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7,128,467 |
PC Today
|
***PC Today*** (Later *Cyber Trend*) was a monthly mobile computing and technology computer magazine published by Sandhills Publishing Company in Lincoln, Nebraska, US.
## History and profile {#history_and_profile}
The article and editorial content focused primarily around mobile and wireless technologies, notebooks, mobile phones, PDAs, Windows, and office and home software. The magazine was renamed *CyberTrend* in 2014, which was distributed to business-class hotels, airline clubs, and fixed-base operators. The magazine also included classified advertising. Nancy Hammel served as the editor-in-chief of the magazine when it was published under the title of *PC Today*. The magazine ceased publication in July 2017.
| 2025-06-20T00:00:00 |
7,128,485 |
George Nevill, 12th Baron Bergavenny
|
**George Nevill, *de facto* 12th (*de jure* 1st) Baron Bergavenny** (21 April 1665 -- 26 March 1695) was an English peer.
The son of George Nevill, 11th Baron Bergavenny and Mary Gifford, daughter of Thomas Gifford and Anne Brooksby, he succeeded to the Barony upon the death of his father.
He was raised by his widowed mother, who remarried Sir Charles Shelley, 2nd Baronet; Shelley died in 1681. George came from an openly recusant family on both sides.
During the Popish Plot, given the long imprisonment of the \"Five Catholic Lords\" on fabricated charges of treason, and the fact that George was closely related to the Vaux and Brooksby families, who had been deeply implicated in the Gunpowder Plot, his mother understandably became concerned about his safety, and in 1678 she took him to live abroad for a time. She was no doubt also concerned for her own safety, as the House of Lords had questioned her servants about her allegedly treasonable dealings. To her dismay, when she pleaded that due to the privilege of peerage her servants were not answerable to any Court, the Lords, in defiance of all the precedents, ruled that privilege of peerage did not extend to recusants.
George married Honora Belasyse, daughter of John Belasyse, 1st Baron Belasyse and his third wife Lady Anne Paulet.
He died on 26 March 1695. His mother, who had outlived her son and two husbands, died in 1699.
As he died without issue, the Barony passed to his 2nd cousin once removed, also named George Nevill.
| 2025-06-20T00:00:00 |
7,128,508 |
Petrobius
|
***Petrobius*** is a genus of jumping bristletails in the family Machilidae. Many of these ancestral insects are restricted to rocky shorelines especially of northern Europe and America.
## Species
The Global Biodiversity Information Facility lists:
1. *Petrobius adriaticus* `{{Au|Verhoeff, 1910}}`{=mediawiki}
2. *Petrobius artemisiae* `{{Au|Mendes, 1980}}`{=mediawiki}
3. *Petrobius brevistylis* `{{Au|Carpenter, 1913}}`{=mediawiki}
4. *Petrobius canadensis* `{{Au|Paclt, 1969}}`{=mediawiki}
5. *Petrobius crimeus* `{{Au|Kaplin, 1983}}`{=mediawiki}
6. *Petrobius imbricatus* `{{Au|Koch & Berendt, 1854}}`{=mediawiki}
7. *Petrobius lohmanderi* `{{Au|Agrell, 1944}}`{=mediawiki}
8. *Petrobius maritimus* `{{Au|(Leach, 1809)}}`{=mediawiki}
9. *Petrobius montanus* `{{Au|Kaplin, 2021}}`{=mediawiki}
10. *Petrobius ponticus* `{{Au|Wygodzinsky, 1959}}`{=mediawiki}
| 2025-06-20T00:00:00 |
7,128,519 |
Buckhead Church
|
**Buckhead Church** is a nondenominational Christian church in the Buckhead district of Atlanta, Georgia. Buckhead Church is one of eight locations of North Point Ministries. Andy Stanley is the senior pastor of North Point Ministries, and Joel Thomas is the lead pastor of Buckhead Church.
## History
Buckhead Church was founded on April 29, 2001 as a biweekly meeting called Buckhead Fellowship. Andy Stanley advised the founders and was the first guest speaker. The church officially became affiliated with North Point Ministries in August 2001.
The church originally met in the building of Buckhead Baptist Church on Sunday evenings. In 2002, the church moved to the Doubletree Hotel in Buckhead. On Easter 2003, the church moved to a building in Sandy Springs formerly occupied by a Harris Teeter grocery store.
From the fall of 2006 through the spring of 2007, Buckhead Church opened a second temporary campus in a movie theater at Atlantic Station. This was known as the \"Midtown Gathering.\"
The church held its first services at its current location at Tower Place on May 6, 2007. The 188000 sqft building houses an auditorium that holds 3,000 seats.
| 2025-06-20T00:00:00 |
7,128,522 |
Depth hoar
|
**Depth hoar**, also called **sugar snow** or **temperature gradient snow** (or **TG snow**), are large snow-crystals occurring at the base of a snowpack that form when uprising water vapor deposits, or desublimates, onto existing snow crystals. Depth hoar crystals are large, sparkly grains with facets that can be cup-shaped and that are up to 10 mm in diameter. Depth hoar crystals bond poorly to each other, increasing the risk for avalanches.
The formation of depth hoar in Arctic or Antarctic firn can cause isotopic changes in the accumulating ice. This can influence analysis of ice cores in scientific research.
| 2025-06-20T00:00:00 |
7,128,550 |
Meyer Kupferman
|
**Meyer Kupferman** (July 3, 1926 -- November 26, 2003) was an American composer and clarinetist.
## Life
Meyer Kupferman was born in New York City to Jewish parents. A self-taught composer, Kupferman first gained attention in the late 1940s when his early opera \"In A Garden\" was premiered at the Tanglewood and Edinburgh Festivals. From 1951 to 1993 he was on the faculty of Sarah Lawrence College. He also served as Chairman of the Music Department for five terms.
Kupferman began music at the age of five on violin. As an adult he claimed little memory of his violin instruction, but at age 10 he began to play the clarinet. He taught himself piano and studied music theory at The High School of Music & Art in New York City, subsequently attending Queens College in New York.
As a young man Kupferman played jazz in bars and clubs on Coney Island, and arranged for big bands. In 1951 he was hired as Professor of Composition and Chamber Music at Sarah Lawrence College, a position he held until 1994. In the 1950s he began to experiment with twelve-tone row techniques, and in 1961 devised his \"Infinities Row,\" consisting of the group of notes of G--F--A`{{Music|flat}}`{=mediawiki}--B--B`{{Music|flat}}`{=mediawiki}--D--F`{{Music|sharp}}`{=mediawiki}--E--C--E`{{Music|flat}}`{=mediawiki}--A--C`{{Music|sharp}}`{=mediawiki}, which would become the only tone row he used subsequently in his major works. In 1990 he published *Atonal Jazz*.
Much of Kupferman\'s music contains large gestures and short dramatic hooks which are a critical to his compositional technique (his \"gestalt form\"). His works are eclectic syntheses of disparate elements. Their extremes of contrast, and outrageousness were reflections of his personal life.
Kupferman resided in Rhinebeck, New York, where he and his wife Pei-Fen welcomed members of the community. On the day before Thanksgiving, November 26, 2003, he died of heart failure.
## Filmography
- *Blast of Silence* (1961)
| 2025-06-20T00:00:00 |
7,128,551 |
Martin Armiger
|
**John Martin Armiger** (10 June 1949 -- 27 November 2019) was an Australian musician, record producer and composer. He was one of the singer-songwriters and guitarists with Melbourne-based rock band the Sports from August 1978 to late 1981, which had Top 30 hits on the Kent Music Report Singles Chart with, \"Don\'t Throw Stones\" (1979), \"Strangers on a Train\" (1980) and \"How Come\" (1981); and Top 20 albums with *Don\'t Throw Stones* (No. 9, 1979), *Suddenly* (No. 13, 1980) and *Sondra* (1981).
Armiger was musical director for Australian Broadcasting Corporation (ABC) TV 1984 series *Sweet and Sour* and was record producer on the related soundtrack album as well as performing and songwriting. In 1986 he produced and composed for another ABC TV soundtrack for the miniseries *Dancing Daze*. At the Australian Film Institute Awards of 1986 he shared an accolade for Best Original Music Score with William Motzing for their work on *Young Einstein* (publicly released 1988). Armiger notably co-produced \"Dumb Things\" for Paul Kelly and the Coloured Girls, with Kelly, on the *Young Einstein* soundtrack. It was later released as the fourth single from the band\'s second album, *Under the Sun* on Mushroom Records imprint White Label Records in January 1989, peaking at No. 36 on the Australian Recording Industry Association (ARIA) Singles Chart. In the US the track was released under the band name *Paul Kelly and the Messengers*, reaching No. 16 on the *Billboard* Modern Rock chart. \"Dumb Things\" was also in the 1989 film *Look Who\'s Talking Too*.
In 1995 Armiger\'s work for the TV series *Cody* (1994--95) won the Australasian Performing Right Association Award for Most Performed Television Theme. Armiger was Head of Screen Composition at the Australian Film Television and Radio School (AFTRS). In 2006 his portrait by John R. Walker was a finalist for the Archibald Prize.
## Early years {#early_years}
John Martin Armiger was born on 10 June 1949 in Hitchin, Hertfordshire. His father, John Armiger, played double bass, piano and sang in local bands; his mother also played piano and sang. At the age of eight he gave up on his violin lessons, turned away from his mother\'s taste in classical music and his father\'s favourites of Peggy Lee and Perry Como -- he had discovered Buddy Holly\'s \"Brown Eyed Handsome Man\". The family migrated to Australia in 1965 and lived in Elizabeth, South Australia. Armiger studied at Flinders University in Adelaide where he completed his Bachelor of Arts (Honours) course in 1974. His younger brothers, Keith, Andrew, and Michael Armiger, are also musicians and have been members of The Immigrants (1978--1980) in Elizabeth, 10000 Guitars (1985--1987) in Melbourne, and Armiger Brothers in Sydney, as well as having separate musical careers. Their youngest brother, Chris Armiger (born 1965), joined the Armiger Brothers, which has recorded with Martin, who also produced their material.
By the early 1970s Armiger had decided on a career in music, he began practising to improve his guitar skills. During 1972, as a student, he was a composer for a short film, *Drac*. It was directed by David Stocker as a 1973 Masters Student Film for the Australian Film Television and Radio School (AFTRS). In 1975 Armiger moved to Melbourne and started with local bands. He soon joined The Toads on lead guitar and backing vocals with Andrew Bell on bass guitar; Randy Bulpin on lead guitar; Jane Clifton on lead vocals; Eric Gradman on violin; Jenny Keath on backing vocals; Buzz Leeson, and Eddie van Rosendaal on drums. Also in 1975 Armiger composed music for *A Night in Rio*, a stage musical at Melbourne\'s Pram Factory. He co-composed music for *Pure Shit* (aka *Pure S*) with Red Symons (a member of Skyhooks), a feature film directed by Bert Deling. Armiger wrote the title track and theme, and, as a member of Toads, performed on the soundtrack.
In 1976 he was a founding member of pub rockers, The Bleeding Hearts, on guitar and lead vocals. Other members were Gradman on violin and vocals; Rick Grossman on bass guitar; Keith Shadwick on saxophone and backing vocals; Huk Treloar on drums; Laurie Tunnicliffe on bass guitar; Geoff Warner and Chris Worrall on guitar. The band appeared at local venues, including The Kingston Hotel, and The Tiger Lounge (Hotel), where Armiger played a white Fender Stratocaster. In August 1977 the group broke up but left enough material for a posthumous album, *What Happened!*, which appeared in the following year on Missing Link Records.
In 1977 he briefly joined Flying Tackle and was then a member of The High Rise Bombers, another pub-rock group, from 1977 to 1978. The line-up included Armiger (guitar, vocals, songwriter), Lee Cass (bass guitar), Chris Dyson (guitar), Sally Ford (saxophone, songwriter; ex-Flying Tackle), Paul Kelly (vocals, guitar, songwriter), John Lloyd (drums) and Shadwick (saxophone). Dyson was replaced by Chris Langman (guitar, vocals) in early 1978. \[Chris Langman never joined The High Rise Bombers or recorded with them.\] In August the group dissolved as Armiger left for The Sports, Ford left for the Kevins, and Kelly formed \[The Dots first, later Paul Kelly and The Dots\] Paul Kelly and the Dots with Langman and Lloyd. High Rise Bombers had recorded two tracks \"She\'s Got It\" and \"Domestic Criminal\" which eventually appeared on the 1981 compilation album, *The Melbourne Club*, by various artists on Missing Link Records. \"Domestic Criminal\" was written by Armiger.
## The Sports {#the_sports}
The Sports had formed in Melbourne in 1976 and included Stephen Cummings on vocals, Ed Bates on guitar, Robert Glover on bass guitar, Paul Hitchins on drums and Jim Niven on piano. Andrew Pendlebury joined on guitar in August 1977, and in August the following year Bates was replaced by Armiger. According to music journalist Ian McFarlane, Cummings had ousted Bates in favour of Armiger who had a \"more commercial outlook\". Luis Feliu of *The Canberra Times* described Bates: \"\[he\] shows an authentic feel for the early strains of rock and roll\", whereas Armiger \"brings with him a more electric sound\".
The Sports had chart success in the late 1970s and early 1980s with Top 30 hits on the Kent Music Report Singles Chart with \"Don\'t Throw Stones\" (1979), \"Strangers on a Train\" (1980) and \"How Come\" (1981); and Top 20 albums with, *Don\'t Throw Stones* (No. 9, 1979), *Suddenly* (No. 13, 1980) and *Sondra* (1981). For the *Don\'t Throw Stones* album Feliu noted that Armiger \"has now established himself as a dominating sound and songwriter with the band\", specifically his \"songs sees the Sports getting into a sort of heavier, Skyhooks type approach\". \"Strangers on a Train\" was written by Armiger. He also co-wrote album tracks with Cummings.
In October 2010, *Don\'t Throw Stones*, was listed in the book *100 Best Australian Albums*. The authors, John O\'Donnell, Toby Creswell and Craig Mathieson, described how Armiger had affected the group\'s sound, saying that \"it is immediately clear the extra dimension his presence brings to the band -- his songs -- and harmony vocals greatly increase \[the group\'s\] soul pop quotient\".
Armiger praised *Suddenly*, Feliu quoted him \"\[it\'s\] still quite smooth, but it\'s less slick. There are a few groove songs, a couple almost reggaeish. When we did *Don\'t Throw Stones* we were just getting into things like reggae. This time it was much easier to play things like that\". He described working with Cameron Allan, their producer on *Sondra*, to Susan Moore of *The Australian Women\'s Weekly*: \"we knew we could badger him to get what we wanted, if need be. We had more time to get the sound we wanted\". The Sports broke up late in 1981 and Cummings went on to a solo career, while Armiger turned to record producing and session work.
## Record producer and music composer {#record_producer_and_music_composer}
While a member of the Sports, Armiger produced \"Beatnik Twist\" as a single for Johnny Topper in 1979. As a session musician, by November 1980, he supplied lead guitar for Marc Hunter\'s solo album, *Big City Talk*. In 1981 he produced three tracks, \"Promise not to Tell\", \"Lowdown\" and \"Want You Back\", on former High Rise Bombers bandmates, Paul Kelly and the Dots\' debut album, *Talk*, released on Mushroom Records in March. The other tracks were produced by Joe Camilleri, except one track produced by Trevor Lucas. After The Sports had disbanded, in August 1982 Armiger produced an extended play, *Club of Rome*, and a single, \"Ululation (Here It Comes Again)\" (September 1983), for The Kevins which included Sally Ford, another former bandmate. In the early 1980s, Armiger moved to New South Wales, he continued to produce records, and expanded his composition and performance of music for films and TV.
From 2 July 1984 the Australian Broadcasting Corporation (ABC) broadcast a 20-episode, weekly pop music, drama TV series, *Sweet and Sour*. Armiger was musical director for the series and provided backing vocals, lead guitar, bass guitar, keyboards, drums and lyrics. He also produced the two soundtrack albums, *Sweet & Sour -- TV Soundtrack* and *Sweet & Sour Volume Two*, and three singles, \"Sweet and Sour\" (which peaked at No. 13 on the Kent Music Report Singles Chart), \"Glam to Wham\" and \"No Focus\". Also in that year he joined Stephen Cummings Band on guitar and vocals; and in August he produced Cummings\' debut solo album, *Senso*, released on Regular Records, with the related single, \"Gymnasium\", which peaked at No. 27. Neil Lade of *The Canberra Times* described the single \"\[it\'s\] quite a dismal and derivative little number that easily falls into the category of throw-away music\" while the rest of the album\'s \"overall feeling is of soft soul and a gentle mood prevails\". In May 1985 Armiger won Producer of the Year at the annual *Countdown* Music and Video Awards of 1984.
During the mid-1980s Armiger composed the stage musical *Illusion* for the 1986 Adelaide Festival of the Arts and co-composed *Manning Clark\'s History of Australia -- The Musical* which premiered at Melbourne\'s Princess Theatre in January 1988. He produced a studio cast album of *Illusion* and *History of Australia*\'s original cast recording.
In 1987 Armiger composed music for another ABC TV series, *Stringer*, and in April 1988, he produced a related album, *You\'ve Always Got the Blues*, released by its singers, Kate Ceberano and Wendy Matthews, which included his song writing effort, \"Stringer\". The album reached No. 4 on the national chart. Armiger composed the score, with William Motzing, for *Young Einstein* (December 1988), a film by Yahoo Serious. They had won the Australian Film Institute Award of 1986 for Best Original Music Score for their work.
Armiger was composer for *Come In Spinner*, an ABC TV series in 1989, and produced the soundtrack of the same title in 1990, by Vince Jones and Grace Knight, which peaked at No. 4 on the ARIA Album Charts. Armiger provided the inspiration for the Screen Music Awards established by the Australian Guild of Screen Composers (AGSC) in 1992. He was subsequently AGSC president for seven years. In 1993 he produced *Seven Deadly Sins*, another soundtrack, for the ABC TV drama series of the same name. His former bandmate, Kelly, provided vocals on the soundtrack together with Vika Bull, Deborah Conway, and Renée Geyer. The album provided a single, \"He Can\'t Decide\". Armiger co-wrote various tracks, \"He Can\'t Decide\", \"Imagine the World\" and \"Maybe This Time\" (all with Kelly), and \"Don\'t Break It I Say\" (with Kelly, Conway and Geyer).
He wrote the theme of *Cody* (1994--95), a six-part TV drama series for Seven Network. At the APRA Awards of 1995 he won Most Performed Television Theme for his composition. The Sports reformed for the Mushroom 25 Live anniversary concert on 14 November 1998, at the Melbourne Cricket Ground (MCG), but Armiger was unable to perform due to a previously broken leg turning gangrenous. For the gig the group used Ashley Naylor of Even on guitar. During September 2000 Armiger was hospitalised by an infection, in the following January he recalled his experience in an article, \"Waiting for Life and Death\'\", for *The Sydney Morning Herald*.
As of 2004 Armiger was Head of Screen Composition at the Australian Film Television and Radio School (AFTRS). At AFTRS he coordinated and taught the Graduate Diploma in Screen Composition as a specialist course for selected students. He composed the news theme for the ABC which has been in use on ABC1 since early 2005. In 2006 Flinders University recognised his contributions to the music industry as a recipient of their Distinguished Alumni Awards. Also that year his portrait, by John R Walker, was a finalist at the Archibald Prize.
In 1989, Armiger was called as an expert witness along with Derek Williams and Dr G.B. Hair in the Federal Court of Australia in support of a copyright infringement case brought by Guy Gross against CBS Records Australia Limited and Collette Roberts, with the court ruling in the defendants\' favour.
Again, in October 2009 Armiger was called as an expert witness for a Federal Court hearing on a plagiarism claim against Colin Hay and Ron Strykert as writers of the 1981 Men at Work hit single \"Down Under\", which peaked at No. 1 in Australia, United Kingdom, and United States. The flute riff was claimed to be from \"Kookaburra Sits in the Old Gum Tree\". Armiger stated that the riff had the same melody as \"Kookaburra\" but gave a different impression in \"Down Under\" and that it was debatable whether it was the song\'s hook.
