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950 The west wing , entered through the main cave , is in a semi @-@ ruined state . It has a small chapel and a cistern enclosed within the pillared cave , which is believed to be Buddhist . Another shrine to the west of the courtyard , with a portico , has carvings of Shiva in a yogic pose seated on a lotus carried by “ two fat , heavy , wigged figures ” . This carving also depicts a three @-@ faced bearded Bramha and several other figurines . Entering through the back door of the portico is a cave enshrined with a multifaceted Shiva Linga erected over roughly hewn salunkhs . At the door entrance on both flanks , statues of gatekeepers standing over demons and two fat , poised figures are seen . On the southern side of the door is an ensemble of a number of statues . Prominent among these is the Shiva carving , which is depicted with six arms and the third eye in the forehead . Though in a partly ruined state , the carving shows Shiva with an ornamented crown fixed with a crescent , seen carrying a cobra in the left hand , a club in another hand , and discerned to be in a dancing pose . Next to this image are a figure under a plantain tree and a Shiva image ( Yogishvara ) seated on a lotus . Also seen in the panel are a male figure riding a bull with a bell fastened to its neck , a female figure and another carving to left of Shiva , a female figure with a jewel on her forehead with neatly looped headdress , Indra riding an elephant , Vishnu with four arms , holding a discus in one of his left hands and riding on Garuda flanked by a small flying figure , and a male figure with crescent in his hair .
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951 = = Other notable caves = =
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952 To the south @-@ east of the Great Cave is the second excavation , which faces east @-@ northeast . It includes a chapel at the north end . The front of this cave is completely destroyed ; only fragments of some semi @-@ columns remain . The interior has suffered water damage . The portico is 26 m ( 85 ft ) long and 11 m ( 36 ft ) deep . The chapel is supported by eight eight @-@ cornered columns and two demi @-@ columns and is irregular in shape . At the back of the portico are three chambers ; the central one has an altar and a water channel ( pranalika ) , though the Linga is lost . The shrine door has some traces of sculpture ( a boy , a fat figure , alligators on the frieze , and broken animal figures at the head of a doorjamb ) . The door @-@ keepers of the shrine are now in fragments .
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953 A little to the south of the last cave is another cave in worse condition , with water damage . It is a portico in which each end probably had a chapel or room with pillars in front . Two of them have cells at the back . The central door at the back of the portico leads to a damaged shrine . The shrine door has door @-@ keepers at each side , leaning on dwarfs with flying figures over the head , with door @-@ keepers and demons on the jamb and architrave . The shrine is a plain room 6 m ( 20 ft ) deep by 5 @.@ 7 m ( 19 ft ) wide with a low altar , holding a Linga . South of this cave is a cavern that may be used as a cistern .
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954 Above these caves is a tiger sculpture , which was worshipped as the tiger goddess Vaghesheri . This sculpture may be a guardian of the north entrance of Cave 1 . A Linga is also found near a small pond at top of the hill . Sculptures depicting a stone with a sun and a moon and a mother suckling a child ( now moved ) were also found nearby .
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955 Across the top of the ravine from Cave 1 is large hall known as Sitabai 's Temple ( cave ) . The portico has four pillars and two pilasters . The hall has 3 chambers at the back , the central one a shrine and the rest for priests ( both are plain rooms ) . The door of the central shrine has pilasters and a frieze , with the threshold having lion figures at the end . The shrine has an altar , a water channel , and hole in the centre , in which a statue of Parvati may have been worshipped . A 17th @-@ century record states that " this cave [ has ] a beautiful gate with a porch of exquisitely wrought marble " and two idols , one of goddess Vetal Candi and a head being in a large square seat .
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956 Passing along the face of the eastern hill to the north of Sitabai 's cave is a small Hindu excavation with a veranda , which was probably to be three cells , but was abandoned following the discovery of a flaw in the rock . Towards the east of hill is a dry pond , with large artificial boulders and Buddhist cisterns along its banks . At the end of the north spur of the main hill is a mound that resembles a Buddhist stupa .
