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https://www.delcotimes.com/2015/06/11/liled-and-blues-imperials-headline-the-15th-annual-blues-stroll-in-media-saturday/
|
en
|
Lil’Ed and Blues Imperials headline the 15th annual Blues Stroll in Media Saturday
|
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2015-06-11T00:00:00
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MEDIA >> For the 40th event in America’s Music Festival Series, WXPN Welcomes and Media Business Authority host the 15th annual State Street Blues Stroll 6 p.m.-1 a.m. Saturday.This rain or shine festival will be held inside 23 indoor venues and at two outdoor stages in downtown Media. Most acts at restaurants will perform three […]
|
en
|
Delco Times
|
https://www.delcotimes.com/2015/06/11/liled-and-blues-imperials-headline-the-15th-annual-blues-stroll-in-media-saturday/
|
Deadlines:
Monday-Friday 8:30am-4:00pm, Call 610-915-2226
(Proofs will be provided for accuracy only, they will not be styled/formatted like the finished product)
Obituaries submitted on Saturday, Sunday and Holidays are accepted from 8:30 a.m. to 3:00 p.m. by email only Obit@delcotimes.com
(No proofs will be furnished. Pricing will not be available until the next business day after 10:00am by calling Dianne at 610-915-2226)
Obituaries received after Deadline will not be published in the following edition of the paper.
Sending Procedure:
Email is the preferable method for receiving Obituaries (and the only method on Saturday, Sunday and Holidays), they can be sent to Obit@delcotimes.com (Feel free to call and confirm that we’ve received the email)
Formatting:
Obituaries will continue to visually look the same as they currently do, but you will no longer be restricted in what you can say (ex. As much Family can be listed as you’d like; Wording like “Went to rest with the Lord” is now permissible)
Other:
There is a cost for each obituary. Pricing and payments are only available Monday through Friday, 8:30 am to 4:00 pm. All weekend and holiday submissions will be provided a cost the next business day.
Exceptions:
All New accounts, Out of State Funeral Homes and Private Parties will require prepayment upon approval of the obituary. Weekend and Holiday staff are not authorized to set up a new account or process payments
Deadline for the above is before 4:00 PM Mon – Fri. only (Holiday schedules may vary).
Prepayment required submissions will be handled on the very first business day following the weekend and/or holiday schedule. A complete name, address and best contact phone number are required upon submittal of your obituary request to set up your account. A proof will then be emailed for review but placed on hold until payment is received.
MEDIA >> For the 40th event in America’s Music Festival Series, WXPN Welcomes and Media Business Authority host the 15th annual State Street Blues Stroll 6 p.m.-1 a.m. Saturday.
This rain or shine festival will be held inside 23 indoor venues and at two outdoor stages in downtown Media. Most acts at restaurants will perform three sets.
Besides great music, Georgie Bonds, Philadelphia bluesman and blacksmith, will be inducted into the America’s Music Festival Series Hall of Fame 8:15 p.m. Saturday, at the Media Theatre, 104 E. State St., prior to the performance of Lil’ Ed & The Blues Imperials.
Bonds and his band will perform at “Quotation’s” starting at 9:30 p.m. Bonds has performed at two prior Blues Strolls and a Jazz By Night Celebration.
Featured artists Saturday are:? Lil’ Ed & The Blues Imperials at the Media Theatre (8:15-10 p.m.)
? Lonnie Shields Band at Sligo (9:30 p.m.-1:15 a.m.)
? Eryn Shewell & The Whiskey Devils at Ariano (10 p.m.-1 a.m.)
? Dukes of Destiny at FMFCU/Coffee Beanery* (7:30-10:30 p.m.)
? Deb Callahan Band at Azie (10 p.m.-1 a.m.)
? Georgie Bonds Band at Quotations (9:30 p.m.-1:15 a.m.)
? The All Stars featuring Rick Valenti at Stephen’s (9 p.m.-1 a.m.)
? BC Combo featuring Bev Conklin at Picasso (9:30 p.m.-1:15 a.m.)
? Sonoma Sound at Shere-E-Punjab (9:30 p.m.-1:15 a.m.)
? Don Evans Band at Joclyn’s (9:15 p.m.-1:15 a.m.)
? Garry Cogdell & The Complainers at Plumstead Inn (8:15 p.m.-12:45 a.m.)
? Blues Brothers & A Sister at John’s Grille (8 p.m.-12:15 a.m.)
? Christopher Davis-Shannon Trio at Towne House (8 p.m.-midnight)
? Stevie & The Bluescasters at Spasso (10 p.m.-midnight)
? Nick Andrew Staver at House (6-9:15 p.m.) (Dinner seating only)
and at La Belle Epoque (10 p.m.-midnight)
? Johnny Never & Zep Harpo at Desert Rose* (6:15-9:15 p.m.) (Dinner seating only)
? Andrea Carlson at Lotus* (6-9 p.m.) (Dinner seating only)
? DapTune at Double Decker Pizza* (8:30 p.m.-midnight)
? Bethlehem & Sad Patrick at Temaki* (7-10 p.m.) (Dinner seating only)
? Norman Taylor at Margaret Kuo’s (8:30-11:30 p.m.)
? Todd Fausnacht at Diego’s (9:30 p.m.-12:45 a.m.)
? Kenny Thompson at Media Pizza & Grill* (7:45-10:45 p.m.)
? Bickel Brothers, County Seat Band at Veterans Square Stage* (7:30-11 p.m.)
? Fred Miller Band, Norman Taylor, Bethlehem & Sad Patrick, Todd Fausnacht, Kenny Thompson at 7 Stones Cafe/Plum St. Mall Stage* (6-11 p.m.).
Tickets are $20 through today and $25 on Saturday. The ticket/wristband admits holder into all venues, including the Media Theatre. WXPN member discounts are available by phone/web only through today and at Plum Street Mall Booth on Saturday. Those under 21 are admitted free at designated *All-Ages Stages, except Media Theatre (ages 13-20: $5). For tickets, call 610-566-5039 or visit www.statestreetblues.com
Originally Published: June 11, 2015 at 12:14 p.m.
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0
| 5 |
https://speakimge.wordpress.com/tag/the-wonder-bar/
|
en
|
Speak Into My Good Eye
|
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Posts about The Wonder Bar written by rote7123
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|
https://s1.wp.com/i/favicon.ico
|
Speak Into My Good Eye
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https://speakimge.wordpress.com/tag/the-wonder-bar/
|
By Chris Rotolo, The Creator Few musicians can captivate a sold out Asbury Park assemblage quite like Bruce Springsteen, enthralling patrons with musical yarns not so grandiose, but authentic, and honest, and relative to the everyday existence that we all endure. … Continue reading →
By Chris Rotolo, The Creator Like some sort of collective Rock N’ Roll stigmata, those who entered Pop-Break.com’s Shipwrecked At The Shore Showcase within The Wonder Bar on Thursday evening had the holiest of musical blood spew from their aural … Continue reading →
By Greg Schwartz, Contributing Writer A Beatles’ son visits Asbury park accompanied by his bandmates, Ron Delsner, John D, Sean Conner and Jason Dermer, together they walk the Boardwalk. James McCartney music is a conversation between his vision and spiritual quest. … Continue reading →
Photo removed due to its consensus hideousness… Day 3 – The Wonder Bar: Perched atop a platform no higher than a few slabs of cardboard to the right of The Wonder Bar’s main stage, the Hightstown, NJ songstress Eryn Shewell, … Continue reading →
Asbury Folk-Rock four-piece, Lightning Jar, will share a bill with the Santa Cruz, California-based Americana string band The Devil Makes Three, and Rhode Island duo Brown Bird, on Friday evening at The Wonder Bar. The Boardwalk collective gained a very … Continue reading →
Almost There added to its ever growing collection, a rather impressive compilation at this point, of Almost Friday Acoustic Covers with a beautifully expressed rendition of the equally captivating, yet depressing, Beatles number “Happiness Is A Warm Gun,” which you … Continue reading →
Almost There kicked off a mini-tour of the East Coast last week at The Wonder Bar with travel-mates The Body Electric, and Hip-Hop cohort Bert L’z, but not before performing four new numbers that will be on the outfit’s forthcoming … Continue reading →
A year ago, Thomas Wesley Stern was busking on trains and in subway terminals of the concrete jungle that is New York City where the subdued tunes found on its 2011 debut EP, Hope Folk, were more often than not … Continue reading →
Tonight, members of The Diamond Dogs, one of eight teams competing for various charities in the upcoming 5th Annual Asbury Rock Stars Charity Softball Tournament at Ike Willis Field in Neptune on Saturday August 27th, will descend upon The Wonder … Continue reading →
Place: The Watermark Doors: 7:30 p.m. Money: $10 Kevin Devine comes to the Boardwalk this evening to play the intimate abode known as The Watermark. Devine recently dropped the title track to Between The Concrete & The Clouds, his upcoming sixth … Continue reading →
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||||
8929
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dbpedia
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3
| 94 |
https://www.trentonian.com/2012/11/16/rock-on-with-danny-colemans-weekly-music-picks-4/
|
en
|
Rock On with Danny Coleman’s weekly music picks
|
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2012-11-16T00:00:00
|
Welcome to my musical world! This is one man’s attempt to alert you to the best in area entertainment!Don Felder has been making music since he was around ten years old when he ‘acquired’ his first guitar. Growing up in Gainsville, Fl. Felder had some very intersting musical friends in his community, most notably Stephen […]
|
en
|
Trentonian
|
https://www.trentonian.com/2012/11/16/rock-on-with-danny-colemans-weekly-music-picks-4/
|
Welcome to my musical world! This is one man’s attempt to alert you to the best in area entertainment!
Don Felder has been making music since he was around ten years old when he ‘acquired’ his first guitar. Growing up in Gainsville, Fl. Felder had some very intersting musical friends in his community, most notably Stephen Stills, Tom Petty, Bernie Leadon and even the man who taught him to play slide guitar, Duane Allman.
This Friday Felder pulls into the Golden Nugget Atlantic City for a 9 p.m. show in support of his latest CD ‘Road To Forever,’ a twelve track effort that he calls ‘an uplifting experience.’ Recently I spoke with Felder in advance of this upcoming show in A.C. The following is part of our conversation:
Rock On: Without dwelling on your past, what can you tell me about the musicians that you grew up with?
Felder: ‘Yea, we all grew up in the same little town. It’s unique to have one person or group make it, in our case we had several. I mean, Tom Petty was a guitar student of mine, Stephen Stills and I formed my first band together called The Continentals, I met (Eagles founding member) Bernie Leadon in high school and Duane and Greg Allman used to play frat parties at the local university here in Gainsville. They were better than us (laughing), we used to go see them often. I started hanging around them, as a matter of fact Duane Allman is the one who taught me to play slide guitar. I don’t know maybe there was something in the water or what we were all drinking (laughs)!’
Rock On: I just have to ask, can you tell me about your years with the Eagles? I mean, you wrote one of the greatest rock songs of all time ‘Hotel California,’ what was that like?
Felder: ‘Well, Bernie (Leadon) and I were friends, I did some work on a track in studio for the band and it all kind of fell together from there. ‘Hotel California?’ I wrote that song with Frey and Henley, I did write a great deal of it. I remember we were all sitting around working on it and I forget who it was but someone said, ‘Play that Mexican reggae song,’ refering to the chords of that song as they apparently reminded them of someting Latin American I suppose. The funny part was, a year earlier I had written the song with (Joe) Walsh guitar riffs in mind. We got to the studio and we were trying to lay down those parts at the end when Henley interrupts the process; he kind of busts in and says, ‘Stop! That’s not like the demo.’ I didn’t have the demo tape with me, it was in my home in California. I had to call the cleaning lady and ask her to follow my directions so that she could locate the tape in the house and send it out to us in the studio (laughs). So yea, that solo at the end of the song was recorded a year prior to the rest of ‘Hotel California.’I guess it all worked out for the best though (laughing).
Rock On: I know that you’re having some ‘issues’ with some members of the Eagles, do you keep in contact with any of the guys?
Felder: ‘Oh sure. I’m very friendly with the guys, Randy (Meisner) is great and Joe Walsh I speak somewhat regularly; some are easy to reach, others not so much.’
Rock On: Along those lines, you’re working with a new band and a new CD ‘Road To Forever,’ what can you tell me about the new disc?
Felder: ‘It was a really interesting experience to put this project together. I mean I went from being in the biggest band in America at the time, to going solo. It’s funny how the whole thing came about, I meditate, when I’d be finished with my meditation I would always write down my thoughts or what came to me during the process. My fiance would encourage me to put them together in some kind of order, she said that I should try writing a book. I actually did, I wrote an autobiography ‘Heaven And Hell’ about my time in the Eagles. Go figure, the guy who was perhaps the poorest English student ever, writes a book that winds up on the New York Times Best Seller List (laughs).’ Using the same process, I wrote songs based on these same experiences from meditation. I started with twenty six ideas, created sixteen songs and from that took twelve to put on the disc. It was a cathartic process but a great process, very emotional songs. I also had some great old friends join me on it as well. I had Stlls, Graham Nash, Randy Jackson who is just phenomenal, Tom Shaw to name a few. Making this CD was an uplifting experience as opposed to the Eagles drama. We were all in aggreement, we had a commanality of experiences that brought us, as musicians together on this CD; just great people and so much fun to work with.’
Rock On: Have you ever played the Golden Nugget prior to this Friday?
Felder: ‘No I haven’t. I prefer to play smaller rooms as opposed to larger venues. I’ve played huge arenas and hockey rinks where the sound, no matter the size of the P.A. it’s a struggle to control the sound. A nice small room allows the audience to feel much more a part of the show. I truly am looking forward to performing here.’
Along with these brief excerpts, it should be noted that I spoke with Felder for approximately a half an hour. I was treated to a wide range of insight into the man and his music, his trials and tribulations with the Eagles and his excitement of touring and performing once again. Tickets for this show are $44.02 and $33.85 and are available through The Golden Nugget Box Office or on line at http://goldennugget.com/atlanticcity/show_performers.asp . To find more information about Don Felder please visit his web site at www.donfelder.com .
Friday evening our good buddies Jerry Monk and Paul Plumeri will be returning to the stage as a duo at 9 p.m. when they set up at The Tir Na Nog located on Hamilton Ave. in Trenton. Join these two veteran performers as they bring you select covers, originals and some of the best guitar playing to be found anywhere. Prior to stopping there, why not stop by the Olde Liberty Tavern where I’ll be hosting a ‘Rock On Radio’ happy hour event featuring music from the fantastic Sharon Lia. Join us as I give away T-shirts and take monetary donations of any amount for the ‘Musicians On A Mission Hurricane Relief Fund’ www.musiciansonamission.org benefitting Jersey shore charities. We’ll be there from 6-8 p.m. so stop on by and quench your thirst for a great cause.
Sunday from noon to 6 p.m. in Trenton at RHO Waterfront is the ‘8th Annual Jam For Life’ benefitting organ and tissue transplant and donation. Pappa Carl Anderson is once again bringing this fabulous event to light along with his co-creator Lisa Bouchelle and her band. There will be door prizes, silent auctions, a reduced $5 menu and the very best of local entertainment. The Dadz, Honey Spot Blvd., Charles Laurita Band, Ernie White with Paul Plumeri and Joe Zook and many more will all take the stage prior to headliners Jimmy & The Parrots. I am honored to once again be the emcee for the day and look very much forward to doing so. Tickets are $20 and are available at RHO. To find out more about The Jam For Life, please visit www.jamforlifefoundation.org. Immediately following the Jam will be the return of The Singer/Songwriter Acoustic Showcase. Lance Reichert has assembled yet another fine group of musicians to continue the party until 9 p.m. www.serioussongwriter.com
Please continue to support live and original music, as you can see, the musicians are always supporting and giving their time freely to help but without your support things aren’t the same. So until next week…ROCK ON!
THIS WEEKS CALENDAR LISTINGS Alchemist & Barrister
28 Witherspoon Street Princeton
(609) 924-5555 www.alchemistandbarrister.com
Wed. 10 p.m. Open mic. night All shows 21+
Amarones Windsor Inn 29 Church St. Windsor
(609) 448-7144 www.amaronesrestaurant.com
Thurs. 6:30 p.m. Walter Brooks
Fri. 8 p.m. Donnie Love Sat. 8 p.m. Heartbreak Hotel
Tues. 7:30 p.m. Texas Hold’em Wed. 6:30 p.m. Mix & Mingle w/ Professional Singles feat. DJ Chris Barlow
Candlelight Lounge 24 Passaic St. Trenton
(609) 695-9612 http://jazztrenton.com/
Sat. 3 p.m.-7:30 p.m. Lawrence Clark. (No cover-$10 minimum)
Cedar Gardens Pub 661 Hwy. 33 Hamilton
(609) 587-0930 Thurs. 8 p.m. Ryche Chlanda
Fri. 8 p.m. Jeff Geunther Jam Sat. 9 p.m. Kevin McDonald
All shows 21+ Chambers Walk Cafe
2667 Main St. Lawrenceville (609) 896-5995
www.chamberswalk.com Fri./Sat. 6 p.m. Dick Gratton
The Backstage at Championship Bar
931 Chambers St. Trenton www.facebook.com/backstageatchamps
Fri. 4 p.m. My Bitter End, Sirens, Deadstorm, Disarming The Axis, Throne Of Entrails, Circuit Of Suns, A Need For Reason, Capone. All ages, $10/$12
Sat. 4 p.m. This Or The Apocalypse, Beyond Dishonor, Revelations, A Ruthless Scene, The Artwork Of, Lessons Learned, Kaonashi, Deception Theory. All ages, $10/$12
Sun. 4 p.m. Stiff Motion, Modern Outcast, Rachel Miller, Aim Down Sight, Listen Close, The Rookery. All ages, $10
Tues. 5 p.m. Cattle Decapitation, Due For Extinction, Abraxas, Stabbing Eden, We Are Them, Godswallower, Grime Status. All ages, $10
Dubh Linn Square 167 Rte. 130 North Bordentown
(609) 298-7100 www.dublinsquarepubs.com
Thurs. 10 p.m. Open mic. hosted by Paul Schober
Sun. 4 p.m. – 8 p.m. Irish Sessions w/ Billy O’Neal
Grover’s Mill Coffee House 335 Princeton-Hightstown Road West Windsor
(609) 716-8771 www.groversmillcoffee.com
Thurs. 7 p.m. Open Mic. Night Fri. 8 p.m. Comedy Night
Sat. 7:30 p.m. Simon & Garfunkle Tribute
Havana New Hope 105 S. Main St. New Hope, Pa.
(215) 862-9897 www.havananewhope.com
Fri. 8 p.m. Countdown To Ecstasy (Steely Dan Tribute) . Doors at 6 p.m., $20 (advance) $25 (day of show)
Sat. 8:30 p.m. FM Band Sun. 12 p.m. ‘New Hope For The Shore’ Benefit Concert & Collection Drive. $10 (kids 14 and under free)
Mon. 10 p.m. Karoake w/ Rockin’ Ron
All shows 21+ Ivy Tavern 3108 S. Broad Street, Hamilton
(609) 888-1435 www.ivytavern.com
Fri. 10 p.m. D*luxe, the band Sat. 10 p.m. The Stage Hamz
All shows 21+ John & Peter’s 96 S. Main St. New Hope, Pa.
(215) 862-5981 www.johnandpeters.com
Thurs. 9 p.m. Skip’s Museum Fri. 9 p.m. The Planets
Sat. (3 p.m.) That Girl & 2 Guys (9:30 p.m.) The Fletchers
Sun. (3 p.m.) Modzilla (9:30 p.m.) BBQ Bob & The Spareribs
Mondays. Open Mic. Night Tues. 9 p.m. Eric Sommer
Wed. The Invitational (Featuring John & Peter’s House Band)
All shows 21+ Palermo’s Of Hamilton
310 Klockner Rd. Hamilton (609) 838-7979
www.palermoshamilton.com Thurs. 8.p.m. Karoake Night
All shows 21+ Pete’s Steak House
523 Whitehorse Ave. Hamilton (609) 585-8008
www.petessteakhouse.com Fri. 9:30 p.m. Blind Lemmon Pie
Sat. 9 p.m. Retro Memories All shows 21+
RHO Waterfront 50 Riverview Plaza Trenton
(609) 393-7300 www.rhowaterfront.com
Thurs. 10 p.m. College Night Fri. 9 p.m. Soul Cruisers
Sun. 12-6 p.m. ‘8th Annual Jam For Life’ feat. The Dadz, Papa Carl Project w/ Alexis Schulz & Guy DeRosa, Michael Janus & Jim Popik, Andrea Carlson, Honey Spot Blvd., Charles Laurita Band, Lisa Bouchelle, Ernie White w/ Joe Zook & Paul Plumeri, Jimmy & The Parrots. All ages, $20
All Shows 21+ Tavern On The Lake
101 Main St. Hightstown (609) 426-9345
www.tavernonthelake.net Wed. Karoake Night
The Cool Cricket 216 4th St. Fieldsboro
(609) 291-9110 www.thecoolcricket.com
Fri. 8:30 p.m. Karoake w/ Jason Taylor
All shows 21+ The Record Collector
358 Farnsworth Ave. Bordentown (609) 324-0880
www.the-record-collector.com Sat. 8 p.m. Kasim Sulton/Heartsville. All ages, doors at 7:30 p.m., $15 (advance)
Su. 8 p.m. Cactus. All ages, doors at 7:30 p.m., $38 (advance) $43 (door)
The Sticky Wicket 2465 South Broad St. Hamilton
(609) 439-0007 www.stickywicketgrill.com
Fri. 9 p.m. Empty Fossil Sat. 9:30 p.m. Hotel Coral Essex
All shows 21+ The Sun National Bank Center
81 Hamilton Ave. Trenton (609) 656-3200
www.sunnationalbankcenter.com Thurs. 7:30 p.m. Alan Jackson w/ Jana Kramer. Doors at 6:30 p.m., $78, $58, $38
Tir Na Nog 1324 Hamilton Ave. Trenton
(609) 392-2554 Fri. 9 p.m. Jerry Monk & Paul Plumeri
Sat. 9 p.m. Kevin McCloskey Tues. 9 p.m. Joe Vadala
Wed. 9 p.m. Sean McNally All shows 21+
Trenton Social 449 South Broad Street Trenton
(609) 989-7777 www.trentonsocial.com
Thurs. 7 p.m. Social Thursdays: Soul & Funk Show w/ DJ Tangency
Fri. 8 p.m. Social First Fridays.
Tues. 9 p.m. LiveMusic/Open Mic.
Triumph Brewing Company (New Hope, Pa. Location)
400 Union Square New Hope, Pa. (215) 862-8300
www.triumphbrewing.com Fri. 10 p.m. Mikey Jr. $5 (cover charge)
Sat. 10 p.m.Fikus $5 (cover charge)
Sun. 7 p.m. Open Mic. Night. Wed. 9 p.m. The Brummy Brothers
All shows 21+ Triumph Brewing Company (Princeton location)
138 Nassau St. Princeton (609) 924-7855
www.triumphbrewing.com Fri. 10:30 p.m. The Late Ancients. $5 (cover charge)
Sat. 10:30 p.m. Eryn Shewell. $5 (cover charge)
Wed. 9 p.m. DJ K All Shows 21+
Villa Romanza 429 Rte. 156 Yardville
(609) 585-1717 www.villaromanzanj.com
Sat. 7 p.m. Tymes 2 Wed. 10 p.m. Whipped Wednesdays feat. DJ Paul Desisto and Chris Mazzella
Wildflowers Inn 2572 Pennington Rd. Pennington
www.wildflowersinnrestaurant.com
Sat. 9 p.m. Live Acoustic Rock Mon. 9 p.m. Karaoke
All shows 21+
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https://www.startribune.com/rep-erin-murphy-puts-health-care-at-center-of-campaign-for-governor/448832883/
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en
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Rep. Erin Murphy puts health care at center of campaign for governor
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"Erin Golden"
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2017-10-01T10:45:43+00:00
|
The DFL legislator has some high-profile opponents, but she has quietly carved out a spot as a candidate to watch.
|
en
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/icon.svg?9ceb0f521e2c061e
|
https://www.startribune.com/rep-erin-murphy-puts-health-care-at-center-of-campaign-for-governor/448832883
|
Erin Murphy's opponents in the DFL race for governor include a sitting member of Congress, the mayor of Minnesota's second-largest city and other big party names, but this relatively low-profile state representative has quietly carved out a spot as a candidate to watch next year.
A nurse from St. Paul who rode union activism into a political career, Murphy announced her bid last November — the first candidate for either party to get into the pivotal 2018 governor's race. Since then she's been on a marathon tour of Minnesota, speaking in living rooms and parks and marching in small-town parades as she pitches herself as the candidate best positioned to tackle the biggest issues of the moment, especially her top concern: health care.
"I'm in the race with a lot of determination," Murphy said. "I feel like Minnesotans have entrusted me with a story, and with their hope for our future."
DFL insiders keeping tabs on the developing race see Murphy as one of the strongest contenders for the party endorsement, which would be a major boost in what's likely to be a contested DFL primary next August. U.S. Rep. Tim Walz of Mankato has emerged as an early front-runner, and candidates or potential candidates like St. Paul Mayor Chris Coleman and Attorney General Lori Swanson are also people to watch.
But Murphy's quiet, determined style is making an impact. It doesn't hurt that she's well-liked across the DFL base, especially among the activists who watched her rise from uncertain state legislator to House majority leader in 2013-14 on the strength of a personable approach that won her plenty of fans, even among Republicans.
"I think clearly in her first or second term, that's when people started taking notice of her. In terms of: 'Wow, this person has something to say,' " said DFL Rep. Frank Hornstein of Minneapolis, who has not yet endorsed a candidate.
First elected in 2006, Murphy early in her second term took a leading role in cutting a bipartisan deal to save the state's General Assistance Medical Care program after then-Gov. Tim Pawlenty vetoed its funding. Murphy called it one of her proudest moments in the Legislature.
But in a time when Minnesotans are cleaved along political and geographic lines, Murphy faces a challenge in winning over voters who view the Legislature at large with frustration, and with rural voters who might be wary of a big-city politician's vows to listen to their concerns.
"Erin Murphy has firmly embraced the radical, far-left wing of the Democratic Party," said Jennifer Carnahan, chairwoman of the Republican Party of Minnesota, in a taste of how the state GOP would treat Murphy if she emerges as a general election candidate. "She's far outside the mainstream of most Minnesotans, so it would make sense that she could gain some traction among Democratic convention delegates, particularly among their deeply divided field."
Murphy's two years as majority leader coincided with full DFL control at the State Capitol. That period brought state income tax increases on the wealthy, a statewide minimum wage increase and the legalization of same-sex marriage and medical marijuana.
Murphy said part of the reason she got in the race so early was to give her time to transcend some of the divisions that define state politics.
"People say you can win a statewide race if you win the Twin Cities and the suburbs and the regional centers, but you can't govern that way," Murphy said. "And it's important for me to build on the relationships that I have with people all over the state."
Murphy, 57, said she approaches conversations on the campaign trail like a nurse talking to a patient. After a decade in public office, she's still more comfortable listening to other people tell their stories before she shares her own.
A Wisconsin native, Murphy was born in the small town of Columbus, near Madison, and spent her teenage years in Janesville. She was one of five children of a union autoworker father and a mother who worked in a canning factory and cleaned houses — jobs that, at the time, were enough to provide the family with a solidly middle-class life, she said.
Murphy is eager to highlight those small-town roots and blue-collar upbringing on the campaign trail, seeing them as shared traits with the kinds of voters the DFL has struggled to win over in recent years.
After beginning her nursing career in Wisconsin, Murphy and her husband, who runs a painting business, moved to St. Paul so she could work as a nurse on the University of Minnesota's transplant team. She later worked for the Minnesota Nurses Association, eventually serving as its executive director, giving her an up-close look at how deals are made at the Capitol.
It was that work — and the frustrating experience of helping her mother navigate the health care system after a cancer diagnosis — that prompted Murphy to run for the state House.
"When my mom got sick, she had to fight for coverage and care," Murphy said. "And that made me mad."
In the Legislature, Murphy pushed for more money for Minnesota's health care programs, and now advocates for a switch to a single-payer health care system. She would extend the state-run MinnesotaCare insurance program to all residents, rather than just low-income people.
Rep. Matt Dean, R-Dellwood, is one of the Republican candidates for governor. He and Murphy worked together on the General Assistance Medical Care deal; he said she kept a "cool head" during a particularly tense time at the Capitol.
"I think particularly within health care, I think she and I probably both agree that the overly partisan responses are not good for our state, and they're actually not good for either party either now," Dean said.
In addition to Murphy, Walz and Coleman, the DFL field for governor includes state Reps. Paul Thissen of Minneapolis and Tina Liebling of Rochester, and State Auditor Rebecca Otto of Marine on St. Croix. DFL Gov. Mark Dayton is not running again.
Darin Broton, a public relations consultant and former DFL strategist who hasn't yet picked a favorite candidate, said long hours on the road helped Murphy build an early edge over bigger-name candidates in greater Minnesota and among party activists. But he said she'll have to work hard to get around a challenge that has flummoxed many legislators aiming for higher office.
"If there's one thing that there's bipartisan support on, it's that no one likes the Legislature," said Broton, who isn't backing a specific candidate yet. "I think the fact that she was there, and part of leadership, during the government shutdowns — even though not of her doing — that's a piece she has to overcome."
Murphy supports broader public investment in early education programs, rather than scholarships and vouchers she says can't keep up with demand. She wants to raise the state's minimum wage further, and protect workers from sexual harassment. But her work on health care is front and center in many of her colleagues' minds.
Sen. Melisa Franzen, DFL-Edina, endorsed Murphy though she disagrees with her on single-payer health care. Despite that, Franzen said Murphy is most qualified to lead the state through a time of uncertainty in the federal government on health care issues.
"Her background as a nurse is very relevant," Franzen said, "and how you tackle an issue with that perspective of going into triage, that's what makes her stand out as a leader, working with others as a team."
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https://issuu.com/shippensburg-university/docs/sumag_summer23
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en
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Shippensburg University Magazine, Summer 2023
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2023-08-30T00:00:00+00:00
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Read Shippensburg University Magazine, Summer 2023 by Shippensburg University on Issuu and browse thousands of other publications on our platform. ...
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en
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/favicon.ico
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Issuu
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https://issuu.com/shippensburg-university/docs/sumag_summer23
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Welcome to Issuu’s blog: home to product news, tips, resources, interviews (and more) related to content marketing and publishing.
Here you'll find an answer to your question.
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https://www.sonicbids.com/band/erynshewell/
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en
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Sonicbids
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About Eryn Shewell & The Whiskey Devils. Eryn Shewell & The Whiskey Devils is a Rock and Blues Band
|
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https://s3.sonicbids.com/static/prod/1053/img/favicon.ico
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https://www.sonicbids.com/band/erynshewell/
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"Shewell Sings The Blues"
4-3-08 Asbury Park Press article "Shewell Sings the Blues"
Shewell sings the blues
By SARAH WEBSTER • Staff Writer • April 3, 2008
ASBURY PARK — Family members knew 10-year-old Eryn Shewell had musical talent when she sang karaoke at her uncle’s wedding.
Standing in a corner with microphone in hand, Shewell impressed her family members when she started singing "I Saw the Sign" by Ace of Base.
"No one knew I could really sing until that time," she said.
"I have been singing my whole life," she said.
Shewell, now 23, is a musician and mom. She lives in East Brunswick with her 4-year-old daughter, Emily.
"I do music, and I’m a mommy," she said. "I wouldn’t be able to do this without my family. Anytime I need a baby sitter they are there for me, and they also come out to the gigs.
"I’ve played many times where there is only my mom in the crowd," she said.
How does she do it all as a full-time parent?
"A lot of phone calls and e-mails," she said, adding that she also utilizes a Web site called wheresthegig. com, which helps musicians keep track of performances.
Shewell (singer/songwriter/guitar) has her own original music band named after her, The Eryn Shewell Band. She formed the band in June 2007 and they are now putting out a live release called "Live from the Cutting Room.
"
"Right now I have a nine-piece band," Shewell said. The band members include Pat Ruh (guitar), John MacDonald (bass), Elliot Kessler (drums), Antonio Gambrell (trumpet), Tommy Meares, (trombone), Arne Wendt (keyboards), Kathrine Verderosa (backing vocals), and Jenna Britton (backing vocals).
The band has been busy in the past year, Shewell said, playing gigs at least two to three times a week all over the tri-state area.
"I have this band and also a cover band on the side," she said, adding that the cover band is the one that pays the bills.
Shewell grew up in a music environment. She said her mother, Dawn VanArsdale, and father, Larry Shewell, both sing; her aunt Lori has been in a cover country band for 20 years, and her grandfather William Jennings plays various instruments and country and bluegrass music.
"He plays everything from banjo to guitar to accordion," she said, adding that family gatherings involved everyone sitting around singing and playing guitar.
When it comes to music, "I guess it’s in the blood," she said.
What type of music does Shewell prefer to sing?
"I like to sing blues and jazz the best," she said. "Rock is fun, but I prefer the other two.
"
She has followed her passion for jazz and blues to New Orleans.
"The entire city of New Orleans inspired me," she said. "It was amazing.
"There is all this spirit and energy there — the horn players will walk around and play anywhere and everywhere," she said, "even if a band is in the club, and they are outside playing.
"
Shewell has one self-released full-length record out named "One Song at a Time." It’s a release she calls a "living-room record.
"
"I did it myself in my living room," she said, adding she called her band members over to her house to make it.
The band has just recorded a live album at The Cutting Room in New York City, and it is due to release by the summer. It will feature a DVD of a live concert and feature clips of Shewell speaking.
The live record currently is being mixed, edited and packaged, she said.
Eryn Shewell will be playing acoustic gigs at 8:30 p.m. April 4 at the Twisted Tree Cafe in Asbury Park, at 10 p.m. April 12 at the Beacon Street Grill in Neptune and at 9 p.m. April 16 at Bar Anticipation in Lake Como. For more information, visit www. myspace. com/erynmusic or www. myspace. com/theerynshewellband.
- Asbury Park Press
"Going For Broke"
Going For Broke... Asbury Park Press Article
GOING FOR BROKE
Shewell has stars in her eyes
Posted by the Asbury Park Press on 09/29/07
BY ED CONDRAN
CORRESPONDENT
Ever since Eryn Shewell was a young girl, it's been the music industry or bust.
The East Brunswick-based singer/songwriter has had her heart set on a career as a performer ever since she was in middle school.
"I used to tell people back then that I would become famous," Shewell said. "They said, "Make sure that you have a backup in case your music doesn't work out.' Most people have a backup."
However, there is no contingency plan for the 23-year-old Shewell, who grew up in Jackson. The shy, soft-spoken songsmith plays mother to her 4-year-old daughter during the day and is a musician at night.
"This is it for me," Shewell said. "My family and my music is my life. There's not time for much more."
Blues, jazz and rock are some of the styles of music Shewell will offer when she performs Sunday at the Wonder Bar's closing party.
"I love all kinds of songs, but that's what I'm doing now," she said. "I would love to try it all."
The Washington, D.C., native, who has been writing songs since she was 8, was weaned on country music and during her teens reveled in hard rock.
"You sample different things when you're growing up," Shewell said. "The stuff you listen to stays with you."
Shewell is working on her debut album with Jason Corsaro.
"We have three songs finished," she said. "He's working on some other things now. I'm waiting for him so we can complete it."
In the interim, Shewell continues to write songs. Relationships and growing up are some of the common threads in her material.
"Something is always happening to inspire me," Shewell said. "Since what I write is a reflection of my life, I have more and more songs. When you come see me, you're hearing the story of my life."
- Asbury Park Press
"Show Review Twisted Tree Cafe"
Show Review!!
TWISTED COVERS - ELVIS COSTELLO
Posted on 2008-04-05
(ASBURY PARK, NJ - March 30, 2008) -- Twisted Covers featured a look at the career of Elvis Costello this monday. The show, which takes place on the last Sunday of each month at the Twisted Tree Cafe on Cookman Avenue in Asbury Park, featured a bunch of show regulars alongside several new faces.
Some of the artists marking their first appearance at Twisted Covers include Joe D’Urso, <b>Eryn Shewell<b>, Deena Shoshkes, Roger Gardella, Christian Beach, and Rob Neil. Regulars included Keith McCarthy, Tony Tedesco, Joe Harvard, Michael Brett, Jo Wymer, George Wirth, and Pat Roddy. I like how we now have a bunch of artists as regulars kind of like a comedy or theatre troupe would have. It’s cool to see these artists take a chance each month with banging out a few covers - especially since very few of the artists who play actually play covers in their sets. That’s what makes this show very special to me.
In case you’re unfamiliar with the show, basically artists play one or two covers by the featured artist and then play one of their originals. This allows artists the chance to introduce them to new audiences and let those people hear their own work as well. Considering that many people are more comfortable hearing songs they already know, the show is a good way to ease those folks into the local original scene.
This was the second time Twisted Covers had tried spotlighting a particular album and I think it probably was the last as well. When we tried it for Neil Young it was a resounding success, but that was a rather short album and contained a lot of popular songs that people knew. This go around, we tried highlighting a rather obscure album (Elvis Costello’s "King Of America") and it didn’t work nearly as well. There were some great highlights but also a bunch of low lights. From now on, we’ll just let artists pick a popular cover and a somewhat obscure cover and if we get a bunch from any one album we might try doing something with it. But we won’t be highlighting albums again.
<b>Show highlights for me include Eryn Shewell’s band doing "Eisenhower Blues" from "King of America" - this was a song that I’d imagine few knew, but their take was incredibly good. In fact, I think the song sounded better than on the album. It’s one of those jazzy tunes that works better with a female voice than a males. I told Eryn I thought it went over so well that she should bring it out during one of the band’s sets sometime. Eryn also did a wonderful cover of "Almost Blue" that was exactly what I expected. When she first signed up for that song I knew she would nail it.<b>
Roger Gardella’s take on "Indoor Fireworks" was wonderful as well. That probably is my favorite song on "King of America" and I was glad to see someone cover it.
Joe D’Urso and Deena Shoshkes were welcome additions to the lineup. Joe has been a mainstay in the Jersey Shore scene for quite some time despite living in New York. His take on "Little Palaces" (also from "King of America") was extremely good and his original (a recently written piece) was a crowd favorite. Deena is the lead singer of The Cucumbers and somebody that I came across via Myspace. Turns out she has a monthly singer-songwriter show/gathering she puts together each month and was very into the idea of Twisted Covers. She played "Loveable" and the classic "Radio Radio" before launching into a brand new song which I think made its first ever live appearance. Cool stuff!
Michael Brett continued to amaze me with his covers considering he rarely ever plays cover tunes when I see him live. He chose "Watching The Detectives" and "Veronica" which was cool considering how great the combination of Elvis and Paul McCartnery was on that album.
Rob Neil was someone I wasn’t familiar with but I enjoyed his takes on "Alison" (always one of Costello’s most popular tunes) and "(What’s So Funny About) Peace, Love and Understanding", a cover tune Elvis made big. Neil’s original tune was pretty interesting as well. It falls under the genre of "wizard rock" or something. I had no idea there was such a genre but it has something to do with Harry Potter...
And Keith McCarthy once again assembled a band to do some truly great work on tunes like "I Want You" -- Keith and his friends are welcome anytime for this series as it seems like there is nothing they can’t play.
Jo Wymer, Joe Harvard, Pat Roddy, Christian Beach, George Wirth, and Tony Tedesco rounded out the show with great covers and, more importantly, great song choices. I really like how the song list doesn’t simply reflect the 10 or 20 top songs by any artist but shows a few obscure gems and forgotten classics as well. And, I love the way the original songs fit into the mix as many of the artists aren’t afraid to bring out literally brand new songs as people like Tony Tedesco did today.
The next Twisted Covers show will feature the wo - AsburyMusic.com
"ONE SONG AT A TIME..."
ONE SONG AT A TIME...
Originally published in the Upstage Magazine print edition
By Gary Wien
Eryn Shewell not only believes that music can change the world one song at a time, but she's making others believe as well. She's one of the hardest working musicians in New Jersey and has been attracting the attention of music fans and club owners across the state as well. Recently nominated for several Asbury Music Awards, we finally had a chance to talk to Eryn about her career, her belief in music, and her little girl who might follow in her footsteps if she doesn't become a drummer first.
I first saw Eryn Shewell at The Stone Pony in Asbury Park over a year ago and was blown away by her performance. It's hard to believe, but she says that was her first ever live performance of her originals. Since then, her songs have gotten better and her band is now comprised of amazingly talented musicians that bring her rock and roll / country tunes alive with a touch of jazz and blues flavoring. The band includes John MacDonald on bass, Antonio Gambrell on trumpet and backing vocals, Pat Ruh on guitar, Elliot Kessler on drums, Kat Verderosa on backing vocals, and Doug Scocco on organ and keyboards.
"It boggles my mind that I have all these talented people that are doing so much for me and I don't even know how to thank them," said Shewell. "I thank whatever the powers that may be for them everyday. I'm a lucky girl."
Shewell has floated under the radar a bit by playing shows at many untraditional original music venues. In addition to her original band she also fronts a cover band called Stronger Than Dirt. Playing in both bands allows her to work on different angles of her music and helps her make more connections in the area.
"I love doing both," she explained. "It's two different worlds. With my originals I get to be more creative and the songs have more meaning. My cover band stuff lets me kind of just let it loose and rock out a bit."
Born in Washington, DC, Shewell moved to New Jersey when she was 8. Since then she has been lead singer for the country band Sundance, pop/rock band Easily Amuzed, and was a member of the popular New Jersey band Jody Joseph & The Average Joes. She recently won over audiences in New Orleans singing with national touring band Soul Project.
Eryn's taste in music was partly influenced by her parents. Her father listened to the Rat Pack while her mother was into country music. In high school, Eryn began getting into jazz artists like Duke Ellington and Billie Holiday. Throw in some classic rock and those are the influences found in her songs. It's an interesting blend that has a distinct sound of its own.
Shewell and her band play throughout New Jersey and places in Pennsylvania and New York. Their biggest gig to date was last August's Musikfest, the 10-day music festival that takes place in Bethlehem, Pennsylvania. The band played in front of thousands of people who listened to every note played.
"It was amazing," said Shewell. "When it was said over the microphone that we had free CDs, it was like a bum rush to the table! We ran out of CDs and started handing out promos without covers or even cases. Then we ran out of everything! It was crazy!"
Eryn is currently recording an album with Grammy award-winning producer Jason Corsaro (Madonna, Sound Garden, Peter Gabriel, Mariah Carey). The process is taking longer than she'd like, but she hopes to have the
new record out sometime in 2008.
--------------------------------------------------------------------------------
Nov 6, 2007 The Saint, Asbury Park, NJ
Nov 7, 2007 Internet Cafe, Red Bank, NJ
Nov 9, 2007 The Blue Room Lounge, Secaucus, NJ
Nov 10, 2007 Orphan Annies, Stirling, NJ
Nov 21, 2007 Internet Cafe, Red Bank, NJ
Nov 23, 2007 Rug's & Riffy's, Woodbridge, NJ
Nov 24, 2007 Molly Maguire's, Clark, NJ
Nov 27, 2007 Dexters, Riverdale, NJ
Dec 4, 2007 North Star Bar, Philadelphia, PA
http://www.ErynShewell.com
Gary Wien --
PHOTO by Mike Black
- Upstage Magazine
"Boys: watch and learn, Girls Night Out on May 21"
Boys: watch and learn, Girls Night Out on May 21
Looks like the boys might have some catching up to do this month. On May 21, NJ/NY based musician and producer Deb Ferrara will host and perform in Girls Night Out at The Bitter End, the first in a series of NJ Songwriters in the Round to showcase female artists. Ferrara's impressive group of performers and their range of styles and influences is a reflection of her story, which doubles as a guide to independent music success. Over the past six years she has hosted a monthly music showcase at Maxwell's, founded Songs for the Cause, and had her music featured on MTV's The Hills. Her line-up shares the same spirited work ethic and extensive list of accomplishments. <br>For East Brunswick, NJ-based Eryn Shewell, who mixes Janis Joplin's soulfulness with Bonnie Raitt's bluesy lament, this is just one of many stops on her upcoming seven-month tour.<br> Lisa Coppola of Belle Meade, NJ, who has performed with Billy Joel on Saturday Night Live, will add a rock/pop edge to the evening, with songs reminiscent of Cindy Lauper, Pat Benatar, and Liz Phair. The show will be featured in June on Time-Warner's On the Beat, an on-demand NY1 entertainment program. And for all you boys still trying to score your first New York show, be sure to take notes. Wednesday, May 21 NJ Songwriters in the Round Girls Night Out at the Bitter End. 147 Bleecker Street NY, NY (212) 673-7030, 7:15pm, No cover. - Jaime Pannone
- The Deli Magazine NYC
"Review of "Window Pane""
Eryn Shewell, Window Pane
December 5, 2008
Eryn Shewell and her band play the kind of music you’d expect to hear at a good block party. The musicians are tight, and the music is loose, a feel-good mix of soul, country, and blues – a little something for everyone. Shewell has a voice that cuts through a crowd, she could probably keep singing with the band if her mic went out. And she has a penchant for hitting on a particular simple phrase and hammering it home in a chorus – “Just One of Those Days,” “One More Melody,” “I Don’t Know.” By the time her songs are over, you will remember the chorus whether you want to or not.
Stylistically, Shewell stays in mostly familiar territory on Window Pane. “I Don’t Know” and “Just One of Those Days” could be lost tracks from Blues Traveler’s Four. “I Want You for Breakfast” is the kind of comely cute ballad Jewel has made her trademark. Most of the album is the musical equivalent of comfort food. Funny thing about comfort food, though, if it didn’t taste good, you wouldn’t eat it. And to stretch the metaphor even further, Shewell is happy to serve up tasty helpings of it.
Although she can be a little overwrought at times, Shewell’s voice adapts well to bright country rock or sassy blues, whatever’s needed for the song at hand. And her band is impressive, from the horn section playing funky breaks to her rock-leaning electric guitarist to the tasty grooves her bass and keyboard players lock into. Everyone fills when they need to, no one steps on anyone else’s toes or makes the arrangements too busy. Window Pane may not blow you away with its originality, but you won’t kick it out of bed for eating crackers. (Ouch. Back to the food thing. What a hack).
Words By: Nick A. Zaino III
- Skope Magazine
"Review of "Window Pane""
October, 2008
Translation:
Using a perfect mix of rock, blues, jazz, soul and even a little bit of country, Eryn Shewell introduces her music to us. Her debut album is filled with strong compositions, songs with catchy hooks and strong melodies. And not only that, she possesses the perfect voice to bring those songs to us. A voice that reminds us of the debuts of Joss Stone and Susan Tedeschi. We then also told you, "This girl is gonna get far"...and weren’t we right both times? Well, we dare to say the same thing about Eryn Shewell. Maybe it will be a little more difficult for her, because there is no major record company to promote her, but with the mouth to mouth publicity she gets from the strong live performances she and her strong band bring us, her name will be known in no time. From her hometown, Asbury Park in New Jersey to New Orleans and beyond, she performed in the most important clubs and everywhere the audiences go wild. The songs on this CD are all strong and from the second time you hear them, they stay... it's difficult to get them out of your head again. But who cares? These are Songs that are waiting to get played on the radio too. Eryn's voice is so strong and flexible, filled with a lot of soul. From high to low, from a whisper to a scream, she brings it without the least of effort. Those are the signs of a real class singer. Others have noticed this too, because she is a much sought after backing vocalist, recently even on Walter "Wolfman" Washington's latest CD. A song like "I Don't Know" is a good example of her songwriter qualities, just like the strong "The Lonely Writer" (that guitar!) or the funky, jazzy sounding "Window Pane," in which her voice reminds me a lot of Joss Stone. The quiet "One Song at a Time" has a bluesy feel to it. What a great, soulfull song this is! Whatever song we chose they are all "winners". "Just One of Those Days" even has some country influences, which could easily make it big on Nashville radio. She has been compared with Jewel and Martina Mc Bride in some press articles, and we can understand why. The closing song, the wonderfully sung "I Want You For Breakfast" shows it: this girl knows what she wants and she will get it! Let us hope it is "success," because that is what she really deserves. (Ronny Bervoets/ Rootstime Belgium)
- Rootstime - Belgium
"SHOW REVIEW - Eryn Shwell Band Comes Into"
(ASBURY PARK, NJ – March 3, 2009) – I wasn't originally planning on writing a review of this show, but figured I'd do a write-up since people have emailed me saying I hadn't done much with the blog lately. Although I've been going to shows regularly, I just don't feel the need to do show reviews unless something really clicks for me. Tonight was one of those nights. Even though the lineup featured three artists I've seen quite often, the show itself was worth writing about......
....The final act of the night, the Eryn Shewell Band, is the reason for this review. I've been very impressed with Eryn and her music for several years now, but I think the band has fully come into their own. They recently returned from recording in Nashville and the trip seems to have done them a lot of good. They've got a sort of confidence now that was lacking somewhat in the past. Take Eryn for example. In the few years that I've known her, I've watched Eryn transform from a rather timid backup singer to a full band leader that's clearly in charge. Likewise, her music is eloquently executed by some of the area's strongest musicians. Together, they all combine to produce one if the best live shows you will ever see.
In fact, I think her band's music is meant to be experienced live. Yes, their studio recordings are good, but they pale in comparison with the thunderous roar of her live shows. It's an experience that can't be matched on tape; It's part roadhouse, part arena, and part tent revival - a sound that picks you up and raises you to a place that few can reach.
It's funny, thinking about how so many bands compete to be the house band for the Stone Pony while Eryn and her band just might be the ultimate house band for The Saint. Their music fits the club like a glove, filling every crevice of the joint as if the club was her own. And tonight, it was.
- Gary Wien
"Eryn Shewell - 4th & Broadway"
About a year ago we received Eryn Shewell's debut album, a record that impressed us enormously. Her special mix of blues, jazz and Motown soul was refreshing. More than that, her powerful, soulful voice was a revelation to us. Her first album “Window Pane” remains one of a few debut records released last year that I continue to listen to over and over again. It continues to grow on me after all these months. Why? Because "Window Pane" was filled to the brim with strong songs, brought with craftmanship and delivered with that wonderful voice that sounds full, powerful and also tender at the same time and is always dripping with soul. In the review of “Window Pane” we predicted Eryn would have a great future, or at least hoped she would gain lots of recognition, because she simply deserved it. There is talent in abundance here.
Today I am listening to Eryn's recently released sophomore CD, named "4th & Broadway." a record which continues in the same direction as her first. This is a CD that is full of variation, using similar elements as on her debut, but in our opinion has even stronger, more mature songs. As happens so often these days, big record companies don't always notice potential like Eryns because it is surprsing to us that this album is also an independent release. Maybe it's the versatility of this singer that scares the majors, she may be difficult to label..not enough blues, jazz or soul to pin her down into one specifc genre. We believe the best of popmusic is built on these three strong genres and the fusion of genres is this CD's greatest strength. The songs Eryn writes are so strong that they transcend the standard blues, jazz and soul we hear so often and Eryn always adds something of her own. These songs get better every time you listen to them not the other way around as often happens with the music we receive for review.
Songs like the very soulful, somewhat jazzy sounding "Moment" and the passionate "Satellite" are real gems. They get to you immediately and you'll be sure to be humming them after a short time listening to them. Eryn's strong lyrics about modern everyday life in relation to her own experiences will certainly touch your soul.
One of our favorite tracks on this new cd is "300 Miles", a song with an Alternative Country, Americana feeling to it achieved with some great playing by master pedal-steel guitarist Sam Getz.
The rest of the band is also top notch, including bass player Steve Johnson, drummer Tom Cottone, trumpet player Antonio Gambrell and the backing vocalists. Alice Leon and Curtis King are both wonderful musicians, and the recording is crystal clear and mixed to perfection.
Eryn's love for the blues is best heard in the relaxed sounding blues track "Whiskey Devil", another one of my favorites, being a blues lover myself. "My Soul" is another one I can't get enough of and has some great slide by Pat Ruh.
We sincerely hope with the release of this album Eryn Shewell will get the attention and success she really deserves. Perhaps, things are starting in that direction already, we understand she just won the "Top Female Vocalist" award at the Asbury Music Awards this year. Let the rest follow!
Ronald Bervoets - www.rootstime.be
"Eryn Shewell - Window Pane Review"
Judging from the plethora of singer/songwriter releases we’ve been auditioning here at #1 L2P Tower, there’s little doubt that we are entering, or have entered, a very prolific period for popular songwriting. Credit it to stresses in society or simply the coming of age of a new generation of songwriters, but it’s undeniable: the poignantness of the messages in the poetry and music being crafted by independent artists is on the rise.
Most certainly this will continue as songwriters continue to survey and interpret the global political landscape and relate it to their personal lives. Now, I said all that just so I could cap it by adding that I think Eryn Shewell is one of the most “in tune with the times” songwriters I’ve had the pleasure of reviewing in recent memory. Her lyrics run from soft and playful to rugged and meaty, which, reflects her style of performing.
Her music is consistently interesting, and always emphasizes the lyrics. Most of her tunes ride on the edgy side of pop, touching upon both blues and jazz. She has excellent vocal control, a powerful, yet very sincere, voice and loads of energy, making her an exceptional live performance. Hailing from East Brunswick, NJ, Eryn is self-taught on the guitar (a necessity for a songwriter) and has intelligently backed her own natural talents by being trained as a sound engineer, in order to better understand the science behind achieving the perfect sound.
Her Live2Play quote is,"Music has always been my passion, my therapeutic outlet, I’m not just chasing fame - this is my career. I will always work in the music industry in some capacity."
- Live2Play Network
"SHOW REVIEW - Eryn Shwell Band Comes Into"
(ASBURY PARK, NJ – March 3, 2009) – I wasn't originally planning on writing a review of this show, but figured I'd do a write-up since people have emailed me saying I hadn't done much with the blog lately. Although I've been going to shows regularly, I just don't feel the need to do show reviews unless something really clicks for me. Tonight was one of those nights. Even though the lineup featured three artists I've seen quite often, the show itself was worth writing about......
....The final act of the night, the Eryn Shewell Band, is the reason for this review. I've been very impressed with Eryn and her music for several years now, but I think the band has fully come into their own. They recently returned from recording in Nashville and the trip seems to have done them a lot of good. They've got a sort of confidence now that was lacking somewhat in the past. Take Eryn for example. In the few years that I've known her, I've watched Eryn transform from a rather timid backup singer to a full band leader that's clearly in charge. Likewise, her music is eloquently executed by some of the area's strongest musicians. Together, they all combine to produce one if the best live shows you will ever see.
In fact, I think her band's music is meant to be experienced live. Yes, their studio recordings are good, but they pale in comparison with the thunderous roar of her live shows. It's an experience that can't be matched on tape; It's part roadhouse, part arena, and part tent revival - a sound that picks you up and raises you to a place that few can reach.
It's funny, thinking about how so many bands compete to be the house band for the Stone Pony while Eryn and her band just might be the ultimate house band for The Saint. Their music fits the club like a glove, filling every crevice of the joint as if the club was her own. And tonight, it was.
- Gary Wien
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Emily’s Army - Lost at Seventeen (Rise Records)
I was going to review Emily’s Army on its own merit (which I still intend to do,) but first I have to explain a little about the band, namely the drummer Joey Armstrong. He’s the 17 year old son of Billie Joe Armstrong of Green Day. Joey’s got his dad’s snarly, snotty, vocal prowess, and the phrasing to match. Now, before you jump to conclusions, Emily’s Army is NOT a junior Green Day by any means. They have a distinct, natural, and original sound that is as much fun as it is unique! I mean, you can’t help but sit up and take notice of all 16 songs on Seventeen. As a debut album they took apart some old school punk (Clash, Sex Pistols), classic rock (Kinks, Springsteen), and their own musical mojo and put the pieces back together in a jagged collage. Very verse-chord-verse, they base their belief on the idea that most of today’s pop punk is a lethargic dinosaur. Each of Emily’s Army’s songs is a complete, satisfying composition without the extra musical baggage that a lot of today’s bands feel the need to include.
Politics (“I Am The President,” “War”), love (“Jamie,” “Part Time Burn” “Pathetic and in Love”), and songs about music, especially punk rock (“Kids Just Wanna Dance,” “If Our Music Plays Again”), drugs (“Lost at Seventeen” “Digital Drugs”-actually an anti-drug song) can be at times complex (“Bullets made of bread” has to be one the best lines ever) , both musically and lyrically. Yet you can dance your asses off to each and every song here.
Good music insinuates itself into your ears and up into your brain like a slithering snake, so that you feel sensually alive to the point where your feet start to move. Lost At Seventeen just clubs you over the head into submission. There’s no going back! I dare say it’s been quite a while since a band had such commanding control, and could play so loose. Playing this record could conceivably give you an epileptic seizure of orgasmic dance proportions. How else to explain the inexplicable?
Emily’s Army is evidence that a young band just starting out has the imagination to play music that holds together without having to sacrifice the reason they originally got together and kick out the jams however they what!
What I absolutely LOVE about a new, exciting band like Emily’s Army is that after repeated listens, you just cannot fandom life without bands like this. They found the singular joyous essence that only rock ‘n’ roll can provide and provoke. The full-on rush of excitement and bubbling-over ecstasy is instant you drop the needle on this record!
Springsteen On Springsteen - Interviews, Speeches, and Encounters Edited by Jeff Burger (Chicago Review Press)
After reading a lengthy book on Springsteen less than a month ago (Bruce), I wasn’t really looking forward to reading Springsteen On Springsteen. I mean. Over the years I’ve read at least a dozen or so books on Bruce, and even though I’m a big fan, there’s only so much Bruce Juice a person can take after a while. I mean Bruce seems to be just getting his second wind (he’s 62), and making some really cool albums and knocking it out of the park at almost every live show, but somewhere along the way a lot of the stories get rehashed, making for a long, tedious read.
But on Springsteen On Springsteen as I started reading, an endearing portrait of the artist emerged: caring, responsible, well-versed in those musical heroes who came before him. He loves all the same artists I love. His eloquence in the interview situation is yet another art form and you get to know him…I mean, really know him this time. Coming, as this book does, on the heels of Peter Ames Carlin’s highly recommended and epic Bruce biography, this one was more than pleasant surprise. It was a mini-revelation.
When he talks about mixing rhythm ‘n’ blues early on with beat poetry, his early work all comes into focus. How fascinating is it that he complains to reporter after reporter about money (in the mid-seventies)! “We’re at the lowest we’ve ever been right now,” he tells Jerry Gilbert. “Hopefully I’ll be getting some money from Columbia and maybe with David Bowie doing some of the songs that’ll be good.” (Bowie did, indeed, recording “Growin’ Up,” and “It’s Hard to be a Saint in the City.”).
Bruce is described early on by numerous reporters as scruffy, skinny and long-haired, wearing clothes that he seems to have been in for days. He stumbles when he walks and he mumbles when he talks. But that’s part of the beauty of Bruce on Bruce. We get to read the first-hand accounts of his humble but intensely interesting beginnings as a musician. “The writing is on the wall,” as they say.
Bruce talks about religiously writing down the Top 10 every Wednesday, and admits that he doesn’t consider himself a revolutionary artist like Dylan or Elvis but a “nuts and bolts” artist built for the long haul. He talks of his humble beginnings, watching his father struggle for work, and not feeling a part of the community so, like other musicians, he makes his own in the world…but with a band.
As for his marathon concerts, he tells Charlie Rose on TV, “I wanted it to be an extreme experience-an experience that wasn’t casual, that pushed all the limits. I wanted people to be brought to someplace and to come out of themselves.”
His speeches are the best: his 1989 Rock And Roll Hall Of Fame induction acceptance speech, his keynote address at the 2012 South By Southwest Music Festival (he said that every one of his songs over the years were all different forms of The Animals’ “It’s My Life,” which brought the house down with laughter. He also got to play with Eric Burdon, the lead singer of The Animals at SXSW. His eulogy of Clarence Clemons is as from the heart as any of his songs. He even adds a few funny stories about Clarence and the band.
“I was influenced by so many great musicians that meant such a great, great deal to me and who I can never really repay,” he tells Brian Williams of NBC-TV. “Music is so intensely personal and strikes you on such an emotional level that it leaves you feeling like you owe a great debt to the people that moved you that deeply. And when I see the guys that did that for me-and I’ve had the opportunity of actually meet a lot that did that for me-it’s wonderful feeling.”
As I said, you really do feel like you know Bruce after you finish this book. This one book that you will have a hard time putting down!
Streetlight Manifesto- The Hands That Thieve (Victory Records)
Streetlight Manifesto is a band that combines the best elements of ska, punk and their own undiluted special brand of rock ‘n’ roll. The full guitar roar that’s backed by a rhythm section with a power drummer, a bass that’s rock steady, and a horn section that sounds like they could back Miles, Motown, or any contemporary ska band. But this impressive band has a sound all its own.-Kind of sounds like I’m describing a new band for the first time, right? Well that’s the feeling you get listening to The Hands That Thieve. This is their sixth album in about as many years, and it sounds as fresh and original as the rest of their catalog. They have a cohesive identity to match their records’ careering sonic ska stew.
Like the rest of the album songs like “The Three of Us,” “Toe to Toe,” and “The Hands That Thieve” all benefit from not using any gimmicky or over-the-top production. What sets these three songs apart is that they combine to make an idealized melting pot of politics, human nature, and some of the best ska this side of the Mississippi! Streetlight Manifesto’s sound is dense, but once you get into them they will as they say, “Free your ass and your mind will follow!” The thing is, unlike a lot of bands that try to shove politics down your throat or make mindless dance music, Streetlight sing about possibilities. Whether they are politics, life, etc., they let you decide for yourself. They also help you navigate those hip joints as though they’re doctors of chiropractic. If they ever decided to cover Slim Harpo’s (cool, early bluesman), “Hip Shake,” you would see a gazillion mosh pits arise anytime it’s played!
Another thing that sets Streetlight apart is the sinister edge that they add to music. Like The Stooges early twisted punk, or current bands like Reel Big Fish or Big D & The Kids Table manic, hardcore ska sound, Streetlight’s style is a combination of all that and originality. Songs about unity, authority and justice, distinguish them head and should above the run-of-the-mill punk or ska band.
With a combination of guitar, drums, bass, and horns filling up every nano-second of the album there is never a dull moment. It’s like an onrushing musical storm that would litterly burn out any transistor radio (remember those?). Bottom-heavy to the max, the music and the blistering vocals on The Hands That Thieve create a clear, hardcore, rocksteady barrage that gallops and moshes along in close formation. In other words, buy this record you won’t be disappointed!-Phil Rainone
Eryn Shewell (EyrnShewell.com)
Eryn Shewell has the brassy allure of a contemporary artist like Imelda May or Joss Stone, and road-tested moxie of Susan Tedesci. She can play it sweet and sexy like on “Fall,” or get down and dirty like on “Suck it Up,” without missing a beat. It’s very much a natural talent rather than a forced one.
Every song on her self-titled album is catchy with a nod toward bubblegum simplicity, but that’s a very good thing! Underneath all that is an undeniably engaging band that helps to create some of the coolest mojo. Melodic and bouncy, they mix rock strength with pure pop arrangements that will make a lasting impression. There are a few sprightly pop delights like “Boy like You” and “Relax to Sleep,” but the songs undercurrents are very impressionable.
“Afraid of the Dark,” swings the The Camaros (cool girl-fronted retro-swing band), and a The Cherry Poppin’ Daddies mash-up. But what sends this tune over the moon is Eryn’s enlivened vocals.-Maximum mojo! “High School Sweetheart” ( it has a sweet slide guitar riff that is so much fun to listen to), and “Backseat Romance Forecast” both have energy and excitement of 70’s freeform radio that is hard to come by these days without sounding phony or forced.
Eryn helped produce and pen most of the album. Sometimes that’s like a disaster waiting to happen, but on her self-titled album the songs are ambitious, melodic, and concise. This is an album chock full of singles as compared to one that may have one or two good songs, and all the rest filler. This is world-class hit making, and is extraordinary uncommercial. A balance that is rarely achieved these days.
Eryn Shewell and her band play like anything is possible, especially for anyone who was always on the outside looking in. They’re able to put the sound in their heads on plastic, sounds that weren’t just “Pure Pop for Now People” (a Nick Lowe album title), but pure pop for hit radio-in the most sincere, uncynical and popularly resonating tradition. They are so engaged and inspired; it’s a synthesis in ways that few other bands can consistently sustain. And through all of that, the band maintains a distinctive group identity. It’s only fair to note that many others wet their musical toes in the same exotic waters only after Eryn Shewell and her band set the precedent. Moreover, they largely pursue their commercial and artistic goals in nonconformist fashion. Their effervesces with which they stitch together a multiplex of genres is as much professional as it is homegrown. They also cover Tom Waits’ “I Wish I Was in New Orleans.” Not since Southside Johnny & The Asbury Jukes has anyone come as close to staying within Waits’ song character and also giving it a fresh coat of paint. In a word-coolness!
With talent, easy confidence and self-deflating humor, the colorful Shewell will win countless hearts and minds, injecting warmth, graciousness, and good, lasting songs into a mega-pop world.
Shannon McNally - Small Town Talk (Independent)
Small Town Talk is a tribute album to Cajun songwriter Bobby Charles. I’m not familiar with Charles, so I don’t know how close to the vest, or if her renditions are somewhat off kilter, but either way all the songs here are remarkable. Given the facts that McNally’s established reputation as a songwriter and along with a best-of-the-best team of musicians including among others Dr. John and Derek Trucks, I can certainly say that she is well-equipped to take on his work.
There is a healthy amount of bounciness in the good old New Orleans tradition, but the slowest and most gentle come across as the most genuine. McNally sounds perfectly at home, and the strong sense of personality required in a good cover version is certainly present. She plays the true lover on “But I Do,” the woman left behind on “I Don’t Want to Know,” wearing desperation just as well as she does romance. The most poignant is the rosy “String of Hearts,” which finds her dancing in and out with a male vocalist amidst a softly falling piano line and swells of strings. “Homemade Songs,” with its swirls of reverberating guitar and downright sweet lyrics, runs a close second. Small Town Talk is a fitting display of both legacy of a past songwriter and the reach of a modern talent.
Jann Klose - Mosaic (jannklose.com)
While there has been substantial support for modern singer/songwriters at the grass-roots level, if they don’t play an identifiable brand of rock or pop, they are still unfortunately an anomaly in the music world. But here’s the thing with Jann Klose; he and his band can take a genre like reggae (“Make it Better”) and turn it into a poetic statement that we can all shake our tail-feathers to! Jann is a real singer in the sense that his confidence and moxie are easily conveyed in every song on Mosaic. He has the haunted power of someone who truly feels his lyrics. Jann recently provided the vocals for the movie “Greetings From Tim Buckley,” and he includes an a cappella cover of Buckley’s “Song to the Siren,” which is just…amazing! He not only captures Buckley’s soul, but you also know that it’s Jann singing - not an easy thing to do.
The album is focused, displaying the songs in a sometimes complex, sometimes barebones style, but the overall statement is that Mosaic is as entertaining as it is thought-provoking. Love, passion and intelligence come to the forefront in a strong display of craft and talent.
Jann’s music - a smoothly accomplished and undated collection of tuneful styles - is warmly realized in well-written songs filled with subtlety rather than eccentricity. At times the use of rudimentary production highlights Jann’s voice as much as the dynamic playing when the full band is included.
Insightful intelligence and tenderness make Mosaic a stunning work by an exciting, relatively new artist.
Pepper (pepperlive.com)
If these young Hawaiians weren’t so studiedly intense, Pepper might be able to drop the Sublime/neo-Beach Boys pretensions and use their evident talent to make enjoyable records. They write catchy, ant hemic songs, but the tireless exhortations are trying and, worse, can become ludicrous.
Just about every song here are like splices of roughed-up reggae and ska. They sound more like posers rather than trying to find a different and unique way of exploring these genres. They’re all smeared with melodramatic, over-blown hooks. Pepper has an excess of passion; what they lack is the subtlety that keeps bands like Sublime for becoming histrionic.
With all that said, I’ll let Tim Norek, fellow Jersey Beater have the last word; “I kind of liked the album until I played it for a friend of mine. As each song came around he started singing The Sublime song that they had taken parts from. I was happy and sad all at the same time!”-Phil Rainone
Catbirds Say Yeah (thecatbirds.net)
On Their self-titled album, Catbirds Say Yeah starts off with a blast of bluesy alt. rock on “All I Wanna Know Is.” This track shows the interesting dynamic between the band members. Actually, each number on this album is unique in their own way, with the band switching up who sings each one. Songs like “Red Red” and “Stoned” feature off-kilter rock guitar chords and straight-ahead vocals. Even with all that said, there is a distinct sound on this record. The clean/distorted guitars work well with the drums and the bass pops with a steady beat.
This is an album from a group of musicians with copious amounts of energy. Catbirds Say Yeah is where they creatively express themselves and transfer the spirit from their live performance (I checked out their YouTube show), and inject it into whoever is listening. This is a unique band that has found their passion, the ability to produce roaring electronic sounds, and bring others to their feet to dance.
Salt - Radio Station
Salt sounds like they’re trying to emulate one of their influences The Cult, which to me are big shoes to fill. The Cult have made sporadic albums over the years, but their singles are dead-on (“Wildflower,” “She Sells Sanctuary,” etc.).
I don’t know if Salt is just trying too hard or just don’t give a shit, but the way their music comes out on their self-titled album is not fun to listen to. Besides sounding like it was recorded in someone’s garage (which is not always a bad thing), the lead singer just sounds like he’s hurrying through each song with the passion of someone who’s watching the clock, trying to get outta there as soon as possible. The band sounds like they’re playing by-the-numbers, and they watching the same clock, in a hurry to get the hell outta Dodge!
I think if they take their time in the future, run the songs through a live show and work out the bugs, that they would have a very listenable, interesting album!
The Demographic - Listen Close (the-dem.com)
Somewhere between The Who’s powerhouse, maximum R&B and The Pixies’ poppy, nasty, slow-as-fuck hard rock lays The Demographic. But here’s the cool thing about them: They’re just a guitar/drum duo! No frills maximum rock ‘n’ roll from Northampton, Mass, Tom Pappalardo (guitar/vocals), and Sturgis Cunningham (Drums/backing vocals), “Explode into a rock ‘n’ roll band” (thanks, Bruce), on these eight jangle-pop, murderously heavy songs about fuckin’ up, malls, death, and secrets. Not your run-of-the-mill stories and the music will suck you into the lyrics and visa-versa.
The Demographic breathe new life into a genre that’s in need of a tune-up. These eight angry, vehement cuts rely equally on Pappalardo’s acrobatic guitar lines and vocal rants as well as Cunningham’s at times pounding/brutally quiet drumming. A match made in Heaven, as they say!
The last song “Simple Secret” ventures into deeper acoustic/electric territory. While Pappalardo drones on vocally ( very cool), and Cunningham matches his slow cadence with stop/start/ drumming, they create a song that not only gets your attention, but it dramatically changes the way you look at the little things that are usually overlooked in life. “Listen Close” has lowbrow cinemascope grandeur, with precision and economy. I gotta check these guys out live!
Smoke Fairies - Blood Speaks (smokefairies.com)
Here’s another duo (Jessica Davies on guitar/vocals, and Katherine Blamire on drums/vocals), that can rock out like The Pixies, yet pull back once and a while bringing us back to the John Hawkin -era (keyboard player), Renaissance (60’s progrock band). With all that said, Smoke Fairies’ definitely blast off into their own universe.
Songs like “Let Me Know,” “The Three of Us” or “Blood Speaks,” all display disjunctive imagery set slightly to gothic arrangements. The results are eerie and moving, but not distracting. Trembly guitar scrubs and syncopated drum flourishes round out song after song. Not filler, but like a magnet to steel, they are quietly powerful, drawing the listener in deeper and deeper. There’s plenty of drive and power in this album and the straightforward lyrics give the band a real, solid identity.
“Blood Speaks” is an album that you need to make time for. Sit, listen, and enjoy!
Bob Marley & The Wailers - Kaya reissue (Island)
It is safe to say that the world would be a very different-and vastly poorer-place were it not for Bob Marley. Carrying the homegrown sounds of a small Caribbean island to Europe, Africa and America, he is directly responsible for a rhythm and style that has moved millions and influenced every form of popular music for more than four decades. By exploring his roots and culture he brought them far beyond his native Jamaican borders and encouraged widespread cultural curiosity, as well as sparking the rediscovery of his heritage by countless people of all nations.
On the 1978 release of Kaya a lot music critics at the time felt that Marley and The Wailers were heading toward the MOR (Middle of the Road) side of the radio dial. They thought songs like “Easy Skanking,” “Misty Morning,” or “Time Will Tell,” were milking previous melodies and had very little to say that was inspiring, or had been said before on previous albums. To counter balance the critics the fans made it over a million seller, and his concerts were mostly sellouts. After 35 years the reissue of Kaya, which includes a full show from the Netherlands in ’78, falls somewhere in-between the critics and fans opinions.
A lyric in the first song “Easy Skanking,” on the understated but enticing aptly describes the record: “We’re taking it easy/we taking it slow.” At the outset, the lighter sounds and personal lyrics that fill the sunny grooves skirt the big issues for joyful celebration, and gentle romance including “Kaya” and “Is This Love.” But the mood slides straight downhill from “She’s Gone” to “Crisis,” culminating in the fatalistic spiritualism of “Time Will Tell.” Fast forward 35 years and what were considered at the time by the critics a MOR sound, now sound more full of life, and somewhat apocalyptic then when the album was first released. On top of that the songs that shown the brightest at the time like “Sun is Shining,” “Satisfy My Soul” and “Easy Skanking,” now sound more interesting, not just by the re-mastering but by history itself. Bob Marley & The Wailers, including their backup singers The I Three’s may not have foreseen the future on Kaya, but the music-the soulfulness and mojo-can be felt in every song. Kaya is for your mind, body and soul!
Recorded onstage in Rotterdam, Netherlands July 7, 1978 the live disc draws heavily from previous albums, and includes two new songs (“Easy Skanking” and “Is This Love”), thereby summarizing and expanding upon Bob Marley & The Wailers international career to that point. More so than in their studio versions, the songs ring with emotional power in these concert renditions allowing the listeners to join Marley in his life-affirming celebration. Like its live album predecessors, “Babylon by Bus,” and “Live!” which was recorded at the Lyceum in London, England, it shines a light as well as casts a shadow on the good and evil in the world.
If you listen to the album with that in mind, in the end good triumphs over evil with hope, love and happiness as the end result. “Positive Vibrations,” “The Heathen,” “Is This Love,” and “Concrete Jungle” are good examples of this. They reflect life’s ups and downs with Marley’s world-weary, but at the same time microscopic view. By the time they get to the last four songs (13 in all), you’ll be celebrating right along with the band and the fans. “Jamming,” Easy Skanking,” Get Up, Stand Up,” and Exodus” have a euphoric flow that is at the same time grandiose as well as highly personal. Bedsides making good use of a horn player on Kaya and the live album, the live album brings the past full-tilt into present. Not an easy task but Bob Marley & the Wailers always seem to know how to touch us. Like I said before, mind, body and soul!-Phil Rainone
A TRIBUTE TO RON ASHETON: Featuring Iggy & The Stooges & special guests - DVD (mvdvisual.com) - All profits will benefit the Ron Asheton Foundation
Get On Your Docs & Rock!!
“Ron Asheton truly played outsider blues…”- Henry Rollins
“Scott and Ron (Asheton) got the chance to orbit the globe and actually see for themselves the hundreds of thousands of fans that were into The Stooges music. No award or book could ever duplicate the feeling they got seeing that firsthand…” Deniz Tek Stooges’ guitarist
This documentary DVD captures the tribute to Ron Asheton concert, filmed live at Ann Arbor’s Michigan Theater on April 19, 2011.
Opening the night was Space Age Toasters. Lead singer Will Smith mentioned that Ron had come up with the name, and besides a couple of originals they blasted their way through a few Stooges tunes, the most provocative being, and “1969.” The way they played it spoke volumes of their respect and dedication to Ron and The Stooges. They floored the audience right from the start, and there was still over two hours to go!
Opening with an inspirational speech from MC Henry Rollins (Black Flag), he told of how Ron quietly influenced future punk rockers with his positive spirit and DIY attitude. Then Henry brings out the Stooges sans Iggy, and calling it the “Second American anthem,” they break into “I Got a Right” that, if anyone in crowd wasn’t already on their feet, they surely were by now! It was a blistering bang of hot punk rock with Rollins as the cheerleader.
Then to thunderous applause (yea, some of the crowd even spit it Iggy as he took the stage-ahh the good ol’ days), Iggy Pop wandered out from backstage already shirtless/jeans down below his hips, ready to kick the shit outta The Stooges catalog. With a howl and yelp the band breaks into “Raw Power” that is just…amazing! For a song that’s over 40 years old, it sounded just as fresh and dangerous as the original. Their 20 song set was as iconic as it was just flat-out fun! They played a lot of their best known stuff like “Search and Destroy,” “Gimme Danger,” 1970,” and “Fun House,” to name a few. They also played lesser known songs like “LA Blues,” “Night Theme,” and “Open Up and Bleed,” but here’s the thing: It wasn’t like they played each song like their lives depended on it, but more like a band with something to prove. It was loose, hot and done with extreme coolness. Punk rock to the max!
With the passing of Ron Asheton, Iggy asked former Stooges’ guitarist James Williamson (The Stooges just released a new album with Williamson on guitar), to step in. He did a great job and is now a full-time Stooge again. The Stooges also consist of Mike Watt (Minutemen), on bass, along with Ron’s Brother Scott on drums, and they added Steve Mackay on Saxophone (he thickened up “1970” and most of the songs throughout the show), and Deniz Tek as second guitarist. For the tribute they added an orchestra…. Ummm… yea…a thirteen piece orchestra! And it worked! They opened the show to a lot of hoots and hollers as a good chunk of the crowd thought it was a joke…it wasn’t! The played a lil bit of Deep Purple’s “Smoke on the Water,” and some classical stuff, than they came out about half way through the show as puzzled looks were on almost the entire crowd. Grinning from ear to ear Iggy and the Stooges blasted into “Fun House.” The mix of punk and an orchestra never sounded better! Genius!
Iggy did some crowd surfing from time to time that was cool, but he outdid himself a few times. Sitting on the front of the stage by the crowd he started taking to a girl, asking the stagehands to “Put a spotlight on this beautiful girl.” He sweet talked her for a minute, telling her how pretty she was. Than the band launched into “Your Pretty Face is Going to Hell,” which made her smile even more!- Ahh, love!
On “I Wanna be Your Dog,” the subservient song turned from a request into flat-out DEMAND, by the songs end. The only other band that I’ve seen gives that song such an incredible reading was Joan Jett & The Blackhearts. Amazing! Simply amazing!!
After over two hours of non-stop punk rock, Iggy sat down on a chair new the edge of the stage with Mike Watt, who played an improvised slide guitar face up on his lap. There was no title given to the song, but Iggy got really personal at first talking, than singing about Ron and all the stuff they’d been through as a band and as friends. I’ve never seen Iggy so humble…
Bringing the full band and orchestra back on stage of the last encore, the jammed on “No Fun” which nearly brought the house down! Iggy invited the crowd up on the already crowded stage as the band played the song like it was their last time on Earth! What a great show, and what a terrific tribute to a man who has given us so mush over the years!
The Rolling Stones - 50 Licks: Myths & Stories from Half a Century by Pete Fornatale (Bloomsbury Publishing)
About a year ago we got the sad news of Pete Fornatale’s passing. It was quite a shock because like most of our rock idols (Pete was a radio DJ for WNEW 102.7 & 90.5 The Night), we feel they are pretty indestructible. Back in the 60’s & 70’s Pete was one of the primary DJ’s for a new radio format called, “Freeform Radio.” Take about putting some new coloring in your paint box!-Pete along with other like-minded DJ’s help break new bands like The Who, Richie Havens, The Stooges, and all the punk bands that lit-up the 70’s & 80’s and beyond, and of course The Rolling Stones. He was one of the first DJ’s to TALK to you like a new found friend, as compared to the Cousin Brucie’s of the day who basically were the original “talking heads.”
“50 Licks” is a no frills, we-don’t-take-shit-from-nobody, kind of book. Its “no-frills” in that they eliminate all the posing, all the nonsense, and especially all the retreaded crap that bogs even the best books down (anyone read Clarence Clemmons book)? Instead they go for the throat, just like The Rolling Stones did back when they first got their start back in the 60’s (and still do today) with The Beatles and the first wave of The British Invasion. Want makes this book different from “Tell-all” books (check Keith Richards autobiography), and run-of-the-mill “factual” books is that besides being a really cool book to read (I could hardly put it down), they used a variety of musicians, including The Stones, and even everyday fans like Kurt Schwartz. - Schwartz’s claim to fame was that he listened to all the Stones albums in chronological order from start to finish. “So what?” you might ask? Well, he then gives his opinion for every song. It’s like he has a photographic musical memory. Maximum coolness!
The book is full of quotes, interviews and yes, myths. They include an interview that Fornatale did with Bill Wyman (bassist), back in 1981. Its fun, factual, and you come away with a better appreciation of the man called “The silent stone,” as Wyman had pretty much been in the background by choice, and very rarely gave interviews. They kind of divide the chapters up into each Stones album in chronological order. It’s not the kind of the old, “Well-we-wrote-this-song-because…it’s more like they give you the inside scoop of the recording sessions with quotes from The Stones, the roadies, and their peers like Hubert Sumlin (best known as Howlin’ Wolf’s guitarist).
Like The Beatles, The Rolling Stones were punk, way before the word was used to describe the genre. Their first few albums were nasty, trashy, bluesy/rock, which mostly covers were, but like The Beatles (check their live albums for the Cavern club back around 1962), they added their original take on songs like Check Berry’s “Around and Around,” or Bo Diddley’s “Manish Boy.”
The Glimmer Twins Get Punk-As-Fuck!
The chapter on the making of and release of “Some Girls” back in ’78 is really a lot of fun to read. Keith Richard’s hails it as a return to their rock ‘n’ roll roots, while Mick Jagger felt like the punk bands of the time like the Clash, and Sex Pistols were looking down on them for selling out, and pretty much forgetting what their music was supposed to be about. Either way, a great punk album came out of those sessions! And let’s not forget one of punk’s national anthems. “Satisfaction” is given an extensive look at with quotes by The Stones mostly, but again, the inside scoop is, “To die for…” as they say!
All though the book they have short but interesting interviews with people and musicians that helped the Stones music in small, but amazing ways. For the recording of “Gimme Shelter” they interview Merry Clayton, the woman who said backup on it, and blew everyone away with her apocalyptic-style vocals. Great stuff!
Here’s one of my favorite quotes from “50 Licks”… “We were coming back from a gig and I wanted to have a wee-wee (piss), so we stopped at a garage-and they refused to let me so I went back to the car and Mick said, ‘Come on, Bill, we’ll find one,” and Brian Jones as well. So the three of us went over there (back to the garage), and they still wouldn’t let us use it, so we just did it there (on the street), and got arrested. We got publicity for about a year on that one. It was then that we realized what we had to do get publicity, you see.”- Bill Wyman This book is so much fun to read!
I’m going to let Pete Townshend have the last word…”The Stones will always be the greatest for me. They epitomize British rock for me, and even though they’re all now my friends, I’m still a fan. Guys, whatever you do, don’t try to grow old gracefully; it wouldn’t suit you.”
The Racer - Passengers
(theracermusic.com)
This record begins with a soft but interesting instrumental called “Passenger (Intro).” From there and throughout the rest of the album the bass and drums maintain the rhythm while the guitars stick out in the background. The songs place an emphasis on life, love, emptiness, and everything else that comes in-between, while the lead singer’s vocals lay on top.
There’s a lot of exploration as the guitars bring you deeper into a song like on “Celebrate.” The title track and “Legends” have a similar level of exploration as the instruments create a wall of sound underneath the vocals. Both songs are about five minutes long and showcase the use of rhythm and lead guitars in addition to the rhythm section.
The Racer’s sound is a culmination of various music genres but more importantly, they are a rock band-one with unending riffs, solos, and vocals that remind us of past rock influences. The evolution of their sound throughout this album shows the group’s ability to play, write, and produce music, something that is truly admirable.
The Defending Champions - Breakfast of…
(thedefendingchampions.com)
The Defending Champions blend a unique and functional blend of ska, Chicago blues, Latin, and rhythmically twisted rock as a chaser. Mixing socially and politically aware lyrics with infectious dance rhythms, the band serve as a virtual blueprint for any band today that wants to do it properly with an eye toward over-the-top humor.
Though diversity in contemporary music is generally laudable, the factionalism it sometimes engenders isn’t; The Defending Champions’ ability to appeal to different audiences suggests that ska needn’t always polarize listeners into incompatible camps. Sometimes soulful ska, sometimes lighthearted and bubbly, the band’s style of execution is actually informative as it is danceable.
Displaying added maturity and creativity, songs like “Lucky Man,” “Relax a Little,” or “Candy Cane” grow their ska roots deep. You can not only hear glimpses of Jimmy Cliff and Bob Marley, but you can also trace their roots to more current bands like Reel Big Fish and The Bosstones. Ska and Chicago blues never sounded better!
THE TOSSERS - The Emerald City (Victory Records)
The Tossers have been one of the few Celtic punk bands that have consistently been improving their music, yet still able to hold onto their roots. On “The Emerald City” (which is located in Chicago, according to the lyrics), they further explore soul, punk, and of course their Irish roots. Heartfelt tributes to life, love, and the road less taken are familiar scenarios, but The Tossers find new twists and turns that will make you smile as well as raising an eyebrow in amazement!
“The Rover,” “Here’s to a Drink with You,” and “God Bless You,” is at once a raise-your-glass-for-a-toast song, as well as something deeper and more meaningful. The music, spiritual and lyrical balance that the band comes up with time and time again is cool, fun, and enlightening. Equal parts heartfelt tributes and modern relationships are abundant throughout “The Emerald City.”
Fiddles, banjos, mandolins, raging guitars, and an excellent rhythm section serve not only to embellish the singers throaty, whiskey-soaked vocals, but they also take turns as lead instruments along the journey through “The Emerald City.” The music can turn from subliminal to rollicking punk rock at a moment’s notice and The Tossers perform it all with an eye toward freshness and originality.
One of my favorite songs is “Wherever You Go.” It starts off as a prayer-like slow waltz (“Come fill up your glasses with whiskey and beer/and may God bless and keep everyone of you here…May peace be with you your whole life through…”). Then, a little over a minute into the blessing-like psalm, the tempo changes to a hot strut as well as the lyrics(“Now woe to you wherever you go/To all of you bastards who have treated me so/Wherever you go/Whatever you do/ May you suffer the curse I put on you/FUCK YOU!!..”). Now, that was just amazing…I didn’t expect them switching gears so quickly and ruthlessly! It reminded me of The Pogues’ co-dependent, wild Christmas tune“ Fairytale of New York,” only more powerful.
Clever melodies, tight arrangements, and honest, heart-felt lyrics on “The Emerald City” paint a musical picture of a band and their view of the life with 20-20 vision!
JOAN JETT & THE BLACKHEARTS - Album (Blackheart Records)
For Record Store Day this April 20, all the mom & pop record stores around the county celebrated their independence with special releases exclusively for them. Joan Jett and The Blackhearts reissued the 1983 masterpiece Album (ummm…kind of a generic name for a record but, dang…it will rock your socks off)!
This limited edition 180 gram vinyl (dude, you don’t need to get your scale out to weight it), individually numbered, is one of the finest, freshest vinyl records this side of Maryland (Joan’s a hometown gal and avid Orioles fan), and they made sure you would really take notice of It in cannery yellow colored vinyl! They also include an enhanced CD with bonus tracks and live footage of The Blackhearts circa 1983. And if that’s not enough they also include a Blackheart Records sampler of their current band roster. They also include a little note saying that a new Joan Jett and the Blackhearts album will be out this fall. I can’t wait!
They programmed the album in its original form and added a few songs at the end of sides A and B (mmm…it feels so good to flip the record over. To me it makes you appreciate the music in a more hands-on way). “Fake Friends” is a stone cold thrashing about “DICKHOLES!” You know, those so-called friends that are two faced, shallow and say things behind your back, to put it mildly. It’s both funny and sadly true, but the music propelling it has a start/stop/start cadence that is head-boppin’ punk rockin’ cool-as-fuck!
From there, Album is jump started to “Handyman,” “Everyday People,” “A Hundred Feet Away,” and “Secret Love.” Nowhere near a dog-and-pony show, these five songs are like horses at a starting gate ready to run and give it their all, as soon as the bell rings!- Real-deal punk rockers from start to finish. The Blackhearts version of Sly & the Family Stone’s ode to equality and open mindedness is revised as the Blackhearts pump it up a gazillion notches from the originals gentile but soulful mix. The also include an amazing cover of The Stones “Star Star” ( they drop the F-bomb over a dozen times). They take the Stone’s original blues rock version and turn it into punk rock anthem! I think Green Day covered it at one of their shows in recent years, with Billie Joe adding his own punker-than-you version. It just goes to show how cool it is to see the gantlet passed from generation to generation, humbly paying tribute to the original version and amping it up into a whole new, and fresh version!
OK, HERE’S The COOL PART KIDS!
Stop your record player (you DO have a record player don’t you?), gently lift the record off the spindle (the short stubby sliver rod), with two fingers (be careful of finger prints and smudges). Flip it over to side 2 and gently replace it on the spindle. Hit “play” and we’re off into punkrockville! “The French Song” is so cool that you’ll what to lean what the words are in English. It’s like when The Beatles sang “I Wanna Hold Your Hand” in German. It opens up a whole new world that is just….amazing!
The Blackhearts revisit a Runaways (Joan’s first band) tune, “I Love Playing with Fire.” Probably about ten years after the original, but they give it a fresh punked-up reading. Like Springsteen and the E Street Band and their own version of rock ‘n’ roll, The Blackhearts are able to create their slice of punk rock that is so much fun, and amazingly cool! I remember reading that Dave Grohl (Foo Fighters), had mentioned back when Nirvana was together that the Blackhearts were influential as well as the Runaways. To me , that’s what makes music so magical. You can take from the past and turn it into something fresh and unique without losing its history, if it’s done right.
The Live footage of the Blackhearts is a good representation of the band’s middle period with Ricky Byrd on lead guitar. Barely out of the 70’s when a lot of the punk bands of the day were either folding up camp or floundering with their gigantic, we’re-only-in-it-for-the-money record companies, Joan Jett (Blackheart Records is her record company basically), and the Blackhearts were releasing records, playing shows and not only maintaining a faithful loyal following, but they were also bringing new comers into the fold. “Album” is a prime example of Joan Jett and The Blackhearts long and dedicated journey. They’re into the music for the long run: Mind, Body & Soul!
Mike Lefton - What Are We Waiting For (cdbaby.com/cd/mikelefton)
Mike Lefton and his band succeed in balancing a love for crowd-pleasing Seventies pop rock with a 21st Century sleekness and a timeless sophistication. The mojo of mid-period Beatles, Simon & Garfunkel and snarly blues rock, is easily combined with the band’s youthful (they’re in their early twenties), exuberance. The band’s roots and branches run deep with rock, folk, and blues with a thick, sturdy trunk of rich, colorful rock ‘n’ roll.
“Invalid” jump-starts the album with bang! A story basically about laughing in the face of all the lies and phoniness that we all run into throughout our lives. With the rhythm section (Skyler Lutz on bass and Carnel St. Louis on drums), they help to amp up Mike’s distressed lyrics with high-end style rock & roll, while Mike wails on guitar. You can’t help but root for the underdog.
Mike’s blue-eyed vocal swoon on “Funny” is surprisingly cool. I’ve seen him play over the years mostly at clubs and benefits, and he’s always rocked your socks off! “Funny” has a slow, sweet melody, but the lyrics are of loss and regret. With Skyler on bass and Carnel on drums they conjure up the melody of Simon and Garfunkel’s 60’s smooth-as-silk 70’s pop tune “Cloudy.” They bring the past into the present, and visa versa-not an easy task but it works fine.
The title cut “What Are We Waiting For,” has a walking-on-sunshine melody that is as infectious as any jangly, funky pop rock song out there now, and the impatient lyrics are romantically cool. With lines like, “How does love feel upon your heart/I do believe it’s time to start,” the song is like a combination of unexpected love-at-first-sight (the first time you see that person across the room and you absolutely flip, and what to get to know them), and growing out of the sadness of a bad relationship. Common everyday stuff but the band rises to the occasion with faith, hope and finding your soul mate as the end result.
“Waiting for My Woman” sounds like a long-lost Partridge Family song (and that’s a good thing). With lines like, “Standing in the middle of a long traffic jam…/Waiting for my woman sweet as strawberry jam, and the “La-la-la-la-la’s” are Saturday-Moring-Cartoon-worthy! A very cool retro-style song done with the enthusiasm of The Rascals’ enthusiastic rocker, “Love is a Beautiful Thing.” Coo, stuff!
“Black Stone Road” brings us back to reality. A funky blues rocker (the production is clear, and straight ahead on the whole album), about taking the road less traveled, wanting to do the right thing while all around you it feels like life is imploding. The song’s relentless, funky cadence is reminiscent of Curtis Mayfield. Both make loneliness and world problems not just inclusive but balls-out celebratory. Just five songs, but “What Are We Waiting For,” makes for a rich fusion of musical styles, and a hell of a party!
Mission South – Immigration Vol. 1 (3 song EP) (mission.south@gmail.com)
Mission South work hard to make a first impression, and even harder to make that much-needed second impression. With the mojo of Jack White’s blue-eyed psychedelic soul, and their own cosmic vibes, Mission South is at once trippy, and heavy-as-fuck! The opening song “Peaches,” has a stop/start cadence that is fuzzy and fun. A song about love and regret it suggests spaciness without ever blasting into the stratosphere. It’s an attention-getting swirl (just like the third song, “Kerosene”), that expands your mind.
Mission South just played at SXSW in Texas, as well as the gazillion bands that do so every year. Looks like our Boss (Jim Testa) found that elusive needle-in-a-haystack! You can get a free download of Mission South’s album at: www.music.missionsouth.com
The Scotch Bonnets - Live Ya Life (smelvisrecords.com)
Skaville Meets Hitsville!
The Scotch Bonnets are a female/male fronted ska band that sound like they just got off the boat from Jamaica around 1965, and headed right into the recording studio in Motown. They play old-school ska with undertones of soul and funk much like The Supremes, Aretha Franklin, and all those soul searches from that era.
Mixing socially and politically aware lyrics with infectious dance rhythms, The Scotch Bonnets serve as a virtual blueprint for current ska bands that what to hear real-deal rude boy/rude girl music. Quietly percolating grooves are abundant in every tune on Live Ya Life. Sultry horn lines are centered around cool, heartfelt vocals that are instantly identifiable-not formula, but undiluted passion.
The entirely original material shows the bands vast creativeness at work. Inventive production, intriguing rock rhythms, powerful and memorable songwriting and new outlooks all combine to make a great record that remains rooted in reggae, but are much more diverse than the genre generally allows. “The Good One,” “Charm City,” and “Song for U,” is ace reggae/rock hybrids; “Live Ya Life” with its propulsive dance-rock beat and sultry sax lines shows the full range of The Scotch Bonnets’ development. A very impressive step forward from a band that is just taking their collective first steps. They know the formula for success, but they embraces it with an eye toward originality and maximum mojo!
Keith Kenny - And the Light Came Blaring In (www.keithkenny.com)
Keith Kenny’s music can at times convey sincere nostalgia, or bring you back to harsh reality real quick! His new album And the Light Came Blaring In Is full of mostly unembellished rock (Keith plays all the instruments with very little overdub or sweeteners,) blues and folk rock that focuses on his style of comfortable enthusiasm. That is, Keith has a way of laying it all out there, but sometimes it’s a slow, burning buildup, that draws you into the heart and soul of the song. He can also take you the dance floor stomping out Living in Circles with the mojo of Stevie Ray Vaughn.
The album is full of amusingly wry regrets, social observations, and heartfelt emotional outpourings, which all combine to travel the back roads of American music to fine effect. On “Filling Holes” Keith digs into similar roots and comes up with a clearheaded, plain-spoken song about love and loss. With just an acoustic guitar (like on songs on And the Light Came Blaring In), Keith leaves out the ambience of a full blown band in favor of perspective lyrics and strong melodies.
For anyone who listens to And the light Came Blaring In or any of Keith’s records, this music is a highly personal medium through which he can (and does) broadcast/exorcise his inner demons.- That’s not to say he doesn’t rock out (dang, this cat can make you practically leap outta your seat with his hot, swirling brand of rock ‘n’ roll), but Keith’s use of musical structures and lyrical imagery is exciting, intense-even cathartic- with a dash of punk without diluting the soulful strength and humor.
With minimal instrumentation And the Light Came blaring In is a one-man show (although Keith also plays with a full band at times), that plainly lies out the author’s heartaches, loves, and everyday problems. Keith crates songs with pride and dignity, making this a deeply moving document of sincere, honest emotions set into song.
All seven songs here are strong, and Keith has become a consistently good singer/songwriter; one can only hope that he gets a chance to develop even further for larger audiences.
Keith Kenny is having a record release party at The Court Tavern in New Brunswick on March 23. You can also contact him at: keithjkenny@hotmail.com to get his new record or for more show information.
At Sea - A New Machine (atseamusic.com)
If you like The Killers, Mumford & Sons, or Big Star, than At Sea is your kind of band. They do not parrot their influences; they draw their inspiration from these types of bands but add originality and spunk. Nearly every song has some new twist, whether through production effects (very few pop records are as consistently aurally interesting as this without resorting to gimmickry), or an unusual instrumental or lyrical approach. Some of the songs are about deteriorating relationships-but the playing is so exuberant that’s it’s almost uplifting. Musical flourishes are abundant throughout “A New Machine,” achieving a fuller, modern over-all sound; instrumentation on many of the tracks is denser than most pop rock bands which shows some interesting musical explorations, as the band easily sidesteps run-of-the-mill themes.
Crankshaft and the Gear Grinders - What You Gonna Do? (crankshaftmusic.com)
“What You Gonna Do?” is like a spark that ignites into bonfire.-It starts off kind of subliminally, but by the time you get to the fifth song “King Pin,” you’re hooked! A mix of barroom piano (like The Band on “Music from Big Pink”), neo-rockabilly, and carefully placed vocal harmonies. Crankshaft and the Grinders (cool name-I can’t say it enough!), popularize American folk rock by telling it straight, embracing and updating ancient traditions without phony posing. Those who like Billy Bragg’s sound, or the afore mentioned Band are in for a largely topical (semi-political), dose of music that has been in limbo for a while. The lo-fi production adds a certain kind of laid-back approach, but it actually raises the listening appeal. You really what to hear to the WHOLE album, rather than piece by piece. Crankshaft and the Gear Grinders are gonna sneak-up on you and blow you away one song at a time!
Mrs. Skannotto - All These Evolutions (mrsska.com)
Ska is a music genre that originated in Jamaica in the late 1950’s and was the precursor to rocksteady and reggae. Ska combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. It is characterized by a walking bass line accented with rhythms on the upbeat. In the early 1960’s ska was popular with British mods. Later it became popular with many skinheads. - From Wikipedia the definition of ska. The reason I brought us all to class was to either refresh our memories or to put a new color in your paint box, or maybe a little of both. When I first heard Mrs. Skannotto I was drawn back to my first experience with ska via Desmond Dekker and Johnny Nash (Marley would come a little later). They know how to subliminally get their sound into your cranium and put it on an endless loop that would positively affect you throughout the day with a smooth and sometimes rugged groove. Always featuring an unstoppable, relentless rhythm section. Fast forward to 2013 and Mrs. Skannotto is bringing those feeling back to me in spades! Although they use a more modern sound like Reel Big Fish or The Bosstones, they still use the core of the genre at the heart of all their songs. “Just as Well,” “Wage War,” “The Limit,” or “Free Speech Zone” all combine for the best of both worlds without sounding patronizing or snobbish. In fact, the whole album sounds like a refreshing blast from start to finish. “Poll Dance,” has Inspector 7’s (they just got back together and are playing at Asbury Lanes in April), written all over it! Wordy but not preachy, upbeat but not over the top, it will rock your socks off! The whole album mixes social and politically aware lyrics with infectious dance rhythms. Mrs. Skannotto is a band that I’d love to see live. When a studio album has me up and dancing around the room (and the pay me NOT to dance or sing), then I just know that at their live show I’d but upfront and personal, skankin’ to the beat no matter how hapless I look!
Citizens Band Radio - Big Blue Sky (worldofCBR.com)
Recorded at Trax East South River, NJ, Citizen Band Radio is a fine mix of country rock (the real stuff like The Flying Burrito Brothers, and Dr. Hook’s rollicking pop country). That’s not to say that CBR aren’t original- they definitely are, and they have plenty of mojo to spare.
Citizen Band Radio are one of those special bands that even after repeated listens to their music, when you see them live they’ll simply amaze you with their thirst for an audience, I think. The male/female vocals add depth and expand the band’s emphasis on writing strong poignant songs.
The band’s music is sparse, angular and seemingly immune to genre divisions. Every song is unique, and each time you hear it you get a little something different slowly bubbling up to the surface. On songs like “Big Blue Sky,” “Drinkin’ Again,” “Sugar Sweet Mama,” and “Heart of Stone” there’s already ample evidence of daring songwriting that straddles the line between artiness and genuine fun and emotion. Most importantly, Citizens Band Radio continues to come up with strong melodies, challenging rhythms and affecting lyrics.
Ed Tang - Goodbye Zen5 Sushi Dinner (edtangmusic.com)
Wow! At first I thought I had put on a new Pogues album! Ed Tang has the phrasing, loopy style, and grit that the Pogues are known for, yet he’s as original as the come. The nine tracks come onto the listener strongly with songs like “Lincoln,” “Just Two Old Friends,” or “My Whole Life,” These are songs in which Ed Tang subliminally flaunts his vocal prowess while the band explores each song with the mojo of a band twice their age. The songs have somewhat dark tones with a firm message using the vocals as a lead instrument as the musicians remain persistent and in the groove.
Zen5 Sushi Dinner is a record that combines a few reoccurring themes-mainly those of love-and seeks to deliberately interpret them by providing the band’s own experiences as examples. The personal aspect of the record is really what makes it so effortlessly relatable without being out only a few negative feelings that we have hidden insides ourselves.
PUNK- The Best of Punk Magazine Edited by John Holmstrom and Bridget Hurd (Harper Collins)
“Of course New York City was the polar opposite of what it is today: The vast fields of decay in the South Bronx resembled Dresden after the firestorms in World War Two. The Bowery was still the “Isle of Lost Souls.” These were the roots of the ant-sixties culture: Peace and love were replaced by nihilism and deliberate anti-glamour. Goth and emo and proto-punk kids of today reference these years as their own personal history, just like the baby boomer crowd endorsed the sixties.”- Deborah Harry and Chis Stein, from the forward.
Measuring in at 11”x9 ½,” PUNK- The Best of Punk Magazine has the feel of the magazine/record album. A lot of the cartoons, photos and posters take up an entire page, and you get the sense of a really cool “coffee table book” without the usual crap associated with the stuff that passes for art these days.
Another thing that sets PUNK apart from the rest of the cookie cutter books is that all the photos and illustrations were taken by people (John Holmstrom, Debbie Harry, Chris Stein, Roberta Baylay, etc.), who were there right from the start where the NYC punk scene got it’ start. Not only “photographers” (I use the term loosely, and lovingly.-Many of them were kids with small, inexpensive cameras with a love for the new music, the clubs, and the exciting vibe), but musicians, and fans. People that wanted something new and different, not only in music but as they say these days, “a lifestyle change.”
The introduction by Gary Storm-former WBFO deejay (www.oilofdag.com), is worth its weight in gold! When he comes to describing the musical and cultural changes that punk rock was about to bring back in 1978 you almost feel as if you were there. As a DJ and representative of radio station WBFO, he was sent to New York City to get record companies like CBS and some of the other mega-companies to give the radio station more promos to play, etc. After hitting brick wall after rick wall with the tight, ultra-constrictive record “suits,” by happenstance he winds up in the Village, in NYC: “At night I wandered the Village and got a little drunk. One night I went to CBGB and saw a pop group called the Squirrels wearing high-heeled sneakers and also the psychobilly pioneers The Cramps, who closed their set with an extended version of “Surfin’ Bird” as the lead singer (Lux Interior), crawled across the tables smashing drinks… Later I stumbled into an ancient office building and rode a clanky elevator to the top floor, and then took a short walk down the hall into a cluttered, dinky office: the international headquarters of PUNK Magazine. Sitting behind a desk in short, shaggy blond hair was John Holmstorm, editor and chief artist. Slouched in a chair in front of the desk was another figure, wearing a leather jacket, square jawed and sandpaper complexion. I’d know you anywhere, Legs McNeil. You look just like John Holmstrom draws you.” I know it sounds like an average, everyday type of meeting, but that’s the beauty of it. Punk is very DIY-very self-sufficient, and have a “one for all-all for one” attitude. Yeah, the major record labels had their greasy, grimy hands out as soon as punk got on their radar screen looking for the “Next Big Thing,” but after all these years they haven’t come close to taming it, or even fully understanding it, for that matter. Anyway, would someone please kick out the soapbox from under me so I’ll stop ranting and get back to the book?
One of the things that made Punk Magazine so incredibly cool was the way that they used punk’s creed of DIY. The advertisements were mostly hand drawn with cartoonist figures like the ad for Trash and Vaudeville, a clothing store in NYC. It’s half a page all handwritten with caricatures of a hip guy and gal circa 1975, in black and white. - Eye-catching, and cool as fuck! I’m sure that PUNK Magazine operated on a shoestring budget, but like they say, “Necessity is the mother of invention.” The ideas and projects (they reprinted the punk comic book for “Mutant Monster Beach Party”) artistry that Holmstrom, his crew and the musicians themselves came up with is amazing!
And don’t forget that back in the 70’s and even the 60’s (The Stooges, etc.); “punk” was a synonym for well, a PUNK!!- Someone who was considered lazy, a wiseass… you know the boy your Mom (there were also girl punks too), always warned you about, who would get you in trouble, or even worse-PREGNANT!!
The full-color pages with bands like the Ramones’ B-movie (directed by Roger Corman), “Rock ‘N’ Roll High School,” Clash, and the whole, unedited issue of Mutant Monster Beach Party are just…awe-inspiring!
Once you read (actually you’ll probably want to read it a few times), PUNK Magazine –The Best of PUNK Magazine, you’ll probably want to start you our magazine, punk band, or just use it as a reference as to what it was like back in the day when punk rock first reared its ugly head, bringing down (slowly but surely), all the shit music of the day like Disco, Prog Rock and all the laidback crap like the Eagles, Carpenters, and all the “Pat Boone’s” of their generation.
PUNK only lasted eighteen issues from about 76’ to 79, but like when I got my hands on my first issue of Jersey Beat, I was hooked for life!
Bruce - by Peter Ames Carlin (Touchstone Books)
With The Help Of Springsteen, This New Biography Chronicles The Myth, The Man, and the Magic of New Jersey’s Favorite Son
If you find it interesting to read about Bruce’s childhood, his sometimes tumultuous relationship with the E Street Band, and other details of the Boss’ life and career, then this book is for you. You’ll read about the first time he saw Elvis Presley on TV, and the affect it had on him, learn about the frustration of the E Street band during the recording of “Born to Run” and “Darkness on the Edge of Town,”which seemed endless. And you’ll hear about the embarrassment the E Street Band felt when Bruce brought the band got back together after ten years, asking them through an employee. (“After all that time, to get a call from the accountant?” Gary Tallent, the bass player said in the book. “I was insulted.”) Throughout this fascinating biography, author Peter Ames Carlin is meticulous but never boring; investigative, but never to the point of sensationalism.
When I first sat down to read “Bruce,” I just thumbed through it, for what I thought was only going to a minute or two, checking the chapter titles, photos, and a sentence or two. What happened instead was that I found myself after reading the title for the first chapter, “The Place I Loved The Most,” getting into it, and I didn’t stop until the end of the chapter. The same exact thing happened as I randomly got deeper into the chapters. After reading three full chapters, I realized what I had been nonchalantly doing, and repositioned myself starting back at the “Prologue: The Gut Bomb King”
OK… I know unless you’re some kind of Springsteen super fanatic, you’re thinking, “Who’s The Gut Bomb King?” Actually it was Bruce’s nickname, which was later changed to “The Boss,” thankfully, when back in 1971. In downtown Asbury Park, Bruce with other musicians and friends would get together for a weekly Monopoly game that was anything but traditional. Using “coercion, trickery, candy bars and cream-filled cupcakes as bribes… Bruce excelled, due to his shifty powers of persuasion and leverage provided by stacks of candy bars, Ring Dings, and Pepsis he brought with him.” It’s funny, and so much fun to read.
There are also chapter’s on Bruce’s personal life, with detailed stories about his parents, family, ex-girlfriends, and even the long-silent ex-wife Julianne Phillips. There’s no interview with his wife Patti Scialfa, and virtually nothing about their three children. Also, past and present band members are interviewed, including their hurt feelings when Bruce broke up the E Street Band back in in 1985 after the Born in the U.S.A. tour. Again, Carlin does it with a sense of interest, but not over-the-top paparazzi-like stupidity. He’s as respectful as he is a journalist.
Smartly, Carlin stayed away from dissecting the vast majority of Springsteen’s songs. However, he does interview Diane Lozito, Bruce’s ex-girlfriend immortalized in “Rosalita,” and a few other cool stories on the origins of some songs.
Springsteen gave journalist Peter Ames Carlin an interesting piece of advice for this biography, ” Bruce.” (Carlin has also written “Paul McCartney: A Life,” and “Catch a Wave: The Rise, Fall, & Redemption of the Beach Boy’s Brian Wilson.”) He said, “if there was anything I thought would make him uncomfortable, I should put it in,” Carlin writes. “He said to me, ‘Every time people start talking about me like I’m perfect, it diminishes me.”
The book is 494 pages, which dives deep into Bruce’s personal life in unprecedented depth. Carlin spent countless hours interviewing Springsteen and the entire E Street band, including Clarence Clemons weeks before his death, and his nephew Jake, who replaced him on The Wrecking Ball Tour. Carlin interviewed Springsteen for almost 20 hours, but Bruce also put him in contact with relatives, old friends, and co-workers, some of whom have never been interviewed before. He even allowed him to use photos from the Springsteen family archive. The book was written with Springsteen’s cooperation, though it’s not an authorized biography, meaning that Bruce had no control over it.
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To me, the more interesting stuff centers around Bruce’s music and the E Street Band. I’ve been a conservative fan since Greetings From Asbury Park, but really got into the music in depth when I found his approach kept the promises that had been made to me by my first real encounter with music, watching The Beatles on The Ed Sullivan Show back in 1963 at the age of eight. Music, especially rock ‘n’ roll, was as necessary as the air you breathe, a fundamental part of life to me.
Discusssing the release of “Born to Run,” the tour that followed, and the court battle with then-manager Mike Appel to regain the rights to his music, Carlin talks about the way the record company wanted to use bigger venues and stadiums, to “sell” Bruce and the band to a bigger audience. It was a period when it seemed like the world was turning upside for Springsteen personally and musically. When the story turns to the rigors of recording and touring, unfair contracts, big money, and “business as usual,” you get that sick feeling in your stomach, that, “Well, that’s the way it is. Take it or leave it,” Carlin writes, “Contracts say whatever contracts say, but as far as Bruce knew, or cared, handshakes and the promise they symbolize meant more.” That’s it! Period! A person’s word is their bonds, and when I heard Springsteen and the E Street band cover songs like The Crystals “Then He Kissed Me,” or “Badlands,” or dozens of other covers and originals they’ve performed over the years, I get the same feeling. A lot of bands have come close, including punk and ska bands, but there’s that extra-special “something,” mojo, magic - whatever you want to call it. It’s present, it’s real, and you feel it. You want to share it with others. It’s not a religion, nor a higher power. It’s music, it’s life, and this world would be so morbid without it.
Unless Springsteen writes his own autobiography in the future, “Bruce” is the go-to book for everything Springsteen. And if you want a dedicated fan’s perspective, check out: Backstreets: Bruce Springsteen The Man & His Music by Charles Cross.
Johnny Society- Free Society (johnnysociety.com)
Johnny Society blends blues, soul, alternative, and bits of rock together, on Free Society. But like the band Dr. Dog that I reviewed a few months ago, both bands have the same problem. It’s like they took all the afore mentioned genres and tossed them in a blender. Unfortunately, someone forget to turn the darn thing on!
On songs like “So Quick to Turn,” Well, Well, Well,” or the title cut, I’m hearing The Band, Dave Matthews Band, Phish, and some originality. Johnny Society comes up short on these songs and most of the album, actually. The few bright spots are “Fall so Low,” and “Stabbed in the Back.” These two songs rise above with originality and perseverance. The story lines are solid as is the music.
Free Society would have made a good three or four song EP, and I’d like to see these guys live. I think they have more in the tank than meets the eye. There’s a lot of potential here, but they’re just not living up to it.
Erez and the End - “Silent Mountains” 5-song EP (ErezAndTheEnd.com)
Here’s another band that seems to have a lot of potential, but they keep rehashing old Dire Straits. The vocals have an aged but unique vibe, but get drone-like after the first two songs. The music is up to par, but they’re missing some important mojo somewhere in the mix. I would think that live, they would bring their A- game and create some magical moments, but the in studio it sounds like they’re coloring inside the lines, making sure not to think outside the box.-Phil Rainone
The Januariez - Authentic
(thejanuariez.com/thejanuariez)
In the liner notes where it says: File Under, for the type of music the band plays they list it as: Active Rock, Alternative. Umm… yeah… I would say so, but there’s also all the earmarks of a Death Metal band. On the inside of the album cover they have some sort pentagram, and two drawing of some sort of satanic beings that are not impressive. Black Sabbath did it better and it was more meaningful back in the day.
On Authentic, the music is anything but. There’s kind of a funky and alternative vibe here, but run of the mill stuff. The band doesn’t take you anywhere with their music. Last year I went to see Leslie West, and the two of the three bands that opened for him were just…awful! Bad Hair Metal, with no soul, no punch, just going through the motions. Januariez have no appeal whatsoever. Their studio album is lifeless, and I don’t think they would sound any better live.
Bruce Springsteen FAQ - All That’s Left To Know about The Boss By John D. Luerssen (backbeatbooks.com)
When did Bruce first befriend Little Steven? How Did Springsteen avoid Vietnam? How did Bob Marley come to support him in 1973? What was the original title of Darkness on the Edge of Town?
Give up? Or maybe you already know the answer to these questions but wait, there’s more!
What classic song did Bruce sing at Clarence Clemons’ private memorial? How did Bruce meet Patti Scialfa? Who was “The Chicken Man” referred to in “Atlantic City?”
Well, these any many, many more questions are answered in Bruce Springsteen FAQ! And that’s not all. The book is more than just 437 pages of fun facts. It’s more like a biography and history combined with questions that will enlighten even the most hardcore Springsteen fan, or the casual listener.
The writer, John D. Luerssen, is a Jersey guy who was born in Westfield, and was given his first two Springsteen albums, Born to Run and The River, as a gift from his grandmother on Christmas Day 1980. So his Springsteen roots grow deep and wide. For FAQ he not only used fans' questions but his own to make this a lively, energetic read.
I thought I was a pretty big Springsteen fan, but as I read my way through, I started “dog-earing” the pages of interest, and questions and answers that flat-out had me saying, “WOW!” I didn’t read the book from start to finish, rather when I got to “Contents,” it was so interesting, and each chapter was so cleverly titled, that I started with my favorites like“I Hear the Lead Singer Shoutin’ Out, Girl,” or ”Just Like a Supernova: Greetings from Asbury Park, NJ,” or “Cool Rockin’ Daddy: Family Life.”
The book was hard to put down because every time I’d finish a chapter, it would leave me wanting more, and more! I almost OD’ed of Springsteen facts and history!
What made the book and easy (but not quick), to read was that for each chapter like, “I Was Born Blue and Weathered: Springsteen’s Childhood,” instead of long, paragraphs that drone on, like some other biographies, FAQ is broken up into short paragraphs. Maybe five or six, sometimes ten sentences long which condense the book nicely without taking away the facts, or the fun of learning cool stuff about Bruce, the band, his family, and why here’s still so much interest after all these five-plus decades.
There are also quotes galore from interviews with Bruce (he didn’t have anything to do with the book), family, friends, band members, and especially the fans. There are also lots and lots of fun facts on not only Bruce’s studio and live albums, but also long sought after demos like “Back in Your Arms,” “I Dreamt My Love Was Lost,” and “Dry Lightning,” all of which were recorded in 1995 when he was recording The Ghost of Tom Joad. Again, it’s not a cut-and-dried book; the author injects his feeling and that of the fans, mixing them with facts and humor.
If you’re looking for rare and unseen photos this is not the book for you. Pictures of The Boss are few and far between, and are ones most every Springsteen fan has pretty much seen before. But that doesn’t mean that they’re not interesting. Take for example the play bill on page 181. It’s the old concert flyer for the Paramount Theatre in Asbury Park in 1976. It was a Bill Graham Presents show in black and white, and the photo of Bruce on the poster is like a slice of music history. The photos here may be few but they are iconic when it comes to capturing a chuck of Springsteen history.
One of my favorite parts of the book is where Luerssen gets into talking about the songs on each studio album. For the album Magic, he wrote a few lines about one of my all-time favorite Springsteen songs, “Girls in Their Summer Clothes.” “Reminiscent of the lush Phil Spector-produced pop records of the 60’s, this was the second single from Magic… Describing the song to Dan Cairns in the Sunday London Times in 2008, Springsteen said, “I was interested in having a song where you get this classic image of a late summer, light on, in a small American town. And it’s perfect in a way that only occurs in pop songs-when the air is just right, where the sun’s sitting a certain way.” A year after it release, Springsteen pulled in a Grammy for the song for Best Rock Song. “I didn’t even know I was up for a Grammy!” he marveled. “I opened the newspaper on Monday and saw that I had won, and thought, ‘Well that’s great!’”
There’s no gossip, no fluff stories, no dirt, or “Inquiring minds want to know,” Enquirer crap. Just cool stuff that any Springsteen fan new or old would be interested in reading about.
The only problem I have I with the book is with the subtitle where it says, “All That’s Left To Know.” Now, I’m not a hardcore Springsteen fan, but even someone like myself who’s followed his career all these years, and has enjoyed the music and the shows knows that there’s much, much more to come musically, and there’s also cool stuff that will probably fill a few books on Bruce. Like Bruce said when he was asked if he and the E Street Band would ever do a farewell tour about a year ago. He said in part that he felt like he and the band were just starting to peak, and that, “When you don’t see us anymore touring, then you’ll know we’re done.”
The Doughboys - Shakin’ Our Souls (thedoughboysnj.com)
The Doughboys have been shakin’ our souls since 1964 when they opened for bands like The Beach Boys, Grand Funk Railroad, and Question Mark & The Mysterians, to name just a few.
On their third studio release it feels like their just starting to get their second wind. Raw and gutsy garage blues, and bar band rock ‘n’ roll are not only at the core of their songs, it’s their hearts and souls. Songs like “Land,” “It’s a Cryin’ Shame,” “Route 22” heck, ANY song on Shakin’ Our Souls are all atomic-jukebox A-sides! But under the howl and growl of Stones-like vocals and a Social Distortion influenced guitar/bass/drums combo, The Dougboys aspire to the rough-granite poise and battle lessons of some of the great rock ‘n’ roll, punk, blues and soul stirrers past and present.
The whole batch of songs here are an exhilarating turbulence of convulsive rhythms and sharp wordplay that will leave a clean, profound mark on the listener. Once songs like “Route 22,” “Love is the Seed,” or “Until the Clock Strikes Doom,” get into your cranium, it’s really hard to listen to anything BUT rock ‘n’ roll and the blues! The latter song is at first, when you see the title it sounds kind of corny, but the lyrics will remind you of Bowie’s future shock “1984,” only now the realizations of Bowie’s Big-Brother-Is –Watching warnings are here and we’re all the worst for it.
After you listen to Shakin’ Our Souls a few times you’ll hear the locomotive strumming; the slashing flourishes of the bands riffs that take you higher every time you hear it! Power chords that pins you to the wall and makes you hit “play” again and again. But what makes these songs and the last two Doughboys albums, and their live shows so special is what’s inside the songs: hunger, fury, despair, and joy, often all at once. You hear the blues, rock ’n’ roll, garage, and rockabilly that came before, transformed into their version, and they just kick out the jams all the way through!
They also brought in Mark Lindsey (Paul Revere and The Raiders, and solo artist), to sing background and saxophone on “It’s a Cryin’ Shame” (also Genya Ravan treats us to her vocal prowess, as she also does background vocals on the same tune), so I’ll let Mark have the last word: “Okay…so I get this call asking me if I’d play some sax and sing background on The Doughboys new CD. The cut was “Cryin’ Shame” and I thought it was cool. Then, I heard the rest of the project. Whoa… The Doughboys are for real… If this thing had come out in’65, there would have been one hell of a battle of the bands, if you know what I mean. But it comes out now, kind of like vintage rockin’ pop with 21st century twist. If this ain’t the real s**t I’ll hang up my rock and roll shoes. Dig the D-boys and rave on!”
Cudzoo & The Faggettes – Daddy Issues (Drug Front Records)
“New York girls don’t take no shit/ we leave our house in our heels and our tits/Come in an hour just to lick our clits…” (first cut off Daddy Issues). How can you follow a cool-as-fuck line like that?-With a nasty drum wallop, slashing guitars, and a down ‘n’ dirty rhythm section, that’s how!
Cudzoo & the Faggettes is THE band that you Mom warned you about. Loud, rockin’ potty-mouthed, all-girl group that makes no apologies for being originally outrageous, and the new Queens of Noise (no disrespect to the originators, The Runaways).
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Go back in time to rock ‘n’ roll’s musically conservative ’62-thru-’63 timeframe, a period dissolved by JFK’s assignation and preceding The Fab Four’s impending British Invasion of an unwittingly abstinent America. It was a safe haven ruled by harmless, harmonizing, sterile, serenading Four Seasons, or even the boring, ugggh…Pat Boone! They and dozens of bands like them were parentally approved softies pushing aside the putative erotic future icons like Chuck Berry and Elvis Presley.
Now, with that in mind, fast forward to today and listen to Cudzoo & The Faggettes new album, Daddy Issues. They conjure up the innocently charming uptown soul of girl groups like The Ronettes, Shirelles, and Crystals-the streetwise toughies, the girls that didn’t take no shit from anyone, epically their boyfriends.
Cudzoo & the Faggettes are based on the same multi-harmony swoops and Wall of Sound that Phil Spector created back in the 50’s and 60’s, but even with all this reverence, the manage to stay real. Committing to 90’s riot-girrl (The Blackhearts were one of the originators along with bands like L 7 and Hole), empowerment while having loads of fun donning polka-dot party dresses, applying black eyeliner, sporting high-heel stilettos, and choreographing their own, unique style of dance moves. But, what sets them apart from their past role models is that there’s always that vixen-like nastiness juxtaposing the overwhelming sweet soul music that is in sharp contrast to the nasty-as-fuck lyrics. - But it works!
Every song title on Daddy Issues sounds like it could be made into a bad porn movie (“Daddy Issues,” “Fuck Buddy,” “Phone Sex,” etc.). But here’s the difference in what was then and what’s now: Cud zoo & the Faggettes thrilling retro-pop revivalism gains a solid rep. the more you listen to it. In a land that’s seemingly overrun by boy bands, and girl’s bands with a we- just-wanna-have-fun, attitudes, Cudzoo & the Faggettes are breath of fresh air. Let’s hope they get picked up by The Warped Tour next year, giving them some well-deserved exposure, and hopefully spawning many copycat bands, that will put their own spin on it!-
The Oats - “Funeral=Real Fun” 5-song EP (theoats.net)
I’ve been writing for Jersey Beat for about 15 years (thanks, Boss), and one of the coolest things about getting CD’s, vinyl records, and back in the day cassettes is, you never know what you’re going to get when you open the mail box. In with a bunch of CD’s was this CD by The Oats. No press kit, and it was wrapped in a homemade “Jewel box,” that was made out of construction paper with a printed/written label, and the songs were hand-written on the CD.
It looked kind of what a grammar school kid would create if they were given paper, and a few colored markers. If you didn’t write for Jersey Beat, you would probably trash it without a second thought. But I do write for Jersey Beat and something like this goes right to the top of the pile to review!
With all that said, when you get into the album’s five songs you’re treated to some really cool pop/punk rock. Somewhere between the Violent Femmes and the Bouncing Souls The Oats map out some interesting musical territory... “Get me Going,” “Soon,” umm… hold on while I remove the CD from the player and turn the CD around a few times so I can read the song titles...Ok, The third song is “Hate List.” These three are definitely a “three-peat” as they say. They all have a tough pop punk core, but the vocals are smoother, even though the singer seems like he’s waxing poetic, all the while spewing about bad relationships and how fucked-up life can be at times.
“Queen Jerry” and the last song “R,” kind of more of the same heartfelt spewing, but they rock on a higher plain. What’s cool about The Oats (terrible name-laughing out loud), is that they march to the beat of their own drummer, whether it be how they present their CD for review (the CD was marked as an “advance copy,” so I’m guessing that they will upgrade their “jewel box”-but it works), or the way they take chances with their music making it both accessible and obscure all at the same time.-Phil Rainone
Blag’ard - Fresh Candy (blagard.com)
Despite the “eye candy” on the front and back covers of the CD (naked-girl-holding-a-guitar-that-she-probably-doesn’t-know-how-to-play look), the duo of Joe Taylor on guitar/vocals, and Adam Brinson on drums/vocals, have the cool vibe of Jane’s Addiction, if Jane’s had not gotten humungous egos after their second album, and done mostly mediocre albums after that.
Blag’ard actually down-size Jane’s Addiction huge sound, but not their mojo. “Candy Town,’ “Pony Boy,” or “Tea is for Cookie,” are somewhat off-the-wall-rockers with generous bits of twisted humor for good measure. Fresh Candy has depth and flavor (no pun intended), and they add a few bells and whistles here and there, not only to keep your attention, but to add originality. Fresh Candy is an album that doesn’t slip into tribute territory; this band is the real thing. Blag’ard are able to get to that wildness of rock ‘n’ roll, and marry it to discipline and tradition, making it sound effortless, awe-inspiring, and tight as nails.
Girl Guts - Victoria (girl-guts.com)
Girl Guts (cool name), have a hyper-punk sound that sparks the listener right from the start. No bells and whistles just straight-ahead punk rock that’s delivered with the enthusiasm of a band that just made their first record, and are dying to play it live (actually this is their first release). “Hard, dirty, and fast,” (as they say in the press kit), the music is uncompromising but easily accessible.-And you can dance to it!
Well, what’s considered dancing these days (hey, they pay me not to dance OR sing), and you will have a blast and a half!
Choruses that shout at you while you shout back the refrain will keep you in the pit, sweaty, tried, and you will definitely get your rage on. But this is also moshing for the serious-minded. They sing about religion, but not too seriously, as well as the tried and true stories like, “Birth, School, Work, Death,” as that 80’s song goes. Ultra catchy, ultra fun, this is the type of album that will draw you to their live show.-Hey, bring a bunch of friends. You’re gonna have a blast!-
Gutt N Buckett - Loans Jewelry Guns Luggage
(facebook.com/guttnbucket)
Cowpunk Lives! Well, it’s pretty close to cowpunk (Reverend Horton Heat, etc.), but they add they own mum… originality. Gutt N Buckett is a band that does not take itself too seriously. On the contrary, they amp it up with well, “ooohs” and “ahhhs,” for a better term. It’s like when you write a song and you come to a point when you don’t have a line yet, so you just put in the “oohs” and “ahhs” temporally. Well, the “oohs” and “ahhs” are in there geminately, and we’re all the better for it! I know it’s a minor thing but like any good song that you can sing along to its catchy, and the mojo is maximized!
There’s also a cool quirkiness to the band, and these 21 songs. Mostly around the three minute mark, each one is like a slice of pizza, but with each slice having a different topping (mmm…pizza). Each one works on its own, but after you listen to the whole album it fits together perfectly like eight slices each with its own topping!
Gutt N Buckett is Dottie Buckett- vocals, bass, JT Buckett-drums, Hobart Gutt-Vocals/guitars
Yannick Noah - Homage (Sony Music)
When you set out to create a tribute to someone (here, it’s Bob Marley), it’s epically important to not only get it right, but to also bring the listener to another place entirely. On Homage Yannick Noah fails at both. He comes close to getting it right vocally, but his backup band sleeps through a Muzak version of each and every song. Even the backup singers can’t come close to Marley’s original backup singers The I Three’s. There’s no soul, no mojo, no spirit. Just empty, lost versions that wouldn’t even sound good for a Karaoke night.
ECHO MOVEMENT - - Love and the Human Outreach (echomovement.com)
Usually, when you come across a new band, at some point you find out that they have jobs doing something other than being moonlighting musicians, who usually play on weekends. When I met Echo Movement a few years ago at Martell’s Tiki Bar in Point Pleasant, they were an original band moonlighting as a cover band. I don’t know if they also held other jobs, but I thought that was a pretty cool way to on honing your craft. As a cover band they played mostly reggae and ska like Bob Marley and Sublime, and they would throw one of their new songs here and there.
Fast forward to this past summer, and Echo Movement are one of the shining stars when The Warped Tour hit New Jersey.-I guess all the “moonlighting” paid off!
On Love and the Human Outreach, Echo Movement gives us some cool, real-deal reggae, dub, and a slice of ska here, and there. From the opening dub instrumental “Rising Sunset,” (cool title); it’s old-school dub reggae to the max! This is the stuff that Lee Scratch Perry, and a lot of other first generation Jamaicans were doing.- Real guitars, keyboards, drums, bass, sax, and trumpet, and a few interesting add-ons like ukulele, and tempura. Otherwise, no crappy electronics like latter day reggae like Lady Saw, Beenie Man, etc.
Quietly cool percolating grooves garnished with sultry horn lines making for an instantly identifiable sound- NOT formula. Love and the Human Outreach display a wider lyrical range, and increased vocal acuity. The title cut, “Play it Cool,” and “Sea Level,” are a few of the bright spots for the same relatively unwavering cloth that Echo Movement is known for.
The inventive production by the Fowler brothers, intriguing rock rhythms, powerful and memorable songwriting that remains rooted in reggae/dub, but is much more diverse than the form generally allows, shows the full range of Echo Movement’s development. Love and the Human Outreach is an impressive step forward from a band who already knows the formula for success.
Echo Movement is Stephen Fowler-lead vocals, David Fowler-keyboards, Dan Gugger-guitars , Colin Bell-drums, Jonathan Butts-bass, Matt Lepek-sax, Nick Afflitto-trumpet
AVON JUNKIES - The Lesser Evil (avonjunkies.com)
A few months ago, the Avon Junkies ignited the Starland Ballroom opening for Catch 22 and Less Than Jake. Usually an opening band is like the sacrificial lamb: they get to go on first, but most of the time there’s very little interest, as a lot of the crowd are still on line waiting to get in, or milling about, not paying much attention to the band on stage Well, word must have gotten out because when the Avon Junkies hit the stage, you would have thought Green Day ( the Avon Junkies lead singer sounds strikingly like Billy Joe), had made a special, secret appearance. The Lights went up, and the band hit the ground running, and never stopped ‘til their 45 minutes set was over, filling up the open space in front of the stage almost immediately.
On The Lesser Evil, the Avon Junkies have a lot to prove, epically to anyone who had just heard their wickedly cool set, and had marched on over the band’s merch table to pluck up a copy of their new album.
For a young band, all the songs on The Lesser Evil are substantial and well thought out. “Addiction” was written like a story of a person with twice the age and experience, rather than someone in their late teens or early twenties. And that’s one of the many things that set Avon Junkies apart. They don’t settle for the same old thing. They reach, stretch, and embrace the future as much as they do the past. That is, they know their past experiences obviously, but they know that’s there’s also going to be some things that will be great, and some things that will be totally devastating their future. They live in the here and now, but they also possess some of the wisdom that usually comes with age, where you’re not just thinking about yourself, but of a worldlier picture.
What I like best about The Lesser Evil is, although it’s a studio album, you get the feeling like your almost listening to one of their live shows. The production is crisp, clear, and the music will rock your socks off!
The Lesser Evil does not disappoint! I’m not sure what “wave” were up to now (Catch22 and Less Than Jake are considered “Third Wave Ska”), but dang, you can try to pigeonhole Avon Junkies as much as you want, but the best Pigeonhole I’d use is “originality!”
THE ORB Featuring Lee Scratch Perry - The Observer in the Star House (theendrecords.com)
Some would consider the teaming up of a legendary pioneering reggae artist like Lee Scratch Perry and electronic wiz-kids The Orb, would be a match made in Heaven, since they both travel in the same stratosphere, but not so. I think a better collaboration would have been Perry and Echo Movement (see separate review for Echo Movement). Where the Orb plays it close to the vest with unimaginative electro beats, Echo Movement uses real instruments that actually energize the songs.
On The Observer in the Star House, The Orb tries their hand at dub reggae, and the results are mixed at best. Yeah, dub is supposed to have a slower cadence than reggae, and stretched out into a repetitive jam-like trance, but The Orb sound like they phoned in their part. No sparks, not even a smoldering fire, their beats are deadly slow and uninspired, and the only saving grace is Perry’s “toasting/talking” that lights up this album. His other-worldly chats/ravings are unmatchable. He’s been doing this for quite some time, and his stream of consciousness seems endless.
Skip the album, and try to get to one of Perry’s shows if at all possible, or one of his other albums. The stuff (music) that this cat comes up with is out of this world!
THE BRIGANTINES - Vacation! The Latest From New Jersey’s Number One Surfing Group!
(modernworldrecords.com)
Ok, so here’s a surf album from a New Jersey band (recorded in Jersey also), which to me sounds like a win-win situation. But are surf bands and New Jersey, to paraphrase the old promo for our state, “Perfect Together?” I’m a strict believer in the power of the music to move & groove you, but let’s see if The Brigantines can pass the “Punker Than You” test that The Boss used to use as a motto for Jersey Beat!
Well, for starters, The Brigantines (and yes, they’re from Brigantine, NJ) feature Vincent Minervino on vocals, guitar, keyboards, and drums, and he has a cool plaintive voice… kind of like Jonathan Richman from the 70’s rock ‘n’ kitsch band, The Modern Lovers. Although not as ironic and loopy as Richman’s, Vincent is like the calm in the eye of the musical hurricane which the band conjures up time and time again on Vacation!
With Aaron Leonovich on bass and vocals, Scott Saint Hilaire on guitar, and Don Tojeira on drums, they creatively raid the roots of surf rock, garage, and at times punk, creating their own brand of rock ‘n’ roll that is a catchy as is forward thinking.
You get not only a Jersey vibe from the music, but also the California surf/folk rock sounds of bands like The Beach Boys and The Byrds. There’s also the garage mojo of the 60’s Northwest music scene, via Paul Revere and the Raiders and The Kingsmen. Simple, narrative tunes about love, loss, life, and yes, SURF INSTRUMENTS! Actually, to be correct, surf instrumentals!!
This stuff is A-1-worthy, blasts that would have you putting quarter after quarter on the jukebox! The Brigantines capture the ancient, twangy sound of bands like Link Wray and The Neptune’s, to name a few. It’s a solid instrumental sound that needs absolutely no words. You imagination is given free reign. The only limits are the outer limits, and that’s that rare, special place that only a handful of band’s can take us,-Now you can include The Brigantines in that group! Simply amazing! Uptight, outta sight, and definitely in the groove!
PS- The Brigantines’ cover of The Ronettes 60’s hit “Then She Kissed Me” (they changed the original from “He” to “She”) gives the decades-old romantic rocker a fresh reading. You could almost mistake it for a song right out of The Brigantines repertoire. Cool stuff!
STRAWBS - Acoustic Gold
(witchwoodmedia.com)
Wow! What a blast from the past, that’s as much in the present as any contemporary alternative band. The Strawbs came over here on one the many British Invasions back in the mid-seventies. With contemporaries at the time like King Crimson, Yes, and Fairport Convention, to name a few, they helped reshape and redefine the musical explosion of that period.
Back then, FM radio was way more free form and this freaky psychedelic folk rock actually got a lot of airplay. (Can you name a major radio station that takes those kinds of chances these days? I know I can’t, except for college radio; no one has the imagination or desire. MONEY is the bottom line. ) On Acoustic Gold, you get not only Strawbs’ fan favorites like “Ghosts,” “Autumn,” and “Midnight Sun;” they also dig deeper into the catalog, and breakout cool gems like “Evergreen,” “The Man Who Called himself Jesus,” and “Cold Steel,” to name a few.
The beauty of this album is that the current Strawbs break down the original songs into their basic, acoustic form. It sounds more like you’re getting the sound of what the songs were like in their infancy, rather than just stripped-down acoustic versions, like so many bands do, without getting to the heart and soul of the song.
The Strawbs have to me have always been ahead of their time. The song structures, the lyrics, and the stories all take you places you never imagined. The creativity that each song is crafted with, are the type that can be handed down from generation to generation, and losing their potency. My favorite here is the “Autumn Suite.” I could listen to it in the blistering heat of August, or the freezing cold of February, and be quickly transported to a fresh, cool autumn day in October. The delicateness of the music, coupled with Dave Cousin’s lead vocal prowess are as exploitive now, as they were back in the 70’s when the song first saw the light of day. To me, that’s the measure of a band. - If they can reinvent themselves, and conjure up the original mojo and bring out something totally fresh and new, then I’m all in! The Strawbs are one of those unique bands.
STRATOSPHEERIUS - The Next World… (stratospheerius.com)
Bridging the gap nicely between heavy metal and art-rock is what Stratospheerius does best. They are interested in touching the mind as well as the heart. Songs like “Release,” “The Prism,” or “Gods,” are good examples. The songs unfold into mini, opera-like stories with music that subliminally transfixes the listener, but taking noting away from the story line. A fine line to walk, but the band does it time and time again with precision and an eye toward humor.
There are even touches of punk in the rhythms and rhymes. You can hear glimpses of Sonic Youth splattered against a canvas of lyrics that not only makes the song interesting, but also puts them in a league of their own.
Sometimes the sounds on The Next World… can be harsh-feedback, distortion and dissonance-but the group uses them to create a variety of effects and moods. If you think of a rubber band, where it can be stretched and pulled, and reshaped-than letting it go, and it goes back to its original form, you’ll have a good Idea of what this album is about. Exploring the outer limits, yet stay down to Earth as much as possible.
The English Beat- Live! At The US Festival September 3, 1982 and May 28, 1983 CD & DVD (Shout! Factory)
Back in the late 70’s and well into the 80’s England was going through some very tough times both socially and politically, especially under Prime Minister Margret Thatcher’s iron-fisted regime. From those hard times came a positive, and meaningful musical, and social uprising that, if something similar had happened in the US during President Regan’s two terms in office, it would have surely been squashed, thrashed, and disband ASAP. I still remember The First lady, Nancy Regan’s response to the nationwide drug problem: “Just Say No.” –Funny how some things never change!
Anyway, somebody please kick the soapbox out from under me- please! Enough politics, let’s get to the good stuff! The English Beat, like other ska and punk bands including UB40, The Specials, Sex Pistols, Clash, and The Jam, were all born from the 70’s and 80’s political and social upheavals. Where the Clash and Pistols chose to hit you in the gut with their Neanderthal punk rock, The English Beat were one of the bands that chose to get you on the dance floor first, with their 3rd Wave skatastic upbeat music that hit you in the gut along with their political stance.
On Live at the US Festival back in ’82 and ’83, The English Beat had reformed to play the fest. With all the original members in tow, they wowed the crowds with some of the best ska from “Over the pond (England),” as they say. The CD contains 16 songs that spam the bands career. From early si
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Rock On! with Danny Coleman
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2012-05-03T00:00:00
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Welcome to my musical world! This is one man’s attempt to alert you to the best in area entertainment!Eryn Shewell was born in Washington D.C and moved to New Jersey when she was very young; what a gain for the Garden State that has turned out to be!I can describe this East Windsor resident in […]
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Trentonian
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https://www.trentonian.com/2012/05/03/rock-on-with-danny-coleman-25/
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Welcome to my musical world! This is one man’s attempt to alert you to the best in area entertainment!
Eryn Shewell was born in Washington D.C and moved to New Jersey when she was very young; what a gain for the Garden State that has turned out to be!
I can describe this East Windsor resident in many ways, but I always seem to sum it up best when I say, ‘The lady can just flat out sing!’
When you first meet this young artist with the soft speaking voice, one would never expect the power that lurks within.
The first time that I ever saw Shewell perform was several years ago at a festival. I remember being under a large tent that doubled as the musicians green room on this hot, sticky day when I saw a pair of high heels come cautiously down the small slope that led to where we were at the bottom. Little did I know that this young lady, dressed more appropriately for a vintage Bogart movie than an outdoor festival, was about to bring the ‘WOW’ factor into play.
Upon taking the stage, her presence dominated the cast of top-notch performers that make up her fine band, which, I can assure you is no easy task. Shewell’s stunning vocal ability, vivacious and (at times) back in time looks command attention.
When this woman belts out a tune, people can’t help but take notice. Eryn’s vocals can seemingly transport her audience to another era, a simpler time perhaps, where she can go as soft as a song bird, or as powerful as a freight train as she delivers her brand of original music mixed with apropos blues and jazz standards that leave the crowd craving more.
I found it hard to believe after recent conversations with her that she only took vocal lessons for a few months.
‘I started singing, well, I was kind’a born into it (laughing),’ she said. ‘My family are all musicians, very musical. I took vocal lessons briefly from (Asbury Park area’s) Jody Joseph, but no other (formal) vocal lessons.’
Even though her voice may be considered her primary instrument, Eryn also writes her material on her guitar. I was surprised to discover that she’d only been playing for a short time.
‘I started playing about five years ago,’ she said. ‘I’ve never taken a lesson. If there’s something that I’m having trouble with I just ask (her guitarist) Pat (Ruh).’
After two modestly successful CDs and the recent completion of ‘Children At Play,’ a live acoustic CD, which captures Shewell in pure, raw talent form, Eryn is far from done making music. Currently, she is in the recording studio laying down ten new tracks that will make up her fourth disc. This still yet untitled effort will be ‘Scaled back’ in an attempt to ‘Keep it simple,’ says Shewell.
‘I’m in the process of recording and trying to raise the money to pay for this,’ she said. ‘I released a single and a live video of a new song, ‘Boy Like You’ that I co-wrote with Alice Leon that’s probably going to be on the disc.’
I asked her how the relationship with a very accomplished musician such as Leon came about.
‘I was a fan of hers when I was younger,’ she said. ‘My dad used to take me to see her when I was a kid. We connected on facebook and now we’ve written a couple of songs together.’
On writing her music she says, ‘Every song is different. Sometimes I write lyrics first, sometimes it’s the music first. Sometimes they both come together at the same time. It’s always different. I think it gives me my diverse style…..(laughing) I don’t know if that’s good or bad!’
What does the future hold for this talented songstress?
With a hearty laugh Shewell said, ‘I wish I knew! I’m looking to promote the new CD and my music overseas. I’m looking into finding a booking agent to do a European tour. I’m also hoping that people buy the CD and like it!’
The immediate future is very busy for Eryn and the band. The day after I interviewed her for this column, she left for a week long tour that will take her to various stops in one of her favorite cities — New Orleans.
‘I love going down there,’ she said. ‘I try to make it at least once, if not twice a year. We’ll be playing across from where the jazz fest is being held again this year at several places, then we’ll be making stops in Nashville and North Carolina on our way back.’
A very hard working musician both on stage and off, Shewell sets up these tours and gigs all on her own without the aide of a manager.
I’ve been fortunate enough to see Shewell numerous times as well as interview her on several occasions. I can sit here and write about how amazingly powerful her voice is, how talented she is, how great she looks on stage and how she can take over any setting, but none of the words will do her justice. My suggestion is to listen to her music which is available on CD Baby, iTunes, Amazon.com and from her directly at www.erynshewell.com, go see her live, then let me know if I am wrong. I’m betting that I’m not. Eryn Shewell plays shows all over our area from Princeton, to the Jersey shore, in New York City and beyond. Believe me when I say, check her and her band out, it’s well worth the trip!
Some shows worth checking out this weekend are Friday, Beannacht with Lo Kloza and Jeff Rupert at the Grover’s Mill Coffee House located at 335 Princeton-Hightstown Rd. in West Windsor. Stop on by and have a cup of java along with some fantastic sweet treats as you listen to these superb singer/ songwriters in an intimate setting. The show is an early start time of 7:30 p.m., is family/kid friendly and admission is free.
Another all ages show on Friday is Billy Hector at The Record Collector in Bordentown. Join this great artist as he plays his versions of the blues in The Record collector’s ‘Living Room’ setting. The Record Collector is located at 358 Farnsworth Ave. and tickets are $15 in advance and $20 at the door.
Coming up next week, May 11, the third installment of the now monthly ‘Singer/Songwriter Night’ at Cedar Gardens Pub will be taking place. This month’s lineup is as diverse as it is talented. Stay tuned and check back here next week as there will be more information forthcoming.
That’s it for now. So until next week, please continue to support live and original music, your local musicians and as always…ROCK ON!
THIS WEEKS CALENDAR LISTINGS
Alchemist & Barrister 28 Witherspoon St. Princeton
(609) 924-5555 www.alchemistandbarrister.com
Thurs 10 p.m. Chris Nickey Sun. 9 p.m. Princeton Bluegrass Jam
Wed. 10 p.m. Open mic. night All shows 21+
Amarones Windsor Inn 29 Church St. Windsor
(609) 448-7144 www.amaronesrestaurant.com
Thurs. 6:30 p.m. Walter Brooks Fri. 8 p.m. Lonnie Youngblood
Sat. 8 p.m. Heartbreak Hotel Tues. 6:30 p.m. ‘Country’ Scotty
Wed. 6:30 p.m. DJ Chris Barlow
Candlelight Lounge 24 Passaic St. Trenton
(609) 695-9612 http://jazztrenton.com/
Sat. 3 p.m.-7:30 p.m. Jullian Pressley (No cover-$10 minimum)
Cedar Gardens Pub 661 Hwy. 33 Hamilton
(609) 587-0930 Fri. 9 p.m. Dan Galvino
Sat. 9 p.m. Alright Allright All shows 21+
Chambers Walk Cafe 2667 Main St. Lawrenceville
(609) 896-5995 www.chamberswalk.com
Fri. 6 p.m. Dick Gratton The Backstage at Championship Bar
931 Chambers St. Trenton www.facebook.com/championships
Fri. 7 p.m. The Tea & Whiskey (Farewell Show), Sparkle S%#*t, Mattress, Curious Buddies, (TBA). All ages, $10
Sat. 5 p.m. The Artwork Of (EP Release Show), How High The Moon, A Life Thereafter, These Branches, Touchdown Boy, (TBA). All ages, $10
Sun. 4 p.m. Straight Line Stitch, A Darkened Reflection, Ashes Of Your Enemy, Forerunner, True Rumors, (TBA). All ages, $12/$14
Mon. 6 p.m. Murder Death Kill, Sicker Than Most, Psycho Enhancer, Swing First, Wake Up You’re Dreaming. All ages, $10/$12
City Streets 510 US Highway 130 East Windsor
(609) 426-9400 www.citystreetscafe.com
Wed. 7 p.m. – 10 p.m. Acoustic Wed.
Thurs. 6:30 p.m. Acoustic Thursday
Fri. 9 p.m. Never Enough Sat. 9 p.m. Starstruk
Sun. 6 p.m. Acoustic Sunday Dubh Linn Square
167 Rte. 130 North Bordentown (609) 298-7100
www.dublinsquarepubs.com
Thurs. 10 p.m. Open mic. hosted by Paul Schober
Sun. 4 p.m. – 8 p.m. Irish Sessions w/ Billy O’Neal
Grover’s Mill Coffee House 335 Princeton-Hightstown Road West Windsor
(609) 716-8771 www.groversmillcoffee.com
Fri. 7:30 p.m. Beannacht w/ Lo Kloza and Jeff Rupert
Tues. 7 p.m. Open Mic. Night Havana New Hope
105 S. Main St. New Hope, Pa. (215) 862-9897
www.havananewhope.com
Thurs. 8 p.m. Steve Forbert. Doors at 6.pm., $25 (reserved seating)
Fri. 8:30 p.m. Bigg Romeo Sat. 8:30 p.m. ‘Cinco de Maida’ feat. The Mighty Seven Band
Mon. 10 p.m. Karoake w/ Rockin’ Ron
All shows 21+ Ivy Tavern 3108 S. Broad Street, Hamilton
(609) 888-1435 www.ivytavern.com
Fri. 10 p.m. Ernie White Sat. 10 p.m. The John Love Band
All shows 21+ John & Peter’s 96 S. Main St. New Hope, Pa.
(215) 862-5981 www.johnandpeters.com
Sat. 9:30 p.m. Honey Spot Blvd.
Mondays. Open Mic. Night Wed. The Invitational (Featuring John & Peter’s House Band)
All shows 21+ RHO Waterfront (Katmandu)
50 Riverview Plaza/Riverview Executive Park Trenton
(609) 393-7300 www.katmanduwaterfront.com
Weds. Singer/Songwriter Acoustic Showcase
Check www.serioussongwriter.com for dates and performer information.
All shows 21+ Palermo’s Of Hamilton
310 Klockner Rd. Hamilton (609) 838-7979
www.palermoshamilton.com
Thurs. 8.p.m. Karoake night Fri.(5 p.m.) Ambiance The Duo (9 p.m.) Alright Allright
Sat. 9 p.m. Never Enough All shows 21+
Pete’s Steak House 523 Whitehorse Ave. Hamilton
(609) 585-8008 www.petessteakhouse.com
Fri. 9:30 p.m. Jimmy and Jimmy Sat. 9:30 p.m. Clayton / Anderson
All shows 21+ Tavern On The Lake
101 Main St. Hightstown (609) 426-9345
www.tavernonthelake.net
Fri. 9 p.m. Steve (The Band) Sat. 9 p.m. Cinco de Mayo Party w/ NFN (Not For Nothing)
Wed. Karoake Night The Cool Cricket
216 4th St. Fieldsboro (609) 291-9110
www.thecoolcricket.com
Fri. 8:30 p.m. Karoake w/ Jason Taylor
Sat. 9 p.m. El Ka Bong All shows 21+
The Record Collector 358 Farnsworth Ave. Bordentown
(609) 324-0880 www.the-record-collector.com
Fri. 8 p.m. Billy Hector. All ages, doors 7:30 p.m., $15 (advance)
Sat. 8 p.m. The Voodoo Fix / Mitigue. All ages, doors 7:30 p.m., $12 (advance)
The Sticky Wicket 2465 South Broad St. Hamilton
(609) 439-0007 www.stickywicketgrill.com
Fri. 9 p.m. The Dawgs Sat. 9:30 p.m. Deep Release
All shows 21+ The Sun National Bank Center
81 Hamilton Ave. Trenton (609) 656-3200
www.sunnationalbankcenter.com
Check web site for upcoming events.
Tir Na Nog 1324 Hamilton Ave. Trenton
(609) 392-2554 Wed. 9 p.m. Irish Night
All shows 21+ Triumph Brewing Company (New Hope, Pa. Location)
400 Union Square New Hope, Pa. (215) 862-8300
www.triumphbrewing.com
Thurs. 10 p.m. Life Size Fri. 10 p.m. Hot Day At The Zoo. $5 (cover charge)
Sat. 10 p.m. Funkharp. $5 (cover charge)
Sun. 7 p.m.-10 p.m. Open Mic. Night
Mon. 10 p.m. Saint Anyway All shows 21+
Triumph Brewing Company (Princeton location)
138 Nassau St. Princeton (609) 924-7855
www.triumphbrewing.com
Thurs. 9 p.m. Singer/Songwriter Showcase
All shows 21+ Wildflowers Inn 2572 Pennington Rd. Pennington
www.wildflowersinnrestaurant.com
Sat. 9 p.m. Live Acoustic Rock Mon. 9 p.m. Karaoke
All shows 21+
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Listen to music by Chad Cromwell on Apple Music. Find top songs and albums by Chad Cromwell, including Real Love (feat. Mark Hill, Chad Cromwell & Jimmy Wallace), Station Blues (feat. Chad Cromwell) and more.
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News. samsimsmusic.com, a songwriter artist from Asbury Park
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Sam Sims has been steadily delivering a sequence of singles in recent times, featuring tracks like "Conga Drum," "Hollywood" and "War Becomes Love," among others.
"Conga Drum" emerges as a standout piece within this collection, displaying a fascinating fusion of reggae and echoes reminiscent of Cat Stevens. While an unexpected blend, it surprisingly harmonizes, especially with the guitar solo that carries shades of Pink Floyd. The track takes an intriguing turn with a brief bongo solo, leading into its climactic peak.
Similarly, "Hollywood" maintains the distinct Cat Stevens influence observed in "Conga Drum," particularly noticeable in the vocal delivery. This track evokes a sense of renewal, offering a certain mental clarity. It's a song that resembles the sensation of emerging from an ice bath—refreshing and revitalizing.
"War Becomes Love" embodies a cascade of positive vibes, resembling a timeless anthem for protest. Particularly in the current era, songs of this nature wield significant influence, spreading the much-needed message of love, a sentiment the world yearns for now more than ever.
These three singles collectively carry a consistent mood, providing a glimpse into the artist's overarching aesthetic. It's a comprehensive snapshot that I wholeheartedly endorse—a sonic portrait worth experiencing.
https://open.spotify.com/artist/18JP58eZtqGLZfZUNCteRz?si=ye2aj4LbSz2lvGQo5KwyiA
https://www.ragtalent.com/post/sam-sims-conga-drum-hollywood-war-becomes-love
Sam Sims, the prolific artist, has graced us with a plethora of singles, each bearing a unique charm. One that immediately seized my attention was “Conga Drum,” a composition that effortlessly conjures the serene, focused and soothing ambiance I often yearn for. With its moderate energy levels, it truly comes alive during the chorus, evoking vivid daydreams of beachside listening sessions.
In “Hollywood,” Sims masterfully weaves together elements of Americana, reggae and country to craft a harmonious and invigorating tune. The delicate brush work and the dulcet harmonica tones weave an enchanting musical tapestry, while Sims’ vocals resonate with emotion, delivering a powerful performance. “War Become Love” flows like liquid silk. It’s impossible not to draw parallels to the legendary Bob Marley, given its reggae influences and its poignant theme of choosing love over violence.
This song, with its danceable rhythm, offers an invitation to both groove and find solace in its peaceful message. “Te Extraño” graces our ears with lyrics in two distinct languages, an intriguing choice that, while initially perplexing, ultimately results in a breathtaking composition. For romantics, both hopeless and hopeful, it’s a tear-inducing masterpiece that tugs at the heartstrings.
As the final track, “Feel Christmas,” approaches, it envelops you with the warmest embrace of a Christmas song, making it an indispensable addition to your festive playlist, especially with the holiday season just around the corner. What ties all these songs together is their accessibility. From the melodious arrangements to the heartfelt vocal deliveries and impeccable production, they draw the listener in like a comforting embrace. Listening to Sam Sims’ musical creations, I found myself melting into their inviting embrace, yearning to linger in their sonic landscapes.
https://brokencolor.co/sam-sims-conga-drum-hollywood-war-become-love-te-extrano-feel-christmas
https://twitter.com/brokencolorblog/status/1719151234471350549
Sam Sims is an indie musician from New Jersey with quite a pedigree: he’s shared stages with artists like Willie Nile (sideman to Bruce Springsteen), Sever Forbert and The Beach Boys, even opening for Bob Marley’s Wailers in 2014 and 2015. His music has been licensed for prime-time television and gets lots of radio play, and of course he also fronts his own band. His list of credits only gets longer from there, but today we’ll be looking at his current single releases “Conga Drum,” “Hollywood,” “War Becomes Love,” “Te Extrano” and “Feel Christmas.”
Sims himself plays guitar, ukulele and harmonica and has been influenced by folk-rock and island music, creating his own acoustic soul-pop hybrid. Many of his original songs are described as “having a laid-back feel inspired by nature.” His musical influences include Van Morrison, David Gray, Jim Croce, Ben Harper and Jack Johnson. His songs are also informed by his volunteer work in the United States and Nicaragua.
First up is “Conga Drum” which has an island vibe as if sung by Jose Feliciano by way of Van Morrison (I wrote this before I knew Morrison was one of Sims’ influences!). The stringed instruments have a great churning groove (using the muted strings for rhythm) and of course the drums and percussion are tight and clean. The song itself is a nifty pop-reggae love tune. He even steals the iconic Steve Miller “wolf whistle” effect! But that’s forgiven as he actually fires off a Carlos Santana-style lead solo, followed by Santana-like congas.
Next up is the rather Dylan-like “Hollywood” (I’m gonna mention Dylan if I hear ringing guitars, tenor vocals and harmonica). I can certainly catch some of Sim’s other influences here, especially Bob Marley and Ben Harper. Aside from the lovely circular guitar melodies, the percussion is again quite varied and right in the pocket, which must be a Sims trademark even without “Conga Drum” in the title.
“War Becomes Love” is a gentle, bluesy tune with gorgeous upfront guitars playing beautiful licks. It’s funny how this laid-back protest song uses language better suited to “1984” but then spins it around: “Love becomes war… why can’t war become lovin’?” I haven’t seen any production credits but thus far every song is impeccably recorded and mixed, and this one has yet another tasty, just slightly distorted lead guitar solo and still more congas!
“Te Extrano” translates to “I Miss You” in English, and the painfully lush acoustic guitars and steel drums more than bear this out. Funny how Jose Feliciano previously came to mind, as this is a song I could totally imagine him writing and singing. In fact I was very surprised to see that this was not a cover but a Sims original. So beautiful you could get married to it!
“Feel Christmas” is appropriately the final track here, but thankfully it avoids all the hokey Christmas song tropes like bells or fragments of well-known carols. As the fifth track in a row, by now I feel I have a handle on the Sam Sims Sound and this hits all the benchmarks: Sweet, intimate harmony vocals, ringing acoustic and electrics, solid percussion and a note-perfect guitar solo.
Five great songs to check out, and there’s tons more where they came from. You better get started!
https://www.pitchperfectsite.com/indie-music-album-reviews/sam-sims-conga-drum-hollywood-war-becomes-love-te-extrano-feel-christmas
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https://speakimge.wordpress.com/2010/11/
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Speak Into My Good Eye
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10 posts published by rote7123 during November 2010
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en
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https://s1.wp.com/i/favicon.ico
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Speak Into My Good Eye
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Back in August, the Gods of Ska (Skods for short) rained flaming arrows down upon our country, and like a series of darts whipped randomly at a map, chose the touring route for their prophets on Earth, Reel Big Fish … Continue reading →
Last week on a rain drenched evening I was verbally assaulted by an overreactive bouncer who was bored by the fact that there was no one to pick on besides this nerdy looking kid with a notebook and camera who … Continue reading →
15-minutes down the road from my place of business sits the birthplace of the storied Asbury Park music culture, The Stone Pony, and last Saturday, under its roof , a congress of the scene’s new blood and old guard had … Continue reading →
I honor of Reel Big Fish and The Aquabats venturing to The Garden State lastnight…it’s an all Ska playlist. Deal with it, my allegiances lye with this genre. Once a Ska-kid, always a Rude Boy. These Godfathers of Third-Wave Ska … Continue reading →
TUESDAY: My Chemical Romance Streams New Album: One week before the release of the band’s new album, Danger Days: The True Lies Of The Fabulous Killjoys, My Chemical Romance has streamed its upcoming record, on Youtube of all places, with … Continue reading →
Last night, the Asbury Park music scene gathered on the hallowed ground that is The Stone Pony for the 18th annual Asbury Music Awards hosted by The Saint & The Asbury Music Co. and Emceed by The 95.9FM The WRAT’s … Continue reading →
“As soon as y0u’re born you start dying, so you might as well have a good time.” And may the Speakend Playlist enable you to have such a time. Black Birds’ “Brightest Diamond” is back on the list as the … Continue reading →
SATURDAY: Show Schedule: SEE YOU THERE!!! Reckless Kelly, Randy Rogers @ The Wonder Bar Youth Brigade, The Hand Me Downs, The Scandals @ Asbury Lanes Richard Barone @ Maxwell\’s Thundercheese @ The Mad Hatter RB3 @ Jamian\’s Food & Drink … Continue reading →
Last Friday, one story below the Earth, in the same basement, and on the same platform where such musical careers as Bouncing Souls, Pavement, The Gaslight Anthem, and Streetlight Manifesto were born, a musical exhibition dubbed Qualoween or the Qualmost … Continue reading →
The Speakend Playlist is back again. After a short Halloween weekend break the list is back to its unspecified jumble of music that I like, and hope you will too. Feel free to vote in the poll and to download … Continue reading →
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https://www.yumpu.com/en/document/view/27404694/summer-fall-2012-texas-womans-university
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Summer/Fall 2012 - Texas Woman's University
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Summer/Fall 2012 - Texas Woman's University
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yumpu.com
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https://www.yumpu.com/en/document/view/27404694/summer-fall-2012-texas-womans-university
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<strong>Texas</strong> Woman’s <strong>University</strong> Former Students Association <strong>Summer</strong>/<strong>Fall</strong> <strong>2012</strong> PIONEER Class Notes Greengs fellow Pioneers! One of the privileges of serving as FSA President is that I get to preview these notes before you get them. What a joy! I laughed, cried, applauded, and cheered as I read through each entry. All of you are a true source of inspiraon. Our stories connect us ‐ please don’t ever stop sharing. …and speaking of sharing. I’d like to tell you all a lile bit about what your FSA Board has been up to these past few months. If this turns out to be “old news” just skip this secon and go on to the good stuff! At the FSA Chapter Officers/Board Workshop on June 30, <strong>2012</strong>, Dr. Ann Stuart, TWU Chancellor and President asked FSA to consider its future role with TWU and invited us to be a part of the new structure as a Chartered Alumni Group under the Office of Alumni Relaons. Aer in‐depth analysis and discussion, the FSA Board voted on Saturday, August 4th, to become a Charter group of the TWU Office of Alumni Relaons effecve September 1, <strong>2012</strong>. I believe the two most significant items of note for most of us are: 1)FSA will have an official affiliaon with TWU while maintaining our 501(3)c status and 2) FSA will move from a dues based to a donaon‐based membership (membership donaons will be tax deducble). The summary report and associated documentaon are available upon request. Inquiries may be sent directly to the FSA Office or to me. Please join me as we use this transion year to RE‐FOCUS, RE‐ ENERGIZE, AND RE‐CONNECT! Sincerely, Patricia Edwards, Class of ‘77 ‘79 ‘98 Former Student Associaon President Gladys Barns Lawhon, class agent for the Class of 1930, recently celebrated her 100th birthday with a family and friends gettogether. She is sll in good health and enjoys keeping up with her classmates. She lives in Denton and also keeps up with goings on at the Denton TWU campus. Congratulaons and thanks, Gladys, for 82 years and counng of parcipaon. Class of 1925 CLASS AGENT: Mildred Burgess Hurley, 479‐968‐1233 Class of 1930 CLASS AGENT: Gladys Barns Lawhon, 2422 Nongham, Denton, TX 76209, 940‐382‐8563, gladl01@charter.net Alta Parn Harper from Teague, TX died April 21, <strong>2012</strong>. Class of 1937 CLASS AGENT: Marjorie Collier Hall, 2611 Lake Air Drive, Waco, TX 76710 830‐377‐1303 bbkirk@me.com I have oen said that there are three parts to every experience—the ancipaon, the experience itself, and the memories it creates. Well, I can honestly say that all three aspects of my class reunion far exceeded my expectaons! Even though I was the only member of my class of 1937 to aend, I so enjoyed geng to see and catch up with many other old friends and alumni. It was also so good to be back on the TWU campus where I have countless wonderful memories. I especially enjoyed the wonderful reunion dinner on Saturday evening. Many thanks to all those who made the weekend possible. Who knows, maybe I will be able to aend the next one too! Class of 1938 ‐ no agent Class of 1939 CLASS AGENT: Jane Robin Ellis, 509 St. Charles Dr., Arlington, TX 76013, 817‐548‐8511, jarobel@a.net Jane Robin Ellis reports that she received a list of the “remains of ‘39” borrowing from the words of September Song, I will say that the numbers of our class are dwindling down to a precious few. Many phone numbers were not acve‐which tells me its own story, and I’m sure that more than one of us sounded a trifle “wispy”, but those who were available, who understood what was happening, and who remembered the bright days of our me of sharing and preparing for our future here on “broad and rolling plains” were yet 1
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https://www.gvsu.edu/gvnext/2023/meet-the-finalists-for-the-2023-lakeshore-innovator-of-the-year.htm
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Meet the finalists for the 2023 Lakeshore Innovator of the Year
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Grand Valley's Muskegon Innovation Hub will honor local entrepreneurs and visionaries at the annual award ceremony on July 27.
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en
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GV Next
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https://www.gvsu.edu/gvnext/2023/meet-the-finalists-for-the-2023-lakeshore-innovator-of-the-year.htm
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Grand Valley’s Muskegon Innovation Hub will honor local entrepreneurs and visionaries at this year’s Lakeshore Innovator of the Year award ceremony from 5-7 p.m., July 27, at the Hub, 200 Viridian Drive in Muskegon.
This year’s finalists comprise a cross-section from nonprofit, entrepreneurial, municipal government and higher education backgrounds. For more information, visit gvsu.edu/mihub.
This year’s finalists are:
The City of Muskegon, like many communities across the state, is facing an affordable housing crisis.
As of the 2020 Census, three of the five fastest-growing counties are in West Michigan — Ottawa, Kent and Allegan. Under Mike Franzak’s leadership on the city’s development services team, Muskegon is looking to become a leader in the state on addressing the problem.
Since 2019, Franzak’s team is utilizing a piece of state legislation addressing the development of brownfield areas. Muskegon has infilled more than 130 housing units, either for sale or for rent on city-owned vacant lots. Muskegon is also marketing new construction homes for less than $170,000.
“Housing is a big need in our city right now,” Franzak said. “We’re short about 3,000 housing units over the next five years, and we’ve been going full speed for the past couple of years, constructing homes.
“It’s really needed in the city, and we think we’re doing a good job progressing towards that goal in mind.”
Franzak said Muskegon is the first city in the state to try this venture and get people and families into housing.
“We think we’re being pretty innovative with this brownfield redevelopment plan,” Franzak said. “Through this redevelopment plan, we’re able to get those funds paid back over the next 30 years through the increments in taxes.”
On a parcel of land between Muskegon and Whitehall, Samantha Otto is making her vision come to life. Otto is the innovator behind The Woven Trifecta, “a balance of food, farm and education,” as she calls it.
First, there’s the Woven Farmstead which produces market crops that are certified naturally grown. The Woven Wellness offers in-person or online workshops to educate customers on the connections between food and wellness. And, the Woven Words is the social engagement piece, utilizing a blog, a podcast and speaking engagements to spread the Trifecta’s mission.
“It's really just taking things that I wasn't seeing within my community and adding them to it,” she said.
Otto said she had simple aspirations for the farm.
“My original dream was I wanted to grow flowers and be happy,” Otto said.
Founded in 2019, the farm began on a tenth of an acre. Four years later, it encompasses nearly two acres, and the surrounding communities are enthusiastically supporting the Trifecta.
“Each season more and more folks from the community pull in and it's like, ‘OK, people are into this, I've gotta keep growing,’” Otto said. “The way the community has supported me over the last four seasons has just been something of my wildest dreams.”
An invention by a Grand Valley team of engineers is helping the university become more energy efficient.
Leo McCormick, Sean McManus and Tom Michalak on GVSU's Facilities Service Energy Engineering Team devised advanced sensor technology for the university’s heating, ventilating and cooling systems which they estimate results in 25 percent energy savings per building.
“We wanted to reduce the energy bill, and Grand Valley was all about it,” McCormick said.
“What we encountered years ago was that a lot of our rooms were being over ventilated. A lot of rooms had more or less people in them than they were designed for. So we would end up drawing more fresh air into the space than required by occupancy.”
Normally, HVAC systems cycle heated or cooled air through a room based on a thermostat reading. However, in rooms controlled by a thermostat, the outside air needs to be heated or cooled to bring it to room temperature, McCormick said.
The trio’s technology, called CO2 Hound, improves the system’s performance and efficiency by also measuring the amount of carbon dioxide in the air being returned to the system. This way, if air quality is at an acceptable level, CO2 Hound can tell the HVAC system to recirculate the air back into the room, rather than use energy to heat or cool outside air.
“It all comes down to saving the university money and having students sit in a room and not freeze,” McCormick said.
For nearly 40 years, the Arts Council of White Lake has anchored a vibrant arts scene for the cities of Whitehall and Montague. Executive Director Erin Peyer continues the council’s strong tradition introducing innovative programs to keep her patrons engaged.
Peyer said she’s well aware that the robust support the council receives is rare for smaller communities like Whitehall, Montague and their surrounding areas.
“I feel really lucky,” Peyer said. “What we’re able to provide to the community is pretty unique. It’s not something that you can really find in some larger cities right now.”
In 2020, Peyer established a residency for emerging young artists of color. Artists between the ages of 17-21 are paired with a local artist of color who acts as a mentor and guides them through their emerging career.
Peyer also teaches Music Together, a music and movement class with an international curriculum for children ages five and younger and their caregivers. Peyer said the class introduces the council to a younger audience and expands its program beyond visual arts.
“For us at the Arts Council, innovation happens in really small moments,” Peyer said. “We’re a nonprofit, so change can be very, very slow and gradual.
“We’re constantly trying to improve things and innovate in small ways, and then hopefully, those build up to some bigger changes.”
Since moving to her home alongside Lake Michigan in 1997, Lisa Spaugh has witnessed firsthand what nature can do to the shoreline.
In recent years, the lake has reclaimed much of the beachfront near her home. She said she watched as her staircase leading to the shoreline was swallowed by shifting sand.
“It became impossible to get to the beach,” Spaugh said. “You couldn’t invest any money because it would just get washed away. I knew there was a way, so I worked at it until I came up with the way.”
Spaugh’s innovative solution was EZ Beach Steps, an adjustable and adaptable set of stairs made of an aluminum alloy and covered by a PVC coating. The staircase is portable so homeowners can retract and store it during the winter.
If the shoreline changes due to high water or erosion, the homeowner can position the staircase to best suit the environment.
Spaugh said word has traveled quickly across West Michigan about her invention, and she recently shipped her first order to a customer living in Puget Sound, Washington.
“Innovation means not accepting what is,” Spaugh said. “Knowing that there’s a better way or a better process, going for it and being creative to come up with that better way.”
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https://arabianroundabout.wordpress.com/category/dubailand/
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Roundabout
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https://secure.gravatar.com/blavatar/ace07a807231c42946c0021d3348c6d7677a49d642e0b1d38ab36e008bb21ce1?s=200&ts=1724067097
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Posts about Dubailand written by Jonathon Penny
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https://secure.gravatar.com/blavatar/ace07a807231c42946c0021d3348c6d7677a49d642e0b1d38ab36e008bb21ce1?s=32
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Roundabout
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Had our traveling S Conference at the Shangri La hotel in Dubai. This was for all members in the UAE: 2 wards, 2 branches. We were shy at least 80 people, but even so, there were reportedly 430 of us. Maybe that helps answer Adam’s question about connectivity. By the way, folks, you should take our cue and go easy on the church talk: keep it codified. We try to lay pretty low. Gov’t doesn’t mind, but the locals sometimes do. Wasta matters.
Anyway, second counselor presided alone. There was a concurrent session in Riyadh, and one last week in Doha. It was the most international of its kind we’ve ever attended. Tons of Filipinos, of course, and the boring pasties, but also members from India, eastern Europe, western Europe, and Pacific Islands, and many other places. Kinda cool.
Anyway, a few of us are off to Bahrain next week for training, but we’ll be in the new digs for sure on Nov. 23rd. Moved the stuff over last week. Here goes somethin’.
Anyway, some pictures, in no particular order, most taken by Riley from a variety of vantage points. The Tower of Babel is called “Burj Dubai.” We are assured the intention is not to reach Heaven. Besides, the languages are already confounded here.
Aw, to heck with it. Here’s a theme-appropriate story-draft I cooked up some time ago. No changes since we last talked about it, earth mother. Sorry. Busy days.
Babel
At the moment the languages were confounded, I was bent over a parchment, trying to ignore the sounds of construction that by now hunted every one of us across the city. I had no interest in the project myself, indeed I was apprehensive, both about the sheer hubris of the thing and mind-boggling issue of workplace safety. My brother was contracted to oversee construction of the balustrades that wound their way up the tower in slightly but ever narrowing circles—the feat of an engineering science I had never understood, but that had gripped him with a fever from childhood: numbers were his, letters mine. Daring was also his, and since his first apprenticeship he had volunteered for the most dangerous projects, and even as foreman preferred to put himself in the most precarious positions.
But I was in the minority in my apprehension, and in its specific personality. The prophets who had spoken out their warnings of judgment and destruction had all been taken forcibly to work in the quarries, so I kept quiet, and hoped that the Elders would grow bored of the project and leave it to crumble and molder as they had so many other such ventures in the past.
That was not to be, and soon my brother was strapped in ever-more complicated harnesses, launching himself out into dusty, sweltering spaces. He worked with such energy and skill that he had very nearly caught up with the construction of the tower itself. When it became inefficient to descend the tower each day, he slept at ever-greater heights, and passed into an impenetrable glare of blue.
I put him out of my mind, and bent over my work.
