tall skyscraper that would be the tallest building in Slovenia. Due to lack of finances, the project has been postponed.
In 2008, the Studenci Footbridge () was renovated according to the design of the Ponting company. The design was awarded that year at the 3rd International Footbridge Conference in Porto.
In 2010, Maribor organised an international architectural competition "ECC Maribor 2012 – Drava 2012" to gather proposals for the design and reconstruction of the Drava banks, the construction of a new art gallery, and for a new footbridge. Its jury received about 400 proposals for the three different projects. The footbridge and the river embankments will be built in the near future, but the art gallery was replaced with a cultural center MAKS, which is currently under construction.
The construction of a new modern Faculty of Medicine started in 2011 near the Drava River. It was designed by architect Boris Podrecca and was completed in 2013.
There are plans to renovate the Maribor Public Library and Town Hall Square (). In addition, the renovation of Maribor Island () in the Drava River has been planned.
The main park of the city is Maribor City Park, with the City Aquarium and Terrarium, and a wide promenade leading to the Three Ponds (), containing over 100 local and foreign species of deciduous and coniferous trees.
Maribor, previously in the Catholic Diocese of Graz-Seckau, became part of the Diocese of Lavant on 1 June 1859, and the seat of its Prince-Bishop. The name of the diocese (after a river in Carinthia) was later changed to the Diocese of Maribor on 5 March 1962. It was elevated to an archdiocese by Pope Benedict XVI on 7 April 2006.
Jewish people living in Maribor were first mentioned in 1277. It is suggested that at that time there was already a Jewish quarter in the city. The Jewish ghetto was located in the southeastern part of the city and it comprised, at its peak, several main streets in the city centre including part of the main city square. The ghetto had a synagogue, a Jewish cemetery and also a Talmud school. The Jewish community of Maribor was numerically at its apex around 1410. After 1450 the circumstances changed dramatically: increasing competition that coincided with an economic crisis dealt a severe blow to the economic activities that were crucial to their economic success. According to a decree issued by Emperor Maximilian I in 1496, Jews were forced to leave the city of Maribor. Restrictions on settlement and business for Jews remained in place until 1861. From late spring 1941, after Lower Styria was annexed by the Third Reich, the Jews of Maribor were deported to concentration camps.
The city hosts the University of Maribor, established in 1975, and many other schools.
Every June, the two-week Lent Festival (named after the waterfront district called Lent) is held, with hundreds of musical, theatrical and other events. Every year the festival attracts theatre, opera, ballet performers, classical, modern, and jazz musicians and dancers from all over the world, and of course many visitors. There is also mime, magic shows are being held and acrobats perform during the festival.
Maribor is known for wine and culinary specialities of international and Slovene cuisine (mushroom soup with buckwheat mush, tripe, sour soup, sausages with Sauerkraut, cheese dumplings, apple strudel, special cheese cake called gibanica). There are also many popular restaurants with Serbian cuisine. The Vinag Wine Cellar (), with the area of and the length of , keeps 5,5 millions litres of wine. The house of the oldest grapevine in the world () at Lent grows the world's oldest grapevine, which was in 2004 recorded in "Guinness World Records". The grapevine of Žametovka is about 440 years old.
The most listened radio stations transmitting from Maribor are the commercial radio stations Radio City and Radio Net FM. They are followed by the national non-commercial Radio Maribor.
The alternative scene of Maribor is situated in the Pekarna (Bakery; former squat) area next to Magdalena Park.
Maribor is the hometown of the association football club NK Maribor, playing in the Slovenian PrvaLiga. NK Maribor has won the domestic title 14 times and has participated in the UEFA Champions League group stages three times, in the 1999–2000, 2014–15, and 2017–18 seasons. The club's home ground is Ljudski vrt, located in the Koroška Vrata district.
Maribor's handball club is RK Maribor Branik. Maribor Branik competes in the Slovenian First League of Handball and play their matches at Tabor Hall.
Every January the Maribor Pohorje Ski Resort, situated on the outskirts of the city on the slopes of the Pohorje mountain range, hosts the women's slalom and giant slalom races for the Alpine Skiing World Cup known as "Zlata lisica" (The Golden Fox).
In November 2012, Maribor hosted the World Youth Chess Championship with Garry Kasparov as the guest-of-honour. It was presumed that Maribor would also host the XXVI 2013 Winter Universiade but the Government of Slovenia refused any financial support for this project due to major financial problems. As a result, the International University Sports Federation decided that it would organise the Universiade elsewhere.
Maribor sports parks include Pohorje Adrenaline Park () with a high ropes course, one-track-line PohorJET, and summer sledding; Pohorje Bike Park; and Betnava Adventure Park ("Pustolovski park Betnava") with ropes courses, zip-lines, and poles.
Maribor is twinned with:
Maribor has signed partnerships with:
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https://en.wikipedia.org/wiki?curid=20670
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Mehrgarh
Mehrgarh (Balochi: "Mehrgaŕh"; ) is a Neolithic site (dated c. 7000 BCE to c. 2500/2000 BCE), which lies on the Kacchi Plain of Balochistan, Pakistan. Mehrgarh is located near the Bolan Pass, to the west of the Indus River valley and between the present-day Pakistani cities of Quetta, Kalat and Sibi. The site was discovered in 1974 by an archaeological team directed by French archaeologists Jean-François Jarrige and Catherine Jarrige, and was excavated continuously between 1974 and 1986, and again from 1997 to 2000. Archaeological material has been found in six mounds, and about 32,000 artifacts have been collected. The earliest settlement at Mehrgarh—in the northeast corner of the site—was a small farming village dated between 7000 BCE and 5500 BCE.
Mehrgarh is one of the earliest sites with evidence of farming and herding in South Asia. Mehrgarh was influenced by the Near Eastern Neolithic, with similarities between "domesticated wheat varieties, early phases of farming, pottery, other archaeological artefacts, some domesticated plants and herd animals." According to Parpola, the culture migrated into the Indus Valley and became the Indus Valley Civilisation.
Jean-Francois Jarrige argues for an independent origin of Mehrgarh. Jarrige notes "the assumption that farming economy was introduced full-fledged from Near-East to South Asia," and the similarities between Neolithic sites from eastern Mesopotamia and the western Indus valley, which are evidence of a "cultural continuum" between those sites. But given the originality of Mehrgarh, Jarrige concludes that Mehrgarh has an earlier local background," and is not a "'backwater' of the Neolithic culture of the Near East."
Lukacs and Hemphill suggest an initial local development of Mehrgarh, with a continuity in cultural development but a change in population. According to Lukacs and Hemphill, while there is a strong continuity between the neolithic and chalcolithic (Copper Age) cultures of Mehrgarh, dental evidence shows that the chalcolithic population did not descend from the neolithic population of Mehrgarh, which "suggests moderate levels of gene flow." They wrote that "the direct lineal descendents of the Neolithic inhabitants of Mehrgarh are to be found to the south and the east of Mehrgarh, in northwestern India and the western edge of the Deccan plateau," with neolithic Mehrgarh showing greater affinity with chalcolithic Inamgaon, south of Mehrgarh, than with chalcolithic Mehrgarh.
Gallego Romero et al. (2011) state that their research on lactose tolerance in India suggests that "the west Eurasian genetic contribution identified by Reich et al. (2009) principally reflects gene flow from Iran and the Middle East." Gallego Romero notes that Indians who are lactose-tolerant show a genetic pattern regarding this tolerance which is "characteristic of the common European mutation." According to Romero, this suggests that "the most common lactose tolerance mutation made a two-way migration out of the Middle East less than 10,000 years ago. While the mutation spread across Europe, another explorer must have brought the mutation eastward to India – likely traveling along the coast of the Persian Gulf where other pockets of the same mutation have been found." They further note that "[t]he earliest evidence of cattle herding in south Asia comes from the Indus River Valley site of Mehrgarh and is dated to 7,000 YBP."
Archaeologists divide the occupation at the site into eight periods.
The Mehrgarh Period I (7000 BCE-5500 BCE) was Neolithic and aceramic, without the use of pottery. The earliest farming in the area was developed by semi-nomadic people using plants such as wheat and barley and animals such as sheep, goats and cattle. The settlement was established with simple mud buildings and most of them had four internal subdivisions. Numerous burials have been found, many with elaborate goods such as baskets, stone and bone tools, beads, bangles, pendants and occasionally animal sacrifices, with more goods left with burials of males. Ornaments of sea shell, limestone, turquoise, lapis lazuli and sandstone have been found, along with simple figurines of women and animals. Sea shells from far sea shore and lapis lazuli found as far away as present-day Badakshan, Afghanistan shows good contact with those areas. A single ground stone axe was discovered in a burial, and several more were obtained from the surface. These ground stone axes are the earliest to come from a stratified context in South Asia. Periods I, II and III are contemporaneous with another site called Kili Gul Mohammad
The aceramic Neolithic phase in the region is now called 'Kili Gul Muhammad phase', and it is dated 7000-5000 BC. Yet the Kili Gul Muhammad site, itself, may have started c. 5500 BC.
In 2001, archaeologists studying the remains of two men from Mehrgarh made the discovery that the people of this civilization had knowledge of proto-dentistry. In April 2006, it was announced in the scientific journal "Nature" that the oldest (and first "early Neolithic") evidence for the drilling of human teeth "in vivo" ("i.e." in a living person) was found in Mehrgarh. According to the authors, their discoveries point to a tradition of proto-dentistry in the early farming cultures of that region. "Here we describe eleven drilled molar crowns from nine adults discovered in a Neolithic graveyard in Pakistan that dates from 7,500 to 9,000 years ago. These findings provide evidence for a long tradition of a type of proto-dentistry in an early farming culture."
The Mehrgarh Period II (5500 BCE–4800 BCE) and Merhgarh Period III (4800 BCE–3500 BCE) were ceramic Neolithic, using pottery, and later chalcolithic. Period II is at site MR4 and Period III is at MR2. Much evidence of manufacturing activity has been found and more advanced techniques were used. Glazed faience beads were produced and terracotta figurines became more detailed. Figurines of females were decorated with paint and had diverse hairstyles and ornaments. Two flexed burials were found in Period II with a red ochre cover on the body. The amount of burial goods decreased over time, becoming limited to ornaments and with more goods left with burials of females. The first button seals were produced from terracotta and bone and had geometric designs. Technologies included stone and copper drills, updraft kilns, large pit kilns and copper melting crucibles. There is further evidence of long-distance trade in Period II: important as an indication of this is the discovery of several beads of lapis lazuli, once again from Badakshan. Mehrgarh Periods II and III are also contemporaneous with an expansion of the settled populations of the borderlands at the western edge of South Asia, including the establishment of settlements like Rana Ghundai, Sheri Khan Tarakai, Sarai Kala, Jalilpur and Ghaligai.
Period IV was 3500 to 3250 BCE. Period V from 3250 to 3000 BCE and period VI was around 3000 BCE. The site containing Periods IV to VII is designated as MR1.
Somewhere between 2600 BCE and 2000 BCE, the city seems to have been largely abandoned in favor of the larger and fortified town Nausharo five miles away when the Indus Valley Civilization was in its middle stages of development. Historian Michael Wood suggests this took place around 2500 BCE.
The last period is found at the Sibri cemetery, about 8 kilometers from Mehrgarh.
Early Mehrgarh residents lived in mud brick houses, stored their grain in granaries, fashioned tools with local copper ore, and lined their large basket containers with bitumen. They cultivated six-row barley, einkorn and emmer wheat, jujubes and dates, and herded sheep, goats and cattle. Residents of the later period (5500 BCE to 2600 BCE) put much effort into crafts, including flint knapping, tanning, bead production, and metal working. Mehrgarh is probably the earliest known center of agriculture in South Asia.
The oldest known example of the lost-wax technique comes from a 6,000-year-old wheel-shaped copper amulet found at Mehrgarh. The amulet was made from unalloyed copper, an unusual innovation that was later abandoned.
The oldest ceramic figurines in South Asia were found at Mehrgarh. They occur in all phases of the settlement and were prevalent even before pottery appears. The earliest figurines are quite simple and do not show intricate features. However, they grow in sophistication with time and by 4000 BC begin to show their characteristic hairstyles and typical prominent breasts. All the figurines up to this period were female. Male figurines appear only from period VII and gradually become more numerous. Many of the female figurines are holding babies, and were interpreted as depictions of the "mother goddess". However, due to some difficulties in conclusively identifying these figurines with the "mother goddess", some scholars prefer using the term "female figurines with likely cultic significance".
Evidence of pottery begins from Period II. In period III, the finds become much more abundant as the potter's wheel is introduced, and they show more intricate designs and also animal motifs. The characteristic female figurines appear beginning in Period IV and the finds show more intricate designs and sophistication. Pipal leaf designs are used in decoration from Period VI. Some sophisticated firing techniques were used from Period VI and VII and an area reserved for the pottery industry has been found at mound MR1. However, by Period VIII, the quality and intricacy of designs seem to have suffered due to mass production, and due to a growing interest in bronze and copper vessels.
There are two types of burials in the Mehrgarh site. There were individual burials where a single individual was enclosed in narrow mud walls and collective burials with thin mud brick walls within which skeletons of six different individuals were discovered. The bodies in the collective burials were kept in a flexed position and were laid east to west. Child bones were found in large jars or urn burials (4000~3300 BCE).
Metal finds have dated as early as Period IIB, with a few copper items.
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https://en.wikipedia.org/wiki?curid=20675
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Microvision
The Microvision (aka Milton Bradley Microvision or MB Microvision) is the first handheld game console that used interchangeable ROM cartridges. It was released by the Milton Bradley Company in November 1979. The Microvision was designed by Jay Smith, the engineer who would later design the Vectrex gaming console. The Microvision's combination of portability and a cartridge-based system led to moderate success, with Smith Engineering grossing $15 million in the first year of the system's release. However, very few cartridges, a small screen, and a lack of support from established home video game companies led to its demise in 1981. According to Satoru Okada, the former head of Nintendo's R&D1 Department, the Microvision gave birth to the Game & Watch after Nintendo designed around Microvision's limitations.
Unlike most later consoles, the Microvision did not contain an onboard processor (CPU). Instead, each game included its own processor contained within the removable cartridge. This meant that the console itself effectively consisted of the controls, LCD panel and LCD controller.
The processors for the first Microvision cartridges were made with both Intel 8021 (cross licensed by Signetics) and Texas Instruments TMS1100 processors. Due to purchasing issues, Milton Bradley switched to using TMS1100 processors exclusively including reprogramming the games that were originally programmed for the 8021 processor. The TMS1100 was a more primitive device, but offered more memory and lower power consumption than the 8021. First-revision Microvisions needed two batteries due to the 8021's higher power consumption, but later units (designed for the TMS1100) only had one active battery holder. Even though the battery compartment was designed to allow the two 9-volt batteries to be inserted with proper polarity of positive and negative terminals, when a battery was forcefully improperly oriented, while the other battery was properly oriented, the two batteries would be shorted and they would overheat. The solution was to remove terminals for one of the batteries to prevent this hazard. Due to the high cost of changing production molds, Milton Bradley did not eliminate the second battery compartment, but instead removed its terminals and called it the spare battery holder.
Milton Bradley put most of its marketing muscle at the time behind the tabletop Vectrex system, contributing to the Microvision's mediocre performance in the market.
Microvision units and cartridges are now somewhat rare. Those that are still in existence are susceptible to three main problems: "screen rot," ESD damage, and keypad destruction.
The manufacturing process used to create the Microvision's LCD was primitive by modern standards. Poor sealing and impurities introduced during manufacture has resulted in the condition known as "screen rot". The liquid crystal spontaneously leaks and permanently darkens, resulting in a game unit that still plays but is unable to properly draw the screen. While extreme heat (such as resulting from leaving the unit in the sun) which can instantly destroy the screen can be avoided, there is nothing that can be done to prevent screen rot in most Microvision systems.
A major design problem on early units involves the fact that the microprocessor (which is inside the top of each cartridge) lacks ESD protection and is directly connected to the copper pins which normally connect the cartridge to the Microvision unit. If the user opens the protective sliding door that covers the pins, the processor can be exposed to any electric charge the user has built up. If the user has built up a substantial charge, the discharge can jump around the door's edge or pass through the door itself (dielectric breakdown). The low-voltage integrated circuit inside the cartridge is extremely ESD sensitive, and can be destroyed by an event of only a few dozen volts which cannot even be felt by the person, delivering a fatal shock to the game unit. This phenomenon was described in detail by John Elder Robison (a former Milton Bradley engineer) in his book "Look Me in the Eye"; Robinson described the issue as having been a significant enough issue during the 1979 holiday season (with up to 60% of units being returned as defective) that it resulted in significant panic among Milton Bradley staff and required extensive modifications to both later Microvision units and Microvision factories (the former being of his own design) to better dispel stray static charges.
The Microvision unit had a twelve-button keypad, with the switches buried under a thick layer of flexible plastic. To align the user's fingers with the hidden buttons, the cartridges had cutouts in their bottom (over the keypad). As different games required different button functions, the cutouts were covered with a thin printed piece of plastic, which identified the buttons' functions in that game. The problem with this design is that pressing on the buttons stretched the printed plastic, resulting in the thin material stretching and eventually tearing. Having long fingernails exacerbated the condition. Many of the initial games were programmed to give feedback of the keypress when the key was released instead of when the key was pressed. As a result, users may press on the keypad harder because they are not being provided with any feedback that the key has been pressed. This resulted from a keypad used for prototyping being different from the production keypad; the prototyping keypad had tactile feedback upon key pressing that the production units lacked.
While the game cartridge plastic cases were beige colored in the USA, in Europe they came in a variety of different colors, and the games were numbered on the Box. The age range in Europe for the console and its games was from 8 to 80 years old or 8 to Adult.
There were titles known to have been released.
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https://en.wikipedia.org/wiki?curid=20676
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Mary, Queen of Hungary
Mary, also known as Maria of Anjou (, , ; 137117 May 1395), reigned as Queen of Hungary and Croatia between 1382 and 1385, and from 1386 until her death. She was the daughter of Louis the Great, King of Hungary and Poland, and his wife, Elizabeth of Bosnia. Mary's marriage to Sigismund of Luxembourg, a member of the imperial Luxembourg dynasty, was already decided before her first birthday. A delegation of Polish prelates and lords confirmed her right to succeed her father in Poland in 1379.
Mary was crowned "king" of Hungary on 17September 1382, seven days after Louis the Great's death. Her mother, who assumed regency, absolved the Polish noblemen from their oath of loyalty to Mary in favor of Mary's younger sister, Jadwiga, in early 1383. The idea of a female monarch remained unpopular among the Hungarian noblemen, the majority of whom regarded Mary's distant cousin, Charles III of Naples, as the lawful king. To strengthen Mary's position, the queen mother wanted her to marry Louis, the younger brother of Charles VI of France. Their engagement was announced in May 1385.
Charles III of Naples landed in Dalmatia in September 1385. Sigismund of Luxembourg invaded Upper Hungary (now Slovakia), forcing the queen mother to give Mary in marriage to him in October. However, they could not prevent Charles from entering Buda. After Mary renounced the throne, Charles was crowned king on 31December 1385, but he was murdered at the instigation of Mary's mother in February 1386. Mary was restored, but the murdered king's supporters captured her and her mother on 25July. Queen Elizabeth was murdered in January 1387, but Mary was released on 4June 1387. Mary officially remained the co-ruler with Sigismund, who had meanwhile been crowned king, but her influence on the government was minimal. She and her premature son died after falling from her horse during a hunting trip.
Mary was born in the latter half of 1371 to Louis the Great, King of Hungary and Poland, and his second wife, Elizabeth of Bosnia. She was the second daughter of her parents. They had been childless for over a decade before Mary's older sister, Catherine, was born in 1370. Mary and Catherine gained another sibling, Jadwiga, in 1374.
Since Louis had fathered no sons, the expectation that he would bequeath Hungary, Poland, and his claims to the Kingdom of Naples and Provence to his daughters made them desirable spouses for members of the European royal families. Before Mary's first birthday, her father made a promise to Charles IV, Holy Roman Emperor, that Mary would marry the emperor's second son, Sigismund of Luxembourg. Louis confirmed his promise in a deed in June 1373. Mary and Sigismund were closely related, because her paternal grandmother, Elizabeth of Poland, was the sister of his great-grandfather, Casimir III of Poland. Pope Gregory XI issued the dispensation necessary for their marriage on 6December 1374. The leading Hungarian and Polish lords confirmed Louis's promise of Mary's and Sigismund's marriage on 14April 1375.
Mary's older sister, Catherine, who had been betrothed to Louis of France, died in late 1378. Louis the Great confirmed his earlier promise of Mary's and Sigismund's marriage to Sigismund's brother, Wenceslaus, King of the Romans, in Zólyom (now Zvolen in Slovakia) in 1379. Louis and Wenceslaus also agreed that they would acknowledge Urban VI as the lawful pope against Clement VII. Mary was formally engaged to Sigismund in Nagyszombat (now Trnava in Slovakia) in the same year. Sigismund, who had meanwhile become Margrave of Brandenburg, came to Hungary.
Louis summoned the Polish prelates and lords to Kassa (now Košice in Slovakia) in September 1379, persuading them to acknowledge Mary's right to succeed him in Poland. The contemporaneous Jan of Czarnków, who was biased against Louis, recorded that the Poles yielded to the monarch's demand only after he had prevented them from leaving the town by shutting its gates. At a meeting with Leopold III, Duke of Austria in early 1380, Louis strongly hinted that he would bequeath Hungary to his younger daughter, Jadwiga, who had been engaged to LeopoldIII's son, William. Upon Louis's demand, a delegation of the Polish noblemen again paid homage to Sigismund and Mary on 25July 1382. According to the historian Oscar Halecki, Louis wished to divide his kingdoms between his two surviving daughters, but Pál Engel and Claude Michaud write that the ailing king wanted to bequeath both Hungary and Poland on Mary and Sigismund.
Louis the Great died on 10 September 1382. Cardinal Demetrius, Archbishop of Esztergom, crowned Mary "king" with the Holy Crown of Hungary in Székesfehérvár on 17September, a day after her father's burial. Mary's title and her rapid coronation in the absence of her fiancé, Sigismund, show that her mother and her mother's supporters wanted to emphasize Mary's role as monarch and to postpone or even hinder Sigismund's coronation.
The queen mother, Elizabeth, assumed regency. Palatine Nicholas Garai and Cardinal Demetrius became her main advisors. Most of Louis's barons preserved their offices; the queen mother only dismissed the master of the cupbearers, George Czudar, and his brother Peter, voivode of Ruthenia. According to the 15th-century historian Jan Długosz, the Czudar brothers surrendered forts to the Lithuanians, who had "[h]eavily bribed" them. Queen Elizabeth had Peter Czudar imprisoned before 1November; her charters only stated that he "had obviously been disloyal" without specifying the reasons for his arrest.
All royal charters issued during the first six months of Mary's reign emphasized that she had lawfully inherited her father's crown. However, most Hungarian noblemen were strongly opposed to the very idea of a female monarch. They regarded Charles III of Naples as Louis the Great's legitimate heir because Charles was the last male offspring of the Capetian House of Anjou. Charles could not openly lay claim to Hungary, because his rival for the Kingdom of Naples, Louis I, Duke of Anjouwho was Charles VI of France's unclehad invaded Southern Italy in the previous year.
Noblemen from Greater Poland offered to pay homage to either Mary or Jadwiga at a meeting in Radomsko on 25November, but they stipulated that the queen and her husband should live in Poland. The assembly of the nobility of Lesser Poland passed a similar resolution in Wiślica on 12December. On the latter occasion, in response to Queen Elizabeth's demand, the noblemen also promised that they would not pay homage to anyone else than either Mary or Jadwiga. Mary's fiancé, Sigismund, who had stayed in Poland, returned to Hungary. Bodzanta, Archbishop of Gniezno, the Nałęcz family, and their allies in Greater Poland favored a native prince, SiemowitIV of Masovia. To avoid a civil war, Queen Elizabeth sent envoys to the Polish noblemen's next assembly which met in Sieradz in late February 1383. Her envoys absolved the Poles from their 1382 oath of loyalty to Mary on 28March, announcing that the queen mother would send her younger daughter, Jadwiga, to Poland.
John of Palisna, Prior of Vrana, rose up in open rebellion against the rule of Mary and her mother in the spring of 1383. The queens made Stephen Lackfi Ban of Croatia. The royal army marched to Croatia and laid siege to Vrana, forcing John of Palisna to flee to Bosnia. The defenders of Vrana surrendered to Mary, who had been present during the siege along with her mother, on 4November. To strengthen Mary's position against Charles of Naples, Queen Elizabeth sent her envoys to France and opened negotiations on the marriage of Mary to the younger brother of CharlesVI of France, Louis, who had once been engaged to Mary's sister, Catherine. Mary and the queen mother only left Croatia and Slavonia early next year. Queen Elizabeth replaced Stephen Lackfi with Thomas Szentgyörgyi, who used draconian measures to put an end to a conspiracy against the queens in Zadar in May 1384.
Although the last Diet was held in the early 1350s, the queens convoked a Diet to deal with the grievances of the noblemen. Mary confirmed her father's decrees of 1351 summarizing the noblemen's privileges on 22June 1384. The negotiations of Mary's marriage in France caused a new rift within the Hungarian nobility, because the Lackfis, Nicholas Zámbó and Nicholas Szécsi and other high officers, who had been appointed during Louis the Great's reign, continued to support Mary's fiancé, Sigismund, in accordance with Louis the Great's will. The queen mother replaced them with Nicholas Garai's supporters in August 1384. The prelates were also opposed to the French marriage, because the French supported Clement VII whom the Hungarian clergy considered an antipope. Mary's sister, Jadwiga, went to Poland where she was crowned on 16October 1384. Cardinal Demetrius, who had accompanied Jadwiga to Poland, remained absent from the queens' court after his return to Hungary. The royal government could not properly function during his absence because he was the keeper of the royal seal.
Louis I of Anjou died on 10 September 1384, enabling his rival, CharlesIII of Naples, to stabilize his rule in Southern Italy during the next months. The consolidation of CharlesIII's position in Naples also contributed to the formation of a party of noblemen who supported his claim to Hungary. John Horvat, Ban of Macsó (now Mačva in Serbia), and his brother, Paul, Bishop of Zagreb, were the leading figures of their movement. Sigismund of Luxembourg tried to persuade the queen mother to consent to his marriage to Mary, but she refused him. He left Hungary in early 1385.
The queens and their supporters initiated negotiations with the representatives of the opposition, but no reconciliation was reached at their meeting in Požega in the spring of 1385. After a French delegation came to Hungary in May 1385, Mary was engaged to Louis of France. Louis of France thereafter signed his letters "Louis of France, King of Hungary", according to Jean Froissart. In the same month, the queen mother dismissed Stephen Lackfi, accusing him of high treason. She also sent letters to Zagreb and other places in the kingdom, forbidding the local inhabitants to support Lackfi, Nicholas Szécsi, Bishop Paul Horvat and their relatives. John and Paul Horvat and their allies formally offered the crown to CharlesIII of Naples and invited him to Hungary in August. In the same month, Mary confirmed TvrtkoI of Bosnia's acquisition of Kotor in Dalmatia. Sigismund stormed into Upper Hungary, accompanied by his cousins, Jobst and Prokop of Moravia, and occupied Pozsony County. The queen mother replaced Nicholas Garai with Nicholas Szécsi, and made Stephen Lackfi voivode of Transylvania and Nicholas Zámbó master of the treasury.
Charles III of Naples landed at Senj in Dalmatia in September 1385 and marched to Zagreb. Sigismund of Luxembourg came to Buda and persuaded the queen mother to give her consent to his marriage to Mary. The marriage took place in Buda in October, but Sigismund was not crowned king and received no governmental function. The queen mother convoked a new Diet and Mary again confirmed the noblemen's liberties, but the queens' rule remained unpopular. Sigismund left Buda and mortgaged the territories west of the River Vág to his Moravian cousins. Charles of Naples had meanwhile left Zagreb, stating that he wanted to restore peace and public order in Hungary.
Many noblemen joined Charles of Naples who marched towards Buda. Mary and her mother received him ceremoniously before he reached Buda, and he entered the capital in the two queens' company in early December 1385. Mary renounced the crown without resistance in the middle of December out of fear that Charles would kill her. Charles first adopted the title governor, but the Diet elected him king. Charles was crowned king of Hungary in Székesfehérvár on 31December. According to the contemporaneous Lorenzo de Monacis, Mary and her mother, who attended Charles's coronation, visited Louis the Great's tomb during the ceremony where they burst into tears because of their ill fate.
Charles did not detain Mary and her mother who continued to live in the royal palace in Buda. Queen Elizabeth and Nicholas Garai decided to get rid of Charles. They persuaded Blaise Forgách, the master of the cupbearers, to join them, promising him the domain of Gimes (now Jelenec in Slovakia) if he murdered the king. Upon Queen Elizabeth's request, Charles visited her and her daughter on 7February 1386. During the meeting, Blaise Forgách attacked the king, seriously injuring him on the head. The wounded King Charles was carried to Visegrád where he died on 24February.
Mary was restored to the throne, with her mother ruling in her name. The queen mother informed the citizens of Kőszeg already on 14February that "Queen Mary had regained the Holy Crown". However, the Horvat brothers rose up in open rebellion on behalf of the murdered king's son, Ladislaus of Naples. Mary's husband, Sigismund, and his brother, Wenceslaus, invaded Upper Hungary in April. After weeks of negotiations, the queens acknowledged Sigismund's position as consort in a treaty which was signed in Győr in early May. They also confirmed Sigismund's mortgage of the lands west of the Vág to Jobst and Prokop of Moravia. After the treaty was signed, the queens returned to Buda and Sigismund went to Bohemia, suggesting that he was dissatisfied with the treaty.
Queen Elizabeth, who according to the 15th-century historian Johannes de Thurocz was "driven by folly", decided to visit the southern counties of the kingdom that were controlled by supporters of Ladislaus of Naples. The queen mother and Mary set out for Đakovo, accompanied by Nicholas Garai and a modest following around 15July. However, John Horvát, John of Palisna and their retainers ambushed and attacked the queens and their retinue at Gorjani on 25July. The queens' small entourage fought the attackers, but all were killed or captured. Blaise Forgách and Nicholas Garai were beheaded and their heads were thrown into the queens' carriage. Elizabeth took all blame for the rebellion and begged the attackers to spare her daughter's life, according to Johannes deThurocz's account.
Mary and her mother were imprisoned. They were held in captivity in Gomnec Castle, which was a fortress of the Bishopric of Zagreb. In the queens' absence, the barons of the realm convoked a Diet under the newly carved "seal of the regnicoles". On Queen Mary's behalf, they promised a general pardon, but the Horvats refused to submit. The two queens were dragged to Krupa, and from there to Novigrad Castle on the coast of the Adriatic Sea. The barons or the Diet elected Stephen Lackfi palatine and made Sigismund of Luxembourg regent. John Horvat's henchmen strangled Queen Elizabeth in Mary's presence in early January. In the same month, Sigismund invaded Slavonia, but could not defeat the rebels.
Taking advantage of the anarchy in Hungary, Polish troops invaded Lodomeria and Halych in February. Only Vladislaus II of Opole, who claimed the two realms for himself, protested against their action. Sigismund was crowned king on 31March as it was decided that the kingdom could no longer be without an effective ruler. One of his supporters, Ivan of Krk, laid siege to Novigrad Castle with the assistance of a Venetian fleet, which was under the command of Giovanni Barbarigo. They captured the castle and liberated Mary on 4June 1387. She was especially grateful to Barbarigo; she knighted him and granted an annuity of 600 golden florins to him.
Mary met her husband in Zagreb on 4July. She officially remained Sigismund's co-ruler until the end of her life, but her influence on government was minimal. Sigismund's land grants were always confirmed with Mary's own great seal during the first year of their common rule, but thereafter the grantees rarely sought her confirmation. Royal charters counted her regnal years not from her ascension, but from her husband's coronation. Nevertheless, Mary persuaded her husband to torture and execute John Horvat who was captured in July 1394 although Sigismund would have been willing to spare his life.
Mary was pregnant when she decided to venture out alone on a hunt in a Buda forest on 17May 1395. Her horse tripped, threw her and landed on top of her. The trauma induced labor and she gave birth prematurely to a son. The queen succumbed to the fatal injuries; being far from any kind of assistance, her son died as well. She was buried in the cathedral of Várad (now Oradea in Romania). Mary's sister, Jadwiga, claimed the crown, but Sigismund retained it without much difficulty.
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https://en.wikipedia.org/wiki?curid=20677
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TiVo Corporation
TiVo Corporation, formerly known as the Rovi Corporation and Macrovision Solutions Corporation, was an American technology company. Headquartered in San Jose, California, the company is primarily involved in licensing its intellectual property within the consumer electronics industry, including digital rights management, electronic program guide software, and metadata. The company holds over 6,000 pending and registered patents. The company also provides analytics and recommendation platforms for the video industry.
In 2016, Rovi acquired digital video recorder maker TiVo Inc., and renamed itself TiVo Corporation. On May 30, 2019, TiVo announced the appointment of Dave Shull as the company's new President and CEO. On December 19, 2019, TiVo merged with Xperi, creating the largest licensing company in the world.
Macrovision Corporation was established in 1983. The 1984 film "The Cotton Club" was the first video to be encoded with Macrovision technology when it was released in 1985. The technology was subsequently extended to DVD players and other consumer electronic recording and playback devices such as digital cable and satellite set-top boxes, digital video recorders, and portable media players. By the end of the 1980s, most major Hollywood studios were utilizing their services.
In the 1990s, Macrovision acquired companies with expertise in managing access control and secure distribution of other forms of digital media, including music, video games, internet content, and computer software.
John O. Ryan (founder and CEO of Macrovision from June 1995 to October 2001) and William A. Krepick (president of Macrovision Corporation from July 1995 to July 2005 and CEO from October 2001 to July 2005) led the company through an IPO in 1997 priced at $9.00 a share. Under their leadership, the company went from a private company with sales of under $20 million to a global, publicly traded corporation with annual sales of $220 million and market cap exceeding $1 billion.
In July 2005, the company hired Alfred J. Amoroso as chief executive officer and president to succeed William A. Krepick, who announced his retirement earlier in the year.
Macrovision acquired Gemstar-TV Guide on May 2, 2008, in a cash-and-stock deal worth about $2.8 billion. The combined company would seek to be “the homepage for the TV experience,” said Mr. Amoroso.
After the announcement of its intent to buy Gemstar-TV Guide, Macrovision made other changes in order to focus on entertainment technology, including selling its software business unit, valued at approximately $200 million, to private equity firm Thoma Cressey Bravo. The divestiture of the software business unit closed on April 1, 2008, becoming Acresso Software. Macrovision also ultimately sold off parts of Gemstar-TV Guide not focused on digital entertainment, including TryMedia, eMeta, TV Guide Magazine, TV Guide Network and the TV Games Network.
The company also bought two companies providing entertainment metadata: All Media Guide on November 6, 2007, and substantially all the assets of Muze, Inc. on April 15, 2009.
On July 16, 2009, Macrovision Solutions Corporation announced the official change of its name to Rovi Corporation.
Rovi announced its first product on January 7, 2010 – TotalGuide, an interactive media guide that incorporated entertainment data, to search, browse and provide recommendations. On March 16, 2010, Rovi acquired MediaUnbound for an undisclosed amount. MediaUnbound had helped build static and dynamic personalization and recommendation engines for clients such as Napster, eMusic and MTV Networks. On June 16, 2010, the company announced the Rovi Advertising Network which bundled guide advertising and third-party interactive TV platforms.
On December 23, 2010, the company announced its intention to acquire Sonic Solutions and its DivX video software in a deal valued at $720 million. Sonic provided digital video processing, playback and distribution technologies and owned RoxioNow (formerly CinemaNow) an OTT technology provider.
On March 1, 2011, Rovi announced its acquisition of online video guide SideReel.
The company announced Amoroso's intention to retire on May 26, 2011. Tom Carson, formerly the executive vice president of sales and marketing, was appointed CEO and President in December 2011. Under Carson the company shifted its focus on "growth opportunities related to its core enabling technology and services" and it announced that it intended to sell the Rovi Entertainment Store business. It entered into separate agreements to sell the Rovi Entertainment Store to Reliance Majestic Holdings, a private equity-backed company; and its consumer websites to All Media Networks, a new company, in July 2013. Continuing on this path, the company made a similar announcement in January 2014 indicating its intent to sell the DivX and MainConcept businesses.
On April 1, 2013, Rovi acquired Integral Reach, a provider of predictive analysis services. The technology would be integrated into Rovi's audience analysis services.
In April 2013, Facebook began licensing Rovi metadata for use within the service.
On April 29, 2016, Rovi Corporation announced that it had acquired TiVo Inc. for $1.1 billion. The combined company operates under the TiVo brand, and hold over 6,000 pending and registered patents. Rovi plans to discontinue in-house hardware production, and focus primarily on licensing its technologies and the TiVo brand to third-party companies.
In December 2019, TiVo Corporation announced their intent to merge with Xperi. The surviving entity will operate under the Xperi name and have a combined value of $3 billion. TiVo had previously considered splitting out its hardware operations from its licensing operations.
Rovi provides guides for service providers and CE manufacturers.
Rovi provides entertainment metadata for consumer electronics manufacturers, service providers, retailers, online portals and application developers around the world. The company has over 50 years of metadata for video, music, books, and games covering more than 5 million movies and TV programs, 3.2 million album releases and 30 million song tracks, 9 million in-print and out-of-print book titles, and 70,000 video games. The metadata includes basic facts, local TV listings and channel line-ups for interactive program guides, original editorial, imagery, and other features.
Rovi Search Service allows consumer electronics manufacturers, service providers, and developers to provide solutions that enable consumers to search for and access desired content. Rovi Recommendations Service is a cloud-based service that offers consumers entertainment choices similar to their chosen program, movie, album, track, musician or band.
Rovi Advertising Service enables the monetization of entertainment platforms. It places ads that appear as content choices in application menus and user interfaces for set-top boxes, connected TVs, smartphones, tablets, Blu-ray players, game consoles and other devices.
Rovi Audience Management is a suite of products (Advertising Optimizer and Promotion Optimizer) combining big data with predictive analytics to provide TV audience insights and advertising campaign management. Ad Optimizer allows provides campaign management and media planning capabilities to TV networks and multichannel video programming distributors (MVPDs). Promo Optimizer uses past viewing data to enable cable and broadcast networks to create plans for on-air promos.
The company historically developed technologies and products that helped protect content from being pirated. Its two core legacy products were called RipGuard and ACP (analog copy protection).
Macrovision introduced its RipGuard technology in February 2005. It was designed to prevent or reduce digital DVD copying by altering the format of the DVD content to disrupt the ripping software. Although the technology could be circumvented by several current DVD rippers such as AnyDVD or DVDFab, Macrovision claimed that 95% of casual users lack the knowledge and/or determination to be able to copy a DVD with RipGuard technology.
Analog video formats convey video signals as a series of "lines". Most of these lines are used for constructing the visible image, and are shown on the screen. But several more lines exist which do not convey visual information. Known as the vertical blanking interval (VBI), these extra lines historically served no purpose other than to contain the vertical synchronizing pulses, but in more modern implementations they are used to carry or convey different things in different countries; for example closed captioning.
Macrovision's legacy analog copy protection (ACP) works by implanting a series of excessive voltage pulses within the off-screen VBI lines of video. These pulses were included physically within pre-existing recordings on VHS and Betamax and were generated upon playback by a chip in DVD players and digital cable or satellite boxes. A DVD recorder receiving an analog signal featuring these pulses would detect them and display a message saying that the source is "copy-protected" followed by aborting the recording. VCRs, in turn, react to these excessive voltage pulses by compensating with their automatic gain control circuitry. This causes the recorded picture to wildly change brightness, rendering it annoying to watch. The system was only effective on VCRs made from the mid-1980s.
A later form of Macrovision's analog copy protection, called Level II ACP, introduced multiple 180-degree phase inversions to the analog signal's color burst. Also known as color striping, this technology caused numerous off-color bands to appear within the picture.
Another form of analog copy protection, known as CGMS-A, is added by DVD players and digital cable/satellite boxes. While not invented by Macrovision, the company's products implemented it. CGMS-A consists of a "flag" within the vertical blanking interval (essentially data, like closed captioning) which digital recording devices search for. If present, it refused to record the signal, just as with the earlier ACP technology. Unlike digital recording equipment, however, analog VCRs do not respond to CGMS-A encoded video and would record it successfully if ACP is not also present.
Historically, the original Macrovision technology was considered a nuisance to some specialist users because it could interfere with other electronic equipment. For example, if one were to run a video signal through a VCR before the television, some VCRs will output a ruined signal regardless of whether it is recording. This also occurs in some TV-VCR combo sets. Apart from this, many DVD recorders mistake the mechanical instability of worn videotapes for Macrovision signals, and so refuse to make what would be perfectly legal DVD dubs of legitimate video tapes, such as home movies. This widespread problem is another factor contributing to the demand for devices that defeat Macrovision. The signal has also been known to confuse home theater line doublers (devices for improving the quality of video for large projection TVs) and some high-end television comb filters. In addition, Macrovision confuses many upconverters (devices that convert a video signal to a higher resolution), causing them to shut down and refuse to play Macrovision content.
There are also devices called "stabilizers", "video stabilizers" or "enhancers" available that filter out the Macrovision spikes and thereby defeat the system. The principle of their function lies in detecting the vertical synchronization signal, and forcing the lines occurring during the VBI to black level, removing the AGC-confusing pulses. They can be easily built by hobbyists, as nothing more than a cheap microcontroller together with an analog multiplexer and a little other circuitry is needed. Individuals less experienced with such things can purchase video stabilizers.
Discs made with DVD copying programs such as DVD Shrink automatically disable any Macrovision copy protection. The ease with which Macrovision and other copy protection measures can be defeated has prompted a steadily growing number of DVD releases that do not have copy protection of any kind, Content Scramble System (CSS) or Macrovision.
United States fair use law, as interpreted in the decision over Betamax (Sony Corp. v. Universal City Studios), dictates that consumers are fully within their legal rights to copy videos they own. However, the legality has changed somewhat with the controversial Digital Millennium Copyright Act. After April 26, 2002, no VCR may be manufactured or imported without Automatic Gain Control circuitry (which renders VCRs vulnerable to Macrovision). This is contained in title 17, section 1201(k) of the Digital Millennium Copyright Act. However, there are a number of mostly older VCR models on the market that are not affected by Macrovision.
On October 26, 2001, the sale, purchase, or manufacture of any device that has no commercial purpose other than disabling Macrovision copy protection was made illegal under section 1201(a) of the same controversial act.
In June 2005, Macrovision sent a cease and desist letter to "Lightning UK!", the maker of DVD Decrypter, a program that allows users to back up their DVDs by bypassing CSS and Macrovision. They later acquired the rights to this software.
In June 2005, Macrovision sued Sima Products under section 1201 of the DMCA, claiming that Sima's video processors provided a way to circumvent Macrovision's analog copy protection. Sima received an injunction barring the sale of this device, but the parties ultimately settled without a judgment on the legal issues.
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https://en.wikipedia.org/wiki?curid=20679
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MIPS Technologies
MIPS Technologies, Inc., formerly MIPS Computer Systems, Inc., was an American fabless semiconductor design company that is most widely known for developing the MIPS architecture and a series of RISC CPU chips based on it. MIPS provides processor architectures and cores for digital home, networking, embedded, Internet of things and mobile applications.
MIPS Technologies, Inc. is owned by Wave Computing, who acquired it from Tallwood MIPS Inc., a company indirectly owned by Tallwood Venture Capital. Tallwood bought it on 2017-10-25 from Imagination Technologies, a UK-based company best known for their PowerVR graphics processor family. Imagination Technologies had previously bought MIPS after CEVA, Inc. pulled out of a bidding on 2013-02-08.
MIPS Computer Systems Inc. was founded in 1984 by a group of researchers from Stanford University that included John L. Hennessy and Chris Rowen. These researchers had worked on a project called MIPS (for "Microprocessor without Interlocked Pipeline Stages"), one of the projects that pioneered the RISC concept. Other principal founders were Skip Stritter, formerly a Motorola technologist, and John Moussouris, formerly of IBM.
The initial CEO was Vaemond Crane, formerly President and CEO of Computer Consoles Inc., who arrived in February 1985 and departed in June 1989. He was replaced by Bob Miller, a former senior IBM and Data General executive. Miller ran the company through its IPO and subsequent sale to Silicon Graphics.
In 1988, MIPS Computer Systems designs were noticed by Silicon Graphics (SGI) and the company adopted the MIPS architecture for its computers. A year later, in December 1989, MIPS held its first IPO. That year, Digital Equipment Corporation (DEC) released a Unix workstation based on the MIPS design.
After developing the R2000 and R3000 microprocessors, a management change brought along the larger dreams of being a computer vendor. The company found itself unable to compete in the computer market against much larger companies and was struggling to support the costs of developing both the chips and the systems (MIPS Magnum). To secure the supply of future generations of MIPS microprocessors (the 64-bit R4000), SGI acquired the company in 1992 for $333 million and renamed it as MIPS Technologies Inc., a wholly owned subsidiary of SGI.
During SGI's ownership of MIPS, the company introduced the R8000 in 1994 and the R10000 in 1996 and a follow up the R12000 in 1997. During this time, two future microprocessors code-named "The Beast" and "Capitan" were in development; these were cancelled after SGI decided to migrate to the Itanium architecture in 1998. As a result, MIPS was spun out as an intellectual property licensing company, offering licences to the MIPS architecture as well as microprocessor core designs.
On June 30, 1998, MIPS held an IPO after raising about $16.3 million with an offering price of $14 a share. In 1999, SGI announced it would overhaul its operations; it planned to continue introducing new MIPS processors until 2002, but its server business would include Intel's processor architectures as well. SGI spun MIPS out completely on June 20, 2000 by distributing all its interest as stock dividend to the stockholders.
In early 2008 MIPS laid-off 28 employees from its processor business group. On August 13, 2008, MIPS announced a loss of $108.5 million for their fiscal fourth-quarter and that they would lay-off another 15% of their workforce. At the time MIPS had 512 employees. In May 2018, according to the company's presence on LinkedIn, there may be less than 50 employees.
Some notable people who worked in MIPS: James Billmaier, Steve Blank, Joseph DiNucci, John L. Hennessy, David Hitz, Earl Killian, Dan Levin, John Mashey, John P. McCaskey, Bob Miller, Stratton Sclavos. and Skip Stritter. Board members included: Bill Davidow.
In 2010, Sandeep Vij was named CEO of MIPS Technologies. Vij studied under Dr. John Hennessy as a Stanford University grad student. Prior to taking over at MIPS, Vij was an executive at Cavium Networks, Xilinx and Altera.
EE Times reported that MIPS had 150 employees as of November 1, 2010. If the August 14, 2008 EDN article was accurate about MIPS having over 500 employees at the time, then MIPS reduced their total workforce by 70% between 2008 and 2010.
In addition to its main R&D centre in Sunnyvale, California, MIPS has engineering facilities in Shanghai, China, Beaverton, Oregon, Bristol and Kings Langley, both in England. It also has offices in Hsin-chu, Taiwan; Tokyo, Japan; Remscheid, Germany and Haifa, Israel.
During the first quarter of 2013, 498 out of 580 of MIPS patents were sold to Bridge Crossing which was created by Allied Security Trust, with all processor-specific patents and the other parts of the company sold to Imagination Technologies Group. Imagination had outbid Ceva Inc to buy MIPS with an offer of $100 million, and was investing to develop the architecture for the embedded processor market.
MIPS Technologies created the processor architecture that is licensed to chip makers. Before the acquisition, the company had 125+ licensees who ship more than 500 million MIPS-based processors each year.
MIPS processor architectures and cores are used in home entertainment, networking and communications products. The company licensed its 32- and 64-bit architectures as well as 32-bit cores.
The MIPS32 architecture is a high-performance 32-bit instruction set architecture (ISA) that is used in applications such as 32-bit microcontrollers, home entertainment, home networking devices and mobile designs. MIPS customers license the architecture to develop their own processors or license off-the-shelf cores from MIPS that are based on the architecture.
The MIPS64 architecture is a high performance 64-bit instruction set architecture that is widely used in networking infrastructure equipment through MIPS licensees such as Cavium Networks and Broadcom.
SmartCE (Connected Entertainment) is a reference platform that integrates Android, Adobe Flash platform for TV, Skype, the Home Jinni ConnecTV application and other applications. SmartCE lets OEM customers create integrated products more quickly.
The MIPS processor cores are divided by Imagination into three major families:
MIPS Technologies had a strong customer licensee base in home electronics and portable media players; for example, 75 percent of Blu-ray Disc players were running on MIPS Technologies processors. In the digital home, the company's processors were predominantly found in digital TVs and set-top boxes. The Sony PlayStation Portable used two processors based on the MIPS32 4K processor.
Within the networking segment, licensees include Cavium Networks and Broadcom. Cavium has used up to 48 MIPS cores for its OCTEON family network reference designs. Broadcom ships Linux-ready MIPS64-based XLP, XLR, and XLS multicore, multithreaded processors. Licensees using MIPS to build smartphones and tablets include Actions Semiconductor and Ingenic Semiconductor. Tablets based on MIPS include the Cruz tablets from Velocity Micro. TCL Corporation is using MIPS processors for the development of smartphones.
Companies can also obtain an MIPS "architectural licence" for designing their own CPU cores using the MIPS architecture. Distinct MIPS architecture implementations by licensees include Broadcom's BRCM 5000.
Other licensees include Broadcom, which has developed MIPS-based CPUs for over a decade, Microchip Technology, which leverages MIPS processors for its 32-bit PIC32 microcontrollers, Qualcomm Atheros, MediaTek and Mobileye, whose EyeQ chips are based on cores licensed from MIPS.
MIPS is widely supported by Unix-like systems, including Android, Linux, FreeBSD, NetBSD, and OpenBSD.
Google's processor-agnostic Android operating system is built on the Linux kernel. MIPS originally ported Android to its architecture for embedded products beyond the mobile handset, where it was originally targeted by Google. In 2010, MIPS and its licensee Sigma Designs announced the world's first Android set-top boxes. By porting to Android, MIPS processors power smartphones and tablets running on the Android operating system.
OpenWrt is an embedded operating system based on the Linux kernel.
While it currently runs on a variety of processor architectures,
it was originally developed for the Linksys WRT54G, which used a 32-bit MIPS processor from Broadcom.
The OpenWrt Table of Hardware now includes MIPS-based devices from
Atheros, Broadcom, Cavium, Lantiq, MediaTek, etc.
Real-time operating systems that run on MIPS include CMX Systems, eCosCentric's eCos, ENEA OSE, Express Logic's ThreadX, FreeRTOS, Green Hills Software's Integrity, LynuxWorks' LynxOS, Mentor Graphics, Micrium's Micro-Controller Operating Systems (µC/OS), QNX Software Systems' QNX, Quadros Systems Inc.'s RTXC™ Quadros RTOS, Segger's embOS and Wind River's VxWorks.
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https://en.wikipedia.org/wiki?curid=20682
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Machine code
Machine code consisting of machine language instructions is the only format that can be executed directly by a computer's central processing unit (CPU). Each instruction causes the CPU to perform a very specific task, such as a load, a store, a jump, or an arithmetic logic unit (ALU) operation on one or more units of data in the CPU's registers or memory.
Machine code is a strictly numerical language which is intended to run as fast as possible, and may be regarded as the lowest-level representation of a compiled or assembled computer program or as a primitive and hardware-dependent programming language. While it is possible to write programs directly in machine code, managing individual bits and calculating numerical addresses and constants manually is tedious and error-prone. For this reason, programs are very rarely written directly in machine code in modern contexts, but may be done for low level debugging, program patching (especially when assembler source is not available) and assembly language disassembly.
The overwhelming majority of practical programs today are written in higher-level languages or assembly language. The source code is then translated to executable machine code by utilities such as compilers, assemblers, and linkers, with the important exception of interpreted programs, which are not translated into machine code. However, the "interpreter" itself, which may be seen as an executor or processor performing the instructions of the source code, typically consists of directly executable machine code (generated from assembly or high-level language source code).
Machine code is by definition the lowest level of programming detail visible to the programmer, but internally many processors use microcode or optimise and transform machine code instructions into sequences of micro-ops. This is not generally considered to be a machine code.
Every processor or processor family has its own instruction set. Instructions are patterns of bits, digits or characters that by physical design correspond to different commands to the machine. Thus, the instruction set is specific to a class of processors using (mostly) the same architecture. Successor or derivative processor designs often include all the instructions of a predecessor and may add additional instructions. Occasionally, a successor design will discontinue or alter the meaning of some instruction code (typically because it is needed for new purposes), affecting code compatibility to some extent; even nearly completely compatible processors may show slightly different behavior for some instructions, but this is rarely a problem. Systems may also differ in other details, such as memory arrangement, operating systems, or peripheral devices. Because a program normally relies on such factors, different systems will typically not run the same machine code, even when the same type of processor is used.
A processor's instruction set may have all instructions of the same length, or it may have variable-length instructions. How the patterns are organized varies strongly with the particular architecture and often also with the type of instruction. Most instructions have one or more opcode fields which specifies the basic instruction type (such as arithmetic, logical, jump, etc.) and the actual operation (such as add or compare) and other fields that may give the type of the operand(s), the addressing mode(s), the addressing offset(s) or index, or the actual value itself (such constant operands contained in an instruction are called "immediates").
Not all machines or individual instructions have explicit operands. An accumulator machine has a combined left operand and result in an implicit accumulator for most arithmetic instructions. Other architectures (such as 8086 and the x86-family) have accumulator versions of common instructions, with the accumulator regarded as one of the general registers by longer instructions. A stack machine has most or all of its operands on an implicit stack. Special purpose instructions also often lack explicit operands (CPUID in the x86 architecture writes values into four implicit destination registers, for instance). This distinction between explicit and implicit operands is important in code generators, especially in the register allocation and live range tracking parts. A good code optimizer can track implicit as well as explicit operands which may allow more frequent constant propagation, constant folding of registers (a register assigned the result of a constant expression freed up by replacing it by that constant) and other code enhancements.
A computer program is a list of instructions that can be executed by a central processing unit (CPU). A program's execution is done in order for the CPU that is executing it to solve a specific problem and thus accomplish a specific result. While simple processors are able to execute instructions one after another, superscalar processors are capable of executing a variety of different instructions at once.
Program flow may be influenced by special 'jump' instructions that transfer execution to an instruction other than the numerically following one. Conditional jumps are taken (execution continues at another address) or not (execution continues at the next instruction) depending on some condition.
A much more readable rendition of machine language, called assembly language, uses mnemonic codes to refer to machine code instructions, rather than using the instructions' numeric values directly, and uses symbolic names to refer to storage locations and sometimes registers. For example, on the Zilog Z80 processor, the machine code codice_1, which causes the CPU to decrement the codice_2 processor register, would be represented in assembly language as codice_3.
The MIPS architecture provides a specific example for a machine code whose instructions are always 32 bits long. The general type of instruction is given by the "op" (operation) field, the highest 6 bits. J-type (jump) and I-type (immediate) instructions are fully specified by "op". R-type (register) instructions include an additional field "funct" to determine the exact operation. The fields used in these types are:
"rs", "rt", and "rd" indicate register operands; "shamt" gives a shift amount; and the "address" or "immediate" fields contain an operand directly.
For example, adding the registers 1 and 2 and placing the result in register 6 is encoded:
Load a value into register 8, taken from the memory cell 68 cells after the location listed in register 3:
Jumping to the address 1024:
In some computer architectures, the machine code is implemented by an even more fundamental underlying layer called microcode, providing a common machine language interface across a line or family of different models of computer with widely different underlying dataflows. This is done to facilitate porting of machine language programs between different models. An example of this use is the IBM System/360 family of computers and their successors. With dataflow path widths of 8 bits to 64 bits and beyond, they nevertheless present a common architecture at the machine language level across the entire line.
Using microcode to implement an emulator enables the computer to present the architecture of an entirely different computer. The System/360 line used this to allow porting programs from earlier IBM machines to the new family of computers, e.g. an IBM 1401/1440/1460 emulator on the IBM S/360 model 40.
Machine code is generally different from bytecode (also known as p-code), which is either executed by an interpreter or itself compiled into machine code for faster (direct) execution. An exception is when a processor is designed to use a particular bytecode directly as its machine code, such as is the case with Java processors.
Machine code and assembly code are sometimes called "native code" when referring to platform-dependent parts of language features or libraries.
The Harvard architecture is a computer architecture with physically separate storage and signal pathways for the code (instructions) and data. Today, most processors implement such separate signal pathways for performance reasons but implement a Modified Harvard architecture, so they can support tasks like loading an executable program from disk storage as data and then executing it. Harvard architecture is contrasted to the Von Neumann architecture, where data and code are stored in the same memory which is read by the processor allowing the computer to execute commands.
From the point of view of a process, the "code space" is the part of its address space where the code in execution is stored. In multitasking systems this comprises the program's code segment and usually shared libraries. In multi-threading environment, different threads of one process share code space along with data space, which reduces the overhead of context switching considerably as compared to process switching.
Pamela Samuelson wrote that machine code is so unreadable that the United States Copyright Office cannot identify whether a particular encoded program is an original work of authorship; however, the US Copyright Office "does" allow for copyright registration of computer programs and a program's machine code can sometimes be decompiled in order to make its functioning more easily understandable to humans.
Cognitive science professor Douglas Hofstadter has compared machine code to genetic code, saying that "Looking at a program written in machine language is vaguely comparable to looking at a DNA molecule atom by atom."
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Instructions per second
Instructions per second (IPS) is a measure of a computer's processor speed. For
CISC computers different instructions take different amounts of time, so the value measured depends on the instruction mix; even for comparing processors in the same family the IPS measurement can be problematic. Many reported IPS values have represented "peak" execution rates on artificial instruction sequences with few branches and no cache contention, whereas realistic workloads typically lead to significantly lower IPS values. Memory hierarchy also greatly affects processor performance, an issue barely considered in IPS calculations. Because of these problems, synthetic benchmarks such as Dhrystone are now generally used to estimate computer performance in commonly used applications, and raw IPS has fallen into disuse.
The term is commonly used in association with a numeric value such as thousand/kilo instructions per second (TIPS/KIPS), million instructions per second (MIPS), and billion instructions per second (GIPS).
IPS can be calculated using this equation:
However, the instructions/cycle measurement depends on the instruction sequence, the data and external factors.
Before standard benchmarks were available, average speed rating of computers was based on calculations for a mix of instructions with the results given in kilo Instructions Per Second (kIPS). The most famous was the Gibson Mix, produced by Jack Clark Gibson of IBM for scientific applications. Other ratings, such as the ADP mix which does not include floating point operations, were produced for commercial applications. The thousand instructions per second (kIPS) unit is rarely used today, as most current microprocessors can execute at least a million instructions per second.
The speed of a given CPU depends on many factors, such as the type of instructions being executed, the execution order and the presence of branch instructions (problematic in CPU pipelines). CPU instruction rates are different from clock frequencies, usually reported in Hz, as each instruction may require several clock cycles to complete or the processor may be capable of executing multiple independent instructions simultaneously. MIPS can be useful when comparing performance between processors made with similar architecture (e.g. Microchip branded microcontrollers), but they are difficult to compare between differing CPU architectures. This led to the term "Meaningless Indices of Performance" being popular amongst technical people by the mid-1980s.
For this reason, MIPS has become not a measure of instruction execution speed, but task performance speed compared to a reference. In the late 1970s, minicomputer performance was compared using "VAX MIPS", where computers were measured on a task and their performance rated against the VAX 11/780 that was marketed as a "1 MIPS" machine. (The measure was also known as the "VAX Unit of Performance" or VUP.) This was chosen because the 11/780 was roughly equivalent in performance to an IBM System/370 model 158–3, which was commonly accepted in the computing industry as running at 1 MIPS.
Many minicomputer performance claims were based on the Fortran version of the Whetstone benchmark, giving Millions of Whetstone Instructions Per Second (MWIPS). The VAX 11/780 with FPA (1977) runs at 1.02 MWIPS.
Effective MIPS speeds are highly dependent on the programming language used. The Whetstone Report has a table showing MWIPS speeds of PCs via early interpreters and compilers up to modern languages. The first PC compiler was for BASIC (1982) when a 4.8 MHz 8088/87 CPU obtained 0.01 MWIPS. Results on a 2.4 GHz Intel Core 2 Duo (1 CPU 2007) vary from 9.7 MWIPS using BASIC Interpreter, 59 MWIPS via BASIC Compiler, 347 MWIPS using 1987 Fortran, 1,534 MWIPS through HTML/Java to 2,403 MWIPS using a modern C/C++ compiler.
For the most early 8-bit and 16-bit microprocessors, performance was measured in thousand instructions per second (1000 KIPS = 1 MIPS).
"zMIPS" refers to the MIPS measure used internally by IBM to rate its mainframe servers (zSeries, IBM System z9, and IBM System z10).
"Weighted million operations per second (WMOPS)" is a similar measurement, used for audio codecs.
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Modafinil
Modafinil, sold under the brand name Provigil among others, is a medication to treat sleepiness due to narcolepsy, shift work sleep disorder, or obstructive sleep apnea. While it has seen off-label use as a purported cognitive enhancer, the research on its effectiveness for this use is not conclusive. It is taken by mouth.
Common side effects include headache, anxiety, trouble sleeping, and nausea. Serious side effects may include allergic reactions such as anaphylaxis, Stevens–Johnson syndrome, misuse, and hallucinations. It is unclear if use during pregnancy is safe. The amount of medication used may need to be adjusted in those with kidney or liver problems. It is not recommended in those with an arrhythmia, significant hypertension, or left ventricular hypertrophy. How it works is not entirely clear. One possibility is that it may affect the areas of the brain involved with the sleep cycle.
Modafinil was approved for medical use in the United States in 1998. In the United States it is classified as a schedule IV controlled substance. In the United Kingdom it is a prescription only medication. It is available as a generic medication. In the United Kingdom it costs the NHS about £105.21 a month as of 2018. In the United States the wholesale cost per month is about US$34.20 as of 2018. In 2017, it was the 328th most commonly prescribed medication in the United States, with more than 900 thousand prescriptions.
Modafinil is a eugeroic used for treatment of narcolepsy, shift work sleep disorder, and excessive daytime sleepiness associated with obstructive sleep apnea.
For obstructive sleep apnea, it is recommended that continuous positive airway pressure be appropriately used before considering starting modafinil to help with daytime sleepiness.
Because of the risk for development of skin or hypersensitivity reactions and serious adverse psychiatric reactions, the European Medicines Agency has recommended that new patient prescriptions should be only to treat sleepiness associated with narcolepsy.
Armed forces of several countries, including the United States, the United Kingdom, India and France, have expressed interest in modafinil as an alternative to amphetamine—the drug traditionally employed in combat situations or lengthy missions where troops face sleep deprivation. The French government indicated that the Foreign Legion used modafinil during certain covert operations. The United Kingdom's Ministry of Defence commissioned research into modafinil from QinetiQ and spent £300,000 on one investigation. In 2011, the Indian Air Force announced that modafinil was included in contingency plans.
In the United States military, modafinil has been approved for use on certain Air Force missions, and it is being investigated for other uses. As of November 2012, modafinil is the only drug approved by the Air Force as a "go pill" for fatigue management (replacing prior use of amphetamine-based medications such as dextroamphetamine).
The Canadian Medical Association Journal also reports that modafinil is used by astronauts on long-term missions aboard the International Space Station. Modafinil is "available to crew to optimize performance while fatigued" and helps with the disruptions in circadian rhythms and with the reduced quality of sleep astronauts experience.
Modafinil is contraindicated in people with known hypersensitivity to modafinil, armodafinil, or inactive ingredients. Modafinil is not approved for use in children for any medical conditions.
The incidence of adverse effects are reported as the following: less than 10% of users report having a headache, nausea, and decreased appetite. Between 5% to 10% of users may be affected with anxiety, insomnia, dizziness, diarrhea, and rhinitis.
Rare occurrences have been reported of more serious adverse effects, including severe skin rashes and other symptoms that are probably allergy-related. From the date of initial marketing, December 1998, to January 30, 2007, the US Food and Drug Administration received six cases of severe cutaneous adverse reactions associated with modafinil, including erythema multiforme (EM), Stevens–Johnson syndrome (SJS), toxic epidermal necrolysis (TEN), and DRESS syndrome, involving adult and pediatric patients. The FDA issued a relevant alert. In the same alert, the FDA also noted that angioedema and multi-organ hypersensitivity reactions have also been reported in postmarketing experiences. In 2007, the FDA ordered Cephalon to modify the Provigil leaflet in bold-face print of several serious and potentially fatal conditions attributed to modafinil use, including TEN, DRESS syndrome, and SJS.
The long term safety and effectiveness of modafinil have not been determined.
Modafinil may have an adverse effect on hormonal contraceptives for up to a month after discontinuation.
The addiction and dependence liabilities of modafinil are relatively low. It shares biochemical mechanisms with addictive stimulant drugs, and some studies have reported it to have similar mood-elevating properties, although to a lesser degree.
Monkeys will self-administer modafinil if they have previously been trained to self-administer cocaine. As such, modafinil is classified by the United States FDA as a schedule IV controlled substance, a category for drugs with valid medical uses and low but significant addiction potential.
Large-scale clinical studies have found no evidence of tolerance with modafinil at therapeutic dosages even with prolonged use (for 40 weeks and as long as three years).
Modafinil-associated psychiatric reactions have occurred in those with and without a pre-existing psychiatric history.
In mice and rats, the median lethal dose (LD50) of modafinil is approximately or slightly greater than 1250 mg/kg. Oral LD50 values reported for rats range from 1000–3400 mg/kg. Intravenous LD50 for dogs is 300 mg/kg. Clinical trials on humans involving taking up to 1200 mg/day for 7–21 days and known incidents of acute one-time overdoses up to 4500 mg did not appear to cause life-threatening effects, although a number of adverse experiences were observed, including excitation or agitation, insomnia, anxiety, irritability, aggressiveness, confusion, nervousness, tremor, palpitations, sleep disturbances, nausea, and diarrhea. As of 2004, the FDA is not aware of any fatal overdoses involving modafinil alone (as opposed to multiple drugs including modafinil).
Coadministration with modafinil alongside opioids such as hydrocodone, oxycodone, and fentanyl, as well as various other drugs, may experience a drop in plasma concentrations. The reason behind this action is because modafinil is an inducer of the CYP3A4 enzymes. If not monitored closely, reduced efficacy or withdrawal symptoms can occur.
the therapeutic mechanism of action of modafinil for narcolepsy and sleep-wake disorders remains unknown. Modafinil acts as an atypical, selective, and weak dopamine reuptake inhibitor which indirectly activates the release of orexin neuropeptides and histamine from the lateral hypothalamus and tuberomammillary nucleus, respectively all of which may contribute to heightened arousal.
Research found that modafinil elevates histamine levels in the hypothalamus in animals. The locus of the monoamine action of modafinil was also the target of studies, with effects identified on dopamine in the striatum and, in particular, nucleus accumbens, norepinephrine in the hypothalamus and ventrolateral preoptic nucleus, and serotonin in the amygdala and frontal cortex. Modafinil was screened at a large panel of receptors and transporters in an attempt to elucidate its pharmacology. Of the sites tested, it was found to significantly affect only the dopamine transporter (DAT), acting as a dopamine reuptake inhibitor (DRI) with an IC50 value of 4 μM. Subsequently, it was determined that modafinil binds to the same site on the DAT as cocaine, but in a different manner. In accordance, modafinil increases locomotor activity and extracellular dopamine concentrations in animals in a manner similar to the selective DRI vanoxerine (GBR-12909), and also inhibits methamphetamine-induced dopamine release (a common property of DRIs, since DAT transport facilitates methamphetamine's access to its intracellular targets). As such, "modafinil is an exceptionally weak, but apparently very selective, [DAT] inhibitor". In addition to animal research, a human positron emission tomography (PET) imaging study found that 200 mg and 300 mg doses of modafinil resulted in DAT occupancy of 51.4% and 56.9%, respectively, which was described as "close to that of methylphenidate". Another human PET imaging study similarly found that modafinil occupied the DAT and also determined that it significantly elevated extracellular levels of dopamine in the brain, including in the nucleus accumbens.
Modafinil has been described as an "atypical" DAT inhibitor, and shows a profile of effects that is very different from those of other dopaminergic stimulants. For instance, modafinil produces wakefulness reportedly without the need for compensatory sleep, and shows a relatively low, if any, potential for abuse. Aside from modafinil, examples of other atypical DAT inhibitors include vanoxerine and benztropine, which have a relatively low abuse potential similarly to modafinil. These drugs appear to interact molecularly with the DAT in a distinct way relative to "conventional" DAT blockers such as cocaine and methylphenidate.
Against the hypothesis that modafinil exerts its effects by acting as a DRI, tyrosine hydroxylase inhibitors (which deplete dopamine) fail to block the effects of modafinil in animals. In addition, modafinil fails to reverse reserpine-induced akinesia, whereas dextroamphetamine, a dopamine releasing agent (DRA), is able to do so. Moreover, one of the first published structure-activity relationship studies of modafinil found in 2012 that DAT inhibition did not correlate with wakefulness-promoting effects in animals among modafinil analogues, and a variety of analogues without any significant inhibition of the DAT still produced wakefulness-promoting effects. Furthermore, "[the] neurochemical effects [of modafinil] and anatomical pattern of brain area activation differ from typical psychostimulants and are consistent with its beneficial effects on cognitive performance processes such as attention, learning, and memory", and a study found that modafinil-induced increased locomotor activity in animals was dependent on histamine release and could be abolished by depletion of neuronal histamine, whereas those of methylphenidate were not and could not be. As such, although it is established that modafinil is a clinically significant DRI, its full pharmacology remains unclear and may be more complex than this single property (i.e., may also include DAT-independent actions, such as "activation of the orexin system").
In any case, there is nonetheless a good deal of evidence to indicate that modafinil is producing at least a portion of its wakefulness-promoting effects by acting as a DRI, or at least via activation of the dopaminergic system. In support of modafinil acting as a dopaminergic agent, its wakefulness-promoting effects are abolished in DAT knockout mice (although it is important to note that DAT knockout mice show D1 and D2 receptor and norepinephrine compensatory abnormalities, which might confound this finding), reduced by both D1 and D2 receptor antagonists (although conflicting reports exist), and completely blocked by simultaneous inactivation of both D1 and D2 receptors. In accordance, modafinil shows full stimulus generalization to other DAT inhibitors including cocaine, methylphenidate, and vanoxerine, and discrimination is blocked by administration of both ecopipam (SCH-39166), a D1 receptor antagonist, and haloperidol, a D2 receptor antagonist. Partial substitution was seen with the DRA dextroamphetamine and the D2 receptor agonist PNU-91356A, as well as with nicotine (which indirectly elevates dopamine levels through activation of nicotinic acetylcholine receptors).
Modafinil may possess yet an additional mechanism of action. Both modafinil and its metabolite, modafinil sulfone, possess anticonvulsant properties in animals, and modafinil sulfone is nearly as potent as modafinil in producing this effect. However, modafinil sulfone lacks any wakefulness-promoting effects in animals, indicating that a distinct mechanism may be at play in the anticonvulsant effects of both compounds.
The ("R")-enantiomer of modafinil, known as armodafinil, was also subsequently found to act as a D2High receptor partial agonist, with a Ki of 16 nM, an intrinsic activity of 48%, and an EC50 of 120 nM, in rat striatal tissue. The ("S")-enantiomer is inactive with respect to the D2 receptor. Modafinil has been found to directly inhibit the firing of midbrain dopaminergic neurons in the ventral tegmental area and substantia nigra of rats via activation of D2 receptors.
Modafinil induces the cytochrome P450 enzymes CYP1A2, CYP3A4, and CYP2B6, as well as inhibiting CYP2C9 and CYP2C19 "in vitro". It may also induce P-glycoprotein (Pgp), which may affect drugs transported by Pgp, such as digoxin. The bioavailability of modafinil is greater than 80% of the administered dose. "In vitro" measurements indicate that 60% of modafinil is bound to plasma proteins at clinical concentrations of the drug. This percentage actually changes very little when the concentration is varied. Cmax (peak levels) occurs approximately 2–3 hours after administration. Food slows absorption, but does not affect the total AUC(AUC – area under the curve – meaning, food may slow absorption, but the total amount of the chemical will be absorbed with or without food). Half-life is generally in the 10–12 hour range, subject to differences in CYP genotypes, liver function and renal function. It is metabolized in the liver, and its inactive metabolite is excreted in the urine. Urinary excretion of the unchanged drug ranges from 0% to as high as 18.7%, depending on various factors.
The two major circulating metabolites of modafinil are modafinil acid (CRL-40467) and modafinil sulfone (CRL-41056). Both of these metabolites have been described as inactive, and neither appear to contribute to the wakefulness-promoting effects of modafinil. However, modafinil sulfone does appear to possess anticonvulsant effects, and this is a property that it shares with modafinil.
Modafinil and/or its major metabolite, modafinil acid, may be quantified in plasma, serum or urine to monitor dosage in those receiving the drug therapeutically, to confirm a diagnosis of poisoning in hospitalized patients or to assist in the forensic investigation of a vehicular traffic violation. Instrumental techniques involving gas or liquid chromatography are usually employed for these purposes. As of 2011, it is not specifically tested for by common drug screens (except for anti-doping screens) and is unlikely to cause false positives for other chemically-unrelated drugs such as substituted amphetamines.
Reagent testing can be used to screen for the presence of modafinil in samples.
Modafinil is a highly researched compound, with many derivatives created and studied, some examples and their differences between dopamine, serotonin & norepinephrine affect is given in bundled table form below.
Modafinil was originally developed in France by neurophysiologist and emeritus experimental medicine professor Michel Jouvet and Lafon Laboratories. Modafinil originated with the late 1970s invention of a series of benzhydryl sulfinyl compounds, including adrafinil, which was first offered as an experimental treatment for narcolepsy in France in 1986. Modafinil is the primary metabolite of adrafinil, lacking the polar -OH group on its terminal amide, and has similar activity to the parent drug but is much more widely used. It has been prescribed in France since 1994 under the name Modiodal, and in the US since 1998 as Provigil.
In 1998, modafinil was approved by the U.S. Food and Drug Administration for the treatment of narcolepsy and in 2003 for shift work sleep disorder and obstructive sleep apnea/hypopnea even though caffeine and amphetamine were shown to be more wakefulness promoting on the Stanford Sleepiness Test Score than modafinil.
It was approved for use in the UK in December 2002. Modafinil is marketed in the United States by Cephalon, who originally leased the rights from Lafon, but eventually purchased the company in 2001.
Cephalon began to market armodafinil, the ("R")-enantiomer of modafinil, in the United States in 2007. After protracted patent litigation and negotiations (see below), generic versions of modafinil became available in the US in 2012.
was issued to Laboratoire L. Lafon on May 22, 1990, covering the chemical compound modafinil. After receiving an interim term extension of 1066 days and pediatric exclusivity of six months, it expired on October 22, 2010. On October 6, 1994, Cephalon filed an additional patent, covering modafinil in the form of particles of defined size. That patent, was issued on April 8, 1997. It was reissued in 2002 as RE 37,516, which surrendered the 5618845 patent. With pediatric exclusivity, this patent expired on April 6, 2015.
On December 24, 2002, anticipating the expiration of exclusive marketing rights, generic drug manufacturers Mylan, Teva, Barr, and Ranbaxy applied to the FDA to market a generic form of modafinil. At least one withdrew its application after early opposition by Cephalon based on the RE 37,516 patent. There is some question of whether a particle size patent is sufficient protection against the manufacture of generics. Pertinent questions include whether modafinil may be modified or manufactured to avoid the granularities specified in the new Cephalon patent, and whether patenting particle size is invalid because particles of appropriate sizes are likely to be obvious to practitioners skilled in the art. However, under United States patent law, a patent is entitled to a legal presumption of validity, meaning that in order to invalidate the patent, much more than "pertinent questions" are required.
As of October 31, 2011, U.S. Reissue Patent No. RE 37,516 has been declared invalid and unenforceable. The District Court for the Eastern District of Pennsylvania ruled that RE 37,516 was invalid because it: (1) was on sale more than one year prior to the date of the application in violation of 35 U.S.C. section 102(b); (2) was actually invented by someone else (the French company Laboratoire L. Lafon); (3) was obvious at the time the invention was made to a person having ordinary skill in the art under 35 U.S.C. section 103(a); and (4) failed the written description requirement of 35 U.S.C. section 112. The patent was also found to be unenforceable due to Cephalon's inequitable conduct during patent prosecution.
Cephalon made an agreement with four major generics manufacturers Teva, Barr Pharmaceuticals, Ranbaxy Laboratories, and Watson Pharmaceuticals between 2005 and 2006 to delay sales of generic modafinil in the US until April 2012 by these companies in exchange for upfront and royalty payments. Litigation arising from these agreements is still pending including an FTC suit filed in April 2008. Apotex received regulatory approval in Canada despite a suit from Cephalon's marketing partner in Canada, Shire Pharmaceuticals. Cephalon has sued Apotex in the US to prevent it from releasing a genericized armodafinil (Nuvigil). Cephalon's 2011 attempt to merge with Teva was approved by the FTC under a number of conditions, including granting generic US rights to another company; ultimately, Par Pharmaceutical acquired the US modafinil rights as well as some others.
In the United Kingdom, Mylan Inc. received regulatory approval to sell generic modafinil produced by Orchid in January 2010; Cephalon sued to prevent sale, but lost the patent trial in November.
Modafinil is classified as a Schedule IV controlled substance under United States federal law; it is illegal to import by anyone other than a DEA-registered importer without a prescription. However, one may legally bring modafinil into the United States in person from a foreign country, provided that he or she has a prescription for it, and the drug is properly declared at the border crossing. U.S. residents are limited to 50 dosage units (e.g., pills). Under the US Pure Food and Drug Act, drug companies are not allowed to market their drugs for off-label uses (conditions other than those officially approved by the FDA); Cephalon was reprimanded in 2002 by the FDA because its promotional materials were found to be "false, lacking in fair balance, or otherwise misleading". Cephalon pleaded guilty to a criminal violation and paid several fines, including and fines to the U.S. government in 2008.
In mainland China, modafinil is strictly controlled like other stimulants, such as amphetamines and methylphenidate. It has been classified as Class I psychotropic drug, meaning that only doctors who have the right to prescribe narcotics and Class I psychotropic drugs (usually through special examination) can prescribe it for no more than three-day use (or seven-day use for control/extend-release products). The first and only modafinil products was approved in November 2017, but its marketing status in mainland China is still unknown.
In Japan, modafinil is Schedule I psychotropic drug. Cephalon has licensed Alfresa Corporation to produce, and Mitsubishi Tanabe Pharma to sell modafinil products under the trade name Modiodal in Japan. Also, there have been reported arrests of people who imported modafinil for personal use.
Modafinil is considered a stimulant doping agent and as such is prohibited in sports competitions, in the same category as steroids. Sanctions range from a simple warning to a 4.000 lei fine, as well as confiscation of the substance.
In Russia modafinil is Schedule II controlled substance like cocaine and morphine. Possession of few modafinil pills can lead to 3–10 years imprisonment.
In Australia, modafinil is considered to be a Schedule 4 prescription-only medicine or prescription animal remedy. Schedule 4 is defined as "Substances, the use or supply of which should be by or on the order of persons permitted by State or Territory legislation to prescribe and should be available from a pharmacist on prescription."
In India, it can be bought over the counter at around Rs. 22.5 per pill. Modafinil is not part of India's Schedule-H or Schedule-H1 or Schedule X drugs as of 2018. Though the Central Drugs Standard Control Organisation warned users of potential side-effects in a 2012 report, and in spite of the letters from the DCGI to pharmacies mandating its sale, Modafinil continues to be sold in India with rather lax regulation.
In Sweden, modafinil is classified as a schedule IV substance and possession is therefore illegal without prescription.
The following countries do not classify modafinil as a controlled substance:
Modafinil is sold under a wide variety of brand names worldwide, including Alertec, Alertex, Altasomil, Aspendos, Forcilin, Intensit, Mentix, Modafinil, Modafinilo, Modalert, Modanil, Modasomil, Modvigil, Modiodal, Modiwake, Movigil, Provigil, Resotyl, Stavigile, Vigia, Vigicer, Vigil, Vigimax, Wakelert and Zalux.
The regulation of modafinil as a doping agent has been controversial in the sporting world, with high-profile cases attracting press coverage since several prominent American athletes have tested positive for the substance. Some athletes who were found to have used modafinil protested that the drug was not on the prohibited list at the time of their offenses. However, the World Anti-Doping Agency (WADA) maintains that it was related to already banned substances. The Agency added modafinil to its list of prohibited substances on August 3, 2004, ten days before the start of the 2004 Summer Olympics.
Modafinil has received some publicity in the past when several athletes (such as sprinter Kelli White in 2004, cyclist David Clinger and basketball player Diana Taurasi in 2010, and rower Timothy Grant in 2015) were discovered allegedly using it as a performance-enhancing doping agent. (Taurasi and another player, Monique Coker, tested at the same lab, were later cleared.) It is not clear how widespread this practice is. The BALCO scandal brought to light an as-yet unsubstantiated (but widely published) account of Major League Baseball's all-time leading home-run hitter Barry Bonds' supplemental chemical regimen that included modafinil in addition to anabolic steroids and human growth hormone. Modafinil has been shown to prolong exercise time to exhaustion while performing at 85% of VO2max and also reduces the perception of effort required to maintain this threshold. Modafinil was added to the World Anti-Doping Agency "Prohibited List" in 2004 as a prohibited stimulant (see Modafinil Legal Status).
Modafinil has been used non-medically as a "smart drug" by students, office workers, soldiers and transhumanists. As a 'smart drug' it allegedly increases mental focus and helps evade sleep, properties which attract students, professionals in the corporate and tech fields, air-force personnel, surgeons, truck drivers and call-center workers. A survey of 2000 students in the UK in 2014 found that one in five people had used Modafinil to stay awake and study. The drug is also used widely by students in India's academic institutions, where academic pressure and competition is often cited as a reason.
In the United States, an application to market modafinil for pediatric ADHD was submitted to the FDA, but approval was denied due to major concerns over the occurrence of Stevens–Johnson syndrome in clinical trials.
Modafinil and armodafinil have been studied as a complement to antipsychotic medications in the treatment of schizophrenia. They have been consistently shown to have no effect on positive symptoms or cognitive performance. A 2015 meta-analysis found that modafinil and armodafinil may slightly reduce negative symptoms in people with acute schizophrenia, though it does not appear useful for people with the condition who are stable, with high negative symptom scores. Among medications demonstrated to be effective for reducing negative symptoms in combination with anti-psychotics, modafinil and armodafinil are among the smallest effect sizes.
The prescribing information for Provigil notes that "There were no clinically significant differences in body weight change in patients treated with Provigil compared to placebo-treated patients in the placebo-controlled clinical trials."
The drug has seen widespread abuse in India, for cognitive enhancement, especially among young adults studying at universities.
A 2015 review of clinical studies of possible nootropic effects in healthy people found: "... whilst most studies employing basic testing paradigms show that modafinil intake enhances executive function, only half show improvements in attention and learning and memory, and a few even report impairments in divergent creative thinking. In contrast, when more complex assessments are used, modafinil appears to consistently engender enhancement of attention, executive functions, and learning. Importantly, we did not observe any preponderances for side effects or mood changes." A 2019 review of a single-dose of modafinil on mental function in healthy, non-sleep deprived people found a small effect and thus limited usefulness as a cognitive enhancer.
Modafinil has been used off-label in trials with people with symptoms of post-chemotherapy cognitive impairment, also known as "chemobrain", but a 2011 review found that it was no better than placebo. As of 2015 it had been studied for use in multiple sclerosis associated fatigue, but the resulting evidence was weak and inconclusive.
General anesthesia is required for many surgeries, but there may be lingering fatigue, sedation, and/or drowsiness after surgery has ended that lasts for hours to days. In outpatient settings wherein patients are discharged home after surgery, this sedation, fatigue and occasional dizziness is problematic. As of 2006, modafinil had been tested in one small (N=34) double-blind randomized controlled trial for this use.
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Class (set theory)
In set theory and its applications throughout mathematics, a class is a collection of sets (or sometimes other mathematical objects) that can be unambiguously defined by a property that all its members share. The precise definition of "class" depends on foundational context. In work on Zermelo–Fraenkel set theory, the notion of class is informal, whereas other set theories, such as von Neumann–Bernays–Gödel set theory, axiomatize the notion of "proper class", e.g., as entities that are not members of another entity.
A class that is not a set (informally in Zermelo–Fraenkel) is called a proper class, and a class that is a set is sometimes called a small class. For instance, the class of all ordinal numbers, and the class of all sets, are proper classes in many formal systems.
In Quine's set-theoretical writing, the phrase "ultimate class" is often used instead of the phrase "proper class" emphasising that in the systems he considers, certain classes cannot be members, and are thus the final term in any membership chain to which they belong.
Outside set theory, the word "class" is sometimes used synonymously with "set". This usage dates from a historical period where classes and sets were not distinguished as they are in modern set-theoretic terminology. Many discussions of "classes" in the 19th century and earlier are really referring to sets, or perhaps rather take place without considering that certain classes can fail to be sets.
The collection of all algebraic structures of a given type will usually be a proper class. Examples include the class of all groups, the class of all vector spaces, and many others. In category theory, a category whose collection of objects forms a proper class (or whose collection of morphisms forms a proper class) is called a large category.
The surreal numbers are a proper class of objects that have the properties of a field.
Within set theory, many collections of sets turn out to be proper classes. Examples include the class of all sets, the class of all ordinal numbers, and the class of all cardinal numbers.
One way to prove that a class is proper is to place it in bijection with the class of all ordinal numbers. This method is used, for example, in the proof that there is no free complete lattice on three or more generators.
The paradoxes of naive set theory can be explained in terms of the inconsistent tacit assumption that "all classes are sets". With a rigorous foundation, these paradoxes instead suggest proofs that certain classes are proper (i.e., that they are not sets). For example, Russell's paradox suggests a proof that the class of all sets which do not contain themselves is proper, and the Burali-Forti paradox suggests that the class of all ordinal numbers is proper. The paradoxes do not arise with classes because there is no notion of classes containing classes. Otherwise, one could, for example, define a class of all classes that do not contain themselves, which would lead to a Russell paradox for classes. A conglomerate, on the other hand, can have proper classes as members, although the "theory" of conglomerates is not yet well-established.
ZF set theory does not formalize the notion of classes, so each formula with classes must be reduced syntactically to a formula without classes. For example, one can reduce the formula formula_1 to formula_2. Semantically, in a metalanguage, the classes can be described as equivalence classes of logical formulas: If formula_3 is a structure interpreting ZF, then the object language "class-builder expression" formula_4 is interpreted in formula_3 by the collection of all the elements from the domain of formula_3 on which formula_7 holds; thus, the class can be described as the set of all predicates equivalent to formula_8 (which includes formula_8 itself). In particular, one can identify the "class of all sets" with the set of all predicates equivalent to formula_10
Because classes do not have any formal status in the theory of ZF, the axioms of ZF do not immediately apply to classes. However, if an inaccessible cardinal formula_11 is assumed, then the sets of smaller rank form a model of ZF (a Grothendieck universe), and its subsets can be thought of as "classes".
In ZF, the concept of a function can also be generalised to classes. A class function is not a function in the usual sense, since it is not a set; it is rather a formula formula_12 with the property that for any set formula_13 there is no more than one set formula_14 such that the pair formula_15 satisfies formula_16 For example, the class function mapping each set to its successor may be expressed as the formula formula_17 The fact that the ordered pair formula_15 satisfies formula_19 may be expressed with the shorthand notation formula_20
Another approach is taken by the von Neumann–Bernays–Gödel axioms (NBG); classes are the basic objects in this theory, and a set is then defined to be a class that is an element of some other class. However, the class existence axioms of NBG are restricted so that they only quantify over sets, rather than over all classes. This causes NBG to be a conservative extension of ZF.
Morse–Kelley set theory admits proper classes as basic objects, like NBG, but also allows quantification over all proper classes in its class existence axioms. This causes MK to be strictly stronger than both NBG and ZF.
In other set theories, such as New Foundations or the theory of semisets, the concept of "proper class" still makes sense (not all classes are sets) but the criterion of sethood is not closed under subsets. For example, any set theory with a universal set has proper classes which are subclasses of sets.
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https://en.wikipedia.org/wiki?curid=20696
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Michael Atiyah
Sir Michael Francis Atiyah (; 22 April 1929 – 11 January 2019) was a British-Lebanese mathematician specialising in geometry.
Atiyah grew up in Sudan and Egypt but spent most of his academic life in the United Kingdom at the University of Oxford and the University of Cambridge and in the United States at the Institute for Advanced Study. He was the President of the Royal Society (1990–1995), founding director of the Isaac Newton Institute (1990–1996), master of Trinity College, Cambridge (1990–1997), chancellor of the University of Leicester (1995–2005), and the President of the Royal Society of Edinburgh (2005–2008). From 1997 until his death, he was an honorary professor in the University of Edinburgh.
Atiyah's mathematical collaborators included Raoul Bott, Friedrich Hirzebruch and Isadore Singer, and his students included Graeme Segal, Nigel Hitchin and Simon Donaldson. Together with Hirzebruch, he laid the foundations for topological K-theory, an important tool in algebraic topology, which, informally speaking, describes ways in which spaces can be twisted. His best known result, the Atiyah–Singer index theorem, was proved with Singer in 1963 and is used in counting the number of independent solutions to differential equations. Some of his more recent work was inspired by theoretical physics, in particular instantons and monopoles, which are responsible for some subtle corrections in quantum field theory. He was awarded the Fields Medal in 1966 and the Abel Prize in 2004.
Atiyah was born on 22 April 1929 in Hampstead, London, England, the son of Jean (née Levens) and Edward Atiyah. His mother was Scottish and his father was a Lebanese Orthodox Christian. He had two brothers, Patrick (deceased) and Joe, and a sister, Selma (deceased). Atiyah went to primary school at the Diocesan school in Khartoum, Sudan (1934–1941) and to secondary school at Victoria College in Cairo and Alexandria (1941–1945); the school was also attended by European nobility displaced by the Second World War and some future leaders of Arab nations. He returned to England and Manchester Grammar School for his HSC studies (1945–1947) and did his national service with the Royal Electrical and Mechanical Engineers (1947–1949). His undergraduate and postgraduate studies took place at Trinity College, Cambridge (1949–1955). He was a doctoral student of William V. D. Hodge and was awarded a doctorate in 1955 for a thesis entitled "Some Applications of Topological Methods in Algebraic Geometry".
During his time at Cambridge, he was president of The Archimedeans.
Atiyah spent the academic year 1955–1956 at the Institute for Advanced Study, Princeton, then returned to Cambridge University, where he was a research fellow and assistant lecturer (1957–1958), then a university lecturer and tutorial fellow at Pembroke College, Cambridge (1958–1961). In 1961, he moved to the University of Oxford, where he was a reader and professorial fellow at St Catherine's College (1961–1963). He became Savilian Professor of Geometry and a professorial fellow of New College, Oxford, from 1963 to 1969. He took up a three-year professorship at the Institute for Advanced Study in Princeton after which he returned to Oxford as a Royal Society Research Professor and professorial fellow of St Catherine's College. He was president of the London Mathematical Society from 1974 to 1976.
Atiyah was president of the Pugwash Conferences on Science and World Affairs from 1997 to 2002. He also contributed to the foundation of the InterAcademy Panel on International Issues, the Association of European Academies (ALLEA), and the European Mathematical Society (EMS).
Within the United Kingdom, he was involved in the creation of the Isaac Newton Institute for Mathematical Sciences in Cambridge and was its first director (1990–1996). He was President of the Royal Society (1990–1995), Master of Trinity College, Cambridge (1990–1997), Chancellor of the University of Leicester (1995–2005), and president of the Royal Society of Edinburgh (2005–2008). From 1997 until his death in 2019 he was an honorary professor in the University of Edinburgh. He was a Trustee of the James Clerk Maxwell Foundation.
Atiyah collaborated with many mathematicians. His three main collaborations were with Raoul Bott on the Atiyah–Bott fixed-point theorem and many other topics, with Isadore M. Singer on the Atiyah–Singer index theorem, and with Friedrich Hirzebruch on topological K-theory, all of whom he met at the Institute for Advanced Study in Princeton in 1955. His other collaborators included; J. Frank Adams (Hopf invariant problem), Jürgen Berndt (projective planes), Roger Bielawski (Berry–Robbins problem), Howard Donnelly (L-functions), Vladimir G. Drinfeld (instantons), Johan L. Dupont (singularities of vector fields), Lars Gårding (hyperbolic differential equations), Nigel J. Hitchin (monopoles), William V. D. Hodge (Integrals of the second kind), Michael Hopkins (K-theory), Lisa Jeffrey (topological Lagrangians), John D. S. Jones (Yang–Mills theory), Juan Maldacena (M-theory), Yuri I. Manin (instantons), Nick S. Manton (Skyrmions), Vijay K. Patodi (spectral asymmetry), A. N. Pressley (convexity), Elmer Rees (vector bundles), Wilfried Schmid (discrete series representations), Graeme Segal (equivariant K-theory), Alexander Shapiro (Clifford algebras), L. Smith (homotopy groups of spheres), Paul Sutcliffe (polyhedra), David O. Tall (lambda rings), John A. Todd (Stiefel manifolds), Cumrun Vafa (M-theory), Richard S. Ward (instantons) and Edward Witten (M-theory, topological quantum field theories).
His later research on gauge field theories, particularly Yang–Mills theory, stimulated important interactions between geometry and physics, most notably in the work of Edward Witten.
Atiyah's students included
Peter Braam 1987,
Simon Donaldson 1983,
K. David Elworthy 1967,
Howard Fegan 1977,
Eric Grunwald 1977,
Nigel Hitchin 1972,
Lisa Jeffrey 1991,
Frances Kirwan 1984,
Peter Kronheimer 1986,
Ruth Lawrence 1989,
George Lusztig 1971,
Jack Morava 1968,
Michael Murray 1983,
Peter Newstead 1966,
Ian R. Porteous 1961,
John Roe 1985,
Brian Sanderson 1963,
Rolph Schwarzenberger 1960,
Graeme Segal 1967,
David Tall 1966,
and Graham White 1982.
Other contemporary mathematicians who influenced Atiyah include Roger Penrose, Lars Hörmander, Alain Connes and Jean-Michel Bismut. Atiyah said that the mathematician he most admired was Hermann Weyl, and that his favourite mathematicians from before the 20th century were Bernhard Riemann and William Rowan Hamilton.
The seven volumes of Atiyah's collected papers include most of his work, except for his commutative algebra textbook; the first five volumes are divided thematically and the sixth and seventh arranged by date.
Atiyah's early papers on algebraic geometry (and some general papers) are reprinted in the first volume of his collected works.
As an undergraduate Atiyah was interested in classical projective geometry, and wrote his first paper: a short note on twisted cubics. He started research under W. V. D. Hodge and won the Smith's prize for 1954 for a sheaf-theoretic approach to ruled surfaces, which encouraged Atiyah to continue in mathematics, rather than switch to his other interests—architecture and archaeology.
His PhD thesis with Hodge was on a sheaf-theoretic approach to Solomon Lefschetz's theory of integrals of the second kind on algebraic varieties, and resulted in an invitation to visit the Institute for Advanced Study in Princeton for a year. While in Princeton he classified vector bundles on an elliptic curve (extending Alexander Grothendieck's classification of vector bundles on a genus 0 curve), by showing that any vector bundle is a sum of (essentially unique) indecomposable vector bundles, and then showing that the space of indecomposable vector bundles of given degree and positive dimension can be identified with the elliptic curve. He also studied double points on surfaces, giving the first example of a flop, a special birational transformation of 3-folds that was later heavily used in Shigefumi Mori's work on minimal models for 3-folds. Atiyah's flop can also be used to show that the universal marked family of K3 surfaces is non-Hausdorff.
Atiyah's works on K-theory, including his book on K-theory are reprinted in volume 2 of his collected works.
The simplest nontrivial example of a vector bundle is the Möbius band (pictured on the right): a strip of paper with a twist in it, which represents a rank 1 vector bundle over a circle (the circle in question being the centerline of the Möbius band). K-theory is a tool for working with higher-dimensional analogues of this example, or in other words for describing higher-dimensional twistings: elements of the K-group of a space are represented by vector bundles over it, so the Möbius band represents an element of the K-group of a circle.
Topological K-theory was discovered by Atiyah and Friedrich Hirzebruch who were inspired by Grothendieck's proof of the Grothendieck–Riemann–Roch theorem and Bott's work on the periodicity theorem. This paper only discussed the zeroth K-group; they shortly after extended it to K-groups of all degrees, giving the first (nontrivial) example of a generalized cohomology theory.
Several results showed that the newly introduced K-theory was in some ways more powerful than ordinary cohomology theory. Atiyah and Todd used K-theory to improve the lower bounds found using ordinary cohomology by Borel and Serre for the James number, describing when a map from a complex Stiefel manifold to a sphere has a cross section. (Adams and Grant-Walker later showed that the bound found by Atiyah and Todd was best possible.) Atiyah and Hirzebruch used K-theory to explain some relations between Steenrod operations and Todd classes that Hirzebruch had noticed a few years before. The original solution of the Hopf invariant one problem operations by J. F. Adams was very long and complicated, using secondary cohomology operations. Atiyah showed how primary operations in K-theory could be used to give a short solution taking only a few lines, and in joint work with Adams also proved analogues of the result at odd primes.
The Atiyah–Hirzebruch spectral sequence relates the ordinary cohomology of a space to its generalized cohomology theory. (Atiyah and Hirzebruch used the case of K-theory, but their method works for all cohomology theories).
Atiyah showed that for a finite group "G", the K-theory of its classifying space, "BG", is isomorphic to the completion of its character ring:
The same year they proved the result for "G" any compact connected Lie group. Although soon the result could be extended to "all" compact Lie groups by incorporating results from Graeme Segal's thesis, that extension was complicated. However a simpler and more general proof was produced by introducing equivariant K-theory, "i.e." equivalence classes of "G"-vector bundles over a compact "G"-space "X". It was shown that under suitable conditions the completion of the equivariant K-theory of "X" is isomorphic to the ordinary K-theory of a space, formula_2, which fibred over "BG" with fibre "X":
The original result then followed as a corollary by taking "X" to be a point: the left hand side reduced to the completion of "R(G)" and the right to "K(BG)". See Atiyah–Segal completion theorem for more details.
He defined new generalized homology and cohomology theories called bordism and cobordism, and pointed out that many of the deep results on cobordism of manifolds found by René Thom, C. T. C. Wall, and others could be naturally reinterpreted as statements about these cohomology theories. Some of these cohomology theories, in particular complex cobordism, turned out to be some of the most powerful cohomology theories known.
He introduced the J-group "J"("X") of a finite complex "X", defined as the group of stable fiber homotopy equivalence classes of sphere bundles; this was later studied in detail by J. F. Adams in a series of papers, leading to the Adams conjecture.
With Hirzebruch he extended the Grothendieck–Riemann–Roch theorem to complex analytic embeddings, and in a related paper they showed that the Hodge conjecture for integral cohomology is false. The Hodge conjecture for rational cohomology is, as of 2008, a major unsolved problem.
The Bott periodicity theorem was a central theme in Atiyah's work on K-theory, and he repeatedly returned to it, reworking the proof several times to understand it better. With Bott he worked out an elementary proof, and gave another version of it in his book. With Bott and Shapiro he analysed the relation of Bott periodicity to the periodicity of Clifford algebras; although this paper did not have a proof of the periodicity theorem, a proof along similar lines was shortly afterwards found by R. Wood. He found a proof of several generalizations using elliptic operators; this new proof used an idea that he used to give a particularly short and easy proof of Bott's original periodicity theorem.
Atiyah's work on index theory is reprinted in volumes 3 and 4 of his collected works.
The index of a differential operator is closely related to the number of independent solutions (more precisely, it is the differences of the numbers of independent solutions of the differential operator and its adjoint). There are many hard and fundamental problems in mathematics that can easily be reduced to the problem of finding the number of independent solutions of some differential operator, so if one has some means of finding the index of a differential operator these problems can often be solved. This is what the Atiyah–Singer index theorem does: it gives a formula for the index of certain differential operators, in terms of topological invariants that look quite complicated but are in practice usually straightforward to calculate.
Several deep theorems, such as the Hirzebruch–Riemann–Roch theorem, are special cases of the Atiyah–Singer index theorem. In fact the index theorem gave a more powerful result, because its proof applied to all compact complex manifolds, while Hirzebruch's proof only worked for projective manifolds. There were also many new applications: a typical one is calculating the dimensions of the moduli spaces of instantons. The index theorem can also be run "in reverse": the index is obviously an integer, so the formula for it must also give an integer, which sometimes gives subtle integrality conditions on invariants of manifolds. A typical example of this is Rochlin's theorem, which follows from the index theorem.
The index problem for elliptic differential operators was posed in 1959 by Gel'fand. He noticed the homotopy invariance of the index, and asked for a formula for it by means of topological invariants. Some of the motivating examples included the Riemann–Roch theorem and its generalization the Hirzebruch–Riemann–Roch theorem, and the Hirzebruch signature theorem. Hirzebruch and Borel had proved the integrality of the  genus of a spin manifold, and Atiyah suggested that this integrality could be explained if it were the index of the Dirac operator (which was rediscovered by Atiyah and Singer in 1961).
The first announcement of the Atiyah–Singer theorem was their 1963 paper. The proof sketched in this announcement was inspired by Hirzebruch's proof of the Hirzebruch–Riemann–Roch theorem and was never published by them, though it is described in the book by Palais. Their first published proof was more similar to Grothendieck's proof of the Grothendieck–Riemann–Roch theorem, replacing the cobordism theory of the first proof with K-theory, and they used this approach to give proofs of various generalizations in a sequence of papers from 1968 to 1971.
Instead of just one elliptic operator, one can consider a family of elliptic operators parameterized by some space "Y". In this case the index is an element of the K-theory of "Y", rather than an integer. If the operators in the family are real, then the index lies in the real K-theory of "Y". This gives a little extra information, as the map from the real K theory of "Y" to the complex K theory is not always injective.
With Bott, Atiyah found an analogue of the Lefschetz fixed-point formula for elliptic operators, giving the Lefschetz number of an endomorphism of an elliptic complex in terms of a sum over the fixed points of the endomorphism. As special cases their formula included the Weyl character formula, and several new results about elliptic curves with complex multiplication, some of which were initially disbelieved by experts.
Atiyah and Segal combined this fixed point theorem with the index theorem as follows.
If there is a compact group action of a group "G" on the compact manifold "X", commuting with the elliptic operator, then one can replace ordinary K theory in the index theorem with equivariant K-theory.
For trivial groups "G" this gives the index theorem, and for a finite group "G" acting with isolated fixed points it gives the Atiyah–Bott fixed point theorem. In general it gives the index as a sum over fixed point submanifolds of the group "G".
Atiyah solved a problem asked independently by Hörmander and Gel'fand, about whether complex powers of analytic functions define distributions. Atiyah used Hironaka's resolution of singularities to answer this affirmatively. An ingenious and elementary solution was found at about the same time by J. Bernstein, and discussed by Atiyah.
As an application of the equivariant index theorem, Atiyah and Hirzebruch showed that manifolds with effective circle actions have vanishing Â-genus. (Lichnerowicz showed that if a manifold has a metric of positive scalar curvature then the Â-genus vanishes.)
With Elmer Rees, Atiyah studied the problem of the relation between topological and holomorphic vector bundles on projective space. They solved the simplest unknown case, by showing that all rank 2 vector bundles over projective 3-space have a holomorphic structure. Horrocks had previously found some non-trivial examples of such vector bundles, which were later used by Atiyah in his study of instantons on the 4-sphere.
Atiyah, Bott and Vijay K. Patodi gave a new proof of the index theorem using the heat equation.
If the manifold is allowed to have boundary, then some restrictions must be put on the domain of the elliptic operator in order to ensure a finite index. These conditions can be local (like demanding that the sections in the domain vanish at the boundary) or more complicated global conditions (like requiring that the sections in the domain solve some differential equation). The local case was worked out by Atiyah and Bott, but they showed that many interesting operators (e.g., the signature operator) do not admit local boundary conditions. To handle these operators, Atiyah, Patodi and Singer introduced global boundary conditions equivalent to attaching a cylinder to the manifold along the boundary and then restricting the domain to those sections that are square integrable along the cylinder, and also introduced the Atiyah–Patodi–Singer eta invariant. This resulted in a series of papers on spectral asymmetry, which were later unexpectedly used in theoretical physics, in particular in Witten's work on anomalies.
The fundamental solutions of linear hyperbolic partial differential equations often have Petrovsky lacunas: regions where they vanish identically. These were studied in 1945 by I. G. Petrovsky, who found topological conditions describing which regions were lacunas.
In collaboration with Bott and Lars Gårding, Atiyah wrote three papers updating and generalizing Petrovsky's work.
Atiyah showed how to extend the index theorem to some non-compact manifolds, acted on by a discrete group with compact quotient. The kernel of the elliptic operator is in general infinite-dimensional in this case, but it is possible to get a finite index using the dimension of a module over a von Neumann algebra; this index is in general real rather than integer valued. This version is called the "L2 index theorem," and was used by Atiyah and Schmid to give a geometric construction, using square integrable harmonic spinors, of Harish-Chandra's discrete series representations of semisimple Lie groups. In the course of this work they found a more elementary proof of Harish-Chandra's fundamental theorem on the local integrability of characters of Lie groups.
With H. Donnelly and I. Singer, he extended Hirzebruch's formula (relating the signature defect at cusps of Hilbert modular surfaces to values of L-functions) from real quadratic fields to all totally real fields.
Many of his papers on gauge theory and related topics are reprinted in volume 5 of his collected works. A common theme of these papers is the study of moduli spaces of solutions to certain non-linear partial differential equations, in particular the equations for instantons and monopoles. This often involves finding a subtle correspondence between solutions of two seemingly quite different equations. An early example of this which Atiyah used repeatedly is the Penrose transform, which can sometimes convert solutions of a non-linear equation over some real manifold into solutions of some linear holomorphic equations over a different complex manifold.
In a series of papers with several authors, Atiyah classified all instantons on 4-dimensional Euclidean space. It is more convenient to classify instantons on a sphere as this is compact, and this is essentially equivalent to classifying instantons on Euclidean space as this is conformally equivalent to a sphere and the equations for instantons are conformally invariant. With Hitchin and Singer he calculated the dimension of the moduli space of irreducible self-dual connections (instantons) for any principal bundle over a compact 4-dimensional Riemannian manifold (the Atiyah–Hitchin–Singer theorem). For example, the dimension of the space of SU2 instantons of rank "k">0 is 8"k"−3. To do this they used the Atiyah–Singer index theorem to calculate the dimension of the tangent space of the moduli space at a point; the tangent space is essentially the space of solutions of an elliptic differential operator, given by the linearization of the non-linear Yang–Mills equations. These moduli spaces were later used by Donaldson to construct his invariants of 4-manifolds.
Atiyah and Ward used the Penrose correspondence to reduce the classification of all instantons on the 4-sphere to a problem in algebraic geometry. With Hitchin he used ideas of Horrocks to solve this problem, giving the ADHM construction of all instantons on a sphere; Manin and Drinfeld found the same construction at the same time, leading to a joint paper by all four authors. Atiyah reformulated this construction using quaternions and wrote up a leisurely account of this classification of instantons on Euclidean space as a book.
Atiyah's work on instanton moduli spaces was used in Donaldson's work on Donaldson theory. Donaldson showed that the moduli space of (degree 1) instantons over a compact simply connected 4-manifold with positive definite intersection form can be compactified to give a cobordism between the manifold and a sum of copies of complex projective space. He deduced from this that the intersection form must be a sum of one-dimensional ones, which led to several spectacular applications to smooth 4-manifolds, such as the existence of non-equivalent smooth structures on 4-dimensional Euclidean space. Donaldson went on to use the other moduli spaces studied by Atiyah to define Donaldson invariants, which revolutionized the study of smooth 4-manifolds, and showed that they were more subtle than smooth manifolds in any other dimension, and also quite different from topological 4-manifolds. Atiyah described some of these results in a survey talk.
Green's functions for linear partial differential equations can often be found by using the Fourier transform to convert this into an algebraic problem. Atiyah used a non-linear version of this idea. He used the Penrose transform to convert the Green's function for the conformally invariant Laplacian into a complex analytic object, which turned out to be essentially the diagonal embedding of the Penrose twistor space into its square. This allowed him to find an explicit formula for the conformally invariant Green's function on a 4-manifold.
In his paper with Jones, he studied the topology of the moduli space of SU(2) instantons over a 4-sphere. They showed that the natural map from this moduli space to the space of all connections induces epimorphisms of homology groups in a certain range of dimensions, and suggested that it might induce isomorphisms of homology groups in the same range of dimensions. This became known as the Atiyah–Jones conjecture, and was later proved by several mathematicians.
Harder and M. S. Narasimhan described the cohomology of the moduli spaces of stable vector bundles over Riemann surfaces by counting the number of points of the moduli spaces over finite fields, and then using the Weil conjectures to recover the cohomology over the complex numbers.
Atiyah and R. Bott used Morse theory and the Yang–Mills equations over a Riemann surface to reproduce and extending the results of Harder and Narasimhan.
An old result due to Schur and Horn states that the set of possible diagonal vectors of an Hermitian matrix with given eigenvalues is the convex hull of all the permutations of the eigenvalues. Atiyah proved a generalization of this that applies to all compact symplectic manifolds acted on by a torus, showing that the image of the manifold under the moment map is a convex polyhedron, and with Pressley gave a related generalization to infinite-dimensional loop groups.
Duistermaat and Heckman found a striking formula, saying that the push-forward of the Liouville measure of a moment map for a torus action is given exactly by the stationary phase approximation (which is in general just an asymptotic expansion rather than exact). Atiyah and Bott showed that this could be deduced from a more general formula in equivariant cohomology, which was a consequence of well-known localization theorems. Atiyah showed that the moment map was closely related to geometric invariant theory, and this idea was later developed much further by his student F. Kirwan. Witten shortly after applied the Duistermaat–Heckman formula to loop spaces and showed that this formally gave the Atiyah–Singer index theorem for the Dirac operator; this idea was lectured on by Atiyah.
With Hitchin he worked on magnetic monopoles, and studied their scattering using an idea of Nick Manton. His book with Hitchin gives a detailed description of their work on magnetic monopoles. The main theme of the book is a study of a moduli space of magnetic monopoles; this has a natural Riemannian metric, and a key point is that this metric is complete and hyperkähler. The metric is then used to study the scattering of two monopoles, using a suggestion of N. Manton that the geodesic flow on the moduli space is the low energy approximation to the scattering. For example, they show that a head-on collision between two monopoles results in 90-degree scattering, with the direction of scattering depending on the relative phases of the two monopoles. He also studied monopoles on hyperbolic space.
Atiyah showed that instantons in 4 dimensions can be identified with instantons in 2 dimensions, which are much easier to handle. There is of course a catch: in going from 4 to 2 dimensions the structure group of the gauge theory changes from a finite-dimensional group to an infinite-dimensional loop group. This gives another example where the moduli spaces of solutions of two apparently unrelated nonlinear partial differential equations turn out to be essentially the same.
Atiyah and Singer found that anomalies in quantum field theory could be interpreted in terms of index theory of the Dirac operator; this idea later became widely used by physicists.
Many of the papers in the 6th volume of his collected works are surveys, obituaries, and general talks. Atiyah continued to publish subsequently, including several surveys, a popular book, and another paper with Segal on twisted K-theory.
One paper is a detailed study of the Dedekind eta function from the point of view of topology and the index theorem.
Several of his papers from around this time study the connections between quantum field theory, knots, and Donaldson theory. He introduced the concept of a topological quantum field theory, inspired by Witten's work and Segal's definition of a conformal field theory. His book describes the new knot invariants found by Vaughan Jones and Edward Witten in terms of topological quantum field theories, and his paper with L. Jeffrey explains Witten's Lagrangian giving the Donaldson invariants.
He studied skyrmions with Nick Manton, finding a relation with magnetic monopoles and instantons, and giving a conjecture for the structure of the moduli space of two skyrmions as a certain subquotient of complex projective 3-space.
Several papers were inspired by a question of Jonathan Robbins (called the Berry–Robbins problem), who asked if there is a map from the configuration space of "n" points in 3-space to the flag manifold of the unitary group. Atiyah gave an affirmative answer to this question, but felt his solution was too computational and studied a conjecture that would give a more natural solution. He also related the question to Nahm's equation, and introduced the Atiyah conjecture on configurations.
With Juan Maldacena and Cumrun Vafa, and E. Witten he described the dynamics of M-theory on manifolds with G2 holonomy. These papers seem to be the first time that Atiyah has worked on exceptional Lie groups.
In his papers with M. Hopkins and G. Segal he returned to his earlier interest of K-theory, describing some twisted forms of K-theory with applications in theoretical physics.
In October 2016, he claimed a short proof of the non-existence of complex structures on the 6-sphere. His proof, like many predecessors, is considered flawed by the mathematical community, even after the proof was rewritten in a revised form.
In September 2018, at the 2018 Heidelberg Laureate Forum, he claimed a simple proof of the Riemann hypothesis, one of the 7 Millennium Prize Problems in mathematics. His claims have been met with skepticism by the mathematical community.
This subsection lists all books written by Atiyah; it omits a few books that he edited.
In 1966, when he was thirty-seven years old, he was awarded the Fields Medal, for his work in developing K-theory, a generalized Lefschetz fixed-point theorem and the Atiyah–Singer theorem, for which he also won the Abel Prize jointly with Isadore Singer in 2004.
Among other prizes he has received are the Royal Medal of the Royal Society in 1968, the De Morgan Medal of the London Mathematical Society in 1980, the Antonio Feltrinelli Prize from the Accademia Nazionale dei Lincei in 1981, the King Faisal International Prize for Science in 1987, the Copley Medal of the Royal Society in 1988, the Benjamin Franklin Medal for Distinguished Achievement in the Sciences of the American Philosophical Society in 1993, the Jawaharlal Nehru Birth Centenary Medal
of the Indian National Science Academy in 1993, the President's Medal from the Institute of Physics in 2008, the Grande Médaille of the French Academy of Sciences in 2010 and the Grand Officier of the French Légion d'honneur in 2011.
He was elected a foreign member of the National Academy of Sciences, the American Academy of Arts and Sciences (1969), the Académie des Sciences, the Akademie Leopoldina, the Royal Swedish Academy, the Royal Irish Academy, the Royal Society of Edinburgh, the American Philosophical Society, the Indian National Science Academy, the Chinese Academy of Science, the Australian Academy of Science, the Russian Academy of Science, the Ukrainian Academy of Science, the Georgian Academy of Science, the Venezuela Academy of Science, the Norwegian Academy of Science and Letters, the Royal Spanish Academy of Science, the Accademia dei Lincei and the Moscow Mathematical Society. In 2012, he became a fellow of the American Mathematical Society. He was also appointed as a Honorary Fellow of the Royal Academy of Engineering in 1993.
Atiyah was awarded honorary degrees by the universities of Birmingham, Bonn, Chicago, Cambridge, Dublin, Durham, Edinburgh, Essex, Ghent, Helsinki, Lebanon, Leicester, London, Mexico, Montreal, Oxford, Reading, Salamanca, St. Andrews, Sussex, Wales, Warwick, the American University of Beirut, Brown University, Charles University in Prague, Harvard University, Heriot–Watt University, Hong Kong (Chinese University), Keele University, Queen's University (Canada), The Open University, University of Waterloo, Wilfrid Laurier University, Technical University of Catalonia, and UMIST.
Atiyah was made a Knight Bachelor in 1983 and made a member of the Order of Merit in 1992.
The Michael Atiyah building at the University of Leicester
and the Michael Atiyah Chair in Mathematical Sciences at the American University of Beirut were named after him.
Atiyah married Lily Brown on 30 July 1955, with whom he had three sons, John, David and Robin. Atiyah's eldest son John died on 24 June 2002 while on a walking holiday in the Pyrenees with his wife Maj-Lis. Lily Atiyah died on 13 March 2018 at the age of 90.
Sir Michael Atiyah died on 11 January 2019, aged 89.
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https://en.wikipedia.org/wiki?curid=20698
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MOS Technology
MOS Technology, Inc. ("MOS" being short for Metal Oxide Semiconductor), later known as CSG (Commodore Semiconductor Group), was a semiconductor design and fabrication company based in Norristown, Pennsylvania, in the United States. It is most famous for its 6502 microprocessor and various designs for Commodore International's range of home computers.
MOS Technology, Inc. was originally started in 1969 by Allen-Bradley to provide a second source for electronic calculators and their chips designed by Texas Instruments (TI). In the early 1970s TI decided to release their own line of calculators, instead of selling just the chips inside them, and introduced them at a price that was lower than the price of the chipset alone. Many early chip companies were wiped out in the aftermath; those that survived did so by finding other chips to produce. MOS became a supplier to Atari, producing a custom single-chip "Pong" system.
Things changed dramatically in 1975. Several of the designers of the Motorola 6800 left Motorola shortly after its release, after management told them to stop working on a low-cost version of the design. At the time there was no such thing as a pure-play semiconductor foundry, so they had to join a chip-building company to produce their new CPU. MOS was a small firm with good credentials in the right area, the east coast of the USA. The team of four design engineers was headed by Chuck Peddle and included Bill Mensch. At MOS they set about building a new CPU that would outperform the 6800 while being similar to it in purpose. The resulting 6501 design was somewhat similar to the 6800, but by using several simplifications in the design, the 6501 would be up to 4 times faster.
In addition to a good design, MOS had a secret weapon: the ability to "fix" its masks. Masks are the large drawings of the chip that are photo-reduced to make the pattern from which chips are made—a process similar to photocopying. All masks end up with flaws, both as a result of design problems in the chip itself, as well as side effects from the photo-reduction process. When a chip is made with this mask there is a chance that some of these flaws will end up expressed on the chip. If too many of them are expressed, that particular chip will not work.
If a chip design with five design flaws results in a mask with ten flaws in total, there is no point in making another mask because it will have the same five design flaws plus some other set of five copying flaws. So companies simply built chips with known-bad masks, and threw away broken chips. In the 1970s, this meant throwing away 70 percent or more of the completed chips. The price of a chip is largely defined by the "yield", the measure of how many work for a given number produced, so improving this number can lower the price and raise the gross profit dramatically.
MOS's engineers had learned the trick of fixing their masks "after" they were made. This allowed them to correct the major flaws in a series of small fixes, eventually producing a mask with a very low flaw rate. The company's production lines typically reversed the numbers others were achieving; even the early runs of a new CPU design—what would become the 6502—were achieving a success rate of 70 percent or better. This meant that not only were its designs faster, they cost much less as well.
When the 6501 was announced, Motorola launched a lawsuit almost immediately. Although the 6501 instruction set was not compatible with the 6800, it could nevertheless be plugged into existing motherboard designs because it had the same functional pin arrangement and IC package footprint. That was enough to allow Motorola to sue. Sales of the 6501 basically stopped, and the lawsuit would drag on for many years before MOS was eventually forced to pay $200,000 USD in fines.
In the meantime MOS had started selling the 6502, a chip capable of operating at 1 MHz in September 1975 for a mere US$25. It was nearly identical to the 6501, with only a few minor differences: an added on-chip clock oscillator, a different functional pinout arrangement, generation of the SYNC signal (supporting single-instruction stepping), and removal of data bus enablement control signals (DBE and BA, with the former directly connected to the phase 2 clock instead). It outperformed the more-complex 6800 and Intel 8080, but cost much less and was easier to work with. Although it did not have the 6501's advantage of being able to be used in place of the Motorola 6800 in existing hardware, it was so inexpensive that it quickly became more popular than the 6800, making that a moot point.
The 6502 was so cheap that many people believed it was a scam when MOS first showed it at a 1975 trade show. They were not aware of MOS's masking techniques and when they calculated the price per chip at the current industry yield rates, it did not add up. But any hesitation to buy it evaporated when both Motorola and Intel dropped the prices on their own designs from $179 to $69 at the same show in order to compete. Their moves legitimized the 6502, and by the show's end, the wooden barrel full of samples was empty.
The 6502 would quickly go on to be one of the most popular chips of its day. A number of companies licensed the 650x line from MOS, including Rockwell International, GTE, Synertek, and Western Design Center (WDC).
A number of different versions of the basic CPU, known as the 6503 through 6507, were offered in 28-pin packages for lower cost. The various models removed signal or address pins. Far and away the most popular of these was the 6507, which was used in the Atari 2600 and Atari disk drives. The 6504 was sometimes used in printers. MOS also released a series of similar CPUs using external clocks, which added a "1" to the name in the third digit, as the 6512 through 6515. These were useful in systems where the clock support was already being provided on the motherboard by some other source. The final addition was the "crossover" 6510, used in the Commodore 64, with additional I/O ports.
However successful the 6502 was, the company itself was having problems. At about the same time the 6502 was being released, MOS's entire calculator IC market collapsed, and its prior existing products stopped shipping. Soon they were in serious financial trouble. Another company, Commodore Business Machines (CBM), had invested heavily in the calculator market and was also nearly wiped out by TI's entry into the market. A fresh injection of capital saved CBM, and allowed it to invest in company suppliers in order to help ensure their IC supply would not be upset in this fashion again. Among the several companies were LED display manufacturers, power controllers, and suppliers of the driver chips, including MOS.
In late 1976, CBM, quoted at US$60 million on the NYSE, purchased MOS, valued at around US$12 million, in exchange for a 9.4 percent equity stake in CBM in an outright buy on the condition that Chuck Peddle would join Commodore as chief engineer. The deal went through, and while the firm basically became Commodore's production arm, they continued using the name MOS for some time so that manuals would not have to be reprinted. After a while MOS became the Commodore Semiconductor Group (CSG). Despite being renamed to CSG, all chips produced were still stamped with the old "MOS" logo until 1989.
MOS had previously designed a simple computer kit called the KIM-1, primarily to "show off" the 6502 chip. At Commodore, Peddle convinced the owner, Jack Tramiel, that calculators were a dead end, and that home computers would soon be huge.
However, the original design group appeared to be even less interested in working for Jack Tramiel than it had for Motorola, and the team quickly started breaking up. One result was that the newly completed 6522 (VIA) chip was left undocumented for years.
Bill Mensch left MOS even before the Commodore takeover, and moved home to Mesa, AZ from MOS's Norristown, PA. After a short stint consulting for a local company called ICE, he set up the Western Design Center (WDC) in 1978. As a licensee of the 6502 line, their first products were bug-fixed, power-efficient CMOS versions of the 6502 (the 65C02, both as a separate chip and embedded inside a microcontroller called the 65C150). But then they expanded the line greatly with the introduction of the 65816, a fairly straightforward 16-bit upgrade of the original 65C02 that could also run in 8-bit mode for compatibility. Since then WDC moved much of the original MOS catalog to CMOS, and the 6502 continued to be a popular CPU for the embedded systems market, like medical equipment and car dashboard controllers.
After Commodore's bankruptcy in 1994, Commodore Semiconductor Group, MOS's successor, was bought by its former management for about $4.3 million, plus an additional $1 million to cover miscellaneous expenses including EPA license. Dennis Peasenell became CEO. In December 1994, they entered into a Prospective Purchase Agreement (limiting the company's liability in exchange for sharing the costs of cleanup) with GMT Microelectronics.
In 1994, the company, operating under the name GMT Microelectronics ("Great Mixed-signal Technologies"), reopened MOS Technologies' original, circa-1970 one-micrometre fab in Norristown, Montgomery County, Pennsylvania that Commodore had closed in 1993.
GMT would have provided foundry services based on TelCom's Bipolar and SiCr Thin Film Resistor processes and would have been licensed alternate sources for TelCom's Bipolar based products., with production running at 10 thousand 5-inch wafers per month, producing CMOS, BiCMOS, NMOS, bipolar and SOI devices.
The plant had been on the EPA's National Priorities List of hazardous waste sites since October 4, 1989. This was due to a 1974 leak of TCE from an underground 250-gallon concrete storage tank used by Commodore Business Machines in the semiconductor cleaning process. Leaks from tank had caused the local groundwater to become contaminated with trichloroethylene (TCE) and other volatile organic compounds (VOCs) in 1978. By 1999 GMT Microelectronics had $21 million in revenues and 183 employees working on the site. In 2000, GMT Microelectronics discontinued operations and abandoned all of its assets at the Commodore Semiconductor Group superfund site.
Most of the MOS chips are named according to following rules, which shows used technology (logic gate design):
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https://en.wikipedia.org/wiki?curid=20703
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Margaret Sanger
Margaret Higgins Sanger (born Margaret Louise Higgins, September 14, 1879September 6, 1966, also known as Margaret Sanger Slee) was an American birth control activist, sex educator, writer, and nurse. Sanger popularized the term "birth control", opened the first birth control clinic in the United States, and established organizations that evolved into the Planned Parenthood Federation of America.
Sanger used her writings and speeches primarily to promote her way of thinking. She was prosecuted for her book "Family Limitation" under the Comstock Act in 1914. She was afraid of what would happen, so she fled to Britain until she knew it was safe to return to the US. Sanger's efforts contributed to several judicial cases that helped legalize contraception in the United States. Due to her connection with Planned Parenthood, Sanger is a frequent target of criticism by opponents of abortion. However, Sanger drew a sharp distinction between birth control and abortion and was opposed to abortion through the bulk of her career. Sanger remains an admired figure in the American reproductive rights movement. She has been criticized for supporting eugenics.
In 1916, Sanger opened the first birth control clinic in the United States, which led to her arrest for distributing information on contraception, after an undercover policewoman bought a copy of her pamphlet on family planning. Her subsequent trial and appeal generated controversy. Sanger felt that in order for women to have a more equal footing in society and to lead healthier lives, they needed to be able to determine when to bear children. She also wanted to prevent so-called back-alley abortions, which were common at the time because abortions were illegal in the United States. She believed that while abortion was sometimes justified it should generally be avoided, and she considered contraception the only practical way to avoid them.
In 1921, Sanger founded the American Birth Control League, which later became the Planned Parenthood Federation of America. In New York City, she organized the first birth control clinic to be staffed by all-female doctors, as well as a clinic in Harlem which had an all African-American advisory council, where African-American staff were later added. In 1929, she formed the National Committee on Federal Legislation for Birth Control, which served as the focal point of her lobbying efforts to legalize contraception in the United States. From 1952 to 1959, Sanger served as president of the International Planned Parenthood Federation. She died in 1966 and is widely regarded as a founder of the modern birth control movement.
Sanger was born Margaret Louise Higgins in 1879 in Corning, New York, to Irish Catholic parents—a "free-thinking" stonemason father, Michael Hennessey Higgins, and Anne Purcell Higgins. Michael had immigrated to the United States aged 14, joining the Army in the Civil War as a drummer aged 15. Upon leaving the army, he studied medicine and phrenology but ultimately became a stonecutter, chiseling-out angels, saints, and tombstones. Michael became an atheist and an activist for women's suffrage and free public education.
Anne accompanied her family to Canada during the Potato Famine. She married Michael in 1869. In 22 years, Anne Higgins conceived 18 times, birthing 11 alive before dying aged 49. Sanger was the sixth of 11 surviving children, spending her tender years submitted to the sharing of household chores and care of family members.
Supported by her two older sisters, Margaret Higgins attended Claverack College and Hudson River Institute, before enrolling in 1900 at White Plains Hospital as a nurse probationer. In 1902, she married architect William Sanger, giving up her education. Suffering from consumption (recurring active tubercular), Margaret Sanger was able to bear three children, and the five settled down to a quiet life in Westchester, New York.
In 1911, after a fire destroyed their home in Hastings-on-Hudson, the Sangers abandoned the suburbs for a new life in New York City. Margaret Sanger worked as a visiting nurse in the slums of the East Side, while her husband worked as an architect and a house painter. Already imbued with her husband's leftist politics, Margaret Sanger also threw herself into the radical politics and modernist values of pre-World War I Greenwich Village bohemia. She joined the Women's Committee of the New York Socialist party, took part in the labor actions of the Industrial Workers of the World (including the notable 1912 Lawrence textile strike and the 1913 Paterson silk strike) and became involved with local intellectuals, left-wing artists, socialists and social activists, including John Reed, Upton Sinclair, Mabel Dodge and Emma Goldman.
Sanger's political interests, her emerging feminism and her nursing experience all led her to write two series of columns on sex education which were titled "What Every Mother Should Know" (1911–12) and "What Every Girl Should Know" (1912–13) for the socialist magazine "New York Call." By the standards of the day, Sanger's articles were extremely frank in their discussion of sexuality, and many "New York Call" readers were outraged by them. Other readers, however, praised the series for its candor. One stated that the series contained "a purer morality than whole libraries full of hypocritical cant about modesty". Both were published in book form in 1916.
During her work among working-class immigrant women, Sanger met women who underwent frequent childbirth, miscarriages and self-induced abortions for lack of information on how to avoid unwanted pregnancy. Access to contraceptive information was prohibited on grounds of obscenity by the 1873 federal Comstock law and a host of state laws. Seeking to help these women, Sanger visited public libraries, but was unable to find information on contraception. These problems were epitomized in a story that Sanger would later recount in her speeches: while Sanger was working as a nurse, she was called to the apartment of a woman, "Sadie Sachs", who had become extremely ill due to a self-induced abortion. Afterward, Sadie begged the attending doctor to tell her how she could prevent this from happening again, to which the doctor simply advised her to remain abstinent. His exact words and actions, apparently, were to laugh and say "You want your cake while you eat it too, do you? Well it can’t be done. I'll tell you the only sure thing to do ... Tell Jake to sleep on the roof." A few months later, Sanger was called back to Sadie's apartment—only this time, Sadie died shortly after Sanger arrived. She had attempted yet another self-induced abortion. Sanger would sometimes end the story by saying, "I threw my nursing bag in the corner and announced ... that I would never take another case until I had made it possible for working women in America to have the knowledge to control birth"; biographer Ellen Chesler attempted unsuccessfully to find corroboration of this story. There is the strong possibility Sanger might have deliberately fabricated the whole story as a propaganda technique.
This story—along with Sanger's 1904 rescue of her unwanted niece Olive Byrne from the snowbank in which she had been left—marks the beginning of Sanger's commitment to spare women from the pursuit of dangerous and illegal abortions. Sanger opposed abortion, but primarily as a societal ill and public health danger which would disappear if women were able to prevent unwanted pregnancy.
Given the connection between contraception and working-class empowerment, Sanger came to believe that only by liberating women from the risk of unwanted pregnancy would fundamental social change take place. She launched a campaign to challenge governmental censorship of contraceptive information through confrontational actions.
Sanger became estranged from her husband in 1913, and the couple's divorce was finalized in 1921. In 1922, she married her second husband, James Noah H. Slee.
In 1914, Sanger launched "The Woman Rebel", an eight-page monthly newsletter which promoted contraception using the slogan "No Gods, No Masters". Sanger, collaborating with anarchist friends, popularized the term "birth control" as a more candid alternative to euphemisms such as "family limitation"; the term "birth control" was suggested in 1914 by a young friend called Otto Bobstei Sanger proclaimed that each woman should be "the absolute mistress of her own body." In these early years of Sanger's activism, she viewed birth control as a free-speech issue, and when she started publishing "The Woman Rebel", one of her goals was to provoke a legal challenge to the federal anti-obscenity laws which banned dissemination of information about contraception. Though postal authorities suppressed five of its seven issues, Sanger continued publication, all the while preparing "Family Limitation", another challenge to anti-birth control laws. This 16-page pamphlet contained detailed and precise information and graphic descriptions of various contraceptive methods. In August 1914, Margaret Sanger was indicted for violating postal obscenity laws by sending "The Woman Rebel" through the postal system. Rather than stand trial, she fled the country.
Margaret Sanger spent much of her 1914 exile in England, where contact with British neo-Malthusians such as Charles Vickery Drysdale helped refine her socioeconomic justifications for birth control. She shared their concern that over-population led to poverty, famine and war. At the Fifth International Neo-Malthusian Conference in 1922, she was the first woman to chair a session. She organized the Sixth International Neo-Malthusian and Birth-Control Conference that took place in New York in 1925. Over-population would remain a concern of hers for the rest of her life.
During her 1914 trip to England, she was also profoundly influenced by the liberation theories of Havelock Ellis, under whose tutelage she sought not just to make sexual intercourse safer for women but more pleasurable. Another notable person she met around this time was Marie Stopes, who had run into Sanger after she had just given a talk on birth control at a Fabian Society meeting. Stopes showed Sanger her writings and sought her advice about a chapter on contraception.
Early in 1915, Margaret Sanger's estranged husband, William Sanger, gave a copy of "Family Limitation" to a representative of anti-vice politician Anthony Comstock. William Sanger was tried and convicted, spending thirty days in jail while attracting interest in birth control as an issue of civil liberty. Margaret's second husband, Noah Slee, also lent his help to her life's work. In 1928, Slee would smuggle diaphragms into New York through Canada in boxes labeled as 3-In-One Oil. He later became the first legal manufacturer of diaphragms in the United States.
Some countries in northwestern Europe had more liberal policies towards contraception than the United States at the time, and when Sanger visited a Dutch birth control clinic in 1915, she learned about diaphragms and became convinced that they were a more effective means of contraception than the suppositories and douches that she had been distributing back in the United States. Diaphragms were generally unavailable in the United States, so Sanger and others began importing them from Europe, in defiance of United States law.
On October 16, 1916, Sanger opened a family planning and birth control clinic at 46 Amboy Street in the Brownsville neighborhood of Brooklyn, the first of its kind in the United States. Nine days after the clinic opened, Sanger was arrested. Sanger's bail was set at $500 and she went back home. Sanger continued seeing some women in the clinic until the police came a second time. This time, Sanger and her sister, Ethel Byrne, were arrested for breaking a New York state law that prohibited distribution of contraceptives. Sanger was also charged with running a public nuisance. Sanger and Byrne went to trial in January 1917. Byrne was convicted and sentenced to 30 days in a workhouse but went on a hunger strike. She was force-fed, the first woman hunger striker in the US to be so treated. Only when Sanger pledged that Byrne would never break the law was she pardoned after ten days. Sanger was convicted; the trial judge held that women did not have "the right to copulate with a feeling of security that there will be no resulting conception." Sanger was offered a more lenient sentence if she promised to not break the law again, but she replied: "I cannot respect the law as it exists today." For this, she was sentenced to 30 days in a workhouse. An initial appeal was rejected, but in a subsequent court proceeding in 1918, the birth control movement won a victory when Judge Frederick E. Crane of the New York Court of Appeals issued a ruling which allowed doctors to prescribe contraception. The publicity surrounding Sanger's arrest, trial, and appeal sparked birth control activism across the United States and earned the support of numerous donors, who would provide her with funding and support for future endeavors.<
In February 1917, Sanger began publishing the monthly periodical "Birth Control Review".
After World War I, Sanger shifted away from radical politics, and she founded the American Birth Control League (ABCL) in 1921 to enlarge her base of supporters to include the middle class. The founding principles of the ABCL were as follows:
After Sanger's appeal of her conviction for the Brownsville clinic secured a 1918 court ruling that exempted physicians from the law prohibiting the distribution of contraceptive information to women (provided it was prescribed for medical reason), she established the Clinical Research Bureau (CRB) in 1923 to exploit this loophole. The CRB was the first legal birth control clinic in the United States, staffed entirely by female doctors and social workers. The clinic received extensive funding from John D. Rockefeller Jr. and his family, who continued to make anonymous donations to Sanger's causes in subsequent decades.
John D. Rockefeller Jr. donated five thousand dollars to her American Birth Control League in 1924 and a second time in 1925.
In 1922, she traveled to China, Korea, and Japan. In China, she observed that the primary method of family planning was female infanticide, and she later worked with Pearl Buck to establish a family planning clinic in Shanghai. Sanger visited Japan six times, working with Japanese feminist Kato Shidzue to promote birth control. This was ironic, since ten years earlier Sanger had accused Katō of murder and praised an attempt to kill her.
In 1928, conflict within the birth control movement leadership led Sanger to resign as the president of the ABCL and take full control of the CRB, renaming it the Birth Control Clinical Research Bureau (BCCRB), marking the beginning of a schism that would last until 1938.
Sanger invested a great deal of effort communicating with the general public. From 1916 onward, she frequently lectured (in churches, women's clubs, homes, and theaters) to workers, churchmen, liberals, socialists, scientists, and upper-class women. She once lectured on birth control to the women's auxiliary of the Ku Klux Klan in Silver Lake, New Jersey. In her autobiography, she described the experience as "weird", and reported having the impression that the audience were all half-wits, and speaking in the simplest possible language, as if she were talking to children.
She wrote several books in the 1920s which had a nationwide impact in promoting the cause of birth control. Between 1920 and 1926, 567,000 copies of "Woman and the New Race" and "The Pivot of Civilization" were sold. She also wrote two autobiographies designed to promote the cause. The first, "My Fight for Birth Control", was published in 1931 and the second, more promotional version, "Margaret Sanger: An Autobiography", was published in 1938.
During the 1920s, Sanger received hundreds of thousands of letters, many of them written in desperation by women begging for information on how to prevent unwanted pregnancies. Five hundred of these letters were compiled into the 1928 book, "Motherhood in Bondage."
Sanger worked with African American leaders and professionals who saw a need for birth control in their communities. In 1929, James H. Hubert, a black social worker and the leader of New York's Urban League, asked Sanger to open a clinic in Harlem. Sanger secured funding from the Julius Rosenwald Fund and opened the clinic, staffed with black doctors, in 1930. The clinic was directed by a 15-member advisory board consisting of black doctors, nurses, clergy, journalists, and social workers. The clinic was publicized in the African-American press as well as in black churches, and it received the approval of W. E. B. Du Bois, the co-founder of the NAACP and the editor of its magazine, " The Crisis." Sanger did not tolerate bigotry among her staff, nor would she tolerate any refusal to work within interracial projects. Sanger's work with minorities earned praise from Martin Luther King, Jr., in his 1966 acceptance speech for the Margaret Sanger award.
From 1939 to 1942, Sanger was an honorary delegate of the Birth Control Federation of America, which included a supervisory role—alongside Mary Lasker and Clarence Gamble—in the Negro Project, an effort to deliver information about birth control to poor black people. Sanger advised Dr. Gamble on the utility of hiring a black physician for the Negro Project. She also advised him on the importance of reaching out to black ministers, writing:
The ministers work is also important and also he should be trained, perhaps by the [Birth Control] Federation [of America] as to our ideals and the goal that we hope to reach. We do not want word to go out that we want to exterminate the Negro population and the minister is the man who can straighten out that idea if it ever occurs to any of their more rebellious members.
New York University's "Margaret Sanger Papers Project" says that though the letter would have been meant to avoid the mistaken notion that the Negro Project was a racist campaign, detractors of Sanger, such as Angela Davis, have interpreted the passage "as evidence that she led a calculated effort to reduce the black population against its will".
In 1929, Sanger formed the National Committee on Federal Legislation for Birth Control in order to lobby for legislation to overturn restrictions on contraception. That effort failed to achieve success, so Sanger ordered a diaphragm from Japan in 1932, in order to provoke a decisive battle in the courts. The diaphragm was confiscated by the United States government, and Sanger's subsequent legal challenge led to a 1936 court decision which overturned an important provision of the Comstock laws which prohibited physicians from obtaining contraceptives. This court victory motivated the American Medical Association in 1937 to adopt contraception as a normal medical service and a key component of medical school curriculums.
This 1936 contraception court victory was the culmination of Sanger's birth control efforts, and she took the opportunity, now in her late 50s, to move to Tucson, Arizona, intending to play a less critical role in the birth control movement. In spite of her original intentions, she remained active in the movement through the 1950s.
In 1937, Sanger became chairman of the newly formed Birth Control Council of America, and attempted to resolve the schism between the ABCL and the BCCRB. Her efforts were successful, and the two organizations merged in 1939 as the Birth Control Federation of America. Although Sanger continued in the role of president, she no longer wielded the same power as she had in the early years of the movement, and in 1942, more conservative forces within the organization changed the name to Planned Parenthood Federation of America, a name Sanger objected to because she considered it too euphemistic.
In 1948, Sanger helped found the International Committee on Planned Parenthood, which evolved into the International Planned Parenthood Federation in 1952, and soon became the world's largest non-governmental international women's health, family planning and birth control organization. Sanger was the organization's first president and served in that role until she was 80 years old. In the early 1950s, Sanger encouraged philanthropist Katharine McCormick to provide funding for biologist Gregory Pincus to develop the birth control pill which was eventually sold under the name Enovid. Pincus had recruited Dr. John Rock, Harvard gynecologist, to investigate clinical use of progesterone to prevent ovulation. (Jonathan Eig (2014). "The Birth of the Pill: How Four Crusaders Reinvented Sex and Launched a Revolution." W. W. Norton & Company. New York. London. pp. 104ff.) Pincus would often say that he never could have done it without Sanger, McCormick, and Rock. (Ibid., p. 312.)
Sanger died of congestive heart failure in 1966 in Tucson, Arizona, aged 86, about a year after the U.S. Supreme Court case "Griswold v. Connecticut", which legalized birth control in the United States. Sanger is buried in Fishkill, New York, next to her sister, Nan Higgins, and her second husband, Noah Slee. One of her surviving brothers was College Football Hall of Fame player and Pennsylvania State University Head Football coach Bob Higgins.
While researching information on contraception, Sanger read treatises on sexuality including "The Psychology of Sex" by the English psychologist Havelock Ellis and was heavily influenced by it. While traveling in Europe in 1914, Sanger met Ellis. Influenced by Ellis, Sanger adopted his view of sexuality as a powerful, liberating force. This view provided another argument in favor of birth control, because it would enable women to fully enjoy sexual relations without fear of unwanted pregnancy. Sanger also believed that sexuality, along with birth control, should be discussed with more candor, and praised Ellis for his efforts in this direction. She also blamed Christianity for the suppression of such discussions.
Sanger opposed excessive sexual indulgence. She wrote that "every normal man and woman has the power to control and direct his sexual impulse. Men and women who have it in control and constantly use their brain cells thinking deeply, are never sensual." Sanger said that birth control would elevate women away from the position of being objects of lust and elevate sex away from an activity that was purely being engaged in for the purpose of satisfying lust, saying that birth control "denies that sex should be reduced to the position of sensual lust, or that woman should permit herself to be the instrument of its satisfaction." Sanger wrote that masturbation was dangerous. She stated: "In my personal experience as a trained nurse while attending persons afflicted with various and often revolting diseases, no matter what their ailments, I never found any one so repulsive as the chronic masturbator. It would not be difficult to fill page upon page of heart-rending confessions made by young girls, whose lives were blighted by this pernicious habit, always begun so innocently." She believed that women had the ability to control their sexual impulses, and should utilize that control to avoid sex outside of relationships marked by "confidence and respect". She believed that exercising such control would lead to the "strongest and most sacred passion". However, Sanger was not opposed to homosexuality and praised Ellis for clarifying "the question of homosexuals ... making the thing a—not exactly a perverted thing, but a thing that a person is born with different kinds of eyes, different kinds of structures and so forth ... that he didn't make all homosexuals perverts—and I thought he helped clarify that to the medical profession and to the scientists of the world as perhaps one of the first ones to do that."
Sanger opposed censorship throughout her career. Sanger grew up in a home where orator Robert Ingersoll was admired. During the early years of her activism, Sanger viewed birth control primarily as a free-speech issue, rather than as a feminist issue, and when she started publishing "The Woman Rebel" in 1914, she did so with the express goal of provoking a legal challenge to the Comstock laws banning dissemination of information about contraception. In New York, Emma Goldman introduced Sanger to members of the Free Speech League, such as Edward Bliss Foote and Theodore Schroeder, and subsequently the League provided funding and advice to help Sanger with legal battles.
Over the course of her career, Sanger was arrested at least eight times for expressing her views during an era in which speaking publicly about contraception was illegal. Numerous times in her career, local government officials prevented Sanger from speaking by shuttering a facility or threatening her hosts. In Boston in 1929, city officials under the leadership of James Curley threatened to arrest her if she spoke. In response she stood on stage, silent, with a gag over her mouth, while her speech was read by Arthur M. Schlesinger, Sr.
After World War I, Sanger increasingly appealed to the societal need to limit births by those least able to afford children. The affluent and educated already limited their child-bearing, while the poor and uneducated lacked access to contraception and information about birth control. Here she found an area of overlap with eugenicists. She believed that they both sought to "assist the race toward the elimination of the unfit." She distinguished herself from other eugenicists, by saying that "eugenists imply or insist that a woman's first duty is to the state; we contend that her duty to herself is her duty to the state. We maintain that a woman possessing an adequate knowledge of her reproductive functions is the best judge of the time and conditions under which her child should be brought into the world. We further maintain that it is her right, regardless of all other considerations, to determine whether she shall bear children or not, and how many children she shall bear if she chooses to become a mother." Sanger was a proponent of negative eugenics, which aimed to improve human hereditary traits through social intervention by reducing the reproduction of those who were considered unfit.
Sanger's view of eugenics was influenced by Havelock Ellis and other British eugenicists, who believed that environmentally acquired traits were inherited by one's progeny. She did not speak specifically to the idea of race or ethnicity being determining factors and "although Sanger articulated birth control in terms of racial betterment and, like most old-stock Americans, supported restricted immigration, she always defined fitness in individual rather than racial terms." Instead, she stressed limiting the number of births to live within one's economic ability to raise and support healthy children. This would lead to a betterment of society and the human race. Sanger's view put her at odds with leading American eugenicists, such as Charles Davenport, who took a racist view of inherited traits. In "A History of the Birth Control Movement in America", Engelman also noted that "Sanger quite effortlessly looked the other way when others spouted racist speech. She had no reservations about relying on flawed and overtly racist works to serve her own propaganda needs."
In "The Morality of Birth Control", a 1921 speech, she divided society into three groups: the "educated and informed" class that regulated the size of their families, the "intelligent and responsible" who desired to control their families in spite of lacking the means or the knowledge, and the "irresponsible and reckless people" whose religious scruples "prevent their exercising control over their numbers". Sanger concludes, "There is no doubt in the minds of all thinking people that the procreation of this group should be stopped."
Sanger's eugenics policies included an exclusionary immigration policy, free access to birth control methods, and full family planning autonomy for the able-minded, as well as compulsory segregation or sterilization for the "profoundly retarded". Sanger wrote, "we [do not] believe that the community could or should send to the lethal chamber the defective progeny resulting from irresponsible and unintelligent breeding." In "The Pivot of Civilisation" she attacked charity organizations arguing that their efforts contribute to spreading of "sinister forces of the hordes of irresponsibility and imbecility" and "human weed".
In personal correspondence she expressed her sadness about the aggressive and lethal Nazi eugenics program, and donated to the American Council Against Nazi Propaganda.
Sanger believed that self-determining motherhood was the only unshakable foundation for racial betterment. Initially she advocated that the responsibility for birth control should remain with able-minded individual parents rather than the state. Later, she proposed that "Permits for parenthood shall be issued upon application by city, county, or state authorities to married couples," but added that the requirement should be implemented by state advocacy and reward for complying, not enforced by punishing anyone for violating it.
Sanger justified her decision to speak to a women's auxiliary of the Ku Klux Klan group by explaining, "to me any aroused group is a good group." She was supported by one of the most racist authors in America in the 1920s, the Klansman Lothrop Stoddard, who was a founding member of the Board of Directors of Sanger's American Birth Control League. Chesler comments:
Margaret Sanger opposed abortion and sharply distinguished it from birth control, the latter being a fundamental right of women, the former being a shameful crime. In 1916, when she opened her first birth control clinic, she was employing harsh rhetoric against abortion. Flyers she distributed to women exhorted them in all capitals: "Do not kill, do not take life, but prevent." Sanger's patients at that time were told "that abortion was the wrong way—no matter how early it was performed it was taking life; that contraception was the better way, the safer way—it took a little time, a little trouble, but it was well worth while in the long run, because life had not yet begun." Sanger consistently distanced herself from any calls for legal access to abortion, arguing that legal access to contraceptives would remove the need for abortion. Ann Hibner Koblitz has argued that Sanger's anti-abortion stance contributed to the further stigmatization of abortion and impeded the growth of the broader reproductive rights movement.
While Margaret Sanger condemned abortion as a method of family limitation, she was not opposed to abortion intended to save a woman's life. Furthermore, in 1932, Margaret Sanger directed the Clinical Research Bureau to start referring patients to hospitals for therapeutic abortions when indicated by an examining physician. She also advocated for birth control so that the pregnancies that led to therapeutic abortions could be prevented in the first place.
Sanger's writings are curated by two universities: New York University's history department maintains the "Margaret Sanger Papers Project", and Smith College's Sophia Smith Collection maintains the "Margaret Sanger Papers" collection.
Sanger's story also features in several biographies, including David Kennedy's biography "Birth Control in America: The Career of Margaret Sanger" (1970), which won the Bancroft Prize and the John Gilmary Shea Prize. She is also the subject of the television films "Portrait of a Rebel: The Remarkable Mrs. Sanger" (1980), and "" (1995). In 2013, the American cartoonist Peter Bagge published "Woman Rebel", a full-length graphic-novel biography of Sanger. In 2016, Sabrina Jones published the graphic novel "Our Lady of Birth Control: A Cartoonist's Encounter With Margaret Sanger."
Sanger has been recognized with several honors. Her speech "Children's Era", given in 1925, is listed as #81 in American Rhetoric's Top 100 Speeches of the 20th Century (listed by rank). Sanger was an inspiration for Wonder Woman, a comic-book character introduced by William Marston in 1941. Marston was influenced by early feminist thought while in college, and later formed a romantic relationship with Sanger's niece, Olive Byrne. According to Jill Lepore, several Wonder Woman story lines were at least in part inspired by Sanger, like the character's involvement with different labor strikes and protests. Between (and including) 1953 and 1963, Sanger was nominated for the Nobel Peace Prize 31 times. In 1957, the American Humanist Association named her Humanist of the Year. In 1966, Planned Parenthood began issuing its Margaret Sanger Awards annually to honor "individuals of distinction in recognition of excellence and leadership in furthering reproductive health and reproductive rights". The 1979 artwork "The Dinner Party" features a place setting for her. In 1981, Sanger was inducted into the National Women's Hall of Fame. In 1976, she was inducted into the first class of the Steuben County (NY) Hall of Fame. In 1993, the United States National Park Service designated the Margaret Sanger Clinic—where she provided birth-control services in New York in the mid-twentieth century—as a National Historic Landmark. As well, government authorities and other institutions have memorialized Sanger by dedicating several landmarks in her name, including a residential building on the Stony Brook University campus, a room in Wellesley College's library, and Margaret Sanger Square in New York City's Noho area. There is a bust of Sanger in the National Portrait Gallery, which was a gift from Cordelia Scaife May. Sanger, a crater in the northern hemisphere of Venus, takes its name from Margaret Sanger.
Due to her connection with Planned Parenthood, many who oppose abortion frequently condemn Sanger by criticizing her views on birth control and eugenics. In spite of such controversies, Sanger continues to be regarded as a force in the American reproductive rights and women's rights movements.
The Planned Parenthood headquarters on Bleecker Street in New York now bears her name. Wellesley College Library has a room named in her honor. There is a Margaret Sanger Lane in Plattsburgh, New York and an Allée Margaret Sanger in Saint-Nazaire, France.
Hoolihan, Christopher (2004), "An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine and Health Reform, Vol. 2 (M–Z)", University Rochester Press, p. 299. Multiple editions published through the 1920s, by Max N. Maisel and Sincere Publishing, with the title "What Every Mother Should Know, or how six little children were taught the truth ..." Online (1921 edition, Michigan State University)
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Mobil
Mobil, previously known as the Socony-Vacuum Oil Company, is a major American oil company that merged with Exxon in 1999 to form a parent company called ExxonMobil. It was previously one of the Seven Sisters that dominated the global petroleum industry from the mid-1940s until the 1970s. Today, Mobil continues as a major brand name within the combined company, as well as still being a gas station sometimes paired with its own store or On the Run. The former Mobil headquarters in Fairfax County, Virginia, was used as ExxonMobil's downstream headquarters until 2015 when ExxonMobil consolidated employees into a new corporate campus in Spring, Texas.
Following the break-up of Standard Oil in 1911, the Standard Oil Company of New York, or Socony, was founded, along with 33 other successor companies. In 1920, the company registered the name "Mobiloil" as a trademark.
Henry Clay Folger was head of the company until 1923, when he was succeeded by Herbert L. Pratt. Beginning February 29, 1928 on NBC, Socony Oil reached radio listeners with a comedy program, "Soconyland Sketches", scripted by William Ford Manley and featuring Arthur Allen and Parker Fennelly as rural New Englanders. Socony continued to sponsor the show when it moved to CBS in 1934. In 1935, it became the "Socony Sketchbook," with Christopher Morley and the Johnny Green orchestra.
In 1931, Socony merged with Vacuum Oil to form Socony-Vacuum.
In 1933, Socony-Vacuum and Jersey Standard (which had oil production and refineries in Indonesia) merged their interests in the Far East into a 50–50 joint venture. Standard-Vacuum Oil Co., or "Stanvac", operated in 50 countries, including New Zealand, China, and the region of East Africa, before it was dissolved in 1962. In 1935, Socony Vacuum Oil opened the huge Mammoth Oil Port on Staten Island which had a capacity of handling 250 million gallons of petroleum products a year and could transship oil from ocean-going tankers and river barges.
In 1940, Socony-Vacuum's gasoline buying practices led to the major antitrust law case "United States v. Socony-Vacuum Oil Co." The case originated with Socony-Vacuum's practices of organizing a cartel among the "major" oil companies in which they bought oil—known as "hot oil"—from independent producers and stored the surplus in tanks to limit the supply of oil available on the market and keep the price of oil artificially high. In its decision, the U.S. Supreme Court ruled that regardless of the purpose of the price fixing or if the prices varied, such conduct was illegal in and of itself: "Under the Sherman Act a combination formed for the purpose and with the effect of raising, depressing, fixing, pegging, or stabilizing the price of a commodity in interstate or foreign commerce is illegal "per se"..." This rule remains in use today for agreements that appear on their face to always or almost always restrict competition and reduce output.
In 1955, Socony-Vacuum was renamed Socony Mobil Oil Company. In 1963, it changed its trade name from "Mobiloil" to simply "Mobil", introducing a new logo (created by New York graphic design firm Chermayeff & Geismar). To celebrate its 100th anniversary in 1966, "Socony" was dropped from the corporate name.
From 1936 to 1968, Mobil sponsored an economy run each year (except during World War II) in which domestic automobiles of various manufacturers in several price and size classes were driven by light-footed drivers on cross-country runs. The Economy Run originated with the Gilmore Oil Company of California in 1936 (which was purchased by Socony-Vacuum in 1940) and later became the Mobilgas Economy Run, and still later the Mobil Economy Run. The cars driven in the economy run were fueled with Mobil gasoline, and Mobiloil and lubricants were also used. The vehicles in each class that achieved the highest fuel economy numbers were awarded the coveted title as the Mobilgas Economy Run winner.
During American involvement in World War II, April 29, 1942, Socony's unescorted tanker, named "Mobiloil", was sunk by a German U-boat (German Type IX submarine "U-108" captained by Klaus Schlotz), and all 52 people survived after 86 hours adrift in lifeboats. Socony-Mobil ranked 86th among United States corporations in the value of World War II military production contracts.
Through the years, Mobil was among the largest sellers of gasoline and motor oils in the United States and even held the top spot during the 1940s and much of the 1950s. Various Mobil products during the Socony-Vacuum and Socony-Mobil years included Metro, Mobilgas and Mobilgas Special gasolines; Mobilfuel Diesel, MobilHeat and Mobil-flame heating oil, Mobil Kerosine, Lubrite, Gargoyle, Mobiloil and Mobiloil Special motor oils; Mobilgrease, Mobillubrication, Mobil Upperlube, Mobil Freezone and Permazone antifreezes, Mobilfluid automatic transmission fluid, Mobil Premiere tires, Mobil Stop-Leak, and Mobil Lustrecloth, among many others.
In 1954, Mobil introduced a new and improved Mobilgas Special in response to trends toward new automobiles powered by high-compression engines that demanded higher and higher octane gasolines. The newest formulas of Mobilgas Special were advertised as offering "A Tune-Up in Every Tankful" due to a combination of chemicals known as the "Mobil Power Compound" which was designed to increase power, check pre-ignition ping, correct spark plug misfiring, control stalling and combat gumming up of carburetors. Later Mobil campaigns advertised Mobilgas as the "New Car Gasoline" following extensive testing during the annual Mobilgas Economy Run.
In 1962, the gasoline product lines marketed as Mobilgas and Mobilgas Special were rebranded as Mobil Regular and Mobil Premium in a move to emphasize the shortened brand name "Mobil" in promotional efforts, although Mobiloil continued as a single-word term until the 1970s. After a few years of advertising Mobil gasolines as "Megatane"-rated and as "High Energy" gasolines, Mobil began, in 1966, to promote both its Regular and Premium fuels as "Detergent Gasolines", due to the inclusion of additives designed to clean carburetors and various internal engine parts. During the early 1970s, Mobil ran a TV commercial featuring a character known as "Mr. Dirt" to show the ruinous effects that dirt had on automotive engines for which a tank of Mobil Detergent Gasoline could provide a cure and preventive medicine against damage that could lead to costly repairs.
As automakers were switching en masse from carbureted to fuel-injected engines during the early to mid-1980s, and the detergent additives that existed in most available gasolines proved not to be enough to prevent injection clogging, leading to drivability problems, Mobil received accolades from General Motors and other automakers for increasing the detergency of its Super Unleaded gasoline in 1984 to prevent formation or deposit build-ups of the injectors but also remove existing deposits as well in normal driving. At the end of the 1980s Mobil sold its fuel stations in Norway, Sweden, and Denmark to Norsk Hydro, who converted them into Hydro stations.
William P. Tavoulareas was President of Mobil Corporation until succeeded by Allen E. Murray in 1984.
Mobil moved its headquarters from 150 East 42nd Street, New York City to Fairfax County, Virginia, in 1987. That same year, Mobil sold nearly all of its stations in Western Pennsylvania (including Pittsburgh) to Standard Oil of Ohio (which had just been fully acquired by BP) and terminated franchise contracts with the rest of the stations in the area, withdrawing the Mobil brand from the area for 29 years until a Uni-Mart location in Coraopolis, Pennsylvania started selling Mobil gasoline in 2016.
In 1998, Mobil and Exxon agreed on a merger to create ExxonMobil, which was completed on November 30, 1999. Lou Noto was Chairman of Mobil at the time of the merger, and Walter Arnheim was treasurer.
Mobil continues to operate as a major brandname of ExxonMobil within the ExxonMobil Fuels, Lubricants & Specialties division. Many of its products feature the Mobil symbol of a winged red horse, Pegasus, which has been a company trademark since its affiliation with Magnolia Petroleum Company in the 1930s.
The Mobil brand now mainly covers a wide range of automotive, industrial, aviation and marine lubricants. For historic reasons, the Mobil brand is still used by Mobil service stations and for fuel (gasoline, diesel, heating oil, kerosene, aviation fuels and marine fuel) products.
There are four main Mobil sub-brands:
Mobil is ExxonMobil's primary retail gasoline brand in California, Florida, New York, New England, the Great Lakes and the Midwest. The Mobil brand is also used to market gasoline in Australia, Canada (since 2017), Colombia, Egypt, Guam, Japan (until 2019), Malaysia (until 2012), Mexico (starting about first quarter of 2018), New Zealand and Nigeria.
The Mobil brand has a significant market presence in the following metropolitan areas:
Mobil stores have made an increased presence in Arizona. Growing in size in the Phoenix area from fewer than 5 stations to over 20. Mobil stores have also made an increased presence in areas of Northwest Oregon and Southwest Washington.
Exxon is the primary brand in the rest of the United States, with the highest concentration of Exxon retail outlets located in New Jersey, Pennsylvania, Texas (Mobil has a sizeable amount of stations in Dallas and Houston), Louisiana (mainly New Orleans as well as Baton Rouge) and in the Mid-Atlantic and Southeastern states. Esso is ExxonMobil's primary gasoline brand worldwide. Both the Esso and Mobil brands are used in Canada (since 2017), Colombia, Egypt, and formerly Japan and Malaysia, in which the latter were rebranded as Petron in 2013, and ENEOS for the former in 2019, separately. In Esso stations in Hong Kong and Singapore, the Mobil brand is used on fuel tanks, along with Esso.
Mobil 1, the successor to the Mobiloil brand, is a brand name of ExxonMobil. It was introduced in 1974 as a Multi-grade 5W20 viscosity synthetic motor oil. The brand now includes multi-grade motor oils, oil filters, synthetic grease, transmission fluids, and gear lubricants. The Esso and Exxon motor oil brands have largely been discontinued.
Mobil Delvac is a range of heavy-duty lubricants designed for commercial vehicles. The range includes engine oils, transmission fluids, drivetrain lubricants and various greases.
Mobil Industrial is a sub-brand of ExxonMobil for marketing oils and greases used in industrial applications. The main product lines are Mobil SHC synthetic oils and Mobil Grease greases.
Mobil rebranded numerous stations to the Hi-Val, Reelo and Sello discount gasoline brands after major price increases following the 1970s oil crisis made a significant number of consumers extremely price conscious. The stations were converted Mobil stations selling convenience store items in the station lobby, while the service bays were rented to customers for do-it-yourself auto repairs. These brands were discontinued in the 1980s, after the gasoline market had recovered.
Mobil expanded the sale of convenience store items first pioneered at its discount gasoline stations under the Mobil Mart brand. Mobil continued to refine and enhance its convenience store offerings with the On-the-Run C-store brand, which proved to be much more popular. On-the-Run was sold to Alimentation Couche-Tard, operator of the Circle K convenience store chain. Some On the Run locations were sold to 7-Eleven.
The Mobil Guide was an annual book of hotel and restaurant recommendations based on a system developed by Mobil in 1958. It rated businesses from one to five stars according to their assessed quality. In October 2009, ExxonMobil licensed the brand to "Forbes" magazine, which retitled the guide's various designations, e.g., Forbes Travel Guide, Forbes Five Stars, and so on. Forbes launched revised versions of various guides in late 2009.
In 2000, Lukoil purchased the remaining assets of Getty Oil and began opening Lukoil stations in the US in 2003. Most of the US Lukoil locations are converted Getty stations, although some are also converted Mobil stations bought from ConocoPhillips when that company left the Northeast.
In spring 2004, Lukoil purchased 779 Mobil gas stations throughout New Jersey and Pennsylvania, and in 2005 began converting them to the Lukoil brand. Most New Jersey Mobil locations were converted to Lukoil stations.
Vacuum Oil Company started selling lubricating oils in Europe in the late 19th century. By the 1930s its Mobiloil had become one of the main brands. Mobil gradually expanded its operation into fuels retailing as well, and opened its first UK service stations in the early 1950s, after the wartime POOL monopoly was disbanded. Mobil grew to become the seventh largest brand of petrol in Britain, supplying 1,990 outlets in 1965, and claimed in the mid-1960s to be the first company to operate 100 self-service stations. As well as its downstream interests, Mobil was active in the North Sea and operated an oil refinery in Coryton (opened in 1953), on the Thames estuary. In 1996, Mobil's fuels operations in Europe were placed into a joint venture 70% owned by BP, and the Mobil brand disappeared from service stations. Mobil continued to sell lubricants through BP and independent service stations. Following Mobil's merger with Exxon, at the start of 2000 BP acquired all the petrol retailing assets as well as the Coryton refinery (but sold it to Petroplus in 2007). Mobil returned to being purely a lubricant brand in Europe, and became the premium quality oil on sale at Esso service stations.
The Vacuum Oil Company began operating in Australia in 1895, introducing its Plume brand of petrol in 1916. The Flying Red Horse (Pegasus) logo was introduced in 1939, and in 1954, the Plume brand was replaced by Mobilgas.
Mobil Australia's corporate office is in Melbourne. In 1946, Mobil began construction of its refinery at Altona, in Melbourne's western suburbs, which originally produced lubricating oils and bitumen, before commencing the production of motor vehicle fuels in 1956. A second refinery at Port Stanvac, south of Adelaide, came on-stream in 1963, but was closed in 2003. Mobil commenced removal of the refinery in July 2009, together with site remediation works.
In 1990, Mobil acquired the service station network of Esso Australia. On 27 May 2009, Caltex Australia announced it would be acquiring 302 Mobil service stations in Melbourne, Brisbane, Sydney and Adelaide, subject to approval of the Australian Competition & Consumer Commission. The ACCC subsequently announced its opposition to the takeover, citing the likelihood of increased fuel prices due to diminished competition.
On 27 May 2010, 7-Eleven announced that it had acquired Mobil's entire Australian network of 295 service stations, with fuel still to be supplied by Mobil. At the same time, it was announced that 7-Eleven had sold 29 South Australian service stations to Peregrine Corporation. Peregrine's acquisition saw Mobil's sites in South Australia rebranded to On the Run convenience stores, but they continued to be supplied by Mobil. 7-Eleven store renovations and openings since 2013 have included prominent placement of the Mobil logo (as the advertised fuel supplier), usually underneath the 7-Eleven logo, on main signage as well as on petrol pumps.
Mobil is the oldest oil company in New Zealand with commercial operations dating back to 1896. It first began operating in New Zealand under the Standard Oil brand name selling kerosene in the 1870s. Early in 1896, Vacuum Oil of New York established a marketing office on Featherston Street in Wellington selling lamp oil and harness grease. It brought with it extensive collective production, marketing and management skills that presented a major advancement in business organisation. The company's unrivaled mineral lubricant products and associated services quickly dominated the market.
When New Zealanders began taking to the motorcar in the early twentieth century, Vacuum Oil expanded into the oil refining business. Its marketing network and transportation fleet grew as it extended its range of operation. The company continued to meet New Zealand's fuel needs throughout World War One holding roughly eighty five percent of the market. However, after the war Vacuum Oil began facing very strong competition from a number of multinational oil companies which began setting up operations in New Zealand. Among these competitors was the Atlantic Union Oil Company, another of ExxonMobil's historical companies.
Atlantic Union was bought by the New Jersey-based Standard Oil Company, which would later become Exxon, and its eastern hemisphere interests were merged with those of Socony-Vacuum Oil Company to create the Standard-Vacuum Oil Company. The new company continued operations in New Zealand under both the Vacuum and Atlantic Union brand names.
On November 30, 1999, Exxon Corporation and Mobil Oil Corporation merged with Mobil Oil New Zealand Limited now owned by new entity ExxonMobil. The company currently owns a 17.2 percent share in The New Zealand Refining Company Limited which operates an oil refinery at Marsden Point near the city of Whangarei. It supplies roughly twenty percent of the total fuels market in New Zealand which most of its products sourced from the Marsden Point refinery. Mobil Oil New Zealand Limited operates over one hundred and fifty locations across the country either as Mobil-owned stations or as franchises. It also operates six storage locations across the country maintaining a reputation as a dominant petroleum company in New Zealand.
The first petrol station of Mobil in Greece opened in March 4, 1955. Up until 1970 had opened about 100 petrol stations of the company. On the March 1st 1999 Mobil closed its remaining petrol stations in Greece.
Since the 1960s, Esso and Mobil stations in Japan had been run by Tōnen General Sekiyu, which had a controlling stake owned by ExxonMobil. In 2012, the company bought out much of ExxonMobil's stake, reducing it to a 22% minority. In 2016, ExxonMobil sold the remainder of its stake.
In 2017, the company announced that it would merge with JX Group to form JXTG Holdings, with its petroleum business operating as JXTG Nippon Oil & Energy. Following the merger, it was announced that both the Esso and Mobil brands would be phased out by 2020, and replaced by the JX-originated Eneos banner.
In April 2017, Loblaw Companies sold its network of 213 gas stations (all of which are attached to its various grocery store locations) to Brookfield Business Partners. Brookfield announced that it would license the Mobil brand from ExxonMobil for use on these locations, making them a sister to Imperial Oil's network of Esso-branded gas stations in Canada. As part of the sale agreement, the Mobil stations continue to offer Loblaw's PC Optimum rewards program (which Esso also joined the following year).
Brookfield stated that it would open further Mobil stations beyond the Loblaw properties.
In Egypt, ExxonMobil's operations started in 1902, it is known for providing quality lubricants and fuels as well as convenience products. It offers more than 350 service stations, more than 40 Mobil 1 centers and a variety of industrial products, lubrication programs and services. Some stations in Cairo, Alexandria and Giza feature On the Run convenience stores.
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Ku Klux Klan
The Ku Klux Klan (), commonly called the KKK or the Klan, is an American white supremacist hate group whose primary targets are African Americans as well as Jews, immigrants, leftists, members of the LGBT community and, until recently, Catholics. The Klan has existed in three distinct eras at different points in time during the history of the United States. Each has advocated extremist reactionary positions such as white nationalism, anti-immigration and – especially in later iterations – Nordicism, antisemitism, prohibition, homophobia, Islamophobia, and anti-Catholicism. Historically, the first Klan used terrorism – both physical assault and murder – against politically active blacks and their allies in the South in the late 1860s, until it was suppressed around 1872. All three movements have called for the "purification" of American society and all are considered "right-wing extremist" organizations. In each era, membership was secret and estimates of the total were highly exaggerated by both friends and enemies.
The first Klan flourished in the Southern United States in the late 1860s during Reconstruction, then died out by the early 1870s. It sought to overthrow the Republican state governments in the South, especially by using voter intimidation and targeted violence against African-American leaders. Each chapter was autonomous and highly secret as to membership and plans. Its numerous chapters across the South were suppressed around 1871, through federal law enforcement. Members made their own, often colorful, costumes: robes, masks and conical hats, designed to be terrifying and to hide their identities.
The second Klan started small in Georgia in 1915. It grew after 1920 and flourished nationwide in the early and mid-1920s, including urban areas of the Midwest and West. Taking inspiration from D. W. Griffith's 1915 silent film "The Birth of a Nation", which mythologized the founding of the first Klan, it employed marketing techniques and a popular fraternal organization structure. Rooted in local Protestant communities, it sought to maintain white supremacy, often took a pro-Prohibition stance, and it opposed Catholics and Jews, while also stressing its opposition to the alleged political power of the Pope and the Catholic Church. This second Klan flourished both in the south and northern states; it was funded by initiation fees and selling its members a standard white costume. The chapters did not have dues. It used K-words which were similar to those used by the first Klan, while adding cross burnings and mass parades to intimidate others. It rapidly declined in the later half of the 1920s.
The third and current manifestation of the KKK emerged after 1950, in the form of localized and isolated groups that use the KKK name. They have focused on opposition to the civil rights movement, often using violence and murder to suppress activists. It is classified as a hate group by the Anti-Defamation League and the Southern Poverty Law Center. , the Anti-Defamation League puts total KKK membership nationwide at around 3,000, while the Southern Poverty Law Center puts it at 6,000 members total.
The second and third incarnations of the Ku Klux Klan made frequent references to America's "Anglo-Saxon" blood, hearkening back to 19th-century nativism. Although members of the KKK swear to uphold Christian morality, the group is widely denounced by Christian denominations.
The first Klan was founded in Pulaski, Tennessee, on December 24, 1865 by six former officers of the Confederate army as a fraternal social club inspired at least in part by the then largely defunct Sons of Malta. It borrowed parts of the initiation ceremony from that group, with the same purpose: "ludicrous initiations, the baffling of public curiosity, and the amusement for members were the only objects of the Klan", according to Albert Stevens in 1907. The manual of rituals was printed by Laps D. McCord of Pulaski.
According to "The Cyclopædia of Fraternities" (1907), "Beginning in April, 1867, there was a gradual transformation ... The members had conjured up a veritable Frankenstein. They had played with an engine of power and mystery, though organized on entirely innocent lines, and found themselves overcome by a belief that something must lie behind it all—that there was, after all, a serious purpose, a work for the Klan to do."
Although there was little organizational structure above the local level, similar groups rose across the South and adopted the same name and methods. Klan groups spread throughout the South as an insurgent movement promoting resistance and white supremacy during the Reconstruction Era. For example, Confederate veteran John W. Morton founded a chapter in Nashville, Tennessee. As a secret vigilante group, the Klan targeted freedmen and their allies; it sought to restore white supremacy by threats and violence, including murder. "They targeted white Northern leaders, Southern sympathizers and politically active blacks." In 1870 and 1871, the federal government passed the Enforcement Acts, which were intended to prosecute and suppress Klan crimes.
The first Klan had mixed results in terms of achieving its objectives. It seriously weakened the black political establishment through its use of assassinations and threats of violence; it drove some people out of politics. On the other hand, it caused a sharp backlash, with passage of federal laws that historian Eric Foner says were a success in terms of "restoring order, reinvigorating the morale of Southern Republicans, and enabling blacks to exercise their rights as citizens". Historian George C. Rable argues that the Klan was a political failure and therefore was discarded by the Democratic leaders of the South. He says:
After the Klan was suppressed, similar insurgent paramilitary groups arose that were explicitly directed at suppressing Republican voting and turning Republicans out of office: the White League, which started in Louisiana in 1874; and the Red Shirts, which started in Mississippi and developed chapters in the Carolinas. For instance, the Red Shirts are credited with helping elect Wade Hampton as governor in South Carolina. They were described as acting as the military arm of the Democratic Party and are attributed with helping white Democrats regain control of state legislatures throughout the South. In addition, there were thousands of Confederate veterans in what were called rifle clubs.
In 1915, the second Klan was founded atop Stone Mountain, Georgia by William Joseph Simmons. While Simmons relied on documents from the original Klan and memories of some surviving elders, the revived Klan was based significantly on the wildly popular film, "The Birth of a Nation". The earlier Klan had not worn the white costumes or burned crosses; these were aspects introduced in on which the film was based. When the film was shown in Atlanta in December of that year, Simmons and his new klansmen paraded to the theater in robes and pointed hoods—many on robed horses—just like in the movie. These mass parades would become another hallmark of the new Klan that had not existed in the original Reconstruction-era organization.
Beginning in 1921, it adopted a modern business system of using full-time paid recruiters and appealed to new members as a fraternal organization, of which many examples were flourishing at the time. The national headquarters made its profit through a monopoly of costume sales, while the organizers were paid through initiation fees. It grew rapidly nationwide at a time of prosperity. Reflecting the social tensions pitting urban versus rural America, it spread to every state and was prominent in many cities. The second KKK preached "One Hundred Percent Americanism" and demanded the purification of politics, calling for strict morality and better enforcement of Prohibition. Its official rhetoric focused on the threat of the Catholic Church, using anti-Catholicism and nativism. Its appeal was directed exclusively at white Protestants; it opposed Jews, blacks, Catholics, and newly arriving Southern and Eastern European immigrants such as Italians, Russians, and Lithuanians, many of whom were Jewish or Catholic. Some local groups threatened violence against rum runners and those they deemed "notorious sinners"; the violent episodes generally took place in the South. The Red Knights were a militant group organized in opposition to the Klan and responded violently to Klan provocations on several occasions.
The second Klan was a formal fraternal organization, with a national and state structure. During the resurgence of the second Klan during the 1920s, its publicity was handled by the Southern Publicity Association—within the first six months of the Association's national recruitment campaign, Klan membership had increased by 85,000. At its peak in the mid-1920s, the organization claimed to include about 15% of the nation's eligible population, approximately 4–5 million men.
From 1923 there were two Ku Klux Klan organizations: that founded by Simmons, and a splinter group founded by D. C. Stephenson.
Internal divisions, criminal behavior by leaders—especially Stephenson's conviction for the abduction, rape, and murder of Madge Oberholtzer—and external opposition brought about a collapse in the membership of both groups. The main group's membership had dropped to about 30,000 by 1930. It finally faded away in the 1940s. Klan organizers also operated in Canada, especially in Saskatchewan in 1926–1928, where Klansmen denounced immigrants from Eastern Europe as a threat to Canada's "Anglo-Saxon" heritage.
The "Ku Klux Klan" name was used by numerous independent local groups opposing the civil rights movement and desegregation, especially in the 1950s and 1960s. During this period, they often forged alliances with Southern police departments, as in Birmingham, Alabama; or with governor's offices, as with George Wallace of Alabama. Several members of Klan groups were convicted of murder in the deaths of civil rights workers in Mississippi in 1964 and children in the bombing of the 16th Street Baptist Church in Birmingham in 1963.
As of 2016, researchers estimate that there are just over 30 active Klan groups existing in the United States, with about 130 chapters. Estimates of total collective membership range from about 3,000 to between 5,000–8,000. In addition to its active membership, the Klan has an "unknown number of associates and supporters".
Today, many sources classify the Klan as a "subversive or terrorist organization". In April 1997, FBI agents arrested four members of the True Knights of the Ku Klux Klan in Dallas for conspiracy to commit robbery and for conspiring to blow up a natural gas processing plant. In 1999, the city council of Charleston, South Carolina passed a resolution declaring the Klan a terrorist organization. In 2004, a professor at the University of Louisville began a campaign to have the Klan declared a terrorist organization in order to ban it from campus.
The name was probably formed by combining the Greek ' (κύκλος, which means circle) with "clan". the word had previously been used for other fraternal organizations in the South such as Kuklos Adelphon.
Six Confederate veterans from Pulaski, Tennessee created the original Ku Klux Klan on December 24, 1865, shortly after the Civil War, during the Reconstruction of the South. The group was known for a short time as the "Kuklux Clan". The Ku Klux Klan was one of a number of secret, oath-bound organizations using violence, which included the Southern Cross in New Orleans (1865) and the Knights of the White Camelia (1867) in Louisiana.
Historians generally classify the KKK as part of the post-Civil War insurgent violence related not only to the high number of veterans in the population, but also to their effort to control the dramatically changed social situation by using extrajudicial means to restore white supremacy. In 1866, Mississippi Governor William L. Sharkey reported that disorder, lack of control, and lawlessness were widespread; in some states armed bands of Confederate soldiers roamed at will. The Klan used public violence against black people and their allies as intimidation. They burned houses and attacked and killed black people, leaving their bodies on the roads.
At an 1867 meeting in Nashville, Tennessee, Klan members gathered to try to create a hierarchical organization with local chapters eventually reporting to a national headquarters. Since most of the Klan's members were veterans, they were used to such military hierarchy, but the Klan never operated under this centralized structure. Local chapters and bands were highly independent.
Former Confederate Brigadier General George Gordon developed the "Prescript", which espoused white supremacist belief. For instance, an applicant should be asked if he was in favor of "a white man's government", "the reenfranchisement and emancipation of the white men of the South, and the restitution of the Southern people to all their rights". The latter is a reference to the Ironclad Oath, which stripped the vote from white persons who refused to swear that they had not borne arms against the Union.
Confederate General Nathan Bedford Forrest was elected the first Grand Wizard, and claimed to be the Klan's national leader. In an 1868 newspaper interview, Forrest stated that the Klan's primary opposition was to the Loyal Leagues, Republican state governments, people such as Tennessee governor William Gannaway Brownlow, and other "carpetbaggers" and "scalawags". He argued that many Southerners believed that blacks were voting for the Republican Party because they were being hoodwinked by the Loyal Leagues. One Alabama newspaper editor declared "The League is nothing more than a nigger Ku Klux Klan."
Despite Gordon's and Forrest's work, local Klan units never accepted the Prescript and continued to operate autonomously. There were never hierarchical levels or state headquarters. Klan members used violence to settle old personal feuds and local grudges, as they worked to restore general white dominance in the disrupted postwar society. The historian Elaine Frantz Parsons describes the membership:
Lifting the Klan mask revealed a chaotic multitude of antiblack vigilante groups, disgruntled poor white farmers, wartime guerrilla bands, displaced Democratic politicians, illegal whiskey distillers, coercive moral reformers, sadists, rapists, white workmen fearful of black competition, employers trying to enforce labor discipline, common thieves, neighbors with decades-old grudges, and even a few freedmen and white Republicans who allied with Democratic whites or had criminal agendas of their own. Indeed, all they had in common, besides being overwhelmingly white, southern, and Democratic, was that they called themselves, or were called, Klansmen.
Historian Eric Foner observed: "In effect, the Klan was a military force serving the interests of the Democratic party, the planter class, and all those who desired restoration of white supremacy. Its purposes were political, but political in the broadest sense, for it sought to affect power relations, both public and private, throughout Southern society. It aimed to reverse the interlocking changes sweeping over the South during Reconstruction: to destroy the Republican party's infrastructure, undermine the Reconstruction state, reestablish control of the black labor force, and restore racial subordination in every aspect of Southern life. To that end they worked to curb the education, economic advancement, voting rights, and right to keep and bear arms of blacks. The Klan soon spread into nearly every Southern state, launching a reign of terror against Republican leaders both black and white. Those political leaders assassinated during the campaign included Arkansas Congressman James M. Hinds, three members of the South Carolina legislature, and several men who served in constitutional conventions".
Klan members adopted masks and robes that hid their identities and added to the drama of their night rides, their chosen time for attacks. Many of them operated in small towns and rural areas where people otherwise knew each other's faces, and sometimes still recognized the attackers by voice and mannerisms. "The kind of thing that men are afraid or ashamed to do openly, and by day, they accomplish secretly, masked, and at night." The KKK night riders "sometimes claimed to be ghosts of Confederate soldiers so, as they claimed, to frighten superstitious blacks. Few freedmen took such nonsense seriously."
The Klan attacked black members of the Loyal Leagues and intimidated Southern Republicans and Freedmen's Bureau workers. When they killed black political leaders, they also took heads of families, along with the leaders of churches and community groups, because these people had many roles in society. Agents of the Freedmen's Bureau reported weekly assaults and murders of blacks.
"Armed guerrilla warfare killed thousands of Negroes; political riots were staged; their causes or occasions were always obscure, their results always certain: ten to one hundred times as many Negroes were killed as whites." Masked men shot into houses and burned them, sometimes with the occupants still inside. They drove successful black farmers off their land. "Generally, it can be reported that in North and South Carolina, in 18 months ending in June 1867, there were 197 murders and 548 cases of aggravated assault."
Klan violence worked to suppress black voting, and campaign seasons were deadly. More than 2,000 people were killed, wounded, or otherwise injured in Louisiana within a few weeks prior to the Presidential election of November 1868. Although St. Landry Parish had a registered Republican majority of 1,071, after the murders, no Republicans voted in the fall elections. White Democrats cast the full vote of the parish for President Grant's opponent. The KKK killed and wounded more than 200 black Republicans, hunting and chasing them through the woods. Thirteen captives were taken from jail and shot; a half-buried pile of 25 bodies was found in the woods. The KKK made people vote Democratic and gave them certificates of the fact.
In the April 1868 Georgia gubernatorial election, Columbia County cast 1,222 votes for Republican Rufus Bullock. By the November presidential election, Klan intimidation led to suppression of the Republican vote and only one person voted for Ulysses S. Grant.
Klansmen killed more than 150 African Americans in a county in Florida, and hundreds more in other counties. Florida Freedmen's Bureau records provided a detailed recounting of Klansmen's beatings and murders of freedmen and their white allies.
Milder encounters, including some against white teachers, also occurred. In Mississippi, according to the Congressional inquiry:
One of these teachers (Miss Allen of Illinois), whose school was at Cotton Gin Port in Monroe County, was visited ... between one and two o'clock in the morning on March 1871, by about fifty men mounted and disguised. Each man wore a long white robe and his face was covered by a loose mask with scarlet stripes. She was ordered to get up and dress which she did at once and then admitted to her room the captain and lieutenant who in addition to the usual disguise had long horns on their heads and a sort of device in front. The lieutenant had a pistol in his hand and he and the captain sat down while eight or ten men stood inside the door and the porch was full. They treated her "gentlemanly and quietly" but complained of the heavy school-tax, said she must stop teaching and go away and warned her that they never gave a second notice. She heeded the warning and left the county.
By 1868, two years after the Klan's creation, its activity was beginning to decrease. Members were hiding behind Klan masks and robes as a way to avoid prosecution for freelance violence. Many influential Southern Democrats feared that Klan lawlessness provided an excuse for the federal government to retain its power over the South, and they began to turn against it. There were outlandish claims made, such as Georgian B. H. Hill stating "that some of these outrages were actually perpetrated by the political friends of the parties slain."
Union Army veterans in mountainous Blount County, Alabama organized "the anti-Ku Klux". They put an end to violence by threatening Klansmen with reprisals unless they stopped whipping Unionists and burning black churches and schools. Armed blacks formed their own defense in Bennettsville, South Carolina and patrolled the streets to protect their homes.
National sentiment gathered to crack down on the Klan, even though some Democrats at the national level questioned whether the Klan really existed, or believed that it was a creation of nervous Southern Republican governors. Many southern states began to pass anti-Klan legislation.
In January 1871, Pennsylvania Republican Senator John Scott convened a Congressional committee which took testimony from 52 witnesses about Klan atrocities, accumulating 12 volumes. In February, former Union General and Congressman Benjamin Franklin Butler of Massachusetts introduced the Civil Rights Act of 1871 (Ku Klux Klan Act). This added to the enmity that Southern white Democrats bore toward him. While the bill was being considered, further violence in the South swung support for its passage. The Governor of South Carolina appealed for federal troops to assist his efforts in keeping control of the state. A riot and massacre occurred in a Meridian, Mississippi courthouse, from which a black state representative escaped by fleeing to the woods. The 1871 Civil Rights Act allowed the President to suspend "habeas corpus."
In 1871, President Ulysses S. Grant signed Butler's legislation. The Ku Klux Klan Act and the Enforcement Act of 1870 were used by the federal government to enforce the civil rights provisions for individuals under the constitution. The Klan refused to voluntarily dissolve after the 1871 Klan Act, so President Grant issued a suspension of "habeas corpus" and stationed federal troops in nine South Carolina counties. The Klansmen were apprehended and prosecuted in federal court. Judges Hugh Lennox Bond and George S. Bryan presided over the trial of KKK members in Columbia, South Carolina during December 1871. The defendants were given from three months to five years of incarceration with fines. More blacks served on juries in federal court than on local or state juries, so they had a chance to participate in the process. Hundreds of Klan members were fined or imprisoned during the crackdown.
Klan leader Nathan Bedford Forrest boasted that the Klan was a nationwide organization of 550,000 men and that he could muster 40,000 Klansmen within five days notice. However, the Klan had no membership rosters, no chapters, and no local officers, so it was difficult for observers to judge its membership. It had created a sensation by the dramatic nature of its masked forays and because of its many murders.
In 1870, a federal grand jury determined that the Klan was a "terrorist organization" and issued hundreds of indictments for crimes of violence and terrorism. Klan members were prosecuted, and many fled from areas that were under federal government jurisdiction, particularly in South Carolina. Many people not formally inducted into the Klan had used the Klan's costume to hide their identities when carrying out independent acts of violence. Forrest called for the Klan to disband in 1869, arguing that it was "being perverted from its original honorable and patriotic purposes, becoming injurious instead of subservient to the public peace". Historian Stanley Horn argues that "generally speaking, the Klan's end was more in the form of spotty, slow, and gradual disintegration than a formal and decisive disbandment". A Georgia-based reporter wrote in 1870: "A true statement of the case is not that the Ku Klux are an organized band of licensed criminals, but that men who commit crimes call themselves Ku Klux".
In many states, officials were reluctant to use black militia against the Klan out of fear that racial tensions would be raised. Republican Governor of North Carolina William Woods Holden called out the militia against the Klan in 1870, adding to his unpopularity. This and extensive violence and fraud at the polls caused the Republicans to lose their majority in the state legislature. Disaffection with Holden's actions contributed to white Democratic legislators impeaching him and removing him from office, but their reasons for doing so were numerous.
Klan operations ended in South Carolina and gradually withered away throughout the rest of the South. Attorney General Amos Tappan Ackerman led the prosecutions.
Foner argues that:
New groups of insurgents emerged in the mid-1870s, local paramilitary organizations such as the White League, Red Shirts, saber clubs, and rifle clubs, that intimidated and murdered black political leaders. The White League and Red Shirts were distinguished by their willingness to cultivate publicity, working directly to overturn Republican officeholders and regain control of politics.
In 1882, the Supreme Court ruled in "United States v. Harris" that the Klan Act was partially unconstitutional. It ruled that Congress's power under the Fourteenth Amendment did not include the right to regulate against private conspiracies. It recommended that persons who had been victimized should seek relief in state courts, which were entirely unsympathetic to such appeals.
Klan costumes, also called "regalia", disappeared from use by the early 1870s, after Grand Wizard Forrest called for their destruction as part of disbanding the Klan. The Klan was broken as an organization by 1872. In 1915, William Joseph Simmons held a meeting to revive the Klan in Georgia; he attracted two aging former members, and all other members were new.
In 1915 the film "The Birth of a Nation" was released, mythologizing and glorifying the first Klan and its endeavors. The second Ku Klux Klan was founded in 1915 by William Joseph Simmons at Stone Mountain, near Atlanta, with fifteen "charter members". Its growth was based on a new anti-immigrant, anti-Catholic, Prohibitionist and anti-Semitic agenda, which reflected contemporary social tensions, particularly recent immigration. The new organization and chapters adopted regalia featured in "The Birth of a Nation"; membership was kept secret by wearing masks in public.
Director D. W. Griffith's "The Birth of a Nation" glorified the original Klan. The film was based on the book and play "", as well as the book "The Leopard's Spots", both by Thomas Dixon Jr. Much of the modern Klan's iconography is derived from it, including the standardized white costume and the burning cross. Its imagery was based on Dixon's romanticized concept of old England and Scotland, as portrayed in the novels and poetry of Sir Walter Scott. The film's influence was enhanced by a false claim of endorsement by President Woodrow Wilson. Dixon was an old friend of Wilson's and, before its release, there was a private showing of the film at the White House. A publicist claimed that Wilson said, "It is like writing history with lightning, and my only regret is that it is all so terribly true." Wilson strongly disliked the film and felt he had been tricked by Dixon. The White House issued a denial of the "lightning" quote, saying that he was entirely unaware of the nature of the film and at no time had expressed his approbation of it.
The first and third Klans were primarily Southeastern groups aimed against blacks. The second Klan, in contrast, broadened the scope of the organization to appeal to people in the Midwestern and Western states who considered Roman Catholics, Jews, and foreign-born minorities to be anti-American.
The Second Klan saw threats from every direction. According to historian Brian R. Farmer, "two-thirds of the national Klan lecturers were Protestant ministers". Much of the Klan's energy went into guarding the home, and historian Kathleen Blee says that its members wanted to protect "the interests of white womanhood". Joseph Simmons published the pamphlet "ABC of the Invisible Empire" in Atlanta in 1917; in it, he identified the Klan's goals as "to shield the sanctity of the home and the chastity of womanhood; to maintain white supremacy; to teach and faithfully inculcate a high spiritual philosophy through an exalted ritualism; and by a practical devotedness to conserve, protect and maintain the distinctive institutions, rights, privileges, principles and ideals of a pure Americanism". Such moral-sounding purpose underlay its appeal as a fraternal organization, recruiting members with a promise of aid in settling in the new urban societies of rapidly growing cities such as Dallas and Detroit. During the 1930s, particularly after James A. Colescott of Indiana took over as imperial wizard, opposition to Communism became another primary aim of the Klan.
New Klan founder William J. Simmons joined 12 different fraternal organizations and recruited for the Klan with his chest covered with fraternal badges, consciously modeling the Klan after fraternal organizations. Klan organizers called "Kleagles" signed up hundreds of new members, who paid initiation fees and received KKK costumes in return. The organizer kept half the money and sent the rest to state or national officials. When the organizer was done with an area, he organized a rally, often with burning crosses, and perhaps presented a Bible to a local Protestant preacher. He left town with the money collected. The local units operated like many fraternal organizations and occasionally brought in speakers.