## Discography
**The High Rise Bombers**
- \"She\'s Got It\", \"Domestic Criminal\" on *The Melbourne Club* -- various artists (1981, Missing Link Records)
### Record producer {#record_producer}
Armiger credited as producer or co-producer:
- \"Beatnick Twist\" -- Johnny Topper (1979)
- *Talk* -- Paul Kelly & the Dots (1981, Mushroom Records)
- *Club of Rome* (mini-LP) -- The Kevins (1982, White Label Records)
- \"Ululation (Here It Comes Again)\" (1983)
- *D-D-Dance* -- The Allniters (1983, Powderworks/RCA)
- *Sweet & Sour -- TV Soundtrack by Takeaways & Various Artists* (soundtrack) -- various artists (1984, ABC Records)
- \"Sweet & Sour\", \"Glam to Wham\" (1984)
- *Senso* -- Stephen Cummings (1984, Regular Records)
- *Sweet & Sour Volume Two* (soundtrack) -- various artists (1984, ABC)
- \"No Focus\" (1984)
- \"Phantom Shuffle\" -- Austen Tayshus (1984, Regular)
- *Deckchairs Overboard* -- Deckchairs Overboard (1985, Regular)
- *Distance* -- Benders (1985)
- *Illusion* (soundtrack) -- various artists (1986)
- \"Dumb Things\" -- Paul Kelly (1988, Mushroom/White)
- *Trouble from Providence* -- Sacred Cowboys (1988, Normal Records/Citadel Records)
- *You\'ve Always Got the Blues* (soundtrack for *Stringer*) -- Kate Ceberano & Wendy Matthews (1988, ABC)
- *Young Einstein* (soundtrack) -- various artists (1988)
- *The Crossing* (soundtrack) -- various artists (1990)
- *Come In Spinner* (soundtrack) -- Vince Jones & Grace Knight (1990, ABC)
- *Thursday\'s Fortune* -- Club Hoy (1991)
- *Get Happy* -- Teen Queens (1992)
- *Wide Skies* -- Gondwanaland (1992, WEA)
- *Seven Deadly Sins* (soundtrack) -- various artists (1993, ABC)
- *Bravado* -- Penny Flanagan (1994)
- *Seven Flights Up* -- Penny Flanagan (1996)
## Filmography
Armiger credited as music composer or co-composer:
- *Drac* -- (1972)
- *Pure Shit* (aka *Pure S*) -- (1976)
- *Belau* -- (1983)
- *White Man\'s Legend* -- (1984)
- *Displaced Persons* -- (1984)
- *Sweet and Sour* -- (1984)
- *The Lizard King* -- (1985)
- *The Empty Beach* -- (1985)
- *Dancing Daze* -- (1986)
- *Cyclone Tracy* -- (1986)
- *Two Friends* -- (1986)
- *I Own the Racecourse* -- (1986)
- *The Challenge* -- (1986)
- *I\'ve Come About the Suicide* -- (1987)
- *Perhaps Love* -- (1987)
- *Relative Merits* -- (1987)
- *Cane Toads* -- (1988)
- *Police Rescue* (1988)
- *Young Einstein* -- (1988)
- *Stringer* -- (1988)
- *The Last Resort* -- (1988)
- *Sweetie* -- (1989)
- *The Rainbow Warrior Conspiracy* -- (1989)
- *Body Surfer* -- (1989)
- *The Crossing* -- (1990)
- *Ring of Scorpio* -- (1990)
- *Wonderful World of Dogs* -- (1990)
- *Come In Spinner* -- (1990)
- *Waiting* -- (1991)
- *Flowers and the Wide Sea* -- (1991)
- *Children of the Dragon* -- (1992)
- *The Fremantle Conspiracy* -- (1992)
- *The Other Side of Paradise* -- (1993)
- *Nice Guys Finish Last* -- (1993)
- *Seven Deadly Sins* (\"Greed\", \"Envy\" episodes) -- (1993)
- *Pram Factory* -- (1994)
- *Cody* -- (1994--1996)
- *Cody: Bad Love*, *Cody: The Tipoff*, *Cody: The Wrong Stuff*, *Cody: The Burn Out*, *Cody: Fall from Grace*
- *Party Girls* -- (1995)
- *Where Angels Fear to Tread* -- (1996)
- *Wild Ones* -- (1997)
- *Thank God He Met Lizzie* aka *The Wedding Party* -- (1997)
- *The Great Stumble Forward* -- (1998)
- *Ketchup* -- (1998)
- *Two Girls & a Baby* (1998)
- *David Carradine\'s Martial Arts Adventure* -- (1999)
- *House Gang* -- (1999)
- *Fetch* -- (1999)
- *Powderburn* -- (1999)
- *Hard Knox* -- (2001)
- *The Secret Life of Us* -- (2001)
- *Hildegarde* aka *Hildegarde: A Duck Down Under* -- (2001)
- *Marking Time* -- (2003)
- *The Surgeon* -- (2006)
- *Clubland* aka *Introducing the Dwights* -- (2007)
## Awards
**Australasian Performing Right Association Awards**\
Australasian Performing Right Association (APRA) recognises excellence by composers and songwriters with the APRA Awards presented annually since 1982.
\|- \| rowspan=\"2\"\| 1995 \|\| *Cody* \|\| rowspan=\"2\" \| Most Performed Television Theme \|\| `{{won}}`{=mediawiki} \|- \| *Flowers and the Wide Sea* \|\| `{{nom}}`{=mediawiki} `{{end}}`{=mediawiki}
**APRA-AGSC Screen Music Awards**\
These awards are presented annually since 2002 by APRA in conjunction with Australian Guild of Screen Composers (AGSC) for television and films scores and soundtracks. Separate AGSC Awards were inaugurated in 1992 upon the inspiration of Armiger.
\|- \| 2004 \|\| *Marking Time* \|\| Best Music for a Mini-Series or Telemovie \|\| `{{nom}}`{=mediawiki} `{{end}}`{=mediawiki}
**Australian Film Institute Awards**\
Australian Film Institute (AFI) recognises excellence in film work with the Australian Film Institute Awards (AFI Awards) presented annually since 1958.
\|- \| 1986 \|\| *Young Einstein*{{#tag:ref\|The award win was shared with fellow composer William Motzing. They won their award in 1986 for the unreleased version of *Young Einstein*. The film appeared in Australian cinemas in December 1988. Serious had delayed its release due to dissatisfaction with the earlier version of the film, and a legal dispute with the original distribution company.\|group=\"nb\"\|name=\"young\"}} \|\| Best Original Music Score \|\| `{{won}}`{=mediawiki} `{{end}}`{=mediawiki}
**Australian Recording Industry Association Awards**\
Australian Recording Industry Association (ARIA) recognises excellence in recorded musical work with the ARIA Music Awards (ARIAs) presented annually since 1987.
\|- \| 1987 \|\| *Dancing Daze* \|\| Best Original Soundtrack / Cast / Show Recording \|\| `{{nom}}`{=mediawiki} \|- \| 1987 \|\| *Illusion* \|\| Best Original Soundtrack / Cast / Show Recording \|\| `{{nom}}`{=mediawiki} \|- \| 1989 \|\| *You\'ve Always Got The Blues* \|\| Best Original Soundtrack / Cast / Show Recording \|\| `{{won}}`{=mediawiki} \|- \| 1991 \|\| *Come In Spinner* \|\| Best Original Soundtrack / Cast / Show Recording \|\| `{{nom}}`{=mediawiki} \|- \| 1995 \|\| *Fornicon* \|\| Best Original Soundtrack / Cast / Show Recording \|\| `{{nom}}`{=mediawiki} `{{end}}`{=mediawiki}
***Countdown* Awards**\
*Countdown* was an Australian pop music TV series on national broadcaster ABC-TV from 1974 to 1987, it presented music awards from 1979 to 1987, initially in conjunction with magazine *TV Week* but then independently. The *Countdown* Music and Video Awards were succeeded by the ARIA Awards.
\|- \| 1984 \|\|Martin Armiger \|\| Best Producer \|\| `{{won}}`{=mediawiki} `{{end}}`{=mediawiki}
| 2025-06-20T00:00:00 |
7,128,556 |
George Nevill, 11th Baron Bergavenny
|
**George Nevill, *de facto* 11th Baron Bergavenny** (c.1615 -- 2 June 1666) was a *de facto* English peer.
The younger son of Henry Nevill, 9th Baron Bergavenny and his second wife Catherine Vaux, he succeeded to the Barony upon the death of his brother, John Nevill, 10th Baron Bergavenny, who had died without male issue.
He married Mary Gifford, daughter of Thomas Gifford and Anne Brooksby, and they had the following children:
- George Nevill, 12th Baron Bergavenny (1665--1695)
- Bridget Nevill (b. bef. 1666), who married Sir John Shelley, 3rd Baronet (her mother\'s stepson) and had issue.
Lady Abergavenny later married Sir Charles Shelley. She died in 1699 and is buried in Old St Pancras Churchyard
| 2025-06-20T00:00:00 |
7,128,564 |
Organization for the Liberal Democracy in Venezuela
|
The **Organization for the Liberal Democracy in Venezuela** (Organización por la Democracia Liberal en Venezuela, ODLV) is a classical liberal action tank from Caracas, Venezuela, created by a group of libertarian students. They are directive members of the Hispanic American Liberal Conference and as an intellectual group nowadays, they are willing to become a political party in the 2010.
ODLV uses the street alternative propaganda to promote classical liberalism, free-market ideas, individual rights and liberal capitalism. They have even filmed a controversial documentary: The Way Out, Liberal Capitalism (La Salida, el Capitalismo Liberal) with the support of the Movimiento Demócrata Liberal and Rumbo Propio para el Zulia.
| 2025-06-20T00:00:00 |
7,128,605 |
Lakeside High School (Lake Elsinore, California)
|
`| location = 32593 Riverside Drive`\
`Lake Elsinore, California`\
`| zipcode = 92530`\
`| country = United States`\
`| coordinates = `33 40 13 N 117 22 52 W display=inline,title\
`| district = LEUSD`\
`| grades = 9–12`\
`| enrollment = 1,657 (2023-2024)`\
`| teaching_staff = 71.28 (FTE)`\
`| ratio = 23.25`\
`| mascot = Lancer`\
`| colors = Hunter green & Vegas gold ``{{colorbox|darkgreen}}`{=mediawiki}` ``{{colorbox|#C5B358}}`{=mediawiki}\
`| conference = ``CIF`` ``Southern Section`` `\
` ``Raincross Conference`\
`| website = `[`Official Website`](http://lhs.leusd.k12.ca.us/)
}} **Lakeside High School** is a public high school located in Lake Elsinore, California and is part of the Lake Elsinore Unified School District. Lakeside High School has been rated as one of the top 10 most beautiful high school campuses in California.
## Sports
In 2012, the Lakeside Lancers Boys\' Varsity Soccer Team beat **Cajon High School** with a 3--1 score to win the CIF Championship.
In 2021, the Boys\' Swimming team won league championship at Polytechnic High, Riverside.
| 2025-06-20T00:00:00 |
7,128,612 |
First Glimpse
|
***First Glimpse*** is a former monthly consumer electronics magazine published by Sandhills Publishing Company in Lincoln, Nebraska, USA.
## History and profile {#history_and_profile}
*CE Lifestyles* was first published in December 2004. It was promoted as being \"For the woman with connections.\" The magazine was renamed as *First Glimpse* in 2006. The article and editorial content focuses on assisting individuals in incorporating modern technology into their lives. The magazine offers guidance for buying and using cell phones, digital cameras, MP3 players and digital TVs.
| 2025-06-20T00:00:00 |
7,128,617 |
John Nevill, 10th Baron Bergavenny
|
**John Nevill, *de facto* 10th (*de jure* 3rd) Baron Bergavenny** (c. 1614 -- 23 October 1662) was an English peer.
The son of Henry Nevill, 9th Baron Bergavenny and his second wife Catherine Vaux, he succeeded to the Barony upon his father\'s death.
He married Elizabeth Chamberlaine, daughter of John Chamberlaine of Shirburn Castle, Oxfordshire.
He died on 23 October 1662. As he died without issue, the Barony passed to his younger brother. In the following year, his elder half-sister Anne Neville who was a senior nun in Ghent came to England to collect the convent\'s debts. She stayed for four years and stayed some of the time with the dowager Elizabeth.
| 2025-06-20T00:00:00 |
7,128,619 |
Lane, West Yorkshire
|
**Lane Village** is a small hamlet 3 mi southwest of Holmfirth and approximately half a mile southwest of Holme Village on the A6024 Woodhead Road. It lies on the edge of Holme Moss just inside the Peak District National Park boundary. The rainwater springs seeping from Holme Moss and Kaye Edge provide the source of the River Holme.
The village consists of farmhouses, holiday cottages and some private homes. It has long been associated with the Girl Guides Association by the addition of a small training centre, based in some refurbished buildings.
Above the village is the 656 ft tall Holme Moss radio transmitter, which is situated 1726 ft above sea level.
| 2025-06-20T00:00:00 |
7,128,622 |
Jack Hendricks
|
**John Charles Hendricks** (April 9, 1875 -- May 13, 1943) was an American professional baseball player and manager. He played parts of two seasons in Major League Baseball as an outfielder, but is best known as the manager of the Cincinnati Reds from 1924 to 1929.
## Playing career {#playing_career}
Hendricks\' brief playing career consisted of half a game with the New York Giants and two with the Chicago Orphans in 1902, and 32 games with the Washington Senators in 1903 following the death of Ed Delahanty.
## Managerial career {#managerial_career}
After retiring as a player, he started managing in the minor leagues, eventually getting his major league opportunity when Miller Huggins was fired by the St. Louis Cardinals after the 1917 season. After a 51--78 record and a last-place finish, Hendricks quit. In the 1924 season, the Reds had reported to spring training in Orlando, Florida when their manager Pat Moran died of Bright\'s disease. Hendricks, who had resigned his post as athletic director of the Knights of Columbus to become a Reds coach that year, took over the club. His best finish as manager was second place in the 1926 season, behind his former team, the Cardinals. He was fired in 1929 after a seventh-place finish. His overall managerial record was 520--528 (.496).
Hendricks held a law degree from Northwestern University Law School and was admitted to the bar in the state of Illinois. Hendricks was one of a select group of major league managers to hold a law degree or pass a state bar. Other include James Henry O\'Rourke, Miller Huggins, Branch Rickey (his successor in St. Louis), John Montgomery Ward, Hughie Jennings, Muddy Ruel, and Tony La Russa.
## Death
Hendricks died in Chicago at age 68.
| 2025-06-20T00:00:00 |
7,128,647 |
Ross Browner
|
**Ross Dean Browner** (March 22, 1954 -- January 4, 2022) was an American professional football defensive end who played for ten seasons in the National Football League (NFL), mainly for the Cincinnati Bengals. He played college football for the Notre Dame Fighting Irish and was selected by the Bengals in the first round (eighth overall) of the 1978 NFL draft.
## Early life {#early_life}
Browner was born on March 22, 1954, in Warren, Ohio, where he also grew up. As a child he was primarily interested in swimming and diving, before concentrating on football. He attended Warren Western Reserve High School and during his senior year he was named first-team AAA (big school) all-state defensive end.
## College career {#college_career}
Ross Browner was one of the most decorated defensive players in the history of college football. At the University of Notre Dame he was a four-year starter at defensive end in 1973 and 1975--77. He was a unanimous All-America his junior and senior seasons of 1976 and 1977. In 1976, he won the Outland trophy as the nation\'s best interior or defensive lineman; also in 1976, United Press International named him Lineman of the Year. He won the Lombardi Trophy as the nation\'s best lineman and the Maxwell Award as the nation\'s best player and again won the UPI Lineman of the Year Award, the only player ever to win it twice. In the decade of the 1970s, Browner was the only lineman who won the Maxwell. In 1977, he also placed fifth in voting for the Heisman Trophy. During his senior year in college, he was featured on the cover of Sports Illustrated with the subheading of \"Notre Dame\'s Peerless Ross Browner.\"
Notre Dame had a 39--7 record in his time that covered 11--0 in 1973, 8--3 in 1975, 9--3 in 1976, and 11--1 in 1977. Notre Dame won National Championships in 1973 and 1977. His career statistics record 340 tackles, a school record; ten deflected passes, two blocked kicks. He also scored a touchdown and two safeties. Browner was inducted into the College Football Hall of Fame in 1999.
## Professional career {#professional_career}
He was the first-round draft pick in the 1978 NFL draft for the Cincinnati Bengals. Voted the team\'s Most Valuable Player in 1978, he played nine seasons for the Bengals. He set the Super Bowl record for tackles by a defensive lineman in Super Bowl XVI. In 1985, he jumped to the Houston Gamblers of the USFL, but returned the same season to the Bengals. Browner played one season (1987) with the Green Bay Packers before retiring.
## Later life and death {#later_life_and_death}
After retiring, Browner lived for several years in Mason, Ohio, and worked in sports entertainment, the cleaning industry, insurance, mortgages, and business development. He latterly worked in real estate and lived in Nashville, Tennessee.
Browner was the father of former Pittsburgh Steelers offensive tackle Max Starks and former University of Arizona player Rylan Browner. Ross\' brothers are former NFL players Jim Browner, Keith Browner and Joey Browner. His nephew, Keith Browner, Jr., played for the Houston Texans.
He died of complications from COVID-19 on January 4, 2022, at the age of 67.
| 2025-06-20T00:00:00 |
7,128,657 |
The Brothers Solomon
|
***The Brothers Solomon*** is a 2007 American surrealist comedy film directed by Bob Odenkirk and written by Will Forte. It features Will Arnett and Forte as the titular brothers, who set out to find romantic partners so they can give their comatose father (Lee Majors) a grandchild. Chi McBride, Kristen Wiig, and Malin Åkerman also star in supporting roles.
The film was released in the United States on September 7, 2007, distributed by TriStar Pictures. It received negative reviews from critics and was a box-office bomb, grossing \$1 million worldwide with a \$10 million budget.
## Plot
Brothers John Solomon and Dean Solomon have bad luck with women, due largely to their sheltered upbringing. They were raised by their single father, Ed, at an isolated research facility in the Arctic, and did not move to civilization until they were grown men. Despite their social limitations, the brothers are generally good-natured, if naïve, and consider their father the most important person in their life, as they even followed in his footsteps with their geology career. However, their lives are thrown into turmoil when Ed falls into a coma.
The brothers decide that they may be able to get him to wake up by giving him a grandson, the one thing he has always wanted. To make this a reality, the brothers immediately set out to find a woman who can give them a baby. The brothers have disastrous results in their initial attempts. John proposes marriage to a woman on the first date and when Dean finds a woman who is willing to have a child for them, she is hit by a bus and killed. To keep a better eye on their father, they move him into their home. John is able to use this as an opportunity to talk to his neighbor, Tara, who agrees to watch over their father when they leave the apartment.
The brothers decide to expand their search to include adoption. However, due to the bizarre circumstances, the adoption agency denies the request. They try Craigslist next, and are able to find a surrogate mother named Janine. Janine is a suitable fit, but she has a clingy ex-boyfriend named James, and demands \$12,000 for her role. Over the course of the next nine months, the brothers learn how to be responsible parents, and Janine begins to warm up to the bizarre duo. John continues to flirt with Tara, and convinces himself that she is interested.
After a birthing class, Janine realizes that she wants to keep the baby. She tells the brothers the bad news, which culminates in Dean revealing to John that he heard Tara insult John behind his back, thus forcing John to realize that Tara is not interested in him. The two have a major fight, but after a day, the brothers reconcile. The brothers attempt to get Janine to let them raise the child with her by paying for an exorbitantly long sky banner. Janine decides to raise the baby with the two brothers and John tells Tara that he is no longer interested in her.
Soon, the child is born, however it is obvious that the baby is James\'s, not Dean\'s. A year passes, and the brothers have gone into business with Janine and James, starting up a store called \"Solomon Family Baby-Proofing\", which sells safety equipment for new parents. In the corner of the store, their father is kept, still in his coma. After hearing the baby say \"grandpa\", Ed finally wakes up from his coma and sees his grandson for the first time. The brothers are convinced that their adventures led to their father waking up from his coma. Everybody celebrates as one big, happy family.
## Cast
- Will Arnett as John Solomon
- Will Forte as Dean Solomon
- Chi McBride as James Coolwell
- Kristen Wiig as Janine Rice
- Malin Åkerman as Tara Anderson
- Lee Majors as Ed Solomon
- Bob Odenkirk as Jim Treacher
- Sam Lloyd as Dr. Spencer
- Charles Chun as Dr. Wong
- Jenna Fischer as Michelle
- Stephanie Courtney as Sara
- Bill Hader as Recumbent Biker
- Derek Waters as Video Store Guy
- Casey Wilson as Fertility Clinic Worker
- Nicole Randall Johnson as Birthing Instructor
- Ashley Johnson as Patricia
- Brian Scolaro as Medical Delivery Man
## Reception
The film was a box-office bomb, grossing only \$1,035,056 out of a \$10 million budget.
Reviews were negative. On Rotten Tomatoes, the film received a 16% approval rating, based on 74 reviews, with a weighted average of 3.8/10. The site\'s consensus reads, \"Squandering its impressive cast with poorly-directed gags, *The Brothers Solomon* is a one-joke film stretched well beyond its limits.\" On Metacritic, the film received a score of 32 out of 100, based on 17 reviews. However, the film has received a favorable User Submitted Reviews score, which stands at 7.8 out of 10 as of May 2021, based on ratings from 43 users. On *At the Movies with Ebert & Roeper*, Richard Roeper claimed he walked out of the film - something he had never done before.
| 2025-06-20T00:00:00 |
7,128,673 |
État 141-001 to 141-250
|
**État 141-001 to 141-250** was a series of 2-8-2 steam locomotives of the *Chemins de Fer de l\'État*.
## Overview
The series of 250 engines, numbered 141-001 to 141-250 were built in 1921. They were renumbered 141.B.001 to 141.B.250 by the SNCF in 1938 and ended their career in the West of France at the end of the 1960s.
Year Manufacturer Serial nos. État nos. SNCF nos. Notes
------------ ---------------------- ------------- -------------------- -------------------- -------
1920 Schneider et Cie. 3630--3739 141-001 -- 141-110 3-141.B.1 -- 110
1921--1922 Schneider et Cie. 3740--3819 141-111 -- 141-190 3-141.B.111 -- 110
1923 SACM (Graffenstaden) 7232--7291 141-191 -- 141-250 3-141.B.191 -- 250
: Table of orders
## Design
The engines were capable of a speed of up 100 km/h. Their light weight per axle made them capable of hauling both passenger and goods trains on most of the *Chemins de Fer de l\'État*\'s network and of the former *Chemins de Fer de l\'Ouest*. Due to the need of a simple to operate and solid locomotive, the *Chemins de Fer de l\'État* even went to choose the pressure of the boiler (or *timbre* in French). The pressure was 12 kp/cm^2^ or 12 *hectopièzes* (old units of measurement, 1.2 MPa in modern units), this enabled the machine to develop an output of 1540 hp at 60 km/h and 830 hp at 100 km/h. From 1932 the *timbre* was increased to 14 kp/m^2^ to obtain a power of 1700 hp at 60 km/h and 1160 hp at 100 km/h; locomotives were recoded from \"B\" to \"C\" as this work was done.