The moment played out so subtly, at first, that I myself hardly knew what had happened. I was writing in the free-flowing script of our old, common language—what we called it, I do not remember, for the words of that language are gone from me—when I heard a deep rumbling above the shouts and shrieks of men and instruments at work. It had a tone that marked its difference from the usual grating of stone being hoisted precariously up the center shaft of the tower. It was followed by alarums and then by screams, so I left my work and went to the window, which afforded me only a glimpse of the base of the tower, even at this great distance.
I went out onto the balcony to look up, and saw, to my horror, great blocks of stone crumbling down and outward, having fallen from an unfathomable height. Though I knew there was nothing I could do, my instinct was to rush to the scene and find my brother. This was a gratuitous instinct, of course: he would have been at the very top, and my only hope was that he was on the opposite side of the crumbling rock, but even if this were so, it would take him days to come down and prove he lived. I went back to my table nonetheless, and took up my tunic from the chair. I had just reached the door when a great wail went up from the direction of the tower, and the rumbling deepened and grew to a sustained crash, drowning out the screams and cries of men and fear. I turned back to the window and knew it was too late, for in the place of the tower grew a mountain of rubble—deadly, cruel stone rained down and mocked our ambitions—until it, too, was veiled in a storm of dust and agony that pushed out further and further from the tower and touched even my home with a fine, impetuous film.
I stood looking out into the grey for quite some time, grieving without feeling, not for the tower, but what I had lost to its construction. And then there was a profound silence, into which I fixed my gaze.
I was broken from this state by the sounds of voices much nearer, speaking in words I did not know. This startled me. I had only ever known the one language, and knew it, many thought, better than any that had ever spoken it. But this I could not understand, and suddenly, apart from my grief, loomed a memory [?] and a profound fear.
I turned back to the table and glanced at my parchment, which had blown a little back on the table when the concussion of the collapse had reached my quarter. I scanned the first several lines, and did not recognize the hand or the language, so I turned to my library and pulled scroll after scroll, book after book from the shelves looking for anything familiar, anything lucid or sane in the madness of confusion and incomprehension that threatened. Nothing. I recognized, could understand, nothing. I doubted all my memories, wondered if I had ever written or read a legible word, or if my life’s work was a fantasy come crashing down in a cruel and ugly revelation, or if all that made sense in the world, all given to us from the gods, had just suddenly been re-veiled, taken from us, and we thrown back into a preternatural state.
I was too panicked to recognize that I was thinking.
I leaned, panting and wild, against a wall for several moments, sweat and clarity pouring out of me in the heat and dust and fear. And then I saw my parchment on the table, and went back to look at it once more, as if it would somehow make sense.
I could read the last five characters. Line after line of that flowing hand I now recognize as our old language were incomprehensible and alien to me: but there, at the precise moment I heard the first shouts and cries, just before the rumbling broke through my concentration, were five distinct hieroglyphs of the kind now familiar to you, and according to which system you are now reading this memoir.
Of those of us who congregated in the days and weeks after the collapse, I am the only one who remembers that old language—or rather, that there was an old language. For the rest, it is as if we always spoke what we now speak, and came to this valley only to escape the wrath of God which had confounded all those other tongues. They have forgotten brothers, sisters, lovers, and parents with whom they could no longer communicate, and forged new identities, as if we were born of the tower’s collapse, and never lived before it.
But I have spent many hours in memory [reference to brother? Trait of courage . . . to be cautious], and I now understand. I have never written of this before, my son, and never will again. And I have let all my old learning be lost, for fear it would inspire men to build another such obscenity. Perhaps they’ll be content with monuments to God, and never again presume to seek him in his heaven.
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| 8 |
https://gouvu.com/news/2010/10/27/102710aab_7604.aspx
|
en
|
UVU Looking for Retribution Against USD & UND This Week
|
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[
"Utah Valley University Athletics"
] |
2010-10-27T00:00:00
|
Oct. 27, 2010
|
en
|
/images/logos/site/site.png
|
Utah Valley University Athletics
|
https://gouvu.com/news/2010/10/27/102710aab_7604.aspx
|
Oct. 27, 2010
Complete Release in PDF Format
OREM, Utah -- The Utah Valley University volleyball team will return to Great West Conference play this weekend by hosting second place South Dakota Thursday (7 p.m.) and conference leading North Dakota Saturday (3 p.m.). All three teams are hot as of late as they have combined to go an impressive 21-3 in the past couple of weeks.
During the Wolverines (15-9, 4-2 GWC) hot stretch they have won four in a row and six of their last seven. UVU's lone loss during the stretch was to BYU at home on Oct. 9, in front of the largest volleyball crowd in UVU school history, 2,206. Last week the Wolverines finished up their non-conference slate by hosting Southern Utah and Boise State. After back-to-back victories agaisnt the foes UVU finshed its non-conference record at 11-7.
UVU senior middle blocker Dani Robison was recently named the GWC Defensive Player of the week after she put up 15 blocks last week in the two wins over SUU and BSU.
The Coyotes will enter play on Thursday with an 8-16 overall record and a 5-2 conference mark. USD has won three consecutive as well as six of its last seven. South Dakota is led offensively by senior outside hitter Kristin Kritenbrink who has a team-high 259 kills. Despite an earlier season loss at USD, UVU leads the all-time series 2-1. The Wolverines have also won the only prior meeting in Orem, as they swept the Coyotes on Oct. 2, 2009.
The Fighting Sioux will come to Orem with a perfect 7-0 GWC clip and an overall record of 17-5. The defending Great West Champion Sioux are led offensively by their very own version of the "big three"; Devin Trefz (275 kills), Annika Smed (226) and Erin Joki (214).
North Dakota leads the all-time series against the Wolverines 3-1, which includes a four set victory earlier this year in Grand Forks (25-13, 22-25, 18-25, 21-25). UVU is a perfect 1-0 against UND in Orem however after a thrilling five-set win at home last year.
Following this week's matches, UVU will conclude its home schedule by hosting Houston Baptist Nov. 4 and Texas-Pan American Nov. 5, for senior night.
PROMOTIONS:
Thursday's match with South Dakota will be Kathleen Stevens' Hometown Hero Night. Fans from California will get in for just $1 and fans from Kat's hometown of Lafayette get in for FREE (show your ID at the ticket table). The first 200 fans will also receive a Kathleen Stevens Hometown Hero poster that she will autograph following the match.
For Saturday's match against North Dakota, any fan who dresses up in a Halloween Costume will get FREE admission.
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1
| 14 |
https://www.app.com/story/entertainment/2015/10/28/homecoming-show-matt-orees-road-bon-jovi/73951034/
|
en
|
Homecoming show: Matt O'Ree's road to Bon Jovi
|
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"Chris Jordan, Asbury Park Press",
"Chris Jordan"
] |
2015-10-28T00:00:00
|
How Holmdel's Matt O'Ree landed one of the biggest gigs in music and what he's going to do about it
|
en
|
Asbury Park Press
|
https://www.app.com/story/entertainment/2015/10/28/homecoming-show-matt-orees-road-bon-jovi/73951034/
|
If Holmdel guitarist Matt O’Ree hasn’t seen a million faces yet from the stage, he’s well on his way.
And yes, he’s rocking them all.
O’Ree has just returned from Asia and the Middle East, where he played nine shows as guitarist for Bon Jovi. Yup, that’s Bon Jovi, as in one of the biggest rock bands in the world.
O’Ree and his Matt O’Ree Band will have a homecoming show Friday, Oct. 30 at the Stone Pony in Asbury Park.
“It was an unbelievable experience to play in Bon Jovi,” said O’Ree. “I’m so happy to have been there and it was an absolute blessing for me. It was an unbelievable experience to play in arenas and stadiums.”
The rest of the world it catching on to what Jersey Shore music fans have known for a while now: O’Ree is the real thing.
“He’s the Jersey Shore’s most beloved musician and the hottest guitarist at the Shore,” said Stone Pony booker Kyle Brendle. “Everybody’s real excited for Matt to come home and excited for Matt’s success.”
“The Pony is going to be rocking.”
O’Ree knows what he’s doing up there, as he’s the frontman for his own band. He played his first show at Fairleigh Dickinson University when he was 16, has hit just about every club and stage in Jersey and in the region since then and in 2006, he won the prestigious Guitarmageddon “King of the Blues” guitar contest, hosted by B.B. King and John Mayer and sponsored by Guitar Center and Guitar World Magazine.
He beat out 4,000 guitar players.
He’s a blues-based old-soul rocker who’s very much in the moment, taking elements of Stevie Ray Vaughan, Duane Allman and Jimi Hendrix, charging it up and delivering a wonderfully ignited sound. His raspy vocals have soul, power and feeling.
“Matt’s style is more based in the roots, blues and rock area, but obviously if you can play as a touring guitarist for Bon Jovi, Matt can step up and play anything,” Brendle said. “He’s an amazing talent.”
A talent molded by an unexpected player. The late New Brunswick-based guitarist Bernie Brausewetter of B.B. and the Stingers and the Slaves of New Brunswick fame was hugely influential, O’Ree said.
“I saw Bernie play at the (now-closed) Playpen Lounge in Sayreville,” O’Ree said. “I walked in and I couldn’t believe how much like Jimi Hendrix he was. I have never seen Jimi Hendrix, but watching Bernie play, it was eye opening and I said ‘I get it, I understand what I want to do. I want to play guitar and solo whenever I want. I want the creative freedom to do that.’“
The two worked together on technique and stylistic points and practical points, too.
“Bernie told me that I should be teaching (guitar) full time,” O’Ree said. “If you’re teaching, you can rearrange your classes to work around scheduling changes instead of having a full-time job where you’d have to fight with your boss to get time off.”
O’Ree was playing a smaller gig at Jamians Food and Drink in Red Bank when a keyboard player from Edison walked in.
It was David Bryan of Bon Jovi.
“Dave stopped in one night with a mutual friend and asked if he could sit in,” O’Ree said. “We started playing together and from the first note I was, ‘OK, there’s a connection here.’ We seemed like old friends.”
After that, Bryan would often join O’Ree at local shows, such as at the Colts Neck Inn. When Bryan need a guitarist, it would be O’Ree, such as an event tied in with the Memphis premiere of Bryan’s Tony Award-winning play, “Memphis.”
Then one day, a call. Then an audition. Then a trip to the Fetish clothing store in Asbury Park for stagewear before a flight on a jet plane to Asia.
O’Ree joined full-time members Jon Bon Jovi, vocals; Bryan, keyboards and Tico Torres, drums, along with touring members Hugh McDonald on bass and Phil “Phil X” Xenidis, who replaced the departed Richie Sambora on guitar in 2013.
O’Ree replaced Bobby Bandiera in the touring band. There’s been no reason given for the switch and O’Ree said that his own status in Bon Jovi is to be determined.
“It was a great experience for me and I was definitely doing lead guitar,” O’Ree said. “I definitely wasn’t in the shadows. I hope I added more to the show for the band.”
Here at the Jersey Shore, there was an outpouring of love and affection for the hometown kid done good.
“So glad your dreams came true,” posted Mary Ellen Ellis of Middletown on O’Ree’s Facebook page. “It’s amazing ... I’m so happy for you.”
“I was overwhelmed by that,” O’Ree said of the postings.
Coming up is for O’Ree and crew is a new Matt O’Ree Band album with a few special guests aboard, including Bryan.
“The attention this has gained for the Matt O’Ree Band makes it that much easier for us to release our new record,” said O’Ree, who has signed with 107 Productions management.
But first, it’s the Stone Pony, where O’Ree and his bandmates -- Eric Safka, keyboards; Scott Bennert, bass and John Hummel drums -- will be joined by Shore sirens Layonne Holmes and Eryn Shewell, O’Ree’s girlfriend, on vocals, and guest stars like pal Bryan.
Colossal Street Jam and the Taylor Tote Band will open the show.
“I’m excited to be back home and get a chance to play for friends and family,” O’Ree said. “I’m back from the Far East.”
Upcoming shows:
Welcome Home Matt O’Ree with the Matt O’Ree Band, Colossal Street Jam and the Taylor Tote Band, 7 p.m. Friday, Oct. 30, Stone Pony, Ocean Avenue, Asbury Park. $12 in advance/$15 at the door. 732-502-0600; www.stoneponyonline.com.
8 p.m. Thursday, Nov. 5, Mexicali Live, 1409 Queen Anne Road, Teaneck. 201-833-0011; www.ticketweb.com.
Opening for Whitford/St. Holmes, 7:30 p.m. Wednesday, Nov. 18, B.B. King Blues Club & Grill, 237 W. 42nd St, New York City. 212-997-4144; www.bbkingblues.com
|
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https://speakimge.wordpress.com/tag/2010-asbury-music-awards/
|
en
|
2010 Asbury Music Awards
|
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Posts about 2010 Asbury Music Awards written by rote7123
|
en
|
https://s1.wp.com/i/favicon.ico
|
Speak Into My Good Eye
|
https://speakimge.wordpress.com/tag/2010-asbury-music-awards/
|
15-minutes down the road from my place of business sits the birthplace of the storied Asbury Park music culture, The Stone Pony, and last Saturday, under its roof , a congress of the scene’s new blood and old guard had … Continue reading →
Last night, the Asbury Park music scene gathered on the hallowed ground that is The Stone Pony for the 18th annual Asbury Music Awards hosted by The Saint & The Asbury Music Co. and Emceed by The 95.9FM The WRAT’s … Continue reading →
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3
| 83 |
https://www.njarts.net/twenty-dylan-covers-nj-artists-help-bob-dylan-project-web-site/
|
en
|
Twenty Dylan covers by NJ artists, with some help from Bob Dylan Project web site
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2017-10-01T02:26:52+00:00
|
Twenty of the best Bob Dylan covers by New Jersey artists including Bruce Springsteen, Patti Smith, My Chemical Romance, The Four Seasons and others.
|
en
|
NJArts.net
|
https://www.njarts.net/twenty-dylan-covers-nj-artists-help-bob-dylan-project-web-site/
|
753
It’s apparently been around for a few years, but I recently found out about the remarkable Bob Dylan Project web site. It’s as thorough an overview of his music as you could imagine, with information about every song he ever has recorded, plus links to streams of the actual recordings (both the original and alternate and live versions). On top of that, there are also links to covers of his songs by more than 4,000 artists.
I’ve enjoyed cruising around the site — I imagine any fan would — and, in particular, hearing new version of his songs that I had not previously been aware of. And the experience has inspired me to put together this list of 20 of his songs by Jersey artists.
I had been aware of some of them, previously. But in many cases, I heard them for the first time by spending some time with thebobdylanproject.com.
There are many other Dylan covers by New Jersey artists, of course. But these, I feel, are 20 of the best (with the limit of only one song per artist).
I’m not sure why, but many of these songs are not really the most obvious cover choices. Maybe that says something about the state’s musicians.
Here they are, listed alphabetically, by artist.
Richard Barone: “I’ll Keep It With Mine”
Bon Jovi: “Seven Days”
Neal Casal: “Property of Jesus”
The Four Seasons: “Mr. Tambourine Man”
The Gaslight Anthem: “Changing of the Guards”
Emily Grove, with David Ford: “Oh, Sister”
Pat Guadagno and Tired Horses: “Abandoned Love”
The Isley Brothers: “Lay, Lady, Lay”
Bettye LaVette: “Everything Is Broken”
R. Stevie Moore: “Who Killed Davey Moore?”
My Chemical Romance: “Desolation Row”
The Myddle Class: “Gates of Eden”
Suzzy and Maggie Roche: “Clothes Line Saga”
Eryn Shewell and Pat Ruh: “You Angel You”
Patti Smith: “Drifter’s Escape”
Bruce Springsteen: “I Want You”
Jack Tannehill: “Emotionally Yours”
Tony Trischka, with Druhá Travá: “Nashville Skyline Rag”
Yo La Tengo: “I Threw It All Away”
The Young Rascals: “Like a Rolling Stone”
|
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8929
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| 4 |
https://www.dickinson.edu/homepage/756/limestone_2015_jobs
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en
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Limestone 2015 Jobs
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https://www.dickinson.edu/site/favicon.ico
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https://www.dickinson.edu/site/favicon.ico
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Tabea Zimmermann
Hometown: Harrisonburg, Va.
Major(s): Environmental Science
Employer Name: Osa Conservation
Tabea, a Baird Sustainability Fellow and the first Dickinson student to be awarded an EPA-GRO fellowship, will be a research assistant for Osa Conservation, a nonprofit organization dedicated to protecting the globally significant biodiversity of the Osa Peninsula in Costa Rica. “I will work primarily with a program that trains and provides technical tools for community members to monitor the health of local rivers. I also will assist with sea turtle conservation, sustainable agriculture and wildlife conservation programs run by the organization,” she says.
Campus Activities and Engagement: Women’s cross country and track and field; College & Community Orchestra; Dickinson Christian Fellowship
Internship Experiences: Environmental Protection Agency Greater Research Opportunities (EPA-GRO), Newport, Oregon: conducted independent research on the effects of algal blooms on the growth of sensitive sea grasses; watershed coordinator, Alliance for Aquatic Resource Monitoring (ALLARM): facilitated workshops to train community volunteers to monitor the effects of hydrofracking on streams and developed a riparian buffer management plan to restore a pasture along the Yellow Breeches Creek; student farmer, Dickinson College Farm
How has Dickinson prepared Tabea for Life Beyond the Limestone? “My semester living and studying in Yaounde, Cameroon, challenged and changed me in many ways,” she says. “I am so grateful for my experiences there and the fellow Dickinsonians who quickly became family. Running also has been a constant throughout my college years and the cross-country and track teams have really shaped my experience at Dickinson.”
Connect
Lauren Holtz
Hometown: Davis, Calif.
Major(s): Art & Art History and Neuroscience
Employer Name: Keystone Human Services
Lauren, who as a sophomore co-founded the Dickinson Dog House, an Idea Fund initiative that has students committed to housing and raising puppies to become service dogs for people with disabilities, has taken a position with Keystone Human Services in Harrisburg as a dog trainer. She will work with Susquehanna Service Dogs, an Assistance Dogs International (ADI) accredited service-dog school and will be responsible for training dogs in the advanced-training program for specialized placement with a partner with a disability. She will work with puppy raisers, lead puppy classes and conduct canine evaluations to ensure that dogs are of the highest quality for placement. Finally, she will work directly with clients during team training sessions to teach both the dog and human partner to work together as a team in order to mediate the client’s disability so that they can live more independently. Check out more information on Lauren and the Dog House.
Campus Activities and Engagement: Varsity field hockey; track and field; summer fellow, Idea fund; director, Dickinson Dog House
How has Dickinson prepared Lauren for Life Beyond the Limestone? “My studies in the liberal arts have allowed me to develop critical-thinking skills, ingenuity and the drive to see an idea through to completion,” she says. “Thanks to Dickinson, I am prepared to be a lifelong learner.”
Miriam Miller
Hometown: Nashville, Tenn.
Major(s): Neuroscience
Employer: Louisiana State University
Miriam has accepted a position as a laboratory technician and manager at Louisiana State University (LSU), where she will assist in the operations and start-up of a new research lab. From May until August, Miriam also will work as a research assistant at Vanderbilt University to gain extra training for her position at LSU.
Campus Activities and Engagement: Captain, Ultimate Frisbee team; Big Brothers Big Sisters
Internship Experiences: Research intern, Vanderbilt University; research assistant with Associate Professor of Psychology Anthony Rauhut and Neuroscience Instructor Meredith Rauhut
MacKenzie Masten
Hometown: Atherton, Calif.
Major(s): Psychology
Employer Name: ThinkFun, Inc.
MacKenzie will join the company ThinkFun, Inc., in Washington, D.C., as a social-media specialist. ThinkFun is the world’s leader in fun games that build reasoning and creative-thinking skills through play. She will be responsible for defining and executing a social-media strategy as part of the product- launch and sales-support teams, and will cultivate and manage online communities using Facebook, Twitter, YouTube, Instagram, Pinterest and other social-media tools.
Campus Activities and Engagement: Kappa Alpha Theta; Panhellenic Council; Volleyball; Crescendevils; The Dickinsonian
Internship Experiences: Marketing intern, San Mateo, Calif.: researched, compiled published information on various software solutions
What is MacKenzie most anticipating about her post-graduation plans? “The idea of moving somewhere new and starting a job in an emerging field is truly exciting,” she says. “I also love the company I am working for and really believe in their products.”
Francisco Mena
Hometown: Quito, Ecuador
Major(s): International Business & Management
Employer: Pancos footwear
In 2012, Francisco co-founded Pancos, an Ecuadorian footwear business focused on producing and selling handmade espadrilles through national distributors. From his offices in Quito, Ecuador, Francisco will be responsible for brand development, distribution, business planning and sales.
Campus Activities & Engagement: Sector head, Student Investment Group; varsity tennis; Alpha Lambda Delta
Internship Experiences: As a finance intern for Archer Gray Productions in New York, Francisco prepared quarterly financial reports and presented business and marketing plans for an Argentinian wine business.
How has Dickinson prepared Francisco for Life Beyond the Limestone? “Without the courses and professors that I had here, I would not have the skills to think about problems in a way that I believe is crucial to being successful,” he says. “My peers challenged me to be better and try harder. Surrounding myself with peers who want to make a change and professors who foster that change and growth has been incredible.”
What is Francisco most anticipating about his post-graduation plans? “Going back to Ecuador to work on my footwear company,” he says. “I have been managing the business while studying my last two years, which has been a great challenge. However, with hard work and dedication, I have been able to keep the company running. I am excited to work full-time on my business so that hopefully one day it can be a recognized footwear brand.”
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Family Testimonials
I wanted to let you know that we stayed at the Montage at Palmetto Bluff a couple of weeks back and we had Ms. Lee babysit our one year old and she was amazing!!! My son loved her and she was all around terrific in every way. We highly recommend her!
~Spire family - New York, NY
Beth was amazing. My oldest asked for her even when we were back in NYC. My youngest, who is currently going through a phase where he doesn't like anyone, had fun and liked her very much. She was timely, nice, fun and thorough. On the second night we had her, I thought we would have to come back periodically to feed, put them to bed, etc and we never had to come back. She exceeded our expectations.
~Watts Family; (NY; NY)
She was fantastic! On time, courteous, and ready to play with our kids! Our 6 year old and 8 year old loved her!
~Luechtefeld Family; (Valencia; CA)
I had a business meeting in Savannah that I needed to bring my dental team to and my baby was still nursing. I found out from the hotel about your service and received prompt return calls & emails to all of my questions. A very nice young woman named Thati came to the hotel all 3 of the days I needed for my 11 month old son. She always came a few minutes early to go over any details about his care schedule. My son had a great time with her. He loves to go outside so I had brought both a stroller & a front pack to carry him. Thati took him to the park, out for walks & out for lunch. She made sure to keep his nap & bedtime schedule & worked with me so she would be at the room on my meeting breaks for nursing. At the end of each babysitting day she had filled out a report that told me everything they did, what he ate, diapers changed, behaviors she observed ect... it was reassuring as a mom to know I was leaving him in professional, kind, safe care while I was at my meeting. Thank you!
~VanHart Family; (Petersburg; PA) NO
We used a Guardian Angel sitter for 3 children. The sitter was polite, caring and very courteous. The 3 kids were tucked into bed and sleeping soundly when we returned. We will definitely use this service again. Children are ages 4,5,and 7.
~Stone Family; (Blandon; PA)
The Guardian Angels made the business portion of my trip to Savannah, GA easy as the sitter cared for my children right at our hotel. They had a nice day.
~Holstine Family; (NY; NY)
We used Guardian Angels twice during our vacation in North and South Carolina. We had a sitter for our 2 year old daughter in Charleston, SC so that my husband and I could go to a nice restaurant for dinner one evening. Our sitter was friendly and listened intently to our instructions. She kept in touch with us while we were out, and I was reassured to know my daughter was sound asleep at 8 pm, her usual bedtime. We had another sitter in Hilton Head who also did a great job.
~Barone Family; (Towson; MD)
On a family vacation with my canersen@gmail.com children and grand kids and wanted a night out, minus grand kids.
Heard some good things about Guardian Angels and wanted to give them a shot.
Great decision. Sitter was on time, great attitude and we all felt the kids were in good hands.
Would definitely use service again.
~Campanaro Family; (Woodland Park, NJ)
Extremely easy to do business with. Your sitters have all been incredibly trust worthy, very friendly with children, and experienced. We would most definitely use the service again.
~Gabrini Family; (Aurora, ON)
Carol was amazing! Thank you, Julie, for being so efficient at finding a sitter for our 10 month old fairly last minute. Our son took to Carol right away and we were so thankful to have her there with him for 2 nights during our stay in Kiawah for a wedding. Carol was super personable, experienced and I felt 100% confident in her abilities with our little one. She even gave him a bath both nights, which I so appreciated. We have family in Bluffton and will absolutely use this service again when we visit! THANK YOU!
~Thompson Family; (Nashville, TN)
Natalia took really good care of my son! They went on nature walks and scavenger hunts. She really went over and beyond!! Worth every penny!
~Lagergren Family; (Gulf Breeze, FL)
We, Sandy and I, have used Guardian Angels on many occasions to watch over our own children. They provide certified, competent and overly attentive babysitters who make sure your #1 prize possession is well cared for and safe and sound when you return. They are the definite “go to” company for making sure you have peace of mind while out taking a little time for yourself. Be sure and tell them Chris and Sandy Walker sent you, they will take especially good care of you and your loved ones.
Hilton Head Rental Resource
https://hiltonheadrentalresource.com/
I contacted the service to see if they could help us on our vacation with our special needs son. They replied back that it shouldn't be a problem. I was looking forward to having real vacation time for the first time. But I was skeptical due to past experiences. A couple weeks before they sent kathys profile and it looked like a good match. When she got there I was relieved. She knew the "lingo" and all the right ??? To ask. She was fun and easygoing. I think my son enjoyed the time away from me! A good problem to have. We have scheduled our next vacation the same place the same time of year next year so we can have Kathy’s help again even more next year.
~Jottinger Family; (Winchester; VA)
The service was very easy to book and to confirm. We received information about our sitter, including her photo, well ahead of time. Our sitter was ahead of time and was prepared for our high energy 4 year old. At the outset, the sitter went over what we expected the Rules to be (as to bedtime, diet, etc). Once all was set, they were off to explore. During the night we received frequent updates and timely responses to our requests. The sitter was very professional, highly flexible, and a delight to have watch our child.
~Duffy Family; (N. Charleston; SC)
Kim was wonderful. My boys loved her. She taught my younger son to play "Go Fish". She spent the whole time playing with them. She even took them to the pool. I highly recommend Kim. She really knows kids and how to entertain them. We are very happy with Guardian Angels sitting service. We would definitely recommend your service to our friends, family, and etc.
~Isbell Family; (Decatur; GA)
We had never left our 9 month old with someone other than family, so we were nervous when we traveled for a friend's wedding. But booking a sitter was easy and I was reassured at every step of the way our little guy would be in good hands. Our sitter was amazing!!
~Fendrick Family; (Papillion; NE)
We have used Guardian Angels for the past 2 years for our annual summer vacation in Hilton Head. We are always super nervous with childcare, especially in a state where we know nobody! However, once we met both our caregivers, we knew our daughter would be well taken care of! The caregivers are punctual, responsible, compassionate, and loving. They provide complete attention to our daughter and keep her entertained! We have no complaints, and we will definitely use Guardian Angels again!
~Anderson Family; (Richmond; VA)
We loved Thati! She was so nice and the girls really enjoyed her. We would definitely use Guardian Angels again in the future and we would request Thati!!!
~Hill Family; (Marietta, GA)
Hello! I just wanted to say how much we loved having Thati babysit for our children. Not only did they both love and look forward to her babysitting, but so did my husband and I. She was so sweet and attentive to my kids. She was confident with my kids in the best way and I felt so at ease when she was with them. Thati is fun and silly and sweet and smart. I really can't say enough how comfortable she made my husband and I about leaving our children with a great babysitter. I wish she lived in my town because my kids are asking about when they can see her again! Thank you.
~Laverty Family; (Wilmington, NC)
Carol was amazing. She arrived early and made these first time parents with a sitter for the first time feel comfortable. My sweet boy was happily asleep and we'll fed when we returned. She gave us a full report of all activities while she was with our son.
I wish we had a Carol in our town!
~Pendragon Family; (Charlotte, NC)
Our sitter Jamie was such a pleasant surprise. I scheduled her for my brother's 3 children as he was getting married at the Sonesta Resort that Saturday. He is a police officer and understandably he was very nervous leaving his children to someone he did not know. She immediately thanked my brother Jeremy for his service as a police officer. She was as comfortable and as trustworthy as family. His son Jayce had a great time playing games with her. Such a wonderful experience.
~Shafer Family;
We loved Jessica. The boys had a great time and she showed incredible maturity.
~Landman Family; (Setauket, NY)
Jessica was great! We really loved her. Thanks again.
~Holcomb Family; (Greensboro, NC)
Amazing concept and service.
~Danziger Family; (Brooklyn, NY)
Just wanted to let you know how pleased we were with Autumn and your service. We highly recommend her.
~Goldman Family; (Palm Beach Gardens, FL)
The sitter was lovely. She came early so we got to talk and get to know her a little better. As well as introduce her to my son while I was still around to see them interact. It turned and nerve-racking experience into a pleasant one.
~Gaston Family; (Houston, TX)
Beyond thrilled with our babysitter!!
~Valentine Family; (Broadview Heights, OH)
Thank you Guardian Angels. You made it easy to arrange to have someone watch 5 kids at the same time. And Louise was so fabulous I have considered moving to SC just to hire her again!
~Ofner family; (Clarksburg, MD)
I needed sitting services at the last minute for a conference in Myrtle Beach. I could not get through on the telephone line since it was late Sunday evening, however, I left an email and Melissa called me back immediately and told me she would try her best to find someone. She found someone to assist me all three days within about 20-30 minutes. The young lady she sent was absolutely perfect for my girls, they ADORED her! We ended up using the same young lady for the entire conference and I was one happy momma!
~Taylor Family; (Blythewood, SC)
Guardian Angels Sitting Service was a huge help at my wedding. The sitters arrived promptly and took great care of the children so that their parents good enjoy the wedding. The service was easy to arrange, I received prompt replies, and they were flexible with booking, especially so close to the wedding. Once they confirmed the sitters, they even sent me a profile of the sitters who would be taking care of the children. All the sitters were very well qualified. I recommend this sitting service anytime!
~Dunbar Family; (Johns Island; SC)
Louise R. was wonderful! She was attentive, kind, professional, and very sweet with my 1 year old son. She knew the area well and took him on walks, fed him, and put him to sleep with no issue. I would request her again in a heartbeat if we come back to Bluffton for vacation. Thank you Louise!
~Blaha Family; (Chicago; IL)
I came to savanna Georgia on a business trip and I didn't know anyone in this town or state. And the event which I was suppose to attend was strictly 18 and older. My baby sitter was was suppose to come with me backed out last min.once I got to the hotel and asked they hotel receptionist if they provide any service like this so they suggested me Gaurdian Angels Service. Everything went very smooth. They called me and send me the profile for the sitter. She was in time took good care of my daughter. My daughter loved her. She texted me and gave me the updates while I was gone. If I come back to Savannah I would like her to baby sit Krystal. it was a great experience and thank you for everything. Y'all are doing a great job providing this service.
~Antao Family; (Katy; TX) -
We were very pleased with our experience with Guardian Angels. We used them twice on our vacation Hilton Head. Our sitter Deb was on time, extremely polite and great with our kids. She brought a bag of crafts and coloring books and the kids enjoyed their time with her. We would not hesitate to use Guardian Angels again.
~Beshara Family; ( Katonah, NY)
Helen was so wonderful with our children. This was actually our first non family babysitter and our kids had such a wonderful time. We booked her for 2 nights and my 4 year old both invited her to spend the night and visit us in Florida as he liked her so much! Our 2 year old has had separation anxiety and given childcare quite the hassle in the past but he also took right to her. She texted us updates so we weren't worried and could enjoy our night out. Upon return she gave us a full report before leaving. She really went the extra mile and found out they loved Star Wars and showed up with coloring books and stickers and markers the 2nd night. We will definitely use this service again where available and will request Helen when I the HHI area.
~Anonymous
Beth was phenomenal! She looked after my 13mn old daughter and juggled watching my 5mn old nephew at the same time, which is a lot to juggle. The kids took to her instantly and we knew they were in good hands. Beth took great notes about the kids routine and we all felt as if we could enjoy ourselves while Beth was watching them. I highly recommend her and the Guardian Angels service!
~Weicher Family; (Chicago, IL)
Melissa made the difference in my decision to try the service for last minute care.
I was apprehensive to trust anyone with the care of my children. Melissa provided objective, yet caring support in my decision of the best sitter(s) for our family. It was because of Melissa's support that I took a leap of faith and joined as an annual member. It is like a weight has been lifted off of my shoulders.
Thank you, Melissa, and Guardian Angels!!!
~Hall Family; (Rincon, GA)
Denise did a fabulous job on Saturday. She had a lot of curve balls thrown at her, as our house is being remodeled. She had to improvise and get our kids to sleep on an air mattress in our guest house. No problem! She brought her own toys (so smart, as kids are always bored with their own stuff, not to mention my kids room is a disastrous construction zone). She brought crafts, and immediately engaged my two year old upon her arrival. Even though we didnât leave for our event until about an hour after she came to the home, Phillip paid no attention to me as I rushed around getting ready. He barely noticed when I left. She managed to cook for them, bathe them, and get them to sleep without incident (tasks I do not always manage to accomplish so well). Denise is certainly an asset to your team. Thanks for making a night out possible for my husband and me.
~Pfuhl Family; (Bluffton, SC)
Great service, great people, great babysitter!
~Ingber Family; (Hewlett, NY)
Guardian Angels Sitting Service provided warm and loving care for my son while we were in Savannah longer than expected because of Hurricane Sandy. Their service was a pleasure to work with and put my mind at ease when I had to leave my son in someone else's care. I would highly recommend them.
~Sacks Family; (NY,NY)
Melissa is wonderful. She is so fast and always helps out where she can. I am so often having do to last minute bookings and she always gets back to us swiftly with a response.
Our Sitter is so lovely. She has become part of our family. I am now finding that my Daughter is asking if Theresa can come and play today several times of the week now because she loves her so much. It is always lovely to know that you can happily go out on a date night or go to a work function and know that your daughter is happy and in safe hands.
Thank you Guardian Angels
~Debreceny Family; (Savannah, GA)
Miss Beth was wonderful! She was so kind and gentle with the kids and with me as well. I felt so comfortable leaving our 2 year old and 5 month old with her. The 2 year old is still talking about Miss Beth.
~Anonymous
Very easy to work with. Great service over the phone. The charges weren't as clear up front as I would have liked, but I received explanations. Invisible service for my wedding, exactly what it should be for an event like we had. Thanks again!
~Alshouse Family; (Atlanta, GA)
Our experience with Guardian Angels was amazing. I don't ever take the time to review restaurants or products but I had to take a minute to share that we could not have been happier or more comfortable with Beth, our assigned babysitter. Our son loved her and was asking about her the next day and when we returned home from our vacation. She allowed my wife and me to completely relax and enjoy ourselves knowing that our children were in great hands. She is the highest qualified caretaker of our children, ourselves included : )
To go on vacation and have a woman that teaches 4 year olds and is an assistant principal is really a dream situation. She brought all kinds of fun things for our son and even cleaned up our vacation house. A+ rating and I've already recommended the service to friends.
~Mirabito Family; (Miami,FL)
I have used Guardian Angels the past two years for our family vacations in Ocean City, NJ and it was a great experience. My kids loved the sitter each time. Both girls were cheerful and ready to play. I have recommended GSS to many of my friends with kids.
~McGuire Family; (Collingswood, NJ)
Good overall experience...definitely would use guardian angels for my precious grandchildren again.
~Warhaftig Family; (NY, NY)
Andrea exceeded my expectations. She arrived 15 minutes early and I knew immediately my boys liked her. I will use this service again.
~Cavanaugh Family; (Hilton Head, SC)
She was wonderful! The kids had a great time!
~Homier Family; (Hope MIlls, NC)
I really enjoyed my experience with GA's. They were very professional and my 2 yr old son had a great time! Would love to use them again in Atlanta.
~Khabeer Family; (Atlanta, GA)
We were a little worried about having a stranger babysit our 8 year old son, but as soon as we met Beth we knew he would be fine. She obviously loves children. She arrived at our hotel armed with age appropriate toys that Sam talked about for the next 2 days. They went for a bike ride. treasure hunt. swimming and they had dinner together. since we've been home he's told everyone how lovely Beth was and he wants to go back to see her. We would recommend Guardian Angels to anyone that needs a sitter.
~Watson Family; (Bermuda)
Claudie was very fun and my kids had a blast! Thanks!
~Leffew Family; ( Hilton Head, SC)
This was our first time using a service and we loved it! The babysitter was very dependable and you could tell loves children and I felt at ease the whole time we were away! Would recommend the service to anyone.
~Dorsey Family; (Arlington, VA)
Guardian angels is a well run professional organization. This was the first time using this service. I felt that Sandee C. took very good care of my dog and I would recommend Guardian Angels and definitely use them again
~Anonymous
I would highly recommend this service to anyone visiting HIlton Head. Our sitter was exceptional, we felt very comfortable leaving our little ones in her hands!
~Murphy Family; (Columbia, SC)
We had never used a service like this before but were attending an out of town wedding and needed a sitter. All aspects of the service, from the booking process to the actual sitting services, were highly professional. We felt confident our children were well cared for and our three kids had fun. We highly recommend this service.
~Vogler Family; (Raleigh, NC)
They did a wonderful job with my 9 month old!
~Brawdy Family; (Ludowici, GA)
Taylor was great. Timely, fun, and took great care of our 2 year-old daughter, including a wonderful walk on the beach.
~Vasileff Family; (Plymouth, MI)
Extremely pleased with our sitter, Kim! I had never left my kids, 1 & 3, with a sitter I did not know personally but Kim was great and allowed my husband and I to enjoy dinner dates on our vacation, knowing our kids were well cared for and happy!
~Falk Family; (Houston, TX)
Great First Experience.
~Ceasar Family; (Savannah, GA)
Our son loved Grandpa George and making a sand keychain.
~Ryznic Family; (Richmond Hill, GA)
Desiree arrived early, paid careful attention to all the instructions, did a great job watching our 11-mo old (who can be a handful) and wrote us a great note telling us about how they spent the afternoon, exactly what he ate and when, and when he went to sleep. She kept him entertained with a variety of activities including play time outside and some relaxed story time. It was so nice to come home to find our son sleeping soundly and a hotel room that was clean and tidy. Definitely one of the best sitter experiences we've had.
~Anonymous
Susan was wonderful. We actually had a small medical emergency--one of my daughters had an infected cut on her foot and I had to take her to an urgent care clinic--and Susan stepped right in and helped me manage the chaos that ensued. She brought games for the kids and kept detailed notes on their bedtimes, meals, etc. She really saved me in what could have been a disastrous situation. Thanks!
~Combe Family; (Larchmont, NY)
The guardian Angel sitting Service did a wonderful job. This was our first time using a sitter out of our hometown and they made us feel very comfortable.
~Roney Family; (West Palm Beach, FL)
We were very pleased with this service.
~Werlein Family; (Ludowici, GA)
We needed a nanny to help us both attend a day of lectures and exhibits... our 2 year old daughter needed someone to help. We were glad to have found nanny through Guardian Angel. thank you.
~Shin Family; (Nashville, TN)
This was the first time I used any service like this so I was apprehensive at first. Upon arrival, Sandy set my mind at ease with her kind manner with my children. I was able to enjoy a relaxing evening with my husband knowing that my children were safe and having fun!
~Thomas Family; (Huntingdon, PA)
Very friendly services.
~Buonopane Family; (Savannah, GA)
It was nice to get away by ourselves for a while and I think our kids liked it too!
~Roemer Family; (Lebanon, OH)
We had two different sitters on two different days. They were both GREAT with our twins. We will use this service again. I highly recommend it.
~Young Family; (Hilton Head, SC)
Lashonda was delightful! She brought bubbles to help distract our little guy when we left, no tears! She checked in with texts twice(thank you!)that were very upbeat and positive. Smooth process, highly recommend. Thank you! Jill -mother of 18 month old
~Cross Family; (Seattle, WA)
Melissa has always been able to help me out in a pinch. Thank you from a working HHI mom.
~Clewell Family; (Hilton Head, SC)
We've used Guardian Angels service two years in a row...and would recommend them to anyone. Our son had a great time with the sitter, and from our point of view, the entire transaction was easy and simple.
~Basilico Family; (Jackson, NJ)
Guardian Angels of Hilton Head delivered on all of its promises and clearly exceeded our expectations. It was especially important for us to know that our grandchild, niece and nephew would be well cared for.
~George Family; (Hilton Head, SC)
Amanda was polite and the kids enjoyed here. We did like that she was experienced with multiple children.
~O’Brien Family; ( Southfield, MI)
Guardian Angels made our trip to Hilton Head easy. We were able to attend our friend's wedding with our minds at ease knowing that our 6 month old baby was safe and happy with his sitter.
~Atchison Family; ( Chicago, IL)
Claudie was absolutely wonderful with our son, Benjamin, 10 months at the time. He was a very fussy sleeper and Claudie played with him and comforted him until he fell asleep! She did a great job and we will be contacting her again the next time we are on Hilton Head!
~ Fein Family; (NY,NY)
Booking was easy, changes to our times/location were accommodated easily, always had extremely quick responses to our emails... Sitter was as advertised & we were beyond satisfied. First time having to rely on a sitting service as we were in town for a destination wedding & although nervous leaving our twin 16 month boys, all expectations were met & exceeded with the professionalism/performance of the sitter & agency. Would most definitely use this service again…
~Keiling Family; (Cheshire, CT)
Our sitter was wonderful, she was on time, she brought crafts to do with the kids and they had a great time. Definitely would use guardian angels again!
~Rogers Family
Was happy to find this service through our hotel concierge in Savannah. It was an easy process and our daughter LOVED it!
~Schwarzbach Family; (Goldsboro,NC)
We were happy with our sitter. She was professional and prompt. She arrived with a bag of toys which helped with our departure. We had her sit for 2 nights.
~ Kolb Family; (Wadsworth,OH)
An absolute must on any vacation. I will use them every trip going forward!
~Thompson Family; (Maplewood, NJ)
Guardian Angels was a lifesaver! We used this service while visiting Savannah for my sister's wedding and it worked out great. Our sitter was kind, courteous and warm. She was great with my daughter and I was confident in her capabilities. I'm so happy that Guardian Angels was recommended to me and I would use them again in a heartbeat!
~Braid Family; (Indialantic, FL)
My daughter loved it.
~Koch Family; (Kyle,TX)
We were extremely please by our sitter from Guardian Angels because that is what she was, a Guardian Angel. She brought arts and crafts and entertained my daughter the entire time. Perfect day!
~Joseph Family; (FL)
Kym was amazing! We truly appreciate her!
~Joiner Family; (Orlando,FL)
I would definitely use this service again.
~ Aquart Family; ( Forest Hills,NY)
Louise was great! The kids loved her!
~McCullough Family; (Edmond, OK)
We have had two great experiences using your services, and we will definitely be using Guardian Angels again! It's very reassuring to travel and have sitters who are comfortable and confident with our twins. Thank you!
~Jackson Family; (Charleston, SC)
Desiree was amazing. Professional, timely, fun, organized, creative and very resourceful. Thank you.
~ Casanova Family; (NY,NY)
Our experience was excellent. The sitter was very warm and friendly, and our children enjoyed the whole evening. We received several text updates throughout the night, and arrived back to a clean and quiet house. High marks for her and your agency.
~ Gilfert Family; (Creatwood, KY)
My daughter adored Robin and I heard just how much so from family and friends seeing them out and about throughout the hotel! I was relaxed knowing Morgan was with Robin while getting ready for my wedding! Wonderful service!
~ Martindell Family; (Cincinnati, OH)
I was a bit skeptical because I had never done something like this before but was very pleased with the service.
~Jakubczak Family; (Kenmore, NY)
Giovanna C.- Savannah sitter
Giovanna was wonderful! She respected our preference to play outside and play games with the kids instead of watching TV. She had lots of energy and thoroughly engaged with our children. They appreciated someone who was willing to have fun with them and make an otherwise boring hotel stay interesting!
~Herrell Family; ( Nashville, TN)
Terrific service our sitter was very experienced and our daughter asked when she was coming back.
~Kania-Lachance Family; (Rochester, MN)
We were thrilled by the services provided by Guardian Angels Sitting Service. We had an excellent sitter whom our child adored. We were comfortable leaving for a few hours and would use their services again.
~Smith Family; (Douglas, GA)
They did a great job.
~Simmons Family; (Augusta, GA)
Wonderful woman with a great way with the 2 boys. Able to leave feeling very comfortable and enjoy our evening out without worry. Kids were in bed and asleep when we returned!!
~Boyle Family; (Charlotte,NC)
We love Guardian Angels! All of the sitters are very professional and our children love them! We are very comfortable leaving our children with a Guardian Angel sitter.
~Townes Family; (Bluffton,SC)
Desiree was great. Very polite and extremely interactive with our children. The sad part is that now they miss her and keep asking when she will be back again!
~Fenstermaker Family; (Hilton Head, SC)
This is the first time that we have used a sitter service, and we were so pleased! Beth was very comforting and took great care of our son. We didn't worry one bit while at the wedding!
~Wiggs Family; (Raleigh, NC)
We were extremely pleased with our "Guardian Angels." They did a fabulous job, and we would have any of them back in a heartbeat.
~Sullivan Family; (Richmond Hill, GA)
Your service and the babysitter you provided were incredible. She was timely, polite, fun, responsible, and incredibly sweet to our kids. We would not hesitate to use your service again during our next travels to the area.
~Yundt Family; (Chicago, IL)
First time using this company and I will definitely be recommending to friends and family. I am beyond protective of my girls but I trust my daughter to report back to me if anything bad has occurred to either her or her sister, and she has told me nothing but nice things about the ladies who had watched her for those few hours. She was even excited to go back, they made her feel like a big girl helping make the other kids feel better.
Thanks so much!!
~Lopez Family; (Savannah, GA)
For the time spent, I had no doubt my kids were in any harm. They had a blast. Awesome service.
~Melendez Family; (Beaufort, SC)
Mary Kate was awesome! She did such a good job and was so organized and professional - we were highly impressed. Would definitely use the service again.
~Malhotra family; (NY;NY )
Thank you again for arranging a sitter for us at such short notice! Natalia was great.
~Lamb family; (Atlanta, GA )
I just would like to say a HUGE Thank you for you and your team at Guardian Angels to making this year's summer camps unforgettable for our children. All of you Ladies have done an amazing job to entertain these little ones day after day during this summer.We received many great feedbacks from the parents saying that their children had a wonderful time and something to remember from this summer once school starts and they are looking forward to come back next year too. So Thank you.I wish you Ladies all the best and looking forward to work with Guardian Angels in the future for many more happy memories to our children.
~Barbara @ Palmetto Hall Plantation Club
Beth was a terrific sitter and brought a surprise pirate ship toy box which kept my grandson entertained for hours. She was experienced and professional and my daughter was very happy. It's hard to be on vacation and leave your precious children with a stranger but Guardian Angels was highly recommended. We would definitely use this service again!!!
~Aronoff family; (Potomac, MD)
excellent sitting service....peace of mind that grandchildren were well taken care of during a wedding weekend
~Reeves family; (Okatie, SC)
Excellent service. Mary was prompt and professional. She did a great job with our two children. Would not hesitate to call Guardian Angels again.
~Ruffner family; (Cheraw, SC )
My children adore Sandee and request her every time! She treats them like they are her own :)
~Smith Family; Pooler, GA
Very reliable service and the sitters were excellent
~Fitzgerald family; (Hilton Head Island, SC)
We love Guardian Angels! We have used them multiple times, and we have had great experiences each time!
~Felch Family; (North Charleston, SC)
We were so happy with both ladies that helped us this weekend. Giovanna is so so sweet, thoughtful, and full of great energy. The kids loved her. Julie was a life saver on Saturday !!! I don't think the kids would have successfully attended and made it down the aisle at the wedding without her help. She just jumped in and helped me tremendously !!! She was wonderful. Thank you so so much, this was my first experience doing anything like this!!
~Price family; (Dallas TX)
Great service from Guardian Angel. They were professional and I felt at ease leaving our most important people in their care. Thank You!
~Chris Fleury; (Marietta, GA)
The booking process was easy and we were set up with a wonderful sitter for our holiday. Our sitter, Deb, was fantastic with our 8-month old son. He had a wonderful time with her. She was always on time and very engaging with our son. This was the first time he had been left alone with someone other than family and we were very comfortable leaving him with her. We would highly recommend Deb and your service.
~Sutton family; (Melbourne, AU)
Katie was a lovely person who seemed to really love her job. She lives in the area and was experienced and full of energy. My kids really enjoyed their time with her and we wish she lived closer as we would use her all the time!
~Surak family; (Rye, NY )
We used the service for a nine month old. The sitter was pleasant and seemed to engage with him right away. Of course the baby cannot speak about his experience but he seemed happy the next day.
~Goetz family; (Fishers, IN)
This was our first time using any sort of babysitting service and we couldn't have been more pleased. The communication was great and a babysitter was found for us in a very short time. We were nervous to work with someone new and worried how our kids would respond but our babysitter, Julie, put us right at ease and got my son to play with her in just a few minutes! We are so thankful and we would definitely recommend this company to others.
Carter family; (Durand, MI)
Lauren was on time and very polite. I need not hesitate leaving my son.
~Biggs family; (Marietta, GA)
I've had great experience with each of the babysitters Guardian Angels has provided. I've needed help with my one year old and the agency has worked with me, however last minute my requests have been. So far we've worked with 4 sitters and all of them made me feel confident that I was leaving my daughter in great hands!
~Hammond family; ( Palmetto Bluff)
Our Guardian Angels sitter was incredibly well prepared and had tons of experience. We felt comfortable leaving her to watch our infant and toddler! I love that the sitters for the service are people who want to do this, and have expertise in certain areas like being able to work with our son who has a speech delay. Thank you!
~Felch Family (North Charleston, SC)
Lori was wonderful! We were staying in a hotel with our son and she brought games and toys to play with him! We had a great experience with her and would definitely recommend her to anyone. Our son loved her and had a great time!
~Swierzewski family (Weston, MA )
Melissa really helped us as we needed a sitter at the last minute in Hilton Head on a Saturday in June wedding season no less! She really came through as Beth was absolutely wonderful! Our 3-year-old is a little tentative with strangers at first but as soon as she pulled out a fishing pole with fish they could catch I knew everything would be just fine and so did he - he didn't even notice us leaving! She had a wonderful energy, sent us texts during the evening with photos showing the fun they had and letting us know all was well. When we arrived home, Beth (who is an Assistant Principal and teacher at a local private school) provided really helpful feedback on his learning and interactions which was so wonderful as we are first-time parents and really appreciated her professional impressions - so fantastic! Highly recommend Guardian Angels and Beth. Thank you!
~Sumner Family; (Charleston, SC)
Veneice was wonderful! She communicated well and promptly with us. My children had a lot of fun! She brought games and books and things to do. This was my first time to use a service and I am very pleased. I definitely recommend Veneice!
~Googer Family; (Georgetown, SC)
Lori was spectacular. She took great care of my 5 month old daughter during a crazy day (my brothers wedding day). She was calm, kind, knowledgable, flexible, and great with my daughter. Any family would be lucky to work with Lori. I would ask her to take care of my child again in a heartbeat.
~ Aggon Family; (Philadelphia, PA)
Our sitter Denise was great. She brought some toys with her. She was very sweet. Would use the service again.
~Bodenstab Family: (Ridgefield, CT)
I was very nervous about leaving my two year old and three month old baby with a stranger! Guardian Angels did a fabulous job at making me feel at ease. My husband and I were able to have some fun without the kids and not worry! We will continue to use this service when traveling to the area!
~Reeves family; (Forrest City, Arkansas)
Suzanne was wonderful with the children. They had fun and felt safe. When Suzanne realized that the hotel did not have swim vests, she went out that evening, on her own time, to pick them up (as well as some snacks)and brought them the next day. Awesome sitter!
~Friedman family; (Sea Cliff, NY)
Lauren was prompt and polite.
~Withrow family; (Lyndhurst, OH)
Giovanna was great, our children had a terrific time while we enjoyed a night out.
~Engel family; (Lexington, MA)
We had such a great experience with Guardian Angels babysitting service. We used them during our Rock n Roll Marathon to babysit 3 children and my kids did not want our babysitter Kim leave. To be honest I was very concerned at first to hire a babysitting service in a town where I do not know anyone but Guardian Angels where so professional. They sent me our sitter resume with the picture ahead of time and I was able to read this to the kids and show them a picture so they where at ease when Kim arrived. All their sitters are background check which was very important to us. We will definitively use them next year again. And thank you Kim for such a professional service. My kids loved all the crafts you made with them.
~Woods family; (Waterford, VA )
I was a nervous wreck to leave my 7 month old- I have never left her! We attended a marriage retreat in Savannah, sponsored by the Army. Before the retreat they answered all my questions via the phone and were very reassuring when we dropped her off. The ladies were kind and tried to comfort her when she cried because she was in a strange place. I felt they did everything they could of done to comfort our baby. During the rough times they never seemed to lose patience or get annoyed, they also didn't jut put her in a crib and let her cry- they held her the whole time trying to give her reassurance.
I was very pleased !
~Dixon family ; (Sumter, SC )
Excellent service from start to finish. Would use the service again in a heartbeat. Beth came with a basket of toys and books and my daughter was so excited. Didn't even notice that we left.
My daughter got sick while she was sleeping. Beth noticed while checking on her after she had fallen asleep. She gave her a bath, changed sheets and PJs and was getting her back to bed.
Top notch service!!
~Drackett family; (New York, NY)
I had a great experience with Guardian Angels. I traveled with my one year old daughter to Savannah for work. I was so thankful the hotel recommended a trustworthy service to watch my daughter while I was in meetings. Our sitter was fabulous and kept my child on multiple occasions throughout the week. I wish she was local to us, I would definitely book her again! Thank you for peace of mind and excellent service.
~Petry family; (Kennesaw, GA )
EXCELLENT in all areas. We are very pleased with the ease of getting a qualified sitter from the service and pleasantly surprised that she was all the things we asked for "fit" and experienced with autism, and knew how to have fun... Giovanna was a wonderful caregiver and a thoughtful person as well. Sent us text of what they were doing around Savannah while we were at our event. Easy-breezy about caring for a challenging child & great attitude.
~Shulenberger Family; (Scottdale, GA)
Was hesitant at first to hire a service, but based on speaking with the service felt better. They arranged the same sitter both nights and all went well. It was great to be able to book last minute and know we had a sitter. I wish this service was in my area for the times we cannot find a sitter.
~Young family; (Purcellville, VA)
Theresa was very good with our 8 month old son. He seemed to enjoy her company and she was a big help to us for my sister's wedding.
~Rice Family; (NY, NY )
We were very pleased with our sitter and had a great experience with Lexi.
~Stark Family; Decatur, GA
The sitter we received from Guardian Angels was amazing . She took care of our 4 month old baby like a mother. I am really really happy with the service we received ! I would recommend it to anyone !
~Buzila Family; (Marietta, GA )
Elizabeth was amazing. She was great with our kids and put my mind at ease immediately. I would definitely use her and the agency again. Thank you for a perfect babysitting experience.
~Hodges family ; (Las Vegas, NV)
I used Guardian Angels for my cousins wedding in Hilton Head last weekend. My three year old daughter loved her sitter Emma so much, she talked about her the whole next day. I was a little nervous at first, never having used a sitting service before. But the entire experience from start to finish was perfect! Everyone I talked to was so nice, and Emma, our sitter, couldn't have been more wonderful!! Thank you!!
~Jackson family; (Marietta GA)
What a wonderful service to offer for vacationers who would like an evening out without the kiddos! We were able to have a nice dinner out with other adults while our children were back at the condo rental having a pizza party with the Guardian Angel sitter. They had a great time as well as the adults out to dinner because we knew the kids were in wonderful hands! The sitter put us at ease and seemed extremely confident and took notes before we left for each child. She was a great match for the 4 young children she watched and we came home to a tidy condo! I highly recommend the sitters at Guardian Angels! Thanks for a nice evening out!
~Overby Family; (Wildwood, MO)
We have used Guardian Angels Sitting Services several times and have always had great results. We would highly recommend them to anyone!
~Casserly Family; (Broadlands, VA)
Both of my daughters had lots of fun and felt very cared for. They brought tons of activities to keep them occupied, and we didn't have to worry about a thing!
~Colclasure family; (Orlando, FL)
Katie took great care of my son. He said she was the best babysitter ever! She was great about taking him to the pool and getting him to camp at the Discovery Museum. I did not worry about leaving him with her at all. Thank you!
~Cohen family; (Decatur, GA)
We had a great experience! Our sitter was fabulous! Thank you so much for takin care of our little guy!
~Hart family; (Columbus, GA )
Guardian Angels Sitting Service is the absolute best service I have ever used. Sitter was wonderful with 3 yr. old grandson, reading to him and playing games to keep him interested. I'm recommending it to all my friends who have grandchildren visiting.
~Purple Family; (Hilton Head Island, SC )
Thank you! Had a great first time experience!
~Dietrich family; (Decatur, GA)
atie was excellent, very professional , reliable, and was great with our son. Kept him happy and safe. I would not hesitate to use your service and Katie again Thanks
~Liano family; Maplewood, NJ
We were very impressed with our dealings with Guardian Angels! Our sitter was great and came prepared to sit with our 2.5 year old daughter. She brought books, crayons, stickers and other fun things that immediately drew my daughter to her. We left early for the wedding, without any tears or clinging. And are very happy with our experience. Thank you!
~Deimling Family; (Twinsburg, OH)
Working with Guardian Angels was smooth and easy. The ~sitter was on time and professional.
Terzian family: (Fairfax, VA )
Thank you so much for providing such a wonderful sitter for our 13 month old. She did such a good job playing with her and helping her get to bed on time. We really appreciated having her.
~Shewell Family; (West Chester, PA)
We had a wonderful experience with Guardian Angels. We used the service while on a long vacation in Bluffton. Our boys had a wonderful time playing games and doing activities with our sitter. We will use your services again in the future and would recommend your agency to others.
~Zimmer Family, (Kansas City, MO )
I had arrived to the Disney Hilton Head Resort during a rainy Labor Day weeklong vacation. When I realized the children just wanted to play on the pool water slide I knew my chances of exploring the island and the surrounding areas of Savannah and Charleston were not likely. After a quick search online I found Guardian Angels and the response to my online inquiry was a matter of an hour. Melissa quickly found me a very nice woman to care for four children over the course of the next three days. I couldn't have been more pleased to know they were in good hands and the kitchen was just as I left it upon my return and even the laundry was underway. The sitter gave me her cell phone number and kept me updated throughout the day at my request. I look forward to returning and using Guardian Angels again.
~McCarthy family; (Smithtown, NY )
Very easy booking process. Our sitter was polite and conscientious. Did well with 3 kids 2 and under bless her heart.
~Malone Family; (Holland, Ohio)
I just wanted to say how wonderful Guardian Angels Sitting Service was for us. We appreciate all the coordination. Haley was wonderful! My kids absolutely loved her.
~Gerwin family; ( Knoxville, TN)
We used Guardian Angels Services when visiting Pawleys Island, SC for a family wedding. We had a sitter for Friday and Saturday evening of our trip. Our sitter arrived 15 minutes early both night, was very friendly, professional and polite. She gave us peace of mind and allowed us to enjoy the events that were too late for our little one to participate in. We will definitely use the services again when we visit the area and would absolutely recommend the services to friends and family! Thank you! We had an excellent experience.
~Ritchie family; (Tampa, FL)
Very good service...thank you for taking care of my pride and joy! Megan was Great !
~Hart family; (Jackson, MS)
We were in Savannah for a destination wedding with our 18 month old. We had to figure out how to manage going to the wedding and either taking him (which would not be fair on him) or finding a sitter.We do not know anyone in Savannah so we were worried about using a stranger to watch Charlie but the hotel and the wedding planner both recommended Guardian Angels.We got in touch with the service and were happy to see a profile of the selected sitter. She had tons of experience which put us at ease immediately. We changed hotels and days/times for the sitter before we got to Savannah and both were accommodated with no issues. When we met Louise we were happy that she was clearly experienced, polite and energetic enough to keep up with our non-stop toddler. Louise cared for Charlie for 4 nights in a row during our vacation which allowed us to participate in wedding activities. I would highly recommend Guardian Angels, especially Louise, to anyone.
~Mitchell family : (Bermuda)
I used there service on a recent business trip to Savannah. It was nice for the kids to have the same sitter throughout our stay. By the third day, my kids went running down the hall to greet the sitter. I would recommend this service.
~McCartney family; (Georgetown, DE)
Guardian Angels sent over a fantastic sitter for the two nights we had requested one. She was organized and fun. Our daughter loved her and looked forward to seeing her! Ly is absolutely delightful and Elizabeth loved her. We felt totally comfortable and happy leaving E with Ly. She brought games and books:)
~Collins Family; (Big Sky, MT)
This past weekend we were in Charleston for a wedding and used your services. Hope Walker was absolutely lovely!! She arrived promptly to our hotel and was very engaging. I LOVE that she texted me updates through out the evening. I know our little 5 month old, James just adored her. We were so glad to have her a second night. I felt as if I could be away from my baby and know he was in great hands. Hope was also very flexible on our comings and goings which I really appreciated. It can be very difficult when you travel and times of events can change so we were very grateful for her accessibility. Our son had been off on his schedule and she handled it with ease; feeding, changing, dressing and putting him to sleep all in a tiny hotel room where you have to tip-toe around. We will forever be grateful for this weekend!! Thank you for giving us such a wonderful caretaker. We were so very impressed!
~Collins Family; ( Little Rock, Arkansas)
The staff were friendly and learned children's name which I thought was great.
~ McNeil Family; (Ft Stewart, GA) - Strong Bonds Retreat
I found out about the retreat 3 days before it's date and was cautious about attending due to unsure child care. The event hired sitters and I researched the company and called the area company. My 2 year old cries each time I leave her the whole time I am gone. After talking on the phone, I was relieved the sitters had some smooth tricks to help. And boy did they do a great job when I got there and met them.
They were all friendly and I could see the love and care they have for children. They were patient and calm and did an absolute GREAT job!
~ Hentzell Family, (Ladson, SC )
We had a really great experience with Amber. We had her booked for 2 nights and my son was super excited when she returned the second night. She brought toys and books and my son really had a great time with her. If we return to Hilton Head, I would def request Amber again.
~ DeSimone family; ( Brooklyn, NY)
Guardian Angels was the perfect babysitting service away from home. The sitters were polite, caring, punctual, and ready to have fun with the kids (brought game). All the children were able to express the good times they had to their parents at the end of the night. We appreciated your services during our wedding reception!
~ Stahl family; (Durango, CO )
Guardian Angels really came through for us. We were able to book a mature, fun, loving caregiver for two nights in a row. Thank you GA and thank you Theresa!
~ Wynkoop family; (San Francisco, CA )
Guardian Angels was great, and very easy to work with.
Our sitter was Desiree, and she was wonderful with our four-year-old daughter. Our daughter was asking to see her again as soon as she left!
Desiree helped us two different days, each time she was prompt in her arrival, and always showed up with a smile, and toys and activities. We highly recommend Guardian Angels, and we will ask For Desiree on our next visit to Bluffton, SC.
~ Lee family
Great service! Keep up the good work. Thank you.
~ Krawczyk family; (Toronto, ON)
Erin and Andrea were amazing. They handled 7 children from 5 different families masterfully, including an 11 month old baby and a set of 5 year-old twins. All of the children were tucked in and asleep when we returned from dinner. It made for a truly relaxing evening. Both Erin and Andrea were extremely responsive in responding to calls and text messages from a couple of anxious parents, quickly putting them at ease. We look forward to using Guardian Angels again on our next trip to Hilton Head!
~ McKnight family; (Atlanta, GA )
We had an excellent sitter who texted us updates as we were very apprehensive about leaving our baby with an unknown sitter. She was great and Annabelle had a great time.
~ Williams family; (Orlando Fl )
Eileen was great. Loved that she had maturity, felt confident she would use good judgment, especially with a child who has severe food allergies and a precocious 3 year old. She also had lots of energy and kept kids entertained out if hotel room. Would highly recommend her. We had never used a service like this before but were attending an out of town wedding and needed a sitter. All aspects of the service, from the booking process to the actual sitting services, were highly professional. We felt confident our children were well cared for and our three kids had fun. Another part of the reason we chose your service is we also travel to Ocean City NJ where I grew up. We will use your service there next time.We highly recommend this service.
~ Vogler family; (Raleigh, NC)
Just another happy note from a very satisfied family. Chelsea was once again prompt, friendly, and the kids loved her.
~ Damsker family
From the moment I contacted Guardian Angels I had a good experience. They were very professional and polite handling our reservation and explaining policies. Our sitter DeAndra was awesome. She did crafts with the kids and put them to bed. There was a point when the kids were being loud and she handled it well and got them quiet and engaged. My son and daughter ask about her and we will definitely request her when we are in Savannah as well as use Guardian Angels in the places we visit that they offer service. Thank you for offering us peace of mind and an excellent sitter.
~ The Greens, (Evans, GA)
Very impressed with the service after the last service we had tried to book went MIA. Chelsea the sitter was very timley, nice and would use again.
~ Lajoie family; (Scottsdale, AZ )
I was so happy that I got to meet you before the wedding! I am writing to say how very pleased we were with you, your company and the sitters that you sent to help us out last Saturday.
Rikki and Justin were terrific! So pleasant and absolutely wonderful with the kids. They did exactly what we had requested in my prior email and it made for an enjoyable day for both the kids and their parents. I think a few guests would have liked to take them home with them….they were that good! I have expressed to the Virginia Hotel wedding coordinator that your Guardian Angels business is exceptional. I would use your company again if needed and would recommend you to anyone who inquires about sitting services at the shore.
Again, I am happy that we got to meet in person. Thank you so very much for giving us peace of mind which made for an enjoyable afternoon.
~ Kathy
I just wanted to let you know that our sitter last night Melina was absolutely fantastic!! Honestly the best sitter I have ever had!!! Thanks!!
~ Haddad family; (Atlanta, GA)
Our sitter Erin was amazing!! She was always on time and even early! She was very polite, professional, and very flexible with our needs and our sons needs! We were down there celebrating our wedding and we could not have made it through the week without Erin! We recommend her to everyone, she was great!
~ Greenwell/Smith family; (Dublin, OH)
Such a blessing group to take the time to watch our boys. They were all polite and answered any concerns we had. We felt safe and no worries while our boys were in there care. Thank You all very much.
Chase family; (Ft Stewart GA)
~ Army Strong Bonds Retreat
Our family really enjoyed the services provided. The boys enjoyed their time with Guardian Angels and we were able to enjoy our time as well!
~ Matteo family; Strong Bonds Retreat
We loved Courtney! She was prompt, courteous, loving with our 4month old, and she made my husband and me feel very comfortable. We will definitely use Guardian Angels if needed in the future because she was such a great sitter. She is an asset to have on your team!
~ Brabham Family ; (Columbia, SC)
Kids loved Hailey! Nice to have someone so we could have a great evening!
~ Hartman family ; (Clovis, NM)
I just wanted to let you know how pleased we were with Cheryl. Dad and Mom, whom she was looking after, just loved her. She was prompt, very professional, and most helpful for my parents throughout the wedding events. She had a remarkable ability to be available without being intrusive. We would recommend her highly and would be most happy to be a reference for her. Please tell her how much we appreciated her help.
~ Curt and Marti Mostellar; (New Bern, NC)
I just wanted to let you know that Theresa was wonderful and we will definitely be asking for her again on future trips! She was very reliable, trustworthy, warm, organized, and professional, and did an excellent job all-around. She was wonderful with our son and it was clear that she truly enjoyed being around toddlers, which made us feel very comfortable leaving him with her even in an unfamiliar city. Thanks for setting us up with Theresa - she is great!
~ Marinov family; (Atlanta, GA)
We were visiting Charleston and Bluffton for our very first time and both of the sitters from Guardian Angels were responsible, courteous and got a big thumbs up in the fun department from my 5 year old daughter! We really appreciated that both sitters brought a lot of activities to play with since we had traveled and not brought along any of those things. Highly recommend this service!!
~ Howell Family; (Sonoma, CA)
We were very nervous about hiring a babysitter when we were on vacation but the people at Guardian Angel were wonderful and the woman they sent over was exactly what I was looking for in a sitter. The sitter was early to our hotel - very courteous, very engaging and, most importantly, the kids had a great time (and were asleep when we came home). We would definitely use Guardian Angels Sitting service again!
~ Palumbo family; (Potomac, MD)
The babysitters were punctual and professional. The kids had fun. One sitter got sick and we had another sitter come in her place, which was great. I will use this service again!
~ Kirkpatrick family ; (Johnson City, TN)
This was our first time using Guardian Angels and the process was so easy and professional.
We had the same sitter twice, and she took the kids on walks and to the playground. She was wonderful, very friendly and cleaned up after herself and the kids! We would definitely use the service again!
Thank you,
~ Fleming family; (Cincinnati, OH)
Great job! Our kids loved Hayley and Kelsie!
Thanks for being so accommodating with our changing schedule!
~ Lewis family; (Pittsburgh, PA)
Our daughter is 3 and loved our sitter, Kim! The second night she was begging us to leave so she could play with Kim! Extremely pleased with our sitter, Kim! I had never left my kids, 1 & 3, with a sitter I did not know personally but Kim was great and allowed my husband and I to enjoy dinner dates on our vacation, knowing our kids were well cared for and happy! For me, the key to a service such as this is the high quality sitters that can put nervous parents at ease.
~ Falk family; (Houston, TX)
Kim was very professional, polite, and immediately connected with our daughter. She seemed to take the job quite seriously, and we were impressed with her enthusiasm and strong communication skills.
~ Rauscher family; (Lafayette, CO)
Claudie was our "Angel" for the night. She was friendly and engaged well with my children. Would definitely use this agency next time we are in the area.
~ Hanson family; (Columbia, SC)
Chelsea was great. Timely, fun, and took great care of our 2 year-old daughter, including a wonderful walk on the beach.
~ Vasileff; (Plymouth, MI)
We had her for 2 nights and they could not wait for her to come back the second night. She brought games and books and related very well to them. Seemed to genuinely enjoy looking after them. I was very comfortable leaving them in her care. Chelsea even was available to have a phone call in advance with my daughter-in-law (who was not on vacation with us) just to make sure she was also comfortable with Chelsea. Very smart, dependable and fun but calm.
Chelsea was a perfect match for our 2 granddaughters aged 4 and 6. They were immediately at ease and couldn't wait for her to come back the second night. She was able to feed them dinner and get them to sleep - not an easy feat since they were excited about sharing a room. As a grandmother, it was my first time to ever use a sitting service and was a little apprehensive but the whole process and Chelsea as the sitter worked out better than i expected. Definitely recommend and will use the service and Chelsea if we have the opportunity to again.
~ Herron family, (Stone Mountain, GA)
I just wanted to take a minute to thank you for the service you provide. Our sitter was extremely professional and our son felt so comfortable with Deandra! She is a natural!
~ St Marie Family
Our babysitter was AMAZING and I would highly recommend her. Each night she brought toys and games for the kids to play with (Mae loved her) . She cleaned up the house each night and recapped the night with kids in detail. We were very impressed!
~ Elias family
The service was easy to find, easy to book and true to it's word. The sitter was punctual and lovely. We miss her and wish we could use her at home. Thank you.
~ Passante family; (Pelham, NY)
Desiree was delightful. She arrived early and asked thorough and thoughtful questions about our son's routine, his likes, dislikes, food and sleeping habits. She brought toys and games to entertain him--even though we certainly had our own.
When we returned back to the hotel, she had written a two-page note outlining everything they had done while we were gone, what our son had eaten for dinner, what time he had gone to bed. I would not hesitate to use her again and again and would highly recommend her to anyone looking for a sitter while in Hilton Head.
~ COYLE FAMILY; (Portland, OR)
Our girls LOVED the sitter, she was energetic and actually played with them!I would highly recommend this service to anyone visiting HIlton Head. Our sitter was exceptional, we felt very comfortable leaving our little ones in her hands!
~ Murphy family; (Columbus, OH)
Our son had a blast with her, despite just getting over being sick and a long trip down to Hilton Head. He has never had so much fun with someone he just met. She was great! We really appreciated the text she sent us, letting us know that our son was asleep and everything was good. We also liked the letter she wrote, telling us about their night together.The service could not have been better, and we were very happy with our babysitter. Thanks to her, we were able to have a fun and relaxing night, knowing our son was in good hands.
~ Oare family, (Warrenton, VA)
From the moment I contacted Guardian Angels I had a good experience. They were very professional and polite handling our reservation and explaining policies. Our sitter DeAndra was awesome. She did crafts with the kids and put them to bed. There was a point when the kids were being loud and she handled it well and got them quiet and engaged. My son and daughter ask about her and we will definitely request her when we are in Savannah as well as use Guardian Angels in the places we visit that they offer service. Thank you for offering us peace of mind and an excellent sitter.
~ The Greens, (Evans, GA)
We used Guardian Angels for babysitters for 8 different families for a wedding. They were incredibly wonderful to work with - always responsive and accommodating (including when we added two families 4 days before the wedding!). Everyone reported that their sitters were great and the kids had a wonderful time.
I would definitely use them again and would recommend the service.
~ Ganschow family; (Chicago, IL)
Susan was fantastic on Saturday night and came with tons of activities for all the kids. I highly recommend her!
~ Mattix family; ( Virginia)
We really enjoyed having Mallory take care of our daughter. We felt confident she was in good hands. Thank you Guardian Angels for helping us have a great time!
~ Walker family; (Katy, TX)
So wonderful and was really great about bringing items for our daughter to keep her entertained. This was our first time using a service and we loved it! The babysitter was very dependable and you could tell loves children and I felt at ease the whole time we were away! Would recommend the service to anyone.
~ Dorsey family; (Arlington, VA)
My husband and I would like to thank you for your amazing services! Our sitter Erin was amazing!! She was professional and did an amazing job with our son! She was flexible and open to whatever we needed from her to make our wedding week go smoothly! We visit HHI every year and would love for her to watch our son next year again!! Also, planning through guardian angels was so easy and we could not be happier with the services we received from everyone! Thanks again!
~ Josh and Lauren Smith (Greenwell)
The kids really enjoyed their time with Ms Courtney! They warmed up to her almost immediately, especially since she brought fun toys with her! :) My sister and I felt completely comfortable leaving our 5 young kids (all under 6 years old, including 2 sets of twins!) with her while we enjoyed a nice dinner out with our husbands. I would definitely use this service/sitter again next time we are in Hilton Head, SC.
~Mitchell family; (Midlothian, VA)
The service is outstanding! Everything was so well orchestrated, from the booking all the way to the service deliverance. It was a relief to have this important detail taken care of by professionals. Our children had a great time. My hat is off to the Guardian Angels
~ Key family; (Aiken, SC )
I found out about the retreat 3 days before it's date and was cautious about attending due to unsure child care. The event hired sitters and I researched the company and called the area company. My 2 year old cries each time I leave her the whole time I am gone. After talking on the phone, I was relieved the sitters had some smooth tricks to help. And boy did they do a great job when I got there and met them.
They were all friendly and I could see the love and care they have for children. They were patient and calm and did an absolute GREAT job!
~Hentzell Family; (Ladson, SC )
We loved Courtney! She was prompt, courteous, loving with our 4month old, and she made my husband and me feel very comfortable. We will definitely use Guardian Angels if needed in the future because she was such a great sitter. She is an asset to have on your team!
~Brabham Family ; (Columbia, SC)
Very friendly service. Having a responsible person makes you feel at ease with the care.
~Brite family; (Douglasville, GA)
The sitter whom we were paired with did a great job babysitting our children during our week long vacation. She always arrived on time, she was polite & trustworthy, and came prepared with LOTS of fun crafts, art projects & games to keep the kids busy!
~Hasley family; (Winnetka, IL)
We were very happy with our sitter.
~Ciment family; (New York, NY)
She was amazing!!!! The kids loved her and we felt very comfortable the moment we met her. We loved her! She showed up with toys ready to go! The kids had a great time and she put our kind to ease the moment we met her. The service was very professional.
~Corrigan family; (Gahanna, OH)
Desiree was great- very professional, equally at ease with our toddler and our older kids. They had fun, asked if she could come back, and she gave us a very thorough report when we got back.
~Marine family; (Montclair, NJ )
Guardian Angels offered a great and easy to use service when my wife and I were looking for some time alone on our family trip to Hilton Head Island. The sitter was early to allow enough time to be briefed on our children's names, routines and needs for the night. She was professional and well qualified! Thank you for a great service!
~Cox family; (Cincinnati, OH)
I loved the girls taking care of my daughter, she's rarely left with a sitter and these girls put me at ease right away & I knew she was in good hands. I've never felt more at ease with childcare for my daughter!
~Falkner family;( Ellabell, GA)
My daughters absolutely adored Suzanne. She was caring, thoughtful, and fun. We were pleased that she took initiative - like brought extra snacks on the 2nd day, but asked us whether that was OK. She set appropriate boundaries and the kids not only loved but also respected her.
~Gardner family; (Newton, MA)
They did a great job with my kids, so good that they didn't want to leave when we came to get them!
~Carlos family; (Ft. Stewart, GA)
Fabulous! Ellen was just great. I trusted her completely. She was a very kind and sweet person. Everything went off without a hitch. She watched our little Maltese, Annabelle, while we celebrated my granddaughter's wedding in Savannah. Ellen watched Annabelle every evening for 4 nights--from 4:00 p.m. until between 11:00 and midnight. These people know what they are doing and you can trust them!
~Hogendorn family; (Solon, IA)
Deandra was very polite. She listened to directions. We arrived home and she updated us on the evening - children remained asleep. She checked on them periodically.
~Berkowitz family;
She was not only polite and courteous but very personable, friendly and caring. Came with books and toys. Great sitter. Personable, caring, friendly. I would definitely use her again and would also recommend Guardian Angels to my friends.
~Strassner family; (Sandy Springs, GA)
We - and our children - could not have been more thrilled with our experience with Guardian Angels and Telicia. Thank you so much!
~Fox family; (Mill Valley, CA )
Very gracious and kind. I could not have been more pleased with everything!
~Jones family; (Charlotte, NC)
I will def use this service as a private customer. My son enjoyed his sitter who played with him and kept him calm while I was in sessions.
~Meharg family, (Fort Stewart, GA)
My daughter was very upset with the idea of a stranger watching her. By the time I returned to pick her up she was happy and informed me about the crafts she did and the food she ate.
~Page family; (Aiken, SC )
We were so happy with Desiree. My son had such a good time with her. My son has special needs and he warmed up to her immediately. He had a blast hanging out with her. We could not have been more pleased!
~Linton family ; (Potomac Falls, VA)
Great Service. Very Pleased
~Bush family ; (Hoover, AL)
We loved our sitter. I cannot remember her name at the moment. She was great with the kids and they were in bed on time. Thank you for a great service to vacationers.
~Desantis family ; (Charlotte, NC)
We have come to trust Guardian Angels sitters to care for our children while we are on vacation in HHI!
~Olives family; (Atlanta, GA)
Wonderful company. Very friendly and easy to use. My children loved their sitter and she even brought fun things for my kids to do and make. Would recommend and will definitely use again.
~Pease family; (Columbus, GA)
Samantha was better than we could have ever anticipated. She truly cared for our grandson, had activities for him, played games with him, and became a friend for him. He could not wait for her to come back the second day. Very prompt and courteous. She was exactly what we hoped for and more.
~Dallman family ; (Bradenton, FL)
I can't say enough good things about the experience and our sitter. She was better than i could have ever expected. I was certainly nervous about using a sitting service and a sitter that we'd never met before but it was just a perfect experience. There were a number of issues with my work dinner and our sitter was so unbelieveably gracious and professional. Ms Susan was thoughtful, considerate, and - most of all - GREAT with the kids. They asked if she could come back the next day.
Well prepared, professional, kind and courteous - couldn't have been a better experience!!
~Massie family; (Smyrna, GA)
Our sitter came for 2 days. She arrived on time and was very interactive with our special needs daughter. She took her out for rides, to the mall, etc., and also took her for long walks. We so appreciate this service!
~Tollison family; (Greenville, SC)
Meghan was punctual, polite, and had fun with my kids. Even though she only babysat in the evening and had very little interaction with them before bed, you can tell that she loves children. She made an effort to get to know my toddler in the little time we had together. All you can hope for is that someone has good judgement should an emergency happen, and we felt confident that she does.
~Heimowitz family; (NY, NY )
Natalie was FANTASTIC! She brought toys for our son and took him to the playground. He didn't even notice we were missing, he has a great time with her. She even sent us a pic of him when he fell asleep to put our minds at ease. We just loved her and Thank you!
~Miller family; (Media PA )
Wonderful experience and will definitely be using you guys again!
~Clair family; (Durango, CO )
The process to book our sitter was simple and quick! DeAndra was great with the three kids we left her with! Would definitely use guardian Angels again!
~Ramji family ; (John’s creek, GA )
Of all the sitter services we have used at hotels, Guardian Angels is the best! Advance communication fantastic, timely, uniformed, professional, and equipped to keep our two girls entertained. A+++
~Melia family; (Falls Church, VA)
Chequaila was the best person to care for my mother. My mother does not know her limitations. Chequaila not only watched my mother safety but did in a manner that my mother never noticed. I would recommend Chequaila to anyone who has a elderly person who has a tough disposition. She not only took care of my mother but made her feel like she was making the decision for herself. Thank You for having such a wonderful person on your staff.
~Starsiak family; (Spring Grove, IL)
Great service....easy to book and confident in the service.
~Gilbow family; (Indianola, MS)
I have never left my son with anyone other than a family member and even then for only very short periods of time but when my son asked for Kim to come over again on Saturday after he had spent the night before with her, I knew I made the right choice.
~McKenna family; (Browns Summit, NC)
Radie was a great sitter and we felt comfortable with her from the time she arrived.
~Ray Family, (Tupelo, MS)
Guardian Angels was wonderful! Melissa was very helpful and prompt in setting up everything, and our sitter, Chequalia, was responsible and sweet--even with our very bad sleeper 1-year-old. Thanks so much for the peace of mind while we were on vacation!
~Gatson family; (Chevy Chase, MD)
We were in Charleston for a wedding. I called Melissa a few days before our arrival and she worked quickly to find us a great sitter for the days we needed. She was courteous and very responsive. We are very grateful!
We could not have been happier with the service that was provided. We travel a lot and have used similar services in different cities. Guardian Angels is on the top. We are back in Austin now and he has asked on a few occasions when is he going to get to play with LeAnn again. She was so sweet! We could not have been happier. Wish she lived closer to us so we could use her again!
~Barzizza family; (Austin, TX)
Our twin two year olds and six year old loved our sitter, Haley. She was very confident and comfortable around the children. We have used sitters all over the country and this one was one of the best we've had. She even had drawing supplies with her! Thank you for allowing my hubby and I to get out and enjoy ourselves without worrying about the kids.
~ Marvin Family, (Atlanta, GA)
Thank you so much for sending Hayley to us during our recent visit to Palmetto Bluff, SC. She was absolutely wonderful, and a pleasure to have sit for our six kids. We had a very unstructured evening, and Hayley easily adapted to our changing needs. My only regret is that she doesn't live in our home state!
~Heather Negley; (Scotch Plains, NJ)
Our son was married last weekend in Charleston and we used Guardian Angels Sitting Services three times. Amy is a competent and caring "sitter" and we felt very comfortable knowing that our granddaughter was in such good hands. We highly recommend your services. Thank you."
~Bortnick family; (Potomac, MD )
We loved Susan. She was loving, fun and knowledgable with our 4 year old and so loving and caring towards our 4 month old. I was sooooo nervous about a stranger watching our baby but Susan is just awesome! She was always engaging the kids and was such a pleasure with us as well. We will always request her when we come down south!
~Brister family; (Cottontown, TN )
Thank you so much for finding Victoria for us for pet sitting. She was awesome and our dog loved her, too. I would use her services again!
~Doyle family; (Chicago, IL)
Kim was fantastic, and I hope to be able to use her next time we visit Charleston! Thank you for all of your help with making my vacation much better and allowing me to rest easy, knowing my little guy was in good hands.
~Ward family;( Brooklyn, NY)
The service was very professional. Took care of a meeting with the assigned sitter before the job so the 2 year old would be comfortable. On time (4:45 am) and ready so we could make our start of the race. My daughter had never hired a babysitter for her 6 month old son or her 2 year old daughter. She was very concerned about leaving them. After meeting Susan her mind was put to ease and she was able to run the Race knowing her children were in good hands.
~Stoneking family ; (Minneapolis, MN)
I had a wonderful trip & felt very confident about Samantha's care for my kitty. She called me on the last day to let me know that all was well here. She left a receipt for the payments I made & the house & cat were in good shape when I get home. I hope I can call on you all again.
~Lewis family; Sun City
I have used Guardian Angles for years.
I am always been impressed with Christina's professionalism and focus on the quality of her babysitters. They have all been kind, on time, and very experienced with kids.
I would and have recommend this service to my friends and family.
~Fleming Family; (Haddonfield, NJ)
We have used Guardian Angels for the past 2 summers and have been very happy with our sitters. My kids had a blast with new toys and a new "friend" to play with. Booking a sitter was easy and its so nice knowing you have an extra set of hands to help with the kids. I will definitely use their service next summer!
~Clark family; (Rockville, MD)
DeAndra was amazing!! In five years, it was the only time my children have not cried when we left!!
Balenger family; (Hendersonville, NC)
Just the best!!! I was very cautious to use a sitting service but all of our concerns went out the door as soon as we met with the agency. We have used several times & all the girls were wonderful. My son had a great time with all the sitters. Everyone was very polite & provided a great level of service. I strongly recommend to all of my friends, family & refer often. Thank you,
~Kieran family; (Cold Spring, NJ)
Our sitter was on time and very patient with our little, who had not spent much time away from parents before her sitting session with him.
~Gencheva family; (Laurel, DE)
Absolutely wonderful service! Our sitter was extraordinary and all 3 children felt comfortable with her. She met each of their needs...ages 12,9,and 4. She did special activities with them. They really liked her and so did we!
~Jackie M., (Cherry Hill, New Jersey)
I wanted to thank you for coordinating a sitter for us. Christa was an absolute delight. She was prompt, professional and so great with the kids. It was very hectic at the hotel with the wedding going on and the hotel room was smaller than I had anticipated. Christa rolled with it and we so appreciated it. Her experience with similar events and situations made us very comfortable and we really appreciated her flexibility to be with the children in a small space and bring them downstairs a few times to enjoy the wedding a bit too. We highly recommend Christa to your other client families.
I was nervous to find a sitter online and through a service but we have had a great experience and we will recommend Guardian Angels to friends and family in the area.
Regards,
~Stefani Crumley
Samantha was a terrific. I would recommend her in a heartbeat. Samantha took my boys to the skate park where they had a wonderful time. She also gave them to eat for lunch, and when I came home they were playing games. My boy said that she was great fun. I would recommend Guardian angel sitting service any day of the week. It was fast easy, and you can trust the sitters.
~Chappell family; (Hilton Head, SC )
The sitters were hired to help entertain the children at my daughter's wedding reception. They were amazing! The knew just when to step in and distract them, and when to back off. They were very professional and did a fantastic job! I highly recommend Guardian Angels and these three sitters.
~Valentine family; (Myrtle Beach, SC)
Amber was great. My six month old son immediately bonded with her and we got comfortable quickly. She was very sweet with him, knew what she was doing, and she was easy company to have around. We were very hesitant about using a service particularly since our son is so young, but it was a very positive experience. It really helped us enjoy our vacation.
~Bernard family; ( Brooklyn, NY)
"Just a note to thank you for the babysitting service your company provided. My Niece said that the babysitter was wonderful and that everything went well. You were prompt and very well organized which I could not say about me. Having a wedding in Cape May can be a wonderful thing but it certainly is a lot of work. Hopefully we can return and really vacation there and come enjoy a breakfast at your family's restaurant."
~ Sue
"Like always, I was hesitant to leave my kids with someone other then my family but when work called Guardian Angels stepped up to the plate. I worked on conference calls in my office as a Guardian Angel watched over my own angels. I finally had piece of mind and piece of quite to get what needed to be done finished. I am so happy that a mommy friendly babysitting service is available in Cape May County. The babysitter painted and did a craft with my kids and ran outside with them. I occasionally heard a giggle from outside the office and that was reaffirming that my children were in good hands (ahem.....wings?)"
~ Elizabeth Norton (Cape May, NJ)
This was the first time I ever left my 8-month-old son with anyone other then my Mother. I felt very comfortable right away with our babysitter, Elizabeth. My son was smiling right away. She was excellent. I do plan on using Guardian Angels sitting service again in the future. Thank you for a wonderful experience.
~ Jennifer Martin (Lakewood, NJ)
While away from home we utilized the Guardian Angels Sitting Service at a hotel and immediately got a comforting feeling from the friendly scheduling exchange down to the detail in learning more about the baby sitter in advance. The service and babysitter on site were professional and friendly and asked all the right questions before we left. We would use the service again next time we’re visiting the Jersey shore.
~ Lyza Lyon (Maplewood, NJ)
Thank you for your help in finding the perfect babysitter for our 14 month old little girl. The babysitter was not only friendly and sweet but also obviously knowledgeable about kids. We felt very comfortable going out knowing she was there. I would easily recommend your services to my friends and family. Thanks again for your professional yet personal service. We will call you next time we are in Cape May! Cheers!
~ Colleen Fleming (New York, NY)
Our weekend at an Atlantic City hotel for my company's holiday party was the first time we'd ever left our son with a babysitter. We had some specific requirements to meet his needs, and you came through with flying colors! We are so appreciative of your outstanding service. When asked to rate his sitter on a scale from 1 to 5, 5 being the highest, our son rated her 3,000,005! Thank you so much!
~ Murray Apatoff (Langhorne, PA)
Thanks for everything. Jessica is a gem. Zachy loved her, and we felt completely secure with her. She is cute, lively, fun and attentive, and we will look forward to working with her again, next time we are in the A.C. area. If she ever needs a reference, let us know – we really enjoyed having her babysit for Zachy, and he just bonded with her as if he had known her for ages.
~ Jonathan Zanger (New York City, NY)
It was a pleasure working with Guardian Angels. I almost decided to not make the trip because we did not have a babysitter for my daughter. I've never left her alone with anyone besides her Grandmother so I was very nervous and a bit stressed out. To complicate matters, my daughter is very leery of strangers. After a whole year, she still cries every morning when we drop her off to daycare! I am happy to report your sitter arrived on time, was dressed appropriately and had a wonderful demeanor. We were gone for 4 hours and not a single tear! Wow! It couldn't have worked out any better than it did. Thanks for coming to my family's rescue! Because of you, we were able to conduct our presentations while the babysitter was there and have time for a wonderful mini family vacation at the beach following. Thanks!
~Diane Ellis (Waxhaw, North Carolina)
We had an absolutely wonderful time with your service. Heidi was fabulous and just great with our daughter. We will be back in July and I will contact you in advance to see if Heidi can return. We also liked Lindsay, too. Thank you so much for opening Guardian Angels to give visiting families a great option to help take care of our kids! My sister-in-law and cousin will both be down with kids later this summer and we will recommend you highly.
~Page Kranbuhl (Washington DC)
I needed a sitter last minute on a holiday weekend and the representative from Guardian Angels Sitting went above and beyond trying to accommodate us. She was very attentive and courteously fielded numerous calls. We were very happy with the babysitting services that we received. Our sitter kept in contact with us when she ran into heavy traffic (July 4th weekend) and we felt very comfortable leaving her with our son. I will definitely use this service again when I return to Atlantic City. Thanks again!
~Jennifer Griffing (Frederick, MD)
"Guardian angels have been very professional, quick & efficient. They find somebody trustful who immediately took excellent care of our 3 kids. I definitely recommend using Guardian Angels Services." sego, mum of 6 yo, 2.5 yo and 1.5 yo.
~Ségolène de Marolles (Atlanta, GA-monthly member)
We had a very positive experience with our sitters from Guardian Angels Sitting Service. Both were highly qualified and engaging with our daughter. She adored both of them and liked having special things while we had an adult evening. We felt 110% comfortable with both matches and appreciated the time Christina took to place just the right sitter with our toddler. Guardian Angels Sitting Service met and exceeded our very high expectations! We look forward to using them again next month when we return. A+++
Kind regards,
~Laura Hughs (Arlington, VA)
We are so very pleased with your service and the sitter you provided us. Heidi was absolutely amazing!!! Our daughter took to her right away (which is saying a lot!!). She was so good with her.....playing with her, reading her books, taking her to the beach, the pool and the library. Heidi was very punctual and accommodating.... and even agreed to stay late when our job ran over. I highly recommend her to everyone!!! Thank you!!
~Janine M. Bartok (Eagle, CO – Weekly member)
Thank you so much. Christa was wonderful. Your service allowed my wife and I to escape for an afternoon boat ride which we have a hard time doing since we had twins 6 months ago. We will be using your service again soon.
~Mark Gellert (Royersford, PA)
Thanks again Christina. Laura was great, and if you could let her know, Keegan's first words in the morning were, "Where is she? I want to see her!" Take care, and we'll be in touch if we're ever in your neck of the woods again.
~Bridget Evans (Alexandria, VA)
Our pet sitter was wonderful and so friendly! It was a relief to know that our dogs were being so well cared for!
~Greg Lis (Virginia)
Your service was a lifesaver to my wife and me. Andrea was on time both nights and seemed to really enjoy our sons company allowing us to enjoy ourselves without worrying about our boy. We were so grateful to have your company available, which in turn, made our vacation much more relaxed and enjoyable.
Thanks.
~Sam Pittenger (Knoxville, TN)
We really enjoyed having Delia sit. Carl (my five year old) announced, "Delia is fun"! When Elizabeth (my almost 3 year old) woke up the next day, she asked, "Where is Delia. She come back soon?" As the mom, I was really delighted with Delia's professional demeanor and obvious comfort level with the kids.
Thanks!
~Katherine Widnell (Wichita, KS)
"Melissa, we wanted to let you know how happy we were with Mandy sitting for us and taking care of our 5 1/2 a 2 year old girls. After meeting her, my wife and I were comfortable enough to have a relaxing and enjoyable evening out without worrying. The girls loved Mandy and we loved the art projects we got when we got home!! Thanks again, and we will be calling you again next time in Hilton Head
~Larry R. Brooks, (Roswell, GA)
Melissa,
We just wanted to let you know how much we enjoyed your service and Tiffany as our sitter. We will definitely contact you the next time we need a sitter. Tiffany was a wonderful sitter and handled all of our details with care and professionalism.
Thanks so much for Tiffany.
Regards,
~Fred and Irene Klein (Hardeeville, SC)
I highly recommend this sitting service.
We went on a 4th of July vacation to Cape May, and wanted to have one romantic night as a couple, but nervous to leave our 3 kids with a stranger... Christina was very reassuring on phone and emails, and the sitter was a lovely experienced college girl.
We're going again next summer, and plan to use Guardian Angels again!
~The Ponzio Family (Tenafly, NJ)
We used the sitting service while visiting Cape May. Our sitter was wonderful and the kids loved her. She took them out on the town, while we enjoyed a nice dinner and some shopping. I felt completely secure and confident with the sitter and we are already planning on using the agency again during our next vacation.
~Laura Johnson (Pittsburgh, PA)
I was at a work conference in Savannah, GA and the hotel recommended Guardian Angels service. I cannot say enough wonderful things about Teresa, the angel send to watch my angel. She was wonderful with my 7-mo. old son. He was entertained and happy, did I mention asleep 1 hour before his normal bedtime! She was trustworthy and clearly very good with children. I do not trust easily, so this was very difficult for me. She and Guardian Angels were fantastic and I will recommend them to anyone I know!
~Danielle Hardin, (Avon, IN)
Thank you so much for referring Shannon to us. She was absolutely wonderful and the kids loved her! She arrived on time, was professional, friendly and trustworthy. I will definitely be calling again and asking for Shannon! Regards,
~Andrea Scalisi (Merrick, NY)
Guardian Angels has always provided my polite, friendly, competent sitters that I felt immediately comfortable leaving my child with. Their ability to get me a sitter on short notice has been a saving grace. My child had reoccurring ear infections before she got tubes and was getting sent home from daycare regularly with fevers. If it hadn't been for the ability to contact Guardian Angels and get a sitter at the last minute for the following day I don't know how we would've made it through. The service and the people are wonderful. I recommend them highly.
~Christine Wrobel (Bluffton, SC)
Melissa,
I wanted to follow up with you from the other night. I came home and was in absolute shock. Amanda had basically cleaned my whole house. Prior to going out I told her to excuse the house, especially the kids messy rooms because I worked and went to college full time. She took it upon herself to clean the kids rooms and even vacuumed them. She cleaned the dishes and emptied the dishwasher. This was one of the best surprises that I had ever had. When someone comes to watch the kids, I don't expect them to clean up after my mess. In fact, I usually come home to a bigger mess than when I left. Amanda went above and beyond. I can not tell you how happy I was upon returning. Of course the kids like her a great deal, which is why I requested her, but I did not expect this. I cannot say enough great things about Amanda, or about the ease of using your service. It is so nice to know that a sitter can be available on short notice. It is especially nice to know that you are insured and that your sitters can be trusted. Calvin and I had a sitter steal money and jewelry from us a while back, and we are very leery of who whe leave with the kids. Thank you again so very much. I will gladly do a ton of free marketing for you. You have a great service. Thanks again,
~ Kristen (Hilton Head Island, SC )
I would recommend this service to friends/family visiting the area that do not have a regular babysitter. However, the price for this service limits my ability to use them in the future. Had I not used my gift certificate, I do not think I would have used their services. I was very pleased with the contact I had with Guardian Angel and the ability to find a sitter for my children. Our sitter was also very friendly and my kids had a great time.
We were very pleased with Guardian Angels Sitting Service. Everyone was polite and helpful. Our sitter was great with our children. I would recommend their service to anyone visiting the area.
~Stacey Crockett (Bluffton, SC)
The sitter was friendly and caring. My son loved spending time with her. They played games, did activities and swam in the pool while I was a way.
She was also punctual and reliable. I was not worried leaving my son with her as she took very good care of him. ~Rohan Jayasena, (Sidney, NY )
We had Theresa Lynn from Savannah, GA. This was our first time having a babysitter outside of the family, so we were very nervous. Theresa was very comforting and made me feel secure leaving our 4 month old with her. I wish you had a service in Northern NJ where we are from. Thanks again!
~ Cianesi Pena, (West Orange, NJ )
We were able to go out on the town with a peace of mind knowing that our daughter was being well looked after by a professional sitter from Guardian Angels.
~Nelson Whitford, (Newmarket, ON )
Great job by a group of professionals who not only do a great job, but do a job they love and do it professionally.
~Brett Newmeyer , (Columbia, SC )
Professional and exactly what we needed for our special guest! Great service!
~Jenny King, SCAD University Savannah, GA
We absolutely adored our sitter. Natalie was wonderful with our 8 month old and 2 year old. It was so great having her with us for the week. We will definitely be asking for her again for our next trip to HHI.
~Amanda Keller, (Alliance , OH)
The best keep secret at the shore!
~Karen Mandler, (Stone Harbor, NJ )
Enjoyed a night away from my kiddos while on vacation! My kids had fun too!
~Kit McCaffrey, (Sevierville, TN)
We recently lost a long time sitter and had been left with some gaps in our childcare coverage for the summer. One quick email and all my needs have been met. The boys are all smiles so far, and have been anxiously awaiting their "new babysitter" to return. Thank you!
~Roseanne Foxx, (Avalon, NJ )
Sarah, our sitter, cleaned our condo better than I would have ever dreamed myself doing. She placed our beach things up on hangers, washed the children's clothes and our beach bags, emptied the dishwasher and straightened the condo. She was great.
~Liesel French, (Birmingham, AL)
Great service, made our vacation relaxing and provided a nice break for us.
~Darby Mingey, (Brooklyn, NY)
I was concerned about finding the perfect sitter for my nephews' children during my daughter's wedding ceremony at the Seaview Dolce Resort. Since my nephews were coming in from Tennessee, I was especially concerned about the adaptation of the four boys, aged 4,5,6, &7, to being in a strange place with someone they had never met. My concerns were totally unfounded. Almost from the start, the sitter had the children playing games and even "braiding her hair". The parents only checked on them once and were completely at ease. Thank you for providing a service that allowed everyone to enjoy our wonderful wedding celebration.
~Frances Purciello, (Barnegat, NJ )
I was very pleased with Guardian Angels and Eliza K. We had a last minute request for a wedding weekend in Savannah and Guardian Angels took care of us promptly and professionally. As a mom in a new city, I was pretty uneasy leaving my son with a stranger. But Eliza was wonderful, politely took control upon arrival, and allowed us to proceed on to the wedding events. She followed all instructions we had for care and gave a full report at the end of each day. We will definitely try to use Guardian Angels in the future if available where we are traveling.
~Kara Miller, (Round Rock, TX )
It was a little more expensive than we pay at home, but given the short notice, set up time and the environment, we didn't feel the cost was unreasonable. Melisa was very accommodating, and the kids loved both sitters. We felt very comfortable with the whole process, especially comfortable leaving the kids with the sitter.
~Dennis Patrick (Mt Pleasant, SC )
We were pleased with the ease of requesting a sitter. She was lovely and my children really liked her!
~Shane Fryer, (West Haven , CT)
Thank you and Megan for such great service last weekend in Atlantic City. We were so happy with the service and Megan was just a delight. My daughter has asked already if we can go back to Atlantic City, and we go to a party so she can have Megan babysit again. Thanks so much and we have already recommended your service and will do so on Yelp as well.
~ Jacqueline Sloboda
We had wonderful sitters for our trip to Savannah. Would highly recommend them...
~ Megan Palmeri, (Augusta, GA)
Execellent service, thank you!
~ Robert Bagay, (Pittsburgh, PA)
We love the sitters at Guardian Angels. We use the service every time we are on Hilton Head Island and that is several times a year. The sitters are always on time, nice, and bring things to entertain our girls. I would recommend guardian angels to any one and tell them to enjoy their time because they will not have to worry about their children!
~ Larry Brooks, (Roswell, GA)
This was a brand new experience for us, to use a sitting service in a visiting city. We were impressed by the professional responses received during our initial inquiry, the detailed information emailed in advance about our sitter and then we were mostly impressed by the young lady who took excellent care of our four year old daughter who even asked when she could be babysat by her again.
~Laura Risman- Lipkin, (Staten Island, NY)
Guardian Angels did an excellen
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https://www.pridehockey.com/alumnae
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Alumnae
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The Washington Pride is a college-prep Tier 1 (AAA) girls ice hockey team based in the Nations Capital. The Pride competes in the Junior Women's Hockey League and in various events across North America.
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https://assets.ngin.com/site_files/1201/favicon.ico
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Washington Pride Hockey
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http://www.pridehockey.com/page/show/190875-alumnae
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The 2024Washington Pride Alumnae game will be held on Thursday December 19, 2024 at 7PM at Rockville Ice Arena. Post game reception at Clydes Tower Oaks.
See you there!
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http://malevil.network/martine/artist/578393/eryn-shewell
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Martine
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https://www.sonicbids.com/band/erynshewell/
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About Eryn Shewell & The Whiskey Devils. Eryn Shewell & The Whiskey Devils is a Rock and Blues Band
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"Shewell Sings The Blues"
4-3-08 Asbury Park Press article "Shewell Sings the Blues"
Shewell sings the blues
By SARAH WEBSTER • Staff Writer • April 3, 2008
ASBURY PARK — Family members knew 10-year-old Eryn Shewell had musical talent when she sang karaoke at her uncle’s wedding.
Standing in a corner with microphone in hand, Shewell impressed her family members when she started singing "I Saw the Sign" by Ace of Base.
"No one knew I could really sing until that time," she said.
"I have been singing my whole life," she said.
Shewell, now 23, is a musician and mom. She lives in East Brunswick with her 4-year-old daughter, Emily.
"I do music, and I’m a mommy," she said. "I wouldn’t be able to do this without my family. Anytime I need a baby sitter they are there for me, and they also come out to the gigs.
"I’ve played many times where there is only my mom in the crowd," she said.
How does she do it all as a full-time parent?
"A lot of phone calls and e-mails," she said, adding that she also utilizes a Web site called wheresthegig. com, which helps musicians keep track of performances.
Shewell (singer/songwriter/guitar) has her own original music band named after her, The Eryn Shewell Band. She formed the band in June 2007 and they are now putting out a live release called "Live from the Cutting Room.
"
"Right now I have a nine-piece band," Shewell said. The band members include Pat Ruh (guitar), John MacDonald (bass), Elliot Kessler (drums), Antonio Gambrell (trumpet), Tommy Meares, (trombone), Arne Wendt (keyboards), Kathrine Verderosa (backing vocals), and Jenna Britton (backing vocals).
The band has been busy in the past year, Shewell said, playing gigs at least two to three times a week all over the tri-state area.
"I have this band and also a cover band on the side," she said, adding that the cover band is the one that pays the bills.
Shewell grew up in a music environment. She said her mother, Dawn VanArsdale, and father, Larry Shewell, both sing; her aunt Lori has been in a cover country band for 20 years, and her grandfather William Jennings plays various instruments and country and bluegrass music.
"He plays everything from banjo to guitar to accordion," she said, adding that family gatherings involved everyone sitting around singing and playing guitar.
When it comes to music, "I guess it’s in the blood," she said.
What type of music does Shewell prefer to sing?
"I like to sing blues and jazz the best," she said. "Rock is fun, but I prefer the other two.
"
She has followed her passion for jazz and blues to New Orleans.
"The entire city of New Orleans inspired me," she said. "It was amazing.
"There is all this spirit and energy there — the horn players will walk around and play anywhere and everywhere," she said, "even if a band is in the club, and they are outside playing.
"
Shewell has one self-released full-length record out named "One Song at a Time." It’s a release she calls a "living-room record.
"
"I did it myself in my living room," she said, adding she called her band members over to her house to make it.
The band has just recorded a live album at The Cutting Room in New York City, and it is due to release by the summer. It will feature a DVD of a live concert and feature clips of Shewell speaking.
The live record currently is being mixed, edited and packaged, she said.
Eryn Shewell will be playing acoustic gigs at 8:30 p.m. April 4 at the Twisted Tree Cafe in Asbury Park, at 10 p.m. April 12 at the Beacon Street Grill in Neptune and at 9 p.m. April 16 at Bar Anticipation in Lake Como. For more information, visit www. myspace. com/erynmusic or www. myspace. com/theerynshewellband.
- Asbury Park Press
"Going For Broke"
Going For Broke... Asbury Park Press Article
GOING FOR BROKE
Shewell has stars in her eyes
Posted by the Asbury Park Press on 09/29/07
BY ED CONDRAN
CORRESPONDENT
Ever since Eryn Shewell was a young girl, it's been the music industry or bust.
The East Brunswick-based singer/songwriter has had her heart set on a career as a performer ever since she was in middle school.
"I used to tell people back then that I would become famous," Shewell said. "They said, "Make sure that you have a backup in case your music doesn't work out.' Most people have a backup."
However, there is no contingency plan for the 23-year-old Shewell, who grew up in Jackson. The shy, soft-spoken songsmith plays mother to her 4-year-old daughter during the day and is a musician at night.
"This is it for me," Shewell said. "My family and my music is my life. There's not time for much more."
Blues, jazz and rock are some of the styles of music Shewell will offer when she performs Sunday at the Wonder Bar's closing party.
"I love all kinds of songs, but that's what I'm doing now," she said. "I would love to try it all."
The Washington, D.C., native, who has been writing songs since she was 8, was weaned on country music and during her teens reveled in hard rock.
"You sample different things when you're growing up," Shewell said. "The stuff you listen to stays with you."
Shewell is working on her debut album with Jason Corsaro.
"We have three songs finished," she said. "He's working on some other things now. I'm waiting for him so we can complete it."
In the interim, Shewell continues to write songs. Relationships and growing up are some of the common threads in her material.
"Something is always happening to inspire me," Shewell said. "Since what I write is a reflection of my life, I have more and more songs. When you come see me, you're hearing the story of my life."
- Asbury Park Press
"Show Review Twisted Tree Cafe"
Show Review!!
TWISTED COVERS - ELVIS COSTELLO
Posted on 2008-04-05
(ASBURY PARK, NJ - March 30, 2008) -- Twisted Covers featured a look at the career of Elvis Costello this monday. The show, which takes place on the last Sunday of each month at the Twisted Tree Cafe on Cookman Avenue in Asbury Park, featured a bunch of show regulars alongside several new faces.
Some of the artists marking their first appearance at Twisted Covers include Joe D’Urso, <b>Eryn Shewell<b>, Deena Shoshkes, Roger Gardella, Christian Beach, and Rob Neil. Regulars included Keith McCarthy, Tony Tedesco, Joe Harvard, Michael Brett, Jo Wymer, George Wirth, and Pat Roddy. I like how we now have a bunch of artists as regulars kind of like a comedy or theatre troupe would have. It’s cool to see these artists take a chance each month with banging out a few covers - especially since very few of the artists who play actually play covers in their sets. That’s what makes this show very special to me.
In case you’re unfamiliar with the show, basically artists play one or two covers by the featured artist and then play one of their originals. This allows artists the chance to introduce them to new audiences and let those people hear their own work as well. Considering that many people are more comfortable hearing songs they already know, the show is a good way to ease those folks into the local original scene.
This was the second time Twisted Covers had tried spotlighting a particular album and I think it probably was the last as well. When we tried it for Neil Young it was a resounding success, but that was a rather short album and contained a lot of popular songs that people knew. This go around, we tried highlighting a rather obscure album (Elvis Costello’s "King Of America") and it didn’t work nearly as well. There were some great highlights but also a bunch of low lights. From now on, we’ll just let artists pick a popular cover and a somewhat obscure cover and if we get a bunch from any one album we might try doing something with it. But we won’t be highlighting albums again.
<b>Show highlights for me include Eryn Shewell’s band doing "Eisenhower Blues" from "King of America" - this was a song that I’d imagine few knew, but their take was incredibly good. In fact, I think the song sounded better than on the album. It’s one of those jazzy tunes that works better with a female voice than a males. I told Eryn I thought it went over so well that she should bring it out during one of the band’s sets sometime. Eryn also did a wonderful cover of "Almost Blue" that was exactly what I expected. When she first signed up for that song I knew she would nail it.<b>
Roger Gardella’s take on "Indoor Fireworks" was wonderful as well. That probably is my favorite song on "King of America" and I was glad to see someone cover it.
Joe D’Urso and Deena Shoshkes were welcome additions to the lineup. Joe has been a mainstay in the Jersey Shore scene for quite some time despite living in New York. His take on "Little Palaces" (also from "King of America") was extremely good and his original (a recently written piece) was a crowd favorite. Deena is the lead singer of The Cucumbers and somebody that I came across via Myspace. Turns out she has a monthly singer-songwriter show/gathering she puts together each month and was very into the idea of Twisted Covers. She played "Loveable" and the classic "Radio Radio" before launching into a brand new song which I think made its first ever live appearance. Cool stuff!
Michael Brett continued to amaze me with his covers considering he rarely ever plays cover tunes when I see him live. He chose "Watching The Detectives" and "Veronica" which was cool considering how great the combination of Elvis and Paul McCartnery was on that album.
Rob Neil was someone I wasn’t familiar with but I enjoyed his takes on "Alison" (always one of Costello’s most popular tunes) and "(What’s So Funny About) Peace, Love and Understanding", a cover tune Elvis made big. Neil’s original tune was pretty interesting as well. It falls under the genre of "wizard rock" or something. I had no idea there was such a genre but it has something to do with Harry Potter...
And Keith McCarthy once again assembled a band to do some truly great work on tunes like "I Want You" -- Keith and his friends are welcome anytime for this series as it seems like there is nothing they can’t play.
Jo Wymer, Joe Harvard, Pat Roddy, Christian Beach, George Wirth, and Tony Tedesco rounded out the show with great covers and, more importantly, great song choices. I really like how the song list doesn’t simply reflect the 10 or 20 top songs by any artist but shows a few obscure gems and forgotten classics as well. And, I love the way the original songs fit into the mix as many of the artists aren’t afraid to bring out literally brand new songs as people like Tony Tedesco did today.
The next Twisted Covers show will feature the wo - AsburyMusic.com
"ONE SONG AT A TIME..."
ONE SONG AT A TIME...
Originally published in the Upstage Magazine print edition
By Gary Wien
Eryn Shewell not only believes that music can change the world one song at a time, but she's making others believe as well. She's one of the hardest working musicians in New Jersey and has been attracting the attention of music fans and club owners across the state as well. Recently nominated for several Asbury Music Awards, we finally had a chance to talk to Eryn about her career, her belief in music, and her little girl who might follow in her footsteps if she doesn't become a drummer first.
I first saw Eryn Shewell at The Stone Pony in Asbury Park over a year ago and was blown away by her performance. It's hard to believe, but she says that was her first ever live performance of her originals. Since then, her songs have gotten better and her band is now comprised of amazingly talented musicians that bring her rock and roll / country tunes alive with a touch of jazz and blues flavoring. The band includes John MacDonald on bass, Antonio Gambrell on trumpet and backing vocals, Pat Ruh on guitar, Elliot Kessler on drums, Kat Verderosa on backing vocals, and Doug Scocco on organ and keyboards.
"It boggles my mind that I have all these talented people that are doing so much for me and I don't even know how to thank them," said Shewell. "I thank whatever the powers that may be for them everyday. I'm a lucky girl."
Shewell has floated under the radar a bit by playing shows at many untraditional original music venues. In addition to her original band she also fronts a cover band called Stronger Than Dirt. Playing in both bands allows her to work on different angles of her music and helps her make more connections in the area.
"I love doing both," she explained. "It's two different worlds. With my originals I get to be more creative and the songs have more meaning. My cover band stuff lets me kind of just let it loose and rock out a bit."
Born in Washington, DC, Shewell moved to New Jersey when she was 8. Since then she has been lead singer for the country band Sundance, pop/rock band Easily Amuzed, and was a member of the popular New Jersey band Jody Joseph & The Average Joes. She recently won over audiences in New Orleans singing with national touring band Soul Project.
Eryn's taste in music was partly influenced by her parents. Her father listened to the Rat Pack while her mother was into country music. In high school, Eryn began getting into jazz artists like Duke Ellington and Billie Holiday. Throw in some classic rock and those are the influences found in her songs. It's an interesting blend that has a distinct sound of its own.
Shewell and her band play throughout New Jersey and places in Pennsylvania and New York. Their biggest gig to date was last August's Musikfest, the 10-day music festival that takes place in Bethlehem, Pennsylvania. The band played in front of thousands of people who listened to every note played.
"It was amazing," said Shewell. "When it was said over the microphone that we had free CDs, it was like a bum rush to the table! We ran out of CDs and started handing out promos without covers or even cases. Then we ran out of everything! It was crazy!"
Eryn is currently recording an album with Grammy award-winning producer Jason Corsaro (Madonna, Sound Garden, Peter Gabriel, Mariah Carey). The process is taking longer than she'd like, but she hopes to have the
new record out sometime in 2008.
--------------------------------------------------------------------------------
Nov 6, 2007 The Saint, Asbury Park, NJ
Nov 7, 2007 Internet Cafe, Red Bank, NJ
Nov 9, 2007 The Blue Room Lounge, Secaucus, NJ
Nov 10, 2007 Orphan Annies, Stirling, NJ
Nov 21, 2007 Internet Cafe, Red Bank, NJ
Nov 23, 2007 Rug's & Riffy's, Woodbridge, NJ
Nov 24, 2007 Molly Maguire's, Clark, NJ
Nov 27, 2007 Dexters, Riverdale, NJ
Dec 4, 2007 North Star Bar, Philadelphia, PA
http://www.ErynShewell.com
Gary Wien --
PHOTO by Mike Black
- Upstage Magazine
"Boys: watch and learn, Girls Night Out on May 21"
Boys: watch and learn, Girls Night Out on May 21
Looks like the boys might have some catching up to do this month. On May 21, NJ/NY based musician and producer Deb Ferrara will host and perform in Girls Night Out at The Bitter End, the first in a series of NJ Songwriters in the Round to showcase female artists. Ferrara's impressive group of performers and their range of styles and influences is a reflection of her story, which doubles as a guide to independent music success. Over the past six years she has hosted a monthly music showcase at Maxwell's, founded Songs for the Cause, and had her music featured on MTV's The Hills. Her line-up shares the same spirited work ethic and extensive list of accomplishments. <br>For East Brunswick, NJ-based Eryn Shewell, who mixes Janis Joplin's soulfulness with Bonnie Raitt's bluesy lament, this is just one of many stops on her upcoming seven-month tour.<br> Lisa Coppola of Belle Meade, NJ, who has performed with Billy Joel on Saturday Night Live, will add a rock/pop edge to the evening, with songs reminiscent of Cindy Lauper, Pat Benatar, and Liz Phair. The show will be featured in June on Time-Warner's On the Beat, an on-demand NY1 entertainment program. And for all you boys still trying to score your first New York show, be sure to take notes. Wednesday, May 21 NJ Songwriters in the Round Girls Night Out at the Bitter End. 147 Bleecker Street NY, NY (212) 673-7030, 7:15pm, No cover. - Jaime Pannone
- The Deli Magazine NYC
"Review of "Window Pane""
Eryn Shewell, Window Pane
December 5, 2008
Eryn Shewell and her band play the kind of music you’d expect to hear at a good block party. The musicians are tight, and the music is loose, a feel-good mix of soul, country, and blues – a little something for everyone. Shewell has a voice that cuts through a crowd, she could probably keep singing with the band if her mic went out. And she has a penchant for hitting on a particular simple phrase and hammering it home in a chorus – “Just One of Those Days,” “One More Melody,” “I Don’t Know.” By the time her songs are over, you will remember the chorus whether you want to or not.
Stylistically, Shewell stays in mostly familiar territory on Window Pane. “I Don’t Know” and “Just One of Those Days” could be lost tracks from Blues Traveler’s Four. “I Want You for Breakfast” is the kind of comely cute ballad Jewel has made her trademark. Most of the album is the musical equivalent of comfort food. Funny thing about comfort food, though, if it didn’t taste good, you wouldn’t eat it. And to stretch the metaphor even further, Shewell is happy to serve up tasty helpings of it.
Although she can be a little overwrought at times, Shewell’s voice adapts well to bright country rock or sassy blues, whatever’s needed for the song at hand. And her band is impressive, from the horn section playing funky breaks to her rock-leaning electric guitarist to the tasty grooves her bass and keyboard players lock into. Everyone fills when they need to, no one steps on anyone else’s toes or makes the arrangements too busy. Window Pane may not blow you away with its originality, but you won’t kick it out of bed for eating crackers. (Ouch. Back to the food thing. What a hack).
Words By: Nick A. Zaino III
- Skope Magazine
"Review of "Window Pane""
October, 2008
Translation:
Using a perfect mix of rock, blues, jazz, soul and even a little bit of country, Eryn Shewell introduces her music to us. Her debut album is filled with strong compositions, songs with catchy hooks and strong melodies. And not only that, she possesses the perfect voice to bring those songs to us. A voice that reminds us of the debuts of Joss Stone and Susan Tedeschi. We then also told you, "This girl is gonna get far"...and weren’t we right both times? Well, we dare to say the same thing about Eryn Shewell. Maybe it will be a little more difficult for her, because there is no major record company to promote her, but with the mouth to mouth publicity she gets from the strong live performances she and her strong band bring us, her name will be known in no time. From her hometown, Asbury Park in New Jersey to New Orleans and beyond, she performed in the most important clubs and everywhere the audiences go wild. The songs on this CD are all strong and from the second time you hear them, they stay... it's difficult to get them out of your head again. But who cares? These are Songs that are waiting to get played on the radio too. Eryn's voice is so strong and flexible, filled with a lot of soul. From high to low, from a whisper to a scream, she brings it without the least of effort. Those are the signs of a real class singer. Others have noticed this too, because she is a much sought after backing vocalist, recently even on Walter "Wolfman" Washington's latest CD. A song like "I Don't Know" is a good example of her songwriter qualities, just like the strong "The Lonely Writer" (that guitar!) or the funky, jazzy sounding "Window Pane," in which her voice reminds me a lot of Joss Stone. The quiet "One Song at a Time" has a bluesy feel to it. What a great, soulfull song this is! Whatever song we chose they are all "winners". "Just One of Those Days" even has some country influences, which could easily make it big on Nashville radio. She has been compared with Jewel and Martina Mc Bride in some press articles, and we can understand why. The closing song, the wonderfully sung "I Want You For Breakfast" shows it: this girl knows what she wants and she will get it! Let us hope it is "success," because that is what she really deserves. (Ronny Bervoets/ Rootstime Belgium)
- Rootstime - Belgium
"SHOW REVIEW - Eryn Shwell Band Comes Into"
(ASBURY PARK, NJ – March 3, 2009) – I wasn't originally planning on writing a review of this show, but figured I'd do a write-up since people have emailed me saying I hadn't done much with the blog lately. Although I've been going to shows regularly, I just don't feel the need to do show reviews unless something really clicks for me. Tonight was one of those nights. Even though the lineup featured three artists I've seen quite often, the show itself was worth writing about......
....The final act of the night, the Eryn Shewell Band, is the reason for this review. I've been very impressed with Eryn and her music for several years now, but I think the band has fully come into their own. They recently returned from recording in Nashville and the trip seems to have done them a lot of good. They've got a sort of confidence now that was lacking somewhat in the past. Take Eryn for example. In the few years that I've known her, I've watched Eryn transform from a rather timid backup singer to a full band leader that's clearly in charge. Likewise, her music is eloquently executed by some of the area's strongest musicians. Together, they all combine to produce one if the best live shows you will ever see.
In fact, I think her band's music is meant to be experienced live. Yes, their studio recordings are good, but they pale in comparison with the thunderous roar of her live shows. It's an experience that can't be matched on tape; It's part roadhouse, part arena, and part tent revival - a sound that picks you up and raises you to a place that few can reach.
It's funny, thinking about how so many bands compete to be the house band for the Stone Pony while Eryn and her band just might be the ultimate house band for The Saint. Their music fits the club like a glove, filling every crevice of the joint as if the club was her own. And tonight, it was.
- Gary Wien
"Eryn Shewell - 4th & Broadway"
About a year ago we received Eryn Shewell's debut album, a record that impressed us enormously. Her special mix of blues, jazz and Motown soul was refreshing. More than that, her powerful, soulful voice was a revelation to us. Her first album “Window Pane” remains one of a few debut records released last year that I continue to listen to over and over again. It continues to grow on me after all these months. Why? Because "Window Pane" was filled to the brim with strong songs, brought with craftmanship and delivered with that wonderful voice that sounds full, powerful and also tender at the same time and is always dripping with soul. In the review of “Window Pane” we predicted Eryn would have a great future, or at least hoped she would gain lots of recognition, because she simply deserved it. There is talent in abundance here.
Today I am listening to Eryn's recently released sophomore CD, named "4th & Broadway." a record which continues in the same direction as her first. This is a CD that is full of variation, using similar elements as on her debut, but in our opinion has even stronger, more mature songs. As happens so often these days, big record companies don't always notice potential like Eryns because it is surprsing to us that this album is also an independent release. Maybe it's the versatility of this singer that scares the majors, she may be difficult to label..not enough blues, jazz or soul to pin her down into one specifc genre. We believe the best of popmusic is built on these three strong genres and the fusion of genres is this CD's greatest strength. The songs Eryn writes are so strong that they transcend the standard blues, jazz and soul we hear so often and Eryn always adds something of her own. These songs get better every time you listen to them not the other way around as often happens with the music we receive for review.
Songs like the very soulful, somewhat jazzy sounding "Moment" and the passionate "Satellite" are real gems. They get to you immediately and you'll be sure to be humming them after a short time listening to them. Eryn's strong lyrics about modern everyday life in relation to her own experiences will certainly touch your soul.
One of our favorite tracks on this new cd is "300 Miles", a song with an Alternative Country, Americana feeling to it achieved with some great playing by master pedal-steel guitarist Sam Getz.
The rest of the band is also top notch, including bass player Steve Johnson, drummer Tom Cottone, trumpet player Antonio Gambrell and the backing vocalists. Alice Leon and Curtis King are both wonderful musicians, and the recording is crystal clear and mixed to perfection.
Eryn's love for the blues is best heard in the relaxed sounding blues track "Whiskey Devil", another one of my favorites, being a blues lover myself. "My Soul" is another one I can't get enough of and has some great slide by Pat Ruh.
We sincerely hope with the release of this album Eryn Shewell will get the attention and success she really deserves. Perhaps, things are starting in that direction already, we understand she just won the "Top Female Vocalist" award at the Asbury Music Awards this year. Let the rest follow!
Ronald Bervoets - www.rootstime.be
"Eryn Shewell - Window Pane Review"
Judging from the plethora of singer/songwriter releases we’ve been auditioning here at #1 L2P Tower, there’s little doubt that we are entering, or have entered, a very prolific period for popular songwriting. Credit it to stresses in society or simply the coming of age of a new generation of songwriters, but it’s undeniable: the poignantness of the messages in the poetry and music being crafted by independent artists is on the rise.
Most certainly this will continue as songwriters continue to survey and interpret the global political landscape and relate it to their personal lives. Now, I said all that just so I could cap it by adding that I think Eryn Shewell is one of the most “in tune with the times” songwriters I’ve had the pleasure of reviewing in recent memory. Her lyrics run from soft and playful to rugged and meaty, which, reflects her style of performing.
Her music is consistently interesting, and always emphasizes the lyrics. Most of her tunes ride on the edgy side of pop, touching upon both blues and jazz. She has excellent vocal control, a powerful, yet very sincere, voice and loads of energy, making her an exceptional live performance. Hailing from East Brunswick, NJ, Eryn is self-taught on the guitar (a necessity for a songwriter) and has intelligently backed her own natural talents by being trained as a sound engineer, in order to better understand the science behind achieving the perfect sound.
Her Live2Play quote is,"Music has always been my passion, my therapeutic outlet, I’m not just chasing fame - this is my career. I will always work in the music industry in some capacity."
- Live2Play Network
"SHOW REVIEW - Eryn Shwell Band Comes Into"
(ASBURY PARK, NJ – March 3, 2009) – I wasn't originally planning on writing a review of this show, but figured I'd do a write-up since people have emailed me saying I hadn't done much with the blog lately. Although I've been going to shows regularly, I just don't feel the need to do show reviews unless something really clicks for me. Tonight was one of those nights. Even though the lineup featured three artists I've seen quite often, the show itself was worth writing about......
....The final act of the night, the Eryn Shewell Band, is the reason for this review. I've been very impressed with Eryn and her music for several years now, but I think the band has fully come into their own. They recently returned from recording in Nashville and the trip seems to have done them a lot of good. They've got a sort of confidence now that was lacking somewhat in the past. Take Eryn for example. In the few years that I've known her, I've watched Eryn transform from a rather timid backup singer to a full band leader that's clearly in charge. Likewise, her music is eloquently executed by some of the area's strongest musicians. Together, they all combine to produce one if the best live shows you will ever see.
In fact, I think her band's music is meant to be experienced live. Yes, their studio recordings are good, but they pale in comparison with the thunderous roar of her live shows. It's an experience that can't be matched on tape; It's part roadhouse, part arena, and part tent revival - a sound that picks you up and raises you to a place that few can reach.
It's funny, thinking about how so many bands compete to be the house band for the Stone Pony while Eryn and her band just might be the ultimate house band for The Saint. Their music fits the club like a glove, filling every crevice of the joint as if the club was her own. And tonight, it was.
- Gary Wien
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Interview with Know Your Enemy
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Interview with Know Your Enemy Roxy & Dukes Roadhouse, Dunellen, NJ April 27th, 2019 By Andy Jansons It’s always nice […]
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https://www.ever-metal.com/2019/05/09/interview-with-know-your-enemy/
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Roxy & Dukes Roadhouse, Dunellen, NJ
April 27th, 2019
By Andy Jansons
It’s always nice to see young bands ascending to new heights, more so, when they are from your own state. New Jersey’s local rockers Know Your Enemy have just released their first full length album called “Root Of All Evil”. Their material is fantastic, but to find out more about that you’ll have to read Stephen Moss’ live review.
I was fortunate enough to attend Know Your Enemy’s album release show and sit down with band members (except drummer Ralph Riccardi who was running late) and discuss their music, influences, new album and to introduce themselves to a new audience.
Andy Jansons: So this is your first full length album. Talk about the emotions, how it is to get your first album out?
Fonz Rodriguez (Vocalist): Well, I mean it’s super exciting, I’ve been like really excited, nervous, but in a good way, for a week or two, I’m just…the anticipation has been just crazy. You know, for me as a vocalist, to express how I see the world and how we see each other, from my own perspective. It’s really important for me personally because it’s difficult to get those emotions out verbally, you know? It’s not easy to just speak to people, so when you can you do your best, and the reaction and the feedback that we get, makes me feel like it’s worth it. This is a complete collection of how I truly feel like, really what embodies me as far as like me trying to be part of society. To me this album is like my feeling.
Jay Kent (Guitarist): Yeah. I’m very excited about the album. We put a lot of work into it. It’s a big collection of all of our thoughts on a lot of different subjects. And I think if you listen to it, you know enough, you’ll definitely feel what we’re trying to convey. I think we did a great job expressing our thoughts.
Steve Bishop (Bassist): Great lyrics, good music to it. I think it’s going to be something real exciting for people to listen to. It means so much to me.
Andy: Who wrote the lyrics for the songs?
Fonz: I would say on this album, probably about 80% of them I did. And the songs that I didn’t write fully, it was collaboration, let’s put it that way. You know, Jay wrote some of the lyrics. He wrote the lyrics for ‘Deep Inside’ and ‘Bound’, and there was a time period where I was not playing with the band and, for example, the song ‘Bound’ already existed. But it’s just the way he may have wrote it, the way he puts it, and then the way I deliver his lyrics, perfect and unique. Like he told me, they had a couple other guys try. He even tried himself. I’m not boasting myself or anything; this is just what he told me. So even though, I didn’t write the lyrics for it, I was able to tap in the emotions, the feeling of when he wrote those lyrics down.
Jay: He (Fonz) is a perfectionist, which really shows through, because he got so much of it just like spot on. Like what he’s trying to say. You can understand it fully; he did such a great job in writing the lyrics.
Andy: How would you guys characterize your music and the genre you play?
Steve: That’s a little iffy. Um, we’ve been compared to a bunch of other bands. Most of them were like back in the rap rock genre, like P.O.D. We’ve had that more than a few times and Killswitch and Sevendust. I guess hard rock with like some hip hop and a little bit of blues.
Fonz: I would say alt metal, not alternative itself, because we got something which seems like a mixture of genres. It got a metal base to it, and then we bring in just different genres. It’s really not intentional, it’s just like you hear it and you go, oh this is the part that it needs to be because this is how I feel it needs to go. I would say personally alternative metal, that’s how I feel it. As far as comparisons, recently someone said, Oh, you guys are like, if P.O.D. and Killswitch had a baby. It’s a compliment (laughs). And the other one I got that I liked that we sound like Anthrax and Faith No More. I mean I’m a huge fan of Anthrax. My favourite is the album with John Bush “The Sound of White Noise”. I always think, you know, we kind of like to admire someone and we try to like mimic in some way, something. So to me, and I know it’s hard, because I love hip hop and I love all genres, it’s hard to really like just one. So I think we bring a lot more stuff, which brings me back to the alternative part, so we bring a lot more, more different styles.
Jay: Uh, I am a huge Zack Wylde fan with Black Label Society, Sevendust, the old Metallica, you know the good Metallica? I love blues guys. I love Hendrix and Stevie Ray, all these guys and you can hear that in my playing, you know, from my solos and a little bit of the funky kind of melodies that we bring along to the music as well. So, yeah, that’s me.
Steve: Yeah, I think it’s a healthy mix. I don’t think you can pinpoint it in one way or another. I think we flow with a lot of different bands because of that. We play live shows all the time. And whether we’re playing with a metal band or a hard rock band, or occasionally with a sort of post hardcore, punk kind of band, I feel like we always fit because we don’t play one genre. What binds inspire me? I’ve been playing music since I was a teenager. I was really into Nirvana and Green Day and like all that stuff at the time. But since then I’ve listened to so much stuff. Uh, Gary Clark Jr and The Cure and I just love music. If it’s good, I’ll listen to it.
Fonz: One of my favorite bands is He is Legend; I love The E-Town Concrete, which is a New Jersey band. Honestly, my all time favorite band is Tool. Like, I just love them, I feel like they’re the band of our generation, like the Led Zeppelin of our generation. Their contribution to metal and hard rock is like, it’s unique, It’s different, It’s real rock. It’s like real rock star mentality; we didn’t give a shit about anybody. They don’t care. 10 years we’ve been waiting for their album now, we’ve been waiting forever. To me it’s like, every single member of that band is super important. You can’t replace any of them. So I would say Tool is number one for me. Yeah, definitely but we can’t forget about Rage Against the Machine. Yeah, that band changed my life!
Andy: Cue, the name of your band?
Fonz: That’s right! ‘Know your Enemy’, that song. They are an influential band, and I think for anybody that has this dissatisfaction with the way that things are, they deliver it right. They’re really super smart guys. You know, they were unique at the time and when it comes down to really going against the grain and being brash it’s RATM
Andy: Okay guys, let’s get back just to you. What are your plans now?
Fonz: Well, we definitely want to go touring, we’ve got a bunch of festivals planned for the summer, so that’s mainly what we’re going to do. I think we’re not going to be able to tour until after August, but we want to, definitely. I just want to take it on the road. I would love to go up to New England, you know, maybe down the east coast, and show what we do. That’s ideal. We talked about it a lot. It’s just difficult. You got to pay bills and it’s a little bit more of a balancing act if you’re going to go and hit the road. But that’s definitely going to happen.
Andy: Right now you are unsigned band, are there any movements towards finding a label?
Fonz: I would love to. I would love to, but I think we need to get the tour done first. We actually have already started writing the next album. So ideally if we can make the timeline correct, then we’ll tour, put new record out and then try to show to the label and see what happens. It’s so much work being independent, and trying to do everything. Even for example, the record release show, we did it independently and I feel like we’re lucky that we were able to find a venue and other bands and make it happen. It really takes away from rehearsing and writing and working on the other things to make more progress. And so a label is definite, you know, I mean it only makes sense to do that.
Andy: So obviously this is an important stepping stone with moving forward and how you see the road from here?
Jay: Uh-huh, I think, like Fonz said, we’re going to concentrate on continuing to write new material, get a new album going. The one that we’re just releasing today we will see where it takes us.
Steve: We planned to play a lot of gigs recently to support this album. We’re just going to keep writing, keep doing it. We put a lot of hard work into this particular album where I feel like we all learned what to do, what we do well and how to just keep doing that, and just to get our music out and see what happens from there.
Andy: Lastly, what have you got to say to your fans?
Fonz: If I could say anything, I just want to thank everybody who helped us and believed in us. And I mean there’s our friends, our family, and new friends and people that we’ve gotten to know as, you know, as we make our way through the scene. But I think that would be all the people out there who’ve listened to us. I feel like that is the number one most important thing is to be thankful and grateful for. I want to say that I’m super grateful for these guys (points to band mates). You know, because I’ve so many bands that we played with and we’ve met throughout the last few years. And I would say that a lot of ’em aren’t together anymore and there’s always problems! I could say that this is probably the smoothest relationship. These guys have made it, we just chill!
Jay: Likewise. Yes. We are very lucky to have a talent front this band, it’s been a long time for myself personally looking for somebody like him to come in and do this and he just blows us away every time he goes up there. So we’re just proud to be with him as well as, as any other.
Steve: That’s one of the better compliments we get. People think that we sound really tight. Our chemistry together, especially live is good. I hope it really comes through on this album. We tried to put it that up front and centre!
Andy: Thank you very much guys!
Huge thanks to Know Your Enemy and Andy for the interview!
LINKS:
http://www.enemyband.com
https://www.facebook.com/enemybandnj
Tweets by KnowYourEnemyNJ
https://www.instagram.com/knowyourenemynj/
https://knowyourenemynj.bandcamp.com/
https://www.youtube.com/channel/UCIaSnpDh-wL6oWPfVISQXCw
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Sieh dir auf Facebook Beiträge, Fotos und vieles mehr an.
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http://twooregonians.com/tag/erin-tole-newborn-photography/
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erin tole newborn photography – twoOregonians
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You have to start those grand adventures with little baby steps, right?
With both girls, we traveled across state lines from Oregon into Washington during their first week or so out in the world. Our newborn photographer Erin Tole shoots just outside Portland, across the Columbia River, and she’s well worth the foray into that mysterious land of Vancouver… (WA, not B.C.)
These newborn photos are for posterity, and also (let’s be real) for my personal enjoyment, and since I’m feeling particularly sappy today, I’m finally posting them here to share with you. Continue Reading…
Nine months after our adventures around the globe, on the morning of September 17th, 2013, we welcomed little Lucie Anne Rydmark into our world. Our little Peach came the day before her due date – or, right on time, if you calculate by New Zealand clocks…
I can remember one year ago, strolling the beaches at sunrise, watching women gather seaweed on the shores of Zanzibar. Meeting Salama (leading to one of my favorite memories of the entire trip – learning to make octopus curry from scratch). My, how the sands of time change the landscape of life… Continue Reading…
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https://www.viberate.com/artist/eryn-shewell/
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Eryn Shewell - Songs, Events and Music Stats
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Eryn Shewell: Listen to new and popular songs, find events, look into their stats and see who their fans are.
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/static/assets/images/favicon.ico
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https://www.viberate.com/artist/eryn-shewell/
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Eryn Shewell, an American R&B and soul performer, mesmerizes audiences with her deep vocals and captivating performances. She easily combines sincere lyrics and melodious harmonies with her distinctive R&B and soul sound, creating a sonic experience that resonates deeply in the listener's soul.
Eryn Shewell incorporates her unique style into each song while drawing inspiration from legendary R&B and soul performers like Aretha Franklin and Etta James. This results in songs that are full of real passion and potent narrative. She can seamlessly move across a wide range of musical styles within the R&B and soul genres because to her smooth vocal delivery and rich, soulful tone.
Listeners are taken to a vulnerable and introspective place by Eryn Shewell's music as she tackles themes of love, heartbreak, and personal development. Audiences are enthralled by her soul-stirring performances and eagerly hang on to every note and lyric. Eryn Shewell maintains her position as a major player in the R&B and soul music scenes thanks to her unquestionable skill and sincere love of music.
American R&B and Soul performer Eryn Shewell has mesmerized listeners with her deep tone and emotional lyrics. Her two most well-known songs are "Beautiful You" and "Hallelujah You're Gone."
Shewell's slick vocals and her capacity to evoke genuine emotions through her songs are on full display in "Beautiful You." Her ability as a singer-songwriter is showcased by the song's entrancing melody and sentimental lyrics. Listeners are enthralled by Shewell's unmistakable ability as her lovely voice comes through.
"Hallelujah You're Gone" is Shewell's other standout song. This song expertly combines R&B and soul elements to create a captivating fusion of rhythms and melodies. Shewell's strong vocals take center stage and carry the song, giving listeners a moving performance.
Eryn Shewell's discography also includes a number of other soulful songs that highlight her individuality and skill as a musician. Each song has a narrative that encourages listeners to identify with the feelings she is expressing through music.
R&B and Soul musician Eryn Shewell has unquestionable skill. She has a devoted following due to her talent for evoking emotions through her deep voice and compassionate lyrics. Shewell keeps drawing crowds in with songs like "Beautiful You" and "Hallelujah You're Gone," as just as her hypnotic tone and spectacular performances.
The outstanding American R&B and Soul musician Eryn Shewell has been enthralling audiences with her most recent works. Her most recent song, "Beautiful You," which was published in 2022, has her passionate singing and sentimental lyrics. This song brilliantly depicts her individual flair and demonstrates how she has developed as an artist.
In addition to "Beautiful You," Eryn Shewell also released notable singles including "Lady E" and "Hallelujah You're Gone" in 2018. These songs show off her talent for incorporating R&B and Soul components into her music to produce an engaging and memorable listening experience.
The musical CDs Eryn Shewell has released are evidence of her talent and commitment to her profession. Each song is expertly composed, combining seductive melodies with insightful lyrics. Her music strikes a chord with listeners, stirring feelings and making an impression that lasts.
Eryn Shewell keeps securing her position in the R&B and Soul music arena with her most recent singles and music albums. She is a unique singer deserving of praise and appreciation for her soul-stirring vocals and sincere lyrics. Watch for her next releases because she will undoubtedly continue to produce outstanding music that appeals to fans all over the world.
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https://onlinebooks.library.upenn.edu/webbin/book/browse%3Ftype%3Dlcsubc%26key%3DScheffel%252C%2520Joseph%2520Viktor%2520von%252C%25201826%252D1886%2520%252D%252D%2520Biography%26c%3Dx
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en
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The Online Books Page
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Listing over 3 million free books on the Web - Updated Wednesday, August 14, 2024 - Updates resume August 26
BOOKS ONLINE
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8929
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https://thebobdylanproject.com/Song/id/772/You-Angel-You
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en
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The Bob Dylan Project
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Smith College History and Traditions
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2024-03-28T14:14:42-04:00
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For almost 150 years, Smith has stood as a beacon for knowledge, equality, and progress—while at the same time upholding unique traditions that have come to define the Smith experience. A college rich in history, Smith has long been nurturing leaders, supporting passions, and empowering its students to change the world.
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https://www.smith.edu/discover-smith/history-traditions
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History & Traditions
For almost 150 years, Smith has stood as a beacon for knowledge, equality, and progress—while at the same time upholding unique traditions that have come to define the Smith experience. A college rich in history, Smith has long been nurturing leaders, supporting passions, and empowering its students to change the world.
Who We Are
Smith College educates women of promise for lives of distinction and purpose. A college of and for the world, Smith links the power of the liberal arts to excellence in research and scholarship, thereby developing engaged global citizens and leaders to address society’s challenges.
Smith College is a distinguished liberal arts college committed to providing the highest quality undergraduate education for women to enable them to develop their intellects and talents and to participate effectively and fully in society.
The college began more than 140 years ago in the mind and conscience of a New England woman. The sum of money used to buy the first land (on what had traditionally been the ancestral homelands of the Nonotuck people), erect the first buildings and begin the endowment was the bequest of Sophia Smith. When she inherited a large fortune at age 65, Sophia Smith decided, after much deliberation and advice, that leaving her inheritance to found a women’s college was the best way for her to fulfill the moral obligation she expressed so eloquently in her will:
“I hereby make the following provisions for the establishment and maintenance of an Institution for the higher education of young women, with the design to furnish for my own sex means and facilities for education equal to those which are afforded now in our colleges to young men.”
Smith has changed much since its founding in 1871. But throughout its history there have been certain enduring constants: an uncompromising defense of academic and intellectual freedom, an attention to the relation between college education and the larger public issues of world order and human dignity, and a concern for the rights and privileges of women.
Today the college continues to benefit from a dynamic relationship between innovation and tradition. And while Smith’s basic curriculum of the humanities, arts and sciences still flourishes, the college continues to respond to the new intellectual needs of today’s women—offering majors or interdepartmental programs in engineering, the study of women and gender, neuroscience, film and media studies, Middle East studies, statistical and data sciences and other emerging fields. Were Sophia Smith to revisit Northampton, she would no doubt find her vision realized, as students at her college prepare themselves for exemplary lives of service and leadership.
Knowledge: Smith is a community dedicated to learning, teaching, scholarship, discovery, creativity and critical thought.
Community: Smith is committed to creating an inclusive, equitable and accessible educational community founded on the free and open exchange of ideas.
Curiosity: Smith educates women to understand the complexity of human experience and world cultures through engagement with humanistic, social and scientific ideas.
Responsibility: Smith creates global citizens, committed to participating in the communities in which they live and to stewarding the resources that sustain them.
Generosity: Smith was founded by a gift from Sophia Smith, the generosity of whom is represented today by the contributions of countless members of the Smith community.
About Our Founder
Born just a few miles from Northampton in 1796, Sophia Smith was given a meager education—like many girls of her era—but was an avid reader and believed in the power of educating women. Her last will and testament reads: “It is my opinion that by the education of women, what are called their ‘wrongs’ will be redressed, their wages adjusted, their weight of influence in reforming the evils of society will be greatly increased, as teachers, as writers, as mothers, as members of society, their power for good will be incalculably enlarged...”
More About Sophia
Presidents
2023–Present
Sarah Willie-LeBreton is the 12th president of Smith College. She earned a bachelor of arts degree from Haverford College in 1986, and an M.A. (1988) and Ph.D. (1995) from Northwestern University, all in sociology. After having taught at Colby College (1991–1995) and Bard College (1995–1997) in tenure-track appointments, she was tenured at Swarthmore where she served as coordinator of the Black Studies Program and chair of the Department of Sociology and Anthropology for a total of seventeen years. She was appointed as provost and dean of the faculty at Swarthmore in 2018 and served in that role until 2023.
An accomplished administrator, scholar, and sociologist who studies social inequality and race and ethnicity, Willie-LeBreton is known for her commitment to the liberal arts, strengthening community, and energizing the work of equity and inclusion. She is the author of several dozen articles, essays, reviews, and op-ed columns. Her first book, Acting Black: College, Identity, and the Performance of Race, examines how the experiences of Black college alumni of a predominantly white institution (PWI) were distinct from those who attended a comparative HBCU from the waning days of the civil rights movement through the country’s political turn to the right under the Reagan presidency. Her second book, Transforming the Academy: Faculty Perspectives on Diversity and Pedagogy, is a collection of essays to which she has contributed and which she edited. It focuses on the challenges faced by faculty who were previously underrepresented on campuses, including people of color, queer people, neurodivergent people, and people who immigrated to the U.S. It explores their experiences as they become participants in dominant spaces within the American Academy.
Willie-LeBreton considers herself an applied sociologist, and she has worked with a broad range of groups and organizations to understand social dynamics and develop strategies to move toward organizational self-awareness, transformation, compassion, and inclusivity. She is a member of and has been active in the Eastern Sociological Society, Sociologists for Women in Society, the Association of Black Sociologists, and the American Sociological Association (ASA). For several years, she reviewed sociology and affiliated departments as a member of the ASA’s Departmental Resources Group. Her board service has included the Executive Office and Budget of the ASA, Pendle Hill Quaker Center, Haverford College, Benchmark School, the Shalem Institute for Spiritual Formation, and she sits on the advisory board of IIG (Integrated Impact Group) which offers consulting for the educational sector.
2013–23
Smith’s 11th president, Kathleen McCartney, took office in 2013. McCartney, former dean of the Harvard Graduate School of Education (HGSE), is an internationally recognized authority on child development and early education. The first in her family to go to college, she graduated summa cum laude from Tufts University with a bachelor of science in psychology and later earned a doctorate in psychology from Yale University. A signature accomplishment of her tenure at HGSE was the creation of a three-year doctorate in educational leadership developed in collaboration with the Harvard Business School and the Kennedy School of Government.
After assuming the presidency, McCartney led a strategic planning effort that resulted in important new academic and co-curricular programs that expand opportunities for women. She forged partnerships with leading organizations, including the Harvard/MIT online education platform known as edX; the MassMutual Life Insurance Company, a supporter of data science initiatives; and the Posse Foundation. Under her leadership, Smith engaged noted architectural designer Maya Lin to re-envision its historic Neilson Library, in the context of its renowned Frederick Law Olmsted–designed campus, and to create a modern intellectual learning common. The $110 million project opened its doors in 2021. Women for the World: The Campaign for Smith, which McCartney led to its culmination in 2016, raised $486 million, setting a record for the largest and most successful campaign ever undertaken by a women’s college. Notably, the campaign raised close to $130 million for financial aid, including 103 new endowed scholarships. McCartney’s presidency made increasing access for every student who wants to study at Smith a central focus. In October 2021, McCartney announced that the college will eliminate loans from its undergraduate financial aid packages, beginning in fall 2022, replacing them with college grants.
2002–13
A widely respected scholar of Victorian literature, Carol T. Christ took up her duties as Smith’s 10th president in June 2002. In her first years at Smith, Christ launched an energetic program of outreach, innovation and long-range planning, including capital planning. She encouraged the development of coursework emphasizing fluency in American cultures and the diversity of experience of American ethnic groups and launched a review, conducted by members of the Smith faculty and outside scholars, to determine the distinctive intellectual traditions of the Smith curriculum and areas on which to build. Issued in 2007, The Smith Design for Learning: A Plan to Reimagine a Liberal Arts Education builds upon Smith’s history of pedagogical innovation, identifying priority areas—among them, international studies, environmental sustainability, and community engagement—for significant investment over the coming decade.
In the area of capital planning, a number of major building projects came to fruition during Christ’s tenure: the renovation and expansion of the Brown Fine Arts Center; a dramatic new campus center; a renovated Lyman Conservatory; the impressive Olin Fitness Center; new homes for the Poetry Center and the Mwangi Cultural Center; the renovation of Lilly Hall, home of the college’s School for Social Work; and the construction of Conway House, an apartment building for Ada Comstock Scholars with children. Ford Hall, a state-of-the-art, sustainably designed classroom and laboratory facility named in recognition of its lead donor, the Ford Motor Company Fund, opened in fall 2009; it serves as home to the college’s pioneering Picker Engineering Program as well as the departments of molecular biology, chemistry, biochemistry and computer science. Under Christ’s leadership, Smith made significant commitments to environmental sustainability in its curriculum and campus operations, including the construction of a co-generation facility for power and heat and the dedication of the MacLeish Field Station, a 200-acre woodland tract in Whately, Mass., for environmental education and research.
1995–2001
In December 1994 Ruth Simmons was chosen as Smith’s ninth president. With a long and distinguished career in higher education behind her, Simmons was the first African-American woman to head any top-ranked American college or university. Simmons galvanized the campus through an ambitious campus-wide self-study process that resulted in a number of landmark initiatives, including Praxis, a program that allows every Smith student the opportunity to elect an internship funded by the college; an engineering program, the first at a women’s college; programs in the humanities that include the establishment of a poetry center and a peer-reviewed journal devoted to publishing scholarly works by and about women of color; and curricular innovations that include intensive seminars for first-year students and programs to encourage students’ speaking and writing skills.
A number of building projects were launched during Simmons’ administration; most significant was the Brown Fine Arts Center, a $35-million expansion and renovation of the Smith College Museum of Art, art department and art library. Ground was broken in 2002 for a campus center, and renovation and expansion of the Lyman Conservatory was completed in 2003.
Simmons left Smith in June 2001, assuming the presidency of Brown University. John M. Connolly, Smith’s first provost, served as acting president for one year, skillfully guiding the college through the trauma of September 11, 2001, and its aftermath.
1985–95
The college that President Conway left to her successor was in some ways very different from the college served by Presidents Seelye, Burton and Neilson. When Mary Maples Dunn came to Smith in 1985 after many years as a professor of history and then as dean of Bryn Mawr College, Smith’s student body had diversified. During its early decades the student body had been overwhelmingly Protestant, but by the 1970s, Roman Catholic and Jewish college chaplains served alongside the Protestant chaplain, reflecting the students' religious and ethnic variety. All racial, ethnic and religious groups are now well represented on campus, evidence of Smith’s continuing moral and intellectual commitment to diversity.
In her decade as president, Mary Maples Dunn led the college through exciting and challenging times. During her tenure, the college raised more than $300 million, constructed two major buildings and renovated many more, enhanced communication on and off campus, attracted record numbers of applicants (while holding the quality of those applicants steady) and doubled the value of its endowment. Computer technology transformed the way Smith conducted its business. And the curriculum became broader in scope, with five new majors and increased course offerings in non-Western and neglected American cultures.
1975–85
In the late 1960s and early 1970s another important movement—the women’s movement—was gathering momentum. This was to have a profound effect on American society and to confirm the original purpose of Smith College. The college began its second century in 1975 by inaugurating its first woman president, Jill Ker Conway, who came to Smith from Australia by way of Harvard and the University of Toronto. She was a charismatic and energetic leader with a vision for women's education, and her administration was marked by three major accomplishments: a large-scale renovation and expansion of Neilson Library, evidence of Smith’s undiminished concern for the heart of the liberal arts; the rapid growth of the Ada Comstock Scholars Program, through which women beyond the traditional college age could earn a Smith degree; and exceptionally successful fund-raising efforts. Also during President Conway’s administration, the Career Development Office was expanded to better counsel Smith students and alumnae about career opportunities and graduate training for women. Recognizing the rapidly growing emphasis on fitness and athletics for women, Smith built the Ainsworth Gymnasium and broke ground for new indoor and outdoor track and tennis facilities. President Conway’s contributions underscored her commitment to women’s colleges and a liberal arts education in today's society. Since leaving Smith, Conway has written an acclaimed series of memoirs; her 2001 book, A Woman's Education, concerns her Smith years.
1959–75
When Thomas Corwin Mendenhall came from Yale in 1959 to become Smith’s sixth president, both the college and the country at large were enjoying peace and prosperity. During the 1960s, social and cultural changes stirred the college profoundly, and a series of powerful movements influenced the larger society and the academic world alike. In response to the needs of increasingly independent and ambitious students, the curriculum was thoroughly revised. College-wide requirements were set aside and independent study encouraged. The college made more varied educational experiences available to Smith undergraduates by extending cooperation with its neighbors—Amherst, Hampshire and Mount Holyoke colleges and the University of Massachusetts. And Smith joined other private colleges in the Northeast to develop the Twelve College Exchange Program. The college added buildings with the most modern facilities for the study of the natural sciences, performing arts and fine arts. The new Fine Arts Center included the Smith College Museum of Art, now one of the most distinguished college museums in the country.
The 1960s saw the civil rights movement, the students’ rights movement and the anti-war movement take root and grow at many of the country’s universities and colleges, including Smith. Thanks to these movements and to the wisdom, tact and humor of President Mendenhall, the college emerged from the 1960s with a more precise awareness of student needs and an active, practical sense of social responsibility.
Meanwhile, life in the college houses was changing. The old rules governing late evenings out and male visitors were relaxed, then abandoned. Not surprisingly, when Vassar began to accept men, and Yale, Princeton and Dartmouth to accept women as candidates for degrees, some members of the college community wondered whether Smith should also become coeducational. In 1971, a committee of trustees, faculty, administration, students and alumnae studied the question in detail. The committee concluded that admitting men as candidates for the Smith degree would detract from the founding purpose of the college, the best possible education for women.
1949–59
Benjamin Fletcher Wright came from Harvard to become Smith’s fifth president in 1949. The college had by then resumed its regular calendar and completed several much-needed building projects, including a new heating plant and a student recreation center named for retiring President Davis. The most memorable achievements of President Wright’s administration were the strengthening of Smith's financial position and the defense of academic freedom during the 1950s.
In 1950, the $7 Million Fund Drive was triumphantly completed, enabling the college to improve facilities and increase faculty salaries. In 1955, the Helen Hills Hills Chapel was completed, giving Smith its own place of worship. The early 1950s were not, though, easy years for colleges; McCarthyism bred a widespread suspicion of any writing or teaching that might seem left of center. In defending his faculty members' right to political and intellectual independence, President Wright showed great courage and statesmanship. Complementing his achievements was the financial and moral support of Smith’s Alumnae Association, by now the most devoted and active group of its kind in the country. Before President Wright’s term ended, the college received a large gift for constructing a new faculty office and classroom building to be named for him.
1940–49
President Neilson retired in 1939, just before the outbreak of World War II, and for one year Elizabeth Cutter Morrow, an alumna trustee, served as acting president. Herbert Davis took office as Smith’s fourth president in 1940 and reaffirmed the contributions that a liberal arts college could make to a troubled world. Already during World War I a group of Smith alumnae had gone to France to do relief work in the town of Grécourt; a replica of Grécourt’s chateau gates is now emblematic of the college.
Soon after the 1941 bombing of Pearl Harbor, the college agreed to provide facilities on its campus for the first Officers’ Training Unit of the Women’s Reserve, or WAVES. The college added a summer term from 1942 to 1945 so some students could graduate more quickly and go on to government, hospital or military service. Though physically isolated by travel restrictions, the college retained its cosmopolitan character as refugees came to lecture, teach and study. And foreign films were shown regularly in Sage Hall—a practice that would give generations of students their sensitivity both to other cultures and to an important new art. President Davis' administration was marked by intensified academic life, reflecting his belief that serious study was a way of confronting the global threat to civilization.
1917–39
When William Allan Neilson became president in 1917, Smith was already one of the largest women’s colleges in the world. President Neilson shrewdly developed the advantages of large academic institutions while maintaining the benefits of a small one. Under his leadership, the size of the faculty continued to increase while the number of students remained at about 2,000. The curriculum was revised to provide a pattern still followed in many American colleges—a broad foundation in various fields of knowledge, later complemented by the more intensive study of a major subject. The college expanded honors programs and initiated interdepartmental majors in science, landscape architecture and theatre. The School for Social Work, a coeducational graduate program, was founded. And more college houses were built, mainly in the Georgian complex called “the Quad,” so that every student could live on campus.
Not only did President Neilson help make Smith one of the leading colleges in the United States, whether for men or women, but he also developed it into an institution of international distinction and concerns. President Neilson, himself a Scotsman, married to a well-educated German woman, transformed the college from a high-minded but provincial community in the hinterland of Massachusetts into a cosmopolitan center constantly animated by ideas from abroad. Between the two world wars, he brought many important exiled or endangered foreign teachers, scholars, lecturers and artists to the college. Meanwhile, as long as peace lasted, Smith students went to study in France, Italy and Spain on the Junior Year Abroad Program instituted by the college in 1924.
1910–17
Smith’s second president, Marion LeRoy Burton, took office in 1910. President Burton, a graduate of Yale Divinity School, was a gifted public speaker with an especially acute business sense. He used these talents to help the college raise the amazing sum of $1,000,000—a huge endowment campaign for any college at that time. With the college’s increased endowment, President Burton was able to increase faculty salaries substantially and improve the faculty-to-student ratio. President Burton's fund drive also invigorated the alumnae, bringing them closer to the college than ever before and increasing their representation on the board of trustees.
Along with improving the financial state and business methods of the college, President Burton also contributed to a revision of the curriculum and initiated college honors programs to recognize outstanding students. He also helped to organize a cooperative admission system among Smith, Mount Holyoke, Wellesley and Vassar, the finest women’s colleges of the day. President Burton’s accomplishments are commemorated today by Burton Hall, the science building that his fund drive helped to finance.
1873–1910
Smith College opened in the fall of 1875 with 14 students and six faculty under the presidency of Laurenus Clark Seelye. Its small campus was planned to make the college part of what John M. Greene called “the real practical life” of a New England town, rather than a sequestered academic preserve. College Hall, the Victorian Gothic administrative and classroom building, dominated the head of Northampton’s Main Street. For study and worship, students used the town’s well-endowed public library and various churches. Instead of a dormitory, students lived in a “cottage,” where life was more familial than institutional. Thus began the "house" system that, with some modifications, the college still employs today. The main lines of Smith’s founding educational policy, laid down in President Seelye’s inaugural address, remain valid today: then as now, the standards for admission were as high as those of the best colleges for men; then as now, a truly liberal education was fostered by a broad curriculum of the humanities, the fine arts and the natural and social sciences.
During the 35 years of President Seelye’s administration, the college prospered mightily. Its assets grew from Sophia Smith’s original bequest of about $400,000 to more than $3,000,000; its faculty to 122; its student body to 1,635; its buildings to 35. These buildings included Alumnae Gymnasium, site of the first women’s basketball game, and William Allan Neilson Library, one of the best-stocked undergraduate libraries in the country.
Traditionally Smith
There are certain traditions that instantly unite Smithies of nearly any class year. Mountain Day, Ivy Day, Friday teas—these call to mind memories of community and celebration, and have been a part of Smith’s history for the better part of 150 years. Newer traditions, like Julia Child Day and Otelia Cromwell Day, have quickly taken root and have become beloved Smith experiences in their own right.
Commencement Traditions More Smith Traditions
Some Notable Alums
Famous chefs, Pulitzer Prize winners, political columnists, environmental researchers, film directors, venture capitalists, physicists, poets, playwrights, CEOs—Smithies apply their learning throughout their lives in thousands of professions and communities.
Gloria Steinem ’56
Noted feminist activist
Kimberly Drew ’12
Writer and art influencer
Julia Child ’34
Cookbook author and TV host
Garrett Bradley ’07
Artist and filmmaker
Smithies Create
In 2009, Tenaya Darlington ’94, aka Madame Fromage, started a cheese blog. From that seed, she grew a network of cheesemakers and enthusiasts who encouraged her to write, travel, and (of course) eat. Her new book, Madame Fromage’s Adventures in Cheese, is the result of years of research and exploration.
Meet Some Other Creative Alums Explore Our Notable Alums and "Firsts"
Commencement History
Key
DD = Doctor of Divinity
DFA = Doctor of Fine Arts
LTD = Doctor of Letters
LHD = Doctor of Humane Letters
LLD = Doctor of Laws
MUS = Doctor of Music
SCD = Doctor of Science
Recipients
Berenice Abbott DFA 1973
Jane Addams LLD 1910
Stella Adler DFA 1987
Gwen Agna LHD 2020
Dorothy Ainsworth 1916 SCD 1956
Fay Ajzenberg-Selove SCD 1995
Madeleine Korbel Albright LLD 2003
Elizabeth Alexander DFA 2019
Jane Alexander DFA 1999
Florence Ellinwood Allen LLD 1925
Hope Emily Allen LHD 1946
Christiane Amanpour LHD 2008
Marian Anderson MUS 1944
Mary Anderson LLD 1941
Maya Angelou LTD 1975
Gladys Anslow 1914 SCD 1950
Hannah Arendt LLD 1966
Margaret Arnstein 1925 SCD 1950
Helen Atwater 1897 SCD 1943
Margaret Atwood LTD 1982
Tammy Baldwin '84 LLD 2009
Mahzarin Banaji SCD 2015
Ana Marie Barrenechea LTD 1967
Nita Barrow LLD 1991
Leona Baumgartner SCD 1956
Rose Fairbank Beals 1895 SCD 1934
Mary Beard LLD 1945
Alison Bechdel DFA 2016
Bodil Begtrup LLD 1949
M. Kathleen Bell 1944 AM 1959
Sally Benson SCD 2015
Mary Lathrap Benton LHD 1914
Charlotte Bequignon-Lagarde LLD 1949
Mildred Jeanmaire Berendsen 1949 LHD 1991
Mary Berry LLD 1990
Ela Bhatt LHD 2014
Deborah Bial LHD 2021
Princess Basma Bint Talal of Jordan LLD 2010
Elizabeth Bishop LTD 1968
Barbara Black LLD 1988
Albert F. Blakeslee SCD 1952
Elizabeth Blanchard AM 1888
Sarah Gibson Blanding LLD 1949
Frances Bradshaw Blanshard 1916 LLD 1946
Charles Blitzer LLD 1989
Mabel Thorp Boardman LLD 1916
Jean Sutherland Boggs LLD 1975
Nadia Boulanger DFA 1958
Helen Childs Boyden 1904 LHD 1934
Muriel Clara Bradbrook LLD 1965
Anna Branch 1897 AM 1934
Germaine Bree LTD 1960
Vivion Lenon Brewer 1921 LHD 1961
Hari Brissimi 1948 LLD 2005
Roslyn Brock LHD 2016
Anita Brookner LTD 1989
Gwendolyn Brooks LTD 1997
Adelaide Brown 1888 SCD 1939
Ann Winkelman Brown 1959 LLD 2000
Nina Browne 1882 LTD 1930
Elizabeth T. Bunce 1937 SCD 1971
Mary Bunting-Smith LLD 1960
Eleanor Margaret Peachy Burbidge SCD 1963
Barbara Pierce Bush 1947 LHD 1989
Helen Caldicott LLD 1990
Sarah Caldwell DFA 1974
Mary Calkins 1885 LLD 1910
Ruth Brooks Calkins 1921 AB 1939
Helen Maud Cam LLD 1949
Joanne Campbell LHD 2021
Eric Carle LTD 2014
Giuseppina Carmirelli MUS 1982
Rachel Carson LTD 1953
Eunice Hunton Carter 1921 LLD 1938
Gwendolen M. Carter LLD 1979
Eleanora Carus-Wilson LLD 1968
Willa Sibert Cather LHD 1933
Carrie Chapman Catt LLD 1925
Victoria Chan Chan-Palay 1965 SCD 1979
Gloria Chandler 1919 LHD 1968
Mary Ellen Chase LTD 1949
Judy Chicago DFA 2000
Julia McWilliams Child 1934 LHD 1985
Constance Chilton 1926 AM 1951
Shirley Chisholm LLD 1975
Carol T. Christ LHD 2018
Margaret Clapp LLD 1949
Annetta Clark 1904 AM 1929
Catherine Cleary LLD 1973
Jewel Plummer Cobb SCD 2006
Hazel Winans Coe 1921 LHD 1962
Johnnetta B. Cole LLD 2000
Rita Rossi Colwell SCD 2004
Grace Hazard Conkling 1899 AM 1930
Silvio Conte LLD 1991
Jill Ker Conway LTD 1988
Alison Cook Cook 1918 AM 1954
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Gerty T. Cori SCD 1949
Katherine Cornell LHD 1937
Louise Frances Cowles AM 1893
Cheryl A. Crawford 1925 DFA 1962
Joanne V. Creighton LLD 1996
Kimberlé Williams Crenshaw LLD 2018
Adelaide Cromwell 1940 LTD 2015
Otelia Cromwell 1900 LLD 1950
Elizabeth C. Crosby SCD 1967
Frances Crowe LHD 2015
Rachel Eleanor Crowdy LLD 1926
Marie Curie SCD 1921
Anna Cutler 1885 LHD 1952
M. Elizabeth Czarnomska AM 1904
Marie-Therese d'Alverny LTD 1977
Edwidge Danticat LTD 2012
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Natalie Zemon Davis 1949 LHD 1977
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Maria de Maeztu LLD 1919
Maria-Rosa Lida de Malkiel LTD 1955
Agnes George De Mille LHD 1954
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Paula Deitz 1959 LHD 2006
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Sidney Bradshaw Fay LHD 1929
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Martha Wright Griffiths LLD 1976
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Patricia Harris LLD 1974
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Ann Hartman 1954 LLD 1995
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Dorothy Millicent Horstmann SCD 1961
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Julia Ward Howe LLD 1910
Arianna Huffington LTD 2013
Shirley Hufstedler LLD 1982
Eleanor Humphreys 1917 SCD 1967
Harriet Hunt 1913 AM 1949
Swanee Hunt LHD 2014
Charlayne Hunter-Gault LHD 2009
Ada Louise Huxtable LHD 1968
Gwen Ifill LHD 2005
Barbel Inhelder SCD 1975
Elizabeth Skinner Jackson 1910 AM 1950
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Sir Robert Jones SCD 1921
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Mother Mary Rogers Joseph 1905 LHD 1950
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Marie F. Kapp AM 1904
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Evelyn Fox Keller SCD 2014
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Stella Kramrisch LHD 1982
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Mathilde Krim SCD 1996
Afroditi K. Krokodilou AM 1948
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Florence Corliss Lamont 1893 LLD 1952
Julie Clifford Lathrop LLD 1928
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Mary McCarthy LHD 1988
Kenneth McCartney MSW 1973
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Ellen Zinsser McCloy 1918 LLD 1953
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Victoria Murden McClure 1985 LHD 2010
Anne O'Hare McCormick LLD 1939
Henry Noble McCracken LLD 1915
Audra McDonald DFA 2021
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Phyllis McGinley LTD 1964
Monica McGoldrick 1969 LHD 1991
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William McKinley LLD 1899
Mary McLeod LHD 1994
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Mary P. McPherson 1957 LLD 1981
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Lise Meitner SCD 1946
Gwendolyn Grant Mellon 1934 LHD 1959
Dorothy Reed Mendenhall 1895 SCD 1930
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Soia Mentschikoff LLD 1967
Hanan Mikhail-Ashrawi LHD 1999
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Josephine Milligan 1882 SCD 1930
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Elizabeth Mongan LHD 1985
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Cathleen Morawetz SCD 1982
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Erica Morini MUS 1955
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Ann Axtell Morris 1922 AM 1935
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Cynthia Moss 1962 SCD2002
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Ludella L. Peck AM 1904
Nancy Pelosi LLD 2021
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Edith Porada LTD 1967
Katherine Anne Porter LLD 1958
Sylvia Porter LLD 1976
Louise Pound LHD 1928
Anne Prache LHD 1992
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Vida Scudder 1884 LHD 1922
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Beverly Sills LHD 1985
Mary Kingsbury Simkhovitch LLD 1951
Mary Simmonds 1971 SCD 2005
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Florence H. Snow 1904 AM 1925
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Lois Harkrider Stair 1944 LHD 1981
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Rise Stevens DFA 1970
Eleanor Bumstead Stevenson 1923 AM 1946
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Berthe Vincens AM 1910
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a lady in red who writes
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http://www.theladyinredblog.com/uploads/1/1/1/0/11103886/7118261.jpg?377
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PRESS RELEASE: Enjoy Three Days of Jazz and Blues at the Discover Jersey Arts’ People's Choice Award Winner for “Best Music Festival”
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TheLadyinRedBlog
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http://www.theladyinredblog.com/1/post/2012/05/jersey-shore-jazz-and-blues-festival-summer-series-set-for-middletown-point-pleasant-borough-and-long-branch.html
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PRESS RELEASE: Enjoy Three Days of Jazz and Blues at the Discover Jersey Arts’ People's Choice Award Winner for “Best Music Festival”
Point Pleasant Borough Jazz and Blues Festival Headliner Billy Hector (Photo: G. Kopp)
Red Bank, NJ (May 24, 2012) – Thousands are anticipated to turn out for the Jersey Shore Jazz and Blues Foundation’s (JSJBF) Jazz and Blues Summer Series Festivals, 2011 winner of the Discover Jersey Arts’ People’s Choice Award for “Best Music Festival.” Each date in the Series will feature crowd-pleasing jazz and blues musicians, along with food, crafters and activities for the entire family.
Beer and wine gardens are present at the Middletown and Point Pleasant venues. The festivals are free to the public and all ages are welcome to attend. Each year, sponsor donations from the events raise essential funds for the nonprofit Jersey Shore Jazz and Blues Foundation’s operational expenses.
Jazz and Blues Festival (Photo: George Wirt)
"The volunteer staff and board of the Jersey Shore Jazz and Blues Foundation have been honored to present jazz and blues fans, young and old, with our award-winning Jersey Shore Jazz and Blues Festivals for 20 years. The events are widely-anticipated by thousands of residents and visitors to the Jersey Shore," said Dennis Eschbach, Event Director, Jersey Shore Jazz and Blues Festivals.
"Thanks to the dedication of our 2012 sponsors, musicians and host towns, we anticipate this year's festivals to be bigger and better than ever! "
Middletown Headliner Sonny Kenn and the Upstage Jam Band (Photo: John Cavanaugh)
Festival Kicks off at Middletown Jazz and Blues Festival, July 7th
The Summer Series kicks off at the Middletown Jazz and Blues Festival on Saturday, July 7th from 12:00 -8:00 p.m. at the Middletown Arts Center on 36 Church Street in Middletown, NJ. The day’s headliner is Sonny Kenn and The Upstage Jam Band.
Sonny has been burning up the Jersey Shore music scene since opening for Jerry Lee Lewis in 1965. Sonny and a group of friends from his days at the Asbury Park’s Upstage Club will reunite again on stage at the Jazz and Blues Festival as the Upstage Jam Band. The core blues band is comprised of musicians Sonny Kenn, Ricky DeSarno, Joe Petillo, Vini Lopez and Chris Plunkett.
Middletown Lineup
12:00-1:00 p.m. Dan Wallinsky Quartet (Jazz)
1:20-2:20 p.m. Red Bank Blues Band (Smooth and Jazzy Blues)
2:35-3:35 p.m. Gordon James Band (Jazz meets MoTown and R&B)
3:00-4:00 p.m. Miss Sherri Cool Kids Concert in the Theater (Kindie Rock)
3:50-4:50 p.m. Dean Shot (Hard-rocking, High-energy Blues)
5:10-6:10 p.m. Stormin’ Norman Seldin and His Allstar Band (Jersey-style Rock and Blues)
6:30-8:00 p.m. Headliner Sonny Kenn and the Upstage Jam Band (Blues and Fast Rock)
Point Pleasant Borough Jazz and Blues Festival, July 21st
On Saturday, July 21st head over to the Point Pleasant Jazz and Blues Festival from 12:00-8:00 p.m. at Riverfront Park on the corner of Maxon Avenue and River Road in Point Pleasant Borough, NJ. The headliner for the day will be the award-winning blues guitarist and songwriter Billy Hector.
Whether Billy Hector is teasing you with his sultry slidework, picking through delta blues or flat-out cranking it up and crunching out the electric blues/rock on his beloved vintage Fender Stratocaster, his music reflects the true soul and origins of the blues; always passionate, engaging and dedicated to making the audience move and sweat. Having honed his chops and style through three decades of performances, Hector is critically recognized as one of the hottest and most interesting guitarist/songwriters on the original circuit and has even been called “A New Jersey state treasure” by music writers.