Simmons initially met with little success in either recruiting members or in raising money, and the Klan remained a small operation in the Atlanta area until 1920. The group produced publications for national circulation from its headquarters in Atlanta: "Searchlight" (1919–1924), "Imperial Night-Hawk" (1923–1924), and "The Kourier".
The second Klan grew primarily in response to issues of declining morality typified by divorce, adultery, defiance of Prohibition, and criminal gangs in the news every day. It was also a response to the growing power of Catholics and American Jews and the accompanying proliferation of non-Protestant cultural values. The Klan had a nationwide reach by the mid-1920s, with its densest per capita membership in Indiana. It became most prominent in cities with high growth rates between 1910 and 1930, as rural Protestants flocked to jobs in Detroit and Dayton in the Midwest, and Atlanta, Dallas, Memphis, and Houston in the South. Close to half of Michigan's 80,000 Klansmen lived in Detroit.
Members of the KKK swore to uphold American values and Christian morality, and some Protestant ministers became involved at the local level. However, no Protestant denomination officially endorsed the KKK; indeed, the Klan was repeatedly denounced by the major Protestant magazines, as well as by all major secular newspapers. Historian Robert Moats Miller reports that "not a single endorsement of the Klan was found by the present writer in the Methodist press, while many of the attacks on the Klan were quite savage ... the Southern Baptist press condoned the aims but condemned the methods of the Klan." National denominational organizations never endorsed the Klan, but they rarely condemned it by name. Many nationally and regionally prominent churchmen did condemn it by name, and none endorsed it.
The second Klan was less violent than either the first or third Klan were. However, the second Klan, especially in the Southeast, was not an entirely non-violent organization. The most violent Klan was in Dallas, Texas. In April 1921, shortly after they began gaining popularity in the area, the Klan kidnapped Alex Johnson, a black man who had been accused of having sex with a white woman. They burned the words KKK into his forehead and gave him a severe beating by a riverbed. The police chief and district attorney refused to prosecute, explicitly and publicly stating they believed that Johnson deserved this treatment. Encouraged by the approval of this whipping, the Dallas KKK whipped 68 people by the riverbed in 1922 alone. Although Johnson had been black, most of the Dallas KKK's whipping victims were white men who were accused of offenses against their wives such as adultery, wife beating, abandoning their wives, refusing to pay child support or gambling. Far from trying to hide its vigilante activity, the Dallas KKK loved to publicize it. The Dallas KKK often invited local newspaper reporters to attend their whippings so they could write a story about it in the next day's newspaper.
The Alabama KKK was less chivalrous than the Dallas KKK was and whipped both white and black women who were accused of fornication or adultery. Although many people in Alabama were outraged by the whippings of white women, no Klansmen were ever convicted for the violence.
In 1920 Simmons handed the day-to-day activities of the national office over to two professional publicists, Elizabeth Tyler and Edward Young Clarke. The new leadership invigorated the Klan and it grew rapidly. It appealed to new members based on current social tensions, and stressed responses to fears raised by defiance of Prohibition and new sexual freedoms. It emphasized anti-Jewish, anti-Catholic, anti-immigrant and later anti-Communist positions. It presented itself as a fraternal, nativist and strenuously patriotic organization; and its leaders emphasized support for vigorous enforcement of Prohibition laws. It expanded membership dramatically to a 1924 peak of 1.5 million to 4 million, which was between 4–15% of the eligible population.
By the 1920s, most of its members lived in the Midwest and West. Nearly one in five of the eligible Indiana population were members. It had a national base by 1925. In the South, where the great majority of whites were Democrats, the Klansmen were Democrats. In the rest of the country, the membership comprised both Republicans and Democrats, as well as independents. Klan leaders tried to infiltrate political parties; as Cummings notes, "it was non-partisan in the sense that it pressed its nativist issues to both parties". Sociologist Rory McVeigh has explained the Klan's strategy in appealing to members of both parties:
Religion was a major selling point. Kelly J. Baker argues that Klansmen seriously embraced Protestantism as an essential component of their white supremacist, anti-Catholic, and paternalistic formulation of American democracy and national culture. Their cross was a religious symbol, and their ritual honored Bibles and local ministers. No nationally prominent religious leader said he was a Klan member.
Economists Fryer and Levitt argue that the rapid growth of the Klan in the 1920s was partly the result of an innovative multi-level marketing campaign. They also argue that the Klan leadership focused more intently on monetizing the organization during this period than fulfilling the political goals of the organization. Local leaders profited from expanding their membership.
Historians agree that the Klan's resurgence in the 1920s was aided by the national debate over Prohibition. The historian Prendergast says that the KKK's "support for Prohibition represented the single most important bond between Klansmen throughout the nation". The Klan opposed bootleggers, sometimes with violence. In 1922, two hundred Klan members set fire to saloons in Union County, Arkansas. Membership in the Klan and in other Prohibition groups overlapped, and they sometimes coordinated activities.
A significant characteristic of the second Klan was that it was an organization based in urban areas, reflecting the major shifts of population to cities in the North, West, and the South. In Michigan, for instance, 40,000 members lived in Detroit, where they made up more than half of the state's membership. Most Klansmen were lower- to middle-class whites who were trying to protect their jobs and housing from the waves of newcomers to the industrial cities: immigrants from Southern and Eastern Europe, who were mostly Catholic or Jewish; and black and white migrants from the South. As new populations poured into cities, rapidly changing neighborhoods created social tensions. Because of the rapid pace of population growth in industrializing cities such as Detroit and Chicago, the Klan grew rapidly in the Midwest. The Klan also grew in booming Southern cities such as Dallas and Houston.
In the medium-size industrial city of Worcester, Massachusetts in the 1920s, the Klan ascended to power quickly but declined as a result of opposition from the Catholic Church. There was no violence and the local newspaper ridiculed Klansmen as "night-shirt knights". Half of the members were Swedish Americans, including some first-generation immigrants. The ethnic and religious conflicts among more recent immigrants contributed to the rise of the Klan in the city. Swedish Protestants were struggling against Irish Catholics, who had been entrenched longer, for political and ideological control of the city.
In some states, historians have obtained membership rosters of some local units and matched the names against city directory and local records to create statistical profiles of the membership. Big city newspapers were often hostile and ridiculed Klansmen as ignorant farmers. Detailed analysis from Indiana showed that the rural stereotype was false for that state:
Indiana's Klansmen represented a wide cross section of society: they were not disproportionately urban or rural, nor were they significantly more or less likely than other members of society to be from the working class, middle class, or professional ranks. Klansmen were Protestants, of course, but they cannot be described exclusively or even predominantly as fundamentalists. In reality, their religious affiliations mirrored the whole of white Protestant society, including those who did not belong to any church.
The Klan attracted people but most of them did not remain in the organization for long. Membership in the Klan turned over rapidly as people found out that it was not the group which they had wanted. Millions joined, and at its peak in the 1920s, the organization claimed numbers that amounted to 15% of the nation's eligible population. The lessening of social tensions contributed to the Klan's decline.
The distinctive white costume permitted large-scale public activities, especially parades and cross-burning ceremonies, while keeping the membership rolls a secret. Sales of the costumes provided the main financing for the national organization, while initiation fees funded local and state organizers.
The second Klan embraced the burning Latin cross as a dramatic display of symbolism, with a tone of intimidation. No crosses had been used as a symbol by the first Klan, but it became a symbol of the Klan's quasi-Christian message. Its lighting during meetings was often accompanied by prayer, the singing of hymns, and other overtly religious symbolism. In his novel "The Clansman", Thomas Dixon Jr. borrows the idea that the first Klan had used fiery crosses from 'the call to arms' of the Scottish Clans, and film director D.W. Griffith used this image in "The Birth of a Nation"; Simmons adopted the symbol wholesale from the movie, and the symbol and action have been associated with the Klan ever since.
By the 1920s, the KKK developed a women's auxiliary, with chapters in many areas. Its activities included participation in parades, cross lightings, lectures, rallies, and boycotts of local businesses owned by Catholics and Jews. The Women's Klan was active in promoting Prohibition, stressing liquor's negative impact on wives and children. Its efforts in public schools included distributing Bibles and petitioning for the dismissal of Roman Catholic teachers. As a result of the Women's Klan's efforts, Texas would not hire Catholic teachers to work in its public schools. As sexual and financial scandals rocked the Klan leadership late in the 1920s, the organization's popularity among both men and women dropped off sharply.
The second Klan expanded with new chapters in cities in the Midwest and West, and reached both Republicans and Democrats, as well as men without a party affiliation. The goal of Prohibition in particular helped the Klan and some Republicans to make common cause in the North.
The Klan had numerous members in every part of the United States, but was particularly strong in the South and Midwest. At its peak, claimed Klan membership exceeded four million and comprised 20% of the adult white male population in many broad geographic regions, and 40% in some areas. The Klan also moved north into Canada, especially Saskatchewan, where it opposed Catholics.
In Indiana, members were American-born, white Protestants and covered a wide range of incomes and social levels. The Indiana Klan was perhaps the most prominent Ku Klux Klan in the nation. It claimed more than 30% of white male Hoosiers as members. In 1924 it supported Republican Edward Jackson in his successful campaign for governor.
Catholic and liberal Democrats—who were strongest in northeastern cities—decided to make the Klan an issue at the 1924 Democratic National Convention in New York City. Their delegates proposed a resolution indirectly attacking the Klan; it was defeated by one vote out of 1,100. The leading presidential candidates were William Gibbs McAdoo, a Protestant with a base in the South and West where the Klan was strong, and New York Governor Al Smith, a Catholic with a base in the large cities. After weeks of stalemate and bitter argumentation, both candidates withdrew in favor of a compromise candidate.
In some states, such as Alabama and California, KKK chapters had worked for political reform. In 1924, Klan members were elected to the city council in Anaheim, California. The city had been controlled by an entrenched commercial-civic elite that was mostly German American. Given their tradition of moderate social drinking, the German Americans did not strongly support Prohibition laws—the mayor had been a saloon keeper.
Led by the minister of the First Christian Church, the Klan represented a rising group of politically oriented non-ethnic Germans who denounced the elite as corrupt, undemocratic and self-serving. The historian Christopher Cocoltchos says the Klansmen tried to create a model, orderly community. The Klan had about 1,200 members in Orange County, California. The economic and occupational profile of the pro and anti-Klan groups shows the two were similar and about equally prosperous. Klan members were Protestants, as were most of their opponents, but the latter also included many Catholic Germans. Individuals who joined the Klan had earlier demonstrated a much higher rate of voting and civic activism than did their opponents. Cocoltchos suggests that many of the individuals in Orange County joined the Klan out of that sense of civic activism. The Klan representatives easily won the local election in Anaheim in April 1924. They fired city employees who were known to be Catholic, and replaced them with Klan appointees. The new city council tried to enforce Prohibition. After its victory, the Klan chapter held large rallies and initiation ceremonies over the summer.
The opposition organized, bribed a Klansman for the secret membership list, and exposed the Klansmen running in the state primaries; they defeated most of the candidates. Klan opponents in 1925 took back local government, and succeeded in a special election in recalling the Klansmen who had been elected in April 1924. The Klan in Anaheim quickly collapsed, its newspaper closed after losing a libel suit, and the minister who led the local Klavern moved to Kansas.
In the South, Klan members were still Democratic, as it was essentially a one-party region for whites. Klan chapters were closely allied with Democratic police, sheriffs, and other functionaries of local government. Due to disenfranchisement of most African Americans and many poor whites around the start of the 20th century, the only political activity for whites took place within the Democratic Party.
In Alabama, Klan members advocated better public schools, effective Prohibition enforcement, expanded road construction, and other political measures to benefit lower-class white people. By 1925, the Klan was a political force in the state, as leaders such as J. Thomas Heflin, David Bibb Graves, and Hugo Black tried to build political power against the Black Belt wealthy planters, who had long dominated the state. In 1926, with Klan support, Bibb Graves won the Alabama governor's office. He was a former Klan chapter head. He pushed for increased education funding, better public health, new highway construction, and pro-labor legislation. Because the Alabama state legislature refused to redistrict until 1972, and then under court order, the Klan was unable to break the planters' and rural areas' hold on legislative power.
Scholars and biographers have recently examined Hugo Black's Klan role. Ball finds regarding the KKK that Black "sympathized with the group's economic, nativist, and anti-Catholic beliefs". Newman says Black "disliked the Catholic Church as an institution" and gave over 100 anti-Catholic speeches in his 1926 election campaign to KKK meetings across Alabama. Black was elected US senator in 1926 as a Democrat. In 1937 President Franklin D. Roosevelt appointed Black to the Supreme Court without knowing how active in the Klan he had been in the 1920s. He was confirmed by his fellow Senators before the full KKK connection was known; Justice Black said he left the Klan when he became a senator.
Many groups and leaders, including prominent Protestant ministers such as Reinhold Niebuhr in Detroit, spoke out against the Klan, gaining national attention. The Jewish Anti-Defamation League was formed in the early 20th century in response to attacks on Jewish Americans, including the lynching of Leo Frank in Atlanta, and the Klan's campaign to prohibit private schools (which was chiefly aimed at Catholic parochial schools). Opposing groups worked to penetrate the Klan's secrecy. After one civic group in Indiana began to publish Klan membership lists, there was a rapid decline in the number of Klan members. The National Association for the Advancement of Colored People (NAACP) launched public education campaigns in order to inform people about Klan activities and lobbied in Congress against Klan abuses. After its peak in 1925, Klan membership in most areas began to decline rapidly.
Specific events contributed to the Klan's decline as well. In Indiana, the scandal surrounding the 1925 murder trial of Grand Dragon D. C. Stephenson destroyed the image of the KKK as upholders of law and order. By 1926 the Klan was "crippled and discredited". D. C. Stephenson was the Grand Dragon of Indiana and 22 northern states. In 1923 he had led the states under his control in order to break away from the national KKK organization. At his 1925 trial, he was convicted of second-degree murder for his part in the rape, and subsequent death, of Madge Oberholtzer. After Stephenson's conviction, the Klan declined dramatically in Indiana.
The historian Leonard Moore says that a failure in leadership caused the Klan's collapse:
Stephenson and the other salesmen and office seekers who maneuvered for control of Indiana's Invisible Empire lacked both the ability and the desire to use the political system to carry out the Klan's stated goals. They were uninterested in, or perhaps even unaware of, grass roots concerns within the movement. For them, the Klan had been nothing more than a means for gaining wealth and power. These marginal men had risen to the top of the hooded order because, until it became a political force, the Klan had never required strong, dedicated leadership. More established and experienced politicians who endorsed the Klan, or who pursued some of the interests of their Klan constituents, also accomplished little. Factionalism created one barrier, but many politicians had supported the Klan simply out of expedience. When charges of crime and corruption began to taint the movement, those concerned about their political futures had even less reason to work on the Klan's behalf.
In Alabama, KKK vigilantes launched a wave of physical terror in 1927. They targeted both blacks and whites for violations of racial norms and for perceived moral lapses. This led to a strong backlash, beginning in the media. Grover C. Hall, Sr., editor of the "Montgomery Advertiser" from 1926, wrote a series of editorials and articles that attacked the Klan. (Today the paper says it "waged war on the resurgent [KKK]".) Hall won a Pulitzer Prize for the crusade, the 1928 Editorial Writing Pulitzer, citing "his editorials against gangsterism, floggings and racial and religious intolerance". Other newspapers kept up a steady, loud attack on the Klan, referring to the organization as violent and "un-American". Sheriffs cracked down on activities. In the 1928 presidential election, the state voters overcame their initial opposition to the Catholic candidate Al Smith, and voted the Democratic Party line as usual.
Although in decline, a measure of the Klan's influence was still evident when it staged its march along Pennsylvania Avenue in Washington, D.C. in 1928. By 1930, Klan membership in Alabama dropped to less than 6,000. Small independent units continued to be active in the industrial city of Birmingham.
KKK units were active through the 1930s in parts of Georgia, with a group of "night riders" in Atlanta enforcing their moral views by flogging people who violated them, whites as well as blacks. In March 1940, they were implicated in the beating murders of a young white couple taken from their car on a lovers lane, and flogged a white barber to death for drinking, both in East Point, a suburb of Atlanta. More than 20 others were "brutally flogged". As the police began to investigate, they found the records of the KKK had disappeared from their East Point office. The cases were reported by the "Chicago Tribune" and the NAACP in its "Crisis" magazine, as well as local papers.
Three lynchings of black men by whites (no KKK affiliation is known) took place in the South that year: Elbert Williams was the first NAACP member known to be killed for civil rights activities: he was murdered in Brownsville, Tennessee for working to register blacks to vote, and several other activists were run out of town; Jesse Thornton was lynched in Luverne, Alabama for a minor social infraction; and 16-year-old Austin Callaway, a suspect in the assault of a white woman, was taken from jail in the middle of the night and killed by six white men in LaGrange, Georgia. In January 2017, the police chief and mayor of LaGrange apologized for their offices' failures to protect Callaway, at a reconciliation service marking the anniversary of his death.
In major Southern cities such as Birmingham, Alabama, Klan members kept control of access to the better-paying industrial jobs and opposed unions. During the 1930s and 1940s, Klan leaders urged members to disrupt the Congress of Industrial Organizations (CIO), which advocated industrial unions and accepted African-American members, unlike earlier unions. With access to dynamite and using the skills from their jobs in mining and steel, in the late 1940s some Klan members in Birmingham used bombings to destroy houses in order to intimidate upwardly mobile blacks who moved into middle-class neighborhoods. "By mid-1949, there were so many charred house carcasses that the area [College Hills] was informally named Dynamite Hill."
Activism by these independent KKK groups in Birmingham increased as a reaction to the civil rights movement of the 1950s and 1960s. Independent Klan groups violently opposed the civil rights movement. KKK members were implicated in the 16th Street Baptist Church bombing on a Sunday in September 1963, which killed four African-American girls and injured 22 other people. Members of the Communist Workers' Party came to North Carolina to organize textile workers and pushed back against racial discrimination there, taunting the KKK, resulting in the 1979 Greensboro massacre.
In 1939, after experiencing several years of decline due to the Great Depression, the Imperial Wizard Hiram Wesley Evans sold the national organization to James A. Colescott, an Indiana veterinary physician, and Samuel Green, an Atlanta obstetrician. They could not revive the Klan's declining membership. In 1944, the Internal Revenue Service filed a lien for $685,000 in back taxes against the Klan, and Colescott dissolved the organization that year. Local Klan groups closed down over the following years.
After World War II, the folklorist and author Stetson Kennedy infiltrated the Klan; he provided internal data to media and law enforcement agencies. He also provided secret code words to the writers of the "Superman" radio program, resulting in episodes in which Superman took on the KKK. Kennedy stripped away the Klan's mystique and trivialized its rituals and code words, which may have contributed to the decline in Klan recruiting and membership. In the 1950s, Kennedy wrote a bestselling book about his experiences, which further damaged the Klan.
The historiography of the second Klan of the 1920s has changed over time. Early histories were based on mainstream sources of the time, and since the late 20th century, other histories have been written drawing from records and analysis of members of the chapters in social histories.
The KKK was a secret organization; apart from a few top leaders, most members never identified as such and wore masks in public. Investigators in the 1920s used KKK publicity, court cases, exposés by disgruntled Klansmen, newspaper reports, and speculation to write stories about what the Klan was doing. Almost all the major national newspapers and magazines were hostile to its activities. The historian Thomas R. Pegram says that published accounts exaggerated the official viewpoint of the Klan leadership, and repeated the interpretations of hostile newspapers and the Klan's enemies. There was almost no evidence in that time regarding the behavior or beliefs of individual Klansmen. According to Pegram, the resulting popular and scholarly interpretation of the Klan from the 1920s into the mid-20th century emphasized its Southern roots and the violent vigilante-style actions of the Klan in its efforts to turn back the clock of modernity. Scholars compared it to fascism in Europe. Amann states that, "Undeniably, the Klan had some traits in common with European fascism—chauvinism, racism, a mystique of violence, an affirmation of a certain kind of archaic traditionalism—yet their differences were fundamental. ... [the KKK] never envisioned a change of political or economic system."
Pegram says this original interpretation
The "social history" revolution in historiography from the 1960s explored history from the bottom up. In terms of the Klan, it developed evidence based on the characteristics, beliefs, and behavior of the typical membership, and downplayed accounts by elite sources. Historians discovered membership lists and the minutes of local meetings from KKK chapters scattered around the country. They discovered that the original interpretation was largely mistaken about the membership and activities of the Klan; the membership was not anti-modern, rural or rustic and consisted of fairly well educated middle-class joiners and community activists. Half the members lived in the fast-growing industrial cities of the period: Chicago, Detroit, Philadelphia, Indianapolis, Denver, and Portland, Oregon, were Klan strongholds during the 1920s.
Studies developed as social history find that in general, the KKK membership in these cities was from the stable, successful middle classes, with few members drawn from the elite or the working classes. Pegram, reviewing the studies, concludes, "the popular Klan of the 1920s, while diverse, was more of a civic exponent of white Protestant social values than a repressive hate group."
Kelly J. Baker argues that religion was critical—the KKK based its hatred on a particular brand of Protestantism that resonated with mainstream Americans: "Members embraced Protestant Christianity and a crusade to save America from domestic as well as foreign threats."
In Indiana, traditional political historians focused on notorious leaders, especially D. C. Stephenson, the Grand Dragon of the Indiana Klan, whose conviction for 1925 kidnap, rape, and murder of Madge Oberholtzer helped destroy the Ku Klux Klan movement nationwide. In his history of 1967, Kenneth Jackson already described the Klan of the 1920s as associated with cities and urbanization, with chapters often acting as a kind of fraternal organization to aid people coming from other areas.
Social historian Leonard Moore titled his monograph "Citizen Klansmen" (1997) and contrasted the intolerant rhetoric of the group's leaders with the actions of most of the membership. The Klan was white Protestant, established Americans who were fearful of change: represented by new immigrants and black migrants to the North. They were highly suspicious of Catholics, Jews and blacks, who they believed subverted ideal Protestant moral standards. Violence was uncommon in most chapters. In Indiana, KKK members directed more threats and economic blacklisting primarily against fellow white Protestants for transgressions of community moral standards, such as adultery, wife-beating, gambling and heavy drinking. Up to one third of Indiana's Protestant men joined the order making it, Moore argued, "a kind of interest group for average white Protestants who believed that their values should be dominant in their community and state."
Moore says that they joined:
Northern Indiana's industrial cities had attracted a large Catholic population of European immigrants and their descendants. They established the University of Notre Dame, a major Catholic college near South Bend. In May 1924 when the KKK scheduled a regional meeting in the city, Notre Dame students blocked the Klansmen and stole some KKK regalia. The next day the Klansmen counterattacked. Finally the college president and the football coach Knute Rockne kept the students on campus to avert further violence.
In Alabama, some young white urban activists joined the KKK to fight the old guard establishment. Hugo Black was a member before becoming nationally famous; he focused on anti-Catholicism. But in rural Alabama the Klan continued to operate to enforce Jim Crow; its members resorted more often to violence against blacks for infringements of the social order of white supremacy.
Racial terrorism was used in smaller towns to suppress black political activity; Elbert Williams of Brownsville, Tennessee was lynched in 1940 for trying to organize black residents to register and vote. That year, Jesse Thornton of Luverne, Alabama was lynched for failing to address a police officer as "Mister".
After the decline of the national organization, small independent groups adopted the name "Ku Klux Klan", along with variations. They had no formal relationships with each other, or connection to the second KKK, except for the fact that they copied its terminology and costumes. Beginning in the 1950s, for instance, individual Klan groups in Birmingham, Alabama, began to resist social change and blacks' efforts to improve their lives by bombing houses in transitional neighborhoods. The white men worked in mining and steel industries, with access to these materials. There were so many bombings of blacks' homes in Birmingham by Klan groups in the 1950s that the city was nicknamed "Bombingham".
During the tenure of Bull Connor as police commissioner in Birmingham, Klan groups were closely allied with the police and operated with impunity. When the Freedom Riders arrived in Birmingham in 1961, Connor gave Klan members fifteen minutes to attack the riders before sending in the police to quell the attack. When local and state authorities failed to protect the Freedom Riders and activists, the federal government began to establish intervention and protection.
In states such as Alabama and Mississippi, Klan members forged alliances with governors' administrations. In Birmingham and elsewhere, the KKK groups bombed the houses of civil rights activists. In some cases they used physical violence, intimidation, and assassination directly against individuals. Continuing disfranchisement of blacks across the South meant that most could not serve on juries, which were all-white and demonstrably biased verdicts and sentences.
According to a report from the Southern Regional Council in Atlanta, the homes of 40 black Southern families were bombed during 1951 and 1952. Some of the bombing victims were social activists whose work exposed them to danger, but most were either people who refused to bow to racist convention or were innocent bystanders, unsuspecting victims of random violence.
Among the more notorious murders by Klan members in the 1950s and 1960s:
There was considerable resistance among African Americans and white allies to the Klan. In 1953, newspaper publishers W. Horace Carter (Tabor City, North Carolina), who had campaigned for three years, and Willard Cole (Whiteville, North Carolina) shared the Pulitzer Prize for Public Service citing "their successful campaign against the Ku Klux Klan, waged on their own doorstep at the risk of economic loss and personal danger, culminating in the conviction of over one hundred Klansmen and an end to terrorism in their communities". In a 1958 incident in North Carolina, the Klan burned crosses at the homes of two Lumbee Native Americans for associating with white people, and threatened more actions. When the KKK held a nighttime rally nearby, they were quickly surrounded by hundreds of armed Lumbee. Gunfire was exchanged, and the Klan was routed at what became known as the Battle of Hayes Pond.
While the Federal Bureau of Investigation (FBI) had paid informants in the Klan, for instance in Birmingham in the early 1960s, its relations with local law enforcement agencies and the Klan were often ambiguous. The head of the FBI, J. Edgar Hoover, appeared more concerned about Communist links to civil rights activists than about controlling Klan excesses against citizens. In 1964, the FBI's COINTELPRO program began attempts to infiltrate and disrupt civil rights groups.
As 20th-century Supreme Court rulings extended federal enforcement of citizens' civil rights, the government revived the Enforcement Acts and the Klan Act from Reconstruction days. Federal prosecutors used these laws as the basis for investigations and indictments in the 1964 murders of Chaney, Goodman, and Schwerner; and the 1965 murder of Viola Liuzzo. They were also the basis for prosecution in 1991 in "Bray v. Alexandria Women's Health Clinic".
In 1965, the House Un-American Activities Committee started an investigation on the Klan, putting in the public spotlight its front organizations, finances, methods and divisions.
After federal legislation was passed prohibiting legal segregation and authorizing enforcement of protection of voting rights, KKK groups began to oppose court-ordered busing to desegregate schools, affirmative action, and the more open immigration authorized in the 1960s. In 1971, KKK members used bombs to destroy 10 school buses in Pontiac, Michigan. By 1975, there were known KKK groups on most college campuses in Louisiana as well as at Vanderbilt University, the University of Georgia, the University of Mississippi, the University of Akron, and the University of Southern California.
On November 3, 1979, five communist protesters were killed by KKK and American Nazi Party members in Greensboro, North Carolina in what is known as the Greensboro massacre. The Communist Workers' Party had sponsored a rally against the Klan in an effort to organize predominantly black industrial workers in the area. Klan members drove up with arms in their car trunks, and attacked marchers.
Jerry Thompson, a newspaper reporter who infiltrated the KKK in 1979, reported that the FBI's COINTELPRO efforts were highly successful. Rival KKK factions accused each other's leaders of being FBI informants. William Wilkinson of the Invisible Empire, Knights of the Ku Klux Klan, was revealed to have been working for the FBI.
Thompson also related that KKK leaders showed great concern about a series of civil lawsuits filed by the Southern Poverty Law Center, claiming damages amounting to millions of dollars. These were filed after KKK members shot into a group of African Americans. Klansmen curtailed their activities in order to conserve money for defense against the lawsuits. The KKK also used lawsuits as tools; they filed a libel suit in order to prevent the publication of a paperback edition of Thompson's book, but were unsuccessful.
In 1980, three KKK members shot four elderly black women (Viola Ellison, Lela Evans, Opal Jackson, and Katherine Johnson) in Chattanooga, Tennessee, following a KKK initiation rally. A fifth woman, Fannie Crumsey, was injured by flying glass in the incident. Attempted murder charges were filed against the three KKK members, two of whom—Bill Church and Larry Payne—were acquitted by an all-white jury. The third defendant, Marshall Thrash, was sentenced by the same jury to nine months on lesser charges. He was released after three months. In 1982, a jury awarded the five women $535,000 in a civil trial.
After Michael Donald was lynched in 1981 in Alabama, the FBI investigated his death. The US Attorney prosecuted the case. Two local KKK members were convicted for his murder, including Henry Francis Hays, who was sentenced to death. After exhausting the appeals process, Hays was executed by electric chair for Donald's death in Alabama on June 6, 1997. It was the first time since 1913 that a white man had been executed in Alabama for a crime against an African American.
With the support of attorneys Morris Dees of the Southern Poverty Law Center (SPLC) and State Senator Michael A. Figures, Donald's mother Beulah Mae Donald sued the KKK in civil court in Alabama. Her lawsuit against the United Klans of America was tried in February 1987. The all-white jury found the Klan responsible for the lynching of Donald and ordered the Klan to pay US$7 million, but the KKK did not have sufficient funds to pay the fine. They had to sell off their national headquarters building in Tuscaloosa.
In 1995, Don Black and Chloê Hardin, the ex-wife of the KKK Grand Wizard David Duke, began a small bulletin board system (BBS) called Stormfront, which has become a prominent online forum for white nationalism, Neo-Nazism, hate speech, racism, and antisemitism in the early 21st century.
Duke has an account on Stormfront which he uses to post articles from his own website. He also polls forum members for opinions and questions, in particular during his internet broadcasts. Duke has worked with Don Black on numerous projects including Operation Red Dog in 1980.
The modern KKK is not one organization; rather it is composed of small independent chapters across the United States. According to a 1999 ADL report, the KKK's estimated size then was "No more than a few thousand, organized into slightly more than 100 units". In 2017, the Southern Poverty Law Center (SPLC), which monitors extremist groups, estimated that there were "at least 29 separate, rival Klan groups currently active in the United States, and they compete with one another for members, dues, news media attention and the title of being the true heir to the Ku Klux Klan". The formation of independent chapters has made KKK groups more difficult to infiltrate, and researchers find it hard to estimate their numbers. Analysts believe that about two-thirds of KKK members are concentrated in the Southern United States, with another third situated primarily in the lower Midwest.
The Klan has expanded its recruitment efforts to white supremacists at the international level. For some time, the Klan's numbers have been steadily dropping. This decline has been attributed to the Klan's lack of competence in the use of the Internet, their history of violence, a proliferation of competing hate groups, and a decline in the number of young racist activists who are willing to join groups at all.
According to a 2016 analysis by the SPLC, hate groups in general are on the rise in the United States. The ADL published a report in 2016 that concluded: "Despite a persistent ability to attract media attention, organized Ku Klux Klan groups are actually continuing a long-term trend of decline. They remain a collection of mostly small, disjointed groups that continually change in name and leadership."
In 2015, however, the number of KKK chapters nationwide grew from 72 to 190. The SPLC released a similar report stating that "there were significant increases in Klan as well as black separatist groups".
Recent KKK membership campaigns have stimulated people's anxieties about illegal immigration, urban crime, civil unions, and same-sex marriage. In 2006 J. Keith Akins argued that "Klan literature and propaganda is rabidly homophobic and encourages violence against gays and lesbians ... Since the late 1970s, the Klan has increasingly focused its ire on this previously ignored population."
Many KKK groups have formed strong alliances with other white supremacist groups, such as neo-Nazis. Some KKK groups have become increasingly "nazified", adopting the look and emblems of white power skinheads.
The American Civil Liberties Union (ACLU) has provided legal support to various factions of the KKK in defense of their First Amendment rights to hold public rallies, parades, and marches, as well as their right to field political candidates.
The Imperial Wizard of the Traditionalist American Knights, Frank Ancona, was fatally shot in Missouri in February 2017, several days after disappearing. The coroner declared his death a homicide. Ancona's wife and stepson were charged with first-degree murder in connection with the killing. The prosecutor in the case believes that the killing "happened because of a marital dispute" and was not connected to Ancona's Klan participation. Ancona's group "was not considered the largest or the most influential iteration of the Klan, but he was skilled at attracting the spotlight".
The February 14, 2019 edition of the Linden, Alabama weekly newspaper "The Democrat-Reporter" carried an editorial titled "Klan needs to ride again" written by Goodloe Sutton—the newspaper's owner, publisher and editor—which urged the Klan to return to staging their night rides, because proposals were being made to raise taxes in the state. In an interview, Sutton suggested that Washington, D.C. could be "clean[ed] out" by way of lynchings. "We'll get the hemp ropes out, loop them over a tall limb and hang all of them," Sutton said. He also specified that he was only referring to hanging "socialist-communists", and compared the Klan to the NAACP. The editorial and Sutton's subsequent comments provoked calls for his resignation from Alabama politicians and the Alabama Press Association, which later censured Sutton and suspended the newspaper's membership. In addition the University of Southern Mississippi's School of Communication removed Sutton—who is an alumnus of that school—from its Mass Communication and Journalism Hall of Fame, and "strongly condemned" his remarks. Sutton was also stripped of a distinguished community journalism award he had been presented in 2009 by Auburn University's Journalism Advisory Council. Sutton expressed no regret and said that the editorial was intended to be "ironic", but that "Not many people understand irony today."
A list is maintained by the Anti-Defamation League (ADL):
Aside from the Ku Klux Klan in Canada, there have been various attempts to organize KKK chapters outside the United States.
In Australia in the late 1990s, former One Nation member Peter Coleman established branches throughout the country, and circa 2012 the KKK has attempted to infiltrate other political parties such as Australia First.
Recruitment activity has also been reported in the United Kingdom.
In Germany, a KKK-related group, "Ritter des Feurigen Kreuzes" ("Knights of the Fiery Cross"), was established in the 1920s. After the Nazis took over Germany, the group disbanded and its members joined the Nazis. Another German KKK-related group, the European White Knights of the Ku Klux Klan, has organized and it gained notoriety in 2012 when the German media reported that two police officers who held membership in the organization would be allowed to keep their jobs.
A Ku Klux Klan group was even established in Fiji in the early 1870s by white American settlers, although its operations were quickly put to an end by the British who, although not officially yet established as the major authority of Fiji, had played a leading role in establishing a new constitutional monarchy that was being threatened by the activities of the Fijian Klan.
In São Paulo, Brazil, the website of a group called Imperial Klans of Brazil was shut down in 2003, and the group's leader was arrested.
Membership in the Klan is secret. Like many fraternal organizations, the Klan has signs that members can use to recognize one another. In conversation, a member may use the acronym "AYAK" (Are you a Klansman?) to surreptitiously identify himself to another potential member. The response "AKIA" (A Klansman I am) completes the greeting.
Throughout its varied history, the Klan has coined many words beginning with "Kl", including:
All of the above terminology was created by William Joseph Simmons, as part of his 1915 revival of the Klan. The Reconstruction-era Klan used different titles; the only titles to carry over were "Wizard" for the overall leader of the Klan and "Night Hawk" for the official in charge of security.
The Imperial Kludd was the chaplain of the Imperial Klonvokation and he performed "such other duties as may be required by the Imperial Wizard".
The Imperial Kaliff was the second highest position after the Imperial Wizard.
Because there are multiple Ku Klux Klan organizations, there are multiple official websites. To find a website, try entering the full name of a particular organization into a search engine. Following are third-party lists of such organizations:
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King Kong (1933 film)
King Kong is a 1933 American pre-Code monster adventure film directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay by James Ashmore Creelman and Ruth Rose was developed from an idea conceived by Cooper and Edgar Wallace. It stars Fay Wray, Bruce Cabot and Robert Armstrong, and opened in New York City on March 2, 1933, to rave reviews. It has been ranked by Rotten Tomatoes as the fourth greatest horror film of all time and the thirty-third greatest film of all time.
The film portrays the story of a huge, gorilla-like creature dubbed Kong who perishes in an attempt to possess a beautiful young woman (Wray). "King Kong" contains stop-motion animation by Willis O'Brien and a music score by Max Steiner. In 1991, it was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry. A sequel quickly followed with "Son of Kong" (also released in 1933), with several more films made in the following decades, including two remakes.
In New York Harbor, filmmaker Carl Denham, known for wildlife films in remote and exotic locations, charters Captain Englehorn's ship, the "Venture", for his new project. However, he is unable to secure an actress for a female role he has been reluctant to disclose. Searching in the streets of New York City, he finds Ann Darrow and promises her the adventure of a lifetime. The crew boards the "Venture" and sets off, during which the ship's first mate, Jack Driscoll, falls in love with Ann.
Denham reveals to the crew that their destination is in fact Skull Island, an uncharted territory. He alludes to a monstrous creature named "Kong", rumored to dwell on the island. The crew arrives and anchor offshore. They encounter a native village, separated from the rest of the island by an ancient stone wall. They witness a group of natives preparing to sacrifice a young woman termed the "bride of Kong". The intruders are spotted and the native chief stops the ceremony. When he sees Ann, he offers to trade six of his tribal women for the "golden woman". They rebuff him and return to the "Venture".
That night, the natives kidnap Ann from the ship and take her through the wall gate and to an altar, where she is offered to King Kong, an enormous gorilla-like creature. Kong carries a terrified Ann into the wilderness as Denham, Jack and some volunteers enter the jungle in hopes of rescuing her. They are ambushed by another giant creature, a "Stegosaurus", which they manage to defeat. After facing a "Brontosaurus" and Kong himself, Jack and Denham are the only survivors.
A "Tyrannosaurus rex" attacks Ann and Kong, but Kong kills it in the battle. Meanwhile, Jack continues to follow them, while Denham returns to the village for more men. Upon arriving in Kong's lair, Ann is menaced by a snake-like "Elasmosaurus", which Kong also kills. While Kong is distracted killing a "Pteranodon" that tried to fly away with Ann, Jack reaches her and they climb down a vine dangling from a cliff ledge. When Kong notices and starts pulling them back up, the two fall unharmed. They run through the jungle and back to the village, where Denham, Englehorn, and the surviving crewmen are waiting. Kong, following, breaks open the gate and relentlessly rampages through the village. Onshore, Denham, now determined to bring Kong back alive, knocks him unconscious with a gas bomb.
Shackled in chains, Kong is taken to New York City and presented to a Broadway theatre audience as "King Kong, the Eighth Wonder of the World". Ann and Jack are brought on stage to join him, surrounded by a group of press photographers. Kong, believing that the ensuing flash photography is an attack, breaks loose. The audience flees in horror. Ann is whisked away to a hotel room on a high floor, but Kong, scaling the building, soon finds her. His hand smashes through the hotel room window, shoves Jack aside, and abducts Ann again. Kong rampages through the city as Ann screams in his grip. He wrecks a crowded elevated train and then climbs the Empire State Building. At its top, he is attacked by four airplanes. Kong destroys one, but finally succumbs to their gunfire. He gazes sorrowfully at Ann one last time before falling to his death. Jack takes an elevator to the top of the building and reunites with Ann. Denham arrives and pushes through a crowd surrounding Kong's corpse in the street. When a policeman remarks that the planes got him, Denham tells him, "No, it wasn't the airplanes. It was Beauty killed the Beast".
Before "King Kong" entered production, a long tradition of jungle films existed, and, whether drama or documentary, such films (for example "Stark Mad") generally adhered to a narrative pattern that followed an explorer or scientist into the jungle to test a theory only to discover some monstrous aberration in the undergrowth. In these films, scientific knowledge could be subverted at any time, and it was this that provided the genre with its vitality, appeal, and endurance.
In the early 20th century, few zoos had primate exhibits so there was popular demand to see them on film. At the turn of the 20th century, the Lumière Brothers sent film documentarians to places westerners had never seen, and Georges Méliès utilized trick photography in film fantasies that prefigured that in "King Kong". Jungle films were launched in the United States with "Beasts in the Jungle" (1913), and the film's popularity spawned similar pictures such as "Tarzan of the Apes" (1918). "The Lost World" (1925), made movie history with special effects by Willis O'Brien and a crew that later would work on "King Kong". "King Kong" producer Ernest B. Schoedsack had earlier monkey experience directing "" (1927), also with Merian C. Cooper, and "Rango" (1931), both of which prominently featured monkeys in authentic jungle settings. Capitalizing on this trend, Congo Pictures released the hoax documentary "Ingagi" (1930), advertising the film as "an authentic incontestable celluloid document showing the sacrifice of a living woman to mammoth gorillas." "Ingagi" is now often recognized as a racial exploitation film as it implicitly depicted black women having sex with gorillas, and baby offspring that looked more ape than human. The film was an immediate hit, and by some estimates it was one of the highest-grossing films of the 1930s at over $4 million. Although Cooper never listed "Ingagi" among his influences for "King Kong," it has long been held that RKO green-lit "Kong" because of the bottom-line example of "Ingagi" and the formula that "gorillas plus sexy women in peril equals enormous profits".
Merian C. Cooper's fascination with gorillas began with his boyhood reading of Paul Du Chaillu's "Explorations and Adventures in Equatorial Africa" (1861) and was furthered in 1929 by studying a tribe of baboons in Africa while filming "The Four Feathers". After reading W. Douglas Burden's "The Dragon Lizards of Komodo", he fashioned a scenario depicting African gorillas battling Komodo dragons intercut with artificial stand-ins for joint shots. He then narrowed the "dramatis personae" to one ferocious, lizard-battling gorilla (rather than a group) and included a lone woman on expedition to appease those critics who belabored him for neglecting romance in his films. A remote island would be the setting and the gorilla would be dealt a spectacular death in New York City.
Cooper took his concept to Paramount Studios in the first years of the Great Depression but executives shied away from a project that sent film crews on costly shoots to Africa and Komodo. In 1931, David O. Selznick brought Cooper to RKO as his executive assistant and promised him he could make his own films. Cooper began immediately developing "The Most Dangerous Game", and hired Ernest B. Schoedsack to direct. A huge jungle stage set was built, with Robert Armstrong and Fay Wray as the stars. Once the film was underway, Cooper turned his attention to the studio's big-budget-out-of-control fantasy, "Creation", a project with stop motion animator Willis O'Brien about a group of travelers shipwrecked on an island of dinosaurs.
When Cooper screened O'Brien's stop-motion "Creation" footage, he was unimpressed, but realized he could economically make his gorilla picture by scrapping the Komodo dragons and costly location shoots for O'Brien's animated dinosaurs and the studio's existing jungle set. It was at this time Cooper probably cast his gorilla as a giant named Kong, and planned to have him die at the Empire State Building. The RKO board was wary about the project, but gave its approval after Cooper organized a presentation with Wray, Armstrong, and Cabot, and O'Brien's model dinosaurs. In his executive capacity, Cooper ordered the "Creation" production shelved, and put its crew to work on "Kong".
Cooper assigned recently hired RKO screenwriter and best-selling British mystery/adventure writer Edgar Wallace the job of writing a screenplay and a novel based on his gorilla fantasy. Cooper understood the commercial appeal of Wallace's work and planned to publicize the film as being "based on the novel by Edgar Wallace". Wallace conferred with Cooper and O'Brien (who contributed, among other things, the "Ann's dress" scene) and began work on January 1, 1932. He completed a rough draft called "The Beast" on January 5, 1932. Cooper thought the draft needed considerable work but Wallace died on February 10, 1932, just after beginning revisions. Despite not using any of the draft in the final production beyond the previously agreed upon plot outline, Cooper gave a screen credit to Wallace as he had promised it as a producer.
Cooper called in James Ashmore Creelman (who was working on the script of "The Most Dangerous Game" at the time) and the two men worked together on several drafts under the title "The Eighth Wonder". Some details from Wallace's rough draft were dropped, such as his boatload of escaped convicts. Wallace's Danby Denham character, a big game hunter, became film director Carl Denham. His Shirley became Ann Darrow and her lover-convict John became Jack Driscoll. The “beauty and the beast” angle was first developed at this time. Kong's escape was switched from Madison Square Garden to Yankee Stadium and (finally) to a Broadway theater. Cute moments involving the gorilla in Wallace's draft were cut because Cooper wanted Kong hard and tough in the belief that his fall would be all the more awesome and tragic.
Time constraints forced Creelman to temporarily drop "The Eighth Wonder" and devote his time to the "Game" script. RKO staff writer Horace McCoy was called in to work with Cooper, and it was he who introduced the island natives, a giant wall, and the sacrificial maidens into the plot. Leon Gordon also contributed to the screenplay in a minimal capacity; both he and McCoy went uncredited in the completed film. When Creelman returned to the script full-time, he hated McCoy's “mythic elements”, believing the script already had too many over-the-top concepts, but Cooper insisted on keeping them in. RKO head Selznick and his executives wanted Kong introduced earlier in the film (believing the audience would grow bored waiting for his appearance), but Cooper persuaded them that a suspenseful build-up would make Kong's entrance all the more exciting.
Cooper felt Creelman's final draft was slow-paced, too full of flowery dialogue, weighted-down with long scenes of exposition, and written on a scale that would have been prohibitively expensive to film. Writer Ruth Rose (Schoedsack's wife) was brought in to for rewrites and, although she had never written a screenplay, undertook the task with a complete understanding of Cooper's style, streamlining the script and tightening the action. Rather than explaining how Kong would be transported to New York, for example, she simply cut from the island to the theater. She incorporated autobiographical elements into the script with Cooper mirrored in the Denham character, her husband Schoedsack in the tough but tender Driscoll character, and herself in struggling actress Ann Darrow. Rose also rewrote the dialogue and created the film's opening sequence, showing Denham meeting Ann on the streets of New York. Cooper was delighted with Rose's script, approving the newly re-titled "Kong" for production. Cooper and Schoedsack decided to co-direct scenes but their styles were different (Cooper was slow and meticulous, Schoedsack brisk) and they finally agreed to work separately, with Cooper overseeing O'Brien's miniature work and directing the special effects sequences, and Schoedsack directing the dialogue scenes.
After the RKO board approved the production of a test reel, Marcel Delgado constructed Kong (or the "Giant Terror Gorilla" as he was then known) per designs and directions from Cooper and O'Brien on a one-inch-equals-one-foot scale to simulate a gorilla 18 feet tall. Four models were built: two jointed 18-inch aluminum, foam rubber, latex, and rabbit fur models (to be rotated during filming), one jointed 24-inch model of the same materials for the New York scenes, and a small model of lead and fur for the climactic plummeting-down-the-Empire-State-Building shot. At least two armatures have survived – one believed to be the original made for the test footage – and are owned by Peter Jackson and Bob Burns. In 2009, one sold for £121,000 ($200,000) at Christie's in London.
Kong's torso was streamlined to eliminate the comical appearance of the real world gorilla's prominent belly and buttocks. His lips, eyebrows, and nose were fashioned of rubber, his eyes of glass, and his facial expressions controlled by thin, bendable wires threaded through holes drilled in his aluminum skull. During filming, Kong's rubber skin dried out quickly under studio lights, making it necessary to replace it often and completely rebuild his facial features.
A huge bust of Kong's head, neck, and upper chest was made of wood, cloth, rubber, and bearskin by Delgado, E. B. Gibson, and Fred Reese. Inside the structure, metal levers, hinges, and an air compressor were operated by three men to control the mouth and facial expressions. Its fangs were 10 inches in length and its eyeballs 12 inches in diameter. The bust was moved from set to set on a flatcar. Its scale matched none of the models and, if fully realized, Kong would have stood thirty to forty feet tall.
Two versions of Kong's right hand and arm were constructed of steel, sponge rubber, rubber, and bearskin. The first hand was non articulated, mounted on a crane, and operated by grips for the scene in which Kong grabs at Driscoll in the cave. The other hand and arm had articulated fingers, was mounted on a lever to elevate it, and was used in the several scenes in which Kong grasps Ann. A non articulated leg was created of materials similar to the hands, mounted on a crane, and used to stomp on Kong's victims.
The dinosaurs were made by Delgado in the same fashion as Kong and based on Charles R. Knight's murals in the American Museum of Natural History in New York City. All the armatures were manufactured in the RKO machine shop. Materials used were cotton, foam rubber, latex sheeting, and liquid latex. Football bladders were placed inside some models to simulate breathing. A scale of one-inch-equals-one-foot was employed and models ranged from 18 inches to 3 feet in length. Several of the models were originally built for "Creation" and sometimes two or three models were built of individual species. Prolonged exposure to studio lights wreaked havoc with the latex skin so John Cerasoli carved wooden duplicates of each model to be used as stand-ins for test shoots and lineups. He carved wooden models of Ann, Driscoll, and other human characters. Models of the "Venture", railway cars, and war planes were built.
"King Kong" is well known for its groundbreaking use of special effects, such as stop-motion animation, matte painting, rear projection and miniatures, all of which were conceived decades before the digital age.
The numerous prehistoric creatures inhabiting Skull Island were brought to life through the use of stop-motion animation by Willis O'Brien and his assistant animator, Buzz Gibson. The stop-motion animation scenes were painstaking and difficult to achieve and complete after the special effects crew realized that they could not stop, because it would make the movements of the creatures seem inconsistent and the lighting would not have the same intensity over the many days it took to fully animate a finished sequence. A device called the surface gauge was used in order to keep track of the stop-motion animation performance. The iconic fight between Kong and the "Tyrannosaurus" took seven weeks to be completed. O'Brien's protegé, Ray Harryhausen, who later worked with him on several films, stated that O'Brien's second wife noticed that there was so much of her husband in Kong.
The backdrop of Skull Island seen when the Venture crew first arrive was painted on glass by matte painters Henry Hillinck, Mario Larrinaga and Byron C. Crabbé. The scene was then composted with separate bird elements and rear projected behind the ship and the actors. The background of the scenes in the jungle (a miniature set) were also painted on several layers of glass to convey the illusion of deep and dense jungle foliage.
The most difficult task for the special effects crew to achieve was to make live-action footage interact with separately filmed stop-motion animation – to make the interaction between the humans and the creatures of the island seem believable. The most simple of these effects were accomplished by exposing part of the frame, then running the same piece of the film through the camera again by exposing the other part of the frame with a different image. The most complex shots, where the live-action actors interacted with the stop-motion animation, were achieved via two different techniques, the Dunning process and the Williams process, in order to produce the effect of a travelling matte. The Dunning process, invented by cinematographer Carroll H. Dunning, employed the use of blue and yellow lights that were filtered and photographed into black-and-white film. Bi-packing of the camera was used for these types of effects. With it, the special effects crew could combine two strips of different film at the same time, creating the final composite shot in the camera. It was used in the climactic scene where one of the Curtiss Helldiver planes attacking Kong crashes from the top of the Empire State Building, and in the scene where natives are running through the foreground, while Kong is fighting other natives at the wall.
On the other hand, the Williams process, invented by cinematographer Frank D. Williams, did not require a system of colored lights and could be used for wider shots. It was used in the scene where Kong is shaking the sailors off the log, as well as the scene where Kong pushes the gates open. The Williams process did not use bipacking, but rather an optical printer, the first such device that synchronized a projector with a camera, so that several strips of film could be combined into a single composited image. Through the use of the optical printer, the special effects crew could film the foreground, the stop-motion animation, the live-action footage, and the background, and combine all of those elements into one single shot, eliminating the need to create the effects in the camera.
O'Brien and his special effects crew also devised a way to use rear projection in miniature sets. A tiny screen was built into the miniature onto which live-action footage would then be projected. A fan was used to prevent the footage that was projected from melting or catching fire. This miniature rear projection was used in the scene where Kong is trying to grab Driscoll, who is hiding in a cave. The scene where Kong puts Ann in the top of a tree switched from a puppet in Kong's hand to a projected footage of Ann sitting.
The scene where Kong fights the snake-like reptile in his lair was likely the most significant special effects achievement of the film, due to the way in which all of the elements in the sequence work together at the same time. The scene was accomplished through the use of a miniature set, stop-motion animation for Kong, background matte paintings, real water, foreground rocks with bubbling mud, smoke and two miniature rear screen projections of Driscoll and Ann.
Over the years, some media reports have alleged that in certain scenes Kong was played by an actor wearing a gorilla suit. However, film historians have generally agreed that all scenes involving Kong were achieved with animated models.
"King Kong" was filmed in several stages over an eight-month period. Some actors had so much time between their "Kong" periods that they were able to fully complete work on other films. Cabot completed "Road House" and Wray appeared in the horror films "Dr. X" (1932) and "Mystery of the Wax Museum" (1933). She estimated she worked for ten weeks on "Kong" over its eight-month production.
In May and June 1932, Cooper directed the first live-action "Kong" scenes on the jungle set built for "The Most Dangerous Game". Some of these scenes were incorporated into the test reel later exhibited for the RKO board. The script was still in revision when the jungle scenes were shot and much of the dialogue was improvised. The jungle set was scheduled to be struck after "Game" was completed, so Cooper filmed all of the other jungle scenes at this time. The last scene shot was that of Driscoll and Ann racing through the jungle to safety following their escape from Kong's lair.
In July 1932, the native village was readied while Schoedsack and his crew filmed establishing shots in the harbor of New York City. Curtiss F8C-5/O2C-1 Helldiver war planes taking off and in flight were filmed at a U.S. Naval airfield on Long Island. Views of New York City were filmed from the Empire State Building for backgrounds in the final scenes and architectural plans for the mooring mast were secured from the building's owners for a mock-up to be constructed on the Hollywood sound stage.
In August 1932, the island landing party scene and the gas bomb scene were filmed south of Los Angeles on a beach at San Pedro, California. All of the native village scenes were then filmed on the RKO-Pathé lot in Culver City with the native huts recycled from "Bird of Paradise" (1932). The great wall in the island scenes was a hand-me-down from DeMille's "The King of Kings" (1927) and dressed up with massive gates, a gong, and primitive carvings. The scene of Ann being led through the gates to the sacrificial altar was filmed at night with hundreds of extras and 350 lights for illumination. A camera was mounted on a crane to follow Ann to the altar. The Culver City Fire Department was on hand due to concerns that the set might go up in flames from the many native torches used in the scene. The wall and gate were destroyed in 1939 for "Gone With the Wind"s burning of Atlanta sequence. Hundreds of extras were once again used for Kong's rampage through the native village, and filming was completed with individual vignettes of mayhem and native panic.
Meanwhile, the scene depicting a New York woman being dropped to her apparent death from a hotel window was filmed on the sound stage using the articulated hand. At the same time, a scene depicting poker players surprised by Kong's face peering through a window was filmed using the 'big head', although the scene was eventually dropped. When filming was completed, a break was scheduled to finish construction of the interior sets and to allow screenwriter Ruth Rose time to finish the script.
In September–October 1932, Schoedsack returned to the sound stage after completing the native village shoots in Culver City. The decks and cabins of the "Venture" were constructed and all the live-action shipboard scenes were then filmed. The New York scenes were filmed, including the scene of Ann being plucked from the streets by Denham, and the diner scene. Following completion of the interior scenes, Schoedsack returned to San Pedro and spent a day on a tramp steamer to film the scene of Driscoll punching Ann, and various atmospheric harbor scenes. The Shrine Auditorium in Los Angeles was rented for one day to film the scenes where Kong is displayed in chains and the backstage theater scenes following his escape. Principal photography wrapped at the end of October 1932 with the filming of the climax wherein Driscoll rescues Ann at the top of the Empire State Building. Schoedsack's work was completed and he headed to Syria to film outdoor scenes for "Arabia", a project that was never completed.
In December 1932 – January 1933, the actors were called back to film a number of optical effects shots which were mostly rear-screen projections. Technical problems inherent in the process made filming difficult and time-consuming. Wray spent most of a twenty-two hour period sitting in a fake tree to witness the battle between Kong and a "Tyrannosaurus". She was sore for days after. Many of the scenes featuring Wray in the articulated hand were filmed at this time. In December, Cooper re-shot the scene of the female New Yorker falling to her death. Stunt doubles were filmed for the water scenes depicting Driscoll and Ann escaping from Kong. A portion of the jungle set was reconstructed to film Denham snagging his sleeve on a branch during the pursuit scene. Originally, Denham ducked behind a bush to escape danger, but this was later considered cowardly and the scene was re shot. The final scene was originally staged on the top of the Empire State Building, but Cooper was dissatisfied and re shot the scene with Kong lying dead in the street with the crowd gathered about him.
Murray Spivack provided the sound effects for the film. Kong's roar was created by mixing the recorded growls of zoo lions and tigers, subsequently played backwards slowly. Spivak himself provided Kong's "love grunts" by grunting into a megaphone and playing it at a slow speed. For the huge ape's footsteps, Spivak stomped across a gravel-filled box with plungers wrapped in foam attached to his own feet, while the sounds of his chest beats were recorded by Spivak hitting his assistant (who had a microphone held to his back) on the chest with a drumstick. Spivak created the hisses and croaks of the dinosaurs with an air compressor for the former and his own vocals for the latter. The vocalizations of the Tyrannosaurus were additionally mixed in with puma screams. Bird squawks were used for the Pteranodon. Spivak also provided the numerous screams of the various sailors. Fay Wray herself provided all of her character's screams in a single recording session.
For budgetary reasons, RKO decided not to have an original film score composed, instead instructing composer Max Steiner to simply reuse music from other films. Cooper thought the film deserved an original score and paid Steiner $50,000 to compose it. Steiner completed the score in six weeks and recorded it with a 46-piece orchestra. The studio later reimbursed Cooper. The score was unlike any that came before and marked a significant change in the history of film music. "King Kong"s score was the first feature-length musical score written for an American "talkie" film, the first major Hollywood film to have a thematic score rather than background music, the first to mark the use of a 46-piece orchestra, and the first to be recorded on three separate tracks (sound effects, dialogue, and music). Steiner used a number of new film scoring techniques, such as drawing upon opera conventions for his use of leitmotifs. Over the years, Steiner's score was recorded by multiple record labels and the original motion picture soundtrack has been issued on a compact disc.
"King Kong" opened at the 6,200-seat Radio City Music Hall in New York City and the 3,700-seat RKO Roxy across the street on Thursday, March 2, 1933. The film was preceded by a stage show called "Jungle Rhythms". Crowds lined up around the block on opening day, tickets were priced at $.35 to $.75, and, in its first four days, every one of its ten-shows-a-day was sold out – setting an all-time attendance record for an indoor event. Over the four-day period, the film grossed $89,931.
The film had its official world premiere on March 23, 1933 at Grauman's Chinese Theatre in Hollywood. The 'big head bust' was placed in the theater's forecourt and a seventeen-act show preceded the film with "The Dance of the Sacred Ape" performed by a troupe of African American dancers the highpoint. "Kong" cast and crew attended and Wray thought her on-screen screams distracting and excessive. The film opened nationwide on April 10, 1933, and worldwide on Easter Day in London, England.
It was re-released in 1938, 1942, 1946, 1952 and 1956, the latter following a successful telecast on WOR-TV.
The film was a box-office success making about $5 million in worldwide rentals on its initial release, with an opening weekend estimated at $90,000. Receipts fell by up to 50% in the second week of the film's release because of the national "bank holiday" called in President Franklin D. Roosevelt's first days in office. During the film's first run it made a profit of $650,000.
Prior to the 1952 re-release, the film is reported to have worldwide rentals of $2,847,000 including $1,070,000 from the United States and Canada and profits of $1,310,000. After the 1952 re-release, "Variety" estimated the film had made an additional $1.6 million in the United States and Canada taking its total to $3.9 million in cumulative domestic (United States and Canada) rentals. Profits from the 1952 re-release were estimated by the studio at $2.5 million.
On Rotten Tomatoes, the film holds an approval rating of 98% based on , with a weighted average rating of 9/10. The site's critical consensus reads, ""King Kong" explores the soul of a monster – making audiences scream and cry throughout the film – in large part due to Kong's breakthrough special effects." On Metacritic the film has a weighted average score of 90 out of 100, based on 12 critics, indicating "Universal acclaim".
"Variety" thought the film was a powerful adventure. "The New York Times" gave readers an enthusiastic account of the plot and thought the film a fascinating adventure. John Mosher of "The New Yorker" called it "ridiculous", but wrote that there were "many scenes in this picture that are certainly diverting". The "New York World-Telegram" said it was "one of the very best of all the screen thrillers, done with all the cinema's slickest camera tricks". The "Chicago Tribune" called it "one of the most original, thrilling and mammoth novelties to emerge from a movie studio."
On February 3, 2002, Roger Ebert included "King Kong" in his "Great Movies" list, writing that "In modern times the movie has aged, as critic James Berardinelli observes, and 'advances in technology and acting have dated aspects of the production.' Yes, but in the very artificiality of some of the special effects, there is a creepiness that isn't there in today's slick, flawless, computer-aided images... Even allowing for its slow start, wooden acting and wall-to-wall screaming, there is something ageless and primeval about "King Kong" that still somehow works."
In the 19th and early 20th century, people of African descent were commonly visually represented as ape-like, a metaphor that fitted racist stereotypes, further bolstered by the emergence of scientific racism. Early films frequently mirrored racial tensions. While "King Kong" is often compared to the story of "Beauty and the Beast", many film scholars have argued that the film was a cautionary tale about interracial romance, in which the film's "carrier of blackness is not a human being, but an ape". Cooper and Schoedsack rejected any allegorical interpretations, insisting in interviews that the film's story contained no hidden meanings. In an interview, which was published posthumously, Cooper actually explained the deeper meaning of the film. The inspiration for the climactic scene came when, "as he was leaving his office in Manhattan, he heard the sound of an airplane motor. He reflexively looked up as the sun glinted off the wings of a plane flying extremely close to the tallest building in the city... he realized if he placed the giant gorilla on top of the tallest building in the world and had him shot down by the most modern of weapons, the armed airplane, he would have a story of the primitive doomed by modern civilization."
The film was initially banned in Nazi Germany, with the censors describing it as an "attack against the nerves of the German people" and a "violation of German race feeling". However, according to confidant Ernst Hanfstaengl, Adolf Hitler was "fascinated" by the film and saw it several times.
"Kong" did not receive any Academy Awards nominations. Selznick wanted to nominate O'Brien and his crew for a special award in visual effects but the Academy declined. Such a category did not exist at the time and would not exist until 1938. Sidney Saunders and Fred Jackman received a special achievement award for the development of the translucent acetate/cellulose rear screen – the only "Kong"-related award.
The film has since received some significant honors. In 1975, "Kong" was named one of the 50 best American films by the American Film Institute, and, in 1991, the film was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. In 1998, the AFI ranked the film #43 on its list of the 100 greatest movies of all time.
American Film Institute Lists
"King Kong" was re-released in 1938, 1942, 1946, 1952 and 1956; each time to great box office success. The Production Code's stricter decency rules had been put into effect in Hollywood after its 1933 premiere and it was progressively censored further, with several scenes being either trimmed or excised altogether.
These scenes were as follows:
After the 1956 re-release, the film was sold to television (first being broadcast March 5, 1956).
RKO did not preserve copies of film's negative or release prints with the excised footage, and the cut scenes were considered lost for many years. In 1969, a 16mm print, including the censored footage, was found in Philadelphia. The cut scenes were added to the film, restoring it to its original theatrical running time of 100 minutes. This version was re-released to art houses by Janus Films in 1970.
Over the next two decades, Universal Studios carried out further photochemical restoration on "King Kong". This was based on a 1942 release print, with missing censor cuts taken from a 1937 print, which "contained heavy vertical scratches from projection." An original release print located in the UK in the 1980s was found to contain the cut scenes in better quality.
After a 6-year worldwide search for the best surviving materials, a further, fully digital, restoration utilizing 4K resolution scanning was completed by Warner Bros. in 2005. This restoration also had a 4-minute overture added, bringing the overall running time to 104 minutes. "King Kong" was also, somewhat controversially, colorized in the late 1980s for television.
In 1984, "King Kong" was one of the first films to be released on LaserDisc by the Criterion Collection, and was the very first movie to have an audio commentary track included. Criterion's audio commentary was by film historian Ron Haver; in 1985 Image Entertainment released another LaserDisc, this time with a commentary by film historian and soundtrack producer Paul Mandell. The Haver commentary was preserved in full on the FilmStruck streaming service.
"King Kong" had numerous VHS and LaserDisc releases of varying quality prior to receiving an official studio release on DVD. Those included a Turner 60th anniversary edition in 1993 featuring a front cover which had the sound effect of Kong roaring when his chest was pressed. It also included the colorized version of the film and a 25-minute documentary, "It Was Beauty Killed the Beast" (1992). The documentary is also available on two different UK "King Kong" DVDs, while the colorized version is available on DVD in the UK and Italy. Warner Home Video re-released the black and white version on VHS with the 25-minute documentary included under the "Warner Bros. Classics" label in 1999.
In 2005 Warner Bros released their digital restoration of "King Kong" in a US 2-disc Special Edition DVD, coinciding with the theatrical release of Peter Jackson's remake. It had numerous extra features, including a new, third audio commentary by visual effects artists Ray Harryhausen and Ken Ralston, with archival excerpts from actress Fay Wray and producer/director Merian C. Cooper. Warners issued identical DVDs in 2006 in Australia and New Zealand, followed by a US digibook-packaged Blu-ray in 2010. In 2014 the Blu-ray was repackaged with three unrelated films in a "4 Film Favorites: Colossal Monster Collection".
At present, Universal holds worldwide rights to "Kong"'s home video releases outside of North America, the United Kingdom, Australia and New Zealand. All Universal's releases only contain their earlier, 100 minute, pre-2005 restoration. However, in the UK, Warner Home Video released the film digitally and on Blu-Ray and DVD in early 2017. The Blu-Ray contained the same contents as the US release, but unfortunately for the DVD, that was based on the first Disc of the 2-Disc DVD release.
The 1933 "King Kong" film and character inspired imitations and installments. "Son of Kong", a direct sequel to the 1933 film was released nine months after the first film's release. In the early 1960s, RKO had licensed the King Kong character to Japanese studio Toho and produced two King Kong films, "King Kong vs. Godzilla" (a crossover with the "Godzilla" series) and "King Kong Escapes", both directed by Ishirō Honda.
In 1976, Italian producer Dino De Laurentiis released his version of "King Kong", a modern remake of the 1933 film, which was followed by a sequel in 1986 titled "King Kong Lives". In 2005, Universal Pictures released another remake of "King Kong", directed by Peter Jackson. Legendary Pictures and Warner Bros. released a Kong reboot film titled "" in 2017 which was directed by Jordan Vogt-Roberts and is the second installment of Legendary's MonsterVerse, which started with Legendary's reboot of " Godzilla".
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Kenning
A kenning (Modern Icelandic pronunciation: ) is a figure of speech in the type of circumlocution, a compound that employs figurative language in place of a more concrete single-word noun. Kennings are strongly associated with Old Norse-Icelandic and Old English poetry. They continued to be a feature of Icelandic poetry (including "rímur") for centuries, together with the closely related heiti.
A kenning has two parts: a base-word (also known as a head-word) and a determinant. For example, the base-word of the kenning "íss rauðra randa" ('icicle of red shields' [SWORD], Einarr Skúlason: "Øxarflokkr" 9) is "íss" ('ice, icicle') and the determinant is "rǫnd" ('rim, shield-rim, shield'). The thing, person, place or being to which the kenning refers is known as its referent (in this case a sword). Although kennings are sometimes hyphenated in English translation, Old Norse poetry did not require kennings to be in normal word order, nor do the parts of the kenning need to be side-by-side. The lack of grammatical cases in modern English makes this aspect of kennings impossible to translate.
Modern scholars have also applied the term kenning to similar figures of speech in other languages, especially Old English.
The corresponding modern verb "to ken" survives in Scots and English dialects and in general English through the derivative existing in the standard language in the set expression "beyond one's ken", "beyond the scope of one's knowledge" and in the phonologically altered forms "uncanny", "surreal" or "supernatural", and "canny", "shrewd", "prudent". Modern Scots retains (with slight differences between dialects) "tae ken" "to know", "kent" "knew" or "known", Afrikaans "ken" "be acquainted with" and " to know" and "kennis "knowledge"". Old Norse "kenna" (Modern Icelandic "kenna", Swedish "känna", Danish "kende", Norwegian "kjenne" or "kjenna") is cognate with Old English "cennan", Old Frisian "kenna", "kanna", Old Saxon ("ant")"kennian" (Middle Dutch and Dutch "kennen"), Old High German ("ir-", "in-", "pi-") "chennan" (Middle High German and German "kennen"), Gothic "kannjan" < Proto-Germanic *"kannjanan", originally causative of *"kunnanan" "to know (how to)", whence Modern English "can" 'to be able'. The word ultimately derives from "*ǵneh₃", the same Proto-Indo-European root that yields Modern English "know", Latin-derived terms such as "cognition" and "ignorant", and Greek "gnosis".
Old Norse kennings take the form of a genitive phrase ("báru fákr" "wave's horse" = "ship" (Þorbjörn Hornklofi: Glymdrápa 3)) or a compound word ("gjálfr-marr" "sea-steed" = "ship" (Anon.: "Hervararkviða" 27)). The simplest kennings consist of a base-word (Icelandic "stofnorð", German "Grundwort") and a determinant (Icelandic "kenniorð", German "Bestimmung") which qualifies, or modifies, the meaning of the base-word. The determinant may be a noun used uninflected as the first element in a compound word, with the base-word constituting the second element of the compound word. Alternatively the determinant may be a noun in the genitive case placed before or after the base-word, either directly or separated from the base-word by intervening words.
Thus the base-words in these examples are "fákr" "horse" and "marr" "steed", the determinants "báru" "waves" and "gjálfr" "sea". The unstated noun which the kenning refers to is called its referent, in this case: "skip" "ship".
In Old Norse poetry, either component of a kenning (base-word, determinant or both) could consist of an ordinary noun or a "heiti" "poetic synonym". In the above examples, "fákr" and "marr" are distinctively poetic lexemes; the normal word for "horse" in Old Norse prose is "hestr".
The skalds also employed complex kennings in which the determinant, or sometimes the base-word, is itself made up of a further kenning: "grennir gunn-más" "feeder of war-gull" = "feeder of raven" = "warrior" (Þorbjörn Hornklofi: "Glymdrápa" 6); "eyðendr arnar hungrs" "destroyers of eagle's hunger" = "feeders of eagle" = "warrior" (Þorbjörn Þakkaskáld: Erlingsdrápa 1) (referring to carnivorous birds scavenging after a battle). Where one kenning is embedded in another like this, the whole figure is said to be "tvíkent" "doubly determined, twice modified".
Frequently, where the determinant is itself a kenning, the base-word of the kenning that makes up the determinant is attached uninflected to the front of the base-word of the whole kenning to form a compound word: "mög-fellandi mellu" "son-slayer of giantess" = "slayer of sons of giantess" = "slayer of giants" = "the god Thor" (Steinunn Refsdóttir: Lausavísa 2).
If the figure comprises more than three elements, it is said to be "rekit" "extended". Kennings of up to seven elements are recorded in skaldic verse. Snorri himself characterises five-element kennings as an acceptable license but cautions against more extreme constructions: "Níunda er þat at reka til hinnar fimtu kenningar, er ór ættum er ef lengra er rekit; en þótt þat finnisk í fornskálda verka, þá látum vér þat nú ónýtt." "The ninth [license] is extending a kenning to the fifth determinant, but it is out of proportion if it is extended further. Even if it can be found in the works of ancient poets, we no longer tolerate it." The longest kenning found in skaldic poetry occurs in "Hafgerðingadrápa" by Þórðr Sjáreksson and reads "nausta blakks hlé-mána gífrs drífu gim-slöngvir" "fire-brandisher of blizzard of ogress of protection-moon of steed of boat-shed", which simply means "warrior".
Word order in Old Norse was generally much freer than in Modern English because Old Norse and Old English are synthetic languages, where added prefixes and suffixes to the root word (the core noun, verb, adjective or adverb) carry grammatical meanings, whereas Middle English and Modern English use word order to carry grammatical information, so-called analytic languages. This freedom is exploited to the full in skaldic verse and taken to extremes far beyond what would be natural in prose. Other words can intervene between a base-word and its genitive determinant, and occasionally between the elements of a compound word (tmesis). Kennings, and even whole clauses, can be interwoven. Ambiguity is usually less than it would be if an English text were subjected to the same contortions, thanks to the more elaborate morphology of Old Norse.
Another factor aiding comprehension is that Old Norse kennings tend to be highly conventional. Most refer to the same small set of topics, and do so using a relatively small set of traditional metaphors. Thus a leader or important man will be characterised as generous, according to one common convention, and called an "enemy of gold", "attacker of treasure", "destroyer of arm-rings", etc. and a friend of his people. Nevertheless, there are many instances of ambiguity in the corpus, some of which may be intentional, and some evidence that, rather than merely accepting it from expediency, skalds favoured contorted word order for its own sake.
Some scholars take the term kenning broadly to include any noun-substitute consisting of two or more elements, including merely descriptive epithets (such as Old Norse "grand viðar" "bane of wood" = "fire" (Snorri Sturluson: Skáldskaparmál 36)), while others would restrict it to metaphorical instances (such as Old Norse "sól húsanna" "sun of the houses" = "fire" (Snorri Sturluson: Skáldskaparmál 36)), specifically those where "[t]he base-word identifies the referent with something which it is not, except in a specially conceived relation which the poet imagines between it and the sense of the limiting element'" (Brodeur (1959) pp. 248–253). Some even exclude naturalistic metaphors such as Old English "forstes bend" "bond of frost" = "ice" or "winter-ġewǣde" "winter-raiment" = "snow": "A metaphor is a kenning only if it contains an incongruity between the referent and the meaning of the base-word; in the kenning the limiting word is essential to the figure because without it the incongruity would make any identification impossible" (Brodeur (1959) pp. 248–253). Descriptive epithets are a common literary device in many parts of the world, whereas kennings in this restricted sense are a distinctive feature of Old Norse and, to a lesser extent, Old English poetry.
Snorri's own usage, however, seems to fit the looser sense: "Snorri uses the term "kenning" to refer to a structural device, whereby a person or object is indicated by a periphrastic description containing two or more terms (which can be a noun with one or more dependent genitives or a compound noun or a combination of these two structures)" (Faulkes (1998 a), p. xxxiv). The term is certainly applied to non-metaphorical phrases in Skáldskaparmál: "En sú kenning er áðr var ritat, at kalla Krist konung manna, þá kenning má eiga hverr konungr." "And that kenning which was written before, calling Christ the king of men, any king can have that kenning. Likewise in Háttatal: "Þat er kenning at kalla fleinbrak orrostu [...]" "It is a kenning to call battle 'spear-crash' [...]".
Snorri's expression "kend heiti" "qualified terms" appears to be synonymous with "kenningar", although Brodeur applies this more specifically to those periphrastic epithets which don't come under his strict definition of kenning.
Sverdlov approaches the question from a morphological standpoint. Noting that the modifying component in Germanic compound words can take the form of a genitive or a bare root, he points to behavioural similarities between genitive determinants and the modifying element in regular Old Norse compound words, such as the fact that neither can be modified by a free-standing (declined) adjective. According to this view, all kennings are formally compounds, notwithstanding widespread tmesis.
Kennings could be developed into extended, and sometimes vivid, metaphors: "tröddusk törgur fyr [...] hjalta harðfótum" "shields were trodden under the hard feet of the hilt (sword blades)" (Eyvindr Skáldaspillir: Hákonarmál 6); "svarraði sárgymir á sverða nesi" "wound-sea (=blood) sprayed on headland of swords (=shield)" (Eyvindr Skáldaspillir: Hákonarmál 7). Snorri calls such examples "nýgervingar" and exemplifies them in verse 6 of his Háttatal. The effect here seems to depend on an interplay of more or less naturalistic imagery and jarring artifice. But the skalds weren't averse either to arbitrary, purely decorative, use of kennings: "That is, a ruler will be a distributor of gold even when he is fighting a battle and gold will be called the fire of the sea even when it is in the form of a man's arm-ring on his arm. If the man wearing a gold ring is fighting a battle on land the mention of the sea will have no relevance to his situation at all and does not contribute to the picture of the battle being described" (Faulkes (1997), pp. 8–9).
Snorri draws the line at mixed metaphor, which he terms "nykrat" "made monstrous" (Snorri Sturluson: Háttatal 6), and his nephew called the practice "löstr" "a fault" (Óláfr hvítaskáld: Third Grammatical Treatise 80). In spite of this, it seems that "many poets did not object to and some must have preferred baroque juxtapositions of unlike kennings and neutral or incongruous verbs in their verses" (Foote & Wilson (1970), p. 332). E.g. "heyr jarl Kvasis dreyra" "listen, earl, to Kvasir's blood (=poetry)" (Einarr skálaglamm: Vellekla 1).
Sometimes there is a kind of redundancy whereby the referent of the whole kenning, or a kenning for it, is embedded: "barmi dólg-svölu" "brother of hostility-swallow" = "brother of raven" = "raven" (Oddr breiðfirðingr: Illugadrápa 1); "blik-meiðendr bauga láðs" "gleam-harmers of the land of rings" = "harmers of gleam of arm" = "harmers of ring" = "leaders, nobles, men of social standing (conceived of as generously destroying gold, i.e. giving it away freely)" (Anon.: Líknarbraut 42).
While some Old Norse kennings are relatively transparent, many depend on a knowledge of specific myths or legends. Thus the sky might be called naturalistically "él-ker" "squall-vat" (Markús Skeggjason: Eiríksdrápa 3) or described in mythical terms as "Ymis haus" "Ymir's skull" (Arnórr jarlaskáld: Magnúsdrápa 19), referring to the idea that the sky was made out of the skull of the primeval giant Ymir. Still others name mythical entities according to certain conventions without reference to a specific story: "rimmu Yggr" "Odin of battle" = "warrior" (Arnórr jarlaskáld: Magnúsdrápa 5).
Poets in medieval Iceland even treated Christian themes using the traditional repertoire of kennings complete with allusions to heathen myths and aristocratic epithets for saints: "Þrúðr falda" "goddess of headdresses" = "Saint Catherine" (Kálfr Hallsson: Kátrínardrápa 4).
Kennings of the type AB, where B routinely has the characteristic A and thus this AB is tautological, tend to mean "like B in that it has the characteristic A", e.g. "shield-Njörðr", tautological because the god Njörðr by nature has his own shield, means "like Njörðr in that he has a shield", i.e. "warrior". A modern English example is "painted Jezebel" as a disapproving expression for a woman too fond of using cosmetics.
Kennings may include proper names. A modern example of this is an ad hoc usage by a helicopter ambulance pilot: "the Heathrow of hang gliders" for the hills behind Hawes in Yorkshire in England, when he found the air over the emergency site crowded with hang-gliders.
Sometimes a name given to one well-known member of a species, is used to mean any member of that species. For example, Old Norse "valr" means "falcon", but Old Norse mythology mentions a horse named Valr, and thus in Old Norse poetry "valr" is sometimes used to mean "horse".
A term may be omitted from a well-known kenning: "val-teigs Hildr" "hawk-ground's valkyrie/goddess" (Haraldr Harðráði: Lausavísa 19). The full expression implied here is "goddess of gleam/fire/adornment of ground/land/seat/perch of hawk" = "goddess of gleam of arm" = "goddess of gold" = "lady" (characterised according to convention as wearing golden jewellery, the arm-kenning being a reference to falconry). The poet relies on listeners' familiarity with such conventions to carry the meaning.
In the following dróttkvætt stanza, the Norwegian skald Eyvindr skáldaspillir (d. ca 990) compares the greed of King Harald Greycloak (Old Norse: "Haraldr") to the generosity of his predecessor, Haakon the Good ("Hákon"):
A literal translation reveals several kennings: "Ullr of the war-leek! We carried the seed of Fýrisvellir on our hawk-mountains during all of Haakon's life; now the enemy of the people has hidden the flour of Fróði's hapless slaves in the flesh of the mother of the enemy of the giantess."
This could be paraphrased as "O warrior, we carried gold on our arms during all of King Haakon's life; now the enemy of the people has hidden gold in the earth." The kennings are:
Ullr ... ímunlauks, "warrior", from Ullr, the name of a god, and ímun-laukr, "sword" (literally "war-leek"). By convention, the name of any god can be associated with another word to produce a kenning for a certain type of man; here "Ullr of the sword" means "warrior." "War-leek" is a kenning for "sword" that likens the shape of the sword to that of a leek. The warrior referred to may be King Harald.
Hauka fjöllum, "arms", from "hauka" "hawk" and "fjöll" mountain. This is a reference to the sport of falconry, where a bird of prey is perched on the arm of the falconer. By convention, "hawk" combined with a term for a geographic feature forms a kenning for "arm."
Fýrisvalla fræ, "gold", from "Fýrisvellir", the plains of the river Fýri, and "fræ", "seed." This is an allusion to a legend retold in "Skáldskaparmál" and "Hrólfs saga kraka" in which King Hrolf and his men scattered gold on the plains ("vellir") of the river Fýri south of Gamla Uppsala to delay their pursuers.
Fróða fáglýjaðra þýja meldr, "flour of Fróði's hapless slaves", is another kenning for "gold." It alludes to the Grottasöngr legend.
Móður hold mellu dolgs, "flesh of the mother of the enemy of the giantess." "earth." Here the earth is personified as the goddess Jörð, mother of Thor, enemy of the Jǫtnar or "giants".
The practice of forming kennings has traditionally been seen as a common Germanic inheritance, but this has been disputed since, among the early Germanic languages, their use is largely restricted to Old Norse and Old English poetry. A possible early kenning for "gold" ("walha-kurna" "Roman/Gallic grain") is attested in the Proto-Norse runic inscription on the Tjurkö (I)-C bracteate. Kennings are virtually absent from the surviving corpus of continental West Germanic verse; the Old Saxon Heliand contains only one example: "lîk-hamo" "body-raiment" = "body" (Heliand 3453 b), a compound which, in any case, is normal in West Germanic and North Germanic prose (Old English "līchama", Old High German "lîchamo", "lîchinamo", Dutch "lichaam", Old Icelandic "líkamr", "líkami", Old Swedish "līkhamber", Swedish "lekamen", Danish and Norwegian Bokmål "legeme", Norwegian Nynorsk "lekam").
Old English kennings are all of the simple type, possessing just two elements, e.g. for "sea": "seġl-rād" "sail-road" (Beowulf 1429 b), "swan-rād" "swan-road" (Beowulf 200 a), "bæð-weġ" "bath-way" (Andreas 513 a), "hron-rād" "whale-road" (Beowulf 10), "hwæl-weġ" "whale-way" (The Seafarer 63 a). Most Old English examples take the form of compound words in which the first element is uninflected: "heofon-candel" "sky-candle" = "the sun" (Exodus 115 b). Kennings consisting of a genitive phrase occur too, but rarely: "heofones ġim" "sky's jewel" = "the sun" (The Phoenix 183).
Old English poets often place a series of synonyms in apposition, and these may include kennings (loosely or strictly defined) as well as the literal referent: "Hrōðgar maþelode, helm Scyldinga" ... "Hrothgar, helm (=protector, lord) of the Scyldings, said ..." (Beowulf 456).
Although the word "kenning" isn't often used for non-Germanic languages, a similar form can be found in Biblical poetry in its use of parallelism. Some examples include , in which "blood of grapes" is used as a kenning for "wine", and where "born of woman" is a parallel for "man".
Figures of speech similar to kennings occur in Modern English (both in literature and in regular speech), and are often found in combination with other poetic devices. For example, the Madness song "The Sun and the Rain" contains the line "standing up in the falling-down", where "the falling-down" refers to rain and is used in juxtaposition to "standing up". Some recent English writers have attempted to use approximations of kennings in their work. John Steinbeck used kenning-like figures of speech in his 1950 novella "Burning Bright", which was adapted into a Broadway play that same year. According to Steinbeck biographer Jay Parini, "The experiment is well-intentioned, but it remains idiosyncratic to the point of absurdity. Steinbeck invented compound phrases (similar to the Old English use of kennings), such as 'wife-loss' and 'friend-right' and 'laughter-starving,' that simply seem eccentric."
Kennings remain somewhat common in German ("Drahtesel" "wire-donkey" for bicycle, "Feuerstuhl" "fire-chair" for motorcycle, "Stubentiger" "parlour-tiger" for cat, and so on).
The poet Seamus Heaney regularly employed kennings in his work; for example, 'bone-house' for "skeleton".
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Kult (role-playing game)
Kult is a contemporary horror role-playing game originally created by Gunilla Jonsson & Michael Petersén with illustrations by Nils Gulliksson, first published in Sweden by Äventyrsspel (later Target Games) in 1991. Kult is notable for its philosophical and religious depth as well as for its mature and controversial content.
The first English edition was published in 1993 by Metropolis Ltd.. In 1995, translated the second Swedish edition into French.
In 2018 current licensor Helmgast released the fourth edition called KULT: Divinity Lost created by Robin Liljenberg and Petter Nallo. This edition moved the setting from the 1990s to the present and was completely rewritten with new art, layout and a ruleset based on Powered by the Apocalypse. The new edition was well received by critics and fans and won two ennies for "Best Writing" and "Best Cover 2019" and was also nominated for "Best Interior Art".
The default backdrop of Kult is modern-day real-life larger cities; players taking the roles of contemporary multi-genre protagonists, such as private investigators and femme fatales, vigilantes and drug dealers, artists and journalists, or secret agents and mad scientists. In the game, however, all this and the entire world we see, is an "illusion" held together by a monotheistic belief which is unravelling to reveal a darker backdrop where nightmarish monsters lurk, called "reality" in the game. This illusion was created by the Demiurge to hold humanity prisoner and to prevent mankind from regaining the divinity it once had. In the absence of this Demiurge, sinister forces plot to keep us from realizing the truth, or even to plunge the world into an apocalyptic war to restore humanity's ignorance and blind faith in the divine order.
Some symbols and creatures appearing in Kult can also be seen in other Swedish games to which the Kult authors and production team also have contributed. The Mutant Chronicles' universe (created by Nils Gulliksson and Michael Stenmark) its spin-offs share creatures such as Nepharites and Razides which appear in the game.
The notion of an originally divine mankind being held captive by sinister forces is borrowed from gnosticism. The cosmological backdrop of Kult is largely based on the Tree of life, the Sephirot and the Qliphoth. It is balanced with the Demiurge and his Archons on one side and Astaroth and his Death Angels on the other. Each Archon or Death Angel represents a value, group or an action (aid organisations, child abuse, mafia, apathy, judicial systems, etc.) over which they have great influence. The Archons and Death Angels have various creatures and cults (thereby the name of the game) to do their bidding and promote their values. Many of these are our jailers who work to maintain the Illusion. Many of the adventures revolve around how these entities' conflicts affect the player characters and the world around them.
One of the more central elements of the game is that the Demiurge has disappeared since just before the 20th century, and since then Astaroth, the Archons and the Death Angels have been struggling for power. Many entities have vanished since, and the Illusion has been weakened. The game leaves a lot to the imagination of interpretive game masters regarding reasons for the Demiurge's disappearance as well as the earlier mentioned divinity of mankind.
The game concept relies on there being several realities that may appear when the Illusion shatters: Metropolis, the original city which interconnects with all great cities; Inferno and its purgatories, where humans are held captive and tortured after death; and Gaia, which connects to nature and nature's destructive forces. The Underworld where strange people from lost worlds lives in the depth close to infinity. Limbo, the Dream World where Dream Princes create their kingdoms and dream wanderers explore tattered dreams close to Vortex (a place of chaos and creation).
The original system is a skill-based system utilizing 20-sided dice (related to the BRP system used by Äventyrsspel for their Drakar och Demoner rpgs), with point-based characters. In the game, a natural 1 usually is great success with added bonuses and a natural 20 means a complete failure. Normal characters usually have skill ranges of 3 to 20; to succeed in a skill roll, the player needs to roll equal or below his character's skill. The lower the player rolls below the skill number, the greater the success. Extraordinary characters and inhuman entities can have skill values far above the normal range.
The recent edition KULT: Divinity Lost uses rules that are based on the Apocalypse World rules engine. You roll two ten-sided dice, add possible modifications, and try to reach at least 10 to avoid failure or 15 to gain a complete success. KULT: Divinity Lost also has a system where the Gamemaster builds the campaign around the Player Characters and aims to reach true personal horror.
There are several different official rulesets for combat. The second and third English edition rules use a system based on Damage Effect Factors (DEF). The fourth edition, KULT: Divinity Lost, has less focus on combat than previous editions.
Kult's magic system is largely drawn on the same real-world occult belief systems as some modern magick societies. Sorcerers can cast spells from one (or rarely more) of five different Lores; Death, Dream, Madness, Passion and Time & Space. Because these spells have (very) long casting times (up to several days), highly specific and exacting verbal, material and somatic requirements, and can only be cast inside the sorcerer's consecrated temple, these spells are actually more like quasi-religious rituals.
Central to the game is the aspect of Mental Balance, which is a sanity-gauge of sorts. In the game's cosmology humans can - at least in theory - regain their lost divine status through a game concept called Awakening in which characters with an extremely high (or low, the game never values positive or moral traits higher than negative or immoral ones) mental balance are no longer restrained by the rules of the Illusion. Effectively, they escape the prison and become gods.
The closer to equilibrium the character is, the more he is anchored in everyday human reality and the harder it is for the character to see through the veil of The Illusion to the true reality beneath. On the other hand, this protects him from becoming traumatized or insane. The further from this balance point (zero) the character's Mental Balance gets, the more easily he or she will become emotionally and mentally unbalanced by shocking events. A Kult character can have positive or negative mental balance affected by trauma, influence from creatures or places, or by advantages and disadvantages. The advantages and disadvantages are typically talents and traits that work for or against the character, such as (on the positive side) having animal friendship, artistic talent, body awareness, a code of honor, or (from the negative spectrum) being socially inept, suffering from a drug addiction, sex addiction, paranoia, mystic curse or similar.
Both an unusually high or unusually low (+25/-25) Mental Balance will affect how normal people and animals react to the character in question. The further the character strays away from the zero point, the more sociopathic, strange or eccentric he becomes, as he sheds his human quirks and viewpoints and becomes more inhuman. Characters with a very high or very low Mental Balance will start to involuntarily manifest outward physical signs of their ascent or descent; they become either detached saints or Children of the Night. If Mental Balance ever reaches +500/-500, the character Awakens and regains their true potential.
In the fourth edition of Kult the Mental Balance system has been removed, the reason made by the developers is that even if it is interesting it was practically impossible to use other than as a concept. instead you transcend between different types of Archetypes: "The Sleeper", "The Aware", "The Enlightened" that moves you towards Awakening.
Kult was originally published by the company Target Games in 1991 as a Swedish role-playing game, and has later been translated into several other languages. Kult has been published in Swedish, German, English, Italian, Spanish and French.
Metropolis Ltd. published the English-language game through three editions and new supplements, with a new US background and a revised page design and editing led by Terry K. Amthor.
The third English edition of Kult had two English books released in print form: a player's handbook named "Kult Rumours" in 2001 and the core rulebook, subtitled "Beyond The Veil", printed in 2004. Both are currently out of print, though copies can be purchased through secondary and specialized markets.
The former publishers were 7ème Cercle (French) and (Italian).
The license has been the property of first Target Games, then Paradox Entertainment, and, in 2015, Cabinet Holdings.
Currently, Kult is licensed by Helmgast.
A 2016 Kickstarter campaign funded a new edition of the game, entitled 'Kult: Divinity Lost'. This edition uses a different rules engine than previous editions, one based on "Apocalypse World" and its "Powered by the Apocalypse" rules engine. It updates the setting to answer the question “What would Kult had been like if it was released in 2016 instead of 1991?” The game was released in 2018.
In 2017 Free League published Anders Fager's novel "För Gudinnan" (for the love of goddess) set in the Kult universe. Fager has also written an audiolouge called "Faraday" set in the Kult adventure Tarroticum.
In Sweden, Kult has been noted by the general press several times, and in 1997 the Kult core rules were quoted in a motion in the Parliament of Sweden. The motion was to stop taxpayer funding of youth groups that were active with role-playing. It refers to a murder in a small town in southern Sweden called Bjuv, where a 15-year-old was killed by two 16- and 17-year-old friends who (according to the legal motion) were influenced by Kult.
Critics of role-playing games have also tied Kult to a 16-year-old Swedish boy who committed suicide by shotgun in November 1996.
The local newspaper "Tønsbergs Blad" in Tønsberg, Norway similarly used Kult in relation to the disappearance of a boy called Andreas Hammer on July 1, 1994. Andreas Hammer allegedly played Kult the week prior to his disappearance. He is still missing.
Jeff Koke reviewed "Kult" for "Pyramid" #3 (Sept./Oct., 1993), and stated that "All in all, Kult is a very good system and background for roleplayers who are mature enough to delve into truly dark roleplaying. Even for those players who dislike being immersed in depressing, hopeless worlds, the background has enough tidbits of bleak imagery and morsels of horrific scenery that it's worth the cover price just to browse through the Metropolis."
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Kista
Kista () is a district in the borough of Rinkeby-Kista, Stockholm, Sweden. It has a strategic position located in between Sweden's main airport, the Stockholm-Arlanda International Airport and central Stockholm, and alongside the main national highway E4 economic artery. Kista comprises residential and commercial areas, the latter in the highly technological telecommunication and information technology industry. There are large research efforts in this entire area, which therefore is dubbed Kista Science City. It is the research park of KTH Royal Institute of Technology.
Kista is the largest Information and Communications Technology (ICT) cluster in Europe, and the world's second largest cluster after Silicon Valley in California. It is the largest corporate area in Sweden, important to the national economy due to the presence of, among others, Ericsson Group, the largest corporation in Sweden.
Kista Science City is the location where a large portion of the research and development of the world's 4G LTE mobile telephony infrastructure is being developed, a European ETSI standard used worldwide and Kista Science City has been the largest such cluster in Europe for decades. A majority is done at Ericsson corporation, with 100,000 employees worldwide, but with its research and worldwide Headquarters in the Kista Science City.
Kista was named after an old farm "Kista Gård", still located in the area. The construction of the modern parts were started in the 1970s. Most of the streets in Kista are named after towns and places in Denmark, Iceland, Greenland, and Faroe Islands. Before the opening of the Mall of Scandinavia, Kista Galleria was the biggest shopping center in the Stockholm region.
Because of its ICT industries, it became in the 1980s referred to as "Chipsta" and, after Sweden joined the EU in 1995, also as Europe's "Silicon Valley".
Kista is the largest corporate area in Sweden and important to the national economy.
The construction of the industrial section of Kista began in the 1970s with companies such as SRA (Svenska Radioaktiebolaget, now a part of Ericsson), RIFA AB (later Ericsson Components AB, and later still Ericsson Microelectronics AB, and now Infineon Technologies), and IBM Svenska AB (the Swedish branch of IBM). Ericsson has had its headquarters in Kista since 2003.
Kista hosts entire departments of both KTH Royal Institute of Technology, such as Wireless@KTH, and Stockholm University (formerly jointly known as "the IT University").
There are also Swedish national research institutes (pure research, no students) such as the Swedish Institute of Computer Science and Swedish Defence Research Agency, FOI who has its Headquarters there, just as Ericsson, Swedish IBM and Tele 2, among others has.
Also the Swedish Co-location Centre of EU innovation and entrepreneurial education organisation EIT Digital is located in Kista and offers a 2-year Master program in collaboration with KTH Royal Institute of Technology.
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https://en.wikipedia.org/wiki?curid=16791
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Korean cuisine
Korean cuisine is the customary cooking traditions and practices of the culinary arts of Korea. Korean cuisine has evolved through centuries of social and political change. Originating from ancient agricultural and nomadic traditions in Korea and southern Manchuria, Korean cuisine has evolved through a complex interaction of the natural environment and different cultural trends.
Korean cuisine is largely based on rice, vegetables, and (at least in the South) meats. Traditional Korean meals are named for the number of side dishes (반찬; 飯饌; "banchan") that accompany steam-cooked short-grain rice. Kimchi is served at nearly every meal. Commonly used ingredients include sesame oil, "doenjang" (fermented bean paste), soy sauce, salt, garlic, ginger, "gochugaru" (pepper flakes), "gochujang" (fermented red chili paste) and napa cabbage.
Ingredients and dishes vary by province. Many regional dishes have become national, and dishes that were once regional have proliferated in different variations across the country. Korean royal court cuisine once brought all of the unique regional specialties together for the royal family. Foods are regulated by Korean cultural etiquette.
In the Jeulmun pottery period (approximately 8000 to 1500 BCE), hunter-gatherer societies engaged in fishing and hunting, and incipient agriculture in the later stages. Since the beginning of the Mumun pottery period (1500 BCE), agricultural traditions began to develop with new migrant groups from the Liao River basin of Manchuria. During the Mumun period, people grew millet, barley, wheat, legumes and rice, and continued to hunt and fish. Archaeological remains point to development of fermented beans during this period, and cultural contact with nomadic cultures to the north facilitated domestication of animals.
The Three Kingdoms period (57 BCE – 668 CE) was one of rapid cultural evolution. The kingdom of Goguryeo (37 BCE – 668 CE) was located in the northern part of the peninsula along much of modern-day Manchuria. The second kingdom, Baekje (18 BCE – 660 CE), was in the southwestern portion of the peninsula, and the third, Silla (57 BCE – 935 CE), was located at the southeastern portion of the peninsula. Each region had its own distinct set of cultural practices and foods. For example, Baekje was known for cold foods and fermented foods like "kimchi". The spread of Buddhism and Confucianism through cultural exchanges with China during the fourth century CE began to change the distinct cultures of Korea.
During the latter Goryeo period, the Mongols invaded Goryeo in the 13th century. Some traditional foods found today in Korea have their origins during this period. The dumpling dish, "mandu", grilled meat dishes, noodle dishes, and the use of seasonings such as black pepper, all have their roots in this period.
Agricultural innovations were significant and widespread during this period, such as the invention of the rain gauge during the 15th century. During 1429, the government began publishing books on agriculture and farming techniques, which included "Nongsa jikseol" (literally "Straight Talk on Farming"), an agricultural book compiled under King Sejong.
A series of invasions in the earlier half of the Joseon caused a dynamic shift in the culture during the second half of the period. Groups of "silhak" ("practical learning") scholars began to emphasize the importance of looking outside the country for innovation and technology to help improve the agricultural systems. Crops traded by Europeans from the New World began to appear, acquired through trade with China, Japan, Europe, and the Philippines; these crops included corn, sweet potatoes, chili peppers, tomatoes, peanuts, and squash. Potatoes and sweet potatoes were particularly favored as they grew in soils and on terrains that were previously unused.
Government further developed agriculture through technology and lower taxation. Complex irrigation systems built by government allowed peasant farmers to produce larger crop volumes and produce crops not only for sustenance but also as cash crops. Reduced taxation of the peasantry also furthered the expanded commerce through increasing periodic markets, usually held every five days. One thousand such markets existed in the 19th century, and were communal centers for economic trade and entertainment.
The end of the Joseon period was marked by consistent encouragement to trade with the Western world, China and Japan. In the 1860s, trade agreements pushed by the Japanese government led the Joseon Dynasty to open its trade ports with the west, and to numerous treaties with the United States, Britain, France, and other Western countries.
The opening of Korea to the Western world brought further exchange of culture and food. Western missionaries introduced new ingredients and dishes to Korea. Joseon elites were introduced to these new foods by way of foreigners who attended the royal court as advisers or physicians. This period also saw the introduction of various seasonings imported from Japan via western traders and alcoholic drinks from China.
Japan colonized Korean peninsula from 1910 to 1945. Many of the agricultural systems were taken over by the Japanese to support Japan's food supply. Land changes resulting from the Japanese occupation included combining small farms into large-scale farms, which led to larger yields. Rice production increased during this period to support the Japanese Empire's war efforts. Many Koreans, in turn, increased the production of other grains for their own consumption.
Meals during the Japanese occupation were quite varied. Koreans usually ate two meals a day during the cold seasons, and three during the warm seasons. For the lower classes, satiety, rather than quality, was most important. Those in even lower economic levels were likely to enjoy only a single bowl of white rice "each year", while the remainder of the year was filled with cheaper grains, such as millet and barley. For the Korean middle and upper classes during the occupation, things were quite different. Western foods began emerging in the Korean diet, such as white bread and commercially produced staples such as precooked noodles. The Japanese occupational period ended after the defeat of Japan during World War II.
The country remained in a state of turmoil through the Korean War (1950–1953) and the Cold War, which separated the country into North Korea and South Korea. Both of these periods continued the limited food provisions for Koreans, and the stew called "budae jjigae", which makes use of inexpensive meats such as sausage and Spam, originated during this period.
At this point, the history of North and South Korea sharply diverged. In the 1960s under President Park Chung-hee, industrialization began to give South Korea the economic and cultural power it holds in the global economy today. Agriculture was increased through use of commercial fertilizers and modern farming equipment. In the 1970s, food shortages began to lessen. Consumption of instant and processed foods increased, as did the overall quality of foods. Livestock and dairy production was increased during the 1970s through the increase of commercial dairies and mechanized farms. The consumption of pork and beef increased vastly in the 1970s. Per-capita consumption of meat was 3.6 kg in 1961 and 11 kg by 1979. The result of this increased meat consumption brought about the rise of "bulgogi" restaurants, which gave the middle class of South Korea the ability to enjoy meat regularly. Meat eating continued to rise, reaching 40 kg in 1997, with fish consumption at 49.5 kg in 1998. Rice consumption continually decreased through these years, with 128 kg consumed per person in 1985 to 106 kg in 1995 and 83 kg in 2003. The decrease in rice consumption has been accompanied by an increase in the consumption of bread and noodles.
Understanding the environmental characteristics of Korea is necessary to see its influence on Korean cuisine and culture. Korea is located between the Chinese Mainland and the islands of Japan, and it therefore shares many cultural characteristics with the two countries. However, its unique climate and geography have also produced many differences.
Korea is located on the Korean Peninsula, which extends southward from the northeastern region of the Asian continental landmass. It shares its border with China and Russia to the north but is otherwise surrounded by water, resulting in a flourishing fishing industry. Forested, mountainous terrain covers 70 percent of the nation, yielding a variety of wild edible greens that are also grown in dry-field farms. Korea’s major rivers, including the Nakdong River, the Han River and the Geum River, tend to flow westward along the mountain ranges, creating well-developed plains in the peninsula’s western region. The conditions in the western and southern regions of the peninsula are therefore favorable to rice farms, while dry-field farms predominate in the northern and eastern regions. Korea’s eastern coast has a smooth coastline, but the southern and western coasts have jagged coastlines with many islands. This provides an ideal environment for exploiting a rich variety of marine products. Due to the varying geographical features and climates of the four regions of Korea, they have resulted in differing regional cuisines. Despite the development of transportation increasing contact between regions, and making local cultures less distinct, many of the unique local specialties and distinct styles of each province still remain.
The climate of Korea is characterized by four distinct seasons–spring, summer, autumn and winter–yielding a diverse array of seasonal foods. Even the same ingredients may have different tastes and nutrients in each season, which produces a variety of flavor variation within recipes. Unlike the abundant food materials available in the hot, humid summers and clear, dry springs and autumns, cold winters see Koreans eating dried vegetables and kimchi instead of fresh vegetables. Jeotgal, a salted fermented fish, was developed by the ancestors in the southern region of Korea as a way to preserve fish for a long period of time during the cold winters and hot summers. However, recent climate changes have introduced a subtropical climate to the peninsula, changing the types of seasonal food materials available.
Grains have been one of the most important staples of the Korean diet. Early myths of the foundations of various kingdoms in Korea center on grains. One foundation myth relates to Jumong, who received barley seeds from two doves sent by his mother after establishing the kingdom of Goguryeo. Yet another myth speaks of the three founding deities of Jeju Island, who were to be wed to the three princesses of Tamna; the deities brought seeds of five grains which were the first seeds planted, which in turn became the first instance of farming.
During the pre-modern era, grains such as barley and millet were the main staples. They were supplemented by wheat, sorghum, and buckwheat. Rice is not an indigenous crop to Korea and millet was likely the preferred grain before rice was cultivated. Rice became the grain of choice during the Three Kingdoms period, particularly in the Silla and Baekje Kingdoms in the southern regions of the peninsula. Rice was such an important commodity in Silla that it was used to pay taxes. The Sino-Korean word for "tax" is a compound character that uses the character for the rice plant. The preference for rice escalated into the Joseon period, when new methods of cultivation and new varieties emerged that would help increase production.
As rice was prohibitively expensive when it first came to Korea, the grain was likely mixed with other grains to "stretch" the rice; this is still done in dishes such as "boribap" (rice with barley) and "kongbap" (rice with beans). White rice, which is rice with the bran removed, has been the preferred form of rice since its introduction into the cuisine. The most traditional method of cooking the rice has been to cook it in an iron pot called a "sot" (솥) or "musoe sot" (무쇠솥). This method of rice cookery dates back to at least the Goryeo period, and these pots have even been found in tombs from the Silla period. The "sot" is still used today, much in the same manner as it was in the past centuries.
Rice is used to make a number of items, outside of the traditional bowl of plain white rice. It is commonly ground into a flour and used to make rice cakes called "tteok" in over two hundred varieties. It is also cooked down into a congee ("juk") or gruel ("mieum") and mixed with other grains, meat, or seafood. Koreans also produce a number of rice wines, both in filtered and unfiltered versions.
Legumes have been significant crops in Korean history and cuisine, according to the earliest preserved legumes found in archaeological sites in Korea. The excavation at Okbang site, Jinju, South Gyeongsang province indicates soybeans were cultivated as a food crop "circa" 1000–900 BCE. They are made into tofu ("dubu"), while soybean sprouts are sauteed as a vegetable ("kongnamul") and whole soybeans are seasoned and served as a side dish. They are also made into soy milk, which is used as the base for the noodle dish called "kongguksu". A byproduct of soy milk production is "biji" or "kong-biji", which is used to thicken stews and porridges. Soybeans may also be one of the beans in "kongbap", boiled together with several types of beans and other grains, and they are also the primary ingredient in the production of fermented condiments collectively referred to as "jang", such as soybean pastes, "doenjang" and "cheonggukjang", a soy sauce called "ganjang", chili pepper paste or "gochujang" and others.
Mung beans are commonly used in Korean cuisine, where they are called "nokdu" (; Hanja: 綠豆; ). Mung bean sprouts, called "sukju namul", are often served as a side dish, blanched and sautéed with sesame oil, garlic, and salt. Ground mung beans are used to make a porridge called "nokdujuk", which is eaten as a nutritional supplement and digestive aid, especially for ill patients. A popular snack, "bindaetteok" (mung bean pancake), is made with ground mung beans and fresh mung bean sprouts. Starch extracted from ground mung beans is used to make transparent cellophane noodles ("dangmyeon"). The noodles are the main ingredients for "japchae" (a salad-like dish) and "sundae" (a blood sausage), and are a subsidiary ingredient for soups and stews. The starch can be also used to make jelly-like foods, such as "nokdumuk" and "hwangpomuk". The "muk" have a bland flavor, so are served seasoned with soy sauce, sesame oil and crumbled seaweed or other seasonings such as "tangpyeongchae".
Cultivation of azuki beans dates back to ancient times according to an excavation from Odong-ri, Hoeryong, North Hamgyong Province, which is assumed to be that of Mumun period (approximately 1500-300 BCE). Azuki beans are generally eaten as "patbap", which is a bowl of rice mixed with the beans, or as a filling and covering for "tteok" (rice cake) and breads. A porridge made with azuki beans, called "patjuk", is commonly eaten during the winter season. On Dongjinal, a Korean traditional holiday which falls on December 22, Korean people eat "donji patjuk", which contains "saealsim" (새알심), a ball made from glutinous rice flour. In old Korean tradition, "patjuk" is believed to have the power to drive evil spirits away.
Condiments are divided into fermented and nonfermented variants. Fermented condiments include "ganjang", "doenjang", "gochujang" and vinegars. Nonfermented condiments or spices include red pepper, black pepper, cordifolia, mustard, chinensis, garlic, onion, ginger, leek, and scallion (spring onion).
Gochujang can be found in many writings. Some of the writings are the "", "The Three States", the "Nonggawolryeongga", the "Gijaejapgi", and the "". The "Hyangyak-jipseongbang", which dates back to around 1433 during the Chosun Dynasty, is one of the oldest writings mentioning gochujang.
Gochujang is a fermented bean paste that has red pepper powder, soybean powder and rice flour added to it to create a spicy paste. It typically can be added to most dishes. Gochujang can be used as a seasoning and sometimes as a dipping sauce.
Many variations come from "jang", fermented bean paste. Some variations can include doenjang (soybean and brine), ganjang (soybeans, water, and salt), chogochujang (gochujang and vinegar), and jeotgal (mixture of other jangs and seafoods).
Vegetables such as cucumbers, carrots, and cabbage use gochujang as a dip. Gochujang is a common seasoning for foods such as Korean barbecue including pork and beef. One popular snack food that is very commonly eaten with gochujang is bibimbap. Bibimbap includes rice, spinach, radish, bean sprouts. Sometimes beef is added to bibimbap. Another popular dish including gochujang is tteokbokki.
Gochujang was used to revitalize people who were sick with colds or exhaustion during the Chosun Period. There have been some studies that show that red peppers fight obesity and diabetes. Gochujang is also added to many foods so that there can be additional nutritional value with each meal.
In antiquity, most meat in Korea was likely obtained through hunting and fishing. Ancient records indicate rearing of livestock began on a small scale during the Three Kingdoms period. Meat was consumed roasted or in soups or stews during this period. Those who lived closer to the oceans were able to complement their diet with more fish, while those who lived in the interior had a diet containing more meat.
Beef is the most prized of all, with the cattle holding an important cultural role in the Korean home. Beef is prepared in numerous ways today, including roasting, grilling ("gui") or boiling in soups. Beef can also be dried into "yukpo", a type of "po", as with seafood, called "eopo".
The cattle were valuable draught animals, often seen as equal to human servants, or in some cases, members of the family. Cattle were also given their own holiday during the first 'cow' day of the lunar New Year. The importance of cattle does not suggest Koreans ate an abundance of beef, however, as the cattle were valued as beasts of burden and slaughtering one would create dire issues in farming the land. Pork and seafood were consumed more regularly for this reason. The Buddhist ruling class of the Goryeo period forbade the consumption of beef. The Mongols dispensed with the ban of beef during the 13th century, and they promoted the production of beef cattle. This increased production continued into the Joseon period, when the government encouraged both increased quantities and quality of beef. Only in the latter part of the 20th century has beef become regular table fare.
Chicken has played an important role as a protein in Korean history, evidenced by a number of myths. One myth tells of the birth of Kim Alji, founder of the Kim family of Gyeongju being announced by the cry of a white chicken. As the birth of a clan's founder is always announced by an animal with preternatural qualities, this myth speaks to the importance of chicken in Korean culture. Chicken is often served roasted or braised with vegetables or in soups. All parts of the chicken are used in Korean cuisine, including the gizzard, liver, and feet. Young chickens are braised with ginseng and other ingredients in medicinal soups eaten during the summer months to combat heat called "samgyetang". The feet of the chicken, called "dakbal" (닭발), are often roasted and covered with hot and spicy "gochujang"-based sauce and served as an "anju", or side dish, to accompany alcoholic beverages, especially "soju".
Pork has also been another important land-based protein for Korea. Records indicate pork has been a part of the Korean diet back to antiquity, similar to beef.
A number of foods have been avoided while eating pork, including Chinese bellflower ("doraji", 도라지) and lotus root ("yeonn ppuri", 연뿌리), as the combinations have been thought to cause diarrhea. All parts of the pig are used in Korean cuisine, including the head, intestines, liver, kidney and other internal organs. Koreans utilize these parts in a variety of cooking methods including steaming, stewing, boiling and smoking. Koreans especially like to eat grilled pork belly, which is called "samgyeopsal" (삼겹살, 三--).
Fish and shellfish have been a major part of Korean cuisine because of the oceans bordering the peninsula. Evidence from the 12th century illustrates commoners consumed a diet mostly of fish and shellfish, such as shrimp, clams, oysters, abalone, and loach, while sheep and hogs were reserved for the upper class.
Both fresh and saltwater fish are popular, and are served raw, grilled, broiled, dried or served in soups and stews. Common grilled fish include mackerel, hairtail, croaker and Pacific herring. Smaller fish, shrimp, squid, mollusks and countless other seafood can be salted and fermented as "jeotgal". Fish can also be grilled either whole or in fillets as banchan. Fish is often dried naturally to prolong storing periods and enable shipping over long distances. Fish commonly dried include yellow corvina, anchovies ("myeolchi") and croaker. Dried anchovies, along with kelp, form the basis of common soup stocks.
Shellfish is widely eaten in all different types of preparation. They can be used to prepare broth, eaten raw with "chogochujang", which is a mixture of "gochujang" and vinegar, or used as a popular ingredient in countless dishes. Raw oysters and other seafood can be used in making kimchi to improve and vary the flavor. Salted baby shrimp are used as a seasoning agent, known as "saeujeot", for the preparation of some types of kimchi. Large shrimp are often grilled as "daeha gui" (대하구이) or dried, mixed with vegetables and served with rice. Mollusks eaten in Korean cuisine include octopus, cuttlefish, and squid.
Korean cuisine uses a wide variety of vegetables, which are often served uncooked, either in salads or pickles, as well as cooked in various stews, stir-fried dishes, and other hot dishes. Commonly used vegetables include Korean radish, napa cabbage, cucumber, potato, sweet potato, spinach, bean sprouts, scallions, garlic, chili peppers, seaweed, zucchini, mushrooms, lotus root. Several types of wild greens, known collectively as "chwinamul" (such as "Aster scaber"), are a popular dish, and other wild vegetables such as bracken fern shoots ("gosari") or Korean bellflower root ("doraji") are also harvested and eaten in season. Medicinal herbs, such as ginseng, lingzhi mushroom, wolfberry, "Codonopsis pilosula", and "Angelica sinensis", are often used as ingredients in cooking, as in "samgyetang".
Medicinal food ("boyangshik") is a wide variety of specialty foods prepared and eaten for medicinal purposes, especially during the hottest 30-day period in the lunar calendar, called "sambok". Hot foods consumed are believed to restore "ki", as well as sexual and physical stamina lost in the summer heat. Commonly eaten "boyangshik" include ginseng, chicken, black goat, abalone, eel, carp, beef bone soups, pig kidneys and dog.
Dog meat is less popular today in South Korea than in the past, being viewed largely as a kind of health tonic rather than as a diet staple, especially amongst the younger generations who view dogs as pets and service animals. That said, historically the consumption of dog meat can be traced back to antiquity. Dog bones were excavated in a neolithic settlement in Changnyeong, South Gyeongsang Province. A wall painting in the "Goguryeo" tombs complex in South Hwanghae Province, a UNESCO World Heritage site which dates from 4th century AD, depicts a slaughtered dog in a storehouse.
The "Balhae" people enjoyed dog meat, and the Koreans' appetite for canine cuisine seems to have come from that era.
Koreans have distinguished Chinese terms for dog ("견; 犬", which refers to pet dogs, feral dogs, and wolves) from the Chinese term ("구; 狗") which is used specifically to indicate dog meat. "Hwangu" has been considered better for consumption than "Baekgu" (White dog) and "Heukgu" (Black dog).
Around 1816, "Jeong Hak-yu", the second son of "Jeong Yak-yong", a prominent politician and scholar of the Joseon dynasty, wrote a poem called "Nongga Wollyeongga" (농가월령가). This poem, which is an important source of Korean folk history, describes what ordinary Korean farming families did in each month of the year. In the description of the month of August the poem tells of a married woman visiting her birth parents with boiled dog meat, rice cake, and rice wine, thus showing the popularity of dog meat at the time (Ahn, 2000; Seo, 2002). "Dongguk Sesigi" (동국세시기), a book written by Korean scholar Hong Seok-mo in 1849, contains a recipe for Bosintang including a boiled dog, green onion, and red chili pepper powder.
According to one survey conducted in 2006, dog meat was the fourth most commonly consumed meat in South Korea, but in 2019, 71.9 percent of Korean avoid eating dog meat.
Samgyetang is a hot chicken soup to boost energy in the hot summer season. It is made with a young whole chicken stuffed with ginseng, garlic and sweet rice. Samgyetang is a Koreans' favorite energizing food and it is common to have it on sambok (삼복) days — Chobok (초복), Jungbok (중복) and Malbok (말복) — which are believed to be the hottest days in Korea.
Seasonings draw out the unique flavors of a dish’s ingredients, and various seasonings are used to create unique flavor combinations. Seasonings primarily consist of condiments and spices. Condiments are ingredients that contain salty, sweet, sour, spicy and bitter flavors. Spices lend their own scent to a dish, and spicy, bitter and crispy pastes can remove certain odors or enhance an ingredient’s original flavor.
Sauces are the foundation taste of Korean food. Koreans’ ancestors created various types of sauces to salt, add flavor, and season food. Ganjang (soy sauce), doenjang (soybean paste), cheonggukjang (rich soybean paste), and other sauces are used to flavor kimchi, pickles, rice cakes, braised food, soups, and almost every other type of Korean dish. All Koreans grow up on the savory, aromatic taste of their mothers’ sauces.
Korean soy sauce is made by further fermentation of fermented soybean paste bricks. There are many single - step fermented foods such as tempe in Indonesia and natto in Japan, but these are not analogous to double-fermented Korean soy sauce. Korean soy sauce is one of the few natural, double-fermented foods in the world. Various types of molds, and yeasts appear not only when the soybean paste bricks are fermented; but also as they are matured in salt water, and both the bricks and soy sauce are fermented.
Garnishes are used to decorate food and give it a pleasing appearance and color. In Korea, garnishes are sometimes referred to as utgi or kkumi . A basic garnish consists of 5 colors: red, green, yellow, white and black. This combination is based on the philosophy of YinYang and the Five Phases and relies on the garnishes’ natural colors.
Korean foods can be largely categorized into groups of "main staple foods" (주식), "subsidiary dishes" (부식), and "dessert" (후식). The main dishes are made from grains such as "bap" (a bowl of rice), "juk" (porridge), and "guksu" (noodles).
Many Korean "banchan" rely on fermentation for flavor and preservation, resulting in a tangy, salty, and spicy taste. Certain regions are especially associated with some dishes (for example, the city of Jeonju with "bibimbap") either as a place of origin or for a famous regional variety. Restaurants will often use these famous names on their signs or menus (e.g. "Suwon galbi").
Soups are a common part of any Korean meal. Unlike other cultures, in Korean culture, soup is served as part of the main course rather than at the beginning or the end of the meal, as an accompaniment to rice along with other banchan. Soups known as "guk" are often made with meats, shellfish and vegetables. Soups can be made into more formal soups known as "tang", often served as the main dish of the meal. "Jjigae" are a thicker, heavier seasoned soups or stews.
Some popular types of soups are:
Stews are referred to as "jjigae", and are often a shared side dish. "Jjigae" is often both cooked and served in the glazed earthenware pot ("ttukbaegi") in which it is cooked. The most common version of this stew is "doenjang jjigae", which is a stew of soybean paste, with many variations; common ingredients include vegetables, saltwater or freshwater fish, and tofu. The stew often changes with the seasons and which ingredients are available. Other common varieties of "jjigae" contain kimchi ("kimchi jjigae") or tofu ("sundubu jjigae").
Kimchi refers to often fermented vegetable dishes usually made with napa cabbage, Korean radish, or sometimes cucumber. There are 4 types of raw materials which are major ones: spices, seasonings, and other additional materials. Red and black pepper, cinnamon, garlic, ginger, onion, and mustard are the example of spices. There are endless varieties with regional variations, and it is served as a side dish or cooked into soups and rice dishes. In the late 15th century, it depicted Korean's custom that Korean ancestors buried kimchi jars in the ground for storage for the entire winter season, as fermented foods can keep for several years. These were stored in traditional Korean mud pots known as jangdokdae, although with the advent of refrigerators, special kimchi freezers and commercially produced kimchi, this practice has become less common. Kimchi is a vegetable-based food which includes low calorie, low fat, and no cholesterol. Also, it is a rich source of various vitamins and minerals. It contains vitamins such as vitamin A, vitamin B, vitamin C, and vitamin K and minerals which are calcium, iron, phosphorus, and selenium. South Koreans eat an average of 40 pounds of kimchi each year.
Noodles or noodle dishes in Korean cuisine are collectively referred to as "guksu" in native Korean or "myeon" in hanja. While noodles were eaten in Korea from ancient times, productions of wheat was less than other crops, so wheat noodles did not become a daily food until 1945. Wheat noodles ("milguksu") were specialty foods for birthdays, weddings or auspicious occasions because the long and continued shape were thought to be associated with the bliss for longevity and long-lasting marriage.
In Korean traditional noodle dishes are "onmyeon" or "guksu jangguk" (noodles with a hot clear broth), "naengmyeon" (cold buckwheat noodles), "bibim guksu" (cold noodle dish mixed with vegetables), "kalguksu" (knife-cut noodles), "kongguksu" (noodles with a cold soybean broth), "japchae" (cellophane noodles made from sweet potato with various vegetables) and others. In royal court, "baekmyeon" (literally "white noodles") consisting of buckwheat noodles and pheasant broth, was regarded as the top quality noodle dish. "Naengmyeon" with a cold soup mixed with "dongchimi" (watery radish kimchi) and beef brisket broth was eaten in court during summer.
Banchan is a term referring collectively to side dishes in Korean cuisine. Soups and stews are not considered banchan.
"Gui" are grilled dishes, which most commonly have meat or fish as their primary ingredient, but may in some cases also comprise grilled vegetables or other vegetable ingredients. At traditional restaurants, meats are cooked at the center of the table over a charcoal grill, surrounded by various "banchan" and individual rice bowls. The cooked meat is then cut into small pieces and wrapped with fresh lettuce leaves, with rice, thinly sliced garlic, "ssamjang" (a mixture of "gochujang" and "dwenjang"), and other seasonings. The suffix "gui" is often omitted in the names of meat-based "gui" such as "galbi", the name of which was originally "galbi gui".
"Jjim" and "seon" (steamed dishes) are generic terms referring to steamed or boiled dishes in Korean cuisine. However, the former is made with meat or seafood-based ingredients marinated in "gochujang" or "ganjang" while "seon" is made with vegetable stuffed with fillings.
"Hoe" (raw dishes): although the term originally referred to any kind of raw dish, it is generally used to refer to "saengseonhweh" (생선회, raw fish dishes). It is dipped in "gochujang", or soy sauce with wasabi, and served with lettuce or perilla leaves.
"Jeon" (or "buchimgae") are savory pancakes made from various ingredients. Chopped kimchi or seafood is mixed into a wheat flour-based batter, and then pan fried. This dish tastes best when it is dipped in a mixture of soy sauce, vinegar, and red pepper powder.
"Namul" may refer to either "saengchae" (생채, literally "fresh vegetables") or "sukchae" (숙채, literally "heated vegetables"), although the term generally indicates the latter. "Saengchae" is mostly seasoned with vinegar, chili pepper powder and salt to give a tangy and refreshing taste. On the other hand, "sukchae" (숙채) is blanched and seasoned with soy sauce, sesame oil, chopped garlic, or sometimes chili pepper powder.
Anju is a general term for a Korean side dish consumed with alcohol. It matches well with Korean traditional alcohol such as Soju or Makgeolli and helps people to enjoy their drinking more. Some examples of "anju" include steamed squid with "gochujang", assorted fruit, "dubu kimchi" (tofu with kimchi), peanuts, "odeng"/"ohmuk", "sora" (소라) (a kind of shellfish popular in street food tents), and "nakji" (small octopus) and Jokbal (pig's leg served with salted shrimp sauce). Samgyupsal (pork belly) is also considered as Anju with Soju. Most Korean foods can be considered as 'anju', as the food consumed alongside the alcohol depends on the diner's taste and preferences.
All Korean traditional nonalcoholic beverages are referred to as "eumcheong" or "eumcheongnyu" (음청류 ) which literally means "clear beverages". According to historical documents regarding Korean cuisine, 193 items of "eumcheongnyu" are recorded. "Eumcheongnyu" can be divided into the following categories: "tea", "hwachae" (fruit punch), "sikhye" (sweet rice drink), "sujeonggwa" (persimmon punch), "tang" (탕, boiled water), "jang" (장, fermented grain juice with a sour taste), "suksu" (숙수, beverage made of herbs), "galsu" (갈수, drink made of fruit extract, and Oriental medicine), honeyed water, juice and milk by their ingredient materials and preparation methods. Among the varieties, tea, "hwachae", "sikhye", and "sujeonggwa" are still widely favored and consumed; however, the others almost disappeared by the end of the 20th century.
In Korean cuisine, tea, or "cha", refers to various types of herbal tea that can be served hot or cold. Not necessarily related to the leaves, leaf buds, and internodes of the "Camellia sinensis" plant, they are made from diverse substances, including fruits (e.g. "yuja-cha"), flowers (e.g. "gukhwa-cha"), leaves, roots, and grains (e.g. "bori-cha", "hyeonmi-cha") or herbs and substances used in traditional Korean medicine, such as ginseng (e.g. "insam-cha") and ginger (e.g. "saenggang-cha").
While "soju" is the best known liquor, there are well over 100 different alcoholic beverages, such as beers, rice and fruit wines, and liquors produced in South Korea as well as a sweet rice drink. The top-selling domestic beers (the Korean term for beer being "maekju") are lagers, which differ from Western beers in that they are brewed from rice, rather than barley. Consequently, Korean beers are lighter, sweeter and have less head than their Western counterparts. The South Korean beer market is dominated by the two major breweries: Hite and OB. Taedonggang is a North Korean beer produced at a brewery based in Pyongyang since 2002. Microbrewery beers and bars are growing in popularity after 2002.
"Soju" is a clear spirit which was originally made from grain, especially rice, and is now also made from sweet potatoes or barley. "Soju" made from grain is considered superior (as is also the case with grain vs. potato vodka). "Soju" is around 22% ABV, and is a favorite beverage of hard-up college students, hard-drinking businessmen, and blue-collar workers.
"Yakju" is a refined pure liquor fermented from rice, with the best known being "cheongju". "Takju" is a thick unrefined liquor made with grains, with the best known being "makgeolli", a white, milky rice wine traditionally drunk by farmers.
In addition to the rice wine, various fruit wines and herbal wines exist in Korean cuisine. Acacia, "maesil" plum, Chinese quince, cherry, pine fruits, and pomegranate are most popular. "Majuang wine" (a blended wine of Korean grapes with French or American wines) and ginseng-based wines are also available.
Traditional rice cakes, "tteok" and Korean confectionery "hangwa" are eaten as treats during holidays and festivals. "Tteok" refers to all kinds of rice cakes made from either pounded rice (메떡, "metteok"), pounded glutinous rice (찰떡, "chaltteok"), or glutinous rice left whole, without pounding. It is served either filled or covered with sweetened mung bean paste, red bean paste, mashed red beans, raisins, a sweetened filling made with sesame seeds, sweet pumpkin, beans, jujubes, pine nuts or honey). "Tteok" is usually served as dessert or as a snack. Among varieties, "songpyeon" is a chewy stuffed "tteok" served at "Chuseok". Honey or another soft sweet material such as sweetened sesame or black beans are used as fillings. Pine needles can be used for imparting flavor during the steaming process. "Yaksik" is a sweet rice cake made with glutinous rice, chestnuts, pine nuts, jujubes, and other ingredients, while "chapssaltteok" is a "tteok" filled with sweet bean paste.
On the other hand, "hangwa" is a general term referring to all types of Korean traditional confectionery. The ingredients of "hahngwa" mainly consist of grain flour, honey, "yeot", and sugar, or of fruit and edible roots. "Hangwa" is largely divided into "yumilgwa" (fried confectionery), "suksilgwa", "jeonggwa", "gwapyeon", "dasik" (tea food) and "yeot". "Yumilgwa" is made by stir frying or frying pieces of dough, such as "maejakgwa" and "yakgwa". "Maejakgwa" is a ring-shaped confection made of wheat flour, vegetable oil, cinnamon, ginger juice, "jocheong", and pine nuts, while "yakgwa", literally "medicinal confectionery", is a flower-shaped biscuit made of honey, sesame oil and wheat flour.
"Suksilgwa" is made by boiling fruits, ginger, or nuts in water, and then forming the mix into the original fruit's shape, or other shapes. "Gwapyeon" is a jelly-like confection made by boiling sour fruits, starch, and sugar. "Dasik", literally "eatery for tea", is made by kneading rice flour, honey, and various types of flour from nuts, herbs, sesame, or jujubes. "Jeonggwa", or "jeongwa", is made by boiling fruits, plant roots and seeds in honey, mullyeot ("물엿", liquid candy) or sugar. It is similar to marmalade or jam/jelly. "Yeot" is a Korean traditional candy in liquid or solid form made from steamed rice, glutinous rice, glutinous kaoliang, corn, sweet potatoes or mixed grains. The steamed ingredients are lightly fermented and boiled in a large pot called "sot" (솥) for a long time.
Korean regional cuisines (Korean: "hyangto eumsik", literally "native local foods") are characterized by local specialties and distinctive styles within Korean cuisine. The divisions reflected historical boundaries of the provinces where these food and culinary traditions were preserved until modern times.
Although Korea has been divided into two nation-states since 1948 (North Korea and South Korea), it was once divided into eight provinces ("paldo") according to the administrative districts of the Joseon Dynasty. The northern region consisted of Hamgyeong Province, Pyeongan Province and Hwanghae Province. The central region comprised Gyeonggi Province, Chungcheong Province, and Gangwon Province. Gyeongsang Province and Jeolla Province made up the southern region.
Until the late 19th century, transportation networks were not well developed, and each provincial region preserved its own characteristic tastes and cooking methods. Geographic differences are also reflected by the local specialty foodstuffs depending on the climate and types of agriculture, as well as the natural foods available. With the modern development of transportation and the introduction of foreign foods, Korean regional cuisines have tended to overlap and integrate. However, many unique traditional dishes in Korean regional cuisine have been handed down through the generations.
Korean temple cuisine originated in Buddhist temples of Korea. Since Buddhism was introduced into Korea, Buddhist traditions have strongly influenced Korean cuisine, as well. During the Silla period (57 BCE – 935 CE), "chalbap" (찰밥, a bowl of cooked glutinous rice) "yakgwa" (a fried dessert) and "yumilgwa" (a fried and puffed rice snack) were served for Buddhist altars and have been developed into types of "hangwa", Korean traditional confectionery. During the Goryeo Dynasty, "sangchu ssam" (wraps made with lettuce), "yaksik", and "yakgwa" were developed, and since spread to China and other countries. Since the Joseon Dynasty, Buddhist cuisine has been established in Korea according to regions and temples.
On the other hand, royal court cuisine is closely related to Korean temple cuisine. In the past, when the royal court maids, "sanggung", who were assigned to "Suragan" (hangul: 수라간; hanja: 水剌間; the name of the royal kitchen), where they prepared the king's meals, became old, they had to leave the royal palace. Therefore, many of them entered Buddhist temples to become nuns. As a result, culinary techniques and recipes of the royal cuisine were integrated into Buddhist cuisine.
Vegetarian cookery in Korea may be linked to the Buddhist traditions that influenced Korean culture from the Goryeo dynasty onwards. There are hundreds of vegetarian restaurants in Korea, although historically they have been local restaurants that are unknown to tourists. Most have buffets, with cold food, and vegetarian kimchi and tofu being the main features. "Bibimbap" is a common vegan dish. Menus change with seasons. Wine with the alcohol removed and fine teas are also served. The Korean tea ceremony is suitable for all vegetarians and vegans, and began with Buddhist influences. All food is eaten with a combination of stainless steel oval chopsticks and a long-handled shallow spoon called together "sujeo".
Food is an important part of traditions of Korean family ceremonies, which are mainly based on the Confucian culture. Gwan Hon Sang Je (관혼상제; 冠婚喪祭), the four family ceremonies (coming-of-age ceremony, wedding, funeral, and ancestral rite) have been considered especially important and elaborately developed, continuing to influence Korean life to these days. Ceremonial food in Korea has developed with variation across different regions and cultures.
For example, rituals are mainly performed on the anniversary of deceased ancestors, called "jesa". Ritual food include rice, liquor, soup, vinegar and soy sauce (1st row); noodles, skewered meat, vegetable and fish dishes, and rice cake (2nd row); three types of hot soup, meat and vegetable dishes (3rd row); dried snacks, "kimchi", and sweet rice drink (4th row); and variety of fruit (5th row).
In South Korea, inexpensive food may be purchased from "pojangmacha", street carts during the day, where customers may eat standing beside the cart or have their food wrapped up to take home. At night, "pojangmacha" (포장마차) become small tents that sell food, drinks, and alcoholic beverages.
Seasonal street foods include "hotteok", and "bungeoppang", which are enjoyed in autumn and winter. "Gimbap" (김밥) and "tteokbokki" (떡볶이) are also very popular street food.
People also enjoy to eat "Sundae (Korean food)" (순대), "Twigim" (튀김), and "Eomuk" (오뎅/어묵) which are popular with "tteokbokki". Also, "Gyeran-ppang" (계란빵) which is Egg Bread and "Hoppang" (호빵) are also enjoyed in winter. "Dak-kkochi" (닭꼬치) is a popular food in Korea with various sauces on the chicken. "Beondegi" (번데기) and "Honeycomb toffee/Bbopki" (뽑기) are two examples of the original street foods that everyone enjoyed since the childhood.
Dining etiquette in Korea can be traced back to the Confucian philosophies of the Joseon period. Guidebooks, such as "Sasojeol" (士小節, "Elementary Etiquette for Scholar Families"), written in 1775 by Yi Deokmu (이덕무; 李德懋), comment on the dining etiquette for the period. Suggestions include items such as "when you see a fat cow, goat, pig, or chicken, do not immediately speak of slaughtering, cooking or eating it", "when you are having a meal with others, do not speak of smelly or dirty things, such as boils or diarrhea," "when eating a meal, neither eat so slowly as to appear to be eating against your will nor so fast as if to be taking someone else's food. Do not throw chopsticks on the table. Spoons should not touch plates, making a clashing sound", among many other recommendations which emphasized proper table etiquette.
Other than the etiquette mentioned above, blowing one's nose when having a meal is considered an inappropriate act as well. Such act should be avoided.
The eldest male at the table was always served first, and was commonly served in the men's quarters by the women of the house. Women usually dined in a separate portion of the house after the men were served. The eldest men or women always ate before the younger family members. The meal was usually quiet, as conversation was discouraged during meals. In modern times, these rules have become lax, as families usually dine together now and use the time to converse. Of the remaining elements of this decorum, one is that the younger members of the table should not pick up their chopsticks or start eating before the elders of the table or guests and should not finish eating before the elders or guests finish eating.
In Korea, unlike in other East Asian cuisines such as Chinese and Japanese, the rice or soup bowl is not lifted from the table when eating from it. This is due to the fact that each diner is given a metal spoon along with the chopsticks known collectively as sujeo. The use of the spoon for eating rice and soups is expected. There are rules which reflect the decorum of sharing communal side dishes; rules include not picking through the dishes for certain items while leaving others, and the spoon used should be clean, because usually diners put their spoons in the same serving bowl on the table. Diners should also cover their mouths when using a toothpick after the meal.
The table setup is important as well, and individual place settings, moving from the diner's left should be as follows: rice bowl, spoon, then chopsticks. Hot foods are set to the right side of the table, with the cold foods to the left. Soup must remain on the right side of the diner along with stews. Vegetables remain on the left along with the rice, and kimchi is set to the back while sauces remain in the front.
The manner of drinking alcoholic drinks while dining is significant in Korean dining etiquette. Each diner is expected to face away from the eldest male and cover his mouth when drinking alcohol.
According to Hyang Eum Ju Rye (향음주례; 鄕飮酒禮), the drinking etiquette established in Choseon Dynasty, it is impolite for a king and his vassal, a father and his son, or a teacher and his student to drink face to face. Also, a guest should not refuse the first drink offered by host, and in the most formal situations, the diner should politely twice refuse a drink offered by the eldest male or a host. When the host offers for the third time, then finally the guest can receive it. If the guest refuses three times, drink is not to be offered any more.
Collectively known as "gungjung eumsik" during the pre-modern era, the foods of the royal palace were reflective of the opulent nature of the past rulers of the Korean peninsula. This nature is evidenced in examples as far back as the Silla kingdom, where a man-made lake (Anapji Lake, located in Gyeongju), was created with multiple pavilions and halls for the sole purpose of opulent banquets, and a spring fed channel, Poseokjeong, was created for the singular purpose of setting wine cups afloat while they wrote poems.
Reflecting the regionalism of the kingdoms and bordering countries of the peninsula, the cuisine borrowed portions from each of these areas to exist as a showcase. The royalty would have the finest regional specialties and delicacies sent to them at the palace. Although there are records of banquets predating the Joseon period, the majority of these records mostly reflect the vast variety of foods, but do not mention the specific foods presented. The meals cooked for the royal family did not reflect the seasons, as the commoner's meals would have. Instead, their meals varied significantly day-to-day. Each of the eight provinces was represented each month in the royal palace by ingredients presented by their governors, which gave the cooks a wide assortment of ingredients to use for royal meals.
Food was considered significant in the Joseon period. Official positions were created within the Six Ministries ("Yukjo", 육조) that were charged with all matters related to procurement and consumption of food and drink for the royal court. The Board of Personnel ("Ijo", 이조) contained positions specific for attaining rice for the royal family. The Board of Rights ("Yejo") were responsible for foods prepared for ancestor rites, attaining wines and other beverages, and medicinal foods. There were also hundreds of slaves and women who worked in the palace that had tasks such as making tofu, liquor, tea, and "tteok" (rice cakes). The women were the cooks to the royal palace and were of commoner or low-born families. These women would be split into specific skill sets or "bureau" such as the bureau of special foods ("Saenggwa-bang", 생과방) or the bureau of cooking foods ("Soju-bang", 소주방). These female cooks may have been assisted by male cooks from outside the palace during larger banquets when necessary.
Five meals were generally served in the royal palace each day during the Joseon period, and records suggest this pattern had existed from antiquity. Three of these meals would be full meals, while the afternoon and after dinner meals would be lighter. The first meal, "mieumsang" (미음상), was served at sunrise and was served only on days when the king and queen were not taking herbal medicines. The meal consisted of rice porridge ("juk", 죽) made with ingredients such as abalone ("jeonbokjuk"), white rice ("huinjuk"), mushrooms ("beoseotjuk"), pine nuts ("jatjuk"), and sesame ("kkaejuk"). The side dishes could consist of "kimchi", "nabak kimchi", oysters, soy sauce, and other items. The porridge was thought to give vitality to the king and queen throughout the day.
The "sura" (수라) were the main meals of the day. Breakfast was served at ten in the morning, and the evening meals were served between six and seven at night. The set of three tables ("surasang", 수라상), were usually set with two types of rice, two types of soup, two types of stew ("jjigae"), one dish of "jjim" (meat stew), one dish of "jeongol" (a casserole of meat and vegetables), three types of "kimchi", three types of "jang" (장) and twelve side dishes, called 12 cheop (12첩). The meals were set in the "suragan" (수라간), a room specifically used for taking meals, with the king seated to the east and the queen to the west. Each had their own set of tables and were attended by three palace servant women known as "sura sanggung" (수라상궁). These women would remove bowl covers and offer the foods to the king and queen after ensuring the dishes were not poisoned.
Banquets (궁중 연회 음식) were held on special occasions in the Korean Royal Palace. These included birthdays of the royal family members, marriages, and national festivals, including Daeborum, Dano, Chuseok, and Dongji. Banquet food was served on individual tables which varied according to the rank of the person. Usually banquet food consisted of ten different types of dishes. Main dishes were prepared based on the seasonal foods. Main dishes of the banquet included "sinseollo", "jeon", "hwayang jeok", "honghapcho", "nengmyun" and "mulgimchi". A typical banquet ingredient was "chogyetang" (chicken broth with vinegar), which was prepared with five different chickens, five abalones, ten sea cucumbers, twenty eggs, half a bellflower root, mushrooms, two cups of black pepper, two peeled pine nuts, starch, soy sauce and vinegar. "Yaksik" was a favorite banquet dessert.
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https://en.wikipedia.org/wiki?curid=16793
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Kilobyte
The kilobyte is a multiple of the unit byte for digital information.
The International System of Units (SI) defines the prefix "kilo" as 1000 (103); per this definition, one kilobyte is 1000 bytes. The internationally recommended unit symbol for the kilobyte is kB.
In some areas of information technology, particularly in reference to digital memory capacity, "kilobyte" instead denotes 1024 (210) bytes. This arises from the powers-of-two sizing common to memory circuit design. In this context, the symbols KB and K are often used.
In the International System of Units (SI) the prefix "kilo" means 1000 (103); therefore, one kilobyte is 1000 bytes. The unit symbol is kB.
This is the definition recommended by the International Electrotechnical Commission (IEC).
This definition, and the related definitions of the prefixes mega (), giga (), etc., are most commonly used for data transfer rates
in computer networks, internal bus, hard drive and flash media transfer speeds, and for the capacities of most storage media, particularly hard drives, flash-based storage, and DVDs. It is also consistent with the other uses of the SI prefixes in computing, such as CPU clock speeds or measures of performance.
The IEC 80000-13 standard uses the term 'byte' to mean eight bits (1 B = 8 bit). Therefore, 1 kB = 8000 bit. One thousand kilobytes (1000 kB) is equal to one megabyte (1 MB), where 1 MB is one million bytes.
The kilobyte has traditionally been used to refer to 1024 bytes (210 B), a usage still common. The usage of the metric prefix "kilo" for binary multiples arose as a convenience, because 1024 is approximately 1000.
The binary interpretation of metric prefixes is still prominently used by the Microsoft Windows operating system. Metric prefixes are also used for random-access memory capacity, such as main memory and CPU cache size, due to the prevalent binary addressing of memory.
The binary meaning of the kilobyte for 1024 bytes typically uses the symbol KB, with an uppercase letter "K". The "B" is often omitted in informal use. For example, a processor with 65,536 bytes of cache memory might be said to have "64 K" of cache. In this convention, one thousand and twenty-four kilobytes (1024 KB) is equal to one megabyte (1 MB), where 1 MB is 10242 bytes.
In December 1998, the IEC addressed such multiple usages and definitions by creating prefixes such as kibi, mebi, gibi, etc., to unambiguously denote powers of 1024. Thus the kibibyte, symbol KiB, represents 210 bytes = 1024 bytes. These prefixes are now part of the International System of Quantities. The IEC further specified that the kilobyte should only be used to refer to 1000 bytes.
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https://en.wikipedia.org/wiki?curid=16794
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Karl Andree
Karl Andree (20 October 1808 – 10 August 1875) was a German geographer.
Andree was born in Braunschweig. He was educated at Jena, Göttingen, and Berlin. After having been implicated in a students' political agitation he became a journalist, and in 1851 founded the newspaper "Bremer Handelsblatt". From 1855, however, he devoted himself entirely to geography and ethnography, working successively at Leipzig and at Dresden. During the American Civil War, he advocated the cause of the secessionists. In 1862 he founded the important geographical periodical "Globus". He died at Wildungen. His son Richard Andree followed in his father's career.
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https://en.wikipedia.org/wiki?curid=16795
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Kuiper belt
The Kuiper belt (), occasionally called the Edgeworth–Kuiper belt, is a circumstellar disc in the outer Solar System, extending from the orbit of Neptune (at 30 AU) to approximately 50 AU from the Sun. It is similar to the asteroid belt, but is far larger—20 times as wide and 20 to 200 times as massive. Like the asteroid belt, it consists mainly of small bodies or remnants from when the Solar System formed. While many asteroids are composed primarily of rock and metal, most Kuiper belt objects are composed largely of frozen volatiles (termed "ices"), such as methane, ammonia and water. The Kuiper belt is home to three officially recognized dwarf planets: Pluto, Haumea and Makemake. Some of the Solar System's moons, such as Neptune's Triton and Saturn's Phoebe, may have originated in the region.
The Kuiper belt was named after Dutch-American astronomer Gerard Kuiper, though he did not predict its existence. In 1992, Albion was discovered, the first Kuiper belt object (KBO) since Pluto and Charon. Since its discovery, the number of known KBOs has increased to thousands, and more than 100,000 KBOs over in diameter are thought to exist. The Kuiper belt was initially thought to be the main repository for periodic comets, those with orbits lasting less than 200 years. Studies since the mid-1990s have shown that the belt is dynamically stable and that comets' true place of origin is the scattered disc, a dynamically active zone created by the outward motion of Neptune 4.5 billion years ago; scattered disc objects such as Eris have extremely eccentric orbits that take them as far as 100 AU from the Sun.
The Kuiper belt is distinct from the theoretical Oort cloud, which is a thousand times more distant and is mostly spherical. The objects within the Kuiper belt, together with the members of the scattered disc and any potential Hills cloud or Oort cloud objects, are collectively referred to as trans-Neptunian objects (TNOs). Pluto is the largest and most massive member of the Kuiper belt, and the largest and the second-most-massive known TNO, surpassed only by Eris in the scattered disc. Originally considered a planet, Pluto's status as part of the Kuiper belt caused it to be reclassified as a dwarf planet in 2006. It is compositionally similar to many other objects of the Kuiper belt and its orbital period is characteristic of a class of KBOs, known as "plutinos", that share the same 2:3 resonance with Neptune.
The Kuiper belt and Neptune may be treated as a marker of the extent of the Solar System, alternatives being the heliopause and the distance at which the Sun's gravitational influence is matched by that of other stars (estimated to be between and about 2 light-years).
After the discovery of Pluto in 1930, many speculated that it might not be alone. The region now called the Kuiper belt was hypothesized in various forms for decades. It was only in 1992 that the first direct evidence for its existence was found. The number and variety of prior speculations on the nature of the Kuiper belt have led to continued uncertainty as to who deserves credit for first proposing it.
The first astronomer to suggest the existence of a trans-Neptunian population was Frederick C. Leonard. Soon after Pluto's discovery by Clyde Tombaugh in 1930, Leonard pondered whether it was "not likely that in Pluto there has come to light the "first" of a "series" of ultra-Neptunian bodies, the remaining members of which still await discovery but which are destined eventually to be detected". That same year, astronomer Armin O. Leuschner suggested that Pluto "may be one of many long-period planetary objects yet to be discovered."
In 1943, in the "Journal of the British Astronomical Association", Kenneth Edgeworth hypothesized that, in the region beyond Neptune, the material within the primordial solar nebula was too widely spaced to condense into planets, and so rather condensed into a myriad of smaller bodies. From this he concluded that "the outer region of the solar system, beyond the orbits of the planets, is occupied by a very large number of comparatively small bodies" and that, from time to time, one of their number "wanders from its own sphere and appears as an occasional visitor to the inner solar system", becoming a comet.
In 1951, in a paper in "Astrophysics: A Topical Symposium", Gerard Kuiper speculated on a similar disc having formed early in the Solar System's evolution, but he did not think that such a belt still existed today. Kuiper was operating on the assumption, common in his time, that Pluto was the size of Earth and had therefore scattered these bodies out toward the Oort cloud or out of the Solar System. Were Kuiper's hypothesis correct, there would not be a Kuiper belt today.
The hypothesis took many other forms in the following decades. In 1962, physicist Al G.W. Cameron postulated the existence of "a tremendous mass of small material on the outskirts of the solar system". In 1964, Fred Whipple, who popularised the famous "dirty snowball" hypothesis for cometary structure, thought that a "comet belt" might be massive enough to cause the purported discrepancies in the orbit of Uranus that had sparked the search for Planet X, or, at the very least, massive enough to affect the orbits of known comets. Observation ruled out this hypothesis.
In 1977, Charles Kowal discovered 2060 Chiron, an icy planetoid with an orbit between Saturn and Uranus. He used a blink comparator, the same device that had allowed Clyde Tombaugh to discover Pluto nearly 50 years before. In 1992, another object, 5145 Pholus, was discovered in a similar orbit. Today, an entire population of comet-like bodies, called the centaurs, is known to exist in the region between Jupiter and Neptune. The centaurs' orbits are unstable and have dynamical lifetimes of a few million years. From the time of Chiron's discovery in 1977, astronomers have speculated that the centaurs therefore must be frequently replenished by some outer reservoir.
Further evidence for the existence of the Kuiper belt later emerged from the study of comets. That comets have finite lifespans has been known for some time. As they approach the Sun, its heat causes their volatile surfaces to sublimate into space, gradually dispersing them. In order for comets to continue to be visible over the age of the Solar System, they must be replenished frequently. One such area of replenishment is the Oort cloud, a spherical swarm of comets extending beyond 50,000 AU from the Sun first hypothesised by Dutch astronomer Jan Oort in 1950. The Oort cloud is thought to be the point of origin of long-period comets, which are those, like Hale–Bopp, with orbits lasting thousands of years.
There is another comet population, known as short-period or periodic comets, consisting of those comets that, like Halley's Comet, have orbital periods of less than 200 years. By the 1970s, the rate at which short-period comets were being discovered was becoming increasingly inconsistent with their having emerged solely from the Oort cloud. For an Oort cloud object to become a short-period comet, it would first have to be captured by the giant planets. In a paper published in "Monthly Notices of the Royal Astronomical Society" in 1980, Uruguayan astronomer Julio Fernández stated that for every short-period comet to be sent into the inner Solar System from the Oort cloud, 600 would have to be ejected into interstellar space. He speculated that a comet belt from between 35 and 50 AU would be required to account for the observed number of comets. Following up on Fernández's work, in 1988 the Canadian team of Martin Duncan, Tom Quinn and Scott Tremaine ran a number of computer simulations to determine if all observed comets could have arrived from the Oort cloud. They found that the Oort cloud could not account for all short-period comets, particularly as short-period comets are clustered near the plane of the Solar System, whereas Oort-cloud comets tend to arrive from any point in the sky. With a "belt", as Fernández described it, added to the formulations, the simulations matched observations. Reportedly because the words "Kuiper" and "comet belt" appeared in the opening sentence of Fernández's paper, Tremaine named this hypothetical region the "Kuiper belt".
In 1987, astronomer David Jewitt, then at MIT, became increasingly puzzled by "the apparent emptiness of the outer Solar System". He encouraged then-graduate student Jane Luu to aid him in his endeavour to locate another object beyond Pluto's orbit, because, as he told her, "If we don't, nobody will." Using telescopes at the Kitt Peak National Observatory in Arizona and the Cerro Tololo Inter-American Observatory in Chile, Jewitt and Luu conducted their search in much the same way as Clyde Tombaugh and Charles Kowal had, with a blink comparator. Initially, examination of each pair of plates took about eight hours, but the process was sped up with the arrival of electronic charge-coupled devices or CCDs, which, though their field of view was narrower, were not only more efficient at collecting light (they retained 90% of the light that hit them, rather than the 10% achieved by photographs) but allowed the blinking process to be done virtually, on a computer screen. Today, CCDs form the basis for most astronomical detectors. In 1988, Jewitt moved to the Institute of Astronomy at the University of Hawaii. Luu later joined him to work at the University of Hawaii's 2.24 m telescope at Mauna Kea. Eventually, the field of view for CCDs had increased to 1024 by 1024 pixels, which allowed searches to be conducted far more rapidly. Finally, after five years of searching, Jewitt and Luu announced on August 30, 1992 the "Discovery of the candidate Kuiper belt object 1992 QB1". Six months later, they discovered a second object in the region, (181708) 1993 FW. By 2018, over 2000 Kuiper belts objects had been discovered.
Over one thousand bodies were found in a belt in the twenty years (1992-2012), after finding 1992 QB1 (named in 2018, 15760 Albion), showing a vast belt of bodies more than just Pluto and Albion. By the 2010s the full extent and nature of Kuiper belt bodies is largely unknown. Finally, in the late 2010s, two KBOs were closely flown past by an unmanned spacecraft, providing much closer observations of the Plutonian system and another KBO.
Studies conducted since the trans-Neptunian region was first charted have shown that the region now called the Kuiper belt is not the point of origin of short-period comets, but that they instead derive from a linked population called the scattered disc. The scattered disc was created when Neptune migrated outward into the proto-Kuiper belt, which at the time was much closer to the Sun, and left in its wake a population of dynamically stable objects that could never be affected by its orbit (the Kuiper belt proper), and a population whose perihelia are close enough that Neptune can still disturb them as it travels around the Sun (the scattered disc). Because the scattered disc is dynamically active and the Kuiper belt relatively dynamically stable, the scattered disc is now seen as the most likely point of origin for periodic comets.
Astronomers sometimes use the alternative name Edgeworth–Kuiper belt to credit Edgeworth, and KBOs are occasionally referred to as EKOs. Brian G. Marsden claims that neither deserves true credit: "Neither Edgeworth nor Kuiper wrote about anything remotely like what we are now seeing, but Fred Whipple did". David Jewitt comments: "If anything ... Fernández most nearly deserves the credit for predicting the Kuiper Belt."
KBOs are sometimes called "kuiperoids", a name suggested by Clyde Tombaugh. The term "trans-Neptunian object" (TNO) is recommended for objects in the belt by several scientific groups because the term is less controversial than all others—it is not an exact synonym though, as TNOs include all objects orbiting the Sun past the orbit of Neptune, not just those in the Kuiper belt.
At its fullest extent (but excluding the scattered disc), including its outlying regions, the Kuiper belt stretches from roughly 30 to 55 AU. The main body of the belt is generally accepted to extend from the 2:3 mean-motion resonance (see below) at 39.5 AU to the 1:2 resonance at roughly 48 AU. The Kuiper belt is quite thick, with the main concentration extending as much as ten degrees outside the ecliptic plane and a more diffuse distribution of objects extending several times farther. Overall it more resembles a torus or doughnut than a belt. Its mean position is inclined to the ecliptic by 1.86 degrees.
The presence of Neptune has a profound effect on the Kuiper belt's structure due to orbital resonances. Over a timescale comparable to the age of the Solar System, Neptune's gravity destabilises the orbits of any objects that happen to lie in certain regions, and either sends them into the inner Solar System or out into the scattered disc or interstellar space. This causes the Kuiper belt to have pronounced gaps in its current layout, similar to the Kirkwood gaps in the asteroid belt. In the region between 40 and 42 AU, for instance, no objects can retain a stable orbit over such times, and any observed in that region must have migrated there relatively recently.
Between the 2:3 and 1:2 resonances with Neptune, at approximately 42–48 AU, the gravitational interactions with Neptune occur over an extended timescale, and objects can exist with their orbits essentially unaltered. This region is known as the classical Kuiper belt, and its members comprise roughly two thirds of KBOs observed to date. Because the first modern KBO discovered (Albion, but long called (15760) 1992 QB1), is considered the prototype of this group, classical KBOs are often referred to as cubewanos ("Q-B-1-os"). The guidelines established by the IAU demand that classical KBOs be given names of mythological beings associated with creation.
The classical Kuiper belt appears to be a composite of two separate populations. The first, known as the "dynamically cold" population, has orbits much like the planets; nearly circular, with an orbital eccentricity of less than 0.1, and with relatively low inclinations up to about 10° (they lie close to the plane of the Solar System rather than at an angle). The cold population also contain a concentration of objects, referred to as the kernel, with semi-major axes at 44–44.5 AU. The second, the "dynamically hot" population, has orbits much more inclined to the ecliptic, by up to 30°. The two populations have been named this way not because of any major difference in temperature, but from analogy to particles in a gas, which increase their relative velocity as they become heated up. Not only are the two populations in different orbits, the cold population also differs in color and albedo, being redder and brighter, has a larger fraction of binary objects, has a different size distribution, and lacks very large objects. The mass of the dynamically cold population is roughly 30 times less than the mass of the hot. The difference in colors may be a reflection of different compositions, which suggests they formed in different regions. The hot population is proposed to have formed near Neptune's original orbit and to have been scattered out during the migration of the giant planets. The cold population, on the other hand, has been proposed to have formed more or less in its current position because the loose binaries would be unlikely to survive encounters with Neptune. Although the Nice model appears to be able to at least partially explain a compositional difference, it has also been suggested the color difference may reflect differences in surface evolution.
When an object's orbital period is an exact ratio of Neptune's (a situation called a mean-motion resonance), then it can become locked in a synchronised motion with Neptune and avoid being perturbed away if their relative alignments are appropriate. If, for instance, an object orbits the Sun twice for every three Neptune orbits, and if it reaches perihelion with Neptune a quarter of an orbit away from it, then whenever it returns to perihelion, Neptune will always be in about the same relative position as it began, because it will have completed orbits in the same time. This is known as the 2:3 (or 3:2) resonance, and it corresponds to a characteristic semi-major axis of about 39.4 AU. This 2:3 resonance is populated by about 200 known objects, including Pluto together with its moons. In recognition of this, the members of this family are known as plutinos. Many plutinos, including Pluto, have orbits that cross that of Neptune, though their resonance means they can never collide. Plutinos have high orbital eccentricities, suggesting that they are not native to their current positions but were instead thrown haphazardly into their orbits by the migrating Neptune. IAU guidelines dictate that all plutinos must, like Pluto, be named for underworld deities. The 1:2 resonance (whose objects complete half an orbit for each of Neptune's) corresponds to semi-major axes of ~47.7AU, and is sparsely populated. Its residents are sometimes referred to as twotinos. Other resonances also exist at 3:4, 3:5, 4:7 and 2:5. Neptune has a number of trojan objects, which occupy its Lagrangian points, gravitationally stable regions leading and trailing it in its orbit. Neptune trojans are in a 1:1 mean-motion resonance with Neptune and often have very stable orbits.
Additionally, there is a relative absence of objects with semi-major axes below 39 AU that cannot apparently be explained by the present resonances. The currently accepted hypothesis for the cause of this is that as Neptune migrated outward, unstable orbital resonances moved gradually through this region, and thus any objects within it were swept up, or gravitationally ejected from it.
The 1:2 resonance at 47.8 AU appears to be an edge beyond which few objects are known. It is not clear whether it is actually the outer edge of the classical belt or just the beginning of a broad gap. Objects have been detected at the 2:5 resonance at roughly 55 AU, well outside the classical belt; predictions of a large number of bodies in classical orbits between these resonances have not been verified through observation.
Based on estimations of the primordial mass required to form Uranus and Neptune, as well as bodies as large as Pluto "(see )", earlier models of the Kuiper belt had suggested that the number of large objects would increase by a factor of two beyond 50 AU, so this sudden drastic falloff, known as the "Kuiper cliff", was unexpected, and to date its cause is unknown. In 2003, Bernstein, Trilling, et al. found evidence that the rapid decline in objects of 100 km or more in radius beyond 50 AU is real, and not due to observational bias. Possible explanations include that material at that distance was too scarce or too scattered to accrete into large objects, or that subsequent processes removed or destroyed those that did. Patryk Lykawka of Kobe University claimed that the gravitational attraction of an unseen large planetary object, perhaps the size of Earth or Mars, might be responsible.
The precise origins of the Kuiper belt and its complex structure are still unclear, and astronomers are awaiting the completion of several wide-field survey telescopes such as Pan-STARRS and the future LSST, which should reveal many currently unknown KBOs. These surveys will provide data that will help determine answers to these questions.
The Kuiper belt is thought to consist of planetesimals, fragments from the original protoplanetary disc around the Sun that failed to fully coalesce into planets and instead formed into smaller bodies, the largest less than in diameter. Studies of the crater counts on Pluto and Charon revealed a scarcity of small craters suggesting that such objects formed directly as sizeable objects in the range of tens of kilometers in diameter rather than being accreted from much smaller, roughly kilometer scale bodies. Hypothetical mechanisms for the formation of these larger bodies include the gravitational collapse of clouds of pebbles concentrated between eddies in a turbulent protoplanetary disk or in streaming instabilities. These collapsing clouds may fragment, forming binaries.
Modern computer simulations show the Kuiper belt to have been strongly influenced by Jupiter and Neptune, and also suggest that neither Uranus nor Neptune could have formed in their present positions, because too little primordial matter existed at that range to produce objects of such high mass. Instead, these planets are estimated to have formed closer to Jupiter. Scattering of planetesimals early in the Solar System's history would have led to migration of the orbits of the giant planets: Saturn, Uranus, and Neptune drifted outwards, whereas Jupiter drifted inwards. Eventually, the orbits shifted to the point where Jupiter and Saturn reached an exact 1:2 resonance; Jupiter orbited the Sun twice for every one Saturn orbit. The gravitational repercussions of such a resonance ultimately destabilized the orbits of Uranus and Neptune, causing them to be scattered outward onto high-eccentricity orbits that crossed the primordial planetesimal disc.
While Neptune's orbit was highly eccentric, its mean-motion resonances overlapped and the orbits of the planetesimals evolved chaotically, allowing planetesimals to wander outward as far as Neptune's 1:2 resonance to form a dynamically cold belt of low-inclination objects. Later, after its eccentricity decreased, Neptune's orbit expanded outward toward its current position. Many planetesimals were captured into and remain in resonances during this migration, others evolved onto higher-inclination and lower-eccentricity orbits and escaped from the resonances onto stable orbits. Many more planetesimals were scattered inward, with small fractions being captured as Jupiter trojans, as irregular satellites orbiting the giant planets, and as outer belt asteroids. The remainder were scattered outward again by Jupiter and in most cases ejected from the Solar System reducing the primordial Kuiper belt population by 99% or more.
The original version of the currently most popular model, the "Nice model", reproduces many characteristics of the Kuiper belt such as the "cold" and "hot" populations, resonant objects, and a scattered disc, but it still fails to account for some of the characteristics of their distributions. The model predicts a higher average eccentricity in classical KBO orbits than is observed (0.10–0.13 versus 0.07) and its predicted inclination distribution contains too few high inclination objects. In addition, the frequency of binary objects in the cold belt, many of which are far apart and loosely bound, also poses a problem for the model. These are predicted to have been separated during encounters with Neptune, leading some to propose that the cold disc formed at its current location, representing the only truly local population of small bodies in the solar system.
A recent modification of the Nice model has the Solar System begin with five giant planets, including an additional ice giant, in a chain of mean-motion resonances. About 400 million years after the formation of the Solar System the resonance chain is broken. Instead of being scattered into the disc, the ice giants first migrate outward several AU. This divergent migration eventually leads to a resonance crossing, destabilizing the orbits of the planets. The extra ice giant encounters Saturn and is scattered inward onto a Jupiter-crossing orbit and after a series of encounters is ejected from the Solar System. The remaining planets then continue their migration until the planetesimal disc is nearly depleted with small fractions remaining in various locations.
As in the original Nice model, objects are captured into resonances with Neptune during its outward migration. Some remain in the resonances, others evolve onto higher-inclination, lower-eccentricity orbits, and are released onto stable orbits forming the dynamically hot classical belt. The hot belt's inclination distribution can be reproduced if Neptune migrated from 24 AU to 30 AU on a 30 Myr timescale. When Neptune migrates to 28 AU, it has a gravitational encounter with the extra ice giant. Objects captured from the cold belt into the 1:2 mean-motion resonance with Neptune are left behind as a local concentration at 44 AU when this encounter causes Neptune's semi-major axis to jump outward. The objects deposited in the cold belt include some loosely bound 'blue' binaries originating from closer than the cold belt's current location. If Neptune's eccentricity remains small during this encounter, the chaotic evolution of orbits of the original Nice model is avoided and a primordial cold belt is preserved. In the later phases of Neptune's migration, a slow sweeping of mean-motion resonances removes the higher-eccentricity objects from the cold belt, truncating its eccentricity distribution.
Being distant from the Sun and major planets, Kuiper belt objects are thought to be relatively unaffected by the processes that have shaped and altered other Solar System objects; thus, determining their composition would provide substantial information on the makeup of the earliest Solar System. Due to their small size and extreme distance from Earth, the chemical makeup of KBOs is very difficult to determine. The principal method by which astronomers determine the composition of a celestial object is spectroscopy. When an object's light is broken into its component colors, an image akin to a rainbow is formed. This image is called a spectrum. Different substances absorb light at different wavelengths, and when the spectrum for a specific object is unravelled, dark lines (called absorption lines) appear where the substances within it have absorbed that particular wavelength of light. Every element or compound has its own unique spectroscopic signature, and by reading an object's full spectral "fingerprint", astronomers can determine its composition.
Analysis indicates that Kuiper belt objects are composed of a mixture of rock and a variety of ices such as water, methane, and ammonia. The temperature of the belt is only about 50 K, so many compounds that would be gaseous closer to the Sun remain solid. The densities and rock–ice fractions are known for only a small number of objects for which the diameters and the masses have been determined. The diameter can be determined by imaging with a high-resolution telescope such as the Hubble Space Telescope, by the timing of an occultation when an object passes in front of a star or, most commonly, by using the albedo of an object calculated from its infrared emissions. The masses are determined using the semi-major axes and periods of satellites, which are therefore known only for a few binary objects. The densities range from less than 0.4 to 2.6 g/cm3. The least dense objects are thought to be largely composed of ice and have significant porosity. The densest objects are likely composed of rock with a thin crust of ice. There is a trend of low densities for small objects and high densities for the largest objects. One possible explanation for this trend is that ice was lost from the surface layers when differentiated objects collided to form the largest objects.
Initially, detailed analysis of KBOs was impossible, and so astronomers were only able to determine the most basic facts about their makeup, primarily their color. These first data showed a broad range of colors among KBOs, ranging from neutral grey to deep red. This suggested that their surfaces were composed of a wide range of compounds, from dirty ices to hydrocarbons. This diversity was startling, as astronomers had expected KBOs to be uniformly dark, having lost most of the volatile ices from their surfaces to the effects of cosmic rays. Various solutions were suggested for this discrepancy, including resurfacing by impacts or outgassing. Jewitt and Luu's spectral analysis of the known Kuiper belt objects in 2001 found that the variation in color was too extreme to be easily explained by random impacts. The radiation from the Sun is thought to have chemically altered methane on the surface of KBOs, producing products such as tholins. Makemake has been shown to possess a number of hydrocarbons derived from the radiation-processing of methane, including ethane, ethylene and acetylene.
Although to date most KBOs still appear spectrally featureless due to their faintness, there have been a number of successes in determining their composition. In 1996, Robert H. Brown et al. acquired spectroscopic data on the KBO 1993 SC, which revealed that its surface composition is markedly similar to that of Pluto, as well as Neptune's moon Triton, with large amounts of methane ice. For the smaller objects, only colors and in some cases the albedos have been determined. These objects largely fall into two classes: gray with low albedos, or very red with higher albedos. The difference in colors and albedos is hypothesized to be due to the retention or the loss of hydrogen sulfide (H2S) on the surface of these objects, with the surfaces of those that formed far enough from the Sun to retain H2S being reddened due to irradiation.
The largest KBOs, such as Pluto and Quaoar, have surfaces rich in volatile compounds such as methane, nitrogen and carbon monoxide; the presence of these molecules is likely due to their moderate vapor pressure in the 30–50 K temperature range of the Kuiper belt. This allows them to occasionally boil off their surfaces and then fall again as snow, whereas compounds with higher boiling points would remain solid. The relative abundances of these three compounds in the largest KBOs is directly related to their surface gravity and ambient temperature, which determines which they can retain. Water ice has been detected in several KBOs, including members of the Haumea family such as , mid-sized objects such as 38628 Huya and 20000 Varuna, and also on some small objects. The presence of crystalline ice on large and mid-sized objects, including 50000 Quaoar where ammonia hydrate has also been detected, may indicate past tectonic activity aided by melting point lowering due to the presence of ammonia.
Despite its vast extent, the collective mass of the Kuiper belt is relatively low. The total mass of the dynamically hot population is estimated to be 1% the mass of the Earth. The dynamically cold population is estimated to be much smaller with only 0.03% the mass of the Earth. While the dynamically hot population is thought to the remnant of a much larger population that formed closer to the Sun and was scattered outward during the migration of the giant planets. In contrast, the dynamically cold population is thought to have formed at its current location. The most recent estimate puts the total mass of the Kuiper belt at Earth masses based on the influence that it exerts on the motion of planets.
The small total mass of the dynamically cold population presents some problems for models of the Solar System's formation because a sizable mass is required for accretion of KBOs larger than in diameter. If the cold classical Kuiper belt had always had its current low density, these large objects simply could not have formed by the collision and mergers of smaller planetesimals. Moreover, the eccentricity and inclination of current orbits makes the encounters quite "violent" resulting in destruction rather than accretion. The removal of a large fraction of the mass of the dynamically cold population is thought to be unlikely Neptune's current influence is too weak to explain such a massive "vacuuming", and the extent of mass loss by collisional grinding is limited by the presence of loosely bound binaries in the cold disk, which are likely to be disrupted in collisions. Instead of forming from the collisions of smaller planetesimals the larger object may have formed directly from the collapse of clouds of pebbles.
The size distributions of the kuiper belt objects follow a number of power laws. A power law describes the relationship between "N"("D") (the number of objects of diameter greater than "D") and "D", and is referred to as brightness slope. The number of objects is inversely proportional to some power of the diameter "D":
Early estimates that were based on measurements of the apparent magnitude distribution found a value of q = 4 ±0.5. Which implied that there are 8 (=23) times more objects in the 100–200 km range than in the 200–400 km range.
Recent research has revealed that the size distributions of the hot classical and cold classical objects have differing slopes. The slope for the hot objects is q = 5.3 at large diameters and q = 2.0 at small diameters with the change in slope at 110 km. The slope for the cold objects is q = 8.2 at large diameters and q = 2.9 at small diameters with a change in slope at 140 km. The size distributions of the scattering objects, the plutinos, and the Neptune trojans have slopes similar to the other dynamically hot populations, but may instead have a divot, a sharp decrease in the number of objects below a specific size. This divot is hypothesized to be due to either the collisional evolution of the population, or to be due to the population having formed with no objects below this size, with the smaller objects being fragments of the original objects.
As of December 2009, the smallest Kuiper belt object detected is 980 m across. It is too dim (magnitude 35) to be seen by "Hubble" directly, but it was detected by "Hubble"'s star tracking system when it occulted a star.
The scattered disc is a sparsely populated region, overlapping with the Kuiper belt but extending to beyond 100 AU. Scattered disc objects (SDOs) have very elliptical orbits, often also very inclined to the ecliptic. Most models of Solar System formation show both KBOs and SDOs first forming in a primordial belt, with later gravitational interactions, particularly with Neptune, sending the objects outward, some into stable orbits (the KBOs) and some into unstable orbits, the scattered disc. Due to its unstable nature, the scattered disc is suspected to be the point of origin of many of the Solar System's short-period comets. Their dynamic orbits occasionally force them into the inner Solar System, first becoming centaurs, and then short-period comets.
According to the Minor Planet Center, which officially catalogues all trans-Neptunian objects, a KBO, strictly speaking, is any object that orbits exclusively within the defined Kuiper belt region regardless of origin or composition. Objects found outside the belt are classed as scattered objects. In some scientific circles the term "Kuiper belt object" has become synonymous with any icy minor planet native to the outer Solar System assumed to have been part of that initial class, even if its orbit during the bulk of Solar System history has been beyond the Kuiper belt (e.g. in the scattered-disc region). They often describe scattered disc objects as "scattered Kuiper belt objects". Eris, which is known to be more massive than Pluto, is often referred to as a KBO, but is technically an SDO. A consensus among astronomers as to the precise definition of the Kuiper belt has yet to be reached, and this issue remains unresolved.
The centaurs, which are not normally considered part of the Kuiper belt, are also thought to be scattered objects, the only difference being that they were scattered inward, rather than outward. The Minor Planet Center groups the centaurs and the SDOs together as scattered objects.
During its period of migration, Neptune is thought to have captured a large KBO, Triton, which is the only large moon in the Solar System with a retrograde orbit (it orbits opposite to Neptune's rotation). This suggests that, unlike the large moons of Jupiter, Saturn and Uranus, which are thought to have coalesced from rotating discs of material around their young parent planets, Triton was a fully formed body that was captured from surrounding space. Gravitational capture of an object is not easy: it requires some mechanism to slow down the object enough to be caught by the larger object's gravity. A possible explanation is that Triton was part of a binary when it encountered Neptune. (Many KBOs are members of binaries. See below.) Ejection of the other member of the binary by Neptune could then explain Triton's capture. Triton is only 14% larger than Pluto, and spectral analysis of both worlds shows that their surfaces are largely composed of similar materials, such as methane and carbon monoxide. All this points to the conclusion that Triton was once a KBO that was captured by Neptune during its outward migration.
Since 2000, a number of KBOs with diameters of between 500 and , more than half that of Pluto (diameter 2370 km), have been discovered. 50000 Quaoar, a classical KBO discovered in 2002, is over 1,200 km across. and , both announced on July 29, 2005, are larger still. Other objects, such as 28978 Ixion (discovered in 2001) and 20000 Varuna (discovered in 2000), measure roughly across.
The discovery of these large KBOs in orbits similar to Pluto's led many to conclude that, aside from its relative size, Pluto was not particularly different from other members of the Kuiper belt. Not only are these objects similar to Pluto in size, but many also have satellites, and are of similar composition (methane and carbon monoxide have been found both on Pluto and on the largest KBOs). Thus, just as Ceres was considered a planet before the discovery of its fellow asteroids, some began to suggest that Pluto might also be reclassified.
The issue was brought to a head by the discovery of Eris, an object in the scattered disc far beyond the Kuiper belt, that is now known to be 27% more massive than Pluto. (Eris was originally thought to be larger than Pluto by volume, but the "New Horizons" mission found this not to be the case.) In response, the International Astronomical Union (IAU) was forced to define what a planet is for the first time, and in so doing included in their definition that a planet must have "cleared the neighbourhood around its orbit". As Pluto shares its orbit with many other sizable objects, it was deemed not to have cleared its orbit, and was thus reclassified from a planet to a dwarf planet, making it a member of the Kuiper belt.
Although Pluto is currently the largest known KBO, there is at least one known larger object currently outside the Kuiper belt that probably originated in it: Neptune's moon Triton (which, as explained above, is probably a captured KBO).
As of 2008, only five objects in the Solar System (Ceres, Eris, and the KBOs Pluto, Makemake and Haumea) are listed as dwarf planets by the IAU. 90482 Orcus, 28978 Ixion and many other Kuiper-belt objects are large enough to be in hydrostatic equilibrium; most of them will probably qualify when more is known about them.
The six largest TNOs (Eris, Pluto, Gonggong, Makemake, Haumea and Quaoar) are all known to have satellites, and two have more than one. A higher percentage of the larger KBOs have satellites than the smaller objects in the Kuiper belt, suggesting that a different formation mechanism was responsible. There are also a high number of binaries (two objects close enough in mass to be orbiting "each other") in the Kuiper belt. The most notable example is the Pluto–Charon binary, but it is estimated that around 11% of KBOs exist in binaries.
On January 19, 2006, the first spacecraft to explore the Kuiper belt, "New Horizons", was launched, which flew by Pluto on July 14, 2015. Beyond the Pluto flyby, the mission's goal was to locate and investigate other, farther objects in the Kuiper belt.
On October 15, 2014, it was revealed that "Hubble" had uncovered three potential targets, provisionally designated PT1 ("potential target 1"), PT2 and PT3 by the "New Horizons" team. The objects' diameters were estimated to be in the 30–55 km range; too small to be seen by ground telescopes, at distances from the Sun of 43–44 AU, which would put the encounters in the 2018–2019 period. The initial estimated probabilities that these objects were reachable within "New Horizons" fuel budget were 100%, 7%, and 97%, respectively. All were members of the "cold" (low-inclination, low-eccentricity) classical Kuiper belt, and thus very different from Pluto. PT1 (given the temporary designation "1110113Y" on the HST web site), the most favorably situated object, was magnitude 26.8, 30–45 km in diameter, and was encountered in January 2019. Once sufficient orbital information was provided, the Minor Planet Center gave official designations to the three target KBOs: (PT1), (PT2), and (PT3). By the fall of 2014, a possible fourth target, , had been eliminated by follow-up observations. PT2 was out of the running before the Pluto flyby.
On August 26, 2015, the first target, (nicknamed "Ultima Thule" and later named 486958 Arrokoth), was chosen. Course adjustment took place in late October and early November 2015, leading to a flyby in January 2019. On July 1, 2016, NASA approved additional funding for "New Horizons" to visit the object.
On December 2, 2015, "New Horizons" detected what was then called (later named "15810 Arawn") from away, and the photographs show the shape of the object and one or two details.
On January 1, 2019, "New Horizons" successfully flew by Arrokoth, returning data showing Arrokoth to be a contact binary 32 km long by 16 km wide. The Ralph instrument aboard "New Horizons" confirmed Arrokoth's red color. Data from the fly by will continue to be downloaded over the next 20 months.
No follow up missions for "New Horizons" are planned, though at least two concepts for missions that would return to orbit or land on Pluto have been studied. Beyond Pluto, there exist many large KBOs that cannot be visited with "New Horizons", such as the dwarf planets Makemake and Haumea. New missions would be tasked to explore and study these objects in detail. Thales Alenia Space has studied the logistics of an orbiter mission to Haumea, a high priority scientific target due to its status as the parent body of a collisional family that includes several other TNOs, as well as Haumea's ring and two moons. The lead author, Joel Poncy, has advocated for new technology that would allow spacecraft to reach and orbit KBOs in 10–20 years or less. "New Horizons" Principal Investigator Alan Stern has informally suggested missions that would flyby the planets Uranus or Neptune before visiting new KBO targets, thus furthering the exploration of the Kuiper belt while also visiting these ice giant planets for the first time since the "Voyager 2" flybys in the 1980s.
Quaoar has been considered as a flyby target for a probe tasked with exploring the interstellar medium, as it currently lies near the heliospheric nose; Pontus Brandt at Johns Hopkins Applied Physics Laboratory and his colleagues have studied a probe that would flyby Quaoar in the 2030s before continuing to the interstellar medium through the heliospheric nose. Among their interests in Quaoar include its likely disappearing methane atmosphere and cryovolcanism. The mission studied by Brandt and his colleagues would launch using SLS and achieve 30 km/s using a Jupiter flyby. Alternatively, for an orbiter mission, a study published in 2012 concluded that Ixion and Huya are among the most feasible targets. For instance, the authors calculated that an orbiter mission could reach Ixion after 17 years cruise time if launched in 2039.
In the late 2010s, one design study discussed orbital capture and multi-target scenarios for Kuiper belt objects. Some Kuiper belt objects studied in that particular paper included , , and 47171 Lempo.
In 2011, a design study explored a spacecraft survey of Quaoar, Sedna, Makemake, Haumea, and Eris.
Interstellar missions have evaluated including a flyby of Kuiper Belt objects as part of their mission.
By 2006, astronomers had resolved dust discs thought to be Kuiper belt-like structures around nine stars other than the Sun. They appear to fall into two categories: wide belts, with radii of over 50 AU, and narrow belts (tentatively like that of the Solar System) with radii of between 20 and 30 AU and relatively sharp boundaries. Beyond this, 15–20% of solar-type stars have an observed infrared excess that is suggestive of massive Kuiper-belt-like structures. Most known debris discs around other stars are fairly young, but the two images on the right, taken by the "Hubble Space Telescope" in January 2006, are old enough (roughly 300 million years) to have settled into stable configurations. The left image is a "top view" of a wide belt, and the right image is an "edge view" of a narrow belt. Computer simulations of dust in the Kuiper belt suggest that when it was younger, it may have resembled the narrow rings seen around younger stars.
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https://en.wikipedia.org/wiki?curid=16796
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.
On commercially successful albums such as "Autobahn" (1974), "Trans-Europe Express" (1977), and "The Man-Machine" (1978), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of "Electric Café" (1986), Wolfgang Flür left the group in 1987, followed by percussionist Karl Bartos in 1990. Founding member Schneider left in 2008.
The band's work has influenced a diverse range of artists and many genres of modern music, including synth-pop, hip hop, post-punk, techno, ambient, and club music. In 2014, the Recording Academy honoured Kraftwerk with a Grammy Lifetime Achievement Award. They later won the Grammy Award for Best Dance/Electronic Album with their live album "3-D The Catalogue" (2017) at the 2018 ceremony. As of 2020, the remaining members of the band continue to tour.
Florian Schneider (flutes, synthesizers, violin) and Ralf Hütter (organ, synthesizers) met as students at the Robert Schumann Hochschule in Düsseldorf in the late 1960s, participating in the German experimental music and art scene of the time, which "Melody Maker" jokingly dubbed "krautrock". They joined a quintet known as Organisation, which released one album, "Tone Float" in 1969, issued on RCA Records in the UK, and split shortly thereafter. Schneider became interested in synthesizers, deciding to acquire one in 1970. While visiting an exhibition in their hometown about visual artists Gilbert and George, they saw "two men wearing suits and ties, claiming to bring art into everyday life. The same year, Hütter and Schneider started bringing everyday life into art and form Kraftwerk".
Early Kraftwerk line-ups from 1970 to 1974 fluctuated, as Hütter and Schneider worked with around a half-dozen other musicians during the preparations for and the recording of three albums and sporadic live appearances, including guitarist Michael Rother and drummer Klaus Dinger, who left to form Neu! The only constant figure in these line-ups was Schneider, whose main instrument at the time was the flute; at times he also played the violin and guitar, all processed through a varied array of electronic devices. Hütter, who left the band for eight months to focus on completing his university studies, played synthesizer and keyboards (including Farfisa organ and electric piano).
The band released two free-form experimental rock albums, "Kraftwerk" (1970) and "Kraftwerk 2". The albums were mostly exploratory musical improvisations played on a variety of traditional instruments including guitar, bass, drums, organ, flute, and violin. Post-production modifications to these recordings were used to distort the sound of the instruments, particularly audio-tape manipulation and multiple dubbings of one instrument on the same track. Both albums are purely instrumental. Live performances from 1972 to 1973 were made as a duo, using a simple beat-box-type electronic drum machine, with preset rhythms taken from an electric organ. These shows were mainly in Germany, with occasional shows in France. Later in 1973, Wolfgang Flür joined the group for rehearsals, and the unit performed as a trio on the television show "Aspekte" for German television network ZDF.
With "Ralf und Florian", released in 1973, Kraftwerk began to rely more heavily on synthesizers and drum machines. Although almost entirely instrumental, the album marks Kraftwerk's first use of the vocoder, which became one of its musical signatures. According to English music journalist Simon Reynolds, Kraftwerk were influenced by what he called the "adrenalized insurgency" of Detroit artists of the late '60s MC5 and the Stooges.
The input, expertise, and influence of producer and engineer Konrad "Conny" Plank was highly significant in the early years of Kraftwerk. Plank also worked with many of the other leading German electronic acts of that time, including members of Can, Neu!, Cluster, and Harmonia. As a result of his work with Kraftwerk, Plank's studio near Cologne became one of the most sought-after studios in the late 1970s. Plank coproduced the first four Kraftwerk albums.
The release of "Autobahn" in 1974 saw Kraftwerk moving away from the sound of its first three albums. Hütter and Schneider had invested in newer technology such as the Minimoog and the EMS Synthi AKS, helping give Kraftwerk a newer, "disciplined" sound. "Autobahn" was also the last album that Conny Plank engineered. After the commercial success of "Autobahn" in the US, where it peaked at number 5 in the Billboard Top LPs & Tapes, Hütter and Schneider invested in updating their studio, thus lessening their reliance on outside producers. At this time the painter and graphic artist Emil Schult became a regular collaborator, designing artwork, cowriting lyrics, and accompanying the group on tour.
The year 1975 saw a turning point in Kraftwerk's live shows. With financial support from Phonogram Inc., in the US, they were able to undertake a multi-date tour to promote the "Autobahn" album, a tour which took them to the US, Canada and the UK for the first time. The tour also saw a new, stable, live line-up in the form of a quartet. Hütter and Schneider continued playing keyboard synthesizers such as the Minimoog and ARP Odyssey, with Schneider's use of flute diminishing. The two men started singing live for the first time, and Schneider processing his voice with a vocoder live. Wolfgang Flür and new recruit Karl Bartos performed on home-made electronic percussion instruments. Bartos also used a Deagan vibraphone on stage. The Hütter-Schneider-Bartos-Flür formation remained in place until the late 1980s and is now regarded as the classic live line-up of Kraftwerk. Emil Schult generally fulfilled the role of tour manager.
After the 1975 "Autobahn" tour, Kraftwerk began work on a follow-up album, "Radio-Activity" (German title: "Radio-Aktivität"). After further investment in new equipment, the Kling Klang Studio became a fully working recording studio. The group used the central theme in radio communication, which had become enhanced on their last tour of the United States. With Emil Schult working on artwork and lyrics, Kraftwerk began to compose music for the new record. Even though "Radio-Activity" was less commercially successful than "Autobahn" in the UK and United States, the album served to open up the European market for Kraftwerk, earning them a gold disc in France. Kraftwerk made videos and performed several European live dates to promote the album. With the release of "Autobahn" and "Radio-Activity", Kraftwerk left behind avant-garde experimentation and moved towards the electronic pop tunes for which they are best known.
In 1976, Kraftwerk toured in support of the "Radio-Activity" album. David Bowie was among the fans of the record and invited the band to support him on his "Station to Station" tour, an offer the group declined. Despite some innovations in touring, Kraftwerk took a break from live performances after the "Radio-Activity" tour of 1976.
After having finished the Radio-Activity tour Kraftwerk began recording "Trans-Europe Express" (German: "Trans-Europa Express") at the Kling Klang Studio. "Trans-Europe Express" was mixed at the Record Plant Studios in Los Angeles. It was around this time that Hütter and Schneider met David Bowie at the Kling Klang Studio. A collaboration was mentioned in an interview (Brian Eno) with Hütter, but it never materialised. The release of "Trans-Europe Express" in March 1977 was marked with an extravagant train journey used as a press conference by EMI France. The album won a disco award in New York later that year.
In May 1978 Kraftwerk released "The Man-Machine" (German: "Die Mensch-Maschine"), recorded at the Kling Klang Studio. Due to the complexity of the recording, the album was mixed at Studio Rudas in Düsseldorf. The band hired sound engineer Leanard Jackson from Detroit to work with Joschko Rudas on the final mix. "The Man-Machine" was the first Kraftwerk album where Karl Bartos was cocredited as a songwriter. The cover, produced in black, white and red, was inspired by Russian artist El Lissitzky and the Suprematism movement. Gunther Frohling photographed the group for the cover, a now-iconic image which featured the quartet dressed in red shirts and black ties. After it was released Kraftwerk did not release another album for three years.
In May 1981 Kraftwerk released "Computer World" (German: "Computerwelt") on EMI Records. It was recorded at Kling Klang Studio between 1978 and 1981. Much of this time was spent modifying the studio to make it portable so the band could take it on tour. Some of the electronic vocals on "Computer World" were generated using a Texas Instruments language translator. "Computer Love" was released as a single backed with the "Man-Machine" track "The Model". Radio DJs were more interested in the B-side so the single was repackaged by EMI and re-released with "The Model" as the A-side. The single reached number one in the UK, making "The Model" Kraftwerk's most successful song in that country. As a result, the "Man-Machine" album also became a success in the UK, peaking at number 9 in the album chart in February 1982. The band's live set focused increasingly on song-based material, with greater use of vocals and the use of sequencing equipment for both percussion and music. In contrast to their cool and controlled image, the group used sequencers interactively, which allowed for live improvisation. Ironically Kraftwerk did not own a computer at the time of recording "Computer World".
Kraftwerk returned to live performance with the "Computer World" tour of 1981, where the band effectively packed up its entire Kling Klang studio and took it along on the road. They also made greater use of live visuals including back-projected slides and films synchronized with the music as the technology developed, the use of hand-held miniaturized instruments during the set (for example, during "Pocket Calculator"), and, perhaps most famously, the use of replica mannequins of themselves to perform on stage during the song "The Robots".
In 1982 Kraftwerk began to work on a new album that initially had the working title "Technicolor" but due to trademark issues was changed to "Techno Pop". One of the songs from these recording sessions was "Tour de France", which EMI released as a single in 1983. This song was a reflection of the band's new-found obsession for cycling. After the physically demanding "Computer World" tour, Ralf Hütter had been looking for forms of exercise that fitted in with the image of Kraftwerk; subsequently he encouraged the group to become vegetarians and take up cycling. "Tour de France" included sounds that followed this theme including bicycle chains, gear mechanisms and the breathing of the cyclist. At the time of the single's release Ralf Hütter tried to persuade the rest of the band that they should record a whole album based on cycling. The other members of the band were not convinced, and the theme was left to the single alone. "Tour de France" was released in German and French. The vocals of the song were recorded on the Kling Klang Studio stairs to create the right atmosphere. "Tour de France" was featured in the 1984 film "Breakin'", showing the influence that Kraftwerk had on black American dance music.
In May or June 1982,, during the recording of "Tour de France", Ralf Hütter was involved in a serious cycling accident. He suffered head injuries and remained in a coma for several days. During 1983 Wolfgang Flür was beginning to spend less time in the studio. Since the band began using sequencers his role as a drummer was becoming less frequent. He preferred to spend his time travelling with his girlfriend. Flür was also experiencing artistic difficulties with the band. Though he toured the world with Kraftwerk as a drummer in 1981, his playing does not appear on that year's "Computer World" or on the 1986 album "Electric Café". In 1987 he left the band and was replaced by Fritz Hilpert.
After years of withdrawal from live performance Kraftwerk began to tour Europe more frequently. In February 1990 the band played a few secret shows in Italy. Karl Bartos left the band shortly afterwards. The next proper tour was in 1991, for the album "The Mix". Hütter and Schneider wished to continue the synth-pop quartet style of presentation, and recruited Fernando Abrantes as a replacement for Bartos. Abrantes left the band shortly after though. In late 1991, long-time Kling Klang Studio sound engineer Henning Schmitz was brought in to finish the remainder of the tour and to complete a new version of the quartet that remained active until 2008.
In 1997 Kraftwerk made a famous appearance at the dance festival Tribal Gathering held in England. In 1998, the group toured the US and Japan for the first time since 1981, along with shows in Brazil and Argentina. Three new songs were performed during this period and a further two tested in soundchecks, which remain unreleased. Following this trek, the group decided to take another break.
In July 1999 the single "Tour de France" was reissued in Europe by EMI after it had been out of print for several years. It was released for the first time on CD in addition to a repressing of the 12-inch vinyl single. Both versions feature slightly altered artwork that removed the faces of Flür and Bartos from the four-man cycling paceline depicted on the original cover. In 1999 ex-member Flür published his autobiography in Germany, "Ich war ein Roboter". Later English-language editions of the book were titled "Kraftwerk: I Was a Robot".
In 1999, Kraftwerk were commissioned to create an a cappella jingle for the Hannover Expo 2000 world's fair in Germany. The jingle was subsequently developed into the single "Expo 2000", which was released in December 1999, and remixed and re-released as "Expo Remix" in November 2000.
In August 2003 the band released "Tour de France Soundtracks", its first album of new material since 1986's "Electric Café". In January and February 2003, before the release of the album, the band started the extensive "Minimum-Maximum" world tour, using four customised Sony VAIO laptop computers, effectively leaving the entire Kling Klang studio at home in Germany. The group also obtained a new set of transparent video panels to replace its four large projection screens. This greatly streamlined the running of all of the group's sequencing, sound-generating, and visual-display software. From this point, the band's equipment increasingly reduced manual playing, replacing it with interactive control of sequencing equipment. Hütter retained the most manual performance, still playing musical lines by hand on a controller keyboard and singing live vocals and having a repeating ostinato. Schneider's live vocoding had been replaced by software-controlled speech-synthesis techniques. In November, the group made a surprising appearance at the MTV European Music Awards in Edinburgh, Scotland, performing "Aerodynamik". The same year a promotional box set entitled "12345678" (subtitled "The Catalogue") was issued, with plans for a proper commercial release to follow. The box featured remastered editions of the group's eight core studio albums, from "Autobahn" to "Tour de France Soundtracks". This long-awaited box-set was eventually released in a different set of remasters in November 2009.
