Gargaz/Test · Datasets at Hugging Face

text stringlengths 8 3.87k
397.9368591308594 12 WikiText2
3250 Bragging , boasting , or mocking : speech which either only honors oneself or dishonors others .
206.1454315185547 17 WikiText2
3251 The Church requires those who have damaged the reputation of another to " make reparation for the untruth they have communicated . " However , it does not require a person to reveal a truth to someone who does not have a right to know , and teaches respect for a right to privacy . Priests are prohibited from violating the seal of confession no matter how grave the sin or its impact on society .
32.67409133911133 76 WikiText2
3252 Included in the Church teachings of this commandment is the requirement for Christians to bear witness to their faith " without equivocation " in situations that require it . The use of modern media in spreading untruths , by individuals , businesses or governments , is condemned .
52.46343231201172 48 WikiText2
3253 = = Ninth commandment = =
779.76513671875 6 WikiText2
3254 The ninth and tenth commandments deal with coveting , which is an interior disposition not a physical act . The Catechism distinguishes between covetousness of the flesh ( improper sexual desire ) and covetousness for another 's worldly goods . The ninth commandment deals with the former and the tenth the latter .
34.93330001831055 53 WikiText2
3255 Jesus emphasized the need for pure thoughts as well as actions , and stated , " Everyone who looks at a woman lustfully has already committed adultery with her in his heart " ( Matthew 5 : 28 ) . The Catechism states that , with the help of God 's grace , men and women are required to overcome lust and bodily desires " for sinful relationships with another person 's spouse . " In Theology of the Body , a series of lectures given by Pope John Paul II , Jesus ' statement in Matthew 5 : 28 is interpreted that one can commit adultery in the heart not only with another 's spouse , but also with his / her own spouse if one looks at him / her lustfully or treats him / her " only as an object to satisfy instinct " .
27.46600341796875 148 WikiText2
3256 Purity of heart is suggested as the necessary quality needed to accomplish this task ; common Catholic prayers and hymns include a request for this virtue . The Church identifies gifts of God that help a person maintain purity :
120.86732482910156 40 WikiText2
3257 Chastity , which enables people to love others with upright and undivided hearts .
102.4126968383789 14 WikiText2
3258 Purity of intention , which seeks to fulfill God 's will in everything , knowing that it alone will lead to the true end of man .
82.48746490478516 27 WikiText2
3259 Purity of vision , " external and internal " , disciplining the thoughts and imagination to reject those that are impure .
200.43975830078125 22 WikiText2
3260 Prayer that recognizes the power of God to grant a person the ability to overcome sexual desires .
49.28888702392578 18 WikiText2
3261 Modesty , of the feelings as well as the body is discreet in choice of words and clothing .
154.35382080078125 19 WikiText2
3262 Jesus stated , " Blessed are the clean of heart , for they shall see God . " This purity of heart , which the ninth commandment introduces , is the " precondition of the vision of God " and allows the person to see situations and people as God sees . The Catechism teaches that " there is a connection between purity of heart , of body and of faith . "
33.54476547241211 73 WikiText2
3263 = = Tenth commandment = =
738.4164428710938 6 WikiText2
3264 Detachment from riches is the goal of the tenth commandment and the first Beatitude ( " blessed are the poor in spirit " ) because , according to the Catechism , this precept is necessary for entrance into the Kingdom of heaven . Covetousness is prohibited by the tenth commandment because it is considered to be the first step toward commission of theft , robbery and fraud ; these lead to violence and injustice . The Church defines covetousness as a " disordered desire " that can take different forms :
38.904415130615234 91 WikiText2
3265 Greed is the desire for too much of what one does not need .
88.07611846923828 14 WikiText2
3266 Envy is the desire for what belongs to another . The US Bishops define it as " an attitude that fills us with sadness at the sight of another 's prosperity . "