Point Pleasant Lineup
12:00-1:00 p.m. Burr Johnson (Dynamic Fusion Mix)
1:20-2:20 p.m. Outside the Box (Blues Based Rock)
2:35-3:35 p.m. Eryn Shewell (A little country, pop, blues, and a lot of soul)
3:50-4:50 p.m. Grupo Yuri Jazz Quintet (Latin and World Beat Jazz)
5:10-6:10 p.m. Blackberry Blues Band (Blues)a
6:30-8:00 p.m. Headliner Billy Hector (Blues)
Long Branch Headliner Rob Paparozzi (Photo credit: Jay Rosenblatt)
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https://utahutes.com/sports/track-and-field/roster/chloe-shewell/14911
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Chloe Shewell - Track & Field
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Chloe ShewellSprints - TFRRS Bio
Personal Bests:
55 (Indoor): 7.56
60 (Indoor): 7.87 (aa)
200 (Indoor): 25.71 (aa)
300 (Indoor): 41.72
400 (Indoor): 57.66
200
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en
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/images/logos/site/site.png
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University of Utah Athletics
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https://utahutes.com/sports/track-and-field/roster/chloe-shewell/14911
|
2023-24 Track & Field Roster
Choose a Player:
Hunter Dyke/Utah Athletics
Chloe Shewell
Height 5-4
Class Junior
Hometown Park City, Utah
High School Park City HS
Major Finance & Biology
Bio
Related
Historical
Biography
TFRRS Bio
Personal Bests:
55 (Indoor): 7.56
60 (Indoor): 7.87 (aa)
200 (Indoor): 25.71 (aa)
300 (Indoor): 41.72
400 (Indoor): 57.66
200 (Outdoor): 25.57 (aa)
400 (Outdoor): 56.20 (aa)
Academic Honors:
2024 Pac-12 Spring Academic Honor Roll
2024 Pac-12 Winter Academic Honor Roll
2023 Pac-12 Spring Academic Honor Roll
2023 Pac-12 Winter Academic Honor Roll
Athletic Honors:
2024 USTFCCCA Track All-American Honorable Mention (4x400m Relay)
School Records:
1st all-time with 4x200m relay team outdoors (1:39.84)
7th all-time with SMR team outdoors (4:02.71)
2024 Outdoor Track:
• Kicked opened the outdoor season running in the 200m and 400m races at the Aztec Invitational
• Came in fourth at the UVU Collegiate Invitational with a mark of 58.06 (aa) in the 400m
• Placed ninth in the 400m at the Weber State Spring Classic
• Ran a leg on the 4x400m relay team that took eighth at the Mt. SAC Relays (3:56.07)
• Helped 4x200m relay team take fifth and SMR squad take 11th at the 114th Drake Relays
• Set new PRs at the final Pac-12 Championships in the 200m (25. 57 aa) and 400m (56.20 aa) races
• Was an alternate on the 4x400m relay team at NCAA West Regionals
• Served as an alternate on the 4x400m relay team that earned USTFCCCA All-America Honorable Mention at its first-ever NCAA Championships appearance
2023-24 Indoor Track:
• Opened the season taking running a PR in the 60m dash with a finishing time of 7.87 (aa)
• Ran in her first 200m dash indoors at the MLK Invitational, setting a season-best mark of 25.71 (aa)
• Placed eighth in the 400m race with a personal best time of 57.66 at the UW Invitational
2023 Outdoor Track:
• Opened the season with a fifth-place finish in the 400m (58.70) and 10th in the 200m (25.87) – both PRs
• Ran in the 200m and was a member of the 4x100m relay team at the Utah Open
• Ran the 200m and 400m races at the Robison Invitational and Bengal Invitational
2022-23 Indoor Track:
• Made her collegiate debut in the 300m at the BYU December Invite with a time of 41.72
• Took second in the 400m at the Speed & Power meet with a mark of 1:02.22
• Set a PR in the 55m (7.56) at the Wildcat Invitational
2022 Outdoor Track:
• Ran unattached at the Utah Spring Classic and posted a PR time of 26.36 (+1.6) in the 200m
2021-22 Indoor Track:
• Ran unattached at the Weber State Indoor meet in the 200m (27.35) and 400m (1:01.05)
High School:
• Two-sport athlete at Park City High School in soccer and track & field
• Was a four-year high honor roll recipient at PCHS
• Competed in all three years at the state track meet (junior season cancelled due to COVID-19)
• Took second as part of the 4x400m team as a freshman and third her sophomore year
• Placed 5th the 400m her senior season while also running a leg in the state championship relay team in the 4x400m and 4x800m (state record)
• Took fourth as part of the 4x100m relay team that year
• Tallied six goals in her career playing soccer for the Miners
Personal:
• Daughter of David and Tiffany Shewell
• Has two younger brothers, Noah and Ethan, and a younger sister, Ava
• Plays the piano
• Volunteers at the Swaner Nature Preserve and the Utah Food Bank on her free time
• Was inaugurated into her role as Vice President of University Relations in the May of 2023
• Double majoring in finance and biology
Related Content
There is no related content available.
Related Headlines
Related Press Clips
Related Videos
Related Photos
Historical Player Information
2021-22Freshman
400M/800M
5'4"
2022-23Sophomore
400M/800M
5'4"
2023-24Junior
Sprints
5'4"
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https://rootedinrights.org/author/alainaleary/
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Alaina Leary
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Rooted in Rights
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How LGBTQ+ Disabled People Are Celebrating Virtual Pride
Content note: includes mentions of COVID-19 and police brutality toward Black people
Amidst the COVID-19 pandemic, many in-person Pride events have been postponed or turned virtual. And while I do miss the experience of dressing in an all-rainbow outfit and celebrating in person with my friends—especially because a few of my close friends have come out since in the last year—the move to virtual events offers an opportunity for increased accessibility as long as organizers commit to hosting accessible virtual gatherings. A virtual Pride offers a safe space where police are not present like they often are at Pride parades and events. And celebrating Pride from home opens up opportunities to disabled LGBTQ+ folks who may have been unable to participate in a traditional Pride event because of access issues.
A virtual Pride may look different from an in-person Pride, but this year, many LGBTQ+ disabled people are excited about the ways they plan to honor the 50th anniversary of Pride.
“This is my first pride out,” explains Keah Brown, author and noted bisexual icon, “and so it was always going to be special and mean so much to me! I’m hoping to celebrate with my social media followers and post pictures in Pride related looks and acknowledge that virtually is just as valid.” In 2017, Keah Brown started the viral hashtag #DisabledAndCute, so she’s well-versed in celebrating self-love online.
Like Keah, I plan to post photos of Pride attire that I would have worn to in-person events, even if my friends and I had just decided to get together and have a very queer walk in the woods like we did last year. I bought a rainbow flower crown (inspired by one of my favorite authors, Anna-Marie McLemore) and asked my wife Macey to take photos of me in my colorful outfit with my purple cane decked out in glitter. I’m grateful that I won’t have to factor accessibility into my decision to attend Boston’s Pride events, which have historically not been the best at this.
Noor Pervez, Accessibility Director at Majid al Rabia, feels similarly. “Virtual Pride for me means being able to celebrate Pride with members of my community from home, even if I’m having trouble moving,” he says.
Noor will be celebrating Pride with Masjid Al Rabia online, starting with a PrEid (celebrating Pride and Eid) open mic online and attending Dallas Pride virtually, which will take away some of the stress of flying as a wheelchair user. The PrEid events Noor is participating in center and celebrate LGBTQ+ Muslims. He says, “These in-community events remind me that I exist, that my community is real and strong despite attacks against it. It affirms that we are here and always have been.”
Marlena Chertock, a writer from Washington, D.C., was excited to participate in the Unicorn March’s first Bi History Month, which she says celebrates “people whose experiences are often erased.” Marlena followed the hashtag on Twitter and says, “The outpouring of support moved me to share a poem I’ve been working on for a while, called ‘Where the quiet queers are,’ inspired by Hannah Gadsby’s comedy performance Nanette.”
Virtual Pride actions can be intentional in including people who are often erased at traditional modern Pride festivals or in LGBTQ+ media. I watched Remixing the Rainbow, a virtual panel from The Bronx Book Festival that centers queer and trans authors of color with Dhonielle Clayton, George M. Johnson, Arvin Ahmadi, and Aiden Thomas, moderated by Patrice Caldwell, and I’m reading You Should See Me in a Crown by Leah Johnson.
As a sensory-seeking autistic person, I will genuinely miss the rich sensory experience of attending Pride, so I’m planning to honor my autistic identity all month alongside my LGBTQ+ identity as if June is an extension of Autism Acceptance Month. That means stimming and dancing to Lizzo and Demi Lovato songs in my flower crown and reading and sharing work by other autistic LGBTQ+ folks.
Marisa Russello, a mental health advocate and writer from New York, will also miss the ability to attend Pride in person but says that one major accessibility barrier for her is that cigarette smoke is a trigger for her migraines, and smoking is common at Pride events. Many Pride events are also not fragrance-free, making them inaccessible to people with chemical sensitivities and allergies. “There are so many benefits to virtual meetings as far as accessibility,” Marisa says. “They eliminate transportation as a barrier, so I can attend NYC Pride events even though I no longer live there. I could even attend Pride events worldwide.”
Pride can also be an important time to honor the history of Stonewall and the legacy of Marsha P. Johnson, Sylvia Rivera, and other trans people of color who led the movement. “The first Pride was a riot for rights and a recent generation endured the AIDS crisis—supporting those in the community who are most at risk during the pandemic, and honoring ourselves, pays homage to our history in a powerful way,” explains Taylor Linloff, an autistic advocate from Cape Breton Island, Nova Scotia, who will participate in celebrations and parties but also in community action events such as cards being mailed to isolated LGBTQ+ people. That’s why I’ve recognized Pride so far by donating to LGBTQ+ Black-led social justice organizations and mutual aid funds and organizing a Q&A with trans authors for the We Need Diverse Books blog.
Linloff also plans to host a Facebook Live talking about their experiences as a gay person who was diagnosed with autism later in life, and says they’re looking forward to feeling at home again during Pride Month. “Pride makes me so happy, and I love seeing everyone come alive and being so unashamedly who they are,” they say. “Virtual does not mean fake or imaginary in the case of Pride, it’s just reimagined. More opportunities to get creative, and who doesn’t like an inspired challenge?”
Existing and celebrating as a multiply marginalized LGBTQ+ disabled person can be very powerful. “I’m going to try to celebrate with the small pockets of joy that I find,” says Keah Brown. “Especially with what’s going on in the world in terms of the brutal killings of Black people, joy is even that much more important so I’ll celebrate by fighting for equality and justice for my people.”
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
How to Make Your Virtual Meetings and Events Accessible to the Disability Community
As meetings and events continue to take place in virtual spaces as a result of the COVID-19 pandemic, accessibility is too often an afterthought. Even event organizers and activists who normally work to make sure their in-person events are accessible seem to forget that virtual events need to be accessible for the disability community, too. Data from the Pew Research Center shows that disabled people are actually much less likely to use the internet, which may be in part because inaccessibility remains a serious barrier. So, let’s break down this barrier. Accessibility for virtual events should be a priority and central to the planning process from the beginning.
Planning your virtual event
Consider where and how your virtual events are taking place
As a starting point, think about the scope of your virtual event and what platform you plan to host it on. Disabled people are twice as likely to be unemployed or live in poverty, and internet access and devices like laptops, smartphones, and tablets can be expensive. “Provide information on how to access the event for people with limited or no access to internet at home, and be willing to share information offline too,” says Lydia X. Z. Brown, a disabled advocate, attorney, and adjunct professor. If you’re hosting an event over video conferencing software like Zoom, Google Hangouts, or GoToMeeting, offer the option for attendees to dial-in by phone and participate without a computer or internet.
If everyone will have internet access, what other technology might attendees need to fully participate? If the event is being held on social media (i.e., Facebook Live, Instagram Live/Stories, YouTube), do attendees need to have an account on that platform to take part? Have you looked into any accessibility issues inherent to the platform you are using?
Check out this guide: Best video conferencing apps and software for accessibility.
“I think that organizers should always be aware of the accessibility of the platform they intend to use,” says Keenan Provencher, a recent college graduate who is visually impaired and uses VoiceOver technology. Explore the accessibility features that are built-in to the platforms you’re considering for the event and determine what you might need to provide, such as captioning. Compare the different options available for hosting your event to see which is the best fit.
Include disabled people in your events
As you’re planning and creating events, make sure to reach out to disabled speakers, performers, and other talent who may be interested and available for your events. If you’re putting together a series of authors to read their work, include disabled authors. If you are organizing a comedy show, hire disabled comedians to be part of it. If you’re hosting a webinar series on money management, have disabled financial experts among your speakers. Disabled people should be present at every stage of your planning process: Invite and include them as speakers and assume that they will also be attending your virtual events.
Ensure access for people with intellectual and developmental disabilities
Your virtual events need to be accessible to people with intellectual and developmental disabilities. Access needs aren’t universal, so be open to exploring different tools and technology to make sure that your attendees have no problem attending the event.
“Organizers need to be patient with people with ID when explaining online platforms,” explains Liz Weintraub, the senior advocacy specialist at the Association of University Centers on Disability. “At first, I got really nervous about using Zoom and Adobe Connect because I wasn’t sure I could use them. But my colleagues were patient was me and if one way doesn’t work, then try something else.” Weintraub points out that not all online platforms are equally accessible so a willingness to experiment and try something else is important.
Noor Pervez, the community engagement coordinator at Autistic Self Advocacy Network, says that access needs around sensory issues, such as extremely loud videos, need to be considered for virtual events just as they would for in-person events. He also recommends “leaving in time to process information, such as a 10-minute break every hour or so.”
Weintraub suggests that event organizers “create a tip sheet for online platforms with directions so people will feel comfortable with online platforms.” The tip sheet can include step-by-step information about how to use the platform(s) and the option to attend training sessions about the platform(s) before the event. The most important thing for access, she says, is to be patient and not rush attendees.
What to do in advance
“Event organizers should always share what they are already planning to do to increase access for their events,” says Brown, “and how people who may have other access needs can request that those needs be met.” Make it possible for your attendees to (anonymously or with their name and RSVP attached) request that specific access needs be met. This is particularly helpful if someone has very individualized access needs outside of the ones you and other organizers have prepared for.
Factor the costs of captioning, sign language interpretation, and other potential accommodations into your budget.
Make sure the service you’re using to host the virtual event is compatible with assistive technology like screen readers.
Ensure the platform you’re using allows for computer-based audio listening/speaking and phone-based audio listening/speaking.
Make sure your events are accessible to augmentative and alternative communication (AAC) users by offering multiple ways for attendees to participate, answer questions, submit questions, and interact.
Offer training sessions with event organizers/volunteers prior to the event on how to use the platform(s) the event will be hosted on.
Offer all accessibility information upfront and publicly to interested attendees.
Have an accessibility point person who can assist with troubleshooting or access issues and provide contact information for them.
Give attendees the opportunity to (anonymously, if desired) share any additional accessibility requests that were not covered in the event’s access information.
Share the format of the event (e.g. discussion vs. listening to a presentation, or something else) and how long it plans to run for so attendees can plan around their need to take breaks, arrive late, leave early, etc.
Provide any written or visual materials ahead of time to give people an idea of what to expect and the ability to plan in advance. Be sure to use an accessible file format.
Allow attendees to send questions and comments in advance.
Give notice about questions that participants might be asked to respond to, even icebreakers (for example, “Everyone introduce yourself and say where you’re from”).
Make it clear to attendees that they will have an opportunity to ask questions so they can prepare.
Provide a glossary of terms that will be used during the event and define them.
If you have chosen to use Zoom, take precautions to avoid “Zoombombing” and other security issues.
Make sure everyone has access to any links or login codes they need to join a live video call ahead of time.
Take a look at the Inclusive Design Principles and see how your event planning holds up to them. How can you be as inclusive as possible?
For more, check out these Accessibility Tips for a Better Zoom/Virtual Meeting Experience.
Preparing Virtual Invitations and Presentations
Include detailed, step-by-step directions of how to get on the event and how to use the platform.
Ensure that fonts are easy to read and text is large and has good color contrast.
Be mindful of jargon, slang, and assumed knowledge to be inclusive of all attendees.
Use plain language.
Avoid ableist and other negative language.
Ensure your slides are uncluttered and consider using images to help explain concepts.
If you use images, include alternative text and image descriptions.
Do not use flashing or strobing animations in a presentation or other materials you and other event organizers are creating. If you are including material that already has strobing or flashing, such as a showing of a film or television show, remove the strobing from the original material or skip that portion of the material. If you absolutely must include something that has flashing or strobing (which, again, should really be avoided at all costs), then you must ensure you put a very clear warning in place before showing the material.
If you’re sharing pre-recorded video, be sure to describe what’s happening in the video and add captions using programs like Final Cut or Adobe Premiere, or apps like Clipomatic, Clips, Caption This, and AutCap.
If you’re uploading the video to YouTube, you have the option to use automated captions and then edit those captions to fix any errors before publishing.
Hire a professional to write captions for your videos, using websites like Rev, Alternative Communications Services, and ASLCaptions.
Hire a professional to provide sign language interpretation; you can find ASL interpreters using resources like the Registry of Interpreters for the Deaf.
Hire a professional provide real-time captioning through vendors such as National Captioning Institute, CaptionAccess, and Streamtext, especially for webinars and other events where speakers will be interacting with attendees and answering questions in real time.
Check out this video on 3 Ways To Make Your Content More Accessible For Disabled People.
Looking for an all-in-one guide on digital accessibility? Check out Rooted in Rights’ #AccessThat resources on transcripts, audio description, captions, and alt-text.
During Your Virtual Event
According to 3-Play Media, “To ensure your live-stream content is accessible, you’ll need three things: live captions, live descriptions, and a good audio environment.” Also, be sure to have a staff member or volunteer responsible for ensuring accessibility needs are met during the event.
Access for People Who Are Deaf or Hard of Hearing or Have Sensory Disabilities
Make sure your audio is clear; poor audio quality can make it hard for people to access the event and/or use apps that can help reduce background noise on calls, such as Krisp.
Have your speakers use a headset whenever possible if this is accessible to them to improve audio.
Hosts and presenters should use a quiet room where they won’t be disturbed whenever possible.
Mute all attendees but those speaking to keep background noise to a minimum so that attendees can easily hear.
Ask people speaking to say their name every time they speak, so captioners and attendees alike all know who is talking.
For more tips, check out this article: How to help students with a hearing impairment as courses move online.
Access for People Who Are Blind or Visually Impaired or Have Sensory Disabilities
Make sure the speaker’s face is well-lit and can be clearly seen.
If there is a method that will be used to vote or flag who can speak next, make sure all participants can access the process.
Describe live scenarios. For example, if you are presenting a live video tutorial of applying makeup, you could describe the process: “I am now applying a dark purple lipstick to my upper lip.”
Describe any images, read any text that appears on screen, and describe anything that you gesture at as if you were explaining it to someone who isn’t in the same room as you.
For more tips, check out this article: 5 Accessibility Actions You Can Take When You’re Moving Your Conference or Classes Online.
Access for People Who Are Intellectually or Developmentally Disabled
Be patient with your attendees when you’re explaining how to use online platforms, especially if they are new to the platform and haven’t used it before. Repeat information if necessary.
Use accessible, plain language during the event and avoid using jargon.
Build processing time/breaks into your event.
Leave ample time for questions.
Offer the option for anyone using chat boxes to have their messages read aloud to everyone during the event (either by using a revoicer or having an event organizer read them.
For more information on inclusive meetings, check out this Inclusive Meetings guide from the Autistic Self Advocacy Network.
After your virtual event
Share materials in an accessible format.
If your team live-tweeted the event or if a Twitter chat was part of the event, create a blog post or other easy-to-read collection of those tweets for anyone who was unable to participate live.
Offer your attendees the opportunity to provide feedback about the event, including accessibility, to help you prepare to plan the next one.
Make accessibility an ongoing, inclusive conversation in your community for all types of events.
Remember: Accessibility is a learning process
Even for disabled people, accessibility—and doing the work to make sure your own events are accessible—is a learning process. It’s important for all of us to acknowledge that others may have access needs that differ from our own. Instead of making assumptions, offer your attendees easy and clear ways to request their specific access needs be met and to provide feedback after your event, which you can use as a learning experience for the next one.
If you’re hosting smaller events tailored to a specific group of attendees, such as virtual webinars for your employees or sober community and recovery meetings to replace in-person ones, check in with that community. Make it an inclusive, ongoing conversation around access needs in everything you’re doing virtually so that everyone, including disabled people, has a voice in what platforms are being used and how.
We can all make accessibility a priority and remain open-minded to changing our processes, learning more, and creating events that are inclusive and welcoming to all.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
Rooted in Rights Reviews – Being Heumann: An Unrepentant Memoir of a Disability Rights Activist
The prologue to Being Heumann: An Unrepentant Memoir of a Disability Rights Activist by Judith Heumann with Kristen Joiner starts with the words, “I never wished I didn’t have a disability.”
It’s a powerful way to begin a memoir, one that I can appreciate probably has a different impact on nondisabled readers than it did on me. This might be the first time nondisabled readers have come across that sentiment, as Heumann points out in Chapter 12, aptly titled “Our Story.” Heumann connects popular contemporary media portrayals of disability, such as Me Before You and Million Dollar Baby, to her own story. “What if someone’s story began with the words: ‘I never wished I didn’t have a disability,’” she writes, bringing the book full circle back to its opening line.
Heumann’s memoir, which is in equal parts a history lesson on disability rights activism in the United States and an intimate look at her life from childhood to present, centers on ideas of disability rights, community, access and equity, independence, autonomy, and disability pride.
From the very beginning chapters, I was hooked. Unlike Heumann, I was born with my disabilities (primarily autism and Ehlers-Danlos syndrome) and I am not a wheelchair user, but many of her childhood experiences mirrored mine. “The first time I’d ever met another disabled kid was when I went for the evaluation,” she writes in an early chapter about the access barriers she faced while trying to get a primary school education. The writing is concise and evocative and she draws the reader into every scene. I felt like I was right there with young Judy, rolling to her friend Arlene’s home, yelling for her to come out and play because there was no accessible entrance.
It’s a challenge to write a book that centers so strongly on disability rights without pandering to a nondisabled audience, but Heumann clearly trusts that all her readers will get it. Heumann has faced many people throughout the years who don’t know they’re being ableist—telling her that she can’t attend public school because her wheelchair is a fire hazard or not granting her a teaching license because her wheelchair is unsafe for young kids. But she knows that the best way to win people over, including her readers, is to be honest with them and give them the opportunity to empathize with her instead of distancing themselves from the disabled experience.
Heumann’s writing does not hold back. She is unafraid to share the most difficult moments with us, such as when other children insisted that she must be sick because she used a wheelchair or when she felt like a burden simply for asking for equal access. “I recognize now that exclusion, especially at the level and frequency at which I experienced it, is traumatic,” she writes, and she continues to show us what this looks and feels like throughout the memoir. It’s traumatic to be asked to leave an airplane because you have a disability, or to be unable to attend the same social activities as your fellow college students.
Heumann contrasts this with the pure joy and collective access of being part of the disability community. She experienced this at a camp for kids with disabilities and in her special education classroom, and she experienced it as an adult disability activist in her work with organizations like Disabled In Action, the Center for Independent Living, and World Institute on Disability. “We treasured the ability to create our own space, where our communication needs, and their slower pacing, were respected,” she writes about the long meetings she and other protestors had while they were fighting for Section 504 of the Rehabilitation Act of 1973 that prohibits discrimination on the basis of disability. Those meetings, and their work, were designed around collective access: waiting patiently for everyone to speak, making sure people had access to their medications, using American Sign Language and translators.
Collective access is a major theme in Heumann’s memoir, both in her personal life and in her activism. “Institutions don’t like change because change takes time and can entail costs,” she writes, and she also argues that people need to assume it’s possible to figure out accessibility and problem-solve and take action. Heumann comes across many excuses in her activist work for why existing institutions—such as schools, public transportation, and the government—can’t or won’t change. She and her fellow activists don’t take no for an answer. Throughout the book, Heumann takes matters into her own hands; she personally calls event organizers to challenge them when they question why a young disabled person should be invited to attend.
Heumann is truthful about her place in the world as a Jewish disabled woman, and she recounts the erasure she experienced within the larger women’s rights movement, which ignored disability at the time. “What a pervasive influence silence and avoidance have had on my life,” she writes, in a scene where she is connecting her Jewish identity and the silence surrounding the Holocaust to the silence she encounters as a disabled woman.
She’s also thoughtful and honest about both her position of privilege as a white person with access to education and healthcare and the sexism she encounters as a disabled person. She credits other marginalized groups, particularly Black people and the LGBTQ+ community, for showing up for disabled activists when no one else would. But there were several times in Being Heumann that she used the civil rights movement and the Black experience in America with the disabled experience, which I felt almost conflated the two and ignored the existence of disabled people of color. These connections are meant to show readers how ignored disability rights were at the time when Heumann and her fellow activists were fighting for Section 504 and the ADA, but they sometimes miss the mark. Many white disabled people are quick to suggest that they understand what it’s like to experience racism because we experience ableism, but the two experiences are not the same, and our whiteness will always offer us a level of privilege and visibility that disabled people of color are not afforded in this country.
On the whole, many of the disability rights issues raised in Being Heumann are improving. Heumann recounts how a curb was like the “Great Wall of China” when she was a kid; if her friend lived on the other side of the street, it would have been literally impossible for her to get off the curb without curb cuts. Her memoir details some of the ways that disability rights have been won, and the steps backward we’ve taken as well—the passing of the Affordable Care Act, and legislation created to weaken it. I was surprised by just how much of her memoir, and the access barriers she’s faced, feel universal and timeless. “I did sometimes feel a little awkward about getting schlepped up the stairs backwards to Brownies, or getting carried down the back steps and through the garbage behind the synagogue to get to the elevator for Hebrew class,” she writes in an early chapter about her childhood. In 2020, nearly 30 years after the Americans With Disabilities Act passed, I still encounter public spaces where my friends and I have to carry a friend who uses a wheelchair inside up a set of stairs, and even accessible buildings are known for having their wheelchair-accessible entrance in the back by the dumpster.
At 211 pages, this memoir was concise and action-packed. Every chapter focuses on Heumann’s life, but she’s not a passive participant; she’s quite the opposite.
Being Heumann tells the story of Judith Heumann, but Heumann herself writes throughout the book that the work is not hers alone. She credits her family, in particular her mother, for instilling in her the idea that she could fight for her rights. Her memoir offers a lens to the larger disability rights movement, both in the States and globally, and she writes about the many other activists and friends she’s collaborated with over the years.
Heumann’s memoir is ultimately a story of community, of disabled and nondisabled people coming together for collective access. “This is my story, yes, but I was one in a multitude,” Heumann writes. This is her story and it starts with the fact that she never wished she didn’t have a disability. It’s also all of our story; it’s our history, our movement, and our building block for the future. Heumann leaves the reader in the final chapter with actions we can all take to build a more inclusive world and become involved in modern day activism, and the sentiment that “we have the power. We are changing things.”
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
Friendsgiving is my Favorite Queer, Disabled Chosen Family Holiday
Our first Friendsgiving was in a dorm apartment on the third floor; we carried my friend, who has cerebral palsy and uses a wheelchair, up the stairs along with her manual wheelchair. We drank cheap wine and ate home-cooked turkey and mashed potatoes on the couch. It wasn’t held in the ADA-compliant apartment that we lived in, with multiple elevators and grab bars in the bathrooms, because ours lacked a proper kitchen. The wine was served in plastic cups and one of our friends locked himself out of his dorm after the celebrations ended. But it was ours and it started a tradition that has become one of my favorite holiday staples.
According to Merriam-Webster, Friendsgiving refers to a large meal eaten with friends on or around Thanksgiving. The term didn’t become popular until the 2010s and there is no definite research that explains exactly why it did. Seven in 10 Americans between the ages of 18 and 38 prefer Friendsgiving to a traditional Thanksgiving, according to new research conducted by OnePoll in conjunction with Sabra. For my friends and I, Friendsgiving is essentially an annual chosen-family thankfulness celebration, as I called it last year. It started on our college campus, but we’ve carried on the tradition post-grad in our various apartments and houses. And we aren’t the only generation who loves it; my Gen X mother-in-law attends a Friendsgiving with her friends every November. Unlike Christmas (and Secret Santa parties that many friend groups host), Friendsgiving isn’t about spending money or partaking in traditions that you hate.
In my group of friends, a majority of us are LGBTQ+ and/or disabled. Our subsequent Friendsgivings have all been significantly more accessible than the first and are designed around including everyone: We serve vegetarian dishes for friends who don’t eat meat and include non-alcoholic beverages among the offerings. The events are potluck style at one person’s home, usually with the offer to stay over so that no one has to drive home tired or under the influence. When I’ve had trouble driving long distances due to my disability, my friends have offered to carpool instead. We talk about accessibility early on, ensuring everyone has the information they need about transportation to Friendsgiving, how to get inside and navigate the home, what food will be served, where they can sleep, and anything else they might be concerned about.
The reason I love Friendsgiving so much is because it’s all about choice. It doesn’t come with pressure or expectations; if someone can’t make it one year because they’re traveling or sick or just lost a loved one, the rest of us understand. Families of origin often make their loved ones feel guilty for not coming to the holidays, but our chosen family keeps the invitation open without the added guilt. We all have different abilities and needs, and no one is judged based on what they can cook or their transportation to the event or the mobility aids they might bring with them. When I started using a cane and switched from sleeping on air mattresses to real mattresses for my Ehlers-Danlos syndrome, my friends were accommodating and never made me feel uncomfortable.This year, I decorated my cane with rainbow holiday lights and danced around with it in the living room of my friends’ new home.
There are no awkward questions about what we’re doing with our lives and if we are accomplishing traditional goals, like we might hear at Thanksgiving: Are we in serious relationships? Have we finished school? Will we ever find a better job that’s actually in our field? Are we going to live with our parents forever? Fifty-eight percent of people from Sabra’s research say they prefer Friendsgiving to a traditional Thanksgiving because they get to avoid personal questions from their families of origin, and over half also feel less pressure to impress their guests at Friendsgiving.
Among my chosen family, there is an implicit understanding and compassion for one another; we’re all at different places in our lives. In a group that’s majority queer and disabled, we don’t place as much value on heteronormative, abled measures of success like home ownership, car ownership (or the ability to drive), marriage, or children. It’s completely normal to have someone leave the dinner table to take their medication, call their therapist’s office, or put on noise-canceling headphones for sensory reprieve.
I’m fortunate that my family of origin is accepting and nontraditional as well, but not everyone is that lucky—and Friendsgiving is a place where we don’t need to hide our feelings about the world. This holiday is about making up our own traditions, and ours are about unconditional love, access, and intentional community.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
Rooted in Rights Reviews – Haben: The Deafblind Woman Who Conquered Harvard Law
In her memoir Haben: The Deafblind Woman Who Conquered Harvard Law, Haben Girma welcomes readers into her world. “I like my deafblind world. It’s comfortable, familiar. It doesn’t feel small or limited,” she writes, and the memoir illustrates that. Girma’s memoir is written in present tense, so readers feel as though we’re experiencing events exactly as she did in the moment, whether it was her volunteer work in Mali or her trip to Alaska or her days at Harvard Law School.
At the heart of Girma’s memoir—which dives into her fear of cooking, her interest in travel and salsa dancing, and her passion for law and public speaking—is the message that the world needs to be more accessible to disabled people.
“Society designed this environment for people who can see and hear. In this environment, I’m disabled. They put the burden on me to step out of my world and reach into theirs,” she writes in an early chapter, and the concept continues throughout the book. Girma faces barriers in college when she pushes for accessible menus at the cafeteria just as she faced them playing games with her friends as a kid.
Girma’s personal stories don’t just encourage access. They go deeper than that; she wants nondisabled people to take responsibility and create collective access together. In an early scene, Girma recounts what it was like as a kid being told that she needed to ask about the homework; “I just feel tolerated,” she writes. She demonstrates collective access through scenes with her friends, Gordon and Liqin, and with classmates and mentors during her Harvard Law School years.
In these moments, Girma and her community design what access looks like and build it together—typing into a braille computer to communicate at a noisy bar, and advocating for truly accessible menu solutions together. I felt the joy and love in access in these scenes: It’s the same way I have felt when my friends text me in a noisy bar because I can’t hear their voices or when someone sits down with me in solidarity because I’m the only one who needs to rest at a networking event. As she and her friends create collective access and advocate for systemic changes in their communities, Girma also discovers her passion for law and disability advocacy.
Another thread running through Girma’s memoir is the importance of independence and misconceptions about what disabled people can do. Like many, Girma has to challenge her parents to allow her to do things like travel (or even take the bus) and faces classmates, colleagues, and mentors underestimating and looking down on her. Throughout her journey, she’s determined to break down those myths, while never falling into the trope of ‘overcoming’ disability, either.
She’s honest about how being deafblind impacts her life—writing about exactly how difficult it is to join a conversation when all she can hear are vague mumbles—and also wants society to see her for who she is rather than seeing a collection of ideas about disabled or deafblind people. She also touches on inspiration porn and writes in a chapter about a law networking event, “People with disabilities get called inspiring so often, usually for the most insignificant things, that the word now feels like a euphemism for pity.” Girma is well-acquainted with inspiration porn as someone who made headlines for her graduation from Harvard Law, and she’s not afraid to dispel the idea that she’s inspiring simply for going to law school.
There are a few scenes during the book in which Girma faults herself for the ableism she experiences. “By framing the situation as me-against-them, I perpetuated and guaranteed my own exclusion,” she writes in one scene about communicating with sighted and hearing people as a deafblind person. These moments felt authentic to me as a disabled reader; I too have blamed myself for ableism over the years. Girma wants to be fair and take responsibility for her own decisions, which I respect, but there are a few instances where I thought she was too hard on herself and didn’t recognize that ableism and access barriers aren’t her fault.
At 266 pages, the memoir felt a little short and focused more on Girma’s childhood and teen years than on her experiences at Harvard and beyond. As a reader, there are moments and chapters that I wish were explored in more depth. Girma spends a lot of time on her Eritrean heritage and makes a few references to being black, but I would have loved to learn more about how her race and culture inform who she is and how she connects to the world. I also would have liked to go deeper into her relationships, especially with her parents, to understand their connection outside of their worries about her disability affecting her safety. Most chapters also felt like there was a lesson embedded in the story, excepting the chapter that focused on her family’s heritage, and I would have liked more moments that told the reader about who Girma is without trying to teach us something important about disability or access.
Although Girma doesn’t use the term disabled to refer to herself very often throughout the book, except to say she’s disabled by her circumstances, she does include an appendix at the end of the book titled, “A Brief Guide to Increasing Access for People with Disabilities,” that covers best practices for talking about disability and discourages terms such as special needs and differently abled. There is no explicit discussion about the phrase disabled person versus person with a disability, but Girma typically defaults to the latter.
On the whole, Girma’s memoir is a love letter to the disability community, especially to deafblind people, and it celebrates collective access, disability justice, and education, both formal and informal. “I’m going to create a community of people who believe that disability itself is not a barrier; the biggest barriers are social, physical, and digital,” Girma writes—and that’s exactly what she does, not only in her own community but through her advocacy around the world.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
Celebrating My LGBTQ+ Pride Helped Me Find Disability Pride
My first display of public LGBTQ+ pride was the rainbow pin that I attached to my purse in middle school: In the center, a pink triangle with text that read “Out Loud” and rainbow stripes that radiated outward from the triangle. When she saw me at a family function, my grandmother asked, “What’s that about?” We didn’t have a great relationship and I wasn’t aware of her opinions on queer people so I shrugged and said, “My friend gave it to me.”
I developed a strong identity of LGBTQ+ pride over the next few years, as I came out as queer to most of my friends and family. I wore many queer pins, donned rainbow socks, and participated in the Day of Silence at school. I posted photos with my girlfriends on MySpace and Facebook, and wrote blog posts about why I was proud to be queer. I was so active in an online LGBTQ+ youth forum that I became a moderator for the space.
For me, queer pride was about showing up in the fullest expression of myself in every interaction. But sometimes it felt safer to hide who I was, like when bullies started following me home from school and threatening to beat me up or tell my dad that I was gay before I’d had a chance to come out to him.
Yet even through these acts of violence and the smaller moments of queer antagonism (like my grandmother referring to my girlfriend as my ‘friend’ after I came out, or my friend saying she thought intimacy between two women wasn’t ‘the same’), I wanted to be honest about who I was. I felt more authentic when I was open about being queer, knowing that it could cost me relationships and other opportunities and opened me up to harassment. My queer pride was just as much a celebration of how far the LGBTQ+ community has come in terms of equality and acceptance as it was a declaration that I wasn’t interested in being a false version of myself.
It took me a lot longer to embrace my disability pride. By the time I was in college, everyone knew that I was queer, although coming out to new friends on campus was still awkward. I joined my college’s Queer Straight Alliance and went to my first Pride parade. But although I’d been disabled my entire life—I was diagnosed with autism as a child and had a variety of other symptoms that were later recognized as Ehlers-Danlos syndrome—I had no idea where to start with disability pride.
I’m not alone in feeling this way. “I wouldn’t have disability pride without embracing my queer identities,” says Dom Chatterjee, the editor-in-chief of Rest for Resistance. “Even though I have multiple chronic health issues, I didn’t begin to identify as ‘disabled’ until I built community with other disabled trans people of color who taught me how the word can be empowering. These friends reflect my humanity back to me and validate that my whole self is valuable.”
I knew a handful of other disabled people as a kid, but we didn’t stay friends outside of our interaction in special education classrooms or occupational therapy waiting rooms. I didn’t make any close disabled friends until college, when my group of friends just happened to be majority disabled. We didn’t all share the same diagnosis but we co-created accessibility in our friendship spaces together, whether that meant supporting a friend who had a panic attack or calling campus security to get a path made in the snow for wheelchair users.
Other LGBTQ+ disabled people find they have the opposite experience: They develop a sense of disability pride early on that makes them more comfortable exploring their gender or sexuality later.
“Being immersed in these communities provides me with the comfort to be myself and find others who are fully their selves,” says Marlena Chertock, a digital storyteller, journalist, writer, and editor “Gaining disability pride helped me express my bisexual pride. I’m grateful to the amazing disabled and queer writers and people who came before me, who enable me to live my truest self.”
Queer pride probably came easier to me because I had LGBTQ+ role models, but very few disabled role models. My first disabled role model was my mom, who passed away when I was 11. I didn’t know many LGBTQ+ people when I was young, and many of them I only knew from online, but I at least had a roadmap of what my future might look like—I had Ellen Degeneres, the cast of The L Word, my older bi friend Casey from MySpace.
Whether it was intentional or not, I’d been taught from a very young age that my disabilities made me a burden, and they were something to fix, hide, or make easier on others. I’m privileged that my close family didn’t treat me this way, and my parents advocated against therapies like applied behavioral analysis (ABA). But teachers still forced me to sit on my hands instead of flapping them excitedly while I answered questions about my favorite subjects in school, and discouraged me from telling fiction stories out loud to my classmates. Educators and counselors in and outside of the classroom. They taught me that asking too many questions is ‘annoying,’ and that access isn’t a right and I should change my body and mind instead of asking for adaptations that made my life easier.
Finding disability community on and offline radically shifted my worldview. Planning accessible events with my college friends and talking to them about the accommodations we had to request in class (moving classrooms to an accessible building, longer time on tests, extensions on papers) showed me that it isn’t shameful to be disabled and that there’s nothing wrong with asking my professors to take my tests in a different room.
I found online activists like Lydia X. Z. Brown and Neurowonderful that shaped my understanding of what it means to be autistic—and the reality that I could have autistic pride, that I didn’t have to constantly change who I was for the benefit of non-autistic people. Advocates like Annie Segarra and Denarii Grace taught me that I didn’t have to be ashamed when I started using a cane, and that a mobility aid can be a symbol of disability pride and visibility.
“A factor in understanding myself and feeling empowered to be visible has been finding support through LGBTQ+ communities, both physical and digital,” agrees Eli, a nonbinary and bi educator with a connective tissue disorder. “These communities have been very intersectionality-minded, with special attention to the struggles of QTPOC and disabled folks. These communal values and experience opened spaces for me to talk to and hear from other folks with similar experiences of queerness and disability. in turn exposing me to more current, radical ideas and activists than I’d been aware of before.”
Being part of radical, inclusive spaces was also powerful for me. My disability community was made up of people with multiply marginalized identities from the start. Over the years, more of my disabled friends have come out as LGBTQ+ and more of my LGBTQ+ friends have explored their relationship to disability. Through this radically inclusive disability community and pride, I’ve embraced who I am, my full self: Someone who is flapping their hands as they march in an all-rainbow outfit for Pride.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
The Joy of Being Autistic in Spaces Built By and For Autistic People
When Haley Moss, an attorney, visual pop artist, and author from Florida, was 13, she went to the Autism Society of America Conference, a conference dedicated to presentations, discussions, and workshops about autism. It was the first time she’d ever been in a space designed for autistic people.
“At such a young age, it was incredibly powerful to meet other autistic people, especially college students and adults,” Haley says. She believes autistic spaces are wonderful opportunities for autistic people to learn more about themselves and discover the diversity of autistic people. “For many autistic people—especially younger autistic folks—it is the first point of contact we have with others like us,” she explains.
In a world that is overwhelmingly not designed for autistic and disabled people, there is power in spaces and communities created specifically for us. The Autistic Self-Advocacy Network (ASAN) is a nonprofit run by and for autistic people. ASAN develops autistic cultural activities.
Noor Pervez, the community engagement coordinator for ASAN, feels fortunate to work in an entirely autistic office. His favorite part is that he doesn’t need to hide or change the way his mind and body naturally work. “If I need to work from under my desk to cut down on stimuli for a bit, that’s completely fine,” he says. “I’m also able to use AAC with nobody so much as batting an eye, which is wonderful.”
Autistic spaces and communities give autistic people settings where we can be completely ourselves, according to Noor, and that offers an unparalleled freedom. Many autistic people feel the need to mask or appear as non-autistic as possible when we’re among non-autistic people—and that can be exhausting. When I’ve spent a couple of hours dedicating most of my energy to hiding my autistic traits, it usually leads to equal or greater time spent burn out. So if I have to mask for eight hours, for example, I’m frazzled and unable to properly function for another eight to 16 hours.
Laura K. Anderson, a doctorate student at the University of Northern Colorado studying special education, agrees that masking takes a huge energy toll on them. That’s one reason they started a private Facebook group for autistic women and nonbinary people. They’ve also found that being part of autistic communities on- and offline is a great tool for self-knowledge. In a space where everyone is autistic, you can get feedback on aspects of your life (“Does anyone else experience this?” or “How would you handle this situation?”) and receive tips from other people who understand your experience.
“I can learn about myself, both by asking questions about my experiences and by reading their questions and thinking about my own life,” says Laura. “My depth of knowledge about myself has increased significantly, and I’ve learned that I’m not alone.” I’m also a part of a private group for autistic people online and I’ve used it to ask if anyone else experiences the world in the same way—do other people feel similarly overwhelmed by dropping someone off at the airport or do they get up in the middle of a workday to dance for five minutes?
There’s a deep sense of joy in being part of a community that understands and respects you exactly the way you are. Laura loves the beauty of being in a room full of people who are stimming, or performing repetitive motions for sensory reasons. “It is a beautiful feeling, to see everyone else moving their bodies in natural ways and then letting your own body move the way it wants to,” the say.
Sarah Pripas-Kapit, a writer and chairperson of the Association for Autistic Community, experiences this joy through the unique traditions that are created when autistic people come together. The Association for Autistic Community runs Autspace, a retreat that is organized by and for autistic people. One of these developing traditions is a glow party, where people at the retreat go into a dark room and play with glow toys for a few hours. “It’s a ton of fun and is a real celebration of autistic differences,” says Sarah.
At Autspace 2018, they also had pattern blocks that were out in the main area for people to play with whenever they wanted to. Designing accessible retreats is important to Sarah and the Association for Autistic Community, but that isn’t without challenges. Autistic people have a variety of access needs and accommodating those needs at the same time can be difficult.
At their conferences, it’s totally okay to walk out in the middle of a presentation, sit on the floor, play with pattern blocks, or flap your hands. They also make it a priority to host the retreat in a space that does not have fluorescent lights in the main areas, and they have a quiet space available for those who need it.
“Accessibility is always a work in progress, in my opinion,” Sarah says. “I want to do my best to make everyone feel as though their needs are being met as much as possible.”
It’s also important to have autistic spaces and communities that are dedicated to people who have intersecting identities, like the Black Disability Collective, a movement and closed Facebook group for black disabled people founded by Teighlor McGee, a black autistic poet and advocate. Autistic people of color need their own spaces free from white supremacy and racism, and white autistic people need to prioritize access for autistic people of color.
It can be powerful to be part of a community space that’s designed at the intersection of your identities, like a group specifically for autistic Jewish people or for autistic LGBTQ+ people. While I’m not a part of any formal LGBTQ+ autistic groups, I love spending time with my friends who are part of both communities because there’s a deep sense of mutual understanding.
Autistic queer spaces are important to Eryn Star, an autistic queer student at Albion College and an ASAN Autistic Campus Inclusion alumni. “I see autistic spaces creating sensory accessibility in ways that queer spaces often don’t because queer spaces run by non-autistic people often emphasize loud festivities as a core part of pride celebrations,” they say. “I joke that sensory overload is queer culture.”
Autistic communities like the Autistic Self-Advocacy Network, social media groups, and Autspace also encourage something that’s sorely missing from mainstream spaces—autistic pride. In 2011, autistic people reclaimed April as Autism Acceptance Month (some are also now referring to it as Autistic Pride Month), and it has become one of ASAN’s major projects.
“Many of us never experienced autistic pride until we came to an autistic space for the first time,” Eryn explains. “It is in autistic spaces where we fully realize that being autistic is an identity, culture, and community.”
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
What I Wish People Knew About Being a Young Cane User
Although Ehlers-Danlos syndrome, the genetic connective tissue disorder I have, is lifelong, my symptoms have varied throughout my life. I started using a cane in August or September 2016 to help with balance, stability, stamina, and chronic pain. I don’t use my cane all the time, only when I feel I need it, and I generally take it with me for longer trips or outings where I know I’ll be away from home for many hours at a time.
Here’s what I wish people knew about what it’s like to be a young cane user:
I do actually need my cane.
It’s not for fashion and it isn’t a part of a costume.
Many people who use canes (or wheelchairs or other mobility aids) don’t need them full-time. If you see me with my cane one day and without it the next, it doesn’t mean that I’m “cured” or “better.” I’ll have this disability for the rest of my life.
There are different reasons I may be using my cane, and those reasons are different from other cane users. One day I may be using it because I’m exhausted and in pain, and another day it might be for balance.
If I take my cane out or put it away, it doesn’t mean I’m “faking it,” either. I don’t use my cane all the time and often carry a small backpack to keep it in when I’m not using it. It’s also more difficult to use a cane in some situations—when there’s ice on the ground, on cobblestones, or when I need both my hands to carry something.
If you want to ask questions, please be respectful.
If I don’t know you, I may not be comfortable explaining to you why I use a cane or the details of my disability. It depends how polite you are and how I’m feeling that day. You can ask (nicely), but don’t expect the answers you’re looking for.
People do sometimes stare at me and ask me questions (like “Why do you use a cane?” or “Did you break your foot?”). If you’re out with me and I have my cane, you may notice it. It’s partly because we don’t have enough awareness or representation of younger cane users as a society. Do your part to make sure you’re part of the solution—advocate for inclusive media representation.
I don’t have a cane with a sword in it, or any other kind of weapon, but I have seen them at Renaissance faires and I think they’re cool. Mine needs to be lightweight and foldable for my needs, so I probably won’t buy one anytime soon. Same goes for heavy, serious canes with lions or skulls on top.
My needs vary from day-to-day.
I may not always need a seat (on public transportation, at an event, at a park, and so on) but it’s appreciated when people offer or just simply don’t take the seats if they don’t need them so I can make that choice.
Please do give me some space if you see me coming, especially if we’re in a crowded area. It’s easy for me to accidentally trip people with my cane if they don’t see me coming and I can’t get out of their way in time.
If I’m coming up or down the stairs or an escalator, likewise, don’t stay in my lane and try and make me let go of the handrail and go around you. This can be really dangerous and even impossible for me to do.
I might walk slower than the pace you’re used to, whether I have my cane with me or not. If I’m walking slowly in an area with heavy foot traffic, I try and stay out of other people’s way. All I ask is that you do the same, and have some patience with people who are walking slowly in public. Instead of getting angry with us, just go around us and move on with your day.
My disability will always be a part of my life.
I’m proud of my cane. I don’t necessarily want it cropped out of photos or hidden from view. I’m also proud of my disability and both are part of who I am.
I appreciate it when people make an effort to learn about Ehlers-Danlos syndrome (and I think most cane users can say the same of their disabilities) and do their own research. It’s okay to ask me about how it impacts my life, because it’s different for everyone, but knowing that someone put in the effort to learn more means a lot.
I’m a cane user, and while it doesn’t define my life, it is a big part of who I am and how I experience the world. I love it most when people take me as I am and love me for it, and show up with empathy and compassion for both the experiences we don’t share and the ones we do.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
Here’s Why Student Loan Debt is a Disability Rights Issue
When Cara Liebowitz graduated from the City University of New York School of Professional Studies in 2016 with her MA in Disability Studies, she was already on Supplemental Security Income (SSI) so she found it surprisingly easy to have her student loans discharged.
The process of applying for total and permanent disability discharge for federal student loans through the Department of Education can involve documentation from the Social Security Administration, the U.S. Department of Veteran Affairs (for veterans), or a physician. If applicants use the SSA for their documentation, they’re required to show proof that they are eligible for Social Security Disability Insurance (SSDI) or SSI, including a copy of their SSA notice of award or Benefits Planning Query showing that their next scheduled disability review will be five to seven years or more from the date of their last SSA disability determination.
“I went into the process understanding that if I got a job within a certain amount of time, the loans would be reinstated,” says Cara. For three years after a disability discharge, applicants are monitored, and they must meet certain requirements: They can’t make more money from employment than their state’s poverty guidelines for a family of two, they can’t receive a new federal student loan or TEACH grant (for students who are planning to become teachers in a high-need field in a low-income area), and they can’t receive notice from SSA that they are no longer disabled. Cara wondered whether she should stop looking for full-time work but chose to keep applying. Maybe a month after her loans were forgiven by the federal government, she got a position as a development coordinator for the National Council on Independent Living (NCIL).
Cara’s loans were reinstated when she took the job at NCIL and she moved to a small studio apartment outside Washington, D.C. to start the job. She still wants to move into a one-bedroom apartment but can’t currently afford to. She also has to make monthly payments to the Social Security Administration because the SSA continued to pay her SSI for months after she received a full-time job, even though she reported her new employment and income to them immediately. She currently owes them around $6,000 from these overpayments. Most of Cara’s income goes toward her rent, the payments to SSA, food, commuting costs, and other bills, and she says she’s very fortunate that her parents make her student loan payments. “I feel bad about that, especially because I know my family doesn’t have a ton of money, but I don’t have much of a choice,” she says. “Right now, I’m just trying to save a little money to have a cushion.”
Disabled college graduates are often at a disadvantage when it comes to paying off student debt. They may not be eligible to have their loans discharged or may face significant barriers if they aren’t already receiving SSI or SSDI (and applying for either is a lengthy process in itself). To qualify with just documentation from a physician, applicants must have a doctor certify that they’re unable to engage in substantial gainful activity due to a physical or mental disability that can be expected to result in death, has lasted for at least 60 months, or can be expected to last for at least 60 months. And substantial gainful activity is defined as paid work or “significant physical or mental activities” or a combination of both. The only positive is that many graduates who do have their loan discharged will not have that debt cancellation treated as income. Before the The Tax Cuts and Jobs Act changed the tax status of the cancellation of student loan debt when the borrower dies or becomes disabled, the cancellation of debt was treated as income to the borrower (or the borrower’s estate).
Many graduates with disabilities who are unable to qualify for total discharge of their loans struggle to pay off their debt. Unless they are able to qualify for discharge, like Cara initially was, they might be on the hook for high monthly loan payments. It’s harder for disabled college graduates to find jobs and work—and subsequently, to pay any student loan bills they might have. A disproportionate number of people with disabilities are unemployed or underemployed. According to the United States Department of Labor, only 60.1% of men and 51.4% of women with disabilities are employed, and many disabled people are still paid subminimum wages for their employment. Job applications frequently include ableist language about physical requirements such as standing, walking, lifting up to a specific number of pounds, or the ability to see and hear, even though the workplaces are required by the ADA to make reasonable accommodations. Applications also sometimes include that candidates must have a valid driver’s license and their own private vehicle, even for positions where driving is not part of the job requirements like it would be for a delivery driver.
Paying your loans is particularly challenging when you have a disability and don’t work a full-time job with benefits. According to a survey by Discover Student Loans, more than half of recent graduates said they are worried about needing to work extra jobs to afford their student loan payments. Although this survey included people ages 24-28, the same problem faces older college grads as well. Johnnie Mazzocco, a 60-year-old adjunct professor who is starting her own business, received her education later in life, starting college in 1990 and finishing in 2008 with an MA in English and Film Studies and an MFA in Digital Arts from the University of Oregon. All of her student loans are through the federal government (none are through private lenders) and her total debt is $200,000.
“I always feel like I’m trying to dodge a bullet,” Johnnie says about her debt. “The idea of getting much older and not having money and not being able to take care of myself terrifies me.” Last year, she put her loans on hold under forbearance so she could try to get her business off the ground. The loans are about to go back into repayment. When Johnnie received a computer-generated letter saying she would have to make monthly payments of $700, she spoke with representatives over the phone. The representative couldn’t give her an exact amount that her new payments would be—only that they could be even higher, up to $2,000 per month.
When she started college, Johnnie knew that she’d have to deal with her student loan debt eventually. But she was a single mother and felt she had no other option than to try to better her situation through higher education. She feels that the colleges she went to made her aware of every opportunity to receive scholarships and grants in place of loans, and she applied to everything that was available. Since graduating, Johnnie has made ends meet as an adjunct professor at several colleges and has also worked as a copywriter, housekeeper, and bartender to supplement her income. The reason she’s been trying so hard to start her own business is so she can finally have financial freedom and make her health her number one priority.
In 2005, Johnnie began having health issues that doctors believe are related to an autoimmune disorder. She’s received several diagnoses, including Mast Cell Activation Disorder, and her symptoms—including vision problems, migraines, severe body pain, inflammation, sore muscles and joints, and brain fog—make it extremely difficult for her to work. Right now, she works from home and needs the flexibility in order to survive, like she did this past October when she spent most of the month working from her bed. “Working at home is a saving grace to me,” she explains. Many disabled college grads don’t have access to that option: They can’t do their jobs from home and work in an inaccessible, inflexible, and unaccommodating workplace.
That’s the situation that Katie Tastrom, a writer, lawyer, and activist who lives in Syracuse, New York, is facing because she can’t find work that accommodates her disability. Katie was freelancing but recently had to quit almost all her work because of her health, although she does some public interest law work when she’s able to. “Ableism makes us less likely to be hired and some disabilities like mine make it impossible to work at all,” she says.
While she was still in law school, Katie lost her scholarship because she had to drop to part-time student status to accommodate her health issues. This resulted in her having over $200,000 in student debt, which she says would be at least half that amount had she not lost her scholarship funding. She says that if the college had been able to pro-rate her scholarship to accommodate her part-time schedule, it would have been immensely helpful to allow her to graduate with less debt while still being able to succeed as a student.
Like many disabled people, Katie wasn’t able to work while she was a student to make up for the loss of her scholarship and needed to take out additional student loans. Although working while you’re in school is often touted as advice for graduating with fewer student loans, many college students with disabilities are unable to juggle both schoolwork and work. Options for employment might also be inaccessible and unaccommodating—the office might be in a building without an elevator or the job might require physical and mental tasks that not everyone can do. Employers still discriminate against people with visible disabilities and many aren’t willing to provide reasonable accommodations even if a disabled person is the best fit for the job.
There also aren’t many options for disabled college grads who need help paying off their student debt but who don’t qualify for total discharge. Although she does public interest work, Katie doesn’t qualify for the Public Service Loan Forgiveness Program (PSLF) like Candis Welch, a procurement analyst at the Los Angeles Homeless Service Authority who received her Master of Public Administration degree. Candis and other graduates who use the PSLF program need to work full-time for a nonprofit organization or government agency and make 120 qualifying payments toward their debt before the rest of their debt will be forgiven (and not treated as taxable income). It’s a great option for both disabled and nondisabled college graduates, but you need to be working full-time at a qualifying organization, so it’s not an option for disabled people who are working part-time or freelance at nonprofits.
Candis’s current loan debt sits at around $43,000, and she says right now, her payments are manageable—although they weren’t before her recent new employment and corresponding salary increase. Candis has high in-home care and medical costs due to her disability. She thinks it would be helpful if she had access to a program that offered some kind of subsidy to make paying for both more feasible. “It’s very difficult to pay thousands on nurses and rent, and tack on high interest education loans — it makes it almost impossible to achieve,” she says. “We want to encourage disabled persons to pursue higher education and become changemakers in society.”
Student loans are a critical disability rights issue for exactly that reason: They often impact disabled college graduates uniquely because of the ways that ableism and inaccessibility make it difficult to move through the world with a disability. It’s not easy to make ends meet for many people with disabilities and according to the U.S. Census Bureau, a quarter of working-age adults with a disability lived in poverty in 2017. Many disabled people rely on meager earnings from SSI or SSDI. Disabled grads also may not be able to work full-time but aren’t eligible for SSI or SSDI, or don’t want to apply because they’re still working part-time or trying to find work. It can be an impossible burden to make monthly student loan payments with limited income on top of medical expenses and the many additional costs of living with a disability.
Currently, there are no programs that help disabled college graduates manage their student loan debt. Grads with federal loans may qualify for an income-based repayment plan that could help lower their monthly payments, but they can still have a high overall balance on their account due to rising interest rates. Defaulting on student loans can have a dramatic negative impact on your credit score and make it more difficult to do things like buy a car, buy a home, or take out any other loans. If you’re not able to fix the situation by paying the overdue amount, eventually, federal loan agencies can garnish your wages and withhold your tax refunds to pay off the balance.
As such, programs that ease the burden of student debt would be helpful to everyone, not just disabled college graduates, because they would allow more of the 44 million people in the United States who have student loans to do things like save money for emergencies, buy homes, start businesses, and invest in the economy. And it would be very beneficial to disabled graduates if programs existed to help forgive all or some of their student loan debt, even if they don’t qualify for total discharge and are still working. One option would be implementing programs for disabled people while they’re still students in college to help them not accrue as much debt—programs that offer scholarships and grants even to those on a part-time student schedule or subsidies to help students afford the cost of living so they can graduate with less student debt.
Disabled people have a powerfully positive impact on the world, not just through careers and paid employment, but also through involvement with the community, volunteering, and creating art. And when disabled people aren’t worried that they will have to choose between paying their next student loan payment or paying for the co-pay on their medication, we have the opportunity to thrive, making society richer for all.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
How Proposed Changes to Public Charge Will Make It Hard to Immigrate with a Disability
Immigration is already an expensive, difficult process for anyone—but it might soon become even harder for immigrants with disabilities. In October 2018, the Department of Homeland Security proposed a rule change to existing laws surrounding immigration known as public charge.
The idea of public charge was first introduced into U.S. immigration policy in 1882. In current law, under section 212(a)(4)(A) of the Immigration and Nationality Act (INA), a person seeking admission to the U.S. or seeking to adjust status to permanent resident is inadmissible if they are deemed “likely at any time to become a public charge.” Someone is considered a public charge if they are “likely to become primarily dependent on the government for subsistence, as demonstrated by either the receipt of public cash assistance for income maintenance or institutionalization for long-term care at government expense” according to U.S. Citizenship and Immigration Services.
In other words, public charge is based on the assumption that people with disabilities will be too expensive for the country we immigrate to, and that it’s more likely we’ll need costly healthcare (Medicaid) or social supports (SNAP and other food assistance, housing subsidies, SSI or SSDI). And therefore, the government believes we shouldn’t be able to legally immigrate.
How does the proposed public charge rule impact a disabled adult immigrating alone, or a non-disabled family immigrating with a disabled child?
Under the proposed rule, immigrants with disabilities face an even greater risk of being labeled a public charge. The current public charge law is specific and only includes people who use cash benefits, but the proposed rule change would expand public charge to include non-cash benefits, such as Medicaid, food assistance (i.e. SNAP), and housing subsidies (i.e. Section 8 housing).
Additionally, the proposed rule provides more guidance to immigration officials who are currently charged with using a “totality of circumstances” test to determine whether someone is likely to become a public charge. The proposal explicitly names five “heavily weighted negative factors” to determine whether someone will be a public charge. The proposal lists only one “heavily weighted positive factor” that relates to how much money the immigrant or a sponsor of the immigrant makes in the U.S.
The positive factor would be if the applicant meets 250% of the Federal Poverty Line (an income of $62,750 for a four person household).
According to the rule change text, negative factors include:
Lack of Employability
Current Receipt of One of More Public Benefits
Receipt of Public Benefits within 36 months of filing application.
Financial Means to Pay for Medical Costs
Alien found previously inadmissible or deportable based on public charge
“The proposed rule’s list of negative factors are a thinly veiled attack on people with disabilities,” says Katherine Perez, Co-Founder of the National Coalition for Latinxs with Disabilities and Visiting Professor of Law at Loyola Law School. “Because of structural injustice, people with disabilities are disproportionately unemployed, unable to pay for medical expenses that are not covered under typical insurance plans, and therefore often dependent on using public benefits. This is yet another example of how the law demonizes people with disabilities when it is the law that is responsible for creating disabling conditions.”
Blocking low-income and disabled immigrants could have an expensive impact on the government, as more people choose to forgo Medicaid and insurance through the Affordable Care Act, or parents decide not to take their kids in for check-ups. According to the Migration Policy Institute (MPI), public charge could cause as many as 6.8 million non citizens to stop using benefits out of fear.
Public charge is not just an immigration issue in the United States, either.
“Right after the election, joking about moving to Canada quickly became a thing,” explains Rebecca Cokley, the Director of the Disability Justice Initiative at the Center for American Progress. “However, at the time it was not a reality for people with disabilities or chronic health conditions or their families due to Canada’s existing medical inadmissibility policy. The policy determined that because an individual or someone in their family could need access to services, creating an ‘excessive demand’ on social services.”
In Canada, roughly 361 immigration cases a year were refused from 2013 to 2016 because of the excessive demand provision in the Immigration and Refugee Protection Act. Under Section 38(1)(c) of the Act, an immigrant or refugee could be deemed inadmissible if their pre-existing medical conditions could cause an excessive demand on Canada’s health or social services. An excessive demand is defined as exceeding an average Canadian per capita health fee of just under $6,655 annually.
That changed in 2018, when Prime Minister Justin Trudeau’s administration announced wanting to reform Canada’s immigration policy to make it easier for people with disabilities and their family to immigrate to Canada. These major reforms to Canada’s immigration policy were announced by Canada’s Immigration Minister Ahmed Hussen.
The changes to the law will alter the definition of social services and remove references to special education, social and vocational rehabilitation services, and personal support services—and triple the cost threshold (to $20,000) at which an application for permanent residence can be denied on medical grounds. These changes will make it so that special education, rehabilitation services, and personal support services no long count against applicants, and makes it easier for both disabled individuals and families of disabled children to apply for permanent resident status.
These changes make it considerably easier for people with disabilities and families of disabled children immigrating to Canada. Samrat Saha, 38, and his family were denied residency in Canada in May 2017 because their son has autism. Saha can now reapply for permanent residency.
Advocacy groups in Canada like the HIV/AIDS Legal Network, Council of Canadians with Disabilities, and the Migrant Workers Alliance don’t think the changes to the law go far enough, and the government should eliminate medical inadmissibility altogether.
One family, the Warkentins, moved from Colorado to Manitoba in 2013, but their application for permanent residency was denied because their six-year-old daughter has epilepsy and an intellectual disability. The Warkentins had already gotten involved with their local church and community, invested over $600,000 to the Canadian economy, and planned to open a hunting and fishing lodge business. Their contributions weren’t considered with their application, only the potential cost to the Canadian government. Advocates say this will continue under the new changes to the law. According to immigration critic Jenny Kwan, 25 percent of all immigrants with pre-existing conditions could still face discrimination.
How can we reform immigration policies to make them fairer?
“Many of the reasons people with disabilities immigrate are the same as for people without disabilities,” says Rebecca Cokley. “In addition to being a fundamental human right for all people to be able to decide where one wants to live, for people with disabilities, the chance to access better services, access an education (which in some parts of the world is still inaccessible or completely absent for people with disabilities,) be able to move about society is life-changing.”
Cokley recommends making the immigration process simpler across the board. “I think finding ways to simplify the immigration process overall would benefit all people immigrating,” she says. “Immigration policies and procedures vary depending on where you are coming from, but across the board they are complex and require a lot of paperwork. The process itself is also expensive with many individuals and families spending their life savings to make it possible.”
She explains that public charge rules are driven by the need to determine who is worthy and who isn’t by factors including race, health, class, education, disability, and others.
These rules make wealth and ability preconditions for entering the U.S. or obtaining a green card—so the current administration is, in the words of Azza Altiraifi in a fact sheet from the Center for American Progress, “entrenching systemic disparities which favor white, wealthy and non-disabled immigrant communities.”
We all have the power to advocate against public charge and stop the proposed rule change in the United States. If you’re interested in taking action, you can comment on the proposed public charge rule. The Department of Homeland Security will be taking comments until December 10, 2018. It’s critical that the disability community and beyond send in as many comments explaining why the public charge rule change is discriminatory.
Disabled people are human beings and have the right to immigrate safely to the United States and other countries just like non-disabled people do. People with disabilities make meaningful contributions both financially and in other ways like community involvement, art, and volunteer work, but our value as immigrants also shouldn’t be solely judged by our ability to contribute. Our differences shouldn’t make us less welcome.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
What I Wish People Knew About Sensory Processing Issues
I’ve had sensory processing disorder my entire life. As a kid, it meant that I sometimes went to occupational therapy to practice my cursive handwriting and speech. As an adult, it might take a few minutes for me to recognize someone I don’t see very often, or I’ll laugh at a joke a second off-beat because it took my brain some time to ‘hear’ it. Sometimes I ask questions about one topic when the person is already onto the next, or I’m walking and don’t hear someone call out my name.
Here’s what I wish people knew about what it’s like to live with sensory processing disorder:
Communication & Listening
Please be patient with me if I don’t hear you (correctly or at all) the first time. This goes double if we’re talking on the phone, or we’re in a crowded or noisy place. I might have difficulty understanding what you’re saying or it take take me a few minutes.
A lot of things are hilarious. Especially things I misheard, misread, or didn’t pronounce correctly. I like to laugh at myself. Not everyone’s like that, though, so check in with someone before you turn their faux pas into an inside joke.
When I’m overloaded (or under-stimulated), I might forget things. I might say things that don’t make sense. I might repeat information, ask more questions than usual, ask you to confirm things, or sound confused. Please bear with me until I’m in a better space sensory-wise.
Please don’t tell me something “isn’t that bad” or make any kind of judgment about a sensory environment without asking me. Let me check it out for myself.
I love it when people are genuinely empathetic—even if you have no sensory processing issues at all—and willing to listen to me and try to understand. It means the world to me when, for example, my partner lets me tell her about why I’m having a tough time driving that day and would prefer to walk, or when a friend lets me complain about how I’ve been struggling to find the right words for a few hours.
Environment
Sensory processing issues can be all over the place. I can spot a cool outfit a few blocks away and also not see a bicyclist coming in my peripheral vision.
Sensory processing challenges can be physically painful. If I get overloaded, I can get debilitating migraines, feel dizzy, and have nausea and stomach pains. Sometimes I need to take a sick day from work and social life and lay down in a dark room.
If I’m asking to make a change to my environment or leave, I’m being serious. A request isn’t just me politely asking, it means I need it. I can’t function sitting at a desk in the middle of an open office, or listen to your long, serious story in a loud nightclub.
Adults have sensory processing issues, too. This is a lifelong situation, no matter the diagnosis. We may learn better coping strategies and know best how to seek out environments that work for us—but we still have it. I won’t grow out of this, and I’ll be asking to turn off the bright overhead lights when I’m 80.
Any time I ask to be in a specific seat in a room or choose to face a certain direction, it’s on purpose. If I’m totally comfortable anywhere, it won’t matter. But if you see me asking for or seeking out that one seat, there’s a reason.
Sensory processing issues sometimes run my life. I’ve had to cancel plans, change my work/school environment, take sick days, and map out my travel around my sensory environment.
One of the major reasons I work remotely is because I can totally control the sensory environment at home—and I’m SO much more effective when 100% of my focus is on my work, and not the music blaring from the desk next to me or a phone ringing down the hall. This isn’t true for all people with sensory processing issues, but it’s a legitimate reason to choose remote work.
It helps a lot if you offer me alternatives. Instead of, “Let’s go to this restaurant,” it could be, “Here are three restaurants I was thinking of. What would you like?” Instead of, “We’re all getting together to plan our volunteering at the library, bring a laptop,” say, “We’re all getting together to plan our volunteering. Where would you be comfortable meeting?”
Transportation
Driving is a challenge—or at least it can be for many of us. If someone tells you they don’t drive or only drive under certain conditions, believe them and don’t give them the fifth degree.
Every single person with sensory processing issues is not the same. My friend wears earplugs on the subway, while the subway noise doesn’t bother me. But then I have serious trouble with driving in crowded cities, and he’s fine with it.
If you’re someone who runs, jogs, or bicycles, please remember that not everyone can see and hear you coming. (Beyond people like me with sensory processing disorder, there are also blind, visually impaired, d/Deaf, and hearing impaired people!) Don’t get upset with someone if they don’t get out of the way in time. Approach other people with the knowledge that they might not be able to see you running up beside them, or hear you yell out, “On the left!”
At the end of the day, I’m a person. The best way you can support me is to remember that I’m me, and always ask what I need or want in the moment. Instead of assuming, listen to people with sensory processing issues and ask us what we need.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
Disability Isn’t a Halloween Costume
Last year, a friend who hadn’t seen me in a few years asked whether my bright, sparkly purple cane was part of my sense of style. I dress whimsically in colorful outfits with a lot of patterns and he’d never seen me use my cane before, so I explained that I started using it because of a disability.
But there have also been situations where I’ve been asked by complete strangers if my cane is a part of a costume or my fashion and if I “really need it.”
When Halloween season is in full swing, I’m less likely to be given any space while I’m walking through a crowd with my cane or offered a seat on public transportation. I have no way of knowing if that’s because so many other people are wearing disabilities as Halloween costumes or not—but it certainly seems that way.
“My wrist braces are the only visible indication of my disability,” says Ashley, who works in technology. “When people assume I’m wearing them for fashion, I have to be vocal several times a day about getting a seat, getting assistance in train stations or airports, taking a bit more time to get up, and not getting shoved or grabbed.” Ashley has commonly seen wrist braces used as part of Halloween costumes.
There’s nothing wrong with making your mobility aid or assistive device or disability a part of your costume if you actually have a disability, but it becomes an issue when non-disabled people treat things like canes, eye patches, and mental illness like costumes that can be put on for a night.
“The problem arises that by singling out an entire set of humans based solely on their mental illnesses or body images that differ from some perceived notion of normal is inherently belittling and ultimately dehumanizing,” explains Oji Dannelley, a professional dancer, freelance writer, and educator who uses a wheelchair. “It is a statement that takes an already marginalized group and turns the reality of their lives into a form of entertainment.”
Walk into any Halloween store and you’re bound to see ableist costumes and props. These costumes are ableist because they assume that non-disabled people will be wearing them for a night or a few and then taking them off. They make light of the reality that disabled people live with—whether it’s fighting for wheelchair access, discrimination against mental illness, or difficulty getting adequate healthcare.
As Danni Green, a professional accessibility specialist, an activist with disabilities, and an Expressive Arts Therapy student in Boston, MA, explains, Halloween costumes generally fall into one of three categories: Something you wish you could be, something scary, or something funny. “When people use accessibility tools as part of their costume, nobody thinks they’re dressing up as something they wish they could be—they’re portraying disability as something scary or something funny, and either way, it’s harmful to real people whose disabilities should be treated as neither scary nor funny,” ze says.
Danni recently watched a video of someone in costume as a famous person who was blind in one eye and wore an eyepatch. Danni says that although ze has a different kind of acquired partial blindness and doesn’t wear an eyepatch, it was upsetting to see the costume. “Losing my vision was one of the most traumatic things that’s ever happened to me,” says Danni. “Is that really a fun costume you want to put on and gallivant around in?”
These costumes impact real disabled people, causing others to question whether our disabilities are a costume or a prop and believing that we don’t actually need a mobility aid or a white cane. These implications are even trickier considering that people with disabilities already are regularly accused of “faking” our conditions, and people often jump to the conclusion that young or ambulatory people don’t need mobility aids.
“I’m still disabled on Halloween,” Danni explains. “If people can’t tell the difference between my real cane and someone’s costume cane, they may not recognize that I really need them to move out of my way or give up a seat on the train.”
Oji often cosplays at science fiction and fantasy conventions as characters who use wheelchairs or incorporates her chair into her costume. “My first year I started with Oracle (a storyline that has BatGirl as a chair user) and people kept asking me, ‘Is that chair PART of the costume?’” Oji says. “The thought that a disabled person would want to cosplay a disabled superhero was not even on their radar.”
For costumes portraying mental illnesses—such as sexy mental hospital patient or anorexia—it further stigmatizes mental health issues. People who receive inpatient or outpatient psychiatric treatment already face serious discrimination and costumes like this perpetuate the false idea that people with mental illnesses are scary or might physically hurt you.
Instead of choosing to support retailers that are selling disabilities as a costume, we should focus our energy on making sure that Halloween and fall seasonal events are accessible for everyone. We can put our efforts into sensory-friendly events, widespread wheelchair access, fragrance-free policies and education, and destigmatizing disability.
Alaina Leary
About Rooted In Rights
Rooted in Rights exists to amplify the perspectives of the disability community. Blog posts and storyteller videos that we publish and content we re-share on social media do not necessarily reflect the opinions or values of Rooted in Rights nor indicate an endorsement of a program or service by Rooted in Rights. We respect and aim to reflect the diversity of opinions and experiences of the disability community. Rooted in Rights seeks to highlight discussions, not direct them. Learn more about Rooted In Rights
A Guide to Determining Accessibility at Vocational and Technical High Schools
On my first day at Bristol County Agricultural High School, I found out that I’d learn to take apart an engine and put it back together, climb trees, wade through the pond, ride horses, work with cows and livestock, arrange flowers, and weld basic metal objects. I had a lot of questions, but my main one was: Is this going to be accessible to me? Can I actually do all this? What happens if I can’t?
Conversations around accessibility and accommodations are commonplace when discussing traditional high schools, but attending a vocational, technical, or agricultural high school adds an extra layer of challenges. Instead
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Amazon.com: Customer reviews: Eryn Shewell
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Find helpful customer reviews and review ratings for Eryn Shewell at Amazon.com. Read honest and unbiased product reviews from our users.
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https://www.amazon.com/Eryn-Shewell/product-reviews/B00C6XYJ06
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
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https://www.nj.com/entertainment/2016/01/7_best_things_to_do_in_nj_this_weekend_3.html
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7 best things to do in N.J. this weekend
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Cage fighting, chainsaws, introspective theatrics, and a Clarence Clemons tribute are some of the highlights for this weekend.
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big-man-birthday.JPG
Jersey Shore musicians will come together to jam and to celebrate the birthday of late E-Street Band saxophonist Clarence Clemons at the 4th Annual Big Man's Birthday Bash.
(Photo Courtesy Big RoaD Productions)
4th ANNUAL BIG MAN'S BIRTHDAY BASH
Celebrate the birthday of the "Big Man" Clarence Clemons on Saturday at Bar Anticipation in Lake Como. The 4th annual "Big Man's Birthday Bash" will run from 2:30 p.m. until around 1 a.m. and feature Jersey Shore bar bands and special guests jamming in honor of the late E Street Band saxophonist -- while also raising money for charity. The event will benefit CFC Loud N Clear a local drug abuse aftercare program. Performing at the event will be The Nick Clemons Band, The Matt O'Ree Band, Edgar Cayce, The Del-Lords, and The Big Road All-Star Band featuring members of Bon Jovi, The E Street Band, and Asbury Jukes (among other acts). Special guests include: JoBonnano, Remember Jones, Pat Roddy, Eddie Testa and Eryn Shewell. Former "Sopranos" star Vincent Pastore will serve as the master of ceremonies. $30 (advance), $40 (day of). Saturday, 2 p.m. to 1 a.m. 703 16th Avenue, Lake Como, 732-681-7422.
MMA WEEKEND IN AC
Why not ring in the New Year with a weekend of watching people locked in a cage, engaged in physical combat? Mixed martial arts fans can head to The Borgata on Friday to catch Cage Fury Fighting Championship's latest event, "CFFC Next Generation." This show will be a little different than the promotion's regular events at The Borgata. The "Next Generation" shows will showcase and spotlight the region's top amateur grapplers. Shows like this can a ton of fun because you often can find future stars and legends in their rawest and hungriest form. On Saturday, the promotion will present "CFFC 55" a show that will feature the company's roster of professional mixed martial artists. The show will feature CFFC crowning their first female champion as Katlyn Chookagian takes on Isabelly Varella. $45-$95 (Friday), $55-$175 (Saturday). Shows start at 6 p.m. both dates. 1 Borgata Way, Atlantic City, 609-317-1000.
LIGHT OF DAY KICKS OFF IN ASBURY PARK
The annual, week (plus) long, multi-state benefit event known as Light of Day Winterfest 2016 begins in Asbury Park at The Stone Pony on Sunday. The kick-off event, dubbed "Cover Me," features an army of the Jersey Shore cover musicians coming together to jam for a good cause. Performing on the bill will be: NRG, Motor City Revue, Brian Kirk & The Jirks, So Watt, Best of the Eagles, Big Pink: One Last Waltz, and Enjoy! The main event of the evening will be a special reunion of Cats on a Smooth Surface. The former famed Sunday night house band of The Stone Pony will reunite for this charitable event. Bon Jovi guitarist Bobby Bandiera will be on hand for the Cats reunion as well. $18 (advance), $25 (door). Sunday, 1:45 p.m. - 10:15 p.m. 913 Ocean Avenue, Asbury, 732-502-0600.
ICE SCULPTURES AT GROUNDS FOR SCULPTURE
Baby, it's cold outside, and usually we find little reason to appreciate the chilly temps. On Sunday however, the always-eclectic Grounds for Sculpture in Hamilton will present a beautiful demonstration of those frigid temperatures of January. Starting at 2 p.m. the park will present an ice sculpture event, as sculptors will use power saws and chisels to create pieces inspired by Grounds for Sculpture's current exhibition season. Entrance to the demonstration is free with park admission. $10-$15 (Park Admission). Sunday, 2 p.m. 80 Sculptors Way, Hamilton, 609-586-0616.
THE PIANO LESSON AT McCARTER THEATRE
August Wilson's Pulitzer Prize-winning play, "The Piano Lesson" opens Friday and runs until Feb. 7 at Princeton's McCarter Theatre. The play, part of Wilson's "Pittsburgh Cycle," focuses on an heirloom piano that belongs to the fictional Charles family. Willie Boy Charles wants to sell the piano to purchase the land on which his ancestors were forced into slavery, while his sister Berniece wants to keep the instrument, as it has the face of their great-grandfather's wife and son carved into it. This weekend the show will run at 8 p.m. on Friday and Saturday, and 2 p.m. on Sunday. After this weekend the show will run on Tuesday, Wednesday and Thursday at 7:30 p.m.; 8 p.m. on Friday; 3 p.m. and 8 p.m. on Saturday; and 2 p.m. and 7:30 p.m. on select Sundays. Click here for a full calendar of dates and times. $24-$94.50. Friday, January 8-Sunday, February 7. 91 University Place, Princeton. 609-258-2787.
RACHAEL RAY WARM-UP COMIC JOEY KOLA IN POINT PLEASANT
Warm up these early winter nights with some laughs down the Shore. This Friday and Saturday night, hilarious veteran comedian Joey Kola will return to Uncle Vinnie's Comedy Club in Point Pleasant Beach. The comedian has touring the country with his stand-up for over 30 years, and currently resides as the warm-up comedian for "The Rachael Ray Show" on ABC. There are two ticketing options for the show -- a dinner and show option (three courses and a show: $53.95) and the performance-only option ($25). Uncle Vinnie's is a BYOB establishment. $25-$53.95. Friday, Saturday, 9:30pm. 518 Arnold Avenue, Point Pleasant Beach, 1-877-UNCLE-VIN.
THE CAPITOL STEPS IN MORRISTOWN
No matter your political affiliation, you can any presidential campaign has its moments of hilarity. The Capitol Steps, the famous political satire and comedy troupe, will come to the Mayo Performing Arts Center in Morristown on Friday and Saturday to skewer all the candidates, as well as today's political leaders, as only they can do. The group has been at work for nearly 35 years, recorded 30 albums, and have been featured on all the major TV networks, and twice a year on NPR. $29-$59. Friday, Saturday 8:00 p.m. 100 South Street, Morristown, 973-539-8008.
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https://www.yumpu.com/en/document/view/27404694/summer-fall-2012-texas-womans-university
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Summer/Fall 2012 - Texas Woman's University
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Summer/Fall 2012 - Texas Woman's University
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<strong>Texas</strong> Woman’s <strong>University</strong> Former Students Association <strong>Summer</strong>/<strong>Fall</strong> <strong>2012</strong> PIONEER Class Notes Greengs fellow Pioneers! One of the privileges of serving as FSA President is that I get to preview these notes before you get them. What a joy! I laughed, cried, applauded, and cheered as I read through each entry. All of you are a true source of inspiraon. Our stories connect us ‐ please don’t ever stop sharing. …and speaking of sharing. I’d like to tell you all a lile bit about what your FSA Board has been up to these past few months. If this turns out to be “old news” just skip this secon and go on to the good stuff! At the FSA Chapter Officers/Board Workshop on June 30, <strong>2012</strong>, Dr. Ann Stuart, TWU Chancellor and President asked FSA to consider its future role with TWU and invited us to be a part of the new structure as a Chartered Alumni Group under the Office of Alumni Relaons. Aer in‐depth analysis and discussion, the FSA Board voted on Saturday, August 4th, to become a Charter group of the TWU Office of Alumni Relaons effecve September 1, <strong>2012</strong>. I believe the two most significant items of note for most of us are: 1)FSA will have an official affiliaon with TWU while maintaining our 501(3)c status and 2) FSA will move from a dues based to a donaon‐based membership (membership donaons will be tax deducble). The summary report and associated documentaon are available upon request. Inquiries may be sent directly to the FSA Office or to me. Please join me as we use this transion year to RE‐FOCUS, RE‐ ENERGIZE, AND RE‐CONNECT! Sincerely, Patricia Edwards, Class of ‘77 ‘79 ‘98 Former Student Associaon President Gladys Barns Lawhon, class agent for the Class of 1930, recently celebrated her 100th birthday with a family and friends gettogether. She is sll in good health and enjoys keeping up with her classmates. She lives in Denton and also keeps up with goings on at the Denton TWU campus. Congratulaons and thanks, Gladys, for 82 years and counng of parcipaon. Class of 1925 CLASS AGENT: Mildred Burgess Hurley, 479‐968‐1233 Class of 1930 CLASS AGENT: Gladys Barns Lawhon, 2422 Nongham, Denton, TX 76209, 940‐382‐8563, gladl01@charter.net Alta Parn Harper from Teague, TX died April 21, <strong>2012</strong>. Class of 1937 CLASS AGENT: Marjorie Collier Hall, 2611 Lake Air Drive, Waco, TX 76710 830‐377‐1303 bbkirk@me.com I have oen said that there are three parts to every experience—the ancipaon, the experience itself, and the memories it creates. Well, I can honestly say that all three aspects of my class reunion far exceeded my expectaons! Even though I was the only member of my class of 1937 to aend, I so enjoyed geng to see and catch up with many other old friends and alumni. It was also so good to be back on the TWU campus where I have countless wonderful memories. I especially enjoyed the wonderful reunion dinner on Saturday evening. Many thanks to all those who made the weekend possible. Who knows, maybe I will be able to aend the next one too! Class of 1938 ‐ no agent Class of 1939 CLASS AGENT: Jane Robin Ellis, 509 St. Charles Dr., Arlington, TX 76013, 817‐548‐8511, jarobel@a.net Jane Robin Ellis reports that she received a list of the “remains of ‘39” borrowing from the words of September Song, I will say that the numbers of our class are dwindling down to a precious few. Many phone numbers were not acve‐which tells me its own story, and I’m sure that more than one of us sounded a trifle “wispy”, but those who were available, who understood what was happening, and who remembered the bright days of our me of sharing and preparing for our future here on “broad and rolling plains” were yet 1
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Crimson Club Magazine - February 2024
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Winter sports are running hot and spring sports are warming up as we present the February 2024 edition of the Crimson Club Magazine. Utah athletics director Mark Harlan visits with Runninâ Utes big man Branden Carlson, a Salt Lake native hoping to lead his team back to the NCAA Tournament, in our student-athlete Q&A. The 2024 football schedule has been released for Utahâs first season in the Big 12 Conference and season ticket renewals are underway. You can read details on a legacy bricks program for the new America First Ballpark, the February Crimson Club Coaches Luncheon, and Varsity Club events. Menâs and womenâs basketball, gymnastics, and other sports updates are also included.
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https://online.flippingbook.com/view/227121129
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Winter sports are running hot and spring sports are warming up as we present the February 2024 edition of the Crimson Club Magazine. Utah athletics director Mark Harlan visits with Runninâ Utes big man Branden Carlson, a Salt Lake native hoping to lead his team back to the NCAA Tournament, in our student-athlete Q&A. The 2024 football schedule has been released for Utahâs first season in the Big 12 Conference and season ticket renewals are underway. You can read details on a legacy bricks program for the new America First Ballpark, the February Crimson Club Coaches Luncheon, and Varsity Club events. Menâs and womenâs basketball, gymnastics, and other sports updates are also included.
M A G A Z I
N E
FEBRUARY 2024
Download the Utah Tickets Download the Utah Tickets App
Download the Utah Tickets App to maximize your Crimson Club Membership.
In addition to accessing your digital tickets and parking passes, you can opt in to receive insider news and alerts on the latest developments within Utah Athletics and opportunties for unique experiences and impactful giving.
If you have any questions or issues managing your tickets please call/text the Utah Ticket Office (801) 581-8849.
Utah Tickets App - Apple Device
Utah Tickets App - Android Device
How to Access Your Crimson Club Membership Card How to Access Your Crimson Club Membership Card
1. Open Utah Tickets App 2. Crimson Club Member 3. Tap Membership 4. Present your moblie device to receive membership perks
FEBRUARY 2024
M A G A Z I N E
18 Utah Baseball Legacy Bricks Campaign Contribute to the America First Ballpark Plaza
14 2024 Football
Schedule Announced Season ticket renewal process underway
19 Varsity Club Events
20 A Runninâ Utes
Hometown Legend Branden Carlson looks to lead Utah back to the NCAAs
Enjoy social hours and ticket discounts for winter sports
Contents Picture This
On The Cover Branden Carlson, who is closing in on the Runninâ Utesâ all-time blocked shots record, rejects Coloradoâs Eddie Lamkin. The Crimson Club Magazine is produced monthly by the University of Utah Athletics Department.
2-13
Pac-12 Fall 2023 Academic Honor Roll February Crimson Club Coaches Luncheon
16 18 25 26 27
Menâs Basketball Notes Womenâs Basketball Notes
Gymnastics Notes Sports Updates
28-31
Crimson Club Staff Crimson Club Benefits
32
IBC
© 2024 University of Utah Athletics
Utah womenâs hoops celebrates a win over its highest- ranked opponent in school history, taking down No. 2 UCLA, 94-81 in overtime, on January 22.
Kaja Norbye claimed the womenâs slalom title as the Utah ski team christened the Spencer F. Eccles Olympic Mountain Center at Utah Olympic Park by winning the Utah Invitational.
Marcela Lopez is off to a 3-0 start to the dual match season at No. 1 singles for the Utah womenâs tennis team.
Transfer Deivon Smith has made his presence felt in short order for the Runninâ Utes, including 11 points, 9 boards and 8 assists against Oregon on January 21.
Utah track & field had a solid return to the oval on January 20, led by Josefine Eriksenâs record- breaking 400-meter run.
It was just a routine night on stage for Maile OâKeefe, who recorded her third 10.0 on beam this season to tie the school record with 14 perfect performances in a career.
Football
Utah Football 2024 Schedule Announced and Season Ticket Renewals Underway Six-game home schedule includes BYU, Arizona and TCU in first year in the Big 12 Conference
A new conference, a new era and an unmatched home-crowd advantage is what is in store for the 2024 Utah Football season, and season ticket renewals have begun for this historic season. Utah Football season ticket holders will get six home games in 2024, with the possibility of seeing a home College Football Playoff game in Rice-Eccles Stadium for the first time with the new CFP format coming this fall. Fans can begin renewing their season tickets through the Utah Ticket Office with updated
pricing and information available at UtahTickets.com
With the ever-changing landscape in college athletics, one thing that has remained constant is Rice-Eccles Stadium being one of the toughest environments to play in, with the Utes selling out 83 straight games entering 2024. The Utes have won 31 of the last 33 games played in Salt Lake City, including undefeated home seasons in 2019, 2021 and 2022. With new opponents and old foes coming to Salt Lake City in 2024, Utah fans will have the opportunity to show the nation that the Utesâ knack for success will continue to rise as they enter the Big 12.
SEASON TICKETS
With the demand continuing for Utah Football season tickets, fans will have four payment plan options available to them that extend until June 19. Those who are not currently season ticket holders can sign up to be placed on the Utah Football Season Ticket Waiting List.
WAITING LIST
14
CRIMSON CLUB MAGAZINE FEBRUARY 2024
Football
Utah will begin the 2024 season with 28 conference championships and an all-time record of 445-260-19 all-time in league games, including going 31-10 in conference contests since 2019. Head coach Kyle Whittingham will be in his 20th season at the helm this fall, leading the Utes to a winning record in 17 of his 19 years, including 10 straight. The Utes will also see the return of Heisman Trophy candidate Cameron Rising as QB1, hitting the gridiron in 2024 as one of the most dynamic, gritty and underrated quarterbacks in the country. Along with Captain Cam will be Mackey Award and All-America contender Brant Kuithe taking on one more season with the Utes, adding to the offensive weapons at Risingâs disposal each week. With dates announced for the 2024 Big 12 schedule, Utah will face new challenges, but also square off against familiar foes in Rice-Eccles Stadium with renewed rivalries in weeks five, eight and 11. In week five, Utah will host Arizona for its first home Big 12 game with the two opponents knowing each other well during the Pac-12 days. The Wildcats ranked inside the top-15 in all three 2023 postseason polls. Utah holds a 26-19-2 lead in the all-time series, including winning the last four in Rice-Eccles Stadium. Week eight brings the Utah vs. BYU rivalry back in a big way with the Cougars visiting Rice-
2024 Utah Football Schedule
Aug. 29 (Thu) Sept. 7 (Sat) Sept. 14 (Sat) Sept. 21 (Sat) Sept. 28 (Sat) Oct. 11 (Fri) Oct. 19 (Sat) Oct. 26 (Sat) Nov. 9 (Sat) Nov. 16 (Sat) Nov. 23 (Sat) Nov. 29 (Fri)
Southern Utah
Salt Lake City Salt Lake City Logan, Utah Stillwater, Okla. Salt Lake City Tempe, Ariz. Salt Lake City Houston, Texas Salt Lake City Boulder, Colo. Salt Lake City Orlando, Fla.
Baylor
at Utah State
at Oklahoma State *
Arizona *
at Arizona State *
TCU
at Houston *
BYU *
at Colorado * Iowa State *
at UCF *
* Big 12 Conference game
Season Tickets Timeline
Feb. 1 Renewal notice emailed March 27 Deadline to sign up for a payment plan or pay in full April 4 Unpaid tickets removed from accounts April 15 Season ticket upgrades * May 6 Football parking lot pass selection * June TBA Away game tickets on sale * *Based on Crimson Club level
Eccles Stadium for the first time since 2018. The only way fans can see the game in person is by purchasing season tickets. The Utes and Cougars will face off for the 102nd time in series history with Utah up 62-35-4 all-time, including going 9-1 in the last 10 games. Week 11 returns the Utes to a Mountain West-era rivalry when they take on the TCU Horned Frogs, with the two teams having eight total games in the all-time series against each other. Utah is 3-1 against TCU in Rice-Eccles Stadium, including the come-
from-behind win in 2008 to keep its BCS-busting dreams alive. Fans can reach out directly to the Utah Ticket Office by calling or texting 801-581-8849 for more information on the renewal process.
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Athletics Department News
Utah Places 60 Student-Athletes on Fall 2023 Pac-12 Academic Honor Roll Utesâ cross country, football, soccer and volleyball student-athletes honored by the conference
Utah Athletics saw 60 student-athletes honored with recognition from the Pac-12 Conference with the release of the 2023 Fall Academic Honor Roll. The Fall Academic Honor Roll includes Utah student-athletes who participate in the conference- sponsored sports of football, cross country, soccer and volleyball. Utahâs academic excellence in the fall parallels the programsâ significant achievements in competition. Utahâs honorees include 11 from cross-country, 29 from football, 10 from soccer and 10 from volleyball. A total of 794 student-athletes from the 12 institutions that form the âConference of Championsâ were recognized for their work in the classroom. Any student-athlete on their respective team roster with a cumulative grade-point average
of 3.3-or-above, and who has served at least one year in residence at the institution, is eligible for the distinction. In addition, Utah student-athletes across all 20 sport programs achieved a combined semester grade-point average of 3.34, fifth-highest in school history in the fall semester. That marked 35 consecutive semesters with a department GPA of 3.0 or higher, and 55 student-athletes earned a perfect 4.0. Cross-country earned the highest team semester GPA of all teams, at 3.861. The Utesâ NCAA Graduation Success Rate of 94-percent, announced in December, tied for second-highest in school history and fourth-highest among power conference institutions. Utah has scored 93-percent or higher for six years in a row.
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Athletics Department News
Womenâs Cross Country (11) Vero Boire (Biology)
Womenâs Soccer (10) Courtney Brown (Accounting Masters) Kelly Bullock (Health & Kinesiology) Maryn Granger (Health & Kinesiology) Baylie Jackson (Environmental & Sustainability Studies) Taliana Kaufusi (Family Community & Human Development) Katie OâKane (Psychology) Taylor Prigge (Health & Kinesiology) Megan Quiggle (Communications) Kaela Standish (Business) Kasey Wardle (Communications) Womenâs Volleyball (10) Kamry Bailey (Biomedical Engineering)
Karli Branch (Post Baccalaureate) Grace Burnett (Masterâs in Finance) Caroline Fischer (Social Work/Healthy Society & Policy) Morgan Jensen (Social Work) Chloe Kockler (Civil Engineering) Ellie Lundgreen (Chemical Engineering) Brooke Manson (Urban Ecology) Maddie Reed (Urban Ecology) Claire Rusovick (Film & Media Arts) Erin Vringer (Biology) Football (29) Bryson Barnes (Business Administration) Lander Barton (Pre-Communication) Noah Bennee (Intermediate Business) Jori Benson (Business Administration) Jack Bouwmeester (Communication) Justice Brusatto (Political Science) Luca Caldarella (Health & Kinesiology) Chase Carter (Biology) Chris Curry (Communication) Hayden Erickson (Business Administration) Kolinuâu Faaiu (Psychology) Logan Fano (Pre-Communication) JT Greep (Marketing) Nick Howe (Business Administration) Brant Kuithe (Communication) Jaren Kump (Health & Kinesiology) Kenzel Lawler (Psychology) Johnny Maea (Family, Community & Human Development) Shintaro Mann (Communication) Connor OâToole (Business Administration) Bryson Reeves (Psychology) Karene Reid (Psychology/Intermediate Business) Nate Ritchie (Pre-Kinesiology) Darrien âBleuâ Stewart (Communication) Miki Suguturaga (Criminology) Junior Tafuna (Economics) Charlie Vincent (Health & Kinesiology) Zereoue Williams (Business Administration) Thomas Yassmin (Mathematics)
Ella Biggs (Kinesiology) KJ Burgess (Psychology)
Grace Hammond (Kinesiology) Iliana Linahan (Pre-Business) Allie Olsen (Family Community & Human Development) Vanessa Ramirez (Psychology) Amelia Van Der Werff (Psychology) Viktoria Wahlgren (Kinesiology) Ashley West (Communications)
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Athletics Department News
Legacy Bricks Program Makes You and Loved Ones a Part of America First Ballpark Contribute to Utahâs new on-campus baseball stadium by purchasing engraved pavers
in the Utah Baseball Legacy Bricks Program. Make a lasting impact by having your name, a loved oneâs name, or a personalized message permanently etched onto one of the bricks that will be placed at the main entrance plaza. Help make our dream of an on-campus ballpark that will enrich our community become a reality!
PURCHASE
Utah Athletics is excited to bring Ute Baseball back home to campus with America First
Ballpark. We want our fans and alumni to be a part of this exciting project by participating
Basketball Coaches Luncheon February 20 Join Lynne Roberts and Craig Smith at the University Alumni House
Our final Crimson Club Basketball Coaches Luncheon of 2024 featuring Craig Smith and Lynne Roberts will take place on Tuesday, Feb. 20 at noon at the University Alumni House (155 Central Campus Drive). Purchase your tickets below and we hope to see you there!
TICKETS
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Varsity Club News
Varsity Club Nights and Social Hours Coming Up at Winter Sporting Events Attend menâs and womenâs basketball games and gymnastics meets with other Ute alums
Former student-athletes will always be part of the Utah Athletics family. For those who are not a member of the Varsity Club - our group dedicated to Ute alums - we invite you to sign up today and join us at a series of events and social hours beginning this month. More Varsity Club functions are being planned for this spring.
In addition, Varsity Club members can purchase $5 tickets for the following games using the promo code UUVARSITYCLUB: Menâs Basketball vs. Arizona - Thursday, February 8 at 6 p.m. vs. Arizona State - Saturday, February 10 at 6 p.m. vs. California - Saturday, March 2 at 7 p.m. Womenâs Basketball vs. Colorado - Friday, February 16 at 6 p.m. vs. Washington - Saturday, March 2 at noon Gymnastics vs. Stanford - Friday, February 23 at 6 p.m. vs. Stanford & Utah St. - Friday, March 15 at 7 p.m. Please note that you must be logged in using the email associated with your Crimson Club/Utah Tickets account and have an active Varsity Club Membership to purchase the $5 tickets.
JOIN THE VARSITY CLUB
We want to invite all of you to three social hours before some of our winter sporting events as well as offer $5 tickets for you and your guests! We will have social hours before the following events for active Varsity Club members.
Menâs Basketball vs. Arizona State Saturday, February 10 at 5 p.m. Womenâs Basketball vs. Washington Saturday, March 2 at 11:00 a.m. Gymnastics vs. Utah State & Stanford Friday, March 15 at 6 p.m. Please RSVP for the social hour events.
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RSVP
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A RUNNINâ UTES HOMETOWN LEGEND
Branden Carlson continues to climb the career statistical charts as he looks to lead Utah back to the NCAA Tournament.
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PHOTO BY HUNTER DYKE
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Student-Athlete Q&A Branden Carlson - Menâs Basketball
Letâs talk about your journey. You were heavily recruited by the previous staff to come here. You went on your mission to England and then came back. Just to watch your growth as a player has been remarkable. Tell us a little bit about your journey and why you chose Utah. BC: Thereâs a lot that played into Utah. My family lives 30 minutes from campus, so itâs home. I knew that when I got back from my mission my brother would be playing in high school. I loved going to his games when he was younger and I wanted to be able to continue doing that. That was a huge part of the decision. At the time it was Coach K (Larry Krystkowiak) and that staff. They really believed in me and I really believed in them. I thought they had a good vision for me. A lot of people know that I grew up as a BYU fan; that was my dream school. Then you get offered there and you go through the recruiting process, and things just felt different. You see a different side of things and you just get a different feeling for it. Utah just felt like the right fit for me through it all. The coaching, the history of the program, the success theyâve had. That played a huge part in it but the biggest part was the idea of being a hometown kid. Mark: I think itâs great to always have open minds in recruiting. You put yourself in a great
Utah big man Branden Carlson was named a top-10 finalist for the Kareem Abdul-Jabbar Award by the Naismith Basketball Hall of Fame on February. 2. Carlson has cemented his legacy not only on the Hill, but also in the Conference of Champions. The 7-foot super senior is the only menâs basketball player in conference history to eclipse 1,500 points (1,617), 700 rebounds (740), 200 blocks (218) and 100 assists (156) in a career. Carlsonâs first opportunity to take over a career record will be in the blocked shots category. He currently sits at 218 and needs just two more to pass David Foster (2006-07, â09-11) and become the programâs all-time leader. Carlson joined Utah athletics director Mark Harlan on his Hear it from Harlan podcast in late January to talk about his decision to attend Utah, why he chose to stay with the program after a coaching change, what played into his decision to come back for one more season, and the fansâ role in Utahâs homecort advantage.
you start having success, thatâs when people start talking to you about it. Then it kind of clicked and itâs like, oh wow, this is pretty cool and kind of an honor, honestly. Mark: I think it was a couple of games ago at home--and I sit there in the corner there across from the benches--you guys always come by and shake hands. You had a remarkable stat day and I mentioned to you that you had something like 20 rebounds, and you said âreally?â And Iâm like, he didnât even know. You were so focused on getting the team accomplishment, which was the win.
Mark: Your career numbers are among the best in Utah and Pac- 12 history. Did you envision all of this when you joined us a few years back, was it your dream to make this happen? BC: I didnât know what I was really capable of doing when I first got here. I just wanted to play basketball here. I had my goals but I didnât think of stats. I was never a big stats guy when I came in. In high school, I never knew what I averaged for points and rebounds and stuff like that. I just liked to play and so when I came here I wasnât aware of all-time scoring, all-time blocks leaders and stuff like that. You get in and
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position to have choices, and of course weâre glad that you came. I love talking to our student- athletes who come back from missions. Britain Covey and I had a lot of conversations about that. So, you go to England. When you come back, how long did it take you to just get back to being what you wanted to be as a basketball player. BC: Still working on it, honestly. Every day! No, seriously, when I came back it took like all of the summer and half of the season of playing to finally feel a little bit more comfortable doing things. Getting back into shape, it was months of a grind until your legs werenât just dead after every practice and you feel like you have to sit down for hours to feel like your lungs werenât on fire anymore. But for the comfort level and the confidence of being out on the court again, thatâs something that you just develop still. Like I said, even now you just have to work on being confident in certain situations and everything. Coming back, just building the confidence that I do belong out there, it was halfway through the season of my freshman year [before that happened]. Mark: You had an opportunity last year after an unbelievable season. You went through what sounds like a really intellectual process of decision making, trying to determine if you were ready to make the ultimate dream come true and get into the NBA. Give us a little background about that whole process.
of feedback. A lot of it was great feedback. Some them said, âNo, youâve still got more things to work on. We love you but you can even have a bigger step for next year.â Other teams were like, âWe really like what we see and think you could have great success here this year.â So it was a hard decision. But talking about it with my family, with my wife, and with my agent, we felt that it was best just to come back for one more year and really have the chance to work on my game and improve on the things that teams wanted to see. And, I get to be a part of a great program, still get to be with my wife. It was a win-win coming back. Mark: Sounds like it was a lot of learning with good, honest feedback. The NBA always stresses with the NCAA that weâre going to be brutally honest, good and bad, and I think that has to be really helpful for you. Was part of the thinking that you would be sliding over to play the 4 position more with Lawson Lovering
BC: I decided after last season that I was going to enter the draft, but with the intention that I was going to stay [at Utah]. My thinking was, there had to be certain things with my situation that would only make it better if I go into that draft. I have a great situation here at Utah with my wife going to law school for one more year here. I love the coaching staff and they believe in me, and I think we have a good shot at making the NCAA Tournament. Thereâs a lot that played into it. So, going into the draft, it was just a deal where I have to have the right fit of a team that wants me and I feel like they would actually appreciate having me on their team, the right kind of contract and stuff. You only have one [NBA] team here in Utah. So other than that, we were going to be doing long distances because my wife was going to be staying here. So there was a lot that came into it. When I went down to workout with all of these teams, I got a lot
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saw you and I said, âAre you in?â and you said, âIâm not missing thisâ because you knew what the environment would be like. You played remarkable that day. Just talk a little bit about what the crowd does for you guys. BC: The crowd is huge. I think we have great success at home because of our fans and the energy that they bring. It just gives us a whole other sense of confidence out there. Youâve got a sixth man right there cheering you
You just have to be excited. Here we are, heading into February, and everything is in front of us. You have a big journey coming up. Your wife will be finishing law school. She works way harder than you if Iâm hearing it right. Youâre subject to the 20-hour rule and sheâs not! Youâre just really in a great spot. What an exciting time for both of you. BC: Itâs awesome! We talk about it almost weekly, just about what our future could possibly hold and all the opportunities that we have. My dad always tells me, âYouâre picking between good and great.â Weâre lucky. So many people get stressed because [they] donât know whatâs going to happen in a couple of months, but weâre picking between good or great. Itâs never going to be a bad situation. Mark: Thatâs great perspective. We appreciate you for everything youâve done not just the basketball program but this athletics department as well. Youâve stuck through a lot of things, like a coaching change, which is never easy. That way youâve managed that, you were just a superstar. Itâs such a validating thing that you believed in the change. Guys stayed, I think, because of you. And now here we are with everything in front of us. Weâve got a shot to get into this tournament, which is the ultimate dream. Thank you, BC, for everything youâve done for the University of Utah.
transferring here, and that was something you were intrigued about? BC: That was one of the things I talked to Coach Smith about. I wanted to play more 4. And it wasnât necessarily offensively because a lot of teams were already saying, âOh, heâs a 4 man in the NBA. He plays 4 and some 5 on the offensive side in the NBA. But itâs the defensive end that we need to see more of.â So, I talked to Coach Smith about playing more 4. And we knew with Lawson coming here I would have more of that chance. Mark: Weâre undefeated at home this year. I remember talking to you the day before the BYU game and you were dealing with a little bit of an injury. You were just getting off the bike when I
on. Youâve got your bench and those fans cheering right behind you. It just gives you that energy to keep on going and fighting, and it just really changes the momentum of the game. Like you said, that BYU game; I was just hopping off the bike and getting a little conditioning in, and it was just announced that day that the game was already sold out. So the idea of a sold out arena in the Huntsman Center, you canât miss that! Thereâs no doubt. The energy they bring, the confidence that they give us when you have that environment, that really helps to get you going. Mark: Letâs step away from the court. Youâve graduated with a communication degree and youâre pursuing a graduate certificate.
ENTIRE PODCAST
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Menâs Basketball
Home-stand Continues Against No. 8 Arizona Runninâ Utes took down Colorado last Saturday, host Arizona State to close it out this Saturday
on a 13-4 run midway through the second half. Colorado made a late push on the heels of KJ Simpsonâs 14-straight points but Utah sealed the game up at the foul line, knocking down 7-of- 11 from the charity stripe to secure the win. Deivon Smith was an assist shy of another triple- double, scoring 17 points with 11 rebounds and 9 dimes. Gabe Madsen led the team in scoring with 21 points and three steals. Meanwhile, Utah outscored Colorado 21-7 in fast break points. Utah will look to put an end to its nine-game losing skid on the road next week as it heads down to Southern California for a pair of games against USC (Feb. 15) and UCLA (Feb. 18). Both games against the Trojans and Bruins are slated to air on FS1. Looking Ahead
Coming Up
BC Named Top-10 Finalist Branden Carlson was named a top-10 finalist for the Kareem Abdul-Jabbar Award the Naismith Basketball Hall of Fame announced on February 2. This marks the first time Carlson has been named a top-10 finalist. He was named to the preseason watch-list in back-to-back seasons. This also serves as the second-straight year the Pac-12 has had a player named to the top-10 list for the center position. Utah got back in the win column last Saturday when it fended off a late rallying Colorado team for a 73- 68 victory and extended its undefeated home winning-streak to 12-0. The back-and-forth game had nine lead changes with eight ties before Utah held the Buffs to just 1-for-9 from the field to go Last Time Out
The Runninâ Utes will kick off the first of four menâs and womenâs games inside the Jon M. Huntsman Center this weekend on Thursday when they welcome in No. 8 Arizona for a 6 p.m. tip-off. Utah closes out its three-game home-stand with Arizona State on Saturday (Feb. 10) starting at 6 p.m. Utah looks to build on its undefeated 12-0 record at home this season. Sitting at 218 career blocks, Utahâs Branden Carlson will look to forever etch his name in Runninâ Ute lore in front of the Utah faithful this week with two home games on tap. The 7-footer needs just two more blocks to pass David Foster (219) as the programâs all-time blocks leader. Carlson Looks to Make History at Home
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Womenâs Basketball
Top 25 Matchup with Oregon State Friday Night Utes return home from a four-game road swing capped off by sweep of Washington schools
37 points twice this season, both against Top 10 teams. She has posted 13 games recording 20 or more points. Sheâs currently shooting 59.3 percent from the field, 43.3 percent from the three and 80.0 percent from the free throw line. She was named to the Wooden Award Late Season Top 20. Pili was placed No. 4 on the most recent ESPN Top 25 Womenâs Basketball Players list. Utah is ranked in the top 10 nationally in a total of seven major statistical categories. Utah is the nationâs No. 9 scoring team by averaging 83.6 points per game. Utah is No. 6 in the nation in field goal percentage (50.0%). The Utes are No. 2 in the nation in assists per game, averaging 20.9. Utah is also the nationâs best three-point shooting team, averaging 11.3 made three- pointers a game, and No. 6 in three-point percentage (38.8). At The Top The Utes host Oregon on Sunday (Feb. 11) at noon before hosting Colorado next Friday (Feb. 16) at 7 p.m. in the Huntsman Center. Looking Ahead
Johnson went 9-for-11 from the field for her season-high 19 points. Matyson Wilke got her first start as a Ute and put up 10 points. Kennady McQueen flirted with a triple-double with nine points, nine assists and seven rebounds. Ines Vieira and Wilke each added six assists to the Utesâ offensive efforts. Against WSU, Utah had five score in double figures and were led by Piliâs 15 points. Isabel Palmer posted 14 points, the most sheâs scored since her return from injury. Utah pushed out for a double-digit lead early in the second quarter but WSU surged for an even 34-34 score at halftime.
Coming Up
The No. 20 Utes return to the Jon M. Huntsman Center after four straight games on the road for a rematch with the No. 17 Oregon State Beavers on Friday at 7 p.m. The Utes have posted a 17-6 record overall on the season and are 7-4 in the Pac-12. Utah is 9-1 in the Huntsman Center and has won 25 of its last 26 games at home. Utah got its first road sweep of the season taking down Washington, 83-65, and Washington State, 73-61. Utahâs 83 points against Washington was the most Last Weekend scored by an opponent in Alaska Airlines Arena this season. Utah had three score in double figures and were led by Alissa Piliâs 31 points. It was Piliâs fourth 30-point game this season. Jenna
Pili Power
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Alissa Pili currently leads Utah averaging 22.4 points per game. Sheâs posted a career-high
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Gymnastics
No. 4 Red Rocks Head to Washington and UCLA First two road meets of the season ahead as Maile OâKeefe looks to take over career 10.0 record
appearance on vault for the Red Rocks. She would also score a 9.90 on beam for the second competition in a row. ⢠Maile OâKeefe cemented her legacy in the Utah Gymnastics record books moving into a share of the top spot for career 10.0 scores with Theresa Kulikowski at 14, after earning her third perfect 10.0 score on beam of the season against Oregon State. Chalk Talk ⢠The Red Rocks have hit 114 of 120 routines throughout the beginning of the 2024 season ⢠Utah has three individuals in the top 25 of separate events including: Abby Paulson (4th/ beam), Makenna Smith (6th/ vault, 17th/all-around), Grace McCallum (T21/vault, T7/bars, T19/floor). The Red Rocks continue on the road, traveling to UCLA on Monday, Feb. 19 at 3:30 p.m. MT for a meet televised on ESPN2. Utah returns home to host Stanford on Friday, Feb. 23 at 6 p.m. Looking Ahead
Utah has put together the eighth- ranked vault lineup and ninth- ranked bars squad. Quick Sticks ⢠For the fourth meet of the season, the Red Rocks swept the top spot on each event against Oregon State, after claiming event wins against Boise State, Arizona State, and at the Best of Utah. ⢠Utah has claimed 25 event victories on the season, with Maile OâKeefe leading the charge and accumulating seven wins thus far with three beam wins, three floor wins and one win on bars. Grace McCallum is close behind with six wins, adding her fourth victory on bars against Oregon State. ⢠After announcing her intentions to return to international competition in pursuit of the 2024 Olympics in Paris, Amelie Morgan made her first
Coming Up
The fourth-ranked Red Rocks continue conference competition on the road, traveling to Washington for a Saturday matinee at 1 p.m. MT at Alaska Airlines Arena at Hec Edmundson Pavilion. The Utes and Huskies will be televised on the Pac-12 Networks. Utah remained fourth in the nation for the second straight week, using the season average scores. The Utes ranked amongst In The Rankings the top 10 programs in each event for the fifth consecutive week. With each passing season, the staple event for the Red Rocks program continues to be their beam performance, ranking second in the nation. Utah has put together a âdance partyâ with their floor routines, ranking fourth. Remaining in the top 10,
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Sports Updates
LACROSSE The Utah lacrosse program earned preseason praise from the ASUN, taking the top spot in the ASUN Coaches Poll along with two preseason player of the year nods. It is the third straight season the Utes have earned at least a share of the No. 1 preseason ranking in the ASUN. Jared Andreala was named ASUN Preseason Midfielder of the Year with Joey Boylston receiving Preseason Defensive Player of the Year. The duo were also selected to the Preseason All-ASUN Team with Tyler Bradbury giving the Utes three spots on the list. In the season opener, the Utes scored six goals in the first half, including four in the first quarter, but were only able to score two in the second half with Ohio State taking advantage and pocketing eight goals in the second half to secure the win 11-8. Utah only had two assists on its eight goals, finishing the game with 36 shots (18 on goal). The Utes also had 30 ground balls, 12 caused turnovers and were 20-of-21 on clears with Utahâs 12 CTOs tying for fourth all-time in program history. The Utes will play their home opener on Saturday, Feb. 17 at 1 p.m. when they host the Denver Pioneers in Rice-Eccles Stadium in the heart of Salt LAX City. SKIING Five current Utah athletes are competing at the Nordic World Junior and U-23 Ski Championships, scheduled for February 5-11 in Planica, Slovenia. The U-23 Nordic group includes the current Utah connections of Brian Bushey and Walker Hall representing the United States, plus Joe Davies with Great Britain. Named to the United Statesâ World Juniors team from the Utes are Zachary Jayne and Nina Schamberger . Jay Poulter is in France at alpine junior worlds, and made his first start in Super G and the team combined event. He placed seventh in Super G (1:12.71) as the top American finisher, while Poulter was part of a Team USA menâs combined pair that placed sixth. Before the athletes scattered, the Utes won the Utah Invitational with 657 points, ahead of Denver (568) and Colorado (559) from January 12-20. Bushey earned his first collegiate podium and victory, while
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Sports Updates
Sydney Palmer-Leger picked up a silver medal as the Utes began the Utah Invitational with 7.5K freestyle races at Soldier Hollow Nordic Center. Davies took gold in the menâs 10K classic, while Bushey and Palmer-Leger each skied to the podium with silver to conclude the Nordic half. Kaja Norbye skied to a first-place finish in the slalom at the Spencer F. Eccles Olympic Mountain Center at the Utah Olympic Park. Utah had a pair of individual wins as teams from across the RMISA raced in giant slalom on February 1 at Steamboat Resort. Making her collegiate season debut after racing on the World Cup circuit, Madison Hoffman won both runs en route to a winning combined time of 1:57.42, while Mikkel Solbakken notched his first victory as a Ute in the menâs competition (1:48.88). Utah is competing at the Denver Invitational this weekend before teams prepare for the 2024 RMISA Championships, hosted by Montana State. Alpine will compete in a February 22 GS qualifier at Big Sky Resort before the championship meet February 23-24. Nordic races at the RMISA Championships will be held in Bozeman, Montana, at Crosscut Mountain February 24-25. SWIMMING & DIVING The swim and dive teamâs month was highlighted by the menâs dominant win over Wyoming. Brandon Miller, Will Woodall and Jaek Horner all picked up multiple victories and their efforts helped the Utes top the Cowboys. Throughout the month, the swimming & diving team recorded nine top-three finishes against the USC Trojans while Erin Palmer took first place in the 50 free against UCLA and Kathryn Grant earned a spot inside the top 10 in the womenâs platform against the Bruins. Holly Waxman and Grant finished at the top of the preliminary leaderboard for the womenâs diving team on the final day of the Air Force Diving Invitational on February 3. Utah gets back in the pool on Friday, Feb. 9 in Provo, Utah to begin a two-day meet against BYU.
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Sports Updates
MENâS TENNIS The Utah menâs tennis team opened its spring season with a 5-2 victory over Weber State before playing three more matches to conclude the first month of play. The Utes had a strong start as the team secured the first point of the Weber State match in doubles play. On court three, Geremia Rossi and Dylan Applegate took the upper hand against Weber Stateâs Matteo Savio and Tuan Minh in a 6-4 match. The point was decided on court two where Jayson Blando and Michael Blando took a decisive 7-5 win over Wildcatsâ Jordan Coutinho and Connor Kruger. As the squad moved into singles play, the Utes provided stellar performances. On court three J. Blando awarded the team with their second point as he downed Kruger in a 6-2, 6-2 match. Soon after, Gianluca Citadini added the third point to Utahâs score with an impressive 6-0, 7-6(7-3) competition against Weber Stateâs Savio. On courts four and six, the Utes dropped matches awarding the Wildcats two points. The match was clinched on court two as Krenn took the victory against Marouani in a hard-fought 7-5, 7-5 finish. On court one, Espin Busleiman downed Sarap 3-6, 6-2, 6-3 awarding Utah with the last point. WOMENâS TENNIS Utah opened the 2024 indoor season by defeating Montana State, Utah Tech and Idaho State by 7-0 scores on January 19-20. The Utes then hit the road and fell to Michigan, 4-0, and Purdue, 4-2. Utah returns to the Eccles Tennis Center to host BYU on Friday, Feb. 9. In their last home match against the Bengals, Utah began the day by securing the doubles point. Kaila Barksdale maintained the momentum in the No. 2 spot in singles, 6-3, 6-2. Ana Luiza Cruz faced off against the Bengalsâ Olivia Mikkelson in the No. 6 spot, claiming the fourth singles victory for the Utes with a 6-2, 6-1 scoreline. In the No. 3 spot, Yuhan Liu claimed another win over Sol OâLideadha 7-5, 6-2. Marcela Lopez secured the final victory over Hana Cho 4-6, 6-2, 10-8, with a nail-biting tiebreaker in the No. 1 spot.
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CRIMSON CLUB MAGAZINE FEBRUARY 2024
Sports Updates
TRACK & FIELD Utah had a solid return to the oval to begin the indoor track season as it saw four new entries in the all-time record book, led by Josefine Eriksenâs record-breaking run in the 400m at the MLK Invitational held in the ABQ Convention Center. The track team recorded multiple personal bests throughout the month at the UW Invite as well as the Husker Invite. At the Frank Sevigne Husker Invitational inside the Devaney Center Indoor Track last Saturday, the 200m squad got the day going for Utah with Megan Rose posting the fastest mark at 25.17 while Ally Gomm checked in at 25.42. Jâneya Hill posted a time of 25.46 in her first run in the event while Malia Overton crossed the finish line at 25.94 followed Chloe Shewell at 26.06. Lincoln native Bri Rinn had a fantastic showing in her hometown, finishing third overall in the 800m run after smashing her PR with a time of 2:07.31 â which is the 57th-fastest mark so far this season at the time of the race. The team will close out the month of February with trips to Arkansas, Notre Dame and Washington before the NCAA Indoor Championship at the beginning of March.
P
The Crimson Club Champions Alliance is the most prestigious philanthropic membership providing unmatched access to University of Utah Athletics for our most loyal and financially committed investors. Champions Alliance members have exclusive access and benefits not available to the general Crimson Club membership. For more information contact: Rob Clark (Rob.Clark@utah.edu) or Jared Heldt (Jared.Heldt@utah.edu)
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CRIMSON CLUB MAGAZINE FEBRUARY 2024
Crimson Club Staff
Sean Farrell Associate A.D. Sales & Development 801-581-8849 sfarrell@huntsman.utah.edu
Gavin Van Wagoner Assistant A.D. NIL and Major Gifts 801-243-3325 gvanwagoner@huntsman.utah.edu
Jared Heldt Director of Major Gifts 801-585-8837 jared.heldt@utah.edu
Brooke Abel Assistant Director
Rob Clark, Ph.D. Associate A.D. Development 801-213-4097 rob.clark@utah.edu
of Major Gifts 801-581-8519 brooke.abel@utah.edu
Darrell Peters Senior Development Officer 801-587-9896 dpeters@huntsman.utah.edu (Levels 7-11 - A-G)
Mike Lageschulte Director of
Ari Davis Assistant Director of Annual Giving 801-581-6183 adavis@huntsman.utah.edu (Levels 7-11 - P-Z)
Anacelic Fernandez Financial Coordinator 801-209-4827 afernandez@huntsman.utah.edu
Lauren Mayeda Assistant Director Events & Hospitality 801-585-3515 lmayeda@huntsman.utah.edu
Annual Giving 801-557-2322 mlages@huntsman.utah.edu (Levels 7-11 - H-O)
Corey Bond Development Officer 801-213-1070 cbond@athletics.utah.edu (Levels 1-11 - A-G)
Hayley Smith Development Officer 801-581-2983 hsmith@athletics.utah.edu (Levels 1-11 - H-O)
Sophie Tarchione Development Officer 801-213-2785 starchione@athletics.utah.edu (Levels 1-11 - P-Z)
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CRIMSON CLUB MAGAZINE FEBRUARY 2024
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Gluten Free New York City: A Complete Guide for Celiacs
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2019-09-28T15:44:47-07:00
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Planning a trip to New York City and need to eat gluten free? Here's our guide to eating gluten free in New York City, with 20+ places to eat safely.
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en
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Wheatless Wanderlust
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https://wheatlesswanderlust.com/gluten-free-new-york-city-restaurants/
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Gluten Free New York City: The Best Gluten Free Restaurants and Bakeries in NYC
Weâre going to get straight into it here. Thereâs a bunch of amazing gluten free restaurants in New York City, so this guide is going to be a little long as is.
We do want to mention that weâve been to almost every single gluten free restaurant and bakery on this list.
If we havenât, weâll say so. Weâve done the work to ask about things to look out for, and have excluded a few places that we ultimately didnât think have what it takes to serve a consistently safe meal.Â
With things constantly changing, we do our best to keep these guides up to date. However, itâs nearly impossible to check on every single restaurant at any given time, which is why we need YOUR help!
Have feedback â like a place that no longer has a dedicated gluten free fryer, or a new gluten free bakery that popped up? Weâd love to hear from you! Leave a comment below and weâll make sure to make updates.
Dedicated Gluten Free Restaurants in New York City
There are a TON of dedicated gluten free restaurants in New York City, which is why we think itâs at the top of the list of gluten free travel destinations in the USA. The sheer number of safe places to eat is staggering.
The best part? A bunch of them are dedicated gluten free! Which is basically heaven for gluten free foodies.
Modern Bread and Bagel
On our last trip to New York City, Modern Bread and Bagel opened literally two or three days after we left the city. It was TRAGIC.
After several years of seeing other Celiacs rant and rave about how good it is, we finally made it here on our latest trip⦠and we went back multiple times.
It is no exaggeration to say that this is the best gluten free bagel Iâve ever had. EVER. I paid good money to check a bag on the way home just so I could bring back bagels.Â
And Alysha, who does not have Celiac Disease and has been sampling the bagel offerings in the Northeast for a couple of weeks, confirmed that she probably wouldnât have been able to pick out their bagels as gluten free.
There are a couple of things they have going on here.
First is the gluten free bagels, which you can get smothered in all sorts of fun toppings like a variety of cream cheeses, tomatoes and pickled onions, smoked salmon, and more.
They have a couple of different bagel varieties to choose from (weâre on team everything bagels all day, every day), and a couple of breakfast sandwiches too.Â
For what itâs worth, we thought the straight bagel with cream cheese, tomatoes and pickled onions, and smoked salmon was FAR superior to the breakfast sandwich we had.
Mainly because the sandwich was lacking heaps of cream cheese, which is basically the key to happiness in life, weâre pretty sure.Â
Second is more lunch-y options like bowls and panini sandwiches. If youâve been before, consider these as something new. If you havenât, weâd really encourage you to stick to the bagels, which are absolutely fantastic.
Last is the baked goods. There are a ton of great gluten free bakeries in New York City (in fact, By the Way Bakery has a location like two blocks north on the Upper West Side), but Modern Bread and Bagel has some unique offerings that you should definitely try.
For example, the chocolate babka â which is a braided bread filled with, in this case, chocolate â was unique and delicious. Itâs a baked good that is common in Jewish communities in Eastern Europe. Hereâs a recipe to give you an idea of what itâs like.
Or the rugelach, which is reminiscent of a filled croissant (ish) and is equally delicious â they had chocolate and coconut raspberry when we were there. They also have a range of other baked goods, like cupcakes, cookies, and banana bread, but we think those special treats that weâve never seen at any other gluten free bakery are the highlight here.
The point is that you should definitely try a bagel and cream cheese, along with some of their more unique pastry offerings (particularly the ones inspired by the Jewish community).
Want to get their bagels at home? Youâre in luck! Though shipping is mind-numbingly expensive to the west coast, you CAN get their bagels vacuum packed and shipped straight to your door. Or bread. Or pastries. Pretty much anything they make, really, aside from perishable items (no cream cheese).
Are their bagels expensive? Yes. It costs around $18 for a fully loaded bagel with cream cheese, tomatoes, pickled onions, and smoked salmon. Or $6 for a bagel and cream cheese.
Is it worth it? Also yes. I can almost guarantee that theyâll be the best gluten free bagels youâve ever had, and that is worth paying a little extra for.
Modern at Night: As of mid-2022, Modern had opened up a dinner time offering called Modern at Night. I managed to make it in, and while they were still figuring a few things out, it was equally as delicious as the bagels and breakfast / lunch offerings. The highlights for me were the loaded latke tots (with smoked salmon and dill) and the laffa (a flatbread rolled and stuffed) with zucchini and pea fritters. They also have fish and chips, which would be next on my list.
A note on expansion: Modern are in the process of expanding, both within NYC and in other cities in the United States (looking at you, Los Angeles). Itâs super exciting to provide more Celiacs the opportunity to try their amazing bagels, and Iâll update this when those new locations open.
Senza Gluten
Interestingly, this dedicated gluten free Italian restaurant in New York Cityâs Greenwich Village diverges a bit from the usual stories you hear from owners of famous gluten free restaurants, breweries, and bakeries.
Usually, the story goes something like âI (or someone I care about, like a daughter or spouse) was diagnosed with Celiac Disease, loved *insert food or drink item* before the diagnosis, and all the gluten free options sucked, so I made my own.â
At Senza Gluten, which opened way back in 2014 at the beginning of the proliferation of gluten free options across the country (and world, really), the story is completely different.
The chef, Jemiko Solo, is Georgian â the country, not the state â and doesnât have Celiac Disease, or have a close family member who has Celiac Disease.
Instead, he went and opened the first 100% gluten free Italian restaurant in New York City⦠out of the goodness of his heart?
Well, sort of. This is where the story gets a little similar to the usual one. He had friends with Celiac Disease who missed things like pasta and pizza, and started making gluten free versions for them.
He saw firsthand the stress and anxiety that can come with dining out when a crumb of gluten can make you sick for days, and set out to create a welcoming, safe space for Celiacs to dine out.
Hereâs an interview he did thatâs worth reading, if you have a few extra minutes.
We went here for Alyshaâs birthday a few years ago, and enjoyed it both as an experience, and also thought the food was good. This time we opted for the cafe â more on that in a second â but if youâre looking for a nice, cozy Italian joint for a gluten free dinner, this should be at the top of your list.
Plus, order the tiramisu, which is divine!
Important note: They only take cash and American Express, so make sure to come prepared!
Senza Gluten Cafe & Bakery
The owners of the famous 100% gluten free Italian joint thatâs just a block away, which opened in 2014, expanded their gluten free empire in Greenwich Village with a second location â Senza Gluten Cafe and Bakery.
This one is more of a cafe, focused on baked goods rather than dinner, and has a robust lunch menu that uses its excellent breads as a base.Â
The standouts for us were, well, all the things we tried.
The flatbread pizza is excellent, though weâd avoid the vegetarian flatbread, not because it wasnât delicious, but because the veggies make it a little watery.
The âChefâs Favorite Cheese Breadâ â a recommendation from Erin at Gluten Free Globetrotter â was, essentially, chowder in a bread bowl. Except, instead of being filled with chowder, itâs filled with multiple different kinds of cheese. Like a cheese fondue bread bowl.
The owners are from Georgia (the country, not the state), and this is a specialty of theirs that they wanted to share. We can confirm that it is, in fact, as delicious (and rich) as it sounds.
We were so full by this point that my desire for baked goods had taken a serious hit, but we knew that the bomboloni â a filled Italian donut that we fell in love with in Italy â was basically a must-eat, so we got one to take home.
Important note: They only take cash and American Express, so make sure to come prepared!
Nami Nori
Some places are fun to eat at, and this is definitely one of those places. We ended up here after a personal recommendation from Erin over at Gluten Free Globetrotter, and Alysha took one look at the menu and said âwe have to go!â
We got super lucky at Nami Nori, because we showed up at 7:00 pm without a reservation, got a table outside, and within five minutes there were exactly zero spaces left inside or outside.
Itâs a popular spot, so if you want to eat here, make sure to make a reservation!
The owners here are veterans of high-end sushi joints, but the approach to sushi here is slightly different and lessâ¦stuffy. Plus, itâs entirely gluten free.
They put a lot of care and craft into their hand rolls, and the presentation is exquisite, if not a little complicated. They have instructions on how to remove them from the wrappers on each table, which we found funny.Â
Their rolls are served âopen-style,â which means that itâs a little bit like a taco in that the roll is open on the top. Like I said, itâs a fun way to eat sushi.
They have a range of Japanese-inspired appetizers and small plates to start â we liked the furikaké fries with the tomato tonkatsu â and the star of the show is the temaki. Temaki is a style of sushi that, at its most basic level, is a one serving hand roll rather than a bigger roll cut into smaller servings.
Rather than eating it with chopsticks, you pick it up and eat it like a taco (remember the golden roll of eating tacos here â you always bring your mouth to the taco, not the other way around).
We split both of their samplers â the signature and the vegan â though you can also customize the selection, if youâre feeling adventurous. Far and away, our favorite was the coconut shrimp with green curry and lime. But the avo toast and the spicy sea bass werenât far behind.
They have locations both in the West Village, which is where we ended up, and across the East River in Williamsburg. They are now open for lunch and dinner at both locations, too!
Little Chocolate Apothecary
A dedicated gluten free spot in Brooklyn, letâs get this out of the way first â this is not a chocolate shop. It is, however, a great place to get gluten free and vegan crepes in a dedicated gluten free facility.
I wasnât sure what to order â though I knew I wanted something savory â because everything looks delicious.
I asked the staff and a couple of them conferred amongst themselves (I love that the majority of the communication was non-verbal, because there were only a handful of words spoken between them) and came back with a recommendation â the burrito crepe, provided I was hungry (spoiler: Iâm always hungry).Â
This place is vegan, but Iâd hardly have known that. The most interesting part of that crepe is the coconut bacon, which doesnât sound like it would work (and, to be honest, if you go into it expecting real bacon, it probably doesnât deliver) but I found that it added a nice sweetness that really made the dish more interesting.
The other crepes that we had our eyes on were the BBQ pulled jackfruit crepe and the pizza crepe, along with the sweet versions, which are more build-your-own style.
The other cool part here is that they have gluten free afternoon tea, which I only really learned about after visiting, otherwise Alysha would have certainly been into it.
Great happy hour, too, with 2-for-1 cider and gluten free beer (from Ghostfish from Seattle!).
Claro
We love Claro. Weâve been twice, and while itâs not the cheapest option on this list (it has a Michelin Star, if that tells you anything), it has been our favorite food experience on both of our last two trips.
Claro is over in Brooklyn, which can be a little bit of a trek from Manhattan, but weâve done it twice and think itâs definitely worth it.
The thing that makes Claro special is that everything â stone ground corn, cheese, and sausage included â is made in-house, which means theyâre able to control what goes into everything they serve. Itâs all gluten free!
The concept here is NYC-meets-Oaxaca, with more modern takes on traditional Oaxacan food (like the tlayuda, which is our favorite form of cooked masa). The chef â T.J. Steele â lived in Oaxaca, and built friendships and partnerships with local farmers, which is where he gets important ingredients like corn to this day.
They also have an extensive mezcal menu. If youâve never tried mezcal OR you think mezcal is just smoke smoke smoke, Iâd encourage you to ask your server to help you find one thatâs more fruity or floral, which I never believed was possible until our trips to Mexico City.
Their menu, at this point, is a tasting menu with several courses. As you might imagine, the menu is seasonal and changes throughout the year, so what we ate might be different from what you get to eat.
The highlights, for us, were the aguachile de fresas (strawberry aguachile) which was equal parts sweet and spicy. You could have put the juice in a cocktail glass, added some tequila (and probably removed the fish, I hope), and served it to me as a cocktail and I would have been a happy camper.
The mushroom memela and the garnachas were also great (in the second course), as were the churros with dulce de leche. Although, I will say that the chocolate mole cake is fantastic too, which we had on our previous visit.
They also have Ghostfish beer â my favorite gluten free beer brand in the country from my hometown of Seattle â if youâre looking to try some good gluten free beer.
Itâs reservation-only, so youâll want to make your reservation as soon as you know your dates for visiting New York. They do dinner throughout the week and brunch on Friday, Saturday, and Sunday.
Brunch is slightly more affordable, if youâre looking to try their food but the price tag of dinner made you a little nervous.
Another good option if budget is a concern is to show up for drinks and snacks on their back patio, which is currently from 2:00-4:30 pm Monday through Thursday, and 3:30-4:30 pm Friday through Sunday.
Those days and hours might change, so make sure to check here to see their current offerings.
If you have a chance and the weather is cooperating, check out their excellent back patio!
Risotteria Melotti
Full disclosure, we havenât been to the Risotteria Melotti location in New York City, but we HAVE been to their location in the heart of Rome, which we enjoyed enough to recommend it here too.
We spent more than a month in Italy last year, and got intimately familiar with the different regional cuisines (particularly in Rome, Tuscany, Sicily, and Emilia-Romagna).
The focus here is on northern Italian cuisine, which features a lot more rice than other parts of Italy, primarily in the form of risotto. Their family business is actually growing rice in Verona â which is undoubtedly one of our favorite cities in all of Italy â so they know their rice.
The menu at their NYC location is equally expansive as the menu in Rome, and features their staple risotti and some antipasti and desserts.
Itâs all gluten free, and weâd recommend the gorgonzola risotto (and, if they have it, the pistachio risotto). Please, do not under any circumstances order a burger or steak here â go for the risotto!
Little Beet
Little Beet is a fast-casual restaurant with a bunch of locations in NYC (and in New Jersey and even one in Washington D.C.). Itâs kind of like Chipotle, but without the Mexican focus.
There are two ways to order â pick from one of their chef-designed bowls, or build your own bowl by choosing a base (rice, quinoa, greens), a protein (they have plenty of veggie options), and two vegetable sides. Plus, a sauce.
Itâs very healthy and wholesome (or at the very least, it feels like it is!), and I like this place as a quick and easy lunch option. Theyâve got locations near Bryant Park and Battery Park, which are good if youâre in New York City for work and need a quick option near the office / your meeting.
Important Note: They also have more of a table service location called Little Beet Table, which is NOT 100% gluten free (though it used to be at one point). Only the fast-casual versions are dedicated gluten free.
Inday
Inday is a fast-casual spot with a couple of locations in New York City mostly focused on Midtown and the Times Square area. Which makes sense, because theyâre very much a lunch spot that would be perfect if you work nearby.
We stopped by for an early dinner one night, and took it to nearby Bryant Park to eat it in the warm New York sun â the first spring-y day of the year!
Their menu is 100% free of gluten⦠except when itâs not? They have a location in Lower Manhattan that serves two items (including naan) with gluten, so Iâd completely avoid that location if you can.
For the price, we really enjoyed this place. We got the chicken tikka masala, which was great, and the beet salad was also a pleasant surprise (be careful â those serrano peppers will get you!).
Important caveat: While most of their locations are 100% gluten free, they DO serve items that contain gluten at their location in Lower Manhattan. Stick to the locations in Midtown to avoid any chance of cross-contact!
TAP NYC
If youâve never had a tapioca crepe before, weâd implore you to go to TAP for lunch while youâre in New York City.
Itâs a Brazilian specialty, made up of tapioca balls that, when cooked, meld together like glue and form a crepe, which is then stuffed with all sorts of fun goodies (avocado, cheese, smoked salmon, etc).
And if youâve never experienced the delight that is Pão de Queijo â a Brazilian cheese bread made with tapioca and cheese â you should probably try that too while youâre here.
Most of their tapioca crepes are savory â though they do have a couple of sweet versions â and they have a couple of locations around the city, including on the Upper West Side, Midtown, and the Lower East Side.
Dedicated Gluten Free Bakeries in New York City
Weâve already covered a couple cafe / bakery hybrids above â like Modern Bread and Bagel and Senza Gluten Cafe and Bakery â but here are even more gluten free bakeries in New York City to get your sugar fix in NYC!
Posh Pop Bakeshop
Posh Pop Bakeshop is a DREAM for Celiacs who have a sweet tooth. The selection here is staggering â cakes, cupcakes, cookies, cookie bars, and more. Itâs SO decadent.
This is the place to go for dessert, rather than the place to go for baked goods like bread and bagels. Theyâre the queen of gluten free desserts, and theyâre always coming up with all sorts of fun new creations.
We first stopped by for a post-dinner treat, and were overwhelmed by the number of choices. Usually, in that situation, my impulse is to over-order, but Alysha talked me off the ledge and we settled on a Sâmores cookie bar, which is essentially a graham cracker base, a chewy chocolate chip cookie layer, and marshmallow cream on top.
YUM.
They had donuts too, which we have a particular proclivity for, so we also stopped by a second time to try them. For science, of course.
Unfortunately, the donuts werenât the highlight here. In addition to our proclivity for gluten free donuts, we have an equal and opposite annoyance with gluten free donuts that are really just gluten free cake in a donut shape. Which these definitely were.
If youâre looking for the crunchy outside, fluffy inside kind of donut, this isnât it. However, I will say that I really enjoyed the chocolate frosted donut â the frosting was super chocolate-y, and the texture of the frosting is just about perfect.
By the Way Bakery
We had the pleasure of staying on the Upper East Side for part of our first trip, which happened to be just a few blocks away from By the Way Bakery.
What does the name mean? Something like this:
âThis [baked good here] is SO GOOD!â âGlad you like it! By the way, itâs gluten free!â
The owner and founder, Helene Godin, was a lawyer for 22 years before she decided she wanted to pursue a passion project and take on the challenge to make amazing gluten free baked goods.
With little to no experience in baking, she quit her job and dove into trying to make the best gluten free baked goods around â and Iâd say sheâs well on her way to achieving that goal!
Their entire facility is gluten free, and they are recommended by the Celiac Disease Center at Columbia University.
By the Way makes a combination of smaller treats, like the âAmy Cakeâ in the picture below (basically a mini bundt cake with frosting and sprinkles), a variety of muffins, scones, cookies, and pastries, and larger cakes for special occasions. Like staying in on a Tuesday night.
They have four locations, with two in New York City on the Upper East Side and Upper West Side. This gluten free bakery in NYC is a must-stop for Celiacs exploring gluten free New York City.
Noglu
Iâve been to the Noglu in Paris, but I actually had no idea they had a location in New York City. I vividly remember Noglu being one of the first places abroad that reinforced the idea that gluten free food can be amazing.
While I was planning my first trip to NYC, I came across Noglu, and when I mapped it out, it happened to be just a few blocks away from where I was staying on the Upper East Side. SOLD!
Itâs a dedicated gluten free bakery in NYCâs Upper East Side that makes everything from little apple tarts, to breads of all shapes and sizes, a range of cookies, muffins, cupcakes, scones, and⦠CROISSANTS.
Since being to NoGlu in Paris 6 years ago (2022 Update: we spent a full week in Paris last year â read about our gluten free escapades here), I donât actually think Iâve had a croissant. Itâs not that I donât like croissants, itâs more that I never see them made gluten free.
Go for the croissants, stay for the cupcakes, tarts, baguettes, sandwiches, crepes, toast, and the rest of the gluten free goodies they have to offer. Well worth a trip out of the way â you can hit Noglu and By the Way in one (DELICIOUS) trip â theyâre a handful of blocks away from each other.
Head to this gluten free bakery for breakfast or lunch, then hit the nearby Met, take a stroll through Central Park, or just wander.
Erin Mckennaâs Bakery
This place isnât our fave. Weâve been to their bakery in Los Angeles, and it wasnât particularly impressive.
Theyâre one of the OG gluten free bakeries in New York City, but they use oats in a high percentage of their baked goods (sourced from Bobâs Red Mill, which arenât purity protocol), which is a little complicated.
On top of that, when I stopped by on my way through the Lower East Side, their ingredient lists didnât match the actual ingredients. I had asked about whether the savory scones had oats in them, and the ingredients said no, but the baker who had just made them said âyes.â
âWe really need to update these listsâ the person helping me said to her counterpart.
Yes, yes you do.
Anyway, the donuts are oat-free as of 2022, and I love donuts. So I went with a chocolate frosted donut. First, the texture was great. I donât think they actually fry their donuts (which means theyâre closer to cupcakes than real fried donuts, like Kaneâs in Boston), but this was about as good as it gets for baked donuts.
However, the flavor was a little off. It tasted like they accidentally used the lemon batter in this batch, and frosted it with chocolate. It was really odd, and Iâm not sure it was purposeful.
I hate to say it, but I really think you can do better in New York City.
Other Celiac-Friendly Restaurants in New York City
Here are some other restaurants in New York City that, while not 100% gluten free, have protocols and processes in place to ensure that they can serve you a safe meal.
The usual caveat about eating out gluten free applies here â itâs on you to communicate your needs to the server and restaurant, and your experience may be different than mine.
Letâs be honest, things change all the time in kitchens, and service largely depends on the luck of the draw in terms of which server you end up with, which line cook is working that day, and things like that which are largely out of your control.
As always, eating out comes with an inherent risk. You need to clearly communicate your needs to staff everywhere, but itâs especially important here. Make sure to:
Always let the server know that you have Celiac Disease and need to eat gluten free. Some people use âgluten allergy,â which seems to work too, but Iâm skeptical that places who donât even know what âCeliacâ means have any processes to minimize cross contact anyway.
Ask them (very nicely) to help you figure out what is safe for you.
Confirm with the server when the food arrives that your meal is in fact gluten free.
Kesté Pizza & Vino
If youâre looking for authentic Neapolitan-style gluten free pizza in New York City, this is the place to go. Roberto Caporuscio moved from Italy to the Northeast in the early 2000âs, and opened Kesté in New York City in 2009 as a love letter to Naples.
Now, I actually stayed away from this place for a long time because Iâm always skeptical of pizza places that do both gluten free and gluten full pizza. Thereâs just no way to avoid cross-contact in a kitchen where flour is flying all over the place.
Unless, of course, you have an entirely separate kitchen and pizza oven.
Fast forward to me picking up the phone and calling the restaurant. Imagine my delight when I started asking the (very friendly and helpful) host all sorts of annoying questions like âdo you have a dedicated gluten free pizza oven?â and âare they prepared in the same space?â and the answer was âwe have an entirely separate kitchen area to prepare the gluten free pizzasâ.
Music to my ears!
Any pizza can be made gluten free, as can a handful of the antipasti. There is a $4 upcharge for gluten free pizza, which I think is worth it given the care that they take (remember: extra space and staff costs money!).
We loved their pizza, and the crust was bubbly like some of the pizzas we ate in Rome!
Although not quite as bubbly as the gluten-full versions we saw other diners eating, but still better than 92% of other gluten free pizza crusts. Itâs not a cracker with toppings on it, thatâs for sure.Â
Where does the pizza at Kesté rank in our book?
Somewhere between the best gluten free pizzas we ate in Italy, and the two pizzas that are tied for best in our book â New Cascadia Traditional in Portland, and Little Nonna in Paris. In other words, theyâre near the top, and theyâre definitely worth a visit if youâre craving pizza.
Important note: As soon as I saw this pizza, which is not a cracker-like crust, but is fluffy and bubbly, I knew they must use gluten free wheat starch. And I was correct. First of all, if you have a wheat allergy, you should not eat here. If youâre a Celiac, it gets a little murkier. Theoretically, itâs safe, but there are issues with testing. You can read about gluten free wheat starch here and here, and make a decision for yourself.
Cosme
Iâve now been to Cosme on two separate occasions, and both were fantastic experiences from the greeting at the front door, to devouring dessert (more on that in a second).
Cosme is an Enrique Olvera restaurant in the Flatiron District in New York City that serves up inventive food using a blend of local ingredients and traditional techniques from Mexico.
As of 2021, it was ranked the 22nd best restaurant in the world. So itâs not a cheap place to eat by any means, but it is a great place to celebrate a special occasion in New York City.
The best food-related experience weâve ever had was at Pujol, Chef Enrique Olveraâs restaurant in Mexico City that consistently ranks inside the top 20 restaurants in the world (in 2021, it was sitting at number 9).
For Alyshaâs 30th birthday, we spent 4 days in Mexico City with Pujol as the food highlight. Everything was superb â from the food and drinks, to the service, to the ambiance. The best part? The majority of the menu is gluten free (though it changes regularly, so be sure to check!).
One of the things I loved about the experience is it forced me, and Iâm sure countless others, to reconsider how I thought about Mexican food, which to me is the mark of a great artist.
âThatâs great, but what the heck does that have to do with Cosme?â is what youâre probably asking right now.
Cosme is Chef Olveraâs NYC outpost, serving up the same lovely inventive Mexican food that I remember from Pujol in Mexico City. This time, the entire menu is 100% gluten free (though some of the desserts are not), which makes it a great place for those of us with Celiac Disease to celebrate a special occasion in New York.
On my first visit, I was sans Alysha, and the highlights of the menu, at least for me, were the Cobia al pastor (fish with a delicious pineapple spread on the side to make tacos out of), and the Duck Carnitas with tortillas and a variety of salsas (perfect for sharing). The duck carnitas are a specialty, and are their signature dish.
The second time, I had made a reservation as soon as we knew we were heading to NYC, because I knew Alysha would love this place as much as I did. The second meal was equally tasty, and the tlayuda (a giant corn pizza, sort of) and the corn husk meringue were the highlights.
Especially the corn husk meringue, which is a mixture of textures and flavors unlike anything weâve ever experienced â the sweet corn custard-ish topping is amazing.
While the entire menu was gluten free last time we were there, it does change and rotate with the seasons, so make sure you double check with the servers. Our server was more than happy to help, and knew exactly what I was asking as soon as I said âCeliac Disease.â
Bistango
Bistango was the second restaurant on our list of three must-try gluten free restaurants in New York City.
While itâs not a dedicated gluten free facility, they have a robust protocol for accommodating people with Celiac Disease â when I asked if the gluten free bread to start would be toasted, the waiter quickly let me know that they actually have a separate toaster for gluten free bread. I was flabbergasted.
The entire menu can be made gluten free.
We tried the flat bread, arancini (first time Iâve had gluten free arancini in⦠ever?) and gluten free butternut squash ravioli. All of it was fantastic, and I almost went back a second time later in the week, but wanted to make sure to try something new.
They have a location at the Kimberly Hotel, and itâs a perfect spot for a romantic dinner with that special someone, or a casual get together with friends.
Friedmanâs
Where to start with Friedmanâs? They check all the boxes when it comes to restaurants with mixed kitchens serving Celiac-safe meals. It actually reminds me a lot of the way they do it in Italy at restaurants that are accredited by their Celiac Association.
When you sit down, the server will ask you if there are any allergies / if you need to eat gluten free, which is your invitation to advocate for yourself and ask questions.
Then, when your food comes out, it will have a little toothpick in it that marks it gluten free (if it doesnât, make sure to double check and confirm with your server!).Â
In addition to those precautions, the food is really good. Itâs American food â which basically just means sandwiches and burgers, brunch items like pancakes and French toast, and the star of the show, chicken and waffles.
The best part? A huge portion of the menu is naturally gluten free (the pancakes, fried chicken, and waffles are all inherently gluten free), and the main thing to watch out for is bread, which they can make gluten free for a $2 upcharge.
They have nine different locations in New York City, with the original location at Chelsea Market being the most popular. There are a bunch of options in and around Midtown, and itâs a great spot for a casual lunch or dinner.
Get the chicken and waffles or the pastrami sandwich!
Caracas Arepa Bar
If youâve been following along on our travels over the past few years, thereâs one thing you definitely may have picked up on. We absolutely love arepas.
Specifically, the Venezuelan kind, which are cut in half and stuffed full of delicious goodies (as opposed to Colombian-style, where the toppings are piled on top).
So when we discovered Caracas Arepa Bar over in Williamsburg, we were all in!
Unfortunately, one of our favorite parts about any arepa place is fried sweet plantains. THERE IS NO DEDICATED FRYER HERE, which means that you canât have said plantains (or anything else that comes out of the fryer).
Still, the thing I do appreciate about this place is that the menu is labeled clearly, and the items labeled gluten free are also free of cross-contact (or as free as they can be in a shared kitchen).
For example, all of the arepas that include fried sweet plantains are not labeled gluten free, which gives me confidence that they have some idea of what theyâre talking about.
Theyâre in Williamsburg, where they have a nice little space with a lovely back patio. We were on a tour-de-Williamsburg-gluten-free-food, so we got it to-go and made a little picnic of it.
We really liked both arepas that we shared â the Los Muchachos, which is chorizo and cheese with spicy peppers, and the hot queen, which is pulled chicken with green sauce and avocado.
They also have fun cocktails with a focus on rum.
Even MORE Safe Gluten Free Restaurants in NYC
Here are EVEN MORE places to eat gluten free in NYC, but we didnât make it to these.
Bogota Latin Bistro: Arepas in Park Slope! Theyâre focused on Latin American cuisine, with a lean towards Colombian flavors and techniques. They have great drinks too, and their menu is clearly labeled with what is gluten free. They have two dedicated gluten free fryers, which means fried sweet plantains are safe for Celiacs here! They do serve a bunch of non-gluten free things, like flour tortillas and flour empanadas, so you need to double and triple check with your server that everything is gluten free, and ask them to help you minimize cross-contact in the kitchen.
Palenque: More arepas! Only this time, theyâre Colombian-style, which means the toppings go on top, rather than inside the corn cake. They have arepas with various toppings, and bigger plates, including the bandeja paisa, a traditional platter of meats and sides from MedellÃn (an excellent part of any Colombia itinerary).
Coast and Valley: A cute little wine bar in Greenpoint with small bites and plates that are all gluten free. Their big focus is wines â specifically, wines from the west coast â and thatâs probably the biggest draw here. The food feels like itâs meant to compliment the wine, rather than stand on its own as a dinner spot. If youâre not into the wine, you probably should eat elsewhere.
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Speak Into My Good Eye
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Posts about Manny Castanon written by rote7123
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Speak Into My Good Eye
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https://speakimge.wordpress.com/tag/manny-castanon/
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On Wednesday evening one of the finest in a flourishing flock of Folk-minded artisans to call Monmouth County its home, Thomas Wesley Stern, was unable to take part in the Hump day staple that has become the weekly M.A.D. musical … Continue reading →
By Chris Rotolo, The Creator “If I Die Young” performed by A Tale To Tell The Jersey Shore-based Pop-Rock collective, A Tale To Tell, released its debut EP, A New Direction, in November and didn’t let their situation stagnate as … Continue reading →
The Amboys had a busy 2011…as well as being named the Boardwalk’s Top Rock Band at the 19th Annual Asbury Music Awards, the Folk-Rock collective retreated to a cabin in the backwoods of New Jersey to record its appropriately titled sophomore … Continue reading →
The Amboys’ bass plucker, Manny Castanon, has recently gone on a acoustic guitar-led tear under the name You The Quarry (possibly related to the 2004 Morrissey album) releasing a large collection of roughly recored solo works, that show incredible promise, featuring several … Continue reading →
The 2011 Asbury Music Awards, presented by The Boardwalk’s Top Music Venue, The Saint, and hosted by The Stone Pony, is the truest indication of what our artistic community is all about. As stated by local radio personality at 90.5 … Continue reading →
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About Seaside Music Festival
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Sonicbids
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https://www.sonicbids.com/seaside-music-festival/
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Why do I need to sign up?
To ensure only genuine musicians and bands are creating and applying to band openings.
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We include a link to your profile in band openings, to build trust with musicians and help them decide if they will be a good fit.
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https://www.prnewswire.com/news-releases/belk-announces-winners-of-southern-musician-showcase-300039973.html
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Belk Announces Winners of Southern Musician Showcase
|
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2015-02-23T07:00:00-05:00
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/PRNewswire/ -- Belk today announced the winners of the company's second annual Southern Musician Showcase. Chosen from more than 4,000 submissions, the seven...
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/content/dam/prnewswire/icons/2019-Q4-PRN-Icon-32-32.png
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https://www.prnewswire.com/news-releases/belk-announces-winners-of-southern-musician-showcase-300039973.html
|
CHARLOTTE, N.C., Feb. 23, 2015 /PRNewswire/ -- Belk today announced the winners of the company's second annual Southern Musician Showcase. Chosen from more than 4,000 submissions, the seven winners will receive a cash prize as well as an opportunity to perform at Belk sponsored events and national music festivals throughout the South.
Other prizes include a performance wardrobe and stylist provided by Belk, and an opportunity for the artists' songs to be featured in a Belk television commercial.
"We continue to be impressed with the talent we have seen this year through the Southern Musician Showcase. This year we had double the submissions of last year's showcase, which made the talent pool that much larger," says Katrina Streiner, Belk vice president, creative services. "We are so proud of these winning musicians, and are looking forward to giving them the opportunity of a lifetime."
Southern Musician Showcase Winners
Chase Likens: Point Pleasant, WV
Genre: Pop Country
Carly Jo Jackson: Orlando, FL
Genre: Pop
Paul Wayne Pierce: Franklin, TN
Genre: Pop Country
Beth Spangler: Aiken, SC
Genre: Pop
January May: Austin, TX
Genre: Pop
Eryn Shewell: Gaithersburg, MD
Genre: Blues
Down Home: Nashville, TN
Genre: Americana
The Southern Musician Showcase was open to solo artists and bands in the Americana, Pop, Pop Country, Blues and Bluegrass genres. Contestants were asked to submit three original songs, a brief biography that details their affiliation to the South, head shots, a full length photo, and a video. Semifinalists competed in regional auditions.
Related Link: Learn more about the Southern Musician Showcase here.
About Belk, Inc.
Charlotte, N.C.-based Belk, Inc. (www.belk.com) is the nation's largest family owned and operated department store company with 300 Belk stores located in 16 Southern states and a growing digital presence. Its belk.com website offers a wide assortment of national brands and private label fashion apparel, shoes and accessories for the entire family along with top name cosmetics, a wedding registry and a large selection of quality merchandise for the home. Founded in 1888 by William Henry Belk in Monroe, N.C., the company is in the third generation of Belk family leadership and has been committed to community involvement since its inception. In the fiscal year ended Feb. 1, 2014, the company and its associates, customers and vendors donated more than $20.9 million to communities within Belk market areas.
Belk offers many ways to connect via digital and social media, including Facebook, Pinterest, Twitter, YouTube, Google Plus and Belk Blog, and provides exclusive offers, fashion updates, sales notifications and coupons via email or mobile phone text messages. Customers can also download the latest Belk mobile apps for the iPad, iPhone or Android.
Photo - http://photos.prnewswire.com/prnh/20150223/177198
Logo - http://photos.prnewswire.com/prnh/20130527/CL21077LOGO
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https://www.newjerseystage.com/lightyscorner/musicfeatures.php
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The official website of Gary Wien, a writer from Belmar, New Jersey
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The official website of Gary Wien, a writer from Belmar, New Jersey
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LightysCorner.com
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https://www.newjerseystage.com/lightyscorner/musicfeatures.php
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Music Features
1) An Interview with Nick Corasaniti, author of 'I Don't Want to Go Home: The Oral History of the Stone Pony' (published 2024-06-06) -- Nick Corasaniti's I Don't Want to Go Home: The Oral History of the Stone Pony was just published by Harper Books. It is a fascinating look at both the history of the Stone Pony and the rise, fall, and rebirth of Asbury Park itself. The book includes interviews with a staggering number of people including musicians, DJs, reporters, Stone Pony employees, music industry professionals, people involved with Asbury Park, and even a few governors. It also features some exclusive, never-before-seen photos from Danny Clinch.
2) Alex Biese and Somewhat Relative Expand Their Jam Band World (published 2024-04-05) -- There are bands who think of themselves as a family and there are bands like Somewhat Relative who truly are a family. About a decade ago, Alex Biese joined forces with his father-in-law (Fred Matthews) and mother-in-law (Jen Yacovelli) and began taking their music from the kitchen table to the stage. The acoustic Americana jam band is based in Monmouth County, but is branching out with shows across the state.
3) An Interview with Danny Coleman on radio, writing, music and more! (published 2024-02-27) -- In the last twenty years, I don't think I've met anyone as dedicated to the local music scene as Danny Coleman. He’s a writer, a DJ, an emcee for events, and a musician himself. Most of all, he is consistent. He’s doing these things week after week after week. I have seen a lot of people come and go in the local music scene over the years, but Danny just keeps plugging away and his radio show will celebrate its 15th anniversary with a big bash on April 28th.
4) Kat Falcey: 25 Years of Promoting Music (published 2023-12-17) -- Some of the hardest working people in the music industry are those who work behind the scenes. Booking, promoting, and managing artists can often be a thankless job and few have what it takes to keep going year after year, but Kat Falcey of Tunes2ya is one of the good ones. She’s been at this for over 25 years now - a truly remarkable run. To say the industry has gone through a ton of changes during this period is an understatement. I caught up with Kat to talk about her career.
5) Chris Batten and the Woods release "Live From The Bowery Ballroom, NYC" (published 2023-11-22) -- "The Woods may be going away for a little bit, but it ain't over and we'll see you soon." Those were the parting words from an interview with Chris Batten in October 2009, just before Chris Batten & The Woods were about to play their final show at Maxwell's in Hoboken. True to his word, the band did indeed return - albeit over a decade later - with new music, celebrated by a concert at the Bowery Ballroom that led to a 4 song live EP released on November 22, 2023.
6) DW Dunphy Talks About Orbis Max (published 2023-09-28) -- DW Dunphy is a musician, writer, and artist from Monmouth County who has been taking part in a rather unique songwriting project called Orbis Max. It involves songwriters and musicians from around the world who put tracks together via the Internet. We reached out to him to learn more.
7) Endo Warrior Benefit Preview: An Interview with Jake Thistle (published 2023-09-03) -- (ASBURY PARK, NJ) -- New Jersey artists Jake Thistle and Chris Fritz will be joined by Swedish singer-songwriter Alexandra Jardvall for the Endo Warrior Benefit Show at Asbury Lanes on Sunday, September 10, 2023. The benefit is presented by Spring-Nuts and will raise awareness and funds for Endometriosis Research and the Endometriosis Foundation of America.
8) Endo Warrior Benefit Preview: An Interview with Howie Chaz, Founder of Spring-Nuts (published 2023-09-03) -- (ASBURY PARK, NJ) -- In 2015, Howie Chaz launched Spring-Nuts with about 500 fellow die-hard fans of Bruce Springsteen. The group now has over 60,000 members around the world! In addition to enjoying concerts together, Spring-Nuts follows Springsteen's lead and helps raise money for charities through benefit shows. Their next one is the Endo Warrior Benefit Show, which takes place at Asbury Lanes on Sunday, September 10, 2023.
9) Endo Warrior Benefit Preview: An Interview with Chris Fritz (published 2023-09-03) -- (ASBURY PARK, NJ) -- New Jersey artists Chris Fritz and Jake Thistle will be joined by Swedish singer-songwriter Alexandra Jardvall for the Endo Warrior Benefit Show at Asbury Lanes on Sunday, September 10, 2023. The benefit is presented by Spring-Nuts and will raise awareness and funds for Endometriosis Research and the Endometriosis Foundation of America.
10) Wiser Time Talks About "Hanging Around" and Upcoming EP (published 2023-06-25) -- Wiser Time recently released "Hanging Around" - the first single from an EP expected to be released in November 2023. The song features the unmistakeable vocals and guitar style of Carmen Sclafani, who founded the band over twenty years ago.
11) "sixtyandthensome" - Bruce Tunkel Faces His Demons and Creates a Masterpiece (published 2023-05-12) -- Sometimes an album is released at just the right time for you... The lyrics sound as if the singer is singing to you or about you and the music reminds you that you are not alone; others are in the exact same place. Sometimes it’s an area we don’t like talking about like depression, but thankfully Bruce Tunkel goes there on his latest release, sixtyandthensome - a brilliant masterpiece from one of Jersey’s best songwriters.
12) James Deely Talks About "This Train Is Running Out of Track" (published 2023-02-11) -- In February, James Deely released his 8th studio album, "This Train Is Running Out of Track". The former South Jersey artist may have moved to the West Coast years ago, but he's got his Jersey Shore musician friends on this album and hearing these tunes kind of feels like he never left. In fact, a few of these songs would undoubtably find their way on to a Deely greatest hits collection. It's always good to catch up with him, so we reached out to learn more about the latest record.
13) James Dalton talks about "Asbury Park & Me" (published 2023-01-30) -- James Dalton is an Ocean County-based artist who has described himself as "of the scene, but not part of it", but anyone who has performed with as many artists in as many local venues as James is most certainly part of the scene. He created a show called "Asbury Park & Me" last year for the Brighton Fringe Festival and is bringing it to venues in New Jersey. James has performed around the world and wherever he goes the Garden State is always with him, whether in his lyrics or stories he tells on stage. NJ Stage caught up with him to learn more about his plans for the show.
14) An Interview with Jim Mill (published 2023-01-20) -- Singer-songwriter Jim Mill is best known for his aggressive acoustic rock and Eddie Vedder-like vocals. His latest single, "Never Meant To Be," is something of a surprise. It moves from the blistering, grunge-like sound he's known for in favor of a more 80s alt-rock feel. New Jersey Stage reached out to Jim to learn more about the song and where he's at musically after leaving Wynward last year.
15) Catching Up With Ronnie Brandt (published 2022-12-30) -- Ronnie Brandt is an Americana artist from the Jersey Shore who founded Childrens Educational Assemblies, an organization that lets him perform music and teach children about musical greats like Pete Seeger and Woody Guthrie. He's famous for wearing a cowboy hat, but his roots in the Asbury Park scene go back further than most people realize. In this interview, we catch up with the Jersey Shore cowboy.
16) Matt O'Ree Band returns with "Hand In Glove" (published 2022-10-25) -- The Matt O'Ree Band is back with Hand In Glove, set for release on November 3rd. In my opinion, it is by far the band’s most musically ambitious and solid release to date. It is also the best to utilize the talents of Eryn O’Ree on lead vocals. The way the album switches back and forth from Matt on lead vocals to Eryn gives the album a special quality. This is the band's first studio album since Brotherhood in 2016.
17) Jon Caspi Talks About New Version of "Raise 'Em High", New Beer, and New Label (published 2022-09-23) -- On September 23, 2022, New Jersey punk/americana rock outfit Jon Caspi & The First Gun shared a new version of their fan favorite barroom sing-along song, “Raise ‘Em High!”, featuring Jesse Malin on vocals, and Dez Cadena (known from Black Flag and The Misfits) on guitar. The band also announced a new EP titled, Raise 'Em High! and other delights, which will feature the new version of the song. It will be released on October 14 via Fake Chapter Records. The single will also be coming out as a 7" in March, 2023.
18) Interview with Walter Trout (published 2022-09-12) -- The New Jersey Hall of Fame is full of legendary musicians from Count Basie to Bruce Springsteen, but there’s one name that’s missing - Walter Trout. He’s a guy who was born in Jersey and lived the first 23 years of his life here. He learned how to play the guitar and fell in love with the blues while living in the Garden State. His guitar has taken him around the world, but he still writes songs about his old hometown.
19) 2022 Morristown Jazz & Blues Festival a Stellar Mix (published 2022-09-08) -- The sounds of jazz and blues will float across the Morristown Green once again when the Morristown Jazz & Blues Festival takes place Saturday, Sept. 17. The festival is free to attend and this year’s lineup includes a stellar mix of swing, big band, and group jazz with a pair of blues artists — one an up-and-coming star and the other a Jersey legend.
20) Kat Falcey Talks About JerseyCana (published 2022-09-03) -- Kat Falcey is one of those die-hard music fans who often wind up working in the music industry. Her company, Tunes2Ya, helps artists with networking, promotion, public relations, booking referrals, and more. She's returning to AmericanaFest in Nashville for the first time since the pandemic hit and has three of her New Jersey artists (Arlan Feiles, Mike Montrey, and Carmen Sclafani) booked for a show at The Basement on Tuesday, September 13th at 8:00pm.
21) Bob Burger returns with the wonderful “The Domino Effect” (published 2022-07-29) -- "I thought I was going to have to quit," recalled Bob Burger. "Because it was too painful to play."
22) A Tribute To David Kosciolek (published 2022-06-14) -- There are a handful of people who have made a mark in the local music scene and David Kosciolek was one of them. He opened Indigo Coffeehouse in 2003 and it quickly became host to not only live music, but a music scene literally created by the venue itself. Nearly two decades later, it’s amazing how many musicians and music fans still recall those days fondly. At the beginning of June, that community was shocked to learn that David had died from a heart attack on May 16th. Many got together to play an "Indigo Reunion" after the coffeehouse closed and several pay tribute to him in this article.
23) Catching Up with Mick Chorba of The Successful Failures (published 2022-05-25) -- The Successful Failures formed in 2005 as a side project for Mick Chorba from the Dipsomaniacs - a garage rock band who put out many great albums during their two decade run and was one of my favorite Jersey bands. It’s amazing to think about it, but The Successful Failures have actually outlasted the Dipsos. Looking at the band’s history, they were bound to succeed...
24) Catching up with Danny White (published 2022-05-01) -- Danny White is a name you may not have heard of much lately. The singer-songwriter opened Beach Music Studios 18 years ago and has primarily been involved with the business and raising a family, but he’s just released Belmar, NJ - his first album of new music in nearly a decade.
25) Eighth Blackbird, an Award-Winning Ensemble, to Perform With Rowan University Wind Ensemble (published 2022-04-21) -- It’s not often that college students get to perform on stage with an award-winning sextet, but the members of Rowan University’s Wind Ensemble are getting that opportunity. They will be performing with Eighth Blackbird, a four-time Grammy winner for Best Small Ensemble/Chamber Music Performance, on Friday, April 29, 2022 at 8:00 pm in Rowan’s Pfleeger Concert Hall.
26) Catching up with James Dalton: Talking Brighton Fringe and Memphis (published 2022-04-08) -- James Dalton is a performer, a storyteller, and a musician. He's someone who has managed to perform around the world based solely on talent and ambition. James was featured several times in my old Upstage Magazine and is still very much active today. In fact, he's about to compete for the third time in the International Blues Challenge in Memphis and will debut his new show, "Asbury Park & Me," at the Brighton Fringe festival a few weeks later.
27) Catching Up With Keith Monacchio: An interview about "Under A Nightlight Sky" (published 2022-03-22) -- Keith Monacchio has been one of my favorite artists from New Jersey for a long time. His career started with the Semi-Beings and then The Commons (who put out some of the best records of the era, in my opinion). He released his 5th solo record, Under A Nightlight Sky on March 22, 2022. The record explores themes of family, fatherhood, political tribalism, aging, and a hope for a better future in these very uncertain times. 2022 marks the 30th year of Keith's musical journey, which makes him the ideal subject for a new series that takes a look at artists who were part of my old Upstage Magazine days and still very much active today.
28) An Interview With Gerry Rosenthal (published 2022-01-06) -- Gerry Rosenthal is an example of a hard working musician. The singer-songwriter / guitarist from Highland Park plays in multiple bands (an original rock band, Beatles tribute, wedding band, and his own Gerry Rosenthal Trio) and guests with other artists. He released a new EP on January 1, 2022. In addition to music, he's had an acting career that includes roles in Finding Forrester, "Law & Order", and was the star of a video game called "Bully", which still has a huge fanbase 15 years after its release.
29) Spotlight On Christmas Tunes From Jersey Artists Released In The Last 2-3 Years (published 2021-12-24) -- Last year, I put together a mixtape of 85 holiday songs by New Jersey artists. It was a collection of nearly 5 hours of music from indie artists to some of the biggest stars to ever come from the Garden State. It's nice if you're looking for something to play in the background as you'll get great originals and cover tunes. I'm not doing a new show this year, but wanted to point out some of the holiday songs released in the last year or two. These are by no means all of the holiday tracks released by Jersey artists, but a nice sampling of originals and covers.
30) Renee Maskin Talks About Her First Official Solo Record and Future Plans (published 2021-11-12) -- Renee Maskin has been a big part of the Asbury Park music scene for many years as both a solo performer and lead singer and guitarist of Lowlight. Her first official solo release is "When a Cowboy Trades His Spurs for Wings" - a song written by Gillian Welch and Dave Rawlings from The Ballad of Buster Scruggs - a 2018 film written, directed, and produced by the Coen brothers. Her version appears on the new Mint 400 Records compilation "At The Movies II."
31) Renegades: Obama and Springsteen Wrestling With Ghosts (published 2021-10-30) -- RENEGADES: Born in the USA chronicles the conversations Barack Obama and Bruce Springsteen began in Spotify’s co-produced podcast of the same name. During these intimate conversations, they share exclusive stories and ruminations about life, music, and their enduring love of America, with all its challenges and contradictions.
32) Renegades: Born In the USA - How Race Helped Define Springsteen and Obama (published 2021-10-27) -- Ever since he was pictured on the cover of both Time and Newsweek magazines in the same week in 1975, the world has known Bruce Springsteen was something special. But there’s still something awe-inspiring about a guy from Freehold being part of a project with a former President of the United States.
33) An Interview With Bob Malone Who Comes To UCPAC On September 30th (published 2021-09-22) -- Jersey native Bob Malone has been touring the world for over two decades as both a solo artist and a member of John Fogerty's band for the past decade. He's done session work for artists like Bob Seger and Avril Lavigne, was featured on the 2017 Ringo Starr record Give More Love, and his recording of "You’re A Mean One, Mr. Grinch" was the theme in the Illumination/ Universal movie trailers for "The Grinch", heard by millions.
34) Yee-haw! REV Theatre's "Honky Tonkin'" Hootenanny in Cape May (published 2021-07-31) -- “Yee-haw! Pounds of sequins, yards of fringe, and really big hair! This lil’ ol’ shindig puts the hoot in hootenanny and the jam in jamboree,” exclaimed Rudy Caporaso, Co-Artistic Director & Founder of REV Theatre Company.
35) Bob Burger Talks About His Heart Attack, Recovery, And Return To The Stage (published 2021-07-25) -- Bob Burger has been a part of the Jersey Shore music scene since the eighties when he moved here from Erie, Pennsylvania. He's been a member of the Bobby Bandiera Band, a solo artist, performer in Beatle tributes, and is currently a member of The Weeklings with Glen Burtnik - an artist he's written songs with for decades. On June 5th, he was just finishing a show at The Vogel in Red Bank when he had a heart attack in the dressing room.
36) Marc Ribler Talks About His New Record, The Pandemic, and Little Steven (published 2021-07-09) -- “It’s kind of a magical experience, you never know what the Muse has in store for the day,” explained singer-songwriter Marc Ribler. “Some songs just feel like absolute gifts. It’s almost like the words and melody are delivered.”
37) Brett Altman Releases "Waiting" (published 2021-05-14) -- Hoboken based singer-songwriter Brett Altman released "Waiting" on Friday, May 14th. This is the latest single from his upcoming album, Not Quite Love. "Waiting" is about overcoming the fear of rejection in order to tell someone how you truly feel.
38) The Wag At Bar A: Our First Show In A Long, Long Time (published 2021-05-10) -- I’ll admit we were nervous. It was our first time being to a live event in a long time. I had been in isolation even before the pandemic due to a medical treatment and it was only one week after getting our second covid vaccine shot, but it was time.
39) Anthony Walker Talks About His Return To Music & More (published 2021-04-09) -- In 2008, a solid bunch of demo songs led to When Strangers Say Hello, the full length debut of Anthony Walker, a roots artist from New Brunswick. That album included wonderful tracks like "Darlene", "The Year of the Flood", and "Lucky Numbers" - the first two showcasing a lyrical ability far beyond his years, the latter hinting at the full band sound to come. A three-track EP was released in 2010, followed by This City Won't Sleep - another full-length which came out a year a later.
40) Taylor Tote On "21 Min Drive" (published 2021-04-06) -- In late March, Taylor Tote released an EP called "21 Min Drive" - a collection of contemporary songs unlike any of Tote’s past work. Joining forces with producer and songwriter, Russell Hayden, the EP delivers a new and exciting sound for Tote.
41) An Interview With New Jersey Bassist Mike Hall (published 2021-03-15) -- Mike Hall is a bassist from New Jersey who toured throughout the east coast with the band Running Late, sharing stages with some of the biggest names in the music industry such as Blondie, Joan Jett and the Blackhearts, Creedence Clearwater Revisited, Third Eye Blind, Gin Blossoms, Vertical Horizon, Three Doors Down, and many more. Since Running Late disbanded last year, he's been featured in Bass Musician Magazine, received an endorsement by Skjold Design Guitars, released his first EP, and began creating bass covers on social media which have received thousands of views.