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957 = = Preservation = =
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958 The threats to Elephanta Caves have been identified as the following : developmental pressures ( mainly due to its location within the Mumbai harbour ) , anthropogenic pressure due to growth of population of the communities residing on the island , industrial growth of the port facilities close to the island , no risk preparedness plan to address natural calamities such as earthquake , cyclones and terrorist attacks , unsustainable tourism and tourist facilities on the island , and poor management of the heritage monument .
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959 Preservation of Elephanta Island as a whole with its monuments has been ensured both through legislation and by physical restoration of the caves and its sculptures . The basic legislations enacted are : The Ancient Monuments and Archaeological Sites and Remains Act of 1958 and Rules ( 1959 ) ; The Elephanta Island ( Protected Monument ) Rules of 1957 , which prohibits mining , quarrying , blasting , excavation and other operations near the monument ; the Antiquities and Art Treasures Act promulgated in 1972 with its Rules promulgated in 1973 ; a Notification issued in 1985 declaring the entire island and a 1 @-@ kilometre ( 0 @.@ 62 mi ) area from the shore as " a prohibited area " ; a series of Maharashtra State Government environmental acts protecting the site ; the 1966 Regional and Town Planning Act ; and the 1995 Heritage Regulations for Greater Bombay .
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960 The Archaeological Survey of India ( ASI ) , Aurangabad Circle , on the basis of the above legislation and rules , maintain and manage the monuments . The physical measures undertaken for conservation cover include stabilisation of the rock face , construction of supports to the cave structures where pillars have collapsed , and consolidation of cave floors and construction of a parapet wall surrounding the site . In addition , visitor facilities at the site have been upgraded ( such as toilet facilities , railing construction , pathways , and a flight of steps from the jetty to the caves ) . An on @-@ site museum has been established and a conservation plan has been put in place . Overall , conservation of the property is stated to be good . The site receives approximately 25 @,@ 000 visitors per month . Public information brochures are also available at the venue of the monuments . During the World Heritage Day on 18 April and World Heritage Week between 19 and 25 November there are special events held at the caves . Another popular event organised is an annual traditional dance festival that attracts many visitors .
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961 After declaring the caves a World Heritage Site , UNESCO granted $ 100 @,@ 000 to document the site 's history and draw up a site plan . A part of the grant was used for conservation of the caves . Based on assessments by UNESCO , management plans include : better communication and collaboration between the ASI , on @-@ site staff , and other responsible government departments ; improved public information and awareness programs ; monitoring environmental impact of tourists on the cave and island environment ; greater attention to the maintenance of the rocks to address water leakages into the caves ; and daily monitoring of both structural and chemical conservation measures .
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962 The Indian National Trust for Art and Cultural Heritage ( INTACH ) is also involved with the Archaeological Survey of India in improving the local conditions at the cave site . A book has been published jointly by UNESCO , INTACH and the Government of India which presents a comprehensive site plan for restoration and a brief history of each sculpture constructed inside the caves .
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963 = Devin Townsend =
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964 Devin Garret Townsend ( born May 5 , 1972 ) is a Canadian musician , songwriter and record producer . He was the founder , songwriter , vocalist , and guitarist in extreme metal band Strapping Young Lad from 1994 to 2007 and has an extensive career as a solo artist .
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965 After performing in a number of heavy metal bands in high school , Townsend was discovered by a record label in 1993 and was asked to perform lead vocals on Steve Vai 's album Sex & Religion . After recording and touring with Vai , Townsend was discouraged by what he found in the music industry , and vented his anger on the solo album Heavy as a Really Heavy Thing released under the pseudonym Strapping Young Lad . He soon assembled a band under the name , and released the critically acclaimed City in 1997 . Since then , he has released three more studio albums with Strapping Young Lad , along with solo material released under his own independent record label , HevyDevy Records .
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966 Townsend 's solo albums , a diverse mix of hard rock , progressive metal , ambient , and new @-@ age , have featured a varying lineup of supporting musicians . In 2002 he formed the Devin Townsend Band , a dedicated lineup which recorded and toured for two of his solo releases . In 2007 , he disbanded both Strapping Young Lad and the Devin Townsend Band , taking a break from touring to spend more time with his family . After a two @-@ year hiatus , he began recording again , and soon announced the formation of the Devin Townsend Project . The project began with a series of four albums , released from 2009 to 2011 , each written in a different style , and Townsend continues to record and tour under the new moniker .