In June 2005 the band's first-ever official live album, "Minimum-Maximum", which was compiled from the shows during the band's tour of spring 2004, received extremely positive reviews. The album contained reworked tracks from existing studio albums. This included a track titled "Planet of Visions" that was a reworking of "Expo 2000". In support of this release, Kraftwerk made another quick sweep around the Balkans with dates in Serbia, Bulgaria, North Macedonia, Turkey, and Greece. In December, the "Minimum-Maximum" DVD was released. During 2006, the band performed at festivals in Norway, Ireland, the Czech Republic, Spain, Belgium, and Germany.
In April 2008 the group played three shows in US cities Minneapolis, Milwaukee, and Denver, and were a coheadliner at the Coachella Valley Music and Arts Festival. This was their second appearance at the festival since 2004. Further shows were performed in Ireland, Poland, Ukraine, Australia, New Zealand, Hong Kong and Singapore later that year. The touring quartet consisted of Ralf Hütter, Henning Schmitz, Fritz Hilpert, and video technician Stefan Pfaffe, who became an official member in 2008. Original member Florian Schneider was absent from the lineup. Hütter stated that he was working on other projects. On 21 November, Kraftwerk officially confirmed Florian Schneider's departure from the band. "The Independent" commented on that incident: "There is something brilliantly Kraftwerkian about the news that Florian Schneider, a founder member of the German electronic pioneers, is leaving the band to pursue a solo career. Many successful bands break up after just a few years. It has apparently taken Schneider and his musical partner, Ralf Hütter, four decades to discover musical differences." Kraftwerk's headline set at Global Gathering in Melbourne, Australia, on 22 November was cancelled moments before it was scheduled to begin, due to a Fritz Hilpert heart problem.
In 2009, Kraftwerk performed concerts with special 3D background graphics in Wolfsburg, Germany; Manchester, UK; and Randers, Denmark. Members of the audience were able to watch this multimedia part of the show with 3D glasses, which were given out. During the Manchester concert (part of the 2009 Manchester International Festival) four members of the GB cycling squad (Jason Kenny, Ed Clancy, Jamie Staff and Geraint Thomas) rode around the Velodrome while the band performed "Tour de France". The group also played several festival dates, the last being at the Bestival 2009 in September, on the Isle of Wight. 2009 also saw the release of "The Catalogue" box set in November. It is a 12" album-sized box set containing all eight remastered CDs in cardboard slipcases, as well as LP-sized booklets of photographs and artwork for each individual album.
Although not officially confirmed, Ralf Hütter suggested that a second boxed set of their first three experimental albums—"Kraftwerk", "Kraftwerk 2" and "Ralf and Florian"—could be on its way, possibly seeing commercial release after their next studio album: "We've just never really taken a look at those albums. They've always been available, but as really bad bootlegs. Now we have more artwork. Emil has researched extra contemporary drawings, graphics, and photographs to go with each album, collections of paintings that we worked with, and drawings that Florian and I did. We took a lot of Polaroids in those days." Kraftwerk also released an iOS app called Kraftwerk Kling Klang Machine. The Lenbach House in Munich exhibited some Kraftwerk 3-D pieces in Autumn 2011. Kraftwerk performed three concerts to open the exhibit.
Kraftwerk played at Ultra Music Festival in Miami on 23 March 2012. Initiated by Klaus Biesenbach, the Museum of Modern Art of New York organized an exhibit titled "Kraftwerk – Retrospective 1 2 3 4 5 6 7 8" where the band performed their studio discography from "Autobahn" to "Tour de France" over the course of eight days to sell-out crowds. The exhibit later toured to the Tate Gallery as well as to K21 in Düsseldorf. Kraftwerk performed at the No Nukes 2012 Festival in Tokyo, Japan. Kraftwerk were also going to play at the Ultra Music Festival in Warsaw, but the event was cancelled; instead, Kraftwerk performed at Way Out West in Gothenburg. A limited edition version of the "Catalogue" box set was released during the retrospective, restricted to 2000 sets. Each box was individually numbered and inverted the colour scheme of the standard box. In December, Kraftwerk stated on their website that they would be playing their "Catalogue" in Düsseldorf and at London's Tate Modern. Kraftwerk tickets were priced at £60 in London, but fans compared that to the $20 ticket price for tickets at New York's MoMA in 2012, which caused consternation. Even so, the demand for the tickets at The Tate was so high that it shut down the website.
In March 2013, the band was not allowed to perform at a music festival in China due to unspecified "political reasons". In an interview in June after performing the eight albums of "The Catalogue" in Sydney, Ralf Hütter stated: "Now we have finished one to eight, now we can concentrate on number nine." In July, they performed at the 47th Montreux Jazz Festival. The band also played a 3-D concert on 12 July at Scotland's biggest festival – T in the Park – in Balado, Kinross, as well as 20 July at Latitude Festival in Suffolk, and 21 July at the Longitude Festival in Dublin.
In October 2013 the band played four concerts, over two nights, in Eindhoven, Netherlands. The venue, Evoluon (the former technology museum of Philips Electronics, now a conference center) was handpicked by Ralf Hütter, for its retro-futuristic UFO-like architecture. Bespoke visuals of the building, with the saucer section descending from space, were displayed during the rendition of "Spacelab."
In 2014, Kraftwerk brought their four-night, 3D "Catalogue" tour to the Walt Disney Concert Hall in Los Angeles, and at NYC's United Palace Theatre. They also played at the Cirkus in Stockholm, Sweden and at the music festival Summer Sonic in Tokyo, Japan. In November 2014 the 3D "Catalogue" live set was played in Paris, France, at the brand new Fondation Louis-Vuitton from 6 to 14 November. and then in the iconic Paradiso concert hall in Amsterdam, Netherlands, where they played before in 1976. In 2015, Ralf Hütter, being told that the Tour de France would be starting that year in the nearby Dutch city of Utrecht, decided that Kraftwerk would perform during the "Grand Depart". Eventually the band played three concerts 3 and 4 July in TivoliVredenburg performing "Tour de France Soundtracks" and visited the start of the Tour in-between.
In April 2017, Kraftwerk announced "3-D The Catalogue", a live album and video documenting performances of all eight albums in "The Catalogue" that was released 26 May 2017. It is available in multiple formats, the most extensive of which being a 4-disc Blu-ray set with a 236-page hardback book. The album was nominated for the Grammy Awards for Best Dance/Electronic Album and Best Surround Sound Album at the ceremony that took place on 28 January 2018, winning the former, which became the band's first Grammy win.
On 20 July 2018, at a concert in Stuttgart, German astronaut Alexander Gerst performed "Spacelab" with the band while aboard the International Space Station, joining via a live video link. Gerst played melodies using a tablet as his instrument alongside Hütter as a duet, and delivered a short message to the audience.
On 20 July 2019, Kraftwerk headlined the Saturday night lineup on the Lovell Stage at Bluedot Festival, a music and science festival held annually at Jodrell Bank Observatory, Cheshire, UK. The 2019 festival celebrated the 50th anniversary of the Apollo 11 moon landing.
On 21 April 2020, Florian Schneider died at age 73 after a brief battle with cancer.
Kraftwerk have been recognized as pioneers of electronic music as well as subgenres such as electropop, art pop, and synth-pop. In its early incarnation, the band pursued an avant-garde, experimental rock style inspired by the compositions of Karlheinz Stockhausen. Hütter has also listed the Beach Boys as a major influence. The group was also inspired by the funk music of James Brown and, later, punk rock. They were initially connected to the German krautrock scene. In the mid-1970s, they transitioned to an electronic sound which they described as "robot pop". Kraftwerk's lyrics dealt with post-war European urban life and technology—traveling by car on the Autobahn, traveling by train, using home computers, and the like. They were influenced by the modernist Bauhaus aesthetic, seeing art as inseparable from everyday function. Usually, the lyrics are very minimal but reveal both an innocent celebration of, and a knowing caution about, the modern world, as well as playing an integral role in the rhythmic structure of the songs. Many of Kraftwerk's songs express the paradoxical nature of modern urban life: a strong sense of alienation existing side-by-side with a celebration of the joys of modern technology.
Starting with the release of "Autobahn", Kraftwerk began to release a series of concept albums ("Radio-Activity", "Trans-Europe Express", "The Man-Machine", "Computer World", "Tour de France Soundtracks"). All of Kraftwerk's albums from "Trans Europe Express" onwards, except "Tour de France Soundtracks" have been released in separate versions: one with German vocals for sale in Germany, Switzerland and Austria and one with English vocals for the rest of the world, with occasional variations in other languages when conceptually appropriate. Live performance has always played an important part in Kraftwerk's activities. Also, despite its live shows generally being based around formal songs and compositions, live improvisation often plays a noticeable role in its performances. This trait can be traced back to the group's roots in the first experimental Krautrock scene of the late 1960s, but, significantly, it has continued to be a part of its playing even as it makes ever greater use of digital and computer-controlled sequencing in its performances. Some of the band's familiar compositions have been observed to have developed from live improvisations at its concerts or sound-checks.
Throughout their career, Kraftwerk have pushed the limits of music technology with some notable innovations, such as home-made instruments and custom-built devices. The group has always perceived their Kling Klang Studio as a complex music instrument, as well as a sound laboratory; Florian Schneider in particular developed a fascination with music technology, with the result that the technical aspects of sound generation and recording gradually became his main fields of activity within the band. Alexei Monroe called Kraftwerk the "first successful artists to incorporate representations of industrial sounds into non-academic electronic music".
Kraftwerk used a custom-built vocoder on their albums "Ralf und Florian" and "Autobahn"; the device was constructed by engineers P. Leunig and K. Obermayer of the Physikalisch-Technische Bundesanstalt Braunschweig. Hütter and Schneider hold a patent for an electronic drum kit with sensor pads, filed in July 1975 and issued in June 1977. It must be hit with metal sticks, which are connected to the device to complete a circuit that triggers analog synthetic percussion sounds. The band first performed in public with this device in 1973, on the television program "Aspekte" (on the all-German channel Zweites Deutsches Fernsehen), where it was played by Wolfgang Flür. They created drum machines for "Autobahn" and "Trans-Europe Express"
On the "Radio-Activity" tour in 1976 Kraftwerk tested out an experimental light-beam-activated drum cage allowing Flür to trigger electronic percussion through arm and hand movements. Unfortunately, the device did not work as planned, and it was quickly abandoned. The same year Ralf Hütter and Florian Schneider commissioned Bonn-based "Synthesizerstudio Bonn, Matten & Wiechers" to design and build the Synthanorma Sequenzer with Intervallomat, a 4×8 / 2×16 / 1×32 step-sequencer system with some features that commercial products couldn't provide at that time. The music sequencer was used by the band for the first time to control the electronic sources creating the rhythmic sound of the album "Trans-Europe Express".
Since 2002, Kraftwerk's live performances have been conducted with the use of virtual technology (i.e. software replicating and replacing original analogue or digital equipment). According to Fritz Hilpert, "the mobility of music technology and the reliability of the notebooks and software have greatly simplified the realization of complex touring setups: we generate all sounds on the laptops in real time and manipulate them with controller maps. It takes almost no time to get our compact stage system set up for performance. […] This way, we can bring our Kling-Klang Studio with us on stage. The physical light weight of our equipment also translates into an enormous ease of use when working with software synthesizers and sound processors. Every tool imaginable is within immediate reach or just a few mouse clicks away on the Internet."
The band is notoriously reclusive, providing rare and enigmatic interviews, using life-size mannequins and robots to conduct official photo shoots, refusing to accept mail and not allowing visitors at the Kling Klang Studio, the precise location of which they used to keep secret.
Another notable example of this eccentric behavior was reported to Johnny Marr of the Smiths by Karl Bartos, who explained that anyone trying to contact the band for collaboration would be told the studio telephone did not have a ringer since, while recording, the band did not like to hear any kind of noise pollution. Instead, callers were instructed to phone the studio precisely at a certain time, whereupon the phone would be answered by Ralf Hütter, despite never hearing the phone ring.
Chris Martin of Coldplay recalled in a 2007 article in "Q" magazine the process of requesting permission to use the melody from the track "Computer Love" on "Talk" from the album "X&Y". He sent a letter through the lawyers of the respective parties and several weeks later received an envelope containing a handwritten reply that simply said "yes".
According to music journalist Neil McCormick, Kraftwerk might be "the most influential group in pop history". "NME" wrote: "'The Beatles and Kraftwerk' may not have the ring of 'the Beatles and the Stones', but nonetheless, these are the two most important bands in music history". AllMusic wrote that their music "resonates in virtually every new development to impact the contemporary pop scene of the late 20th century".
Kraftwerk's musical style and image can be heard and seen in 1980s synth-pop groups such as Gary Numan, Ultravox, John Foxx, Orchestral Manoeuvres in the Dark, The Human League, Depeche Mode, Visage, and Soft Cell. Kraftwerk influenced other forms of music such as hip hop, house, and drum and bass, and they are also regarded as pioneers of the electro genre. Most notably, "Trans Europe Express" and "Numbers" were interpolated into "Planet Rock" by Afrika Bambaataa & the Soul Sonic Force, one of the earliest hip-hop/electro hits. Kraftwerk helped ignite the New York electro-movement. Techno was created by three musicians from Detroit, often referred to as the 'Belleville three' (Juan Atkins, Kevin Saunderson & Derrick May), who fused the repetitive melodies of Kraftwerk with funk rhythms. The Belleville three were heavily influenced by Kraftwerk and their sounds because Kraftwerk's sounds appealed to the middle-class blacks residing in Detroit at this time. Depeche Mode's composer Martin Gore emphasized: "For anyone of our generation involved in electronic music, Kraftwerk were the godfathers". Vince Clarke of Erasure, Yazoo and Depeche Mode, is also a notable disco and Kraftwerk fan. Daniel Miller, founder of Mute Records, purchased the vocoder used by Kraftwerk in their early albums, comparing it to owning "the guitar Jimi Hendrix used on 'Purple Haze'". Andy McCluskey and Paul Humphreys, founding members of OMD, have stated that Kraftwerk was a major reference on their early work, and covered "Neon Lights" on the 1991 album, "Sugar Tax". The electronic band Ladytron were inspired by Kraftwerk's song "The Model" when they composed their debut single "He Took Her to a Movie". Aphex Twin noted Kraftwerk as one of his biggest influences and called "Computer World" as a very influential album towards his music and sound. Björk has cited the band as one of her main musical influences. Electronic musician Kompressor has cited Kraftwerk as an influence. The band was also mentioned in the song "Rappers We Crush" by Kompressor and MC Frontalot ("I hurry away, get in my Chrysler. Oh, the dismay!/Someone's replaced all of my Backstreet Boys with Kraftwerk tapes!"). Dr. Alex Paterson of the Orb listed "The Man-Machine" as one of his 13 most favourite albums of all time. According to "NME", Kraftwerk's pioneering "robot pop" also spawned groups like Prodigy and Daft Punk.
Kraftwerk inspired many acts from other styles and genres. David Bowie's "V-2 Schneider", from the 1977's "Heroes" album, was a tribute to Florian Schneider. Post-punk bands Joy Division and New Order were heavily influenced by the band. Joy Division frontman Ian Curtis was a fan, and showed his colleagues records that would influence their music. New Order also sampled "Uranium" in its biggest hit "Blue Monday". Siouxsie and the Banshees recorded a cover of "Hall of Mirrors" on their 1987 album "Through the Looking Glass" which was lauded by Ralf Hütter: "In general, we consider cover versions as an appreciation of our work. The version of "Hall of Mirrors" by Siouxsie and the Banshees is extraordinary, just like the arrangements of Alexander Bălănescu for his Balanescu Quartet release [of "Possessed", 1992]. We also like the album "El Baile Alemán" of Señor Coconut a lot." Members of Blondie have admitted on several occasions that Kraftwerk were an important reference for their sound by the time they were working on their third album "Parallel Lines". The worldwide hit "Heart of Glass" turned radically from an initial reggae-flavoured style to its distinctive electronic sound in order to imitate the technological approach of Kraftwerk's albums and adapt it to a disco concept. U2 recorded a cover version of "Neon Lights" as did Simple Minds. Rammstein also covered their song "Das Modell", releasing it as a non-album single in 1997. John Frusciante cited the ability to experiment of the group as an inspiration when working in a recording studio. The 1998 comedy "The Big Lebowski" features a fictional band called "Autobahn", a parody of Kraftwerk and their 1974 record "Autobahn".
In January 2018, BBC Radio 4 broadcast the 30-minute documentary "Kraftwerk: Computer Love" which examined "how Kraftwerk's classic album "Computer World" has changed people's lives." In October 2019, Kraftwerk were nominated for induction into the Rock and Roll Hall of Fame for 2020.
Current members
Former members
Timeline
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The Katzenjammer Kids
The Katzenjammer Kids is an American comic strip created by Rudolph Dirks in 1897 and later drawn by Harold Knerr for 35 years (1914 to 1949). It debuted December 12, 1897, in the "American Humorist", the Sunday supplement of William Randolph Hearst's "New York Journal". Dirks was the first cartoonist to regularly express comic characters' dialogue using speech balloons. The comic strip was turned into a stage play in 1903. It inspired several animated cartoons and was one of 20 strips included in the Comic Strip Classics series of U.S. commemorative postage stamps.
After a series of legal battles between 1912 and 1914, Dirks left the Hearst organization and began a new strip, first titled Hans and Fritz and then The Captain and the Kids. It featured the same characters seen in "The Katzenjammer Kids", which was continued by Knerr. The two separate versions of the strip competed with each other until 1979, when "The Captain and the Kids" ended its six-decade run. "The Katzenjammer Kids" published its last strip on January 1, 2006, but is still distributed in reprints by King Features Syndicate, making it the oldest comic strip still in syndication and the longest-running ever.
"The Katzenjammer Kids" was inspired by "Max and Moritz", a children's story of the 1860s by German author Wilhelm Busch.
"Katzenjammer" translates literally as "the wailing of cats" (i.e. "caterwaul") but is used to mean "contrition after a failed endeavor" or "hangover" in German (and, in the latter sense, in English too). Whereas Max & Moritz were grotesquely but comically put to death after seven destructive pranks, the Katzenjammer Kids and the other characters still thrive.
"The Katzenjammer Kids" was so popular that it became two competing comic strips and the subject of a lawsuit. This happened because Dirks, in 1912, wanted to take a break after drawing the strip for 15 years, but the Hearst newspaper syndicate would not allow it. Dirks left anyway, and the strip was taken over by Harold Knerr. Dirks' last strip appeared March 16, 1913. Dirks sued, and after a long legal battle, the Hearst papers were allowed to continue "The Katzenjammer Kids", with Knerr as writer and artist. He took over permanently in the summer of 1914. However, Dirks was allowed to create an almost identical strip of his own for the rival Pulitzer newspapers, although he had to use a different name for the strip.
Initially named "Hans und Fritz" after the two naughty protagonist brothers, Dirks' new feature was called "The Captain and the Kids" from 1918 on. "The Captain and the Kids" was very similar to "The Katzenjammer Kids" in terms of content and characters, but Dirks had a looser and more verbal style than Knerr, who on the other hand often produced stronger, more direct gags and drawings. "The Captain and the Kids" soon proved equal in popularity to "The Katzenjammer Kids". It was later distributed by the United Feature Syndicate, while Hearst's King Features distributed "The Katzenjammer Kids".
"The Captain and the Kids" expanded as a daily strip during the 1930s, but it had only a short run. However, the Sunday strip remained popular for decades. From 1946, Dirks' son, John Dirks, gradually began doing more of the work on "The Captain and the Kids". They introduced new characters and plots during the 1950s, including a 1958 science fiction storyline about a brilliant inventor and alien invasions. Even as John Dirks took over most of the work, Rudolph Dirks signed the strip until his death in 1968. John Dirks' drawing shifted slightly towards a more square-formed line, though it maintained the original style until "The Captain and the Kids" ended its run in 1979.
Knerr continued drawing "The Katzenjammer Kids" until his death in 1949; the strip was then written and drawn by Charles H. "Doc" Winner (1949–56), with Joe Musial taking over in 1956. Musial was replaced on "The Katzenjammer Kids" by Mike Senich (1976–81), Angelo DeCesare (1981–86), and Hy Eisman (1986–2006). Now syndicated in reprint form, the strip is distributed internationally to some 50 newspapers and magazines. Eisman reused a lot of old gags and stories in later years.
"The Katzenjammer Kids" (three brothers in the first strip but soon reduced to two) featured Hans and Fritz, twins who rebelled against authority, particularly in the form of their mother, Mama; der Captain, a shipwrecked sailor who acted as a surrogate father; and der Inspector, an official from the school system. Other characters included John Silver, a pirate sea captain and his crew, and King Bongo, a primitive-living but sophisticated-acting black jungle monarch who ruled a tropical island. Several of the characters spoke in stereotypical German-accented English.
The defining theme of the strip was Hans and Fritz pranking der Captain, der Inspector, Mama, or all three, for which the boys were often spanked, but sometimes shifted the blame to others. Other stories involved der Captain taking the Katzenjammers on treasure hunts or cargo voyages, sometimes aided by or competing with John Silver. Still other stories involved King Bongo enlisting the Katzenjammers to run errands or go on missions related to his kingdom; in both strips, by the mid-1930s, the family lived on Bongo's island—usually called Squee-Jee—and were readily at hand.
Knerr's version of "The Katzenjammer Kids" introduced several major new characters in the 1930s. Miss Twiddle, a pompous tutor, and her brainy niece Lena came to stay permanently with the Katzenjammers in early 1936. Later in the year Twiddle's ex-pupil, "boy prodigy" Rollo Rhubarb joined them. The ever-smug Rollo is always trying to outwit Hans and Fritz, but his cunning plans often backfire.
"The Captain and the Kids" also introduced some new characters. Ginga Dun is a snooty Indian trader who can outsmart almost anyone and only talks in verse. Captain Bloodshot is a pint-sized pirate rival of John Silver's.
Notable features of the later strips, at both syndicates, included a more constructive relationship between the Captain and the boys, who sometimes bickered like friendly rivals rather than pranking each other outright. The King and his people, also in both strips, were now Polynesian rather than African.
The "Katzenjammer Kids" characters initially appeared outside comics in a handful of live-action silent films, with the first released in 1898. This first film, titled "The Katzenjammer Kids In School", was made for the Biograph Company by William George Bitzer. This film was followed in 1900 by another Bitzer-Biograph film, "The Katzenjammer Kids in Love."
Between December 1916 and August 1918, a total of 37 "Katzenjammer Kids" silent cartoon shorts were produced by William Randolph Hearst's own cartoon studio International Film Service, which adapted Hearst's well-known comic strips. The series was retired in 1918 at the height of the characters' popularity – partly because of the growing tension against titles with German associations after World War I. The comic strip was briefly renamed to "The Shenanigan Kids" around this time, and in 1920 another five cartoons were produced under this title. All "Katzenjammer Kids"/"Shenanigan Kids" cartoons from International Film Services were directed (and most likely also animated) by Gregory La Cava.
The Katzenjammer Kids also appeared (along with other King Features comic-strip stars) in Filmation's TV special "Popeye Meets the Man Who Hated Laughter" (1972).
In 1938, "The Captain and the Kids" became the subject of Metro-Goldwyn-Mayer's first self-produced series of theatrical short subject cartoons, directed by William Hanna, Bob Allen and Friz Freleng: "The Captain and the Kids". Unlike the strip, which focused most of all on the gruesomely amusing antics of Hans and Fritz, the MGM cartoons often centered on the Captain. The series was overall unsuccessful, ending after one year and a total of 15 cartoons. Following that cancellation, Freleng returned to Warner Bros., where he had earlier been an animation director. The Captain was voiced by Billy Bletcher, Mama was voiced by Martha Wentworth, and John Silver was voiced by Mel Blanc.
"The Captain and the Kids" version of the strip was also animated for television as a back-up segment on Filmation's "Archie's TV Funnies" in 1971, and in the spinoff series "Fabulous Funnies" from 1978-1979.
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Ketone
In chemistry, a ketone is a functional group with the structure RC(=O)R', where R and R' can be a variety of carbon-containing substituents. Ketones contain a carbonyl group (a carbon-oxygen double bond). The simplest ketone is acetone (R = R' = methyl), with the formula CH3C(O)CH3. Many ketones are of great importance in industry and in biology. Examples include many sugars (ketoses), many steroids (e.g., testosterone), and the solvent acetone.
The word "ketone" is derived from "Aketon", an old German word for 'acetone'.
According to the rules of IUPAC nomenclature, ketones are named by changing the suffix "-ane" of the parent alkane to "-anone". The position of the carbonyl group is usually denoted by a number. For the most important ketones, however, traditional nonsystematic names are still generally used, for example acetone and benzophenone. These nonsystematic names are considered retained IUPAC names, although some introductory chemistry textbooks use systematic names such as "2-propanone" or "propan-2-one" for the simplest ketone (CH3−CO−CH3) instead of "acetone".
The derived names of ketones are obtained by writing separately the names of the two alkyl groups attached to the carbonyl group, followed by "ketone" as a separate word. The names of the alkyl groups are written in order of increasing complexity: for example, methyl ethyl ketone. According to the rules of IUPAC nomenclature, the alkyl groups are written alphabetically, i.e., ethyl methyl ketone. When the two alkyl groups are the same, the prefix "di-" is added before the name of alkyl group. The positions of other groups are indicated by Greek letters, the α-carbon being the atom adjacent to carbonyl group.
Although used infrequently, "oxo" is the IUPAC nomenclature for the oxo group (=O) and used as prefix when the ketone does not have the highest priority. Other prefixes, however, are also used. For some common chemicals (mainly in biochemistry), "keto" refer to the ketone functional group.
The ketone carbon is often described as "sp2 hybridized", a description that includes both their electronic and molecular structure. Ketones are trigonal planar around the ketonic carbon, with C−C−O and C−C−C bond angles of approximately 120°. Ketones differ from aldehydes in that the carbonyl group (CO) is bonded to two carbons within a carbon skeleton. In aldehydes, the carbonyl is bonded to one carbon and one hydrogen and are located at the ends of carbon chains. Ketones are also distinct from other carbonyl-containing functional groups, such as carboxylic acids, esters and amides.
The carbonyl group is polar because the electronegativity of the oxygen is greater than that for carbon. Thus, ketones are nucleophilic at oxygen and electrophilic at carbon. Because the carbonyl group interacts with water by hydrogen bonding, ketones are typically more soluble in water than the related methylene compounds. Ketones are hydrogen-bond acceptors. Ketones are not usually hydrogen-bond donors and cannot hydrogen-bond to themselves. Because of their inability to serve both as hydrogen-bond donors and acceptors, ketones tend not to "self-associate" and are more volatile than alcohols and carboxylic acids of comparable molecular weights. These factors relate to the pervasiveness of ketones in perfumery and as solvents.
Ketones are classified on the basis of their substituents. One broad classification subdivides ketones into symmetrical and asymmetrical derivatives, depending on the equivalency of the two organic substituents attached to the carbonyl center. Acetone and benzophenone (C6H5C(O)C6H5) are symmetrical ketones. Acetophenone (C6H5C(O)CH3) is an asymmetrical ketone. In the area of stereochemistry, asymmetrical ketones are known for being prochiral.
Many kinds of diketones are known, some with unusual properties. The simplest is diacetyl (CH3C(O)C(O)CH3), once used as butter-flavoring in popcorn. Acetylacetone (pentane-2,4-dione) is virtually a misnomer (inappropriate name) because this species exists mainly as the monoenol CH3C(O)CH=C(OH)CH3. Its enolate is a common ligand in coordination chemistry.
Ketones containing alkene and alkyne units are often called unsaturated ketones. The most widely used member of this class of compounds is methyl vinyl ketone, CH3C(O)CH=CH2, which is useful in the Robinson annulation reaction. Lest there be confusion, a ketone itself is a site of unsaturation; that is, it can be hydrogenated.
Many ketones are cyclic. The simplest class have the formula (CH2)"n"CO, where "n" varies from 2 for cyclopropanone to the teens. Larger derivatives exist. Cyclohexanone, a symmetrical cyclic ketone, is an important intermediate in the production of nylon. Isophorone, derived from acetone, is an unsaturated, asymmetrical ketone that is the precursor to other polymers. Muscone, 3-methylpentadecanone, is an animal pheromone. Another cyclic ketone is cyclobutanone, having the formula C4H6O.
Ketones that have at least one alpha-hydrogen, undergo keto-enol tautomerization; the tautomer is an enol. Tautomerization is catalyzed by both acids and bases. Usually, the keto form is more stable than the enol. This equilibrium allows ketones to be prepared via the hydration of alkynes.
Ketones are far more acidic (p"K"a ≈ 20) than a regular alkane (p"K"a ≈ 50). This difference reflects resonance stabilization of the enolate ion that is formed upon deprotonation. The relative acidity of the α-hydrogen is important in the enolization reactions of ketones and other carbonyl compounds. The acidity of the α-hydrogen also allows ketones and other carbonyl compounds to react as nucleophiles at that position, with either stoichiometric and catalytic base. Using very strong bases like lithium diisopropylamide (LDA, p"K"a of conjugate acid ~36) under non-equilibrating conditions (–78 °C, 1.1 equiv LDA in THF, ketone added to base), the less-substituted "kinetic" "enolate" is generated selectively, while conditions that allow for equilibration (higher temperature, base added to ketone, using weak or insoluble bases, e.g., NaOEt in EtOH, or NaH) provides the more-substituted "thermodynamic enolate".
Ketones are also weak bases, undergoing protonation on the carbonyl oxygen in the presence of Brønsted acids. Ketonium ions (i.e., protonated ketones) are strong acids, with p"K"a values estimated to be somewhere between –5 and –7. Although acids encountered in organic chemistry are seldom strong enough to fully protonate ketones, the formation of equilibrium concentrations of protonated ketones is nevertheless an important step in the mechanisms of many common organic reactions, like the formation of an acetal, for example. Acids as weak as pyridinium cation (as found in pyridinium tosylate) with a p"K"a of 5.2 are able to serve as catalysts in this context, despite the highly unfavorable equilibrium constant for protonation ("K"eq < 10−10).
An aldehyde differs from a ketone in that it has a hydrogen atom attached to its carbonyl group, making aldehydes easier to oxidize. Ketones do not have a hydrogen atom bonded to the carbonyl group, and are therefore more resistant to oxidation. They are oxidized only by powerful oxidizing agents which have the ability to cleave carbon–carbon bonds.
Ketones and aldehydes absorb strongly in the infra-red spectrum near 1700 cm−1. The exact position of the peak depends on the substituents.
Whereas 1H NMR spectroscopy is generally not useful for establishing the presence of a ketone, 13C NMR spectra exhibit signals somewhat downfield of 200 ppm depending on structure. Such signals are typically weak due to the absence of nuclear Overhauser effects. Since aldehydes resonate at similar chemical shifts, multiple resonance experiments are employed to definitively distinguish aldehydes and ketones.
Ketones give positive results in Brady's test, the reaction with 2,4-dinitrophenylhydrazine to give the corresponding hydrazone. Ketones may be distinguished from aldehydes by giving a negative result with Tollens' reagent or with Fehling's solution. Methyl ketones give positive results for the iodoform test. Ketones also give positive results when treated with "m"-dinitrobenzene in presence of dilute sodium hydroxide to give violet coloration.
Many methods exist for the preparation of ketones in industrial scale and academic laboratories. Ketones are also produced in various ways by organisms; see the section on biochemistry below.
In industry, the most important method probably involves oxidation of hydrocarbons, often with air. For example, a billion kilograms of cyclohexanone are produced annually by aerobic oxidation of cyclohexane. Acetone is prepared by air-oxidation of cumene.
For specialized or small scale organic synthetic applications, ketones are often prepared by oxidation of secondary alcohols:
Typical strong oxidants (source of "O" in the above reaction) include potassium permanganate or a Cr(VI) compound. Milder conditions make use of the Dess–Martin periodinane or the Moffatt–Swern methods.
Many other methods have been developed, examples include:
Ketones engage in many organic reactions. The most important reactions follow from the susceptibility of the carbonyl carbon toward nucleophilic addition and the tendency for the enolates to add to electrophiles.
Nucleophilic additions include in approximate order of their generality:
Ketones are pervasive in nature. The formation of organic compounds in photosynthesis occurs via the ketone ribulose-1,5-bisphosphate. Many sugars are ketones, known collectively as ketoses. The best known ketose is fructose; it exists as a cyclic hemiketal, which masks the ketone functional group. Fatty acid synthesis proceeds via ketones. Acetoacetate is an intermediate in the Krebs cycle which releases energy from sugars and carbohydrates.
In medicine, acetone, acetoacetate, and beta-hydroxybutyrate are collectively called ketone bodies, generated from carbohydrates, fatty acids, and amino acids in most vertebrates, including humans. Ketone bodies are elevated in the blood (ketosis) after fasting, including a night of sleep; in both blood and urine in starvation; in hypoglycemia, due to causes other than hyperinsulinism; in various inborn errors of metabolism, and intentionally induced via a ketogenic diet, and in ketoacidosis (usually due to diabetes mellitus). Although ketoacidosis is characteristic of decompensated or untreated type 1 diabetes, ketosis or even ketoacidosis can occur in type 2 diabetes in some circumstances as well.
Ketones are produced on massive scales in industry as solvents, polymer precursors, and pharmaceuticals. In terms of scale, the most important ketones are acetone, methylethyl ketone, and cyclohexanone. They are also common in biochemistry, but less so than in organic chemistry in general. The combustion of hydrocarbons is an uncontrolled oxidation process that gives ketones as well as many other types of compounds.
Although it is difficult to generalize on the toxicity of such a broad class of compounds, simple ketones are, in general, not highly toxic. This characteristic is one reason for their popularity as solvents. Exceptions to this rule are the unsaturated ketones such as methyl vinyl ketone with of 7 mg/kg (oral).
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Ketene
A ketene is an organic compound of the form R′R″C=C=O, where R and R' are two arbitrary monovalent chemical groups (or two separate substitution sites in the same molecule). The name may also refer to the specific compound ethenone , the simplest ketene.
Although they are highly useful, most ketenes are unstable. When used as reagents in a chemical procedure, they are typically generated when needed, and consumed as soon as (or while) they are produced.
Ketenes were first studied as a class by Hermann Staudinger before 1905.
Ketenes were systematically investigated by Hermann Staudinger in 1905 in the form of diphenylketene (conversion of formula_1-chlorodiphenyl acetyl chloride with zinc). Staudinger was inspired by the first examples of reactive organic intermediates and stable radicals discovered by Moses Gomberg in 1900 (compounds with triphenylmethyl group).
Ethenone, the simplest ketene can be generated by pyrolysis (thermal cracking) of acetone:
This reaction is called the Schmidlin ketene synthesis.
Other ketenes can be prepared from acyl chlorides by an elimination reaction in which HCl is lost:
In this reaction, a base, usually triethylamine, removes the acidic proton alpha to the carbonyl group, inducing the formation of the carbon-carbon double bond and the loss of a chloride ion:
Ketenes can also be formed from α-diazoketones by Wolff rearrangement.
Another way to generate ketenes is through flash vacuum thermolysis (FVT) with 2-pyridylamines. Plüg and Wentrup developed a method in 1997 that improved on FVT reactions to produce ketenes with a stable FVT that is moisture insensitive, using mild conditions (480 °C). The N-pyridylamines are prepared via a condensation with R-malonates with N-amino(pyridene) and DCC as the solvent.
A more robust method for preparing ketenes is the carbonylation of metal-carbenes, and "in situ" reaction of the thus produced highly reactive ketenes with suitable reagents such as imines, amines, or alcohols. This method is an efficient one‐pot tandem protocol of the carbonylation of α‐diazocarbonyl compounds and a variety of "N"‐tosylhydrazones catalysed by Co(II)–porphyrin metalloradicals leading to the formation of ketenes, which subsequently react with a variety of nucleophiles and imines to form esters, amides and β‐lactams. This system has a broad substrate scope and can be applied to various combinations of carbene precursors, nucleophiles and imines.
Due to their cumulated double bonds, ketenes are very reactive.
By reaction with alcohols, carboxylic acid esters are formed:
Ketenes react with a carboxylic acids to form carboxylic acid anhydrides:
Ketenes react with ammonia to primary amides:
The reaction of ketenes with primary amines produces secondary amides:
Ketenes react with secondary amines to give tertiary amides:
By reaction with water, carboxylic acids are formed from ketenes
Enolacetates are formed from ketenes with enolisable carbonyl compounds. The following example shows the reaction of ethenone with acetone to form a propen-2-yl acetate:
At room temperature, ketene quickly dimerizes to diketene, but the ketene can be recovered by heating:
Ketenes can react with alkenes, carbonyl compounds, carbodiimides and imines in a [2+2] cycloaddition. The example shows the synthesis of a β-lactam by the reaction of a ketene with an imine (see Staudinger synthesis):
Ketenes are generally very reactive, and participate in various cycloadditions. One important process is the dimerization to give propiolactones. A specific example is the dimerization of the ketene of stearic acid to afford alkyl ketene dimers, which are widely used in the paper industry. AKD's react with the hydroxyl groups on the celluose via esterification reaction.
They will also undergo [2+2] cycloaddition reactions with electron-rich alkynes to form cyclobutenones, or carbonyl groups to form beta-lactones. With imines beta-lactams are formed. This is the Staudinger synthesis, a facile route to this important class of compounds. With acetone, ketene reacts to give Isopropenyl acetate.
A variety of hydroxylic compounds can add as nucleophiles, forming either enol or ester products. As examples, a water molecule easily adds to ketene to give 1,1-dihydroxyethene and acetic anhydride is produced by the reaction of acetic acid with ketene. Reactions between diols (HO−R−OH) and bis-ketenes (O=C=CH−R′−CH=C=O) yield polyesters with a repeat unit of (−O−R−O−CO−R′−CO).
Ethyl acetoacetate, an important starting material in organic synthesis, can be prepared using a diketene in reaction with ethanol. They directly form ethyl acetoacetate, and the yield is high when carried out under controlled circumstances; this method is therefore used industrially.
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Kim Stanley Robinson
Kim Stanley Robinson (born March 23, 1952) is an American writer of science fiction. He has published nineteen novels and numerous short stories but is best known for his "Mars" trilogy. His work has been translated into 24 languages. Many of his novels and stories have ecological, cultural, and political themes and feature scientists as heroes. Robinson has won numerous awards, including the Hugo Award for Best Novel, the Nebula Award for Best Novel and the World Fantasy Award. Robinson's work has been labeled by "The Atlantic" as "the gold-standard of realistic, and highly literary, science-fiction writing." According to an article in "The New Yorker", Robinson is "generally acknowledged as one of the greatest living science-fiction writers."
Robinson was born in Waukegan, Illinois. He moved to Southern California as a child.
In 1974, he earned a B.A. in literature from the University of California, San Diego. In 1975, he earned an M.A. in English from Boston University.
In 1978 Robinson moved to Davis, California, to take a break from his graduate studies at the University of California, San Diego (UC San Diego). During this time, he worked as a bookseller for Orpheus Books. He also taught freshman composition and other courses at University of California, Davis.
In 1982 Robinson earned a PhD in English from UC San Diego. His initial PhD advisor was literary critic and Marxist scholar Fredric Jameson, who told Robinson to read works by Philip K. Dick. Jameson described Dick to Robinson as "the greatest living American writer". Robinson's doctoral thesis, "The Novels of Philip K. Dick", was published in 1984 and a hardcover version was published by UMI Research Press.
In 2008, "Time" magazine named Robinson a "Hero of the Environment" for his optimistic focus on the future.
In 2009, Robinson was an instructor at the Clarion Workshop. In 2010, he was the guest of honor at the 68th World Science Fiction Convention, held in Melbourne. In April 2011, Robinson presented at the second annual Rethinking Capitalism conference, held at the University of California, Santa Cruz. Among other points made, his talk addressed the cyclical nature of capitalism.
Robinson was appointed Muir Environmental Fellow in 2011 by the John Muir College at UC San Diego.
Sheldon Brown described Robinson's novels as ways to explore how nature and culture continuously reformulate one another; "Three Californias Trilogy" as California in the future; Washington DC undergoing the impact of climate change in the "Science in the Capital" series; or Mars as a stand-in for Earth in the "Mars" trilogy to think about re-engineering on a global scale, both social and natural conditions.
Virtually all of Robinson's novels have an ecological component; sustainability is one of his primary themes (a strong contender for the primary theme would be the nature of a plausible utopia.) The "Orange County" trilogy is about the way in which the technological intersects with the natural, highlighting the importance of keeping the two in balance. In the "Mars" trilogy, one of the principal divisions among the population of Mars is based on dissenting views on terraforming. Colonists debate whether or not the barren Martian landscape has a similar ecological or spiritual value when compared with a living ecosphere like earth's. "Forty Signs of Rain" has an entirely ecological thrust, taking global warming for its principal subject.
Robinson's work often explores alternatives to modern capitalism. In the "Mars" trilogy, it is argued that capitalism is an outgrowth of feudalism, which could be replaced in the future by a more democratic economic system. Worker ownership and cooperatives figure prominently in "Green Mars" and "Blue Mars" as replacements for traditional corporations. The "Orange County" trilogy explores similar arrangements; "Pacific Edge" includes the idea of attacking the legal framework behind corporate domination to promote social egalitarianism. Tim Kreider writes in the "New Yorker" that Robinson may be our greatest political novelist and describes how Robinson uses the "Mars" trilogy as a template for a credible utopia.
Robinson's work often portrays characters struggling to preserve and enhance the world around them in an environment characterized by individualism and entrepreneurialism, often facing the political and economic authoritarianism of corporate power acting in this environment. Robinson has been described as anti-capitalist, and his work often portrays a form of frontier capitalism that promotes egalitarian ideals that closely resemble socialist systems, but faced with a capitalism that is maintained by entrenched hegemonic corporations. In particular, his Martian Constitution draws upon social democratic ideals explicitly emphasizing a community-participation element in political and economic life.
Robinson's works often portray the worlds of tomorrow in a manner similar to the mythologized American Western frontier, showing a sentimental affection for the freedom and wildness of the frontier. This aesthetic includes a preoccupation with competing models of political and economic organization.
The environmental, economic, and social themes in Robinson's oeuvre stand in marked contrast to the right-libertarian science fiction prevalent in much of the genre (Robert A. Heinlein, Poul Anderson, Larry Niven, and Jerry Pournelle being prominent examples), and his work has been called the most successful attempt to reach a mass audience with a left wing and anti-capitalist utopian vision since Ursula K. Le Guin's 1974 novel, "The Dispossessed".
Robinson's work often features scientists as heroes. They are portrayed in a mundane way compared to most work featuring scientists: rather than being adventurers or action heroes, Robinson's scientists become critically important because of research discoveries, networking and collaboration with other scientists, political lobbying, or becoming public figures. Robinson captures the joy of scientists as they work at something they care about. The "Mars" trilogy and "The Years of Rice and Salt" rely heavily on the idea that scientists must take responsibility for ensuring public understanding and responsible use of their discoveries. Robinson's scientists often emerge as the best people to direct public policy on important environmental and technological questions, of which politicians are often ignorant.
Related to Robinson's focus on the environment is his themes of the imminent catastrophe of global warming and the need to limit greenhouse gas emissions in the present day. His 2012 novel "2312" explores the detrimental, long-term effects of climate change, which include food shortages, global instability, mass extinction, and sea level rise that has drowned many major coastal cities. The novel condemns the people of the period it calls "the Dithering", from 2005 to 2060, for failing to address climate change and thereby causing mass suffering and death in the future. Robinson and his work accuse global capitalism for the failure to address climate change. In his 2017 novel "New York 2140" Robinson explores the themes of climate change and global warming, setting the novel in the year 2140 when the New York City he imagines is beset by a sea level rise that submerges half of the city. Climate change is also the focus of his "Science in the Capital" series.
Asteroid 72432 Kimrobinson discovered by astronomer Donald P. Pray in 2001, was named in his honor. The official was published by the Minor Planet Center on April 22, 2016 ().
Robinson and his wife have two sons. Robinson has lived in Washington, D.C., California, and during some of the 1980s, in Switzerland. At times, Robinson was a stay-at-home dad. He now lives in Davis, California in a cohousing community.
Robinson has described himself as an avid backpacker with the Sierra Nevada serving as his home range and a big influence on how he sees the world.
Politically, Robinson identifies as a democratic socialist, and in a February 2019 interview mentioned he is a dues-paying member of the Democratic Socialists of America. He has also remarked that libertarianism has never "[made] any sense to me, nor sounds attractive as a principle."
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https://en.wikipedia.org/wiki?curid=16807
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King Arthur
King Arthur (, , ) was a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries. The details of Arthur's story are mainly composed of folklore and literary invention, and modern historians generally agree that he is unhistorical. The sparse historical background of Arthur is gleaned from various sources, including the "Annales Cambriae", the "Historia Brittonum", and the writings of Gildas. Arthur's name also occurs in early poetic sources such as "Y Gododdin".
Arthur is a central figure in the legends making up the Matter of Britain. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century "Historia Regum Britanniae" ("History of the Kings of Britain"). In some Welsh and Breton tales and poems that date from before this work, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh otherworld Annwn. How much of Geoffrey's "Historia" (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.
Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established a vast empire. Many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's "Historia", including Arthur's father Uther Pendragon, the magician Merlin, Arthur's wife Guinevere, the sword Excalibur, Arthur's conception at Tintagel, his final battle against Mordred at Camlann, and final rest in Avalon.
The 12th-century French writer Chrétien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media.
The historical basis for King Arthur was long debated by scholars. One school of thought, citing entries in the "Historia Brittonum" ("History of the Britons") and "Annales Cambriae" ("Welsh Annals"), saw Arthur as a genuine historical figure, a Romano-British leader who fought against the invading Anglo-Saxons some time in the late 5th to early 6th century.
The "Historia Brittonum", a 9th-century Latin historical compilation attributed in some late manuscripts to a Welsh cleric called Nennius, contains the first datable mention of King Arthur, listing twelve battles that Arthur fought. These culminate in the Battle of Badon, where he is said to have single-handedly killed 960 men. Recent studies, however, question the reliability of the "Historia Brittonum".
The other text that seems to support the case for Arthur's historical existence is the 10th-century "Annales Cambriae", which also link Arthur with the Battle of Badon. The "Annales" date this battle to 516–518, and also mention the Battle of Camlann, in which Arthur and Medraut (Mordred) were both killed, dated to 537–539. These details have often been used to bolster confidence in the "Historia"'s account and to confirm that Arthur really did fight at Badon.
Problems have been identified, however, with using this source to support the "Historia Brittonum"s account. The latest research shows that the "Annales Cambriae" was based on a chronicle begun in the late 8th century in Wales. Additionally, the complex textual history of the "Annales Cambriae" precludes any certainty that the Arthurian annals were added to it even that early. They were more likely added at some point in the 10th century and may never have existed in any earlier set of annals. The Badon entry probably derived from the "Historia Brittonum".
This lack of convincing early evidence is the reason many recent historians exclude Arthur from their accounts of sub-Roman Britain. In the view of historian Thomas Charles-Edwards, "at this stage of the enquiry, one can only say that there may well have been an historical Arthur [but ...] the historian can as yet say nothing of value about him". These modern admissions of ignorance are a relatively recent trend; earlier generations of historians were less sceptical. The historian John Morris made the putative reign of Arthur the organising principle of his history of sub-Roman Britain and Ireland, "The Age of Arthur" (1973). Even so, he found little to say about a historical Arthur.
Partly in reaction to such theories, another school of thought emerged which argued that Arthur had no historical existence at all. Morris's "Age of Arthur" prompted the archaeologist Nowell Myres to observe that "no figure on the borderline of history and mythology has wasted more of the historian's time". Gildas' 6th-century polemic "De Excidio et Conquestu Britanniae" ("On the Ruin and Conquest of Britain"), written within living memory of Badon, mentions the battle but does not mention Arthur. Arthur is not mentioned in the "Anglo-Saxon Chronicle" or named in any surviving manuscript written between 400 and 820. He is absent from Bede's early-8th-century "Ecclesiastical History of the English People", another major early source for post-Roman history that mentions Badon. The historian David Dumville wrote: "I think we can dispose of him [Arthur] quite briefly. He owes his place in our history books to a 'no smoke without fire' school of thought ... The fact of the matter is that there is no historical evidence about Arthur; we must reject him from our histories and, above all, from the titles of our books."
Some scholars argue that Arthur was originally a fictional hero of folklore—or even a half-forgotten Celtic deity—who became credited with real deeds in the distant past. They cite parallels with figures such as the Kentish Hengist and Horsa, who may be totemic horse-gods that later became historicised. Bede ascribed to these legendary figures a historical role in the 5th-century Anglo-Saxon conquest of eastern Britain. It is not even certain that Arthur was considered a king in the early texts. Neither the "Historia" nor the "Annales" calls him ""rex"": the former calls him instead ""dux bellorum"" (leader of battles) and ""miles"" (soldier).
The consensus among academic historians today is that there is no solid evidence for his historical existence. However, because historical documents for the post-Roman period are scarce, a definitive answer to the question of Arthur's historical existence is unlikely. Sites and places have been identified as "Arthurian" since the 12th century, but archaeology can confidently reveal names only through inscriptions found in secure contexts. The so-called "Arthur stone", discovered in 1998 among the ruins at Tintagel Castle in Cornwall in securely dated 6th-century contexts, created a brief stir but proved irrelevant. Other inscriptional evidence for Arthur, including the Glastonbury cross, is tainted with the suggestion of forgery.
Several historical figures have been proposed as the basis for Arthur, ranging from Lucius Artorius Castus, a Roman officer who served in Britain in the 2nd or 3rd century, to sub-Roman British rulers such as Riotamus, Ambrosius Aurelianus, Owain Ddantgwyn, and Athrwys ap Meurig. However, no convincing evidence for these identifications has emerged.
The origin of the Welsh name "Arthur" remains a matter of debate. The most widely accepted etymology derives it from the Roman "nomen gentile" (family name) Artorius. Artorius itself is of obscure and contested etymology, but possibly of Messapian or Etruscan origin. Linguist Stephan Zimmer suggests Artorius possibly had a Celtic origin, being a Latinization of a hypothetical name "*Artorījos", in turn derived from an older patronym" *Arto-rīg-ios", meaning "son of the bear/warrior-king". This patronym is unattested, but the root, "*arto-rīg", "bear/warrior-king", is the source of the Old Irish personal name "Artrí". Some scholars have suggested it is relevant to this debate that the legendary King Arthur's name only appears as "Arthur" or "Arturus" in early Latin Arthurian texts, never as "Artōrius" (though Classical Latin Artōrius became Arturius in some Vulgar Latin dialects). However, this may not say anything about the origin of the name "Arthur", as "Artōrius" would regularly become "Art(h)ur" when borrowed into Welsh.
Another commonly proposed derivation of "Arthur" from Welsh "arth" "bear" + "(g)wr" "man" (earlier "*Arto-uiros" in Brittonic) is not accepted by modern scholars for phonological and orthographic reasons. Notably, a Brittonic compound name "*Arto-uiros" should produce Old Welsh "*Artgur" (where "u" represents the short vowel /u/) and Middle/Modern Welsh "*Arthwr", rather than "Arthur" (where "u" is a long vowel /ʉː/). In Welsh poetry the name is always spelled "Arthur" and is exclusively rhymed with words ending in "-ur"—never words ending in "-wr"—which confirms that the second element cannot be "[g]wr" "man".
An alternative theory, which has gained only limited acceptance among professional scholars, derives the name Arthur from Arcturus, the brightest star in the constellation Boötes, near Ursa Major or the Great Bear. Classical Latin "Arcturus" would also have become "Art(h)ur" when borrowed into Welsh, and its brightness and position in the sky led people to regard it as the "guardian of the bear" (which is the meaning of the name in Ancient Greek) and the "leader" of the other stars in Boötes.
The familiar literary persona of Arthur began with Geoffrey of Monmouth's pseudo-historical "Historia Regum Britanniae" ("History of the Kings of Britain"), written in the 1130s. The textual sources for Arthur are usually divided into those written before Geoffrey's "Historia" (known as pre-Galfridian texts, from the Latin form of Geoffrey, "Galfridus") and those written afterwards, which could not avoid his influence (Galfridian, or post-Galfridian, texts).
The earliest literary references to Arthur come from Welsh and Breton sources. There have been few attempts to define the nature and character of Arthur in the pre-Galfridian tradition as a whole, rather than in a single text or text/story-type. A 2007 academic survey led by Caitlin Green has identified three key strands to the portrayal of Arthur in this earliest material. The first is that he was a peerless warrior who functioned as the monster-hunting protector of Britain from all internal and external threats. Some of these are human threats, such as the Saxons he fights in the "Historia Brittonum", but the majority are supernatural, including giant cat-monsters, destructive divine boars, dragons, dogheads, giants, and witches. The second is that the pre-Galfridian Arthur was a figure of folklore (particularly topographic or onomastic folklore) and localised magical wonder-tales, the leader of a band of superhuman heroes who live in the wilds of the landscape. The third and final strand is that the early Welsh Arthur had a close connection with the Welsh Otherworld, Annwn. On the one hand, he launches assaults on Otherworldly fortresses in search of treasure and frees their prisoners. On the other, his warband in the earliest sources includes former pagan gods, and his wife and his possessions are clearly Otherworldly in origin.
One of the most famous Welsh poetic references to Arthur comes in the collection of heroic death-songs known as "Y Gododdin" ("The Gododdin"), attributed to 6th-century poet Aneirin. One stanza praises the bravery of a warrior who slew 300 enemies, but says that despite this, "he was no Arthur" – that is, his feats cannot compare to the valour of Arthur. "Y Gododdin" is known only from a 13th-century manuscript, so it is impossible to determine whether this passage is original or a later interpolation, but John Koch's view that the passage dates from a 7th-century or earlier version is regarded as unproven; 9th- or 10th-century dates are often proposed for it. Several poems attributed to Taliesin, a poet said to have lived in the 6th century, also refer to Arthur, although these all probably date from between the 8th and 12th centuries. They include "Kadeir Teyrnon" ("The Chair of the Prince"), which refers to "Arthur the Blessed"; "Preiddeu Annwn" ("The Spoils of Annwn"), which recounts an expedition of Arthur to the Otherworld; and "Marwnat vthyr pen[dragon]" ("The Elegy of Uther Pen[dragon]"), which refers to Arthur's valour and is suggestive of a father-son relationship for Arthur and Uther that pre-dates Geoffrey of Monmouth.
Other early Welsh Arthurian texts include a poem found in the "Black Book of Carmarthen", "Pa gur yv y porthaur?" ("What man is the gatekeeper?"). This takes the form of a dialogue between Arthur and the gatekeeper of a fortress he wishes to enter, in which Arthur recounts the names and deeds of himself and his men, notably Cei (Kay) and Bedwyr (Bedivere). The Welsh prose tale "Culhwch and Olwen" (), included in the modern "Mabinogion" collection, has a much longer list of more than 200 of Arthur's men, though Cei and Bedwyr again take a central place. The story as a whole tells of Arthur helping his kinsman Culhwch win the hand of Olwen, daughter of Ysbaddaden Chief-Giant, by completing a series of apparently impossible tasks, including the hunt for the great semi-divine boar Twrch Trwyth. The 9th-century "Historia Brittonum" also refers to this tale, with the boar there named Troy(n)t. Finally, Arthur is mentioned numerous times in the Welsh Triads, a collection of short summaries of Welsh tradition and legend which are classified into groups of three linked characters or episodes to assist recall. The later manuscripts of the Triads are partly derivative from Geoffrey of Monmouth and later continental traditions, but the earliest ones show no such influence and are usually agreed to refer to pre-existing Welsh traditions. Even in these, however, Arthur's court has started to embody legendary Britain as a whole, with "Arthur's Court" sometimes substituted for "The Island of Britain" in the formula "Three XXX of the Island of Britain". While it is not clear from the "Historia Brittonum" and the "Annales Cambriae" that Arthur was even considered a king, by the time "Culhwch and Olwen" and the Triads were written he had become "Penteyrnedd yr Ynys hon", "Chief of the Lords of this Island", the overlord of Wales, Cornwall and the North.
In addition to these pre-Galfridian Welsh poems and tales, Arthur appears in some other early Latin texts besides the "Historia Brittonum" and the "Annales Cambriae". In particular, Arthur features in a number of well-known "vitae" ("Lives") of post-Roman saints, none of which are now generally considered to be reliable historical sources (the earliest probably dates from the 11th century). According to the "Life of Saint Gildas", written in the early 12th century by Caradoc of Llancarfan, Arthur is said to have killed Gildas' brother Hueil and to have rescued his wife Gwenhwyfar from Glastonbury. In the "Life of Saint Cadoc", written around 1100 or a little before by Lifris of Llancarfan, the saint gives protection to a man who killed three of Arthur's soldiers, and Arthur demands a herd of cattle as "wergeld" for his men. Cadoc delivers them as demanded, but when Arthur takes possession of the animals, they turn into bundles of ferns. Similar incidents are described in the medieval biographies of Carannog, Padarn, and Eufflam, probably written around the 12th century. A less obviously legendary account of Arthur appears in the "Legenda Sancti Goeznovii", which is often claimed to date from the early 11th century (although the earliest manuscript of this text dates from the 15th century and the text is now dated to the late 12th to early 13th century). Also important are the references to Arthur in William of Malmesbury's "De Gestis Regum Anglorum" and Herman's "De Miraculis Sanctae Mariae Laudensis", which together provide the first certain evidence for a belief that Arthur was not actually dead and would at some point return, a theme that is often revisited in post-Galfridian folklore.
Geoffrey of Monmouth's "Historia Regum Britanniae", completed , contains the first narrative account of Arthur's life. This work is an imaginative and fanciful account of British kings from the legendary Trojan exile Brutus to the 7th-century Welsh king Cadwallader. Geoffrey places Arthur in the same post-Roman period as do "Historia Brittonum" and "Annales Cambriae". He incorporates Arthur's father Uther Pendragon, his magician advisor Merlin, and the story of Arthur's conception, in which Uther, disguised as his enemy Gorlois by Merlin's magic, sleeps with Gorlois's wife Igerna (Igraine) at Tintagel, and she conceives Arthur. On Uther's death, the fifteen-year-old Arthur succeeds him as King of Britain and fights a series of battles, similar to those in the "Historia Brittonum", culminating in the Battle of Bath. He then defeats the Picts and Scots before creating an Arthurian empire through his conquests of Ireland, Iceland and the Orkney Islands. After twelve years of peace, Arthur sets out to expand his empire once more, taking control of Norway, Denmark and Gaul. Gaul is still held by the Roman Empire when it is conquered, and Arthur's victory leads to a further confrontation with Rome. Arthur and his warriors, including Kaius (Kay), Beduerus (Bedivere) and Gualguanus (Gawain), defeat the Roman emperor Lucius Tiberius in Gaul but, as he prepares to march on Rome, Arthur hears that his nephew Modredus (Mordred)—whom he had left in charge of Britain—has married his wife Guenhuuara (Guinevere) and seized the throne. Arthur returns to Britain and defeats and kills Modredus on the river Camblam in Cornwall, but he is mortally wounded. He hands the crown to his kinsman Constantine and is taken to the isle of Avalon to be healed of his wounds, never to be seen again.
How much of this narrative was Geoffrey's own invention is open to debate. He seems to have made use of the list of Arthur's twelve battles against the Saxons found in the 9th-century "Historia Brittonum", along with the battle of Camlann from the "Annales Cambriae" and the idea that Arthur was still alive. Arthur's status as the king of all Britain seems to be borrowed from pre-Galfridian tradition, being found in "Culhwch and Olwen", the Welsh Triads, and the saints' lives. Finally, Geoffrey borrowed many of the names for Arthur's possessions, close family, and companions from the pre-Galfridian Welsh tradition, including Kaius (Cei), Beduerus (Bedwyr), Guenhuuara (Gwenhwyfar), Uther (Uthyr) and perhaps also Caliburnus (Caledfwlch), the latter becoming Excalibur in subsequent Arthurian tales. However, while names, key events, and titles may have been borrowed, Brynley Roberts has argued that "the Arthurian section is Geoffrey's literary creation and it owes nothing to prior narrative." Geoffrey makes the Welsh Medraut into the villainous Modredus, but there is no trace of such a negative character for this figure in Welsh sources until the 16th century. There have been relatively few modern attempts to challenge the notion that the "Historia Regum Britanniae" is primarily Geoffrey's own work, with scholarly opinion often echoing William of Newburgh's late-12th-century comment that Geoffrey "made up" his narrative, perhaps through an "inordinate love of lying". Geoffrey Ashe is one dissenter from this view, believing that Geoffrey's narrative is partially derived from a lost source telling of the deeds of a 5th-century British king named Riotamus, this figure being the original Arthur, although historians and Celticists have been reluctant to follow Ashe in his conclusions.
Whatever his sources may have been, the immense popularity of Geoffrey's "Historia Regum Britanniae" cannot be denied. Well over 200 manuscript copies of Geoffrey's Latin work are known to have survived, as well as translations into other languages. For example, 60 manuscripts are extant containing the "Brut y Brenhinedd", Welsh-language versions of the "Historia", the earliest of which were created in the 13th century. The old notion that some of these Welsh versions actually underlie Geoffrey's "Historia", advanced by antiquarians such as the 18th-century Lewis Morris, has long since been discounted in academic circles. As a result of this popularity, Geoffrey's "Historia Regum Britanniae" was enormously influential on the later medieval development of the Arthurian legend. While it was not the only creative force behind Arthurian romance, many of its elements were borrowed and developed (e.g., Merlin and the final fate of Arthur), and it provided the historical framework into which the romancers' tales of magical and wonderful adventures were inserted.
The popularity of Geoffrey's "Historia" and its other derivative works (such as Wace's "Roman de Brut") gave rise to a significant numbers of new Arthurian works in continental Europe during the 12th and 13th centuries, particularly in France. It was not, however, the only Arthurian influence on the developing "Matter of Britain". There is clear evidence that Arthur and Arthurian tales were familiar on the Continent before Geoffrey's work became widely known (see for example, the Modena Archivolt), and "Celtic" names and stories not found in Geoffrey's "Historia" appear in the Arthurian romances. From the perspective of Arthur, perhaps the most significant effect of this great outpouring of new Arthurian story was on the role of the king himself: much of this 12th-century and later Arthurian literature centres less on Arthur himself than on characters such as Lancelot and Guinevere, Percival, Galahad, Gawain, Ywain, and Tristan and Iseult. Whereas Arthur is very much at the centre of the pre-Galfridian material and Geoffrey's "Historia" itself, in the romances he is rapidly sidelined. His character also alters significantly. In both the earliest materials and Geoffrey he is a great and ferocious warrior, who laughs as he personally slaughters witches and giants and takes a leading role in all military campaigns, whereas in the continental romances he becomes the "roi fainéant", the "do-nothing king", whose "inactivity and acquiescence constituted a central flaw in his otherwise ideal society". Arthur's role in these works is frequently that of a wise, dignified, even-tempered, somewhat bland, and occasionally feeble monarch. So, he simply turns pale and silent when he learns of Lancelot's affair with Guinevere in the "Mort Artu", whilst in "Yvain, the Knight of the Lion", he is unable to stay awake after a feast and has to retire for a nap. Nonetheless, as Norris J. Lacy has observed, whatever his faults and frailties may be in these Arthurian romances, "his prestige is never—or almost never—compromised by his personal weaknesses ... his authority and glory remain intact."
Arthur and his retinue appear in some of the "Lais" of Marie de France, but it was the work of another French poet, Chrétien de Troyes, that had the greatest influence with regard to the development of Arthur's character and legend. Chrétien wrote five Arthurian romances between and 1190. "Erec and Enide" and "Cligès" are tales of courtly love with Arthur's court as their backdrop, demonstrating the shift away from the heroic world of the Welsh and Galfridian Arthur, while "Yvain, the Knight of the Lion", features Yvain and Gawain in a supernatural adventure, with Arthur very much on the sidelines and weakened. However, the most significant for the development of the Arthurian legend are "Lancelot, the Knight of the Cart", which introduces Lancelot and his adulterous relationship with Arthur's queen Guinevere, extending and popularising the recurring theme of Arthur as a cuckold, and "Perceval, the Story of the Grail", which introduces the Holy Grail and the Fisher King and which again sees Arthur having a much reduced role. Chrétien was thus "instrumental both in the elaboration of the Arthurian legend and in the establishment of the ideal form for the diffusion of that legend", and much of what came after him in terms of the portrayal of Arthur and his world built upon the foundations he had laid. "Perceval", although unfinished, was particularly popular: four separate continuations of the poem appeared over the next half century, with the notion of the Grail and its quest being developed by other writers such as Robert de Boron, a fact that helped accelerate the decline of Arthur in continental romance. Similarly, Lancelot and his cuckolding of Arthur with Guinevere became one of the classic motifs of the Arthurian legend, although the Lancelot of the prose "Lancelot" () and later texts was a combination of Chrétien's character and that of Ulrich von Zatzikhoven's "Lanzelet". Chrétien's work even appears to feed back into Welsh Arthurian literature, with the result that the romance Arthur began to replace the heroic, active Arthur in Welsh literary tradition. Particularly significant in this development were the three Welsh Arthurian romances, which are closely similar to those of Chrétien, albeit with some significant differences: "Owain, or the Lady of the Fountain" is related to Chrétien's "Yvain"; "Geraint and Enid", to "Erec and Enide"; and "Peredur son of Efrawg", to "Perceval".
Up to , continental Arthurian romance was expressed primarily through poetry; after this date the tales began to be told in prose. The most significant of these 13th-century prose romances was the Vulgate Cycle (also known as the Lancelot-Grail Cycle), a series of five Middle French prose works written in the first half of that century. These works were the "Estoire del Saint Grail", the "Estoire de Merlin", the "Lancelot propre" (or Prose "Lancelot", which made up half the entire Vulgate Cycle on its own), the "Queste del Saint Graal" and the "Mort Artu", which combine to form the first coherent version of the entire Arthurian legend. The cycle continued the trend towards reducing the role played by Arthur in his own legend, partly through the introduction of the character of Galahad and an expansion of the role of Merlin. It also made Mordred the result of an incestuous relationship between Arthur and his sister Morgause and established the role of Camelot, first mentioned in passing in Chrétien's "Lancelot", as Arthur's primary court. This series of texts was quickly followed by the Post-Vulgate Cycle (), of which the "Suite du Merlin" is a part, which greatly reduced the importance of Lancelot's affair with Guinevere but continued to sideline Arthur, and to focus more on the Grail quest. As such, Arthur became even more of a relatively minor character in these French prose romances; in the Vulgate itself he only figures significantly in the "Estoire de Merlin" and the "Mort Artu". During this period, Arthur was made one of the Nine Worthies, a group of three pagan, three Jewish and three Christian exemplars of chivalry. The Worthies were first listed in Jacques de Longuyon's "Voeux du Paon" in 1312, and subsequently became a common subject in literature and art.
The development of the medieval Arthurian cycle and the character of the "Arthur of romance" culminated in "Le Morte d'Arthur", Thomas Malory's retelling of the entire legend in a single work in English in the late 15th century. Malory based his book—originally titled "The Whole Book of King Arthur and of His Noble Knights of the Round Table"—on the various previous romance versions, in particular the Vulgate Cycle, and appears to have aimed at creating a comprehensive and authoritative collection of Arthurian stories. Perhaps as a result of this, and the fact that "Le Morte D'Arthur" was one of the earliest printed books in England, published by William Caxton in 1485, most later Arthurian works are derivative of Malory's.
The end of the Middle Ages brought with it a waning of interest in King Arthur. Although Malory's English version of the great French romances was popular, there were increasing attacks upon the truthfulness of the historical framework of the Arthurian romances – established since Geoffrey of Monmouth's time – and thus the legitimacy of the whole Matter of Britain. So, for example, the 16th-century humanist scholar Polydore Vergil famously rejected the claim that Arthur was the ruler of a post-Roman empire, found throughout the post-Galfridian medieval "chronicle tradition", to the horror of Welsh and English antiquarians. Social changes associated with the end of the medieval period and the Renaissance also conspired to rob the character of Arthur and his associated legend of some of their power to enthrall audiences, with the result that 1634 saw the last printing of Malory's "Le Morte d'Arthur" for nearly 200 years. King Arthur and the Arthurian legend were not entirely abandoned, but until the early 19th century the material was taken less seriously and was often used simply as a vehicle for allegories of 17th- and 18th-century politics. Thus Richard Blackmore's epics "Prince Arthur" (1695) and "King Arthur" (1697) feature Arthur as an allegory for the struggles of William III against James II. Similarly, the most popular Arthurian tale throughout this period seems to have been that of Tom Thumb, which was told first through chapbooks and later through the political plays of Henry Fielding; although the action is clearly set in Arthurian Britain, the treatment is humorous and Arthur appears as a primarily comedic version of his romance character. John Dryden's masque "King Arthur" is still performed, largely thanks to Henry Purcell's music, though seldom unabridged.
In the early 19th century, medievalism, Romanticism, and the Gothic Revival reawakened interest in Arthur and the medieval romances. A new code of ethics for 19th-century gentlemen was shaped around the chivalric ideals embodied in the "Arthur of romance". This renewed interest first made itself felt in 1816, when Malory's "Le Morte d'Arthur" was reprinted for the first time since 1634. Initially, the medieval Arthurian legends were of particular interest to poets, inspiring, for example, William Wordsworth to write "The Egyptian Maid" (1835), an allegory of the Holy Grail. Pre-eminent among these was Alfred Tennyson, whose first Arthurian poem "The Lady of Shalott" was published in 1832. Arthur himself played a minor role in some of these works, following in the medieval romance tradition. Tennyson's Arthurian work reached its peak of popularity with "Idylls of the King", however, which reworked the entire narrative of Arthur's life for the Victorian era. It was first published in 1859 and sold 10,000 copies within the first week. In the "Idylls", Arthur became a symbol of ideal manhood who ultimately failed, through human weakness, to establish a perfect kingdom on earth. Tennyson's works prompted a large number of imitators, generated considerable public interest in the legends of Arthur and the character himself, and brought Malory's tales to a wider audience. Indeed, the first modernisation of Malory's great compilation of Arthur's tales was published in 1862, shortly after "Idylls" appeared, and there were six further editions and five competitors before the century ended.
This interest in the "Arthur of romance" and his associated stories continued through the 19th century and into the 20th, and influenced poets such as William Morris and Pre-Raphaelite artists including Edward Burne-Jones. Even the humorous tale of Tom Thumb, which had been the primary manifestation of Arthur's legend in the 18th century, was rewritten after the publication of "Idylls". While Tom maintained his small stature and remained a figure of comic relief, his story now included more elements from the medieval Arthurian romances and Arthur is treated more seriously and historically in these new versions. The revived Arthurian romance also proved influential in the United States, with such books as Sidney Lanier's "The Boy's King Arthur" (1880) reaching wide audiences and providing inspiration for Mark Twain's satire "A Connecticut Yankee in King Arthur's Court" (1889). Although the 'Arthur of romance' was sometimes central to these new Arthurian works (as he was in Burne-Jones's "The Sleep of Arthur in Avalon", 1881–1898), on other occasions he reverted to his medieval status and is either marginalised or even missing entirely, with Wagner's Arthurian operas providing a notable instance of the latter. Furthermore, the revival of interest in Arthur and the Arthurian tales did not continue unabated. By the end of the 19th century, it was confined mainly to Pre-Raphaelite imitators, and it could not avoid being affected by World War I, which damaged the reputation of chivalry and thus interest in its medieval manifestations and Arthur as chivalric role model. The romance tradition did, however, remain sufficiently powerful to persuade Thomas Hardy, Laurence Binyon and John Masefield to compose Arthurian plays, and T. S. Eliot alludes to the Arthur myth (but not Arthur) in his poem "The Waste Land", which mentions the Fisher King.
In the latter half of the 20th century, the influence of the romance tradition of Arthur continued, through novels such as T. H. White's "The Once and Future King" (1958), Thomas Berger's tragicomic "Arthur Rex" and Marion Zimmer Bradley's "The Mists of Avalon" (1982) in addition to comic strips such as "Prince Valiant" (from 1937 onward). Tennyson had reworked the romance tales of Arthur to suit and comment upon the issues of his day, and the same is often the case with modern treatments too. Bradley's tale, for example, takes a feminist approach to Arthur and his legend, in contrast to the narratives of Arthur found in medieval materials, and American authors often rework the story of Arthur to be more consistent with values such as equality and democracy. In John Cowper Powys's "" (1951), set in Wales in 499, just prior to the Saxon invasion, Arthur, the Emperor of Britain, is only a minor character, whereas Myrddin (Merlin) and Nineue, Tennyson's Vivien, are major figures. Myrddin's disappearance at the end of the novel is "in the tradition of magical hibernation when the king or mage leaves his people for some island or cave to return either at a more propitious or more dangerous time" (see King Arthur's messianic return). Powys's earlier novel, "A Glastonbury Romance" (1932) is concerned with both the Holy Grail and the legend that Arthur is buried at Glastonbury.
The romance Arthur has become popular in film and theatre as well. T. H. White's novel was adapted into the Lerner and Loewe stage musical "Camelot" (1960) and Walt Disney's animated film "The Sword in the Stone" (1963); "Camelot", with its focus on the love of Lancelot and Guinevere and the cuckolding of Arthur, was itself made into a film of the same name in 1967. The romance tradition of Arthur is particularly evident and in critically respected films like Robert Bresson's "Lancelot du Lac" (1974), Éric Rohmer's "Perceval le Gallois" (1978) and John Boorman's "Excalibur" (1981); it is also the main source of the material used in the Arthurian spoof "Monty Python and the Holy Grail" (1975).
Retellings and reimaginings of the romance tradition are not the only important aspect of the modern legend of King Arthur. Attempts to portray Arthur as a genuine historical figure of , stripping away the "romance", have also emerged. As Taylor and Brewer have noted, this return to the medieval "chronicle tradition" of Geoffrey of Monmouth and the "Historia Brittonum" is a recent trend which became dominant in Arthurian literature in the years following the outbreak of the Second World War, when Arthur's legendary resistance to Germanic enemies struck a chord in Britain. Clemence Dane's series of radio plays, "The Saviours" (1942), used a historical Arthur to embody the spirit of heroic resistance against desperate odds, and Robert Sherriff's play "The Long Sunset" (1955) saw Arthur rallying Romano-British resistance against the Germanic invaders. This trend towards placing Arthur in a historical setting is also apparent in historical and fantasy novels published during this period.
Arthur has also been used as a model for modern-day behaviour. In the 1930s, the Order of the Fellowship of the Knights of the Round Table was formed in Britain to promote Christian ideals and Arthurian notions of medieval chivalry. In the United States, hundreds of thousands of boys and girls joined Arthurian youth groups, such as the Knights of King Arthur, in which Arthur and his legends were promoted as wholesome exemplars. However, Arthur's diffusion within modern culture goes beyond such obviously Arthurian endeavours, with Arthurian names being regularly attached to objects, buildings, and places. As Norris J. Lacy has observed, "The popular notion of Arthur appears to be limited, not surprisingly, to a few motifs and names, but there can be no doubt of the extent to which a legend born many centuries ago is profoundly embedded in modern culture at every level."
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https://en.wikipedia.org/wiki?curid=16808
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Konrad Zuse
Konrad Zuse (; 22 June 1910 – 18 December 1995) was a German civil engineer, pioneering computer scientist, inventor and businessman. His greatest achievement was the world's first programmable computer; the functional program-controlled Turing-complete Z3 became operational in May 1941. Thanks to this machine and its predecessors, Zuse has often been regarded as the inventor of the modern computer.
Zuse was noted for the S2 computing machine, considered the first process control computer. In 1941, he founded one of the earliest computer businesses, producing the Z4, which became the world's first commercial computer. From 1943 to 1945 he designed the first high-level programming language, Plankalkül. In 1969, Zuse suggested the concept of a computation-based universe in his book "Rechnender Raum" ("Calculating Space").
Much of his early work was financed by his family and commerce, but after 1939 he was given resources by the Nazi German government. Due to World War II, Zuse's work went largely unnoticed in the United Kingdom and the United States. Possibly his first documented influence on a US company was IBM's option on his patents in 1946.
Konrad Zuse was born in Berlin on 22 June 1910. In 1912, his family moved to East Prussian Braunsberg (now Braniewo in Poland), where his father was a postal clerk. Zuse attended the Collegium Hosianum in Braunsberg and in 1923, the family moved to Hoyerswerda where he passed his Abitur in 1928, qualifying him to enter university.
He enrolled in the "Technische Hochschule Berlin" (now Technical University of Berlin) and explored both engineering and architecture, but found them boring. Zuse then pursued civil engineering, graduating in 1935.
After graduation, Zuse worked for the Ford Motor Company, using his artistic skills in the design of advertisements. He started work as a design engineer at the Henschel aircraft factory in Schönefeld near Berlin. This required the performance of many routine calculations by hand, which he found mind-numbing, leading him to dream of doing them by machine.
Beginning in 1935 he experimented in the construction of computers in his parents' flat on Wrangelstraße 38, moving with them into their new flat on Methfesselstraße 10, the street leading up the Kreuzberg, Berlin. Working in his parents' apartment in 1936, he produced his first attempt, the Z1, a floating point binary mechanical calculator with limited programmability, reading instructions from a perforated 35 mm film.
In 1937, Zuse submitted two patents that anticipated a von Neumann architecture. In 1938, he finished the Z1 which contained some 30,000 metal parts and never worked well due to insufficient mechanical precision. On 30 January 1944, the Z1 and its original blueprints were destroyed with his parents' flat and many neighbouring buildings by a British air raid in World War II.
Zuse completed his work entirely independently of other leading computer scientists and mathematicians of his day. Between 1936 and 1945, he was in near-total intellectual isolation.
In 1939, Zuse was called to military service, where he was given the resources to ultimately build the Z2. In September 1940 Zuse presented the Z2, covering several rooms in the parental flat, to experts of the Deutsche Versuchsanstalt für Luftfahrt (DVL; i.e. German Research Institute for Aviation). The Z2 was a revised version of the Z1 using telephone relays.
In 1940, the German government began funding him and his company through the "Aerodynamische Versuchsanstalt" (AVA, Aerodynamic Research Institute, forerunner of the DLR), which used his work for the production of glide bombs. Zuse built the S1 and S2 computing machines, which were special purpose devices which computed aerodynamic corrections to the wings of radio-controlled flying bombs. The S2 featured an integrated analog-to-digital converter under program control, making it the first process-controlled computer.
In 1941 Zuse started a company, "Zuse Apparatebau" (Zuse Apparatus Construction), to manufacture his machines, renting a workshop on the opposite side in Methfesselstraße 7 and stretching through the block to Belle-Alliance Straße 29 (renamed and renumbered as Mehringdamm 84 in 1947).
In 1941, he improved on the basic Z2 machine, and built the Z3. On 12 May 1941 Zuse presented the Z3, built in his workshop, to the public. The Z3 was a binary 22-bit floating point calculator featuring programmability with loops but without conditional jumps, with memory and a calculation unit based on telephone relays. The telephone relays used in his machines were largely collected from discarded stock. Despite the absence of conditional jumps, the Z3 was a Turing complete computer. However, Turing-completeness was never considered by Zuse (who had practical applications in mind) and only demonstrated in 1998 (see History of computing hardware).
The Z3, the first fully operational electromechanical computer, was partially financed by German government-supported DVL, which wanted their extensive calculations automated. A request by his co-worker Helmut Schreyer—who had helped Zuse build the Z3 prototype in 1938—for government funding for an electronic successor to the Z3 was denied as "strategically unimportant".
On 3 February 1945, aerial bombing caused devastating destruction in the Luisenstadt, the area around Oranienstraße, including neighbouring houses. This event effectively brought Zuse's research and development to a complete halt. The partially finished, telephone relay-based Z4 computer was then packed and moved from Berlin on 14 February, arriving in Göttingen approximately two weeks later.
These machines contributed to the Henschel Werke Hs 293 and Hs 294 guided missiles developed by the German military between 1941 and 1945, which were the precursors to the modern cruise missile. The circuit design of the S1 was the predecessor of Zuse's Z11. Zuse believed that these machines had been captured by occupying Soviet troops in 1945.
While working on his Z4 computer, Zuse realised that programming in machine code was too complicated. He started working on a PhD thesis. containing groundbreaking research years ahead of its time, mainly the first high-level programming language, Plankalkül ("Plan Calculus") and, as an elaborate example program, the first real computer chess engine.
After the 1945 Luisenstadt bombing, he flew from Berlin for the rural Allgäu.
In the extreme privation of post-war Germany Zuse was unable to build computers.
In 1947, according to the memoirs of the German computer pioneer Heinz Billing from the Max Planck Institute for Physics, there was a meeting between Alan Turing and Konrad Zuse in Göttingen. The encounter had the form of a colloquium. Participants were Womersley, Turing, Porter from England and a few German researchers like Zuse, Walther, and Billing. (For more details see Herbert Bruderer, "Konrad Zuse und die Schweiz").
It was not until 1949 that Zuse was able to resume work on the Z4. He would show the computer to the mathematician Eduard Stiefel of the Swiss Federal Institute of Technology Zurich ("Eidgenössische Technische Hochschule (ETH) Zürich") who then ordered one in 1950. In November 1949, Zuse KG was founded and that Z4 was delivered to ETH Zurich in July 1950, and proved very reliable.
Unable to do any hardware development, he continued working on the Plankalkül, eventually publishing some brief excerpts of his thesis in 1948 and 1959; the work in its entirety, however, remained unpublished until 1972. The PhD thesis was submitted at University of Augsburg, but rejected for formal reasons, because Zuse forgot to pay the 400 Mark university enrollment fee. The rejection did not bother him.
Plankalkül slightly influenced the design of ALGOL 58 but was itself implemented only in 1975 in a dissertation by Joachim Hohmann. Heinz Rutishauser, one of the inventors of ALGOL, wrote: "The very first attempt to devise an algorithmic language was undertaken in 1948 by K. Zuse. His notation was quite general, but the proposal never attained the consideration it deserved". Further implementations followed in 1998 and then in 2000 by a team from the Free University of Berlin. Donald Knuth suggested a thought experiment: What might have happened had the bombing not taken place, and had the PhD thesis accordingly been published as planned?
In 1956, Zuse began to work on a high precision, large format plotter. It was demonstrated at the 1961 Hanover Fair, and became well known also outside of the technical world thanks to Frieder Nake's pioneering computer art work. Other plotters designed by Zuse include the ZUSE Z90 and ZUSE Z9004.
In 1967, Zuse suggested that the universe itself is running on a cellular automaton or similar computational structure (digital physics); in 1969, he published the book "Rechnender Raum" (translated into English as "Calculating Space").
In the last years of his life, Zuse conceptualized and created a purely mechanical, extensible, modular tower automaton he named "helix tower" (""Helixturm""). The structure is based on a gear drive that employs rotary motion (e.g. provided by a crank) to assemble modular components from a storage space, elevating a tube-shaped tower; the process is reversible, and inverting the input direction will deconstruct the tower and store the components. The Deutsches Museum restored Zuse's original 1:30 functional model that can be extended to a height of 2.7 m. Zuse intended the full construction to reach a height of 120 m, and envisioned it for use with wind power generators and radio transmission installations.
Between 1987 and 1989, Zuse recreated the Z1, suffering a heart attack midway through the project. It cost 800,000 DM, (approximately $500,000) and required four individuals (including Zuse) to assemble it. Funding for this retrocomputing project was provided by Siemens and a consortium of five companies.
Konrad Zuse married Gisela Brandes in January 1945, employing a carriage, himself dressed in tailcoat and top hat and with Gisela in a wedding veil, for Zuse attached importance to a "noble ceremony". Their son Horst, the first of five children, was born in November 1945.
While Zuse never became a member of the Nazi Party, he is not known to have expressed any doubts or qualms about working for the Nazi war effort. Much later, he suggested that in modern times, the best scientists and engineers usually have to choose between either doing their work for more or less questionable business and military interests in a Faustian bargain, or not pursuing their line of work at all.
After Zuse retired, he focused on his hobby of painting.
Zuse was an atheist.
Zuse died on 18 December 1995 in Hünfeld, Hesse (near Fulda) from heart failure.
Zuse founded one of the earliest computer companies: the "Zuse-Ingenieurbüro Hopferau". Capital was raised in 1946 through ETH Zurich and an IBM option on Zuse's patents.
In 1949, Zuse founded another company, "Zuse KG" in Haunetal-Neukirchen; in 1957 the company's head office moved to Bad Hersfeld. The Z4 was finished and delivered to the ETH Zurich, Switzerland in September 1950. At that time, it was the only working computer in continental Europe, and the second computer in the world to be sold, beaten only by the BINAC, which never worked properly after it was delivered. Other computers, all numbered with a leading Z, up to Z43, were built by Zuse and his company. Notable are the Z11, which was sold to the optics industry and to universities, and the Z22, the first computer with a memory based on magnetic storage.
By 1967, the "Zuse KG" had built a total of 251 computers. Owing to financial problems, the company was then sold to Siemens.
Zuse received several awards for his work:
The Zuse Institute Berlin is named in his honour.
The Konrad Zuse Medal of the Gesellschaft für Informatik, and the Konrad Zuse Medal of the Zentralverband des Deutschen Baugewerbes (Central Association of German Construction), are both named after Zuse.
A replica of the Z3, as well as the original Z4, is in the Deutsches Museum in Munich. The Deutsches Technikmuseum in Berlin has an exhibition devoted to Zuse, displaying twelve of his machines, including a replica of the Z1 and several of Zuse's paintings.
The 100th anniversary of his birth was celebrated by exhibitions, lectures and workshops.
German posts DP AG issued a commemorative stamp at this occasion, June 6, 2010: a Zuse portrait, composed solely by the binary code numbers 1 and 0 in fine print.
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https://en.wikipedia.org/wiki?curid=16810
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Kenesaw Mountain Landis
Kenesaw Mountain Landis (; November 20, 1866 – November 25, 1944) was an American jurist who served as a United States federal judge from 1905 to 1922 and the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game.
Landis was born in Millville, Ohio, in 1866. His name was a spelling variation on the Battle of Kennesaw Mountain in the American Civil War, where his father was wounded in 1864. Landis spent much of his youth in Indiana; he left school at 15 and worked in a series of positions in that state. His involvement in politics led to a civil service job. At age 21, Landis applied to become a lawyer—there were then no educational or examination requirements for the Indiana bar. Following a year of unprofitable practice, he went to law school. After his graduation, he opened an office in Chicago, but left it when Walter Q. Gresham, the new United States Secretary of State, named him his personal secretary in 1893. After Gresham's death in 1895, Landis refused an offer of an ambassadorship, and returned to Chicago to practice law and marry.
President Theodore Roosevelt appointed Landis as a judge of the United States District Court for the Northern District of Illinois in 1905. Landis received national attention in 1907 when he fined Standard Oil of Indiana more than $29 million ($800 million in 2020) for violating federal laws forbidding rebates on railroad freight tariffs. Though Landis was reversed on appeal, he was seen as a judge determined to rein in big business. During and after World War I, Landis presided over several high-profile trials of draft resisters and others whom he saw as opposing the war effort. He imposed heavy sentences on those who were convicted; some of the convictions were reversed on appeal, and other sentences were commuted.
In 1920, Judge Landis was a leading candidate when American League and National League team owners, embarrassed by the Black Sox scandal and other instances of players throwing games, sought someone to rule over baseball. Landis was given full power to act in the sport's best interest, and used that power extensively over the next quarter-century. Landis was widely praised for cleaning up the game, although some of his decisions in the Black Sox matter remain controversial: supporters of "Shoeless Joe" Jackson and Buck Weaver contend that he was overly harsh with those players. Others blame Landis for, in their view, delaying the racial integration of baseball. Landis was elected to the National Baseball Hall of Fame by a special vote shortly after he died in 1944.
Kenesaw Mountain Landis was born in Millville, Ohio, the sixth child and fourth son of Abraham Hoch Landis, a physician, and Mary Kumler Landis, on November 20, 1866. The Landises descended from Swiss Mennonites who had emigrated to Alsace before coming to the United States. Abraham Landis had been wounded fighting on the Union side at the Battle of Kennesaw Mountain in Georgia, and when his parents proved unable to agree on a name for the new baby, Mary Landis proposed that they call him Kenesaw Mountain. At the time, both spellings of "Kenesaw" were used, but in the course of time, "Kennesaw Mountain" became the accepted spelling of the battle site.
Abraham Landis worked in Millville as a country physician. When Kenesaw was eight, the elder Landis moved his family to Delphi, Indiana and subsequently to Logansport, Indiana where the doctor purchased and ran several local farms—his war injury had caused him to scale back his medical practice. Two of Kenesaw's four brothers, Charles Beary Landis and Frederick Landis, became members of Congress.
As "Kenny", as he was sometimes known, grew, he did an increasing share of the farm work, later stating, "I did my share—and it was a substantial share—in taking care of the 13 acres ... I do not remember that I particularly liked to get up at 3:30 in the morning." Kenesaw began his off-farm career at age ten as a news delivery boy. He left school at 15 after an unsuccessful attempt to master algebra; he then worked at the local general store. He left that job for a position as errand boy with the Vandalia Railroad. Landis applied for a job as a brakeman, but was laughingly dismissed as too small. He then worked for the Logansport "Journal", and taught himself shorthand reporting, becoming in 1883 official court reporter for the Cass County Circuit Court. Landis later wrote, "I may not have been much of a judge, nor baseball official, but I do pride myself on having been a real shorthand reporter." He served in that capacity until 1886. In his spare time, he became a prize-winning bicycle racer and played on and managed a baseball team. Offered a professional contract as a ballplayer, he turned it down, stating that he preferred to play for the love of the game.
In 1886, Landis first ventured into Republican Party politics, supporting a friend, Charles F. Griffin, for Indiana Secretary of State. Griffin won, and Landis was rewarded with a civil service job in the Indiana Department of State. While employed there, he applied to be an attorney. At that time, in Indiana, an applicant needed only to prove that he was 21 and of good moral character, and Landis was admitted. Landis opened a practice in Marion, Indiana but attracted few clients in his year of work there. Realizing that an uneducated lawyer was unlikely to build a lucrative practice, Landis enrolled at Cincinnati's YMCA Law School (now part of Northern Kentucky University) in 1889. Landis transferred to Union Law School (now part of Northwestern University) the following year, and in 1891, he took his law degree from Union and was admitted to the Illinois Bar. He began a practice in Chicago, served as an assistant instructor at Union and with fellow attorney Clarence Darrow helped found the nonpartisan Chicago Civic Centre Club, devoted to municipal reform. Landis practiced with college friend Frank O. Lowden; the future commissioner and his law partner went into debt to impress potential clients, buying a law library secondhand.
In March 1893, President Grover Cleveland appointed federal judge Walter Q. Gresham as his Secretary of State, and Gresham hired Landis as his personal secretary. Gresham had a long career as a political appointee in the latter part of the 19th century; though he lost his only two bids for elective office, he served in three Cabinet positions and was twice a dark horse candidate for the Republican presidential nomination. Although Gresham was a Republican, he had supported Cleveland (a Democrat) in the 1892 election because of his intense dislike for the Republican nominee, President Benjamin Harrison. Kenesaw Landis had appeared before Judge Gresham in court. According to Landis biographer J.G. Taylor Spink, Gresham thought Landis "had something on the ball" and believed that Landis's shorthand skills would be of use.
In Washington, Landis worked hard to protect Gresham's interests in the State Department, making friends with many members of the press. He was less popular among many of the Department's senior career officials, who saw him as brash. When word leaked concerning President Cleveland's Hawaiian policy, the President was convinced Landis was the source of the information and demanded his dismissal. Gresham defended Landis, stating that Cleveland would have to fire both of them, and the President relented, later finding out that he was mistaken in accusing Landis. President Cleveland grew to like Landis, and when Gresham died in 1895, offered Landis the post of United States Ambassador to Venezuela. Landis declined the diplomatic post, preferring to return to Chicago to begin a law practice and to marry Winifred Reed, daughter of the Ottawa, Illinois postmaster. The two married July 25, 1895; they had two surviving children, a boy, Reed, and a girl, Susanne—a third child, Winifred, died almost immediately after being born.
Landis built a corporate law practice in Chicago; with the practice doing well, he deeply involved himself in Republican Party politics. He built a close association with his friend Lowden and served as his campaign manager for governor of Illinois in 1904. Lowden was defeated, but would later serve two terms in the office and be a major contender for the 1920 Republican presidential nomination. A seat on the United States District Court for the Northern District of Illinois was vacant; President Theodore Roosevelt offered it to Lowden, who declined it and recommended Landis. Other recommendations from Illinois politicians followed, and Roosevelt nominated Landis for the seat. According to Spink, President Roosevelt wanted "a tough judge and a man sympathetic with his viewpoint in that important court"; Lowden and Landis were, like Roosevelt, on the progressive left of the Republican Party. On March 18, 1905, Roosevelt transmitted the nomination to the Senate, which confirmed Landis the same afternoon, without any committee hearing; he received his commission the same day.
Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago "Herald-American", a friend of Landis, recalled:
The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments.
If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in "SPORT" magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause."
Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates.
By the first decade of the 20th century, a number of business entities had formed themselves into trusts, which dominated their industries. Trusts often sought to purchase or otherwise neutralize their competitors, allowing the conglomerates to raise prices to high levels. In 1890, Congress had passed the Sherman Anti-Trust Act, but it was not until the Theodore Roosevelt administration (1901–09) that serious efforts were made to break up or control the trusts. The dominant force in the oil industry was Standard Oil, controlled by John D. Rockefeller. Modern-day ExxonMobil, Atlantic Richfield, Chevron, Sohio, Amoco and Continental Oil all trace their ancestry to various parts of Standard Oil.
In March 1906, Commissioner of Corporations James Rudolph Garfield submitted a report to President Roosevelt, alleging large-scale rebating in Standard Oil shipments. Federal prosecutors in several states and territories sought indictments against components of the Standard Oil Trust. On June 28, 1906, Standard Oil of Indiana was indicted on 6,428 counts of violation of the Elkins Act for accepting rebates on shipments on the Chicago & Alton Railroad. The case was assigned to Landis.
Trial on the 1,903 counts that survived pretrial motions began on March 4, 1907. The fact that rebates had been given was not contested; what was at issue was whether Standard Oil knew the railroad's posted rates, and if it had a duty to enquire if it did not. Landis charged the jury that it "was the duty of the defendant diligently in good faith to get from the Chicago & Alton ... the lawful rate". The jury found Standard Oil guilty on all 1,903 counts.
The maximum fine that Landis could impose was $29,240,000. To aid the judge in determining the sentence, Landis issued a subpoena for Rockefeller to testify as to Standard Oil's assets. The tycoon had often evaded subpoenas, not having testified in court since 1888. Deputy United States marshals visited Rockefeller's several homes, as well as the estates of his friends, in the hope of finding him. After several days, Rockefeller was found at his lawyer's estate, Taconic Farm in northwestern Massachusetts, and was served with the subpoena. The tycoon duly came to Landis's Chicago courtroom, making his way through a mob anxious to see the proceedings. Rockefeller's actual testimony, proffered after the judge made him wait through several cases and witnesses, proved to be anticlimactic, as he professed almost no knowledge of Standard Oil's corporate structure or assets.
On August 3, 1907, Landis pronounced sentence. He fined Standard Oil the maximum penalty, $29,240,000, the largest fine imposed on a corporation to that date. The corporation quickly appealed; in the meantime, Landis was lionized as a hero. According to Pietrusza, "much of the nation could hardly believe a federal judge had finally cracked down on a trust—and cracked down "hard" ". President Roosevelt, when he heard the sentence, reportedly stated, "That's bully." Rockefeller was playing golf in Cleveland when he was brought a telegram containing the news. Rockefeller calmly informed his golfing partners of the amount of the fine, and proceeded to shoot a personal record score, later stating, "Judge Landis will be dead a long time before this fine is paid." He proved correct; the verdict and sentence were reversed by the United States Court of Appeals for the Seventh Circuit on July 22, 1908. In January 1909, the Supreme Court refused to hear the case, and in a new trial before another judge (Landis recused himself), Standard Oil was acquitted.
A lifelong baseball fan, Landis often slipped away from the courthouse for a White Sox or Cubs game. In 1914, the two existing major leagues were challenged by a new league, the Federal League. In 1915, the upstart league brought suit against the existing leagues and owners under the Sherman Act and the case was assigned to Landis. Baseball owners feared that the reserve clause, which forced players to sign new contracts only with their former team, and the 10-day clause, which allowed teams (but not players) to terminate player contracts on ten days notice, would be struck down by Landis.
Landis held hearings in late January 1915, and newspapers expected a quick decision, certainly before spring training began in March. During the hearings, Landis admonished the parties, "Both sides must understand that any blows at the thing called baseball would be regarded by this court as a blow to a national institution". When the National League's chief counsel, future Senator George Wharton Pepper referred to the activities of baseball players on the field as "labor", Landis interrupted him: "As a result of 30 years of observation, I am shocked because you call playing baseball 'labor.' " Landis reserved judgment, and the parties waited for his ruling. Spring training passed, as did the entire regular season and the World Series. In December 1915, still with no word from Landis, the parties reached a settlement, and the Federal League disbanded. Landis made no public statement as to the reasons for his failure to rule, though he told close friends that he had been certain the parties would reach a settlement sooner or later. Most observers thought that Landis waited because he did not want to rule against the two established leagues and their contracts.
In 1916, Landis presided over the "Ryan Baby" or "Baby Iraene" case. The recent widow of a prominent Chicago banker, Anna Dollie Ledgerwood Matters, had brought a baby girl home from a visit to Canada and claimed that the child was her late husband's posthumous heir. Matters had left an estate of $250,000. However, a shop girl from Ontario, Margaret Ryan, claimed the baby was hers, and brought a writ of "habeas corpus" in Landis's court. Ryan stated that she had given birth to the girl in an Ottawa hospital, but had been told her baby had died. In the era before blood and DNA testing, Landis relied on witness testimony and awarded the child to Ryan. The case brought comparisons between Landis and King Solomon, who had judged a similar case. Landis was reversed by the Supreme Court, which held he had no jurisdiction in the matter. A Canadian court later awarded the child to Ryan.
Although Landis was an autocrat in the courtroom, he was less so at home. In a 1916 interview, he stated,
Every member of this family does exactly what he or she wants to do. Each one is his or her supreme court. Everything for the common good of the family is decided according to the wishes of the whole family. Each one knows what is right and each one can do whatever he thinks is best. It is purely democratic.
In early 1917, Landis considered leaving the bench and returning to private practice—though he greatly enjoyed being a judge, the salary of $7,500 was considerably lower than what he could make as an attorney. The entry of the United States into World War I in April ended Landis's determination to resign; a firm supporter of the war effort, he felt he could best serve the country by remaining on the bench. Despite this decision and his age, fifty, Landis wrote to Secretary of War Newton D. Baker, asking him to take him into the service and send him to France, where the war was raging. Baker urged Landis to make speeches in support of the war instead, which he did. The judge's son, Reed, had already served briefly in the Illinois National Guard; during the war he became a pilot, and eventually an ace.
Landis's disdain for draft dodgers and other opponents of the war was evident in July 1917, when he presided over the trials of some 120 men, mostly foreign-born Socialists, who had resisted the draft and rioted in Rockford, Illinois. According to Pietrusza, Landis "was frequently brutal in his remarks" to the defendants, interrogating them on their beliefs. Landis tried the case in Rockford, and found all guilty, sentencing all but three to a year and a day in jail, the maximum sentence. The prisoners were ordered to register for the draft after serving their sentences—except 37, whom he ordered deported.
On September 5, 1917, federal officers raided the national headquarters, in Chicago, of the Industrial Workers of the World (IWW, sometimes "Wobblies"), as well as 48 of the union's halls across the nation. The union had opposed the war and urged members and others to refuse conscription into the armed forces. On September 28, 166 IWW leaders, including union head Big Bill Haywood were indicted in the Northern District of Illinois; their cases were assigned to Landis. Some 40 of the indicted men could not be found; a few others had charges dismissed against them. Ultimately, Landis presided over a trial against 113 defendants, the largest federal criminal trial to that point.
The trial began on April 1, 1918. Landis quickly dismissed charges against a dozen defendants, including one A.C. Christ, who showed up in newly obtained army uniform. Jury selection occupied a month. Journalist John Reed attended the trial, and wrote of his impressions of Landis:
Small on the huge bench sits a wasted man with untidy white hair, an emaciated face in which two burning eyes are set like jewels, parchment-like skin split by a crack for a mouth; the face of Andrew Jackson three years dead ... Upon this man has devolved the historic role of trying the Social Revolution. He is doing it like a gentleman. In many ways a most unusual trial. When the judge enters the court-room after recess, no one rises—he himself has abolished the pompous formality. He sits without robes, in an ordinary business suit, and often leaves the bench to come down and perch on the step of the jury box. By his personal orders, spittoons are placed by the prisoners' seats ... and as for the prisoners themselves, they are permitted to take off their coats, move around, read newspapers. It takes some human understanding for a Judge to fly in the face of judicial ritual as much as that.
Haywood biographer Melvyn Dubofsky wrote that Landis "exercised judicial objectivity and restraint for five long months". Baseball historian Harold Seymour stated that "[o]n the whole, Landis conducted the trial with restraint, despite his reputation as a foe of all radical groups." Landis dismissed charges against an elderly defendant who was in obvious pain as he testified, and allowed the release of a number of prisoners on bail or on their own recognizances.
On August 17, 1918, following the closing argument for the prosecution (the defendants waived argument), Landis instructed the jury. The lead defense counsel objected to the wording of the jury charge several times, but Haywood believed it to have been fair. After 65 minutes, the jury returned with guilty verdicts for all of the remaining accused, much to their shock; they had believed that Landis's charge pointed towards their acquittal. When the defendants returned to court on August 29, Landis listened with patience to the defendants' final pleas. For the sentencing, according to Richard Cahan in his history of Chicago's district court, "mild-mannered Landis returned a changed man". Although two defendants received only ten days in jail, all others received at least a year and a day, and Haywood and fourteen others received twenty years. A number of defendants, including Haywood, obtained bail during the appeal; even before Haywood's appeals were exhausted, he jumped bail and took ship for the Soviet Union. The labor leader hung a portrait of Landis in his Moscow apartment, and when Haywood died in 1928, he was interred near John Reed (who had died of illness in Moscow after the Bolshevik Revolution) in the Kremlin Wall—they remain the only Americans so honored. President Calvin Coolidge commuted the sentences of the remaining incarcerated defendants in 1923, much to the disgust of Landis, who issued an angry statement. After leaving his judgeship, Landis referred to the defendants in the Haywood case as "scum", "filth", and "slimy rats".
Landis hoped that the Kaiser, Wilhelm II would be captured and tried in his court; he wanted to indict the Kaiser for the murder of a Chicagoan who lost his life on the "RMS Lusitania" in 1915. The State Department notified Landis that extradition treaties did not permit the rendition of the Kaiser, who fled into exile in the Netherlands as the war concluded. Nevertheless, in a speech, Landis demanded that Kaiser Wilhelm, his six sons, and 5,000 German military leaders "be lined up against a wall and shot down in justice to the world and to Germany".
Even with the armistice in November 1918, the war-related trials continued. The Socialist Party of America, like the IWW, had opposed the war, and had also been raided by federal authorities. Seven Socialist Party leaders, including Victor Berger, who was elected to Congress in November 1918, were indicted for alleged anti-war activities. The defendants were charged under the Espionage Act of 1917, which made it illegal "to utter, print, write, or publish any disloyal, profane, scurrilous or abusive language" about the armed forces, the flag, the Constitution, or democracy. The defendants, who were mostly of German birth or descent, moved for a change of venue away from Landis's courtroom, alleging that Landis had stated on November 1, 1918, that "[i]f anybody has said anything about the Germans that is worse than I have said, I would like to hear it so I could use it myself." Landis, however, examined the transcript of the trial in which the statement was supposedly made, failed to find it, declared the affidavit in support of the motion "perjurious", and denied the motion. While the jury was being selected, Berger was indicted on additional espionage charges for supposedly violating the law during an earlier, unsuccessful political campaign. At the conclusion of the case, Landis took an hour to dramatically charge the jury, emphasizing the secretive nature of conspiracies and pointing at the jury box as he noted, "the country was then at war". At one point, Landis leapt out of his seat, twirled his chair around, then sat on its arm. Later in his charge, he lay prone upon the bench. The jury took less than a day to convict Congressman-elect Berger and his four remaining codefendants. Landis sentenced each defendant to twenty years in federal prison. Landis denied the defendants bail pending appeal, but they quickly obtained it from an appellate court judge. The Seventh Circuit Court of Appeals declined to rule on the case itself, sending it on to the Supreme Court, which on January 31, 1921, overturned the convictions and sentences by a 6–3 vote, holding that Landis should have stepped aside once he was satisfied that the affidavit was legally sufficient, leaving it for another judge to decide whether it was actually true. Landis refused to comment on the Supreme Court's decision, which ordered a new trial. In 1922, the charges against the defendants were dropped by the government.
The postwar period saw considerable deflation; the shortage of labor and materials during the war had led to much higher wages and prices, and in the postwar economic readjustment, wages were cut heavily. In Chicago, employers in the building trades attempted a 20% wage cut; when this was rejected by the unions, a lockout followed. Both sides agreed to submit the matter to a neutral arbitrator, and settled on Landis, who agreed to take the case in June 1921. By this time, Landis was Commissioner of Baseball, and still a federal judge. In September, Landis issued his report, cutting wages by an average of 12.5%. To improve productivity, he also struck restrictions on machinery which saved labor, established a standardized overtime rate, and resolved jurisdictional conflicts between unions. The labor organizations were not completely satisfied, but Landis's reforms were adopted in many places across the country and were credited with reviving the building industry.
Criticism of Landis having both the judicial and baseball positions began almost as soon as his baseball appointment was announced in November 1920. On February 2, 1921, lame duck Congressman Benjamin F. Welty (Democrat-Ohio) offered a resolution calling for Landis's impeachment. On February 11, Attorney General A. Mitchell Palmer opined that there was no legal impediment to Landis holding both jobs. On February 14, the House Judiciary Committee voted 24–1 to investigate Landis. Reed Landis later stated, "[n]one of the other congressmen wanted Father impeached but they did want him to come down and defend himself because they knew what a show it would be."
Although Welty's departure from office on March 4, 1921, began a lull in criticism of Landis, in April, the judge made a controversial decision in the case of Francis J. Carey, a 19-year-old bank teller, who had pleaded guilty to embezzling $96,500. Carey, the sole support of his widowed mother and unmarried sisters, gained Landis's sympathy. He accused the bank of underpaying Carey, and sent the youth home with his mother. Two members of the Senate objected to Landis's actions, and the "New York Post" compared Carey with "Les Misérables's" Jean Valjean, noting "[b]etween a loaf of bread [Valjean was incarcerated for stealing one] and $96,500 there is a difference." A bill barring outside employment by federal judges had been introduced by Landis's foes, but had expired with the end of the congressional session in March; his opponents tried again in July, and the bill failed in the Senate on a tie vote. On September 1, 1921, the American Bar Association, a trade group of lawyers, passed a resolution of censure against Landis.
By the end of 1921, the controversy was dying down, and Landis felt that he could resign without looking pressured. On February 18, 1922, he announced his resignation as judge effective March 1, stating, "There are not enough hours in the day for all these activities". In his final case, he fined two theatre owners for evading the federal amusement tax. One owner had refused to make restitution before sentencing; he was fined $5,000. The owner who had tried to make his shortfall good was fined one cent.
By 1919, the influence of gamblers on baseball had been a problem for several years. Historian Paul Gardner wrote,
Baseball had for some time been living uneasily in the knowledge that bribes were being offered by gamblers, and that some players were accepting them. The players knew it was going on, and the owners knew it was going on. But more important, the players knew that the owners knew—and they knew the owners were doing nothing about it for fear of a scandal that might damage organized baseball. Under such conditions it quite obviously did not pay to be honest.
The 1919 World Series between the Chicago White Sox and Cincinnati Reds was much anticipated, as the nation attempted to return to normalcy in the postwar period. Baseball had seen a surge of popularity during the 1919 season, which set several attendance records. The powerful White Sox, with their superstar batter "Shoeless Joe" Jackson and star pitchers Eddie Cicotte and Claude "Lefty" Williams, were believed likely to defeat the less-well-regarded Reds. To the surprise of many, the Reds defeated the White Sox, five games to three (during 1919–21, the World Series was a best-of-nine affair).
Rumors that the series was fixed began to circulate after gambling odds against the Reds winning dropped sharply before the series began, and gained more credibility after the White Sox lost four of the first five games. Cincinnati lost the next two games, and speculation began that the Reds were losing on purpose to extend the series and increase gate revenues. However, Cincinnati won Game Eight, 10–5, to end the series, as Williams lost his third game (Cicotte lost the other two). After the series, according to Gene Carney, who wrote a book about the scandal, "there was more than the usual complaining from those who had bet big on the Sox and lost".
The issue of the 1919 Series came to the public eye again in September 1920, when, after allegations that a game between the Chicago Cubs and Philadelphia Phillies on August 31 had been fixed, a grand jury was empaneled in state court in Chicago to investigate baseball gambling. Additional news came from Philadelphia, where gambler Billy Maharg stated that he had worked with former boxer Abe Attell and New York gambler Arnold Rothstein to get the White Sox to throw the 1919 Series. Cicotte and Jackson were called before the grand jury, where they gave statements incriminating themselves and six teammates: Williams, first baseman Chick Gandil, shortstop Swede Risberg, third baseman Buck Weaver, center fielder Happy Felsch and reserve infielder Fred McMullin. Williams and Felsch were also called before the grand jury and incriminated themselves and their teammates. Through late September, the 1920 American League season had been one of the most exciting on record, with the White Sox, Cleveland Indians, and New York Yankees dueling for the league lead. By September 28, the Yankees were close to elimination, but the White Sox and Indians were within percentage points of each other. On that day, however, the eight players, seven of whom were still on the White Sox, were indicted. They were immediately suspended by White Sox owner Charles Comiskey. The Indians were able to pull ahead and win the pennant, taking the American League championship by two games over Chicago.
Baseball had been governed by a three-man National Commission, consisting of American League President Ban Johnson, National League President John Heydler and Cincinnati Reds owner Garry Herrmann. In January 1920, Herrmann left office at the request of other club owners, leaving the Commission effectively deadlocked between Johnson and Heydler. A number of club owners, disliking one or both league presidents, preferred a single commissioner to rule over the game, but were willing to see the National Commission continue if Herrmann was replaced by someone who would provide strong leadership. Landis's name was mentioned in the press for this role, and the influential baseball newspaper "The Sporting News" sought his appointment.
Another proposal, known as the "Lasker Plan" after Albert Lasker, a shareholder in the Chicago Cubs who had proposed it, was for a three-man commission to govern the game, drawn from outside baseball. On September 30, 1920, with the Black Sox scandal exposed, National League President Heydler began to advocate for the Lasker Plan, and by the following day, four major league teams had supported him. Among the names discussed in the press for membership on the new commission were Landis, former Secretary of the Treasury William Gibbs McAdoo, former President William Howard Taft, and General John J. Pershing.
The start of the 1920 World Series on October 5 distracted the public from baseball's woes for a time, but discussions continued behind the scenes. By mid-October, 11 of the 16 team owners (all eight from the National League and the owners of the American League Yankees, White Sox and Boston Red Sox) were demanding the end of the National Commission and the appointment of a three-man commission whose members would have no financial interest in baseball. Heydler stated his views on baseball's requirements:
We want a man as chairman who will rule with an iron hand ... Baseball has lacked a hand like that for years. It needs it now worse than ever. Therefore, it is our object to appoint a big man to lead the new commission.
On November 8, the owners of the eight National League and three American League teams which supported the Lasker Plan met and unanimously selected Landis as head of the proposed commission. The American League clubs that supported the plan threatened to move to the National League, away from Johnson, who opposed it. Johnson had hoped that the minor leagues would support his position; when they did not, he and the "Loyal Five" teams agreed to the Lasker Plan. In the discussions among the owners that followed, they decided that Landis would be the only commissioner–no associate members would be elected. On November 12, the team owners came to Landis's courtroom to approach him. Landis was trying a bribery case; when he heard noise in the back of the courtroom from the owners, he gaveled them to silence. He made them wait 45 minutes while he completed his docket, then met with them in his chambers.
The judge heard out the owners; after expressing initial reluctance, he took the job for seven years at a salary of $50,000, on condition he could remain on the federal bench. During Landis's time serving as both judge and commissioner, he allowed a $7,500 reduction in his salary as commissioner, to reflect his pay as judge. The appointment of Landis was met with acclaim in the press. A tentative agreement was signed by the parties a month later—an agreement which itemized Landis's powers over baseball, and which was drafted by the judge. The owners were still reeling from the perception that baseball was crooked, and accepted the agreement virtually without dissent. Under the terms of the contract, Landis could not be dismissed by the team owners, have his pay reduced, or even be criticized by them in public. He also had nearly unlimited authority over every person employed in the major or minor leagues, from owners to batboys. The owners waived any recourse to the courts to contest Landis's will. Humorist Will Rogers stated, "[D]on't kid yourself that that old judicial bird isn't going to make those baseball birds walk the chalkline". Player and manager Leo Durocher later stated, "The legend has been spread that the owners hired the Judge off the federal bench. Don't you believe it. They got him right out of Dickens."
On January 30, 1921, Landis, speaking at an Illinois church, warned:
Now that I am in baseball, just watch the game I play. If I catch any crook in baseball, the rest of his life is going to be a pretty hot one. I'll go to any means and to anything possible to see that he gets a real penalty for his offense.
The criminal case against the Black Sox defendants suffered unexpected setbacks, with evidence vanishing, including some of the incriminating statements made to the grand jury. The prosecution was forced to dismiss the original indictments, and bring new charges against seven of the ballplayers (McMullin was not charged again). Frustrated by the delays, Landis placed all eight on an "ineligible list", banning them from major and minor league baseball. Comiskey supported Landis by giving the seven who remained under contract to the White Sox their unconditional release. Public sentiment was heavily against the ballplayers, and when Jackson, Williams, Felsch, and Weaver played in a semi-pro game, "The Sporting News" mocked the 3,000 attendees, "Just Like Nuts Go to See a Murderer".
The criminal trial of the Black Sox indictees began in early July 1921. Despite what Robert C. Cottrell, in his book on the scandal, terms "the mysterious loss of evidence", the prosecution was determined to pursue the case, demanding five-year prison terms for the ballplayers for defrauding the public by throwing the World Series. On August 2, 1921, the jury returned not guilty verdicts against all defendants, leading to happy pandemonium in the courtroom, joined by the courtroom bailiffs, with even the trial judge, Hugo Friend, looking visibly pleased. The players and jury then retired to an Italian restaurant and partied well into the night.
The jubilation proved short-lived. On August 3, Landis issued a statement:
Regardless of the verdict of juries, no player that throws a ball game; no player that undertakes or promises to throw a ball game; no player that sits in a conference with a bunch of crooked players and gamblers where the ways and means of throwing ball games are planned and discussed and does not promptly tell his club about it, will ever play professional baseball. Of course, I don't know that any of these men will apply for reinstatement, but if they do, the above are at least a few of the rules that will be enforced. Just keep in mind that, regardless of the verdict of juries, baseball is competent to protect itself against crooks, both inside and outside the game.
According to ESPN columnist Rob Neyer, "with that single decision, Landis might have done more for the sport than anyone else, ever. Certainly, Landis never did anything more important." According to Carney, "The public amputation of the eight Sox was seen as the only acceptable cure." Over the years of Landis's commissionership, a number of the players applied for reinstatement to the game, notably Jackson and Weaver. Jackson, raised in rural South Carolina and with limited education, was said to have been drawn unwillingly into the conspiracy, while Weaver, though admitting his presence at the meetings, stated that he took no money. Both men stated that their play on the field, and their batting percentages during the series (.375 for Jackson, .324 for Weaver) indicated that they did not help to throw the series. None was ever reinstated, with Landis telling a group of Weaver supporters that his presence at the meetings with the gamblers was sufficient to bar him. Even today, long after the deaths of all three men, efforts are periodically made to reinstate Jackson (which would make him eligible for election to the National Baseball Hall of Fame) and Weaver (deemed by some the least culpable of the eight). In the 1990s, a petition drive to reinstate Jackson drew 60,000 signatures. He has been treated sympathetically in movies such as "Eight Men Out" and "Field of Dreams", and Hall of Famers Ted Williams and Bob Feller expressed their support for Jackson's induction into the Hall. Landis's expulsion of the eight men remains in force.
Landis felt that the Black Sox scandal had been initiated by people involved in horse racing, and stated that "by God, as long as I have anything to do with this game, they'll never get another hold on it." In 1921, his first season as commissioner, New York Giants owner Charles Stoneham and manager John McGraw purchased Oriental Park Racetrack in Havana, Cuba. Landis gave Stoneham and McGraw an ultimatum—they could not be involved in both baseball and horse racing. They quickly put the track back on the market.
Even before the Black Sox scandal had been resolved, Landis acted to clean up other gambling cases. Eugene Paulette, a first baseman for the Philadelphia Phillies, had been with the St. Louis Cardinals in 1919, and had met with gamblers. It is uncertain if any games were fixed, but Paulette had written a letter naming two other Cardinals who might be open to throwing games. The letter had fallen into the hands of Phillies President William F. Baker, who had taken no action until Landis's appointment, then turned the letter over to him. Paulette met with Landis once, denying any wrongdoing, then refused further meetings. Landis placed him on the ineligible list in March 1921. In November 1921, Landis banned former St. Louis Browns player Joe Gedeon, who had been released by the Browns after admitting to sitting in on meetings with gamblers who were trying to raise the money to bribe the Black Sox. When a minor league official asked if he was eligible, Landis settled the matter by placing Gedeon on the ineligible list.
Two other player gambling affairs marked Landis's early years as commissioner. In 1922, Giants pitcher Phil Douglas, embittered at McGraw for disciplining him for heavy drinking, wrote a letter to Cardinals outfielder Leslie Mann, suggesting that he would take a bribe to ensure the Giants did not win the pennant. Although Mann had been a friend, the outfielder neither smoked nor drank and had long been associated with the YMCA movement; according to baseball historian Lee Allen, Douglas might as well have sent the letter to Landis himself. Mann immediately turned over the letter to his manager, Branch Rickey, who ordered Mann to contact Landis at once. The Giants placed Douglas on the ineligible list, an action backed by Landis after meeting with the pitcher. On September 27, 1924, Giants outfielder Jimmy O'Connell offered Phillies shortstop Heinie Sand $500 if Sand didn't "bear down too hard against us today". Sand was initially inclined to let the matter pass, but recalling the fate of Weaver and other Black Sox players, told his manager, Art Fletcher. Fletcher met with Heydler, who contacted Landis. O'Connell did not deny the bribe attempt, and was placed on the ineligible list.
In total, Landis banned eighteen players from the game. Landis biographer Pietrusza details the effect of Landis's stand against gambling:
Before 1920 if one player approached another player to throw a contest, there was a very good chance he would not be informed upon. Now, there was an excellent chance he would be turned in. No honest player wanted to meet the same fate as Buck Weaver ... Without the forbidding example of Buck Weaver to haunt them, it is unlikely Mann and Sand would have snitched on their fellow players. After Landis' unforgiving treatment of the popular and basically honest Weaver they dared not to. And once prospectively crooked players knew that honest players would no longer shield them, "the scandals stopped".
At the time of Landis's appointment as commissioner, it was common for professional baseball players to supplement their pay by participating in postseason "barnstorming" tours, playing on teams which would visit smaller cities and towns to play games for which admission would be charged. Since 1911, however, players on the two World Series teams had been barred from barnstorming. The rule had been leniently enforced—in 1916, several members of the champion Red Sox, including pitcher George Herman "Babe" Ruth had barnstormed and had been fined a token $100 each by the National Commission.
Ruth, who after the 1919 season had been sold to the Yankees, and who by then had mostly abandoned his pitching role for the outfield, was the focus of considerable fan interest as he broke batting records in 1920 and 1921, some by huge margins. Ruth's major league record 29 home runs with the Red Sox in 1919 fell to his own efforts in 1920, when he hit 54. He then proceeded to hit 59 in 1921, leading the Yankees to their first pennant. Eight major league teams failed to hit as many home runs in 1921 as Ruth hit by himself. The Yankees lost the 1921 World Series to the Giants (Ruth was injured and missed several games) and after the series, the outfielder proposed to capitalize on fan interest by leading a team of barnstormers, including Yankees teammate Bob Meusel, in violation of the rule. According to Cottrell,
[T]he two men clashed who helped the national pastime overcome the Black Sox scandal, one through his seemingly iron will, the other thanks to his magical bat. Judge Kenesaw Mountain Landis and Babe Ruth battled over the right of a ballplayer from a pennant-winning squad to barnstorm in the off-season. Also involved was the commissioner's continued determination to display, as he had through his banishment of the Black Sox, that he had established the boundaries for organized baseball. These boundaries, Landis intended to demonstrate, applied even to the sport's most popular and greatest star. Significant too, only Babe Ruth now contended with Commissioner Landis for the title of baseball's most important figure.
Ruth had asked Yankees general manager Ed Barrow for permission to barnstorm. Barrow had no objection but warned Ruth he must obtain Landis's consent. Landis biographer Spink, who was at the time the editor of "The Sporting News", stated, "I can say that Ruth knew exactly what he was doing when he defied Landis in October, 1921. He was willing to back his own popularity and well-known drawing powers against the Judge." Ruth, to the commissioner's irritation, did not contact Landis until October 15, one day before the first exhibition. When the two spoke by telephone, Landis ordered Ruth to attend a meeting with him; Ruth refused, stating that he had to leave for Buffalo for the first game. Landis angrily refused consent for Ruth to barnstorm, and after slamming down the receiver, is recorded as saying, "Who the hell does that big ape think he is? That blankety-blank! If he goes on that trip it will be one of the sorriest things he has ever done." By one account, Yankees co-owner Colonel Tillinghast Huston attempted to dissuade Ruth as he departed, only to be told by the ballplayer, "Aw, tell the old guy to jump in a lake."
The tour also featured fellow Yankees Bob Meusel and Bill Piercy (who had been called up late in the season and was ineligible for the World Series) as well as Tom Sheehan, who had been sent to the minor leagues before the end of the season. Two other Yankees, Carl Mays and Wally Schang, had been scheduled to join the tour, but given Landis's position, according to Spink, "wisely decided to pass it up". Spink describes the tour as "a fiasco." On Landis's orders, it was barred from all major and minor league ballparks. In addition, it was plagued by poor weather, and was called off in late October. In early December, Landis suspended Ruth, Piercy, and Meusel until May 20, 1922. Yankee management was actually relieved; they had feared Landis would suspend Ruth for the season or even longer. Both the Yankees and Ruth repeatedly asked Landis for the players' early reinstatement, which was refused, and when Landis visited the Yankees during spring training in New Orleans, he lectured Ruth for two hours on the value of obeying authority. "He sure can talk", noted Ruth.
When Ruth returned on May 20, he batted 0-for-4, and was booed by the crowd at the Polo Grounds. According to Pietrusza, "Always a politician, there was one boss Landis did fear: public opinion. He had no guarantee at the start of the Ruth controversy that the public and press would back him as he assumed unprecedented powers over baseball. Now, he knew they would.
At the start of Landis's commissionership, the minor league teams were for the most part autonomous of the major leagues; in fact the minor leagues independently chose to accept Landis's rule. To ensure players did not become mired in the minor leagues without a chance to earn their way out, major league teams were able to draft players who played two consecutive years with the same minor league team. Several minor leagues were not subject to the draft; Landis fought for the inclusion of these leagues, feeling that the non-draft leagues could prevent players from advancing as they became more skilled. By 1924, he had succeeded, as the International League, the final holdout, accepted the draft.
By the mid-1920s, major league clubs were beginning to develop "farm systems", that is, minor league teams owned or controlled by them, at which they could develop young prospects without the risk of the players being acquired by major league rivals. The pioneer in this development was Branch Rickey, who then ran the St. Louis Cardinals. As the 1921 National Agreement among the major and minor leagues which implemented Landis's hiring lifted a ban on major league teams owning minor league ones, Landis was limited in his avenues of attack on Rickey's schemes. Developing talent at little cost thanks to Rickey, the Cardinals dominated the National League, winning nine league titles in the years from 1926 to 1946.
Soon after Landis's appointment, he surprised the major league owners by requiring that they disclose their minor league interests. Landis fought against the practice of "covering up", using transfers between two teams controlled by the same major league team to make players ineligible for the draft. His first formal act as commissioner was to declare infielder Phil Todt a free agent, dissolving his contract with the St. Louis Browns (at the time run by Rickey, who soon thereafter moved across town to run the Cardinals); in 1928, he ruled future Hall of Famer Chuck Klein a free agent as he held the Cardinals had tried to cover Klein up by having him play in a league where they owned two affiliates. The following year, he freed Detroit Tigers prospect and future Hall of Famer Rick Ferrell, who attracted a significant signing bonus from the Browns. In 1936, Landis found that teenage pitching prospect Bob Feller's signing by minor league club Fargo-Moorhead had been a charade; the young pitcher was for all intents and purposes property of the Cleveland Indians. However, Feller indicated that he wanted to play for Cleveland and Landis issued a ruling which required the Indians to pay damages to minor league clubs, but allowed them to retain Feller, who went on to a Hall of Fame career with the Indians.
Landis's attempts to crack down on "covering up" provoked the only time he was ever sued by one of his owners. After the 1930 season, minor leaguer Fred Bennett, convinced he was being covered up by the Browns, petitioned Landis for his release. Landis ruled that the Browns could either keep Bennett on their roster for the entire 1931 season, trade him, or release him. Instead, Browns owner Phil Ball brought suit against Landis in his old court in Chicago. Federal Judge Walter Lindley ruled for Landis, noting that the agreements and rules were intended to "endow the Commissioner with all the attributes of a benevolent but absolute despot and all the disciplinary powers of the proverbial "pater familias"". Ball intended to appeal, but after a meeting between team owners and Landis in which the commissioner reminded owners of their agreement not to sue, decided to drop the case.
Landis had hoped that the large Cardinal farm system would become economically unfeasible; when it proved successful for the Cardinals, he had tolerated it for several years and was in a poor position to abolish it. In 1938, however, finding that the Cardinals effectively controlled multiple teams in the same league (a practice disliked by Landis), he freed 70 players from their farm system. As few of the players were likely prospects for the major leagues, Landis's actions generated headlines, but had little effect on the Cardinals organization, and the development of the modern farm system, whereby each major league club has several minor league teams which it uses to develop talent, proceeded apace. Rob Neyer describes Landis's effort as "a noble effort in a good cause, but it was also doomed to fail."
One of the most controversial aspects of Landis's commissionership is the question of race. From 1884, black ballplayers were informally banned from organized baseball. No black ballplayer played in organized baseball during Landis's commissionership; Rickey (then running the Brooklyn Dodgers) broke the color line by signing Jackie Robinson to play for the minor league Montreal Royals in 1946, after Landis's death. Robinson became the first African-American in the major leagues since the 19th century, playing with the Dodgers beginning in 1947.
According to contemporary newspaper columns, at the time of his appointment as commissioner, Landis was considered a liberal on race questions; two Chicago African-American newspapers defended him against the 1921 efforts to impeach him from his judgeship. A number of baseball authors have ascribed racism to Landis, who they say actively perpetuated baseball's color line. James Bankes, in "The Pittsburgh Crawfords", tracing the history of that Negro League team, states that Landis, whom the author suggests was a Southerner, made "little effort to disguise his racial prejudice during 25 years in office" and "remained a steadfast foe of integration". Negro League historian John Holway termed Landis "the hard-bitten Carolinian Kennesaw Mountain Landis". In a 2000 article in "Smithsonian" magazine, writer Bruce Watson states that Landis "upheld baseball's unwritten ban on black players and did nothing to push owners toward integration". A number of authors say that Landis banned major league play against black teams for fear the white teams would lose, though they ascribe various dates for this action, and the Dodgers are known to have played black teams in and around their Havana spring training base as late as 1942.
Landis's documented actions on race are inconsistent. In 1938, Yankee Jake Powell was interviewed by a radio station, and when asked what he did in the offseason, made comments that were interpreted as meaning he worked as a police officer and beat up African Americans. Landis suspended Powell for ten days. In June 1942, the Negro League Kansas City Monarchs played several games against the white "Dizzy Dean All-Stars" at major league ballparks, attracting large crowds. After three games, all won by the Monarchs, Landis ordered a fourth canceled, on the ground that the games were outdrawing major league contests. On one occasion, Landis intervened in Negro League affairs, though he had no jurisdiction to do so. The Crawfords lost a game to a white semi-pro team when their star catcher, Josh Gibson dropped a pop fly, and Gibson was accused of throwing the game at the behest of gamblers. Landis summoned the black catcher to his office, interviewed him, and announced Gibson was cleared of wrongdoing.
In July 1942, Dodger manager Leo Durocher charged that there was a "grapevine understanding" keeping blacks out of baseball. He was summoned to Landis's Chicago office, and after emerging from a meeting with the commissioner, alleged that he had been misquoted. Landis then addressed the press, and stated,"
Negroes are not barred from organized baseball by the commissioner and never have been in the 21 years I have served. There is no rule in organized baseball prohibiting their participation and never has been to my knowledge. If Durocher, or if any other manager, or all of them, want to sign one, or twenty-five Negro players, it is all right with me. That is the business of the managers and the club owners. The business of the commissioner is to interpret the rules of baseball, and to enforce them.
In his 1961 memoir, "Veeck as in Wreck", longtime baseball executive and owner Bill Veeck told of his plan, in 1942, to buy the Phillies and stock the team with Negro League stars. Veeck wrote that he told Landis, who reacted with shock, and soon moved to block the purchase. In his book, Veeck placed some of the blame on National League President Ford Frick, but later reserved blame exclusively for Landis, whom he accused of racism, stating in a subsequent interview, "[a]fter all, a man who is named Kenesaw Mountain was not born and raised in the state of Maine." However, when Veeck was asked for proof of his allegations against Landis, he stated, "I have no proof of that. I can only surmise." According to baseball historian David Jordan, "Veeck, nothing if not a storyteller, seems to have added these embellishments, sticking in some guys in black hats, simply to juice up his tale."
In November 1943, Landis agreed after some persuasion that black sportswriter Sam Lacy should make a case for integration of organized baseball before the owners' annual meeting. Instead of Lacy attending the meeting, actor Paul Robeson did. Robeson, though a noted black actor and advocate of civil rights, was a controversial figure due to his affiliation with the Communist Party. The owners heard Robeson out, but at Landis's suggestion, did not ask him any questions or begin any discussion with him.
Neyer noted that "Landis has been blamed for delaying the integration of the major leagues, but the truth is that the owners didn't want black players in the majors any more than Landis did. And it's not likely that, even if Landis hadn't died in 1944, he could have prevented Branch Rickey from bringing Jackie Robinson to the National League in 1947." C.C. Johnson Spink, son of Landis biographer J.G. Taylor Spink and his successor as editor of "The Sporting News", noted in the introduction to the reissue of his father's biography of Landis,
K.M. Landis was quite human and not infallible. If, for example, he did drag his feet at erasing baseball's color line, he was grievously wrong, but then so were many others of his post-Civil War generation.
Landis took full jurisdiction over the World Series, as a contest between representatives of the two major leagues. Landis was blamed when the umpires called a game on account of darkness with the score tied during the 1922 World Series, even though there was still light. Landis decided that such decisions in future would be made by himself, moved forward the starting time of World Series games in future years, and announced that proceeds from the tied game would be donated to charity. In the 1932 World Series, Landis ordered that tickets for Game One at Yankee Stadium only be sold as part of strips, forcing fans to purchase tickets for all Yankee home games during that Series. Bad weather and the poor economy resulted in a half-filled stadium, and Landis allowed individual game sales for Game Two. During the 1933 World Series, he instituted a rule that only he could throw a player out of a World Series game, a rule which followed the ejection of Washington Senator Heinie Manush by umpire Charley Moran. The following year, with the visiting Cardinals ahead of the Detroit Tigers, 9–0 in Game Seven, he removed Cardinal Joe Medwick from the game for his own safety when Medwick, the left fielder, was pelted with fruit by Tiger fans after Medwick had been involved in a fight with one of the Tigers. Spink notes that Landis would most likely not have done so were the game within reach of the Tigers. In the 1938 World Series, umpire Moran was hit by a wild throw and suffered facial injuries. He was able to continue, but the incident caused Landis to order that World Series games and All-Star Games be played with six umpires.
The All-Star Game began in 1933; Landis had been a strong supporter of the proposal for such a contest, and after the first game remarked, "That's a grand show, and it should be continued." He never missed an All-Star Game in his lifetime; his final public appearance was at the 1944 All-Star Game in Pittsburgh.
In 1928, National League ball clubs proposed an innovation whereby each team's pitcher, usually the weakest hitter in the lineup, would not bat, but be replaced for the purposes of batting and base-running by a tenth player. There were expectations that at the interleague meetings that year, the National League teams would vote for it, and the American League teams against it, leaving Landis to cast the deciding vote. In the event, the proposal was withdrawn, and Landis did not disclose how he would have voted on this early version of the "designated hitter" rule.
Landis disliked the innovation of "night baseball", played in the evening with the aid of artificial light, and sought to discourage teams from it. Despite this, he attended the first successful minor league night game, in Des Moines, Iowa, in 1930. When major league night baseball began in the late 1930s, Landis got the owners to restrict the number of such games. During World War II, many restrictions on night baseball were reduced, with the Washington Senators permitted to play all their home games (except those on Sundays and holidays) at night.
With the entry of the United States into World War II in late 1941, Landis wrote to President Franklin D. Roosevelt, inquiring as to the wartime status of baseball. The President responded, urging Landis to keep baseball open, foreseeing that even those fully engaged in war work would benefit from inexpensive diversions such as attending baseball games. Many major leaguers enlisted or were drafted; even so Landis repeatedly stated, "We'll play as long as we can put nine men on the field." Although many of the teams practiced at their normal spring training sites in 1942, beginning the following year they were required to train near their home cities or in the Northeast. Landis was as virulently opposed to the Axis Powers as he had been towards the Kaiser, writing that peace would not be possible until "about fifteen thousand little Hitler, Himmlers and Hirohitos" were killed.
Landis retained a firm hold on baseball despite his advancing years and, in 1943, banned Phillies owner William D. Cox from baseball for betting on his own team. In 1927, Landis's stance regarding gambling had been codified in the rules of baseball: "Any player, umpire, or club or league official or employee who shall bet any sum whatsoever upon any baseball game in connection with which the bettor had a duty to perform shall be declared permanently ineligible." Cox was required to sell his stake in the Phillies.
In early October 1944, Landis checked into St. Luke's Hospital in Chicago, where his wife Winifred had been hospitalized, with a severe cold. While in the hospital, he had a heart attack, causing him to miss the World Series for the first time in his commissionership. He remained fully alert, and as usual signed the World Series share checks to players. His contract was due to expire in January 1946; on November 17, 1944, baseball's owners voted him another seven-year term. However, on November 25, he died surrounded by family, five days after his 78th birthday. His longtime assistant, Leslie O'Connor, wept as he read the announcement for the press. Landis is buried at Oak Woods Cemetery in Chicago.
Two weeks after his death, Landis was voted into the National Baseball Hall of Fame by a special committee vote. The Baseball Writers' Association of America renamed its Most Valuable Player Awards after Landis.
American League President Will Harridge said of Landis, "He was a wonderful man. His great qualities and downright simplicity impressed themselves deeply on all who knew him." Pietrusza suggests that the legend on Landis's Hall of Fame plaque is his true legacy: "His integrity and leadership established baseball in the esteem, respect, and affection of the American people." Pietrusza notes that Landis was hired by the baseball owners to clean up the sport, and "no one could deny Kenesaw Mountain Landis had accomplished what he had been hired to do". According to his first biographer, Spink:
[Landis] may have been arbitrary, self-willed and even unfair, but he 'called 'em as he saw 'em' and he turned over to his successor and the future a game cleansed of the nasty spots which followed World War I. Kenesaw Mountain Landis put the fear of God into weak characters who might otherwise have been inclined to violate their trust. And for that, I, as a lifelong lover of baseball, am eternally grateful.
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Kepler–Poinsot polyhedron
In geometry, a Kepler–Poinsot polyhedron is any of four regular star polyhedra.
They may be obtained by stellating the regular convex dodecahedron and icosahedron, and differ from these in having regular pentagrammic faces or vertex figures. They can all be seen as three-dimensional analogues of the pentagram in one way or another.
These figures have pentagrams (star pentagons) as faces or vertex figures. The small and great stellated dodecahedron have nonconvex regular pentagram faces. The great dodecahedron and great icosahedron have convex polygonal faces, but pentagrammic vertex figures.
In all cases, two faces can intersect along a line that is not an edge of either face, so that part of each face passes through the interior of the figure. Such lines of intersection are not part of the polyhedral structure and are sometimes called false edges. Likewise where three such lines intersect at a point that is not a corner of any face, these points are false vertices. The images below show spheres at the true vertices, and blue rods along the true edges.
For example, the small stellated dodecahedron has 12 pentagram faces with the central pentagonal part hidden inside the solid. The visible parts of each face comprise five isosceles triangles which touch at five points around the pentagon. We could treat these triangles as 60 separate faces to obtain a new, irregular polyhedron which looks outwardly identical. Each edge would now be divided into three shorter edges (of two different kinds), and the 20 false vertices would become true ones, so that we have a total of 32 vertices (again of two kinds). The hidden inner pentagons are no longer part of the polyhedral surface, and can disappear. Now Euler's formula holds: 60 − 90 + 32 = 2. However, this polyhedron is no longer the one described by the Schläfli symbol {5/2, 5}, and so can not be a Kepler–Poinsot solid even though it still looks like one from outside.
A Kepler–Poinsot polyhedron covers its circumscribed sphere more than once, with the centers of faces acting as winding points in the figures which have pentagrammic faces, and the vertices in the others. Because of this, they are not necessarily topologically equivalent to the sphere as Platonic solids are, and in particular the Euler relation
does not always hold. Schläfli held that all polyhedra must have χ = 2, and he rejected the small stellated dodecahedron and great dodecahedron as proper polyhedra. This view was never widely held.
A modified form of Euler's formula, using density ("D") of the vertex figures (formula_2) and faces (formula_3) was given by Arthur Cayley, and holds both for convex polyhedra (where the correction factors are all 1), and the Kepler–Poinsot polyhedra:
The Kepler–Poinsot polyhedra exist in dual pairs. Duals have the same Petrie polygon, or more precisely, Petrie polygons with the same two dimensional projection.
The following images show the two dual compounds with the same edge radius. They also show that the Petrie polygons are skew.
Two relationships described in the article below are also easily seen in the images: That the violet edges are the same, and that the green faces lie in the same planes.
John Conway defines the Kepler–Poinsot polyhedra as "greatenings" and "stellations" of the convex solids.
In his naming convention the small stellated dodecahedron is just the "stellated dodecahedron".
"Stellation" changes pentagonal faces into pentagrams. (In this sense stellation is a unique operation, and not to be confused with the more general stellation described below.)
"Greatening" maintains the type of faces, shifting and resizing them into parallel planes.
The great icosahedron is one of the stellations of the icosahedron. (See The Fifty-Nine Icosahedra)
The three others are all the stellations of the dodecahedron.
The great stellated dodecahedron is a faceting of the dodecahedron.
The three others are facetings of the icosahedron.
If the intersections are treated as new edges and vertices, the figures obtained will not be regular, but they can still be considered stellations.
The great stellated dodecahedron shares its vertices with the dodecahedron. The other three Kepler–Poinsot polyhedra share theirs with the icosahedron.
The small and great stellated dodecahedron
can be seen as a regular and a great dodecahedron with their edges and faces extended until they intersect.
The pentagon faces of these cores are the invisible parts of the star polyhedra's pentagram faces.
For the small stellated dodecahedron the hull is formula_5 times bigger than the core, and for the great it is formula_6 times bigger.
(The midradius is a common measure to compare the size of different polyhedra.)
Traditionally the two star polyhedra have been defined as "augmentations" (or "cumulations"),
Kepler calls the small stellation an "augmented dodecahedron" (then nicknaming it "hedgehog").
These naïve definitions are still used.
E.g. MathWorld states that the two star polyhedra can be constructed by adding pyramids to the faces of the Platonic solids.
All Kepler–Poinsot polyhedra have full icosahedral symmetry, just like their convex hulls.
The great icosahedron and its dual resemble the icosahedron and its dual in that they have faces and vertices on the 3-fold (yellow) and 5-fold (red) symmetry axes.
In the great dodecahedron and its dual all faces and vertices are on 5-fold symmetry axes (so there are no yellow elements in these images).
The following table shows the solids in pairs of duals. In the top row they are shown with pyritohedral symmetry, in the bottom row with icosahedral symmetry (to which the mentioned colors refer).
The table below shows orthographic projections from the 5-fold (red), 3-fold (yellow) and 2-fold (blue) symmetry axes.
Most, if not all, of the Kepler-Poinsot polyhedra were known of in some form or other before Kepler. A small stellated dodecahedron appears in a marble tarsia (inlay panel) on the floor of St. Mark's Basilica, Venice, Italy. It dates from the 15th century and is sometimes attributed to Paolo Uccello.
In his "Perspectiva corporum regularium" ("Perspectives of the regular solids"), a book of woodcuts published in 1568, Wenzel Jamnitzer depicts the great stellated dodecahedron and a great dodecahedron (both shown below). There is also a truncated version of the small stellated dodecahedron. It is clear from the general arrangement of the book that he regarded only the five Platonic solids as regular.
The small and great stellated dodecahedra, sometimes called the Kepler polyhedra, were first recognized as regular by Johannes Kepler around 1619. He obtained them by stellating the regular convex dodecahedron, for the first time treating it as a surface rather than a solid. He noticed that by extending the edges or faces of the convex dodecahedron until they met again, he could obtain star pentagons. Further, he recognized that these star pentagons are also regular. In this way he constructed the two stellated dodecahedra. Each has the central convex region of each face "hidden" within the interior, with only the triangular arms visible. Kepler's final step was to recognize that these polyhedra fit the definition of regularity, even though they were not convex, as the traditional Platonic solids were.
In 1809, Louis Poinsot rediscovered Kepler's figures, by assembling star pentagons around each vertex. He also assembled convex polygons around star vertices to discover two more regular stars, the great icosahedron and great dodecahedron. Some people call these two the Poinsot polyhedra. Poinsot did not know if he had discovered all the regular star polyhedra.
Three years later, Augustin Cauchy proved the list complete by stellating the Platonic solids, and almost half a century after that, in 1858, Bertrand provided a more elegant proof by faceting them.
The following year, Arthur Cayley gave the Kepler–Poinsot polyhedra the names by which they are generally known today.
A hundred years later, John Conway developed a systematic terminology for stellations in up to four dimensions. Within this scheme the small stellated dodecahedron is just the "stellated dodecahedron".
A dissection of the great dodecahedron was used for the 1980s puzzle Alexander's Star.
Regular star polyhedra first appear in Renaissance art. A small stellated dodecahedron is depicted in a marble tarsia on the floor of St. Mark's Basilica, Venice, Italy, dating from ca. 1430 and sometimes attributed to Paulo Ucello.
In the 20th Century, Artist M. C. Escher's interest in geometric forms often led to works based on or including regular solids; "Gravitation" is based on a small stellated dodecahedron.
Norwegian artist Vebjørn Sands sculpture "The Kepler Star" is displayed near Oslo Airport, Gardermoen. The star spans 14 meters, and consists of an icosahedron and a dodecahedron inside a great stellated dodecahedron.
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Kraków
Kraków (, also , , ), written in English as Krakow and traditionally known as Cracow, is the second largest and one of the oldest cities in Poland. Situated on the Vistula River in Lesser Poland Province, the city dates back to the 7th century. Kraków was the official capital of Poland until 1596 and has traditionally been one of the leading centres of Polish academic, economic, cultural and artistic life. Cited as one of Europe's most beautiful cities, its Old Town was declared the first UNESCO World Heritage Site in the world.
The city has grown from a Stone Age settlement to Poland's second most important city. It began as a hamlet on Wawel Hill and was already being reported as a busy trading centre of Central Europe in 965. With the establishment of new universities and cultural venues at the emergence of the Second Polish Republic in 1918 and throughout the 20th century, Kraków reaffirmed its role as a major national academic and artistic centre. The city has a population of about 770,000, with approximately 8 million additional people living within a radius of its main square.
After the invasion of Poland by Nazi Germany at the start of World War II, the newly defined Distrikt Krakau (Kraków District) became the capital of Germany's General Government. The Jewish population of the city was forced into a walled zone known as the Kraków Ghetto, from which they were sent to German extermination camps such as the nearby Auschwitz, and the Nazi concentration camps like Płaszów. However, the city was spared from destruction and major bombing.
In 1978, Karol Wojtyła, archbishop of Kraków, was elevated to the papacy as Pope John Paul II—the first non-Italian pope in 455 years. Also that year, UNESCO approved Kraków's entire Old Town and historic centre as its first World Heritage List alongside Quito. Kraków is classified as a global city with the ranking of high sufficiency by GaWC. Its extensive cultural heritage across the epochs of Gothic, Renaissance and Baroque architecture includes the Wawel Cathedral and the Royal Castle on the banks of the Vistula, the St. Mary's Basilica, Saints Peter and Paul Church and the largest medieval market square in Europe, the Rynek Główny. Kraków is home to Jagiellonian University, one of the oldest universities in the world and traditionally Poland's most reputable institution of higher learning.
In 2000, Kraków was named European Capital of Culture. In 2013, Kraków was officially approved as a UNESCO City of Literature. The city hosted the World Youth Day in July 2016.
The name of Kraków is traditionally derived from Krakus (Krak, Grakch), the legendary founder of Kraków and a ruler of the tribe of Lechitians. In Polish, is an archaic possessive form of "Krak" and essentially means "Krak's (town)". Krakus's name may derive from "krakula", a Proto-Slavic word meaning a judge's staff, or from "krak", a Proto-Slavic word meaning an oak, once a sacred tree most often associated with the concept of genealogy. The first recorded mention of Prince Krakus (then written as "Grakch") dates back to 1190, although the town existed as early as the 7th century, when it was inhabited by the tribe of Vistulans.
The city's full official name is , which can be translated as "Royal Capital City of Kraków". In English, a person born or living in Kraków is a Cracovian ( or "krakus"). While in the 1990s the English version of the name was often written Cracow, the most widespread modern English version is Krakow.
Kraków's early history begins with evidence of a Stone Age settlement on the present site of the Wawel Hill. A legend attributes Kraków's founding to the mythical ruler Krakus, who built it above a cave occupied by a dragon, Smok Wawelski. The first written record of the city's name dates back to 965, when Kraków was described as a notable commercial centre controlled first by Moravia (876–879), but captured by a Bohemian duke Boleslaus I in 955. The first acclaimed ruler of Poland, Mieszko I, took Kraków from the Bohemians and incorporated it into the holdings of the Piast dynasty towards the end of his reign.
In 1038, Kraków became the seat of the Polish government. By the end of the 10th century, the city was a leading centre of trade. Brick buildings were constructed, including the Royal Wawel Castle with St. Felix and Adaukt Rotunda, Romanesque churches such as St. Adalbert's, a cathedral, and a basilica. The city was sacked and burned during the Mongol invasion of 1241. It was rebuilt practically identical, based on new location act and incorporated in 1257 by the high duke Bolesław V the Chaste who following the example of Wrocław, introduced city rights modelled on the Magdeburg law allowing for tax benefits and new trade privileges for the citizens. In 1259, the city was again ravaged by the Mongols. A third attack in 1287 was repelled thanks in part to the new built fortifications. In 1335, King Casimir III of Poland (Kazimierz in Polish) declared the two western suburbs to be a new city named after him, Kazimierz ("Casimiria" in Latin). The defensive walls were erected around the central section of Kazimierz in 1362, and a plot was set aside for the Augustinian order next to Skałka.
The city rose to prominence in 1364, when Casimir III of Poland founded the University of Kraków, the second oldest university in central Europe after the Charles University in Prague. King Casimir also began work on a campus for the Academy in Kazimierz, but he died in 1370 and the campus was never completed. The city continued to grow under the joint Lithuanian-Polish Jagiellon dynasty. As the capital of the Kingdom of Poland and a member of the Hanseatic League, the city attracted many craftsmen, businesses, and guilds as science and the arts began to flourish. The royal chancery and the University ensured a first flourishing of Polish literary culture in the city.
The 15th and 16th centuries were known as Poland's "Złoty Wiek" or Golden Age. Many works of Polish Renaissance art and architecture were created, including ancient synagogues in Kraków's Jewish quarter located in the north-eastern part of Kazimierz, such as the Old Synagogue. During the reign of Casimir IV, various artists came to work and live in Kraków, and Johann Haller established a printing press in the city after Kasper Straube had printed the Calendarium Cracoviense, the first work printed in Poland, in 1473.
In 1520, the most famous church bell in Poland, named "Zygmunt" after Sigismund I of Poland, was cast by Hans Behem. At that time, Hans Dürer, a younger brother of artist and thinker Albrecht Dürer, was Sigismund's court painter. Hans von Kulmbach made altarpieces for several churches. In 1553, the Kazimierz district council gave the Jewish Qahal a licence for the right to build their own interior walls across the western section of the already existing defensive walls. The walls were expanded again in 1608 due to the growth of the community and influx of Jews from Bohemia. In 1572, King Sigismund II, the last of the Jagiellons, died childless. The Polish throne passed to Henry III of France and then to other foreign-based rulers in rapid succession, causing a decline in the city's importance that was worsened by pillaging during the Swedish invasion and by an outbreak of bubonic plague that left 20,000 of the city's residents dead. In 1596, Sigismund III of the House of Vasa moved the administrative capital of the Polish–Lithuanian Commonwealth from Kraków to Warsaw.
Already weakened during the 18th century, by the mid-1790s the Polish–Lithuanian Commonwealth had twice been partitioned by its neighbors: Russia, the Habsburg empire based in Austria, and Prussia. In 1791, the Austrian and Holy Roman Emperor Joseph II changed the status of Kazimierz as a separate city and made it into a district of Kraków. The richer Jewish families began to move out. However, because of the injunction against travel on the Sabbath, most Jewish families stayed relatively close to the historic synagogues. In 1794, Tadeusz Kościuszko initiated an unsuccessful insurrection in the town's Main Square which, in spite of his victorious Battle of Racławice against a numerically superior Russian army, resulted in the third and final partition of Poland. In 1809, Napoleon Bonaparte captured former Polish territories from Austria and made the town part of the Duchy of Warsaw. Following Napoleon's defeat, the 1815 Congress of Vienna restored the pre-war boundaries but also created the partially independent Free City of Kraków. An insurrection in 1846 failed, resulting in the city being annexed by Austria under the name the Grand Duchy of Kraków (, ).
In 1866, Austria granted a degree of autonomy to Galicia after its own defeat in the Austro-Prussian War. Politically freer Kraków became a Polish national symbol and a centre of culture and art, known frequently as the "Polish Athens" ('). Many leading Polish artists of the period resided in Kraków, among them the seminal painter Jan Matejko, laid to rest at Rakowicki Cemetery, and the founder of modern Polish drama, Stanisław Wyspiański. Fin de siècle Kraków evolved into a modern metropolis; running water and electric streetcars were introduced in 1901, and between 1910 and 1915, Kraków and its surrounding suburban communities were gradually combined into a single administrative unit called Greater Kraków (').
At the outbreak of World War I on 3 August 1914, Józef Piłsudski formed a small cadre military unit, the First Cadre Company—the predecessor of the Polish Legions—which set out from Kraków to fight for the liberation of Poland. The city was briefly besieged by Russian troops in November 1914. Austrian rule in Kraków ended in 1918 when the Polish Liquidation Committee assumed power.
With the emergence of the Second Polish Republic, Kraków resumed its role as a major academic and cultural centre, with the establishment of new universities such as the AGH University of Science and Technology and the Jan Matejko Academy of Fine Arts, including a number of new and essential vocational schools. It became an important cultural centre for the Polish Jews, including both Zionist and Bundist groups. Kraków was also an influential centre of Jewish spiritual life, with all its manifestations of religious observance from Orthodox, to Hasidic and Reform Judaism flourishing side by side.
Following the invasion of Poland by Nazi Germany in September 1939, the city of Kraków became part of the General Government, a separate administrative region of the Third Reich. On 26 October 1939, the Nazi Regime constructed Distrikt Krakau, one of four total districts within the General Government. On the same day, the city of Kraków also became the capital of the administration. The General Government was ruled by Hans Frank who was based in the city's Wawel Castle. The Nazis envisioned turning Kraków into a completely Germanised city; after removal of all the Jews and Poles, renaming of locations and streets into the German language, and sponsorship of propaganda trying to portray it as a historically German city. On 28 November 1939 Hans Frank created Judenräte (Jewish Councils) which were to be run by Jewish citizens for the purpose of carrying out orders for the Nazis. These orders included registration of all Jewish people living in the area, the collection of taxes, and forced labour groups.
On the eve of the war some 56,000 Jews resided in Krakow, almost one-quarter of a total population of about 250,000. By November 1939, the Jewish population of Krakow had grown to approximately 70,000. According to German statistics from 1940, over 200,000 Jews lived within the entire Kraków District, exceeding 5 percent of the total population in the district. These statistics, however, are likely an underestimate.
During an operation called "", more than 180 university professors and academics were arrested and sent to Sachsenhausen and Dachau concentration camps, though the survivors were later released on the request of prominent Italians.
Before the formation of ghettos, which began in the District in December 1939, Jews were encouraged to flee the city. For those who remained the German authorities decided in March 1941 to allocate a then suburban neighborhood, Podgórze District, to become Kraków's ghetto where so many Jews were destined to die of illness or starvation. Initially, most ghettos were open and Jews were allowed to enter and exit freely. However, with time ghettos were generally closed and security became tighter. From autumn 1941, the SS developed the policy of Extermination through labour, which further worsened the already bleak Jewish condition.The ghetto inhabitants were later murdered or sent to German Extermination camps, including Bełżec and Auschwitz, and to Kraków-Płaszów concentration camp. The largest deportations within the District occurred from June to September 1942. More specifically, the Kraków ghetto deportation occurred in the first week of June 1942, and in March 1943 the ghetto was definitely liquidated.
Roman Polanski, the film director, is a survivor of the Kraków Ghetto, while Oskar Schindler selected employees from the ghetto to work in his enamelware factory, ' (' for short) saving them from the camps. Similarly, many men capable of physical labor were saved from the deportations to extermination camps and instead set to labor camps across the General Government.
By September 1943, the last of the Jews from the Kraków ghetto were deported. Although looted by occupational authorities, Kraków remained relatively undamaged at the end of World War II, sparing most of the city's historical and architectural legacy. Soviet forces entered the city on 18 January 1945, and began arresting Poles loyal to the Polish government-in-exile or those who had served in the Home Army.
After the war, under the Polish People's Republic, the intellectual and academic community of Kraków was put under complete political control. The universities were soon deprived of printing rights and autonomy. The Stalinist government ordered the construction of the country's largest steel mill in the newly created suburb of Nowa Huta. The creation of the giant Lenin Steelworks (now Sendzimir Steelworks owned by Mittal) sealed Kraków's transformation from a university city, into an industrial centre. The new working-class, drawn by the industrialization of Kraków, contributed to rapid population growth.
In an effort that spanned two decades, Karol Wojtyła, cardinal archbishop of Kraków, successfully lobbied for permission to build the first churches in the newly industrial suburbs. In 1978, Wojtyła was elevated to the papacy as John Paul II, the first non-Italian pope in 455 years. In the same year, UNESCO placed Kraków Old Town on the first-ever list of World Heritage Sites.
Kraków lies in the southern part of Poland, on the Vistula River, in a valley at the foot of the Carpathian Mountains, above sea level; halfway between the Jurassic Rock Upland () to the north, and the Tatra Mountains to the south, constituting the natural border with Slovakia and the Czech Republic; west from the border with Ukraine.
There are five nature reserves in Kraków, with a combined area of ca. . Due to their ecological value, these areas are legally protected. The western part of the city, along its northern and north-western side, borders an area of international significance known as the Jurassic Bielany-Tyniec refuge. The main motives for the protection of this area include plant and animal wildlife and the area's geomorphological features and landscape. Another part of the city is located within the ecological 'corridor' of the Vistula River valley. This corridor is also assessed as being of international significance as part of the Pan-European ecological network. The city centre is situated on the left (northern) bank of the river.
Officially, Kraków has an oceanic climate, denoted by Köppen classification as "Cfb", best defined as a semicontinental climate. It could also be classified as a humid subtropical climate ("Cfa") using the original Köppen isotherms and . By classification of Wincenty Okołowicz, it has a warm-temperate climate in the centre of continental Europe with the "fusion" of different features.
Due to its geographic location, the city may be under marine influence, sometimes Arctic influence, but without direct influence, giving the city variable meteorological conditions over short spaces of time.
Being towards Eastern Europe and a relatively considerable distance from the sea, Krakow has significant temperature differences according to the progress of different air masses, having four defined seasons of the year. Average temperatures in summer range from and in winter from . The average annual temperature is . In summer temperatures often exceed , even reaching , while in winter temperatures drop to at night and about during the day. During very cold nights the temperature can drop to . The city lies near the Tatra Mountains, there are often occurrences of halny blowing (a foehn wind), causing temperatures to rise rapidly, and even in winter reach up to .
In relation to Warsaw, temperatures are very similar for most of the year, except that in the colder months southern Poland has a larger daily temperature range, more moderate winds, generally more rainy days and with greater chances of clear skies on average, especially in winter. The lower sun angle also allows for a larger growing season. In addition, for older data there was less sun than the capital of the country, about 30 minutes daily per year, but both have small differences in relative humidity and the direction of the winds is northeast.
The climate table below presents weather data from the years 2000–2012 although the official Köppen reference period was from 1981–2010 (therefore not being technically a climatological normal). According to ongoing measurements, the temperature has increased during these years as compared with the last series. This increase averages about 0.6 °C over all months. Warming is most pronounced during the winter months, with an increase of more than 1.0 °C in January.
Developed over many centuries, Kraków provides a showcase setting for many historic styles of architecture. As the city expanded, so too did the architectural achievements of its builders. It is for this reason that the variations in style and urban planning are so easily recognisable.
Built from its earliest nucleus outward, and having escaped much of the destruction endured by Poland during the 20th-century wars, Kraków's many architectural monuments can typically be seen in historical order by walking from the city centre out, towards its later districts. Kraków is one of the few medieval towns in Poland that does not have a historic Ratusz town hall in its Main Square, because it has not survived the Partitions of Poland.
Kraków's historic centre, which includes the Old Town, Kazimierz and the Wawel Castle, was included as the first of its kind on the list of UNESCO World Heritage Sites in 1978. The "Stare Miasto" is the most prominent example of an old town in the country. For many centuries Kraków was the royal capital of Poland, until Sigismund III Vasa relocated the court to Warsaw in 1596. The whole district is bisected by the Royal Road, the coronation route traversed by the Kings of Poland. The Route begins at St. Florian's Church outside the northern flank of the old city-walls in the medieval suburb of Kleparz; passes the Barbican of Kraków ("Barbakan") built in 1499, and enters "Stare Miasto" through the Florian Gate. It leads down Floriańska Street through the Main Square, and up Grodzka to Wawel, the former seat of Polish royalty, overlooking the Vistula river. Old Town attracts visitors from all over the World. Kraków historic centre is one of the 13 places in Poland that are included in the UNESCO World Heritage Sites. The architectural design of the district had survived all cataclysms of the past and retained its original form coming from the medieval times. The Old Town of Kraków is home to about six thousand historic sites and more than two million works of art. Its rich variety of heritage architecture includes Romanesque (e.g., St. Andrew's Church, Kraków), Gothic, Renaissance and Baroque buildings. Kraków's palaces, churches, theatres and mansions display great variety of color, architectural details, stained glass, paintings, sculptures, and furnishings.
In addition to the old town, the city's district of Kazimierz is particularly notable for its many renaissance buildings and picturesque streets, as well as the historic Jewish quarter located in the north-eastern part of Kazimierz. Kazimierz was founded in the 14th century to the south-east of the city centre and soon became a wealthy, well-populated area where construction of imposing properties became commonplace. Perhaps the most important feature of medieval Kazimierz was the only major, permanent bridge ("Pons Regalis") across the northern arm of the Vistula. This natural barrier used to separate Kazimierz from the Old Town for several centuries, while the bridge connected Kraków to the Wieliczka Salt Mine and the lucrative Hungarian trade route. The last structure at this location (at the end of modern Stradom Street) was dismantled in 1880 when the northern arm of the river was filled in with earth and rock, and subsequently built over.
By the 1930s, Kraków had 120 officially registered synagogues and prayer houses that spanned across the old city. Much of Jewish intellectual life had moved to new centres like Podgórze. This in turn, led to the redevelopment and renovation of much of Kazimierz and the development of new districts in Kraków. Most historic buildings in central Kazimierz today are preserved in their original form. Some old buildings, however, were not repaired after the devastation brought by the Second World War, and have remained empty. Most recent efforts at restoring the historic neighborhoods gained new impetus around 1993. Kazimierz is now a well-visited area, seeing a booming growth in Jewish-themed restaurants, bars, bookstores and souvenir shops.
As the city of Kraków began to expand further under the rule of the Austro-Hungarian Empire, the new architectural styles also developed. Key buildings from the 19th and early 20th centuries in Kraków include the Jan Matejko Academy of Fine Arts, the directorate of the Polish State Railways as well as the original complex of Kraków Główny railway station and the city's Academy of Economics. It was also at around that time that Kraków's first radial boulevards began to appear, with the city undergoing a large-scale program aimed at transforming the ancient Polish capital into a sophisticated regional centre of the Austro-Hungarian Empire. New representative government buildings and multi-story tenement houses were built at around that time. Much of the urban-planning beyond the walls of the Old Town was done by Polish architects and engineers trained in Vienna. Some major projects of the era include the development of the Jagiellonian University's new premises and the building of the Collegium Novum just west of the Old Town. The imperial style planning of the city's further development continued until the return of Poland's independence, following the First World War. Early modernist style in Kraków is represented by such masterpieces as the Palace of Art by Franciszek Mączyński and the 'House under the Globe'. Secession style architecture, which had arrived in Kraków from Vienna, became popular towards the end of the Partitions.
With Poland's regained independence came the major change in the fortunes of Kraków—now the second most important city of a sovereign nation. The state began to make new plans for the city development and commissioned a number of representative buildings. The predominant style for new projects was modernism with various interpretations of the art-deco style. Important buildings constructed in the style of Polish modernism include the Feniks 'LOT' building on Basztowa Street, the Feniks department store on the Main Square and the Municipal Savings Bank on Szczepański Square. The Józef Piłsudski house is also of note as a particularly good example of interwar architecture in the city.
After the Second World War, new government turned toward Soviet influence and the Stalinist monumentalism. The doctrine of Socialist realism in Poland, as in other countries of the People's Republics, was enforced from 1949 to 1956. It involved all domains of art, but its most spectacular achievements were made in the field of urban design. The guidelines for this new trend were spelled-out in a 1949 resolution of the National Council of Party Architects. Architecture was to become a weapon in establishing the new social order by the communists. The ideological impact of urban design was valued more than aesthetics. It aimed at expressing persistence and power. This form of architecture was implemented in the new industrial district of Nowa Huta with apartment blocks constructed according to a Stalinist blueprint, with repetitious courtyards and wide, tree-lined avenues.
Since the style of the Renaissance was generally regarded as the most revered in old Polish architecture, it was also used for augmenting Poland's Socialist national format. However, in the course of incorporating the principles of Socialist realism, there were quite a few deviations introduced by the communists. One of these was to more closely reflect Soviet architecture, which resulted in the majority of works blending into one another. From 1953, critical opinions in the Party were increasingly frequent, and the doctrine was given up in 1956 marking the end of Stalinism. The soc-realist centre of Nowa Huta is considered to be a meritorious monument of the times. This period in postwar architecture was followed by the mass-construction of large Panel System apartment blocks, most of which were built outside the city centre and thus do not encroach upon the beauty of the old or new towns. Some examples of the new style (e.g., Hotel Cracovia) recently listed as heritage monuments were built during the latter half of the 20th century in Kraków.
After the Revolutions of 1989 and the birth of the Third Republic in the latter half of the 20th century, a number of new architectural projects were completed, including the construction of large business parks and commercial facilities such as the Galeria Krakowska, or infrastructure investments like the Kraków Fast Tram. A good example of this would be the 2007-built "Pawilon Wyspiański 2000", which is used as a multi-purpose information and exhibition space, or the Małopolski Garden of Arts (""), a multi-purpose exhibition and theatre complex located in the historic Old Town.
There are about 40 parks in Kraków including dozens of gardens and forests. Several, like the Planty Park, Botanical Garden, Zoological Garden, Park Krakowski, Jordan Park and Błonia Park are located in the centre of the city; with Zakrzówek, Lasek Wolski forest, Strzelecki Park and Park Lotników (among others) in the surrounding districts. Parks cover about 318.5 hectares (787 acres, 1.2 sq mi) of the city.
The Planty Park is the best-known park in Kraków. It was established between 1822 and 1830 in place of the old city walls, forming a green belt around the Old Town. It consists of a chain of smaller gardens designed in various styles and adorned with monuments. The park has an area of and a length of , forming a scenic walkway popular with Cracovians.
The Jordan Park founded in 1889 by Dr Henryk Jordan, was the first public park of its kind in Europe. The park built on the banks of the Rudawa river was equipped with running and exercise tracks, playgrounds, the swimming pool, amphitheatre, pavilions, and a pond for boat rowing and water bicycles. It is located on the grounds of a larger Kraków's Błonia Park. The less prominent Park Krakowski was founded in 1885 by Stanisław Rehman but has since been greatly reduced in size because of rapid real estate development. It was a popular destination point with many Cracovians at the end of the 19th century.
There are five nature reserves in Kraków with a total area of 48.6 ha (120 acres). Smaller green zones constitute parts of the Kraków-Częstochowa Upland Jurassic Landscape Parks' Board, which deals with the protection areas of the Polish Jura. Under its jurisdiction are: the Bielany-Tyniec Landscape Park (Park Bielańsko-Tyniecki), Tenczynek Landscape Park (Park Tencziński) and Kraków Valleys Landscape Park (Park Krajobrazowy Dolinki Krakowskie), with their watersheds. All natural reserves of the Polish Jura Chain are part of the CORINE biotopes programme due to their unique flora, fauna, geomorphology and landscape. The western part of Kraków constitutes the so-called Obszar Krakowski ecological network, including the ecological corridor of the Vistula river. The southern slopes of limestone hills provide conditions for the development of thermophilous vegetation, grasslands and scrubs.
The city is spaced along an extended latitudinal transect of the Vistula River Valley with a network of tributaries including its right tributary Wilga, and left: Rudawa, Białucha, Dłubnia and Sanka. The rivers and their valleys along with bodies of water are some of the most interesting natural wonders of Kraków.
Kraków and its environ, surrounded by mountains, suffer from Europe's dirtiest air pollution because of smog, caused by burning coal for heating, especially in winter.
The Kraków City Council has 43 elected members, one of whom is the mayor, or President of Kraków, elected every four years. The election of the City Council and of the local head of government, which takes place at the same time, is based on legislation introduced on 20 June 2002. The President of Kraków, re-elected for his fourth term in 2014, is Jacek Majchrowski. Several members of the Polish national Parliament (Sejm) are elected from the Kraków constituency. The city's official symbols include a coat of arms, a flag, a seal, and a banner.
The responsibilities of Kraków's president include drafting and implementing resolutions, enacting city bylaws, managing the city budget, employing city administrators, and preparing against floods and natural disasters. The president fulfills his duties with the help of the City Council, city managers and city inspectors. In the 1990s, the city government was reorganised to better differentiate between its political agenda and administrative functions. As a result, the Office of Public Information was created to handle inquiries and foster communication between city departments and citizens at large.
In 2000, the city government introduced a new long-term program called "Safer City" in cooperation with the Police, Traffic, Social Services, Fire, Public Safety, and the Youth Departments. Subsequently, the number of criminal offences went down by 3 percent between 2000 and 2001, and the rate of detection increased by 1.4 percent to a total of 30.2 percent in the same period. The city is receiving help in carrying out the program from all educational institutions and the local media, including TV, radio and the press.
Kraków is divided into 18 administrative districts ("dzielnica") or boroughs, each with a degree of autonomy within its own municipal government. Prior to March 1991, the city had been divided into four quarters which still give a sense of identity to Kraków – the towns of Podgórze, Nowa Huta, and Krowodrza which were amalgamated into the city of Kraków as it expanded, and the ancient town centre of Kraków itself.
The oldest neighborhoods of Kraków were incorporated into the city before the late-18th century. They include the Old Town ("Stare Miasto"), once contained within the city defensive walls and now encircled by the Planty park; the Wawel District, which is the site of the Royal Castle and the cathedral; Stradom and Kazimierz with its historic Jewish quarter, the latter originally divided into Christian and Jewish quarters; as well as the ancient town of Kleparz.
Major districts added in the 19th and 20th centuries include Podgórze, which until 1915, was a separate town on the southern bank of the Vistula, and Nowa Huta, east of the city centre, built after World War II.
Among the most notable historic districts of the city are: Wawel Hill, home to Wawel Castle and Wawel Cathedral, where many historic Polish kings are buried; the medieval Old Town, with its Main Market Square ( square); dozens of old churches and museums; the 14th-century buildings of the Jagiellonian University; and Kazimierz, the historical centre of Kraków's Jewish social and religious life.
The Old Town district of Kraków is home to about 6,000 historic sites, and more than 2,000,000 works of art. Its rich variety of historic architecture includes Renaissance, Baroque and Gothic buildings. Kraków's palaces, churches and mansions display great variety of colour, architectural details, stained glass, paintings, sculptures, and furnishings.
In the Market Square stands the Gothic St. Mary's Basilica ("Kościół Mariacki"). It was rebuilt in the 14th-century and features the famous wooden altar (Altarpiece of Veit Stoss), the largest Gothic altarpiece in the world, carved by Veit Stoss. From the church's main tower a trumpet call ("hejnał mariacki"), is sounded every hour. The melody, which used to announce the opening and closing of city gates, ends unexpectedly in midstream. According to legend, the tune was played during the 13th-century Tatar invasion by a guard warning citizens against the attack. He was shot by an archer of the invading Tatar forces whilst playing, the bugle call breaking off at the moment he died. The story was recounted in a book published in 1928 called "The Trumpeter of Krakow", by Eric P. Kelly, which won a Newbery Award.
The current divisions were introduced by the Kraków City Hall on 19 April 1995. Districts were assigned Roman numerals as well as the name: Stare Miasto (I), Grzegórzki (II), Prądnik Czerwony (III), Prądnik Biały (IV), Łobzów (V), Bronowice (VI), Zwierzyniec (VII), Dębniki (VIII), Łagiewniki-Borek Fałęcki (IX), Swoszowice (X), Podgórze Duchackie (XI), Bieżanów-Prokocim (XII), Podgórze (XIII), Czyżyny (XIV), Mistrzejowice (XV), Bieńczyce (XVI), Wzgórza Krzesławickie (XVII), and Nowa Huta (XVIII).
Kraków is one of Poland's most important economic centres and the economic hub of the Lesser Poland (Małopolska) region. Since the fall of communism, the private sector has been growing steadily. There are about 50 large multinational companies in the city, including Google, IBM, Royal Dutch Shell, UBS, HSBC, Motorola, Aptiv, MAN SE, General Electric, ABB, Aon, Akamai, Cisco Systems, Hitachi, Philip Morris, Capgemini, and Sabre Holdings, along with other British, German and Scandinavian-based firms. The city is also the global headquarters for Comarch, a Polish enterprise software house. In 2005, Foreign direct investment in Kraków has reached approximately US$3,500,000,000. Kraków has been trying to model itself as a European version of Silicon Valley, based on the large number of local and foreign hi-tech companies. The unemployment rate in Kraków was 4.8% in May 2007, well below the national average of 13%. Kraków is the second most-visited city in Poland (after Warsaw). According to the World Investment Report 2011 by the UN Conference for Trade and Development (UNCTAD), Kraków is also the most emergent city location for investment in global BPO projects (Business Process Outsourcing) in the world.
In 2011, the city budget, which is presented by the Mayor of Kraków on 15 November annually, has a projected revenue of 3,500,000,000 złoty. The primary sources of revenue were as follows: 14% from the municipal taxation on real estate properties and the use of amenities, 30% in transfers from the national budget, and 34% in state subsidies. Projected expenditures, totaling 3,520,000,000 złoty, included 21% in city development costs and 79% in city maintenance costs. Of the maintenance costs, as much as 39% were spent on education and childcare. The City of Kraków's development costs included; 41% toward construction of roads, transport, and communication (combined), and 25% for the city's infrastructure and environment. The city has a high bond credit rating, and some 60% of the population is under the age of 45.
Krakow has a long history of entrepreneurship, perhaps best reflected in the fact the most important square in the city is called the Main Market Square (Rynek Główny).
Since the early 2000s a startup community has emerged in Krakow, In the early days the Krakow: Europe's Silicon Valley web page was the on line hub of the community. Most important now is the OMGKRK foundation and its Facebook group which has over 5000 members and acts as a community notice board for the startup community.
Jan Thurzo, a Hungarian entrepreneur and mining engineer who was from 1477 an Alderman and later Mayor of Kraków. He established the Fugger–Thurzo company with Jakob Fugger. Fugger monopolised copper mining and trade in the Holy Roman Empire around 1500 and has been described as the richest man who has ever lived.
Michal Hornstein, born in Krakow, and graduate of a Krakow Business School, escaped from a Nazi death camp transport. He moved to Montreal in 1951 where he founded Federal Construction Ltd., a real estate company focussing on apartments and shopping centres. He was recognised as a major philanthropist in Montreal and supported the arts, education and medicine, for example with this Gift of Old Masters to the Montreal Museum of Fine Arts
Helena Rubinstein, born in Kraków, established the Helena Rubenstein inc. cosmetics company which was sold to Colgate Palmolive in 1973 for $142.3 million in stock and cash, and was said to be one of the world's richest women.
Janusz Filipiak established the successful IT company "Comarch" in 1993 which in 2018 employs 5500 people, and sponsors the Cracovia Football team.
Piotr Wilam established the Pascal Publishing House, the internet portal Onet.pl and seed capital fund Innovation Nest.
Kraków is one of the co-location centres of Knowledge and Innovation Community (Sustainable Energy) of The European Institute of Innovation and Technology (EIT).
InnoEnergy is an integrated alliance of reputable organisations from the education, research and industry sectors. It was created based on long standing links of cooperation as well as the principles of excellence. The partners have jointly developed a strategy to tackle the weaknesses of the European innovation landscape in the field of sustainable energy.
Public transport is based on a fairly dense network of tram and bus routes operated by a municipal company, supplemented by a number of private minibus operators. Local trains connect some of the suburbs. The bulk of the city's historic area has been turned into a pedestrian zone with rickshaws and horse-drawn carriages; however, the trams run within a three-block radius. The historic means of transportation in the city can be examined at the Museum of Municipal Engineering in the Kazimierz district, with many old trams, cars and buses.
Railway connections are available to most Polish cities, e.g. Katowice, Częstochowa, Szczecin, Gdynia and Warsaw. International destinations include Bratislava, Budapest, Vienna, Prague, Berlin, Hamburg, Lviv, Kiev, and Odessa (June–September). The main railway station is located just outside the Old Town District and is well-served by public transport.
Kraków's airport, officially named Kraków John Paul II International Airport , is located west of the city. Direct trains cover the route between Kraków Główny train station and the airport in 20 minutes. Kraków Airport served around 5,800,000 passengers in 2017. Also, the Katowice International Airport is located or about 75 minutes from Kraków.
In Autumn 2016 Poland's oldest Bicycle-sharing system was modernized and now offers 1,500 bikes at 150 stations under the name of Wavelo "", which is owned by BikeU of the French multinational company Egis.
Kraków had a recorded population of 774,839 in 2019. According to the 2006 data, the population of Kraków comprised about 2% of the population of Poland and 23% of the population of the Lesser Poland Voivodeship. Selected demographic indicators are presented in a table (below), compiled on the basis of only the population living in Kraków permanently. The larger metropolitan area of the city encompasses a territory in which (in 2010) 1,393,893 inhabitants live.
Already in the Middle Ages, the population of Kraków consisting of numerous ethnic groups, began to grow rapidly. It doubled between 1100 and 1300 from 5,000 to 10,000, and in 1400 counted 14,000 inhabitants. By 1550, the population of metropolitan Kraków was 18,000; although it went down to 15,000 in the next fifty years due to calamity. By the early 17th century the Kraków population had reached 28,000 inhabitants.
In the historical 1931 census preceding World War II, 78.1% of Cracovians declared Polish as their primary language, with Yiddish or Hebrew at 20.9%, Ukrainian 0.4%, German 0.3%, and Russian 0.1%. The ravages of history have greatly reduced the percentage of ethnic minorities living in Kraków.
In the 2002 census, 1,895 of Kraków's inhabitants declared non-Polish national identity, the most numerous were: Romani people (264), Ukrainians (255) and Russians (141).
Many immigrants from other countries, particularly from Eastern Europe, settle in Kraków; as of 2019 10% of Kraków's population are foreigners, most of them Ukrainians (between 11,000 and 50,000).
The metropolitan city of Kraków is known as the city of churches. The abundance of landmark, historic temples along with the plenitude of monasteries and convents earned the city a countrywide reputation as the "Northern Rome" in the past. The churches of Kraków comprise over 120 places of worship (2007) of which over 65 were built in the 20th century. More are still being added. In addition to Roman Catholicism, other denominations present include Jehovah's Witnesses, Mariavite Church, Polish Catholic Church, Polish Orthodox Church, Protestantism and Latter-Day Saints.
Kraków contains also an outstanding collection of monuments of Jewish sacred architecture unmatched anywhere in Poland. Kraków was an influential centre of Jewish spiritual life before the outbreak of World War II, with all its manifestations of religious observance from Orthodox to Hasidic and Reform flourishing side by side. There were at least 90 synagogues in Kraków active before the Nazi German invasion of Poland, serving its burgeoning Jewish community of 60,000–80,000 (out of the city's total population of 237,000), established since the early 12th century.
Most synagogues of Kraków were ruined during World War II by the Nazis who despoiled them of all ceremonial objects, and used them as storehouses for ammunition, firefighting equipment, as general storage facilities and stables. The post-Holocaust Jewish population of the city had dwindled to about 5,900 before the end of the 1940s. Poland was the only Eastern Bloc country to allow free Jewish aliyah (emigration to Israel) without visas or exit permits upon the conclusion of World War II. By contrast, Stalin forcibly kept Russian Jews in the Soviet Union, as agreed to in the Yalta Conference. In recent time, thanks to efforts of the local Jewish and Polish organisations including foreign financial aid from the American Jewish Joint Distribution Committee, many synagogues underwent major restorations and serve religious and tourist purposes.
Kraków is a major centre of education. Twenty-four institutions of higher education offer courses in the city, with more than 200,000 students. Jagiellonian University, the oldest university in Poland and ranked by the "Times Higher Education Supplement" as the second-best university in the country, was founded in 1364 as "Studium Generale" and renamed in 1817 to commemorate the royal Jagiellonian dynasty of Poland and Lithuania. Its principal academic asset is the Jagiellonian Library, with more than 4 million volumes, including a large collection of medieval manuscripts like Copernicus' "De Revolutionibus" and the Balthasar Behem Codex. With 42,325 students (2005) and 3,605 academic staff, the Jagiellonian University is also one of the leading research centres in Poland. Famous historical figures connected with the University include Saint John Cantius, Jan Długosz, Nicolaus Copernicus, Andrzej Frycz Modrzewski, Jan Kochanowski, King John III Sobieski, Pope John Paul II and Nobel laureates Ivo Andrić and Wisława Szymborska.
AGH University of Science and Technology, established in 1919, is the largest technical university in Poland, with more than 15 faculties and student enrollment exceeding 30,000. It was ranked by the Polish edition of "Newsweek" as the best technical university in the country in 2004. During its 80-year history, more than 73,000 students graduated from AGH with master's or bachelor's degrees. Some 3,600 persons were granted the degree of Doctor of Science, and about 900 obtained the qualification of Habilitated Doctor.
Other institutions of higher learning include Academy of Music in Kraków first conceived as conservatory in 1888, one of the oldest and most prestigious conservatories in Central Europe and a major concert venue; Cracow University of Economics, established in 1925; Pedagogical University, in operation since 1946; Agricultural University of Krakow, offering courses since 1890 (initially as a part of Jagiellonian University); Academy of Fine Arts, the oldest Fine Arts Academy in Poland, founded by the Polish painter Jan Matejko; Ludwik Solski Academy for the Dramatic Arts; The Pontifical Academy of Theology; and Krakow University of Technology, which has more than 37,000 graduates.
Scientific societies and their branches in Kraków conduct scientific and educational work in local and countrywide scale. Academy of Learning, Krakow Scientific Society, Association of Law Students' Library of the Jagiellonian University, Polish Copernicus Society of Naturalists, Polish Geological Society, Polish Theological Society in Kraków, Polish Section of Institute of Electrical and Electronics Engineers and Polish Society for Synchrotron Radiation have in Kraków their main seats.
Kraków was named the official European Capital of Culture for the year 2000 by the European Union. It is a major attraction for both local and international tourists, attracting nearly 13 million visitors a year. Major landmarks include the Main Market Square with St. Mary's Basilica and the Sukiennice Cloth Hall, the Wawel Castle, the National Art Museum, the Zygmunt Bell at the Wawel Cathedral, and the medieval St. Florian's Gate with the Barbican along the Royal Coronation Route. Kraków has 28 museums and public art galleries. Among them is the Czartoryski Museum featuring works by Leonardo da Vinci and Rembrandt as well as the EUROPEUM - European Culture Centre and the Archaeological Museum of Kraków whose collection highlights include the Zbruch Idol and the Bronocice Pot.
Kraków's 28 museums are separated into the national and municipal museums; the city also has a number of art collections and public art galleries. The National Museum, established in 1879, as well as the National Art Collection on Wawel Hill, are all accessible to the general public and well patroned.
The National Art Collection is located at the Wawel, the former residence of three dynasties of Polish monarchs. Royal Chambers feature art, period furniture, Polish and European paintings, collectibles, and an unsurpassed display of the 16th-century monumental Flemish tapestries. Wawel Treasury and Armoury features Polish royal memorabilia, jewels, applied art, and 15th- to 18th-century arms. The Wawel Eastern Collection features Turkish tents and military accessories. The National Museum is the richest museum in the country with collections consisting of several hundred thousand items kept in big part in the Main Building at Ul. 3 Maja, although there are as many as eleven separate divisions of the museum in the city, one of the most popular being The Gallery of the 19th Century Polish Art in Sukiennice with the collection of some of the best known paintings and sculptures of the Young Poland movement. The latest division called "Europeum" with Brueghel among a hundred Western European paintings was inaugurated in 2013.
Other major museums of special interest in Kraków include the Manggha Museum of Japanese Art and Technology (at M. Konopnickiej 26), Stanisław Wyspiański Museum (at 11 Szczepanska St), Jan Matejko Manor in Krzesławice, – a museum devoted to the master painter and his life, Emeryk Hutten Czapski Museum, and Józef Mehoffer Manor.
The Rynek Underground museum, under the main square, is an evocative modern display of Kraków's 1000+ years of history though its streets, activities and artifacts. This followed the massively extended excavations which started in a small way in 2005 and, as more and more was found, ran on eventually to 2010.
A half-an-hour tram-ride takes you to the little-heralded Polish Aviation Museum considered eighth world's best aviation museum by CNN and featuring over 200 aircraft including a Sopwith Camel among other First World War biplanes; a comprehensive display of aero engines; and essentially a complete collection of airplane types developed by Poland after 1945. Activities of small museums around Kraków and in the Lesser Poland region are promoted and supported by the Małopolska Institute of Culture; the Institute organises annual Małopolska Heritage Days.
The city has several famous theatres, including the Narodowy Stary Teatr (the National Old Theatre), the Juliusz Słowacki Theatre, the Bagatela Theatre, the Ludowy Theatre, and the Groteska Theatre of Puppetry, as well as the Opera Krakowska and Kraków Operetta. The city's principal concert hall and the home of the Kraków Philharmonic Orchestra is the Kraków Philharmonic ("Filharmonia Krakowska") built in 1931.
Kraków hosts many annual and biannual artistic events, some of international significance such as the Misteria Paschalia (Baroque music), Sacrum-Profanum (contemporary music), the Krakow Screen Festival (popular music), the Festival of Polish Music (classical music), Dedications (theatre), the Kraków Film Festival (one of Europe's oldest short films events), Etiuda&Anima International Film Festival (the oldest international art-film event in Poland), Biennial of Graphic Arts, and the Jewish Culture Festival. Kraków was the residence of two Polish Nobel laureates in literature, Wisława Szymborska and Czesław Miłosz; a third Nobel laureate, the Yugoslav writer Ivo Andric, lived and studied in Kraków. Other former longtime residents include internationally renowned Polish film directors Andrzej Wajda and Roman Polanski, both of whom are Academy Award winners.
Opera Krakowska one of the leading national opera companies, stages 200 performances each year including ballet, operettas and musicals. It has, in its main repertoire, the greatest world and Polish opera classics. The Opera moved into its first permanent House in the autumn of 2008. It is in charge also of the "Summer Festival of Opera and Operetta".
Kraków is home to two major Polish festivals of early music presenting forgotten Baroque oratorios and operas: "Opera Rara", and "Misteria Paschalia". Meanwhile, Capella Cracoviensis runs the "Music in Old Krakow International Festival".
Academy of Music in Kraków, founded in 1888, is known worldwide as the "alma mater" of the contemporary Polish composer Krzysztof Penderecki and it is also the only one in Poland to have two winners of the International Chopin Competition in Warsaw among its alumni. The Academy organises concerts of its students and guests throughout the whole year.
Music organisations and venues include: Kraków Philharmonic, "Sinfonietta Cracovia" (a.k.a. the Orchestra of the Royal City of Kraków), the Polish Radio Choir of Kraków, "Organum" Academic Choir, the Mixed Mariański Choir ("Mieszany Chór Mariański"), Kraków Academic Choir of the Jagiellonian University, the Kraków Chamber Choir, "Amar Corde" String Quartet, "Consortium Iagellonicum" Baroque Orchestra of the Jagiellonian University, Brass Band of T. Sendzimir Steelworks, and "Camerata" Chamber Orchestra of Radio Kraków.
According to official statistics, in 2019 Kraków was visited by over 14 million tourists including 3.3 million foreign travellers. The visitors spent over 7.5 billion złoty (ca. €1.7 billion) in the city (without travel costs and pre-booked accommodation). Most foreign tourists came from Germany (14.2%), United Kingdom (13.9%), Italy (11.5%), France (11.2%), Spain (10.4%) and Ukraine (5.4%). The Kraków tour-guide from the Lesser Poland Visitors Bureau indicated that not all statistics are recorded due to the considerable number of those who come, staying in readily available private rooms paid for by cash, especially from Eastern Europe.
The main reasons for visiting the city are: its historical monuments, recreation as well as relatives and friends (placing third in the ranking), religion and business. There are 120 quality hotels in Kraków (usually about half full) offering 15,485 overnight accommodations. The average stay last for about 4 to 7 nights. The survey conducted among the travelers showed that they enjoyed the city's friendliness most, with 90% of Polish tourists and 87% foreigners stating that they would recommend visiting it. Notable points of interest outside the city include the Wieliczka salt mine, the Tatra Mountains to the south, the historic city of Częstochowa (north-west), the well-preserved former Nazi concentration camp at Auschwitz, and Ojcowski National Park, which includes the Renaissance Castle at Pieskowa Skała. Kraków has been awarded a number of top international rankings such as the 1st place in the "Top city-break destinations 2014" survey conducted by the British "Which?".
Kraków was the host city of the 2014 FIVB Men's Volleyball World Championship and 2016 European Men's Handball Championship. It has also been selected as the European City of Sport for 2014.
Football is one of the most popular sports in the city. The two teams with the largest following are thirteen-time Polish champion Wisła Kraków, and five-time champion Cracovia, both founded in 1906 as the oldest still existing in Poland. They have been involved in the most intense rivalry in the country and one of the most intense in all of Europe, known as the Holy War (""). Other football clubs include Hutnik Kraków, Wawel Kraków, and one-time Polish champion Garbarnia Kraków. There is also the first-league rugby club Juvenia Kraków. Kraków has a number of additional, equally valued sports teams including twelve-time Polish ice hockey champions Cracovia and the twenty-time women's basketball champions Wisła Kraków.
The Cracovia Marathon, with over a thousand participants from two dozen countries annually, has been held in the city since 2002. Poland's first F1 racing driver Robert Kubica was born and brought up in Kraków, as was former WWE tag team champion Ivan Putski, and Top 10 ranked women's tennis player Agnieszka Radwańska.
The construction of a new Tauron Arena Kraków began in May 2010; for concerts, indoor athletics, hockey, basketball, futsal and other events. The facility area has 61,434 m2, with maximum area of the arena court of 4 546 m2. The average capacity is 18,000 for concerts, and 15,000 for sport events, with maximum number of spectators being 22,000. The Arena boasts Poland's largest LED media façade, with a total surface of 5,200 m2 of LED strip lighting, wrapping around the stadium, and one of Europe's largest LED screens, measuring over 540 m2.
Kraków was bidding to host the 2022 Winter Olympics with Jasná but the bid was rejected by a majority (69.72%) of the vote in a referendum on 16 May 2014. The referendum was organised after a wave of criticism from citizens who believed that the Olympics would not promote the city. The organizing committee of "Krakow 2022" spent almost $40,000 to pay for a citizen-approved logo, but many citizens considered this a waste of public money. The committee was rumoured to have fraudulently used several million zlotys for unknown expenses.
In May 2019, the Polish Olympic Committee announced Kraków as host of the Polish bid for the 2023 European Games, On 22 June 2019, The European Olympic Committees at the General Assembly in Minsk, Belarus announced that Kraków will host the 2023 edition.
Kraków is referred to by various names in different languages. An old English name for the city is Cracow; though it has become less common in recent decades, some sources still use it. The city is known in Czech, Slovak and Serbian as "Krakov", in Hungarian as , in Lithuanian as , in Finnish as , in German and Dutch as , in Latin, Spanish and Italian as , in French as , in Portuguese as and in Russian as Краков. Ukrainian and Yiddish languages refer to it as (Краків) and () respectively.
Kraków is twinned, or maintains close relations, with 36 cities around the world:
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https://en.wikipedia.org/wiki?curid=16815
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Kora (instrument)
The kora is a string instrument used extensively in West Africa. A kora typically has 21-strings which are played by plucking with the fingers, and combines features of the lute and a harp.
The kora is built from a large calabash, cut in half and covered with cow skin to make a resonator with a long hardwood neck. The skin is supported by two handles that run under it. It has 21 strings, each playing a different note. It supports a notched double free-standing bridge. It doesn't fit into any one category of musical instrument, but rather several, and must be classified as a "double-bridge-harp-lute". The strings run in two divided ranks, making it a double harp. They do not end in a soundboard but are held in notches on a bridge, making it a bridge harp. They originate from a string arm or neck and cross a bridge directly supported by a resonating chamber, making it a lute too.