42) The Postal Project: "Whistling Down The Wire" by Crosby & Nash (published 2021-03-08) -- Today’s record is “Whistling Down The Wire” by Crosby & Nash. This is a record I’ve never heard of before. As a fan of Crosby, Stills, Nash & Young, along with their work in The Byrds & The Hollies, I was interested to see what Graham Nash and David Crosby would sound like on this album.
43) The Postal Project: "Teaser and the Firecat" by Cat Stevens (published 2021-03-01) -- A few years ago, my long-time postal worker retired. Knowing that I wrote about music and had an online radio station, he surprised me one day by giving me a few hundred albums from his vinyl collection. It was a mix of releases from the late sixties, seventies, and early eighties - generally classic rock and folk music. After Hurricane Sandy he was downsizing and I was one to benefit.
44) Dave Vargo and Sahara Moon To Take Part In First "Not Quite Nashville" Song Swap On Saturday, January 30 (published 2021-01-28) -- Dave Vargo has been running a weekly show online called 2forTuesday for most of the last year. The show involves Dave or another singer-songwriter popping online and performing a pair of songs Tuesdays at 7:30pm (EST). He's launching a new show on Saturday, January 30 at 8:00pm. Entitled, "Not Quite Nashville," which will try to virtually recreate the atmosphere and interaction of a Nashville song swap.
45) Michael Patrick Talks About His Live From The Stone Pony album (published 2021-01-14) -- For years, Michael Patrick has been proving that Jersey artists can have twang too. He's logged over 1500 shows with performances by the Michael Patrick Band, The Suburban Hillbillies, and his Johnny Cash tribute band - Ring of Fire. Inspired by the more traditional folk, country, rockabilly, roots and rock sounds & writing of such artists as Lyle Lovett, Hank Williams, John Prine, and the Man in Black himself, Michael Patrick has developed an appreciation of simplistic story-telling lyrics, catchy hooks and memorable melodies.
46) Taylor Tote Releases "Quarter-Life Crisis" As Part Of Telegraph Hill Records Vol. 3 (published 2021-01-04) -- The latest song by Taylor Tote was released on Christmas Day as part of the Telegraph Hill Records Vol. 3 playlist. Artists were asked to sum up 2020 as they reflect on a year of limitations and loss and describe their individual contributions in their own words. Taylor Tote's contribution is "Quarter-Life Crisis" - an anthem for those in their 20s and 30s trying to make their way, while striving to discover exactly which way they want to go.
47) Brett Altman Releases "Holding on to Now" (published 2020-12-18) -- Hoboken based singer-songwriter Brett Altman released "Holding on to Now" on Friday, December 18th. The song features music & lyrics by Brett Altman and Max Feinstein. The song is about living in the moment, a task which Brett admits has always challenged him.
48) An Interview With Tommy Strazza About His Best Of Album (published 2020-12-14) -- Tommy Strazza has been a big part of the New Jersey music scene for over 20 years as a singer-songwriter putting out great records and as a lead guitar for several bands (The Strazzacasters, Hey Bulldog, Misguided Muse, The DeLoreons) and solo artists (Anthony Walker, Anjelia, Emily Grove, and Michael Askin). His guitar work earned him the Top Guitarist Award at the 2011 Asbury Music Awards and he's earned nominations with the records. New Jersey Stage featured him in a 2014 magazine article.
49) Classic Jersey Releases Xmas 2020 Radio Mix With 85 Tracks By Jersey Artists (published 2020-12-12) -- (BELMAR, NJ) — If you’re in the mood for some Christmas music, New Jersey Stage has 85 tracks by artists connected to New Jersey for you to listen to. Recorded as a mixtape, the show is available in one standalone form (with nearly 5 hours of music) or as individual hour broadcasts. Either way you’ll get some of your favorite holiday tunes and originals from indie artists to the biggest names in New Jersey musical history.
50) A Dozen New Christmas Tracks For 2020 (published 2020-12-04) -- If you love Christmas music, we’ve got new songs from a dozen artists you should check out. There are pandemic inspired holiday tracks, a few covers of classic Christmas songs, and even one classic updated with lyrics inspired by 2020.
51) Social Justice and the NJSO (published 2020-11-21) -- The Black Lives Matter movement began several years ago, but reached new heights in 2020. Even a deadly pandemic couldn’t stop protests around the world from making George Floyd and Breonna Taylor household names, while growing a movement centered on social justice. The New Jersey Symphony Orchestra (NJSO) was among those who knew it was time to take on a higher role.
52) Dan Amato Releases "Home For Christmas" (published 2020-11-19) -- What happens when a musician is stuck in quarantine with two things: no studio to record and an undying love for the holidays? He puts together a Christmas record with the help of some friends.
53) Gay Elvis talks about "Readymade Blakeup" (published 2020-11-12) -- "Why did we even bother? Why go back 17 years to finish up demoes of music that no one was really asking to hear, for a band that relatively few people even heard about?"
54) Kriz Oehme Passes, But Leaves Us With One Last Wellbaby Record (published 2020-11-10) -- New Jersey artist Christopher (Kriz) Oehme died one month ago on October 15 after a long hard battle with kidney disease. He was a big part of the Jersey music scene for many years, working as the doorman at The Saint in Asbury Park and performing with his band Wellbaby. Many knew him for his poetry, which earned him the Poet Laureate title at the Asbury Park Music Awards in 2004, or for his graphic design work, his paintings and eclectic jewelry. He also put together numerous shows that included poets and musical performances.
55) Glen Burtnik Talks About Returning To His Original Songs (published 2020-10-07) -- On Sunday, October 18, Glen Burtnik will perform in concert as part of the Sundays on St. John's series presented by the Asbury Park Music Foundation. What makes this show special is that Glen will be performing his original songs - probably for the first time in the local area in a decade or longer. Around the music world some people know him as a member of Styx, some for his popular tribute shows (Summer of Love, Beatles, etc.), and some for his current band - The Weeklings; but before any of those became part of his resume, he was known for his original songs like "Here Comes Sally" and "Follow You."
56) Get Happy at MPAC with the Return of Live Music (published 2020-10-01) -- It’s been a year of reinvention for the arts world ever since the pandemic hit. Venues like Mayo Performing Arts Center (MPAC) in Morristown were forced to shelf the majority of their shows for the year and find new ways to stay active. Instead of shows in the theater, they presented concerts in parking lots and online. On Friday, October 2nd, MPAC will welcome audiences back into the theater for the first time in months – with the added wrinkle of the show being available for purchase as a livestream as well.
57) BlowUpRadio.com Turns 20! (published 2020-09-22) -- BlowUpRadio.com is a website and online radio station that has put a spotlight on New Jersey music for two decades. Run by Lazlo, the site is also known for music news, benefit compilations, and a never dying mission to promote New Jersey artists.
58) Almost Queen (published 2020-08-23) -- “The name of the band is a tip of the hat to them,” explained Joseph Russo who portrays the legendary Freddie Mercury in the popular tribute band Almost Queen. “I mean, nobody could ever be Queen. We can almost get there, but nobody can get there.”
59) Brian Dunne & NYC (published 2020-08-23) -- The pandemic has been difficult on all of us, but it’s been especially harsh on musicians who routinely spend much of each year on the road. That’s where the majority of their income is made - everything from selling CDs and merch to money earned at the club. Equally as important is the ability to perform in front of strangers who wind up becoming fans. For the Brooklyn-based artist Brian Dunne, the pandemic was the first time in years he could honestly say he wasn’t on tour.
60) View From The Sound Board (published 2020-07-24) -- John DiCapua is the Assistant Head of Audio at New Jersey Performing Arts Center (NJPAC) in Newark. He’s also well known to music fans at the Jersey Shore for his work at The Stone Pony in Asbury Park where he got his start. While everyone wants the arts to come back, the people behind the scenes like John are facing difficult times too. Unfortunately, they are part of the forgotten class of people left behind in the arts during the pandemic.
61) Little Miss America (published 2020-07-24) -- Inspiration can strike at any time. For Gordon Burke, lead singer and songwriter for the Australian band Josh Orange, the band’s latest single was inspired by a waitress who served him at the Miss America Diner in Jersey City.
62) Almost Queen Returns to the Drive-In (published 2020-07-16) -- Today, there are dozens of bands around the world who pay tribute to the legendary act Queen, but back when Almost Queen started nearly 16 years ago, there were next to none. On Wednesday, July 29th, the band will perform at the second music concert in the Drive-In Live series presented by the Count Basie Center for the Arts at Monmouth Park. For Joseph Russo, who portrays lead singer Freddie Mercury, it’s a hometown show.
63) Southside Johnny & the Asbury Jukes Offer a New Kind of Party (published 2020-07-09) -- When Southside Johnny and the Asbury Jukes look out from the stage on July 11, they’ll see 1,000 cars instead of fans dancing along to the music. The band kicks off the Drive-In Live series of shows at Monmouth Park racetrack presented by the Count Basie Center for the Arts.
64) Matt Slocum on Drumming, Teaching, and the Meaning of Success (published 2020-06-19) -- Matt Slocum always knew he wanted to live close to New York City someday. The Wisconsin native grew up seeing his jazz idols all spend time living and performing in the city, and as he built up his professional resume, he knew fate would lead him there as well. After graduating from the University of Southern California and spending a few more years in California, he moved to the East Coast. He settled in Essex County where he teaches drummers and percussionists at Newark Academy and works with the jazz program at New Jersey Youth Symphony.
65) Bora Yoon: Sound & Vision (published 2020-06-14) -- Bora Yoon is a Korean-American composer, vocalist, and multi-instrumentalist who creates fascinating soundscapes composed of both audio and visual stimuli. While you may see her playing standard instruments like a piano or violin, she also utilizes found objects and instruments from a variety of cultures and historical centuries. Yoon has perfect pitch, which provides her with the ability to hear and know sounds without a reference. It’s a skill that lets her play around with objects and see how their sounds can be manipulated or changed when paired with other objects or instruments.
66) Ben Reel and the Lure of Nashville (published 2020-05-25) -- Irish artist Ben Reel released The Nashville Calling, his ninth studio album, at the end of March. The plan was to promote the record with a month long tour of Holland and Germany, but the tour was cancelled when the world basically shut down due to the pandemic. Instead, he’s been promoting the record with live concerts streamed from his house each Friday on Facebook with his wife Julieanne. It’s a shame because this is his strongest album to date.
67) John Godfrey Talks About A Special Edition Of The Troubadour Show Featuring Bruce Springsteen's "Nebraska" (published 2020-05-09) -- Radio Troubadour is a radio show hosted by John Godfrey that plays the best new releases from Independent artists mixed with classic tracks from some of your favorite artists. Radio Troubadour plays a mix of Alt Country, Americana, Country & Western, Folk, Rock, Roots, Singer Songwriters. It's one of several shows available each day on The Penguin Rocks - an online radio station run by New Jersey Stage. When we learned his latest show was a special edition featuring songs from Bruce Springsteen's Nebraska album (all covered by different artists), we reached out to him at his home in Scotland to learn more.
68) Sara Barry Talks About Songs from Quarantine: A Compilation (published 2020-04-26) -- Because of COVID-19, most of us have had to learn how to adapt to the changing world, and sometimes that's difficult. In the midst of social distancing and quarantine, things can seem disheartening, but ultimately we know we're all taking these precautionary measures so we'll be better off in the long run. But for those on the front lines of this crisis, social distancing isn't always an option. Sara Barry of the band Teen Idle has organized Songs from Quarantine - a compilation of quarantine songs that is meant to benefit those impacted by and on the front lines of this crisis. New Jersey Stage spoke to her for more information on the project, which is available online.
69) Remembering Bucky (published 2020-04-25) -- “I feel like I’m burying my father again,” said jazz guitarist Ed Laub. Laub was talking about the legendary New Jersey musician Bucky Pizzarelli who passed away from complications of COVID-19. Laub was friends with Pizzarelli for decades from the days he was a teenager studying guitar with Bucky to playing as his partner in a guitar duo for well over a decade. Pizzarelli died at his home in Saddle River, New Jersey on April 1st at the age of 94.
70) Save The Saint In Asbury Park (published 2020-04-22) -- Every day NJ Stage receives news about venues struggling to stay afloat or laying off employees due to being forced to shut down on account of the pandemic. I tell people you can’t save them all so choose who means the most to you and donate what you can to help them. For me, the place that’s on top of the list is The Saint in Asbury Park.
71) An Interview With The BlowUpRadio Founder On "Stay Home With Lazlo" (published 2020-04-15) -- Blowupradio.com is an online radio station / music website that was launched in 2001 by Lazlo. It has almost certainly played music by more New Jersey based artists than any other station in the world because Garden State artists are the base of the station's programming each day. Lazlo has been very involved in producing concerts, benefits for causes, and has interviewed tons of artists. He's taken advantage of the quarantine period to launch a daily show called Stay Home With Lazlo, which airs every night at 6:00pm.
72) Stormin' Norman Seldin Nominated For East Coast Music Hall of Fame (published 2020-04-14) -- Stormin' Norman Seldin is among the handful of musicians who have been a part of the Asbury Park music scene from the very beginning. From booking shows as a teenager to breaking racial barriers by including a young Clarence Clemons in his band to performing up and down the east coast for over 50 years, his legacy is intact. Now he needs your help. Seldin is a nominee for the East Coast Music Hall of Fame for Best Music Maker in the Jazz / Blues / Swing / Retro category. Voting runs until May 30th.
73) Bucky Pizzarelli: Jersey Through and Through (published 2020-04-07) -- On April 1st, the patriarchs of two influential jazz families passed away. They lived more than 1,000 miles apart, but their losses were felt throughout the jazz world. One was Ellis Marsalis Jr. who passed away in New Orleans; the other was Bucky Pizzarelli, who passed away at his home in Saddle River, NJ at the age of 94. Both died from complications of COVID-19.
74) Exploring New Jersey's Musical History (published 2020-03-23) -- In Dewar MacLeod’s new book, Making the Scene in the Garden State: Popular Music in New Jersey from Edison to Springsteen and Beyond, he explores the state’s music history through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book was published by Rutgers University Press and released on March 13.
75) Corona Concert Classics Will Keep The Music Playing (published 2020-03-16) -- While clubs and concert halls across the country are shut down due to the COVID-19 virus, one music fan has come up with a unique way to keep live music performances going. Ellen Berman’s Viral Video Productions will host a series of Corona Concert Classics featuring artists performing older albums in their entirety. The series is initially scheduled to host a live concert on Facebook every Wednesday from March 18 to April 15 starting with a performance by Arlan Feiles and his wonderful album, Razing A Nation.
76) Honey Wild: The Making Of A Band (published 2020-02-26) -- It’s rare that a band plays its first gigs in August, releases its first EP in November, and winds up with the Makin Waves Song of the Year (“Don’t Call Me Baby”). But that’s the story of Honey Wild, a bluesy rock band led by Hana Denson which is comprised of musicians from Central and North Jersey that has been playing shows in New Jersey and New York.
77) Sean Glonek In The Studio (published 2020-01-25) -- In 2003, I first became aware of the Trenton band The Commons from their wonderful release Come On Get Gone. It would be one of my favorite albums of all-time from a New Jersey band and still holds up well today. Years after that band broke up, Commons’ guitarist Sean Glonek has become one of the hottest studio guys in the state, working with local artists like Doc Rotten, The Cryptkeeper Five, Honah Lee, and numerous others in addition to being part of national records by Juliana Hatfield and Tanya Donelly. It’s a second act that led to SRG Studios.
78) Jay & Molly: Connecting People to the Past via Their Music (published 2020-01-08) -- Art has always been about connecting us to the past. Hundreds of years after Shakespeare’s death, theatres around the world still perform his plays. People visit museums to see works by artists from the Renaissance era. And music from more than 150 years ago fits nicely into sets by Jay Ungar and Molly Mason, a married duo whose song “Ashokan Farewell” was the hallmark of the Ken Burns’ Civil War series.
79) Highwind Premieres Video for "2023" (published 2020-01-03) -- (ASBURY PARK, NJ) -- Highwind, a two-piece pop-rock outfit based out of Asbury Park, is premiering the video for "2023" - a stand-alone single that is available on Spotify, iTunes, iHeart Radio, Bandcamp, and pretty much anywhere you can buy or stream music.
80) David Vargo (published 2019-12-25) -- When you’ve been around the Jersey music scene for a while you begin to realize that nearly everyone has a backstory that might surprise you. David Vargo certainly has one. When he first became a professional musician after graduating from Berklee College of Music he found himself on the road more than 300 days a year touring with artists like Whitney Houston, Phoebe Snow, and Rupert Holmes. These days he’s running his own successful financial services company, promoting his second solo album, and playing clubs instead of arenas. Despite the lower profile he sounds much happier. In fact, he thinks of his national touring days as part of his past musical life.
81) Four Of My Favorite Artists (published 2019-12-25) -- I gave up writing CD reviews many years ago, but like to highlight records from time to time. As the 2010s come to an end, it dawned on me that four of my favorite artists from New Jersey had all released albums throughout the entire decade with new releases in 2019. There’s something comforting about knowing these artists (James Dalton, Rick Barry, Arlan Feiles, and Anthony D’Amato) are not just continuing to produce music, but continuing to make great music. So here’s a look at their 2019 releases.
82) David Spelman of the New York Guitar Festival (published 2019-12-25) -- The New York Guitar Festival celebrated its 20th anniversary in May 2019. It has explored virtually every type of music that can be created on a guitar and presented many of the world’s most influential guitarists at venues like Carnegie Hall, Metropolitan Museum of Art, (Le) Poisson Rouge, National Sawdust, and Brookfield Place Winter Garden. The lineup includes masters of classical music, blues & jazz, pop & indie rock, folk & Americana, artists from Central & South American, and eclectic, genre-defying innovators.
83) Sonofdov (published 2019-11-26) -- Those of us who were affected and lived through Hurricane Sandy in 2012 will never forget it. For many of us, our lives were never the same after that storm. Dennis King chose to stay in his Morris County house despite having no heat or power for 11 days. One thing he did have was a guitar and a desire to write music.
84) Zaritza (published 2019-11-26) -- In the #metoo era, we have become accustomed to seeing women portrayed as victims. Zaritza, an artist living in Monmouth County, recently released a single and music video for a song that shows a different side - instead of being a victim, the song celebrates female desire and sexuality. It would be a bold song in any era, but it’s completely eye-opening today.
85) Sammy Kay: Through Hell & Back (published 2019-08-27) -- Morris County native Sammy Kay didn’t think he had anything left after his third album, Untitled. He was battling mental health issues and substance abuse. He was tired of touring and didn’t know what his future would hold, but he still believed. In fact, he ended Untitled with the song “I Believe.”
86) The Waterboys (published 2019-08-27) -- The Waterboys are one of those bands that people who love music seem to love. They sprang out of the 1980s and have been creating great albums ever since, often incorporating Irish and Scottish sounds into their folk rock base. Led by Mike Scott, the band will be touring America in support of their latest release, Where The Action Is. As luck would have it, the American part of their tour kicks off in New Jersey on Tuesday, September 17th at the Count Basie Center for the Arts in Red Bank.
87) Catching Up with Carolyne Mas (published 2019-07-25) -- Carolyne Mas came out of the Greenwich Village music scene in the 1970s along with artists like Willie Nile, Steve Forbert, and The Roches. For a while her career seemed destined for greatness, but a myriad of issues prevented her from reaching that level. She was up against sexism in the music industry, bad record labels, a manager who stole her royalty checks, eating disorders, and a mysterious knifing attack which almost cost her life.
88) Why Don’t Indie Artists Create Best Of Albums? (published 2019-06-24) -- Imagine you are in a club watching an opening act that you’ve never seen before. Two or three songs in it’s clear you are hooked. After their set you head over to the merch table and see several CDs they’ve released over the years. You pick one up, then another, scanning through the titles trying to find one with songs you’ve just heard. Wouldn’t it be great if the band simply had a CD featuring their best songs?
89) Lauren Davidson: Urban Country From A Jersey Girl (published 2019-05-27) -- It’s hard to believe that it wasn’t that long ago that the New York City radio market didn’t have a single country music station. One look at the summer concert lineup for 2019 shows country artists headlining several shows at the PNC Bank Arts Center in Holmdel and BB&T Pavilion in Camden, while some of the biggest stars have brought huge crowds to shows on the Atlantic City beach in recent years. Even many of the biggest rock and roll clubs in the Garden State are hosting sold out country music shows nowadays. There’s no doubt that country music is big in the area now and getting bigger each year. One person who hopes to benefit from this is Lauren Davidson, a country music artist originally from Freehold who aims to build a fanbase while living outside of the Nashville scene.
90) Mountain Man To Perform at SOPAC (published 2019-05-23) -- Many bands are started by a group of friends, but the three women that form Mountain Man were students at Bennington College in Vermont who just happened to stumble upon the magic of how their voices sound together by accident. That discovery launched a whirlwind ride for them that began in 2009 and led to the release of their debut album the next year and an international tour in which they opened for and backed up Feist. Afterwards, they all went their separate ways, leading the music world to wonder if they would ever return.
91) Maternal Instinct (published 2019-04-26) -- “I would never have thought I would have a third child,” said singer-songwriter Sheli Monacchio. “If you asked me a few years back that wasn’t even in the cards. He’s what I consider to be a gift from the universe.”
92) Remembering Joe Harvard: It's Hard To Be A Saint In Two Cities (published 2019-04-26) -- On Sunday, March 24, 2019, the music world lost one of the kindest souls I’ve ever met. I say music world because although Joe Incagnoli (better known as Joe Harvard) had become an Asbury Park legend when he moved to the city in 2001, he was already a legend in Boston, and one who played a major role in the career of many bands who went on to become household names.
93) Women Who Rock! An Interview With Meredith Ochs (published 2019-03-25) -- “Rock and roll is built of fierce women,” writes Meredith Ochs in the introduction to her fascinating book, Rock-and-Roll Woman: The 50 Fiercest Female Rockers. “Blues, jazz, R&B, and country artists who laid its groundwork. Girl groups who projected a flashy, united front. Counterculture singers who protested the establishment. Punk rockers who democratized music-making. Riot grrrls who politicized it. And so many more. They all subverted stereotypes and challenged expectations, whether they set out to or not. Their rebellion is empowering and exponential.”
94) Rock on Radio with Danny Coleman Celebrates 10th Anniversary (published 2019-03-25) -- There are many writers who contribute to New Jersey Stage, but one of the most dedicated is Danny Coleman. He’s been penning a weekly column for us since the end of 2013. In addition to writing, playing drums for several bands, and making award-winning chili, Coleman has been hosting a weekly radio show called “Rock on Radio” since April 26, 2009. It currently airs every Sunday night at 7:00pm on www.coaradio.com.
95) Joe Pug: Success May Be Around The Corner (published 2019-02-23) -- Every now and then an artist has a good idea for promotion that makes you wonder why it’s not done by everyone. For Joe Pug, a singer-songwriter from Austin, that idea is a podcast.
96) James Dalton's Show of Shows (published 2019-02-23) -- Local artists often find themselves performing in small clubs, coffeehouses, house parties, and even on the streets in downtown areas. They rarely get the chance to show their talents on the big stage, but that may be changing.
97) The Songs 4 U (published 2019-02-23) -- For roughly two decades, Alice Leon led the band The Alice Project. They released several albums and toured throughout the East Coast. After the band disbanded, she began releasing music under her own name. She’s also taken her songwriting talent to a different use - running songwriting workshops and performances for children in schools and libraries, Girl Scout troops, as well as with senior citizens and children with disabilities and life-threatening conditions with TheSongs4U.COM
98) Photographer Barry Schneier Talks About His New Book Featuring Springsteen Photos From A Legendary Night (published 2019-01-31) -- On May 9, 1974, Bruce Springsteen performed a show that basically changed his life and rock and roll history. He opened for Bonnie Raitt at the Harvard Square Theatre and Jon Landau, a music critic for Rolling Stone magazine and Cambridge-based The Real Paper, just happened to be in the audience. When Landau's report on the show came out, the words "I saw rock and roll future and its name is Bruce Springsteen" jumped out on the page. Landau was hired by Springsteen, and is noted as co-producer on Springsteen studio records from 1975's Born to Run through 1992's duel release of Human Touch and Lucky Town.
99) Dr. Demento Covered In Punk (published 2018-12-22) -- Do you remember Dr. Demento radio shows from back in the day? The show featuring music and comedy was nationally syndicated for decades and is still available weekly online. Many of the legendary songs from the show’s history are celebrated in the compilation album Dr. Demento Covered In Punk, which was released in January 2018.
100) Roots Rock Legends: Dave Alvin & Jimmie Dale Gilmore (published 2018-11-27) -- “Forty years on the highway, living on dreams and gasoline” That’s a line from the wonderful title track of the album Downey to Lubbock the first collaboration from Dave Alvin and Jimmie Dale Gilmore. The longtime friends embarked on a series of acoustic shows in Texas, which were so much fun and well received that they decided to create an album.
101) Hendrix & Cream At Monmouth University (published 2018-09-27) -- Imagine getting to see Jimi Hendrix and Eric Clapton perform on the same night? That’s physically impossible, but the next best thing will take place on Saturday, October 13th when Monmouth University presents Kiss The Sky and Heavy Cream - two tribute bands that do all they can to provide the most authentic concerts around.
102) Larry Weiss: A Second Chance At A First Impression (published 2018-09-27) -- Many people have their jaws drop when they first learn that the classic country song, “Rhinestone Cowboy” was actually written by a Jersey boy.
103) Mike Aiken Talks About Aiken & Friends Fest, North Branch At RVCC (published 2018-09-14) -- (BRANCHBURG, NJ) -- Raritan Valley Community College presents Aiken & Friends Fest, North Branch on Friday, September 21 and Saturday, September 22. The three-day event will feature a number of different musical shows by Mike Aiken, as well as other solo artists and groups.
104) Kelly McKay: Jersey City's Loss Is Nashville's Gain (published 2018-08-25) -- For a decade, Kelly McGrath and her husband Frankie formed the core of Maybe Pete - a popular rock band from North Jersey whose influences ranged from The Replacements to Bruce Springsteen to The Rolling Stones and the New York Dolls. It was a unique blend of Jersey Shore roots rock with a punk attitude. When the band went on hiatus in 2011, Kelly began focusing on her own songwriting.
105) The Wag Celebrates 20 Years (published 2018-08-25) -- For twenty years, The Wag has been entertaining audiences with a fun and upbeat live show featuring original songs that carry the sounds and spirit of the British Invasion groups of the sixties. They perform wherever they can - clubs, coffeehouses, festivals, benefits, you name it, and they also push the boundaries more than most bands in Jersey. They’ve done this by going on tours on the West Coast, Canada, England, and even Japan. And they’re about to release their first new album in five years.
106) Pat Foran: The Art of Economizing Songs (published 2018-08-25) -- Lambertville native Pat Foran was always told that his songs were too long. When they clocked in at four minutes, he was told they needed to be trimmed down to three. It was always a challenge for him until he began working with Rob Figarola, a Los Angeles based A&R consultant who was with UnsignedDaily.com - a site that identifies and develops unsigned artists.
107) S0F Makes Her Move (published 2018-07-24) -- This is an exciting time for Sofia Khorosh, a singer-songwriter who performs under the stage name S0F. She recently graduated from Rowan University and on July 10th announced her next big move - one that immediately caught our eye.
108) Mike Daly & The Planets (published 2018-07-01) -- For a long time, Mike Daly had trouble envisioning himself as a lead singer. He knew his baritone range was much deeper than the majority of singers heard on the radio and rarely heard anyone who sounded like him. Until one day when the late Pat DiNizio, a fellow North Jersey artist who fronted The Smithereens, entered the picture.
109) Erik Mason Returns To The Jersey Shore For Three Shows Benefiting Three Non Profits (published 2018-06-15) -- (ASBURY PARK, NJ) — Piano-based singer-songwriter Erik Mason returns to the Jersey Shore for three shows this summer. Mason, raised in Brielle, will be performing at The Saint (June 21 at 10:00pm) and House of Independents (July 5 at 7:00pm) in Asbury Park, and at Beach Haus Brewery (August 17 at 7:00pm) in Belmar. He is donating proceeds from these shows to three nonprofit organizations in the area: Monmouth County SPCA, Big Brothers Big Sisters of Monmouth and Middlesex Counties, and Foodstock NJ.
110) VIDEO PREMIERE: "The Prayer" by John Paciga and Charlotte MacMurray (published 2018-06-06) -- It’s a busy time for John Paciga these days. The young musician has just graduated from Delbarton School in Morristown, New Jersey and is preparing to start a new chapter at Yale University. He’s also just released a cover of “The Prayer” with Charlotte MacMurray and New Jersey Stage is proud to premiere the video.
111) Willie Nile's Birthday Bash To Take Place At House Of Independents (published 2018-05-17) -- (ASBURY PARK, NJ) -- No stranger to the Jersey Shore, Willie Nile returns to Asbury Park on Saturday, June 9 for a Rock 'N Roll Birthday Bash at House of Independents. He will be supported by local favorites Colossal Street Jam. Doors are at 7:00pm. Tickets range from $30 to $60.
112) A Portrait of the Artist as a Young Woman (published 2018-04-23) -- A feature on Morris County singer-songwriter Amanda Rose Riley, who recently released her first studio album: Secrets I Told To A Sound Hole.
113) Kids On Keys & Dueling Pianos To Promote Autism Awareness (published 2018-04-23) -- “As a schooled pianist and seeing so much since the age of three when I started formal lessons, I have always thought that when someone has a setback with Autism or something similar, that somewhere they are rewarded with a special talent that I’ll never have,” said Stormin’ Norman Seldin, a Jersey Shore musical legend.
114) The Magic Man In The Studio (published 2018-03-22) -- Steve Greenwell doesn’t care if your demos are polished. In fact, he doesn’t expect them to be. He doesn’t care if you’ve sold millions of records or haven’t sold a single one. He’s worked with everyone from Grammy Award winners to indie artists just starting out. For him, it’s all about the artist. If he believes you have what it takes, he will work with you and bring out the best in you. He’s done it time and time again.
115) The Who's Tommy: A Bluegrass Opry (published 2018-03-22) -- Forty-five years after its original release, The Who’s Tommy will be performed as a full-length bluegrass tribute at The Grunin Center for the Arts in Toms River on Friday, April 13 at 8:00pm. The band bringing this legendary classic rock story to a bluegrass tint is The Hillbenders from Springfield, MO.
116) An Interview With EmiSunshine (published 2018-03-22) -- EmiSunshine was only nine years old when a video captured her performing Jimmie Rodgers’ “Blue Yodel No. 6” at a flea market in Tennessee and went viral. This led to an invitation to “The Today Show” that introduced her to the world. Since then, she has released several albums featuring songs steeped in the sounds of Appalachia. It’s rootsy, Americana music, that has found airplay far beyond traditional country radio stations.
117) So, You've Made A Video... Now What? (published 2018-03-22) -- “Hey, I think we might have a video for you,” a woman from Lost Highway Records said in a phone call to Andy Gesner in January 2003.
118) An Interview With Michael Brett (published 2018-01-23) -- Michael Brett has been performing and writing songs for twenty years now; both as a solo artist and alongside Deirdre Forrest in The May Darlings. From his first EP (Done, released in 1998) to his latest albums (Serenade Postcards and Dislocate), he has grown with each release. He’s carved out a niche for himself in a genre that he calls “rock/folk.”
119) Rick Springfield Gets "Stripped Down" In Morristown (published 2018-01-03) -- No matter how many hits he’s had throughout his career, Rick Springfield will always be associated with the ‘80s – a period in which he portrayed Dr. Noah Drake on the hit soap opera, “General Hospital,” while topping the charts with “Jessie’s Girl.” But that’s only part of his story.
120) Classic Rock Tarot (published 2017-12-25) -- Inspiration comes in many forms. Sometimes even in the form of a challenge issued by a loving wife. Just ask Anthony J. Parisi, an illustrator and caricaturist from Gloucester County who created a unique line of tarot cards inspired by classic rock musicians based on a dare from his wife, Mary.
121) Light of Day 2018 (published 2017-12-25) -- The annual Light of Day concerts roll into the tri-state area in January with shows in Montclair, Asbury Park, New York City, and Philadelphia.
122) The Successful Failures (published 2017-11-21) -- Long before The Successful Failures were even a band, lead singer Mick Chorba had them in mind. You could almost say he willed them into existence.
123) New Brunswick Seeks To Reclaim Its Place In Jersey Music History (published 2017-11-21) -- Hub City Sounds - New Brunswick’s Live Music Series - wrapped up in early October. The award-winning arts reporter Bob Makin was a big supporter, including being the driving force being the ROCK! New Brunswick festival, which took place at Boyd Park in September. That event was intended to showcase some of the performers to come out of the Brunswick scene, while highlighting artists in the scene today.
124) The Edgy Ember Ensemble Tackles Issue of War (published 2017-11-09) -- The Ember Ensemble of Schola Cantorum on Hudson is not your usual choir. This eclectic group does not shy from tackling important issues of the day with their programs. In previous seasons, they have examined themes as diverse as energy and the environment to immigration. This year’s theme focuses on military conflicts and the aftermath of such conflicts. The season begins on Sunday, November 12 in Montclair when the Ember Ensemble presents the East Coast Premiere of a dramatic oratorio by John Muehleisen called “But Who Shall Return Us Our Children? A Kipling Passion.”
125) The Cryptkeeper Five (published 2017-10-23) -- One of the most unsung bands in the New Jersey music scene for decades has been The Cryptkeeper Five (CK5) from Trenton. They’ve been banging out their unique style of punk rock since 1997. Punk that includes a wide range of influences from Roy Orbison to the Misfits to Bruce Springsteen. In a way, they’re like the Ramones with a Jersey twist.
126) The Story Of The Man Who Shaped The Beatles (published 2017-10-23) -- You might think that every angle of The Beatles story has been covered by now, but one very significant piece was largely left untouched - the story of George Martin, the producer who helped shape and mold the music which defined one of the greatest bands in history. Martin penned three autobiographies, but acclaimed author Kenneth Womack has stepped in to tell the rest of the story.
127) A Different Take On Springsteen On Broadway (published 2017-10-13) -- Press reviews are pouring in for Springsteen on Broadway this week and, while the critics love the show, many fans are still upset at the ticket costs which started out at hundreds of dollars more expensive than his regular tour tickets. Die-hard fans who often attended multiple shows on each tour are struggling with the idea of being able to see just one performance or none at all. Rich Lynch, a writer/musician from New Jersey who now lives in Nashville, was so incensed by the comments he saw from Bruce fans that he actually wrote and recorded a "protest" song in their honor.
128) The Pair Of Asbury Angels Who Directly Changed My Life (published 2017-10-02) -- (OCTOBER 2, 2017) — I woke up this morning to the news about the devastating Las Vegas shooting and later heard of Tom Petty in the fight for his life. After weeks of natural disasters and death, I want to end this day with something positive. So I’m going to report on a pair of Asbury Angels who helped me become who I am today. I rarely write pieces that involve me, but I'm trying to make sense of today and I think this might help.
129) The inner struggles of Deirdre Forrest (published 2017-09-22) -- Deirdre Forrest has been performing for nearly a decade throughout the tri-state area. She grew up in South Amboy and is best known for her work with the bands Beannacht and May Darlings along with her solo career. You could say she’s a modern day artist - one raised on social media to the point where her life is truly an open book.
130) New Brunswick Gets Ready To Rock Again (published 2017-09-02) -- When people talk about great rock ‘n’ roll scenes in New Jersey, two areas generally come to mind: Asbury Park and New Brunswick. The former spawned some of the biggest and most recognizable names in the state’s history, while the latter launched the careers of more national acts than any other place in the Garden State.
131) On stage with Iain Matthews (published 2017-08-21) -- Iain Matthews first gained attention in the late 1960s as a founding member and vocalist for the influential British folk band Fairport Convention on their first three albums. He went on to create Matthews’ Southern Comfort, whose cover of Joni Mitchell’s “Woodstock” topped the charts in the UK in 1971. In addition to a lengthy solo career, he’s also released several albums with Plainsong. In a strange twist, he has brought back both Matthews’ Southern Comfort and Plainsong at various times throughout the years.
132) Rick Barry Wins Another Songwriting Award He Doesn't Want To Talk About (published 2017-08-09) -- Some artists give the impression they are shooting to win awards; others act like they couldn't give a damn about them. Rick Barry is definitely the latter, which is funny because he continues to win them. He's won everything from Asbury Music Awards to earning national recognition with wins in the John Lennon Songwriting Contest and the Unisong International Songwriting Contest. Earlier this year, he added another to the list - the Akademia Award for "So Soft, So Sweet" which was named Best Americana Song.
133) NJ Artist Brian Clayton Has Song Placed In "The Big Sick" motion picture (published 2017-07-31) -- Garwood native singer/songwriter Brian Clayton had his song "She Let Me Go" placed in the feature film The Big Sick, a romantic comedy about how a new couple deals with their cultural differences as their relationship grows. Directed by Michael Showalter and produced by Judd Apatow, Barry Mendel, the film stars Kumail Nanjiani, Zoe Kazan, Ray Romano, and Holly Hunter.
134) An Interview with DJ Lee Mrowicki of Radio Jersey (published 2017-07-23) -- Radio Jersey is the flagship program of AsburyMusic.com, broadcasting every day Monday through Friday from 6:00pm to 8:00pm. Hosted by Lee Mrowicki, the long-time DJ at Asbury Park clubs like The Stone Pony and the Wonder Bar, the show puts the spotlight on the Garden State like never before. Mrowicki doesn’t just focus on one genre of music, he spins music by New Jersey artists of every genre - including songs you won’t find anywhere else. You’ll quickly realize just how amazing the state’s musical history once you tune in.
135) Peter Prasa: Poets & Heroes (published 2017-07-23) -- What do you do when your music doesn�t quite fit into any particular genre? In an industry that lives on nicely packaged descriptions like rock, jazz, and country, what happens when your music is all three?
136) A Special Night With Constantine Maroulis (published 2017-07-05) -- “For the first time in many years, I feel like I have something to say as a writer,” said Constantine Maroulis, the Tony-nominated actor and rock ’n’ roll star. “I’m 41 years old now and I think it’s starting to click.”
137) Postmodern Jukebox (published 2017-06-22) -- “A song can be detached from its genre pretty easily,” explains pianist and bandleader Scott Bradlee, the man behind Postmodern Jukebox, a band that gives modern songs a retro twist. “I think we’re used to hearing songs covered in a certain style because the original artist did it that way. I decided to take the opposite approach and do it completely different. You find that a great song can transcend genre.”
138) An Interview With Dw. Dunphy about The Co-Op Communique (published 2017-06-07) -- The Co-Op Communique distributes music from independent artists seeking to share their artistic output with an enthusiastic audience. The latest release, The Co-Op Communique Volume Three, went live on May 26, 2017. It contains songs by 35 different independent artists and is available for free. New Jersey Stage spoke with Executive Producer, Dw. Dunphy about the release and the artist series.
139) Matthew Stephen and the Sweet Action Release Video For "Grooving To The Beat" (published 2017-05-22) -- Matthew Stephen and the Sweet Action might be a new name for you, but fans of Airacuda will instantly recognize the voice. Matthew Stephen Menges began his solo project in April 2016 when Airacuda went on an indefinite hiatus. He was the frontman for the band with major writing credits on both of the band's EPs, including full credit on their singles 'Pals' and 'I Got A Woman'. He has just released the video for his new single, "Grooving to the Beat." The video was shot by Nelson Wong of Something Something Productions. Makeup by Jamie Leigh Artistry, with Matthew starring as the old man.
140) Company of Wolves (published 2017-05-22) -- Company of Wolves was a popular rock and roll band in the early 90s in the tri-state area. They made some noise nationally with a self-titled record on Mercury/Polygram that included “Call of the Wild”, “The Distance”, and “Hangin’ By a Thread” - all of which charted on AOR (album-oriented rock) stations. The band just released its first single in 20 years and is playing a reunion show on June 3 at Club 66 in Edgewood, MD.
141) Music, Dance and Collaboration Brings “Carmina Burana” to Life in Princeton (published 2017-05-16) -- When Carl Orff first conceived “Carmina Burana,” he pictured it as a “scenic cantata” with music and dance working together to create a truly beautiful experience. That combination will be on display at Princeton University’s Richardson Auditorium on May 21st when three Garden State-based arts organizations—Princeton Pro Musica, Princeton Girlchoir and Roxey Ballet—team up for a performance.
142) BobFest: Songs of War & Peace (published 2017-04-24) -- Ever since 1997, Pat Guadagno has been celebrating Bob Dylan’s birthday in a grand way with BobFest. The show returns to the Count Basie Theater in Red Bank on May 25 with this year’s theme: Songs Of War & Peace. In honor of the holiday, Jersey Mike’s is providing tickets for any veterans who wish to see the show.
143) Catching Up With Victoria Williams (published 2017-04-24) -- For many music fans in the 90s, Victoria Williams was their introduction to Multiple Sclerosis (MS). The Louisiana born Williams was a rising star in the indie world, touring as the opening act for Neil Young when she first began having neurological problems. Faced with a sudden bout of medical bills and without health insurance, 14 artists including Pearl Jam, Soul Asylum, Lou Reed, and The Waterboys covered songs written by Williams on a tribute album entitled “Sweet Relief: A Benefit For Victoria Williams.” The album did so well that it led to the creation of the Sweet Relief Musicians Fund, an organization that aids musicians with their medical bills.
144) A look at female artists and the Artists who inspired them (part 2) (published 2017-04-15) -- For the third issue of 2017, New Jersey Stage featured an interview with Ann Wilson of Heart as the cover story. Thinking back to the classic rock songs from Heart got us wondering who were the female artists that inspired artists in the area. We spoke with 11 artists. In this piece we talk with Reagan Richards (from Williams Honor) Eryn Shewell, Meagan Brothers, Sofia Khorosh (SØF), and Alicia Van Sant (from The Wag). This is part one of two features.
145) A look at female artists and the Artists who inspired them (part 1) (published 2017-04-15) -- For the third issue of 2017, New Jersey Stage featured an interview with Ann Wilson of Heart as the cover story. Thinking back to the classic rock songs from Heart got us wondering who were the female artists that inspired artists in the area. We spoke with 11 artists. In this piece we talk with Karen Mansfield, Amy Schindler (from ViRAGO), Tara Elliott, Jody Joseph, and Catherine Wacha. This is part one of two features. Click here for the second part.
146) Makin Waves Comes to NJ Stage (published 2017-03-06) -- When Upstage Magazine was first launched in 2003, I wanted the publication to quickly gain credibility in the arts & entertainment world. I had a short list of music writers I wanted on board that included Bob Makin and Chris Barry. Both were in our first issue and helped us make an instant splash in the local music scene.
147) Ellis Paul: 25 Years On The Road (published 2017-02-23) -- It’s never been easy to carve out a career in the music business and it may be more difficult now than ever. Despite a plethora of websites to let people discover artists, music fans are largely on their own. MTV gave up on music videos long ago, the power of radio has been greatly diminished, and even publications like Rolling Stone are arguably read more for their political writing today as much as their profiles on artists. With that in mind, it’s remarkable when artists like Ellis Paul can simultaneously build a devoted fan base throughout the country and remain under the radar for 25 years.
148) #50 Brian Molnar: Brian Molnar (published 2017-01-26) -- Before he added The Naked Hearts as his backing band, Brian Molnar performed as a solo artist. On his self-titled debut, he shows a more folk-based style than the Americana/Alt-Country genre that his newer work with the full band possesses. Both styles seem to suit Brian well, and it’s fascinating to look back and see how the different musical directions changed his songs.
149) #49 Echo Screen: An American Tale (published 2017-01-26) -- Echo Screen’s debut An American Tale begins with “The Things We’ve Left Behind,” a brief instrumental that sets a rather somber setting. It sort of reminds me of the cartoon character Schroeder from Peanuts tapping away at his little piano while watching bombs fall during World War III. The song then ends with a loud bang and bursts into “An American Tale,” a blistering pop punk tune that leads into a collection of songs that appear to have been somewhat inspired by 9/11 and its aftermath.
150) #48 Lisa Bouchelle: Paint Your Dreams (published 2017-01-26) -- As a child growing up in Trenton, the only time Lisa Bouchelle’s parents stopped fighting was when Lisa was singing. Her mother was an alcoholic and her father struggled with three jobs to make ends meet. All of their problems seemed to subside when Lisa would start to sing. At four years old, she won a talent contest while singing “America The Beautiful” dressed in an American flag costume. It was at that moment that she knew she wanted to be a singer.
151) #47 Divine Sign: Definitely Overdue (published 2017-01-26) -- Divine Sign began as a duo featuring the pairing of Lindsey Miller on guitar and Kerry McNulty on vocals. Through the years, they added additional members to round out a full band, but often went back to working as a duo. Even though the full band treatment found on this album helped develop the band’s sound from its folk beginnings to a more country/rock flavor, Lindsey and Kerry always remained the backbone of the group.
152) #46 The Bouncing Souls: The Gold Record (published 2017-01-26) -- At a time when most punk bands have long since packed it up, The Bouncing Souls released The Gold Record, another amazing album from start to finish. Full of incredibly catchy tunes featuring punk and pop/rock styles, the release saw the band venturing slightly away from its punk origins.
153) #45 The Gaslight Anthem: American Slang (published 2017-01-26) -- The Gaslight Anthem put a lot of pressure on themselves to make a great album after the breakthrough success of The ‘59 Sound, a release that made them practically a household name for rock and roll fans throughout the world. The band was not only up to the task, but crafted an album in American Slang, which solidified their place as one of the hottest rock bands alive.
154) #44 Ken Shane: South Ridgeway Avenue (published 2017-01-26) -- Ken Shane grew up in both North Jersey (Springfield) and South Jersey (Atlantic City), but it’s clear his heart remained at the Shore. His memories of the beach, boardwalk, and summers spent at his Grandparents’ house on South Ridgeway Avenue were the inspiration behind this wonderful collection of songs.
155) #43 Joe Whyte: When The Day Breaks (published 2017-01-26) -- Born and raised in Matawan, Joe Whyte is proof that even Jersey boys can sing with an honest to goodness country twang. Currently living in Rutherford, Joe is part of New York City’s Americana/Alt-Country scene.
156) #42 Anthony D'Amato: Down Wires (published 2017-01-26) -- Down Wires comes firing out the gate with “Ballad Of The Undecided,” a full-blown rocker that hints at an expansion of the folk-rock sounds Anthony D’Amato was gaining a reputation for. But by the first few stanzas of “Holy War,” he also hints that he is ready to serve as a major voice of his generation.
157) #41 The Dipsomaniacs: The Life You’re Faking (published 2017-01-26) -- The Dipsomaniacs got their name straight out of the dictionary. It means, “one who has an irrepressible desire for alcoholic drinks.” Tom O’Grady, the band’s drummer had it on a list of potential band names he created back in high school. Tom and Mick Chorba, the band’s songwriter and lead singer, had been in bands together since they were 13, but it was the band inspired by alcohol that gave them their shot at stardom.
158) #40 The Milwaukees: American Anthems Vol. 1 (published 2017-01-26) -- For years, The Milwaukees’ band name mystified me. Who names a band from New Jersey after a city in Wisconsin? But with the release of American Anthems Vol. 1, it suddenly all made sense. The band, which has had a series of personnel changes through the years, was the true personification of American rock and roll. And what city in America represents the average blue-collar American more than Milwaukee?
159) #39 James Dalton: Smile Goodbye To The Kings & Clowns (published 2017-01-26) -- Around the time James Dalton recorded Smile Goodbye To The Kings & Clowns, he could be found somewhere on stage most every night along the Jersey Shore. One night he might be seen adding mandolin to the songs of Nicole Atkins, the next he might be jamming on harp with Matt Witte. Everybody knew him as JPAT back then, a young artist with an incredible voice and an unrelenting desire to play.
160) #38 Rick Barry: Declaration Of Codependence (published 2017-01-26) -- Rick Barry is a bit of an enigma. He’s got an uncanny ability to win over a crowd’s attention with even the quietest song, yet that power has rarely shown in the studio. Personally, I think this brilliant songwriter from Point Pleasant is often guilty of trying to dress up his recorded tunes too much. Maybe that’s why I love this particular release.
161) #37 Maybe Pete: Pancakes And Martinis (published 2017-01-26) -- Pancakes And Martinis by Maybe Pete may only contain six songs, but six very impressive songs. There’s no fluff at all here. It contains some of the pounding rock and roll the band was known for, but also shows the band expanding their songwriting through tunes written by Kelly McGrath that sound unlike anything else they had ever released.
162) #36 The Bouncing Souls: How I Spent My Summer Vacation (published 2017-01-26) -- How I Spent My Summer Vacation was the first Bouncing Souls album to feature Michael McDermott on drums. This was the first and only lineup change throughout the history of the band. From the very first track it was clear that McDermott was up to the task and the band had come through with one of their best releases to date.
163) #35 Mimi Cross: I Slept... (published 2017-01-26) -- Mimi Cross is not your typical singer-songwriter. Her music is like a blend of the sound experimention of Kate Bush and the prose of Patti Smith. She lures you in and has the ability to seduce you with her voice. The combination of these attributes is a style uniquely her own; one that sounds mystical and almost spiritual.Mimi was born in Toronto, but grew up in Millburn and Long Beach Island. Later on she would settle in the Red Bank/Highlands area and become a fixture of the Asbury Park music scene.
164) #34 Dramarama: Everybody Dies (published 2017-01-26) -- Dramarama remains one of New Jersey’s most underrated bands of all-time. During the ‘80s, the boys from Wayne had the distinction of holding the #1 fan voted song for KROQ in California (“Anything, Anything”) and WHTG in New Jersey (“Last Cigarette”) yet never truly rose above cult status elsewhere. They broke up in 1994, but their songs lived on through live shows by lead singer John Easdale.
165) #33 Arlan Feiles: Come Sunday Morning (published 2017-01-26) -- Come Sunday Morning sounds much more polished than Razing A Nation, but the themes are similar. Arlan remains true to the ideals he believes in and isn’t afraid to speak out. While, at times, the music may be more upbeat than his previous release, it’s still a folk album at heart; focusing on love and war, and souls seeking salvation.
166) #32 John Gorka: The Company You Keep (published 2017-01-26) -- There’s something about growing up in the Garden State that stays with people; it becomes part of their identity regardless of whether or not it’s readily apparent, and it’s something that’s hard to shake. Even though John Gorka has lived in Minnesota long enough for the state to claim him as one of their own, the man who once penned the song “I’m From New Jersey” has never forgotten the roots he planted growing up in Colonia.
167) #31 Jon Caspi: Eddie Knows! (published 2017-01-26) -- Who would have thought a song like “What Does Eddie Know?” from I’m Not Angry... Anymore could inspire an entire rock and roll concept album? Perhaps more surprising is the fact that it led to a rock and roll concept album that actually works!
168) #30 April Smith and the Great Picture Show: Songs For A Sinking Ship (published 2017-01-26) -- April Smith grew up in Toms River and became one of the stars of the Asbury Park music scene before moving to Brooklyn; there she became an indie-music darling and was placed on several national tours. She’s always had a remarkably powerful voice, it just took a few years to develop a style that took full advantage of it. On Songs For A Sinking Ship, she’s found that style.
169) #29 Red Wanting Blue: These Magnificent Miles (published 2017-01-26) -- Red Wanting Blue first released These Magnificent Miles independently in 2008 as the band’s eighth full-length album. The title was a nod to the band’s lifestyle, a perpetual ride through the country performing night after night as if they were members of the circus coming to town.
170) #28 The Amboys: Everything Between The Moon And The Sun (published 2017-01-26) -- The Amboys hail from Asbury Park. The band, comprised of C.M. Smith, Manny Castanon, Connor Effenberger, and Dan Effenberger (who replaced Kyle Waugh, who played on the album and was the band’s original rhythm guitarist), has been one of my favorites in the Asbury Park music scene since they first began hitting the stage in 2009. Their debut album provides brilliant country-infused garage rock and roll that reminds me of Johnny Cash waking up on the wrong side of the bed after an all night binge, taking some speed, downing a Jack and Coke, and heading out to the local punk rock bar to jam with whoever was on stage. It’s got a true kick ass spirit to it.
171) #27 The Commons: Dirt Waffle (published 2017-01-26) -- Dirt Waffle represented a major change of direction for The Commons. This release moved away from the collective moodiness and introspection of Come On Get Gone towards a mixed bag of rock, pop, and even jazzy numbers. The result is somewhat akin to the music released by the Canadian band Barenaked Ladies during the ‘80s. It was something entirely unexpected from The Commons, but they pulled it off well. In fact, the album seems to get better with age.
172) #26 Casual Gypsies: Crazy Places We Take Ourselves (published 2017-01-25) -- If you try searching for information about Casual Gypsies on the Internet, you won’t find much. The band literally disappeared from the face of the Earth after releasing this amazing collection of songs; a shame because when you hear this debut, you’re bound to wonder just what this band was capable of in the future.
173) Why Asbury Park? (published 2017-01-25) -- Ever since Bruce Springsteen released Born To Run and became a household name, music fans have traveled to Asbury Park to learn more about the town. They came to see the Palace, the boardwalk and the rides and to hear Madame Marie tell their future. They came to have a drink at the Stone Pony and see shows at Convention Hall. They came to imagine they were cruising down the circuit on a Saturday night. And, even after the rides disappeared and Madame Marie left town, the fans kept coming.
174) JPAT (published 2017-01-25) -- James P. Dalton Jr., or JPAT as he’s known, is one of the most interesting musicians along the Jersey Shore. An extremely talented singer-songwriter, he plays guitar, mandolin and harmonica and brings back the spirit of the Upstage Club to Asbury Park. Since there no longer is a place like Upstage where young musicians can go and jam, he’s created his own version of that club. One night you might see him adding mandolin to the songs of Nicole Atkins, the next night he might be playing harp with Matt Witte. He’s known throughout the musical community and he’s jammed with just about everybody.
175) DeSol (published 2017-01-25) -- The faces along the Jersey Shore have been changing as more and more ethnicitys settle down here. In recent years, Spanish food markets and restaurants have opened and conversations can regularly be heard in languages other than English. So it should come as no surprise that one of the most interesting bands to hit the area in some time contains a strong Latin American influence.
176) Matt Witte & The New Blood Revival (published 2017-01-25) -- Matt Witte just might be one of the most exciting artists to come out of the Jersey Shore in decades. He’s known as a brilliant songwriter and tremendous live performer but what really sets him apart from others is the type of music that he plays. Matt infuses bluegrass and country influences with folk, punk and rock and roll. The result is a sound not heard around the Shore for some time.
177) Maybe Pete (published 2017-01-25) -- Maybe Pete is the latest in a long list of great Jersey rock and roll bands to find a home along the Shore. The band is based out of North Jersey, but has been playing clubs like the Saint and the Stone Pony on a regular basis. Maybe Pete was formed at the end of 2000 and includes the husband-wife team of Frankie and Kelly McGrath on guitar, Marc Gambino on bass and Sal DiMaria on drums.
178) Last Perfect Thing (published 2017-01-25) -- Last Perfect Thing is a band based in Asbury Park that has a sound based more in punk music than it does with traditional Asbury sounding bands. They’ve been around since 1998 and are a regular at clubs like the Stone Pony and the Saint.
179) Jody Joseph and the Average Joes (published 2017-01-25) -- Jody Joseph and the Average Joes remind you of what Jersey Shore music is all about. Each show contains the mixture of good blues, R&B, and rock and roll featuring the wonderful vocals and songwriting of Jody Joseph.
180) Bob Burger (published 2017-01-25) -- Bob Burger is a member of the Bobby Bandiera Band and a longtime songwriting partner of such Jersey Shore artists as Glen Burtnick, Bobby Bandiera and Joey Vadala. In 2002, Bob headed to the studio to record a bunch of original songs for a CD called Almost an Island. Backing him in the studio is Rob Tanico from Highway 9 and TJ from John Eddie’s band.
181) Danny White (published 2017-01-25) -- Danny White is proof that the Jersey Shore is still producing great singer-songwriters. The Matawan-based artist writes songs filled with stories of people you feel as if you know. His words capture their hopes and dreams like a modern street poet. He has often been compared to Bruce Springsteen, a comparison not likely to go awayanytime soon.
182) Mimi Cross (published 2017-01-25) -- Mimi Cross is not just another pretty face, she’s also one of the most talented singer-songwriters on the Jersey Shore. Born in Canada, she now lives along the Shore and is a veteran of the local music scene. Mimi has graced stages from local clubs like T-Birds Cafe, the Saint and the Stone Pony to Maxwell’s and the Liquid Lounge in Hoboken. She’s played in clubs from New York to Boston, Philadelphia on down to Washington, DC and has opened for such artists as Sting, Bonnie Raitt, Lauryn Hill, Jeffrey Gaines, Jill Sobule and Chris Whitley.
183) Joe D’Urso (published 2017-01-25) -- Joe D’Urso is one of the adopted sons of the Jersey Shore, mainly due to playing here often and because his music evokes comparisons to people like Bruce Springsteen. Born and raised in New York, Joe is a fine singer-songwriter who has released a bunch of records through his own independent record label.
184) The Pony’s Crazy Ride (published 2017-01-25) -- The Stone Pony has always had a strange run during its history. From its early days as a disco bar to the heights of the Asbury music scene when the club would be packed night after night with lines around the block, the bar had seen it all. As the town itself moved further into ruin, the Pony remained the one constant you could count on.
185) The Outcry and Blowup (published 2017-01-25) -- The Outcry started playing the clubs in the early 90s at a time when the Asbury Park scene was in trouble. But the band certainly made the most of their opportunities. They had regular gigs at the Fastlane and the Stone Pony as well as clubs in Long Branch and musicians like Bruce Springsteen and Brian Setzer jammed with them.
186) Peter Scherer of Mr. Reality, Samhill, and Highway 9 (published 2017-01-25) -- At the end of the eighties a new band took over the Jersey Shore scene. Known as Mr. Reality, the band featured the songwriting of Gordon Brown and the vocals of Peter Scherer. Together, along with Rob Tanico, they formed an acoustic trio playing sets unlike anything else. Everything seemed to move fast for the band. One day Peter was opening the door for people at the Fastlane, the next day the crowd at the Fastlane was there to see him. Mr. Reality soon was signed to a deal and released a debut record. A tour of the country followed and then just as quickly as it had started the band was finished.
187) Gordon Brown of Mr. Reality, Samhill & Highway 9 (published 2017-01-25) -- At the end of the eighties a new band took over the Jersey Shore scene. Known as Mr. Reality, the band featured the songwriting of Gordon Brown and the vocals of Peter Scherer. Together, along with Rob Tanico, they formed an acoustic trio playing sets unlike anything else. Everything seemed to move fast for the band. One day Peter was opening the door for people at the Fastlane, the next day the crowd at the Fastlane was there to see him. Mr. Reality soon was signed to a deal and released a debut record. A tour of the country followed and then just as quickly as it had started the band was finished.
188) Soul Engines (published 2017-01-25) -- Soul Engines was one of the most popular bands along the Jersey Shore in the early 90s. Built around the brilliant songwriting of Mark Nuzzi, the band had a largely acoustic rock sound that picked up a loyal following of music fans in Shore towns like Asbury Park and Long Branch.
189) T-Birds Cafe and the Saint (published 2017-01-25) -- Every good music scene needs that one person who goes out of their way to support up-and-coming bands, in Asbury Park that person is Scott Stamper. In the eighties, he was responsible for booking the bands at T-Birds Cafe, an intimate venue located on Main Street. After that club closed, he opened up the Saint and continued to provide new talent with a great place to play.
190) The Fastlane (published 2017-01-25) -- Around the world the Fastlane is noted in rock and roll history for being one of the clubs where a young Jon Bon Jovi got his start. Bon Jovi played here long before becoming famous with bands like Atlantic City Expressway, the Rest and the Wild Ones. The Fastlane was always home to several of the traditional Asbury Park musicians like Billy Chinnock and Lance Larson, but its true claim to fame lies in being the premier venue for alternative music in the area.
191) The Bongos (published 2017-01-25) -- The Bongos were one of the pioneers of early alternative music. A favorite of college radio fans, their music was an eclectic blend of pop and punk that stood just outside the mainstream. The band was originally a trio which included Richard Barone, Rob Norris and Frank Giannini with James Mastro joining the band a few years later. The Bongos released three albums that have reached near cult-like status.
192) Well of Souls (published 2017-01-25) -- Well of Souls was a band on the verge of success for many years. They won the East Coast Rocker “Unsigned Band Contest” in 1989, had a radio hit with the song “No More Rain” and spent countless nights in New York City showcasing in front of music industry people, but never managed to get signed to a record deal.
193) The Whirling Dervishes and Everlounge (published 2017-01-25) -- The Whirling Dervishes was a classic alternative band. They were the typical popular band, always drawing large crowds, always on the brink of success but never quite getting there. During the 80s, the band was part of the emerging music scene along the Jersey Shore in clubs like the Green Parrot and Fast Lane and was a favorite of the alternative rock radio station, WHTG.
194) Billy Donahue of The Blases (published 2017-01-25) -- The Blases were formed by Billy Donahue and Rob Wagner while they were high school students in Union County in 1980. They were originally called the Hernia Boys and also included the bass player, Paul Virdon, who died after being hit by a train. This experience provided the basis for the songs on their only released CD, which came out in 1989.
195) Rob Wagner of The Blases (published 2017-01-25) -- The Blases were formed by Billy Donahue and Rob Wagner while they were high school students in Union County in 1980. They were originally called the Hernia Boys and also included the bass player, Paul Virdon, who died after being hit by a train. This experience provided the basis for the songs on their only released CD, which came out in 1989.
196) James Deely & the Valiants (published 2017-01-25) -- James Deely was born in Washington, DC, but he grew up in New Jersey. After studying music in Los Angeles and a brief stint in the LA based pop-rock band the Palisades, Deely returned home and put together the Valiants.
197) Tony Stives of Red House (published 2017-01-25) -- Red House was formed by a bunch of guys in Union County in the early 80s. They became one of the most popular bands along the Jersey Shore and one of the leaders of the alternative scene taking place in clubs like the Green Parrot and the FastLane.
198) Bruce Tunkel of Red House (published 2017-01-25) -- Red House was formed by a bunch of guys in Union County in the early 80s. They became one of the most popular bands along the Jersey Shore and one of the leaders of the alternative scene taking place in clubs like the Green Parrot and the FastLane.
199) Bob Nichol of Red House (published 2017-01-25) -- Red House was formed by a bunch of guys in Union County in the early 80s. They became one of the most popular bands along the Jersey Shore and one of the leaders of the alternative scene taking place in clubs like the Green Parrot and the FastLane.
200) Ron Baumann of Red House (published 2017-01-25) -- Red House was formed by a bunch of guys in Union County in the early 80s. They became one of the most popular bands along the Jersey Shore and one of the leaders of the alternative scene taking place in clubs like the Green Parrot and the FastLane.
201) Mark Englert of Dramarama (published 2017-01-25) -- Dramarama was an explosive live band that recorded several brilliant records during the late 80s and early 90s. The band was formed by a group of guys from Wayne, New Jersey who moved out to California around the time they were signed to their first record deal. Even while they were living on the West Coast the band played a major role in an emerging alternative rock scene along the Jersey Shore. With sold out shows at clubs like the Green Parrot, the Fastlane and the Stone Pony, Dramarama became one of the most popular bands of its day.
202) John Easdale of Dramarama (published 2017-01-25) -- Dramarama was an explosive live band that recorded several brilliant records during the late 80s and early 90s. The band was formed by a group of guys from Wayne, New Jersey who moved out to California around the time they were signed to their first record deal. Even while they were living on the West Coast the band played a major role in an emerging alternative rock scene along the Jersey Shore. With sold out shows at clubs like the Green Parrot, the Fastlane and the Stone Pony, Dramarama became one of the most popular bands of its day.
203) Chris Carter of Dramarama (published 2017-01-25) -- Dramarama was an explosive live band that recorded several brilliant records during the late 80s and early 90s. The band was formed by a group of guys from Wayne, New Jersey who moved out to California around the time they were signed to their first record deal. Even while they were living on the West Coast the band played a major role in an emerging alternative rock scene along the Jersey Shore. With sold out shows at clubs like the Green Parrot, the Fastlane and the Stone Pony, Dramarama became one of the most popular bands of its day.
204) WHTG 106.3 and the Green Parrot (published 2017-01-25) -- By the mid-80s, the Jersey Shore music scene was pretty much running on fumes. Cover bands were the rage, original artists were no longer getting record deals and the drinking age had been raised, forever changing the face of the bar crowd. Things certainly looked bleak until a small radio station in Eatontown decided to change its format and wound up creating a music scene of its own.
205) Asbury Park Rock ‘N Roll Museum (published 2017-01-25) -- In the eighties, two memorabilia collectors named Billy Smith and Stephen Bumball had a dream to create a museum that would be centered around the Jersey Shore’s top acts like Bruce Springsteen, Southside Johnny and Bon Jovi but also include lesser known bands and artists of historical significance. The museum opened during the summer of 1986 in the Palace Amusements building. It gave music fans a place to go to learn more about their favorite local artists.
206) Joey and The Works (published 2017-01-25) -- Joey Vadala is a talented singer-songwriter from the New Brunswick area. He played in several bands with Glen Burtnick while they were both teenagers and actually replaced Glen in La Bamba and the Hubcaps years later when Glen left for a solo career. After La Bamba, Vadala fronted Joey and the Works, a popular band along the Jersey Shore. From there he went on to the band Poetic Justice, which changed its name to Big Sky after a movie by the same name came out.
207) WNEW On the Beach (published 2017-01-25) -- In the mid-80s, Asbury Park had already become largely a ghost town even during the summer season. The Palace was still open but most of the rides along the boardwalk were long gone as were many of the restaurants and shops. The once crowded beach was largely abandoned in favor of nearby towns like Belmar and Manasquan. But for two days each year, WNEW-FM of New York made Asbury the place to be again.
208) Secret Lovers (published 2017-01-25) -- Secret Lovers was a popular band along the Jersey Shore in the mid-80s. They released a EP in 1986 which contained the hit song, “Desiree (I Know You’re Home Tonight).” That song would be played heavily on radio stations throughout New Jersey and Philadelphia.
209) In Between Dreams (published 2017-01-25) -- In Between Dreams has been called one of the most influential punk bands of the Jersey Shore. The band burst started out at the Brighton Bar in Long Branch during the early 80s and then would go on to play many of the legendary clubs in the tri-state area like Maxwell’s, the Stone Pony, the Green Parrot, CBs, the Loop Lounge, the Court Tavern, the Melody Bar and the Limelight.
210) The Smithereens (published 2017-01-25) -- The Smithereens are one of the most successful bands to come out of the Jersey Shore scene. Based in North Jersey, the band played some of its first gigs at the Stone Pony in Asbury Park. Lance Larson, a favorite of the Shore crowd, invited the band to open his shows there. With influences ranging from the Kinks to the Who to Buddy Holly and the Clash, the Smithereens developed a sound a bit like punk mixed with Beatlesque melodies. Deemed “alternative music,” it was very different from what the Asbury Park crowds were used to but the band ultimately won crowds over.
211) John Eddie (published 2017-01-24) -- John Eddie may have been born in Richmond, Virginia but he’s got Jersey Shore blood flowing in his veins. A long-time favorite of local music fans from the Shore to Philadelphia and back down to Virginia, his live performances embody the definition of Jersey rock and roll music.
212) Jon Bon Jovi (published 2017-01-24) -- Jon Bon Jovi grew up in Sayreville, just up the Garden State Parkway, but he made his name in the clubs of Asbury Park. Early in Jon’s career his band used to open for Lance Larson and many of the national acts that came through Asbury Park with at the Fastlane. It was a great opportunity for Jon to play in front of the demanding Asbury Park crowds and he became a great performer because of it.
213) Bobby Bandiera (published 2017-01-24) -- Bobby Bandiera has long been considered one of the Jersey Shore’s best secrets, but he’s really not a secret anymore. He’s been Southside Johnny’s right hand man since the At Least We Got Shoes record, has released a pair of independent solo records, has played with Jon Bon Jovi for his solo concerts and has back
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Festival Takes- Blues Under the Bridge, Colorado Springs, CO July 30, 2016
” Let’s go to Memphis in the meantime, baby…” – John Hiatt
” Long distance information, give me Memphis, Tennessee…” – Chuck Berry
” Bye, bye, so long. Goin’ back to Memphis with a picture and a song..”- Ben Nichols
For one day a year, the asphalt canopy of the Colorado Avenue Bridge shields patrons of Colorado Springs’ finest annual event from the July sun and mountain thunderstorms to attend Blues Under the Bridge. Powered by perhaps its strongest lineup ever, the 2016 BUB delivered a kick in the pants to the city’s torpid music scene and transported fans down the Mississippi River to Soul City, USA, via an iconic blues giant and a white-hot newcomer.
Gone from years past was the flatbed trailer parked next to the tracks, with the drum kit seemingly within high-five range of the day’s Casey Jones. The new stage was a pre-fab with an overhang and back wall that somewhat insulated the band from the nearby rails, but musicians throughout the day could be heard saying, ” we’ll wait till the train goes by to start this one..”, although they usually just cranked up shortly thereafter even if the coal cars were still clanging by on their way to Pueblo.
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Opening this year’s fest were local faves Grant Sabin and Jesse Cotton Stone. Their roots blues set ranged widely from Robert Johnson and Howlin’ Wolf to fuzz-laced wails evoking Hendrix. Be sure to catch these guys together and in solo sets at Southside Johnny’s, Alchemy, and Whistle Pig Brewing Co. Check local listings!
With a shift toward a blend of Delta Blues, swing, and boogie-woogie, Eric Boa and the Constrictors then tore into a fine set, showcasing the long-time Boulder sideman’s thorough knowledge of crowd-pleasing blues classics, including Muddy Waters’ ” I Can’t Be Satisfied “, and newer material like Gary Clark Jr.’s ” Don’t Owe You A Thing ”
The surprise addition to the lineup this year was the completely unknown Southern Avenue, reputed to be the current must-see local band in Memphis. Behind only a six-song EP and a single, ” What Did I Do ? “, featuring slide by North Mississippi Allstars ‘ Luther Dickinson, the band has built a huge following on regional blues circuits in their first year playing together. Built around the torrid licks of Israeli guitarist Ori Naftaly and the irrepressible onstage presence of singer/dancer/cheerleader Tierinii Jackson, the high energy soul-roots- blues rockers captured the crowd’s attention and was quickly drawing from the fans’ enthusiasm.
Befitting their home base in the Memphis sound melting pot, the band played a wide range of material, including ( who knew? ) Willie Nelson’s ” Nightlife “, Al Green’s ” So Tired of Being Lonely “, and Prince’s ” Kiss ” , as well as originals. The encore ” Don’t Let Go ” showcased Naftali in a series of solos, at times sounding like John Fogerty on early Creedence.
Legacy blueswoman Shamekia Copeland, daughter of Texas legend Johnny Copeland ( check out his ” Showdown ” CD with Robert Cray and Albert King if you see it in the cutout bin ) has made her own way from New York with a soulful, gospel-based brand of blues. Her set featured tracks from her latest release, “Living On the Outskirts of Love “, as well as a sizzling cover of her father Johnny’s ” Devil’s Hand “. She closed with ” Ain’t Gonna Be Your Tatoo ” and a wild encore of ” It’s 2 a.m. Do You Know Where Your Baby Is? ”
A showing of respect is appropriate in the presence of royalty, and the fans rose in tribute to Memphis icon Booker T. Jones as he strode onstage to join his son Tad and their killer band.
Booker’s set drew broadly from songwriters he has admired over the years– Muddy Waters, Hendrix, Albert King — and was spiced with short anecdotes about his observations of great musicians plying their craft. His own history is astounding – writing and recording ” Green Onions ” while still in high school in Memphis, playing in the house band behind legendary Stax artists like Otis Redding and Rufus Thomas, taking a scholarship to attend the prestigious music program at Indiana University ( and recently receiving an honorary Doctorate ), writing ” Time Is Tight ” while walking along the Seine in Paris, moving to L.A. and producing great artists like Willie Nelson, recording ” Potato Hole ” backed by the Drive-By Truckers and Neil Young on guitar…and living to see even your earliest work hold up over decades and generations of listeners. To have him grace the Bridge stage and close out a gorgeous day at the festival was an extraordinary treat. And a tough act to follow for next year’s fest! As Booker’s huge fan Patterson Hood says, ” see you at the rock show! ”
– Your humble mountain correspondent, Nanker Phledge.
Concert review- Joe Walsh and Bad Company, Red Rocks Amphitheater, Morrison, CO 5/15/16
” Well, the Rocky Mountain Way is better than the way we had…Oh-oh yeah ! ” – Joe Walsh
” Joe Vitale and I moved to Colorado in …1971 and a half …”, and since then Coloradans have considered Joe Walsh a native. From the James Gang days, with Joe’s original Huge Riff Song ” Funk 49 ” and the cool burn of ” Walk Away “, the Centennial State has embraced Joe fondly. With the celebratory ” Rocky Mountain Way “, his place in local lore was cemented. Most Front Range rock fans have their own story of a cool thing Joe did here, the most common being his habit of showing up at KBCO and disc jockeying a shift, sometimes for several days in a row. When the Eagles finally stopped milking their legacy, err, touring several years back, Joe resumed gigging with his own band, playing not only his trademark Eagles songs – ” Life In the Fast Lane ” and ” Pretty Maids All In A Row ” – – but the James Gang pearls and his solo tunes like ” In the City “, ” Life’s Been Good “, ” Over and Over “and ” Turn To Stone “. The current lineup backing Joe includes Joe Vitale, his Barnstorm bandmate on drums as well as Chad Cromwell ; Waddy Wachtel on guitar; Larry Young on bass and Jimmy Wallace on keyboards, Leslie Fuller, Connie Jackson, Windy Wagner and Rickey Washington as background singers and Clayton Janes on samples.
Joe’s last gig at Hudson Gardens in Denver showed his sensitive side, with a heartfelt tribute to the then-recently departed Levon Helm. Joe played in Levon’s Midnight Ramble bands in Woodstock, and admitted that ” I’m not okay with his passing ” before launching an unhurried, mournful version of ” I Shall Be Released “. And this Red Rocks show’s finest moment was Joe’s tribute to ” my friend and brother, Glen Frey “, a moving version of the Eagles’ ” Take It to the Limit “. At first it seemed incongruous to choose a song by then-bassist Randy Meisner when Frey had so many great tunes. But the lyrics rung true – ” All alone at the end of the evening …if it all fell to pieces tomorrow, would you still be mine? ” – and the spotlighted vocal by backing singer Rickey Washington was emotionally charged. The photo montage projected behind the band was filled with old Frey photos, some with his arms around Walsh, and evoked memories of the early days when the Eagles seemed so unaffected by stardom.
The somber moments at Joe’s shows are leavened with humor. At Hudson Gardens , Joe remembered being solicited to contribute a song ( ” In the City ” ) to the 1979 teen gang movie ” The Warriors “. Joe told the producers, ” I know about that.. I was in a gang in high school. We weren’t very tough…we had to be home by seven..” Last night’s opening greeting was ” Good morning”, as if he meant it, and the lead-in to ” Life’s Been Good ” was a funny tale of an airport fan who begged Joe to confirm his identity, then swore that he couldn’t be Joe. ” Lucky I’m still sane after all I’ve been through ..”, as the song goes.
Joe’s playing was remarkable throughout, and he easily delivered the arena-friendly riffs and solos so well known to his fans. His voice was plenty strong, if fading in the upper register, and the backing vocals were arena-necessary. When Joe intro’d the encore with : ” If I were President…this would be the National Anthem “, everyone in the joint knew what was coming: ” Spent the last year, Rocky Mountain Way, couldn’t get much higher ”
” Let me tell you about the voices in my head… there’s Levon Helm, there’s Paul Rodgers, and David Barbe..” – Mike Cooley
Back when dinosaurs still roamed the Earth, Paul Rodgers fronted a great blues rock band named Free, best known for the hit ” All Right Now “, but widely admired for their gritty, uncluttered lamentations like ” Fire And Water ” , ” Heartbreaker “, and ” Don’t Say You Love Me “. That band had a gift for playing slowly, a trait that would mark Rodgers’ later work. Despite success and acclaim for Rodgers and guitarist Paul Kossoff, Free dissolved in 1973 when bassist Andy Fraser returned to his band Sharks.
Rodgers and drummer Simon Kirke then teamed with guitarist Mick Ralphs ( Mott the Hoople ) and bassist Boz Burrell ( King Crimson ) to form Bad Company. The band’s sound showcased Rodgers’ vocals and Ralphs’ sparse guitar work ( one critic groused that you had to squeeze solos out of Ralphs like a lemon ) . Rodgers took some interesting turns after Bad Company, including a Muddy Waters-themed tour with (Santana and Journey) axeman Neil Schon and later fronting a post- Freddie Mercury version of Queen.
Regrettably, Boz Burrell died in 2006, and Mick Ralphs had to miss the current Bad Company tour for health reasons, but Rodgers and Kirke -the original singer and drummer from Free and Bad Co – made the ride this time, ensuring that the bands’ trademark sound would essentially be intact.The rest of the band this tour will also include former Heart member and Rock and Roll Hall of Famer Howard Leese (guitar) and Todd Ronning (bass), both longtime members of Rodgers’s solo group. And while The Black Crowes’ estimable Rich Robinson, a late tour addition after Ralphs cancelled, was stashed in the background until the encore, veteran guitarist Leese held his own on the lead solos that the fans knew well.Their eponymous first LP holds up remarkably 40 years on , and essentially was the set list for this show, with the addition of later hits ” The Sky Is Burning” and ” Rock and Roll Fantasy “. Highlights included smoking versions of ” Moving On ” , ” Bad Company “, Burrell’s great ” She’s Gone “, and ” Rock Steady “, with Robinson finally stepping up to deliver a scorching solo to cap the encore, as well as an acoustic version of ” Seagull “, with Rodgers, Leese, Robinson, and even Kirke on guitars.
Sadly, the only Free tune was in the intermission soundtrack, the late Michael” Iron Man ” Burks’ red-hot cover of ” Fire and Water “, but the replay of the Bad Company LP was more than enough to satisfy the Boomers that packed the sold-out iconic venue. On the heels of Joe Walsh’s set, no one could deny the promoters’ assertion that this would be ” One Hell of A Night “.
Life has also been good to our Rocky Mountain correstpondent Nanker Phledge. Thanks, Nanks! – Editors.
Festival Takes- Springing the Blues, Jacksonville Beach, FL April 1-3, 2016
Blues fans across the South know that the first weekend in April brings the nation’s only free oceanfront blues festival to Northeast Florida. STB has managed to cobble together a fine lineup of talented bands every year to the perpetually blighted end of Beach Boulevard, where the ocean breezes caress the food vendors and kitsch hawkers within earshot of both the Main Stage and the smaller inland Blues Lounge. This year’s fest brought expanded VIP seating up front, a return of the perpetually headlining Lee Boys, and an adjusted artist schedule that had bands on both stages starting and finishing simultaneously. The latter brought much grousing from the hardcore attendees, who bemoaned the lost opportunity to check out artists in both venues, and the pleasures of constant music from one stage or the other. With three days of music, some sampling is usually required, and our intrepid reporter weighs in with some highlights from this year:
Friday night
Opening night brought a strong lineup including area standout Toots Lorraine and Traffic and STB first timers Sean Chambers Band. Toots plays jazz and blues standards to great effect, and her voice holds up well in both the large and small stage settings.
Blues rock was next on the menu, with the Sean Chambers Band blowing up the Lounge stage with their mix of originals ” Full Moon on Main Street”, ” You Gotta Help ” and ” Here and Now”, along with genre standards like Willie Mitchell’s ” Come to Papa ” and a rather obscure Alvin Lee ( yes, he of Ten Years After and the incredible ” Coming Home” in the Woodstock movie) track ” Choo Choo Mama”.
For many fans, Friday night belonged to festival favorite Selwyn Birchwood, the guitar whiz tasked with opening the fest from the Lounge stage. By the time his set was over, many fans followed him to the Main Stage, where he held the crowd with a tight set of originals ” Hoodoo Stew ” and ” Pick Your Poison “. His lap slide playing was especially tasty, and he left the stage to enthusiastic applause. We caught up to Selwyn later at the merch tent, where he was checking the inventory of CDs, shirts, and glasses.
Which brought to mind the best way to support the artists: buy your CDs at the show and send the money directly to the artist. Many times when CDs are pressed the artist is given a number of complimentary discs to sell or distribute, and these are usually what’s seen at the merch tent. Don’t put that big box store between the artist and your purchase!
Saturday afternoon/evening
After a thunderous morning storm the clouds cleared over Jax Beach, making way for sunshine over the crowd during sets from Kim Reteguiz and the Black Cat Bones, the Parker Urban Band, and Eryn Shewell, who delivered a great cover of Lowell Fulson’s blues chestnut ” Little By Little”.
The VIP section in front of the Main Stage was still not jammed by late afternoon, but a blistering set from Toronzo Cannon pulled fans from the food and ” arts ” ( we’ll use that term loosely here) plaza to their folding chairs in VIP and their blankets and canvas chairs for the hoi polloi in back. True to form, the hard rocking Samantha Fish served up a rock-flavored set of arena-friendly blues tunes, including selections from her 2015 release ” Wild Heart “. The Kansas City star showed why the Blues Foundation has nominated her for their 2016 Best Contemporary Female award.We hope she wins!
But for Saturday night, the best action was at the small Lounge Stage, where the Corbitt Clampitt Experience appeared at 6:40, just as the sun was setting on the Fest. They were shortly joined onstage by comrade John Parker Urban, and the twin-lead guitar lineup quickly jolted the crowd with a tight set that at times reminded older fans of the halcyon days of the Marshall Tucker Band. Although Urban was initially buried in the mix, the sound booth made adjustments and the band pushed through on numbers like Pinetop Sparks’ ( notably covered by BB King ) ” Every Day I Have the Blues “.
The band’s rousing finale of Dave Mason ( no, Joe Cocker didn’t write it, though his version is the best known)’s ” Feeling Alright ” brought two terrific singers to the packed stage ( come on guys, introduce them! ) and the crowd to its feet. The band has a strong local following and the rocking ensemble feel to the rolling tune had fans loudly singing and dancing along.
Had the fest ended there for the night, few would have complained. But despite the tough act to follow, national blues fest veteran Mr. Sipp ( a nod to his Mississippi roots) skipped onstage in his red lowtop Converse Chuck Taylors to cap the evening with his engaging presence and professional delivery of rocking blues, notably his own ” I Hit the Jackpot “.
Sunday afternoon
Perhaps the loveliest day of the Spring graced the fest on Sunday, and the locals came by bikes, skateboards, and sandals to the oceanfront venue to close things down. The fest was headlined again by the popular Lee Boys a funk and gospel band based out of Miami. The band plays in the Sacred Steel tradition that arose out of the House of God Church. Having seen them several times, we opted for the Lounge stage, where we were treated to a fine set from Jarekus Singleton, highlighted by a great version of William Bell and Booker T. Jones’ R and B classic ” Born Under A Bad Sign “, popularized by Albert King and Cream.
But this fine set was merely a warm-up for many fans’ Main Event of the fest, an appearance by local hero Conrad Oberg, who rose from Jacksonville arts magnet Douglas Anderson School of the Arts to become an international blues figure, with over 4 million worldwide YouTube views.
Born profoundly prematurely and blind at a pound and a half, Conrad overcame huge obstacles to learn keyboards from age two until given his first guitar at age ten. Five years later he played the Hendrix-style National Anthem at the Woodstock Reunion! His appearance at STB continues his touring in support of his 2013 release ” Spoonful “.
Conrad’s set featured many tunes from the ” Spoonful ” CD, including Willie Dixon’s title cut ( famously covered by Cream on ” Wheels of Fire” ) and Dixon’s ” I Just Wanna Make Love to You” ( the Foghat version is well known to classic rock fans ). Conrad started slowly, seemingly warming to the crowd, before tearing it up on ” Mojo Mofo “, Doug Sahm’s ” She’s About A Mover “, and Robert Johnson’s ” If I Had Possession Over Judgment Day “. During extended solos, he would drift into well-known riffs from similar tunes, tossing P.F. Sloan and Steve Barri’s ” Secret Agent Man ” into the Ventures’ ” Pipeline “, and Led Zep’s ” Heartbreaker ” into the White Stripes’ ” Seven Nations “. Wisely choosing familiar rock-influenced blues tunes for the mostly pre-Millennial crowd, Oberg seemingly peaked with scorching versions of Stevie Ray Vaughan’s ” Texas Flood” and the Allmans’ ” Whipping Post ” . But the finale was another surprise: a reprise of Huddie ” Lead Belly ” Ledbetter’s ” Black Betty “, hewed closely to the 1977 rock version by Ram Jam.
While not what anyone would consider ” blues “, the covers of these rock standards showed their somewhat obscured blues roots, verifying McKinley Morganfield’s conclusion that ” the blues done had a baby, and they named the baby Rock and Roll “. Call it what you want ( as Junior Wells says ), Springing the Blues delivered again.
Many thanks to our roving correspondent Nanker Phledge for this report !
Concert review: Drive-By Truckers at Red Rocks Amphitheater, Morrison, CO 8/16/2015
” The clouds started formin’, five o’clock p.m. ..” – Patterson Hood, DBT: ” Tornadoes “
2015 has been the Summer of Rain at the world’s most beautiful outdoor venue, with an extraordinary number of shows doused by evening showers. In June I stood in a hailstorm through a terrific set by Doyle Bramhall II , wondering if my buddy Il Padrone was riding the storm out in the Men’s room, or had bailed for the parking lot. The Rocks is a No Pass Out venue, meaning no runs to the parking lot, but on that night they announced that anyone could retreat to their cars and return when the Tedeschi-Trucks Band could safely start their set. These considerations crossed my mind as I stood in line with other General Admissioners, layered in less-than-waterproof gear as the ” clouds spat rain “. Many artists allow the Rocks to leave the first and last 20 rows as GA, and if you queue up early you’re pretty likely to get a great seat for a cheaper price.
As the rain fell on the line, and I gazed at the dry sanctuary of my Tundra not 50 feet away, I ruminated on my personal Pantheon of musicians and bands, wondering just who I’d stand in the rain to see. The Stones, Springsteen, the North Mississippi Allstars…. yeah, the DBT are on that short list. And with the Bestman, JenniRose, and the Biker Chick all counting on me to hold some sweet seats, I hunkered down and waited for Security to wave us in for the long climb to the turnstiles and the run for the primo spots up front.
” I’m just the Opening Act and I hit my mark…” – Hood, DBT: ” The Opening Act “
Having evangelized the DBT Gospel ad nauseum since TJ turned me on to the band in 2003, it pained me to see them have to open for the Alabama Shakes, a band that Patterson Hood helped launch, in their first appearance at the Rocks. Having seen the Shakes open for Neil Young and Crazy Horse back in 2012, I would have passed on this show but for the boys from Muscle Shoals. The band has wound through some lineup changes since the halcyon days of Southern Rock Opera and the tour de force The Dirty South , with Jason Isbell moving on to dominate the new Americana genre, and bassist Shonna Tucker and pedal steel virtuoso John Neff leaving to find their own paths. The current lineup since 2012 features young bassist Matt Patton and Jay Gonzalez on keyboards and guitar, sometimes simultaneously. Most hardcore DBT fans consider the changes a net positive, with no more Tucker compositions to work into sets and the harder rock edge without pedal steel, yet yearn for Isbell to return like the Prodigal Son. With the band tearing into ” Tornadoes “, ” Gravity’s Gone “, ” Lookout Mountain “, and ” Shit Shots Count “, there was no time to mourn past lineups, just ” shut your mouth and get your ass on the plane “.
” Remember it ain’t too late to take a deep breath and throw yourself into it with everything you’ve got… it’s great to be alive ! ” – Hood, DBT: ” World of Hurt “
Perhaps honoring the revered venue, the band shockingly appeared onstage in dress coats and vested suits, with Hood sporting his shortest haircut since high school. Muscle Shoals natives Hood and Cooley traded compositions throughout the set, with iconic tunes like ” Sinkhole ” and ” Uncle Frank ” interspersed with rarely heard ” Pauline Hawkins ” and ” Get Downtown “. The band doesn’t often play much from A Blessing and A Curse, the ” not happy album ” borne of the Isbell/Tucker divorce and Jason’s departure, well chronicled in the band documentary The Secret to A Happy Ending. But for this night, the rendition of ” World of Hurt ” took on an uplifting tone, and when Hood spread his arms to embrace the granite amphitheater crowd and holler, ” It’s great to be alive “, it felt like redemption, as if the current band could honor the past and blaze into the future.
” I’m just the Opening Act and the van is packed; haulin’ ass to another State…” – Hood,DBT: ” The Opening Act “
When your band is cited by Rolling Stone as the best live act in America not 3 years ago, it might be a bitter pill to have to open for what might be a lesser talent. But regrettably Deserve’s got nothing to do with it, and the band respectfully tore up the stage for their allotted time and creatively avoided upstaging the headliners by announcing that ” Grand Canyon ” would be their last song. The lovely tribute to their late friend and guitar tech Craig Lieske built to a sonic climax as Hood, Cooley, Gonzalez, Patton, and finally drummer Brad Morgan took bows and applause and walked offstage. As the lights came up and the canned blues filtered over the crowd, it was clear there would be no encore from the band famous for several. To nail the end of the set, leaving the crowd yearning for more, and walk off into the Rocky Mountain night…that’s a tough act to follow. I resisted the urge to bust on the unenlightened just entering the Rocks as my crew skipped out past the ushers warning, ” you can’t come back in “. No need to on this night.
” The secret to a Happy Ending is knowing when to roll the credits…” – Hood, DBT: ” World of Hurt “
Your faithful mountain correspondent, Nanker Phledge
Concert review- Booker T. Jones- Soiled Dove Underground, Denver, CO 6/12/15
” I saw him later at the Monterrey Pop Festival. Only this time, he wasn’t playing the Isleys’ music. He was playing his music. And we all poured out of the dressing room to go see him .”
That’s Booker T. Jones, talking about Jimi Hendrix, whom he had first seen playing in a club in Indianapolis with the Isley Brothers. At that time, Booker was at the world-class school of music at Indiana U. in Bloomington on a full scholarship. This might have been a daunting course of study for a humble kid out of Memphis, except this kid had already made great records as the keyboardist for the Stax Records house band behind the likes of Otis Redding, Sam and Dave, and Rufus Thomas, as well as writing and recording the hit ” Green Onions ” with Steve Cropper, Duck Dunn, and Al Jackson, Jr. as Booker T. and the MGs. Oh yeah, and that was while Booker was in high school. The gig at Monterrey was immortalized in the Hendrix/Redding LP, ” Live at Monterrey Pop “, with Otis upstaging rock’s royalty – the bill included The Who, Jefferson Airplane, and Janis Joplin – with his unforgettable version of Chris Brown’s ” Try A Little Tenderness “.
Fast forward to 2015, and Booker is an elder statesman of music history, with a roster of LP appearances, songs crafted, and production ( who knew he was at the boards on Willie Nelson’s ” Stardust ” ? ) rivaling anyone on this side of the grass today. The Soiled Dove show was a veritable tour through a Mount Rushmore of rock and R and B, with Booker in the role of docent, guiding the cognoscenti and newbies alike with snippets of memories and back stories galore. Beginning with the organ intro from the soundtrack to the Clint Eastwood classic ” Hang Em High “, Booker oozed relaxed confidence as he shared the first of many remembrances: the hit single for the MGs, a cover of the soundtrack version by Hugo Montenegro, was written by then-Los Angeles Rams owner Dominic Frontierre, apparently moonlighting in the movie biz. Next up was blues legend Albert King, and ” Born Under A Bad Sign “, famously covered by Cream. Booker has said that he and songwriting partner William Bell crafted this R and B standard the very night before Albert showed up in Memphis for his session. Talk about deadline pressure! Booker stayed with Albert on the latter’s ” Pretty Woman ” ( decidedly not the Roy Orbison tune of the same title ), noting that he played his original instrument, the upright bass, on King’s recording of the song.
Nicely pacing the set with covers and originals, Jones sandwiched Hendrix’ bluesy ” Hey Joe ” between the MGs’ ” Green Onions ” and ” Hip Hug-Her ” . Then on to ” one of the most unusual men I’ve ever met “, the prehistoric rocker Ellas McDaniel, a/k/a Bo Diddley, with an obscure tune that Jones left unnamed. Jones would later swing back to the 50s blues legends with Muddy Waters’ ” Mannish Boy “. One could almost follow Highway 61 along the banks of the Mississippi River with Booker as he sampled the sweeping range of musical genres that came through Memphis during his formative years.
That exposure to a wide variety of styles leads Booker to places you wouldn’t expect. Referencing an award ceremony in Minneapolis, he recounted the appearance of local eminence Prince, and deftly segued into a lovely version of ” Purple Rain ” with his son Ted. To see father and son alone together onstage, trading heartfelt verses in a gentle, almost quiet arrangement, was a touching moment and a musical treat.
Booker’s hits have all been instrumentals, but his voice is surprisingly supple and his phrasing is relaxed. He stayed within his range, and his sincere delivery was at times compelling. Stepping out to center stage on guitar, he showed a disciplined musicianship befitting a guy who directed his high school band and orchestra from the day he showed up as a freshman.
Jones closed the set with the MGs’ ” Soul Limbo ” ( our late Harry Gebippe’s favorite Booker tune ), and ” Hey Ya ! ” from his Grammy-winning collaboration with the Drive-By Truckers and Neil Young, Potato Hole . Booker took pains to thank his outstanding band ( Vernon ” Ice ” Black and Ted Jones on guitars, Darian Gray on drums, and Melvin Brannon Jr. on bass ), and stepped offstage only briefly . Almost in thanks to the crowd, Booker launched into his most familiar hit, ” Time Is Tight “. Booker has said that the song was written as he gazed upon the Seine River in Paris, and the gentle but pulsing tempo coupled with Booker’s feathery chords by gave the feel of a watery current beneath the floor of the Soiled Dove. Time for another musical giant? Another cohort from Booker’s past? Yes, back to Otis Redding and the hit written with Jerry ” The Iceman ” Butler , ” I’ve Been Loving You Too Long “. Too long to stop now, indeed, Mr. Jones.
— Nanker Phledge
The editors would like to welcome back our intrepid mountain correspondent Mr. Phledge from his extended ” vacation ” at an undisclosed location.
Concert Review- Tedeschi-Trucks Band, the Florida Theatre, Jacksonville, FL 1/16/15
” Back in the 1970s, when dinosaurs still roamed the earth”, as Patterson Hood says, a scrawny local kid with a ballcap visored way down his forehead stood boldly on the Florida Theatre stage as the opening act for B.B. King, wailing on slide guitar as if he belonged there. The King of the Blues later invited the kid to join him onstage, and hugged him afterward, telling the crowd: ” Imagine how good he’ll be when he gets to my age! ”
But it all seemed too much for any kid to live up to. Born on the First Coast into a musical heritage as the nephew of founding Allman Brothers drummer Butch Trucks, named after Eric Clapton’s alter ego with soulmate Duane Allman on arguably the greatest blues-rock album ever , cast as a prodigy on slide before he left high school…how could anyone not be crushed or sucked in by the weight of all this? By continuing to grow, yet staying true to his roots, Derek Trucks went beyond the hype, earned his peers’ respect, and now leads the best touring band in the U.S. with his powerhouse blueswailing wife Susan Tedeschi. As the First Family of the Blues, they returned to the Florida Theatre on the heels of wildly successful tours, award-winning records, and critical acclaim. The locals welcomed them home with roaring approval throughout their pulsating two hour set.
Derek’s growth from sideman to bandleader has reflected his broad musical tastes, and the full ensemble band allows him to stretch in many directions. Beginning with the twin-drum lineup trademarked by the Allmans, the current TTB features keys, bass, two backup singers, and a three-piece horn section. Throw in Susan’s own formidable chops on guitar, and you have a huge sound base with a wide variety of ingredients. Derek’s willingness to let the band take solos and leads throughout the show kept things cooking, whether it was Kofi Burbridge on keys and flute, Kebbi Williams on sax, or the always scintillating Mike Mattison on vocals.
Beginning with ” Are You Ready/Made Up Mind “, the band rolled through a veritable Best Of selections from their three CDs, spiced with a few covers, including Deadrick Malone’s ” I Pity the Fool “. Fans cheered wildly as favorites ” Do I Look Worried? “, ” Midnight Up In Harlem “, and ” Idlewind ” ( with a tasty solo by Burbridge on flute) paced the set, culminating in a rousing ” Bound For Glory “. With each song, another member of the band would be featured as soloist, often extending into short jams and interplays that no doubt serve to keep the material fresh through the many nights onstage. Susan was in fine, strong voice, and seemed to be playing notably better, often trading leads with Derek before he took off into his own stringed stratosphere. The band’s sound ventured into jazz at times, veered back toward R and B, and even swung around to traditional acoustic blues.
Through the years, Derek’s onstage demeanor has changed little. The tours alongside Eric Clapton, the years next to Warren Haynes as an Allman Brother, and the side projects with roots musicians like JJ Grey have kept Derek humble and seemingly unaffected by his great success. True to form, he said nothing onstage and merely waved to the crowd at the close of the set. Paying tribute to his namesake, Derek and Susan often include a Clapton cover in their set, from Bobby Whitlock’s Dominoes rocker ” Anyday ” all the way back to Blind Faith and ” Presence of the Lord ” during the Allmans’ show at Wanee years back. This night, they returned to ” Layla” with another Clapton/Whitlock tune, ” Keep On Growin’ “, as the encore of choice, to thunderous applause from the aging boomer crowd, many of whom likely have vinyl ” Laylas ” gathering dust in boxes in the garage.
Looking back to Riley B. King’s prognostication, it didn’t take a bluesman’s lifetime for Derek Trucks to mature into a musician’s musician and a artist of commensurate stature to the King himself. All hail the new King and Queen of Blues Rock!
A hearty welcome back and Happy New Year to our Florida correspondent, Nanker Phledge… how about showing up now and then, Nanks? – Editors
There was no red carpet or phalanx of photographers to navigate as I slipped into the Mother Church of Country Music, the Ryman Auditorium in downtown Nashville, making my way into the 13th annual Americana Music Honors and Awards ceremony. I guess they were all out back, photographing the stars from the TV show, ‘Nashville’. The event was held September 17th, to honor artists chosen by voting members of the AMA for six ‘best of’ categories, and five awards of merit for a lifetime of work. What was once called ‘Alt-Country’ music has been civilized and categorized into a genre called ‘Americana’, opening up a class of music that welcomes artists that may not have fit into existing radio formats.
Perhaps I’m jaded by having attended two previous years’ events but this wasn’t exciting or electric, it was ‘take your seat and wait for the show to begin’ business. I missed the 50,000 watts of curiosity and enthusiasm that always radiated from my husband prior to The Really Big Show -but I confess to indulging in a good look around the room to check out the industry notables sitting in pews about the room. Then the lights went down and we were On Air, live from the Ryman Auditorium in Nashville.
The evening kicked off with a pre-On Air number, ‘Can’t Judge a Book by Looking at the Cover’ as interpreted by Doug Seegers. Any show that kicks off with a Bo Diddley (okay, Willie Dixon) song is getting off on the right foot in MY book.
The House Band once again was comprised of Americana advocates and banner carriers: Don Was on upright bass, Buddy Miller on guitar, Jim Lauderdale on guitar, Tim Lauer on piano, the McCrary Sisters on backing vocals, Joachim Cooder and Greg ? on drums and percussion.
The first honor to be awarded, the Lifetime Achievement Award for Songwriting, was presented by Kasey Musgraves and Angaleena Presley to the great Loretta Lynn, who made her way up the steps at the center of the stage in a beautiful lavender gown. She accepted the award in her self-deprecating way, making a comment to the affect of, she would like to stick around but she had a gig to get to and needed to get on the bus. But this great southern lady didn’t leave without gracing the event with one of her famous compositions, ‘Coal Miner’s Daughter’.
Next up, Rodney Crowell was joined by Ry Cooder on his song, ‘God I’m Missing You’ from his most recent CD, Tar Paper Sky
One of this year’s nominees for Best Emerging Artist, Parker Milsap, rocked out on his number, ‘Truck Stop Gospel’, wailing the blues and ably supported by upright bass and a fiddle players, with serious facial hair. Rootsy.
The Lifetime Achievement Award for Instrumentalist was presented to Flaco Jimenez. I have had the privilege of hearing Flaco play in various clubs in Minneapolis over the years and it delighted me to hear Ry Cooder (over several days in multiple events) wax poetic about the musical gifts and contributions of Flaco Jimenez. Any readers unfamiliar with his work, please You Tube this guy; you will see why he received this award.
The next nominees to play were The Devil Makes Three, followed by Hooray for the Riff Raff, doing ‘The Body Electric’. These two bands are getting a fair amount of air play on my local radio station and provide relief from the disco and arch-sounding EuroRock that dominates drivetime. Check them out; both bands have updated a retro sound and bring whimsy to the stage.
The award for Instrumentalist of the Year was presented by Carlene Carter and Vince Gill. It may feel to the other nominees like they were being ‘home-towned’ when AMA institution Buddy Miller was announced as the winner. (Buddy Miller, along with Jim Lauderdale are stalwarts of the AMA).
The next performance was from a very intriguing artist that, while she didn’t ultimately win the Best Emerging Artist award, is adding depth and distinction to the Americana sound – Valerie June. She doesn’t need the trophy to validate that she belongs on this stage, on the air and in a CD player near you. Check out the red guitar, yellow dress, and turquoise boots – she and Loretta Lynn just know how to dress.
Robert Ellis, one of Harry Gebibbe’s favorites (we’d seen him several times over the past couple of years) did a smoldering version of his, ‘Only Lies Can Comfort You’ from this year’s CD, Lights from the Chemical Plant. I admit I wasn’t crazy about his sound on the previous CD but after the performance on Wednesday I’m going to give him another listen.
One year ago, Mr Gebibbe and I had ringside seats at 3rd & Lindsley, the night Roseann Cash premiered her CD ‘The River and the Thread’ at the 2013 AMA Festival. The CD wasn’t released until February and I counted the days until I could buy it and re-live that night – my God, what a show she and her outstanding band put on! On Wednesday she performed the opening song from the CD, ‘A Feather’s Not a Bird’, with John Leventhal and Ry Cooder exchanging simmering guitar licks in the bridge, and once again I thought of that show a year ago, sitting with my baby at 3rd & Lindsley. This was worth the 875 mile drive to get here.
Keb Mo’ presented the Lifetime Achievement Award for performance to Taj Mahal, and following his acceptance speech, Taj and Ry Cooder performed together (years ago they had been in the band, ‘The Rising Sons’).
Next up, Patti Griffin and none other than Robert Plant joined up on her number, ‘Ohio’. The young man sitting two seats down from me made an audible gasp when Mr. Plant emerged on stage – perhaps I did, too. There was a whole lotta love in the room at that moment.
Here’s where I need to confess some ambivalence the Biggest Winner of the night – I LOVE Jason Isbell. I loved him from his first two songs on ‘Decoration Day’. I loved seeing him and the 400 Unit swing through Minneapolis about every six months for two and a half years following his departure from the DBTs. I applauded him and sent him earnest telepathic support when I learned that he ‘got sober’, and felt joy at his union with Amanda Shires. I listened to ‘Southeastern’ for nearly the first three hours of our drive back from the AMA festival last year. But godallmighty, did he have to win Album of the Year, Artist of the Year, and Song of the Year??? Damn, Roseann Cash should have gotten at least one of these awards. But you can’t argue with the brilliance and sincerity of ‘Southeastern’. He winning streak this night reminded me of when Paul Simon was giving his acceptance speech for one of his Grammy’s and the first person he thanked was Stevie Wonder, for NOT putting out an album that year…. I hope someone re-uses that line at the AMAs next year.
The gritty, thumping rockers, The Hardworking Americans, did a number from their nominated eponymous album – Todd Snider could have been mistaken for Kid Rock – well, maybe only by me. He did a ‘Kanye West’-style walk off at the end of the number, which felt like the first Outlaw moment of the night, a ripple in the ‘peaceandlove’ vibe that had filled the room until that point.
Peace and Love returned, along with some ‘good hair’ commentary, when the Milk Carton Kids introduced their pal Sarah Jarosz. They mentioned the good hair of Rhett Miller, Robert Plant, and the still-not-gray Jackson Browne but failed to recognize Marty Stuart – best hair of the festival in my estimation. After Ms Jarosz performed her number she returned the favor and introduced the ‘Duo or Group of the Year’ nominees, the Milk Carton Kids, who performed Everly Brothers style, sharing a mic.
Along with Valerie June, the other great new artists that I enjoyed hearing for the first (surely not last) time live at the AMA awards was the R&B dynamos, St Paul and the Broken Bones. These guys are in good company with a number of other new-ish groups, revitalizing the joyful, jet-fueled Memphis R&B sound – if you haven’t already, you MUST hear this band.
Skipping forward (sorry, I’m leaving some acts out) to the Spirit of Americana/Free Speech in Music Award – JD Souther presented Jackson Browne with the award and then joined him on the song, ‘Fountains of Sorrow’. I had forgotten how beautiful that song is (I had secretly been pulling for him to do ‘Red Neck Friend’ but when you are receiving and earnest award you really should chose one of your beautiful songs I suppose).
The winner of the Emerging Artist of year was Sturgill Simpson; the award was presented by Cary Ann Hearst and Michael Trent (Shovels and Rope). I bought his ‘Metamodern Sounds in Country Music’ upon its release in May and listened to it probably a dozen times as I traveled out and back to visit folks in McLeod County one Saturday. It didn’t stick with me and I haven’t listened to it since. But his live performance on Wednesday was rockin’ outlaw, better than I expected, and so if I haven’t sold the CD back to The Electric Fetus I will give it a dozen more listens. His presence on stage was more invigorating than what I got from the recorded music and encourage anyone reading this to see him when he comes to your town. After all, he’s a Winner.
The finale of the show was a rousing hootenanny version of Johnny Cash’s ‘Get Rhythm’. This made me think of NRBQ, which made me think of my beloved Harry Gebippe. I think he would deemed it, ‘a really great show’.
Respectfully submitted, Mrs Gebippe. Photos by Jinx Howell
Festival takes- Blues Under the Bridge 2014, Colorado Springs, CO 7/19/14
We return to the coolest spot on a hot summer day in Colorado Springs– the flatbed stage under the Colorado Avenue bridge next to the railroad tracks….
The first time I ever saw Neil Young, he was dressed in buckskin head to toe fronting Buffalo Springfield on American Bandstand, lip-synching ” Mr. Soul ” to a bewildered Dick Clark and at least one transfixed kid in South Jersey. So it didn’t take any of the Colorado brownies that drummer Rick Shelton was calling for to have me flashing back to Shakey on AB as Memphis blues/rock stalwart Alvin Youngblood Hart cranked out ” Mr. Soul ” on the heels of Neil’s (as Alvin said, ” our favorite Canadian…Gordon Lightfoot!”) ” White Line “, near the end of a hard rocking set in America’s Most Evangelical City. Reaching back to R.L. Burnside and Fred McDowell with his own, ” Big Mama’s Door “, over to Doug Sahm with ” I’m Just A Country Boy “, back to his zany ” I’m Watching Brian Jones ” ( ” I was at my house watching this documentary called ” Stoned ” about Brian Jones, and I wrote this..” ), and even to ” the King…Otis Redding “, Alvin and his Muscle Theory Band covered broad blues/rock territory to blistering effect. Slowing down only for ” our death song “, the swirling slide blues of ” In My Time of Dyin’ “, one of several festival tributes to the recently passed Johnny Winter, Hart played and sang with conviction, displaying strong voice and surprising rockstar guitar chops for a guy known as a blues artist.
Hart’s set was masterful, but he had a tough act to follow. The wildest crowd response of the day was for Aussie singer/guitarist Kara Grainger, whose powerful vocals, tasty guitar licks, and well-crafted original tunes had the crowd on its feet, insisting that the band keep playing despite the repeated announcements of the tight fest schedule. The affable Kara seemed stunned by the overwhelming response, and gladly obliged with an encore.
After a rousing version of Mose Allison’s ” Your Mind Is On Vacation ” , Kara noted, ” that oughta be my theme song! ” She even tackled Etta James’ torchy slow burner, ” I Would Rather Go Blind “, a challenge for any singer. As John Mayall said, ” the slow blues are the hardest; you can hear every mistake “.
It ain’t easy being the only girl in the lineup, and like Samantha Fish and Ana Popovic, surely Kara has to overcome the ” yeah, she’s hot, but can she play? ” stigma in a genre whose fan demographic is increasingly aging and male. Her songwriting may set her apart should her singing and playing be taken for granted. You go, Kara!
The Wichita, Kansas-based Moreland and Arbuckle play what Moreland once described as ” electrified Mississippi blues with a sludgy, jam-oriented rock thing “. The highlight of their set was Arbuckle’s virtuoso wailing on Little Walter Jacobs’ signature tune ” Juke “. The guys laughed off several trains passing close behind the stage, and consistently had the crowd up dancing to their rolling roots sound.
The self-taught teen prodigy Austin Young has been onstage since age 12, and the Colorado native is well known to Pikes Peak Region blues fans and Under the Bridge attendees. Heavily influenced by traditional bluesmen like Robert Johnson and inspired by Henrix, Clapton, and Stevie Ray, the young Austin is technically proficient and a polished performer. His own Johnny Winter tribute, Clapton’s Cream classic ” Outside Woman Blues ” , showcased his substantial chops and enthusiastic stage presence. Catch this guy while he’s still playing small venues!
Many thanks to the Pikes Peak blues community for another outstanding lineup and smoothly run festival; our apologies for skipping headliner Sugaray Rayford’s set:
” Well, you know that you’re over the hill, when your mind makes a promise that your body can’t fill..” – Paul and G. P. Barrere; Little Feat- ” Old Folks Boogie ”
— your faithful mountain correspondent, Nanker Phledge
“electrified Mississippi blues mixed with a sludgy, jam-oriented rock thing.” T – See more at: http://bluesunderthebridge.com/lineup/#sthash.617QfLaO.dpuf
“electrified Mississippi blues mixed with a sludgy, jam-oriented rock thing.” T – See more at: http://bluesunderthebridge.com/lineup/#sthash.617QfLaO.dpuf
Concert Review- Steve Winwood at the Paramount Theater 6/22/14
Way back in 1969, ” when dinosaurs still roamed the earth “, as Patterson Hood says, a young Steve Winwood was turned loose from Traffic ( above ) and the cult following generated by ” Dear Mr. Fantasy “, ” Colored Rain “, and ” Forty Thousand Headmen “, by the departure of Dave Mason, who went on to make one great record, ” Alone Together “, followed by a bunch of soft pop/rocks like ” We Just Disagree “. Winwood, however, was pulled into Rock’s first supergroup, Blind Faith, with two superstars from Cream, Eric Clapton and Ginger Baker. The band recorded one eponymous LP ( those vinyl things now making a righteous comeback ) and did one tour of the U.K. and the U.S. before imploding.
Clapton went on to tour briefly with Delaney and Bonnie before joining his soul mate, Duane ” Skydog ” Allman, in the equally short-lived Derek and the Dominoes ( the namesake of current world-class guitarist Derek Trucks ) and recording arguably Clapton’s best work, ” Layla “. Winwood began work on a solo LP but soon called in his Traffic cohorts Jim Capaldi and Chris Wood, and the solo project became another Traffic LP, the classic ” John Barleycorn Must Die “, and a string of later LPs including his critically acclaimed and still-popular ” Low Spark of High-Heeled Boys “. Winwood’s R and B cred from his early days as a teenage prodigy improbably fronting the Spencer Davis Group ( and credibly singing ” I’m A Man ” at 17 years old!), coupled with his hippie/psychedelia props from Traffic, made him an in-demand session player, culminating perhaps in his appearance on ” Voodoo Child ” on Hendrix’ seminal ” Electric Ladyland ” .
Winwood went on to make several acclaimed solo records in the 80s and 90s, and has toured with many notables, including Clapton, Santana, and this fall, Tom Petty. So when he rolled with it into Denver ‘s lovely Paramount Theater, it was with one of the largest and most loved catalogs of jazz-influenced blues/rock songs of any living artist, spanning from Spencer Davis in 1963 to the present. But there would be very little current or even recent tunes on this tour, no ” Valerie “, no ” Back In the High Life “, no ” Finer Things “, no ” Roll With It “. The most recent song was 1986’s ” Higher Love ” . Did any of the aging Anglo Boomers in the house care? Nope!
Starting his set with a slow build around ” Rainmaker “, Winwood immediately went deep with ” I’m A Man”, before moving from the Hammond to guitar for a lovely version of Blind Faith’s ” Can’t Find My Way Home “, then into the first Traffic era with ” Medicated Goo “. While initially considered primarily a keyboardist, Winwood has always been a fine guitarist, and his solos on these tunes, as well as later on ” Dear Mr. Fantasy “, showed that his stringed chops are intact. He slipped in a well-chosen cover of Buddy Miles’ ” Them Changes “, first heard by many on Hendrix’ ” Band of Gypsies “, that could easily have fit into the R and B-laced Spencer Davis catalog.
The highlight of the set was a terrific version of ” Low Spark “, that segued into ” Empty Pages” from ” John Barleycorn “. Winwood was in strong voice for his age ( smile when you say that, whippersnapper! ), and displayed his well-known tasteful touch on the keys to the delight of the crowd, many of whom sang along to even his earliest material. An extended version of Jim Capaldi’s ” Light Up Or Leave Me Alone ” followed, with a jammy chorus of ” Light Up, Light Up ” a seeming siren song to the no doubt many Coloradans who would be doing exactly that once they left the building. The encore was a great ” Dear Mr. Fantasy “, probably the first Traffic song heard by most in the house, followed by the obligatory ” Gimme Some Lovin’ “, which in turn was likely the first Winwood vocal any had heard. Aching joints and aged muscles creaked everywhere as the crowd rose to roar its approval.
Looking around the house as the lights came up, there was nary a ticketholder born in the 60s or later. I saw a grand total of two African-Americans the entire evening. It is troubling to think that Winwood’s demographic is that limited, or that Boomers are the only ones with sufficient disposable income to shell out $90 to hear a guy play tunes he released 40 years ago. I’d like to think that Winwood is still writing new material and challenging himself as an artist, and more than that, I’d like to hear him play the new stuff for his fans instead of obliging their understandable desire to relive the halcyon days of rock. Yes, he updated the classics with some slightly altered arrangements, but it was clearly a night of ” give ’em what they wanna hear ” rather than ” I’m still kickin’; listen to this! ” A great show, no doubt, but no new memories created in the Mile High City that night.
Many thanks to our roving correspondent Nanker Phledge for getting a ride from the Alzheimers Unit to attend the show!
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Matt Montgomery - 2024 - Men's Lacrosse
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Matt Montgomery (9) A - 2023: Appeared in 15 games this season with 9 goals and 8 assists. He also recorded 6 ground balls and 4 caused turnovers this season. He
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Albion College
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Thanks for visiting !
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Eryn Shewell
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https://en.wikipedia.org/wiki/Eryn_Shewell
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American singer-songwriter
Musical artist
Eryn Shewell (born June 26, 1984) is an American jazz and blues guitarist and vocalist from Jackson, New Jersey, United States.
Early life
[edit]
Eryn Shewell was born on June 26, 1984, in Washington, D.C., to a family of Dutch, German, and English ancestry. Her paternal grandfather was an artist for the US Navy and a police officer in Maryland. She was introduced to the guitar by her multi-instrumentalist maternal grandfather, learned how to sing from her grandfather, mother and her two aunts, and chose music as her career at an early age. In 1989 her parents divorced and she moved with her mother to New Jersey, where she went to high school and graduated in 2002.[citation needed]
Career
[edit]
Early career
[edit]
Shewell studied music theory and voice at Jackson Memorial High School in Jackson, New Jersey. After high school, Shewell joined the New Orleans funk band The Soul Project.
Recent years
[edit]
Shewell started The Eryn Shewell Band in 2006. In 2016, Shewell and her husband were inducted into the NY/NJ Blues Hall of Fame.[2]
Personal life
[edit]
Shewell is married to Matt O'Ree.[3][4][5][6]
Discography
[edit]
Window Pane (September 9, 2008). Rewbie Music LLC
4th And Broadway (December 19, 2009). Rewbie Music LLC
Children at Play (June 24, 2012). Rewbie Music LLC
Eryn Shewell (June 2, 2013). Rewbie Music LLC
"You Angel You" single on DYLAN : Philadelphia pays tribute to a legend 2012
It's All Making Sense (February 2013) Alice Leon's 2013 release.
A Day Like This (June 2012) Lily Ann Riche's debut release
"Santa Baby" (November 2015) Belk commercial
Brotherhood (November 2016) Matt O'Ree Band, Therewolf Records
Pantyhose (January 2017) Kristin Rose Kelly's debut release.
Lady E. (June 2018) Eryn Shewell.[7]
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Shippensburg University Magazine, Fall 2022
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Read Shippensburg University Magazine, Fall 2022 by Shippensburg University on Issuu and browse thousands of other publications on our platform. St...
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Issuu
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Welcome to Issuu’s blog: home to product news, tips, resources, interviews (and more) related to content marketing and publishing.
Here you'll find an answer to your question.
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Return to Transcripts main page
Erin Burnett Outfront
Biden To Tout "America's Comeback" In State Of The Union Tonight. Aired 7-8p ET
Aired March 07, 2024 - 19:00 ET
THIS IS A RUSH TRANSCRIPT. THIS COPY MAY NOT BE IN ITS FINAL FORM AND MAY BE UPDATED.
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A guide to cultural and recreational goings-on around the state this week.
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A guide to cultural and recreational goings-on around the state this week. Items may be submitted by mail to On the Towns, Sunday New Jersey Section, The New York Times, 620 Eighth Avenue, New York, N.Y. 10018-1405; or by e-mail to njtowns@nytimes.com.
Comedy
MORRISTOWN The Community Theater, Mayo Center for the Performing Arts Kathleen Madigan, “Last Comic Standing” finalist and American Comedy Award winner for best female comedian. Friday at 8 p.m. $32 to $47. The Community Theater, Mayo Center for the Performing Arts, 100 South Street. (973) 539-8008; mayoarts.org.
RED BANK Count Basie Theater “Last Comic Standing Live,” featuring the finalists from Season 7 of the TV series on NBC. Oct. 15 at 8 p.m. $15 to $35. Count Basie Theater, 99 Monmouth Street. countbasietheatre.org; (732) 842-9000.
Film
NEW BRUNSWICK Rutgers University, Voorhees Hall “New Jersey Film Festival Fall 2010,” new international films, American independent features, experimental and short subjects, classic revivals and documentaries. Through Nov. 4. $8 to $10. Rutgers University, Voorhees Hall, 71 Hamilton Street. (732) 932-8482; njfilmfest.com.
For Children
EAST RUTHERFORD Izod Center “Sesame Street Live: Elmo’s Healthy Heroes.” Through Oct. 3. $15 to $100. Izod Center, 50 Route 120. izodcenter.com; (201) 935-3900.
HAMILTON Grounds for Sculpture Outlet Dance Project’s “Days of Dance Weekend: Creative Dance for Kids.” Young dancers will create dances that reflect their ideas and feelings about nature and sculpture. Ages 3 to 7. Through Oct. 3. $15 per class. Grounds for Sculpture, 18 Fairgrounds Road. (609) 586-0616; groundsforsculpture.org.
MORRISTOWN The Community Theater, Mayo Center for the Performing Arts They Might Be Giants Family Show, rock concert for children. Oct. 17 at 1:30 and 4 p.m. $25. The Community Theater, Mayo Center for the Performing Arts, 100 South Street. (973) 539-8008; mayoarts.org.
NETCONG Growing Stage Theater “Busytown,” by Kevin Kling, with music by Michael Koerner; adapted from the books by Richard Scarry. Through Oct. 24. $14 and $18. Growing Stage Theater, 7 Ledgewood Avenue. (973) 347-4946. www.growingstage.com.
TENAFLY Tenafly Nature Center “Apple Cider Making.” Participants will learn a bit about the history of apple cultivation and the production of apple cider, and they will help to make some of their own fresh cider using the center’s apple press. Oct. 3, 12:30 to 1:30 p.m. $5 and $10. “Afternoon Explorers.” After school, children will have fun exploring the Nature Center while learning about the wonders of the natural world. Topics include: Leni-Lenape Indians, Nature’s Colors, and Bats in the Belfry. Thursdays through Oct. 28. $15 and $20. Tenafly Nature Center, 313 Hudson Avenue. (201) 568-6093;
tenaflynaturecenter.org.
WEST WINDSOR Kelsey Theater, West Windsor Campus, Mercer County Community College “Seussical the Musical,” presented by the Pennington Players. Through Oct. 3. $12 to $16. Kelsey Theater, West Windsor Campus, Mercer County Community
College, 1200 Old Trenton Road. (609) 570-3333; kelseyatmccc.org.
Music and Dance
BLOOMFIELD Robert Van Fossan Theater, Westminster Arts Center The Metropolitan Repertory Ballet Company presents “Sinatra Meets Swan Lake.” Oct. 9 at 8 p.m. $15 and $20. Robert Van Fossan Theater, Westminster Arts Center, corner of Franklin and Fremont Streets. campus.bloomfield.edu/westminster; (973) 748-9008.
MANASQUAN Algonquin Arts Center Eryn Shewell, jazz and blues vocalist. Oct. 9 at 7:30 p.m. $30; includes two drink vouchers. Algonquin Arts Center, 173 Main Street. (732) 528-9211; algonquinarts.com.
MORRISTOWN The Community Theater, Mayo Center for the Performing Arts Pat Metheny: The Orchestrion Tour, jazz. Oct. 9 at 8 p.m. $57 to $92. New Jersey Tap Dance Ensemble: The Best of NJTAP. Oct. 10 at 3 p.m. $15 to $125. Natalie Merchant, singer and songwriter. Oct. 15 at 8 p.m. $77 to $125. The Community Theater, Mayo Center for the Performing Arts, 100 South Street. (973) 539-8008; mayoarts.org.
NEW BRUNSWICK State Theater Ethan Bortnick, 9-year-old pianist. Oct. 10 at 3 p.m. $20 to $35. MercyMe and Phil Wickham, Christian contemporary band. Oct. 14 at 8 p.m. $15 to $60. The Fab Faux, Beatles tribute band with Hogshead Horns and Crème Tangerine Strings. Oct. 16 at 8 p.m. $40 to $110. State Theater, 15 Livingston Avenue. statetheatrenj.org; (732) 246-7469.
PARAMUS Paramus Library Bandshell “The Lady Sings Sinatra,” musical tribute featuring Francine Evans, vocals, and Joel Zelnik, piano. Oct. 3 at 2 p.m. Free. Paramus Library Bandshell, 116 East Century Road. paramus.bccls.org; (201) 599-1300.
PRINCETON McCarter Theater Center Pat Metheny, jazz guitarist. Thursday at 8 p.m. $48 to $60. Josh Ritter, singer and songwriter. Wednesday at 8 p.m. $25 to $35. McCarter Theater Center, 91 University Place. (609) 258-2787; mccarter.org.
PRINCETON Richardson Auditorium, Princeton University Princeton Symphony Orchestra with Leila Josefowicz, violinist. Oct. 3 at 4 p.m. $20 to $64. Richardson Auditorium, Princeton University, Nassau Street. (609) 497-0020; princeton.edu.
RED BANK Count Basie Theater Patrizio Buanne, singer. Oct. 3 at 7 p.m. $29.50 to $59.50. Gordon Lightfoot, folksinger and songwriter. Wednesday at 8 p.m. $38 to $125. Irish National Dance Company in “Rhythm of the Dance.” Friday at 8 p.m. $25 to $45. “A Fall Doo-Wop,” with Kenny Vance and the Planotones and more. Oct. 9 at 7:30 p.m. $35 and $45. New Jersey Symphony Orchestra presents “Best of Mozart.” Oct. 16 at 8 p.m. $18 to $57. The Black Crowes, rock. Oct. 17 at 7:30 p.m. $45 to $120. Count Basie Theater, 99 Monmouth Street. countbasietheatre.org; (732) 842-9000.
TRENTON Patriots Theater at the War Memorial Henry Butler, pianist. Oct. 14 at 7 p.m. $29. Patriots Theater at the War Memorial, 1 Memorial Drive. thewarmemorial.com; (609) 984-8400.
WAYNE Shea Center for Performing Arts, William Paterson University “William Paterson University Percussion and New Music Ensembles.” Monday at 7:30 p.m. $5 suggested donation; students, free. “Victor Wooten and J. D. Blair: 2 Minds, 1 Groove.” Oct. 14 at 8 p.m. $7 to $40. Warren Vaché Quartet, jazz. Oct. 17 at 4 p.m. $8 to $15. Shea Center for Performing Arts, William Paterson University, 300 Pompton Road. wpunj.edu/wplive/; (973) 720-2371.
WEST ORANGE Temple B’nai Shalom Sidiki Conde, a dancer and singer, performs in the West African tradition. Thursday at 7:30 p.m. Free. Temple B’nai Shalom, 300 Pleasant Valley Way. (973) 272-7150 .
Spoken Word
RED BANK Count Basie Theater A&E’s “Paranormal State,” with Ryan Buell and Sergey Poberezhny discussing their TV series with still and movie images of their most frightening and mysterious cases. Oct. 14 at 8 p.m. $28.75. Count Basie Theater, 99 Monmouth Street. countbasietheatre.org; (732) 842-9000.
Theater
CAMDEN South Camden Theater Company, Waterfront South Theater “Last Rites,” drama by Joseph M. Paprzycki set in Camden in 1967. Through Oct. 3. $15. South Camden Theater Company, Waterfront South Theater, 400 Jasper Street. southcamdentheatre.org; (856) 456-2850.
EAST BRUNSWICK Playhouse 22, East Brunswick Cultural Arts Center “How to Succeed in Business Without Really Trying,” music and lyrics by Frank Loesser. Through Oct. 10. $20 and $22. Playhouse 22, East Brunswick Cultural Arts Center, 715 Cranbury Road. (732) 254-3939; playhouse22.org.
HACKETTSTOWN Centenary Stage Company “The Prisoner of Second Avenue,” by Neil Simon. Through Oct. 17. $22.50 and $25. Centenary Stage Company, 400 Jefferson Street. (908) 979-0900;
centenarystageco.org.
JERSEY CITY The Attic Ensemble “True West,” drama by Sam Shepard. Through Oct. 3. $15 and $20. The Attic Ensemble, 83 Wayne Street. atticensemble.org; (201) 413-9200.
LONG BRANCH New Jersey Repertory Company, Lumia Theater “Character Assassins,” dark comedy by Charlie Schulman. Through Oct. 31. $25 to $60. New Jersey Repertory Company, Lumia Theater, 179 Broadway. (732) 229-3166; njrep.org.
MADISON F.M. Kirby Shakespeare Theater, Drew University “All’s Well That Ends Well,” romantic comedy by Shakespeare. Through Oct. 10. $35 to $54. F. M. Kirby Shakespeare Theater, Drew University, 36 Madison Avenue. njshakespeare.org; (973) 408-5600.
MADISON Playwrights Theater “Mom: A Rock Concert Musical,” with book, lyrics and music by Richard Caliban. Through Oct. 24. $15 to $25. Playwrights Theater, 33 Green Village Road. (973) 514-1787; ptnj.org.
MORRISTOWN The Community Theater, Mayo Center for the Performing Arts “Forever Plaid,” Off-Broadway musical comedy. Oct. 16 at 8 p.m. $32 to $57. The Community Theater, Mayo Center for the Performing Arts, 100 South Street. (973) 539-8008; mayoarts.org.
NEW BRUNSWICK George Street Playhouse “Circle Mirror Transformation,” comedy by Annie Baker. Tuesday through Oct. 31. $16.50 to $71.50. George Street Playhouse, 9 Livingston Avenue. georgestplayhouse.org; (732) 246-7717.
NEW BRUNSWICK Philip J. Levin Theater “Fen,” drama by Caryl Churchill. Through Oct. 9. $15 to $25. Philip J. Levin Theater, 85 George Street. mgsa.rutgers.edu; (732) 932-7511.
ORADELL Bergen County Players, Little Firehouse Theater “Company,” musical, with music and lyrics by Stephen Sondheim. Through Oct. 9. $21. Bergen County Players, Little Firehouse Theater, 298 Kinderkamack Road. (201) 261-4200; bcplayers.org.
PRINCETON McCarter Theater Center “Aurélia’s Oratorio,” illusion show. Through Oct. 17. $20 to $60. Reduced Shakespeare Company presents “The Complete World of Sports (Abridged).” Oct. 9 at 7:30 p.m. $32 to $45. McCarter Theater Center, 91 University Place. (609) 258-2787; mccarter.org.
RAHWAY Union County Performing Arts Center “My Mother’s Italian, My Father’s Jewish, and I’m Still in Therapy,” one-man show by Steve Solomon. Oct. 9 at 8 p.m. $25 and $35. Union County Performing Arts Center, 1601 Irving Street. (732) 499-8226; ucpac.org.
RED BANK Two River Theater “Intimate Apparel,” by Lynn Nottage. Through Oct. 10. $24 to $60. Two River Theater, 21 Bridge Avenue. (732) 345-1400; trtc.org.
SOUTH ORANGE South Orange Performing Arts Center “Menopause the Musical,” by Jeanie Linders. Through Oct. 31. $45. South Orange Performing Arts Center, 1 Sopac Way. (973) 313-2787; sopacnow.org.
Museums and Galleries
CAPE MAY Mid-Atlantic Center for the Arts and Humanities “Cape May’s Stained Glass Exhibit,” featuring color photographs of 19th-century Cape May windows, tools of the stained-glass trade and samples of the glass. Through Nov. 7. Mid-Atlantic Center for the Arts and Humanities, 1048 Washington Street. (609) 884-5404; capemaymac.org.
CLINTON Hunterdon Museum of Art “Pamela Becker: Patterns and Constructs,” exhibition featuring textile constructions, wall pieces, baskets and photo collages. Oct. 3 through Jan. 16. Donation: $3. Tuesdays through Sundays, 11 a.m. to 5 p.m. Hunterdon Museum of Art, 7 Lower Center Street. (908) 735-8415; hunterdonartmuseum.org.
COLLINGSWOOD Perkins Center for the Arts “Through My Window,” exhibition featuring works by 25 artists from the Da Vinci Art Alliance; each was given an old salvaged window to turn into a piece of art. Through Nov. 13. Tuesdays and Thursdays, 10 a.m. to 2 p.m.; Saturdays, 10 a.m. to 1 p.m.; or by appointment. Perkins Center for the Arts, 30 Irvin Avenue. perkinscenter.org; (856) 235-6488.
HALEDON American Labor Museum/Botto House National Landmark “Allied Textile Printers Mill, Paterson, N.J.,” an exhibit of photographs by Michael Anthony. Through Dec. 31. $5. Wednesdays through Saturdays, 1 to 4 p.m., or by appointment. American Labor Museum/Botto House National Landmark, 83 Norwood Street. (973) 595-7953; labormuseum.org. LAMBERTVILLE Artists’ Gallery “New Jersey Blues,” paintings and photographs of the view beyond the turnpike by Richard Harrington and John Treichler. Through Oct. 3. Free. Artists’ Gallery, 18 Bridge Street. (609) 397-4588;
lambertvillearts.com.
LINCROFT Monmouth Museum “Art From Found Objects: A Juried Exhibition.” Through Oct. 31. $7; members and children under 2, free. Tuesdays through Saturdays, 10 a.m. to 4:30 p.m.; Sundays, 1 to 5 p.m. Monmouth Museum, 765 Newman Springs Road. (732) 747-2266; monmouthmuseum.org.
MADISON Museum of Early Trades and Crafts “Lenape: Tools and Daily Living,” exhibition exploring Lenape Indian life before European influences. Through Jan. 1. $3 and $5; members and children under 6, free. Tuesdays through Saturdays, 10 a.m. to 4 p.m.; Sundays, noon to 5 p.m. Museum of Early Trades and Crafts, 9 Main Street. rosenet.org/metc; (973) 377-2982.
MONTCLAIR Montclair Art Museum “Engaging Nature: American and Native American Artists (A.D. 1200 - 2004),” exhibition featuring a variety of art and artifacts, from prehistoric Native American ceramics to historical 19th-century landscape paintings to contemporary staged photographs. Through Sept. 25, 2011. “Living for Art: The Dorothy and Herbert Vogel Collection,” exhibition featuring works produced by 27 American artists from 1967 to 2000. Through Jan. 2. $12 adults, $10 seniors and students; members and children under 12, free. Wednesdays through Sundays, noon to 5 p.m. Montclair Art Museum, 3 South Mountain Avenue. (973) 746-5555; montclairartmuseum.org.
MORRIS TOWNSHIP Morris Museum “The Legacy of Currier and Ives: Shaping the American Spirit,” exhibition featuring 64 hand-colored lithographs from the collection of the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Mass. Through Jan. 9. $7 to $10. Morris Museum, 6 Normandy Heights Road. morrismuseum.org; (973) 971-3700.
MORRISTOWN Acorn Hall “Gowns: From Birth to Bedroom to Ballroom,” exhibition including christening gowns, ball gowns, wedding gowns, dressing gowns and nightgowns. Through Jan. 1. Adults, $6; seniors, $5; students, $3. Mondays, 10 a.m. to 4 p.m.; Thursdays, 10 a.m. to 4 p.m.; Sundays, 1 to 4 p.m. Acorn Hall, 68 Morris Avenue. (973) 267-3465; www.acornhall.org.
MORRISTOWN Macculloch Hall Historical Museum “Mr. Morristown’s Museum: W. Parsons Todd and 60 Years of Macculloch Hall,” exhibition that explores how a home was transformed in 1950 by W. Parsons Todd into his vision of a historical museum serving the community. Through Oct. 31. $5 to $6; children ages 12 and under, free. Wednesdays, Thursdays and Sundays, 1 to 4 p.m. Macculloch Hall Historical Museum, 45 Macculloch Avenue. maccullochhall.org; (973) 538-2404.
NEW BRUNSWICK Jane Voorhees Zimmerli Art Museum “Water,” an exhibition featuring more than 100 works of art exploring the theme of water in various cultures and spanning more than five centuries. Through Jan. 2. “Animal Fair: Birds, Beasts and Bugs in Children’s Book Illustrations,” exhibition featuring 28 original illustrations in various media and artistic styles. Through June 5. Tuesdays through Fridays, 10 a.m. to 4:30 p.m.; Saturdays and Sundays, noon to 5 p.m. Jane Voorhees Zimmerli Art Museum, 71 Hamilton Street. www.zimmerlimuseum.rutgers.edu; (732) 932-7237.
NEWARK Paul Robeson Campus Center, Rutgers University - Newark Campus “Bittersweet: The Chocolate Show,” group exhibition. Through Nov. 10. Free. Paul Robeson Campus Center, Rutgers University - Newark Campus, 350 Dr. Martin Luther King Jr. Boulevard. (973) 353-5300.
NEWARK The Newark Museum “Modern Metal: Early 20th-Century American Sculpture,” an exhibition featuring a dozen bronze sculptures from the Newark Museum’s collection, including works by Gaston Lachaise, Hunt Diederich, Reuben Nakian and others. Through Dec. 31. $6 to $10; members, free. “Gustav Stickley and the American Arts and Crafts Movement,” an exhibition that focuses on the career of one of the most influential figures to arise within the Arts and Crafts movement in the U.S. Through Jan. 2. $6 to $10; members, free. Wednesdays through Fridays, noon to 5 p.m.; October through June, Saturdays and Sundays, 10 a.m. to 5 p.m.; July through September, Saturdays and Sundays, noon to 5 p.m. The Newark Museum, 49 Washington Street. (973) 596-6550; newarkmuseum.org.
PRINCETON Bernstein Gallery “Project Global Underground,” exhibition of digital artworks by Valera and Natasha Cherkashin. Through Oct. 21. Mondays through Fridays, 9 a.m. to 5 p.m. Bernstein Gallery, Robertson Hall. princeton.edu/bernstein/index.xml; (609) 497-2441.
PRINCETON Morven Museum and Garden “The Kennedys: Portrait of a Family: Photographs by Richard Avedon.” Through Oct. 29. Wednesdays through Fridays, 11 a.m. to 3 p.m.; Saturdays and Sundays, noon to 4 p.m. Morven Museum and Garden, 55 Stockton Street. (609) 924-8144; historicmorven.org.
RED BANK Art Alliance of Monmouth County “The Eyes Have It” and “Chaos,” featuring works by Miguel Cardenas. Through Oct. 30. Tuesdays through Saturdays, noon to 4 p.m. Art Alliance of Monmouth County, 33 Monmouth Street. (732) 842-9403;
artallianceofmonmouth.org.
TEANECK Puffin Cultural Forum “Reclaiming Vistas: Post 9/11 Urban Perspectives,” works in various media by New York artists about city life in the aftermath of the terrorist attacks. Through Nov. 23. Mondays through Fridays, 1 to 5 p.m. Puffin Cultural Forum, 20 Puffin Way. puffinculturalforum.org; (201) 836-3499.
TRENTON New Jersey State Museum “Reality and Artifice, 2010 New Jersey Arts Annual: Fine Art,” exhibition of works by artists who live or work in the state. Through Oct. 31. Tuesdays through Saturdays, 9 a.m. to 4:45 p.m.; Sundays, noon to 5 p.m. New Jersey State Museum, 205 West State Street. (609) 292-6464; www.state.nj.us/state/museum.
UNION Les Malamut Art Gallery “Imaginary Landscapes,” a themed art show demonstrating landscape as metaphor from a variety of perspectives. Through Oct. 30. Mondays through Thursdays, 9 a.m. to 9 p.m.; Fridays and Saturdays, 9 a.m. to 5 p.m. Les Malamut Art Gallery, 1980 Morris Avenue. lesmalamutartgallery.web.officelive.com; (908) 851-5450.
WAYNE Ben Shahn Galleries “Road Shrines: A Peripheral Blur,” exhibition of mixed-media works by Pamela Flynn. Through Oct. 15. Free. “Objects of Power: Selections From the Joan and Gordon Tobias Collection of African Art,” exhibition featuring sculpture, masks, jewelry, baskets and decorative objects. Through Oct. 15. Free. Mondays through Fridays, 10 a.m. to 5 p.m. Ben Shahn Galleries, 300 Pompton Road. (973) 720-2654; wpunj.edu.
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https://vanderbiltpoliticalreview.com/9815/us/college-democrats-make-closing-statement-for-biden-republicans-silent-on-trump/
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College Democrats Make Closing Statement for Biden; Republicans Silent on Trump
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Senior Editor Jacob Hale asked the Vanderbilt College Republicans and Vanderbilt College Democrats to make a closing case for their party’s respective presidential candidate just days before the election. While the College Republicans declined to make a statement in support of Donald Trump, Devon Shewell represented the College Democrats in a closing argument for Joe...
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Vanderbilt Political Review
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https://vanderbiltpoliticalreview.com/9815/us/college-democrats-make-closing-statement-for-biden-republicans-silent-on-trump/
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Senior Editor Jacob Hale asked the Vanderbilt College Republicans and Vanderbilt College Democrats to make a closing case for their party’s respective presidential candidate just days before the election. While the College Republicans declined to make a statement in support of Donald Trump, Devon Shewell represented the College Democrats in a closing argument for Joe Biden. The transcript of the video interview can be found below.
Vanderbilt Political Review: Welcome, everyone! Here we have Devon Shewell, the president of Vanderbilt College Democrats, to give us his case for Joe Biden as Election Day approaches. Thank you, Devon, for joining us and if you’d like to give us a brief introduction and why you think Joe Biden is the right man to be President of the United States.
Devon Shewell: Yeah, thank you so much for having me, Jacob. We’re in a really crucial time in the history of our country, and of course we’re at a crucial time when it comes down to this election in Tennessee early voting comes to a close today when we’re filming this, and Election Day is just around the corner, so there’s a lot to be done still. The case for Joe Biden is as strong as it’s ever been. We can see what’s going on around this country, whether it be the current president’s failures to handle the coronavirus, a total ineptitude in dealing with issues of racial violence and systemic racism in this country, specifically police violence, that we’re seeing at every level. We have policy failures that have been lasting for the last four years, whether it be on climate, immigration tax reform, you know. At every single level, the President has failed everyday Americans and has continued to make it easier for the rich and powerful to continue to be rich and powerful while people struggle. And a Biden presidency will change that course and really reclaim the soul of the country, as Vice President Biden likes to put it. At the end of the day, it’s a really clear choice. You know the choice that valuing, what America or the better part of America stands for in diversity, in acceptance, and in really building up a coalition that can make the future of America better for everyone. And then there’s a vision of America that the current president has. It’s taking us down a disastrous path. So I think the choice is really clear and I’m more than happy to talk a little bit more about that and answer any questions you might have.
VPR: Thank you for sharing that, Devon, and my first question for you is about the number one issue in this campaign, which is the federal government’s response to the coronavirus. Why do you think a Biden administration would handle the coronavirus better than a second term of the Trump administration?
DS: Yeah, that’s a great question, Jacob. Thanks. I think there’s a couple of important elements to that answer. First, the Biden administration is prepared to handle a pandemic, and they built off of the Obama administration’s, the Bush administration’s pandemic response plan. That plan got thrown out of the window when it came down to President Trump’s administration. Second, and probably most importantly, President Biden, would respect the basic level of science that’s going into stopping this pandemic. We’ve seen exactly what happens when President Trump is given authority and power in these situations and it’s an utter disregard for public health, whether it be flaunting around without a mask, fighting against mass mandates and the general advice of public health officials. We’ve even seen that within his administration, and then within Vice President Pence’s little close circle. The reason that coronavirus is spreading like wildfire in those circles is because they just don’t care. A Biden administration will take coronavirus seriously. It will take coronavirus at every single level seriously, so not just at the virus level, but also at the repercussions and the impact of that virus, and it will listen to science. It’s really clear that, to me at least, that the Trump administration has, and Republican administrations at the state level have, failed colossally at fighting coronavirus, and I really truly believe that the Biden administration and Democratic administration would do much better.
VPR: Thank you for that, and just sort of as a follow up question, there has been a lot of economic devastation as a result of the coronavirus pandemic. A lot of small businesses, especially, are struggling. Why do you think that Biden is the right man to address these economic woes?
DS: Yeah, I think that the economic challenges that have resulted from the coronavirus are quite devastating. I think we need to come in with an approach that looks at the economy of the big picture of people first level. Vice President Biden’s work with the 2008 recession really qualifies him to be able to help us build back, or as Vice President Biden says, build back better. We can look at every single level, and I think that the first thing that we need to do when it comes to kick starting and revamping economic development is get a hold of the actual coronavirus situation. That’s a prerequisite and I think that President Biden would be able to handle that far better than the current president has done, and that sets us up to be able to help small businesses get back on their feet and restart the economy and restart an economy that works better for everyone, not just for large businesses.
VPR: I just want to shift gears for a moment to talk about the other national crisis that we’ve experienced this year, which is the national reckoning on racism and racial injustice. Why do you think that Joe Biden is better for addressing racial injustice than President Trump?
DS: I think a Biden administration and Democratic policies, although certainly not perfect when it comes to addressing issues of systemic racism, will actually address issues of systemic racism. We can look back to the vice presidential debate between Senator Harris and Vice President Pence, where Vice President Pence denied the existence, essentially, of systemic racism. If that’s the level that we’re dealing with, there’s obviously not going to be any response. There’s clear and obvious race baiting by the President and his administration and his team. Trying to stoke fear. And that’s just not going to help the country right now. There’s a divisiveness on race, but it’s so much deeper than that. We need to have this reckoning. And I think that, under a Biden administration, we can start that and that is certainly not going to be silenced or thrown under the rug.
VPR: Okay, thank you. I do just have to ask one question about the Republican concerns that Biden is more of just a mask for the far left and that his policies once in office will be more extreme than his campaign is letting on. Why are you assured that Biden’s campaign is more accurate than these fears would indicate?
DS: I wasn’t a Biden supporter in the primary and was further to the left, and I think that Biden’s plans are Biden’s plans, right. People in Congress have [a] say, and we build off of plans that are good, right. We can adopt plans that work for everyone, but the Biden plan is the Biden plan, and I think it’s pretty far-fetched to say, otherwise. Like we could say that Lindsey Graham’s plans are President Trump’s plans, right, but we’ve all seen that President Trump just does whatever the heck he wants to. And I think that, although Vice President Biden certainly wouldn’t be acting with such recklessness, his plans are his plans and the vision for the country would follow. And Congress can do what Congress wants to and should do. But, the Vice President’s plans are his plans, and I don’t see any real reason to expect otherwise. The Vice President has a strong history of advocating for what he has written down in policy. And I think that’s going to continue.
VPR: Perfect, thank you. And just one last answer that I want you to give me. What’s your closing statement to Vanderbilt students on why, on Election Day, why they should vote for Joe Biden and not Donald Trump?
DS: Vanderbilt students, we have an exceptional amount of privilege to be here. And of course, my first message is, you know, regardless of any partisanship, regardless of who you might want to vote for, please, if you’re eligible and able to get out and vote. There’s an intrinsic good in some level of civic responsibility, in my eyes, and civic engagement. So, first off, I would love it if you were able to make your voice heard. But beyond that, you know, we’ve seen the failures of the past four years. We’ve seen how hatred has manifested itself. We’ve seen how a failure to listen to advisors, to science, to the issues that are so near and dear to the American people, have affected us. A Biden administration will build that back, you know. We’ll be able to have these conversations, start listening to the scientists, to the experts in these fields and really start to make progress. And I know that, you know, there’s so much more than that can be done on all of these issues, and a Biden presidency in this election cycle is the way to get to that point. I obviously acknowledge that it’s not going to be perfect, but we can’t let perfection get in the way of good this election cycle. President Trump is sending us down an extraordinarily dangerous path that we have the opportunity to stop through our electoral means, and that means we have to get out and vote. So if you haven’t yet done it, please do. And beyond just the presidency, you know you have your state [and] local races, your congressional races, depending on where you are, Senate races that can really be impacted by your vote, so I encourage you to vote all the way down the ballot and make a difference.
VPR: Thank you so much, Devon and to Vanderbilt College Democrats for being available to speak with us. Have a great weekend.
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Phil Rainone Column
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Emily’s Army - Lost at Seventeen (Rise Records)
I was going to review Emily’s Army on its own merit (which I still intend to do,) but first I have to explain a little about the band, namely the drummer Joey Armstrong. He’s the 17 year old son of Billie Joe Armstrong of Green Day. Joey’s got his dad’s snarly, snotty, vocal prowess, and the phrasing to match. Now, before you jump to conclusions, Emily’s Army is NOT a junior Green Day by any means. They have a distinct, natural, and original sound that is as much fun as it is unique! I mean, you can’t help but sit up and take notice of all 16 songs on Seventeen. As a debut album they took apart some old school punk (Clash, Sex Pistols), classic rock (Kinks, Springsteen), and their own musical mojo and put the pieces back together in a jagged collage. Very verse-chord-verse, they base their belief on the idea that most of today’s pop punk is a lethargic dinosaur. Each of Emily’s Army’s songs is a complete, satisfying composition without the extra musical baggage that a lot of today’s bands feel the need to include.
Politics (“I Am The President,” “War”), love (“Jamie,” “Part Time Burn” “Pathetic and in Love”), and songs about music, especially punk rock (“Kids Just Wanna Dance,” “If Our Music Plays Again”), drugs (“Lost at Seventeen” “Digital Drugs”-actually an anti-drug song) can be at times complex (“Bullets made of bread” has to be one the best lines ever) , both musically and lyrically. Yet you can dance your asses off to each and every song here.
Good music insinuates itself into your ears and up into your brain like a slithering snake, so that you feel sensually alive to the point where your feet start to move. Lost At Seventeen just clubs you over the head into submission. There’s no going back! I dare say it’s been quite a while since a band had such commanding control, and could play so loose. Playing this record could conceivably give you an epileptic seizure of orgasmic dance proportions. How else to explain the inexplicable?
Emily’s Army is evidence that a young band just starting out has the imagination to play music that holds together without having to sacrifice the reason they originally got together and kick out the jams however they what!
What I absolutely LOVE about a new, exciting band like Emily’s Army is that after repeated listens, you just cannot fandom life without bands like this. They found the singular joyous essence that only rock ‘n’ roll can provide and provoke. The full-on rush of excitement and bubbling-over ecstasy is instant you drop the needle on this record!
Springsteen On Springsteen - Interviews, Speeches, and Encounters Edited by Jeff Burger (Chicago Review Press)
After reading a lengthy book on Springsteen less than a month ago (Bruce), I wasn’t really looking forward to reading Springsteen On Springsteen. I mean. Over the years I’ve read at least a dozen or so books on Bruce, and even though I’m a big fan, there’s only so much Bruce Juice a person can take after a while. I mean Bruce seems to be just getting his second wind (he’s 62), and making some really cool albums and knocking it out of the park at almost every live show, but somewhere along the way a lot of the stories get rehashed, making for a long, tedious read.
But on Springsteen On Springsteen as I started reading, an endearing portrait of the artist emerged: caring, responsible, well-versed in those musical heroes who came before him. He loves all the same artists I love. His eloquence in the interview situation is yet another art form and you get to know him…I mean, really know him this time. Coming, as this book does, on the heels of Peter Ames Carlin’s highly recommended and epic Bruce biography, this one was more than pleasant surprise. It was a mini-revelation.
When he talks about mixing rhythm ‘n’ blues early on with beat poetry, his early work all comes into focus. How fascinating is it that he complains to reporter after reporter about money (in the mid-seventies)! “We’re at the lowest we’ve ever been right now,” he tells Jerry Gilbert. “Hopefully I’ll be getting some money from Columbia and maybe with David Bowie doing some of the songs that’ll be good.” (Bowie did, indeed, recording “Growin’ Up,” and “It’s Hard to be a Saint in the City.”).
Bruce is described early on by numerous reporters as scruffy, skinny and long-haired, wearing clothes that he seems to have been in for days. He stumbles when he walks and he mumbles when he talks. But that’s part of the beauty of Bruce on Bruce. We get to read the first-hand accounts of his humble but intensely interesting beginnings as a musician. “The writing is on the wall,” as they say.
Bruce talks about religiously writing down the Top 10 every Wednesday, and admits that he doesn’t consider himself a revolutionary artist like Dylan or Elvis but a “nuts and bolts” artist built for the long haul. He talks of his humble beginnings, watching his father struggle for work, and not feeling a part of the community so, like other musicians, he makes his own in the world…but with a band.
As for his marathon concerts, he tells Charlie Rose on TV, “I wanted it to be an extreme experience-an experience that wasn’t casual, that pushed all the limits. I wanted people to be brought to someplace and to come out of themselves.”
His speeches are the best: his 1989 Rock And Roll Hall Of Fame induction acceptance speech, his keynote address at the 2012 South By Southwest Music Festival (he said that every one of his songs over the years were all different forms of The Animals’ “It’s My Life,” which brought the house down with laughter. He also got to play with Eric Burdon, the lead singer of The Animals at SXSW. His eulogy of Clarence Clemons is as from the heart as any of his songs. He even adds a few funny stories about Clarence and the band.
“I was influenced by so many great musicians that meant such a great, great deal to me and who I can never really repay,” he tells Brian Williams of NBC-TV. “Music is so intensely personal and strikes you on such an emotional level that it leaves you feeling like you owe a great debt to the people that moved you that deeply. And when I see the guys that did that for me-and I’ve had the opportunity of actually meet a lot that did that for me-it’s wonderful feeling.”
As I said, you really do feel like you know Bruce after you finish this book. This one book that you will have a hard time putting down!
Streetlight Manifesto- The Hands That Thieve (Victory Records)
Streetlight Manifesto is a band that combines the best elements of ska, punk and their own undiluted special brand of rock ‘n’ roll. The full guitar roar that’s backed by a rhythm section with a power drummer, a bass that’s rock steady, and a horn section that sounds like they could back Miles, Motown, or any contemporary ska band. But this impressive band has a sound all its own.-Kind of sounds like I’m describing a new band for the first time, right? Well that’s the feeling you get listening to The Hands That Thieve. This is their sixth album in about as many years, and it sounds as fresh and original as the rest of their catalog. They have a cohesive identity to match their records’ careering sonic ska stew.
Like the rest of the album songs like “The Three of Us,” “Toe to Toe,” and “The Hands That Thieve” all benefit from not using any gimmicky or over-the-top production. What sets these three songs apart is that they combine to make an idealized melting pot of politics, human nature, and some of the best ska this side of the Mississippi! Streetlight Manifesto’s sound is dense, but once you get into them they will as they say, “Free your ass and your mind will follow!” The thing is, unlike a lot of bands that try to shove politics down your throat or make mindless dance music, Streetlight sing about possibilities. Whether they are politics, life, etc., they let you decide for yourself. They also help you navigate those hip joints as though they’re doctors of chiropractic. If they ever decided to cover Slim Harpo’s (cool, early bluesman), “Hip Shake,” you would see a gazillion mosh pits arise anytime it’s played!
Another thing that sets Streetlight apart is the sinister edge that they add to music. Like The Stooges early twisted punk, or current bands like Reel Big Fish or Big D & The Kids Table manic, hardcore ska sound, Streetlight’s style is a combination of all that and originality. Songs about unity, authority and justice, distinguish them head and should above the run-of-the-mill punk or ska band.
With a combination of guitar, drums, bass, and horns filling up every nano-second of the album there is never a dull moment. It’s like an onrushing musical storm that would litterly burn out any transistor radio (remember those?). Bottom-heavy to the max, the music and the blistering vocals on The Hands That Thieve create a clear, hardcore, rocksteady barrage that gallops and moshes along in close formation. In other words, buy this record you won’t be disappointed!-Phil Rainone
Eryn Shewell (EyrnShewell.com)
Eryn Shewell has the brassy allure of a contemporary artist like Imelda May or Joss Stone, and road-tested moxie of Susan Tedesci. She can play it sweet and sexy like on “Fall,” or get down and dirty like on “Suck it Up,” without missing a beat. It’s very much a natural talent rather than a forced one.
Every song on her self-titled album is catchy with a nod toward bubblegum simplicity, but that’s a very good thing! Underneath all that is an undeniably engaging band that helps to create some of the coolest mojo. Melodic and bouncy, they mix rock strength with pure pop arrangements that will make a lasting impression. There are a few sprightly pop delights like “Boy like You” and “Relax to Sleep,” but the songs undercurrents are very impressionable.
“Afraid of the Dark,” swings the The Camaros (cool girl-fronted retro-swing band), and a The Cherry Poppin’ Daddies mash-up. But what sends this tune over the moon is Eryn’s enlivened vocals.-Maximum mojo! “High School Sweetheart” ( it has a sweet slide guitar riff that is so much fun to listen to), and “Backseat Romance Forecast” both have energy and excitement of 70’s freeform radio that is hard to come by these days without sounding phony or forced.
Eryn helped produce and pen most of the album. Sometimes that’s like a disaster waiting to happen, but on her self-titled album the songs are ambitious, melodic, and concise. This is an album chock full of singles as compared to one that may have one or two good songs, and all the rest filler. This is world-class hit making, and is extraordinary uncommercial. A balance that is rarely achieved these days.
Eryn Shewell and her band play like anything is possible, especially for anyone who was always on the outside looking in. They’re able to put the sound in their heads on plastic, sounds that weren’t just “Pure Pop for Now People” (a Nick Lowe album title), but pure pop for hit radio-in the most sincere, uncynical and popularly resonating tradition. They are so engaged and inspired; it’s a synthesis in ways that few other bands can consistently sustain. And through all of that, the band maintains a distinctive group identity. It’s only fair to note that many others wet their musical toes in the same exotic waters only after Eryn Shewell and her band set the precedent. Moreover, they largely pursue their commercial and artistic goals in nonconformist fashion. Their effervesces with which they stitch together a multiplex of genres is as much professional as it is homegrown. They also cover Tom Waits’ “I Wish I Was in New Orleans.” Not since Southside Johnny & The Asbury Jukes has anyone come as close to staying within Waits’ song character and also giving it a fresh coat of paint. In a word-coolness!
With talent, easy confidence and self-deflating humor, the colorful Shewell will win countless hearts and minds, injecting warmth, graciousness, and good, lasting songs into a mega-pop world.
Shannon McNally - Small Town Talk (Independent)
Small Town Talk is a tribute album to Cajun songwriter Bobby Charles. I’m not familiar with Charles, so I don’t know how close to the vest, or if her renditions are somewhat off kilter, but either way all the songs here are remarkable. Given the facts that McNally’s established reputation as a songwriter and along with a best-of-the-best team of musicians including among others Dr. John and Derek Trucks, I can certainly say that she is well-equipped to take on his work.
There is a healthy amount of bounciness in the good old New Orleans tradition, but the slowest and most gentle come across as the most genuine. McNally sounds perfectly at home, and the strong sense of personality required in a good cover version is certainly present. She plays the true lover on “But I Do,” the woman left behind on “I Don’t Want to Know,” wearing desperation just as well as she does romance. The most poignant is the rosy “String of Hearts,” which finds her dancing in and out with a male vocalist amidst a softly falling piano line and swells of strings. “Homemade Songs,” with its swirls of reverberating guitar and downright sweet lyrics, runs a close second. Small Town Talk is a fitting display of both legacy of a past songwriter and the reach of a modern talent.
Jann Klose - Mosaic (jannklose.com)
While there has been substantial support for modern singer/songwriters at the grass-roots level, if they don’t play an identifiable brand of rock or pop, they are still unfortunately an anomaly in the music world. But here’s the thing with Jann Klose; he and his band can take a genre like reggae (“Make it Better”) and turn it into a poetic statement that we can all shake our tail-feathers to! Jann is a real singer in the sense that his confidence and moxie are easily conveyed in every song on Mosaic. He has the haunted power of someone who truly feels his lyrics. Jann recently provided the vocals for the movie “Greetings From Tim Buckley,” and he includes an a cappella cover of Buckley’s “Song to the Siren,” which is just…amazing! He not only captures Buckley’s soul, but you also know that it’s Jann singing - not an easy thing to do.
The album is focused, displaying the songs in a sometimes complex, sometimes barebones style, but the overall statement is that Mosaic is as entertaining as it is thought-provoking. Love, passion and intelligence come to the forefront in a strong display of craft and talent.
Jann’s music - a smoothly accomplished and undated collection of tuneful styles - is warmly realized in well-written songs filled with subtlety rather than eccentricity. At times the use of rudimentary production highlights Jann’s voice as much as the dynamic playing when the full band is included.
Insightful intelligence and tenderness make Mosaic a stunning work by an exciting, relatively new artist.
Pepper (pepperlive.com)
If these young Hawaiians weren’t so studiedly intense, Pepper might be able to drop the Sublime/neo-Beach Boys pretensions and use their evident talent to make enjoyable records. They write catchy, ant hemic songs, but the tireless exhortations are trying and, worse, can become ludicrous.
Just about every song here are like splices of roughed-up reggae and ska. They sound more like posers rather than trying to find a different and unique way of exploring these genres. They’re all smeared with melodramatic, over-blown hooks. Pepper has an excess of passion; what they lack is the subtlety that keeps bands like Sublime for becoming histrionic.
With all that said, I’ll let Tim Norek, fellow Jersey Beater have the last word; “I kind of liked the album until I played it for a friend of mine. As each song came around he started singing The Sublime song that they had taken parts from. I was happy and sad all at the same time!”-Phil Rainone
Catbirds Say Yeah (thecatbirds.net)
On Their self-titled album, Catbirds Say Yeah starts off with a blast of bluesy alt. rock on “All I Wanna Know Is.” This track shows the interesting dynamic between the band members. Actually, each number on this album is unique in their own way, with the band switching up who sings each one. Songs like “Red Red” and “Stoned” feature off-kilter rock guitar chords and straight-ahead vocals. Even with all that said, there is a distinct sound on this record. The clean/distorted guitars work well with the drums and the bass pops with a steady beat.
This is an album from a group of musicians with copious amounts of energy. Catbirds Say Yeah is where they creatively express themselves and transfer the spirit from their live performance (I checked out their YouTube show), and inject it into whoever is listening. This is a unique band that has found their passion, the ability to produce roaring electronic sounds, and bring others to their feet to dance.
Salt - Radio Station
Salt sounds like they’re trying to emulate one of their influences The Cult, which to me are big shoes to fill. The Cult have made sporadic albums over the years, but their singles are dead-on (“Wildflower,” “She Sells Sanctuary,” etc.).
I don’t know if Salt is just trying too hard or just don’t give a shit, but the way their music comes out on their self-titled album is not fun to listen to. Besides sounding like it was recorded in someone’s garage (which is not always a bad thing), the lead singer just sounds like he’s hurrying through each song with the passion of someone who’s watching the clock, trying to get outta there as soon as possible. The band sounds like they’re playing by-the-numbers, and they watching the same clock, in a hurry to get the hell outta Dodge!
I think if they take their time in the future, run the songs through a live show and work out the bugs, that they would have a very listenable, interesting album!
The Demographic - Listen Close (the-dem.com)
Somewhere between The Who’s powerhouse, maximum R&B and The Pixies’ poppy, nasty, slow-as-fuck hard rock lays The Demographic. But here’s the cool thing about them: They’re just a guitar/drum duo! No frills maximum rock ‘n’ roll from Northampton, Mass, Tom Pappalardo (guitar/vocals), and Sturgis Cunningham (Drums/backing vocals), “Explode into a rock ‘n’ roll band” (thanks, Bruce), on these eight jangle-pop, murderously heavy songs about fuckin’ up, malls, death, and secrets. Not your run-of-the-mill stories and the music will suck you into the lyrics and visa-versa.
The Demographic breathe new life into a genre that’s in need of a tune-up. These eight angry, vehement cuts rely equally on Pappalardo’s acrobatic guitar lines and vocal rants as well as Cunningham’s at times pounding/brutally quiet drumming. A match made in Heaven, as they say!
The last song “Simple Secret” ventures into deeper acoustic/electric territory. While Pappalardo drones on vocally ( very cool), and Cunningham matches his slow cadence with stop/start/ drumming, they create a song that not only gets your attention, but it dramatically changes the way you look at the little things that are usually overlooked in life. “Listen Close” has lowbrow cinemascope grandeur, with precision and economy. I gotta check these guys out live!
Smoke Fairies - Blood Speaks (smokefairies.com)
Here’s another duo (Jessica Davies on guitar/vocals, and Katherine Blamire on drums/vocals), that can rock out like The Pixies, yet pull back once and a while bringing us back to the John Hawkin -era (keyboard player), Renaissance (60’s progrock band). With all that said, Smoke Fairies’ definitely blast off into their own universe.
Songs like “Let Me Know,” “The Three of Us” or “Blood Speaks,” all display disjunctive imagery set slightly to gothic arrangements. The results are eerie and moving, but not distracting. Trembly guitar scrubs and syncopated drum flourishes round out song after song. Not filler, but like a magnet to steel, they are quietly powerful, drawing the listener in deeper and deeper. There’s plenty of drive and power in this album and the straightforward lyrics give the band a real, solid identity.
“Blood Speaks” is an album that you need to make time for. Sit, listen, and enjoy!
Bob Marley & The Wailers - Kaya reissue (Island)
It is safe to say that the world would be a very different-and vastly poorer-place were it not for Bob Marley. Carrying the homegrown sounds of a small Caribbean island to Europe, Africa and America, he is directly responsible for a rhythm and style that has moved millions and influenced every form of popular music for more than four decades. By exploring his roots and culture he brought them far beyond his native Jamaican borders and encouraged widespread cultural curiosity, as well as sparking the rediscovery of his heritage by countless people of all nations.
On the 1978 release of Kaya a lot music critics at the time felt that Marley and The Wailers were heading toward the MOR (Middle of the Road) side of the radio dial. They thought songs like “Easy Skanking,” “Misty Morning,” or “Time Will Tell,” were milking previous melodies and had very little to say that was inspiring, or had been said before on previous albums. To counter balance the critics the fans made it over a million seller, and his concerts were mostly sellouts. After 35 years the reissue of Kaya, which includes a full show from the Netherlands in ’78, falls somewhere in-between the critics and fans opinions.
A lyric in the first song “Easy Skanking,” on the understated but enticing aptly describes the record: “We’re taking it easy/we taking it slow.” At the outset, the lighter sounds and personal lyrics that fill the sunny grooves skirt the big issues for joyful celebration, and gentle romance including “Kaya” and “Is This Love.” But the mood slides straight downhill from “She’s Gone” to “Crisis,” culminating in the fatalistic spiritualism of “Time Will Tell.” Fast forward 35 years and what were considered at the time by the critics a MOR sound, now sound more full of life, and somewhat apocalyptic then when the album was first released. On top of that the songs that shown the brightest at the time like “Sun is Shining,” “Satisfy My Soul” and “Easy Skanking,” now sound more interesting, not just by the re-mastering but by history itself. Bob Marley & The Wailers, including their backup singers The I Three’s may not have foreseen the future on Kaya, but the music-the soulfulness and mojo-can be felt in every song. Kaya is for your mind, body and soul!
Recorded onstage in Rotterdam, Netherlands July 7, 1978 the live disc draws heavily from previous albums, and includes two new songs (“Easy Skanking” and “Is This Love”), thereby summarizing and expanding upon Bob Marley & The Wailers international career to that point. More so than in their studio versions, the songs ring with emotional power in these concert renditions allowing the listeners to join Marley in his life-affirming celebration. Like its live album predecessors, “Babylon by Bus,” and “Live!” which was recorded at the Lyceum in London, England, it shines a light as well as casts a shadow on the good and evil in the world.
If you listen to the album with that in mind, in the end good triumphs over evil with hope, love and happiness as the end result. “Positive Vibrations,” “The Heathen,” “Is This Love,” and “Concrete Jungle” are good examples of this. They reflect life’s ups and downs with Marley’s world-weary, but at the same time microscopic view. By the time they get to the last four songs (13 in all), you’ll be celebrating right along with the band and the fans. “Jamming,” Easy Skanking,” Get Up, Stand Up,” and Exodus” have a euphoric flow that is at the same time grandiose as well as highly personal. Bedsides making good use of a horn player on Kaya and the live album, the live album brings the past full-tilt into present. Not an easy task but Bob Marley & the Wailers always seem to know how to touch us. Like I said before, mind, body and soul!-Phil Rainone
A TRIBUTE TO RON ASHETON: Featuring Iggy & The Stooges & special guests - DVD (mvdvisual.com) - All profits will benefit the Ron Asheton Foundation
Get On Your Docs & Rock!!
“Ron Asheton truly played outsider blues…”- Henry Rollins
“Scott and Ron (Asheton) got the chance to orbit the globe and actually see for themselves the hundreds of thousands of fans that were into The Stooges music. No award or book could ever duplicate the feeling they got seeing that firsthand…” Deniz Tek Stooges’ guitarist
This documentary DVD captures the tribute to Ron Asheton concert, filmed live at Ann Arbor’s Michigan Theater on April 19, 2011.
Opening the night was Space Age Toasters. Lead singer Will Smith mentioned that Ron had come up with the name, and besides a couple of originals they blasted their way through a few Stooges tunes, the most provocative being, and “1969.” The way they played it spoke volumes of their respect and dedication to Ron and The Stooges. They floored the audience right from the start, and there was still over two hours to go!
Opening with an inspirational speech from MC Henry Rollins (Black Flag), he told of how Ron quietly influenced future punk rockers with his positive spirit and DIY attitude. Then Henry brings out the Stooges sans Iggy, and calling it the “Second American anthem,” they break into “I Got a Right” that, if anyone in crowd wasn’t already on their feet, they surely were by now! It was a blistering bang of hot punk rock with Rollins as the cheerleader.
Then to thunderous applause (yea, some of the crowd even spit it Iggy as he took the stage-ahh the good ol’ days), Iggy Pop wandered out from backstage already shirtless/jeans down below his hips, ready to kick the shit outta The Stooges catalog. With a howl and yelp the band breaks into “Raw Power” that is just…amazing! For a song that’s over 40 years old, it sounded just as fresh and dangerous as the original. Their 20 song set was as iconic as it was just flat-out fun! They played a lot of their best known stuff like “Search and Destroy,” “Gimme Danger,” 1970,” and “Fun House,” to name a few. They also played lesser known songs like “LA Blues,” “Night Theme,” and “Open Up and Bleed,” but here’s the thing: It wasn’t like they played each song like their lives depended on it, but more like a band with something to prove. It was loose, hot and done with extreme coolness. Punk rock to the max!
With the passing of Ron Asheton, Iggy asked former Stooges’ guitarist James Williamson (The Stooges just released a new album with Williamson on guitar), to step in. He did a great job and is now a full-time Stooge again. The Stooges also consist of Mike Watt (Minutemen), on bass, along with Ron’s Brother Scott on drums, and they added Steve Mackay on Saxophone (he thickened up “1970” and most of the songs throughout the show), and Deniz Tek as second guitarist. For the tribute they added an orchestra…. Ummm… yea…a thirteen piece orchestra! And it worked! They opened the show to a lot of hoots and hollers as a good chunk of the crowd thought it was a joke…it wasn’t! The played a lil bit of Deep Purple’s “Smoke on the Water,” and some classical stuff, than they came out about half way through the show as puzzled looks were on almost the entire crowd. Grinning from ear to ear Iggy and the Stooges blasted into “Fun House.” The mix of punk and an orchestra never sounded better! Genius!
Iggy did some crowd surfing from time to time that was cool, but he outdid himself a few times. Sitting on the front of the stage by the crowd he started taking to a girl, asking the stagehands to “Put a spotlight on this beautiful girl.” He sweet talked her for a minute, telling her how pretty she was. Than the band launched into “Your Pretty Face is Going to Hell,” which made her smile even more!- Ahh, love!
On “I Wanna be Your Dog,” the subservient song turned from a request into flat-out DEMAND, by the songs end. The only other band that I’ve seen gives that song such an incredible reading was Joan Jett & The Blackhearts. Amazing! Simply amazing!!
After over two hours of non-stop punk rock, Iggy sat down on a chair new the edge of the stage with Mike Watt, who played an improvised slide guitar face up on his lap. There was no title given to the song, but Iggy got really personal at first talking, than singing about Ron and all the stuff they’d been through as a band and as friends. I’ve never seen Iggy so humble…
Bringing the full band and orchestra back on stage of the last encore, the jammed on “No Fun” which nearly brought the house down! Iggy invited the crowd up on the already crowded stage as the band played the song like it was their last time on Earth! What a great show, and what a terrific tribute to a man who has given us so mush over the years!
The Rolling Stones - 50 Licks: Myths & Stories from Half a Century by Pete Fornatale (Bloomsbury Publishing)
About a year ago we got the sad news of Pete Fornatale’s passing. It was quite a shock because like most of our rock idols (Pete was a radio DJ for WNEW 102.7 & 90.5 The Night), we feel they are pretty indestructible. Back in the 60’s & 70’s Pete was one of the primary DJ’s for a new radio format called, “Freeform Radio.” Take about putting some new coloring in your paint box!-Pete along with other like-minded DJ’s help break new bands like The Who, Richie Havens, The Stooges, and all the punk bands that lit-up the 70’s & 80’s and beyond, and of course The Rolling Stones. He was one of the first DJ’s to TALK to you like a new found friend, as compared to the Cousin Brucie’s of the day who basically were the original “talking heads.”
“50 Licks” is a no frills, we-don’t-take-shit-from-nobody, kind of book. Its “no-frills” in that they eliminate all the posing, all the nonsense, and especially all the retreaded crap that bogs even the best books down (anyone read Clarence Clemmons book)? Instead they go for the throat, just like The Rolling Stones did back when they first got their start back in the 60’s (and still do today) with The Beatles and the first wave of The British Invasion. Want makes this book different from “Tell-all” books (check Keith Richards autobiography), and run-of-the-mill “factual” books is that besides being a really cool book to read (I could hardly put it down), they used a variety of musicians, including The Stones, and even everyday fans like Kurt Schwartz. - Schwartz’s claim to fame was that he listened to all the Stones albums in chronological order from start to finish. “So what?” you might ask? Well, he then gives his opinion for every song. It’s like he has a photographic musical memory. Maximum coolness!
The book is full of quotes, interviews and yes, myths. They include an interview that Fornatale did with Bill Wyman (bassist), back in 1981. Its fun, factual, and you come away with a better appreciation of the man called “The silent stone,” as Wyman had pretty much been in the background by choice, and very rarely gave interviews. They kind of divide the chapters up into each Stones album in chronological order. It’s not the kind of the old, “Well-we-wrote-this-song-because…it’s more like they give you the inside scoop of the recording sessions with quotes from The Stones, the roadies, and their peers like Hubert Sumlin (best known as Howlin’ Wolf’s guitarist).
Like The Beatles, The Rolling Stones were punk, way before the word was used to describe the genre. Their first few albums were nasty, trashy, bluesy/rock, which mostly covers were, but like The Beatles (check their live albums for the Cavern club back around 1962), they added their original take on songs like Check Berry’s “Around and Around,” or Bo Diddley’s “Manish Boy.”
The Glimmer Twins Get Punk-As-Fuck!
The chapter on the making of and release of “Some Girls” back in ’78 is really a lot of fun to read. Keith Richard’s hails it as a return to their rock ‘n’ roll roots, while Mick Jagger felt like the punk bands of the time like the Clash, and Sex Pistols were looking down on them for selling out, and pretty much forgetting what their music was supposed to be about. Either way, a great punk album came out of those sessions! And let’s not forget one of punk’s national anthems. “Satisfaction” is given an extensive look at with quotes by The Stones mostly, but again, the inside scoop is, “To die for…” as they say!
