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900 WASP @-@ 44 , its recently discovered planet , the planets orbiting WASP @-@ 45 and WASP @-@ 46 , and a discussion exploring the validity of the common assumption amongst scientists that closely orbiting Hot Jupiter planets have highly circular orbits unless proven otherwise , were reported in a single discovery paper that was published on May 17 , 2011 by the Royal Astronomical Society . The paper was submitted to the Monthly Notices of the Royal Astronomical Society on May 16 , 2011 .
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901 = = Characteristics = =
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902 WASP @-@ 44 is a G @-@ type star ( the same class of star as the Sun ) that is located in the Cetus constellation . WASP @-@ 44 has a mass that is 0 @.@ 951 times that of the Sun . In terms of size , WASP @-@ 44 has a radius that is 0 @.@ 927 times that of the Sun . WASP @-@ 44 has an effective temperature of 5410 K , cooler than the Sun . However , the star is metal @-@ rich with relation to the Sun . Its measured metallicity is [ Fe / H ] = 0 @.@ 06 , or 1 @.@ 148 times that the amount of iron found in the Sun . WASP @-@ 44 's chromosphere ( outermost layer ) is not active . The star also does not rotate at a high velocity .
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903 The star has an apparent magnitude of 12 @.@ 9 . It cannot be seen from Earth with the naked eye .
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904 = = Planetary system = =
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905 There is one known planet in the orbit of WASP @-@ 44 : WASP @-@ 44b . The planet is a Hot Jupiter with a mass of 0 @.@ 889 Jupiters . Its radius is 1 @.@ 14 times that of Jupiter . WASP @-@ 44b orbits its host star every 2 @.@ 4238039 days at a distance 0 @.@ 03473 AU , approximately 3 @.@ 47 % the mean distance between the Earth and Sun . With an orbital inclination of 86.02º , WASP @-@ 44b has an orbit that exists almost edge @-@ on to its host star with respect to Earth . WASPA @-@ 44b 's orbital eccentricity is fit to 0 @.@ 036 , indicating a mostly circular orbit .
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906 = Elephanta Caves =
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907 Elephanta caves are a network of sculpted caves located on Elephanta Island , or Gharapuri ( literally " the city of caves " ) in Mumbai Harbour , 10 kilometres ( 6 @.@ 2 mi ) to the east of the city of Mumbai in the Indian state of Maharashtra . The island , located on an arm of the Arabian Sea , consists of two groups of caves — the first is a large group of five Hindu caves , the second , a smaller group of two Buddhist caves . The Hindu caves contain rock cut stone sculptures , representing the Shaiva Hindu sect , dedicated to the Lord Shiva .
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908 The rock cut architecture of the caves has been dated to between the 5th and 8th centuries , although the identity of the original builders is still a subject of debate . The caves are hewn from solid basalt rock . All the caves were also originally painted in the past , but now only traces remain .
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909 The main cave ( Cave 1 , or the Great Cave ) was a Hindu place of worship until Portuguese rule began in 1534 , after which the caves suffered severe damage . This cave was renovated in the 1970s after years of neglect , and was designated a UNESCO World Heritage Site in 1987 to preserve the artwork . It is currently maintained by the Archaeological Survey of India ( ASI ) .
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910 = = Geography = =
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911 Elephanta Island , or Gharapuri , is about 11 km ( 6 @.@ 8 mi ) east of the Apollo Bunder ( Bunder in Marathi means a " pier for embarkation and disembarkation of passengers and goods " ) on the Mumbai Harbour and 10 km ( 6 @.@ 2 mi ) south of Pir Pal in Trombay . The island covers about 10 km2 ( 3 @.@ 9 sq mi ) at high tide and about 16 km2 ( 6 @.@ 2 sq mi ) at low tide . Gharapuri is small village on the south side of the island . The Elephanta Caves can be reached by a ferry from the Gateway of India , Mumbai , which has the nearest airport and train station . The cave is closed on Monday .
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912 The island is 2 @.@ 4 km ( 1 @.@ 5 mi ) in length with two hills that rise to a height of about 150 m ( 490 ft ) . A deep ravine cuts through the heart of the island from north to south . On the west , the hill rises gently from the sea and stretches east across the ravine and rises gradually to the extreme east to a height of 173 m ( 568 ft ) . This hill is known as the Stupa hill . Forest growth with clusters of mango , tamarind , and karanj trees cover the hills with scattered palm trees . Rice fields are seen in the valley . The fore shore is made up of sand and mud with mangrove bushes on the fringe . Landing quays sit near three small hamlets known as Set Bunder in the north @-@ west , Mora Bunder in the northeast , and Gharapuri or Raj Bunder in the south .