107.98759460449219 33 WikiText2
3267 Explaining Church teaching of this commandment , Kreeft cites Saint Thomas Aquinas , who wrote , " An evil desire can only be overcome by a stronger good desire . " The US Bishops suggest that this can be achieved through cultivation of goodwill , humility and gratitude for one 's own and others ' blessings , while trusting in God 's grace . Kreeft explains that Saint Paul the Apostle illustrated the concept in his letter to the Philippians when he listed his worldly credentials as a respected Jew and stated , " I count everything as loss because of the surpassing worth of knowing Christ Jesus my Lord . " As Jesus stated , " What shall it profit a man if he shall gain the whole world , and lose his own soul ? " Church teaching on the tenth commandment is directed toward this same attitude toward worldly goods , termed " poverty of spirit " .
43.00562286376953 161 WikiText2
3268 = Yamaha NS @-@ 10 =
2931.283935546875 8 WikiText2
3269 The Yamaha NS @-@ 10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers . Launched in 1978 , the NS @-@ 10 started life as a bookshelf speaker destined for the domestic environment . It was poorly received but eventually became a valuable tool with which to mix rock recordings . The speaker has a characteristic white @-@ coloured mid – bass drive unit .
81.37141418457031 83 WikiText2
3270 Technically , it is known as a speaker that easily reveals poor quality in recordings . Recording engineers sought to dull its treble response by hanging tissue paper in front of it , resulting in what became known as the " tissue paper effect " , a type of comb filtering . The NS @-@ 10 has been used to monitor a large number of successful recordings by numerous artists , leading Gizmodo to refer to it as " the most important loudspeaker you never heard of " . Yamaha discontinued the product in 2001 .
57.22366714477539 98 WikiText2
3271 = = History = =
563.5761108398438 5 WikiText2
3272 Originally conceived as a domestic hi @-@ fi speaker , the NS @-@ 10 was designed by Akira Nakamura and launched in 1978 . It was sold at the $ 400 price point . The speaker was poorly received and its commercial life was short . However , it took five years for its popularity to be established with professional users . As recording engineers came to rely on the NS @-@ 10 as a benchmark , it dominated the mixing of pop and rock music throughout the world for at least 20 years .
46.66678237915039 101 WikiText2
3273 The NS @-@ 10 displaced the Auratone 5C Sound Cube as the nearfield monitor of choice in the 1980s and was recognised for its ability to reveal shortcomings in recordings . It probably first reached American shores through a recording engineer 's visit to Japan . The engineer , likely to have been Greg Ladanyi , monitored a recording session through the speaker in a Japanese studio and brought a pair back on his return to the US . Ladanyi then began using the speakers in a Los Angeles studio . Other engineers heard the NS @-@ 10 for the first time and were impressed by its sound . Its use spread to New York where the NS @-@ 10 was adopted at The Power Station and other studios .
66.4810562133789 136 WikiText2
3274 Early use of the NS @-@ 10 among engineers include Bob Clearmountain , Rhett Davies , and Bill Scheniman in the US , and Nigel Jopson in the UK . Clearmountain , then a rising star in record production , is often credited for the popularity of the NS @-@ 10 ; Phil Ward , writing in Sound on Sound , suggested that Clearmountain was probably not the earliest , but was certainly the most influential early adopter . It became a legend that Clearmountain had chosen it because it was the worst speaker he could find . He was one of a new breed of creative freelance recording engineers and producers who would travel from studio to studio equipped with their own gear that included microphones , and a pair of Yamaha NS @-@ 10 , as a reference .
47.32743835449219 147 WikiText2
3275 Recording studios around the world , particularly those specialising in rock and pop music , adopted the speaker as the standard . In excess of 200 @,@ 000 pairs were sold throughout the world . Gizmodo referred to it as " the most important loudspeaker you never heard of " .