The sound of a kora resembles that of a harp, though when played in the traditional style, it bears a closer resemblance to flamenco and Delta blues guitar techniques of both hands to pluck the strings in polyrhythmic patterns (using the remaining fingers to secure the instrument by holding the hand posts on either side of the strings). Ostinato riffs ("Kumbengo") and improvised solo runs ("Birimintingo") are played at the same time by skilled players.
Kora players have traditionally come from jali families (also from the Mandinka tribes) who are traditional historians, genealogists and storytellers who pass their skills on to their descendants. The instrument though played in Guinea, Guinea-Bissau, Mali, Senegal, Burkina Faso was first discovered in the Gambia. While neighbouring Guinea were known to carry the Lute. Senegalese Griotes were known as carriers of a hand drum known as Sabar. Most West African musicians prefer the term "jali" to "griot", which is the French word. "Jali" means something similar to a "bard" or oral historian.
Traditional koras feature strings, eleven played by the left hand and ten by the right. Modern koras made in the Casamance region of southern Senegal sometimes feature additional bass strings, adding up to four strings to the traditional 21. Strings were traditionally made from thin strips of hide, for example cow or antelope skin - now most strings are made from harp strings or nylon fishing line, sometimes plaited together to create thicker strings.
A vital accessory in the past was the nyenmyemo, a leaf-shaped plate of tin or brass with wire loops threaded around the edge. Clamped to the bridge, or the top end of the neck it produced sympathetic sounds, serving as an amplifier since the sound carried well into the open air. In today's environment players usually prefer or need an electric pickup.
By moving the konso (a system of leather tuning rings) up and down the neck, a kora player can retune the instrument into one of four seven-note scales. These scales are close in tuning to western major, minor and Lydian modes.
In the 1300s, explorer Ibn Battuta did mention that the women who accompanied Dugha to perform were carrying bows that they plucked. He didn't mention the number of strings, but this clearly shows the existence of harp instruments in 14th century Mali and could be the earliest written reference to the kora. The kora is designed like a bow with a gourd but Ibn Battuta did not go into detail about these instruments. The earliest European reference to the kora in Western literature is in "Travels in Interior Districts of Africa" (1799) by the Scotsman
Mungo Park. The most likely scenario, based on Mandinka oral tradition, suggests that the origins of the kora may ultimately be linked with Jali Mady Fouling Cissoko, some time after the founding of Kaabu in the 16th century.
The kora is mentioned in the Senegalese national anthem "Pincez Tous vos Koras, Frappez les Balafons".
Nowadays, increasingly, koras are made with guitar machine heads instead of the traditional konso (leather rings). The advantage is that they are much easier to tune. The disadvantage is that this design limits the pitch of the instrument because string lengths are more fixed and lighter strings are needed to lift it much more than a tone. Learning to tune a traditional kora is arguably as difficult as learning to play it, and many tourists who are entranced by the sound while in West Africa buy koras and then find themselves unable to keep it in tune once they are home, relegating it to the status of ornament. Koras can be converted to replace the leather rings with machine heads. Wooden pegs and harp pegs are also used, but both can still cause tuning problems in damper climates unless made with great skill.
In the late 20th century, a 25-string model of the kora was developed, though it has been adopted by only a few players, primarily in the region of Casamance, in southern Senegal. Some kora players such as Seckou Keita have double necked koras, allowing them to switch from one tuning to another within seconds, giving them increased flexibility.
The French Benedictine monks of the Keur Moussa Abbey in Senegal (who possibly were the first to introduce guitar machine heads instead of leather rings in the late seventies) conceived a method based on scores to teach the instrument. Brother Dominique Catta, choirmaster of the Keur Moussa Abbey, was the first Western composer who wrote for the kora (solo pieces as well as duets with Western instruments).
An electric instrument modeled on the kora (but made primarily of metal) called the gravikord was invented in the late 20th century by instrument builder and musician Robert Grawi. It has 24 strings but is tuned and played differently than the kora. Another instrument, the Gravi-kora, a 21 string electro-acoustic instrument, was later developed by Robert Grawi especially for kora players who wanted a modern instrument. Its playing and tuning are the same as the traditional kora. The gravi-kora has been adopted by kora players such as Daniel Berkman, Jacques Burtin, and Foday Musa Suso, who featured it in recordings with jazz innovator Herbie Hancock, with his band "Mandingo", and on Suso's "New World Power" album.
The kora music being part of the oral tradition, its music was not written until the 20th century. The ethnomusicologists were the only ones to note some traditional airs in the normal grand staff method using the G clef and the F clef.
Nowadays, kora scores are written on a single G clef, following the Keur Moussa notation system. This notation system was created for the kora in the late 1970s by Brother Dominique Catta, a monk of the Keur Moussa Monastery (Senegal). The seven low notes that should be written on the F clef are replaced by Arabic or Roman numerals and written on the G clef.
While griots still compose in the traditional way (without writing scores), some Western musicians began to write partitures for the kora and adopted the Keur Moussa notation system at the beginning of the 1980s. More than 200 scores have already been written for kora solo or kora and Western instruments. Two notable Western composers for the kora are Brother Dominique Catta and Jacques Burtin (France), who wrote most of these scores, though composers like Carole Ouellet (Canada), Brother Grégoire Philippe (Monastère de Keur Moussa) and Sister Claire Marie Ledoux (France) contributed with original works.
Derek Gripper (Cape Town, South Africa) has transcribed a number of West African kora compositions, by Toumani Diabaté and others, for performance on western-style classical guitar, and has performed some of these transcriptions on two recordings and in concert from 2012 through the present (2017).
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https://en.wikipedia.org/wiki?curid=16818
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Kathleen Kenyon
Dame Kathleen Mary Kenyon, (5 January 1906 – 24 August 1978) was a British archaeologist of Neolithic culture in the Fertile Crescent. She led excavations of Tell es-Sultan, the site of ancient Jericho, from 1952 to 1958, and has been called one of the most influential archaeologists of the 20th century. She was Principal of St Hugh's College, Oxford from 1962 to 1973 and studied herself at Somerville College, Oxford.
Kathleen Kenyon was born in London, England, in 1906. She was the eldest daughter of Sir Frederic Kenyon, biblical scholar and later director of the British Museum. Her grandfather was lawyer and Fellow of All Souls College, John Robert Kenyon, and her great-great-grandfather was the politician and lawyer Lloyd Kenyon, 1st Baron Kenyon. She grew up in Bloomsbury, London, in a house attached to the British Museum, with her mother, Amy Kenyon, and sister Nora Kenyon. Known for being hard-headed and stubborn, Kathleen grew up as a tomboy, fishing, climbing trees and playing a variety of sports.
Determined that she and her sister should be well educated, Kathleen's father encouraged wide reading and independent study. In later years Kenyon would remark that her father's position at the British Museum was particularly helpful for her education. Kathleen was an excellent student, winning awards at school and particularly excelling in history. She studied first at St Paul's Girls' School, where she was Head Girl, before winning an Exhibition to read History at Somerville College, Oxford. While at Oxford, Kenyon won a Blue for her college in hockey and became the first female president of the Oxford University Archaeological Society. She graduated in 1929 and began a career in archaeology.
Although working on several important sites across Europe, it was her excavations in Tell es-Sultan (Jericho) in the 1950s that established her as one of the foremost archaeologists in the field. In 1962 Kenyon was made Principal of St Hugh's College, Oxford. She retired in 1973 to Erbistock and was appointed a DBE. Kenyon never married. From 1974, Kenyon was the Honorary Vice President of the Chester Archaeological Society.
A career in archaeology was first suggested to Kathleen by Margery Fry, librarian at Somerville College. After graduation Kenyon's first field experience was as a photographer for the pioneering excavations at Great Zimbabwe in 1929, led by Gertrude Caton-Thompson. Returning to England, Kenyon joined the archaeological couple Tessa Wheeler and her husband Mortimer Wheeler on their excavation of the Romano-British settlement of Verulamium (St Albans), 20 miles north of London. Working there each summer between 1930 and 1935, Kenyon learned from Mortimer Wheeler the discipline of meticulously controlled and recorded stratigraphic excavation. Wheeler entrusted her with the direction of the excavation of the Roman theatre.
In the years 1931 to 1934 Kenyon worked simultaneously at Samaria, then under the administration of the British Mandate for Palestine, with John and Grace Crowfoot. There she cut a stratigraphic trench across the summit of the mound and down the northern and southern slopes, exposing the Iron II to the Roman period stratigraphic sequence of the site. In addition to providing crucial dating material for the Iron Age stratigraphy of Palestine, she obtained key stratified data for the study of Eastern "terra sigilata" ware.
In 1934 Kenyon was closely associated with the Wheelers in the foundation of the Institute of Archaeology of University College London. From 1936 to 1939 she carried out important excavations at the Jewry Wall in the city of Leicester. These were published in the Illustrated London News1937 with pioneering reconstruction drawings by the artist Alan Sorrell whom she had happened to notice sketching her dig.
During the Second World War, Kenyon served as Divisional Commander of the Red Cross in Hammersmith, London, and later as Acting Director and Secretary of the Institute of Archaeology of the University of London.
After the war, she excavated in Southwark, at The Wrekin, Shropshire and elsewhere in Britain, as well as at Sabratha, a Roman city in Libya. As a member of the Council of the British School of Archaeology in Jerusalem (BSAJ), Kenyon was involved in the efforts to reopen the School after the hiatus of the Second World War. In January 1951 she travelled to the Transjordan and undertook excavations in the West Bank at Jericho (Tell es-Sultan) on behalf of the BSAJ. The initial finding were first viewed by the public in the Dome of Discovery at the Festival of Britain 1951 with a reconstruction drawing by Alan Sorrell. Her work at Jericho, from 1952 until 1958, made her world-famous and established a lasting legacy in the archaeological methodology of the Levant. Ground-breaking discoveries concerning the Neolithic cultures of the Levant were made in this ancient settlement. Her excavation of the Early Bronze Age walled city and the external cemeteries of the end of the Early Bronze Age, together with her analysis of the stratified pottery of these periods established her as the leading authority on that period. Kenyon focused her attention on the absence of certain Cypriot pottery at City IV, arguing for an older destruction date than that of her predecessors. Jericho was recognized as the oldest continuously occupied settlement in history because of her discoveries. At the same time she also completed the publication of the excavations at Samaria. Her volume, "Samaria Sebaste III: The Objects", appeared in 1957. Having completed her excavations at Tell es-Sultan in 1958, Kenyon excavated in Jerusalem from 1961 to 1967, concentrating on the 'City of David' to the immediate south of the Temple Mount.
Although Kenyon had no doubt the sites she excavated were linked to the Old Testament narrative she nevertheless drew attention to inconsistencies, concluding that Solomon's "stables" at Megiddo were totally impractical for holding horses (1978:72), and that Jericho fell long before Joshua's arrival (1978:35). Consequently, Kenyon's work has been cited to support the Minimalist School of Biblical Archaeology.
Kenyon's legacy in the field of excavation technique and ceramic methodology is attested to by Larry G. Herr, one of the directors of the Madaba Plains Project. He attributes to her directly the first of the key events (after the advances made by William F. Albright at Tell Beit Mirsim in the 1920s) that brought about our modern understanding of pottery in the southern Levant:
"The first event was the refinement of stratigraphic techniques that Kathleen Kenyon's dig at Jericho catalyzed. The strict separation of earth layers, or archaeological sediments, also allowed the strict separation of ceramic assemblages".
Herr detects Kenyon's powerful indirect influence in the second event that promoted advance within ceramic methodology, namely:
"the importation of Kenyon's digging techniques by Larry Toombs and Joe Callaway to Ernest Wright's project at Balata. Here, they combined Wright's interest in ceramic typology in the best Albright tradition with Kenyon's methods of excavation, which allowed the isolation of clear, stratigraphically determined pottery assemblages".
Herr summarises the somewhat mixed nature of Kenyon's legacy: for all the positive advances, there were also shortcomings:
"Kenyon... did not capitalize fully on (the) implication of her stratigraphic techniques by producing final publications promptly. Indeed her method of digging, which most of us have subsequently adopted, causes a proliferation of loci that excavators often have difficulty keeping straight long enough to produce coherent published stratigraphic syntheses. Moreover, her insistence that excavation proceed in narrow trenches denies us, when we use the Jericho reports, the confidence that her loci, and the pottery assemblages that go with them, represent understandable human activity patterns over coherently connected living areas. The individual layers, insufficiently exposed horizontally, simply cannot be interpreted credibly in terms of function. This further makes publication difficult, both to produce and to use".
From 1948 to 1962 she lectured in Levantine Archaeology at the Institute of Archaeology, University College London. Kenyon's teaching complemented her excavations at Jericho Jericho and Jerusalem. In 1962, she was appointed Principal of St Hugh's College, Oxford.
In the 1973 New Year Honours, following her retirement from Oxford, she was appointed a Dame Commander of the Order of the British Empire (DBE) "for services to archaeology". She was an elected Fellow of the British Academy (FBA) and of the Society of Antiquaries of London (FSA). She was made a Grand Officer of the Order of Independence by the King of Jordan in 1977.
The British School of Archaeology in Jerusalem, amalgamated within the Council for British Research in the Levant (CBRL) in 1998, was officially renamed the Kenyon Institute on 10 July 2003 in honour of Kathleen Kenyon.
The Kathleen Kenyon Archaeology Collection, a collection of Kenyon's books and papers purchased from her estate in 1984, is housed at Baylor University in Waco, Texas.
The finds from her excavations are held in a number of collections, including the British Museum, the UCL Institute of Archaeology, while the bulk of archive is located at the Manchester Museum.
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Callicrates
Callicrates or Kallikrates (; ) was an ancient Greek architect active in the middle of the fifth century BC. He and Ictinus were architects of the Parthenon (Plutarch, "Pericles", 13). An inscription identifies him as the architect of "the Temple of Nike" in the Sanctuary of Athena Nike on the Acropolis (IG I3 35). The temple in question is either the amphiprostyle Temple of Athena Nike now visible on the site or a small-scale predecessor (naiskos) whose remains were found in the later temple's foundations. An inscription identifies Callicrates as one of the architects of the Classical circuit wall of the Acropolis (IG I3 45), and Plutarch further states (loc. cit.) that he was contracted to build the Middle of three amazing walls linking Athens and Piraeus.
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https://en.wikipedia.org/wiki?curid=16821
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Kingdom of Jerusalem
The Kingdom of Jerusalem (; ), also known as the Latin Kingdom of Jerusalem, was a crusader state established in the Southern Levant by Godfrey of Bouillon in 1099 after the First Crusade. The kingdom lasted nearly two hundred years, from 1099 until 1291 when the last remaining possession, Acre, was destroyed by the Mamluks. Its history is divided into two distinct periods. The First Kingdom of Jerusalem lasted from 1099 to 1187, when it was almost entirely overrun by Saladin. After the subsequent Third Crusade, the kingdom was re-established in Acre in 1192, and lasted until that city's destruction in 1291, except for the two decades after Frederick II of Hohenstaufen reclaimed Jerusalem, placing it back in Christian hands after the Sixth Crusade. This second kingdom is sometimes called the Second Kingdom of Jerusalem or the Kingdom of Acre, after its new capital. Most of the crusaders who settled there were of French or Norman origin.
At first the kingdom was little more than a loose collection of towns and cities captured during the First Crusade, but at its height in the mid-12th century, the kingdom encompassed roughly the territory of modern-day Israel, Palestine and the southern parts of Lebanon. From the Mediterranean Sea, the kingdom extended in a thin strip of land from Beirut in the north to the Sinai Desert in the south; into modern Jordan and Syria in the east, and towards Fatimid Egypt in the west. Three other crusader states founded during and after the First Crusade were located further north: the County of Edessa (1097–1144), the Principality of Antioch (1098–1268), and the County of Tripoli (1109–1289). While all three were independent, they were closely tied to Jerusalem. Beyond these to the north and west lay the states of Armenian Cilicia and the Byzantine Empire, with which Jerusalem had a close relationship in the twelfth century. Further east, various Muslim emirates were located which were ultimately allied with the Abbasid caliph in Baghdad.
The fragmentation of the Muslim east allowed for the initial success of the crusade, but as the 12th century progressed, the kingdom's Muslim neighbours were united by Nur ad-Din and Saladin, who vigorously began to recapture lost territory. Jerusalem itself fell to Saladin in 1187, and in the 13th century the kingdom was reduced to a few cities along the Mediterranean coast. In this period, the kingdom was ruled by the Lusignan dynasty of the Kingdom of Cyprus, another crusader state founded during the Third Crusade. Dynastic ties also strengthened with Tripoli, Antioch, and Armenia. The kingdom was soon increasingly dominated by the Italian city-states of Venice and Genoa, as well as the imperial ambitions of the Holy Roman Emperors. Emperor Frederick II (reigned 1220-1250) claimed the kingdom by marriage, but his presence sparked a civil war (1228-1243) among the kingdom's nobility. The kingdom became little more than a pawn in the politics and warfare of the Ayyubid and Mamluk dynasties in Egypt, as well as the Khwarezmian and Mongol invaders. As a relatively minor kingdom, it received little financial or military support from Europe; despite numerous small expeditions, Europeans generally proved unwilling to undertake an expensive journey to the east for an apparently losing cause. The Mamluk sultans Baibars (reigned 1260-1277) and al-Ashraf Khalil (reigned 1290-1293) eventually reconquered all the remaining crusader strongholds, culminating in the destruction of Acre in 1291.
The kingdom was ethnically, religiously, and linguistically diverse, although the crusaders themselves and their descendants were an elite Catholic minority. They imported many customs and institutions from their homelands in Western Europe, and there were close familial and political connections with the West throughout the kingdom's existence. The kingdom also inherited "oriental" qualities, influenced by the pre-existing customs and populations. The majority of the kingdom's inhabitants were native Christians, especially Greek and Syriac Orthodox, as well as Sunni and Shi'a Muslims. The native Christians and Muslims, who were a marginalized lower class, tended to speak Greek and Arabic, while the crusaders, who came mainly from France, spoke French. There were also a small number of Jews and Samaritans.
According to the Jewish writer Benjamin of Tudela, who travelled through the kingdom around 1170, there were 1,000 Samaritans in Nablus, 200 in Caesarea and 300 in Ascalon. This sets a lower bound for the Samaritan population at 1,500, since the contemporary "Tolidah", a Samaritan chronicle, also mentions communities in Gaza and Acre. Benjamin of Tudela estimated the total Jewish population of 14 cities in the kingdom to be 1,200, making the Samaritan population of the time larger than the Jewish, perhaps for the only time in history.
The First Crusade was preached at the Council of Clermont in 1095 by Pope Urban II, with the goal of assisting the Byzantine Empire against the invasions of the Seljuk Turks. However, the main objective quickly became the control of the Holy Land. The Byzantines were frequently at war with the Seljuks and other Turkish dynasties for control of Anatolia and Syria. The Sunni Seljuks had formerly ruled the Great Seljuk Empire, but this empire had collapsed into several smaller states after the death of Malik-Shah I in 1092. Malik-Shah was succeeded in the Anatolian Sultanate of Rûm by Kilij Arslan I, and in Syria by his brother Tutush I, who died in 1095. Tutush's sons Fakhr al-Mulk Radwan and Duqaq inherited Aleppo and Damascus respectively, further dividing Syria amongst emirs antagonistic towards each other, as well as Kerbogha, the atabeg of Mosul. This disunity among the Anatolian and Syrian emirs allowed the crusaders to overcome any military opposition they faced on the way to Jerusalem.
Egypt and much of Palestine were controlled by the Arab Shi'ite Fatimid Caliphate, which had extended further into Syria before the arrival of the Seljuks. Warfare between the Fatimids and Seljuks caused great disruption for the local Christians and for western pilgrims. The Fatimids, under the nominal rule of caliph al-Musta'li but actually controlled by vizier al-Afdal Shahanshah, had lost Jerusalem to the Seljuks in 1073; they recaptured it in 1098 from the Artuqids, a smaller Turkish tribe associated with the Seljuks, just before the arrival of the crusaders.
The crusaders arrived at Jerusalem in June 1099; a few of the neighbouring towns (Ramla, Lydda, Bethlehem, and others) were taken first, and Jerusalem itself was captured on July 15. On 22 July, a council was held in the Church of the Holy Sepulchre to establish a king for the newly created Kingdom of Jerusalem. Raymond IV of Toulouse and Godfrey of Bouillon were recognized as the leaders of the crusade and the siege of Jerusalem. Raymond was the wealthier and more powerful of the two, but at first he refused to become king, perhaps attempting to show his piety and probably hoping that the other nobles would insist upon his election anyway. The more popular Godfrey did not hesitate like Raymond, and accepted a position as secular leader. Although it is widely claimed that he took the title "Advocatus Sancti Sepulchri" ("advocate" or "defender" of the Holy Sepulchre), this title is used only in a letter that was not written by Godfrey. Instead, Godfrey himself seems to have used the more ambiguous term "princeps", or simply retained his title of "dux" from Lower Lorraine. According to William of Tyre, writing in the later 12th century when Godfrey had become a legendary hero, he refused to wear "a crown of gold" where Christ had worn "a crown of thorns". Robert the Monk is the only contemporary chronicler of the crusade to report that Godfrey took the title "king". Raymond was incensed and took his army to forage away from the city. The new kingdom, and Godfrey's reputation, was secured with the defeat of the Fatimid Egyptian army under al-Afdal Shahanshah at the Battle of Ascalon one month after the conquest, on August 12, but Raymond and Godfrey's continued antagonism prevented the crusaders from taking control of Ascalon itself.
There was still some uncertainty about what to do with the new kingdom. The papal legate Daimbert of Pisa convinced Godfrey to hand over Jerusalem to him as Latin Patriarch, with the intention to set up a theocratic state directly under papal control. According to William of Tyre, Godfrey may have supported Daimbert's efforts, and he agreed to take possession of "one or two other cities and thus enlarge the kingdom" if Daimbert were permitted to rule Jerusalem. Godfrey did indeed increase the boundaries of the kingdom, by capturing Jaffa, Haifa, Tiberias, and other cities, and reducing many others to tributary status. He set the foundations for the system of vassalage in the kingdom, establishing the Principality of Galilee and the County of Jaffa. But his reign was short, and he died of an illness in 1100. His brother Baldwin of Boulogne successfully outmanoeuvred Daimbert and claimed Jerusalem for himself as "King of the Latins of Jerusalem". Daimbert compromised by crowning Baldwin I in Bethlehem rather than Jerusalem, but the path for a secular state had been laid. Within this secular framework, a Catholic church hierarchy was established, overtop of the local Eastern Orthodox and Syriac Orthodox authorities, who retained their own hierarchies (the Catholics considered them schismatics and thus illegitimate; and vice versa). Under the Latin Patriarch, there were four suffragan archdioceses and numerous dioceses.
During Baldwin I's reign, the kingdom expanded even further. The numbers of European inhabitants increased, as the minor crusade of 1101 brought reinforcements to the kingdom. Baldwin repopulated Jerusalem with Franks and native Christians, after his expedition across the Jordan in 1115. With help from the Italian city-states and other adventurers, notably King Sigurd I of Norway, Baldwin captured the port cities of Acre (1104), Beirut (1110), and Sidon (1111), while exerting his suzerainty over the other crusader states to the north – Edessa (which he had founded in 1097 during the crusade), Antioch, and Tripoli, which he helped capture in 1109. He successfully defended against Muslim invasions, from the Fatimids at the numerous battles at Ramla and elsewhere in the southwest of the kingdom, and from Damascus and Mosul at the Battle of al-Sannabra in the northeast in 1113. As Thomas Madden says, Baldwin was "the true founder of the kingdom of Jerusalem", who "had transformed a tenuous arrangement into a solid feudal state. With brilliance and diligence, he established a strong monarchy, conquered the Palestinian coast, reconciled the crusader barons, and built strong frontiers against the kingdom's Muslim neighbours."
Baldwin brought with him an Armenian wife, traditionally named Arda (although never named such by contemporaries), whom he had married to gain political support from the Armenian population in Edessa, and whom he quickly set aside when he no longer needed Armenian support in Jerusalem. He bigamously married Adelaide del Vasto, regent of Sicily, in 1113, but was convinced to divorce her as well in 1117; Adelaide's son from her first marriage, Roger II of Sicily, never forgave Jerusalem, and for decades withheld much-needed Sicilian naval support.
Baldwin died without heirs in 1118, during a campaign against Egypt, and the kingdom was offered to his brother Eustace III of Boulogne, who had accompanied Baldwin and Godfrey on the crusade. Eustace was uninterested, and instead the crown passed to Baldwin's relative, probably a cousin, Baldwin of Le Bourg, who had previously succeeded him in Edessa. Baldwin II was an able ruler, and he too successfully defended against Fatimid and Seljuk invasions. Although Antioch was severely weakened after the Battle of Ager Sanguinis in 1119, and Baldwin himself was held captive by the emir of Aleppo from 1122–1124, Baldwin led the crusader states to victory at the Battle of Azaz in 1125. His reign saw the establishment of the first military orders, the Knights Hospitaller and the Knights Templar; the earliest surviving written laws of the kingdom, compiled at the Council of Nablus in 1120; and the first commercial treaty with the Republic of Venice, the Pactum Warmundi, in 1124. The increase of naval and military support from Venice led to the capture of Tyre that year. The influence of Jerusalem was further extended over Edessa and Antioch, where Baldwin II acted as regent when their own leaders were killed in battle, although there were regency governments in Jerusalem as well during Baldwin's captivity. Baldwin was married to the Armenian noblewoman Morphia of Melitene, and had four daughters: Hodierna and Alice, who married into the families of the Count of Tripoli and Prince of Antioch; Ioveta, who became an influential abbess; and the eldest, Melisende, who was his heir and succeeded him upon his death in 1131, with her husband Fulk V of Anjou as king-consort. Their son, the future Baldwin III, was named co-heir by his grandfather.
Fulk was an experienced crusader and had brought military support to the kingdom during a pilgrimage in 1120. He brought Jerusalem into the sphere of the Angevin Empire, as the father of Geoffrey V of Anjou and grandfather of the future Henry II of England. Not everyone appreciated the imposition of a foreigner as king. In 1132 Antioch, Tripoli, and Edessa all asserted their independence and conspired to prevent Fulk from exercising the suzerainty of Jerusalem over them. He defeated Tripoli in battle, and settled the regency in Antioch by arranging a marriage between the countess, Melisende's niece Constance, and his own relative Raymond of Poitiers. Meanwhile, in Jerusalem, the native crusader nobles opposed Fulk's preference for his Angevin retinue. In 1134 Hugh II of Jaffa revolted against Fulk, allying with the Muslim garrison at Ascalon, for which he was convicted of treason "in absentia". The Latin Patriarch intervened to settle the dispute, but an assassination attempt was then made on Hugh, for which Fulk was blamed. This scandal allowed Melisende and her supporters to gain control of the government, just as her father had intended. Accordingly, Fulk "became so uxorious that...not even in unimportant cases did he take any measures without her knowledge and assistance."
Fulk was then faced with a new and more dangerous enemy: the atabeg Zengi of Mosul, who had taken control of Aleppo and had set his sights on Damascus as well; the union of these three states would have been a serious blow to the growing power of Jerusalem. A brief intervention in 1137–1138 by the Byzantine emperor John II Comnenus, who wished to assert imperial suzerainty over all the crusader states, did nothing to stop the threat of Zengi; in 1139 Damascus and Jerusalem recognized the severity of the threat to both states, and an alliance was concluded which halted Zengi's advance. Fulk used this time to construct numerous castles, including Ibelin and Kerak. After the death of both Fulk and Emperor John in separate hunting accidents in 1143, Zengi invaded and conquered Edessa in 1144. Queen Melisende, now regent for her elder son Baldwin III, appointed a new constable, Manasses of Hierges, to head the army after Fulk's death, but Edessa could not be recaptured, despite Zengi's own assassination in 1146. The fall of Edessa shocked Europe, and a Second Crusade arrived in 1148.
After meeting in Acre in June, the crusading kings Louis VII of France and Conrad III of Germany agreed with Melisende, Baldwin III and the major nobles of the kingdom to attack Damascus. Zengi's territory had been divided amongst his sons after his death, and Damascus no longer felt threatened, so an alliance had been made with Zengi's son Nur ad-Din, the emir of Aleppo. Perhaps remembering attacks launched on Jerusalem from Damascus in previous decades, Damascus seemed to be the best target for the crusade, rather than Aleppo or another city to the north which would have allowed for the recapture of Edessa. The subsequent Siege of Damascus was a complete failure; when the city seemed to be on the verge of collapse, the crusader army suddenly moved against another section of the walls, and were driven back. The crusaders retreated within three days. There were rumours of treachery and bribery, and Conrad III felt betrayed by the nobility of Jerusalem. Whatever the reason for the failure, the French and German armies returned home, and a few years later Damascus was firmly under Nur ad-Din's control.
The failure of the Second Crusade had dire long-term consequences for the kingdom. The West was hesitant to send large-scale expeditions; for the next few decades, only small armies came, headed by minor European nobles who desired to make a pilgrimage. The Muslim states of Syria were meanwhile gradually united by Nur ad-Din, who defeated the Principality of Antioch at the Battle of Inab in 1149 and gained control of Damascus in 1154. Nur ad-Din was extremely pious and during his rule the concept of jihad came to be interpreted as a kind of counter-crusade against the kingdom, which was an impediment to Muslim unity, both political and spiritual.
In Jerusalem, the crusaders were distracted by a conflict between Melisende and Baldwin III. Melisende continued to rule as regent long after Baldwin came of age. She was supported by, among others, Manasses of Hierges, who essentially governed for her as constable; her son Amalric, whom she set up as Count of Jaffa; Philip of Milly; and the Ibelin family. Baldwin asserted his independence by mediating disputes in Antioch and Tripoli, and gained the support of the Ibelin brothers when they began to oppose Manasses' growing power, thanks to his marriage to their widowed mother Helvis of Ramla. In 1153 Baldwin had himself crowned as sole ruler, and a compromise was reached by which the kingdom was divided in two, with Baldwin taking Acre and Tyre in the north and Melisende remaining in control of Jerusalem and the cities of the south. Baldwin was able to replace Manasses with one of his own supporters, Humphrey II of Toron. Baldwin and Melisende knew that this situation was untenable. Baldwin soon invaded his mother's possessions, defeated Manasses, and besieged his mother in the Tower of David in Jerusalem. Melisende surrendered and retired to Nablus, but Baldwin appointed her his regent and chief advisor, and she retained some of her influence, especially in appointing ecclesiastical officials. In 1153, Baldwin launched an offensive against Ascalon, the fortress in the south from which Fatimid Egyptian armies had continually raided Jerusalem since the foundation of the kingdom. The fortress was captured and was added to the County of Jaffa, still in the possession of his brother Amalric.
With the capture of Ascalon the southern border of the kingdom was now secure, and Egypt, formerly a major threat to the kingdom but now destabilized under the reign of several underaged caliphs, was reduced to a tributary state. Nur ad-Din remained a threat in the east, and Baldwin had to contend with the advances of Byzantine emperor Manuel I Comnenus, who claimed suzerainty over the Principality of Antioch. In order to bolster the defences of the kingdom against the growing strength of the Muslims, Baldwin III made the first direct alliance with the Byzantine Empire, by marrying Theodora Comnena, a niece of emperor Manuel; Manuel married Baldwin's cousin Maria. As William of Tyre put it, it was hoped that Manuel would be able "to relieve from his own abundance the distress under which our realm was suffering and to change our poverty into superabundance".
When Baldwin died childless in 1162, a year after his mother Melisende, the kingdom passed to his brother Amalric, who renewed the alliance negotiated by Baldwin. In 1163 the chaotic situation in Egypt led to a refusal to pay tribute to Jerusalem, and requests were sent to Nur ad-Din for assistance; in response, Amalric invaded, but was turned back when the Egyptians flooded the Nile at Bilbeis. The Egyptian vizier Shawar again requested help from Nur ad-Din, who sent his general Shirkuh, but Shawar quickly turned against him and allied with Amalric. Amalric and Shirkuh both besieged Bilbeis in 1164, but both withdrew due to Nur ad-Din's campaigns against Antioch, where Bohemond III of Antioch and Raymond III of Tripoli were defeated at the Battle of Harim. It seemed likely that Antioch itself would fall to Nur ad-Din, but he withdrew when Emperor Manuel sent a large Byzantine force to the area. Nur ad-Din sent Shirkuh back to Egypt in 1166, and Shawar again allied with Amalric, who was defeated at the Battle of al-Babein. Despite the defeat, both sides withdrew, but Shawar remained in control with a crusader garrison in Cairo. Amalric cemented his alliance with Manuel by marrying Manuel's niece Maria Komnene in 1167, and an embassy led by William of Tyre was sent to Constantinople to negotiate a military expedition, but in 1168 Amalric pillaged Bilbeis without waiting for the naval support promised by Manuel. Amalric accomplished nothing else, but his actions prompted Shawar to switch sides again and seek help from Shirkuh. Shawar was promptly assassinated, and when Shirkuh died in 1169, he was succeeded by his nephew Yusuf, better known as Saladin. That year, Manuel sent a large Byzantine fleet of some 300 ships to assist Amalric, and the town of Damietta was placed under siege. However, the Byzantine fleet sailed with enough provisions for only three months. By the time that the crusaders were ready supplies were already running out and the fleet retired. Each side sought to blame the other for the failure, but both knew that they could not take Egypt without the other's assistance: the alliance was maintained, and plans for another campaign in Egypt were made, which ultimately were to come to naught.
In the end, Nur ad-Din was victorious and Saladin established himself as Sultan of Egypt. Saladin soon began to assert his independence from Nur ad-Din, and with the death of both Amalric and Nur ad-Din in 1174, he was well-placed to begin exerting control over Nur ad-Din's Syrian possessions as well. Upon the death of the pro-western Emperor Manuel in 1180, the Kingdom of Jerusalem lost its most powerful ally.
The subsequent events have often been interpreted as a struggle between two opposing factions, the "court party", made up of Baldwin's mother, Amalric's first wife Agnes of Courtenay, her immediate family, and recent arrivals from Europe who were inexperienced in the affairs of the kingdom and who were in favour of war with Saladin; and the "noble party", led by Raymond of Tripoli and the lesser nobility of the kingdom, who favoured peaceful co-existence with the Muslims. This is the interpretation offered by William of Tyre, who was firmly placed in the "noble" camp, and his view was taken up by subsequent historians; in the 20th century, Marshall W. Baldwin, Steven Runciman, and Hans E. Mayer favoured this interpretation. Peter W. Edbury, on the other hand, argues that William, as well as the thirteenth-century authors who continued William's chronicle in French and were allied to Raymond's supporters in the Ibelin family, cannot be considered impartial. Although the events were clearly a dynastic struggle, "the division was not between native barons and newcomers from the West, but between the king's maternal and paternal kin."
Miles of Plancy was briefly "bailli" or regent during Baldwin IV's minority. Miles was assassinated in October 1174, and Count Raymond III of Tripoli, Amalric's first cousin, became regent. It is highly probable that Raymond or his supporters engineered the assassination. Baldwin reached his majority in 1176, and despite his illness he no longer had any legal need for a regent. Since Raymond was his nearest relative in the male line with a strong claim to the throne, there was concern about the extent of his ambitions, although he had no direct heirs of his own. To balance this, the king turned from time to time to his uncle, Joscelin III of Edessa, who was appointed seneschal in 1176; Joscelin was more closely related to Baldwin than Raymond was, but had no claim to the throne himself.
As a leper, Baldwin had no children and could not be expected to rule much longer, so the focus of his succession passed to his sister Sibylla and his younger half-sister Isabella. Baldwin and his advisors recognised that it was essential for Sibylla to be married to a Western nobleman in order to access support from European states in a military crisis; while Raymond was still regent, a marriage was arranged for Sibylla and William of Montferrat, a cousin of Louis VII of France and of Frederick Barbarossa, Holy Roman Emperor. It was hoped that by allying with a relative of the western emperor, Frederick would come to the kingdom's aid. Jerusalem looked again towards the Byzantine Empire for help, and Emperor Manuel was looking for a way to restore his empire's prestige after his defeat at the Battle of Myriokephalon in 1176; this mission was undertaken by Raynald of Châtillon. After William of Montferrat arrived in 1176, he fell ill and died in June 1177, leaving Sibylla widowed and pregnant with the future Baldwin V. Raynald was then named regent.
Soon afterwards, Philip of Flanders arrived in Jerusalem on pilgrimage; he was Baldwin IV's cousin, and the king offered him the regency and command of the army, both of which Philip refused, although he objected to the appointment of Raynald as regent. Philip then attempted to intervene in the negotiations for Sibylla's second husband, and suggested one of his own retinue, but the native barons refused his suggestion. In addition, Philip seemed to think he could carve out a territory of his own in Egypt, but he refused to participate with the planned Byzantine-Jerusalem expedition. The expedition was delayed and finally cancelled, and Philip took his army away to the north.
Most of the army of Jerusalem marched north with Philip, Raymond III, and Bohemond III to attack Hama, and Saladin took the opportunity to invade the kingdom. Baldwin proved to be an effective and energetic king as well as being a brilliant military commander: he defeated Saladin at the Battle of Montgisard in September 1177 despite being greatly outnumbered and having to rely on a levee-en-masse. Although Baldwin's presence despite his illness was inspirational, direct military decisions were actually made by Raynald.
Hugh III of Burgundy was expected to come to Jerusalem and marry Sibylla, but Hugh was unable to leave France due to the political unrest there in 1179–1180 following the death of Louis VII. Meanwhile, Baldwin IV's stepmother Maria, mother of Isabella and stepmother of Sibylla, married Balian of Ibelin. At Easter in 1180, Raymond and his cousin Bohemond III of Antioch attempted to force Sibylla to marry Balian's brother Baldwin of Ibelin. Raymond and Bohemond were King Baldwin's nearest male relatives in the paternal line, and could have claimed the throne if the king died without an heir or a suitable replacement. Before Raymond and Bohemond arrived, Agnes and King Baldwin arranged for Sibylla to be married to a Poitevin newcomer, Guy of Lusignan, whose older brother Amalric of Lusignan was already an established figure at court. Internationally, the Lusignans were useful as vassals of Baldwin and Sibylla's cousin Henry II of England. Baldwin betrothed eight-year-old Isabella to Humphrey IV of Toron, stepson of the powerful Raynald of Châtillon, thereby removing her from the influence of the Ibelin family and that of her mother.
The dispute between the two factions in the kingdom affected the election of a new Patriarch in 1180. When Patriarch Amalric died on 6 October 1180, the two most obvious choices for his successor were William of Tyre and Heraclius of Caesarea. They were fairly evenly matched in background and education, but politically they were allied with opposite parties, as Heraclius was one of Agnes of Courtenay's supporters. The canons of the Holy Sepulchre asked the king for advice, and Heraclius was chosen through Agnes' influence. There were rumours that Agnes and Heraclius were lovers, but this information comes from the partisan 13th-century continuations of William of Tyre's history, and there is no other evidence to substantiate such a claim.
At the end of 1181, Raynald of Châtillon raided south into Arabia, in the direction of Medina, although he did not make it that far. It was probably around this time that Raynald also attacked a Muslim caravan. The kingdom had a truce with Saladin at the time, and Raynald's actions have been seen as an independent act of brigandage; it is possible that he was trying to prevent Saladin from moving his forces north to take control of Aleppo, which would have strengthened Saladin's position. In response, Saladin attacked the kingdom in 1182, but was defeated at Belvoir Castle. King Baldwin, although quite ill, was still able to command the army in person. Saladin attempted to besiege Beirut from land and sea, and Baldwin raided Damascene territory, but neither side did significant damage. In December 1182, Raynald launched a naval expedition on the Red Sea, which made it as far south as Rabigh. The expedition was defeated and two of Raynald's men were actually taken to Mecca to be executed in public. Like his earlier raids, Raynald's expedition is usually seen as selfish and ultimately fatal for Jerusalem, but according to Bernard Hamilton it was actually shrewd strategy, meant to damage Saladin's prestige and reputation.
In 1183 a general tax was levied throughout the kingdom, which was unprecedented in Jerusalem and almost all of medieval Europe to that point. The tax helped pay for larger armies for the next few years. More troops were certainly needed, since Saladin was finally able to gain control of Aleppo, and with peace in his northern territories he could focus on Jerusalem in the south. King Baldwin was so incapacitated by his leprosy that it was necessary to appoint a regent, and Guy of Lusignan was chosen, as he was Baldwin's legal heir and the king was not expected to live. The inexperienced Guy led the Frankish army against Saladin's incursions into the kingdom, but neither side made any real gains, and Guy was criticized by his opponents for not striking against Saladin when he had the chance.
In October 1183 Isabella married Humphrey of Toron at Kerak, during a siege by Saladin, who perhaps hoped to take some valuable prisoners. As King Baldwin, although now blind and crippled, had recovered enough to resume his reign and his command of the army, Guy was removed from the regency and his five-year-old step-son, King Baldwin's nephew and namesake Baldwin, was crowned as co-king in November. King Baldwin himself then went to relieve the castle, carried on a litter, and attended by his mother. He was reconciled with Raymond of Tripoli and appointed him military commander. The siege was lifted in December and Saladin retreated to Damascus. Saladin attempted another siege in 1184, but Baldwin repelled that attack as well, and Saladin raided Nablus and other towns on the way home.
In October 1184, Guy of Lusignan led an attack on the Bedouin nomads from his base in Ascalon. Unlike Raynald's attacks on caravans, which may have had some military purpose, Guy attacked a group that was usually loyal to Jerusalem and provided intelligence about the movements of Saladin's troops. At the same time, King Baldwin contracted his final illness and Raymond of Tripoli, rather than Guy, was appointed as his regent. His nephew Baldwin was paraded in public, wearing his crown as Baldwin V. Baldwin IV finally succumbed to his leprosy in May 1185.
Meanwhile, the succession crisis had prompted a mission to the west to seek assistance. In 1184, Patriarch Heraclius travelled throughout the courts of Europe, but no help was forthcoming. Heraclius offered the "keys of the Holy Sepulchre, those of the Tower of David and the banner of the Kingdom of Jerusalem", but not the crown itself, to both Philip II of France and Henry II of England; the latter, as a grandson of Fulk, was a first cousin of the royal family of Jerusalem, and had promised to go on crusade after the murder of Thomas Becket. Both kings preferred to remain at home to defend their own territories, rather than act as regent for a child in Jerusalem. The few European knights who did travel to Jerusalem did not even see any combat, since the truce with Saladin had been re-established. William V of Montferrat was one of the few who came to his grandson Baldwin V's aid.
Baldwin V's rule, with Raymond of Tripoli as regent and his great-uncle Joscelin of Edessa as his guardian, was short. He was a sickly child and died in the summer of 1186. Raymond and his supporters went to Nablus, presumably in an attempt to prevent Sibylla from claiming the throne, but Sibylla and her supporters went to Jerusalem, where it was decided that the kingdom should pass to her, on the condition that her marriage to Guy be annulled. She agreed but only if she could choose her own husband and king, and after being crowned, she immediately crowned Guy with her own hands. Raymond had refused to attend the coronation, and in Nablus he suggested that Isabella and Humphrey should be crowned instead, but Humphrey refused to agree to this plan which would have certainly started a civil war. Humphrey went to Jerusalem and swore allegiance to Guy and Sibylla, as did most of Raymond's other supporters. Raymond himself refused to do so and left for Tripoli; Baldwin of Ibelin also refused, gave up his fiefs, and left for Antioch.
Raymond of Tripoli allied with Saladin against Guy and allowed a Muslim garrison to occupy his fief in Tiberias, probably hoping that Saladin would help him overthrow Guy. Saladin, meanwhile, had pacified his Mesopotamian territories, and was now eager to attack the crusader kingdom; he did not intend to renew the truce when it expired in 1187. Before the truce expired, Raynald of Chatillon, the lord of Oultrejourdain and of Kerak and one of Guy's chief supporters, recognized that Saladin was massing his troops, and attacked Muslim caravans in an attempt to disrupt this. Guy was on the verge of attacking Raymond, but realized that the kingdom would need to be united in the face of the threat from Saladin, and Balian of Ibelin effected a reconciliation between the two during Easter in 1187. Saladin attacked Kerak again in April, and in May, a Muslim raiding party ran into the much smaller embassy on its way to negotiate with Raymond, and defeated it at the Battle of Cresson near Nazareth. Raymond and Guy finally agreed to attack Saladin at Tiberias, but could not agree on a plan; Raymond thought a pitched battle should be avoided, but Guy probably remembered the criticism he faced for avoiding battle in 1183, and it was decided to march out against Saladin directly. On July 4, 1187, the army of the kingdom was utterly destroyed at the Battle of Hattin. Raymond of Tripoli, Balian of Ibelin, and Reginald of Sidon escaped, but Raynald was executed by Saladin and Guy was imprisoned in Damascus.
Over the next few months Saladin easily overran the entire kingdom. Only the port of Tyre remained in Frankish hands, defended by Conrad of Montferrat, the paternal uncle of Baldwin V, who had coincidentally arrived just in time from Constantinople. The fall of Jerusalem essentially ended the first Kingdom of Jerusalem. Much of the population, swollen with refugees fleeing Saladin's conquest of the surrounding territory, was allowed to flee to Tyre, Tripoli, or Egypt (whence they were sent back to Europe), but those who could not pay for their freedom were sold into slavery, and those who could were often robbed by Christians and Muslims alike on their way into exile. The capture of the city led to the Third Crusade, launched in 1189 and led by Richard the Lionheart, Philip Augustus and Frederick Barbarossa, though the last drowned en route.
Guy of Lusignan, who had been refused entry to Tyre by Conrad, began to besiege Acre in 1189. During the lengthy siege, which lasted until 1191, Patriarch Heraclius, Queen Sibylla and her daughters, and many others died of disease. With the death of Sibylla in 1190, Guy now had no legal claim to the kingship, and the succession passed to Sibylla's half-sister Isabella. Isabella's mother Maria and the Ibelins (now closely allied to Conrad) argued that Isabella and Humphrey's marriage was illegal, as she had been underage at the time; underlying this was the fact that Humphrey had betrayed his wife's cause in 1186. The marriage was annulled amid some controversy. Conrad, who was now the nearest kinsman to Baldwin V in the male line, and had already proved himself a capable military leader, then married Isabella, but Guy refused to concede the crown.
When Richard arrived in 1191, he and Philip took different sides in the succession dispute. Richard backed Guy, his vassal from Poitou, while Philip supported Conrad, a cousin of his late father Louis VII. After much ill-feeling and ill-health, Philip returned home in 1191, soon after the fall of Acre. Richard defeated Saladin at the Battle of Arsuf in 1191 and the Battle of Jaffa in 1192, recovering most of the coast, but could not recover Jerusalem or any of the inland territory of the kingdom. It has been suggested that this may have actually been a strategic decision by Richard rather than a failure as such, as he may have recognized that Jerusalem in particular was in fact a strategic liability as long as the crusaders were obligated to defend it, as it was isolated from the sea where Western reinforcements could arrive. Conrad was unanimously elected king in April 1192, but was murdered by the Hashshashin only days later. Eight days after that, the pregnant Isabella was married to Count Henry II of Champagne, nephew of Richard and Philip, but politically allied to Richard. As compensation, Richard sold Guy the island of Cyprus, which Richard had captured on the way to Acre, although Guy continued to claim the throne of Jerusalem until his death in 1194.
The crusade came to an end peacefully, with the Treaty of Ramla negotiated in 1192; Saladin allowed pilgrimages to be made to Jerusalem, allowing the crusaders to fulfill their vows, after which they all returned home. The native crusader barons set about rebuilding their kingdom from Acre and the other coastal cities.
For the next hundred years, the Kingdom of Jerusalem remained as a tiny kingdom hugging the Syrian coastline. Its capital was moved to Acre and controlled most of the coastline of present-day Israel and southern and central Lebanon, including the strongholds and towns of Jaffa, Arsuf, Caesarea, Tyre, Sidon, and Beirut. At best, it included only a few other significant cities, such as Ascalon and some interior fortresses, as well as suzerainty over Tripoli and Antioch. The new king, Henry of Champagne, died accidentally in 1197, and Isabella married for a fourth time, to Aimery of Lusignan, Guy's brother. Aimery had already inherited Cyprus from Guy, and had been crowned king by Frederick Barbarossa's son, Emperor Henry VI. Henry led a crusade in 1197 but died along the way. Nevertheless, his troops recaptured Beirut and Sidon for the kingdom before returning home in 1198. A five-year truce was then concluded with the Ayyubids in Syria in 1198.
The Ayyubid empire had fallen into civil war after the death of Saladin in 1193. His sons claimed various parts of his empire: az-Zahir took control of Aleppo, al-Aziz Uthman held Cairo, while his eldest son, al-Afdal, retained Damascus. Saladin's brother Al-Adil Sayf ad-Din (often called "Saphadin" by the crusaders) acquired al-Jazira (northern Mesopotamia), and al-Adil's son al-Mu'azzam took possession of Karak and Transjordan. In 1196, al-Afdal was driven out of Damascus by al Adil in alliance with Uthman. When Uthman died in 1198, al Afdal returned to power as regent in Egypt for Uthman's infant son. Allied with az-Zahir, he then attacked his uncle in Damascus. The alliance fell apart, and al-Adil then defeated al Afdal in Egypt and annexed the country. In 1200 Al-Adil proclaimed himself Sultan of Egypt and Syria, entrusting Damascus to al-Mu'azzam and al-Jazira to another son, al-Kamil. Following a second unsuccessful siege of Damascus by the two brothers, Al Afdal accepted a fief consisting of Samosata and a number of other towns. Az-Zahir of Aleppo submitted to his uncle in 1202, thus re-uniting the Ayyubid territories.
Meanwhile, schemes were hatched to reconquer Jerusalem through Egypt. A Fourth Crusade was planned after the failure of the Third, but it resulted in the sack of Constantinople in 1204, and most of the crusaders involved never arrived in the kingdom. Aimery, however, not knowing of the diversion to Constantinople, raided Egypt in advance of the expected invasion. Both Isabella and Aimery died in 1205 and again an underage girl, Isabella and Conrad's daughter Maria of Montferrat, became queen of Jerusalem. Isabella's half-brother John of Ibelin, the Old Lord of Beirut governed as regent until 1210 when Maria married an experienced French knight, John of Brienne. Maria died in childbirth in 1212, and John of Brienne continued to rule as regent for their daughter Isabella II.
The Fourth Lateran Council in 1215 called for a new, better-organized crusade against Egypt. In late 1217 Andrew II of Hungary and Leopold VI, Duke of Austria arrived in Acre and, along with John of Brienne, raided territory further inland, including Mount Tabor, but without success. After the departure of the Hungarians, the remaining crusaders set about refortifying Caesarea and the Templar fortress of Château Pèlerin throughout the winter of 1217 and spring of 1218.
In the spring of 1218 the Fifth Crusade began in earnest when German crusader fleets landed at Acre. Along with King John, who was elected leader of the crusade, the fleets sailed to Egypt and besieged Damietta at the mouth of the Nile in May. The siege progressed slowly, and the Egyptian sultan al-Adil died in August 1218, supposedly of shock after the crusaders managed to capture one of Damietta's towers. He was succeeded by his son al-Kamil. In the autumn of 1218 reinforcements arrived from Europe, including the papal legate Pelagius of Albano. In the winter the crusaders were affected by floods and disease, and the siege dragged on throughout 1219, when Francis of Assisi arrived to attempt to negotiate a truce. Neither side could agree to terms, despite the Ayyubid offer of a thirty-year truce and the restoration of Jerusalem and most of the rest of the former kingdom. The crusaders finally managed to starve out the city and captured it in November. Al-Kamil retreated to the nearby fortress of al-Mansurah, but the crusaders remained in Damietta throughout 1219 and 1220, awaiting the arrival of Holy Roman Emperor Frederick II, while King John returned to Acre briefly to defend against al-Mu'azzam, who was raiding the kingdom from Damascus in John's absence. Still expecting the emperor's imminent arrival, in July 1221, the crusaders set off towards Cairo, but they were stopped by the rising Nile, which al-Kamil allowed to flood by breaking the dams along its course. The sultan easily defeated the trapped crusader army and regained Damietta. Emperor Frederick had, in fact, never left Europe at all.
After the failure of the crusade, John travelled throughout Europe seeking assistance, but found support only from Frederick, who then married John and Maria's daughter Isabella II in 1225. The next year, Isabella died giving birth to their son Conrad IV, who succeeded his mother to the throne although he never appeared in the east. Frederick had reneged on his promise to lead the Fifth Crusade, but was now eager to cement his claim to the throne through Conrad. There were also plans to join with al-Kamil in attacking al-Mu'azzam in Damascus, an alliance which had been discussed with Egyptian envoys in Italy. But after continually delaying his departure for the Holy Land, including suffering an outbreak of disease in his fleet, he was excommunicated by Pope Gregory IX in 1227. The crusaders, led not by Frederick but by his representatives Richard Filangieri, Henry IV, Duke of Limburg, and Hermann of Salza, Grand Master of the Teutonic Knights, arrived in the east late in 1227, and while waiting for the emperor they set about refortifying Sidon, where they built the sea castle, and Montfort, which later became the headquarters of the Teutonic Knights. The Ayyubids of Damascus did not dare attack, as al-Mu'azzam had suddenly died not long before. Frederick finally arrived on the Sixth Crusade in September 1228, and claimed the regency of the kingdom in the name of his infant son.
Frederick immediately came into conflict with the native nobles of Outremer, some of whom resented his attempts to impose Imperial authority over both Cyprus and Jerusalem. The Cypriot nobles were already quarrelling amongst themselves about the regency for Henry I of Cyprus, who was still a child. The High Court of Cyprus had elected John of Ibelin as regent, but Henry's mother Alice of Champagne wished to appoint one of her supporters; Alice and her party, members or supporters of the Lusignan dynasty, sided with Frederick, whose father had crowned Aimery of Lusignan king in 1197. At Limassol, Frederick demanded that John give up not only the regency of Cyprus, but also John's own lordship of Beirut on the mainland. John argued that Frederick had no legal authority to make such demands and refused to give up either title. Frederick then imprisoned John's sons as hostages to guarantee John's support for his crusade.
John did accompany Frederick to the mainland, but Frederick was not well-received there; one of his few supporters was Balian, Lord of Sidon, who had welcomed the crusaders the year before and now acted as an ambassador to the Ayyubids. The death of al-Mu'azzam negated the proposed alliance with al-Kamil, who along with his brother al-Ashraf had taken possession of Damascus (as well as Jerusalem) from their nephew, al-Mu'azzam's son an-Nasir Dawud. However, al-Kamil presumably did not know of the small size of Frederick's army, nor the divisions within it caused by his excommunication, and wished to avoid defending his territories against another crusade. Frederick's presence alone was sufficient to regain Jerusalem, Bethlehem, Nazareth, and a number of surrounding castles without a fight: these were recovered in February 1229, in return for a ten-year truce with the Ayyubids and freedom of worship for Jerusalem's Muslim inhabitants. The terms of the treaty were unacceptable to the Patriarch of Jerusalem Gerald of Lausanne, who placed the city under interdict. In March, Frederick crowned himself in the Church of the Holy Sepulchre, but because of his excommunication and the interdict Jerusalem was never truly reincorporated into the kingdom, which continued to be ruled from Acre.
Meanwhile, in Italy, the Pope had used Frederick's excommunication as an excuse to invade his Italian territories; the papal armies were led by Frederick's former father-in-law John of Brienne. Frederick was forced to return home in 1229, leaving the Holy Land "not in triumph, but showered with offal" by the citizens of Acre.
Nevertheless, Frederick sent an Imperial army in 1231, under Richard Filangieri, who occupied Beirut and Tyre, but was unable to gain control of Acre. John's supporters formed a commune in Acre, of which John himself was elected mayor in 1232. With the help of the Genoese merchants, the commune recaptured Beirut. John also attacked Tyre, but was defeated by Filangieri at the Battle of Casal Imbert in May 1232.
On Cyprus, King Henry I came of age in 1232 and John's regency was no longer necessary. Both John and Filangieri raced back to Cyprus to assert their authority, and the imperial forces were defeated at the Battle of Agridi on June 15. Henry became undisputed king of Cyprus, but continued to support the Ibelins over the Lusignans and the imperial party. On the mainland, Filangieri had the support of Bohemund IV of Antioch, the Teutonic Knights, the Knights Hospitaller, and the Pisan merchants. John was supported by his nobles on Cyprus, and by his continental holdings in Beirut, Caesarea, and Arsuf, as well as by the Knights Templar and the Genoese. Neither side could make any headway, and in 1234 Gregory IX excommunicated John and his supporters. This was partly revoked in 1235, but still no peace could be made. John died in 1236 and the war was taken up by his son Balian of Beirut and his nephew Philip of Montfort.
Meanwhile, the treaty with the Ayyubids was set to expire in 1239. Plans for a new crusade to be led by Frederick came to nothing, and Frederick himself was excommunicated by Gregory IX again in 1239. However, other European nobles took up the cause, including Theobald IV, Count of Champagne and King of Navarre, Peter of Dreux, and Amaury VI of Montfort, who arrived in Acre in September 1239. Theobald was elected leader of the crusade at a council in Acre, attended by the most of the important nobles of the kingdom, including Walter of Brienne, John of Arsuf, and Balian of Sidon. The arrival of the crusade was a brief respite from the Lombard War; Filangieri remained in Tyre and did not participate. The council decided to refortify Ascalon in the south and attack Damascus in the north.
The crusaders may have been aware of the new divisions among the Ayyubids; al-Kamil had occupied Damascus in 1238 but had died soon afterwards, and his territory was inherited by his family. His sons al-Adil abu Bakr and as-Salih Ayyub inherited Egypt and Damascus. Ayyub marched on Cairo in an attempt to drive out al-Adil, but during his absence al-Kamil's brother as-Salih Isma'il took over Damascus, and Ayyub was taken prisoner by an-Nasir Dawud. The crusaders, meanwhile, marched to Ascalon. Along the way, Walter of Brienne captured livestock intended to resupply Damascus, as the Ayyubids had probably learned of the crusaders' plans to attack it. The victory was short-lived, however, as the crusaders were then defeated by the Egyptian army at Gaza in November 1239. Henry II, Count of Bar was killed and Amaury of Montfort captured. The crusaders returned to Acre, possibly because the native barons of the kingdom were suspicious of Filangieri in Tyre. Dawud took advantage of the Ayyubid victory to recapture Jerusalem in December, the ten-year truce having expired.
Although Ayyub was Dawud's prisoner, the two now allied against al-Adil in Egypt, which Ayyub seized in 1240. In Damascus, Isma'il recognized the threat of Dawud and Ayyub against his own possessions, and turned to the crusaders for assistance. Theobald concluded a treaty with Isma'il, in return for territorial concessions that restored Jerusalem to Christian control, as well as much of the rest of the former kingdom, even more territory than Frederick had recovered in 1229. Theobald, however, was frustrated by the Lombard War, and returned home in September 1240. Almost immediately after Theobald's departure, Richard of Cornwall arrived. He completed the rebuilding of Ascalon, and also made peace with Ayyub in Egypt. Ayyub confirmed Isma'il's concessions in 1241, and prisoners taken at Gaza were exchanged by both sides. Richard returned to Europe in 1241.
Although the kingdom had essentially been restored, the Lombard War continued to occupy the kingdom's nobility. As the Templars and Hospitallers supported opposite sides, they also attacked each other, and the Templars broke the treaty with the Ayyubids by attacking Nablus in 1241. Conrad proclaimed that he had come of age in 1242, eliminating both Frederick's claim to the regency and the need for an imperial guardian to govern in his place, although he had not yet turned 15, the age of majority according to the customs of Jerusalem. Through Conrad, Frederick tried to send an imperial regent, but the anti-imperial faction in Acre argued that Jerusalem's laws allowed them to appoint their own regent. In June the "Haute Cour" granted the regency to Alice of Champagne, who, as the daughter of Isabella I, was Conrad's great-aunt and his closest relative living in the kingdom. Alice ordered Filangieri to be arrested, and along with the Ibelins and Venetians, besieged Tyre, which fell in July 1243. The Lombard War was over, but the king was still absent, as Conrad never came to the east. Alice was prevented from exercising any real power as regent by Philip of Montfort, who took control of Tyre, and Balian of Beirut, who continued to hold Acre.
The Ayyubids were still divided between Ayyub in Egypt, Isma'il in Damascus, and Dawud in Kerak. Isma'il, Dawud, and al-Mansur Ibrahim of Homs went to war with Ayyub, who hired the Khwarazmians to fight for him. The Khwarazmians were nomadic Turks from central Asia, who had recently been displaced by the Mongols further to the east and were now residing in Mesopotamia. With Ayyub's support they sacked Jerusalem in the summer of 1244, leaving it in ruins and useless to both Christians and Muslims. In October, the Khwarazmians, along with the Egyptian army under the command of Baibars, were met by the Frankish army, led by Philip of Montfort, Walter of Brienne, and the masters of the Templars, Hospitallers, and Teutonic Knights, along with al-Mansur and Dawud. On October 17 the Egyptian-Khwarazmian army destroyed the Frankish-Syrian coalition, and Walter of Brienne was taken captive and later executed. By 1247, Ayyub had reoccupied most of the territory that had been conceded in 1239, and had also gained control of Damascus.
A new crusade was discussed at the Council of Lyon in 1245 by Pope Innocent IV. The council deposed Frederick II, so no help could be expected from the empire, but King Louis IX of France had already vowed to go on crusade. Louis arrived in Cyprus in 1248, where he gathered an army of his own men, including his brothers Robert of Artois, Charles of Anjou, and Alphonse of Poitiers, and those of Cyprus and Jerusalem, led by the Ibelin family John of Jaffa, Guy of Ibelin, and Balian of Beirut. Once again the target was Egypt. Damietta was captured without resistance when the crusaders landed in June 1249, but the crusade halted there until November, by which time the Egyptian sultan Ayyub had died and had been succeeded by his son Turanshah. In February, the crusaders were defeated at the Battle of al-Mansurah, where Robert of Artois was killed. The crusaders were unable to cross the Nile, and, suffering from disease and lack of supplies, retreated towards Damietta in April. They were defeated along the way at the Battle of Fariskur, with Louis being taken captive by Turanshah. During Louis' captivity, Turanshah was overthrown by his Mamluk soldiers, led by the general Aybak, who then released Louis in May in return for Damietta and a large ransom. For the next four years Louis resided in Acre, and helped refortify that city along with Caesarea, Jaffa, and Sidon. He also made truces with the Ayyubids in Syria, and sent embassies to negotiate with the Mongols, who were beginning to threaten the Muslim world, before returning home in 1254. He left behind a large garrison of French soldiers in Acre, under the command of Geoffrey of Sergines.
In the midst of these events, Alice of Champagne had died in 1246 and had been replaced as regent by her son King Henry I of Cyprus, for whom John of Jaffa served as "bailli" in Acre. During Louis IX's stay in Acre, Henry I died in 1253, and was succeeded in Cyprus by his infant son Hugh II. Hugh was technically regent of Jerusalem as well, both for Conrad and for Conrad's son Conradin after Conrad died in 1254. Both Cyprus and Jerusalem were governed by Hugh's mother Plaisance of Antioch, but John remained "bailli" for Hugh in Acre. John made peace with Damascus and attempted to regain Ascalon; the Egyptians, now ruled by the Mamluk sultanate, besieged Jaffa in 1256 in response. John defeated them, and afterwards gave up the bailliage to his cousin John of Arsuf.
In 1256 the commercial rivalry between the Venetian and Genoese merchant colonies broke out into open warfare. In Acre, the two colonies disputed possession of the monastery of Saint Sabas. The Genoese, assisted by the Pisan merchants, attacked the Venetian quarter and burned their ships, but the Venetians drove them out. The Venetians were then expelled from Tyre by Philip of Monfort. John of Arsuf, John of Jaffa, John II of Beirut, the Templars, and the Teutonic Knights supported the Venetians, who also convinced the Pisans to join them, while the Hospitallers supported the Genoese. In 1257 the Venetians conquered the monastery and destroyed its fortifications, although they were unable to expel the Genoese completely. They blockaded the Genoese quarter, but the Genoese were supplied by the Hospitallers, whose complex was nearby, and by Philip of Montfort who sent food from Tyre. In August 1257, John of Arsuf tried to end the war by granting commercial rights in Acre to the Republic of Ancona, an Italian ally of Genoa, but aside from Philip of Montfort and the Hospitallers, the rest of the nobles continued to support Venice. In June 1258, Philip and the Hospitallers marched on Acre while a Genoese fleet attacked the city by sea. The naval battle was won by Venice, and the Genoese were forced to abandon their quarter and flee to Tyre with Philip. The war also spread to Tripoli and Antioch, where the Embriaco family, descended from Genoese crusaders, were pitted against Bohemond VI of Antioch, who supported the Venetians. In 1261 the Patriarch, Jacques Pantaleon, organised a council to re-establish order in the kingdom, though the Genoese did not return to Acre.
It was during this period that the Mongols arrived in the Near East. Their presence further east had already displaced the Khwarazmians, and embassies had been sent by various popes as well as Louis IX to ally or negotiate with them, but they were uninterested in alliances. They sacked Baghdad in 1258, and Aleppo and Damascus in 1260, destroying both the Abbasid caliphate and the last vestiges of the Ayyubid dynasty. Hethum I of Armenia and Bohemond VI of Antioch had already submitted to the Mongols as vassals. Some of the Mongols were Nestorian Christians, including Kitbuqa, one of the generals at the sieges of Baghdad and Damascus, but despite this, the nobles of Acre refused to submit. As the kingdom was by now a relatively unimportant state, the Mongols paid little attention to it, but there were a few skirmishes in 1260: the forces of Julian of Sidon killed the nephew of Kitbuqa, who responded by sacking Sidon, and John II of Beirut was also captured by the Mongols during another raid. The apparently inevitable Mongol conquest was stalled when Hulagu, the Mongol commander in Syria, returned home after the death of his brother Möngke Khan, leaving Kitbuqa with a small garrison. The Mamluks of Egypt then sought, and were granted, permission to advance through Frankish territory, and defeated the Mongols at the Battle of Ain Jalut in September 1260. Kitbuqa was killed and all of Syria fell under Mamluk control. On the way back to Egypt, the Mamluk sultan Qutuz was assassinated by the general Baibars, who was far less favourable than his predecessor to alliances with the Franks.
John of Arsuf had died in 1258 and was replaced as "bailli" by Geoffrey of Sergines, Louis IX's lieutenant in Acre. Plaisance died in 1261, but as her son Hugh II was still underage, Cyprus passed to his cousin Hugh of Antioch-Lusignan, whose mother Isabella of Cyprus, Alice of Champagne and Hugh I of Cyprus' daughter and Hugh II's aunt, took over the regency in Acre. She appointed as "bailli" her husband Henry of Antioch (who was also Plaisance's uncle), but died in 1264. The regency in Acre was then claimed by Hugh of Antioch-Lusignan and his cousin Hugh of Brienne, and Hugh II died in 1267 before he reached the age of majority. Hugh of Antioch-Lusignan won the dispute and succeeded Hugh II on Cyprus as Hugh III. When Conradin was executed in Sicily in 1268, there was no other Hohenstaufen heir to succeed him, and Hugh III inherited the Kingdom of Jerusalem as well in 1269. This was disputed by another branch of the Lusignan family: Maria of Antioch, daughter of Bohemond IV of Antioch and Melisende of Lusignan (herself a daughter of Isabella I and Amalric II), claimed the throne as the oldest living relative of Isabella I, but for the moment her claim was ignored. By this time, the Mamluks under Baibars were taking advantage of the kingdom's constant disputes, and began conquering the remaining crusader cities along the coast. In 1265, Baibars took Caesarea, Haifa and Arsuf, and Safad and Toron in 1266. In 1268 he captured Jaffa and Beaufort, and then besieged and destroyed Antioch.
Hugh III and Baibars made a one-year truce after these conquests; Baibars knew that Louis IX was planning another crusade from Europe, and assumed that the target would once again be Egypt. But instead the crusade was diverted to Tunis, where Louis died. Baibars was free to continue his campaigns: in 1270 he had the Assassins kill Philip of Montfort, and in 1271 he captured the Hospitaller and Teutonic Knights strongholds of Krak des Chevaliers and Montfort Castle. He also besieged Tripoli, but abandoned it in May when Prince Edward of England arrived, the only part of Louis IX's crusade to arrive in the east. Edward could do nothing except arrange a ten-year truce with Baibars, who nevertheless attempted to have him assassinated as well. Edward left in 1272, and despite the Second Council of Lyon's plans for another crusade in 1274, no further large-scale expedition ever arrived. Hugh III's authority on the mainland began to break down; he was an unpopular king, and Beirut, the only territory left outside of Acre and Tyre, started to act independently. Its heiress, Isabella of Ibelin (widow of Hugh II), actually placed it under Baibars' protection. Finding the mainland ungovernable, Hugh III left for Cyprus, leaving Balian of Arsuf as "bailli". Then in 1277, Maria of Antioch sold her claim to the kingdom to Charles of Anjou, who sent Roger of San Severino to represent him. The Venetians and Templars supported the claim, and Balian was powerless to oppose him. Baibars died in 1277 and was succeeded by Qalawun. In 1281 the ten-year truce expired and was renewed by Roger. Roger returned to Europe after the Sicilian Vespers in 1282, and was replaced by Odo Poilechien. Hugh III attempted to re-assert his authority on the mainland by landing at Beirut in 1283, but this was ineffective and he died in Tyre in 1284. He was succeeded briefly by his son John II, who died soon after in 1285, and was succeeded by his brother, Hugh III's other son Henry II. That year Qalawun captured the Hospitaller fortress of Marqab. Charles of Anjou also died in 1285, and the military orders and the commune of Acre accepted Henry II as king; Odo Poilechen refused to recognize him, but was allowed to hand Acre over to the Templars rather than Henry directly, and the Templars then handed it to the king. War broke out between the Venetians and Genoese again in 1287, and Tripoli fell to Qalawun in 1289. Although it was only a matter of time before Acre also fell, the end of the crusader kingdom was actually instigated in 1290 by newly arrived crusaders, who rioted in Acre and attacked the city's Muslim merchants. Qalawun died before he could retaliate, but his son al-Ashraf Khalil arrived to besiege Acre in April 1291. Acre was defended by Henry II's brother Amalric of Tyre, the Hospitallers, Templars, and Teutonic Knights, the Venetians and Pisans, the French garrison led by Jean I de Grailly, and the English garrison led by Otton de Grandson, but they were vastly outnumbered. Henry II himself arrived in May during the siege, but the city fell on May 18. Henry, Amalric, Otton, and Jean escaped, as did a young Templar named Roger de Flor, but most of the other defenders did not, including the master of the Templars Guillaume de Beaujeu. Tyre fell without a fight the next day, Sidon fell in June, and Beirut in July.
The crusaders moved their headquarters north to cities such as Tortosa, but lost that too, and were forced to relocate their headquarters offshore to Cyprus. Some naval raids and attempts to retake territory were made over the next ten years, but with the loss of the island of Arwad in 1302/1303, the Kingdom of Jerusalem ceased to exist on the mainland. The kings of Cyprus for many decades hatched plans to regain the Holy Land, but without success. For the next seven centuries, up to today, a veritable multitude of European monarchs have used the title of King of Jerusalem.
The Latin population of the kingdom was always small; although a steady stream of settlers and new crusaders continually arrived, most of the original crusaders who fought in the First Crusade simply went home. According to William of Tyre, "barely three hundred knights and two thousand foot soldiers could be found" in the kingdom in 1100 during Godfrey's siege of Arsuf. From the very beginning, the Latins were little more than a colonial frontier exercising rule over the native Jewish, Samaritan, Muslim-converted, Greek Orthodox, and Syriac populations, who were more numerous. But Jerusalem came to be known as Outremer, the French word for "overseas", and as new generations grew up in the kingdom, they began to think of themselves as natives, rather than immigrants, much as the Arabs had done before them. Although they never gave up their core identity as Western Europeans or Franks, their clothing, diet, and commercialism integrated much Oriental, particularly Byzantine, influence. As the chronicler Fulcher of Chartres wrote around 1124,
For we who were Occidentals now have been made Orientals. He who was a Roman or Frank has in this land been made into a Galilaean, or an inhabitant of Palestine. He who was of Rheims or Chartres has now become a citizen of Tyre or Antioch. We have already forgotten the places of our birth; already these are unknown to many of us or not mentioned any more.
The crusaders and their descendants often learned to speak Greek, Arabic, and other eastern languages, and intermarried with the native Christians (whether Greek, Syriac, or Armenian) and sometimes with converted Muslims. Nonetheless, the Frankish principalities remained a distinctive Occidental colony in the heart of Islam.
Fulcher, a participant in the First Crusade and chaplain of Baldwin I, continued his chronicle up to 1127. Fulcher's chronicle was very popular and was used as a source by other historians in the west, such as Orderic Vitalis and William of Malmesbury. Almost as soon as Jerusalem had been captured, and continuing throughout the 12th century, many pilgrims arrived and left accounts of the new kingdom; among them are the English Sæwulf, the Russian Abbot Daniel, the Frank Fretellus, the Byzantine Johannes Phocas, and the Germans John of Würzburg and Theoderich. Aside from these, thereafter there is no eyewitness to events in Jerusalem until William of Tyre, archbishop of Tyre and chancellor of Jerusalem, who began writing around 1167 and died around 1184, although he includes much information about the First Crusade and the intervening years from the death of Fulcher to his own time, drawn mainly from the writings of Albert of Aix and Fulcher himself. From the Muslim perspective, a chief source of information is Usamah ibn Munqidh, a soldier and frequent ambassador from Damascus to Jerusalem and Egypt, whose memoirs, "Kitab al i'tibar", include lively accounts of crusader society in the east. Further information can be gathered from travellers such as Benjamin of Tudela and Ibn Jubayr.
The Kingdom at first was virtually bereft of a loyal subject population and had few knights to implement the laws and orders of the realm. With the arrival of Italian trading firms, the creation of the military orders, and immigration by European knights, artisans, and farmers, the affairs of the Kingdom improved and a feudal society developed, similar to but distinct from the society the crusaders knew in Europe. The nature of this society has long been a subject of debate among crusade historians.
In the 19th and early 20th centuries, French scholars, such as E. G. Rey, Gaston Dodu, and René Grousset believed that the crusaders, Muslims and Christians lived in a totally integrated society. Ronnie Ellenblum claims this view was influenced by French imperialism and colonialism; if medieval French crusaders could integrate themselves into local society, then certainly modern French colonies in the Levant could thrive. In the mid-20th century, scholars such as Joshua Prawer, R. C. Smail, Meron Benvenisti, and Claude Cahen argued instead that the crusaders lived totally segregated from the native inhabitants, who were thoroughly Arabicized and/or Islamicized and were a constant threat to the foreign crusaders. Prawer argued further that the kingdom was an early attempt at colonization, in which the crusaders were a small ruling class, who were dependent on the native population for survival but made no attempt to integrate with them. For this reason, the rural European society to which the crusaders were accustomed was replaced by a more secure urban society in the pre-existing cities of the Levant.
According to Ellenblum's interpretation the inhabitants of the Kingdom (Latin Christians living alongside native Greek and Syriac Christians, Shia and Sunni Arabs, Sufis, Bedouin, Turks, Druze, Jews, and Samaritans) all had major differences between each other as well as with the crusaders. Relations between eastern Christians and the Latin crusaders were "complex and ambiguous", not simply friendly or hostile. The Turks were the common enemy for everyone, as they were only very recent arrivals in the Levant, and although they had imposed their rule prior to the arrival of the crusaders, it is unlikely that they were thoroughly Islamicized as Prawer and others believed. The eastern Christians, at least, probably felt closer ties to their fellow Christian crusaders than to either Turkic overlords or Muslim Arabs.
Although the crusaders came upon an ancient urban society, Ellenblum argues that they never completely abandoned their rural European lifestyle, but nor was European society completely rural to begin with. Crusader settlement in the Levant resembled the types of colonization and settlement that were already being practiced in Europe, a mixture of urban and rural civilization centred around fortresses. The crusaders were neither totally integrated with the native population, nor segregated in the cities away from the rural natives; rather they settled in both urban and rural areas; specifically, in areas traditionally inhabited by Eastern Christians. Areas that were traditionally Muslim had very little crusader settlement, just as they already had very few native Christian inhabitants.
Into this mixed society the crusaders adapted existing institutions and introduced their familiar customs from Europe. As in Europe the nobles had vassals and were themselves vassals to the king. Agricultural production was regulated by the "iqta", a Muslim system of land ownership and payments roughly (though far from exactly) equivalent to the feudal system of Europe, and this system was not heavily disrupted by the crusaders.
As Hans Mayer says, "the Muslim inhabitants of the Latin Kingdom hardly ever appear in the Latin chronicles", so information on their role in society is difficult to find. The crusaders "had a natural tendency to ignore these matters as simply without interest and certainly not worthy of record." Although Muslims, as well as Jews and Eastern Christians, had virtually no rights in the countryside, where they were essentially the property of the crusader lord who owned the land, tolerance for other faiths was in general no higher or lower than that found elsewhere in the Middle East. Greeks, Syriacs, and Jews continued to live as they had before, subject to their own laws and courts, with their former Muslim overlords simply replaced by the crusaders; Muslims now joined them at the lowest level of society. The "ra'is", the leader of a Muslim or Syriac community, was a kind of vassal to whatever noble owned his land, but as the crusader nobles were absentee landlords the "ra'is" and their communities had a high degree of autonomy.
Arab-Andalusian geographer and traveler Ibn Jubayr, who was hostile to the Franks, described the Muslims living under the Christian crusaders' Kingdom of Jerusalem in the late 12th-century:
In the cities, Muslims and Eastern Christians were free, although no Muslims were permitted to live in Jerusalem itself. They were second-class citizens and played no part in politics or law, and owed no military service to the crown, although in some cities they may have been the majority of the population. Likewise, citizens of the Italian city-states owed nothing as they lived in autonomous quarters in the port cities.
There were an unknown number of Muslim slaves living in the Kingdom. There was a very large slave market in Acre which functioned throughout the twelfth and thirteenth centuries. Italian merchants were sometimes accused of selling South eastern European Christians as slaves along with Muslim slaves. Slavery was less common than ransom, especially for prisoners of war; the large numbers of prisoners taken during raids and battles every year ensured that ransom money flowed freely between the Christian and Muslim states. Escape for prisoners and slaves was probably not difficult, as the inhabitants of the countryside were majority Muslim, and fugitive slaves were always a problem. The only legal means of manumission was conversion to (Catholic) Christianity. No Christian, whether Western or Eastern, was permitted by law to be sold into slavery.
The nomadic Bedouin tribes were considered to be the property of the king and under his protection. They could be sold or alienated just like any other property, and later in the 12th century they were often under the protection of a lesser noble or one of the military orders.
21st century positions on the question of cultural integration or cultural apartheid remain divergent. Interactions between the Franks and the native Muslims and Christians, though muddled, exhibited a practical coexistence. Though likely overstated, the accounts of Usamah Ibn-Munqidh of Shaizar's travels through Antioch and Jerusalem described a level of aristocratic exchange elevated above ethnic prejudice. Contact between Muslims and Christians came on the administrative or personal level (on the basis of taxes or translation), not communal or cultural, representative of a hierarchical lord over subject relationship. Evidence of inter-cultural integration remains scarce, but evidence of inter-cultural cooperation and complex social interaction proves more common. Key use of the word dragoman, literally translator, with Syriac administrators and Arabic headsmen represented the direct need for negotiation of interests on both sides. Comments on households with Arabic-speaking Christians and a few Arabized Jews and Muslims represent a less dichotomous relationship than the mid-20th-century historians depicted. Rather, the commonality of Frankish Christians having non-Frankish priests, doctors, and other roles within households and inter-cultural communities presents the lack of standardized discrimination. Jersulamite William of Tyre complained about a trend to hire Jewish or Muslim medical practitioners over their Latin and Frankish counterparts. Evidence even indicates alterations to Frankish cultural and social customs regarding hygiene (notorious amongst Arabs for their lack of washing and knowledge of bathhouse culture), going so far as to ensure water supplies for domestic use in addition to irrigation.
It is impossible to give an accurate estimate of the population of the kingdom. Josiah Russell calculates that all of Syria had about 2.3 million people at the time of the crusades, with perhaps eleven thousand villages; most of these, of course, were outside of crusader rule even at the greatest extent of all four crusader states. It has been estimated by scholars such as Joshua Prawer and Meron Benvenisti that there were at most 120,000 Franks and 100,000 Muslims living in the cities, with another 250,000 Muslim and Eastern Christian peasants in the countryside. The crusaders accounted for 15–25% of the total population. Benjamin Z. Kedar estimates that there were between 300,000 and 360,000 non-Franks in the Kingdom, 250,000 of whom were villagers in the countryside, and "one may assume that Muslims were in the majority in some, possibly most parts of the kingdom of Jerusalem…" As Ronnie Ellenblum points out, there simply is not enough existing evidence to accurately count the population and any estimate is inherently unreliable. Contemporary chronicler William of Tyre recorded the census of 1183, which was intended to determine the number of men available to defend against an invasion, and to determine the amount of tax money that could be obtained from the inhabitants, Muslim or Christian. If the population was actually counted, William did not record the number. In the 13th century, John of Ibelin drew up a list of fiefs and the number of knights owed by each, but this gives no indication of the non-noble, non-Latin population.
The Mamluks, led by Baibars, eventually made good their pledge to cleanse the entire Middle East of the Franks. With the fall of Antioch (1268), Tripoli (1289), and Acre (1291), those Christians unable to leave the cities were massacred or enslaved and the last traces of Christian rule in the Levant disappeared.
The urban composition of the area, combined with the presence of the Italian merchants, led to the development of an economy that was much more commercial than it was agricultural. Palestine had always been a crossroads for trade; now, this trade extended to Europe as well. European goods, such as the woolen textiles of northern Europe, made their way to the Middle East and Asia, while Asian goods were transported back to Europe. Jerusalem was especially involved in the silk, cotton and spice trade; other items that first appeared in Europe through trade with crusader Jerusalem included oranges and sugar, the latter of which chronicler William of Tyre called "very necessary for the use and health of mankind." In the countryside, wheat, barley, legumes, olives, grapes, and dates were grown. The Italian city-states made enormous profits from this trade, thanks to commercial treaties like the "Pactum Warmundi", and it influenced their Renaissance in later centuries.
Jerusalem collected money through tribute payments, first from the coastal cities which had not yet been captured, and later from other neighbouring states such as Damascus and Egypt, which the crusaders could not conquer directly. After Baldwin I extended his rule over Oultrejordain, Jerusalem gained revenue from the taxation of Muslim caravans passing from Syria to Egypt or Arabia. The money economy of Jerusalem meant that their manpower problem could be partially solved by paying for mercenaries, an uncommon occurrence in medieval Europe. Mercenaries could be fellow European crusaders, or, perhaps more often, Muslim soldiers, including the famous Turcopoles.
Jerusalem was the center of education in the kingdom. There was a school in the Church of the Holy Sepulchre, where the basic skills of reading and writing Latin were taught; the relative wealth of the merchant class meant that their children could be educated there along with the children of nobles – it is likely that William of Tyre was a classmate of future king Baldwin III. Higher education had to be undertaken at one of the universities in Europe; the development of a university was impossible in the culture of crusader Jerusalem, where warfare was far more important than philosophy or theology. Nonetheless, the nobility and general Frankish population were noted for the high literacy: lawyers and clerks were in abundance, and the study of law, history, and other academic subjects was a beloved pastime of the royal family and the nobility. Jerusalem had an extensive library not only of ancient and medieval Latin works but of Arabic literature, much of which was apparently captured from Usamah ibn Munqidh and his entourage after a shipwreck in 1154. The Holy Sepulchre contained the kingdom's scriptorium and the city had a chancery where royal charters and other documents were produced. Aside from Latin, the standard written language of medieval Europe, the populace of crusader Jerusalem communicated in vernacular forms of French and Italian; Greek, Armenian, and even Arabic were used by Frankish settlers.
In Jerusalem itself the greatest architectural endeavour was the expansion of the Church of the Holy Sepulchre in western Gothic style. This expansion consolidated all the separate shrines on the site into one building, and was completed by 1149. Outside of Jerusalem, castles and fortresses were the major focus of construction: Kerak and Montreal in Oultrejordain and Ibelin near Jaffa are among the numerous examples of crusader castles.
Crusader art was a mix of Western, Byzantine, and Islamic styles. The major cities featured baths, interior plumbing, and other advanced hygienic tools which were lacking in most other cities and towns throughout the world. The foremost example of crusader art are perhaps the Melisende Psalter, an illuminated manuscript commissioned between 1135 and 1143 and now located in the British Library, and the sculpted Nazareth Capitals. Paintings and mosaics were popular forms of art in the kingdom, but many of these were destroyed by the Mamluks in the 13th century; only the most durable fortresses survived the reconquest.
Immediately after the First Crusade, land was distributed to loyal vassals of Godfrey, forming numerous feudal lordships within the kingdom. This was continued by Godfrey's successors. The number and importance of the lordships varied throughout the twelfth and thirteenth centuries, and many cities were part of the royal domain. The king was assisted by a number of officers of state. The king and the royal court were normally located in Jerusalem, but due to the prohibition on Muslim inhabitants, the capital was small and underpopulated. The king just as often held court at Acre, Nablus, Tyre, or wherever else he happened to be. In Jerusalem, the royal family lived firstly on the Temple Mount, before the foundation of the Knights Templar, and later in the palace complex surrounding the Tower of David; there was another palace complex in Acre.
Because the nobles tended to live in Jerusalem rather than on estates in the countryside, they had a larger influence on the king than they would have had in Europe. The nobles, along with the bishops, formed the "haute cour" (high court), which was responsible for confirming the election of a new king (or a regent if necessary), collecting taxes, minting coins, allotting money to the king, and raising armies. The "haute cour" was the only judicial body for the nobles of the kingdom, hearing criminal cases such as murder, rape, and treason, and simpler feudal disputes such as recovery of slaves, sales and purchases of fiefs, and default of service. Punishments included forfeiture of land and exile, or in extreme cases death. The first laws of the kingdom were, according to tradition, established during Godfrey of Bouillon's short reign, but were more probably established by Baldwin II at the Council of Nablus in 1120. Benjamin Z. Kedar argued that the canons of the Council of Nablus were in force in the 12th century but had fallen out of use by the thirteenth. Marwan Nader questions this and suggests that the canons may not have applied to the whole kingdom at all times. The most extensive collection of laws, together known as Assizes of Jerusalem, were written in the mid-13th century, although many of them are purported to be twelfth-century in origin.
There were other, lesser courts for non-nobles and non-Latins; the "Cour des Bourgeois" provided justice for non-noble Latins, dealing with minor criminal offences such as assault and theft, and provided rules for disputes between non-Latins, who had fewer legal rights. Special courts such as the "Cour de la Fond" (for commercial disputes in the markets) and the "Cour de la Mer" (an admiralty court) existed in the coastal cities. The extent to which native Islamic and Eastern Christian courts continued to function is unknown, but the "ra'is" probably exercised some legal authority on a local level. The "Cour des Syriens" judged non-criminal matters among the native Christians (the "Syriacs"). For criminal matters non-Latins were to be tried in the "Cour des Bourgeois" (or even the "Haute Cour" if the crime was sufficiently severe).
The Italian communes were granted almost complete autonomy from the very early days of the Kingdom, thanks to their military and naval support in the years following the First Crusade. This autonomy included the right to administer their own justice, although the kinds of cases that fell under their jurisdiction varied at different times.
The king was recognised as head of the Haute Cour, although he was legally only "primus inter pares".
After the loss of all territory in the Levant in 1291, there were late attempts at further crusades, nominally proposing to recapture Jerusalem, but with the rise of the Ottoman Empire
their character was more and more that of a desperate defensive war rarely reaching beyond the Balkans (Alexandrian Crusade, Smyrniote crusades).
Henry IV of England made a pilgrimage to Jerusalem in 1393/4, and he later vowed to lead a crusade to recapture the city, but he did not undertake such a campaign before his death in 1413.
The Levant remained under Ottoman control from 1517 until the Partition of the Ottoman Empire in 1918.
With the Fall of Ruad in 1302, the Kingdom of Jerusalem lost its final outpost on the Levantine coast, its possession closest to the Holy Land now being Cyprus.
Henry II of Jerusalem retained the title of king of Jerusalem until his death in 1324, and the title continued to be claimed by his successors, the kings of Cyprus.
The title of "king of Jerusalem" was also continuously used by the Angevin kings of Naples, whose founder, Charles of Anjou, had in 1277 bought a claim to the throne from Mary of Antioch. Thereafter, this claim to the Kingdom of Jerusalem was treated as a tributary of the crown of Naples, which often changed hands by testament or conquest rather than direct inheritance. As Naples was a papal fief, the Popes often endorsed the title of King of Jerusalem as well as of Naples, and the history of these claims is that of the Neapolitan Kingdom.
In 1441, control of the Kingdom of Naples was lost to Alfonso V of Aragon and the title thus was claimed by the kings of Spain, and after the War of the Spanish Succession both by the House of Bourbon and the House of Habsburg.
The title is still in "de facto" use by the Spanish Crown, currently held by Felipe VI of Spain. It was also claimed by Otto von Habsburg as Habsburg pretender until 1958, and by the kings of Italy until 1946.
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Kabul
Kabul (, ) is the capital and largest city of Afghanistan, located in the eastern section of the country. It is also a municipality, forming part of the greater Kabul Province, and divided into 22 districts. According to estimates in 2020, the population of Kabul is 4.222 million, which includes all the major ethnic groups of Afghanistan. Afghanistan's only city with a population of over 1 million, Kabul serves as its political, cultural and economical center. Rapid urbanization has made Kabul the world's 75th largest city.
Kabul is located high up in a narrow valley between the Hindu Kush mountains, with an elevation of making it one of the highest capitals in the world. The city is said to be over 3,500 years old, mentioned since at least the time of the Achaemenid Empire. Located at crossroads in Asia - roughly halfway between Istanbul in the west and Hanoi in the east - it is in a strategic location along the trade routes of South and Central Asia, and a key location of the ancient Silk Road. It has been part of the Achaemenids followed by the Seleucids, Mauryans, Kushans, Kabul Shahis, Saffarids, Samanids, Ghaznavids, Ghurids, Khwarazmians, Qarlughids, Khaljis, Timurids, Mughals, and Hotaks, until finally becoming part of the Durrani Empire (also known as the "Afghan Empire") in 1747. Kabul became the capital of Afghanistan in 1776, during the reign of Timur Shah Durrani, the son of Ahmad Shah Durrani.
In the early 19th century, the British occupied the city, but after establishing foreign relations, they were compelled to withdraw all forces from Afghanistan. The city was occupied by the Soviets in 1979 but they too abandoned it after the 1988 Geneva Accords were signed. A civil war in the 1990s between various rebel groups destroyed much of the city, resulting in many casualties. From late 2001 the city has been continuously rebuilt.
Kabul is known for its gardens, bazaars, and palaces, well known examples being the Gardens of Babur and Darul Aman Palace. It was also formerly a mecca for young western hippies. Despite frequent terrorist attacks in the city, mainly by Taliban insurgents, the city continues to develop and was the fifth fastest-growing city in the world as of 2012.
Kabul (; ', ; ', ) is also spelled as Cabool, Cabol, Kabol, or Cabul.
The origin of Kabul, who built it and when, is largely unknown. The Hindu Rigveda, composed between 1500–1200 BCE and one of the four canonical sacred texts (śruti) of Hinduism, and the Avesta, the primary collection of sacred texts of Zoroastrianism, refer to the Kabul River and to a settlement called "Kubha". The Rigveda refers to "Kubha" as an "ideal city" and a vision of paradise set in the mountains and is full of poems in praise of the city.
The Kabul valley was part of the Median Empire (c. 678-549 BC). In 549 BC, the Median Empire was annexed by Cyrus The Great and Kabul became part the Achaemenid Empire (c. 550–330 BC). During that period, Kabul became a center of learning for Zoroastrianism, followed by Buddhism. An inscription on Darius the Great's tombstone lists Kabul as one of the 29 countries of the Achaemenid Empire.
When Alexander annexed the Achaemenid Empire, the Kabul region came under his control. After his death, his empire was seized by his general Seleucus, becoming part of the Seleucid Empire. In 305 BCE, the Seleucid Empire was extended to the Indus river which led to friction with the neighboring Mauryan Empire, but it is widely believed that the two empires reached an alliance treaty. During the Mauryan period, trade flourished because of uniform weights and measures. Irrigation facilities for public use were developed leading to an increased harvest of crops. People were also employed as artisans, jewelers, carpenters.
The Greco-Bactrians took control of Kabul from the Mauryans in the early 2nd century BC, then lost the city to their subordinates in the Indo-Greek Kingdom around the mid-2nd century BC. Buddhism was greatly patronized by the rulers and majority of people of the city were adherents of the religion. Indo-Scythians expelled the Indo-Greeks by the mid 1st century BC, but lost the city to the Kushan Empire about 100 years later.
Some historians ascribe Kabul the Sanskrit name of Kamboja ("Kamboj"). It is mentioned as "Kophes" or "Kophene" in some classical writings. Hsuan Tsang refers to the city as "Kaofu" in the 7th century AD, which is the appellation of one of the five tribes of the Yuezhi who had migrated from across the Hindu Kush into the Kabul valley around the beginning of the Christian era. It was conquered by Kushan Emperor Kujula Kadphises in about 45 AD and remained Kushan territory until at least the 3rd century AD. The Kushans were Indo-European-speaking peoples based in Bactria (northern Afghanistan).
Around 230 AD, the Kushans were defeated by the Sassanid Empire and replaced by Sassanid vassals known as the Indo-Sassanids. During the Sassanian period, the city was referred to as "Kapul" in Pahlavi scripts. Kapol in the Persian language means Royal (ka) Bridge (pol), which is due to the main bridge on the Kabul River that connected the east and west of the city. In 420 AD the Indo-Sassanids were driven out of Afghanistan by the Xionite tribe known as the Kidarites, who were then replaced in the 460s by the Hephthalites. It became part of the surviving Turk Shahi Kingdom of Kapisa, also known as "Kabul-Shahan". According to "Táríkhu-l Hind" by Al-Biruni, Kabul was governed by princes of Turkic lineage whose rule lasted for about 60 generations.
The Kabul rulers built a defensive wall around the city to protect it from enemy raids. This wall has survived until today. It was briefly held by the Tibetan Empire between 801 and 815.
The Islamic conquest reached modern-day Afghanistan in 642 AD, at a time when Kabul was independent. A number of failed expeditions were made to Islamize the region. In one of them, Abdur Rahman bin Samana arrived to Kabul from Zaranj in the late 600s and converted 12,000 inhabitants to Islam before abandoning the city. Muslims were a minority until Ya'qub bin Laith as-Saffar of Zaranj conquered Kabul in 870 and established the first Islamic dynasty in the region. It was reported that the rulers of Kabul were Muslims with non-Muslims living close by.
Over the following centuries, the city was successively controlled by the Samanids, Ghaznavids, Ghurids, Khwarazmshahs, Qarlughids, and Khaljis. In the 13th century, the invading Mongols caused major destruction in the region. Report of a massacre in the close by Bamiyan is recorded around this period, where the entire population of the valley was annihilated by the Mongol troops as a revenge for the death of Genghis Khan's grandson. As a result, many natives of Afghanistan fled south toward the Indian subcontinent where some established dynasties in Delhi. The Chagatai Khanate and Kartids were vassals of Ilkhanate till dissolution of latter in 1335.
Following the era of the Khalji dynasty in 1333, the famous Moroccan scholar Ibn Battuta was visiting Kabul and wrote:
In the 14th century, Kabul became a major trading center under the kingdom of Timur ("Tamerlane"). In 1504, the city fell to Babur from the north and made into his headquarters, which became one of the principal cities of his later Mughal Empire. In 1525, Babur described Kabulistan in his memoirs by writing that:
Mirza Muhammad Haidar Dughlat, a poet from Hindustan who visited at the time wrote: ""Dine and drink in Kabul: it is mountain, desert, city, river and all else."" It was from here that Babur began his 1526 conquest of Hindustan, which was ruled by the Afghan Lodi dynasty and began east of the Indus River in what is present-day Pakistan. Babur loved Kabul due to the fact that he lived in it for 20 years and the people were loyal to him, including its weather that he was used to. His wish to be buried in Kabul was finally granted. The inscription on his tomb contains the famous Persian couplet, which states: اگرفردوس روی زمین است همین است و همین است و همین است (If there is a paradise on earth, it is this, it is this, it is this!)
Nine years after Nader Shah and his forces invaded and occupied the city as part of the more easternmost parts of his Empire, he was assassinated by his own officers, causing the rapid disintegration of it. Ahmad Shah Durrani, commander of 4,000 Abdali Afghans, asserted Pashtun rule in 1747 and further expanded his new Afghan Empire. His ascension to power marked the beginning of Afghanistan. His son Timur Shah Durrani, after inheriting power, transferred the capital of Afghanistan from Kandahar to Kabul in 1776, and used Peshawar in what is today Pakistan as the winter capital. Timur Shah died in 1793 and was succeeded by his son Zaman Shah Durrani. Kabul's first visitor from Europe was Englishman George Forster, who described 18th-century Kabul as "the best and cleanest city in Asia".
In 1826, the kingdom was claimed by Dost Mohammad Khan but in 1839 Shujah Shah Durrani was re-installed with the help of British India during the First Anglo-Afghan War. In 1841 a local uprising resulted in the killing of the British resident and loss of mission in Kabul and the 1842 retreat from Kabul to Jalalabad. In 1842 the British returned to Kabul, plundering Bala Hissar in revenge before fleeing back to British India (now Pakistan). Akbar Khan took to the throne from 1842 to 1845 and was followed by Dost Mohammad Khan.
The British-led Indian forces invaded in 1879 when Kabul was under Sher Ali Khan's rule, as the Afghan king initially refused to accept British diplomatic mission and later the British residents were again massacred. The British partially destroyed Bala Hissar fortress before retreating to British India.
Having become an established bazaar city, leather and textile industries developed by 1916. The majority of the population was concentrated on the south side of the river.
Kabul modernized throughout the regime of King Habibullah Khan, with the introduction of electricity, telephone, and a postal service. The first modern high school, Habibia, was established in 1903. In 1919, after the Third Anglo-Afghan War, King Amanullah Khan announced Afghanistan's independence from foreign affairs at Eidgah Mosque in Kabul. Amanullah was reform-minded and he had a plan to build a new capital city on land about 6 km away from Kabul. This area was named Darulaman and it consisted of the famous Darul Aman Palace, where he later resided. Many educational institutions were founded in Kabul during the 1920s. In 1929 King Ammanullah left Kabul due to a local uprising orchestrated by Habibullah Kalakani, but he himself was imprisoned and executed after nine months in power by King Nader Khan. Three years later, in 1933, the new king was assassinated during an award ceremony inside a school in Kabul. The throne was left to his 19-year-old son, Zahir Shah, who became the last King of Afghanistan. Unlike Amanullah Khan, Nader Khan and Zahir Shah had no plans to create a new capital city, and thus Kabul remained the country's seat of government.
During the inter-war period France and Germany helped develop the country and maintained high schools and lycees in the capital, providing education for the children of the city's elite families. Kabul University opened in 1932 and by the 1960s western educated Afghans made up the majority of teachers. By the 1960s the majority of instructors at the university had degrees from Western universities.
When Zahir Shah took power in 1933 Kabul had the only of rail in the country and the country had few internal telegraphs, phone lines or roads. Zahir turned to the Japanese, Germans and Italians for help developing a modern transportation and communication network. A radio tower built by the Germans in 1937 in Kabul allowing instant communication with outlying villages. A national bank and state cartels were organized to allow for economic modernization. Textile mills, power plants, carpet and furniture factories were also built in Kabul, providing much needed manufacturing and infrastructure.
During the 1940s and 1950s, urbanization accelerated and the built-up area was increased to 68 km2 by 1962, an almost fourteen-fold increase compared to 1925. Under the premiership of Mohammad Daoud Khan in the 1950s, foreign investment and development increased. In 1955, the Soviet Union forwarded $100 million in credit to Afghanistan, which financed public transportation, airports, a cement factory, mechanized bakery, a five-lane highway from Kabul to the Soviet border and dams, including the Salang Pass to the north of Kabul. During the 1960s, Soviet-style microrayon housing estates were built, containing sixty blocks. The government also built many ministry buildings in the brutalist architecture style.
In the 1960s the first Marks & Spencer store in Central Asia was built in the city. Kabul Zoo was inaugurated in 1967, which was maintained with the help of visiting German zoologists. Foreigners flocked to Kabul and the nation's tourism industry picked up speed. Kabul experimented with liberalization, notably the loosening of restrictions on speech and assembly which led to student politics in the capital. Socialist, Maoist and liberal factions demonstrated daily in Kabul while more traditional Islamic leaders spoke out against the failure to aid the Afghan countryside. From the 1960s until the late 1970s, Kabul was a major stop on the famous Hippie trail. By the beginning of the 1970s, Kabul became known for its street sales of hashish and became a major tourist attraction for western hippies.
On April 28, 1978, President Daoud and most of his family were assassinated in Kabul's Presidential Palace in what is called the Saur Revolution. Pro-Soviet PDPA under Nur Muhammad Taraki seized power and slowly began to institute reforms. Private businesses were nationalized in the Soviet manner. Education was modified into the Soviet model, with lessons focusing on teaching Russian, Marxism–Leninism and learning of other countries belonging to the Soviet bloc.
On December 24, 1979, the Soviet Union invaded Afghanistan and Kabul was heavily occupied by Soviet Armed Forces. In Pakistan, Director-General of the ISI Akhtar Abdur Rahman advocated for the idea of covert operation in Afghanistan by arming Islamic extremists who formed the mujahideen. General Rahman was heard loudly saying: ""Kabul must burn! Kabul must burn!"", and mastered the idea of proxy war in Afghanistan. Pakistani President Zia-ul-Haq authorized this operation under General Rahman, which was later merged with Operation Cyclone, a programme funded by the United States and carried out by the Central Intelligence Agency. Large protests against the Soviet presence broke out in Kabul in 1980 in what is called the 3 Hut uprising.
The Soviets turned the city of Kabul into their command center during the Soviet–Afghan War, though the city was considered moderately safe during that period since fighting was mostly taking place in the countryside. However political crime such as assassinations of PDPA party members or guerrilla attacks on military and government targets were quite common. The Soviet Embassy, for example, was attacked four times with arms fire in the first five years of the war. A Western correspondent revisiting Kabul in December 1983 after a year, said that the city was "converted into a fortress bristling with weapons". Contrastingly, that same year American diplomat Charles Dunbar commented that the Soviet troops' presence was "surprisingly modest", and an author in a 1983 "Bulletin of the Atomic Scientists" article thought that the Soviet soldiers had a "friendly" atmosphere.
The city's population increased from around 500,000 in 1978 to 1.5 million in 1988. The large influx were mostly internal refugees who fled other parts of the country for safety in Kabul. During this time, women made up 40% of the workforce. Soviet men and women were very common in the city's shopping roads, with the large availability of Western products. Most Soviet civilians (numbering between 8,000 and 10,000) lived in the north eastern Soviet-style Mikrorayon ("microraion") housing complex that was surrounded by barbed-wire and armed tanks. They sometimes received abuse from anti-Soviet civilians on the streets. The mujahideen rebels managed to strike at the city a few times—on October 9, 1987, a car bomb planted by a mujahideen group killed 27 people, and on April 27, 1988 in celebrations of the 10th anniversary of the Saur Revolution, a truck bomb killed six people.
After the fall of Mohammad Najibullah's government in April 1992, different mujahideen factions entered the city and formed a government under the Peshawar Accords, but Gulbuddin Hekmatyar's party refused to sign the accords and started shelling the city for power, which soon escalated into a full-scale conflict. This marked the start of a dark period of the city: at least 30,000 civilians were killed in a period known locally as the "Kabul Wars." About 80 percent of the city was devastated and destroyed by 1996. The old city and western areas were among the worst-hit. A "The New York Times" analyst said in 1996 that the city was more devastated than Sarajevo, which was similarly damaged during the Bosnian War at the time.
The city suffered heavily under a bombardment campaign between rival militias which intensified during the summer of 1992. Its geographic location in a narrow valley made it an easy target from rockets fired by militias who based themselves in the surrounding mountains. Within two years' time, the majority of infrastructure was destroyed, a massive exodus of the population left to the countryside or abroad, and electricity and water was completely out. In late 1994, bombardment of the capital came to a temporary halt. These forces took steps to restore law and order. Courts started to work again, convicting individuals inside government troops who had committed crimes. On September 27, 1996, the hardline Taliban militia seized Kabul and established the Islamic Emirate of Afghanistan. They imposed a strict form of Sharia (Islamic law), restricting women from work and education, conducting amputations against common thieves, and hit-squads from the infamous "Ministry for Promotion of Virtue and Prevention of Vice" watching public beatings of people.
In November 2001, the Northern Alliance captured Kabul after the Taliban had abandoned it following the American invasion. A month later a new government under President Hamid Karzai began to assemble. In the meantime, a NATO-led International Security Assistance Force (ISAF) was deployed in Afghanistan. The war-torn city began to see some positive development as many expatriate Afghans returned to the country. The city's population grew from about 500,000 in 2001 to over 3 million in recent years. Many foreign embassies re-opened, and the city has been recovering ever since. In 2008 the process started to gradually hand over security responsibilities from NATO to Afghan forces.
As of 2014, the Afghan National Security Forces (ANSF) have been in charge of security in and around the city. Kabul is periodically the scene of deadly bombings carried out mostly by the Taliban but also by the Haqqani network, ISIL, and other anti-state groups. Government employees, soldiers and ordinary civilians have all been targets of attacks. The Afghan government called the actions of the terrorists war crimes. The deadliest attack yet was a truck bombing in May 2017. Since 2010, a series of manned checkpoints called the Ring of Steel operates in the city.
The city has experienced rapid urbanization with an increasing population. Many informal settlements have been built. Since the late 2000s, numerous modern housing complexes have been built, many of which are gated and secured, to serve a growing Afghan middle class. Some of these include the Aria City (in District 10) and Golden City (District 8). Some complexes have been built out-of-town, such as the Omid-e-Sabz township (District 13), Qasaba/Khwaja Rawash township (District 15), and Sayed Jamaludin township (District 12).
A major ambitious $80 billion project called "Kabul New City" aims to develop a large modern township of homes and businesses on 1,700 acres of land to the north of Kabul (Districts 18 and 19) and Bagram in Parwan Province. The project was first conceptualized in 2007 and approved in 2009. After years in planning and assistance from the Japanese government, construction started in 2015.
On 12 May 2020, three gunmen wearing police uniforms carried out a mass shooting in the maternity ward of Dashte Barchi hospital in Kabul, which is assisted by Médecins Sans Frontières (Doctors Without Borders) personnel. The attackers killed 24 people and injured another 16. The deaths included two newborn babies, one midwife, and 16 mothers, who were either pregnant giving birth or were with their newborns. Three of the mothers were shot and killed in the delivery room along with their unborn babies. The gunmen had walked straight past other wards closer to the hospital's entrance, and attacked only the maternity ward. More than 80 women, infants, and staff, including three foreign nationals, were safely evacuated from the hospital, and all of the attackers were killed by the Afghan security forces. No armed group claimed responsibility for the hospital shooting. The U.S. government said that it had assessed that ISIL–KP was responsible for the attack. The Afghan government, however, claimed that the Taliban and the affiliated Haqqani network were behind the attack.
Kabul is situated in the eastern part of the country, above sea level in a narrow valley, wedged between the Hindu Kush mountains along the Kabul River. Immediately to the south of the old city are the ancient city walls and the Sher Darwaza mountain, with the Shuhadayi Salihin cemetery behind it. A bit further east is the ancient Bala Hissar fortress with the Kol-e Hasmat Khan lake behind it.
Its location has been described as a "bowl surrounded by mountains". Some of the mountains (which are called "koh") include: Khair Khana-e Shamali, Khwaja Rawash, Shakhi Baran Tey, Chihil Sutun, Qurugh, Khwaja Razaq and Sher Darwaza. There are also two mountains in between urban areas in western Kabul: Asamayi (also known as the "Television hill") and Ali Abad. Hills within the city (which are called "tapa") include Bibi Mahro and Maranjan.
The city covers an area size of , making it by far the largest in the country. The closest foreign capital cities as the bird flies are Islamabad, Dushanbe, Tashkent, New Delhi and Bishkek. Kabul is roughly equidistant between Istanbul (western Asia) and Hanoi (eastern Asia).
Kabul has a cold semi-arid climate (Köppen climate classification "BSk") with precipitation concentrated in the winter (almost exclusively falling as snow) and spring months. Temperatures are cool compared to much of Southwest Asia, mainly due to the high elevation of the city. Summer has very low humidity, providing relief from the heat. Autumn features warm afternoons and sharply cooler evenings. Winters are cold, with a January daily average of . Spring is the wettest time of the year. Sunny conditions dominate year-round. The annual mean temperature is , much lower than the other large cities of Afghanistan.
The Kabul River flows through the heart of the city, dividing the central bazaars. There are several bridges ("pul") crossing the river, the major ones being Pul-e Shah-Do Shamshira, Pul-e Bagh-e Omomi, Pul-e Khishti, and Pul-e Mahmoud. Due to climate change, since the 21st century, the river runs dry most of the year, only filling up in the wetter winter and spring seasons.
A large lake and wetland is located just to the southeast from the old city called "Kol-e Hashmat Khan". The marsh provides a critical resting place to thousands of birds who fly between the Indian subcontinent and Siberia. In 2017 the government declared the lake a protected area. Some rare species of birds have been spotted at the lake, such as the Eastern imperial eagle and the Dalmatian pelican. Kabul's other large lake is Qargha, located some 9 km northwest from the center. It is a major attraction for locals as well as foreigners.
Air pollution is a major problem in the city during the winter season, when many residents burn low-quality fuels.
The city of Kabul forms one of the 15 districts of Kabul Province. As the provincial capital, it forms a municipality ("shārwāli") which is further divided into 22 administrative districts called municipal districts or city districts ("nāhia"), which coincide with the official Police Districts (PD). The number of city districts increased from 11 to 18 in 2005, and then to 22 by 2010 after the incorporation of Districts 14 and 19-22 which were annexed by Kabul Municipality from surrounding rural districts. The city limits have thus substantially increased. Due to demarcation disputes with the provincial administration, some of these new districts are more administered by the provincial districts than the municipality.
District 1 contains most of the old city. Downtown Kabul mostly consist of Districts 2, 4 and 10. In addition, Districts 3 and 6 house many commercial and governmental points of interests. The city's north and west are the most urbanized, as opposed to the south and east.
The table below show the 22 city districts and their settlements, with information about its land size and usage, accurate as of 2011.
Each year about 20,000 foreign tourists visit Afghanistan. Major hotels in Kabul include; the Serena Hotel, the Inter-Continental, and the Safi Landmark Hotel above the Kabul City Center. There are a number of other less-known hotels. Most visitors prefer lodging at guest houses, which are found all over the city. The better and safer ones are in the Wazir Akbar Khan neighborhood where the embassies are located.
The old part of Kabul is filled with bazaars nestled along its narrow, crooked streets. Cultural sites include: the National Museum of Afghanistan, notably displaying an impressive statue of Surya excavated at Khair Khana, the ruined Darul Aman Palace, the tomb of Mughal Emperor Babur at Bagh-e Babur, and Chihil Sutun Park, the Minar-i-Istiqlal (Column of Independence) built in 1919 after the Third Afghan War, the tomb of Timur Shah Durrani, the Bagh-e Bala Palace and the imposing Id Gah Mosque (founded 1893). Bala Hissar is a fort destroyed by the British in 1879, in retaliation for the death of their envoy, now restored as a military college. There are also the Kolola Pushta fort, which is still garrisoned by the Afghan Army, and the nearby 19th-century Shahrara Tower fort, which was ruined in 1928. The Minaret of Chakari, destroyed in 1998, had Buddhist swastika and both Mahayana and Theravada qualities.
Other places of interest include Kabul City Center, which is Kabul's first shopping mall, the shops around Flower Street and Chicken Street, Wazir Akbar Khan district, Kabul Golf Club, Kabul Zoo, Abdul Rahman Mosque, Shah-Do Shamshira and other famous mosques, the National Gallery of Afghanistan, the National Archives of Afghanistan, Afghan Royal Family Mausoleum, the OMAR Mine Museum, Bibi Mahro Hill, Kabul Cemetery, and Paghman Gardens. The Aga Khan Development Network (AKDN) was also involved in the restoration of the Bagh-e Babur (Babur Gardens).
Tappe-i-Maranjan is a nearby hill where Buddhist statues and Graeco-Bactrian coins from the 2nd century BC have been found. Outside the city proper is a citadel and the royal palace. Paghman and Jalalabad are interesting valleys west and east of the city.
Kabul's population was estimated in 2020 at about 4.222 million. Another 2015 estimate has put it at 3,678,034. The city's population has long fluctuated due to the wars. The lack of an up-to-date census means that there are various estimates of the population.
Kabul's population is estimated to have been about 10,000 in 1700, 65,000 by 1878, and 120,000 by 1940. More recently, the population was around 500,000 in 1979, whilst another source claims 337,715 as of 1976. This figure rose to about 1.5 million by 1988, before dramatically dropping in the 1990s. Kabul became one of the fastest growing cities in the world, with its population growing fourfold from 2001 to 2014. This was partly due to the return of refugees after the fall of the Taliban regime, and partly due to Afghans moving from other provinces mainly due to war between Taliban insurgents and Afghan government forces in their native areas as well as looking for labor. This resulting rapid urbanization mean that many residents today live in informal settlements. Shanty mud-brick homes on the mountainsides and steep hills have been built by them and these are usually poverty-stricken, not connected to the water and electricity grid. Although the settlements are illegal, they have been tolerated by authorities. In 2017 Kabul Municipality started a project to paint the homes in these settlements in bright colors in an effort to "cheer up" residents.
Kabul is the most ethnically diverse city in the country, with the population including Afghans from all over the country. A 2009 report states that Kabul has large populations of all major ethnic groups, including Tajiks and Pashtuns as well as Hazaras in pockets throughout, and smaller communities of Uzbeks and other groups. The Dari (Persian) and Pashto languages are widely used in the region, although Dari serves as the lingua franca. Multilingualism is common throughout the area, particularly among the Pashtun people.
The term "Kabuli" (کابلی) is referred to the urbanites of the city. They are ethnic-neutral, typically speak Dari (Persian), are generally secularly and highly educated, and favor Western fashion. Many Kabulites (especially elites and the upper class) left the country during the civil war and are now outnumbered by rural people who moved in from the countryside, mostly refugees but also labor-seekers.
About 74% of the city's population follow Sunni Islam while 25% are Shiites (mainly the Hazaras). The remaining 1% are followers of Sikhism and Hinduism, as well as one known Christian resident (First Lady Rula Ghani) and one Jewish resident (Zablon Simintov); other known Christians and Jews exist though are not Afghan nationals and are generally workers at international organizations rather than permanent residents. Kabul also has small Indian and Turkish communities (mostly business-owners and investors), and in the 1980s had a sizable Russian community during the Soviet campaign in the country.
Cricket is the dominant sport in Kabul with 2 of the 3 sports stadiums reserved for cricket.
The municipality's administrative structure consists of 17 departments under a mayor. Like other provincial municipalities in Afghanistan, the municipality of Kabul deals with city affairs such as construction and infrastructure. The city districts ("nāhia") collect certain taxes and issue building licenses. Each city district has a district head appointed by the mayor, and leads six major departments in the district office. The neighborhood organization structure at the "nahia" level is called a "gozar". A "wakil-e gozar" is a person chosen to represent a community within a city district.
Kabul's Chief of Police is Lt. Gen. Abdul Rahman Rahimi. The police are part of the Afghan National Police (ANP) under the Ministry of Interior and are arranged by city districts. The Police Chief is selected by the Interior Minister and is responsible for all law enforcement activities throughout the Kabul province.
Kabul's main products include fresh and dried fruit, nuts, beverages, Afghan rugs, leather and sheep skin products, furniture, antique replicas, and domestic clothes. The World Bank authorized US$25 million for the Kabul Urban Reconstruction Project which closed in 2011. Over the last decade, the United States has invested approximately $9.1 billion into urban infrastructure in Afghanistan. The wars since 1978 have limited the city's economic productivity but after the establishment of the Karzai administration since late 2001, local economic developments have included a number of indoor shopping malls. The first of these was the Kabul City Center, opened 2005. Others have also opened in recent years including Gulbahar Center, City Walk Mall and Majid Mall.
Kabul's largest industrial hub is located in District 9, on the north banks of the River Kabul and near the airport. About from downtown Kabul, in Bagrami, a industrial complex has completed with modern facilities, which will allow companies to operate businesses there. The park has professional management for the daily maintenance of public roads, internal streets, common areas, parking areas, 24 hours perimeter security, access control for vehicles and persons. A number of factories operate there, including the $25 million Coca-Cola bottling plant and the Omaid Bahar juice factory.
According to Transparency International, the government of Afghanistan is the third most-corrupt in the world. Experts believe that the poor decisions of Afghan politicians contribute to the unrest in the region. This also prevents foreign investment in Afghanistan, especially by Western countries. In 2012, there were reportedly $3.9 billion paid to public officials in bribes which contributed to these issues.
Da Afghanistan Bank, the nation's central bank, is headquartered in Kabul. In addition, there are several commercial banks in the city.
A US$1 billion contract was signed in 2013 to commence work on the "New Kabul City", which is a major residential scheme that would accommodate 1.5 million people. In the meantime, many high rise buildings are being constructed in order to control the overcrowding and also to modernize the city.
An initial concept design called the City of Light Development, envisioned by Dr. Hisham N. Ashkouri, for the development and the implementation of a privately based investment enterprise has been proposed for multi-function commercial, historic and cultural development within the limits of the Old City of Kabul, along the southern side of the Kabul River and along Jade Meywand Avenue,
As of November 2015, there are more than 24 television stations based out of Kabul.
In Kabul, Minister Amir Zai Sangin of the Ministry of Communications and Information Technology maintains statistics regarding telecommunications in the Islamic Republic of Afghanistan. Afghanistan Information Management Services (AIMS) provides software development, capacity development, information management, and project management services to the Afghan Government and other NGOs, thereby supporting their on-the-ground activities.
GSM/GPRS mobile phone services in the city are provided by Afghan Wireless, Etisalat, Roshan, MTN and Salaam. , all of them provide 3G services as well. In November 2006, the Afghan Ministry of Communications signed a $64.5 million US dollar deal with ZTE on the establishment of a countrywide fibre optical cable network to help improve telephone, internet, television and radio broadcast services not just in Kabul but throughout the country. Internet cafes were introduced in 2002 and has been expanding throughout the country. , 3G services are also available.
There are a number of post offices throughout the city. Package delivery services like FedEx, TNT N.V., and DHL are also available.
The Hamid Karzai International Airport (Kabul International Airport) is located from the center of Kabul, which has always served as the country's main airport. It is a hub to Ariana Afghan Airlines, the national carrier of Afghanistan, as well as private airlines such as Afghan Jet International, East Horizon Airlines, Kam Air, Pamir Airways, and Safi Airways. Regional airlines such as Air India, SpiceJet, flydubai, Emirates, Gulf Air, Mahan Air, Pakistan International Airlines, Turkish Airlines and others also have regularly scheduled flights to the airport. A new international terminal was built by the government of Japan and began operation in 2008.
Kabul has no train service; its only railway service, the Kabul–Darulaman Tramway, operated for six years from 1923 to 1929. As part of the approved major Deh Sabz "Kabul New City" development project that kicked off in 2015, a light rail service is being planned during the mid-term development period.
The AH76 highway (or Kabul-Charikar Highway) connects Kabul north towards Charikar, Pol-e Khomri and Mazar-i-Sharif ( away), with leading roads to Kunduz ( away). The AH77 highway goes west towards Bamiyan Province ( away) and Chaghcharan in the central mountains of Afghanistan. To the south-west, the Kabul-Ghazni Highway goes to Ghazni ( away) and Kandahar ( away). To the south, the Kabul-Gardez Highway connects it to Gardez ( away) and Khost. To the east, the Kabul-Jalalabad Highway goes to Jalalabad ( away) and across the border to Peshawar.
Much of the road network in downtown Kabul consist of square or circle intersections ("char-rahi"). The main square in the city is Pashtunistan Square (named after Pashtunistan), which has a large fountain in it and is located adjacent to the presidential palace, the Central Bank, and other landmarks. The Massoud Circle is located by the U.S. Embassy and has the road leading to the airport. In the old city, Sar-e Chawk roundabout is at the center of Maiwand Road ("Jadayi Maiwand"). Once all roads led to it, and in the 16th century was called the "navel of Kabul". In the Shahr-e Naw district there are several major intersections: Ansari, Haji Yaqub, Quwayi Markaz, Sedarat, and Turabaz Khan. The latter, named after Turabaz Khan, connect Flower Street and Chicken Street. There are also two major intersections in western Kabul: the Deh Mazang Circle and Kote Sangi. Salang Watt is the main road to the north-west, whereas Asamayi Watt and Seh Aqrab (also called Sevom Aqrab) is the main road to western Kabul.
The steep population rise in the 21st century has caused major congestion problems for the city's roads. In efforts to tackle this issue, a 95 km outer ring road costing $110 million was approved in 2017. Construction will take five years and it will run from Char Asiab via Ahmad Shah Baba Mina, Deh Sabz ("Kabul New City" development area), the AH76 highway, Paghman and back to Char Asyab. A new bus public transport service is also planned to be opened in 2018 (see below). In September 2017, the head of the Kabul Municipality announced that 286 meters of pedestrian overpass footbridges will be built in eight busy areas "in the near future".
Under the Kabul Urban Transport Efficiency Improvement Project that was signed in 2014 and backed by the World Bank, the city has seen widespread improvements in road conditions, including the building of new pedestrian sidewalks, drainage systems, lighting and asphalted road surfaces. The project runs until December 31, 2019.
Private vehicles have been on the rise in Kabul since 2002, with about 700,000 cars registered as of 2013 and up to 80% of the cars reported to be Toyota Corollas. The number of dealerships have also increased from 77 in 2003 to over 550 by 2010. Gas stations are mainly private-owned. Bicycles on the road are a common sight in the city.
The taxicabs in Kabul are painted in a white and yellow livery. The majority of these are older model Toyota Corollas. A few Soviet-era Russian cabs are also still in operation.
Long distance road journeys are made by private Mercedes-Benz coach buses or vans, trucks and cars. Although a nationwide bus service is available from Kabul, flying is safer, especially for foreigners. The city's public bus service (Millie Bus / "National Bus") was established in the 1960s to take commuters on daily routes to many destinations. The service has about 800 buses. The Kabul bus system has discovered a new source of revenue in whole-bus advertising from MTN similar to "bus wrap" advertising on public transit in more developed nations. There is also an express bus that runs from downtown to Hamid Karzai International Airport for Safi Airways passengers.
An electric trolleybus system operated in Kabul from February 1979 to 1992 using Škoda fleet built by a Czechoslovak company (see Trolleybuses in Kabul for more). The trolleybus service was highly popular mainly due to its low price compared to the Millie Bus conventional bus service. The last trolleybus came to a halt in late 1992 due to warfare - much of the copper overhead wires were later looted but a few of them, including the steel poles, can still be seen in Kabul today.
In June 2017 Kabul Municipality unveiled plans for a new bus rapid transit system, the first major urban public transportation scheme. It was expected to open by 2018, but its launch has been delayed.
The Ministry of Education led by Ghulam Farooq Wardak is responsible for the education system in Afghanistan. Public and private schools in the city have reopened since 2002 after they were shut down or destroyed during fighting in the 1980s to the late 1990s. Boys and girls are strongly encouraged to attend school under the Karzai administration but many more schools are needed not only in Kabul but throughout the country. The Afghan Ministry of Education has plans to build more schools in the coming years so that education is provided to all citizens of the country. High schools in Kabul include:
Universities include:
Health care in Afghanistan is relatively poor. The wealthy Afghans usually go abroad when seeking treatment. Presently, there are several hospitals in Kabul which include;
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Kevin Bacon
Kevin Norwood Bacon (born July 8, 1958) is an American actor and musician. His films include musical-drama film "Footloose" (1984), the controversial historical conspiracy legal thriller "JFK" (1991), the legal drama "A Few Good Men" (1992), the historical docudrama "Apollo 13" (1995), and the mystery drama "Mystic River" (2003). Bacon is also known for taking on darker roles, such as that of a sadistic guard in "Sleepers" (1996), and troubled former child abuser in "The Woodsman" (2004). He is further known for the hit comedies "National Lampoon's Animal House" (1978), "Diner" (1982), "Tremors" (1990) and "Crazy, Stupid, Love" (2011). His other well-known films are "Friday the 13th" (1980), "Flatliners" (1990), "The River Wild" (1994), "Wild Things" (1998), "Stir of Echoes" (1999), "Hollow Man" (2000), "Frost/Nixon" (2008), "" (2011), "Black Mass" (2015) and "Patriots Day" (2016). He is equally prolific on television, having starred in the Fox drama series "The Following" (2013–2015). For the HBO original film "Taking Chance" (2009), Bacon won a Golden Globe Award and a Screen Actors Guild Award, also receiving a Primetime Emmy Award nomination. More recently, Bacon portrayed the title character, and was the series lead, of the Amazon Prime web television series "I Love Dick", for which he was nominated for a Golden Globe Award.
"The Guardian" named him one of the best actors never to have received an Academy Award nomination. In 2003, Bacon received a star on the Hollywood Walk of Fame for his contributions to the motion picture industry.
Bacon has become associated with the concept of interconnectedness (as in social networks), having been popularized by the game "Six Degrees of Kevin Bacon". In 2007, he created SixDegrees.org, a charitable foundation.
Bacon, the youngest of six children, was born and raised in a close-knit family in Philadelphia. His mother, Ruth Hilda (née Holmes; 1916–1991), taught at an elementary school and was a liberal activist, while his father, Edmund Norwood Bacon (1910–2005), was an architect who served for many years as executive director of the Philadelphia City Planning Commission.
Bacon attended Julia R. Masterman High School for both middle and high school. At age 16, in 1975, Bacon won a full scholarship to and attended the Pennsylvania Governor's School for the Arts at Bucknell University, a state-funded five-week arts program at which he studied theater under Glory Van Scott. The experience solidified Bacon's passion for the arts.
Bacon left home at age 17 to pursue a theater career in New York City, where he appeared in a production at the Circle in the Square Theater School. "I wanted life, man, the real thing", he later recalled to Nancy Mills of "Cosmopolitan". "The message I got was 'The arts are it. Business is the devil's work. Art and creative expression are next to godliness.' Combine that with an immense ego and you wind up with an actor."
Bacon's debut in the fraternity comedy "National Lampoon's Animal House" (1978) did not lead to the fame he had sought, and Bacon returned to waiting tables and auditioning for small roles in theater. He briefly worked on the television soap operas "Search for Tomorrow" (1979) and "Guiding Light" (1980–81) in New York.
In 1980, he appeared in the slasher film "Friday the 13th". Some of his early stage work included "Getting Out", performed at New York's Phoenix Theater, and "Flux", at Second Stage Theatre during their 1981–1982 season.
In 1982, he won an Obie Award for his role in "Forty Deuce", and soon afterward he made his Broadway debut in "Slab Boys", with then-unknowns Sean Penn and Val Kilmer. However, it was not until he portrayed Timothy Fenwick that same year in Barry Levinson's film "Diner"costarring Steve Guttenberg, Daniel Stern, Mickey Rourke, Tim Daly, and Ellen Barkinthat he made an indelible impression on film critics and moviegoers alike.
Bolstered by the attention garnered by his performance in "Diner", Bacon starred in "Footloose" (1984). Richard Corliss of "TIME" likened "Footloose" to the James Dean classic "Rebel Without a Cause" and the old Mickey Rooney/Judy Garland musicals, commenting that the film includes "motifs on book burning, mid-life crisis, AWOL parents, fatal car crashes, drug enforcement, and Bible Belt vigilantism." To prepare for the role, Bacon enrolled at a high school as a transfer student named "Ren McCormick" and studied teenagers before leaving in the middle of the day. Bacon earned strong reviews for "Footloose".
Bacon's critical and box office success led to a period of typecasting in roles similar to the two he portrayed in "Diner" and "Footloose", and he had difficulty shaking this on-screen image. For the next several years he chose films that cast him against either type and experienced, by his own estimation, a career slump.
In 1988, he starred in John Hughes' comedy "She's Having a Baby", and the following year he was in another comedy called "The Big Picture".
In 1990, Bacon had two successful roles. He played a character who saved his town from under-the-earth "graboid" monsters in the comedy/horror film "Tremors", and he portrayed an earnest medical student experimenting with death in Joel Schumacher's "Flatliners".
In Bacon's next project he starred opposite Elizabeth Perkins in "He Said, She Said". Despite lukewarm reviews and low audience turnout, "He Said, She Said" was illuminating for Bacon. Required to play a character with sexist attitudes, he admitted that the role was not that large a stretch for him.
By 1991, Bacon began to give up the idea of playing leading men in big-budget films and to remake himself as a character actor. "The only way I was going to be able to work on 'A' projects with really 'A' directors was if I wasn't the guy who was starring", he confided to "The New York Times" writer Trip Gabriel. "You can't afford to set up a $40 million movie if you don't have your star." He performed that year as gay prostitute Willie O'Keefe in Oliver Stone's "JFK" and went on to play a prosecuting attorney in the military courtroom drama "A Few Good Men". Later that year he returned to the theater to play in "Spike Heels", directed by Michael Greif.
In 1994, Bacon earned a Golden Globe nomination for his role in "The River Wild", opposite Meryl Streep. He described the film to Chase in "Cosmopolitan" as a "grueling shoot", in which "every one of us fell out of the boat at one point or another and had to be saved".
His next film, "Murder in the First", earned him the Broadcast Film Critic's Association Award in 1995, the same year that he starred in the blockbuster hit "Apollo 13". Bacon played a trademark dark role once again in "Sleepers" (1996). This part starkly contrasted with his appearance in the lighthearted romantic comedy, "Picture Perfect" (1997).
Bacon made his debut as a director with the television film "Losing Chase" (1996), which was nominated for three Golden Globe Awards, and won one. Bacon again resurrected his oddball mystique that year as a mentally-challenged houseguest in "Digging to China" and as a disc jockey corrupted by payola in "Telling Lies in America". As the executive producer of "Wild Things" (1998), Bacon reserved a supporting role for himself and went on to star in "Stir of Echoes" (1999), directed by David Koepp.
In 2000, he appeared in Paul Verhoeven's "Hollow Man." Bacon, Colin Firth and Rachel Blanchard depict a ménage à trois in their film, "Where the Truth Lies". Bacon and director Atom Egoyan have condemned the MPAA ratings board decision to rate the film "NC-17" rather than the preferable "R". Bacon commented: "I don't get it, when I see films (that) are extremely violent, extremely objectionable sometimes in terms of the roles that women play, slide by with an R, no problem, because the people happen to have more of their clothes on."
In 2003 he acted with Sean Penn and Tim Robbins in Clint Eastwood's movie "Mystic River".
Bacon was again acclaimed for a dark starring role playing an offending pedophile on parole in "The Woodsman" (2004), for which he was nominated for best actor and received the Independent Spirit Award. He appeared in the HBO Films production of "Taking Chance", based on an eponymous story written by Lieutenant Colonel Michael Strobl, an American Desert Storm war veteran. The film premiered on HBO on February 21, 2009. Bacon won a Golden Globe Award and a Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Miniseries or Television Movie for his role.
On July 15, 2010, it was confirmed that Bacon would appear in Matthew Vaughn's "". His character was mutant villain Sebastian Shaw.
In March 2012, Bacon was featured in a performance of Dustin Lance Black's play, "8" – a staged reenactment of the federal trial that overturned California's Prop 8 ban on same-sex marriage – as Attorney Charles J. Cooper. The production was held at the Wilshire Ebell Theatre and broadcast on YouTube to raise money for the American Foundation for Equal Rights.
From 2013 to 2015, Bacon starred as Ryan Hardy in the FOX television series "The Following". In 2013, he won a Saturn Award for Best Actor on Television for that role.
In 2015, he said in a "Huffington Post" interview he would like to return to the "Tremors" franchise. However, Bacon doesn't appear in "" (2015).
Beginning in 2012, Bacon has appeared in a major advertising campaign for the EE mobile network in the United Kingdom, based on the Six Degrees concept and his various film roles. In 2015, he became a commercial spokesperson for the U.S. egg industry.
Bacon has been married to actress Kyra Sedgwick since September 4, 1988; they met on the set of the PBS version of Lanford Wilson's play "Lemon Sky". He has said: "The time I was hitting what I considered to be bottom was also the time I met my wife, our kids were born, good things were happening. And I was able to keep supporting myself; that always gave me strength." Bacon and Sedgwick have starred together in "Pyrates," "Murder in the First", "The Woodsman", and "Loverboy". They have two children, Travis Sedgwick (b. 1989) and Sosie Ruth (b. 1992). The family resides on the Upper West Side of Manhattan. Bacon was previously in a five-year relationship with actress Tracy Pollan, in the 1980s.
Bacon has spoken out for the separation of church and state, and told "The Times" in 2005 that he did not "believe in God." He has also said that he is not anti-religion.
Bacon and Sedgwick appeared in will.i.am's video "It's a New Day", which was released following Barack Obama's 2008 presidential win.
The pair lost part of their savings in the Ponzi scheme of infamous swindler Bernie Madoff.
Bacon and Sedgwick learned in 2011, via their appearance on the PBS TV show "Finding Your Roots" with Henry Louis Gates, that they are ninth cousins, once removed. They also appeared in a video promoting the "Bill of Reproductive Rights", supporting among other things a woman's right to choose and have access to birth control.
Bacon is the subject of the trivia game titled "Six Degrees of Kevin Bacon," based on the idea that, due to his prolific screen career covering a diverse range of genres, any Hollywood actor can be linked to another in a handful of steps based on their association with Bacon. The name of the game derives from the idea of six degrees of separation.
Although he was initially dismayed by the game, the meme stuck, and Bacon eventually embraced it, forming the charitable initiative SixDegrees.org, a social networking site intended to link people and charities to each other.
The measure of proximity to Bacon has been mathematically formalized as the Bacon number and can be referenced at websites including Oracle of Bacon, which is in turn based upon Internet Movie Database data. In 2012, Google added a feature to their search engine, whereby searching for an actor's name followed by the words "Bacon Number" will show the ways in which that actor is connected to Kevin Bacon. This feature is no longer active.
A similar measurement exists in the mathematics community, where one measures how far one is removed from co-writing a mathematical paper with the famous mathematician Paul Erdős. This is done by means of the Erdős number, which is 0 for Paul Erdős himself, 1 for someone who co-wrote an article with him, 2 for someone who co-wrote with someone who co-wrote with him, etc. People have combined the Bacon number and the Erdős number to form the Erdős–Bacon number, which is the sum of the two.
Kevin formed a band called The Bacon Brothers with his brother, Michael. The duo has released six albums.
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https://en.wikipedia.org/wiki?curid=16827
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Keyboard technology
Computer keyboards can be classified by the switch technology that they use. Computer alphanumeric keyboards typically have 80 to 110 durable switches, generally one for each key. The choice of switch technology affects key response (the positive feedback that a key has been pressed) and pre travel (the distance needed to push the key to enter a character reliably). Newer keyboard models use hybrids of various technologies to achieve greater cost savings.
There are two types of membrane-based keyboards, flat-panel membrane keyboards and full-travel membrane keyboards:
Flat-panel membrane keyboards are most often found on appliances like microwave ovens or photocopiers. A common design consists of three layers. The top layer has the labels printed on its front and conductive stripes printed on the back. Under this it has a spacer layer, which holds the front and back layer apart so that they do not normally make electrical contact. The back layer has conductive stripes printed perpendicularly to those of the front layer. When placed together, the stripes form a grid. When the user pushes down at a particular position, their finger pushes the front layer down through the spacer layer to close a circuit at one of the intersections of the grid. This indicates to the computer or keyboard control processor that a particular button has been pressed.
Generally, flat-panel membrane keyboards do not produce a noticeable physical feedback. Therefore, devices using these issue a beep or flash a light when the key is pressed. They are often used in harsh environments where water- or leak-proofing is desirable. Although used in the early days of the personal computer (on the Sinclair ZX80, ZX81 and Atari 400), they have been supplanted by the more tactile dome and mechanical switch keyboards.
Full-travel membrane-based keyboards are the most common computer keyboards today. They have one-piece plastic keytop/switch plungers which press down on a membrane to actuate a contact in an electrical switch matrix.
Dome-switch keyboards are a hybrid of flat-panel membrane and mechanical-switch keyboards. They bring two circuit board traces together under a rubber or silicone keypad using either metal "dome" switches or polyurethane formed domes. The metal dome switches are formed pieces of stainless steel that, when compressed, give the user a crisp, positive tactile feedback. These metal types of dome switches are very common, are usually reliable to over 5 million cycles, and can be plated in either nickel, silver or gold. The rubber dome switches, most commonly referred to as polydomes, are formed polyurethane domes where the inside bubble is coated in graphite. While polydomes are typically cheaper than metal domes, they lack the crisp snap of the metal domes, and usually have a lower life specification. Polydomes are considered very quiet, but purists tend to find them "mushy" because the collapsing dome does not provide as much positive response as metal domes. For either metal or polydomes, when a key is pressed, it collapses the dome, which connects the two circuit traces and completes the connection to enter the character. The pattern on the PC board is often gold-plated.
Both are common switch technologies used in mass market keyboards today. This type of switch technology happens to be most commonly used in handheld controllers, mobile phones, automotive, consumer electronics and medical devices. Dome-switch keyboards are also called direct-switch keyboards.
A special case of the computer keyboard dome-switch is the scissor-switch. The keys are attached to the keyboard via two plastic pieces that interlock in a "scissor"-like fashion, and snap to the keyboard and the key. It still uses rubber domes, but a special plastic 'scissors' mechanism links the keycap to a plunger that depresses the rubber dome with a much shorter travel than the typical rubber dome keyboard. Typically scissor-switch keyboards also employ 3-layer membranes as the electrical component of the switch. They also usually have a shorter total key travel distance (2 mm instead of 3.5 – 4 mm for standard dome-switch keyswitches). This type of keyswitch is often found on the built-in keyboards on laptops and keyboards marketed as 'low-profile'. These keyboards are generally quiet and the keys require little force to press.
Scissor-switch keyboards are typically slightly more expensive. They are harder to clean (due to the limited movement of the keys and their multiple attachment points) but also less likely to get debris in them as the gaps between the keys are often smaller (as there is no need for extra room to allow for the 'wiggle' in the key, as typically found on a membrane keyboard).
In this type of keyboard, pressing a key changes the capacitance of a pattern of capacitor pads. The pattern consists of two D-shaped capacitor pads for each switch, printed on a printed circuit board (PCB) and covered by a thin, insulating film of soldermask which acts as a dielectric.
Despite the sophistication of the concept, the mechanism of capacitive switching is physically simple. The movable part ends with a flat foam element about the size of an aspirin tablet, finished with aluminum foil. Opposite the switch is a PCB with the capacitor pads. When the key is pressed, the foil tightly clings to the surface of the PCB, forming a daisy chain of two capacitors between contact pads and itself separated with thin soldermask, and thus "shorting" the contact pads with an easily detectable drop of capacitive reactance between them. Usually this permits a pulse or pulse train to be sensed. Because the switch doesn't have an actual electrical contact, there is no debouncing necessary. The keys do not need to be fully pressed to be actuated, which enables some people to type faster. The sensor tells enough about the position of the key to allow the user to adjust actuation point (key sensitivity). This adjustment can be done with the help of the bundled software and individually for each key, if so implemented.
The IBM Model F keyboard is mechanical-key design consisted of a buckling spring over a capacitive PCB, similarly to the later Model M keyboard that used a membrane in place of the PCB.
The most known company for their capacitive (electrostatic) switching technology is Topre Corporation from Japan. However, while their products are for sale on eBay and Amazon (new and used), they are generally less available in large parts of the world. Topre's key switches use a spring below a rubber dome. The dome provides most of the force that keeps the key from being pressed, similar to a membrane keyboard, while the spring helps with the capacitive action.
Each key on a mechanical-switch keyboard contains a complete switch underneath. Each switch is composed of a housing, a spring, and a stem, and sometimes other parts such as a separate tactile leaf or a clickbar. Switches come in three variants: linear with consistent resistance; tactile with a non-audible bump; and clicky, a tactile with an audible click. Depending on the resistance of the spring, the key requires different amounts of pressure to actuate and to bottom out. The shape of the stem as well as the design of the switch housing varies the actuation distance and travel distance of the switch. The amount of sound produced by actuation can also be changed by the addition of rubber dampeners. Like other types of keyboards, mechanical keyboards allow for the removal and replacement of keycaps, but replacing them is more common with mechanical keyboards due to common stem shapes.
Mechanical keyboards typically have a longer lifespan than membrane or dome-switch keyboards. Cherry MX switches, for example, have an expected lifespan of 50 million clicks per switch, while switches from Razer have a rated lifetime of 60 million clicks per switch.
The major current mechanical switch producer is Cherry. Alps Electric, a former major producer, ended production in the early 2000s, but Alps style switches continue to be made by others companies as Matias, Xiang Min(XM), Tai-Hao (APC) and Hua-Jie (AK). Other switch manufacturers include Gateron, Kaihua (Kailh), Gaote (Outemu), Greetech, TTC and Omron.
Many typists prefer buckling spring keyboards. The buckling spring mechanism (expired ) atop the switch is responsible for the tactile and aural response of the keyboard. This mechanism controls a small hammer that strikes a capacitive or membrane switch.
In 1993, two years after spawning Lexmark, IBM transferred its keyboard operations to the daughter company. New Model M keyboards continued to be manufactured for IBM by Lexmark until 1999, when Unicomp purchased the keyboard technology.
Today, new buckling-spring keyboards are manufactured by Unicomp. Unicomp also repairs old IBM and Lexmark keyboards.
Hall effect keyboards use magnets and Hall effect sensors instead of switches with mechanical contacts. When a key is depressed, it moves a magnet that is detected by a solid-state sensor. Because they require no physical contact for actuation, Hall-effect keyboards are extremely reliable and can accept millions of keystrokes before failing. They are used for ultra-high reliability applications such as nuclear power plants, aircraft cockpits, and critical industrial environments. They can easily be made totally waterproof, and can resist large amounts of dust and contaminants. Because a magnet and sensor are required for each key, as well as custom control electronics, they are expensive to manufacture.
A laser projection device approximately the size of a computer mouse projects the outline of keyboard keys onto a flat surface, such as a table or desk. This type of keyboard is portable enough to be easily used with PDAs and cellphones, and many models have retractable cords and wireless capabilities. However, sudden or accidental disruption of the laser will register unwanted keystrokes. Also, if the laser malfunctions, the whole unit becomes useless, unlike conventional keyboards which can be used even if a variety of parts (such as the keycaps) are removed. This type of keyboard can be frustrating to use since it is susceptible to errors, even in the course of normal typing, and its complete lack of tactile feedback makes it even less user-friendly than the lowest quality membrane keyboards.
Keyboards made of flexible silicone or polyurethane materials can roll up in a moderately tight bundle. Tightly folding the keyboard may damage the internal membrane circuits. When they are completely sealed in rubber they are water resistant. Like membrane keyboards, they are reported to be very hard to get used to, as there is little tactile feedback, and silicone will tend to attract dirt, dust, and hair.
Also known as photo-optical keyboard, light responsive keyboard, photo-electric keyboard, and optical key actuation detection technology.
Optical keyboard technology was introduced in 1962 by Harley E. Kelchner for use in a typewriter machine with the purpose of reducing the noise generating by actuating the typewriter keys.
An optical keyboard technology utilizes light-emitting devices and photo sensors to optically detect actuated keys. Most commonly the emitters and sensors are located at the perimeter, mounted on a small PCB. The light is directed from side to side of the keyboard interior, and it can only be blocked by the actuated keys. Most optical keyboards require at least 2 beams (most commonly a vertical beam and a horizontal beam) to determine the actuated key. Some optical keyboards use a special key structure that blocks the light in a certain pattern, allowing only one beam per row of keys (most commonly a horizontal beam).
The mechanism of the optical keyboard is very simple – a light beam is sent from the emitter to the receiving sensor, and the actuated key blocks, reflects, refracts or otherwise interacts with the beam, resulting in an identified key.
Some earlier optical keyboards were limited in their structure and required special casing to block external light, no multi-key functionality was supported and the design was very limited to a thick rectangular case.
The advantages of optical keyboard technology are that it offers a real waterproof keyboard, resilient to dust and liquids; and it uses about 20% PCB volume, compared with membrane or dome switch keyboards, significantly reducing electronic waste.
Additional advantages of optical keyboard technology over other keyboard technologies such as Hall effect, laser, roll-up, and transparent keyboards lie in cost (Hall effect keyboard) and feel – optical keyboard technology does not require different key mechanisms, and the tactile feel of typing has remained the same for over 60 years.
The specialist DataHand keyboard uses optical technology to sense keypresses with a single light beam and sensor per key. The keys are held in their rest position by magnets; when the magnetic force is overcome to press a key, the optical path is unblocked and the keypress is registered.
When a key is struck, it oscillates (or bounces) against its contacts several times before settling. When released, it oscillates again until it reverts to its rest state. Although it happens on such a small scale as to be invisible to the naked eye, it is sufficient for the computer to register multiple key strokes inadvertently.
To resolve this problem, the processor in a keyboard "debounces" the keystrokes, by aggregating them across time to produce one "confirmed" keystroke that (usually) corresponds to what is typically a solid contact. Early membrane keyboards had limited typing speed because they had to do significant debouncing. This was a noticeable problem on the ZX81.
Keycaps are used on full-travel keyboards. While modern keycaps are typically surface-printed, they can also be double-shot molded, laser printed, sublimation printed, engraved, or they can be made of transparent material with printed paper inserts.
There are also keycaps which are thin shells that are placed over key bases. These were used on IBM PC keyboards.
The modern PC keyboard also includes a control processor and indicator lights to provide feedback to the user about what state the keyboard is in. Depending on the sophistication of the controller's programming, the keyboard may also offer other special features. The processor is usually a single chip 8048 microcontroller variant. The keyboard switch matrix is wired to its inputs and it processes the incoming keystrokes and sends the results down a serial cable (the keyboard cord) to a receiver in the main computer box. It also controls the illumination of the "caps lock", "num lock" and "scroll lock" lights.
A common test for whether the computer has crashed is pressing the "caps lock" key. The keyboard sends the key code to the keyboard driver running in the main computer; if the main computer is operating, it commands the light to turn on. All the other indicator lights work in a similar way. The keyboard driver also tracks the shift, alt and control state of the keyboard.
The keyboard switch matrix is often drawn with horizontal wires and vertical wires in a grid which is called a matrix circuit. It has a switch at some or all intersections, much like a multiplexed display. Almost all keyboards have only the switch at each intersection, which causes "ghost keys" and "key jamming" when multiple keys are pressed (rollover). Certain, often more expensive, keyboards have a diode between each intersection, allowing the keyboard microcontroller to accurately sense any number of simultaneous keys being pressed, without generating erroneous ghost keys.
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https://en.wikipedia.org/wiki?curid=16830
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Khalid al-Mihdhar
Khalid Muhammad Abdallah al-Mihdhar (, ; also transliterated as Almihdhar) (May 16, 1975 – September 11, 2001) was a Saudi Arabian Hijacker. He was one of the five hijackers of American Airlines Flight 77, which was flown into the Pentagon as part of the September 11 attacks.
Mihdhar was born in Saudi Arabia and fought with the Bosnian mujahideen during the Bosnian War of the 1990s. In early 1999, he traveled to Afghanistan where, as an experienced and respected jihadist, he was selected by Osama bin Laden to participate in the attacks. Mihdhar arrived in California with fellow hijacker Nawaf al-Hazmi in January 2000, after traveling to Malaysia for the Kuala Lumpur al-Qaeda Summit. At this point, the CIA was aware of Mihdhar, and he was photographed in Malaysia with another al-Qaeda member who was involved in the USS "Cole" bombing. The CIA did not inform the FBI when it learned that Mihdhar and Hazmi had entered the United States, and Mihdhar was not placed on any watchlists until late August 2001.
Upon arriving in San Diego County, California, Mihdhar and Hazmi were to train as pilots, but spoke English poorly and did not do well with flight lessons. In June 2000, Mihdhar left the United States for Yemen, leaving Hazmi behind in San Diego. Mihdhar spent some time in Afghanistan in early 2001 and returned to the United States in early July 2001. He stayed in New Jersey in July and August, before arriving in the Washington, D.C. area at the beginning of September.
On the morning of September 11, 2001, Mihdhar boarded American Airlines Flight 77, which was hijacked approximately 30 minutes after takeoff. The plane was deliberately crashed into the Pentagon, killing all 64 people aboard the flight, along with 125 on the ground.
Al-Mihdhar was born on May 16, 1975, in Mecca, Saudi Arabia to a prominent family, related to the Quraysh tribe of Mecca. Little is known about his life before the age of 20, when he and childhood friend Nawaf al-Hazmi went to Bosnia and Herzegovina to fight with the mujahideen in the Bosnian War. After the war, Mihdhar and Hazmi went to Afghanistan where they fought alongside the Taliban against the Northern Alliance, and al-Qaeda would later dub Hazmi his "second in command". In 1997, Mihdhar told his family that he was leaving to fight in Chechnya, though it is not certain that he actually went to Chechnya. The same year, both men attracted the attention of Saudi Intelligence, who believed they were involved in arms smuggling, and the following year they were eyed as possible collaborators in the 1998 United States embassy bombings in East Africa after it emerged that Mohamed Rashed Daoud Al-Owhali had given the FBI the phone number of Mihdhar's father-in-law; 967-1-200578, which turned out to be a key communications hub for al-Qaeda militants, and eventually tipped off the Americans about the upcoming Kuala Lumpur al-Qaeda Summit.
In the late 1990s, Mihdhar married Hoda al-Hada, who was the sister of a comrade from Yemen, and they had two daughters. Through marriage, Mihdhar was related to a number of individuals involved with al-Qaeda in some way. Mihdhar's father-in-law, Ahmad Mohammad Ali al-Hada, helped facilitate al-Qaeda communications in Yemen, and in late 2001, Mihdhar's brother-in-law, Ahmed al-Darbi, was captured in Azerbaijan and sent to Guantanamo Bay on charges of supporting a plot to bomb ships in the Strait of Hormuz.
In Spring 1999, al-Qaeda founder Osama bin Laden committed to support the 9/11 attacks plot, which was largely organized by prominent al-Qaeda member Khalid Sheikh Mohammed. Mihdhar and Hazmi were among the first group of participants selected for the operation, along with Tawfiq bin Attash and Abu Bara al Yemeni, al-Qaeda members from Yemen. Mihdhar, who had spent time in al-Qaeda camps in the 1990s, was known and highly regarded by Bin Laden. Mihdhar was so eager to participate in jihad operations in the United States that he had already obtained a one-year B-1/B-2 (tourist/business) multiple-entry visa from the consulate in Jeddah, Saudi Arabia, on April 7, 1999, one day after obtaining a new passport. Mihdhar listed the Los Angeles Sheraton as his intended destination.
Once selected, Mihdhar and Hazmi were sent to the Mes Aynak training camp in Afghanistan. In late 1999, Hazmi, Attash and Yemeni went to Karachi, Pakistan to see Mohammed, who instructed them on Western culture and travel; however, Mihdhar did not go to Karachi, instead returning to Yemen. He was known as "Sinaan" during the preparations.
The CIA was aware of Mihdhar and Hazmi's involvement with al-Qaeda, having been informed by Saudi intelligence during a 1999 meeting in Riyadh. Based on information uncovered by the FBI in the 1998 United States embassy bombings case, the National Security Agency (NSA) began tracking the communications of Hada, Mihdhar's father-in-law. In late 1999, the NSA informed the CIA of an upcoming meeting in Malaysia, which Hada mentioned would involve "Khalid", "Nawaf", and "Salem", who was Hazmi's younger brother, Salem al-Hazmi.
On January 4, 2000, Mihdhar left Yemen and flew to Dubai, United Arab Emirates, where he spent the night. The CIA broke into his hotel room and photocopied his passport, which gave them his full name, birth information and passport number for the first time, and alerted them that he held an entry visa to the United States. The photocopy was sent to the CIA's Alec Station, which was tracking al-Qaeda.
On January 5, 2000, Mihdhar traveled to Kuala Lumpur, where he joined Hazmi, Attash and Yemeni, who were all arriving from Pakistan. Hamburg cell member Ramzi bin al-Shibh was also at the summit, and Mohammed possibly attended. The group was in Malaysia to meet with Hambali, the leader of Jemaah Islamiyah, an Asian al-Qaeda affiliate. During the Kuala Lumpur al-Qaeda Summit, many key details of the 9/11 attacks may have been arranged. At the time, the attacks plot had an additional component involving hijacking aircraft in Asia, as well as in the United States. Attash and Yemeni were slated for this part of the plot. However, it was later canceled by Bin Laden for being too difficult to coordinate with United States operations.
In Malaysia, the group stayed with Yazid Sufaat, a local Jemaah Islamiyah member, who provided accommodation at Hambali's request. Both Mihdhar and Hazmi were secretly photographed at the meeting by Malaysian authorities, whom the CIA had asked to provide surveillance. The Malaysians reported that Mihdhar spoke at length with Attash, and he met with Fahd al-Quso and others who were later involved in the USS "Cole" bombing. After the meeting, Mihdhar and Hazmi traveled to Bangkok, Thailand, on January 8 and left a week later on January 15 for the United States.
On January 15, 2000, Mihdhar and Hazmi arrived at Los Angeles International Airport from Bangkok and were admitted as tourists for a period of six months. Immediately after entering the country, Mihdhar and Hazmi met Omar al-Bayoumi in an airport restaurant. Bayoumi claimed he was merely being charitable in assisting the two seemingly out-of-place Muslims with moving to San Diego, where he helped them find an apartment near his own, co-signed their lease, and gave them $1,500 to help pay their rent. Mohammed later claimed that he suggested San Diego as their destination, based on information gleaned from a San Diego phone book that listed language and flight schools. Mohammed also recommended that the two seek assistance from the local Muslim community, since neither spoke English nor had experience with Western culture.
While in San Diego, witnesses told the FBI he and Hazmi had a close relationship with Anwar Al Awlaki, an imam who served as their spiritual advisor. Authorities say the two regularly attended the Masjid Ar-Ribat al-Islami mosque Awlaki led in San Diego, and Awlaki had many closed-door meetings with them, which led investigators to believe Awlaki knew about the 9/11 attacks in advance.
In early February 2000, Mihdhar and Hazmi rented an apartment at the Parkwood Apartments complex in the Clairemont Mesa area of San Diego, and Mihdhar purchased a used 1988 Toyota Corolla. Neighbors thought that Mihdhar and Hazmi were odd because months passed without the men getting any furniture, and they slept on mattresses on the floor, yet they carried briefcases, were frequently on their mobile phones, and were occasionally picked up by a limousine. Those who met Mihdhar in San Diego described him as "dark and brooding, with a disdain for American culture". Neighbors also said that the pair constantly played flight simulator games.
Mihdhar and Hazmi took flight lessons on May 5, 2000, at the Sorbi Flying Club in San Diego, with Mihdhar flying an aircraft for 42 minutes. They took additional lessons on May 10; however, with poor English skills, they did not do well with flight lessons. Mihdhar and Hazmi raised some suspicion when they offered extra money to their flight instructor, Richard Garza, if he would train them to fly jets. Garza refused the offer but did not report them to authorities. After the 9/11 attacks, Garza described the two men as "impatient students" who "wanted to learn to fly jets, specifically Boeings".
Mihdhar and Hazmi moved out of the Parkwood Apartments at the end of May 2000, and Mihdhar transferred registration for the Toyota Corolla to Hazmi. On June 10, 2000, Mihdhar left the United States and returned to Yemen to visit his wife, against the wishes of Mohammed who wanted him to remain in the United States to help Hazmi adapt. Mohammed was so angered by this that he decided to remove Mihdhar from the 9/11 plot, but he was overruled by bin Laden. Mihdhar remained part of the plot as a muscle hijacker, who would help take over the aircraft. On October 12, 2000, the USS "Cole" was bombed by a small boat laden with explosives. After the bombing, Yemeni Prime Minister Abdul Karim al-Iryani reported that Mihdhar had been one of the key planners of the attack and had been in the country at the time of the attacks. In late 2000, Mihdhar was back in Saudi Arabia, staying with a cousin in Mecca.
In February 2001, Mihdhar returned to Afghanistan for several months, possibly entering across the Iranian border after a flight from Syria. FBI director Robert Mueller later stated his belief that Mihdhar served as the coordinator and organizer for the muscle hijackers. He was the last of the muscle hijackers to return to the United States. On June 10, he returned to Saudi Arabia for a month, where he applied to re-enter the United States through the Visa Express program, indicating that he intended to stay at a Marriott hotel in New York City. On his visa application, Mihdhar falsely stated that he had never previously traveled to the United States.
On July 4, Mihdhar returned to the United States, arriving at New York City's John F. Kennedy International Airport, using a new passport obtained the previous month. A digital copy of one of Mihdhar's passports was later recovered during a search of an al-Qaeda safe house in Afghanistan, which held indicators, such as fake or altered passport stamps, that Mihdhar was a member of a known terrorist group. At the time when Mihdhar was admitted to the United States, immigration inspectors had not been trained to look for such indicators. Upon arriving, Mihdhar did not check into the Marriott but instead spent a night at another hotel in the city.
Mihdhar bought a fake ID on July 10 from All Services Plus in Passaic County, New Jersey, which was in the business of selling counterfeit documents, including another ID to Flight 11 hijacker Abdulaziz al-Omari. On August 1, Mihdhar and fellow Flight 77 hijacker Hani Hanjour drove to Virginia in order to obtain driver's licenses. Once they arrived, they scouted out a 7-Eleven convenience store and a dollar store in Falls Church, and found two Salvadoran immigrants who, for $50 each, were willing to vouch for Mihdhar and Hanjour as being Virginian residents. With notarized residency forms, Mihdhar and Hanjour were able to obtain driver's licenses at a Virginian motor vehicle office. Flight 77 hijackers Salem al-Hazmi and Majed Moqed, and United Airlines Flight 93 hijacker Ziad Jarrah used the same addresses obtained from the Salvadorans to obtain Virginian driver's licenses.
In August 2001, Mihdhar and Hazmi made several visits to the library at William Paterson University in Wayne, New Jersey, where they used computers to look up travel information and book flights. On August 22, Mihdhar and Hazmi tried to purchase flight tickets from the American Airlines online ticket-merchant, but had technical difficulties and gave up. Mihdhar and Moqed were able to make flight reservations for Flight 77 on August 25, using Moqed's credit card; however, the transaction did not fully go through because the billing address and the shipment address for the tickets did not match.
On August 31, Mihdhar closed an account at Hudson United Bank in New Jersey, having opened the account when he arrived in July, and was with Hanjour when he made a withdrawal from an ATM in Paterson on September 1. The next day, Mihdhar, Moqed and Hanjour traveled to Maryland, where they stayed at budget motels in Laurel. Mihdhar was among the muscle hijackers who worked out at a Gold's Gym in Greenbelt in early September. On September 5, Mihdhar and Moqed went to the American Airlines ticket counter at Baltimore-Washington International Airport to pick up their tickets for Flight 77, paying $2,300 in cash.
Mihdhar was placed on a CIA watchlist on August 21, 2001, and a note was sent on August 23 to the Department of State and the Immigration and Naturalization Service (INS) suggesting that Mihdhar and Hazmi be added to their watchlists. The Federal Aviation Administration (FAA) was not notified about the two men. On August 23, the CIA informed the FBI that Mihdhar had obtained a U.S. visa in Jeddah. The FBI headquarters received a copy of the Visa Express application from the Jeddah embassy on August 24, showing the New York Marriott as Mihdhar's destination.
On August 28, the FBI New York field office requested that a criminal case be opened to determine whether Mihdhar was still in the United States, but the request was refused. The FBI ended up treating Mihdhar as an intelligence case, which meant that the FBI's criminal investigators could not work on the case, due to the barrier separating intelligence and criminal case operations. An agent in the New York office sent an e-mail to FBI headquarters saying, "Whatever has happened to this, someday someone will die, and the public will not understand why we were not more effective and throwing every resource we had at certain 'problems.'" The reply from headquarters was, "we [at headquarters] are all frustrated with this issue ... [t]hese are the rules. NSLU does not make them up."
The FBI contacted Marriott on August 30, requesting that they check guest records, and on September 5, they reported that no Marriott hotels had any record of Mihdhar checking in. The day before the attacks, Robert Fuller of the New York office requested that the Los Angeles FBI office check all local Sheraton Hotels, as well as Lufthansa and United Airlines bookings, because those were the two airlines Mihdhar had used to enter the country. Neither the Treasury Department's Financial Crimes Enforcement Network nor the FBI's Financial Review Group, which have access to credit card and other private financial records, were notified about Mihdhar prior to September 11.
Regarding the CIA's refusal to inform the FBI about Mihdhar and Hazmi, author Lawrence Wright suggests the CIA wanted to protect its turf and was concerned about giving sensitive intelligence to FBI Agent John P. O'Neill, who Alec Station chief Michael Scheuer described as duplicitous. Wright also speculates that the CIA may have been protecting intelligence operations overseas, and might have been eying Mihdhar and Hazmi as recruitment targets to obtain intelligence on al-Qaeda, although the CIA was not authorized to operate in the United States and might have been leaving them for Saudi intelligence to recruit.
On September 10, 2001, Mihdhar and the other hijackers checked into the Marriott Residence Inn in Herndon, Virginia, near Washington Dulles International Airport. Saleh Ibn Abdul Rahman Hussayen, a prominent Saudi Arabian government official, was staying at the same hotel that night, although there is no evidence that they met or knew of each other's presence.
At 6:22 a.m. on September 11, 2001, the group checked out of the hotel and headed to Dulles airport. At 7:15 a.m., Mihdhar and Moqed checked in at the American Airlines ticket counter and arrived at the passenger security checkpoint at 7:20 a.m. Both men set off the metal detector and were put through secondary screening. Security video footage later released shows that Moqed was wanded, but the screener did not identify what set off the alarm, and both Moqed and Mihdhar were able to proceed without further hindrance. Mihdhar was also selected by the Computer Assisted Passenger Prescreening System (CAPPS), which involved extra screening of his luggage; however, because Mihdhar did not check any luggage, this had no effect. By 7:50 a.m., Mihdhar and the other hijackers, carrying knives and box cutters, had made it through the airport security checkpoint and boarded Flight 77 to Los Angeles. Mihdhar was seated in seat 12B, next to Moqed.
The flight was scheduled to depart from Gate D26 at 8:10 a.m. but was delayed by 10 minutes. The last routine radio communication from the plane to air traffic control occurred at 8:50:51 a.m. At 8:54 a.m., Flight 77 deviated from its assigned flight path and began to turn south, at which point the hijackers set the flight's autopilot setting for Washington, D.C. Passenger Barbara Olson called her husband, United States Solicitor General Ted Olson (whose 61st birthday was on that day), and reported that the plane had been hijacked. At 9:37:45 a.m, Flight 77 crashed into the west facade of the Pentagon, killing all 64 people aboard, along with 125 in the Pentagon. In the recovery process, remains of the five hijackers were identified through a process of elimination, since their DNA did not match any from the victims, and put into the custody of the FBI.
After the attacks, the identification of Mihdhar was one of the first links suggesting that bin Laden had played a role in their organization, since Mihdhar had been seen at the Malaysian conference speaking to bin Laden's associates. The FBI interrogated Quso, who was arrested following the USS "Cole" bombing and in custody in Yemen. Quso was able to identify Mihdhar, Hazmi and Attash in photos provided by the FBI, and he also knew Marwan al-Shehhi, a hijacker aboard United Airlines Flight 175. From Quso, the FBI was able to establish an al-Qaeda link to the attacks.
On September 12, 2001, the Toyota Corolla purchased by Mihdhar was found in Dulles International Airport's hourly parking lot. Inside the vehicle, authorities found a letter written by Mohamed Atta, a hijacker aboard American Airlines Flight 11; maps of Washington, D.C. and New York City; a cashier's check made out to a Phoenix, Arizona flight school; four drawings of a Boeing 757 cockpit; a box cutter; and a page with notes and phone numbers, which contained evidence that led investigators to San Diego.
On September 19, 2001, the Federal Deposit Insurance Corporation (FDIC) distributed a special alert that listed Mihdhar as still alive, and other reports began suggesting that a number of the alleged hijackers were likewise still alive. For instance, on September 23, 2001, the BBC published an article that suggested Mihdhar and others named as hijackers were still at large. The German magazine "Der Spiegel" later investigated the BBC's claims of "living" hijackers and reported they were cases of mistaken identities. In 2002, Saudi Arabian officials stated that the names of the hijackers were correct and that 15 of the 19 hijackers were Saudi Arabian. In 2006, in response to 9/11 conspiracy theories surrounding its original news story, the BBC said that confusion had arisen with the common Arabic names, and that its later reports on the hijackers superseded its original story.
In 2005, U.S. Army Lt. Col. Anthony Shaffer and Congressman Curt Weldon alleged that the Defense Department data mining project Able Danger identified Mihdhar, Hazmi, Shehhi, and Atta as members of a Brooklyn-based al-Qaeda cell in early 2000. Shaffer largely based his allegations on the recollections of Navy Captain Scott Phillpott, who later recanted his recollection, telling investigators that he was "convinced that Atta was not on the chart that we had". Phillpott said that Shaffer was "relying on my recollection 100 percent", and the Defense Department Inspector General's report indicated that Philpott strongly supported the social network analysis techniques used in Able Danger, and might have exaggerated claims of identifying the hijackers.
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https://en.wikipedia.org/wiki?curid=16838
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Kilo-
Kilo is a decimal unit prefix in the metric system denoting multiplication by one thousand (103). It is used in the International System of Units, where it has the symbol k, in lower case.
The prefix "kilo" is derived from the Greek word (), meaning "thousand". It was originally adopted by Antoine Lavoisier's research group in 1795, and introduced into the metric system in France with its establishment in 1799.
In 19th century English it was sometimes spelled chilio, in line with a puristic opinion by Thomas Young.
By extension, currencies are also sometimes preceded by the prefix kilo-:
For the kilobyte, a second definition has been in common use in some fields of computer science and information technology. It uses "kilobyte" to mean 210 bytes (= 1024 bytes), because of the mathematical coincidence that 210 is approximately 103. The reason for this application is that digital hardware and architectures natively use base 2 exponentiation, and not decimal systems. JEDEC memory standards still permit this definition, but acknowledge the correct SI usage.
NIST comments on the confusion caused by these contrasting definitions: "Faced with this reality, the "IEEE Standards Board" decided that IEEE standards will use the conventional, internationally adopted, definitions of the SI prefixes", instead of kilo for 1024. To address this conflict, a new set of binary prefixes has been introduced, which is based on powers of 2. Therefore, 1024 bytes are defined as one kibibyte (1 KiB).
When units occur in exponentiation, such as in square and cubic forms, any multiplier prefix is considered part of the unit, and thus included in the exponentiation.
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https://en.wikipedia.org/wiki?curid=16839
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Utamaro
Kitagawa Utamaro (, ; ; – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his "bijin ōkubi-e" "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects.
Little is known of Utamaro's life. His work began to appear in the 1770s, and he rose to prominence in the early 1790s with his portraits of beauties with exaggerated, elongated features. He produced over 2000 known prints and was one of the few ukiyo-e artists to achieve fame throughout Japan in his lifetime. In 1804 he was arrested and manacled for fifty days for making illegal prints depicting the 16th-century military ruler Toyotomi Hideyoshi, and died two years later.
Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated. The reference to the "Japanese influence" among these artists often refers to the work of Utamaro.
Ukiyo-e art flourished in Japan during the Edo period from the seventeenth to nineteenth centuries. The artform took as its primary subjects courtesans, kabuki actors, and others associated with the "ukiyo" "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. Ukiyo-e art was aimed at the common townspeople at the bottom of the social scale, especially of the administrative capital of Edo. Its audience, themes, aesthetics, and mass-produced nature kept it from consideration as serious art.
In the mid-eighteenth century, full-colour ' prints became common. They were printed by using a large number of woodblocks, one for each colour. Towards the close of the eighteenth century there was a peak in both quality and quantity of the work. Kiyonaga was the pre-eminent portraitist of beauties during the 1780s, and the tall, graceful beauties in his work had a great influence on Utamaro, who was to succeed him in fame. Shunshō of the Katsukawa school introduced the ' "large-headed picture" in the 1760s. He and other members of the Katsukawa school, such as Shunkō, popularized the form for "" actor prints, and popularized the dusting of mica in the backgrounds to produce a glittering effect.
Little is known of Utamaro's life. He was born Kitagawa Ichitarō in . As an adult, he was known by the given names Yūsuke, and later Yūki. Early accounts have given his birthplace as Kyoto, Osaka, Yoshiwara in Edo (modern Tokyo), or Kawagoe in Musashi Province (modern Saitama Prefecture); none of these places has been verified. The names of his parents are not known; it has been suggested his father may have been a Yoshiwara teahouse owner, or Toriyama Sekien, an artist who tutored him and who wrote of Utamaro playing in his garden as a child.
Apparently, Utamaro married, although little is known about his wife and there is no record of their having had children. There are, however, many prints of tender and intimate domestic scenes featuring the same woman and child over several years of the child's growth among his works.
Sometime during his childhood Utamaro came under the tutelage of Sekien, who described his pupil as bright and devoted to art. Sekien, although trained in the upper-class Kanō school of Japanese painting, had become in middle age a practitioner of ukiyo-e and his art was aimed at the townspeople in Edo. His students included haiku poets and ukiyo-e artists such as Eishōsai Chōki.
Utamaro's first published work may be an illustration of eggplants in the "haikai" poetry anthology "Chiyo no Haru" published in 1770. His next known works appear in 1775 under the name Kitagawa Toyoaki,—the cover to a kabuki playbook entitled "Forty-eight Famous Love Scenes" which was distributed at the Edo playhouse Nakamura-za. As Toyoaki, Utamaro continued as an illustrator of popular literature for the rest of the decade, and occasionally produced single-sheet "" portraits of kabuki actors.
The young, ambitious publisher Tsutaya Jūzaburō enlisted Utamaro and in the autumn of 1782 the artist hosted a lavish banquet whose list of guests included artists such as Kiyonaga, Kitao Shigemasa, and Katsukawa Shunshō, as well as writers such as Ōta Nanpo (1749–1823)and . It was at this banquet that it is believed the artist first announced his new art name, "Utamaro". Per custom, he distributed a specially made print for the occasion, in which, before a screen bearing the names of his guests, is a self-portrait of Utamaro making a deep bow.
Utamaro's first work for Tsutaya appeared in a publication dated as 1783: "The Fantastic Travels of a Playboy in the Land of Giants", a "" picture book created in collaboration with his friend Shimizu Enjū, a writer. In the book, Tsutaya described the pair as making their debuts.
At some point in the mid-1780s, probably 1783, he went to live with Tsutaya Jūzaburō. It is estimated that he lived there for approximately five years. He seems to have become a principal artist for the Tsutaya firm. Evidence of his prints for the next few years is sporadic, as he mostly produced illustrations for books of "kyōka" ("crazy verse"), a parody of the classical "waka" form. None of his work produced during the period 1790–1792 has survived.
In about 1791 Utamaro gave up designing prints for books and concentrated on making single portraits of women displayed in half-length, rather than the prints of women in groups favoured by other ukiyo-e artists.
In 1793 he achieved recognition as an artist, and his semi-exclusive arrangement with the publisher Tsutaya Jūzaburō ended. Utamaro then went on to produce several series of well-known works, all featuring women of the Yoshiwara district.
Over the years, he also created a number of volumes of animal, insect, and nature studies and "shunga", or erotica. Shunga prints were quite acceptable in Japanese culture, not associated with a negative concept of pornography as found in western cultures, but considered rather as a natural aspect of human behavior and circulated among all levels of Japanese society.
Tsutaya Jūzaburō died in 1797, and Utamaro thereafter lived in Kyūemon-chō, then Bakuro-chō, and finally near the Benkei Bridge. Utamaro was apparently very upset by the loss of his long-time friend and supporter. Some commentators feel that after this event, his work never reached the heights previously attained.
A law went into effect in 1790 requiring prints to bear a censor's seal of approval to be sold. Censorship increased in strictness over the following decades, and violators could receive harsh punishments. From 1799 even preliminary drafts required approval. A group of Utagawa-school offenders including Toyokuni had their works repressed in 1801. In 1804, Utamaro ran into legal trouble over a series of prints of samurai warriors, with their names slightly disguised; the depiction of warriors, their names, and their crests was forbidden at the time. Records have not survived of what sort of punishment Utamaro received.
The , published from 1797 to 1802, detailed the life of the 16th-century military ruler, Toyotomi Hideyoshi. The work was widely adapted, such as for kabuki and bunraku theatre. When artists and writers put out prints and books based on the "Ehon Taikōki" in the disparaged "ukiyo-e" style, it attracted reprisals from the government. In probably the most famous case of censorship of the Edo period, Utamaro was imprisoned in 1804, after which he was manacled along with Tsukimaro, Toyokuni, Shuntei, Shun'ei, and Jippensha Ikku for fifty days and their publishers subjected to heavy fines.
Government documents of the case are no longer extant, and there are few other documents relating to the incident. It appears that Utamaro was most prominent of the group. The artists might have offended the authorities by identifying the historical figures by name and with their identifying crests and other symbols, which was prohibited, and by depicting Hideyoshi with prostitutes of the pleasure quarters. Utamaro's censored prints include one of the "daimyō" Katō Kiyomasa lustily gazing at a Korean dancer at a party, another of Hideyoshi holding the hand of his page Ishida Mitsunari in a sexually suggestive manner, and another of Hideyoshi with his five consorts viewing the cherry blossoms at the temple Daigo-ji in Kyoto, a historical event famous for displaying Hideyoshi's extravagance. This last displays the names of each consort while placing them in the typical poses of courtesans at a Yoshiwara party.
Records give Utamaro's death date as the 20th day of the 9th month of the year Bunka, which equates to 31 October 1806. He was given the Buddhist posthumous name Shōen Ryōkō Shinshi. Apparently with no heirs, his tomb at the temple was left untended. A century later, in 1917, admirers of Utamaro had the decayed grave repaired.
Utamaro had a number of pupils, who took names such as Kikumaro (later Tsukimaro), Hidemaro, and Takemaro. These artists produced works in the master's style, though none are considered of Utamaro's quality. Sometimes he allowed them to sign his name. Of his students, Koikawa Shunchō married Utamaro's widow on the master's death and took on the name . After 1820 he produced his work under the name "Kitagawa Tetsugorō".
What little information about Utamaro's life that has been passed down is often contradictory, so analysis of his development as an artist relies chiefly on his work itself. Utamaro is known primarily for his "bijin-ga" portraits of female beauties, though his work ranges from "kachō-e" "flower-and-bird pictures" to landscapes to book illustrations.
Utamaro's early "bijin-ga" follow closely the example of Kiyonaga. In the 1790s his figures became more exaggerated, with thin bodies and long faces with small features. Utamaro experimented with line, colour, and printing techniques to bring out subtle differences in the features, expressions, and backdrops of subjects from a wide variety of class and background. Utamaro's individuated beauties were in sharp contrast to the stereotyped, idealized images that had been the norm.
By the end of the 1790s, especially following the death of his patron Tsutaya Jūzaburō in 1797, Utamaro's prodigious output declined in quality. By 1800 his exaggerations had become more extreme, with faces three times as long as they are wide and body proportions of eight heads length to the body. By this point, critics such as Basil Stewart consider Utamaro's figures to "lose much of their grace"; these later works are less prized amongst collectors.
Utamaro produced more than two thousand prints during his working career, amongst which are over 120 "bijin-ga" print series. He made illustrations for nearly 100 books and about 30 paintings. He also created a number of paintings and "surimono", as well as many illustrated books, including more than thirty "shunga" books, albums, and related publications. Among his best-known works are the series "Ten Studies in Female Physiognomy", "A Collection of Reigning Beauties", "Great Love Themes of Classical Poetry" (sometimes called "Women in Love" containing individual prints such as "Revealed Love" and "Pensive Love"), and "Twelve Hours in the Pleasure Quarters". His work appeared from at least 60 publishers, of which Tsutaya Jūzaburō and Izumiya Ichibei were the most important.
He alone, of his contemporary "ukiyo-e" artists, achieved a national reputation during his lifetime. His sensuous beauties generally are considered the finest and most evocative "bijinga" in all of "ukiyo-e".
He succeeded in capturing the subtle aspects of personality and the transient moods of women of all classes, ages, and circumstances. His reputation has remained undiminished since. Kitagawa Utamaro's work is known worldwide, and he generally is regarded as one of the half-dozen greatest "ukiyo-e" artists of all time.
Utamaro was recognized as a master in his own age. He appears to have achieved a national reputation at a time when even the most popular Edo ukiyo-e artists were little known outside the city. Due to his popularity Utamaro had many imitators, some of whom likely signed their work with his name; this is believed to include students of his and his successor, Utamaro II. On rare occasions Utamaro signed his work "the genuine Utamaro" to distinguish himself from these imitators. Forgeries and reprints of Utamaro's work are common; he produced a large body of work, but his earlier, more popular works are difficult to find in good condition.
A wave of interest in Japanese art swept France from the mid-19th century, called "Japonisme". Exhibitions in Paris of Japanese art began to be staged in the 1880s, include an Utamaro exhibition in 1888 by the German-French art dealer Siegfried Bing. The French Impressionists regarded Utamaro's work on a level akin with Hokusai and Hiroshige. French artist-collectors of Utamaro's work included Monet, Degas, Gauguin, and Toulouse-Lautrec
Utamaro had an influence on the compositional, colour, and sense of tranquility of the American painter Mary Cassatt's work. The "shin-hanga" ("new prints") artist Goyō Hashiguchi (1880–1921) was called the "Utamaro of the Taishō period" (1912–1926) for his manner of depicting women. The painter character Seiji Moriyama in the British novelist Kazuo Ishiguro's "An Artist of the Floating World" (1986) has a reputation as a "modern Utamaro" for his combination of Western techniques Utamaro-like feminine subjects.
In 2016 Utamaro's "Fukaku Shinobu Koi" set the record price for an ukiyo-e print sold at auction at €.
The only surviving official record of Utamaro is a stele at Senkō-ji Temple, which gives his death date as the 20th day of the 9th month of the year Bunka, which equates to 31 October 1806. The record states he was 54 by East Asian age reckoning, by which age begins at 1 rather than 0. From this a birth year of is deduced.
Utamaro has gained general acceptance as one of the form's greatest masters. The earliest document of ukiyo-e artists, "Ukiyo-e Ruikō", was first compiled while Utamaro was active. The work was not printed, but exists in various manuscripts that different writers altered and expanded. The earliest surviving copy, the "Ukiyo-e Kōshō", wrote of Utamaro:
The earliest comprehensive historical and critical works on ukiyo-e came from the West, and often denied Utamaro a place in the ukiyo-e canon. Ernest Fenollosa's "Masters of " of 1896 was the first such overview of ukiyo-e. The book posited ukiyo-e as having evolved towards a late-18th-century golden age that began to decline with the advent of Utamaro, which he condemned for his "gradual elongation of the figure, and an adoption of violent emotion and extravagant attitudes". Fenollosa had harsher criticism for Utamaro's pupils, who he considered to have "carried the extravagances of their teacher to a point of ugliness". In his "Chats on Japanese Prints" of 1915, Arthur Davison Ficke concurred that with Utamaro ukiyo-e entered a period of exaggerated, manneristic decadence.
Laurence Binyon, the Keeper of Oriental Prints and Drawings at the British Museum, wrote an account in "Painting in the Far East" in 1908 that was similar to Fenollosa's, considering the 1790s a period of decline, but placing Utamaro amongst the masters. He called Utamaro "one of the world's artists for the intrinsic qualities of his genius" and "the greatest of all the figure-designers" in ukiyo-e, with a "far greater resource of composition" than his peers and an "endless" capacity for "unexpected invention". James A. Michener re-evaluated the development of ukiyo-e in "The Floating World" of 1954, in which he places the 1790s as "the culminating years of ukiyo-e", when "Utamaro brought the grace of Sukenobu to its apex". 's "Traditional Woodblock Prints of Japan" of 1964 set the golden age of ukiyo-e at the period of Kiyonaga, Utamaro, and Sharaku, followed by a period of decline with the declaration beginning in the 1790s of strict sumptuary laws that dictated what could be depicted in artworks.
The French art critic Edmond de Goncourt published "Outamaro", the first monograph on Utamaro, in 1891, with help from the Japanese art dealer Tadamasa Hayashi. British ukiyo-e scholar Jack Hillier had the monograph "Utamaro: Colour Prints and Paintings" published in 1961.
A partial list of his print series and their dates includes:
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Kofi Annan
Kofi Atta Annan (; 8 April 193818 August 2018) was a Ghanaian diplomat who served as the seventh Secretary-General of the United Nations from January 1997 to December 2006. Annan and the UN were the co-recipients of the 2001 Nobel Peace Prize. He was the founder and chairman of the Kofi Annan Foundation, as well as chairman of The Elders, an international organization founded by Nelson Mandela.
Annan studied economics at Macalester College, international relations at the Graduate Institute Geneva, and management at MIT. Annan joined the UN in 1962, working for the World Health Organization's Geneva office. He went on to work in several capacities at the UN Headquarters including serving as the Under-Secretary-General for peacekeeping between March 1992 and December 1996. He was appointed the Secretary-General on 13 December 1996 by the Security Council, and later confirmed by the General Assembly, making him the first office holder to be elected from the UN staff itself. He was re-elected for a second term in 2001, and was succeeded as Secretary-General by Ban Ki-moon on 1 January 2007.
As the Secretary-General, Annan reformed the UN bureaucracy; worked to combat HIV/AIDS, especially in Africa; and launched the UN Global Compact. He was criticized for not expanding the Security Council and faced calls for his resignation after an investigation into the Oil-for-Food Programme, but was largely exonerated of personal corruption. After the end of his term as UN Secretary-General, he founded the Kofi Annan Foundation in 2007 to work on international development. In 2012, Annan was the UN–Arab League Joint Special Representative for Syria, to help find a resolution to the ongoing conflict there. Annan quit after becoming frustrated with the UN's lack of progress with regards to conflict resolution. In September 2016, Annan was appointed to lead a UN commission to investigate the Rohingya crisis.
Kofi Annan was born in Kumasi in the Gold Coast (now Ghana) on 8 April 1938. His twin sister Efua Atta, who died in 1991, shared the middle name "Atta", which in the Akan language means 'twin'. Annan and his sister were born into one of the country's Ashanti and Fante aristocratic families; both of their grandfathers and their uncle were tribal chiefs.
In the Akan names tradition, some children are named according to the day of the week on which they were born, sometimes in relation to how many children precede them. "Kofi" in Akan is the name that corresponds with Friday, the day of which Annan was born. Annan said that his surname rhymes with "cannon" in English.
From 1954 to 1957, Annan attended the elite Mfantsipim school, a Methodist boarding school in Cape Coast founded in the 1870s. Annan said that the school taught him that "suffering anywhere, concerns people everywhere". In 1957, the year Annan graduated from Mfantsipim, the Gold Coast gained independence from the UK and began using the name "Ghana".
In 1958, Annan began studying economics at the Kumasi College of Science and Technology, now the Kwame Nkrumah University of Science and Technology of Ghana. He received a Ford Foundation grant, enabling him to complete his undergraduate studies in economics at Macalester College in St. Paul, Minnesota, United States, in 1961. Annan then completed a "diplôme d'études approfondies" DEA degree in International Relations at The Graduate Institute of International and Development Studies in Geneva, Switzerland, from 1961–62. After some years of work experience, he studied at the MIT Sloan School of Management (1971–72) in the Sloan Fellows program and earned a master's degree in management.
Annan was fluent in English, French, Akan, and some Kru languages as well as other African languages.
In 1962, Kofi Annan started working as a budget officer for the World Health Organization, an agency of the United Nations (UN). From 1974 to 1976, he worked as a manager of the state-owned Ghana Tourist Development Company in Accra. In 1980 he became the head of personnel for the office of the UN High Commission for Refugees (UNHCR) in Geneva. In 1983 he became the director of administrative management services of the UN Secretariat in New York. In 1987, Annan was appointed as an Assistant Secretary-General for Human Resources Management and Security Coordinator for the UN system. In 1990, he became Assistant Secretary-General for Program Planning, Budget and Finance, and Control.
When Secretary-General Boutros Boutros-Ghali established the Department of Peacekeeping Operations (DPKO) in 1992, Annan was appointed to the new department as Deputy to then Under-Secretary-General Marrack Goulding. Annan was subsequently appointed in March 1993 as Under-Secretary-General of that department. On 29 August 1995, while Boutros-Ghali was unreachable on an airplane, Annan instructed United Nations officials to "relinquish for a limited period of time their authority to veto air strikes in Bosnia." This move allowed NATO forces to conduct Operation Deliberate Force and made him a favorite of the United States. According to Richard Holbrooke, Annan's "gutsy performance" convinced the United States that he would be a good replacement for Boutros-Ghali.
He was appointed a Special Representative of the Secretary-General to the former Yugoslavia, serving from November 1995 to March 1996.
In 2003, retired Canadian General Roméo Dallaire, who was force commander of the United Nations Assistance Mission for Rwanda, claimed that Annan was overly passive in his response to the imminent genocide. In his book "Shake Hands with the Devil: The Failure of Humanity in Rwanda" (2003), Dallaire asserted that Annan held back UN troops from intervening to settle the conflict, and from providing more logistical and material support. Dallaire claimed that Annan failed to provide responses to his repeated faxes asking for access to a weapons depository; such weapons could have helped Dallaire defend the endangered Tutsis. In 2004, ten years after the genocide in which an estimated 800,000 people were killed, Annan said, "I could and should have done more to sound the alarm and rally support."
In his book "", Annan again argued that the United Nations Department of Peacekeeping Operations could have made better use of the media to raise awareness of the violence in Rwanda and put pressure on governments to provide the troops necessary for an intervention. Annan explained that the events in Somalia and the collapse of the UNOSOM II mission fostered a hesitation among UN Member states to approve robust peacekeeping operations. As a result, when the UNAMIR mission was approved just days after the battle, the resulting force lacked the troop levels, resources and mandate to operate effectively.
In 1996, Secretary-General Boutros Boutros-Ghali ran unopposed for a second term. Although he won 14 of the 15 votes on the Security Council, he was vetoed by the United States. After four deadlocked meetings of the Security Council, Boutros-Ghali suspended his candidacy, becoming the only Secretary-General ever to be denied a second term. Annan was the leading candidate to replace him, beating Amara Essy by one vote in the first round. However, France vetoed Annan four times before finally abstaining. The UN Security Council recommended Annan on 13 December 1996. Confirmed four days later by the vote of the General Assembly, he started his first term as Secretary-General on 1 January 1997.
Due to Boutros-Ghali's overthrow, a second Annan term would give Africa the office of Secretary-General for three consecutive terms. In 2001, the Asia-Pacific Group agreed to support Annan for a second term in return for the African Group's support for an Asian Secretary-General in the 2006 selection. The Security Council recommended Annan for a second term on 27 June 2001, and the General Assembly approved his reappointment on 29 June 2001.
Soon after taking office in 1997, Annan released two reports on management reform. On 17 March 1997, the report "Management and Organisational Measures" (A/51/829) introduced new management mechanisms through the establishment of a cabinet-style body to assist him and be grouping the UN's activities in accordance with four core missions. A comprehensive reform agenda was issued on 14 July 1997 entitled "Renewing the United Nations: A Programme for Reform" (A/51/950). Key proposals included the introduction of strategic management to strengthen unity of purpose, the establishment of the position of Deputy Secretary-General, a 10-percent reduction in posts, a reduction in administrative costs, the consolidation of the UN at the country level, and reaching out to civil society and the private sector as partners. Annan also proposed to hold a Millennium Summit in 2000.
After years of research, Annan presented a progress report, "In Larger Freedom", to the UN General Assembly, on 21 March 2005. Annan recommended Security Council expansion and a host of other UN reforms.
On 31 January 2006, Annan outlined his vision for a comprehensive and extensive reform of the UN in a policy speech to the United Nations Association UK. The speech, delivered at Central Hall, Westminster, also marked the 60th Anniversary of the first meetings of the General Assembly and Security Council.
On 7 March 2006, he presented to the General Assembly his proposals for a fundamental overhaul of the United Nations Secretariat. The reform report is entitled "Investing in the United Nations, For a Stronger Organization Worldwide".
On 30 March 2006, he presented to the General Assembly his analysis and recommendations for updating the entire work programme of the United Nations Secretariat. The reform report is entitled: "Mandating and Delivering: Analysis and Recommendations to Facilitate the Review of Mandates".
Regarding the UN Human Rights Council, Annan said "declining credibility" had "cast a shadow on the reputation of the United Nations system. Unless we re-make our human rights machinery, we may be unable to renew public confidence in the United Nations itself." However, he did believe that, despite its flaws, the council could do good.
In March 2000, Annan appointed the Panel on United Nations Peace Operations to assess the shortcomings of the then existing system and to make specific and realistic recommendations for change. The panel was composed of individuals experienced in conflict prevention, peacekeeping and peace-building. The report it produced, which became known as the "Brahimi Report", after Chair of the Panel Lakhdar Brahimi, called for:
The Panel further noted that in order to be effective, UN peacekeeping operations must be properly resourced and equipped, and operate under clear, credible and achievable mandates. In a letter transmitting the report to the General Assembly and Security Council, Annan stated that the Panel's recommendations were essential to make the United Nations truly credible as a force for peace. Later that same year, the Security Council adopted several provisions relating to peacekeeping following the report, in Resolution 1327.
In 2000, Annan issued a report entitled: "We the peoples: the role of the United Nations in the 21st century". The report called for member states to "put people at the centre of everything we do. No calling is more noble, and no responsibility greater, than that of enabling men, women and children, in cities and villages around the world, to make their lives better".
In the final chapter of the report, Annan called to "free our fellow men and women from the abject and dehumanizing poverty in which more than 1 billion of them are currently confined".
At the Millennium Summit in September 2000, national leaders adopted the Millennium Declaration, which was subsequently implemented by the United Nations Secretariat as the Millennium Development Goals in 2001.
Within the "We the Peoples" document, Annan suggested the establishment of a United Nations Information Technology Service (UNITeS), a consortium of high-tech volunteer corps, including NetCorps Canada and Net Corps America, which United Nations Volunteers would co-ordinate. In the Report of the high-level panel of experts on information and communication technology (22 May 2000) suggesting a UN ICT Task Force, the panel welcomed the establishment of UNITeS, and made suggestions on its configuration and implementation strategy, including that ICT4D volunteering opportunities make mobilizing "national human resources" (local ICT experts) within developing countries a priority, for both men and women. The initiative was launched at the United Nations Volunteers and was active from February 2001 to February 2005. Initiative staff and volunteers participated in the World Summit on the Information Society (WSIS) in Geneva in December 2003.
In an address to The World Economic Forum on 31 January 1999, Secretary-General Annan argued that the "goals of the United Nations and those of business can, indeed, be mutually supportive" and proposed that the private sector and the United Nations initiate "a global compact of shared values and principles, which will give a human face to the global market".