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967 Across all his bands and projects , Townsend has released twenty @-@ three studio albums and three live albums . Townsend 's trademark production style , featuring a heavily multitracked wall of sound , has been compared to the styles of Phil Spector and Frank Zappa . His versatile vocal delivery ranges from screaming to an opera @-@ esque singing , and his songwriting is similarly diverse . Townsend 's musical style is rooted in metal , and his albums are written to express different aspects of his personality .
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968 = = Biography = =
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969 = = = Early musical career ( 1972 – 1994 ) = = =
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970 Devin Townsend was born in New Westminster , British Columbia , on May 5 , 1972 . Townsend picked up the banjo when he was five , and began playing guitar when he was 12 . As an early teenager he befriended Brian " Beav " Waddell , who would later play guitars as part of the Devin Townsend Band and bass on the Devin Townsend Project . He participated in several metal bands while he was in high school , and founded Grey Skies at the age of 19 . Around the same time he joined a popular local group called Caustic Thought , replacing Jed Simon on guitar and playing alongside bassist Byron Stroud , both of whom would later become members of Townsend 's flagship band , Strapping Young Lad . In 1993 , Townsend began writing material under the name Noisescapes , a project he later described as " just as violent as Strapping Young Lad " .
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971 Townsend recorded a Noisescapes demo and sent copies to various record labels . Relativity Records responded to Townsend with a record deal and Townsend began work on what was to be the first Noisescapes album , Promise . Shortly afterward , the label introduced him to musician Steve Vai . Impressed with Townsend 's vocal work , Vai offered him the role of the lead vocalist on his new album Sex and Religion . After recording Sex and Religion , Townsend accompanied Vai on a world tour in support of the album . Townsend soon landed a second touring gig , this time with the opening band of Vai 's tour , the Wildhearts . He played live with the band throughout half of 1994 in Europe , and appeared as a guest musician on their single Urge . Ginger , the band 's frontman , remained close friends with Townsend , later co @-@ writing several songs on Infinity and the Christeen + 4 Demos EP .
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972 While on tour with the Wildhearts , Townsend formed a short @-@ lived thrash metal project with Metallica 's then @-@ bassist Jason Newsted . The band , known as IR8 , featured Newsted on vocals and bass , Townsend on guitar , and Tom Hunting of Exodus on drums . The group recorded a few songs together , although Townsend says that they never intended to go further than that . " People heard about it and thought we wanted to put out a CD , which is absolutely not true , " he explains . " People took this project way too seriously . " A demo tape was put together , but the material was not released until 2002 , when Newsted published the IR8 vs. Sexoturica compilation .
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973 Though Townsend was proud of what he had accomplished so early in his career , he was discouraged by his experience with the music industry . " I was becoming a product of somebody else 's imagination , and it was mixing with my own personality , " he later reflected . " This combination was appalling . " He pushed to get his own projects off the ground . Despite getting notable touring gigs with other musicians , however , Townsend continued to face rejection of his own music . Relativity Records dropped Noisescapes from their label shortly after Townsend accepted Vai 's offer , seeing no commercial appeal in Townsend 's music . " I have a hunch they only offered me a deal to get me to sing with Steve , " he mused . While touring with the Wildhearts , Townsend received a phone call from an A & R representative for Roadrunner Records , expressing an interest in his demos and an intention to sign him . The offer was ultimately rescinded by the head of Roadrunner , who regarded Townsend 's recordings as " just noise " .
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974 = = = Heavy as a Really Heavy Thing through Infinity ( 1994 – 1998 ) = = =
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975 In 1994 , Century Media Records offered Townsend a contract to make " some extreme albums " . He agreed to a five @-@ album deal with the record label , and also provided much of the guitar work on the 1994 album Millennium and the 1995 album Hard Wired by Vancouver industrial band Front Line Assembly . Townsend began to record material under the pseudonym Strapping Young Lad . He avoided using his real name at this point in career , looking for a fresh start after his high @-@ profile Vai gig . " At the beginning , I wanted to avoid at all cost to use my name because I was known as the singer for Steve Vai and it wasn 't the best publicity to have , " he later explained . " I was playing somebody else 's music and I was judged in respect to that music . " Townsend produced and performed nearly all the instruments on the debut studio album , Heavy as a Really Heavy Thing , which was released in April 1995 .