All though the book they have short but interesting interviews with people and musicians that helped the Stones music in small, but amazing ways. For the recording of “Gimme Shelter” they interview Merry Clayton, the woman who said backup on it, and blew everyone away with her apocalyptic-style vocals. Great stuff!
Here’s one of my favorite quotes from “50 Licks”… “We were coming back from a gig and I wanted to have a wee-wee (piss), so we stopped at a garage-and they refused to let me so I went back to the car and Mick said, ‘Come on, Bill, we’ll find one,” and Brian Jones as well. So the three of us went over there (back to the garage), and they still wouldn’t let us use it, so we just did it there (on the street), and got arrested. We got publicity for about a year on that one. It was then that we realized what we had to do get publicity, you see.”- Bill Wyman This book is so much fun to read!
I’m going to let Pete Townshend have the last word…”The Stones will always be the greatest for me. They epitomize British rock for me, and even though they’re all now my friends, I’m still a fan. Guys, whatever you do, don’t try to grow old gracefully; it wouldn’t suit you.”
The Racer - Passengers
(theracermusic.com)
This record begins with a soft but interesting instrumental called “Passenger (Intro).” From there and throughout the rest of the album the bass and drums maintain the rhythm while the guitars stick out in the background. The songs place an emphasis on life, love, emptiness, and everything else that comes in-between, while the lead singer’s vocals lay on top.
There’s a lot of exploration as the guitars bring you deeper into a song like on “Celebrate.” The title track and “Legends” have a similar level of exploration as the instruments create a wall of sound underneath the vocals. Both songs are about five minutes long and showcase the use of rhythm and lead guitars in addition to the rhythm section.
The Racer’s sound is a culmination of various music genres but more importantly, they are a rock band-one with unending riffs, solos, and vocals that remind us of past rock influences. The evolution of their sound throughout this album shows the group’s ability to play, write, and produce music, something that is truly admirable.
The Defending Champions - Breakfast of…
(thedefendingchampions.com)
The Defending Champions blend a unique and functional blend of ska, Chicago blues, Latin, and rhythmically twisted rock as a chaser. Mixing socially and politically aware lyrics with infectious dance rhythms, the band serve as a virtual blueprint for any band today that wants to do it properly with an eye toward over-the-top humor.
Though diversity in contemporary music is generally laudable, the factionalism it sometimes engenders isn’t; The Defending Champions’ ability to appeal to different audiences suggests that ska needn’t always polarize listeners into incompatible camps. Sometimes soulful ska, sometimes lighthearted and bubbly, the band’s style of execution is actually informative as it is danceable.
Displaying added maturity and creativity, songs like “Lucky Man,” “Relax a Little,” or “Candy Cane” grow their ska roots deep. You can not only hear glimpses of Jimmy Cliff and Bob Marley, but you can also trace their roots to more current bands like Reel Big Fish and The Bosstones. Ska and Chicago blues never sounded better!
THE TOSSERS - The Emerald City (Victory Records)
The Tossers have been one of the few Celtic punk bands that have consistently been improving their music, yet still able to hold onto their roots. On “The Emerald City” (which is located in Chicago, according to the lyrics), they further explore soul, punk, and of course their Irish roots. Heartfelt tributes to life, love, and the road less taken are familiar scenarios, but The Tossers find new twists and turns that will make you smile as well as raising an eyebrow in amazement!
“The Rover,” “Here’s to a Drink with You,” and “God Bless You,” is at once a raise-your-glass-for-a-toast song, as well as something deeper and more meaningful. The music, spiritual and lyrical balance that the band comes up with time and time again is cool, fun, and enlightening. Equal parts heartfelt tributes and modern relationships are abundant throughout “The Emerald City.”
Fiddles, banjos, mandolins, raging guitars, and an excellent rhythm section serve not only to embellish the singers throaty, whiskey-soaked vocals, but they also take turns as lead instruments along the journey through “The Emerald City.” The music can turn from subliminal to rollicking punk rock at a moment’s notice and The Tossers perform it all with an eye toward freshness and originality.
One of my favorite songs is “Wherever You Go.” It starts off as a prayer-like slow waltz (“Come fill up your glasses with whiskey and beer/and may God bless and keep everyone of you here…May peace be with you your whole life through…”). Then, a little over a minute into the blessing-like psalm, the tempo changes to a hot strut as well as the lyrics(“Now woe to you wherever you go/To all of you bastards who have treated me so/Wherever you go/Whatever you do/ May you suffer the curse I put on you/FUCK YOU!!..”). Now, that was just amazing…I didn’t expect them switching gears so quickly and ruthlessly! It reminded me of The Pogues’ co-dependent, wild Christmas tune“ Fairytale of New York,” only more powerful.
Clever melodies, tight arrangements, and honest, heart-felt lyrics on “The Emerald City” paint a musical picture of a band and their view of the life with 20-20 vision!
JOAN JETT & THE BLACKHEARTS - Album (Blackheart Records)
For Record Store Day this April 20, all the mom & pop record stores around the county celebrated their independence with special releases exclusively for them. Joan Jett and The Blackhearts reissued the 1983 masterpiece Album (ummm…kind of a generic name for a record but, dang…it will rock your socks off)!
This limited edition 180 gram vinyl (dude, you don’t need to get your scale out to weight it), individually numbered, is one of the finest, freshest vinyl records this side of Maryland (Joan’s a hometown gal and avid Orioles fan), and they made sure you would really take notice of It in cannery yellow colored vinyl! They also include an enhanced CD with bonus tracks and live footage of The Blackhearts circa 1983. And if that’s not enough they also include a Blackheart Records sampler of their current band roster. They also include a little note saying that a new Joan Jett and the Blackhearts album will be out this fall. I can’t wait!
They programmed the album in its original form and added a few songs at the end of sides A and B (mmm…it feels so good to flip the record over. To me it makes you appreciate the music in a more hands-on way). “Fake Friends” is a stone cold thrashing about “DICKHOLES!” You know, those so-called friends that are two faced, shallow and say things behind your back, to put it mildly. It’s both funny and sadly true, but the music propelling it has a start/stop/start cadence that is head-boppin’ punk rockin’ cool-as-fuck!
From there, Album is jump started to “Handyman,” “Everyday People,” “A Hundred Feet Away,” and “Secret Love.” Nowhere near a dog-and-pony show, these five songs are like horses at a starting gate ready to run and give it their all, as soon as the bell rings!- Real-deal punk rockers from start to finish. The Blackhearts version of Sly & the Family Stone’s ode to equality and open mindedness is revised as the Blackhearts pump it up a gazillion notches from the originals gentile but soulful mix. The also include an amazing cover of The Stones “Star Star” ( they drop the F-bomb over a dozen times). They take the Stone’s original blues rock version and turn it into punk rock anthem! I think Green Day covered it at one of their shows in recent years, with Billie Joe adding his own punker-than-you version. It just goes to show how cool it is to see the gantlet passed from generation to generation, humbly paying tribute to the original version and amping it up into a whole new, and fresh version!
OK, HERE’S The COOL PART KIDS!
Stop your record player (you DO have a record player don’t you?), gently lift the record off the spindle (the short stubby sliver rod), with two fingers (be careful of finger prints and smudges). Flip it over to side 2 and gently replace it on the spindle. Hit “play” and we’re off into punkrockville! “The French Song” is so cool that you’ll what to lean what the words are in English. It’s like when The Beatles sang “I Wanna Hold Your Hand” in German. It opens up a whole new world that is just….amazing!
The Blackhearts revisit a Runaways (Joan’s first band) tune, “I Love Playing with Fire.” Probably about ten years after the original, but they give it a fresh punked-up reading. Like Springsteen and the E Street Band and their own version of rock ‘n’ roll, The Blackhearts are able to create their slice of punk rock that is so much fun, and amazingly cool! I remember reading that Dave Grohl (Foo Fighters), had mentioned back when Nirvana was together that the Blackhearts were influential as well as the Runaways. To me , that’s what makes music so magical. You can take from the past and turn it into something fresh and unique without losing its history, if it’s done right.
The Live footage of the Blackhearts is a good representation of the band’s middle period with Ricky Byrd on lead guitar. Barely out of the 70’s when a lot of the punk bands of the day were either folding up camp or floundering with their gigantic, we’re-only-in-it-for-the-money record companies, Joan Jett (Blackheart Records is her record company basically), and the Blackhearts were releasing records, playing shows and not only maintaining a faithful loyal following, but they were also bringing new comers into the fold. “Album” is a prime example of Joan Jett and The Blackhearts long and dedicated journey. They’re into the music for the long run: Mind, Body & Soul!
Mike Lefton - What Are We Waiting For (cdbaby.com/cd/mikelefton)
Mike Lefton and his band succeed in balancing a love for crowd-pleasing Seventies pop rock with a 21st Century sleekness and a timeless sophistication. The mojo of mid-period Beatles, Simon & Garfunkel and snarly blues rock, is easily combined with the band’s youthful (they’re in their early twenties), exuberance. The band’s roots and branches run deep with rock, folk, and blues with a thick, sturdy trunk of rich, colorful rock ‘n’ roll.
“Invalid” jump-starts the album with bang! A story basically about laughing in the face of all the lies and phoniness that we all run into throughout our lives. With the rhythm section (Skyler Lutz on bass and Carnel St. Louis on drums), they help to amp up Mike’s distressed lyrics with high-end style rock & roll, while Mike wails on guitar. You can’t help but root for the underdog.
Mike’s blue-eyed vocal swoon on “Funny” is surprisingly cool. I’ve seen him play over the years mostly at clubs and benefits, and he’s always rocked your socks off! “Funny” has a slow, sweet melody, but the lyrics are of loss and regret. With Skyler on bass and Carnel on drums they conjure up the melody of Simon and Garfunkel’s 60’s smooth-as-silk 70’s pop tune “Cloudy.” They bring the past into the present, and visa versa-not an easy task but it works fine.
The title cut “What Are We Waiting For,” has a walking-on-sunshine melody that is as infectious as any jangly, funky pop rock song out there now, and the impatient lyrics are romantically cool. With lines like, “How does love feel upon your heart/I do believe it’s time to start,” the song is like a combination of unexpected love-at-first-sight (the first time you see that person across the room and you absolutely flip, and what to get to know them), and growing out of the sadness of a bad relationship. Common everyday stuff but the band rises to the occasion with faith, hope and finding your soul mate as the end result.
“Waiting for My Woman” sounds like a long-lost Partridge Family song (and that’s a good thing). With lines like, “Standing in the middle of a long traffic jam…/Waiting for my woman sweet as strawberry jam, and the “La-la-la-la-la’s” are Saturday-Moring-Cartoon-worthy! A very cool retro-style song done with the enthusiasm of The Rascals’ enthusiastic rocker, “Love is a Beautiful Thing.” Coo, stuff!
“Black Stone Road” brings us back to reality. A funky blues rocker (the production is clear, and straight ahead on the whole album), about taking the road less traveled, wanting to do the right thing while all around you it feels like life is imploding. The song’s relentless, funky cadence is reminiscent of Curtis Mayfield. Both make loneliness and world problems not just inclusive but balls-out celebratory. Just five songs, but “What Are We Waiting For,” makes for a rich fusion of musical styles, and a hell of a party!
Mission South – Immigration Vol. 1 (3 song EP) (mission.south@gmail.com)
Mission South work hard to make a first impression, and even harder to make that much-needed second impression. With the mojo of Jack White’s blue-eyed psychedelic soul, and their own cosmic vibes, Mission South is at once trippy, and heavy-as-fuck! The opening song “Peaches,” has a stop/start cadence that is fuzzy and fun. A song about love and regret it suggests spaciness without ever blasting into the stratosphere. It’s an attention-getting swirl (just like the third song, “Kerosene”), that expands your mind.
Mission South just played at SXSW in Texas, as well as the gazillion bands that do so every year. Looks like our Boss (Jim Testa) found that elusive needle-in-a-haystack! You can get a free download of Mission South’s album at: www.music.missionsouth.com
The Scotch Bonnets - Live Ya Life (smelvisrecords.com)
Skaville Meets Hitsville!
The Scotch Bonnets are a female/male fronted ska band that sound like they just got off the boat from Jamaica around 1965, and headed right into the recording studio in Motown. They play old-school ska with undertones of soul and funk much like The Supremes, Aretha Franklin, and all those soul searches from that era.
Mixing socially and politically aware lyrics with infectious dance rhythms, The Scotch Bonnets serve as a virtual blueprint for current ska bands that what to hear real-deal rude boy/rude girl music. Quietly percolating grooves are abundant in every tune on Live Ya Life. Sultry horn lines are centered around cool, heartfelt vocals that are instantly identifiable-not formula, but undiluted passion.
The entirely original material shows the bands vast creativeness at work. Inventive production, intriguing rock rhythms, powerful and memorable songwriting and new outlooks all combine to make a great record that remains rooted in reggae, but are much more diverse than the genre generally allows. “The Good One,” “Charm City,” and “Song for U,” is ace reggae/rock hybrids; “Live Ya Life” with its propulsive dance-rock beat and sultry sax lines shows the full range of The Scotch Bonnets’ development. A very impressive step forward from a band that is just taking their collective first steps. They know the formula for success, but they embraces it with an eye toward originality and maximum mojo!
Keith Kenny - And the Light Came Blaring In (www.keithkenny.com)
Keith Kenny’s music can at times convey sincere nostalgia, or bring you back to harsh reality real quick! His new album And the Light Came Blaring In Is full of mostly unembellished rock (Keith plays all the instruments with very little overdub or sweeteners,) blues and folk rock that focuses on his style of comfortable enthusiasm. That is, Keith has a way of laying it all out there, but sometimes it’s a slow, burning buildup, that draws you into the heart and soul of the song. He can also take you the dance floor stomping out Living in Circles with the mojo of Stevie Ray Vaughn.
The album is full of amusingly wry regrets, social observations, and heartfelt emotional outpourings, which all combine to travel the back roads of American music to fine effect. On “Filling Holes” Keith digs into similar roots and comes up with a clearheaded, plain-spoken song about love and loss. With just an acoustic guitar (like on songs on And the Light Came Blaring In), Keith leaves out the ambience of a full blown band in favor of perspective lyrics and strong melodies.
For anyone who listens to And the light Came Blaring In or any of Keith’s records, this music is a highly personal medium through which he can (and does) broadcast/exorcise his inner demons.- That’s not to say he doesn’t rock out (dang, this cat can make you practically leap outta your seat with his hot, swirling brand of rock ‘n’ roll), but Keith’s use of musical structures and lyrical imagery is exciting, intense-even cathartic- with a dash of punk without diluting the soulful strength and humor.
With minimal instrumentation And the Light Came blaring In is a one-man show (although Keith also plays with a full band at times), that plainly lies out the author’s heartaches, loves, and everyday problems. Keith crates songs with pride and dignity, making this a deeply moving document of sincere, honest emotions set into song.
All seven songs here are strong, and Keith has become a consistently good singer/songwriter; one can only hope that he gets a chance to develop even further for larger audiences.
Keith Kenny is having a record release party at The Court Tavern in New Brunswick on March 23. You can also contact him at: keithjkenny@hotmail.com to get his new record or for more show information.
At Sea - A New Machine (atseamusic.com)
If you like The Killers, Mumford & Sons, or Big Star, than At Sea is your kind of band. They do not parrot their influences; they draw their inspiration from these types of bands but add originality and spunk. Nearly every song has some new twist, whether through production effects (very few pop records are as consistently aurally interesting as this without resorting to gimmickry), or an unusual instrumental or lyrical approach. Some of the songs are about deteriorating relationships-but the playing is so exuberant that’s it’s almost uplifting. Musical flourishes are abundant throughout “A New Machine,” achieving a fuller, modern over-all sound; instrumentation on many of the tracks is denser than most pop rock bands which shows some interesting musical explorations, as the band easily sidesteps run-of-the-mill themes.
Crankshaft and the Gear Grinders - What You Gonna Do? (crankshaftmusic.com)
“What You Gonna Do?” is like a spark that ignites into bonfire.-It starts off kind of subliminally, but by the time you get to the fifth song “King Pin,” you’re hooked! A mix of barroom piano (like The Band on “Music from Big Pink”), neo-rockabilly, and carefully placed vocal harmonies. Crankshaft and the Grinders (cool name-I can’t say it enough!), popularize American folk rock by telling it straight, embracing and updating ancient traditions without phony posing. Those who like Billy Bragg’s sound, or the afore mentioned Band are in for a largely topical (semi-political), dose of music that has been in limbo for a while. The lo-fi production adds a certain kind of laid-back approach, but it actually raises the listening appeal. You really what to hear to the WHOLE album, rather than piece by piece. Crankshaft and the Gear Grinders are gonna sneak-up on you and blow you away one song at a time!
Mrs. Skannotto - All These Evolutions (mrsska.com)
Ska is a music genre that originated in Jamaica in the late 1950’s and was the precursor to rocksteady and reggae. Ska combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. It is characterized by a walking bass line accented with rhythms on the upbeat. In the early 1960’s ska was popular with British mods. Later it became popular with many skinheads. - From Wikipedia the definition of ska. The reason I brought us all to class was to either refresh our memories or to put a new color in your paint box, or maybe a little of both. When I first heard Mrs. Skannotto I was drawn back to my first experience with ska via Desmond Dekker and Johnny Nash (Marley would come a little later). They know how to subliminally get their sound into your cranium and put it on an endless loop that would positively affect you throughout the day with a smooth and sometimes rugged groove. Always featuring an unstoppable, relentless rhythm section. Fast forward to 2013 and Mrs. Skannotto is bringing those feeling back to me in spades! Although they use a more modern sound like Reel Big Fish or The Bosstones, they still use the core of the genre at the heart of all their songs. “Just as Well,” “Wage War,” “The Limit,” or “Free Speech Zone” all combine for the best of both worlds without sounding patronizing or snobbish. In fact, the whole album sounds like a refreshing blast from start to finish. “Poll Dance,” has Inspector 7’s (they just got back together and are playing at Asbury Lanes in April), written all over it! Wordy but not preachy, upbeat but not over the top, it will rock your socks off! The whole album mixes social and politically aware lyrics with infectious dance rhythms. Mrs. Skannotto is a band that I’d love to see live. When a studio album has me up and dancing around the room (and the pay me NOT to dance or sing), then I just know that at their live show I’d but upfront and personal, skankin’ to the beat no matter how hapless I look!
Citizens Band Radio - Big Blue Sky (worldofCBR.com)
Recorded at Trax East South River, NJ, Citizen Band Radio is a fine mix of country rock (the real stuff like The Flying Burrito Brothers, and Dr. Hook’s rollicking pop country). That’s not to say that CBR aren’t original- they definitely are, and they have plenty of mojo to spare.
Citizen Band Radio are one of those special bands that even after repeated listens to their music, when you see them live they’ll simply amaze you with their thirst for an audience, I think. The male/female vocals add depth and expand the band’s emphasis on writing strong poignant songs.
The band’s music is sparse, angular and seemingly immune to genre divisions. Every song is unique, and each time you hear it you get a little something different slowly bubbling up to the surface. On songs like “Big Blue Sky,” “Drinkin’ Again,” “Sugar Sweet Mama,” and “Heart of Stone” there’s already ample evidence of daring songwriting that straddles the line between artiness and genuine fun and emotion. Most importantly, Citizens Band Radio continues to come up with strong melodies, challenging rhythms and affecting lyrics.
Ed Tang - Goodbye Zen5 Sushi Dinner (edtangmusic.com)
Wow! At first I thought I had put on a new Pogues album! Ed Tang has the phrasing, loopy style, and grit that the Pogues are known for, yet he’s as original as the come. The nine tracks come onto the listener strongly with songs like “Lincoln,” “Just Two Old Friends,” or “My Whole Life,” These are songs in which Ed Tang subliminally flaunts his vocal prowess while the band explores each song with the mojo of a band twice their age. The songs have somewhat dark tones with a firm message using the vocals as a lead instrument as the musicians remain persistent and in the groove.
Zen5 Sushi Dinner is a record that combines a few reoccurring themes-mainly those of love-and seeks to deliberately interpret them by providing the band’s own experiences as examples. The personal aspect of the record is really what makes it so effortlessly relatable without being out only a few negative feelings that we have hidden insides ourselves.
PUNK- The Best of Punk Magazine Edited by John Holmstrom and Bridget Hurd (Harper Collins)
“Of course New York City was the polar opposite of what it is today: The vast fields of decay in the South Bronx resembled Dresden after the firestorms in World War Two. The Bowery was still the “Isle of Lost Souls.” These were the roots of the ant-sixties culture: Peace and love were replaced by nihilism and deliberate anti-glamour. Goth and emo and proto-punk kids of today reference these years as their own personal history, just like the baby boomer crowd endorsed the sixties.”- Deborah Harry and Chis Stein, from the forward.
Measuring in at 11”x9 ½,” PUNK- The Best of Punk Magazine has the feel of the magazine/record album. A lot of the cartoons, photos and posters take up an entire page, and you get the sense of a really cool “coffee table book” without the usual crap associated with the stuff that passes for art these days.
Another thing that sets PUNK apart from the rest of the cookie cutter books is that all the photos and illustrations were taken by people (John Holmstrom, Debbie Harry, Chris Stein, Roberta Baylay, etc.), who were there right from the start where the NYC punk scene got it’ start. Not only “photographers” (I use the term loosely, and lovingly.-Many of them were kids with small, inexpensive cameras with a love for the new music, the clubs, and the exciting vibe), but musicians, and fans. People that wanted something new and different, not only in music but as they say these days, “a lifestyle change.”
The introduction by Gary Storm-former WBFO deejay (www.oilofdag.com), is worth its weight in gold! When he comes to describing the musical and cultural changes that punk rock was about to bring back in 1978 you almost feel as if you were there. As a DJ and representative of radio station WBFO, he was sent to New York City to get record companies like CBS and some of the other mega-companies to give the radio station more promos to play, etc. After hitting brick wall after rick wall with the tight, ultra-constrictive record “suits,” by happenstance he winds up in the Village, in NYC: “At night I wandered the Village and got a little drunk. One night I went to CBGB and saw a pop group called the Squirrels wearing high-heeled sneakers and also the psychobilly pioneers The Cramps, who closed their set with an extended version of “Surfin’ Bird” as the lead singer (Lux Interior), crawled across the tables smashing drinks… Later I stumbled into an ancient office building and rode a clanky elevator to the top floor, and then took a short walk down the hall into a cluttered, dinky office: the international headquarters of PUNK Magazine. Sitting behind a desk in short, shaggy blond hair was John Holmstorm, editor and chief artist. Slouched in a chair in front of the desk was another figure, wearing a leather jacket, square jawed and sandpaper complexion. I’d know you anywhere, Legs McNeil. You look just like John Holmstrom draws you.” I know it sounds like an average, everyday type of meeting, but that’s the beauty of it. Punk is very DIY-very self-sufficient, and have a “one for all-all for one” attitude. Yeah, the major record labels had their greasy, grimy hands out as soon as punk got on their radar screen looking for the “Next Big Thing,” but after all these years they haven’t come close to taming it, or even fully understanding it, for that matter. Anyway, would someone please kick out the soapbox from under me so I’ll stop ranting and get back to the book?
One of the things that made Punk Magazine so incredibly cool was the way that they used punk’s creed of DIY. The advertisements were mostly hand drawn with cartoonist figures like the ad for Trash and Vaudeville, a clothing store in NYC. It’s half a page all handwritten with caricatures of a hip guy and gal circa 1975, in black and white. - Eye-catching, and cool as fuck! I’m sure that PUNK Magazine operated on a shoestring budget, but like they say, “Necessity is the mother of invention.” The ideas and projects (they reprinted the punk comic book for “Mutant Monster Beach Party”) artistry that Holmstrom, his crew and the musicians themselves came up with is amazing!
And don’t forget that back in the 70’s and even the 60’s (The Stooges, etc.); “punk” was a synonym for well, a PUNK!!- Someone who was considered lazy, a wiseass… you know the boy your Mom (there were also girl punks too), always warned you about, who would get you in trouble, or even worse-PREGNANT!!
The full-color pages with bands like the Ramones’ B-movie (directed by Roger Corman), “Rock ‘N’ Roll High School,” Clash, and the whole, unedited issue of Mutant Monster Beach Party are just…awe-inspiring!
Once you read (actually you’ll probably want to read it a few times), PUNK Magazine –The Best of PUNK Magazine, you’ll probably want to start you our magazine, punk band, or just use it as a reference as to what it was like back in the day when punk rock first reared its ugly head, bringing down (slowly but surely), all the shit music of the day like Disco, Prog Rock and all the laidback crap like the Eagles, Carpenters, and all the “Pat Boone’s” of their generation.
PUNK only lasted eighteen issues from about 76’ to 79, but like when I got my hands on my first issue of Jersey Beat, I was hooked for life!
Bruce - by Peter Ames Carlin (Touchstone Books)
With The Help Of Springsteen, This New Biography Chronicles The Myth, The Man, and the Magic of New Jersey’s Favorite Son
If you find it interesting to read about Bruce’s childhood, his sometimes tumultuous relationship with the E Street Band, and other details of the Boss’ life and career, then this book is for you. You’ll read about the first time he saw Elvis Presley on TV, and the affect it had on him, learn about the frustration of the E Street band during the recording of “Born to Run” and “Darkness on the Edge of Town,”which seemed endless. And you’ll hear about the embarrassment the E Street Band felt when Bruce brought the band got back together after ten years, asking them through an employee. (“After all that time, to get a call from the accountant?” Gary Tallent, the bass player said in the book. “I was insulted.”) Throughout this fascinating biography, author Peter Ames Carlin is meticulous but never boring; investigative, but never to the point of sensationalism.
When I first sat down to read “Bruce,” I just thumbed through it, for what I thought was only going to a minute or two, checking the chapter titles, photos, and a sentence or two. What happened instead was that I found myself after reading the title for the first chapter, “The Place I Loved The Most,” getting into it, and I didn’t stop until the end of the chapter. The same exact thing happened as I randomly got deeper into the chapters. After reading three full chapters, I realized what I had been nonchalantly doing, and repositioned myself starting back at the “Prologue: The Gut Bomb King”
OK… I know unless you’re some kind of Springsteen super fanatic, you’re thinking, “Who’s The Gut Bomb King?” Actually it was Bruce’s nickname, which was later changed to “The Boss,” thankfully, when back in 1971. In downtown Asbury Park, Bruce with other musicians and friends would get together for a weekly Monopoly game that was anything but traditional. Using “coercion, trickery, candy bars and cream-filled cupcakes as bribes… Bruce excelled, due to his shifty powers of persuasion and leverage provided by stacks of candy bars, Ring Dings, and Pepsis he brought with him.” It’s funny, and so much fun to read.
There are also chapter’s on Bruce’s personal life, with detailed stories about his parents, family, ex-girlfriends, and even the long-silent ex-wife Julianne Phillips. There’s no interview with his wife Patti Scialfa, and virtually nothing about their three children. Also, past and present band members are interviewed, including their hurt feelings when Bruce broke up the E Street Band back in in 1985 after the Born in the U.S.A. tour. Again, Carlin does it with a sense of interest, but not over-the-top paparazzi-like stupidity. He’s as respectful as he is a journalist.
Smartly, Carlin stayed away from dissecting the vast majority of Springsteen’s songs. However, he does interview Diane Lozito, Bruce’s ex-girlfriend immortalized in “Rosalita,” and a few other cool stories on the origins of some songs.
Springsteen gave journalist Peter Ames Carlin an interesting piece of advice for this biography, ” Bruce.” (Carlin has also written “Paul McCartney: A Life,” and “Catch a Wave: The Rise, Fall, & Redemption of the Beach Boy’s Brian Wilson.”) He said, “if there was anything I thought would make him uncomfortable, I should put it in,” Carlin writes. “He said to me, ‘Every time people start talking about me like I’m perfect, it diminishes me.”
The book is 494 pages, which dives deep into Bruce’s personal life in unprecedented depth. Carlin spent countless hours interviewing Springsteen and the entire E Street band, including Clarence Clemons weeks before his death, and his nephew Jake, who replaced him on The Wrecking Ball Tour. Carlin interviewed Springsteen for almost 20 hours, but Bruce also put him in contact with relatives, old friends, and co-workers, some of whom have never been interviewed before. He even allowed him to use photos from the Springsteen family archive. The book was written with Springsteen’s cooperation, though it’s not an authorized biography, meaning that Bruce had no control over it.
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To me, the more interesting stuff centers around Bruce’s music and the E Street Band. I’ve been a conservative fan since Greetings From Asbury Park, but really got into the music in depth when I found his approach kept the promises that had been made to me by my first real encounter with music, watching The Beatles on The Ed Sullivan Show back in 1963 at the age of eight. Music, especially rock ‘n’ roll, was as necessary as the air you breathe, a fundamental part of life to me.
Discusssing the release of “Born to Run,” the tour that followed, and the court battle with then-manager Mike Appel to regain the rights to his music, Carlin talks about the way the record company wanted to use bigger venues and stadiums, to “sell” Bruce and the band to a bigger audience. It was a period when it seemed like the world was turning upside for Springsteen personally and musically. When the story turns to the rigors of recording and touring, unfair contracts, big money, and “business as usual,” you get that sick feeling in your stomach, that, “Well, that’s the way it is. Take it or leave it,” Carlin writes, “Contracts say whatever contracts say, but as far as Bruce knew, or cared, handshakes and the promise they symbolize meant more.” That’s it! Period! A person’s word is their bonds, and when I heard Springsteen and the E Street band cover songs like The Crystals “Then He Kissed Me,” or “Badlands,” or dozens of other covers and originals they’ve performed over the years, I get the same feeling. A lot of bands have come close, including punk and ska bands, but there’s that extra-special “something,” mojo, magic - whatever you want to call it. It’s present, it’s real, and you feel it. You want to share it with others. It’s not a religion, nor a higher power. It’s music, it’s life, and this world would be so morbid without it.
Unless Springsteen writes his own autobiography in the future, “Bruce” is the go-to book for everything Springsteen. And if you want a dedicated fan’s perspective, check out: Backstreets: Bruce Springsteen The Man & His Music by Charles Cross.
Johnny Society- Free Society (johnnysociety.com)
Johnny Society blends blues, soul, alternative, and bits of rock together, on Free Society. But like the band Dr. Dog that I reviewed a few months ago, both bands have the same problem. It’s like they took all the afore mentioned genres and tossed them in a blender. Unfortunately, someone forget to turn the darn thing on!
On songs like “So Quick to Turn,” Well, Well, Well,” or the title cut, I’m hearing The Band, Dave Matthews Band, Phish, and some originality. Johnny Society comes up short on these songs and most of the album, actually. The few bright spots are “Fall so Low,” and “Stabbed in the Back.” These two songs rise above with originality and perseverance. The story lines are solid as is the music.
Free Society would have made a good three or four song EP, and I’d like to see these guys live. I think they have more in the tank than meets the eye. There’s a lot of potential here, but they’re just not living up to it.
Erez and the End - “Silent Mountains” 5-song EP (ErezAndTheEnd.com)
Here’s another band that seems to have a lot of potential, but they keep rehashing old Dire Straits. The vocals have an aged but unique vibe, but get drone-like after the first two songs. The music is up to par, but they’re missing some important mojo somewhere in the mix. I would think that live, they would bring their A- game and create some magical moments, but the in studio it sounds like they’re coloring inside the lines, making sure not to think outside the box.-Phil Rainone
The Januariez - Authentic
(thejanuariez.com/thejanuariez)
In the liner notes where it says: File Under, for the type of music the band plays they list it as: Active Rock, Alternative. Umm… yeah… I would say so, but there’s also all the earmarks of a Death Metal band. On the inside of the album cover they have some sort pentagram, and two drawing of some sort of satanic beings that are not impressive. Black Sabbath did it better and it was more meaningful back in the day.
On Authentic, the music is anything but. There’s kind of a funky and alternative vibe here, but run of the mill stuff. The band doesn’t take you anywhere with their music. Last year I went to see Leslie West, and the two of the three bands that opened for him were just…awful! Bad Hair Metal, with no soul, no punch, just going through the motions. Januariez have no appeal whatsoever. Their studio album is lifeless, and I don’t think they would sound any better live.
Bruce Springsteen FAQ - All That’s Left To Know about The Boss By John D. Luerssen (backbeatbooks.com)
When did Bruce first befriend Little Steven? How Did Springsteen avoid Vietnam? How did Bob Marley come to support him in 1973? What was the original title of Darkness on the Edge of Town?
Give up? Or maybe you already know the answer to these questions but wait, there’s more!
What classic song did Bruce sing at Clarence Clemons’ private memorial? How did Bruce meet Patti Scialfa? Who was “The Chicken Man” referred to in “Atlantic City?”
Well, these any many, many more questions are answered in Bruce Springsteen FAQ! And that’s not all. The book is more than just 437 pages of fun facts. It’s more like a biography and history combined with questions that will enlighten even the most hardcore Springsteen fan, or the casual listener.
The writer, John D. Luerssen, is a Jersey guy who was born in Westfield, and was given his first two Springsteen albums, Born to Run and The River, as a gift from his grandmother on Christmas Day 1980. So his Springsteen roots grow deep and wide. For FAQ he not only used fans' questions but his own to make this a lively, energetic read.
I thought I was a pretty big Springsteen fan, but as I read my way through, I started “dog-earing” the pages of interest, and questions and answers that flat-out had me saying, “WOW!” I didn’t read the book from start to finish, rather when I got to “Contents,” it was so interesting, and each chapter was so cleverly titled, that I started with my favorites like“I Hear the Lead Singer Shoutin’ Out, Girl,” or ”Just Like a Supernova: Greetings from Asbury Park, NJ,” or “Cool Rockin’ Daddy: Family Life.”
The book was hard to put down because every time I’d finish a chapter, it would leave me wanting more, and more! I almost OD’ed of Springsteen facts and history!
What made the book and easy (but not quick), to read was that for each chapter like, “I Was Born Blue and Weathered: Springsteen’s Childhood,” instead of long, paragraphs that drone on, like some other biographies, FAQ is broken up into short paragraphs. Maybe five or six, sometimes ten sentences long which condense the book nicely without taking away the facts, or the fun of learning cool stuff about Bruce, the band, his family, and why here’s still so much interest after all these five-plus decades.
There are also quotes galore from interviews with Bruce (he didn’t have anything to do with the book), family, friends, band members, and especially the fans. There are also lots and lots of fun facts on not only Bruce’s studio and live albums, but also long sought after demos like “Back in Your Arms,” “I Dreamt My Love Was Lost,” and “Dry Lightning,” all of which were recorded in 1995 when he was recording The Ghost of Tom Joad. Again, it’s not a cut-and-dried book; the author injects his feeling and that of the fans, mixing them with facts and humor.
If you’re looking for rare and unseen photos this is not the book for you. Pictures of The Boss are few and far between, and are ones most every Springsteen fan has pretty much seen before. But that doesn’t mean that they’re not interesting. Take for example the play bill on page 181. It’s the old concert flyer for the Paramount Theatre in Asbury Park in 1976. It was a Bill Graham Presents show in black and white, and the photo of Bruce on the poster is like a slice of music history. The photos here may be few but they are iconic when it comes to capturing a chuck of Springsteen history.
One of my favorite parts of the book is where Luerssen gets into talking about the songs on each studio album. For the album Magic, he wrote a few lines about one of my all-time favorite Springsteen songs, “Girls in Their Summer Clothes.” “Reminiscent of the lush Phil Spector-produced pop records of the 60’s, this was the second single from Magic… Describing the song to Dan Cairns in the Sunday London Times in 2008, Springsteen said, “I was interested in having a song where you get this classic image of a late summer, light on, in a small American town. And it’s perfect in a way that only occurs in pop songs-when the air is just right, where the sun’s sitting a certain way.” A year after it release, Springsteen pulled in a Grammy for the song for Best Rock Song. “I didn’t even know I was up for a Grammy!” he marveled. “I opened the newspaper on Monday and saw that I had won, and thought, ‘Well that’s great!’”
There’s no gossip, no fluff stories, no dirt, or “Inquiring minds want to know,” Enquirer crap. Just cool stuff that any Springsteen fan new or old would be interested in reading about.
The only problem I have I with the book is with the subtitle where it says, “All That’s Left To Know.” Now, I’m not a hardcore Springsteen fan, but even someone like myself who’s followed his career all these years, and has enjoyed the music and the shows knows that there’s much, much more to come musically, and there’s also cool stuff that will probably fill a few books on Bruce. Like Bruce said when he was asked if he and the E Street Band would ever do a farewell tour about a year ago. He said in part that he felt like he and the band were just starting to peak, and that, “When you don’t see us anymore touring, then you’ll know we’re done.”
The Doughboys - Shakin’ Our Souls (thedoughboysnj.com)
The Doughboys have been shakin’ our souls since 1964 when they opened for bands like The Beach Boys, Grand Funk Railroad, and Question Mark & The Mysterians, to name just a few.
On their third studio release it feels like their just starting to get their second wind. Raw and gutsy garage blues, and bar band rock ‘n’ roll are not only at the core of their songs, it’s their hearts and souls. Songs like “Land,” “It’s a Cryin’ Shame,” “Route 22” heck, ANY song on Shakin’ Our Souls are all atomic-jukebox A-sides! But under the howl and growl of Stones-like vocals and a Social Distortion influenced guitar/bass/drums combo, The Dougboys aspire to the rough-granite poise and battle lessons of some of the great rock ‘n’ roll, punk, blues and soul stirrers past and present.
The whole batch of songs here are an exhilarating turbulence of convulsive rhythms and sharp wordplay that will leave a clean, profound mark on the listener. Once songs like “Route 22,” “Love is the Seed,” or “Until the Clock Strikes Doom,” get into your cranium, it’s really hard to listen to anything BUT rock ‘n’ roll and the blues! The latter song is at first, when you see the title it sounds kind of corny, but the lyrics will remind you of Bowie’s future shock “1984,” only now the realizations of Bowie’s Big-Brother-Is –Watching warnings are here and we’re all the worst for it.
After you listen to Shakin’ Our Souls a few times you’ll hear the locomotive strumming; the slashing flourishes of the bands riffs that take you higher every time you hear it! Power chords that pins you to the wall and makes you hit “play” again and again. But what makes these songs and the last two Doughboys albums, and their live shows so special is what’s inside the songs: hunger, fury, despair, and joy, often all at once. You hear the blues, rock ’n’ roll, garage, and rockabilly that came before, transformed into their version, and they just kick out the jams all the way through!
They also brought in Mark Lindsey (Paul Revere and The Raiders, and solo artist), to sing background and saxophone on “It’s a Cryin’ Shame” (also Genya Ravan treats us to her vocal prowess, as she also does background vocals on the same tune), so I’ll let Mark have the last word: “Okay…so I get this call asking me if I’d play some sax and sing background on The Doughboys new CD. The cut was “Cryin’ Shame” and I thought it was cool. Then, I heard the rest of the project. Whoa… The Doughboys are for real… If this thing had come out in’65, there would have been one hell of a battle of the bands, if you know what I mean. But it comes out now, kind of like vintage rockin’ pop with 21st century twist. If this ain’t the real s**t I’ll hang up my rock and roll shoes. Dig the D-boys and rave on!”
Cudzoo & The Faggettes – Daddy Issues (Drug Front Records)
“New York girls don’t take no shit/ we leave our house in our heels and our tits/Come in an hour just to lick our clits…” (first cut off Daddy Issues). How can you follow a cool-as-fuck line like that?-With a nasty drum wallop, slashing guitars, and a down ‘n’ dirty rhythm section, that’s how!
Cudzoo & the Faggettes is THE band that you Mom warned you about. Loud, rockin’ potty-mouthed, all-girl group that makes no apologies for being originally outrageous, and the new Queens of Noise (no disrespect to the originators, The Runaways).
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Go back in time to rock ‘n’ roll’s musically conservative ’62-thru-’63 timeframe, a period dissolved by JFK’s assignation and preceding The Fab Four’s impending British Invasion of an unwittingly abstinent America. It was a safe haven ruled by harmless, harmonizing, sterile, serenading Four Seasons, or even the boring, ugggh…Pat Boone! They and dozens of bands like them were parentally approved softies pushing aside the putative erotic future icons like Chuck Berry and Elvis Presley.
Now, with that in mind, fast forward to today and listen to Cudzoo & The Faggettes new album, Daddy Issues. They conjure up the innocently charming uptown soul of girl groups like The Ronettes, Shirelles, and Crystals-the streetwise toughies, the girls that didn’t take no shit from anyone, epically their boyfriends.
Cudzoo & the Faggettes are based on the same multi-harmony swoops and Wall of Sound that Phil Spector created back in the 50’s and 60’s, but even with all this reverence, the manage to stay real. Committing to 90’s riot-girrl (The Blackhearts were one of the originators along with bands like L 7 and Hole), empowerment while having loads of fun donning polka-dot party dresses, applying black eyeliner, sporting high-heel stilettos, and choreographing their own, unique style of dance moves. But, what sets them apart from their past role models is that there’s always that vixen-like nastiness juxtaposing the overwhelming sweet soul music that is in sharp contrast to the nasty-as-fuck lyrics. - But it works!
Every song title on Daddy Issues sounds like it could be made into a bad porn movie (“Daddy Issues,” “Fuck Buddy,” “Phone Sex,” etc.). But here’s the difference in what was then and what’s now: Cud zoo & the Faggettes thrilling retro-pop revivalism gains a solid rep. the more you listen to it. In a land that’s seemingly overrun by boy bands, and girl’s bands with a we- just-wanna-have-fun, attitudes, Cudzoo & the Faggettes are breath of fresh air. Let’s hope they get picked up by The Warped Tour next year, giving them some well-deserved exposure, and hopefully spawning many copycat bands, that will put their own spin on it!-
The Oats - “Funeral=Real Fun” 5-song EP (theoats.net)
I’ve been writing for Jersey Beat for about 15 years (thanks, Boss), and one of the coolest things about getting CD’s, vinyl records, and back in the day cassettes is, you never know what you’re going to get when you open the mail box. In with a bunch of CD’s was this CD by The Oats. No press kit, and it was wrapped in a homemade “Jewel box,” that was made out of construction paper with a printed/written label, and the songs were hand-written on the CD.
It looked kind of what a grammar school kid would create if they were given paper, and a few colored markers. If you didn’t write for Jersey Beat, you would probably trash it without a second thought. But I do write for Jersey Beat and something like this goes right to the top of the pile to review!
With all that said, when you get into the album’s five songs you’re treated to some really cool pop/punk rock. Somewhere between the Violent Femmes and the Bouncing Souls The Oats map out some interesting musical territory... “Get me Going,” “Soon,” umm… hold on while I remove the CD from the player and turn the CD around a few times so I can read the song titles...Ok, The third song is “Hate List.” These three are definitely a “three-peat” as they say. They all have a tough pop punk core, but the vocals are smoother, even though the singer seems like he’s waxing poetic, all the while spewing about bad relationships and how fucked-up life can be at times.
“Queen Jerry” and the last song “R,” kind of more of the same heartfelt spewing, but they rock on a higher plain. What’s cool about The Oats (terrible name-laughing out loud), is that they march to the beat of their own drummer, whether it be how they present their CD for review (the CD was marked as an “advance copy,” so I’m guessing that they will upgrade their “jewel box”-but it works), or the way they take chances with their music making it both accessible and obscure all at the same time.-Phil Rainone
Blag’ard - Fresh Candy (blagard.com)
Despite the “eye candy” on the front and back covers of the CD (naked-girl-holding-a-guitar-that-she-probably-doesn’t-know-how-to-play look), the duo of Joe Taylor on guitar/vocals, and Adam Brinson on drums/vocals, have the cool vibe of Jane’s Addiction, if Jane’s had not gotten humungous egos after their second album, and done mostly mediocre albums after that.
Blag’ard actually down-size Jane’s Addiction huge sound, but not their mojo. “Candy Town,’ “Pony Boy,” or “Tea is for Cookie,” are somewhat off-the-wall-rockers with generous bits of twisted humor for good measure. Fresh Candy has depth and flavor (no pun intended), and they add a few bells and whistles here and there, not only to keep your attention, but to add originality. Fresh Candy is an album that doesn’t slip into tribute territory; this band is the real thing. Blag’ard are able to get to that wildness of rock ‘n’ roll, and marry it to discipline and tradition, making it sound effortless, awe-inspiring, and tight as nails.
Girl Guts - Victoria (girl-guts.com)
Girl Guts (cool name), have a hyper-punk sound that sparks the listener right from the start. No bells and whistles just straight-ahead punk rock that’s delivered with the enthusiasm of a band that just made their first record, and are dying to play it live (actually this is their first release). “Hard, dirty, and fast,” (as they say in the press kit), the music is uncompromising but easily accessible.-And you can dance to it!
Well, what’s considered dancing these days (hey, they pay me not to dance OR sing), and you will have a blast and a half!
Choruses that shout at you while you shout back the refrain will keep you in the pit, sweaty, tried, and you will definitely get your rage on. But this is also moshing for the serious-minded. They sing about religion, but not too seriously, as well as the tried and true stories like, “Birth, School, Work, Death,” as that 80’s song goes. Ultra catchy, ultra fun, this is the type of album that will draw you to their live show.-Hey, bring a bunch of friends. You’re gonna have a blast!-
Gutt N Buckett - Loans Jewelry Guns Luggage
(facebook.com/guttnbucket)
Cowpunk Lives! Well, it’s pretty close to cowpunk (Reverend Horton Heat, etc.), but they add they own mum… originality. Gutt N Buckett is a band that does not take itself too seriously. On the contrary, they amp it up with well, “ooohs” and “ahhhs,” for a better term. It’s like when you write a song and you come to a point when you don’t have a line yet, so you just put in the “oohs” and “ahhs” temporally. Well, the “oohs” and “ahhs” are in there geminately, and we’re all the better for it! I know it’s a minor thing but like any good song that you can sing along to its catchy, and the mojo is maximized!
There’s also a cool quirkiness to the band, and these 21 songs. Mostly around the three minute mark, each one is like a slice of pizza, but with each slice having a different topping (mmm…pizza). Each one works on its own, but after you listen to the whole album it fits together perfectly like eight slices each with its own topping!
Gutt N Buckett is Dottie Buckett- vocals, bass, JT Buckett-drums, Hobart Gutt-Vocals/guitars
Yannick Noah - Homage (Sony Music)
When you set out to create a tribute to someone (here, it’s Bob Marley), it’s epically important to not only get it right, but to also bring the listener to another place entirely. On Homage Yannick Noah fails at both. He comes close to getting it right vocally, but his backup band sleeps through a Muzak version of each and every song. Even the backup singers can’t come close to Marley’s original backup singers The I Three’s. There’s no soul, no mojo, no spirit. Just empty, lost versions that wouldn’t even sound good for a Karaoke night.
ECHO MOVEMENT - - Love and the Human Outreach (echomovement.com)
Usually, when you come across a new band, at some point you find out that they have jobs doing something other than being moonlighting musicians, who usually play on weekends. When I met Echo Movement a few years ago at Martell’s Tiki Bar in Point Pleasant, they were an original band moonlighting as a cover band. I don’t know if they also held other jobs, but I thought that was a pretty cool way to on honing your craft. As a cover band they played mostly reggae and ska like Bob Marley and Sublime, and they would throw one of their new songs here and there.
Fast forward to this past summer, and Echo Movement are one of the shining stars when The Warped Tour hit New Jersey.-I guess all the “moonlighting” paid off!
On Love and the Human Outreach, Echo Movement gives us some cool, real-deal reggae, dub, and a slice of ska here, and there. From the opening dub instrumental “Rising Sunset,” (cool title); it’s old-school dub reggae to the max! This is the stuff that Lee Scratch Perry, and a lot of other first generation Jamaicans were doing.- Real guitars, keyboards, drums, bass, sax, and trumpet, and a few interesting add-ons like ukulele, and tempura. Otherwise, no crappy electronics like latter day reggae like Lady Saw, Beenie Man, etc.
Quietly cool percolating grooves garnished with sultry horn lines making for an instantly identifiable sound- NOT formula. Love and the Human Outreach display a wider lyrical range, and increased vocal acuity. The title cut, “Play it Cool,” and “Sea Level,” are a few of the bright spots for the same relatively unwavering cloth that Echo Movement is known for.
The inventive production by the Fowler brothers, intriguing rock rhythms, powerful and memorable songwriting that remains rooted in reggae/dub, but is much more diverse than the form generally allows, shows the full range of Echo Movement’s development. Love and the Human Outreach is an impressive step forward from a band who already knows the formula for success.
Echo Movement is Stephen Fowler-lead vocals, David Fowler-keyboards, Dan Gugger-guitars , Colin Bell-drums, Jonathan Butts-bass, Matt Lepek-sax, Nick Afflitto-trumpet
AVON JUNKIES - The Lesser Evil (avonjunkies.com)
A few months ago, the Avon Junkies ignited the Starland Ballroom opening for Catch 22 and Less Than Jake. Usually an opening band is like the sacrificial lamb: they get to go on first, but most of the time there’s very little interest, as a lot of the crowd are still on line waiting to get in, or milling about, not paying much attention to the band on stage Well, word must have gotten out because when the Avon Junkies hit the stage, you would have thought Green Day ( the Avon Junkies lead singer sounds strikingly like Billy Joe), had made a special, secret appearance. The Lights went up, and the band hit the ground running, and never stopped ‘til their 45 minutes set was over, filling up the open space in front of the stage almost immediately.
On The Lesser Evil, the Avon Junkies have a lot to prove, epically to anyone who had just heard their wickedly cool set, and had marched on over the band’s merch table to pluck up a copy of their new album.
For a young band, all the songs on The Lesser Evil are substantial and well thought out. “Addiction” was written like a story of a person with twice the age and experience, rather than someone in their late teens or early twenties. And that’s one of the many things that set Avon Junkies apart. They don’t settle for the same old thing. They reach, stretch, and embrace the future as much as they do the past. That is, they know their past experiences obviously, but they know that’s there’s also going to be some things that will be great, and some things that will be totally devastating their future. They live in the here and now, but they also possess some of the wisdom that usually comes with age, where you’re not just thinking about yourself, but of a worldlier picture.
What I like best about The Lesser Evil is, although it’s a studio album, you get the feeling like your almost listening to one of their live shows. The production is crisp, clear, and the music will rock your socks off!
The Lesser Evil does not disappoint! I’m not sure what “wave” were up to now (Catch22 and Less Than Jake are considered “Third Wave Ska”), but dang, you can try to pigeonhole Avon Junkies as much as you want, but the best Pigeonhole I’d use is “originality!”
THE ORB Featuring Lee Scratch Perry - The Observer in the Star House (theendrecords.com)
Some would consider the teaming up of a legendary pioneering reggae artist like Lee Scratch Perry and electronic wiz-kids The Orb, would be a match made in Heaven, since they both travel in the same stratosphere, but not so. I think a better collaboration would have been Perry and Echo Movement (see separate review for Echo Movement). Where the Orb plays it close to the vest with unimaginative electro beats, Echo Movement uses real instruments that actually energize the songs.
On The Observer in the Star House, The Orb tries their hand at dub reggae, and the results are mixed at best. Yeah, dub is supposed to have a slower cadence than reggae, and stretched out into a repetitive jam-like trance, but The Orb sound like they phoned in their part. No sparks, not even a smoldering fire, their beats are deadly slow and uninspired, and the only saving grace is Perry’s “toasting/talking” that lights up this album. His other-worldly chats/ravings are unmatchable. He’s been doing this for quite some time, and his stream of consciousness seems endless.
Skip the album, and try to get to one of Perry’s shows if at all possible, or one of his other albums. The stuff (music) that this cat comes up with is out of this world!
THE BRIGANTINES - Vacation! The Latest From New Jersey’s Number One Surfing Group!
(modernworldrecords.com)
Ok, so here’s a surf album from a New Jersey band (recorded in Jersey also), which to me sounds like a win-win situation. But are surf bands and New Jersey, to paraphrase the old promo for our state, “Perfect Together?” I’m a strict believer in the power of the music to move & groove you, but let’s see if The Brigantines can pass the “Punker Than You” test that The Boss used to use as a motto for Jersey Beat!
Well, for starters, The Brigantines (and yes, they’re from Brigantine, NJ) feature Vincent Minervino on vocals, guitar, keyboards, and drums, and he has a cool plaintive voice… kind of like Jonathan Richman from the 70’s rock ‘n’ kitsch band, The Modern Lovers. Although not as ironic and loopy as Richman’s, Vincent is like the calm in the eye of the musical hurricane which the band conjures up time and time again on Vacation!
With Aaron Leonovich on bass and vocals, Scott Saint Hilaire on guitar, and Don Tojeira on drums, they creatively raid the roots of surf rock, garage, and at times punk, creating their own brand of rock ‘n’ roll that is a catchy as is forward thinking.
You get not only a Jersey vibe from the music, but also the California surf/folk rock sounds of bands like The Beach Boys and The Byrds. There’s also the garage mojo of the 60’s Northwest music scene, via Paul Revere and the Raiders and The Kingsmen. Simple, narrative tunes about love, loss, life, and yes, SURF INSTRUMENTS! Actually, to be correct, surf instrumentals!!
This stuff is A-1-worthy, blasts that would have you putting quarter after quarter on the jukebox! The Brigantines capture the ancient, twangy sound of bands like Link Wray and The Neptune’s, to name a few. It’s a solid instrumental sound that needs absolutely no words. You imagination is given free reign. The only limits are the outer limits, and that’s that rare, special place that only a handful of band’s can take us,-Now you can include The Brigantines in that group! Simply amazing! Uptight, outta sight, and definitely in the groove!
PS- The Brigantines’ cover of The Ronettes 60’s hit “Then She Kissed Me” (they changed the original from “He” to “She”) gives the decades-old romantic rocker a fresh reading. You could almost mistake it for a song right out of The Brigantines repertoire. Cool stuff!
STRAWBS - Acoustic Gold
(witchwoodmedia.com)
Wow! What a blast from the past, that’s as much in the present as any contemporary alternative band. The Strawbs came over here on one the many British Invasions back in the mid-seventies. With contemporaries at the time like King Crimson, Yes, and Fairport Convention, to name a few, they helped reshape and redefine the musical explosion of that period.
Back then, FM radio was way more free form and this freaky psychedelic folk rock actually got a lot of airplay. (Can you name a major radio station that takes those kinds of chances these days? I know I can’t, except for college radio; no one has the imagination or desire. MONEY is the bottom line. ) On Acoustic Gold, you get not only Strawbs’ fan favorites like “Ghosts,” “Autumn,” and “Midnight Sun;” they also dig deeper into the catalog, and breakout cool gems like “Evergreen,” “The Man Who Called himself Jesus,” and “Cold Steel,” to name a few.
The beauty of this album is that the current Strawbs break down the original songs into their basic, acoustic form. It sounds more like you’re getting the sound of what the songs were like in their infancy, rather than just stripped-down acoustic versions, like so many bands do, without getting to the heart and soul of the song.
The Strawbs have to me have always been ahead of their time. The song structures, the lyrics, and the stories all take you places you never imagined. The creativity that each song is crafted with, are the type that can be handed down from generation to generation, and losing their potency. My favorite here is the “Autumn Suite.” I could listen to it in the blistering heat of August, or the freezing cold of February, and be quickly transported to a fresh, cool autumn day in October. The delicateness of the music, coupled with Dave Cousin’s lead vocal prowess are as exploitive now, as they were back in the 70’s when the song first saw the light of day. To me, that’s the measure of a band. - If they can reinvent themselves, and conjure up the original mojo and bring out something totally fresh and new, then I’m all in! The Strawbs are one of those unique bands.
STRATOSPHEERIUS - The Next World… (stratospheerius.com)
Bridging the gap nicely between heavy metal and art-rock is what Stratospheerius does best. They are interested in touching the mind as well as the heart. Songs like “Release,” “The Prism,” or “Gods,” are good examples. The songs unfold into mini, opera-like stories with music that subliminally transfixes the listener, but taking noting away from the story line. A fine line to walk, but the band does it time and time again with precision and an eye toward humor.
There are even touches of punk in the rhythms and rhymes. You can hear glimpses of Sonic Youth splattered against a canvas of lyrics that not only makes the song interesting, but also puts them in a league of their own.
Sometimes the sounds on The Next World… can be harsh-feedback, distortion and dissonance-but the group uses them to create a variety of effects and moods. If you think of a rubber band, where it can be stretched and pulled, and reshaped-than letting it go, and it goes back to its original form, you’ll have a good Idea of what this album is about. Exploring the outer limits, yet stay down to Earth as much as possible.
The English Beat- Live! At The US Festival September 3, 1982 and May 28, 1983 CD & DVD (Shout! Factory)
Back in the late 70’s and well into the 80’s England was going through some very tough times both socially and politically, especially under Prime Minister Margret Thatcher’s iron-fisted regime. From those hard times came a positive, and meaningful musical, and social uprising that, if something similar had happened in the US during President Regan’s two terms in office, it would have surely been squashed, thrashed, and disband ASAP. I still remember The First lady, Nancy Regan’s response to the nationwide drug problem: “Just Say No.” –Funny how some things never change!
Anyway, somebody please kick the soapbox out from under me- please! Enough politics, let’s get to the good stuff! The English Beat, like other ska and punk bands including UB40, The Specials, Sex Pistols, Clash, and The Jam, were all born from the 70’s and 80’s political and social upheavals. Where the Clash and Pistols chose to hit you in the gut with their Neanderthal punk rock, The English Beat were one of the bands that chose to get you on the dance floor first, with their 3rd Wave skatastic upbeat music that hit you in the gut along with their political stance.
On Live at the US Festival back in ’82 and ’83, The English Beat had reformed to play the fest. With all the original members in tow, they wowed the crowds with some of the best ska from “Over the pond (England),” as they say. The CD contains 16 songs that spam the bands career. From early si
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Decades of Divas Salutes Music’s Greatest Leading Ladies From The 1940s To The Present
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"Guitar Girl Magazine"
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2014-10-20T03:09:58+00:00
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Academy Award-Winning Songwriter FRANKE PREVITE
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Guitar Girl Magazine
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https://guitargirlmag.com/news/decades-of-divas-salutes-music-s-greatest-leading-ladies-from-the-1940s-to-the-present/
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Academy Award-Winning Songwriter FRANKE PREVITE
Presents Musical Journey Down Memory Lane with Songs of Billie Holiday, Aretha Franklin,
Dolly Parton, Carole King, Janis Joplin, Diana Ross, Barbra Streisand,
Whitney Houston, Madonna, Adele, and Many More
POPULAR NJ SHORE VOCALIST-DANCER LISA SHERMAN LEADS ARSENAL OF SINGERS AND MUSICIANS IN WORLD PREMIERE SATURDAY, NOV. 8 AT COUNT BASIE THEATRE IN RED BANK, NJ
National Tour to Follow!
Read the new interview with Franke Previte in American Songwriter Magazine
Press Release – Academy Award-winning songwriter Franke Previte (Dirty Dancing) is realizing an entirely new musical dream in his debut as a show producer with DECADES OF DIVAS, a dazzling musical journey with the world’s most influential women in re-inventing and revolutionizing music from the 1940s through the present.
DECADES OF DIVAS makes its world premiere ahead of a national tour Saturday, Nov. 8, 2014 at the Count Basie Theatre, 99 Monmouth St., Red Bank, NJ. Show time is 8 p.m. Tickets $59, $39, $29 and $19 on sale NOW at www.countbasietheatre.org or through the box office at (732) 842-9000.
DECADES OF DIVAS stars popular New Jersey shore vocalist-dancer Lisa Sherman, the show’s co-creator, who leads an arsenal of singers and musicians across a pair of nightclubs (G-Dog’s Jazz Café and the Roxie Lounge) and right down Memory Lane, which runs between them, to evoke and pay tribute to the greatest divas we’ve embraced through the decades. DECADES OF DIVAS features the songs of Billie Holiday, Ella Fitzgerald, Etta James, Aretha Franklin, Tina Turner, Dolly Parton, Carole King, Janis Joplin, Celine Dion, Donna Summer, Whitney Houston, Bonnie Raitt, Diana Ross, Barbra Streisand, Madonna, Adele and so many more! Indeed, there is something in every genre for EVERY generation to enjoy.
“These legendary divas and songs are part of the fabric we, and the generations before us, all grew up with and loved,” says Previte. “So the show follows each singer passing the torch to the next. The performers show how they’re influenced by each diva .They don’t just sing the songs and sound like the artist. There’s a theatrical thread throughout. It’s a journey of five singers celebrating the divas who have influenced them.”
Previte, who earned an Academy Award, Golden Globe, and Grammy nomination for writing “(I’ve Had) The Time of My Life,” the iconic No. 1 hit from Dirty Dancing, has put together a multi-media experience which comes to life in large part through the multiple performing talents of Sherman, a former Radio City Rockette, veteran of several Broadway shows and star of her own TV show in New Zealand. She’s supported by some of the tri-state region’s most dynamic and “unsung” singers – Layonne Holmes, Eryn Shewell, Reagan Richards and Jilly Sentino – and backed by musicians who’ve played with Bruce Springsteen, Jon Bon Jovi, Mariah Carey, Lou Reed, Art Garfunkel, Les Paul, Dave Mason, Gloria Gaynor, and the Nelson Riddle Orchestra, among others.
DECADES OF DIVAS is a Songbird Production, created by Franke Previte and Lisa Sherman, and written by Franke Previte â–ª Executive Producer: Franke Previte â–ª Musical Director: Gerald Carboy â–ª Director and Choreographer: David M. Beris â–ª Production Consultant: Dennis D’Amico â–ª Production and Administration Manager: Patrice Samara
www.decadesofdivas.com
www.facebook.com/decadesofdivas
www.twitter.com/decadesofdivas
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https://utahutes.com/sports/track-and-field/roster/erin-vringer/14913
|
en
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Erin Vringer - Track & Field
|
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Erin VringerDistance - TFRRS Bio
Personal Bests:
6K (XC): 20:15.6
Mile (Indoor): 4:46.79
3000 (Indoor): 9:06.46
800 (Outdoor): 2:11.44
1500 (Outdoor): 4:13.17
|
en
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/images/logos/site/site.png
|
University of Utah Athletics
|
https://utahutes.com/sports/track-and-field/roster/erin-vringer/14913
|
2023-24 Track & Field Roster
Choose a Player:
Wesley Hitt
Hunter Dyke/Utah Athletics
Jayson Ortiz
Hunter Dyke/Utah Athletics
Erin Vringer
Height 5-5
Class Sophomore
Hometown Saint John, New Brunswick, Canada
High School Saint John HS
Major Undecided
Bio
Related
Historical
Biography
TFRRS Bio
Personal Bests:
6K (XC): 20:15.6
Mile (Indoor): 4:46.79
3000 (Indoor): 9:06.46
800 (Outdoor): 2:11.44
1500 (Outdoor): 4:13.17 (aa)
Academic Honors:
2024 USTFCCCA Track All-Academic
2024 Pac-12 Spring Academic Honor Roll
2024 Pac-12 Winter Academic Honor Roll
2023 Pac-12 Fall Academic Honor Roll
2023 USTFCCCA Track All-Academic
Athletic Honors:
2024 USTFCCCA Track All-American Honorable Mention (1500m)
School Records:
1st all-time with DMR team outdoors (11:04.57)
2nd all-time in 1500m outdoors (4:13.17 aa)
3rd all-time in 3000m indoors (9:06.46)
4th all-time with 4x800m relay team outdoors (8:41.83)
6th all-time in mile indoor (4:46.79)
Other Records (as of 7/26/24):
18th fastest 1500m time outdoors by a Canadian in 2024 (4:15.80)
2024 Outdoor Track:
• Started the season taking sixth in the 800m race after posting a time of 2:11.62 at the Aztec Invitational
• Took third at the Stanford Invitational with a 1500m run of 4:17.46
• Posted a new personal best in the 1500m (4:16.28) at the Bryan Clay Invitational
• Helped DMR team take second with a school record-breaking time of 11:04.57 and 4x800m relay squad place third at the 114th Drake Relays
• Came in fourth at the Pac-12 Championships with a 4:19.35 in the 1500m run
• Qualified for the NCAA West Regionals for the second-straight season in the 1500m
• Competed in her first NCAA Championships and finished 21st-overall in the 1500m to earn USTFCCCA All-America Honorable Mention
• Ran a 4:27.87 in the senior women’s 1500m race at Canadian Championships
2023-24 Indoor Track:
• Kicked off her indoor season with a PR time of 9:06.46 in the 3000m at the Husky Classic
• Followed up with a PR run in the mile (4:46.79) at the Ken Shannon Last Chance meet while placing seventh in the 3k (9:12.08)
2023 Cross Country:
• Redshirted
2023 Outdoor Track:
• Made her track debut at the Aztec Invitational, running a season-best time of 2:11.44
• Picked up a top-10 finish in her first collegiate 1500m race at the Mike Fanelli Track Classic (4:30.67)
• Improved her 1500m time at the Bryan Clay Invitational with a run of 4:18.54
• Helped Utah capture Relays Cup Title at the Drake Relays with second-place finishes in the DMR and 4x800m relays
• Competed in the 1500m race at the Pac-12 Championships and finished with a time of 4:21.69
• Advanced to the quarterfinals of the 1500m race in her first-ever NCAA West Regional meet and ran a PR time of 4:18.02 – which was fourth all-time at Utah
2022-23 Indoor Track:
• Competed in one 3000m (9:31.34) race as an unattached runner at the UW Invitational
2022 Cross Country:
• Made her collegiate debut at the Roy Griak Invitational and helped Utah sweep the podium with a 6k time of 21:43.2
• Was Utah’s fifth scorer for the second-straight meet to take eighth at a stacked Nuttycombe Invitational
• Ran a 6k PR time of 20:15.6 at the Pac-12 Championships to help Utah take second
• Helped guide Utah to a second-place finish at NCAA Mountain Regionals after posting a time of 20:57.2 to be the team’s fifth scorer
• Utah’s fifth scorer at NCAA Championships with a mark of 20:49.2 to help Utes take 12th as a team, their best showing ever at championships
• Captured gold at the Canadian Cross Country Championships and earned a spot on Canada’s U20 team
• Competed as a member of Team Canada’s U20 team at the World Athletics Cross Country Championships (Feb. 18, 2023) in Australia
High School:
• A four-sport athlete at Saint John High School (Cross Country, Track & Field, Soccer, Volleyball)
• Graduated with 23 New Brunswick provincial records
• Named the 2022 Dennis Knibb Trophy Outstanding Athlete of the Year at SJHS
• Also earned the SJHS Distinction in Sports Award her senior year
• Racked up 2022 team MVP honors in cross country, track & field and volleyball
• Was a 2022 Dr. Charles Blanford Outstanding Female Runner Award recipient
• Two-time New Brunswick Up and Coming U19 Female Athlete of the Year Recipient (2018, 2020)
• Finalist for the New Brunswick Up and Coming U19 Female Athlete of the Year in 2019
• Won gold at the 2022 Indoor Canadian National Championships in the 1500m
• Capture the 1 mile title at the 2022 Glenn D. Loucks T&F Games with the third-fastest time at the meet (4:46.83)
• Placed third in the mile at the 2022 New Balance Outdoor T&F National meet
• Two-time New Brunswick Champion in the 800m and 1500m (2019, 2022)
• Earned gold at the 2019 U16 Canadian National Cross Country Championships (4K)
• Won gold in the 800m and took silver in the 1200m at the 2019 U16 Indoor Canadian National Championships
• Captured gold in the 1200m and bronze in the 800m and 1500m at the 2019 U16 Outdoor Canadian National Championships
• Won back-to-back New Brunswick High School Cross Country Championships (2018-19)
• Captured the New Brunswick Junior Team Cross Country Championship in 2018
• Earned Hounds Honors all four years (2018-22)
Personal:
• Parents are Terry and Dennis Vringer
• Mom, Terry, ran cross country at the University of New Brunswick
• Currently undecided on major
Related Content
There is no related content available.
Related Headlines
Related Press Clips
Related Videos
Related Photos
Historical Player Information
2022-23Freshman
Distance
5'5"
2023-24Sophomore
Distance
5'5"
|
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| 65 |
https://www.ncaa.com/news/fieldhockey/article/2023-08-10/how-erin-matson-went-north-carolina-field-hockeys-biggest-star-its-new-coach-only
|
en
|
How Erin Matson went from North Carolina field hockey’s biggest star to its new coach at only 22
|
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2023-08-10T00:00:00
|
In January 2023, UNC made a historic decision — hiring former player Erin Matson as the new field hockey head coach, not even two months after her graduation. We checked in with Matson and the UNC field hockey program.
|
en
|
/apple-touch-icon.png
|
NCAA.com
|
https://www.ncaa.com/news/fieldhockey/article/2023-08-10/how-erin-matson-went-north-carolina-field-hockeys-biggest-star-its-new-coach-only
|
From player to coach — at 22 years old.
It was January 2023 during an emergency team meeting, and Erin Matson crossed the threshold of the UNC field hockey film room. Instead of taking her usual seat in one of the plush navy chairs — where she had previously spent the last five years studying her craft — Matson remained in the front of the room.
Not even two months after her graduation from North Carolina and its field hockey program, Matson announced to her former teammates that she had accepted the position of head coach.
“We touched on a couple things, just respecting the boundaries and you know, ‘This is different and unique, let's not make it weird together,’ ” Matson said. “Everyone needs to be bought in.”
If you're not caught up yet, here’s some more context to the hire:
Now at 23 years old, Matson is currently the youngest coach in DI athletics.
Matson is easily the most decorated player in the NCAA sport; she’s a three-time Honda Sport Award recipient and won four national titles and five conference championships
Former UNC head coach Karen Shelton was the most successful coach in DI field hockey, winning 10 national championships in her 42 years at the helm of the program. Her 10th and final championship came just last season, Shelton’s final campaign before retirement.
Months after Matson took over the UNC program, we checked in with Matson and the Tar Heels to see how the transition has manifested throughout the spring and summer.
Handling relationships
Matson's no stranger to being the youngest. At 16 years old, she became the youngest player to join the full U.S. national team, and has defied expectations ever since at North Carolina. She was the second UNC player to be named first-team All-America after her freshman season and continued to win the honor four more times.
The Tar Heels are also already accustomed to Matson as a leader — they voted her team captain for three consecutive years. When Matson decided to apply for the job in December, she was transparent with her former teammates from the jump. She felt as supported then as she did when she got hired in late January.
“In the moment she was named, the players understood [Matson] was in a completely different role,” UNC assistant coach Manuel Garcia Nieto said. “That made this process easier for her.”
Matson was tasked with getting to know her athletes in a different way than she did as their teammate, and conversations about academics and balancing field hockey and school were just the start. According to graduate student Romea Riccardo, who played beside Matson for five seasons and lived with her in college, it took time to adapt to the sudden change in roles.
“Relationship-wise, obviously she went from living with me, chilling and doing social activities with me, to not being able to do those things with us,” Riccardo said. “That was cut right off the bat.”
Riccardo is taking her sixth year with UNC field hockey this fall — and also happens to be nine months older than her current head coach.
“A lot of people are like, ‘Whoa, isn't that weird that you're older than her?' ” Riccardo said. “But this is a unique situation. It's like a beautiful thing that she was able to have this job at such a young age. So it didn’t even cross my mind that it would be weird.”
As another purposeful way to separate herself as a coach, Matson has refrained from scrimmaging with the players during practice. She still participated in the spring run test, though, to keep her players’ conditioning in check.
“‘Hey, look, if your coach can do it [better than you], that's pretty embarrassing,’” Matson laughed.
Consistency versus change
There are many parallels between Matson and Shelton. Along with their close personal relationship, both were members of the U.S. national team and are the only two to be named Honda Sport Award winners three times each. The two were also hired for the UNC coaching position at a young age — Shelton at 23 years old in and Matson at 22.
However, the field hockey landscape, and women's sports altogether, was very different when Shelton took over as the program's fifth head coach in 1981, the year of the first NCAA championship for the sport. Field hockey was one of the original women's sports at UNC, and none of the women's coaches were hired as full-time employees.
"It was a bit different. I was paid $7,700 a year," Shelton said. 'We were on grass still back in those days."
Shelton almost literally built the program, brick by brick. The program was only 10 years old when she took over; the legendary coach ended her tenure with a nationally recognized program and a new field hockey stadium with her name emblazoned on it.
In 2019, Shelton told the Carolina Alumni Review that she had planned to retire following her seventh national championship in 2018, Matson's first year. But Shelton remained for a few more seasons — and the winning didn't stop. Matson helped lead the team to a 46-game winning streak and recorded 53 goals and 34 assists in her first two seasons. And Shelton ended up seeing Matson's playing career through.
In this year's hiring process, though, it was Matson’s platform of evolving from the Shelton dynasty that won over the athletic department.
“It was such a topic in my hiring process,” Matson said. “Bubba [Cunningham, UNC Athletic Director] was like. ‘I don’t want another Karen, it’s time for a change.’ And Karen understood that, too.”
“I'm sure with Erin, some of my coaching will filter through,” Shelton said. “But she'll pick and choose and take what she feels is important and combine that with her own personality.”
So, what will change? For starters, Matson’s recent experience in the NCAA and international field hockey circuits means that she’s well-versed in the modern game. She’s added more game-situational drills to the team’s toolkit, as well as a competition day of weekly practices.
Matson is tasked with building an attack without herself as the focal point, utilizing sophomore Ryleigh Heck — 2022 ACC freshman of the year and Matson’s right hand last season — as well as freshman forward Charly Bruder and Syracuse grad transfer Pleun Lammers on the front line. Adding depth to the defense, Matson found that sophomores Grace Pottebaum and Sietske Brüning have stepped up.
During spring training, the biggest variable for the team was leadership. Filling in the gaps left by 2022 captains Meredith Sholder and Matson, the UNC coaching staff has worked with a spring leadership group to discuss the team culture.
"We've been working to initiate new leaders, that was one of our main concerns during the spring season," Nieto said. “We need different people with different styles of leadership doing different things in a complimentary way."
In sum, Matson strives to keep the core of the program and the values of the team the same. With consistency ranging from practice times to sports psych sessions, Matson has ensured that the program known for its close team dynamic and fast-paced hockey will stay true to its roots.
“It's just more little tweaks and enhancements rather than big changes,” Matson said. “Because, hey, we've been successful. Nothing needs to completely pivot.”
The Matson era
Matson’s name carries weight as one of the most influential recruiting tools in collegiate field hockey. With her accolades spanning from being the all-time leading scorer in ACC and NCAA tournament history to scoring game-winners while on Team USA in international competitions, Matson is a player that any recruit would know.
“She has a relatability, to not only her peers, but to younger kids,” Shelton said. “She’s a role model.”
In turn, Matson has the Carolina blue brand to back her expertise. Karen Shelton Stadium and its adjoining field hockey facility are less than five years old, and the success of the overall program has historically pulled some of the most elite athletes from clubs across the U.S. and overseas.
The team has reportedly gelled well with Matson in the driver's seat and a fresh coaching staff alongside her; Riccardo remarked that this year was "one of the best springs at Carolina." And you can trust Riccardo — she's experienced six.
“It is the collective front of everyone banding together and saying, ‘We want to do this, we want to capitalize on the uniqueness of the situation,’ ” Matson said. “And once they found that within themselves in the spring, they were pretty unstoppable. So we'll just hope to carry that through to the fall.”
There’s a high standard for the UNC pedigree; Matson says herself that a Final Four appearance is the measure of a good season. And coming off the team’s fourth national title in five years, all eyes will be on Matson and the Tar Heels this season.
Per usual, UNC will be tested early against top teams in the ACC-Big Ten and ACC-Ivy League challenges, which will set the tone for Matson’s leadership for conference play and beyond.
The decision of a school like North Carolina to hire Matson — a generational icon in her sport as a player — at 22 years old highlights progress of not just women in sports, but young women in leadership positions, as Shelton noted.
“I'm really proud of Bubba for taking the chance. This was a bold move, and I think it's going to pay off,” Shelton said.
“And I know the country is watching.”
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https://whyy.org/articles/shore-guide/
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en
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Next Exit Shore Guide (October 2014)
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[
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] |
2014-09-30T01:37:28+00:00
|
Autumn brings a different vibe down the shore. Gone are the lazy days of sun worship and swimming. New Jersey’s shore points count on eclectic amusements – from a town’s unique history to natural resources exclusive to the region – to continue to bring in tourists.
|
en
|
https://whyy.org/wp-content/themes/whyy/images/icons/favicon-rebrand.ico
|
WHYY
|
https://whyy.org/articles/shore-guide/
|
Autumn brings a different vibe down the shore. Gone are the lazy days of sun worship and swimming. New Jersey’s shore points count on eclectic amusements – from a town’s unique history to natural resources exclusive to the region – to continue to bring in tourists.
History and old haunts
As the days grow shorter and colder, thoughts naturally turn to winter fashion. Did you know that America’s first brand name designer clothing may have been made by women in Cape May? Warm, wooly mittens known as Cape May Mitts were one of the top three most profitable exports in the county’s colonial days. Like so many historical contributions by women, the story of Cape May’s mitten trade was forgotten until rediscovered by a historian.
There’s a Philly connection too. The industry began when Benjamin Franklin’s wife, Deborah, sent a fashionable cap from Philadelphia to a skipper’s daughter as a thank you gift. Local ladies and girls admired its style so much they set to work knitting mittens to earn money for their own.
It’s in honor of these ladies’ enterprising spirit that the Cape May County Historical and Genealogical Society will hold the first ever Cape May Mitten Festival. The event will feature artisans and craft vendors, handicraft demonstrations, museum tours and a silent auction of handmade mittens, plus a visit from Ben Franklin (re-enactor, J. Ward Larkin). Admission is free. Saturday, Oct. 11, 10 a.m. to 4 p.m. – 504 Route 9 North, Cape May, N.J.
From hokey to eerie, the city has plenty of Halloween thrills. Haunted house tours, after-dark trolley rides filled with tales of Cape May’s reputed ghosts, a walk through town with a ghost writer and psychic medium, electronic voice phenomenon (EVP) recordings from paranormal investigations, plus tamer fare like scarecrows, fortune tellers, as well as craft and antique vendors. Friday, Oct. 10 through Saturday, Nov. 1, various times and locations, Cape May, N.J.
All month, Ocean City showcases its own past with a ghost tour through its historic town center. During a 75-minute candlelight walking tour, visitors learn about town’s folklore, plus phantoms and ghosts that haunt places like the Flanders Hotel, Ocean City Mansion, City Hall and Restless Spirit Music Shop. Tickets cost $15 for adults, $10 for children ages four to 12 years and are sold on a first-come-first-served basis. Every Saturday at 8 p.m. in October, including Halloween night – 861 Asbury Ave., Ocean City, N.J.
Wildwood turns back the clock early this month with The Race of Gentlemen. Pre-World War II era autos and motorcycles compete in a race on the ocean’s edge, harking to a bygone time when vehicles were tested on beaches. Each day’s race is followed by a bonfire and beach party with live rock music. A pre-race bike and car show will be held at the Starlux Hotel on Friday at 8 p.m.. Tickets are $30 for one-day only or $50 for a weekend pass ($20 and $25, respectively, for kids six years and under). Saturday, Oct. 4 10 a.m. to midnight and Sunday, Oct. 5, 10 a.m. to 6 p.m. – Spicer Ave. Wildwood, N.J
The city also pays homage to its Doo Wop legacy and role in shaping music history with a Fabulous 50s and Beyond Weekend. Once known as “Little Las Vegas”, Wildwood has been credited with launching many an early rock star’s career. It’s where Chubby Checker debuted his “Twist” and where, legend has it, Bill Haley became inspired to quit country western for rock music and changed the name of his band, The Saddlemen, to The Comets.
The capstone of the weekend is a concert at the Convention Center. Former Sha Na Na vocalist, Bowzer hosts (and performs in) “Bowzer’s Rock ‘N’ Roll Party”. The music acts include Freddie “Boom Boom” Cannon, Gene “The Duke of Earl” Chandler, Fred Parris & the Five Satins, Bowzer & The Stingrays and special guest Bill Haley’s Original Comets.
The nostalgia starts Friday evening with a 50s themed dance party at the Convention Center. On Saturday, visitors can enjoy a free street fair with a classic car show, live entertainment and a Doo Wop bus tour that drives past Wildwood’s mid-century landmarks. Admission to Friday’s dance party is $15. Tickets for Saturday’s concert cost between $49.50 (stadium seating) and $65.50 (floor seating). Friday, Oct. 17, 7-11 p.m. and Saturday, Oct. 18, – 4500 Boardwalk, Wildwood, N.J.
Wanna hear something really scary? It’s been 30 years since Mötley Crüe’s album, Shout At The Devil climbed up the Billboard charts and young heavy metal fans plastered their walls with images of the band carefully clipped from the pages of Circus Magazine. The season of wither is the perfect time to see Vince Neil and his buddies, Sixx, Mick and Tom as they take the stage in Atlantic City as part of their farewell tour. Crüe will play two nights at The Borgata with special guest, Alice Cooper. Tickets art at at $99. Friday, Oct. 24 and Saturday, Oct. 25, 7:30 p.m. – 1 Borgata Way, Atlantic City, N.J.
New Jersey’s 350th anniversary gets a orchestrated tribute in Atlantic City with a chamber concert from the Bay-Atlantic Symphony. Held at Richard Stockton College’s Dante Hall Theater, the concert presents music from New Jersey composers. Selections include “Birding in the Palisades”, “New Jersey Shore Line”, “Vanishing Lands”, “On Avalon Beach” and “The Battle of Trenton”. The audience will be incited to sing along to an arrangement of six 19th-century hymns by William Batchelder Bradberry, “New Jersey Campmeeting – A Bloomfield Sabbath”. Other featured composers are Amanda Harberg, Tim Broege, Raymond Wojcik, Paul Mack Somers and Stefan Young. Tickets cost $10 (seniors and Stockton students pay only $8). Saturday, Oct. 4, 8 p.m. – 14 N. Mississippi Ave., Atlantic City, N.J.
Chowda down
October means shellfish like scallops, mussels, oysters and surf clams are in peak season. As a result, it’s a month filled with seafood festivals. As the temperatures drop, summer fish barbecues are giving way to warming seafood soups and stews. Many shore towns hold their seafood fêtes in conjunction with outdoor market fairs where local merchants try to sell off remaining merchandise at greatly reduced prices.
Long Beach Island’s popular Chowderfest kicks off the first weekend of the month. The two-day festival starts Saturday with the annual free Merchant Mart – a flea market event where island businesses sell deeply discounted wares. On Sunday, the 26 annual chowder cook-off takes place on the Taylor Avenue Ball Field. Unlimited tastings of 16 regional restaurants’ entries await ticket holders, who also get to vote for their favorite red and white chowders. This year’s Chowderfest theme is Clamicon – a costume contest where attendees are encouraged to come dressed up as their favorite super hero or villain. The most creative costume will win a family 4-pack ticket package to Six Flags’ Fright Fest. General admission tickets cost $20 for adults, $10 for kids ages four to 12 years. Saturday, Oct. 4 and Sunday, Oct. 5, 11 a.m. to 4 p.m. – Ninth St. and Taylor Ave., Beach Haven, N.J.
Wildwood will hold its Seafood & Music Festival on Saturday, Oct. 4 from 10 a.m. to 8 p.m. along Atlantic Ave., between Wildwood and Schellenger Aves. The free street fair will feature two stages with live music. Sea Isle City celebrates the ocean’s fall bounty with its free Harborfest on Saturday, Oct. 4 from 11 a.m. to 4 p.m. at 42nd Place and the Bay. Highlights include a chowder contest and clam-eating competition.
Seafood is on the menu during Ocean City’s Indian Summer Weekend, where local vendors will offer up their freshest catch-of-the-day at the boardwalk’s Music Pier. Tied in with the event is the city’s annual Fall Block Party and Fireworks Spectacular that Saturday along Asbury Ave., between 5th and 14th Sts. More than 400 merchants will peddle their goods from 9 a.m. to 5 p.m., while fireworks cap off the party at 9:30 p.m. Saturday, Oct. 11 through Monday, Oct. 13 – 801 Boardwalk, Ocean City, N.J.
Avalon’s Seafood Festival returns Saturday, Oct. 11 from 10 a.m. to 5 p.m. at 30th St. and the Beach, featuring a chowder championship and clam-shucking contest, plus live music.
Point Pleasant Beach hosts its second Rhythm & Chowder Festival at Inlet Dr. on Saturday, Oct. 18, from 11 a.m. to 6 p.m. For a $5 entry fee, attendees can sample 10 of the region’s best chowders while listening to live music all day from The Finns, Matt Wade, The Hallowed Roots, Eryn Shewell & the Whiskey Devils. (Rain date Oct. 25)
Winging it
October also means the peak of fall migration and the Cape May peninsula is a critical stopover for thousands of bird species as they journey south for the winter. Nature lovers and bird watchers will want to get in on the 68th annual Cape May Autumn Birding Festival. Sponsored by the New Jersey’s Audubon Society, the three-day happening boasts a full schedule of indoor and outdoor workshops, field trips to birding hot spots, migratory watches, guest lectures and exhibitions. Pre-registration is required. Register by calling Cape May Bird Observatory at (609) 884-2736 or (609) 861-0700. Friday, Oct. 24 through Sunday, Oct. 26, various times and locations, Cape May, N.J.
The shining
On the third weekend this month, the state’s lighthouses are hoping to attract visitors with the New Jersey Lighthouse Challenge. The rain or shine challenge is to visit all 11 lighthouses, two life-saving stations and the Barnegat Light Museum, collecting a total of 14 souvenirs along the way. Participants pay just $1 at the first stop on their quest and receive souvenirs at each location visited. Those who complete the challenge will also be entered in a $100 cash prize drawing.
|
||||
8929
|
dbpedia
|
2
| 87 |
https://www.nj.com/gloucester-county/towns/2010/08/for_2nd_year_heritage_vineyard.html
|
en
|
For 2nd year, Heritage Vineyards to host wine fest
|
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"Photo provided"
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2010-08-13T16:57:54+00:00
|
For the second year in a row, Heritage Vineyards in Harrison Township has been chosen to host the Jersey Fresh Food and Wine Festival this Saturday and Sunday from noon to 5 p.m.
|
en
|
/pf/resources/images/nj/favicon.ico?d=1375
|
nj
|
https://www.nj.com/gloucester-county/towns/2010/08/for_2nd_year_heritage_vineyard.html
|
For the second year in a row, Heritage Vineyards in Harrison Township has been chosen to host the Jersey Fresh Food and Wine Festival this Saturday and Sunday from noon to 5 p.m.
Last year there were 24 wineries at the festival which drew 4,000 visitors. This year, 26 state wineries and 6,000 guests are expected to gather at the Gloucester County winery.
Sponsored by the Garden State Wine Growers Association, an organization that represents wineries in New Jersey, this festival is one of four or five big events held every year, said Rich Heritage of Heritage Vineyards.
“This is their largest festival ... we were chosen because there’s a big movement right now to produce quality wines,” Heritage said. “We are moving out of the sweet wines and moving more toward dry wines in New Jersey. And our winery is the model for that movement.”
The 125 acres of land the vineyard owns was another good reason to have the festival there, Heritage said.
Five acres of the land — mostly apple and peach orchards left over from pre-vineyard days — had to be cleared to provide a parking lot for guests, Heritage said.
“We are able to accommodate a large group of people,” he said.
The winery, which got its start in 2001, began making wines from 10 acres of land. Today, the winery produces several varieties of wines from nearly 30 acres of vineyards.
“It’s just becoming so popular. It really just went viral for us,” Heritage said.
The vineyard recently won several awards for their wines. They received three gold medals for their 2007 Chambourcin, 2007 Cabernet Franc and 2007 Cabernet Sauvignon. They also won a silver for their 2007 Merlot and three bronze medals for their non-vintage Blueberry Wine, a 2007 Syrah and a 2007 Dry Rosé.
The festival gives guests a chance to taste these award-winning wines, Heritage said. Festival-goers can sample more than 250 types of wines from the 26 wineries.
“They are given a glass and can walk around the field tasting wines,” he said.
There will also be live music at the event. Singer-songwriter Eryn Shewell will perform on Saturday and the band Swampadelica will bring Caribbean sounds to the festival on Sunday. There will also be crafts for sale at the event and food from the Swedes Inn and the Barnsboro Inn will be available for guests to enjoy.
Other local wineries offering vintages to try include Auburn Road Vineyards of Pilesgrove, Bellview Winery of Landisville, Cedarvale Winery of Logan Township, Chestnut Run Farm from Pilesgrove, Coda Rossa of Franklinville, DiBella Winery LLC of Woolwich Township, Swansea Vineyards of Shiloh and the Wagonhouse Winery of Harrison Township.
If you go:
The Jersey Fresh Food and Wine Festival comes to Heritage Vineyards, 480 Mullica Hill Road, Mullica Hill on Saturday and Sunday from noon to 5 p.m. on both days. Entry price is $20 per person. Discount tickets can be purchased for $18 per person (must be 21 years old) at
.
|
||||
8929
|
dbpedia
|
2
| 68 |
https://whyy.org/articles/shore-guide/
|
en
|
Next Exit Shore Guide (October 2014)
|
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2014-09-30T01:37:28+00:00
|
Autumn brings a different vibe down the shore. Gone are the lazy days of sun worship and swimming. New Jersey’s shore points count on eclectic amusements – from a town’s unique history to natural resources exclusive to the region – to continue to bring in tourists.
|
en
|
https://whyy.org/wp-content/themes/whyy/images/icons/favicon-rebrand.ico
|
WHYY
|
https://whyy.org/articles/shore-guide/
|
Autumn brings a different vibe down the shore. Gone are the lazy days of sun worship and swimming. New Jersey’s shore points count on eclectic amusements – from a town’s unique history to natural resources exclusive to the region – to continue to bring in tourists.
History and old haunts
As the days grow shorter and colder, thoughts naturally turn to winter fashion. Did you know that America’s first brand name designer clothing may have been made by women in Cape May? Warm, wooly mittens known as Cape May Mitts were one of the top three most profitable exports in the county’s colonial days. Like so many historical contributions by women, the story of Cape May’s mitten trade was forgotten until rediscovered by a historian.
There’s a Philly connection too. The industry began when Benjamin Franklin’s wife, Deborah, sent a fashionable cap from Philadelphia to a skipper’s daughter as a thank you gift. Local ladies and girls admired its style so much they set to work knitting mittens to earn money for their own.
It’s in honor of these ladies’ enterprising spirit that the Cape May County Historical and Genealogical Society will hold the first ever Cape May Mitten Festival. The event will feature artisans and craft vendors, handicraft demonstrations, museum tours and a silent auction of handmade mittens, plus a visit from Ben Franklin (re-enactor, J. Ward Larkin). Admission is free. Saturday, Oct. 11, 10 a.m. to 4 p.m. – 504 Route 9 North, Cape May, N.J.
From hokey to eerie, the city has plenty of Halloween thrills. Haunted house tours, after-dark trolley rides filled with tales of Cape May’s reputed ghosts, a walk through town with a ghost writer and psychic medium, electronic voice phenomenon (EVP) recordings from paranormal investigations, plus tamer fare like scarecrows, fortune tellers, as well as craft and antique vendors. Friday, Oct. 10 through Saturday, Nov. 1, various times and locations, Cape May, N.J.
All month, Ocean City showcases its own past with a ghost tour through its historic town center. During a 75-minute candlelight walking tour, visitors learn about town’s folklore, plus phantoms and ghosts that haunt places like the Flanders Hotel, Ocean City Mansion, City Hall and Restless Spirit Music Shop. Tickets cost $15 for adults, $10 for children ages four to 12 years and are sold on a first-come-first-served basis. Every Saturday at 8 p.m. in October, including Halloween night – 861 Asbury Ave., Ocean City, N.J.
Wildwood turns back the clock early this month with The Race of Gentlemen. Pre-World War II era autos and motorcycles compete in a race on the ocean’s edge, harking to a bygone time when vehicles were tested on beaches. Each day’s race is followed by a bonfire and beach party with live rock music. A pre-race bike and car show will be held at the Starlux Hotel on Friday at 8 p.m.. Tickets are $30 for one-day only or $50 for a weekend pass ($20 and $25, respectively, for kids six years and under). Saturday, Oct. 4 10 a.m. to midnight and Sunday, Oct. 5, 10 a.m. to 6 p.m. – Spicer Ave. Wildwood, N.J
The city also pays homage to its Doo Wop legacy and role in shaping music history with a Fabulous 50s and Beyond Weekend. Once known as “Little Las Vegas”, Wildwood has been credited with launching many an early rock star’s career. It’s where Chubby Checker debuted his “Twist” and where, legend has it, Bill Haley became inspired to quit country western for rock music and changed the name of his band, The Saddlemen, to The Comets.
The capstone of the weekend is a concert at the Convention Center. Former Sha Na Na vocalist, Bowzer hosts (and performs in) “Bowzer’s Rock ‘N’ Roll Party”. The music acts include Freddie “Boom Boom” Cannon, Gene “The Duke of Earl” Chandler, Fred Parris & the Five Satins, Bowzer & The Stingrays and special guest Bill Haley’s Original Comets.
The nostalgia starts Friday evening with a 50s themed dance party at the Convention Center. On Saturday, visitors can enjoy a free street fair with a classic car show, live entertainment and a Doo Wop bus tour that drives past Wildwood’s mid-century landmarks. Admission to Friday’s dance party is $15. Tickets for Saturday’s concert cost between $49.50 (stadium seating) and $65.50 (floor seating). Friday, Oct. 17, 7-11 p.m. and Saturday, Oct. 18, – 4500 Boardwalk, Wildwood, N.J.
Wanna hear something really scary? It’s been 30 years since Mötley Crüe’s album, Shout At The Devil climbed up the Billboard charts and young heavy metal fans plastered their walls with images of the band carefully clipped from the pages of Circus Magazine. The season of wither is the perfect time to see Vince Neil and his buddies, Sixx, Mick and Tom as they take the stage in Atlantic City as part of their farewell tour. Crüe will play two nights at The Borgata with special guest, Alice Cooper. Tickets art at at $99. Friday, Oct. 24 and Saturday, Oct. 25, 7:30 p.m. – 1 Borgata Way, Atlantic City, N.J.
New Jersey’s 350th anniversary gets a orchestrated tribute in Atlantic City with a chamber concert from the Bay-Atlantic Symphony. Held at Richard Stockton College’s Dante Hall Theater, the concert presents music from New Jersey composers. Selections include “Birding in the Palisades”, “New Jersey Shore Line”, “Vanishing Lands”, “On Avalon Beach” and “The Battle of Trenton”. The audience will be incited to sing along to an arrangement of six 19th-century hymns by William Batchelder Bradberry, “New Jersey Campmeeting – A Bloomfield Sabbath”. Other featured composers are Amanda Harberg, Tim Broege, Raymond Wojcik, Paul Mack Somers and Stefan Young. Tickets cost $10 (seniors and Stockton students pay only $8). Saturday, Oct. 4, 8 p.m. – 14 N. Mississippi Ave., Atlantic City, N.J.
Chowda down
October means shellfish like scallops, mussels, oysters and surf clams are in peak season. As a result, it’s a month filled with seafood festivals. As the temperatures drop, summer fish barbecues are giving way to warming seafood soups and stews. Many shore towns hold their seafood fêtes in conjunction with outdoor market fairs where local merchants try to sell off remaining merchandise at greatly reduced prices.
Long Beach Island’s popular Chowderfest kicks off the first weekend of the month. The two-day festival starts Saturday with the annual free Merchant Mart – a flea market event where island businesses sell deeply discounted wares. On Sunday, the 26 annual chowder cook-off takes place on the Taylor Avenue Ball Field. Unlimited tastings of 16 regional restaurants’ entries await ticket holders, who also get to vote for their favorite red and white chowders. This year’s Chowderfest theme is Clamicon – a costume contest where attendees are encouraged to come dressed up as their favorite super hero or villain. The most creative costume will win a family 4-pack ticket package to Six Flags’ Fright Fest. General admission tickets cost $20 for adults, $10 for kids ages four to 12 years. Saturday, Oct. 4 and Sunday, Oct. 5, 11 a.m. to 4 p.m. – Ninth St. and Taylor Ave., Beach Haven, N.J.
Wildwood will hold its Seafood & Music Festival on Saturday, Oct. 4 from 10 a.m. to 8 p.m. along Atlantic Ave., between Wildwood and Schellenger Aves. The free street fair will feature two stages with live music. Sea Isle City celebrates the ocean’s fall bounty with its free Harborfest on Saturday, Oct. 4 from 11 a.m. to 4 p.m. at 42nd Place and the Bay. Highlights include a chowder contest and clam-eating competition.
Seafood is on the menu during Ocean City’s Indian Summer Weekend, where local vendors will offer up their freshest catch-of-the-day at the boardwalk’s Music Pier. Tied in with the event is the city’s annual Fall Block Party and Fireworks Spectacular that Saturday along Asbury Ave., between 5th and 14th Sts. More than 400 merchants will peddle their goods from 9 a.m. to 5 p.m., while fireworks cap off the party at 9:30 p.m. Saturday, Oct. 11 through Monday, Oct. 13 – 801 Boardwalk, Ocean City, N.J.
Avalon’s Seafood Festival returns Saturday, Oct. 11 from 10 a.m. to 5 p.m. at 30th St. and the Beach, featuring a chowder championship and clam-shucking contest, plus live music.
Point Pleasant Beach hosts its second Rhythm & Chowder Festival at Inlet Dr. on Saturday, Oct. 18, from 11 a.m. to 6 p.m. For a $5 entry fee, attendees can sample 10 of the region’s best chowders while listening to live music all day from The Finns, Matt Wade, The Hallowed Roots, Eryn Shewell & the Whiskey Devils. (Rain date Oct. 25)
Winging it
October also means the peak of fall migration and the Cape May peninsula is a critical stopover for thousands of bird species as they journey south for the winter. Nature lovers and bird watchers will want to get in on the 68th annual Cape May Autumn Birding Festival. Sponsored by the New Jersey’s Audubon Society, the three-day happening boasts a full schedule of indoor and outdoor workshops, field trips to birding hot spots, migratory watches, guest lectures and exhibitions. Pre-registration is required. Register by calling Cape May Bird Observatory at (609) 884-2736 or (609) 861-0700. Friday, Oct. 24 through Sunday, Oct. 26, various times and locations, Cape May, N.J.
The shining
On the third weekend this month, the state’s lighthouses are hoping to attract visitors with the New Jersey Lighthouse Challenge. The rain or shine challenge is to visit all 11 lighthouses, two life-saving stations and the Barnegat Light Museum, collecting a total of 14 souvenirs along the way. Participants pay just $1 at the first stop on their quest and receive souvenirs at each location visited. Those who complete the challenge will also be entered in a $100 cash prize drawing.
|
||||
8929
|
dbpedia
|
2
| 72 |
https://www.guitarmoderne.com/2012/04
|
en
|
guitar moderne
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"guitar moderne"
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2012-04-30T09:31:09-04:00
|
en
| null |
It might be something in the water but Scandinavian musicians don’t merely cross musical boundaries, they flat out refuse to recognize their existence. Anyone familiar with Terje Rypdal, Bugge Wesseltoft, Nils Petter Molvaer, Eivind Aarset, and yes, Yngwie Malmsteen is aware that they all comfortably straddle genres from metal to classical, jazz to hip-hop, free improv to folk without batting an eye.
Norwegian guitarist Knut Værnes is solidly in this tradition; over more than a decade and half a dozen solo records he has revealed a mastery of Nordic ambience, whammy-bar fusion, Scofield-style post-bop, and a host of other musical metiers—sometimes all on the same CD. As an outlet for his various visions he created the Curling Legs label which now comprises well over one hundred titles. Many of those recordings are CDs by other guitarists including Bjørn Klakegg, who makes his own instruments and creates pastoral musical landscapes of surprising depth, and Tellef Øgrim, a fretless guitarist offering postmodern jazz-fusion.
I asked Værnes about his influences, label, and recording, 4G, one of the great all-guitar-all-the-time festivals featuring four of Scandinavia’s finest fret board wranglers.
Continue reading →
Line 6 has been constantly improving this concept since its inception. This new update, with the ability to turn the guitar knobs into controllers for the POD HD, could help tip the Variax from a useful tool for reproducing a variety of studio sounds live, toward a means of creating a world of new expressive tones. Thoughts?
One or two hundred years ago guitarists like Mick Barr and Kevin Hufnagel would likely still have spent hours and days cloistered in their rooms. Had they lived back then they would have been composing symphonies or strings quartets, influenced by masters Mozart and Bach. Instead, as children of our electronic age, they were raised on a diet of screaming electric guitars. So while their music exhibits many of the attributes of the classical genre: long form, through composed, and technically demanding; instead of violins, flutes and clarinets, we get Gibson SGs cranked through distortion.
If Jimi had lived might he have eschewed frets at some point in favor of an extra measure of expression? If he had he might have sounded something like this.
On April 15th, 2012 , Chris Buono (Karsh Kale, Lithium Tree) rocked a set of Jimi Hendrix tunes on his fretless Excalibur Surfreter Supra. An SRO crowd at the annual Brookdale Guitar Show was treated to cuts from classic Hendrix albums: Are You Experienced?, Axis: Bold As Love, and Electric Ladyland . Buono was joined by Tobias Ralph (Adrian Belew) on drums, Steve Jenkins (Vernon Reid) on bass, and Eryn Shewell on vocals.
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Guardian Angels Sitting Service
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Family testimonials for Guardian Angels Sitting Service.
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Family Testimonials
I wanted to let you know that we stayed at the Montage at Palmetto Bluff a couple of weeks back and we had Ms. Lee babysit our one year old and she was amazing!!! My son loved her and she was all around terrific in every way. We highly recommend her!
~Spire family - New York, NY
Beth was amazing. My oldest asked for her even when we were back in NYC. My youngest, who is currently going through a phase where he doesn't like anyone, had fun and liked her very much. She was timely, nice, fun and thorough. On the second night we had her, I thought we would have to come back periodically to feed, put them to bed, etc and we never had to come back. She exceeded our expectations.
~Watts Family; (NY; NY)
She was fantastic! On time, courteous, and ready to play with our kids! Our 6 year old and 8 year old loved her!
~Luechtefeld Family; (Valencia; CA)
I had a business meeting in Savannah that I needed to bring my dental team to and my baby was still nursing. I found out from the hotel about your service and received prompt return calls & emails to all of my questions. A very nice young woman named Thati came to the hotel all 3 of the days I needed for my 11 month old son. She always came a few minutes early to go over any details about his care schedule. My son had a great time with her. He loves to go outside so I had brought both a stroller & a front pack to carry him. Thati took him to the park, out for walks & out for lunch. She made sure to keep his nap & bedtime schedule & worked with me so she would be at the room on my meeting breaks for nursing. At the end of each babysitting day she had filled out a report that told me everything they did, what he ate, diapers changed, behaviors she observed ect... it was reassuring as a mom to know I was leaving him in professional, kind, safe care while I was at my meeting. Thank you!
~VanHart Family; (Petersburg; PA) NO
We used a Guardian Angel sitter for 3 children. The sitter was polite, caring and very courteous. The 3 kids were tucked into bed and sleeping soundly when we returned. We will definitely use this service again. Children are ages 4,5,and 7.
~Stone Family; (Blandon; PA)
The Guardian Angels made the business portion of my trip to Savannah, GA easy as the sitter cared for my children right at our hotel. They had a nice day.
~Holstine Family; (NY; NY)
We used Guardian Angels twice during our vacation in North and South Carolina. We had a sitter for our 2 year old daughter in Charleston, SC so that my husband and I could go to a nice restaurant for dinner one evening. Our sitter was friendly and listened intently to our instructions. She kept in touch with us while we were out, and I was reassured to know my daughter was sound asleep at 8 pm, her usual bedtime. We had another sitter in Hilton Head who also did a great job.
~Barone Family; (Towson; MD)
On a family vacation with my canersen@gmail.com children and grand kids and wanted a night out, minus grand kids.
Heard some good things about Guardian Angels and wanted to give them a shot.
Great decision. Sitter was on time, great attitude and we all felt the kids were in good hands.
Would definitely use service again.
~Campanaro Family; (Woodland Park, NJ)
Extremely easy to do business with. Your sitters have all been incredibly trust worthy, very friendly with children, and experienced. We would most definitely use the service again.
~Gabrini Family; (Aurora, ON)
Carol was amazing! Thank you, Julie, for being so efficient at finding a sitter for our 10 month old fairly last minute. Our son took to Carol right away and we were so thankful to have her there with him for 2 nights during our stay in Kiawah for a wedding. Carol was super personable, experienced and I felt 100% confident in her abilities with our little one. She even gave him a bath both nights, which I so appreciated. We have family in Bluffton and will absolutely use this service again when we visit! THANK YOU!
~Thompson Family; (Nashville, TN)
Natalia took really good care of my son! They went on nature walks and scavenger hunts. She really went over and beyond!! Worth every penny!
~Lagergren Family; (Gulf Breeze, FL)
We, Sandy and I, have used Guardian Angels on many occasions to watch over our own children. They provide certified, competent and overly attentive babysitters who make sure your #1 prize possession is well cared for and safe and sound when you return. They are the definite “go to” company for making sure you have peace of mind while out taking a little time for yourself. Be sure and tell them Chris and Sandy Walker sent you, they will take especially good care of you and your loved ones.
Hilton Head Rental Resource
https://hiltonheadrentalresource.com/
I contacted the service to see if they could help us on our vacation with our special needs son. They replied back that it shouldn't be a problem. I was looking forward to having real vacation time for the first time. But I was skeptical due to past experiences. A couple weeks before they sent kathys profile and it looked like a good match. When she got there I was relieved. She knew the "lingo" and all the right ??? To ask. She was fun and easygoing. I think my son enjoyed the time away from me! A good problem to have. We have scheduled our next vacation the same place the same time of year next year so we can have Kathy’s help again even more next year.
~Jottinger Family; (Winchester; VA)
The service was very easy to book and to confirm. We received information about our sitter, including her photo, well ahead of time. Our sitter was ahead of time and was prepared for our high energy 4 year old. At the outset, the sitter went over what we expected the Rules to be (as to bedtime, diet, etc). Once all was set, they were off to explore. During the night we received frequent updates and timely responses to our requests. The sitter was very professional, highly flexible, and a delight to have watch our child.
~Duffy Family; (N. Charleston; SC)
Kim was wonderful. My boys loved her. She taught my younger son to play "Go Fish". She spent the whole time playing with them. She even took them to the pool. I highly recommend Kim. She really knows kids and how to entertain them. We are very happy with Guardian Angels sitting service. We would definitely recommend your service to our friends, family, and etc.
~Isbell Family; (Decatur; GA)
We had never left our 9 month old with someone other than family, so we were nervous when we traveled for a friend's wedding. But booking a sitter was easy and I was reassured at every step of the way our little guy would be in good hands. Our sitter was amazing!!
~Fendrick Family; (Papillion; NE)
We have used Guardian Angels for the past 2 years for our annual summer vacation in Hilton Head. We are always super nervous with childcare, especially in a state where we know nobody! However, once we met both our caregivers, we knew our daughter would be well taken care of! The caregivers are punctual, responsible, compassionate, and loving. They provide complete attention to our daughter and keep her entertained! We have no complaints, and we will definitely use Guardian Angels again!
~Anderson Family; (Richmond; VA)
We loved Thati! She was so nice and the girls really enjoyed her. We would definitely use Guardian Angels again in the future and we would request Thati!!!
~Hill Family; (Marietta, GA)
Hello! I just wanted to say how much we loved having Thati babysit for our children. Not only did they both love and look forward to her babysitting, but so did my husband and I. She was so sweet and attentive to my kids. She was confident with my kids in the best way and I felt so at ease when she was with them. Thati is fun and silly and sweet and smart. I really can't say enough how comfortable she made my husband and I about leaving our children with a great babysitter. I wish she lived in my town because my kids are asking about when they can see her again! Thank you.
~Laverty Family; (Wilmington, NC)
Carol was amazing. She arrived early and made these first time parents with a sitter for the first time feel comfortable. My sweet boy was happily asleep and we'll fed when we returned. She gave us a full report of all activities while she was with our son.
I wish we had a Carol in our town!
~Pendragon Family; (Charlotte, NC)
Our sitter Jamie was such a pleasant surprise. I scheduled her for my brother's 3 children as he was getting married at the Sonesta Resort that Saturday. He is a police officer and understandably he was very nervous leaving his children to someone he did not know. She immediately thanked my brother Jeremy for his service as a police officer. She was as comfortable and as trustworthy as family. His son Jayce had a great time playing games with her. Such a wonderful experience.
~Shafer Family;
We loved Jessica. The boys had a great time and she showed incredible maturity.
~Landman Family; (Setauket, NY)
Jessica was great! We really loved her. Thanks again.
~Holcomb Family; (Greensboro, NC)
Amazing concept and service.
~Danziger Family; (Brooklyn, NY)
Just wanted to let you know how pleased we were with Autumn and your service. We highly recommend her.
~Goldman Family; (Palm Beach Gardens, FL)
The sitter was lovely. She came early so we got to talk and get to know her a little better. As well as introduce her to my son while I was still around to see them interact. It turned and nerve-racking experience into a pleasant one.
~Gaston Family; (Houston, TX)
Beyond thrilled with our babysitter!!
~Valentine Family; (Broadview Heights, OH)
Thank you Guardian Angels. You made it easy to arrange to have someone watch 5 kids at the same time. And Louise was so fabulous I have considered moving to SC just to hire her again!
~Ofner family; (Clarksburg, MD)
I needed sitting services at the last minute for a conference in Myrtle Beach. I could not get through on the telephone line since it was late Sunday evening, however, I left an email and Melissa called me back immediately and told me she would try her best to find someone. She found someone to assist me all three days within about 20-30 minutes. The young lady she sent was absolutely perfect for my girls, they ADORED her! We ended up using the same young lady for the entire conference and I was one happy momma!
~Taylor Family; (Blythewood, SC)
Guardian Angels Sitting Service was a huge help at my wedding. The sitters arrived promptly and took great care of the children so that their parents good enjoy the wedding. The service was easy to arrange, I received prompt replies, and they were flexible with booking, especially so close to the wedding. Once they confirmed the sitters, they even sent me a profile of the sitters who would be taking care of the children. All the sitters were very well qualified. I recommend this sitting service anytime!
~Dunbar Family; (Johns Island; SC)
Louise R. was wonderful! She was attentive, kind, professional, and very sweet with my 1 year old son. She knew the area well and took him on walks, fed him, and put him to sleep with no issue. I would request her again in a heartbeat if we come back to Bluffton for vacation. Thank you Louise!
~Blaha Family; (Chicago; IL)
I came to savanna Georgia on a business trip and I didn't know anyone in this town or state. And the event which I was suppose to attend was strictly 18 and older. My baby sitter was was suppose to come with me backed out last min.once I got to the hotel and asked they hotel receptionist if they provide any service like this so they suggested me Gaurdian Angels Service. Everything went very smooth. They called me and send me the profile for the sitter. She was in time took good care of my daughter. My daughter loved her. She texted me and gave me the updates while I was gone. If I come back to Savannah I would like her to baby sit Krystal. it was a great experience and thank you for everything. Y'all are doing a great job providing this service.
~Antao Family; (Katy; TX) -
We were very pleased with our experience with Guardian Angels. We used them twice on our vacation Hilton Head. Our sitter Deb was on time, extremely polite and great with our kids. She brought a bag of crafts and coloring books and the kids enjoyed their time with her. We would not hesitate to use Guardian Angels again.
~Beshara Family; ( Katonah, NY)
Helen was so wonderful with our children. This was actually our first non family babysitter and our kids had such a wonderful time. We booked her for 2 nights and my 4 year old both invited her to spend the night and visit us in Florida as he liked her so much! Our 2 year old has had separation anxiety and given childcare quite the hassle in the past but he also took right to her. She texted us updates so we weren't worried and could enjoy our night out. Upon return she gave us a full report before leaving. She really went the extra mile and found out they loved Star Wars and showed up with coloring books and stickers and markers the 2nd night. We will definitely use this service again where available and will request Helen when I the HHI area.
~Anonymous
Beth was phenomenal! She looked after my 13mn old daughter and juggled watching my 5mn old nephew at the same time, which is a lot to juggle. The kids took to her instantly and we knew they were in good hands. Beth took great notes about the kids routine and we all felt as if we could enjoy ourselves while Beth was watching them. I highly recommend her and the Guardian Angels service!
~Weicher Family; (Chicago, IL)
Melissa made the difference in my decision to try the service for last minute care.
I was apprehensive to trust anyone with the care of my children. Melissa provided objective, yet caring support in my decision of the best sitter(s) for our family. It was because of Melissa's support that I took a leap of faith and joined as an annual member. It is like a weight has been lifted off of my shoulders.
Thank you, Melissa, and Guardian Angels!!!
~Hall Family; (Rincon, GA)
Denise did a fabulous job on Saturday. She had a lot of curve balls thrown at her, as our house is being remodeled. She had to improvise and get our kids to sleep on an air mattress in our guest house. No problem! She brought her own toys (so smart, as kids are always bored with their own stuff, not to mention my kids room is a disastrous construction zone). She brought crafts, and immediately engaged my two year old upon her arrival. Even though we didnât leave for our event until about an hour after she came to the home, Phillip paid no attention to me as I rushed around getting ready. He barely noticed when I left. She managed to cook for them, bathe them, and get them to sleep without incident (tasks I do not always manage to accomplish so well). Denise is certainly an asset to your team. Thanks for making a night out possible for my husband and me.
~Pfuhl Family; (Bluffton, SC)
Great service, great people, great babysitter!
~Ingber Family; (Hewlett, NY)
Guardian Angels Sitting Service provided warm and loving care for my son while we were in Savannah longer than expected because of Hurricane Sandy. Their service was a pleasure to work with and put my mind at ease when I had to leave my son in someone else's care. I would highly recommend them.
~Sacks Family; (NY,NY)
Melissa is wonderful. She is so fast and always helps out where she can. I am so often having do to last minute bookings and she always gets back to us swiftly with a response.
Our Sitter is so lovely. She has become part of our family. I am now finding that my Daughter is asking if Theresa can come and play today several times of the week now because she loves her so much. It is always lovely to know that you can happily go out on a date night or go to a work function and know that your daughter is happy and in safe hands.
Thank you Guardian Angels
~Debreceny Family; (Savannah, GA)
Miss Beth was wonderful! She was so kind and gentle with the kids and with me as well. I felt so comfortable leaving our 2 year old and 5 month old with her. The 2 year old is still talking about Miss Beth.
~Anonymous
Very easy to work with. Great service over the phone. The charges weren't as clear up front as I would have liked, but I received explanations. Invisible service for my wedding, exactly what it should be for an event like we had. Thanks again!
~Alshouse Family; (Atlanta, GA)
Our experience with Guardian Angels was amazing. I don't ever take the time to review restaurants or products but I had to take a minute to share that we could not have been happier or more comfortable with Beth, our assigned babysitter. Our son loved her and was asking about her the next day and when we returned home from our vacation. She allowed my wife and me to completely relax and enjoy ourselves knowing that our children were in great hands. She is the highest qualified caretaker of our children, ourselves included : )
To go on vacation and have a woman that teaches 4 year olds and is an assistant principal is really a dream situation. She brought all kinds of fun things for our son and even cleaned up our vacation house. A+ rating and I've already recommended the service to friends.
~Mirabito Family; (Miami,FL)
I have used Guardian Angels the past two years for our family vacations in Ocean City, NJ and it was a great experience. My kids loved the sitter each time. Both girls were cheerful and ready to play. I have recommended GSS to many of my friends with kids.
~McGuire Family; (Collingswood, NJ)
Good overall experience...definitely would use guardian angels for my precious grandchildren again.
~Warhaftig Family; (NY, NY)
Andrea exceeded my expectations. She arrived 15 minutes early and I knew immediately my boys liked her. I will use this service again.
~Cavanaugh Family; (Hilton Head, SC)
She was wonderful! The kids had a great time!
~Homier Family; (Hope MIlls, NC)
I really enjoyed my experience with GA's. They were very professional and my 2 yr old son had a great time! Would love to use them again in Atlanta.
~Khabeer Family; (Atlanta, GA)
We were a little worried about having a stranger babysit our 8 year old son, but as soon as we met Beth we knew he would be fine. She obviously loves children. She arrived at our hotel armed with age appropriate toys that Sam talked about for the next 2 days. They went for a bike ride. treasure hunt. swimming and they had dinner together. since we've been home he's told everyone how lovely Beth was and he wants to go back to see her. We would recommend Guardian Angels to anyone that needs a sitter.
~Watson Family; (Bermuda)
Claudie was very fun and my kids had a blast! Thanks!
~Leffew Family; ( Hilton Head, SC)
This was our first time using a service and we loved it! The babysitter was very dependable and you could tell loves children and I felt at ease the whole time we were away! Would recommend the service to anyone.
~Dorsey Family; (Arlington, VA)
Guardian angels is a well run professional organization. This was the first time using this service. I felt that Sandee C. took very good care of my dog and I would recommend Guardian Angels and definitely use them again
~Anonymous
I would highly recommend this service to anyone visiting HIlton Head. Our sitter was exceptional, we felt very comfortable leaving our little ones in her hands!
~Murphy Family; (Columbia, SC)
We had never used a service like this before but were attending an out of town wedding and needed a sitter. All aspects of the service, from the booking process to the actual sitting services, were highly professional. We felt confident our children were well cared for and our three kids had fun. We highly recommend this service.
~Vogler Family; (Raleigh, NC)
They did a wonderful job with my 9 month old!
~Brawdy Family; (Ludowici, GA)
Taylor was great. Timely, fun, and took great care of our 2 year-old daughter, including a wonderful walk on the beach.
~Vasileff Family; (Plymouth, MI)
Extremely pleased with our sitter, Kim! I had never left my kids, 1 & 3, with a sitter I did not know personally but Kim was great and allowed my husband and I to enjoy dinner dates on our vacation, knowing our kids were well cared for and happy!
~Falk Family; (Houston, TX)
Great First Experience.
~Ceasar Family; (Savannah, GA)
Our son loved Grandpa George and making a sand keychain.
~Ryznic Family; (Richmond Hill, GA)
Desiree arrived early, paid careful attention to all the instructions, did a great job watching our 11-mo old (who can be a handful) and wrote us a great note telling us about how they spent the afternoon, exactly what he ate and when, and when he went to sleep. She kept him entertained with a variety of activities including play time outside and some relaxed story time. It was so nice to come home to find our son sleeping soundly and a hotel room that was clean and tidy. Definitely one of the best sitter experiences we've had.
~Anonymous
Susan was wonderful. We actually had a small medical emergency--one of my daughters had an infected cut on her foot and I had to take her to an urgent care clinic--and Susan stepped right in and helped me manage the chaos that ensued. She brought games for the kids and kept detailed notes on their bedtimes, meals, etc. She really saved me in what could have been a disastrous situation. Thanks!
~Combe Family; (Larchmont, NY)
The guardian Angel sitting Service did a wonderful job. This was our first time using a sitter out of our hometown and they made us feel very comfortable.
~Roney Family; (West Palm Beach, FL)
We were very pleased with this service.
~Werlein Family; (Ludowici, GA)
We needed a nanny to help us both attend a day of lectures and exhibits... our 2 year old daughter needed someone to help. We were glad to have found nanny through Guardian Angel. thank you.
~Shin Family; (Nashville, TN)
This was the first time I used any service like this so I was apprehensive at first. Upon arrival, Sandy set my mind at ease with her kind manner with my children. I was able to enjoy a relaxing evening with my husband knowing that my children were safe and having fun!
~Thomas Family; (Huntingdon, PA)
Very friendly services.
~Buonopane Family; (Savannah, GA)
It was nice to get away by ourselves for a while and I think our kids liked it too!
~Roemer Family; (Lebanon, OH)
We had two different sitters on two different days. They were both GREAT with our twins. We will use this service again. I highly recommend it.
~Young Family; (Hilton Head, SC)
Lashonda was delightful! She brought bubbles to help distract our little guy when we left, no tears! She checked in with texts twice(thank you!)that were very upbeat and positive. Smooth process, highly recommend. Thank you! Jill -mother of 18 month old
~Cross Family; (Seattle, WA)
Melissa has always been able to help me out in a pinch. Thank you from a working HHI mom.
~Clewell Family; (Hilton Head, SC)
We've used Guardian Angels service two years in a row...and would recommend them to anyone. Our son had a great time with the sitter, and from our point of view, the entire transaction was easy and simple.
~Basilico Family; (Jackson, NJ)
Guardian Angels of Hilton Head delivered on all of its promises and clearly exceeded our expectations. It was especially important for us to know that our grandchild, niece and nephew would be well cared for.
~George Family; (Hilton Head, SC)
Amanda was polite and the kids enjoyed here. We did like that she was experienced with multiple children.
~O’Brien Family; ( Southfield, MI)
Guardian Angels made our trip to Hilton Head easy. We were able to attend our friend's wedding with our minds at ease knowing that our 6 month old baby was safe and happy with his sitter.
~Atchison Family; ( Chicago, IL)
Claudie was absolutely wonderful with our son, Benjamin, 10 months at the time. He was a very fussy sleeper and Claudie played with him and comforted him until he fell asleep! She did a great job and we will be contacting her again the next time we are on Hilton Head!
~ Fein Family; (NY,NY)
Booking was easy, changes to our times/location were accommodated easily, always had extremely quick responses to our emails... Sitter was as advertised & we were beyond satisfied. First time having to rely on a sitting service as we were in town for a destination wedding & although nervous leaving our twin 16 month boys, all expectations were met & exceeded with the professionalism/performance of the sitter & agency. Would most definitely use this service again…
~Keiling Family; (Cheshire, CT)
Our sitter was wonderful, she was on time, she brought crafts to do with the kids and they had a great time. Definitely would use guardian angels again!
~Rogers Family
Was happy to find this service through our hotel concierge in Savannah. It was an easy process and our daughter LOVED it!
~Schwarzbach Family; (Goldsboro,NC)
We were happy with our sitter. She was professional and prompt. She arrived with a bag of toys which helped with our departure. We had her sit for 2 nights.
~ Kolb Family; (Wadsworth,OH)
An absolute must on any vacation. I will use them every trip going forward!
~Thompson Family; (Maplewood, NJ)
Guardian Angels was a lifesaver! We used this service while visiting Savannah for my sister's wedding and it worked out great. Our sitter was kind, courteous and warm. She was great with my daughter and I was confident in her capabilities. I'm so happy that Guardian Angels was recommended to me and I would use them again in a heartbeat!
~Braid Family; (Indialantic, FL)
My daughter loved it.
~Koch Family; (Kyle,TX)
We were extremely please by our sitter from Guardian Angels because that is what she was, a Guardian Angel. She brought arts and crafts and entertained my daughter the entire time. Perfect day!
~Joseph Family; (FL)
Kym was amazing! We truly appreciate her!
~Joiner Family; (Orlando,FL)
I would definitely use this service again.
~ Aquart Family; ( Forest Hills,NY)
Louise was great! The kids loved her!
~McCullough Family; (Edmond, OK)
We have had two great experiences using your services, and we will definitely be using Guardian Angels again! It's very reassuring to travel and have sitters who are comfortable and confident with our twins. Thank you!
~Jackson Family; (Charleston, SC)
Desiree was amazing. Professional, timely, fun, organized, creative and very resourceful. Thank you.
~ Casanova Family; (NY,NY)
Our experience was excellent. The sitter was very warm and friendly, and our children enjoyed the whole evening. We received several text updates throughout the night, and arrived back to a clean and quiet house. High marks for her and your agency.
~ Gilfert Family; (Creatwood, KY)
My daughter adored Robin and I heard just how much so from family and friends seeing them out and about throughout the hotel! I was relaxed knowing Morgan was with Robin while getting ready for my wedding! Wonderful service!
~ Martindell Family; (Cincinnati, OH)
I was a bit skeptical because I had never done something like this before but was very pleased with the service.
~Jakubczak Family; (Kenmore, NY)
Giovanna C.- Savannah sitter
Giovanna was wonderful! She respected our preference to play outside and play games with the kids instead of watching TV. She had lots of energy and thoroughly engaged with our children. They appreciated someone who was willing to have fun with them and make an otherwise boring hotel stay interesting!
~Herrell Family; ( Nashville, TN)
Terrific service our sitter was very experienced and our daughter asked when she was coming back.
~Kania-Lachance Family; (Rochester, MN)
We were thrilled by the services provided by Guardian Angels Sitting Service. We had an excellent sitter whom our child adored. We were comfortable leaving for a few hours and would use their services again.
~Smith Family; (Douglas, GA)
They did a great job.
~Simmons Family; (Augusta, GA)
Wonderful woman with a great way with the 2 boys. Able to leave feeling very comfortable and enjoy our evening out without worry. Kids were in bed and asleep when we returned!!
~Boyle Family; (Charlotte,NC)
We love Guardian Angels! All of the sitters are very professional and our children love them! We are very comfortable leaving our children with a Guardian Angel sitter.
~Townes Family; (Bluffton,SC)
Desiree was great. Very polite and extremely interactive with our children. The sad part is that now they miss her and keep asking when she will be back again!
~Fenstermaker Family; (Hilton Head, SC)
This is the first time that we have used a sitter service, and we were so pleased! Beth was very comforting and took great care of our son. We didn't worry one bit while at the wedding!
~Wiggs Family; (Raleigh, NC)
We were extremely pleased with our "Guardian Angels." They did a fabulous job, and we would have any of them back in a heartbeat.
~Sullivan Family; (Richmond Hill, GA)
Your service and the babysitter you provided were incredible. She was timely, polite, fun, responsible, and incredibly sweet to our kids. We would not hesitate to use your service again during our next travels to the area.
~Yundt Family; (Chicago, IL)
First time using this company and I will definitely be recommending to friends and family. I am beyond protective of my girls but I trust my daughter to report back to me if anything bad has occurred to either her or her sister, and she has told me nothing but nice things about the ladies who had watched her for those few hours. She was even excited to go back, they made her feel like a big girl helping make the other kids feel better.
Thanks so much!!
~Lopez Family; (Savannah, GA)
For the time spent, I had no doubt my kids were in any harm. They had a blast. Awesome service.
~Melendez Family; (Beaufort, SC)
Mary Kate was awesome! She did such a good job and was so organized and professional - we were highly impressed. Would definitely use the service again.
~Malhotra family; (NY;NY )
Thank you again for arranging a sitter for us at such short notice! Natalia was great.
~Lamb family; (Atlanta, GA )
I just would like to say a HUGE Thank you for you and your team at Guardian Angels to making this year's summer camps unforgettable for our children. All of you Ladies have done an amazing job to entertain these little ones day after day during this summer.We received many great feedbacks from the parents saying that their children had a wonderful time and something to remember from this summer once school starts and they are looking forward to come back next year too. So Thank you.I wish you Ladies all the best and looking forward to work with Guardian Angels in the future for many more happy memories to our children.
~Barbara @ Palmetto Hall Plantation Club
Beth was a terrific sitter and brought a surprise pirate ship toy box which kept my grandson entertained for hours. She was experienced and professional and my daughter was very happy. It's hard to be on vacation and leave your precious children with a stranger but Guardian Angels was highly recommended. We would definitely use this service again!!!
~Aronoff family; (Potomac, MD)
excellent sitting service....peace of mind that grandchildren were well taken care of during a wedding weekend
~Reeves family; (Okatie, SC)
Excellent service. Mary was prompt and professional. She did a great job with our two children. Would not hesitate to call Guardian Angels again.
~Ruffner family; (Cheraw, SC )
My children adore Sandee and request her every time! She treats them like they are her own :)
~Smith Family; Pooler, GA
Very reliable service and the sitters were excellent
~Fitzgerald family; (Hilton Head Island, SC)
We love Guardian Angels! We have used them multiple times, and we have had great experiences each time!
~Felch Family; (North Charleston, SC)
We were so happy with both ladies that helped us this weekend. Giovanna is so so sweet, thoughtful, and full of great energy. The kids loved her. Julie was a life saver on Saturday !!! I don't think the kids would have successfully attended and made it down the aisle at the wedding without her help. She just jumped in and helped me tremendously !!! She was wonderful. Thank you so so much, this was my first experience doing anything like this!!
~Price family; (Dallas TX)
Great service from Guardian Angel. They were professional and I felt at ease leaving our most important people in their care. Thank You!
~Chris Fleury; (Marietta, GA)
The booking process was easy and we were set up with a wonderful sitter for our holiday. Our sitter, Deb, was fantastic with our 8-month old son. He had a wonderful time with her. She was always on time and very engaging with our son. This was the first time he had been left alone with someone other than family and we were very comfortable leaving him with her. We would highly recommend Deb and your service.
~Sutton family; (Melbourne, AU)
Katie was a lovely person who seemed to really love her job. She lives in the area and was experienced and full of energy. My kids really enjoyed their time with her and we wish she lived closer as we would use her all the time!
~Surak family; (Rye, NY )
We used the service for a nine month old. The sitter was pleasant and seemed to engage with him right away. Of course the baby cannot speak about his experience but he seemed happy the next day.
~Goetz family; (Fishers, IN)
This was our first time using any sort of babysitting service and we couldn't have been more pleased. The communication was great and a babysitter was found for us in a very short time. We were nervous to work with someone new and worried how our kids would respond but our babysitter, Julie, put us right at ease and got my son to play with her in just a few minutes! We are so thankful and we would definitely recommend this company to others.
Carter family; (Durand, MI)
Lauren was on time and very polite. I need not hesitate leaving my son.
~Biggs family; (Marietta, GA)
I've had great experience with each of the babysitters Guardian Angels has provided. I've needed help with my one year old and the agency has worked with me, however last minute my requests have been. So far we've worked with 4 sitters and all of them made me feel confident that I was leaving my daughter in great hands!
~Hammond family; ( Palmetto Bluff)
Our Guardian Angels sitter was incredibly well prepared and had tons of experience. We felt comfortable leaving her to watch our infant and toddler! I love that the sitters for the service are people who want to do this, and have expertise in certain areas like being able to work with our son who has a speech delay. Thank you!
~Felch Family (North Charleston, SC)
Lori was wonderful! We were staying in a hotel with our son and she brought games and toys to play with him! We had a great experience with her and would definitely recommend her to anyone. Our son loved her and had a great time!
~Swierzewski family (Weston, MA )
Melissa really helped us as we needed a sitter at the last minute in Hilton Head on a Saturday in June wedding season no less! She really came through as Beth was absolutely wonderful! Our 3-year-old is a little tentative with strangers at first but as soon as she pulled out a fishing pole with fish they could catch I knew everything would be just fine and so did he - he didn't even notice us leaving! She had a wonderful energy, sent us texts during the evening with photos showing the fun they had and letting us know all was well. When we arrived home, Beth (who is an Assistant Principal and teacher at a local private school) provided really helpful feedback on his learning and interactions which was so wonderful as we are first-time parents and really appreciated her professional impressions - so fantastic! Highly recommend Guardian Angels and Beth. Thank you!
~Sumner Family; (Charleston, SC)
Veneice was wonderful! She communicated well and promptly with us. My children had a lot of fun! She brought games and books and things to do. This was my first time to use a service and I am very pleased. I definitely recommend Veneice!
~Googer Family; (Georgetown, SC)
Lori was spectacular. She took great care of my 5 month old daughter during a crazy day (my brothers wedding day). She was calm, kind, knowledgable, flexible, and great with my daughter. Any family would be lucky to work with Lori. I would ask her to take care of my child again in a heartbeat.
~ Aggon Family; (Philadelphia, PA)
Our sitter Denise was great. She brought some toys with her. She was very sweet. Would use the service again.
~Bodenstab Family: (Ridgefield, CT)
I was very nervous about leaving my two year old and three month old baby with a stranger! Guardian Angels did a fabulous job at making me feel at ease. My husband and I were able to have some fun without the kids and not worry! We will continue to use this service when traveling to the area!
~Reeves family; (Forrest City, Arkansas)
Suzanne was wonderful with the children. They had fun and felt safe. When Suzanne realized that the hotel did not have swim vests, she went out that evening, on her own time, to pick them up (as well as some snacks)and brought them the next day. Awesome sitter!
~Friedman family; (Sea Cliff, NY)
Lauren was prompt and polite.
~Withrow family; (Lyndhurst, OH)
Giovanna was great, our children had a terrific time while we enjoyed a night out.
~Engel family; (Lexington, MA)
We had such a great experience with Guardian Angels babysitting service. We used them during our Rock n Roll Marathon to babysit 3 children and my kids did not want our babysitter Kim leave. To be honest I was very concerned at first to hire a babysitting service in a town where I do not know anyone but Guardian Angels where so professional. They sent me our sitter resume with the picture ahead of time and I was able to read this to the kids and show them a picture so they where at ease when Kim arrived. All their sitters are background check which was very important to us. We will definitively use them next year again. And thank you Kim for such a professional service. My kids loved all the crafts you made with them.
~Woods family; (Waterford, VA )
I was a nervous wreck to leave my 7 month old- I have never left her! We attended a marriage retreat in Savannah, sponsored by the Army. Before the retreat they answered all my questions via the phone and were very reassuring when we dropped her off. The ladies were kind and tried to comfort her when she cried because she was in a strange place. I felt they did everything they could of done to comfort our baby. During the rough times they never seemed to lose patience or get annoyed, they also didn't jut put her in a crib and let her cry- they held her the whole time trying to give her reassurance.
I was very pleased !
~Dixon family ; (Sumter, SC )
Excellent service from start to finish. Would use the service again in a heartbeat. Beth came with a basket of toys and books and my daughter was so excited. Didn't even notice that we left.
My daughter got sick while she was sleeping. Beth noticed while checking on her after she had fallen asleep. She gave her a bath, changed sheets and PJs and was getting her back to bed.
Top notch service!!
~Drackett family; (New York, NY)
I had a great experience with Guardian Angels. I traveled with my one year old daughter to Savannah for work. I was so thankful the hotel recommended a trustworthy service to watch my daughter while I was in meetings. Our sitter was fabulous and kept my child on multiple occasions throughout the week. I wish she was local to us, I would definitely book her again! Thank you for peace of mind and excellent service.
~Petry family; (Kennesaw, GA )
EXCELLENT in all areas. We are very pleased with the ease of getting a qualified sitter from the service and pleasantly surprised that she was all the things we asked for "fit" and experienced with autism, and knew how to have fun... Giovanna was a wonderful caregiver and a thoughtful person as well. Sent us text of what they were doing around Savannah while we were at our event. Easy-breezy about caring for a challenging child & great attitude.
~Shulenberger Family; (Scottdale, GA)
Was hesitant at first to hire a service, but based on speaking with the service felt better. They arranged the same sitter both nights and all went well. It was great to be able to book last minute and know we had a sitter. I wish this service was in my area for the times we cannot find a sitter.
~Young family; (Purcellville, VA)
Theresa was very good with our 8 month old son. He seemed to enjoy her company and she was a big help to us for my sister's wedding.
~Rice Family; (NY, NY )
We were very pleased with our sitter and had a great experience with Lexi.
~Stark Family; Decatur, GA
The sitter we received from Guardian Angels was amazing . She took care of our 4 month old baby like a mother. I am really really happy with the service we received ! I would recommend it to anyone !
~Buzila Family; (Marietta, GA )
Elizabeth was amazing. She was great with our kids and put my mind at ease immediately. I would definitely use her and the agency again. Thank you for a perfect babysitting experience.
~Hodges family ; (Las Vegas, NV)
I used Guardian Angels for my cousins wedding in Hilton Head last weekend. My three year old daughter loved her sitter Emma so much, she talked about her the whole next day. I was a little nervous at first, never having used a sitting service before. But the entire experience from start to finish was perfect! Everyone I talked to was so nice, and Emma, our sitter, couldn't have been more wonderful!! Thank you!!
~Jackson family; (Marietta GA)
What a wonderful service to offer for vacationers who would like an evening out without the kiddos! We were able to have a nice dinner out with other adults while our children were back at the condo rental having a pizza party with the Guardian Angel sitter. They had a great time as well as the adults out to dinner because we knew the kids were in wonderful hands! The sitter put us at ease and seemed extremely confident and took notes before we left for each child. She was a great match for the 4 young children she watched and we came home to a tidy condo! I highly recommend the sitters at Guardian Angels! Thanks for a nice evening out!
~Overby Family; (Wildwood, MO)
We have used Guardian Angels Sitting Services several times and have always had great results. We would highly recommend them to anyone!
~Casserly Family; (Broadlands, VA)
Both of my daughters had lots of fun and felt very cared for. They brought tons of activities to keep them occupied, and we didn't have to worry about a thing!
~Colclasure family; (Orlando, FL)
Katie took great care of my son. He said she was the best babysitter ever! She was great about taking him to the pool and getting him to camp at the Discovery Museum. I did not worry about leaving him with her at all. Thank you!
~Cohen family; (Decatur, GA)
We had a great experience! Our sitter was fabulous! Thank you so much for takin care of our little guy!
~Hart family; (Columbus, GA )
Guardian Angels Sitting Service is the absolute best service I have ever used. Sitter was wonderful with 3 yr. old grandson, reading to him and playing games to keep him interested. I'm recommending it to all my friends who have grandchildren visiting.
~Purple Family; (Hilton Head Island, SC )
Thank you! Had a great first time experience!
~Dietrich family; (Decatur, GA)
atie was excellent, very professional , reliable, and was great with our son. Kept him happy and safe. I would not hesitate to use your service and Katie again Thanks
~Liano family; Maplewood, NJ
We were very impressed with our dealings with Guardian Angels! Our sitter was great and came prepared to sit with our 2.5 year old daughter. She brought books, crayons, stickers and other fun things that immediately drew my daughter to her. We left early for the wedding, without any tears or clinging. And are very happy with our experience. Thank you!
~Deimling Family; (Twinsburg, OH)
Working with Guardian Angels was smooth and easy. The ~sitter was on time and professional.
Terzian family: (Fairfax, VA )
Thank you so much for providing such a wonderful sitter for our 13 month old. She did such a good job playing with her and helping her get to bed on time. We really appreciated having her.
~Shewell Family; (West Chester, PA)
We had a wonderful experience with Guardian Angels. We used the service while on a long vacation in Bluffton. Our boys had a wonderful time playing games and doing activities with our sitter. We will use your services again in the future and would recommend your agency to others.
~Zimmer Family, (Kansas City, MO )
I had arrived to the Disney Hilton Head Resort during a rainy Labor Day weeklong vacation. When I realized the children just wanted to play on the pool water slide I knew my chances of exploring the island and the surrounding areas of Savannah and Charleston were not likely. After a quick search online I found Guardian Angels and the response to my online inquiry was a matter of an hour. Melissa quickly found me a very nice woman to care for four children over the course of the next three days. I couldn't have been more pleased to know they were in good hands and the kitchen was just as I left it upon my return and even the laundry was underway. The sitter gave me her cell phone number and kept me updated throughout the day at my request. I look forward to returning and using Guardian Angels again.
~McCarthy family; (Smithtown, NY )
Very easy booking process. Our sitter was polite and conscientious. Did well with 3 kids 2 and under bless her heart.
~Malone Family; (Holland, Ohio)
I just wanted to say how wonderful Guardian Angels Sitting Service was for us. We appreciate all the coordination. Haley was wonderful! My kids absolutely loved her.
~Gerwin family; ( Knoxville, TN)
We used Guardian Angels Services when visiting Pawleys Island, SC for a family wedding. We had a sitter for Friday and Saturday evening of our trip. Our sitter arrived 15 minutes early both night, was very friendly, professional and polite. She gave us peace of mind and allowed us to enjoy the events that were too late for our little one to participate in. We will definitely use the services again when we visit the area and would absolutely recommend the services to friends and family! Thank you! We had an excellent experience.
~Ritchie family; (Tampa, FL)
Very good service...thank you for taking care of my pride and joy! Megan was Great !
~Hart family; (Jackson, MS)
We were in Savannah for a destination wedding with our 18 month old. We had to figure out how to manage going to the wedding and either taking him (which would not be fair on him) or finding a sitter.We do not know anyone in Savannah so we were worried about using a stranger to watch Charlie but the hotel and the wedding planner both recommended Guardian Angels.We got in touch with the service and were happy to see a profile of the selected sitter. She had tons of experience which put us at ease immediately. We changed hotels and days/times for the sitter before we got to Savannah and both were accommodated with no issues. When we met Louise we were happy that she was clearly experienced, polite and energetic enough to keep up with our non-stop toddler. Louise cared for Charlie for 4 nights in a row during our vacation which allowed us to participate in wedding activities. I would highly recommend Guardian Angels, especially Louise, to anyone.
~Mitchell family : (Bermuda)
I used there service on a recent business trip to Savannah. It was nice for the kids to have the same sitter throughout our stay. By the third day, my kids went running down the hall to greet the sitter. I would recommend this service.
~McCartney family; (Georgetown, DE)
Guardian Angels sent over a fantastic sitter for the two nights we had requested one. She was organized and fun. Our daughter loved her and looked forward to seeing her! Ly is absolutely delightful and Elizabeth loved her. We felt totally comfortable and happy leaving E with Ly. She brought games and books:)
~Collins Family; (Big Sky, MT)
This past weekend we were in Charleston for a wedding and used your services. Hope Walker was absolutely lovely!! She arrived promptly to our hotel and was very engaging. I LOVE that she texted me updates through out the evening. I know our little 5 month old, James just adored her. We were so glad to have her a second night. I felt as if I could be away from my baby and know he was in great hands. Hope was also very flexible on our comings and goings which I really appreciated. It can be very difficult when you travel and times of events can change so we were very grateful for her accessibility. Our son had been off on his schedule and she handled it with ease; feeding, changing, dressing and putting him to sleep all in a tiny hotel room where you have to tip-toe around. We will forever be grateful for this weekend!! Thank you for giving us such a wonderful caretaker. We were so very impressed!
~Collins Family; ( Little Rock, Arkansas)
The staff were friendly and learned children's name which I thought was great.
~ McNeil Family; (Ft Stewart, GA) - Strong Bonds Retreat
I found out about the retreat 3 days before it's date and was cautious about attending due to unsure child care. The event hired sitters and I researched the company and called the area company. My 2 year old cries each time I leave her the whole time I am gone. After talking on the phone, I was relieved the sitters had some smooth tricks to help. And boy did they do a great job when I got there and met them.
They were all friendly and I could see the love and care they have for children. They were patient and calm and did an absolute GREAT job!
~ Hentzell Family, (Ladson, SC )
We had a really great experience with Amber. We had her booked for 2 nights and my son was super excited when she returned the second night. She brought toys and books and my son really had a great time with her. If we return to Hilton Head, I would def request Amber again.
~ DeSimone family; ( Brooklyn, NY)
Guardian Angels was the perfect babysitting service away from home. The sitters were polite, caring, punctual, and ready to have fun with the kids (brought game). All the children were able to express the good times they had to their parents at the end of the night. We appreciated your services during our wedding reception!
~ Stahl family; (Durango, CO )
Guardian Angels really came through for us. We were able to book a mature, fun, loving caregiver for two nights in a row. Thank you GA and thank you Theresa!
~ Wynkoop family; (San Francisco, CA )
Guardian Angels was great, and very easy to work with.
Our sitter was Desiree, and she was wonderful with our four-year-old daughter. Our daughter was asking to see her again as soon as she left!
Desiree helped us two different days, each time she was prompt in her arrival, and always showed up with a smile, and toys and activities. We highly recommend Guardian Angels, and we will ask For Desiree on our next visit to Bluffton, SC.
~ Lee family
Great service! Keep up the good work. Thank you.
~ Krawczyk family; (Toronto, ON)
Erin and Andrea were amazing. They handled 7 children from 5 different families masterfully, including an 11 month old baby and a set of 5 year-old twins. All of the children were tucked in and asleep when we returned from dinner. It made for a truly relaxing evening. Both Erin and Andrea were extremely responsive in responding to calls and text messages from a couple of anxious parents, quickly putting them at ease. We look forward to using Guardian Angels again on our next trip to Hilton Head!
~ McKnight family; (Atlanta, GA )
We had an excellent sitter who texted us updates as we were very apprehensive about leaving our baby with an unknown sitter. She was great and Annabelle had a great time.
~ Williams family; (Orlando Fl )
Eileen was great. Loved that she had maturity, felt confident she would use good judgment, especially with a child who has severe food allergies and a precocious 3 year old. She also had lots of energy and kept kids entertained out if hotel room. Would highly recommend her. We had never used a service like this before but were attending an out of town wedding and needed a sitter. All aspects of the service, from the booking process to the actual sitting services, were highly professional. We felt confident our children were well cared for and our three kids had fun. Another part of the reason we chose your service is we also travel to Ocean City NJ where I grew up. We will use your service there next time.We highly recommend this service.
~ Vogler family; (Raleigh, NC)
Just another happy note from a very satisfied family. Chelsea was once again prompt, friendly, and the kids loved her.
~ Damsker family
From the moment I contacted Guardian Angels I had a good experience. They were very professional and polite handling our reservation and explaining policies. Our sitter DeAndra was awesome. She did crafts with the kids and put them to bed. There was a point when the kids were being loud and she handled it well and got them quiet and engaged. My son and daughter ask about her and we will definitely request her when we are in Savannah as well as use Guardian Angels in the places we visit that they offer service. Thank you for offering us peace of mind and an excellent sitter.
~ The Greens, (Evans, GA)
Very impressed with the service after the last service we had tried to book went MIA. Chelsea the sitter was very timley, nice and would use again.
~ Lajoie family; (Scottsdale, AZ )
I was so happy that I got to meet you before the wedding! I am writing to say how very pleased we were with you, your company and the sitters that you sent to help us out last Saturday.
Rikki and Justin were terrific! So pleasant and absolutely wonderful with the kids. They did exactly what we had requested in my prior email and it made for an enjoyable day for both the kids and their parents. I think a few guests would have liked to take them home with them….they were that good! I have expressed to the Virginia Hotel wedding coordinator that your Guardian Angels business is exceptional. I would use your company again if needed and would recommend you to anyone who inquires about sitting services at the shore.
Again, I am happy that we got to meet in person. Thank you so very much for giving us peace of mind which made for an enjoyable afternoon.
~ Kathy
I just wanted to let you know that our sitter last night Melina was absolutely fantastic!! Honestly the best sitter I have ever had!!! Thanks!!
~ Haddad family; (Atlanta, GA)
Our sitter Erin was amazing!! She was always on time and even early! She was very polite, professional, and very flexible with our needs and our sons needs! We were down there celebrating our wedding and we could not have made it through the week without Erin! We recommend her to everyone, she was great!
~ Greenwell/Smith family; (Dublin, OH)
Such a blessing group to take the time to watch our boys. They were all polite and answered any concerns we had. We felt safe and no worries while our boys were in there care. Thank You all very much.
Chase family; (Ft Stewart GA)
~ Army Strong Bonds Retreat
Our family really enjoyed the services provided. The boys enjoyed their time with Guardian Angels and we were able to enjoy our time as well!
~ Matteo family; Strong Bonds Retreat
We loved Courtney! She was prompt, courteous, loving with our 4month old, and she made my husband and me feel very comfortable. We will definitely use Guardian Angels if needed in the future because she was such a great sitter. She is an asset to have on your team!
~ Brabham Family ; (Columbia, SC)
Kids loved Hailey! Nice to have someone so we could have a great evening!
~ Hartman family ; (Clovis, NM)
I just wanted to let you know how pleased we were with Cheryl. Dad and Mom, whom she was looking after, just loved her. She was prompt, very professional, and most helpful for my parents throughout the wedding events. She had a remarkable ability to be available without being intrusive. We would recommend her highly and would be most happy to be a reference for her. Please tell her how much we appreciated her help.
~ Curt and Marti Mostellar; (New Bern, NC)
I just wanted to let you know that Theresa was wonderful and we will definitely be asking for her again on future trips! She was very reliable, trustworthy, warm, organized, and professional, and did an excellent job all-around. She was wonderful with our son and it was clear that she truly enjoyed being around toddlers, which made us feel very comfortable leaving him with her even in an unfamiliar city. Thanks for setting us up with Theresa - she is great!
~ Marinov family; (Atlanta, GA)
We were visiting Charleston and Bluffton for our very first time and both of the sitters from Guardian Angels were responsible, courteous and got a big thumbs up in the fun department from my 5 year old daughter! We really appreciated that both sitters brought a lot of activities to play with since we had traveled and not brought along any of those things. Highly recommend this service!!
~ Howell Family; (Sonoma, CA)
We were very nervous about hiring a babysitter when we were on vacation but the people at Guardian Angel were wonderful and the woman they sent over was exactly what I was looking for in a sitter. The sitter was early to our hotel - very courteous, very engaging and, most importantly, the kids had a great time (and were asleep when we came home). We would definitely use Guardian Angels Sitting service again!
~ Palumbo family; (Potomac, MD)
The babysitters were punctual and professional. The kids had fun. One sitter got sick and we had another sitter come in her place, which was great. I will use this service again!
~ Kirkpatrick family ; (Johnson City, TN)
This was our first time using Guardian Angels and the process was so easy and professional.
We had the same sitter twice, and she took the kids on walks and to the playground. She was wonderful, very friendly and cleaned up after herself and the kids! We would definitely use the service again!
Thank you,
~ Fleming family; (Cincinnati, OH)
Great job! Our kids loved Hayley and Kelsie!
Thanks for being so accommodating with our changing schedule!
~ Lewis family; (Pittsburgh, PA)
Our daughter is 3 and loved our sitter, Kim! The second night she was begging us to leave so she could play with Kim! Extremely pleased with our sitter, Kim! I had never left my kids, 1 & 3, with a sitter I did not know personally but Kim was great and allowed my husband and I to enjoy dinner dates on our vacation, knowing our kids were well cared for and happy! For me, the key to a service such as this is the high quality sitters that can put nervous parents at ease.
~ Falk family; (Houston, TX)
Kim was very professional, polite, and immediately connected with our daughter. She seemed to take the job quite seriously, and we were impressed with her enthusiasm and strong communication skills.
~ Rauscher family; (Lafayette, CO)
Claudie was our "Angel" for the night. She was friendly and engaged well with my children. Would definitely use this agency next time we are in the area.
~ Hanson family; (Columbia, SC)
Chelsea was great. Timely, fun, and took great care of our 2 year-old daughter, including a wonderful walk on the beach.
~ Vasileff; (Plymouth, MI)
We had her for 2 nights and they could not wait for her to come back the second night. She brought games and books and related very well to them. Seemed to genuinely enjoy looking after them. I was very comfortable leaving them in her care. Chelsea even was available to have a phone call in advance with my daughter-in-law (who was not on vacation with us) just to make sure she was also comfortable with Chelsea. Very smart, dependable and fun but calm.
Chelsea was a perfect match for our 2 granddaughters aged 4 and 6. They were immediately at ease and couldn't wait for her to come back the second night. She was able to feed them dinner and get them to sleep - not an easy feat since they were excited about sharing a room. As a grandmother, it was my first time to ever use a sitting service and was a little apprehensive but the whole process and Chelsea as the sitter worked out better than i expected. Definitely recommend and will use the service and Chelsea if we have the opportunity to again.
~ Herron family, (Stone Mountain, GA)
I just wanted to take a minute to thank you for the service you provide. Our sitter was extremely professional and our son felt so comfortable with Deandra! She is a natural!
~ St Marie Family
Our babysitter was AMAZING and I would highly recommend her. Each night she brought toys and games for the kids to play with (Mae loved her) . She cleaned up the house each night and recapped the night with kids in detail. We were very impressed!
~ Elias family
The service was easy to find, easy to book and true to it's word. The sitter was punctual and lovely. We miss her and wish we could use her at home. Thank you.
~ Passante family; (Pelham, NY)
Desiree was delightful. She arrived early and asked thorough and thoughtful questions about our son's routine, his likes, dislikes, food and sleeping habits. She brought toys and games to entertain him--even though we certainly had our own.
When we returned back to the hotel, she had written a two-page note outlining everything they had done while we were gone, what our son had eaten for dinner, what time he had gone to bed. I would not hesitate to use her again and again and would highly recommend her to anyone looking for a sitter while in Hilton Head.
~ COYLE FAMILY; (Portland, OR)
Our girls LOVED the sitter, she was energetic and actually played with them!I would highly recommend this service to anyone visiting HIlton Head. Our sitter was exceptional, we felt very comfortable leaving our little ones in her hands!
~ Murphy family; (Columbus, OH)
Our son had a blast with her, despite just getting over being sick and a long trip down to Hilton Head. He has never had so much fun with someone he just met. She was great! We really appreciated the text she sent us, letting us know that our son was asleep and everything was good. We also liked the letter she wrote, telling us about their night together.The service could not have been better, and we were very happy with our babysitter. Thanks to her, we were able to have a fun and relaxing night, knowing our son was in good hands.
~ Oare family, (Warrenton, VA)
From the moment I contacted Guardian Angels I had a good experience. They were very professional and polite handling our reservation and explaining policies. Our sitter DeAndra was awesome. She did crafts with the kids and put them to bed. There was a point when the kids were being loud and she handled it well and got them quiet and engaged. My son and daughter ask about her and we will definitely request her when we are in Savannah as well as use Guardian Angels in the places we visit that they offer service. Thank you for offering us peace of mind and an excellent sitter.
~ The Greens, (Evans, GA)
We used Guardian Angels for babysitters for 8 different families for a wedding. They were incredibly wonderful to work with - always responsive and accommodating (including when we added two families 4 days before the wedding!). Everyone reported that their sitters were great and the kids had a wonderful time.
I would definitely use them again and would recommend the service.
~ Ganschow family; (Chicago, IL)
Susan was fantastic on Saturday night and came with tons of activities for all the kids. I highly recommend her!
~ Mattix family; ( Virginia)
We really enjoyed having Mallory take care of our daughter. We felt confident she was in good hands. Thank you Guardian Angels for helping us have a great time!
~ Walker family; (Katy, TX)
So wonderful and was really great about bringing items for our daughter to keep her entertained. This was our first time using a service and we loved it! The babysitter was very dependable and you could tell loves children and I felt at ease the whole time we were away! Would recommend the service to anyone.
~ Dorsey family; (Arlington, VA)
My husband and I would like to thank you for your amazing services! Our sitter Erin was amazing!! She was professional and did an amazing job with our son! She was flexible and open to whatever we needed from her to make our wedding week go smoothly! We visit HHI every year and would love for her to watch our son next year again!! Also, planning through guardian angels was so easy and we could not be happier with the services we received from everyone! Thanks again!
~ Josh and Lauren Smith (Greenwell)
The kids really enjoyed their time with Ms Courtney! They warmed up to her almost immediately, especially since she brought fun toys with her! :) My sister and I felt completely comfortable leaving our 5 young kids (all under 6 years old, including 2 sets of twins!) with her while we enjoyed a nice dinner out with our husbands. I would definitely use this service/sitter again next time we are in Hilton Head, SC.
~Mitchell family; (Midlothian, VA)
The service is outstanding! Everything was so well orchestrated, from the booking all the way to the service deliverance. It was a relief to have this important detail taken care of by professionals. Our children had a great time. My hat is off to the Guardian Angels
~ Key family; (Aiken, SC )
I found out about the retreat 3 days before it's date and was cautious about attending due to unsure child care. The event hired sitters and I researched the company and called the area company. My 2 year old cries each time I leave her the whole time I am gone. After talking on the phone, I was relieved the sitters had some smooth tricks to help. And boy did they do a great job when I got there and met them.
They were all friendly and I could see the love and care they have for children. They were patient and calm and did an absolute GREAT job!
~Hentzell Family; (Ladson, SC )
We loved Courtney! She was prompt, courteous, loving with our 4month old, and she made my husband and me feel very comfortable. We will definitely use Guardian Angels if needed in the future because she was such a great sitter. She is an asset to have on your team!
~Brabham Family ; (Columbia, SC)
Very friendly service. Having a responsible person makes you feel at ease with the care.
~Brite family; (Douglasville, GA)
The sitter whom we were paired with did a great job babysitting our children during our week long vacation. She always arrived on time, she was polite & trustworthy, and came prepared with LOTS of fun crafts, art projects & games to keep the kids busy!
~Hasley family; (Winnetka, IL)
We were very happy with our sitter.
~Ciment family; (New York, NY)
She was amazing!!!! The kids loved her and we felt very comfortable the moment we met her. We loved her! She showed up with toys ready to go! The kids had a great time and she put our kind to ease the moment we met her. The service was very professional.
~Corrigan family; (Gahanna, OH)
Desiree was great- very professional, equally at ease with our toddler and our older kids. They had fun, asked if she could come back, and she gave us a very thorough report when we got back.
~Marine family; (Montclair, NJ )
Guardian Angels offered a great and easy to use service when my wife and I were looking for some time alone on our family trip to Hilton Head Island. The sitter was early to allow enough time to be briefed on our children's names, routines and needs for the night. She was professional and well qualified! Thank you for a great service!
~Cox family; (Cincinnati, OH)
I loved the girls taking care of my daughter, she's rarely left with a sitter and these girls put me at ease right away & I knew she was in good hands. I've never felt more at ease with childcare for my daughter!
~Falkner family;( Ellabell, GA)
My daughters absolutely adored Suzanne. She was caring, thoughtful, and fun. We were pleased that she took initiative - like brought extra snacks on the 2nd day, but asked us whether that was OK. She set appropriate boundaries and the kids not only loved but also respected her.
~Gardner family; (Newton, MA)
They did a great job with my kids, so good that they didn't want to leave when we came to get them!
~Carlos family; (Ft. Stewart, GA)
Fabulous! Ellen was just great. I trusted her completely. She was a very kind and sweet person. Everything went off without a hitch. She watched our little Maltese, Annabelle, while we celebrated my granddaughter's wedding in Savannah. Ellen watched Annabelle every evening for 4 nights--from 4:00 p.m. until between 11:00 and midnight. These people know what they are doing and you can trust them!
~Hogendorn family; (Solon, IA)
Deandra was very polite. She listened to directions. We arrived home and she updated us on the evening - children remained asleep. She checked on them periodically.
~Berkowitz family;
She was not only polite and courteous but very personable, friendly and caring. Came with books and toys. Great sitter. Personable, caring, friendly. I would definitely use her again and would also recommend Guardian Angels to my friends.
~Strassner family; (Sandy Springs, GA)
We - and our children - could not have been more thrilled with our experience with Guardian Angels and Telicia. Thank you so much!
~Fox family; (Mill Valley, CA )
Very gracious and kind. I could not have been more pleased with everything!
~Jones family; (Charlotte, NC)
I will def use this service as a private customer. My son enjoyed his sitter who played with him and kept him calm while I was in sessions.
~Meharg family, (Fort Stewart, GA)
My daughter was very upset with the idea of a stranger watching her. By the time I returned to pick her up she was happy and informed me about the crafts she did and the food she ate.
~Page family; (Aiken, SC )
We were so happy with Desiree. My son had such a good time with her. My son has special needs and he warmed up to her immediately. He had a blast hanging out with her. We could not have been more pleased!
~Linton family ; (Potomac Falls, VA)
Great Service. Very Pleased
~Bush family ; (Hoover, AL)
We loved our sitter. I cannot remember her name at the moment. She was great with the kids and they were in bed on time. Thank you for a great service to vacationers.
~Desantis family ; (Charlotte, NC)
We have come to trust Guardian Angels sitters to care for our children while we are on vacation in HHI!
~Olives family; (Atlanta, GA)
Wonderful company. Very friendly and easy to use. My children loved their sitter and she even brought fun things for my kids to do and make. Would recommend and will definitely use again.
~Pease family; (Columbus, GA)
Samantha was better than we could have ever anticipated. She truly cared for our grandson, had activities for him, played games with him, and became a friend for him. He could not wait for her to come back the second day. Very prompt and courteous. She was exactly what we hoped for and more.
~Dallman family ; (Bradenton, FL)
I can't say enough good things about the experience and our sitter. She was better than i could have ever expected. I was certainly nervous about using a sitting service and a sitter that we'd never met before but it was just a perfect experience. There were a number of issues with my work dinner and our sitter was so unbelieveably gracious and professional. Ms Susan was thoughtful, considerate, and - most of all - GREAT with the kids. They asked if she could come back the next day.
Well prepared, professional, kind and courteous - couldn't have been a better experience!!
~Massie family; (Smyrna, GA)
Our sitter came for 2 days. She arrived on time and was very interactive with our special needs daughter. She took her out for rides, to the mall, etc., and also took her for long walks. We so appreciate this service!
~Tollison family; (Greenville, SC)
Meghan was punctual, polite, and had fun with my kids. Even though she only babysat in the evening and had very little interaction with them before bed, you can tell that she loves children. She made an effort to get to know my toddler in the little time we had together. All you can hope for is that someone has good judgement should an emergency happen, and we felt confident that she does.
~Heimowitz family; (NY, NY )
Natalie was FANTASTIC! She brought toys for our son and took him to the playground. He didn't even notice we were missing, he has a great time with her. She even sent us a pic of him when he fell asleep to put our minds at ease. We just loved her and Thank you!
~Miller family; (Media PA )
Wonderful experience and will definitely be using you guys again!
~Clair family; (Durango, CO )
The process to book our sitter was simple and quick! DeAndra was great with the three kids we left her with! Would definitely use guardian Angels again!
~Ramji family ; (John’s creek, GA )
Of all the sitter services we have used at hotels, Guardian Angels is the best! Advance communication fantastic, timely, uniformed, professional, and equipped to keep our two girls entertained. A+++
~Melia family; (Falls Church, VA)
Chequaila was the best person to care for my mother. My mother does not know her limitations. Chequaila not only watched my mother safety but did in a manner that my mother never noticed. I would recommend Chequaila to anyone who has a elderly person who has a tough disposition. She not only took care of my mother but made her feel like she was making the decision for herself. Thank You for having such a wonderful person on your staff.
~Starsiak family; (Spring Grove, IL)
Great service....easy to book and confident in the service.
~Gilbow family; (Indianola, MS)
I have never left my son with anyone other than a family member and even then for only very short periods of time but when my son asked for Kim to come over again on Saturday after he had spent the night before with her, I knew I made the right choice.
~McKenna family; (Browns Summit, NC)
Radie was a great sitter and we felt comfortable with her from the time she arrived.
~Ray Family, (Tupelo, MS)
Guardian Angels was wonderful! Melissa was very helpful and prompt in setting up everything, and our sitter, Chequalia, was responsible and sweet--even with our very bad sleeper 1-year-old. Thanks so much for the peace of mind while we were on vacation!
~Gatson family; (Chevy Chase, MD)
We were in Charleston for a wedding. I called Melissa a few days before our arrival and she worked quickly to find us a great sitter for the days we needed. She was courteous and very responsive. We are very grateful!
We could not have been happier with the service that was provided. We travel a lot and have used similar services in different cities. Guardian Angels is on the top. We are back in Austin now and he has asked on a few occasions when is he going to get to play with LeAnn again. She was so sweet! We could not have been happier. Wish she lived closer to us so we could use her again!
~Barzizza family; (Austin, TX)
Our twin two year olds and six year old loved our sitter, Haley. She was very confident and comfortable around the children. We have used sitters all over the country and this one was one of the best we've had. She even had drawing supplies with her! Thank you for allowing my hubby and I to get out and enjoy ourselves without worrying about the kids.
~ Marvin Family, (Atlanta, GA)
Thank you so much for sending Hayley to us during our recent visit to Palmetto Bluff, SC. She was absolutely wonderful, and a pleasure to have sit for our six kids. We had a very unstructured evening, and Hayley easily adapted to our changing needs. My only regret is that she doesn't live in our home state!
~Heather Negley; (Scotch Plains, NJ)
Our son was married last weekend in Charleston and we used Guardian Angels Sitting Services three times. Amy is a competent and caring "sitter" and we felt very comfortable knowing that our granddaughter was in such good hands. We highly recommend your services. Thank you."
~Bortnick family; (Potomac, MD )
We loved Susan. She was loving, fun and knowledgable with our 4 year old and so loving and caring towards our 4 month old. I was sooooo nervous about a stranger watching our baby but Susan is just awesome! She was always engaging the kids and was such a pleasure with us as well. We will always request her when we come down south!
~Brister family; (Cottontown, TN )
Thank you so much for finding Victoria for us for pet sitting. She was awesome and our dog loved her, too. I would use her services again!
~Doyle family; (Chicago, IL)
Kim was fantastic, and I hope to be able to use her next time we visit Charleston! Thank you for all of your help with making my vacation much better and allowing me to rest easy, knowing my little guy was in good hands.
~Ward family;( Brooklyn, NY)
The service was very professional. Took care of a meeting with the assigned sitter before the job so the 2 year old would be comfortable. On time (4:45 am) and ready so we could make our start of the race. My daughter had never hired a babysitter for her 6 month old son or her 2 year old daughter. She was very concerned about leaving them. After meeting Susan her mind was put to ease and she was able to run the Race knowing her children were in good hands.
~Stoneking family ; (Minneapolis, MN)
I had a wonderful trip & felt very confident about Samantha's care for my kitty. She called me on the last day to let me know that all was well here. She left a receipt for the payments I made & the house & cat were in good shape when I get home. I hope I can call on you all again.
~Lewis family; Sun City
I have used Guardian Angles for years.
I am always been impressed with Christina's professionalism and focus on the quality of her babysitters. They have all been kind, on time, and very experienced with kids.
I would and have recommend this service to my friends and family.
~Fleming Family; (Haddonfield, NJ)
We have used Guardian Angels for the past 2 summers and have been very happy with our sitters. My kids had a blast with new toys and a new "friend" to play with. Booking a sitter was easy and its so nice knowing you have an extra set of hands to help with the kids. I will definitely use their service next summer!
~Clark family; (Rockville, MD)
DeAndra was amazing!! In five years, it was the only time my children have not cried when we left!!
Balenger family; (Hendersonville, NC)
Just the best!!! I was very cautious to use a sitting service but all of our concerns went out the door as soon as we met with the agency. We have used several times & all the girls were wonderful. My son had a great time with all the sitters. Everyone was very polite & provided a great level of service. I strongly recommend to all of my friends, family & refer often. Thank you,
~Kieran family; (Cold Spring, NJ)
Our sitter was on time and very patient with our little, who had not spent much time away from parents before her sitting session with him.
~Gencheva family; (Laurel, DE)
Absolutely wonderful service! Our sitter was extraordinary and all 3 children felt comfortable with her. She met each of their needs...ages 12,9,and 4. She did special activities with them. They really liked her and so did we!
~Jackie M., (Cherry Hill, New Jersey)
I wanted to thank you for coordinating a sitter for us. Christa was an absolute delight. She was prompt, professional and so great with the kids. It was very hectic at the hotel with the wedding going on and the hotel room was smaller than I had anticipated. Christa rolled with it and we so appreciated it. Her experience with similar events and situations made us very comfortable and we really appreciated her flexibility to be with the children in a small space and bring them downstairs a few times to enjoy the wedding a bit too. We highly recommend Christa to your other client families.
I was nervous to find a sitter online and through a service but we have had a great experience and we will recommend Guardian Angels to friends and family in the area.
Regards,
~Stefani Crumley
Samantha was a terrific. I would recommend her in a heartbeat. Samantha took my boys to the skate park where they had a wonderful time. She also gave them to eat for lunch, and when I came home they were playing games. My boy said that she was great fun. I would recommend Guardian angel sitting service any day of the week. It was fast easy, and you can trust the sitters.
~Chappell family; (Hilton Head, SC )
The sitters were hired to help entertain the children at my daughter's wedding reception. They were amazing! The knew just when to step in and distract them, and when to back off. They were very professional and did a fantastic job! I highly recommend Guardian Angels and these three sitters.
~Valentine family; (Myrtle Beach, SC)
Amber was great. My six month old son immediately bonded with her and we got comfortable quickly. She was very sweet with him, knew what she was doing, and she was easy company to have around. We were very hesitant about using a service particularly since our son is so young, but it was a very positive experience. It really helped us enjoy our vacation.
~Bernard family; ( Brooklyn, NY)
"Just a note to thank you for the babysitting service your company provided. My Niece said that the babysitter was wonderful and that everything went well. You were prompt and very well organized which I could not say about me. Having a wedding in Cape May can be a wonderful thing but it certainly is a lot of work. Hopefully we can return and really vacation there and come enjoy a breakfast at your family's restaurant."
~ Sue
"Like always, I was hesitant to leave my kids with someone other then my family but when work called Guardian Angels stepped up to the plate. I worked on conference calls in my office as a Guardian Angel watched over my own angels. I finally had piece of mind and piece of quite to get what needed to be done finished. I am so happy that a mommy friendly babysitting service is available in Cape May County. The babysitter painted and did a craft with my kids and ran outside with them. I occasionally heard a giggle from outside the office and that was reaffirming that my children were in good hands (ahem.....wings?)"
~ Elizabeth Norton (Cape May, NJ)
This was the first time I ever left my 8-month-old son with anyone other then my Mother. I felt very comfortable right away with our babysitter, Elizabeth. My son was smiling right away. She was excellent. I do plan on using Guardian Angels sitting service again in the future. Thank you for a wonderful experience.
~ Jennifer Martin (Lakewood, NJ)
While away from home we utilized the Guardian Angels Sitting Service at a hotel and immediately got a comforting feeling from the friendly scheduling exchange down to the detail in learning more about the baby sitter in advance. The service and babysitter on site were professional and friendly and asked all the right questions before we left. We would use the service again next time we’re visiting the Jersey shore.
~ Lyza Lyon (Maplewood, NJ)
Thank you for your help in finding the perfect babysitter for our 14 month old little girl. The babysitter was not only friendly and sweet but also obviously knowledgeable about kids. We felt very comfortable going out knowing she was there. I would easily recommend your services to my friends and family. Thanks again for your professional yet personal service. We will call you next time we are in Cape May! Cheers!
~ Colleen Fleming (New York, NY)
Our weekend at an Atlantic City hotel for my company's holiday party was the first time we'd ever left our son with a babysitter. We had some specific requirements to meet his needs, and you came through with flying colors! We are so appreciative of your outstanding service. When asked to rate his sitter on a scale from 1 to 5, 5 being the highest, our son rated her 3,000,005! Thank you so much!
~ Murray Apatoff (Langhorne, PA)
Thanks for everything. Jessica is a gem. Zachy loved her, and we felt completely secure with her. She is cute, lively, fun and attentive, and we will look forward to working with her again, next time we are in the A.C. area. If she ever needs a reference, let us know – we really enjoyed having her babysit for Zachy, and he just bonded with her as if he had known her for ages.
~ Jonathan Zanger (New York City, NY)
It was a pleasure working with Guardian Angels. I almost decided to not make the trip because we did not have a babysitter for my daughter. I've never left her alone with anyone besides her Grandmother so I was very nervous and a bit stressed out. To complicate matters, my daughter is very leery of strangers. After a whole year, she still cries every morning when we drop her off to daycare! I am happy to report your sitter arrived on time, was dressed appropriately and had a wonderful demeanor. We were gone for 4 hours and not a single tear! Wow! It couldn't have worked out any better than it did. Thanks for coming to my family's rescue! Because of you, we were able to conduct our presentations while the babysitter was there and have time for a wonderful mini family vacation at the beach following. Thanks!
~Diane Ellis (Waxhaw, North Carolina)
We had an absolutely wonderful time with your service. Heidi was fabulous and just great with our daughter. We will be back in July and I will contact you in advance to see if Heidi can return. We also liked Lindsay, too. Thank you so much for opening Guardian Angels to give visiting families a great option to help take care of our kids! My sister-in-law and cousin will both be down with kids later this summer and we will recommend you highly.
~Page Kranbuhl (Washington DC)
I needed a sitter last minute on a holiday weekend and the representative from Guardian Angels Sitting went above and beyond trying to accommodate us. She was very attentive and courteously fielded numerous calls. We were very happy with the babysitting services that we received. Our sitter kept in contact with us when she ran into heavy traffic (July 4th weekend) and we felt very comfortable leaving her with our son. I will definitely use this service again when I return to Atlantic City. Thanks again!
~Jennifer Griffing (Frederick, MD)
"Guardian angels have been very professional, quick & efficient. They find somebody trustful who immediately took excellent care of our 3 kids. I definitely recommend using Guardian Angels Services." sego, mum of 6 yo, 2.5 yo and 1.5 yo.
~Ségolène de Marolles (Atlanta, GA-monthly member)
We had a very positive experience with our sitters from Guardian Angels Sitting Service. Both were highly qualified and engaging with our daughter. She adored both of them and liked having special things while we had an adult evening. We felt 110% comfortable with both matches and appreciated the time Christina took to place just the right sitter with our toddler. Guardian Angels Sitting Service met and exceeded our very high expectations! We look forward to using them again next month when we return. A+++
Kind regards,
~Laura Hughs (Arlington, VA)
We are so very pleased with your service and the sitter you provided us. Heidi was absolutely amazing!!! Our daughter took to her right away (which is saying a lot!!). She was so good with her.....playing with her, reading her books, taking her to the beach, the pool and the library. Heidi was very punctual and accommodating.... and even agreed to stay late when our job ran over. I highly recommend her to everyone!!! Thank you!!
~Janine M. Bartok (Eagle, CO – Weekly member)
Thank you so much. Christa was wonderful. Your service allowed my wife and I to escape for an afternoon boat ride which we have a hard time doing since we had twins 6 months ago. We will be using your service again soon.
~Mark Gellert (Royersford, PA)
Thanks again Christina. Laura was great, and if you could let her know, Keegan's first words in the morning were, "Where is she? I want to see her!" Take care, and we'll be in touch if we're ever in your neck of the woods again.
~Bridget Evans (Alexandria, VA)
Our pet sitter was wonderful and so friendly! It was a relief to know that our dogs were being so well cared for!
~Greg Lis (Virginia)
Your service was a lifesaver to my wife and me. Andrea was on time both nights and seemed to really enjoy our sons company allowing us to enjoy ourselves without worrying about our boy. We were so grateful to have your company available, which in turn, made our vacation much more relaxed and enjoyable.
Thanks.
~Sam Pittenger (Knoxville, TN)
We really enjoyed having Delia sit. Carl (my five year old) announced, "Delia is fun"! When Elizabeth (my almost 3 year old) woke up the next day, she asked, "Where is Delia. She come back soon?" As the mom, I was really delighted with Delia's professional demeanor and obvious comfort level with the kids.