58.947025299072266 53 WikiText2
3276 Yamaha stopped manufacturing the speaker in 2001 , citing problems sourcing the wood pulp for the drivers . Even years after it was discontinued , the speaker continued to be found in studios everywhere . Mix reported in 2008 that variants of the NS @-@ 10 were still commercially available in the Japanese consumer market .
122.11428833007812 58 WikiText2
3277 = = Design and construction = =
512.0652465820312 7 WikiText2
3278 The NS @-@ 10 is an 8 @-@ ohm two @-@ way loudspeaker with a 10 @.@ 4 @-@ litre Sealed cabinet measuring 382 × 215 × 199 millimetres ( 15 @.@ 0 × 8 @.@ 5 × 7 @.@ 8 in ) and weighing 6 kilograms ( 13 @.@ 2 lb ) . Its 2 @.@ 5 cm ( 0 @.@ 98 in ) particle @-@ board cabinet has a wood veneer skin with seven black finishing layers . The domestic version of the speaker was vertically orientated , and came factory fitted with a grille .
76.41068267822266 122 WikiText2
3279 Its two drivers are a 180 mm paper woofer and a 35 mm soft @-@ domed tweeter . The woofer 's diaphragm , weighing 3 @.@ 7 g , is manufactured from a flat sheet of pressed pulp paper . Unconventionally , it is formed into conical shape not through moulding or pressure , but by curling and then gluing the two ends together . Against the black finish of the cabinet , the white bass / mid driver cone is a distinctive and iconic feature of the product .
85.24617767333984 94 WikiText2
3280 The network is second @-@ order passive , crossing over at 2 kHz . The frequency range is quoted from 60 Hz to 20 kHz , and rated power handling is 25 – 50 W. The early version of the speaker has press @-@ down type output terminals ; later models had screw terminals .
180.33059692382812 59 WikiText2
3281 = = Signature sound = =
1039.142578125 6 WikiText2
3282 In simplistic terms , the NS @-@ 10 possesses sonic characteristics that allow record producers to assume that if a recording sounds good on these monitors , then it should sound good on most playback systems . Whilst it can reveal any shortcomings in the recording mix as well as the monitoring chain , it may lead to listener fatigue with prolonged use in the domestic setting .
93.0091323852539 70 WikiText2
3283 The NS @-@ 10 does not have a perfectly flat frequency response . The sound of the NS @-@ 10 is slightly heavy in the midrange , and like other sealed @-@ box speakers of similar size its bass extension is limited . It has a + 5 dB boost in the midrange at around 2 kHz , and the bottom end starts rolling off at 200 Hz . The midrange response is so open that it exposes the frequencies that are the most problematic and worst @-@ sounding to the human ear .
49.80326843261719 102 WikiText2
3284 On a practical level for the music professional , the speaker is analytic and clinical @-@ sounding . Gizmodo likened the NS @-@ 10 to music editors who reveal the weaknesses of recordings , so that engineers would be forced to either make necessary compensation in the mix or otherwise rework them .
173.17706298828125 57 WikiText2
3285 A 2001 report by Newell et al. at Southampton University undertaken for Studio Sound in 2001 found that the NS @-@ 10 had excellent time @-@ domain response at low frequencies – its ability to start and stop in response to signal input was found to be superior to that of most other nearfield monitors . Part of this was related to its closed @-@ box design . The researchers held that the extremely fast decay time of the speaker in the low frequencies ensures that the bass instruments ( guitar and drums ) are correctly balanced in the mix .
78.17792510986328 108 WikiText2
3286 = = Product revisions = =
1131.95947265625 6 WikiText2
3287 There were many other versions of the NS @-@ 10 , the best known of which were the " NS @-@ 10M Studio " and the " NS @-@ 10M Pro " , both introduced in 1987 . Technically identical to the " Studio " , the " Pro " comes fitted with a speaker grille and is meant to be used in a vertical orientation .
34.24370574951172 73 WikiText2