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913 The two hills of the island , the western and the eastern , have five rock @-@ cut caves in the western part and a brick stupa on the eastern hill on its top composed of two caves with a few rock @-@ cut cisterns . One of the caves on the eastern hill is unfinished . It is a protected island with a buffer zone according to a Notification issued in 1985 , which also includes " a prohibited area " that stretches 1 kilometre ( 0 @.@ 62 mi ) from the shoreline .
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914 = = History = =
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915 Since no inscriptions on any of the island have been discovered , the ancient history of the island is conjectural , at best . Pandavas , the heroes of the Hindu epic Mahabharata , and Banasura , the demon devotee of Shiva , are both credited with building temples or cut caves to live . Local tradition holds that the caves are not man @-@ made .
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916 The Elephanta caves are " of unknown date and attribution " . Art historians have dated the caves in the range of late 5th to late 8th century AD . Archaeological excavations have unearthed a few Kshatrapa coins dated to 4th century AD . The known history is traced only to the defeat of Mauryan rulers of Konkan by the Badami Chalukyas emperor Pulakesi II ( 609 – 642 ) in a naval battle , in 635 AD . Elephanta was then called Puri or Purika , and served as the capital of the Konkan Mauryas . Some historians attribute the caves to the Konkan Mauryas , dating them to the mid @-@ 6th century , though others refute this claim saying a relatively small kingdom like the Konkan Mauryas could not undertake " an almost superhuman excavation effort , " which was needed to carve the rock temples from solid rock and could not have the skilled labor to produce such " high quality " sculpture .
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917 Some other historians attribute the construction to the Kalachuris ( late 5th to 6th century ) , who may have had a feudal relationship with the Konkan Mauryas . In an era where polytheism was prevalent , the Elephanta main cave dedicates the monotheism of the Pashupata Shaivism sect , a sect to which Kalachuris as well as Konkan Mauryas belonged .
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918 The Chalukyas , who defeated the Kalachuris as well as the Konkan Mauryas , are also believed by some to be creators of the main cave , in the mid @-@ 7th century . The Rashtrakutas are the last claimants to the creation of the main cave , approximated to the early 7th to late 8th century . The Elephanta Shiva cave resembles in some aspects the 8th @-@ century Rashtrakuta rock @-@ temple Kailash at Ellora . The Trimurti of Elephanta showing the three faces of Shiva is akin to the Trimurti of Brahma , Vishnu and Mahesh ( Shiva ) , which was the royal insignia of the Rashtrakutas . The Nataraja and Ardhanarishvara sculptures are also attributed to the Rashtrakutas .
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919 Later , Elephanta was ruled by another Chalukyan dynasty , and then by Gujarat Sultanate , who surrendered it to the Portuguese in 1534 . By then , Elephanta was called Gharapuri , which denotes a hill settlement . The name is still used in the local Marathi language . The Portuguese named the island " Elephanta Island " in honour of a huge rock @-@ cut black stone statue of an elephant that was then installed on a mound , a short distance east of Gharapuri village . The elephant now sits in the Jijamata Udyaan zoo in Mumbai .
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920 Portuguese rule saw a decline in the Hindu population on the island and the abandonment of the Shiva cave ( main cave ) as a regular Hindu place of worship , though worship on Mahashivratri , the festival of Shiva , continued and still does . The Portuguese did considerable damage to the sanctuaries . Portuguese soldiers used the reliefs of Shiva in the main cave for target practice , sparing only the Trimurti sculpture . They also removed an inscription related to the creation of the caves . While some historians solely blame the Portuguese for the destruction of the caves , others also cite water @-@ logging and dripping rainwater as additional damaging factors . The Portuguese left in 1661 as per the marriage treaty of Charles II of England and Catherine of Braganza , daughter of King John IV of Portugal . This marriage shifted possession of the islands to the British Empire , as part of Catherine 's dowry to Charles .
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921 Though the main cave was restored in the 1970s , other caves , including three consisting of important sculptures , are still badly damaged . The caves were designated a UNESCO World Heritage Site in 1987 as per the cultural criteria of UNESCO : the caves " represent a masterpiece of human creative genius " and " bear a unique or at least exceptional testimony to a cultural tradition or to a civilisation which is living or which has disappeared " .