141.C.50 was rebuilt at Sotteville-lès-Rouen in 1928. This depot was built by the British and was the largest of the *Chemins de Fer de l\'Ouest* (part of the *État* from 1908). There it received new Renaud type valves, saving 9.8% coal. It also received a Kylchap exhaust.
## Preservation
One locomotive has been preserved: 141.C.100 (and tender 22.B.609) are in working order and are listed as a *Monument historique*.
| 2025-06-20T00:00:00 |
7,128,683 |
Steve Yeager (filmmaker)
|
**Steve Yeager** (born 1948) is an independent filmmaker from Baltimore, Maryland, U.S. He is best known for his documentary about the indie filmmaking of fellow director John Waters, *Divine Trash*, which won the Filmmakers Trophy for Best Documentary at the Sundance Film Festival in 1998.
## Career overview {#career_overview}
Steve Yeager got his start as a resident director at the Corner Theatre ETC, an experimental theatre company in Baltimore, Maryland (a branch of Ellen Stewart\'s New York-based Cafe La Mama ETC), with such productions as *Pigeons* by Lee Dorsey and *Marguerite* by C. Richard Gillespie. Yeager also directed an original play entitled *Chiaroscuro* while working at Corner. It was during this period that Steve Yeager also had occasion to work with two emerging talents of the day: Howard Rollins, in a 1972 production of John Steinbeck\'s *Of Mice and Men;* and Kathleen Turner, who appeared in Yeager\'s highly regarded original adaptation of Robert Louis Stevenson\'s *Dr. Jekyll & Mr. Hyde* in 1978. After 1982, Yeager devoted his talents primarily to filmmaking endeavors. In 1985, he won the Grand Prize for Best Documentary at the Houston International Film Festival for *Aquarium*, a ten-minute film on the National Aquarium in Baltimore.
In 1990, Yeager released his first feature film drama, *On The Block*. The film offered a gritty look at life in and around The Block, Baltimore\'s infamous red-light district, and featured an appearance by Howard Rollins in a key role, as well as a cameo by burlesque legend Blaze Starr.
Steve Yeager\'s 1998 documentary film *Divine Trash* examines the global underground film movement, and features previously unreleased footage of John Waters\' early life and behind-the-scenes capers of his Dreamland crew, including Divine, the 300-pound female impersonator Glenn Milstead. Those interviewed about the making of *Pink Flamingos* and the context in which it emerged include actors, critics and Baltimore\'s film industry people of the era. Yeager\'s sequel to *Divine Trash*, *In Bad Taste*, a documentary on Waters\' post-*Pink Flamingos* career, aired in January 2000 on the Independent Film Channel. Yeager played the role of a reporter in both *Pink Flamingos* and *Polyester*.
In 2009, Steve Yeager finished work on a new narrative feature film *Crystal Fog,* which offers a glimpse into relationships within the gay community. The film drew its inspiration, however loosely based,from the life of Yeager\'s younger brother, who had died approximately twelve years earlier. The film was shot in and around Baltimore during the summer of 2008, and had its initial cast and crew screening in Baltimore in June, 2009. In 2010, Yeager began filming \"The Rosens\", a narrative feature film detailing the betrayal of family values between three brothers after the death of the family matriarch.
Throughout his work in film, Steve Yeager has continued to direct for the stage, generally in Washington, D.C. and Baltimore. Notable productions include *Streamers* by David Rabe, *S.L.A.G.* by David Hare, *A View From The Bridge* by Arthur Miller, and Michael V. Gazzo\'s *A Hatful of Rain*, voted one of the Ten Best Theatre productions of 2008 by the Baltimore City Paper.
## Young Filmmakers Workshop {#young_filmmakers_workshop}
In 2002, Yeager co-founded, along with Lane Keller, the **Young Filmmakers Workshop with Steve Yeager (YFW)**, an organization designed to provide young people between the ages of 10--17 an opportunity to realize their dreams of becoming filmmakers, actors, and artisans through the creation of both narrative and documentary motion pictures. The resulting works are ultimately screened at a local art deco movie palace in an event that includes a red carpet premiere and awards.
## Other projects {#other_projects}
In September, 2006 Yeager directed *Suzanne Shepherd - A Gift of Fire*, a documentary film about acclaimed New York City actor, director, and teacher Suzanne Shepherd, whose notable and varied roles include Tony Soprano\'s mother-in-law on the series *The Sopranos*, as well as featured appearances in *Goodfellas*, *Lolita*, *Uncle Buck*, *Living Out Loud*, and John Waters\' *A Dirty Shame*.
An unfinished Yeager work, *Beyond the Bridge*, a biographical film about Howard Rollins, debuted at Baltimore\'s Senator Theater in 2007.
Yeager is co-author of a book about Divine, called *My Son Divine*, written with Glenn Milstead\'s mother Frances. He teaches film and acting-related courses at Towson University and at the University of Maryland, Baltimore County.
## Filmography
Year Film Title Function/Role Notes
------ ------------------------------------- ---------------------------------------------- -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
1972 *Pink Flamingos* Actor; Role: Nat Kurzan, television reporter While he was on set playing the reporter, Steve Yeager was also filming behind-the-scenes \"making of\" footage of John Waters and company, which would later be used in the creation of *Divine Trash.*
1981 *Polyester* Actor; Role: Cameo
1985 *Aquarium* Director, editor (Documentary Short) Recipient of the Grand Prize for Best Documentary at the Houston International Film Festival, 1985.
1990 *On The Block* Director, Co-writer (Drama) Cast includes Howard Rollins in a featured role.
1998 *Divine Trash* Director (Documentary) Guest appearances by John Waters, Robert Shaye, Mink Stole, Divine (archive footage), Edith Massey (archive footage), Herschell Gordon Lewis, Danny Mills, Mary Vivian Pearce, Vincent Peranio, Paul Swift, John Pierson, Hal Hartley, Steve Buscemi, Jim Jarmusch, Channing Wilroy, Mary Avara. Recipient of Filmmakers Trophy for Best Documentary at the Sundance Film Festival in 1998.
2000 *In Bad Taste* Director (Television Documentary) Follow-up film to *Divine Trash.* Guest appearances by John Waters, Steve Buscemi, Johnny Depp, Divine, Debbie Harry, Ricki Lake, Patricia Hearst, Danny Mills, Edith Massey, Mink Stole, Sam Waterston, Kathleen Turner, David Lochary, Channing Wilroy
2001 *The Connection* Director Narrative feature film adapted from playwright Jack Gelber\'s drama about heroin addiction.
2005 *If The Bough Breaks* Director (Television Documentary) Film depiction of how the medical malpractice crisis affects both doctors and patients, aired on PBS 2006.
2006 *Suzanne Shepherd - A Gift of Fire* Director
2007 *The Howard Rollins Story* Director
2009 *Crystal Fog* Writer/Director/Actor (Drama) Original script and story based loosely on the troubled life and times of Steve Yeager\'s late younger brother.
2010 *The Rosens* Writer/Director Original script relating strained relationships between brothers after the death of their mother.
| 2025-06-20T00:00:00 |
7,128,687 |
Scott McCartney
|
**Scott McCartney** is *The Wall Street Journal\'s* travel editor, as well as a regular columnist for the newspaper.
## Background
McCartney currently lives in Dallas, though he is a native of Boston. He attended Duke University and graduated in 1982 with an A.B. in Public Policy Studies. He is the chair of the alumni network for *The Chronicle*, Duke\'s independent daily newspaper.
## Career
He spent eleven years at the Associated Press, before joining *The Wall Street Journal* in 1993. He writes a regular column for the *Journal*, \"The Middle Seat\", and is also the Travel Editor.
## Awards and honors {#awards_and_honors}
McCartney won the Online News Association award for online commentary in 2003 for \"The Middle Seat\" and the George Polk Award for transportation reporting in 2000. He has also been honored by the Deadline Club and New York\'s chapter of the Society of Professional Journalists.
## Works
- *Defying the Gods: Inside the New Frontiers of Organ Transplants*
- *ENIAC: The Triumphs and Tragedies of the World\'s First Computer*
- *Trinity\'s Children: Living Along America\'s Nuclear Highway*.
- *Wall Street Journal Guide to Power Travel*
| 2025-06-20T00:00:00 |
7,128,691 |
Electoral district of Caulfield
|
The **electoral district of Caulfield** is an electoral district of the Victorian Legislative Assembly that has existed since 1927.
It covers the metropolitan suburbs of Caulfield, Caulfield North, Caulfield South, Caulfield East, Elsternwick, Gardenvale, Ripponlea and Balaclava and parts of St Kilda East, St Kilda, Glen Huntly and Ormond.
The longest serving member is Ted Tanner, who held the seat for a period of 17 years, between 1979 and 1996.
The seat lies in the inner south-east metropolitan Melbourne and was once safe for the Liberal Party. However, a changing demographic and on-going electoral boundary changes have made the electorate increasingly marginal over the past decade. In the 2018 Victorian state election, the seat was won by the Liberal Party by just 205 votes.
The seat has been held by the Liberal Party for the majority of the time since its creation in 1927. The Labor Party has never held the seat.
Deputy Leader for the Victorian Liberal Party David Southwick is the current member of parliament for Caulfield.
## Members for Caulfield {#members_for_caulfield}
Member Party
-------- ------------------- -----------------------
\| Frederick Forrest Liberal
\| Harold Luxton United Australia
\| Harold Cohen United Australia
\| Andrew Hughes Independent Socialist
\| Alexander Dennett Liberal
\| Electoral Reform
\| Joe Rafferty Liberal
\| Alexander Fraser Liberal
\| Ian McLaren Liberal
\| Edgar Tanner Liberal
\| Charles Francis Liberal
\| Independent Liberal
\| Ted Tanner Liberal
\| Helen Shardey Liberal
\| David Southwick Liberal
## Election results {#election_results}
| 2025-06-20T00:00:00 |
7,128,692 |
Tuvuca
|
**Tuvuca** (pronounced `{{IPA|fj|tuˈβuða|}}`{=mediawiki}) is a small island off Vanua Balavu in Fiji\'s Lau archipelago. It is a densely wooded and inhabited island and rises 800 ft above sea level at the highest point. There is only one village on the island, which has a population of around 180 people. There is a primary school. Tuvuca has untapped deposits of phosphate.
## Chiefly titles {#chiefly_titles}
Tuvuca is part of the Tikina of Lomaloma and the chiefly title of this island is held by the Tui Tuvuca, which is generally held in personal union by the reigning Turaga na Rasau. The Village Chief of Tuvuca holds the title of Ramasi, it was this chiefs ancestors who gave the title to the Rasau of Lomaloma because he brought peace to Tuvuca and stopped a long-standing feud.
| 2025-06-20T00:00:00 |
7,128,696 |
Simple (philosophy)
|
In contemporary mereology, a **simple** or **indivisible monomere** (in mereology, not in chemistry) is any thing that has no proper parts. Sometimes the term \"atom\" is used, although in recent years`{{when?|date=January 2010}}`{=mediawiki} the term \"simple\" has become the standard.
Simples are to be contrasted with atomless gunk (where something is \"gunky\" if it is such that every proper part has a further proper part; a *potential omnidivisible*). Necessarily, given the definitions, everything is either composed of simples, gunk or a mixture of the two. Classical mereology is consistent with both the existence of gunk and either finite or infinite simples (see Hodges and Lewis 1968).
## The Simple Question {#the_simple_question}
Mirroring the special composition question is the Simple Question. It asks what the jointly necessary and sufficient conditions are for *x* to be a mereological simple. In the literature this question explicitly concerns what it is for a material object to lack proper parts, although there is no reason why similar questions cannot be asked of things from other ontological categories.
There have been many suggested answers to the Simple Question. Answers include that *x* is a simple if and only if it is a point-sized object; that *x* is a simple if and only if it is indivisible; or that *x* is a simple if and only if it is maximally continuous. Kris McDaniel has argued that what it is for an object to be a simple is a matter of brute fact, and that there is no non-trivial answer to the Simple Question (2007b).
## Extended simples {#extended_simples}
Of those philosophers who believe the material world contains simples, there has recently been debate over whether there can be extended simples (see Braddon-Mitchell and Miller 2006, Hudson 2006, Markosian 1998, 2004, McDaniel 2007a, 2007b, McKinnon 2003, Parsons 2000, Sider 2006, Simons 2004 *inter alia*). An extended simple is (i) a material object; (ii) simple, and (iii) it occupies an extended region of space.
Various reasons have been offered in favor of the claim that extended simples are possible, including: (a) that they are conceivable (Markosian 1998), (b) that purportedly plausible modal principles claiming, roughly, that there are no necessary connections between distinct existences entail their possibility (McDaniel 2007a, Saucedo 2009, Sider 2006), and (c) that contemporary physical theories entail that there are extended simples (Braddon-Mitchell and Miller 2006). One might also argue in favor of the possibility of extended simples by noting that their existence is consistent with the answer to the Simple Question one endorses. In the literature, however, the reasoning is often reversed: Those who think that extended simples are possible often use their purported possibility to argue against answers to the Simple Question that entail their impossibility and those who think that they are impossible uses their purported impossibility to argue against answers to the Simple Question that entail (or strongly suggest) their possibility.
There have been arguments against extended simples. Arguments include variants on Lewis\' argument from temporary intrinsics, as well as arguments that intuitively an extended object must have, for instance, a right half and a left half, and thus have parts (cf Zimmerman 1996: 10) Similarly, one who endorses the Doctrine of Arbitrarily Undetatched Parts, which states that necessarily, if an object occupies region *R* then every occupiable proper sub-region of *R* is exactly occupied by a proper part of that object (see van Inwagen 1981), might use that principle in an argument against the possibility of extended simples.
If there are no extended simples, the only remaining options would material objects being made of unextended simples (objects that have a space-time extension of 0) or atomless gunk.
Some philosophers seem to have held that the whole universe is one enormous extended simple. According to some interpretations of Descartes and Spinoza, for instance, they held this view. More recently, this view has been defended in Schaffer 2007.
## Non-material simples {#non_material_simples}
The use of \'simple\' is not restricted to material objects. Anything, no matter what ontological category it is from, is a simple if and only if it has no proper parts. Thus Lewis has argued that singletons are simples (Lewis 1991) and spacetime points are often thought to be simples (although in some non-standard spacetimes, points have proper parts). Similarly, there is a question of whether things from other categories -- for instance, fictional characters and properties, if there are such things -- are simples. Furthermore, just as every material object may be made of atomless gunk rather than simples, so too for objects from other ontological categories. For instance, some have held that spacetime is gunky, claiming that every region of spacetime has a proper sub-region.
| 2025-06-20T00:00:00 |
7,128,698 |
The Operation M.D.
|
**The Operation M.D.** (formerly **The Operation**) is a Canadian garage rock band created by Doctors Dynamite (Jason McCaslin of Sum 41) and Rocco (Todd Morse of H~2~O) as a side project to their other bands. The band\'s debut album, *We Have an Emergency*, was released in February 2007 by Aquarius Records. Their second album *Birds + Bee Stings* was self-released by the band\'s own label \"Mouth To Mouth Music\" in June 2010.
## History
McCaslin and Morse met one another as their bands Sum 41 and H~2~O toured during the 2001 Warped Tour. The two came up with a medical theme for their band and assumed the aliases of Dr. Dynamite (McCaslin) and Dr. Rocco (Morse) under the name The Operation. After signing with Aquarius Records the band added \"M.D.\" to their name for legal reasons. The band\'s debut album *We Have an Emergency* was recorded during the summer of 2006, when Sum 41 was on hiatus, and was released on February 20, 2007 in Canada with two music videos made for the songs \"Sayanora\" and \"Someone Like You\", with both videos being directed by Sum 41 drummer Steve Jocz (Dr. Dinero). Though the band has said many times they don\'t plan to tour or to play live shows with this project, they did however play one special show at the Bovine Sex Club in Toronto, Ontario, in August 2008. On April 18, 2008, the album was also released in Japan.
Recording for the band\'s second album began on September 15, 2008. It was recorded in Johnny Land Studios and in Cone\'s house in Toronto, Ontario, as well as in an abandoned home studio in Ajax, Ontario, which was called by the band the \"Boehlke\'s Bunkhouse\". The album\'s recording was finished in April 2009, and it was mixed and mastered by June 2009.\
On May 18, 2010, the band released a new song entitled \"We Stand\" on their Myspace page. The song was a charity single the band recorded for a Canadian charity compilation called *Song for Africa - Rwanda: Rises Up!* which was released on June 22, 2010.\
The second album\'s first single \"Buried at Sea\" which was produced by Ian D\'sa of Billy Talent (the rest of the album was produced by Cone + Todd) was released on June 10, 2010, with the album, entitled *Birds + Bee Stings* being released a few weeks later, on June 29, 2010, through the band\'s own label **Mouth to Mouth Music**, with a worldwide digital release only.
On October 5, 2010, the band has announced on their Twitter that they are working to book some live shows in support of the new album, around the Christmas time.
On October 28, 2010, The band has announced that they will be re-releasing their second album *Birds + Bee Stings* in a physical CD release in Canada on November 30, 2010. The album was previously only available as a worldwide digital release, but now will be also available in stores, as well as on the Canadian iTunes, along with a new artwork. The new release was supported by a single show at the Horseshoe Tavern in Toronto, Ontario, Canada, on December 21, 2010, with Matt Brann on drums.
On July 24, 2011, it was mentioned on the band\'s Twitter that there has been talks to shoot a new music video by the band. On July 29, 2011, Todd Morse has leaked info on his Twitter page about an upcoming previously unreleased single, entitled \"Like Everyone Else\", which will be released on iTunes in a few months.
On September 2, 2011, Todd Morse has revealed in an interview that the band plan to go on their first European tour, which will also be their first tour ever, in December, possibly with Tom Thacker of Sum 41 and Gob on lead guitar. Morse has also confirmed that the band plan to release the new single \"Like Everyone Else\" on Christmas, along with an accompanying music video. The song, which was written entirely by Jason McCaslin, is a leftover from the sessions for the band\'s *Birds + Bee Stings* album, and was also considered for inclusion on the Sum 41 album *Screaming Bloody Murder*, but it was eventually decided to release it as a stand-alone Operation M.D. single. Todd has also commented that the band will be releasing a third album, though it is unknown when work on the new album will begin.
On July 28, 2015, the band announced that mixing for their single \"Like Everyone Else\" has begun. On September 25, 2015, \"Like Everyone Else\" was officially released as a stand-alone single on iTunes. The song was originally written by Jason McCaslin for the band\'s second album back in 2010, and was later being considered for inclusion on Sum 41\'s 2011 effort *Screaming Bloody Murder*.
On February 1, 2016, the band announced they\'re mastering their newest single \"Little Miss Takes\", the song being a b-side recorded originally for their first album in 2006.
On November 13, 2017, after almost two years of silence, the band announced on their Facebook they\'ll be releasing a new single on December 1. On December 1, 2017, \"Little Miss Takes\" was officially released as a stand-alone single on iTunes. The song is a reworked version of a demo the band released on their Myspace page back in 2007. The single is the first to feature the band\'s friend and former Sum 41 drummer Steve Jocz on drumming duties, since recording drums for their first album.