3288 The " professional " version launched some nine years after its first introduction on the back of the popularity of the NS @-@ 10 among engineers . The revised version , with everything including the logo and connection panel orientated horizontally , was badged " NS @-@ 10M Studio " . Improvements included a new tweeter and crossover to address the problem in the treble , better connection terminals , and a sturdier cabinet that no longer accommodates grilles . The Studio reincarnation also has improved power handling – 60 – 120 W. In excess of 200 @,@ 000 pairs of " Studio " alone were sold throughout the world .
130.07188415527344 117 WikiText2
3289 Also in the product line @-@ up were NS @-@ 10T , NS @-@ 10M X , NS @-@ 10MC , NS @-@ 10MT . The NS @-@ 10M X is a " Studio " with magnetic shielding and a different tweeter . In the 1990s Yamaha introduced the NS @-@ 10MT , a bass @-@ reflex version of the 10M X with a different tweeter and grille . Designed for home cinema , it has bass response down to 43 Hz , nominal impedance of 6 ohm and maximum power handling rated at 180 W. A miniature version named Natural Sound Surround Speaker NS10MM was launched in 1997 or 1998 .
47.006439208984375 128 WikiText2
3290 = = Reception = =
513.3173828125 5 WikiText2
3291 The sound quality of the NS @-@ 10 has polarised opinions , characterised as " love them or hate them " . Many professionals find it indispensable , even though they may not particularly enjoy listening to it ; others refuse to give it space in their studio but will happily admit that it is an effective professional tool . The reliance on the NS @-@ 10 by top independent producers became a viral phenomenon ; thousands of studios equipped themselves with NS @-@ 10s to attract big named producers , making the speakers an industry standard .
63.28152847290039 104 WikiText2
3292 = = Tissue paper effect = =
659.2681884765625 7 WikiText2
3293 Clearmountain was said to have been one of the first recording engineers to hang tissue paper over the tweeters of the NS @-@ 10 to tame the over @-@ bright treble . Covering the tweeters with tissue paper was said to produce treble @-@ deficient mixes when replayed on normal domestic hi @-@ fi . The phenomenon became the subject of hot debate . Recording engineer Bob Hodas investigated the alleged sonic effects of tissue paper . He found inconsistent results with different paper , but said that tissue paper generally demonstrated an undesirable effect known as comb filtering , where the high frequencies are reflected back into the tweeter instead of being absorbed . Hodas derided the tissue practice as " aberrant behaviour " , saying that engineers usually fear comb filtering and its associated cancellation effects . He also suggested that more controllable and less random electronic filtering would be preferable . Newell et al. noted that had the speakers ' grilles been used in studios , where they are routinely removed , they would have had the same effect on the treble output as the improvised tissue paper filter .
68.32720184326172 202 WikiText2
3294 = = Influence = =
1058.7327880859375 5 WikiText2
3295 The speaker came to be relied on by independent engineers , who worked in different studios and needed equipment they were familiar with as a reference point . Throughout the 1980s , engineers and producers worked widely with the speaker to monitor " [ almost ] any album you love from the 80s or 90s " – from Born in the U.S.A. ( Bruce Springsteen ) , Avalon ( Roxy Music ) Let 's Dance ( David Bowie ) , to Big Bam Boom ( Hall and Oates ) .
53.23014450073242 90 WikiText2
3296 The NS @-@ 10 , and the Auratone before it , are two of the most influential nearfield monitors used in the professional mixing of sound recordings . In 2008 , the NS @-@ 10 was inducted into the Mix magazine TECnology Hall of Fame . Also reflecting its influence , the speaker won a Technical Grammy for Yamaha in 2007 . In 2008 , the speaker was found " in almost every studio " .
81.53703308105469 80 WikiText2
3297 = Utah State Route 61 =
1771.9754638671875 6 WikiText2
3298 State Route 61 ( SR @-@ 61 ) is a nearly 7 @.@ 3 @-@ mile @-@ long ( 11 @.@ 7 km ) state highway in the U.S. state of Utah , connecting SR @-@ 23 in Cornish , Cache County to U.S. Route 91 ( US @-@ 91 ) near Richmond via Lewiston , in the extreme northern part of the state . The highway has existed since at least 1914 , as SR @-@ 61 since at least 1937 , and between 735 and 2 @,@ 180 vehicles travel along the highway on an average day in 2012 .
56.29887008666992 120 WikiText2
3299 = = Route description = =