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922 = = Overview = =
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923 The island has two groups of caves in the rock @-@ cut architectural style . The caves are hewn from solid basalt rock . All caves were painted in the past , but only traces remain . The larger group of caves , which consists of five caves on the western hill of the island , is well known for its Hindu sculptures . The primary cave , numbered as Cave 1 , is about 1 @.@ 5 km ( 0 @.@ 93 mi ) up a hillside , facing the ocean . It is a rock @-@ cut temple complex that covers an area of 5 @,@ 600 m2 ( 60 @,@ 000 sq ft ) , and consists of a main chamber , two lateral chambers , courtyards , and subsidiary shrines . It is 39 metres ( 128 ft ) deep from the front entrance to the back . The temple complex is the abode of Shiva , depicted in widely celebrated carvings which reveal his several forms and acts .
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924 On the eastern part of the island , on the Stupa Hill , there is a small group of caves that house Buddhist monuments . This hill is named after the religious Stupa monument that they display . One of the two caves is incomplete , while the other contains a Stupa made in brick .
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925 = = Main cave = =
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926 The main cave , also called the Shiva cave , Cave 1 , or the Great Cave , is 27 metres ( 89 ft ) square in plan with a hall ( mandapa ) . At the entrance are four doors , with three open porticoes and an aisle at the back . Pillars , six in each row , divide the hall into a series of smaller chambers . The roof of the hall has concealed beams supported by stone columns joined together by capitals . The cave entrance is aligned with the north – south axis , unusual for a Shiva shrine ( normally east – west ) . The northern entrance to the cave , which has 1 @,@ 000 steep steps , is flanked by two panels of Shiva dated to the Gupta period . The left panel depicts Yogishvara ( The Lord of Yoga ) and the right shows Nataraja ( Shiva as the Lord of Dance ) . The central Shiva shrine ( see 16 in plan below ) is a free @-@ standing square cell with four entrances , located in the right section of the main hall . Smaller shrines are located at the east and west ends of the caves . The eastern sanctuary serves as a ceremonial entrance .
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927 Each wall has large carvings of Shiva , each more than 5 metres ( 16 ft ) in height . The central Shiva relief Trimurti is located on the south wall and is flanked by Ardhanarisvara ( a half @-@ man , half @-@ woman representation of Shiva ) on its left and Gangadhara to its right , which denotes the River Ganges ' descent from Shiva 's matted locks . Other carvings related to the legend of Shiva are also seen in the main hall at strategic locations in exclusive cubicles ; these include Kalyanasundaramurti , depicting Shiva 's marriage to the goddess Parvati , Andhakasuravadamurti or Andhakasuramardana , the slaying of the demon Andhaka by Shiva , Shiva @-@ Parvati on Mount Kailash ( the abode of Shiva ) , and Ravananugraha , depicting the demon @-@ king Ravana shaking Kailash .
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928 The main cave blends Chalukyan architectural features such as massive figures of the divinities , guardians , and square pillars with custom capitals with Gupta artistic characteristics , like the depiction of mountains and clouds and female hairstyles .
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929 Layout :
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930 = = = Shiva @-@ Parvati on Kailash and Ravana lifting Kailash = = =
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931 The carving on the south wall to the east of the portico depicts Shiva and Parvati seated on their abode Mount Kailash . The four @-@ armed Shiva is seen with a crown and a disc behind it ( all damaged ) , the sacred thread across his chest , and a dressing gown covering up to the knee . Parvati , dressed in her finery with her hair falling to the front , looks away . Behind her at the right is a woman attendant holding the child , identified with her son Kartikeya , the war @-@ god . Many male and female attendants are seen behind the main figures . Shiva 's attendant , the skeleton @-@ like Bhringi , is seated at his feet . Other figures , not distinct , depict , among others , a royal @-@ looking tall person , ascetics , a fat figure , a dwarf , a bull ( the mount of Shiva ) , features of a Garuda , and two monkeys . The scenic beauty of the mountain is sculpted with the sky background amidst heavenly beings showering flowers on Shiva @-@ Parvati . This scene is interpreted as a gambling scene , where Parvati is angry as Shiva cheats in a game of dice .