On 26 July 2000, the United Nations Global Compact was officially launched at UN headquarters in New York. It is a principle-based framework for businesses which aims to "Catalyse actions in support of broader UN goals, such as the Millennium Development Goals (MDGs)". The Compact established ten core principles in the areas of human rights, labour, the environment and anti-corruption, and under the Compact, companies commit to the ten principles and are brought together with UN agencies, labour groups and civil society to effectively implement them.
Towards the end of the 1990s, increased awareness of the destructive potential of epidemics such as HIV/AIDS pushed public health issues to the top of the global development agenda. In April 2001, Annan issued a five-point "Call to Action" to address the HIV/AIDS pandemic. Stating it was a "personal priority", Annan proposed the establishment of a Global AIDS and Health Fund, "dedicated to the battle against HIV/AIDS and other infectious diseases" to stimulate the increased international spending needed to help developing countries confront the HIV/AIDS crisis. In June of that year, the General Assembly of the United Nations committed to the creation of such a fund during a special session on AIDS, and the permanent secretariat of the Global Fund was subsequently established in January 2002.
Following the failure of Annan and the International Community to intervene in the genocide in Rwanda and in Srebrenica, Annan asked whether the international community had an obligation in such situations to intervene to protect civilian populations. In a speech to the General Assembly on 20 September 1999 "to address the prospects for human security and intervention in the next century," Annan argued that individual sovereignty—the protections afforded by the Declaration of Human Rights and the Charter of the UN—was being strengthened, while the notion of state sovereignty was being redefined by globalization and international co-operation. As a result, the UN and its member states had to consider a willingness to act to prevent conflict and civilian suffering, a dilemma between "two concepts of sovereignty" that Annan also presented in a preceding article in "The Economist", on 16 September 1999.
In September 2001 the Canadian government established an ad-hoc committee to address this balance between state sovereignty and humanitarian intervention. The International Commission on Intervention and State Sovereignty published its final report in 2001, which focused on not on the right of states to intervene but a responsibility to protect populations at risk. The report moved beyond the question of military intervention, arguing that a range of diplomatic and humanitarian actions could also be utilized to protect civilian populations.
In 2005, Annan included the doctrine of "Responsibility to Protect" in his report "Larger Freedom". When that report was endorsed by the UN General Assembly, it amounted to the first formal endorsement by UN Member States of the doctrine of Responsibility to Protect.
In the years after 1998 when UNSCOM was expelled by the government of Saddam Hussein and during the Iraq disarmament crisis, in which the United States blamed UNSCOM and former IAEA director Hans Blix for failing to properly disarm Iraq, former UNSCOM chief weapons inspector Scott Ritter blamed Annan for being slow and ineffective in enforcing Security Council resolutions on Iraq and was overtly submissive to the demands of the Clinton administration for regime removal and inspection of sites, often Presidential palaces, that were not mandated in any resolution and were of questionable intelligence value, severely hampering UNSCOM's ability to co-operate with the Iraqi government and contributed to their expulsion from the country. Ritter also claimed that Annan regularly interfered with the work of the inspectors and diluted the chain of command by trying to micromanage all of the activities of UNSCOM, which caused intelligence processing (and the resulting inspections) to be backed up and caused confusion with the Iraqis as to who was in charge and as a result, they generally refused to take orders from Ritter or Rolf Ekéus without explicit approval from Annan, which could have taken days, if not weeks. He later believed that Annan was oblivious to the fact the Iraqis took advantage of this in order to delay inspections. He claimed that on one occasion, Annan refused to implement a no-notice inspection of the SSO headquarters and instead tried to negotiate access, but the negotiation ended up taking nearly six weeks, giving the Iraqis more than enough time to clean out the site.
During the build-up to the 2003 invasion of Iraq, Annan called on the United States and the United Kingdom not to invade without the support of the United Nations. In a September 2004 interview on the BBC, when questioned about the legal authority for the invasion, Annan said he believed it was not in conformity with the UN charter and was illegal.
In 1998, Annan was deeply involved in supporting the transition from military to civilian rule in Nigeria. The following year, he supported the efforts of East Timor to secure independence from Indonesia. In 2000, he was responsible for certifying Israel 's withdrawal from Lebanon, and in 2006, he led talks in New York between the presidents of Cameroon and Nigeria which led to a settlement of the dispute between the two countries over the Bakassi peninsula.
Annan and Iranian President Mahmoud Ahmadinejad disagreed sharply on Iran's nuclear program, on an Iranian exhibition of cartoons mocking the Holocaust, and on the then upcoming International Conference to Review the Global Vision of the Holocaust, an Iranian Holocaust denial conference in 2006. During a visit to Iran instigated by continued Iranian uranium enrichment, Annan said "I think the tragedy of the Holocaust is an undeniable historical fact and we should really accept that fact and teach people what happened in World War II and ensure it is never repeated."
Annan supported sending a UN peacekeeping mission to Darfur, Sudan. He worked with the government of Sudan to accept a transfer of power from the African Union peacekeeping mission to a UN one. Annan also worked with several Arab and Muslim countries on women's rights and other topics.
Beginning in 1998, Annan convened an annual UN "Security Council Retreat" with the 15 States' representatives of the council. It was held at the Rockefeller Brothers Fund (RBF) Conference Center at the Rockefeller family estate in Pocantico Hills, New York, and was sponsored by both the RBF and the UN.
In June 2004, Annan was given a copy of the Office of Internal Oversight Services (OIOS) report on the complaint brought by four female workers against Ruud Lubbers, UN High Commissioner for Refugees, for sexual harassment, abuse of authority, and retaliation. The report also reviewed a long-serving staff member's allegations of sexual harassment and misconduct against Werner Blatter, Director of UNHCR Personnel. The investigation found Lubbers guilty of sexual harassment; no mention was made publicly of the other charge against a senior official, or two subsequent complaints filed later that year. In the course of the official investigation, Lubbers wrote a letter which some considered was a threat to the female worker who had brought the charges. On 15 July 2004, Annan cleared Lubbers of the accusations, saying they were not substantial enough legally. The internal UN-OIOS report on Lubbers was leaked, and sections accompanied by an article by Kate Holt were published in a British newspaper. In February 2005, Lubbers resigned as head of the UN refugee agency, saying that he wanted to relieve political pressure on Annan.
In December 2004, reports surfaced that the Secretary-General's son Kojo Annan received payments from the Swiss company Cotecna Inspection SA, which had won a lucrative contract under the UN Oil-for-Food Programme. Kofi Annan called for an investigation to look into the allegations. On 11 November 2005, "The Sunday Times" agreed to apologise and pay a substantial sum in damages to Kojo Annan, accepting that the allegations were untrue.
Annan appointed the Independent Inquiry Committee, which was led by former US Federal Reserve Chairman Paul Volcker, then the director of the United Nations Association of the US. In his first interview with the Inquiry Committee, Annan denied having had a meeting with Cotecna. Later in the inquiry, he recalled that he had met with Cotecna's chief executive Elie-Georges Massey twice. In a final report issued on 27 October, the committee found insufficient evidence to indict Kofi Annan on any illegal actions, but did find fault with Benon Sevan, an Armenian-Cypriot national who had worked for the UN for about 40 years. Appointed by Annan to the Oil-For-Food role, Sevan repeatedly asked Iraqis for allocations of oil to the African Middle East Petroleum Company. Sevan's behavior was "ethically improper", Volcker said to reporters. Sevan repeatedly denied the charges and argued that he was being made a "scapegoat". The Volcker report was highly critical of the UN management structure and the Security Council oversight. It strongly recommended a new position be established of Chief Operating Officer (COO), to handle the fiscal and administrative responsibilities then under the Secretary-General's office. The report listed the companies, both Western and Middle Eastern, which had benefited illegally from the program.
In 2001, its centennial year, the Nobel Committee decided that the Peace Prize was to be divided between the UN and Annan. They were awarded the Peace Prize "for their work for a better organized and more peaceful world," having revitalized the UN and for having given priority to human rights. The Nobel Committee also recognized his commitment to the struggle to containing the spread of HIV in Africa and his declared opposition to international terrorism.
Annan defended his deputy Secretary-General Mark Malloch Brown, who openly criticized the United States in a speech on 6 June 2006: "[T]he prevailing practice of seeking to use the UN almost by stealth as a diplomatic tool while failing to stand up for it against its domestic critics is simply not sustainable. You will lose the UN one way or another. [...] [That] the US is constructively engaged with the UN [...] is not well known or understood, in part because much of the public discourse that reaches the US heartland has been largely abandoned to its loudest detractors such as Rush Limbaugh and Fox News." Malloch later said his talk was a "sincere and constructive critique of U.S. policy toward the U.N. by a friend and admirer."
The talk was unusual because it violated unofficial policy of not having top officials publicly criticize member nations. The interim U.S. ambassador John R. Bolton, appointed by President George W. Bush, was reported to have told Annan on the phone: "I've known you since 1989 and I'm telling you this is the worst mistake by a senior UN official that I have seen in that entire time." Observers from other nations supported Malloch's view that conservative politicians in the U.S. prevented many citizens from understanding the benefits of U.S. involvement in the UN.
On 19 September 2006, Annan gave a farewell address to world leaders gathered at the UN headquarters in New York, in anticipation of his retirement on 31 December. In the speech he outlined three major problems of "an unjust world economy, world disorder, and widespread contempt for human rights and the rule of law", which he believed "have not resolved, but sharpened" during his time as Secretary-General. He also pointed to violence in Africa, and the Arab–Israeli conflict as two major issues warranting attention.
On 11 December 2006, in his final speech as Secretary-General, delivered at the Harry S. Truman Presidential Library in Independence, Missouri, Annan recalled Truman's leadership in the founding of the United Nations. He called for the United States to return to President Truman's multilateralist foreign policies, and to follow Truman's credo that "the responsibility of the great states is to serve and not dominate the peoples of the world". He also said that the United States must maintain its commitment to human rights, "including in the struggle against terrorism."
The United Nations Archives and Records Management Section (UNARMS) provides full text access to Kofi Annan's declassified archives while he served as Secretary-General of the United Nations (1997-2006)
Search Kofi Annan's Archives
After his service as UN Secretary-General, Annan took up residence in Geneva and worked in a leading capacity on various international humanitarian endeavors.
In 2007, Annan established the Kofi Annan Foundation, an independent, not-for-profit organization that works to promote better global governance and strengthen the capacities of people and countries to achieve a fairer, more peaceful world.
The organisation was founded on the principles that fair and peaceful societies rest on three pillars: Peace and Security, Sustainable Development, and Human Rights and the Rule of Law, and they have made it their mission to mobilise the leadership and the political resolve needed to tackle threats to these three pillars ranging from violent conflict to flawed elections and climate change, with the aim of achieving a fairer, more peaceful world.
The Foundation provides the analytical, communication and co-ordination capacities needed to ensure that these objectives are achieved. Annan's contribution to peace worldwide is delivered through mediation, political mentoring, advocacy and advice. Through his engagement, Annan aimed to strengthen local and international conflict resolution capabilities. The Foundation provides the analytical and logistical support to facilitate this in co-operation with relevant local, regional and international actors. The Foundation works mainly through private diplomacy, where Annan provided informal counsel and participated in discreet diplomatic initiatives to avert or resolve crises by applying his experience and inspirational leadership. He was often asked to intercede in crises, sometimes as an impartial independent mediator, sometimes as a special envoy of the international community. In recent years he had provided such counsel to Burkina Faso, Kenya, Myanmar, Senegal, Iraq and Colombia.
Following the outbreak of violence during the 2007 Presidential elections in Kenya, the African Union established a Panel of Eminent African Personalities to assist in finding a peaceful solution to the crisis.
The panel, headed by Annan, managed to convince the two principal parties to the conflict, President Mwai Kibaki's Party of National Unity (PNU) and Raila Odinga's Orange Democratic Movement (ODM), to participate in the Kenya National Dialogue and Reconciliation Process (KNDR). Over the course of 41 days of negotiations, several agreements regarding taking actions to stop the violence and remedying its consequences were signed. On 28 February, President Mwai Kibaki and Raila Odinga signed a coalition government agreement.
On 23 February 2012, Annan was appointed as the UN-Arab League envoy to Syria, in an attempt to end the civil war taking place. He developed a six-point plan for peace:
On 2 August, he resigned as UN and Arab League joint special envoy to Syria, citing the intransigence of both the Assad government and the rebels, as well as the stalemate on the Security Council as preventing any peaceful resolution of the situation. Annan also stated that the lack of international unity and ineffective diplomacy among the world leaders had made the peaceful resolution in Syria an impossible task.
Annan served as the Chair of the Global Commission on Elections, Democracy and Security. The commission was launched in May 2011 as a joint initiative of the Kofi Annan Foundation and the International Institute for Democracy and Electoral Assistance. It comprised 12 eminent individuals from around the world, including Ernesto Zedillo, Martti Ahtisaari, Madeleine Albright and Amartya Sen, and aimed to highlight the importance of the integrity of elections to achieving a more secure, prosperous and stable world. The Commission released its final report: Democracy, a Strategy to Improve the Integrity of Elections Worldwide, in September 2012.
In September 2016, Annan was asked to lead the Advisory Commission on Rakhine State (in Myanmar) – an impoverished region beset by ethnic conflict and extreme sectarian violence, particularly by Myanmar's Buddhist majority against the Rohingya Muslim minority, further targeted by government forces. The commission, widely known simply as the "Annan Commission", was opposed by many Myanmar Buddhists as unwelcome interference in their relations with the Rohingya.
When the Annan commission released its final report, the week of 24 August 2017, with recommendations unpopular with all sides, violence exploded in the Rohingya conflict – the largest and bloodiest humanitarian disaster in the region in decades – driving most of the Rohingya from Myanmar. Annan attempted to engage the United Nations to resolve the matter, but failed.
Annan died a week before the first anniversary of the report, shortly after an announcement by a replacement commission that it would not "point fingers" at the guilty parties – leading to widespread concern that the new commission was just a sham to protect culpable Myanmar government officials and citizens from accountability.
In 2018, before Annan's death, Myanmar's civilian government, under the direction of State Councilor Aung San Suu Kyi, made a gesture of acceptance of the Annan commission's recommendations by convening another board – the Advisory Board for the Committee for Implementation of the Recommendations on Rakhine State – ostensibly to implement the Annan commission's proposed reforms, but never actually implemented them. Some of the international representatives resigned – notably the panel's Secretary, Thailand's former foreign minister Surakiart Sathirathai, and former U.S. ambassador to the U.N. Bill Richardson – decrying the "implementation" committee as ineffective, or a "whitewash."
Corporate boards
In March 2011, Annan became a member of the Advisory Board for Investcorp Bank B. S. C. Europe, an international private equity firm and sovereign wealth fund owned by the United Arab Emirates. He held the position until 2018.
Annan became member of the Global Advisory Board of Macro Advisory Partners LLP, Risk and strategic consulting firm based in London and New York, for business, finance and government decision-makers, with some operations related to Investcorp.
Non-profit organizations
In addition to the above, Annan also became involved with several organizations with both global and African focuses, including the following:
Annan served as Chair of The Elders, a group of independent global leaders who work together on peace and human rights issues. In November 2008, Annan and fellow Elders Jimmy Carter and Graça Machel attempted to travel to Zimbabwe to make a first-hand assessment of the humanitarian situation in the country. Refused entry, the Elders instead carried out their assessment from Johannesburg, where they met Zimbabwe- and South Africa-based leaders from politics, business, international organisations, and civil society. In May 2011, following months of political violence in Côte d'Ivoire, Annan travelled to the country with Elders Desmond Tutu and Mary Robinson to encourage national reconciliation. On 16 October 2014, Annan attended the One Young World Summit in Dublin. During a session with fellow Elder Mary Robinson, Annan encouraged 1,300 young leaders from 191 countries to lead on intergenerational issues such as climate change and the need for action to take place now, not tomorrow.
"We don't have to wait to act. The action must be now. You will come across people who think we should start tomorrow. Even for those who believe action should begin tomorrow, remind them tomorrow begins now, tomorrow begins today, so let's all move forward."
Annan chaired the Africa Progress Panel (APP), a group of ten distinguished individuals who advocate at the highest levels for equitable and sustainable development in Africa. As Chair, he facilitates coalition building to leverage and broker knowledge, in addition to convening decision-makers to influence policy and create lasting change in Africa. Every year, the Panel releases a report, the Africa Progress Report, which outlines an issue of immediate importance to the continent and suggests a set of associated policies. In 2014, the Africa Progress Report highlighted the potential of African fisheries, agriculture, and forests to drive economic development. The 2015 report explores the role of climate change and the potential of renewable energy investments in determining Africa's economic future.
On 4 September 2012, Annan with Nader Mousavizadeh wrote a memoir, "". Published by Penguin Press, the book has been described as a "personal biography of global statecraft".
In 1965, Kofi Annan married Titi Alakija, a Nigerian woman from an aristocratic family. Several years later they had a daughter, Ama, and later a son, Kojo. The couple separated in the late 1970s, and divorced in 1983. In 1984, Annan married , a Swedish lawyer at the UN and a maternal half-niece of diplomat Raoul Wallenberg. She has a daughter, Nina, from a previous marriage. His brother, Kobina Annan served as Ghana's ambassador to Morocco.
Annan died on the morning of 18 August 2018 in Bern, Switzerland, at the age of 80 after a short illness. António Guterres, the current UN Secretary-General, said that "Kofi Annan was a champion for peace and a guiding force for good." The body of Kofi Annan was returned to his native Ghana from Geneva in a brief and solemn ceremony at the Kotoka International Airport in Accra, on 10 September 2018. His coffin, draped in the blue UN flag, was accompanied by his widow Nane Annan, his children and senior diplomats from the international organisation.
On 13 September 2018, a state funeral was held for Annan in Ghana at the Accra International Conference Centre. The ceremony was attended by several political leaders from across Africa as well as Ghanaian traditional rulers, European royalty and dignitaries from the international community, including the U.N. Secretary-General Antonio Guterres. Prior to the funeral service, his body lay in state in the foyer of the same venue, from 11–12 September 2018. A private burial followed the funeral service at the new Military Cemetery at Burma Camp, with full military honours – the sounding of the Last Post by army buglers and a .
The United Nations Postal Administration released a new stamp in memory of Kofi Annan on 31 May 2019. Annan's portrait on the stamp was designed by artist Martin Mörck.
Biography of Kofi Annan, by Chloé Maurel, in: BIOGRAPHICAL DICTIONARY OF SECRETARIES-GENERAL OF INTERNATIONAL ORGANIZATIONS. [archive]
Friederike Bauer, "Kofi Annan. Ein Leben" (in German), Fischer, 2005.
Stanley Meisler, "Kofi Annan. A Man of Peace in a World of War" (in English), Wiley, 2007.
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Kentucky
Kentucky ( , ), officially the Commonwealth of Kentucky, is a state located in the Southern United States. Kentucky is the 37th most extensive and the 26th most populous of the 50 United States.
The bluegrass region in the central part of the state houses the state's capital, Frankfort, as well as its two largest cities, Louisville and Lexington, the two of which together are home to over 20% of the state's population.[3] Kentucky shares borders with Illinois, Indiana, and Ohio to the north, West Virginia and Virginia to the east, Tennessee to the south, and Missouri to the west.
Kentucky is known as the "Bluegrass State", a nickname based on Kentucky bluegrass, a species of grass found in many of its pastures. Kentucky is home to the world's longest cave system, Mammoth Cave National Park, one of the greatest lengths of navigable waterways and streams in the contiguous United States, and the two largest man-made lakes east of the Mississippi River.
In 1792, Kentucky became the 15th state admitted to the Union, splitting from Virginia in the process.
Kentucky is also known for horse racing, bourbon, moonshine, coal, "My Old Kentucky Home" historic state park, automobile manufacturing, tobacco, bluegrass music, college basketball, Kentucky Fried Chicken, and the Kentucky colonel.
In 1776, the counties of Virginia beyond the Appalachian Mountains became known as Kentucky County, named for the Kentucky River. The precise etymology of the name is uncertain, but likely based on an Iroquoian name meaning "(on) the meadow" or "(on) the prairie" (cf. Mohawk "kenhtà:ke", Seneca "gëdá'geh" (phonemic ), "at the field").
Others have put forth the possibility of "Kenta Aki", which would absolutely have come from the Algonquian language and therefore probably derived from Shawnee. Folk etymology states that this translates as "Land of Our Fathers". The closest approximation in another Algonquian language, Ojibwe (N. Michigan) translates it more-so to "Land of Our In-Laws", thus making a fairer English translation "The Land of Those Who Became Our Fathers". In any case, the word "aki" comes out as land in practically all Algonquian languages.
Kentucky is situated in the Upland South. A significant portion of eastern Kentucky is part of Appalachia.
Kentucky borders seven states, from the Midwest and the Southeast. West Virginia lies to the northeast, Virginia to the east, Tennessee to the south, Missouri to the west, Illinois to the northwest, and Indiana and Ohio to the north. Only Missouri and Tennessee, both of which border eight states, touch more.
Kentucky's northern border is formed by the Ohio River and its western border by the Mississippi River; however, the official border is based on the courses of the rivers as they existed when Kentucky became a state in 1792. For instance, northbound travelers on U.S. 41 from Henderson, after crossing the Ohio River, will be in Kentucky for about . Ellis Park, a thoroughbred racetrack, is located in this small piece of Kentucky. Waterworks Road is part of the only land border between Indiana and Kentucky.
Kentucky has a non-contiguous part known as Kentucky Bend, at the far west corner of the state. It exists as an exclave surrounded completely by Missouri and Tennessee, and is included in the boundaries of Fulton County. Road access to this small part of Kentucky on the Mississippi River (populated by only 18 people ) requires a trip through Tennessee. The epicenter of the powerful 1811–12 New Madrid earthquakes was near this area, even causing the river to flow backwards in some places. Though the series of quakes did change the area geologically and affect the (small number of) inhabitants of the area at the time, the Kentucky Bend was formed because of a surveying error, not the New Madrid earthquake.
Kentucky can be divided into five primary regions: the Cumberland Plateau in the east, the north-central Bluegrass region, the south-central and western Pennyroyal Plateau (also known as the Pennyrile or Mississippi Plateau), the Western Coal Fields and the far-west Jackson Purchase.
The Bluegrass region is commonly divided into two regions, the Inner Bluegrass encircling around Lexington and the Outer Bluegrass that contains most of the northern portion of the state, above the Knobs. Much of the outer Bluegrass is in the Eden Shale Hills area, made up of short, steep, and very narrow hills.
The Jackson Purchase and western Pennyrile are home to several bald cypress/tupelo swamps.
Located within the southeastern interior portion of North America, Kentucky has a climate that is best described as a humid subtropical climate (Köppen: "Cfa"), only small higher areas of the southeast of the state has an oceanic climate ("Cfb") influenced by the Appalachians. Temperatures in Kentucky usually range from daytime summer highs of to the winter low of . The average precipitation is a year. Kentucky experiences four distinct seasons, with substantial variations in the severity of summer and winter. The highest recorded temperature was at Greensburg on July 28, 1930 while the lowest recorded temperature was at Shelbyville on January 19, 1994. It has four distinct seasons, but rarely experiences the extreme cold as far northern states, nor the high heat of the states in the Deep South. Temperatures seldom drop below 0 degrees or rise above 100 degrees. Rain and snowfall totals about 45 inches per year. There are also big variations in climate within the state. The northern parts tend to be about 5 degrees cooler than those in western parts of the state. Somerset in the south-central part receives 10 more inches of rain per year than, for instance, Covington to the north. Average temperatures for the entire Commonwealth go from the low 30s in January to the high 70s in mid-July. The annual average temperature varies from : of in the far north as an average annual temperature and of in the extreme southwest.
In general, Kentucky has relatively hot, humid, rainy summers, and moderately cold and rainy winters. Mean maximum temperatures in July vary from ; the mean minimum July temperatures are . In January the mean maximum temperatures range from ; the mean minimum temperatures range from . Temperature means vary with northern and far-eastern mountain-regions averaging five degrees cooler year-round, compared to the relatively warmer areas of the southern- and western region of the state. Precipitation also varies north to south with the north averaging of , and the south averaging of . Days per year below the freezing point vary from about sixty days in the southwest to more than a hundred days in the far-north and far-east.
Kentucky has more navigable miles of water than any other state in the union, other than Alaska.
Kentucky is the only U.S. state to have a continuous border of rivers running along three of its sides—the Mississippi River to the west, the Ohio River to the north, and the Big Sandy River and Tug Fork to the east. Its major internal rivers include the Kentucky River, Tennessee River, Cumberland River, Green River and Licking River.
Though it has only three major natural lakes, Kentucky is home to many artificial lakes. Kentucky has both the largest artificial lake east of the Mississippi in water volume (Lake Cumberland) and surface area (Kentucky Lake). Kentucky Lake's of shoreline, of water surface, and 4,008,000 acre feet (4,944 Gl) of flood storage are the most of any lake in the TVA system.
Kentucky's of streams provides one of the most expansive and complex stream systems in the nation.
Kentucky has an expansive park system, which includes one national park, two National Recreation areas, two National Historic Parks, two national forests, two National Wildlife Refuges, 45 state parks, of state forest, and 82 Wildlife Management Areas.
Kentucky has been part of two of the most successful wildlife reintroduction projects in United States history. In the winter of 1997, the Kentucky Department of Fish and Wildlife Resources began to re-stock elk in the state's eastern counties, which had been extinct from the area for over 150 years. , the herd had reached the project goal of 10,000 animals, making it the largest herd east of the Mississippi River.
The state also stocked wild turkeys in the 1950s. There were reported to be less than 900 at one point. Once nearly extinct here, wild turkeys thrive throughout today's Kentucky. Hunters officially reported a record 29,006 birds taken during the 23-day season in Spring 2009.
A female gray wolf shot in 2013 in Hart County, Kentucky by a hunter was the first verified sighting of the species in Kentucky in modern times.
It is not known exactly when the first humans arrived in what is now Kentucky. Based on evidence in other regions, humans were likely living in Kentucky prior to 10,000 BCE, but "archaeological evidence of their occupation has yet to be documented". Around 1800 BCE, a gradual transition began from a hunter-gatherer economy to agriculturalism. Around 900 CE, a Mississippian culture took root in western and central Kentucky; by contrast, a Fort Ancient culture appeared in eastern Kentucky. While the two had many similarities, the distinctive ceremonial earthwork mounds constructed in the former's centers were not part of the culture of the latter.
In about the 10th century, the Kentucky native people's variety of corn became highly productive, supplanting the Eastern Agricultural Complex, and replaced it with a maize-based agriculture in the Mississippian era. French explorers in the 17th century documented numerous tribes living in Kentucky until the Beaver Wars in the 1670s; however, by the time that European colonial explorers and settlers began entering Kentucky in greater numbers in the mid-18th century, there were no major Native American settlements in the region.
As of the 16th century, the area known as Kentucky was home to tribes from five different culture groups—Iroquoian, Sioux, Algonquian, Muskogean & Yuchi. Around the Bluestone River was the Siouan Tutelo. North of the Tennessee River was the Yuchi & south of it was the Cherokee. Much of the interior of the state was controlled by the Algonquian Cisca & the confluence region of the Mississippi & Ohio was home to the Chickasaw. During a period known as the Beaver Wars, 1640–1680, another Algonquian tribe called the Maumee, or Mascouten was chased out of southern Michigan. The vast majority of them moved to Kentucky, pushing the Kispoko east and war broke out with the Tutelo that pushed them deeper into Appalachia, where they merged with the Saponi & Moneton. The Maumee were closely related to the Miami of Indiana. Later, the Kispoko merged with the Shawnee (who broke off from the Powhatan on the east coast) & the Thawikila of Ohio to form the larger Shawnee nation that inhabited the Ohio River Valley into the 19th century.
The Shawnee from the northwest and Cherokee from the south also sent parties into the area regularly for hunting.
Today there are two state recognized tribes in Kentucky, the Southern Cherokee Nation of Kentucky and the Ridgetop Shawnee.
Rene-Robert Cavelier, Sieur de la Salle was a French explorer who claimed all of the land along the Mississippi River Valley, including Kentucky, for France. In July 1669, Robert de la Salle organized twenty four men and six canoes for his expedition. During this venture, he met Louis Joliet and Jacques Marquette, the first white men to explore and map the Mississippi River, in Hamilton, Ontario. The expedition eventually reached the Ohio River, allegedly, which it followed as far as Louisville, Kentucky.
In 1774, James Harrod founded the first permanent European settlement in Kentucky at the site of present-day Harrodsburg. As more settlers entered the area, warfare broke out with the Native Americans over their traditional hunting grounds.
A 1790 U.S. government report states that 1,500 Kentucky settlers had been killed by Native Americans since the end of the Revolutionary War. In 1786, George Rogers Clark led a group of 1,200 men in actions against Shawnee towns on the Wabash River to begin the Northwest Indian War.
On December 31, 1776, the region of Virginia beyond the Appalachian Mountains was established as Kentucky County by the Virginia General Assembly. (Kentucky County was abolished on June 30, 1780, when it was divided into Fayette, Jefferson, and Lincoln counties.) On several occasions the region's residents petitioned the General Assembly and the Confederation Congress for separation from Virginia and statehood. Ten constitutional conventions were held in Danville between 1784 and 1792.
One petition, which had Virginia's assent, came before the Confederation Congress in early July 1788. Unfortunately, its consideration came up a day after word of New Hampshire's all-important ninth ratification of the proposed Constitution, thus establishing it as the new framework of governance for the United States. In light of this development, Congress thought that it would be "unadvisable" to admit Kentucky into the Union, as it could do so "under the Articles of Confederation" only, but not "under the Constitution", and so declined to take action.
On December 18, 1789, Virginia again gave its consent to Kentucky statehood. The United States Congress gave its approval on February 4, 1791. (This occurred two weeks before Congress approved Vermont's petition for statehood.) Kentucky officially became the fifteenth state in the Union on June 1, 1792. Isaac Shelby, a military veteran from Virginia, was elected its first Governor.
Central Kentucky, the bluegrass region, was the area of the state with the most slave owners. Planters cultivated tobacco and hemp (see Hemp in Kentucky) and were noted for their quality livestock. During the 19th century, Kentucky slaveholders began to sell unneeded slaves to the Deep South, with Louisville becoming a major slave market and departure port for slaves being transported downriver.
Kentucky was one of the border states during the American Civil War. Although frequently described as never having seceded, representatives from 68 of 110 counties met at Russellville calling themselves the "Convention of the People of Kentucky" and passed an Ordinance of Secession on November 20, 1861. They established a Confederate government of Kentucky with its capital in Bowling Green.
Though Kentucky was represented by the central star on the Confederate battle flag, it remained officially "neutral" throughout the war due to the Union sympathies of a majority of the Commonwealth's citizens. Some 21st-century Kentuckians observe Confederate Memorial Day on Confederate leader Jefferson Davis' birthday, June 3, and participate in Confederate battle re-enactments. Both Davis and U.S. president Abraham Lincoln were born in Kentucky.
On January 30, 1900, Governor William Goebel, flanked by two bodyguards, was mortally wounded by an assassin while walking to the State Capitol in downtown Frankfort. Goebel was contesting the Kentucky gubernatorial election of 1899, which William S. Taylor was initially believed to have won. For several months, J. C. W. Beckham, Goebel's running mate, and Taylor fought over who was the legal governor, until the Supreme Court of the United States ruled in May in favor of Beckham. After fleeing to Indiana, Taylor was indicted as a co-conspirator in Goebel's assassination. Goebel is the only governor of a U.S. state to have been assassinated while in office.
The Black Patch Tobacco Wars, a vigilante action, occurred in Western Kentucky in the early 20th century. As a result of the tobacco industry monopoly, tobacco farmers in the area were forced to sell their crops at prices that were too low. Many local farmers and activists united in a refusal to sell their crops to the major tobacco companies.
An Association meeting occurred in downtown Guthrie, where a vigilante wing of "Night Riders", formed. The riders terrorized farmers who sold their tobacco at the low prices demanded by the tobacco corporations. They burned several tobacco warehouses throughout the area, stretching as far west as Hopkinsville to Princeton. In the later period of their operation, they were known to physically assault farmers who broke the boycott. Governor Augustus E. Willson declared martial law and deployed the Kentucky National Guard to end the wars.
On October 15, 1959, a B-52 carrying two nuclear weapons collided in midair with a KC-135 tanker near Hardinsburg, Kentucky. One of the nuclear bombs was damaged by fire but both weapons were recovered.
Kentucky is one of four U.S. states to officially use the term "commonwealth." The term was used for Kentucky as it had also been used by Virginia, from which Kentucky was created. The term has no particular significance in its meaning and was chosen to emphasize the distinction from the status of royal colonies as a place governed for the general welfare of the populace. Kentucky was originally styled as the "State of Kentucky" in the act admitting it to the union, since that is how it was referred to in Kentucky's first constitution.
The commonwealth term was used in citizen petitions submitted between 1786 and 1792 for the creation of the state. It was also used in the title of a history of the state that was published in 1834 and was used in various places within that book in references to Virginia and Kentucky. The other three states officially called "commonwealths" are Massachusetts, Pennsylvania, and Virginia. Puerto Rico and the Northern Mariana Islands are also formally commonwealths.
Kentucky is one of only five states that elects its state officials in odd-numbered years (the others being Louisiana, Mississippi, New Jersey, and Virginia). Kentucky holds elections for these offices every 4 years in the years preceding Presidential election years. Thus, Kentucky held gubernatorial elections in 2011, 2015 and 2019.
The executive branch is headed by the governor who serves as both head of state and head of government. The lieutenant governor may or may not have executive authority depending on whether the person is a member of the Governor's cabinet. Under the current Kentucky Constitution, the lieutenant governor assumes the duties of the governor only if the governor is incapacitated. (Before 1992 the lieutenant governor assumed power any time the governor was out of the state.) The governor and lieutenant governor usually run on a single ticket (also per a 1992 constitutional amendment), and are elected to four-year terms. The current governor is Andy Beshear, and the lieutenant governor is Jacqueline Coleman. Both are Democrats.
Other elected constitutional offices include the Secretary of State, Attorney General, Auditor of Public Accounts, State Treasurer and Commissioner of Agriculture. Currently, Republican Michael G. Adams serves as the Secretary of State. The commonwealth's chief prosecutor, law enforcement officer, and law officer is the Attorney General, currently Republican Daniel Cameron. The Auditor of Public Accounts is Republican Mike Harmon. Republican Allison Ball is the current Treasurer. Republican Ryan Quarles is the current Commissioner of Agriculture.
Kentucky's legislative branch consists of a bicameral body known as the Kentucky General Assembly.
The Senate is considered the upper house. It has 38 members, and is led by the President of the Senate, currently Robert Stivers (R).
The House of Representatives has 100 members, and is led by the Speaker of the House, currently David Osborne of the Republican Party.
In November 2016, Republicans won control of the House for the first time since 1922, and currently have supermajorities in both the House and Senate.
The judicial branch of Kentucky is called the Kentucky Court of Justice and comprises courts of limited jurisdiction called District Courts; courts of general jurisdiction called Circuit Courts; specialty courts such as Drug Court and Family Court; an intermediate appellate court, the Kentucky Court of Appeals; and a court of last resort, the Kentucky Supreme Court.
The Kentucky Court of Justice is headed by the Chief Justice of the Commonwealth. The chief justice is appointed by, and is an elected member of, the Supreme Court of Kentucky. The current chief justice is John D. Minton Jr.
Unlike federal judges, who are usually appointed, justices serving on Kentucky state courts are chosen by the state's populace in non-partisan elections.
Kentucky's two U.S. Senators are Senate Majority Leader Mitch McConnell and Rand Paul, both Republicans. The state is divided into six Congressional Districts, represented by Republicans James Comer (1st), Brett Guthrie (2nd), Thomas Massie (4th), Hal Rogers (5th) and Andy Barr (6th) and Democrat John Yarmuth (3rd).
In the federal judiciary, Kentucky is served by two United States district courts: the Eastern District of Kentucky, with its primary seat in Lexington, and the Western District of Kentucky, with its primary seat in Louisville. Appeals are heard in the Court of Appeals for the Sixth Circuit, based in Cincinnati, Ohio.
Kentucky's body of laws, known as the Kentucky Revised Statutes (KRS), were enacted in 1942 to better organize and clarify the whole of Kentucky law. The statutes are enforced by local police, sheriffs and deputy sheriffs, and constables and deputy constables. Unless they have completed a police academy elsewhere, these officers are required to complete Police Officer Professional Standards (POPS) training at the Kentucky Department of Criminal Justice Training Center on the campus of Eastern Kentucky University in Richmond. Additionally, in 1948, the Kentucky General Assembly established the Kentucky State Police, making it the 38th state to create a force whose jurisdiction extends throughout the given state.
Kentucky is one of the 32 states in the United States that sanctions the death penalty for certain murders defined as heinous. Those convicted of capital crimes after March 31, 1998 are always executed by lethal injection; those convicted on or before this date may opt for the electric chair. Only three people have been executed in Kentucky since the U.S. Supreme Court re-instituted the practice in 1976. The most notable execution in Kentucky was that of Rainey Bethea on August 14, 1936. Bethea was publicly hanged in Owensboro for the rape and murder of Lischia Edwards. Irregularities with the execution led to this becoming the last public execution in the United States.
Kentucky has been on the front lines of the debate over displaying the Ten Commandments on public property. In the 2005 case of "McCreary County v. ACLU of Kentucky", the U.S. Supreme Court upheld the decision of the Sixth Circuit Court of Appeals that a display of the Ten Commandments in the Whitley City courthouse of McCreary County was unconstitutional. Later that year, Judge Richard Fred Suhrheinrich, writing for the Sixth Circuit Court of Appeals in the case of "ACLU of Kentucky v. Mercer County", wrote that a display including the Mayflower Compact, the Declaration of Independence, the Ten Commandments, the Magna Carta, "The Star-Spangled Banner", and the national motto could be erected in the Mercer County courthouse.
Kentucky has also been known to have unusually high political candidacy age laws, especially compared to surrounding states. The origin of this is unknown, but it has been suggested it has to do with the commonwealth tradition.
A 2008 study found that Kentucky's Supreme Court to be the least influential high court in the nation with its decisions rarely being followed by other states.
Where politics are concerned, Kentucky historically has been very competitive. It leaned slightly toward the Democratic Party since 1860, when the Whig Party dissolved. The state was not included as among the "Solid South" that prevailed in the former Confederacy after states disenfranchised blacks at the turn of the century. The southeastern section had aligned with the Union during the war and tended to support Republican candidates.
In a reversal of the demographics of party alignment in the post-Civil War nineteenth century, in the 21st century, state Democrats include liberal whites, African Americans, and other minorities. As of March 2020, 48.42% of the state's voters were officially registered as Democrats, 42.75% were registered Republican, who tend to be conservative whites. Some 8.83% were registered with some other political party or as Independents. Despite this, a majority of the state's voters have generally elected Republican candidates for federal office since around the turn of the 21st century.
From 1964 through 2004, Kentucky voted for the eventual winner of the election for President of the United States; however, in the 2008 election the state lost its bellwether status. Republican John McCain won Kentucky, but he lost the national popular and electoral vote to Democrat Barack Obama (McCain carried Kentucky 57% to 41%). 116 of Kentucky's 120 counties supported former Massachusetts Governor Mitt Romney in the 2012 election while he lost to Barack Obama nationwide.
Voters in the Commonwealth supported the previous three Democratic candidates elected to the White House in the late 20th century, all from Southern states: Lyndon B. Johnson (Texas) in 1964, Jimmy Carter (Georgia) in 1976, and Bill Clinton (Arkansas) in 1992 and 1996. In 21st-century presidential elections, the state has become a Republican stronghold, supporting that party's presidential candidates by double-digit margins from 2000 through 2016. At the same time, voters have continued to elect Democratic candidates to state and local offices in many jurisdictions.
The United States Census Bureau estimates that the population of Kentucky was 4,467,673 on July 1, 2019, a 2.96% increase since the 2010 United States Census.
As of July 1, 2016, Kentucky had an estimated population of 4,436,974, which is an increase of 12,363 from the prior year and an increase of 97,607, or 2.2%, since the year 2010. This includes a natural increase since the last census of 73,541 people (that is 346,968 births minus 273,427 deaths) and an increase due to net migration of 26,135 people into the state. Immigration from outside the United States resulted in a net increase of 40,051 people, and migration within the country produced a net decrease of 13,916 people. , Kentucky's population included about 149,016 foreign-born persons (3.4%). In 2016, the population density of the state was 110 people per square mile (42.5/km²).
Kentucky's population has grown during every decade since records have been kept. But during most decades of the 20th century there was also net out-migration from Kentucky. Since 1900, rural Kentucky counties have had a net loss of more than 1 million people to migration, while urban areas have experienced a slight net gain.
Kentucky's center of population is in Washington County, in the city of Willisburg.
According to U.S. Census Bureau official statistics, the largest ancestry in 2013 was American totalling 20.2%. In 1980, before the status of ethnic American was an available option on the official census, the largest claimed ancestries in the commonwealth were English (49.6%), Irish (26.3%), and German (24.2%). In the state's most urban counties of Jefferson, Oldham, Fayette, Boone, Kenton, and Campbell, German is the largest reported ancestry. Americans of Scots-Irish and English stock are present throughout the entire state. Many residents claim Irish ancestry because of known "Scots-Irish" among their ancestors, who immigrated from Ireland, where their ancestors had moved for a period from Scotland during the plantation period.
As of the 1980s, the only counties in the United States where over half of the population cited "English" as their only ancestry group were in the hills of eastern Kentucky (virtually every county in this region had a majority of residents identifying as exclusively English in ancestry).
The Ridgetop Shawnee organized in the early 21st century as a non-profit to gain structure for their community and increase awareness of Native Americans in Kentucky. In the 2000 census, some 20,000 people in the state identified as Native American (0.49%). In June 2011, Jerry "2 Feather" Thornton, a Cherokee, led a team in the Voyage of Native American Awareness 2011 canoe journey, to begin on the Green River in Rochester, Kentucky and travel through to the Ohio River at Henderson.
African Americans, who were mostly enslaved at the time, made up 25% of Kentucky's population before the Civil War; they were held and worked primarily in the central Bluegrass region, an area of hemp and tobacco cultivation, as well as raising blooded livestock. The number of African Americans living in Kentucky declined during the 20th century. Many migrated during the early part of the century to the industrial North and Midwest during the Great Migration for jobs and the chance to leave segregated, oppressive societies. Today, less than 9% of the state's total population is African-American.
The state's African-American population is highly urbanized and 52% of them live in the Louisville metropolitan area; 44.2% of them reside in Jefferson County. The county's population is 20% African American. Other areas with high concentrations, beside Christian and Fulton counties and the Bluegrass region, are the cities of Paducah and Lexington. Some mining communities in far Southeastern Kentucky have populations that are between five and 10 percent African-American.
In 2000, 96.1% of all residents five years old and older spoke only English at home, a decrease from 97.5% in 1990.
Speech patterns in the state generally reflect the first settlers' Virginia and Kentucky backgrounds. South Midland features are best preserved in the mountains, but some common to Midland and Southern are widespread. After a vowel, the /r/ may be weak or missing. For instance, "Coop" has the vowel of "put", but the root rhymes with "boot". In southern Kentucky, earthworms are called "redworms", a burlap bag is known as a "tow sack" or the "Southern grass sack", and green beans are called "snap beans". In Kentucky English, a young man may "carry", not escort, his girlfriend to a party.
Spanish is the second-most-spoken language in Kentucky, after English.
, the Association of Religion Data Archives (ARDA) reported the following groupings of Kentucky's 4,339,367 residents:
Kentucky is home to several seminaries. Southern Baptist Theological Seminary in Louisville is the principal seminary for the Southern Baptist Convention. Louisville is also the home of the Louisville Presbyterian Theological Seminary, an institution of the Presbyterian Church (USA). Lexington has one seminary, Lexington Theological Seminary (affiliated with the Disciples of Christ). The Baptist Seminary of Kentucky is located on the campus of Georgetown College in Georgetown. Asbury Theological Seminary, a multi-denominational seminary in the Methodist tradition, is located in nearby Wilmore.
In addition to seminaries, there are several colleges affiliated with denominations:
Bardstown is home Abbey of Our Lady of Gethsemani, home of Trappist monk, social activist and author Thomas Merton from 1941 until his death in 1968.
Louisville is home to the Cathedral of the Assumption, the third oldest Catholic cathedral in continuous use in the United States.
Louisville is home to the headquarters of the Presbyterian Church (USA) and their printing press.
In 1996, the Center for Interfaith Relations established the Festival of Faiths, the first and oldest annual interfaith festival to be held in the United States.
The Christian creationist apologetics group Answers in Genesis, along with its Creation Museum, is headquartered in Petersburg, Kentucky.
Louisville also has Muslim, Jewish, and Hindu communities.
Early in its history, Kentucky gained recognition for its excellent farming conditions. It was the site of the first commercial winery in the United States (started in present-day Jessamine County in 1799) and due to the high calcium content of the soil in the Bluegrass region quickly became a major horse breeding (and later racing) area. Today Kentucky ranks 5th nationally in goat farming, 8th in beef cattle production, and 14th in corn production. Kentucky has also been a long-standing major center of the tobacco industry – both as a center of business and tobacco farming.
Today Kentucky's economy has expanded to importance in non-agricultural terms as well, especially in auto manufacturing, energy fuel production, and medical facilities.
Kentucky ranks 4th among U.S. states in the number of automobiles and trucks assembled. The Chevrolet Corvette, Cadillac XLR (2004–2009), Ford Escape, Ford Super Duty trucks, Ford Expedition, Lincoln Navigator, Toyota Camry, Toyota Avalon, Toyota Solara, Toyota Venza, and Lexus ES 350 are assembled in Kentucky.
Kentucky has historically been a major coal producer, but the coal industry has been in decline since the 1980s, and the number of people employed in the coal industry there dropped by more than half between 2011 and 2015.
, 24% of electricity produced in the U.S. depended on either enriched uranium rods coming from the Paducah Gaseous Diffusion Plant (the only domestic site of low grade uranium enrichment), or from the 107,336 tons of coal extracted from the state's two coal fields (which combined produce 4% percent of the electricity in the United States).
Kentucky produces 95% of the world's supply of bourbon whiskey, and the number of barrels of bourbon being aged in Kentucky (more than 5.7 million) exceeds the state's population. Bourbon has been a growing market – with production of Kentucky bourbon rising 170 percent between 1999 and 2015. In 2019 the state had more than fifty distilleries for bourbon production.
Kentucky exports reached a record $22.1 billion in 2012, with products and services going to 199 countries.
According to the Kentucky Cabinet for Economic Development, the primary state agency in Kentucky responsible for creating new jobs and new investment in the state, new business investment in Kentucky in 2012 totaled nearly $2.7 billion, with the creation of more than 14,000 new jobs. One such investment was L'Oréal in Northern Kentucky, which added 200 jobs on top of the 280 already in existing facilities in Florence and Walton.
Fort Knox, a United States Army post best known as the site of the United States Bullion Depository, which is used to house a large portion of the United States official gold reserves, is located in Kentucky between Louisville and Elizabethtown. In May 2010, the Army Human Resource Center of Excellence, the largest office building in the state at nearly opened at Fort Knox. The new complex employs nearly 4,300 soldiers and civilians.
Kentucky contains two of the twenty U.S. Federal Penitentiaries – USP Big Sandy (in the east in Martin County near Inez) and USP McCreary (in the south in McCreary County in the Daniel Boone National Forest).
The total gross state product for 2019 Q1 was $213.313 billion. Its per-capita income was US$25,888 in 2017. An organization called the Institute for Truth in Accounting estimated that the state government's debts exceeded its available assets by per taxpayer , ranking the state as having the 5th highest such debt burden in the nation.
As of October 2019, the state's unemployment rate is 4.3%. In 2014, Kentucky was found to be the most affordable U.S. state in which to live.
Tax is collected by the Kentucky Department of Revenue.
There are six income tax brackets, ranging from 2% to 6% of personal income. The sales tax rate in Kentucky is 6%.
Kentucky has a broadly based classified property tax system. All classes of property, unless exempted by the Constitution, are taxed by the state, although at widely varying rates. Many of these classes are exempted from taxation by local government. Of the classes that are subject to local taxation, three have special rates set by the General Assembly, one by the Kentucky Supreme Court and the remaining classes are subject to the full local rate, which includes the tax rate set by the local taxing bodies plus all voted levies. Real property is assessed on 100% of the fair market value and property taxes are due by December 31. Once the primary source of state and local government revenue, property taxes now account for only about 6% of the Kentucky's annual General Fund revenues.
Until January 1, 2006, Kentucky imposed a tax on intangible personal property held by a taxpayer on January 1 of each year. The Kentucky intangible tax was repealed under House Bill 272. Intangible property consisted of any property or investment that represents evidence of value or the right to value. Some types of intangible property included: bonds, notes, retail repurchase agreements, accounts receivable, trusts, enforceable contracts sale of real estate (land contracts), money in hand, money in safe deposit boxes, annuities, interests in estates, loans to stockholders, and commercial paper.
In December 2002, the Kentucky governor Paul Patton unveiled the state slogan "It's that friendly", in hope of drawing more people into the state based on the idea of southern hospitality. This campaign was neither a failure nor a success. Though it was meant to embrace southern values, many Kentuckians rejected the slogan as cheesy and ineffective. It was quickly seen that the slogan did not encourage tourism as much as initially hoped for. So government decided to create a different slogan to embrace Kentucky as a whole while also encouraging more people to visit the Bluegrass.
In 2004, then Governor Ernie Fletcher launched a comprehensive branding campaign with the hope of making the state's $12–14 million advertising budget more effective. The resulting "Unbridled Spirit" brand was the result of a $500,000 contract with New West, a Kentucky-based public relations advertising and marketing firm, to develop a viable brand and tag line. The Fletcher administration aggressively marketed the brand in both the public and private sectors. Since that time, the "Welcome to Kentucky" signs at border areas have an "Unbridled Spirit" symbol on them.
Kentucky is served by six major Interstate highways (I-24, I-64, I-65, I-69, I-71, and I-75), seven , and six bypasses and spurs (I-165, I-169, I-264, I-265, I-275, and I-471). The parkways were originally toll roads, but on November 22, 2006, Governor Ernie Fletcher ended the toll charges on the William H. Natcher Parkway and the Audubon Parkway, the last two parkways in Kentucky to charge tolls for access. The related toll booths have been demolished.
Ending the tolls some seven months ahead of schedule was generally agreed to have been a positive economic development for transportation in Kentucky. In June 2007, a law went into effect raising the speed limit on rural portions of Kentucky Interstates and parkways from .
Road tunnels include the interstate Cumberland Gap Tunnel and the rural Nada Tunnel.
Amtrak, the national passenger rail system, provides service to Ashland, South Portsmouth, Maysville and Fulton. The "Cardinal" (trains 50 and 51) is the line that offers Amtrak service to Ashland, South Shore, Maysville and South Portsmouth. The "City of New Orleans" (trains 58 and 59) serve Fulton. The Northern Kentucky area is served by the "Cardinal" at Cincinnati Union Terminal. The terminal is just across the Ohio River in Cincinnati.
Norfolk Southern Railway passes through the Central and Southern parts of the Commonwealth, via its Cincinnati, New Orleans, and Texas Pacific (CNO&TP) subsidiary. The line originates in Cincinnati and terminates 338 miles south in Chattanooga, Tennessee.
, there were approximately of railways in Kentucky, with about 65% of those being operated by CSX Transportation. Coal was by far the most common cargo, accounting for 76% of cargo loaded and 61% of cargo delivered.
Bardstown features a tourist attraction known as "My Old Kentucky Dinner Train". Run along a stretch of rail purchased from CSX in 1987, guests are served a four-course meal as they make a two-and-a-half-hour round-trip between Bardstown and Limestone Springs. The Kentucky Railway Museum is located in nearby New Haven.
Other areas in Kentucky are reclaiming old railways in rail trail projects. One such project is Louisville's Big Four Bridge. When the bridge's Indiana approach ramps opened in 2014, completing the pedestrian connection across the Ohio River, the Big Four Bridge rail trail became the second-longest pedestrian-only bridge in the world. The longest pedestrian-only bridge is also found in Kentucky—the Newport Southbank Bridge, popularly known as the "Purple People Bridge", connecting Newport to Cincinnati, Ohio.
Kentucky's primary airports include Louisville International Airport (Standiford Field (SDF)) of Louisville, Cincinnati/Northern Kentucky International Airport (CVG) of Cincinnati/Covington, and Blue Grass Airport (LEX) in Lexington. Louisville International Airport is home to UPS's Worldport, its international air-sorting hub. Cincinnati/Northern Kentucky International Airport is the largest airport in the state, and is a focus city for passenger airline Delta Air Lines and headquarters of its Delta Private Jets. The airport is one of DHL Aviation's three super-hubs, serving destinations throughout the Americas, Europe, Africa, and Asia, making it the 7th busiest airport in the U.S. and 36th in the world based on passenger and cargo operations. CVG is also a focus city for Frontier Airlines and is the largest O&D airport and base for Allegiant Air, along with home to a maintenance for American Airlines subsidiary PSA Airlines and Delta Air Lines subsidiary Endeavor Air. There are also a number of regional airports scattered across the state.
On August 27, 2006, Blue Grass Airport was the site of a crash that killed 47 passengers and 2 crew members aboard a Bombardier CRJ designated Comair Flight 191, or Delta Air Lines Flight 5191, sometimes mistakenly identified by the press as Comair Flight 5191. The lone survivor was the flight's first officer, James Polehinke, who doctors determined to be brain damaged and unable to recall the crash at all.
As the state is bounded by two of the largest rivers in North America, water transportation has historically played a major role in Kentucky's economy. Louisville was a major port for steamships in the nineteenth century. Today, most barge traffic on Kentucky waterways consists of coal that is shipped from both the Eastern and Western Coalfields, about half of which is used locally to power many power plants located directly off the Ohio River, with the rest being exported to other countries, most notably Japan.
Many of the largest ports in the United States are located in or adjacent to Kentucky, including:
As a state, Kentucky ranks 10th overall in port tonnage.
The only natural obstacle along the entire length of the Ohio River is the Falls of the Ohio, located just west of Downtown Louisville.
Kentucky is subdivided into 120 counties, the largest being Pike County at , and the most populous being Jefferson County (which coincides with the Louisville Metro governmental area) with 741,096 residents .
County government, under the Kentucky Constitution of 1891, is vested in the County Judge/Executive, (formerly called the County Judge) who serves as the executive head of the county, and a legislature called a Fiscal Court. Despite the unusual name, the Fiscal Court no longer has judicial functions.
Kentucky's two most populous counties, Jefferson and Fayette, have their governments consolidated with the governments of their largest cities. "Louisville-Jefferson County Government" (Louisville Metro) and "Lexington-Fayette Urban County Government" (Lexington Metro) are unique in that their city councils and county Fiscal Court structures have been merged into a single entity with a single chief executive, the Metro Mayor and Urban County Mayor, respectively. Although the counties still exist as subdivisions of the state, in reference the names Louisville and Lexington are used to refer to the entire area coextensive with the former cities and counties. Somewhat incongruously, when entering Lexington-Fayette the highway signs read "Fayette County" while most signs leading into Louisville-Jefferson simply read "Welcome to Louisville Metro".
The Metro Louisville government area has a 2018 population of 1,298,990. Under United States Census Bureau methodology, the population of Louisville was 623,867. The latter figure is the population of the so-called "balance"—the parts of Jefferson County that were either unincorporated or within the City of Louisville before the formation of the merged government in 2003. In 2018, the Louisville Combined Statistical Area (CSA) had a population of 1,569,112; including 1,209,191 in Kentucky, which means more than 25% of the state's population now lives in the Louisville CSA. Since 2000, over one-third of the state's population growth has occurred in the Louisville CSA. In addition, the top 28 wealthiest places in Kentucky are in Jefferson County and seven of the 15 wealthiest counties in the state are located in the Louisville CSA.
The second largest city is Lexington with a 2018 census population of 323,780, its metro had a population of 516,697, and its CSA, which includes the Frankfort and Richmond statistical areas, having a population of 746,310. The Northern Kentucky area, which comprises the seven Kentucky counties in the Cincinnati/Northern Kentucky metropolitan area, had a population of 447,457 in 2018. The metropolitan areas of Louisville, Lexington, and Northern Kentucky have a combined population of 2,402,958 , which is 54% of the state's total population on only about 19% of the state's land. This area is often referred to as the Golden triangle as it contains a majority of the state's wealth, population, population growth, and economic growth, it is also where most of the state's largest cities by population are located. It is referred to the Golden triangle as the metro areas of Lexington, Louisville, and Northern Kentucky/Cincinnati outline a triangle shape. Interstates I-71, I-75, and I-64 form the triangle shape. Additionally all counties in Kentucky that are part of a MSA or CSA have a total population of 2,970,694, which is 67% of the state's population.
The two other fast growing urban areas in Kentucky are the Bowling Green area and the "Tri Cities Region" of southeastern Kentucky, comprising Somerset, London and Corbin.
Although only one town in the "Tri Cities", namely Somerset, currently has more than 12,000 people, the area has been experiencing heightened population and job growth since the 1990s. Growth has been especially rapid in Laurel County, which outgrew areas such as Scott and Jessamine counties around Lexington or Shelby and Nelson Counties around Louisville. London significantly grew in population in the 2000s, from 5,692 in 2000 to 7,993 in 2010. London also landed a Wal-Mart distribution center in 1997, bringing thousands of jobs to the community.
In northeast Kentucky, the greater Ashland area is an important transportation, manufacturing, and medical center. Iron and petroleum production, as well as the transport of coal by rail and barge, have been historical pillars of the region's economy. Due to a decline in the area's industrial base, Ashland has seen a sizable reduction in its population since 1990; however, the population of the area has since stabilized with the medical service industry taking a greater role in the local economy. The Ashland area, including the counties of Boyd and Greenup, are part of the Huntington-Ashland, WV-KY-OH, Metropolitan Statistical Area (MSA). As of the 2000 census, the MSA had a population of 288,649. More than 21,000 of those people () reside within the city limits of Ashland.
The largest county in Kentucky by area is Pike, which contains Pikeville and suburb Coal Run Village. The county and surrounding area is the most populated region in the state that is not part of a Micropolitan Statistical Area or a Metropolitan Statistical Area containing nearly 200,000 people in five counties: Floyd County, Martin County, Letcher County, and neighboring Mingo County, West Virginia. Pike County contains slightly more than 68,000 people.
Only three U.S. states have capitals with smaller populations than Kentucky's Frankfort (pop. 25,527), those being Augusta, Maine (pop. 18,560), Pierre, South Dakota (pop. 13,876), and Montpelier, Vermont (pop. 8,035).
Kentucky maintains eight public four-year universities. There are two general tiers: major research institutions (the University of Kentucky and the University of Louisville) and regional universities, which encompasses the remaining 6 schools. The regional schools have specific target counties that many of their programs are targeted towards (such as Forestry at Eastern Kentucky University or Cave Management at Western Kentucky University), however most of their curriculum varies little from any other public university.
UK and UofL have the highest academic rankings and admissions standards although the regional schools aren't without their national recognized departments – examples being Western Kentucky University's nationally ranked Journalism Department or Morehead State University offering one of the nation's only Space Science degrees. UK is the flagship and land grant of the system and has agriculture extension services in every county. The two research schools split duties related to the medical field, UK handles all medical outreach programs in the eastern half of the state while UofL does all medical outreach in the state's western half.
The state's sixteen public two-year colleges have been governed by the Kentucky Community and Technical College System since the passage of the Postsecondary Education Improvement Act of 1997, commonly referred to as House Bill 1. Before the passage of House Bill 1, most of these colleges were under the control of the University of Kentucky.
Transylvania University, a liberal arts university located in Lexington, was founded in 1780 as the oldest university west of the Allegheny Mountains.
Berea College, located at the extreme southern edge of the Bluegrass below the Cumberland Plateau, was the first coeducational college in the South to admit both black and white students, doing so from its very establishment in 1855. This policy was successfully challenged in the United States Supreme Court in the case of "Berea College v. Kentucky" in 1908. This decision effectively segregated Berea until the landmark "Brown v. Board of Education" in 1954.
There are 173 school districts and 1,233 public schools in Kentucky. For the 2010 to 2011 school year, there were approximately 647,827 students enrolled in public school.
Kentucky has been the site of much educational reform over the past two decades. In 1989, the Kentucky Supreme Court ruled that the state's education system was unconstitutional. The response of the General Assembly was passage of the Kentucky Education Reform Act (KERA) the following year. Years later, Kentucky has shown progress, but most agree that further reform is needed.
The West Virginia teachers' strike in 2018 inspired teachers in other states, including Kentucky, to take similar action.
Although Kentucky's culture is generally considered to be Southern, it is unique in that it is also influenced by the Midwest and Southern Appalachia in certain areas of the state. The state is known for bourbon and whiskey distilling, tobacco, horse racing, and college basketball. Kentucky is more similar to the Upland South in terms of ancestry that is predominantly American.
Nevertheless, during the 19th century, Kentucky did receive a substantial number of German immigrants, who settled mostly in the Midwest, along the Ohio River primarily in Louisville, Covington and Newport. Only Maryland, Delaware and West Virginia have higher German ancestry percentages than Kentucky among Census-defined Southern states, although Kentucky's percentage is closer to Arkansas and Virginia's than the previously named state's percentages. Scottish Americans, English Americans and Scotch-Irish Americans have heavily influenced Kentucky culture, and are present in every part of the state. As of the 1980s the only counties in the United States where more than half the population cited "English" as their only ancestry group were all in the hills of eastern Kentucky (and made up virtually every county in this region).
Kentucky was a slave state, and blacks once comprised over one-quarter of its population; however, it lacked the cotton plantation system and never had the same high percentage of African Americans as most other slave states. While less than 8% of the total population is black, Kentucky has a relatively significant rural African American population in the Central and Western areas of the state.
Kentucky adopted the Jim Crow system of racial segregation in most public spheres after the Civil War. Louisville's 1914 ordinance for residential racial segregation was struck down by the US Supreme Court in 1917. However, in 1908 Kentucky enacted the Day Law, "An Act to Prohibit White and Colored Persons from Attending the Same School", which Berea College unsuccessfully challenged at the US Supreme Court in 1908; in 1948, Lyman T. Johnson filed suit for admission to the University of Kentucky; as a result in the summer of 1949, nearly thirty African American students entered UK graduate and professional programs. Kentucky integrated its schools after the 1954 "Brown v. Board of Education" verdict, later adopting the first state civil rights act in the South in 1966.
The biggest day in American horse racing, the Kentucky Derby, is preceded by the two-week Derby Festival in Louisville. The Derby Festival features many events, including Thunder Over Louisville, the Pegasus Parade, the Great Steamboat Race, Fest-a-Ville, the Chow Wagon, BalloonFest, BourbonVille, and many others leading up to the big race.
Louisville also plays host to the Kentucky State Fair and the Kentucky Shakespeare Festival. Bowling Green, the state's third-largest city and home to the only assembly plant in the world that manufactures the Chevrolet Corvette, opened the National Corvette Museum in 1994. The fourth-largest city, Owensboro, gives credence to its nickname of "Barbecue Capital of the World" by hosting the annual International Bar-B-Q Festival.
Old Louisville, the largest historic preservation district in the United States featuring Victorian architecture and the third largest overall, hosts the St. James Court Art Show, the largest outdoor art show in the United States. The neighborhood was also home to the Southern Exposition (1883–1887), which featured the first public display of Thomas Edison's light bulb, and was the setting of Alice Hegan Rice's novel, "Mrs. Wiggs of the Cabbage Patch".
Hodgenville, the birthplace of Abraham Lincoln, hosts the annual Lincoln Days Celebration, and also hosted the kick-off for the National Abraham Lincoln Bicentennial Celebration in February 2008. Bardstown celebrates its heritage as a major bourbon-producing region with the Kentucky Bourbon Festival. Glasgow mimics Glasgow, Scotland by hosting the Glasgow Highland Games, its own version of the Highland Games, and Sturgis hosts "Little Sturgis", a mini version of Sturgis, South Dakota's annual Sturgis Motorcycle Rally.
Winchester celebrates an original Kentucky creation, Beer Cheese, with its Beer Cheese Festival held annually in June. Beer Cheese was developed in Clark County at some point in the 1940s along the Kentucky River.
The residents of tiny Benton pay tribute to their favorite tuber, the sweet potato, by hosting Tater Day. Residents of Clarkson in Grayson County celebrate their city's ties to the honey industry by celebrating the Clarkson Honeyfest. The Clarkson Honeyfest is held the last Thursday, Friday and Saturday in September, and is the "Official State Honey Festival of Kentucky".
Renfro Valley, Kentucky is home to Renfro Valley Entertainment Center and the Kentucky Music Hall of Fame and is known as "Kentucky's Country Music Capital", a designation given it by the Kentucky State Legislature in the late 1980s. The Renfro Valley Barn Dance was where Renfro Valley's musical heritage began, in 1939, and influential country music luminaries like Red Foley, Homer & Jethro, Lily May Ledford & the Original Coon Creek Girls, Martha Carson, and many others have performed as regular members of the shows there over the years. The Renfro Valley Gatherin' is today America's second oldest continually broadcast radio program of any kind. It is broadcast on local radio station WRVK and a syndicated network of nearly 200 other stations across the United States and Canada every week.
Contemporary Christian music star Steven Curtis Chapman is a Paducah native, and Rock and Roll Hall of Famers The Everly Brothers are closely connected with Muhlenberg County, where older brother Don was born. Merle Travis, Country & Western artist known for both his signature "Travis picking" guitar playing style, as well as his hit song "Sixteen Tons", was also born in Muhlenberg County. Kentucky was also home to Mildred and Patty Hill, the Louisville sisters credited with composing the tune to the ditty Happy Birthday to You in 1893; Loretta Lynn (Johnson County), Brian Littrell and Kevin Richardson of the Backstreet Boys, and Billy Ray Cyrus (Flatwoods).
However, its depth lies in its signature sound—Bluegrass music. Bill Monroe, "The Father of Bluegrass", was born in the small Ohio County town of Rosine, while Ricky Skaggs, Keith Whitley, David "Stringbean" Akeman, Louis Marshall "Grandpa" Jones, Sonny and Bobby Osborne, and Sam Bush (who has been compared to Monroe) all hail from Kentucky. The Bluegrass Music Hall of Fame & Museum is located in Owensboro, while the annual Festival of the Bluegrass is held in Lexington.
Kentucky is also home to famed jazz musician and pioneer, Lionel Hampton. Blues legend W. C. Handy and R&B singer Wilson Pickett also spent considerable time in Kentucky. The R&B group Midnight Star and Hip-Hop group Nappy Roots were both formed in Kentucky, as were country acts The Kentucky Headhunters, Montgomery Gentry and Halfway to Hazard, The Judds, as well as Dove Award-winning Christian groups Audio Adrenaline (rock) and Bride (metal). Heavy Rock band Black Stone Cherry hails from rural Edmonton. Rock band My Morning Jacket with lead singer and guitarist Jim James originated out of Louisville, as well as bands Wax Fang, White Reaper, Tantric. Rock bands Cage the Elephant, Sleeper Agent, and Morning Teleportation are also from Bowling Green. The bluegrass groups Driftwood and Kentucky Rain, along with Nick Lachey of the pop band 98 Degrees are also from Kentucky. King Crimson guitarist Adrian Belew is from Covington. Post rock band Slint also hails from Louisville. Noted singer and actress Rosemary Clooney was a native of Maysville, her legacy being celebrated at the annual music festival bearing her name. Noted songwriter and actor Will Oldham is from Louisville. More recently in the limelight are country artists Chris Stapleton, Sturgill Simpson, Tyler Childers, and Chris Knight.
In eastern Kentucky, old-time music carries on the tradition of ancient ballads and reels developed in historical Appalachia.
Kentucky has played a major role in Southern and American literature, producing works that often celebrate the working class, rural life, nature, and explore issues of class, extractive economy, and family. Major works from the state include Uncle Tom's Cabin (1852) by Harriet Beecher Stowe, widely seen as one of the impetuses for the American Civil War; The Little Shepherd of Kingdom Come (1908) by John Fox, Jr., which was the first novel to sell a million copies in the United States; All the King's Men by Robert Penn Warren (1946) rated as the 36th greatest novel by Modern Library; The Dollmaker (1954) by Harriette Arnow later adapted into a popular film starring Jane Fonda; Night Comes to the Cumberlands (1962) by Harry Caudill, which led to The War on Poverty, and others. Thomas Merton lived most of his life and wrote most of his books during his time as a monk at the Abbey of Our Lady of Gethsemani near Bardstown, Kentucky. Hunter S. Thompson is also a native of the state. In recent years, several writers from Kentucky have published widely read and critically acclaimed books. These authors include Wendell Berry, Silas House, Barbara Kingsolver, Maurice Manning, and Bobbie Ann Mason.
Well-known playwrights from Kentucky include Marsha Norman ('Night Mother) and Naomi Wallace (One Flea Spare).
Kentucky's cuisine is generally similar to traditional southern cooking, although in some areas of the state it can blend elements of both the South and Midwest. One original Kentucky dish is called the Hot Brown, a dish normally layered in this order: toasted bread, turkey, bacon, tomatoes and topped with mornay sauce. It was developed at the Brown Hotel in Louisville. The Pendennis Club in Louisville is the birthplace of the Old Fashioned cocktail. Also, western Kentucky is known for its own regional style of barbecue. Central Kentucky is the birthplace of Beer Cheese.
Harland Sanders, a Kentucky colonel, originated Kentucky Fried Chicken at his service station in North Corbin, though the first franchised KFC was located in South Salt Lake, Utah.
Kentucky is the home of several sports teams such as Minor League Baseball's Triple-A Louisville Bats and Class A Lexington Legends and the Class A Bowling Green Hot Rods. They are also home to the Frontier League's Florence Y'alls and several teams in the MCFL. The Lexington Horsemen and Louisville Fire of the now-defunct af2 had been interested in making a move up to the "major league" Arena Football League, but nothing has come of those plans.
The northern part of the state lies across the Ohio River from Cincinnati, which is home to a National Football League team, the Bengals, and a Major League Baseball team, the Reds. It is not uncommon for fans to park in the city of Newport and use the Newport Southbank Pedestrian Bridge, locally known as the "Purple People Bridge", to walk to these games in Cincinnati. Also, Georgetown College in Georgetown was the location for the Bengals' summer training camp, until it was announced in 2012 that the Bengals would no longer use the facilities.
As in many states, especially those without major league professional sport teams, college athletics are prominent. This is especially true of the state's three Division I Football Bowl Subdivision (FBS) programs, including the Kentucky Wildcats, the Western Kentucky Hilltoppers, and the Louisville Cardinals. The Wildcats, Hilltoppers, and Cardinals are among the most tradition-rich college men's basketball teams in the United States, combining for 11 National championships and 24 NCAA Final Fours; all three are high on the lists of total all-time wins, wins per season, and average wins per season.
The Kentucky Wildcats are particularly notable, leading all Division I programs in all-time wins, win percentage, NCAA tournament appearances, and being second only to UCLA in NCAA championships. Louisville has also stepped onto the football scene in recent years, including winning the 2007 Orange Bowl as well as the 2013 Sugar Bowl, and also producing 2016 Heisman Trophy winner Lamar Jackson. Western Kentucky, the 2002 national champion in Division I-AA football (now Football Championship Subdivision (FCS)), completed its transition to Division I FBS football in 2009.
The Kentucky Derby is a horse race held annually in Louisville on the first Saturday in May. The Valhalla Golf Club in Louisville has hosted several editions of the PGA Championship, Senior PGA Championship and Ryder Cup since the 1990s.
The NASCAR Cup Series has a race at the Kentucky Speedway in Sparta, Kentucky, which is within an hour driving distance from Cincinnati, Louisville and Lexington. The race is called the Quaker State 400. The NASCAR Nationwide Series and the Camping World Truck Series also race there, and previously the IndyCar Series.
Ohio Valley Wrestling in Louisville was the primary location for training and rehab for WWE professional wrestlers from 2000 until 2008, when WWE moved its contracted talent to Florida Championship Wrestling. OVW later became the primary developmental territory for Total Nonstop Action Wrestling (TNA) from 2011 to 2013.
In 2014 Louisville City FC, a professional soccer team in the league then known as USL Pro and now as the United Soccer League, was announced. The team made its debut in 2015, playing home games at Louisville Slugger Field. In its first season, Louisville City was the official reserve side for Orlando City SC while making its debut in Major League Soccer at the same time. That arrangement ended in 2016, when Orlando City established a directly controlled reserve side in the USL.
Unless otherwise specified, all state symbol information is taken from Kentucky State Symbols.
The distinction of being named a Kentucky colonel is the highest title of honor bestowed by the Commonwealth of Kentucky. Commissions for Kentucky colonels are given by the Governor and the Secretary of State to individuals in recognition of noteworthy accomplishments and outstanding service to a community, state or the nation. The sitting governor of the Commonwealth of Kentucky bestows the honor of a colonel's commission, by issuance of letters patent. Kentucky colonels are commissioned for life and act officially as the state's goodwill ambassadors.
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Kurtosis
In probability theory and statistics, kurtosis (from , "kyrtos" or "kurtos", meaning "curved, arching") is a measure of the "tailedness" of the probability distribution of a real-valued random variable. Like skewness, kurtosis describes the shape of a probability distribution and there are different ways of quantifying it for a theoretical distribution and corresponding ways of estimating it from a sample from a population. Different measures of kurtosis may have different interpretations.
The standard measure of a distribution's kurtosis, originating with Karl Pearson, is a scaled version of the fourth moment of the distribution. This number is related to the tails of the distribution, not its peak; hence, the sometimes-seen characterization of kurtosis as "peakedness" is incorrect. For this measure, higher kurtosis corresponds to greater extremity of deviations (or outliers), and not the configuration of data near the mean.
The kurtosis of any univariate normal distribution is 3. It is common to compare the kurtosis of a distribution to this value. Distributions with kurtosis less than 3 are said to be "platykurtic", although this does not imply the distribution is "flat-topped" as is sometimes stated. Rather, it means the distribution produces fewer and less extreme outliers than does the normal distribution. An example of a platykurtic distribution is the uniform distribution, which does not produce outliers. Distributions with kurtosis greater than 3 are said to be "leptokurtic". An example of a leptokurtic distribution is the Laplace distribution, which has tails that asymptotically approach zero more slowly than a Gaussian, and therefore produces more outliers than the normal distribution. It is also common practice to use an adjusted version of Pearson's kurtosis, the excess kurtosis, which is the kurtosis minus 3, to provide the comparison to the standard normal distribution. Some authors use "kurtosis" by itself to refer to the excess kurtosis. For clarity and generality, however, this article follows the non-excess convention and explicitly indicates where excess kurtosis is meant.
Alternative measures of kurtosis are: the L-kurtosis, which is a scaled version of the fourth L-moment; measures based on four population or sample quantiles. These are analogous to the alternative measures of skewness that are not based on ordinary moments.
The kurtosis is the fourth standardized moment, defined as
where "μ"4 is the fourth central moment and σ is the standard deviation. Several letters are used in the literature to denote the kurtosis. A very common choice is "κ", which is fine as long as it is clear that it does not refer to a cumulant. Other choices include "γ"2, to be similar to the notation for skewness, although sometimes this is instead reserved for the excess kurtosis.
The kurtosis is bounded below by the squared skewness plus 1:
where "μ"3 is the third central moment. The lower bound is realized by the Bernoulli distribution. There is no upper limit to the kurtosis of a general probability distribution, and it may be infinite.
A reason why some authors favor the excess kurtosis is that cumulants are extensive. Formulæ related to the extensive property are more naturally expressed in terms of the excess kurtosis. For example, let "X"1, ..., "X""n" be independent random variables for which the fourth moment exists, and let "Y" be the random variable defined by the sum of the "X""i". The excess kurtosis of "Y" is
where formula_4 is the standard deviation of formula_5. In particular if all of the "X""i" have the same variance, then this simplifies to
The reason not to subtract off 3 is that the bare fourth moment better generalizes to multivariate distributions, especially when independence is not assumed. The cokurtosis between pairs of variables is an order four tensor. For a bivariate normal distribution, the cokurtosis tensor has off-diagonal terms that are neither 0 nor 3 in general, so attempting to "correct" for an excess becomes confusing. It is true, however, that the joint cumulants of degree greater than two for any multivariate normal distribution are zero.
For two random variables, "X" and "Y", not necessarily independent, the kurtosis of the sum, "X" + "Y", is
Note that the binomial coefficients appear in the above equation.
The exact interpretation of the Pearson measure of kurtosis (or excess kurtosis) used to be disputed, but is now settled. As Westfall notes in 2014, ""...its only unambiguous interpretation is in terms of tail extremity; i.e., either existing outliers (for the sample kurtosis) or propensity to produce outliers (for the kurtosis of a probability distribution)."" The logic is simple: Kurtosis is the average (or expected value) of the standardized data raised to the fourth power. Any standardized values that are less than 1 (i.e., data within one standard deviation of the mean, where the "peak" would be), contribute virtually nothing to kurtosis, since raising a number that is less than 1 to the fourth power makes it closer to zero. The only data values (observed or observable) that contribute to kurtosis in any meaningful way are those outside the region of the peak; i.e., the outliers. Therefore, kurtosis measures outliers only; it measures nothing about the "peak".
Many incorrect interpretations of kurtosis that involve notions of peakedness have been given. One is that kurtosis measures both the "peakedness" of the distribution and the heaviness of its tail. Various other incorrect interpretations have been suggested, such as "lack of shoulders" (where the "shoulder" is defined vaguely as the area between the peak and the tail, or more specifically as the area about one standard deviation from the mean) or "bimodality". Balanda and MacGillivray assert that the standard definition of kurtosis "is a poor measure of the kurtosis, peakedness, or tail weight of a distribution" and instead propose to "define kurtosis vaguely as the location- and scale-free movement of probability mass from the shoulders of a distribution into its center and tails".
In 1986 Moors gave an interpretation of kurtosis. Let
where "X" is a random variable, "μ" is the mean and "σ" is the standard deviation.
Now by definition of the kurtosis formula_9, and by the well-known identity formula_10
The kurtosis can now be seen as a measure of the dispersion of "Z"2 around its expectation. Alternatively it can be seen to be a measure of the dispersion of "Z" around +1 and −1. "κ" attains its minimal value in a symmetric two-point distribution. In terms of the original variable "X", the kurtosis is a measure of the dispersion of "X" around the two values "μ" ± "σ".
High values of "κ" arise in two circumstances:
The "excess kurtosis" is defined as kurtosis minus 3. There are 3 distinct regimes as described below.
Distributions with zero excess kurtosis are called mesokurtic, or mesokurtotic. The most prominent example of a mesokurtic distribution is the normal distribution family, regardless of the values of its parameters. A few other well-known distributions can be mesokurtic, depending on parameter values: for example, the binomial distribution is mesokurtic for formula_12.
A distribution with positive excess kurtosis is called leptokurtic, or leptokurtotic. "Lepto-" means "slender". In terms of shape, a leptokurtic distribution has "fatter tails". Examples of leptokurtic distributions include the Student's t-distribution, Rayleigh distribution, Laplace distribution, exponential distribution, Poisson distribution and the logistic distribution. Such distributions are sometimes termed "super-Gaussian".
A distribution with negative excess kurtosis is called platykurtic, or platykurtotic. "Platy-" means "broad". In terms of shape, a platykurtic distribution has "thinner tails". Examples of platykurtic distributions include the continuous and discrete uniform distributions, and the raised cosine distribution. The most platykurtic distribution of all is the Bernoulli distribution with "p" = 1/2 (for example the number of times one obtains "heads" when flipping a coin once, a coin toss), for which the excess kurtosis is −2. Such distributions are sometimes termed "sub-Gaussian distribution", originally proposed by Jean-Pierre Kahane and further described by Buldygin and Kozachenko.
The effects of kurtosis are illustrated using a parametric family of distributions whose kurtosis can be adjusted while their lower-order moments and cumulants remain constant. Consider the Pearson type VII family, which is a special case of the Pearson type IV family restricted to symmetric densities. The probability density function is given by
where "a" is a scale parameter and "m" is a shape parameter.
All densities in this family are symmetric. The "k"th moment exists provided "m" > ("k" + 1)/2. For the kurtosis to exist, we require "m" > 5/2. Then the mean and skewness exist and are both identically zero. Setting "a"2 = 2"m" − 3 makes the variance equal to unity. Then the only free parameter is "m", which controls the fourth moment (and cumulant) and hence the kurtosis. One can reparameterize with formula_14, where formula_15 is the excess kurtosis as defined above. This yields a one-parameter leptokurtic family with zero mean, unit variance, zero skewness, and arbitrary non-negative excess kurtosis. The reparameterized density is
In the limit as formula_17 one obtains the density
which is shown as the red curve in the images on the right.
In the other direction as formula_19 one obtains the standard normal density as the limiting distribution, shown as the black curve.
In the images on the right, the blue curve represents the density formula_20 with excess kurtosis of 2. The top image shows that leptokurtic densities in this family have a higher peak than the mesokurtic normal density, although this conclusion is only valid for this select family of distributions. The comparatively fatter tails of the leptokurtic densities are illustrated in the second image, which plots the natural logarithm of the Pearson type VII densities: the black curve is the logarithm of the standard normal density, which is a parabola. One can see that the normal density allocates little probability mass to the regions far from the mean ("has thin tails"), compared with the blue curve of the leptokurtic Pearson type VII density with excess kurtosis of 2. Between the blue curve and the black are other Pearson type VII densities with "γ"2 = 1, 1/2, 1/4, 1/8, and 1/16. The red curve again shows the upper limit of the Pearson type VII family, with formula_21 (which, strictly speaking, means that the fourth moment does not exist). The red curve decreases the slowest as one moves outward from the origin ("has fat tails").
Several well-known, unimodal and symmetric distributions from different parametric families are compared here. Each has a mean and skewness of zero. The parameters have been chosen to result in a variance equal to 1 in each case. The images on the right show curves for the following seven densities, on a linear scale and logarithmic scale:
Note that in these cases the platykurtic densities have bounded support, whereas the densities with positive or zero excess kurtosis are supported on the whole real line.
One cannot infer that high or low kurtosis distributions have the characteristics indicated by these examples. There exist platykurtic densities with infinite support,
and there exist leptokurtic densities with finite support.
Also, there exist platykurtic densities with infinite peakedness,
and there exist leptokurtic densities that appear flat-topped,
For a sample of "n" values the sample excess kurtosis is
where "m"4 is the fourth sample moment about the mean, "m"2 is the second sample moment about the mean (that is, the sample variance), "x""i" is the "i"th value, and formula_23 is the sample mean.
This formula has the simpler representation,
where the formula_25 values are the standardized data values using the standard deviation defined using "n" rather than "n" − 1 in the denominator.
For example, suppose the data values are 0, 3, 4, 1, 2, 3, 0, 2, 1, 3, 2, 0, 2, 2, 3, 2, 5, 2, 3, 999.
Then the formula_25 values are −0.239, −0.225, −0.221, −0.234, −0.230, −0.225, −0.239, −0.230, −0.234, −0.225, −0.230, −0.239, −0.230, −0.230, −0.225, −0.230, −0.216, −0.230, −0.225, 4.359
and the formula_27 values are 0.003, 0.003, 0.002, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.003, 0.002, 0.003, 0.003, 360.976.
The average of these values is 18.05 and the excess kurtosis is thus 18.05 − 3 = 15.05. This example makes it clear that data near the "middle" or "peak" of the distribution do not contribute to the kurtosis statistic, hence kurtosis does not measure "peakedness". It is simply a measure of the outlier, 999 in this example.
An upper bound for the sample kurtosis of "n" ("n" > 2) real numbers is
where formula_29 is the sample skewness formula_30.
The variance of the sample kurtosis of a sample of size "n" from the normal distribution is
Stated differently, under the assumption that the underlying random variable formula_32 is normally distributed, it can be shown that formula_33.
Given a sub-set of samples from a population, the sample excess kurtosis above is a biased estimator of the population excess kurtosis. An alternative estimator of the population excess kurtosis is defined as follows:
where "k"4 is the unique symmetric unbiased estimator of the fourth cumulant, "k"2 is the unbiased estimate of the second cumulant (identical to the unbiased estimate of the sample variance), "m"4 is the fourth sample moment about the mean, "m"2 is the second sample moment about the mean, "x""i" is the "i"th value, and formula_35 is the sample mean. Unfortunately, formula_36 is itself generally biased. For the normal distribution it is unbiased.
The sample kurtosis is a useful measure of whether there is a problem with outliers in a data set. Larger kurtosis indicates a more serious outlier problem, and may lead the researcher to choose alternative statistical methods.
D'Agostino's K-squared test is a goodness-of-fit normality test based on a combination of the sample skewness and sample kurtosis, as is the Jarque–Bera test for normality.
For non-normal samples, the variance of the sample variance depends on the kurtosis; for details, please see variance.
Pearson's definition of kurtosis is used as an indicator of intermittency in turbulence.
A concrete example is the following lemma by , He, Zhang and Zhang:
Assume a random variable formula_32 has expectation formula_38, variance formula_39 and kurtosis formula_40.
Assume we sample formula_41 many independent copies. Then
This shows that with formula_43 many samples, we will see one that is above the expectation with probability at least formula_44.
In other words: If the kurtosis is large, we might see a lot values either all below or above the mean.
Applying band-pass filters to digital images, kurtosis values tend to be uniform, independent of the range of the filter. This behavior, termed "kurtosis convergence", can be used to detect image splicing in forensic analysis.
A different measure of "kurtosis" is provided by using L-moments instead of the ordinary moments.
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Kon Ichikawa
Ichikawa was born in Ise, Mie Prefecture as Giichi Ichikawa (市川儀一). His father died when he was four years old, and the family kimono shop went bankrupt, so he went to live with his sister. He was given the name "Kon" by an uncle who thought the characters in the kanji 崑 signified good luck, because the two halves of the Chinese character look the same when it is split in half vertically. As a child he loved drawing and his ambition was to become an artist. He also loved films and was a fan of "chambara" or samurai films. In his teens he was fascinated by Walt Disney's "Silly Symphonies" and decided to become an animator. He attended a technical school in Osaka. Upon graduation, in 1933, he found a job with a local rental film studio, J.O Studio, in their animation department. Decades later, he told the American writer on Japanese film Donald Richie, "I'm still a "cartoonist" and I think that the greatest influence on my films (besides Chaplin, particularly "The Gold Rush") is probably Disney."
He moved to the feature film department as an assistant director when the company closed its animation department, working under such luminaries as Yutaka Abe and Nobuo Aoyagi.
In the early 1940s J.O Studio merged with P.C.L. and Toho Film Distribution to form the Toho Film Company. Ichikawa moved to Tokyo. His first film was a puppet play short, "A Girl at Dojo Temple" ("Musume Dojoji" 1946), which was confiscated by the interim U.S. Occupation authorities under the pretext that it was too "feudal", though some sources suggest the script had not been approved by the occupying authorities. Thought lost for many years, it is now archived at the Cinémathèque Française.
It was at Toho that he met Natto Wada. Wada was a translator for Toho. They agreed to marry sometime after Ichikawa completed his first film as director. Natto Wada's original name was Yumiko Mogi (born 13 September 1920 in Himeji, Hyōgo Prefecture, Japan); the couple both had failed marriages behind them. She graduated with a degree in English Literature from Tokyo Woman's Christian University. She married Kon Ichikawa on 10 April 1948, and died on 18 February 1983 of breast cancer.
It was after Ichikawa's marriage to Wada that the two began collaborating, first on "Design of a Human Being" ("Ningen moyo") and "Endless Passion" ("Hateshinaki jonetsu") in 1949. The period 1950–1965 is often referred to as Ichikawa's Natto Wada period. It's the period that contains the majority of Ichikawa's most highly respected works, such as "Tokyo Olympiad" ("Tōkyō Orinpikku"), for which he was awarded the Olympic Diploma of Merit, as well as the BAFTA United Nations Award and the Robert Flaherty Award (now known as the BAFTA Award for Best Documentary). It is also during this period that Wada wrote 34 screenplays, most of which were adaptations.
He gained Western recognition during the 1950s and 1960s with two anti-war films, "The Burmese Harp" and "Fires on the Plain", and the technically formidable period-piece "An Actor's Revenge" ("Yukinojo henge") about a kabuki actor.
Among his many literary adaptations were Jun'ichirō Tanizaki's "The Key" ("Kagi"), Natsume Sōseki's "The Heart" (Kokoro) and "I Am a Cat" ("Wagahai wa neko de aru"), in which a teacher's cat critiques the foibles of the humans surrounding him, and Yukio Mishima's "Conflagration" ("Enjo"), in which a priest burns down his temple to save it from spiritual pollution. "The Key", released in the United States as "Odd Obsession", was entered in the 1960 Cannes Film Festival, and won the Jury Prize with Antonioni's "L'Avventura".
After Tokyo Olympiad Wada retired from screenwriting, and it marked a significant change in Ichikawa's films from that point onward. Concerning her retirement, he said "She doesn't like the new film grammar, the method of presentation of the material; she says there's no heart in it anymore, that people no longer take human love seriously."
His final film, 2006's "Inugamis", a remake of Ichikawa's own 1976 film "The Inugami Family", was entered into the 29th Moscow International Film Festival.
Also in 2006, Ichikawa was the subject of a feature-length documentary, "The Kon Ichikawa Story", directed by Shunji Iwai.
Ichikawa died of pneumonia on 13 February 2008 in a Tokyo hospital. He was 92 years old.
"The Magic Hour" marked Ichikawa's last appearance and was dedicated to his memory. (This message can be seen in the end of this film.) In this film, a movie director played by Ichikawa is shooting "Kuroi Hyaku-ichi-nin no Onna" (a hundred and one dark women), a parody of "Ten Dark Women".
Ichikawa's films are marked with a certain darkness and bleakness, punctuated with sparks of humanity.
It can be said that his main trait is technical expertise, irony, detachment and a drive for realism married with a complete spectrum of genres. Some critics class him with Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu as one of the masters of Japanese cinema.
The Kon Ichikawa Memorial Room, a small museum dedicated to him and his wife Natto Wada displaying materials from his personal collection, was opened in Shibuya in 2015, on the site of his former home.
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https://en.wikipedia.org/wiki?curid=16849
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Katakana
In contrast to the hiragana syllabary, which is used for Japanese words not covered by kanji and for grammatical inflections, the katakana syllabary usage is quite similar to italics in English; specifically, it is used for transcription of foreign-language words into Japanese and the writing of loan words (collectively "gairaigo"); for emphasis; to represent onomatopoeia; for technical and scientific terms; and for names of plants, animals, minerals and often Japanese companies.
Katakana are characterized by short, straight strokes and sharp corners. There are two main systems of ordering katakana: the old-fashioned iroha ordering and the more prevalent gojūon ordering.
The complete katakana script consists of 48 characters, not counting functional and diacritic marks:
These are conceived as a 5×10 grid ("gojūon", 五十音, literally "fifty sounds"), as shown in the adjacent table, read , , , , , , , , , and so on. The "gojūon" inherits its vowel and consonant order from Sanskrit practice. In vertical text contexts, which used to be the default case, the grid is usually presented as 10 columns by 5 rows, with vowels on the right hand side and ア ("a") on top. Katakana glyphs in the same row or column do not share common graphic characteristics. Three of the syllabograms to be expected, "yi", "ye" and "wu", may have been used idiosyncratically with varying glyphs, but never became conventional in any language and are not present at all in modern Japanese.
The 50-sound table is often amended with an extra character, the nasal stop ン ("n"). This can appear in several positions, most often next to the "N" signs or, because it developed from one of many "mu" hentaigana, below the "u" column. It may also be appended to the vowel row or the "a" column. Here, it is shown in a table of its own.
The script includes two diacritic marks placed at the upper right of the base character that change the initial sound of a syllabogram. A double dot, called "dakuten", indicates a primary alteration; most often it voices the consonant: "k"→"g", "s"→"z", "t"→"d" and "h"→"b"; for example, becomes . Secondary alteration, where possible, is shown by a circular "handakuten": "h"→"p"; For example; becomes . Diacritics, though used for over a thousand years, only became mandatory in the Japanese writing system in the second half of the 20th century. Their application is strictly limited in proper writing systems, but may be more extensive in academic transcriptions.
Furthermore, some characters may have special semantics when used in smaller size after a normal one (see below), but this does not make the script truly bicameral.
The layout of the "gojūon" table promotes a systematic view of kana syllabograms as being always pronounced with the same single consonant followed by a vowel, but this is not exactly the case (and never has been). Existing schemes for the romanization of Japanese either are based on the systematic nature of the script, e.g. nihon-siki チ "ti", or they apply some Western graphotactics, usually the English one, to the common Japanese pronunciation of the kana signs, e.g. Hepburn-shiki チ "chi". Both approaches conceal the fact, though, that many consonant-based katakana signs, especially those canonically ending in "u", can be used in coda position, too, where the vowel is unvoiced and therefore barely perceptible.
Of the 48 katakana syllabograms described above, only 46 are used in modern Japanese, and one of these is preserved for only a single use:
A small version of the katakana for "ya", "yu" or "yo" (ャ, ュ or ョ, respectively) may be added to katakana ending in "i". This changes the "i" vowel sound to a glide (palatalization) to "a", "u" or "o", e.g. キャ ("ki + ya") /kja/. Addition of the small "y" kana is called yōon.
Small versions of the five vowel kana are sometimes used to represent trailing off sounds (ハァ "haa", ネェ "nee"), but in katakana they are more often used in yōon-like extended digraphs designed to represent phonemes not present in Japanese; examples include チェ ("che") in チェンジ "chenji" ("change"), ファ ("fa") in ファミリー "famirī" ("family") and ウィ ("wi") and ディ ("di") in ウィキペディア "Wikipedia".
A character called a "sokuon", which is visually identical to a small "tsu" ッ, indicates that the following consonant is geminated (doubled); this is represented in rōmaji by doubling the consonant that follows the "sokuon". In Japanese this is an important distinction in pronunciation; for example, compare サカ "saka" "hill" with サッカ "sakka" "author". Geminated consonants are common in transliterations of foreign loanwords; for example English "bed" is represented as ベッド ("beddo"). The sokuon also sometimes appears at the end of utterances, where it denotes a glottal stop. However, it cannot be used to double the "na", "ni", "nu", "ne", "no" syllables' consonants; to double these, the singular "n" (ン) is added in front of the syllable. The "sokuon" may also be used to approximate a non-native sound: Bach is written ("Bahha"); Mach as ("Mahha").
Both katakana and hiragana usually spell native long vowels with the addition of a second vowel kana. However, in foreign loanwords katakana instead uses a vowel extender mark, called a "chōonpu" ("long vowel mark"). This is a short line (ー) following the direction of the text, horizontal for "yokogaki" (horizontal text), and vertical for "tategaki" (vertical text). For example, メール "mēru" is the "gairaigo" for e-mail taken from the English word "mail"; the ー lengthens the "e". There are some exceptions, such as () or (), where Japanese words written in katakana use the elongation mark, too.
Standard and voiced iteration marks are written in katakana as ヽ and ヾ, respectively.
In modern Japanese, katakana is most often used for transcription of words from foreign languages (other than words historically imported from Chinese), called "gairaigo". For example, "television" is written テレビ ("terebi"). Similarly, katakana is usually used for country names, foreign places, and foreign personal names. For example, the United States is usually referred to as "Amerika", rather than in its ateji kanji spelling of "Amerika".
Katakana are also used for onomatopoeia, words used to represent sounds – for example, ピンポン ("pinpon"), the "ding-dong" sound of a doorbell.
Technical and scientific terms, such as the names of animal and plant species and minerals, are also commonly written in katakana. Homo sapiens, as a species, is written ヒト ("hito"), rather than its kanji .
Katakana are also often (but not always) used for transcription of Japanese company names. For example, Suzuki is written スズキ, and Toyota is written トヨタ. As these are common family names, Suzuki being the second most common in Japan, it helps distinguish company names from surnames in writing. Katakana are commonly used on signs, advertisements, and hoardings (i.e., billboards), for example, "koko" ("here"), "gomi" ("trash"), or "megane" ("glasses"). Words the writer wishes to emphasize in a sentence are also sometimes written in katakana, mirroring the European usage of italics.
Pre–World War II official documents mix katakana and kanji in the same way that hiragana and kanji are mixed in modern Japanese texts, that is, katakana were used for "okurigana" and particles such as "wa" or "o".
Katakana were also used for telegrams in Japan before 1988, and for computer systems – before the introduction of multibyte characters – in the 1980s. Most computers of that era used katakana instead of kanji or hiragana for output.
Although words borrowed from ancient Chinese are usually written in kanji, loanwords from modern Chinese dialects which are borrowed directly use katakana instead.
The very common Chinese loanword "rāmen", written in katakana as , is rarely written with its kanji ().
There are rare instances where the opposite has occurred, with kanji forms created from words originally written in katakana. An example of this is "kōhī", ("coffee"), which can alternatively be written as . This kanji usage is occasionally employed by coffee manufacturers or coffee shops for novelty.
Katakana are used to indicate the "on'yomi" (Chinese-derived readings) of a kanji in a kanji dictionary. For instance, the kanji 人 has a Japanese pronunciation, written in hiragana as "hito" (person), as well as a Chinese derived pronunciation, written in katakana as "jin" (used to denote groups of people). Katakana are sometimes used instead of hiragana as furigana to give the pronunciation of a word written in Roman characters, or for a foreign word, which is written as kanji for the meaning, but intended to be pronounced as the original.
Katakana are also sometimes used to indicate words being spoken in a foreign or otherwise unusual accent. For example, in a manga, the speech of a foreign character or a robot may be represented by "konnichiwa" ("hello") instead of the more typical hiragana . Some Japanese personal names are written in katakana. This was more common in the past, hence elderly women often have katakana names. This was particularly common among women in the Meiji and Taishō periods, when many poor, illiterate parents were unwilling to pay a scholar to give their daughters names in kanji. Katakana is also used to denote the fact that a character is speaking a foreign language, and what is displayed in katakana is only the Japanese "translation" of his or her words.
Some frequently used words may also be written in katakana in dialogs to convey an informal, conversational tone. Some examples include ("manga"), "aitsu" ("that guy or girl; he/him; her"), "baka" ("fool"), etc.
Words with difficult-to-read kanji are sometimes written in katakana (hiragana is also used for this purpose). This phenomenon is often seen with medical terminology. For example, in the word "hifuka" ("dermatology"), the second kanji, , is considered difficult to read, and thus the word "hifuka" is commonly written or , mixing kanji and katakana. Similarly, difficult-to-read kanji such as "gan" ("cancer") are often written in katakana or hiragana.
Katakana is also used for traditional musical notations, as in the "Tozan-ryū" of "shakuhachi", and in "sankyoku" ensembles with "koto", "shamisen" and "shakuhachi".
Some instructors teaching Japanese as a foreign language "introduce "katakana" after the students have learned to read and write sentences in "hiragana" without difficulty and know the rules." Most students who have learned hiragana "do not have great difficulty in memorizing" katakana as well. Other instructors introduce katakana first, because these are used with loanwords. This gives students a chance to practice reading and writing kana with meaningful words. This was the approach taken by the influential American linguistics scholar Eleanor Harz Jorden in "" (parallel to "").
Katakana is commonly used by Japanese linguists to write the Ainu language. In Ainu katakana usage, the consonant that comes at the end of a syllable is represented by a small version of a katakana that corresponds to that final consonant followed by an arbitrary vowel. For instance "up" is represented by ウㇷ゚ (ウプ ["u" followed by small "pu"]). Ainu also uses three handakuten modified katakana, セ゚ ([tse]), and ツ゚ or ト゚ ([tu̜]). In Unicode, the Katakana Phonetic Extensions block (U+31F0–U+31FF) exists for Ainu language support. These characters are used for the Ainu language only.
Taiwanese kana (タイ ヲァヌ ギイ カア ビェン) is a katakana-based writing system once used to write Holo Taiwanese, when Taiwan was under Japanese control. It functioned as a phonetic guide for Chinese characters, much like furigana in Japanese or Zhùyīn fúhào in Chinese. There were similar systems for other languages in Taiwan as well, including Hakka and Formosan languages.
Unlike Japanese or Ainu, Taiwanese kana are used similarly to the Zhùyīn fúhào characters, with kana serving as initials, vowel medials and consonant finals, marked with tonal marks. A dot below the initial kana represents aspirated consonants, and チ, ツ, サ, セ, ソ, ウ and オ with a superpositional bar represent sounds found only in Taiwanese.
Katakana is used as a phonetic guide for the Okinawan language, unlike the various other systems to represent Okinawan, which use hiragana with extensions. The system was devised by the Okinawa Center of Language Study of the University of the Ryukyus. It uses many extensions and yōon to show the many non-Japanese sounds of Okinawan.
This is a table of katakana together with their Hepburn romanization and rough IPA transcription for their use in Japanese. Katakana with "dakuten" or "handakuten" follow the "gojūon" kana without them.
Characters "shi" シ and "tsu" ツ, and "so" ソ and "n(g)" ン, look very similar in print except for the slant and stroke shape. These differences in slant and shape are more prominent when written with an ink brush.
Katakana was developed in the 9th century (during the early Heian period) by Buddhist monks by taking parts of "man'yōgana" characters as a form of shorthand, hence this kana is so-called .
For example, comes from the left side of . The adjacent table shows the origins of each katakana: the red markings of the original Chinese character (used as "man'yōgana") eventually became each corresponding symbol.
Early on, katakana was almost exclusively used by men for official text and text imported from China.
Official documents of the Empire of Japan were written exclusively with kyūjitai and katakana.
Recent findings by Yoshinori Kobayashi, professor of Japanese at Tokushima Bunri University, suggest the possibility that the katakana-like annotations used in may have originated in 8th-century Korea – possibly Silla – and then introduced to Japan through Buddhist texts.
The following table shows the method for writing each katakana character. It is arranged in the traditional way, beginning top right and reading columns down. The numbers and arrows indicate the stroke order and direction, respectively.
In addition to fonts intended for Japanese text and Unicode catch-all fonts (like Arial Unicode MS), many fonts intended for Chinese (such as MS Song) and Korean (such as Batang) also include katakana.
In addition to the usual display forms of characters, katakana has a second form, (there are no kanji). The half-width forms were originally associated with the JIS X 0201 encoding. Although their display form is not specified in the standard, in practice they were designed to fit into the same rectangle of pixels as Roman letters to enable easy implementation on the computer equipment of the day. This space is narrower than the square space traditionally occupied by Japanese characters, hence the name "half-width". In this scheme, diacritics (dakuten and handakuten) are separate characters. When originally devised, the half-width katakana were represented by a single byte each, as in JIS X 0201, again in line with the capabilities of contemporary computer technology.
In the late 1970s, two-byte character sets such as JIS X 0208 were introduced to support the full range of Japanese characters, including katakana, hiragana and kanji. Their display forms were designed to fit into an approximately square array of pixels, hence the name "full-width". For backwards compatibility, separate support for half-width katakana has continued to be available in modern multi-byte encoding schemes such as Unicode, by having two separate blocks of characters – one displayed as usual (full-width) katakana, the other displayed as half-width katakana.
Although often said to be obsolete, the half-width katakana are still used in many systems and encodings. For example, the titles of mini discs can only be entered in ASCII or half-width katakana, and half-width katakana are commonly used in computerized cash register displays, on shop receipts, and Japanese digital television and DVD subtitles. Several popular Japanese encodings such as EUC-JP, Unicode and Shift JIS have half-width katakana code as well as full-width. By contrast, ISO-2022-JP has no half-width katakana, and is mainly used over SMTP and NNTP.
Katakana was added to the Unicode Standard in October, 1991 with the release of version 1.0.
The Unicode block for (full-width) katakana is U+30A0–U+30FF.
Encoded in this block along with the katakana are the "nakaguro" word-separation middle dot, the "chōon" vowel extender, the katakana iteration marks, and a ligature of コト sometimes used in vertical writing.
Half-width equivalents to the usual full-width katakana also exist in Unicode. These are encoded within the Halfwidth and Fullwidth Forms block (U+FF00–U+FFEF) (which also includes full-width forms of Latin characters, for instance), starting at U+FF65 and ending at U+FF9F (characters U+FF61–U+FF64 are half-width punctuation marks). This block also includes the half-width dakuten and handakuten. The full-width versions of these characters are found in the Hiragana block.
Circled katakana are code points U+32D0–U+32FE in the Enclosed CJK Letters and Months block (U+3200–U+32FF). A circled ン (n) is not included.
Extensions to Katakana for phonetic transcription of Ainu and other languages were added to the Unicode standard in March 2002 with the release of version 3.2.
The Unicode block for Katakana Phonetic Extensions is U+31F0–U+31FF:
Historic and variant forms of Japanese kana characters were added to the Unicode standard in October 2010 with the release of version 6.0.
The Unicode block for Kana Supplement is U+1B000–U+1B0FF:
The Unicode block for Small Kana Extension is U+1B130–U+1B16F:
Katakana in other Unicode blocks:
Furthermore, as of Unicode 13.0, the following combinatory sequences have been explicitly named, despite having no precomposed symbols in the katakana block. Font designers may want to optimize the display of these composed glyphs. Some of them are mostly used for writing the Ainu language, the others are called "bidakuon" in Japanese. Other, arbitrary combinations with U+309A handakuten are also possible.
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https://en.wikipedia.org/wiki?curid=16851
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Kia Asamiya
, best known by the pen name , is a Japanese manga artist whose work spans multiple genres and appeals to diverse audiences.
He is well known for using influences from American comics, television, and films in his work, and describes himself as a big fan of Batman and "Star Wars". One of the most widely published Japanese manga artist, nearly all of his stories have been translated into other languages, including English. His two most successful and popular manga series to-date are "Martian Successor Nadesico" and "Silent Möbius".
Before becoming a manga artist, Asamiya graduated from the Tokyo Designer School, then worked as a character designer for a number of anime series, and even designed models for some of the later Godzilla films (1980s). For this career, he used his real name, and maintained the two professional identities separately for many years. Several of the anime series that he worked on were very popular inside and outside Japan, most notably "Sonic Soldier Borgman" and "Project A-ko". Even after focusing primarily on his manga career, Asamiya continued to do character designs and creative consultation on anime series based on his stories, occasionally under the Kikuchi name.
In the early 2000s, Asamiya has shifted his focus from teenage and young-adult stories to stories designed for children and for an American audience. In the former case, he credits his children as a motivation but, in the latter case, he points to a long-standing desire to work with his favorite American characters. To that end, he has worked on projects with Image Comics, Marvel Comics, and DC Comics, as well as developing a manga adaptation of the film "".
While many Japanese artists (and artists in general) are quite reclusive, Asamiya often makes an effort to be available to his fans. He maintains a website with news and information about his studio, TRON (named after the Disney film "Tron"). He aids and assists his official fan club by sending them regular announcements and limited-edition merchandise. Despite these actions, he shunned all public photography and had the habit of depicting himself with a placeholder sign for a face. It has become a trademark feature of his books that instead of a picture of the artist, there is an elaborately decorated rectangle sporting the words "Now Printing" (a message used in Japan for placeholder images).
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https://en.wikipedia.org/wiki?curid=16852
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Kitáb-i-Aqdas
The Kitáb-i-Aqdas or Aqdas is the central book of the Baháʼí Faith written by Baháʼu'lláh, the founder of the religion, in 1873. The work was written in Arabic under the Arabic title ( / "al-Kitāb al-ʾaqdās"), but it is commonly referred to by its Persian title, "Kitáb-i-Aqdas" ( / "Ketâb Âqdas"), which was given to the work by Baháʼu'lláh himself. It is sometimes also referred to as "the Most Holy Book", "the Book of Laws" or the Book of Aqdas. The word "Aqdas" is a superlative form derived from the triconsonantal root Q-D-Š, denoting holiness or sanctity in Semitic languages.
Baháʼu'lláh had manuscript copies sent to Baháʼís in Iran some years after the revelation of the "Kitáb-i-Aqdas" in 1873, and in 1890–91 (1308 AH, 47 BE) he arranged for the publication of the original Arabic text of the book in Bombay, India.
The "Aqdas" is referred to as "the Mother-Book" of the Baháʼí teachings, and the "Charter of the future world civilization". It is not, however, only a 'book of laws': much of the content deals with other matters, notably ethical exhortations and addresses to various individuals, groups, and places. The "Aqdas" also discusses the establishment of Baháʼí administrative institutions, Baháʼí religious practices, mysticism, laws of personal status, inheritance, criminal law, spiritual and ethical exhortations, social principles, miscellaneous laws and abrogations, and prophecies.
Baháʼu'lláh stated that the observance of the laws that he prescribed should be subject to "tact and wisdom", and that they do not cause "disturbance and dissension." Baháʼu'lláh thus provided for the progressive application of his laws; for example certain Baháʼí laws are currently only applicable to Iranian Baháʼís such as the limit to the period of engagement, while any Baháʼí may practice the laws if they so decide. Shoghi Effendi also stated that certain other laws, such as criminal laws, that are dependent upon the existence of a predominantly Baháʼí society would only be applicable in a possible future Baháʼí society. He also stated that if the laws were in conflict with the civil law of the country where a Baháʼí lives the laws could not be practiced. This is not always the case. For example a Bahá’í wedding cannot take place until the Baha'i Assembly of the area agrees that all requirements of both Bahá’í and civil law have been met. Furthermore, some laws and teachings are, according to Baháʼí teaching, not meant to be applied at the present time and their application depends on decisions by the Universal House of Justice. Baha'is believe the Aqdas supersedes and succeeds previous revelations such as the Quran and the Bible.
The text of the Kitáb-i-Aqdas consists of several hundred verses, which have been grouped in 189 numbered paragraphs in the English translation most of which are just a few sentences. The style combines elements of both poetry ("shi'r") and rhymed prose ("saj") and the text contains instances of literary devices like alliteration, assonance, repetition, onomatopoeia, juxtaposition and antithesis, metaphors, alternation of person and personification.
Rules and principles are interspersed and guide interpretation, and authority and limits for authorized interpretation are also specified. It defines a Baháʼí Administration as part of the Covenant of Baháʼu'lláh, and also speaks to the individual reader, as there are no clergy in the religion to rely on for guidance. It must be noted that elected Baha'i Administrative bodies and the appointed Institution of Continental Board of Councilors together with their army of Auxiliary Board Members and Assistants wield more power than most clergy could ever hope to have. For example they're permitted to excommunicate critics of the Baha'i Administration and society is required to shun them completely. The text also moves between statements said to be plain and statements suggesting the key to understanding the book is to look at the text for clues to itself. Some statements reflect on the teachings in the religion on various themes and underscore a relationship of the Aqdas as a 'motherhood' in relation to all the other scriptural works and they to it. It also relates to scriptures of other religions by abrogation, explanation, affirmation or reformation — an example of progressive revelation as a principle of the religion. While it is the core text on laws of the religion, it is not the exclusive source of laws in the religion, nor of Baháʼu'lláh's own writings, and complementarily the reader is told explicitly to not view the text as a "mere code of laws".
The Kitáb-i-Aqdas was completed by Baháʼu'lláh in 1873. It was published in the Arabic for circulation among Baháʼís speaking the language circa 1890. A Russian translation was undertaken by Alexander Tumansky in 1899 and was his most important contribution to Baháʼí studies. Around 1900 an informal English translation was made by Baháʼí Anton Haddad, which circulated among the early American Baháʼí community in a typewritten form. In 1961, an English scholar of Arabic, Dr. Earl E. Elder, and William McElwee Miller, who (according to Laurence Elwell-Sutton) is an openly hostile Christian minister, published an English translation, "Al-Kitab Al-Aqdas", through the Royal Asiatic Society, however its translation of the notes section was problematic and overall lacked "poetic sensibility, and skill in Arabic translation". Indeed, Miller only ever used it to further his polemical agenda. In 1973 a "Synopsis and Codification" of the book was published in English by the Universal House of Justice, with 21 passages of the Aqdas that had already been translated into English by Shoghi Effendi with additional terse lists of laws and ordinances contained in the book outside of any contextual prose. Finally, in 1992, a full and authorized Baháʼí translation in English was published. This version is used as the basis of translation into many other languages highlighting the practice of an indirect translation and how the purpose of the translation affects the act of translation. The Baháʼí Library Online provides a side-by-side comparison of the authorized translation with earlier translations of Anton Haddad and Earl Elder.
The "Kitáb-i-Aqdas" is supplemented by the
The book was divided into six main themes in the "Synopsis and Codification" by Shoghi Effendi:
Further, the laws were divided into four categories:
Scholarly review finds the Aqdas has themes of laws of worship, societal relations and administrative organization, or governance, of the religion. Through the authority vested in ʻAbdu'l-Bahá in the Aqdas there is an expanse of internationalism related to the law in works like "The Secret of Divine Civilization" and through his extended authority to Shoghi Effendi works like his "World Order of Baháʼu'lláh" further elaborates on the internationalism theme. This stands in some distinction from other scriptures by not using triumphal tones as the voice of God is given to be viewed but rather one of progressive development, social context, and outright delay in application until another day. Indeed, it insists that divine law is applicable only in situations with requisite conditions, where it is likely to have certain social effects. The goal of application of the law and its methods are not to cause disturbance and dissension and requires an appreciation for context and intention. Additionally one is to eschew emphasis in the development of textualist and intentionalist arguments about the law though some of this is visible in scholarship on the Aqdas. Such methods of application of law in a religious context are, in the opinion of Roshan Danish, common in Islam and Judaism.
The Aqdas is understood by Baháʼís to be a factor in the process of ongoing developments in world order. This can be seen comparing the Baháʼí approach to history and the future to that of the theory of the Clash of Civilizations on the one hand and the development of a posthegemony system on the other (compared with work of Robert Cox, for example, in "Approaches to World Order", (Robert Cox & Timonthy Sinclair eds, Cambridge University Press, 1996).)
Certain possible sources of law are specifically abrogated: laws of the Bábí religion, notably in the "Persian Bayán", oral traditions (linked with pilgrim notes, and natural law, (that is to say God's sovereign will through revelation is the independent authority.) Divine revelation's law-making is both unconditioned in terms of the divine right to choose, and conditioned in the sense of the progress of history from one revelation to the next.
Baha'u'llah's statements about marriage in the "Kitáb-i-Aqdas" are brief. Marriage is highly recommended but is stated to not be obligatory. Baháʼu'lláh states that the maximum number of wives is two, but also states that having only one wife would add more tranquility to both partners. These statements were later interpreted by ʻAbdu'l-Bahá that having a second wife is conditional upon treating both wives with justice and equality and was not possible in practice, thus establishing monogamy.
That Baháʼu'lláh had three wives, while his religion teaches monogamy, which has been the subject of criticism. The writing of the Kitáb-i-Aqdas and Baháʼí teachings on gender equality and monogamy post-date Baháʼu'lláh's marriages and are understood to be evolutionary in nature, slowly leading Baháʼís away from what had been a deeply rooted cultural practice.
The institutional status of the authority of ʻAbdu'l-Bahá and a House of Justice are specifically delineated. On the basis of the authority granted ʻAbdu'l-Bahá he extended forms of the authority vested in him to the Guardianship, whose sole member was Shoghi Effendi, and the Universal, or International, House of Justice through his Will and Testament. This was confirmed and amplified in other texts, notably the Kitáb-i-'Ahd. The Universal House of Justice is specifically empowered to write and rescind any laws it is felt necessary aside from those of the text of scripture and actual application of the laws of the Aqdas among Baháʼís are dependent on the choice of the Universal House of Justice.
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Johann Tetzel
Johann Tetzel (c. 1465 – 11 August 1519) was a Holy Roman Empire Dominican friar and preacher. He was appointed Inquisitor for Poland and Saxony, later becoming the Grand Commissioner for indulgences in Germany. Tetzel was known for granting indulgences on behalf of the Roman Catholic Church in exchange for money, which are claimed to allow a remission of temporal punishment due to sin, the guilt of which has been forgiven, a position heavily challenged by Martin Luther. This contributed in part to the Reformation. The main usage of the indulgences sold by Johann Tetzel was to help fund and build the St. Peter's Basilica.
Tetzel was born in Pirna, Saxony, and studied theology and philosophy at Leipzig University. He entered the Dominican order in 1489, achieved some success as a preacher, and was in 1502 commissioned by Cardinal Giovanni de' Medici, later Pope Leo X, to preach the Jubilee indulgence, which he did throughout his life. In 1509 he was made an inquisitor of Poland and, in January 1517 was made commissioner of indulgences for Archbishop Albrecht von Brandenburg in the dioceses of Magdeburg and Halberstadt.
He acquired the degree of Licentiate of Sacred Theology in the University of Frankfurt an der Oder in 1517, and then of Doctor of Sacred Theology in 1518, by defending in two disputations, the doctrine of indulgences against Martin Luther. The accusation that he had sold full forgiveness for sins not yet committed caused a great scandal. It was believed that all of the money that Tetzel raised was for the ongoing reconstruction of St. Peter's Basilica, although half the money went to the Archbishop of Mainz, Cardinal Albert of Brandenburg (under whose authority Tetzel was operating), to pay off the debts incurred in securing Albert's appointment to the archbishopric. Luther began to preach openly against him and was inspired to write his famous "Ninety-five Theses" in part due to Tetzel's actions, in which he states,
Tetzel was also condemned (though later pardoned) for immorality. When he discovered that Karl von Miltitz had accused him of perpetrating numerous frauds and embezzlements, he withdrew, broken in spirit, wrecked in health, into the Dominican monastery in Leipzig. Miltitz was later discredited to the point where his claims carry no historical weight.
Tetzel died in Leipzig in 1519. At the time of his death, Tetzel had fallen into disrepute and was shunned by the public.
When Luther heard that Tetzel was mortally ill and on his deathbed, he wrote to comfort him and bade him "not to be troubled, for the matter did not begin on his account, but the child had quite a different father."
After his death, he was given an honorable burial and interred before the high altar of the Dominican Church in Leipzig.
Tetzel overstated Catholic doctrine in regard to indulgences for the dead. He became known for a couplet attributed to him:
As soon as the gold in the casket rings
The rescued soul to heaven springs
This oft-quoted saying was by no means representative of the official Catholic teaching on indulgences, but rather, more a reflection of Tetzel's capacity to exaggerate. Yet if Tetzel overstated the matter in regard to indulgences for the dead, his teaching on indulgences for the living was pure Catholic teaching. The German Catholic historian Ludwig von Pastor explains:
Above all, a most clear distinction must be made between indulgences for the living and those for the dead.
As regards indulgences for the living, Tetzel always taught pure (Catholic) doctrine. The assertion that he put forward indulgences as being not only a remission of the temporal punishment of sin but as a remission of its guilt, is as unfounded as is that other accusation against him, that he sold the forgiveness of sin for money, without even any mention of contrition and confession, or that, for payment, he absolved from sins which might be committed in the future. His teaching was, in fact, very definite, and quite in harmony with the theology of the (Catholic) Church, as it was then and as it is now, i.e., that indulgences "apply only to the temporal punishment due to sins which have been already repented of and confessed"...
The case was very different from indulgences for the dead. As regards these there is no doubt that Tetzel did, according to what he considered his authoritative instructions, proclaim as Christian doctrine that nothing but an offering of money was required to gain the indulgence for the dead, without there being any question of contrition or confession.
He also taught, in accordance with the opinion then held, that an indulgence could be applied to any given soul with unfailing effect. Starting from this assumption, there is no doubt that his doctrine was virtually that of the well known drastic proverb.
The Papal Bull of indulgence gave no sanction whatever to this proposition. It was a vague scholastic opinion, rejected by the Sorbonne in 1482, and again in 1518, and certainly not a doctrine of the Church, which was thus improperly put forward as dogmatic truth. The first among the theologians of the Roman court, Cardinal Cajetan, was the enemy of all such extravagances and declared emphatically that, even if theologians and preachers taught such opinions, no faith need be given them. "Preachers," he said, "speak in the name of the Church only so long as they proclaim the doctrine of Christ and His Church; but if, for purposes of their own, they teach that about which they know nothing, and which is only their own imagination, they must not be accepted as mouthpieces of the Church. No one must be surprised if such as these fall into error."
Luther claimed, that Tetzel had received a substantial amount of money at Leipzig, from a nobleman asking him for a letter of indulgence for a future sin. Supposedly Tetzel answered in the affirmative, insisting that the payment had to be made at once. The nobleman did so and received a letter and seal from Tetzel.
However, when Tetzel left Leipzig the nobleman attacked him along the way, and gave him a thorough beating, sending him back empty-handed to Leipzig, with the comment that it was the future sin which he had in mind. Duke George at first was quite furious about the incident, but when he heard the whole story, he let it go without punishing the nobleman.
Luther also claimed that at Halle, Tetzel said that an indulgence could wipe away the sin of a man guilty of raping Mary, Mother of God. However, Tetzel obtained affidavits from authorities at Halle, both civil and ecclesiastical, who swore that Tetzel never made any such claim.
Tetzel has been portrayed on stage and screen by the following:
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James Tiptree Jr.
Alice Bradley Sheldon (August 24, 1915 – May 19, 1987) was an American science fiction author better known as James Tiptree Jr., a pen name she used from 1967 to her death. It was not publicly known until 1977 that James Tiptree Jr. was a woman. From 1974 to 1977 she also used the pen name Raccoona Sheldon. Sheldon was inducted by the Science Fiction Hall of Fame in 2012.
Sheldon came from a family in the intellectual enclave of Hyde Park, a university neighborhood in Chicago. Her father was Herbert Bradley, a lawyer and naturalist, and her mother was Mary Hastings Bradley, a prolific writer of fiction and travel books. From an early age Sheldon traveled with her parents, and in 1921–22, the Bradleys made their first trip to central Africa, which later contributed to Sheldon's short story, "The Women Men Don't See." During these trips, she played the role of the "perfect daughter, willing to be carried across Africa like a parcel, always neatly dressed and well behaved, a credit to her mother."
Between trips to Africa, Sheldon attended school in Chicago. At the age of ten, she went to the University of Chicago Laboratory Schools, which was an experimental teaching workshop with small classes and loose structure. When she was fourteen, she was sent to finishing school in Lausanne in Switzerland, before returning to the US to attend boarding school in Tarrytown in New York. Later on, she became a graphic artist, a painter, and—under the name "Alice Bradley Davey"—an art critic for the "Chicago Sun" between 1941 and 1942.
Sheldon was encouraged by her mother to seek a career, but her mother also hoped that she would get married and settle down. At age 19, she met and married William (Bill) Davey, her first husband. The couple eloped in 1934. She dropped out of Sarah Lawrence College, which did not allow married students to attend. They moved to Berkeley, California, where they took classes and Bill encouraged her to pursue art. The marriage was not a success; he was an alcoholic and irresponsible with money and she disliked keeping house. The couple divorced in 1940.
After the divorce, she joined the Women's Army Auxiliary Corps where she became a supply officer. In 1942 she joined the United States Army Air Forces and worked in the Army Air Forces photo-intelligence group. She later was promoted to major, a high rank for women at the time. In the army, she "felt she was among free women for the first time." As an intelligence officer, she became an expert in reading aerial intelligence photographs.
In 1945, at the close of the war, while she was on assignment in Paris, she married her second husband, Huntington D. Sheldon, known as "Ting." She was discharged from the military in 1946, at which time she set up a small business in partnership with her husband. The same year her first story ("The Lucky Ones") was published in the November 16, 1946 issue of "The New Yorker", and credited to "Alice Bradley" in the magazine. In 1952 she and her husband were invited to join the CIA, which she accepted. At the CIA, she worked as a spy, but she didn't enjoy the work. She resigned her position in 1955 and returned to college.
She studied for her bachelor of arts degree at American University (1957–1959), going on to achieve a doctorate at George Washington University in Experimental Psychology in 1967. She wrote her doctoral dissertation on the responses of animals to novel stimuli in differing environments. During this time, she wrote and submitted a few science fiction stories under the name James Tiptree Jr., in order to protect her academic reputation.
In her personal life, Sheldon had a complex sexual orientation, and she described her sexuality in different terms over many years. This statement, for example, is how she explained it at one point: "I like some men a lot, but from the start, before I knew anything, it was always girls and women who lit me up."
Sheldon began illustrating when she was nine years old, contributing to her mother's book, "Alice in Elephantland", a children's book about the family's second trip to Africa, appearing in it as herself. She later had an exhibit of her drawings of Africa at the Chicago Gallery, arranged by her parents. Although she illustrated several of her mother's books, she only sold one illustration during her lifetime, in 1931, to "The New Yorker", with help from Harold Ober, a New York agent who worked with her mother. The illustration, of a horse rearing and throwing off its rider, sold for ten dollars.
In 1936, Sheldon participated in a group show at the Art Institute of Chicago, to which she had connections through her family, featuring new American work. This was an important step forward for her painting career. During this time she also took private art lessons from John Sloan. Sheldon disliked prudery in painting. While examining an anatomy book for an art class, she noticed that the genitals were blurred, so she restored the genitals of the figures with a pencil.
In 1939, Sheldon's nude self-portrait titled "Portrait in the Country" was accepted for the "All-American" biennial show at the Corcoran Gallery in Washington D.C., where it was displayed for six weeks. While these two shows were considered big breaks, she disparaged these accomplishments, saying that "only second rate painters sold" and she preferred to keep her works at home.
By 1940, Sheldon felt she had mastered all the techniques she needed and was ready to choose her subject matter. However, she began to doubt whether she should paint. She kept working at her painting techniques, fascinated with the questions of form, and read books on aesthetics in order to know what scientifically made a painting "good." She stopped painting in 1941. As she was in need of a way to support herself, her parents helped her find a job as an art critic for the "Chicago Sun" after it launched in 1941. Newly divorced, she started going by the name Alice Bradley Davey as a journalist, a job she held until she enlisted for the army in 1942.
Bradley discovered science fiction in 1924, when she read her first issue of "Weird Tales," but she wouldn't write any herself until years later. Unsure what to do with her new degrees and her new/old careers, Sheldon began to write science fiction. She adopted the pseudonym of James Tiptree Jr. in 1967. The name "Tiptree" came from a branded jar of marmalade, and the "Jr." was her husband's idea. In an interview, she said: "A male name seemed like good camouflage. I had the feeling that a man would slip by less observed. I've had too many experiences in my life of being the first woman in some damned occupation." She also made the choice to start writing science fiction she, herself, was interested in and "was surprised to find that her stories were immediately accepted for publication and quickly became popular."
Her first published short story was "Birth of a Salesman" in the March 1968 issue of "Analog Science Fact & Fiction", edited by John W. Campbell. Three more followed that year in "If" and "Fantastic". Other pen names that she used included "Alice Hastings Bradley", "Major Alice Davey", "Alli B. Sheldon", "Dr. Alice B. Sheldon", "Raccoona Sheldon", and "Alli". [2]
Writing under the pseudonym Raccoona, she was not very successful getting published until her other alter ego, Tiptree, wrote to publishers to intervene.
The pseudonym was successfully maintained until late 1977, partly because, although "Tiptree" was widely known to be a pseudonym, it was generally understood that its use was intended to protect the professional reputation of an intelligence community official. Readers, editors and correspondents were permitted to assume sex, and generally, but not invariably, they assumed "male". There was speculation, based partially on the themes in her stories, that Tiptree might be female. Robert Silverberg wrote "It has been suggested that Tiptree is female, a theory that I find absurd, for there is to me something ineluctably masculine about Tiptree's writing." Silverberg also compared Tiptree's writing to Ernest Hemingway, and in fact, found Tiptree to be "superior in masculinity."
"Tiptree" never made any public appearances, but she did correspond regularly with fans and other science fiction authors through the mail. When asked for biographical details, Tiptree/Sheldon was forthcoming in everything but her sex. According to her biographer, Julie Phillips, "No one had ever seen or spoken to the owner of this voice. He wrote letters, warm, frank, funny letters, to other writers, editors, and science fiction fans."[4] In her letters to fellow writers such as Ursula K. Le Guin and Joanna Russ, she would present herself as a feminist man; however, Sheldon did not present herself as male in person. Writing was a way to escape a male dominated society, themes Tiptree explored in the short stories later collected in "Her Smoke Rose Up Forever". One story in particular offers an excellent illustration of these themes. "Houston, Houston, Do You Read?" follows a group of astronauts who discover a future Earth whose male population has been wiped out; the remaining females have learned to get along just fine in their absence"."
After the death of Mary Hastings Bradley in 1976, "Tiptree" mentioned in a letter that "his" mother, also a writer, had died in Chicago—details that led inquiring fans to find the obituary, with its reference to Alice Sheldon; soon all was revealed. Once the initial shock was over, Alli wrote to one of her closest friends, Ursula K. Le Guin, confessing her identity. Sheldon wrote, "I never wrote you anything but the exact truth, there was no calculation or intent to deceive, other than the signature which over 8 years became just another nickname; everything else is just plain me. The thing is, I am a 61-year-old woman named Alice Sheldon — nickname Alli – solitary by nature but married for 37 years to a very nice man considerably older, who doesn't read my stuff but is glad I like writing."
Several prominent science fiction writers suffered some embarrassment. Robert Silverberg had written an introduction to "Warm Worlds and Otherwise" arguing, from the evidence of stories in that collection, that Tiptree could not possibly be a woman. Harlan Ellison had introduced Tiptree's story in the anthology "Again, Dangerous Visions" with the opinion that "[Kate] Wilhelm is the woman to beat this year, but Tiptree is the man."
Only then did she complete her first full-length novel, "Up the Walls of the World" (Berkley Books, 1978), which was a Doubleday Science Fiction Book Club selection. Before that she had worked on and built a reputation only in the field of short stories.
Tiptree/Sheldon was an eclectic writer who worked in a variety of styles and subgenres, often combining the technological focus and hard-edged style of "hard" science fiction with the sociological and psychological concerns of "soft" SF, along with some of the stylistic experimentation of the New Wave movement.
After writing several stories in more conventional modes, she produced her first work to draw widespread acclaim, "The Last Flight of Doctor Ain", in 1969. One of her shortest stories, "Ain" is a sympathetic portrait of a scientist whose concern for Earth's ecological suffering leads him to destroy the entire human race.
Many of her stories have a milieu reminiscent of the space opera and pulp tales she read in her youth, but typically with a much darker tone: the cosmic journeys of her characters are often linked to a drastic spiritual alienation, and/or a transcendent experience which brings fulfillment but also death. John Clute, noting Tiptree's "inconsolable complexities of vision", concluded that "It is very rarely that a James Tiptree story does not both deal directly with death and end with a death of the spirit, or of all hope, or of the race". Notable stories of this type include "Painwise", in which a space explorer has been altered to be immune to pain but finds such an existence intolerable, and "A Momentary Taste of Being", in which the true purpose of humanity, found on a distant planet, renders individual human life entirely pointless.
Another major theme in Tiptree/Sheldon's work is the tension between free will and biological determinism, or reason and sexual desire. "Love Is the Plan the Plan Is Death", one of the rare SF stories in which no humans appear, describes an alien creature's romantic rationalizations for the brutal instincts that drive its life cycle. "The Screwfly Solution" suggests that humans might similarly rationalize a plague of murderous sexual insanity. Sex in Tiptree's writing is frankly portrayed, a sometimes playful but more often threatening force.
Before the revelation of Sheldon's identity, Tiptree was often referred to as an unusually macho male (see, e.g., Robert Silverberg's commentaries) as well as an unusually feminist science fiction writer (for a male)—particularly for "The Women Men Don't See", a story of two women who go looking for aliens to escape from male-dominated society on Earth. However, Sheldon's view of sexual politics could be ambiguous, as in the ending of "Houston, Houston, Do You Read?", where a society of female clones must deal with three time-traveling male astronauts.
A constant theme in Sheldon's work is feminism. In "The Women Men Don't See" Sheldon gives the tale a unique feminist spin by making the narrator, Don Fenton, a male. Fenton judges the Parsons, the mother and daughter who are searching for alien life, based on their attractiveness and is agitated when they do not "fulfill stereotypical female roles", according to Anne Cranny-Francis. In addition, Fenton's inability to understand both the plight of woman and Ruth Parsons' feelings of alienation further illustrate the differences of men and women in society. The theme of feminism is emphasized by "the feminist ideology espoused by Ruth Parsons and the contrasting sexism of Fenton". The title of the short story itself reflects the idea that women are invisible during Sheldon's time. As Francis states, "'The Women Men Don't See' is an outstanding example … of the subversive use of genre fiction to produce an unconventional discursive position, the feminist subject".
Sheldon's two novels, produced toward the end of her career, were not as critically well-received as her best-known stories but continued to explore similar themes. Some of her best-regarded work can be found in the collection "Her Smoke Rose Up Forever", available in paperback through Tachyon Publications as of 2004.
Sheldon continued writing under the Tiptree pen name for another decade. In the last years of her life she suffered from depression and heart trouble, while her husband began to lose his eyesight, becoming almost completely blind in 1986. In 1976, then 61-year-old Sheldon wrote Silverberg expressing her desire to end her own life while she was still able-bodied and active, but saying that she was reluctant to act upon this intention, as she didn't want to leave Ting behind and couldn't bring herself to kill him. Later she suggested to her husband that they make a suicide pact when their health began to fail. On July 21, 1977, she wrote in her diary: “Ting agreed to consider suicide in 4–5 years.”
Ten years later, on May 19, 1987, Sheldon shot her husband and then herself; she telephoned her attorney after the first shooting to announce her actions. They were found dead, hand-in-hand in bed, in their Virginia home. According to biographer Julie Phillips, the suicide note Sheldon left was written in September 1979 and saved until needed. Although the circumstances surrounding the Sheldons' deaths are not clear enough to rule out murder-suicide, testimony of those closest to them suggests a suicide pact.
The James Tiptree Jr. Award, honoring works of science fiction or fantasy that expand or explore our understanding of gender, was named in her honor. The award-winning science fiction authors Karen Joy Fowler and Pat Murphy created the award in February 1991. Works of fiction such as "Half Life" by Shelley Jackson and "Light" by M. John Harrison have received the award. Due to controversy over the circumstances of her and her husband's death, however, the name of the award was changed to the Otherwise Award in 2019.
The abbreviation(s) after each title indicate its appearance in one or more of the following collections:
The Science Fiction Hall of Fame inducted Tiptree in 2012. She also won several annual awards for particular works of fiction (typically the preceding calendar year's best):
Japanese-language translations of her fiction also won two Hayakawa Awards and three Seiun Awards as the year's best under changing designations (foreign, overseas, translated). The awards are voted by magazine readers and annual convention participants respectively:
Notes
Biblography
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Otherwise Award
The Otherwise Award, formerly known as the James Tiptree Jr. Award, is an annual literary prize for works of science fiction or fantasy that expand or explore one's understanding of gender. It was initiated in February 1991 by science fiction authors Pat Murphy and Karen Joy Fowler, subsequent to a discussion at WisCon.
In addition to the award itself, the judges publish what was originally known as the "Tiptree Award Honor List", which they describe as "a strong part of the award's identity and (...) used by many readers as a recommended reading list."
The award was originally named for Alice B. Sheldon, who wrote under the pseudonym James Tiptree Jr. Due to controversy over the appropriateness of naming an award after Tiptree, the committee administering the award announced on October 13, 2019 that the award would be renamed the Otherwise Award.
By choosing a masculine "nom de plume," having her stories accepted under that name and winning awards with them, Alice Sheldon helped demonstrate that the division between male and female science fiction writing was illusory. Years after "Tiptree" first published science fiction, Sheldon wrote some work under the female pen name "Raccoona Sheldon"; later, the science fiction world discovered that "Tiptree" had been female all along. This discovery led to widespread discussion over which aspects of writing, if any, have an intrinsic gender. To remind audiences of the role gender plays in both reading and writing, the award was named in Sheldon's honor at the suggestion of Karen Joy Fowler.
In 2019, controversy arose over the appropriateness of naming an award after Tiptree. In 1987, Tiptree killed her ailing husband Huntington Sheldon before shooting herself. Although some have called the killing a "suicide pact", others characterize the act as "caregiver murder"—i.e., the murder of a disabled person by the person responsible for caring for them. In light of these allegations, the Tiptree Motherboard received requests to change the name of the award. On September 2, 2019, in response to these requests, the Motherboard made a statement that "a change to the name of the Tiptree Award is [not] warranted now"; but nine days later, on September 11, they announced that the award "can’t go on under its existing name". On October 13, 2019, the Tiptree Motherboard released an announcement stating that the Tiptree Award would become the Otherwise Award, drawing on Black queer feminist scholarship around what is termed "otherwise politics". According to the statement, ""Otherwise" means finding different directions to move in—toward newly possible places, by means of emergent and multiple pathways and methods."
Fundraising efforts for the Tiptree include publications (two cookbooks), "feminist bake sales", and auctions. The Tiptree cookbook "The Bakery Men Don't See", edited by WisCon co-founder Jeanne Gomoll, was nominated for a 1992 Hugo Award. Tiptree Award juries traditionally consist of four female jurors and one male juror (the "token man"). The funds are administered by the "Tiptree Motherboard" (currently consisting of Gomoll, Murphy, Alexis Lothian, Gretchen Treu, Sumana Harihareswara, and Jeffrey D. Smith, with Fowler remaining closely involved).
In 2011, the Science Fiction Research Association gave its 2011 "Thomas D. Clareson Award for Distinguished Service" to the Tiptree Motherboard. The Clareson Award was presented to the Tiptree Motherboard for "outstanding service activities – promotion of SF teaching and study, editing, reviewing, editorial writing, publishing, organizing meetings, mentoring, and leadership in SF/fantasy organizations".
Selections of the winners, various short-listed fiction, and essays have appeared in four Tiptree-related collections, "Flying Cups and Saucers" (1999) and a series of annual anthologies published by Tachyon Publications of San Francisco. These include:
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Juventus F.C.
Juventus Football Club (from , "youth"; ), colloquially known as Juventus and Juve (), is an Italian professional association football club based in Turin, Piedmont. Founded in 1897 by a group of Torinese students, the club has worn a black and white striped home kit since 1903 and has played home matches in different grounds around its city, the latest being the 41,507-capacity Juventus Stadium. Nicknamed "Vecchia Signora" ("the Old Lady"), the club has won 35 official league titles, 13 Coppa Italia titles and eight Supercoppa Italiana titles, being the record holder for all these competitions; two Intercontinental Cups, two European Cups / UEFA Champions Leagues, one European Cup Winners' Cup, a joint national record of three UEFA Cups, two UEFA Super Cups and a joint national record of one UEFA Intertoto Cup. Consequently, the side leads the historical Federazione Italiana Giuoco Calcio (FIGC) ranking whilst on the international stage occupies the 5th position in Europe and the eleventh in the world for most confederation titles won with eleven trophies, having led the UEFA ranking during seven seasons since its inception in 1979, the most for an Italian team and joint second overall.
Founded with the name of Sport-Club Juventus, initially as an athletics club, it is the second oldest of its kind still active in the country after Genoa's football section (1893) and has competed uninterruptedly in the top flight league (reformulated as Serie A from 1929) since its debut in 1900 after changing its name to Foot-Ball Club Juventus, with the exception of the 2006–07 season, being managed by the industrial Agnelli family almost continuously since 1923. The relationship between the club and that dynasty is the oldest and longest in national sports, making Juventus one of the first professional sporting clubs "ante litteram" in the country, having established itself as a major force in the national stage since the 1930s and at confederation level since the mid-1970s and becoming one of the first ten wealthiest in world football in terms of value, and profit since the mid-1990s, being listed on the Borsa italiana since 2001.
Under the management of Giovanni Trapattoni, the club won 13 trophies in the ten years before 1986, including six league titles and five international titles, and became the first to win all three seasonal competitions organised by the Union of European Football Associations: the 1976–77 UEFA Cup (first Southern European side to do so), the 1983–84 Cup Winners' Cup and the 1984–85 European Cup. With successive triumphs in the 1984 European Super Cup and 1985 Intercontinental Cup, it became the first and thus far only in the world to complete a clean sweep of all confederation trophies; an achievement that they revalidated with the title won in the 1999 UEFA Intertoto Cup after another successful era led by Marcello Lippi, becoming in addition the only professional Italian club to have won every ongoing honour available to the first team and organised by a national or international football association. In December 2000, Juventus was ranked seventh in the FIFA's historic ranking of the best clubs in the world and nine years later was ranked second best club in Europe during the 20th Century based on a statistical study series by the International Federation of Football History & Statistics (IFFHS), the highest for an Italian club in both.
The club's fan base is the largest at national level and one of the largest worldwide. Unlike most European sporting supporters' groups, which are often concentrated around their own club's city of origin, it is widespread throughout the whole country and the Italian diaspora, making Juventus a symbol of "anticampanilismo" ("anti-parochialism") and "italianità" ("Italianness"). Juventus players have won eight Ballon d'Or awards, four of these in consecutive years (1982–1985, an overall record), among these the first player representing Serie A, Omar Sívori, as well as Michel Platini and three of the five recipients with Italian nationality as the former member of the youth sector Paolo Rossi; they have also won four FIFA World Player of the Year awards, with winners as Roberto Baggio and Zinédine Zidane, a national record and third and joint second highest overall, respectively, in the cited prizes. Additionally, players representing the club have won 11 Serie A Footballer of the Year awards including the only goalkeeper to win it, Gianluigi Buffon, and 17 different players were inducted in the Serie A Team of the Year, being both also a record. Finally, the club has also provided the most players to the Italy national team—mostly in official competitions in almost uninterrupted way since 1924—who often formed the group that led the "Azzurri" squad to international success, most importantly in the 1934, 1982 and 2006 FIFA World Cups.
Juventus were founded as Sport-Club Juventus in late 1897 by pupils from the Massimo D'Azeglio Lyceum school in Turin, among them the brothers Eugenio and Enrico Canfari, but were renamed as Foot-Ball Club Juventus two years later. The club joined the Italian Football Championship in 1900. In 1904, the businessman Ajmone-Marsan revived the finances of the football club Juventus, making it also possible to transfer the training field from piazza d'armi to the more appropriate Velodrome Umberto I. During this period, the team wore a pink and black kit. Juventus first won the league championship in 1905 while playing at their Velodrome Umberto I ground. By this time the club colours had changed to black and white stripes, inspired by English side Notts County.
There was a split at the club in 1906, after some of the staff considered moving Juve out of Turin. President Alfred Dick was unhappy with this and left with some prominent players to found FBC Torino which in turn spawned the "Derby della Mole". Juventus spent much of this period steadily rebuilding after the split, surviving the First World War.
FIAT owner Edoardo Agnelli gained control of the club in 1923 and built a new stadium. This helped the club to its second "scudetto" (league championship) in the 1925–26 season, after beating Alba Roma with an aggregate score of 12–1 (Antonio Vojak's goals were essential that season). The club established itself as a major force in Italian football since the 1930s, becoming the country's first professional club and the first with a decentralised fan base, which led it to win a record of five consecutive Italian championships (the first four under the management of Carlo Carcano) and form the core of the Italy national team during the Vittorio Pozzo's era, including the 1934 world champion squad, with star players such as Raimundo Orsi, Luigi Bertolini, Giovanni Ferrari and Luis Monti, among others.
Juventus moved to the Stadio Comunale, but for the rest of the 1930s and the majority of the 1940s they were unable to recapture championship dominance. After the Second World War, Gianni Agnelli was appointed honorary president. The club added two more league championships to its name in the 1949–50 and 1951–52 seasons, the latter of which was under the management of Englishman Jesse Carver. Two new strikers were signed during 1957–58: Welshman John Charles and Italian Argentine Omar Sívori, playing alongside longtime member Giampiero Boniperti. That season saw Juventus awarded with the Golden Star for Sport Excellence to wear on their shirts after becoming the first Italian side to win ten league titles. In the same season, Sívori became the first ever player at the club to win the European Footballer of the Year. The following season, they beat Fiorentina to complete their first league and cup double, winning Serie A and Coppa Italia. Boniperti retired in 1961 as the all-time top scorer at the club, with 182 goals in all competitions, a club record which stood for 45 years.
During the rest of the decade, the club won the league just once more in 1966–67. However, the 1970s saw Juventus further solidify their strong position in Italian football. Under former player Čestmír Vycpálek, they won the "scudetto" in 1971–72 and 1972–73, with players such as Roberto Bettega, Franco Causio and José Altafini breaking through. During the rest of the decade, they won the league twice more, with defender Gaetano Scirea contributing significantly. The later win was under Giovanni Trapattoni, who also led the club to their first ever major European title (the UEFA Cup) in 1977 and helped the club's domination continue on into the early part of the 1980s. During Trapattoni's tenure, many Juventus players also formed the backbone of the Italy national team during Enzo Bearzot's successful managerial era, including the 1978 World Cup, UEFA Euro 1980 and 1982 world champion squads.
The Trapattoni era was highly successful in the 1980s and the club started the decade off well, winning the league title three more times by 1984. This meant Juventus had won 20 Italian league titles and were allowed to add a second golden star to their shirt, thus becoming the only Italian club to achieve this. Around this time, the club's players were attracting considerable attention and Paolo Rossi was named European Footballer of the Year following his contribution to Italy's victory in the 1982 World Cup, where he was named Player of the Tournament.
Frenchman Michel Platini was also awarded the European Footballer of the Year title for three years in a row in 1983, 1984 and 1985, which is a record. Juventus are the first and one of the only two clubs to have players from their club winning the award in four consecutive years. It was Platini who scored the winning goal in the 1985 European Cup Final against Liverpool, but this was marred by a tragedy which changed European football. That year, Juventus became the first club in the history of European football to have won all three major UEFA competitions and, after their triumph in the Intercontinental Cup, the club also became the first, and thus far, the only in association football history, to have won all possible , an achievement that it revalidated with the title won in the 1999 UEFA Intertoto Cup.
With the exception of winning the closely contested Italian Championship of 1985–86, the rest of the 1980s were not very successful for the club. As well as having to contend with Diego Maradona's Napoli, both of the Milanese clubs, Milan and Internazionale, won Italian championships. However, Juventus did win a Coppa Italia-UEFA Cup double in 1990 under the guidance of former club legend Dino Zoff. In 1990, Juventus also moved into their new home, the Stadio delle Alpi, which was built for the 1990 World Cup. Despite the arrival of Italian star Roberto Baggio later that year for a world record transfer fee, the early 1990s under Luigi Maifredi and subsequently Trapattoni once again also saw little success for Juventus, as they only managed to win the UEFA Cup in 1993.
Marcello Lippi took over as Juventus manager at the start of the 1994–95 campaign. His first season at the helm of the club was a successful one, as Juventus recorded their first Serie A championship title since the mid-1980s, as well as the Coppa Italia. The crop of players during this period featured Ciro Ferrara, Roberto Baggio, Gianluca Vialli and a young Alessandro Del Piero. Lippi led Juventus to their first Supercoppa Italiana and the Champions League the following season, beating Ajax on penalties after a 1–1 draw in which Fabrizio Ravanelli scored for Juventus.
The club did not rest long after winning the European Cup: more highly regarded players were brought into the fold in the form of Zinedine Zidane, Filippo Inzaghi and Edgar Davids. At home, Juventus won the 1996–97 and 1997–98 Serie A titles, as well as the 1996 UEFA Super Cup and the 1996 Intercontinental Cup. Juventus reached the 1997 and 1998 Champions League finals during this period, but lost out to Borussia Dortmund and Real Madrid respectively.
After a two-and-a-half-season absence, Lippi returned to the club in 2001, following his replacement Carlo Ancelotti's dismissal, signing big name players such as Gianluigi Buffon, David Trezeguet, Pavel Nedvěd and Lilian Thuram, helping the team to two more "scudetto" titles during the 2001–02 and 2002–03 seasons. Juventus were also part of an all Italian Champions League final in 2003, but lost out to Milan on penalties after the game ended in a 0–0 draw. At the conclusion of the following season, Lippi was appointed as the Italy national team's head coach, bringing an end to one of the most fruitful managerial spells in Juventus' history.
Fabio Capello was appointed as Juventus' coach in 2004 and led the club to two more consecutive Serie A first places. In May 2006, Juventus became one of the five clubs linked to the Calciopoli scandal. In July, Juventus was placed at the bottom of the league table and relegated to Serie B for the first time in its history. The club was also stripped of the 2005 title won under Capello, while the 2006 title, after a period "sub judice", was assigned to Inter Milan.
Many key players left following their relegation to Serie B, including Lillian Thuram, star striker Zlatan Ibrahimović and defensive stalwart Fabio Cannavaro. However, other big name players such as Alessandro Del Piero, Gianluigi Buffon, David Trezeguet and Pavel Nedvěd remained to help the club return to Serie A, while youngsters from the Primavera (youth team), such as Sebastian Giovinco and Claudio Marchisio, were integrated into the first team. Juventus won the "Cadetti" (Serie B championship) and gained promotion straight back up to the top division as league winners after the 2006–07 season, as captain Del Piero claimed the top scorer award with 21 goals.
As early as 2010, Juventus considered challenging the stripping of their "scudetto" from 2005 and the non-assignment of the 2006 title, dependent on the results of trials connected to the 2006 scandal. When former general manager Luciano Moggi's conviction in criminal court in connection with the scandal was partially written off by the Supreme Court on 23 March 2015, the club sued the Italian Football Federation (FIGC) for €443 million for damages caused by their 2006 relegation. FIGC president Carlo Tavecchio offered to discuss reinstatement of the lost "scudetti" in exchange for Juventus dropping the lawsuit. On 9 September 2015, the Supreme Court released a 150-page document that explained its final ruling of the case: despite that Moggi's remaining charges were cancelled without a new trial, due to statute of limitations, the court confirmed that Moggi was actively involved in the sporting fraud which was intended to favour Juventus and increase his own personal benefits. Eventually, in 2016 the TAR tribunal rejected the request of compensation promoted by Juventus. On 15 March 2017, Moggi's lifetime ban was definitively confirmed on final appeal.
After returning to Serie A in the 2007–08 season, Juventus appointed Claudio Ranieri as manager. They finished in third place in their first season back in the top flight and qualified for the Champions League third qualifying round in the preliminary stages. Juventus reached the group stages, where they beat Real Madrid in both home and away legs, before losing in the knockout round to Chelsea. Ranieri was sacked following a string of unsuccessful results and Ciro Ferrara was appointed as manager on a temporary basis for the last two games of the 2008–09 season, before being subsequently appointed as the manager for the 2009–10 season.
Ferrara's stint as Juventus manager, however, proved to be unsuccessful, with Juventus knocked out of Champions League and Coppa Italia, as well as just lying on the sixth place in the league table at the end of January 2010, leading to the dismissal of Ferrara and the naming of Alberto Zaccheroni as caretaker manager. Zaccheroni could not help the side improve, as Juventus finished the season in seventh place in Serie A. For the 2010–11 season, Jean-Claude Blanc was replaced by Andrea Agnelli as the club's president. Agnelli's first action was to replace Zaccheroni and director of sport Alessio Secco with Sampdoria manager Luigi Delneri and director of sport Giuseppe Marotta. However, Delneri failed to improve their fortunes and was dismissed. Former player and fan favourite Antonio Conte, fresh after winning promotion with Siena, was named as Delneri's replacement. In September 2011, Juventus relocated to the new Juventus Stadium.
With Conte as manager, Juventus went unbeaten for the entire 2011–12 Serie A season. Towards the second half of the season, the team was mostly competing with northern rivals Milan for first place in a tight contest. Juventus won the title on the 37th matchday after beating Cagliari 2–0 and Milan losing to Internazionale 4–2. After a 3–1 win in the final matchday against Atalanta, Juventus became the first team to go the season unbeaten in the current 38-game format. Other noteworthy achievements included the biggest away win (5–0 at Fiorentina), best defensive record (20 goals conceded, fewest ever in the current league format) in Serie A and second best in the top six European leagues that year. In 2013–14, Juventus won a third consecutive "scudetto" with a record 102 points and 33 wins. The title was the 30th official league championship in the club's history. They also achieved the semi-finals of Europa League, where they were eliminated at home against ten-man Benfica's "catenaccio", missing the final at the Juventus Stadium.
In 2014–15, Massimiliano Allegri was appointed as manager, with whom Juventus won their 31st official title, making it a fourth-straight, as well as achieving a record tenth Coppa Italia for the double. The club also beat Real Madrid in the semi-finals of the Champions League 3–2 on aggregate to face Barcelona in the final in Berlin for the first time since the 2002–03 Champions League. Juventus lost the final to Barcelona 3–1 after an early fourth-minute goal from Ivan Rakitić, followed by an Álvaro Morata equalizer in the 55th minute. Then Barcelona took the lead again with a goal from Luis Suárez in the 70th minute, followed by a final minute goal by Neymar as Juventus were caught out on the counterattack. On 14 December 2015, Juventus won the Serie A Football Club of the Year award for the 2014–15 season, the fourth time in succession. On 25 April 2016, the club won their fifth-straight title (and 32nd overall) since last winning five-straight between 1930 and 1931 and 1934–35, after second place Napoli lost to Roma to give Juventus mathematical certainty of the title with three games to spare; last losing to Sassuolo on 25 October 2015, which left them in 12th place, before taking 73 points of a possible 75. On 21 May, the club then won the Coppa Italia for the 11th time and their second-straight title, becoming the first team in Italy's history to complete Serie A and Coppa Italia doubles in back-to-back seasons.
On 17 May 2017, Juventus won their 12th Coppa Italia title in a 2–0 win over Lazio (the first team to win three consecutive championships). Four days later on 21 May, Juventus became the first team to win six consecutive Serie A titles. On 3 June 2017, Juventus reached a second Champions League Final in three years, but were defeated 1–4 by defending champions Real Madrid—a stampede in Turin happened ten minutes before the end of the match. On 9 May 2018, Juventus won their 13th Coppa Italia title, and fourth in a row, in a 4–0 win over Milan, extending the all-time record of successive Coppa Italia titles. Four days later on 13 May, Juventus secured their seventh consecutive Serie A title, extending the all-time record of successive triumphs in the competition. In July 2018, Juventus broke the record for a fee paid for a player over 30 years old and the record for a fee paid by an Italian club by purchasing the 33-year-old Cristiano Ronaldo from Real Madrid for €112 million, or £99.2 million. On 20 April 2019, Juventus secured their eighth consecutive Serie A title, further extending the all-time record of successive triumphs in the competition.
Juventus have played in black and white striped shirts, with white shorts, sometimes black shorts since 1903. Originally, they played in pink shirts with a black tie. The father of one of the players made the earliest shirts, but continual washing faded the colour so much that in 1903 the club sought to replace them. Juventus asked one of their team members, Englishman John Savage, if he had any contacts in England who could supply new shirts in a colour that would better withstand the elements. He had a friend who lived in Nottingham, who being a Notts County supporter, shipped out the black and white striped shirts to Turin. Juventus have worn the shirts ever since, considering the colours to be aggressive and powerful.
Juventus's official emblem has undergone different and small modifications since the 1920s. The previous modification of the Juventus badge took place in 2004, when the emblem of the team changed to a black-and-white oval shield of a type used by Italian ecclesiastics. It is divided in five vertical stripes: two white stripes and three black stripes, inside which are the following elements, while in its upper section the name of the society superimposed on a white convex section, over golden curvature (gold for honour). The white silhouette of a charging bull is in the lower section of the oval shield, superimposed on a black old French shield and the charging bull is a symbol of the "comune" of Turin. There is also a black silhouette of a mural crown above the black spherical triangle's base. This is a reminiscence to Augusta Tourinorum, the old city of the Roman era which the present capital of Piedmont region is its cultural heiress.
In January 2017, president Andrea Agnelli announced the most recent change to the Juventus badge, revealing a video showing the introduction of the new badge. The badge shows the word Juventus on top, with two capital Js shown together in different fonts with a small opening between them to almost make a bigger J. Agnelli said that the badge reflects "the Juventus way of living". Juventus was the first team in association football history to adopt a star, who added one above their badge in 1958 to represent their tenth Italian Football Championship and Serie A title, and has since become popularized with other clubs as well.
In the past, the convex section of the emblem had a blue colour (another symbol of Turin) and it was concave in shape. The old French shield and the mural crown, also in the lower section of the emblem, had a considerably greater size. The two "Golden Stars for Sport Excellence" were located above the convex and concave section of Juventus' emblem. During the 1980s, the club emblem was the blurred silhouette of a zebra, alongside the two golden stars with the club's name forming an arc above.
Juventus unofficially won their 30th league title in 2011–12, but a dispute with the FIGC, which stripped Juventus of their 2004–05 "and" 2005–06 titles due to their involvement in a 2006 Italian football scandal, left their official total at 28. They elected to wear no stars at all the following season. Juventus won their 30th title in 2013–14 and thus earned the right to wear their third star, but club president Andrea Agnelli stated that the club suspended the use of the stars until another team wins their 20th championship, thus having the right to wear two stars, "to emphasise Juventus' superiority". However, for the 2015–16 season, Juventus reintroduced the stars and added the third star to their jersey as well with new kit manufacturers Adidas, in addition to the Coppa Italia badge for winning their tenth Coppa Italia the previous season. For the 2016–17 season, Juventus re-designed their kit with a different take on the trademark black and white stripes. For the 2017–18 season, Juventus introduced the J shaped logo onto the kits.
In September 2015, Juventus officially announced a new project called JKids for its junior supporters on its website. Along with this project, Juventus also introduced a new mascot to all its fans which is called J. J is a cartoon-designed zebra, black and white stripes with golden edge piping on its body, golden shining eyes, and three golden stars on the front of its neck. J made its debut at Juventus Stadium on 12 September 2015.
During its history, the club has acquired a number of nicknames, "la Vecchia Signora" (the Old Lady) being the best example. The "old" part of the nickname is a pun on Juventus which means "youth" in Latin. It was derived from the age of the Juventus star players towards the middle of the 1930s. The "lady" part of the nickname is how fans of the club affectionately referred to it before the 1930s. The club is also nicknamed "la Fidanzata d'Italia" (the Girlfriend of Italy), because over the years it has received a high level of support from Southern Italian immigrant workers (particularly from Naples and Palermo), who arrived in Turin to work for FIAT since the 1930s. Other nicknames include; "[La] Madama" (Piedmontese for: Madam), "i bianconeri" (the black-and-whites), "le zebre" (the zebras) in reference to Juventus' colours. "I gobbi" (the hunchbacks) is the nickname that is used to define Juventus supporters, but is also used sometimes for team's players. The most widely accepted origin of "gobbi" dates to the fifties, when the "bianconeri" wore a large jersey. When players ran on the field, the jersey, which had a laced opening at the chest, generated a bulge over the back (a sort of parachute effect), making the players look hunchbacked.
The official anthem of Juventus is "Juve (storia di un grande amore)", or "Juve (story of a great love)" in English, written by Alessandra Torre and Claudio Guidetti, in the version of the singer and musician Paolo Belli composed in 2007. In 2016, a documentary film called "Black and White Stripes: The Juventus Story" was produced by the La Villa brothers about Juventus. On 16 February 2018, the first three episodes of a docu-series called "", which followed the club throughout the season, by spending time with the players behind the scenes both on and off the field, was released on Netflix; the other three episodes were released on 6 July 2018.
After the first two years (1897 and 1898), during which Juventus played in the Parco del Valentino and Parco Cittadella, their matches were held in the Piazza d'Armi Stadium until 1908, except in 1905 (the first year of the "scudetto") and in 1906, years in which it played at the Corso Re Umberto.
From 1909 to 1922, Juventus played their internal competitions at Corso Sebastopoli Camp before moving the following year to Corso Marsiglia Camp, where they remained until 1933, winning four league titles. At the end of 1933, they began to play at the new Stadio Mussolini stadium inaugurated for the 1934 World Championships. After the Second World War, the stadium was renamed as Stadio Comunale Vittorio Pozzo. Juventus played home matches at the ground for 57 years, a total of 890 league matches. The team continued to host training sessions at the stadium until July 2003.
From 1990 until the 2005–06 season, the Torinese side contested their home matches at Stadio delle Alpi, built for the 1990 FIFA World Cup, although in very rare circumstances the club played some home games in other stadia such as Renzo Barbera at Palermo, Dino Manuzzi at Cesena and the Stadio Giuseppe Meazza at Milan.
In August 2006, Juventus returned to play in the Stadio Comunale, then known as Stadio Olimpico, after the restructuring of the stadium for the 2006 Winter Olympics onward. In November 2008, Juventus announced that they would invest around €120 million to build a new ground, the Juventus Stadium, on the site of delle Alpi. Unlike the old ground, there is not a running track and instead the pitch is only 7.5 metres away from the stands. The capacity is 41,507. Work began during spring 2009 and the stadium was opened on 8 September 2011, ahead of the start of the 2011–12 season. Since 1 July 2017, the Juventus Stadium is known commercially as the Allianz Stadium of Turin until 30 June 2030.
Juventus is the best-supported football club in Italy, with over 12 million fans or "tifosi", which represent approximately 34% of the total Italian football fans according to a research published in September 2016 by Italian research agency Demos & Pi, as well as one of the most supported football clubs in the world, with over 300 million supporters (41 million in Europe alone), particularly in the Mediterranean countries to which a large number of Italian diaspora have emigrated. The Torinese side has fan clubs branches across the globe.
Demand for Juventus tickets in occasional home games held away from Turin is high, suggesting that Juventus have stronger support in other parts of the country. Juventus is widely and especially popular throughout mainland Southern Italy, Sicily and Malta, leading the team to have one of the largest followings in its away matches, more than in Turin itself.
Juventus have significant rivalries with two main clubs. Their traditional rivals are fellow Turin club Torino; matches between the two sides are known as the "Derby della Mole" (Turin Derby). The rivalry dates back to 1906 as Torino was founded by break-away Juventus players and staff. Their most high-profile rivalry is with Internazionale, another big Serie A club located in Milan, the capital of the neighbouring region of Lombardy. Matches between these two clubs are referred to as the "Derby d'Italia" (Derby of Italy) and the two regularly challenge each other at the top of the league table, hence the intense rivalry. Until the Calciopoli scandal which saw Juventus forcibly relegated, the two were the only Italian clubs to have never played below Serie A. Notably, the two sides are the first and the second most supported clubs in Italy and the rivalry has intensified since the later part of the 1990s; reaching its highest levels ever post-"Calciopoli", with the return of Juventus to Serie A.
The rivalry with A.C. Milan is a rivalry between the two most titled teams in Italy. The challenge confronts also two of the clubs with greater basin of supporters as well as those with the greatest turnover and stock market value in the country. The match-ups between Milan and Juventus, is regarded as the championship of Serie A, and both teams were often fighting for the top positions of the standings, sometimes even decisive for the award of the title. They also have rivalries with Roma, Fiorentina and Napoli.
The Juventus youth set-up has been recognised as one of the best in Italy for producing young talents. While not all graduates made it to the first team, many have enjoyed successful careers in the Italian top flight. Under long-time coach Vincenzo Chiarenza, the "Primavera" (Under-20) squad enjoyed one of its successful periods, winning all age-group competitions from 2004 to 2006. Like Dutch club Ajax and many Premier League clubs, Juventus operates several satellite clubs and football schools outside of the country (i.e. United States, Canada, Greece, Saudi Arabia, Australia and Switzerland) and numerous camps in the local region to expand talent scouting.
The youth system is also notable for its contribution to the Italian national senior and youth teams. 1934 World Cup winner Gianpiero Combi, 1936 Gold Medal and 1938 World Cup winner Pietro Rava, Giampiero Boniperti, Roberto Bettega, 1982 World Cup hero Paolo Rossi and more recently Claudio Marchisio and Sebastian Giovinco are a number of former graduates who have gone on to make the first team and full Italy squad.
Juventus have had numerous chairmen ( or ) over the course of their history, some of which have been the owners of the club, others have been corporate managers that were nominated by the owners. On top of chairmen, there were several living former chairmen, that were nominated as the honorary chairmen ().
Below is a list of Juventus managers from 1923, when the Agnelli family took over and the club became more structured and organised, until the present day.
Italy's most successful club of the 20th century and the most successful club in the history of Italian football, Juventus have won the Italian League Championship, the country's premier football club competition and organised by Lega Nazionale Professionisti Serie A (LNPA), a record 35 times and have the record of consecutive triumphs in that tournament (eight, between 2011–12 and 2018–19). They have also won the Coppa Italia, the country's primary single-elimination competition, a record 13 times, becoming the first team to retain the trophy successfully with their triumph in the 1959–60 season, and the first to win it in three consecutive seasons from the 2014–15 season to the 2016–17 season, and went on to win it a fourth consecutive time in 2017–18. In addition, the club holds the record for Supercoppa Italiana wins with eight, the most recent coming in 2018.
Overall, Juventus have won 67 official competitions, more than any other Italian club: 56 domestic trophies (which is also a record) and 11 official international competitions, making them, in the latter case, the second most successful Italian club in European competition. The club is fifth in Europe and eleventh in the world with the most international titles won officially recognised by their respective association football confederation and Fédération Internationale de Football Association (FIFA). In 1977, the Torinese side become the first in Southern Europe to have won the UEFA Cup and the first—and only to date—in Italian football history to achieve an international title with a squad composed by national footballers. In 1993, the club won its third competition's trophy, an unprecedented feat in the continent until then and the most for an Italian club. Juventus was also the first Italian club to achieve the title in the European Super Cup, having won the competition in 1984 and the first European club to win the Intercontinental Cup in 1985, since it was restructured by Union of European Football Associations (UEFA) and Confederación Sudamericana de Fútbol (CONMEBOL)'s organizing committee five years beforehand.
The club has earned the distinction of being allowed to wear three Golden Stars () on its shirts representing its league victories, the tenth of which was achieved during the 1957–58 season, the 20th in the 1981–82 season and the 30th in the 2013–14 season. Juventus were the first Italian team to have achieved the national double four times (winning the Italian top tier division and the national cup competition in the same season), in the 1959–60, 1994–95, 2014–15 and 2015–16 seasons. In the 2015–16 season, Juventus won the Coppa Italia for the 11th time and their second-straight title, becoming the first team in Italy's history to complete Serie A and Coppa Italia doubles in back-to-back seasons; Juventus would go on to win another two consecutive doubles in 2016–17 and 2017–18.
The club is unique in the world in having won all official confederation competitions and they have received, in recognition to winning the three major UEFA competitions—first case in the history of the European football and the only one to be reached with the same coach— The UEFA Plaque by the Union of European Football Associations (UEFA) on 12 July 1988.
The Torinese side was placed seventh—but the top Italian club—in the FIFA's century ranking of the best clubs in the world on 23 December 2000 and nine years later was ranked second best club in Europe during the 20th Century based on a statistical study series by International Federation of Football History & Statistics, the highest for an Italian club in both.
Juventus have been proclaimed World's Club Team of the Year twice (1993 and 1996) and was ranked in 3rd place—the highest ranking of any Italian club—in the All-Time Club World Ranking (1991–2009 period) by the IFFHS.
Alessandro Del Piero holds Juventus' official appearance record of 705 appearances. He took over from Gaetano Scirea on 6 April 2008 against Palermo. He also holds the record for Serie A appearances with 478. Including all official competitions, Del Piero is the all-time leading goalscorer for Juventus, with 290—since joining the club in 1993. Giampiero Boniperti, who was the all-time topscorer since 1961 comes in second in all competitions with 182. In the 1933–34 season, Felice Borel scored 31 goals in 34 appearances, setting the club record for Serie A goals in a single season. Ferenc Hirzer is the club's highest scorer in a single season with 35 goals in 26 appearances in the 1925–26 season (record of Italian football). The most goals scored by a player in a single match is 6, which is also an Italian record. This was achieved by Omar Sívori in a game against Internazionale in the 1960–61 season.
The first ever official game participated in by Juventus was in the Third Federal Football Championship, the predecessor of Serie A, against Torinese in a Juventus loss 0–1. The biggest victory recorded by Juventus was 15–0 against Cento, in the second round of the Coppa Italia in the 1926–27 season. In the league, Fiorentina and Fiumana were famously on the end of Juventus' biggest championship wins, with both beaten 11–0 in the 1928–29 season. Juventus' heaviest championship defeats came during the 1911–12 and 1912–13 seasons: they were against Milan in 1912 (1–8) and Torino in 1913 (0–8).
The signing of Gianluigi Buffon in 2001 from Parma cost Juventus €52 million (100 billion lire), making it the then-most expensive transfer for a goalkeeper of all-time until 2018. On 20 March 2016, Buffon set a new Serie A record for the longest period without conceding a goal (974 minutes) in the "Derby della Mole" during the 2015–16 season. On 26 July 2016, Argentine forward Gonzalo Higuaín became the third highest football transfer of all-time and highest ever transfer for an Italian club, at the time, when he was signed by Juventus for €90 million from Napoli. On 8 August 2016, Paul Pogba returned to his first club, Manchester United, for an all-time record for highest football transfer fee of €105 million, surpassing the former record holder Gareth Bale. The sale of Zinedine Zidane from Juventus to Real Madrid of Spain in 2001 was the world football transfer record at the time, costing the Spanish club around €77.5 million (150 billion lire). On 10 July 2018, Cristiano Ronaldo became the highest ever transfer for an Italian club with his €100 million transfer from Real Madrid.
Overall, Juventus are the club that has contributed the most players to the Italy national team in history, being the only Italian club that has contributed players to every Italy national team since the 2nd FIFA World Cup. Juventus have contributed numerous players to Italy's World Cup campaigns, these successful periods principally have coincided with two golden ages of the Turin club's history, referred as "Quinquennio d'Oro" (The Golden Quinquennium), from 1931 until 1935, and "Ciclo Leggendario" (The Legendary Cycle), from 1972 to 1986.
Below are a list of Juventus players who represented the Italy national team during World Cup winning tournaments.
Two Juventus players have won the golden boot award at the World Cup with Italy, Paolo Rossi in 1982 and Salvatore Schillaci in 1990. As well as contributing to Italy's World Cup winning sides, two Juventus players Alfredo Foni and Pietro Rava, represented Italy in the gold medal winning squad at the 1936 Summer Olympics. Three Juventus players represented their nation during the 1968 European Football Championship win for Italy: Sandro Salvadore, Ernesto Càstano and Giancarlo Bercellino.
The Torinese club has also contributed to a lesser degree to the national sides of other nations. Zinédine Zidane and captain Didier Deschamps were Juventus players when they won the 1998 World Cup with France, as well as Blaise Matuidi in the 2018 World Cup, making it as the association football club which supplied the most globally (25). Three Juventus players have also won the European Football Championship with a nation other than Italy, Luis del Sol won it in 1964 with Spain, while the Frenchmen Michel Platini and Zidane won the competition in 1984 and 2000 respectively.
Since 27 June 1967, Juventus Football Club has been a "società per azioni" (S.p.A.) and since 3 December 2001 the Torinese side is listed on the Borsa Italiana. As of 31 December 2015, the Juventus' shares are distributed between 63.8% to EXOR N.V., the Agnelli family's holding (a company of the Giovanni Agnelli and C.S.a.p.a Group), 5.0% to Lindsell Train Ltd. and 31.2% to other shareholders.(<2.0%) As of 5 July 2016, Lindsell Train Ltd. increased its holding to 10% and then Exor S.P.A decreased to 60.0%. Since 2012, Jeep became the new sponsor of Juventus, a car brand acquired by FIAT after the 2000s global financial crisis.
Along with Lazio and Roma, Juventus is one of only three Italian clubs quoted on Borsa Italiana (Italian stock exchange); it also has a secondary listing on Borsa Italiana's sister stock exchange, the London Stock Exchange. Juventus was also the only association football club in the country member of STAR (Segment of Stocks conforming to High Requirements, Italian: "Segmento Titoli con Alti Requisiti"), one of the main market segment in the world. However, Juventus had to move from the STAR segment to MTA market due to 2011 financial results.
The club's training ground was owned by Campi di Vinovo S.p.A, controlled by Juventus Football Club S.p.A. to 71.3%. In 2003, the club bought the lands from the subsidiary and later the company was dissolved. Since then, Juventus has not had any subsidiary.
From 1 July 2008, the club has implemented a safety management system for employees and athletes in compliance with the requirements of international OHSAS 18001:2007 regulation and a Safety Management System in the medical sector according to the international ISO 9001:2000 resolution.
The club is one of the founders of the European Club Association (ECA), which was formed after the dissolution of the G-14, an international group of Europe's most elite clubs of which Juventus were also a founding member.
According to the Deloitte Football Money League, a research published by consultants Deloitte Touche Tohmatsu on 17 January 2014, Juventus are the ninth-highest earning football club in the world with an estimated revenue of €272.4 million, the most for an Italian club. The club is also ranked ninth on Forbes' list of the most valuable football clubs in the world with an estimate value of US$850 million (€654 million), making them the second richest association football club in Italy.
Juventus re-capitalized on 28 June 2007, increasing €104,807,731.60 of share capital. The team made an aggregate net loss in the following seasons (2006 to date): –€927,569 (2006–07), –€20,787,469 (2007–08), net income €6,582,489 (2008–09) and net loss €10,967,944 (2009–10). After an unaudited €43,411,481 net loss was recorded in the first nine months of 2010–11 season, the board of directors announced that a capital increase of €120 million was planned, scheduled to submit to the extraordinary shareholder's meeting in October. Eventually, the 2010–11 season net loss was €95,414,019. In the 2012–13 season, Juventus continued to recover from recent seasons' net losses thanks to the biggest payment in UEFA's Champions League 2012–13 revenue distribution, earning €65.3 million. Despite being knocked out in the quarterfinal stage, Juventus took the lion's share thanks to the largesse of the Italian national TV market and the division of revenues with the only other Italian team making the competition's final phase, Milan. Confirming the trend of marked improvement in net result, the 2013–14 financial year closed with a loss of €6.7 million, but with the first positive operating income since 2006. In the 2014–15 season, by the excellent sports results achieved (the fourth year in a row of Serie A titles, the tenth Coppa Italia title and playing the Champions League final), net income reached €2.3 million. Compared to the loss of €6.7 million last year, 2014–15 showed a positive change of €9 million and returned to a profit after six years since 2008–09. As Italy's famous pink sports newspaper, La Gazzetta dello Sport, produced its annual list of salaries in Serie A, there was one headline that stuck out above all the rest .CR7 that has elevated Juve's total spend. The Old Lady has no less than nine players earning €6 million or more per season compared to just three who take home more than that figure in the entirety of the rest of the league. Their struggles in selling players during the previous transfer window has also served to increase their overall spend on wages. Juve tried and failed to sell Paulo Dybala, Sami Khedira, Gonzalo Higuain and Mario Mandzukic in the summer, players who cost the club €26.8 million per season in salaries.
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Jadwiga of Poland
Jadwiga (), also known as Hedwig (; 1373/4 – 17 July 1399), was the first female monarch of the Kingdom of Poland, reigning from 16 October 1384 until her death. She was the youngest daughter of Louis the Great, King of Hungary and Poland, and his wife Elizabeth of Bosnia. Jadwiga was a member of the Capetian House of Anjou, but she had more close forebears among the Polish Piasts. In 1997 she was canonized by the Roman Catholic Church.
In 1375 it was planned that she would eventually marry William of Austria, and she lived in Vienna from 1378 to 1380. Jadwiga's father is thought to have regarded her and William as his favoured successors in Hungary after the 1379 death of her eldest sister, Catherine, since the Polish nobility had that same year pledged their homage to Louis' second daughter, Mary, and Mary's fiancé, Sigismund of Luxemburg. However, Louis died, and in 1382, at her mother's insistence, Mary was crowned "King of Hungary". Sigismund of Luxemburg tried to take control of Poland, but the Polish nobility countered that they would be obedient to a daughter of King Louis only if she settled in Poland. Queen Elizabeth then chose Jadwiga to reign there, but did not send her to Kraków to be crowned. During the interregnum, Siemowit IV, Duke of Masovia, became a candidate for the Polish throne. The nobility of Greater Poland favored him and proposed that he marry Jadwiga. However, Lesser Poland's nobility opposed him and persuaded Queen Elizabeth to send Jadwiga to Poland.
Jadwiga was crowned "king" in Poland's capital, Kraków, on 16 October 1384. Her coronation either reflected the Polish nobility's opposition to her intended husband, William, becoming king without further negotiation, or simply emphasized her status as queen regnant. With her mother's consent, Jadwiga's advisors opened negotiations with Jogaila, Grand Duke of Lithuania, who was still a pagan, concerning his potential marriage to Jadwiga. Jogaila signed the Union of Krewo, pledging to convert to Roman Catholicism and to promote his pagan subjects' conversion. Meanwhile, William hastened to Kraków, hoping to marry his childhood fiancée Jadwiga, but in late August 1385 the Polish nobles expelled him. Jogaila, who took the baptismal name Władysław, married Jadwiga on 15 February 1386. Legend says that she had agreed to marrying him only after lengthy prayer, seeking divine inspiration.
Jogaila, now in Polish styled Władysław Jagiełło, was crowned King of Poland on 4 March 1386. As Jadwiga's co-ruler, Jagiełło worked closely with his wife. After rebellious nobles of the Kingdom of Hungary-Croatia had imprisoned her mother and sister, she marched into the Kingdom of Galicia–Volhynia, which had been under Hungarian rule, and persuaded most of the inhabitants to become subjects of the Polish Crown. She mediated between her husband's quarreling kin, and between Poland and the Teutonic Knights. After her sister Mary died in 1395, Jadwiga and Jagiełło laid claim to Hungary against the widowed Sigismund of Luxemburg, but the Hungarian lords failed to support them.
Jadwiga was born in Buda, the capital of the Kingdom of Hungary. She was the third and youngest daughter of Louis I, King of Hungary and Poland, and his second wife, Elizabeth of Bosnia. Both her grandmothers were Polish princesses, connecting her to the native Piast dynasty of Poland. Historian Oscar Halecki concluded that Jadwiga's "genealogical tree clearly shows that [she] had more Polish blood than any other". She was probably born between 3 October 1373 and 18 February 1374. She was named after her distant ancestor, Saint Hedwig of Silesia, who was especially venerated in the Hungarian royal court at the time of her birth.
King Louis, who had not fathered any sons, wanted to ensure his daughters' right to inherit his realms. Therefore, European royals regarded his three daughters as especially attractive brides. Leopold III, Duke of Austria, proposed his eldest son, William, to Jadwiga already on 18 August 1374. The envoys of the Polish nobles acknowledged that one of Louis's daughters would succeed him in Poland after he confirmed and extended their liberties in the Privilege of Koszyce on 17 September 1374. They took an oath of loyalty to Catherine on Louis's demand.
Louis agreed to give Jadwiga in marriage to William of Austria on 4 March 1375. The children's "sponsalia de futuro", or "provisional marriage", was celebrated at Hainburg on 15 June 1378. The ceremony established the legal framework for the consummation of the marriage without any further ecclesiastical act as soon as they both reached the age of maturity. Duke Leopold agreed that Jadwiga would only receive Treviso, a town which was to be conquered from the Republic of Venice, as dowry from her father. After the ceremony, Jadwiga stayed in Austria for almost two years; she mainly lived in Vienna.
Catherine died in late 1378. Louis persuaded the most influential Polish lords to swear an oath of loyalty to her younger sister, Mary, in September 1379. She was betrothed to Sigismund of Luxemburg, a great-grandson of Casimir the Great, who had been Louis's predecessor on the Polish throne. The "promised marriage" of Jadwiga and William was confirmed at their fathers' meeting in Zólyom (now Zvolen in Slovakia) on 12 February 1380. Hungarian lords also approved the document, implying that Jadwiga and William were regarded as her father's successors in Hungary.
A delegation of the Polish lords and clergy paid formal homage to Sigismund of Luxemburg as their future king on 25 July 1382. The Poles believed that Louis planned also to persuade the Hungarian lords and prelates to accept Jadwiga and William of Austria as his heirs in Hungary. However, he died on 11 September 1382. Jadwiga was present at her father's death bed.
Jadwiga's sister, Mary, was crowned "king" of Hungary five days after their father's death. With the ceremony, their ambitious mother secured the right to govern Hungary on her twelve-year-old daughter's behalf instead of Mary's fiancé, Sigismund. Sigismund could not be present at Mary's coronation, because Louis had sent him to Poland to crush a rebellion. After he learnt of Louis's death, he adopted the title "Lord of the Kingdom of Poland", demanding oaths of loyalty from the towns in Lesser Poland. On 25 November, the nobles of Greater Poland assembled at Radomsko and decided to obey nobody but the daughter of the late king as she would settle in Poland. On their initiative, the noblemen of Lesser Poland passed a similar agreement in Wiślica on 12 December. Queen Elizabeth sent her envoys to the assembled lords and forbade them to swear an oath of loyalty to anyone other than one of her daughters, thus invalidating the oath of loyalty that the Polish noblemen had sworn to Sigismund on the late King Louis's demand.
Both Elizabeth's daughters had been engaged to foreign princes (Sigismund and William, respectively) unpopular in Poland. Polish lords who were opposed to a foreign monarch regarded the members of the Piast dynasty as possible candidates to the Polish throne. Queen Elizabeth's uncle Władysław the White had already attempted to seize Poland during Louis's reign. However, he had taken monastic vows and settled in a Benedictine abbey in Dijon in Burgundy. Antipope Clement VII, whom King Louis had refused to recognize against Pope Urban VI, released Władysław from his vows, but he did not leave his monastery. Meanwhile, Siemowit IV, Duke of Masovia, appeared as a more ambitious candidate. He was especially popular among the nobility and townspeople of Greater Poland.
Queen Elizabeth's representatives released the Poles from their oath of fidelity that their representatives had sworn to Mary at an assembly in Sieradz in February 1383. The envoys also announced that she was willing to send Jadwiga to be crowned instead, on condition that she return to Buda after her coronation to live there until her twelfth birthday. The Polish lords accepted the proposal, but they soon realized that thereby the interregnum would be extended by a further three years. At a new meeting in Sieradz, most noblemen were ready to elect Siemowit of Masovia king on 28 March. They proposed that Siemowit should marry Jadwiga. A member of the influential Tęczyński family, Jan, convinced them to postpone Siemowit's election. The noblemen agreed to wait for Jadwiga until 10 May, stipulating that she was to live in Poland after her coronation. They also demanded that Dobrzyń and Gniewków (two fiefdoms which her father had granted to Vladislaus II of Opole), and "Ruthenia" (that had passed to Hungary in accordance with a previous treaty) be restored to the Polish Crown.
Meanwhile, Jan Tęczyński and his allies, including , seem to have started negotiations with Jogaila, Grand Duke of Lithuania. Siemowit's supporters however, tried to enter Kraków in the retinue of Bodzanta, Archbishop of Gniezno, in May, but the townspeople closed the gates of the city before their arrival. Jadwiga had not arrived in Poland by the stipulated date (10 May). Her mother's envoys stated that the spring floods had hindered Jadwiga's progress over the Carpathian Mountains.
Siemowit of Mazovia took up arms and advanced as far as Kalisz. His supporters assembled in Sieradz in August in order to elect him king, but Archbishop Bodzanta refused to perform his coronation. In a meeting in Kassa, Queen Elizabeth promised the delegates of the Polish provinces to send Jadwiga to Poland before November. The queen mother and the Poles also agreed that if either Jadwiga or Mary died childless, her kingdom would pass to her surviving sister. Siemowit having laid siege to Kalisz, Queen Elizabeth sent Sigismund of Luxemburg at the head of an "improvised army" to Lesser Poland. Siemowit failed to take Kalisz, but news about the appalling behaviour of Sigismund's soldiers increased Sigismund's unpopularity in Poland. Sędziwój Pałuka, who was the castellan of Kalisz and "starosta" of Kraków, led a delegation to Zadar in Dalmatia to negotiate with Queen Elizabeth, but she had him imprisoned instead. She sent Hungarian soldiers to Poland to garrison them in Wawel Castle in Kraków, but Pałuka escaped and successfully obstructed her soldiers entering the castle.
At a general assembly in Radomsko in early March, the delegates of all the Polish provinces and towns decided to elect Siemowit king, if Jadwiga did not come to Poland within two months. They set up a provisional government, stipulating that only the "community of lords and citizens" had the authority to administer Poland during the interregnum. Queen Elizabeth, who was only informed of the decision by an informal message, realized that she could not any longer postpone Jadwiga's coronation and so sent her to Poland. The exact date of Jadwiga's arrival is unknown, because the main source for the history of Poland during this periodJan of Czarnków's chronicle ended prior to this event.
The interregnum that followed Louis's death and caused such internal strife came to an end with Jadwiga's arrival in Poland. A large crowd of clerics, noblemen and burghers gathered at Kraków "to greet her with a display of affection", according to the 15th-century Polish historian, Jan Długosz. Nobody protested when Archbishop Bodzanta crowned her on 16 October 1384. According to traditional scholary consensus, Jadwiga was crowned "king". Thereby, as Robert W. Knoll proposes, the Polish lords prevented her eventual spouse from adopting the same title without their consent. Stephen C. Rowell, who says that sources that contradict the traditional view outnumber those verifying it, suggests that sporadic contemporaneous references to Jadwiga as "king" only reflect that she was not a queen consort, but a queen regnant.
Bodzanta, Archbishop of Gniezno, , Bishop of Kraków, Dobrogost of Nowy Dwór, Bishop of Poznań, and Duke Vladislaus II of Opole were Jadwiga's most trusted advisers during the first years of her reign. According to a widely accepted scholarly theory, Jadwiga, who was still a minor, was "a mere tool" to her advisers. However, Halecki refutes this view, contending that Jadwiga matured quickly and her personality, especially her charm and kindness, only served to strengthen her position. Already in late 1384 she intervened on Duke Vladislaus's behalf to reconcile him with her mother's favourite, Nicholas I Garai.
The Polish lords did not want to accept Jadwiga's fourteen-year-old fiancé, William of Habsburg, as their sovereign. They thought that the inexperienced William and his Austrian kinsmen could not safeguard Poland's interests against its powerful neighbours, especially the Luxemburgs which controlled Bohemia and Brandenburg, and had a strong claim on Hungary. According to Halecki, the lords of Lesser Poland were the first to suggest that Jadwiga should marry the pagan duke Jogaila of Lithuania.
Jogaila sent his envoysincluding his brother, Skirgaila, and a German burgher from Riga, Hanul to Kraków to request Jadwiga's hand in January 1385. Jadwiga refused to answer, stating only that her mother would decide. Jogaila's two envoys left for Hungary and met Queen Elizabeth. She informed them that "she would allow whatever was advantageous to Poland and insisted that her daughter and the prelates and nobles of the Kingdom had to do what they considered would benefit Christianity and their kingdom", according to Jan Długosz's chronicle. The nobles from Kraków, Sandomierz and Greater Poland assembled in Kraków in June or July and the "majority of the more sensible" voted for the acceptance of Jogaila's marriage proposal.
In the meantime, William's father, Leopold III hurried to Buda in late July 1385, demanding the consummation of the marriage between William and Jadwiga before 16 August. Queen Elizabeth confirmed the previous agreements about the marriage, ordering Vladislaus II of Opole to make preparations for the ceremony. According to canon law, Jadwiga's marriage sacrament could only be completed before her twelfth birthday if the competent prelate testified her precocious maturity. Demetrius, Archbishop of Esztergom, issued the necessary document. William went to Kraków in the first half of August, but his entry to Wawel Castle was barred. Długosz states that Jadwiga and William would only be able to meet in the nearby Franciscan convent.
Contemporary or nearly contemporaneous records of the completion of the marriage between William and Jadwiga are contradictory and unclear. The official accounts of the municipal authorities of Kraków record that on 23 August 1385 an amnesty was granted to the prisoners in the city jail on the occasion of the celebration of the Queen's marriage. On the other hand, a contemporary Austrian chronicle, the "Continuatio Claustroneubuzgis" states that the Poles had tried to murder William before he consummated the marriage. In the next century, Długosz states that William was "removed in a shameful and offensive manner and driven from the castle" after he entered "the Queen's bedchamber"; but the same chronicler also mentions that Jadwiga was well aware that "many people knew she had for a fortnight shared her bed with Duke William and that there had been physical consummation".
On the night when William entered the queen's bedchamber, a group of Polish noblemen broke into the castle, forcing William to flee, according to Długosz. After this humiliation, Długosz continues, Jadwiga decided to leave Wawel and join William, but the gate of the castle was locked. She called for "an axe and [tried] to break it open", but Dymitr of Goraj convinced her to return to the castle. Oscar Halecki says that Długosz's narrative "cannot be dismissed as a romantic legend"; Robert I. Frost writes that it is a "tale, almost certainly apocryphal". There is no doubt, however, that William of Austria was forced to leave Poland.
Jogaila signed the Union of Krewo in August 1385, promising Queen Elizabeth's representatives and the Polish lords' envoys that he would convert to Catholicism, together with his pagan kinsmen and subjects, if Jadwiga married him. He also pledged to pay 200,000 florins to William of Habsburg in compensation. William never accepted it. Two days after the Union of Krewo, the Teutonic Knights invaded Lithuania.
The "Aeltere Hochmeisterchronik" and other chronicles written in the Knights' territory accused the Polish prelates and lords of forcing Jadwiga to accept Jogaila's offer. According to a Polish legend, Jadwiga agreed to marry Jogaila due to divine inspiration during her long prayers before a crucifix in Wawel Cathedral. Siemowit IV of Mazovia resigned his claim to Poland in December.
The Polish lords' envoys informed Jogaila that they would obey him if he married Jadwiga on 11 January 1386. Jogaila went to Lublin where a general assembly unanimously declared him "king and lord of Poland" in early February. Jogaila went on to Kraków where he was baptized, receiving the Christian name, Władysław, in Wawel Cathedral on 15 February. Three days later, 35-year-old Władysław-Jogaila married 12-year-old Jadwiga. Władysław-Jogaila styled himself as "dominus et tutor regni Poloniae" ("lord and guardian of the Kingdom of Poland") in his first charter issued after the marriage.
Archbishop Bodzanta crowned Władysław-Jogaila king on 4 March 1386. Poland was transformed into a diarchya kingdom ruled over by two sovereigns. Jadwiga and her husband did not speak a common language, but they cooperated closely in their marriage. She accompanied him to Greater Poland to appease the local lords who were still hostile to him. The royal visit caused damage to the peasants who lived in the local prelates' domains, but Jadwiga persuaded her husband to compensate them, saying: "We have, indeed, returned the peasants' cattle, but who can repair their tears?", according to Długosz's chronicle. A court record of her order to the judges in favour of a peasant also shows that she protected the poor.
Pope Urban VI sent his legate, Maffiolus de Lampugnano, to Kraków to enquire about the marriage of the royal couple. Lampugnano did not voice any objections, but the Teutonic Knights started a propaganda campaign in favour of William of Habsburg. Queen Elizabeth pledged to assist Władysław-Jogaila against his enemies on 9 June 1386, but Hungary had sunken into anarchy. A group of Slavonian lords captured and imprisoned Jadwiga's mother and sister on 25 July. The rebels murdered Queen Elizabeth in January 1387. A month later, Jadwiga marched at the head of Polish troops to Ruthenia where all but one of the governors submitted to her without opposition.
Duke Vladislaus of Opole also had a claim on Ruthenia but could not convince King Wenceslaus of Germany to intervene on his behalf. Jadwiga confirmed the privileges of the local inhabitants and promised that Ruthenia would never again be separated from the Polish Crown. After the reinforcements that Władysław-Jogaila sent from Lithuania arrived in August, Halych, the only fortress to resist, also surrendered. Władysław-Jogaila also came to Ruthenia in September. Voivode Petru II of Moldavia visited the royal couple and paid homage to them in Lviv on 26 September. Władysław-Jogaila confirmed the privileges that Jadwiga had granted the Ruthenians in October. She also instructed her subjects to show the same respect for her husband as for herself: in a letter addressed to the burghers of Kraków in late 1387, she stated that her husband was their "natural lord".