397.9368591308594 12 WikiText2

3250 Bragging , boasting , or mocking : speech which either only honors oneself or dishonors others .

206.1454315185547 17 WikiText2

3251 The Church requires those who have damaged the reputation of another to " make reparation for the untruth they have communicated . " However , it does not require a person to reveal a truth to someone who does not have a right to know , and teaches respect for a right to privacy . Priests are prohibited from violating the seal of confession no matter how grave the sin or its impact on society .

32.67409133911133 76 WikiText2

3252 Included in the Church teachings of this commandment is the requirement for Christians to bear witness to their faith " without equivocation " in situations that require it . The use of modern media in spreading untruths , by individuals , businesses or governments , is condemned .

52.46343231201172 48 WikiText2

3253 = = Ninth commandment = =

779.76513671875 6 WikiText2

3254 The ninth and tenth commandments deal with coveting , which is an interior disposition not a physical act . The Catechism distinguishes between covetousness of the flesh ( improper sexual desire ) and covetousness for another 's worldly goods . The ninth commandment deals with the former and the tenth the latter .

34.93330001831055 53 WikiText2

3255 Jesus emphasized the need for pure thoughts as well as actions , and stated , " Everyone who looks at a woman lustfully has already committed adultery with her in his heart " ( Matthew 5 : 28 ) . The Catechism states that , with the help of God 's grace , men and women are required to overcome lust and bodily desires " for sinful relationships with another person 's spouse . " In Theology of the Body , a series of lectures given by Pope John Paul II , Jesus ' statement in Matthew 5 : 28 is interpreted that one can commit adultery in the heart not only with another 's spouse , but also with his / her own spouse if one looks at him / her lustfully or treats him / her " only as an object to satisfy instinct " .

27.46600341796875 148 WikiText2

3256 Purity of heart is suggested as the necessary quality needed to accomplish this task ; common Catholic prayers and hymns include a request for this virtue . The Church identifies gifts of God that help a person maintain purity :

120.86732482910156 40 WikiText2

3257 Chastity , which enables people to love others with upright and undivided hearts .

102.4126968383789 14 WikiText2

3258 Purity of intention , which seeks to fulfill God 's will in everything , knowing that it alone will lead to the true end of man .

82.48746490478516 27 WikiText2

3259 Purity of vision , " external and internal " , disciplining the thoughts and imagination to reject those that are impure .

200.43975830078125 22 WikiText2

3260 Prayer that recognizes the power of God to grant a person the ability to overcome sexual desires .

49.28888702392578 18 WikiText2

3261 Modesty , of the feelings as well as the body is discreet in choice of words and clothing .

154.35382080078125 19 WikiText2

3262 Jesus stated , " Blessed are the clean of heart , for they shall see God . " This purity of heart , which the ninth commandment introduces , is the " precondition of the vision of God " and allows the person to see situations and people as God sees . The Catechism teaches that " there is a connection between purity of heart , of body and of faith . "

33.54476547241211 73 WikiText2

3263 = = Tenth commandment = =

738.4164428710938 6 WikiText2

3264 Detachment from riches is the goal of the tenth commandment and the first Beatitude ( " blessed are the poor in spirit " ) because , according to the Catechism , this precept is necessary for entrance into the Kingdom of heaven . Covetousness is prohibited by the tenth commandment because it is considered to be the first step toward commission of theft , robbery and fraud ; these lead to violence and injustice . The Church defines covetousness as a " disordered desire " that can take different forms :

38.904415130615234 91 WikiText2

3265 Greed is the desire for too much of what one does not need .

88.07611846923828 14 WikiText2

3266 Envy is the desire for what belongs to another . The US Bishops define it as " an attitude that fills us with sadness at the sight of another 's prosperity . "

107.98759460449219 33 WikiText2

3267 Explaining Church teaching of this commandment , Kreeft cites Saint Thomas Aquinas , who wrote , " An evil desire can only be overcome by a stronger good desire . " The US Bishops suggest that this can be achieved through cultivation of goodwill , humility and gratitude for one 's own and others ' blessings , while trusting in God 's grace . Kreeft explains that Saint Paul the Apostle illustrated the concept in his letter to the Philippians when he listed his worldly credentials as a respected Jew and stated , " I count everything as loss because of the surpassing worth of knowing Christ Jesus my Lord . " As Jesus stated , " What shall it profit a man if he shall gain the whole world , and lose his own soul ? " Church teaching on the tenth commandment is directed toward this same attitude toward worldly goods , termed " poverty of spirit " .