Thanks!
~Katherine Widnell (Wichita, KS)
"Melissa, we wanted to let you know how happy we were with Mandy sitting for us and taking care of our 5 1/2 a 2 year old girls. After meeting her, my wife and I were comfortable enough to have a relaxing and enjoyable evening out without worrying. The girls loved Mandy and we loved the art projects we got when we got home!! Thanks again, and we will be calling you again next time in Hilton Head
~Larry R. Brooks, (Roswell, GA)
Melissa,
We just wanted to let you know how much we enjoyed your service and Tiffany as our sitter. We will definitely contact you the next time we need a sitter. Tiffany was a wonderful sitter and handled all of our details with care and professionalism.
Thanks so much for Tiffany.
Regards,
~Fred and Irene Klein (Hardeeville, SC)
I highly recommend this sitting service.
We went on a 4th of July vacation to Cape May, and wanted to have one romantic night as a couple, but nervous to leave our 3 kids with a stranger... Christina was very reassuring on phone and emails, and the sitter was a lovely experienced college girl.
We're going again next summer, and plan to use Guardian Angels again!
~The Ponzio Family (Tenafly, NJ)
We used the sitting service while visiting Cape May. Our sitter was wonderful and the kids loved her. She took them out on the town, while we enjoyed a nice dinner and some shopping. I felt completely secure and confident with the sitter and we are already planning on using the agency again during our next vacation.
~Laura Johnson (Pittsburgh, PA)
I was at a work conference in Savannah, GA and the hotel recommended Guardian Angels service. I cannot say enough wonderful things about Teresa, the angel send to watch my angel. She was wonderful with my 7-mo. old son. He was entertained and happy, did I mention asleep 1 hour before his normal bedtime! She was trustworthy and clearly very good with children. I do not trust easily, so this was very difficult for me. She and Guardian Angels were fantastic and I will recommend them to anyone I know!
~Danielle Hardin, (Avon, IN)
Thank you so much for referring Shannon to us. She was absolutely wonderful and the kids loved her! She arrived on time, was professional, friendly and trustworthy. I will definitely be calling again and asking for Shannon! Regards,
~Andrea Scalisi (Merrick, NY)
Guardian Angels has always provided my polite, friendly, competent sitters that I felt immediately comfortable leaving my child with. Their ability to get me a sitter on short notice has been a saving grace. My child had reoccurring ear infections before she got tubes and was getting sent home from daycare regularly with fevers. If it hadn't been for the ability to contact Guardian Angels and get a sitter at the last minute for the following day I don't know how we would've made it through. The service and the people are wonderful. I recommend them highly.
~Christine Wrobel (Bluffton, SC)
Melissa,
I wanted to follow up with you from the other night. I came home and was in absolute shock. Amanda had basically cleaned my whole house. Prior to going out I told her to excuse the house, especially the kids messy rooms because I worked and went to college full time. She took it upon herself to clean the kids rooms and even vacuumed them. She cleaned the dishes and emptied the dishwasher. This was one of the best surprises that I had ever had. When someone comes to watch the kids, I don't expect them to clean up after my mess. In fact, I usually come home to a bigger mess than when I left. Amanda went above and beyond. I can not tell you how happy I was upon returning. Of course the kids like her a great deal, which is why I requested her, but I did not expect this. I cannot say enough great things about Amanda, or about the ease of using your service. It is so nice to know that a sitter can be available on short notice. It is especially nice to know that you are insured and that your sitters can be trusted. Calvin and I had a sitter steal money and jewelry from us a while back, and we are very leery of who whe leave with the kids. Thank you again so very much. I will gladly do a ton of free marketing for you. You have a great service. Thanks again,
~ Kristen (Hilton Head Island, SC )
I would recommend this service to friends/family visiting the area that do not have a regular babysitter. However, the price for this service limits my ability to use them in the future. Had I not used my gift certificate, I do not think I would have used their services. I was very pleased with the contact I had with Guardian Angel and the ability to find a sitter for my children. Our sitter was also very friendly and my kids had a great time.
We were very pleased with Guardian Angels Sitting Service. Everyone was polite and helpful. Our sitter was great with our children. I would recommend their service to anyone visiting the area.
~Stacey Crockett (Bluffton, SC)
The sitter was friendly and caring. My son loved spending time with her. They played games, did activities and swam in the pool while I was a way.
She was also punctual and reliable. I was not worried leaving my son with her as she took very good care of him. ~Rohan Jayasena, (Sidney, NY )
We had Theresa Lynn from Savannah, GA. This was our first time having a babysitter outside of the family, so we were very nervous. Theresa was very comforting and made me feel secure leaving our 4 month old with her. I wish you had a service in Northern NJ where we are from. Thanks again!
~ Cianesi Pena, (West Orange, NJ )
We were able to go out on the town with a peace of mind knowing that our daughter was being well looked after by a professional sitter from Guardian Angels.
~Nelson Whitford, (Newmarket, ON )
Great job by a group of professionals who not only do a great job, but do a job they love and do it professionally.
~Brett Newmeyer , (Columbia, SC )
Professional and exactly what we needed for our special guest! Great service!
~Jenny King, SCAD University Savannah, GA
We absolutely adored our sitter. Natalie was wonderful with our 8 month old and 2 year old. It was so great having her with us for the week. We will definitely be asking for her again for our next trip to HHI.
~Amanda Keller, (Alliance , OH)
The best keep secret at the shore!
~Karen Mandler, (Stone Harbor, NJ )
Enjoyed a night away from my kiddos while on vacation! My kids had fun too!
~Kit McCaffrey, (Sevierville, TN)
We recently lost a long time sitter and had been left with some gaps in our childcare coverage for the summer. One quick email and all my needs have been met. The boys are all smiles so far, and have been anxiously awaiting their "new babysitter" to return. Thank you!
~Roseanne Foxx, (Avalon, NJ )
Sarah, our sitter, cleaned our condo better than I would have ever dreamed myself doing. She placed our beach things up on hangers, washed the children's clothes and our beach bags, emptied the dishwasher and straightened the condo. She was great.
~Liesel French, (Birmingham, AL)
Great service, made our vacation relaxing and provided a nice break for us.
~Darby Mingey, (Brooklyn, NY)
I was concerned about finding the perfect sitter for my nephews' children during my daughter's wedding ceremony at the Seaview Dolce Resort. Since my nephews were coming in from Tennessee, I was especially concerned about the adaptation of the four boys, aged 4,5,6, &7, to being in a strange place with someone they had never met. My concerns were totally unfounded. Almost from the start, the sitter had the children playing games and even "braiding her hair". The parents only checked on them once and were completely at ease. Thank you for providing a service that allowed everyone to enjoy our wonderful wedding celebration.
~Frances Purciello, (Barnegat, NJ )
I was very pleased with Guardian Angels and Eliza K. We had a last minute request for a wedding weekend in Savannah and Guardian Angels took care of us promptly and professionally. As a mom in a new city, I was pretty uneasy leaving my son with a stranger. But Eliza was wonderful, politely took control upon arrival, and allowed us to proceed on to the wedding events. She followed all instructions we had for care and gave a full report at the end of each day. We will definitely try to use Guardian Angels in the future if available where we are traveling.
~Kara Miller, (Round Rock, TX )
It was a little more expensive than we pay at home, but given the short notice, set up time and the environment, we didn't feel the cost was unreasonable. Melisa was very accommodating, and the kids loved both sitters. We felt very comfortable with the whole process, especially comfortable leaving the kids with the sitter.
~Dennis Patrick (Mt Pleasant, SC )
We were pleased with the ease of requesting a sitter. She was lovely and my children really liked her!
~Shane Fryer, (West Haven , CT)
Thank you and Megan for such great service last weekend in Atlantic City. We were so happy with the service and Megan was just a delight. My daughter has asked already if we can go back to Atlantic City, and we go to a party so she can have Megan babysit again. Thanks so much and we have already recommended your service and will do so on Yelp as well.
~ Jacqueline Sloboda
We had wonderful sitters for our trip to Savannah. Would highly recommend them...
~ Megan Palmeri, (Augusta, GA)
Execellent service, thank you!
~ Robert Bagay, (Pittsburgh, PA)
We love the sitters at Guardian Angels. We use the service every time we are on Hilton Head Island and that is several times a year. The sitters are always on time, nice, and bring things to entertain our girls. I would recommend guardian angels to any one and tell them to enjoy their time because they will not have to worry about their children!
~ Larry Brooks, (Roswell, GA)
This was a brand new experience for us, to use a sitting service in a visiting city. We were impressed by the professional responses received during our initial inquiry, the detailed information emailed in advance about our sitter and then we were mostly impressed by the young lady who took excellent care of our four year old daughter who even asked when she could be babysat by her again.
~Laura Risman- Lipkin, (Staten Island, NY)
Guardian Angels did an excellen
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Phil Rainone Column
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Emily’s Army - Lost at Seventeen (Rise Records)
I was going to review Emily’s Army on its own merit (which I still intend to do,) but first I have to explain a little about the band, namely the drummer Joey Armstrong. He’s the 17 year old son of Billie Joe Armstrong of Green Day. Joey’s got his dad’s snarly, snotty, vocal prowess, and the phrasing to match. Now, before you jump to conclusions, Emily’s Army is NOT a junior Green Day by any means. They have a distinct, natural, and original sound that is as much fun as it is unique! I mean, you can’t help but sit up and take notice of all 16 songs on Seventeen. As a debut album they took apart some old school punk (Clash, Sex Pistols), classic rock (Kinks, Springsteen), and their own musical mojo and put the pieces back together in a jagged collage. Very verse-chord-verse, they base their belief on the idea that most of today’s pop punk is a lethargic dinosaur. Each of Emily’s Army’s songs is a complete, satisfying composition without the extra musical baggage that a lot of today’s bands feel the need to include.
Politics (“I Am The President,” “War”), love (“Jamie,” “Part Time Burn” “Pathetic and in Love”), and songs about music, especially punk rock (“Kids Just Wanna Dance,” “If Our Music Plays Again”), drugs (“Lost at Seventeen” “Digital Drugs”-actually an anti-drug song) can be at times complex (“Bullets made of bread” has to be one the best lines ever) , both musically and lyrically. Yet you can dance your asses off to each and every song here.
Good music insinuates itself into your ears and up into your brain like a slithering snake, so that you feel sensually alive to the point where your feet start to move. Lost At Seventeen just clubs you over the head into submission. There’s no going back! I dare say it’s been quite a while since a band had such commanding control, and could play so loose. Playing this record could conceivably give you an epileptic seizure of orgasmic dance proportions. How else to explain the inexplicable?
Emily’s Army is evidence that a young band just starting out has the imagination to play music that holds together without having to sacrifice the reason they originally got together and kick out the jams however they what!
What I absolutely LOVE about a new, exciting band like Emily’s Army is that after repeated listens, you just cannot fandom life without bands like this. They found the singular joyous essence that only rock ‘n’ roll can provide and provoke. The full-on rush of excitement and bubbling-over ecstasy is instant you drop the needle on this record!
Springsteen On Springsteen - Interviews, Speeches, and Encounters Edited by Jeff Burger (Chicago Review Press)
After reading a lengthy book on Springsteen less than a month ago (Bruce), I wasn’t really looking forward to reading Springsteen On Springsteen. I mean. Over the years I’ve read at least a dozen or so books on Bruce, and even though I’m a big fan, there’s only so much Bruce Juice a person can take after a while. I mean Bruce seems to be just getting his second wind (he’s 62), and making some really cool albums and knocking it out of the park at almost every live show, but somewhere along the way a lot of the stories get rehashed, making for a long, tedious read.
But on Springsteen On Springsteen as I started reading, an endearing portrait of the artist emerged: caring, responsible, well-versed in those musical heroes who came before him. He loves all the same artists I love. His eloquence in the interview situation is yet another art form and you get to know him…I mean, really know him this time. Coming, as this book does, on the heels of Peter Ames Carlin’s highly recommended and epic Bruce biography, this one was more than pleasant surprise. It was a mini-revelation.
When he talks about mixing rhythm ‘n’ blues early on with beat poetry, his early work all comes into focus. How fascinating is it that he complains to reporter after reporter about money (in the mid-seventies)! “We’re at the lowest we’ve ever been right now,” he tells Jerry Gilbert. “Hopefully I’ll be getting some money from Columbia and maybe with David Bowie doing some of the songs that’ll be good.” (Bowie did, indeed, recording “Growin’ Up,” and “It’s Hard to be a Saint in the City.”).
Bruce is described early on by numerous reporters as scruffy, skinny and long-haired, wearing clothes that he seems to have been in for days. He stumbles when he walks and he mumbles when he talks. But that’s part of the beauty of Bruce on Bruce. We get to read the first-hand accounts of his humble but intensely interesting beginnings as a musician. “The writing is on the wall,” as they say.
Bruce talks about religiously writing down the Top 10 every Wednesday, and admits that he doesn’t consider himself a revolutionary artist like Dylan or Elvis but a “nuts and bolts” artist built for the long haul. He talks of his humble beginnings, watching his father struggle for work, and not feeling a part of the community so, like other musicians, he makes his own in the world…but with a band.
As for his marathon concerts, he tells Charlie Rose on TV, “I wanted it to be an extreme experience-an experience that wasn’t casual, that pushed all the limits. I wanted people to be brought to someplace and to come out of themselves.”
His speeches are the best: his 1989 Rock And Roll Hall Of Fame induction acceptance speech, his keynote address at the 2012 South By Southwest Music Festival (he said that every one of his songs over the years were all different forms of The Animals’ “It’s My Life,” which brought the house down with laughter. He also got to play with Eric Burdon, the lead singer of The Animals at SXSW. His eulogy of Clarence Clemons is as from the heart as any of his songs. He even adds a few funny stories about Clarence and the band.
“I was influenced by so many great musicians that meant such a great, great deal to me and who I can never really repay,” he tells Brian Williams of NBC-TV. “Music is so intensely personal and strikes you on such an emotional level that it leaves you feeling like you owe a great debt to the people that moved you that deeply. And when I see the guys that did that for me-and I’ve had the opportunity of actually meet a lot that did that for me-it’s wonderful feeling.”
As I said, you really do feel like you know Bruce after you finish this book. This one book that you will have a hard time putting down!
Streetlight Manifesto- The Hands That Thieve (Victory Records)
Streetlight Manifesto is a band that combines the best elements of ska, punk and their own undiluted special brand of rock ‘n’ roll. The full guitar roar that’s backed by a rhythm section with a power drummer, a bass that’s rock steady, and a horn section that sounds like they could back Miles, Motown, or any contemporary ska band. But this impressive band has a sound all its own.-Kind of sounds like I’m describing a new band for the first time, right? Well that’s the feeling you get listening to The Hands That Thieve. This is their sixth album in about as many years, and it sounds as fresh and original as the rest of their catalog. They have a cohesive identity to match their records’ careering sonic ska stew.
Like the rest of the album songs like “The Three of Us,” “Toe to Toe,” and “The Hands That Thieve” all benefit from not using any gimmicky or over-the-top production. What sets these three songs apart is that they combine to make an idealized melting pot of politics, human nature, and some of the best ska this side of the Mississippi! Streetlight Manifesto’s sound is dense, but once you get into them they will as they say, “Free your ass and your mind will follow!” The thing is, unlike a lot of bands that try to shove politics down your throat or make mindless dance music, Streetlight sing about possibilities. Whether they are politics, life, etc., they let you decide for yourself. They also help you navigate those hip joints as though they’re doctors of chiropractic. If they ever decided to cover Slim Harpo’s (cool, early bluesman), “Hip Shake,” you would see a gazillion mosh pits arise anytime it’s played!
Another thing that sets Streetlight apart is the sinister edge that they add to music. Like The Stooges early twisted punk, or current bands like Reel Big Fish or Big D & The Kids Table manic, hardcore ska sound, Streetlight’s style is a combination of all that and originality. Songs about unity, authority and justice, distinguish them head and should above the run-of-the-mill punk or ska band.
With a combination of guitar, drums, bass, and horns filling up every nano-second of the album there is never a dull moment. It’s like an onrushing musical storm that would litterly burn out any transistor radio (remember those?). Bottom-heavy to the max, the music and the blistering vocals on The Hands That Thieve create a clear, hardcore, rocksteady barrage that gallops and moshes along in close formation. In other words, buy this record you won’t be disappointed!-Phil Rainone
Eryn Shewell (EyrnShewell.com)
Eryn Shewell has the brassy allure of a contemporary artist like Imelda May or Joss Stone, and road-tested moxie of Susan Tedesci. She can play it sweet and sexy like on “Fall,” or get down and dirty like on “Suck it Up,” without missing a beat. It’s very much a natural talent rather than a forced one.
Every song on her self-titled album is catchy with a nod toward bubblegum simplicity, but that’s a very good thing! Underneath all that is an undeniably engaging band that helps to create some of the coolest mojo. Melodic and bouncy, they mix rock strength with pure pop arrangements that will make a lasting impression. There are a few sprightly pop delights like “Boy like You” and “Relax to Sleep,” but the songs undercurrents are very impressionable.
“Afraid of the Dark,” swings the The Camaros (cool girl-fronted retro-swing band), and a The Cherry Poppin’ Daddies mash-up. But what sends this tune over the moon is Eryn’s enlivened vocals.-Maximum mojo! “High School Sweetheart” ( it has a sweet slide guitar riff that is so much fun to listen to), and “Backseat Romance Forecast” both have energy and excitement of 70’s freeform radio that is hard to come by these days without sounding phony or forced.
Eryn helped produce and pen most of the album. Sometimes that’s like a disaster waiting to happen, but on her self-titled album the songs are ambitious, melodic, and concise. This is an album chock full of singles as compared to one that may have one or two good songs, and all the rest filler. This is world-class hit making, and is extraordinary uncommercial. A balance that is rarely achieved these days.
Eryn Shewell and her band play like anything is possible, especially for anyone who was always on the outside looking in. They’re able to put the sound in their heads on plastic, sounds that weren’t just “Pure Pop for Now People” (a Nick Lowe album title), but pure pop for hit radio-in the most sincere, uncynical and popularly resonating tradition. They are so engaged and inspired; it’s a synthesis in ways that few other bands can consistently sustain. And through all of that, the band maintains a distinctive group identity. It’s only fair to note that many others wet their musical toes in the same exotic waters only after Eryn Shewell and her band set the precedent. Moreover, they largely pursue their commercial and artistic goals in nonconformist fashion. Their effervesces with which they stitch together a multiplex of genres is as much professional as it is homegrown. They also cover Tom Waits’ “I Wish I Was in New Orleans.” Not since Southside Johnny & The Asbury Jukes has anyone come as close to staying within Waits’ song character and also giving it a fresh coat of paint. In a word-coolness!
With talent, easy confidence and self-deflating humor, the colorful Shewell will win countless hearts and minds, injecting warmth, graciousness, and good, lasting songs into a mega-pop world.
Shannon McNally - Small Town Talk (Independent)
Small Town Talk is a tribute album to Cajun songwriter Bobby Charles. I’m not familiar with Charles, so I don’t know how close to the vest, or if her renditions are somewhat off kilter, but either way all the songs here are remarkable. Given the facts that McNally’s established reputation as a songwriter and along with a best-of-the-best team of musicians including among others Dr. John and Derek Trucks, I can certainly say that she is well-equipped to take on his work.
There is a healthy amount of bounciness in the good old New Orleans tradition, but the slowest and most gentle come across as the most genuine. McNally sounds perfectly at home, and the strong sense of personality required in a good cover version is certainly present. She plays the true lover on “But I Do,” the woman left behind on “I Don’t Want to Know,” wearing desperation just as well as she does romance. The most poignant is the rosy “String of Hearts,” which finds her dancing in and out with a male vocalist amidst a softly falling piano line and swells of strings. “Homemade Songs,” with its swirls of reverberating guitar and downright sweet lyrics, runs a close second. Small Town Talk is a fitting display of both legacy of a past songwriter and the reach of a modern talent.
Jann Klose - Mosaic (jannklose.com)
While there has been substantial support for modern singer/songwriters at the grass-roots level, if they don’t play an identifiable brand of rock or pop, they are still unfortunately an anomaly in the music world. But here’s the thing with Jann Klose; he and his band can take a genre like reggae (“Make it Better”) and turn it into a poetic statement that we can all shake our tail-feathers to! Jann is a real singer in the sense that his confidence and moxie are easily conveyed in every song on Mosaic. He has the haunted power of someone who truly feels his lyrics. Jann recently provided the vocals for the movie “Greetings From Tim Buckley,” and he includes an a cappella cover of Buckley’s “Song to the Siren,” which is just…amazing! He not only captures Buckley’s soul, but you also know that it’s Jann singing - not an easy thing to do.
The album is focused, displaying the songs in a sometimes complex, sometimes barebones style, but the overall statement is that Mosaic is as entertaining as it is thought-provoking. Love, passion and intelligence come to the forefront in a strong display of craft and talent.
Jann’s music - a smoothly accomplished and undated collection of tuneful styles - is warmly realized in well-written songs filled with subtlety rather than eccentricity. At times the use of rudimentary production highlights Jann’s voice as much as the dynamic playing when the full band is included.
Insightful intelligence and tenderness make Mosaic a stunning work by an exciting, relatively new artist.
Pepper (pepperlive.com)
If these young Hawaiians weren’t so studiedly intense, Pepper might be able to drop the Sublime/neo-Beach Boys pretensions and use their evident talent to make enjoyable records. They write catchy, ant hemic songs, but the tireless exhortations are trying and, worse, can become ludicrous.
Just about every song here are like splices of roughed-up reggae and ska. They sound more like posers rather than trying to find a different and unique way of exploring these genres. They’re all smeared with melodramatic, over-blown hooks. Pepper has an excess of passion; what they lack is the subtlety that keeps bands like Sublime for becoming histrionic.
With all that said, I’ll let Tim Norek, fellow Jersey Beater have the last word; “I kind of liked the album until I played it for a friend of mine. As each song came around he started singing The Sublime song that they had taken parts from. I was happy and sad all at the same time!”-Phil Rainone
Catbirds Say Yeah (thecatbirds.net)
On Their self-titled album, Catbirds Say Yeah starts off with a blast of bluesy alt. rock on “All I Wanna Know Is.” This track shows the interesting dynamic between the band members. Actually, each number on this album is unique in their own way, with the band switching up who sings each one. Songs like “Red Red” and “Stoned” feature off-kilter rock guitar chords and straight-ahead vocals. Even with all that said, there is a distinct sound on this record. The clean/distorted guitars work well with the drums and the bass pops with a steady beat.
This is an album from a group of musicians with copious amounts of energy. Catbirds Say Yeah is where they creatively express themselves and transfer the spirit from their live performance (I checked out their YouTube show), and inject it into whoever is listening. This is a unique band that has found their passion, the ability to produce roaring electronic sounds, and bring others to their feet to dance.
Salt - Radio Station
Salt sounds like they’re trying to emulate one of their influences The Cult, which to me are big shoes to fill. The Cult have made sporadic albums over the years, but their singles are dead-on (“Wildflower,” “She Sells Sanctuary,” etc.).
I don’t know if Salt is just trying too hard or just don’t give a shit, but the way their music comes out on their self-titled album is not fun to listen to. Besides sounding like it was recorded in someone’s garage (which is not always a bad thing), the lead singer just sounds like he’s hurrying through each song with the passion of someone who’s watching the clock, trying to get outta there as soon as possible. The band sounds like they’re playing by-the-numbers, and they watching the same clock, in a hurry to get the hell outta Dodge!
I think if they take their time in the future, run the songs through a live show and work out the bugs, that they would have a very listenable, interesting album!
The Demographic - Listen Close (the-dem.com)
Somewhere between The Who’s powerhouse, maximum R&B and The Pixies’ poppy, nasty, slow-as-fuck hard rock lays The Demographic. But here’s the cool thing about them: They’re just a guitar/drum duo! No frills maximum rock ‘n’ roll from Northampton, Mass, Tom Pappalardo (guitar/vocals), and Sturgis Cunningham (Drums/backing vocals), “Explode into a rock ‘n’ roll band” (thanks, Bruce), on these eight jangle-pop, murderously heavy songs about fuckin’ up, malls, death, and secrets. Not your run-of-the-mill stories and the music will suck you into the lyrics and visa-versa.
The Demographic breathe new life into a genre that’s in need of a tune-up. These eight angry, vehement cuts rely equally on Pappalardo’s acrobatic guitar lines and vocal rants as well as Cunningham’s at times pounding/brutally quiet drumming. A match made in Heaven, as they say!
The last song “Simple Secret” ventures into deeper acoustic/electric territory. While Pappalardo drones on vocally ( very cool), and Cunningham matches his slow cadence with stop/start/ drumming, they create a song that not only gets your attention, but it dramatically changes the way you look at the little things that are usually overlooked in life. “Listen Close” has lowbrow cinemascope grandeur, with precision and economy. I gotta check these guys out live!
Smoke Fairies - Blood Speaks (smokefairies.com)
Here’s another duo (Jessica Davies on guitar/vocals, and Katherine Blamire on drums/vocals), that can rock out like The Pixies, yet pull back once and a while bringing us back to the John Hawkin -era (keyboard player), Renaissance (60’s progrock band). With all that said, Smoke Fairies’ definitely blast off into their own universe.
Songs like “Let Me Know,” “The Three of Us” or “Blood Speaks,” all display disjunctive imagery set slightly to gothic arrangements. The results are eerie and moving, but not distracting. Trembly guitar scrubs and syncopated drum flourishes round out song after song. Not filler, but like a magnet to steel, they are quietly powerful, drawing the listener in deeper and deeper. There’s plenty of drive and power in this album and the straightforward lyrics give the band a real, solid identity.
“Blood Speaks” is an album that you need to make time for. Sit, listen, and enjoy!
Bob Marley & The Wailers - Kaya reissue (Island)
It is safe to say that the world would be a very different-and vastly poorer-place were it not for Bob Marley. Carrying the homegrown sounds of a small Caribbean island to Europe, Africa and America, he is directly responsible for a rhythm and style that has moved millions and influenced every form of popular music for more than four decades. By exploring his roots and culture he brought them far beyond his native Jamaican borders and encouraged widespread cultural curiosity, as well as sparking the rediscovery of his heritage by countless people of all nations.
On the 1978 release of Kaya a lot music critics at the time felt that Marley and The Wailers were heading toward the MOR (Middle of the Road) side of the radio dial. They thought songs like “Easy Skanking,” “Misty Morning,” or “Time Will Tell,” were milking previous melodies and had very little to say that was inspiring, or had been said before on previous albums. To counter balance the critics the fans made it over a million seller, and his concerts were mostly sellouts. After 35 years the reissue of Kaya, which includes a full show from the Netherlands in ’78, falls somewhere in-between the critics and fans opinions.
A lyric in the first song “Easy Skanking,” on the understated but enticing aptly describes the record: “We’re taking it easy/we taking it slow.” At the outset, the lighter sounds and personal lyrics that fill the sunny grooves skirt the big issues for joyful celebration, and gentle romance including “Kaya” and “Is This Love.” But the mood slides straight downhill from “She’s Gone” to “Crisis,” culminating in the fatalistic spiritualism of “Time Will Tell.” Fast forward 35 years and what were considered at the time by the critics a MOR sound, now sound more full of life, and somewhat apocalyptic then when the album was first released. On top of that the songs that shown the brightest at the time like “Sun is Shining,” “Satisfy My Soul” and “Easy Skanking,” now sound more interesting, not just by the re-mastering but by history itself. Bob Marley & The Wailers, including their backup singers The I Three’s may not have foreseen the future on Kaya, but the music-the soulfulness and mojo-can be felt in every song. Kaya is for your mind, body and soul!
Recorded onstage in Rotterdam, Netherlands July 7, 1978 the live disc draws heavily from previous albums, and includes two new songs (“Easy Skanking” and “Is This Love”), thereby summarizing and expanding upon Bob Marley & The Wailers international career to that point. More so than in their studio versions, the songs ring with emotional power in these concert renditions allowing the listeners to join Marley in his life-affirming celebration. Like its live album predecessors, “Babylon by Bus,” and “Live!” which was recorded at the Lyceum in London, England, it shines a light as well as casts a shadow on the good and evil in the world.
If you listen to the album with that in mind, in the end good triumphs over evil with hope, love and happiness as the end result. “Positive Vibrations,” “The Heathen,” “Is This Love,” and “Concrete Jungle” are good examples of this. They reflect life’s ups and downs with Marley’s world-weary, but at the same time microscopic view. By the time they get to the last four songs (13 in all), you’ll be celebrating right along with the band and the fans. “Jamming,” Easy Skanking,” Get Up, Stand Up,” and Exodus” have a euphoric flow that is at the same time grandiose as well as highly personal. Bedsides making good use of a horn player on Kaya and the live album, the live album brings the past full-tilt into present. Not an easy task but Bob Marley & the Wailers always seem to know how to touch us. Like I said before, mind, body and soul!-Phil Rainone
A TRIBUTE TO RON ASHETON: Featuring Iggy & The Stooges & special guests - DVD (mvdvisual.com) - All profits will benefit the Ron Asheton Foundation
Get On Your Docs & Rock!!
“Ron Asheton truly played outsider blues…”- Henry Rollins
“Scott and Ron (Asheton) got the chance to orbit the globe and actually see for themselves the hundreds of thousands of fans that were into The Stooges music. No award or book could ever duplicate the feeling they got seeing that firsthand…” Deniz Tek Stooges’ guitarist
This documentary DVD captures the tribute to Ron Asheton concert, filmed live at Ann Arbor’s Michigan Theater on April 19, 2011.
Opening the night was Space Age Toasters. Lead singer Will Smith mentioned that Ron had come up with the name, and besides a couple of originals they blasted their way through a few Stooges tunes, the most provocative being, and “1969.” The way they played it spoke volumes of their respect and dedication to Ron and The Stooges. They floored the audience right from the start, and there was still over two hours to go!
Opening with an inspirational speech from MC Henry Rollins (Black Flag), he told of how Ron quietly influenced future punk rockers with his positive spirit and DIY attitude. Then Henry brings out the Stooges sans Iggy, and calling it the “Second American anthem,” they break into “I Got a Right” that, if anyone in crowd wasn’t already on their feet, they surely were by now! It was a blistering bang of hot punk rock with Rollins as the cheerleader.
Then to thunderous applause (yea, some of the crowd even spit it Iggy as he took the stage-ahh the good ol’ days), Iggy Pop wandered out from backstage already shirtless/jeans down below his hips, ready to kick the shit outta The Stooges catalog. With a howl and yelp the band breaks into “Raw Power” that is just…amazing! For a song that’s over 40 years old, it sounded just as fresh and dangerous as the original. Their 20 song set was as iconic as it was just flat-out fun! They played a lot of their best known stuff like “Search and Destroy,” “Gimme Danger,” 1970,” and “Fun House,” to name a few. They also played lesser known songs like “LA Blues,” “Night Theme,” and “Open Up and Bleed,” but here’s the thing: It wasn’t like they played each song like their lives depended on it, but more like a band with something to prove. It was loose, hot and done with extreme coolness. Punk rock to the max!
With the passing of Ron Asheton, Iggy asked former Stooges’ guitarist James Williamson (The Stooges just released a new album with Williamson on guitar), to step in. He did a great job and is now a full-time Stooge again. The Stooges also consist of Mike Watt (Minutemen), on bass, along with Ron’s Brother Scott on drums, and they added Steve Mackay on Saxophone (he thickened up “1970” and most of the songs throughout the show), and Deniz Tek as second guitarist. For the tribute they added an orchestra…. Ummm… yea…a thirteen piece orchestra! And it worked! They opened the show to a lot of hoots and hollers as a good chunk of the crowd thought it was a joke…it wasn’t! The played a lil bit of Deep Purple’s “Smoke on the Water,” and some classical stuff, than they came out about half way through the show as puzzled looks were on almost the entire crowd. Grinning from ear to ear Iggy and the Stooges blasted into “Fun House.” The mix of punk and an orchestra never sounded better! Genius!
Iggy did some crowd surfing from time to time that was cool, but he outdid himself a few times. Sitting on the front of the stage by the crowd he started taking to a girl, asking the stagehands to “Put a spotlight on this beautiful girl.” He sweet talked her for a minute, telling her how pretty she was. Than the band launched into “Your Pretty Face is Going to Hell,” which made her smile even more!- Ahh, love!
On “I Wanna be Your Dog,” the subservient song turned from a request into flat-out DEMAND, by the songs end. The only other band that I’ve seen gives that song such an incredible reading was Joan Jett & The Blackhearts. Amazing! Simply amazing!!
After over two hours of non-stop punk rock, Iggy sat down on a chair new the edge of the stage with Mike Watt, who played an improvised slide guitar face up on his lap. There was no title given to the song, but Iggy got really personal at first talking, than singing about Ron and all the stuff they’d been through as a band and as friends. I’ve never seen Iggy so humble…
Bringing the full band and orchestra back on stage of the last encore, the jammed on “No Fun” which nearly brought the house down! Iggy invited the crowd up on the already crowded stage as the band played the song like it was their last time on Earth! What a great show, and what a terrific tribute to a man who has given us so mush over the years!
The Rolling Stones - 50 Licks: Myths & Stories from Half a Century by Pete Fornatale (Bloomsbury Publishing)
About a year ago we got the sad news of Pete Fornatale’s passing. It was quite a shock because like most of our rock idols (Pete was a radio DJ for WNEW 102.7 & 90.5 The Night), we feel they are pretty indestructible. Back in the 60’s & 70’s Pete was one of the primary DJ’s for a new radio format called, “Freeform Radio.” Take about putting some new coloring in your paint box!-Pete along with other like-minded DJ’s help break new bands like The Who, Richie Havens, The Stooges, and all the punk bands that lit-up the 70’s & 80’s and beyond, and of course The Rolling Stones. He was one of the first DJ’s to TALK to you like a new found friend, as compared to the Cousin Brucie’s of the day who basically were the original “talking heads.”
“50 Licks” is a no frills, we-don’t-take-shit-from-nobody, kind of book. Its “no-frills” in that they eliminate all the posing, all the nonsense, and especially all the retreaded crap that bogs even the best books down (anyone read Clarence Clemmons book)? Instead they go for the throat, just like The Rolling Stones did back when they first got their start back in the 60’s (and still do today) with The Beatles and the first wave of The British Invasion. Want makes this book different from “Tell-all” books (check Keith Richards autobiography), and run-of-the-mill “factual” books is that besides being a really cool book to read (I could hardly put it down), they used a variety of musicians, including The Stones, and even everyday fans like Kurt Schwartz. - Schwartz’s claim to fame was that he listened to all the Stones albums in chronological order from start to finish. “So what?” you might ask? Well, he then gives his opinion for every song. It’s like he has a photographic musical memory. Maximum coolness!
The book is full of quotes, interviews and yes, myths. They include an interview that Fornatale did with Bill Wyman (bassist), back in 1981. Its fun, factual, and you come away with a better appreciation of the man called “The silent stone,” as Wyman had pretty much been in the background by choice, and very rarely gave interviews. They kind of divide the chapters up into each Stones album in chronological order. It’s not the kind of the old, “Well-we-wrote-this-song-because…it’s more like they give you the inside scoop of the recording sessions with quotes from The Stones, the roadies, and their peers like Hubert Sumlin (best known as Howlin’ Wolf’s guitarist).
Like The Beatles, The Rolling Stones were punk, way before the word was used to describe the genre. Their first few albums were nasty, trashy, bluesy/rock, which mostly covers were, but like The Beatles (check their live albums for the Cavern club back around 1962), they added their original take on songs like Check Berry’s “Around and Around,” or Bo Diddley’s “Manish Boy.”
The Glimmer Twins Get Punk-As-Fuck!
The chapter on the making of and release of “Some Girls” back in ’78 is really a lot of fun to read. Keith Richard’s hails it as a return to their rock ‘n’ roll roots, while Mick Jagger felt like the punk bands of the time like the Clash, and Sex Pistols were looking down on them for selling out, and pretty much forgetting what their music was supposed to be about. Either way, a great punk album came out of those sessions! And let’s not forget one of punk’s national anthems. “Satisfaction” is given an extensive look at with quotes by The Stones mostly, but again, the inside scoop is, “To die for…” as they say!
All though the book they have short but interesting interviews with people and musicians that helped the Stones music in small, but amazing ways. For the recording of “Gimme Shelter” they interview Merry Clayton, the woman who said backup on it, and blew everyone away with her apocalyptic-style vocals. Great stuff!
Here’s one of my favorite quotes from “50 Licks”… “We were coming back from a gig and I wanted to have a wee-wee (piss), so we stopped at a garage-and they refused to let me so I went back to the car and Mick said, ‘Come on, Bill, we’ll find one,” and Brian Jones as well. So the three of us went over there (back to the garage), and they still wouldn’t let us use it, so we just did it there (on the street), and got arrested. We got publicity for about a year on that one. It was then that we realized what we had to do get publicity, you see.”- Bill Wyman This book is so much fun to read!
I’m going to let Pete Townshend have the last word…”The Stones will always be the greatest for me. They epitomize British rock for me, and even though they’re all now my friends, I’m still a fan. Guys, whatever you do, don’t try to grow old gracefully; it wouldn’t suit you.”
The Racer - Passengers
(theracermusic.com)
This record begins with a soft but interesting instrumental called “Passenger (Intro).” From there and throughout the rest of the album the bass and drums maintain the rhythm while the guitars stick out in the background. The songs place an emphasis on life, love, emptiness, and everything else that comes in-between, while the lead singer’s vocals lay on top.
There’s a lot of exploration as the guitars bring you deeper into a song like on “Celebrate.” The title track and “Legends” have a similar level of exploration as the instruments create a wall of sound underneath the vocals. Both songs are about five minutes long and showcase the use of rhythm and lead guitars in addition to the rhythm section.
The Racer’s sound is a culmination of various music genres but more importantly, they are a rock band-one with unending riffs, solos, and vocals that remind us of past rock influences. The evolution of their sound throughout this album shows the group’s ability to play, write, and produce music, something that is truly admirable.
The Defending Champions - Breakfast of…
(thedefendingchampions.com)
The Defending Champions blend a unique and functional blend of ska, Chicago blues, Latin, and rhythmically twisted rock as a chaser. Mixing socially and politically aware lyrics with infectious dance rhythms, the band serve as a virtual blueprint for any band today that wants to do it properly with an eye toward over-the-top humor.
Though diversity in contemporary music is generally laudable, the factionalism it sometimes engenders isn’t; The Defending Champions’ ability to appeal to different audiences suggests that ska needn’t always polarize listeners into incompatible camps. Sometimes soulful ska, sometimes lighthearted and bubbly, the band’s style of execution is actually informative as it is danceable.
Displaying added maturity and creativity, songs like “Lucky Man,” “Relax a Little,” or “Candy Cane” grow their ska roots deep. You can not only hear glimpses of Jimmy Cliff and Bob Marley, but you can also trace their roots to more current bands like Reel Big Fish and The Bosstones. Ska and Chicago blues never sounded better!
THE TOSSERS - The Emerald City (Victory Records)
The Tossers have been one of the few Celtic punk bands that have consistently been improving their music, yet still able to hold onto their roots. On “The Emerald City” (which is located in Chicago, according to the lyrics), they further explore soul, punk, and of course their Irish roots. Heartfelt tributes to life, love, and the road less taken are familiar scenarios, but The Tossers find new twists and turns that will make you smile as well as raising an eyebrow in amazement!
“The Rover,” “Here’s to a Drink with You,” and “God Bless You,” is at once a raise-your-glass-for-a-toast song, as well as something deeper and more meaningful. The music, spiritual and lyrical balance that the band comes up with time and time again is cool, fun, and enlightening. Equal parts heartfelt tributes and modern relationships are abundant throughout “The Emerald City.”
Fiddles, banjos, mandolins, raging guitars, and an excellent rhythm section serve not only to embellish the singers throaty, whiskey-soaked vocals, but they also take turns as lead instruments along the journey through “The Emerald City.” The music can turn from subliminal to rollicking punk rock at a moment’s notice and The Tossers perform it all with an eye toward freshness and originality.
One of my favorite songs is “Wherever You Go.” It starts off as a prayer-like slow waltz (“Come fill up your glasses with whiskey and beer/and may God bless and keep everyone of you here…May peace be with you your whole life through…”). Then, a little over a minute into the blessing-like psalm, the tempo changes to a hot strut as well as the lyrics(“Now woe to you wherever you go/To all of you bastards who have treated me so/Wherever you go/Whatever you do/ May you suffer the curse I put on you/FUCK YOU!!..”). Now, that was just amazing…I didn’t expect them switching gears so quickly and ruthlessly! It reminded me of The Pogues’ co-dependent, wild Christmas tune“ Fairytale of New York,” only more powerful.
Clever melodies, tight arrangements, and honest, heart-felt lyrics on “The Emerald City” paint a musical picture of a band and their view of the life with 20-20 vision!
JOAN JETT & THE BLACKHEARTS - Album (Blackheart Records)
For Record Store Day this April 20, all the mom & pop record stores around the county celebrated their independence with special releases exclusively for them. Joan Jett and The Blackhearts reissued the 1983 masterpiece Album (ummm…kind of a generic name for a record but, dang…it will rock your socks off)!
This limited edition 180 gram vinyl (dude, you don’t need to get your scale out to weight it), individually numbered, is one of the finest, freshest vinyl records this side of Maryland (Joan’s a hometown gal and avid Orioles fan), and they made sure you would really take notice of It in cannery yellow colored vinyl! They also include an enhanced CD with bonus tracks and live footage of The Blackhearts circa 1983. And if that’s not enough they also include a Blackheart Records sampler of their current band roster. They also include a little note saying that a new Joan Jett and the Blackhearts album will be out this fall. I can’t wait!
They programmed the album in its original form and added a few songs at the end of sides A and B (mmm…it feels so good to flip the record over. To me it makes you appreciate the music in a more hands-on way). “Fake Friends” is a stone cold thrashing about “DICKHOLES!” You know, those so-called friends that are two faced, shallow and say things behind your back, to put it mildly. It’s both funny and sadly true, but the music propelling it has a start/stop/start cadence that is head-boppin’ punk rockin’ cool-as-fuck!
From there, Album is jump started to “Handyman,” “Everyday People,” “A Hundred Feet Away,” and “Secret Love.” Nowhere near a dog-and-pony show, these five songs are like horses at a starting gate ready to run and give it their all, as soon as the bell rings!- Real-deal punk rockers from start to finish. The Blackhearts version of Sly & the Family Stone’s ode to equality and open mindedness is revised as the Blackhearts pump it up a gazillion notches from the originals gentile but soulful mix. The also include an amazing cover of The Stones “Star Star” ( they drop the F-bomb over a dozen times). They take the Stone’s original blues rock version and turn it into punk rock anthem! I think Green Day covered it at one of their shows in recent years, with Billie Joe adding his own punker-than-you version. It just goes to show how cool it is to see the gantlet passed from generation to generation, humbly paying tribute to the original version and amping it up into a whole new, and fresh version!
OK, HERE’S The COOL PART KIDS!
Stop your record player (you DO have a record player don’t you?), gently lift the record off the spindle (the short stubby sliver rod), with two fingers (be careful of finger prints and smudges). Flip it over to side 2 and gently replace it on the spindle. Hit “play” and we’re off into punkrockville! “The French Song” is so cool that you’ll what to lean what the words are in English. It’s like when The Beatles sang “I Wanna Hold Your Hand” in German. It opens up a whole new world that is just….amazing!
The Blackhearts revisit a Runaways (Joan’s first band) tune, “I Love Playing with Fire.” Probably about ten years after the original, but they give it a fresh punked-up reading. Like Springsteen and the E Street Band and their own version of rock ‘n’ roll, The Blackhearts are able to create their slice of punk rock that is so much fun, and amazingly cool! I remember reading that Dave Grohl (Foo Fighters), had mentioned back when Nirvana was together that the Blackhearts were influential as well as the Runaways. To me , that’s what makes music so magical. You can take from the past and turn it into something fresh and unique without losing its history, if it’s done right.
The Live footage of the Blackhearts is a good representation of the band’s middle period with Ricky Byrd on lead guitar. Barely out of the 70’s when a lot of the punk bands of the day were either folding up camp or floundering with their gigantic, we’re-only-in-it-for-the-money record companies, Joan Jett (Blackheart Records is her record company basically), and the Blackhearts were releasing records, playing shows and not only maintaining a faithful loyal following, but they were also bringing new comers into the fold. “Album” is a prime example of Joan Jett and The Blackhearts long and dedicated journey. They’re into the music for the long run: Mind, Body & Soul!
Mike Lefton - What Are We Waiting For (cdbaby.com/cd/mikelefton)
Mike Lefton and his band succeed in balancing a love for crowd-pleasing Seventies pop rock with a 21st Century sleekness and a timeless sophistication. The mojo of mid-period Beatles, Simon & Garfunkel and snarly blues rock, is easily combined with the band’s youthful (they’re in their early twenties), exuberance. The band’s roots and branches run deep with rock, folk, and blues with a thick, sturdy trunk of rich, colorful rock ‘n’ roll.
“Invalid” jump-starts the album with bang! A story basically about laughing in the face of all the lies and phoniness that we all run into throughout our lives. With the rhythm section (Skyler Lutz on bass and Carnel St. Louis on drums), they help to amp up Mike’s distressed lyrics with high-end style rock & roll, while Mike wails on guitar. You can’t help but root for the underdog.
Mike’s blue-eyed vocal swoon on “Funny” is surprisingly cool. I’ve seen him play over the years mostly at clubs and benefits, and he’s always rocked your socks off! “Funny” has a slow, sweet melody, but the lyrics are of loss and regret. With Skyler on bass and Carnel on drums they conjure up the melody of Simon and Garfunkel’s 60’s smooth-as-silk 70’s pop tune “Cloudy.” They bring the past into the present, and visa versa-not an easy task but it works fine.
The title cut “What Are We Waiting For,” has a walking-on-sunshine melody that is as infectious as any jangly, funky pop rock song out there now, and the impatient lyrics are romantically cool. With lines like, “How does love feel upon your heart/I do believe it’s time to start,” the song is like a combination of unexpected love-at-first-sight (the first time you see that person across the room and you absolutely flip, and what to get to know them), and growing out of the sadness of a bad relationship. Common everyday stuff but the band rises to the occasion with faith, hope and finding your soul mate as the end result.
“Waiting for My Woman” sounds like a long-lost Partridge Family song (and that’s a good thing). With lines like, “Standing in the middle of a long traffic jam…/Waiting for my woman sweet as strawberry jam, and the “La-la-la-la-la’s” are Saturday-Moring-Cartoon-worthy! A very cool retro-style song done with the enthusiasm of The Rascals’ enthusiastic rocker, “Love is a Beautiful Thing.” Coo, stuff!
“Black Stone Road” brings us back to reality. A funky blues rocker (the production is clear, and straight ahead on the whole album), about taking the road less traveled, wanting to do the right thing while all around you it feels like life is imploding. The song’s relentless, funky cadence is reminiscent of Curtis Mayfield. Both make loneliness and world problems not just inclusive but balls-out celebratory. Just five songs, but “What Are We Waiting For,” makes for a rich fusion of musical styles, and a hell of a party!
Mission South – Immigration Vol. 1 (3 song EP) (mission.south@gmail.com)
Mission South work hard to make a first impression, and even harder to make that much-needed second impression. With the mojo of Jack White’s blue-eyed psychedelic soul, and their own cosmic vibes, Mission South is at once trippy, and heavy-as-fuck! The opening song “Peaches,” has a stop/start cadence that is fuzzy and fun. A song about love and regret it suggests spaciness without ever blasting into the stratosphere. It’s an attention-getting swirl (just like the third song, “Kerosene”), that expands your mind.
Mission South just played at SXSW in Texas, as well as the gazillion bands that do so every year. Looks like our Boss (Jim Testa) found that elusive needle-in-a-haystack! You can get a free download of Mission South’s album at: www.music.missionsouth.com
The Scotch Bonnets - Live Ya Life (smelvisrecords.com)
Skaville Meets Hitsville!
The Scotch Bonnets are a female/male fronted ska band that sound like they just got off the boat from Jamaica around 1965, and headed right into the recording studio in Motown. They play old-school ska with undertones of soul and funk much like The Supremes, Aretha Franklin, and all those soul searches from that era.
Mixing socially and politically aware lyrics with infectious dance rhythms, The Scotch Bonnets serve as a virtual blueprint for current ska bands that what to hear real-deal rude boy/rude girl music. Quietly percolating grooves are abundant in every tune on Live Ya Life. Sultry horn lines are centered around cool, heartfelt vocals that are instantly identifiable-not formula, but undiluted passion.
The entirely original material shows the bands vast creativeness at work. Inventive production, intriguing rock rhythms, powerful and memorable songwriting and new outlooks all combine to make a great record that remains rooted in reggae, but are much more diverse than the genre generally allows. “The Good One,” “Charm City,” and “Song for U,” is ace reggae/rock hybrids; “Live Ya Life” with its propulsive dance-rock beat and sultry sax lines shows the full range of The Scotch Bonnets’ development. A very impressive step forward from a band that is just taking their collective first steps. They know the formula for success, but they embraces it with an eye toward originality and maximum mojo!
Keith Kenny - And the Light Came Blaring In (www.keithkenny.com)
Keith Kenny’s music can at times convey sincere nostalgia, or bring you back to harsh reality real quick! His new album And the Light Came Blaring In Is full of mostly unembellished rock (Keith plays all the instruments with very little overdub or sweeteners,) blues and folk rock that focuses on his style of comfortable enthusiasm. That is, Keith has a way of laying it all out there, but sometimes it’s a slow, burning buildup, that draws you into the heart and soul of the song. He can also take you the dance floor stomping out Living in Circles with the mojo of Stevie Ray Vaughn.
The album is full of amusingly wry regrets, social observations, and heartfelt emotional outpourings, which all combine to travel the back roads of American music to fine effect. On “Filling Holes” Keith digs into similar roots and comes up with a clearheaded, plain-spoken song about love and loss. With just an acoustic guitar (like on songs on And the Light Came Blaring In), Keith leaves out the ambience of a full blown band in favor of perspective lyrics and strong melodies.
For anyone who listens to And the light Came Blaring In or any of Keith’s records, this music is a highly personal medium through which he can (and does) broadcast/exorcise his inner demons.- That’s not to say he doesn’t rock out (dang, this cat can make you practically leap outta your seat with his hot, swirling brand of rock ‘n’ roll), but Keith’s use of musical structures and lyrical imagery is exciting, intense-even cathartic- with a dash of punk without diluting the soulful strength and humor.
With minimal instrumentation And the Light Came blaring In is a one-man show (although Keith also plays with a full band at times), that plainly lies out the author’s heartaches, loves, and everyday problems. Keith crates songs with pride and dignity, making this a deeply moving document of sincere, honest emotions set into song.
All seven songs here are strong, and Keith has become a consistently good singer/songwriter; one can only hope that he gets a chance to develop even further for larger audiences.
Keith Kenny is having a record release party at The Court Tavern in New Brunswick on March 23. You can also contact him at: keithjkenny@hotmail.com to get his new record or for more show information.
At Sea - A New Machine (atseamusic.com)
If you like The Killers, Mumford & Sons, or Big Star, than At Sea is your kind of band. They do not parrot their influences; they draw their inspiration from these types of bands but add originality and spunk. Nearly every song has some new twist, whether through production effects (very few pop records are as consistently aurally interesting as this without resorting to gimmickry), or an unusual instrumental or lyrical approach. Some of the songs are about deteriorating relationships-but the playing is so exuberant that’s it’s almost uplifting. Musical flourishes are abundant throughout “A New Machine,” achieving a fuller, modern over-all sound; instrumentation on many of the tracks is denser than most pop rock bands which shows some interesting musical explorations, as the band easily sidesteps run-of-the-mill themes.
Crankshaft and the Gear Grinders - What You Gonna Do? (crankshaftmusic.com)
“What You Gonna Do?” is like a spark that ignites into bonfire.-It starts off kind of subliminally, but by the time you get to the fifth song “King Pin,” you’re hooked! A mix of barroom piano (like The Band on “Music from Big Pink”), neo-rockabilly, and carefully placed vocal harmonies. Crankshaft and the Grinders (cool name-I can’t say it enough!), popularize American folk rock by telling it straight, embracing and updating ancient traditions without phony posing. Those who like Billy Bragg’s sound, or the afore mentioned Band are in for a largely topical (semi-political), dose of music that has been in limbo for a while. The lo-fi production adds a certain kind of laid-back approach, but it actually raises the listening appeal. You really what to hear to the WHOLE album, rather than piece by piece. Crankshaft and the Gear Grinders are gonna sneak-up on you and blow you away one song at a time!
Mrs. Skannotto - All These Evolutions (mrsska.com)
Ska is a music genre that originated in Jamaica in the late 1950’s and was the precursor to rocksteady and reggae. Ska combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. It is characterized by a walking bass line accented with rhythms on the upbeat. In the early 1960’s ska was popular with British mods. Later it became popular with many skinheads. - From Wikipedia the definition of ska. The reason I brought us all to class was to either refresh our memories or to put a new color in your paint box, or maybe a little of both. When I first heard Mrs. Skannotto I was drawn back to my first experience with ska via Desmond Dekker and Johnny Nash (Marley would come a little later). They know how to subliminally get their sound into your cranium and put it on an endless loop that would positively affect you throughout the day with a smooth and sometimes rugged groove. Always featuring an unstoppable, relentless rhythm section. Fast forward to 2013 and Mrs. Skannotto is bringing those feeling back to me in spades! Although they use a more modern sound like Reel Big Fish or The Bosstones, they still use the core of the genre at the heart of all their songs. “Just as Well,” “Wage War,” “The Limit,” or “Free Speech Zone” all combine for the best of both worlds without sounding patronizing or snobbish. In fact, the whole album sounds like a refreshing blast from start to finish. “Poll Dance,” has Inspector 7’s (they just got back together and are playing at Asbury Lanes in April), written all over it! Wordy but not preachy, upbeat but not over the top, it will rock your socks off! The whole album mixes social and politically aware lyrics with infectious dance rhythms. Mrs. Skannotto is a band that I’d love to see live. When a studio album has me up and dancing around the room (and the pay me NOT to dance or sing), then I just know that at their live show I’d but upfront and personal, skankin’ to the beat no matter how hapless I look!
Citizens Band Radio - Big Blue Sky (worldofCBR.com)
Recorded at Trax East South River, NJ, Citizen Band Radio is a fine mix of country rock (the real stuff like The Flying Burrito Brothers, and Dr. Hook’s rollicking pop country). That’s not to say that CBR aren’t original- they definitely are, and they have plenty of mojo to spare.
Citizen Band Radio are one of those special bands that even after repeated listens to their music, when you see them live they’ll simply amaze you with their thirst for an audience, I think. The male/female vocals add depth and expand the band’s emphasis on writing strong poignant songs.
The band’s music is sparse, angular and seemingly immune to genre divisions. Every song is unique, and each time you hear it you get a little something different slowly bubbling up to the surface. On songs like “Big Blue Sky,” “Drinkin’ Again,” “Sugar Sweet Mama,” and “Heart of Stone” there’s already ample evidence of daring songwriting that straddles the line between artiness and genuine fun and emotion. Most importantly, Citizens Band Radio continues to come up with strong melodies, challenging rhythms and affecting lyrics.
Ed Tang - Goodbye Zen5 Sushi Dinner (edtangmusic.com)
Wow! At first I thought I had put on a new Pogues album! Ed Tang has the phrasing, loopy style, and grit that the Pogues are known for, yet he’s as original as the come. The nine tracks come onto the listener strongly with songs like “Lincoln,” “Just Two Old Friends,” or “My Whole Life,” These are songs in which Ed Tang subliminally flaunts his vocal prowess while the band explores each song with the mojo of a band twice their age. The songs have somewhat dark tones with a firm message using the vocals as a lead instrument as the musicians remain persistent and in the groove.
Zen5 Sushi Dinner is a record that combines a few reoccurring themes-mainly those of love-and seeks to deliberately interpret them by providing the band’s own experiences as examples. The personal aspect of the record is really what makes it so effortlessly relatable without being out only a few negative feelings that we have hidden insides ourselves.
PUNK- The Best of Punk Magazine Edited by John Holmstrom and Bridget Hurd (Harper Collins)
“Of course New York City was the polar opposite of what it is today: The vast fields of decay in the South Bronx resembled Dresden after the firestorms in World War Two. The Bowery was still the “Isle of Lost Souls.” These were the roots of the ant-sixties culture: Peace and love were replaced by nihilism and deliberate anti-glamour. Goth and emo and proto-punk kids of today reference these years as their own personal history, just like the baby boomer crowd endorsed the sixties.”- Deborah Harry and Chis Stein, from the forward.
Measuring in at 11”x9 ½,” PUNK- The Best of Punk Magazine has the feel of the magazine/record album. A lot of the cartoons, photos and posters take up an entire page, and you get the sense of a really cool “coffee table book” without the usual crap associated with the stuff that passes for art these days.
Another thing that sets PUNK apart from the rest of the cookie cutter books is that all the photos and illustrations were taken by people (John Holmstrom, Debbie Harry, Chris Stein, Roberta Baylay, etc.), who were there right from the start where the NYC punk scene got it’ start. Not only “photographers” (I use the term loosely, and lovingly.-Many of them were kids with small, inexpensive cameras with a love for the new music, the clubs, and the exciting vibe), but musicians, and fans. People that wanted something new and different, not only in music but as they say these days, “a lifestyle change.”
The introduction by Gary Storm-former WBFO deejay (www.oilofdag.com), is worth its weight in gold! When he comes to describing the musical and cultural changes that punk rock was about to bring back in 1978 you almost feel as if you were there. As a DJ and representative of radio station WBFO, he was sent to New York City to get record companies like CBS and some of the other mega-companies to give the radio station more promos to play, etc. After hitting brick wall after rick wall with the tight, ultra-constrictive record “suits,” by happenstance he winds up in the Village, in NYC: “At night I wandered the Village and got a little drunk. One night I went to CBGB and saw a pop group called the Squirrels wearing high-heeled sneakers and also the psychobilly pioneers The Cramps, who closed their set with an extended version of “Surfin’ Bird” as the lead singer (Lux Interior), crawled across the tables smashing drinks… Later I stumbled into an ancient office building and rode a clanky elevator to the top floor, and then took a short walk down the hall into a cluttered, dinky office: the international headquarters of PUNK Magazine. Sitting behind a desk in short, shaggy blond hair was John Holmstorm, editor and chief artist. Slouched in a chair in front of the desk was another figure, wearing a leather jacket, square jawed and sandpaper complexion. I’d know you anywhere, Legs McNeil. You look just like John Holmstrom draws you.” I know it sounds like an average, everyday type of meeting, but that’s the beauty of it. Punk is very DIY-very self-sufficient, and have a “one for all-all for one” attitude. Yeah, the major record labels had their greasy, grimy hands out as soon as punk got on their radar screen looking for the “Next Big Thing,” but after all these years they haven’t come close to taming it, or even fully understanding it, for that matter. Anyway, would someone please kick out the soapbox from under me so I’ll stop ranting and get back to the book?
One of the things that made Punk Magazine so incredibly cool was the way that they used punk’s creed of DIY. The advertisements were mostly hand drawn with cartoonist figures like the ad for Trash and Vaudeville, a clothing store in NYC. It’s half a page all handwritten with caricatures of a hip guy and gal circa 1975, in black and white. - Eye-catching, and cool as fuck! I’m sure that PUNK Magazine operated on a shoestring budget, but like they say, “Necessity is the mother of invention.” The ideas and projects (they reprinted the punk comic book for “Mutant Monster Beach Party”) artistry that Holmstrom, his crew and the musicians themselves came up with is amazing!
And don’t forget that back in the 70’s and even the 60’s (The Stooges, etc.); “punk” was a synonym for well, a PUNK!!- Someone who was considered lazy, a wiseass… you know the boy your Mom (there were also girl punks too), always warned you about, who would get you in trouble, or even worse-PREGNANT!!
The full-color pages with bands like the Ramones’ B-movie (directed by Roger Corman), “Rock ‘N’ Roll High School,” Clash, and the whole, unedited issue of Mutant Monster Beach Party are just…awe-inspiring!
Once you read (actually you’ll probably want to read it a few times), PUNK Magazine –The Best of PUNK Magazine, you’ll probably want to start you our magazine, punk band, or just use it as a reference as to what it was like back in the day when punk rock first reared its ugly head, bringing down (slowly but surely), all the shit music of the day like Disco, Prog Rock and all the laidback crap like the Eagles, Carpenters, and all the “Pat Boone’s” of their generation.
PUNK only lasted eighteen issues from about 76’ to 79, but like when I got my hands on my first issue of Jersey Beat, I was hooked for life!
Bruce - by Peter Ames Carlin (Touchstone Books)
With The Help Of Springsteen, This New Biography Chronicles The Myth, The Man, and the Magic of New Jersey’s Favorite Son
If you find it interesting to read about Bruce’s childhood, his sometimes tumultuous relationship with the E Street Band, and other details of the Boss’ life and career, then this book is for you. You’ll read about the first time he saw Elvis Presley on TV, and the affect it had on him, learn about the frustration of the E Street band during the recording of “Born to Run” and “Darkness on the Edge of Town,”which seemed endless. And you’ll hear about the embarrassment the E Street Band felt when Bruce brought the band got back together after ten years, asking them through an employee. (“After all that time, to get a call from the accountant?” Gary Tallent, the bass player said in the book. “I was insulted.”) Throughout this fascinating biography, author Peter Ames Carlin is meticulous but never boring; investigative, but never to the point of sensationalism.
When I first sat down to read “Bruce,” I just thumbed through it, for what I thought was only going to a minute or two, checking the chapter titles, photos, and a sentence or two. What happened instead was that I found myself after reading the title for the first chapter, “The Place I Loved The Most,” getting into it, and I didn’t stop until the end of the chapter. The same exact thing happened as I randomly got deeper into the chapters. After reading three full chapters, I realized what I had been nonchalantly doing, and repositioned myself starting back at the “Prologue: The Gut Bomb King”
OK… I know unless you’re some kind of Springsteen super fanatic, you’re thinking, “Who’s The Gut Bomb King?” Actually it was Bruce’s nickname, which was later changed to “The Boss,” thankfully, when back in 1971. In downtown Asbury Park, Bruce with other musicians and friends would get together for a weekly Monopoly game that was anything but traditional. Using “coercion, trickery, candy bars and cream-filled cupcakes as bribes… Bruce excelled, due to his shifty powers of persuasion and leverage provided by stacks of candy bars, Ring Dings, and Pepsis he brought with him.” It’s funny, and so much fun to read.
There are also chapter’s on Bruce’s personal life, with detailed stories about his parents, family, ex-girlfriends, and even the long-silent ex-wife Julianne Phillips. There’s no interview with his wife Patti Scialfa, and virtually nothing about their three children. Also, past and present band members are interviewed, including their hurt feelings when Bruce broke up the E Street Band back in in 1985 after the Born in the U.S.A. tour. Again, Carlin does it with a sense of interest, but not over-the-top paparazzi-like stupidity. He’s as respectful as he is a journalist.
Smartly, Carlin stayed away from dissecting the vast majority of Springsteen’s songs. However, he does interview Diane Lozito, Bruce’s ex-girlfriend immortalized in “Rosalita,” and a few other cool stories on the origins of some songs.
Springsteen gave journalist Peter Ames Carlin an interesting piece of advice for this biography, ” Bruce.” (Carlin has also written “Paul McCartney: A Life,” and “Catch a Wave: The Rise, Fall, & Redemption of the Beach Boy’s Brian Wilson.”) He said, “if there was anything I thought would make him uncomfortable, I should put it in,” Carlin writes. “He said to me, ‘Every time people start talking about me like I’m perfect, it diminishes me.”
The book is 494 pages, which dives deep into Bruce’s personal life in unprecedented depth. Carlin spent countless hours interviewing Springsteen and the entire E Street band, including Clarence Clemons weeks before his death, and his nephew Jake, who replaced him on The Wrecking Ball Tour. Carlin interviewed Springsteen for almost 20 hours, but Bruce also put him in contact with relatives, old friends, and co-workers, some of whom have never been interviewed before. He even allowed him to use photos from the Springsteen family archive. The book was written with Springsteen’s cooperation, though it’s not an authorized biography, meaning that Bruce had no control over it.
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To me, the more interesting stuff centers around Bruce’s music and the E Street Band. I’ve been a conservative fan since Greetings From Asbury Park, but really got into the music in depth when I found his approach kept the promises that had been made to me by my first real encounter with music, watching The Beatles on The Ed Sullivan Show back in 1963 at the age of eight. Music, especially rock ‘n’ roll, was as necessary as the air you breathe, a fundamental part of life to me.
Discusssing the release of “Born to Run,” the tour that followed, and the court battle with then-manager Mike Appel to regain the rights to his music, Carlin talks about the way the record company wanted to use bigger venues and stadiums, to “sell” Bruce and the band to a bigger audience. It was a period when it seemed like the world was turning upside for Springsteen personally and musically. When the story turns to the rigors of recording and touring, unfair contracts, big money, and “business as usual,” you get that sick feeling in your stomach, that, “Well, that’s the way it is. Take it or leave it,” Carlin writes, “Contracts say whatever contracts say, but as far as Bruce knew, or cared, handshakes and the promise they symbolize meant more.” That’s it! Period! A person’s word is their bonds, and when I heard Springsteen and the E Street band cover songs like The Crystals “Then He Kissed Me,” or “Badlands,” or dozens of other covers and originals they’ve performed over the years, I get the same feeling. A lot of bands have come close, including punk and ska bands, but there’s that extra-special “something,” mojo, magic - whatever you want to call it. It’s present, it’s real, and you feel it. You want to share it with others. It’s not a religion, nor a higher power. It’s music, it’s life, and this world would be so morbid without it.
Unless Springsteen writes his own autobiography in the future, “Bruce” is the go-to book for everything Springsteen. And if you want a dedicated fan’s perspective, check out: Backstreets: Bruce Springsteen The Man & His Music by Charles Cross.
Johnny Society- Free Society (johnnysociety.com)
Johnny Society blends blues, soul, alternative, and bits of rock together, on Free Society. But like the band Dr. Dog that I reviewed a few months ago, both bands have the same problem. It’s like they took all the afore mentioned genres and tossed them in a blender. Unfortunately, someone forget to turn the darn thing on!
On songs like “So Quick to Turn,” Well, Well, Well,” or the title cut, I’m hearing The Band, Dave Matthews Band, Phish, and some originality. Johnny Society comes up short on these songs and most of the album, actually. The few bright spots are “Fall so Low,” and “Stabbed in the Back.” These two songs rise above with originality and perseverance. The story lines are solid as is the music.
Free Society would have made a good three or four song EP, and I’d like to see these guys live. I think they have more in the tank than meets the eye. There’s a lot of potential here, but they’re just not living up to it.
Erez and the End - “Silent Mountains” 5-song EP (ErezAndTheEnd.com)
Here’s another band that seems to have a lot of potential, but they keep rehashing old Dire Straits. The vocals have an aged but unique vibe, but get drone-like after the first two songs. The music is up to par, but they’re missing some important mojo somewhere in the mix. I would think that live, they would bring their A- game and create some magical moments, but the in studio it sounds like they’re coloring inside the lines, making sure not to think outside the box.-Phil Rainone
The Januariez - Authentic
(thejanuariez.com/thejanuariez)
In the liner notes where it says: File Under, for the type of music the band plays they list it as: Active Rock, Alternative. Umm… yeah… I would say so, but there’s also all the earmarks of a Death Metal band. On the inside of the album cover they have some sort pentagram, and two drawing of some sort of satanic beings that are not impressive. Black Sabbath did it better and it was more meaningful back in the day.
On Authentic, the music is anything but. There’s kind of a funky and alternative vibe here, but run of the mill stuff. The band doesn’t take you anywhere with their music. Last year I went to see Leslie West, and the two of the three bands that opened for him were just…awful! Bad Hair Metal, with no soul, no punch, just going through the motions. Januariez have no appeal whatsoever. Their studio album is lifeless, and I don’t think they would sound any better live.
Bruce Springsteen FAQ - All That’s Left To Know about The Boss By John D. Luerssen (backbeatbooks.com)
When did Bruce first befriend Little Steven? How Did Springsteen avoid Vietnam? How did Bob Marley come to support him in 1973? What was the original title of Darkness on the Edge of Town?
Give up? Or maybe you already know the answer to these questions but wait, there’s more!
What classic song did Bruce sing at Clarence Clemons’ private memorial? How did Bruce meet Patti Scialfa? Who was “The Chicken Man” referred to in “Atlantic City?”
Well, these any many, many more questions are answered in Bruce Springsteen FAQ! And that’s not all. The book is more than just 437 pages of fun facts. It’s more like a biography and history combined with questions that will enlighten even the most hardcore Springsteen fan, or the casual listener.
The writer, John D. Luerssen, is a Jersey guy who was born in Westfield, and was given his first two Springsteen albums, Born to Run and The River, as a gift from his grandmother on Christmas Day 1980. So his Springsteen roots grow deep and wide. For FAQ he not only used fans' questions but his own to make this a lively, energetic read.
I thought I was a pretty big Springsteen fan, but as I read my way through, I started “dog-earing” the pages of interest, and questions and answers that flat-out had me saying, “WOW!” I didn’t read the book from start to finish, rather when I got to “Contents,” it was so interesting, and each chapter was so cleverly titled, that I started with my favorites like“I Hear the Lead Singer Shoutin’ Out, Girl,” or ”Just Like a Supernova: Greetings from Asbury Park, NJ,” or “Cool Rockin’ Daddy: Family Life.”
The book was hard to put down because every time I’d finish a chapter, it would leave me wanting more, and more! I almost OD’ed of Springsteen facts and history!
What made the book and easy (but not quick), to read was that for each chapter like, “I Was Born Blue and Weathered: Springsteen’s Childhood,” instead of long, paragraphs that drone on, like some other biographies, FAQ is broken up into short paragraphs. Maybe five or six, sometimes ten sentences long which condense the book nicely without taking away the facts, or the fun of learning cool stuff about Bruce, the band, his family, and why here’s still so much interest after all these five-plus decades.
There are also quotes galore from interviews with Bruce (he didn’t have anything to do with the book), family, friends, band members, and especially the fans. There are also lots and lots of fun facts on not only Bruce’s studio and live albums, but also long sought after demos like “Back in Your Arms,” “I Dreamt My Love Was Lost,” and “Dry Lightning,” all of which were recorded in 1995 when he was recording The Ghost of Tom Joad. Again, it’s not a cut-and-dried book; the author injects his feeling and that of the fans, mixing them with facts and humor.
If you’re looking for rare and unseen photos this is not the book for you. Pictures of The Boss are few and far between, and are ones most every Springsteen fan has pretty much seen before. But that doesn’t mean that they’re not interesting. Take for example the play bill on page 181. It’s the old concert flyer for the Paramount Theatre in Asbury Park in 1976. It was a Bill Graham Presents show in black and white, and the photo of Bruce on the poster is like a slice of music history. The photos here may be few but they are iconic when it comes to capturing a chuck of Springsteen history.
One of my favorite parts of the book is where Luerssen gets into talking about the songs on each studio album. For the album Magic, he wrote a few lines about one of my all-time favorite Springsteen songs, “Girls in Their Summer Clothes.” “Reminiscent of the lush Phil Spector-produced pop records of the 60’s, this was the second single from Magic… Describing the song to Dan Cairns in the Sunday London Times in 2008, Springsteen said, “I was interested in having a song where you get this classic image of a late summer, light on, in a small American town. And it’s perfect in a way that only occurs in pop songs-when the air is just right, where the sun’s sitting a certain way.” A year after it release, Springsteen pulled in a Grammy for the song for Best Rock Song. “I didn’t even know I was up for a Grammy!” he marveled. “I opened the newspaper on Monday and saw that I had won, and thought, ‘Well that’s great!’”
There’s no gossip, no fluff stories, no dirt, or “Inquiring minds want to know,” Enquirer crap. Just cool stuff that any Springsteen fan new or old would be interested in reading about.
The only problem I have I with the book is with the subtitle where it says, “All That’s Left To Know.” Now, I’m not a hardcore Springsteen fan, but even someone like myself who’s followed his career all these years, and has enjoyed the music and the shows knows that there’s much, much more to come musically, and there’s also cool stuff that will probably fill a few books on Bruce. Like Bruce said when he was asked if he and the E Street Band would ever do a farewell tour about a year ago. He said in part that he felt like he and the band were just starting to peak, and that, “When you don’t see us anymore touring, then you’ll know we’re done.”
The Doughboys - Shakin’ Our Souls (thedoughboysnj.com)
The Doughboys have been shakin’ our souls since 1964 when they opened for bands like The Beach Boys, Grand Funk Railroad, and Question Mark & The Mysterians, to name just a few.
On their third studio release it feels like their just starting to get their second wind. Raw and gutsy garage blues, and bar band rock ‘n’ roll are not only at the core of their songs, it’s their hearts and souls. Songs like “Land,” “It’s a Cryin’ Shame,” “Route 22” heck, ANY song on Shakin’ Our Souls are all atomic-jukebox A-sides! But under the howl and growl of Stones-like vocals and a Social Distortion influenced guitar/bass/drums combo, The Dougboys aspire to the rough-granite poise and battle lessons of some of the great rock ‘n’ roll, punk, blues and soul stirrers past and present.
The whole batch of songs here are an exhilarating turbulence of convulsive rhythms and sharp wordplay that will leave a clean, profound mark on the listener. Once songs like “Route 22,” “Love is the Seed,” or “Until the Clock Strikes Doom,” get into your cranium, it’s really hard to listen to anything BUT rock ‘n’ roll and the blues! The latter song is at first, when you see the title it sounds kind of corny, but the lyrics will remind you of Bowie’s future shock “1984,” only now the realizations of Bowie’s Big-Brother-Is –Watching warnings are here and we’re all the worst for it.
After you listen to Shakin’ Our Souls a few times you’ll hear the locomotive strumming; the slashing flourishes of the bands riffs that take you higher every time you hear it! Power chords that pins you to the wall and makes you hit “play” again and again. But what makes these songs and the last two Doughboys albums, and their live shows so special is what’s inside the songs: hunger, fury, despair, and joy, often all at once. You hear the blues, rock ’n’ roll, garage, and rockabilly that came before, transformed into their version, and they just kick out the jams all the way through!
They also brought in Mark Lindsey (Paul Revere and The Raiders, and solo artist), to sing background and saxophone on “It’s a Cryin’ Shame” (also Genya Ravan treats us to her vocal prowess, as she also does background vocals on the same tune), so I’ll let Mark have the last word: “Okay…so I get this call asking me if I’d play some sax and sing background on The Doughboys new CD. The cut was “Cryin’ Shame” and I thought it was cool. Then, I heard the rest of the project. Whoa… The Doughboys are for real… If this thing had come out in’65, there would have been one hell of a battle of the bands, if you know what I mean. But it comes out now, kind of like vintage rockin’ pop with 21st century twist. If this ain’t the real s**t I’ll hang up my rock and roll shoes. Dig the D-boys and rave on!”
Cudzoo & The Faggettes – Daddy Issues (Drug Front Records)
“New York girls don’t take no shit/ we leave our house in our heels and our tits/Come in an hour just to lick our clits…” (first cut off Daddy Issues). How can you follow a cool-as-fuck line like that?-With a nasty drum wallop, slashing guitars, and a down ‘n’ dirty rhythm section, that’s how!
Cudzoo & the Faggettes is THE band that you Mom warned you about. Loud, rockin’ potty-mouthed, all-girl group that makes no apologies for being originally outrageous, and the new Queens of Noise (no disrespect to the originators, The Runaways).
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Go back in time to rock ‘n’ roll’s musically conservative ’62-thru-’63 timeframe, a period dissolved by JFK’s assignation and preceding The Fab Four’s impending British Invasion of an unwittingly abstinent America. It was a safe haven ruled by harmless, harmonizing, sterile, serenading Four Seasons, or even the boring, ugggh…Pat Boone! They and dozens of bands like them were parentally approved softies pushing aside the putative erotic future icons like Chuck Berry and Elvis Presley.
Now, with that in mind, fast forward to today and listen to Cudzoo & The Faggettes new album, Daddy Issues. They conjure up the innocently charming uptown soul of girl groups like The Ronettes, Shirelles, and Crystals-the streetwise toughies, the girls that didn’t take no shit from anyone, epically their boyfriends.
Cudzoo & the Faggettes are based on the same multi-harmony swoops and Wall of Sound that Phil Spector created back in the 50’s and 60’s, but even with all this reverence, the manage to stay real. Committing to 90’s riot-girrl (The Blackhearts were one of the originators along with bands like L 7 and Hole), empowerment while having loads of fun donning polka-dot party dresses, applying black eyeliner, sporting high-heel stilettos, and choreographing their own, unique style of dance moves. But, what sets them apart from their past role models is that there’s always that vixen-like nastiness juxtaposing the overwhelming sweet soul music that is in sharp contrast to the nasty-as-fuck lyrics. - But it works!
Every song title on Daddy Issues sounds like it could be made into a bad porn movie (“Daddy Issues,” “Fuck Buddy,” “Phone Sex,” etc.). But here’s the difference in what was then and what’s now: Cud zoo & the Faggettes thrilling retro-pop revivalism gains a solid rep. the more you listen to it. In a land that’s seemingly overrun by boy bands, and girl’s bands with a we- just-wanna-have-fun, attitudes, Cudzoo & the Faggettes are breath of fresh air. Let’s hope they get picked up by The Warped Tour next year, giving them some well-deserved exposure, and hopefully spawning many copycat bands, that will put their own spin on it!-
The Oats - “Funeral=Real Fun” 5-song EP (theoats.net)
I’ve been writing for Jersey Beat for about 15 years (thanks, Boss), and one of the coolest things about getting CD’s, vinyl records, and back in the day cassettes is, you never know what you’re going to get when you open the mail box. In with a bunch of CD’s was this CD by The Oats. No press kit, and it was wrapped in a homemade “Jewel box,” that was made out of construction paper with a printed/written label, and the songs were hand-written on the CD.
It looked kind of what a grammar school kid would create if they were given paper, and a few colored markers. If you didn’t write for Jersey Beat, you would probably trash it without a second thought. But I do write for Jersey Beat and something like this goes right to the top of the pile to review!
With all that said, when you get into the album’s five songs you’re treated to some really cool pop/punk rock. Somewhere between the Violent Femmes and the Bouncing Souls The Oats map out some interesting musical territory... “Get me Going,” “Soon,” umm… hold on while I remove the CD from the player and turn the CD around a few times so I can read the song titles...Ok, The third song is “Hate List.” These three are definitely a “three-peat” as they say. They all have a tough pop punk core, but the vocals are smoother, even though the singer seems like he’s waxing poetic, all the while spewing about bad relationships and how fucked-up life can be at times.
“Queen Jerry” and the last song “R,” kind of more of the same heartfelt spewing, but they rock on a higher plain. What’s cool about The Oats (terrible name-laughing out loud), is that they march to the beat of their own drummer, whether it be how they present their CD for review (the CD was marked as an “advance copy,” so I’m guessing that they will upgrade their “jewel box”-but it works), or the way they take chances with their music making it both accessible and obscure all at the same time.-Phil Rainone
Blag’ard - Fresh Candy (blagard.com)
Despite the “eye candy” on the front and back covers of the CD (naked-girl-holding-a-guitar-that-she-probably-doesn’t-know-how-to-play look), the duo of Joe Taylor on guitar/vocals, and Adam Brinson on drums/vocals, have the cool vibe of Jane’s Addiction, if Jane’s had not gotten humungous egos after their second album, and done mostly mediocre albums after that.
Blag’ard actually down-size Jane’s Addiction huge sound, but not their mojo. “Candy Town,’ “Pony Boy,” or “Tea is for Cookie,” are somewhat off-the-wall-rockers with generous bits of twisted humor for good measure. Fresh Candy has depth and flavor (no pun intended), and they add a few bells and whistles here and there, not only to keep your attention, but to add originality. Fresh Candy is an album that doesn’t slip into tribute territory; this band is the real thing. Blag’ard are able to get to that wildness of rock ‘n’ roll, and marry it to discipline and tradition, making it sound effortless, awe-inspiring, and tight as nails.
Girl Guts - Victoria (girl-guts.com)
Girl Guts (cool name), have a hyper-punk sound that sparks the listener right from the start. No bells and whistles just straight-ahead punk rock that’s delivered with the enthusiasm of a band that just made their first record, and are dying to play it live (actually this is their first release). “Hard, dirty, and fast,” (as they say in the press kit), the music is uncompromising but easily accessible.-And you can dance to it!
Well, what’s considered dancing these days (hey, they pay me not to dance OR sing), and you will have a blast and a half!
Choruses that shout at you while you shout back the refrain will keep you in the pit, sweaty, tried, and you will definitely get your rage on. But this is also moshing for the serious-minded. They sing about religion, but not too seriously, as well as the tried and true stories like, “Birth, School, Work, Death,” as that 80’s song goes. Ultra catchy, ultra fun, this is the type of album that will draw you to their live show.-Hey, bring a bunch of friends. You’re gonna have a blast!-
Gutt N Buckett - Loans Jewelry Guns Luggage
(facebook.com/guttnbucket)
Cowpunk Lives! Well, it’s pretty close to cowpunk (Reverend Horton Heat, etc.), but they add they own mum… originality. Gutt N Buckett is a band that does not take itself too seriously. On the contrary, they amp it up with well, “ooohs” and “ahhhs,” for a better term. It’s like when you write a song and you come to a point when you don’t have a line yet, so you just put in the “oohs” and “ahhs” temporally. Well, the “oohs” and “ahhs” are in there geminately, and we’re all the better for it! I know it’s a minor thing but like any good song that you can sing along to its catchy, and the mojo is maximized!
There’s also a cool quirkiness to the band, and these 21 songs. Mostly around the three minute mark, each one is like a slice of pizza, but with each slice having a different topping (mmm…pizza). Each one works on its own, but after you listen to the whole album it fits together perfectly like eight slices each with its own topping!
Gutt N Buckett is Dottie Buckett- vocals, bass, JT Buckett-drums, Hobart Gutt-Vocals/guitars
Yannick Noah - Homage (Sony Music)
When you set out to create a tribute to someone (here, it’s Bob Marley), it’s epically important to not only get it right, but to also bring the listener to another place entirely. On Homage Yannick Noah fails at both. He comes close to getting it right vocally, but his backup band sleeps through a Muzak version of each and every song. Even the backup singers can’t come close to Marley’s original backup singers The I Three’s. There’s no soul, no mojo, no spirit. Just empty, lost versions that wouldn’t even sound good for a Karaoke night.
ECHO MOVEMENT - - Love and the Human Outreach (echomovement.com)
Usually, when you come across a new band, at some point you find out that they have jobs doing something other than being moonlighting musicians, who usually play on weekends. When I met Echo Movement a few years ago at Martell’s Tiki Bar in Point Pleasant, they were an original band moonlighting as a cover band. I don’t know if they also held other jobs, but I thought that was a pretty cool way to on honing your craft. As a cover band they played mostly reggae and ska like Bob Marley and Sublime, and they would throw one of their new songs here and there.
Fast forward to this past summer, and Echo Movement are one of the shining stars when The Warped Tour hit New Jersey.-I guess all the “moonlighting” paid off!
On Love and the Human Outreach, Echo Movement gives us some cool, real-deal reggae, dub, and a slice of ska here, and there. From the opening dub instrumental “Rising Sunset,” (cool title); it’s old-school dub reggae to the max! This is the stuff that Lee Scratch Perry, and a lot of other first generation Jamaicans were doing.- Real guitars, keyboards, drums, bass, sax, and trumpet, and a few interesting add-ons like ukulele, and tempura. Otherwise, no crappy electronics like latter day reggae like Lady Saw, Beenie Man, etc.
Quietly cool percolating grooves garnished with sultry horn lines making for an instantly identifiable sound- NOT formula. Love and the Human Outreach display a wider lyrical range, and increased vocal acuity. The title cut, “Play it Cool,” and “Sea Level,” are a few of the bright spots for the same relatively unwavering cloth that Echo Movement is known for.
The inventive production by the Fowler brothers, intriguing rock rhythms, powerful and memorable songwriting that remains rooted in reggae/dub, but is much more diverse than the form generally allows, shows the full range of Echo Movement’s development. Love and the Human Outreach is an impressive step forward from a band who already knows the formula for success.
Echo Movement is Stephen Fowler-lead vocals, David Fowler-keyboards, Dan Gugger-guitars , Colin Bell-drums, Jonathan Butts-bass, Matt Lepek-sax, Nick Afflitto-trumpet
AVON JUNKIES - The Lesser Evil (avonjunkies.com)
A few months ago, the Avon Junkies ignited the Starland Ballroom opening for Catch 22 and Less Than Jake. Usually an opening band is like the sacrificial lamb: they get to go on first, but most of the time there’s very little interest, as a lot of the crowd are still on line waiting to get in, or milling about, not paying much attention to the band on stage Well, word must have gotten out because when the Avon Junkies hit the stage, you would have thought Green Day ( the Avon Junkies lead singer sounds strikingly like Billy Joe), had made a special, secret appearance. The Lights went up, and the band hit the ground running, and never stopped ‘til their 45 minutes set was over, filling up the open space in front of the stage almost immediately.
On The Lesser Evil, the Avon Junkies have a lot to prove, epically to anyone who had just heard their wickedly cool set, and had marched on over the band’s merch table to pluck up a copy of their new album.
For a young band, all the songs on The Lesser Evil are substantial and well thought out. “Addiction” was written like a story of a person with twice the age and experience, rather than someone in their late teens or early twenties. And that’s one of the many things that set Avon Junkies apart. They don’t settle for the same old thing. They reach, stretch, and embrace the future as much as they do the past. That is, they know their past experiences obviously, but they know that’s there’s also going to be some things that will be great, and some things that will be totally devastating their future. They live in the here and now, but they also possess some of the wisdom that usually comes with age, where you’re not just thinking about yourself, but of a worldlier picture.
What I like best about The Lesser Evil is, although it’s a studio album, you get the feeling like your almost listening to one of their live shows. The production is crisp, clear, and the music will rock your socks off!
The Lesser Evil does not disappoint! I’m not sure what “wave” were up to now (Catch22 and Less Than Jake are considered “Third Wave Ska”), but dang, you can try to pigeonhole Avon Junkies as much as you want, but the best Pigeonhole I’d use is “originality!”
THE ORB Featuring Lee Scratch Perry - The Observer in the Star House (theendrecords.com)
Some would consider the teaming up of a legendary pioneering reggae artist like Lee Scratch Perry and electronic wiz-kids The Orb, would be a match made in Heaven, since they both travel in the same stratosphere, but not so. I think a better collaboration would have been Perry and Echo Movement (see separate review for Echo Movement). Where the Orb plays it close to the vest with unimaginative electro beats, Echo Movement uses real instruments that actually energize the songs.
On The Observer in the Star House, The Orb tries their hand at dub reggae, and the results are mixed at best. Yeah, dub is supposed to have a slower cadence than reggae, and stretched out into a repetitive jam-like trance, but The Orb sound like they phoned in their part. No sparks, not even a smoldering fire, their beats are deadly slow and uninspired, and the only saving grace is Perry’s “toasting/talking” that lights up this album. His other-worldly chats/ravings are unmatchable. He’s been doing this for quite some time, and his stream of consciousness seems endless.
Skip the album, and try to get to one of Perry’s shows if at all possible, or one of his other albums. The stuff (music) that this cat comes up with is out of this world!
THE BRIGANTINES - Vacation! The Latest From New Jersey’s Number One Surfing Group!
(modernworldrecords.com)
Ok, so here’s a surf album from a New Jersey band (recorded in Jersey also), which to me sounds like a win-win situation. But are surf bands and New Jersey, to paraphrase the old promo for our state, “Perfect Together?” I’m a strict believer in the power of the music to move & groove you, but let’s see if The Brigantines can pass the “Punker Than You” test that The Boss used to use as a motto for Jersey Beat!
Well, for starters, The Brigantines (and yes, they’re from Brigantine, NJ) feature Vincent Minervino on vocals, guitar, keyboards, and drums, and he has a cool plaintive voice… kind of like Jonathan Richman from the 70’s rock ‘n’ kitsch band, The Modern Lovers. Although not as ironic and loopy as Richman’s, Vincent is like the calm in the eye of the musical hurricane which the band conjures up time and time again on Vacation!
With Aaron Leonovich on bass and vocals, Scott Saint Hilaire on guitar, and Don Tojeira on drums, they creatively raid the roots of surf rock, garage, and at times punk, creating their own brand of rock ‘n’ roll that is a catchy as is forward thinking.
You get not only a Jersey vibe from the music, but also the California surf/folk rock sounds of bands like The Beach Boys and The Byrds. There’s also the garage mojo of the 60’s Northwest music scene, via Paul Revere and the Raiders and The Kingsmen. Simple, narrative tunes about love, loss, life, and yes, SURF INSTRUMENTS! Actually, to be correct, surf instrumentals!!
This stuff is A-1-worthy, blasts that would have you putting quarter after quarter on the jukebox! The Brigantines capture the ancient, twangy sound of bands like Link Wray and The Neptune’s, to name a few. It’s a solid instrumental sound that needs absolutely no words. You imagination is given free reign. The only limits are the outer limits, and that’s that rare, special place that only a handful of band’s can take us,-Now you can include The Brigantines in that group! Simply amazing! Uptight, outta sight, and definitely in the groove!
PS- The Brigantines’ cover of The Ronettes 60’s hit “Then She Kissed Me” (they changed the original from “He” to “She”) gives the decades-old romantic rocker a fresh reading. You could almost mistake it for a song right out of The Brigantines repertoire. Cool stuff!
STRAWBS - Acoustic Gold
(witchwoodmedia.com)
Wow! What a blast from the past, that’s as much in the present as any contemporary alternative band. The Strawbs came over here on one the many British Invasions back in the mid-seventies. With contemporaries at the time like King Crimson, Yes, and Fairport Convention, to name a few, they helped reshape and redefine the musical explosion of that period.
Back then, FM radio was way more free form and this freaky psychedelic folk rock actually got a lot of airplay. (Can you name a major radio station that takes those kinds of chances these days? I know I can’t, except for college radio; no one has the imagination or desire. MONEY is the bottom line. ) On Acoustic Gold, you get not only Strawbs’ fan favorites like “Ghosts,” “Autumn,” and “Midnight Sun;” they also dig deeper into the catalog, and breakout cool gems like “Evergreen,” “The Man Who Called himself Jesus,” and “Cold Steel,” to name a few.
The beauty of this album is that the current Strawbs break down the original songs into their basic, acoustic form. It sounds more like you’re getting the sound of what the songs were like in their infancy, rather than just stripped-down acoustic versions, like so many bands do, without getting to the heart and soul of the song.
The Strawbs have to me have always been ahead of their time. The song structures, the lyrics, and the stories all take you places you never imagined. The creativity that each song is crafted with, are the type that can be handed down from generation to generation, and losing their potency. My favorite here is the “Autumn Suite.” I could listen to it in the blistering heat of August, or the freezing cold of February, and be quickly transported to a fresh, cool autumn day in October. The delicateness of the music, coupled with Dave Cousin’s lead vocal prowess are as exploitive now, as they were back in the 70’s when the song first saw the light of day. To me, that’s the measure of a band. - If they can reinvent themselves, and conjure up the original mojo and bring out something totally fresh and new, then I’m all in! The Strawbs are one of those unique bands.
STRATOSPHEERIUS - The Next World… (stratospheerius.com)
Bridging the gap nicely between heavy metal and art-rock is what Stratospheerius does best. They are interested in touching the mind as well as the heart. Songs like “Release,” “The Prism,” or “Gods,” are good examples. The songs unfold into mini, opera-like stories with music that subliminally transfixes the listener, but taking noting away from the story line. A fine line to walk, but the band does it time and time again with precision and an eye toward humor.
There are even touches of punk in the rhythms and rhymes. You can hear glimpses of Sonic Youth splattered against a canvas of lyrics that not only makes the song interesting, but also puts them in a league of their own.
Sometimes the sounds on The Next World… can be harsh-feedback, distortion and dissonance-but the group uses them to create a variety of effects and moods. If you think of a rubber band, where it can be stretched and pulled, and reshaped-than letting it go, and it goes back to its original form, you’ll have a good Idea of what this album is about. Exploring the outer limits, yet stay down to Earth as much as possible.
The English Beat- Live! At The US Festival September 3, 1982 and May 28, 1983 CD & DVD (Shout! Factory)
Back in the late 70’s and well into the 80’s England was going through some very tough times both socially and politically, especially under Prime Minister Margret Thatcher’s iron-fisted regime. From those hard times came a positive, and meaningful musical, and social uprising that, if something similar had happened in the US during President Regan’s two terms in office, it would have surely been squashed, thrashed, and disband ASAP. I still remember The First lady, Nancy Regan’s response to the nationwide drug problem: “Just Say No.” –Funny how some things never change!
Anyway, somebody please kick the soapbox out from under me- please! Enough politics, let’s get to the good stuff! The English Beat, like other ska and punk bands including UB40, The Specials, Sex Pistols, Clash, and The Jam, were all born from the 70’s and 80’s political and social upheavals. Where the Clash and Pistols chose to hit you in the gut with their Neanderthal punk rock, The English Beat were one of the bands that chose to get you on the dance floor first, with their 3rd Wave skatastic upbeat music that hit you in the gut along with their political stance.
On Live at the US Festival back in ’82 and ’83, The English Beat had reformed to play the fest. With all the original members in tow, they wowed the crowds with some of the best ska from “Over the pond (England),” as they say. The CD contains 16 songs that spam the bands career. From early si
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https://utahutes.com/sports/track-and-field/roster/bri-rinn/14908
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University of Utah Athletics
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Bri RinnDistance - TFRRS Bio
Personal Best:
5K (XC): 18:45.6
500 (Indoor (1:17.52)
600 (Indoor): 1:35.54
800 (Indoor): 2:07.31
800 (Outdoor): 2:07.03 (aa)
1500
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University of Utah Athletics
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https://utahutes.com/sports/track-and-field/roster/bri-rinn/14908
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2023-24 Track & Field Roster
Choose a Player:
Hunter Dyke/Utah Athletics
Eric Evans Photography
Stephen Carr
Hunter Dyke/Utah Athletics
Height 5-5
Class Sophomore
Hometown Lincoln, Neb.
High School Lincoln Southwest HS
Major Environmental and Sustainability Studies
Bio
Related
Historical
Biography
TFRRS Bio
Personal Best:
5K (XC): 18:45.6
500 (Indoor (1:17.52)
600 (Indoor): 1:35.54
800 (Indoor): 2:07.31
800 (Outdoor): 2:07.03 (aa)
1500 (Outdoor): 4:19.70
Academic Honors:
2024 Pac-12 Spring Academic Honor Roll
2024 Pac-12 Winter Academic Honor Roll
School Records:
1st all-time with DMR team outdoors (11:04.57)
4th all-time with 4x800m relay team outdoors (8:41.83
6th all-time in 1500m outdoors (4:19.70)
T6th all-time in 800m outdoors (2:07.31)
2024 Outdoor Track:
• Opened the outdoor season with a runner-up finish in the 1500m race at the Aztec Invitational
• Checked in at 2:08.59 for fifth in her first 800m race of the season at the Stanford Invitational
• Helped DMR team place second and 4x800m relay team take third at the 114th Drake Relays
• Clocked in a new 1500m PR time of 4:19.70 at the Oregon Twilight for fifth-place
• Ran a 2:07.83 in the 800m run at the final Pac-12 Championships
• Competed in her first NCAA West Regionals, posting a time of 4:23.30 in the semifinals of the 1500m race
2023-24 Indoor Track:
• Opened the season with a pair of top-10 finishes in the 500m and 4x400m relay with the “B” team
• Ran a new PR time of 2:07.31 in the 800m back home at the Husker Invitational
• Placed 11th at the Husky Classic with a mark of 2:07.97 in the 800m race
• Clocked in at 2:07.61 in the 800m at the Ken Shannon Last Chance meet
2023 Cross Country:
• Clocked a new 5k PR after crossing the finish line at 18:45.6 at the UVU Invitational
• Came in ninth at the Steve T. Reeder Invitational with a time of 18:57.05 in the 5k race
• Placed 29th in the final regular-season meet of the year at the Utah Open
2023 Outdoor Track:
• Competed in seven meets her freshman year in the middle distance races
• Made her outdoor track debut at the Utah Tech Invitational in the 800m, 1500m and part of the 4x400m relay team
• Took third overall in the 800m race at the Aztec Invitational with a time of 2:11.05
• Also placed third at the Mike Fanelli Track Classic in the 800m race (2:10.91)
• Ran in her first 1500m race at the Utah Spring Classic and finished fourth (4:37.31)
• Recorded a PR time of 2:09.36 in the 800m race at the Bryan Clay Invitational
• Member of Utah’s DMR and 4x800m relay team that took second to help it claim the program’s first Relays Cup title
• Raced in the 800m (2:10.20) at the Pac-12 Championships
2022-23 Indoor Track:
• Saw action in four meets her freshman year with the Utes
• Made her collegiate debut at the Lauren McCluskey Memorial taking fifth in the 600m and helped 4x400m relay team take first
• Competed in the 800m race at the UW Invite (2:12.20)
• Followed up with a 2:11.91 in the 800m at the Husky Classic
• Ran a season-best 2:11.82 at the Ken Shannon Last Chance Invitational in the 800m
2022 Cross Country:
• Did not see action as a freshman
• Ran unattached at the Utah Open and finished the 5k race with a time of 20:10.0
High School:
• Lettered in cross country, track & field and unified bowling at Lincoln Southwest High School
• Won back-to-back Lincoln Journal Star Cross Country Runner of the Year awards (2021-22)
• Named the LSWHS 2022 Female Athlete of the Year
• A two-time NSAA Track & Field State Champion (2019, 2022)
• Was the 2021 State Champion in the 800m
• Graduated with Summa Cum Laude Honors
• Earned academic all-state honors from Fall 2020 – Spring 2022
Personal:
• Parents are Mary and Andrew Rinn
• Has and older sister, Danielle, an older brother, Gregory, and a younger brother, Jacob
• Parents Mary and Andrew ran cross country and track & field at Midland University
• Mother was a member of the 1989 NAIA Indoor Track National Championship team, placing third in the 800m and member of the 4x800m and DMR championship teams
• Mother was a five-time NAIA All-American in cross country (1989), indoor track (1988-90) and outdoor track (1990)
• Mother was inducted into the NAIA National Athletic Hall of Fame in 2007 and in the Midland Athletics Hall of Fame in 2013
• Father is a six-time All-American in cross country (1989), indoor track (1988-90) and outdoor track (1989-90)
• Father won NIAC Championships in cross country (1988), indoor track (1987-90) and outdoor track (1988 and 1990)
• Father won NAIA District XI Championships in cross country (1988), indoor track (1989-90) and outdoor track (1990)
• Father was inducted into the Midland Athletics Hall of Fame in 2022
• Father earned back-to-back Scholar All-America honors (1988-89)
• Sister Danielle ran cross country and track & field team at Wichita State, Oklahoma and Western Michigan
• Sister Danielle was an all-conference honoree (2021) at Wichita State and at Western Michigan (2023) in cross country
• Majoring in environmental and sustainability studies
Related Content
There is no related content available.
Related Headlines
Related Press Clips
Related Videos
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Historical Player Information
2022-23Freshman
Distance
5'5"
2023-24Sophomore
Distance
5'5"
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https://www.lonesomehighway.com/music-reviews/tag/True%2BNorth
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True North — Music Reviews — Lonesome Highway
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Lonesome Highway
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https://www.lonesomehighway.com/music-reviews/tag/True+North
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Patrick Darrah Northern Truth Double Darrah
This artist is from Bloomingdale, New York where he worked in his father’s auto business. These days he lives in Nashville and delivers his debut recording, on his own independent label, Double Darrah Entertainment. He writes two of the ten songs included here and the production is by Drew Smith and Kevin “Swine” Grantt, both of whom play in the studio band.
There are songs of lost towns and lost lives (Colorado), old flames, old memories (Who You Used To Be), old love (I Never Got Over You), memories of youth (Mama Left The Radio On; Dry County). Being left behind is a common theme in Country music but three songs are perhaps a few too many on the same record (You Make It Look Easy; After You and Love Oughta Be Perfect).
There is a real contemporary country groove to the songs and both Smooth As Whiskey and the rap groove of Make You Mine are the stand-out radio hits.The playing and production are very bright and clear in what makes for an enjoyable listen overall.
Korby Lenker Thousand Springs Soundly
Seven releases into a career that has seen him mature into a song-writer of some substance, in addition to a published writer, for this project Lenker recorded the basic tracks in different places that held an importance for him. These are songs that are written with personal meaning rather than commercial appeal but the strong sense of melody ensures that his craft shines through. Having recorded across seven states and featuring approx. 30 different artists, including Amy Speace and Molly Tuttle, the songs have an immediate appeal.
There is a lonely quality to the opening tracks, Northern Lights and Friend And A Friend, both focusing on leaving and travelling on with reflections of life on the road and an unknown future. Uh Oh is a song about infatuation and the hope in wishing, it is gentle and sweet, as is the fine ballad, Love Is The Only Song, with cello and piano complimenting the whispered vocals.
There is a look back through the rear window to younger days and lessons learned in Father To The Man, co-written with Amy Speace, while the dark tale of Stormy Seas is somewhat stark by contrast. The rock vibe of Last Man Standing tells the tale of Custer and Crazy Horse in the Sioux Nation fight for survival. The happily inane girlfriend in Book Nerd bears little resemblance with the free-spirit busker of Nothing Really Matters and her old man admirer who watches from afar. There is a sense of Paul Simon in the vocal delivery here and also on the excellent Late Bloomers; a song that speaks of the need to keep believing, even if dreams have been lost along the way. The final song, Wherever You Are is a real stand-out and an ode to the memory of a lost friend, both gentle and sad while keeping the feeling alive.
The project was produced by Korby Lenker, mixed by Paul Mitch, and mastered by Alex McCullough. It is a very engaging album and one which comes with a warm recommendation.
S Carey Hundred Acres Jagjaguwar
This is a meditation of sorts, a soft whisper across a field in the early morning dew. The ten tracks blend into a seamless listening experience that never lifts beyond the gently laid-back atmosphere created by producer, song-writer, multi-instrumentalist S Carey – also known for his role as the drummer and supporting vocalist of indie folk band Bon Iver.
He is joined here by a small group of musicians who play beautifully and sensitively in support of these mood pieces, including Justin Vernon, original founder of Bon Iver. This is the third solo release from Sean Carey and the whispered vocals and lush, yet understated, sonic vibe to the project is beautifully realised.
Pedal steel mixes with synthesizer while programmed sounds blend with violin and viola. Titles such as Meadow Song, (with clarinet & french horn), Hundred Acres, True North, Rose Petals and Hideout give a flavour of the sense of quiet place and space that permeates this record.
A contemporary sound that hints at days gone by yet points to a bright future for this excellent musician.
True North Open Road, Broken Heart Self Release
True North is an acoustic Folk/Roots band that has released three previous albums prior to this new offering which surfaced in 2017. The band comprises Kristen Grainger (ukulele, vocals), Dan Wetzel (guitar, resonator guitar, octave mandolin, ukulele, vocals), Martin Stevens (mandolin, fiddle, octave mandolin, vocals) and Josh Adkins (upright bass, vocals). The album features eight songs written by Kristen Grainger and four covers; Mighty Bourbon (Justin Evan Thompson), The Eye (Brandi Carlile, Philip and Timothy Hanseroth), Wilder Than Her (Fred Eaglesmith) and Without You (Eddie Vedder).
Guest musicians Eric Alterman (cello) and Todd Sickafoose (bass) join the band who self-produced the collection at Big Owl Studios in Salem, Oregon. The playing is subtle and understated, giving the songs a cohesion and fluidity that makes the listening experience a very positive one. The vocals of Grainger are very engaging and the sweet melodies are quite hypnotic when listening on headphones; intimate and charged with a gentle longing. The harmony vocals with Dan Wetsel are very complimentary to Grainger’s voice and lend an added layer to the arrangements.
One-Way Ticket contains the lines that appear as the title of the album and the song is one of striking out for the future, changing circumstances and having the will to keep believing. Dark Horse Bar & Grill celebrates the solace of a local hostelry where there is ‘lots of free philosophy’. Ratio of Angels to Demons deals with the passing of a friend and does so in a very creative and poignant manner. The subject matter of some songs is somewhat bleak with titles like I’m Gone, You Come Round, Sunday Night Blues and Without You handling the pain of separation and the feeling of being alone in the World.
However, these are balanced by the upbeat melodies of Seed, Leaf, Flower, Seed – a celebration of the Seasons and the inherent magic of Mother Nature, plus the ability to take the extraordinary from the everyday ordinary things as explored on Small Wonders. A very impressive release and one that is well worth exploring further.
Will Paynter Truth & Beauty Self Release
Fender Rhodes and tenor sax join with the tenor bass of Will Paynter on opening track, One Better Man and we are given a soulful feel for the talents of this artist who performs and records with the Sonoma Sound Band. They play roots music with rhythms that incorporate blues, country and folk influences.
Paynter served in the army with the Green Berets and has lived in both in Central and South America. His wandering has also seen him travel in the Far East and the South Pacific, North Africa and the Middle East. He has released a few previous albums and this current project includes 13 tracks and a list of studio musicians that is both very long and impressive with Greg Brady and Paynter co-producing.
There are four cover versions of songs by Tom Waits (Down There By The Train), Johnny Cash (Let The Train Blow The Whistle), Bruce Springsteen (Further On Up The Road) and Dock Boggs (Wild Bill Jones) and all other songs are written by Will Paynter. The acoustic stripped-down feel to the whole recording and the less-is-more playing adds to the character of the songs like Loving You, Truth & Beauty, Brand New Day, All I Own and Clearer To Me Now.
The most arresting song is What People Are Talking About, which highlights all of the injustice in the World today and a commentary on the lack of humanity in all of it – a grim overview of our times.
Six vocalists, five guitar players, three drummers, two bass players, accordion, violin, pedal-steel, banjo, saxophone, piano, Hammond organ, Fender Rhodes, and some fine harmonica playing from Paynter himself – plenty to enjoy here.
Jordan Davis Home State HumpHead.
A debut album from new artist Jordan Davis who comes from Louisiana, USA. The twelve songs are typical of the crossover country releases that are proving so popular among the current listeners of commercial radio stations. There is a slick production sound, courtesy of Paul DiGiovanni, who also contributes acoustic & electric guitars, banjo, vocals and programming.
It is that last credit that old purists of the Country genre hate to see – programming. In modern recording techniques the use of loops, syncopated beats and programming can lead to something more akin to Pop music and can sound sterile, lacking real character or colour.
This release falls into that territory. Sure, there are lots of bright choruses and hooks that will sound great while driving along with the windows down and the stereo turned up. Songs that celebrate woman-kind and songs that celebrate the chase involved in impressing a sought-after beauty – Tough To Tie Down; Singles You Up; Made That Way; So Do I; Dreamed You Did – all come and go with the hopes of success in the high stakes of romantic conquest.
Country music is not something that exists in a vacuum and it must move forward, but the modern sound of albums like this do not fit any definition of the original roots of Country. Davis has a strong vocal and the tracks all bounce with a bright and breezy quality but I find myself wishing for Willie Nelson or Emmylou to appear and save the day. Hmmm.
True North 'Self-Titled' – Self Release
The opening track on this 5-song CD sounds like something from a recent Civil Wars outtakes release. New Way Round highlights the close vocal harmonies of trio Eva Hillered, Janni Littlepage and Patrick Rydman. Both Eva and Patrick are based in Sweden while Janni resides in California. They performed for the first time as a trio ensemble at the Copenhagen Songwriters Festival in Denmark in August 2012, Their sound is a mix of genres from Folk and Americana, to Country Roots and their songs, co-written together, are accompanied by guitars, dulcimer and percussion.
Barrelhouse 'Feels Like Home'- Self Release
After 30 years of playing electric guitar and writing songs for a full band, Kevin "Barrelhouse" Burke was inspired by a trip to Mississippi to explore finger-style acoustic guitar techniques. Feels Like Home is the result of four years of playing and writing in this style.
The songs on this album give the listener the feeling of old-time, rural America, with its dirt roads, farms, pickup trucks, roadhouses, and the trials of everyday life. This is acoustic blues played in a refreshing and simple style and many of the arrangements are reminiscent of JJ Cale.
The vocals are confident and gritty while the instrumentals show off the great slide playing on Dobro and various guitars.
Barry Ollman 'What’ll It Be?' - Blue Colorado
As debut CD’s go, this one is a real treat. The record includes fine performances by musical greats Graham Nash, Gary Tallent of the E-Street Band, David Amram, Nick and Helen Forster, Rad Lorkovic, Dave Beegle, Christian Teele, among others. The production is very clean and there is a feeling of plenty of space in the fine song arrangements. I am reminded of James Taylor in the song stories that are unfurled by Bill Ollman as he sings of an old photographer’s life (Imogen’s Lament) and life on the road as a painter (Painting the West). There are strong hints of Al Stewart also in the guitar playing and the addition of trumpet, accordion, mandolin and lap steel across the ten songs lends a diverse feel to the whole. Recommended.
Jonathan Segel 'Shine Out' - BMI
Jonathan Segel is a composer, performer and multi-instrumentalist. He plays guitar, violin, computer, keyboards, electric bass and this CD was recorded entirely in a little cabin somewhere in the middle of Sweden. He has made several guitar-centric rock music CDs and resides in a world of improvisation and electronic music. A very interesting listen but one thing for sure; this is a long way from Country Music.
Deena 'Rock River' - Life Force
A blend of alt country and indie pop, Rock River is the second CD from Deena. Produced by Deena and Bob Friedman, who plays an array of instruments, the sound is upbeat and full of personality. Plenty of good vocal harmony and melodic hooks are evident in songs like Find the Love and Bring It All. When I Fall has a nice country swing to it, plus some nice pedal steel playing. The twelve tracks run along at a pace and the overall experience is one of interest, if not a compelling listen.
Robinson Treacher 'Porches' - Sojourn
Starting with a gospel infused call and response song, Hopali, the tone of this release is set and the following ten songs do not disappoint. The band playing is really tight and the vocals are delivered in a passionate and soulful performance that is reminiscent of Chris Robinson and the Black Crowes. There are also hints of Ray Lamontagne in the singing but it is most definitely the voice of Robinson Treacher that carries the tracks along and lifts the arrangements. Titles like If I Need a Woman; Gone Baby Gone; Blind Man’s Blues and Can’t Call You Again give the overall vibe of the music here. Soulful, bluesy with a little bit of rock, all combine to elevate this artist from the many others who are active in this market.
Buford Pope 'Sticks in the Throat' - Unchained
Born on the Swedish island of Gotland, Buford Pope plays a mean guitar and his band of musicians really kick up a storm on the eleven songs featured on this latest release. This is straight down the middle rock music with plenty of hooks and driving beats. Think of Tom Petty locking horns with the Bob Seger Band and you get an idea of the arrangements here. Great production and a compelling, energetic groove. Worth a listen but it sure is a long way from traditional country music.
Esther Rose Parkes 'The Other Country' - Self Release
Recorded and produced in Stockholm, Sweden by Brian Kramer, this release is a collection of twelve gentle tunes played in an acoustic and intimate setting. Esther Rose sings in a voice that exudes a plaintive quality and her songs speak of loneliness and shadows; of earthiness; of unrequited love. The playing is sensitive and sparse with upright bass, cello and a variety of guitars, national slide, acoustic and 12 string, interweaving across the songs. A late night listen with a mood all of its own. Folk music for the insomniacs and melancholic dreamers.
Eryn Shewell 'Self-Titled' – Rewbie Music
Eryn Shewell is developing a reputation as one of the finest new singing talents to emerge in recent years. She has a wonderful voice and sings with a unique blend of blues and soulful, jazz based emotion. In 2012 Eryn folded The Eryn Shewell Band, after many years of touring back and forth, from the Jersey shore to Nashville, to New Orleans. In 2013 she signed with Blue Raven Entertainment and started a new band called Eryn Shewell and the Whiskey Devils.
She has just released this, her fourth album and Eryn's incredible vocals lift the song arrangements to great heights, never more so than on the standout Relax to Sleep, which soars and swoops in a breath-taking performance. Pat Ruth plays some very fine guitar, in addition to dobro, bass and piano and also shares production credits. Saxophones mix with trumpet and trombone; clarinet duels with harmonica in the up-tempo arrangements like I Wish I Was in New Orleans. A class act and worth checking out.
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http://www.jerseybeat.com/garywien.html
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Music Fanzine
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Music Fanzine, JerseyBeat.com - Music fanzine covering punk, alternative, and more. Jersey Beat's music fanzine focuses on New Jersey and the Tri-State Area.
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GREETINGS FROM ASBURY PARK, PART 3:
Gary Wien:
"It's A City Of Dreams..."
Gary Wien is an author, journalist, historian, and entrepreneur with deep ties to Asbury Park. His book Beyond The Palace tells the story of the city and its music scene; he was a founder of The UpStage alternative newspaper, and still runs www.ThePenguinRocks.com, an online radio station.
Q: Where did you grow up, and how did you wind up living/ working in Asbury Park?
I grew up in Lincroft just outside of Red Bank. I was probably one of the last generations to go to Asbury Park on a regular basis as a kid. From the age of 6 or 7, my family would go to the boardwalks of Asbury Park or Long Branch every weekend. The Palace Amusements building was something of a Utopian paradise for me. I played skeeball, video games, and rode the rides as much as I could. As a kid I also loved miniature golf and growing up Asbury Park had about four courses at its peak (and a great batting cage across from the Stone Pony).
My first time actually working in Asbury Park was once with the old WNEW shows on the beach. I was fortunate enough to work at the Lincroft Inn (a restaurant owned by Debbie Harry's family) where a waitress once heard me playing John Eddie on my boombox. She said John played at her wedding and I should meet her husband who was really into music. Turned out her husband was one of the biggest sound guys in the northeast and his crew worked the WNEW shows. When I met him, he offered me a job working the show. My friend and I wound up working about four WNEW shows and earned union wages for the final two.
Q: Big question: What do you like about Asbury Park? What's good about being a performer or fan or promoter there? Venues, audience, promoters, the beer... the proximity to NYC and Philly... whatever.
On a local Jersey Shore level, the best thing about Asbury Park is that it is one of the few (if not the only) Jersey shore towns immune from the cover band phenomenon. It's always been a haven for original music. While cover bands have worked from time to time (most notably at the Stone Pony in the 80s), I've seen places spend and lose a fortune (Harry's Roadhouse for example) booking the biggest cover bands in the area. People in Asbury Park just love original music and I love the fact that they do.
On a tri-state level, the equal proximity to New York City and Philadelphia has definitely helped bring many of the biggest acts in the world to Asbury Park. Things were obviously better in the 60s and 70s before the mega-promoters came in and took things over, but Asbury Park still gets some of the best acts. In fact, there are dozens of national acts that have started their tours in Asbury Park over the last decade. The Saint is pretty respected in the NYC area and the Stone Pony is very well known. Even Asbury Lanes is getting some people to kick off their tours there because people dig the vibe of the bowling alley and music.
On a national level, the Stone Pony not only still holds respect with folks but the venue is on a rather short list of places that most music fans around the country - if not the entire world - know by name. I'd say nationally, Asbury Park is best known for three things:
1) music
2) the beach/boardwalk
3) its days as looking like a cross between a ghost town and Beirut
Q: Bigger question: What is wrong with Asbury Park? What's the first thing about the city you'd change if you could?
Well, considering I'd work for the city tourism department in a heartbeat if they could afford me, the first thing I'd do would be to create a music tourism department. The city has ALWAYS downplayed the role music plays with its tourism. I know Bruce Springsteen does an awful lot for Asbury Park through donations that nobody ever hears about, but my first move would be to rename a major street as Springsteen Ave. Do a big publicity event to kick off a series of moves meant to promote music as the city's biggest tourism draw.
While most people know about Bruce, Asbury Park's musical history goes FAR BEYOND Bruce Springsteen. For example, the band shell that stood above the old Howard Johnson's building was named after Arthur Pryor, a trombonist who played with John Philip Sousa's band early on and ultimately led his own band in Asbury Park. In the 1904 season alone, Pryor directed his band in 269 concerts before a total audience estimated at no less than 300,000 people in Asbury Park. The town also had venues like the Orchid Lounge on the west side which had special "drop in" shows by many of the biggest jazz performers in the world - names that would floor you! And, for rock and roll fans, it doesn't get much better than the original Upstage Club, which helped young artists named Springsteen, Southside Johnny, Vini Lopez, Billy Chinnock, Little Steven, and David Sancious (among many others) hone their craft until 5am.
So, I'd push music and entertainment big-time. Set up a yearly calendar with special events throughout the year like the Wave Gathering Festival, E Street Weekend, Count Basie Weekend (yeah, he lived there as well), Danny Devito Film Festival, Abbott & Costello festival (yeah, Bud Abbot was from town as well), Stephen Crane festival (yup, him too)... Well, you get the point. Asbury Park has no shortage of writers, musicians, actors, and artists to promote. They just need to start promoting the history. Promote the history and they will come.
Q: Clearly Asbury is a city with a storied past that's been mired in a sort of murky present for a long time, with (supposedly) a bright future. I am reminded of Hoboken. Musicians and artists flocked there in the Eighties because the town was a dump, but a cheap place to live and a great place to be a musician. Developers moved in and then it became not-a-dump but a modern commuter city, but the rents were no longer cheap and it wasn't such a great place for musicians and artists. So: Can urban development and gentrification come to Asbury Park and NOT wipe out everything that people in the music scene like about the place? Is there room for a "new" Asbury that leaves room for the Wonder Bar and Asbury Lanes and the Stone Pony?
Not really, no. I had high hopes that Asbury Park would/could be different from the normal story we hear all of the time. Unfortunately, the Town Council didn't want to listen to us when they had the chance and voted to go the route of condos. Many on the Council didn't want the town to be known for tourism, they wanted a nice safe place to raise their kids. Personally, I think you can do both but it was said many years ago and it's been seen to be true - "residential and entertainment do not mix next to each other." The idea was floated many years ago to set up an entertainment district in advance. It didn't happen and we're already seeing the problems along Cookman Avenue where several venues have had to reduce the amount of live performances, reduce the sound volume, or simply stop booking entertainment.
The Stone Pony should survive along with the Convention Hall/Paramount Theatre. Other than that, I could easily see the Wonder Bar, Asbury Lanes, and even The Saint (once they start fixing up Main Street) hitting the history books.
Sad, but true. Unless a town council has visionaries who truly believe in the arts or in historical value, these things will happen everywhere.
Q: Name some acts from the 'scene' (they don't have to live in Asbury Park, just play there regularly) who could be on the verge of breaking out nationally, or at least making a musical impact locally?
Well, a lot of places can claim him for their own but I think Val Emmich deserves a nod in Asbury Park's history books as well. I'd say Val Emmich will ultimately break; Nicole Atkins, The Parlor Mob, and April Smith & the Great Picture Show have all somewhat broke in recent years, but I think both have just started scratching the surface as to how far they can go. Arlan Feiles and Rick Barry are two of the most talented performers I've ever heard or met and I'd love to see them break. Cara Salimando was recently signed and her performance last year at the Wave Gathering Festival blew me away. My favorite local bands right now include Status Green, Maybe Pete, and The Amboys; my favorite local record of recent times was Keith Monacchio's (formerly of The Commons). I think Jerzy Jung could break nationally as an adult contemporary artist as well. Names not quite as known that I'd keep an eye on include Matt Wade and Eryn Shewell
One band that sorta broke that could become mega big is deSol. With the changing demographics in the country, I still feel those guys could go off the charts someday due to their music luring in all ethnicities to their shows.
Q: Pretend I am a 15 year old kid in Nebraska reading this and all I know about Asbury Park comes from the lyrics of a Bruce Springsteen song. What is the most important thing you want to tell me about your city?
It's a city of dreams.
Even while it was buried in abandoned buildings, there was a sort of gritty, urban beauty to it. Just a few blocks from destruction always stood the beach and the boardwalk - surrounded on one side by the Casino building and the other by Convention Hall and the Paramount Theatre like two giant bookends. It's hard for artists not to feel inspired walking down that boardwalk. I always get a sense of the history and the artists who walked those same steps years or decades before. It's like one giant haunted beach town full of dreams - some that made it and many who didn't. But as Bruce Springsteen sang, "Struck me kinda funny seem kinda funny sir to me/ Still at the end of every hard earned day people find some reason to believe"
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https://www.boomplay.com/songs/52699163
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Eryn Shewell - Perfection MP3 Download & Lyrics
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Download Perfection - Eryn Shewell MP3 song on Boomplay and listen Perfection - Eryn Shewell offline with lyrics. Perfection - Eryn Shewell MP3 song from the Eryn Shewell’s album <4th & Broadway> is released in 2009.
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Boomplay Music - WebPlayer
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https://www.boomplay.com/songs/52699163
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https://speakimge.wordpress.com/2010/11/
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en
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Speak Into My Good Eye
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10 posts published by rote7123 during November 2010
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en
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https://s1.wp.com/i/favicon.ico
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Speak Into My Good Eye
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Back in August, the Gods of Ska (Skods for short) rained flaming arrows down upon our country, and like a series of darts whipped randomly at a map, chose the touring route for their prophets on Earth, Reel Big Fish … Continue reading →
Last week on a rain drenched evening I was verbally assaulted by an overreactive bouncer who was bored by the fact that there was no one to pick on besides this nerdy looking kid with a notebook and camera who … Continue reading →
15-minutes down the road from my place of business sits the birthplace of the storied Asbury Park music culture, The Stone Pony, and last Saturday, under its roof , a congress of the scene’s new blood and old guard had … Continue reading →
I honor of Reel Big Fish and The Aquabats venturing to The Garden State lastnight…it’s an all Ska playlist. Deal with it, my allegiances lye with this genre. Once a Ska-kid, always a Rude Boy. These Godfathers of Third-Wave Ska … Continue reading →
TUESDAY: My Chemical Romance Streams New Album: One week before the release of the band’s new album, Danger Days: The True Lies Of The Fabulous Killjoys, My Chemical Romance has streamed its upcoming record, on Youtube of all places, with … Continue reading →
Last night, the Asbury Park music scene gathered on the hallowed ground that is The Stone Pony for the 18th annual Asbury Music Awards hosted by The Saint & The Asbury Music Co. and Emceed by The 95.9FM The WRAT’s … Continue reading →
“As soon as y0u’re born you start dying, so you might as well have a good time.” And may the Speakend Playlist enable you to have such a time. Black Birds’ “Brightest Diamond” is back on the list as the … Continue reading →
SATURDAY: Show Schedule: SEE YOU THERE!!! Reckless Kelly, Randy Rogers @ The Wonder Bar Youth Brigade, The Hand Me Downs, The Scandals @ Asbury Lanes Richard Barone @ Maxwell\’s Thundercheese @ The Mad Hatter RB3 @ Jamian\’s Food & Drink … Continue reading →
Last Friday, one story below the Earth, in the same basement, and on the same platform where such musical careers as Bouncing Souls, Pavement, The Gaslight Anthem, and Streetlight Manifesto were born, a musical exhibition dubbed Qualoween or the Qualmost … Continue reading →
The Speakend Playlist is back again. After a short Halloween weekend break the list is back to its unspecified jumble of music that I like, and hope you will too. Feel free to vote in the poll and to download … Continue reading →
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https://www.pridehockey.com/alumnae
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en
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Alumnae
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[
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The Washington Pride is a college-prep Tier 1 (AAA) girls ice hockey team based in the Nations Capital. The Pride competes in the Junior Women's Hockey League and in various events across North America.
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en
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https://assets.ngin.com/site_files/1201/favicon.ico
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Washington Pride Hockey
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http://www.pridehockey.com/page/show/190875-alumnae
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The 2024Washington Pride Alumnae game will be held on Thursday December 19, 2024 at 7PM at Rockville Ice Arena. Post game reception at Clydes Tower Oaks.
See you there!
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| 2 |
https://www.bandsintown.com/a/276791-eryn-shewell
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en
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Eryn Shewell
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Find tickets for Eryn Shewell concerts near you. Browse 2024 tour dates, venue details, concert reviews, photos, and more at Bandsintown.
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/favicon.ico?v=2
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Bandsintown
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https://www.bandsintown.com/a/276791-eryn-shewell
|
About Eryn Shewell
Eryn has developed a reputation as one of the premier up and coming voices on the scene today. Originally from MD and now living in NJ, Eryn's style is heavily influenced by the musical traditions of the south. Her respect for the traditions of Jazz, Blues and Country fused with her modern pop style and brought together by Eryn's incredible vocal ability has been said to give even the most hardened critic chills.
In venues such as the Mayo Performing Arts Center, The NJ State Theater, Newton Theater, The legendary Stone Pony, Bluebird Café, Count Basie Theater, as well as other popular clubs throughout New Jersey, New York City, Florida, New Orleans and Nashville, many crowds and hearts have been won over by the power and sweet sound of the young talented singer and songsmith, Eryn Shewell.
A recent press article described Eryn as having "the power to woo audiences into an amused silence", with a "seductive range changing voice,,," "...bending and moving to the music, especially in tunes where her voice trails off in jam band moments of pleasant belting-meets-screaming... when songs later her voice is soft as butter and seems to roll off and melt into the air around you."
Eryn has found inspiration in her musical family and chose music as her career at an early age. She has been singing publically since she was ten, wrote her first song at fourteen and hasn't stopped writing since. She taught herself guitar to help facilitate her songwriting and performing and trained as a sound engineer so she could better understand some of the science behind the perfect sound.
"Music has always been my passion, my therapeutic outlet. I’m not just chasing fame; this is my career. I will always work in the music industry in some capacity," she says in her soft speaking voice that belies the powerful tonality that is her trademark.
Eryn began singing professionally at age thirteen when she started a ten year run singing with country band Sundance. By sixteen she was also singing backup with Jody Joseph and the Average Joes. In 2005 she spent several months in New Orleans winning over audiences while singing with national touring band The Soul Project and Walter "Wolman" Washington.
In 2007 Eryn started her own band The Eryn Shewell Band performing mostly her own original compositions. Within the first year Eryn and her band were recognized with three Asbury Music Awards nominations and has been nominated each year in more and more categories. In 2009, Eryn won the Top Female Vocalist award. In 2011 she won Top Female Vocalist and Top Blues Band.
Eryn embraces every opportunity to perform and write music. She is sought out by other artists as a backup singer because of her natural ability to harmonize. While in New Orleans she was honored to record vocals for blues veteran Walter "Wolfman" Washington's album Doing the Funky Thing. “I love working with other artists and experiencing their music. I have learned something from everyone I've had the pleasure to perform or write with. It’s not the same if I can’t share it anyway,” she says, smiling as she quotes a line from one of her songs. Since then she has then recorded and shared the stage with other artists such as Don Mclean, Gregg Allman, Gin Blossoms, Johnny Winter, Robert Cray, Little River Band, Glen Burtnik, Marsha Ball, Eric Lindell, Sonny Landreth, Steve Ferrone, Bernard Purdy, and many more.
In 2012 Eryn folded The Eryn Shewell Band after many years of touring back and forth from the Jersey shore to Nashville to New Orleans. In 2013 she started a new band called Eryn Shewell and the Whiskey Devils. She released her 4th album after rebuilding her band as she looks to make a big move forward and follow in the footsteps of other NJ legends.
Eryn's latest self titled release has received some rave reviews in international magazines and online e-zines as well as being currently played on international radio. Eryn hopes to make her next big move towards international audiences.
Show More
Genres:
Soul, Retropop, Blues
Eryn has developed a reputation as one of the premier up and coming voices on the scene today. Originally from MD and now living in NJ, Eryn's style is heavily influenced by the musical traditions of the south. Her respect for the traditions of Jazz, Blues and Country fused with her modern pop style and brought together by Eryn's incredible vocal ability has been said to give even the most hardened critic chills.
In venues such as the Mayo Performing Arts Center, The NJ State Theater, Newton Theater, The legendary Stone Pony, Bluebird Café, Count Basie Theater, as well as other popular clubs throughout New Jersey, New York City, Florida, New Orleans and Nashville, many crowds and hearts have been won over by the power and sweet sound of the young talented singer and songsmith, Eryn Shewell.
A recent press article described Eryn as having "the power to woo audiences into an amused silence", with a "seductive range changing voice,,," "...bending and moving to the music, especially in tunes where her voice trails off in jam band moments of pleasant belting-meets-screaming... when songs later her voice is soft as butter and seems to roll off and melt into the air around you."
Eryn has found inspiration in her musical family and chose music as her career at an early age. She has been singing publically since she was ten, wrote her first song at fourteen and hasn't stopped writing since. She taught herself guitar to help facilitate her songwriting and performing and trained as a sound engineer so she could better understand some of the science behind the perfect sound.
"Music has always been my passion, my therapeutic outlet. I’m not just chasing fame; this is my career. I will always work in the music industry in some capacity," she says in her soft speaking voice that belies the powerful tonality that is her trademark.
Eryn began singing professionally at age thirteen when she started a ten year run singing with country band Sundance. By sixteen she was also singing backup with Jody Joseph and the Average Joes. In 2005 she spent several months in New Orleans winning over audiences while singing with national touring band The Soul Project and Walter "Wolman" Washington.
In 2007 Eryn started her own band The Eryn Shewell Band performing mostly her own original compositions. Within the first year Eryn and her band were recognized with three Asbury Music Awards nominations and has been nominated each year in more and more categories. In 2009, Eryn won the Top Female Vocalist award. In 2011 she won Top Female Vocalist and Top Blues Band.
Eryn embraces every opportunity to perform and write music. She is sought out by other artists as a backup singer because of her natural ability to harmonize. While in New Orleans she was honored to record vocals for blues veteran Walter "Wolfman" Washington's album Doing the Funky Thing. “I love working with other artists and experiencing their music. I have learned something from everyone I've had the pleasure to perform or write with. It’s not the same if I can’t share it anyway,” she says, smiling as she quotes a line from one of her songs. Since then she has then recorded and shared the stage with other artists such as Don Mclean, Gregg Allman, Gin Blossoms, Johnny Winter, Robert Cray, Little River Band, Glen Burtnik, Marsha Ball, Eric Lindell, Sonny Landreth, Steve Ferrone, Bernard Purdy, and many more.
In 2012 Eryn folded The Eryn Shewell Band after many years of touring back and forth from the Jersey shore to Nashville to New Orleans. In 2013 she started a new band called Eryn Shewell and the Whiskey Devils. She released her 4th album after rebuilding her band as she looks to make a big move forward and follow in the footsteps of other NJ legends.
Eryn's latest self titled release has received some rave reviews in international magazines and online e-zines as well as being currently played on international radio. Eryn hopes to make her next big move towards international audiences.
Show More
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8929
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| 9 |
https://www.dickinson.edu/homepage/756/limestone_2015_jobs
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en
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Limestone 2015 Jobs
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https://www.dickinson.edu/site/favicon.ico
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https://www.dickinson.edu/site/favicon.ico
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"Michael Foreman"
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2015-03-17T00:00:00
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en
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//www.dickinson.edu/site/favicon.ico
| null |
Cody Nichols
Hometown: Philadelphia, Pa.
Major(s): Mathematics and Economics
Employer: AXA Advisors
Cody has accepted a position as a financial advisory with AXA Advisors, an insurance agency in Philadelphia.
Campus Activity & Engagement: Kappa Alpha Psi; African American Society; Dean of Students office; Dining Services
Internship Experiences: NSF-STEP Program: paid research experience collaborating with other students and professors to complete a multidisciplinary project in the sciences
How has Dickinson prepared Cody for Life Beyond the Limestone? “Dickinson has prepared me to face uncertainty even when you believe you are the underdog.”
Amber McGarvey
Hometown: Perrineville, N.J.
Major(s): Environmental Studies and History
Employer: AmeriCorps
Amber will join AmeriCorps as a City Year Corps Member in Sacramento, Calif. “I will be serving in a high-poverty community, working to reduce the gap that exists between students and their potential to succeed academically, socially and emotionally,” she says. “At Dickinson, I was a First-Year Mentor and have been mentored by many, which is why City Year’s work resonates so much with me.”
Campus Activity & Engagement: President, Jive Turkeys Ultimate Frisbee team; First-Year Mentor; peer academic advisor; Eco-Rep; Feminist Collective; Mediterranean Migration Mosaic
Internship Experiences: Community liaison intern, Center for Sustainability Education; intern, executive department, TerraCycle, Inc., Trenton, N.J.: conducted research on new business proposals and expansion opportunities for the innovative recycling company; intern, Alice Paul Institute, Mt. Laurel, N.J.
How has Dickinson prepared Amber for Life Beyond the Limestone? Outside of academics, Dickinson taught me amazing soft skills and interpersonal skills that I know are the result of the tight-knit, liberal-arts community that exists on our campus,” she said. “As the first person in my family to attend college I felt there were so many things—from running a club to writing a lengthy paper—that I was unsure of and had no experience in when I came to Dickinson. Although I was challenged and overwhelmed many times, Dickinson taught me how to present myself, be confident in my abilities and build a strong community of friends and mentors. These are the skills that I know I can apply to any environment that I encounter post-graduation.”
Thomas Brangs
Hometown: Newark, Del.
Major(s): Environmental Science
Employer Name: Student Conservation Association – AmeriCorps
Thomas will serve as a biological-technician intern working in support of programs conducted by the U.S. Fish and Wildlife Service at the Canaan Valley National Wildlife Refuge in West Virginia.
Campus Activities and Engagement: Club soccer; Phi Delta Theta
How has Dickinson prepared Thomas for Life Beyond the Limestone? “Dickinson introduced me to the environmental science and biology professors who have been my mentors, inspiration and saving grace during my four years here,” he says.
Gaberella Ramos
Hometown: Reisterstown, Md.
Major(s): Political Science and Spanish
Employer Name: Teach for America
Gaberella has accepted a position with Teach for America (TFA) as a Spanish teacher. “I am passionate about TFA’s mission of working towards education equality, and I couldn’t be happier to return to my home state to work in the Baltimore corps region,” says Gaberella, who also will pursue a master’s degree from The Johns Hopkins University.
Campus Activities and Engagement: Community advisor and residence advisor; president, Spanish club; president, Sigma Delta Pi; teacher’s assistant, Spanish; peer tutor, Multilingual Writing Center; Montgomery Service Leader; service trips to New Orleans
Internship Experiences: Assistant high-school teacher, Colegio Limonar, Málaga, Spain: taught English grammar, pronunciation, communication and culture, graded assignments, planned weekly presentations, workshops and events; Governor’s Office of Community Initiatives Ethnic Commissions: completed first Language Access Report for the state of Maryland; presented initial findings on Maryland Language Access to the Governor’s Joint Task Force of Ethnic Communities at the Maryland State House; interviewed future candidates for the position of director in ethnic commissions; helped to prepare ceremonies, political events and meetings
What are some of the defining moments of Gaberella’s Dickinson experience? “I have a never-ending list! I will never forget studying in Málaga, Spain; being a community advisor my senior year; taking courses that interconnect with one another; meeting my scholarship donors and sharing a meal with them,” she says.
Carly Putman
Hometown: Birmingham, Ala.
Major(s): Latin American, Latino & Caribbean Studies
Employer Name: Bilingual Education for Central America (BECA)
Carly has taken a position as a volunteer teacher with Bilingual Education for Central America. She will teach at a community-based bilingual elementary school in Honduras.
Campus Activities and Engagement: Executive board member, Liberty Cap Society; student interviewer; global ambassador; Delta Nu; Alpha Lambda Delta
Internship Experiences: Translation and research intern, Hispanic Interest Coalition of Alabama.
How has Dickinson prepared Carly for Life Beyond the Limestone? “Dickinson has helped me to become a self-sufficient and confident person. I have found my voice at Dickinson and have learned how to share and give constructive feedback.”
What is Carly anticipating most about her post-graduation plans? “I’m beyond excited to be moving to Honduras to teach,” she says. “This has been my dream since before I came to college, and Dickinson has prepared me to be successful in acquiring a job and succeeding in this particular position.”
What are some of the defining moments of Carly’s Dickinson experience? Working with Professors Marcelo Borges, Mark Ruhl and Hector Reyes-Zaga on my thesis has been a very defining moment of my Dickinson experience,” she says. “The knowledge, wisdom, friendship and support shown to me by these three professors is something that I think can only be found at Dickinson.”
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https://www.theladyinredblog.com/the-lady-in-red-blog/archives/07-2013
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en
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a lady in red who writes
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This is a very Jersey-esque blog…but what can I say – I’m a Jersey girl, and sometimes, I gotta do what a Jersey girl’s gotta do. There’s this event – called the Red Bank Flavour Food &...
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Mini cupcakes from The Cupcake Magician on Monmouth Street are to die for! Don't pass up your sample on the walk! Center: Red Velvet - TheLadyinRed's favorite flavor!
This is a very Jersey-esque blog…but what can I say – I’m a Jersey girl, and sometimes, I gotta do what a Jersey girl’s gotta do.
There’s this event – called the Red Bank Flavour Food & Wine Walk, in the heart of Red Bank, NJ (USA) every summer. It’s held on select Sundays from June through October, and is the most indulgent, decadent, and fun walk you will ever have though a very happening town in Jersey central. Be there, or be square (and hungry!).
Every year, the over-twenty participating restaurants may vary slightly, but there are the consistent purveyors that should not be missed. Here’s how to hit all of the hot spots and get your money’s worth before you reach stuffed-us maximus and have imbibed more than your portion of complementary cabernet, an assortment of sangria, and batches of beverages that pair exceedingly well with the mouth-watering tastes of the establishments along your journey.
Graphic courtesy of Red Bank Flavour
1 – Have a plan, and have a back-up plan. This is only going to be fun if the sun is out. It’s no fun ducking into restaurants and dodging rain during a four-hour eating extravaganza where you are supposed to walk around between bites and beverages. Right from the get-go, my friend and I had said we would attempt the July event; and if Mother Nature didn’t cooperate, August was our back-up baby. We lucked out and had the most perfect weather on July 21 for walking about town in attempt to convince ourselves we were actually burning off the calories as we consumed them. My suggestion is to try to plan to participate on your first available third Sunday of the month, and if it must monsoon, reschedule your visit for the next decadent date in the line-up.
2 – Get there early. Plan on arriving approximately 30-45 minutes in advance of the time that the bracelets go on sale – and I’m not talking about some golden bangles. See, there are a few restaurants like (Red, Danny’s Grill and Wine Bar, and Teak) that sell admission bracelets to this event in advance of its 2pm kick-off. The bracelets sell out fast. If you snooze, you lose.
There is limited free lot parking around town, so to secure your parking space, and then your place in line to purchase your $35 paper wristband that you will flash at bartenders and waiters alike - don’t dilly-dally. You will see crowds start to form at the entrances of the bracelet brokers. At 1:30pm the doors will open and you can pay cash for your afternoon entry. The event is open to adults only.
Coco Pari is a high-end designer shop featuring everything from Jimmy Choos to Hervé Leger clothing. Given TheLadyinRed's love of shoes, this almost became the "Shoe and Wine Walk"! Hah! However, there are a myriad of stores to browse and buy in as you wait for the Food & Wine Walk to start.
The best part is that you won’t be bored while you wait around for the official 2pm starting time. There are plenty of stores to shop (and window shop) at around town while you anticipate your first taste of the town, such as high-end, fashionable designer clothing store Coco Pari, The Tasting Room, the new bangle and earring broker Alex and Ani, or the more casual Urban Outfitters.
A pre-walk toast at The Tasting Room, which offers $3 champagne pours on Sundays
You can even grab a cup of coffee for some extra energy over at Starbucks. (We had a pre-walk toast over at The Tasting Room, which offers $3 pours of champagne on Sundays.)
Once the restaurants sell out of wristbands for the food and wine walk – they’re out. And when they’re out; they’re out. Last year there was such a demand that as people were finishing their tour d’ taste, there were those walking the sidewalks offering to pay a premium for the time left on the bracelets being abandoned as people walked towards their cars ready to leave.
3 – Plan your route. There are always a few food and wine walk participants every year that consistently shine as the stars of the show. You don’t want to miss these. Live and learn because if you start on the wrong street, you will be too stuffed to truly enjoy the plats du jour that make your taste buds sing and your stomach celebrate.
In order, I recommend starting at Red. Red gives generous pours of wine. Last year they did a mix of red and white wines; while this year they stuck to a prosecco. Red also sells the wristbands for the walk, so you might as well stay stationery and start here.
I call this "Heaven". The Cheese Cave offered double creme brie, raspberry curd, and semi-sweet chocolate melted on toasted brioche sandwiches during the Food & Wine Walk. Just wow!
After, head over to The Cheese Cave. Nothing pairs better with wine than cheese - except for maybe chocolate. This year The Cheese Cave had served what I call heaven on bread. It was a luscious melted mix of brie, raspberry curd, and semi-sweet chocolate on toasted brioche. O.M.G. The Cheese Cave is generous in their half-sandwich portion sizes that are orgasmically good. Hit them up early because once they’re out – they’re out – of their well-stocked sumptuous sandwiches.
Cupcakes at The Cupcake Magician
Once you devour the delicacy offered by The Cheese Cave, work off (a few of) those calories by jogging over to The Cupcake Magician a few doors down, because they have sample size mini-cupcakes in flavors ranging from red velvet to carrot cake, cannoli, and more. It’s dessert time!
Didn’t get enough dessert? Go to Lil Cutie Pops right after. They have dipping delights in sweet sauces, and you can grab a cake pop to go. This year they had a churro-style bite on a stick that knocked my socks off. So it’s dessert first, followed by more food…and wine.
At this point you want to cut across to The Wine Cellar and try both a red and a white sampling of wine.
You have to walk (but no one said it had to be in a straight line – ha ha!) to Teak after that. You just do. Teak comes up with incredible sangria year after year served with an Asian-style appetizer. This year I wanted seconds of their sweet peach sangria, it was so good!
Jamian’s is just a wobbly hop, skip and jump away, and they always have a good showing. Just flash your bracelet at the bartender and you’ll be taken care of.
Most establishments anticipate the crowds on the Food & Wine Walk and have their glasses ready to go in advance of the 2pm kick-off.
The veterans of the event always are prepared for the crowds by 2pm, and you can see their wines pre-poured in glasses lining the bars and the food raring to go. (While we waited at Red, we laughed when the clock struck two and the crowd flocked to the bar. It felt like we were at the starting gate!) There are some places that need to do some prep work in advance of the 2pm mad dash, though. Walking into Readie’s Café was disappointing when at 2:30pm they still didn’t have food set out and we felt lost in - well - no sauce.
Other must-do’s on your way are Buona Sera, The Boondock’s Fishery (they had alligator sausage this year and the view of the Navesink River is relaxing while you eat), and Siam Garden (the portion size is enough for a complete lunch and is sooo good you will wish you could bring a doggie bag home).
If you still can stomach more, go right ahead and cover all of the other ground listed on your guide.
4 – Pick up water on your walk. It’s important to rehydrate as you wine and dine in the sunshine. There are delis, coffee shops and the like along the way where I highly suggest you pick up a bottle of water for yourself to sip as you go. If you don’t, you’ll wind up with a hangover and a headache, which won’t add to your experience, for sure.
5 – Pace yourself. If you try to tackle all of the restaurants at record pace, you will feel like you will pop way before you have to stop. Taste, chew, sip, swallow, sit, and relax. It’s not a race. Set your pace. You have four hours to eat and drink your money’s worth – and you will. The food and wine walk goes from 2pm – 6pm so walk, shop, sip, and enjoy the scenery.
6 – Allow for enough time to sober up before you drive off. That may seem self-evident, and it’s really not meant to be lecture-esque, but rather a reminder to plan your day so you have enough time to stay before you start your evening. When I had finished the food and wine walk this year, the sun had dipped below the tree line, and the temperatures cooled off a little. The breeze blew, and it was perfect for grabbing a cup of coffee and sitting along the Navesink River watching the boats go by. This also allowed for the opportunity to make sure that no one would drive anywhere until the effects of the alcohol wore off. Unless you can walk home, plan on staying a while before you drive off into the sunset safely.
Bon Appétit!
You can follow Red Bank Flavor’s events, including the Red Bank Food & Wine Walk here and here:
Remaining Dates for the Red Bank Flavour Food & Wine Walk in 2013:
Sunday, August 18
Sunday, September 15
Sunday, October 20
Wristbands $35 each, on sale starting 1:30pm on the day of the event.
Adults Only
2pm-6pm
This blow was also published via Patch Media in northern, central, and south Jersey.
I walked into Man of Steel not knowing what to expect – except that it was a “Superman movie”. I know it’s been out in theaters for a few weeks at this point, but with the holiday weekend approaching, if you’re like me, you might wind up catching a movie or two when you have the time. So I thought it was appropriate I make this post now.
I know that many “official” movie reviewers weren’t too fond of this flick, but I make it a point to never, ever go by official reviewers’ advice. More than half of the time my opinion is not the same as theirs. Perhaps it’s because I’m looking for different things in a feature – a backstory and not necessarily the special effects; or the big screen names that carry the blockbusters don’t always mean I’ll be mesmerized and think it’s a hit.
I hadn’t seen any trailers for Man of Steel, and only heard the movie mentioned in conversation. I’ve always liked Superman movies – well, the classic 80’s Superman I and II, at least. This movie, made me think. It made me think about how it could be improved; it made me think about how on earth they would produce a sequel that’s just as good without getting cheesy (because you just know that most action/superhero movie producers dream of making a sequel); and it made me think about alternative actions the characters could have logically taken during the course of the movie, to alter the outcome. The movie also caused me to ask myself some questions, and it made me reflect on some issues that it subtly brought up in terms of our own reality and the ramifications on our planet right now if we don’t change course.
I think everyone will find parts of Man of Steel, that they like – even if it’s the explanation that the “S” on his chest isn’t really an “S” or how it’s Earth’s proximity to the sun that supercharged him with extraordinary powers. I also think what you like and don’t like about this movie, depends on the kind of movie-goer you are, too. If you are into pure typical superhero special effects (read: Transformers movies), and a sexy siren (read: Megan Fox) - and could care less about the backstory, then you won’t like it as much as I think you will. However, if you’ve seen the 1980s versions of Superman I and II, and appreciate the superhero’s story for what it is worth, with a bit of twenty-first century embellishment, it will be fun comparing the plot lines of movies past to this as you watch Man of Steel. Finally we get the detail we deserve!
And if you haven’t seen the movie yet, you are now well-warned that the rest of this blog post contains spoilers, so read it at your own risk!
Pretty much everyone knows the story of Superman – the little boy born on the planet Krypton, who his parents ship to Earth upon that planet’s destruction – who grows up with superhuman strength and uses it for the greater good. We’ve heard about his school age love interest Lana, and later, his attraction to the reporter Lois Lane who tries to uncover his true identity and origin. There was only so much the producers of Man of Steel could do with that basic plot line; however, they really could take the backstory, the story of what happened prior to Krypton’s destruction, and run with it. That’s exactly what they did.
I loved how they exploited the treason of General Zod against the Kryptonian government – seemingly for the greater good, because Kryptonites (Kryptonians?) had drained the planet’s core to produce energy and had exhausted its natural resources. All Zod wanted to do was save the already doomed planet and his people, by forming a coup to take over the existing government, overriding their decision to use all of the remaining planetarial energy sealing the detrimental fate for all. Jor-El, Kal-El’s (Superman’s) father, was a prominent person on Krypton who foresaw the planet’s fate, but didn’t feel that joining Zod’s team was the right way to go. This event creates the rift between the “Superman” klan, and General Zod’s team, which is finally explained and wasn’t touched on in Superman I, decades ago. Jor-El wasn’t exactly an innocent, though; he defied Kryptonian “laws” in his own way and conceived a child with his wife naturally. This was a no-no in their society. Jor-El and his wife, Lara, hid the birth of their baby, and planned to ship him off to safety before their planetarial doomsday came to be.
You see, through genetic engineering and science, Kryptonites had been reproducing their species by growing new beings outside of the womb. They were able to hone them with the qualities they wanted in their people and “grew” each of them for a specific purpose. Each new life was predestined to fill a role in society and was not given the choice to decide what they wanted to be when they grew up. Zod’s predetermined biologically programmed purpose was to preserve the Kryptonian race at all costs – which, he was doing, by trying to save his planet, but in a monstrous way by overthrowing the government.
Right before the planet explodes, Jor-El sends Kal-El (Superman) off into outer space as a baby, to Earth, knowing that its environment could sustain and nurture his son’s life; because the alternative was for him to stay and perish with the rest of his people on Krypton. Also, that’s when Zod and his henchmen were arrested and sentenced to 300 cycles of isolation for their treason. Upon the planet’s abrupt explosion, Zod and his army break free and make it their mission to search the galaxies and find Kal-El and destroy him, since he is the offspring of their enemy, Jor-El – since Jor-El did not side with them.
What struck me as most interesting about the beginning backstory is that we, on Earth, are on the edge of engineering life. We’ve done it already with animals. We can already create life from human cells without needing a womb until those cells need to be sustained and grown into a being. How much longer before our society eliminates the need for a gestation host? It’s a slippery slope. If we have the ability to alter DNA so we can produce humans that are not predisposed to diseases – all fine and good at first. But there is something to be said for natural selection versus producing a homogeneous population which becomes less resistant to new disease and viruses. If these genetically engineered future humans are too much of a carbon copy of each other, then all you need is one new big bad disease to come along and the entire population is decimated. There is no innate differentiation in the future genetic makeup of these individuals to provide a percentage of the population with the ability to have immunity to something new, destructive, and unanticipated.
Not to mention, there is the potential to genetically engineer individuality right out of the door, where those with the means and access to this kind of science will be able to afford blue-eyed, blonde-haired, smart, tall, dark, and handsome offspring, made-to-order. Want to make a million? Pay a million to make a model! I’m sure that the government would think of it as a cost savings to tweak the DNA of these scientifically altered beings so there’s not a bad bone in their bodies (literally), so crimes are never committed. Oh, and need an army? Let’s order up 200,000 well-built, highly trainable, non-emotional babies with a predestined purpose in life similar to those on Krypton. My response: !!!!!
Hollywood certainly hit home with this point when the movie accentuated the pitfalls of using science for good, sometimes backfires in big ways; including the Kryptonians’ decision to abandon outposts on other planets in search of alternative energy sources, and then finally exhaust the planet’s energy supply at the ultimate expense of their existence. It’s the rob Peter to pay Paul syndrome. Why invest billions in finding new energy on Earth now? It’s easier to spend the money to battle over oil and use what we know in terms of technology and resources. No current generation ever worries that something will go so wrong in their own lifetimes; but what about future generations – what about them when they can’t undo the past and turn back time?
Then there were the less-deep facets of the movie that I equally enjoyed for a different type of brain engagement. I loved how FINALLY, finally, a movie maker wove the storylines of Lana and Lois into a tale of cohesive continuity in chronological order! Lana came first; Lois came second. Yay! Who ever cared about Lana anyway? She was portrayed in the 80’s as a mediocre high school girlfriend to Clark Kent. No biggie. In this movie, she was downgraded to a grammar school acquaintance at best. That’s pretty much the placement I would give her too. She was never life-altering in my mind.
Now Lois – she’s cool. She’s intriguing. Maybe it’s the journalist in me that relates to her. Inquisitive and adventurous! I’m glad that they introduced her to the movie as an investigative reporter and “Clark Kent” wasn’t already working at The Daily Planet inexplicably. There wasn’t one single phone booth used for a Superman costume change in this movie, and it wasn’t necessary. The shot of realism introduced into the character of the “superhero” was done perfectly, exemplifying that if anyone had some skills not common to the general population, (i.e. super strength, x-ray vision, the ability to fly, etc.) most likely, because of human nature, they would be treated as an outcast and that would develop someone’s character in of itself.
Now to pick and poke: Towards the end of the movie, when Zod and Superman battle it out, I kept wondering why they thought it was best to go head to head. Both were equally matched in terms of strength and stamina. Zod definitely had the advantage, as he knew Superman cared for Lois and had a soft spot to save his mother. All Zod would have had to do was kidnap either one of them, or both, and it would have been more powerful than any punch he could have thrown. Superman would have surrendered to save them. But – then, if that kind of logic prevailed, there wouldn’t have been the special effects battle scenes that the general audience craves and expects. That said – I think that the battle scene was just too long.
I know that Lois Lane was supposed to be this “serious journalist”… but come on! The styling crew could have sexed her up a bit! I mean, at least give the girl a good pair of shoes! Amy Adams is a pretty woman; but you don’t have to be buttoned up-to-there to show you are career-minded. The attraction factor between Superman and Lois could have been amplified if the producers allowed the stylists to make-over Lois into a twenty-first century version of someone who is fashion forward yet Superman savvy. They certainly didn’t hold back on the muscle-enhancement costume that Henry Cavill wore to accentuate his build! If you give eye-candy to certain movie-viewers, I say give it to all.
As for a sequel – the only way I think one could be justified is if the producers deviated from the original Superman story and came up with some kind of believable, never-told tale. Then again, I think they should just leave it alone and not go for a second session. The problem with most sequels is that they just can’t surpass the first movie, or even match it for that matter. What would be more interesting is to do a prequel - - I would love to know more about Krypton and its people and powers.
This blog was also published via Patch Media in New Jersey and the South Jersey / Philadephia area.
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See the Shewell surname, family crest & coat of arms. Free Search. Uncover the Shewell surname history for the English Origin. What is the history of the last name Shewell?
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https://www.houseofnames.com/shewell-family-crest
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Shewell History, Family Crest & Coats of Arms
Origins Available:
England
Ireland
The Shewell name has descended through the generations from the ancient Anglo-Saxon culture. Their name comes from having lived in any of the places named Sewell, Showell, Seawell, and Sywell in England. Shewell is a local surname, which belongs to the category of hereditary surnames. There are a variety of types of local surnames, some of which include: topographic surnames, which could be given to a person who lived beside any physical feature, such as a hill, stream, church or type of tree. Habitation names form the other broad category of surnames that were derived from place-names. They were derived from pre-existing names for towns, villages, parishes, or farmsteads. Other local names are derived from the names of houses, manors, estates, regions, and entire counties. It is also possible that the surname Shewell is a patronymic surname, which derives from the Old English given name Siwal(d). This surname is composed of the elements sige, sæ and weard, which mean victory, sea, and rule, respectively.
Early Origins of the Shewell family
The surname Shewell was first found in Warwickshire where the earliest record of the name was Sewallis, a "noble Saxon" who possessed Lower Eatington before the Norman Conquest. Sewallis was an ancient personal name and was not uncommon in Saxon times. 1
Girart de Sevele was listed in Normandy in 1180 and the Rotuli Hundredorum lists Roger Sevale in England c. 1272. 2
Two references claim that four different listings of the name were found in Warwickshire the Domesday Book, our translation 3 only listed one Sewell, in Bedfordshire as land held by the King that was originally belonging to the Odecrooft hundred but Ralph Taillebois added it to the manor of Houghton Regis with King William's consent.
Today Sewell, is a hamlet located in central Bedfordshire and is still in the Houghton Regis civil parish.
The Hundredorum Rolls of 1273 had quite a few listings for the name as a forename and as a surname: Sewallus de Cleton, Hertfordshire; Sewale de Retcote, Oxfordshire; Robert filius Sew, Norfolk; Thomas Sewald, Oxfordshire; and Godard Sewale, Cambridgeshire. 4
Early History of the Shewell family
This web page shows only a small excerpt of our Shewell research. Another 166 words (12 lines of text) covering the years 1150, 1257, 1366, 1393, 1643, 1652, 1654, 1667, 1671, 1674, 1676, 1688, 1701, 1720 and 1730 are included under the topic Early Shewell History in all our PDF Extended History products and printed products wherever possible.
Shewell Spelling Variations
Only recently has spelling become standardized in the English language. As the English language evolved in the Middle Ages, the spelling of names changed also. The name Shewell has undergone many spelling variations, including Sewell, Shewel, Sewel, Sewall, Shewall, Shewal and many more.
Early Notables of the Shewell family
Distinguished members of the family include Sewall de Bovill (d. 1257), Archbishop of York, a pupil at Oxford of St. Edmund (Rich), the future Archbishop of Canterbury. John Suell (fl. 1393), was an English politician, Member of the Parliament of England for Totnes in 1393. Gabriel Saywell (died 1688), was rector of Pentridge, Dorset; and his son, William Saywell (1643-1701), was an English churchman and academic, known as a controversialist, Archdeacon of Ely, and Master of Jesus College, Cambridge. Samuel Sewall (1652-1730), was "a colonist and judge, son of Henry Sewall and Jane, daughter of Stephen Dummer, born at Bishopstoke, Hampshire. Emigrating in childhood...
Another 111 words (8 lines of text) are included under the topic Early Shewell Notables in all our PDF Extended History products and printed products wherever possible.
Migration of the Shewell family to Ireland
Some of the Shewell family moved to Ireland, but this topic is not covered in this excerpt.
Another 41 words (3 lines of text) about their life in Ireland is included in all our PDF Extended History products and printed products wherever possible.
Shewell migration to the United States +
To escape the unstable social climate in England of this time, many families boarded ships for the New World with the hope of finding land, opportunity, and greater religious and political freedom. Although the voyages were expensive, crowded, and difficult, those families that arrived often found greater opportunities and freedoms than they could have experienced at home. Many of those families went on to make significant contributions to the rapidly developing colonies in which they settled. Early North American records indicate many people bearing the name Shewell were among those contributors:
Shewell Settlers in United States in the 17th Century
Sam Shewell, who landed in Virginia in 1653 5
Johns Shewell, who landed in Virginia in 1661 5
Jonathan Shewell, who landed in Maryland in 1678 5
Samuel Shewell, who arrived in Maryland in 1678 5
Mary Shewell, who landed in Maryland in 1678 5
Shewell Settlers in United States in the 18th Century
Richard Shewell, who arrived in Virginia in 1701 5
Walter Shewell, who landed in Virginia in 1701 5
Katherine Shewell, who arrived in Virginia in 1701 5
Jonas Shewell, who arrived in Virginia in 1701 5
Elinor Shewell, who arrived in Virginia in 1701 5
Contemporary Notables of the name Shewell (post 1700) +
Debbie Shewell, American producer, known for An Unsuitable Job for a Woman and Waking the Dead
L.R. Shewell, American writer, known for the silent film The Shadows of a Great City (1915)
Tanya Thornton Shewell (b. 1944), American politician, member of the Maryland House of Delegates (2004-2011)
Eryn Shewell, American jazz and blues guitarist and vocalist
Oliver Shewell Franks (1905-1992), Baron Franks, an English public servant and philosopher
Related Stories +
Citations +
Lower, Mark Anthony, Patronymica Britannica, A Dictionary of Family Names of the United Kingdom. London: John Russel Smith, 1860. Print.
The Norman People and Their Existing Descendants in the British Dominions and the United States Of America. Baltimore: Genealogical Publishing, 1975. Print. (ISBN 0-8063-0636-X)
Williams, Dr Ann. And G.H. Martin, Eds., Domesday Book A Complete Translation. London: Penguin, 1992. Print. (ISBN 0-141-00523-8)
Bardsley, C.W, A Dictionary of English and Welsh Surnames: With Special American Instances. Wiltshire: Heraldry Today, 1901. Print. (ISBN 0-900455-44-6)
Filby, P. William, Meyer, Mary K., Passenger and immigration lists index : a guide to published arrival records of about 500,000 passengers who came to the United States and Canada in the seventeenth, eighteenth, and nineteenth centuries. 1982-1985 Cumulated Supplements in Four Volumes Detroit, Mich. : Gale Research Co., 1985, Print (ISBN 0-8103-1795-8)
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About Eryn Shewell & The Whiskey Devils. Eryn Shewell & The Whiskey Devils is a Rock and Blues Band
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"Shewell Sings The Blues"
4-3-08 Asbury Park Press article "Shewell Sings the Blues"
Shewell sings the blues
By SARAH WEBSTER • Staff Writer • April 3, 2008
ASBURY PARK — Family members knew 10-year-old Eryn Shewell had musical talent when she sang karaoke at her uncle’s wedding.
Standing in a corner with microphone in hand, Shewell impressed her family members when she started singing "I Saw the Sign" by Ace of Base.
"No one knew I could really sing until that time," she said.
"I have been singing my whole life," she said.
Shewell, now 23, is a musician and mom. She lives in East Brunswick with her 4-year-old daughter, Emily.
"I do music, and I’m a mommy," she said. "I wouldn’t be able to do this without my family. Anytime I need a baby sitter they are there for me, and they also come out to the gigs.
"I’ve played many times where there is only my mom in the crowd," she said.
How does she do it all as a full-time parent?
"A lot of phone calls and e-mails," she said, adding that she also utilizes a Web site called wheresthegig. com, which helps musicians keep track of performances.
Shewell (singer/songwriter/guitar) has her own original music band named after her, The Eryn Shewell Band. She formed the band in June 2007 and they are now putting out a live release called "Live from the Cutting Room.
"
"Right now I have a nine-piece band," Shewell said. The band members include Pat Ruh (guitar), John MacDonald (bass), Elliot Kessler (drums), Antonio Gambrell (trumpet), Tommy Meares, (trombone), Arne Wendt (keyboards), Kathrine Verderosa (backing vocals), and Jenna Britton (backing vocals).
The band has been busy in the past year, Shewell said, playing gigs at least two to three times a week all over the tri-state area.
"I have this band and also a cover band on the side," she said, adding that the cover band is the one that pays the bills.
Shewell grew up in a music environment. She said her mother, Dawn VanArsdale, and father, Larry Shewell, both sing; her aunt Lori has been in a cover country band for 20 years, and her grandfather William Jennings plays various instruments and country and bluegrass music.
"He plays everything from banjo to guitar to accordion," she said, adding that family gatherings involved everyone sitting around singing and playing guitar.
When it comes to music, "I guess it’s in the blood," she said.
What type of music does Shewell prefer to sing?
"I like to sing blues and jazz the best," she said. "Rock is fun, but I prefer the other two.
"
She has followed her passion for jazz and blues to New Orleans.
"The entire city of New Orleans inspired me," she said. "It was amazing.
"There is all this spirit and energy there — the horn players will walk around and play anywhere and everywhere," she said, "even if a band is in the club, and they are outside playing.
"
Shewell has one self-released full-length record out named "One Song at a Time." It’s a release she calls a "living-room record.
"
"I did it myself in my living room," she said, adding she called her band members over to her house to make it.
The band has just recorded a live album at The Cutting Room in New York City, and it is due to release by the summer. It will feature a DVD of a live concert and feature clips of Shewell speaking.
The live record currently is being mixed, edited and packaged, she said.
Eryn Shewell will be playing acoustic gigs at 8:30 p.m. April 4 at the Twisted Tree Cafe in Asbury Park, at 10 p.m. April 12 at the Beacon Street Grill in Neptune and at 9 p.m. April 16 at Bar Anticipation in Lake Como. For more information, visit www. myspace. com/erynmusic or www. myspace. com/theerynshewellband.
- Asbury Park Press
"Going For Broke"
Going For Broke... Asbury Park Press Article
GOING FOR BROKE
Shewell has stars in her eyes
Posted by the Asbury Park Press on 09/29/07
BY ED CONDRAN
CORRESPONDENT
Ever since Eryn Shewell was a young girl, it's been the music industry or bust.
The East Brunswick-based singer/songwriter has had her heart set on a career as a performer ever since she was in middle school.
"I used to tell people back then that I would become famous," Shewell said. "They said, "Make sure that you have a backup in case your music doesn't work out.' Most people have a backup."
However, there is no contingency plan for the 23-year-old Shewell, who grew up in Jackson. The shy, soft-spoken songsmith plays mother to her 4-year-old daughter during the day and is a musician at night.
"This is it for me," Shewell said. "My family and my music is my life. There's not time for much more."
Blues, jazz and rock are some of the styles of music Shewell will offer when she performs Sunday at the Wonder Bar's closing party.
"I love all kinds of songs, but that's what I'm doing now," she said. "I would love to try it all."
The Washington, D.C., native, who has been writing songs since she was 8, was weaned on country music and during her teens reveled in hard rock.
"You sample different things when you're growing up," Shewell said. "The stuff you listen to stays with you."
Shewell is working on her debut album with Jason Corsaro.
"We have three songs finished," she said. "He's working on some other things now. I'm waiting for him so we can complete it."
In the interim, Shewell continues to write songs. Relationships and growing up are some of the common threads in her material.
"Something is always happening to inspire me," Shewell said. "Since what I write is a reflection of my life, I have more and more songs. When you come see me, you're hearing the story of my life."
- Asbury Park Press
"Show Review Twisted Tree Cafe"
Show Review!!
TWISTED COVERS - ELVIS COSTELLO
Posted on 2008-04-05
(ASBURY PARK, NJ - March 30, 2008) -- Twisted Covers featured a look at the career of Elvis Costello this monday. The show, which takes place on the last Sunday of each month at the Twisted Tree Cafe on Cookman Avenue in Asbury Park, featured a bunch of show regulars alongside several new faces.
Some of the artists marking their first appearance at Twisted Covers include Joe D’Urso, <b>Eryn Shewell<b>, Deena Shoshkes, Roger Gardella, Christian Beach, and Rob Neil. Regulars included Keith McCarthy, Tony Tedesco, Joe Harvard, Michael Brett, Jo Wymer, George Wirth, and Pat Roddy. I like how we now have a bunch of artists as regulars kind of like a comedy or theatre troupe would have. It’s cool to see these artists take a chance each month with banging out a few covers - especially since very few of the artists who play actually play covers in their sets. That’s what makes this show very special to me.
In case you’re unfamiliar with the show, basically artists play one or two covers by the featured artist and then play one of their originals. This allows artists the chance to introduce them to new audiences and let those people hear their own work as well. Considering that many people are more comfortable hearing songs they already know, the show is a good way to ease those folks into the local original scene.
This was the second time Twisted Covers had tried spotlighting a particular album and I think it probably was the last as well. When we tried it for Neil Young it was a resounding success, but that was a rather short album and contained a lot of popular songs that people knew. This go around, we tried highlighting a rather obscure album (Elvis Costello’s "King Of America") and it didn’t work nearly as well. There were some great highlights but also a bunch of low lights. From now on, we’ll just let artists pick a popular cover and a somewhat obscure cover and if we get a bunch from any one album we might try doing something with it. But we won’t be highlighting albums again.
<b>Show highlights for me include Eryn Shewell’s band doing "Eisenhower Blues" from "King of America" - this was a song that I’d imagine few knew, but their take was incredibly good. In fact, I think the song sounded better than on the album. It’s one of those jazzy tunes that works better with a female voice than a males. I told Eryn I thought it went over so well that she should bring it out during one of the band’s sets sometime. Eryn also did a wonderful cover of "Almost Blue" that was exactly what I expected. When she first signed up for that song I knew she would nail it.<b>
Roger Gardella’s take on "Indoor Fireworks" was wonderful as well. That probably is my favorite song on "King of America" and I was glad to see someone cover it.
Joe D’Urso and Deena Shoshkes were welcome additions to the lineup. Joe has been a mainstay in the Jersey Shore scene for quite some time despite living in New York. His take on "Little Palaces" (also from "King of America") was extremely good and his original (a recently written piece) was a crowd favorite. Deena is the lead singer of The Cucumbers and somebody that I came across via Myspace. Turns out she has a monthly singer-songwriter show/gathering she puts together each month and was very into the idea of Twisted Covers. She played "Loveable" and the classic "Radio Radio" before launching into a brand new song which I think made its first ever live appearance. Cool stuff!
Michael Brett continued to amaze me with his covers considering he rarely ever plays cover tunes when I see him live. He chose "Watching The Detectives" and "Veronica" which was cool considering how great the combination of Elvis and Paul McCartnery was on that album.
Rob Neil was someone I wasn’t familiar with but I enjoyed his takes on "Alison" (always one of Costello’s most popular tunes) and "(What’s So Funny About) Peace, Love and Understanding", a cover tune Elvis made big. Neil’s original tune was pretty interesting as well. It falls under the genre of "wizard rock" or something. I had no idea there was such a genre but it has something to do with Harry Potter...
And Keith McCarthy once again assembled a band to do some truly great work on tunes like "I Want You" -- Keith and his friends are welcome anytime for this series as it seems like there is nothing they can’t play.
Jo Wymer, Joe Harvard, Pat Roddy, Christian Beach, George Wirth, and Tony Tedesco rounded out the show with great covers and, more importantly, great song choices. I really like how the song list doesn’t simply reflect the 10 or 20 top songs by any artist but shows a few obscure gems and forgotten classics as well. And, I love the way the original songs fit into the mix as many of the artists aren’t afraid to bring out literally brand new songs as people like Tony Tedesco did today.
The next Twisted Covers show will feature the wo - AsburyMusic.com
"ONE SONG AT A TIME..."
ONE SONG AT A TIME...
Originally published in the Upstage Magazine print edition
By Gary Wien
Eryn Shewell not only believes that music can change the world one song at a time, but she's making others believe as well. She's one of the hardest working musicians in New Jersey and has been attracting the attention of music fans and club owners across the state as well. Recently nominated for several Asbury Music Awards, we finally had a chance to talk to Eryn about her career, her belief in music, and her little girl who might follow in her footsteps if she doesn't become a drummer first.
I first saw Eryn Shewell at The Stone Pony in Asbury Park over a year ago and was blown away by her performance. It's hard to believe, but she says that was her first ever live performance of her originals. Since then, her songs have gotten better and her band is now comprised of amazingly talented musicians that bring her rock and roll / country tunes alive with a touch of jazz and blues flavoring. The band includes John MacDonald on bass, Antonio Gambrell on trumpet and backing vocals, Pat Ruh on guitar, Elliot Kessler on drums, Kat Verderosa on backing vocals, and Doug Scocco on organ and keyboards.
"It boggles my mind that I have all these talented people that are doing so much for me and I don't even know how to thank them," said Shewell. "I thank whatever the powers that may be for them everyday. I'm a lucky girl."
Shewell has floated under the radar a bit by playing shows at many untraditional original music venues. In addition to her original band she also fronts a cover band called Stronger Than Dirt. Playing in both bands allows her to work on different angles of her music and helps her make more connections in the area.
"I love doing both," she explained. "It's two different worlds. With my originals I get to be more creative and the songs have more meaning. My cover band stuff lets me kind of just let it loose and rock out a bit."
Born in Washington, DC, Shewell moved to New Jersey when she was 8. Since then she has been lead singer for the country band Sundance, pop/rock band Easily Amuzed, and was a member of the popular New Jersey band Jody Joseph & The Average Joes. She recently won over audiences in New Orleans singing with national touring band Soul Project.
Eryn's taste in music was partly influenced by her parents. Her father listened to the Rat Pack while her mother was into country music. In high school, Eryn began getting into jazz artists like Duke Ellington and Billie Holiday. Throw in some classic rock and those are the influences found in her songs. It's an interesting blend that has a distinct sound of its own.
Shewell and her band play throughout New Jersey and places in Pennsylvania and New York. Their biggest gig to date was last August's Musikfest, the 10-day music festival that takes place in Bethlehem, Pennsylvania. The band played in front of thousands of people who listened to every note played.
"It was amazing," said Shewell. "When it was said over the microphone that we had free CDs, it was like a bum rush to the table! We ran out of CDs and started handing out promos without covers or even cases. Then we ran out of everything! It was crazy!"
Eryn is currently recording an album with Grammy award-winning producer Jason Corsaro (Madonna, Sound Garden, Peter Gabriel, Mariah Carey). The process is taking longer than she'd like, but she hopes to have the
new record out sometime in 2008.
--------------------------------------------------------------------------------
Nov 6, 2007 The Saint, Asbury Park, NJ
Nov 7, 2007 Internet Cafe, Red Bank, NJ
Nov 9, 2007 The Blue Room Lounge, Secaucus, NJ
Nov 10, 2007 Orphan Annies, Stirling, NJ
Nov 21, 2007 Internet Cafe, Red Bank, NJ
Nov 23, 2007 Rug's & Riffy's, Woodbridge, NJ
Nov 24, 2007 Molly Maguire's, Clark, NJ
Nov 27, 2007 Dexters, Riverdale, NJ
Dec 4, 2007 North Star Bar, Philadelphia, PA
http://www.ErynShewell.com
Gary Wien --
PHOTO by Mike Black
- Upstage Magazine
"Boys: watch and learn, Girls Night Out on May 21"
Boys: watch and learn, Girls Night Out on May 21
Looks like the boys might have some catching up to do this month. On May 21, NJ/NY based musician and producer Deb Ferrara will host and perform in Girls Night Out at The Bitter End, the first in a series of NJ Songwriters in the Round to showcase female artists. Ferrara's impressive group of performers and their range of styles and influences is a reflection of her story, which doubles as a guide to independent music success. Over the past six years she has hosted a monthly music showcase at Maxwell's, founded Songs for the Cause, and had her music featured on MTV's The Hills. Her line-up shares the same spirited work ethic and extensive list of accomplishments. <br>For East Brunswick, NJ-based Eryn Shewell, who mixes Janis Joplin's soulfulness with Bonnie Raitt's bluesy lament, this is just one of many stops on her upcoming seven-month tour.<br> Lisa Coppola of Belle Meade, NJ, who has performed with Billy Joel on Saturday Night Live, will add a rock/pop edge to the evening, with songs reminiscent of Cindy Lauper, Pat Benatar, and Liz Phair. The show will be featured in June on Time-Warner's On the Beat, an on-demand NY1 entertainment program. And for all you boys still trying to score your first New York show, be sure to take notes. Wednesday, May 21 NJ Songwriters in the Round Girls Night Out at the Bitter End. 147 Bleecker Street NY, NY (212) 673-7030, 7:15pm, No cover. - Jaime Pannone
- The Deli Magazine NYC
"Review of "Window Pane""
Eryn Shewell, Window Pane
December 5, 2008
Eryn Shewell and her band play the kind of music you’d expect to hear at a good block party. The musicians are tight, and the music is loose, a feel-good mix of soul, country, and blues – a little something for everyone. Shewell has a voice that cuts through a crowd, she could probably keep singing with the band if her mic went out. And she has a penchant for hitting on a particular simple phrase and hammering it home in a chorus – “Just One of Those Days,” “One More Melody,” “I Don’t Know.” By the time her songs are over, you will remember the chorus whether you want to or not.