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976 Following the release of the record , Townsend and several other musician friends he knew in Vancouver recorded his first solo album in 1996 entitled Punky Brüster – Cooked on Phonics . Written and recorded in under a month , the album was produced as a parody of punk rock bands and documents the act of selling out for mainstream success . Townsend founded his own independent record label , HevyDevy Records , to release the album . Townsend assembled a permanent lineup of Strapping Young Lad to record City , including prolific metal drummer Gene Hoglan , along with Townsend 's former bandmates Jed Simon on guitar and Byron Stroud on bass . The industrial @-@ influenced album was released in 1997 . To this day , the album is widely considered Strapping Young Lad 's best work , with Metal Maniacs calling it " groundbreaking " and Revolver naming it " one of the greatest metal albums of all time " . Townsend himself considers it the band 's " ultimate " album . Later that year , Townsend released his second solo album , Ocean Machine : Biomech . The album featured a mix of hard rock , ambient , and progressive rock .
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977 After the completion of City and Ocean Machine : Biomech , Townsend began to approach a mental breakdown . " I started to see human beings as little lonesome , water based , pink meat , " he explained , " life forms pushing air through themselves and making noises that the other little pieces of meat seemed to understand . " In 1997 , he checked himself into a mental @-@ health hospital , where he was diagnosed with bipolar disorder . The diagnosis helped him understand where the two sides of his music were coming from ; he felt his disorder " gave birth to the two extremes that are Strapping 's City record and Ocean Machine : Biomech . " After being discharged from the hospital , Townsend found that " everything just clicked " and he was able to write his third solo album , Infinity , which he described as " the parent project " of City and Ocean Machine : Biomech , with music influenced by Broadway . Townsend returned to the studio , accompanied by Hoglan , to work on the album , on which Townsend played most of the instruments . Infinity was released in October 1998 . Later in his career , Townsend has cited Infinity as his favorite solo record .
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978 With Infinity , Townsend began to label all albums outside of Strapping Young Lad under his own name , dropping the Ocean Machine moniker , to reduce confusion . He wanted to show that despite the highly varied nature of his projects , they are all simply aspects of his identity . The album Biomech was relabeled and redistributed as Ocean Machine : Biomech , under Townsend 's name , to reflect the new arrangement . Townsend 's bandmates began to play two sets at their shows , one as Strapping Young Lad , and one as the Devin Townsend Band , playing songs from Townsend 's solo albums .
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979 = = = Physicist and Terria ( 1999 – 2001 ) = = =
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980 Townsend 's next project took several years to come to fruition . After the creation of the IR8 demo tape , Townsend and Jason Newsted had begun work on a new project called Fizzicist , which they described as " heavier than Strapping Young Lad " . When the IR8 tape was leaked , Newsted 's Metallica bandmates James Hetfield and Lars Ulrich learned of the project . Hetfield was " fucking pissed " that Newsted was playing outside the band , and Newsted was prevented by his bandmates from working on any more side projects . With the project stalled , Townsend instead wrote the album himself , entitling it Physicist . Townsend assembled his Strapping Young Lad bandmates to record it , the only time this lineup was featured on a Devin Townsend album . The thrash @-@ influenced Physicist was released in June 2000 , and is generally considered a low point in Townsend 's career . Hoglan and the rest of the band were dissatisfied with the way the sound was mixed , and Townsend considers it his worst album to date .
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981 Feeling he had " ostracized a bunch of fans " with Physicist , Townsend felt he had the chance to make a more personal and honest record . Townsend was inspired one morning while driving across Canada with his band , and looked to write an " introspective " album dedicated to his homeland . He produced and recorded Terria , a " highly illustrated stream @-@ of @-@ consciousness " album , with Gene Hoglan on drums , Craig McFarland on bass and Jamie Meyer on keyboards . Townsend cited Ween 's White Pepper as an inspiration for the album . Terria was released in November 2001 .