43.00562286376953 161 WikiText2

3268 = Yamaha NS @-@ 10 =

2931.283935546875 8 WikiText2

3269 The Yamaha NS @-@ 10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers . Launched in 1978 , the NS @-@ 10 started life as a bookshelf speaker destined for the domestic environment . It was poorly received but eventually became a valuable tool with which to mix rock recordings . The speaker has a characteristic white @-@ coloured mid – bass drive unit .

81.37141418457031 83 WikiText2

3270 Technically , it is known as a speaker that easily reveals poor quality in recordings . Recording engineers sought to dull its treble response by hanging tissue paper in front of it , resulting in what became known as the " tissue paper effect " , a type of comb filtering . The NS @-@ 10 has been used to monitor a large number of successful recordings by numerous artists , leading Gizmodo to refer to it as " the most important loudspeaker you never heard of " . Yamaha discontinued the product in 2001 .

57.22366714477539 98 WikiText2

3271 = = History = =

563.5761108398438 5 WikiText2

3272 Originally conceived as a domestic hi @-@ fi speaker , the NS @-@ 10 was designed by Akira Nakamura and launched in 1978 . It was sold at the $ 400 price point . The speaker was poorly received and its commercial life was short . However , it took five years for its popularity to be established with professional users . As recording engineers came to rely on the NS @-@ 10 as a benchmark , it dominated the mixing of pop and rock music throughout the world for at least 20 years .

46.66678237915039 101 WikiText2

3273 The NS @-@ 10 displaced the Auratone 5C Sound Cube as the nearfield monitor of choice in the 1980s and was recognised for its ability to reveal shortcomings in recordings . It probably first reached American shores through a recording engineer 's visit to Japan . The engineer , likely to have been Greg Ladanyi , monitored a recording session through the speaker in a Japanese studio and brought a pair back on his return to the US . Ladanyi then began using the speakers in a Los Angeles studio . Other engineers heard the NS @-@ 10 for the first time and were impressed by its sound . Its use spread to New York where the NS @-@ 10 was adopted at The Power Station and other studios .

66.4810562133789 136 WikiText2

3274 Early use of the NS @-@ 10 among engineers include Bob Clearmountain , Rhett Davies , and Bill Scheniman in the US , and Nigel Jopson in the UK . Clearmountain , then a rising star in record production , is often credited for the popularity of the NS @-@ 10 ; Phil Ward , writing in Sound on Sound , suggested that Clearmountain was probably not the earliest , but was certainly the most influential early adopter . It became a legend that Clearmountain had chosen it because it was the worst speaker he could find . He was one of a new breed of creative freelance recording engineers and producers who would travel from studio to studio equipped with their own gear that included microphones , and a pair of Yamaha NS @-@ 10 , as a reference .

47.32743835449219 147 WikiText2

3275 Recording studios around the world , particularly those specialising in rock and pop music , adopted the speaker as the standard . In excess of 200 @,@ 000 pairs were sold throughout the world . Gizmodo referred to it as " the most important loudspeaker you never heard of " .

58.947025299072266 53 WikiText2

3276 Yamaha stopped manufacturing the speaker in 2001 , citing problems sourcing the wood pulp for the drivers . Even years after it was discontinued , the speaker continued to be found in studios everywhere . Mix reported in 2008 that variants of the NS @-@ 10 were still commercially available in the Japanese consumer market .