On William's demand, Pope Urban VI initiated a new investigation about the marriage of Jadwiga and Władysław-Jogaila. They sent Bishop Dobrogost of Poznań to Rome to inform the pope of the Christianization of Lithuania. In his letter to Bishop Dobrogost, Pope Urban jointly mentioned the royal couple in March 1388, which implied that he had already acknowledged the legality of their marriage. However, Gniewosz of Dalewice, who had been William of Habsburg's supporter, spread rumours about secret meetings between William and Jadwiga in the royal castle. Jadwiga took a solemn oath before Jan Tęczyński, stating that she had only had marital relations with Władysław-Jogaila. After all witnesses confirmed her oath, Gniewosz of Dalewice confessed that he had lied. She did not take vengeance on him.
Jadwiga's brother-in-law, Sigismund, who had been crowned King of Hungary, started negotiations with the Teutonic Knights about partitioning Poland in early 1392. Jadwiga met Mary in Stará Ľubovňa in May and returned to Kraków only in early July. She most probably accompanied her husband to Lithuania, according to Oscar Halecki, because she was far from Kraków till the end of August. On 4 August, Władysław-Jogaila's cousin, Vytautas, who had earlier fled from Lithuania to the Teutonic Knights, paid homage to Władysław-Jogaila near Lida in Lithuania on 4 August.
Negotiations between Sigismund and the Grand Master of the Teutonic Knights, Konrad von Wallenrode, continued with the mediation of Vladislaus of Opole. However, Hungary's southern border was exposed to Ottoman incursions, preventing Sigismund from taking military measures against Poland. Wallenrode died on 25 July 1393. His successor, Konrad von Jungingen, opened negotiations with the Poles. During the discussions, Pope Boniface IX's legate, John of Messina, supported the Poles.
Jadwiga was a skilful mediator, famed for her impartiality and intelligence. She went to Lithuania to reconcile her brother-in-law, Skirgaila, with Vytautas in October 1393. Relations between Poland and Hungary remained tense. Sigismund invaded Moldavia, forcing Stephen I of Moldavia to accept his suzerainty in 1394. Soon after the Hungarian troops left Moldavia, Stephen sent his envoys to Jadwiga and Jogaila, promising to assist Poland against Hungary, the Ottoman Empire and the Teutonic Knights.
On 17 May 1395, Mary died after a riding accident. According to the 1383 agreement between their mother and the Polish lords, Jadwiga was her childless sister's heir in Hungary. Vlad I of Wallachia, a Hungarian vassal, issued an act of submission on 28 May, acknowledging Jadwiga and her husband as Mary's legitimate successors. The widowed king's close supporter, Stibor of Stiboricz, expelled Vlad from Wallachia. Władysław-Jogaila gathered his troops on the Polish-Hungarian border, but , Palatine of Hungary, and , Archbishop of Esztergom, stopped his invasion of Hungary. In September, Konrad von Jungingen told the prince-electors of the Holy Roman Empire that the union of Poland, Lithuania and Hungary under Władysław-Jogaila's rule would endanger Christendom. However, most of Sigismund's opponents, who were especially numerous in Croatia, supported the claim of Ladislaus of Naples, the last male member of the Capetian House of Anjou. On 8 September, the most influential Hungarian lords declared that they would not support any change in government while Sigismund was far from Hungary fighting against the Ottoman Turks. Before the end of the year, peace negotiations between the representatives of Hungary and Poland ended with an agreement. Jadwiga adopted the title "heir to Hungary", but she and her husband took no further action against Sigismund.
The relationship between Lithuania and the Teutonic Knights remained tense. Jadwiga and her Polish advisers invited the Grand Master, Konrad von Jungingen, to Poland to open new negotiations in June 1396. Conflicts with Vladislaus of Opole and Siemowit of Masovia, who had not given up their claims to parts of Ruthenia and Cuyavia, also intensified. To demonstrate that the territories were under Jadwiga's direct control, Władysław-Jogaila granted the Duchy of Belz (in Ruthenia) and Cuyavia to her in early 1397. However, Jadwiga and her Polish advisers wanted to avoid a war with the Teutonic Order. In response, Władysław-Jogaila replaced most Polish "starostas" (aldermen) in Ruthenia with local Orthodox noblemen. According to German sources, Władysław-Jogaila and Vytautas jointly asked Pope Boniface IX to sanction Vytautas' coronation as king of Lithuania and Ruthenia.
Jadwiga and Jungingen met in Włocławek in the middle of June, but they did not reach a compromise. The Teutonic Order entrusted Vladislaus of Opole with the task of representing their claims to Dobrzyń against Jadwiga. Jadwiga and her husband met Sigismund of Hungary, who had returned there after his catastrophic defeat in the Battle of Nicopolis, on 14 July. They seem to have reached a compromise, because Sigismund offered to mediate between Poland, Lithuania and the Teutonic Knights. On Jadwiga's request, Wenceslaus of Bohemia granted permission for the establishment of a college for Lithuanian students in Prague on 20 July 1397. Jadwiga, who had spent "many sleepless nights" thinking of this project, according to herself, issued a charter of establishment for the college on 10 November.
She opened new negotiations with the Teutonic Knights, but Konrad von Jungingen dispatched a simple knight to meet her in May 1398. Władysław-Jogaila's cousin Vytautas also entered into negotiations with the Teutonic Knights because he wanted to unite Lithuania and Ruthenia under his rule and to receive a royal crown from the Holy See. According to the chronicle of John of Posilge, who was an official of the Teutonic Order, Jadwiga sent a letter to Vytautas, reminding him to pay the annual tribute that Władysław-Jogaila had granted her as dower. Offended by Jadwiga's demand, Vytautas sought the opinion of the Lithuanian and Ruthenian lords who refused Jadwiga's claim to a tribute. On 12 October 1398, he signed a peace treaty with the Teutonic Knights, without referring to Władysław-Jogaila's right to confirm it. Oscar Halecki says that Posilge's "sensational story" is either an invention based on gossip or a guess by the chronicler.
Jadwiga was childless for over a decade, which, according to chronicles written in the Teutonic lands, caused conflicts between her and her husband. She became pregnant in late 1398 or early 1399. Sigismund, King of Hungary, came to Kraków in early March to negotiate for a campaign to defend Wallachia against the Ottoman Turks. Vytautas, in order to bolster his authority over the Rus' principalities, decided to launch an expedition against Timur, who had subdued the Golden Horde. According to Jan Długosz's chronicle, Jadwiga warned the Polish noblemen not to join Vytautas' campaign because it would end in failure. Halecki says that the great number of Polish knights who joined Vytautas's expedition proves that Długosz's report is not reliable.
On the occasion of the expected birth to the royal couple, Jogaila's cousin Vytautas, Grand Duke of Lithuania, sent expensive gifts, including a silver cradle, to the royal court on behalf of himself and his wife, Anna. The first horoscopes written for Jadwiga's and Jogaila's child predicted a son in mid-September 1398. However, a girl was delivered on 22 June 1399 at Wawel Castle. Reports of the time stated that the child was born prematurely. According to the horoscope, she was actually born slightly late. However, a due date of 18 June would rule out the suspicion of pregnancy as early as mid-September.
The newborn princess was named Elizabeth Bonifacia (, ), after Jadwiga's mother and Pope Boniface IX who, in a letter of 5 May 1399, had agreed to be godfather under the condition that the infant be called Boniface or Bonifacia. She was baptised by Piotr Wysz Radoliński, Bishop of Kraków. However, the infant died after only three weeks, on 13 July 1399. Jadwiga, too, was on her deathbed. Stanisław of Skarbimierz expressed hope that she would survive, describing her as the spiritual mother of the poor, weak, and ill of Poland. She advised her husband to marry Anna of Cilli, Casimir the Great's granddaughter, and died on 17 July 1399, four days after her newborn daughter.
Jadwiga and her daughter were buried together in Wawel Cathedral, on 24 August 1399, as stipulated in the Queen's last will. On 12 July 1949, 550 years later, their tomb was opened; nothing remained of the child's soft cartilage.
The following family tree illustrates Jadwiga's connection to her notable relatives. Kings of Poland are colored blue.
Two leading historians, Oscar Halecki and S. Harrison Thomson, agree that Jadwiga was one of the greatest rulers of Poland, comparable to Bolesław the Brave and Casimir the Great. Her marriage to Władysław-Jogaila enabled the union of Poland and Lithuania, establishing a large state in East Central Europe. Jadwiga's decision to marry the 'elderly' Władysław-Jogaila instead of her beloved fiancé, William of Habsburg, has often been described as a sacrifice for her country in Polish historiography. Her biographers emphasize Jadwiga's efforts to preserve the peace with the Teutonic Order, which enabled Poland to make preparations for a decisive war against the Knights. Jadwiga's childless death weakened Władysław-Jogaila's position, because his claim to Poland was based on their marriage. Six days after her funeral, Władysław-Jogaila left Poland for Ruthenia, stating that he was to return to Lithuania after his wife's death. The Polish lords sent their envoys to Lviv to open negotiations with him. The delegates took new oaths of loyalty to him, confirming his position as king. On the lords' demand, he agreed to marry Anna of Cilli. Their wedding was celebrated on 29 January 1402.
Jadwiga's cultural and charitable activities were of exceptional value. She established new hospitals, schools and churches, and restored older ones. Jadwiga promoted the use of vernacular in church services, especially the singing of hymns in Polish. The Scriptures were translated into Polish on her order.
Casimir the Great had already in 1364 established the University of Kraków, but it did not survive his death. Władysław-Jogaila and Jadwiga jointly asked Pope Boniface IX to sanction the establishment of a faculty of theology in Kraków. The pope granted their request on 11 January 1397. Jadwiga bought houses along a central street of Kraków for the university. However, the faculty was only set up a year after Jadwiga's death: Władysław-Jogaila issued the charter for the reestablished university on 26 July 1400. In accordance with Jadwiga's last will, the restoration of the university was partially financed through the sale of her jewellery.
Oscar Halecki writes that Jadwiga transmitted to the nations of East Central Europe the "universal heritage of the "respublica Christiana", which in the West was then waning, but in East Central Europe started flourishing and blending with the pre-Renaissance world". She was closely related to the saintly 13th-century princesses, venerated in Hungary and Poland, including Elizabeth of Hungary and her nieces, Kinga and Yolanda, and Salomea of Poland. She was born to a family famed for its religious zeal. She attended Mass every day. In accordance with her family's tradition, Jadwiga was especially devoted to the Blessed Virgin Mary. An inscription engraved on her request on a precious chalice, which was placed in the Wawel Cathedral, asked Our Lady to place Poland under her protection.
Jadwiga was venerated in Poland soon after her death. Stanisław of Skarbimierz states that she had been "the most Christian queen" in his sermon composed for her funeral. Paul of Zator referred to the wax figures placed by her grave. Sermons written in the early 15th century emphasized that Jadwiga had been a representative of the traditional virtues of holy women, such as mercy and benevolence. Jadwiga's contribution to the restoration of the University of Kraków was also mentioned by early 15th-century scholars.
Numerous legends about miracles were recounted to justify her sainthood. The two best-known are those of "Jadwiga's cross" and "Jadwiga's foot":
Jadwiga often prayed before a large black crucifix hanging in the north aisle of Wawel Cathedral. During one of these prayers, the Christ on the cross is said to have spoken to her. The crucifix, "Saint Jadwiga's cross", is still there, with her relics beneath it. Because of this event, she is considered a medieval mystic. According to another legend, Jadwiga took a piece of jewellery from her foot and gave it to a poor stonemason who had begged for her help. When the king left, he noticed her footprint in the plaster floor of his workplace, even though the plaster had already hardened before her visit. The supposed footprint, known as "Jadwiga's foot", can still be seen in one of Kraków's churches.
In yet another legend, Jadwiga was taking part in a Corpus Christi Day procession when a coppersmith's son drowned by falling into a river. Jadwiga threw her mantle over the boy's body, and he regained life.
On 8 June 1979 Pope John Paul II prayed at her sarcophagus; and the Congregation for Divine Worship and the Discipline of the Sacraments officially affirmed her beatification on 8 August 1986.
The Pope went on to canonize Jadwiga in Kraków on 8 June 1997.
Queen Jadwiga is the main character of the third season of Polish historical TV series Korona królów (The Crown of the Kings). She is played by Dagmara Bryzek. Child Jadwiga is played by Natalia Wolska and Amelia Zawadzka.
Jadwiga appears as the leader of the Polish civilization in the turn-based strategy game Civilization VI, specialising in religion and territorial expansion.
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https://en.wikipedia.org/wiki?curid=16419
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Kennedy Space Center
The John F. Kennedy Space Center (KSC, originally known as the NASA Launch Operations Center), located in Merritt Island, Florida, is one of ten National Aeronautics and Space Administration field centers. Since December 1968, KSC has been NASA's primary launch center of human spaceflight. Launch operations for the Apollo, Skylab and Space Shuttle programs were carried out from Kennedy Space Center Launch Complex 39 and managed by KSC. Located on the east coast of Florida, KSC is adjacent to Cape Canaveral Air Force Station (CCAFS). The management of the two entities work very closely together, share resources, and operate facilities on each other's property.
Though the first Apollo flights and all Project Mercury and Project Gemini flights took off from CCAFS, the launches were managed by KSC and its previous organization, the Launch Operations Directorate. Starting with the fourth Gemini mission, the NASA launch control center in Florida (Mercury Control Center, later the Launch Control Center) began handing off control of the vehicle to the Mission Control Center in Houston, shortly after liftoff; in prior missions it held control throughout the entire mission.
Additionally, the center manages launch of robotic and commercial crew missions and researches food production and In-Situ Resource Utilization for off-Earth exploration. Since 2010, the center has worked to become a multi-user spaceport through industry partnerships, even adding a new launch pad (LC-39C) in 2015.
There are about 700 facilities and buildings grouped across the center's . Among the unique facilities at KSC are the tall Vehicle Assembly Building for stacking NASA's largest rockets, the Launch Control Center, which conducts space launches at KSC, the Operations and Checkout Building, which houses the astronauts dormitories and suit-up area, a Space Station factory, and a long Shuttle Landing Facility. There is also a Visitor Complex open to the public on site.
The military had been performing launch operations since 1949 at what would become Cape Canaveral Air Force Station. In December 1959, the Department of Defense transferred 5,000 personnel and the Missile Firing Laboratory to NASA to become the Launch Operations Directorate under NASA's Marshall Space Flight Center.
President John F. Kennedy's 1961 goal of a crewed lunar landing by 1970 required an expansion of launch operations. On July 1, 1962, the Launch Operations Directorate was separated from MSFC to become the Launch Operations Center (LOC). Also, Cape Canaveral was inadequate to host the new launch facility design required for the mammoth tall, thrust Saturn V rocket, which would be assembled vertically in a large hangar and transported on a mobile platform to one of several launch pads. Therefore, the decision was made to build a new LOC site located adjacent to Cape Canaveral on Merritt Island.
NASA began land acquisition in 1962, buying title to and negotiating with the state of Florida for an additional . The major buildings in KSC's Industrial Area were designed by architect Charles Luckman. Construction began in November 1962, and Kennedy visited the site twice in 1962, and again just a week before his assassination on November 22, 1963.
On November 29, 1963, the facility was given its current name by President Lyndon B. Johnson under . Johnson's order joined both the civilian LOC and the military Cape Canaveral station ("the facilities of Station No. 1 of the Atlantic Missile Range") under the designation "John F. Kennedy Space Center", spawning some confusion joining the two in the public mind. NASA Administrator James E. Webb clarified this by issuing a directive stating the "Kennedy Space Center" name applied only to the LOC, while the Air Force issued a general order renaming the military launch site "Cape Kennedy Air Force Station".
Located on Merritt Island, Florida, the center is north-northwest of Cape Canaveral on the Atlantic Ocean, midway between Miami and Jacksonville on Florida's Space Coast, due east of Orlando. It is long and roughly wide, covering . KSC is a major central Florida tourist destination and is approximately one hour's drive from the Orlando area. The Kennedy Space Center Visitor Complex offers public tours of the center and Cape Canaveral Air Force Station.
Because much of the installation is a restricted area and only nine percent of the land is developed, the site also serves as an important wildlife sanctuary; Mosquito Lagoon, Indian River, Merritt Island National Wildlife Refuge and Canaveral National Seashore are other features of the area. Center workers can encounter bald eagles, American alligators, wild boars, eastern diamondback rattlesnakes, the endangered Florida panther and Florida manatees.
From 1967 through 1973, there were 13 Saturn V launches, including the ten remaining Apollo missions after Apollo 7. The first of two uncrewed flights, Apollo 4 (Apollo-Saturn 501) on November 9, 1967, was also the first rocket launch from KSC. The Saturn V's first crewed launch on December 21, 1968, was Apollo 8's lunar orbiting mission. The next two missions tested the Lunar Module: Apollo 9 (Earth orbit) and Apollo 10 (lunar orbit). Apollo 11, launched from Pad A on July 16, 1969, made the first Moon landing on July 20. Apollo 12 followed four months later. From 1970 to 1972, the Apollo program concluded at KSC with the launches of missions 13 through 17.
On May 14, 1973, the last Saturn V launch put the Skylab space station in orbit from Pad 39A. By this time, the Cape Kennedy pads 34 and 37 used for the Saturn IB were decommissioned, so Pad 39B was modified to accommodate the Saturn IB, and used to launch three crewed missions to Skylab that year, as well as the final Apollo spacecraft for the Apollo–Soyuz Test Project in 1975.
As the Space Shuttle was being designed, NASA received proposals for building alternative launch-and-landing sites at locations other than KSC, which demanded study. KSC had important advantages, including its existing facilities; location on the Intracoastal Waterway; and its southern latitude, which gives a velocity advantage to missions launched in easterly near-equatorial orbits. Disadvantages included: its inability to safely launch military missions into polar orbit, since spent boosters would be likely to fall on the Carolinas or Cuba; corrosion from the salt air; and frequent cloudy or stormy weather. Although building a new site at White Sands Missile Range in New Mexico was seriously considered, NASA announced its decision in April 1972 to use KSC for the shuttle. Since the Shuttle could not be landed automatically or by remote control, the launch of "Columbia" on April 12, 1981 for its first orbital mission STS-1, was NASA's first crewed launch of a vehicle that had not been tested in prior uncrewed launches.
In 1976, the VAB's south parking area was the site of Third Century America, a science and technology display commemorating the U.S. Bicentennial. Concurrent with this event, the U.S. flag was painted on the south side of the VAB. During the late 1970s, LC-39 was reconfigured to support the Space Shuttle. Two Orbiter Processing Facilities were built near the VAB as hangars with a third added in the 1980s.
KSC's Shuttle Landing Facility (SLF) was the orbiters' primary end-of-mission landing site, although the first KSC landing did not take place until the tenth flight, when "Challenger" completed STS-41-B on February 11, 1984; the primary landing site until then was Edwards Air Force Base in California, subsequently used as a backup landing site. The SLF also provided a return-to-launch-site (RTLS) abort option, which was not utilized. The SLF is among the longest runways in the world.
After 24 successful shuttle flights, "Challenger" was torn apart 73 seconds after the launch of STS-51-L on January 28, 1986; the first shuttle launch from Pad 39B and the first U.S. crewed launch failure, killing the seven crew members. An O-ring seal in the right booster rocket failed at liftoff, leading to subsequent structural failures. Flights resumed on September 29, 1988, with STS-26 after modifications to many aspects of the shuttle program.
On February 1, 2003, "Columbia" and her crew of seven were lost during re-entry over Texas during the STS-107 mission (the 113th shuttle flight); a vehicle breakup triggered by damage sustained during launch from Pad 39A on January 16, when a piece of foam insulation from the orbiter's external fuel tank struck the orbiter's left-wing. During reentry, the damage created a hole allowing hot gases to melt the wing structure. Like the "Challenger" disaster, the resulting investigation and modifications interrupted shuttle flight operations at KSC for more than two years until the STS-114 launch on July 26, 2005.
The shuttle program experienced five main engine shutdowns at LC-39, all within four seconds before launch; and one Abort to Orbit, STS-51-F on July 29, 1985. Shuttle missions during nearly 30 years of operations included deploying satellites and interplanetary probes, conducting space science and technology experiments, visits to the Russian MIR space station, construction and servicing of the International Space Station, deployment and servicing of the Hubble Space Telescope and serving as a space laboratory. The shuttle was retired from service in July 2011 after 135 launches.
On October 28, 2009, the Ares I-X launch from Pad 39B was the first uncrewed launch from KSC since the Skylab workshop in 1973.
Beginning in 1958, NASA and military worked side by side on robotic mission launches (previously referred to as unmanned), cooperating as they broke ground in the field. In the early 1960s, NASA had as many as two robotic mission launches a month. The frequent number of flights allowed for quick evolution of the vehicles, as engineers gathered data, learned from anomalies and implemented upgrades. In 1963, with the intent of KSC ELV work focusing on the ground support equipment and facilities, a separate Atlas/Centaur organization was formed under NASA's Lewis Center (now Glenn Research Center (GRC)), taking that responsibility from the Launch Operations Center (aka KSC).
Though almost all robotics missions launched from the Cape Canaveral Air Force Station (CCAFS), KSC "oversaw the final assembly and testing of rockets as they arrived at the Cape." In 1965, KSC's Unmanned Launch Operations directorate became responsible all NASA uncrewed launch operations, including those at Vandenberg Air Force Base. From the 1950s to 1978, KSC chose the rocket and payload processing facilities for all robotic missions launching in the U.S., overseeing their near launch processing and checkout. In addition to government missions, KSC performed this service for commercial and foreign missions also, though non-U.S. government entities provided reimbursement. NASA also funded CCAFS launch pad maintenance and launch vehicle improvements.
All this changed with the Commercial Space Launch Act of 1984, after which NASA only coordinated its own and National Oceanic and Atmospheric Administration (NOAA) ELV launches. Companies were able to "operate their own launch vehicles" and utilize NASA's launch facilities. Payload processing handled by private firms also started to occur outside of KSC. Reagan's 1988 space policy furthered the movement of this work from KSC to commercial companies. That same year, launch complexes on CCAFS started transferring from NASA to air force management.
In the 1990s, though KSC was not performing the hands-on ELV work, engineers still maintained an understanding of ELVs and had contracts allowing them insight in the vehicles so they could provide knowledgeable oversight. KSC also worked on ELV research and analysis and the contractors were able to utilize KSC personnel as a resource for technical issues. KSC, with the payload and launch vehicle industries, developed advances in automation of the ELV launch and ground operations to enable competitiveness of U.S. rockets against the global market.
In 1998, the Launch Services Program (LSP) formed at KSC, pulling together programs (and personnel) that already existed at KSC, GRC, Goddard Space Flight Center, and more to manage the launch of NASA and NOAA robotic missions. CCAFS and VAFB are the primary launch sites for LSP missions, though other sites are occasionally used. LSP payloads such as the Mars Science Laboratory have been processed at KSC before being transferred to a launch pad on CCAFS.
As the International Space Station modules design began in the early 1990s, KSC began to work with other NASA centers and international partners to prepare for processing before launch on board the Space Shuttles. KSC utilized its hands-on experience processing the 22 Spacelab missions in the Operations and Checkout Building to gather expectations of ISS processing. These experiences were incorporated into the design of the Space Station Processing Facility (SSPF), which began construction in 1991. The Space Station Directorate formed in 1996. KSC personnel were embedded at station module factories for insight into their processes.
From 1997 to 2007, KSC planned and performed on the ground integration tests and checkouts of station modules: three Multi-Element Integration Testing (MEIT) sessions and the Integration Systems Test (IST). Numerous issues were found and corrected that would have been difficult to nearly impossible to do on-orbit.
Today KSC continues to process ISS payloads from across the world before launch along with developing its experiments for on orbit. The proposed Lunar Gateway would be manufactured and processed at the Space Station Processing Facility.
The following are current programs and initiatives at Kennedy Space Center:
The KSC Industrial Area, where many of the center's support facilities are located, is south of LC-39. It includes the Headquarters Building, the Operations and Checkout Building and the Central Instrumentation Facility. The astronaut crew quarters are in the O&C; before it was completed, the astronaut crew quarters were located in Hangar S at the Cape Canaveral Missile Test Annex (now CCAFS). Located as KSC was the Merritt Island Spaceflight Tracking and Data Network station (MILA), a key radio communications and spacecraft tracking complex.
Facilities at the Kennedy Space Center are directly related to its mission to launch and recover missions. Facilities are available to prepare and maintain spacecraft and payloads for flight. The Headquarters (HQ) Building houses offices for the Center Director, library, film and photo archives, a print shop and security. A new Headquarters Building is under construction as a part of the Central Campus consolidation and the first phase is expected to be complete in 2017.
The center operated its own short-line railroad. This operation was discontinued in 2015, with the sale of its final two locomotives. A third had already been donated to a museum. The line was costing $1.3 million annually to maintain.
Launch Complex 39 (LC-39) was originally built for the Saturn V, the largest and most powerful operational launch vehicle in history, for the Apollo crewed Moon landing program. Since the end of the Apollo program in 1972, LC-39 has been used to launch every NASA human space flight, including Skylab (1973), the Apollo-Soyuz Test Project (1975), and the Space Shuttle program (1981–2011).
Since December 1968, all launch operations have been conducted from launch pads A and B at LC-39. Both pads are on the ocean, east of the VAB. From 1969 to 1972, LC-39 was the "Moonport" for all six Apollo crewed Moon landing missions using the Saturn V, and was used from 1981 to 2011 for all Space Shuttle launches.
Human missions to the Moon required the large three-stage Saturn V rocket, which was tall and in diameter. At KSC, Launch Complex 39 was built on Merritt Island to accommodate the new rocket. Construction of the $800 million project began in November 1962. LC-39 pads A and B were completed by October 1965 (planned Pads C, D and E were canceled), the VAB was completed in June 1965, and the infrastructure by late 1966.
The complex includes:
Launch Complex 48 (LC-48) is a multi-user launch site under construction for small launchers and spacecraft. It will be located between Launch Complex 39A and Space Launch Complex 41, with LC-39A to the north and SLC-41 to the south. LC-48 will be constructed as a "clean pad" to support multiple launch systems with differing propellant needs. While initially only planned to have a single pad, the complex is capable of being expanded to two at a later date.
As a part of promoting commercial space industry growth in the area and the overall center as a multi-user spaceport, KSC leases some of its properties. Here are some major examples:
The Kennedy Space Center Visitor Complex, operated by Delaware North since 1995, has a variety of exhibits, artifacts, displays and attractions on the history and future of human and robotic spaceflight. Bus tours of KSC originate from here. The complex also includes the separate Apollo/Saturn V Center, north of the VAB and the United States Astronaut Hall of Fame, six miles west near Titusville. There were 1.5 million visitors in 2009. It had some 700 employees.
It was announced on May 29, 2015 that the Astronaut Hall of Fame exhibit would be moved from its current location to another location within the Visitor Complex to make room for an upcoming high-tech attraction entitled "Heroes and Legends". The attraction, to be designed by Orlando-based design firm Falcon's Treehouse, is slated to open sometime late 2016.
In March 2016, the visitor center unveiled the new location of the iconic countdown clock at the complex's entrance; previously, the clock was located with a flagpole at the press site. The clock was originally built and installed in 1969 and listed with the flagpole in the National Register of Historic Places in January 2000. In 2019, NASA celebrates the 50th anniversary of the Apollo program, and the launch of Apollo 10 on May 18. In summer of 2019, Lunar Module 9 (LM-9) will be relocated to the Apollo/Saturn V Center as part of an initiative to rededicate the center and celebrate the 50th anniversary of the Apollo Program.
NASA lists the following Historic Districts at KSC; each district has multiple associated facilities:
There are 24 historic properties outside of these historic districts, including the Space Shuttle "Atlantis", Vehicle Assembly Building, Crawlerway, and Operations and Checkout Building. KSC has one National Historic Landmark, 78 National Register of Historic Places (NRHP) listed or eligible sites, and 100 Archaeological Sites.
Florida's peninsular shape and temperature contrasts between land and ocean provide ideal conditions for electrical storms, earning Central Florida the reputation as "lightning capital of the United States". This makes extensive lightning protection and detection systems necessary to protect employees, structures and spacecraft on launch pads. On November 14, 1969, Apollo 12 was struck by lightning just after lift-off from Pad 39A, but the flight continued safely. The most powerful lightning strike recorded at KSC occurred at LC-39B on August 25, 2006, while shuttle "Atlantis" was being prepared for STS-115. NASA managers were initially concerned that the lightning strike caused damage to "Atlantis", but none was found.
On September 7, 2004, Hurricane Frances directly hit the area with sustained winds of and gusts up to , the most damaging storm to date. The Vehicle Assembly Building lost 1,000 exterior panels, each x in size. This exposed of the building to the elements. Damage occurred to the south and east sides of the VAB. The shuttle's Thermal Protection System Facility suffered extensive damage. The roof was partially torn off and the interior suffered water damage. Several rockets on display in the center were toppled. Further damage to KSC was caused by Hurricane Wilma in October 2005.
The conservative estimate by NASA is that the Space Center will experience 5 to 8 inches of sea level rise by the 2050s. Launch Complex 39A, the site of the Apollo 11 launch, is the most vulnerable to flooding, and has a 14% annual risk of flooding beginning in 2020.
Since KSC's formation, ten NASA officials have served as directors, including three former astronauts (Crippen, Bridges and Cabana):
When KSC separated from Marshall Space Flight Center in July 1962, it took 375 employees with it.
In May 1965, KSC had 7,000 employees and contractors move from rented space in Cocoa Beach to the new Merritt Island facilities. The peak number of persons working on center was 26,000 in 1968 (3,000 were civil servants). In 1970, President Nixon announced intent to reduce cost of space operations and major cuts occurred at KSC. By 1974, KSC's workforce was down to 10,000 employees (2,408 civil servants).
A total of 13,100 people worked at the center as of 2011. Approximately 2,100 are employees of the federal government; the rest are contractors. The average annual salary for an on-site worker in 2008 was $77,235.
The end of the Space Shuttle program in 2011, preceded by the cancellation of Constellation Program in 2010, produced a significant downsizing of the KSC workforce similar to that experienced at the end of the Apollo program in 1972. As part of this downsizing, 6,000 contractors lost their jobs at the Center during 2010 and 2011.
In addition to being frequently featured in documentaries, Kennedy Space Center has been portrayed on film many times. Some studio movies have even gained access and filmed scenes within the gates of the space center. If extras are needed in those scenes, space center employees are recruited (employees use personal time during filming). Films with scenes at KSC include:
Several television shows have had KSC as one of the primary settings, though not necessarily with any scenes filmed on center:
British-Irish band One direction has also filmed their music video for Drag Me Down at KSC.
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https://en.wikipedia.org/wiki?curid=16421
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Joni Mitchell
Roberta Joan "Joni" Mitchell (née Anderson; born November 7, 1943) is a Canadian singer-songwriter. Drawing from folk, pop, rock, and jazz, Mitchell's songs often reflect social and environmental ideals as well as her feelings about romance, confusion, disillusionment, and joy. She has received many accolades, including nine Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. "Rolling Stone" called her "one of the greatest songwriters ever", and AllMusic has stated, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century".
Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the United States and began touring. Some of her original songs ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "The Circle Game") were covered by other folk singers, allowing her to sign with Reprise Records and record her debut album, "Song to a Seagull", in 1968. Settling in Southern California, Mitchell, with popular songs like "Big Yellow Taxi" and "Woodstock", helped define an era and a generation. Her 1971 album "Blue" is often cited as one of the best albums of all time; it was rated the 30th best album ever made in "Rolling Stone"s list of the "500 Greatest Albums of All Time". In 2000, "The New York Times" chose "Blue" as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music". In 2017, NPR ranked "Blue" number 1 on a list of Greatest Albums Made By Women. Mitchell's fifth album, "For the Roses", was released in 1972. She then switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974's "Court and Spark", which featured the radio hits "Help Me" and "Free Man in Paris" and became her best-selling album.
Around 1975, Mitchell's vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she explored jazz, melding it with influences of rock and roll, R&B, classical music and non-western beats. In the late 1970s, she began working closely with noted jazz musicians, among them Jaco Pastorius, Wayne Shorter, Herbie Hancock, Pat Metheny, as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned again toward pop, embraced electronic music, and engaged in political protest. In 2002, she was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards.
Mitchell is the sole producer credited on most of her albums, including all her work in the 1970s. A blunt critic of the music industry, she quit touring and released her 17th, and reportedly last, album of original songs in 2007. With roots in visual art, Mitchell has designed most of her own album covers. She describes herself as a "painter derailed by circumstance".
Mitchell was born Roberta Joan Anderson on November 7, 1943, in Fort Macleod, Alberta, Canada, the daughter of Myrtle Marguerite (McKee) and William Andrew Anderson. Her mother's ancestors were Scottish and Irish; her father was from a Norwegian family that possibly had some Sámi ancestry. Her mother was a teacher, while her father was a Royal Canadian Air Force flight lieutenant who instructed new pilots at RCAF Station Fort Macleod. She later moved with her parents to various bases in western Canada. After the end of World War II her father began working as a grocer, and her family moved to Saskatchewan, at first living in towns such as Maidstone and North Battleford, before settling in the city of Saskatoon when Mitchell was 11 She later sang about her small-town upbringing in several of her songs, including "Song for Sharon".
At school Mitchell struggled; her main interest was painting. During this time she briefly studied classical piano.
At age 9, Mitchell contracted polio in an epidemic and was hospitalised for weeks. Following this incident she focused on her creative talent, and considered a singing or dancing career for the first time. By 9, she was a smoker; she denies claims that smoking has affected her voice. At 11, she moved with her family to the city of Saskatoon, which she considers her hometown. She responded badly to formal education, preferring a freethinking outlook. One unconventional teacher did manage to make an impact on her, stimulating her to write poetry; her first album includes a dedication to him. In Grade 12, she dropped out (she later continued with her studies) and hung out downtown with a rowdy set until she decided that she was getting too close to the criminal world.
At this time, country music began to eclipse rock, and Mitchell wanted to play the guitar. As her mother disapproved of its hillbilly associations, she settled initially for the ukulele. Eventually she taught herself guitar from a Pete Seeger songbook. Polio had weakened her left hand, so she devised alternative tunings to compensate; she later used these tunings to create non-standard approaches to harmony and structure in her songwriting.
Mitchell started singing with her friends at bonfires around Waskesiu Lake, northwest of Prince Albert, Saskatchewan. Her first paid performance was on October 31, 1962, at a Saskatoon club that featured folk and jazz performers. At 18, she widened her repertoire to include her favorite performers, such as Édith Piaf and Miles Davis. Although she never performed jazz herself in those days, Mitchell and her friends sought out gigs by jazz musicians. Mitchell said, "My jazz background began with one of the early Lambert, Hendricks and Ross albums." That album, "The Hottest New Group in Jazz", was hard to find in Canada, she says. "So I saved up and bought it at a bootleg price. I considered that album to be my Beatles. I learned every song off of it, and I don't think there is another album anywhere—including my own—on which I know every note and word of every song."
But art was still her chief passion at this stage. When she finished high school at Aden Bowman Collegiate in Saskatoon, she took art classes at the Saskatoon Technical Collegiate with abstract expressionist painter Henry Bonli and then left home to attend the Alberta College of Art in Calgary for the 1963–64 school year. Here she felt disillusioned about the high priority given to technical skill over free-class creativity, and felt out of step with the trend toward pure abstraction and the tendency to move into commercial art. After a year, at age 20, she dropped out of school, a decision that much displeased her parents, who could remember the Great Depression and valued education highly.
She continued to play gigs as a folk musician on weekends at her college and at a local hotel. Around this time she took a $15-a-week job in a Calgary coffeehouse called The Depression Coffee House, "singing long tragic songs in a minor key". She sang at hootenannies and made appearances on some local TV and radio shows in Calgary. In 1964, at the age of 20, she told her mother that she intended to be a folk singer in Toronto, and she left western Canada for the first time in her life, heading east for Ontario. On the three-day train ride there, Mitchell wrote her first song, "Day After Day". She stopped at the Mariposa Folk Festival to see Buffy Sainte-Marie, a Saskatchewan-born Cree folk singer who had inspired her. A year later, Mitchell too played Mariposa, her first gig for a major audience, and years later, Sainte-Marie herself covered Mitchell's work.
Lacking the $200 needed for musicians' union fees, Mitchell managed a few gigs at the Half Beat and the Village Corner in Toronto's Yorkville neighbourhood, but she mostly played non-union gigs "in church basements and YMCA meeting halls". Rejected from major folk clubs, she resorted to busking, while she "worked in the women's wear section of a downtown department store to pay the rent." During this era, she lived in a rooming house, directly across the hall from poet Duke Redbird. Without a lot of name recognition, Mitchell also began to realize each city's folk scene tended to accord veteran performers the exclusive right to play their signature songs — despite not having written the songs — which Mitchell found insular, contrary to the egalitarian ideal of folk music. She found her best traditional material was already other singers' property and would no longer pass muster. She said, "You'd come into a town and you'd be told, you can't sing that, you can't sing that." She resolved to write her own songs.
In late 1964, Mitchell discovered that she was pregnant by her Calgary ex-boyfriend Brad MacMath. She later wrote, "[he] left me three months pregnant in an attic room with no money and winter coming on and only a fireplace for heat. The spindles of the banister were gap-toothed - fuel for last winter's occupants." In February 1965, she gave birth to a baby girl. Unable to provide for the baby, she placed her daughter, Kelly Dale Anderson, for adoption. The experience remained private for most of Mitchell's career, although she alluded to it in several songs, such as "Little Green," which she performed in the 1960s and recorded eventually for the 1971 album "Blue". In "Chinese Cafe", from the 1982 album "Wild Things Run Fast", Mitchell sang, "Your kids are coming up straight / My child's a stranger / I bore her / But I could not raise her." These lyrics did not receive wide attention at the time.
The existence of Mitchell's daughter was not publicly known until 1993, when a roommate from Mitchell's art-school days in the 1960s sold the story of the adoption to a tabloid magazine. By that time, Mitchell's daughter, renamed Kilauren Gibb, had already begun a search for her biological parents. Mitchell and her daughter met in 1997. After the reunion, Mitchell said that she lost interest in songwriting, and she later identified her daughter's birth and her inability to take care of her as the moment when her songwriting inspiration had really begun. When she could not express herself to the person she wanted to talk to, she became attuned to the whole world, and she began to write personally.
Sometime in late April 1965, Joni left Canada for the first time; she traveled with New York City born American folk singer Charles Scott 'Chuck' Mitchell to the US, where the two began playing music together. Joni, 21 years old, married Chuck in an official ceremony in his hometown in June 1965 and took his surname. She said, "I made my dress and bridesmaids' dresses. We had no money... I walked down the aisle brandishing my daisies."
While living at the Verona apartments in Detroit's Cass Corridor, Chuck and Joni were regular performers at area coffee houses, including the Chess Mate on Livernois, near Six Mile Road; the Alcove bar, near Wayne State University; the Rathskeller, a restaurant on the campus of the University of Detroit; and the Raven Gallery in Southfield. She began playing and composing songs in alternative guitar tunings taught to her by a fellow musician, Eric Andersen, in Detroit. Oscar Brand featured her several times on his CBC television program "Let's Sing Out" in 1965 and 1966. The marriage and partnership of Joni and Chuck Mitchell dissolved in early 1967, and Joni moved to New York City to follow her musical path as a solo artist. She played venues up and down the East Coast, including Philadelphia, Boston, and Fort Bragg, North Carolina. She performed frequently in coffeehouses and folk clubs and, by this time creating her own material, became well known for her unique songwriting and her innovative guitar style.
Folk singer Tom Rush had met Mitchell in Toronto and was impressed with her songwriting ability. He took "Urge for Going" to the popular folk artist Judy Collins, but she was not interested in the song at the time, so Rush recorded it himself. Country singer George Hamilton IV heard Rush performing it and recorded a hit country version. Other artists who recorded Mitchell's songs in the early years were Buffy Sainte-Marie ("The Circle Game"), Dave Van Ronk ("Both Sides Now"), and eventually Judy Collins ("Both Sides Now", a top ten hit for her, and "Michael from Mountains", both included on her 1967 album "Wildflowers"). Collins also covered "Chelsea Morning", another recording that eclipsed Mitchell's own commercial success early on.
While Mitchell was playing one night in the Gaslight South, a club in Coconut Grove, Florida, David Crosby walked in and was immediately struck by her ability and her appeal as an artist. He took her back to Los Angeles, where he set about introducing her and her music to his friends. Soon she was being managed by Elliot Roberts, who, after being urged by Buffy Sainte-Marie, had first seen her play in a Greenwich Village coffee house. He had a close business association with David Geffen. Roberts and Geffen were to have important influences on her career. Eventually she was signed to the Warners-affiliated Reprise label by talent scout Andy Wickham. Crosby convinced Reprise to let Mitchell record a solo acoustic album without the folk-rock overdubs in vogue at that time, and his clout earned him a producer's credit in March 1968, when Reprise released her debut album, known either as "Joni Mitchell" or "Song to a Seagull".
Mitchell toured steadily to promote the LP. The tour helped create eager anticipation for Mitchell's second LP, "Clouds", which was released in April 1969. This album contained Mitchell's own versions of some of her songs already recorded and performed by other artists: "Chelsea Morning", "Both Sides, Now", and "Tin Angel". The covers of both LPs, including a self-portrait on "Clouds", were designed and painted by Mitchell, a blending of her painting and music that she continued throughout her career.
In March 1970, "Clouds" produced her first Grammy Award for Best Folk Performance. The following month, Reprise released her third album, "Ladies of the Canyon". Mitchell's sound was already beginning to expand beyond the confines of acoustic folk music and toward pop and rock, with more overdubs, percussion, and backing vocals, and for the first time, many songs composed on piano, which became a hallmark of Mitchell's style in her most popular era. Her own version of "Woodstock", slower than the cover by Crosby, Stills, Nash & Young, was performed solo on a Wurlitzer electric piano. The album also included the already-familiar song "The Circle Game" and the environmental anthem "Big Yellow Taxi", with its now-famous line, "they paved paradise and put up a parking lot."
"Ladies of the Canyon" was an instant smash on FM radio and sold briskly, eventually becoming Mitchell's first gold album (selling over a half million copies). She made a decision to stop touring for a year and just write and paint, yet she was still voted "Top Female Performer" for 1970 by "Melody Maker", a leading UK pop music magazine. On the April 1971 release of James Taylor's "Mud Slide Slim and the Blue Horizon" album, Mitchell is credited with backup vocals on the track "You've Got a Friend". The songs she wrote during the months she took off for travel and life experience appeared on her next album, "Blue", released in June 1971. Comparing Joni Mitchell's talent to his own, David Crosby said, "By the time she did "Blue", she was past me and rushing toward the horizon".
"Blue" was an almost instant critical and commercial success, peaking in the top 20 in the Billboard Album Charts in September and also hitting the British Top 3. The lushly produced "Carey" was the single at the time, but musically, other parts of "Blue" departed further from the sounds of "Ladies of the Canyon". Simpler, rhythmic acoustic parts allowed a focus on Mitchell's voice and emotions ("All I Want", "A Case of You"), while others such as "Blue", "River" and "The Last Time I Saw Richard" were sung to her rolling piano accompaniment. Her most confessional album, Mitchell later said of "Blue", "I have, on occasion, sacrificed myself and my own emotional makeup, ... singing 'I'm selfish and I'm sad', for instance. We all suffer for our loneliness, but at the time of "Blue", our pop stars never admitted these things." In its lyrics, the album was regarded as an inspired culmination of her early work, with depressed assessments of the world around her serving as counterpoint to exuberant expressions of romantic love (for example, in "California"). Mitchell later remarked, "At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong."
Mitchell decided to return to the live stage after the great success of "Blue", and she presented new songs on tour which appeared on her next album, her fifth, "For the Roses". The album was released in October 1972 and immediately zoomed up the charts. She followed with the single, "You Turn Me On, I'm a Radio", which peaked at No. 25 in the Billboard Charts in February 1973.
"Court and Spark", released in January 1974, saw Mitchell begin the flirtation with jazz and jazz fusion that marked her experimental period ahead. "Court and Spark" went to No. 1 on the Cashbox Album Charts. The LP made Mitchell a widely popular act for perhaps the only time in her career, on the strength of popular tracks such as the rocker "Raised on Robbery", which was released right before Christmas 1973, and "Help Me", which was released in March of the following year, and became Mitchell's only Top 10 single when it peaked at No. 7 in the first week of June. "Free Man in Paris" was another hit single and staple in her catalog.
While recording "Court and Spark", Mitchell had tried to make a clean break with her earlier folk sound, producing the album herself and employing jazz/pop fusion band the L.A. Express as what she called her first real backing group. In February 1974, her tour with the L.A. Express began, and they received rave notices as they traveled across the United States and Canada during the next two months. A series of shows at L.A.'s Universal Amphitheater on August 14–17 were recorded for a live album. In November, Mitchell released that album, "Miles of Aisles", a two-record set including all but two songs from the L.A. concerts (one selection each from the Berkeley Community Theatre, on March 2, and the L.A. Music Center, on March 4, were also included in the set). The live album slowly moved up to No. 2, matching "Court and Spark"s chart peak on Billboard. "Big Yellow Taxi", the live version, was also released as a single and did reasonably well (she released another version of the song in 2007).
In January 1975, "Court and Spark" received four nominations for Grammy Awards, including Grammy Award for Album of the Year, for which Mitchell was the only woman nominated. She won only the Grammy Award for Best Arrangement, Instrumental and Vocals.
Mitchell went into the studio in early 1975 to record acoustic demos of some songs that she had written since the "Court and Spark" tour. A few months later she recorded versions of the tunes with her band. Her musical interests were now diverging from both the folk and the pop scene of the era, toward less structured, more jazz-inspired pieces, with a wider range of instruments. The new song cycle was released in November 1975 as "The Hissing of Summer Lawns". On "The Jungle Line", she made an early effort at sampling a recording of African musicians, something that became more commonplace among Western rock acts in the 1980s. "In France They Kiss on Main Street" continued the lush pop sounds of "Court and Spark", and efforts such as the title song and "Edith and the Kingpin" chronicled the underbelly of suburban lives in Southern California.
During 1975, Mitchell also participated in several concerts in the Rolling Thunder Revue tours featuring Bob Dylan and Joan Baez, and in 1976 she performed as part of "The Last Waltz" by the Band. In January 1976, Mitchell received a nomination for the Grammy Award for Best Female Pop Vocal Performance for the album "The Hissing of Summer Lawns", though the Grammy went to Linda Ronstadt.
In early 1976, Mitchell traveled with friends who were driving cross country to Maine. Afterwards, she drove back to California alone and composed several songs during her journey which featured on her next album, 1976's "Hejira". She stated that "This album was written mostly while I was traveling in the car. That's why there were no piano songs ..." "Hejira" was arguably Mitchell's most experimental album so far, due to her ongoing collaborations with jazz virtuoso bass guitarist Jaco Pastorius on several songs, namely the first single, "Coyote", the atmospheric "Hejira", the disorienting, guitar-heavy "Black Crow", and the album's last song "Refuge of the Roads". The album climbed to No. 13 on the Billboard Charts, reaching gold status three weeks after release, and received airplay from album oriented FM rock stations. Yet "Coyote", backed with "Blue Motel Room", failed to chart on the Hot 100. "Hejira" "did not sell as briskly as Mitchell's earlier, more "radio-friendly" albums, [but] its stature in her catalogue has grown over the years". Mitchell herself believes the album to be unique. In 2006 she said, "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on "Hejira" could only have come from me."
In mid-1977, Mitchell began work on new recordings that became her first double studio album. Close to completing her contract with Asylum Records, Mitchell felt that this album could be looser in feel than any album she'd done in the past. She invited Pastorius back, and he brought with him fellow members of jazz fusion pioneers Weather Report, including drummer Don Alias and saxophonist Wayne Shorter. Layered, atmospheric compositions such as "Overture/Cotton Avenue" featured more improvisatory collaboration, while "Paprika Plains" was a 16-minute epic that stretched the boundaries of pop, owing more to Mitchell's memories of childhood in Canada and her study of classical music. "Dreamland" and "The Tenth World", featuring Chaka Khan on backing vocals, were percussion-dominated tracks. Other songs continued the jazz-rock-folk collisions of "Hejira". Mitchell also revived "Jericho", written years earlier (a version is found on her 1974 live album) but never recorded in a studio setting.
"Don Juan's Reckless Daughter" was released in December 1977. The album received mixed reviews but still sold relatively well, peaking at No. 25 in the US and going gold within three months. The cover of the album created its own controversy: Mitchell was featured in several photographs, including one where she was in blackface, wearing a curly afro wig, a white suit and vest, and dark sunglasses. The character, whom she called Art Nouveau, was based on a pimp who, she says, once complimented her while walking down an LA street – and was a symbol of her turn toward jazz and streetwise lyrics.
A few months after the release of "Don Juan's Reckless Daughter", Mitchell was contacted by the esteemed jazz composer, bandleader and bassist Charles Mingus, who had heard the orchestrated song "Paprika Plains", and wanted her to work with him. She began a collaboration with Mingus, who died before the project was completed in 1979. She finished the tracks, and the resulting album, "Mingus", was released in June 1979, though it was poorly received in the press. Fans were confused over such a major change in Mitchell's overall sound, and though the album topped out at No. 17 on the Billboard album charts—a higher placement than "Don Juan's Reckless Daughter"—"Mingus" still fell short of gold status, making it her first album since the 1960s to not sell at least a half-million copies.
Mitchell's tour to promote "Mingus" began in August 1979 in Oklahoma City and concluded six weeks later with five shows at Los Angeles' Greek Theatre and one at the Santa Barbara County Bowl, where she recorded and filmed the concert. It was her first tour in several years, and with Pastorius, jazz guitarist Pat Metheny, and other members of her band, Mitchell also performed songs from her other jazz-inspired albums. When the tour ended she began a year of work, turning the tapes from the Santa Barbara County Bowl show into a two-album set and a concert film, both to be called "Shadows and Light". Her final release on Asylum Records and her second live double-album, it was released in September 1980, and made it up to No. 38 on the Billboard Charts. A single from the LP, "Why Do Fools Fall in Love?", Mitchell's duet with The Persuasions (her opening act for the tour), bubbled under on Billboard, just missing the Hot 100.
For a year and a half, Mitchell worked on the tracks for her next album.
While the album was being readied for release, her friend David Geffen, founder of Asylum Records, decided to start a new label, Geffen Records. Still distributed by Warner Bros. (who controlled Asylum Records), Geffen negated the remaining contractual obligations Mitchell had with Asylum and signed her to his new label. "Wild Things Run Fast" (1982) marked a return to pop songwriting, including "Chinese Cafe/Unchained Melody", which incorporated the chorus and parts of the melody of the famous The Righteous Brothers hit, and "(You're So Square) Baby I Don't Care", a remake of the Elvis chestnut, which charted higher than any Mitchell single since her 1970s sales peak when it climbed to No. 47 on the charts. The album peaked on the Billboard Charts in its fifth week at No. 25.
During this period she recorded with bassist and sound engineer Larry Klein, whom she married in 1982 (the marriage lasted 12 years).
In early 1983, Mitchell began a world tour, visiting Japan, Australia, Ireland, the United Kingdom, Belgium, France, Germany, Italy and Scandinavia and then going back to the United States. A performance from the tour was videotaped and later released on home video (and later DVD) as "Refuge of the Roads". As 1984 ended, Mitchell was writing new songs, when she received a suggestion from Geffen that perhaps an outside producer with experience in the modern technical arenas that they wanted to explore might be a worthy addition. British synthpop performer and producer Thomas Dolby was brought on board. Of Dolby's role, Mitchell later commented: "I was reluctant when Thomas was suggested because he had been asked to produce the record [by Geffen], and would he consider coming in as just a programmer and a player? So on that level we did have some problems ... He may be able to do it faster. He may be able to do it better, but the fact is that it then wouldn't really be my music."
The album that resulted, "Dog Eat Dog", released in October 1985, turned out to be only a moderate seller, peaking at No. 63 on Billboard's Top Albums Chart, Mitchell's lowest chart position since her first album peaked at No. 189 almost eighteen years before. One of the songs on the album, "Tax Free", created controversy by lambasting "televangelists" and what she saw as a drift to the religious right in American politics. "The churches came after me", she wrote, "they attacked me, though the Episcopalian Church, which I've seen described as the only church in America which actually uses its head, wrote me a letter of congratulation."
Mitchell continued experimenting with synthesizers, drum machines and sequencers for the recordings of her next album, 1988's "Chalk Mark in a Rain Storm". She also collaborated with artists including Willie Nelson, Billy Idol, Wendy & Lisa, Tom Petty, Don Henley, Peter Gabriel, and Benjamin Orr of the Cars. The album's first official single, "My Secret Place", was in fact a duet with Gabriel, and just missed the Billboard Hot 100 charts. The song "Lakota" was one of many songs on the album to take on larger political themes, in this case the Wounded Knee incident, the deadly battle between Native American activists and the FBI on Pine Ridge Indian Reservation in the previous decade. Musically, several songs fit into the trend of world music popularized by Gabriel during the era. Reviews were mostly favorable towards the album, and the cameos by well-known musicians brought it considerable attention. "Chalk Mark" ultimately improved on the chart performance of "Dog Eat Dog", peaking at No. 45.
In 1990, Mitchell, who by then rarely performed live anymore, participated in Roger Waters' "The Wall Concert in Berlin". She performed the song "Goodbye Blue Sky" and was also one of the performers on the concert's final song "The Tide Is Turning" along with Waters, Cyndi Lauper, Bryan Adams, Van Morrison and Paul Carrack.
Throughout the first half of 1990, Mitchell recorded songs that appeared on her next album. She delivered the final mixes for the new album to Geffen just before Christmas, after trying nearly a hundred different sequences for the songs. The album "Night Ride Home" was released in March 1991. In the United States, it premiered on Billboard's Top Album charts at No. 68, moving up to No. 48 in its second week, and peaking at No. 41 in its sixth week. In the United Kingdom, the album premiered at No. 25 on the album charts. Critically, it was better received than her 1980s work and seemed to signal a move closer to her acoustic beginnings, along with some references to the style of "Hejira". This album was also Mitchell's first since Geffen Records was sold to MCA Inc., meaning that "Night Ride Home" was her first album not to be initially distributed by WEA (now Warner Music Group).
To wider audiences, the real "return to form" for Mitchell came with 1994's Grammy-winning "Turbulent Indigo". While the recording period also saw the divorce of Mitchell and bassist Larry Klein, their marriage having lasted almost 12 years, "Indigo" was seen as Mitchell's most accessible set of songs in years. Songs such as "Sex Kills", "Sunny Sunday", "Borderline" and "The Magdalene Laundries" mixed social commentary and guitar-focused melodies for "a startling comeback". The album won two Grammy awards, including Best Pop Album, and it coincided with a much-publicized resurgence in interest in Mitchell's work by a younger generation of singer-songwriters.
In 1996, Mitchell agreed to release a greatest "Hits" collection when label Reprise also allowed her a second album, called "Misses", to include some of the lesser known songs from her career. "Hits" charted at No. 161 in the US, but made No. 6 in the UK. Mitchell also included on "Hits", for the first time on an album, her first recording, a version of "Urge for Going" which preceded "Song to a Seagull" but was previously released only as a B-side.
Two years later, Mitchell released her final set of "original" new work before nearly a decade of other pursuits, 1998's "Taming the Tiger". She promoted "Tiger" with a return to regular concert appearances, including a co-headlining tour with Bob Dylan and Van Morrison.
On the album, Mitchell had played a custom guitar equipped with a Roland hexaphonic pickup which connected to a Roland VG-8 modeling processor. The device allowed Mitchell to play any of her many alternate tunings without having to re-tune the guitar. The guitar's output, through the VG-8, was transposed to any of her tunings in real-time.
It was around this time that critics also began to notice a real change in Mitchell's voice, particularly on her older songs; the singer later admitted to feeling the same way, explaining that "I'd go to hit a note and there was nothing there". While her more limited range and huskier vocals have sometimes been attributed to her smoking (she was described by journalist Robin Eggar as "one of the world's last great smokers"), Mitchell believes that the changes in her voice that became noticeable in the 1990s were due to other problems, including vocal nodules, a compressed larynx, and the lingering effects of having had polio. In an interview in 2004, she denied that "my terrible habits" had anything to do with her more limited range and pointed out that singers often lose the upper register when they pass fifty. In addition, she contended that in her opinion her voice became a more interesting and expressive alto range when she could no longer hit the high notes, let alone hold them like she did in her youth.
The singer's next two albums featured no new songs and, Mitchell has said, were recorded to "fulfill contractual obligations", but on both she attempted to make use of her new vocal range in interpreting familiar material. "Both Sides Now" (2000) was an album composed mostly of covers of jazz standards, performed with an orchestra, featuring orchestral arrangements by Vince Mendoza. The album also contained remakes of "A Case of You" and the title track "Both Sides, Now", two early hits transposed down to Mitchell's now dusky, soulful alto range. It received mostly strong reviews and spawned a short national tour, with Mitchell accompanied by a core band featuring Larry Klein on bass plus a local orchestra on each tour stop. Its success led to 2002's "Travelogue", a collection of re-workings of her previous songs with lush orchestral accompaniments.
Mitchell stated at the time that "Travelogue" would be her final album. In a 2002 interview with "Rolling Stone", she voiced discontent with the current state of the music industry, describing it as a "cesspool". Mitchell expressed her dislike of the record industry's dominance and her desire to control her own destiny, possibly by releasing her own music over the Internet.
During the next few years, the only albums Mitchell released were compilations of her earlier work. In 2003, her Geffen recordings were collected in a remastered four-disc box set, "The Complete Geffen Recordings", including notes by Mitchell and three previously unreleased tracks. A series of themed compilations of songs from earlier albums were also released: "The Beginning of Survival" (2004), "Dreamland" (2004), and "Songs of a Prairie Girl" (2005), the last of which collected the threads of her Canadian upbringing and which she released after accepting an invitation to the Saskatchewan Centennial concert in Saskatoon. The concert, which featured a tribute to Mitchell, was also attended by Queen Elizabeth II. In the "Prairie Girl" liner notes, she writes that the collection is "my contribution to Saskatchewan's Centennial celebrations".
In the early 1990s, Mitchell signed a deal with Random House to publish an autobiography. In 1998 she told "The New York Times" that her memoirs were "in the works", that they would be published in as many as four volumes, and that the first line would be "I was the only black man at the party." In 2005, Mitchell said that she was using a tape recorder to get her memories "down in the oral tradition".
Although Mitchell stated that she would no longer tour or give concerts, she has made occasional public appearances to speak on environmental issues. Mitchell divides her time between her longtime home in Los Angeles, and the property in Sechelt, British Columbia, that she has owned since the early 1970s. "L.A. is my workplace", she said in 2006, "B.C. is my heartbeat". According to interviews, today she focuses mainly on her visual art, which she does not sell and displays only on rare occasions.
In an interview with the "Ottawa Citizen" in October 2006, Mitchell "revealed that she was recording her first collection of new songs in nearly a decade", but gave few other details. Four months later, in an interview with "The New York Times", Mitchell said that the forthcoming album, titled "Shine", was inspired by the war in Iraq and "something her grandson had said while listening to family fighting: 'Bad dreams are good—in the great plan.'" Early media reports characterized the album as having "a minimal feel ... that harks back to [Mitchell's] early work" and a focus on political and environmental issues.
In February 2007, Mitchell returned to Calgary and served as an advisor for the Alberta Ballet Company premiere of "The Fiddle and the Drum", a dance choreographed by Jean Grand-Maître to both new and old songs. She worked with the French-Canadian TV director Mario Rouleau, well known for work in art and dance for television, such as Cirque du Soleil. She also filmed portions of the rehearsals for a documentary that she is working on. Of the flurry of recent activity she quipped, "I've never worked so hard in my life."
In mid-2007, Mitchell's official fan-run site confirmed speculation that she had signed a two-record deal with Starbucks' Hear Music label. "Shine" was released by the label on September 25, 2007, debuting at number 14 on the Billboard 200 album chart, her highest chart position in the United States since the release of "Hejira" in 1976, over thirty years previously, and at number 36 on the United Kingdom albums chart.
On the same day, Herbie Hancock, a longtime associate and friend of Mitchell's, released "", an album paying tribute to Mitchell's work. Among the album's contributors were Norah Jones, Tina Turner, Leonard Cohen, and Mitchell herself, who contributed a vocal to the re-recording of "The Tea Leaf Prophecy (Lay Down Your Arms)" (originally on her album "Chalk Mark in a Rain Storm"). On February 10, 2008, Hancock's recording won Album of the Year at the Grammy Awards. It was the first time in 43 years that a jazz artist took the top prize at the annual award ceremony. In accepting the award, Hancock paid tribute to Mitchell as well as to Miles Davis and John Coltrane. At the same ceremony Mitchell won a Grammy for Best Instrumental Pop Performance for the opening track, "One Week Last Summer", from her album "Shine".
In a 2010 interview with the "Los Angeles Times", Mitchell was quoted as saying that singer-songwriter Bob Dylan, with whom she had worked closely in the past, was a fake and a plagiarist. The controversial remark was widely reported by other media. Mitchell did not explain the contention further, but several media outlets speculated that it may have related to the allegations of plagiarism surrounding some lyrics on Dylan's 2006 album "Modern Times". In a 2013 interview with Jian Ghomeshi, she was asked about the comments and responded by denying that she had made the statement while mentioning the allegations of plagiarism that arose over the lyrics to Dylan's 2001 album "Love and Theft" in the general context of the flow and ebb of the creative process of artists.
Mitchell has said that she has Morgellons syndrome, and in 2010 said she planned to leave the music industry to work toward giving more credibility to people diagnosed with Morgellons.
In 2015, Mitchell had a brain aneurysm, which required her to undergo physical therapy, and take part in daily rehabilitation. Mitchell made her first public appearance following the aneurysm when she attended a Chick Corea concert in Los Angeles in August 2016. She has made a few other appearances, and in November 2018, David Crosby said that she was learning to walk again. On November 7, 2018 Mitchell attended "Both Sides Now - Joni 75, a Birthday Celebration" in Los Angeles. To celebrate her 75th birthday a select group of artists, among them James Taylor, Graham Nash, Seal and Kris Kristofferson, interpreted songs written by Mitchell.
On June 25, 2019, "The New York Times Magazine" listed Joni Mitchell among hundreds of artists whose master tape recordings were reportedly destroyed in the 2008 Universal fire.
While some of Mitchell's most popular songs were written on piano, almost every song she composed on the guitar uses an open, or non-standard, tuning; she has written songs in some 50 tunings, playing what she has called "Joni's weird chords". The use of alternative tunings allows guitarists to produce accompaniment with more varied and wide-ranging textures. Her right-hand picking/strumming technique has evolved over the years from an initially intricate picking style, typified by the guitar songs on her first album, to a looser and more rhythmic style, sometimes incorporating percussive "slaps".
In 1995, Mitchell's friend Fred Walecki, proprietor of Westwood Music in Los Angeles, developed a solution to alleviate her continuing frustration with using multiple alternative tunings in live settings. Walecki designed a Stratocaster-style guitar to function with the Roland VG-8 virtual guitar, a system capable of configuring her numerous tunings electronically. While the guitar itself remained in standard tuning, the VG-8 encoded the pickup signals into digital signals which were then translated into the altered tunings. This allowed Mitchell to use one guitar on stage, while an off-stage tech entered the preprogrammed tuning for each song in her set.
Mitchell was also highly innovative harmonically in her early work (1966–72), incorporating modality, chromaticism, and pedal points. On her 1968 debut album "Song to a Seagull", Mitchell used both quartal and quintal harmony in "Dawntreader" and quintal harmony in "Seagull".
In 2003 "Rolling Stone" named her the 72nd greatest guitarist of all time; she was the highest-ranked woman on the list.
Mitchell's approach to music struck a chord with many female listeners. In an era dominated by the stereotypical male rock star, she presented herself as "multidimensional and conflicted ... allow[ing] her to build such a powerful identification among her female fans". Mitchell asserted her desire for artistic control throughout her career, and still holds the publishing rights for her music. She has disclaimed the notion that she is a "feminist"; in a 2013 interview she rejected the label, stating, "I'm not a feminist. I don't want to get a posse against men. I'd rather go toe-to-toe; work it out." David Shumway notes that Mitchell "became the first woman in popular music to be recognized as an artist in the full sense of that term... Whatever Mitchell's stated views of feminism, what she represents more than any other performer of her era is the new prominence of women's perspectives in cultural and political life."
Mitchell's work has had an influence on many other artists, including Taylor Swift, Katy Perry, Ellie Goulding, Harry Styles, Corinne Bailey Rae, Gabrielle Aplin, Mikael Åkerfeldt from Opeth, Pink Floyd's David Gilmour, Marillion members Steve Hogarth and Steve Rothery, their former vocalist and lyricist Fish, Paul Carrack, and Haim. Madonna has also cited Mitchell as the first female artist that really spoke to her as a teenager; "I was really, really into Joni Mitchell. I knew every word to "Court and Spark"; I worshipped her when I was in high school. "Blue" is amazing. I would have to say of all the women I've heard, she had the most profound effect on me from a lyrical point of view."
Several artists have had success covering Mitchell's songs. Judy Collins's 1967 recording of "Both Sides, Now" reached No. 8 on Billboard charts and was a breakthrough in the career of both artists (Mitchell's own recording did not see release until two years later, on her second album "Clouds"). This is Mitchell's most-covered song by far, with over 1,200 versions recorded at latest count. Hole also covered "Both Sides, Now" in 1991 on their debut album, "Pretty on the Inside", retitling it "Clouds", with the lyrics altered by frontwoman Courtney Love. Pop group Neighborhood in 1970 and Amy Grant in 1995 scored hits with covers of "Big Yellow Taxi", the third-most covered song in Mitchell's repertoire (with over 300 covers). Recent releases of this song have been by Counting Crows in 2002 and Nena in 2007. Janet Jackson used a sample of the chorus of "Big Yellow Taxi" as the centerpiece of her 1997 hit single "Got 'Til It's Gone", which also features rapper Q-Tip saying "Joni Mitchell never lies". "River", from Mitchell's album "Blue" became the second-most covered song of Mitchell's in 2013 as many artists chose it for their holiday albums. Rap artists Kanye West and Mac Dre have also sampled Mitchell's vocals in their music. In addition, Annie Lennox has covered "Ladies of the Canyon" for the B-side of her 1995 hit "No More I Love You's". Mandy Moore covered "Help Me" in 2003. In 2004 singer George Michael covered her song "Edith and the Kingpin" for a radio show. "River" has been one of the most popular songs covered in recent years, with versions by Dianne Reeves (1999), James Taylor (recorded for television in 2000, and for CD release in 2004), Allison Crowe (2004), Rachael Yamagata (2004), Aimee Mann (2005), and Sarah McLachlan (2006). McLachlan also did a version of "Blue" in 1996, and Cat Power recorded a cover of "Blue" in 2008. Other Mitchell covers include the famous "Woodstock" by Crosby, Stills, Nash and Young, Eva Cassidy, and Matthews Southern Comfort; "This Flight Tonight" by Nazareth; and well-known versions of "A Case of You" by Tori Amos, Michelle Branch, Jane Monheit, Prince, Diana Krall, James Blake, and Ana Moura. A 40th anniversary version of "Woodstock" was released in 2009 by Nick Vernier Band featuring Ian Matthews (formerly of Matthews Southern Comfort). Fellow Canadian singer k.d. lang recorded two of Mitchell's songs ("A Case of You" and "Jericho") for her 2004 album "Hymns of the 49th Parallel" which is composed entirely of songs written by Canadian artists.
Prince's version of "A Case of U" appeared on "A Tribute to Joni Mitchell", a 2007 compilation released by Nonesuch Records, which also featured Björk ("The Boho Dance"), Caetano Veloso ("Dreamland"), Emmylou Harris ("The Magdalene Laundries"), Sufjan Stevens ("Free Man in Paris") and Cassandra Wilson ("For the Roses"), among others.
Several other songs reference Joni Mitchell. The song "Our House" by Graham Nash refers to Nash's two-year affair with Mitchell at the time that Crosby, Stills, Nash and Young recorded the "Déjà Vu" album. Led Zeppelin's "Going to California" was said to be written about Robert Plant and Jimmy Page's infatuation with Mitchell, a claim that seems to be borne out by the fact that, in live performances, Plant often says "Joni" after the line "To find a queen without a king, they say she plays guitar and cries and sings". Jimmy Page uses a double dropped D guitar tuning similar to the alternative tunings Mitchell uses. The Sonic Youth song "Hey Joni" is named for Mitchell. Alanis Morissette also mentions Mitchell in one of her songs, "Your House". British folk singer Frank Turner mentions Mitchell in his song "Sunshine State". The Prince song "The Ballad of Dorothy Parker" contains the lyric – " 'Oh, my favorite song' she said – and it was Joni singing 'Help me I think I'm falling' ". "Lavender" by Marillion was partly influenced by "going through parks listening to Joni Mitchell", according to vocalist and lyricist Fish, and she was later mentioned in the lyrics of their song "Montreal" from "Sounds That Can't Be Made". John Mayer makes reference to Mitchell and her "Blue" album in his song "Queen of California", from his 2012 album "Born and Raised". The song contains the lyric "Joni wrote "Blue" in a house by the sea".
In 2003, playwright Bryden MacDonald launched "When All the Slaves Are Free", a musical revue based on Mitchell's music.
Mitchell's music and poems have deeply influenced the French painter Jacques Benoit's work. Between 1979 and 1989 Benoit produced sixty paintings, corresponding to a selection of fifty of Mitchell's songs.
Maynard James Keenan of the American progressive rock band Tool has cited Mitchell as an influence, claiming that her influence is what allows him to "soften [staccato, rhythmic, insane mathematical paths] and bring [them] back to the center, so you can listen to it without having an eye-ache." A Perfect Circle, another band featuring Keenan as lead vocalist, recorded a rendition of Mitchell's "The Fiddle and the Drum" on their 2004 album "eMOTIVe", a collection of anti-war cover songs.
Despite her prominence among the young musicians of the 1960s and 1970s, and her writing of "Woodstock" (the eponymous concert at which she did not perform because her manager thought it was more advantageous to appear on "The Dick Cavett Show"), she did not align herself with the Baby Boom era's protest movements or its cultural manifestation, the associated 1960s counter-culture. She has said that the parents of the boomers were unhappy, and "out of it came this liberated, spoiled, selfish generation into the costume ball of free love, free sex, free music, free, free, free, free we're so free. And Woodstock was the culmination of it." But "I was not a part of that," she explained in an interview. "I was not a part of the anti-war movement, either. I played in Fort Bragg. I went the Bob Hope route [i.e., touring to entertain military personnel] because I had uncles who died in the war, and I thought it was a shame to blame the boys who were drafted."
Mitchell's home country of Canada has bestowed several honours on her. She was inducted into the Canadian Music Hall of Fame in 1981 and received the Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts, in 1996. Mitchell received a star on Canada's Walk of Fame in 2000. In 2002 she became only the third popular Canadian singer-songwriter (Gordon Lightfoot and Leonard Cohen being the other two), to be appointed a Companion of the Order of Canada, Canada's highest civilian honour. She received an honorary doctorate in music from McGill University in 2004. In January 2007 she was inducted into the Canadian Songwriters Hall of Fame. The Saskatchewan Recording Industry Association bestowed upon Joni their Lifetime Achievement Award in 1993. In June 2007 Canada Post featured Mitchell on a postage stamp.
Mitchell has received nine Grammy Awards during her career (eight competitive, one honorary), the first in 1969 and the most recent in 2016. She received a Grammy Lifetime Achievement Award in 2002, with the citation describing her as "one of the most important female recording artists of the rock era" and "a powerful influence on all artists who embrace diversity, imagination and integrity".
In 1995, Mitchell received Billboard's Century Award. In 1996, she was awarded the Polar Music Prize. In 1997, Mitchell was inducted into the Rock and Roll Hall of Fame, but did not attend the ceremony.
In tribute to Mitchell, the TNT network presented an all-star celebration at the Hammerstein Ballroom in New York City on April 6, 2000. Mitchell's songs were sung by many performers, including James Taylor, Elton John, Wynonna Judd, Bryan Adams, Cyndi Lauper, Diana Krall, and Richard Thompson. Mitchell herself ended the evening with a rendition of "Both Sides, Now" with a 70-piece orchestra. The version was featured on the soundtrack to the movie "Love Actually".
In 2008, Mitchell was ranked 42nd on "Rolling Stone"s "100 greatest singers" list and in 2015 she was ranked ninth on their list of the 100 Greatest Songwriters of All Time.
On February 12, 2010, "Both Sides, Now" was performed at the 2010 Winter Olympics opening ceremony in Vancouver.
To celebrate Mitchell's 70th birthday, the 2013 Luminato Festival in Toronto held a set of tribute concerts entitled "Joni: A Portrait in Song – A Birthday Happening Live" at Massey Hall on June 18 and 19. Performers included Rufus Wainwright, Herbie Hancock, Esperanza Spalding, and rare performances by Mitchell herself.
Due to health problems she could not attend the San Francisco gala in May 2015 to receive the SFJAZZ Lifetime Achievement Award.
In 2018, Mitchell was honoured by the city of Saskatoon, when two plaques were erected to commemorate her musical beginnings in Saskatoon. One was installed by the Broadway Theatre beside the former Louis Riel Coffee House, where Mitchell played her first paid gig. A second plaque was installed at River Landing, near the Remai Modern art gallery and Persephone Theatre performing arts centre. As well, the walkway along Spadina Crescent between Second and Third Avenues was formally named the "Joni Mitchell Promenade".
In 2020, Mitchell received the Les Paul Award, becoming the first woman to do so.
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https://en.wikipedia.org/wiki?curid=16422
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Justus
Justus (died on 10 November between 627 and 631) was the fourth Archbishop of Canterbury. He was sent from Italy to England by Pope Gregory the Great, on a mission to Christianize the Anglo-Saxons from their native paganism, probably arriving with the second group of missionaries despatched in 601. Justus became the first Bishop of Rochester in 604, and attended a church council in Paris in 614.
Following the death of King Æthelberht of Kent in 616, Justus was forced to flee to Gaul, but was reinstated in his diocese the following year. In 624 Justus became Archbishop of Canterbury, overseeing the despatch of missionaries to Northumbria. After his death he was revered as a saint, and had a shrine in St Augustine's Abbey, Canterbury.
Justus was a member of the Gregorian mission sent to England by Pope Gregory I. Almost everything known about Justus and his career is derived from the early 8th-century "Historia ecclesiastica gentis Anglorum" of Bede. As Bede does not describe Justus' origins, nothing is known about him prior to his arrival in England. He probably arrived in England with the second group of missionaries, sent at the request of Augustine of Canterbury in 601. Some modern writers describe Justus as one of the original missionaries who arrived with Augustine in 597, but Bede believed that Justus came in the second group. The second group included Mellitus, who later became Bishop of London and Archbishop of Canterbury.
If Justus was a member of the second group of missionaries, then he arrived with a gift of books and "all things which were needed for worship and the ministry of the Church". A 15th-century Canterbury chronicler, Thomas of Elmham, claimed that there were a number of books brought to England by that second group still at Canterbury in his day, although he did not identify them. An investigation of extant Canterbury manuscripts shows that one possible survivor is the St. Augustine Gospels, now in Cambridge, Corpus Christi College, Manuscript (MS) 286.
Augustine consecrated Justus as a bishop in 604, over a province including the Kentish town of Rochester. The historian Nicholas Brooks argues that the choice of Rochester was probably not because it had been a Roman-era bishopric, but rather because of its importance in the politics of the time. Although the town was small, with just one street, it was at the junction of Watling Street and the estuary of the Medway, and was thus a fortified town. Because Justus was probably not a monk (he was not called that by Bede), his cathedral clergy was very likely non-monastic too.
A charter purporting to be from King Æthelberht, dated 28 April 604, survives in the "Textus Roffensis", as well as a copy based on the Textus in the 14th-century "Liber Temporalium". Written mostly in Latin but using an Old English boundary clause, the charter records a grant of land near the city of Rochester to Justus' church. Among the witnesses is Laurence, Augustine's future successor, but not Augustine himself. The text turns to two different addressees. First, Æthelberht is made to admonish his son Eadbald, who had been established as a sub-ruler in the region of Rochester. The grant itself is addressed directly to Saint Andrew, the patron saint of the church, a usage parallelled by other charters in the same archive.
Historian Wilhelm Levison, writing in 1946, was sceptical about the authenticity of this charter. In particular, he felt that the two separate addresses were incongruous and suggested that the first address, occurring before the preamble, may have been inserted by someone familiar with Bede to echo Eadbald's future conversion (see below). A more recent and more positive appraisal by John Morris argues that the charter and its witness list are authentic because it incorporates titles and phraseology that had fallen out of use by 800.
Æthelberht built Justus a cathedral church in Rochester; the foundations of a nave and chancel partly underneath the present-day Rochester Cathedral may date from that time. What remains of the foundations of an early rectangular building near the southern part of the current cathedral might also be contemporary with Justus or may be part of a Roman building.
Together with Mellitus, the Bishop of London, Justus signed a letter written by Archbishop Laurence of Canterbury to the Irish bishops urging the native church to adopt the Roman method of calculating the date of Easter. This letter also mentioned the fact that Irish missionaries, such as Dagan, had refused to share meals with the missionaries. Although the letter has not survived, Bede quoted from parts of it.
In 614, Justus attended the Council of Paris, held by the Frankish king, Chlothar II. It is unclear why Justus and Peter, the abbot of Sts Peter and Paul in Canterbury, were present. It may have been just chance, but historian James Campbell has suggested that Chlothar summoned clergy from Britain to attend in an attempt to assert overlordship over Kent. The historian N. J. Higham offers another explanation for their attendance, arguing that Æthelberht sent the pair to the council because of shifts in Frankish policy towards the Kentish kingdom, which threatened Kentish independence, and that the two clergymen were sent to negotiate a compromise with Chlothar.
A pagan backlash against Christianity followed Æthelberht's death in 616, forcing Justus and Mellitus to flee to Gaul. The pair probably took refuge with Chlothar, hoping that the Frankish king would intervene and restore them to their sees, and by 617 Justus had been reinstalled in his bishopric by the new king. Mellitus also returned to England, but the prevailing pagan mood did not allow him to return to London; after Laurence's death, Mellitus became Archbishop of Canterbury. According to Bede, Justus received letters of encouragement from Pope Boniface V (619–625), as did Mellitus, although Bede does not record the actual letters. The historian J. M. Wallace-Hadrill assumes that both letters were general statements of encouragement to the missionaries.
Justus became Archbishop of Canterbury in 624, receiving his pallium—the symbol of the jurisdiction entrusted to archbishops—from Pope Boniface V, following which Justus consecrated Romanus as his successor at Rochester. Boniface also gave Justus a letter congratulating him on the conversion of King "Aduluald" (probably King Eadbald of Kent), a letter which is included in Bede's "Historia ecclesiastica gentis Anglorum". Bede's account of Eadbald's conversion states that it was Laurence, Justus' predecessor at Canterbury, who converted the King to Christianity, but the historian D. P. Kirby argues that the letter's reference to Eadbald makes it likely that it was Justus. Other historians, including Barbara Yorke and Henry Mayr-Harting, conclude that Bede's account is correct, and that Eadbald was converted by Laurence. Yorke argues that there were two kings of Kent during Eadbald's reign, Eadbald and Æthelwald, and that Æthelwald was the "Aduluald" referred to by Boniface. Yorke argues that Justus converted Æthelwald back to Christianity after Æthelberht's death.
Justus consecrated Paulinus as the first Bishop of York, before the latter accompanied Æthelburg of Kent to Northumbria for her marriage to King Edwin of Northumbria. Bede records Justus as having died on 10 November, but does not give a year, although it is likely to have between 627 and 631. After his death, Justus was regarded as a saint, and was given a feast day of 10 November. The ninth century Stowe Missal commemorates his feast day, along with Mellitus and Laurence. In the 1090s, his remains were translated, or ritually moved, to a shrine beside the high altar of St Augustine's Abbey in Canterbury. At about the same time, a "Life" was written about him by Goscelin of Saint-Bertin, as well as a poem by Reginald of Canterbury. Other material from Thomas of Elmham, Gervase of Canterbury, and William of Malmesbury, later medieval chroniclers, adds little to Bede's account of Justus' life.
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https://en.wikipedia.org/wiki?curid=16425
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John Eccles (neurophysiologist)
Sir John Carew Eccles (27 January 1903 – 2 May 1997) was an Australian neurophysiologist and philosopher who won the 1963 Nobel Prize in Physiology or Medicine for his work on the synapse. He shared the prize with Andrew Huxley and Alan Lloyd Hodgkin.
Eccles was born in Melbourne, Australia. He grew up there with his two sisters and his parents: William and Mary Carew Eccles (both teachers, who home schooled him until he was 12). He initially attended Warrnambool High School (now Warrnambool College) (where a science wing is named in his honour), then completed his final year of schooling at Melbourne High School. Aged 17, he was awarded a senior scholarship to study medicine at the University of Melbourne. As a medical undergraduate, he was never able to find a satisfactory explanation for the interaction of mind and body; he started to think about becoming a neuroscientist. He graduated (with first class honours) in 1925, and was awarded a Rhodes Scholarship to study under Charles Scott Sherrington at Magdalen College, Oxford University, where he received his Doctor of Philosophy in 1929.
In 1937 Eccles returned to Australia, where he worked on military research during World War II. During this time Eccles was the director of Kanematsu Institute at Sydney Medical School, he and Bernard Katz gave research lectures at the University of Sydney, strongly influencing its intellectual environment. After the war, he became a professor at the University of Otago in New Zealand. From 1952 to 1962 he worked as a professor at the John Curtin School of Medical Research (JCSMR) of the Australian National University. The Eccles Institute of Neuroscience is headquartered in a new wing of the JCSMR building, constructed with the assistance of a $63M grant from the Commonwealth Government and completed in March 2012.
In the early 1950s, Eccles and his colleagues performed the research that would lead to his receiving the Nobel Prize. To study synapses in the peripheral nervous system, Eccles and colleagues used the stretch reflex as a model, which is easily studied because it consists of only two neurons: a sensory neuron (the muscle spindle fibre) and the motor neuron. The sensory neuron synapses onto the motor neuron in the spinal cord. When a current is passed into the sensory neuron in the quadriceps, the motor neuron innervating the quadriceps produced a small excitatory postsynaptic potential (EPSP). When a similar current is passed through the hamstring, the opposing muscle to the quadriceps, an inhibitory postsynaptic potential (IPSP) is produced in the quadriceps motor neuron. Although a single EPSP was not enough to fire an action potential in the motor neuron, the sum of several EPSPs from multiple sensory neurons synapsing onto the motor neuron can cause the motor neuron to fire, thus contracting the quadriceps. On the other hand, IPSPs could subtract from this sum of EPSPs, preventing the motor neuron from firing.
Apart from these seminal experiments, Eccles was key to a number of important developments in neuroscience. Until around 1949, Eccles believed that synaptic transmission was primarily electrical rather than chemical. Although he was wrong in this hypothesis, his arguments led him and others to perform some of the experiments which proved chemical synaptic transmission. Bernard Katz and Eccles worked together on some of the experiments which elucidated the role of acetylcholine as a neurotransmitter in the brain.
He was appointed a Knight Bachelor in 1958 in recognition of services to physiological research.
He won the Australian of the Year Award in 1963, the same year he won the Nobel Prize.
In 1964 he became an honorary member to the American Philosophical Society, and in 1966 he moved to the United States to work at the Institute for Biomedical Research in Chicago. Unhappy with the working conditions there, he left to become a professor at the University at Buffalo from 1968 until he retired in 1975. After retirement, he moved to Switzerland and wrote on the mind-body problem.
In 1981, Eccles became a founding member of the World Cultural Council.
In 1990 he was appointed a Companion of the Order of Australia (AC) in recognition of service to science, particularly in the field of neurophysiology. He died in 1997 in Tenero-Contra, Locarno, Switzerland.
In "The Understanding of the Brain" (1973), Eccles summarises his philosophy: "Now before discussing brain function in detail I will at the beginning give an account of my philosophical position on the so-called 'brain-mind problem' so that you will be able to relate the experimental evidence to this philosophical position. I have written at length on this philosophy in my book "Facing Reality". In Fig. 6-1 you will be able to see that I fully accept the recent philosophical achievements of Sir Karl Popper with his concept of three worlds. I was a dualist, now I am a trialist! Cartesian dualism has become unfashionable with many people. They embrace monism to escape the enigma of brain-mind interaction with its perplexing problems. But Sir Karl Popper and I are interactionists, and what is more, "trialist interactionists"! The three worlds are very easily defined. I believe that in the classification of Fig. 6-1 there is nothing left out. It takes care of everything that is in existence and in our experience. All can be classified in one or other of the categories enumerated under Worlds 1, 2 and 3.
Fig. 6-1, Three Worlds
"In Fig. 6-1, World 1 is the world of physical objects and states. It comprises the whole cosmos of matter and energy, all of biology including human brains, and all artifacts that man has made for coding information, as for example, the paper and ink of books or the material base of works of art. World 1 is the total world of the materialists. They recognise nothing else. All else is fantasy.
"World 2 is the world of states of consciousness and subjective knowledge of all kinds. The totality of our perceptions comes in this world. But there are several levels. In agreement with Polten, I tend to recognise three kinds of levels of World 2, as indicated in Fig. 6-2, but it may be more correct to think of it as a spectrum.
FIG. 6-2, World of Consciousness
"The first level (outer sense) would be the ordinary perceptions provided by all our sense organs, hearing and touch and sight and smell and pain. All of these perceptions are in World 2, of course: vision with light and colour; sound with music and harmony; touch with all its qualities and vibration; the range of odours and tastes, and so on. These qualities do not exist in World 1, where correspondingly there are but electromagnetic waves, pressure waves in the atmosphere, material objects, and chemical substances.
"In addition there is a level of "inner sense", which is the world of more subtle perceptions. It is the world of your emotions, of your feelings of joy and sadness and fear and anger and so on. It includes all your memory, and all your imaginings and planning into the future. In fact there is a whole range of levels which could be described at length. All the subtle experiences of the human person are in this inner sensory world. It is all private to you but you can reveal it in linguistic expression, and by gestures of all levels of subtlety.
"Finally, at the core of World 2 there is the "self" or "pure ego", which is the basis of our unity as an experiencing being throughout our whole lifetime.
"This World 2 is our "primary reality". Our conscious experiences are the basis of our knowledge of World 1, which is thus a world of "secondary reality", a derivative world. Whenever I am doing a scientific experiment, for example, I have to plan it cognitively, all in my thoughts, and then consciously carry out my plan of action in the experiment. Finally I have to look at the results and evaluate them in thought. For example, I have to see the traces of the oscilloscope and their photographic records or hear the signals on the loudspeaker. The various signals from the recording equipment have to be received by my sense organs, transmitted to my brain, and so to my consciousness, then appropriately measured and compared before I can begin to think about the significance of the experimental results. We are all the time, in every action we do, incessantly playing backwards and forwards between World 1 and World 2.
"And what is World 3? As shown in Fig. 6-1 it is the whole world of culture. It is the world that was created by man and that reciprocally made man. This is my message in which I follow Popper unreservedly. The whole of language is here. All our means of communication, all our intellectual efforts coded in books, coded in the artistic and technological treasures in the museums, coded in every artefact left by man from primitive times—this is World 3 right up to the present time. It is the world of civilisation and culture. Education is the means whereby each human being is brought into relation with World 3. In this manner he becomes immersed in it throughout life, participating in the heritage of mankind and so becoming fully human. World 3 is the world that uniquely relates to man. It is the world which is completely unknown to animals. They are blind to all of World 3. I say that without any reservations. This is then the first part of my story.
"Now I come to consider the way in which the three worlds interact..."
Despite these words, in his late book "How the Self Controls Its Brain", Eccles proposed a dualistic mechanism of mind.
Eccles had nine children. Eccles married Irene Miller Eccles (1904-2002) in 1928 and divorced in 1968. After his divorce in 1968, Eccles married Helena Táboríková; a fellow neuropsychologist and M.D. of Charles University. The two often collaborated in research and they remained married until his death. Eccles died on 2 May 1997 in his home of Contra, Switzerland. He was buried in Contra, Switzerland.
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https://en.wikipedia.org/wiki?curid=16426
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James Scarlett, 1st Baron Abinger
James Scarlett, 1st Baron Abinger, PC (13 December 1769 – 17 April 1844), was an English lawyer, politician and judge.
Scarlett was born in Jamaica, where his father, Robert Scarlett, had property. In the summer of 1785 he was sent to England to complete his education at Hawkshead Grammar School and afterwards at Trinity College, Cambridge, taking his B.A. degree in 1789. Having entered the Inner Temple he took the advice of Samuel Romilly, studied law on his own for a year, and then was taught by George Wood. He was called to the bar in 1791, and joined the northern circuit and the Lancashire sessions.
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https://en.wikipedia.org/wiki?curid=16427
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Jewish views on marriage
The Jewish view on marriage, historically, provided Biblically mandated rights to the wife which were accepted by the husband. A marriage was ended either because of a divorce document given by the man to his wife, or by the death of either party. Certain details, primarily as protections for the wife, were added in Talmudic times.
Non-Orthodox developments have brought changes in who may marry whom. Intermarriage is not encouraged.
In traditional Judaism, marriage is viewed as a contractual bond commanded by God in which a man and a woman come together to create a relationship in which God is directly involved. () Though procreation is not the sole purpose, a Jewish marriage is traditionally expected to fulfil the commandment to have children. () In this view, marriage is understood to mean that the husband and wife are merging into a single soul, which is why a man is considered "incomplete" if he is not married, as his soul is only one part of a larger whole that remains to be unified.
Non-Orthodox Jewish denominations, such as Reconstructionist, Reform, and Conservative Judaism, recognize same-sex marriage, and de-emphasize procreation, focusing on marriage as a bond between a couple. This view is considered as a diversion from the Jewish Law by the Orthodox denominations, rather than as a legitimate, alternative interpretation.
In Jewish law, an engagement ("kiddushin") is a contract between a man and a woman where they mutually promise to marry each other, and the terms on which it shall take place. The promise may be made by the intending parties or by their respective parents or other relatives on their behalf. The promise is formalized in a document known as the , the "Document of Conditions", which is read prior to the . After the reading, the mothers of the future bride and groom break a plate. Today, some sign the contract on the day of the wedding, some do it as an earlier ceremony, and some do not do it at all.
In Haredi communities, marriages may be arranged by the parents of the prospective bride and groom, who may arrange a shidduch by engaging a professional match-maker ("shadchan") who finds and introduces the prospective bride and groom and receives a fee for his or her services. The young couple is not forced to marry if either does not accept the other.
In Jewish law, marriage consists of two separate acts, called "erusin" (or "kiddushin", meaning "sanctification"), which is the betrothal ceremony, and "nissu'in" or "chupah", the actual Jewish wedding ceremony. "Erusin" changes the couple's interpersonal status, while "nissu'in" brings about the legal consequences of the change of status. In Talmudic times, these two ceremonies usually took place up to a year apart; the bride lived with her parents until the actual marriage ceremony ("nissuin"), which would take place in a room or tent that the groom had set up for her. Since the Middle Ages the two ceremonies have taken place as a combined ceremony performed in public.
According to the Talmud, "erusin" involves the groom handing an object to the bride - either an object of value such as a ring, or a document stating that she is being betrothed to him. In order to be valid, this must be done in the presence of two unrelated male witnesses. After erusin, the laws of adultery apply, and the marriage cannot be dissolved without a religious divorce. After "nisuin", the couple may live together.
Marital harmony, known as ""shalom bayis"," is valued in Jewish tradition. The Talmud states that a man should love his wife as much as he loves himself, and honour her "more" than he honours himself; indeed, one who honours his wife was said, by the classical rabbis, to be rewarded with wealth. Similarly, a husband was expected to discuss with his wife any worldly matters that might arise in his life. The Talmud forbids a husband from being overbearing to his household, and domestic abuse by him was also condemned. It was said of a wife that "God counts her tears".
As for the wife, the greatest praise the Talmudic rabbis offered to any woman was that given to a wife who fulfils the wishes of her husband; to this end, an early midrash states that a wife should not leave the home "too frequently". A wife, also, was expected to be modest, even if the only other person present with her was her husband. God's presence dwells in a pure and loving home.
Marriage obligations and rights in Judaism are ultimately based on those apparent in the Bible, which have been clarified, defined, and expanded on by many prominent rabbinic authorities throughout history.
Traditionally, the obligations of the husband include providing for his wife. He is obligated to provide for her sustenance for her benefit; in exchange, he is also entitled to her income. However, this is a right to the wife, and she can release her husband of the obligation of sustaining her, and she can then keep her income exclusively for herself. The document that provides for this is the ketuba.
The Bible itself gives the wife protections, as per Exodus 21:10, although the rabbis may have added others later. The rights of the husband and wife are described in tractate Ketubot in the Talmud, which explains how the rabbis balanced the two sets of rights of the wife and the husband.
According to the non-traditional view, in the Bible the wife is treated as a possession owned by her husband, but later Judaism imposed several obligations on the husband, effectively giving the wife several rights and freedoms; indeed, being a Jewish wife was often a more favourable situation than being a wife in many other cultures. For example, the Talmud establishes the principle that a wife is entitled, but not compelled, to the same dignity and social standing as her husband, and is entitled to keep any additional advantages she had as a result of her social status before her marriage.
Biblical Hebrew has two words for "husband": "ba'al" (also meaning "master"), and "ish" (also meaning "man", parallel to "isha" meaning "woman" or "wife"). The words are contrasted in Hosea 2:18 (2:16 in Christian Bibles), where God speaks to Israel as though it is his wife: "On that day, says the Lord, you will call [me] 'my husband' ("ish"), and will no longer call me 'my master' ("ba'al")."
Early nomadic communities practised a form of marriage known as "beena", in which a wife would own a tent of her own, within which she retains complete independence from her husband; this principle appears to survive in parts of early Israelite society, as some early passages of the Bible appear to portray certain wives as each owning a tent as a personal possession (specifically, Jael, Sarah, and Jacob's wives). In later times, the Bible describes wives as being given the innermost room(s) of the husband's house, as her own private area to which men were not permitted; in the case of wealthy husbands, the Bible describes their wives as having each been given an entire house for this purpose.
It was not, however, a life of complete freedom. The descriptions of the Bible suggest that a wife was expected to perform certain household tasks: spinning, sewing, weaving, manufacture of clothing, fetching of water, baking of bread, and animal husbandry. The Book of Proverbs contains an entire acrostic about the duties which would be performed by a "virtuous" wife.
The husband, too, is indirectly implied to have responsibilities to his wife. The Torah obligates a man to not deprive his wife of food, clothing, or of sexual activity; if the husband does not provide the first wife with these things, she is to be divorced, without cost to her. The Talmud interprets this as a requirement for a man to provide food and clothing to, and have sex with, each of his wives, even if he only has one.
As a polygynous society, the Israelites did not have any laws which imposed monogamy on men. Adulterous married women and adulterous betrothed women, and their male accomplices however, were subject to the death penalty by the biblical laws against adultery, According to the Priestly Code of the Book of Numbers, if a woman was suspected of adultery, she was to be subjected to the Ordeal of Bitter Water, a form of trial by ordeal, but one that took a miracle to convict. The literary prophets indicate that adultery was a frequent occurrence, despite their strong protests against it, and these legal strictnesses.
The Talmud sets a minimum provision which a husband must provide to his wife:
Rabbinic courts could compel the husband to make this provision, if he fails to do so voluntarily. Moses Schreiber, a prominent 19th century halachic decisor, argued that if a man could not provide his wife with this minimum, he should be compelled to divorce her; other Jewish rabbis argued that a man should be compelled to hire himself out, as a day-labourer, if he cannot otherwise make this provision to his wife.
According to prominent Jewish writers of the Middle Ages, if a man is absent from his wife for a long period, the wife should be allowed to sell her husband's property, if necessary to sustain herself. Similarly, they argued that if a wife had to take out a loan to pay for her sustenance during such absence, her husband had to pay the debt on his return.
In order to offset the husband's duty to support his wife, she was required by the Talmud to surrender all her earnings to her husband, together with any profit she makes by accident, and the right of usufruct on her property; the wife was not required to do this if she wished to support herself. Although the wife always retained ownership of her property itself, if she died while still married to her husband, he was to be her heir, according to the opinion of the Talmud; this principle, though, was modified, in various ways, by the rabbis of the Middle Ages.
In Jewish tradition, the husband was expected to provide a home for his wife, furnished in accordance to local custom and appropriate to his status; the marital couple were expected to live together in this home, although if the husband's choice of work made it difficult to do so, the Talmud excuses him from the obligation. Traditionally, if the husband changed his usual abode, the wife was considered to have a duty to move with him. In the Middle Ages, it was argued that if a person continued to refuse to live with their spouse, the spouse in question had sufficient grounds for divorce.
Most Jewish religious authorities held that a husband must allow his wife to eat at the same table as him, even if he gave his wife enough money to provide for herself. By contrast, if a husband mistreated his wife, or lived in a disreputable neighbourhood, the Jewish religious authorities would permit the wife to move to another home elsewhere, and would compel the husband to finance her life there.
Expanding on the household tasks which the Bible implies a wife should undertake, rabbinic literature requires her to perform all the housework (such as baking, cooking, washing, caring for her children, etc.), unless her marriage had given the husband a large dowry; in the latter situation, the wife was expected only to tend to "affectionate" tasks, such as making his bed and serving him his food. Jewish tradition expected the husband to provide the bed linen and kitchen utensils. If the wife had young twin children, the Talmud made her husband responsible for caring for one of them.
The Talmud elaborates on the biblical requirement of the husband to provide his wife with clothing, by insisting that each year he must provide each wife with 50 zuzim's-worth of clothing, including garments appropriate to each season of the year. The Talmudic rabbis insist that this annual clothing gift should include one hat, one belt, and three pairs of shoes (one pair for each of the three main annual festivals: Passover, Shabu'ot, and Sukkoth). The husband was also expected by the classical rabbis to provide his wife with jewellery and perfumes if he lived in an area where this was customary.
The Talmud argues that a husband is responsible for the protection of his wife's body. If his wife became ill, then he would be compelled, by the Talmud, to defray any medical expense which might be incurred in relation to this; the Talmud requires him to ensure that the wife receives care. Although he technically had the right to divorce his wife, enabling him to avoid paying for her medical costs, several prominent rabbis throughout history condemned such a course of action as "inhuman" behaviour, even if the wife was suffering from a prolonged illness.
If the wife dies, even if not due to illness, the Talmud's stipulations require the husband to arrange, and pay for, her burial; the burial must, in the opinion of the Talmud, be one conducted in a manner befitting the husband's social status, and in accordance with the local custom. Prominent rabbis of the Middle Ages clarified this, stating that the husband must make any provisions required by local burial customs, potentially including the hiring of mourners and the erection of a tombstone. According to the Talmud, and later rabbinic writers, if the husband was absent, or refused to do these things, a rabbinical court should arrange the wife's funeral, selling some of the husband's property in order to defray the costs.
If the wife was captured, the husband was required by the Talmud and later writers to pay the ransom demanded for her release; there is some debate whether the husband was required only to pay up to the wife's market value as a slave, or whether he must pay any ransom, even to the point of having to sell his possessions to raise the funds. If the husband and wife were both taken captive, the historic Jewish view was that the rabbinic courts should first pay the ransom for the wife, selling some of the husband's property in order to raise the funds.
In the classical era of the rabbinic scholars, the death penalty for adultery was rarely applied. It forbids conviction if:
These rules made it practically impossible to convict any woman of adultery; in nearly every case, women were acquitted. However, due to the belief that a priest should be untainted, a Kohen was compelled to divorce his wife if she had been raped.
In Talmud times, once the death penalty was no longer enforced (for any crimes) , even when a woman was convicted, the punishment was comparatively mild: adulteresses were flogged instead. Nevertheless, the husbands of convicted adulteresses were not permitted by the Talmud to forgive their guilty wives, instead being compelled to divorce them; according to Maimonides, a conviction for adultery nullified any right that the wife's "marriage contract" (Hebrew: "ketubah") gave her to a compensation payment for being divorced. Once divorced, an adulteress was not permitted, according to the Talmudic writers, to marry her paramour.
As for men who committed adultery (with another man's wife), Abba ben Joseph and Abba Arika are both quoted in the Talmud as expressing abhorrence, and arguing that such men would be condemned to Gehenna.
The laws of "family purity" ("tehorat hamishpacha") are considered an important part of an Orthodox Jewish marriage, and adherence to them is (in Orthodox Judaism) regarded as a prerequisite of marriage. This involves observance of the various details of the menstrual niddah laws. Orthodox brides and grooms attend classes on this subject prior to the wedding. The niddah laws are regarded as an intrinsic part of marital life (rather than just associated with women). Together with a few other rules, including those about the ejaculation of semen, these are collectively termed "family purity".
In marriage, conjugal relations are guaranteed as a fundamental right for a woman, along with food and clothing. This obligation is known as "onah". Sex within marriage is the woman's right, and the man's duty. The husband is forbidden from raping his wife, they are not to be intimate while drunk or while either party is angry at the other. A woman should be granted a "get" (divorce) if she seeks it because her husband is disgusting or loathsome to her. If either partner consistently refuses to participate, that person is considered rebellious, and the other spouse can sue for divorce.
Citing the primacy of the divine command given in Genesis 1:28, the time between puberty and age twenty has been considered the ideal time for men and women to be wed in traditional Jewish thought. Some rabbis have gone further to commend the age of eighteen as most ideal, while others have advocated for the time immediately following puberty, closer to the age of fourteen, essentially "as early in life as possible." Babylonian rabbis understood marriage as God's means of keeping male sexuality from going out of control, so they advocated for early marriage to prevent men from succumbing to temptation in their youth. Some commended early marriage for its benefits: Rabbi Ḥisda maintained that early marriage could lead to increased intelligence.
A large age gap between spouses, in either direction, is advised against as unwise. A younger woman marrying a significantly older man however is especially problematic: marrying one's young daughter to an old man was declared as reprehensible as forcing her into prostitution. Moreover, is problematic for an older man to be unmarried in the first place. Marriage is held to be uniquely mandatory for men, and an unmarried man over the age of twenty is considered "cursed by God Himself."
There is evidence however that in some communities males did not marry until "thirty or older." In medieval Jewish Ashkenazi communities, women continued to be married young. Since the Enlightenment, young marriage has become rarer among Jewish communities.
According to the Talmud, a father is commanded not to marry his daughter to anyone until she grows up and says, "I want this one". A marriage that takes place without the consent of the girl is not an effective legal marriage.
A "ketannah" (literally meaning "little [one]") was any girl between the age of 3 years and that of 12 years plus one day; she was subject to her father's authority, and he could arrange a marriage for her without her agreement. However, after reaching the age of maturity, she would have to agree to the marriage to be considered as married. If the father was dead or missing, the brothers of the "ketannah", collectively, had the right to arrange a marriage for her, as had her mother. In these situations, a "ketannah" would always have the right to annul her marriage, even if it was the first.
If the marriage did end (due to divorce or the husband's death), any further marriages were optional; the "ketannah" retained her right to annul them. The choice of a "ketannah" to annul a marriage, known in Hebrew as "mi'un" (literally meaning "refusal", "denial", "protest"), led to a true annulment, not a divorce; a divorce document ("get") was not necessary, and a "ketannah" who did this was not regarded by legal regulations as a divorcee, in relation to the marriage. Unlike divorce, "mi'un" was regarded with distaste by many rabbinic writers, even in the Talmud; in earlier classical Judaism, one major faction - the House of Shammai - argued that such annulment rights only existed during the betrothal period ("erusin") and not once the actual marriage ("nissu'in") had begun.
Rates of marriage between Jews and non-Jews have increased in countries other than Israel (the Jewish diaspora). According to the National Jewish Population Survey 2000-01, 47% of marriages involving Jews in the United States between 1996 and 2001 were with non-Jewish partners. Jewish leaders in different branches generally agree that possible assimilation is a crisis, but they differ on the proper response to intermarriage.
There are also differences between streams on what constitutes an intermarriage, arising from their differing criteria for being Jewish in the first place. Orthodox Jews do not accept as Jewish a person whose mother is not Jewish, nor a convert whose conversion was conducted under the authority of a more liberal stream.
In Israel, the only institutionalized form of Jewish marriage is the religious one, i. e., a marriage conducted under the auspices of the rabbinate. Specifically, marriage of Israeli Jews must be conducted according to Jewish Law (halakha), as viewed by Orthodox Judaism. One consequence is that Jews in Israel who cannot marry according to Jewish law (e. g., a kohen and a divorcée, or a Jew and one who is not halachically Jewish), cannot marry each other. This has led for calls, mostly from the secular segment of the Israeli public, for the institution of civil marriage.
Some secular-Jewish Israelis travel abroad to have civil marriages, either because they do not wish an Orthodox wedding or because their union cannot be sanctioned by "halakha". These marriages are legally recognized by the State, but are not recognized by the State Rabbinate.
Marriages performed in Israel must be carried out by religious authorities of an official religion (Judaism, Islam, Christianity, or Druse), unless both parties are "without religion".
Halakha (Jewish law) allows for divorce. The document of divorce is termed a "get". The final divorce ceremony involves the husband giving the "get" document into the hand of the wife or her agent, but the wife may sue in rabbinical court to initiate the divorce. In such a case, a husband may be compelled to give the "get", if he has violated any of his numerous obligations; this was traditionally accomplished by beating and or monetary coercion. The rationale was that since he was required to divorce his wife due to his (or her) violations of the contract, his good inclination desires to divorce her, and the community helps him to do what he wants to do anyway. In this case, the wife may or may not be entitled to a payment.
Since around the 12th century, Judaism recognized the right of a wife abused physically or psychologically to a divorce.
Conservative Judaism follows halacha, though differently than Orthodox Judaism. Reform Jews usually use an egalitarian form of the Ketubah at their weddings. They generally do not issue Jewish divorces, seeing a civil divorce as both necessary and sufficient; however, some Reform rabbis encourage the couple to go through a Jewish divorce procedure. Orthodox Judaism does not recognize civil law as overriding religious law, and thus does not view a civil divorce as sufficient. Therefore, a man or woman may be considered divorced by the Reform Jewish community, but still married by the Conservative community. Orthodox Judaism usually does not recognize Reform weddings because according to Talmudic law, the witnesses to the marriage must be Jews who observe halacha, which is seldom the case in reform weddings.
Traditionally, when a husband fled, or his whereabouts were unknown for any reason, the woman was considered an "agunah" (literally "an anchored woman"), and was not allowed to remarry; in traditional Judaism, divorce can only be initiated by the husband. Prior to modern communication, the death of the husband while in a distant land was a common cause of this situation. In modern times, when a husband refuses to issue a "get" due to money, property, or custody battles, the woman who cannot remarry is considered a Michuseres Get, not an agunah. A man in this situation would not be termed a "Misarev Get" (literally, "a refuser of a divorce document"), unless a legitimate Beis Din had required him to issue a Get. The term "agunah" is often used in such circumstances, but it is not technically accurate.
Within both the Conservative and Orthodox communities, there are efforts to avoid situations where a woman is not able to obtain a Jewish divorce from her husband. The ketubah serves this function in Conservative Judaism in order to prevent husbands from refusing to give their wives a divorce. To do this, the ketubah has built in provisions; so, if predetermined circumstances occur, the divorce goes into effect immediately. After the fact, various Jewish and secular legal methods are used to deal with such problems. None of the legal solutions addresses the agunah problem in the case of a missing husband.
The Midrash is one of the few ancient religious texts that makes reference to same-sex marriage. The following teaching can be found twice in the Midrash:
"Rabbi Huna said in the name of Rabbi Joseph, 'The generation of the Flood was not wiped out until they wrote גמומסיות (either sexual hymns or marriage documents) for the union of a man to a male or to an animal.'"
Another important reference is found in the Babylonian Talmud:
"'Ula said: Non-Jews [litt. Bnei Noach, the progeny of Noah] accepted upon themselves thirty mitzvot [divinely ordered laws], but they only abide by three of them: The first one is that they do not write marriage documents for male couples, the second one is that they do not sell dead [human] meat by the pound in stores, and the third one is that they respect the Torah.'"
Orthodox Judaism does not have a Jewish legal construct of same-gender marriage. While any two Jewish adults may be joined by a Jewish legal contract, the rites of kiddushin are reserved for a union of a man and woman. Orthodox Judaism does not recognize civil marriages to have theological legal standing, be they civil marriages between male and female, or between two adults of the same gender.
In June 2012, the American branch of Conservative Judaism formally approved same-sex marriage ceremonies in a 13-0 vote.
In 1996, the Central Conference of American Rabbis passed a resolution approving same-sex civil marriage. However, this same resolution made a distinction between civil marriages and religious marriages; this resolution thus stated:
In 1998, an ad-hoc CCAR committee on human sexuality issued its majority report (11 to 1, 1 abstention) which stated that the holiness within a Jewish marriage "may be present in committed same gender relationships between two Jews and that these relationships can serve as the foundation of stable Jewish families, thus adding strength to the Jewish community." The report called for CCAR to support rabbis in officiating at same-sex marriages. Also in 1998, the Responsa Committee of the CCAR issued a lengthy "teshuvah" (rabbinical opinion) that offered detailed argumentation in support of both sides of the question whether a rabbi may officiate at a commitment ceremony for a same-sex couple.
In March 2000, CCAR issued a new resolution stating that "We do hereby resolve that the relationship of a Jewish, same gender couple is worthy of affirmation through appropriate Jewish ritual, and further resolve, that we recognize the diversity of opinions within our ranks on this issue. We support the decision of those who choose to officiate at rituals of union for same-sex couples, and we support the decision of those who do not."
The Reconstructionist Rabbinical Association (RRA) encourages its members to officiate at same-sex marriages, though it does not require it of them.
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Janusz Zajdel
Janusz Andrzej Zajdel (15 August 1938 – 19 July 1985) was a Polish science fiction author, second in popularity in Poland to Stanisław Lem. His major genres were social science fiction and dystopia. His main recurring theme involved the gloomy prospects for a space environment into which mankind carried totalitarian ideas and habits: Red Space Republics, or Space Labor Camps, or both. His heroes desperately try to find meaning in the world around them.
His works include five social-science fiction novels: "Cylinder van Troffa" ("Van Troff's Cylinder", 1980); "Limes inferior" ("The Lower Limit", 1982); "Cała prawda o planecie Ksi" ("The Whole Truth about Planet Xi", 1983); "Wyjście z cienia" ("Coming out of the Shadow", 1983); and "Paradyzja" ("Paradise: World in Orbit", 1984).
The Polish science fiction fandom award was named after him: the Janusz A. Zajdel Award. He was a trustee of World SF.
Janusz Zajdel was born 15 August 1938 in Warsaw, Poland. He studied physics at the University of Warsaw. After graduating, he worked many years as a radiological engineer and an expert on nuclear physics at the Central Laboratory of Radiological Protection in Poland. He published a number of academic works, handbooks of safety regulations, and educational texts.
In his spare time, he popularized science by writing science fiction. With his brother, he started a column in a Polish magazine for young people interested in science and engineering, "" ("Young Technician"), in which they proposed various futuristic gadgets. In 1961 "Młody Technik" published Zajdel's science-fiction debut, the short story ""Tau Ceti"" (). Other stories by him soon appeared in several other Polish magazines.
His science-fiction book-writing career began in 1965 with the publication of a short-story anthology, "Jad mantezji" ("The Venom of Mantesia"), which included stories from "Młody Technik" and some others that had already appeared a year earlier in another anthology. By 1982 he had published four more collections: "Przejście przez lustro" (Through the Mirror, 1975); "Iluzyt" (1976); "Feniks" (The Phoenix, 1981); and "Ogon diabła" (The Devil's Tail, 1982).
His first novel, "Lalande 21185", appeared in 1966, a year after his first short-story anthology, and was geared toward young adults. His first serious science-fiction novel was a "first contact"-type SF mystery, ' (Right of Return, 1975); but it was his novels of the late 1970s and early 1980s – "Cylinder van Troffa" (Van Troff's Cylinder, 1980); "Limes inferior" (The Lower Limit, 1982); "Cała prawda o planecie Ksi" (The Whole Truth about Planet Xi, 1983); ' (Out of the Shadows, 1983); and "Paradyzja" (Paradise: World in Orbit, 1984) – that earned him a reputation as one of the most important Polish science-fiction writers.
He was an active member of Polish and international science fiction fandom, and a Trustee of World SF. In the 1980s he was an active supporter of the Polish Solidarity movement.
On 19 July 1985 he died of lung cancer, after three years' struggle against the disease.
Zajdel's early works, from the 1960s and early 1970s, focuses on scientific inventions and their role in space exploration, alien contact or artificial intelligence. As his writing career continued, however, his stories evolved to focus on the social aspects and often negative consequences of those inventions. Over time, a theme became increasingly visible in his works - a concern over dangers inherent in attempts to control the human society. He is also condemning human ignorance, warning against xenophobia, and asking philosophical questions about the nature of the universe, happiness and human destiny. Zajdel's works from his second period - late 1970s and 1980s - and represent the genres of social and dystopian fiction. In his works, he envisions totalitarian states and societies living under extreme forms of mass surveillance.
His works are also recognized as being a critique of the totalitarian, communist state, a reality of his life in People's Republic of Poland. Science fiction genre, with its outer-worldly, clearly fictional, and often allegorical setting and invented jargon was able to debate fundamentals of such systems with frankness that more mainstream literature would not be allowed to.
Zajdel has been described as the second science fiction writer in popularity in Poland after Stanisław Lem. He has also been described as the writer who replaced Lem as the "top Polish SF writer", after "Lem vacated [this position] earlier of his own volition".
He is recognized as an originator of the social science fiction genre in Polish science fiction, known in Poland as the sociological speculative fiction ("fantastyka socjologiczna"). He has been an inspiration to a number of younger Polish science fiction authors such as Maciej Parowski and Marek Oramus.
His works have been translated into Belorussian, Bulgarian, Czech, Esperanto, Finnish, German, Hungarian, Russian and Slovenian. Almost none of his works have been translated into English; the only exception is the short story "Wyjątkowo trudny teren" ("Particularly Difficult Territory") that Zajdel wrote for the English language "Tales from the Planet Earth" anthology edited by Frederik Pohl and Elizabeth Anne Hull.
In 1973 Zajdel received an honorary award Magnum Trophaeum from the "Młody Technik" ("Young Technician") magazine for long-term cooperation. In 1980 Zajdel was recipient of the Polish Ministry of Culture and Arts Award for "Van Troff's Cylinder". Zajdel also received the Golden Sepulka Award two times: for "Limes Inferior" (1982 novel; 1983 award) and "Wyjście z cienia" ("Out of the Shadow") (1983 novel; 1984 award).
In 1984 Polish fantasy and science fiction fandom (associated with the Polish SF convention Polcon) decided to establish an annual award, initially named "Sfinks" ("Sphynx"). Janusz A. Zajdel became the first winner of this award, for his 1984 novel "Paradyzja". He won the award posthumously in 1985, shortly after his death, at which time it was decided to rename the award after him, and it became known as the Janusz A. Zajdel Award.
Frederik Pohl dedicated the anthology "Tales From The Planet Earth" to Zajdel and A. Bertram Chandler. This book also contains the English translation of one of Zajdel's short stories, "Particularly Difficult Territory". It is his only work to have been translated into English to date (as of August 2015).
In addition to the solo-authored works listed below, Zajdel's stories have also appeared in many anthologies of science-fiction stories, together with works by other authors.
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Rumi
Jalāl ad-Dīn Muhammad Rūmī (), also known as Jalāl ad-Dīn Muhammad Balkhī (), Mevlânâ/Mawlānā (, "our master"), Mevlevî/Mawlawī (, "my master"), and more popularly simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century [[Persian people|Persian]] [[poet]], [[faqih]], [[ulama|Islamic scholar]], [[theologian]], and [[Sufism|Sufi]] [[mysticism|mystic]] originally from [[Greater Khorasan]] in [[Greater Iran]]. Rumi's influence transcends national borders and ethnic divisions: [[Iran]]ians, [[Tajiks]], [[Turkish people|Turks]], [[Cappadocian Greeks|Greeks]], [[Pashtun people|Pashtuns]], other [[Central Asian peoples|Central Asian Muslims]], and the Muslims of the [[Indian subcontinent]] have greatly appreciated his spiritual legacy for the past seven centuries. His poems have been widely translated into many of the world's languages and transposed into various formats. Rumi has been described as the "most popular poet" and the "best selling poet" in the United States.
Rumi's works are written mostly in [[Persian language|Persian]], but occasionally he also used [[Old Anatolian Turkish|Turkish]], [[Arabic language|Arabic]], and [[Cappadocian Greek|Greek]] in his verse. His "[[Masnavi]]" ("Mathnawi"), composed in [[Konya]], is considered one of the greatest poems of the Persian language. His works are widely read today in their original language across [[Greater Iran]] and the Persian-speaking world. Translations of his works are very popular, most notably in [[Turkey]], [[Azerbaijan]], the United States, and South Asia. His poetry has influenced not only [[Persian literature]], but also the literary traditions of the [[Ottoman Turkish language|Ottoman Turkish]], [[Chagatai language|Chagatai]], [[Urdu]] and [[Pashto language|Pashto]] languages.
He is most commonly called "Rumi" in English. His full name is "Jalāl ad-Dīn Muḥammad Balkhī" () or "Jalāl ad-Dīn Muḥammad Rūmī" (). "Jalal ad-Din" is an [[Arabic]] name meaning "Glory of the Faith". "Balkhī" and "Rūmī" are his "[[Nisba (onomastics)|nisbas]]", meaning, respectively, "from [[Balkh]]" and "from [[Rûm]]" ('Roman,' what European history now calls [[Byzantine]], [[Byzantine Anatolia|Anatolia]]). According to the authoritative Rumi biographer [[Franklin Lewis]] of the [[University of Chicago]], "[t]he Anatolian peninsula which had belonged to the Byzantine, or eastern Roman empire, had only relatively recently been conquered by Muslims and even when it came to be controlled by Turkish Muslim rulers, it was still known to Arabs, Persians and Turks as the geographical area of Rum. As such, there are a number of historical personages born in or associated with Anatolia known as Rumi, a word borrowed from Arabic literally meaning 'Roman,' in which context Roman refers to subjects of the [[Byzantine Empire]] or simply to people living in or things associated with [[Anatolia]]." He was also known as "Mullah of Rum" ( "mullā-yi Rūm" or "mullā-yi Rūmī").
He is widely known by the [[sobriquet]] "Mawlānā"/"Molānā" ( ) in [[Iran]] and popularly known as in Turkey. "Mawlānā" () is a term of [[Arabic]] origin, meaning "our master".
The term "Mawlawī"/"Mowlavi" (Persian) and (Turkish), also of Arabic origin, meaning "my master", is also frequently used for him.
[[File:Jalal al-Din Rumi, Showing His Love for His Young Disciple Hussam al-Din Chelebi.jpg|thumb|Jalal ad-Din Rumi gathers [[Sufi]] mystics.]]
[[File:Ahmad ibn Hajji Abi Bakr al-Katib - Double-page Illuminated Frontispiece - Walters W6252B - Full Page.jpg|thumb|Double-page illuminated frontispiece, 1st book (daftar) of the Collection of poems ([[Masnavi|"Masnavi-i ma'navi"]]), 1461 manuscript]]
[[File:Bowl of Reflections, early 13th century.jpg|thumbnail|"Bowl of Reflections" with Rumi's poetry, early 13th century. [[Brooklyn Museum]].]]
Rumi was born to native Persian-speaking parents, originally from the [[Balkh]], in present-day [[Afghanistan]]. He was born either in [[Vakhsh, Tajikistan|Wakhsh]], a village on the [[Vakhsh River]] in present-day [[Tajikistan]], or in the city of Balkh, in present-day Afghanistan.
Greater Balkh was at that time a major centre of Persian culture and [[Sufism]] had developed there for several centuries. The most important influences upon Rumi, besides his father, were the Persian poets [[Attar of Nishapur|Attar]] and [[Sanai]]. Rumi expresses his appreciation: "Attar was the spirit, Sanai his eyes twain, And in time thereafter, Came we in their train" and mentions in another poem: "Attar has traversed the seven cities of Love, We are still at the turn of one street". His father was also connected to the spiritual lineage of [[Najm al-Din Kubra]].
Rumi lived most of his life under the [[Persianate society|Persianate]] [[Seljuk dynasty|Seljuk]] [[Sultanate of Rum]], where he produced his works and died in 1273AD. He was buried in [[Konya]], and his shrine became a place of pilgrimage. Upon his death, his followers and his son [[Sultan Walad]] founded the [[Mevlevi Order]], also known as the Order of the Whirling Dervishes, famous for the [[Sufi dance]] known as the [[Sama (Sufism)|Sama]] ceremony. He was laid to rest beside his father, and over his remains a shrine was erected. A hagiographical account of him is described in Shams ud-Din Ahmad Aflāki's "Manāqib ul-Ārifīn" (written between 1318 and 1353). This biography needs to be treated with care as it contains both legends and facts about Rumi. For example, Professor [[Franklin Lewis]] of the University of Chicago, author of the most complete biography on Rumi, has separate sections for the [[hagiography|hagiographical]] biography of Rumi and the actual biography about him.
Rumi's father was [[:ru:Баха ад-Дин Валад|Bahā ud-Dīn Walad]], a theologian, jurist and a [[mysticism|mystic]] from Balkh, who was also known by the followers of Rumi as Sultan al-Ulama or "Sultan of the Scholars". The popular hagiographical assertions that have claimed the family's descent from the Caliph [[Abu Bakr]] does not hold on closer examination and is rejected by modern scholars. The claim of maternal descent from the [[Khwarazmshah]] for Rumi or his father is also seen as a non-historical hagiographical tradition designed to connect the family with royalty, but this claim is rejected for chronological and historical reasons. The most complete genealogy offered for the family stretches back to six or seven generations to famous Hanafi jurists.
We do not learn the name of Baha al-Din's mother in the sources, only that he referred to her as "Māmi" (colloquial Persian for Māma), and that she was a simple woman who lived to the 1200s. The mother of Rumi was Mu'mina Khātūn. The profession of the family for several generations was that of Islamic preachers of the liberal [[Hanafi]] rite, and this family tradition was continued by Rumi (see his Fihi Ma Fih and Seven Sermons) and [[Sultan Walad]] (see Ma'rif Waladi for examples of his everyday sermons and lectures).
When the [[Mongol]]s invaded [[Central Asia]] sometime between 1215 and 1220, Baha ud-Din Walad, with his whole family and a group of disciples, set out westwards. According to hagiographical account which is not agreed upon by all Rumi scholars, Rumi encountered one of the most famous mystic Persian poets, [[Attar of Nishapur|Attar]], in the Iranian city of [[Nishapur]], located in the province of Khorāsān. Attar immediately recognized Rumi's spiritual eminence. He saw the father walking ahead of the son and said, "Here comes a sea followed by an ocean." Attar gave the boy his "Asrārnāma", a book about the entanglement of the soul in the material world. This meeting had a deep impact on the eighteen-year-old Rumi and later on became the inspiration for his works.
From Nishapur, Walad and his entourage set out for [[Baghdad]], meeting many of the scholars and Sufis of the city. From Baghdad they went to [[Hejaz]] and performed the [[Hajj|pilgrimage]] at [[Mecca]]. The migrating caravan then passed through [[Damascus]], [[Malatya]], [[Erzincan]], [[Sivas]], [[Kayseri]] and [[Nigde]]. They finally settled in [[Karaman]] for seven years; Rumi's mother and brother both died there. In 1225, Rumi married Gowhar Khatun in Karaman. They had two sons: [[Sultan Walad]] and Ala-eddin Chalabi. When his wife died, Rumi married again and had a son, Amir Alim Chalabi, and a daughter, Malakeh Khatun.
On 1 May 1228, most likely as a result of the insistent invitation of [[Kayqubad I|'Alā' ud-Dīn Key-Qobād]], ruler of Anatolia, [[Baha-ud-Din Naqshband Bukhari|Baha' ud-Din]] came and finally settled in Konya in [[Anatolia]] within the westernmost territories of the [[Seljuk Sultanate of Rûm]].
Baha' ud-Din became the head of a [[madrassa]] (religious school) and when he died, Rumi, aged twenty-five, inherited his position as the Islamic molvi. One of Baha' ud-Din's students, Sayyed Burhan ud-Din Muhaqqiq Termazi, continued to train Rumi in the [[Shariah]] as well as the [[Tariqa]], especially that of Rumi's father. For nine years, Rumi practised Sufism as a disciple of Burhan ud-Din until the latter died in 1240 or 1241. Rumi's public life then began: he became an Islamic Jurist, issuing [[fatwas]] and giving sermons in the mosques of Konya. He also served as a Molvi (Islamic teacher) and taught his adherents in the madrassa.
During this period, Rumi also travelled to [[Damascus]] and is said to have spent four years there.
It was his meeting with the dervish [[Shams-e Tabrizi]] on 15 November 1244 that completely changed his life. From an accomplished teacher and jurist, Rumi was transformed into an ascetic.
[[File:Tomb of Shams Tabrizi 9.JPG|thumb|Tomb shrine of Shams Tabrizi, [[Khoy]]]]
Shams had travelled throughout the Middle East searching and praying for someone who could "endure my company". A voice said to him, "What will you give in return?" Shams replied, "My head!" The voice then said, "The one you seek is Jalal ud-Din of Konya." On the night of 5 December 1248, as Rumi and Shams were talking, Shams was called to the back door. He went out, never to be seen again. It is rumoured that Shams was murdered with the connivance of Rumi's son, 'Ala' ud-Din; if so, Shams indeed gave his head for the privilege of mystical friendship.
Rumi's love for, and his bereavement at the death of, Shams found their expression in an outpouring of lyric poems, [[Diwan-e Shams-e Tabrizi|"Divan-e Shams-e Tabrizi"]]. He himself went out searching for Shams and journeyed again to Damascus. There, he realised:
[[File:Maulana Jelaledin Muhammad Rumi in konya.jpg|thumb|Tomb shrine of Rumi, Konya]]
Mewlana had been spontaneously composing "[[ghazal]]s" (Persian poems), and these had been collected in the "Divan-i Kabir" or Diwan Shams Tabrizi. Rumi found another companion in Salaḥ ud-Din-e Zarkub, a goldsmith. After Salah ud-Din's death, Rumi's scribe and favourite student, Hussam-e Chalabi, assumed the role of Rumi's companion. One day, the two of them were wandering through the Meram vineyards outside Konya when Hussam described to Rumi an idea he had had: "If you were to write a book like the "Ilāhīnāma" of Sanai or the "Mantiq ut-Tayr" of 'Attar, it would become the companion of many troubadours. They would fill their hearts from your work and compose music to accompany it." Rumi smiled and took out a piece of paper on which were written the opening eighteen lines of his "Masnavi", beginning with:
Hussam implored Rumi to write more. Rumi spent the next twelve years of his life in Anatolia dictating the six volumes of this masterwork, the "Masnavi", to Hussam.
In December 1273, Rumi fell ill; he predicted his own death and composed the well-known "ghazal", which begins with the verse:
Rumi died on 17 December 1273 in [[Konya]]. His death was mourned by the diverse community of Konya, with local Christians and Jews joining the crowd that converged to bid farewell as his body was carried through the city. Rumi's body was interred beside that of his father, and a splendid shrine, the "Yeşil Türbe" (Green Tomb, قبه الخضراء; today the [[Mevlana Museum|Mevlâna Museum]]), was erected over his place of burial. His epitaph reads:
Georgian Queen [[Gürcü Hatun]] was a close friend of Rumi. She was the one who sponsored the construction of [[Mevlana Museum|his tomb]] in [[Konya]]. The 13th century [[Mevlana Museum|Mevlâna Mausoleum]], with its mosque, dance hall, schools and living quarters for dervishes, remains a destination of pilgrimage to this day, and is probably the most popular pilgrimage site to be regularly visited by adherents of every major religion.
[[File:Shams ud-Din Tabriz 1502-1504 BNF Paris.jpg|thumb|A page of a copy c. 1503 of the "[[Diwan-e Shams-e Tabriz-i]]". See [[Rumi ghazal 163]].]]
Like other mystic and Sufi poets of Persian literature, Rumi's poetry speaks of love which infuses the world. Rumi's teachings also express the tenets summarized in the Quranic verse which Shams-e Tabrizi cited as the essence of prophetic guidance: "Know that ‘There is no god but He,’ and ask forgiveness for your sin" (Q. 47:19). In the interpretation attributed to Shams, the first part of the verse commands the humanity to seek knowledge of "[[tawhid]]" (oneness of God), while the second instructs them to negate their own existence. In Rumi's terms, "tawhid" is lived most fully through love, with the connection being made explicit in his verse that describes love as "that flame which, when it blazes up, burns away everything except the Everlasting Beloved." Rumi's longing and desire to attain this ideal is evident in the following poem from his book the [[Masnavi]]:
The "Masnavi" weaves fables, scenes from everyday life, Qur'anic revelations and exegesis, and metaphysics into a vast and intricate tapestry.
Rumi believed passionately in the use of music, poetry and dance as a path for reaching God. For Rumi, music helped devotees to focus their whole being on the divine and to do this so intensely that the soul was both destroyed and resurrected. It was from these ideas that the practice of [[Sufi whirling|whirling Dervishes]] developed into a ritual form. His teachings became the base for the order of the Mevlevi, which his son Sultan Walad organised. Rumi encouraged [[Sama (Sufism)|Sama]], listening to music and turning or doing the sacred dance. In the Mevlevi tradition, "samāʿ" represents a mystical journey of spiritual ascent through mind and love to the Perfect One. In this journey, the seeker symbolically turns towards the truth, grows through love, abandons the ego, finds the truth and arrives at the Perfect. The seeker then returns from this spiritual journey, with greater maturity, to love and to be of service to the whole of creation without discrimination with regard to beliefs, races, classes and nations.
In other verses in the "Masnavi", Rumi describes in detail the universal message of love:
Rumi's favourite musical instrument was the [[ney]] (reed flute).
[[File:Meeting of Jalal al-Din Rumi and Molla Shams al-Din.jpg|thumb|An [[Ottoman Empire|Ottoman]] era manuscript depicting Rumi and [[Shams-e Tabrizi]].]]
Rumi's poetry is often divided into various categories: the quatrains ("[[Ruba'i|rubayāt]]") and odes ("[[ghazal]]") of the "Divan", the six books of the "Masnavi". The prose works are divided into The Discourses, The Letters, and the "Seven Sermons".
[[File:Turkey.Konya021.jpg|thumb|Maṭnawīye Ma'nawī [[Mevlana Museum|Mevlâna Museum]], [[Konya]], [[Turkey]] ]]
(Khawaja Abdul Hamid Irfani, "The Sayings of Rumi and Iqbal", Bazm-e-Rumi, 1976.) Many commentators have regarded it as the greatest mystical poem in world literature. It contains approximately 27,000 lines, each consisting of a couplet with an internal rhyme.
Rumi belongs to the class of Islamic philosophers which include [[Ibn Arabi]] and [[Mulla Sadra]]. These transcendental philosophers are often studied together in traditional schools of [[irfan]], philosophy and theosophy throughout the Muslim world.
Rumi embeds his theosophy (transcendental philosophy) like a string through the beads of his poems and stories. His main point and emphasis is the unity of being.
It is undeniable that Rumi was a Muslim scholar and took Islam seriously. Nonetheless, the depth of his spiritual vision extended beyond narrow understanding sectarian concerns. One rubaiyat reads:
According to the Quran, Prophet Muhammad is a mercy sent by God to the [[Alamin]] (to all worlds), including humanity overall. In regards to this, Rumi states:
"The Light of Muhammad does not abandon a Zoroastrian or Jew in the world. May the shade of his good fortune shine upon everyone! He brings all of those who are led astray into the Way out of the desert."
Rumi, however, asserts the supremacy of [[Islam]] by stating:
"The Light of Muhammad has become a thousand branches (of knowledge), a thousand, so that both this world and the next have been seized from end to end. If Muhammad rips the veil open from a single such branch, thousands of monks and priests will tear the string of false belief from around their waists."
Many of Rumi's poems suggest the importance of outward religious observance and the primacy of the Qur'an.
Rumi states:
I am the servant of the Qur'an as long as I have life.
I am the dust on the path of Muhammad, the Chosen one.
If anyone quotes anything except this from my sayings,
I am quit of him and outraged by these words.
Rumi also states:
On the first page of the Masnavi, Rumi states:
"This is the book of the Masnavi, and it is the roots of the roots of the roots of the (Islamic) Religion and it is the Explainer of the Qur'ân."
[[Hadi Sabzavari]], one of Iran's most important 19th-century philosophers, makes the following connection between the Masnavi and Islam, in the introduction to his philosophical commentary on the book:
It is a commentary on the versified exegesis [of the Qur’ān] and its occult mystery, since all of it [all of the Mathnawī] is, as you will see, an elucidation of the clear verses [of the Qur’ān], a clarification of prophetic utterances, a glimmer of the light of the luminous Qur’ān, and burning embers irradiating their rays from its shining lamp. As respects to hunting through the treasure-trove of the Qur’ān, one can find in it [the Mathnawī] all [the Qur’ān’s] ancient philosophical wisdom; it [the Mathnawī] is all entirely eloquent philosophy. In truth, the pearly verse of the poem combines the Canon Law of Islam ([[sharia|sharīʿa]]) with the Sufi Path ([[tariqa|ṭarīqa]]) and the Divine Reality ([[haqiqa|ḥaqīqa]]); the author’s [Rūmī] achievement belongs to God in his bringing together of the Law (sharīʿa), the Path, and the Truth in a way that includes critical intellect, profound thought, a brilliant natural temperament, and integrity of character that is endowed with power, insight, inspiration, and illumination.
[[Seyyed Hossein Nasr]] states:
One of the greatest living authorities on Rûmî in Persia today, Hâdî Hâ'irî, has shown in an unpublished work that some 6,000 verses of the Dîwân and the Mathnawî are practically direct translations of Qur'ânic verses into Persian poetry.
Rumi states in his [[Diwan (poetry)|Dīwān]]:
The Sufi is hanging on to Muhammad, like [[Abu Bakr]].
His [[Masnavi]] contains anecdotes and stories derived largely from the Quran and the hadith, as well as everyday tales.
Rumi's poetry forms the basis of much classical [[Music of Iran|Iranian]] and [[Music of Afghanistan|Afghan]] music. Contemporary classical interpretations of his poetry are made by [[Muhammad Reza Shajarian]], [[Shahram Nazeri]], [[Davood Azad]] (the three from Iran) and [[Ustad Mohammad Hashem Cheshti]] (Afghanistan). To many modern Westerners, his teachings are one of the best introductions to the philosophy and practice of [[Sufism]]. In the West [[Shahram Shiva]] has been teaching, performing and sharing the translations of the poetry of Rumi for nearly twenty years and has been instrumental in spreading Rumi's legacy in the English-speaking parts of the world.
Pakistan's [[National Poet]], [[Muhammad Iqbal]], was also inspired by Rumi's works and considered him to be his spiritual leader, addressing him as "Pir Rumi" in his poems (the honorific "[[Pir (Sufism)|Pir]]" literally means "old man", but in the Sufi/mystic context it means founder, master, or guide).
[[File:Rumipp.jpg|thumb|Molna Rumi Postal Stamp Pakistan Post]]
Pakistan post also issued Postal stamp of Rumi
[[Shahram Shiva]] asserts that "Rumi is able to verbalise the highly personal and often confusing world of personal growth and development in a very clear and direct fashion. He does not offend anyone, and he includes everyone... Today Rumi's poems can be heard in churches, synagogues, Zen monasteries, as well as in the downtown New York art/performance/music scene."
According to Professor Majid M. Naini, "Rumi's life and transformation provide true testimony and proof that people of all religions and backgrounds can live together in peace and harmony. Rumi’s visions, words, and life teach us how to reach inner peace and happiness so we can finally stop the continual stream of hostility and hatred and achieve true global peace and harmony.”
Rumi's work has been translated into many of the world's languages, including Russian, German, Urdu, Turkish, Arabic, Bengali, French, Italian, and Spanish, and is being presented in a growing number of formats, including concerts, workshops, readings, dance performances, and other artistic creations. The English interpretations of Rumi's poetry by [[Coleman Barks]] have sold more than half a million copies worldwide, and Rumi is one of the most widely read poets in the [[United States]]. [[Shahram Shiva]] book "Rending the Veil: Literal and Poetic Translations of Rumi" (1995, HOHM Press) is the recipient of the Benjamin Franklin Award.
Recordings of Rumi poems have made it to the USA's Billboard's Top 20 list. A selection of American author [[Deepak Chopra]]'s editing of the translations by Fereydoun Kia of Rumi's love poems has been performed by Hollywood personalities such as [[Madonna (entertainer)|Madonna]], [[Goldie Hawn]], [[Philip Glass]] and [[Demi Moore]].
There is a famous landmark in Northern India, known as [[Rumi Gate]], situated in Lucknow (the capital of Uttar Pradesh) named for Rumi.
[[File:5000 TL A reverse.jpg|thumb|Rumi and his mausoleum on the reverse of the 5000 Turkish lira banknotes of 1981–1994]]
Rumi and his mausoleum were depicted on the [[Obverse and reverse|reverse]] of the 5000 Turkish lira banknotes of 1981–1994.
These cultural, historical and linguistic ties between Rumi and [[Iran]] have made Rumi an iconic Iranian poet, and some of the most important Rumi scholars including Foruzanfar, Naini, Sabzewari, etc., have come from modern Iran. Rumi's poetry is displayed on the walls of many cities across [[Iran]], sung in Persian music, and read in school books.
The Mewlewī Sufi order was founded in 1273 by Rumi's followers after his death. His first successor in the rectorship of the order was "Husam Chalabi" himself, after whose death in 1284 Rumi's younger and only surviving son, [[Sultan Walad]] (died 1312), popularly known as author of the mystical "Maṭnawī Rabābnāma", or the "Book of the Rabab" was installed as grand master of the order. The leadership of the order has been kept within Rumi's family in Konya uninterruptedly since then.
The Mewlewī Sufis, also known as Whirling Dervishes, believe in performing their "[[dhikr]]" in the form of [[Sama (Sufism)|Sama]]. During the time of Rumi (as attested in the "Manāqib ul-Ārefīn" of Aflākī), his followers gathered for musical and "turning" practices.
According to tradition, Rumi was himself a notable musician who played the [[rebab|"robāb"]], although his favourite instrument was the "[[ney]]" or reed flute. The music accompanying the "samāʿ" consists of settings of poems from the "Maṭnawī" and "Dīwān-e Kabīr", or of Sultan Walad's poems. The Mawlawīyah was a well-established Sufi order in the [[Ottoman Empire]], and many of the members of the order served in various official positions of the Caliphate. The centre for the Mevlevi was in Konya. There is also a Mewlewī monastery (, "dargāh") in [[Istanbul]] near the [[Galata Tower]] in which the "samāʿ" is performed and accessible to the public. The Mewlewī order issues an invitation to people of all backgrounds:
[[File:Turkey.Konya008.jpg|left|thumb|Rumi's tomb in [[Konya]], Turkey.]]
During Ottoman times, the Mevlevi produced a number of notable poets and musicians, including Sheikh Ghalib, Ismail Rusuhi Dede of Ankara, Esrar Dede, Halet Efendi, and Gavsi Dede, who are all buried at the Galata Mewlewī Khāna (Turkish: "Mevlevi-Hane") in Istanbul. Music, especially that of the ney, plays an important part in the Mevlevi.
With the foundation of the modern, secular [[Republic of Turkey]], [[Mustafa Kemal Atatürk]] removed religion from the sphere of public policy and restricted it exclusively to that of personal morals, behaviour and faith. On 13 December 1925, a law was passed closing all the "[[Khanqah|tekke]]"s (dervish lodges) and "zāwiyas" (chief dervish lodges), and the centres of veneration to which visits ("ziyārat") were made. Istanbul alone had more than 250 "tekke"s as well as small centres for gatherings of various fraternities; this law dissolved the Sufi Orders, prohibited the use of mystical names, titles and costumes pertaining to their titles, impounded the Orders' assets, and banned their ceremonies and meetings. The law also provided penalties for those who tried to re-establish the Orders. Two years later, in 1927, the Mausoleum of Mevlâna in Konya was allowed to reopen as a Museum.
In the 1950s, the Turkish government began allowing the Whirling Dervishes to perform once a year in Konya. The Mewlānā festival is held over two weeks in December; its culmination is on 17 December, the Urs of Mewlānā (anniversary of Rumi's death), called "Šabe Arūs" (شب عروس) (Persian meaning "nuptial night"), the night of Rumi's union with God. In 1974, the Whirling Dervishes were permitted to travel to the West for the first time. In 2005, [[UNESCO]] proclaimed "The [[Mevlevi Order|Mevlevi]] [[Sama (Sufism)|Sama]] Ceremony" of [[Turkey]] as one of the [[Masterpieces of the Oral and Intangible Heritage of Humanity]].
As [[Edward G. Browne]] noted, the three most prominent mystical Persian poets Rumi, [[Sanai]] and [[Farid al-Din Attar|Attar]] were all Sunni Muslims and their poetry abounds with praise for the first two caliphs [[Abu Bakr]] and [[Umar ibn al-Khattāb]]. According to [[Annemarie Schimmel]], the tendency among [[Shia]] authors to anachronistically include leading mystical poets such as Rumi and Attar among their own ranks, became stronger after the introduction of [[Twelver Shia]] as the state religion in the [[Safavid Empire]] in 1501.
In Afghanistan, Rumi is known as "Mawlānā", in Turkey as "Mevlâna", and in Iran as "Molavī".
At the proposal of the Permanent Delegations of Afghanistan, Iran, and Turkey, and as approved by its executive board and General Conference in conformity with its mission of “constructing in the minds of men the defences of peace”, [[UNESCO]] was associated with the celebration, in 2007, of the eight hundredth anniversary of Rumi's birth. The commemoration at UNESCO itself took place on 6 September 2007; UNESCO issued a medal in Rumi's name in the hope that it would prove an encouragement to those who are engaged in research on and dissemination of Rumi's ideas and ideals, which would, in turn, enhance the diffusion of the ideals of UNESCO.
The Afghan Ministry of Culture and Youth established a national committee, which organised an international seminar to celebrate the birth and life of the great ethical philosopher and world-renowned poet. This grand gathering of the intellectuals, diplomats, and followers of Mewlana was held in [[Kabul]] and in [[Balkh]], the Mewlana's place of birth.
On 30 September 2007, Iranian school bells were rung throughout the country in honour of Mewlana. Also in that year, Iran held a Rumi Week from 26 October to 2 November. An international ceremony and conference were held in [[Tehran]]; the event was opened by the Iranian president and the chairman of the [[Iranian parliament]]. Scholars from twenty-nine countries attended the events, and 450 articles were presented at the conference. Iranian musician [[Shahram Nazeri]] was awarded the [[Légion d'honneur]] and Iran's House of Music Award in 2007 for his renowned works on Rumi masterpieces. 2007 was declared as the "International Rumi Year" by UNESCO.
Also on 30 September 2007, Turkey celebrated Rumi’s eight-hundredth birthday with a giant Whirling Dervish ritual performance of the "samāʿ", which was televised using forty-eight cameras and broadcast live in eight countries. [[Ertugrul Gunay]], of the [[Ministry of Culture and Tourism (Turkey)|Ministry of Culture and Tourism]], stated, "Three hundred dervishes are scheduled to take part in this ritual, making it the largest performance of sema in history."
The "Mawlana Rumi Review" () is published annually by The Centre for Persian and Iranian Studies at the [[University of Exeter]] in collaboration with The Rumi Institute in [[Nicosia, Cyprus]], and Archetype Books in [[Cambridge]]. The first volume was published in 2010, and it has come out annually since then. According to the principal editor of the journal, Leonard Lewisohn: "Although a number of major Islamic poets easily rival the likes of [[Dante]], [[Shakespeare]] and [[John Milton|Milton]] in importance and output, they still enjoy only a marginal literary fame in the West because the works of Arabic and Persian thinkers, writers and poets are considered as negligible, frivolous, tawdry sideshows beside the grand narrative of the [[Western Canon]]. It is the aim of the Mawlana Rumi Review to redress this carelessly inattentive approach to [[world literature]], which is something far more serious than a minor faux pas committed by the Western literary imagination."
[[Category:Rumi| ]]
[[Category:1207 births]]
[[Category:1273 deaths]]
[[Category:Iranian Sufis]]
[[Category:Iranian Sunni Muslims]]
[[Category:Islamic philosophers]]
[[Category:Persian philosophers]]
[[Category:Persian spiritual writers]]
[[Category:Medieval Persian people]]
[[Category:Burials in Turkey]]
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https://en.wikipedia.org/wiki?curid=16433
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JANET
Janet is a high-speed network for the UK research and education community provided by Jisc, a not-for-profit company set up to provide computing support for education. It serves 18 million users and is the busiest National Research and Education Network in Europe by volume of data carried. JANET was previously a private, UK government-funded organisation, which provided the Janet computer network and related collaborative services to UK research and education.
All further- and higher-education organisations in the UK are connected to the Janet network, as are all the Research Councils; the majority of these sites are connected via 20 metropolitan area networks across the UK (though Janet refers to these as regions, emphasising that Janet connections are not just confined to a metropolitan area). The network also carries traffic between schools within the UK, although many of the schools' networks maintain their own general Internet connectivity. The name was originally a contraction of Joint Academic NETwork but it is now known as Janet in its own right.
The network is linked to other European and worldwide NRENs through GEANT and peers extensively with other ISPs at Internet Exchange Points in the UK. Any other networks are reached via transit services from commercial ISPs using Janet's Peering Policy.
The Janet network is operated by Jisc Services Limited, part of Jisc. Janet is also responsible for the .ac.uk and .gov.uk domains. On 1 December 2012, Janet and Jisc Collections joined together to form Jisc Collections and Janet Limited, as subsidiary organisations to Jisc. In March 2015, Jisc Collections and Janet Limited was renamed to Jisc Services Limited. Jisc Services continues to operate under the brand name of Janet, with the same remit. Janet was previously known as the JNT Association, and prior to that, UKERNA (the United Kingdom Education and Research Networking Association).
Janet developed out of a number of local and research networks dating back to the 1970s. By 1980, a number of national computer facilities serving the Science and Engineering Research Council community had developed, each with their own star network (ULCC London, UMRCC Manchester, Rutherford Appleton Laboratory). There were also regional networks centred on Bristol, Edinburgh and Newcastle, where groups of institutions had pooled resources to provide better computing facilities than could be afforded individually. These networks were each based on one manufacturer's standards and were mutually incompatible and overlapping. In the early 1980s a standardisation and interconnection effort started, hosted on an expansion of the SERCnet X.25 research network. The system first went live on 1 April 1984, hosting about 50 sites with line speeds of 9.6 kbit/s. In the mid-80s the backbone was upgraded to a 2 Mbit/s backbone with 64 kbit/s access links, and a further upgrade in the early 1990s sped the backbone to 8 Mbit/s and the access links to 2 Mbit/s, making Janet the fastest X.25 network in the world.
The Janet effort resulted in the standardisation known as the Coloured Book protocols, which provided the first complete X.25 standard. The naming scheme used on Janet (JANET NRS) had similarities to the Internet's Domain Name System, but with domains specified in big-endian format rather than the little-endian style used by DNS. There had been some talk of moving Janet to OSI protocols in the 1990s, but changes in the networking world meant this never happened.
Planning began in January 1991 for the JANET IP Service (JIPS). It was set up as a pilot project in March 1991 to host IP traffic on the existing network. Within eight months the IP traffic had exceeded the levels of X.25 traffic, and the IP support became official in November. The X.25 service was closed in August 1997. Today Janet is primarily a high-speed IP network.
In order to address speed concerns, several hardware upgrades have been incorporated into the Janet system. In 1989 SuperJanet was proposed, to re-host JANET on a fibre optic network. Work started in late 1992, and by late 1993 the first 14 sites had migrated to the new 34 Mbit/s ATM system. SuperJanet also moved solely to IP.
In 1995 SuperJanet2 started, adding 155 Mbit/s ATM backbones and a 10 Mbit/s SMDS network encompassing some of the original JANET nodes. JANET's mandate now included running metropolitan area networks centred on these sites.
SuperJanet3 created new 155 Mbit/s ATM nodes to fully connect all of the major sites at London, Bristol, Manchester and Leeds, with 34 Mbit/s links to smaller sites around the country.
In March 2001 SuperJanet4 was launched. The key challenges for SuperJanet4 were the need to increase network capacity and to strengthen the design and management of the JANET network to allow it to meet a similar increase in the size of its userbase.
SuperJanet4 saw the implementation of a 2.5 Gbit/s core backbone from which connections to regional network points of presence were made at speeds ranging between 155 Mbit/s to 2.5 Gbit/s depending upon the size of the regional network. In 2002 the core SuperJanet4 backbone was upgraded to 10 Gbit/s.
SuperJanet4 also saw an increase in the userbase of the JANET network, with the inclusion of the Further Education Community and the use of the SuperJanet4 backbone to interconnect schools' networks. The core point of presence (Backbone) sites in SuperJanet4 were Edinburgh, Glasgow, Warrington, Reading, Bristol, Portsmouth, London and Leeds.
In October 2006 the SuperJanet5 project was launched after £29 million of investment. It provides a 10 Gbit/s backbone, with an upgrade path to 40 Gbit/s over the next few years. The new backbone as a result of the SuperJanet5 project is a hybrid network offering, providing both a high speed IP transit service and private bandwidth channel services provisioned over a dedicated fibre network. It is designed not only to fully accommodate the requirements of the traditional JANET user base - all research institutes, universities and further education - but also to meet the needs of a new userbase in the UK's primary and secondary schools.
In April 2011 Verizon helped Janet upgrade 4 central locations to run at 100 Gbit/s bringing it to a national research and education network performance parity with Internet2 (which upgraded its backbone to 100 Gbit/s in October 2007). As of October 2011 they have over 18 million end-users.
Janet6 started to go live in July 2013, and was officially launched at an event at the London Film Museum on 26 November 2013. At launch, Janet6 had an initial capacity of 2 Tbit/s.
The Janet network is implemented through 18 regions which connect universities, colleges and schools to the Janet network. Most regions are operated by Janet, although a few operate as independent entities working under contract.
Each regional network covers a specific geographical area. As of 2014 the following regional networks are connected to Janet:
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https://en.wikipedia.org/wiki?curid=16438
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John Harrison
John Harrison ( – 24 March 1776) was a self-educated English carpenter and clockmaker who invented the marine chronometer, a long-sought-after device for solving the problem of calculating longitude while at sea.
Harrison's solution revolutionized navigation and greatly increased the safety of long-distance sea travel. The problem he solved was considered so important following the Scilly naval disaster of 1707 that the British Parliament offered financial rewards of up to £20,000 (equivalent to £ in 2020) under the 1714 Longitude Act.
In 1730, Harrison presented his first design, and worked over many years on improved designs, making several advances in time-keeping technology, finally turning to what were called sea watches. Harrison gained support from the Longitude Board in building and testing his designs. Toward the end of his life, he received recognition and a reward from Parliament. Harrison came 39th in the BBC's 2002 public poll of the 100 Greatest Britons.
John Harrison was born in Foulby in the West Riding of Yorkshire, the first of five children in his family.
His step father worked as a carpenter at the nearby Nostell Priory estate. A house on the site of what may have been the family home bears a blue plaque.
Around 1700, the Harrison family moved to the Lincolnshire village of Barrow upon Humber. Following his father's trade as a carpenter, Harrison built and repaired clocks in his spare time. Legend has it that at the age of six, while in bed with smallpox, he was given a watch to amuse himself and he spent hours listening to it and studying its moving parts.
He also had a fascination for music, eventually becoming choirmaster for Barrow parish church.Harrison built his first longcase clock in 1713, at the age of 20. The mechanism was made entirely of wood. Three of Harrison's early wooden clocks have survived: the first (1713) is in the Worshipful Company of Clockmakers' collection previously in the Guildhall in London, and since 2015 on display in the Science Museum. The second (1715) is also in the Science Museum in London; and the third (1717) is at Nostell Priory in Yorkshire, the face bearing the inscription "John Harrison Barrow". The Nostell example, in the billiards room of this stately home, has a Victorian outer case, which has small glass windows on each side of the movement so that the wooden workings may be inspected.
On 30 August, 1718, John Harrison married Elizabeth Barret at Barrow-upon-Humber church After her death in 1726, he married Elizabeth Scott on 23 November, 1726, at the same church.
In the early 1720s, Harrison was commissioned to make a new turret clock at Brocklesby Park, North Lincolnshire. The clock still works, and like his previous clocks has a wooden movement of oak and lignum vitae. Unlike his early clocks, it incorporates some original features to improve timekeeping, for example the grasshopper escapement. Between 1725 and 1728, John and his brother James, also a skilled joiner, made at least three precision longcase clocks, again with the movements and longcase made of oak and lignum vitae. The grid-iron pendulum was developed during this period. These precision clocks are thought by some to have been the most accurate clocks in the world at the time. Number 1, now in a private collection, belonged to the Time Museum, USA, until the museum closed in 2000 and its collection was dispersed at auction in 2004. Number 2 is in the Leeds City Museum. It forms the core of a permanent display dedicated to John Harrison's achievements, "John Harrison: The Clockmaker Who Changed the World" and had its official opening on 23 January 2014, the first longitude-related event marking the tercentenary of the Longitude Act. Number 3 is in the Worshipful Company of Clockmakers' collection.
Harrison was a man of many skills and he used these to systematically improve the performance of the pendulum clock. He invented the gridiron pendulum, consisting of alternating brass and iron rods assembled so that the thermal expansions and contractions essentially cancel each other out. Another example of his inventive genius was the grasshopper escapement – a control device for the step-by-step release of a clock's driving power. Developed from the anchor escapement, it was almost frictionless, requiring no lubrication because the pallets were made from wood. This was an important advantage at a time when lubricants and their degradation were little understood.
In his earlier work on sea clocks, Harrison was continually assisted, both financially and in many other ways, by George Graham, the watchmaker and instrument maker. Harrison was introduced to Graham by the Astronomer Royal Edmond Halley, who championed Harrison and his work. This support was important to Harrison, as he was supposed to have found it difficult to communicate his ideas in a coherent manner.
Longitude fixes the location of a place on Earth east or west of a north–south line called the prime meridian. It is given as an angular measurement that ranges from 0° at the prime meridian to +180° eastward and −180° westward. Knowledge of a ship's east–west position was essential when approaching land. After a long voyage, cumulative errors in dead reckoning frequently led to shipwrecks and a great loss of life. Avoiding such disasters became vital in Harrison's lifetime, in an era when trade and navigation were increasing dramatically around the world.
Many ideas were proposed for how to determine longitude during a sea voyage. Earlier methods attempted to compare local time with the known time at a reference place, such as Greenwich or Paris, based on a simple theory that had been first proposed by Gemma Frisius. The methods relied on astronomical observations that were themselves reliant on the predictable nature of the motions of different heavenly bodies. Such methods were problematic because of the difficulty in accurately estimating the time at the reference place.
Harrison set out to solve the problem directly, by producing a reliable clock that could keep the time of the reference place. His difficulty was in producing a clock that was not affected by variations in temperature, pressure or humidity, remained accurate over long time intervals, resisted corrosion in salt air, and was able to function on board a constantly-moving ship. Many scientists, including Isaac Newton and Christiaan Huygens, doubted that such a clock could ever be built and favoured other methods for reckoning longitude, such as the method of lunar distances. Huygens ran trials using both a pendulum and a spiral balance spring clock as methods of determining longitude, with both types producing inconsistent results. Newton observed that "a good watch may serve to keep a reckoning at sea for some days and to know the time of a celestial observation; and for this end a good Jewel may suffice till a better sort of watch can be found out. But when longitude at sea is lost, it cannot be found again by any watch".
In the 1720s, the English clockmaker Henry Sully invented a marine clock that was designed to determine longitude: this was in the form of a clock with a large balance wheel that was vertically mounted on friction rollers and impulsed by a frictional rest Debaufre type escapement. Very unconventionally, the balance oscillations were controlled by a weight at the end of a pivoted horizontal lever attached to the balance by a cord. This solution avoided temperature error due to thermal expansion, a problem which affects steel balance springs. Sully's clock only kept accurate time in calm weather, because the balance oscillations were affected by the pitching and rolling of the ship. However his clocks were amongst the first serious attempts to find longitude in this way. Harrison's machines, though much larger, are of similar layout: H3 has a vertically mounted balance wheel and is linked to another wheel of the same size, an arrangement that eliminates problems arising from the ship's motion.
In 1716, Sully presented his first "Montre de la Mer" to the French Académie des Sciences and in 1726 he published "Une Horloge inventée et executée par M. Sulli".
In 1730, Harrison designed a marine clock to compete for the Longitude prize and travelled to London, seeking financial assistance. He presented his ideas to Edmond Halley, the Astronomer Royal, who in turn referred him to George Graham, the country's foremost clockmaker. Graham must have been impressed by Harrison's ideas, for he loaned him money to build a model of his "Sea clock". As the clock was an attempt to make a seagoing version of his wooden pendulum clocks, which performed exceptionally well, he used wooden wheels, roller pinions and a version of the 'grasshopper' escapement. Instead of a pendulum, he used two dumbbell balances, linked together.
It took Harrison five years to build his first sea clock (or H1). He demonstrated it to members of the Royal Society who spoke on his behalf to the Board of Longitude. The clock was the first proposal that the Board considered to be worthy of a sea trial. In 1736, Harrison sailed to Lisbon on HMS "Centurion" under the command of Captain George Proctor and returned on HMS "Orford" after Proctor died at Lisbon on 4 October 1736. The clock lost time on the outward voyage. However, it performed well on the return trip: both the captain and the sailing master of the "Orford" praised the design. The master noted that his own calculations had placed the ship sixty miles east of its true landfall which had been correctly predicted by Harrison using H1.
This was not the transatlantic voyage demanded by the Board of Longitude, but the Board was impressed enough to grant Harrison £500 for further development. Harrison had moved to London by 1737 and went on to develop H2,
a more compact and rugged version. In 1741, after three years of building and two of on-land testing, H2 was ready, but by then Britain was at war with Spain in the War of Austrian Succession and the mechanism was deemed too important to risk falling into Spanish hands. In any event, Harrison suddenly abandoned all work on this second machine when he discovered a serious design flaw in the concept of the bar balances. He had not recognized that the period of oscillation of the bar balances could be affected by the yawing action of the ship (when the ship turned such as 'coming about' while tacking). It was this that led him to adopt circular balances in the Third Sea Clock (H3).
The Board granted him another £500, and while waiting for the war to end, he proceeded to work on H3.
Harrison spent seventeen years working on this third 'sea clock', but despite every effort it did not perform exactly as he would have wished. The problem was that, because Harrison did not fully understand the physics behind the springs used to control the balance wheels, the timing of the wheels was not isochronous, a characteristic that affected its accuracy. The engineering world was not to fully understand the properties of springs for such applications for another two centuries. Despite this, it had proved a very valuable experiment as much was learned from its construction. Certainly in this machine Harrison left the world two enduring legacies – the bimetallic strip and the caged roller bearing.
After steadfastly pursuing various methods during thirty years of experimentation, Harrison found to his surprise that some of the watches made by Graham's successor Thomas Mudge kept time just as accurately as his huge sea clocks. It is possible that Mudge was able to do this after the early 1740s thanks to the availability of the new "Huntsman" or "Crucible" steel produced by Benjamin Huntsman sometime in the early 1740s which enabled harder pinions but more importantly, a tougher and more highly polished cylinder escapement to be produced.
Harrison then realized that a mere watch after all could be made accurate enough for the task and was a far more practical proposition for use as a marine timekeeper. He proceeded to redesign the concept of the watch as a timekeeping device, basing his design on sound scientific principles.
He had already in the early 1750s designed a precision watch for his own use, which was made for him by the watchmaker John Jefferys 1752–1753.
This watch incorporated a novel frictional rest escapement and was not only the first to have a compensation for temperature variations but also contained the first miniature 'going fusee' of Harrison's design which enabled the watch to continue running whilst being wound. These features led to the very successful performance of the "Jefferys" watch, which Harrison incorporated into the design of two new timekeepers which he proposed to build. These were in the form of a large watch and another of a smaller size but of similar pattern. However, only the larger No. 1 (or "H4" as it is sometimes called) watch appears ever to have been finished. (See the reference to "H6" below)
Aided by some of London's finest workmen, he proceeded to design and make the world's first successful marine timekeeper that allowed a navigator to accurately assess his ship's position in longitude. Importantly, Harrison showed everyone that it could be done by using a watch to calculate longitude. This was to be Harrison's masterpiece – an instrument of beauty, resembling an oversized pocket watch from the period. It is engraved with Harrison's signature, marked Number 1 and dated AD 1759.
Harrison's first "sea watch" (now known as H4) is housed in silver pair cases some in diameter. The clock's movement is highly complex for that period, resembling a larger version of the then-current conventional movement. A coiled steel spring inside a brass mainspring barrel provides 30 hours of power. This is covered by the fusee barrel which pulls a chain wrapped around the conically shaped pulley known as the fusee. The fusee is topped by the winding square (requiring separate key). The great wheel attached to the base of this fusee transmits power to the rest of the movement. The fusee contains the maintaining power, a mechanism for keeping the H4 going while being wound.
From Gould, "The escapement is a modification of the verge fitted to the common watches of Harrison’s day, but the modifications are extensive. The pallets are very small, and have their faces set parallel, instead of at the usual angle of 95 or so. Moreover, instead of being steel, they are of diamond, and their backs are shaped to cycloidal curves. The action of this escapement is quite different from that of the which it appears to resemble. In that escapement, the (15) teeth of the crown wheel act only upon the faces of the pallets. But in this, as will be seen from the points of the teeth rest, for a considerable portion of the supplementary arc from 90 to 145 (limit of banking) the dead point upon the backs of the pallets, and tend to assist the balance towards the extreme of its swing and to retard its return. This escapement is obviously a great improvement upon the verge, as the train has far less power over the motions of the balance. The latter is no longer checked in its swing by a force equal to that which originally impelled it, but by the balance spring, assisted only by the friction between the tooth and the back of the pallet."
In comparison, the verge's escapement has a recoil with a limited balance arc and is sensitive to variations in driving torque. According to a review by H. M. Frodsham of the movement in 1878, H4's escapement had "a good deal of "set" and not so much recoil, and as a result the impulse came very near to a double chronometer action."
The D shaped pallets of Harrison's escapement are both made of diamond, approx 2mm long with the curved side radius of 0.6 mm; a considerable feat of manufacture at the time. For technical reasons the balance was made much larger than in a conventional watch of the period, 2.2. inches (55.9 mm) in diameter weighing 28 5/8 Troy grains (1.85 g) and the vibrations controlled by a flat spiral steel spring of 3 turns with a long straight tail. The spring is tapered, being thicker at the stud end and tapering toward the collet at the centre. The movement also has centre seconds motion with a sweep seconds hand.
The Third Wheel is equipped with internal teeth and has an elaborate bridge similar to the pierced and engraved bridge for the period. It runs at 5 beats (ticks) per second, and is equipped with a tiny 7 1/2 second remontoire. A balance-brake, activated by the position of the fusee, stops the watch half an hour before it is completely run down, in order that the remontoire does not run down also.
Temperature compensation is in the form of a 'compensation curb' (or 'Thermometer Kirb' as Harrison called it). This takes the form of a bimetallic strip mounted on the regulating slide, and carrying the curb pins at the free end. During its initial testing, Harrison dispensed with this regulation using the slide, but left its indicating dial or figure piece in place.
This first watch took six years to construct, following which the Board of Longitude determined to trial it on a voyage from Portsmouth to Kingston, Jamaica. For this purpose it was placed aboard the 50-gun , which set sail from Portsmouth on 18 November 1761. Harrison, by then 68 years old, sent it on this transatlantic trial in the care of his son, William. The watch was tested before departure by Robertson, Master of the Academy at Portsmouth, who reported that on 6 November 1761 at noon it was 3 seconds slow, having lost 24 seconds in 9 days on mean solar time. The daily rate of the watch was therefore fixed as losing 24/9 seconds per day.
When "Deptford" reached its destination, after correction for the initial error of 3 seconds and accumulated loss of 3 minutes 36.5 seconds at the daily rate over the 81 days and 5 hours of the voyage, the watch was found to be 5 seconds slow compared to the known longitude of Kingston, corresponding to an error in longitude of 1.25 minutes, or approximately one nautical mile. William Harrison returned aboard the 14-gun , reaching England on 26 March 1762 to report the successful outcome of the experiment. Harrison senior thereupon waited for the £20,000 prize, but the Board were persuaded that the accuracy could have been just luck and demanded another trial. The board were also not convinced that a timekeeper which took six years to construct met the test of practicality required by the Longitude Act. The Harrisons were outraged and demanded their prize, a matter that eventually worked its way to Parliament, which offered £5,000 for the design. The Harrisons refused but were eventually obliged to make another trip to Bridgetown on the island of Barbados to settle the matter.
At the time of this second trial, another method for measuring longitude was ready for testing: the Method of Lunar Distances. The moon moves fast enough, some thirteen degrees a day, to easily measure the movement from day to day. By comparing the angle between the moon and the sun for the day one left for Britain, the "proper position" (how it would appear in Greenwich, England, at that specific time) of the moon could be calculated. By comparing this with the angle of the moon over the horizon, the longitude could be calculated.
During Harrison's second trial of his 'sea watch' (H4) the Reverend Nevil Maskelyne was asked to accompany HMS "Tartar" and test the Lunar Distances system. Once again the watch proved extremely accurate, keeping time to within 39 seconds, corresponding to an error in the longitude of Bridgetown of less than . Maskelyne's measures were also fairly good, at , but required considerable work and calculation in order to use. At a meeting of the Board in 1765 the results were presented, but they again attributed the accuracy of the measurements to luck. Once again the matter reached Parliament, which offered £10,000 in advance and the other half once he turned over the design to other watchmakers to duplicate. In the meantime Harrison's watch would have to be turned over to the Astronomer Royal for long-term on-land testing.
Unfortunately, Nevil Maskelyne had been appointed Astronomer Royal on his return from Barbados, and was therefore also placed on the Board of Longitude. He returned a report of the watch that was negative, claiming that its "going rate" (the amount of time it gained or lost per day) was due to inaccuracies cancelling themselves out, and refused to allow it to be factored out when measuring longitude. Consequently, this first Marine Watch of Harrison's failed the needs of the Board despite the fact that it had succeeded in two previous trials.
Harrison began working on his second 'sea watch' (H5) while testing was conducted on the first, which Harrison felt was being held hostage by the Board. After three years he had had enough; Harrison felt "extremely ill used by the gentlemen who I might have expected better treatment from" and decided to enlist the aid of King George III. He obtained an audience with the King, who was extremely annoyed with the Board. King George tested the watch No.2 (H5) himself at the palace and after ten weeks of daily observations between May and July in 1772, found it to be accurate to within one third of one second per day. King George then advised Harrison to petition Parliament for the full prize after threatening to appear in person to dress them down. Finally in 1773, when he was 80 years old, Harrison received a monetary award in the amount of £8,750 from Parliament for his achievements, but he never received the official award (which was never awarded to anyone). He was to survive for just three more years.
In total, Harrison received £23,065 for his work on chronometers. He received £4,315 in increments from the Board of Longitude for his work, £10,000 as an interim payment for H4 in 1765 and £8,750 from Parliament in 1773. This gave him a reasonable income for most of his life (equivalent to roughly £450,000 per year in 2007, though all his costs, such as materials and subcontracting work to other horologists, had to come out of this). He became the equivalent of a multi-millionaire (in today's terms) in the final decade of his life.
Captain James Cook used K1, a copy of H4, on his second and third voyages, having used the lunar distance method on his first voyage. K1 was made by Larcum Kendall, who had been apprenticed to John Jefferys. Cook's log is full of praise for the watch and the charts of the southern Pacific Ocean he made with its use were remarkably accurate. K2 was loaned to Lieutenant William Bligh, commander of HMS "Bounty" but it was retained by Fletcher Christian following the infamous mutiny. It was not recovered from Pitcairn Island until 1808 when it was given to Captain Folger, and then passed through several hands before reaching the National Maritime Museum in London.
Initially, the cost of these chronometers was quite high (roughly 30% of a ship's cost). However, over time, the costs dropped to between £25 and £100 (half a year's to two years' salary for a skilled worker) in the early 19th century. Many historians point to relatively low production volumes over time as evidence that the chronometers were not widely used. However, Landes points out that the chronometers lasted for decades and did not need to be replaced frequently – indeed the number of makers of marine chronometers reduced over time due to the ease in supplying the demand even as the merchant marine expanded. Also, many merchant mariners would make do with a deck chronometer at half the price. These were not as accurate as the boxed marine chronometer but were adequate for many. While the Lunar Distances method would complement and rival the marine chronometer initially, the chronometer would overtake it in the 19th century.
The more accurate Harrison timekeeping device led to the much-needed precise calculation of longitude, making the device a fundamental key to the modern age. Following Harrison, the marine timekeeper was reinvented yet again by John Arnold who while basing his design on Harrison's most important principles, at the same time simplified it enough for him to produce equally accurate but far less costly marine chronometers in quantity from around 1783. Nonetheless, for many years even towards the end of the 18th century, chronometers were expensive rarities, as their adoption and use proceeded slowly due to the high expense of precision manufacturing. The expiry of Arnold's patents at the end of the 1790s enabled many other watchmakers including Thomas Earnshaw to produce chronometers in greater quantities at less cost even than those of Arnold.
By the early 19th century, navigation at sea without one was considered unwise to unthinkable. Using a chronometer to aid navigation simply saved lives and ships—the insurance industry, self-interest, and common sense did the rest in making the device a universal tool of maritime trade.
Harrison died on 24 March 1776 at the age of eighty-two, just shy of his eighty-third birthday. He was buried in the graveyard of St John's Church, Hampstead, in north London, along with his second wife Elizabeth and later their son William. His tomb was restored in 1879 by the Worshipful Company of Clockmakers, even though Harrison had never been a member of the Company.
Harrison's last home was 12, Red Lion Square, in the Holborn district of London. There is a plaque dedicated to Harrison on the wall of Summit House, a 1925 modernist office block, on the south side of the square. A memorial tablet to Harrison was unveiled in Westminster Abbey on 24 March 2006, finally recognising him as a worthy companion to his friend George Graham and Thomas Tompion, 'The Father of English Watchmaking', who are both buried in the Abbey. The memorial shows a meridian line (line of constant longitude) in two metals to highlight Harrison's most widespread invention, the bimetallic strip thermometer. The strip is engraved with its own longitude of 0 degrees, 7 minutes and 35 seconds West.
The Corpus Clock in Cambridge, unveiled in 2008, is a homage by the designer to Harrison's work but is of an electromechanical design. In appearance it features Harrison's grasshopper escapement, the 'pallet frame' being sculpted to resemble an actual grasshopper. This is the clock's defining feature.
In 2014, Northern Rail named diesel railcar 153316 as the "John 'Longitude' Harrison".
On 3 April 2018, Google celebrated his 325th birthday by making a Google Doodle for its homepage.
In February 2020 a bronze statue of John Harrison was unveiled in Barrow-Upon-Humber. The statue was created by sculptor Marcus Cornish.
After World War I, Harrison's timepieces were rediscovered at the Royal Greenwich Observatory by retired naval officer Lieutenant Commander Rupert T. Gould.
The timepieces were in a highly decrepit state and Gould spent many years documenting, repairing and restoring them, without compensation for his efforts. Gould was the first to designate the timepieces from H1 to H5, initially calling them No.1 to No.5. Unfortunately, Gould made modifications and repairs that would not pass today's standards of good museum conservation practice, although most Harrison scholars give Gould credit for having ensured that the historical artifacts survived as working mechanisms to the present time. Gould wrote "The Marine Chronometer" published in 1923, which covered the history of chronometers from the Middle Ages through to the 1920s, and which included detailed descriptions of Harrison's work and the subsequent evolution of the chronometer. The book remains the authoritative work on the marine chronometer.
Today the restored H1, H2, H3 and H4 timepieces can be seen on display in the Royal Observatory at Greenwich. H1, H2 and H3 still work: H4 is kept in a stopped state because, unlike the first three, it requires oil for lubrication and so will degrade as it runs. H5 is owned by the Worshipful Company of Clockmakers of London, and was previously on display at the Clockmakers' Museum in the Guildhall, London, as part of the Company's collection; since 2015 the collection has been displayed in the Science Museum, London.
In the final years of his life, John Harrison wrote about his research into musical tuning and manufacturing methods for bells. His tuning system, (a meantone system derived from pi), is described in his pamphlet "A Description Concerning Such Mechanism ... (CSM)". This system challenged the traditional view that harmonics occur at integer frequency ratios and in consequence all music using this tuning produces low frequency beating. In 2002, Harrison's last manuscript, "A true and short, but full Account of the Foundation of Musick, or, as principally therein, of the Existence of the Natural Notes of Melody", was rediscovered in the US Library of Congress. His theories on the mathematics of bell manufacturing (using "Radical Numbers") are yet to be clearly understood.
One of the controversial claims of his last years was that of being able to build a land clock more accurate than any competing design. Specifically, he claimed to have designed a clock capable of keeping accurate time to within one second over a span of 100 days. At the time, such publications as "The London Review of English and Foreign Literature" ridiculed Harrison for what was considered an outlandish claim. Harrison drew a design but never built such a clock himself, but in 1970 Martin Burgess, a Harrison expert and himself a clockmaker, studied the plans and endeavored to build the timepiece as drawn. He built two versions, dubbed Clock A and Clock B. Clock A became the Gurney Clock which was given to the city of Norwich in 1975, while Clock B lay unfinished in his workshop for decades until it was acquired in 2009 by Donald Saff. The completed Clock B was submitted to the National Maritime Museum in Greenwich for further study. It was found that Clock B could potentially meet Harrison's original claim, so the clock's design was carefully checked and adjusted. Finally, over a 100-day period from 6 January to 17 April 2015, Clock B was secured in a transparent case in the Royal Observatory and left to run untouched, apart from regular winding. Upon completion of the run, the clock was measured to have lost only 5/8 of a second, meaning Harrison's design was fundamentally sound. If we ignore the fact that this clock uses materials such as duraluminium and invar unavailable to Harrison, had it been built in 1762, the date of Harrison's testing of his H4, and run continuously since then without correction, it would now ( 2020) be slow by just trunc (((+6556507200)*72.338e-9 round 0)/60) minutes and ((+6556507200)*72.338e-9 round 0) % 60 seconds. Guinness World Records has declared the Martin Burgess' Clock B the "most accurate mechanical clock with a pendulum swinging in free air."
In 1995, inspired by a Harvard University symposium on the longitude problem organized by the National Association of Watch and Clock Collectors, Dava Sobel wrote a book on Harrison's work. "Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time" became the first popular bestseller on the subject of horology. "The Illustrated Longitude", in which Sobel's text was accompanied by 180 images selected by William J. H. Andrewes, appeared in 1998. The book was dramatised for UK television by Charles Sturridge in a Granada Productions film for Channel 4 in 1999, under the title "Longitude". It was broadcast in the US later that same year by co-producer A&E. The production starred Michael Gambon as Harrison and Jeremy Irons as Gould. Sobel's book was also the basis for a PBS NOVA episode entitled "Lost at Sea: The Search for Longitude".
Harrison's marine time-keepers were an essential part of the plot in the 1996 Christmas special of long-running British sitcom "Only Fools And Horses", entitled "Time on Our Hands". The plot concerns the discovery and subsequent sale at auction of Harrison's Lesser Watch H6. The watch was auctioned off at Sotheby's for £6.2 million.
The song "John Harrison's Hands", written by Brian McNeill and Dick Gaughan, appeared on the 2001 album "Outlaws & Dreamers". The song has also been covered by Steve Knightley, appearing on his album 2011 "Live in Somerset". It was further covered by the British band Show of Hands and appears on their 2016 album "The Long Way Home".
In 1998, British composer Harrison Birtwistle wrote the piano piece "Harrison's clocks" that contains musical depictions of Harrison's various clocks. Composer Peter Graham's piece "Harrison's Dream" is about Harrison's forty-year quest to produce an accurate clock. Graham worked simultaneously on the brass band and wind band versions of the piece, which received their first performances just four months apart, in October 2000 and February 2001 respectively.
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Julia Child
Julia Carolyn Child (née McWilliams; August 15, 1912 – August 13, 2004) was an American cooking teacher, author, and television personality. She is recognized for bringing French cuisine to the American public with her debut cookbook, "Mastering the Art of French Cooking", and her subsequent television programs, the most notable of which was "The French Chef", which premiered in 1963.
On August 15, 1912, Child was born as Julia Carolyn McWilliams in Pasadena, California. Child's father was John McWilliams, Jr. (1880–1962), a Princeton University graduate and prominent land manager. Child's mother was Julia Carolyn ("Caro") Weston (1877–1937), a paper-company heiress. Child's maternal grandfather was Byron Curtis Weston, a lieutenant governor of Massachusetts. Child was the eldest of three, followed by a brother, John McWilliams III, and sister, Dorothy Cousins.
Child attended Polytechnic School from 4th grade to 9th grade in Pasadena, California. In high school, Child was sent to the Katherine Branson School in Ross, California, which was at the time a boarding school.
At six feet, two inches (1.88 m) tall, Child played tennis, golf, and basketball as a youth.
She also played sports while attending Smith College, from which she graduated in 1934 with a major in history.
Child grew up in a family with a cook, but she did not observe or learn cooking from this servant, and never learned until she met her husband to be, Paul, who grew up in a family very interested in food.
Following her graduation from college, Child moved to New York City, where she worked as a copywriter for the advertising department of W. & J. Sloane.
Child joined the Office of Strategic Services (OSS) after finding that she was too tall to enlist in the Women's Army Corps (WACs) or in the U.S. Navy's WAVES. She began her OSS career as a typist at its headquarters in Washington but, because of her education and experience, soon was given a more responsible position as a top-secret researcher working directly for the head of OSS, General William J. Donovan.
As a research assistant in the Secret Intelligence division, she typed 10,000 names on white note cards to keep track of officers. For a year, she worked at the OSS Emergency Rescue Equipment Section (ERES) in Washington, D.C. as a file clerk and then as an assistant to developers of a shark repellent needed to ensure that sharks would not explode ordnance targeting German U-boats. In 1944, she was posted to Kandy, Ceylon (now Sri Lanka), where her responsibilities included "registering, cataloging and channeling a great volume of highly classified communications" for the OSS's clandestine stations in Asia. She was later posted to Kunming, China, where she received the Emblem of Meritorious Civilian Service as head of the Registry of the OSS Secretariat. When Child was asked to solve the problem of too many OSS underwater explosives being set off by curious sharks, "Child's solution was to experiment with cooking various concoctions as a shark repellent," which were sprinkled in the water near the explosives and repelled sharks. Still in use today, the experimental shark repellent "marked Child's first foray into the world of cooking ..." For her service, Child received an award that cited her many virtues, including her "drive and inherent cheerfulness." As with other OSS records, her file was declassified in 2008; however, unlike other files, her complete file is available online.
While in Kunming, she met Paul Cushing Child, also an OSS employee, and the two were married September 1, 1946, in Lumberville, Pennsylvania, later moving to Washington, D.C. A New Jersey native who had lived in Paris as an artist and poet, Paul was known for his sophisticated palate, and introduced his wife to fine cuisine. He joined the United States Foreign Service, and in 1948 the couple moved to Paris when the US State Department assigned Paul there as an exhibits officer with the United States Information Agency. The couple had no children.
Child repeatedly recalled her first meal in Rouen as a culinary revelation; once, she described the meal of oysters, sole meunière, and fine wine to "The New York Times" as "an opening up of the soul and spirit for me." In 1951, she graduated from the famous Cordon Bleu cooking school in Paris and later studied privately with Max Bugnard and other master chefs. She joined the women's cooking club "Le Cercle des Gourmettes", through which she met Simone Beck, who was writing a French cookbook for Americans with her friend Louisette Bertholle. Beck proposed that Child work with them to make the book appeal to Americans. In 1951, Child, Beck, and Bertholle began to teach cooking to American women in Child's Paris kitchen, calling their informal school "L'école des trois gourmandes" (The School of the Three Food Lovers). For the next decade, as the Childs moved around Europe and finally to Cambridge, Massachusetts, the three researched and repeatedly tested recipes. Child translated the French into English, making the recipes detailed, interesting, and practical.
In 1963, the Childs built a home near the Provence town of Plascassier in the hills above Cannes on property belonging to co-author Simone Beck and her husband, Jean Fischbacher. The Childs named it "La Pitchoune", a Provençal word meaning "the little one" but over time the property was often affectionately referred to simply as "La Peetch".
The three would-be authors initially signed a contract with publisher Houghton Mifflin, which later rejected the manuscript for seeming too much like an encyclopedia. Finally, when it was first published in 1961 by Alfred A. Knopf, the 726-page "Mastering the Art of French Cooking" was a best-seller and received critical acclaim that derived in part from the American interest in French culture in the early 1960s. Lauded for its helpful illustrations and precise attention to detail, and for making fine cuisine accessible, the book is still in print and is considered a seminal culinary work. Following this success, Child wrote magazine articles and a regular column for "The Boston Globe" newspaper. She would go on to publish nearly twenty titles under her name and with others. Many, though not all, were related to her television shows. Her last book was the autobiographical "My Life in France", published posthumously in 2006 and written with her grandnephew, Alex Prud'homme. The book recounts Child's life with her husband, Paul Cushing Child, in post-World War II France.
A 1962 appearance on a book review show on what was then the National Educational Television (NET) station of Boston, WGBH-TV (now a major Public Broadcasting Service station), led to the inception of her first television cooking show after viewers enjoyed her demonstration of how to cook an omelette. "The French Chef" had its debut on February 11, 1963, on WGBH and was immediately successful. The show ran nationally for ten years and won Peabody and Emmy Awards, including the first Emmy award for an educational program. Though she was not the first television cook, Child was the most widely seen. She attracted the broadest audience with her cheery enthusiasm, distinctively warbly voice, and unpatronizing, unaffected manner. In 1972, "The French Chef" became the first television program to be captioned for the deaf, even though this was done using the preliminary technology of open-captioning.
Child's second book, "The French Chef Cookbook," was a collection of the recipes she had demonstrated on the show. It was soon followed in 1971 by "Mastering the Art of French Cooking, Volume Two," again in collaboration with Simone Beck, but not with Louisette Bertholle, with whom the professional relationship had ended. Child's fourth book, "From Julia Child's Kitchen," was illustrated with her husband's photographs and documented the color series of "The French Chef," as well as provided an extensive library of kitchen notes compiled by Child during the course of the show.
Julia Child had a large impact on American households and housewives. Because of the technology in the 1960s, the show was unedited, causing her blunders to appear in the final version and ultimately lend "authenticity and approachability to television." According to Toby Miller in "Screening Food: French Cuisine and the Television Palate," one mother he spoke to said that sometimes "all that stood between me and insanity was hearty Julia Child" because of Child's ability to soothe and transport her. In addition, Miller notes that Child's show began before the feminist movement of the 1960s, which meant that the issues housewives and women faced were somewhat ignored on television.
In the 1970s and 1980s, she was the star of numerous television programs, including "Julia Child & Company", "Julia Child & More Company" and "Dinner at Julia's". For the 1979 book "Julia Child and More Company", she won a National Book Award in category Current Interest. In 1981, she founded the American Institute of Wine & Food, with vintners Robert Mondavi and Richard Graff, and others, to "advance the understanding, appreciation and quality of wine and food," a pursuit she had already begun with her books and television appearances. In 1989, she published what she considered her magnum opus, a book and instructional video series collectively entitled "The Way To Cook".
In the mid 90s, as part of her work with the American Institute of Wine and Food, Julia Child became increasingly concerned about children's food education. This resulted in the initiative known as Days of Taste.
Child starred in four more series in the 1990s that featured guest chefs: "Cooking with Master Chefs", "In Julia's Kitchen with Master Chefs", "Baking with Julia", and "Julia Child & Jacques Pépin Cooking at Home". She collaborated with Jacques Pépin many times for television programs and cookbooks. All of Child's books during this time stemmed from the television series of the same names.
Child's use of ingredients like butter and cream has been questioned by food critics and modern-day nutritionists. She addressed these criticisms throughout her career, predicting that a "fanatical fear of food" would take over the country's dining habits, and that focusing too much on nutrition takes the pleasure from enjoying food. In a 1990 interview, Child said, "Everybody is overreacting. If fear of food continues, it will be the death of gastronomy in the United States. Fortunately, the French don't suffer from the same hysteria we do. We should enjoy food and have fun. It is one of the simplest and nicest pleasures in life."
Julia Child's kitchen, designed by her husband, was the setting for three of her television shows. It is now on display at the National Museum of American History in Washington, D.C. Beginning with "In Julia's Kitchen with Master Chefs," the Childs' home kitchen in Cambridge was fully transformed into a functional set, with TV-quality lighting, three cameras positioned to catch all angles in the room, and a massive center island with a gas stovetop on one side and an electric stovetop on the other, but leaving the rest of the Childs' appliances alone, including "my wall oven with its squeaking door." This kitchen backdrop hosted nearly all of Child's 1990s television series.
After the death of her beloved friend Simone Beck, Child relinquished La Pitchoune after a month long stay in June 1992 with her family, her niece, Phila, and close friend and biographer Noël Riley Fitch. She turned the keys over to Jean Fischbacher's sister, just as she and Paul had promised nearly 30 years earlier. Also in 1992, Julia spent five days in Sicily at the invitation of Regaleali Winery. American journalist Bob Spitz spent a brief time with Julia during that period while he was researching and writing his then working title, "History of Eating and Cooking in America". In 1993, Child provided the voice of Dr. Bleeb in the animated film, "We're Back! A Dinosaur's Story".
Spitz took notes and made many recordings of his conversation with Child, and these later formed the basis of a secondary biography on Child, published August 7, 2012 (Knopf), five days before the centennial of her birthdate. Paul Child, who was ten years older than his wife, died in 1994 after living in a nursing home for five years following a series of strokes in 1989.
In 2001, Child moved to a retirement community, donating her house and office to Smith College, which later sold the house.
She donated her kitchen, which her husband designed with high counters to accommodate her height, and which served as the set for three of her television series, to the National Museum of American History, where it is now on display. Her iconic copper pots and pans were on display at Copia in Napa, California, until August 2009 when they were reunited with her kitchen at the Smithsonian's National Museum of American History in Washington, D.C.
In 2000, Child received the French Legion of Honour and was elected a Fellow of the American Academy of Arts and Sciences in 2000. She was awarded the U.S. Presidential Medal of Freedom in 2003; she received honorary doctorates from Harvard University, Johnson & Wales University (1995), Smith College (her alma mater), Brown University (2000), and several other universities. In 2007, Child was inducted into the National Women's Hall of Fame.
On August 13, 2004, Child died of kidney failure in Montecito, California, two days before
her 92nd birthday. Child ended her last book, "My Life in France", with "...thinking back on it now reminds that the pleasures of the table, and of life, are infinite – toujours bon appétit!" Her ashes were placed on the Neptune Memorial Reef.
In 1995, Julia Child established The Julia Child Foundation for Gastronomy and Culinary Arts, a private charitable foundation to make grants to further her life's work. The Foundation, originally set up in Massachusetts, later moved to Santa Barbara, California, where it is now headquartered. Inactive until after Julia's death in 2004, the Foundation makes grants to other non-profits. The grants support primarily gastronomy, the culinary arts and the further development of the professional food world, all matters of paramount importance to Julia Child during her lifetime. The Foundation's website provides a dedicated page listing the names of grant recipients with a description of the organization and the grant provided by the Foundation. One of the grant recipients is Heritage Radio Network which covers the world of food, drink and agriculture.
Beyond making grants, the Foundation was also established to protect Julia Child's legacy; it is the organization to approach to seek permission to use images of Julia Child and/or excerpts of her work. Many of these rights are jointly held with other organizations like her publishers and the Schlesinger Library at The Radcliffe Institute at Harvard University who may also need to be contacted. Recently, the Foundation has been more active in protecting these posthumous rights. Well known for her opposition to endorsements, the Foundation follows a similar policy regarding the use of Julia's name and image for commercial purposes.
The Julia Child rose, known in the UK as the "Absolutely Fabulous" rose, is a golden butter/gold floribunda rose named after Child.
The exhibits in the West Wing (1 West) of the National Museum of American History address science and innovation. They include "Bon Appétit! Julia Child's Kitchen."
On September 26, 2014, the US Postal Service issued 20 million copies of the "Celebrity Chefs Forever" stamp series, which featured portraits by Jason Seiler of five American chefs: Julia Child, Joyce Chen, James Beard, Edna Lewis, and Felipe Rojas-Lombardi.
Awards
Nominations
Child was a favorite of audiences from the moment of her television debut on public television in 1963, and she was a familiar part of American culture and the subject of numerous references, including numerous parodies in television and radio programs and skits. Her great success on air may have been tied to her refreshingly pragmatic approach to the genre, "I think you have to decide who your audience is. If you don't pick your audience, you're lost because you're not really talking to anybody. My audience is people who like to cook, who want to really learn how to do it."
In 1996, Julia Child was ranked No. 46 on TV Guide's 50 Greatest TV Stars of All Time.
In 2002, Child was the inspiration for "The Julie/Julia Project", a popular cooking blog by Julie Powell that was the basis of Powell's bestselling book, "Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen," published in 2005, the year following Child's death. The paperback version of the book was retitled "Julie and Julia: My Year of Cooking Dangerously." The blog and book, along with Child's own memoir "My Life in France", in turn inspired the 2009 feature film "Julie & Julia" in which Meryl Streep portrayed Child. For her performance, Streep was nominated for the Academy Award for Best Actress.
Child is reported to have been unimpressed by Powell's blog, believing Powell's determination to cook every recipe in "Mastering the Art of French Cooking" in a year to be a stunt. In an interview, Child's editor, Judith Jones, said of Powell's blog: "Flinging around four-letter words when cooking isn't attractive, to me or Julia. She didn't want to endorse it. What came through on the blog was somebody who was doing it almost for the sake of a stunt."
The YouTube series "Epic Rap Battles of History" featured Child (portrayed by Mamrie Hart) in a rap battle against Scottish celebrity chef Gordon Ramsay (portrayed by Lloyd "EpicLLOYD" Alquist) in the 2nd episode of its 5th season.
On March 15, 2016, Twitch started to stream Julia Child's show "The French Chef". This event was in celebration of both the launch of the cooking section of Twitch and the anniversary of Child's graduation from Le Cordon Bleu.
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James Beard
James Andrews Beard (May 5, 1903 – January 23, 1985) was an American chef, cookbook author, teacher and television personality. Beard was a champion of American cuisine who taught and mentored generations of professional chefs and food enthusiasts. His legacy lives on in twenty books, other writings and his foundation's annual James Beard awards in a number of culinary genres.
James Andrews Beard was born in Portland, Oregon, in 1903 to Elizabeth and John Beard. His mother operated the Gladstone Hotel, and his father worked at the city's customs house. The family vacationed on the Pacific coast in Gearhart, Oregon, where Beard was exposed to Pacific Northwest cuisine.
Common ingredients of this cuisine are salmon, shellfish, and other fresh seafood; game meats such as moose, elk, or venison; mushrooms, berries, small fruits, potatoes, kale, and wild plants such as fiddleheads or young pushki ("Heracleum maximum", or cow parsnip).