## Band members {#band_members}
Official members
- Todd Morse (as Dr. Rocco) - vocals, guitar, keyboards (2006--present)
- Jason McCaslin (as Dr. Dynamite) - bass, guitar, vocals, keyboards (2006--present)
Contributing members
- Steve Jocz (as Dr. Dinero) - drums (2008--2013, 2017; as session and touring member)
- Matt Brann (as Dr. Space) - drums (2006--2008; as session and touring member)
- Jason Womack (as Dr. Wo) - guitar (2007--2008; as touring member)
- Adam Blake (as Dr. London) - guitar (2007; as touring member)
- Deryck Whibley (as Dr. Jack)- guitar, keyboards (2008--2013; as session and touring member)
- John-Angus MacDonald (as Dr. Trew) - guitar, backing vocals (2008; as touring member)
- Todd Friend (as Dr. Simpson) - drums (2008; as touring member)
- Ian D\'Sa (as Dr. Sauce) - guitar, backing vocals (2012--2013; as session and touring member)
### Timeline
{{#tag:timeline\| ImageSize = width:800 height:300 PlotArea = left:70 bottom:95 top:10 right:15 Alignbars = justify DateFormat = mm/dd/yyyy Period = from:2006 till:{{#time:m/d/Y}} TimeAxis = orientation:horizontal format:yyyy
Colors =
`id:Vocals value:red legend:Vocals`\
`id:Bass value:blue legend:Bass`\
`id:Guitar value:green legend:Guitar`\
`id:Drums value:orange legend:Drums`\
`id:Keyboards value:purple legend:Keyboards`\
`id:Touring value:yellow legend:Touring_musician`\
`id:Members value:skyblue legend:Contributing_member`\
`id:Album value:black legend:Studio_album`\
`id:Compilation value:gray(0.5) legend:Compliation_album`\
`id:bars value:gray(0.93)`
Legend = orientation:vertical position:bottom columns:3 BackgroundColors = bars:bars
ScaleMajor = increment:2 start:2006 ScaleMinor = increment:1 start:2006
LineData =
`at:02/20/2007 color:album layer:back`\
`at:11/30/2010 color:compilation layer:back`\
`at:06/22/2010 color:album layer:back`
BarData =
`bar:Todd text:"Dr. Rocco"`\
`bar:Cone text:"Dr. Dynamite"`\
`bar:Adam text:"Dr. London"`\
`bar:Jason text:"Dr. Wo"`\
`bar:John text:"Dr. Trew"`\
`bar:Ian text:"Dr. Sauce"`\
`bar:Deryck text:"Dr. Jack"`\
`bar:Matt text:"Dr. Space"`\
`bar:Stevo text:"Dr. Dinero"`\
`bar:Todd2 text:"Dr. Simpson"`
PlotData=
`width:11 textcolor:black align:left anchor:from shift:(10,-4)`\
`bar:Todd from:01/01/2006 till:end color:Vocals`\
`bar:Todd from:01/01/2006 till:end color:Guitar width:7`\
`bar:Todd from:01/01/2006 till:end color:Keyboards width:3`\
`bar:Cone from:01/01/2006 till:end color:Bass`\
`bar:Cone from:01/01/2006 till:end color:Guitar width:7`\
`bar:Cone from:01/01/2006 till:end color:Keyboards width:5`\
`bar:Cone from:01/01/2006 till:end color:Vocals width:3`\
`bar:Stevo from:02/20/2007 till:11/30/2012 color:Drums`\
`bar:Stevo from:09/15/2008 till:11/30/2010 color:Members width:3`\
`bar:Stevo from:11/30/2010 till:01/01/2013 color:Drums `\
`bar:Stevo from:02/20/2007 till:09/15/2008 color:Touring width:3`\
`bar:Stevo from:11/30/2010 till:01/01/2013 color:Touring width:3`\
`bar:Stevo from:11/13/2017 till:12/01/2017 color:Drums`\
`bar:Stevo from:11/13/2017 till:12/01/2017 color:Members width:3`\
`bar:Deryck from:09/15/2008 till:11/30/2010 color:Keyboards`\
`bar:Deryck from:09/15/2008 till:11/30/2010 color:Members width:3`\
`bar:Deryck from:11/30/2010 till:05/01/2011 color:Guitar`\
`bar:Deryck from:11/30/2010 till:05/01/2011 color:Touring width:3`\
`bar:Ian from:09/15/2008 till:11/30/2010 color:Guitar`\
`bar:Ian from:09/15/2008 till:11/30/2010 color:Members width:3`\
`bar:Ian from:01/01/2012 till:01/01/2013 color:Guitar`\
`bar:Ian from:01/01/2012 till:01/01/2013 color:Touring width:3`\
`bar:Matt from:01/01/2006 till:02/20/2007 color:Drums`\
`bar:Matt from:01/01/2006 till:02/20/2007 color:Members width:3`\
`bar:Adam from:02/20/2007 till:07/01/2007 color:Guitar`\
`bar:Adam from:02/20/2007 till:07/01/2007 color:Touring width:3`\
`bar:Adam from:05/01/2011 till:01/01/2012 color:Guitar`\
`bar:Adam from:05/01/2011 till:01/01/2012 color:Touring width:3`\
`bar:Jason from:07/01/2007 till:02/01/2008 color:Guitar`\
`bar:Jason from:07/01/2007 till:02/01/2008 color:Touring width:3`\
`bar:John from:02/01/2008 till:09/15/2008 color:Guitar`\
`bar:John from:02/01/2008 till:09/15/2008 color:Touring width:3`\
`bar:Todd2 from:09/01/2008 till:09/15/2008 color:Drums`\
`bar:Todd2 from:09/01/2008 till:09/15/2008 color:Touring width:3`
}}
## Discography
### Studio albums {#studio_albums}
- 2007: *We Have an Emergency* - Aquarius Records
- 2010: *Birds + Bee Stings*
### Singles
- 2014: *Shake Your Cage*
- 2015: *Like Everyone Else*
- 2017: *Little Miss Takes*
- 2019: *No Walk Zone*
### Compilation appearances {#compilation_appearances}
- 2010: *Song for Africa - Rwanda: Rises Up!* - The song \"We Stand\"
| 2025-06-20T00:00:00 |
7,128,707 |
Community Hospital East
|
**Community Hospital East** is a hospital located in Indianapolis, Indiana, and is part of the Community Health Network group of hospitals in Indiana.
## History
Community Hospital was founded on August 6, 1956, at the corner of 16th Street and Ritter Avenue on the east side of Indianapolis.
The hospital was the result of a fundraising effort started by volunteers who envisioned a hospital closer to the East side of Indianapolis. Volunteers began a door-to-door fundraising campaign. Soon donations came in from businesses and civic organizations. The name \"Community Hospital\" was chosen by leaders because of the involvement of the neighbors and community of the east side in helping build the hospital.
Ground was broken in 1954 on a 28 acre site donated by farmer Edward F. Gallahue. The ground-breaking ceremony was attended by then-Vice President Richard Nixon. When opened, the \$5 million hospital had the still novel installation of air conditioning technology,piped in oxygen, 300 beds, and 111 employees. W.C. McLin was the hospital\'s first administrator.
In 1964, \"The Towers,\" an extension to the hospital, opened. The building\'s design - with two circular towers allowing central nursing stations to observe patients at all times was one of the first of its kind in the nation.
Throughout the next few years, Community Hospital underwent many expansions and upgrades, including the opening of psychiatric inpatient units, a coronary care unit, and specialized services including ambulatory care and a cardiac catheterization lab. In 1972, Allen Hicks was chosen to lead the hospital following the death of W.C. McLin in 1971. In 1974, Building 3 opened at Community Hospital, dedicated to W.C. McLin, adding 250 more beds.
More additions included the Hook Rehabilitation Center, Gallahue Mental Health Center, pain and cancer centers, plus surgery suites and education facilities. In 1981, a laboratory opened, along with a medical office building. Community hospital was, at that time, the second-largest hospital in the city of Indianapolis with approximately 800 beds, and it was considered one of the leading health-care facilities in the state.
William E. Corley became the CEO of Community Hospital in 1985 after Allen Hicks left in 1983. A new satellite hospital for Community was planned in 1982 on the north side of Indianapolis. What is now Community Hospital North opened in 1985 and has since outgrown its satellite status. Community Hospital was subsequently renamed Community Hospital East. The Same-Day Surgery Center opened at Community East in 1988 and a new main lobby, entrance, and professional building opened in 1991.
Community East marked the birth of its 100,000th baby in 1993. In 1996, Community East adopted the Family Rooms concept in the maternity unit. The unit features LDRP - labor, delivery, recovery, postpartum - rooms, allowing mothers and babies to remain in the same room throughout their stay.
The Indiana Surgery Center opened on the Community East campus in 1999 and is part of the Community Health Network. It is an outpatient surgery center formed through the partnerships of a group of surgeons. In 2004, Community East opened the Center for Interventional Radiology, one of the first centers of its kind in the country and the only one in the Midwest.
The hospital opened The Community Regional Cancer Care Radiation Oncology Treatment Center, a \$7 million addition, in March 2007. In November 2007, Community East opened a 7000 sqft medical oncology center. The Center for Joint Health, a specialized unit for joint replacement surgery patients, opened in July 2008. Community East celebrated its 50th anniversary in August 2006.
On August 19, 2015, Community Hospital East broke ground to replace its 60-year-old facility with a \$175 million, 150-bed hospital in 2019. The campus also includes a \$120 million, 159-bed state-funded psychiatric and chronic addiction treatment facility. The Indiana NeuroDiagnostic Institute and Advanced Treatment Center will replace the antiquated Larue D. Carter Memorial Hospital in 2019.
## Current status {#current_status}
Community East is currently led by Robin Ledyard, M.D., who assumed her new role as president on August 31, 2009. She replaced Anita Harden, who retired in November 2008, and Steve Hultgren who had served as interim president after Harden\'s retirement. Bryan Mills is the president and CEO of the parent Community Health Network.
| 2025-06-20T00:00:00 |
7,128,709 |
Henry Nevill, 9th Baron Bergavenny
|
**Henry Nevill, *de facto* 9th (*de jure* 2nd) Baron Bergavenny** (c. 1570 -- c. December 1641) was an English iron founder, soldier and politician who sat in the House of Commons at various times between 1601 and 1622 when he inherited the Baron Bergavenny peerage.
## Life
Nevill was the son of Edward Nevill, 8th Baron Bergavenny and his wife Rachel Lennard, daughter of John Lennard. He was educated at Queens\' College, Cambridge in 1586 and was awarded BA in 1589. He was incorporated at Oxford University and awarded MA in 1594.
## Recusant
He then travelled abroad and was at Venice in July 1594 where he was approached by English Catholics, presumably with the intention of involving him in one of the numerous conspiracies against Elizabeth I which were rife in that decade. Nevill conformed outwardly to the Church of England, but was generally believed to be a Roman Catholic at heart. His first wife, Lady Mary Sackville, was a confirmed Catholic who taught her children to follow that faith. His beliefs are also evidenced by his second marriage to Catherine Vaux, who belonged to a notable recusant family. Her mother, Elizabeth Vaux (née Roper) sheltered Catholic priests at the family home at Harrowden Hall, and her brother Lord Vaux fled the country after being suspected of complicity in the Gunpowder Plot; on his return to England in 1611 he was imprisoned for two years. Later generations of the Nevill family openly professed the Catholic faith, and followed Henry\'s example in marrying into well-known recusant families like the Giffords and Chamberlains.
## Military and political career {#military_and_political_career}
In 1596 he served at the Capture of Cadiz under Robert Devereux, 2nd Earl of Essex and was knighted. In June 1597 he was licensed to travel abroad for two years with his brother-in-law Thomas Sackville, son of Lord Buckhurst, later Earl of Dorset. Buckhurst and Nevill owned several iron foundries between them, and by December 1596 they had a patent which gave them a monopoly in the production of ordinance.
In 1601 Nevill was elected Member of Parliament for Kent. He took no part in Essex\'s Rebellion, though he was apparently invited to do so. During this parliament Nevill\'s patent was mentioned during an attack on monopolies. Nevill is mentioned sitting on a committee considering the Penal Laws on 2 November, somewhat ironically in view of his own well-known Catholic leanings. In 1604, he was elected MP for Lewes. In 1621 he was elected MP for Wilton and sat until 1622 when he succeeded to the Barony upon the death of his father.
Nevill died in 1641.
## Family
Nevill married firstly Lady Mary Sackville (d. February 1612), daughter of Thomas Sackville, 1st Earl of Dorset and Cicely Baker, with whom he had the following children:
- Sir Thomas Nevill (b. bef. 1610--1628); married Frances Mordaunt, daughter of the 4th Baron Mordaunt, and had two sons who died young and a daughter Margaret;
- Cecily Nevill (c. 1600 -- c. 1654), who in 1617 married Fitzwilliam Coningsby; they were the grandparents of Thomas Coningsby, 1st Earl Coningsby;
- Mary (Anne in religion) Nevill (1605--1689), a Benedictine nun at an English convent in Ghent and then abbess at the English Benedictines of Pontoise from 1667 to 1689
- Elizabeth Nevill (b. bef. 1641)
He then married Catherine Vaux, daughter of George Vaux and Elizabeth Roper, and sister of Edward Vaux, 4th Baron Vaux of Harrowden, with whom he had the following children:
- John Nevill, 10th Baron Bergavenny (c. 1614--1662)
- George Nevill, 11th Baron Bergavenny (c. 1615--1666)
- Frances Nevill (b. bef. 1641)
- Catherine Nevill (died after 1654) who married firstly Sir Robert Howard and secondly John Berry
- Elizabeth Nevill (c. 1626--1662) who married in 1651 Thomas Stoner (1626--1683)---a descendant of William de la Pole, 1st Duke of Suffolk and Alice Chaucer
| 2025-06-20T00:00:00 |
7,128,745 |
John Moore (physician)
|
**John Moore**, MD (August 18, 1826 -- March 18, 1907) was a leading United States Army physician during the American Civil War who rose to become Surgeon General of the Army in the late 1880s.
## Early life and medical training {#early_life_and_medical_training}
Moore was born in Bloomington, Indiana. He attended Indiana University and graduated in 1845. He had graduated from the Medical College of Ohio in Cincinnati in 1844. He scored first place in the internship examination at the Commercial Hospital and Lunatic Asylum of Ohio (chartered in 1821), the hospital whose attending physicians were members of the MCO faculty. He served during 1845--46, and then filled in when another intern had to leave the following mid-year.
He took further medical courses at the University of Louisville Medical Department in 1848--49 and at the medical department of the University of the City of New York in 1849--50, graduating later that same year. After one-year internship in Bellevue Hospital and two years with the New York Dispensary, Moore entered the Army as assistant surgeon in 1853. He served in Fort Myers, Florida, and then in a fort in Boston Harbor before going to the Utah Territory frontier as a surgeon during the Utah War in 1857. He was promoted to the rank of captain in 1858.
## Civil War {#civil_war}
When the Civil War broke out in 1861, Dr. Moore was attached to the Cincinnati Marine Hospital, which became the Military Hospital of Cincinnati, that was opened in May 1861. He was promoted to surgeon in 1862. In Cincinnati, he was assigned to previously unstable hospital situations. Then he was assigned to the Army of the Potomac and served as divisional chief surgeon at the battles of Antietam and Fredericksburg. He was promoted to Medical Director of the V Corps and served in that role at the Battle of Chancellorsville.
In June 1863 he became Medical Director of the Army of the Tennessee and later accompanied Maj. Gen. William T. Sherman on his famous \"March to the Sea\" and through the Carolinas. In 1865 he received the brevet rank of colonel and was mustered out of the volunteer army with the close of the war.
## Postbellum career {#postbellum_career}
Dr. Moore stayed in the regular army following the Civil War and served in a variety of medical posts, spending over a decade on assignment in New York City. In 1883 he was made Assistant Medical Purveyor with the rank of colonel. In 1886, he succeeded Robert Murray as Surgeon General and was promoted to brigadier general. He held this post until 1890, when he was succeeded by Jedediah Hyde Baxter.
Moore was retired for age in 1890 and lived the rest of his life in Washington, D.C.. There, he and his wife helped nurse back to health a young Llewellyn Scott, an African-American who converted to the Catholic faith of the Moores (sponsored for Confirmation by Moore\'s wife Mary Jane) and went on to found a notable Catholic Worker House in Washington for indigent men.
Moore died at the age of 82 of an interstitial nephritis. He was funeralized at St. Matthew\'s Church in Washington and is buried in Arlington National Cemetery.
| 2025-06-20T00:00:00 |
7,128,759 |
Santokh Bagga
|
**Santokh Singh Bagga** was a Canadian Security Intelligence Service (CSIS) informant who helped with the investigation of the 1985 Air India bombing.
Bagga received his doctorate in philosophy and psychology from Pune University in 1978, and applied for refugee status, and came to Canada in 1986 with his son (Gursev Singh Bagga). Solicitor General James Kelleher sent a letter on March 30, 1987 stating that Bagga\'s security had to be kept in mind, and transferring his handling from CSIS to the Royal Canadian Mounted Police. In May 1988, Bagga accused Secretary of State for External Affairs Joe Clark of interfering with his claim for refugee status to placate the Indian government.
Despite the RCMP protection provided, and history of activism with Babbar Khalsa, Bagga did not testify in the 2004/2005 Air India bombing trial.
Harkirat Singh Bagga currently resides in Punjab, India. Gursev Singh Currently resides in Canada.
| 2025-06-20T00:00:00 |
7,128,762 |
Civitas sine suffragio
|
***Civitas sine suffragio*** (Latin, \"citizenship without the vote\") was a level of citizenship in the Roman Republic which granted all the rights of Roman citizenship except the right to vote in popular assemblies. This status was first extended to some of the city-states which had been incorporated into the Republic following the break-up of the Latin League in 338 BCE. It became the standard Romanization policy for incorporating conquered regions in building the Roman Empire.
| 2025-06-20T00:00:00 |
7,128,768 |
Spring Breakdown
|
***Spring Breakdown*** is a 2009 American comedy film directed by Ryan Shiraki and starring Amy Poehler, Parker Posey, and Rachel Dratch.
The movie was originally filmed in 2006 and was then sold to Warner Independent Pictures, where it sat on the shelf. The company was shut down by its parent in 2008, who decided to release the film direct-to-video in 2009, three years after principal photography.
## Plot
The film begins with Gayle, Becky and Judi performing in McCormick State College\'s Senior Talent Show in 1992. The three of them were the \'losers\' and geeks in college but were always hopeful about their future. The next scene then jumps to 15 years later. Gayle is now a guide dog trainer for the visually handicapped. She asks her client out on a date but gets rejected after he touches her face. Becky is an office manager for Senator Hartmann. Judi and her fiance, William, go for relationship counseling and insist that there are no secrets between them. Becky returns home only to find her cat, Honey, dead. The three of them hold their usual \'make your own pizza party\' and play their usual \'movie game\'. They decide to go on a trip to Tempe, Arizona to the Wimmin\'s Music Festival.
Senator Hartmann announces to her team that she is the potential next vice president. In order to ensure success, she has to make sure that she has a good reputation and background. Her daughter Ashley's boyfriend has recently broken up with her because she is not "slutty enough". In order to win him back and not disappoint her mother, she decides that she will be going to South Padre for her spring break. She wants her to think that she is \'just like her mother was back in the days\' - the most popular girl in her sorority and \'always up for a good time\'. In order to make sure that Ashley does not act out, Senator Hartmann sends Becky to go to South Padre to keep an eye on her. Throughout the trip, Gayle becomes very close to a group of girls called The Sevens who are Ashley\'s nemesis.
Judi returns home and discovers that William is actually gay and he ends up breaking off with her. Judi meets up with Becky and Gayle and the three of them decide to go to South Padre to relive the college days that they never had. Even though the girls are appalled with the state of the place, Gayle and Judi fit into the crowd easily. They spend the next few days getting wasted while Becky keeps to the main reason of her being there. Gayle and Judi eventually persuade Becky into relaxing.
One night at a foam party, Ashley finds out that Becky was actually sent by her mother and feels betrayed because she thought they were friends. They engage in a cat fight and end up in jail. That night, William goes to find Judi and asks for a second chance. Then Judi bails Becky and Ashley out of jail. She announces to everyone that she is going to marry William. Gayle declares that she\'s going to be in the All Girl Talent Show with The Sevens because she is finally going to win. This leads to an argument, and Judi leaves to get married, while Becky and Gayle prepare separately for the talent contest.
At the airport, Judi finally admits to herself that William is gay and tells him she can\'t marry him. Gayle falls out with Mason, the leader of The Sevens, just before they go on stage. Senator Hartmann appears backstage and wants to bring Ashley back home by force. They have a confrontation and Ashley begs her mother to let her compete in the show, and her mother relents. As the group begins to perform, the pianist passes out (drunk) and Judi returns just in time to replace her. They perform, with begrudged success. The film ends with the three of them back home, at their usual \'make your own pizza party\' playing their usual \'movie game\'.
## Cast
- Amy Poehler as Gayle O\'Brien
- Parker Posey as Becky St. Germaine
- Rachel Dratch as Judi Joskow (now Cody)
- Amber Tamblyn as Ashley Hartmann
- Seth Meyers as William Rushfield
- Sophie Monk as Mason Masters
- Jonathan Sadowski as Doug
- Missi Pyle as Charlene
- Jane Lynch as Senator \"Kay Bee\" Hartmann
- Mae Whitman as Lydia
- Sarah Hagan as Truvy
- Jana Kramer as Seven #2
- Kristin Cavallari as Seven #3
- Justin Hartley as Todd
- Loretta Devine as Counselor
## Production and release {#production_and_release}
The script was developed by Rachel Dratch and Ryan Shiraki, who were colleagues on *Saturday Night Live*. *Spring Breakdown* was filmed in 2006 and was initially created by Rogue Pictures as an \"R-rated spring-break farce\"; it was then sold to Warner Independent Pictures as a PG-13 film and underwent a long post-production period. The *Los Angeles Times* described the film's post-production:
> "*Spring Breakdown*" might be a case study of recession-era managed expectations and the sometimes-uneasy alliance between independent auteurs and bottom-line-fixated studios. The script about three women attempting a college "do-over" \-- which might be neatly described as "*Where the Boys Are*" meets "*Revenge of the Nerds*"...endured a long post-production period, and then sat on the shelf awaiting release.
The score to *Spring Breakdown* was composed by Deborah Lurie who recorded her score with the Hollywood Studio Symphony conducted by Blake Neely and recorded by Greg Dennen at the Eastwood Scoring Stage at Warner Brothers.
In April 2008, co-star Missi Pyle believed the box-office performance of *Baby Mama* would determine whether Warner Bros. released this film theatrically.
The film was screened at the Sundance Film Festival in January 2009 as part of Park City at Midnight before going direct-to-video.
## Reception
*Variety* magazine called the film \"energetic but uninspired\" with a \"party-boatload of comedic talent \[that\] is fairly wasted\" and notes:
> There are funny lines scattered about, and the pacey pic has an aptly cheesy look dominated by the neon hues of tropical drinks and thong wear. But the situations offer no real satiric finesse on familiar genre tropes --- wet T-shirt contest, drunken puke-outs, a climactic talent show triumph --- and the rote girl-power message rings unironically hollow.
Ray Greene of *Boxoffice* magazine, after seeing the film at Sundance, gave the film no stars, saying \"The annual Sundance "What the f\-\--" moment has arrived in the form of *Spring Breakdown*, a very bad genre exercise starring some very good comedic actresses.\" *Bitch Media* said \"certain performances and small moments\", particularly those of Jane Lynch and Missi Pyle, are what save the film.
| 2025-06-20T00:00:00 |
7,128,774 |
Northwest Missouri Regional Airport
|
**Northwest Missouri Regional Airport** `{{airport codes||KEVU|EVU}}`{=mediawiki} is a city-owned public use airport located two nautical miles (3.7 km) west of the central business district of Maryville, a city in Nodaway County, Missouri, United States. The airport is used for general aviation with no commercial airlines.