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932 The carved panel facing this one is a two @-@ level depiction of Ravana lifting Kailash . The upper scene is Mount Kailash , where Shiva and Parvati are seated . The eight @-@ armed , three @-@ eyed Shiva wears headgear with a crescent and disc behind it . Most of his arms are broken , two of them resting on attendants ' heads . The Parvati figure , seated facing Shiva , remains only as a trunk . The panel is flanked by door keepers . Attendants of Shiva are also seen in the relief but mostly in a damaged state . Bhringi is seated near Shiva 's feet and to his left is the elephant @-@ headed son of Shiva , Ganesha . In this ensemble , the ten @-@ headed demon @-@ king Ravana is seen , with only one head left unscathed , and out of his twenty arms , only a few are discernible . Around Ravana are several demons . Numerous figures are seen above Shiva : the god Vishnu , riding his mount Garuda , to his left ; a skeleton @-@ figure ; and in a recess , Parvati 's mount , a tiger is depicted .
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933 A legend relates to both these panels . Once , Parvati was annoyed with Shiva . At this moment , Ravana , who was passing by Mount Kailash , found it as an obstruction to his movement . Upset , Ravana shook it vigorously and as a result , Parvati got scared and hugged Shiva . Enraged by Ravana 's arrogance , Shiva stamped down on Ravana , who sang praises of Shiva to free him of his misery and turned into an ardent devotee of Shiva . Another version states that Shiva was pleased with Ravana for restoring Parvati 's composure and blessed him .
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934 = = = Trimurti , Gangadhara and Ardhanarishvara = = =
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935 Described as a " masterpiece of Gupta @-@ Chalukyan art " , the most important sculpture in the caves is the Trimurti , carved in relief at the back of the cave facing the entrance , on the north @-@ south axis . It is also known as Trimurti Sadashiva and Maheshmurti . The image , 6 m ( 20 ft ) in height , depicts a three @-@ headed Shiva , representing Panchamukha Shiva . The three heads are said to represent three essential aspects of Shiva : creation , protection , and destruction . The right half @-@ face ( west face ) shows him as a young person with sensuous lips , embodying life and its vitality . In his hand he holds an object resembling a rosebud , depicting the promise of life and creativity . This face is closest to that of Brahma , the creator or Uma or Vamadeva , the feminine side of Shiva and creator of joy and beauty . The left half @-@ face ( east face ) is that of a moustached young man , displaying anger . This is Shiva as the terrifying Aghora or Bhairava , the one whose anger can engulf the entire world in flames , leaving only ashes behind . This is also known as Rudra @-@ Shiva , the Destroyer . The central face , benign and meditative , resembles the preserver Vishnu . This is Tatpurusha , " master of positive and negative principles of existence and preserver of their harmony " or Shiva as the yogi Yogeshwar in deep meditation praying for the preservation of humanity . The aspects Sadyojata and Ishana ( not carved ) faces are considered to be at the back and top of the sculpture . The Trimurti sculpture , with the Gateway of India in the background , has been adopted as the logo of the Maharashtra Tourism Department ( MTDC ) .
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936 The Gangadhara image to the right of the Trimurti is an ensemble of divinities assembled around the central figures of Shiva and Parvati , the former bearing the River Ganges as she descends from heaven . The carving is 4 m ( 13 ft ) wide and 5 @.@ 207 m ( 17 @.@ 08 ft ) high . The image is highly damaged , particularly the lower half of Shiva seen seated with Parvati , who is shown with four arms , two of which are broken . From the crown , a cup with a triple @-@ headed female figure ( with broken arms ) , representing the three sacred rivers Ganges , Yamuna , and Sarasvati , is depicted . Shiva is sculpted and bedecked with ornaments . The arms hold a coiling serpent whose hood is seen above his left shoulder . Another hand ( partly broken ) gives the semblance of Shiva hugging Parvati , with a head of matted hair . There is a small snake on the right hand and a tortoise close to the neck , with a bundle tied to the back . An ornamented drapery covers his lower torso , below the waist . Parvati is carved to the left of Shiva with a coiffured hair dress , fully bedecked with ornaments and jewellery , also fully draped , with her right hand touching the head of a female attendant who carries Parvati 's dress case . The gods Brahma and Indra , with their mystic regalia and mounts , are shown to the right of Shiva ; Vishnu , riding his mount Garuda , is shown to the left of Parvati . Many other details are defaced but a kneeling figure in the front is inferred to be the king who ordered the image to be carved . There are many divinities and attendant females at the back . The whole setting is under the sky and cloud scenes , with men and women , all dressed , shown showering flowers on the deities .