122.11428833007812 58 WikiText2

3277 = = Design and construction = =

512.0652465820312 7 WikiText2

3278 The NS @-@ 10 is an 8 @-@ ohm two @-@ way loudspeaker with a 10 @.@ 4 @-@ litre Sealed cabinet measuring 382 × 215 × 199 millimetres ( 15 @.@ 0 × 8 @.@ 5 × 7 @.@ 8 in ) and weighing 6 kilograms ( 13 @.@ 2 lb ) . Its 2 @.@ 5 cm ( 0 @.@ 98 in ) particle @-@ board cabinet has a wood veneer skin with seven black finishing layers . The domestic version of the speaker was vertically orientated , and came factory fitted with a grille .

76.41068267822266 122 WikiText2

3279 Its two drivers are a 180 mm paper woofer and a 35 mm soft @-@ domed tweeter . The woofer 's diaphragm , weighing 3 @.@ 7 g , is manufactured from a flat sheet of pressed pulp paper . Unconventionally , it is formed into conical shape not through moulding or pressure , but by curling and then gluing the two ends together . Against the black finish of the cabinet , the white bass / mid driver cone is a distinctive and iconic feature of the product .

85.24617767333984 94 WikiText2

3280 The network is second @-@ order passive , crossing over at 2 kHz . The frequency range is quoted from 60 Hz to 20 kHz , and rated power handling is 25 – 50 W. The early version of the speaker has press @-@ down type output terminals ; later models had screw terminals .

180.33059692382812 59 WikiText2

3281 = = Signature sound = =

1039.142578125 6 WikiText2

3282 In simplistic terms , the NS @-@ 10 possesses sonic characteristics that allow record producers to assume that if a recording sounds good on these monitors , then it should sound good on most playback systems . Whilst it can reveal any shortcomings in the recording mix as well as the monitoring chain , it may lead to listener fatigue with prolonged use in the domestic setting .

93.0091323852539 70 WikiText2

3283 The NS @-@ 10 does not have a perfectly flat frequency response . The sound of the NS @-@ 10 is slightly heavy in the midrange , and like other sealed @-@ box speakers of similar size its bass extension is limited . It has a + 5 dB boost in the midrange at around 2 kHz , and the bottom end starts rolling off at 200 Hz . The midrange response is so open that it exposes the frequencies that are the most problematic and worst @-@ sounding to the human ear .

49.80326843261719 102 WikiText2

3284 On a practical level for the music professional , the speaker is analytic and clinical @-@ sounding . Gizmodo likened the NS @-@ 10 to music editors who reveal the weaknesses of recordings , so that engineers would be forced to either make necessary compensation in the mix or otherwise rework them .

173.17706298828125 57 WikiText2

3285 A 2001 report by Newell et al. at Southampton University undertaken for Studio Sound in 2001 found that the NS @-@ 10 had excellent time @-@ domain response at low frequencies – its ability to start and stop in response to signal input was found to be superior to that of most other nearfield monitors . Part of this was related to its closed @-@ box design . The researchers held that the extremely fast decay time of the speaker in the low frequencies ensures that the bass instruments ( guitar and drums ) are correctly balanced in the mix .

78.17792510986328 108 WikiText2

3286 = = Product revisions = =

1131.95947265625 6 WikiText2

3287 There were many other versions of the NS @-@ 10 , the best known of which were the " NS @-@ 10M Studio " and the " NS @-@ 10M Pro " , both introduced in 1987 . Technically identical to the " Studio " , the " Pro " comes fitted with a speaker grille and is meant to be used in a vertical orientation .

34.24370574951172 73 WikiText2

3288 The " professional " version launched some nine years after its first introduction on the back of the popularity of the NS @-@ 10 among engineers . The revised version , with everything including the logo and connection panel orientated horizontally , was badged " NS @-@ 10M Studio " . Improvements included a new tweeter and crossover to address the problem in the treble , better connection terminals , and a sturdier cabinet that no longer accommodates grilles . The Studio reincarnation also has improved power handling – 60 – 120 W. In excess of 200 @,@ 000 pairs of " Studio " alone were sold throughout the world .