Although most U.S. airports use the same three-letter location identifier for the FAA and IATA, this airport is assigned **EVU** by the FAA but has no designation from the IATA.
## History
The airport was formerly **Maryville Memorial Airport** and was built following World War II. It was renamed in 2003. It has been operated by the Rankin family for several decades. The family also operates the Rankin Airport in the 102 River bottoms on the east side of Maryville.
## Facilities and aircraft {#facilities_and_aircraft}
Northwest Missouri Regional Airport covers an area of 171 acre at an elevation of 1,150 feet (351 m) above mean sea level. It has one runway designated 14/32 with a concrete surface measuring 4,600 by 75 foot (1,402 x 23 m). The main runway was extended by 600 feet in 2008. The airport\'s former second runway is now closed; it had been designated 18/36 and had a 2,002 x 45 ft (610 x 14 m) asphalt surface.
A terminal building was completed in 2007, providing weather information and pilots lounge. The airport was also scheduled to install new lighting and a jet fuel pump in 2009.
For the 12-month period ending September 17, 2007, the airport had 4,550 aircraft operations, an average of 12 per day: 93% general aviation and 7% air taxi. At that time there were 19 aircraft based at this airport: 89% single-engine and 11% multi-engine.
| 2025-06-20T00:00:00 |
7,128,775 |
HSG Nordhorn-Lingen
|
*Pandoc failed*: ```
Error at (line 53, column 44):
unexpected 's'
{| class="wikitable collapsible collapsed" style="width:65%
^
```
| 2025-06-20T00:00:00 |
7,128,785 |
Arthur Jenkins (British politician)
|
**Arthur Jenkins** (3 February 1882`{{spaced ndash}}`{=mediawiki}25 April 1946) was a Welsh coal-miner, trade unionist and Labour politician who served as vice-president of the South Wales Miners\' Federation and MP for Pontypool. He was the father of the Labour (and later Liberal Democrat) politician Roy Jenkins.
## Early life and education {#early_life_and_education}
Jenkins was born at Varteg, near Abersychan in Monmouthshire to Thomas Jenkins and his wife, Eliza Perry. He left school at the age of 12 to work in the coal mine at Viponds, where he became actively engaged in trade union work. He attended night school, learning enough to gain a scholarship from the Eastern Valley Miners educational group to attend Ruskin College. In 1909 he went on strike over the dismissal of the militant Marxist teacher Dennis Hird. Partly in disgust at the way socialists were treated in higher education, he transferred to the Central Labour College, and from there to the campus in London. He had not completed his studies at Ruskin when he left for Paris to continue his studies there, at the Sorbonne.
In 1910 he returned to Wales to work as a miner and teach evening classes in the village of Garndiffaith.
## Family
On 2 October 1911 Jenkins married Hattie Harris (1886--1953), the daughter of a local steelworks manager from Blaenavon who worked in a music shop in Pontypool.
They had one son, Roy Harris Jenkins (1920--2003), who followed his father into politics, serving as Home Secretary and Chancellor of the Exchequer under Harold Wilson and later as President of the European Commission. In 1981 he helped to found the Social Democratic Party and later oversaw its merger with the Liberal Party to form the Liberal Democrats. He was also Chancellor of the University of Oxford.
## Trade union work and political career {#trade_union_work_and_political_career}
Jenkins became active in local politics, representing the Labour Party on Monmouthshire County Council. He was also a strongly militant socialist, agitating for rapid and violent change. During the General Strike of 1926 he was arrested on disputed charges, hauled before the magistrate and sent to prison for nine months, although this did not prevent him from returning to the National Executive Committee of the Labour Party.
Throughout the 1920s and 1930s Jenkins continued to promote the sectional interests of miners and the Labour movement. He was the agent for the Eastern Valleys District of the South Wales Miners\' Federation from 1921 to 1933 before serving as vice-president of the Federation.
At the 1935 general election he was chosen as the Labour Party candidate for Pontypool, one of the party\'s safest seats, to replace Thomas Griffiths. With the rise of totalitarian dictatorships during 1930s his interests spread from coal and unemployed miners to poverty more generally and education, as well as foreign affairs. In 1937 his views on rearmament and the threat of global conflict attracted the attention of the Labour leader, Clement Attlee, for whom he worked as Parliamentary Private Secretary.
In March 1945, during the wartime coalition, he was briefly appointed Parliamentary Secretary to the Ministry of Town and Country Planning. In the Attlee ministry, he became Parliamentary Secretary to the Ministry of Education. Suffering from illness, he was forced to retire from the Government in October 1945, so losing the opportunity to attain a Cabinet position.
He died at St Thomas\' Hospital in London on 25 April 1946.
## Arthur Jenkins Indemnity Act 1941 {#arthur_jenkins_indemnity_act_1941}
During the Second World War Jenkins worked on industrial tribunals for the Royal Ordnance Factory, Glascoed, for which he needed legal dispensation from parliamentary privilege because he was an MP. He accepted the chairmanship of a local appeals board created under the Essential Work (General Provisions) Order, 1941, for ROF Glascoed. The role entitled him to a small payment per sitting, which, however, he did not accept. Nevertheless, the position was deemed to be an office for profit under the Crown, therefore leading to Jenkins vacating his seat in Parliament.
Although the House of Commons Disqualification (Temporary Provisions) Act 1941 had been brought in to remedy such situations, it applied to MPs who had accepted offices of profit between the start of the war and the passing of the Act. Jenkins took up the chairmanship of the appeals board after the Act was passed. The Act also permitted the Prime Minister to issue a certificate to an MP, to permit him or her to take up an office for profit without losing his or her seat. Unfortunately Jenkins had not done this before taking up the chairmanship, and therefore he was no longer an MP. The Conservative MP Sir William Davison remarked that \"it does seem hard and unnecessary that he should be pilloried by losing his seat and incurring penalties\".
The Arthur Jenkins Indemnity Act 1941 (5 & 6 Geo. 6. c. 1) was therefore enacted, which operated to restore Jenkins to his seat.
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Island Records discography
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The history and the discography of the **Island Records** label can conveniently be divided into three phases:
- The Jamaican Years, covering the label\'s releases from 1959 to 1966
- The New Ground Years, covering 1967 to approximately 1980.
- The Consolidation Years, covering 1980 onwards. In 1989, Chris Blackwell sold Island Records to PolyGram, resulting in a remarketing of the Island back catalogue on compact disc under the Island Masters brand.
## Jamaican releases (1959--1962) {#jamaican_releases_19591962}
Blackwell released 28 singles and three LPs in this period.
### Jamaican singles {#jamaican_singles}
The very first records have been issued on 7\" sides in Jamaica on a label called R&B
- Laurel Aitken: \"Boogie In My Bones\"
- Ernest Ranglin: \"Wranglin\'\"
- Lord Lebby With The Caribs: \"Caldonie\"
### Jamaican LPs {#jamaican_lps}
CB stands for **C**hris **B**lackwell; 22 for the age of Blackwell at the time; it is the first number of the LP catalogue.
- CB21 -- Lance Hayward: *Lance Hayward at the Half Moon Hotel*
- CB22 -- Lance Hayward: *Lance Hayward at the Half Moon Hotel, Volume 2*
- CB23 -- Ernest Ranglin: *Guitar In Ernest*
- CBLP24 -- Owen Gray: *Sings*
## UK releases 1960s {#uk_releases_1960s}
After the company\'s start in London in 1962 Island Records diversified already in 1963 into various labels: Black Swan, Island, Sue and Jump Up.
### Singles of the 1960s {#singles_of_the_1960s}
The first Island \"white and red\" label was used mainly for Jamaican productions released in the United Kingdom. Catalogue numbers started at WI-001. Many of these records had been released previously in Jamaica and other territories on small local labels. For a variety of reasons details of the artists and songs printed on the labels do not always match what is actually to be found in the grooves of the record! The main Island label was soon joined by another three labels: **Sue** for black American music with catalogue numbers starting at WI-300, **Black Swan** for more Jamaican music starting with WI-400, and Jump Up, for Calypso and Trinidadian music, starting with 500, but using another prefix (JU). The Aladdin label was started in about 1965 and used numbers starting with 600, using the WI prefix.
#### Island (white and red label) {#island_white_and_red_label}
**Island** singles were released with prefix WI and numbers starting with 001. The Island label itself was white with red lettering and logotypes -- for the first 100 releases it had a round \"Flaming sun\" logo on a white label, then and for reprints of the early issues a red strip across the centre of the label like a \"bow tie\". The labels have the Rutland Gate Mews address on all first pressings up until about number 14; this was followed by the London England address which goes up to at least \# 47, then came Cambridge Road.
(N.B. This discography has been expanded and corrected using the published discography in \"Record Collector\" magazine 201, published May 1996. Details can also be checked online, at the \"45cat\" database, which contains many label scans. As far as possible, the listings below reflect what is actually written on the record label. Known variations or labelling errors are given in brackets after the entry.)
- WI 001 -- Lord Creator: \"Independent Jamaica\" (later expanded to \"Independent Jamaica Calypso\" and later still corrected to \"Independent Jamaica Calypso\") b/w \"Remember\", 14/6/1962 (B-side actually titled \"Remember Your Mother & Father\"; a version released to celebrate the 1st Anniversary of Jamaican independence had the full title on the label.)
- WI 002 -- Owen Gray: \"Patricia\" b/w \"Twist Baby\", 14/6/1962
- WI 003 -- The Jiving Juniors: \"Sugar Dandy\" b/w \"Valerie\", 1962;
- WI 004 -- Derrick Morgan: \"Travel On\" b/w \"Teach Me Baby\", 1962
- WI 005 -- Roy and Millie: \"We\'ll Meet\" b/w Roland Alphonso: \"Back Beat\", 1962 (B-side is with uncredited City Slickers); [Collectable Records.ru](https://web.archive.org/web/20070919060606/http://www.collectable-records.ru/labels/E_M/Island/49s.htm)
- WI 006 -- Derrick Morgan: \"The Hop\" b/w \"Tell It To Me\", 1962
- WI 007 -- Lloyd Clarke: \"Love You The Most\" b/w Lloyd Robinson: \"You Said You Loved Me\", 1962
- WI 008 -- Wilfred Jackie Edwards: \"All My Days\" b/w \"Hear Me Cry\", 1962
- WI 009 -- Alton and Eddy: \"Let Me Dream\" b/w \"My Love Divine\", 1962
- WI 010 -- The Continentals: \"Give Me All Your Love\" b/w \"Going Crazy\", 1962
- WI-011 -- Derrick Morgan: \"Forward March\" b/w \"Please Don\'t Talk About Me\", 1962 (B-side act. with Eric Morris); [Collectable Records.ru](https://web.archive.org/web/20070927202608/http://www.collectable-records.ru/labels/E_M/Island/50s.htm)
- WI-012 -- Jimmy Cliff: \"Hurricane Hatty\" b/w \"Dearest Beverley\", 1962
- WI 013 -- Derrick Morgan: \"See The Blind\" b/w \"Cherry Home\", 1962
- WI 014 -- Owen Gray: \"Jezebel\" b/w Owen & Millie: \"Sugar Plum\", 1962
- WI 015 -- Ernest Ranglin Orchestra: \"Harmonica Twist\" b/w \"Nitty Gritty\", 1962
- WI 016 -- Jimmy Cliff: \"Miss Jamaica\" b/w \"Gold Digger\", 1962
- WI 017 -- Errol Dixon: \"Morning Train\" b/w \"Lonely Heart\", 1962
- WI 018 -- Derrick & Patsy: \"Housewife\'s Choice\" b/w \"Gypsy Woman\", 1962
- WI 019 -- Wilfred Jackie Edwards: \"One More Week\" b/w \"Tears Like Rain\", 1962
- WI 020 -- Owen Gray with Ernest Rauglin *(sic.)* Orchestra: \"Audrey\" b/w Owen Gray: \"Dolly Baby\", 1962
- WI 021 -- Don Drummond Orchestra: \"Schooling The Duke\" b/w \"Bitter Rose\", 1962 (B-side act. Shenley Duffas)
- WI-022 -- Emanuel Rodrigues Ork.: \"Rico Special\" b/w Bunny & Skitter: \"A Little Mashin\'\", 1962
- WI 023 -- The Blues Busters: \"Behold!\" b/w \"Oh! Baby\", 1962
- WI 024 -- Martin & Derrick: \"Come On\" b/w Monty & the Cyclones: \"Organisation\", 1962
- WI 025 -- Jimmy Cliff: \"Since Lately\" b/w \"I\'m Free\", 1962
- WI 026 -- Theo Beckford: \"I Don\'t Want You\" (actually by King Edwards All Stars) b/w \"Seven Long Years\", 1962
- WI 027 -- The Jiving Juniors: \"Andrea\" b/w \"Don\'t Leave Me\", 1962
- WI 028 -- Bobby Aitken: \"Baby Baby\" (actually with Patsy) b/w \"Lonely Boy\", 1962
- WI 029 -- The Hi-Tones: \"Going Steady\" b/w \"Darlin\' Elaine\", 1962
- WI-030 -- Owen Gray: \"Midnight Track\" b/w \"Time Will Tell\", 1962;
- WI 031 -- Wilbert Harrison: \"Off To School\" b/w \"I\'m Broke\", 1962
- WI 032 -- The Rhythm Aces: \"C-H-R-I-S-T-M-A-S\" b/w Top Grant: \"A Christmas Drink\", 1962
- WI 033 -- Basil Gabbidon: \"I Found My Baby\" (actually by Roy Braham) b/w \"No Fault Of Mine\", 1962
- WI 034 -- Top Grant: \"Searchin\' (For You)\" b/w \"David And Goliath\", 1963
- WI 035 -- The Vikings: \"Maggie Don\'t Leave Me\" b/w \"Henchman\" (both actually with Victor Wong), 1963 (The Vikings are actually The Maytals)
- WI-036 -- Shenley Duffas: \"Give To Get\" b/w Shenley & Millie: \"What You Gonna Do\", 1963;
- WI 037 -- Derrick Morgan: \"Dorothy\" b/w \"Leave Her Alone\", 1963
- WI 038 -- Lascelles Perkins & Yvonne: \"Tango Lips\" b/w Dennis Sindrey: \"Rub Up\" (B-side actually plays \"Jamaica\'s Song\"), 1963
- WI 039 -- Cornell Campbell: \"Rosabelle\" b/w \"Turndown Date\" (B-side act. \"Under The Old Oak Tree\"), 1963
- WI 040 -- King Edwards (Group): \"Dear Hearts\" b/w \"Oh Mary\" (b-side actually by Ransford Barnett), 1963
- WI 041 -- John Holt: \"I Cried A Tear\" b/w \"Forever I\'ll Stay\", 1963
- WI 042 -- Jackie Estick: \"Since You\'ve Been Gone\" b/w \"Daisy I Love You\", 1963
- WI 043 -- The Moonlighters: \"Going Out\" b/w \"Hold My Hands\", 1963
- WI 044 -- Clancy Eccles: \"Judgement\" b/w Clancy & Paulette: \"Baby Please\", 1962
- WI 045 -- Lloyd Clarke: \"Japanese Girl\" b/w \"He\'s Coming\", 1963
- WI 046 -- Kent & Dimples: \"Day Is Done\" b/w \"Linger A While\", 1963
- WI 047 -- King Edwards: \"Russian Roulette\" (actually by King Edwards All Stars) b/w \"You\'re Mine\" (B-side actually by Douglas Brothers), 1963
- WI 048 -- Owen Gray: \"I\'m Still Waiting\" b/w \"Last Night\", 1963
- WI 049 -- The Melody Enchanters: \"Enchanter\'s Ball\" b/w \"I\'ll Be True\", 1963
- WI 050 -- Roy & Millie: \"This World\" b/w \"Never Say Goodbye\", 1963
- WI-051 -- Derrick Morgan: \"Blazing Fire\" b/w Derrick & Patsy: \"I\'m In A Jam\", 1963
- WI 052 -- Top Grant: \"Suzie\" b/w \"Jenny\", 1963
- WI 053 -- Derrick Morgan: \"No Raise, No Praise\" b/w \"Loving Baby\", 1963
- WI 054 -- Desmond Dekker & Beverleys All Stars: \"Madgie\" b/w Desmond Dekker: \"Honour Your Mother And Father\", 1963
- WI 055 -- Derrick & Patsy: \"Sea Wave\" b/w \"Look Before You Leap\", 1963
- WI 056 -- Andy & Joey: \"Have You Ever\" b/w \"Cross My Heart\", 1963
- WI 057 -- Adam Smith: \"I Wonder Why\" b/w \"My Prayer\", 1963 (Adam Smith was a pseudonym for Eric Smith)
- WI 058 -- Frank Cosmo: \"Revenge\" b/w \"Laughin\' At You\" (B-side actually with Bobby Aitken), 1963
- WI 059 -- Tony & Louise: \"Ups And Downs\" b/w Tony Tomas: \"Brixton Lewisham\", 1963
- WI 060 -- The Richard Brothers: \"I Need A Girl\" b/w \"Desperate Lover\", 1963
- WI 061 -- Charley Tabor: \"Blue Atlantic\" b/w \"Red Lion Madison\", 1963
- WI 062 -- Jimmy Cliff: \"My Lucky Day\" b/w \"One-Eyed Jacks\", 1963
- WI 063 -- Shenley Duffas: \"Fret Man Fret\" b/w \"Doreen\", 1963
- WI 064 -- The Tonettes: \"Love That Is Real\" b/w \"Pretty Baby\", 1963
- WI 065 -- The Vikings: \"Hallelujah!\" b/w \"Helpin\' Ages\" (actually by The Maytals), 1963
- WI 066 -- Kentrick Patrick: \"Man To Man\" b/w Roland Alfonso: \"Blockade\", 1963
- WI-067 -- Roy & Paulette: \"Have You Seen My Baby\" b/w \"Since You\'re Gone\", 1963
- WI 068 -- Tony Washington: \"Something Gotta Be Done\" b/w Tony & Louise: \"I Have Said\", 1963
- WI 069 -- Errol Dixon: \"I Love You\" b/w \"Tell Me More\", 1963
- WI-070 -- Jimmy Cliff: \"King Of Kings\" b/w Sir Percy: \"Oh Yeah\", 1963
- WI 071 -- The Afro Enchanters: \"Peace And Love\" b/w \"Wayward African\", 1963
- WI 072 -- Top-Grant: \"Riverbank Coberley\" b/w \"Nancy\", 1963
- WI 073 -- Frank Cosmo: \"Dear Dreams\" b/w \"Go Go Go\", 1963
- WI 074 -- Top Grant: \"Money Money Money\" b/w \"Have Mercy On Me\", 1963
- WI 075 -- The Vikings: \"Six And Seven Books Of Moses\" b/w \"Zacions\" (actually by The Maytals), 1963
- WI 076 -- Basil Gabbidon: \"I Bet You Don\'t Know\" b/w Shenley Duffas: \"Three Times Seven\", 1963
- WI 077 -- Top Grant: \"War In Africa\" b/w \"The Birds\", 1963
- WI 078 -- The Blues Masters: \"5 O\'Clock Whistle\" b/w \"African Blood\" (both actually by Baba Brooks & His Band), 1963
- WI 079 -- Kentrick Patrick: \"Don\'t Stay Out Late\" b/w \"Forever And Ever\", 1963
- WI 080 -- Derrick Morgan: \"Angel With Blue Eyes\" b/w \"Corner Stone\", 1963
- WI 081 -- Higgs & Wilson: \"Last Saturday Morning\" b/w \"Praise The Lord\", 1963
- WI 082 -- Edwards Grp: \"He Gave You To Me\" b/w \"Kings Priests & Prophets\" (both actually by The Schoolboys), 1963
- WI 083 -- Cornell Campbell: \"Each Lonely Night\" b/w Roland Alphonso: \"Steamline\", 1963
- WI 084 -- Duke White: \"It\'s Over\" b/w \"Forever\", 1963
- WI 085 -- Drumbago: \"I Am Drunk\" (actually by Raymond Harper & Drumbago\'s Group) b/w \"Sea Breeze\" (actually by Sammy & Drumbago\'s Group), 1963
- WI 086 -- The Hi-Tones: \"Ten Virgins\" (actually by The Angelic Brothers) b/w \"Too Young To Love\" (actually by Larry Marshall), 1963
- WI 087 -- King Edwards: \"Hey Girl\" b/w \"Skies Are Grey\" (both actually by Ransford Barnett), 1963
- WI 088 -- Robert Marley: \"Judge Not\" b/w \"Do You Still Love Me\", 1963
- WI 089 -- Basil Gabbidon: \"St. Louis Woman\" b/w \"Get On The Ball\", 1963
- WI-090 -- Roy and Millie: \"There\'ll Come A Day\" b/w \"I Don\'t Want You\", 1963; [Collectable Records.ru](https://web.archive.org/web/20070918185257/http://www.collectable-records.ru/labels/E_M/Island/51s.htm)