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937 In the chamber to the east of the Trimurti is the four @-@ armed Ardhanarishvara carving . This image , which is 5 @.@ 11 m ( 16 @.@ 8 ft ) in height , has a headdress ( double @-@ folded ) with two pleats draped towards the female head ( Parvati ) and the right side ( Shiva ) depicting curled hair and a crescent . The female figure has all the ornamentation ( broad armlets and long bracelets , a large ring in the ear , jewelled rings on the fingers ) but the right male figure has drooping hair , armlets and wristlets . One of his hands rests on Nandi ’ s left horn , Shiva 's mount , which is fairly well preserved . The pair of hands at the back is also bejewelled ; the right hand of the male holds a serpent , while the left hand of the female holds a mirror . The front left hand is broken but conjectured as holding the robe of the goddess . The central figure is surrounded by divinities .
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938 = = = Shiva slaying Andhaka and Wedding of Shiva = = =
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939 The engraved panel in the north end of the aisle is considered to be a unique sculpture , and shows Bhairava , or Virabhadra , a frightful form of Shiva . In the carved panel Shiva 's consort is seen sitting next to him , looking terrified . A female attendant is next to her . The central figure , which is much ruined below the waist , is 3 @.@ 5 m ( 11 ft ) high and posed as if running . His headgear has a ruff on the back , a skull and cobra over the forehead , and the crescent high on the right . His facial expression is of intense anger discerned from his furrowed brow , swollen eyes , and tusks . The legs and five of the eight arms are broken , attributed to Portuguese vandalism . The smaller broken image Andhaka is seen below Bhairava 's image . It is interpreted that Shiva is spearing him with the front right hand , as conjectured by the spear seen hanging without any hold . Also seen is the back hand lifted up and holding an elephant 's skin as a cover ; the elephant 's head , carved tusk , and trunk are seen hanging from the left hand . The second left hand depicts a snake coiled round it . The hand holds a bowl to collect the blood dripping from the slain Andhaka . Furthermore , pieces of a male and two female forms , figures of two ascetics , a small figure in front , a female figure , and two dwarfs are also seen in the carved panel . An unusual sculpture seen above the head of the main figure of Shiva is of a " very wide bottle with a curved groove in the middle of it " , which can interpreted variously as : the aum or the linga or a Shiva shrine .
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940 The niche image carved on the south wall is an ensemble of divinities assembled around the central figures of Shiva and Parvati shown getting married ( Kalyanasundara icon ) . Parvati is seen standing to Shiva 's right , the ordained place for a Hindu bride at the wedding . The carvings are substantially damaged ; only one of Shiva 's four hands is fully seen and the right leg is missing . Shiva has a headdress with a shining disc attached to it . His garments are well @-@ draped , and well @-@ tied at the waist . The sacred thread is seen across his chest . Parvati is carved as a perfect figure with coiffured hair dress , well adorned with jewellery and is draped tightly to display depressions below the waist only . She is seen with a coy expression and is led by her father who has his right hand on her shoulder . Even though both her hands are damaged , it is inferred that her left hand clasped Shiva 's right hand as a mark of holy alliance . Brahma is sitting as the officiating priest for the marriage . Vishnu is witness to the marriage . Mena , the mother of Parvati , is seen standing next to Vishnu . The moon @-@ god Chandra , seen with a wig and a crescent , is standing behind Parvati holding a circular pot with nectar for the marriage ceremony . Just above the main images , a galaxy of divinities , bearded sages , apsaras ( nymphs ) , Vidyadharas , Yakshis , Gandharvas , Bhringi , and other male and female attendants are seen as witness to the marriage ceremony showering flowers on the divine couple .
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941 = = = Yogishvara and Nataraja = = =
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942 The panel to the east of the north portico is Shiva in a Yogic position called Yogisvara , Mahayogi , Dharmaraja and Lakulish . Resembling a Buddha , Shiva is in a dilapidated condition with only two broken arms . Shiva is seated in padmasana yogic posture ( cross legged ) on a lotus carried by two Nāgas . His crown is carved with details adorned by a crescent , a round frill at the back , and hair curls dropping on either side of the shoulders . His face is calm in mediation , his eyes half @-@ closed . This represents Shiva in penance sitting amidst the Himalayan mountains after the death of his first wife Sati , who was later reborn as Parvati . He is surrounded by divinities in the sky and attendants below . Also seen is a plantain with three leaves already open and one opening , as well as a sunflower blossom . These are flanked by two attendants . Other figures discerned from a study of the broken images are : Vishnu riding Garuda on a plantain leaf ; the Sun @-@ god Surya riding a fully saddled horse ( head missing ) ; a saint with a rosary ; two female figures in the sky draped up to their thighs ; a faceless figure of the moon with a water container ; three identical figures of a male flanked by two females ; the skeleton of a sage ; Brahma ( without one arm ) riding a swan ; and Indra without his mount ( elephant missing ) .