Stylistically, Shewell stays in mostly familiar territory on Window Pane. “I Don’t Know” and “Just One of Those Days” could be lost tracks from Blues Traveler’s Four. “I Want You for Breakfast” is the kind of comely cute ballad Jewel has made her trademark. Most of the album is the musical equivalent of comfort food. Funny thing about comfort food, though, if it didn’t taste good, you wouldn’t eat it. And to stretch the metaphor even further, Shewell is happy to serve up tasty helpings of it.
Although she can be a little overwrought at times, Shewell’s voice adapts well to bright country rock or sassy blues, whatever’s needed for the song at hand. And her band is impressive, from the horn section playing funky breaks to her rock-leaning electric guitarist to the tasty grooves her bass and keyboard players lock into. Everyone fills when they need to, no one steps on anyone else’s toes or makes the arrangements too busy. Window Pane may not blow you away with its originality, but you won’t kick it out of bed for eating crackers. (Ouch. Back to the food thing. What a hack).
Words By: Nick A. Zaino III
- Skope Magazine
"Review of "Window Pane""
October, 2008
Translation:
Using a perfect mix of rock, blues, jazz, soul and even a little bit of country, Eryn Shewell introduces her music to us. Her debut album is filled with strong compositions, songs with catchy hooks and strong melodies. And not only that, she possesses the perfect voice to bring those songs to us. A voice that reminds us of the debuts of Joss Stone and Susan Tedeschi. We then also told you, "This girl is gonna get far"...and weren’t we right both times? Well, we dare to say the same thing about Eryn Shewell. Maybe it will be a little more difficult for her, because there is no major record company to promote her, but with the mouth to mouth publicity she gets from the strong live performances she and her strong band bring us, her name will be known in no time. From her hometown, Asbury Park in New Jersey to New Orleans and beyond, she performed in the most important clubs and everywhere the audiences go wild. The songs on this CD are all strong and from the second time you hear them, they stay... it's difficult to get them out of your head again. But who cares? These are Songs that are waiting to get played on the radio too. Eryn's voice is so strong and flexible, filled with a lot of soul. From high to low, from a whisper to a scream, she brings it without the least of effort. Those are the signs of a real class singer. Others have noticed this too, because she is a much sought after backing vocalist, recently even on Walter "Wolfman" Washington's latest CD. A song like "I Don't Know" is a good example of her songwriter qualities, just like the strong "The Lonely Writer" (that guitar!) or the funky, jazzy sounding "Window Pane," in which her voice reminds me a lot of Joss Stone. The quiet "One Song at a Time" has a bluesy feel to it. What a great, soulfull song this is! Whatever song we chose they are all "winners". "Just One of Those Days" even has some country influences, which could easily make it big on Nashville radio. She has been compared with Jewel and Martina Mc Bride in some press articles, and we can understand why. The closing song, the wonderfully sung "I Want You For Breakfast" shows it: this girl knows what she wants and she will get it! Let us hope it is "success," because that is what she really deserves. (Ronny Bervoets/ Rootstime Belgium)
- Rootstime - Belgium
"SHOW REVIEW - Eryn Shwell Band Comes Into"
(ASBURY PARK, NJ – March 3, 2009) – I wasn't originally planning on writing a review of this show, but figured I'd do a write-up since people have emailed me saying I hadn't done much with the blog lately. Although I've been going to shows regularly, I just don't feel the need to do show reviews unless something really clicks for me. Tonight was one of those nights. Even though the lineup featured three artists I've seen quite often, the show itself was worth writing about......
....The final act of the night, the Eryn Shewell Band, is the reason for this review. I've been very impressed with Eryn and her music for several years now, but I think the band has fully come into their own. They recently returned from recording in Nashville and the trip seems to have done them a lot of good. They've got a sort of confidence now that was lacking somewhat in the past. Take Eryn for example. In the few years that I've known her, I've watched Eryn transform from a rather timid backup singer to a full band leader that's clearly in charge. Likewise, her music is eloquently executed by some of the area's strongest musicians. Together, they all combine to produce one if the best live shows you will ever see.
In fact, I think her band's music is meant to be experienced live. Yes, their studio recordings are good, but they pale in comparison with the thunderous roar of her live shows. It's an experience that can't be matched on tape; It's part roadhouse, part arena, and part tent revival - a sound that picks you up and raises you to a place that few can reach.
It's funny, thinking about how so many bands compete to be the house band for the Stone Pony while Eryn and her band just might be the ultimate house band for The Saint. Their music fits the club like a glove, filling every crevice of the joint as if the club was her own. And tonight, it was.
- Gary Wien
"Eryn Shewell - 4th & Broadway"
About a year ago we received Eryn Shewell's debut album, a record that impressed us enormously. Her special mix of blues, jazz and Motown soul was refreshing. More than that, her powerful, soulful voice was a revelation to us. Her first album “Window Pane” remains one of a few debut records released last year that I continue to listen to over and over again. It continues to grow on me after all these months. Why? Because "Window Pane" was filled to the brim with strong songs, brought with craftmanship and delivered with that wonderful voice that sounds full, powerful and also tender at the same time and is always dripping with soul. In the review of “Window Pane” we predicted Eryn would have a great future, or at least hoped she would gain lots of recognition, because she simply deserved it. There is talent in abundance here.
Today I am listening to Eryn's recently released sophomore CD, named "4th & Broadway." a record which continues in the same direction as her first. This is a CD that is full of variation, using similar elements as on her debut, but in our opinion has even stronger, more mature songs. As happens so often these days, big record companies don't always notice potential like Eryns because it is surprsing to us that this album is also an independent release. Maybe it's the versatility of this singer that scares the majors, she may be difficult to label..not enough blues, jazz or soul to pin her down into one specifc genre. We believe the best of popmusic is built on these three strong genres and the fusion of genres is this CD's greatest strength. The songs Eryn writes are so strong that they transcend the standard blues, jazz and soul we hear so often and Eryn always adds something of her own. These songs get better every time you listen to them not the other way around as often happens with the music we receive for review.
Songs like the very soulful, somewhat jazzy sounding "Moment" and the passionate "Satellite" are real gems. They get to you immediately and you'll be sure to be humming them after a short time listening to them. Eryn's strong lyrics about modern everyday life in relation to her own experiences will certainly touch your soul.
One of our favorite tracks on this new cd is "300 Miles", a song with an Alternative Country, Americana feeling to it achieved with some great playing by master pedal-steel guitarist Sam Getz.
The rest of the band is also top notch, including bass player Steve Johnson, drummer Tom Cottone, trumpet player Antonio Gambrell and the backing vocalists. Alice Leon and Curtis King are both wonderful musicians, and the recording is crystal clear and mixed to perfection.
Eryn's love for the blues is best heard in the relaxed sounding blues track "Whiskey Devil", another one of my favorites, being a blues lover myself. "My Soul" is another one I can't get enough of and has some great slide by Pat Ruh.
We sincerely hope with the release of this album Eryn Shewell will get the attention and success she really deserves. Perhaps, things are starting in that direction already, we understand she just won the "Top Female Vocalist" award at the Asbury Music Awards this year. Let the rest follow!
Ronald Bervoets - www.rootstime.be
"Eryn Shewell - Window Pane Review"
Judging from the plethora of singer/songwriter releases we’ve been auditioning here at #1 L2P Tower, there’s little doubt that we are entering, or have entered, a very prolific period for popular songwriting. Credit it to stresses in society or simply the coming of age of a new generation of songwriters, but it’s undeniable: the poignantness of the messages in the poetry and music being crafted by independent artists is on the rise.
Most certainly this will continue as songwriters continue to survey and interpret the global political landscape and relate it to their personal lives. Now, I said all that just so I could cap it by adding that I think Eryn Shewell is one of the most “in tune with the times” songwriters I’ve had the pleasure of reviewing in recent memory. Her lyrics run from soft and playful to rugged and meaty, which, reflects her style of performing.
Her music is consistently interesting, and always emphasizes the lyrics. Most of her tunes ride on the edgy side of pop, touching upon both blues and jazz. She has excellent vocal control, a powerful, yet very sincere, voice and loads of energy, making her an exceptional live performance. Hailing from East Brunswick, NJ, Eryn is self-taught on the guitar (a necessity for a songwriter) and has intelligently backed her own natural talents by being trained as a sound engineer, in order to better understand the science behind achieving the perfect sound.
Her Live2Play quote is,"Music has always been my passion, my therapeutic outlet, I’m not just chasing fame - this is my career. I will always work in the music industry in some capacity."
- Live2Play Network
"SHOW REVIEW - Eryn Shwell Band Comes Into"
(ASBURY PARK, NJ – March 3, 2009) – I wasn't originally planning on writing a review of this show, but figured I'd do a write-up since people have emailed me saying I hadn't done much with the blog lately. Although I've been going to shows regularly, I just don't feel the need to do show reviews unless something really clicks for me. Tonight was one of those nights. Even though the lineup featured three artists I've seen quite often, the show itself was worth writing about......
....The final act of the night, the Eryn Shewell Band, is the reason for this review. I've been very impressed with Eryn and her music for several years now, but I think the band has fully come into their own. They recently returned from recording in Nashville and the trip seems to have done them a lot of good. They've got a sort of confidence now that was lacking somewhat in the past. Take Eryn for example. In the few years that I've known her, I've watched Eryn transform from a rather timid backup singer to a full band leader that's clearly in charge. Likewise, her music is eloquently executed by some of the area's strongest musicians. Together, they all combine to produce one if the best live shows you will ever see.
In fact, I think her band's music is meant to be experienced live. Yes, their studio recordings are good, but they pale in comparison with the thunderous roar of her live shows. It's an experience that can't be matched on tape; It's part roadhouse, part arena, and part tent revival - a sound that picks you up and raises you to a place that few can reach.
It's funny, thinking about how so many bands compete to be the house band for the Stone Pony while Eryn and her band just might be the ultimate house band for The Saint. Their music fits the club like a glove, filling every crevice of the joint as if the club was her own. And tonight, it was.
- Gary Wien
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Shoreworld: Val Emmich – The Reminders – A Novel
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2017-05-31T00:00:00
|
New Jersey's Original Alt-Weekly
|
en
|
The Aquarian
|
https://www.theaquarian.com/2017/05/31/shoreworld-val-emmich-the-reminders-a-novel/
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Val Emmich has worn many hats in the entertainment field. Songwriter, musician, actor and writer, Emmich pools real experience, imagination and a passion for excellence in everything he does. And while he has experimented with written word quite extensively, The Reminders is Emmich’s first foray into storytelling in novel form. Born partly of a truth and mostly of fiction and the wonderment of how certain people are never forgotten, The Reminders is the story of two unique individuals with memories and life feelings that cross over each other like a rhubarb pie covering.
Emmich tells the story of each character, in turn, beginning with 10-year-old Joan Lennon Sully. Waiting for her father to pick her up after school, Joan Lennon (named after the legendary John Lennon) waits patiently for her late father while school officials nervously check their watches. Once he finally shows up and gets her into the car, Joan notices a newspaper article that says “The Next Great Songwriter Contest” which starts this story on its way.
Joan is a budding musician that takes after her father, an established songwriter who has done OK in commercials and movies but has run into hard times and is looking to close his studio and join his father in the stable family business. Joan’s dream is to become a famous songwriter like John or Paul from the Beatles.
Joan’s mother had a childhood friend named Sydney. Sydney eventually met partner Gavin (an unsung television star), and the two begin their life together. After Sydney’s untimely passing, Gavin burns their memories and gains nationwide phone camera notoriety before heading to New Jersey to visit with friends and family. It is here that he meets young Joan.
Emmich’s skill at weaving multiple stories into one cohesive masterpiece comes alive on The Reminders. It is here that he pairs Joan and Gavin (Winters) as songwriting partners with Joan hoping to win the songwriting contest and change her life in return for her telling him all about the memories of Sydney that she remembers.
She remembers so well because Joan, after falling on her head in Home Depot (the one actual piece of the story that Emmich used from what happened to his real daughter), was left with the rare ability to recall every day of her life in cinematic detail. In seconds, she can tell you how many times her mother had uttered the phrase “it never fails” in the last six months (27) or what she was wearing when her grandfather took her fishing on a Sunday in June years ago.
Joan had never met Gavin until now, but she did know his partner, Sydney, and waiting inside her uncanny mind are half a dozen startlingly vivid memories to prove it. It is for this reason that Gavin stays and helps her write her song so that in return he can figure out what his partner might have been up to and where he was going at the end of his life. The unlikely duo sets off on their quest until Joan reveals unexpected details about Sydney’s final months, forcing Gavin to question not only the purity of his past with Sydney but the course of his immediate future.
Emmich’s style is both intelligent and tender at heart, rolling emotional angst and sweet memories of the past into a plethora of soul-searching questions and answers focusing on the present. Joan’s rockstar dad and supportive mom also play vital roles in the book, revealing worries and fears of theirs while supporting both daughter and Gavin as they search for clues on the road of life. Each new chapter takes the characters further down the yellow brick road until they reach their unchosen destinies. And even if things don’t work out exactly as planned, in the end, everybody pretty much finds the answers they were looking for.
Emmich has done exceedingly well for a first book author, and The Reminders should appeal to readers of all ages. I enjoyed the book tremendously and can’t wait to see what Emmich comes up with next. Charming, raw and filled with empathy and sorrow, The Reminders is also a refreshing look into the lives of people on the road to healing and new purpose, and for these reasons alone I give The Reminders five stars.
Emmich is a writer, singer-songwriter, and actor. Besides his many recorded records, Emmich has also had recurring roles on shows such as Vinyl, Ugly Betty, and 30 Rock.
Val Emmich will be holding his book release party on June 3 at Maxwell’s in Hoboken. The Reminders will be available for purchase at the show along with a free The Reminders limited release CD. For more information go to Val’s website for details at valemmich.com.
Live On LBI Series Announced For This June Feat. Jeffrey Gaines, Willie Nile, And Ben Arnold/Matt O’Ree/Eryn Shewell
When you usually think of LBI, you think of loads and loads of tourists from New York, Delaware and Pennsylvania, crowded beaches, packed restaurants and dance music clubs galore. The one thing you hardly ever hear about is real live original music. Once you cross over that causeway and onto the island, most visitors seem to want specific forms of entertainment and live original music never seemed to be one of those desires. Or so I thought. The Long Beach Island Foundation of Arts and Sciences has found their musical niche and are starting to forge their specific brand of entertainment across the island of summertime delights.
FSA Marketing and Entertainment LLC announces a new singer-songwriter series to take place this June at the Long Beach Island Foundation of Arts and Sciences. The series will feature regional and national performers in the intimate setting of the LBIF performance space at 120 Long Beach Boulevard in Loveladies, NJ.
FSA founder Jim Steen stated, “This series will fill a niche on LBI demographically and musically that has previously been neglected. LBI is home to cover bands in the summer months traditionally. The reopening of Surf Light Theater promises lots of musical theater, but singer-songwriters and the original music gets neglected in this part of the Shore.”
Steen plans the series to be a staple of tourist season shoulder months June and September for years to come. The lineup for Live on LBI is as follows:
Jeffrey Gaines – June 1 – 8 p.m. Tickets are $25.
Willie Nile – June 22 – 8 p.m. Tickets are $35.
Ben Arnold/Matt O’Ree and Eryn Shewell – June 29 – 8 p.m. Tickets are $25.
Jim Steen tells us, “Response has been great so far. People are excited to see this be a success and I am already getting wish lists of what people would like to see for September.”
Tickets are available at Eventbrite.com. Should tickets remain, they will be offered at the door night of the show.
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dbpedia
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3
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https://www.foxsports.com/stories/other/meet-dr-erin-shannon-the-holistic-practitioner-several-rams-and-other-athletes-swear-by
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en
|
Meet Dr. Erin Shannon, the holistic practitioner several Rams and other athletes swear by
|
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2015-06-16T07:15:00-04:00
|
Dr. Erin Shannon, the daughter of St. Louis Cardinals broadcaster Mike Shannon and the wife of St. Louis Rams defensive coordinator Gregg Williams, has built a flourishing business helping to heal athletes (and even a well-known voice on FOX Sports) from a variety of ailments through a holistic practice that emphasizes energy medicine.
|
en
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/apple-touch-icon.png
|
FOX Sports
|
https://www.foxsports.com/stories/other/meet-dr-erin-shannon-the-holistic-practitioner-several-rams-and-other-athletes-swear-by
|
ST. LOUIS -- In 2011, Joe Buck was having the worst year of his broadcast career.
Early on, he'd visited vocal expert Dr. Steven Zeitels for help with a vocal cord that had been paralyzed from nerve damage. If anyone could fix the problem, it was Zeitels, whose Rolodex of clients, from Adele to Steven Tyler, read like a Grammy awards list. But his prognosis on Buck was bleak: While there were outlier cases, the rule of thumb was if his voice didn't return to normal in three months, it likely wasn't going to -- ever.
It's over, the FOX Sports broadcaster thought when he heard the news. Not being able to talk at full volume, in his profession, was crippling. He felt embarrassed and grew reclusive. He didn't want to talk on the phone. He didn't want to be social.
That October, however, during the National League Championship Series, Buck ran into childhood friend Dr. Erin Shannon. The two were almost like siblings -- they'd grown up in the back of the Cardinals' radio booth together, he the son of legendary Cardinals voice Jack Buck, she the daughter of the elder Buck's broadcast partner, Mike Shannon. Now a practicing psychologist, Erin had recently incorporated a form of holistic treatment known as energy medicine into her work with professional athletes and had experienced success helping them rehab from physical ailments.
"I can help you," she told Buck. "I can fix you."
Buck, at that point, was willing to try anything. They began a series of noninvasive treatments, and as the major league postseason progressed, so did Buck's rehabilitation -- so much so that by the time David Freese hit one of the most electrifying home runs in World Series history, his call was memorable enough to help capture an Emmy for outstanding play-by-play that season.
"(It) was ironic and weird that I won it for that year because the year wasn't good," Buck admits. "But the postseason was really good, and that's specifically when I worked with Erin."
He continued sessions with her through the NFL season and visited Zeitels again in early 2012. The doctor took a first look, then a second at the previously paralyzed vocal cord. He was blown away.
FOX Sports broadcaster Joe Buck attributes much of his recovery from a paralyzed vocal cord to Dr. Erin Shannon's holistic treatment methods.
"It's moving," Buck says Zeitels told him. "It's fine."
Buck admits there are still some days even now, three years later, when he'll struggle with his voice, but that there are other days when he feels it's even better than before the problem arose. Overall, he feels close enough to 100 percent on a daily basis that he thinks no one would ever notice he had an issue.
"I'm forever indebted to (Erin) for all of it," he says.
Dr. Erin Shannon is a holistic practitioner with more than 22 degrees and certifications in both Eastern and Western medicine, and her ability to help athletes -- and yes, at least one prominent broadcaster -- recover from injury, or improve the mental side of their game, has drawn players from around the world to seek her help. Some of the toughest guys in the NFL walk through the doors of her St. Louis office, and she's also treated MLB, NHL, MLS and NBA players, and even MMA fighters.
One of her biggest advocates is husband and St. Louis Rams defensive coordinator Gregg Williams, who has witnessed her success helping athletes heal from injury quicker than their estimated recovery time. Some of her biggest fans are the clients who've felt the results, such as Buck.
"She's got a great diagnostic ability to figure out what's wrong with somebody," Buck says. "And, I think, maybe as importantly -- or even more importantly -- how to fix it."
The field of energy medicine itself is based on an understanding of the body that's rarely encountered in traditional Western medicine.
"It is literally the electric energy that runs through our body, just like blood runs through our body," Shannon explains.
Dr. Erin Shannon talks to Rams defensive end William Hayes in her St. Louis office.
It hinges on the belief in a strong mind-body connection, a common theme in Eastern medicine, and its noninvasive approach, Shannon says, complements Western medicine's work. She's well versed in both schools of thought, but it's the former that has proved game-changing in her work with professional athletes.
One energy medicine service particularly useful to athletes is the ability to maintain strength in their muscles post-surgery, even when they cannot work out. Using visual imagery and energy techniques, an athlete can prevent atrophy and shorten his or her recovery period by as much as 50 percent. So, if they've had surgery, say, on their right leg, they can walk into the training room however many weeks later without atrophy in the limb.
"We will cut recovery times in half," Shannon says. "And recovery is 100 percent, meaning we don't have weakness in that leg."
According to Shannon, the process involves releasing the memory of the trauma from the muscle tissue and the fascia.
"The body remembers the trauma," she explains. "The mind might be sleeping from the anesthesia, but those muscles feel you cutting."
The technique can even help target a nagging health concern that hasn't required surgery. Shannon once treated a client who'd been cut from a professional team due to a recurring hamstring problem. He's since played professionally for four seasons (and counting).
Because her approach to an athlete's health, however, is holistic, Shannon's treatments generally provide both mental and physical benefits. Rams defensive end William Hayes initially came to her because of tightness issues and lower back pain, but says the sessions make him feel better mentally, too.
"I went to work a lot of times saying, 'I'm tired today, I'm not going to have a good day,'" he says. "She put in my mind to always say positive thoughts, and when you say positive thoughts, your body actually reacts to it. And I find that to be very true."
In fact, the common refrain among Shannon's clients is her help with the mental side of their sport, which they believe many athletes ignore, to their detriment.
"I think so often guys get so caught up in, 'Oh, I need to lift weights, I need to take care of my playbook, I need to take care of running,'" says Rams defensive end Chris Long, another Shannon client. "Football is such a mental game. It's such an emotional game as well, and I think a lot of what she does can cross over into that."
Linebacker James Laurinaitis agrees. He heard about Shannon's work through some of his teammates and became a client of hers last year. He's been most drawn to the mental aspect of her techniques, or "mental coaching," as he calls it, and says he noticed a difference even in training camp.
"I think as an athlete you always have self-doubt in certain areas," he says, "so having that mental ability to kind of flip your thought process and try to really tell your mind that maybe things aren't as difficult as you think they are, and don't be afraid of certain things -- I really found myself throughout the year, and really throughout training camp, just kind of using the techniques that she's taught about really positive self-talk and really getting rid of all the negative kind of baggage that can weigh you down throughout a game."
Shannon works with Rams linebacker James Laurinaitis.
Shannon's husband, meanwhile, sees how guys who earn their pay exuding strength and fearlessness can gain an advantage from having an outlet to purge vulnerabilities.
"Sometimes it's hard for a guy like that to let the door down and be honest with a coach. Talk about a weakness. Maybe get tears in his eyes," Williams says. "The fact that she, from a psychological aspect, has been tremendous with these guys on being able to get them through some tough times in their life, some tough days in their life, some tough situations in their life, things they're going through, has been monumental."
In addition to the emotional and physical aspects of her practice, Shannon also aids athletes in developing a skill that all superstars in sports have: Instinct.
People often say an athlete is "in the zone" when the player is at peak performance. At that moment, the athlete's focus, control and ability to anticipate opponents seem almost inexplicable, and thus a cliche phrase covers what observers can't explain. Often, the athlete can't articulate it, either.
Shannon can.
"It's that moment of optimal awareness where time slows down, crowd noise goes away, and you feel your senses heightened," she explains. "You can feel like you can sense what everybody's movements are going to be. You can sense the trajectory of the ball. You can feel the wind."
Just like continuous reps help build a certain muscle group or skill, Shannon's techniques can strengthen an athlete's ability to get back to that heightened sensory state, enabling him or her to perform at peak level, again and again.
"The greatest athletes know how to get there, and they can get there all the time," she says.
If it all still sounds hard to quantify, that's because it is. Even Shannon's athlete patients have a hard time articulating what she does.
"You should go in and see Doc Shannon," they'll tell one of their buddies.
"Why, what does she do?"
"Just go in and see it, because I can't even explain it to you."
Originally, Shannon was supposed to be the athlete, not the doctor.
She grew up in St. Louis, the youngest child of Mike and Judy Shannon. Her father's ability to beat a life-threatening kidney disease at age 30 while playing for the Cardinals helped teach his children that determination could conquer anything. Her mother was the kind of person who always made those around her feel better -- "St. Judy," people called her.
Their youngest daughter, meanwhile, planned to be an Olympic runner, but an injury in high school cost her a college scholarship, her Olympic dreams and, she admits, her identity. With no idea what she wanted to do, the self-described jock enrolled at Loyola Marymount University and became an English major. She took one psychology course, found it ridiculously easy, and was shocked when she saw other kids taking notes in class. To her, the information was almost intuitive -- so intuitive that psychology courses became her version of an easy A.
Eventually, one of her professors, the granddaughter of a famous psychologist, began touting Shannon as a psychology prodigy, which, despite the A's, stunned her as much as anyone. Shannon ended up switching her major and, per her usual habit of going all-in whenever she decided on something, took so many credits that she was able to graduate in around two years. In masters and graduate programs at Pepperdine, the pattern of ease continued; she tested out of classes containing material she'd never studied before.
Meanwhile, she learned to survive an adventuresome psychology internship in the Los Angeles public school system, which was rife with gang wars. Kids who looked at the young, slender graduate student and thought they had the advantage soon learned otherwise -- even the ones who smuggled guns past the school's security scanners. Raised in the adrenaline-saturated environments of locker rooms and clubhouses, Shannon refused to be intimidated.
Erin Shannon is the daughter of Mike Shannon, a former Cardinals player and the club's longtime radio voice.
She married a St. Louis businessman and, after graduating from Pepperdine, moved back to the city and soon landed a post-doctorate fellowship at Washington University in the psychiatry and genetics departments. She was the school's first-ever dual fellow in those departments, but upon having her first child she resigned to become a stay-at-home mom.
When her family's financial circumstances changed several years later, she found herself having to go to work -- for the first time -- in private practice. At the time, Shannon had no idea what a psychologist earned, or any idea how to set up a business. She gritted her teeth and went about it anyway. She took out a $600 ad in the Ladue News once -- even that was more than she could afford -- and hoped for the best. She still doesn't know how, but people started coming.
She became interested in Eastern medicine after it eased her mother's pain during the last days of her battle with brain cancer. Driven by the memory, and angered that, despite all her medical training, this was the first time she'd been exposed to techniques that may have helped her mother earlier in her illness, Shannon began reading about various forms of energy medicine. Once she started, she kept going, which is how she ended up with 22-plus degrees or certifications combined between her Eastern and Western training.
"You need to stop getting all the degrees," Shannon says her brother finally told her. "We take you seriously. Stop. You know enough."
"If I have an addiction, it's learning, researching, studying," she says. "And I'll always do that. I'll always have to stay up an extra hour and read the newest research article. I'll always have to learn the newest, best, extra-special thing for my patients, because I feel like I need to know and they deserve the next newest thing, and science will always give us something new."
After four years of intense research and training in energy medicine, she took on her first sports client in 2011, an older pitcher who'd been having trouble with his arm. She helped fix the problem, and by the end of the following week, her practice was flooded with athletes. Trying to raise six kids, and soon to be divorced, she'd stumbled on a surprising gap in sports medicine. Big-time agents started sending clients. She even had international patients. She found herself sleeping in her office like a gypsy, trying to keep up with the demand.
She made it work. Shannon now balances a full-time practice and parenting responsibilities, and has found new support along the way. On Sept. 28, 2012, she was on her way to a Rams-Seahawks game when she met Gregg Williams. Two years later, they were married.
Still, she remains driven by the memory of her mother's illness -- had she known about these techniques earlier, she wonders, would things be different? Could she have saved her mother? Haunted by the thought, Shannon found a measure of personal healing through determination: She would let no one else suffer as her mother had.
As an NFL defensive coordinator, Williams is not interested in fluff science -- he's interested in results. And the results he's seen from his wife's work with athletes are impressive. In fact, he admits he's somewhat awestruck by it.
"It's amazing on how she's been able to get some of these guys to bounce back faster from an injury because of some of her methods of energy medicine and holistic medicine that has got guys healthy quicker," he says. "Obviously, whenever a guy sees that, he's all in because it's about availability, it's about production, it's about performance, and they have to be on the field to do that. And she's been able to help that and extend careers and quicken up rehab."
He believes her work is a "missing ingredient" in the NFL, although he's had players as far back as the early '90s who've used some of the techniques.
"There are a few teams in the league from a psychological aspect that are doing this, and they are doing it and it's been producing results," he says. "I do know there are players in every different city that's out there that understand (energy medicine) and they have been doing this on their own."
In fact, Shannon -- who is currently writing The Warrior Whisperer, a book due out this Christmas, about her practice -- emphasizes the history of these techniques while discussing people's concerns about any religious implications of her practice. She says the ancient Chinese used these methods, and that they've been practiced across a variety of religions. She tries to keep her approach as scientific as possible, her main focus being results for the athletes who come to her for help.
Rams defensive coordinator Gregg Williams has seen firsthand what his wife's methods can do to speed his players' recovery times.
"I'm about as much science as I can be with it, and I'm about helping people," she says. "I'm about anything and everything that I can use to help people. And if it works, then I use it. And this works."
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Blues Cures Studio Jam Vol. 13 CD
[Sean's Notes] [Dedications] [John Brozovich & Larisa Akruzhnou Dedication] [Song Credits] [Thanks To] [Pictures]
Featuring
International Blues Challenge Champions Sean Carney, Nick Schnebelen Band, Bart Walker and Noah Wotherspoon, along with the Matt O’Ree Band, Scotty Bratcher, Jamie Peck, Matt Salvo, Lenny Fatigati, Jason Edwards.
Audio Samples
SONG LIST
(Click link to listen to MP3 sample)
Panther Pants Stomp
Still Wanna Be Your Man
Leave Your Hat On
Love Her With A Feeling
Triple Whammy
Rollinâ Stone (Catfish Blues)
Youâre Gonna Stumble
Ainât No Sunshine
ZDD
Iâm Tired
Goinâ To Mississippi
Caribbean Moon
Wabash In The Foxhole
Stop Dragginâ My Heart Around
Sean's Notes
Not even the chaos of 2021 could throw Blues For A Cure off track and we are incredibly proud to present the thirteenth volume of our Studio Jam Series, bringing never before heard combinations of world-class musicians jamming together for the very special purpose of battling cancer.
Some exciting connections have occurred at and through Blues For A Cure. One of those magical encounters happened when Mark Puskarich introduced Scotty Bratcher to Bart Walker, ensuing a red hot jam that led to the formation of The Desert City Ramblers, and I’m pleased to report, this very recording! I’m happy that we were finally able to get Scotty Bratcher onto one of these sessions, especially considering the fact that he appeared at our second ever event back in 2009, alongside the immortal Hubert Sumlin.
Matt O’Ree and his band have also been around BFAC since our second ever recording session and it’s been a pleasure to hear their sound evolve over the decade we’ve been working together. The addition of stellar vocalist Eryn O’Ree continues to pay incredible dividends as she brings new life to the favorite “Leave Your Hat On," and she’ll certainly have plenty of imaginations working over time with this sultry reading. Matt’s amazing, unique and ultra soulful guitar work has caught the attention of people like Jon Bon Jovi as he continues to travel the country increasing his audience.
Ohio born and bred Noah Wotherspoon has been a brother in BFAC for nearly a decade as well and his IBC credentials placed him in a well deserved international spotlight that has continued to bring his sound to prestigious venues in Europe and the USA. A guitarist’s guitarist, Noah is a sensitive artist who always explores the less traveled routes to the heart and soul, and he takes the low and dirty road down south on “Going to Mississippi” and ultimately delivers us to the promised land!
I was so excited to be present at The Orpheum Theater in Memphis when Bart Walker and his band won The International Blues Challenge in 2012, and it was even more of a thrill for me to watch my friend on his regular gig, several years later, as guitarist for Hank Williams, Jr. in front of 10,000 people. Bart has used his new connections to secure signed instruments for BFAC from people like ‘Keb ‘Mo and Dolly Parton - Bart’s generosity is as immense as his stunning musical talent.
The pairing of Bart Walker and Scotty Bratcher is a blues rock one-two-punch full of electricity, dynamics, tension and release, and overall guitar artistry and their camaraderie inspires everyone on this session to not only play their very best, but to maybe even take some wild chances.
It was a long time coming and after several attempts, we were finally able to bring Nick Schnebelen back to Blues For A Cure. Trampled Under Foot swept the 2008 IBC and they were the core of the band on our first three volumes of this series, and eight years later Nick brings his super fine band, Adam HagÂerman on drums and Cliff Moore on bass.
Lenny Paul returns with rock solid bass work that we’ve come to love and rely on, as well as a memorable original tune with an inspired vocal.
Tony’s Treasures, with producer Mark Puskarich and engineer Cody Romshak at the helm, has hosted this series for a decade now (with the first three volumes recorded at Central City in Columbus). The studio is a comfortable home away from home for all of us musicians who we’ve come to appreciate as a sort of “fantasy camp” where we can truly disconnect with the distractions of city life to immerse ourselves in the music in a first class recording studio with all of the modern comforts and the latest recording technology.
The last year has been a difficult one for many of us in many ways and sadly cancer took a number of long time friends and supporters of Blues For A Cure. With the memories of those we cherish on our minds, we present this music from our hearts in hopes that it might ease what ails or inspire in some way, or just make you tap your foot.
Sean Carney
[Top]
Dedications
“The Ohio Blues community lost a beloved behind the scenes leader when Helen Maude Holt passed away in early May 2022. I’ve known Helen since the ’90s through her leadership and volunteer work with The Marietta Blues, Jazz & Folk Music Society and their legendary events at the historic Lafayette Hotel. Helen was a natural born hostess and just knew how to make everyone feel perfectly at home - she could charm and disarm and wasn’t afraid to let you know that she was really a West Virginia Wild Woman at heart! I’ll save those details for in person stories. Helen was a talented educator, dedicated mother, grandmother, friend, blues lover and a fierce supporter of worker’s rights. Helen made a difference and she will be deeply missed by many.” â Sean Carney
“The Blues community reeled with the sad news of the passing of Trampled Under Foot drummer Kris Schnebelen on January 11, 2022. Kris had been battling cancer and will not only be missed by his fans but by his family, as a beloved father, brother, son and so much more. BFAC was truly blessed to have TUF along for several of our early events and the first three volumes of this series and I now cherish those recordings so much more. Kris also joined me on several tracks with Henry Gray and he just propelled those tunes like a machine yet kept Henry’s piano driving the band upfront. Kris listened intently to everyone in the band and always had just the right groove in mind. There is so much more I could say about Kris, but words fail to express the respect and love I have for Kris and his siblings. Kris was a one of a kind and what those three siblings did on stage together was a true gift from God.” â Sean Carney
“I’d like to dedicate my work on this recording to Shakin’ Dave Hussong. Dave recently left us after a battle with cancer. He was a phenomenal guitarist, soulful singer, artist, vintage guitar aficionado, and hosted a blues radio show for 37 years on public radio. I was fortunate to know Dave from an early age and he influenced my life and music in countless ways. I’m forever grateful for his friendship and all the love he shared.” â Noah Wotherspoon
“I would like to dedicate the work of all the players, producers and engineers on this project in memory of my brother John Peck who was an amazing drummer who lost his battle to esophageal cancer. JP, as he was called, played drums for David Ball and Sarah Evans. And to my 25-year colleague B.E. Taylor whose voice is in the heavens after battling brain cancer. B.E. touched thousands of people with his yearly Christmas concerts and albums. I was privileged to share music with both of them.” â Jamie Peck
"It’s always a pleasure and an honor to be a part of yet another Blues For A Cure CD. What this foundation does for those in need is absolutely incredible. I’d like to take this moment to dedicate our performances to all those fighting through their treatments, may this music pick up your soul and bring a ray of sunshine to your world. We all had a blast making this one and we hope that it helps those in need battling the awful disease of cancer.” - Matt O’Ree
“I would like to dedicate my performance to my grandfather William Shewell whom I never got to meet. Before I was born he passed away from Multiple Myeloma, and even though we never knew each other, he had a tremendous effect on my life and my family.” â Eryn O’Ree
“This year I would like to honor my grandmother, Margaret Elizabeth Poole Walker. She was taken by breast cancer before I was born, while my dad was in the Marine Corps.” â Bart Walker
“I absolutely have to dedicate this project to my amazing 93 year old grandmother, Etta Mae Bratcher, who has always been the toughest human I’ve ever known. Breast cancer survivor since she was 79.” â Scotty Bratcher
“We lost our good friend Delores Holmes to this terrible disease in 2010. Dee will always be in our hearts, and we will be forever grateful to her for bringing our band mate and friend Layonne into the world. I’d like to dedicate my performance to Dee.” â Lex Lehman
The Nick Schnebelen band would like to thank Mark Puskarich, Sean Carney and Cody Romshak for inviting us to be a part of Blues For A Cure. We always have a great time being a part of these sessions and are grateful for the opportunity. We thank everyone on this session that recorded, we really enjoyed the time spent together and productive work. Thank you to our friends and fans, Chris Hardwick our manager, Intrepid Artists International, and everyone else on our team.
Nick Schnebelen endorses Category Five Amplification
Guitars used on this recording: 1992 Japanese Fender Telecaster, 1966 Gibson ES-335, 2000 Airline Reissue
Cliff Moore endorses Lakland Basses and Gallien-Kruger Bass Amplification
Adam Hagerman proudly endorses Aquarian Drumheads and Vater Drum Sticks, and Kelly SHU⢠microphone systems.
[Top]
Song Credits
1. Panther Pants Stomp
Nick Schnebelen â Guitar
Cliff Moore â Bass
Adam Hagerman â Drums
Nick Schnebelen / Nick Schnebelen Music / BMI
2. Still Wanna Be Your Man
Scotty Bratcher â Vocal & Guitar
Bart Walker â Guitar
Jamie Peck â B3
Lenny Fatigati â Bass
Matt Salvo â Drums
Eddie Hinton / Eddie Hinton Music / BMI
3. Leave Your Hat On
Eryn O’Ree â Vocal
Matt O’Ree â Guitar
Bart Walker â Guitar
Nick Schnebelen â Guitar
Jamie Peck â B3
Lex Lehman â Bass
John Hummel - Drums
Randy Newman / Warner Chappell Publishing / ASCAP
4. Love Her With A Feeling
Sean Carney â Vocal & Guitar
Noah Wotherspoon â Guitar
Scotty Bratcher â Guitar
Jamie Peck â B3
Lenny Fatigati â Bass
Jason Edwards â Drums
Hudson Whittaker / Songs Of Universal Inc /BMI
5. Triple Whammy
Bart Walker â Guitar
Scotty Bratcher â Guitar
Noah Wotherspoon â Guitar
Lenny Fatigati â Bass
Matt Salvo â Drums
Lonnie Mack / Mack’s Flying V Music / BMI
6. Rollin’ Stone (Catfish Blues)
Nick Schnebelen â Vocal & Guitar
Noah Wotherspoon â Guitar
Cliff Moore â Bass
Adam Hagerman â Drums
Muddy Waters, Robert Petway / Watertoons / BMI
7. You’re Gonna Stumble
Lenny Fatigati â Vocal
Nick Schnebelen â Guitar
Noah Wotherspoon â Guitar
Jamie Peck â B3
Cliff Moore â Bass
Jason Edwards â Drums
Leonard Paul Fatigati / Lenny Paul Music /BMI
8. Ain’t No Sunshine
Eryn O’Ree â Vocal
Matt O’Ree â Guitar
Bart Walker â Guitar
Nick Schnebelen â Guitar
Noah Wotherspoon â Guitar
Jamie Peck â B3
Lex Lehman â Bass
John Hummel - Drums
Bill Withers / Interior Music Corp. / BMI
9. ZDD
Nick Schnebelen â Guitar
Jamie Peck â B3
Cliff Moore â Bass
Adam Hagerman â Drums
Nick Schnebelen / Nick Schnebelen Music / BMI
10. I’m Tired
Sean Carney â Vocal
Matt O’Ree â Guitar
Noah Wotherspoon â Guitar
Jamie Peck â B3
Cliff Moore â Bass
Jason Edwards â Drums
Christopher Thomas Youlden / BMG Monarch / ASCAP
Chrysalis Music LTD / GEMA
11. Goin’ To Mississippi
Noah Wotherspoon â Vocal & Guitar
Bart Walker â Guitar
Scotty Bratcher â Guitar
Jamie Peck â B3
Cliff Moore â Bass
Matt Salvo â Drums
Noah Shane Wotherspoon / Sky Size Songs / ASCAP
12. Caribbean Moon
Nick Schnebelen â Vocal & Guitar (Resonator)
Matt O’Ree â Guitar
Cliff Moore â Bass
Adam Hagerman â Drums
Nick Schnebelen / Nick Schnebelen Music / BMI
13. Wabash In The Foxhole
Nick Schnebelen â Guitar
Bart Walker â Guitar
Cliff Moore â Bass
Adam Hagerman â Drums
Nick Schnebelen / Nick Schnebelen Music / BMI
14. Stop Draggin’ My Heart Around
Eryn O’Ree â Vocal
Bart Walker â Vocal
Matt O’Ree â Guitar
Nick Schnebelen â Guitar
Noah Wotherspoon â Guitar
Jamie Peck â B3
Lex Lehman â Bass
John Hummel - Drums
Thomas Earl Petty, Michael W. Campbell / Notoriousjbpsongs, Gone Gator Music / ASCAP
Produced by Mark Puskarich and Sean Carney for Sean Carney’s Blues For A Cure © 2022
Recorded at Tony’s Treasures Studio, Cadiz, Ohio. Recording Engineers Cody Romshak and Mark Puskarich. Edited and mixed by Mark Puskarich and Cody Romshak, Tony's Treasures Productions, Cadiz, OH, and Columbus, OH
www.tonystreasuresproductions.com
Mastered by Mark Puskarich.
Photos by Dusty Scott (www.dustyblues.com), Cliff Moore and Mark Puskarich.Â
CD Cover photo by Dusty Scott.
Photo of Kris Schnebelen by Marilyn Stringer.
CD insert graphic design and CD insert by Discmakers www.discmakers.com
Unfortunately, I have 2 dedications to make this year. I dedicate my work on this CD to John Brozovich and Larisa Akruzhnou. John was a life long friend who passed from cancer over the summer of 2021. He and his wife Patty had recently moved to New Mexico. John was an avid music lover and one of his favorite genres was the Blues. He attended many of the Blues For A Cure events over the years and frequently attended Blues concerts in Columbus venues when the right artist was in town. In April of 2009, I was fortunate enough to talk John into traveling with me to Vienna and Budapest to catch the Sean Carney Band while they were on tour in Europe. What a fun and memorable trip. Especially traveling with John, who like me really enjoyed wine, and an occasional cigar. The photo displayed here is John, holding a Sean Carney Band CD, while at the club in Budapest, where they were performing along with some great Hungarian Blues bands. John was really truly loved by so many people as he was about the nicest and most fun person you would ever meet. This one was really hard. I miss you John. â Mark Puskarich
Larisa was my son-in-law, Valentin Akruzhnou’s mother. She persevered through many years of cancer. Larisa was a strong and proud immigrant from Belarus. She and her husband, Peter, immigrated with sons Val and Alexi in 1999. They settled near Cleveland, Ohio and brought with them a strong work ethic that led to their successful lives in America. Larisa obtained a second opinion about her cancer and had valuable ongoing consultations with Dr. David Cohn of The James Cancer Hospital. Because of my affiliation with The James, I had conversations with Larisa about how The James might help and who were the best resources to help her. The family is very thankful to The James for their support. Larisa’s kind, generous and loving soul will be missed by her family and friends. â Mark Puskarich
[Top]
Thanks To
A very special thanks to all the artists on this recording who donated their time and efforts. We completed a one-day session on June 27, 2021, following the 10th Annual BFAC Harrison County concert. These amazing artists are beautiful people, incredibly talented, and so much fun to record. To Cody Romshak, my best friend and recording studio engineer, who has amazing passion and patience in the recording sessions.Â
To Steve Mack, an integral organizer of Blues For A Cure, supporter of A Christmas To Cure Cancer, excellent photographer and good friend. Â A special thanks to Teri Pealer for being our annual onsite artist liaison, cook and autograph herder. To all who helped organize and pull off Blues For A Cure events in 2021: my wife Irina Puskarich, Claire Zehnal, Cindy Blake, Joe Blake, Scott Smalley, Laura Strickland, and Margarita Crow.Â
To my mom Lois Puskarich, who makes sure posters and flyers are distributed everywhere in Harrison County. To my sister Lisa, for proofing everything on a minute’s notice and catching all the small things. Photographers Dusty Scott and Mark Berger. To my cousins Lori and Rich Milleson, for all their support of ACTCC and BFAC Harrison County. To all the sponsors, especially Holly Williams and Tina Rush of MPLX Gathering and Processing, Alex Johnson of Midwest Terminals of Toledo, Jackie Stewart of Encino Energy, Milestone Insurance, Ken and Adele Mason, D&J Sales and Service, John and Pauline Jones, and Dan Jones of  WVU Medicine Harrison County Hospital.
To Cadiz Mayor John Migliore and Scott Porter of Sally Buffalo Park. To Tammy Mattern and the Lincoln Inn, and Ben St. John of Microtel for providing accommodations for the artists each year. Don Sloan and WTOV9 Steubenville for all the PSA support. Cindy Taylor from 106.3 The River for radio advertising and PSAs. To the wonderful folks at 10TV: Angela An, Karina Nova and Tracy Townsend, among others, for all the Columbus support. We all work so very hard to help make an impact on cancer research and Keeping The Blues Alive. â Mark Puskarich
Tonyâs Treasures Productions is proud to sponsor this recording project to help support fundraising for cancer related causes as well as the Blues Foundation. Itâs always a pleasure and thrill to work with such great artists and witness their enthusiasm for their craft. Thank you for supporting great blues music and two great causes. â Mark Puskarich
[Top]
Pictures
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Published in The Coaster, Asbury Park NJ, February 7 2019 It was some time in 2006 when Shore music fans came to the sobering realization that, effective immediately, they would have to share dibs on Matt O’Ree with the rest of the planet. The clincher was Guitar Center’s annual King of the Blues competition for that…
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Published in The Coaster, Asbury Park NJ, February 7 2019
It was some time in 2006 when Shore music fans came to the sobering realization that, effective immediately, they would have to share dibs on Matt O’Ree with the rest of the planet.
The clincher was Guitar Center’s annual King of the Blues competition for that year; a contest that the young blues-rock guitarist from Holmdel aced over a field of thousands of contenders for the throne. In addition to the instantly conferred cred, it was an accolade that netted O’Ree a cash prize, a Gibson Guitars endosement, a personal Guitar Center shopping spree — and a brand new Scion automobile, about which more in a bit.
It was a sure shot in the arm for the young veteran who’d made his rep playing in just about every indoor or outdoor setting to be found on the regional scene — from the portable parkside stages of the Jersey Shore Jazz & Blues Foundation’s summer series, to the hallowed halls of BB King’s, and pretty much every barroom, bistro, barn, backyard BBQ or boardwalk bench between.
“I was using credit cards to finance my career up to that point,” recalls the guitarist who formed his first edition of the Matt O’Ree some 25 years ago, in 1994. “So no matter how much mileage I get out of that win, being able to pay off those cards was the greatest feeling!”
That said, the single greatest thrill of Matt O’Ree’s career arguably occurred nearly a decade after that, when he was tapped by Bon Jovi to serve as an onstage guitarist for the mega-band’s Burning Bridgestour of major international markets.
“Suddenly I went from playing to a couple of dozen regulars at a local bar, to being in front of anywhere from 50 to 70 thousand people,” he says. “It was an awesome perspective to be able to experience…truly a magic moment.”
As the hometown guitar hero confesses, the aftermath of the Bon Jovi tour was an interval that “took a bit of adjustment,”while he resumed a schedule of hyper-local gigs that included a first-Friday monthly set at the music-friendly Red Bank bar Jamian’s — a tradition that he maintains to this day.
At the same time, a sold-out “homecoming” show at the Stone Pony served to “O’Ree-inforce” the fact that the guitarist was operating on a newly heightened level of play — a fact borne out by the release of his 2016 album Brotherhood.
A followup to such multiple Asbury Music Award-winning opuses as Shelf Life, the long-player found the singer-songwriter-instrumentalist (then newly named to the NY/NJ Blues Hall of Fame) working within some rarefied company — in particular Bon Jovi charter member David Bryan, with whom he cemented his friendship and professional partnership via their co-authorship of the album’s breakout track “My Everything Is You.”
The keyboard man would go on to make several guest appearances at O’Ree gigs — and listeners would soon enough discover that the cut “Black Boots” boasted backing vocals by one Bruce Springsteen. In addition to the legendary Memphis guitarman Steve Cropper, a deeper delve into the recording sessions revealed additional collaborations with Blues Traveler harpist John Popper and Parliament-Funkadelic keyboardist Bernie Worrell— with O’Ree divulging that he’s “still sitting on”tracks featuring those artists, whose contributions were cut from the final release due to legal issues.
Even with all of that collaborative energy zinging about, the most significant partnership of Matt’s career was soon to manifest itself — and when the Matt O’Ree Band takes to the stage of Monmouth University’s Pollak Theatre this Saturday, February 9, audiences will key in on a genuine labor of love in big, bluesy bloom.
Photos by CouCou Photography, courtesy of Estelle Massry
Scheduled for 8 pm, the concert represents an exceedingly rare opportunity to catch with O’Ree and company in a theater-format setting, sans beer bottles and barroom chatter (not that there’s anything wrongwith that). It’s also, believe it or not, the bandleader’s first time performing on the West Long Branch campus, from which his brother and sister both graduated.
“It’s a great, beautiful theater, and I’m looking forward to playing there,” says O’Ree of the venue that has hosted everything from the most exotic/esoteric performing artists from around the world — to such denizens of our own big beautiful back yard as Southside Johnny, Pat Guadagno, Jody Joseph, and The Weeklings.
Joining Matt for the occasion will be regular O’Ree band drummer John Hummel, recently added bassman Lex Lehman, guest keyboard player John Ginty (a veteran of Allmans tours; recently seen at the Wonder Bar in a well-received gig with Anthony Krizan and Sandy Mack) — and the band’s not-so-secret weapon; a double-barreled dose of vocal vivaciousness that boasts not one but twoequally star-powered peers.
Longtime observers of the Shore music scene know Layonne Holmes as the ultra-versatile “woman of a thousand bands” whose myriad projects have ranged from collaborations with her late mom (and early-times Bruce bandmate) Delores, to sublime salutes to Billie Holiday and other legendary ladies of jazz — plus memberships in everything from Love Among Freaks, Tim McLoone and the Shirleys and Holiday Express, to Motor City Revue and Gonzo’s Funky Family.
Then there’s the artist formerly known as Eryn Shewell — and known since 2017 as Eryn O’Ree or simply Eryn. The dynamite singer, whose solo endeavors married a bloozy roots-rock grit to a savvy sense of classic glamour (and who performs her own spotlight set to open Saturday’s show), brought the best of all those worlds and more to her union with the guitarist — a union born when the musical (and literal) matchmaker Sandy Mack “gave an extra push for Eryn and I to get together.”
“They’re their own stars…I almost feel bad that they’re singing with me,” laughs Matt, in reference to Eryn and Layonne. “But then I remember all that they bring to our sound, and I wouldn’t have it any other way.”
Having recently returned from Los Angeles, where he looked in on some Ginty studio sessions with the Grammy winning producer-engineer Jim Scott (Red Hot Chili Peppers, Dixie Chicks, Wilco), O’Ree is “hoping to do a new record over the winter…in my heart, I still want to put out albums!”
At the same time, the guitarist plans a possible spring 2019 audio and/or video release based on his most recent headline show at the Stone Pony — a December 2018 set that saw Bryan sitting in with the band, and which served as “a great showcase for our energy.”
“A friend of mine has an original 1959 Gibson Les Paul, and he brught it to the show for me to play that night,” says the connoisseur of vintage instruments. “The results were amazing.”
“I was originally a (Fender) Stratocaster guy…and now I mostly use a Les Paul,” he adds. “A great Les Paul plays better than just about anything else.”
“I’ve always loved the Pony…The Saint always sounds great…and I love to sit in at the Wonder Bar, with Sandy or with an act like Bell Bottom Blues,” says O’Ree, name-checking some of his favorite Shore places to play. “The Langosta is great for acoustic music…and the new stage at Asbury Lanes is awesome.”
Then there are those intimate watering holes, like the aforementioned Jamian’s (“one of the real gems”) — and the Rumson neighborhood landmark Barnacle Bill’s, where a recent duo set by Matt and Eryn attracted the attention of an eager-to-catch-up Jon Bon Jovi.
O’Ree isn’t “burning bridges” with the Bon Jovi band by any means — and has indicated that JBJ has “left things open” regarding any future projects together. But as Matt approaches both his 47th birthday and his silver anniversary as a bandleader, the emphasis in the here and now is on building up from the bedrock-solid foundation of the 2019 model year Matt O’Ree Band — a sporty vehicle with plenty of headroom for assembled starpower and skillsets; one that’s able to tackle any stylistic terrain.
All of which brings to mind the question: just whatever became of that prize Scion — you know; the car from the Guitar Center contest?
“Oh, that,” laughs O’Ree. “I went to the dealer to pick it up, took it for a test spin, drove it back to the dealer and asked, how much you gonna give me for it?”
“I decided to stick with my ‘78 Pontiac Trans Am — which I still have!”
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https://www.ever-metal.com/2019/05/09/interview-with-know-your-enemy/
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en
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Interview with Know Your Enemy
|
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2019-05-09T00:00:00
|
Interview with Know Your Enemy Roxy & Dukes Roadhouse, Dunellen, NJ April 27th, 2019 By Andy Jansons It’s always nice […]
|
en
|
Ever Metal
|
https://www.ever-metal.com/2019/05/09/interview-with-know-your-enemy/
|
Roxy & Dukes Roadhouse, Dunellen, NJ
April 27th, 2019
By Andy Jansons
It’s always nice to see young bands ascending to new heights, more so, when they are from your own state. New Jersey’s local rockers Know Your Enemy have just released their first full length album called “Root Of All Evil”. Their material is fantastic, but to find out more about that you’ll have to read Stephen Moss’ live review.
I was fortunate enough to attend Know Your Enemy’s album release show and sit down with band members (except drummer Ralph Riccardi who was running late) and discuss their music, influences, new album and to introduce themselves to a new audience.
Andy Jansons: So this is your first full length album. Talk about the emotions, how it is to get your first album out?
Fonz Rodriguez (Vocalist): Well, I mean it’s super exciting, I’ve been like really excited, nervous, but in a good way, for a week or two, I’m just…the anticipation has been just crazy. You know, for me as a vocalist, to express how I see the world and how we see each other, from my own perspective. It’s really important for me personally because it’s difficult to get those emotions out verbally, you know? It’s not easy to just speak to people, so when you can you do your best, and the reaction and the feedback that we get, makes me feel like it’s worth it. This is a complete collection of how I truly feel like, really what embodies me as far as like me trying to be part of society. To me this album is like my feeling.
Jay Kent (Guitarist): Yeah. I’m very excited about the album. We put a lot of work into it. It’s a big collection of all of our thoughts on a lot of different subjects. And I think if you listen to it, you know enough, you’ll definitely feel what we’re trying to convey. I think we did a great job expressing our thoughts.
Steve Bishop (Bassist): Great lyrics, good music to it. I think it’s going to be something real exciting for people to listen to. It means so much to me.
Andy: Who wrote the lyrics for the songs?
Fonz: I would say on this album, probably about 80% of them I did. And the songs that I didn’t write fully, it was collaboration, let’s put it that way. You know, Jay wrote some of the lyrics. He wrote the lyrics for ‘Deep Inside’ and ‘Bound’, and there was a time period where I was not playing with the band and, for example, the song ‘Bound’ already existed. But it’s just the way he may have wrote it, the way he puts it, and then the way I deliver his lyrics, perfect and unique. Like he told me, they had a couple other guys try. He even tried himself. I’m not boasting myself or anything; this is just what he told me. So even though, I didn’t write the lyrics for it, I was able to tap in the emotions, the feeling of when he wrote those lyrics down.
Jay: He (Fonz) is a perfectionist, which really shows through, because he got so much of it just like spot on. Like what he’s trying to say. You can understand it fully; he did such a great job in writing the lyrics.
Andy: How would you guys characterize your music and the genre you play?
Steve: That’s a little iffy. Um, we’ve been compared to a bunch of other bands. Most of them were like back in the rap rock genre, like P.O.D. We’ve had that more than a few times and Killswitch and Sevendust. I guess hard rock with like some hip hop and a little bit of blues.
Fonz: I would say alt metal, not alternative itself, because we got something which seems like a mixture of genres. It got a metal base to it, and then we bring in just different genres. It’s really not intentional, it’s just like you hear it and you go, oh this is the part that it needs to be because this is how I feel it needs to go. I would say personally alternative metal, that’s how I feel it. As far as comparisons, recently someone said, Oh, you guys are like, if P.O.D. and Killswitch had a baby. It’s a compliment (laughs). And the other one I got that I liked that we sound like Anthrax and Faith No More. I mean I’m a huge fan of Anthrax. My favourite is the album with John Bush “The Sound of White Noise”. I always think, you know, we kind of like to admire someone and we try to like mimic in some way, something. So to me, and I know it’s hard, because I love hip hop and I love all genres, it’s hard to really like just one. So I think we bring a lot more stuff, which brings me back to the alternative part, so we bring a lot more, more different styles.
Jay: Uh, I am a huge Zack Wylde fan with Black Label Society, Sevendust, the old Metallica, you know the good Metallica? I love blues guys. I love Hendrix and Stevie Ray, all these guys and you can hear that in my playing, you know, from my solos and a little bit of the funky kind of melodies that we bring along to the music as well. So, yeah, that’s me.
Steve: Yeah, I think it’s a healthy mix. I don’t think you can pinpoint it in one way or another. I think we flow with a lot of different bands because of that. We play live shows all the time. And whether we’re playing with a metal band or a hard rock band, or occasionally with a sort of post hardcore, punk kind of band, I feel like we always fit because we don’t play one genre. What binds inspire me? I’ve been playing music since I was a teenager. I was really into Nirvana and Green Day and like all that stuff at the time. But since then I’ve listened to so much stuff. Uh, Gary Clark Jr and The Cure and I just love music. If it’s good, I’ll listen to it.
Fonz: One of my favorite bands is He is Legend; I love The E-Town Concrete, which is a New Jersey band. Honestly, my all time favorite band is Tool. Like, I just love them, I feel like they’re the band of our generation, like the Led Zeppelin of our generation. Their contribution to metal and hard rock is like, it’s unique, It’s different, It’s real rock. It’s like real rock star mentality; we didn’t give a shit about anybody. They don’t care. 10 years we’ve been waiting for their album now, we’ve been waiting forever. To me it’s like, every single member of that band is super important. You can’t replace any of them. So I would say Tool is number one for me. Yeah, definitely but we can’t forget about Rage Against the Machine. Yeah, that band changed my life!
Andy: Cue, the name of your band?
Fonz: That’s right! ‘Know your Enemy’, that song. They are an influential band, and I think for anybody that has this dissatisfaction with the way that things are, they deliver it right. They’re really super smart guys. You know, they were unique at the time and when it comes down to really going against the grain and being brash it’s RATM
Andy: Okay guys, let’s get back just to you. What are your plans now?
Fonz: Well, we definitely want to go touring, we’ve got a bunch of festivals planned for the summer, so that’s mainly what we’re going to do. I think we’re not going to be able to tour until after August, but we want to, definitely. I just want to take it on the road. I would love to go up to New England, you know, maybe down the east coast, and show what we do. That’s ideal. We talked about it a lot. It’s just difficult. You got to pay bills and it’s a little bit more of a balancing act if you’re going to go and hit the road. But that’s definitely going to happen.
Andy: Right now you are unsigned band, are there any movements towards finding a label?
Fonz: I would love to. I would love to, but I think we need to get the tour done first. We actually have already started writing the next album. So ideally if we can make the timeline correct, then we’ll tour, put new record out and then try to show to the label and see what happens. It’s so much work being independent, and trying to do everything. Even for example, the record release show, we did it independently and I feel like we’re lucky that we were able to find a venue and other bands and make it happen. It really takes away from rehearsing and writing and working on the other things to make more progress. And so a label is definite, you know, I mean it only makes sense to do that.
Andy: So obviously this is an important stepping stone with moving forward and how you see the road from here?
Jay: Uh-huh, I think, like Fonz said, we’re going to concentrate on continuing to write new material, get a new album going. The one that we’re just releasing today we will see where it takes us.
Steve: We planned to play a lot of gigs recently to support this album. We’re just going to keep writing, keep doing it. We put a lot of hard work into this particular album where I feel like we all learned what to do, what we do well and how to just keep doing that, and just to get our music out and see what happens from there.
Andy: Lastly, what have you got to say to your fans?
Fonz: If I could say anything, I just want to thank everybody who helped us and believed in us. And I mean there’s our friends, our family, and new friends and people that we’ve gotten to know as, you know, as we make our way through the scene. But I think that would be all the people out there who’ve listened to us. I feel like that is the number one most important thing is to be thankful and grateful for. I want to say that I’m super grateful for these guys (points to band mates). You know, because I’ve so many bands that we played with and we’ve met throughout the last few years. And I would say that a lot of ’em aren’t together anymore and there’s always problems! I could say that this is probably the smoothest relationship. These guys have made it, we just chill!
Jay: Likewise. Yes. We are very lucky to have a talent front this band, it’s been a long time for myself personally looking for somebody like him to come in and do this and he just blows us away every time he goes up there. So we’re just proud to be with him as well as, as any other.
Steve: That’s one of the better compliments we get. People think that we sound really tight. Our chemistry together, especially live is good. I hope it really comes through on this album. We tried to put it that up front and centre!
Andy: Thank you very much guys!
Huge thanks to Know Your Enemy and Andy for the interview!
LINKS:
http://www.enemyband.com
https://www.facebook.com/enemybandnj
Tweets by KnowYourEnemyNJ
https://www.instagram.com/knowyourenemynj/
https://knowyourenemynj.bandcamp.com/
https://www.youtube.com/channel/UCIaSnpDh-wL6oWPfVISQXCw
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https://gouvu.com/sports/womens-volleyball/roster/eliza-hakes/10587
|
en
|
Eliza Hakes - 2024 - Women's Volleyball
|
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Eliza Hakes (18) Outside Hitter - Redshirt Freshman (2023) – made her UVU debut on 10/7/23 against Seattle U … played in two matches … recorded her first kill against
|
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Utah Valley University Athletics
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https://gouvu.com/sports/womens-volleyball/roster/eliza-hakes/10587
|
2024 Women's Volleyball Roster
Choose a Player:
#1
MB
#2
MB
#3
OH
#4
OH
#5
OH
#6
DS/L
#7
OH
#8
DS/L
#9
S
#10
MB
#11
S
#13
OH
#14
DS/L
#15
MB
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RS
#18
OH
#19
S
#20
OH
UVU Marketing
Natalie Grover / UVU Athletics
18 Eliza Hakes
18 Eliza Hakes
Position:
Outside Hitter
Height:
6-0
Class:
Redshirt Sophomore
Hometown:
Folsom, Calif.
High School:
Folsom HS
Instagram:
elizahakes
Summary
Media
Season
Career
Historical
Summary
Biography
Redshirt Freshman (2023) – made her UVU debut on 10/7/23 against Seattle U … played in two matches … recorded her first kill against Southern Utah on 11/9/23 … had two digs against Seattle U on 10/9/23.
Freshman (2022) - Redshirted did not play.
Before Utah Valley…
Prepped at Folsom High School… set new school records in kills in a season, kills per set season average, and kills in a match… first in the SFL in kills and kills/set… first-team all-league… named team MVP.
Personal…
Graduated from Folsom High School in 2022… born in Davis, Calif… plans to major in exercise science… her father, Randy Hakes, played football at UCLA… enjoys paddle boarding, boating, hiking, playing sports, playing the violin, baking, and calligraphy… has four siblings (Allie, Camille, William, and Everett… parents are Erin and Randy Hakes.
No stats available for the current season.
Stat Snapshot (Season)
Offensive Stats
Kills
Assists
Aces
Points
Defensive Stats
Digs
Solo Blocks
Assisted Blocks
Total Blocks
Stat Snapshot (Career)
Offensive Stats
Kills
Assists
Aces
Points
Defensive Stats
Digs
Solo Blocks
Assisted Blocks
Total Blocks
Media Highlights
There is no related content available.
Videos Snapshot
Headlines Snapshot
Photos Snapshot
Related Content
There is no related content available.
Videos
Headlines
Photo Galleries
Season Stats
There are no statistics for this selected season available for this player.
There are no statistics for this selected season available for this player.
Career Stats
Career Statistics
There are no statistics available for this player.
Historical Player Information
18
2022Freshman
OH
6'0"
18
18
2023Redshirt Freshman
Outside Hitter
6'0"
18
18
2024Redshirt Sophomore
Outside Hitter
6'0"
18
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https://veripages.com/name/Eryn/Hodges/
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Eryn Hodges: Address, Phone Numbers, Age, Public Records
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We found 4 records with the name Eryn Hodges in 8 cities. View Eryn Hodges phone numbers, addresses, ages, public records and more.
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/img/favicons/apple-touch-icon.png
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https://veripages.com/name/Eryn/Hodges/
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DISCLAIMER:
You may not use Veripages or the information it provides to make decisions about employment, credit, housing or any other purpose that would require Fair Credit Reporting Act (FCRA) compliance. Veripages is not a Consumer Reporting Agency (CRA) as defined by the FCRA and does not provide consumer reports.
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3
| 72 |
https://www.prweb.com/releases/Award_Winning_Country_Hit_Songwriter_Dave_Gibson_Announces_Creation_and_Launch_of_Musical_Entertainment_Show_The_Waterhole_Bunch/prweb17326418.htm
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Award-Winning Country Hit Songwriter Dave Gibson Announces Creation and Launch of Musical Entertainment Show, The Waterhole Bunch
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2020-08-18T22:56:00+01:00
|
/PRNewswire-PRWeb/ -- Nashville hit songwriter, ACM award winning performer and former front man of the Gibson/Miller Band, Dave Gibson, has announced the...
|
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https://www.prweb.com/releases/award-winning-country-hit-songwriter-dave-gibson-announces-creation-and-launch-of-musical-entertainment-show-the-waterhole-bunch-818655082.html
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"It all started with a song that turned into a twisted tale gone wrong," Gibson said. "The idea became larger-than life and turned into a fun, comedic live entertainment production with puppets and humans making music and mayhem. It's a show the entire family can enjoy." Watch Gibson sing the Frog Song
AIR DATES
During the week of August 24, 2020, the show will air Monday through Sunday beginning at 6:30PM CT/7:30PM EDT.
Beginning Monday, August 31, 2020, the show will re-air Monday through Sunday at 2PMCT/3PM EDT and thereafter (beginning Friday, September 11, 2020) the program will broadcast weekly each Friday evening at 6:30PMCT/7:30PM EDT (via ROKU TV Worldwide channels-SPYDAR TV and Kartoon Funtime TV). Check local listings.
SPYDAR TV and Kartoon Funtime TV are broadcast on ROKU TV, SumulTV, AiryTV, MDX TV (India), Hedex TV (Hungary) and KVVB TV (Victorville, CA) and available via Apple mobile devices. Distribution by MorcaMan Productions. Additional broadcast distribution outlets are currently in the works.
THE PRODUCTION TEAM
Dave Gibson is a renowned Nashville hit songwriter. As former front man of the Gibson/Miller Band, the ACM award- winning performer wrote the band's hit songs as well as No. 1 hits and chart-toppers recorded by Alabama, Confederate Railroad, Montgomery Gentry, Tanya Tucker and Joe Diffie.
Cheryl DaVeiga is an ASCAP award winning songwriter who has enjoyed cuts by NJ Blues Hall of Famer Eryn Shewell O'Ree, Anthony Krizan, and Christine Martucci. She also penned the featured song of the recent State of Alabama Bicentennial celebration as well as the theme song for the non-profit organization Where Angels Play. Cheryl also performs and writes children's songs under the name CADi Grace.
Mark Dreyer (Mark Dreyer Productions Studio.) is an acclaimed Nashville-based guitarist, performer, singer/songwriter, audio/video producer and editor.
MORE ON THE WATERHOLE BUNCH
https://www.youtube.com/c/TheWaterholeBunch
https://www.facebook.com/thewaterholebunch
https://www.instagram.com/thewaterholebunch/
https://www.rokuguide.com/channels/kartoon-fun-time
https://www.rokuguide.com/channels/spydar-tv
http://nashvilleconnection.com/md-productions/about-mark-dreyer
PRODUCTION CONTACTS
Waterhole Productions
Cheryl DaVeiga • [email protected]
http://www.thewaterholebunch.com
Mark Dreyer Productions
Mark Dreyer • [email protected]
http://www.NashvilleConnection.com
MEDIA CONTACT
Music City Media
Kat Atwood • [email protected]
SOURCE The Waterhole Bunch
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Eryn Shewell and her Whiskey Devils playing Long Branch
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Jersey Shore siren performing in West End Park
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AsburyPark
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https://www.app.com/story/entertainment/music/2016/08/05/eryn-shewell-whiskey-devils-playing-long-branch/88065070/
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One of the most gifted and compelling blues and soul vocalists at the Jersey Shore performs, for free, this Sunday in Long Branch’s West End Park, when Eryn Shewell and her Whiskey Devils take the bandshell stage at 7 p.m.
But if your tastes lie more with traditional and contemporary jazz, there’s plenty of that going on, too.
Shewell and her Whiskey Devils perform as part of the Bands on the Beach series underwritten by the Long Branch Urban Enterprise Zone funds. Her free-wheeling sets typically include some blues, some classic R&B, some soul and some New Orleans rock ’n’ roll and funk. Shewell also sprinkles originals into her sets. They can be found on her independently released albums, 2009’s “4th and Broadway” and a self-titled release.
Patrons who attend Sunday evening will enjoy the classic songs she and her band interpret their own way, including tunes like Bill Withers’ “Aint’ No Sunshine,” Otis Redding’s “(Sittin’ On) the Dock of the Bay,” and classic blues fare from Elmore James, Aaron “T-Bone” Walker, Freddie King and Junior Wells. She also does justice to the great women of classic R&B, singing tunes by Etta James, Ann Peebles, Aretha Franklin, Betty Wright and others.
Other concerts in the Bands by the Beach series this month include Citizens Band Radio, who serve up an artful blend of blues and country standards on Aug. 14; Jane Lee Hooker, an all-woman blues-rock band based in Maplewood and New York City who just had their debut released on the German-based Ruf Records and are known for their high-energy live shows, perform Aug. 21, and on Aug. 28, the VooDUDES will conclude the series of shows in West End Park.
Shewell and her Whiskey Devils perform at 7 p.m. promptly this Sunday in West End Park, on the corner of Brighton and Ocean Avenues in Long Branch. In the event of rain, the show moves indoors to Jack’s Goal Line Srabd, 149 Brighton Ave.
Free contemporary jazz in the park
The Red Bank-based Jazz Arts Project continues its Thursday night Jazz in the Park series at Riverside Gardens Park off West Front Street in Red Bank. Shows begin at 7 p.m. there, and the lineup for August includes some Garden State-based heavy-hitters.
Next Thursday, Aug. 11, Brooklyn-based trumpeter and composer Eddie Allen and his quartet perform.
Montclair-based soul-jazz guitarist Bob Devos performs with his quartet on Aug. 18, which usually includes a Hammond B-3 organist.
Several of DeVos’ critically acclaimed albums were recorded for a local label, BluesLeaf Records in Ocean Township. The series wraps up Aug. 25 when Oscar Perez performs with his group, Latin Jazz Explosion.
Jazz on Sunday morning at Bethany
The Bethany Baptist Church, 275 W. Market St., Newark, home to the successful Jazz Vespers series on the first Saturday of the month during most months of the year, has put together a special series of shows for August, all during the regular Sunday morning worship services.
Vocalist and composer Ruth Naomi Floyd joins the service this Sunday at 10 a.m., and vocalist-piano player Dee Daniels will be there on Aug. 14. Saxophonist Marcus Miller performs there on Aug. 21 and the series ends with guest pianist-composer Cyrus Chestnut on Aug. 28.
The shows are free, all denominations are welcome, and donations to the church and its Jazz at Bethany series are always welcome. Call 973-623-8161 for more information or visit their website, www.bethany-newark.org.
Jazz at the Sanctuary
in Ewing
The New Jersey Jazz Society is co-sponsor of a series of concerts held at the 1867 Sanctuary on Scotch Road in Ewing, not far from the Mercer County Airport.
The series of shows continues tomorrow night, Aug. 6, at 7 p.m. with Big Soul Chicken, a Trenton/New Hope area band that plays blues and jazz standards. Other shows at the historic church in West Trenton include McMillan and Company on Aug. 13 and Crescent City piano stylist Tom McDermott on Friday, Aug. 19 at 8 p.m.
The 1867 Sanctuary at Ewing boasts more than 200 seats, beautiful wood-based acoustics and organizers from Preservation New Jersey, Inc. promise good sound.
Ticket prices and directions to the facility, located at 101 Scotch Road in Ewing, are posted online at www.1867sanctuary.org, or call 609-392-6409.
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https://www.lonesomehighway.com/music-reviews/tag/True%2BNorth
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True North — Music Reviews — Lonesome Highway
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Lonesome Highway
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https://www.lonesomehighway.com/music-reviews/tag/True+North
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Patrick Darrah Northern Truth Double Darrah
This artist is from Bloomingdale, New York where he worked in his father’s auto business. These days he lives in Nashville and delivers his debut recording, on his own independent label, Double Darrah Entertainment. He writes two of the ten songs included here and the production is by Drew Smith and Kevin “Swine” Grantt, both of whom play in the studio band.
There are songs of lost towns and lost lives (Colorado), old flames, old memories (Who You Used To Be), old love (I Never Got Over You), memories of youth (Mama Left The Radio On; Dry County). Being left behind is a common theme in Country music but three songs are perhaps a few too many on the same record (You Make It Look Easy; After You and Love Oughta Be Perfect).
There is a real contemporary country groove to the songs and both Smooth As Whiskey and the rap groove of Make You Mine are the stand-out radio hits.The playing and production are very bright and clear in what makes for an enjoyable listen overall.
Korby Lenker Thousand Springs Soundly
Seven releases into a career that has seen him mature into a song-writer of some substance, in addition to a published writer, for this project Lenker recorded the basic tracks in different places that held an importance for him. These are songs that are written with personal meaning rather than commercial appeal but the strong sense of melody ensures that his craft shines through. Having recorded across seven states and featuring approx. 30 different artists, including Amy Speace and Molly Tuttle, the songs have an immediate appeal.
There is a lonely quality to the opening tracks, Northern Lights and Friend And A Friend, both focusing on leaving and travelling on with reflections of life on the road and an unknown future. Uh Oh is a song about infatuation and the hope in wishing, it is gentle and sweet, as is the fine ballad, Love Is The Only Song, with cello and piano complimenting the whispered vocals.
There is a look back through the rear window to younger days and lessons learned in Father To The Man, co-written with Amy Speace, while the dark tale of Stormy Seas is somewhat stark by contrast. The rock vibe of Last Man Standing tells the tale of Custer and Crazy Horse in the Sioux Nation fight for survival. The happily inane girlfriend in Book Nerd bears little resemblance with the free-spirit busker of Nothing Really Matters and her old man admirer who watches from afar. There is a sense of Paul Simon in the vocal delivery here and also on the excellent Late Bloomers; a song that speaks of the need to keep believing, even if dreams have been lost along the way. The final song, Wherever You Are is a real stand-out and an ode to the memory of a lost friend, both gentle and sad while keeping the feeling alive.
The project was produced by Korby Lenker, mixed by Paul Mitch, and mastered by Alex McCullough. It is a very engaging album and one which comes with a warm recommendation.
S Carey Hundred Acres Jagjaguwar
This is a meditation of sorts, a soft whisper across a field in the early morning dew. The ten tracks blend into a seamless listening experience that never lifts beyond the gently laid-back atmosphere created by producer, song-writer, multi-instrumentalist S Carey – also known for his role as the drummer and supporting vocalist of indie folk band Bon Iver.
He is joined here by a small group of musicians who play beautifully and sensitively in support of these mood pieces, including Justin Vernon, original founder of Bon Iver. This is the third solo release from Sean Carey and the whispered vocals and lush, yet understated, sonic vibe to the project is beautifully realised.
Pedal steel mixes with synthesizer while programmed sounds blend with violin and viola. Titles such as Meadow Song, (with clarinet & french horn), Hundred Acres, True North, Rose Petals and Hideout give a flavour of the sense of quiet place and space that permeates this record.
A contemporary sound that hints at days gone by yet points to a bright future for this excellent musician.
True North Open Road, Broken Heart Self Release
True North is an acoustic Folk/Roots band that has released three previous albums prior to this new offering which surfaced in 2017. The band comprises Kristen Grainger (ukulele, vocals), Dan Wetzel (guitar, resonator guitar, octave mandolin, ukulele, vocals), Martin Stevens (mandolin, fiddle, octave mandolin, vocals) and Josh Adkins (upright bass, vocals). The album features eight songs written by Kristen Grainger and four covers; Mighty Bourbon (Justin Evan Thompson), The Eye (Brandi Carlile, Philip and Timothy Hanseroth), Wilder Than Her (Fred Eaglesmith) and Without You (Eddie Vedder).
Guest musicians Eric Alterman (cello) and Todd Sickafoose (bass) join the band who self-produced the collection at Big Owl Studios in Salem, Oregon. The playing is subtle and understated, giving the songs a cohesion and fluidity that makes the listening experience a very positive one. The vocals of Grainger are very engaging and the sweet melodies are quite hypnotic when listening on headphones; intimate and charged with a gentle longing. The harmony vocals with Dan Wetsel are very complimentary to Grainger’s voice and lend an added layer to the arrangements.
One-Way Ticket contains the lines that appear as the title of the album and the song is one of striking out for the future, changing circumstances and having the will to keep believing. Dark Horse Bar & Grill celebrates the solace of a local hostelry where there is ‘lots of free philosophy’. Ratio of Angels to Demons deals with the passing of a friend and does so in a very creative and poignant manner. The subject matter of some songs is somewhat bleak with titles like I’m Gone, You Come Round, Sunday Night Blues and Without You handling the pain of separation and the feeling of being alone in the World.
However, these are balanced by the upbeat melodies of Seed, Leaf, Flower, Seed – a celebration of the Seasons and the inherent magic of Mother Nature, plus the ability to take the extraordinary from the everyday ordinary things as explored on Small Wonders. A very impressive release and one that is well worth exploring further.
Will Paynter Truth & Beauty Self Release
Fender Rhodes and tenor sax join with the tenor bass of Will Paynter on opening track, One Better Man and we are given a soulful feel for the talents of this artist who performs and records with the Sonoma Sound Band. They play roots music with rhythms that incorporate blues, country and folk influences.
Paynter served in the army with the Green Berets and has lived in both in Central and South America. His wandering has also seen him travel in the Far East and the South Pacific, North Africa and the Middle East. He has released a few previous albums and this current project includes 13 tracks and a list of studio musicians that is both very long and impressive with Greg Brady and Paynter co-producing.
There are four cover versions of songs by Tom Waits (Down There By The Train), Johnny Cash (Let The Train Blow The Whistle), Bruce Springsteen (Further On Up The Road) and Dock Boggs (Wild Bill Jones) and all other songs are written by Will Paynter. The acoustic stripped-down feel to the whole recording and the less-is-more playing adds to the character of the songs like Loving You, Truth & Beauty, Brand New Day, All I Own and Clearer To Me Now.
The most arresting song is What People Are Talking About, which highlights all of the injustice in the World today and a commentary on the lack of humanity in all of it – a grim overview of our times.
Six vocalists, five guitar players, three drummers, two bass players, accordion, violin, pedal-steel, banjo, saxophone, piano, Hammond organ, Fender Rhodes, and some fine harmonica playing from Paynter himself – plenty to enjoy here.
Jordan Davis Home State HumpHead.
A debut album from new artist Jordan Davis who comes from Louisiana, USA. The twelve songs are typical of the crossover country releases that are proving so popular among the current listeners of commercial radio stations. There is a slick production sound, courtesy of Paul DiGiovanni, who also contributes acoustic & electric guitars, banjo, vocals and programming.
It is that last credit that old purists of the Country genre hate to see – programming. In modern recording techniques the use of loops, syncopated beats and programming can lead to something more akin to Pop music and can sound sterile, lacking real character or colour.
This release falls into that territory. Sure, there are lots of bright choruses and hooks that will sound great while driving along with the windows down and the stereo turned up. Songs that celebrate woman-kind and songs that celebrate the chase involved in impressing a sought-after beauty – Tough To Tie Down; Singles You Up; Made That Way; So Do I; Dreamed You Did – all come and go with the hopes of success in the high stakes of romantic conquest.
Country music is not something that exists in a vacuum and it must move forward, but the modern sound of albums like this do not fit any definition of the original roots of Country. Davis has a strong vocal and the tracks all bounce with a bright and breezy quality but I find myself wishing for Willie Nelson or Emmylou to appear and save the day. Hmmm.
True North 'Self-Titled' – Self Release
The opening track on this 5-song CD sounds like something from a recent Civil Wars outtakes release. New Way Round highlights the close vocal harmonies of trio Eva Hillered, Janni Littlepage and Patrick Rydman. Both Eva and Patrick are based in Sweden while Janni resides in California. They performed for the first time as a trio ensemble at the Copenhagen Songwriters Festival in Denmark in August 2012, Their sound is a mix of genres from Folk and Americana, to Country Roots and their songs, co-written together, are accompanied by guitars, dulcimer and percussion.
Barrelhouse 'Feels Like Home'- Self Release
After 30 years of playing electric guitar and writing songs for a full band, Kevin "Barrelhouse" Burke was inspired by a trip to Mississippi to explore finger-style acoustic guitar techniques. Feels Like Home is the result of four years of playing and writing in this style.
The songs on this album give the listener the feeling of old-time, rural America, with its dirt roads, farms, pickup trucks, roadhouses, and the trials of everyday life. This is acoustic blues played in a refreshing and simple style and many of the arrangements are reminiscent of JJ Cale.
The vocals are confident and gritty while the instrumentals show off the great slide playing on Dobro and various guitars.
Barry Ollman 'What’ll It Be?' - Blue Colorado
As debut CD’s go, this one is a real treat. The record includes fine performances by musical greats Graham Nash, Gary Tallent of the E-Street Band, David Amram, Nick and Helen Forster, Rad Lorkovic, Dave Beegle, Christian Teele, among others. The production is very clean and there is a feeling of plenty of space in the fine song arrangements. I am reminded of James Taylor in the song stories that are unfurled by Bill Ollman as he sings of an old photographer’s life (Imogen’s Lament) and life on the road as a painter (Painting the West). There are strong hints of Al Stewart also in the guitar playing and the addition of trumpet, accordion, mandolin and lap steel across the ten songs lends a diverse feel to the whole. Recommended.
Jonathan Segel 'Shine Out' - BMI
Jonathan Segel is a composer, performer and multi-instrumentalist. He plays guitar, violin, computer, keyboards, electric bass and this CD was recorded entirely in a little cabin somewhere in the middle of Sweden. He has made several guitar-centric rock music CDs and resides in a world of improvisation and electronic music. A very interesting listen but one thing for sure; this is a long way from Country Music.
Deena 'Rock River' - Life Force
A blend of alt country and indie pop, Rock River is the second CD from Deena. Produced by Deena and Bob Friedman, who plays an array of instruments, the sound is upbeat and full of personality. Plenty of good vocal harmony and melodic hooks are evident in songs like Find the Love and Bring It All. When I Fall has a nice country swing to it, plus some nice pedal steel playing. The twelve tracks run along at a pace and the overall experience is one of interest, if not a compelling listen.
Robinson Treacher 'Porches' - Sojourn
Starting with a gospel infused call and response song, Hopali, the tone of this release is set and the following ten songs do not disappoint. The band playing is really tight and the vocals are delivered in a passionate and soulful performance that is reminiscent of Chris Robinson and the Black Crowes. There are also hints of Ray Lamontagne in the singing but it is most definitely the voice of Robinson Treacher that carries the tracks along and lifts the arrangements. Titles like If I Need a Woman; Gone Baby Gone; Blind Man’s Blues and Can’t Call You Again give the overall vibe of the music here. Soulful, bluesy with a little bit of rock, all combine to elevate this artist from the many others who are active in this market.
Buford Pope 'Sticks in the Throat' - Unchained
Born on the Swedish island of Gotland, Buford Pope plays a mean guitar and his band of musicians really kick up a storm on the eleven songs featured on this latest release. This is straight down the middle rock music with plenty of hooks and driving beats. Think of Tom Petty locking horns with the Bob Seger Band and you get an idea of the arrangements here. Great production and a compelling, energetic groove. Worth a listen but it sure is a long way from traditional country music.
Esther Rose Parkes 'The Other Country' - Self Release
Recorded and produced in Stockholm, Sweden by Brian Kramer, this release is a collection of twelve gentle tunes played in an acoustic and intimate setting. Esther Rose sings in a voice that exudes a plaintive quality and her songs speak of loneliness and shadows; of earthiness; of unrequited love. The playing is sensitive and sparse with upright bass, cello and a variety of guitars, national slide, acoustic and 12 string, interweaving across the songs. A late night listen with a mood all of its own. Folk music for the insomniacs and melancholic dreamers.
Eryn Shewell 'Self-Titled' – Rewbie Music
Eryn Shewell is developing a reputation as one of the finest new singing talents to emerge in recent years. She has a wonderful voice and sings with a unique blend of blues and soulful, jazz based emotion. In 2012 Eryn folded The Eryn Shewell Band, after many years of touring back and forth, from the Jersey shore to Nashville, to New Orleans. In 2013 she signed with Blue Raven Entertainment and started a new band called Eryn Shewell and the Whiskey Devils.
She has just released this, her fourth album and Eryn's incredible vocals lift the song arrangements to great heights, never more so than on the standout Relax to Sleep, which soars and swoops in a breath-taking performance. Pat Ruth plays some very fine guitar, in addition to dobro, bass and piano and also shares production credits. Saxophones mix with trumpet and trombone; clarinet duels with harmonica in the up-tempo arrangements like I Wish I Was in New Orleans. A class act and worth checking out.
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https://www.newspapers.com/newspage/170596746/
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The Baltimore Sun from Baltimore, Maryland
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1993-07-07T00:00:00
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Get this The Baltimore Sun page for free from Wednesday, July 7, 1993 OBITUARIES Index DEATHS DEATHS DEATHS DEATHS HARRIS, Sarah of Susan Bank, Gary Orto Interment St.. Edition of The Baltimore Sun
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OBITUARIES Index DEATHS DEATHS DEATHS DEATHS HARRIS, Sarah of Susan Bank, Gary Orto Interment St. John's Schleicher. Also Charles Abbott Jr. Painter, City alumnus Charles Winfield Abbott a self-employed painter, died June 16 at his home in Monkton after a long Illness. He was 48 .
Born at the Presidio in San Francisco, an Army installation, he spent most of his life in Baltimore, moving In 1990 to Monkton. He graduated from Baltimore City College in 1964. Mr. Abbott is survived by a brother, Hunter Abbott of Greencastle, and a stepfather, Malcolm Steele, and a stepsister, Sandra Heck, both of Santa Cruz, Calif. He was cremated June 17 .
The family suggested memorial contributions to the Stella Maris Hospice on Timonium Road. DEATHS ELSEWHERE 1962 PHOTO Harrison Salisbury won the Pulitzer Prize in 1955. Harrison Salisbury New York Times editor NEW YORK Harrison Salisbury, a longtime reporter and editor for the New York Times whose Cold War dispatches from the Soviet Union won the Pulitzer Prize, died Monday in Providence, R.I., while returning from a trip to Martha's Vineyard in Massachusetts. During the 84-year-old's six-decade career, he reported extensively from the then-Soviet Union and Asia and was the author of more than 25 books, most on those areas. He was also among a handful of top Times editors who in 1971 made the decision to publish the Pentagon Papers, the classified report detailing U.S .
involvement in Vietnam. Over President Nixon's objections, the U.S. Supreme Court upheld the paper's right to publish the documents. He won the Pulitzer Prize in 1955 for international reporting for a 14- part series called "Russia ReViewed," in which he described the fear and terror under Stalin. It was one of the first times Soviet authorities didn't censor his stories .
Among his books were, "The 900 Days: The Siege of Leningrad" and "The Long March: The Untold about the trek of Mao Tse-tung and the Red Army. Thomas Harris tor who helped to tions of Associated respondents, died York Hospital, admitted last week of lung cancer and Jackson, 74, an edishape two generaPress foreign corMonday at New where he had been for complications emphysema. DEATHS DEATHS Holy Redeemer National Multiple Sclerosis Society, A American Cancer Society or Little Sisters of the Poor. Jack Beth Tfiloh Congre- DRAGONUK, Claudia deeply regrets the On July 2 1993 of Our Member CLAUDIA of Joplin, DECKELBAUM, be- formerly of Baltimore, husband of Evelyn dear sister of Olga Dukeand beloved hart and the late Leo, of Our Member Peter, John and Sofia Keyser, and ex- Dragonuk and Marie deepest sympathy Monaghan. Also surviving family .
are nieces and nephews. Rosamond be held Funeral at Services the Ruck will 2, 1993, beloved Towson 1050 Funeral Home, Edward R. Diggs, York road aunt of Trina (beltway exit 26A), on Also survived Thursday Panikhida at 11 A.M. A family friends. held Wednesday, be Memorial Service on at held on Thursday 7:15 P.M .
Interment Holy at St. Mary the Trinity Russian Orthodox Walbrook Episcopal Avenue, Church, call on Wednesday 3 to Cemetery. Friends may 5 and 7 to 9 P.M. M. Catherine ENSOR, Edna suddenly, July 5, D .
On July ENSOR, 1, (nee 1993, EDNA at the age of 61, Davis), CATHERINE "KITTY" beloved wife of the late Daughter of C. Roland Graveside Ensor. Service Angela A. and at J. Donohue .
Highland Presbyterian sister of Regina Church Cemetery, Street, (the late Robert MD, 11 on Thursday, July 8, Ruzicka and Law- at A.M. Inquiries may J. (Margaret be directed to Henry W. Aunt of Jean Jenkins Sons, Robert 435-0200. Bitter, (Beth), Phyllis L .
Michael Plotke), FLAHERTY, Joseph The Officers and M.D., and Da- bers of Parkville MemoRuzicka; Mary Jane rial VFW 9083 regret the Jr.) Pfeffer, L. passing of Comrade (Debbie), Paul J. JOSEPH L. FLAHERTY Patrick of Daniel Donohue. Bit- and extend their deepest aunt Robert Ill, Maureen sympathy to his family .
CHARLES R. SIMONSEN Colleen Pfeffer and Chaplain Donohue. Niece of C. Monaghan. FORREST, Anzlie friend of Betty On July 4, 1993 ANZLIE, Rich and Fami- beloved husband of Doris survived by other Forrest, devoted father and wonderful of Antwaun Anzlie Forrest .
He is also survived Thursday, by one grandson Domiand 7 to Friday, 9.P.M. July aT 9, nique sisters A. Marie Forrest, Forrest two and Mitchell-Wiedefeld Mary Smith, host other 6500 York road relatives and friends. Overbrook). Mass of Friends may call at the Burial will be Betts Funeral Home, Saturday, July 1129 North Caroline Immaculate Con- street, on Wednesday 11 Church, 200 A.M .
until 8 P.M. Mr. avenue, Towson, at Forrest will lie state on Burial at New Thursday at Friendship Cemetery. Kit- Baptist Church, 6000 employed by the Loch Raven bivd at 10 Gas Electric A.M. where family will 41 years .
Memo- recieves friends from be made to 11:30 A.M. until 12 noon. I HARRIS, Sarah On July 2, 1993, SARAH (nee Gray), in her 82nd year, the beloved wife of the late Charles Harris, survived by three sisters, Mary Lee, Thelma Edwards, and Lilly Bridges and a host of relatives and friends. Viewing at the LEWIS T. GWYNN FUNERAL HOME, 4517 Park Heights avenue (corner of Sumter) Wednesday 1 to 8 P.M .
Family hour Thursday, 10:30 to 11 A.M. at St. Peter Claver Catholic Church, 1546 N. Fremont avenue followed by a Mass of Burial. Interment in Arbutus Memorial Park .
HEATH, Eleanor On Tuesday, July 6, 1993, ELEANOR beloved mother of Robert Vernon Alfred E. Heath, sister of George and James Pierce and Sadie Bowings. Also survived by six grandchildren and eight great grandchildren. Friends may call on Thursday from 3 to 5 and 7 to 9 P.M. at the Stallings Funeral Home, 3111 Mountain road, Pasadena, where funeral services will be held on Friday at 11 A.M .
Interment private. HOCK, Craig Suddenly on July 6, 1993, CRAIG M. of Arnold beloved husband of Nancy (nee Murphy), devoted son of June and Henry Hock, dear brother of Dana L. Houser and the late Leslie Anne Hock, loving grandson of Myrtle Harting, dear uncle of Michael, Chad and Keri Houser. Friends may call at the Barranco Sons Serverna Park Funeral Home, Ritchie Hwy at Robinson Road on Thursday from.7 to 9 P.M .
Service will be held on Friday, 10 A.M. at St. Annes Episcopal Church, Annapolis. Burial in Druid Ridge Cemetery, Balto. In lieu of flowers contributions may be made to the: American Cancer Society or to: Johns Hopkins Hospital, Oncology Dept .
JOHNSON, Earle On July 4, 1993, EARLE SPENCER JOHNSON. He is survived by his wife, Ina Earp Johnson, his daughters, Gayle Johnson Adams and Sandra Johnson Hartsock and three grandsons, Jonathan, Joshua and Jamison Hartsock. A memorial service will be held on Sunday, July 18 at 2 P.M. at GovansBoundary United Methodist Church, 5210 York read. In lieu of flowers, donations can be made to Francis Scott Key Medical Center EmergenCy Food Closet, 4940 Eastern avenue, Balto .
MD 21224. JUNGHANS, Margaret On July 2, 1993, MARGARET of Rome, Italy, beloved sister of the late Edward W. Junghans, Sr. Survived by one nephew and five nieces, three great nephews and five great nieces. KAROPCHINSKY Sr Albert On July 5, 1993, ALBERT E .
Karopchinsky of Brooklyn the beloved husband of Ann A. Karopchinsky (nee Shelley), and devoted father of Tina L. Aquilucho, Deborah L. Dumalo, Yvonne A. Anderson, Roxann S .
Connor, Laurah L. Miller, Scott K. Dove, Steve Schlatre and the late Albert E. Karopchinsky brother of Peter G. Karopchinsky .
Also survived by 11 grandchildren Relatives and friends are invited to attend a Memorial Service in the family home at 4134 Townsend avenue, Brooklyn on Wednesday evening at 7:00 P.M. Inquiries may be directed to the Gary L. Kaufman Funeral Homes 796-8024 KIRBY, Gary The Baltimore Gas Electric Assn. announces with deep regret the death of Fellow Employee GARY L. KIRBY, Calvert Cliffs Nuclear Power Plant and extends deepest sympathy to his family .
KLEIN, Henry On July 6, 1993, HENRY beloved husband of the late Alma F. Klein (nee Eates), devoted father of Patsy L. Newton, Henry W. Klein and Lesley S. Kendricks .
Brother of Louise Susan Nickerson. Also survived by three grandchildren and two great grandchildren. Service will be held at the Singleton Funeral Home, 1 Second avenue S.W. (at Crain Hgwy) Glen Burnie on Friday at 9 A.M. Interment Glen Haven Memorial Park .
The family will receive visitors Wednesday from 7 to 9 P.M. and 3 to 5 and 7 to 9 P.M. Thursday. KLUPT, Hannah On July 6, 1993, HANNAH (nee Obertier), beloved wife of the late Oscar Klupt, beloved mother of Dr. Eugene L .
Klupt of Frederick, and Harvey L. Klupt of Abingdon, loving grandmother of Mark, Evan and Brooke Klupt. Services at Sol Levinson Bros. Home, 6010 Reisterstown, Road on Wednesday, July 7 at 1 P.M. Interment in the Oheb Shalom Memorial Park, Berrymans Lane .
Please omit flowers in mourning at 17 Kline Frederick, (21701) 8e KNAPP, Catelyn On July 5, 1993, CATELYN NICOLE, beloved daughter of Donald L. Knapp and Anne M. Parker, dear sister of Stephanie Ann Parker, loving granddaughter of H. Edward and Frances Parker and Marilyn Knapp and the late Eugene T. Knapp, dear great-granddaughter of Catherine Frances Knight and Hubert E .
Parker Sr. and Olive M. Parker. Also surviving are aunts, uncles, cousins and other relatives. Friends may call at the Duda-Ruck Funeral Home of Dundalk 7922 Wise avenue on Wednesday from 6 to 9 P.M .
A Mass of Christian Burial will be celebrated in St. Rita's Church on Thursday at 10 A.M. Interment Sacred Heart of Jesus Cemetery. In lieu of flowers contributions may be made to The Catelyn Nicole Knapp Memorial Fund Maryland National Bank 8767 Satyr Hill road, Md 21234 LANDON, John V. On July 5, 1993 JOHN V .
LANDON, retiree of Sun Life Insurance Co. Beloved husband of Berniece Landon, step father and Janet Orto, step grandfather of Julia Bank, Erica Orto and Sarah Bank. No funeral service will be held. LAZINSKY, Joseph The Beth Tfiloh Congregation deeply regrets the passing of Our Member JOSEPH W. LAZINSKY .
beloved husband of Rose Lazinsky and beloved father of Our Member Phyllis Attman, and extends deepest sympathy to the family. LEWIS, Hattie On July 4, 1993, HATTIE P. She is survived by two grandchildren, two brothers and five sisters. Friends may call at the March Funeral Home West, 4300 Wabash avenue on Wednesday after 10 A.M. Remains will lie in state at Monroe Street Church Monroe of God, 301 Thurs- N .
street on day after 10 A.M. where the family will receive friends at 11:30 A.M. followed by Funeral Services at 12 noon. LUCKMAN, Leon On Monday, July 5, 1993, LEON LOUIS (IZZY CAPLAN), devoted brother of Samuel and Isadore Luckman, Mrs. Sam (Eve) Jacobson and the late Fannie Becker and Anne Silverman .
Also survived by two generations of nieces and nephews. Services and Interment, Har Sinai Benevolent Society Cemetery, Rosedale, on Tuesday, July 6, at 11 A.M. Please omit flowers. In mourning at 4745 MaryKnoll road (21208). Arrangements by Sol Levinson Inc .
70 LUCKMAN, Leon The Rogers Avenue Synagogue Family deeply regrets the passing of LEON LUCKMAN, beloved brother of our member Eve Jacobson. We offer sincere sympathy to the family. RABBI MOSHE SHUVALSKY MALONE, Lawrence P. On July, 5. 1993, LAWRENCE P .
MALONE. He is survived by sons, Neal L. Malone of Sparks, MD, Lawrence P. Malone of New Freedom, PA, and Lee S. Malone of Taneytown, MD .
Eight grandchildren, a brother, David Malone of Chicago, IL. Private Services were held. Contributions may be made to Coastal Hospice, P.O. Box 1733, Salisbury MD 21802. Arrangements by Holloway Funeral Home, Salisbury .
MATTHEWS, Vernice D. On July 3, 1993, VERNICE, beloved wife of William, devoted sister of Gladys Price, Miss Naomi Downing and Mrs. Ruth Taylor of Baltimore, Maryland and Mrs. Janie Holland of Bronx, New York, also survived by one sister-in-law Mrs. Esther Myers, one brother-in-law Mr .
Cornelius Connor, nieces nephews, cousins, other relatives and friends. Mrs. Matthews will rest at the Joseph L. Russ Funeral Home, 2222-26 West North avenue, after 2 P.M. Thursday until 8 P.M .
Visitation with family Funeral Services to follow 11 to 11:30 A.M. Friday at Providence Baptist Church, Pennsylvania and Lafayette avenues. Entoombment Arbutus Memorial Park. AKA Services during the hour of visitation McINTYRE, Anne On July 4, 1993, ANNE M. (nee Roberts), beloved wife of the late Kenneth G .
Mcintyre, devoted mother of Christina Hughes, James and Kenneth Mcintyre, dear sister of Edna Runberg. Also survived by eight grandchildren and seven great-grandchildren. A funeral service will be held Thursday at Our Lady Star of the Sea, Staten Island, N.Y. Arrangements by Rosedale Funeral Home. MILES, Marie S .
On July 6, 1993, in Alexandria Virginia, MARIE ELIZABETH (nee Stroebel) beloved wife of the late Clinton W. Miles, dear sister of Ruth S. Balla. A Memorial Service will be held Friday, 11 A.M. at the Mitchell-Wiedefeld Home, 6500 York Road (at Overbrook) .
Please omit Flowers. MORRISON, Stanford B. On July 2, 1993, STANFORD B. dear husband of Mary Morrison. Father of Yvonne Tinsley Leymonte and David Morrison .
He is also survived by three grandchildren, one sister Leslie Moore, two brothers Stewart and Dewitt Morrison nieces, nephews and other relatives Friends may call at Elizabeth L. Phillips Funeral Home PA 1721-27 North Monroe street (Westwood avenue), Wednesday after 10:00 A.M. family will receive friends at the Central Church of Christ 4301 Woodridge road, Thursday 11:00 to 11:30 A.M. with services to follow. Interment Garrison Forest Veterans Cemetery MURRAY, Agnes On June 30, 1993, AGNES, devoted mother of Andrew, John, Robert and Olivia Murray, Rosetta Davis and Sauda Abdul-Alleem .
She is also survived by 18 grandchildren, 35 great-grandchildren, eleven great-greatgrandchildren, other relatives and friends. Friends may call at the Betts Funeral Home, 1129 North Caroline street, on Wednesday, 10 A.M. until 2 P.M. Mrs. Murray will lie state at St .
Paul's Apostolic Church, 2626 East Hoffman street, on Wednesday at 4 P.M. Family will receive friends from 7 to 7:30 P.M. Funeral services to follow. Interment Baltimore National Cemetery. NORMAN, Leona On July 5, 1993, LEONA B .
beloved wife of the late Linn Norman, devoted mother of Edwin L. Norman Services will be held on Wednesday July 7, at 11:00 at the Spear Funeral Home in Brandonville WV. Interment in Woodsdale Memorial Park in Grafton WV NUTTALL, Estelle On July 6, 1993 ESTELLE G. (nee Haines), beloved wife of the late Chauncey C. Nuttall, devoted mother of Anne N .
Scott, sister of Margaret Weagly, grandmother of James and Sallie Scott. Friends may call Thursday, 3 to 5 and 7 to 9 P.M. at the MacNabb Funeral Hbme, 301 Frederick Road, Catonsville (at beltway exit 13), where funeral service will be held Friday at 10 A.M. Interment St. John's Cemetery, Ellicott City .
Trueheart Cox, Owned food brokerage By Shannon Murray Staff Writer Helen Trueheart Cox, a former president of the National League of American Pen Women and owner of a food brokerage bustness, died of a stroke June 27 at her home in Northeast Baltimore. She was 80. Born and reared in Boonsboro, the former Helen Lakin was a 1939 graduate of what is now Towson State University. She later worked for the Wilson food brokerage firm, while taking advanced studies in art a and business administration, and in the late 1960s she established her own food brokerage company. Mrs .
Cox was active in the Daughters of the American Revolution. According to niece Patricia Lemkuhl, she was instrumental in establishing the Star-Spangled Banner Flag House and worked for the restoration and preservation of the Constellation. Mrs. Cox was president of the National League of American Pen Women during 1972-1974. She retired from her food brokerage business in 1987 .
Her first husband, Herbert Trueheart, died in 1980. Mrs. Cox is survived by her husband of 10 years, Herbert Cox: a brother, Robert E. Lakin of Boonsboro; two nieces, Patricia Lakin Lemkuhl and Eleanor V. Doris G .
Pryor Reared in Reisterstown Doris G. Pryor, more County, died of at a hospice in West Fla. She was 76. The former Doris born and reared in graduated from School in 1935. She ness college in Baltimore fore becoming the social Mrs .
Milson Thomas, opera star John Charles 1937. For the next divided her time New York City, Palm and Southern California. she married James and the couple settled N.Y. In 1966, after returned to Palm Beach. later, she married Alva He died in 1975 .
Mrs. Pryor is sons, James McKenzie Galveston, Texas, of West Palm Beach, as Akehurst Rust of N.Y. Services were held Florida. The family suggested contributions be sent Zoo in Palm Beach, Fla. Bettie K .
Darlington Bettie Kathryn maker, died June 30 of at Harford Memorial Havre de Grace. She The Darlington in Accomac, Va. She high school in DEATHS ALLEN, Canal On July 2, 1993, CANAL beloved husband of Mrs. Hollis M. Allen .
Friends may call at the March Funeral Home East, 1101 E. North avenue, after 10 A.M. on Wednesday, where the family will receive friends on Thursday at 11:30 A.M., followed by Funeral Service at 12 noon. Interment to follow in the Garrison Forest Veterans Cemetery. BACON, Paul S .
On July 4, 1993, PAUL S. BACON of Monkton beloved son of the late Calvin E. and Virginia Mae (nee Ruhl) Bacon, beloved brother of Mark E. Bacon and Cheryl F. Bozman .
Funeral Service will be 2:30 P.M. Thursday at the J. J. Hartenstein Mortuary, 24 Second Street, New Freedom, PA. Interment will be in Mays Chapel United Methodist Cemetery, Timonium .
Friends may call at the Mortuary from 7 to 9 P.M. Wednesday. BADDERS, S. Elizabeth On July 4, 1993, S. ELIZABETH "Lib' (nee Baker), of New Freedom, PA, beloved wife of Robert L .
Badders Sr. Viewing 6 to 9 P.M. Wednesday at J.J. Hartenstein Mortuary, 24 Second street, New Freedom. Service 10:30 A.M .
Thursday at the Mortuary. Burial Susquehanna Memorial Gardens. BAYLUS, Sidney On Tuesday, July 6, 1993 SIDNEY beloved husband of Leta Baylus (nee Wasbutsky), beloved father of Mrs. Cynthia B. Goldman, beloved father-inlaw of Eric Goldman, beloved brother of Herman, Alvin and Benjamin Baylus and the late Samuel, Meyer and Dr .
Joseph Baylus. Loving grandfather of Lisa and David Goldman. Services at Sol Levinand Bros Home, 6010 Reisterstown road Sun Classified Call 539-7700 ALLEN, Canal BACON, Paul S. BADDERS, S. Elizabeth BAYLUS, Sidney BUTLER, Robert CATON, Alice CAVES, Nora CROSS, Ellen D'ANGELO, Joseph DIGGS, Rosamond DONOHUE, M .
Catherine DRAGONUK, Claudia ENSOR, Edna FORREST, Anzlie FRANCK, Ann FULGHAM, Mary GERHOLD, Mary Anna GODFREY, Charles GOSSMAN, William HACKETT, Thomas HARRIS, Sarah HEATH, Eleanor HOCK, Craig JOHNSON, Earle JUNGHANS, Margaret KAROPCHINSKY Sr Albert KLEIN, Henry KLUPT, Hannah KNAPP, Catelyn LANDON, John V. LEWIS, Hattie LUCKMAN, Leon MALONE, Lawrence P. MATTHEWS, Vernice D. McINTYRE, Anne MILES, Marie S. MORRISON, Stanford B .
MURRAY, Agnes NORMAN, Leona NUTTALL, Estelle PARRAN, Grace PATTERSON, Leonard PRESTON, Joseph 0. PRICE, Bertha REPKO Paul RIDOLFI, Saul RILEY, Florence ROBERTS, Arthur RUGGIERO Frank SCHLEICHER, Walter SHALOWITZ, Julia SLAGLE, A. Russell SMITH, Janet STEFANSKI, Raymond STEINKRAUS, Myrtle STERMER, Alberta STEWART, Pearl Clark STOFFEL, William THOMAS 111, William THOMPSON, Mattie TOMLINSON, William TREUEL, Elaine TWIGG, Mary WELLS-DeBERRY, Lera WESOLEK, Philip WHITELEY, Vincent DEATHS 1972 PHOTO Helen Trueheart Cox was a former president of the National League of American Pen Women. Lakin, both of Boonsboro; and two grandnieces. Services were Mitchell- Wiedefeld in Rodgers Forge .
The family tions may be made League of American Pen Arts Building, N.W., Washington Thursday at the Funeral Home suggested donato the National Pen Women, 1300 17th St. 20036-1973. then moved to the Los Angeles area for 20 years. She then returned to Delaware for 16 years and moved to Darlington in 1991. Mrs .
Pierson worked in retail and office jobs but was primarily a homemaker. She is survived by a daughter, Sherry M. Pomraning of Darlington; two brothers, Joseph H. Murphy Jr. of Quarryville, and Stephen D .
Murphy Sr. of Aberdeen; two sisters, Elizabeth M. Jones of Norfolk, and Ruth Louden of Rosedale: and two grandchildren. Services for Mrs. Pierson were held Saturday at the Patterson Funeral Home in Perryville .
Herbert E. Fillmore Retired auto mechanic Herbert E. Fillmore, a retired mechanic who lived in Baltimore for many years, died of lung cancer June 29 at a son's home in Orlando, Fla. He was 69. A native of Garfield, Utah, he left his hometown in 1941 when he enlisted in the U.S .
Marine Corps. After serving at a military base in North Carolina, he married former Doris Dietz in 1946 and the couple settled in Baltimore. Mr. Fillmore worked for Smith Motors as an automobile body and fender mechanic for 30 years and for an armored car service for five more years before retiring. His wife died in 1975 .
Mr. Fillmore moved to Florida earlier this year. He is survived by three sons, Thomas Fillmore of Baltimore, Randolph Fillmore of Tampa, and Steven Fillmore of Orlando, Fla. Private funeral services were held July 3 in Orlando. DEATHS July 7 at Wilhelm and Betty Scott Most Balti- and the late Helen Farley, Cemetery .
Cemetery, Hazel Alcorn, Mary Ellen Please Caves and Mabel McMilContribu- lian, step-sister of Law- DECKELBAUM, may rence Quick. Also sur- The the Uni- 12 gation Can- four great passing Greene grandchildren and 22 JACK mourn- step grandchildren. Also loved Timbers two nephews, John and Deckelbaum (21209) 8e Clarence Howard. father Friends may call at the Susan Singleton Funeral Home, tends Second avenue S.W. to the ROBERT (at Crain Hgwy) Glen BurCarolyn nie on Wednesday 7 9 DIGGS, Buckson, P.M .
and Thursday 3 to 5 On July and Rob- and 7 to 9 P.M. Services ROSAMOND survived by from the Townsend Bap- aunt of grand- tist Church on Friday at great neph- 11 A.M. Interment Cedar McLaine. and Hill Cemetery. by other A Calvin will be Home, CROSS, Ellen 6 P.M .
street, On July 5, 1993 at Rock- Virgin from 10 ville, MD, ELLEN CROSS, 3121 Family will formerly of Milford, DE, Baltimore. Thurs- wife of the late Frederick A.M. to Cross and mother of DONOHUE, time James Howell, Belleview, Died will be FL. She is also survived 1993, Garrison by a niece Evelyn Young M. Ceme- of Ellendale, DE .
DONOHUE. Funeral services will be the late held at the National Lu- Lawrence theran Home Chapel, Dear ALICE C. 9701 Veirs drive, Rock- Jean" wife of ville, MD, on Thursday, Sr.) L.J. Ca- July 8 at 10 A.M. (visita- rence mother of tion at 9 A.M.) .
Interment Donohue. Charles Mt. View Cemetery, El- Ann (Eric) J. Neil licott City, MD at 11:30 Jr. Walsh A.M .
The family suggest (fiance, Caton, memorial contributions in Francis William her name be made to the vid J. Also sur- National Lutheran Home (Robert, grandchil- For The Aged, Rockville, James grand MD (20850) and G. great, Great D'ANGELO, Joseph ter; at the On July 5, 1993, JOSEPH and Memo- J. of Parkville, beloved Sean Wednes- husband of the late Ma- Regina 3 to 5 deline C. D'Angelo, loving Special Christian step-father of Charles and John 3 Murphy and Mary Stein- ly .
Also will fort, brother of Mary Val- relatives Friday 10 erio, Frank D'Angelo, Jo- friends. Ursula's sephine Visitation, Balti- Catherine Stafford, July 8, Cemetery. James D'Angelo and the 3 to 5 late Nettie, Scutio and the Raymond D'Angelo, step Home, NORA grandfather of six, step (at of Glen great grandfather of four, Christian wife of and uncle of eleven. offered Harvey Friends may call at the 10, at mother Johnson Funeral Home, ception Shelby 8521 Loch Raven Blvd Ware Bigley, (Beltway exit 29B) on 10 A.M. Sandra Wednesday from 3 to 5 Cathedral and and 7 to 9 P.M .
Relatives ty was step- and Friends are invited to Baltimore Stumpf, attend Prayers on Thurs- Co. for Earscell day at 10 A.M. Interment I rials may PARRAN, Grace On July 5, 1993 GRACE S. PARRAN of Prince Frederick, MD, beloved wife of the late William S. Parran, mother of Rebecca S .
Parran Charles S. Parran. Grandmother of Gweneth Airgood and Susan Parran. She is also survived by two sisters. Sophie Rust and Claudia Grant .
Friends may call at St Paul's Episcopal Church, Prince Frederick MD on Thursday, July 8 from 10 to 11 A.M., where services will be held A.M. Interment Church Cemetery. Memorial contributions may be made to the Arthritis Foundation, 22 Truckhouse road, Severna park MD 21146. Arrangements by Rausch Funeral Home, Port Republic, MD. PATTERSON, Leonard On July 6, 1993 LEONARD beloved husband of Doris Dunaway Patterson, devoted father of Larry P .
Patter- son father-in-law of Lea C. Patterson and grandfather of Laura, Nancy and Larry P. Patterson Jr. Friends may call at the MitchellHome, 6500 York road (at Overbrook) on Thursday from 2 to 5 and 7 to 9 P.M. Services will be held at the Funeral Home on Friday at 10 A.M .
Interment Dulaney Valley Memorial Gardens. If desired, Memorial contributions may be made to Parkinson's Disease Center, Johns Honkins Hospital, 601 N. Broadway, Baltimore, MD 21205. PRESTON, Joseph O. On July 4, 1993, JOSEPH OLIVER, beloved son of Charles B .
Preston and the late Helen R. Preston (nee Slaysman), devoted brother of Rose Marie Preston, Helen VanBuskirk-Jost, Charles J. Preston, Rhea Dixon, Mary Eifert, William Preston and Debbie Falkenstein. A Christian Wake Service will be held at the Duda-Ruck Funeral Home of Dundalk, 7922 Wise Avenue on Thursday at 8:30 P.M. A Mass of Christian Burial will be celebrated at Our Lady of Hope Church on Friday at 9 A.M .
Interment New Cathedral Cemetery: Friends may call Wednesday and Thursday 3 to 5 and 7 to 9 P.M. PRICE, Bertha On July 6, 1993, BERTHA MAE (nee Clinton), beloved wife of Dempsey L. of Mary Shewell, Barbara Davis, Dempsey Price Jr. and Deborah Seiler, sister of Gene Clinton and Mary Meazik. Also survived by seven grandchildren .
Services at Eckhardt Funeral Chapel, Owings Mills, Thursday at 9 A.M. Interment Evergreen Memorial Gardens. Friends may call Wednesday 7 to 9 P.M. REPKO Paul On July 6, 1993 PAUL Sr. beloved husband of Virginia Repo (nee Spishock), devoted father of Paul Repo Jr .
and Jim Hill, dear father-in-law of Wanda Hill, dear brother of Andy and Jake Repo and Helen Rahuba, dear grandfather of Rhonda and Terri Hill Funeral Services at the Connelly Funeral Home of Essex 300 Mace avenue on Thursday at 9:00 A.M. Interment Garrison Forest Veterans Cemetery, visiting hours on Wednesday from 3 to 5 and 7 to 9 P.M. and 7 to 9 P.M. RIDOLFI, Saul On July 6, 1993 SAUL, beloved husband of Adelina (nee DeSando), loving father of Joseph, Louis, Frank, Saul Ridolfi and Nancy Bach. Devoted brother of Angiola Berneschi, Gemma Pieri, Zelinda Ridolfi, all of Italy .
Dear brother-in-law of Frank DeSando and Silia Ridolfi. Also survived by 14 grandchildren and 10 great grandchildren. Funeral Services at the JOSEPH N. ZANNINO, JR FUNERAL HOME, 263 South Conkling street (at Gough), on Friday at 8 A.M. A Funeral Mass will be held at Our Lady of Pompei Church .
Interment Sacred Heart of Mary Cemetery. Friends may call on Wednesday and Thursday from 3 to 5 and 7 to 9 P.M. RILEY, Florence On July 3, 1993, FLORENCE J. (nee Myers), devoted mother of Angela M. Highkin, Jo Ann L .
Roberson, Vincent Mary Edward John Joseph T. Riley, dear sister of Marie V. Wieciech. She is also survived by 15 grandchildren and three greatgrandchildren. Christian Wake Service at Charles S .
Zeiler Son, 6224 Eastern avenue (at Folcroft), on Wednesday at 8 P.M. Mass of Christian Burial at St. Gerard's Chapel, on Thursday at 10 A.M. Interment in St. Stanislaus Cemetery .
Friends may call on Tuesday and Wednesday from 3 to 5 and 7 to 9 P.M. ROBERTS, Arthur On July 6 1993, ARTHUR beloved husband of Ruth C. Roberts (nee Corbett), devoted father of David C. Roberts (Deborah), Douglas W. Roberts (Kristen), Elizabeth A .
Krans (Kenneth) and Reid T. Roberts, beloved son of Lillian A. Roberts of Victoria, B.C., brother of Shirley Main of Victoria, B.C. and Patricia Haver of Canada. Also survived by 5 grandchildren .
A Memorial Service will be held on Thursday P.M. at the Chestnut Grove Presbyterian Church, Phoenix, MD. Interment private. Please omit flowers. Those desiring may send memorials to the Chestnut Grove Presbyterian Church .
RUGGIERO Frank On July 4, 1993 FRANK beloved husband of the late Betty Jo Ruggiero (nee Beasom), devoted father of Rosemary Ruggiero and Cheryl Rabette, grandfather of Courtney Rabbette, brother of Patrick, Victor, John and Joseph Ruggiero, Julia Pluchino, Marie Kaprowski, Theresa Lester and Dolores Rocco. Memorial Mass will be celebrated on Friday July 9 at 11 A.M. at St. Thomas Aquinas Church, west 37th street and Hickory avenue (21211). SCHLEICHER, Walter On July 5, 1993 WALTER C .
SCHLEICHER SR, beloved husband of Ruth (nee Demmitt), devoted father of Walter C. Schleicher Jr, Deborah A. Becraft and Phyllis L. by four grandchildren. Friends may call at the C .
WITZKE FUNERAL LEROY M. AND RUSSELL mIHOME OF CATONSVILLE, (1 1630 mile W. Edmondson of avenue Exit 14) on Wednesday Beltway to 9 P.M. and Thursday 2 to 4 and 7 to 9 P.M. Services will be held at the Funeral Home, Friday 10 A.M .
SCHMIDT, Lula 0. 03 Palestine Chapter O.E.S. announces with deep sorrow the passing a of LULA O. P.M. on July 3, 1993 .
On SHALOWITZ, July 6, Julia 1993 JULIA (nee Harris) beloved wife of the late Maurice Shalowitz, devoted mother of Harris Shalowitz, loving 7 mother-in-law of Anita Shalowitz, devoted sister of the late Delma, Sadye, Geraldine and Mark Harris, loving grandmother CO of Howard and Eileen Shalowitz. Services at Sol Levinson Reisterstown Bros Home, road 6010 on Wednesday, July 7 at 10 A.M. Interment Mikro Kodesh-Beth Israel Congregation Cemetery, 6700 Bowleys lane. Please omit flowers. In mourning at 5 Newbridge court, Randallstown (21133) 8e SLAGLE, A .
Russell On July 4, 1993, A. RUSSELL. Mr. Slagle is survived by three nephews, Charles W. Slagle IV of Bethany Beach, Deleware, Jacob W .
Siagle Jr. of Baltimore, Maryland and Frederick V-W. Slagle of Bearsville, New York, four great nephews, Charles W. Slagle Richard B. Coupland, Alexander R .
Slagle and I Dylan W. Slagle, all of Baltimore, one greatniece, Victoria G. Wilt of Baltimore, three greatgreat-nephews, Charles W. Slagle VI, Gilbert Leslie Wilt Jr. and Christopher Coupland, all of Baltimore and three greatgreat-nieces, Melanie M .
Henigan, Alexandra R. Slagle and May S. Wilt, all of Baltimore. Services at Roland Park Presbyterian Church, 4801 Roland avenue on Wednesday at 2 P.M. Interment following, Greenmount Cemetery .
Friends may call at Henry W. Jenkins and Sons, 4905 York road on Tuesday, 2 to 4 and 7 to 9 P.M. SMITH, Janet On July 5, 1993, JANET RAE, devoted mother of Susan Salmond, Kathleen Dietrich and Karen Byrd. Also survived by four sisters, six grandchildren and one great-granddaughter. Friends may call at the Gonce Home, 4001 Ritchie highway on Tuesday 3 to 5 and 7 to 9 P.M .
Graveside Service in Glen Haven Memorial Park on Thursday at 1 P.M. STEFANSKI, Raymond On July 4, 1993, RAYMOND beloved husband of the late Lucy Stefanski (nee Punte), dear father of Katherine Lucy Stefanski and the late Rose Marie Lucy Raczniak, grandfather of Francis, Rose Marie and Deborah Ann Raczniak, great-grandfather of Francis Raymond and Jason Raczniak. Christian Wake Services at the Kaczorowski Funeral Home, 2525 Fleet Street Wednesday 7:30 P.M. Mass of Christian Burial Holy Rosary Church Thursday 10 A.M. Interment Holy Rosary Cemetery .
Visiting Wednesday 2 to 5 and to 9 P.M. STEINKRAUS, Myrtle On July 3, 1993 MYRTLE MAY of Brooklyn, beloved wife of the late Carl Frederick Steinkraus, beloved mother of Joshua M. Potter, loving mother-in-law of Merilyn L. Potter, dear grandmother of Jerilyn S. Kane, Kerry P .
Potter and great grandmother of Sgt. Thomas Kane, Lorien Kane and Erin, Daniel, Chad and Emma Potter. The family will receive friends at the McCully Funeral Home of Brooklyn, 237 E. Patapsco avenue, on Tuesday and Wednesday from 3 to 5 and 7 to 9 P.M. Services will be held in St .
John Lutheran Church (Third street and Washburn avenue) on Thursday at 11 A.M. Interment in Meadowridge Memorial Park. Contributions may be made in her memory to St. John Lutheran formerly of Balticancer June 23 Palm Beach, Grimes was Reisterstown and Franklin High attended a bustbriefly besecretary for the mother of Thomas, in seven years, she between Towson, Beach, In 1945, McKenzie Rust in Buffalo, divorce, she Two years Scott Pryor. survived by three Rust Jr .
of George Reid Rust and ThomTonawanda, June 29 in memorial to Dreyer Park Pierson homemaker Pierson, a homeheart failure Hospital in was 76. resident was born graduated from Wilmington, DEATHS on Wednesday, 2 P.M. Interment more Hebrew Berrymans lane. omit flowers. tions in his memory be directed to versity of Maryland cer Center, 22 S .
street (21201). In ing at 6946 Ten lane (the falls) BUTLER, Robert On July 3, 1993 beloved father of Butler, Cynthia Angela Parker ert, Jr. Also one brother, three children, nieces, ews, other relatives friends. Visitation at the B. Scruggs Funeral 1412 E .
Preston on Wednesday A.M. to 8 P.M. receive friends on day from 11:30 12 noon, at which funeral services gin. Interment Forest Veterans tery. CATON, Alice On July 6, 1993 CATON, beloved the late William ton, devoted Nancy Sabatino, Richard P .
and Caton and Celeste and the late Alice Eileen Stuart and L.J. Caton, Jr. vived fifteen dren, eleven great children and one great grandchild. Friends may call Evans Chapel of ries-Parkville on day and Thursday and 7 to 9 P.M. Wake on Wednesday P.M .
Funeral Litergy be held on A.M. at St. Church. Interment more National CAVES, Nora On July 5, 1993, (nee Reynolds), Burnie, beloved the late John Caves, devoted of Howard Caves, Painter, Patricia Donna Valentine, Smith, Darrell Caves, Vivian Allen. Loving mother of Beulah Mildred Farley, Funeral service to follow .
Interment Woodlawn Cemetery. FRANCK, Ann On July 3, 1993, ANN V. (nee Dugan), devoted wife of John M. Franck, beloved mother of R. Ross Franck, dear mother-in-law of Veronica L .
Franck, loving sister of the late John Dugan and niece of Margaret Phelps. Also survived by many cousins, nieces and nephews. A Vigil Service will be held at the Leonard J. Ruck Funeral Home, 5305 Harford road (at Echodale), on Wednesday at 4 P.M. A Funeral Mass will be celebrated in the Immaculate Conception Church on Thursday at 10 A.M .
Interment Garrison Forest Veteran Cemetery. Friends may call on Tuesday and Wednesday from 2 til 5 and 7 til 9 P.M. FULGHAM, Mary On July 2, 1993 MARY E. MILBURN-FULGHAM, beloved wife Jonah Fulgham, devoted mother of Michael, Tony and Richard of Baltimore. Funeral Services will be held at 7 P.M .
Tuesday, at the United Pentecostal Miracle Church, 2620 Quantico avenue, Baltimore (21215). GERHOLD, Mary Anna On July 6, 1993, MARY ANNA (nee Arnold), beloved wife of the late August Gerhold, devoted mother of Dorothy M. Bradford, Gertrude E. Klausing, William A. Gerhold and the late August Gerhold, Jr .
Also survived by 13 grandchildren and 14 great grandchildren. Friends may call at the Mitchell- Wiedefeld Home, 6500 York Road (At Overbrook) on Thursday 2 to 5 and 7 to 9 P.M. Funeral Services will be held at the Funeral Home on Friday at 11 A.M. Interment Parkwood cemetery. GODFREY, Charles Suddenly on July 4, 1993 CHARLES beloved husband of Sharon L .
Godfrey, dear father of Olympia Chagouris and Justin Kaseman, devoted brother of Carl, Jerry and Betty Godfrey, brother-in-law of Sherri Godfrey, Linda and Robert Kern. Also survived by nieces and nephews. Family is in mourning at 2632 N. Calvert street from 7 to 10 P.M. GOSSMAN, William On July 5, 1993, WILLIAM OLIVER, beloved husband of Sandra Lee (nee Botterill), beloved son of Catherine Henderson Gossman, father of Lorie Alysia A .
Gossman, and Melissa Covington, brother of Catherine Lastner, Joyce Sternes and Thomas Gossman. Also survived by one grandson. Funeral Services at Immanuel Lutheran Church Friday at 12 A.M. Interment in New Lutheran Cemetery. Friends may call Eckhardt Funeral Chapel, Manchester, Thursday 3 to 5 and 7 to 9 P.M .
If desired, contributions may be made to Immanuel Lutheran Church, Manchester, MD 21102. HACKETT, Thomas On July 5, 1993 THOMAS devoted husband of Carol (nee Osborne) Hackett, loving father of Robley Thomas B. Hackett. Also survived by six grandchildren and three great-grandchildren, uncle of Elizabeth Ross Hackett Huffine. A Memorial service will be held at the Holy Trinity Episcopal Church in Churchville on July 8 at 10 A.M .
Interment Vin adjoing cemetery. In tieu of flowers contributions may be made to the Holy Trinity Episcopal Church. Church. STEINKRAUS, Myrtle The Officers and Members of Brooklyn Chapter No. 81, O.E,S .
regrets the passing of our Sister MYRTLE STEINKRAUS, P.M. and extends deepest sympathy to the family. Memorial Services will be held Wednesday, July 7, 7:30 P.M. McCully's Funeral Home, Patapsco avenue and Third MILDRED ABBOTT Matron ABBOTT Patron STERMER, Alberta On July 6, 1993, ALBERTA, (nee Burleson), beloved wife of Kenneth L. Stermer, devoted mother of Loretta Hetmanski, Frances Kincaid, Janice Howell and Denise Biscotti, loving daughter of Earleen Burleson, also survived by five grandchildren .
Funeral from the E. F. Lassahn Funeral Home (Kingsville), 11750 Belair road on Friday 11 A.M. Interment Holly Hill Cemetery. Visiting Wednesday and Thursday 2 to 5 and 7 to 9 P.M .
If desired Memorial Contributions may be made to the American Cancer Society. STEWART, Pearl Clark In Lewes, Delaware on July 6, 1993, PEARL CLARK STEWART, age 96, of Baltimore, MD. (Oldest living resident of GOVANS). Survived by one son Joseph J. Stewof Sherwood Forest, one stepdaughter Anne Karow, Syracuse, New York, three grandchildren, four greatgrandchildren, two sisters Gladys Ringgold and Doris Kalivoda and one brother Carson Clark, all of Severn, MD .
Memorial Services will be 10 A.M. Saturday July 10, 1993 at St. John's Episcopal Church, 3200 Greenmount avenue, Baltimore, MD. Burial will be be private. Please omit flowers .
Contributions are suggested to St. Johns Episcopal Church. Arrangements by Parsell, Atkins Lodge Funeral Home, Lewes, DE. STOFFEL, William On July 6. 1993, WILLIAM J .
of Southwest Baltimore, beloved husband of the late Ida M. Stoffel, devoted father of the F. 5 DI .
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https://www.njarts.net/twenty-dylan-covers-nj-artists-help-bob-dylan-project-web-site/
|
en
|
Twenty Dylan covers by NJ artists, with some help from Bob Dylan Project web site
|
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[
"JAY LUSTIG",
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2017-10-01T02:26:52+00:00
|
Twenty of the best Bob Dylan covers by New Jersey artists including Bruce Springsteen, Patti Smith, My Chemical Romance, The Four Seasons and others.
|
en
|
NJArts.net
|
https://www.njarts.net/twenty-dylan-covers-nj-artists-help-bob-dylan-project-web-site/
|
753
It’s apparently been around for a few years, but I recently found out about the remarkable Bob Dylan Project web site. It’s as thorough an overview of his music as you could imagine, with information about every song he ever has recorded, plus links to streams of the actual recordings (both the original and alternate and live versions). On top of that, there are also links to covers of his songs by more than 4,000 artists.
I’ve enjoyed cruising around the site — I imagine any fan would — and, in particular, hearing new version of his songs that I had not previously been aware of. And the experience has inspired me to put together this list of 20 of his songs by Jersey artists.
I had been aware of some of them, previously. But in many cases, I heard them for the first time by spending some time with thebobdylanproject.com.
There are many other Dylan covers by New Jersey artists, of course. But these, I feel, are 20 of the best (with the limit of only one song per artist).
I’m not sure why, but many of these songs are not really the most obvious cover choices. Maybe that says something about the state’s musicians.
Here they are, listed alphabetically, by artist.
Richard Barone: “I’ll Keep It With Mine”
Bon Jovi: “Seven Days”
Neal Casal: “Property of Jesus”
The Four Seasons: “Mr. Tambourine Man”
The Gaslight Anthem: “Changing of the Guards”
Emily Grove, with David Ford: “Oh, Sister”
Pat Guadagno and Tired Horses: “Abandoned Love”
The Isley Brothers: “Lay, Lady, Lay”
Bettye LaVette: “Everything Is Broken”
R. Stevie Moore: “Who Killed Davey Moore?”
My Chemical Romance: “Desolation Row”
The Myddle Class: “Gates of Eden”
Suzzy and Maggie Roche: “Clothes Line Saga”
Eryn Shewell and Pat Ruh: “You Angel You”
Patti Smith: “Drifter’s Escape”
Bruce Springsteen: “I Want You”
Jack Tannehill: “Emotionally Yours”
Tony Trischka, with Druhá Travá: “Nashville Skyline Rag”
Yo La Tengo: “I Threw It All Away”
The Young Rascals: “Like a Rolling Stone”
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| 23 |
https://m.soundcloud.com/eryn-shewell/dont-think-twice-live-at
|
en
|
Stream Don't Think Twice - Live at Sharrott Winery by Eryn Shewell
|
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[
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Stream Don't Think Twice - Live at Sharrott Winery by Eryn Shewell on desktop and mobile. Play over 320 million tracks for free on SoundCloud.
|
en
|
SoundCloud
|
https://soundcloud.com/eryn-shewell/dont-think-twice-live-at
|
Acoustic Duo with
Eryn Shewell on Vocals/Guitar
Patty "Slidell" Ruh on guitar
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| 80 |
https://music.apple.com/us/artist/chad-cromwell/16646144
|
en
|
âChad Cromwell
|
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[
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Listen to music by Chad Cromwell on Apple Music. Find top songs and albums by Chad Cromwell including Station Blues (feat. Chad Cromwell), Real Love (feat. Mark Hill, Chad Cromwell & Jimmy Wallace) and more.
|
en
|
/assets/favicon/favicon-180.png
|
Apple Music - Web Player
|
https://music.apple.com/us/artist/chad-cromwell/16646144
| |||||
8929
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dbpedia
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2
| 19 |
http://www.aliceleon.com/blog
|
en
|
Alice Leon Singer / Songwriter (The AL’s, Miss Peggy Lee show & The Alice Project)
|
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Birthdays represent the artificial time line that for some reason makes me reflect on where I am on that day. So here I go publicly reflecting... This has been a year where I haven't done as many...
|
en
|
Alice Leon Singer / Songwriter (The AL’s, Miss Peggy Lee show & The Alice Project)
|
https://www.AliceLeon.com/blog.html
|
Birthdays represent the artificial time line that for some reason makes me reflect on where I am on that day. So here I go publicly reflecting...
This has been a year where I haven't done as many "Live" solo and band gigs. After nearly 30 years there has been a natural slowing down. With the band rehearsing and churning out CD's it seemed natural to book and tour like crazy. There are moments when I miss it immensely. Many of my friends and bandmates are still in the game and I get pangs of wanting to get back in. My truth at the moment is that I love sharing songwriting with others as a teaching artist. Every day is incredibly rewarding and I feel I'm doing important work helping to spark creativity through the language of music and video. With each song and lyric written, I'm reminded of why it's been my life work. The hours are great as well. So for the foreseeable future, I will continue along this path, but don't be surprised if you see some more "Live" gigs pop up on my calendar. There's something to to be said for the phrase "Absence makes the heart grow fonder."
It’s been 6 years since I added here
A little story dating back to Greenwich Village 1984 @The Bitter End... I was standing on the side of the stage waiting for my turn to play a set (there were 4 bands that night). I watched a lead singer belting out a song. She was wonderful but pretty old as I judged her to be in her mid 30’s. I swore to myself that if I wasn’t a super star with a huge record contract by the time I was her age I would definitely not be playing small clubs like this. There was no way that judgy self absorbed girl (me) could have anticipated the long and winding musical journey I was just at the beginning of that night. So here I am 37 years later with a cache of albums, experiences, accolades, heartaches along with a zillion little euphoric moments and I can’t wait to play at 3 small venues this week to usher in my 60th year around the sun. Stop by and say hi to this old girl. Thu. 11/18- Ricks Club American Congers NY 7-10, Sat. 11/20 - Torne Valley Vineyards 1-5 under the heated tent with Al and Jimmy Leahey., Sun. 11/21 Tin Barn Brewing 2-5
So I thought I'd reflect for a moment as we all have a tendency to do at the artificial end of a year. 2013 was a year where I personally said goodbye to some dear friends... Larisa Vaynberg and Brett Walker. I looked up to Larisa as a mentor. She had gone through so many real trials in her life becoming a top tennis competitor in her homeland of Russia only to be left out of the big tournaments because she was born Jewish. Emigrating to America after Chernobyl with her 2 babies, husband, twin sister and parents with nothing but the clothing on their backs. Working first as a housekeeper and eventually becoming a top tennis coach in Princeton. She was genuine, funny, fair, loving, hardworking and a role model to me. Brett Walker and I never met, but he was an incredible cheerleader for me and my music. We spoke hundreds of times on the phone. Placing my songs in countless TV shows and telling me all the time that my music was awesome and he valued it. That meant a great deal coming from someone who had achieved so much in the music biz. He passed away suddenly and too young as did Larisa. There were loads of wonderful things this year though... My son Eli finished elementary school and started Middle school. Became a black belt in TKD, Played his original classical piano pieces at the Liedenkrantz music hall as part of the Rondo music festival, made it to two travel baseball teams, really cut his hair for the first time and grew about 6 inches. Al Greene played some amazing gigs this year including Lincoln Center and learned how to play bass and drums at the same time. He also decided to embark on his journey into the martial arts. He helped me produce and engineered my last CD and is working on a new one with me.
This year, I released my CD "It's all making sense" which caught the ears of a number of film makers working on Tesla films. It was a chance to co-write with Jimmy Leahey and Eryn Shewell. I had a sold out show at the Turning Point which was amazing. My work as a teaching artist grew ten fold and it's an amazing fit for me. We did a bunch of traveling and made our yearly pilgrimage to my favorite spot on earth...Sedona Arizona. Time goes so fast and I've decided that even the crappy times should go slowly because I don't want any of this to end too soon. There's loads more to say...but I think I'll just add those thoughts to my next batch of songs....
Peace out....
You know how it is. When you leave your house looking like a wreck to drop something off at the post office or pick up something at the dollar store, you tend to run into everyone you know. Well to that point, I've been observing that most people look like a wreck. It seems like we've given up or something. Crazy hair, old sweats, flip flops, no make up...basically no effort. I think about my Dad working on the lawn in the 70's wearing dress pants. I see pictures of Yankee stadium in the 60's and everyone was dressed up. Even going to a concert or the movies was something people dressed for. My Mom never left the house without make up on and my Grandmother always wore a dress. I'm not saying that nobody cares...I'm just saying that less do. I remember arriving at gigs in the 80's and 90's dressed up and bringing my "cool" stage wear. We all did. Now it seems there is no difference between the audience in a concert setting (except big shows) and the band or performer. Is this a bad thing? I don't know, but today I put on a red dress ,gold platform shoes and put on make up just to go to Lowes to look at refrigerators. Of course I didn't run into anyone I know, but I did feel pretty good and confident in the event that I did.
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https://alchetron.com/Eryn-Shewell
|
en
|
Alchetron, The Free Social Encyclopedia
|
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2017-08-18T08:30:48+00:00
|
Eryn Shewell (born June 26, 1984) is an American selftaught jazz and blues guitarist and vocalist from Jackson, New Jersey, whose influences range from Etta James, Susan Tedeschi, Eva Cassidy, Aretha Franklin, Donny Hathaway, Al Green through Bobby Blue Bland. A BELK southern musician showcase winn
|
en
|
/favicon.ico
|
Alchetron.com
|
https://alchetron.com/Eryn-Shewell
|
Early life
Eryn Shewell was born on June 26, 1984 in Washington D.C. to a family of Dutch, German, and English ancestry. She is the daughter of Larry Shewell of Takoma Park, MD and Dawn Jennings of Freehold, NJ. Granddaughter to William and Martha Shewell on her fathers side and William and Jane Jennings on her mothers side. Her paternal grandfather, William Shewell, was an artist for the US Navy as well as a police officer in Maryland. Her Maternal grandfather, William Jennings was a multi-instrumentalist and introduced Eryn to the guitar at a young age. Eryn has two siblings, a brother, William Shewell and a sister, Jordan VanArsdale.
In 1989 Shewell's parents divorced and she moved with her mother to New Jersey. She traveled back and forth from New Jersey to Maryland till her father finally moved to New Jersey in 1992. The family settled in Jackson, NJ. Where Shewell went to high school and graduated in 2002.
Personal life
Shewell was married May 27, 2003 to William Schneider shortly after she graduated high school. They have one child named Emily Schneider. Feeling pressure to return to the music business after Emily was born. Shewell separated from the marriage in early 2004.
Shewell is now currently Engaged to guitarist Matt O'Ree who played rhythm guitar for Bon Jovi's Bon Jovi Live tour.
Early career
Shewell grew up around music and learned how to sing from her grandfather, mother, and her aunts Lori Jennings and Deana Jennings. Eryn received her first guitar as a gift at age 13 from her father. Who was so influenced by Eryn musically that he became a local singer as well. As a young child Eryn would watch her aunt Lori's country band Sundance and eventually became a permanent member at age 14.
Eryn studied music theory and voice at Jackson Memorial High School in Jackson, New Jersey. She was a member of the Ensemble Choir and the All-State Chorus. During her high school years Eryn started honing her song-writing skills with the guidance of Jody Joseph, She then joined Jody's band as her back up vocalist for a few years. Meanwhile, continuing to sing with Sundance.
After high school Eryn joined the New Orleans funk band The Soul Project and began traveling to New Orleans on a regular basis. Here she met well known New Orleans artist Walter "Wolfman" Washington. He took a liking to Shewell and asked her frequently to perform with him as well as record backing vocals on one of his latest album releases.
Recent years
Shewell started the Eryn Shewell Band in 2006. Performances often featured nine pieces, including a horn section. Shewell has been nominated for numerous Asbury Park Music Awards. In 2009, Shewell was the recipient of the Asbury Park Music Award for Top Female Vocalist . In 2011, she was again named Top Female Vocalist, and her band (The Eryn Shewell Band) was named the Top Blues Band. Shewell has also received many songwriting accolades including BillBoard world song competition.
During 2011, Shewell and her guitarist Patty "Slidell" Ruh co-wrote and produced an album for their student Lily Ann Riche at Trax East in South River, NJ.
Throughout 2011 and 2012 Shewell began a collaboration with singer/songwriter Alice Leon. Shewell co-wrote and recorded lead and backing vocals on Alice Leon's release "It's All Making Sense".
On June 24, 2012, Shewell and her guitarist Patty "Slidell" Ruh released an acoustic EP called "Children At Play" with all cover songs in an effort to help raise money for their next full length original album. It includes songs like Al Green's "Let's Stay Together" and The Beatles "Oh Darling.
In 2013, Shewell announced her new trimmed down band Eryn Shewell & The Whiskey Devils featuring guitar, bass, drums, and keyboards. At the same time released her self titled 4th album.
In 2015, Shewell won the Belk Southern Musician Showcase award in the blues category helping launch her career to another level. Winning this award gave Shewell opportunities to perform at Belk sponsored events and national music festivals throughout the South.
In December 2015 Shewell signed her first record contract to Therewolf Records.
On September 11th, 2016 Eryn and her husabnd Matt O'Ree were inducted into the NY/NJ Blues Hall of Fame.
Awards
2009 Semi-Finalist - Songwars Songwriting Competition,
2009 Top Ten Finalist - 100% Music Songwriting Competition.
2009 Honorable Mention - Gary Allen Music City Song Competition,
2009 Honorable Mention - BillBoard World Song Competition,
2009 Asbury Music Award Top Female Vocalist,
2009 International Blues Competition – Regional Finalist,
2010 International Blues Competition - Regional Finalist,
2011 Asbury Music Award Top Female Vocalist,
2011 Asbury Music Award Top Blues Band
2015 BELK Southern Musician Showcase
2016 NY/NJ Blues Hall of Fame
Discography
Window Pane (2008, September 9). Rewbie Music LLC
4th And Broadway (2009, December 19). Rewbie Music LLC
Children at Play (2012, June 24). Rewbie Music LLC
Eryn Shewell (2013, June 2). Rewbie Music LLC
"You Angel You" Single on "DYLAN:Philadelphia pays tribute to a legend" 2012
It's All Making Sense (2013, Feb) Alice Leon's 2013 release.
A Day Like This (2012, June) Lily Ann Riche's debut release
"Santa Baby" (2015, November) Belk Commercial
Brotherhood (2016, November) Matt O'Ree Band, Therewolf Records
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||||
8929
|
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3
| 43 |
https://www.keene.edu/news/stories/detail/1339004020667/
|
en
|
Benning and Dallas Named NFHCA All-Americans
|
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[
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[] |
2009-11-30T00:00:00
|
KEENE, N.H. 11/24/09 - Keene State College placed two players on the recently ... announced National Field Hockey Coaches Association (NFHCA) All-America team. ... Carly Benning, a senior from Brewster, Mass., was named to the second-team, ... while Erin Dallas, a senior from Marlow, N.H., was a third-team selection. ... Dallas was also named to the first-team of the womensfieldhockey.com All- ... America squad. ... A first-time All-American, Benning led the Little East Conference in points (58) and goals (27). A starter in all 24 matches, she registered multiple points in 18 matches. She had a knack for netting the decisive score this season, notching game-winning...
|
en
|
/ksc/templates/images/favicon.png?20230629
| null |
KEENE, N.H. 11/24/09 - Keene State College placed two players on the recently announced National Field Hockey Coaches Association (NFHCA) All-America team. Carly Benning, a senior from Brewster, Mass., was named to the second-team, while Erin Dallas, a senior from Marlow, N.H., was a third-team selection. Dallas was also named to the first-team of the womensfieldhockey.com All- America squad.
A first-time All-American, Benning led the Little East Conference in points (58) and goals (27). A starter in all 24 matches, she registered multiple points in 18 matches. She had a knack for netting the decisive score this season, notching game-winning goals in 14 of Keene State’s 18 victories. The Little East Offensive Player of the Year and a first-team All-Region and All- LEC selection, Benning concludes her career fourth on KSC’s all-time goal (54) and point (124) list. She is the seventh Owl to reach the coveted 100-point career milestone.
“I was definitely surprised. It’s a tremendous honor that I always wanted to receive,” said Benning, who found out about the award via a text message from coach Amy Watson. “I worked really hard to get where I am, and it finally paid off for me.”
“Carly had the kind of career you dream about,” said Watson. “She got better every season and peaked in her senior year. There was no one better in the Little East Conference when it came to putting the ball in the net this season.”
Dallas becomes the first player in program’s history to become a three-time All-American. Dallas, who earned first-team honors the past two seasons as a midfielder, was recognized for her performance on defense this season. The talented back helped anchor an Owls’ defensive squad that posted a program- best 12 shutouts, including six scoreless matches to start the 2009 season. Keene State limited its opponents to fewer than two markers in 16 matches to post a team goal against average of 0.99. Dallas also contributed to the offensive rush on penalty corners with 14 points, including 10 helpers. She is the first student-athlete in the history of the Little East to be honored as both the Offensive and Defensive Player of the Year in her career and is a three-time first-team All-Region and All-LEC pick.
Returning to the Keene State team after making a miraculous comeback from a post-surgical infection to play her final season for the Owls, Dallas became the Owls all-time assist (42) leader this season. Dallas said this All-America honor was special. “It’s the best one yet,” she said. “Considering what happened to me and the fact that my playing ability changed, I didn’t expect to get any honors this year.” “The beginning of the season was rough for me,” admitted Dallas. “I wasn’t happy with the way I was playing. But once we got more into the season, I was definitely satisfied with how things went.”
“Erin’s story is amazing,” said Watson. “It takes a special player to have that drive and determination to fight through that type of adversity and earn All-America honors. “She’s well respected in the field hockey community.”
Dallas said she is focusing on finishing school and is looking into a possible coaching position this spring.
Watson said you can’t replace either player: “You hope that the people who played with them have picked up some of their skills and dedication and are ready to step up and assume larger roles.”
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https://www.theaquarian.com/2018/04/25/shoreworld-eryn-lady-e/
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Shoreworld – Eryn: “Lady E”
|
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2018-04-25T00:00:00
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New Jersey's Original Alt-Weekly
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en
|
The Aquarian
|
https://www.theaquarian.com/2018/04/25/shoreworld-eryn-lady-e/
|
Eryn has developed a reputation as one of the premier up and coming voices on the scene today. Initially, from Maryland and now living in New Jersey, Eryn’s style is heavily influenced by the musical traditions of the south. Her respect for the traditions of jazz, blues and country — fused with her modern pop style and brought together by Eryn’s incredible vocal ability — has been said to give even the most hardened critic chills.
She has performed at venues such as the Mayo Performing Arts Center, The NJ State Theater, Newton Theater, the legendary Stone Pony, Bluebird Café, Count Basie Theater and others throughout New Jersey, New York City, Florida, New Orleans and Nashville.
Eryn has found inspiration in her musical family and chose music as her career at an early age. She has been singing in public since she was 10, wrote her first song at 14 and hasn’t stopped writing since. She taught herself guitar to help facilitate her songwriting and performing, and even trained as a sound engineer so she could better understand some of the science behind the perfect sound.
“Music has always been my passion, my therapeutic outlet. I’m not just chasing fame; this is my career. I will always work in the music industry in some capacity,” says Eryn.
Eryn began singing professionally at age 13 when she started a 10-year run singing with the country band, Sundance. By 16, she was also singing backup with Jody Joseph and the Average Joes. In 2005, she spent several months in New Orleans winning over audiences while singing with the national touring band, The Soul Project and Walter “Wolman” Washington.
In 2007, Eryn started her band The Eryn Shewell Band, performing mostly her original compositions. Within the first year, Eryn and her group were recognized with three Asbury Music Award nominations and had been nominated each year in more and more categories. In 2009, Eryn won the Top Female Vocalist award. In 2011, she won Top Female Vocalist and Top Blues Band.
Eryn embraces every opportunity to perform and write music. She is sought out by other artists as a backup singer because of her natural ability to harmonize. While in New Orleans, she was honored to record vocals for blues veteran Walter “Wolfman” Washington’s album, Doing the Funky Thing.
“I love working with other artists and experiencing their music. I have learned something from everyone I’ve had the pleasure to perform or write with. It’s not the same if I can’t share it anyway,” she says. Since then she has then recorded and shared the stage with other artists such as Don McLean, Gregg Allman, Gin Blossoms, Johnny Winter, Robert Cray, Little River Band, Glen Burtnik, Marsha Ball, Eric Lindell, Sonny Landreth, Steve Ferrone, Bernard Purdie, and many more.
Eryn’s latest EP combines some of the industries finest players and songwriters and includes writers such as Cheryl DaVeiga, Anthony Krizan, David Bryan, Lindsay Vinarsky, Matthew Gerrard, Alice Leon and Eryn herself. The list of players is a cornucopia of names long associated with the industry and include local players such as Matt O’Ree, Marc Ribler, Jack Daley and Layonne Holmes just to name a few. The disc was mixed and produced by Jack Daley (Lenny Kravitz, Joss Stone, Beyoncé) and recorded by Joey DeMaio over at Shorefire Recording Studios.
Eryn spans the decades on this latest disc and hopes to capture the ear of young and old with her directive sound. She blends the sounds of the ‘60s and ‘70s with some of the newer sounds in music today, and it’s an outstanding set of songs. Let’s take a listen to some of the songs and delve into this latest effort by one of the area’s premier vocalist/songwriters.
The very first song on the disc is called “Hallelujah, You’re Gone.” Eryn takes a hard look at her past and the poisonous people in her life. The song represents a rebirth of sorts and sees her embracing the present and future without negativity in her life. The song itself is upbeat and defiant, layering bass, drums, guitars, organs and saxophone that come courtesy of Steven Salcedo (Gideon Luke and the People, Darlene Love and Little Steven), along with vocal assists from Eryn’s chorus of industry pros that include Jaquita May Perkins (Little Steven and the Disciples of Soul), Sara Devine (Little Steven and the Disciples of Soul), Khadijah Muhammed (Lenny Kravitz, Luther Vandross, Puffy), and Layonne Holmes (Jon Bon Jovi, Bruce Springsteen, Phoebe Snow, Darlene Love, Ben E. King, Lesley Gore).
Eryn gets down with the best blues singers on the planet and slides, from dirty growl to high toned power within the piece. Choruses are addictive, and the verse work synchs up to bridges like clockwork.
The next song was written for Eryn by Bon Jovi’s own David Bryan. Eryn says that when she first heard the song in David’s studio, it brought tears to her eyes. That song is called “The You Missing From Me.” Pianos start things off with Eryn’s soulful vocals. The song represents the search for meaning and love, and Eryn is the perfect singer for this piece. Utilizing an extremely intimate approach, Eryn reminds me of Adele here. Backing vocals chime where needed with a religious fervor. When the band comes in, drums, bass, strings and guitars all place well within the mix as Eryn sings the hell out of this sure fired hit song. The chorus is extremely drawing and pulls you into the sonic reality of the piece immediately. The song mixes a great deal of melancholy with redemption and hope. I also think that the teaming of Bryan and Eryn is a winning combination and this song is a contender to get her to the next level on her musical journey. My favorite on the disc.
“Just Jump” is a look into the age-old fear of getting hurt when approaching a new relationship. Sometimes you have to “jump” into it, and that’s what Eryn is singing about here. I love the ‘60s soul approach with Jimmy Nolen (James Brown) styled guitars as the horns spread arrangement savvy across the board. The rhythm section kicks as Eryn takes a step back to a time when singers such as Aretha Franklin or Etta James ruled the roost. I also hear a little bit of Amy Winehouse influence here as well. The girls back her up with tons of era correct moxie and the composition itself is pure genius. Verses, bridges, and choruses all click correctly, and the entire song is an absolute joy to listen to.
“Stranger in my House” addresses the situation of waking up one day and realizing that the person in your life is someone you don’t know. Mourning dove violin comes courtesy of Rachel Golub (Frank Ocean, Bruce Springsteen, Florence and the Machine, James Taylor and Roger Waters). Cello is courtesy of Dave Eggars (Coldplay, Evanescence, Beyoncé). Acoustic guitars roll melodically on this melancholy song, and Eryn’s voice is completely encased in a sort of beautiful sadness for the desolation of the topic. Rachel Golub’s solo in the middle-eight is breathless and outstanding. Once again, Eryn scores well as far as arrangement and a compositional co-writing with Alice Leon.
“Our Love Won’t Die” brings Eryn and the band back to that groovy 1960s soul sound. Eryn reminds us all that every relationship has times when not everyone sees eye to eye, but in the end, love prevails. Guitars are jazzy, bluesy and align with sax and organs perfectly. This song is another bouncy, upbeat tune and comes courtesy of Cheryl DaVeiga and Anthony Krizan. Eryn is the perfect singer for this soulful Stax sounding song, and she spares no expense when it comes to maxing out her talents here. Eryn has always been a powerhouse vocalist but she shines brightly on this EP, and this song is as massive as you can get. Drums come courtesy of Charles Haynes (Kanye West, Lady Gaga, Queen Latifah) and the bass is courtesy of Jack Daley. Daley did a fantastic job producing this EP, and everything sounds fantastic. Genuine, era correct and filled with celebratory triumph, Lady E smokes.
The last song on this superb EP is called “Running Red Lights.” Eryn brings it down a bit for this lazy, hazy ‘70s Motown-sounding gem. Carole King comes to mind as I listen to Eryn sing this sure thing. The point of the lyric is running red lights to get to the one you love. In other words, the faster you get there the better. The rhythm section nails it down as the girls shore up the background. Guitars are supportive and reasonably mellow as they leave the brunt of the emotive work to Eryn. I love the organs here as well. I believe they come courtesy of Glenn Patscha (Cheryl Crow, Marc Cohn, Ryan Adams and Roseanne Cash). Strings soar as guitars plunk out John Turnbull (Paul Young) styled riffs.
Eryn has always put out a consistent product, but Lady E is her masterpiece to date. Between the vast array of great musicians, Eryn’s singing and co-writing partners, combined with the production of Jack Daley make Lady E a sure fired winner for Eryn and I can’t wait to hear these songs in a live environment as well.
For more information on Eryn and Lady E head over to erynofficial.com and pick up the EP for yourself, you won’t be disappointed.
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http://twooregonians.com/tag/erin-tole-photography/
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erin tole photography – twoOregonians
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twoOregonians
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http://twooregonians.com/tag/erin-tole-photography/
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You have to start those grand adventures with little baby steps, right?
With both girls, we traveled across state lines from Oregon into Washington during their first week or so out in the world. Our newborn photographer Erin Tole shoots just outside Portland, across the Columbia River, and she’s well worth the foray into that mysterious land of Vancouver… (WA, not B.C.)
These newborn photos are for posterity, and also (let’s be real) for my personal enjoyment, and since I’m feeling particularly sappy today, I’m finally posting them here to share with you. Continue Reading…
First, a year of the two of us, circling the globe. Then a year of the three of us, riding the orbit around the sun.
September 17th.
We’ve made it back to this place in space, and we couldn’t be more grateful for Lucie Anne Rydmark, the Little Peach. Continue Reading…
As part of my new two month experiment (Short and Sweet and Scattershot), I’m shamelessly indulging this morning in a post of nothing but sweet newborn photos of little miss Lucie.
Made in New Zealand, born in Oregon, she’s the cutest little Peach I’ve ever seen…
…cute enough to make the cover of the photographer’s fb page for 15 minutes of fame (haha!):
Continue Reading…
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https://davecromwellwrites.blogspot.com/2009/03/
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DaveCromwell Writes
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https://davecromwellwrites.blogspot.com/favicon.ico
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https://davecromwellwrites.blogspot.com/favicon.ico
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Nicole Atkins and her drummer Chris D'Onofrio played a little brunch gig at one of their favorite joints on the boardwalk in Asbury, New Jersey - the Langosta Lounge.
It all came about very suddenly. Nicole announced it midweek on her blogs, and fortunately I was free that day to attend. The promise was to hear some more "new songs". Who can resist that?
The Langosta Lounge is a nice looking restaurant, right on the Asbury Park Boardwalk. On entering, Nicole and her drummer Chris were set up just inside the entrance to the right. She was about to start so I grabbed a seat up close to snap some pics and capture the songs on video.
Nicole accompanies herself quite well with just an acoustic guitar. Adding Chris on "soft" drums (he used brushes) contributed just the right amount of percussive punch to the songs.
The first song I captured was this version of "Skywriters"
http://www.youtube.com/watch?v=5vCoj9oL1IY
a great song off of her 2005 release "Party's Over".
Nic and Chris worked quite well together. You could see way they connected musically, which made the casual early afternoon performance light and breezy.
Next up was a real treat as Nicole announced a brand new never before heard song from her called "Cry Cry Cry". This was the first time she played it out in public. It's so new, in fact, that I am verboten from posting it up publicly, until all copyright issues have been worked out. I will tell you that it is yet another great new song. She was not kidding when she kept telling everyone that she's been busy "writng new songs".
Moving further into the set, Nicole dipped back again to 2005's "Party's Over" record for her emotionally charged song "War Torn".
You can see this here:
http://www.youtube.com/watch?v=jbwK25EIiVU
The duo then moved on to one of Nicole's more popular numbers from her Neptune City album, the good-timey "Maybe Tonight". Longtime fan's of Nicole have heard her play this many times. But each setting (and performance) is unique. Adding a new drummer playing soft brush percussion gives it just the right lift (despite Nic hitting a few "naff" chords - and laughing about it too).
Have a listen to it here:
http://www.youtube.com/watch?v=USgQG85E3o0
What followed that was yet-another song that was so brand spanking new that (again) I have been sworn not to post it publicly - which, of course I completely understand. We shouldn't provide easy access to anyone that might possibly be hunting for a musical idea or creative lyrical turn. Anyway, the song is called "Civil War" and (like most Nicole songs) has a very catchy chorus.
She followed that up with a cover of the Michael Nesmith written song "Different Drum" that became one of Linda Rondstadt's greatest hits. Nicole amusingly mentioned how Mike Nesmith was her favorite Monkee because "he was the weird, quiet one" and that "he was really tall". A bit more chatter about favorite Monkee's went on, before Nicole played an effortlessly perfect version of this song.
Hear (and see) the performance here:
http://www.youtube.com/watch?v=6c1eUEBwT3E
Nicole played two more songs - new one's that she's played at her last few gigs - "The Tower" and "Hotel Plaster"
In particular, the song "Hotel Plaster" resonates quite strongly with me. The chorus is so emotionally charged, as Nicole sings "think of me as prisoner in the hotel plaster - far from the shelter of your side". A song about the damage we do to each other in relationships, as she sings "I know we hurt each other pretty bad" and how "we broke the diamond with our bitter words." Yet, there is still a glimmer of hope as she also sings "hold on to our lives" and to "pray for answers". Coupled with a beautiful melody, the evolution of Ms. Atkins and her music is clearly on display.
You can listen to this particular version here:
http://www.youtube.com/watch?v=3Iiu0Pc_DvQ
Here's the setlist from the show that Nicole was sweet enough to let me have. As you can see she didn't stick to the order or even all the songs on it. It served more as a guidline or memory jogger, as she called out what she wanted to play to her drummer with her own internal sense of how the show was going (and where she wanted to take it)
One cool thing she had in her merch collection was this:
It's a "skin" that you put on your MP3 player.
I just had to have one!
Learn more about this cool Asbury Park (Jersey, man!) restaurant here:
http://langostalounge.com/
And about the amazing Nicole Atkins here:
www.myspace.com/nicoleatkins
Heading out on a recent Saturday night to relatively new club Crash Mansion located in downtown NYC, I had a feeling I might be reviewing more than just the one of the bands on that night's bill.
Having checked out in advance all the bands scheduled to perform on the 21st of February, '09 as part of promotion called Gotham Rocks, I was most intrigued to see and hear Shadows Lie.
They describe themselves as a dark, intense blend of heavy guitars reminiscent of Staind, Portishead-like electronics, Days of the New type acoustic guitars, and vocal stylings ranging from Tori Amos to Incubus. The songwriting is distinctive and intensely emotional yet concise and mature at the same time.
The band was started by vocalist Kira Leigh and bassist Cary Tamura.
Rounding out the band are guitarist Frank Grullon and drummer Marco Britti.
Bassist CT is a unique and dynamic player.
I immediately noticed the 5 string bass he played.
Naturally a female fronted progressive-metal band will instantly bring to mind groups like Evanescence and Lacuna Coil
Those were definitely the two biggest bands I was thinking of while listening to them. If you're going to do this kind of music, then that's pretty much right where you want to be.
Check out this live performance:
http://www.youtube.com/watch?v=NtWHmQ-EaOo
In addition to being an outstanding bassist, CT also works as a producer and songwriter for a number of New York-based projects. He has written and produced tracks for RCA Records, DoughZone Records (Universal), TVT Records, Warner Bros Pictures, Rough Nation Films, CBS, MTV, and VH1.
Frank Grullon is experienced in playing both classical and rock guitar. His playing style fuses modern rock with electronica elements.
The ferocity of the moment.
Drummer Marco Britti was rock solid throughout the set. His bio states that he has extensive touring and recording experience all over the world with artists such as Marc Anthony and Jennifer Lopez.
Kira blends prom dresses, rock boots and glam gloves in a way that would please Courtney Love.
Shine on you crazy diamond
Catching up for a quick chat!
You can find out more about Shadows Lie here:
And more about the Gotham Rocks showcases here:
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https://www.howtopronounce.com/eryn
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en
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How to pronounce Eryn
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2019-04-11T00:00:00
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How to say Eryn in English? Pronunciation of Eryn with 4 audio pronunciations, 1 meaning, 1 translation, 13 sentences and more for Eryn.
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https://www.howtopronounce.com/eryn
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Wiki content for Eryn
Eryngium foetidum - Eryngium foetidum is a tropical perennial herb in the family Apiaceae. Common names include culantro ( or ), recao, shadow beni, Mexican coriander, bhandhania, long coriander, sawtooth corian
Eryngium - Eryngium is a genus of flowering plants in the family Apiaceae. There are about 250 species. The genus has a cosmopolitan distribution, with the center of diversity in South America.
Eryn Shewell - Eryn Shewell (born June 26, 1984) is an American self-taught jazz and blues guitarist and vocalist from Jackson, New Jersey, whose influences range from Etta James, Susan Tedeschi, Eva Cassid
Erynn Marshall - Erynn Marshall (born c. 1977) is a Canadian old-time fiddler, ethnomusicologist, teacher, and author.
Eryngium yuccifolium - Eryngium yuccifolium (button eryngo, button snake-root, or rattlesnake master) is a herbaceous perennial plant of the parsley family native to the tallgrass prairies of central and eastern No
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https://www.cornerstone.ac.nz/staff-directory/
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Cornerstone Christian School
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2019-05-06T02:27:33+00:00
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Our staff are a committed group of Christian professionals. To email staff, click on their profile below and scroll to the bottom of their personal blurb. Click on the small envelope icon to email them directly. Senior Leadership Primary School Leadership – Yr 0-6 Secondary Leaders Kaitiaki Teachers – Learning Support Pastoral Care Team Community […]
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en
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Cornerstone Christian School
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https://www.cornerstone.ac.nz/staff-directory/
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Staff Directory
Our staff are a committed group of Christian professionals. To email staff, click on their profile below and scroll to the bottom of their personal blurb. Click on the small envelope icon to email them directly.
Senior Leadership
Principal
Chris Mitchell
Principal Nau mai, haere mai ki te te kura o Ihu Karaiti te Kamaka! It is an honour and a privilege to be a teacher and educational leader here at Cornerstone Christian School. I can honestly say that I have spent the last twenty years doing my dream job – teaching students across the wider Manawatu region – five of those as Teaching-Principal at Awahou School in the Pohangina Valley, and here at Cornerstone Christian School since mid-2008. In 2016, I was appointed to the position of Deputy Principal and in January 2020 I assumed the role of Acting Principal. As a school, we tend to focus on the holistic development of each child – or to put it more simply, their ‘discipleship’. I believe that discipleship is simply learning to live the way that God wants us to live and I love being part of this process in our students’ lives. Ultimately our key desire is that every Cornerstone student comes to saving knowledge of Jesus Christ and develops their own relationship with God. We have a strong character development focus with an emphasis on our values of respect, diligence, kindness and integrity with an underpinning value of humility before God. Although our children achieve highly in their academic education and our school achieves excellent results on a national level, I believe that it is more important to focus on their developing character than their academic grades. In our modern world, learning can occur wherever and whenever you like, but good character develops when you are young, so that is our focus; good grades, and achieving to one’s best, are a natural outflow of developing good character. On a personal level, I am married to Anne-Marie Mitchell who is also on staff here at Cornerstone Christian School as a teacher aide. Together we have four grown-up daughters – two of whom are also teachers here in Palmerston North. When not in school you will find me gardening or looking after our lifestyle block just out of Ashhurst; casting a fly for trout down at some local river or walking the hills with a pack on my back. My office door is usually open and I love meeting people in our wider Cornerstone family. Please drop in and say hello if you are over near the administration office or if you see me wandering around the school grounds. Ngā mihi nui
Deputy Principal
James Rose
Deputy Principal
Tēnā koutou.
Thank you everyone for the wonderful welcome I have received starting at Cornerstone this year. I have been impressed by the many supportive staff, parents and students that have popped in for a chat or a handshake to express their greetings.
In coming to Cornerstone, I join the rest of my family here. Mrs Rose of course is the Team Leader in Year 7/8, and Harrison and Ashton have been attending Cornerstone since they started school.
From my point of view, it is a real joy to serve in the same school my family is part of. As such, in many ways, I am no stranger to the school. Over the years, it has been wonderful to stand on the sidelines of Hockey fields with other Cornerstone parents willing and cheering our sons and daughters on. Braving the fantastic winter weather that we enjoy here in Palmerston North and celebrating both the wins, and the character-building losses along the way.
I really enjoyed the junior prizegiving last year and seeing the numerous ways our students have “stepped-up” to serve and give expression to our school values.
I believe God created each of us in his image, yet unique, with our own talents, gifts, and personalities. Diversity is our asset in creation, we can’t all be feet or hands for example. Encouraging each person to follow Christ and use their gifts and talents as they do so will ensure that collectively we have the best chance to leave behind a “fruit that remains”.
To me, respect is the element that brings it all together, and remembering that each of us have
been created in the image of God.
Jesus commands each of us to ‘love thy God and love thy neighbour’. As we do so, we learn to receive – and give – forgiveness, which in turn makes a path for healing and restoration.
I come to Cornerstone from St Peter’s College where I served as the Deputy Principal – Head of Senior School and Curriculum. I have spent almost my entire career in Christian education and feel very blessed to continue that journey here at Cornerstone.
Thank you again for your warm welcome, and may God bless each of you in your journey with Christ.
Assistant Principal (Y11-13), HOD Science
Hayden Hewitt
Assistant Principal (Y11-13), HOD Science, Teacher (Science, Biology)
I joined the Cornerstone Christian School community at the beginning of 2017. Prior to this I have taught Science and Biology for ten years, including a year teaching in the UK. Before teaching, I worked for as number of years as a Science Technician at Massey University and within the dairy industry.
I am passionate about Science, and its relevance to all of us in our everyday lives. I love the way that we can see the Glory of God displayed in everything from the complexity of a single cell, through to the beauty and vastness of space.
I am inspired by the idea that the mind is not a vessel to be filled, but a fire to be kindled. In my teaching, I hope to stoke the fires of interest and curiosity about the amazing world around us. I love being part of an enthusiastic and committed staff here at Cornerstone Christian School and belonging to the wider school community.
I enjoy spending time with my wife and children, and cooking and eating food – especially dishes from other countries. I love being outdoors in God’s good creation, and I’m a keen deer stalker and fisherman.
Assistant Principal - Middle School (Y7-10), HOD Maths
Ian Groube
Assistant Principal – Middle School (Years 7-10), Head of Department for Maths
Kia ora koutou,
Before Cornerstone, I taught Mathematics for the past ten years at Feilding High School. I have also taught at Totara College in Dannevirke. I have always been passionate about Mathematics and I love teaching our young people how to problem solve using math skills. I am a firm believer that hard work is far more rewarding than luck.
I was a student Te Aute College, and from there I joined the Navy. I was the ship’s logistics manager, so numbers have always been a part of me. I am married to Heidi and we have three children: Courtney, Campbell and Devon.
I am looking forward to being part of the school’s growth, and to what God has in store for me. I also look forward to the different aspects Cornerstone Christian School will bring into my life and how my experiences and skills will be utilised to enhance the school.
Assistant Principal - Primary School (Y1-6)
Raeleen Simpson
Assistant Principal – Primary School (Y1-6), Teacher (Y4)
I have been a part of the Cornerstone Christian School community for a number of years, both as a teacher (full and part-time) and as a parent of five children who are past and present students of both the school and preschool.
I enjoy teaching across all areas of the school and love being a part of children’s learning through their primary years. I especially enjoy tapping into each child’s strengths and building on those to further understanding. As the Primary AP, it is a privilege to lead an awesome team of passionate teachers dedicated to supporting children in their academic and faith journeys.
We are blessed at Cornerstone Christian School to be able to provide a Christian education for our children and to be able to place Christ at the centre of all that we do.
NCEA Principal's Nominee, Teacher - Mathematics & Physics
Dr Bronwyn Boddy
I joined the Cornerstone staff in 2015, after teaching at Queen Elizabeth College since 2009. I am excited to be a part of the growing secondary area of the school in Mathematics and using my skills in the running of the Student Management System, KAMAR.
My favourite moments in teaching are helping students make the connections to become confident and independent learners.
Aside from teaching and caring for my two young daughters, I love being a part of church worship teams on Sundays, and also play the flute in a local orchestra and flute/piano for musical theatre shows.
Director of Tribes & Events, Teacher (Y7)
Craig McDonald
Director of Tribes and Events, Teacher (Y7)
Kia ora
My name is Craig McDonald and I reside in G block as a Y7 teacher when I’m not being involved in the organisation of sports and tribes around the school.
I have taught every year group in the primary school, with no firm favourite level, just some interesting memories!
Over half of my teaching experience has been in Christian Schooling. I do my best to integrate our Christian Faith with what we are learning in the classroom about ourselves and the world around us.
As well as my teaching diploma, I have a Bachelor’s degree in Education focusing on Christian Schooling, and a Theology degree. These are helping me to form my ideas about how to achieve a successful Christian Education.
Special Education Needs Co-ordinator (SENCO)
Clare Long
Special Education Needs Co-ordinator (SENCO)
I’m a special education teacher.
Executive Officer
Vicki Scoggins
Executive Officer (Finance, Payroll), Property Manager
Vicki trained as a primary school teacher in 1984, teaching for a couple of years in Wellington schools before having her family.
She retrained in the finance field, graduating in 2001 and has worked in various organisations as an Accounting Technician, from Chartered accountants, corporate (Zespri), private industry (timber mill and Maori trusts). Her first venture into the incredibly unique finance side of education was in 2020 when she joined the team at Cornerstone Christian School and she is still learning.
Vicki is our Executive Officer looking after payroll and finance.
Primary School Leadership – Yr 0-6
Assistant Principal - Primary School (Y1-6)
Raeleen Simpson
Assistant Principal – Primary School (Y1-6), Teacher (Y4)
I have been a part of the Cornerstone Christian School community for a number of years, both as a teacher (full and part-time) and as a parent of five children who are past and present students of both the school and preschool.
I enjoy teaching across all areas of the school and love being a part of children’s learning through their primary years. I especially enjoy tapping into each child’s strengths and building on those to further understanding. As the Primary AP, it is a privilege to lead an awesome team of passionate teachers dedicated to supporting children in their academic and faith journeys.
We are blessed at Cornerstone Christian School to be able to provide a Christian education for our children and to be able to place Christ at the centre of all that we do.
Aroha (Y0-2) Team Leader
Karen Burrows
It is a privilege to be the Aroha team leader at Cornerstone Christian School.