- WI 091 -- Larry Lawrence: \"Garden Of Eden\" b/w Derrick Morgan: \"Sendin\' This Message\", 1963
- WI 092 -- Laurel Aitken: \"I Shall Remove\" b/w \"We Got To Move\", 1963
- WI 093 -- Shenley Duffus: \"What A Disaster\" b/w \"I Am Rich\", 1963
- WI 094 -- Don Drummond: \"Scandal\" b/w \"My Ideal\" (B-side actually by W. Sparks), 1963
- WI 095 -- Laurel Aitken: \"What A Weeping\" b/w \"Zion City Wall\", 1963
- WI-096 -- Baba Brooks: \"Bank To Bank Pt. 1\" b/w \"Bank To Bank Pt. 2\", 1963;
- WI 097 -- Delroy Wilson: \"I Shall Not Remove\" b/w \"Naughty People\", 1963
- WI 098 -- Clancy Eccles: \"Glory Halleluja\" b/w \"Hot Rod\" (B-side actually by Roland Alphonso), 1963
- WI 099 -- Laurel Aitken: \"In My Soul\" b/w \"One More River To Cross\", 1963
- WI 100 -- Frank Cosmo: \"Merry Christmas\" b/w Greetings From Beverley\'s, 1963
- WI 101 -- The Vikings: \"Never Grow Old\" b/w \"Irene\" (actually by The Maytals), 1963
- WI 102 -- Tommy McCook: \"Adams Apple\" b/w The Maytals: \"Every Time\" (B-side actually by The Tonettes), [Tapir\'s](http://www.xs4all.nl/~tapirs/island7.htm), 1963
- WI 103 -- Delroy Wilson: \"One, Two, Three\" b/w \"Back Biter\", 1963
- WI 104 -- Kentrick Patrick: \"The End Of The World\" b/w \"Little Princess\", 1963
- WI 105 -- Creator and Norma: \"We Will be Lovers\" b/w \"Come On Pretty Baby\", 1963
- WI 106 -- Theo Beckford: \"Boller Man\" b/w \"Daphney\", 1963
- WI 107 -- The Vikings: \"Just Got To Be\" b/w \"You Make Me Do\" (actually by The Maytals), 1963
- WI 108 -- Tanamo: \"Come Down\" b/w \"I Am Holding On\" (white+red label), 1964;
- WI 109 -- Richard Bros: \"I Shall Wear A Crown\" b/w Baba Brooks: \"Robin Hood\", 1963
- WI 110 -- Stranger Cole: \"Stranger at the Door\" b/w \"Conqueror\", 1963
- WI-111 -- Desmond Dekker: \"Parents\" b/w \"Labour For Learning\" (white+red label), 1963;
- WI 112 -- Jimmy Cliff: \"Miss Universe\" b/w \"The Prodigal\", 1963
- WI 113 -- Stranger & Patsy: \"Senor and Senorita\" b/w Don Drummond: \"Snowboy\", 1963
- WI 114 -- Stranger Cole: \"Last Love\" b/w Stranger & Ken: \"Hush Baby\", 1963
- WI 115 -- Shenley Duffas: \"Know The Lord\" b/w Tommy McCook: \"Ska Ba\", 1963
- WI 116 -- Delroy Wilson: \"You Bend My Love\" b/w \"Can\'t You See\", 1963
- WI 117 -- The Vikings: \"Fever\" b/w \"Cheer Up\" (actually by The Maytals), 1963
- WI 118 -- Tommy McCook: \"Below Zero\" b/w Lee Perry: \"Never Get Weary\", 1963
- WI 119 -- Kentrick Patrick: \"Golden Love\" b/w \"Beyond\", 1963
- WI-120 -- Paulette & Delroy: \"Little Lover\" b/w \"Lovin\' Baby\" (white+red label), 1963;
- WI 121 -- Lester Sterling: \"Clean The City\" b/w \"Long Walk Home\" (B-side actually by The Charmers), 1963
- WI 122 -- Bonnie & Skitto: \"Get Ready\" (actually by The Vikings, alias The Maytals) b/w Don Drummond: \"The Rocket\", 1963
- WI 123 -- Horace Sexton: \"I\'m So Glad\" b/w \"Tell Me\", 1963
- WI 124 -- Tommy McCook: \"Junior Jive\" b/w Horace Seaton: \"Power\", 1963
- WI 125 -- Shenley Duffas: \"Easy Squeal\" b/w \"Things Aren\'t Going Right\", 1963
- WI 126 -- Stranger Cole: \"We Are Rolling\" b/w \"Millie Maw\", 1963
- WI 127 -- Baba Brooks: \"Three Blind Mice\" b/w Billy & Bobby: \"We Ain\'t Got Nothing\", 1963
- WI-128 -- Ernest Ranglin: \"Exodus\" b/w Robert Marley: \"One Cup Of Coffee\", 1963
- WI 129 -- The Jiving Juniors: \"Sugar Dandy\" b/w \"Valerie\", 1963 (reissue)
- WI 130 -- The Flames: \"He\'s The Greatest\" b/w Someone Going To Bawl (both actually by The Maytals), 1964
- WI 131 -- Lord Briscoe: \"Praise For I\" b/w \"Tell You The Story\", 1964
- WI 132 -- Kentrick Patrick: \"Take Me To The Party\" b/w \"I\'m Sorry\", 1964
- WI 133 -- Stranger Cole: \"Til My Dying Days\" b/w Stranger & Patsy: \"I Need You\", 1964
- WI 134 -- Sonny & Yvonne: \"Life Without Fun\" b/w Sonny Burke Group: \"Mount Vesuvius\", 1964
- WI 135 -- Frank Cosmo: \"Better Get Right\" b/w \"Ameletia\", 1964
- WI 136 -- The Flames: \"Little Flea\" b/w \"Good Idea\" (both actually by The Maytals), 1964
- WI 137 -- Stranger Cole: \"Goodbye Peggy\" (actually plays \"Goodbye Peggy Daring\" by Roy Panton) b/w Baba Brooks: \"Portrait of my Love\", 1964
- WI 138 -- The Flames: \"When I Get Home\" b/w \"Neither Silver Nor Gold\" (both actually by The Maytals), 1964
- WI 139 -- The Flames: \"Broadway Jungle\" b/w \"Beat Lied\" (both actually by The Maytals), 1964
- WI 140 -- Kentrick Patrick: \"I Am Wasting Time\" b/w Randy\'s Group: \"Royal Charley\", 1964
- WI 141 -- Stranger & Patsy: \"Oh Oh I Need You\" b/w Don Drummond: \"J.F.K.\'s Memory\", 1964
- WI 142 -- Eric Morris: \"Penny-Reel\" b/w Duke Reid\'s Group: \"Darling When\" (actually by Dotty & Bonnie), 1964
- WI-143 -- Dotty and Bonny: \"Your Kisses\" b/w \"Why Worry\" (white+red label), 1964;
- WI-144 -- Stranger and Patsy: \"Tom, Dick & Harry\" b/w \"We Two, Happy People\" (white+red label), 1964;
- WI 145 -- Joe White: \"When Are You Young\" b/w \"Wanna Go Home\", 1964
- WI-146 -- Owen and Leon: \"Next Door Neighbour\" b/w Roland Alphonso: Feeling Fine, 1964;
- WI 147 -- Eric Morris: \"Mama No Fret\" b/w Frankie Anderson: \"Santa Lucia\" (actually with Roland Alphonso), 1964
- WI-148 -- Dotty and Bonny: \"Dearest\" b/w \"Tears Are Falling\" (white+red label), 1964;
- WI 149 -- Don Drummond: \"Eastern Standard Time\" b/w Dotty & Bonny: \"Sun Rises\", 1964
- WI 150 -- Eric Morris: \"Drop Your Sword\" b/w \"Catch a Fire\" (actually by Roland Alphonso), 1964
- WI 151 -- Eric Morris: \"What A Man Doeth\" b/w Duke Reid\'s Group: \"Rude Boy\" (actually by Baba Brooks), 1964;
- WI 152 -- Stranger and Patsy: \"Yeah Yeah Baby\" b/w Baba Brooks: \"Boat Ride\", 1964
- WI 153 -- Don Drummond: \"Musical Storeroom\" b/w Stranger Cole: \"He Who Feels\", 1964
- WI-154 -- The Charms: \"Carry Go, Bring Home\" (actually by Justin Hinds & the Dominoes) b/w \"Hill And Gully\" (actually by L. Reid\'s Group), 1964
- WI 155 -- Sonny Burke Group: \"Live And Let Live\" b/w \"Our Love Is True\", 1964
- WI 156 -- Sonny Burke: \"Write Your Name\" b/w \"It Means So Much\", 1964
- WI 157 -- Derrick Harriott: \"What Can I Do (The Wedding)\" b/w \"Leona\", 1964
- WI 158 -- Desmond Dekkar *(sic.)* & his Cherry Pies: \"Jeserine\" b/w \"King Of Ska\", 1964 (The Cherry Pies are actually The Maytals)
- WI 159 -- Joe White: \"Hog In A Co Co\" b/w Skatalites: \"Sandy Gully\", 1964
- WI 160 -- Stranger and Patsy: \"Miss B\" b/w \"Thing Come To Those Who Wait\", 1964
- WI 161 -- The Skatalites: \"Trip To Mars\" b/w Dottie and Bonnie: \"Bunch of Roses\", 1964
- WI 162 -- Don Drummond: \"Garden of Love\" b/w Stranger Cole: \"Cherry May\", 1964
- WI 163 -- Owen and Leon: \"My Love For You\" b/w \"How Many Times\", 1964
- WI 164 -- Owen and Leon: \"The Fits Is On Me\" b/w Skatalites: \"Good News\", 1964
- WI 165 -- Owen and Leon: \"Running Around\" b/w Skatalites: \"Around The World\", 1964
- WI 166 -- Joe White: \"Downtown Girl\" b/w The Richard Bros: \"You Are My Sunshine\", 1964 (b-side actually plays \"Cool Smoke\" by Don Drummond)
- WI 167 -- The Vikings: \"Daddy\" b/w \"It\'s You\" (both actually by The Maytals), 1964
- WI 168 -- The Skatalites: \"Guns Of Navarone\" (actually by Roland Alphonso and Studio One Orchestra) b/w \"Marcus Garvey\" (actually plays \"Where\'s Marcus Garvey\" by Bongoman Byfield), 1965 (UK #36, April 1967)
- WI 169 -- Stranger Cole with Owen & Leon: \"Koo Koo Doo\" b/w Gloria & the Dreamletts: \"Stay Where You Are\", 1965
- WI 170 -- Derak *(sic.)* Harriott: \"I\'m Only Human\" b/w Roy Panton: \"Good Man\", 1965
- WI 171 -- Justin Hinds and the Dominoes: \"Botheration\" b/w \"Satan\", 1965
- WI 172 -- Sam Houston: \"My Mother\'s Eyes\" b/w \"Danny Boy\", 1965
- WI-173 -- Carlos Malcolm and The Afro Caribs: \"Bonanza Ska\" b/w \"Papa Luiga\", 1965; [Collectable Records.ru](https://web.archive.org/web/20070918232746/http://www.collectable-records.ru/labels/E_M/Island/52s.htm)
- WI 174 -- Justin Hinds and the Dominoes: \"Jump Out Of Frying Pan\" b/w \"Holy Dove\", 1965
- WI 175 -- The Skatalites: \"Dragon Weapon\" b/w Desmond Dekkar and Four Aces: \"It Was Only A Dream\", 1965
- WI 176 -- Riots: \"Telling Lies\" b/w \"Don\'t Leave Me\" (actually by The Techniques), 1965
- WI 177 -- Stranger Cole and Baba Brooks: \"Run Joe\" b/w Stranger Cole: \"Make Believe\", 1965
- WI 178 -- The Four Aces: \"Hoochy-Koochy Kai-Po\" b/w \"River Bank Coberley Again\", 1965
- WI 179 -- The Four Aces: \"Swing Low, Sweet Chariot\" b/w \"Peace and Love\", 1965
- WI 180 -- The Clarendonians: Day Will Come, 1965;
- WI-181 -- Desmond Dekkar *(sic.)*: \"Get Up Edina\" (actually with The Four Aces) b/w Patsy & Desmond: \"Be Mine Forever\" (B-side actually plays \"Down Down Down\" by Clive & Naomi), 1965;
- WI-182 -- Upcoming Willows: \"Jones Town Special\" b/w Shenley Dutlus: \"La La La\", 1965
- WI 183 -- Eric Morris: Love Can Make A Mansion, 1965;
- WI 184 -- Shenley Duffus: You are mine / Upcoming Willows: Red China
- WI 185 -- Eric Morris: \"Many Long Years\" b/w \"Suddenly\", 1965
- WI 186 -- Shenley Duffas: Rukumbine / One Morning, 1965
- WI 187 -- Lloyd Briscoe: Jonah (The Master) / Mr. Cleveland
- WI 188 -- The Wailers: \"It Hurts To Be Alone\" / \"Mr. Talkative\", 1965
- WI 189 -- Ruby Seedorf: \"One Million Stars\", 1965
- WI 190 -- Wilfred And Millicent: The Vow / I\'ll Never Believe In You
- WI 191 -- The Skatalites: Doctor Kildare / Roland Alphonso: Sucu Sucu
- WI 192 -- Don Drummond and Drumbago: \"Stampede\" / Justin Hinds and the Dominoes: Come bail me
- WI 193 -- Derrick and Naomi: \"Two of a Kind\" b/w Derrick Morgan: \"I Want a Lover\", 1965
- WI 194 -- Justin Hinds & the Dominoes: Rub Up Push Up / The Ark, 1965
- WI 195 -- The Riots: \"You Don\'t Know\" b/w Don Drummond: \"Treasure Island\", 1965
- WI 196 -- Virtues: Your Wife And Your Mother / Amen
- WI 197 -- The Riots: \"I Am in Love\" b/w \"When You\'re Wrong\", 1965
- WI 198 -- Laurel Aitken: \"Boogie in My Bones\" b/w \"Little Sheila\", 1965
- WI 199 -- Tommy McCook And His Skatalites : Fast Mouth / The Harder They Come The Harder They Fall, 1965
- WI 200 -- The Maytals: Never You Change / What\'s on your mind
- WI 201 -- Joe White & Chuck: \"Low-Minded People\" b/w Joe White: \"Irene\", 1965
- WI 202 -- Desmond Dekker: \"This Woman\" b/w The Upsetters: \"Si Senor\", 1965
- WI 203 -- Jackie Opel: \"Wipe Those Tears\" b/w \"Don\'t Take Away My Love\", 1965
- WI 204 -- Don Drummond: \"Coolie Boy\" b/w Lord Antics: \"You May Stray\", 1965
- WI 205 -- Delroy Wilson: \"Pick Up the Pieces\" b/w \"Oppression\", 1965
- WI 206 -- The Wailers: \"Play Boy\"
- WI 207 -- The Skatalites: \"Ball \'O\' Fire\" b/w Linval Spencer: \"Can\'t Go On\", 1965
- WI 208 -- Don Drummond: \"Man in the Street\" b/w Rita and Benny: \"You Are My Only Love\", 1965
- WI 209 -- Jackie Opel: \"Go Whey\" b/w \"Shelter the Storm\", 1965
- WI 210 -- Lee Perry: \"Please Don\'t Go\" / \"Bye St. Peter\"
- WI 211 -- Peter Touch and the Wailers: \"Hoot Nanny Hoot\" b/w Bob Marley and the Wailers: \"Do You Remember\", 1965
- WI 212 -- The Wailers: \"Holligan\" b/w \"Maga Dog\", 1965
- WI 213 -- The Maytals: My new name / It\'s no use, 1965
- WI 214 -- The Blues Busters: How Sweet It Is (white+red label), 1965
- WI 215 -- Peter Touch and the Wailers: Shame and Scandal / Wailers: The Jerk
- WI 217 -- Roland Alphonso: \"El Pussy Cat\"
- WI 218 -- Joe Haywood: \"Warm And Tender Love\"
- WI 219 -- Philip James and the Blues Busters: \"Wide Awake in a Dream\" b/w The Maytals: \"Tell Me the Reason\", 1965
- WI 220 -- Ken Lazrus: \"Funny\" b/w Byron Lee Orchestra: \"Walk Like a Dragon\", 1965
- WI 221 -- Sonny Burke: \"Grandpa\" b/w Keith Patterson: \"Deep in My Heart\", 1965
- WI 222 -- The Blues Busters: \"Wings of a Dove\" b/w Byron Lee and the Dragonaires: \"Dan is the Man\", 1965
- WI 223 -- The Upsetters: \"Country Girl\" / \"Strange country\" 1965
- WI 224 -- Desmond Dekker And The Four Aces: \"Mount Zion\", 1965
- WI 225 -- Derrick Morgan: \"Starvation\" b/w \"I Am a Blackhead\", 1965
- WI 226 -- The Skatalites: \"Dick Tracy\" b/w Rita and the Soulettes: \"One More Chance\", 1965
- WI 227 -- The Skatalites: \"Song of Love\" b/w Jackie Opel: \"Old Rocking Chair\", 1965
- WI 228 -- Bunny & Rita: \"Bless You\" b/w The Skatalites: \"Beardman Ska\", 1965
- WI 229 -- Baba Brooks: \"Guns Fever\" b/w Dotty And Bonny: \"Don\'t Do It\", 1965
- WI 230 -- Hortense & AltonL \"Don\'t Gamble with Love\" b/w Alton Ellis and the Flames: \"Something You\'ve Got\", 1965
- WI 231 -- Techniques: Little \"Did You Know\" / Don Drummond: \"Cool Smoke\"
- WI 232 -- Tommy McCook: \"Rocket Ship\" / Justin Hinds: \"Turn Them Back\", 1965
- WI 233 -- Stranger And Claudette: \"Seven Days\" / Baba Brooks: \"Independence Ska\", 1965
- WI 234 -- Eric Morris: Children of today / Baba Brooks: Greenfield Ska, 1965
- WI 235 -- Baba Brooks: \"Duck Soup\" b/w The Zodiacs: \"Renegade\"
- WI 236 -- Justin Hinds: \"Peace And Love\" / \"Skalarama\"
- WI 237 -- Derrick Harriott: \"My Three Loves / The Jerk
- WI 238 -- The Pioneers: \"Sometimes\" (white+red label), 1965
- WI 239 -- Alton Ellis: \"Dance Crasher\" / Baba Brooks: \"Vitamin A\", 1965
- WI 240 -- Two Kings: Rolling Stone / The Sufferer: Tomorrow Morning
- WI 241 -- Baba Brooks: \"Teenage Ska\" b/w Alton Ellis: \"You Are Not to Blame\", 1965
- WI 242 -- Don Drummond: \"University Goes Ska\" b/w Derrick & Naomi: \"Pain in the Heart\", 1965
- WI 243 -- Theo Beckford: \"You Are The One Girl\" b/w \"Grudgeful People\", 1965
- WI 244 -- Desmond Dekker & The Aces: \"Mount Zion\"
- WI 245 -- Derrick Harriott: \"Together\" b/w \"Mama Didn\'t Lie\", 1965
- WI 246 -- Theo Beckford: \"If Life Was A Thing\" (white+red label), 1965
- WI 247 -- The Riots: \"Yeah Yeah\" b/w Baba Brooks: \"Virginia Ska\", 1965
- WI 248 -- Theo Beckford: \"What a Whoe\" b/w \"Bajan Girl\", 1965
- WI 249 -- The Two Kings: \"Hit You Let You Feel It\" b/w \"Honey I Love You\", 1965
- WI 250 -- Daniel Johnson: \"Come On My People\" b/w \"Brother Nathan\", 1965
- WI 251 -- Lee Roy: \"Oo Ee Baby\" / My loving Baby / Come Back
- WI 252 -- Laurel Aitken: \"How Can I Forget You\" b/w Owen Gray: \"I\'m Going Back\", 1965
- WI 253 -- Millie and Jackie: Never Again / Jackie Edwards: This Is My Story
- WI 254 -- The Wailers: \"What\'s New Pussycat\" b/w \"Where Will I Find\", 1965
- WI 255 -- Jackie Edwards: \"White Christmas\" b/w \"My Love and I\", 1965
- WI 256 -- Rosco Gordon: \"Surely I Love You\" b/w \"What You Do to Me\", 1965
- WI 257 -- Shirley & Lee: \"Let the Good Times Roll\" b/w \"I\'m Gone\", 1965
- WI 258 -- Owen Gray & The Sound System: \"You Don\'t Know Like I Know\" b/w \"Take Me Serious\", 1965
- WI 259 -- Ronaldo Alphonso: \"James Bond\" b/w Lee Perry: \"Just Keep it Up\", 1965
- WI 260 -- The Wailers: \"Jungle Jamboree\" b/w The Skatalites: \"Independent Anniversary Ska (I Should Have Known Better)\", 1966
- WI 261 -- David Isaacs: \"See That Man\" b/w \"I\'d Rather Be Lonely\", 1966
- WI 262 -- Llans Thelwell and his Celestials: \"Choo Choo Ska\"
- WI 263 -- Avalons: \"Everyday\" b/w \"I Love You\", 1966
- WI 264 -- Jackie Opel: \"Love to Share\" b/w Roland Alphonso: \"Devoted to You\", 1966
- WI 265 -- Jackie and Millie: My Desire / Millie: That\'s How Strong My Love Is
- WI 266 -- Lord Brynner and the Sheiks: \"Congo War\" b/w \"Teach Me to Ska\", 1966
- WI 267 -- Owen Gray: \"Paradise\" b/w \"Bye Bye Love\", 1966
- WI 268 -- Wailers: \"Put It On\" / \"Love Won\'t Be Mine\", (white+red label)
- WI 269 -- The Gaylads: What Is Wrong
- WI 270 -- Jackie Edwards: \"Come Back Home\" b/w \"Sometimes\", 1966
- WI 271 -- Patsy Cole: \"Disappointed Bride\" c/w Earl Bostic: \"Honeymoon Night\", 1966 (\"Patsy Cole\" was a pseudonym for Genya Ravan)
- WI 272 -- not issued
- WI 273 -- Roy C: \"Shotgun Wedding\" b/w \"I\'m Gonna Make It\" OR \"High School Dropout\", 1966 (Record was pressed with two different b-sides; UK #11, April 1966)
- WI 274 -- Jackie Edwards: \"L-O-V-E\" b/w \"What\'s Your Name\", 1966
- WI 275 -- Leapers Creepers Sleepers: \"Precious Words\"
- WI 276 -- not issued
- WI 277 -- Derrick Morgan: \"It\'s Alright\" / \"I Need Someone\", 1966
- WI 278 -- Kim Fowley: \"The Trip\"
- WI 279 -- The Circles: \"Take Your Time\"
- WI 280 -- Wynder K. Frog: \"Turn On Your Lovelight\"
- WI 281 -- The Gaylads: Goodbye daddy / Your eyes, 1966
- WI 282 -- Soul Brothers: \"Green Moon\" b/w Egal: \"OK\", 1966
- WI 283 -- Fitzy & Freddy: \"Why Did You Do It\" b/w Roy Richards: \"Double Trouble\", 1966
- WI 284 -- The Clarendonians: Try Me One More Time / You can\'t keep me down (white+ red label), 1966
- WI 285 -- King Sparrow: Beggars Have No Choice / Marcia Griffith: Funny, 1965
- WI 286 -- Robert Parker: \"Barefootin\'\" b/w \"Let\'s Go Baby\", 1966 (UK #24, August 1966)
- WI 287 -- Jackie Edwards: \"Think Twice\" b/w \"Oh Mary\", 1966
- WI 288 -- Derrick Morgan: \"I Found a Queen\" b/w Derrick & Patsy: \"It\'s True, My Darling\", 1966
- WI 289 -- Derrick Morgan: \"Amaletia\" b/w Derrick & Patsy: \"Don\'t You Worry\", 1966
- WI 290 -- not issued
- WI 291 -- The Gaylads: You Never Leave Him / Message To My Girl
- WI 292 -- King Perry: \"Doctor Dick Soul\" b/w Soul Brothers: \"Magic Star\", 1966
- WI 293 -- Jackie Mitoo: \"Killer Diller\" b/w Patrick Hylton: \"Oh Lady\", 1966
- WI 294 -- The Skatalites: \"Ska Bostello\" b/w Don Drummond: \"Looking Through the Window\", 1966
- WI 295 -- Desmond Baker And The Clarendonians: Rude Boy -- Gonna Jail / The Sharks: Don\'t Fool Me, 1966
- WI 296 -- Soul Brothers: \"Sound One\" b/w The Martine: \"Grandfather\'s Clock\", 1966
- WI 297 -- Roy Richards: Green Collie / Marcia Griffith: \"You\'re No Good\"
- WI 298 -- King Perry: Rub And Squeeze / Soul Brothers: Here Comes The Minx
- WI 299 -- Roy Richards: \"Western Standard Time\" b/w The Eagles: \"What A Agony\"
#### Sue
The **Sue** label, initiated in 1963, was a subsidiary to release black US-American music. The releases followed the catalogue numbers of Island\'s singles starting at number 300. The first 17 releases of the British Sue label were in fact related to Henry \'Juggy\' Murray\'s New York based Sue label. Some earlier issues from the black-owned independent American label established in 1957 were released on the London American label. The original Island agreement with the American company ended in disagreement and all (U.S.) Sue records were deleted from their catalogue in July 1965, and American Sue issues returned to the London American label. Island records retained the use of the name Sue until the final release in 1968.