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943 The panel carving in the west niche opposite Yogishvara depicts Shiva as Nataraja performing the Tandava ( cosmic dance ) . The niche is 4 m ( 13 ft ) wide and 3 @.@ 4 m ( 11 ft ) high and set low on the wall . He wears well @-@ decorated headgear . The Shiva image displays a dance pose and had ten arms , but the first right and third left hands are missing . The remaining first right arm is held across the breast and touches the left side , the second right hand that is seen damaged with an out @-@ flaying pose is broken at the elbow . The third arm is damaged at the elbow , and the fourth is also broken but inferred to have held a Khatvanga ( skull @-@ club ) . The left arms , seen hanging , are damaged near the wrists . The third hand is bent ( but broken ) towards Parvati standing on the side and the fourth hand is raised up . The right thigh ( broken ) is lifted up , and the left leg is not seen at all , the elaborate armlets are well @-@ preserved and a skirt round the waist is tied by a ribbon . A tall figurine of Parvati stands to the left of Shiva , which is also seen partly broken but well bejewelled . An airborne female figure is seen behind Parvati . Other figures seen in the relief are : Vishnu riding a Garuda ; Indra riding his elephant ; the elephant @-@ headed Ganesha ; Kartikeya ; Bhrngi ; sages and attendants .
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944 = = = Main cave shrine = = =
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945 The central shrine is a free @-@ standing square cell , with entrances on each of its sides . Each door is flanked by two dvarapalas ( gate keepers ) . The Linga , the symbol of Shiva in union with the Yoni , and the symbol of Parvati together symbolise the supreme unity that is deified by the shrine . The Linga is set on a raised platform above the floor of the shrine by 1 @.@ 8 m ( 5 ft 11 in ) . Six steps lead to this level from the floor level . The height of the eight dvarapalas varies from 4 @.@ 521 – 4 @.@ 623 m ( 14 @.@ 83 – 15 @.@ 17 ft ) . All are in a damaged condition except those at the southern door to the shrine . The southern gate statue has many unusual features – unusual headgear ; a large skull above the forehead ; lips parted with protruding teeth ; statues adorned with a single bead necklace , earrings , plain twisted armlets and thick wristlets ; a stooped right shoulder ; a globe held at navel level ; the robe is held at the right thigh by the left hand , and the legs are shapeless .
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946 = = = East wing = = =
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947 Several courtyards to the east and west of the main cave are blocked , though there is a 17 m ( 56 ft ) -wide courtyard that is accessible by entering the eastern part and climbing nine steps . A temple on the southern wall of the court depicts a well @-@ preserved fresco . The circular pedestal seen in the courtyard in front of the Shiva 's shrine near the east end , in the open area , is said to be the seat of Nandi , Shiva 's mount .
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948 On each side of the steps leading to the temple @-@ cave portico is a winged lion , or leogriff , each seated with a raised forepaw . The portico has chambers at each end and a Linga @-@ shrine at the back . Five low steps and a threshold lead into the central Linga @-@ shrine which is 4 @.@ 2 m ( 14 ft ) wide and 5 m ( 16 ft ) deep and has a circumambulatory path ( Pradakshina @-@ path ) around it . At the back of the portico , near the east end , is a gigantic statue of a four @-@ armed doorkeeper with two attendant demons . At the north end is a standing figure holding a trident . His left hand rests on a defaced demon @-@ figure . The west wall depicts the Ashta @-@ Matrikas ( eight mother goddesses ) , flanked by Kartikeya and Ganesha , the sons of Shiva . Some of Matrikas are depicted with children , but all of them are shown by their respective mounts ( bull , swan , peacock , a Garuda , etc . ) which identify them . At the east end of the portico is another chapel with a plain interior and sunken floor . Water drips in this chapel .
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949 = = = West wing = = =