130.07188415527344 117 WikiText2

3289 Also in the product line @-@ up were NS @-@ 10T , NS @-@ 10M X , NS @-@ 10MC , NS @-@ 10MT . The NS @-@ 10M X is a " Studio " with magnetic shielding and a different tweeter . In the 1990s Yamaha introduced the NS @-@ 10MT , a bass @-@ reflex version of the 10M X with a different tweeter and grille . Designed for home cinema , it has bass response down to 43 Hz , nominal impedance of 6 ohm and maximum power handling rated at 180 W. A miniature version named Natural Sound Surround Speaker NS10MM was launched in 1997 or 1998 .

47.006439208984375 128 WikiText2

3290 = = Reception = =

513.3173828125 5 WikiText2

3291 The sound quality of the NS @-@ 10 has polarised opinions , characterised as " love them or hate them " . Many professionals find it indispensable , even though they may not particularly enjoy listening to it ; others refuse to give it space in their studio but will happily admit that it is an effective professional tool . The reliance on the NS @-@ 10 by top independent producers became a viral phenomenon ; thousands of studios equipped themselves with NS @-@ 10s to attract big named producers , making the speakers an industry standard .

63.28152847290039 104 WikiText2

3292 = = Tissue paper effect = =

659.2681884765625 7 WikiText2

3293 Clearmountain was said to have been one of the first recording engineers to hang tissue paper over the tweeters of the NS @-@ 10 to tame the over @-@ bright treble . Covering the tweeters with tissue paper was said to produce treble @-@ deficient mixes when replayed on normal domestic hi @-@ fi . The phenomenon became the subject of hot debate . Recording engineer Bob Hodas investigated the alleged sonic effects of tissue paper . He found inconsistent results with different paper , but said that tissue paper generally demonstrated an undesirable effect known as comb filtering , where the high frequencies are reflected back into the tweeter instead of being absorbed . Hodas derided the tissue practice as " aberrant behaviour " , saying that engineers usually fear comb filtering and its associated cancellation effects . He also suggested that more controllable and less random electronic filtering would be preferable . Newell et al. noted that had the speakers ' grilles been used in studios , where they are routinely removed , they would have had the same effect on the treble output as the improvised tissue paper filter .

68.32720184326172 202 WikiText2

3294 = = Influence = =

1058.7327880859375 5 WikiText2

3295 The speaker came to be relied on by independent engineers , who worked in different studios and needed equipment they were familiar with as a reference point . Throughout the 1980s , engineers and producers worked widely with the speaker to monitor " [ almost ] any album you love from the 80s or 90s " – from Born in the U.S.A. ( Bruce Springsteen ) , Avalon ( Roxy Music ) Let 's Dance ( David Bowie ) , to Big Bam Boom ( Hall and Oates ) .

53.23014450073242 90 WikiText2

3296 The NS @-@ 10 , and the Auratone before it , are two of the most influential nearfield monitors used in the professional mixing of sound recordings . In 2008 , the NS @-@ 10 was inducted into the Mix magazine TECnology Hall of Fame . Also reflecting its influence , the speaker won a Technical Grammy for Yamaha in 2007 . In 2008 , the speaker was found " in almost every studio " .

81.53703308105469 80 WikiText2

3297 = Utah State Route 61 =

1771.9754638671875 6 WikiText2

3298 State Route 61 ( SR @-@ 61 ) is a nearly 7 @.@ 3 @-@ mile @-@ long ( 11 @.@ 7 km ) state highway in the U.S. state of Utah , connecting SR @-@ 23 in Cornish , Cache County to U.S. Route 91 ( US @-@ 91 ) near Richmond via Lewiston , in the extreme northern part of the state . The highway has existed since at least 1914 , as SR @-@ 61 since at least 1937 , and between 735 and 2 @,@ 180 vehicles travel along the highway on an average day in 2012 .

56.29887008666992 120 WikiText2

3299 = = Route description = =