Beard's earliest memory of food was at the 1905 Lewis and Clark Exposition, when he was two years old. In his memoir he recalled:
I was taken to the exposition two or three times. The thing that remained in my mind above all others—I think it marked my life—was watching Triscuits and shredded wheat biscuits being made. Isn't that crazy? At two years old that memory was made. It intrigued the hell out of me.
At age three Beard was bedridden with malaria, and the illness gave him time to focus on the food prepared by his mother and their Chinese helper. According to Beard he was raised by Thema and Jue-Let, who instilled in him a passion for Chinese culture. Beard reportedly "attributes much of his upbringing to Jue-Let," whom he refers to as his Chinese godfather.
David Kamp wrote, "In 1940 he realized that part of his mission [as a food connoisseur] was to defend the pleasure of real cooking and fresh ingredients against the assault of the Jell-O-mold people and the domestic scientists." Beard lived in France during the 1920s, where he experienced French cuisine at its bistros. After this exposure and the widespread influence of French food culture, he became a Francophile.
Beard briefly attended Reed College in Portland, Oregon. Although he was expelled for homosexuality in 1922, the college granted Beard an honorary degree in 1976. In 1923, he joined a theatrical troupe and studied voice and theater abroad until 1927, when he returned to the United States.
After training as a singer and actor, Beard moved to New York City in 1937. Unlucky in the theater, he and friend Bill Rhodes capitalized on the cocktail party craze by opening Hors d'Oeuvre, Inc., a catering company. This led to lecturing, teaching, writing, and the publication of Beard's first cookbook in 1940: "Hors D'Oeuvre and Canapés", a compilation of his catering recipes. According to fellow cooking enthusiast Julia Child, this book put him on the culinary map. World War II rationing ended Beard's catering business. From August 1946 to May 1947, he hosted "I Love to Eat", a live television cooking show on NBC, beginning his ascent as an American food authority. According to Child, "Through the years he gradually became not only the leading culinary figure in the country, but 'The Dean of American Cuisine'."
In 1952, when Helen Evans Brown published her "Helen Brown's West Coast Cook Book", Beard wrote her a letter igniting a friendship that spanned until Brown's death. The two, along with her husband Phillip, developed a friendship which was both professional and personal. Beard and Brown became like siblings, admonishing and encouraging each other, as well as collaborating.
According to the James Beard Foundation website, "In 1955, he established The James Beard Cooking School. He continued to teach cooking to men and women for the next thirty years, both at his own schools (in New York City and Seaside, Oregon), and around the country at women's clubs, other cooking schools, and civic groups. He was a tireless traveler, bringing his message of good food, honestly prepared with fresh, wholesome, American ingredients, to a country just becoming aware of its own culinary heritage."
Beard brought French cooking to the American middle and upper classes during the 1950s, appearing on TV as a cooking personality. David Kamp (who discusses Beard at length in his book, "The United States of Arugula") noted that Beard's was the first cooking show on TV. He compares Dione Lucas' cooking show and school with Beard's, noting that their prominence during the 1950s marked the emergence of a sophisticated, New York-based, nationally and internationally known food culture. Kamp wrote, "It was in this decade [the 1950s] that Beard made his name as "James Beard", the brand name, the face and belly of American gastronomy." He noted that Beard met Alice B. Toklas on a trip to Paris, indicative of the network of fellow food celebrities who would follow him during his life and carry on his legacy after his death.
Beard made endorsement deals to promote products that he might not have otherwise used or suggested in his own cuisine, including Omaha Steaks, French's Mustard, Green Giant Corn Niblets, Old Crow bourbon, Planters Peanuts, Shasta soft drinks, DuPont chemicals, and Adolph's Meat Tenderizer. According to Kamp, Beard later felt himself a "gastronomic whore" for doing so. Although he felt that mass-produced food that was neither fresh, local nor seasonal was a betrayal of his gastronomic beliefs, he needed the money for his cooking schools. According to Thomas McNamee, "Beard, a man of stupendous appetites—for food, sex, money, you name it—stunned his subtler colleagues." In 1981, Beard and friend Gael Greene founded Citymeals-on-Wheels, which continues to help feed the homebound elderly in New York City.
Julia Child summed up Beard's personal life:
Beard was the quintessential American cook. Well-educated and well-traveled during his eighty-two years, he was familiar with many cuisines but he remained fundamentally American. He was a big man, over six feet tall, with a big belly, and huge hands. An endearing and always lively teacher, he loved people, loved his work, loved gossip, loved to eat, loved a good time.
Beard was gay. According to Beard's memoir, "By the time I was seven, I knew that I was gay. I think it's time to talk about that now." Beard came out in 1981, in "Delights and Prejudices", a revised version of his memoir. Of Beard’s “most significant romantic attachments” was his “lifetime companion” of thirty years, Gino Cofacci, who was given an apartment in Beard’s townhouse in the will and died in 1989, and Beard’s former cooking school assistant Carl Jerome. John Birdsall, a food writer who won two James Beard Awards, ties Beard’s sexuality to his food aesthetics, and said in 2016 it’s only recently that people are accepting the connection.
Beard's also had an admission of having "until I was about forty-five, I guess I had a really violent temper." Mark Bittman described him in a manner similar to Child's description: In a time when serious cooking meant French Cooking, Beard was quintessentially American, a Westerner whose mother ran a boardinghouse, a man who grew up with hotcakes and salmon and meatloaf in his blood. A man who was born a hundred years ago on the other side of the country, in a city, Portland, that at the time was every bit as cosmopolitan as, say, Allegheny, Pennsylvania.
James Beard died of heart failure on January 21, 1985 at his home in New York City at age 81. He was cremated and his ashes scattered over the beach in Gearhart, Oregon, where he spent summers as a child.
In 1995, "Love and Kisses and a Halo of Truffles: Letters from Helen Evans Brown" was published. It contained excerpts from Beard's bi-weekly correspondence from 1952 to 1964 with friend and fellow chef Helen Evans Brown. The book gave insight to their relationship as well as the way that they developed ideas for recipes, projects and food.
After Beard's death in 1985, Julia Child wanted to preserve his home in New York City as the gathering place that it had been during his life. Peter Kump, a former student of Beard's and the founder of the Institute of Culinary Education (formerly Peter Kump's New York Cooking School), spearheaded efforts to purchase the house and create the James Beard Foundation.
Beard's renovated brownstone at 167 West 12th Street in Greenwich Village, is North America's only historic culinary center. It is preserved as a gathering place where the press and general public could appreciate the talents of emerging and established chefs.
In 1986, the James Beard Foundation was established in Beard's honor to provide scholarships to aspiring food professionals and champion the American culinary tradition which Beard helped create. "Since its inception in 1991, the James Beard Foundation Scholarship Program has awarded over $4.6 million in financial aid to a variety of students—from recent high school graduates, to working culinary professionals, to career changers. Recipients come from many countries, and enhance their knowledge at schools around the world."
The annual James Beard Foundation Awards celebrate fine cuisine around Beard's birthday. Held on the first Monday in May, the awards ceremony honors American chefs, restaurants, journalists, cookbook authors, restaurant designers and electronic-media professionals. It culminates in a reception featuring tastings of signature dishes of more than 30 of the foundation's chefs. A quarterly magazine, "Beard House", is a compendium of culinary journalism. The foundation also publishes the "James Beard Foundation Restaurant Directory", a directory of all chefs who have presented a meal at the Beard House or participated in one of the foundation's outside fundraising events.
The foundation was affected by scandals; in 2004 its head, Leonard Pickell, resigned and was imprisoned for grand larceny and in 2005 the board of trustees resigned. During this period, chef and writer Anthony Bourdain called the foundation "a kind of benevolent shakedown operation." A new board of trustees has instituted an ethics policy and chosen a president, Susan Ungaro, to prevent future problems.
The James Beard Papers are housed in the Fales Library at New York University.
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Jerome K. Jerome
Jerome Klapka Jerome (2 May 1859 – 14 June 1927) was an English writer and humourist, best known for the comic travelogue "Three Men in a Boat" (1889).
Other works include the essay collections "Idle Thoughts of an Idle Fellow" (1886) and "Second Thoughts of an Idle Fellow"; "Three Men on the Bummel", a sequel to "Three Men in a Boat", and several other novels.
Jerome was born in Caldmore, Walsall, England. He was the fourth child of Marguerite Jones and Jerome Clapp (who later renamed himself Jerome Clapp Jerome), an ironmonger and lay preacher who dabbled in architecture. He had two sisters, Paulina and Blandina, and one brother, Milton, who died at an early age. Jerome was registered as Jerome Clapp Jerome, like his father's amended name, and the Klapka appears to be a later variation (after the exiled Hungarian general György Klapka). The family fell into poverty owing to bad investments in the local mining industry, and debt collectors visited often, an experience that Jerome described vividly in his autobiography "My Life and Times" (1926).
The young Jerome attended St Marylebone Grammar School. He wished to go into politics or be a man of letters, but the death of his father when Jerome was 13 and of his mother when he was 15 forced him to quit his studies and find work to support himself. He was employed at the London and North Western Railway, initially collecting coal that fell along the railway, and he remained there for four years.
Jerome was inspired by his older sister Blandina's love for the theatre, and he decided to try his hand at acting in 1877, under the stage name Harold Crichton. He joined a repertory troupe that produced plays on a shoestring budget, often drawing on the actors' own meagre resources – Jerome was penniless at the time – to purchase costumes and props. After three years on the road with no evident success, the 21-year-old Jerome decided that he had enough of stage life and sought other occupations. He tried to become a journalist, writing essays, satires, and short stories, but most of these were rejected. Over the next few years, he was a school teacher, a packer, and a solicitor's clerk. Finally, in 1885, he had some success with "On the Stage – and Off" (1885), a comic memoir of his experiences with the acting troupe, followed by "Idle Thoughts of an Idle Fellow" (1886), a collection of humorous essays which had previously appeared in the newly founded magazine, "Home Chimes", the same magazine that would later serialise "Three Men in a Boat".
On 21 June 1888, Jerome married Georgina Elizabeth Henrietta Stanley Marris ("Ettie"), nine days after she divorced her first husband. She had a daughter from her previous, five-year marriage nicknamed Elsie (her actual name was also Georgina). The honeymoon took place on the Thames "in a little boat," a fact that was to have a significant influence on his next and most important work, "Three Men in a Boat".
Jerome sat down to write "Three Men in a Boat" as soon as the couple returned from their honeymoon. In the novel, his wife was replaced by his longtime friends George Wingrave (George) and Carl Hentschel (Harris). This allowed him to create comic (and non-sentimental) situations which were nonetheless intertwined with the history of the Thames region. The book, published in 1889, became an instant success and has never been out of print. Its popularity was such that the number of registered Thames boats went up fifty percent in the year following its publication, and it contributed significantly to the Thames becoming a tourist attraction. In its first twenty years alone, the book sold over a million copies worldwide. It has been adapted to films, TV and radio shows, stage plays, and a musical. Its writing style influenced many humourists and satirists in England and elsewhere.
With the financial security that the sales of the book provided, Jerome was able to dedicate all of his time to writing. He wrote a number of plays, essays, and novels, but was never able to recapture the success of "Three Men in a Boat". In 1892, he was chosen by Robert Barr to edit "The Idler" (over Rudyard Kipling). The magazine was an illustrated satirical monthly catering to gentlemen (who, following the theme of the publication, appreciated idleness). In 1893, he founded "To-Day", but had to withdraw from both publications because of financial difficulties and a libel suit.
Jerome's play "Biarritz" had a run of two months at the Prince of Wales Theatre between April and June 1896.
In 1898, a short stay in Germany inspired "Three Men on the Bummel", the sequel to "Three Men in a Boat", reintroducing the same characters in the setting of a foreign bicycle tour. The book was nonetheless unable to capture the life-force and historic roots of its predecessor, and it enjoyed only a mild success. In 1902, he published the novel "Paul Kelver", which is widely regarded as autobiographical. His 1908 play "The Passing of the Third Floor Back" introduced a more sombre and religious Jerome. The main character was played by one of the leading actors of the time, Johnston Forbes-Robertson, and the play was a tremendous commercial success. It was twice made into film, in 1918 and in 1935.
However, the play was condemned by critics – Max Beerbohm described it as "vilely stupid" and as written by a "tenth-rate writer".
Jerome volunteered to serve his country at the outbreak of the war, but, being 56 years old, was rejected by the British Army. Eager to serve in some capacity, he volunteered as an ambulance driver for the French Army.
In 1926, Jerome published his autobiography, "My Life and Times". Shortly afterwards, the Borough of Walsall conferred on him the title Freeman of the Borough. During these last years, Jerome spent more time at his farmhouse Gould's Grove southeast of Ewelme near Wallingford.
Jerome suffered a paralytic stroke and a cerebral haemorrhage in June 1927, on a motoring tour from Devon to London via Cheltenham and Northampton. He lay in Northampton General Hospital for two weeks before dying on 14 June. He was cremated at Golders Green and his ashes buried at St Mary's Church, Ewelme, Oxfordshire. Elsie, Ettie, and his sister Blandina are buried beside him. His gravestone reads "For we are labourers together with God". A small museum dedicated to his life and works was opened in 1984 at his birth home in Walsall, but it closed in 2008, and the contents were returned to Walsall Museum.
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https://en.wikipedia.org/wiki?curid=16449
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Takamine Jōkichi
Takamine was born in Takaoka, Toyama Prefecture, in November 1854. His father was a doctor; his mother a member of a family of "sake" brewers. He spent his childhood in Kanazawa, capital of present-day Ishikawa Prefecture in central Honshū, and was educated in Osaka, Kyoto, and Tokyo, graduating from the Tokyo Imperial University in 1879. He did postgraduate work at University of Glasgow and Anderson College in Scotland. He returned to Japan in 1883 and joined the division of chemistry at the newly established Department of Agriculture and Commerce. He learned English as a child from a Dutch family in Nagasaki and so always spoke English with a Dutch accent.
While in the US, Takamine was married to Caroline Field Hitch.
Takamine continued to work for the department of agriculture and commerce until 1887. He then founded the Tokyo Artificial Fertilizer Company, where he later isolated the enzyme takadiastase, an enzyme that catalyzes the breakdown of starch. Takamine developed his diastase from "koji," a fungus used in the manufacture of soy sauce and "miso". Its Latin name is "Aspergillus oryzae", and it is a "designated national fungus" ("kokkin") in Japan.
In 1899, Takamine was awarded an honorary Doctorate in Engineering by what is now the University of Tokyo.
Takamine went as co-commissioner of the Cotton Exposition to New Orleans in 1884, where he met Lafcadio Hearn and Caroline Hitch, his future wife. He later emigrated to the United States and established his own research laboratory in New York City but licensed the exclusive production rights for Takadiastase to one of the largest US pharmaceutical companies, Parke-Davis. This turned out to be a shrewd move - he became a millionaire in a relatively short time and by the early 20th century was estimated to be worth $30 million.
In 1901 he isolated and purified the hormone adrenaline (the first effective bronchodilator for asthma) from animal glands, becoming the first to accomplish this for a glandular hormone. In 1894, Takamine applied for, and was granted, a patent titled "Process of Making Diastatic Enzyme" ()—the first patent on a microbial enzyme in the United States.
In 1905 he founded the Nippon Club, which was for many years located at 161 West 93rd Street in Manhattan.
Many of the beautiful cherry blossom trees in the West Potomac Park surrounding the Tidal Basin in Washington, DC were donated by the mayor of Tokyo (Yukio Ozaki) and Jokichi Takamine in 1912.
The 1915 photo to the right presents Jōkichi Takamine as the host for a banquet honoring the visiting Japanese diplomat Baron Eiichi Shibusawa. This illustration is linked to Jōkichi Takamine's involvement in the gifting of the cherry blossom trees to Washington, D.C. in 1912, which has evolved into the National Cherry Blossom Festival which is celebrated yearly.
In 1904, the Emperor Meiji of Japan honored Takamine with an unusual gift. In the context of the St. Louis World Fair (Louisiana Purchase Exposition), the Japanese government had replicated a historical Japanese structure, the "Pine and Maple Palace" ("Shofu-den"), modelled after the Kyoto Imperial Coronation Palace of 1,300 years ago. This structure was given to Dr. Takamine in grateful recognition of his efforts to further friendly relations between Japan and the United States. He had the structure transported in sections from Missouri to his summer home in upstate New York, seventy-five miles north of New York City. In 1909, the structure served as a guest house for Prince Kuni Kuniyoshi and Princess Kuni of Japan, who were visiting the area. Although the property was sold in 1922, the reconstructed structure remained in its serene setting. In 2008, it still continues to be one of the undervalued tourist attractions of New York's Sullivan County.
The Takamine home in Kanazawa can still be seen today. It was relocated to near the grounds of Kanazawa Castle in 2001.
Two films about the life of Takamine have been made. In the 2010 film "" directed by , Takamine was portrayed by Masaya Kato. A sequel titled "Takamine", also directed by Ichikawa and starring Hatsunori Hasegawa, was released in 2011.
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https://en.wikipedia.org/wiki?curid=16450
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Jacob Neusner
Jacob Neusner (July 28, 1932 – October 8, 2016) was an American academic scholar of Judaism. He was named as one of the most published authors in history, having written or edited more than 900 books.
Neusner was born in Hartford, Connecticut to Reform Jewish parents. He graduated from William H. Hall High School in West Hartford. He then attended Harvard University, where he met Harry Austryn Wolfson and first encountered Jewish religious texts. After graduating from Harvard in 1953, Neusner spent a year at the University of Oxford.
Neusner then attended the Jewish Theological Seminary of America, where he was ordained as a Conservative Jewish rabbi. After spending a year at Hebrew University of Jerusalem, he returned to the Jewish Theological Seminary and studied the Talmud under Saul Lieberman, who would later write a famous, and highly negative, critique of Neusner's translation of the Jerusalem Talmud. He graduated in 1960 with a master's degree. Later that year, he received a doctorate in religion from Columbia University.
Afterward, he briefly taught at Dartmouth College. Neusner also held positions at University of Wisconsin–Milwaukee, Brandeis University, Brown University, and the University of South Florida.
In 1994, Neusner began teaching at Bard College, working there until 2014. After leaving Bard College, he founded the Institute for Advanced Theology with Bruce Chilton.
He was a life member of Clare Hall, Cambridge University. He was the only scholar to have served on both the National Endowment for the Humanities and the National Endowment for the Arts.
Neusner's research centered on rabbinic Judaism of the Mishnaic and Talmudic eras. His work focused on bringing the study of rabbinical text into nonreligious educational institutions and treating them as non-religious documents.
He was a pioneer in the application of "form criticism" approach to Rabbinic texts. Much of Neusner's work focused on deconstructing the prevailing approach that viewed Rabbinic Judaism as a single religious movement within which the various Rabbinic texts were produced. In contrast, Neusner viewed each rabbinic document as an individual piece of evidence that can only shed light on the more local Judaisms of such specific document's place of origin and the specific Judaism of the author. His 1981 book "Judaism: The Evidence of the Mishnah" is the classic statement of his work and the first of many comparable volumes on the other documents of the rabbinic canon.
Neusner's five-volume "History of the Jews in Babylonia", published between 1965-1969, is said to be the first to consider the Babylonian Talmud in its Iranian context. Neusner studied Farsi and Middle Persian to do so.
Neusner's method of studying documents individually without contextualizing them with other Rabbinic documents of the same era or genre led to a series of studies on the way Judaism creates categories of understanding, and how those categories relate to one another, even as they emerge diversely in discrete rabbinic documents.
Neusner, with his contemporaries, translated into English nearly the entire Rabbinic canon. This work has opened up many Rabbinic documents to scholars of other fields unfamiliar with Hebrew and Aramaic, within the academic study of religion, as well as in ancient history, culture and Near and Middle Eastern Studies. His translation technique utilized a "Harvard-outline" format which attempts to make the argument flow of Rabbinic texts easier to understand for those unfamiliar with Talmudic reasoning.
Neusner's enterprise was aimed at a humanistic and academic reading of classics of Judaism. Neusner was drawn from studying text to context. Treating a religion in its social setting, as something a group of people do together, rather than as a set of beliefs and opinions.
In addition to his historical and textual works, Neusner also contributed to the area of Theology. He was the author of ""Israel:" Judaism and its Social Metaphors" and "The Incarnation of God: The Character of Divinity in Formative Judaism".
In addition to his scholarly activities, Neusner was involved in Jewish Studies and Religious Studies. Neusner saw Judaism as "not particular but exemplary, and Jews not as special but (merely) interesting."
Neusner wrote a number of works exploring the relationship of Judaism to other religions. His "A Rabbi Talks with Jesus" attempts to establish a religiously sound framework for Judaic-Christian interchange. It earned the praise of Pope Benedict XVI and the nickname "The Pope's Favorite Rabbi". In his book "Jesus of Nazareth," Benedict referred to it as "by far the most important book for the Jewish-Christian dialogue in the last decade."
Neusner also collaborated with other scholars to produce comparisons of Judaism and Christianity, as in "The Bible and Us: A Priest and A Rabbi Read Scripture Together". He collaborated with scholars of Islam, conceiving "World Religions in America: An Introduction", which explores how diverse religions have developed in the distinctive American context.
Neusner composed numerous textbooks and general trade books on Judaism. The two best-known examples are "The Way of Torah: An Introduction to Judaism" (Belmont 2003); and "Judaism: An Introduction".
Throughout his career, Neusner established publication programs and series with various academic publishers. Through these series, through reference works that he conceived and edited, and through the conferences he sponsored, Neusner advanced the careers of dozens of younger scholars from across the globe.
Neusner called himself a Zionist, but also said "Israel’s flag is not mine. My homeland is America." He was culturally conservative, and opposed feminism and affirmative action.
Neusner was a signer of the conservative Christian Cornwall Declaration on Environmental Stewardship, which expresses concern over the "unfounded or undue concerns" of environmentalists such as "fears of destructive manmade global warming, overpopulation, and rampant species loss".
Although he was highly influential, Neusner was criticized by scholars in his field of study.
Some were critical of his methodology, and asserted that many of his arguments were circular or attempts to prove "negative assumptions" from a lack of evidence, while others concentrated on Neusner's reading and interpretations of Rabbinic texts, finding that his account was forced and inaccurate.
Neusner's view that the Second Commonwealth Pharisees were a sectarian group centered on "table fellowship" and ritual food purity practices, and his lack of interest in wider Jewish values or social issues, has been criticized by E. P. Sanders, Solomon Zeitlin and Hyam Maccoby.
Some scholars questioned Neusner's grasp of Rabbinic Hebrew and Aramaic. The most famous and biting criticism came from Neusner's former teacher, Saul Lieberman, about Neusner's translation of the Jerusalem Talmud. Lieberman wrote: "...one begins to doubt the credibility of the translator [Neusner]. And indeed after a superficial perusal of the translation, the reader is stunned by the translator's ignorance of rabbinic Hebrew, of Aramaic grammar, and above all of the subject matter with which he deals." Ending his review, Lieberman states "I conclude with a clear conscience: The right place for [Neusner's] English translation is the waste basket" while at the same time qualifying that "[i]n fairness to the translator I must add that his various essays on Jewish topics are meritorious. They abound in brilliant insights and intelligent questions." Lieberman highlights his criticism as being of Neusner's "ignorance of the original languages," which Lieberman claims even Neusner was originally "well aware of" inasmuch as he had previously relied on responsible English renderings of rabbinic sources, e.g., Soncino Press, before later choosing to create his own renderings of rabbinic texts.
Neusner died on October 8, 2016 at the age of 84.
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https://en.wikipedia.org/wiki?curid=16452
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John Keats
John Keats (; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley, despite his works having been in publication for only four years before his death from tuberculosis at the age of 25.
Although his poems were not generally well received by critics during his lifetime, his reputation grew after his death, and by the end of the 19th century, he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats' work was a great experience that he felt all of his life.
The poetry of Keats is characterised by a style "... heavily loaded with sensualities", most notably in the series of odes. This is typical of the Romantic poets, as they aimed to accentuate extreme emotion through an emphasis on natural imagery. Today his poems and letters are some of the most popular and most analysed in English literature. Some of his most acclaimed works are "Ode to a Nightingale", "Sleep and Poetry", and the famous sonnet "On First Looking into Chapman's Homer".
John Keats was born in Moorgate, London, on 31 October 1795 to Thomas Keats and his wife, Frances Jennings. There is little evidence of his exact birthplace. Although Keats and his family seem to have marked his birthday on 29 October, baptism records give the date as the 31st. He was the eldest of four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez. Another son was lost in infancy. His father first worked as a hostler at the stables attached to the Swan and Hoop Inn, an establishment he later managed, and where the growing family lived for some years. Keats believed that he was born at the inn, a birthplace of humble origins, but there is no evidence to support his belief. The Globe pub now occupies the site (2012), a few yards from the modern-day Moorgate station. He was baptised at St Botolph-without-Bishopsgate, and sent to a local dame school as a child.
His parents were unable to afford Eton or Harrow, so in the summer of 1803, he was sent to board at John Clarke's school in Enfield, close to his grandparents' house. The small school had a liberal outlook and a progressive curriculum more modern than the larger, more prestigious schools. In the family atmosphere at Clarke's, Keats developed an interest in classics and history, which would stay with him throughout his short life. The headmaster's son, Charles Cowden Clarke, also became an important mentor and friend, introducing Keats to Renaissance literature, including Tasso, Spenser, and Chapman's translations. The young Keats was described by his friend Edward Holmes as a volatile character, "always in extremes", given to indolence and fighting. However, at 13 he began focusing his energy on reading and study, winning his first academic prize in midsummer 1809.
In April 1804, when Keats was eight, his father died from a skull fracture, suffered when he fell from his horse while returning from a visit to Keats and his brother George at school. Thomas Keats died intestate. Frances remarried two months later, but left her new husband soon afterwards, and the four children went to live with their grandmother, Alice Jennings, in the village of Edmonton.
In March 1810, when Keats was 14, his mother died of tuberculosis, leaving the children in the custody of their grandmother. She appointed two guardians, Richard Abbey and John Sandell, to take care of them. That autumn, Keats left Clarke's school to apprentice with Thomas Hammond, a surgeon and apothecary who was a neighbour and the doctor of the Jennings family. Keats lodged in the attic above the surgery at 7 Church Street until 1813. Cowden Clarke, who remained a close friend of Keats, described this period as "the most placid time in Keats' life."
From 1814, Keats had two bequests, held in trust for him until his 21st birthday: £800 willed by his grandfather John Jennings (about £50,000 in today's money) and a portion of his mother's legacy, £8000 (about £500,000 today), to be equally divided between her living children. It seems he was not told of either, since he never applied for any of the money. Historically, blame has often been laid on Abbey as legal guardian, but he may also have been unaware. William Walton, solicitor for Keats' mother and grandmother, definitely did know and had a duty of care to relay the information to Keats. It seems he did not. The money would have made a critical difference to the poet's expectations. Money was always a great concern and difficulty for him, as he struggled to stay out of debt and make his way in the world independently.
Having finished his apprenticeship with Hammond, Keats registered as a medical student at Guy's Hospital (now part of King's College London) and began studying there in October 1815. Within a month of starting, he was accepted as a dresser at the hospital, assisting surgeons during operations, the equivalent of a junior house surgeon today. It was a significant promotion, that marked a distinct aptitude for medicine; it brought greater responsibility and a heavier workload. Keats' long and expensive medical training with Hammond and at Guy's Hospital led his family to assume he would pursue a lifelong career in medicine, assuring financial security, and it seems that at this point Keats had a genuine desire to become a doctor. He lodged near the hospital, at 28 St Thomas's Street in Southwark, with other medical students, including Henry Stephens who became a famous inventor and ink magnate.
However, Keats' training took up increasing amounts of his writing time, and he was increasingly ambivalent about his medical career. He felt that he faced a stark choice. He had written his first extant poem, "An Imitation of Spenser," in 1814, when he was 19. Now, strongly drawn by ambition, inspired by fellow poets such as Leigh Hunt and Lord Byron, and beleaguered by family financial crises, he suffered periods of depression. His brother George wrote that John "feared that he should never be a poet, & if he was not he would destroy himself". In 1816, Keats received his apothecary's licence, which made him eligible to practise as an apothecary, physician, and surgeon, but before the end of the year he announced to his guardian that he was resolved to be a poet, not a surgeon.
Although he continued his work and training at Guy's, Keats devoted more and more time to the study of literature, experimenting with verse forms, particularly the sonnet. In May 1816, Leigh Hunt agreed to publish the sonnet "O Solitude" in his magazine, "The Examiner", a leading liberal magazine of the day. It was the first appearance in print of Keats' poetry, and Charles Cowden Clarke described it as his friend's red letter day, the first proof that Keats' ambitions were valid. Among his poems of 1816 was "To My Brothers". In the summer of that year, Keats went with Clarke to the seaside town of Margate to write. There he began "Calidore" and initiated the era of his great letter writing. On his return to London, he took lodgings at 8 Dean Street, Southwark, and braced himself for further study in order to become a member of the Royal College of Surgeons.
In October 1816, Clarke introduced Keats to the influential Leigh Hunt, a close friend of Byron and Shelley. Five months later came the publication of "Poems", the first volume of Keats' verse, which included "I stood tiptoe" and "Sleep and Poetry," both strongly influenced by Hunt. The book was a critical failure, arousing little interest, although Reynolds reviewed it favourably in "The Champion". Clarke commented that the book "might have emerged in Timbuctoo." Keats' publishers, Charles and James Ollier, felt ashamed of the book. Keats immediately changed publishers to Taylor and Hessey on Fleet Street. Unlike the Olliers, Keats' new publishers were enthusiastic about his work. Within a month of the publication of "Poems" they were planning a new Keats volume and had paid him an advance. Hessey became a steady friend to Keats and made the company's rooms available for young writers to meet. Their publishing lists eventually included Coleridge, Hazlitt, Clare, Hogg, Carlyle and Lamb.
Through Taylor and Hessey, Keats met their Eton-educated lawyer, Richard Woodhouse, who advised them on literary as well as legal matters and was deeply impressed by "Poems". Although he noted that Keats could be "wayward, trembling, easily daunted," Woodhouse was convinced of Keats' genius, a poet to support as he became one of England's greatest writers. Soon after they met, the two became close friends, and Woodhouse started to collect Keatsiana, documenting as much as he could about Keats' poetry. This archive survives as one of the main sources of information on Keats' work. Andrew Motion represents him as Boswell to Keats' Johnson, ceaselessly promoting the writer's work, fighting his corner, and spurring his poetry to greater heights. In later years, Woodhouse was one of the few people to accompany Keats to Gravesend to embark on his final trip to Rome.
In spite of the bad reviews of "Poems", Hunt published the essay "Three Young Poets" (Shelley, Keats, and Reynolds) and the sonnet "On First Looking into Chapman's Homer," foreseeing great things to come. He introduced Keats to many prominent men in his circle, including the editor of "The Times", Thomas Barnes; the writer Charles Lamb; the conductor Vincent Novello; and the poet John Hamilton Reynolds, who would become a close friend. He was also regularly meeting William Hazlitt, a powerful literary figure of the day. It was a decisive turning point for Keats, establishing him in the public eye as a figure in what Hunt termed "a new school of poetry." At this time Keats wrote to his friend Bailey: "I am certain of nothing but the holiness of the Heart's affections and the truth of the imagination. What imagination seizes as Beauty must be truth." This passage would eventually be transmuted into the concluding lines of "Ode on a Grecian Urn": Beauty is truth, truth beauty' – that is all / Ye know on earth, and all ye need to know". In early December 1816, under the heady influence of his artistic friends, Keats told Abbey that he had decided to give up medicine in favour of poetry, to Abbey's fury. Keats had spent a great deal on his medical training and, despite his state of financial hardship and indebtedness, had made large loans to friends such as painter Benjamin Haydon. Keats would go on to lend £700 to his brother George. By lending so much, Keats could no longer cover the interest of his own debts.
Having left his training at the hospital, suffering from a succession of colds, and unhappy with living in damp rooms in London, Keats moved with his brothers into rooms at 1 Well Walk in the village of Hampstead in April 1817. Both John and George nursed their brother Tom, who was suffering from tuberculosis. The house was close to Hunt and others from his circle in Hampstead, as well as to Coleridge, respected elder of the first wave of Romantic poets, at that time living in Highgate. On 11 April 1818, Keats reported that he and Coleridge had a long walk together on Hampstead Heath. In a letter to his brother George, Keats wrote that they talked about "a thousand things... nightingales, poetry, poetical sensation, metaphysics." Around this time he was introduced to Charles Wentworth Dilke and James Rice.
In June 1818, Keats began a walking tour of Scotland, Ireland, and the Lake District with his friend Charles Armitage Brown. Keats' brother George and his wife Georgina accompanied them as far as Lancaster and then continued to Liverpool, from where the couple emigrated to America. They lived in Ohio and Louisville, Kentucky, until 1841, when George's investments failed. Like Keats' other brother, they both died penniless and racked by tuberculosis, for which there was no effective treatment until the next century. In July, while on the Isle of Mull, Keats caught a bad cold and "was too thin and fevered to proceed on the journey." After his return south in August, Keats continued to nurse Tom, exposing himself to infection. Some biographers suggest that this is when tuberculosis, his "family disease," first took hold. "Consumption" was not identified as a disease with a single infectious origin until 1820, and there was considerable stigma attached to the condition, as it was often associated with weakness, repressed sexual passion, or masturbation. Keats "refuses to give it a name" in his letters. Tom Keats died on 1 December 1818.
John Keats moved to the newly built Wentworth Place, owned by his friend Charles Armitage Brown. It was on the edge of Hampstead Heath, ten minutes' walk south of his old home in Well Walk. The winter of 1818–19, though a difficult period for the poet, marked the beginning of his "annus mirabilis" in which he wrote his most mature work. He had been inspired by a series of recent lectures by Hazlitt on English poets and poetic identity and had also met Wordsworth. Keats may have seemed to his friends to be living on comfortable means, but in reality he was borrowing regularly from Abbey and his friends.
He composed five of his six great odes at Wentworth Place in April and May and, although it is debated in which order they were written, "Ode to Psyche" opened the published series. According to Brown, "Ode to a Nightingale" was composed under a plum tree in the garden. Brown wrote, "In the spring of 1819 a nightingale had built her nest near my house. Keats felt a tranquil and continual joy in her song; and one morning he took his chair from the breakfast-table to the grass-plot under a plum-tree, where he sat for two or three hours. When he came into the house, I perceived he had some scraps of paper in his hand, and these he was quietly thrusting behind the books. On inquiry, I found those scraps, four or five in number, contained his poetic feelings on the song of our nightingale." Dilke, co-owner of the house, strenuously denied the story, printed in Richard Monckton Milnes' 1848 biography of Keats, dismissing it as 'pure delusion'.
"Ode on a Grecian Urn" and "Ode on Melancholy" were inspired by sonnet forms and probably written after "Ode to a Nightingale". Keats' new and progressive publishers Taylor and Hessey issued "Endymion", which Keats dedicated to Thomas Chatterton, a work that he termed "a trial of my Powers of Imagination". It was damned by the critics, giving rise to Byron's quip that Keats was ultimately "snuffed out by an article", suggesting that he never truly got over it. A particularly harsh review by John Wilson Croker appeared in the April 1818 edition of "The Quarterly Review". John Gibson Lockhart writing in "Blackwood's Magazine", described "Endymion" as "imperturbable drivelling idiocy". With biting sarcasm, Lockhart advised, "It is a better and a wiser thing to be a starved apothecary than a starved poet; so back to the shop Mr John, back to plasters, pills, and ointment boxes". It was Lockhart at "Blackwoods" who coined the defamatory term "the Cockney School" for Hunt and his circle, which included both Hazlitt and Keats. The dismissal was as much political as literary, aimed at upstart young writers deemed uncouth for their lack of education, non-formal rhyming and "low diction". They had not attended Eton, Harrow or Oxbridge and they were not from the upper classes.
In 1819, Keats wrote "The Eve of St. Agnes", "La Belle Dame sans Merci", "Hyperion", "Lamia" and a play, "Otho the Great" (critically damned and not performed until 1950). The poems "Fancy" and "Bards of passion and of mirth" were inspired by the garden of Wentworth Place. In September, very short of money and in despair considering taking up journalism or a post as a ship's surgeon, he approached his publishers with a new book of poems. They were unimpressed with the collection, finding the presented versions of "Lamia" confusing, and describing "St Agnes" as having a "sense of pettish disgust" and "a 'Don Juan' style of mingling up sentiment and sneering" concluding it was "a poem unfit for ladies". The final volume Keats lived to see, "Lamia, Isabella, The Eve of St. Agnes, and Other Poems", was eventually published in July 1820. It received greater acclaim than had "Endymion" or "Poems", finding favourable notices in both "The Examiner" and "Edinburgh Review". It would come to be recognised as one of the most important poetic works ever published.
Wentworth Place now houses the Keats House museum.
Keats befriended Isabella Jones in May 1817, while on holiday in the village of Bo Peep, near Hastings. She is described as beautiful, talented and widely read, not of the top flight of society yet financially secure, an enigmatic figure who would become a part of Keats' circle. Throughout their friendship Keats never hesitates to own his sexual attraction to her, although they seem to enjoy circling each other rather than offering commitment. He writes that he "frequented her rooms" in the winter of 1818–19, and in his letters to George says that he "warmed with her" and "kissed her". The trysts may have been a sexual initiation for Keats according to Bate and Gittings. Jones inspired and was a steward of Keats' writing. The themes of "The Eve of St. Agnes" and "The Eve of St Mark" may well have been suggested by her, the lyric "Hush, Hush!" ["o sweet Isabel"] was about her, and that the first version of "Bright Star" may have originally been for her. In 1821, Jones was one of the first in England to be notified of Keats' death.
Letters and drafts of poems suggest that Keats first met Frances (Fanny) Brawne between September and November 1818. It is likely that the 18-year-old Brawne visited the Dilke family at Wentworth Place before she lived there. She was born in the hamlet of West End (now in the district of West Hampstead), on 9 August 1800. Like Keats' grandfather, her grandfather kept a London inn, and both lost several family members to tuberculosis. She shared her first name with both Keats' sister and mother, and had a talent for dress-making and languages as well as a natural theatrical bent. During November 1818 she developed an intimacy with Keats, but it was shadowed by the illness of Tom Keats, whom John was nursing through this period.
On 3 April 1819, Brawne and her widowed mother moved into the other half of Dilke's Wentworth Place, and Keats and Brawne were able to see each other every day. Keats began to lend Brawne books, such as Dante's "Inferno", and they would read together. He gave her the love sonnet "Bright Star" (perhaps revised for her) as a declaration. It was a work in progress which he continued at until the last months of his life, and the poem came to be associated with their relationship. "All his desires were concentrated on Fanny". From this point there is no further documented mention of Isabella Jones. Sometime before the end of June, he arrived at some sort of understanding with Brawne, far from a formal engagement as he still had too little to offer, with no prospects and financial stricture. Keats endured great conflict knowing his expectations as a struggling poet in increasingly hard straits would preclude marriage to Brawne. Their love remained unconsummated; jealousy for his 'star' began to gnaw at him. Darkness, disease and depression surrounded him, reflected in poems such as "The Eve of St. Agnes" and "La Belle Dame sans Merci" where love and death both stalk. "I have two luxuries to brood over in my walks;" he wrote to her, "...your loveliness, and the hour of my death".
In one of his many hundreds of notes and letters, Keats wrote to Brawne on 13 October 1819: "My love has made me selfish. I cannot exist without you – I am forgetful of every thing but seeing you again – my Life seems to stop there – I see no further. You have absorb'd me. I have a sensation at the present moment as though I was dissolving – I should be exquisitely miserable without the hope of soon seeing you ... I have been astonished that Men could die Martyrs for religion – I have shudder'd at it – I shudder no more – I could be martyr'd for my Religion – Love is my religion – I could die for that – I could die for you."
Tuberculosis took hold and he was advised by his doctors to move to a warmer climate. In September 1820 Keats left for Rome knowing he would probably never see Brawne again. After leaving he felt unable to write to her or read her letters, although he did correspond with her mother. He died there five months later. None of Brawne's letters to Keats survive.
It took a month for the news of his death to reach London, after which Brawne stayed in mourning for six years. In 1833, more than 12 years after his death, she married and went on to have three children; she outlived Keats by more than 40 years.
During 1820 Keats displayed increasingly serious symptoms of tuberculosis, suffering two lung haemorrhages in the first few days of February. On first coughing up blood, on 3 February 1820, he said to Charles Armitage Brown, "I know the colour of that blood! It is arterial blood. I cannot be deceived in that colour. That drop of blood is my death warrant. I must die."
He lost large amounts of blood and was bled further by the attending physician. Hunt nursed him in London for much of the following summer. At the suggestion of his doctors, he agreed to move to Italy with his friend Joseph Severn. On 13 September, they left for Gravesend and four days later boarded the sailing brig "Maria Crowther", where he made the final revisions of "Bright Star". The journey was a minor catastrophe: storms broke out followed by a dead calm that slowed the ship's progress. When they finally docked in Naples, the ship was held in quarantine for ten days due to a suspected outbreak of cholera in Britain. Keats reached Rome on 14 November, by which time any hope of the warmer climate he sought had disappeared.
Keats wrote his last letter on 30 November 1820 to Charles Armitage Brown; "Tis the most difficult thing in the world to me to write a letter. My stomach continues so bad, that I feel it worse on opening any book – yet I am much better than I was in Quarantine. Then I am afraid to encounter the proing and conning of any thing interesting to me in England. I have an habitual feeling of my real life having past, and that I am leading a posthumous existence".
On arrival in Italy, he moved into a villa on the Spanish Steps in Rome, today the Keats–Shelley Memorial House museum. Despite care from Severn and Dr. James Clark, his health rapidly deteriorated. The medical attention Keats received may have hastened his death. In November 1820, Clark declared that the source of his illness was "mental exertion" and that the source was largely situated in his stomach. Clark eventually diagnosed consumption (tuberculosis) and placed Keats on a starvation diet of an anchovy and a piece of bread a day intended to reduce the blood flow to his stomach. He also bled the poet: a standard treatment of the day, but also likely a significant contributor to Keats' weakness. Severn's biographer Sue Brown writes: "They could have used opium in small doses, and Keats had asked Severn to buy a bottle of opium when they were setting off on their voyage. What Severn didn't realise was that Keats saw it as a possible resource if he wanted to commit suicide. He tried to get the bottle from Severn on the voyage but Severn wouldn't let him have it. Then in Rome he tried again... Severn was in such a quandary he didn't know what to do, so in the end he went to the doctor who took it away. As a result Keats went through dreadful agonies with nothing to ease the pain at all." Keats was angry with both Severn and Clark when they would not give him laudanum (opium). He repeatedly demanded "how long is this posthumous existence of mine to go on?"
The first months of 1821 marked a slow and steady decline into the final stage of tuberculosis. Keats was coughing up blood and covered in sweat. Severn nursed him devotedly and observed in a letter how Keats would sometimes cry upon waking to find himself still alive. Severn writes,
John Keats died in Rome on 23 February 1821. His body was buried in the city's Protestant Cemetery. His last request was to be placed under a tombstone bearing no name or date, only the words, "Here lies One whose Name was writ in Water." Severn and Brown erected the stone, which under a relief of a lyre with broken strings, includes the epitaph:
The text bears an echo from Catullus LXX
Severn and Brown added their lines to the stone in protest at the critical reception of Keats' work. Hunt blamed his death on the "Quarterly Review"s scathing attack of "Endymion". As Byron quipped in his narrative poem "Don Juan";
Seven weeks after the funeral, Shelley memorialised Keats in his poem "Adonais". Clark saw to the planting of daisies on the grave, saying that Keats would have wished it. For public health reasons, the Italian health authorities burned the furniture in Keats' room, scraped the walls and made new windows, doors and flooring. The ashes of Shelley, one of Keats' most fervent champions, are buried in the cemetery and Joseph Severn is buried next to Keats. Describing the site today, Marsh wrote, "In the old part of the graveyard, barely a field when Keats was buried here, there are now umbrella pines, myrtle shrubs, roses, and carpets of wild violets".
When Keats died at 25, he had been writing poetry seriously for only about six years, from 1814 until the summer of 1820; and publishing for only four. In his lifetime, sales of Keats' three volumes of poetry probably amounted to only 200 copies. His first poem, the sonnet "O Solitude", appeared in "the Examiner" in May 1816, while his collection "Lamia, Isabella, The Eve of St. Agnes and other poems" was published in July 1820 before his last visit to Rome. The compression of his poetic apprenticeship and maturity into so short a time is just one remarkable aspect of Keats' work.
Although prolific during his short career, and now one of the most studied and admired British poets, his reputation rests on a small body of work, centred on the Odes, and only in the creative outpouring of the last years of his short life was he able to express the inner intensity for which he has been lauded since his death. Keats was convinced that he had made no mark in his lifetime. Aware that he was dying, he wrote to Fanny Brawne in February 1820, "I have left no immortal work behind me – nothing to make my friends proud of my memory – but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd."
Keats' ability and talent was acknowledged by several influential contemporary allies such as Shelley and Hunt. His admirers praised him for thinking "on his pulses", for having developed a style which was more heavily loaded with sensualities, more gorgeous in its effects, more voluptuously alive than any poet who had come before him: "loading every rift with ore". Shelley often corresponded with Keats in Rome and loudly declared that Keats' death had been brought on by bad reviews in the "Quarterly Review". Seven weeks after the funeral he wrote "Adonais", a despairing elegy, stating that Keats' early death was a personal and public tragedy:
Although Keats wrote that "if poetry comes not as naturally as the Leaves to a tree it had better not come at all", poetry did not come easily to him; his work was the fruit of a deliberate and prolonged classical self-education. He may have possessed an innate poetic sensibility, but his early works were clearly those of a young man learning his craft. His first attempts at verse were often vague, languorously narcotic and lacking a clear eye. His poetic sense was based on the conventional tastes of his friend Charles Cowden Clarke, who first introduced him to the classics, and also came from the predilections of Hunt's "Examiner", which Keats read as a boy. Hunt scorned the Augustan or "French" school, dominated by Pope, and attacked the earlier Romantic poets Wordsworth and Coleridge, now in their forties, as unsophisticated, obscure and crude writers. Indeed, during Keats' few years as a published poet, the reputation of the older Romantic school was at its lowest ebb. Keats came to echo these sentiments in his work, identifying himself with a "new school" for a time, somewhat alienating him from Wordsworth, Coleridge and Byron and providing the basis from the scathing attacks from "Blackwood's" and "The Quarterly".
By the time of his death, Keats had therefore been associated with the taints of both old and new schools: the obscurity of the first-wave Romantics and the uneducated affectation of Hunt's "Cockney School". Keats' posthumous reputation mixed the reviewers' caricature of the simplistic bumbler with the image of the hyper-sensitive genius killed by high feeling, which Shelley later portrayed.
The Victorian sense of poetry as the work of indulgence and luxuriant fancy offered a schema into which Keats was posthumously fitted. Marked as the standard-bearer of sensory writing, his reputation grew steadily and remarkably. His work had the full support of the influential Cambridge Apostles, whose members included the young Tennyson, later a popular Poet Laureate who came to regard Keats as the greatest poet of the 19th century. Constance Naden was a great admirer of his poems, arguing that his genius lay in his 'exquisite sensitiveness to all the elements of beauty'. In 1848, twenty-seven years after Keats' death, Richard Monckton Milnes published the first full biography, which helped place Keats within the canon of English literature. The Pre-Raphaelite Brotherhood, including Millais and Rossetti, were inspired by Keats and painted scenes from his poems including "The Eve of St. Agnes", "Isabella" and "La Belle Dame sans Merci", lush, arresting and popular images which remain closely associated with Keats' work.
In 1882, Swinburne wrote in the "Encyclopædia Britannica" that "the Ode to a Nightingale, [is] one of the final masterpieces of human work in all time and for all ages". In the twentieth century, Keats remained the muse of poets such as Wilfred Owen, who kept his death date as a day of mourning, Yeats and T. S. Eliot. Critic Helen Vendler stated the odes "are a group of works in which the English language find ultimate embodiment". Bate declared of "To Autumn": "Each generation has found it one of the most nearly perfect poems in English" and M. R. Ridley claimed the ode "is the most serenely flawless poem in our language."
The largest collection of the letters, manuscripts, and other papers of Keats is in the Houghton Library at Harvard University. Other collections of material are archived at the British Library, Keats House, Hampstead, the Keats-Shelley Memorial House in Rome and the Pierpont Morgan Library in New York. Since 1998 the British Keats-Shelley Memorial Association have annually awarded a prize for romantic poetry. A Royal Society of Arts blue plaque was unveiled in 1896 to commemorate Keats at Keats House.
None of Keats' biographies were written by people who had known him. Shortly after his death, his publishers announced they would speedily publish "The memoirs and remains of John Keats" but his friends refused to cooperate and argued with each other to the extent that the project was abandoned. Leigh Hunt's "Lord Byron and some of his Contemporaries" (1828) gives the first biographical account, strongly emphasising Keats' supposedly humble origins, a misconception which still continues. Given that he was becoming a significant figure within artistic circles, a succession of other publications followed, including anthologies of his many notes, chapters and letters. However, early accounts often gave contradictory or heavily biased versions of events and were subject to dispute. His friends Brown, Severn, Dilke, Shelley and his guardian Richard Abbey, his publisher Taylor, Fanny Brawne and many others issued posthumous commentary on Keats' life. These early writings coloured all subsequent biography and have become embedded in a body of Keats legend.
Shelley promoted Keats as someone whose achievement could not be separated from agony, who was 'spiritualised' by his decline and too fine-tuned to endure the harshness of life; the consumptive, suffering image popularly held today. The first full biography was published in 1848 by Richard Monckton Milnes. Landmark Keats biographers since include Sidney Colvin, Robert Gittings, Walter Jackson Bate and Andrew Motion. The idealised image of the heroic romantic poet who battled poverty and died young was inflated by the late arrival of an authoritative biography and the lack of an accurate likeness. Most of the surviving portraits of Keats were painted after his death, and those who knew him held that they did not succeed in capturing his unique quality and intensity.
"John Keats: His Life and Death", the first major motion picture about the life of Keats, was produced in 1973 by Encyclopædia Britannica, Inc.. It was directed by John Barnes. John Stride played John Keats and Janina Faye played Fanny Brawne.
The 2009 film "Bright Star", written and directed by Jane Campion, focuses on Keats' relationship with Fanny Brawne.
Inspired by the 1997 Keats biography penned by Andrew Motion, it stars Ben Whishaw as Keats and Abbie Cornish as Fanny.
In Dan Wells's book "A Night of Blacker Darkness", John Keats is portrayed in a comedic tone. He is the companion and sidekick of the protagonist.
In Dan Simmons' book "Hyperion", one of the characters is a clone of John Keats, of whom he possesses personality and memories.
In Tim Powers' book "The Stress of Her Regard", John Keats, along with Percy Shelley and Lord Byron, is the victim of a vampire and his gift with language and poetry is a direct consequence of the vampire breed's attention.
Keats' letters were first published in 1848 and 1878. During the 19th century, critics deemed them unworthy of attention, distractions from his poetic works. During the 20th century they became almost as admired and studied as his poetry, and are highly regarded within the canon of English literary correspondence. T. S. Eliot described them as "certainly the most notable and most important ever written by any English poet." Keats spent a great deal of time considering poetry itself, its constructs and impacts, displaying a deep interest unusual amongst his milieu who were more easily distracted by metaphysics or politics, fashions or science. Eliot wrote of Keats' conclusions; "There is hardly one statement of Keats' about poetry which ... will not be found to be true, and what is more, true for greater and more mature poetry than anything Keats ever wrote."
Few of Keats' letters are extant from the period before he joined his literary circle. From spring 1817, however, there is a rich record of his prolific and impressive skills as letter writer. Keats and his friends, poets, critics, novelists, and editors wrote to each other daily, and Keats' ideas are bound up in the ordinary, his day-to-day missives sharing news, parody and social commentary. They glitter with humour and critical intelligence. Born of an "unself-conscious stream of consciousness," they are impulsive, full of awareness of his own nature and his weak spots. When his brother George went to America, Keats wrote to him in great detail, the body of letters becoming "the real diary" and self-revelation of Keats' life, as well as containing an exposition of his philosophy, and the first drafts of poems containing some of Keats' finest writing and thought. Gittings describes them as akin to a "spiritual journal" not written for a specific other, so much as for synthesis.
Keats also reflected on the background and composition of his poetry, and specific letters often coincide with or anticipate the poems they describe. In February to May 1819 he produced many of his finest letters". Writing to his brother George, Keats explored the idea of the world as "the vale of Soul-making", anticipating the great odes that he would write some months later. In the letters, Keats coined ideas such as the Mansion of Many Apartments and the Chameleon Poet, concepts that came to gain common currency and capture the public imagination, despite only making single appearances as phrases in his correspondence. The poetical mind, Keats argued:
has no self – it is every thing and nothing – It has no character – it enjoys light and shade;... What shocks the virtuous philosopher, delights the camelion [chameleon] Poet. It does no harm from its relish of the dark side of things any more than from its taste for the bright one; because they both end in speculation. A Poet is the most unpoetical of any thing in existence; because he has no Identity – he is continually in for – and filling some other Body – The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute – the poet has none; no identity – he is certainly the most unpoetical of all God's Creatures.
He used the term negative capability to discuss the state in which we are "capable of being in uncertainties, Mysteries, doubts without any irritable reaching after fact & reason ...[Being] content with half knowledge" where one trusts in the heart's perceptions. He wrote later: "I am certain of nothing but the holiness of the Heart's affections and the truth of Imagination – What the imagination seizes as Beauty must be truth – whether it existed before or not – for I have the same Idea of all our Passions as of Love they are all in their sublime, creative of essential Beauty" again and again turning to the question of what it means to be a poet. "My Imagination is a Monastery and I am its Monk", Keats notes to Shelley. In September 1819, Keats wrote to Reynolds "How beautiful the season is now – How fine the air. A temperate sharpness about it ... I never lik'd the stubbled fields as much as now – Aye, better than the chilly green of spring. Somehow the stubble plain looks warm – in the same way as some pictures look warm – this struck me so much in my Sunday's walk that I composed upon it". The final stanza of his last great ode: "To Autumn" runs:
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,-
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Later, "To Autumn" became one of the most highly regarded poems in the English language.
There are areas of his life and daily routine that Keats does not describe. He mentions little about his childhood or his financial straits and is seemingly embarrassed to discuss them. There is a total absence of any reference to his parents. In his last year, as his health deteriorated, his concerns often gave way to despair and morbid obsessions. The publications of letters to Fanny Brawne in 1870 focused on this period and emphasised this tragic aspect, giving rise to widespread criticism at the time.
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https://en.wikipedia.org/wiki?curid=16455
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Jewish Defense League
The Jewish Defense League (JDL) is a Jewish religious-political organization in the United States, whose stated goal is to "protect Jews from antisemitism by whatever means necessary". It is classified as "a right wing terrorist group" by the FBI since 2001, and has been designated a hate group by the Southern Poverty Law Center. According to the FBI, the JDL has been involved in plotting and executing acts of terrorism within the United States. Most terrorism watch groups classify the group as inactive.
Founded by Rabbi Meir Kahane in New York City in 1968, the JDL's self-described purpose was to protect Jews from local manifestations of antisemitism. Its criticism of the Soviet Union increased support for the group, transforming it from a "vigilante club" into an organization with a stated membership numbering over 15,000 at one point. The group took to bombing Arab and Soviet properties in the United States, and targeting various alleged "enemies of the Jewish people", ranging from Arab-American political activists to neo-Nazis, for assassination. A number of JDL members have been linked to violent, and sometimes deadly, attacks in the United States and in other countries, including the murder of the American-Arab Anti-Discrimination Committee regional director Alex Odeh in 1985, the Cave of the Patriarchs massacre in 1994, and a plot to assassinate Congressman Darrell Issa in 2001. Several JDL members and leaders died violent deaths, including Kahane himself, who was assassinated by an Arab-American gunman.
According to the Anti-Defamation League, the JDL consists only of "thugs and hooligans". The group's founder, Meir Kahane, "preached a radical form of Jewish nationalism which reflected racism, violence and political extremism," attitudes that were replicated by Irv Rubin, the successor to Kahane.
In 1968, while Kahane served as the associate editor for the Jewish Press, the paper's office began receiving numerous calls and letters about crimes being committed against Jews and Jewish institutions. Violence in the New York City area was on the rise, with Jews comprising a disproportionately large percentage of the victims. Elderly Jews were being harassed and mugged, storeowners were held up and Jewish teachers were assaulted while Jewish synagogues were defaced and Jewish cemeteries desecrated.
After discussing the matter with a few congregants, Kahane put out an ad in the Jewish Press on May 24, 1968, which read: "We are talking of JEWISH SURVIVAL! Are you willing to stand up for democracy and Jewish survival? Join and support the Jewish Defense Corps." Shortly after, Kahane renamed the group the "Jewish Defense League," fearing that "Corps" would be construed as too militant. The group's declared purpose was: "to combat anti-Semitism in the public and private sectors of life in the United States of America." Kahane stated that the League was formed to "do the job that the Anti-Defamation League should do but doesn't."
Shortly afterward, the Jewish Defense League put out a 4-page manifesto which stated: "America has been good to the Jew and the Jew has been good to America. A land founded on the principles of democracy and freedom has given unprecedented opportunities to a people devoted to those ideals" yet now finds itself threatened by "political extremism" and "racist militancy." Furthermore, the manifesto stated that the organization rejects all hate and illegality, believes firmly in law and order, backs police forces and will work actively in the courts to strike down all discrimination. When asked about Jewish Defense League members breaking the law, Kahane responded: "We respect the right and the obligation of the American government to prosecute us and send us to jail. No one gripes about that."
The group adopted the slogan "Never Again!" which was originally used by the Jewish resistance fighters in the Warsaw ghetto. While the phrase is usually interpreted to mean that the Nazi Holocaust of six million Jews will never be permitted to recur, Kahane claimed that his intention was to declare that Jews should never again be caught by surprise or lulled into a foolish trust in others.
The first Jewish Defense League demonstration took place August 5, 1968, at New York University with some 15 members chanting: "No Nazis at NYU, Jewish rights are precious too."
On August 7, the JDL sent members to Passaic, New Jersey, to protect Jewish merchants from anti-Jewish rioting which had swept the area for days.
On November 25, the JDL was invited to the Boston area by Jewish residents in response to a mounting wave of crime directed primarily against Jews.
On December 3, JDL members attacked the Syrian Mission in New York.
On December 31, 13 JDL members were arrested after a series of coordinated actions against Soviet property in Manhattan and at Kennedy Airport intended to protest the treatment of Jews in the Soviet Union. Several youths painted slogans on a Soviet airliner, two of them handcuffed themselves to the airliner, while others daubed the words "Am Yisroel Chai" (the Nation of Israel Lives) on the plane's doors. A similar slogan was painted on the walls of the office of Tass, the Soviet news agency, in Rockefeller Plaza, which was invaded by Rabbi Kahane and four other JDL members. The rest of the demonstrators were taken into custody after invading the midtown offices of the Soviet tourist bureau.
Initially, the League was connected to a series of violent attacks against the Soviet Union's interests in the United States, protesting the former country's repression of Soviet Jews, who were often jailed and refused exit visas. The JDL decided that violence was necessary to draw attention to their plight, reasoning that Moscow would respond to the strain on Soviet–US relations by allowing more emigration to Israel.
In 1970, according to Christopher Andrew and Vasili Mitrokhin, agents of the Soviet KGB forged and sent threatening letters to Arab missions claiming to be from the JDL to discredit it. They also were ordered to bomb a target in the "Negro section of New York" and blame it on the JDL.
On January 25, JDL members staged anti-Soviet demonstrations at a concert of the Moscow Philharmonic Orchestra in Brooklyn College's auditorium. JDL members "danced, sang and yelled" while trying to prevent people from entering the auditorium.
On March 23, JDL members staged a sit-in in the office of the president of the Federation of Jewish Philanthropies of New York to demand that the Federation allocate more funds for Jewish education and Jewish defense, assist institutions threatened by violence, and arrange for "popular" election of Federation officials. As a result, the Federation agreed to form a special committee to consider the request for additional funds for Jewish education, while other groups continued to demonstrate.
On April 7, the JDL held memorial services on behalf of civilian victims of "Arab terrorism during the past half century" in front of the United Arab Republic Mission to the United Nations.
On April 9, nine JDL members occupied the principal's office of Leeds Junior High School in Philadelphia after school authorities had allegedly failed to crack down on school violence. The JDL hoped to present six "suggestions" for protecting students from assault and theft by "troublemakers," including committing them to disciplinary schools, stationing policemen in the public schools and replacing "weak administrators."
On April 20, fifteen JDL members were arrested after chaining themselves to the fence in front of the Soviet Mission to the UN to protest against the treatment of Jews in the Soviet Union.
On May 8, about fifty JDL members demonstrated outside the Black Panther Party headquarters in Harlem due to an alleged "outrageous explosion of anti-Semitic hatred" by the Panthers.
On May 19, the JDL issued a statement attacking American Jewish organizations which opposed the Vietnam War, accusing them of doing more to destroy the State of Israel "than all the Arab armies."
On May 20, thirty-five JDL members took over the Park East Synagogue, opposite the Soviet Mission, and barricaded the entrances in order to hold a "liberation seder" for Soviet Jewry.
On June 23, about forty JDL members seized two floors of an office building in New York housing Amtorg, the official Soviet Union trade office, and evicted the personnel in what the JDL deemed retaliation for the arrests of Jews and raids on Jewish homes in the Soviet Union.
On June 28, 150 JDL members demonstrated over attacks against the Jews of Williamsburg in reprisal for the accidental killing of a black girl by a Jewish driver. Clashes broke out with other minority groups and arrests were made.
On August 16, 400 JDL members began a week-long march from Philadelphia to Washington on behalf of Soviet Jewry, concluding with a rally at Lafayette Park urging President Nixon to "stand tall and firm in the Middle East as you have done elsewhere." In response, Thomas Hale Boggs Jr., a congressional candidate from Montgomery County (Md.), said he would sponsor a House resolution on Soviet Jewry.
On September 27, two JDL members were arrested at Kennedy Airport while attempting to board a London-bound plane armed with four loaded guns and a live hand grenade. The two intended to hijack a United Arab Airlines plane and divert it to Israel.
On October 6, the JDL is suspected of bombing the New York office of the Palestine Liberation Organization after the PLO hijacked four airliners the previous month. United Press International reported that an anonymous caller phoned in about a half hour before the explosion and proclaimed the JDL slogan, "Never again."
On December 20, during a march to protest the treatment of Soviet Jewry, JDL members attempted to take over the Soviet Mission headquarters. The members were arrested after inciting demonstrators to break through police lines.
On December 27, the JDL launched a 100-hour vigil for Soviet Jewry. Demonstrators tried to break through police barricades to reach the Soviet Mission to the UN to protest the sentencing of Jews in Leningrad. Several arrests were made.
On December 29, an estimated 100 JDL members demonstrated in front of the offices of the New York Board of Rabbis, challenging them to get arrested "for Jews, as well as for blacks." Later that day, several JDL members scuffled with police outside the office of Aeroflot-In tourist, the official Soviet tourist agency, while JDL leader Meir Kahane demanded the right to purchase two tickets to Israel for two Russian Jews who were sentenced to death. About 75 JDL members marched near the office, chanting slogans such as "Freedom Now" and "Let My People Go."
On December 30, several hundred JDL members participated in a rally for Soviet Jewry in Foley square, chanting "Let My People Go," "Open Up the Iron Door" and "Never Again!"
On January 8, 1971, a bombing outside of the Soviet cultural center in Washington, D.C. was followed by a phone call including the JDL slogan "Never again." A JDL spokesperson denied the group's involvement in the bombing, but refused to condemn it.
On January 17, in response to JDL tactics against Soviet personnel being condemned by the Israeli Cabinet and American Jewish leaders, eight former Soviet Jews living in Israel sent cables to American Jewish leaders denouncing their condemnation of the JDL and denying that the JDL's acts endangered Soviet Jews. The cables said they were convinced that the JDL's "policy and activities are most effective." The group also attacked Israeli authorities for alleged softness in fighting the Soviet Union on the issue of Jewish rights. One of the signatories, Dov Sperling, claimed that the recent cancellation of the Bolshoi Ballet's scheduled American tour was forced by the JDL and hailed it as the first public surrender by Soviet authorities to Jewish pressure. Herut leader Menachem Begin also declared support of acts of harassment against Soviet diplomatic establishments abroad.
On January 19, twenty JDL members had conducted a half-hour sit-in at the offices of Columbia Artists Inc. in Manhattan, leaving only after they were assured a meeting would be set up with the company's president in the near future.
On January 20, JDL national chairman Rabbi Meir Kahane announced that JDL will conduct "non-violent actions" against organizations engaged in cultural exchange programs with the Soviet Union and that there had been "unofficial contacts" between his group and "some Jewish establishment organizations" which were welcomed.
In 1972, two JDL members were arrested and convicted of bomb possession and burglary in an attempt to blow up the Long Island residence of the Soviet Mission to the United Nations.
In 1972, a smoke bomb was planted in the Manhattan office of music impresario Sol Hurok, who organized Soviet performers' U.S. tours. Iris Kones, a Jewish secretary from Long Island, died of smoke inhalation, and Hurok and 12 others were injured and hospitalized. Jerome Zeller of the JDL was indicted for the bombing and Kahane later admitted his part in the attack. JDL activities were condemned by Moscow refuseniks who felt that the group's actions were making it less likely that the Soviet Union would relax restrictions on Jewish emigration.
In 1973, threatening phone calls made to the home of Ralph Riskin, one of the producers of "Bridget Loves Bernie", resulted in the arrest of Robert S. Manning, described as a member of the JDL. Manning was later indicted on separate murder charges, and fought extradition to the United States from Israel, where he had moved.
In 1975, JDL leader Meir Kahane was accused of conspiracy to kidnap a Soviet diplomat, bomb the Iraqi embassy in Washington, and ship arms abroad from Israel. A hearing was held to revoke Kahane's probation for a 1971 incendiary device-making incident. He was found guilty of violating probation and served a one-year prison sentence. On December 31, 1975, 15 members of the League seized the office of the Permanent Observer of the Holy See to the United Nations in protest for Pope Paul VI's policy of support of Palestinian rights. The incident was over after one hour, as the activists left the location after being ordered to do so by the local police, and no arrests were made.
On April 6, 1976, six prominent refuseniks – including Alexander Lerner, Anatoly Shcharansky, and Iosif Begun – condemned the JDL's anti-Soviet activities as terrorist acts, stating that their "actions constitute a danger for Soviet Jews ... as they might be used by the [Soviet] authorities as a pretext for new repressions and for instigating anti-Semitic hostilities."
On March 16, 1978, Irv Rubin, chairman of the JDL, said about the planned American Nazi Party march in Skokie, Illinois: "We are offering $500, that I have in my hand, to any member of the community ... who kills, maims or seriously injures a member of the American Nazi party." Rubin was charged with solicitation of murder but was acquitted in 1981.
During the 1980s, past-JDL member Victor Vancier (who later founded the Jewish Task Force), and two other former JDL members were arrested in connection with six incidents: a 1984 firebombing of an automobile at a Soviet diplomatic residence, the 1985 and 1986 pipe bombings of rival JDL members' cars, the 1986 firebombing at a hall where the Soviet State Symphony Orchestra was performing, and two 1986 detonations of tear gas grenades to protest performances by Soviet dance troupes. In a 1984 interview, the JDL leader Meir Kahane admitted that the JDL "bombed the Russian mission in New York, the Russian cultural mission here [Washington] in 1971, the Soviet trade offices." The attacks, which caused minor diplomatic crisis in relations between the U.S. and the USSR, prompted the New York City Police Department (NYPD) to infiltrate the group and one undercover officer discovered a chain of weapon caches across Brooklyn, containing "enough shotguns and rifles to arm a small militia."
On October 26, 1981, after two firebombs damaged the Egyptian tourist office at Rockefeller Center, JDL Chairman Meir Kahane said at a press conference: "I'm not going to say that the JDL bombed that office. There are laws against that in this country. But I'm not going to say I mourn for it either." The next day, after an anonymous caller claimed responsibility on behalf of the JDL, the group's spokesman later denied his group's involvement, but said, "we support the act." JDL members had often been suspected of involvement in attacks against neo-Nazis, Holocaust deniers and antisemites.
On October 11, 1985, Alex Odeh, regional director of the American-Arab Anti-Discrimination Committee (ADC), was killed in a mail bombing at his office in Santa Ana, California. Shortly before his killing, Odeh had appeared on the television show "Nightline", where he engaged in a tense dialogue with a representative from the JDL. Irv Rubin immediately made several controversial public statements in reaction to the incident: "I have no tears for Mr. Odeh. He got exactly what he deserved. ... My tears were used up crying for Leon Klinghoffer." The Anti-Defamation League and the American Jewish Committee both condemned the murder. Four weeks after Odeh's death, FBI spokesperson Lane Bonner stated the FBI attributed the bombing and two others to the JDL. In February 1986, the FBI classified the bombing that killed Alex Odeh as a terrorist act. Rubin denied JDL involvement: "What the FBI is doing is simple. ... Some character calls up a news agency or whatever and uses the phrase "Never Again" ... and on that assumption they can go and slander a whole group. That's tragic." In 1987, Floyd Clarke, then assistant director of the FBI, wrote in an internal memo that key suspects had fled to Israel and were living in the West Bank urban settlement of Kiryat Arba. In 1988, the FBI arrested Rochelle Manning as a suspect in the bombing, and also charged her husband, Robert Steven Manning, whom they considered a prime suspect in the attack; both were members of the JDL. Rochelle's jury deadlocked, and after the mistrial, she left for Israel to join her husband. Robert Manning was extradited from Israel to the U.S. in 1993. He was subsequently found guilty of involvement in the killing of the secretary of computer firm ProWest, Patricia Wilkerson, in another, unrelated mail bomb blast. In addition, he and other JDL members were also suspected in a string of other violent attacks through 1985, including the bombing of Boston ADC office that seriously injured two police officers, the bomb killing of suspected Nazi war criminal Tscherim Soobzokov in Paterson, New Jersey, and a bombing in Long Island that maimed a passerby. William Ross, another JDL member, was also found guilty for his participation in the bombing that killed Wilkerson. Rochelle Manning was re-indicted for her alleged involvement, and was detained in Israel, pending extradition, when she died of a heart attack in 1994.
When Ruthless Records recording artist and former N.W.A member Dr. Dre sought to work instead with Death Row Records, Ruthless Records executives, Mike Klein and Jerry Heller were fearful of possible physical intimidation from Death Row Entertainment executives including chief executive officer Suge Knight and requested security assistance from the violent JDL. The FBI launched a money laundering investigation, on the presumption that the JDL was extorting money from Ruthless Records and several rap artists, including Tupac Shakur and Eazy-E. Heller has speculated that the FBI did not investigate these threats because of the song "Fuck Tha Police". Heller said, "It was no secret that in the aftermath of the Suge Knight shake down incident where Eazy was forced to sign over Dr. Dre, Michel'le and The D.O.C., that Ruthless was protected by Israeli trained/connected security forces." The FBI documents refer to the JDL death threats and extortion scheme but do not make a direct connection between the group and the 1996 murder of Tupac Shakur.
In 1995, when the Toronto residence of the Holocaust denier Ernst Zündel was the target of an arson attack, a group calling itself the "Jewish Armed Resistance Movement" claimed responsibility; according to the "Toronto Sun", the group had ties to the JDL and to Kahane Chai. The leader of the Toronto wing of the Jewish Defense League, Meir Halevi, denied involvement in the attack, although, just five days later, Halevi was caught trying to break into Zündel's property, where he was apprehended by police. Later the same month Zündel was the recipient of a parcel bomb that was detonated by the Toronto police bomb squad. In 2011, the Royal Canadian Mounted Police had launched an investigation against at least nine members of the JDL in regards to an anonymous tip that the JDL was plotting to bomb the Palestine House in Mississauga.
On December 12, 2001, JDL leader Irv Rubin and JDL member Earl Krugel were charged with planning a series of bomb attacks against the Muslim Public Affairs Council in Los Angeles, the King Fahd Mosque in Culver City, California, and the San Clemente office of Arab-American Congressman Darrell Issa, in the wake of the September 11 attacks. Rubin, who also was charged with unlawful possession of an automatic firearm, claimed that he was innocent. On November 4, 2002, at the federal Metropolitan Detention Center in Los Angeles, Rubin slit his throat with a safety razor and jumped out of a third story window. Rubin's suicide would be contested by his widow and the JDL, particularly after his co-defendant pleaded guilty to the charges and implicated Rubin in the plot. On February 4, 2003, Krugel pleaded guilty to conspiracy and weapons charges stemming from the plot, and was expected to serve up to 20 years in prison. The core of the evidence against Krugel and Rubin was in a number of conversations taped by an informant, Danny Gillis, who was hired by the men to plant the bombs but who turned to the FBI instead. According to one tape, Krugel thought the attacks would serve as "a wakeup call" to Arabs. Krugel was subsequently murdered in prison by a fellow inmate in 2005.
In 2002, in France, attackers from Betar and Ligue de Défense Juive (LDJ) violently assaulted Jewish demonstrators from Peace Now, journalists, police officers (one of whom was stabbed), and Arab bystanders. At least two of the suspects in the 2010 murder of a French Muslim Saïd Bourarach appeared to have ties to the French chapter of the JDL. In 2011, Israeli daily "Haaretz" reported members of the "French branch of Jewish terror group coming to Israel 'to defend settlements'." In 2013, a French Arab man was critically injured in a "revenge attack" by LDJ, sparking calls for further attacks against the Jews and a condemnation of the militant group by the French Jewish umbrella group CRIF; as of 2013, there have been least 115 violent incidents were attributed to LDJ "soldiers" since the group's registration in France in 2001, including many vigilante reprisals to antisemitic attacks. Earlier that year, two LDJ members were sentenced for an attack at a pro-Palestinian bookstore that injured two people and a LDJ propaganda video called for "five cops for every Jew, 10 Arabs for each rabbi."
In June 2014, two LDJ supporters were sentenced to prison in France for targeting the car of Jonathan Moadab, the Jewish co-founder of the blog "Cercle des Volontaires (Circle of Volunteers)", with a home-made bomb in September 2012.
In October 2015, around 100 people brandishing JDL flags, and Israeli flags and letting off flares attacked the Agence France Presse building in Paris. Around 12 of them, armed with batons, assaulted David Perrotin, a leading French journalist. All were linked to the Jewish Defense League (JDL).
Kahane immigrated to Israel from the United States in September 1971, where he initiated protests advocating the expulsion of Arabs from Israel and the Palestinian territories. In 1972 JDL leaflets were distributed around Hebron, calling for the mayor to stand trial for the 1929 Hebron massacre.
Kahane nominally lead the JDL until April 1974. In 1971 he founded a new political party in Israel, which ran in the 1973 elections under the name "The League List". The party won 12,811 votes (0.82%), just 2,857 (0.18%) short of the electoral threshold at the time (1%) for winning a seat. Following the elections, the party's name was changed to Kach, taken from the Irgun motto ""Rak Kach"" ("Only thus"). Kach failed to gain any Knesset seats in the 1977 and 1980 elections as well. In the 1984 elections the party won 25,907 votes (1.2%), passing the electoral threshold for the first time, and winning one seat, which was duly taken by Kahane.
Kahane's popularity grew, with polls showing that Kach would have likely received three to four seats in the coming November 1988 elections, and some forecasting as many as twelve seats, possibly making Kach the third largest party. However, after the Knesset passed an amendment to the Elections Law, Kach was disqualified from running in the 1988 elections by the Central Elections Committee, on the grounds of incitement to racism and negation of the democratic character of the State.
On 5 November 1990, Kahane was assassinated after making a speech in New York. The prime suspect, El Sayyid Nosair, an Egyptian-born American citizen, was subsequently acquitted of murder, but convicted on gun possession charges. The Kach party subsequently split in two, with Binyamin Ze'ev Kahane (Meir Kahane's son) leading a breakaway faction, Kahane Chai. Both parties were banned from participating in the 1992 elections on the basis that they were followers of the original Kach. Binyamin Ze'ev Kahane and his wife Talya were shot and killed by Palestinian terrorists on December 31, 2000.
On February 25, 1994, Baruch Goldstein, an American-born Israeli member of Kach, who in his youth was a JDL activist, opened fire on Muslims kneeling in prayer at the revered Cave of the Patriarchs mosque in the West Bank city of Hebron, killing 29 worshippers and injuring 125 before he ran out of ammunition and was himself killed. The attack set off riots and protests throughout the West Bank and 19 Palestinians were killed by the Israeli Defense Forces within 48 hours of the massacre. On its website, the JDL described the massacre as a "preventative measure against yet another Arab attack on Jews" and noted that they "do not consider his assault to qualify under the label of terrorism". Furthermore, they noted that "we teach that violence is never a good solution but is unfortunately sometimes necessary as a last resort when innocent lives are threatened; we therefore view Dr. Goldstein as a martyr in Judaism's protracted struggle against Arab terrorism. And we are not ashamed to say that Goldstein was a charter member of the Jewish Defense League." In a similar attack nearly twelve years earlier, on April 11, 1982, an American-born JDL member and immigrant to Israel, Allan H. Goodman, opened fire with his military-issue rifle at the Al-Aqsa Mosque on the sacred Temple Mount in Jerusalem, killing one Palestinian Arab and injuring four others. The 1982 shooting sparked an Arab riot in which another Palestinian was shot dead by the police. In 1983, Goodman was sentenced by an Israeli court to life in prison (which usually means 25 years in Israel); he was released after serving 15 1/2 years on the condition of returning to the United States.
In a 2004 congressional testimony, John S. Pistole, Executive Assistant Director for Counterterrorism and Counterintelligence for the Federal Bureau of Investigation (FBI) described the JDL as "a known violent extremist Jewish organization." FBI statistics show that, from 1980 through 1985, there were 18 officially classified terrorist attacks in the U.S. committed by Jews; 15 of those by members of the JDL.
In its report, "Terrorism 2000/2001", the FBI referred to the JDL as a "violent extremist Jewish organization" and stated that the FBI was responsible for thwarting at least one of its terrorist acts. The National Consortium for the Study of Terror and Responses to Terrorism states that, during the JDL's first two decades of activity, it was an "active terrorist organization." The JDL was specifically referenced by the FBI's Executive Assistant Director Counterterrorism/Counterintelligence, John S. Pistole, in his formal report before the National Commission on Terrorist Attacks upon the United States.
JDL is suspected of being behind the 1972 bombing of the Manhattan offices of theater empresario Sol Hurok in which 2 employees were killed.
A number of senior JDL personnel and associates have died violently. Meir Kahane, the JDL's founding chairman, was assassinated in 1990 as was his son, Binyamin Ze'ev Kahane, in 2000. Long-time JDL chairman Irv Rubin died in 2002 in a Los Angeles federal detention center "after allegedly cutting his throat with a jail-issued razor and then jumping or falling over a railing and plummeting to his death." Rubin's deputy, Earl Krugel, was murdered by a fellow prison inmate in 2005. Rubin's son and JDL vice-chairman Ari Rubin committed suicide in 2012.
According to the organization's official list of Chairmen or Highest Ranking Directors:
After Rubin's death in prison in November 2002, Bill Maniaci was appointed interim chairman by Shelley Rubin. Two years later, the Jewish Defense League became mired in a state of upheaval over legal control of the organization. In October 2004, Maniaci rejected Shelley Rubin's call for him to resign; as a result, Maniaci was stripped of his title and membership. At that point, the JDL split into two separate factions, each vying for legal control of the associated "intellectual property." The two operated as separate organizations with the same name while a lengthy legal battle ensued. In April 2005, the original domain name of the organization, "jdl.org", was suspended by Network Solutions due to allegations of infringement; the organization went back online soon thereafter at domain name "jewishdefenseleague.org". In April 2006, news of a settlement was announced in which signatories agreed to not object to "Shelley Rubin's titles of permanent chairman and CEO of JDL." The agreement also confirmed that "the name 'Jewish Defense League,' the acronym 'JDL,' and the 'Fist and Star' logo are the exclusive intellectual property of JDL." (Opponents of both groups claim that these are Kahanist symbols and not the exclusive property of JDL. At this time, however, the logo is no longer in general use by the Kahanist groups.) The agreement also states: "Domain names registered on behalf of JDL, including but not limited to jdl.org and jewishdefenseleague.org, are owned and operated by JDL." Meanwhile, the opposing group formed B'nai Elim, which is the latest of many JDL splinter groups to have formed over the years (previous splinter groups included the Jewish Direct Action and the United Jewish Underground that have been active during the 1980s).
The JDL upholds five fundamental principles
The JDL encourages, per its principle of the "Love of Jewry," that "... in the end ... the Jew can look to no one but another Jew for help and that the true solution to the Jewish problem is the liquidation of the Exile and the return of all Jews to Eretz Yisroel – the land of Israel." The JDL elaborates on this fundamental principle by insisting upon an "immediate need to place Judaism over any other 'ism' and ideology and ... use of the yardstick: 'Is it good for Jews?'" The JDL argues that, outside of Jews, there are historically no people corresponding to the Palestinian ethnicity. Writing on its official website, the JDL claims: "[T]he first mention of a 'Palestinian people' dates from the aftermath of the 1967 war, when the local Arabic-speaking communities ... were retrospectively endowed with a contrived 'nationhood' ... taken from Jewish history ..." and that "[c]learly, since Roman times 'Palestinian' had meant Jews until the Arab's recent adoption of this identity in order to claim it as their land." On this basis, the JDL argues that "Zionism [should be] under no obligation to accommodate a separate 'Palestinian' claim, there being no historical evidence or witness for any such Arab category," and it considers Palestinian claims to be "Arab usurpation" of proper Jewish title.
In 1971, Kahane aligned the JDL with the Italian-American Civil Rights League, created the previous year by the Italian American mob boss Joseph Colombo, head of the Colombo crime family. In 2011, the Canadian JDL organized a "support rally" for the English Defence League (EDL) featuring a live speech, via Skype, by EDL leader Tommy Robinson. The event was denounced and condemned by the Canadian Jewish Congress (CJC) leader Bernie Farber and general counsel Benjamin Shinewald. The rally, held at the Toronto Zionist Centre, attracted a counter-protest organized by Anti-Racist Action (ARA) resulting in four ARA members being arrested. The JDL Canada has also organized rallies in support of right-wing Israeli politician Moshe Feiglin and Dutch politician and well-known Islam critic Geert Wilders of the Party for Freedom, and announced its support for the increasingly anti-Islamic Freedom Party of Austria.
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Jet Propulsion Laboratory
The Jet Propulsion Laboratory (JPL) is a federally funded research and development center and NASA field center in the city of La Cañada Flintridge with a Pasadena mailing address , within the state of California, United States.
Founded in the 1930s, JPL is currently owned by NASA and managed by the nearby California Institute of Technology (Caltech) for NASA. The laboratory's primary function is the construction and operation of planetary robotic spacecraft, though it also conducts Earth-orbit and astronomy missions. It is also responsible for operating NASA's Deep Space Network.
Among the laboratory's major active projects are the Mars Science Laboratory mission (which includes the "Curiosity" rover), the Mars Reconnaissance Orbiter, the "Juno" spacecraft orbiting Jupiter, the NuSTAR X-ray telescope, the SMAP satellite for earth surface soil moisture monitoring, and the Spitzer Space Telescope. It is also responsible for managing the JPL Small-Body Database, and provides physical data and lists of publications for all known small Solar System bodies.
JPL's Space Flight Operations Facility and Twenty-Five-Foot Space Simulator are designated National Historic Landmarks.
JPL traces its beginnings to 1936 in the Guggenheim Aeronautical Laboratory at the California Institute of Technology (GALCIT) when the first set of rocket experiments were carried out in the Arroyo Seco. Caltech graduate students Frank Malina, Qian Xuesen, Weld Arnold, and Apollo M. O. Smith, along with Jack Parsons and Edward S. Forman, tested a small, alcohol-fueled motor to gather data for Malina's graduate thesis. Malina's thesis advisor was engineer/aerodynamicist Theodore von Kármán, who eventually arranged for U.S. Army financial support for this "GALCIT Rocket Project" in 1939. In 1941, Malina, Parsons, Forman, Martin Summerfield, and pilot Homer Bushey demonstrated the first jet-assisted takeoff (JATO) rockets to the Army. In 1943, von Kármán, Malina, Parsons, and Forman established the Aerojet Corporation to manufacture JATO rockets. The project took on the name Jet Propulsion Laboratory in November 1943, formally becoming an Army facility operated under contract by the university. In 1944, Parsons was expelled due to his "unorthodox and unsafe working methods" following one of several FBI investigations into his involvement with the occult, drugs and sexual promiscuity.
During JPL's Army years, the laboratory developed two deployed weapon systems, the MGM-5 Corporal and MGM-29 Sergeant intermediate-range ballistic missiles. These missiles were the first US ballistic missiles developed at JPL. It also developed a number of other weapons system prototypes, such as the Loki anti-aircraft missile system, and the forerunner of the Aerobee sounding rocket. At various times, it carried out rocket testing at the White Sands Proving Ground, Edwards Air Force Base, and Goldstone, California.
In 1954, JPL teamed up with Wernher von Braun's engineers at the Army Ballistic Missile Agency's Redstone Arsenal in Huntsville, Alabama, to propose orbiting a satellite during the International Geophysical Year. The team lost that proposal to Project Vanguard, and instead embarked on a classified project to demonstrate ablative re-entry technology using a Jupiter-C rocket. They carried out three successful sub-orbital flights in 1956 and 1957. Using a spare Juno I (a modified Jupiter-C with a fourth stage), the two organizations then launched the United States' first satellite, Explorer 1, on January 31, 1958.
JPL was transferred to NASA in December 1958, becoming the agency's primary planetary spacecraft center. JPL engineers designed and operated Ranger and Surveyor missions to the Moon that prepared the way for Apollo. JPL also led the way in interplanetary exploration with the Mariner missions to Venus, Mars, and Mercury. In 1998, JPL opened the Near-Earth Object Program Office for NASA. As of 2013, it has found 95% of asteroids that are a kilometer or more in diameter that cross Earth's orbit.
JPL was early to employ female mathematicians. In the 1940s and 1950s, using mechanical calculators, women in an all-female computations group performed trajectory calculations. In 1961, JPL hired Dana Ulery as the first female engineer to work alongside male engineers as part of the Ranger and Mariner mission tracking teams.
JPL has been recognized four times by the Space Foundation: with the Douglas S. Morrow Public Outreach Award, which is given annually to an individual or organization that has made significant contributions to public awareness of space programs, in 1998; and with the John L. "Jack" Swigert, Jr., Award for Space Exploration on three occasions – in 2009 (as part of NASA's Phoenix Mars Lander Team), 2006 and 2005.
When it was founded, JPL's site was immediately west of a rocky flood-plain – the Arroyo Seco riverbed – above the Devil's Gate dam in the northwestern panhandle of the city of Pasadena. While the first few buildings were constructed in land bought from the city of Pasadena, subsequent buildings were constructed in neighboring unincorporated land that later became part of La Cañada Flintridge. Nowadays, most of the of the U.S. federal government-owned NASA property that makes up the JPL campus is located in La Cañada Flintridge. Despite this, JPL still uses a Pasadena address (4800 Oak Grove Drive, Pasadena, CA 91109) as its official mailing address. There has been occasional rivalry between the two cities over the issue of which one should be mentioned in the media as the home of the laboratory.
There are approximately 6,000 full-time Caltech employees, and typically a few thousand additional contractors working on any given day. NASA also has a resident office at the facility staffed by federal managers who oversee JPL's activities and work for NASA. There are also some Caltech graduate students, college student interns and co-op students.
The JPL Education Office serves educators and students by providing them with activities, resources, materials and opportunities tied to NASA missions and science. The mission of its programs is to introduce and further students' interest in pursuing STEM (science, technology, engineering and mathematics) careers.
JPL offers research, internship and fellowship opportunities in the summer and throughout the year to high school through postdoctoral and faculty students. (In most cases, students must be U.S. citizens or legal permanent residents to apply, although foreign nationals studying at U.S. universities are eligible for limited programs.) Interns are sponsored through NASA programs, university partnerships and JPL mentors for research opportunities at the laboratory in areas including technology, robotics, planetary science, aerospace engineering, and astrophysics.
In August 2013, JPL was named one of "The 10 Most Awesome College Labs of 2013" by Popular Science, which noted that about 100 students who intern at the laboratory are considered for permanent jobs at JPL after they graduate.
The JPL Education Office also hosts the Planetary Science Summer School (PSSS), an annual week-long workshop for graduate and postdoctoral students. The program involves a one-week team design exercise developing an early mission concept study, working with JPL's Advanced Projects Design Team ("Team X") and other concurrent engineering teams.
JPL created the NASA Museum Alliance in 2003 out of a desire to provide museums, planetariums, visitor centers and other kinds of informal educators with exhibit materials, professional development and information related to the then-upcoming landings of the Mars rovers "Spirit" and "Opportunity". The Alliance now has more than 500 members, who get access to NASA displays, models, educational workshops and networking opportunities through the program. Staff at educational organizations that meet the Museum Alliance requirements can register to participate online.
The Museum Alliance is a subset of the JPL Education Office's Informal Education group, which also serves after-school and summer programs, parents and other kinds of informal educators.
The NASA/JPL Educator Resource Center, which is moving from its location at the Indian Hill Mall in Pomona, Calif. at the end of 2013, offers resources, materials and free workshops for formal and informal educators covering science, technology, engineering and science topics related to NASA missions and science.
The lab had an open house once a year on a Saturday and Sunday in May or June, when the public was invited to tour the facilities and see live demonstrations of JPL science and technology. More limited private tours are also available throughout the year if scheduled well in advance. Thousands of schoolchildren from Southern California and elsewhere visit the lab every year. Due to federal spending cuts mandated by budget sequestration, the open house has been previously cancelled. JPL open house for 2014 was October 11 and 12 and 2015 was October 10 and 11. Starting from 2016, JPL replaced the annual Open House with "Ticket to Explore JPL", which features the same exhibits but requires tickets and advance reservation. Roboticist and Mars rover driver Vandi Verma frequently acts as science communicator at open house type events to encourage children (and particularly girls) into STEM careers.
In addition to its government work, JPL has also assisted the nearby motion picture and television industries, by advising them about scientific accuracy in their productions. Science fiction shows advised by JPL include "Babylon 5" and its sequel series, "Crusade".
JPL also works with the Department of Homeland Security Science and Technology Directorate (DHSSTD). JPL and DHSSTD developed a search and rescue tool for first responders called FINDER. First responders can use FINDER to locate people still alive who are buried in rubble after a disaster or terrorist attack. FINDER uses microwave radar to detect breathing and pulses.
Additionally, JPL is home to the JPL-RPIF (Jet Propulsion Laboratory - Regional Planetary Image Facility) which is chartered as a repository for all robotic spacecraft hard-copy data and thus provides a valuable resource to NASA funded science investigators, and an important conduit for distribution of NASA generated materials to local educators in the Los Angeles/southern California area.
JPL is a federally funded research and development center (FFRDC) managed and operated by Caltech under a contract from NASA. In fiscal year 2012, the laboratory's budget was slightly under $1.5 billion, with the largest share going to Earth Science and Technology development.
There is a tradition at JPL to eat "good luck peanuts" before critical mission events, such as orbital insertions or landings. As the story goes, after the Ranger program had experienced failure after failure during the 1960s, the first successful Ranger mission to impact the Moon occurred after a JPL staff member had decided to pass out peanuts to relieve tension. The staff jokingly decided that the peanuts must have been a good luck charm, and the tradition persisted.
These are some of the missions partially sponsored by JPL:
The JPL Advanced Projects Design Team, also known as Team X, is an interdisciplinary team of engineers that utilizes "concurrent engineering methodologies to complete rapid design, analysis and evaluation of mission concept designs".
On February 25, 2005, Homeland Security Presidential Directive 12 was approved by the Secretary of Commerce. This was followed by Federal Information Processing Standards 201 (FIPS 201), which specified how the federal government should implement personal identity verification. These specifications led to a need for rebadging to meet the updated requirements.
On August 30, 2007, a group of JPL employees filed suit in federal court against NASA, Caltech, and the Department of Commerce, claiming their constitutional rights were being violated by the new, overly invasive background investigations. 97% of JPL employees were classified at the low-risk level and would be subjected to the same clearance procedures as those obtaining moderate/high risk clearance. Under HSPD 12 and FIPS 201, investigators have the right to obtain any information on employees, which includes questioning acquaintances on the status of the employee's mental, emotional, and financial stability. Additionally, if employees depart JPL before the end of the two-year validity of the background check, no investigation ability is terminated; former employees can still be legally monitored.
Employees were told that if they did not sign an unlimited waiver of privacy, they would be deemed to have "voluntarily resigned". The United States Court of Appeals for the Ninth Circuit found the process violated the employees' privacy rights and issued a preliminary injunction. NASA appealed and the US Supreme Court granted certiorari on March 8, 2010. On January 19, 2011, the Supreme Court overturned the Ninth Circuit decision, ruling that the background checks did not violate any constitutional privacy right that the employees may have had.
On March 12, 2012, the Los Angeles Superior Court took opening statements on the case in which former JPL employee David Coppedge brought suit against the lab due to workplace discrimination and wrongful termination. In the suit, Coppedge alleges that he first lost his "team lead" status on JPL's Cassini-Huygens mission in 2009 and then was fired in 2011 because of his evangelical Christian beliefs and specifically his belief in intelligent design. Conversely, JPL, through the Caltech lawyers representing the laboratory, allege that Coppedge's termination was simply due to budget cuts and his demotion from team lead was because of harassment complaints and from on-going conflicts with his co-workers. Superior Court Judge Ernest Hiroshige issued a final ruling in favor of JPL on January 16, 2013.
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John von Neumann Theory Prize
The John von Neumann Theory Prize of the Institute for Operations Research and the Management Sciences (INFORMS)
is awarded annually to an individual (or sometimes a group) who has made fundamental and sustained contributions to theory in operations research and the management sciences.
The Prize named after mathematician John von Neumann is awarded for a body of work, rather than a single piece. The Prize was intended to reflect contributions that have stood the test of time. The criteria include significance, innovation, depth, and scientific excellence.
The award is $5,000, a medallion and a citation.
The Prize has been awarded since 1975. The first recipient was George B. Dantzig for his work on linear programming.
There is also an IEEE John von Neumann Medal awarded by the IEEE annually "for outstanding achievements in computer-related science and technology".
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Jean Richard
Jean Richard (18 April 1921 – 12 December 2001) was a French actor, comedian, and circus entrepreneur. He is best remembered for his role as Georges Simenon's "Maigret" in the eponymous French television series, which he played for more than twenty years, and for his circus activities.
Richard was born in Bessines, Deux-Sevres. In the 1970s–1980s, he owned and managed three major circuses, two theme parks near Paris, La Mer de Sable and La Vallée des Peaux-Rouges, and a private zoo in his property of Ermenonville, Oise. He died in Senlis, aged
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Jet stream
Jet streams are fast flowing, narrow, meandering air currents in the atmospheres of some planets, including Earth. On Earth, the main jet streams are located near the altitude of the tropopause and are westerly winds (flowing west to east). Their paths typically have a meandering shape. Jet streams may start, stop, split into two or more parts, combine into one stream, or flow in various directions including opposite to the direction of the remainder of the jet.
The strongest jet streams are the polar jets, at above sea level, and the higher altitude and somewhat weaker subtropical jets at . The Northern Hemisphere and the Southern Hemisphere each have a polar jet and a subtropical jet. The northern hemisphere polar jet flows over the middle to northern latitudes of North America, Europe, and Asia and their intervening oceans, while the southern hemisphere polar jet mostly circles Antarctica all year round. The southern hemisphere mid-latitude jet is a relatively narrow band of strong winds stretching from the Earth's surface to the top of the troposphere at about 12 km increasing steadily in strength with height.
Jet streams are the product of two factors: the atmospheric heating by solar radiation that produces the large-scale Polar, Ferrel, and Hadley circulation cells, and the action of the Coriolis force acting on those moving masses. The Coriolis force is caused by the planet's rotation on its axis. On other planets, internal heat rather than solar heating drives their jet streams. The Polar jet stream forms near the interface of the Polar and Ferrel circulation cells; the subtropical jet forms near the boundary of the Ferrel and Hadley circulation cells.
Other jet streams also exist. During the Northern Hemisphere summer, easterly jets can form in tropical regions, typically where dry air encounters more humid air at high altitudes. Low-level jets also are typical of various regions such as the central United States. There are also jet streams in the thermosphere.
Meteorologists use the location of some of the jet streams as an aid in weather forecasting. The main commercial relevance of the jet streams is in air travel, as flight time can be dramatically affected by either flying with the flow or against, which results in significant fuel and time cost savings for airlines. Often, the airlines work to fly 'with' the jet stream for this reason. Dynamic North Atlantic Tracks are one example of how airlines and air traffic control work together to accommodate the jet stream and winds aloft that results in the maximum benefit for airlines and other users. Clear-air turbulence, a potential hazard to aircraft passenger safety, is often found in a jet stream's vicinity, but it does not create a substantial alteration on flight times.
After the 1883 eruption of the Krakatoa volcano, weather watchers tracked and mapped the effects on the sky over several years. They labelled the phenomenon the "equatorial smoke stream".
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https://en.wikipedia.org/wiki?curid=16472
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Joint Interoperability of Tactical Command and Control Systems
Joint Interoperability of Tactical Command and Control Systems or JINTACCS is a United States military program for the development and maintenance of tactical information exchange configuration items (CIs) and operational procedures. It was originated to ensure that the command and control (C2 and C3) and weapons systems of all US military services and NATO forces would be interoperable.
It is made up of standard Message Text Formats (MTF) for man-readable and machine-processable information, a core set of common warfighting symbols, and data link standards called Tactical Data Links (TDLs).
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https://en.wikipedia.org/wiki?curid=16474
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John Ashcroft
John David Ashcroft (born May 9, 1942) is an American lawyer and former politician who served as the 79th U.S. Attorney General (2001–2005), in the George W. Bush Administration. He later founded The Ashcroft Group, a Washington D.C. lobbying firm.
Ashcroft previously served as Attorney General of Missouri (1976–1985), and as the 50th Governor of Missouri (1985–1993), having been elected for two consecutive terms in succession (a historical first for a Republican candidate in the state), and he also served as a U.S. Senator from Missouri (1995–2001). He had early appointments in Missouri state government and was mentored by John Danforth. He has written several books about politics and ethics. Since 2011 he sits on the board of directors for the
private military company Academi (formerly Blackwater), has been a member of the Federalist Society, and is a professor at the Regent University School of Law, a conservative Christian institution affiliated with televangelist Pat Robertson.
His son, Jay Ashcroft, is also a politician, serving as Secretary of State of Missouri since January, 2017.
Ashcroft was born in Chicago, Illinois, the son of Grace P. (née Larsen) and James Robert Ashcroft. The family later lived in Springfield, Missouri, where his father was a minister in an Assemblies of God congregation, served as president of Evangel University (1958–74), and jointly as President of Central Bible College (1958–63). His mother was a homemaker, whose parents had emigrated from Norway.
Ashcroft graduated from Hillcrest High School in 1960. He attended Yale University, where he was a member of the St. Elmo Society, graduating in 1964. He received a Juris Doctor degree from the University of Chicago School of Law (1967).
After law school, Ashcroft briefly taught Business Law and worked as an administrator at Southwest Missouri State University. During the Vietnam War, he was not drafted because he received six student draft deferments and one occupational deferment because of his teaching work.
In 1972, Ashcroft ran for a Congressional seat in southwest Missouri in the Republican primary election, narrowly losing to Gene Taylor. After the primary, Missouri Governor Kit Bond appointed Ashcroft to the office of State Auditor, which Bond had vacated when he became governor.
In 1974, Ashcroft was narrowly defeated for election to that post by Jackson County County Executive George W. Lehr. He had argued that Ashcroft, who is not an accountant, was not qualified to be the State Auditor.
Missouri Attorney General John Danforth, who was then in his second term, hired Ashcroft as an Assistant State Attorney General. During his service, Ashcroft shared an office with Clarence Thomas, a future U.S. Supreme Court Supreme Court Justice. (In 2001, Thomas administered Ashcroft's oath of office as U.S. Attorney General.)
In 1976, Danforth was elected to the U.S. Senate, and Ashcroft was elected to replace him as State Attorney General. He was sworn in on December 27, 1976. In 1980, Ashcroft was re-elected with 64.5 percent of the vote, winning 96 of Missouri's 114 counties.
In 1983, Ashcroft wrote the leading "amicus curiae" brief in the U.S. Supreme Court Case "Sony Corp. of America v. Universal City Studios, Inc.", supporting the use of video cassette recorders for time shifting of television programs.
Ashcroft was elected governor in 1984 and re-elected in 1988, becoming the first (and, to date, the only) Republican in Missouri history elected to two consecutive terms.
In 1984, his opponent was the Democratic Lt. Governor Ken Rothman. The campaign was so negative on both sides that a reporter described the contest as "two alley cats [scrapping] over truth in advertising". In his campaign ads, Ashcroft showed the contrast between his rural-base and the supporters of his urban-based opponent from St. Louis. Democrats did not close ranks on primary night. The defeated candidate Mel Carnahan endorsed Rothman. In the end, Ashcroft won 57 percent of the vote and carried 106 counties—then the largest Republican gubernatorial victory in Missouri history.
In 1988, Ashcroft won by a larger margin over his Democratic opponent, Betty Cooper Hearnes, the wife of the former governor Warren Hearnes. Ashcroft received 64 percent of the vote in the general election—the largest landslide for governor in Missouri history since the U.S. Civil War.
During his second term, Ashcroft served as chairman of the National Governors Association (1991–92).
As governor, Ashcroft helped enact tougher standards and sentencing for gun crimes, increased funding for local law enforcement, and tougher standards and punishment for people bringing guns into schools. While Ashcroft was in office:
In 1994 Ashcroft was elected to the U.S. Senate from Missouri, again succeeding John Danforth, who retired from the position. Ashcroft won 59.8% of the vote against Democratic Congressman Alan Wheat. As Senator:
In 1998, Ashcroft briefly considered running for U.S. President; but on January 5, 1999, he announced that he would not seek the presidency and would defend his Senate seat in the 2000 election.
In the Republican primary, Ashcroft defeated Marc Perkel. In the general election, Ashcroft faced a challenge from Governor Mel Carnahan.
In the midst of a tight race, Carnahan died in an airplane crash three weeks prior to the election. Ashcroft suspended all campaigning after the plane crash. Because of Missouri state election laws and the short time to election, Carnahan's name remained on the ballot. Lieutenant Governor Roger B. Wilson became governor upon Carnahan's death. Wilson said that should Carnahan be elected, he wanted to appoint his widow, Jean Carnahan, to serve in her husband's place; Mrs. Carnahan announced that, in accordance with her late husband's goal, she would serve in the Senate if voters elected his name. Following these developments, Ashcroft resumed campaigning.
Carnahan won the election 51% to 49%. No one had ever posthumously won election to the Senate, though voters had on at least three occasions chosen deceased candidates for the House of Representatives. Ashcroft also has the unique distinction of being the only incumbent U.S. Senator defeated for re-election by a dead person.
In December 2000, following his Senatorial defeat, Ashcroft was chosen for the position of U.S. attorney general by president-elect George W. Bush. He was confirmed by the Senate by a vote of 58 to 42, with most Democratic senators voting against him, citing his prior opposition to using forced busing to achieve desegregation, and their opposition to Ashcroft's anti-abortionism. At the time of his appointment he was known to be a member of the Federalist Society.
In May 2001, the FBI revealed that they had misplaced thousands of documents related to the investigation of the Oklahoma City bombing. Ashcroft granted a 30-day stay of execution for Timothy McVeigh, the man convicted and sentenced to death for the bombing.
After the September 11, 2001 attacks in the United States, Ashcroft was a key administration supporter of passage of the USA Patriot Act. One of its provisions, Section 215, allows the Federal Bureau of Investigation (FBI) to apply for an order from the Foreign Intelligence Surveillance Court to require production of "any tangible thing" for an investigation. This provision was criticized by citizen and professional groups concerned about violations of privacy. Ashcroft referred to the American Library Association's opposition to Section 215 as "hysteria" in two separate speeches given in September 2003. While Attorney General, Ashcroft consistently denied that the FBI or any other law enforcement agency had used the Patriot Act to obtain library circulation records or those of retail sales. According to the sworn testimony of two FBI agents interviewed by the 9/11 Commission, Ashcroft ignored warnings of an imminent al-Qaida attack.
In 2002, under Ashcroft, curtains were installed blocking the Spirit of Justice statue in the Robert F. Kennedy Department of Justice Building, which is of a woman wearing a toga-like dress with one breast revealed, from view during speeches. The curtains were first used on a rental basis during the administration of Dick Thornburgh. Justice officials long insisted that the curtains were put up to improve the room's use as a television backdrop and that Ashcroft had nothing to do with it. Ashcroft's successor, Alberto Gonzales, removed the curtains in June 2005. Ashcroft also held daily prayer meetings.
In March 2004, the Justice Department under Ashcroft ruled that the President Bush's domestic intelligence program—code name Stellar Wind—was illegal; some time after the ruling, Ashcroft became critically ill with acute pancreatitis. President Bush's White House Counsel, Alberto Gonzales, and his Chief of Staff, Andrew Card Jr., went to Ashcroft's bedside in the hospital intensive-care unit, to persuade the incapacitated Attorney General to sign a document to "reauthorize" the program that Justice had declared illegal and at end. According to his account before the Senate Judiciary Committee, Acting Attorney General James Comey alerted then-FBI Director Robert Mueller III of the reauthorization plan, and "raced" to the hospital, "sirens blaring" , arriving ahead of Gonzales and Card, Jr. Ashcroft, "summoning the strength to lift his head and speak", refused to sign; by his description in interview, Jack Goldsmith, head of the Office of Legal Counsel for Justice, was also there to support Ashcroft, as was Patrick Philbin, an Associate Deputy Attorney General (according to congressional testimony from Comey). FBI Director Robert Mueller, who also was rushing to the hospital, spoke by phone to Ashcroft's security detail, ordering them not to allow Card or Gonzales to have Comey removed from the hospital room.
Following accounts of the Abu Ghraib torture and prisoner abuse scandal in Iraq, one of the Torture memos was leaked to the press in June 2004. Jack Goldsmith, then head of the Office of Legal Counsel, had already withdrawn the Yoo memos and advised agencies not to rely on them. After Goldsmith was forced to resign because of his objections, Attorney General Ashcroft issued a one paragraph opinion re-authorizing the use of torture.
On November 9, 2004, following George W. Bush's re-election, Ashcroft announced his resignation, which took effect on February 3, 2005, after the Senate confirmed White House Counsel Alberto Gonzales as the next attorney general. Ashcroft said in his hand-written resignation letter, dated November 2, "The objective of securing the safety of Americans from crime and terror has been achieved."
In May 2005, Ashcroft laid the groundwork for a strategic consulting firm, The Ashcroft Group, LLC. He started operation in the fall of 2005 and as of March 2006 had twenty-one clients, turning down two for every one accepted. In 2005 year-end filings, Ashcroft's firm reported collecting $269,000, including $220,000 from Oracle Corporation, which won Department of Justice approval of a multibillion-dollar acquisition less than a month after hiring Ashcroft. The year-end filing represented, in some cases, only initial payments.
According to government filings, Oracle is one of five Ashcroft Group clients that seek help in selling data or software with security applications. Another client, Israel Aircraft Industries International, is competing with Seattle's Boeing Company to sell the government of South Korea a billion dollar airborne radar system.
In March 2006, "The New York Times" reported that Ashcroft had positioned himself as an "anti-Abramoff." In an hour-long interview, Ashcroft used the word "integrity" scores of times. In May 2006, based on conversations with members of Congress, key aides and lobbyists, "The Hill" magazine listed Ashcroft as one of the top 50 "hired guns" (lobbyists) that K Street had to offer.
In August 2006, the "Washington Post" reported that Ashcroft's firm had 30 clients, many of which made products or technology aimed at homeland security. The firm had not disclosed about a third of its client list on grounds of confidentiality. The firm also had equity stakes in eight client companies. It reported receiving $1.4 million in lobbying fees in the past six months, a small fraction of its total earnings.
After the proposed merger of Sirius Satellite Radio Inc. and XM Satellite Radio Holdings Inc., Ashcroft offered the firm his consulting services, according to a spokesman for XM. The spokesman said XM declined Ashcroft's offer. Ashcroft was subsequently hired by the National Association of Broadcasters, which is strongly opposed to the merger.
In 2011, Ashcroft became an “independent director” on the board of Xe Services (now Academi), the controversial private military company formerly known as Blackwater (Nisour Square massacre), which faced scores of charges related to weapons trafficking, unlawful force, and corruption had named Ted Wright as CEO in May 2011. Wright hired a new governance chief to oversee ethical and legal compliance and established a new board composed of former government officials, including former White House counsel Jack Quinn and Ashcroft. In December 2011, Xe Services rebranded to Academi to convey a more "boring" image.
The firm also has a law firm under its umbrella, called the Ashcroft Law Firm. In December 2014, the law firm was hired by convicted Russian arms trafficker Viktor Bout to overturn his 2011 conviction.
In June 2017, Ashcroft was hired by the government of Qatar to carry out a compliance and regulatory review of Qatar's anti-money laundering and counter-terrorist financing framework, to help challenge accusations of supporting terrorism by its neighbors, following a regional blockade, as well as claims by U.S. President Donald Trump.
In June 2018, it is reported that Ashcroft was hired by Najib Razak among other top U.S lawyers to defend him in the 1MDB scandal, back in 2016. According to the document, the firm was hired to provide legal advice and counsel to Najib regarding "improper actions by third parties to attempt to destabilise the government of Malaysia". Although it is unsure whether Najib will retain the services of Ashcroft on the issue due to the United States Department of Justice's probe into 1MDB.
In January 2002, the partially nude female statue of the "Spirit of Justice", which stands in the Great Hall of the Justice Department, where Ashcroft held press conferences, was covered with blue curtains, along with its male counterpart, the "Majesty of Justice". Some speculated that Ashcroft thought that reporters were photographing him with the female statue in the background to make fun of his church's opposition to pornography. A Justice Department spokeswoman said that Ashcroft knew nothing of the decision to spend $8,000 for the curtains; a spokesman said the decision for permanent curtains was intended to save on the $2,000 per use rental costs of temporary curtains used for formal events.
In July 2002, Ashcroft proposed the creation of Operation TIPS, a domestic program in which workers and government employees would inform law enforcement agencies about suspicious behavior they encounter while performing their duties. The program was widely criticized from the beginning, with critics deriding the program as essentially a Domestic Informant Network along the lines of the East German Stasi or the Soviet KGB, and an encroachment upon the First and Fourth amendments. The United States Postal Service refused to be a party to it. Ashcroft defended the program as a necessary component of the ongoing War on Terrorism, but the proposal was eventually abandoned.
Ashcroft proposed a draft of the Domestic Security Enhancement Act of 2003, legislation to expand the powers of the U.S. government to fight crime and terrorism, while simultaneously eliminating or curtailing judicial review of these powers for incidents related to domestic terrorism. The bill was leaked and posted to the Internet on February 7, 2003.
On May 26, 2004, Ashcroft held a news conference at which he said that intelligence from multiple sources indicated that the terrorist organization, al Qaeda, intended to attack the United States in the coming months. Critics suggested he was trying to distract attention from a drop in the approval ratings of President Bush, who was campaigning for re-election.
Groups supporting individual gun ownership praised Ashcroft's support through DOJ for the Second Amendment. He said specifically, "the Second Amendment protects an individual's right to keep and bear arms," expressing the position that the second amendment expresses a right.
In 2009 in "Ashcroft v. al-Kidd", the Ninth Circuit Court of Appeals in San Francisco found that Ashcroft could be sued and held personally responsible for the wrongful detention of Abdullah al-Kidd. The American citizen was arrested at Dulles Airport in March 2003 on his way to Saudi Arabia for study. He was held for 15 days in maximum security in three states, and 13 months in supervised release, to be used as a material witness in the trial of Sami Omar Al-Hussayen. (The latter was acquitted of all charges of supporting terrorism). Al-Kidd was never charged and was not called as a witness in the Al-Hussayen case.)
The panels court described the government's assertions under the USA Patriot Act (2001) as "repugnant of the Constitution". In a detailed and at times passionate opinion, Judge Milan Smith likened allegations against al-Kidd as similar to the repressive practices of the British Crown that sparked the American Revolution. He wrote that the government asserts it can detain American citizens "not because there is evidence that they have committed a crime, but merely because the government wishes to investigate them for possible wrongdoing". He called it "a painful reminder of some of the most ignominious chapters of our national history".
Abdullah Al-Kidd was held in a maximum security prison for 16 days, and in supervised release for 13 months. Al-Kidd was born Lavoni T. Kidd in 1973 in Wichita, Kansas. When he converted to Islam as a student at the University of Idaho, where he was a prominent football player, he changed his name. He asserts that Ashcroft violated his civil liberties as an American citizen, as he was treated like a terrorist and not allowed to consult an attorney. Al-Kidd's lawyers say Ashcroft, as US Attorney General, encouraged authorities after 9/11 to arrest potential suspects as material witnesses when they lacked probable cause to believe the suspects had committed a crime.
The US Supreme Court agreed on October 18, 2010 to hear the case. On May 31, 2011, the US Supreme Court unanimously overturned the lower court's decision, saying that al-Kidd could not personally sue Ashcroft, as he was protected by limited immunity as a government official. A majority of the justices held that al-Kidd could not have won his case on the merits, because Ashcroft did not violate his Fourth Amendment rights.
Ashcroft has been a proponent of the War on Drugs. In a 2001 interview on "Larry King Live," Ashcroft announced his intention to escalate efforts in this area. In 2003, Ashcroft and John B. Brown, the acting DEA Administrator, announced a series of indictments resulting from two nationwide investigations code-named Operation Pipe Dream and Operation Headhunter. The investigations targeted businesses selling drug paraphernalia, mostly for cannabis use, under a little-used statute (Title 21, Section 863(a) of the U.S. Code).
Tommy Chong, a counterculture icon, was one of those charged, for his part in financing and promoting Chong Glass/Nice Dreams, a company started by his son Paris. Of the 55 individuals charged as a result of the operations, only Chong was given a prison sentence after conviction (nine months in a federal prison, plus forfeiting $103,000 and a year of probation). The other 54 individuals were given fines and home detentions. While the DOJ denied that Chong was treated any differently from the other defendants, critics thought the government was trying to make an example of him. Chong's experience as a target of Ashcroft's sting operation is the subject of Josh Gilbert's feature-length documentary "a/k/a Tommy Chong", which premiered at the 2005 Toronto International Film Festival. In a pre-sentencing brief, the Department of Justice specifically cited Chong's entertainment career as a consideration against leniency.
When Karl Rove was being questioned in 2005 by the FBI over the leak of a covert CIA agent's identity in the press (the Valerie Plame affair), Ashcroft was allegedly briefed about the investigation. The Democratic U.S. Representative John Conyers described this as a "stunning ethical breach that cries out for an immediate investigation." Conyers, the ranking Democrat on the House Judiciary Committee, asked, in a statement, for a formal investigation of the time between the start of Rove's investigation and John Ashcroft's recusal.
Since his service in government, Ashcroft has continued to oppose proposals for physician-assisted suicide, which some states have passed by referenda. When interviewed about it in 2012, when a case had reached the US Supreme Court after California voters had approved a law to permit it under regulated conditions, he said,
I certainly believe that people who are in pain should be helped and assisted in every way possible, that the drugs should be used to mitigate their pain but I believe the law of the United States of America which requires that drugs not be used except for legitimate health purposes.
In 2015, Human Rights Watch called for the investigation of Ashcroft "for conspiracy to torture as well as other crimes."
Ashcroft is a member of the Assemblies of God church. He is married to Janet E. Ashcroft and has three children with her. His son, Jay, is the Missouri Secretary of State.
Ashcroft had long enjoyed inspirational music and singing. In the 1970s, he recorded a gospel record entitled "Truth: Volume One, Edition One", with the Missouri legislator Max Bacon, a Democrat.
With fellow U.S. senators Trent Lott, Larry Craig, and Jim Jeffords, Ashcroft formed a barbershop quartet called The Singing Senators. The men performed at social events with other senators.
Ashcroft composed a paean titled "Let the Eagle Soar," which he sang at the Gordon-Conwell Theological Seminary in February 2002. Ashcroft has written and sung a number of other songs. He has collected these on compilation tapes, including "In the Spirit of Life and Liberty" and "Gospel (Music) According to John". In 1998, he wrote a book with author Gary Thomas titled "Lessons from a Father to His Son".
Ashcroft was given an honorary doctorate before giving the commencement at Toccoa Falls College in 2018.
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https://en.wikipedia.org/wiki?curid=16476
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Jason Alexander
Jay Scott Greenspan (born September 23, 1959), known by his stage name Jason Alexander, is an American actor, comedian, singer, and director. Alexander is best known for his role as George Costanza in the television series "Seinfeld" (1989–1998), for which he was nominated for seven consecutive Primetime Emmy Awards and four Golden Globe Awards. Other well-known roles include Phillip Stuckey in the film "Pretty Woman" (1990), comic relief gargoyle Hugo in the Disney animated feature "The Hunchback of Notre Dame" (1996), and the title character in the animated series "Duckman" (1994–1997). He has also made guest appearances on shows such as "Curb Your Enthusiasm" (2001, 2009) and "The Marvelous Mrs. Maisel" (2019).
Alexander has had an active career on stage, appearing in several Broadway musicals, including "Jerome Robbins' Broadway" in 1989, for which he won the Tony Award as Best Leading Actor in a Musical and a Grammy Award for Best Musical Theater Album. He appeared in the Los Angeles production of "The Producers". He was the artistic director of "Reprise! Broadway's Best in Los Angeles", where he has directed several musicals.
Alexander was born in Newark, New Jersey, the son of Jewish parents Ruth Minnie (née Simon), a nurse and health care administrator, and Alexander B. Greenspan, an accounting manager whose first name Jay later borrowed to create his stage name. He has a half-sister, Karen Van Horne, and a half-brother, Michael Greenspan.
Alexander grew up in Livingston, New Jersey, and is a 1977 graduate of Livingston High School. Interested in magic from an early age, Alexander initially hoped to be a magician, but while attending a magic camp was told that his hands were too small to palm a card, making card magic virtually impossible. He then became interested in theater, eventually coming to realize, "Wait a minute—the whole thing's an illusion. Nothing up there is real" and that theater was "a magic trick". He then decided to pursue it as a career. He attended Boston University, but left the summer before his senior year after getting work in New York City. At Boston University, Alexander wanted to pursue classical acting, but a professor redirected him toward comedy after noticing his physique, remarking, "I know your heart and soul are Hamlet, but you will never play Hamlet." He was awarded an honorary degree in 1995.
Alexander began his acting career on the New York stage and is an accomplished singer and dancer. On Broadway he appeared in Stephen Sondheim's "Merrily We Roll Along," Kander & Ebb's "The Rink", Neil Simon's "Broadway Bound", "Accomplice", and "Jerome Robbins' Broadway", for which he garnered the 1989 Tony Award for Best Leading Actor in a Musical. In 2003, Alexander was cast opposite Martin Short in the Los Angeles production of Mel Brooks's "The Producers". Alexander also appeared with Kelsey Grammer in the 2004 musical adaptation of Charles Dickens's "A Christmas Carol", as Jacob Marley. He continues to appear in live stage shows, including Barbra Streisand's memorable birthday party for Sondheim at the Hollywood Bowl, in which he performed selections from ""with Angela Lansbury. Alexander was recently named the artistic director of Reprise Theatre Company in Los Angeles, where he previously directed "Sunday in the Park with George". He is scheduled to direct its upcoming revival of "Damn Yankees". In 2015, he replaced Larry David as the lead in David's Broadway play "Fish in the Dark." Alexander co-starred opposite Sherie Rene Scott in the September 2017 world premiere of John Patrick Shanley's "The Portuguese Kid" at the Manhattan Theatre Club.
Alexander is best known as one of the key cast members of the award-winning television sitcom "Seinfeld", on which he played the bumbling but lovable George Costanza (Jerry Seinfeld's character's best friend since childhood). Alexander was nominated for seven Primetime Emmy Awards and four Golden Globe Awards for his performance as Costanza, but did not win any, mainly due to his co-star Michael Richards being nominated and winning for his role as Cosmo Kramer. He did, however, win the 1995 Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Comedy Series.
Before "Seinfeld", Alexander starred in commercials for John Deere and McDonald’s, as well as in the short-lived CBS sitcom "Everything's Relative" (1987). Concurrently with his "Seinfeld" role, he provided the voice of the lead character in the animated series "Duckman" (1994–1997). Alexander voiced Catbert, the evil director of human resources, in the short-lived animated series "Dilbert", based on the popular comic strip.
Alexander made cameo appearances as himself in the second season of "Curb Your Enthusiasm", and appeared in the seventh season of "Curb Your Enthusiasm" along with the other three principal "Seinfeld" cast members. He had a part in the ABC sitcom "Dinosaurs" as Al "Sexual" Harris (who frequently engaged in sexual harassment), as well as other voices. Despite a successful career in film and stage, Alexander never managed to repeat his "Seinfeld"-level of success in television. 2001 marked his first post-"Seinfeld" return to prime-time television: the heavily promoted but short-lived ABC sitcom "Bob Patterson" (which was canceled after five episodes). Alexander partially blames the show's failure on the country's mood after 9/11.
Alexander's second chance as a TV series lead, the CBS sitcom "Listen Up!" (2004-05), also fell short of a second season. Alexander was the principal executive producer of the series, based very loosely on the life of the popular sports-media personality Tony Kornheiser. Alexander appeared on the "" CD and sang a verse in a song. He was featured in the "Friends" episode "The One Where Rosita Dies" as Earl, a suicidal supply manager. Phoebe calls him trying to sell him toner, learns about his problem, and tries to persuade him not to commit suicide. This is referenced in an episode of "Malcolm in the Middle" where Alexander appears as Leonard. a neurotic and critical loner. He describes himself as "free" and says he makes money "selling toner over the phone". Later in the episode, he is repeatedly harassed by a man named George. Alexander appeared in the 1995 TV version of the Broadway musical "Bye Bye Birdie", as Conrad Birdie's agent, Albert Peterson. He guest-starred in episode 8 of the 1996 variety show "Muppets Tonight".
In 1999, Alexander presided over the "New York Friars Club Roast" event honoring Jerry Stiller, who played his father on "Seinfeld"; it also featured appearances by Kevin James and Patton Oswalt, both Stiller's costars on "The King of Queens".
Alexander appeared in the "" episode "" as Kurros, a genius alien trying to get Seven of Nine to serve on his ship. He appeared in "One Night at Mercy", the first episode of the short-lived 2002 revival of "The Twilight Zone", playing Death. He featured in the 2005 "Monk" episode "Mr. Monk and the Other Detective" as Monk's rival, Marty Eels. On the June 26, 2006, episode of "Jimmy Kimmel Live!", Alexander demonstrated several self-defense techniques. He hosted the July 4, 2006, PBS "A Capitol Fourth" celebrations in Washington, D.C., singing, dancing, and playing tuned drums. In 2006, Alexander signed on to feature as a regular cast member in the second season of "Everybody Hates Chris". He hosted the Comedy Central Roast of William Shatner on August 13, 2006 (first airdate: August 20, 2006). In 2007, Alexander was a guest star in the third episode of the improv comedy series "Thank God You're Here". He has been a frequent guest and panelist on Bill Maher's "Politically Incorrect" and "Real Time"; "Hollywood Squares"; the "Late Late Show", with both Craig Kilborn and Craig Ferguson; and the "Late Show with David Letterman".
In 2008, Alexander guest-starred in the season four episode "Masterpiece" of the CBS show "Criminal Minds" as Professor Rothschild, a well-educated serial killer obsessed with the Fibonacci sequence who sends the team into a race against time to save his last victims. He returned in the same season to direct the episode "Conflicted", featuring the actor Jackson Rathbone. In 2011, Alexander was the guest star in an episode of "Harry's Law", playing a high school teacher bringing a wrongful dismissal suit.
In 2018, Alexander played Olix the bartender in "The Orville". The same year, he portrayed Gene Lundy, a drama teacher, on two episodes of "Young Sheldon".
In 2019, Alexander appeared on "The Marvelous Mrs. Maisel" as Asher Friedman, a blacklisted Broadway playwright who is an old friend of Midge Maisel's father Abe Weissman.
In addition to his roles as an insensitive, money-hungry lawyer in "Pretty Woman" and as inept womanizer Mauricio in "Shallow Hal", Alexander has appeared in "Love! Valour! Compassion!", "Dunston Checks In", "Love and Action in Chicago", "The Last Supper" and "Jacob's Ladder". He voiced the gargoyle Hugo in Disney's 1996 animated film "The Hunchback of Notre Dame" and its direct-to-video sequel, "The Hunchback of Notre Dame II". His other Disney voice work includes "House of Mouse" and the video game "". He has dabbled in directing, starting with 1996's "For Better or Worse" and 1999's "Just Looking". He also played the toymaker A.C. Gilbert in the 2002 movie "The Man Who Saved Christmas". In 2009, Alexander had a small role in the movie "" as a train station manager. He starred as Cosmo in "".
In January 1995, Alexander did a commercial for Rold Gold pretzels to be broadcast during the Super Bowl. The commercial depicts him with "Frasier" dog "Eddie" jumping out of an airplane with a parachute over the stadium. After the commercial, the audience is brought back to a supposedly "live feed" of the playing field hearing startled sports commentators as Alexander and the dog land in the field to wild applause. One of Alexander's earliest television roles was in a McDonald's commercial advertising the McDLT, in which he sings. He appeared in Kentucky Fried Chicken (KFC) commercials in 2002, including one with Barry Bonds of the San Francisco Giants and another with Trista Rehn of "The Bachelorette". It was rumored that he quit doing these commercials due to KFC suppliers and slaughterhouses' alleged cruelty to animals, but he denied that in the August 2, 2006, issue of "Adweek", saying, "That's PETA bullcrap. I loved working for KFC. I was targeted by PETA to broker something between them. I think KFC really stepped up to the plate; unfortunately PETA did not." In 2007, Alexander appeared in a commercial for the ASPCA, which has aired on cable TV stations. In 1987, Alexander appeared in a commercial for Miller Lite, with Yogi Berra speaking about Miller Lite at a bar with many others.
In August 2018, Alexander became one of several celebrities to play Colonel Sanders in commercials for KFC, reprising his role from the 2002 ad campaign.
Alexander voiced the character Abis Mal in "The Return of Jafar" and the TV series based on Disney's 1992 film "Aladdin". In 2009, he played Joseph in the Thomas Nelson audio Bible production "The Word of Promise". The project featured a large ensemble of actors, including Jim Caviezel, Lou Gossett Jr., John Rhys-Davies, Jon Voight, Gary Sinise, Christopher McDonald, Marisa Tomei and John Schneider.
It was announced in July 2010 that Alexander would be joining the cast of the Nickelodeon films based on their series "The Fairly OddParents", "" and "A Fairly Odd Christmas". He played Cosmo, one of Timmy Turner's fairies.
Magic interests
Alexander performed a mentalism and magic act at The Magic Castle in Hollywood, California, from April 24 to 30, 2006, and was later named The Academy of Magical Arts Parlor Magician of the Year for this act. He won the Academy's Junior Achievement Award in 1989.
Alexander hosted the LOL Sudbury opening night gala in Sudbury, Ontario, Canada on May 29, 2008, which was simulcast throughout Canada at 60 Cineplex theaters, a first for any comedy festival. He has lent his voice to several episodes of the "Twilight Zone Radio Dramas".
In 2008 and again in 2009, Alexander fronted "Jason Alexander's Comedy Spectacular", a routine exclusive to Australia. The show consists of stand-up and improvisation and incorporates Alexander's musical talent. He is backed up by a number of well-known Australian comedians. His first time performing a similar show of this nature was in 2006's "Jason Alexander's Comedy Christmas". In February/March 2010, Alexander starred in his own show, "The Donny Clay Experience", at the Planet Hollywood Resort in Las Vegas, Nevada. Donny Clay, whom he has portrayed in a tour of the United States, is a self-help guru in a similar mold to his "Bob Patterson" character.
In 2020, Alexander hosted the Saturday Night Seder, an online Passover Seder that featured many celebrities and benefited the CDC Foundation.
Alexander was the national spokesman for the Scleroderma Foundation, a leading organization dedicated to raising awareness of the disease and assisting those who are afflicted. On January 6, 2010, it was announced that he would be the new face of the weight loss company Jenny Craig. In summer 2005, he appeared with Lee Iacocca in ads for DaimlerChrysler. Iacocca did the ads as part of a way to raise money for Denise Faustman's research on autoimmunity. Iacocca and Alexander both have loved ones whose lives have been adversely affected by autoimmunity.
More recently, Alexander has competed on televised poker shows and in various tournaments. He appeared twice on Bravo's "Celebrity Poker Showdown", winning the final table of the 8th season. Alexander won the $500,000 prize for the charity of his choice, The United Way of America, to help benefit the New Orleans area. Alexander played in the 2007 World Series of Poker main event, but he was eliminated on the second day. He returned in 2009, making it to day 3 of the event and finishing in the top 30% of the field. Alexander has appeared on NBC's "Poker After Dark" in the "Celebrities and Mentors" episode, finishing in 6th place after being eliminated by professional poker player Gavin Smith. He signed with PokerStars, where he plays under the screen name "J. Alexander".
Alexander has been married to Daena E. Title, cousin of director Stacy Title, since May 31, 1982. They have two sons, Gabriel and Noah.
Alexander has been a prominent public supporter of the OneVoice initiative, which seeks out opinions from moderate Israelis and Palestinians who want to achieve a mutual peace agreement. On "Real Time with Bill Maher" he said he had visited Israel many times and spoke about progress toward peace he had observed. In 2012, Alexander announced his support for President Barack Obama's reelection.
As actor
As director
Music videos
Video games
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https://en.wikipedia.org/wiki?curid=16480
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John Wycliffe
John Wycliffe (; also spelled "Wyclif", "Wycliff", "Wiclef", "Wicliffe", "Wickliffe"; c. 1320s – 31 December 1384) was an English scholastic philosopher, theologian, biblical translator, reformer, priest, and a seminary professor at the University of Oxford. He became an influential dissident within the Roman Catholic priesthood during the 14th century and is considered an important predecessor to Protestantism.
Wycliffe attacked the privileged status of the clergy which had bolstered their powerful role in England and the luxury and pomp of local parishes and their ceremonies. Wycliffe advocated translation of the Bible into the common vernacular. In 1382 he completed a translation directly from the Vulgate into Middle English – a version now known as Wycliffe's Bible. It is probable that he personally translated the Gospels of Matthew, Mark, Luke, and John; and it is possible he translated the entire New Testament, while his associates translated the Old Testament. Wycliffe's Bible appears to have been completed by 1384, additional updated versions being done by Wycliffe's assistant John Purvey and others in 1388 and 1395.
Wycliffe's followers, known as Lollards, followed his lead in advocating predestination, iconoclasm, and the notion of caesaropapism, while attacking the veneration of saints, the sacraments, requiem masses, transubstantiation, monasticism, and the existence of the Papacy.
From the 16th century, the Lollard movement is sometimes regarded as the precursor to the Protestant Reformation. Wycliffe was accordingly characterised as the evening star of scholasticism and as the morning star of the English Reformation. Wycliffe's writings in Latin greatly influenced the philosophy and teaching of the Czech reformer Jan Hus ( 1369–1415), whose execution in 1415 sparked a revolt and led to the Hussite Wars of 1419–1434.
Wycliffe was born in the village of Hipswell near Richmond in the North Riding of Yorkshire, England, around the 1320s His family was long settled in Yorkshire. The family was quite large, covering considerable territory, principally centred on Wycliffe-on-Tees, about ten miles to the north of Hipswell.
Wycliffe received his early education close to his home. It is not known when he first came to Oxford, with which he was so closely connected until the end of his life, but he is known to have been at Oxford around 1345. Thomas Bradwardine was the archbishop of Canterbury, and his book "On the Cause of God against the Pelagians", a bold recovery of the Pauline-Augustine doctrine of grace, would greatly shape young Wycliffe's views, as did the Black Death which reached England in the summer of 1348. From his frequent references to it in later life, it appears to have made a deep and abiding impression upon him. According to Robert Vaughn, the effect was to give Wycliffe "Very gloomy views in regard to the condition and prospects of the human race." Wycliffe would have been at Oxford during the St Scholastica Day riot in which sixty-three students and a number of townspeople were killed.
Wycliffe completed his arts degree at Merton College as a junior fellow in 1356. That same year he produced a small treatise, "The Last Age of the Church". In the light of the virulence of the plague that had subsided seven years previously, Wycliffe's studies led him to the opinion that the close of the 14th century would mark the end of the world. While other writers viewed the plague as God's judgment on sinful people, Wycliffe saw it as an indictment of an unworthy clergy. The mortality rate among the clergy had been particularly high, and those who replaced them were, in his opinion, uneducated or generally disreputable.
He was Master of Balliol College in 1361. In this same year, he was presented by the college to the parish of Fillingham in Lincolnshire, which he visited rarely during long vacations from Oxford. For this he had to give up the headship of Balliol College, though he could continue to live at Oxford. He is said to have had rooms in the buildings of The Queen's College. In 1362 he was granted a prebend at Aust in Westbury-on-Trym, which he held in addition to the post at Fillingham.
His performance led Simon Islip, Archbishop of Canterbury, to place him in 1365 at the head of Canterbury Hall, where twelve young men were preparing for the priesthood. In December 1365 Islip appointed Wycliffe as warden but when Islip died the following year his successor, Simon Langham, a man of monastic training, turned the leadership of the college over to a monk. In 1367 Wycliffe appealed to Rome. In 1371 Wycliffe's appeal was decided and the outcome was unfavourable to him. The incident was typical of the ongoing rivalry between monks and secular clergy at Oxford at this time.
In 1368, he gave up his living at Fillingham and took over the rectory of Ludgershall, Buckinghamshire, not far from Oxford, which enabled him to retain his connection with the university. In 1369 Wycliffe obtained a bachelor's degree in theology, and his doctorate in 1372. In 1374, he received the crown living of St Mary's Church, Lutterworth in Leicestershire, which he retained until his death.
In 1374 his name appears second, after a bishop, on a commission which the English Government sent to Bruges to discuss with the representatives of Gregory XI a number of points in dispute between the king and the pope. He was no longer satisfied with his chair as the means of propagating his ideas, and soon after his return from Bruges he began to express them in tracts and longer works. In a book concerned with the government of God and the Ten Commandments, he attacked the temporal rule of the clergy, the collection of annates, indulgences, and simony.
He entered the politics of the day with his great work "De civili dominio" ("On Civil Dominion"). This called for the royal divestment of all church property. His ideas on lordship and church wealth caused his first official condemnation in 1377 by Pope Gregory XI, who censured 19 articles. Wycliffe argued that the Church had fallen into sin and that it ought therefore to give up all its property and that the clergy should live in complete poverty. The tendency of the high offices of state to be held by clerics was resented by many of the nobles. John of Gaunt most likely had his own reasons for opposing the wealth and power of the clergy.
Wycliffe was summoned before William Courtenay, Bishop of London, on 19 February 1377. The exact charges are not known, as the matter did not get as far as a definite examination. Lechler suggests that Wycliffe was targeted by John of Gaunt's opponents among the nobles and church hierarchy. Gaunt, the Earl Marshal Henry Percy, and a number of other supporters accompanied Wycliffe. A crowd gathered at the church, and at the entrance, party animosities began to show, especially in an angry exchange between the bishop and Wycliffe's protectors. Gaunt declared that he would humble the pride of the English clergy and their partisans, hinting at the intent to secularise the possessions of the Church. The assembly broke up and Gaunt and his partisans departed with their protégé.
Most of the English clergy were irritated by this encounter, and attacks upon Wycliffe began. The second and third books of his work dealing with civil government carry a sharp polemic. On 22 May 1377 Pope Gregory XI sent five copies of a bull against Wycliffe, dispatching one to the Archbishop of Canterbury, and the others to the Bishop of London, King Edward III, the Chancellor, and the university; among the enclosures were 18 theses of his, which were denounced as erroneous and dangerous to Church and State. Stephen Lahey suggests that Gregory's action against Wycliffe was an attempt to put pressure on King Edward to make peace with France. Edward III died on 21 June 1377, and the bull against Wycliffe did not reach England before December. Wycliffe was asked to give the king's council his opinion on whether it was lawful to withhold traditional payments to Rome, and he responded that it was.
Back at Oxford the Vice-Chancellor confined Wycliffe for some time in Black Hall, but his friends soon obtained his release. In March 1378, he was summoned to appear at Lambeth Palace to defend himself. However, Sir Lewis Clifford entered the chapel and in the name of the queen mother (Joan of Kent), forbade the bishops to proceed to a definite sentence concerning Wycliffe's conduct or opinions. The bishops, who were divided, satisfied themselves with forbidding him to speak further on the controversy. Wycliffe then wrote his "De incarcerandis fedelibus", in which he demanded that it should be legal for the excommunicated to appeal to the king and his council against the excommunication; in this writing he laid open the entire case, in such a way that it was understood by the laity. He wrote his 33 conclusions in Latin and English. The masses, some of the nobility, and his former protector, John of Gaunt, rallied to him. Before any further steps could be taken at Rome, Gregory XI died in 1378.
The attacks on Pope Gregory XI grow ever more extreme. Wycliffe's stand concerning the ideal of poverty became continually firmer, as well as his position with regard to the temporal rule of the clergy. Closely related to this attitude was his book "De officio regis", the content of which was foreshadowed in his 33 conclusions. This book, like those that preceded and followed, was concerned with the reform of the Church, in which the temporal arm was to have an influential part.
From 1380 onwards, Wycliffe devoted himself to writings that argued his rejection of transubstantiation, and strongly criticised the friars who supported it.
Wycliffe had come to regard the scriptures as the only reliable guide to the truth about God, and maintained that all Christians should rely on the Bible rather than on the teachings of popes and clerics. He said that there was no scriptural justification for the papacy.
Theologically, his preaching expressed a strong belief in predestination that enabled him to declare an "invisible church of the elect", made up of those predestined to be saved, rather than in the "visible" Catholic Church.
To Wycliffe, the Church was the totality of those who are predestined to blessedness. No one who is eternally lost has part in it. There is one universal Church, and outside of it there is no salvation.
His first tracts and greater works of ecclesiastical-political content defended the privileges of the State. By 1379 in his "De ecclesia" ("On the Church"), Wycliffe clearly claimed the supremacy of the king over the priesthood. He rejected the concept of purgatory, and disapproved of clerical celibacy, pilgrimages, the selling of indulgences and praying to saints.
So far as his polemics accord with those of earlier antagonists of the papacy, it is fair to assume that he was not ignorant of them and was influenced by them. It was Wycliffe who recognised and formulated one of the two major formal principles of the Reformation – the unique authority of the Bible for the belief and life of the Christian.
The battle against what he saw as an imperialised papacy and its supporters, the "sects", as he called the monastic orders, takes up a large space not only in his later works as the "Trialogus", "Dialogus", "Opus evangelicum", and in his sermons, but also in a series of sharp tracts and polemical productions in Latin and English (of which those issued in his later years have been collected as "Polemical Writings").
In the 1380 "Objections to Friars", he calls monks the pests of society, enemies of religion, and patrons and promoters of every crime. He directed his strongest criticism against the friars, whose preaching he considered neither scriptural nor sincere, but motivated by "temporal gain". While others were content to seek the reform of particular errors and abuses, Wycliffe sought nothing less than the extinction of the institution itself, as being repugnant to scripture, and inconsistent with the order and prosperity of the Church. He advocated the dissolution of the monasteries.
Rudolph Buddensieg finds two distinct aspects in Wycliffe's work. The first, from 1366 to 1378, reflects a political struggle with Rome, while 1378 to 1384 is more a religious struggle. In each Wycliffe has two approaches: he attacks both the Papacy and its institutions, and also Roman Catholic doctrine.
Wycliffe's influence was never greater than at the moment when pope and antipope sent their ambassadors to England to gain recognition for themselves. In 1378, in the ambassadors' presence, he delivered an opinion before Parliament that showed, in an important ecclesiastical political question (the matter of the right of asylum in Westminster Abbey), a position that was to the liking of the State. He argued that criminals who had taken sanctuary in churches might lawfully be dragged out of sanctuary.
The books and tracts of Wycliffe's last six years include continual attacks upon the papacy and the entire hierarchy of his times. Each year they focus more and more, and at the last, the pope and the Antichrist seem to him practically equivalent concepts. Yet there are passages which are moderate in tone: G. V. Lechler identifies three stages in Wycliffe's relations with the papacy. The first step, which carried him to the outbreak of the schism, involves moderate recognition of the papal primacy; the second, which carried him to 1381, is marked by an estrangement from the papacy; and the third shows him in sharp contest.
In keeping with Wycliffe's belief that scripture was the only authoritative reliable guide to the truth about God, he became involved in efforts to translate the Bible into English. While Wycliffe is credited, it is not possible exactly to define his part in the translation, which was based on the Vulgate. There is no doubt that it was his initiative, and that the success of the project was due to his leadership. From him comes the translation of the New Testament, which was smoother, clearer, and more readable than the rendering of the Old Testament by his friend Nicholas of Hereford. The whole was revised by Wycliffe's younger contemporary John Purvey in 1388.
There still exist about 150 manuscripts, complete or partial, containing the translation in its revised form. From this, one may easily infer how widely diffused it was in the 15th century. For this reason the Wycliffites in England were often designated by their opponents as "Bible men".
In the summer of 1381 Wycliffe formulated his doctrine of the Lord's Supper in twelve short sentences, and made it a duty to advocate it everywhere. Then the English hierarchy proceeded against him. The chancellor of the University of Oxford had some of the declarations pronounced heretical. When this was announced to Wycliffe, he declared that no one could change his convictions. He then appealed – not to the pope nor to the ecclesiastical authorities of the land, but to the king. He published his great confession upon the subject and also a second writing in English intended for the common people.
As long as Wycliffe limited his attacks to abuses and the wealth of the Church, he could rely on the support of part of the clergy and aristocracy, but once he dismissed the traditional doctrine of transubstantiation, his theses could not be defended any more. This view cost him the support of John of Gaunt and many others.
In the midst of this came the Peasants' Revolt of 1381. The revolt was sparked in part by Wycliffe's preaching carried throughout the realm by "poor priests" appointed by Wycliffe (mostly laymen). The preachers didn't limit their criticism of the accumulation of wealth and property to that of the monasteries, but rather included secular properties belonging to the nobility as well. Although Wycliffe disapproved of the revolt, some of his disciples justified the killing of Simon Sudbury, Archbishop of Canterbury. In 1382 Wycliffe's old enemy William Courtenay, now Archbishop of Canterbury, called an ecclesiastical assembly of notables at London. During the consultations on 21 May an earthquake occurred; the participants were terrified and wished to break up the assembly, but Courtenay declared the earthquake a favourable sign which meant the purification of the earth from erroneous doctrine, and the result of the "Earthquake Synod" was assured.
Of the 24 propositions attributed to Wycliffe without mentioning his name, ten were declared heretical and fourteen erroneous. The former had reference to the transformation in the sacrament, the latter to matters of church order and institutions. It was forbidden from that time to hold these opinions or to advance them in sermons or in academic discussions. All persons disregarding this order were to be subject to prosecution. To accomplish this the help of the State was necessary; but the Commons rejected the bill. The king, however, had a decree issued which permitted the arrest of those in error.
The citadel of the reformatory movement was Oxford, where Wycliffe's most active helpers were; these were laid under the ban and summoned to recant, and Nicholas of Hereford went to Rome to appeal.
On 17 November 1382, Wycliffe was summoned before a synod at Oxford. He still commanded the favour of the court and of Parliament, to which he addressed a memorial. He was neither excommunicated then, nor deprived of his living.
Wycliffe aimed to do away with the existing hierarchy and replace it with the "poor priests" who lived in poverty, were bound by no vows, had received no formal consecration, and preached the Gospel to the people. Itinerant preachers spread the teachings of Wycliffe. The bull of Gregory XI impressed upon them the name of Lollards, intended as an opprobrious epithet, but it became, to them, a name of honour. Even in Wycliffe's time the "Lollards" had reached wide circles in England and preached "God's law, without which no one could be justified."
In the years before his death in 1384 he increasingly argued for Scriptures as the authoritative centre of Christianity, that the claims of the papacy were unhistorical, that monasticism was irredeemably corrupt, and that the moral unworthiness of priests invalidated their office and sacraments.
Wycliffe returned to Lutterworth, and sent out tracts against the monks and Urban VI, since the latter, contrary to Wycliffe's hopes, had not turned out to be a reforming pope. The literary achievements of Wycliffe's last days, such as the "Trialogus", stand at the peak of the knowledge of his day. His last work, the "Opus evangelicum", the last part of which he named in characteristic fashion "Of Antichrist", remained uncompleted. While he was saying Mass in the parish church on Holy Innocents' Day, 28 December 1384, he suffered a stroke, and died as the year ended.
The Anti-Wycliffite Statute of 1401 extended persecution to Wycliffe's remaining followers. The "Constitutions of Oxford" of 1408 aimed to reclaim authority in all ecclesiastical matters, and specifically named John Wycliffe as it banned certain writings, and noted that translation of Scripture into English by unlicensed laity was a crime punishable by charges of heresy.
The Council of Constance declared Wycliffe a heretic on 4 May 1415, and banned his writings, effectively both excommunicating him retroactively and making him an early forerunner of Protestantism. The Council decreed that Wycliffe's works should be burned and his bodily remains removed from consecrated ground. This order, confirmed by Pope Martin V, was carried out in 1428. Wycliffe's corpse was exhumed and burned and the ashes cast into the River Swift, which flows through Lutterworth.
None of Wycliffe's contemporaries left a complete picture of his person, his life, and his activities. Paintings representing Wycliffe are from a later period. In the history of the trial by William Thorpe (1407), Wycliffe appears wasted and physically weak. Thorpe says Wycliffe was of unblemished walk in life, and regarded affectionately by people of rank, who often consorted with him, took down his sayings, and clung to him. "I indeed clove to none closer than to him, the wisest and most blessed of all men whom I have ever found."
Thomas Netter highly esteemed John Kynyngham in that he "so bravely offered himself to the biting speech of the heretic and to words that stung as being without the religion of Christ". But this example of Netter is not well chosen, since the tone of Wycliffe toward Kynyngham is that of a junior toward an elder whom one respects, and he handled other opponents in similar fashion.
Wycliffe was the most prominent English philosopher of the second half of the 14th century. He earned his great repute as a philosopher at an early date. Henry Knighton says that in philosophy he was second to none, and in scholastic discipline incomparable. There was a period in his life when he devoted himself exclusively to scholastic philosophy. His first book, "De Logica" (1360), explores the fundamentals of Scholastic Theology. He believed that "one should study Logic in order to better understand the human mind because ...human thoughts, feelings and actions bear God’s image and likeness".
The centre of Wycliffe's philosophical system is formed by the doctrine of the prior existence in the thought of God of all things and events. While Platonic realism would view "beauty' as a property that exists in an ideal form independently of any mind or thing, "for Wycliffe every universal, as part of creation, derived its existence from God, the Creator". Wycliffe was a close follower of Augustine, and always upheld the primacy of the Creator over the created reality.
A second key point of Wycliffe's is his emphasis on the notion of divine Lordship, explored in "De dominio Divino" (c. 1373), which examines the relationship between God and his creatures. The practical application of this for Wycliffe was seen in the rebellious attitude of individuals (particulars) towards rightful authority (universals). In "De civili dominio" he discusses the appropriate circumstance under which an entity may be seen as possessing authority over lesser subjects. "Dominium" is always conferred by God. "Beyond all doubt, intellectual and emotional error about universals is the cause of all sin that reigns in the world." In some of his teachings, as in "De annihilatione", the influence of Thomas Aquinas can be detected.
He said that Democritus, Plato, Augustine, and Grosseteste far outranked Aristotle. So far as his relations to the philosophers of the Middle Ages are concerned, he held to realism as opposed to the nominalism advanced by William of Ockham.
A number of Wycliffe's ideas have been carried forward in the twentieth century by philosopher and Reformed theologian Cornelius Van Til.
Wycliffe's fundamental principle of the preexistence in thought of all reality involves the most serious obstacle to freedom of the will; the philosopher could assist himself only by the formula that the free will of man was something predetermined of God. He demanded strict dialectical training as the means of distinguishing the true from the false, and asserted that logic (or the syllogism) furthered the knowledge of catholic verities; ignorance of logic was the reason why men misunderstood Scripture, since men overlooked the connection, the distinction between idea and appearance.
Wycliffe was not merely conscious of the distinction between theology and philosophy, but his sense of reality led him to pass by scholastic questions. He left aside philosophical discussions that seemed to have no significance for the religious consciousness and those that pertained purely to scholasticism: "We concern ourselves with the verities that are, and leave aside the errors which arise from speculation on matters which are not."
Wycliffe is honoured in the Church of England on 31 December, and in the Anglican Church of Canada and in the liturgical calendar of the Episcopal Church (USA) on 30 October.
Wycliffe was instrumental in the development of a translation of the Bible in English, thus making it accessible to laypeople. He also had a strong influence on Jan Hus. Several institutions are named after him:
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https://en.wikipedia.org/wiki?curid=16483
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Just another Perl hacker
Just another Perl hacker, or JAPH, typically refers to a Perl program that prints "Just another Perl hacker," (the comma is canonical but is occasionally omitted). Short JAPH programs are often used as signatures in online forums, or as T-shirt designs. The phrase or acronym is also occasionally used (without code) for a signature.
JAPH programs are classically done using extremely obfuscated methods, in the spirit of the Obfuscated C Contest. More recently, as the phenomenon has become so well known, the phrase is sometimes used in ordinary examples (without obfuscation).
The idea of using tiny Perl programs which print a signature "as a signature" was originated by Randal L. Schwartz, in his postings to the newsgroup comp.lang.perl. He wrote many of the JAPHs which are shown below.
JAPH program without obfuscation:
print "Just another Perl hacker,";
Embedding JAPH in opaque code:
$_='987;s/^(\d+)/$1-1/e;$1?eval:print"Just another Perl hacker,"';eval;
Decoding JAPH from a transposed string literal:
$_="krJhruaesrltre c a cnP,ohet";$_.=$1,print$2while s/(..)(.)//;
Printing out JAPH as separate processes:
for $i (0..4) {
kill INT => $$;
Appearing as if it does something completely unrelated to printing JAPH:
$_ = "wftedskaebjgdpjgidbsmnjgc";
tr/a-z/oh, turtleneck Phrase Jar!/; print;
Forking processes to print out one letter each in the correct order:
@P=split//,".URRUU\c8R";@d=split//,"\nrekcah xinU / lreP rehtona tsuJ";sub p{
@p{"r$p","u$p"}=(P,P);pipe"r$p","u$p";++$p;($q*=2)+=$f=!fork;map{$P=$P[$f^ord
($p{$_})&6];$p{$_}=/ ^$P/ix?$P:close$_}keys%p}p;p;p;p;p;map{$p{$_}=~/^[P.]/&&
close$_}%p;wait until$?;map{/^r/&&}%p;$_=$d[$q];sleep rand(2)if/\S/;print
Using only Perl keywords (no punctuation):
not exp log srand xor s qq qx xor
s x x length uc ord and print chr
ord for qw q join use sub tied qx
xor eval xor print qq q q xor int
eval lc q m cos and print chr ord
for qw y abs ne open tied hex exp
ref y m xor scalar srand print qq
q q xor int eval lc qq y sqrt cos
and print chr ord for qw x printf
each return local x y or print qq
s s and eval q s undef or oct xor
time xor ref print chr int ord lc
foreach qw y hex alarm chdir kill
exec return y s gt sin sort split
Using only punctuation, no alphanumeric characters. This breaks after Perl 5.30.0, as using $# and $* create fatal errors. This JAPH was written by Eric Roode and only works on Unix and Unix-like systems:
`$=`;$_=\%!;($_)=/(.)/;$==++$|;($.,$/,$,$\,$",$;,$^,$#,$~,$*,$:,@%)=(
$_++;$_++;($_,$\,$,)=($~.$"."$;$/$%[$?]$_$\$,$:$%[$?]",$"&$~,$#,);$,++
A much shorter one, using only punctuation, based on the EyeDrops module:
"=~('(?{'.('-)@.)@_*([]@!@/)(@)@-@),@(@@+@)'
ASCII art (to make this dromedary-shaped code work, the console size needs to be set to at least 119×48):
[[Category:Perl]]
[[Category:English phrases]]
[[Category:Obfuscation]]
[[Category:Test items in computer languages]]
[[Category:Computer programming folklore]]
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https://en.wikipedia.org/wiki?curid=16485
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Joe Orton
John Kingsley Orton (1 January 1933 – 9 August 1967), known under the pen name of Joe Orton, was an English playwright, author and diarist. His public career—from 1964 until his death in 1967—was short but highly influential. During this brief period he shocked, outraged, and amused audiences with his scandalous black comedies. The adjective "Ortonesque" refers to work characterised by a similarly dark yet farcical cynicism.
Orton was born at Causeway Lane Maternity Hospital, Leicester, to William A. Orton and Elsie M. Orton (née Bentley). William worked for Leicester County Borough Council as a gardener and Elsie worked in the local footwear industry until tuberculosis cost her a lung. When Joe was two years old, they moved from 261 Avenue Road Extension in Clarendon Park, Leicester, to 9 Fayrhurst Road on the Saffron Lane council estate. He had a younger brother, Douglas, and two younger sisters, Marilyn and Leonie.
Orton attended Marriot Road Primary School, but failed the eleven-plus exam after extended bouts of asthma, and so took a secretarial course at Clark's College in Leicester from 1945 to 1947. He began working as a junior clerk for £3 a week.
Orton became interested in performing in theatre around 1949 and joined a number of dramatic societies, including the Leicester Dramatic Society. While working on amateur productions he was determined to improve his appearance and physique, buying bodybuilding courses, taking elocution lessons. He was accepted for a scholarship at the Royal Academy of Dramatic Art (RADA) in November 1950, and he left the East Midlands for London. His entrance into RADA was delayed until May 1951 by appendicitis.
Orton met Kenneth Halliwell at RADA in 1951 and moved into a West Hampstead flat with him and two other students in June of that year. Halliwell was seven years older than Orton; they quickly formed a strong relationship and became lovers.
After graduating, both Orton and Halliwell went into regional repertory work: Orton spent four months in Ipswich as an assistant stage manager; Halliwell in Llandudno, Wales. Both returned to London and began to write together. They collaborated on a number of unpublished novels (often imitating Ronald Firbank) with no success at gaining publication. The rejection of their great hope, "The Last Days of Sodom," in 1957 led them to solo works. Orton wrote his last novel, "The Vision of Gombold Proval" (posthumously published as "Head to Toe"), in 1959. He later drew on these manuscripts for ideas; many show glimpses of his stage-play style.
Confident of their "specialness," Orton and Halliwell refused to work for long periods. They subsisted on Halliwell's money (and unemployment benefits) and were forced to follow an ascetic life to restrict their spending to £5 a week. From 1957 to 1959, they worked in six-month stretches at Cadbury's to raise money for a new flat; they moved into a small, austere flat at 25 Noel Road in Islington in 1959.
A lack of serious work led them to amuse themselves with pranks and hoaxes. Orton created the second self Edna Welthorpe, an elderly theatre snob, whom he later revived to stir controversy over his plays. Orton chose the name as an allusion to Terence Rattigan's archetypal playgoer Aunt Edna.
From January 1959, Orton and Halliwell began surreptitiously to remove books from several local public libraries and modify the cover art or the blurbs before returning them. A volume of poems by John Betjeman was returned to the library with a new dust jacket featuring a photograph of a nearly naked, heavily tattooed, middle-aged man. The couple decorated their flat with many of the prints. They were discovered and prosecuted in May 1962. They were found guilty on five counts of theft and malicious damage, admitted damaging more than 70 books, and were sentenced to prison for six months (released September 1962) and fined £262. The incident was reported in the "Daily Mirror" as "Gorilla in the Roses", illustrated with the altered "Collins Guide to Roses" by Bertram Park.
Orton and Halliwell felt that sentence being unduly harsh "because we were queers". Prison was a crucial formative experience; the isolation from Halliwell allowed Orton to break free of him creatively; and he saw what he considered the corruption, priggishness, and double standards of a purportedly liberal country. As Orton put it: "It affected my attitude towards society. Before I had been vaguely conscious of something rotten somewhere, prison crystallised this. The old whore society really lifted up her skirts and the stench was pretty foul... Being in the nick brought detachment to my writing. I wasn't involved any more. And suddenly it worked." The book covers that Orton and Halliwell vandalised have since become a valued part of the Islington Local History Centre collection. Some are exhibited in the Islington Museum.
A collection of the book covers is available online.
Orton began writing plays in 1959 with "Fred and Madge"; "The Visitors" followed two years later. In 1963, the BBC paid £65 for the radio play "The Ruffian on the Stair", broadcast on 31 August 1964. It was substantially rewritten for the stage in 1966.
He had completed "Entertaining Mr Sloane" by the time "Ruffian" was broadcast. He sent a copy to theatre agent Peggy Ramsay in December 1963. It premiered at the New Arts Theatre in Westminster 6 May 1964, produced by Michael Codron. Reviews ranged from praise to outrage. "The Times" described it as making "the blood boil more than any other British play in the last 10 years".
"Entertaining Mr Sloane" lost money in its three-week run, but critical praise from playwright Terence Rattigan, who invested £3,000 in it, ensured its survival. The play was transferred to Wyndham's Theatre in the West End at the end of June and to the Queen's Theatre in October. "Sloane" tied for first in the "Variety" Critics' Poll for Best New Play and Orton came second for Most Promising Playwright. Within a year, "Sloane" was performed in New York, Spain, Israel, and Australia as well as made into a film (after Orton's death) and a television play.
Orton's next performed work was "Loot". The first draft was written from June to October 1964 and was called "Funeral Games", a title Orton dropped at Halliwell's suggestion but later reused. The play is a wild parody of detective fiction, adding the blackest farce and jabs at established ideas on death, the police, religion, and justice. Orton offered the play to Codron in October 1964 and it underwent sweeping rewrites before it was judged fit for the West End.
Codron had manoeuvred Orton into meeting his colleague Kenneth Williams in August 1964. Orton reworked "Loot" with Williams in mind for Truscott. His other inspiration for the role was DS Harold Challenor.
With the success of "Sloane", "Loot" was hurried into pre-production despite its flaws. Rehearsals began in January 1965, with plans for a six-week tour culminating in a West End debut. The play opened in Cambridge on 1 February to scathing reviews.
Orton, disputing director Peter Wood over the plot, produced 133 pages of new material to replace, or add to, the original 90. The play received poor reviews in Brighton, Oxford, Bournemouth, Manchester, and finally Wimbledon in mid-March. Discouraged, Orton and Halliwell went on an 80-day holiday in Tangier, Morocco.
In January 1966, "Loot" was revived, with Oscar Lewenstein taking up an option. Before his production, it had a short run (11–23 April) at the University Theatre, Manchester. Orton's growing experience led him to cut over 600 lines, raising the tempo and improving the characters' interactions.
Directed by Braham Murray, the play garnered more favourable reviews. Lewenstein put the London production in a "sort of Off-West End theatre," the Jeannetta Cochrane Theatre in Bloomsbury, under the direction of Charles Marowitz.
Orton clashed with Marowitz, although the additional cuts they agreed to further improved the play. This production was first staged in London on 27 September 1966, to rave reviews. Ronald Bryden in "The Observer" asserted that it had "established Orton's niche in English drama". "Loot" moved to the Criterion Theatre in November where it ran for 342 performances. This time it won several awards, and he sold the film rights for £25,000. "Loot", when performed on Broadway in 1968, repeated the failure of "Sloane", and the film version of the play was not a success when it surfaced in 1970.
Over the next ten months, he revised "The Ruffian on the Stair" and "The Erpingham Camp" for the stage as a double called "Crimes of Passion", wrote "Funeral Games", the screenplay "Up Against It" for the Beatles, and his final full-length play, "What the Butler Saw".
"The Erpingham Camp", Orton's take on "The Bacchae", written through mid-1965 and offered to Associated-Rediffusion in October of that year, was broadcast on 27 June 1966 as the "pride" segment in their series "Seven Deadly Sins". "The Good and Faithful Servant" was a transitional work for Orton. A one-act television play, it was completed by June 1964 but first broadcast by Associated-Rediffusion on 6 April 1967, representing "faith" in the series "Seven Deadly Virtues".
Orton rewrote "Funeral Games" four times from July to November 1966. Also intended for "The Seven Deadly Virtues", it dealt with charity — Christian charity — in a confusion of adultery and murder. Rediffusion did not use the play; instead, it was made as one of the first productions of the new ITV company Yorkshire Television, and broadcast posthumously in the "Playhouse" series on 26 August 1968, five weeks after an adaptation of "Mr Sloane".
In March 1967, Orton and Halliwell had intended another extended holiday in Libya, but they returned home after one day because the only hotel accommodation they could find was a boat that had been converted into a hotel/nightclub.
Orton's controversial farce "What The Butler Saw" debuted in the West End in 1969, more than 18 months after his death. It opened in March at the Queen's Theatre with Sir Ralph Richardson, Coral Browne, Stanley Baxter, and Hayward Morse.
On 9 August 1967, Kenneth Halliwell bludgeoned 34-year-old Orton to death at their home in Islington, London with nine hammer blows to the head, and then killed himself with an overdose of Nembutal.
In 1970 "The Sunday Times" reported that four days before the murder, Orton had told a friend that he wanted to end his relationship with Halliwell, but did not know how to go about it.
Halliwell's doctor spoke to him by telephone three times on the day of the murder, and had arranged for him to see a psychiatrist the following morning. The last call was at 10 o'clock, during which Halliwell told the doctor, "Don't worry, I'm feeling better now. I'll go and see the doctor tomorrow morning."
Halliwell had felt increasingly threatened and isolated by Orton's success, and had come to rely on antidepressants and barbiturates. The bodies were discovered the following morning when a chauffeur arrived to take Orton to a meeting with director Richard Lester to discuss filming options on "Up Against It". Halliwell left a suicide note: "If you read his diary, all will be explained. KH PS: Especially the latter part." This is presumed to be a reference to Orton's description of his promiscuity; the diary contains numerous incidents of cottaging publicly lavatories and other casual sexual encounters, including with rent boys on holiday in North Africa. The diaries have since been published.
Orton was cremated at the Golders Green Crematorium, his maroon cloth-draped coffin being brought into the west chapel to a recording of The Beatles song "A Day in the Life". Harold Pinter read the eulogy, concluding with "He was a bloody marvellous writer." According to Dennis Dewsnap's memoir, "What's Sex Got to Do with It" (The Syden Press, 2004), Orton and Halliwell had their ashes mixed and were buried together. Dewsnap writes about Orton's agent Peggy Ramsay: "...At the scattering of Joe's and Kenneth's ashes, his sister took a handful from both urns and said, 'A little bit of Joe, and a little bit of Kenneth. I think perhaps a bit more of our Joe, and then some more of Kenneth.' At which Peggy snapped, 'Come on, dearie, it's only a gesture, not a recipe. She described Orton's relatives as simply "the little people in Leicester", leaving a cold, nondescript note and bouquet at the funeral on their behalf.
Orton's ashes lie in section 3-C of the Garden of Remembrance at Golders Green. There is no memorial.
John Lahr's biography of Orton, entitled "Prick Up Your Ears" (a title Orton himself had considered using), was published in 1978. A 1987 film adaptation of the same name was released based on Orton's diaries and on Lahr's research. Directed by Stephen Frears, it stars Gary Oldman as Orton, Alfred Molina as Halliwell and Vanessa Redgrave as Peggy Ramsay. Alan Bennett wrote the screenplay.
Carlos Be wrote a play about Orton and Halliwell's last days, "Noel Road 25: A Genius Like Us", first performed in 2001. It received its New York premiere in 2012, produced by Repertorio Español.
Joe Orton was played by the actor Kenny Doughty in the 2006 BBC film "", starring Michael Sheen as Kenneth Williams.
Leonie Orton Barnett's memoir "I Had It in Me" was published in 2016 containing new information about her brother's life growing up in Leicester.
In 2017, film-maker Chris Shepherd made an animated short inspired by Orton's Edna Welthorpe letters, 'Yours Faithfully, Edna Welthorpe (Mrs)', starring Alison Steadman as Edna
Two archive recordings of Orton are known to survive: a short BBC radio interview first transmitted in August 1967 and a video recording, held by the British Film Institute, of his appearance on Eamonn Andrews' ITV chat show transmitted 23 April 1967.
A pedestrian concourse in front of the Curve theatre in Leicester has been renamed Orton Square.
In July 2019 Dr Emma Parker, professor at the University of Leicester and an Orton expert, launched a campaign to install a statue of him in Leicester, the city of his birth. The campaign drew support from a number of notable actors including Sheila Hancock, Kenneth Cranham and Alec Baldwin.
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https://en.wikipedia.org/wiki?curid=16486
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Julian Jaynes
Julian Jaynes (February 27, 1920 – November 21, 1997) was an American researcher in psychology at Yale and Princeton for nearly 25 years and best known for his 1976 book "The Origin of Consciousness in the Breakdown of the Bicameral Mind". His career was dedicated to the problem of consciousness, “…the difference between what others see of us and our sense of our inner selves and the deep feelings that sustain it. … Men have been conscious of the problem of consciousness almost since consciousness began.” Jaynes's solution touches on many disciplines, including neuroscience, linguistics, psychology, archeology, history, religion and analysis of ancient texts.
Jaynes was born in West Newton, Massachusetts, son of Julian Clifford Jaynes (1854–1922), a Unitarian minister, and Clara Bullard Jaynes (1884–1980). He attended Harvard University, was an undergraduate at McGill University and afterwards received master's and doctorate degrees from Yale University. He was mentored by Frank A. Beach and was a close friend of Edwin G. Boring. Jaynes also spent several years in prison for refusing to participate in the second World War.
During this time period Jaynes made significant contributions in the fields of animal behavior and ethology. After Yale, Jaynes spent several years in England working as an actor and playwright. Jaynes later returned to the United States and lectured in psychology at Princeton University from 1966 to 1990, teaching a popular class on consciousness for much of that time. He was in high demand as a lecturer and was frequently invited to lecture at conferences and as a guest lecturer at other universities. In 1984, he was invited to give the plenary lecture at the Wittgenstein Symposium in Kirchberg, Austria. He gave six major lectures in 1985 and nine in 1986. He was awarded an honorary Ph.D. by Rhode Island College in 1979 and another from Elizabethtown College in 1985. He died at the Queen Elizabeth Hospital in Charlottetown, Prince Edward Island, on November 21, 1997.
In his book, Jaynes reviews what one of his early critics acknowledged as the “spectacular history of failure” to explain consciousness – “the human ability to introspect”. Abandoning the assumption that consciousness is innate, Jaynes explains it instead as a learned behavior that “arises ... from language, and specifically from metaphor.” With this understanding, Jaynes then demonstrated that ancient texts and archeology can reveal a history of human mentality alongside the histories of other cultural products. His analysis of the evidence led him not only to place the origin of consciousness during the 2nd millennium BCE but also to hypothesize the existence of an older non-conscious “mentality that he called the bicameral mind, referring to the brain’s two hemispheres”.
Jaynes wrote an extensive afterword for the 1990 edition of his book, in which he addressed criticisms and clarified that his theory has four separate hypotheses: consciousness is based on and accessed by language; the non-conscious bicameral mind is based on verbal hallucinations; the breakdown of bicameral mind precedes consciousness, but the dating is variable; the 'double brain' of bicamerality is not today's functional lateralization of the cerebral hemispheres. He also expanded on the impact of consciousness on imagination and memory, notions of The Self, emotions, anxiety, guilt, and sexuality.
"The Origin of Consciousness in the Breakdown of the Bicameral Mind" was a successful work of popular science, selling out the first print run before a second could replace it. The book was a nominee for the National Book Award in 1978, and received dozens of positive book reviews, including those by well-known critics such as John Updike in "The New Yorker", Christopher Lehmann-Haupt in the "New York Times", and Marshall McLuhan in the Toronto "Globe and Mail". Articles on Jaynes and his ideas appeared in "Time" magazine and "Psychology Today" in 1977, and in "Quest/78" in 1978. Jaynes later expanded on the ideas in his book in a series of commentaries in the journal "Behavioral and Brain Sciences", in lectures and discussions published in "Canadian Psychology", and in "Art/World". More than 40 years later, the book is still in print. It is mentioned in Richard Dawkins's 2006 work "The God Delusion" as "one of those books that is either complete rubbish or a work of consummate genius, nothing in between! Probably the former, but I'm hedging my bets."
Jaynes's work on consciousness has influenced philosophers Daniel Dennett, Susan Blackmore, and Ken Wilber, and the bicameral model of the cerebral hemispheres has influenced schizophrenia researchers Henry Nasrallah and Tim Crow.
The theory of bicamerality has been cited in thousands of books and articles, both scientific and popular. It inspired early investigations of auditory hallucination by psychologist Thomas Posey and clinical psychologist John Hamilton. With further research in the late 1990s using new brain imaging technology, Jaynes's ideas received renewed attention and recognition for contributing to a rethinking of auditory hallucinations and mental illness.
In the popular domain, the idea of bicamerality has influenced novelists Philip K. Dick, William S. Burroughs, Neal Stephenson and Robert J. Sawyer.. In 2009, American novelist Terence Hawkins published The Rage of Achilles, a re-telling of Homer’s "The Iliad" that imagines the hero’s transition from bicameral mentality to consciousness. In "The Psychology of Westworld: When Machines Go Mad", Brian J. McVeigh analyzed how bicamerality was interpreted in the 2016 science fiction TV series "Westworld".
A 2007 book titled "Reflections on the Dawn of Consciousness: Julian Jaynes's Bicameral Mind Theory Revisited" contains several of Jaynes's essays along with chapters by scholars from a variety of disciplines expanding on his ideas. At the April 2008 "Toward a Science of Consciousness" Conference held in Tucson, Arizona, Marcel Kuijsten (Executive Director and Founder of the Julian Jaynes Society) and Brian J. McVeigh (University of Arizona) hosted a workshop devoted to Jaynesian psychology. At the same conference, a panel devoted to Jaynes was also held, with John Limber (University of New Hampshire), Marcel Kuijsten, John Hainly (Southern University), Scott Greer (University of Prince Edward Island), and Brian J. McVeigh presenting relevant research. At the same conference the philosopher Jan Sleutels (Leiden University) gave a paper on Jaynesian psychology. A 2012 book titled "The Julian Jaynes Collection" gathers together many of the lectures and articles by Jaynes relevant to his theory (including some that were previously unpublished), along with interviews and question and answer sessions where Jaynes addresses misconceptions about the theory and extends the theory into new areas.
In general, Jaynes is respected as a lecturer and a historian of psychology. Marcel Kuijsten, founder of the Julian Jaynes Society, asks why, in the decades after the book's publication, "there have been few in-depth discussions, either positive or negative", rejecting as too simplistic the criticism that "Jaynes was wrong."
Jaynes described the range of responses to his book as “from people who feel [the ideas are] very important all the way to very strong hostility. ... When someone comes along and says consciousness is in history, it can’t be accepted. If [psychologists] did accept it, they wouldn’t have the motivation to go back into the laboratory ...”
W. T. Jones, a sociologist who has been described as "one of Jaynes's most thoroughgoing critics", asked in 1979, "Why, despite its implausibility, is [Jaynes's] book taken seriously by thoughtful and intelligent people?" Jones agreed with Jaynes that "the language in which talk about consciousness is conducted is metaphorical", but he contradicted the basis of Jaynes's argument – that metaphor creates consciousness – by asserting that "language (and specifically metaphor) does not create, it discovers, the similarities that language marks". Jones also argued that three "cosmological orientations" biased Jaynes’s thinking: 1) "hostility to Darwin" and natural selection; 2) a "longing for 'lost bicamerality'" (Jones accused Jaynes of holding that "we would all be better off if 'everyone' were once again schizophrenic"); 3) a "desire for a sweeping, all-inclusive formula that explains everything that has happened". Jones concluded that "... those who share these biases ... are likely to find the book convincing; those who do not will reject [Jaynes's] arguments ..."
The neurological model in "The Origin of Consciousness in the Breakdown of the Bicameral Mind" was a radical neuroscientific hypothesis that was based on research novel at the time. Today, his hypotheses are still controversial to many in the field. However, the more general idea of a "divided self" has found support from psychological and neurological studies, and many of the historical arguments made in the book remain intriguing, if not proven.
An early criticism by philosopher Ned Block argued that Jaynes had confused the emergence of consciousness with the emergence of the concept of consciousness. In other words, according to Block, humans were conscious all along but did not have the concept of consciousness and thus did not discuss it in their texts. Daniel Dennett countered that for some things, such as money, baseball, or consciousness, one cannot have the thing without also having the concept of the thing. Moreover, it is arguable that Block misinterpreted the nature of what Jaynes claimed to be a social construction.
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https://en.wikipedia.org/wiki?curid=16488
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Julia Kristeva
Julia Kristeva (; ; born 24 June 1941) is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She is now a professor emeritus at the University Paris Diderot. The author of more than 30 books, including "Powers of Horror", "Tales of Love", "Black Sun: Depression and Melancholia", "Proust and the Sense of Time", and the trilogy "Female Genius", she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation.
Kristeva became influential in international critical analysis, cultural studies and feminism after publishing her first book, "Semeiotikè", in 1969. Her sizeable body of work includes books and essays which address intertextuality, the semiotic, and abjection, in the fields of linguistics, literary theory and criticism, psychoanalysis, biography and autobiography, political and cultural analysis, art and art history. She is prominent in structuralist and poststructuralist thought.
Kristeva is also the founder of the Simone de Beauvoir Prize committee.
Born in Sliven, Bulgaria to Christian parents, Kristeva is the daughter of a church accountant. Kristeva and her sister attended a Francophone school run by Dominican nuns. Kristeva became acquainted with the work of Mikhail Bakhtin at this time in Bulgaria. Kristeva went on to study at the University of Sofia, and while a postgraduate there obtained a research fellowship that enabled her to move to France in December 1965, when she was 24. She continued her education at several French universities, studying under Lucien Goldmann and Roland Barthes, among other scholars. On August 2, 1967, Kristeva married the novelist Philippe Sollers, "born" Philippe Joyaux.
Kristeva taught at Columbia University in the early 1970s, and remains a Visiting Professor. She has also published under the married name Julia Joyaux.
After joining the 'Tel Quel group' founded by Sollers, Kristeva focused on the politics of language and became an active member of the group. She trained in psychoanalysis, and earned her degree in 1979. In some ways, her work can be seen as trying to adapt a psychoanalytic approach to the poststructuralist criticism. For example, her view of the subject, and its construction, shares similarities with Sigmund Freud and Lacan. However, Kristeva rejects any understanding of the subject in a structuralist sense; instead, she favors a subject always "in process" or "on trial". In this way, she contributes to the poststructuralist critique of essentialized structures, whilst preserving the teachings of psychoanalysis. She travelled to China in the 1970s and later wrote "About Chinese Women" (1977).
One of Kristeva's most important contributions is that signification is composed of two elements, the symbolic and the "semiotic", the latter being distinct from the discipline of semiotics founded by Ferdinand de Saussure. As explained by Augustine Perumalil, Kristeva's "semiotic is closely related to the infantile pre-Oedipal referred to in the works of Freud, Otto Rank, Melanie Klein, British Object Relation psychoanalysis, and Lacan's pre-mirror stage. It is an emotional field, tied to the instincts, which dwells in the fissures and prosody of language rather than in the denotative meanings of words." Furthermore, according to Birgit Schippers, the semiotic is a realm associated with the musical, the poetic, the rhythmic, and that which lacks structure and meaning. It is closely tied to the "feminine", and represents the undifferentiated state of the pre-Mirror Stage infant.
Upon entering the Mirror Stage, the child learns to distinguish between self and other, and enters the realm of shared cultural meaning, known as the symbolic. In "Desire in Language" (1980), Kristeva describes the symbolic as the space in which the development of language allows the child to become a "speaking subject," and to develop a sense of identity separate from the mother. This process of separation is known as abjection, whereby the child must reject and move away from the mother in order to enter into the world of language, culture, meaning, and the social. This realm of language is called the symbolic and is contrasted with the semiotic in that it is associated with the masculine, the law, and structure. Kristeva departs from Lacan in the idea that even after entering the symbolic, the subject continues to oscillate between the semiotic and the symbolic. Therefore, rather than arriving at a fixed identity, the subject is permanently "in process". Because female children continue to identify to some degree with the mother figure, they are especially likely to retain a close connection to the semiotic. This continued identification with the mother may result in what Kristeva refers to in "Black Sun" (1989) as melancholia (depression), given that female children simultaneously reject and identify with the mother figure.
It has also been suggested (e.g., Creed, 1993) that the degradation of women and women's bodies in popular culture (and particularly, for example, in slasher films) emerges because of the threat to identity that the mother's body poses: it is a reminder of time spent in the undifferentiated state of the semiotic, where one has no concept of self or identity. After abjecting the mother, subjects retain an unconscious fascination with the semiotic, desiring to reunite with the mother, while at the same time fearing the loss of identity that accompanies it. Slasher films thus provide a way for audience members to safely reenact the process of abjection by vicariously expelling and destroying the mother figure.
Kristeva is also known for her adoption of Plato’s idea of the "chora", meaning "a nourishing maternal space" (Schippers, 2011). Kristeva's idea of the "chora" has been interpreted in several ways: as a reference to the uterus, as a metaphor for the relationship between the mother and child, and as the temporal period preceding the Mirror Stage. In her essay "Motherhood According to Giovanni Bellini" from "Desire in Language" (1980), Kristeva refers to the "chora" as a "non-expressive totality formed by drives and their stases in a motility that is full of movement as it is regulated." She goes on to suggest that it is the mother's body that mediates between the "chora" and the symbolic realm: the mother has access to culture and meaning, yet also forms a totalizing bond with the child.
Kristeva is also noted for her work on the concept of intertextuality.
Kristeva argues that anthropology and psychology, or the connection between the social and the subject, do not represent each other, but rather follow the same logic: the survival of the group and the subject. Furthermore, in her analysis of Oedipus, she claims that the speaking subject cannot exist on his/her own, but that he/she "stands on the fragile threshold as if stranded on account of an impossible demarcation" ("Powers of Horror", p. 85).
In her comparison between the two disciplines, Kristeva claims that the way in which an individual excludes the abject mother as a means of forming an identity, is the same way in which societies are constructed. On a broader scale, cultures exclude the maternal and the feminine, and by this come into being.
Kristeva has been regarded as a key proponent of French feminism together with Simone de Beauvoir, Hélène Cixous, and Luce Irigaray. Kristeva has had a remarkable influence on feminism and feminist literary studies in the US and the UK, as well as on readings into contemporary art although her relation to feminist circles and movements in France has been quite controversial. Kristeva made a famous disambiguation of three types of feminism in "Women's Time" in "New Maladies of the Soul" (1993); while rejecting the first two types, including that of Beauvoir, her stands are sometimes considered rejecting feminism altogether. Kristeva proposed the idea of multiple sexual identities against the joined code of "unified feminine language".
Kristeva argues her writings have been misunderstood by American feminist academics. In Kristeva's view, it was not enough simply to dissect the structure of language in order to find its hidden meaning. Language should also be viewed through the prisms of history and of individual psychic and sexual experiences. This post-structuralist approach enabled specific social groups to trace the source of their oppression to the very language they used. However, Kristeva believes that it is harmful to posit collective identity above individual identity, and that this political assertion of sexual, ethnic, and religious identities is ultimately totalitarian.
Kristeva wrote a number of novels that resemble detective stories. While the books maintain narrative suspense and develop a stylized surface, her readers also encounter ideas intrinsic to her theoretical projects. Her characters reveal themselves mainly through psychological devices, making her type of fiction mostly resemble the later work of Dostoevsky. Her fictional oeuvre, which includes "The Old Man and the Wolves", "Murder in Byzantium", and "Possessions", while often allegorical, also approaches the autobiographical in some passages, especially with one of the protagonists of "Possessions", Stephanie Delacour—a French journalist—who can be seen as Kristeva's alter ego. "Murder in Byzantium" deals with themes from orthodox Christianity and politics; she referred to it as "a kind of anti-Da Vinci Code".
For her "innovative explorations of questions on the intersection of language, culture and literature", Kristeva was awarded the Holberg International Memorial Prize in 2004. She won the 2006 Hannah Arendt Prize for Political Thought. She has also been awarded Commander of the Legion of Honor, Commander of the Order of Merit, and the Vaclav Havel Prize. On October 10th, 2019, she received an "honoris causa" doctorate from Universidade Católica Portuguesa.
Roman Jakobson said that "Both readers and listeners, whether agreeing or in stubborn disagreement with Julia Kristeva, feel indeed attracted to her contagious voice and to her genuine gift of questioning generally adopted 'axioms,' and her contrary gift of releasing various 'damned questions' from their traditional question marks."
Roland Barthes comments that "Julia Kristeva changes the place of things: she always destroys the last prejudice, the one you thought you could be reassured by, could be take [sic] pride in; what she displaces is the already-said, the déja-dit, i.e., the instance of the signified, i.e., stupidity; what she subverts is authority -the authority of monologic science, of filiation."
Ian Almond criticizes Kristeva's ethnocentrism. He cites Gayatri Spivak's conclusion that Kristeva's book "About Chinese Women" "belongs to that very eighteenth century [that] Kristeva scorns" after pinpointing "the brief, expansive, often completely ungrounded way in which she writes about two thousand years of a culture she is unfamiliar with". Almond notes the absence of sophistication in Kristeva's remarks concerning the Muslim world and the dismissive terminology she uses to describe its culture and believers. He criticizes Kristeva's opposition which juxtaposes "Islamic societies" against "democracies where life is still fairly pleasant" by pointing out that Kristeva displays no awareness of the complex and nuanced debate ongoing among women theorists in the Muslim world, and that she does not refer to anything other than the Rushdie fatwa in dismissing the entire Muslim faith as "reactionary and persecutory".
In "Intellectual Impostures" (1997), physics professors Alan Sokal and Jean Bricmont devote a chapter to Kristeva's use of mathematics in her writings. They argue that Kristeva fails to show the relevance of the mathematical concepts she discusses to linguistics and the other fields she studies, and that no such relevance exists.
In 2018, Bulgaria's state Dossier Commission announced that Kristeva had been an agent for the Committee for State Security under the code name "Sabina". She was supposedly recruited in June 1971. Five years earlier she left Bulgaria to study in France. Under the Communist regime, any Bulgarian who wanted to travel abroad had to apply for an exit visa and get an approval from the Ministry of Interior. The process was long and difficult because anyone who made it to the west could declare political asylum. Kristeva has called the allegations "grotesque and false". On 30 March, the state Dossier Commission began publishing online the entire set of documents reflecting Kristeva's activity as an informant of the former Committee for State Security. She vigorously denies the charges.
Neal Ascherson wrote: "...the recent fuss about Julia Kristeva boils down to nothing much, although it has suited some to inflate it into a fearful scandal... But the reality shown in her files is trivial. After settling in Paris in 1965, she was cornered by Bulgarian spooks who pointed out to her that she still had a vulnerable family in the home country. So she agreed to regular meetings over many years, in the course of which she seems to have told her handlers nothing more than gossip about Aragon, Bataille & Co. from the Left Bank cafés – stuff they could have read in "Le Canard enchaîné"... the combined intelligence value of its product and her reports was almost zero. The Bulgarian security men seem to have known they were being played. But never mind: they could impress their boss by showing him a real international celeb on their books..."
Other books on Julia Kristeva:
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Just intonation
In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies. Any interval tuned in this way is called a just interval. Just intervals (and chords created by combining them) consist of members of a single harmonic series of a (lower) implied fundamental. For example, in the diagram at right, the notes G and middle C (labeled 3 and 4), are both members of the harmonic series of the lowest C and their frequencies will be 3 and 4 times, respectively, the fundamental frequency; thus, their interval ratio will be 4:3. If the frequency of the fundamental is 64 Hertz, the frequencies of the two notes in question would be 192 and 256.
To use a string as an example, it will simultaneously vibrate the full length of the string (fundamental), with a nodal point in the middle (double frequency—one octave higher), with two nodal points dividing the string in three (triple frequency—one octave and a fifth higher), with three nodal points dividing the string in four (quadruple frequency—two octaves higher), four nodal points dividing the string in five (quintuple frequency—two octaves and a major third higher) etc. Just intonation involves reproducing these exact pitches so that the resulting combination of frequencies resonate sympathetically, and the intervals have a stability and "ring" to the sound that results from this resonance.
Instruments are not always tuned using these intervals. In the Western world, instruments of fixed pitch, such as pianos, are typically tuned using equal temperament, in which intervals other than octaves consist of irrational-number frequency ratios. While those intervals approximate the overtone intervals, they don't match the frequencies of the overtone series exactly and as such don't resonate sympathetically and have as pure a "ring".
Tuning systems that have frequency ratios of powers of 2 include perfect octaves and, potentially, octave transposability.
Pythagorean tuning, or 3-limit tuning, also allows ratios including the number 3 and its powers, such as 3:2, a perfect fifth, and 9:4, a major ninth. Although the interval from C to G is called a perfect fifth for purposes of music analysis regardless of its tuning method, for purposes of discussing tuning systems musicologists may distinguish between a perfect fifth created using the 3:2 ratio and a tempered fifth using some other system, such as meantone or equal temperament.
5-limit tuning encompasses ratios additionally using the number 5 and its powers, such as 5:4, a major third, and 15:8, a major seventh. The specialized term perfect third is occasionally used to distinguish the 5:4 ratio from major thirds created using other tuning methods. 7-limit and higher systems use higher partials in the overtone series.
A wolf interval is an interval whose tuning is too far from its just-tuned equivalent, usually perceived as discordant and undesirable.
Commas are very small intervals that result from minute differences between pairs of just intervals. For example, the 5:4 ratio is different from the Pythagorean (3-limit) major third (81:64) by a difference of 81:80, called the syntonic comma.
Cents are a measure of interval size. In 12-tone equal temperament, every half step is 100 cents.
Pythagorean tuning has been attributed to both Pythagoras and Eratosthenes by later writers, but may also been analyzed by other early Greeks or other early cultures as well. The oldest known description of the Pythagorean tuning system appears in Babylonian artifacts.
During the second century AD, Claudius Ptolemy described a 5-limit diatonic scale in his influential text on music theory "Harmonics", which he called "intense diatonic". Given ratios of string lengths 120, 112 , 100, 90, 80, 75, 66 , and 60, Ptolemy quantified the tuning of what would later be called the Phrygian scale (equivalent to the major scale beginning and ending on the third note) – 16:15, 9:8, 10:9, 9:8, 16:15, 9:8, and 10:9.
Non-Western music, particular that built on pentatonic scales, is largely tuned using just intonation. In China, the guqin has a musical scale based on harmonic overtone positions. The dots on its soundboard indicate the harmonic positions: , , , , , , , , , , , , . Indian music has an extensive theoretical framework for tuning in just intonation.
The prominent notes of a given scale may be tuned so that their frequencies form (relatively) small whole number ratios.
The 5-limit diatonic major scale is tuned in such a way that major triads on the tonic, subdominant, and dominant are tuned in the proportion 4:5:6, and minor triads on the mediant and submediant are tuned in the proportion 10:12:15. Because of the two sizes of wholetone – 9:8 (major wholetone) and 10:9 (minor wholetone) – the supertonic must be microtonally lowered by a syntonic comma to form a pure minor triad.
5-limit diatonic major scale on C is shown in the table below: (Ptolemy's intense diatonic scale):
In this example the interval from D up to A would be a wolf fifth with the ratio , about 680 cents, noticeably smaller than the 702 cents of the pure ratio.
For a justly tuned harmonic minor scale, the mediant is tuned 6:5 and the submediant is tuned 8:5. Natural minor would include a tuning of 9:5 for the subtonic.
There are several ways to create a just tuning of the twelve-tone scale.
Pythagorean tuning can produce a twelve-tone scale, but it does so by involving ratios of very large numbers, corresponding to natural harmonics very high in the harmonic series that do not occur widely in physical phenomena. This tuning uses ratios involving only powers of 3 and 2, creating a sequence of just fifths or fourths, as follows:
The ratios are computed with respect to C (the "base note"). Starting from C, they are obtained by moving six steps (around the circle of fifths) to the left and six to the right. Each step consists of a multiplication of the previous pitch by 2/3 (descending fifth), 3/2 (ascending fifth), or their inversions (3/4 or 4/3).
Between the enharmonic notes at both ends of this sequence is a pitch ratio of , or about 23 cents, known as the Pythagorean comma. To produce a twelve-tone scale, one of them is arbitrarily discarded. The twelve remaining notes are repeated by increasing or decreasing their frequencies by a power of 2 (the size of one or more octaves) to build scales with multiple octaves (such as the keyboard of a piano). A drawback of Pythagorean tuning is that one of the twelve fifths in this scale is badly tuned and hence unusable (the wolf fifth, either F-D if G is discarded, or B-G if F is discarded). This twelve-tone scale is fairly close to equal temperament, but it does not offer much advantage for tonal harmony because only the perfect intervals (fourth, fifth, and octave) are simple enough to sound pure. Major thirds, for instance, receive the rather unstable interval of 81:64, sharp of the preferred 5:4 by an 81:80 ratio. The primary reason for its use is that it is extremely easy to tune, as its building block, the perfect fifth, is the simplest and consequently the most consonant interval after the octave and unison.
Pythagorean tuning may be regarded as a "three-limit" tuning system, because the ratios can be expressed as a product of integer powers of only whole numbers less than or equal to 3.
A twelve-tone scale can also be created by compounding harmonics up to the fifth. Namely, by multiplying the frequency of a given reference note (the base note) by powers of 2, 3, or 5, or a combination of them. This method is called five-limit tuning.
To build such a twelve-tone scale (using C as the base note), we may start by constructing a table containing fifteen pitches:
The factors listed in the first row and column are powers of 3 and 5, respectively (e.g., 1/9 = 3−2). Colors indicate couples of enharmonic notes with almost identical pitch. The ratios are all expressed relative to C in the centre of this diagram (the base note for this scale). They are computed in two steps:
Note that the powers of 2 used in the second step may be interpreted as ascending or descending octaves. For instance, multiplying the frequency of a note by 26 means increasing it by 6 octaves. Moreover, each row of the table may be considered to be a sequence of fifths (ascending to the right), and each column a sequence of major thirds (ascending upward). For instance, in the first row of the table, there is an ascending fifth from D and A, and another one (followed by a descending octave) from A to E. This suggests an alternative but equivalent method for computing the same ratios. For instance, one can obtain A, starting from C, by moving one cell to the left and one upward in the table, which means descending by a fifth and ascending by a major third:
Since this is below C, one needs to move up by an octave to end up within the desired range of ratios (from 1:1 to 2:1):
A 12-tone scale is obtained by removing one note for each couple of enharmonic notes. This can be done in at least three ways, which have in common the removal of G, according to a convention which was valid even for C-based Pythagorean and quarter-comma meantone scales. Note that it is a diminished fifth, close to half an octave, above the tonic C, which is a disharmonic interval; also its ratio has the largest values in its numerator and denominator of all tones in the scale, which make it least harmonious: all reasons to avoid it.