Teaching is my passion. I have over twenty years’ teaching experience, mainly teaching five and six year old children. Seeing curious, engaged children with a passion for learning excites me, and I want to be part of their amazing learning adventure. I feel honoured to be able to share the love of God and help nurture their God given gifts. I am looking forward to the exciting adventures ahead.
Manahau (Y3-4) Team Leader
Vicki Campbell
I joined the staff at Cornerstone Christian School in 2016, having spent the previous 4 years at Cornerstone Christian Preschool. I was blessed with the opportunity to open the new entrant classroom known as A2+ midway through the year, helping the new children to transition into school life.
I am now teaching the year 4 children, as one of the teachers in Manahau team. It is awesome working alongside 8 and 9 year olds as they learn, serve and grow in God. I am learning plenty too!
I have a passion for music and love our morning worship sessions. It is a pleasure to being a part of the amazing things God is doing at our school.
Tumanako (Y5-6) Team Leader, Teacher (Y6)
David Henderson
I have been teaching at Cornerstone since 2009 and the time certainly has flown. I want the children in my class to learn about the world God created and deepen their understanding of Him. I enjoy teaching all areas of the curriculum and especially enjoy teaching sports, learning in the school garden and using computers to assist with learning.
I have four young children and love the fact that they can attend Cornerstone.
Middle School Leadership – Yr 7-10
Assistant Principal - Middle School (Y7-10), HOD Maths
Ian Groube
Assistant Principal – Middle School (Years 7-10), Head of Department for Maths
Kia ora koutou,
Before Cornerstone, I taught Mathematics for the past ten years at Feilding High School. I have also taught at Totara College in Dannevirke. I have always been passionate about Mathematics and I love teaching our young people how to problem solve using math skills. I am a firm believer that hard work is far more rewarding than luck.
I was a student Te Aute College, and from there I joined the Navy. I was the ship’s logistics manager, so numbers have always been a part of me. I am married to Heidi and we have three children: Courtney, Campbell and Devon.
I am looking forward to being part of the school’s growth, and to what God has in store for me. I also look forward to the different aspects Cornerstone Christian School will bring into my life and how my experiences and skills will be utilised to enhance the school.
Whakapono (Y7-8) Team Leader
Tarryn Rose
My name is Tarryn Rose and my family consists of my husband James (who is also a teacher), our two boys and our dog Jack. Palmerston North is my home city, but I have also lived in Whanganui, Africa and the
Philippines.
I began teaching almost 20 years ago after graduating from Massey University in Palmerston North. My degree was in Education and my major was in P.E. I enjoy encouraging the students with the idea we focused on in Term 4 2015: “Fit Body, Healthy Mind, Honours God”. 2016 is my second year at Cornerstone and I look forward to all that it holds for the Whakapono Team. The Year 7/8s have a fabulous year ahead, with some of the highlights being: sharing and hearing God’s word in our team assemblies, camp at Vertical Horizon, sports events, celebrations, classes with specialist teachers here at Cornerstone.
Tupuranga (Y9/10) Team Leader, Within School Lead, Teacher
Karina Anderson
My family and I moved from the Kapiti Coast to Palmerston North last year because we wanted our girls to attend Cornerstone Christian School. It has been a pleasure to join the school community as a teacher. I enjoy relating to teenagers and consider it a privilege to be able to teach in an environment where Jesus is central to life, learning, faith, community and growth.
One of the main scriptures that energises my teaching is Colossians 2:3,
“In Christ are hidden all the treasures of wisdom and knowledge.”
Senior School Leadership – Yr 11-13
NCEA Principal's Nominee, Teacher - Mathematics & Physics
Dr Bronwyn Boddy
I joined the Cornerstone staff in 2015, after teaching at Queen Elizabeth College since 2009. I am excited to be a part of the growing secondary area of the school in Mathematics and using my skills in the running of the Student Management System, KAMAR.
My favourite moments in teaching are helping students make the connections to become confident and independent learners.
Aside from teaching and caring for my two young daughters, I love being a part of church worship teams on Sundays, and also play the flute in a local orchestra and flute/piano for musical theatre shows.
Assistant Principal (Y11-13), HOD Science
Hayden Hewitt
Assistant Principal (Y11-13), HOD Science, Teacher (Science, Biology)
I joined the Cornerstone Christian School community at the beginning of 2017. Prior to this I have taught Science and Biology for ten years, including a year teaching in the UK. Before teaching, I worked for as number of years as a Science Technician at Massey University and within the dairy industry.
I am passionate about Science, and its relevance to all of us in our everyday lives. I love the way that we can see the Glory of God displayed in everything from the complexity of a single cell, through to the beauty and vastness of space.
I am inspired by the idea that the mind is not a vessel to be filled, but a fire to be kindled. In my teaching, I hope to stoke the fires of interest and curiosity about the amazing world around us. I love being part of an enthusiastic and committed staff here at Cornerstone Christian School and belonging to the wider school community.
I enjoy spending time with my wife and children, and cooking and eating food – especially dishes from other countries. I love being outdoors in God’s good creation, and I’m a keen deer stalker and fisherman.
Secondary Leaders
Director of Life Lab, HOD Art
Dr Erika Snedden
I joined the Cornerstone Community in 2015 to establish and develop the Secondary Art Department. Since 2017 I have been the Director of Life Lab – responsible for facilitating Christian discipleship, life direction and academic mentoring programmes for the secondary students. I have also had the privilege of establishing and leading our Duke of Edinburgh’s Hillary Award Scheme.
Within New Zealand and overseas I have had experience as a Secondary Art and Art History teacher and Head of Department.
As an A/r/tographer – artist, researcher and teacher, I have a passion to support and development research inquiry within learning communities.
At the core of my leadership style, practice and faith is a belief in allowing and empowering others to lead.
Assistant Principal (Y11-13), HOD Science
Hayden Hewitt
Assistant Principal (Y11-13), HOD Science, Teacher (Science, Biology)
I joined the Cornerstone Christian School community at the beginning of 2017. Prior to this I have taught Science and Biology for ten years, including a year teaching in the UK. Before teaching, I worked for as number of years as a Science Technician at Massey University and within the dairy industry.
I am passionate about Science, and its relevance to all of us in our everyday lives. I love the way that we can see the Glory of God displayed in everything from the complexity of a single cell, through to the beauty and vastness of space.
I am inspired by the idea that the mind is not a vessel to be filled, but a fire to be kindled. In my teaching, I hope to stoke the fires of interest and curiosity about the amazing world around us. I love being part of an enthusiastic and committed staff here at Cornerstone Christian School and belonging to the wider school community.
I enjoy spending time with my wife and children, and cooking and eating food – especially dishes from other countries. I love being outdoors in God’s good creation, and I’m a keen deer stalker and fisherman.
Assistant Principal - Middle School (Y7-10), HOD Maths
Ian Groube
Assistant Principal – Middle School (Years 7-10), Head of Department for Maths
Kia ora koutou,
Before Cornerstone, I taught Mathematics for the past ten years at Feilding High School. I have also taught at Totara College in Dannevirke. I have always been passionate about Mathematics and I love teaching our young people how to problem solve using math skills. I am a firm believer that hard work is far more rewarding than luck.
I was a student Te Aute College, and from there I joined the Navy. I was the ship’s logistics manager, so numbers have always been a part of me. I am married to Heidi and we have three children: Courtney, Campbell and Devon.
I am looking forward to being part of the school’s growth, and to what God has in store for me. I also look forward to the different aspects Cornerstone Christian School will bring into my life and how my experiences and skills will be utilised to enhance the school.
Secondary Dean, Careers Advisor, Teacher
Nate Sextus
I began teaching at Cornerstone at the beginning of 2020. Before then, I had a range of teaching experience within the private education sector and then went on to teach technology at a state school. I am Palmy proud, having been born and raised here. I attended school and Massey University here and went on to study through Bethlehem Tertiary Institute (BTI). It is exciting to be at Cornerstone Christian School as I can bring my whole mind and heart to the role!
I am passionate about worship and regularly lead worship at my local church. Most of all, I have a beautiful wife and I am proud father of a young baby girl!
John 1:16 For from his fullness we have all received, grace upon grace.
Teacher (Y7-13) HOD Food technology
Delwyn MacKenzie
Teacher (Y7-13) – HOD Food Technology, Hospitality and Nutrition
Delwyn started at CCS at the beginning of 2023 as the HOD Food Technology. More details to come.
HOD English, Teacher (Y7-13)
Natasha Casey
I have been teaching since 2002 and at have been at Cornerstone since 2017. The move to this school has opened up many opportunities for me to learn and grow in my craft of teaching but also to grow my leadership skills.
As Assistant Principal, I am passionate about supporting teachers; helping them to grow and improve in their teaching practice at their pace. Our teachers are the experts at the coal face and need to feel as if they have room to experiment, trial, and be brave in seeking the best pathways for their students to learn. This is what we do so well here at Cornerstone.
It is a great pleasure to use my skills and abilities to extend God’s kingdom in Palmerston North.
Kaitiaki
Teacher (Y7-13)
Johan Oelofse
Teacher (Y7-13), Kaitiaki Y7-10, Y10 Homeroom, Digitech, Robotics, Woodtech, Equip, Mathematics
Assistant Principal (Y11-13), HOD Science
Hayden Hewitt
Assistant Principal (Y11-13), HOD Science, Teacher (Science, Biology)
I joined the Cornerstone Christian School community at the beginning of 2017. Prior to this I have taught Science and Biology for ten years, including a year teaching in the UK. Before teaching, I worked for as number of years as a Science Technician at Massey University and within the dairy industry.
I am passionate about Science, and its relevance to all of us in our everyday lives. I love the way that we can see the Glory of God displayed in everything from the complexity of a single cell, through to the beauty and vastness of space.
I am inspired by the idea that the mind is not a vessel to be filled, but a fire to be kindled. In my teaching, I hope to stoke the fires of interest and curiosity about the amazing world around us. I love being part of an enthusiastic and committed staff here at Cornerstone Christian School and belonging to the wider school community.
I enjoy spending time with my wife and children, and cooking and eating food – especially dishes from other countries. I love being outdoors in God’s good creation, and I’m a keen deer stalker and fisherman.
Teachers – Learning Support
Special Education Needs Co-ordinator (SENCO)
Clare Long
Special Education Needs Co-ordinator (SENCO)
I’m a special education teacher.
Special Education Teacher
Mary Nelmes
ESOL Coordinator
Christina Havill
ESOL Learning Support Coordinator (Y7-13), ESOL Teacher
My husband and I moved to Palmerston North and we are really enjoying our environment. Our daughter, Samantha, is at this school and we are so excited to have her part of the Cornerstone community too!
For the last four years we lived in Brunei Darussalam where I taught English (Years 7-10) in the local secondary schools. This was a very rewarding and enriching life experience. Prior to that I taught in the Kingsway Middle School Department in Auckland for seven years. I was a Year Seven Homeroom Teacher in charge of Performing Arts for all the Year 7-9 students. I also taught English, Mathematics and Social Studies.
It is exciting to be back in Christian education and I consider it a privilege to teach from a biblical worldview.
ESOL Teacher (Y1-6) & Literacy Support Teacher (Y1-6)
Gemma Stewart
It is an absolute privilege and a joy to be part of the teaching team at Cornerstone Christian School, where I began my teaching career in 2003. I am a passionate teacher who enjoys seeing my students achieve success in their school endeavours.
My goal for my Year 2 class is to see children develop a love for learning and for God. I believe it is so important that learners gain the foundational academic skills they need, particularly in literacy and numeracy, to set them up for future schooling success. My personal passion is in the area of Structured Literacy, and I have recently taken on the role as literacy specialist and intervention teacher for our year 3 and 4 students. I am also currently working towards my ADA accreditation which will enable me to effectively teach individuals with dyslexia or other related literacy learning difficulties.
I look forward to working alongside families and inspiring and equipping our children to reach their full potential in God.
Study Room Supervisor
Suzette van der Riet
Y7-13 Study Room Supervisor, Learning Support
Suzette joined CCS staff at the start of 2024 – more info to come
Pastoral Care Team
Guidance Counsellor
Kirstie Brooking
Kirstie joined our guidance counselling team in 2021.
Director of Pastoral Care, Teacher (PE)
Louis Jayasuriya
I have been teaching PE and Health since 2007, both in New Zealand and in the United Kingdom.
I live in Palmerston North with my wife Emma and children Noah, Eliza and Harriet. I lead the pastoral care and PB4L teams at CCS as well as heading up the PE and Health curriculum areas. I enjoying playing sport, coaching sports teams and sharing my passion with my students.
One of the key themes I promote in my teaching is that the students and myself as the teacher are in our education journey together as a team, because together we can succeed. The strength of the team is each individual member. The strength of each member is the team – Phil Jackson
Two are better than one because they have a good return for their labour – Ecclesiastes 4:9-10
Secondary Dean, Teacher in Charge (Junior Science)
Sarah Sisson
I have been part of the Cornerstone team since 2018. I live here in the Kelvin Grove community with my husband and 2 girls who also attend CCS.
I love teaching and inspiring young budding scientists! I am passionate about helping students observe the world around them and opening their eyes to the miracles of Creation. I am especially interested in developing their literacy and critical thinking skills which will benefit them through their lives. I also consider it a privilege to help students navigate the challenges they face through my role as a Secondary School Dean.
“Lift your eyes and look to the heavens: who created these? He who brings out the starry host one by one and calls forth each of them by name. Because of his great power and mighty strength, not one is missing” (Isaiah 40:26 (NIV))
Secondary Dean, Careers Advisor, Teacher
Nate Sextus
I began teaching at Cornerstone at the beginning of 2020. Before then, I had a range of teaching experience within the private education sector and then went on to teach technology at a state school. I am Palmy proud, having been born and raised here. I attended school and Massey University here and went on to study through Bethlehem Tertiary Institute (BTI). It is exciting to be at Cornerstone Christian School as I can bring my whole mind and heart to the role!
I am passionate about worship and regularly lead worship at my local church. Most of all, I have a beautiful wife and I am proud father of a young baby girl!
John 1:16 For from his fullness we have all received, grace upon grace.
Community of Learning – Kāhui Ako
Tumanako (Y5-6) Team Leader, Teacher (Y6)
David Henderson
I have been teaching at Cornerstone since 2009 and the time certainly has flown. I want the children in my class to learn about the world God created and deepen their understanding of Him. I enjoy teaching all areas of the curriculum and especially enjoy teaching sports, learning in the school garden and using computers to assist with learning.
I have four young children and love the fact that they can attend Cornerstone.
Director of Life Lab, HOD Art
Dr Erika Snedden
I joined the Cornerstone Community in 2015 to establish and develop the Secondary Art Department. Since 2017 I have been the Director of Life Lab – responsible for facilitating Christian discipleship, life direction and academic mentoring programmes for the secondary students. I have also had the privilege of establishing and leading our Duke of Edinburgh’s Hillary Award Scheme.
Within New Zealand and overseas I have had experience as a Secondary Art and Art History teacher and Head of Department.
As an A/r/tographer – artist, researcher and teacher, I have a passion to support and development research inquiry within learning communities.
At the core of my leadership style, practice and faith is a belief in allowing and empowering others to lead.
Tupuranga (Y9/10) Team Leader, Within School Lead, Teacher
Karina Anderson
My family and I moved from the Kapiti Coast to Palmerston North last year because we wanted our girls to attend Cornerstone Christian School. It has been a pleasure to join the school community as a teacher. I enjoy relating to teenagers and consider it a privilege to be able to teach in an environment where Jesus is central to life, learning, faith, community and growth.
One of the main scriptures that energises my teaching is Colossians 2:3,
“In Christ are hidden all the treasures of wisdom and knowledge.”
Teachers – Yr 0-6
Tumanako (Y5-6) Team Leader, Teacher (Y6)
David Henderson
I have been teaching at Cornerstone since 2009 and the time certainly has flown. I want the children in my class to learn about the world God created and deepen their understanding of Him. I enjoy teaching all areas of the curriculum and especially enjoy teaching sports, learning in the school garden and using computers to assist with learning.
I have four young children and love the fact that they can attend Cornerstone.
Release Teacher (Y1&3)
Kathleen Christensen
Kia ora!
I am excited to be joining Cornerstone Christian School and look forward to being part of the Aroha team.
I have worked at Cornerstone Christian Preschool for the past eight years. I love working with young children; they are like sponges, as they are eager to absorb information, to learn and question, to ponder about life and where they fit into this amazing world that God has created for us to enjoy.
I have a passion for supporting children and their families to transition from early childhood to school and to make that transition as smooth as possible. I have built a good partnership between preschool and school and now, teaching in both sectors, I will endeavour to strengthen that transition process to help ensure that everyone has a great start to their school journey. I will do this by valuing their current knowledge and experiences and incorporating these into more formal learning.
My other passion is working with children who have special needs and supporting them to have a good start to learning.
I believe in working in partnership with their families to ensure that they have every opportunity to succeed in their learning journey. I believe in fostering close relationships with children and their whanau; to be positive, engaging, and to have fun, encouraging and supporting them to become confident and capable learners in mind, body and spirit. Children need to know you care, respect and value them as individuals as we learn and grow together.
Aroha (Y0-2) Team Leader
Karen Burrows
It is a privilege to be the Aroha team leader at Cornerstone Christian School.
Teaching is my passion. I have over twenty years’ teaching experience, mainly teaching five and six year old children. Seeing curious, engaged children with a passion for learning excites me, and I want to be part of their amazing learning adventure. I feel honoured to be able to share the love of God and help nurture their God given gifts. I am looking forward to the exciting adventures ahead.
Teacher (Y3)
Christine Little
I have been teaching at Cornerstone Christian School since 2004 and love being a part of this amazing community.
Having spent my first 20 years of teaching in secular schools, I find being able to freely share God’s word and explore His world with the children so exciting.
Teaching is an absolute passion for me and I am currently enjoying teaching part-time in both Aroha and Manahau team.
Teacher (Y3)
Claire Thompson
I have been teaching at Cornerstone since 2014 and consider it a blessing to have the opportunity to teach at this God-centred school. I am a part of the Manahau team and teach a wonderful group of Year 3 in D2. Our days are filled with many learning adventures.
I love creating lessons that inspire and encourage children to do their best; and it is hugely satisfying to see children grow in their learning. I love being able to share God’s word with children and see them grown in their faith.
I have three children who attend Cornerstone and it’s great to be a part of this wonderful community as a teacher and as a parent.
Manahau (Y3-4) Team Leader
Vicki Campbell
I joined the staff at Cornerstone Christian School in 2016, having spent the previous 4 years at Cornerstone Christian Preschool. I was blessed with the opportunity to open the new entrant classroom known as A2+ midway through the year, helping the new children to transition into school life.
I am now teaching the year 4 children, as one of the teachers in Manahau team. It is awesome working alongside 8 and 9 year olds as they learn, serve and grow in God. I am learning plenty too!
I have a passion for music and love our morning worship sessions. It is a pleasure to being a part of the amazing things God is doing at our school.
ESOL Teacher (Y1-6) & Literacy Support Teacher (Y1-6)
Gemma Stewart
It is an absolute privilege and a joy to be part of the teaching team at Cornerstone Christian School, where I began my teaching career in 2003. I am a passionate teacher who enjoys seeing my students achieve success in their school endeavours.
My goal for my Year 2 class is to see children develop a love for learning and for God. I believe it is so important that learners gain the foundational academic skills they need, particularly in literacy and numeracy, to set them up for future schooling success. My personal passion is in the area of Structured Literacy, and I have recently taken on the role as literacy specialist and intervention teacher for our year 3 and 4 students. I am also currently working towards my ADA accreditation which will enable me to effectively teach individuals with dyslexia or other related literacy learning difficulties.
I look forward to working alongside families and inspiring and equipping our children to reach their full potential in God.
Teacher (Y5)
Gareth Smith
Kia ora,
My name is Gareth Smith and I am currently teaching year 4 students in room D6. I have almost completed ten years of teaching: my first year teaching Years 1 and 2 at Somerset Crescent School and my subsequent years teaching Years 4 and 5 here at Cornerstone Christian School.
I am really enthusiastic about teaching my students all subjects and am most enthusiastic about music, ICT and learning languages; as Te Reo Maori is one of New Zealand’s official languages, we try our best in C2 to include it wherever possible.
I am extremely proud and honoured to be part of such a wonderful team here at Cornerstone and I look forward to the continued learning, serving and growing both my students and I will be doing throughout my time here.
Assistant Principal - Primary School (Y1-6)
Raeleen Simpson
Assistant Principal – Primary School (Y1-6), Teacher (Y4)
I have been a part of the Cornerstone Christian School community for a number of years, both as a teacher (full and part-time) and as a parent of five children who are past and present students of both the school and preschool.
I enjoy teaching across all areas of the school and love being a part of children’s learning through their primary years. I especially enjoy tapping into each child’s strengths and building on those to further understanding. As the Primary AP, it is a privilege to lead an awesome team of passionate teachers dedicated to supporting children in their academic and faith journeys.
We are blessed at Cornerstone Christian School to be able to provide a Christian education for our children and to be able to place Christ at the centre of all that we do.
Release Teacher (Y6)
Trish Gunning
I’m a release teacher for each primary class a few days each term.
Release Teacher (Y2)
Julia Cameron
My name is Julia Cameron and I am the release teacher for many of the classes from Years 1-6.
I am enjoying getting back into the classroom after taking time out from teaching while our boys were little.
I am also enjoying getting to know all of the students and becoming part of the Cornerstone whanau.
Teacher (Y1)
Penelope Smith
Penelope is back from maternity leave in 2024. more details to come
Teacher (Y5)
Jae Lee
I was very fortunate to be a student teacher at Cornerstone Christian School in Term 3 – 2019. I learnt so much in that time and, with the environment aligned with my faith, I felt for the first time a sense of freedom at a work place. Starting every day with devotions and prayer took my love for teaching to another level and, as my placement came to an end, I thanked God for allowing me to experience a school like this one. However, God apparently hadn’t planned for me to stop my involvement with Cornerstone there, and here I am. Newlywed, new career, new house and all glory to God for all the hard and joyful days to come! Amen.
Teacher (Y1&2)
Nicola Waitoa
I was blessed to be raised locally in Feilding and have been teaching predominantly around the Manawatu area since 2000. I started my journey at Cornerstone School in 2021 and have absolutely loved teaching at a God-centred school. I am a part of the Aroha team and are blessed to teach a lovely group of Year 2 in A4.
I have five children who attend kohanga and kura locally. My husband and I attend the local New Life Church.
It’s great to be a part of this wonderful Christian community as a teacher and as a parent.
Teacher (Y1)
Nicole Koolhoven
Nicole joined Cornerstone in 2020, after teaching for several years in the Waikato.
Teacher (Y6)
Bronte Tongs
As an ex-student of Cornerstone, I am delighted to return to school as a qualified teacher. I am very excited to be a Year 5/6 teacher, as at this age the students are learning to manage themselves and make their own choices in their learning, which I value in my classroom. I am passionate about involving student voice in learning and I am certified in Flipped Learning. I love teaching anything to do with The Arts; I have grown up in a very musical family, and I have also previously been a Speech and Drama teacher. I love seeing students find their gifts and giving them opportunities to express these in front of others.
I am looking forward to continuing my teaching at Cornerstone, and seeing students grow in their knowledge and relationship with the Lord. Hei kororia ki te Atua runga rawa!
Teacher (Y5)
Chantelle Mulder
Teacher (Y5), Release Teacher
Chantelle previously worked at CCS as a Teacher Aide. She has now returned to us as a trained teacher. She started back with us at the start of Term 2, 2024.
Teacher (Y5)
Rachel Hockly
Teacher (Y5)
I’ve had the privilege of being involved with Cornerstone Christian School since 2011, when I was a Year 4/5 teacher in the Tumanako team. Since then, my husband Scott & I have lived in different locations around New Zealand and had 3 children of our own.
With all our kids now at school, it has enabled me to dip my toe back into teaching, and what a blast it has been! The Cornerstone students and the Cornerstone environment are like no other. It is a pleasure to spend time teaching, and learning from, Cornerstone’s kids.
Teacher (Y2)
Aileen Theron
Teacher (Y2)
Teacher (Y3)
Mel Halatokoua
Teacher – Year 3
Whaea Mel joined our team in term 2 of 2024 to cover Kiri who is on Maternity leave. More info to come…
Teacher (Y1&2)
Nellie Englebrecht
Teacher (Y1&2)
Nellie joined our team from the start of Term 2, 2024. More info to come…
Teachers – Yr 7-13
Tupuranga (Y9/10) Team Leader, Within School Lead, Teacher
Karina Anderson
My family and I moved from the Kapiti Coast to Palmerston North last year because we wanted our girls to attend Cornerstone Christian School. It has been a pleasure to join the school community as a teacher. I enjoy relating to teenagers and consider it a privilege to be able to teach in an environment where Jesus is central to life, learning, faith, community and growth.
One of the main scriptures that energises my teaching is Colossians 2:3,
“In Christ are hidden all the treasures of wisdom and knowledge.”
NCEA Principal's Nominee, Teacher - Mathematics & Physics
Dr Bronwyn Boddy
I joined the Cornerstone staff in 2015, after teaching at Queen Elizabeth College since 2009. I am excited to be a part of the growing secondary area of the school in Mathematics and using my skills in the running of the Student Management System, KAMAR.
My favourite moments in teaching are helping students make the connections to become confident and independent learners.
Aside from teaching and caring for my two young daughters, I love being a part of church worship teams on Sundays, and also play the flute in a local orchestra and flute/piano for musical theatre shows.
HOD English, Teacher (Y7-13)
Natasha Casey
I have been teaching since 2002 and at have been at Cornerstone since 2017. The move to this school has opened up many opportunities for me to learn and grow in my craft of teaching but also to grow my leadership skills.
As Assistant Principal, I am passionate about supporting teachers; helping them to grow and improve in their teaching practice at their pace. Our teachers are the experts at the coal face and need to feel as if they have room to experiment, trial, and be brave in seeking the best pathways for their students to learn. This is what we do so well here at Cornerstone.
It is a great pleasure to use my skills and abilities to extend God’s kingdom in Palmerston North.
Teacher in Charge - Performing Arts
Michael Doody
Michael Doody here!
My role is to grow the Performing Arts at Cornerstone Christian School. I am Teacher in Charge of Music, Drama and Dance. I am grateful to be in this position where I can build up the Performing Arts at the school and can give back from my passion for singing, dancing and acting.
Why I back the Arts? Performing Arts is a very powerful tool which allows people to exercise their creativity, expressing their thoughts and feelings in a unique way, and to be able to tell the stories of ourselves and others. Also, in this school, the Performing Arts help us to find out a little bit more about our students’ DNA and who they are in Christ. Something that was said to me at drama school that has stuck with me is “Nothing to prove, only to share!”
Outside of teaching, I reside with my wife and two young sons.
Teacher - Chemistry, Physics, Mathematics (Y7-13)
Anna Fletcher
I am passionate about teaching, especially helping students to develop enjoyment, skills and understanding for the world of Science and Chemistry that God created for us. My role is to help your children learn and grow to be the best person that they can be.
I grew up in Lower Hutt and attended Sacred Heart College before moving to Palmerston North to complete my Science degree majoring in Chemistry and Mathematics. I taught Science and Chemistry at Palmerston North Boys’ High School from 2006 and I started teaching at Cornerstone Christian School in 2018.
My husband and I are blessed to be active parents to three young children. When I find some free time, I enjoy playing football, being outside and reading a good book.
Assistant Principal - Middle School (Y7-10), HOD Maths
Ian Groube
Assistant Principal – Middle School (Years 7-10), Head of Department for Maths
Kia ora koutou,
Before Cornerstone, I taught Mathematics for the past ten years at Feilding High School. I have also taught at Totara College in Dannevirke. I have always been passionate about Mathematics and I love teaching our young people how to problem solve using math skills. I am a firm believer that hard work is far more rewarding than luck.
I was a student Te Aute College, and from there I joined the Navy. I was the ship’s logistics manager, so numbers have always been a part of me. I am married to Heidi and we have three children: Courtney, Campbell and Devon.
I am looking forward to being part of the school’s growth, and to what God has in store for me. I also look forward to the different aspects Cornerstone Christian School will bring into my life and how my experiences and skills will be utilised to enhance the school.
ESOL Coordinator
Christina Havill
ESOL Learning Support Coordinator (Y7-13), ESOL Teacher
My husband and I moved to Palmerston North and we are really enjoying our environment. Our daughter, Samantha, is at this school and we are so excited to have her part of the Cornerstone community too!
For the last four years we lived in Brunei Darussalam where I taught English (Years 7-10) in the local secondary schools. This was a very rewarding and enriching life experience. Prior to that I taught in the Kingsway Middle School Department in Auckland for seven years. I was a Year Seven Homeroom Teacher in charge of Performing Arts for all the Year 7-9 students. I also taught English, Mathematics and Social Studies.
It is exciting to be back in Christian education and I consider it a privilege to teach from a biblical worldview.
Assistant Principal (Y11-13), HOD Science
Hayden Hewitt
Assistant Principal (Y11-13), HOD Science, Teacher (Science, Biology)
I joined the Cornerstone Christian School community at the beginning of 2017. Prior to this I have taught Science and Biology for ten years, including a year teaching in the UK. Before teaching, I worked for as number of years as a Science Technician at Massey University and within the dairy industry.
I am passionate about Science, and its relevance to all of us in our everyday lives. I love the way that we can see the Glory of God displayed in everything from the complexity of a single cell, through to the beauty and vastness of space.
I am inspired by the idea that the mind is not a vessel to be filled, but a fire to be kindled. In my teaching, I hope to stoke the fires of interest and curiosity about the amazing world around us. I love being part of an enthusiastic and committed staff here at Cornerstone Christian School and belonging to the wider school community.
I enjoy spending time with my wife and children, and cooking and eating food – especially dishes from other countries. I love being outdoors in God’s good creation, and I’m a keen deer stalker and fisherman.
Director of Pastoral Care, Teacher (PE)
Louis Jayasuriya
I have been teaching PE and Health since 2007, both in New Zealand and in the United Kingdom.
I live in Palmerston North with my wife Emma and children Noah, Eliza and Harriet. I lead the pastoral care and PB4L teams at CCS as well as heading up the PE and Health curriculum areas. I enjoying playing sport, coaching sports teams and sharing my passion with my students.
One of the key themes I promote in my teaching is that the students and myself as the teacher are in our education journey together as a team, because together we can succeed. The strength of the team is each individual member. The strength of each member is the team – Phil Jackson
Two are better than one because they have a good return for their labour – Ecclesiastes 4:9-10
Robotics Teacher, IT Manager/Support
Paul Jorgensen
I began teaching at Cornerstone Christian School in 2016. Prior to this, I have gained experience at three other high schools in the Manawatu area and one in Wellington. My teaching areas include Digital Technology and Robotics. I have a real passion for teaching and am committed to journeying with the students as they develop their own passions and identity in Christ.
I am also responsible for all things IT at Cornerstone; this provides a satisfying balance to my teaching workload. I have enjoyed carrying out a variety of projects to improve the level of equipment, the systems and the confidence of staff and students with each of these.
I count it an absolute privilege to be involved in Christian education and to serve the wider community as our school carries out its mission to equip our students to become confident followers of Jesus Christ to impact their world.
PE Teacher (Y7-13)
Leanne Mark
Teacher (Y7-13) – PE, Sports Studies, Health
Hi!
I have been teaching Physical Education to high school students since 1995. When I began teaching I was employed at Nga Tawa Diocesan School for Girls. I then taught at Palmerston North Girls High School, Carnot Independent School for Girls and, in 2021, I finished six years’ teaching at Queen Elizabeth College.
I like the saying: “If you do what you love, you’ll never work a day in your life.” This is how I feel about teaching PE. I’m looking forward to continuing my love of teaching Physical Education here at CCS.
Leanne Mark
Teacher (Y7-13) Y9 Homeroom
Nicolene Marx
Teacher (Y7-13), Y9 Homeroom, English, Health, Physical Education
In December 2018, a two-year process came to a fast forward when my husband received a job offer in Palmy. Six weeks later, our family of arrived here on our first ever trip abroad!
We are truly blessed to be here doing what we love: inspiring through teaching and coaching.
My teaching career started in 2011 teaching English and Social Science while playing first class cricket. I was fortunate to share my passion for sport through not only co-ordinating sport but also coaching several school netball and cricket teams. I have been teaching at Cornerstone since 2019.
I believe that God has a plan with where we are, and I am excited for what He has in store for us within Cornerstone and the broader community in His greater plan.
Director of Tribes & Events, Teacher (Y7)
Craig McDonald
Director of Tribes and Events, Teacher (Y7)
Kia ora
My name is Craig McDonald and I reside in G block as a Y7 teacher when I’m not being involved in the organisation of sports and tribes around the school.
I have taught every year group in the primary school, with no firm favourite level, just some interesting memories!
Over half of my teaching experience has been in Christian Schooling. I do my best to integrate our Christian Faith with what we are learning in the classroom about ourselves and the world around us.
As well as my teaching diploma, I have a Bachelor’s degree in Education focusing on Christian Schooling, and a Theology degree. These are helping me to form my ideas about how to achieve a successful Christian Education.
Homeroom Teacher (Y8). Music
David Papworth
I began teaching at Cornerstone Christian school at the beginning of 2020. Before beginning my teaching career, I undertook a degree majoring in History at Massey University before completing a teaching diploma.
I believe strongly that education and spiritual growth are intertwined, and to develop a young individual with the core values of Respect, Diligence, Integrity, Kindness and Humility before God is of the utmost importance. Cornerstone is a place where I have found welcoming and loving staff, students who care for each other and work as a team to better themselves, and an atmosphere of love and respect.
Outside of school, I am always involving myself with as much music as I possibly can. Writing, performing, and using it as a medium for worship are my biggest passion. I also love the outdoors, and particularly getting out on the water wherever possible.
Let the message about Christ, in all its richness, fill your lives. Teach and counsel each other with all the wisdom he gives. Sing psalms and hymns and spiritual songs to God with thankful hearts.
Colossians 3:16
Whakapono (Y7-8) Team Leader
Tarryn Rose
My name is Tarryn Rose and my family consists of my husband James (who is also a teacher), our two boys and our dog Jack. Palmerston North is my home city, but I have also lived in Whanganui, Africa and the
Philippines.
I began teaching almost 20 years ago after graduating from Massey University in Palmerston North. My degree was in Education and my major was in P.E. I enjoy encouraging the students with the idea we focused on in Term 4 2015: “Fit Body, Healthy Mind, Honours God”. 2016 is my second year at Cornerstone and I look forward to all that it holds for the Whakapono Team. The Year 7/8s have a fabulous year ahead, with some of the highlights being: sharing and hearing God’s word in our team assemblies, camp at Vertical Horizon, sports events, celebrations, classes with specialist teachers here at Cornerstone.
Secondary Dean, Careers Advisor, Teacher
Nate Sextus
I began teaching at Cornerstone at the beginning of 2020. Before then, I had a range of teaching experience within the private education sector and then went on to teach technology at a state school. I am Palmy proud, having been born and raised here. I attended school and Massey University here and went on to study through Bethlehem Tertiary Institute (BTI). It is exciting to be at Cornerstone Christian School as I can bring my whole mind and heart to the role!
I am passionate about worship and regularly lead worship at my local church. Most of all, I have a beautiful wife and I am proud father of a young baby girl!
John 1:16 For from his fullness we have all received, grace upon grace.
Secondary Dean, Teacher in Charge (Junior Science)
Sarah Sisson
I have been part of the Cornerstone team since 2018. I live here in the Kelvin Grove community with my husband and 2 girls who also attend CCS.
I love teaching and inspiring young budding scientists! I am passionate about helping students observe the world around them and opening their eyes to the miracles of Creation. I am especially interested in developing their literacy and critical thinking skills which will benefit them through their lives. I also consider it a privilege to help students navigate the challenges they face through my role as a Secondary School Dean.
“Lift your eyes and look to the heavens: who created these? He who brings out the starry host one by one and calls forth each of them by name. Because of his great power and mighty strength, not one is missing” (Isaiah 40:26 (NIV))
Director of Life Lab, HOD Art
Dr Erika Snedden
I joined the Cornerstone Community in 2015 to establish and develop the Secondary Art Department. Since 2017 I have been the Director of Life Lab – responsible for facilitating Christian discipleship, life direction and academic mentoring programmes for the secondary students. I have also had the privilege of establishing and leading our Duke of Edinburgh’s Hillary Award Scheme.
Within New Zealand and overseas I have had experience as a Secondary Art and Art History teacher and Head of Department.
As an A/r/tographer – artist, researcher and teacher, I have a passion to support and development research inquiry within learning communities.
At the core of my leadership style, practice and faith is a belief in allowing and empowering others to lead.
Homeroom Teacher (Y7), Dance & Drama
Narrelle Soong
Kia ora,
I am privileged to be teaching Y7 at Cornerstone Christian School. My teaching focus is to create a student centred and collaborative learning environment that fosters independent and innovative learners who are passionate about their mahi and growing their God connection.
I grew up attending Christian schools and began my teaching journey at Totara College, Dannevirke. In London for 10 years, I taught in several private schools and a 6th form college before returning to Aotearoa to be close to family in Palmerston North. I have taught new entrants through to Y8 and have enjoyed being a performing arts teacher at primary and secondary levels. Taking time out of classroom teaching, I completed full time dance and Pilates training in London.
My husband Matt and I live in Kelvin Grove with our children, Sebastien, India and Ambrose.
Narrelle
Teacher (Y7-13)
Donna Murray
Teacher (Y7-13) – Y9 Homeroom, Science, Mathematics
Donna joined our staff in June 2023. More details to come.
Teacher (Y7-13) HOD Food technology
Delwyn MacKenzie
Teacher (Y7-13) – HOD Food Technology, Hospitality and Nutrition
Delwyn started at CCS at the beginning of 2023 as the HOD Food Technology. More details to come.
Teacher in Charge - Social Sciences
Joanna Wamala
Teacher (Y7-13) – TIC – Social Sciences, Year 10 Homeroom, Geography, Social Studies
I began my teaching journey in 1999 at a large co-ed Auckland Secondary School teaching Geography and Social Studies. After about 5 years serving there, I answered the call to missions with an initial 6 month trip to The Joshua Foundation in Tanzania, to help with teaching teachers at Joshua Teachers Training College. In 2020, 16 years later, I returned to New Zealand with a husband, three children, a master’s degree, a passion for Chrisitan Education and my bags full of rich experiences.
My family and I have recently relocated to Palmerston North so that I can return to my first love, teaching Geography and Social Studies here at Cornerstone Christian School. I am excited to be able to re-introduce Geography to the options list and help students open their eyes to the wonders of God’s rich and diverse creation.
Teacher in Charge - Commerce
Mariam Karimee
Teacher in Charge – Commerce, Accounting & Business Studies
Mariam joined our CCS staff at the start of 2024 – more info to come
Teacher (Y7-13)
Johan Oelofse
Teacher (Y7-13), Kaitiaki Y7-10, Y10 Homeroom, Digitech, Robotics, Woodtech, Equip, Mathematics
Support staff – Learning Support
Teacher Aide
Suseela Batchelor
Teacher Aide
My name is Suseela.
Palmerston North has been home for me and my family since 2004. Originally, I was from Malaysia. I live with my kiwi husband, two amazing children and a dog named Coco.
I have been part of the Cornerstone community since 2013, when my children were enrolled at the school. I have been privileged to work with amazing children and teenagers previously as a social worker.
Children ministry has been my favourite and the highlight of my work over the years. Big or small, do it with love.
I’m excited to step into my role as a teacher aide at Cornerstone Christian School.
Suseela
Teacher Aide & Sports Coordinator
Jannell Eade
Teacher Aide & Extra Curricular Sports Coordinator
I am very fortunate to have two roles here at Cornerstone. I am a special needs teacher aide and also the sports coordinator. These two roles encompass my two passions. I love being on the learning journey with the special young children I work with; witnessing their challenges, growth and achievements. I am rewarded daily with their accomplishments.
Sport is a massive part of my life too. I thrive on coaching, organising and encouraging students to explore all of the life lessons they can learn by participating
in team and individual sports. Our vision for sport at Cornerstone is to see the majority of our students involve themselves in a sport, in any capacity. We are fast becoming a very competitive Manawatu school in the sporting arena.
I love working in such a supportive, positive and encouraging school.
Teacher Aide
Barbara Hembrow
Teacher Aide
I have been a teacher aide since 2011, after spending many hours as a parent in the classroom and in various school activities.
My journey with Cornerstone started in 1996, when my daughter and, later, my son attended the Preschool in the Life Church crèche. I became involved with the fundraising group and learned how to parent help at the preschool, in new entrants and made my way up through the school years. My older children laugh because, although they still see themselves as Cornerstone Children, they have left school yet their Mum still has to go every day! My youngest child is in secondary at Cornerstone, so our Cornerstone story has not yet ended.
I completed a Teacher Aide certificate in 2013. I assist teachers in classrooms from Year 1 to Year 10, helping students who need extra support with literacy and numeracy.
I love how Christ is in every part of our day at school and how each child is celebrated as a special gift from God.
Teacher Aide
Maria McDonald
Teacher Aide
My name is Maria McDonald. I am truly privileged to be able to work in an environment where Jesus Christ is at the centre. It is exciting to see Jesus working
daily in the children’s lives.
I enjoy working alongside amazing staff members to make a difference in the lives of these young people and seeing their abilities grow and develop.
Teacher aide
Daniel McGaffin
Teacher Aide
This is my first time ever being a teacher aide and I am very excited to have my first opportunity here at Cornerstone. I look forward to be working in an environment where God is at the center of everything whether its teaching or relational. I have a background in working with youth and in a Christian context, youth development to a small degree. I have spent 10 years as a youth leader at my home church CCC and I have also headed up a Leaders in Training programme at the El Rancho kids camps where I helped junior high school aged youth learn about themselves, who they are in God and leading at kids camps.
I started a curiosity in teacher aiding last year while I was a lifeguard at Freyberg Pool. There I had some exposure to their learning support department when students would come in for swims. I enjoy getting to know students in learning support, figuring out what makes them tick and how to clearly relate with each one. In a big picture view, I just love to see youth start to figure out who they are and what God has given them, and to see them free in that and enjoy who they are.
Teacher Aide
Anne-Marie Mitchell
Teacher Aide
What an awesome privilege to be a part of the Cornerstone Christian School community!
I have been working as a special needs teacher aide since 2014 and find it exciting and fulfilling to help and encourage children both in their education and in developing to their full potential in God!
Teacher aide
Katie Monaghan
Teacher Aide
I am currently studying a Bachelor of Arts degree, majoring in Education at Massey University here in Palmerston North. I plan to do a post grad of teaching to get my teaching certificate and be able to be a primary school teacher. Currently, I am a teacher aide at Cornerstone and I’m loving every second of it. The kids are awesome and it’s so cool to be able to watch them grow into little superstars! I’m passionate about teaching and hope to be able to do it as a career for the rest of my life!
Linda Ng
Teacher Aide
I am very privileged to be part of the Cornerstone community, working here as a teacher aide since November 2020.
My husband and I came from Singapore to New Zealand in 2009. We lived in Palmerston North for 6 years during which time I worked as a social worker with a child and family support service and as a teacher aide in a primary school. As much as I enjoyed the work of supporting students with special needs I decided to stop work to be a stay-at-home mother.
My initial acquaintance with Cornerstone Christian School was a very pleasant one when my daughter started attending the preschool. I was impressed with the quality of the early education provided and was happy to see Christian values and teachings being incorporated. Since then, my husband and I have become convinced that this is the direction that we want for our children’s education.
In 2015, we relocated to Taupo where we enrolled our children at a Christian school. We lived in Taupo for 5 years, and during this time I did a part-time Level 4 course in Education Support. One of the course requirements was for me to attain some teacher aide work experience, which I did by volunteering at my children’s school. I enjoyed being part of the Christian school environment and knew that this is what I would commit to do.
In October 2020, my husband found a new job in Palmerston North so we moved back to the city. We have always felt Palmerston North is our hometown and that God has opened the doors for us to return, providing for our every need. I am blessed to be given this role as a teacher aide at Cornerstone Christian School and to have this opportunity to support young people in their learning and relationship with God.
Teacher Aide
Ruth Oemcke
Teacher Aide
My name is Ruth Oemcke. I have worked as a teacher aide for over 20 years and prior to that was employed as a hospice nurse. I started my journey at Cornerstone 11 years ago and in that time have found the staff to be incredibly genuine.
I work with the special needs children. I have a passion to see the students excel in whatever they are able to do, helping them to increase their confidence and self-esteem. It is a privilege to work with the students. Being a mother of a daughter who has Downs syndrome, I know first-hand the importance of students being included and accepted in their school environment. I love seeing the children make progress.
Patience is on the top of the list, but when breakthrough comes, even in the smallest things, it is very much celebrated. It is also a pleasure to see the children enjoying their schoolwork, especially when they’ve experienced success at whatever level; their eagerness to learn obviously increases.
Because of the school’s Special Character we are able to talk openly about Christian things, which of course involves our character and how we are to treat others. I find this a really good tool to help other children to be inclusive of the children that require a little extra help. It is always wonderful to see children independently looking out for the needs of those who struggle and encouraging them.
I really do love working here. In every class I have assisted in, the teachers are so encouraging and supportive of addressing the needs of individual children. They show a real empathy for the children and are eager to see them progress and be involved in as many areas as possible.
Science Technician, Teacher Aide
Joy Soo
Teacher Aide, Science Technician
Mabuhay.
I moved to New Zealand from the Philippines in 2008 after getting married to a NZ-born Chinese. We have two active sons who both go to Cornerstone.
I have a degree in Food Technology. After graduating, I worked as a university researcher for two years. I then moved to the food manufacturing industry and worked for more than 10 years in several companies developing products from food sauces, to reconstituted liquid creamer and other dairy based products.
When my eldest son started school here at Cornerstone in 2014, I was very impressed with the culture of the school. There is warmth, kindness and friendliness from the school staff, the parents and the students. Now that I am part of the school, I am excited to work with a great team who work passionately towards one vision.
Teacher aide
Rosie Irvine
Teacher Aide
To be added
Teacher aide
Sue Twigge
Teacher Aide
To be added.
Teacher Aide
Ana Livai
Teacher Aide
MALO LELEI
My name is Ana Falesiva Livai also known as (aka) Mrs Muli. Our last name was officially changed at the beginning of this year to the correct family name as Livai, so our first last name is now a middle name for everyone.
I am a Tongan and a mother to 8 children who have all been at Cornerstone Christian School. The 3 older ones have left school, which leaves me with 4 at High School and 1 at Primary School.
My first engagement with the school was when my firstborn started in 2007 when the school was only at A to D Block.
I was a secondary teacher before I migrated to New Zealand in 1998 under the Skills Category. I have a Bachelor of Education from Massey University but have been a full-time mother for my 8 blessings.
I have been blessed to be part of the ESOL team to help bridge the language barrier of our migrating students, as well as to be a Tongan Cultural mentor, to assist in navigating the many cultural differences at school and to be an impact on our student’s lives at present and in the future.
Food Technician
Kate French
Food Technician
Kate has joined our Food Technology department as a food technician in 2023. More details to come.
Teacher Aide
Laura Nicholson
Teacher Aide
Laura joined our support staff team as a teacher aide in July 2023. More details to come.
Teacher Aide
Kate McDonald
Teacher Aide
Kate joined our CCS team in Feb 2024. more details to come
Teacher Aide
Grace Brown
Teacher Aide
I completed my schooling at Cornerstone and am now so privileged to be on staff teacher aiding here. I loved growing up and learning in such a wonderful, faith filled and learning focused environment and am thrilled to be on the other side helping students learn, serve and grow in God.
I am also currently interning at my church, mainly focusing on toddlers and youth ministry, which is a lot of fun and I’m learning so much.
I have a great passion for working with kids and seeing them grow and want to study early childhood education in the future.
Support staff – Administration, Grounds, Library
Librarian
Katharine Bracey
Librarian
I enjoy books and reading, and I started working in the school library on a voluntary basis in 2008. It was located in A1, the useable collection was tiny, and there were many books awaiting processing. The school had no one with the time and skills to do this. I had learned to catalogue books using the same library software as a volunteer at Freyberg High School. This was great for everyone: Mrs Jane Barker could buy more books knowing they would make it into the library, the students were able to read them and I had a part-time job!
I have seen the library move from A1 to the new Administration building and then on to G2. I look forward to returning the books to The Learning Centre in the Administration building.
In 2014, the foundation of the Secondary collection was a major emphasis for book purchases, together with requested items such as Geronimo Stilton, Lego books, the Brick Bible, Asterix and the Tintin series of graphic novels. My thanks goes to Anathea Jackson who, on a voluntary basis, has been reducing the time lag between books being purchased and arriving on our library shelves through 2014/2015.
In 2015, the emphasis has been on novels for the Tumanako and Whakapono students; many of these have been requested by staff or students.
I have been in the school long enough to see individual children’s reading abilities and tastes change as they mature. It is great to see children eager to read and to see their delight when books they suggested make it to the shelves.
Teacher Aide & Sports Coordinator
Jannell Eade
Teacher Aide & Extra Curricular Sports Coordinator
I am very fortunate to have two roles here at Cornerstone. I am a special needs teacher aide and also the sports coordinator. These two roles encompass my two passions. I love being on the learning journey with the special young children I work with; witnessing their challenges, growth and achievements. I am rewarded daily with their accomplishments.
Sport is a massive part of my life too. I thrive on coaching, organising and encouraging students to explore all of the life lessons they can learn by participating
in team and individual sports. Our vision for sport at Cornerstone is to see the majority of our students involve themselves in a sport, in any capacity. We are fast becoming a very competitive Manawatu school in the sporting arena.
I love working in such a supportive, positive and encouraging school.
Principal's PA
Rebecca Jorgensen
Principal’s PA
Cornerstone for the Jorgensen’s has always been a family affair and our heart is well entrenched here.
Our two boys have been all through preschool and school (both now out in the world as adults). I have worked here previously as a Teacher Aide both in the classroom and as an ESOL Teacher Aide for 9 years, before taking a 3-year break to work on other things.
My husband Paul is the ‘IT guy’ here and I am so excited to be working at CCS again, this time as the Principal’s PA. Working in the admin team and being organised is a really good fit for me – in fact, our family like to refer to it as being ‘Jorganised’.
I love how God continually brings all the different parts of our life experiences together in ways that we never would have imagined earlier in our journey. I feel God has called me to be here at this time, for His purpose. His timing is always perfect and I feel so grateful that He is in control.
Groundsman
Eric Knowlton
Groundsman
Caretaker
Kevin Randall
Caretaker
I am a South African who has been living in New Zealand for almost 14 years. It has been absolutely awesome! I am 10 years happily married to a cute Kiwi girl and we have a gorgeous 7-year old son called Joshua, who is also here at Cornerstone.
I joined Cornerstone Christian School as its new caretaker in December 2018. Little did I know that I would be going to school each and every day with my son Joshua! Just as Almighty God, in the beginning, created a garden and put Adam in it as his caretaker, I feel that I have the privilege of taking care of His property here at Cornerstone.
Please pray for me as I will be praying for you too!
Enrolment Registrar
Sarndra Rauzi
CCET Executive Officer, Enrolment Registrar, Proprietor’s appointee
I joined Cornerstone’s staff in 2014, having previously been involved for many years as a parent and volunteer. It was a privilege to be involved in many areas of school life as a volunteer whilst my children were there and I am very thankful for many wonderful Christian teachers who taught, prayed for and influenced my family during those years.
After working for eight years’ in the role of Principal’s PA, in which I was also involved with enrolments, I moved sideways to focus mostly on enrolments and also took up a part-time role with the Proprietor.
Cornerstone has an exciting vision and I enjoy being part of an organisation that seeks to partner with parents to help children “to be[come] confident followers of Jesus Christ, equipped and inspired to creatively impact our world.”
Executive Officer
Vicki Scoggins
Executive Officer (Finance, Payroll), Property Manager
Vicki trained as a primary school teacher in 1984, teaching for a couple of years in Wellington schools before having her family.
She retrained in the finance field, graduating in 2001 and has worked in various organisations as an Accounting Technician, from Chartered accountants, corporate (Zespri), private industry (timber mill and Maori trusts). Her first venture into the incredibly unique finance side of education was in 2020 when she joined the team at Cornerstone Christian School and she is still learning.
Vicki is our Executive Officer looking after payroll and finance.
Student Administration Officer
Ilona Shewell
Student Administration Officer
I am originally from South Africa. My family and I have started a wonderful new life in New Zealand. We were blessed to have our two boys accepted into Cornerstone. We as a family have felt truly welcome and accepted.
My path at Cornerstone started with me being a Teacher aide. I absolutely loved being within the classroom environment and being involved with the students. When the position for student administrator became available, I knew that I had to apply, as my background is in administration. I had the best of both worlds available to me, administration and still being involved with the students. I feel as though I have found where I am meant to be. I am truly blessed to be part of an amazing team at Cornerstone.
As a mother of two boys that attend Cornerstone, I can honestly say that as a family we are truly blessed to be part of the school family. The school has provided my children with the Christian values that are so important to us as a family. It is a blessing to see how they have both grown as Christians and as individuals.
My position as student administrator provides me with the opportunity to meet not only the students, but also their families. I have the privilege of being one of the staff members that can first welcome new students and their families to the Cornerstone Christian school family. It is a truly humbling experience to see so many families walking down the same Christian path, wanting to instill the same Christian values.
Administration Officer
Cheri Yates
Administration Officer
I have been part of the Cornerstone Christian School community as a parent since 2005. My five children have all attended both the preschool and the school, with the younger two still attending school here.
I joined the staff as Administration Officer in January 2022 and I am excited to be part of a dedicated team, serving and supporting our school community.
We are truly blessed with the calibre of leadership and teachers we have, amazing people who are passionate about both educating and discipling our children.
I am passionate about our school and the values we strive to attain; Respect, Diligence, Integrity, Kindness and Humility before God.
Cleaner
Sue Hill
Cleaner, Library Assistant (volunteer)
Cleaner
Karen Watson-Lammas
Cleaner
Caretaker
Tim Gowan
Caretaker
Tim has joined our staff as a Caretaker in May 2023.
Cleaner
Jessie Watson-Compton
Cleaner
School Board and Proprietors
Elected Parent Board Member
Braden Simpson
Presiding Member of the School Board
My name is Braden Simpson and I have been a Board parent trustee for the past six years .
I have been a Christian since my late teens I am part of the Crossroads church community, serving on a worship team and leading a Life Group. I am married to Raeleen Simpson, the AP for Primary at Cornerstone, and have three children at the school at intermediate, and secondary levels. I have been involved with school sport, camps, and making large numbers of coffees for the gala.
I am a Principal Software Engineer for a Sydney-based company and have a degree in Computer Science. I have several years’ experience on the Board of PSSM (Postal Sunday School Movement), in addition to the school Board, and have a good understanding of Board processes and procedures. I have learnt much from my time on the Board about the ‘ins-and-outs’ of school governance and wish to carry this through the next three-year term.
I believe the Cornerstone Christian School Board needs to have a clear vision of God’s purpose for the school and community and I have certainly experienced this over the last six years. The prayerful consideration of Board matters and a sense of unity in Christ have been a hallmark of the current Board and I pray that this will continue.
Elected Parent Board Member
Paul Yates
Parent Representative to the School Board
My name is Paul Yates. I am passionate about Christian Education and our school specifically. I have previously served on the Board for 2 consecutive terms (2007-2013) and experienced the tangible benefits of a solid, focused governance team.
Having had three of our children benefit from our school environment and pass on to adulthood and work life, with another two being current students, you could say that Cheri and I have a lot invested and also had great returns from being part of the school community.
A point to note is that the role as Parent Trustee involves separating yourself from any personal grievance or agenda and focusing solely on the overarching governance of the school. The different personal viewpoints held on the board add to the richness of discussion but the focus must remain on the school as a whole and the students and their development specifically.
Elected Parent Board Member
Erin Reid
Parent Representative to the School Board
Hello everyone,
I am Erin Reid. I am mum to five boys, four of whom will be at Cornerstone by the end of
2022. I am married to Ian Reid who is the pastor at Kings Grace Presbyterian Church
here in Palmy and who teaches Cornerstone’s senior kids on behalf of Emmaus.
I am a Chiropractor specialising in paediatrics and am passionate about seeing children
thrive, physically, nutritionally and emotionally and spiritually in the good bodies God has
given them. My main reason for being a parent trustee for the Cornerstone Board is a desire to
see Cornerstone’s special character as a Christian School maintained and safe guarded
for the long term. We have a unique and wonderful school and I would love to see it thrive
and protected, especially in the current political climate, by being proactive rather than
reactive.
Principal
Chris Mitchell
Principal
Nau mai, haere mai ki te te kura o Ihu Karaiti te Kamaka!
It is an honour and a privilege to be a teacher and educational leader here at Cornerstone Christian School. I can honestly say that I have spent the last twenty years doing my dream job – teaching students across the wider Manawatu region – five of those as Teaching-Principal at Awahou School in the Pohangina Valley, and here at Cornerstone Christian School since mid-2008. In 2016, I was appointed to the position of Deputy Principal and in January 2020 I assumed the role of Acting Principal.
As a school, we tend to focus on the holistic development of each child – or to put it more simply, their ‘discipleship’. I believe that discipleship is simply learning to live the way that God wants us to live and I love being part of this process in our students’ lives. Ultimately our key desire is that every Cornerstone student comes to saving knowledge of Jesus Christ and develops their own relationship with God. We have a strong character development focus with an emphasis on our values of respect, diligence, kindness and integrity with an underpinning value of humility before God. Although our children achieve highly in their academic education and our school achieves excellent results on a national level, I believe that it is more important to focus on their developing character than their academic grades. In our modern world, learning can occur wherever and whenever you like, but good character develops when you are young, so that is our focus; good grades, and achieving to one’s best, are a natural outflow of developing good character.
On a personal level, I am married to Anne-Marie Mitchell who is also on staff here at Cornerstone Christian School as a teacher aide. Together we have four grown-up daughters – two of whom are also teachers here in Palmerston North. When not in school you will find me gardening or looking after our lifestyle block just out of Ashhurst; casting a fly for trout down at some local river or walking the hills with a pack on my back.
My office door is usually open and I love meeting people in our wider Cornerstone family. Please drop in and say hello if you are over near the administration office or if you see me wandering around the school grounds.
Ngā mihi nui
Proprietor's Appointee
Richard Tankersley
CCET Chairperson
Richard is the Chairperson for the Cornerstone Christian Education Trust, our Proprietors for CCS.
Proprietor's Appointee
Simon McCracken
Proprietor’s Appointee
Proprietor's Appointee
Glenn de Groot
Proprietor’s Appointee
My name is Glenn De Groot and I have the privilege of being on the School Board as a Proprietor appointee.
I am married to Treena and we have three adult children who went through the complete Cornerstone School system from preschool to Year 13.
My love and appreciation for Christian education grew as our family got more involved with Cornerstone. I joined the Fundraising Group, helped organise a few Galas, ran the fruit and vege stall and other events, and then was elected as a Parent Representative on the School Board.
After a few terms, I was invited to join the Proprietors (Cornerstone Christian Education Trust) and have loved working alongside some amazing and passionate people with a huge love for our God and the community and who are incredible visionaries.
I find it such a pleasure to serve the Cornerstone School Community, and we are very blessed with the awesome teaching staff and leadership team.
Tupuranga (Y9/10) Team Leader, Within School Lead, Teacher
Karina Anderson
My family and I moved from the Kapiti Coast to Palmerston North last year because we wanted our girls to attend Cornerstone Christian School. It has been a pleasure to join the school community as a teacher. I enjoy relating to teenagers and consider it a privilege to be able to teach in an environment where Jesus is central to life, learning, faith, community and growth.
One of the main scriptures that energises my teaching is Colossians 2:3,
“In Christ are hidden all the treasures of wisdom and knowledge.”
School Board - Parent representative
Gena Toa
Parent representative to the School Board
Gena joined our CCS School Board as a parent representative in 2023.
School Board - Parent representative
Shane Casey
Parent representative to the School Board
Shane joined our school board as a parent representative in 2023.
Student Board Representative
Ruby Hewitt
Student Board Representative
Ruby is our Y13 student representative on the school board for 2024.
Enrolment Registrar
Sarndra Rauzi
CCET Executive Officer, Enrolment Registrar, Proprietor’s appointee
I joined Cornerstone’s staff in 2014, having previously been involved for many years as a parent and volunteer. It was a privilege to be involved in many areas of school life as a volunteer whilst my children were there and I am very thankful for many wonderful Christian teachers who taught, prayed for and influenced my family during those years.
After working for eight years’ in the role of Principal’s PA, in which I was also involved with enrolments, I moved sideways to focus mostly on enrolments and also took up a part-time role with the Proprietor.
Cornerstone has an exciting vision and I enjoy being part of an organisation that seeks to partner with parents to help children “to be[come] confident followers of Jesus Christ, equipped and inspired to creatively impact our world.”
Proprietor's Appointee
Brian Gray
Proprietor’s Appointee
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News and Media. Randex Communications specializes in highly personalized entertainment publicity, marketing and special event promotion for a wide range of clientele. We deliver stylish campaigns which work in-step with clients' visions and today's emerging trends - specializing in top-tier media placement, tours and special events.
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Randex Communications
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https://www.randexpr.com/news-media.php
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Randex Media
December 28, 2020
January 23, 2016
Randy Alexander Interviewed by @Issue on NBC10 on the Passing of David Bowie [Video]
September 4, 2014
Randy Alexander interviewed on 6ABC Action News on the passing of Joan Rivers [Video]
Press Releases
November 16, 2020
Shine A Light: A Special Light of Day Concert Stream Fundraiser for Asbury Park Dinner Table
Goo Goo Dolls' Johnny Rzeznik Highlights 19-Artist Fundraiser from Producers of Annual 'Light Of Day' Winterfest Extravaganza - Sunday, Nov. 22
Proceeds Support Pandemic-Challenged Restaurants and the Food-Insecure in Legendary Seaside Resort
Joe Grushecky & The Houserockers, Jim Babjak of The Smithereens, The Weeklings, John Easdale of Dramarama, James Maddock, Richard Barone of The Bongos, Ben Arnold, Danielia Cotton also among Performers
"As winter approaches, The Light of Day Foundation shines its light on the growing issue of food insecurity during the Covid crisis in an effort to raise money and awareness to support its spiritual hometown and the great work of Asbury Park Dinner Table"
- Tony Pallagrosi, Executive Director and Co-Founder of the Light of Day Foundation
ASBURY PARK, NJ (Nov. 16, 2020) - The world seems to change on an hourly basis, but there is at least one thing that remains constant: When help is needed, Light of Day's musical family is always there to lend a hand - and a tune.
That's been the case countless times, and will be once again beginning 11:15 a.m. Sunday, Nov. 22 as 19 Garden State music makers combine their talents for SHINE A LIGHT, a streaming musical event in support of ASBURY PARK DINNER TABLE.
The non-profit organization is dedicated to helping Asbury Park's dining industry - a key component of the town's stunning rebirth as a leisure and entertainment destination - which has been severely affected by the ongoing COVID-19 pandemic, and to helping local residents who are experiencing food insecurity as the pandemic rages. The concept behind APDT is that donations it receives are spent at local eateries to purchase meals for those in need.
Heading up the formidable talent roster is Johnny Rzeznik, lead singer of superstar rock act, The Goo Goo Dolls. He'll be joined by 18 other artists including longtime Bruce Springsteen collaborator Joe Grushecky and his band, The Houserockers, Jim Babjak of The Smithereens, Jersey Shore favorites The Weeklings and a host of acclaimed singer-songwriters, among them Richard Barone of The Bongos, James Maddock, Ben Arnold and Danielia Cotton. Each artist will perform one song. See below for the complete list of participants.
The event will formally kick off right before 11 a.m. as Tom Cunningham, host of the Jersey Shore Sunday morning radio institution Springsteen on Sunday on 107.1 "The Boss," will "shine a light" on the presentation and direct his listeners to Light of Day's YouTube channel (https://www.youtube.com/channel/UCAxn20nnBJoPVkfyiqxjcLg) channel and Facebook page (www.facebook.com/LOD2000).
You can also join the APDT Watch Party at https://www.facebook.com/APDinnerTable.
This very special event is being staged by the Asbury Park-based Light of Day Foundation (LOD), whose annual January-long concert series in support of Parkinson's Disease research and treatment have been a Jersey staple for more than two decades. "As winter approaches and the issue of food insecurity during this COVID crisis grows, The Light of Day Foundation will 'shine its light' in an effort to raise money and awareness to support its spiritual hometown and the great work of Asbury Park Dinner Table," said Tony Pallagrosi, LOD's executive director and co-founder.
"The Asbury Park Dinner Table is honored to have the Light of Day Foundation "shine a light" on us as we now face the Winter months, which normally are stark in Asbury Park, but now are at a crisis stage with the addition of the pandemic. We also thank and appreciate the artists donating their time and talent to this concert fundraiser in the Asbury Park community spirit that many of us know is something very special," added Allison Kolarik, co-founder, Asbury Park Dinner Table.
'SHINE A LIGHT' PERFORMERS:
Johnny Rzeznik (Goo Goo Dolls)
Jim Babjak of The Smithereens
Brian Dunne
Lisa Bouchelle
Matt & Eryn O'Ree
Danielia Cotton
Williams Honor
Richard Barone (The Bongos)
Peter Elkas
Ben Arnold
Joe Grushecky & The Houserockers
John Easdale (Dramarama)
Emily Grove
James Maddock
Scott Elk & Kyle Ward
Bobby Mahoney
Billy Hector
The Weeklings
Joe D'Urso & Stone Caravan
October 19, 2020
ETSY TO LEGENDARY PRODUCERS KENNETH GAMBLE & LEON HUFF: 'YOU GOT WHAT I NEED'
PHILADELPHIA - Legendary Philadelphia International Records (PIR) co-founders and R&B pioneers Kenneth Gamble & Leon Huff have a new commercial placement from their massive song catalogue. "YOU GOT WHAT I NEED," which Gamble & Huff wrote and produced in 1968 for Freddie Scott - three years before launching PIR - is currently getting massive TV exposure in a new ETSY.COM commercial. Philadelphia International Records was home to The O'Jays, Harold Melvin & the Blue Notes, and many other acts that defined the Philadelphia soul sound of the '70s.
"Seeing the Etsy commercial featuring the song on TV so prominently, makes us instantly reflect back 52 years, when we wrote and produced the song in the studio for Freddie Scott - a great, yet unsung Soul/R&B artist and vocalist," said Gamble & Huff in a joint statement. "We are so glad this original song and Freddie are getting their just recognition and their due."
Usage of "YOU GOT WHAT I NEED" has proven popular for sampling in recent years. But this is the first time the original recording is anchoring a popular TV commercial in the U.S.
Rapper Biz Markie used many elements of the original recording on his 1989 hit "Just A Friend." Kanye West, Common, Pusha T and Big Sean feat. Kid Cudi and Charlie Wilson sampled the song on "Good Friday" (2010). Ghostface Killah sampled it on "Save Me Dear" (2004). And in 2017, Janelle Monáe sang "You Got What I Need" in a Gap commercial promoting their Christmas offerings.
"YOU GOT WHAT NEED" originally reached #27 on the R&B chart. Scott died in 2007 at age 74.
October 1, 2020
SUICIDE, ITALIAN STYLE: AN ALBUM UNLIKE ANY OTHER YOU'LL HEAR IN 2020; Joe Ferrara, in Guise of THE ANDRETTI, Stakes Claim as The Mad Scientist of Rock
Mars Volta drummer Blake Fleming among passengers on 2020's wildest musical ride
Out NOW in special multi-colored collector's vinyl and on all major digital platforms.
"These songs are about the excesses of the ancient Romans; out of work soap opera stars who are now arms dealers; male prostitute blackmailers; race car drivers with a death wish; a castle made of junk auto parts that functions as a 'lovers lane' in some fictional border town; Faustian death cults; the New Jersey mafia and, of course, Kim Novak. Or they are not about any of these things. I honestly couldn't tell ya." - Joe Ferrara, aka THE ANDRETTI
Stream & Download 'Suicide, Italian Style'
PHILADELPHIA (Oct. 1, 2020) - Prepare yourself for 2020's wildest musical ride. That's the only way to describe Suicide, Italian Style, the mind-blowing new release from THE ANDRETTI, out NOW in special multi-colored collector's vinyl, available exclusively through Bandcamp, and on all major digital platforms.
Springing from the heart, soul and intellect of veteran music-maker Joe Ferrara, Suicide, Italian Style is the aural equivalent of a Jackson Pollock painting: A creation of challenging, compelling, and ultimately satisfying order borne from a seemingly random and chaotic sonic chaos that melds David Bowie with Dick Dale, Ennio Morricone, Frank Zappa and Henry Mancini. The album is sprinkled with just enough '60s experimentation, '70s glam, '80s bombast and '90s noise rock to conjure a collection of songs (with elements of exotica and Latin, rockabilly, surf, doo wop and metal) that grabs the listener on the first spin and refuses to let go.
This "mad-scientist" approach stands in stark contrast to contemporary music's auto-tuned, disposable-pop default position. So, what would compel its creator to devise such an adventurous, impossible-to-pigeonhole collection of songs?
"The album was motivated by a desire to create songs I find interesting and which incorporate many different styles, but still maintain a classic pop sensibility," says North Jersey denizen Ferrara ,now living in suburban Philadelphia. "Also," he adds in his signature sardonic style, "I had nothing better to do."
As for the disc's lyrical content, Ferrara is hard to pin down, but on the other hand, he admits even he doesn't have a real handle on it.
"Lyrically, there is no unifying theme except, perhaps, the songs all explore some of the darker and/or abnormal aspects of human behavior. Most of the time I just like to construct phrases that sound pleasing - or displeasing - when sung.
"As a result, my lyrics are often fairly abstract, and don't necessarily follow a traditional narrative or commentative structure. Without giving too much away, if I had to be specific, I'd say these songs are about the excesses of the ancient Romans; out of work soap opera stars who are now arms dealers; male prostitute blackmailers; race car "drivers with a death wish; a castle made of junk auto parts that functions as a 'lover's lane' in some fictional border town; Faustian death cults; the New Jersey mafia and, of course, Kim Novak.
"Or they are not about any of these things. I honestly couldn't tell ya."
Although Suicide, Italian Style - whose title Ferrara describes as a takeoff on 1960s films Love Italian Style and Divorce Italian Style - is released under the banner of THE ANDRETTI, it is decidedly not a band effort. While he did enlist a few outside musicians including Mars Volta drummer Blake Fleming, Ferrara insists the concept of the musical collaboration is not one to which he subscribes.
"I don't think the band concept is passe for everyone," he says, "but I certainly think the notion of music being presented as the sum total of a small collective of people's efforts, and then that music being absorbed through the prism of a perception of that group that is formulated by marketing the style or personality or demographic that "band" conveys through its media presence, is a pretty stale tactic.
"Who makes the music doesn't matter. The music should matter - especially to an angry fuck like me with his cigarettes and vintage microphones."
Ultimately, Suicide, Italian Style is by turns prickly, slightly askew, random, and challenging, but somehow, it's also thrilling, entertaining and irresistible. So strap yourself in and join The Andretti for a most unforgettable "Suicide" trip.
Available NOW at Apple Music, Spotify, Amazon, and wherever else music is consumed online.
'Suicide, Italian Style' Track Listing:
Il Pavone D'oro
Equinox at Cefalù
Marquis De Sade's Rockin' NYE
Suicide, Italian Style
DigitalEvil
The Man Who Never Was
The Soft Side Of Hell
New Jersey Jailbreak
A Dismal Method
Palace Depression
See Naples and Die
A Seedy Type Of Gravity
Genre: Experimental, progressive, glam, surf, exotica, Latin, rockabilly, doo wop, alternative, metal
RIYL: Mars Volta, David Bowie, Quentin Tarantino, Mr. Bungle, Dick Dale, Ennio Morricone, Esquivel, Frank Zappa, Henry Mancini, John Zorn, The Beach Boys, and of course, Kim Novak.
September 3, 2020
SUPERSTAR PATTI LaBELLE JOINS ONE WORLD 'CELEBRITY CIRCLE' AS HISTORIC CHARITY ANTHEM FOR GLOBAL PANDEMIC AND RACIAL JUSTICE RE-ENTERS BILLBOARD TOP 30 AT #27 WITH A BULLET
'Truly Global' Collaboration Kicks Off Drive-In Theater Initiative TONIGHT and Sept. 12 on Long Island
Social Media Fans Clamor to Praise One World as 'Breath of Fresh Air' with 'A Message That Is So Desperately Needed'
'Voices 4 One World' Chorus of Grammy Winners and Multi-Grammy Nominees Become Historic Alliance to Support Musicians Foundation, The Actors Fund, First Responders Children's Foundation and NAACP Legal Defense Fund
Donate NOW and Watch the Music Video at www.oneworldoursong.com
With entertainers out of work, first responders overworked and racial unrest around the country, Franke Previte wants to remind us we are all the same voices existing in "One World.'"
- American Songwriter
NEW YORK (Sept. 3, 2020) - ONE WORLD, the timely and historic "We Are the World" style new charity anthem for the global pandemic - supporting musicians, actors and first responder families while changing America's racial narrative - officially welcomes superstar Godmother of Soul Patti LaBelle to its "Celebrity Circle" as the "truly global" multi-vocalist track re-enters the Billboard Top 30 Mainstream Adult Contemporary chart this week, landing at No. 27 with a bullet.
ONE WORLD also has entered the Radio Media charts at #28 with a bullet and has passed 20,000 spins on Pandora, where it is now a featured artist track.
This extraordinary new recording, featuring an unprecedented chorus of Grammy Award winners and multiple Grammy nominees collectively known as Voices for One World, is being offered as a free download with any donation to the major charity beneficiaries, exclusively through www.oneworldoursong.com. The four major charity partners are: Musicians Foundation, The Actors Fund, as well as First Responders Children's Foundation, beneficiary of the recent "Living Room Concert for America" hosted on FOX by Elton John, and the NAACP Legal Defense Fund. Donations of any amount entitle the donor to a free instant download of ONE WORLD. (Please note: Downloads for NAACP Legal Defense Fund donations are not yet available.)
LaBelle leads a growing gallery of notable musicians and actors recording PSA's for the ONE WORLD "Celebrity Circle" on an ongoing basis. Early contributors also include two-time Tony Award winner Christine Ebersole, legendary "Sound of Philadelphia" architect Kenny Gamble, Bon Jovi drummer Tico Torres, Classic Disco diva Evelyn "Champagne" King, Emmy Award nominee Michele Greene ("L.A. Law"), actress-comedian Siobhan Fallon ("Saturday Night Live," "Seinfeld," "Men in Black"), Vocal Group Hall of Famer Kenny Vance (Jay & The Americans, Kenny Vance & The Planotones), Grammy nominated songwriter Rob Hyman ("Time After Time") of The Hooters (Philadelphia Music Walk of Fame), original teen idol Bobby Rydell, and beloved blue collar rocker and Bruce Springsteen collaborator Joe Grushecky.
Tonight (Sept. 3), ONE WORLD officially hits the road to kick off its Drive-In Theater initiative with a music video screening in conjunction with a showing of Dirty Dancing at the Peconic Bay Winery, 31320 Main Road in Cutchogue, NY. More info at www.4cast.givesmart.com. Elsewhere on Long Island, ONE WORLD co-writer and Academy Award-winning songwriter Franke Previte will host a special Q&A about his Dirty Dancing hits ("I've Had the Time of My Life" and "Hungry Eyes") with another ONE WORLD music video screening - as part of a "Screening Under the Stars" Drive-In showing of the film, Sept. 12 at Putnam County Golf Course, 187 Hill St., Mahopac, NY. Details at www.putnamcountygc.com.
Fans have been flooding social media with their adoration for ONE WORLD, which has gained close to 4,500 follows and likes in its first three months, to go with 50,000 Facebook views of its music video. Some comments:
"Wow! Love it, this is what we need today. A breath of fresh air, I enjoyed listening to it." - Rose B.
"Love it, with all the hate & division in our country lately, your song is a breath of fresh air. Thank you!" - Karen K.
"This is the world we all want." - Sheryl F.
"Fantastic! Thank you all! I really needed to hear that!" - Margaret F.
"A message that is so desperately needed, absolutely love this song and the powerful message it sends, we are one people one world in it together." - Janice B.
"Awesome song for all to live by!" - Lillian R.
"Beautiful! I needed this today." - Lisa M
ONE WORLD reunites a pair of prominent American songwriters with two other leading Soviet songwriters 30 years since they originally wrote the song in Moscow during the 1989 Glasnost event "Music Speaks Louder Than Words," the first ever Arts Exchange between Soviet and American songwriters, organized by Alan Roy Scott and Music Bridges.
Spurred by the global pandemic, Academy Award-winning songwriter Franke Previte ("(I've Had) The Time of My Life" from Dirty Dancing) and Pamela Phillips Oland (Frank Sinatra, Whitney Houston, Aretha Franklin) reunified with Estonian songwriters Sergei Manoukyan and Mikk Targo to create an entirely new recording of their historic 1989 collaboration - originally performed by Earth, Wind & Fire - with updated lyrics, freshly retooled for the sole purpose of giving 100% of all proceeds from downloads to four major charity partners. The ensuing album included the original Earth, Wind & Fire recording of ONE WORLD. The lyrics in the new recording have been lovingly updated to address the current COVID-19 crisis and, says Previte, "give hope to all mankind for us to dream again." Every creative participant is an "UnSung Hero" to the global music community who has collaborated with superstars across many genres.
American Songwriter calls the new version of ONE WORLD "a hopeful song of unity that recalls some of the '80s most anthemic message songs, led by powerful vocal performances from an ensemble of well-respected, top-notch singers." ONE WORLD also has earned coverage from the Associated Press, the USA Today Network, The Jim Brickman Show (Westwood One), Premiere Radio/iHeart Media "Classic Rock Daily," Medium's Authority Magazine, Arianna Huffington's Thrive Global, and major radio stations including NPR Chicago's Lakeshore Public Radio and WGN Chicago.
ONE WORLD made its world radio premiere this summer via Entercom during the Bob Pantano Saturday Night Dance Party, heard around the world (and nationally to Comcast subscribers) through the Radio.com app, and throughout the Philadelphia and Southern New Jersey region on five radio stations, anchored by flagship 98.1 WOGL. Pantano continues his commitment to play ONE WORLD on every broadcast.
In late July, "Ambassador of Soul" Ellis Hall, one of the song's primary "Voices 4 One World," performed ONE WORLD for the United Nations Office on Drugs and Crime (UNODC) during the first-ever "live virtual music concert" under the Artists UNited Against Human Trafficking initiative.
All singers on the new recording have contributed to the greatness of recorded and live music as musicians and background singers, many of whom are Grammy Award winners and multiple Grammy nominees. Singing with Hall on the record are Michael Mayo (Josh Groban, Herbie Hancock), Ronee Martin (Patti LaBelle, Wynton Marsalis), Tower of Power "Ambassador of Soul" Ellis Hall, Dorian Holley (Michael Jackson, Rod Stewart), Grammy winner Judith Glory Hill (Stevie Wonder, John Legend, Prince), Valerie Pinkston (Lenny Kravitz, Luther Vandross, Annie Lennox), Amy Keys (Herbie Hancock, Sting, Barbra Streisand), Christine Collister (Richard Thompson Band), and Lisa Sherman (Jon Bon Jovi, Blondie). Musicians are Jon Gilutin (James Taylor, Linda Ronstadt) keyboards; Lenny Castro (Toto), percussion; Brendan Buckley (Shakira, Perry Farrell), drums; Scott Mayo (Earth Wind & Fire), saxophone; Jerry Watts Jr. (Andraé Crouch, Dr. John), bass; James Harrah (Melissa Etheridge, Leonard Cohen), guitar; Randy Jacobs (Was Not Was), guitar; and Tollack Ollestad (Don Henley, Andrea Boccelli), harmonica.
The range of charities reflects the scope and breadth of the pandemic's devastating impact on the community. All live music-related performances: touring, concert, theatrical, Broadway, TV, film - have ground to a halt. Musicians and singers are unable to earn a living in front of live audiences. The touring infrastructure - crews, road managers, talent buying, concert promotion - has been left in disarray, with no true sense of normalcy projected to be returning for another year at least.
Previte and Oland were among 22 renowned USA songwriters in "Music Speaks Louder Than Words," joining such notable participants as Diane Warren, Cyndi Lauper, Michael Bolton, Brill Building legends Mike Stoller and Barry Mann, Desmond Child (Bon Jovi), Brenda Russell (Earth Wind & Fire, Donna Summer, Rufus), songwriting team Billy Steinberg & Tom Kelly (Madonna, Whitney Houston), Franne Golde (Jody Watley, Commodores), and Alan Roy Scott (Motown, Celine Dion, Cher).
The new recording of ONE WORLD was produced by Grammy winner Jon Gilutin ("New Attitude") and mixed by Grammy, Emmy and Dove Award-winning engineer Bill Schnee (Steely Dan, Natalie Cole). The video was produced by Thomas Ryan Ward.
The participants in the ONE WORLD project profusely thank and honor the First Responders, and the sacrifices they and their families, including their children, are making to help all of us.
ONE WORLD is available digitally on Spotify, Apple Music, and iTunes.
PHOTO CAPTION: Composite photo of the five lead singers of "One World," Ellis Hall (center), and clockwise from top left, Michael Mayo, Judith Glory Hill, Dorian Holley, and Ronee Martin. Credit: Randex Communications.
August 19, 2020
JOE GRUSHECKY TO PERFORM AT DEMOCRATIC CONVENTION
Pittsburgh rocker will sing two songs Thursday
Pittsburgh rock 'n' roll icon Joe Grushecky will be a featured performer at the Democratic National Convention Thursday (Aug. 20).
Grushecky will perform two of his songs: "That's What Makes Us Great," an indictment of the Trump Administration failures, with his band, the (Iron City) Houserockers, and "Never Be Enough Time," solo acoustic, during a 14-state meeting Thursday afternoon.
"We need a leader who believes in fairness, equal opportunity and dignity for all of us that's why I'm voting for Joe," Grushecky said. "In 1981 local musicians banded together to help form a food bank for the unemployed. Forty years later it breaks my heart to see my friends and neighbors sitting for hours in a line for emergency food distribution. That's why we need Joe Biden."
Pat Politano, a Pittsburgh native, New Jersey-based political consultant and convention delegate, helped to arrange Grushecky's performance.
"Joe sings about the soul of Pittsburgh, which is the soul of America," Politano said. "He speaks directly to the people of Pennsylvania and his selection shows how important Pennsylvania is to the campaign. The campaign is a battle for the soul of the nation."
Beau Biden, the Vice-President's late son, attended Joe Grushecky's show at the Electric Factory in Philadelphia in 1995, part of the American Babylon tour. Beau Biden died of a brain tumor in 2015. Beau was a Joe Grushecky fan and "Never Be Enough Time" is being played in tribute to him.
August 19, 2020
RISING AMERICANA ARTIST TOM SLESS RELEASES MUSIC VIDEO 'ASTRONAUT' AMID HIGH PRAISE FOR 'ASSURANCE, CRAFT AND CONVICTION' ON 'UPLIFTING' DEBUT ALBUM, 'CALIFORNIA DREAM'
First Music Video from 'California Dream' Premieres Today at American Songwriter
"Tom Sless knew he had to break free from the conventional life if he was going to soar high with his original music and leave a lasting artistic impression. And what better metaphor than imagining he was an astronaut, as he does on his latest single 'Astronaut,' a highly biographical pop treat." - American Songwriter
LOS ANGELES (Aug. 19, 2020) - The music video for the shimmering pop-inflected track, "Astronaut," the first video from LA based Americana singer-songwriter-guitar slinger TOM SLESS's critically-acclaimed debut album, California Dream, premieres today at American Songwriter, noting how the song "bops along with a cheery, musically positive outlook as Sless sings confessional lyrics of the struggles and nagging insecurities we all confront."
The exclusive music video premiere follows an early summer review in the magazine which marveled how the album's "assurance, craft and conviction belie the fact that [Tom]'s a novice or a newcomer of any kind. ... Great stuff indeed." The review also responded to the question "Astronaut" poses in its lyrics: Will anyone remember me? "Based on the evidence offered here," said the reviewer, "the answer is an emphatic yes indeed."Disciples of Sound cited "Astronaut" for recalling "Long Player Late Bloomer-era Ron Sexsmith [matching] quirky songwriting with full bodied arrangements that moved between pop and rock. There's so much of that same kind of quality to be found here and that's where the sizzle sits and stays."
With its rowdy country-folk chorus, and propelled by searing guitars on the bridge, "Astronaut" urges us never to regret the past, but to let go of it and reach out and embrace what you're supposed to do.
Read and watch the video HERE.
"'Astronaut' illustrates the main insecurity I faced after deciding to redirect my life's focus toward my music," says Sless. "Pursuing music full-time was following the only dream I had since I was a kid, and I felt uncertainty as to whether I would be able to realize that dream. However, processing those emotions through writing this song helped me understand more about what 'making it' and 'worth it' really meant. In my case, my pursuit will be 'worth it' so long as I fully embrace my passion for music as the foundation of who I am, take things slowly, practice letting go, and live in the moment."
To illusminate the lyrical juxtaposition in the chorus hook "I'm an astronaut, but I'm lost at sea," Sless appears as an astronaut lost in the middle of a never-ending sea, with nothing to look at but the outstretching abyss and the sorely missed stars above. Filming was done at Seal Beach, CA and the waterway entrance to Marina del Rey, on the rocky south jetty.
The music video debuts as acclaim continues to mount for the transplanted Jersey Shore native (by way of Baltimore) as the media discovers and embraces California Dream. NPR's Lakeshore Public Radio show, Midwest Beat with Tom Lounges, during a featured interview session, called California Dream "one of the best debut albums I've heard in a long time, and certainly one of the best I've gotten to hear this year."United Stations Radio Network is currently hosting a pair of Sless quarantine video performances on its YouTube channel that have combined for over 8,000 views in their first week, with an exclusive interview with Sless for The Record podcast coming soon.
Americana Highways hailed California Dream for its "wealth of good musical touches [with] style & a commercial charm that's not too sweet," adding that the "superb rollicking" guitar-driven track "Gimme the Breeze" - also featured in the Los Angeles Post-Examiner and Baltimore Post-Examiner - is "worth the price of the CD" alone. That rock-fueled energy, the review continues, is beautifully countered by the "sweet and dynamic" cut "Too Much On My Mind," a looping, Grateful Dead-like, exploration of a musical theme driven by the pedal steel of - no relation - Barry Sless (Phil Lesh, Chris Robinson) with "excellent lyrical imagery."
Midwest Record joyously noted "it's always a treat to stumble across a singer/songwriter that knows how to make sensitive, personal songs without stooping to bleeding gums music," adding that Sless "captures the wanderlust" in creating an album that's "a dandy ear opener throughout."
Sless likewise earned high marks from New Jersey Stage ("refreshingly honest"), Short and Sweet LA/NYC ("a songwriter not to be deterred" with "an insidious way" of "getting our feet tapping while he delivers lyrics of substance"), and Exclusive Magazine ("[he] immediately gets our attention, and as we progress, his musical messages carry us along on his rich journey").
Co-produced with John Bottrell (Christina Perri, Mike Posner) and recorded live in the studio at comp-ny in Glendale, CA, California Dream carries us along Sless's soulful ride down the winding roads of life and love with a vibe that alternates between the celebratory country rock of Luke Combs, the nod-and-a-wink humor of Sturgill Simpson, and the rough-hewn folksiness of Donovan Woods. Through canny lyrics and infectious tunes, California Dream captures Sless's love of LA, the highs and lows of his decision to move there from the Baltimore area after college, and his struggles to embrace the past and push forward. Like Steve Earle, Sless displays bracing honesty in his songwriting, and like Jason Isbell, has a knack for creating a world in which our souls struggle to define themselves. With ceaseless creativity, Sless possesses an ear for the just-right melody and lyric, and a passion for songs that evoke his disappointments, hopes, joys, and loves.
Genre: Americana
RIYL: Luke Combs, Sturgill Simpson, Donovan Woods, Jason Isbell, Steve Earle, Darius Rucker, Ron Sexsmith
August 5, 2020
ONE WORLD HISTORIC CHARITY ANTHEM FOR GLOBAL PANDEMIC AND RACIAL JUSTICE DEBUTS IN BILLBOARD TOP 30 AMID HEAVY SUPERSTAR TRAFFIC
'Truly Global' Collaboration Enters Billboard Mainstream Adult Contemporary Chart at No. 30 with a Bullet in Crowded Field that Includes Taylor Swift, Katy Perry, Tim McGraw, Bon Jovi, Lady Gaga, Ariana Grande, Justin Bieber, Jonas Brothers, Kelly Clarkson, Maroon 5
'Voices 4 One World' Chorus of Grammy Winners and Multi-Grammy Nominees Perform in Historic Alliance to Support Musicians Foundation, The Actors Fund, First Responders Children's Foundation and NAACP Legal Defense Fund
Donate NOW and Watch the Music Video at www.oneworldoursong.com
"With entertainers out of work, first responders overworked and racial unrest around the country, Franke Previte wants to remind us we are all the same voices existing in "One World.'"
- American Songwriter
NEW YORK (Aug. 5, 2020) - ONE WORLD, the timely and historic new "truly global" charity anthem for the global pandemic - supporting musicians, actors and first responder families while changing America's racial narrative - officially enters the Billboard charts today, bulleting its way into a Top 30 superstar traffic jam that includes Taylor Swift, Katy Perry, Tim McGraw, Bon Jovi, Lady Gaga, Ariana Grande, Justin Bieber, the Jonas Brothers, Kelly Clarkson, Maroon 5, and.
The new "We Are the World" style multi-vocalist track arrives in Billboard's Mainstream Adult Contemporary chart at No. 30 with a bullet, just one week after "Ambassador of Soul" Ellis Hall, one of the song's primary "Voices 4 One World," performed ONE WORLD for the United Nations Office on Drugs and Crime (UNODC) during the first-ever "live virtual music concert" under the Artists UNited Against Human Trafficking initiative.
This extraordinary new recording, featuring an unprecedented chorus of Grammy Award winners and multiple Grammy nominees, is being offered NOW as a free download with any donation to the major charity beneficiaries, exclusively through www.oneworldoursong.com. The four major charity partners are: Musicians Foundation, The Actors Fund, as well as First Responders Children's Foundation, beneficiary of the recent "Living Room Concert for America" hosted on FOX by Elton John, and the NAACP Legal Defense Fund. Donations of any amount entitle the donor to a free instant download of ONE WORLD. (Please note: Downloads for NAACP Legal Defense Fund donations are not yet available.)
ONE WORLD reunites a pair of prominent American songwriters with two other leading Soviet songwriters 30 years since they originally wrote the song in Moscow during the 1989 Glasnost event "Music Speaks Louder Than Words," the first ever Arts Exchange between Soviet and American songwriters, organized by Alan Roy Scott and Music Bridges.
Spurred by the global pandemic, Academy Award-winning songwriter Franke Previte ("(I've Had) The Time of My Life" from Dirty Dancing) and Pamela Phillips Oland (Frank Sinatra, Whitney Houston, Aretha Franklin) reunified with Estonian songwriters Sergei Manoukyan and Mikk Targo to create an entirely new recording of their historic 1989 collaboration - originally performed by Earth, Wind & Fire - with updated lyrics, freshly retooled for the sole purpose of giving 100% of all proceeds from downloads to four major charity partners. The ensuing album included the original Earth, Wind & Fire recording of ONE WORLD. The lyrics in the new recording have been lovingly updated to address the current COVID-19 crisis and, says Previte, "give hope to all mankind for us to dream again." Every creative participant is an "UnSung Hero" to the global music community who has collaborated with superstars across many genres.
American Songwriter calls the new version of ONE WORLD "a hopeful song of unity that recalls some of the '80s most anthemic message songs, led by powerful vocal performances from an ensemble of well-respected, top-notch singers."
ONE WORLD made its world radio premiere via Entercom during the Bob Pantano Saturday Night Dance Party, heard around the world (and nationally to Comcast subscribers) through the Radio.com app, and throughout the Philadelphia and Southern New Jersey region on five radio stations, anchored by flagship 98.1 WOGL. Pantano continues his commitment to play ONE WORLD on every broadcast.
A growing gallery of notable musicians and actors have been recording PSA's for the ONE WORLD "Celebrity Circle" on an ongoing basis. Early contributors include two-time Tony Award winner Christine Ebersole, legendary "Sound of Philadelphia" architect Kenny Gamble, Bon Jovi drummer Tico Torres, Emmy Award nominee Michele Greene ("L.A. Law"), original teen idol Bobby Rydell, actress-comedian Siobhan Fallon ("Saturday Night Live," "Seinfeld," "Men in Black"), Vocal Group Hall of Famer Kenny Vance (Jay & The Americans, Kenny Vance & The Planotones), Grammy nominated songwriter Rob Hyman ("Time After Time") of The Hooters (Philadelphia Music Walk of Fame), Disco diva Evelyn "Champagne" King, and beloved blue collar rocker and Bruce Springsteen collaborator Joe Grushecky.
Collectively known as Voices 4 One World, all singers on the new recording have contributed to the greatness of recorded and live music as musicians and background singers, many of whom are Grammy Award winners and multiple Grammy nominees. Joining Hall to sing on the record are Michael Mayo (Josh Groban, Herbie Hancock), Ronee Martin (Patti LaBelle, Wynton Marsalis), Tower of Power "Ambassador of Soul" Ellis Hall, Dorian Holley (Michael Jackson, Rod Stewart), Grammy winner Judith Glory Hill (Stevie Wonder, John Legend, Prince), Valerie Pinkston (Lenny Kravitz, Luther Vandross, Annie Lennox), Amy Keys (Herbie Hancock, Sting, Barbra Streisand), Christine Collister (Richard Thompson Band), and Lisa Sherman (Jon Bon Jovi, Blondie). Musicians are Jon Gilutin (James Taylor, Linda Ronstadt) keyboards; Lenny Castro (Toto), percussion; Brendan Buckley (Shakira, Perry Farrell), drums; Scott Mayo (Earth Wind & Fire), saxophone; Jerry Watts Jr. (Andraé Crouch, Dr. John), bass; James Harrah (Melissa Etheridge, Leonard Cohen), guitar; Randy Jacobs (Was Not Was), guitar; and Tollack Ollestad (Don Henley, Andrea Boccelli), harmonica.
The range of charities reflects the scope and breadth of the pandemic's devastating impact on the community. All live music-related performances: touring, concert, theatrical, Broadway, TV, film - have ground to a halt. Musicians and singers are unable to earn a living in front of live audiences. The touring infrastructure - crews, road managers, talent buying, concert promotion - has been left in disarray, with no true sense of normalcy projected to be returning for another year at least.
Previte and Oland were among 22 renowned USA songwriters in "Music Speaks Louder Than Words," joining such notable participants as Diane Warren, Cyndi Lauper, Michael Bolton, Brill Building legends Mike Stoller and Barry Mann, Desmond Child (Bon Jovi), Brenda Russell (Earth Wind & Fire, Donna Summer, Rufus), songwriting team Billy Steinberg & Tom Kelly (Madonna, Whitney Houston), Franne Golde (Jody Watley, Commodores), and Alan Roy Scott (Motown, Celine Dion, Cher).
The new recording of ONE WORLD was produced by Grammy winner Jon Gilutin ("New Attitude") and mixed by Grammy, Emmy and Dove Award-winning engineer Bill Schnee (Steely Dan, Natalie Cole). The video was produced by Thomas Ryan Ward.
The participants in the ONE WORLD project profusely thank and honor the First Responders, and the sacrifices they and their families, including their children, are making to help all of us.
ONE WORLD is available digitally on Spotify, Apple Music, and iTunes.
PHOTO CAPTION (TOP RIGHT): Composite photo of the five lead singers of "One World," Ellis Hall (center), and clockwise from top left, Michael Mayo, Judith Glory Hill, Dorian Holley, and Ronee Martin. Credit: Randex Communications.
PHOTO CAPTION (BOTTOM): A pair of American songwriters and Soviet songwriters meet during their original collaborative gathering in Moscow during the 1989 Glasnost event, "Music Speaks Louder Than Words." L-R: Sergei Manoukyan, Pamela Phillips Oland, Franke Previte, and Mikk Targo. Rear left: Cyndi Lauper. Credit: Randex Communications.
July 29, 2020
UNITED NATIONS WELCOMES ONE WORLD HISTORIC CHARITY ANTHEM FOR GLOBAL PANDEMIC AND RACIAL JUSTICE IN HUMAN TRAFFICKING FUNDRAISING CONCERT
'Truly Global' Collaboration to be Performed by 'Ambassador of Soul' Ellis Hall
for Virtual Fundraising Concert on World Day Against Trafficking In Persons
Under Artists United Against Human Trafficking
July 30, Noon EST / 9 a.m. PST @ www.RuckusAvenueLive.com
Historic Collaboration Reborn to Support Musicians Foundation, The Actors Fund, First Responders Children's Foundation and NAACP Legal Defense Fund
Donate NOW at www.oneworldoursong.com
"With entertainers out of work, first responders overworked and racial unrest around the country, Franke Previte wants to remind us we are all the same voices existing in "One World.'"
- American Songwriter
NEW YORK (July 29, 2020) - ONE WORLD, the timely and historic new "truly global" anthem for the global pandemic - supporting musicians, actors and first responder families while changing America's racial narrative - is headed for the United Nations to fight human trafficking.
With the new "We Are the World" style multi-vocalist track bulleting up the adult contemporary radio charts, "Ambassador of Soul" Ellis Hall, one of the song's primary "Voices 4 One World," will be performing ONE WORLD during the first-ever "live virtual music concert" under the Artists UNited Against Human Trafficking initiative through the United Nations Office on Drugs and Crime (UNODC). The concert will be streamed live Thursday (July 30) at Noon EST/9 a.m. PST at www.RukusAvenueLive.com.
ONE WORLD reunites a pair of prominent American songwriters with two other leading Soviet songwriters 30 years since they originally wrote the song in Moscow during the 1989 Glasnost event "Music Speaks Louder Than Words," the first ever Arts Exchange between Soviet and American songwriters, organized by Alan Roy Scott and Music Bridges.
Spurred by the global pandemic, Academy Award-winning songwriter Franke Previte ("(I've Had) The Time of My Life" from Dirty Dancing) and Pamela Phillips Oland (Frank Sinatra, Whitney Houston, Aretha Franklin) reunified with Estonian songwriters Sergei Manoukyan and Mikk Targo to create an entirely new recording of their historic 1989 collaboration with updated lyrics, freshly retooled for the sole purpose of giving 100% of all proceeds from downloads to four major charity partners. Hall, the former Tower of Power lead singer and declared Ray Charles protégé, also is returning to the project - 30 years after singing the original demo recording of ONE WORLD as its initial singular voice.
This extraordinary new recording, featuring an unprecedented chorus of Grammy Award winners and multiple Grammy nominees, is being offered NOW as a free download with any donation to the major charity beneficiaries, exclusively through www.oneworldoursong.com. The four major charity partners are: Musicians Foundation, The Actors Fund, as well as First Responders Children's Foundation, beneficiary of the recent "Living Room Concert for America" hosted on FOX by Elton John, and the NAACP Legal Defense Fund. Donations of any amount entitle the donor to a free instant download of ONE WORLD. (Please note: Downloads for NAACP Legal Defense Fund donations are not yet available.)
The United Nations concert, hosted by Mira Sorvino, will be a fundraiser for the UN Voluntary Trust Fund for Victims of Trafficking in Persons to support victims of this terrible crime. The Trust Fund provides direct assistance to 3,500 victims a year through its NGO partners. The collaborative effort will raise visibility and awareness of the impact of human trafficking affecting thousands of people worldwide and show solidarity with the victims. Rukus Avenue will live-stream the digital fundraising concert through new technologies showcasing stellar musical performances and inspirational messages from many of the biggest artists in the world.
"I am so honored to be involved and be a part of the UNODC Artists UNited Against Human Trafficking Digital Concert," says Hall, "and to sing this wonderful song of unity ONE WORLD, which helps to bring us all together to heal COVID-19 and eradicate human trafficking in our lifetime."
Hall's ONE WORLD performance will be included among offerings from multi Academy Award winner AR Rahman, Grammy winning British reggae band Steel Pulse, MacArthur Fellowship recipient Vijay Iyer, acclaimed pianist and Artists UNited Against Human Trafficking Advisory Board member Chloe Flower, multi-platinum musician and UNODC Goodwill Ambassador Ozark Henry, and many more.
American Songwriter calls the new version of ONE WORLD "a hopeful song of unity that recalls some of the '80s most anthemic message songs, led by powerful vocal performances from an ensemble of well-respected, top-notch singers."
ONE WORLD made its world radio premiere via Entercom during the Bob Pantano Saturday Night Dance Party, heard around the world (and nationally to Comcast subscribers) through the Radio.com app, and throughout the Philadelphia and Southern New Jersey region on five radio stations, anchored by flagship 98.1 WOGL. Pantano continues his commitment to play ONE WORLD on every broadcast.
A growing gallery of notable musicians and actors have been recording PSA's for the ONE WORLD "Celebrity Circle" on an ongoing basis. Early contributors include two-time Tony Award winner Christine Ebersole, legendary "Sound of Philadelphia" architect Kenny Gamble, Bon Jovi drummer Tico Torres, Emmy Award nominee Michele Greene ("L.A. Law"), original teen idol Bobby Rydell, actress-comedian Siobhan Fallon ("Saturday Night Live," "Seinfeld," "Men in Black"), Vocal Group Hall of Famer Kenny Vance (Jay & The Americans, Kenny Vance & The Planotones), Grammy nominated songwriter Rob Hyman ("Time After Time") of The Hooters (Philadelphia Music Walk of Fame), Disco diva Evelyn "Champagne" King, and beloved blue collar rocker and Bruce Springsteen collaborator Joe Grushecky.
The range of charities reflects the scope and breadth of the pandemic's devastating impact on the community. All live music-related performances: touring, concert, theatrical, Broadway, TV, film - have ground to a halt. Musicians and singers are unable to earn a living in front of live audiences. The touring infrastructure - crews, road managers, talent buying, concert promotion - has been left in disarray, with no true sense of normalcy projected to be returning for another year at least.
Collectively known as Voices 4 One World, all singers on the new recording have contributed to the greatness of recorded and live music as musicians and background singers, many of whom are Grammy Award winners and multiple Grammy nominees. Joining Hall to sing on the record are Michael Mayo (Josh Groban, Herbie Hancock), Ronee Martin (Patti LaBelle, Wynton Marsalis), Tower of Power "Ambassador of Soul" Ellis Hall, Dorian Holley (Michael Jackson, Rod Stewart), Grammy winner Judith Glory Hill (Stevie Wonder, John Legend, Prince), Valerie Pinkston (Lenny Kravitz, Luther Vandross, Annie Lennox), Amy Keys (Herbie Hancock, Sting, Barbra Streisand),Christine Collister (Richard Thompson Band), and Lisa Sherman (Jon Bon Jovi, Blondie). Musicians are Jon Gilutin (James Taylor, Linda Ronstadt) keyboards; Lenny Castro (Toto), percussion;Brendan Buckley (Shakira, Perry Farrell), drums; Scott Mayo (Earth Wind & Fire), saxophone; Jerry Watts Jr. (Andraé Crouch, Dr. John), bass; James Harrah (Melissa Etheridge, Leonard Cohen), guitar; Randy Jacobs (Was Not Was), guitar; and Tollack Ollestad (Don Henley, Andrea Boccelli), harmonica.
Previte and Oland were among 22 renowned USA songwriters in "Music Speaks Louder Than Words," joining such notable participants as Diane Warren, Cyndi Lauper, Michael Bolton, Brill Building legends Mike Stoller and Barry Mann, Desmond Child (Bon Jovi), Brenda Russell (Earth Wind & Fire, Donna Summer, Rufus), songwriting team Billy Steinberg & Tom Kelly (Madonna, Whitney Houston), Franne Golde (Jody Watley, Commodores), and Alan Roy Scott (Motown, Celine Dion, Cher).
The ensuing album included the original recording of ONE WORLD by Earth Wind & Fire. The lyrics in the new recording have been lovingly updated to address the current COVID-19 crisis and, says Previte, "give hope to all mankind for us to dream again." Every creative participant is an "UnSung Hero" to the global music community who has collaborated with superstars across many genres.
The new recording of ONE WORLD was produced by Grammy winner Jon Gilutin ("New Attitude") and mixed by Grammy, Emmy and Dove Award-winning engineer Bill Schnee (Steely Dan, Natalie Cole). The video was produced by Thomas Ryan Ward.
The participants in the ONE WORLD project profusely thank and honor the First Responders, and the sacrifices they and their families, including their children, are making to help all of us.
ONE WORLD is a vailable for digital distribution on Spotify, Apple Music, and iTunes.
PHOTO CAPTION (TOP): Ellis Hall, "Ambassador of Soul." Credit: Randex Communications.
PHOTO CAPTION (LEFT): Composite photo of the five lead singers of "One World," Ellis Hall (center), and clockwise from top left, Michael Mayo, Judith Glory Hill, Dorian Holley, and Ronee Martin. Credit: Randex Communications
PHOTO CAPTION (RIGHT): A pair of American songwriters and Soviet songwriters meet during their original collaborative gathering in Moscow during the 1989 Glasnost event, "Music Speaks Louder Than Words." L-R: Sergei Manoukyan, Pamela Phillips Oland, Franke Previte, and Mikk Targo. Rear left: Cyndi Lauper. Credit: Randex Communications.
July 29, 2020
CONGRESSIONAL TECH ANTITRUST HEARINGS OFFER HOPE FOR INDIE FILMMAKER SUBJECTED TO AMAZON CENSORSHIP DURING ELECTION YEAR FOR POLITICAL COMEDY 'SAVING BERNIE'
"I can understand why Congress is questioning Amazon, Apple, Facebook, and Google. They do have too much power...over artists. "SAVING BERNIE is simply a silly political comedy that takes place in an alternative universe."
- Linda Chorney, award-winning filmmaker
****AVAILABLE FOR INTERVIEWS***
TUCSON, AZ (July 29, 2020) - Today's Congressional hearings over the business practices of Facebook, Amazon, Google and Apple offers hope for an independent filmmaker whose farcical political comedy series, SAVING BERNIE, was blocked by Amazon earlier this year.
"Amazon censored my Political Comedy by blocking it from being published during an election year," says Linda Chorney, the award-winning independent filmmaker and trailblazing Grammy nominee who filmed the globe-trotting political-comedy-travel-adventure series across five continents. "I can understand why Congress is questioning Amazon, Apple, Facebook, and Google. They do have too much power...over artists."
Chorney received a letter March 30 from Amazon stating the big tech company is "taking more time to calibrate on political content during the election year" in refusing to carry the series. Instead, Chorney was forced to shift her series to Vimeo, which does not have the distribution advantages that Amazon offers. The complete series is now available on Vimeo at www.savingbernie.com.
"There is a distinct difference between 'Fake News' and 'Satire,'" Chorney continues. "SAVING BERNIE is simply a silly political comedy that takes place in an alternative universe, where 'The President' has Senator Sanders kidnapped and shrunken to toy size, so he is no longer a threat to the President's re-election; and singer-songwriter/Bernie fan Linda Chorney's mission is to rescue him, get him unshrunk, and back to the U.S. to help Joe Biden win and save the world from another four years of 'The President'."
Chorney's previous experience with Amazon as a filmmaker has been positive - and not political. Her award-winning 2019 autobiographical film, When I Sing, is available on the site. That's why she went back to Amazon to host SAVING BERNIE in the first place.
"It's hard enough making a living as an artist without Coronavirus, and now that it's destroyed many artists' livelihoods, we are just trying to survive. Having Amazon censor our art, just makes things that much harder," says Chorney. "Why would Amazon do that?"
SAVING BERNIE was filmed on five continents and described as "Pee Wee Herman meets Austin Powers, Indiana Jones, The Three Stooges and Mel Brooks." Hailed by Tucson Weekly as "far-fetched and ridiculous - albeit funny," the series imagines what really happened when Vermont Sen. Bernie Sanders was off the grid during his heart attack recovery. In SAVING BERNIE, Sanders is kidnapped and shrunken to toy size by a mad Russian scientist. But who's behind the diabolical plot? It's up to the fearless "sorta secret agent" singer-songwriter to find out, defeat the bad guys, "save Bernie," and get him to use her song in his 2020 presidential bid. Follow Chorney and Sanders together on their ridiculous journey as they get chased around the world, trying to get back home to save the planet!
SAVING BERNIE premiered within days of the global pandemic reaching alarming new heights and sending Americans back to their homes or to rapidly overcrowding hospitals while the economy was screeching toward a standstill.
(**MEDIA promo code available upon request**).
Chorney immersed herself in SAVING BERNIE to save herself from the insanity of the current Administration. Now that the insanity has mushroomed as part of a worldwide pandemic.
Chorney hopes her fellow creative types can pull together to make these difficult times go down just a little bit easier.
"Or at least," she says, "we can die laughing."
July 10, 2020
RISING AMERICANA ARTIST TOM SLESS RELEASES LYRIC VIDEO FOR 'TAKING ME BACK' AMID HIGH PRAISE FOR 'ASSURANCE, CRAFT AND CONVICTION' ON 'UPLIFTING' DEBUT ALBUM, 'CALIFORNIA DREAM'
California Dream surveys Sless's soulful ride down the winding roads of life and love from Jersey Shore and Baltimore roots to Los Angeles with celebratory country rock, nod-and-a-wink humor, and rough-hewn folksiness.
First Post-Quarantine Live Show: Thursday, July 16 in Return to Jersey Shore Roots
"[California Dream's] assurance, craft and conviction belie the fact that [Tom]'s a novice or a newcomer of any kind. ... Great stuff indeed." - American Songwriter
LOS ANGELES (July 10, 2020) - As acclaim mounts while the media continues to discover and embrace his new debut album, California Dream, LA based Americana singer-songwriter-guitar slinger TOM SLESS has released a new lyric video for "Taking Me Back," the rollicking country rock track that delivers the good-time vibe of a Luke Combs song.
The music video debuts just as Sless returns East to perform his first live show since quarantine hit. He's headed to his Jersey Shore roots for a live show Thursday, July 16 at the Water Dog Smoke House in Ventnor, NJ.
Sless produced and directed the video, working with animators/editors Zach Alicaway and Davis Burns to embody that song's go-for-a-drive-and-don't-come-back theme. They used sights of the roads of LA and the classic California VW van driving along the coastal highways, sometimes stopping to reflect while taking in the surroundings, but not long enough to stop moving on a journey to a new beginning.
"These same roads in LA motivated me as I was processing similar emotions to those described in the song," says Sless. "With the animation style, I wanted to capture the uncertain buoyancy I've felt after leaving a negative experience behind. The words bounce along with the beat of the song, and fade into the background just as the sorrow of the present melts into the past."
"Taking Me Back" rides along a scampering pedal steel guitar as the singer declares "I don't want to be alone tonight/but I can't stay here with you/It hasn't been easy to swallow all that truth/It hasn't been easy taking me back from you." The sunny sound of the song belies its emotional complexity. "Although we may want to divorce ourselves from who we once were as we chart a new path," says Sless, "the people we are today is permanently colored by the experiences we've had in the past." Yet, like the acoustic guitar that drives the song, we all keep chugging along, even as we "swallow all that truth."
Released just as the COVID-19 pandemic in late March forced postponement of live Album Release events at home in Los Angeles and plans to tour across the country, California Dream received high praise from American Songwriter as an "uplifting" work that is "Great stuff, indeed," offering an "assurance, craft and conviction" that belie Sless's status as "a novice or a newcomer of any kind." The song "Astronaut," the magazine continues, "asks the question, 'Will anyone remember me?' Based on the evidence offered here, the answer is an emphatic yes indeed."
Americana Highways hailed California Dream for its "wealth of good musical touches [with] style & a commercial charm that's not too sweet," adding that the "superb rollicking" guitar-driven track "Gimme the Breeze" - also featured in the Los Angeles Post-Examiner and Baltimore Post-Examiner - is "worth the price of the CD" alone. That rock-fueled energy, the review continues, is beautifully countered by the "sweet and dynamic" cut "Too Much On My Mind," a looping, Grateful Dead-like, exploration of a musical theme driven by the pedal steel of - no relation - Barry Sless (Phil Lesh, Chris Robinson) with "excellent lyrical imagery."
Midwest Record joyously noted "it's always a treat to stumble across a singer/songwriter that knows how to make sensitive, personal songs without stooping to bleeding gums music," adding that Sless "captures the wanderlust" in creating an album that's "a dandy ear opener throughout."
Sless likewise earned high marks from New Jersey Stage ("refreshingly honest"), Short and Sweet LA/NYC ("a songwriter not to be deterred" with "an insidious way" of "getting our feet tapping while he delivers lyrics of substance"), and Exclusive Magazine ("[he] immediately gets our attention, and as we progress, his musical messages carry us along on his rich journey"). United Stations Radio Network, American Songwriter, and Lakeshore Public Radio are among others planning coverage.
Co-produced by the Jersey Shore native with John Bottrell (Christina Perri, Mike Posner) and recorded live in the studio at comp-ny in Glendale, CA, California Dream carries us along Sless's soulful ride down the winding roads of life and love with a vibe that alternates between the celebratory country rock of Luke Combs, the nod-and-a-wink humor of Sturgill Simpson, and the rough-hewn folksiness of Donovan Woods. Through canny lyrics and infectious tunes, California Dream capturesSless's love of LA, the highs and lows of his decision to move there from the Baltimore area after college, and his struggles to embrace the past and push forward. Like Steve Earle, Sless displays bracing honesty in his songwriting, and like Jason Isbell, has a knack for creating a world in which our souls struggle to define themselves. With ceaseless creativity, Sless possesses an ear for the just-right melody and lyric, and a passion for songs that evoke his disappointments, hopes, joys, and loves.
Genre: Americana
RIYL: Luke Combs, Sturgill Simpson, Donovan Woods, Jason Isbell, Steve Earle, Darius Rucker
July 6, 2020
PHILADELPHIA INTERNATIONAL RECORDS CO-FOUNDERS AND LEGENDARY PRODUCERS KENNETH GAMBLE & LEON HUFF MOURN THE LOSS OF SHARON PAIGE OF HAROLD MELVIN & THE BLUE NOTES
Credit: Gamble Huff Entertainment
Featured Vocalist on #1 R&B hit, "Hope That We Can Be Together Soon" Recalled as "Smooth and Talented" by Sound of Philadelphia Architects
PHILADELPHIA - Legendary Philadelphia International Records co-founders and R&B pioneers Kenneth Gamble & Leon Huff released the following joint statement today as they mourned the passing this weekend of Sharon Paige of Harold Melvin & The Blue Notes, best known for her duet performance with Teddy Pendergrass on the #1 R&B smash, "Hope That We Can Be Together Soon":
"Sharon possessed one of the most unique female vocals that blended perfectly with the smooth singing and vocal prowess of Harold Melvin and Teddy Pendergrass. We really enjoyed recording Sharon with the group and felt she was a great asset, both for the successful launch of the act and for being a great talent in her own right. She will always be remembered as Harold Melvin & The Blue Notes (featuring the lovely Ms. Sharon Paige). We send our sincere condolences to her family and fans."
Sharon Paige came to fame as a singer who worked with Harold Melvin & The Blue Notes, particularly on the memorable 1975 ballad, "I Hope That We Can Be Together Soon," the group's fourth #1 R&B hit. While not a permanent member of the group, Paige was a frequent collaborator who took on a larger role after the departure of Teddy Pendergrass. By the time that song hit the top of the R&B charts, Harold Melvin & The Blue Notes had become soul music royalty, on par with the PIR label mates the O'Jays and the Stylistics. Beyond "Hope That We Can Be Together Soon," Paige's smooth tones helped boost other Gamble & Huff compositions for Harold Melvin and the Blue Notes such as "You Know How To Make Me Feel So Good," "I'm Searching For A Love," and "I Should Be Your Lover." She took a more prominent role on the 1980 Harold Melvin & The Blue Notes long-player The Blue Album, but it barely charted. Paige also released a few solo songs, including the beautiful "You Don't Even Know My Name."
July 2, 2020
NATIONAL RESTORATION DISINFECTS BATTLESHIP NEW JERSEY FOR FOURTH OF JULY WEEKEND REOPENING
Leader in Helping Flatten the Curve is Honored to Deliver FREE Service to Nation's Most Decorated Battleship During Remarkable Moment in U.S. History
CAMDEN, NJ (July 2, 2020) - In preparation to for today's formal re-opening to the public and welcome Fourth of July weekend visitors, the Battleship New Jersey Museum and Memorial, located on the Camden Waterfront, NJ, opened its interior tour spaces to an important group - the crew of NATIONAL RESTORATION.
Yesterday, NATIONAL RESTORATION proudly donated its services to disinfect the interior of our nation's most decorated battleship, covering 30,000 square feet over a three-hour period.
"We're honored to disinfect the Battleship New Jersey," said NATIONAL RESTORATION president John Marroni, who was recently quoted by Business Insider in four separate stories as a disinfection expert. "During this remarkable time in our country's history, I can't think of a better way to give back."
The regional leader in helping flatten the curve in the spread of COVID-19, National Restoration launched its Coronavirus Disinfection division in March with an expert team that has been dispatched to aid First Responders, hospitals, low income family housing, homeless shelters, daycare centers and houses of worship with its services.
The Battleship New Jersey, which opened the Hit the Deck exterior self-guided tour on June 15, officially opened its interior spaces this morning. Thanks to NATIONAL RESTORATION's disinfection efforts, guests are now safely experiencing the Combat Engagement Center, the Navigation Bridge, Adm. Bull Halsey's Chief of Staff's State Room, the Officers' Wardroom, the Exhibit Area and more. These interior spaces, along with the exterior highlights of the 16-inch gun turret, the tomahawk missile launch boxes, and more, make up the full Fire Power self-guided tour of our nation's most decorated and largest Battleship.
To make it safe for guests to tour the interior of the Battleship, crews from NATIONAL RESTORATION cleaned and disinfected the interior spaces along the tour route through its specialized cleaning method utilizing the NOROxyCdiff™ chemical additive. The EPA registered disinfectant, which also meets CDC recommendations, is a non-corrosive, non-toxic preventative and active killer for numerous viruses that kills Coronavirus in less than 30 seconds. Unlike janitorial service wipe-downs, the spray-fogging has a 99.9% success rate and is safely and strategically administered by National Restoration's team of licensed professionals with 21 years of company experience in emergency response and remediation.
All guests touring the Battleship will still need to pass a health screening, wear a face covering at all times, and practice social distancing of one fathom - six feet.
The Battleship is open for tours every day from 10am to 4pm. Free parking is available along Clinton St. and the Marina lot.
ABOUT NATIONAL RESTORATION:
Prominent disaster recovery company NATIONAL RESTORATION is a 24-hour emergency response organization - licensed experts for fire, water, storm and mold damage, as well as biohazard and asbestos issues in homes and businesses. Through partnerships that include armored truck transport and a wide reaching, uniformly trained affiliate network, National Restoration is rapidly rolling out its Coronavirus Disinfection service on a national level as well. For immediate Hotspot Remediation and consultation, call the 24-Hour Rapid Response Team for Coronavirus (COVID-19) at (855) 247-3786. Additional information can be found at www.nationalcovid19.com.
ABOUT BATTLESHIP NEW JERSEY MUSEUM AND MEMORIAL
Located on the Delaware River, along the Camden Waterfront across from the city of Philadelphia, the Battleship is our nation's most decorated battleship with 19 Battle Stars awarded in World War II, the Korean War, the Vietnam War, the Lebanon Crisis and the Persian Gulf War. Shop the Battleship's online Ship's Store for t-shirts, flags, toys and more. Visit ww.battleshipnewjersey.org/shop. Experience a virtual tour of the Battleship! Visit: https://youtu.be/kDOFBGIf6Uo. The Battleship also adds content to our YouTube channel nearly every day. Please subscribe to the free YouTube channel at www.youtube.com/battleshipnewjersey. For more information, visit www.battleshipnewjersey.org.
PHOTO CAPTION #1: The members of the NATIONAL RESTORATION Coronavirus Disinfection team gather on board the Battleship New Jersey with officials from the ship to disinfect 30,000 square feet of inside space as the ship reopens its tour route for visitors in time for the Fourth of July holiday weekend. Credit: Battleship New Jersey Museum and Memorial.
PHOTO CAPTION #2: The members of the NATIONAL RESTORATION Coronavirus Disinfection team utilize its wet fogging system to disinfect the wardroom of the Battleship New Jersey as the ship prepares to reopen for interior tours in time for the Fourth of July holiday weekend. Credit: Battleship New Jersey Museum and Memorial.
July 2, 2020
JOE GRUSHECKY TO JOIN STARS IN ROCK FOR RELIEF BENEFIT FOR FEEDING AMERICA, PRESENTED BY UNITED STATIONS MEDIA AND STORIC MEDIA, WITH SPECIAL PERFORMANCE OF 'EVERYTHING'S GOING TO WORK OUT RIGHT'
Beloved Pittsburgh Blue-Collar Rocker Among Star-Studded Participants Including Alice Cooper, Joe Satriani, Corey Taylor, Gavin Rossdale, George Thorogood, Don Felder, Myles Kennedy, Halestorm's Lzzy Hale & Joe Hottinger, Peter Frampton, and Many More in Virtual Holiday Weekend Benefit Event
Friday, July 3 at 8 p.m. and 11 p.m. ET at www.rockforrelief.net
NASHVILLE (July 2, 2020) - Riding a groundswell of attention from the 40th anniversary deluxe reissue of Have a Good Time (But Get Out Alive), the sophomore album originally hailed by Rolling Stone as "a new American classic" from gritty Pittsburgh legends the Iron City Houserockers, beloved blue collar rocker JOE GRUSHECKY will join a star-studded lineup for "Rock for Relief," the star-studded benefit concert supporting Feeding America's COVID-19 Response Fund on Friday, July 3 at 8pm ET and again at 11pm ET broadcasted at www.rockforrelief.net.
Presented by United Stations Media Networks and Storic Media Podcast Network, "Rock for Relief" will raise awareness and donations for families in local communities across the nation. The show is being hosted by Lou Brutus and Riki Rachtman with talent interviews conducted by Alice Cooper and Joe Satriani. [View Trailer]. Grushecky joins a stellar line-up of performers that includes headliner Corey Taylor alongside Gavin Rossdale, George Thorogood, Don Felder (formerly of The Eagles), Myles Kennedy (Alter Bridge), Lzzy Hale & Joe Hottinger (Halestorm), Jesse Hasek (10 Years), Filter, Lisa Loeb, The Dead Daisies, Chris Robertson (Black Stone Cherry), Starset, Brandon Saller (Atreyu), Ricky Byrd, Bobby Whitlock & CoCo Carmel, Kathy Sledge, Biracial blues rocker Danielia Cotton, Bones Owens, BJ Thomas, Matt Bigland (Dinosaur Pile-Up) and more, with special appearances by Peter Frampton and Adam Gontier of Saint Ansonia.
Feeding America estimates that an additional 17.1 million people could be food insecure in 2020 as a result of this crisis - for a total of 54.3 million people, or 1 in every 6 people. This is a 46% increase over the 37.2 million people who were food insecure prior to the COVID-19 crisis.
Grushecky and his longtime band the Houserockers will be performing "Everything's Going to Work Out Right," from their 2012 double live album, We're Not Dead Yet: Live at the Hazlett Theater. It's one of many original Grushecky compositions he has performed live over the years with his longtime friend and collaborator, Bruce Springsteen.
Grushecky's well-known relationship with Springsteen was actually forged during the Manhattan recording sessions for Have a Good Time (But Get Out Alive). Longtime Springsteen sidekick Steven Van Zandt, one of the original producers, was simultaneously recording The River with The Boss at the Power Station nearby, and invited Grushecky to one of the sessions to make an introduction to a relationship that has endured for 40 years.
Van Zandt was one-third of a holy trinity of rock and roll royalty united to help oversee the original recording of Have a Good Time (But Get Out Alive), along with Mick Ronson (David Bowie) and Ian Hunter (Mott The Hoople). Together, they combined with co-producers the Slimmer Twins (Steve Popovich Sr. & Marty Mooney) and the Iron City Houserockers to create one of rock's great lost classics. Their cohesive efforts - as producers, arrangers and players - are finally being rediscovered as an entirely new listening experience on digital, CD and vinyl through fabled indie label, Cleveland International Records. The remastered two-CD set includes a bonus disc with 16 previously unreleased tracks of demos and other rarities. The new vinyl edition contains a download card of those same 16 tracks to go with a vinyl replica of the original album. The digital package is on sale NOW and streaming here. Order the vinyl and physical CD here. Order the exclusive Iron City Houserockers Bundle Pack at www.clevelandinternational.com.
The presence of Hunter, Ronson and Van Zandt, says the Houston Press, sets "this project apart," and "gives the whole record a sort of Pittsburgh/New Jersey/London amalgamation vibe." MediaNews Group called this chapter in Grushecky's four-decade career "one of his shining moments."
Paste Magazine, in the latest "Record Time" vinyl column, says listening to the vinyl reissue "the future sound of other American outfits like The Hold Steady and Drive-By Truckers is evident, as is the sound of groups like Graham Parker and the Rumour, which was mining similar musical territory at the same time as the [Iron City] Houserockers. This 40th anniversary edition is a simple recreation of the original release, with much improved sound."
Little Steven's Underground Garage celebrated Digital Release Day with a "Coolest Conversations" album spotlight, as Grushecky spoke with the Mighty Manfred on Sirius XM. Ultimate Classic Rock hosted an exclusive Track Premiere of the bonus disc demo version of "Hypnotized (A Work in Progress)," featuring Hunter and Ronson, and called the new release "cool stuff."
American Songwriter, in an interview with Grushecky, hails Have A Good Time (But Get Out Alive) as "a forgotten gem of a record, a time capsule of frenetic '80s energy and lyrics about home that hit home, performed by the toughest, tightest band from the 'work hard, play hard' working-class streets of Pittsburgh." The magazine adds that the bonus disc not only "documents each song's evolution," but "showcases how Grushecky and the band took it up a notch when the 'record' button was pressed."
Goldmine, in a new five-star review, proclaims the album an "epic musical milestone," and placed it in the context of the current world pandemic, noting the how "few bands offered up material as gritty, rich, and poignant as Pittsburgh's own The Iron City Houserockers" and the "modern-day relevance to the message of the title track and the album itself. Get Out Alive! has always been a record of hope, home, solidarity, community, strength, and love - themes that are as important today as they were 40 years ago."
Genre: Heartland Rock, Blues Rock, Classic Rock
RIYL: Bruce Springsteen, Bob Seger, John Mellencamp, David Bowie, Southside Johnny, J. Geils Band, Mott the Hoople, The Clash, Little Steven & The Disciples of Soul, Ian Hunter, The Del-Lords, John Cafferty
About Cleveland International Records
Cleveland International Records originally launched in 1977 by record mogul and beloved industry executive Steve Popovich. The label's first single release was "Say Goodbye to Hollywood" by Ronnie Spector and The E Street Band. Shortly thereafter, the label signed an unknown singer named Meat Loaf and launched the album, "Bat Out of Hell" en route to becoming one of the top selling albums in the history of the music industry. The label and its catalog combined to make Cleveland International Records one of the first independent record companies whose catalogue has sold in excess of over 50 million albums worldwide. The label relaunched in 2019, with Popovich's son, Steve Jr., at the helm, and a rekindled commitment to bring both new and generational music back to the forefront. More information at www.clevelandinternational.com.
July 1, 2020
DANIELIA COTTON TO JOIN STARS IN ROCK FOR RELIEF BENEFIT CONCERT FOR FEEDING AMERICA, PRESENTED BY UNITED STATIONS MEDIA AND STORIC MEDIA, WITH SPECIAL PERFORMANCE OF 'A DIFFERENT WAR'
Widely Heralded Biracial Blues Rocker Among Star-Studded Participants
Including Alice Cooper, Joe Satriani, Corey Taylor, Gavin Rossdale, George Thorogood, Don Felder, Myles Kennedy, Halestorm's Lzzy Hale & Joe Hottinger, Peter Frampton, and Many More in Virtual Holiday Weekend Benefit Event
Friday, July 3 at 8 p.m. and 11 p.m. ET at www.rockforrelief.net
"Virtual Album Release Tour" continues in Woodbridge, NJ
Read her new editorial "Straddling the Invisible Line Between White and Black as a Biracial Black Woman," in Swaay.com
"'A Different War' [has] an uncompromising urgency that transforms its songs into anthems for our times." - American Songwriter
NEW YORK (July 1, 2020) - Riding a new wave of critical acclaim from A Different War, her incredibly timely and most politically charged album to date, widely heralded Biracial blues-rocker DANIELIA COTTON has risen again into the light, fiercely and defiantly, to join a star-studded lineup for "Rock for Relief," the star-studded benefit concert supporting Feeding America's COVID-19 Response Fund on July 3 at 8pm ET and again at 11pm ET broadcasted at www.rockforrelief.net.
Presented by United Stations Media Networks and Storic Media Podcast Network, "Rock for Relief" is the latest national spotlight event to heal this tattered nation for Cotton, following her performance at the Juneteenth Tulsa Block Party with Sen. Kamala Harris, Alfre Woodard and others.
"Rock for Relief" arrives as Cotton is entering a "new normal" touring mode with her "Virtual Album Release Tour," which kicked off last weekend at Sellersville Theater in Sellersville, PA, simultaneously launching the theater's virtual concert series as well. Her next stop is July 8 at Tanzman Park in Woodbridge, NJ. More dates will be announced shortly.
The "Rock For Relief" benefit show, to raise awareness and donations for families in local communities across the nation, will be hosted by Lou Brutus and Riki Rachtman with talent interviews conducted by Alice Cooper and Joe Satriani. [View Trailer]. Cotton joins a stellar line-up of performers that includes headliner Corey Taylor alongside Gavin Rossdale, George Thorogood, Don Felder (formerly of The Eagles), Myles Kennedy (Alter Bridge), Lzzy Hale & Joe Hottinger (Halestorm), Jesse Hasek (10 Years), Filter, Lisa Loeb, The Dead Daisies, Chris Robertson (Black Stone Cherry), Starset, Brandon Saller (Atreyu), Ricky Byrd, Bobby Whitlock & CoCo Carmel, Joe Grushecky, Kathy Sledge, Bones Owens, BJ Thomas, Matt Bigland (Dinosaur Pile-Up) and more, with special appearances by Peter Frampton and Adam Gontier of Saint Ansonia.
Feeding America estimates that an additional 17.1 million people could be food insecure in 2020 as a result of this crisis - for a total of 54.3 million people, or 1 in every 6 people. This is a 46% increase over the 37.2 million people who were food insecure prior to the COVID-19 crisis.
Cotton will be performing an acoustic version, on piano, of "A Different War," the title track from her latest album, which finds the woman whose music is "soulful enough to fill a revival tent" (The New York Times) and whose voice gives her songs "stunning power" (No Depression) speaking to these extraordinary times by unloading her sin while the world around her is gripped in a turbulent spin.
She will be joined for this special live performance by prominent Bronx hip-hop artist Mickey Factz, reprising his guest appearance on the original album track. "A Different War" examines how the reality of people of color getting called into battle as a result of being marginalized informs their entire existence. The song also urges us to press ahead because of the ongoing need for substantive change.
In a deeply personal and moving editorial she titled "Fade to Black" just published by SWAAY.com, Cotton confronts her own upbringing as a biracial woman in a predominantly white upper middle class New Jersey suburb. Read it here.
Cotton frames A Different War by confronting race, gender, and wealth - deeply personal and pervasive issues that have plagued folks like her for an eternity.
Calling the album, "stunning and stirring," American Songwriter, which hosted an exclusive premiere of Cotton's music video, "Cheap High," her most recent single, praised A Different War for "an uncompromising urgency that transforms its songs into anthems for our times." Including the album among its Best Bets in "The Hotness" Summer Issue, BUST Magazine raved: "A Different War is an album bursting with soulful blues rock, delivered with steely confidence. ... Whether she's wailing Janis Joplin-style on 'Cheap High' or declaring 'I was not born a man, but I can do anything that he can,' on 'She Too,' she's in control, and she's our kind of belter."
Adding to the praise for A Different War, MediaNews Group syndicate was impressed at how Cotton's "consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to continue to fight." San Francisco Classical Voice chimed in, saying "I would really encourage you to take a listen to" the new album.
Throughout her career, the longtime New Yorker from Hopewell, NJ, has drawn praise from the New York Times, Billboard, the Los Angeles Times, NPR, and USA Today, among many others. She continues to inhabit a song, turning it inside and out to create transcendent music and lyrics, and carry us higher and higher with her in her musical flights.
A Different War finds the gutsy New Yorker swimming through the tumultuous social issues of racism and greed, and the tempestuous waters of love and relationships. These are songs deeply rooted in the protest anthems of yesterday but built for the current state of our world. A multi-racial, gospel-fueled, Jewish blues-rocker who believes in the power of womanhood, Cotton grew up in a predominantly white New Jersey community as one of just seven black kids in her high school. She has survived cancer and the tragic loss of twins at birth, only to bounce back and finally welcome a daughter in 2018. Cotton's consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to fight "A Different War."
A Different War is a true collaboration with some of the most talented musicians and technicians in the business. From Aaron Comess (Spin Doctors, Joan Osborne, Edie Brickell) on drums, Ben Butler (Sting, George Michael, Chris Botti) on guitar, and Andy Hess (Gov't Mule, Black Crowes) on bass, to young gun guitarist Emmanuel Rossillo working his first major studio project, the record resonates with innovation and flare. The finishing touches of the brilliant mix provided by Dave O'Donnell (James Taylor, Sheryl Crow, John Mayer) and the mastering of Greg Calbi (numerous hits over the past 20 years) make this record a true meeting of the best of the best.
The evidence is clear on A Different War that DANIELIA COTTON continues to evolve and challenge herself as a musician. Fifteen years since her breakout as an Artist to Watch by influential Philadelphia public radio outlet WXPN, Cotton remains a true indie artist fighting for independence - the space to create her own sound and an audience that would journey with her.
Available NOW at Apple Music, Spotify, Amazon, and where music is consumed on-line.
Genre: Rock, Soul, Blues
RIYL: Lenny Kravitz, Stevie Wonder, Bonnie Raitt, Janis Joplin, Rolling Stones, Black Crowes, Donny Hathaway, Aerosmith, Lynyrd Skynyrd
June 23, 2020
OSCAR-WINNING COMPOSER REUNITES AMERICAN-SOVIET SONGWRITING TEAM TO RELEASE "ONE WORLD" CHARITY ANTHEM FOR GLOBAL PANDEMIC AND RACIAL JUSTICE
Available THURSDAY, June 25 on Spotify, Apple Music, and iTunes
Historic Collaboration Reborn to Support Musicians Foundation, The Actors Fund, First Responders Children's Foundation and NAACP Legal Defense Fund
'Voices 4 One World' Recording Participants Include Multiple Grammy Winners and Nominees
Donate NOW at www.oneworldoursong.com
"With entertainers out of work, first responders overworked and racial unrest around the country, Franke Previte wants to remind us we are all the same voices existing in 'One World.'" - American Songwriter
NEW YORK (June 23, 2020) - ONE WORLD, a timely new anthem for the global pandemic reuniting a pair of prominent American songwriters with a pair of leading Soviet songwriters for the unified purpose of helping musicians, singers and actors whose incomes have been cut off by Coronavirus quarantining; supporting first responder families enduring COVID-19-related financial hardship, and changing the narrative about race in America - will be officially available for digital distribution THURSDAY (June 25) on Spotify, Apple Music, and iTunes. This extraordinary collaboration, featuring an unprecedented chorus of Grammy Award winners and multiple Grammy nominees, is being offered NOW as a free download with any donation to the major charity partner beneficiaries, exclusively through www.oneworldoursong.com.
The four major charity partners are: Musicians Foundation, The Actors Fund, as well as First Responders Children's Foundation, beneficiary of the recent "Living Room Concert for America" hosted on FOX by Elton John, and the NAACP Legal Defense Fund.
Oscar-winning songwriter Franke Previte ("(I've Had) The Time of My Life" from Dirty Dancing) was spurred by the global pandemic to enlist ONE WORLD co-writer Pamela Phillips Oland (Frank Sinatra, Whitney Houston, Aretha Franklin) and together create an entirely new recording of their historic 1989 collaboration with updated lyrics, freshly retooled for the sole purpose of giving 100% of all proceeds from downloads to the four major charity partners.
American Songwriter calls the new version of ONE WORLD "a hopeful song of unity that recalls some of the '80s most anthemic message songs, led by powerful vocal performances from an ensemble of well-respected, top-notch singers."
The ONE WORLD official website is accepting easy donations of any amount, which entitle a donor to a free instant download of the song ONE WORLD. (Please note: Downloads for NAACP Legal Defense Fund donations are not yet available.)
ONE WORLD made its world radio premiere earlier this month when Entercom offered a sneak peek to global listeners during the Bob Pantano Saturday Night Dance Party, heard around the world (and nationally to Comcast subscribers) through the Radio.com app, and throughout the Philadelphia and Southern New Jersey region on five radio stations, anchored by flagship 98.1 WOGL. Pantano has committed to continue playing ONE WORLD on all future broadcasts.
A growing gallery of notable musicians and actors are recording PSAs for the ONE WORLD "Celebrity Circle" on an ongoing basis. Early contributors include two-time Tony Award winner Christine Ebersole, legendary "Sound of Philadelphia" architect Kenny Gamble, Bon Jovi drummer Tico Torres, Emmy Award nominee Michele Greene ("L.A. Law"), original teen idol Bobby Rydell, actress-comedian Siobhan Fallon ("Saturday Night Live," "Seinfeld," "Men in Black"), Vocal Group Hall of Famer Kenny Vance (Jay & The Americans, Kenny Vance & The Planotones), Grammy nominated songwriter Rob Hyman ("Time After Time") of The Hooters (Philadelphia Music Walk of Fame) and beloved blue collar rocker and Bruce Springsteen collaborator Joe Grushecky.
The range of charities reflects the scope and breadth of the pandemic's devastating impact on the community. All live music-related performances: touring, concert, theatrical, Broadway, TV, film - have ground to a halt. Musicians and singers are unable to earn a living in front of live audiences. The touring infrastructure - crews, road managers, talent buying, concert promotion - has been left in disarray, with no true sense of normalcy projected to be returning for another year at least.
ONE WORLD was written in Moscow by Previte and Oland with two Estonian songwriters, Sergei Manoukyan and Mikk Targo, during the 1989 Glasnost event "Music Speaks Louder Than Words," the first ever Arts Exchange between Soviet and American songwriters, organized by Alan Roy Scott and Music Bridges. Previte and Oland were among the 22 renowned songwriters participating from the USA. Other notable participants included Diane Warren, Cyndi Lauper, Michael Bolton, Brill Building legends Mike Stoller and Barry Mann, Desmond Child (Bon Jovi), Brenda Russell (Earth Wind & Fire, Donna Summer, Rufus), songwriting team Billy Steinberg & Tom Kelly (Madonna, Whitney Houston), Franne Golde (Jody Watley, Commodores), and Alan Roy Scott (Motown, Celine Dion, Cher).
The ensuing album included the original recording of ONE WORLD by Earth Wind & Fire. The lyrics in the new recording have been lovingly updated to address the current COVID-19 crisis and, says Previte, "give hope to all mankind for us to dream again." Every creative participant is an "UnSung Hero" to the global music community who has collaborated with superstars across many genres. Collectively known as Voices 4 One World, all have contributed to the greatness of recorded and live music as musicians and background singers, many of whom are Grammy Award winners and multiple Grammy nominees.
"These musicians and singers are the backbone of the music industry, who have made the stars of yesterday and today household names," says Previte. "This is our heartfelt way of saying thank you and giving them some of the recognition they so rightfully deserve."
Singers on the record are: Michael Mayo (Josh Groban, Herbie Hancock), Ronee Martin (Patti LaBelle, Wynton Marsalis), Tower of Power "Ambassador of Soul" Ellis Hall, Dorian Holley (Michael Jackson, Rod Stewart), Grammy winner Judith Glory Hill (Stevie Wonder, John Legend, Prince), Valerie Pinkston (Lenny Kravitz, Luther Vandross, Annie Lennox), Amy Keys (Herbie Hancock, Sting, Barbra Streisand), Christine Collister (Richard Thompson Band), and Lisa Sherman (Jon Bon Jovi, Blondie). Musicians are Jon Gilutin (James Taylor, Linda Ronstadt) keyboards; Lenny Castro (Toto), percussion; Brendan Buckley (Shakira, Perry Farrell), drums; Scott Mayo (Earth Wind & Fire), saxophone; Jerry Watts Jr. (Andraé Crouch, Dr. John), bass; James Harrah (Melissa Etheridge, Leonard Cohen), guitar; Randy Jacobs (Was Not Was), guitar; and Tollack Ollestad (Don Henley, Andrea Boccelli), harmonica.
ONE WORLD was produced by Grammy winner Jon Gilutin ("New Attitude") and mixed by Grammy, Emmy and Dove Award-winning engineer Bill Schnee (Steely Dan, Natalie Cole). The video was produced by Thomas Ryan Ward.
The participants in the ONE WORLD project profusely thank and honor the First Responders, and the sacrifices they and their families, including their children, are making to help all of us.
"These 'UnSung Heroes' of music have donated their time and talents so that our song can help make our world a better one to live in," adds Previte. "You know their music, now you know their names! Give them all a heartfelt 'Thank you' as they help us to heal others."
PHOTO CAPTION (LEFT): Composite photo of the five lead singers of "One World," Ellis Hall (center), and clockwise from top left, Michael Mayo, Judith Glory Hill, Dorian Holley, and Ronee Martin. Credit: Randex Communications.
PHOTO CAPTION (RIGHT): A pair of American songwriters and Soviet songwriters meet during their original collaborative gathering in Moscow during the 1989 Glasnost event, "Music Speaks Louder Than Words." L-R: Sergei Manoukyan, Pamela Phillips Oland, Franke Previte, and Mikk Targo. Rear left: Cyndi Lauper. Credit: Randex Communications.
June 19, 2020
DANIELIA COTTON TO JOIN TULSA's NATIONAL JUNETEENTH BLOCK PARTY WITH SPECIAL PERFORMANCE OF 'A DIFFERENT WAR'
Widely Heralded Blues Rocker Among Star-Studded Participants Including Alfre Woodard, Sen. Kamala Harris, NBA Houston Rockets' Russell Westbrook, and Many More in Virtual Weekend Event
Live Streaming Saturday, June 20 at 6 p.m. Central on www.tulsablockparty.com
"Virtual Album Release Tour" begins Friday, June 26 at Sellersville Theater, Sellersville, PA
Read her new editorial "Straddling the Invisible Line Between White and Black as a Biracial Black Woman," in Swaay.com
"'A Different War' [has] an uncompromising urgency that transforms its songs into anthems for our times." - American Songwriter
NEW YORK (June 19, 2020) - Riding a new wave of critical acclaim from A Different War, her incredibly timely and most politically charged album to date, widely heralded blues-rocker DANIELIA COTTON has risen again into the light, fiercely and defiantly, to join a star-studded lineup for Tulsa's national Juneteenth Block Party, a virtual event to accompany on-the-ground celebrations happening over the weekend. The Block Party will begin streaming tomorrow (Saturday, June 20) at 6 p.m. CT at www.tulsablockparty.com.
The Juneteenth Block Party event arrives as Cotton enters a "new normal" touring mode with her "Virtual Album Release Tour." The first stop on the tour will be Friday, June 26 at Sellersville Theater, 24 West Temple Ave., Sellersville, PA. Show time is 8 p.m. More dates will be announced shortly.
The Full Livestream Concert at Sellersville Theater on June 26 will be streamed LIVE on the Sellersville Theater Facebook page. This is a PAY AS YOU PLEASE Event. All contributions will go to support both Danielia Cotton and Sellersville Theater. Payment information will be available while watching the show.
The Juneteenth Block Party was created to recognize Juneteenth, the holiday that marks the abolition of slavery in the United States and celebrate the culture of African American communities in Tulsa and around the country. The Block Party lineup will include conversations, stories, messages of hope, and musical performances from a number of prominent Tulsans and beyond, and special celebrity guests. Organizers promise the Juneteenth Block Party to be "the moment this country deserves for an exceptional holiday weekend."
Cotton joins a stellar list of confirmed participants including Alfre Woodard, Sen. Kamala Harris, NBA Houston Rockets' Russell Westbrook, creator of HBO's Watchmen Damon Lindelof, former Attorney General Eric Holder, former Governor of Massachusetts Deval Patrick, Emmy-award winning filmmaker Stanley Nelson, Biden 2020 Sr. Advisors Karine Jean-Pierre and Symone Sanders, Emmy nominated comedian Baratunde and more celebrity guests.
Cotton will be performing an acoustic version, on piano, of "A Different War," the title track from her latest album, which finds the woman whose music is "soulful enough to fill a revival tent" (The New York Times) and whose voice gives her songs "stunning power" (No Depression) speaking to these extraordinary times by unloading her sin while the world around her is gripped in a turbulent spin.
She will be joined for this special live performance by prominent Bronx hip-hop artist Mickey Factz, reprising his guest appearance on the original album track. "A Different War" examines how the reality of people of color getting called into battle as a result of being marginalized informs their entire existence. The song also urges us to press ahead because of the ongoing need for substantive change.
In a deeply personal and moving editorial she titled "Fade to Black" just published by SWAAY.com, Cotton confronts her own upbringing as a biracial woman in a predominantly white upper middle class New Jersey suburb. Read it here.
Cotton frames A Different War by confronting race, gender, and wealth - deeply personal and pervasive issues that have plagued folks like her for an eternity.
Calling the album, "stunning and stirring," American Songwriter praised A Different War for "an uncompromising urgency that transforms its songs into anthems for our times." Including the album among its Best Bets in "The Hotness" Summer Issue, BUST Magazine raved: "A Different War is an album bursting with soulful blues rock, delivered with steely confidence. --- Whether she's wailing Janis Joplin-style on 'Cheap High' or declaring 'I was not born a man, but I can do anything that he can,' on 'She Too,' she's in control, and she's our kind of belter."
Adding to the praise for A Different War, MediaNews Group syndicate was impressed at how Cotton's "consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to continue to fight." San Francisco Classical Voice chimed in, saying "I would really encourage you to take a listen to" the new album.
Throughout her career, the longtime New Yorker from Hopewell, NJ, has drawn praise from the New York Times, Billboard, the Los Angeles Times, NPR, and USA Today, among many others. She continues to inhabit a song, turning it inside and out to create transcendent music and lyrics, and carry us higher and higher with her in her musical flights.
A Different War finds the gutsy New Yorker swimming through the tumultuous social issues of racism and greed, and the tempestuous waters of love and relationships. These are songs deeply rooted in the protest anthems of yesterday but built for the current state of our world. A multi-racial, gospel-fueled, Jewish blues-rocker who believes in the power of womanhood, Cotton grew up in a predominantly white New Jersey community as one of just seven black kids in her high school. She has survived cancer and the tragic loss of twins at birth, only to bounce back and finally welcome a daughter in 2018. Cotton's consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to fight "A Different War."
A Different War is a true collaboration with some of the most talented musicians and technicians in the business. From Aaron Comess (Spin Doctors, Joan Osborne, Edie Brickell) on drums, Ben Butler (Sting, George Michael, Chris Botti) on guitar, and Andy Hess (Gov't Mule, Black Crowes) on bass, to young gun guitarist Emmanuel Rossillo working his first major studio project, the record resonates with innovation and flare. The finishing touches of the brilliant mix provided by Dave O'Donnell (James Taylor, Sheryl Crow, John Mayer) and the mastering of Greg Calbi (numerous hits over the past 20 years) make this record a true meeting of the best of the best.
The evidence is clear on A Different War that DANIELIA COTTON continues to evolve and challenge herself as a musician. Fifteen years since her breakout as an Artist to Watch by influential Philadelphia public radio outlet WXPN, Cotton remains a true indie artist fighting for independence - the space to create her own sound and an audience that would journey with her.
Available NOW at Apple Music, Spotify, Amazon, and where music is consumed on-line.
Genre: Rock, Soul, Blues
RIYL: Lenny Kravitz, Stevie Wonder, Bonnie Raitt, Janis Joplin, Rolling Stones, Black Crowes, Donny Hathaway, Aerosmith, Lynyrd Skynyrd
June 18, 2020
OUT TOMORROW ON VINYL & CD! IRON CITY HOUSEROCKERS' LOST 'AMERICAN CLASSIC' IS FOUND AGAIN WITH NEWLY ACCLAIMED 40TH ANNIVERSARY EXPANDED DELUXE REISSUE
Physical Release Day for Have a Good Time (But Get Out Alive), 2nd Album from 'Best Hard Rock Band in the Country,' Led by Pittsburgh Rocker Joe Grushecky
"Few bands offered up material as gritty, rich, and poignant as Pittsburgh's own The Iron City Houserockers. ... [An] epic musical milestone. ... Given the current world pandemic, there's a modern-day relevance to the message of the title track and the album itself. Get Out Alive! has always been a record of hope, home, solidarity, community, strength, and love - themes that are as important today as they were 40 years ago. 5 STARS" - Goldmine
NASHVILLE (June 18, 2020) - The physical edition of the greatly expanded 40th anniversary deluxe reissue of Have a Good Time (But Get Out Alive), the sophomore album originally hailed by Rolling Stone as "a new American classic" from beloved Pittsburgh rocker Joe Grushecky and his gritty, blue-collar outfit the Iron City Houserockers, arrives TOMORROW (June 19) on CD and vinyl amid a mounting new groundswell of attention.
A holy trinity of rock and roll royalty united to help oversee the recording, as Mick Ronson (David Bowie), Ian Hunter (Mott The Hoople) and Steven Van Zandt (Bruce Springsteen, Southside Johnny) combined with co-producers the Slimmer Twins (Steve Popovich Sr. & Marty Mooney) and the Iron City Houserockers to create one of rock's great lost classics. Their cohesive efforts - as producers, arrangers and players - will finally be rediscovered as an entirely new listening experience on CD and vinyl when Have a Good Time (But Get Out Alive) is released by fabled indie label, Cleveland International Records. The remastered two-CD set includes a bonus disc with 16 previously unreleased tracks of demos and other rarities. The new vinyl edition will include a download card of those same 16 tracks to go with a vinyl replica of the original album. The digital package is on sale NOW and streaming here. Order the vinyl and physical CD here. Order the exclusive Iron City Houserockers Bundle Pack at www.clevelandinternational.com.
The presence of Hunter, Ronson and Van Zandt, says the Houston Press, sets "this project apart," and "gives the whole record a sort of Pittsburgh/New Jersey/London amalgamation vibe." MediaNews Group called this chapter in Grushecky's four-decade career "one of his shining moments."
Little Steven's Underground Garage celebrated Digital Release Day with a "Coolest Conversations" album spotlight, as Grushecky spoke with the Mighty Manfred on Sirius XM. Ultimate Classic Rock hosted an exclusive Track Premiere of the bonus disc demo version of "Hypnotized (A Work in Progress)," featuring Hunter and Ronson, and called the new release "cool stuff."
American Songwriter, in an interview with Grushecky, hails Have A Good Time (But Get Out Alive) as "a forgotten gem of a record, a time capsule of frenetic '80s energy and lyrics about home that hit home, performed by the toughest, tightest band from the 'work hard, play hard' working-class streets of Pittsburgh." The magazine adds that the bonus disc not only "documents each song's evolution," but "showcases how Grushecky and the band took it up a notch when the 'record' button was pressed."
Goldmine, in a new five-star review, proclaims the album an "epic musical milestone," and placed it in the context of the current world pandemic, noting the how "few bands offered up material as gritty, rich, and poignant as Pittsburgh's own The Iron City Houserockers" and the "modern-day relevance to the message of the title track and the album itself. Get Out Alive! has always been a record of hope, home, solidarity, community, strength, and love - themes that are as important today as they were 40 years ago."
Adds Midwest Record: "Anyone that wants to rock will salute this. Amazingly heady still after 40 years of sitting in limbo, waiting for the sky to fall."
Forty years since The Iron City Houserockers' willingness to let Ronson, Hunter and Van Zandt reshape their initial ideas in the studio proved prophetic, and the songs they recorded for the 1980 release put down roots that stretched far outside of Pittsburgh. Greil Marcus, in The Village Voice, said Have a Good Time (But Get Out Alive) was "the strongest album an American band has made this year" and "proves the Iron City Houserockers are the best hard rock band in the country." All Music Guide marveled at the new album's power surge, saying the band "landed with the impact of a Louisville slugger connecting with a fastball" and crediting Grushecky for songwriting and lead vocals that "seethe with a furious passion that's never less than convincing. ... The total commitment of his performance, delivered with the conviction of a man fighting for his life, brings these stories to vivid, sweaty life."
Have a Good Time (But Get Out Alive) is listed as one of the top eight Essential Heartland Rock records alongside the likes of Bob Seger's Night Moves, and John Mellencamp's Scarecrow, and features many of the Houserockers' signature tunes, including "Pumping Iron," "Junior's Bar," and "Have A Good Time." During a 1981 live radio concert in Boston, rabid fans c
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Springing the Blues expected to draw many thousands to Jacksonville Beach this weekend
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"David Crumpler, The Florida Times-Union"
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W hen there's music in the air in Jacksonville Beach, with big, laid-back crowds gathering to listen, chances are pretty good that Sam Veal has something to do with it. \n Veal's signature event, Spri…
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https://www.jacksonville.com/story/entertainment/local/2016/03/31/springing-blues-expected-draw-many-thousands-jacksonville-beach/15705603007/
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When there's music in the air in Jacksonville Beach, with big, laid-back crowds gathering to listen, chances are pretty good that Sam Veal has something to do with it.
Veal's signature event, Springing the Blues, gets cranking Friday afternoon at the SeaWalk Pavilion, and continues until the sun goes down on Sunday.
If things go as usual, a total of about 150,000 people will show up for the festival over three days, said Veal, the festival's founder and director.
This is the 26th anniversary for Springing the Blues, which began as a one-day event and drew an audience of about 3,000 its first year.
The figure was quite humble compared to current averages, but it was large enough to convince Veal he had a good thing going.
"I planned for it to be a destination event," he said. "I knew that whoever came and heard the music would be transformed. And they would come back."
And they have. Veal has heard accounts of festival fans who annually travel from as far away as California to attend the festival, a celebration of an American-born style of music.
Some people have the mistaken belief that blues music is bleak and depressing, he said. But there's a soulful energy and vibe to the blues that "will put a smile on your face."
Jacksonville Beach needed something to smile about when Veal, now 63, started kicking around the idea of a music festival back in 1989. The downtown area was stagnant, with no big music events - like Jacksonville's jazz festival - to attract a sizable crowd.
"I had a lifelong friend, Reid McCormick, who was considering running for mayor of Jacksonville Beach," Veal said. "We were talking. I said, 'You need to run for mayor, and we need a destination event for Jacksonville Beach that would be for everybody.'"
McCormick took his friend's advice. After McCormick got elected, Veal began shopping around the idea of a blues fest.
He had been to the annual King Biscuit Blues Festival in Helena, Ark., and experienced "a great vibe." He believed the same feeling could be duplicated here.
Veal believed the blues could provide a bond between all different groups of people. "The idea is that music transcends racial divides, any potential separations from each other," he said.
There weren't a lot of big names associated with the blues - "You could basically count them on one hand," Veal said - so the festival could focus on "up-and-coming performers who could end up being the next big thing."
That part seemed logical and easy. What he struggled with, however, was a name for the festival. Then early one morning he woke up and it came to him: Springing the Blues.
"It was lively, it was active," Veal said, "and after that, it all started falling into place."
ARTISTIC BUSINESSMAN
Veal was born in Jacksonville and grew up in Ponte Vedra Beach. His professional background doesn't provide a quick, rational connection to a music festival celebrating the blues.
In his late teens, he studied ballet (after developing a serious crush on the daughter of the owner of a local ballet school). He continued to study dance at Santa Fe Community College in Gainesville.
"I'll be honest with you," said the outgoing, good-natured Veal. "I loved the idea of dancing with girls."
He went on to dance professionally for about six years. He danced with the American Ballet Theatre in New York, then Iranian National Ballet Company in Tehran, followed by the Theatre du Silence in Paris, and finally the Bat-Dor Dance Co. in Tel Aviv.
And when Veal returned to Ponte Vedra Beach in 1981, he started an insurance company, which he still operates today.
"I was schizophrenic," he joked. "I had an artistic side, and a business side."
Here's the link to blues music, which originated in African-American communities in the Deep South around the end of the 19th century.
"My early baptism into that form of music was through a woman who helped raise me," Veal said. "She sang old Negro spirituals. There was a soulfulness to the music she sang.
"That was the seed, along with the fact that my parents had a great love for a broad range of music, including the blues."
While living overseas, he found access to the blues easy through a number of accomplished American expatriate blues players in Europe.
COMMITTED TO THE COAST
When Veal was generating support for Springing the Blues, a Jacksonville Beach city councilman asked him to promise to keep the festival at the Beaches. His motivation: The jazz festival, which got its start in Mayport, moved to Metropolitan Park in downtown Jacksonville as it grew in popularity.
Veal has happily kept that promise. And over the years, he's worked to bring additional festivals to the Beaches as well.
He co-founded the Hispanic-themed Fiesta de Playera, which took place at the end of Atlantic in Jacksonville Beach every June for 10 years.
As director of sponsorship and marketing for Jax Beach Festivals - an umbrella organization that includes Springing the Blues - he is also a force behind the Seawalk Music Festival (in February), the Great Atlantic Music Fest (in March), and the Salt Life Festival (in June).
Springing the Blues raises money for various charitable groups, and for more than 20 years, has supported the Blues in the Schools program, which teaches area students about the blues.
But the festival hasn't lost sight of its primary purpose, Veal said, which was in place from the beginning.
"The biggest goal is to bring the community together," he said.
David Crumpler: (904) 359-4164
Springing the Blues
SeaWalk Pavilion, Jacksonville Beach
The festival is free, but VIP tickets can be purchased. The section includes access to stage-front seating, beverage service, and to a dining and beverage area. Friday passes are $20; Saturday passes are $30; Sunday passes are $20. Three-day passes are $60.
FRIDAY
MAIN STAGE
* 5 p.m. Toots Lorraine & The Traffic
*6:20 p.m. Sean Chambers Band
*7:40 p.m. Selwyn Birchwood
*9 p.m. Victor Wainwright & the Wildroots (ends at 10 p.m.)
BLUES LOUNGE
*5 p.m. Selwyn Birchwood
*6:20 p.m. Victor Wainwright & the Wildroots
*7:40 p.m. Toots Lorraine & The Traffic
*9 p.m. Sean Chambers Band (ends at 10 p.m.)
SATURDAY
MAIN STAGE
*Noon Kim Reteguiz & the Black Cat Bones
*1:20 p.m. Red Dirt Revelators
*2:40 p.m. The Corbitt Clampitt Experience
*4 p.m. Mr. Sipp
*5:20 p.m. Eryn Shewell
*6:40 p.m. Toronzo Cannon
*8:30 p.m. Samantha Fish (ends at 10 p.m.)
BLUES LOUNGE
*Noon Red Dirt Revelators
*1:20 p.m. Cat McWilliams Band
*2:40 p.m. Kim Reteguiz & the Black Cat Bones
*4 p.m. Jennifer B & the Groove
* 5:20 p.m. Parker Urban Band
*6:40 p.m. The Corbitt Clampitt Experience
*8:30 p.m. Mr. Sipp
SUNDAY
MAIN STAGE
*Noon Conrad Oberg
* 1:20 p.m. Jennifer B & the Groove
*2:40 p.m. Diedra the Blues Diva & the Ruff Pro Band
*4 p.m. Colin Lake
*5:20 p.m. Jarekus Singleton
*6:40 p.m. The Lee Boys (ends at 8 p.m.)
BLUES LOUNGE
*Noon Eryn Shewell
*1:20 p.m. Smokestack
*2:40 p.m. Jarekus Singleton
*4 p.m. Conrad Oberg
*5:20 p.m. Diedra the Blues Diva & the Ruff Pro Band
*6:40 p.m. Colin Lake (ends at 8 p.m.)
More information: springingtheblues.com
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dbpedia
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| 9 |
https://www.eponymousreview.com/3531/qa-interview-eryn-talks-songwriting-and-her-new-ep-lady-e/
|
en
|
Q&A Interview: Eryn talks songwriting and her new EP ‘Lady E’
|
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"Laurie Fanelli"
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2018-03-16T19:26:24+00:00
|
Eryn Shewell aka Eryn is a New Jersey-based blues and soul singer-guitarist with a retropop twist. Originally hailing from Maryland, she began performing publicly in her early teens and has since gone on to share the stage with artists including Gregg Allman, Don Mclean and the Gin Blossoms. She has been nominated for, and won, numerous awards over the years and, in 2016, became the youngest-ever inductee of the NJ Blues Hall of Fame.
|
en
|
http://www.eponymousreview.com/favicon.ico
|
Eponymous Review
|
https://www.eponymousreview.com/3531/qa-interview-eryn-talks-songwriting-and-her-new-ep-lady-e/
|
Eryn Shewell aka Eryn is a New Jersey-based blues and soul singer-guitarist with a retropop twist. Originally hailing from Maryland, she began performing publicly in her early teens and has since gone on to share the stage with artists including Gregg Allman, Don Mclean and the Gin Blossoms. She has been nominated for, and won, numerous awards over the years and, in 2016, she became the youngest-ever inductee of the NJ Blues Hall of Fame.
We got a chance to catch up with Eryn in advance of the release of her latest EP Lady E, due out April 6, where we talked everything from collaborations to inspirations and more. Check out the full Q&A below.
Laurie Fanelli: Congrats on your upcoming EP, Lady E! Can you share a bit about your songwriting process throughout the release?
Eryn: I don’t really have a set process for songwriting, but I find that often the best work comes with collaboration with others.
My co-writers and I spent a lot of time working through a pile of songs before choosing to record these six but each of them has its own unique story. Over the last couple years I wrote with writers throughout the country, including New York, New Jersey, Nashville and Chicago. I ended up collaborating with some amazing writers on this project. I didn’t have a hand in creating all of the songs but each one has personal meaning for me.
The single “Hallelujah You’re Gone” was actually the first one to make the cut. Cheryl DaVeiga and Anthony Krizan came up with this great concept about celebrating a loss of something negative in your life. I had them change a few of the original lyrics to make the song more personal to me. This idea is really something that I feel a lot of people can relate to, not just within a relationship but with anything in life — for instance, one’s career, business relationship, or friendship. Sometimes a loss can be something that upon reflection is something to celebrate. I know I’ve recently gone through this and when I sing this song I always think about how far I’ve come and how much better off I am now.
Then one day my friend David Bryan of Bon Jovi sat me down in his home studio and said he had a song he wrote for me to sing. It was such an honor to have someone like him, who wrote the music for Memphis and The Toxic Avenger, write a song for me! I almost couldn’t believe it. He then played this beautiful piano-vocal demo of the song “The You Missing from Me” and I burst into tears. The song just touched on my heartstrings in a way that I hadn’t felt in a long time. I had to record this one!
The other song that really comes from a personal place for me is “Stranger In My House.” I was in a bad place in my life and I think I had just finished arguing with my boyfriend at the time. I had just realized this man whom I had been with for almost eight years was a complete stranger to me. I locked myself in my room and these words just flooded out onto the page like my muse was writing them for me. I then gave these words to my good friend and co-writer Alice Leon and we collaborated on the music. We wanted the music to have the same concept as the title and almost something that could be turned into a cool thriller movie. I love what Dave Eggar did with the strings on this song to help create the feel.
LF: Who does “Lady E” represent? Is she you through and through or a bit of an alter ego?
E: I feel that “Lady E” is actually me, but it’s not just me as who I am now or have been, but who I’m meant to become. Lady E has been a nickname of mine from friends and fans for many years but I feel that I am only now really embracing it. They saw me in a way that I didn’t see myself at the time. I didn’t always know my own value. I have now shed a lot of the negativity and insecurities that were a part of my life and stepped into this person that those people knew I could be. I’m now a more confident woman and I’ve become comfortable with myself. I do know that I have a lot more personal growth and learning to do, but I’m excited for the ride on my journey to completely become “Lady E.”
LF: Who were some of the musicians and producers you worked with on Lady E?
E: I had the pleasure of working with such an incredible team of people on this project. Everyone from writers like Cheryl DaVeiga who is an ASCAP award-winning writer, and Anthony Krizan who wrote and performed for people like Lenny Kravitz and the Spin Doctors, to the musicians, our producer Jack Daley, and all the other wonderful people I get to work with. I could never have done any of this without this team of people. They believe in me and they help me make it happen.
Our producer Jack Daley is just an all around talented and great guy. He played bass with artists like Lenny Kravitz, Joss Stone, Rob Thomas, and Beyonce. He brought in this dream lineup of musicians to perform on the EP. This includes himself as well as my husband Matt O’Ree, who played guitar for Bon Jovi’s “Bon Jovi Live” tour, David Bryan of Bon Jovi, Dave Eggar from Coldplay, Beyonce, Phillip Phillips and some more of the best musicians in the business. I walked into the studio for each session excited about who I was going to meet that day. Jack really picked the right A-team of people for this project. (Check out the complete list of players here)
LF: Do you have a favorite song to perform live from the new EP?
E: I honestly really enjoy performing them all. They all have their own place in my life. Every one of these songs is a part of my journey and I’m glad I’m able to share it with the audience. I do admit that the song David Bryan wrote, “The You Missing From Me,” is a bit intimidating and probably the hardest one to sing. Lol, I have to psych myself up for that one a bit. It has a big octave vocal jump towards the end of the song that just really plays up the drama of the lyrics. It’s definitely worth it in the end though.
LF: Your music captures so many different eras and genres. If you could go back and live in any time, Midnight in Paris style, what time period would you choose?
E: That is hard to say. There are so many aspects of each decade that I love but other aspects that I could live without. I really love the music and the fashion of the 1940s and ’50s. Men and women were just so classy! I love all those hairstyles that really highlighted a woman’s facial features and all the glamour! Women started to become a stronger force in society and started taking jobs that only men would’ve worked previously. Women basically stayed home and ran our country while the men were out fighting for it. I love all of these things but I could’ve lived without — like war, segregation and some of the negatives for women at the time. But, if I had to choose a time period to walk around in Paris every night at midnight that would definitely be it! Now I have to go watch that movie…
LF: You have performed with, or opened for, so many legends including Buddy Guy, Gregg Allman and Dr. John.Who are some artists that you would love to collaborate with in the future?
E: Oh my! I’d be thrilled to collaborate with ANY of them, but if I had to choose one, I think I’d go with DR. John — mainly because of my love for the city of New Orleans and its music and his style. He is a mix of voodoo and funk. Mmm, I just love that! I’d love to see what he and his band would do with a song like “Stranger in My House.” I think that would really be something special.
LF: Will you be touring in support of Lady E? Where can people see you perform live?
E: Absolutely! I just love to tour and travel and meet the fans. We still have a lot of dates coming in now but our next big performance with a full band will be at Arlene’s Grocery in NYC on April 3rd at 8:00 p.m. I’m excited about this one because it’s going to be my EP debut in NY. I put a great band together with a horn section and all! I also have a really cool intimate acoustic show coming up at the Lizzie Rose Room in Tuckerton, NJ opening up for my husband’s band, Matt O’Ree Band.
LF: Is there anything else you would like to share with Eponymous Review readers?
E: I really hope people get as excited about this music as I am. It’s not only a part of me but a part of all of those who believe in me as well. Everyone involved has really made this special and I can’t wait to share it with the world.
***
|
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| 8 |
https://www.monmouth.edu/mca/songwriters-by-the-sea-returns-to-monmouth-u-on-march-30/
|
en
|
Songwriters by the Sea returns to Monmouth U. on March 30 - Center for the Arts
|
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"Kelly Barratt"
] |
2019-03-06T19:45:04+00:00
|
Monmouth University’s Department of Music and Theatre is pleased to announce the return of distinguished New Jersey Songwriters Joe Rapolla and Joe D’Urso for the Songwriters by the Sea series, Saturday, March 30 at 8 pm at the Lauren K. Woods Theatre. The duo will be joined by singer-songwriters Eryn and Jeffrey Gaines. A special […]
|
en
|
/wp-content/themes/mu-wordpress-theme-2015/dist/favicon/apple-touch-icon.png?v=rMqBqgeOqj
|
Center for the Arts
|
https://www.monmouth.edu/mca/songwriters-by-the-sea-returns-to-monmouth-u-on-march-30/
|
Monmouth University’s Department of Music and Theatre is pleased to announce the return of distinguished New Jersey Songwriters Joe Rapolla and Joe D’Urso for the Songwriters by the Sea series, Saturday, March 30 at 8 pm at the Lauren K. Woods Theatre. The duo will be joined by singer-songwriters Eryn and Jeffrey Gaines. A special intro set will be performed by Mark Geary, and the opening set will feature Monmouth University student artists. Tickets for Songwriters by the Sea are priced at $30, and can be reserved through the Monmouth University Box Office at 732-263-6889, or online at www.monmouth.edu/mca. Pre-show reception will be held at 7 pm for all ticket holders.
Throughout his two-and-a-half-decade recording career, Jeffrey Gaines has maintained an impressive standard for soul-searching, introspective lyrics and catchy, uplifting melodies. Since bursting on the scene with his self-titled 1992 debut album, the charismatic singer-songwriter-guitarist has built a beloved body of recordings that’s won him a large and deeply devoted international fan base. Interview magazine described Gaines’ work as “soul-searching” and “refreshingly free of jargon, sentiment or cliché.”
Eryn Shewell has developed a reputation as one of the premier up and coming voices on the scene today. Originally from Maryland and now living in New Jersey, Eryn’s style is heavily influenced by the musical traditions of the south. Her respect for the traditions of Jazz, Blues and Country fused with her modern pop style and brought together by Eryn’s incredible vocal ability has been said to give even the most hardened critic chills.
Dublin-born Mark Geary is an intoxicating mix of spontaneous wit, charismatic storytelling and finely crafted songs reminiscent of those penned during the halcyon days of Dylan. Having spent the last 20 years between his native Ireland and NYC, where he cut his teeth on the music circuit, playing alongside the likes of Jeff Buckley at the renowned Sin-e cafe, he has garnered respect and attention from both audiences and fellow artists. Of Mark’s time in New York, Time Out NY magazine said “His delicate songs about love and defiance recall Richard Thompson and John Lennon. One of the East Village’s favorite adopted sons.”
About Songwriters by the Sea:
Songwriters by the Sea began as intimate, casual coffeehouse jam sessions around Asbury Park, and has since evolved into a national show attracting some of the most revered singers and songwriters of today’s scene— from Joe Grushecky and Garland Jeffreys to Glen Burtnik, Marshall Crenshaw and Alison Moorer. Along the way, D’Urso (front man of Stone Caravan and board member of WHY Hunger and Light Of Day) and Rapolla (a veteran music industry executive, solo performer, and front man of the band Perfect Square) have fine-tuned their circle of artists, trading favorite songs and illuminating backstories behind their most personal works, into a vehicle that brings out the best in the assembled talent. Whether the venue is a club, a historic theater or a campus performing arts center, Songwriters by the Sea has been known to turn any space into an intimate house party atmosphere; a gathering of friends and a place where something akin to magic often takes hold.
|
||||
8929
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1
| 57 |
http://www.moonfool.com/anna-helena-mclean-cv.html
|
en
|
ANNA HELENA MCLEAN C.V.
|
http://www.moonfool.com/uploads/4/6/1/4/46140097/img-3423_orig.jpg
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http://www.moonfool.com/uploads/4/6/1/4/46140097/img-3423_orig.jpg
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Founding Artistic Director: Moon Fool (An umbrella organisation for ACT INTERNATIONAL Voice, Research, Residencies and Performances and most recently also The Identity Choir which centres...
|
en
|
MOON FOOL
|
http://www.moonfool.com/anna-helena-mclean-cv.html
|
Anna Helena Mclean
anna-helena_mclean_cv_resume_2023.pdfFile Size: 535 kbFile Type: pdf
Download File
reference_from_head_of_acting_at_guildhall_school_2023.pagesFile Size: 855 kbFile Type: pages
Download File
REFERENCE OVERVIEW:
"I was constantly impressed by Anna-Helena's ability to offer an approach that was both rigorous and inclusive. Her effervescent personality radiated care and warmth in her teaching style and interactions with the students. She was and remains a popular figure amongst staff and students on the Acting Studies Programme. I could rely on Anna to deliver a class that would technically exceed expectations and ensure that the teaching was of the highest possible standard.
During her two years with us, Anna's interdisciplinary approach brought a freshness to the vocal training that transformed the student's relationship with musicality and their voices. Her physiovocal approach supported the students to understand more deeply the connection between movement, voice and acting without compromising on vocal technique.
I was often inspired by Anna’s engagement with research that ensured she had the latest developments in her field at her fingertips. This gave her teaching a continuous relevance and an impressive balance of enquiry and expertise.
Anna was always extremely professional and considerate in her interactions with both staff and students at the school. I shared so many broad, stimulating and thrilling conversations with Anna, ranging from topics such as inclusivity in voice, gender, pedagogy, theatre making, musicality, rhythm, breath and text. She was a constant source of intellectual nourishment and ideas surrounding her field.
We worked closely developing the vocal offer for the students. Anna’s methodology allowed her to remain agile and tune in to the students' specific needs. The work was challenging and demanding on the group, bringing a vital alertness and clarity to their listening, and thereby deepening their attention and concentration in their work. Her feedback was always clear, concise and communicated Anna’s ensemble practice allowed for a togetherness without losing the importance of individual and personal development"
Programme Leader, BA Hons in Acting Studies, Guildhall School of Music and Drama, March 2023
CURRICULUM VITAE
|
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