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982 = = = Strapping Young Lad through Synchestra ( 2003 – 2006 ) = = =
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983 Townsend 's solo run lasted until 2002 . After a five @-@ year break from recording , Strapping Young Lad reunited to record a new album . Townsend credits the album , Strapping Young Lad , as an emotional response to the attacks of September 11 , 2001 , in the United States . " If the world 's about to blow up , " said Townsend , " let 's write the soundtrack for it . " The album 's lyrics were based more around fear and insecurity than the " hostile " lyrics of City . Musically , Strapping Young Lad was less industrial than City , and more reminiscent of death metal , with a " larger @-@ than @-@ life " rock production style . Townsend cited Front Line Assembly , Grotus , and Samael 's Passage as influences . The self @-@ titled album was released in February 2003 . It received lukewarm reviews , with critics finding it inferior to City , but it was the band 's first charting album , entering at 97th place on Billboard 's Top Heatseekers chart .
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984 While Strapping Young Lad was being reunited , Townsend formed a new , permanent band " on par with Strapping " to record and tour for his solo releases . The Devin Townsend Band consisted of Brian " Beav " Waddell on guitar , Mike Young on bass , Ryan Van Poederooyen on drums , and Dave Young on keyboards . Townsend performed guitar , vocals , and production , as he did in Strapping Young Lad . Townsend worked on the band 's first album , Accelerated Evolution , at the same time he was working on Strapping Young Lad , spending half the week on one and half on the other . Accelerated Evolution , named for the pace of putting a new band together in under a year , was released a month after Strapping Young Lad . Mike G. of Metal Maniacs called it " the album of the year " , praising it for " the hard @-@ to @-@ accomplish trick of being extreme yet accessible , simultaneously heavy ' n ' rockin ' yet majestic and beautiful . " Prior to the formation of the Devin Townsend Band , Townsend had represented his solo releases live with the Strapping Young Lad lineup ; the band would play one set of Strapping Young Lad songs and one set of Devin Townsend songs . After the release of Accelerated Evolution , Townsend 's two bands toured separately for their separate albums .
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985 Strapping Young Lad began working on their next album , Alien , in March 2004 . Feeling that the band 's previous album did not live up to expectations , Townsend decided to take his music to a new extreme . To prepare for the new album , Townsend stopped taking the medication prescribed to treat his bipolar disorder . " I think that as an artist , in order for me to get to the next plateau , I kind of feel the need to explore things and sometimes that exploration leads you to places that are a little crazy , " he explains . " And Alien was no exception with that . " Although Townsend considered the album an " impenetrable mass of technicality " , it was well received on its release , selling 3 @,@ 697 copies in its first week and appearing on several Billboard charts . Around this time , Townsend also contributed to the soundtrack of the video game Fallout : Brotherhood of Steel .
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986 Shortly thereafter Townsend began putting together the next Devin Townsend Band record , with the working title Human . Townsend intended the album as the more " pleasant " counterpart to Alien . " It 's basically a record about coming back down to earth after being in space with Alien for a while . " The album ended up being renamed Synchestra and was released in January 2006 . Townsend showcased a wide variety of musical styles in Synchestra , blending his trademark " pop metal " with influences from folk , polka , and Middle Eastern music . The final Strapping Young Lad album , The New Black , was released later in 2006 .
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987 = = = Ziltoid the Omniscient and hiatus ( 2006 – 2008 ) = = =
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988 Townsend withdrew from touring to spend time with his family . From home , Townsend completed his second solo ambient album , The Hummer , releasing it exclusively on his website in November 2006 .
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989 In May 2007 , Townsend released Ziltoid the Omniscient , a tongue @-@ in @-@ cheek rock opera about the eponymous fictional alien . This was truly a solo album ; he programmed the drums using Drumkit from Hell , a software drum machine that uses samples recorded by Tomas Haake of Meshuggah and played all other instruments himself . Shortly after the album 's release , Townsend announced that he no longer planned to tour or make albums with Strapping Young Lad or the Devin Townsend Band . He explained that he was " burnt out on travelling , touring , and self promotion " and wished to do production work , write albums , and spend time with his family without the stress of interviews or touring .