This is only one possible strategy of five-limit tuning. It consists of discarding the first column of the table (labeled ""). The resulting 12-tone scale is shown below:
The table above uses only low powers of 3 and 5 to build the base ratios. However, it can be easily extended by using higher positive and negative powers of the same numbers, such as 52 = 25, 5−2 = 1/25, 33 = 27, or 3−3 = 1/27. A scale with 25, 35 or even more pitches can be obtained by combining these base ratios, as in five-limit tuning.
In Indian music, the just diatonic scale described above is used, though there are different possibilities, for instance for the sixth pitch ("Dha"), and further modifications may be made to all pitches excepting "Sa" and "Pa".
Some accounts of Indian intonation system cite a given 22 Shrutis. According to some musicians, one has a scale of a given 12 pitches and ten in addition (the tonic, Shadja ("Sa"), and the pure fifth, Pancham ("Pa"), are inviolate):
Where we have "two" ratios for a given letter name, we have a difference of 81:80 (or 22 cents), which is known as the syntonic comma. One can see the symmetry, looking at it from the tonic, then the octave.
Some fixed just intonation scales and systems, such as the diatonic scale above, produce wolf intervals when the approximately equivalent flat note is substituted for a sharp note not available in the scale, or vice-versa. The above scale allows a minor tone to occur next to a semitone which produces the awkward ratio 32:27 for D-F, and still worse, a minor tone next to a fourth giving 40:27 for D-A. Moving D down to 10:9 alleviates these difficulties but creates new ones: D-G becomes 27:20, and D-B becomes 27:16. This fundamental problem arises in any system of tuning using a limited number of notes.
One can have more frets on a guitar to handle both As, 9:8 with respect to G and 10:9 with respect to G so that A-C can be played as 6:5 while A-D can still be played as 3:2. 9:8 and 10:9 are less than 1/53 of an octave apart, so mechanical and performance considerations have made this approach extremely rare. And the problem of how to tune chords such as C-E-G-A-D, in typical 5-limit just intonation, is left unresolved (for instance, A could be 4:3 below D (making it 9:8, if G is 1) or 4:3 above E (making it 10:9, if G is 1) but not both at the same time, so one of the fourths in the chord will have to be an out-of-tune wolf interval). However the frets may be removed entirely—this, unfortunately, makes in-tune fingering of many chords exceedingly difficult, due to the construction and mechanics of the human hand—and the tuning of most complex chords in just intonation is generally ambiguous.
Some composers deliberately use these wolf intervals and other dissonant intervals as a way to expand the tone color palette of a piece of music. For example, the extended piano pieces "The Well-Tuned Piano" by LaMonte Young and "The Harp Of New Albion" by Terry Riley use a combination of very consonant and dissonant intervals for musical effect. In "Revelation", Michael Harrison goes even further, and uses the tempo of beat patterns produced by some dissonant intervals as an integral part of several movements.
For many fixed-pitch instruments tuned in just intonation, one cannot change keys without retuning the instrument. For instance, if a piano is tuned in just intonation intervals and a minimum of wolf intervals for the key of G, then only one other key (typically E-flat) can have the same intervals, and many of the keys have a very dissonant and unpleasant sound. This makes modulation within a piece, or playing a repertoire of pieces in different keys, impractical to impossible.
Synthesizers have proven a valuable tool for composers wanting to experiment with just intonation. They can be easily retuned with a microtuner. Many commercial synthesizers provide the ability to use built-in just intonation scales or to create them manually. Wendy Carlos used a system on her 1986 album "Beauty in the Beast", where one electronic keyboard was used to play the notes, and another used to instantly set the root note to which all intervals were tuned, which allowed for modulation. On her 1987 lecture album "Secrets of Synthesis" there are audible examples of the difference in sound between equal temperament and just intonation.
The human voice is among the most pitch-flexible instruments in common use. Pitch can be varied with no restraints and adjusted in the midst of performance, without needing to retune. Although the explicit use of just intonation fell out of favour concurrently with the increasing use of instrumental accompaniment (with its attendant constraints on pitch), most a cappella ensembles naturally tend toward just intonation because of the comfort of its stability. Barbershop quartets are a good example of this.
The unfretted stringed instruments from the violin family (the violin, the viola, the cello and the double bass) are quite flexible in the way pitches can be adjusted. Stringed instruments that are not playing with fixed pitch instruments tend to adjust the pitch of key notes such as thirds and leading tones so that the pitches differ from equal temperament.
Trombones have a slide that allows arbitrary tuning during performance. French horns can be tuned by shortening or lengthening the main tuning slide on the back of the instrument, with each individual rotary or piston slide for each rotary or piston valve, and by using the right hand inside the bell to adjust the pitch by pushing the hand in deeper to sharp the note, or pulling it out to flatten the note while playing. Some natural horns also may adjust the tuning with the hand in the bell, and valved cornets, trumpets, Flugelhorns, Saxhorns, Wagner tubas, and tubas have overall and valve-by-valve tuning slides, like valved horns.
Wind instruments with valves are biased towards natural tuning and must be micro-tuned if equal temperament is required.
Other wind instruments, although built to a certain scale, can be micro-tuned to a certain extent by using the embouchure or adjustments to fingering.
Composers often impose a limit on how complex the ratios may become. For example, a composer who chooses to write in 7-limit just intonation will not employ ratios that use powers of prime numbers larger than 7. Under this scheme, ratios like 11:7 and 13:6 would not be permitted, because 11 and 13 cannot be expressed as powers of those prime numbers ≤ 7 ("i.e." 2, 3, 5, and 7).
Though just intonation in its simplest form (5-limit) may seem to suggest a necessarily tonal logic, it need not be the case. Some music of Kraig Grady and Daniel James Wolf uses just intonation scales designed by Erv Wilson explicitly for a consonant form of atonality, and many of Ben Johnston's early works, like the "Sonata for Microtonal Piano" and "String Quartet No. 2", use serialism to elide the predominance of a tonal centre.
Alternatively, composers such as La Monte Young, Ben Johnston, James Tenney, Marc Sabat, Wolfgang von Schweinitz, and Catherine Lamb have sought a new kind tonality and harmony – one based on the perception and experience of sound, which not only allows for the more familiar consonant structures, but also extends them beyond the 5-limit into a nuanced and diverse network of relationships between tones.
Yuri Landman devised a just intonation musical scale from an atonal prepared guitar playing technique based on adding a third bridge under the strings. When this bridge is positioned at nodal positions of the guitar strings' harmonic series, the volume of the instrument increases and the overtone becomes clear, having a consonant relation to the complementary opposed string part creating a harmonic multiphonic tone.
Originally a system of notation to describe scales was devised by Hauptmann and modified by Helmholtz (1877); the starting note is presumed Pythagorean; a “+” is placed between if the next note is a just major third up, a “−” if it is a just minor third, among others; finally, subscript numbers are placed on the second note to indicate how many syntonic commas (81:80) to lower by. For example, the Pythagorean major third on C is C+E () while the just major third is C+E1 (). A similar system was devised by Carl Eitz and used in Barbour (1951) in which Pythagorean notes are started with and positive or negative superscript numbers are added indicating how many commas (81:80, syntonic comma) to adjust by. For example, the Pythagorean major third on C is C−E0 while the just major third is C−E−1. An extension of this Pythagorean-based notation to higher primes is the "Helmholtz / Ellis / Wolf / Monzo system" of ASCII symbols and prime-factor-power vectors described in Monzo's "Tonalsoft Encyclopaedia".
While these systems allow precise indication of intervals and pitches in print, more recently some composers have been developing notation methods for Just Intonation using the conventional five-line staff. James Tenney, amongst others, preferred to combine JI ratios with cents deviations from the equal tempered pitches, indicated in a legend or directly in the score, allowing performers to readily use electronic tuning devices if desired.
Beginning in the 1960s, Ben Johnston had proposed an alternative approach, redefining the understanding of conventional symbols (the seven "white" notes, the sharps and flats) and adding further accidentals, each designed to extend the notation into higher prime limits. His notation "begins with the 16th-century Italian definitions of intervals and continues from there." Johnston notation is based on a diatonic C Major scale tuned in JI (Fig. 4), in which the interval between D (9:8 above C) and A (5:3 above C) is one syntonic comma less than a Pythagorean perfect fifth 3:2. To write a perfect fifth, Johnston introduces a pair of symbols, + and − again, to represent this comma. Thus, a series of perfect fifths beginning with F would proceed C G D A+ E+ B+. The three conventional white notes A E B are tuned as Ptolemaic major thirds (5:4) above F C G respectively. Johnston introduces new symbols for the septimal ( & ), undecimal ( & ), tridecimal ( & ), and further prime-number extensions to create an accidental based exact JI notation for what he has named "Extended Just Intonation" (Fig. 2 & Fig. 3). For example, the Pythagorean major third on C is C-E+ while the just major third is C-E (Fig. 4).
In 2000–2004, Marc Sabat and Wolfgang von Schweinitz worked in Berlin to develop a different accidental-based method, the Extended Helmholtz-Ellis JI Pitch Notation. Following the method of notation suggested by Helmholtz in his classic "On the Sensations of Tone as a Physiological Basis for the Theory of Music", incorporating Ellis' invention of cents, and continuing Johnston's step into "Extended JI", Sabat and Schweinitz propose unique symbols (accidentals) for each prime dimension of harmonic space. In particular, the conventional flats, naturals and sharps define a Pythagorean series of perfect fifths. The Pythagorean pitches are then paired with new symbols that commatically alter them to represent various other partials of the harmonic series (Fig. 1). To facilitate quick estimation of pitches, cents indications may be added (e.g. downward deviations below and upward deviations above the respective accidental). A typically used convention is that cent deviations refer to the "tempered pitch" implied by the flat, natural, or sharp. A complete legend and fonts for the notation (see samples) are open source and available from the Plainsound Music Edition website. For example, the Pythagorean major third on C is C-E while the just major third is C-E↓ (see Fig. 4 for "combined" symbol)
Sagittal notation (from Latin "sagitta", "arrow") is a system of arrow-like accidentals that indicate prime-number comma alterations to tones in a Pythagorean series. It is used to notate both just intonation and equal temperaments. The size of the symbol indicates the size of the alteration.
The great advantage of such notation systems is that they allow the natural harmonic series to be precisely notated. At the same time, they provide some degree of practicality through their extension of staff notation, as traditionally trained performers may draw on their intuition for roughly estimating pitch height. This may be contrasted with the more abstract use of ratios for representing pitches in which the amount by which two pitches differ and the "direction" of change may not be immediately obvious to most musicians. One caveat is the requirement for performers to learn and internalize a (large) number of new graphical symbols. However, the use of unique symbols reduces harmonic ambiguity and the potential confusion arising from indicating only cent deviations.
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Josephus
Titus Flavius Josephus (; ; 37 – 100), born Yosef ben Matityahu (, "Yosef ben Matityahu"; ), was a first-century Romano-Jewish historian who was born in Jerusalem—then part of Roman Judea—to a father of priestly descent and a mother who claimed royal ancestry.
He initially fought against the Romans during the First Jewish–Roman War as head of Jewish forces in Galilee, until surrendering in 67 CE to Roman forces led by Vespasian after the six-week siege of Jotapata. Josephus claimed the Jewish Messianic prophecies that initiated the First Jewish–Roman War made reference to Vespasian becoming Emperor of Rome. In response Vespasian decided to keep Josephus as a slave and presumably interpreter. After Vespasian became Emperor in 69 CE, he granted Josephus his freedom, at which time Josephus assumed the emperor's family name of Flavius.
Flavius Josephus fully defected to the Roman side and was granted Roman citizenship. He became an advisor and friend of Vespasian's son Titus, serving as his translator when Titus led the Siege of Jerusalem in 70 CE. Since the siege proved ineffective at stopping the Jewish revolt, the city's destruction and the looting and destruction of Herod's Temple (Second Temple) soon followed.
Josephus recorded Jewish history, with special emphasis on the first century CE and the First Jewish–Roman War (66–70 CE), including the Siege of Masada. His most important works were "The Jewish War" ( 75) and "Antiquities of the Jews" ( 94). "The Jewish War" recounts the Jewish revolt against Roman occupation. "Antiquities of the Jews" recounts the history of the world from a Jewish perspective for an ostensibly Greek and Roman audience. These works provide valuable insight into first century Judaism and the background of Early Christianity, although not specifically mentioned by Josephus. Josephus' works are the chief source next to the Bible for the history and antiquity of ancient Palestine.
Born into one of Jerusalem's elite families, Josephus introduces himself in Greek as" Iōsēpos" (Ιώσηπος), son of Matthias, an ethnic Jewish priest. He was the second-born son of Matthias. His older full-blooded brother was also called Matthias. Their mother was an aristocratic woman who descended from the royal and formerly ruling Hasmonean dynasty. Josephus's paternal grandparents were Josephus and his wife—an unnamed Hebrew noblewoman, distant relatives of each other and direct descendants of Simon Psellus. Josephus's family was wealthy. He descended through his father from the priestly order of the Jehoiarib, which was the first of the 24 orders of priests in the Temple in Jerusalem. Josephus was a descendant of the high priest Jonathon. He was raised in Jerusalem and educated alongside his brother.
In his mid twenties, he traveled to negotiate with Emperor Nero for the release of 12 Jewish priests. Upon his return to Jerusalem, at the outbreak of the First Jewish–Roman War, Josephus was appointed the military governor of Galilee. His arrival in Galilee, however, was fraught with internal division: the inhabitants of Sepphoris and Tiberias opting to maintain peace with the Romans; the people of Sepphoris enlisting the help of the Roman army to protect their city, whilst the people of Tiberias appealing to King Agrippa's forces to protect them from the insurgents. Josephus also contended with John of Gischala who had also set his sight over the control of Galilee. Like Josephus, John had amassed to himself a large band of supporters from Gischala (Gush Halab) and Gabara, including the support of the Sanhedrin in Jerusalem. Meanwhile, Josephus fortified several towns and villages in Lower Galilee, among which were Tiberias, Bersabe, Selamin, Japha, and Tarichaea, in anticipation of a Roman onslaught. In Upper Galilee, he fortified the towns of Jamnith, Seph, Mero, and Achabare, among other places. Josephus, with the Galileans under his command, managed to bring both Sepphoris and Tiberias into subjection, but was eventually forced to relinquish his hold on Sepphoris by the arrival of Roman forces under Placidus the tribune and later by Vespasian himself. Josephus first engaged the Roman army at a village called Garis, where he launched an attack against Sepphoris a second time, before being repulsed. At length, he resisted the Roman army in its siege of Yodfat (Jotapata) until it fell to the Roman army in the lunar month of Tammuz, in the thirteenth year of Nero's reign.
After the Jewish garrison of Yodfat fell under siege, the Romans invaded, killing thousands; the survivors committed suicide. According to Josephus, he was trapped in a cave with 40 of his companions in July 67 CE. The Romans (commanded by Flavius Vespasian and his son Titus, both subsequently Roman emperors) asked the group to surrender, but they refused. Josephus suggested a method of collective suicide; they drew lots and killed each other, one by one, counting to every third person. Two men were left who surrendered to the Roman forces and became prisoners. In 69 CE, Josephus was released. According to his account, he acted as a negotiator with the defenders during the Siege of Jerusalem in 70 CE, during which time his parents were held as hostages by Simon bar Giora.
While being confined at Yodfat (Jotapata), Josephus claimed to have experienced a divine revelation that later led to his speech predicting Vespasian would become emperor. After the prediction came true, he was released by Vespasian, who considered his gift of prophecy to be divine. Josephus wrote that his revelation had taught him three things: that God, the creator of the Jewish people, had decided to "punish" them; that "fortune" had been given to the Romans; and that God had chosen him "to announce the things that are to come". To many Jews, such claims were simply self-serving.
In 71 CE, he went to Rome in the entourage of Titus, becoming a Roman citizen and client of the ruling Flavian dynasty (hence he is often referred to as Flavius Josephus). In addition to Roman citizenship, he was granted accommodation in conquered Judaea and a pension. While in Rome and under Flavian patronage, Josephus wrote all of his known works. Although he uses "Josephus", he appears to have taken the Roman praenomen Titus and nomen Flavius from his patrons.
Vespasian arranged for Josephus to marry a captured Jewish woman, whom he later divorced. About 71 CE, Josephus married an Alexandrian Jewish woman as his third wife. They had three sons, of whom only Flavius Hyrcanus survived childhood. Josephus later divorced his third wife. Around 75 CE, he married his fourth wife, a Greek Jewish woman from Crete, who was a member of a distinguished family. They had a happy married life and two sons, Flavius Justus and Flavius Simonides Agrippa.
Josephus's life story remains ambiguous. He was described by Harris in 1985 as a law-observant Jew who believed in the compatibility of Judaism and Graeco-Roman thought, commonly referred to as Hellenistic Judaism. Before the 19th century, the scholar Nitsa Ben-Ari notes that his work was banned as those of a traitor, whose work was not to be studied or translated into Hebrew. His critics were never satisfied as to why he failed to commit suicide in Galilee, and after his capture, accepted the patronage of Romans.
The historian E. Mary Smallwood writes critically of Josephus:
[Josephus] was conceited, not only about his own learning, but also about the opinions held of him as commander both by the Galileans and by the Romans; he was guilty of shocking duplicity at Jotapata, saving himself by sacrifice of his companions; he was too naive to see how he stood condemned out of his own mouth for his conduct, and yet no words were too harsh when he was blackening his opponents; and after landing, however involuntarily, in the Roman camp, he turned his captivity to his own advantage, and benefited for the rest of his days from his change of side.
Author Joseph Raymond calls Josephus "the Jewish Benedict Arnold" for betraying his own troops at Jotapata.
The works of Josephus provide crucial information about the First Jewish-Roman War and also represent important literary source material for understanding the context of the Dead Sea Scrolls and late Temple Judaism.
Josephan scholarship in the 19th and early 20th centuries took an interest in Josephus's relationship to the sect of the Pharisees. It consistently portrayed him as a member of the sect and as a traitor to the Jewish nation—a view which became known as the classical concept of Josephus. In the mid-20th century a new generation of scholars challenged this view and formulated the modern concept of Josephus. They consider him a Pharisee but restore his reputation in part as patriot and a historian of some standing. In his 1991 book, Steve Mason argued that Josephus was not a Pharisee but an orthodox Aristocrat-Priest who became associated with the philosophical school of the Pharisees as a matter of deference, and not by willing association.
The works of Josephus include useful material for historians about individuals, groups, customs, and geographical places. Josephus mentions that in his day there were 240 towns and villages scattered across Upper and Lower Galilee, some of which he names. A few of the Jewish customs named by him include the practice of hanging a curtain of fine-linen at the entrance to one's house, and the Jewish custom to partake of a Sabbath-day's meal around the sixth-hour of the day (at noon). He notes also that it was permissible for Jewish men to marry many wives (polygamy). His writings provide a significant, extra-Biblical account of the post-Exilic period of the Maccabees, the Hasmonean dynasty, and the rise of Herod the Great. He describes the Sadducees, Jewish High Priests of the time, Pharisees and Essenes, the Herodian Temple, Quirinius' census and the Zealots, and such figures as Pontius Pilate, Herod the Great, Agrippa I and Agrippa II, John the Baptist, James the brother of Jesus, and Jesus (found only in the Slavonic version of the "Jewish War"). Josephus represents an important source for studies of immediate post-Temple Judaism and the context of early Christianity.
A careful reading of Josephus's writings and years of excavation allowed Ehud Netzer, an archaeologist from Hebrew University, to discover what he considered to be the location of Herod's Tomb, after searching for 35 years. It was above aqueducts and pools, at a flattened desert site, halfway up the hill to the Herodium, 12 km south of Jerusalem—as described in Josephus's writings. In October 2013, archaeologists Joseph Patrich and Benjamin Arubas challenged the identification of the tomb as that of Herod. According to Patrich and Arubas, the tomb is too modest to be Herod's and has several unlikely features. Roi Porat, who replaced Netzer as excavation leader after the latter's death, stood by the identification.
Josephus's writings provide the first-known source for many stories considered as Biblical history, despite not being found in the Bible or related material. These include Ishmael as the founder of the Arabs, the connection of "Semites", "Hamites" and "Japhetites" to the classical nations of the world, and the story of the Siege of Masada.
For many years, the works of Josephus were largely known in Europe only in an imperfect Latin translation from the original Greek. Only in 1544 did a version of the standard Greek text become available in French, edited by the Dutch humanist Arnoldus Arlenius. The first English translation, by Thomas Lodge, appeared in 1602, with subsequent editions appearing throughout the 17th century. The 1544 Greek edition formed the basis of the 1732 English translation by William Whiston, which achieved enormous popularity in the English-speaking world. It was often the book—after the Bible—that Christians most frequently owned. A cross-reference apparatus for Whiston's version of Josephus and the biblical canon also exists. Whiston claimed that certain works by Josephus had a similar style to the Epistles of St Paul.
Later editions of the Greek text include that of Benedikt Niese, who made a detailed examination of all the available manuscripts, mainly from France and Spain. Henry St. John Thackeray used Niese's version for the Loeb Classical Library edition widely used today.
The standard "editio maior" of the various Greek manuscripts is that of Benedictus Niese, published 1885–95. The text of "Antiquities" is damaged in some places. In the "Life", Niese follows mainly manuscript P, but refers also to AMW and R. Henry St. John Thackeray for the Loeb Classical Library has a Greek text also mainly dependent on P. André Pelletier edited a new Greek text for his translation of "Life". The ongoing Münsteraner Josephus-Ausgabe of Münster University will provide a new critical apparatus. There also exist late Old Slavonic translations of the Greek, but these contain a large number of Christian interpolations.
Scholars debate about Josephus's intended audience. For example, "Antiquities of the Jews" could be written for Jews—"a few scholars from Laqueur onward have suggested that Josephus must have written primarily for fellow-Jews (if also secondarily for Gentiles). The most common motive suggested is repentance: in later life he felt so badly about the traitorous "War" that he needed to demonstrate … his loyalty to Jewish history, law and culture." However, Josephus's "countless incidental remarks explaining basic Judean language, customs and laws … assume a Gentile audience. He does not expect his first hearers to know anything about the laws or Judean origins." The issue of who would read this multi-volume work is unresolved. Other possible motives for writing "Antiquities" could be to dispel the misrepresentation of Jewish origins or as an apologetic to Greek cities of the Diaspora in order to protect Jews and to Roman authorities to garner their support for the Jews facing persecution. Neither motive explains why the proposed Gentile audience would read this large body of material.
In the Preface to "Jewish Wars", Josephus criticizes historians who misrepresent the events of the Jewish–Roman War, writing that "they have a mind to demonstrate the greatness of the Romans, while they still diminish and lessen the actions of the Jews." Josephus states that his intention is to correct this method but that he "will not go to the other extreme … [and] will prosecute the actions of both parties with accuracy." Josephus suggests his method will not be wholly objective by saying he will be unable to contain his lamentations in transcribing these events; to illustrate this will have little effect on his historiography, Josephus suggests, "But if any one be inflexible in his censures of me, let him attribute the facts themselves to the historical part, and the lamentations to the writer himself only."
His preface to "Antiquities" offers his opinion early on, saying, "Upon the whole, a man that will peruse this history, may principally learn from it, that all events succeed well, even to an incredible degree, and the reward of felicity is proposed by God." After inserting this attitude, Josephus contradicts himself: "I shall accurately describe what is contained in our records, in the order of time that belongs to them … without adding any thing to what is therein contained, or taking away any thing therefrom." He notes the difference between history and philosophy by saying, "[T]hose that read my book may wonder how it comes to pass, that my discourse, which promises an account of laws and historical facts, contains so much of philosophy."
In both works, Josephus emphasizes that accuracy is crucial to historiography. Louis H. Feldman notes that in "Wars", Josephus commits himself to critical historiography, but in "Antiquities", Josephus shifts to rhetorical historiography, which was the norm of his time. Feldman notes further that it is significant that Josephus called his later work "Antiquities" (literally, archaeology) rather than history; in the Hellenistic period, archaeology meant either "history from the origins or archaic history." Thus, his title implies a Jewish peoples' history from their origins until the time he wrote. This distinction is significant to Feldman, because "in ancient times, historians were expected to write in chronological order," while "antiquarians wrote in a systematic order, proceeding topically and logically" and included all relevant material for their subject. Antiquarians moved beyond political history to include institutions and religious and private life. Josephus does offer this wider perspective in "Antiquities".
To compare his historiography with another ancient historian, consider Dionysius of Halicarnassus. Feldman lists these similarities: "Dionysius in praising Rome and Josephus in praising Jews adopt same pattern; both often moralize and psychologize and stress piety and role of divine providence; and the parallels between … Dionysius's account of deaths of Aeneas and Romulus and Josephus's description of the death of Moses are striking."
The works of Josephus are major sources of our understanding of Jewish life and history during the first century.
His first work in Rome was an account of the Jewish War, addressed to certain "upper barbarians"—usually thought to be the Jewish community in Mesopotamia—in his "paternal tongue" ("War" I.3), arguably the Western Aramaic language. In 78 CE he finished a seven-volume account in Greek known as the "Jewish War" (Latin "Bellum Judaicum" or "De Bello Judaico"). It starts with the period of the Maccabees and concludes with accounts of the fall of Jerusalem, and the subsequent fall of the fortresses of Herodion, Macharont and Masada and the Roman victory celebrations in Rome, the mopping-up operations, Roman military operations elsewhere in the empire and the uprising in Cyrene. Together with the account in his "Life" of some of the same events, it also provides the reader with an overview of Josephus's own part in the events since his return to Jerusalem from a brief visit to Rome in the early 60s ("Life" 13–17).
In the wake of the suppression of the Jewish revolt, Josephus would have witnessed the marches of Titus's triumphant legions leading their Jewish captives, and carrying treasures from the despoiled Temple in Jerusalem. It was against this background that Josephus wrote his "War", claiming to be countering anti-Judean accounts. He disputes the claim that the Jews served a defeated God and were naturally hostile to Roman civilization. Rather, he blames the Jewish War on what he calls "unrepresentative and over-zealous fanatics" among the Jews, who led the masses away from their traditional aristocratic leaders (like himself), with disastrous results. Josephus also blames some of the Roman governors of Judea, representing them as corrupt and incompetent administrators. According to Josephus, the traditional Jew was, should be, and can be a loyal and peace-loving citizen. Jews can, and historically have, accepted Rome's hegemony precisely because their faith declares that God himself gives empires their power.
The next work by Josephus is his twenty-one volume "Antiquities of the Jews", completed during the last year of the reign of the Emperor Flavius Domitian, around 93 or 94 CE. In expounding Jewish history, law and custom, he is entering into many philosophical debates current in Rome at that time. Again he offers an "apologia" for the antiquity and universal significance of the Jewish people. Josephus claims to be writing this history because he "saw that others perverted the truth of those actions in their writings," those writings being the history of the Jews. In terms of some of his sources for the project, Josephus says that he drew from and "interpreted out of the Hebrew Scriptures" and that he was an eyewitness to the wars between the Jews and the Romans, which were earlier recounted in "Jewish Wars".
He outlines Jewish history beginning with the creation, as passed down through Jewish historical tradition. Abraham taught science to the Egyptians, who, in turn, taught the Greeks. Moses set up a senatorial priestly aristocracy, which, like that of Rome, resisted monarchy. The great figures of the Tanakh are presented as ideal philosopher-leaders. He includes an autobiographical appendix defending his conduct at the end of the war when he cooperated with the Roman forces.
Louis H. Feldman outlines the difference between calling this work "Antiquities of the Jews" instead of "History of the Jews". Although Josephus says that he describes the events contained in "Antiquities" "in the order of time that belongs to them," Feldman argues that Josephus "aimed to organize [his] material systematically rather than chronologically" and had a scope that "ranged far beyond mere political history to political institutions, religious and private life."
Josephus's "Against Apion" is a two-volume defence of Judaism as classical religion and philosophy, stressing its antiquity, as opposed to what Josephus claimed was the relatively more recent tradition of the Greeks. Some anti-Judaic allegations ascribed by Josephus to the Greek writer Apion and myths accredited to Manetho are also addressed.
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Judy Blume
Judy Blume (born Judith Sussman; February 12, 1938) is an American writer of children's, young adult (YA) and adult fiction. Some of her best known works are "Are You There God? It's Me, Margaret." (1970), "Tales of a Fourth Grade Nothing" (1972), "Deenie" (1973), and "Blubber" (1974). "The New Yorker" has called her books "talismans that, for a significant segment of the American female population, marked the passage from childhood to adolescence."
Publishing her first novel in 1969, Blume was one of the first authors to write YA novels about topics that some still consider to be taboo including masturbation, menstruation, teen sex, birth control, and death. She was a catalyst for the movement of controversial topics being expressed in children's and/or YA literature. Blume expressed how adults were not honest with her about this information she shares with her readers. This has led to criticism from individuals and groups that would like to see her books banned. This controversy has led to the American Library Association (ALA) naming Blume as one of the most frequently challenged authors of the 21st century.
Despite her critics, Blume's books have sold over 82 million copies and they've been translated into 32 languages. She has won a number of awards for her writing, including ALA's Margaret A. Edwards Award for her contributions to young adult literature. She was recognized as a Library of Congress Living Legend and she was awarded the 2004 National Book Foundation medal for distinguished contribution to American letters.
Blume was born on February 12, 1938, and raised in Elizabeth, New Jersey, the daughter of homemaker Esther (née Rosenfeld) and dentist Rudolph Sussman. She has a brother, David, who is five years older. Her family was Jewish. Blume has recalled, "I spent most of my childhood making up stories inside of my head." She graduated from Battin High School in 1956, then enrolled in Boston University. In the first semester, she was diagnosed with mononucleosis and took a brief leave from school before graduating from New York University in 1961 with a bachelor's degree in Education. In 1951 and 1952, there were three airplane crashes in her hometown of Elizabeth. 118 people died in the crashes, and Blume's father, who was a dentist, helped to identify the unrecognizable remains. Blume says she "buried" these memories until she began writing her 2015 novel "In the Unlikely Event", the plot of which revolves around the crashes.
A lifelong avid reader, Blume first began writing when her children were attending preschool, and she was living in the New Jersey communities of Plainfield and Scotch Plains. She published her first book, "The One in the Middle Is the Green Kangaroo", in 1969. The decade that followed proved to be her most prolific, with 13 more books being published, including many of her most well-known titles, such as "Are You There God? It's Me, Margaret." (1970), "Tales of a Fourth Grade Nothing" (1972), "Otherwise Known as Sheila the Great" (1972), and "Blubber" (1974).
After publishing novels for young children and teens, Blume tackled another genre—adult reality and death. Her novels "Wifey" (1978) and "Smart Women" (1983) reached the top of "The New York Times" Best Seller list. "Wifey" became a bestseller with over 4 million copies sold. Blume's third adult novel, "Summer Sisters" (1998), was widely praised and sold more than three million copies. It spent 5 months on "The New York Times" Bestseller list, with the hardcover reaching #3 and the paperback spent several weeks at #1. Several of Blume's books appear on the list of top all-time bestselling children's books.
Blume's books have sold over 82 million copies and they've been translated into 32 languages. Judy Blume has won more than 90 literary awards, including three lifetime achievement awards in the US. The ALA Margaret A. Edwards Award recognizes one writer and a particular body of work for "significant and lasting contribution to young adult literature". Blume won the annual award in 1996 citing the single book "Forever," published in 1975. According to the citation, "She broke new ground in her frank portrayal of Michael and Katherine, high school seniors who are in love for the first time. Their love and sexuality are described in an open, realistic manner and with great compassion." In April 2000 the Library of Congress named her to its "Living Legends" in the Writers and Artists category for her significant contributions to America's cultural heritage. In 2004 she received the annual Distinguished Contribution to American Letters Medal of the National Book Foundation as someone who "has enriched [American] literary heritage over a life of service, or a corpus of work."
The film version of Blume's 1981 novel "Tiger Eyes" was directed by the author's son, Lawrence Blume. Released in 2012, it stars Willa Holland as Davey and Amy Jo Johnson as Gwen Wexler.
Blume has championed intellectual freedom throughout her career, serving as an advocate against book banning and media censorship. In the 1980s, she began reaching out to other writers, as well as teachers and librarians, to join the cause. This led to Blume joining the National Coalition Against Censorship. All of her efforts go into helping protect the freedom to read. She is also the founder and trustee of a charitable and education foundation, called "The Kids Fund." Blume serves on the board for other organizations such as, "the Author's Guild; the Society of Children's Book Writers and Illustrators; the Key West Literary Seminar; and the National Coalition Against Censorship."
In October 2017, Yale University acquired Blume's archive, which included some unpublished early work.
On August 15, 1959, in the summer of her senior year of college, she married John M. Blume, whom she had met while a student at New York University. He became a lawyer, while she was a homemaker before supporting her family by teaching and writing. They had two children: Randy, a therapist (born 1961); and Lawrence Andrew, a filmmaker (born 1963). The couple were divorced in 1975. Blume later described the marriage as "suffocating", although she maintained her first husband's surname. Blume has stated that Lawrence was the inspiration for the character of "Fudge". Blume has one grandchild from her daughter, Randy – a grandson named Elliot Kephart. Elliot is credited with encouraging his grandmother to write the most recent "Fudge" books.
Shortly after her separation, she met Thomas A. Kitchens, a physicist. The couple married in 1976, and they moved to New Mexico for Kitchens' work. They divorced in 1979. She later spoke about their split: "It was a disaster, a total disaster. After a couple years, I got out. I cried every day. Anyone who thinks my life is cupcakes is all wrong."
A mutual friend introduced her to George Cooper, a former law professor turned non-fiction writer. Blume and Cooper were married in 1987. Cooper has one daughter, Amanda, from a previous marriage. They resided in Key West.
Blume announced she was diagnosed with breast cancer in August 2012 after undergoing a routine ultrasound as she was preparing to leave for a five-week trip to Italy. She stated that she had been diagnosed with cervical cancer 17 years earlier, and had a subsequent hysterectomy.
Blume's novels for teenagers tackled racism ("Iggie's House"), religion,menstruation ("Are You There God? It's Me, Margaret."), divorce ("It's Not the End of the World", "Just as Long as We're Together"), bullying ("Blubber"), masturbation ("Deenie", "Then Again, Maybe I Won't"), sexuality ("Forever"), and family issues ("Here's to You, Rachel Robinson"). Blume has used these subjects to generate discussion, but they have also been the source of controversy regarding age-appropriate reading.
Blume is the subject of the 2018 song "Judy Blume" by Amanda Palmer. Thematically, the song cultivates in the listener an understanding of Blume's role in Palmer's adolescent life, Blume's books influential in Palmer's understanding of intimate and female-centered subjects such as puberty, menstruation, and the male gaze, and universal subjects like molestation, eating disorders, poverty, grief, and parental divorce.
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John Pople
Sir John Anthony Pople (31 October 1925 – 15 March 2004) was a British theoretical chemist who was awarded the Nobel Prize in Chemistry with Walter Kohn in 1998 for his development of computational methods in quantum chemistry.
Pople was born in Burnham-on-Sea, Somerset, and attended the Bristol Grammar School. He won a scholarship to Trinity College, Cambridge, in 1943. He received his Bachelor of Arts degree in 1946. Between 1945 and 1947 he worked at the Bristol Aeroplane Company. He then returned to the University of Cambridge and was awarded his PhD in mathematics in 1951 on lone pair electrons.
After obtaining his PhD, he was a research fellow at Trinity College, Cambridge and then from 1954 a lecturer in the mathematics faculty at Cambridge. In 1958, he moved to the National Physical Laboratory, near London as head of the new basics physics division. He moved to the United States of America in 1964, where he lived the rest of his life, though he retained British citizenship. Pople considered himself more of a mathematician than a chemist, but theoretical chemists consider him one of the most important of their number. In 1964 he moved to Carnegie Mellon University in Pittsburgh, Pennsylvania, where he had experienced a sabbatical in 1961 to 1962. In 1993 he moved to Northwestern University in Evanston, Illinois where he was Trustees Professor of Chemistry until his death.
Pople's major scientific contributions were in four different areas:
Pople's early paper on the statistical mechanics of water, according to Michael J. Frisch, "remained the standard for many years. This was his thesis topic for his PhD at Cambridge supervised by John Lennard-Jones.
In the early days of nuclear magnetic resonance he studied the underlying theory, and in 1959 he co-authored the textbook "High Resolution Nuclear Magnetic Resonance" with W.G. Schneider and H.J. Bernstein.
He made major contributions to the theory of approximate molecular orbital (MO) calculations, starting with one identical to the one developed by Rudolph Pariser and Robert G. Parr on pi electron systems, and now called the Pariser-Parr-Pople method. Subsequently, he developed the methods of Complete Neglect of Differential Overlap (CNDO) (in 1965) and Intermediate Neglect of Differential Overlap (INDO) for approximate MO calculations on three-dimensional molecules, and other developments in computational chemistry. In 1970 he and David Beveridge coauthored the book "Approximate Molecular Orbital Theory" describing these methods.
Pople pioneered the development of more sophisticated computational methods, called ab initio quantum chemistry methods, that use basis sets of either Slater type orbitals or Gaussian orbitals to model the wave function. While in the early days these calculations were extremely expensive to perform, the advent of high speed microprocessors has made them much more feasible today. He was instrumental in the development of one of the most widely used computational chemistry packages, the Gaussian suite of programs, including coauthorship of the first version, Gaussian 70. One of his most important original contributions is the concept of a model chemistry whereby a method is rigorously evaluated across a range of molecules. His research group developed the quantum chemistry composite methods such as Gaussian-1 (G1) and Gaussian-2 (G2). In 1991, Pople stopped working on Gaussian and several years later he developed (with others) the Q-Chem computational chemistry program. Prof. Pople's departure from Gaussian, along with the subsequent banning of many prominent scientists, including himself, from using the software gave rise to considerable controversy among the quantum chemistry community.
The Gaussian molecular orbital methods were described in the 1986 book "Ab initio molecular orbital theory" by Warren Hehre, Leo Radom, Paul v.R. Schleyer and Pople.
Pople received the Nobel Prize in Chemistry in 1998. He was elected a Fellow of the Royal Society (FRS) in 1961. He was made a Knight Commander (KBE) of the Order of the British Empire in 2003. He was a founding member of the International Academy of Quantum Molecular Science.
An IT room and a scholarship are named after him at Bristol Grammar School, as is a supercomputer at the Pittsburgh Supercomputing Center.
Pople married Joy Bowers in 1952 and was married until her death from cancer in 2002. Pople died of liver cancer in Chicago in 2004. He was survived by his daughter Hilary, and sons Adrian, Mark and Andrew. In accordance with his wishes, Pople's Nobel Medal was given to Carnegie Mellon University by his family on 5 October 2009.
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Jerry Falwell Sr.
Jerry Lamon Falwell Sr. (; August 11, 1933 – May 15, 2007) was an American Southern Baptist pastor, televangelist, and conservative activist. He was the founding pastor of the Thomas Road Baptist Church, a megachurch in Lynchburg, Virginia. He founded Lynchburg Christian Academy (now Liberty Christian Academy) in 1967 and Liberty University in 1971 and co-founded the Moral Majority in 1979.
On May 15, 2007, Falwell died suddenly of cardiac arrhythmia in his office at Liberty University at the age of 73. He was buried in the grounds of the university he founded.
Falwell and his twin brother Gene were born in the Fairview Heights area of Lynchburg, Virginia on August 11, 1933, the sons of Helen Virginia ("née" Beasley) and Carey Hezekiah Falwell. His father was an entrepreneur and one-time bootlegger who was agnostic. His grandfather was a staunch atheist. Jerry Falwell married the former Macel Pate on April 12, 1958. The couple had sons Jerry Jr. (a lawyer, now chancellor of Liberty University) and Jonathan (senior pastor at Thomas Road Baptist Church) and a daughter Jeannie (a surgeon).
Falwell and his wife had a close relationship, and she supported him throughout his career. The Falwells often appeared together in public, and they did not shy away from showing physical affection. Reflecting on his marriage, Falwell jokingly commented, "Macel and I have never considered divorce. Murder maybe, but never divorce." Macel appreciated her husband's non-combative, affable nature, writing in her book that he "hated confrontation and didn't want strife in our home... he did everything in his power to make me happy." The Falwells were married nearly fifty years until his death.
He graduated from Brookville High School in Lynchburg, and from the then-unaccredited Baptist Bible College in Springfield, Missouri in 1956. Falwell was later awarded three honorary doctoral degrees: Doctor of Divinity from Tennessee Temple Theological Seminary, Doctor of Letters from California Graduate School of Theology, and Doctor of Laws from Central University in Seoul, South Korea.
In 1956, aged 22, Falwell founded the Thomas Road Baptist Church. Originally located at 701 Thomas Road in Lynchburg, Virginia, with 35 members, the church became a megachurch. In the same year, he began the "Old Time Gospel Hour", a nationally syndicated radio and television ministry. When Falwell died, his son Jonathan became heir to his father's ministry, and took over as the senior pastor of the church. At this time, the weekly program's name was changed to "Thomas Road Live".
During the 1950s and 1960s, Falwell spoke and campaigned against the U.S. civil rights activist Martin Luther King Jr. and the racial desegregation of public school systems by the U.S. federal government. Liberty Christian Academy (LCA, founded as Lynchburg Christian Academy) is a Christian school in Lynchburg which was described in 1966 by the "Lynchburg News" as "a private school for white students."
The Lynchburg Christian Academy later opened in 1967 by Falwell as a segregation academy and as a ministry of Thomas Road Baptist Church.
The Liberty Christian Academy is today recognized as an educational facility by the Commonwealth of Virginia through the Virginia State Board of Education, Southern Association of Colleges and Schools, and the Association of Christian Schools International.
In 1971, Jerry Falwell Sr. co-founded Liberty University with Elmer L. Towns. Liberty University offers over 350 accredited programs of study, with approximately 13,000 residential students and 90,000 online.
By 1974, the Internal Revenue Service (IRS) moved to revoke the tax-exempt status of Bob Jones University, which forbade interracial dating (blacks had been denied entry until 1971). The decisions infuriated Falwell. "In some states it's easier to open a massage parlor than to open a Christian school", Falwell complained.
What brought Falwell and other white evangelicals into common cause with political conservatives was a ruling issued in 1978 by the IRS. This ruling stripped tax-exempt status from all-white private schools formed in the South in reaction to the "Brown v. Board of Education" Supreme Court ruling to desegregate public schools. Falwell had founded one of these schools in Lynchburg, though he and other white evangelicals insisted that their schools were Christian academies, not segregation academies. "In one fell swoop," writes political scientist Corey Robin, "the heirs of slaveholders became the descendants of persecuted Baptists, and Jim Crow a heresy the First Amendment was meant to protect." In this controversy, the Religious Right found its voice and its power. It also found common cause with political conservatives.
The Heritage Foundation co-founder Paul Weyrich said Falwell launched the Moral Majority political action committee during 1979 to aid the Catholic public protest against legal abortion in the United States in response to U.S. President Jimmy Carter's "intervention against Christian schools" [the IRS intervention began during the Ford Administration] by "trying to deny them tax-exempt status on the basis of so-called "de facto" segregation".
The Moral Majority became one of the largest political lobby groups for evangelical Christians in the United States during the 1980s. According to Falwell's self-published autobiography, the Moral Majority was promoted as being "pro-life", "pro-traditional family", "pro-moral" and "pro-American" and was credited with delivering two thirds of the white, evangelical Christian vote to Ronald Reagan during the 1980 presidential election. According to Jimmy Carter, "that autumn [1980] a group headed by Jerry Falwell purchased $10 million in commercials on southern radio and TV to brand me as a traitor to the South and no longer a Christian." During his time as head of the Moral Majority, Falwell consistently pushed for Republican candidates and for conservative politics. This led Billy Graham to criticize him for "sermonizing" about political issues that lacked a moral element, before adding, "We did not always agree on everything, but I knew him to be a man of God. His accomplishments went beyond most clergy of his generation."
In March 1987, Pentecostal televangelist Jim Bakker became the subject of media scrutiny when it was revealed that he had a sexual encounter (and alleged rape) with Jessica Hahn and had paid for her silence. Bakker believed that fellow Pentecostal pastor Jimmy Swaggart was attempting to take over his ministry because he had initiated a church investigation into allegations of his sexual misconduct. To avoid the takeover, Bakker resigned on March 19 and appointed Falwell to succeed him as head of his PTL ministry, which included the PTL Satellite Network, television program "The PTL Club" and the Christian-themed amusement park Heritage USA.
Bakker believed Falwell would temporarily lead the ministry until the scandal died down, but Falwell barred Bakker from returning to PTL on April 28, and referred to him as "probably the greatest scab and cancer on the face of Christianity in 2,000 years of church history". Later that summer, as donations to the ministry declined in the wake of Bakker's scandal and resignation, Falwell raised $20 million to keep PTL solvent and delivered on a promise to ride the water slide at Heritage USA. Despite this, Falwell was unable to bring the ministry out of bankruptcy and he resigned in October 1987.
Falwell strongly advocated beliefs and practices he believed were taught by the Bible. The church, Falwell asserted, was the cornerstone of a successful family. Not only was it a place for spiritual learning and guidance, it was also a gathering place for fellowship and socializing with like-minded individuals. Often he built conversations he had with parishioners after the worship service into focused speeches or organized goals he would then present to a larger audience via his various media outlets.
Falwell found the Vietnam war problematic because he felt it was being fought with "limited political objectives", when it should have been an all out war against the North. In general, Falwell held that the president "as a minister of God" has the right to use arms to "bring wrath upon those who would do evil."
On his evangelist program "The Old-Time Gospel Hour" in the mid 1960s, Falwell regularly featured segregationist politicians like Lester Maddox and George Wallace. About Martin Luther King he said: "I do question the sincerity and nonviolent intentions of some civil rights leaders such as Dr. Martin Luther King Jr., Mr. James Farmer, and others, who are known to have left-wing associations."
In speaking of the "Brown v. Board of Education" ruling, he said, in 1958:
In 1977, Falwell supported Anita Bryant's campaign, which was called by its proponents "Save Our Children", to overturn an ordinance in Dade County, Florida prohibiting discrimination on the basis of sexual orientation, and he supported a similar movement in California.
Twenty-eight years later, during a 2005 MSNBC television appearance, Falwell said he was not troubled by reports that the nominee for Chief Justice of the United States Supreme Court, John G. Roberts (whose appointment was confirmed by the U.S. Senate) had done volunteer legal work for homosexual rights activists on the case of "Romer v. Evans". Falwell told MSNBC's Tucker Carlson that if he were a lawyer, he too would argue for civil rights for LGBT people. "I may not agree with the lifestyle, but that has nothing to do with the civil rights of that part of our constituency," Falwell said. When Carlson countered that conservatives "are always arguing against 'special rights' for gays," Falwell said equal access to housing and employment are basic rights, not special rights. "Civil rights for all Americans, black, white, red, yellow, the rich, poor, young, old, gay, straight, et cetera, is not a liberal or conservative value. It's an American value that I would think that we pretty much all agree on."
Falwell's staunch pro-Israel stand, sometimes referred to as "Christian Zionism", drew the strong support of the Anti-Defamation League and its leader Abraham Foxman. However, they condemned what they perceived as intolerance towards Muslims in Falwell's public statements. They also criticized him for remarking that "Jews can make more money accidentally than you can on purpose." In his book "Listen, America!" Falwell referred to the Jewish people as "spiritually blind and desperately in need of their Messiah and Savior."
In the 1984 book "Jerry Falwell and the Jews", Falwell is quoted saying: "I feel that the destiny of the state of Israel is without question the most crucial international matter facing the world today. I believe that the people of Israel have not only a theological but also a historical and legal right to the land [of Palestine]. I am personally a Zionist, having gained that perspective from my belief in Old Testament Scriptures. I have also visited Israel many times. I have arrived at the conclusion that unless the United States maintains its unswerving devotion to the State of Israel, the very survival of that nation is at stake... Every American who agrees Israel has the right to the land must be willing to exert all possible pressure on the powers that be to guarantee America's support of the State of Israel at this time."
Falwell repeatedly denounced certain teachings in public schools and secular education in general, calling them breeding grounds for atheism, secularism, and humanism, which he claimed to be in contradiction with Christian morality. He advocated that the United States change its public education system by implementing a school voucher system which would allow parents to send their children to either public or private schools. In his book "America Can Be Saved" he wrote that "I hope I live to see the day when, as in the early days of our country, we won't have any public schools. The churches will have taken them over again and Christians will be running them."
Falwell supported President George W. Bush's Faith Based Initiative, but had strong reservations concerning where the funding would go and the restrictions placed on churches. "My problem is where it might go under his successors. ... I would not want to put any of the Jerry Falwell Ministries in a position where we might be subservient to a future Bill Clinton, God forbid. ... It also concerns me that once the pork barrel is filled, suddenly the Church of Scientology, the Jehovah Witnesses "", the various and many denominations and religious groups—and I don't say those words in a pejorative way—begin applying for money—and I don't see how any can be turned down because of their radical and unpopular views. I don't know where that would take us."
In the 1980s Falwell said sanctions against the apartheid regime of South Africa would result in what, he felt, would be a worse situation, such as a Soviet-backed revolution. He also urged his followers to buy up gold Krugerrands and push U.S. "reinvestment" in South Africa. In 1985 he drew the ire of many when he called Nobel Peace Prize winner and Anglican Archbishop Desmond Tutu a phony "as far as representing the black people of South Africa".
In 1994, Falwell promoted and distributed the video documentary "The Clinton Chronicles: An Investigation into the Alleged Criminal Activities of Bill Clinton". The video purported to connect Bill Clinton to a murder conspiracy involving Vince Foster, James McDougall, Ron Brown, and a cocaine-smuggling operation. The theory was discredited, but the recording sold more than 150,000 copies.
The film's production costs were partly met by "Citizens for Honest Government", to which Falwell paid $200,000 in 1994 and 1995. In 1995 Citizens for Honest Government interviewed Arkansas state troopers Roger Perry and Larry Patterson regarding the murder conspiracy about Vincent Foster. Perry and Patterson also gave information regarding the allegations in the Paula Jones affair.
The infomercial for the 80-minute videotape included footage of Falwell interviewing a silhouetted journalist who claimed to be afraid for his life. The journalist accused Clinton of orchestrating the deaths of several reporters and personal confidants who had gotten too close to his supposed illegal activities. The silhouetted journalist was subsequently revealed to be Patrick Matrisciana, the producer of the video and president of Citizens for Honest Government. "Obviously, I'm not an investigative reporter", Matrisciana admitted to investigative journalist Murray Waas. Later, Falwell seemed to back away from personally trusting the video. In an interview for the 2005 documentary "The Hunting of the President", Falwell admitted, "to this day I do not know the accuracy of the claims made in "The Clinton Chronicles"."
Falwell condemned homosexuality as forbidden by the Bible. Gay rights groups called Falwell an "agent of intolerance" and "the founder of the anti-gay industry" for statements he had made and for campaigning against LGBT social movements. Falwell supported Anita Bryant's 1977 "Save Our Children" campaign to overturn a Florida ordinance prohibiting discrimination on the basis of sexual orientation and a similar movement in California. In urging the repeal of the ordinance, Falwell told one crowd, "Gay folks would just as soon kill you as look at you." When the LGBT-friendly Metropolitan Community Church was almost accepted into the World Council of Churches, Falwell called them "brute beasts" and stated, "this vile and satanic system will one day be utterly annihilated and there'll be a celebration in heaven." He later denied saying this. Falwell also regularly linked the AIDS pandemic to LGBT issues and stated, "AIDS is not just God's punishment for homosexuals, it is God's punishment for the society that tolerates homosexuals."
After comedian and actress Ellen DeGeneres came out as a lesbian, Falwell referred to her in a sermon as "Ellen DeGenerate". DeGeneres mocked him, saying, "Really, he called me that? Ellen DeGenerate? I've been getting that since the fourth grade. I guess I'm happy I could give him work."
Falwell's legacy regarding homosexuality is complicated by his support for LGBT civil rights (see "civil rights" section above), as well as his attempts to reconcile with the LGBT community in later years. In October 1999 Falwell hosted a meeting of 200 evangelicals with 200 homosexuals at Thomas Road Baptist Church for an "Anti-Violence Forum", during which he acknowledged that some American evangelicals' comments about homosexuality entered the realm of hate speech that could incite violence. At the forum, Falwell told homosexuals in attendance, "I don't agree with your lifestyle, I will never agree with your lifestyle, but I love you" and added, "Anything that leaves the impression that we hate the sinner, we want to change that." He later commented to "New York Times" columnist Frank Rich that "admittedly, evangelicals have not exhibited an ability to build a bond of friendship to the gay and lesbian community. We've said "go somewhere else, we don't need you here [at] our churches.""
In February 1999, an unsigned article that media outlets attributed to Falwell was published in the "National Liberty Journal" a promotional publication of the university he founded claimed that the purple Teletubby named Tinky Winky was intended as a gay role model. An article published in 1998 by the "Salon" website had noted Tinky Winky's status as a gay icon. In response, Steve Rice, spokesperson for Itsy Bitsy Entertainment, which licenses the "Teletubbies" in the United States, said, "I really find it absurd and kind of offensive." The UK show was aimed at pre-school children, but the article stated "he is purple – the gay pride color; and his antenna is shaped like a triangle – the gay-pride symbol". Apart from those characteristics Tinky Winky also carries a magic bag which the "NLJ" and "Salon" articles said was a purse. Falwell added that "role modeling the gay lifestyle is damaging to the moral lives of children".
After the September 11 attacks in 2001, Falwell said on Pat Robertson's "The 700 Club", "I really believe that the pagans, and the abortionists, and the feminists, and the gays and the lesbians who are actively trying to make that an alternative lifestyle, the ACLU, People For the American Way, all of them who have tried to secularize America. I point the finger in their face and say 'you helped this happen.'" In his opinion, LGBT organizations had angered God, thereby in part causing God to let the attacks happen. Falwell believed the attacks were "probably deserved", a statement which Christopher Hitchens described as treason. After heavy criticism, Falwell said that no one but the terrorists were to blame, and stated, "If I left that impression with gays or lesbians or anyone else, I apologize." Falwell was subsequently the object of some of his own followers' outrage for retracting his statements about divine judgment on America and its causes, because they had heard the same themes in his preaching over many years that America must repent of its lack of devotion to God, immoral living, and timid support of Israel if America wanted divine protection and blessing.
Falwell has also said, "Labor unions should study and read the Bible instead of asking for more money. When people get right with God, they are better workers."
Falwell set out in his Christian ministry as a fundamentalist, having attended a conservative Bible college and following strict standards of ecclesiastical and personal separatism; he was thus known and respected in IFB circles, being praised in Christian fundamentalist publications such as "The Sword of the Lord". Though he never officially stated his rejection of this movement, the evidence of his life from the late 1970s onwards indicates that he moved toward a conservative evangelical standpoint to the right of mainline Protestantism or "open" evangelicalism but to the left of traditional, separatist fundamentalism. It was reported that he had refused to attend parties at which alcohol was served early in his life, but he relaxed this stricture as he was increasingly invited to major events through the contacts which he developed in conservative politics and religion.
His foray into national politics appears to have been a catalyst for this change; when he established the Moral Majority which joined "Bible Christians" (Independent and conservative Southern Baptists) in a political alliance with Charismatics, Roman Catholics, Jews, Mormons and others and rejected the level of separation that was preached by most movement Fundamentalists. Bob Jones University declared that the Moral Majority organization "was Satanic", holding the view that it was a step towards the apostate one-world church and government body because it would cross the line from a political alliance to a religious one between true Christians and the non-born-again, which was forbidden by their interpretation of the Bible. David Cloud's Way of Life Literature also criticized Falwell for his associations with Catholics, Pentecostals and liberal Christians, tracing his alleged "apostasy" back to his role in the political Religious Right.
Though he never wavered in his belief in the inerrancy of the Bible (except for moderating its alleged view of racial differences, the significance of baptism, and other concepts relative to his theology) and the doctrines which conservative Christians widely see as essential to salvation, his rhetoric generally became more mellow, less militant and comparatively more inclusive from the 1980s onwards. Cultural anthropologist Susan Friend Harding, in her extensive ethnographic study of Falwell, noted that he adapted his preaching to win a broader, less extremist audience as he grew famous. This manifested itself in several ways: For example, he no longer condemned "worldly" lifestyle choices such as dancing, drinking wine, and attending movie theaters; softening his rhetoric which predicted an apocalypse and God's vengeful wrath; and shifting from a belief in outright Biblical patriarchy to a complementarian view of appropriate gender roles. He further mainstreamed himself by aiming his strongest criticism at "secular humanists", pagans or various liberals in place of the racist, anti-Semitic and anti-Catholic rhetoric that was common among Southern Fundamentalist preachers but increasingly condemned as hate speech by the consensus of American society.
Jerry Falwell Sr. opposed Islam. According to "Asharq Al-Awsat", a pan-Arab newspaper, Falwell called Islam "satanic". In a televised interview with "60 Minutes", Falwell called Muhammad a "terrorist", to which he added: "I concluded from reading Muslim and non-Muslim writers that Muhammad was a violent man, a man of war." Falwell later apologized to Muslims for what he had said about Muhammad and affirmed that he did not necessarily intend to offend "honest and peace-loving" Muslims. However, as he refused to remove his comments about Islam from his website, the sincerity of his apology was doubted. Egyptian Christian intellectuals, in response, signed a statement in which they condemned and rejected what Falwell had said about Muhammad being a terrorist.
From the 1970s on, Falwell was involved in legal matters which occupied much of his time and propelled his name recognition.
In 1972, the U.S. Securities and Exchange Commission (SEC) launched an investigation of bonds issued by Falwell's organizations. The SEC charged Falwell's church with "fraud and deceit" in the issuance of $6.5 million in unsecured church bonds. The church won a 1973 federal court case prosecuted at the behest of the SEC, in which the Court exonerated the church and ruled that while technical violations of law did occur, there was no proof the Church intended any wrongdoing.
Falwell filed a $10 million lawsuit against "Penthouse" for publishing an article based upon interviews he gave to freelance reporters, after failing to convince a federal court to place an injunction upon the publication of that article. The suit was dismissed in Federal district court in 1981 on the grounds that the article was not defamatory or an invasion of Falwell's privacy (the Virginia courts had not recognized this privacy tort, which is recognized in other states).
In 1983, Larry Flynt's pornographic magazine "Hustler" carried a parody of a Campari ad, featuring a mock "interview" with Falwell in which he admits that his "first time" was incest with his mother in an outhouse while drunk. Falwell sued for $45 million, alleging invasion of privacy, libel, and intentional infliction of emotional distress. A jury rejected the invasion of privacy and libel claims, holding that the parody could not have reasonably been taken to describe true events, but ruled in favor of Falwell on the emotional distress claim and awarded damages of $200,000. This was upheld on appeal. Flynt then appealed to the U.S. Supreme Court, which unanimously held that the First Amendment prevents public figures from recovering damages for emotional distress caused by parodies.
After Falwell's death, Larry Flynt released a comment regarding his friendship over the years with Falwell.
My mother always told me that no matter how much you dislike a person, when you meet them face to face you will find characteristics about them that you like. Jerry Falwell was a perfect example of that. I hated everything he stood for, but after meeting him in person, years after the trial, Jerry Falwell and I became good friends. He would visit me in California and we would debate together on college campuses. I always appreciated his sincerity even though I knew what he was selling and he knew what I was selling.
In 1984, Falwell was ordered to pay gay rights activist and former Baptist Bible College classmate Jerry Sloan $5,000 after losing a court battle. In July 1984 during a TV debate in Sacramento, California, Falwell denied calling the homosexual-friendly Metropolitan Community Churches "brute beasts" and "a vile and Satanic system" that will "one day be utterly annihilated and there will be a celebration in heaven".
When Sloan insisted he had a tape, Falwell promised $5,000 if he could produce it. Sloan did, Falwell refused to pay, and Sloan successfully sued. The money was donated to build Sacramento's first homosexual community center, the Lambda Community Center, serving "lesbian, gay, bisexual, transgender, and intersex" communities. Falwell appealed the decision with his attorney charging that the Jewish judge in the case was prejudiced. He lost again and was made to pay an additional $2,875 in sanctions and court fees.
In "Lamparello v. Falwell", a dispute over the ownership of the Internet domain "fallwell.com", the United States Court of Appeals for the Fourth Circuit reversed an earlier District Court decision, arguing that Christopher Lamparello, who owned the domain, "clearly created his website intending only to provide a forum to criticize ideas, not to steal customers." Lamparello's website describes itself as not being connected to Jerry Falwell and is critical of Falwell's views on homosexuality. On April 17, 2006, the Supreme Court declined to hear an appeal of the Court of Appeals ruling that Lamparello's usage of the domain was legal.
Previous to this, a different man had turned over "" and "jerryfallwell.com" after Falwell threatened to sue for trademark infringement. Lawyers for Public Citizen Litigation Group's Internet Free Speech project represented the domain name owners in both cases.
On July 31, 2006, Cable News Network's (CNN) "Paula Zahn Now" program featured a segment on "whether the crisis in the Middle East is actually a prelude to the end of the world". In an interview Falwell claimed, "I believe in the premillennial, pre-tribulational coming of Christ for all of his church, and to summarize that, your first poll, do you believe Jesus' coming the second time will be in the future, I would vote yes with the 59 percent and with Billy Graham and most evangelicals."
Based on this and other statements, Falwell has been identified as a Dispensationalist.
In 1999, Falwell declared the Antichrist would probably arrive within a decade and "of course he'll be Jewish". After accusations of anti-Semitism Falwell apologized and explained he was simply expressing the theological tenet that the Antichrist and Christ share many attributes.
In early 2005, Falwell was hospitalized for two weeks with a viral infection, discharged, and then rehospitalized on May 30, 2005, in respiratory arrest. He was subsequently released from the hospital and returned to his duties. Later in 2005, a stent was implanted to treat a 70 percent blockage in his coronary arteries.
On May 15, 2007, Falwell was found without pulse and unconscious in his office at about 10:45 a.m., after he missed a morning appointment, and was taken to Lynchburg General Hospital. "I had breakfast with him, and he was fine at breakfast ... He went to his office, I went to mine and they found him unresponsive," said Ron Godwin, the executive vice president of Falwell's Liberty University. His condition was initially reported as "gravely serious"; CPR was administered unsuccessfully. As of 2:10 p.m., during a live press conference, a doctor for the hospital confirmed that Falwell had died of "cardiac arrhythmia, or sudden cardiac death". A statement issued by the hospital reported he was pronounced dead at Lynchburg General Hospital at 12:40 p.m., EST, at the age of 73. Falwell's family, including his wife, the former Macel Pate (1933–2015), and sons, Jerry Falwell Jr. and Jonathan Falwell, were at the hospital at the time of the pronouncement.
Falwell's funeral took place on May 22, 2007, at Thomas Road Baptist Church after he lay in repose both at the church and at Liberty University. Falwell's burial service was private. He is interred at a spot on the Liberty University campus near the Carter Glass Mansion and Falwell's office. Buried nearby is his mentor, B. R. Lakin.
After his death, his sons succeeded him at his two positions; Jerry Falwell Jr. took over as president of Liberty University while Jonathan Falwell became the senior pastor of Thomas Road Baptist Church. His daughter, Jeannie F. Savas, is a surgeon.
The last televised interview with Jerry Falwell Sr. was conducted by Christiane Amanpour for the CNN original series "CNN Presents: God's Warriors." He had been interviewed on May 8, one week before his death; in the interview he revealed that he had asked God for at least 20 more years in order to accomplish his vision for the university he founded. Falwell's last televised sermon was his May 13, 2007, message on Mother's Day.
Views on Falwell's legacy are mixed. Supporters praise his advancement of his socially conservative message. They also tout his evangelist ministries, and his stress on church planting and growth. Conversely, many of his detractors have accused him of hate speech and identified him as an "agent of intolerance".
Social commentator and antitheist Christopher Hitchens described his work as "Chaucerian fraud" and a "faith-based fraud." Hitchens took special umbrage with Falwell's alignment with "the most thuggish and demented Israeli settlers", and his declaration that 9/11 represented God's judgment on America's sinful behaviour; deeming it "extraordinary that not even such a scandalous career is enough to shake our dumb addiction to the 'faith-based.'" Hitchens also mentioned that, despite his support for Israel, Falwell "kept saying to his own crowd, yes, you have got to like the Jews, because they can make more money in 10 minutes than you can make in a lifetime". Appearing on CNN a day after Falwell's death, Hitchens said, "The empty life of this ugly little charlatan proves only one thing: that you can get away with the most extraordinary offenses to morality and to truth in this country if you will just get yourself called 'reverend'."
At one point, prank callers, especially gay activists, constituted an estimated 25% of Falwell's total calls, until the ministry disconnected the toll-free number in 1986. Edward Johnson, in the mid-1980s, programmed his Atari home computer to make thousands of repeat phone calls to Falwell's 1–800 phone number, since Johnson claimed Falwell had swindled large amounts of money from his followers, including Johnson's own mother. Southern Bell forced Johnson to stop after he had run up Falwell's telephone bill an estimated $500,000.
His son, Jerry Falwell Jr., is an American lawyer and university administrator, serving as the president of Liberty University in Lynchburg, Virginia since his father's death. He is an ardent supporter of Donald Trump, both before and since his election as President of the United States.
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Jay Leno
James Douglas Muir Leno (; born April 28, 1950) is an American comedian, actor, writer, producer, and former late-night television host. After doing stand-up comedy for years, he became the host of NBC's "The Tonight Show with Jay Leno" from 1992 to 2009. Beginning in September 2009, Leno started a primetime talk show, titled "The Jay Leno Show", which aired weeknights at 10:00pm ET, also on NBC.
After "The Jay Leno Show" was canceled in January 2010 amid a host controversy, Leno returned to host "The Tonight Show with Jay Leno" on March 1, 2010. He hosted his last episode of "The Tonight Show" on February 6, 2014. That year, he was inducted into the Television Hall of Fame. Since 2014, Leno has hosted "Jay Leno's Garage".
Leno was born April 28, 1950 in New Rochelle, New York. His homemaker mother, Catherine (née Muir; 1911–1993), was born in Greenock, Scotland, and came to the United States at age 11. His father, Angelo (1910–1994), was an insurance salesman who was born in New York, to immigrants from Flumeri, Italy. Leno grew up in Andover, Massachusetts, and graduated from Andover High School. Leno obtained a bachelor's degree in speech therapy from Emerson College, where he started a comedy club in 1973. His older brother, Patrick (May 12, 1940 – October 6, 2002), was a Vietnam War veteran who worked as an attorney.
Leno made his first appearance on "The Tonight Show" on March 2, 1977, performing a comedy routine. During the 1970s, Leno appeared in minor roles in several television series and films, first in the 1976 episode "J.J. in Trouble" of "Good Times" and the same year in the pilot of "Holmes & Yo-Yo". After an uncredited appearance in the 1977 film "Fun with Dick and Jane", he played more prominent roles in 1978 in "American Hot Wax" and "Silver Bears". Other films and television series from that period include "Almost Heaven" (1978), "Going Nowhere" (1979) from "One Day at a Time", "Americathon" (1979), "Polyester" (1981), "The Wild One" (1981) from "Alice", and both "Feminine Mistake" (1979) and "Do the Carmine" (1983) from "Laverne & Shirley". Leno's only starring film role was the 1989 direct-to-video "Collision Course", opposite Pat Morita. He also appeared numerous times on "Late Night with David Letterman".
Starting in 1986, Leno was a regular substitute host for Johnny Carson on "The Tonight Show". In 1992, he replaced Carson as host amid controversy with David Letterman, who had been hosting "Late Night with David Letterman" since 1982 (aired after "The Tonight Show"), and whom many—including Carson himself—had expected to be Carson's successor. The story of this turbulent transition was later turned into a book and a movie. Leno continued to perform as a stand-up comedian throughout his tenure on "The Tonight Show".
In 2004, Leno signed a contract extension with NBC which would keep him as host of "The Tonight Show" until 2009. Later in 2004, Conan O'Brien signed a contract with NBC under which O'Brien would become the host of "The Tonight Show" in 2009, replacing Leno at that time.
During the 2007–08 Writers Guild of America strike, Leno was accused of violating WGA guidelines by writing his own monologue for "The Tonight Show". While NBC and Leno claim there were private meetings with the WGA where there was a secret agreement allowing this, the WGA denied such a meeting. Leno answered questions in front of the Writers Guild of America, West trial committee in February 2009 and June 2009, and when the WGAW published its list of strike-breakers on August 11, 2009, Leno was not on the list.
On April 23, 2009, Leno checked himself into a hospital with an undisclosed illness. He was released the following day and returned to work on Monday, April 27. The two subsequently canceled "Tonight Show" episodes for April 23 and 24 were Leno's first in 17 years as host. Initially, the illness that caused the absence was not disclosed, but later Leno told "People" magazine it was for exhaustion.
During the 2005 trial of Michael Jackson over allegations of child molestation, Leno was one of a few celebrities who appeared as a defense witness. In his testimony regarding a call by the accuser, Leno testified that he never called the police, no money was asked for, and there was no coaching – but the calls seemed unusual and scripted.
As a result, Leno was initially not allowed to tell jokes about Jackson or the case, which had been a fixture of "The Tonight Show"s opening monologue in particular. But he and his show's writers used a legal loophole by having Leno briefly step aside while stand-in comedians took the stage and told jokes about the trial. Stand-ins included Roseanne Barr, Drew Carey, Brad Garrett, and Dennis Miller, among others. The gag order was challenged, and the court ruled that Leno could continue telling jokes about the trial as long as he did not discuss his testimony. Leno celebrated by devoting an entire monologue to Michael Jackson jokes.
Because Leno's show continued to lead all late-night programming in the Nielsen ratings, the pending expiration of Leno's contract led to speculation about whether he would become a late-night host for another network after his commitment to NBC expired. Leno left "The Tonight Show" on Friday, May 29, 2009, and Conan O'Brien took over on June 1, 2009.
On December 8, 2008, it was reported that Leno would remain on NBC and move to a new hour-long show at 10 p.m. Eastern Time (9 p.m. Central Time) five nights a week. This show followed a similar format to "The Tonight Show", was filmed in the same studio facility and retained many of Leno's most popular segments. "Late Night" host Conan O'Brien was his successor on "The Tonight Show".
Jay Leno's new show, titled "The Jay Leno Show", debuted on September 14, 2009. It was announced at the Television Critics Association summer press tour that it would feature one or two celebrities, the occasional musical guest, and keep the popular "Headlines" segments, which would air near the end of the show. First guests included Jerry Seinfeld, Oprah Winfrey (via satellite), and a short sit-down with Kanye West discussing his controversy at the 2009 MTV Video Music Awards, which had occurred the night before.
In their new roles, neither O'Brien nor Leno succeeded in delivering the viewing audiences the network anticipated. On January 7, 2010, multiple media outlets reported that beginning March 1, 2010, Jay Leno would move from his 10 p.m. weeknight time slot to 11:35 p.m., due to a combination of pressure from local affiliates whose newscasts were suffering, and both Leno's and O'Brien's poor ratings. Leno's show would be shortened from an hour to 30 minutes. All NBC late night programming would be preempted by the 2010 Winter Olympics between February 15 and 26. This would move "The Tonight Show" to 12:05 a.m., a post-midnight timeslot for the first time in its history. O'Brien's contract stipulated that NBC could move the show back to 12:05 a.m. without penalty (a clause put in primarily to accommodate sports preemptions).
On January 10, NBC confirmed that they would move Jay Leno out of primetime as of February 12 and intended to move him to late night as soon as possible. TMZ reported that O'Brien was given no advance notice of this change, and that NBC offered him two choices: an hour-long 12:05 am time slot, or the option to leave the network. On January 12, O'Brien issued a press release that stated he would not continue with "Tonight" if it moved to a 12:05 a.m. time slot, saying, "I believe that delaying "The Tonight Show" into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. "The Tonight Show" at 12:05 simply isn't "The Tonight Show.""
On January 21, it was announced that NBC had struck a deal with O'Brien. It was decided that O'Brien would leave "The Tonight Show". The deal was made that O'Brien would receive a $33 million payout and his staff of almost 200 would receive $12 million in the departure. O'Brien's final episode aired on Friday, January 22, 2010. Leno returned as host of "The Tonight Show" following the 2010 Winter Olympics on March 1, 2010.
On July 1, 2010, "Variety" reported that total viewership for Jay Leno's "Tonight Show" had dropped from 5 million to 4 million for the second quarter of 2010, compared to the same period in 2009. Although this represented the lowest second-quarter ratings for the show since 1992, "Tonight" was still the most-watched late night program, ahead of ABC's "Nightline" (3.7 million) and "Late Show with David Letterman" (3.3 million).
On April 3, 2013, NBC announced that Leno would leave "The Tonight Show" in spring 2014, with Jimmy Fallon as his designated successor.
Leno's final show as the host of the Tonight Show was on February 6, 2014 with his final guest Billy Crystal and musical guest Garth Brooks, along with a few surprise guests, including Jack Black, Kim Kardashian, Jim Parsons, Sheryl Crow, Chris Paul, Carol Burnett, and Oprah Winfrey.
Leno has maintained an active schedule as a touring stand-up comedian appearing in, on average, 200 live performances a year in venues across the United States and Canada as well as charity events and USO tours. He has also made appearances on the "Tonight Show with Jimmy Fallon" and on "Late Night with Seth Meyers", as well as being a guest on the finale of "The Late Late Show with Craig Ferguson" and doing a cameo drilling and torturing James Corden in a boot camp for talk show hosts on the premiere of "The Late Late Show with James Corden". He declined an invitation to appear on "Late Show with David Letterman" despite speculation he would make an appearance on the show's finale.
Leno has hosted an hour long "Jay Leno's Garage" special on CNBC, and the show has aired as a primetime series on the cable channel since 2015.
Leno has also been a cast member of the Tim Allen comedy "Last Man Standing" since season 5 (2015). He plays a mechanic named Joe Leonard in a store operated by Mike Baxter (Tim Allen).
Leno has faced heated criticism and some negative publicity for his perceived role in the 2010 "Tonight Show" conflict. Critics have pointed to a 2004 "Tonight Show" clip, in which Leno said he would allow O'Brien to take over without incident. At the time, Leno stated he did not want O'Brien to leave for a competing network, adding, "I'll be 59 when [the switch occurs], that's five years from now. There's really only one person who could have done this into his 60s, and that was Johnny Carson; I think it's fair to say I'm no Johnny Carson." Leno also described "The Tonight Show" as a dynasty, saying, "You hold it and hand it off to the next person. And I don't want to see all the fighting." At the end of the segment, he said, "Conan, it's yours! See you in five years, buddy!"
Rosie O'Donnell was among O'Brien's most vocal and vehement supporters, calling Leno a "bully" and his actions "classless and kind of career-defining". Bill Zehme, the co-author of Leno's autobiography "Leading with My Chin", told the "Los Angeles Times", "The thing Leno should do is walk, period. He's got everything to lose in terms of public popularity by going back. People will look at him differently. He'll be viewed as the bad guy."
Howard Stern has also been a harsh critic of Leno before and following his "Tonight Show" timeslot change announcement; Stern appeared on "Late Night with Conan O'Brien" in 2006, and told O'Brien he felt it was unlikely that Leno would ever willingly give up "The Tonight Show" to anyone. During the conflict, Stern made many negative remarks directed at Leno while on the "Late Show with David Letterman".
In addition to criticism about his handling of the timeslot conflict, Leno has also been criticized for the perceived change in the content of his monologues from his previous stand-up material. Actor and comedian Patton Oswalt was among the celebrities who openly voiced disappointment with Leno, saying, "Comedians who don't like Jay Leno now, and I'm one of them, we're not like, 'Jay Leno sucks'; it's that we're so hurt and disappointed that one of the best comedians of our generation ... willfully has shut the switch off."
NBC Sports chairman and former "Saturday Night Live" producer Dick Ebersol spoke out against all who had mocked Leno, calling them "chicken-hearted and gutless". Jeff Gaspin, then chairman of NBC Universal Television Entertainment, also defended Leno, saying, "This has definitely crossed the line. Jay Leno is the consummate professional and one of the hardest-working people in television. It's a shame that he's being pulled into this." Fellow comedians Paul Reiser, Jerry Seinfeld and Jim Norton (a frequent contributor to "The Tonight Show") also voiced support for Leno.
Responding to the mounting criticism, Leno said NBC had assured him that O'Brien was willing to accept the proposed arrangement and that they would not let either host out of his contract. Leno also said that the situation was "all business", and that all of the decisions were made by NBC. He appeared on the January 28, 2010, episode of "The Oprah Winfrey Show" in an attempt to repair some of the damage done to his public image.
Leno's comedic influences include Johnny Carson, Robert Klein, Alan King, David Brenner, Mort Sahl, George Carlin, Don Rickles, Bob Newhart, and Rodney Dangerfield.
Comedians who were influenced by Leno include: Dennis Miller and Jerry Seinfeld.
Leno has been married to Mavis Leno since 1980; the couple have no children. In 1993, during his first season as host of "The Tonight Show", Leno's mother died at the age of 82 and in the following year, his father died at the age of 84. Leno's older brother Patrick Leno, a Vietnam veteran and graduate of Yale Law School, died in 2002 at the age of 62 as a result of complications from cancer.
He is known for his prominent jaw, which has been described as mandibular prognathism. In the book "Leading with My Chin", he says he is aware of surgery that could reset his mandible, but does not wish to endure a prolonged healing period with his jaws wired shut.
Leno is dyslexic. He claims to need only four or five hours of sleep each night. Leno does not drink or smoke, nor does he gamble. He spends much of his free time visiting car collections or working in his private garage.
Leno has claimed that he has not spent any of the money he earned from "The Tonight Show". Instead, he lives off his money from his stand-up routines. Leno reportedly earned $32 million in 2005. In 2014, he received an Honorary Doctor of Humane Letters degree from Emerson College where he also delivered the Commencement speech.
In 2001, he and his wife donated $100,000 to the Feminist Majority Foundation's campaign to stop gender apartheid in Afghanistan, to educate the public regarding the plight of women in Afghanistan under Taliban rule. Mavis Leno is on the board of the Feminist Majority.
In 2009, he donated $100,000 to a scholarship fund at Salem State College (now Salem State University) in honor of Lennie Sogoloff, who gave Leno his start at his jazz club, Lennie's-on-the-Turnpike.
In August 2012, Leno auctioned his Fiat 500, which was sold for $385,000 with all the proceeds going to a charity that helps wounded war veterans recover by providing them with temporary housing.
Since 1985, Leno has been the Grand Marshal for the Love Ride, a motorcycle charity event which since its founding in 1984 has raised nearly $14 million for charities benefiting muscular dystrophy research, Autism Speaks, and in 2001, the September 11 attacks recovery.
Leno owns approximately 286 vehicles (169 cars and 117 motorbikes). He also has a website and a TV program called "Jay Leno's Garage", which contains video clips and photos of his car collection in detail, as well as other vehicles of interest to him. Leno's Garage Manager is Bernard Juchli. Among his collection are two Doble steam cars, a sedan and a roadster that were owned by Howard Hughes, the fifth Duesenberg Model X known to survive, and one of nine remaining 1963 Chrysler Turbine Cars. The collection also includes three antique electric cars — the 1925 Baker Motor Vehicle is his wife Mavis' favorite car.
He has a regular column in "Popular Mechanics" which showcases his car collection and gives advice about various automotive topics, including restoration and unique models, such as his jet-powered motorcycle and solar-powered hybrid. Leno also writes occasional "Motormouth" articles for "The Sunday Times", reviewing high-end sports cars and giving his humorous take on motoring matters.
Leno opened his garage to Team Bondi, the company that developed the 2011 video game "L.A. Noire", which is set in Los Angeles in the late-1940s. Leno's collection contains almost one hundred cars from this period, and allowed the team to recreate their images as accurately as possible.
Hosting the 2014 Genesis Prize award ceremony in Jerusalem, Leno made jokes mocking then-President Barack Obama and then-Secretary of State John Kerry, accusing Obama of "trying to break" the U.S.'s relationship with Israel.
In a 2015 interview with "The Jerusalem Post", Leno said, "I always considered Israel as not only the only democracy in the Middle East, I think it’s the purest, because every Israeli voter seems to have his own political party." He also added about Israel's relations with other Middle East countries: "Israel is so efficient in defending itself and so good at it, that to the rest of the world it looks like bullying."
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https://en.wikipedia.org/wiki?curid=16506
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Joan of Arc
Joan of Arc (French: Jeanne d'Arc ; 1412 – 30 May 1431), nicknamed "The Maid of Orléans" (), is considered a heroine of France for her role during the Lancastrian phase of the Hundred Years' War, and was canonized as a Roman Catholic saint. She was born to Jacques d'Arc and Isabelle Romée, a peasant family, at Domrémy in northeast France. Joan claimed to have received visions of the archangel Michael, Saint Margaret, and Saint Catherine of Alexandria instructing her to support Charles VII and recover France from English domination late in the Hundred Years' War. The unanointed King Charles VII sent Joan to the Siege of Orléans as part of a relief army. She gained prominence after the siege was lifted only nine days later. Several additional swift victories led to Charles VII's consecration at Reims. This long-awaited event boosted French morale and paved the way for the final French victory.
On 23 May 1430, she was captured at Compiègne by the Burgundian faction, a group of French nobles allied with the English. She was later handed over to the English and put on trial by the pro-English bishop Pierre Cauchon on a variety of charges. After Cauchon declared her guilty, she was burned at the stake on 30 May 1431, dying at about nineteen years of age.
In 1456, an inquisitorial court authorized by Pope Callixtus III examined the trial, debunked the charges against her, pronounced her innocent, and declared her a martyr. In the 16th century she became a symbol of the Catholic League, and in 1803 she was declared a national symbol of France by the decision of Napoleon Bonaparte. She was beatified in 1909 and canonized in 1920. Joan of Arc is one of the nine secondary patron saints of France, along with Saint Denis, Saint Martin of Tours, Saint Louis, Saint Michael, Saint Rémi, Saint Petronilla, Saint Radegund and Saint Thérèse of Lisieux.
Joan of Arc has remained a popular figure in literature, painting, sculpture, and other cultural works since the time of her death, and many famous writers, playwrights, filmmakers, artists, and composers have created, and continue to create, cultural depictions of her.
The Hundred Years' War had begun in 1337 as an inheritance dispute over the French throne, interspersed with occasional periods of relative peace. Nearly all the fighting had taken place in France, and the English army's use of "chevauchée" tactics (destructive "scorched earth" raids) had devastated the economy. The French population had not regained its former size since the Black Death of the mid-14th century, and its merchants were isolated from foreign markets. Before the appearance of Joan of Arc, the English had nearly achieved their goal of a dual monarchy under English control and the French army had not achieved any major victories for a generation. In the words of DeVries, "The kingdom of France was not even a shadow of its thirteenth-century prototype."
The French king at the time of Joan's birth, Charles VI, suffered from bouts of insanity and was often unable to rule. The king's brother Louis, Duke of Orléans, and the king's cousin John the Fearless, Duke of Burgundy, quarreled over the regency of France and the guardianship of the royal children. This dispute included accusations that Louis was having an extramarital affair with the queen, Isabeau of Bavaria, and allegations that John the Fearless kidnapped the royal children. The conflict climaxed with the assassination of the Duke of Orléans in 1407 on the orders of the Duke of Burgundy.
The young Charles of Orléans succeeded his father as duke and was placed in the custody of his father-in-law, the Count of Armagnac. Their faction became known as the "Armagnac" faction, and the opposing party led by the Duke of Burgundy was called the "Burgundian faction". Henry V of England took advantage of these internal divisions when he invaded the kingdom in 1415, winning a dramatic victory at Agincourt on 25 October and subsequently capturing many northern French towns during a later campaign in 1417. In 1418 Paris was taken by the Burgundians, who massacred the Count of Armagnac and about 2,500 of his followers. The future French king, Charles VII, assumed the title of Dauphin—the heir to the throne—at the age of fourteen, after all four of his older brothers had died in succession. His first significant official act was to conclude a peace treaty with the Duke of Burgundy in 1419. This ended in disaster when Armagnac partisans assassinated John the Fearless during a meeting under Charles's guarantee of protection. The new duke of Burgundy, Philip the Good, blamed Charles for the murder and entered into an alliance with the English. The allied forces conquered large sections of France.
In 1420 the queen of France, Isabeau of Bavaria, signed the Treaty of Troyes, which granted the succession of the French throne to Henry V and his heirs instead of her son Charles. This agreement revived suspicions that the Dauphin was the illegitimate product of Isabeau's rumored affair with the late duke of Orléans rather than the son of King Charles VI. Henry V and Charles VI died within two months of each other in 1422, leaving an infant, Henry VI of England, the nominal monarch of both kingdoms. Henry V's brother, John of Lancaster, 1st Duke of Bedford, acted as regent.
By the time Joan of Arc began to influence events in 1429, nearly all of northern France and some parts of the southwest were under Anglo-Burgundian control. The English controlled Paris and Rouen while the Burgundian faction controlled Reims, which had served as the traditional site for anointing French kings. This was an important consideration since neither claimant to the throne of France had been anointed or crowned yet. Since 1428 the English had been conducting a siege of Orléans, one of the few remaining cities still loyal to Charles VII and an important objective since it held a strategic position along the Loire River, which made it the last obstacle to an assault on the remainder of Charles VII's territory. In the words of one modern historian, "On the fate of Orléans hung that of the entire kingdom." No one was optimistic that the city could long withstand the siege. For generations, there had been prophecies in France which promised the nation would be saved by a virgin from the "borders of Lorraine" "who would work miracles" and "that France will be lost by a woman and shall thereafter be restored by a virgin". The second prophecy predicting France would be "lost" by a woman was taken to refer to Isabeau's role in signing the Treaty of Troyes.
Joan was the daughter of Jacques d'Arc and Isabelle Romée, living in Domrémy, a village which was then in the French part of the Duchy of Bar. Joan's parents owned about 50 acres (20 hectares) of land and her father supplemented his farming work with a minor position as a village official, collecting taxes and heading the local watch. They lived in an isolated patch of eastern France that remained loyal to the French crown despite being surrounded by pro-Burgundian lands. Several local raids occurred during her childhood and on one occasion her village was burned. Joan was illiterate and it is believed that her letters were dictated by her to scribes and she signed her letters with the help of others.
At her trial, Joan stated that she was about 19 years old, which implies she thought she was born around 1412. She later testified that she experienced her first vision in 1425 at the age of 13, when she was in her "father's garden" and saw visions of figures she identified as Saint Michael, Saint Catherine, and Saint Margaret, who told her to drive out the English and take the Dauphin to Reims for his consecration. She said she cried when they left, as they were so beautiful.
At the age of 16, she asked a relative named Durand Lassois to take her to the nearby town of Vaucouleurs, where she petitioned the garrison commander, Robert de Baudricourt, for an armed escort to take her to the French Royal Court at Chinon. Baudricourt's sarcastic response did not deter her. She returned the following January and gained support from two of Baudricourt's soldiers: Jean de Metz and Bertrand de Poulengy. According to Jean de Metz, she told him that "I must be at the King's side ... there will be no help (for the kingdom) if not from me. Although I would rather have remained spinning [wool] at my mother's side ... yet must I go and must I do this thing, for my Lord wills that I do so." Under the auspices of Jean de Metz and Bertrand de Poulengy, she was given a second meeting, where she made a prediction about a military reversal at the Battle of Rouvray near Orléans several days before messengers arrived to report it. According to the "Journal du Siége d'Orléans," which portrays Joan as a miraculous figure, Joan came to know of the battle through "Divine grace" while tending her flocks in Lorraine and used this divine revelation to persuade Baudricourt to take her to the Dauphin.
Robert de Baudricourt granted Joan an escort to visit Chinon after news from Orleans confirmed her assertion of the defeat. She made the journey through hostile Burgundian territory disguised as a male soldier, a fact that would later lead to charges of "cross-dressing" against her, although her escort viewed it as a normal precaution. Two of the members of her escort said they and the people of Vaucouleurs provided her with this clothing, and had suggested it to her.
Joan's first meeting with Charles took place at the Royal Court in the town of Chinon in 1429, when she was aged 17 and he 26. After arriving at the Court she made a strong impression on Charles during a private conference with him. During this time Charles' mother-in-law Yolande of Aragon was planning to finance a relief expedition to Orléans. Joan asked for permission to travel with the army and wear protective armor, which was provided by the Royal government. She depended on donated items for her armor, horse, sword, banner, and other items utilized by her entourage. Historian Stephen W. Richey explains her attraction to the royal court by pointing out that they may have viewed her as the only source of hope for a regime that was near collapse:
Upon her arrival on the scene, Joan effectively turned the longstanding Anglo-French conflict into a religious war, a course of action that was not without risk. Charles' advisers were worried that unless Joan's orthodoxy could be established beyond doubt—that she was not a heretic or a sorceress—Charles' enemies could easily make the allegation that his crown was a gift from the devil. To circumvent this possibility, the Dauphin ordered background inquiries and a theological examination at Poitiers to verify her morality. In April 1429, the commission of inquiry "declared her to be of irreproachable life, a good Christian, possessed of the virtues of humility, honesty and simplicity." The theologians at Poitiers did not render a decision on the issue of divine inspiration; rather, they informed the Dauphin that there was a "favorable presumption" to be made on the divine nature of her mission. This convinced Charles, but they also stated that he had an obligation to put Joan to the test. "To doubt or abandon her without suspicion of evil would be to repudiate the Holy Spirit and to become unworthy of God's aid", they declared. They recommended that her claims should be put to the test by seeing if she could lift the siege of Orléans as she had predicted.
She arrived at the besieged city of Orléans on 29 April 1429. Jean d'Orléans, the acting head of the ducal family of Orléans on behalf of his captive half-brother, initially excluded her from war councils and failed to inform her when the army engaged the enemy. However, his decision to exclude her did not prevent her presence at most councils and battles. The extent of her actual military participation and leadership is a subject of debate among historians. On the one hand, Joan stated that she carried her banner in battle and had never killed anyone, preferring her banner "forty times" better than a sword; and the army was always directly commanded by a nobleman, such as the Duke of Alençon for example. On the other hand, many of these same noblemen stated that Joan had a profound effect on their decisions since they often accepted the advice she gave them, believing her advice was divinely inspired. In either case, historians agree that the army enjoyed remarkable success during her brief time with it.
The appearance of Joan of Arc at Orléans coincided with a sudden change in the pattern of the siege. During the five months before her arrival, the defenders had attempted only one offensive assault, which had ended in defeat. On 4 May, however, the Armagnacs attacked and captured the outlying fortress of Saint Loup ("bastille de Saint-Loup"), followed on 5 May by a march to a second fortress called Saint-Jean-le-Blanc, which was found deserted. When English troops came out to oppose the advance, a rapid cavalry charge drove them back into their fortresses, apparently without a fight.
The Armagnacs then attacked and captured an English fortress built around a monastery called Les Augustins. That night, Armagnac troops maintained positions on the south bank of the river before attacking the main English stronghold, called ""les Tourelles"", on the morning of 7 May. Contemporaries acknowledged Joan as the heroine of the engagement. She was wounded by an arrow between the neck and shoulder while holding her banner in the trench outside les Tourelles, but later returned to encourage a final assault that succeeded in taking the fortress. The English retreated from Orléans the next day, and the siege was over.
At Chinon and Poitiers, Joan had declared that she would provide a sign at Orléans. The lifting of the siege was interpreted by many people to be that sign, and it gained her the support of prominent clergy such as the Archbishop of Embrun and the theologian Jean Gerson, both of whom wrote supportive treatises immediately following this event. To the English, the ability of this peasant girl to defeat their armies was regarded as proof that she was possessed by the Devil; the British medievalist Beverly Boyd noted that this charge was not just propaganda, and was sincerely believed since the idea that God was supporting the French via Joan was distinctly unappealing to an English audience.
The sudden victory at Orléans also led to many proposals for further offensive action. Joan persuaded Charles VII to allow her to accompany the army with Duke John II of Alençon, and she gained royal permission for her plan to recapture nearby bridges along the Loire as a prelude to an advance on Reims and the consecration of Charles VII. This was a bold proposal because Reims was roughly twice as far away as Paris and deep within enemy territory. The English expected an attempt to recapture Paris or an attack on Normandy.
The Duke of Alençon accepted Joan's advice concerning strategy. Other commanders including Jean d'Orléans had been impressed with her performance at Orléans and became her supporters. Alençon credited her with saving his life at Jargeau, where she warned him that a cannon on the walls was about to fire at him. During the same siege she withstood a blow from a stone that hit her helmet while she was near the base of the town's wall. The army took Jargeau on 12 June, Meung-sur-Loire on 15 June, and Beaugency on 17 June.
The English army withdrew from the Loire Valley and headed north on 18 June, joining with an expected unit of reinforcements under the command of Sir John Fastolf. Joan urged the Armagnacs to pursue, and the two armies clashed southwest of the village of Patay. The battle at Patay might be compared to Agincourt in reverse. The French vanguard attacked a unit of English archers who had been placed to block the road. A rout ensued that decimated the main body of the English army and killed or captured most of its commanders. Fastolf escaped with a small band of soldiers and became the scapegoat for the humiliating English defeat. The French suffered minimal losses.
The French army left Gien on 29 June on the march toward Reims and accepted the conditional surrender of the Burgundian-held city of Auxerre on 3 July. Other towns in the army's path returned to French allegiance without resistance. Troyes, the site of the treaty that tried to disinherit Charles VII, was the only one to put up even brief opposition. The army was in short supply of food by the time it reached Troyes. But the army was in luck: a wandering friar named Brother Richard had been preaching about the end of the world at Troyes and convinced local residents to plant beans, a crop with an early harvest. The hungry army arrived as the beans ripened. Troyes capitulated after a bloodless four-day siege.
Reims opened its gates to the army on 16 July 1429. The consecration took place the following morning. Although Joan and the Duke of Alençon urged a prompt march toward Paris, the royal court preferred to negotiate a truce with Duke Philip of Burgundy. The duke violated the purpose of the agreement by using it as a stalling tactic to reinforce the defense of Paris. The French army marched past a succession of towns near Paris during the interim and accepted the surrender of several towns without a fight. The Duke of Bedford led an English force to confront Charles VII's army at the battle of Montépilloy on 15 August, which resulted in a standoff. The French assault at Paris ensued on 8 September. Despite a wound to the leg from a crossbow bolt, Joan remained in the inner trench of Paris until she was carried back to safety by one of the commanders.
The following morning the army received a royal order to withdraw. Most historians blame French Grand Chamberlain Georges de la Trémoille for the political blunders that followed the consecration. In October, Joan was with the royal army when it took Saint-Pierre-le-Moûtier, followed by an unsuccessful attempt to take La-Charité-sur-Loire in November and December. On 29 December, Joan and her family were ennobled by Charles VII as a reward for her actions.
A truce with England during the following few months left Joan with little to do. On 23 March 1430, she dictated a threatening letter to the Hussites, a dissident group which had broken with the Catholic Church on a number of doctrinal points and had defeated several previous crusades sent against them. Joan's letter promises to "remove your madness and foul superstition, taking away either your heresy or your lives." Joan, an ardent Catholic who hated all forms of heresy, also sent a letter challenging the English to leave France and go with her to Bohemia to fight the Hussites, an offer that went unanswered.
The truce with England quickly came to an end. Joan traveled to Compiègne the following May to help defend the city against an English and Burgundian siege. On 23 May 1430 she was with a force that attempted to attack the Burgundian camp at Margny north of Compiègne, but was ambushed and captured. When the troops began to withdraw toward the nearby fortifications of Compiègne after the advance of an additional force of 6,000 Burgundians, Joan stayed with the rear guard. Burgundian troops surrounded the rear guard, and she was pulled off her horse by an archer. She agreed to surrender to a pro-Burgundian nobleman named Lionel of Wandomme, a member of Jean de Luxembourg's unit.
Joan was imprisoned by the Burgundians at Beaurevoir Castle. She made several escape attempts, on one occasion jumping from her 70-foot (21 m) tower, landing on the soft earth of a dry moat, after which she was moved to the Burgundian town of Arras. The English negotiated with their Burgundian allies to transfer her to their custody, with Bishop Pierre Cauchon of Beauvais, an English partisan, assuming a prominent role in these negotiations and her later trial. The final agreement called for the English to pay the sum of 10,000 livres tournois to obtain her from Jean de Luxembourg, a member of the Council of Duke Philip of Burgundy.
The English moved Joan to the city of Rouen, which served as their main headquarters in France. Historian Pierre Champion notes that the Armagnacs attempted to rescue her several times by launching military campaigns toward Rouen while she was held there. One campaign occurred during the winter of 1430–1431, another in March 1431, and one in late May shortly before her execution. These attempts were beaten back. Champion also quotes 15th-century sources that say Charles VII threatened to "exact vengeance" upon Burgundian troops whom his forces had captured and upon "the English and women of England" in retaliation for their treatment of Joan.
The trial for heresy was politically motivated. The tribunal was composed entirely of pro-English and Burgundian clerics, and overseen by English commanders including the Duke of Bedford and the Earl of Warwick. In the words of the British medievalist Beverly Boyd, the trial was meant by the English Crown to be "a ploy to get rid of a bizarre prisoner of war with maximum embarrassment to their enemies". Legal proceedings commenced on 9 January 1431 at Rouen, the seat of the English occupation government. The procedure was suspect on a number of points, which would later provoke criticism of the tribunal by the chief inquisitor who investigated the trial after the war.
Under ecclesiastical law, Bishop Cauchon lacked jurisdiction over the case. Cauchon owed his appointment to his partisan support of the English Crown, which financed the trial. The low standard of evidence used in the trial also violated inquisitorial rules. Clerical notary Nicolas Bailly, who was commissioned to collect testimony against Joan, could find no adverse evidence. Without such evidence the court lacked grounds to initiate a trial. Opening a trial anyway, the court also violated ecclesiastical law by denying Joan the right to a legal adviser. In addition, stacking the tribunal entirely with pro-English clergy violated the medieval Church's requirement that heresy trials be judged by an impartial or balanced group of clerics. Upon the opening of the first public examination, Joan complained that those present were all partisans against her and asked for "ecclesiastics of the French side" to be invited in order to provide balance. This request was denied.
The Vice-Inquisitor of Northern France (Jean Lemaitre) objected to the trial at its outset, and several eyewitnesses later said he was forced to cooperate after the English threatened his life. Some of the other clergy at the trial were also threatened when they refused to cooperate, including a Dominican friar named Isambart de la Pierre. These threats, and the domination of the trial by a secular government, were violations of the Church's rules and undermined the right of the Church to conduct heresy trials without secular interference.
The trial record contains statements from Joan that the eyewitnesses later said astonished the court, since she was an illiterate peasant and yet was able to evade the theological pitfalls the tribunal had set up to entrap her. The transcript's most famous exchange is an exercise in subtlety: "Asked if she knew she was in God's grace, she answered, 'If I am not, may God put me there; and if I am, may God so keep me. I should be the saddest creature in the world if I knew I were not in His grace. The question is a scholarly trap. Church doctrine held that no one could be certain of being in God's grace. If she had answered yes, then she would have been charged with heresy. If she had answered no, then she would have confessed her own guilt. The court notary Boisguillaume later testified that at the moment the court heard her reply, "Those who were interrogating her were stupefied."
Several members of the tribunal later testified that important portions of the transcript were falsified by being altered in her disfavor. Under Inquisitorial guidelines, Joan should have been confined in an ecclesiastical prison under the supervision of female guards (i.e., nuns). Instead, the English kept her in a secular prison guarded by their own soldiers. Bishop Cauchon denied Joan's appeals to the Council of Basel and the Pope, which should have stopped his proceeding.
The twelve articles of accusation which summarized the court's findings contradicted the court record, which had already been doctored by the judges. Under threat of immediate execution, the illiterate defendant signed an abjuration document that she did not understand. The court substituted a different abjuration in the official record.
Heresy was a capital crime only for a repeat offense; therefore, a repeat offense of "cross-dressing" was now arranged by the court, according to the eyewitnesses. Joan agreed to wear feminine clothing when she abjured, which created a problem. According to the later descriptions of some of the tribunal members, she had previously been wearing soldiers' clothing in prison. Since wearing men's hosen enabled her to fasten her hosen, boots and doublet together, this deterred rape by making it difficult for her guards to pull her clothing off. She was evidently afraid to give up this clothing even temporarily because it was likely to be confiscated by the judge and she would thereby be left without protection. A woman's dress offered no such protection. A few days after her abjuration, when she was forced to wear a dress, she told a tribunal member that "a great English lord had entered her prison and tried to take her by force." She resumed male attire either as a defense against molestation or, in the testimony of Jean Massieu, because her dress had been taken by the guards and she was left with nothing else to wear.
Her resumption of male military clothing was labeled a relapse into heresy for cross-dressing, although this would later be disputed by the inquisitor who presided over the appeals court that examined the case after the war. Medieval Catholic doctrine held that cross-dressing should be evaluated based on context, as stated in the "Summa Theologica" by St. Thomas Aquinas, which says that necessity would be a permissible reason for cross-dressing. This would include the use of clothing as protection against rape if the clothing would offer protection. In terms of doctrine, she had been justified in disguising herself as a pageboy during her journey through enemy territory, and she was justified in wearing armor during battle and protective clothing in camp and then in prison. The "Chronique de la Pucelle" states that it deterred molestation while she was camped in the field. When her soldiers' clothing was not needed while on campaign, she was said to have gone back to wearing a dress. Clergy who later testified at the posthumous appellate trial affirmed that she continued to wear male clothing in prison to deter molestation and rape.
Joan referred the court to the Poitiers inquiry when questioned on the matter. The Poitiers record no longer survives, but circumstances indicate the Poitiers clerics had approved her practice. She also kept her hair cut short through her military campaigns and while in prison. Her supporters, such as the theologian Jean Gerson, defended her hairstyle for practical reasons, as did Inquisitor Brehal later during the appellate trial. Nonetheless, at the trial in 1431 she was condemned and sentenced to die. Boyd described Joan's trial as so "unfair" that the trial transcripts were later used as evidence for canonizing her in the 20th century.
Eyewitnesses described the scene of the execution by burning on 30 May 1431. Tied to a tall pillar at the Vieux-Marché in Rouen, she asked two of the clergy, Fr Martin Ladvenu and Fr Isambart de la Pierre, to hold a crucifix before her. An English soldier also constructed a small cross that she put in the front of her dress. After she died, the English raked back the coals to expose her charred body so that no one could claim she had escaped alive. They then burned the body twice more, to reduce it to ashes and prevent any collection of relics, and cast her remains into the Seine River. The executioner, Geoffroy Thérage, later stated that he "greatly feared to be damned for he had burned a holy woman."
The Hundred Years' War continued for twenty-two years after her death. Charles VII retained legitimacy as the king of France in spite of a rival coronation held for Henry VI at Notre-Dame cathedral in Paris on 16 December 1431, the boy's tenth birthday. Before England could rebuild its military leadership and force of longbowmen lost in 1429, the country lost its alliance with Burgundy when the Treaty of Arras was signed in 1435. The Duke of Bedford died the same year and Henry VI became the youngest king of England to rule without a regent. His weak leadership was probably the most important factor in ending the conflict. Kelly DeVries argues that Joan of Arc's aggressive use of artillery and frontal assaults influenced French tactics for the rest of the war.
In 1452, during the posthumous investigation into her execution, the Church declared that a religious play in her honor at Orléans would allow attendees to gain an indulgence (remission of temporal punishment for sin) by making a pilgrimage to the event.
A posthumous retrial opened after the war ended. Pope Callixtus III authorized this proceeding, also known as the "nullification trial", at the request of Inquisitor-General Jean Bréhal and Joan's mother Isabelle Romée. The purpose of the trial was to investigate whether the trial of condemnation and its verdict had been handled justly and according to canon law. Investigations started with an inquest by Guillaume Bouillé, a theologian and former rector of the University of Paris (Sorbonne).
Bréhal conducted an investigation in 1452. A formal appeal followed in November 1455. The appellate process involved clergy from throughout Europe and observed standard court procedure. A panel of theologians analyzed testimony from 115 witnesses. Bréhal drew up his final summary in June 1456, which describes Joan as a martyr and implicated the late Pierre Cauchon with heresy for having convicted an innocent woman in pursuit of a secular vendetta. The technical reason for her execution had been a Biblical clothing law. The nullification trial reversed the conviction in part because the condemnation proceeding had failed to consider the doctrinal exceptions to that stricture. The appellate court declared her innocent on 7 July 1456.
Joan of Arc became a symbol of the Catholic League during the 16th century.
When Félix Dupanloup was made bishop of Orléans in 1849, he pronounced a fervid panegyric on Joan of Arc, which attracted attention in England as well as France, and he led the efforts which culminated in Joan of Arc's beatification in 1909. She was canonized as a saint of the Roman Catholic Church on 16 May 1920 by Pope Benedict XV in his bull "Divina disponente".
Joan of Arc became a semi-legendary figure for the four centuries after her death. The main sources of information about her were chronicles. Five original manuscripts of her condemnation trial surfaced in old archives during the 19th century. Soon, historians also located the complete records of her rehabilitation trial, which contained sworn testimony from 115 witnesses, and the original French notes for the Latin condemnation trial transcript. Various contemporary letters also emerged, three of which carry the signature "Jehanne" in the unsteady hand of a person learning to write. This unusual wealth of primary source material is one reason DeVries declares, "No person of the Middle Ages, male or female, has been the subject of more study."
Joan of Arc came from an obscure village and rose to prominence when she was a teenager, and she did so as an uneducated peasant. The French and English kings had justified the ongoing war through competing interpretations of inheritance law, first concerning Edward III's claim to the French throne and then Henry VI's. The conflict had been a legalistic feud between two related royal families, but Joan transformed it along religious lines and gave meaning to appeals such as that of squire Jean de Metz when he asked, "Must the king be driven from the kingdom; and are we to be English?" In the words of Stephen Richey, "She turned what had been a dry dynastic squabble that left the common people unmoved except for their own suffering into a passionately popular war of national liberation." Richey also expresses the breadth of her subsequent appeal:
From Christine de Pizan to the present, women have looked to Joan as a positive example of a brave and active woman. She operated within a religious tradition that believed an exceptional person from any level of society might receive a divine calling. Some of her most significant aid came from women. King Charles VII's mother-in-law, Yolande of Aragon, confirmed Joan's virginity and financed her departure to Orléans. Joan of Luxembourg, aunt to the count of Luxembourg who held custody of her after Compiègne, alleviated her conditions of captivity and may have delayed her sale to the English. Finally, Anne of Burgundy, the duchess of Bedford and wife to the regent of England, declared Joan a virgin during pretrial inquiries.
Three separate vessels of the French Navy have been named after her, including a helicopter carrier that was retired from active service on 7 June 2010. At present, the French far-right political party "Front National" holds rallies at her statues, reproduces her image in the party's publications, and uses a tricolor flame partly symbolic of her martyrdom as its emblem. This party's opponents sometimes satirize its appropriation of her image. The French civic , set in 1920, is the second Sunday of May.
World War I songs include "Joan of Arc, They Are Calling You", and "Joan of Arc's Answer Song".
Joan of Arc's religious visions have remained an ongoing topic of interest. She identified Saint Margaret, Saint Catherine, and Saint Michael as the sources of her revelations, although there is some ambiguity as to which of several identically named saints she intended.
Analysis of her visions is problematic since the main source of information on this topic is the condemnation trial transcript in which she defied customary courtroom procedure about a witness oath and specifically refused to answer every question about her visions. She complained that a standard witness oath would conflict with an oath she had previously sworn to maintain confidentiality about meetings with her king. It remains unknown to what extent the surviving record may represent the fabrications of corrupt court officials or her own possible fabrications to protect state secrets. Some historians sidestep speculation about the visions by asserting that her belief in her calling is more relevant than questions about the visions' ultimate origin.
A number of more recent scholars attempted to explain her visions in psychiatric or neurological terms. Potential diagnoses have included epilepsy, migraine, tuberculosis, and schizophrenia.
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Johannes Nicolaus Brønsted
Johannes Nicolaus Brønsted (; 22 February 1879 – 17 December 1947) born in Varde, was a Danish physical chemist.
He earned a degree in chemical engineering in 1899 and his Ph.D. in 1908 from the University of Copenhagen and was immediately thereafter appointed professor of inorganic and physical chemistry at the same university.
In 1906 he published the first of his many papers on electron affinity, and, simultaneously with the English chemist Thomas Martin Lowry, he introduced the protonic theory of acid-base reactions in 1923. That same year, Gilbert N. Lewis proposed an electronic theory of acid-base reactions, but both theories remain commonly used.
In World War II, Brønsted's opposition to the Nazis led to his election to the Danish parliament in 1947, but he was too ill to take his seat and died shortly after the election.
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Janus kinase
Janus kinase (JAK) is a family of intracellular, nonreceptor tyrosine kinases that transduce cytokine-mediated signals via the JAK-STAT pathway. They were initially named "just another kinase" 1 and 2 (since they were just two of many discoveries in a PCR-based screen of kinases), but were ultimately published as "Janus kinase". The name is taken from the two-faced Roman god of beginnings, endings and duality, Janus, because the JAKs possess two near-identical phosphate-transferring domains. One domain exhibits the kinase activity, while the other negatively regulates the kinase activity of the first.
The four JAK family members are:
Transgenic mice that do not express JAK1 have defective responses to some cytokines, such as interferon-gamma. JAK1 and JAK2 are involved in type II interferon (interferon-gamma) signalling, whereas JAK1 and TYK2 are involved in type I interferon signalling. Mice that do not express TYK2 have defective natural killer cell function.
Since members of the type I and type II cytokine receptor families possess no catalytic kinase activity, they rely on the JAK family of tyrosine kinases to phosphorylate and activate downstream proteins involved in their signal transduction pathways. The receptors exist as paired polypeptides, thus exhibiting two intracellular signal-transducing domains.
JAKs associate with a proline-rich region in each intracellular domain that is adjacent to the cell membrane and called a box1/box2 region. After the receptor associates with its respective cytokine/ligand, it goes through a conformational change, bringing the two JAKs close enough to phosphorylate each other. The JAK autophosphorylation induces a conformational change within itself, enabling it to transduce the intracellular signal by further phosphorylating and activating transcription factors called STATs (Signal Transducer and Activator of Transcription, or Signal Transduction And Transcription). The activated STATs dissociate from the receptor and form dimers before translocating to the cell nucleus, where they regulate transcription of selected genes.
Some examples of the molecules that use the JAK/STAT signaling pathway are colony-stimulating factor, prolactin, growth hormone, and many cytokines.
JAK inhibitors are under development for the treatment of psoriasis, atopic dermatitis, rheumatoid arthritis, polycythemia vera, alopecia, essential thrombocythemia, ulcerative colitis, myeloid metaplasia with myelofibrosis and vitiligo. Examples are tofacitinib, baricitinib, upadacitinib and filgotinib (GLPG0634), the latter is currently under development by the Belgian firm Galapagos.
In 2014 researchers discovered that oral JAK inhibitors, when administered orally could restore hair growth in some subjects and that applied to the skin, effectively promoted hair growth.
JAKs range from 120-140 kDa in size and have seven defined regions of homology called Janus homology domains 1 to 7 (JH1-7). JH1 is the kinase domain important for the enzymatic activity of the JAK and contains typical features of a tyrosine kinase such as conserved tyrosines necessary for JAK activation (e.g. Y1038/Y1039 in JAK1, Y1007/Y1008 in JAK2, Y980/Y981 in JAK3, and Y1054/Y1055 in Tyk2). Phosphorylation of these dual tyrosines leads to the conformational changes in the JAK protein to facilitate binding of substrate. JH2 is a "pseudokinase domain", a domain structurally similar to a tyrosine kinase and essential for a normal kinase activity, yet lacks enzymatic activity. This domain may be involved in regulating the activity of JH1, and was likely a duplication of the JH1 domain which has undergone mutation post-duplication. The JH3-JH4 domains of JAKs share homology with Src-homology-2 (SH2) domains. The amino terminal (NH2) end (JH4-JH7) of Jaks is called a FERM domain (short for band 4.1 ezrin, radixin and moesin); this domain is also found in the focal adhesion kinase (FAK) family and is involved in association of JAKs with cytokine receptors and/or other kinases.
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Jacob Grimm
Jacob Ludwig Karl Grimm (4 January 1785 – 20 September 1863), also known as Ludwig Karl, was a German philologist, jurist, and mythologist. He is known as the discoverer of Grimm's law of linguistics, the co-author of the monumental "Deutsches Wörterbuch", the author of "Deutsche Mythologie", and the editor of "Grimm's Fairy Tales". He was the older brother of Wilhelm Grimm, of the literary duo the Brothers Grimm.
Jacob Grimm was born 4 January 1785, in Hanau in Hesse-Kassel. His father, Philipp Grimm, was a lawyer who died while Jacob was a child, and his mother was left with a very small income. Her sister was lady of the chamber to the Landgravine of Hesse, and she helped to support and educate the family. Jacob was sent to the public school at Kassel in 1798 with his younger brother Wilhelm.
In 1802, he went to the University of Marburg where he studied law, a profession for which he had been intended by his father. His brother joined him at Marburg a year later, having just recovered from a severe illness, and likewise began the study of law.
Jacob Grimm became inspired by the lectures of Friedrich Karl von Savigny, a noted expert of Roman law; Wilhelm Grimm, in the preface to the "Deutsche Grammatik" (German Grammar), credits Savigny with giving the brothers an awareness of science. Savigny's lectures also awakened in Jacob a love for historical and antiquarian investigation, which underlies all his work. It was in Savigny's library that Grimm first saw Bodmer's edition of the Middle High German minnesingers and other early texts, which gave him a desire to study their language.
In the beginning of 1805, he was invited by Savigny to Paris, to help him in his literary work. There Grimm strengthened his taste for the literature of the Middle Ages. Towards the close of the year, he returned to Kassel, where his mother and brother had settled after Wilhelm finished his studies. The following year, Jacob obtained a position in the war office with a small salary of 100 thalers. He complained that he had to exchange his stylish Paris suit for a stiff uniform and pigtail, but the role gave him spare time for the pursuit of his studies.
In 1808, soon after the death of his mother, he was appointed superintendent of the private library of Jérôme Bonaparte, King of Westphalia, into which Hesse-Kassel had been incorporated by Napoleon. Grimm was appointed an auditor to the state council, while retaining his superintendent post. His salary rose to 4000 francs and his official duties were nominal. In 1813, after the expulsion of Bonaparte and the reinstatement of an elector, Grimm was appointed Secretary of Legation accompanying the Hessian minister to the headquarters of the allied army. In 1814, he was sent to Paris to demand restitution of books taken by the French, and he attended the Congress of Vienna as Secretary of Legation in 1814–1815. Upon his return from Vienna, he was sent to Paris again to secure book restitutions. Meanwhile, Wilhelm had obtained a job at the Kassel library, and Jacob was made second librarian under Volkel in 1816. Upon the death of Volkel in 1828, the brothers both expected promotion, and they were dissatisfied when the role of first librarian was given to Rommel, the keeper of the archives. Consequently, they moved the following year to Göttingen, where Jacob was appointed professor and librarian, and Wilhelm under-librarian. Jacob Grimm lectured on legal antiquities, historical grammar, literary history, and diplomatics, explained Old German poems, and commented on the "Germania" of Tacitus.
Grimm joined other academics, known as the Göttingen Seven, who signed a protest against the King of Hanover's abrogation of the liberal constitution which had been established some years before. As a result, he was dismissed from his professorship and banished from the Kingdom of Hanover in 1837. He returned to Kassel with his brother, who had also signed the protest. They remained there until 1840, when they accepted King Frederick William IV's invitation to move to Berlin, where they both received professorships and were elected members of the Academy of Sciences. Grimm was not under any obligation to lecture, and seldom did so; he spent his time working with his brother on their dictionary project. During their time in Kassel, he regularly attended the meetings of the academy and read papers on varied subjects, including Karl Konrad Friedrich Wilhelm Lachmann, Friedrich Schiller, old age, and the origin of language. He described his impressions of Italian and Scandinavian travel, interspersing more general observations with linguistic details. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1857.
Grimm died in Berlin at the age of 78, working until the very end of his life. He describes his own work at the end of his autobiography:
Nearly all my labours have been devoted, either directly or indirectly, to the investigation of our earlier language, poetry and laws. These studies may have appeared to many, and may still appear, useless; to me they have always seemed a noble and earnest task, definitely and inseparably connected with our common fatherland, and calculated to foster the love of it. My principle has always been in these investigations to under-value nothing, but to utilize the small for the illustration of the great, the popular tradition for the elucidation of the written monuments.
Grimm's "Geschichte der deutschen Sprache" (History of the German Language) explores German history hidden in the words of the German language and is the oldest linguistic history of the Teutonic tribes. He collected scattered words and allusions from classical literature and tried to determine the relationship between the German language and those of the Getae, Thracians, Scythians, and other nations whose languages were known only through Greek and Latin authors. Grimm's results were later greatly modified by a wider range of available comparison and improved methods of investigation. Many questions that he raised remain obscure due to the lack of surviving records of the languages, but his book's influence was profound.
Grimm's famous "Deutsche Grammatik" (German Grammar) was the outcome of his purely philological work. He drew on the work of past generations, from the humanists onwards, consulting an enormous collection of materials in the form of text editions, dictionaries, and grammars, mostly uncritical and unreliable. Some work had been done in the way of comparison and determination of general laws, and the concept of a comparative Germanic grammar had been grasped by the Englishman George Hickes by the beginning of the 18th century, in his "Thesaurus". Ten Kate in the Netherlands had made valuable contributions to the history and comparison of Germanic languages. Grimm himself did not initially intend to include all the languages in his "Grammar", but he soon found that Old High German postulated Gothic, and that the later stages of German could not be understood without the help of other West Germanic varieties including English, and that the literature of Scandinavia could not be ignored. The first edition of the first part of the "Grammar", which appeared in 1819, treated the inflections of all these languages, and included a general introduction in which he vindicated the importance of an historical study of the German language against the quasi-philosophical methods then in vogue.
In 1822 the book appeared in a second edition (really a new work, for, as Grimm himself says in the preface, he had to "mow the first crop down to the ground"). The considerable gap between the two stages of Grimm's development of these editions is shown by the fact that the second volume addresses phonology in 600 pages – more than half the volume. Grimm had concluded that all philology must be based on rigorous adherence to the laws of sound change, and he subsequently never deviated from this principle. This gave to all his investigations a consistency and force of conviction that had been lacking in the study of philology before his day.
His advances have been attributed mainly to the influence of his contemporary Rasmus Christian Rask. Rask was two years younger than Grimm, but the Icelandic paradigms in Grimm's first editions, his Icelandic paradigms are based entirely on Rask's grammar; in his second edition, he relied almost entirely on Rask for Old English. His debt to Rask is shown by comparing his treatment of Old English in the two editions. For example, in the first edition he declines "dæg, dæges", plural "dægas", without having observed the law of vowel-change pointed out by Rask. (The correct plural is "dagas.") The appearance of Rask's Old English grammar was probably the primary impetus for Grimm to recast his work from the beginning. Rask was also the first to clearly formulate the laws of sound-correspondence in the different languages, especially in the vowels (previously ignored by etymologists).
The "Grammar" was continued in three volumes, treating principally derivation, composition and syntax, the last of which was unfinished. Grimm then began a third edition, of which only one part, comprising the vowels, appeared in 1840, his time being afterwards taken up mainly by the dictionary. The "Grammar" is noted for its comprehensiveness, method and fullness of detail, with all his points illustrated by an almost exhaustive mass of material, and it has served as a model for all succeeding investigators. Diez's grammar of the Romance languages is founded entirely on Grimm's methods, which have had a profound influence on the wider study of the Indo-European languages in general.
Jacob is recognized for enunciating Grimm's law, the Germanic Sound Shift, which was first observed by the Danish philologist Rasmus Christian Rask. Grimm's law was the first non-trivial systematic sound change to be discovered. Grimm's law, also known as the "Rask-Grimm Rule" or the First Germanic Sound Shift, was the first law in linguistics concerning a non-trivial sound change. It was a turning point in the development of linguistics, allowing the introduction of a rigorous methodology to historic linguistic research. It concerns the correspondence of consonants between the ancestral Proto-Indo-European language and its Germanic descendants, Low Saxon and High German, and was first fully stated by Grimm in the second edition of the first part of his "Grammar". The correspondence of single consonants had been more or less clearly recognized by several of his predecessors, including Friedrich von Schlegel, Rasmus Christian Rask and Johan Ihre, the last having established a considerable number of "literarum permutationes", such as b for f, with the examples "bœra" = "ferre" ("to bear"), "befwer" = "fibra" ("fiber"). Rask, in his essay on the origin of the Icelandic language, gave the same comparisons, with a few additions and corrections, and even the same examples in most cases. As Grimm in the preface to his first edition expressly mentioned Rask's essay, there is every probability that it inspired his own investigations. But there is a wide difference between the isolated permutations described by his predecessors and his own comprehensive generalizations. The extension of the law to High German in any case is entirely Grimm's work.
The idea that Grimm wished to deprive Rask of his claims to priority is based on the fact that he does not expressly mention Rask's results in his second edition, but it was always his plan to refrain from all controversy or reference to the works of others. In his first edition, he calls attention to Rask's essay, and praises it ungrudgingly. Nevertheless, a certain bitterness of feeling afterwards sprang up between Grimm and Rask, after Rask refused to consider the value of Grimm's views when they clashed with his own.
Grimm's monumental dictionary of the German Language, the "Deutsches Wörterbuch", was started in 1838 and first published in 1854. The Brothers anticipated it would take 10 years and encompass some six to seven volumes. However, it was undertaken on so large a scale as to make it impossible for them to complete it. The dictionary, as far as it was worked on by Grimm himself, has been described as a collection of disconnected antiquarian essays of high value. It was finally finished by subsequent scholars in 1961 and supplemented in 1971. At 33 volumes at some 330,000 headwords, it remains a standard work of reference to the present day. A current project at the Berlin-Brandenburg Academy of Sciences and Humanities is underway to update the "Deutsches Wörterbuch" to modern academic standards. Volumes A–F were scheduled for release in 2012.
The first work Jacob Grimm published, "Über den altdeutschen Meistergesang" (1811), was of a purely literary character. Yet even in this essay Grimm showed that "Minnesang" and "Meistergesang" were really one form of poetry, of which they merely represented different stages of development, and also announced his important discovery of the invariable division of the "Lied" into three strophic parts.
Grimm's text-editions were mostly prepared in conjunction with his brother. In 1812 they published the two ancient fragments of the "Hildebrandslied" and the "Weißenbrunner Gebet", Jacob having discovered what till then had never been suspected — namely the alliteration in these poems. However, Jacob had little taste for text editing, and, as he himself confessed, working on a critical text gave him little pleasure. He therefore left this department to others, especially Lachmann, who soon turned his brilliant critical genius, trained in the severe school of classical philology, to Old and Middle High German poetry and metre.
Both Brothers were attracted from the beginning by all national poetry, whether in the form of epics, ballads or popular tales. They published In 1816–1818 a collection of legends culled from diverse sources and published the two-volume "Deutsche Sagen" (German Legends). At the same time they collected all the folktales they could find, partly from the mouths of the people, partly from manuscripts and books, and published in 1812–1815 the first edition of those "Kinder- und Hausmärchen" (Children's and Household Tales), which has carried the name of the brothers Grimm into every household of the western world. The closely related subject of the satirical beast epic of the Middle Ages also held great charm for Jacob Grimm, and he published an edition of the "Reinhart Fuchs" in 1834. His first contribution to mythology was the first volume of an edition of the Eddaic songs, undertaken jointly with his brother, and was published in 1815. However, this work was not followed by any others on the subject.
The first edition of his "Deutsche Mythologie" (German Mythology) appeared in 1835. This work covered the whole range of the subject, attempting to trace the mythology and superstitions of the old Teutons back to the very dawn of direct evidence, and following their evolution to modern-day popular traditions, tales, and expressions.
Grimm's work as a jurist was influential for the development of the history of law, particularly in Northern Europe.
His essay "Von der Poesie im Recht" ("Poetry in Law", 1816) developed a far-reaching, suprapositivist Romantic conception of law. The "Deutsche Rechtsalterthümer" ("German Legal Antiquities", 1828) was a comprehensive compilation of sources of law from all Germanic languages, whose structure allowed an initial understanding of older German legal traditions not influenced by Roman law. Grimm's "Weisthümer" (4 vol., 1840–63), a compilation of partially oral legal traditions from rural Germany, allows research of the development of written law in Northern Europe.
Jacob Grimm's work tied in strongly with his views on Germany and its culture. His work on both fairy tales and philology dealt with the country's origins. He wished for a united Germany, and, like his brother, supported the Liberal movement for a constitutional monarchy and civil liberties, as demonstrated by their involvement in the Göttingen Seven protest. In the German revolution of 1848, he was elected to the Frankfurt National Parliament. The people of Germany had demanded a constitution, so the Parliament, formed of elected members from various German states, met to form one. Grimm was selected for the office largely because of his part in the University of Goettingen's refusal to swear to the king of Hanover. He then went to Frankfurt, where he made some speeches, and was adamant that the Danish-ruled but German-speaking duchy of Holstein to be under German control. Grimm soon became disillusioned with the National Assembly and asked to be released from his duties to return to his studies.
Jacob Grimm died on 20 September 1863, in Berlin, Germany from disease
The following is a complete list of Grimm's separately published works. Those he published with his brother are marked with a star (*). For a list of his essays in periodicals, etc., see vol. V of his "Kleinere Schriften", from which the present list is taken. His life is best studied in his own "Selbstbiographie", in vol. I of the "Kleinere Schriften". There is also a brief memoir by Karl Goedeke in "Göttinger Professoren" (Gotha (Perthes), 1872).
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Jamiroquai
Jamiroquai () are an English funk and acid jazz band from London, formed in 1992. Fronted by singer-songwriter Jay Kay, the band were a prominent component of the London-based funk/jazz movement of the 1990s. Influenced by black music of the 1970s, the group additionally drew from rock, electronica and Latin music and their lyrics have dealt with social and environmental idealism. On stage, they perform with several musicians in the band playing live. Over the years, Kay has consistently remained as the leader through several line-up changes.
The band debuted with "When You Gonna Learn" under Acid Jazz records, leading to Kay signing a record deal with Sony Soho2. While under this label, the group released a string of million-selling albums containing singles that have reached various charts worldwide, including the UK number 1 single "Deeper Underground" (1998). All eight of the band's albums have entered the UK top 10. Three of them, "Emergency on Planet Earth" (1993), "Synkronized" (1999), "A Funk Odyssey" (2001), along with , charted at number 1. In America, the band found moderate success within the Dance charts and the "Billboard 200".
Jamiroquai have sold more than 26 million albums worldwide as of 2017. Their third album, "Travelling Without Moving" (1996), received a Guinness World Record for the best-selling funk album in history. The music video for the album's lead single, "Virtual Insanity", was named Video of the Year at the 1997 MTV Video Music Awards. The group has won an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors, as well as one Grammy Award, two MTV Video Music Awards, and two "Billboard" Music Awards. They have also received fifteen Brit Award nominations.
In 1986, Jason "Jay" Kay, who worked as a break-dancer, released a hip-hop single under the label StreetSounds. It was one of many songs he sent to record companies. During this time, Kay was influenced by Native American and First Nation peoples and their philosophies and wrote "When You Gonna Learn", a song covering social issues. When he had it studio-recorded, Kay fought with the producers who stripped the song down and produced it based on mainstream trends. With the track restored to his preference, the experience helped Kay to realise he "wanted a proper live band with a proper live sound." The band would be named "Jamiroquai", a portmanteau of the words "jam" and the name of a Native American confederacy, the Iroquois. He was signed to Acid Jazz Records in 1991 after he sent a demo tape of himself covering a song by the Brand New Heavies. Afterwards, he gradually gathered band members, including friend Wallis Buchanan who played the didgeridoo. Keyboardist Toby Smith, who Kay initially rejected, was scouted by the band manager and joined as Kay's songwriting partner. Their first song as collaborators was the anti-war song "Too Young to Die".
In 1992, Jamiroquai began their career by performing in the British club scene, and released "When You Gonna Learn" as their debut single, charting outside the UK Top 50. It featured Brand New Heavies bassist Andrew Levy, who was replaced by Stuart Zender by audition in the following year. Following the success of the "When You Gonna Learn" single, Kay was offered multiple major-label contracts and settled for a one-million-dollar, 8-album record deal with Sony Soho2. He was the only member who signed under the contract as Jamiroquai, but he would share his royalties with his band members in accordance to their contributions. Under Sony, the band released their début album, "Emergency on Planet Earth", and it entered the UK albums chart at number 1 with 1.3 million copies sold worldwide. It was described by an AllMusic reviewer as "a psychedelic melange of tight funky rhythms, acid rock intimations, and '70s soul melodies." The album "laid the foundations for an acid-jazz sound that the band would continue to build upon for the next decade and a half", according to a critic for BBC Music. With the album having an ecologically charged concept, the music video for "When You Gonna Learn" was banned in America for using footage of a Nazi party. The album's second single, "Too Young to Die", entered the UK singles chart at number 10.
The band's drummer, Nick van Gelder, was absent for longer than expected, and he was replaced by Derrick McKenzie, who recorded with the group in one take for his audition. While writing songs for the group's second album "The Return of the Space Cowboy", Kay fell into a creative block worsened by his increasing drug use at the time. And the complex nature of the production and songwriting caused Sony to tell Jamiroquai that "none of [the songs] sounded like singles". The band soon found their turning point when they wrote the lead single "Space Cowboy", released in September 1994 and becoming the group's first number 1 in the US Dance Club Songs Chart. The single additionally contained remixes by David Morales, further putting the single in club circulation. "The Return of the Space Cowboy" was issued a month later and ranked at number 2 in the UK chart. "Q" stated that the album was "an ebullient follow-up to [their] storming debut." A "Rolling Stone" reviewer described the group "[parlaying] jazzy soul pop so tight, it crackles." The instrumentation of the album was said to be "played by humans, not samplers", according to Josef Woodard from "Entertainment Weekly". In a 1996 report by "Billboard", "The Return of the Space Cowboy" sold 1.3 million copies worldwide. Its fifth single "Stillness in Time" (1995), peaked at number 9 in the UK top-ten chart. In the same year, Kay was featured in the track "Lost Souls" for Guru's album .
Released in 1996, "Travelling Without Moving" sold 1.4 million copies in the US and reached number 24 in the "Billboard" 200. It sold 3 million copies in Europe, and peaked at number 2 in the UK albums chart; selling 1.2 million copies, and 8 million overall. It listed in the Guinness World Records as the best-selling funk album in history. Containing symphonic and jungle elements, Kay aimed for an accessible sound unlike the previous record. A review from "Q" magazine stated that "Travelling Without Moving" is "tighter and more compact in its production", while critic Stephen Thomas Erlewine commented that it did not have "the uniform consistency of its predecessor." The album's lead single "Virtual Insanity" gained popularity for its music video, where it heavily played on MTV, and won two Video Music Awards for Breakthrough Video and Video of the Year in 1997. It was preceded by "Cosmic Girl" peaking at number 6 in the UK. Cosmic Girl was followed by "Alright" charting in the US "Billboard" Hot 100 at number 78. In support of "Travelling Without Moving", the group gave an international tour including the UK, Japan, Australia, Brazil and the US.
The group were preparing their fourth album, "Synkronized" (1999), in Kay's Chillington studio complex, built in his Buckinghamshire country house. During its production, Zender left Jamiroquai due to conflicts with Kay. While Zender had not been involved in the album's songwriting, the group chose to scrap his recorded tracks to avoid lawsuits and Nick Fyffe was recruited for new sessions. This resulted in what journalist Lisa Markwell thought was a "tighter, more angry collection of songs" for "Synkronized", while Prasad Bidaye of "Exclaim!" commented that tracks such as "'Canned Heat,' 'Planet Home' and 'Where Do We Go From Here?' sound more like hi-NRG and house than acid jazz, while slower tempos on 'Falling' and 'Butterfly' ease the pressure for [Kay's] more romantic musings." "Canned Heat" was their second number 1 in the US Dance Club Songs Chart, and in 2004, appeared in a climactic dance scene of the comedy film "Napoleon Dynamite". The 1998 single titled, "Deeper Underground" was listed in the "Godzilla" soundtrack and was their first and only UK number 1. "Synkronized" sold 3 million copies and ranked number 1 in the UK albums chart and number 28 in the US "Billboard" 200"."
The group issued their 2001 follow-up, "A Funk Odyssey", a primarily disco record that explored rock and Latin music influences. It introduced guitarist Rob Harris, who helped write tracks such as "Corner of the Earth", while Smith left the band in the following year. "A Funk Odyssey" was released to generally mixed reviews, with a "Billboard" magazine reviewer stating that the group "continues to mine a musical playing field that pays homage to [...] Stevie Wonder, Curtis Mayfield, and Chic", and "Mojo" writing that the album "[succumbs] to unambitious disco stylings." The band embarked on a world tour to promote the album, including locations in Europe, Hong Kong and Melbourne, and were accompanied by vocalist Beverley Knight. The album topped in the UK, Australia, the European Top 100, and reached Top 10 charts in Germany, Ireland, Austria and Finland. In the US, the album reached number 44 in the "Billboard 200" and topped the Dance/Electronic Albums chart. Its accompanying singles "Little L" and "You Give Me Something", both reached at number 2 in the Hot Dance Music/Club Play chart. The former single also peaked at number 1 in Spain.
Their sixth album titled "Dynamite", was released in 2005, and reached number 3 in the UK, number 2 in the European Top 100 Albums chart, and number 2 in the US Dance/Electronics Album chart. It was produced by Mike Spencer and was recorded in various locations in Europe and the US. Rashod D. Ollison of "The Baltimore Sun" wrote that the album "boasts a harder digital edge... With heavier beats, manipulated guitar lines and odd digital textures, "Dynamite" is less organic than Jamiroquai's other efforts." Its tracks "Feels Just Like It Should" and "Love Blind" were characterised as "[having] a fatter, dirtier sound than usual". In 2006, the group announced their switch to Columbia Records. A greatest hits collection, "", was issued in the same year and marked the end of Kay's contract with Sony. It topped the UK album chart after its first week of release. The following year, Jamiroquai performed in the Gig in the Sky, a concert held on a private Boeing 757 in association with Sony Ericsson. The group thus currently holds the Guinness World Record for "fastest concert", performed on the aircraft whilst travelling at 1017 km/h (632 mph). They formerly held the record for the "highest concert", broken by the Black Eyed Peas performing in a Virgin Australia aircraft.
"Rock Dust Light Star" was released in 2010 under Mercury Records, described by Kay himself as a "a real band record" that "[captures] the flow of our live performances". Matt Collar commented in an AllMusic review that the group were "heading back to [their] rock and organic soul roots", with a sound "The Telegraph" termed as "Californian Seventies funk rock". It ranked number 7 in the UK with 34,378 copies sold. Its first single "White Knuckle Ride" was number 1 in Italy and also charted in the Netherlands and Switzerland, while its preceding single "Blue Skies" reached number 36 in the UK radio airplay chart. The following year also saw members Harris, Johnson, and Turner forming the sub-group Radio Silence, with their album "Travelogue" being released.
Jamiroquai released "Automaton" in 2017, their eighth studio album and the first in seven years. It was produced by Kay and band keyboardist Matt Johnson, and "has a heavy electronica influence, featuring retro synths, icy arpeggiated melodies, stompy house beats and bubbling basslines", according to a review from "The New Zealand Herald". It reached number 4 in the UK and topped the US Dance/Electronic Albums chart. In May, Kay seriously injured his spine. Requiring surgery, it led to two shows in Tokyo for their Automaton Tour being rescheduled in September. By 2017, the group's line-up consisted of Kay, Harris, McKenzie, Johnson, Paul Turner on bass guitar, and percussionist Sola Akingbola.
In January 2018, Jamiroquai released a track titled, "Now We Are Alone" on their official YouTube page. They gave their first US performance in 13 years at the 2018 Coachella Music Festival.
Jamiroquai is generally termed as acid-jazz, funk, disco, soul, house, and R&B. Their sound has been described by J.D. Considine as having an "anything-goes attitude, an approach that leaves the band open to anything". According to Michael Mehle of "Rocky Mountain News", "When the band formed in 1992, the group chose to emphasize real instruments with a big band rather than techno-gilded dance music that required antiseptic computers and synthesizers on stage", although their later work saw the band exploring electronic sounds. Jay Kay is the primary songwriter of Jamiroquai. Despite his lack of ability to play musical instruments, he would sing melodies and beats for band members to transcribe to their instrumentation. With some tracks lasting for more than three minutes, the group balances between harder and softer songs, and lyrics are the last to be written. Toby Smith's keyboard arrangements were said to be "psychedelic and soulful", while Stuart Zender's bass playing was likened to that of Marcus Miller. Wallis Buchanan on didgeridoo was also considered as a distinctive element to their musical style. When asked about how the group maintained their success, Kay responded, "By not worrying about staying relevant... Jamiroquai never really fitted into a trendy genre or anything."
Jamiroquai's sound takes from disco and funk music of the 1970s. Kay was influenced by Roy Ayers, Herbie Hancock, Lou Donaldson, Grant Green, Sly Stone, Gil Scott-Heron, and hip-hop and its culture. A 2003 compilation titled "" under Azuli Records, also contains a selection of some of the band's soul, funk and disco influences. While Jamiroquai and Kay's vocals have drawn comparisons to Stevie Wonder, some critics accused the band of deriving throwback styles to the point of copying such artists. Smith attributed this to having multiple musicians play in the band live; while Kay, who denied being influenced by Wonder, has voiced against being compared to other artists. In contrast, Kay expressed his desire to maintain the group's distinctive sound whilst referencing his influences: "If you just sample Barry White or Sly Stone, that’s one thing; to get their spirit is different."
Jamiroquai's lyrics have occasionally dealt with socially idealistic themes. "Emergency on Planet Earth" (1993) revolved around environmental awareness, while "The Return of the Space Cowboy" (1994) contained themes of homelessness, Native American rights, youth protests, and slavery. The songs "Black Crow" and "Twenty Zero One" from 2001's "A Funk Odyssey", respectively "laments the absence of spirituality in modern culture" and discussed the "dehumanizing effects of technology." The lyrics for "Automaton" (2017) allude to "dystopian films and the limitations of relationships built in a digital landscape…" as Richard Driver from "PopMatters" wrote and continued: "the band pushes for hope and optimism despite reliance on aspects of society increasingly lost by technology and solitude."
However, critics said that the band had strayed from these values; with arguments that the band focused more on "having fun" instead of making social change, and Kay's interest in sports cars went against their ecological themes. Kay said in an interview with "Muzik", that he was reluctant to release "Travelling Without Moving" (1996) as it adopted a motorcar concept, but added: "just because I love to drive a fast car, that doesn't mean I believe in [destroying the environment.]" He additionally stated in 1999 interview that "after a while you realise that people won't boogie and dance to [politics]."
For the band's live performances, Kay said that "playing live is our forte" and that he "[found] studio work a bit stiff in comparison." Robert Hilburn of "The Los Angeles Times" wrote that the live band comprised a "10-member musical team, including a deejay and a horn section", and that Kay "asserts the confidence and command of a dancer". He added in a separate article that "Kay himself brings a winning sense of individuality to his concerts, where he combines moves as fluid as Prince’s with a disarming sense of humor." Chauncey Hollingsworth of the "Chicago Tribune" said in a 1995 concert review that "his ease in movement and vocal endurance was like a martial artist's." In 1997, Jennifer Clay for "Variety" Magazine described Kay "leaping, twirling and sliding on his knees, performing flips and handstands, and conducting with his arms and shaking his hips — seemingly off in his own world." A 2001 concert saw the group's horn section replaced with three backing vocalists.
Kay stated that the group's visual aesthetics are important. He assumes creative control over the group's music videos, such as editing, performing his own stunts and ensuring that they all "[look] good after 10–15 years". Called "icons of the music-video format" by Spencer Kornhaber from "The Atlantic", the group are especially known for their music video of "Virtual Insanity", directed by Jonathan Glazer. In the video, Kay: "performed in a room where the floors, walls and furniture all moved simultaneously."
The band's frontman, Jay Kay, has worn various elaborate head-gear, some he designed himself. In a 1993 interview with "Melody Maker", he said that wearing head-gear gives him a spiritual power that the Iroquois called "orenda" and if "[the audience] isn't really going for it, I'll tug the hat down and come on all militant." The illuminating helmet that appears in "Automaton" music video was designed by Moritz Waldemeyer for Kay to control its lights and movements and to portray him as "an endangered species". He had been accused of cultural appropriation when he wore Native American head-dresses.
As a prominent component within the London-based funk/acid-jazz movement of the 1990s, Writer Kenneth Prouty said that "few acid jazz groups have reached the level of visibility in the pop music mainstream as London born Jamiroquai." The success of the 1996 single "Virtual Insanity" led to "[the climax of] 1970s soul and funk that early acid jazz artists had initiated." The band were also credited for popularising the didgeridoo. Alex Young of "Consequence of Sound" argued that the departure of Stuart Zender changed the band's musical direction of "creating propulsive collections of [long] tunes, [and] speaking out against injustice". Jake Indiana from "Highsnobiety" wrote that "after finding the heights of success, the band entered a quieter phase, producing full-lengths on a less regular basis." The band avoided opportunities to become a nostalgia act and has "[shown] no signs of fading in their ability to weave sonic wonder." According to Ian Gittins of "The Guardian", "Jamiroquai have long been shunned by music's tastemakers for a perceived naffness, and have shown their utter disregard for this critical snobbery by getting bigger and bigger." Ammar Kalia of "Clash" magazine negatively commented that the group "have always been a singles band, churning out radio hits like ‘Canned Heat’ and ‘Too Young To Die’, but they failed to create the pacing and diversity needed of a satisfying album." Mark Jenkins of "The Washington Post" questioned the band's socially charged lyrics and further wrote of their music: "Derived from the lush, silky '70s funk and soul of Philadelphia International and Stevie Wonder, Jamiroquai's sound is about as revolutionary as a nonreturnable bottle of Pepsi." Josh Goller from "Slant Magazine" also criticised the band for objectifying women in their lyrics.
Jamiroquai were the third best-selling UK act of the 1990s, after the Spice Girls and Oasis. As of February 2017, the group has sold more than 26 million albums worldwide. Despite finding popularity in the UK with high-charting albums, the band could not maintain their relevance in the United States, and their record sales declined in this market. They sold 4.4 million albums in the UK and had US sales of 2.5 million copies sold as of 2010. The group has had three albums that reached number 1 in the UK and three albums that entered the "Billboard" 200 chart in the US.
Front-man Kay was given a BMI Presidents Award, "in recognition of his profound influence on songwriting within the music industry." Artists who cite the group as an influence include Tyler, the Creator, Chance the Rapper, SZA, Kamaal Williams, Syd, and Calvin Harris, who had also remixed the group's material.
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John Sutter
John Augustus Sutter (February 23, 1803 – June 18, 1880), born Johann August Sutter, was a German-born Swiss colonizer of California, with Mexican and American citizenship, known for establishing Sutter's Fort in the area that would eventually become Sacramento, California, the state's capital. At the fort, Sutter used enslaved Native Americans for labor. Although he became famous following the discovery of gold by his employee James W. Marshall and the mill-making team at Sutter's Mill, Sutter saw his own business ventures fail during the California Gold Rush. Those of his elder son, John Augustus Sutter Jr., were more successful.
Johann August Sutter was born on February 23, 1803, in Kandern, Baden (present-day Germany); his father came from the nearby town of Rünenberg in the Canton of Basel in Switzerland.
Johann went to school in Neuchâtel, Switzerland. At age 21, he married
the daughter of a rich widow. He operated a store, but showed more interest in spending money than in earning it. Because of family circumstances and mounting debts, Johann faced charges that would have him placed in jail, so he decided to dodge trial and ventured to America; he styled his name as Captain John Augustus Sutter.
In May 1834, he left his wife and five children behind in Burgdorf, Switzerland, and with a French passport, he boarded the ship "Sully", which travelled from Le Havre, France, to New York City, where it arrived on July 14, 1834.
In North America, John August Sutter (as he would call himself for the rest of his life) undertook extensive travels. Before he went to the U.S., he had learned Spanish and English in addition to Swiss French. He and 35 Germans moved from the St. Louis area to Santa Fe, New Mexico, a province of Mexico, then moved to the town of Westport, now the site of Kansas City. On April 1, 1838, he joined a group of missionaries, led by the fur trapper Andrew Drips, and traveled the Oregon Trail to Fort Vancouver in Oregon Territory, which they reached in October. Sutter originally planned to cross the Siskiyou Mountains during the winter, but acting chief factor James Douglas convinced him that such an attempt would be perilous. Sutter was charged £21 by Douglas to arrange transportation on the British bark "Columbia" for himself and his eight followers.
The Columbia departed Fort Vancouver on November 11 and sailed to the Kingdom of Hawaii, reaching Honolulu on December 9. Sutter had missed the only ship inbound for the Alta California, and had to remain in the Kingdom for four months. Over the months Sutter gained friendly relations with the Euro-American community, dining with the Consuls of the United States of America and the United Kingdom of Great Britain and Ireland, John Coffin Jones and Richard Charlton along with merchants such as American Faxon Atherton. The brig "Clementine" was eventually hired by Sutter to take freight provisions and general merchandise for New Archangel (now known as Sitka), the capital of the Russian-American Company colonies in Russian America. Joining the crew as unpaid supercargo, Sutter, 10 Native Hawaiians laborers and several other followers embarked on April 20, 1839. Staying at New Archangel for a month, Sutter joined several balls hosted by Governor Kupreyanov, who likely gave help in determining the course of the Sacramento River. The "Clementine" then sailed for Alta California, arriving on July 1, 1839, at Yerba Buena (now San Francisco), which at that time was only a small seaport town.
At the time of Sutter's arrival, Alta California was a province of Mexico and had a population of only about 1,000 Europeans and an estimated 100,000-700,000 Native Americans. Sutter had to go to the capital at Monterey to obtain permission from the governor, Juan Bautista Alvarado, to settle in the territory. Alvarado saw Sutter's plan of establishing a colony in Central Valley as useful in "buttressing the frontier which he was trying to maintain against Indians, Russians, Americans and British."
The governor stipulated however that for Sutter to qualify for land ownership, he had to reside in the territory for a year and become a Mexican citizen, which he did on August 29, 1840. Construction was begun in August 1839 on a fortified settlement which Sutter named New Helvetia, or "New Switzerland," after his homeland, "Helvetia" being the Latin name for Switzerland. Sutter often began to identify himself as 'Captain Sutter of the Swiss Guard'. When the settlement was completed in 1841, on June 18, he received title to on the Sacramento River. The site is now part of the California state capital of Sacramento.
A Francophile, Sutter threatened to raise the French flag over California and place New Helvetia under French protection, but in 1846 California was occupied by the United States in the Mexican–American War. Sutter at first supported the establishment of an independent California Republic but when United States troops under John C. Frémont briefly seized control of his fort, Sutter did not resist because he was outnumbered.
Sutter had to make peace with the local native Maidu people. Over time, the Maidu and Sutter became friends, and they helped Sutter and his Kanakas build a fortified settlement. Sutter called the place New Helvetia or “New Switzerland.” Sutter's Fort had a central building made of adobe bricks, surrounded by a high wall with protection on opposite corners to guard against attack. It also had workshops and stores that produced all goods necessary for the New Helvetia settlement.
Sutter employed or enslaved Native Americans of the Miwok and Maidu tribes, the Hawaiians (Kanakas) he had brought, and also employed some Europeans at his compound. He envisioned creating an agricultural utopia, and for a time the settlement was in fact quite large and prosperous. Prior to the Gold Rush, it was the destination for most immigrants entering California via the high passes of the Sierra Nevada, including the ill-fated Donner Party of 1846, for whose rescue Sutter contributed supplies.
Some Native Americans worked voluntarily for Sutter (e.g. Nisenans. Miwoks, Ochecames), but others were subjected to varying degrees of coercion that resembled slavery or serfdom. Sutter believed that Native Americans must be kept "strictly under fear" in order to serve white landowners. Sutter's Native American "employees" slept on bare floors in locked rooms without sanitation, and ate from troughs made from hollowed tree trunks. If Indians refused to work for him, Sutter responded with violence. Theodor Cordua, a German immigrant who leased land from Sutter, wrote:
“When Sutter established himself in 1839 in the Sacramento Valley, new misfortune came upon these peaceful natives of the country. Their services were demanded immediately. Those who did not want to work were considered as enemies. With other tribes the field was taken against the hostile Indian. Declaration of war was not made. The villages were attacked usually before daybreak when everybody was still asleep. Neither old nor young was spared by the enemy, and often the Sacramento River was colored red by the blood of the innocent Indians, for these villages usually were situated at the banks of the rivers. During a campaign one section of the attackers fell upon the village by way of land. All the Indians of the attacked village naturally fled to find protection on the other bank of the river. But there they were awaited by the other half of the enemy and thus the unhappy people were shot and killed with rifles from both sides of the river. Seldom an Indian escaped such an attack, and those who were not murdered were captured. All children from six to fifteen years of age were usually taken by the greedy white people. The village was burned down and the few Indians who had escaped with their lives were left to their fate.”
In 1846, the American James Clyman wrote that Sutter “keeps 600 to 800 Indians in a complete state of Slavery."
On February 28, 1847, Sutter helped lead the Kern and Sutter massacres, in which 20 California Indians were killed.
In 1848, gold was discovered in that area. Initially, one of Sutter's most trusted employees, James W. Marshall, found gold at Sutter's Mill. It started when Sutter hired Marshall, a New Jersey native who had served with John C. Frémont in the Bear Flag revolt, to build a water-driven sawmill in Coloma, along the American River. Sutter was intent on building a city on his property (not yet named ), including housing and a wharf on the Sacramento River, and needed lumber for the construction. One morning, as Marshall inspected the tailrace for silt and debris, he noticed some gold nuggets and brought them to Sutter's attention. Together, they read an encyclopedia entry on gold and performed primitive tests to confirm whether it was precious metal. Sutter concluded that it was, in fact, gold, but he was very anxious that the discovery not disrupt his plans for construction and farming. At the same time, he set about gaining legitimate title to as much land near the discovery as possible.
Sutter's attempt at keeping the gold discovery quiet failed when merchant and newspaper publisher Samuel Brannan returned from Sutter's Mill to San Francisco with gold he had acquired there and began publicizing the find. Large crowds of people overran the land and destroyed nearly everything Sutter had worked for. To avoid losing everything, Sutter deeded his remaining land to his son John Augustus Sutter Jr. The younger Sutter, who had come from Switzerland and joined his father in September 1848, saw the commercial possibilities of the land and promptly started plans for building a new town he named Sacramento, after the Sacramento River. The elder Sutter deeply resented this; he had wanted the town named Sutterville (for them) and for it to be built near New Helvetia.
Sutter gave up New Helvetia to pay the last of his debts. He rejoined his family and lived in Hock Farm (in California along the Feather River).
Sutter's El Sobrante (Spanish for leftover) land grant was challenged by the Squatter's Association, and in 1858 the U.S. Supreme Court denied its validity.
Sutter got a letter of introduction to the Congress of the United States from the governor of California. He moved to Washington D.C. at the end of 1865, after Hock Farm was destroyed by fire in June 1865.
Sutter sought reimbursement of his losses associated with the Gold Rush. He received a pension of US$250 a month as a reimbursement of taxes paid on the Sobrante grant at the time Sutter considered it his own. He and wife Annette moved to Lititz, Pennsylvania in 1871. The proximity to Washington, D.C. along with the reputed healing qualities of Lititz Springs appealed to the aging Sutter. He also wanted three of his grandchildren (he had grandchildren in Acapulco, Mexico, as well) to have the benefits of the fine private Moravian Schools. After having prospectors destroy his crops and slaughter cows leaving everything but his own gold, John Sutter spent the rest of his life trying to get the government to pay him for his losses, but he never had any luck.
Sutter built his home across from the Lititz Springs Hotel, the present-day General Sutter Inn. For more than fifteen years, Sutter petitioned Congress for restitution but little was done. On June 16, 1880, Congress adjourned, once again, without action on a bill which would have given Sutter US$50,000. Two days later, on June 18, 1880, Sutter died in the Made's Hotel in Washington D.C. He was returned to Lititz and is buried adjacent to God's Acre, the Moravian Graveyard; Anna Sutter died the following January and is buried with him.
There are numerous California landmarks bearing the name of Sutter. Sutter Street in San Francisco, California is named for John A. Sutter. Sutter's Landing, Sutterville Road, Sutter Middle School, Sutter's Mill School, and Sutterville Elementary School in Sacramento, California are all named after him. The Sutterville Bend of the Sacramento River is named for Sutter, as is Sutter Health, a non-profit health care system in Northern California. The City of Sutter Creek, California is also named after him. In Acapulco, Mexico, the property that used to belong to John Augustus Sutter Jr. became the Hotel Sutter, which is still in service. The Sutter Buttes, a mountain range near Yuba City, California, and Sutter County, California (of which Yuba City is the seat) are named after him as well.
The Johann Agust Sutter House in Lititz, Pennsylvania was listed on the National Register of Historic Places in 1982.
The 'Sutter's Gold' rose, an orange blend hybrid tea rose bred by Herbert C. Swim, was named after him.
Gov. Jerry Brown, elected to a third term in 2010, had a Welsh corgi named Sutter Brown, affectionately referred to as the First Dog of California. Sutter died in late 2016 from cancer.
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John Adams (composer)
John Coolidge Adams (born February 15, 1947) is an American composer and conductor of classical music and opera, with strong roots in minimalism.
Among over 60 major compositions are his breakthrough piece for string septet, "Shaker Loops" (1978), his first significant large-scale orchestral work, "Harmonielehre" (1985), the popular fanfare "Short Ride in a Fast Machine" (1986), and "On the Transmigration of Souls" (2002), a choral piece commemorating the victims of the September 11, 2001 attacks, which won the Pulitzer Prize for Music in 2003.
He has written several operas, notably "Nixon in China" (1987), which recounts Richard Nixon's 1972 visit to China; "Doctor Atomic" (2005), which covers Robert Oppenheimer, the Manhattan Project, and the building of the first atomic bomb; and the controversial "The Death of Klinghoffer" (1991), based on the hijacking of the passenger liner "Achille Lauro" by the Palestine Liberation Front in 1985, and the hijackers' murder of 69-year-old Jewish-American passenger Leon Klinghoffer, who used a wheelchair.
In addition to the Pulitzer, honors Adams has received include the Erasmus Prize, five Grammy Awards, the Harvard Arts Medal, France's Ordre des Arts et des Lettres, and six honorary doctorates.
John Adams, in full John Coolidge Adams, was born in Worcester, Massachusetts on February 15, 1947. As an adolescent, he lived in Woodstock, Vermont for five years before moving to East Concord, New Hampshire. In the third grade, Adams took up the clarinet, initially taking lessons from his father, Carl Adams, and later with Boston Symphony Orchestra bass clarinetist Felix Viscuglia, as well as playing in various local orchestras and concert bands while a student. Adams began composing at the age of ten and first heard his music performed around the age of 13 or 14. He graduated from Concord High School in 1965.
Adams next enrolled in Harvard University, where he earned a Bachelor of Arts in 1969 and a Master of Arts in 1971, studying composition under Leon Kirchner, Roger Sessions, Earl Kim, and David Del Tredici. As an undergraduate, he conducted Harvard's student ensemble, the Bach Society Orchestra, for a year and a half. He was also the first student there to be allowed to write a musical composition for his senior thesis. The piece he wrote was "The Electric Wake" for "electric" (i.e. amplified) soprano accompanied by an ensemble of "electric" strings, keyboards, harp, and percussion.
After graduating, Adams taught at the San Francisco Conservatory of Music from 1972 until 1982, teaching classes and directing the school's New Music Ensemble. In the early 1970s, Adams wrote several pieces of electronic music for a homemade modular synthesizer he called the "Studebaker". He also wrote "American Standard", composed of three movements, a march, a hymn, and a jazz ballad, which was recorded and released on Obscure Records in 1975. Adams served as musical producer for a number of series for the PBS, including the award-winning series, "The Adams Chronicles" in 1976 and 1977.
In 1977, Adams wrote the half-hour-long solo piano piece, "Phrygian Gates", which he later called "my first mature composition, my official 'opus one', as well as its much shorter companion piece, "China Gates". The next year, he finished "Shaker Loops", a string septet based on an earlier, unsuccessful string quartet called "Wavemaker". In 1979, he finished his first orchestral work, "Common Tones in Simple Time", which was premiered by the San Francisco Conservatory of Music Orchestra under Adams' baton.
In 1979, Adams became the New Music Adviser for the San Francisco Symphony and created the symphony's New and Unusual Music concerts. A commission from the symphony resulted in Adams' large, three-movement choral symphony "Harmonium" (1980–81) setting texts by John Donne and Emily Dickinson. He followed this up with the three-movement, orchestral piece (without strings), "Grand Pianola Music" (1982). That summer, he wrote the score for "Matter of Heart", a documentary about psychoanalyst Carl Jung, a score he later derided as being "of stunning mediocrity". In the winter of 1982–83, Adams worked on the purely-electronic score for "Available Light", a dance choreographed by Lucinda Childs with sets by Frank Gehry. Without dance, the electronic piece alone is called "Light Over Water".
After an eighteen-month period of writer's block, Adams wrote his three-movement, orchestral piece "Harmonielehre" (1984–85), which he described as "a statement of belief in the power of tonality at a time when I was uncertain about its future." As with many of Adams' pieces, it was inspired by a dream, in this case, a dream in which he was driving across the San Francisco–Oakland Bay Bridge and saw an oil tanker on the surface of the water abruptly turn upright and take off like a Saturn V rocket.
From 1985 to 1987, Adams composed his first opera, "Nixon in China", with libretto by Alice Goodman, based on Richard Nixon's 1972 visit to China. The opera marked the first collaboration between Adams and theatre director Peter Sellars, who had proposed it to Adams in 1983. Adams has subsequently worked with Sellars on all of his operas.
During this time, Adams also wrote "The Chairman Dances" (1985), which he described as an "'out-take' of Act III of "Nixon in China"", to fulfill a long-delayed commission for the Milwaukee Symphony. He also wrote the short orchestral fanfare "Short Ride in a Fast Machine" (1986).
Adams wrote two orchestral pieces in 1988: "Fearful Symmetries", a 25-minute work in the same style as "Nixon in China", and "The Wound-Dresser", a setting of Walt Whitman's 1865 poem of the same title, written when Whitman was volunteering at a military hospital during the American Civil War. "The Wound-Dresser" is scored for baritone voice, two flutes (or two piccolos), two oboes, clarinet, bass clarinet, two bassoons, two horns, trumpet (or piccolo trumpet), timpani, synthesizer, and strings.
During this time, Adams established an international career as a conductor. From 1998 to 1990, he served as conductor and music advisor for the St Paul Chamber Orchestra. He has also served as artistic director and conductor of the Ojai and Cabrillo Music Festivals in California. He has conducted orchestras around the world, including the New York Philharmonic, the Chicago Symphony, the Cleveland Symphony, the Los Angeles Philharmonic, the London Symphony Orchestra, and the Royal Concertgebouw Orchestra, performing pieces by composers as diverse as Debussy, Copland, Stravinsky, Haydn, Reich, Zappa, and Wagner, as well as his own works.
He completed his second opera, "The Death of Klinghoffer", in 1991, again working with librettist Alice Goodman and director Peter Sellars. The opera is based on the 1985 hijacking of the Italian cruise ship "Achille Lauro" by Palestinian terrorists and details the murder of passenger Leon Klinghoffer, a retired, physically disabled American Jew. The opera has generated controversy, including allegations that it is antisemitic and glorifies terrorism.
Adams' next piece, "Chamber Symphony" (1992), is for a 15-member chamber orchestra. Written in three movements, the work is inspired by an unlikely combination of sources: Arnold Schoenberg's Chamber Symphony No. 1, Op. 9 (which Adams was studying at the time) and the "hyperactive, insistently aggressive and acrobatic" music of the cartoons his young son was watching.
In 1995, Adams completed "I Was Looking at the Ceiling and Then I Saw the Sky", a stage piece with libretto by poet June Jordan and staging by Peter Sellars. Inspired by musicals, Adams referred to the piece as a "songplay in two acts". The main characters are seven young Americans from different social and ethnic backgrounds, all living in Los Angeles. The story takes place around the earthquake in Los Angeles in 1994.
"Hallelujah Junction" (1996) is a two-piano piece which employs variations of a repeated two-note rhythm. The intervals between the notes remain the same through much of the piece.
"On the Transmigration of Souls" (2002): This piece commemorates those who lost their lives in the September 11, 2001 attacks on the World Trade Center in New York. It won the 2003 Pulitzer Prize for Music as well as the 2005 Grammy Award for Best Contemporary Composition.
"My Father Knew Charles Ives" (2003): A semi-autobiographical orchestral triptych. It was commissioned by the San Francisco Symphony.
"The Dharma at Big Sur" (2003): A piece for solo electric six-string violin and orchestra. The piece calls for some instruments (harp, piano, samplers) to use just intonation, a tuning system in which intervals sound pure, rather than equal temperament, the common Western tuning system in which all intervals except the octave are impure.
"Doctor Atomic" (2005): An opera in two acts, about Robert Oppenheimer, the Manhattan Project, and the creation and testing of the first atomic bomb. The libretto of "Doctor Atomic" by Peter Sellars draws on original source material, including personal memoirs, recorded interviews, technical manuals of nuclear physics, declassified government documents, and the poetry of the "Bhagavad Gita", John Donne, Charles Baudelaire, and Muriel Rukeyser. The opera takes place in June and July 1945, mainly over the last few hours before the first atomic bomb explodes at the test site in New Mexico. Characters include Robert Oppenheimer and his wife Kitty, Edward Teller, General Leslie Groves, and Robert Wilson.
"A Flowering Tree" (2006): An opera in two acts, based on a folktale from the Kannada language of southern India as translated by A.K. Ramanujan. it was commissioned as part of the Vienna New Crowned Hope Festival to celebrate the 250th anniversary of Mozart's birth.
"Doctor Atomic Symphony" (2007): Based on music from the opera.
"Fellow Traveler" (2007): This piece was commissioned for the Kronos Quartet by Greg G. Minshall, and was dedicated to opera and theater director Peter Sellars for his 50th birthday.
"The Gospel According to the Other Mary" (2011–13): An oratorio in two acts for orchestra, soloists and chorus, it premiered in May 2012 with the Los Angeles Philharmonic and the Los Angeles Master Chorale conducted by Gustavo Dudamel. The revised version, in the work's staged premiere, occurred in February 2013 again with the Los Angeles Philharmonic, the Los Angeles Master Chorale, conducted by Gustavo Dudamel and directed by Peter Sellars.
"Scheherazade.2" (2014): A dramatic symphony for violin and orchestra. The World Premiere for this work took place on March 26, 2015 at Avery Fisher Hall, Lincoln Center, New York City and was performed by the New York Philharmonic, conducted by Alan Gilbert, and violinist Leila Josefowicz.
On March 26, 2015, before the premier of "Scheherazade.2" by the New York Philharmonic, Adams introduced the setting of the piece as related to One Thousand and One Nights, in which Scheherazade, after being forced into marriage, by recounting tales to her husband, delays her death. He associated modern examples of suffering and injustice towards women around the world, with acts in Tahrir Square during the Egyptian Revolution of 2011, Kabul, and comments from "The Rush Limbaugh Show".
In January 2017 he was appointed visiting professor of composition at the Royal Academy of Music in London.
The music of Adams is usually categorized as minimalist or post-minimalist, although in an interview he said that his music is part of the 'post-style' era at the end of the twentieth century. While Adams employs minimalist techniques, such as repeating patterns, he is not a strict follower of the movement. Adams was born ten years after Steve Reich and Philip Glass, and his writing is more developmental and directionalized, containing climaxes and other elements of Romanticism. Comparing "Shaker Loops" to the minimalist composer Terry Riley's piece "In C", Adams remarked:
Many of Adams's ideas in composition are a reaction to the philosophy of serialism and its depictions of "the composer as scientist". The Darmstadt school of twelve tone composition was dominant during the time that Adams was receiving his college education, and he compared class to a "mausoleum where we would sit and count tone-rows in Webern".
Adams experienced a musical epiphany after reading John Cage's book "Silence" (1973), which he claimed "dropped into [his] psyche like a time bomb". Cage posed fundamental questions about what music was, and regarded all types of sounds as viable sources of music. This perspective offered to Adams a liberating alternative to the rule-based techniques of serialism. At this point, Adams began to experiment with electronic music, and his experiences are reflected in the writing of "Phrygian Gates" (1977–78), in which the constant shifting between modules in Lydian mode and Phrygian mode refers to activating electronic gates rather than architectural ones. Adams explained that working with synthesizers caused a "diatonic conversion", a reversion to the belief that tonality was a force of nature.
Some of Adams's compositions are an amalgamation of different styles. One example is "Grand Pianola Music" (1981–82), a humorous piece that purposely draws its content from musical cliches. In "The Dharma at Big Sur," Adams draws from literary texts such as Jack Kerouac, Gary Snyder, and Henry Miller to illustrate the California landscape. Adams professes his love of other genres other than classical music; his parents were jazz musicians, and he has also listened to rock music, albeit only passively. Adams once claimed that originality wasn't an urgent concern for him the way it was necessary for the minimalists and compared his position to that of Gustav Mahler, J.S. Bach, and Johannes Brahms, who "were standing at the end of an era and were embracing all of the evolutions that occurred over the previous thirty to fifty years".
Adams, like other minimalists of his time (e.g. Philip Glass), used a steady pulse that defines and controls the music. The pulse was best known from Terry Riley's early composition "In C", and slowly more and more composers used it as a common practice. Jonathan Bernard highlighted this adoption by comparing "Phrygian Gates", written in 1977, and "Fearful Symmetries" written eleven years later in 1988.
In the late 1980s and early 1990s, Adams started to add a new character to his music, which he called "the Trickster". The Trickster allowed Adams to use the repetitive style and rhythmic drive of minimalism, yet poke fun at it at the same time. When Adams commented on his own characterization of particular minimalist music, he stated that he went joyriding on "those Great Prairies of non-event".
Adams won the annual American Pulitzer Prize for Music in 2003 for his 9/11 memorial piece, "On the Transmigration of Souls". Response to his output as a whole has been more divided, and Adams's works have been described as both brilliant and boring in reviews that stretch across both ends of the rating spectrum. "Shaker Loops" has been described as "hauntingly ethereal", while 1999's "Naïve and Sentimental Music" has been called "an exploration of a marvelously extended spinning melody". "The New York Times" called 1996's "Hallelujah Junction" "a two-piano work played with appealingly sharp edges", and 2001's "American Berserk" "a short, volatile solo piano work".
The most critically divisive pieces in Adams's collection are his historical operas. At first release, "Nixon in China" received mostly negative press feedback. Donal Henahan, writing in the "New York Times", called the Houston Grand Opera world premiere of the work "worth a few giggles but hardly a strong candidate for the standard repertory" and "visually striking but coy and insubstantial". James Wierzbicki for the "St. Louis Post-Dispatch" described Adams's score as the weak point in an otherwise well-staged performance, noting the music as "inappropriately placid", "cliché-ridden in the abstract" and "[trafficked] heavily in Adams's worn-out Minimalist clichés". With time, however, the opera has come to be revered as a great and influential production. Robert Hugill for "Music and Vision" called the production "astonishing ... nearly twenty years after its premier", while "City Beat"'s Tom McElfresh called Nixon's score "a character in the drama" and "too intricate, too detailed to qualify as minimalist".
Most recently, "The New York Times" writer Anthony Tommasini commended Adams for his work conducting the American Composers Orchestra. The concert, which took place in April 2007 at Carnegie Hall, was a celebratory performance of Adams's work on his sixtieth birthday. Tommasini called Adams a "skilled and dynamic conductor", and noted that the music "was gravely beautiful yet restless".
The opera "The Death of Klinghoffer" has been criticized as antisemitic by some, including by the Klinghoffer family. Leon Klinghoffer's daughters, Lisa and Ilsa, after attending the opera, released a statement saying: "We are outraged at the exploitation of our parents and the coldblooded murder of our father as the centerpiece of a production that appears to us to be anti-Semitic." In response to these accusations of antisemitism, composer and Oberlin College professor Conrad Cummings wrote a letter to the editor defending "Klinghoffer" as "the closest analogue to the experience of Bach's audience attending his most demanding works", and noted that, as someone of half-Jewish heritage, he "found nothing anti-Semitic about the work".
After the September 11 attacks in 2001, performances by the Boston Symphony Orchestra of excerpts from "Klinghoffer" were canceled. BSO managing director Mark Volpe remarked of the decision: "We originally programmed the choruses from John Adams' The Death of Klinghoffer because we believe in it as a work of art, and we still hold that conviction. ... [Tanglewood Festival Chorus members] explained that it was a purely human reason, and that it wasn't in the least bit a criticism of the work." Adams and "Klinghoffer" librettist Alice Goodman criticized the decision, and Adams rejected a request to substitute a performance of "Harmonium", saying: "The reason that I asked them not to do 'Harmonium' was that I felt that 'Klinghoffer' is a serious and humane work, and it's also a work about which many people have made prejudicial judgments without even hearing it. I felt that if I said, 'OK, "Klinghoffer" is too hot to handle, do "Harmonium", that in a sense I would be agreeing with the judgment about 'Klinghoffer.'" In response to an article by San Francisco Chronicle David Wiegand denouncing the BSO decision, musicologist and critic Richard Taruskin accused the work of catering to "anti-American, anti-Semitic and anti-bourgeois" prejudices.
A 2014 revival by the Metropolitan Opera reignited debate. Former New York City mayor Rudy Giuliani, who marched in protest against the production, wrote: "This work is both a distortion of history and helped, in some ways, to foster a three decade long feckless policy of creating a moral equivalency between the Palestinian Authority, a corrupt terrorist organization, and the state of Israel, a democracy ruled by law." Current mayor Bill de Blasio criticized Giuliani's participation in the protests, and Oskar Eustis, the artistic director of the "Public Theater", said in support of the production: "It is not only permissible for the Met to do this piece – it's required for the Met to do the piece. It is a powerful and important opera." A week after watching a Met performance of the opera, Supreme Court Justice Ruth Bader Ginsburg said "there was nothing anti-Semitic about the opera," and characterized the portrayal of the Klinghoffers as "very strong, very brave", and the terrorists as "bullies and irrational".
Adams was married to Hawley Currens, a music teacher from 1970 to 1974. He is married to photographer Deborah O'Grady, with whom he has a son and daughter. Adams' son is the composer Samuel Carl Adams.
Biographical
Specific operas
Interviews
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Jon Voight
Jon Voight (; born December 29, 1938) is an American actor. He is the winner of one Academy Award, having been nominated for four. He has also won four Golden Globe Awards and has so far been nominated for eleven. He is the father of actress Angelina Jolie and actor James Haven.
Voight came to prominence in the late 1960s with his Oscar-nominated performance as Joe Buck, a would-be gigolo in "Midnight Cowboy" (1969). During the 1970s, he became a Hollywood star with his portrayals of a businessman mixed up with murder in "Deliverance" (1972); a paraplegic Vietnam veteran in "Coming Home" (1978), for which he won an Academy Award for Best Actor; and a penniless ex-boxing champion in the remake of "The Champ" (1979).
His output became sparse during the 1980s and early 1990s, although he won the Golden Globe and was nominated for an Academy Award for his performance as the ruthless bank robber Oscar "Manny" Manheim in "Runaway Train" (1985). Voight made a comeback in Hollywood during the mid-1990s, starring in Michael Mann's crime epic "Heat" (1995) opposite Robert De Niro and Al Pacino. He portrayed Jim Phelps in "" (1996), a corrupt NSA agent in "Enemy of the State" (1998), and the unscrupulous attorney Leo F. Drummond in Francis Ford Coppola's "The Rainmaker" (1997), which earned him a Golden Globe nomination for Best Supporting Actor.
Voight gave critically acclaimed biographical performances during the 2000s, appearing as legendary sportscaster Howard Cosell in "Ali" (2001) for which his supporting performance was nominated for the Academy Award, the Golden Globe and a Critics Choice Award, and also as Nazi officer Jürgen Stroop in "Uprising" (2001), as Franklin D. Roosevelt in Michael Bay's "Pearl Harbor" (2001) and as Pope John Paul II in the eponymous miniseries (2005). Voight also appears in Showtime's "Ray Donovan" TV series, now in its seventh season as Mickey Donovan, a role that brought him newfound critical and audience acclaim and his fourth Golden Globe win in 2014.
On November 21, 2019, he was awarded the National Medal of Arts by President Donald Trump.
Voight was born on December 29, 1938, in Yonkers, New York, to Barbara () and Elmer Voight (Elemír Vojtka, Slovakia), a professional golfer. He has two brothers, Barry Voight, a former volcanologist at Pennsylvania State University, and James Wesley Voight, known as Chip Taylor, a singer-songwriter who wrote "Wild Thing" and "Angel of the Morning". Voight's paternal grandfather and his paternal grandmother's parents were Slovak immigrants, while his maternal grandfather and his maternal grandmother's parents were German immigrants. Political activist Joseph P. Kamp was his great-uncle through his mother.
Voight was raised as a Catholic and attended Archbishop Stepinac High School in White Plains, New York, where he first took an interest in acting, playing the comedic role of Count Pepi Le Loup in the school's annual musical, "The Song of Norway". Following his graduation in 1956, he enrolled at The Catholic University of America in Washington, D.C., where he majored in art and graduated with a B.A. in 1960. After graduation, Voight moved to New York City, where he pursued an acting career.
In the early 1960s, Voight found work in television, appearing in several episodes of "Gunsmoke", between 1963 and 1968, as well as guest spots on "Naked City", and "The Defenders", both in 1963, and "Twelve O'Clock High", in 1966 and "Cimarron Strip" in 1968.
His theatre career took off in January 1965, playing Rodolfo in Arthur Miller's "A View from the Bridge" in an Off-Broadway revival.
Voight's film debut did not come until 1967, when he took a part in Phillip Kaufman's crimefighter spoof, "Fearless Frank". Voight also took a small role in 1967's western, "Hour of the Gun", directed by veteran helmer John Sturges. In 1968 Voight took a role in director Paul Williams's "Out of It".
In 1969, Voight was cast in the groundbreaking "Midnight Cowboy", a film that would make his career. Voight played Joe Buck, a naïve male hustler from Texas, adrift in New York City. He comes under the tutelage of Dustin Hoffman's Ratso Rizzo, a tubercular petty thief and con artist. The film explored late 1960s New York and the development of an unlikely, but poignant friendship between the two main characters. Directed by John Schlesinger and based on a novel by James Leo Herlihy, the film struck a chord with critics and audiences. Because of its controversial themes, the film was released with an X rating and would make history by being the only X-rated feature to win Best Picture at the Academy Awards. Both Voight and co-star Hoffman were nominated for Best Actor, but lost out to John Wayne in" True Grit."
In 1970, Voight appeared in Mike Nichols' adaptation of "Catch-22", and re-teamed with director Paul Williams to star in "The Revolutionary", as a left wing college student struggling with his conscience.
Voight next starred in 1972's "Deliverance." Directed by John Boorman, from a script that poet James Dickey had helped to adapt from his own novel of the same name, it tells the story of a canoe trip in a feral, backwoods America. Both the film and the performances of Voight and co-star Burt Reynolds received great critical acclaim, and were popular with audiences.
Voight also appeared at the Studio Arena Theater, in Buffalo, New York in the Tennessee Williams play "A Streetcar Named Desire" from 1973-74 as Stanley Kowalski.
Voight played a directionless young boxer in 1973's "The All American Boy", then appeared in the 1974 film, "Conrack", directed by Martin Ritt. Based on Pat Conroy's autobiographical novel "The Water Is Wide", Voight portrayed the title character, an idealistic young schoolteacher sent to teach underprivileged black children on a remote South Carolina island. The same year he appeared in "The Odessa File", based on Frederick Forsyth's thriller, as Peter Miller, a young German journalist who discovers a conspiracy to protect former Nazis still operating within Germany. This film first teamed him with the actor-director Maximilian Schell, who acted out a character named and based on the "Butcher of Riga" Eduard Roschmann, and for whom Voight would appear in 1976's "End of the Game", a psychological thriller based on a story by Swiss novelist and playwright Friedrich Dürrenmatt.
Voight was Steven Spielberg's first choice for the role of Matt Hooper in the 1975 film "Jaws", but he turned down the role, which was ultimately played by Richard Dreyfuss.
In 1978, Voight portrayed the paraplegic Vietnam veteran Luke Martin in Hal Ashby's film "Coming Home," and was awarded Best Actor at the Cannes Film Festival, for his portrait of a cynical, yet noble paraplegic, reportedly based on real-life Vietnam veteran-turned-antiwar-activist Ron Kovic, with whom Fonda's character falls in love. The film included a much-talked-about love scene between the two. Jane Fonda won her second Best Actress award for her role, and Voight won for Best Actor in a Leading Role.
In 1979, Voight once again put on boxing gloves, starring in 1979's remake of the 1931 Wallace Beery and Jackie Cooper vehicle, "The Champ," with Voight playing the part of an alcoholic ex-heavyweight and a young Ricky Schroder playing the role of his adoring son. The film was an international success, but less popular with American audiences.
He next reteamed with director Ashby in 1982's "Lookin' to Get Out", in which he played Alex Kovac, a con man who has run into debt with New York mobsters and hopes to win enough in Las Vegas to pay them off. Voight both co-wrote the script and also co-produced. He also produced and acted in 1983's "Table for Five", in which he played a widower bringing up his children by himself.
Also in 1983, Voight was slated to play Robert Harmon in John Cassavetes' Golden Bear-winning "Love Streams", having performed the role on stage in 1981. However, a few weeks before shooting began, Voight announced that he also wanted to direct the picture and was consequently dropped.
In 1985, Voight teamed up with Russian writer and director Andrei Konchalovsky to play the role of escaped con Oscar "Manny" Manheim in "Runaway Train". The script was based on a story by Akira Kurosawa, and paired Voight with Eric Roberts as a fellow escapee. Voight received an Academy Award nomination for Best Actor and won the Golden Globe's award for Best Actor. Roberts was also honored for his performance, receiving an Academy Award nomination for Best Supporting Actor.
Voight followed up this and other performances with a role in the 1986 film, "Desert Bloom", and reportedly experienced a "spiritual awakening" toward the end of the decade. In 1989 Voight starred in and helped write "Eternity," which dealt with a television reporter's efforts to uncover corruption.
He made his first acting debut into television movies, acting in 1991's "Chernobyl: The Final Warning", followed by "The Last of his Tribe", in 1992. He followed with 1992's "The Rainbow Warrior" for ABC, the story of the ill-fated Greenpeace ship sunk by French operatives in the Auckland Harbour. For the remainder of the decade, Voight would alternate between feature films and television movies, including a starring role in the 1993 miniseries "Return to Lonesome Dove", a continuation of Larry McMurtry's western saga, 1989's "Lonesome Dove". Voight played Captain Woodrow F. Call, the part played by Tommy Lee Jones in the original miniseries. Voight made a cameo appearance as himself on the "Seinfeld" episode "The Mom & Pop Store" airing November 17, 1994, in which George Costanza buys a car that appears to be owned by Jon Voight. Voight described the process leading up to the episode in an interview on the Red Carpet at the 2006 BAFTA Emmy Awards:
In 1992, Voight appeared in the HBO film "The Last of His Tribe".
In 1995, Voight played the role of "Nate", a fence in the film, "Heat", directed by Michael Mann, and appeared in the television films "Convict Cowboy," and "The Tin Soldier," also directing the latter film.
Voight next appeared in 1996's blockbuster film "", directed by Brian De Palma and starring Tom Cruise. Voight played the role of spymaster James Phelps, a role originated by Peter Graves in the television series.
In 1997, Voight appeared in six films, beginning with "Rosewood", based on the 1923 destruction of the primarily black town of Rosewood, Florida, by the white residents of nearby Sumner. Voight played John Wright, a white Rosewood storeowner who follows his conscience and protects his black customers from the white rage. Voight next appeared in "Anaconda". Set in the Amazon, he played Paul Sarone, a snake hunter obsessed with a fabled giant anaconda, who hijacks an unwitting National Geographic film crew who are looking for a remote Indian tribe. Voight next appeared in a supporting role in Oliver Stone's "U Turn", portraying a blind man. Voight took a supporting role in "The Rainmaker", adopted from the John Grisham novel and directed by Francis Ford Coppola. He played an unscrupulous lawyer representing an insurance company, facing off with a neophyte lawyer played by Matt Damon. His last film of 1997 was "Boys Will Be Boys", a family comedy directed by Dom DeLuise.
The following year, Voight had the lead role in the television film "The Fixer", in which he played Jack Killoran, a lawyer who crosses ethical lines in order to "fix" things for his wealthy clients. A near-fatal accident awakens his dormant conscience and Killoran soon runs afoul of his former clients. He also took a substantial role in Tony Scott's 1998 political thriller, "Enemy of the State," in which Voight played Will Smith's character's stalwart antagonist from the NSA .
Voight was reunited with director Boorman in 1998's "The General". Set in Dublin, Ireland, the film tells the true-life story of the charismatic leader of a gang of thieves, Martin Cahill, at odds with both the police and the Provisional IRA. Voight portrays Inspector Ned Kenny, determined to bring Cahill to justice.
Voight next appeared in 1999's "Varsity Blues". Voight played a blunt, autocratic football coach, pitted in a test of wills against his star player, portrayed by James Van Der Beek. Produced by fledgling MTV Pictures, the film became a surprise hit and helped connect Voight with a younger audience.
Voight played Noah in the 1999 television production "Noah's Ark", and appeared in "Second String," also for TV. He also appeared with Cheryl Ladd in the feature "A Dog of Flanders", a remake of a popular film set in Belgium.
Voight next portrayed President Franklin D. Roosevelt in 2001's action/war film "Pearl Harbor", having accepted the role when Gene Hackman declined (his performance was received favorably by critics). Also that year, he appeared as Lord Croft, father of the title character of "". Based on the popular video game, the digital adventuress was played on the big screen by Voight's own real-life daughter Angelina Jolie.
That year, he also appeared in "Zoolander", directed by Ben Stiller who starred as the title character, a vapid supermodel with humble roots. Voight appeared as Zoolander's coal-miner father. The film extracted both pathos and cruel humor from the scenes of Zoolander's return home, when he entered the mines alongside his father and brothers and Voight's character expressed his unspoken disgust at his son's chosen profession.
Also in 2001, Voight joined Leelee Sobieski, Hank Azaria and David Schwimmer in the made-for-television film "Uprising", which was based on the uprising in the Warsaw ghetto. Voight played Major-General Juergen Stroop, the German officer responsible for the destruction of the Jewish resistance, and received a Primetime Emmy Award nomination for Outstanding Supporting Actor in a Limited Series or Movie
Director Michael Mann tagged Voight for a supporting role in the 2001 biopic "Ali", which starred Will Smith as the controversial former heavyweight champ, Muhammad Ali. Voight was almost unrecognizable under his make-up and toupée, as he impersonated the sports broadcaster Howard Cosell. Voight received his fourth Academy Award nomination, this time for Best Actor in a Supporting Role, for his performance.
Also in 2001, he appeared in the television mini-series "" along with Vanessa Redgrave, Matthew Modine, Richard Attenborough, and Mia Sara.
In the CBS miniseries "Pope John Paul II", released in December 2005, Voight, who was raised a Catholic, portrayed the pontiff from the time of his election until his death, garnering an Emmy nomination for the role.
In 2003, he played the role of Marion Sevillo/Mr. Sir in "Holes". In 2004, Voight joined Nicolas Cage, in "National Treasure" as Patrick Gates, the father of Cage's character. In 2005, he played Pope John Paul II in the second part of CBS' miniseries, "Pope John Paul II". In 2006, he was Kentucky Wildcats head coach Adolph Rupp in the Disney hit "Glory Road". In 2007, he played United States Secretary of Defense John Keller in the summer blockbuster "Transformers", reuniting him with "Holes" star Shia LaBeouf. Also in 2007, Voight reprised his role as Patrick Gates in "". He appeared in "Bratz" with his goddaughter Skyler Shaye.
In 2009, Voight played Jonas Hodges, the American antagonist, in the seventh season of the hit Fox drama "24", a role that many argue is based on real life figures Alfried Krupp, Johann Rall and Erik Prince. Voight plays the chief executive officer of a fictional private military company based in northern Virginia called "Starkwood", which has loose resemblances to Academi and ThyssenKrupp. Voight made his first appearance in the two-hour prequel episode "" on November 23. He then went on to recur for 10 episodes of Season 7. He joined Dennis Haysbert as the only two actors ever to have been credited with the "Special Guest Appearance" card on "24". That same year Voight also lent his voice talents in the Thomas Nelson audio Bible production known as "The Word of Promise". In this dramatized audio, Voight played the character of Abraham. The project also featured a large ensemble of other well known Hollywood actors including Jim Caviezel, Lou Gossett, Jr., John Rhys-Davies, Luke Perry, Gary Sinise, Jason Alexander, Christopher McDonald, Marisa Tomei and John Schneider.
In 2013, Voight made his much acclaimed appearance on "Ray Donovan" as Mickey Donovan, the main character's conniving father. Voight received a Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film in 2014 for his work on "Ray Donovan".
On March 26, 2019, Voight was appointed to a six-year term on the Board of Trustees of the Kennedy Center in Washington DC.
In his early life, his political views aligned with American liberal views and he supported President John F. Kennedy, describing his assassination as traumatizing to people at that time. He also worked for George McGovern's voter registrations efforts in the inner cities of Los Angeles. Voight actively protested against the Vietnam War. In the 1970s, he made public appearances alongside Jane Fonda and Leonard Bernstein in support of the leftist Unidad Popular group in Chile.
In a July 28, 2008 op-ed in "The Washington Times," he wrote that he regretted his youthful anti-war activism, and claimed that the peace movement of that time was driven by "Marxist propaganda". He also claimed that the radicals in the peace movement were responsible for the communists coming to power in Vietnam and Cambodia and for failing to stop the subsequent slaughter of 2.5 million people in the Killing Fields.
In the same op-ed he also criticised the Democratic Party and Barack Obama's bid to become president claiming that the Democrats had created "a propaganda campaign with subliminal messages, creating a God-like figure (Obama)" who would "demoralize this country and help create a socialist America". He claimed Obama had grown up with the teachings of very angry, militant white and black people around him.
In May 2008, Voight paid a solidarity visit to Israel in honor of its 60th birthday. "I'm coming to salute, encourage and strengthen the people of Israel on this joyous 60th birthday", said Voight. "This week is about highlighting Israel as a moral beacon. At a time when its enemies threaten nuclear destruction, Israel heals."
Voight endorsed Republican presidential nominees Mitt Romney and Donald Trump in the 2012 and 2016 presidential elections respectively. Speaking at an inauguration rally for Donald Trump in January 2017 Voight said, "God answered all our prayers" by granting Trump the White House. In May 2019, Voight released a short two-part video on Twitter supporting President Trump's policies, and calling him "the greatest president since Abraham Lincoln".
In 1962, Voight married actress Lauri Peters, whom he met when they both appeared in the original Broadway production of "The Sound of Music". They divorced in 1967. He married actress Marcheline Bertrand in 1971. They separated in 1976, filed for divorce in 1978, and it was finalized in 1980. Their children, James Haven (born May 11, 1973) and Angelina Jolie (born June 4, 1975), would go on to enter the film business as actors and producers.
Voight has never remarried in the 40 years since his second divorce. Over the decades, he has dated Linda Morand, Stacey Pickren, Rebecca De Mornay, Eileen Davidson, Barbra Streisand, Nastassja Kinski and Diana Ross.
In the "Seinfeld" episode "The Mom & Pop Store", George Costanza buys a 1989 Chrysler LeBaron thinking it was previously owned by Jon Voight, but Jerry points out that Jon Voight must have misspelled his first name with an "h" in the owner's manual for this to be true. Jon Voight appears briefly as himself in the episode and bites Kramer on the arm. By the end of the episode it is revealed that the car was actually owned by a periodontist named John Voight.
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Jerome Callet
Jerome Callet (April 24, 1930 – May 13, 2019) was a brass embouchure clinician, and designer of brass instruments and mouthpieces.
Callet rediscovered the original brass embouchure technique utilized in Europe during the baroque era, which at the time was only passed on verbally from trumpet guild members to their sons, and subsequently, by the great classical and jazz players of the first half of the 20th century. While this technique was described in written form within the first brass instruction books published in France in the late 1800s, as well as some American trumpet method books from the early 20th century, the instructions were mistranslated by subsequent generations of teachers, altering the trajectory and quality of brass playing and instruction for the past 100 years. Callet subsequently began creating and manufacturing his own line of trumpets and mouthpieces, for he believed that most modern trumpet equipment was designed to compensate for the failures of modern trumpet playing and teaching.
Born April 24, 1930 in Pittsburgh, Pennsylvania, Callet began his trumpet studies at age thirteen after being inspired by two fellow students, Cal Massey and Tommy Turrentine, at Herron Hill Junior High School in Pittsburgh. Although he subsequently studied with several well known and accomplished trumpet instructors in the Pittsburgh area and dedicated himself laboriously to mastering the instrument, by the age of thirty Callet could still not play a high C. In 1947, after many years of struggle, Callet began researching the physical elements necessary to develop a “Super Power Embouchure”, such as those developed by players such as Harry James, Charlie Shavers, Horst Fischer, Maurice Andre, and Maynard Ferguson. In 1970, at the age of 40, and after much trial and error, Callet had developed his new embouchure, and named it Superchops. The Superchops embouchure methodology eventually led him on the quest to design and produce the best trumpets and mouthpieces available.
Callet's involvement with the business of instruments began with sixteen years in sales (1953-1968) for Elden Benge, followed by eight years of experience with Dominick Calicchio (1968-1975). He absorbed much of his knowledge of trumpet making from these two brilliant men. With this rich background and his talent as an accomplished machinist, Callet launched his experimental trumpet design in 1956, and started selling his own trumpets under the Callet brand in 1984. In 1973, he also developed a line of mouthpieces to complement his embouchure theories. In the meantime, he taught embouchure technique in Pittsburgh (1960) and New York (from 1972 to April 2019).
The fulfillment of his quest to create the best brass instruments possible culminated with his “New York Soloist” Bb trumpet, released in 2013 (built by Kanstul), and his 1ss, 1sc, and 1sb trumpet mouthpieces, released in 2017 (built by Jim New). Callet's historical legacy of trumpet manufacturing is represented by his “Sima Bb”, "Sima C", "Sima D/Eb", “Jazz Bb”, “Superchops Bb”, “Symphonique Bb”, “Symphonique C”, “Stratosphere Bb”, and previous “Soloist Bb” trumpets, as well as his "Grand Prix" flugelhorn, his earlier “Jazz” and "NY" flugelhorns, and his "Jazz" trombone. More than 6,000 Callet trumpets and 15,000 Callet mouthpieces were manufactured overall.
Callet published five books on trumpet embouchure and technique, including "Trumpet Secrets" (2002), "Beyond Arban" (1991), "Superchops" (1987), "Brass Power and Endurance" (1974), and "Trumpet Yoga" (1971), as well as the "Master Superchops" DVD (2007). Callet also conducted brass embouchure clinics in the United States, Canada, Germany, Finland, Switzerland, France, Denmark, Hungary and Japan.
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https://en.wikipedia.org/wiki?curid=16524
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