- WI 301 -- Inez Foxx: \"Mockingbird\" / \"He\'s The One You Love\"
- WI 302 -- Baby Washington: \"That\'s How Heartaches are Made\" b/w \"Doodlin\", 1964
- WI 303 -- Jimmy McGriff: \"All About My Girl\" b/w \"MG Blues\", 1964
- WI 304 -- Inez Foxx: \"Jaybirds\" b/w \"Broken-Hearted Fool\", 1964
- WI 305 -- Russell Byrd: \"Hitch Hike\", 1964
- WI 306 -- Ike and Tina Turner: \"Gonna Work Out Fine\" b/w \"Won\'t You Forgive Me\", 1964
- WI 307 -- Charlie and Inez Foxx: \"Here We Go Round The Mulberry Bush\" b/w \"Competition\", 1964
- WI 308 -- Derak Martin: \"Don\'t Put Me Down Like This\"
- WI 309 -- Ernestine Anderson: \"Keep an Eye on Love\"
- WI 310 -- Jimmy McGriff: \"Last Minute\", 1964
- WI 311 -- Mary Lou Williams: \"Chuck-a-Lunk Jug\", 1964
- WI 312 -- The Soul Sisters: \"I Can\'t Stand It\" b/w \"Blueberry Hill\"
- WI 313 -- Hank Jacobs: \"So Far Away\" b/w \"Monkey, Hips and Rice\", 1964
- WI 314 -- Inez Foxx: \"Ask Me\" b/w \"Hi Diddle Diddle\", 1964
- WI 315 -- Bobby Henricks: \"Itchy Twitchy Feeling\" b/w \"A Thousand Dreams\", 1964
- WI 316 -- Barbara George: \"Send for Me\" b/w \"Bless You\", 1964
- WI 317 -- Jimmy McGriff: \"I\'ve Got a Woman\", 1964
- WI 318 -- Tim Whitsett: \"Macks by the Tracks\" b/w \"Shine\", 1964
- WI 319 -- Homesick James: \"Crossroads\" b/w \"My Baby\'s Sweet\", 1964
- WI 320 -- Willie Mabon: \"Got to Have Some\" b/w \"Why Did it Happen to Me?\", 1964
- WI 321 -- Baby Washington: \"I Can\'t Wait Until I See My Baby\" b/w \"Who\'s Going to Take Care of Me?\", 1964
- WI 322 -- Ike and Tina Turner: \"The Argument\" b/w \"Poor Fool\", 1964
- WI 323 -- Inez Foxx: \"Hurt by Love\" (UK #40, July 1964)
- WI 324 -- Patti LaBelle And The Blue Belles: \"Down the Aisle\" b/w \"C\'est La Vie\", 1964
- WI 325 -- The Megatons: \"Shimmy Shimmy Walk\", 1964
- WI 326 -- Bobby Lee Trammell: \"New Dance in France\" b/w \"Carolyn\", 1964
- WI 327 -- Tony Washington: \"Show Me How (To Milk a Cow)\" b/w \"Boof Ska\", 1964
- WI 328 -- Anita Wood: \"Dream Baby\" b/w \"This Happened Before\", 1964
- WI 329 -- Jackie Edwards: \"Staggar Lee\" b/w \"Pretty Girl\", 1964
- WI 330 -- Homesick James: \"Set a Date\" b/w \"Can\'t Afford to Do It\", 1965
- WI 331 -- Willie Mabon: \"Just Got Some\" b/w \"That\'s No Big Thing\", 1965
- WI 332 -- Doug Sheldon: \"Take it Like a Man\" b/w \"Lonely Boy\", 1964
- WI 333 -- Jimmy McGriff: \"\'Round Midnight\" b/w \"Lonely Avenue\", unreleased
- WI 334 -- The Wallace Brothers: \"Precious Words\" b/w \"You\'re Mine\", 1964
- WI 335 -- Elmore James: \"Dust My Blues\"
- WI 336 -- The Soul Sisters: \"Loop de Loop\" b/w \"Long Gone\", unreleased
- WI 337 -- Louisiana Red: \"I Done Woke Up\"
- WI 338 -- not issued
- WI 339 -- J.B. Lenoir And His African Hunch Rhythm: \"I Sing Um The Way I Feel\"
- WI 340 -- Bobby Parker: \"Watch Your Step\" / \"Steal Your Heart Away\"
- WI 341 -- Big Al Downing: \"Yes I\'m Loving You\" b/w \"Please Come Home\", 1964
- WI 342 -- Bobby Peterson: \"Rockin\' Charlie\", 1964
- WI 343 -- The Daylighters: \"Oh Mom (Teach Me How to Uncle Willie)\" b/w \"Hard-Headed Girl\", 1964
- WI 344 -- Paul Revere & the Raiders: \"Like Long Hair\" b/w \"Sharon\", 1965
- WI 345 -- Willie Mae Thornton: \"Tom Cat\" b/w \"Monkey in the Barn\", 1965
- WI 346 -- Bobby Peterson: \"Piano Rock\" b/w \"One Day\", 1965
- WI 347 -- June Bateman: \"I Don\'t Wanna\" b/w Noble \"Thin Man\" Watts and His Band: \"Noble\'s Theme\", 1965
- WI 348 -- The Olympics: \"The Bounce\" b/w \"Fireworks\", 1965
- WI 349 -- Freddy King: \"Driving Sideways\" b/w \"Hideaway\", 1965
- WI 350 -- Ike & Tina Turner: \"I Can\'t Believe What You Say\"
- WI 351 -- Chris Kenner: \"Land of 1,000 Dances\" b/w \"That\'s My Girl\", 1965
- WI 352 -- Betty Everett: \"I\'ve Got A Claim On You\"
- WI 353 -- Harold Burrage: \"I\'ll Take One\" b/w \"A Long Ways Together\", 1965
- WI 354 -- Roscoe Shelton: \"Question\" b/w \"Strain on My Heart\", 1965
- WI 355 -- The Wallace Brothers: \"Lover\'s Prayer\" b/w \"Love Me Like I Love You\", 1965
- WI 356 -- Inez & Charlie Foxx: \"La De Da I Love You\" b/w \"Yankee Doodle Dandy\", 1965
- WI 357 -- The Pleasures: \"Music City\" b/w \"If I Had a Little Money\", 1965
- WI 358 -- B. B. King: \"You Never Know\" b/w \"The Letter\", 1965
- WI 359 -- Etta James & The Peaches: \"Roll With Me Henry\"
- WI 360 -- James Brown and the Famous Flames: \"Night Train\" b/w \"Why Does Everything Happen to Me\", 1965
- WI 361 -- John Lee Hooker: \"Boogie Chillun\"
- WI 362 -- Otis Redding: \"Shout Bamalama\" b/w \"Fat Girl\", 1965
- WI 363 -- Wilbert Harrison: \"Let\'s Stick Together\" b/w \"Kansas City Twist\", 1965
- WI 364 -- Huey \"Piano\" Smith and the Clowns: \"If It Ain\'t One Thing It\'s Another\" b/w \"Tu-Ber-Cu-Lucas and the Sinus Blues\", 1965
- WI 365 -- Sonny Boy Williamson: \"No Nights by Myself\" b/w \"Boppin\' With Sonny Boy\", 1965
- WI 366 -- Frankie Ford: \"Sea Cruise\" / \"Roberta\"
- WI 367 -- Lee Dorsey: \"Do-Re-Mi\" / \"Ya Ya\", 1965
- WI 368 -- Buster Brown: \"Fannie Mae\" b/w \"Lost in a Dream\", 1965
- WI 369 -- Frankie Ford: \"What\'s Going On\" b/w \"Watchdog\", 1965
- WI 370 -- Joe Tex: \"Yum Yum Yum\" b/w \"You Little Baby Face Thing\", 1965
- WI 371 -- Larry Williams: \"Strange\" b/w \"Call on Me\", 1965
- WI 372 -- Irma Thomas: \"Don\'t Mess With My Man\" b/w \"Set Me Free\", 1965
- WI 373 -- Big Jay McNeely: \"Something on Your Mind\" b/w \"Back\...Shack\...Track\", 1965
- WI 374 -- Bob & Earl: \"Harlem Shuffle\" b/w \"I\'ll Keep Running Back\", 1965
- WI 375 -- Lowell Fulson: \"Too Many Drivers\" b/w \"Key to My Heart\", 1965
- WI 376 -- Ike and Tina Turner: \"Please, Please, Please\" b/w \"Am I a Fool in Love\", 1965
- WI 377 -- Donnie Elbert: \"A Little Piece Of Leather\" / \"Do What\'cha Wanna\"
- WI 378 -- Harold Betters: \"Do Anything You Wanna\", 1965
- WI 379 -- Screamin\' Jay Hawkins: \"I Hear Voices\" b/w \"Just Don\'t Care\", 1965
- WI 380 -- Huey \"Piano\" Smith and the Clowns: \"Rockin\' Pneumonia and the Boogie Woogie Flu\", 1965
- WI 381 -- Larry Williams: \"Turn On Your Lovelight\" b/w \"Dizzy Miss Lizzy\", 1965
- WI 382 -- Willie Mabon: \"I\'m the Fixer\" b/w \"Some More\", 1965
- WI 383 -- Elmore James: \"It Hurts Me Too\" b/w \"Bleeding Heart\", 1965
- WI 384 -- The Manhattans: \"I Wanna Be (Your Everything)\" b/w \"Searchin\' for My Baby\", 1965
- WI 385 -- Little Joe Cook: \"Stormy Monday Blues\" (Pt. 1/Pt. 2) (the T-Bone Walker song, miscredited)
- WI 386 -- Alexander Jackson and the Turnkeys: \"The Whip\" b/w \"Tell it Like it Is\", 1965
- WI 387 -- Jimmy Johnson: \"Don\'t Answer the Door\", 1965
- WI 388 -- Bobby Day: \"Rockin\' Robin\" b/w \"Over and Over\", 1965
- WI 389 -- The Ikettes: \"Prisoner in Love\" b/w \"Those Words\", 1965
- WI 390 -- Tarheel Slim and Little Ann: \"You Make Me Feel So Good\" b/w \"Got to Keep On Lovin\' You\", 1965
- WI 391 -- The Dorsets: \"Pork Chops\" b/w \"Cool It\", 1965
- WI 392 -- Elmore James: \"Knocking at Your Door\" b/w \"Calling All Blues\", 1965
- WI 393 -- Bob and Earl: \"Baby, I\'m Satisfied\" b/w \"The Sissy\", 1965
- WI 394 -- Gladys Knight & the Pips: \"Letter Full Of Tears\" b/w \"You Broke Your Promise\", 1965
- WI 395 -- Esther Philips: \"The Chains\" b/w \"Feel Like I Wanna Cry\", 1965
- WI 396 -- Donnie Elbert: \"You Can Push It (Or Pull It)\" b/w \"Lily Lou\", 1965
- WI 397 -- Professor Longhair: \"Baby Let Me Hold Your Hand\" b/w \"Looka\' No Hair\", 1965
- WI 398 -- The Baron with His Pounding Piano: \"Is a Blue Bird Blue\" b/w \"In the Mood\", 1965
- WI 399 -- Lee Dorsey: \"Messed Around\" b/w \"When I Meet My Baby\", 1966
#### Black Swan {#black_swan}
The **Black Swan** label was one of Island\'s first subsidiaries with releases from 1963 to 1965. With a black and white label the catalogue covered the WI series numbers from 401 to 471. From 1970 to 1971 Trojan/B&C Records used the label for records within a BW series. Island reactivated the label in 1976/1977 within the WIP series and with a small series of 12\" singles in a BS series.
- WI 401 -- Laurel Aitken: \"Lion Of Judah\" b/w \"Remember My Darling\" (b-side with Cynthia Richards), 1963
- WI 402 -- Derrick Morgan: \"Street Girl\" b/w \"Edmarine\", 1963
- WI 403 -- Jimmy Cliff: \"The Man\" b/w \"You Are Never Too Old\", 1963
- WI 404 -- Wilfred Jackie Edwards: \"Why Make Believe\" b/w \"Do You Want Me Again\", 1963 (b-side with Velvetts)
- WI 405 -- Delroy Wilson: \"Spit In The Sky\" b/w \"Voodoo Man\", 1963
- WI 406 -- Don Drummond: \"Scrap Iron\" b/w Dragonaire: \"Prevention\", 1963
- WI 407 -- Archibald Trott: \"Get Together\" b/w \"Just Because\", 1963
- WI 408 -- The Melody Enchanters: \"Oh Ma, Oh Pa\" b/w Top Grant: \"Coronation Street\", 1963
- WI 409 -- Roy & Millie: \"You Are The Only One\" b/w \"Cherry, I Love You\", 1963
- WI 410 -- Roy & Millie: \"Oh Merna\" b/w Don Drummond: \"Dog War Bossa Nova\", 1963
- WI 411 -- Laurel Aitken: \"The Saint\" b/w \"Go, Gal, Go\", 1963
- WI 412 -- Baba Brooks: \"Jelly Beans\" b/w Eric Morris: \"Sampson\", 1964
- WI 413 -- Stranger And Ken: \"Uno-Dos\" / \"Look\", 1963
- WI 414 -- Baba Brooks: \"Key To The City\" / Eric Morris: \"Solomon Gondie\"
- WI 415 -- Stranger Cole: \"Summer Day\" / \"Loving You Always\"
- WI 416 -- Wilfred Jackie Edwards: \"The Things You Do\" / \"Little Smile\"
- WI 417 -- Ernest Ranglin & The GB\'s: \"Swing A Ling Part 1\" / \"Part 2\", 1964
- WI 418 -- Barbara & Winston: \"The Dream\" / \"I Love You\", 1964
- WI 419 -- Winston Samuels: \"Luck Will Come My Way\" / Lloyd Brevett: \"One More Time\", 1964
- WI 420 -- Beltones: \"Gloria Love\" / Winston Francis: \"You Are The One\"
- WI 421 -- Jackie Opel: You\'re No Good / King Liges
- WI 422 -- Tommy McCook: Two For One / Lascelles Perkins: I Don\'t Know
- WI 423 -- The Vikings: Down By The Riverside / This Way, 1964
- WI 425 -- Derrick Morgan: Cherry Pie / Bob Walls: Remember Where You\'re From, 1964
- WI 426 -- Winston Samuels: You Are The One / Gloria Love, 1964
- WI 427 -- Roy And Millie: Oh Shirley / Marie, 1964
- WI 428 -- Vikings: Treat Me Bad / Sitting On Top, 1964
- WI 429 -- Keith And Enid: Lost My Love / I Cried, 1964
- WI 430 -- The Maytals: Come Into My parlour / I Am In Love, 1964
- WI 431 -- Marguerita: Woman Come / Eric Morris: Number One, 1964
- WI 432 -- Melody Enchanters: Enchanted Ball / Sailor Boy
- WI 433 -- Eric Morris: Supper In The Gutter / Ambition, 1964
- WI 434 -- Baba Brooks: Spider / Meldoy Jamboree
- WI 435 -- Stranger Cole: Boy Blue / Eric Morris: Words Of Wisdom, 1964
- WI 436 -- Roy And Yvonne: Two Roads / Join Together, 1964
- WI 437 -- Jimmy James: Thinking Of You / Shirley, 1964
- WI 438 -- Baba Brooks: Cork Foot / The Hersang Combo: BBC Channel 2
- WI 439 -- Eric Morris: River Come Down / Eric Morris: Seek And You\'ll Find, 1964
- WI 440 -- Shenley Duffas: Digging A Ditch / He\'s Coming Down, 1964
- WI 441 -- Bobby Aitken: Jericho / Lester Sterling: Lunch Time
- WI 442 -- Baba Brooks: Musical Workshop / Duke White: Be Wise
- WI 443 -- Shenley Duffus: Gather Them In / Crucifixion
- WI 444 -- Baba Brooks: Bus Strike / Duke White: Sow Good Seeds
- WI 445 -- Eric Morris: Home Sweet Home / Lester Sterling: 64, 1964
- WI 446 -- Frank Cosmo: Alone / Beautiful Book
- WI 447 -- Lloyd Briscoe: Spiritualist Mambo / Baba Brooks: Fly Right, 1964
- WI 448 -- The Cherry Pies: Do You Keep On Dreaming / Sweeter Than Cherry Pies
- WI 449 -- Charlie Organaire: Go Home / Theo Beckford: Ungrateful People, 1964
- WI 450 -- Lloyd Briscoe: My Love Has Come / Baba Brooks: Sweet Eileen
- WI 451 -- Sonny And Yvonne: Night After Night / Sonny Burke Group: Here We Go Again, 1965
- WI 452 -- Theophilus Beckford: Take Your Time / Stranger Cole: Happy Go Lucky
- WI 453 -- Baba Brooks: Take Five / Viney Gale: Go On
- WI 454 -- Lloyd Briscoe: Trojan / I Am The Least
- WI 455 -- Desmond Dekker: Dracula / Don Drummond: Spitfire, 1964
- WI 456 -- Baba Brooks: Dreadnaught / Playgirls: Looks Are Everything, 1964
- WI 457 -- Sonny Burke: I Love You Still / It\'s Always A Pleasure, 1965
- WI 458 -- Sonny Burke: City In The Sky / Everyday I Love You More
- WI 459 -- Tony Washington: But I Do / D.C.s: Night Train, 1964
- WI 460 -- Tony Washington: Dilly Dilly / But I Do, 1964
- WI 461 -- Sonny And Yvonne: Night After Night / Here We Go Again, 1964
- WI 462 -- Stranger Cole & Patsy: Hey Little Girl / Cornel Campbell: Make Hay, 1965
- WI 463 -- Lord Creator: Wicked Lady / The Maytals: My Little Ruby, 1964
- WI 464 -- The Maytals: John And James / Theo Beckford: Sailing On, 1965
- WI 465 -- Stranger & Ken: I Want To Go Home / Richard Suanders: The Sign Of The Times
- WI 466 -- Baba Brooks: Baby Elephant Walk / Don Drummond: Don\'s Special
- WI 467 -- Marvin And Johnny: Cherry Pie / Ain\'t That Right, 1965
- WI 468 -- Joe & Ann: Gee Baby / Wherever You May Be, 1965
- WI 469 -- Sonny Burke: Glad / Jeanie
- WI 470 -- Sonny Burke: Dance With Me / My Girl Can\'t Cook
- WI 471 -- Sonny Burke: Wicked People / God In Heaven Knows
#### Jump Up {#jump_up}
**Jump Up** started in 1963 and released singles mainly in calypso style until ca. 1967. Around 1970 Trojan/B&C continued to release with the label, continuing with both prefix and catalogue numbers. ([Tapir\'s](http://www.xs4all.nl/~tapirs/jumpup7.htm))
- JU 501 -- Mighty Dougla: Laziest Man / Dance Me Lover
- JU 502 -- Lord Blakie: Maria / Snakes In The Square
- JU 503 -- Lord Creator With The Byron Lee Orchestra: Jamaica Jump Up / Laziest Man, 1963
- JU 504 -- Lord Kitchener: Love In The Cemetery / Jamaican Woman, 1962
- JU 505 -- Gene Lawrence: Longest Day Meringie / Bachelor Boy
- JU 506 -- Lord Kitchener: Road / Neighbour, 1967
- JU 507 -- Mighty Sparrow: Kennedy & Khruschev / The Slave (National Record Co, Trinidad, 1962)
- JU 508 -- Mighty Dougla: Teacher Teacher / Split Me In Two
- JU 509 -- Mighty Dougla: Ugliness / My Wicked Boy Child
- JU 510 -- Gene Lawrence: Longest Day Meringue / Bachelor Boy
- JU 511 -- Lord Kitchener: Dr. Kitch / Come Back Home Meh Boy (Telco Records, Trinidad, 1963)
- JU 512 -- Jackie Opel: TV In Jamaica / Worrells Captaincy (Beverleys Jamaica, 1963)
- JU 513 -- Mighty Dougla: You Wasting Your Time / The Smart Barbadian (Telco Records, Trinidad)
- JU 515 -- Lord Christo: The Dumb Boy And The Parrot / The General Hospital, 1967
- JU 516 -- Nap Hepburn: Political Girl / The River
- JU 517 -- Lord Cristo: Election War Zone / Bad Luck Man, 1967
- JU 518 -- King Fighter: People Will Talk / Same Thing, 1965
- JU 519 -- Joey Lewis: Nut Vendor / Marriage Recipe
- JU 520 -- Ramon Otano: Mambo Trinidad / Fiesta En La Joya
- JU 521 -- Joey Lewis Band: Oye Mi Son / Yo-No-Se
- JU 522 -- Lord Blakie: Chinese Restaurant (Curry Shrimp & Rice) / What They Get, They Will Take
- JU 523 -- Mighty Sparrow: Bull Pistle Gang / Village Ram
- JU 524 -- Lord Creator: Big Bamboo / Marjorie & Harry
- JU 525 -- Young Growler: Bulldozer / Clarabel
- JU 526 -- Young Growler: Pressure In Britain / Pretentious Woman
- JU 527 -- Lord Nelson: Party For Santa Claus / Stella
- JU 528 -- Young Growler: Lucy Swimming Pool / Topless Dress
- JU 529 -- Young Growler: Pussy Galore / Sledgehammer
- JU 530 -- Lord Kitchener: Kitch You So Sweet / Ain\'t That Fun, 1967
- JU 531 -- Baldhead Growler: The Sausage / Bingo Woman, 1967
#### Aladdin
Island\'s \"first serious stab at setting up a pukka pop label\". Releases were numbered in a WI-6xx series, but the matrix number of Jackie Edwards\' \"He\'ll Have To Go\" was WI 2000, suggesting that it might have been intended to use that catalogue number series instead.