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990 In 2008 , Townsend lent his voice to characters in several episodes of the Adult Swim cartoon Metalocalypse ( see Musician cameos in Metalocalypse for more ) . The original character design for Pickles the Drummer , one of the series ' main characters , bore a striking resemblance to Townsend . The series ' co @-@ creator Brendon Small acknowledged the similarity , and altered the design before the series began . " We made sure he didn 't look like Devin Townsend . We gave him the goatee and the dreadover so he wouldn 't look like that . "
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991 = = = Devin Townsend Project ( 2008 – 2012 ) = = =
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992 After removing himself from the music industry , Townsend cut his trademark hair off and gave up drinking and smoking . Townsend found it " disconcerting " that he had difficulty writing music without drugs , and that he had trouble identifying his purpose as a musician . He spent a year producing albums in absence of writing , but found it unrewarding and decided to " pick up the guitar and just write " . This began a period of " self discovery " where he learned " how to create without drugs " .
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993 Over two years , Townsend wrote over 60 songs , and found that they fit into " four distinct styles " . In March 2009 , Townsend announced his plans for a four @-@ album series called Devin Townsend Project , with the goal of clarifying his musical identity and being " accountable " for the persona he projects to the public . The project 's concept includes a different " theme " and a different group of musicians on each album .
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994 Ki , the first album of the Devin Townsend Project tetralogy was written to " set the stage " for the subsequent albums . Townsend channelled his new @-@ found control and sobriety into Ki , a " tense , quiet " album , which contrasts with much of the music he had been known for . Additional female vocals were provided by Ché Aimee Dorval ( Casualties of Cool ) . Ki was released in May 2009 .
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995 The second entry , a " commercial , yet heavy " album called Addicted , was released in November 2009 and features lead vocals from Townsend and Dutch singer Anneke van Giersbergen . Brian " Beav " Waddell was recruited from the Devin Townsend Band to play bass .
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996 Townsend returned to the stage in January 2010 , touring North America with headliner Between the Buried and Me as well as Cynic and Scale the Summit . This was followed by a headlining tour in Australia and a series of high @-@ profile shows in Europe ( for example co @-@ headlining the Brutal Assault festival in Czech Republic ) . He headlined a North American tour with UK label mates TesseracT supporting , which began in October 2010 , and toured in Europe with support from Aeon Zen and Anneke van Giersbergen .
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997 The third and fourth albums in the Devin Townsend Project series , Deconstruction and Ghost , were released simultaneously on June 21 , 2011 . In December 2011 all four Devin Townsend Project albums with additional material were released as the Contain Us box set . Townsend performed all four of Devin Townsend Project albums in London and recorded them for a DVD box set called By a Thread : Live in London 2011 that was released on June 18 , 2012 . The first three shows were held at the University of London Union , November 10 – 12 , 2011 . Ki , Addicted , and Deconstruction were each performed on one night , respectively . The show for Ghost was held at the Union Chapel , Islington on November 13 , 2011 . These four shows were each entitled " An Evening with the Devin Townsend Project " .
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998 Despite the Devin Townsend Project being originally a four @-@ album series , Townsend decided to continue working under the moniker and released the fifth album , Epicloud on September 18 , 2012 . Again featuring Anneke van Giersbergen on vocals , Epicloud appeared on several European charts , peaking at number 8 in Finland . On October 27 , 2012 , Devin Townsend performed a one @-@ off show covering his musical career called The Retinal Circus at Roundhouse in London . The 3 @-@ hour performance was recorded in high definition and released on DVD and Blu @-@ ray on September 30 , 2013 . Also in 2012 , Townsend played bass on the debut Bent Sea album Noistalgia . He also produced the record .
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999 Another project Townsend has mentioned several times between 2009 and 2012 is Obviouser , an album featuring " creepy , bass driven apocalyptic music " created with an " Ampeg rig " and an " Icelandic choir " . Working with many projects simultaneously at that time , Townsend stated in 2012 the Obviouser project is vying for pole position until " he wakes up and says ' he wants to do it ' " .