- WI-601 -- Jackie Edwards: \"He\'ll Have To Go\" b/w \"Gotta Learn To Love Again\", 1965
- WI-602 -- unissued
- WI-603 -- Owen Gray: \"Gonna Work Out Fine\" b/w \"Dolly Baby\", 1965
- WI-604 -- Theo Johnson: \"Masters Of War\" b/w \"Water Is Wide\", 1965
- WI-605 -- Jackie Edwards: \"Hush\" b/w \"I Am In Love With You No More\", 1965
- WI-606 -- Dinah Lee: \"I\'ll Forgive You Then Forget You\" b/w \"Nitty Gritty\", 1965
- WI-607 -- Owen Gray: \"Linda Lu\" b/w \"Can I Get A Witness\", 1965
- WI-608 -- Dinah Lee: \"I Can\'t Believe What You Say\" b/w \"Pushin\' A Good Thing Too Far\", 1965
- WI-609 -- Prince & Princess: \"Ready Steady Go\" b/w \"Take Me Serious\", 1965
- WI-610 -- unissued
- WI-611 -- Jackie Edwards: \"The Same One\" b/w \"I Don\'t Know\", 1965
- WI-612 -- Lord Kitchener: \"Dr Kitch\" b/w \"Come Back Home Meh Boy\", 1965 (reissue)
#### Brit
A short-lived subsidiary whose releases came out in the spring of 1965. The handful of releases were numbered in the WI-1000 series.
- WI-1001 -- Bobby Jameson: \"Rum-Pum\" b/w \"I Want To Know Why\", 1965
- WI-1002 -- Millie: \"My Street\" b/w \"Mixed Up, Fickle, Moody, Self-Centred, Spoiled Kind Of Boy\", 1965
- WI-1003 -- The Cannon Brothers: \"Turn Your Eyes To Me\" b/w \"Don\'t Stop Now\", 1965
- WI-1004 -- The Anglos: \"Incense\" b/w \"You\'re Fooling Me\", 1965 (A-side allegedly features Stevie Winwood. Disc was later reissued -- see WIP-6061)
- WI-1005 -- Dinah Lee: \"I Can\'t Believe What You Say\" b/w \"Pushing A Good Thing Too Far\" (unissued on Brit label -- later issued on Aladdin, see WI-608)
#### Island (WI 3000 series) {#island_wi_3000_series}
The catalogue numbers 3000 ff. had been chosen after the first series ended at number 299 and 300 ff. had been used for the Sue label (see above).
- WI 3000 -- Roy Richards: \"South Viet Nam\" b/w \"You Must Be Sorry I(Vocal)\", 1966
- WI 3001 -- The Wailers: \"He Who Feels It Knows It\" b/w \"Sunday Morning\", 1966
- WI-3002 -- The Gaylads: \"Stop Making Love\" b/w \"They Call Her Dawn\", 1966
- WI 3003 -- The V.I.P.\'s: \"I Wanna Be Free\" b/w \"Don\'t Let It Go\", 1966
- WI 3004 -- unissued
- WI 3005 -- The Claredonians: \"I\'ll Never Change\" b/w \"Rules Of Life\", 1966
- WI 3006 -- Jackie Edwards: \"I Feel So Bad\" b/w \"I Don\'t Want To Be Made A Fool Of\", 1966
- WI 3007 -- Belfast Gypsies: \"Gloria\'s Dream\" b/w \"Secret Police\", 1966
- WI 3008 -- Robert Parker: \"Happy Feet\" b/w \"The Scratch\", 1966
- WI 3009 -- The Wailers: Let Him Go (Rude Boy Get Bail) / Sinner Man, 1966
- WI 3010 -- Derrick Morgan: Gather Together Now / Soft Hand Nice, 1966
- WI 3011 -- Wynder K Frog: Sunshine Superman / Blues For A Frog, 1966
- WI 3012 -- unissued
- WI-3013 -- Delroy Wilson: \"Dancing Mood\" / Soul Brothers: More & More (white+red label), 1966
- WI 3015 -- Ethiopians: I am Free / Soul Brothers: Shanty Town
- WI 3016 -- Soul Brothers: Mr. Flint / Too Young To Love, 1966
- WI 3017 -- Freaks of Nature: People Let\'s Freak Out / Secret Police (Shadow Crashers), 1966
- WI 3018 -- Jackie Edwards: Royal Telephone / It\'s No Secret, 1967
- WI 3019 -- Joyce Bond: Tell Me What It\'s All About / Tell Me Right Now, 1967
- WI 3020 -- Ken Boothe: Train Is Coming / This Is Me, 1966
- WI 3021 -- unissued
- WI 3022 -- Gaylads: Don\'t Say No / Sonny Burke: You Rule My Heart, 1967
- WI 3023 -- Slim Smith: I\'ve Got Your Number / New Boss, 1967
- WI 3024 -- unissued
- WI 3025 -- The Gaylads -- No Good Girl / Yes Girl, 1967
- WI 3026 -- Joe Higgs: I Am The Song (The Prophet) / Worry No More, 1967
- WI 3027 -- Roy Richards: Rub-A-Dub / The Sharks: Baby Come Home, 1967
- WI 3028 -- Bobby Aitken: Kiss Bam Bam / Cynthia Richards: How Could I, 1967
- WI 3029 -- Tony Gregory: Get Out Of My Life / Soul Brothers -- Sugar Cane, 1967
- WI 3030 -- Jackie Edwards: Only A Fool Breaks His Own Heart / The End, 1967
- WI 3031 -- Buster Brown: My Blue Heaven / Two Women, 1967
- WI 3032 -- Clarendonians: Shoo Be Doo Be / Sweet Heart Of Beauty, 1967
- WI 3033 -- Delroy Wilson: Riding For A Fall / Got To Change Your Ways, 1967
- WI 3034 -- Dudley Sibley: Gun Man / Denzil Thorpe: Monkey Speaks His Mind, 1967
- WI 3035 -- Ken Boothe: I Don\'t Want To See You Cry / Baby I Need You, 1967
- WI 3036 -- The Ethiopians: For You / Soul Brothers: Sound Pressure (white+red label)
- WI 3037 -- Delroy Wilson: Ungrateful Baby / Roy Richards: Hopeful Village Ska, 1967
- WI 3038 -- Soul Brothers: Cherry / Soul Junior: Out Of My Mind, 1967
- WI 3039 -- Soul Brothers: Hi-Life / Delroy Wilson: Close To Me, 1967
- WI 3040 -- Bob Andy: I\'ve Got To Go Back Home / Sonny Burke: Rudy Girl, 1967
- WI 3041 -- The Claredonians: You Can\'t Be Happy / Goodbye Forever, 1967
- WI 3042 -- Peter Touch: I Am The Toughest / Marcia Griffiths: No Faith, 1967
- WI 3043 -- The Wailers: Bend Down Low / Freedom Time, 1967
- WI 3044 -- Chords Five: I Am Only Dreaming / Universal Vegrant, 1967
- WI-3045 -- The Paragons: \"On The Beach\" / Tommy McCook: Sweet And Gentle, 1967
- WI 3046 -- Alton Ellis and the Flames: Cry Tough / Carol With Tommy McCook: Mr. Solo, 1967
- WI 3047 -- Tommy McCook: 1, 2, 3 Kick / The Treasure Isle Boys: What A Fool, 1967
- WI 3048 -- Justin Hinds: On A Saturday Night / Save A Bread, 1967
- WI 3049 -- The Moving Brothers: Darling I Love You / Tommy McCook: Saboo, 1967
- WI 3050 -- Delroy Wilson: Get Ready / Roy Richards: Port \'O\'Jam, 1967
- WI 3051 -- Winston Samuels: The Greatest / Freddie & Fitsy: Truth Hurts, 1967
- WI 3052 -- Soul Boys: Blood Pressure / Rita Marley: Come To Me, 1967
- WI 3053 -- Winston Samuels: I Won\'t Be Discouraged / Freddie& Fitsy: Why Did My Little Girl Cry, 1967
- WI 3054 -- Hopeton Lewis: Rock Steady / Cool Collie, 1967
- WI 3055 -- Hopeton Lewis: Finders Keepers / Roland Alphonso: Shanty Town Curfew, 1967
- WI 3056 -- Hopeton Lewis: Let Me Come On Home / Hardships Of Life, 1967
- WI 3057 -- Hopeton Lewis: Run Down / Pick Yourself Up, 1967
- WI 3058 -- Tartans: Dance All Night / What Can I Do, 1967
- WI 3059 -- Hopeton Lewis: Let the Little Girl Dance / This Music Got Soul, 1967
- WI 3060 -- Mighty Vikings Band: Do Re Mi / The Sound Of Music, 1967
- WI 3061 -- Shadrocks: Go Go Special / Count Down, 1967
- WI 3062 -- Granville Williams Orchestra: Hi-life / More, 1967
- WI-3063 -- Derrick Harriott: \"The Loser\" / Bless You, 1967
- WI 3064 -- Derrick Harriott: Happy Times / You My Everything, 1967
- WI 3065 -- Astronauts: Before You Leave / Syncopate, 1967
- WI 3066 -- Lynn Tait & The Jets: Something Stupid / Blue Tuesday, 1967
- WI 3067 -- The Paragons: Talking Love / If I Were You, 1967
- WI 3068 -- Hopeton Lewis: Rock A Shacka / I Don\'t Want Trouble, 1967
- WI 3069 -- Leslie Butler: Polonaise Reggae / You Don\'t Have To Say, 1967
- WI 3070 -- Roy Shirley: People Rock Steady / Slim Smith & Uniques: Trying Hard To Find A Home, 1967
- WI 3071 -- Roy Shirley: Musical War / Soul Voice, 1967
- WI 3072 -- Glen Adams: Silent Lover / I Remember, 1967
- WI 3073 -- Tomorrow\'s Children: Bang Bang Rock Steady / Rain Rock Steady, 1967
- WI 3074 -- Sammy Ismay & Mighty Vikings: Rockitty Fockitty, 1967
- WI 3075 -- Lynn Taitt & The Jets: I Don\'t Want To See You Cry / Nice Time, 1967
- WI 3076 -- Hopeton Lewis: Everybody Rocking / Stars Shining So Bright, 1967
- WI 3077 -- Derrick Harriott: Walk The Streets / Bobby Ellis: Step Softly, 1967
- WI 3078 -- Henry Buckley: Thank You Girl / Take Me Back, 1967
- WI 3079 -- Derrick & Pauline Morgan: Someone / Do You Love Me, 1967
- WI 3080 -- Alva Lewis: I\'m Indebted / Groovers: You\'ve Got To Cry, 1967
- WI 3081 -- Henry Buckley: I\'ll Reach The End / Don Tony Lee: Lee\'s Special, 1967
- WI 3082 -- Ken Parker: How Could I / Sonny Burke: Choo Choo Train, 1967
- WI 3083 -- Glen Adams: She / S. Burke: Some Other Time, 1967
- WI 3084 -- Slim Smith & the Uniques: Gypsy Woman / Ken Rose: Wall Flower, 1967
- WI 3085 -- Keith & Tex: Tonight / Lynn Tait: You Have Caught Me, 1967
- WI 3086 -- Slim Smith & the Uniques: Let Me Go Girl / Soulettes: Dum Dum, 1967
- WI 3087 -- Uniques: Never Let Me Go / Don Lee: Lees Special, 1967
- WI 3088 -- Rude Boys: Rock Steady Massachusetts / Going Home, 1967
- WI 3089 -- Derrick Harriott: Solomon / Bobby Ellis & Crystallites: The Emperor, 1967
- WI 3090 -- Mike Thompson Junior & Jets: Rock Steady Wedding / Flowerpot Bloomers, 1967
- WI 3091 -- Keith & Tex: Stop That Train / Bobby Ellis & The Crystallies: Feeling Peckish, 1967
- WI 3092 -- Rudy Mills: Long Story / Bobby Ellis & The Crystallites: Now We Know, 1967
- WI 3093 -- Paragons: So Depressed / We Were Meant To Be, 1967
- WI 3094 -- Lloyd & Devon: Red Bum Ball / Derrick Morgan: Conquering Ruler, 1968
- WI 3095 -- Viceroys: Lip And Tongue / Dawn Penn: When Am I Gonna Be Free, 1968
- WI 3096 -- Ken Parker: Down Low / Sad Mood, 1968
- WI 3097 -- Dawn Penn: I\'ll Never Let You Go / Mark Brown: Brownlow Special, 1968
- WI 3098 -- Roy Shirley: Thank You / Roy Shirley: Touch Them, 1968
- WI 3099 -- Delroy Wilson: This Heart Of Mine / Glen Adams: Grab A Girl, 1968
- WI 3100 -- Glen Adams: Hold Down Miss Winey / Vincent Gordon: Sounds And Soul, 1968
- WI 3101 -- Derrick Morgan: Gimme Back / Viceroys: Send Requests, 1968
- WI 3102 -- Nehemia Reid: Family War / Give Me That Love, 1968
- WI 3103 -- Frank Brown: Some Come, Some Go / Consomates: Do It Now, 1968
- WI 3104 -- Max Romeo: Put Me In The Mood / My One Girl, 1968
- WI 3105 -- Ken Parker: Lonely Man / Bunnie Lee: Joy In My Heart, 1968
- WI 3106 -- Glen Adams: That New Girl / Uniques: Speak No Evil, 1968
- WI 3107 -- Uniques: Lesson Of Love / Delroy Wilson: Till I Die, 1968
- WI 3108 -- Roy Shirley: Move All Day / Rollin\' Rollin\', 1968
- WI 3109 -- Webber Sisters: My World / Alva Lewis: Lonely Still, 1968
- WI 3110 -- Sensations: Long Time No See You Girl / Roy Shirley: Million Dollar Baby, 1968
- WI 3111 -- Max Romeo: Walk Into The Dawn / Dawn Penn: I\'ll Get You, 1968
- WI 3112 -- Roy Wilson: Dread Saras / David Brown: All My Life, 1968
- WI 3113 -- Val Bennett: Jumping With Mr Lee / Roy Shirley: Keep Your Eyes On The Road, 1968
- WI 3114 -- Uniques: Build My World Around You / Lloyd Clarke -- I\'ll Never Change, 1968
- WI 3115 -- Pat Perrin: Over You / Lloyd Terrell: Lost Without You, 8/1968
- WI 3116 -- Lloyd Clarke: Summertime / Val Bennett: Soul Survivor, 8/1968
- WI 3117 -- Uniques: More Love / Val Bennett: Lovall\'s Special, 1968
- WI 3118 -- Roy Shirley: Good Is Better Than Bed / Fantastic Lover, 1968
- WI 3119 -- Roy Shirley & Uniques: Facts Of Life / Leas Us Not Into Temptation, 1968
- WI 3120 -- Glen Adams: She\'s So Fine / Roy Shirley: Girlie, 1968
- WI 3121 -- Pat Kelly: Somebody\'s Baby / Bevely Simmons: Please Don\'t Leave Me, 1968
- WI 3122 -- Slim Smith & The Uniques: My Conversation / Slim Smith: Love One Another, 1968
- WI 3123 -- Uniques: The Beautitude / Keith Blake: Time On The River, 1968
- WI 3124 -- Pat Kelly: Twelfth Of Never / Val Bennett: Caldonia, 1968
- WI 3125 -- Roy Shirley: If I Did Know / Good Ambition, 8/1968
- WI 3126 -- Federals: Penny For Your Song / I\'ve Passed This Way Before, 1968
- WI 3127 -- Delroy Wilson: Once Upon A Time / I Want To Love You, 1968
- WI 3128 -- Stranger & Gladdy: Love Me Today / Over And Over Again, 8/1968
- WI 3129 -- Gaylets: Silent River Runs Deep / You\'re My Kind Of Man, 1968
- WI 3130 -- Alfred Brown & Melmoth: I Want Someone / Alfred Brown: One Scotch One Bourbon One Beer, 1968
- WI 3131 -- Joe Higgs: You Hurt My Soul / Lynn Taitt & The Jets: Why Am I Treated So Bad, 1968
- WI 3132 -- Horatio Soul: Ten White Horses / Angela, 1968
- WI 3133 -- The Tennors: Ride Your Donkey / I\'ve Got To Get You Off My Mind, 1968
- WI 3134 -- Ike & Crystallites: Illya Kuryakin / Bobby Ellis & Crystallites: Ann Marie, 1968
- WI 3135 -- Derrick Harriott: Do I Worry / Bobby Ellis & Crystallites: Shuntlin\', 1968
- WI 3136 -- Bobby Ellis & Crystallites: Dollar A Head / Rudy Mills: I\'m Trapped, 8/1968
- WI 3137 -- Keith & Tex: Hypnotising Eyes / Keith & Tex: Lonely Man, 8/1968
- WI 3138 -- The Paragons: Memories By The Score / The Number One For Me, 9/1968
- WI 3139 -- Lynn Taitt And The Jets: Napoleon Solo / Pressure And Slide, 1968
- WI 3140 -- The Tennors: Copy Me Donkey / Ronnie Davis: The Stage, 8/1968
- WI 3141 -- The Gaylets: I Like Your World / That Lonely Feeling, 8/1968
- WI 3142 -- The Versatiles: Someone To Love / Teardrops Falling, 1968
- WI 3143 -- Natives: Live It Up / Never Break My Heart, 1968
- WI 3144 -- Lyn Beckford: Combination / Keelynn Beckford: Hey Little Girl, 8/1968
- WI 3145 -- The Uniques: Girl Of My Dreams / Lester Sterling: Tribute To King Scratch, 8/1968
- WI 3146 -- Val Bennett: The Russians Are Coming / Lester Sterling: Sir Lee\'s Whip, 8/1968
- WI 3147 -- Derrick Harriott: Born To Love You / Ike Bennett & Crystallites: Alfred Hitchcock, 1968
- WI 3148 -- David Anthony: All Night / David Anthony: Out Of My Mind, 1968
- WI 3149 -- Noel Brown: Man\'s Temptation / Heartbreak Girl, 1968
- WI 3150 -- Errol Dunkley: Once More / I\'m Not Your Man, 1968
- WI 3151 -- Ike B & Crystallites: Try A Little Merriness / Patricia, 1968
- WI 3152 -- Federals: Shocking Love / By The River, 1968
- WI 3153 -- Derrick Harriott: Tang! Tang! Festival Song / Ike Bennett & Crystallites: James Ray, 8/1968
- WI 3154 -- Stranger Cole: Jeboza Macoo / Stranger & Gladdy: Now I Know, 1968
- WI 3155 -- Charlie Kelly: So Nice Like Rice / Stranger & Gladdy: Over Again, 1968
- WI 3156 -- The Tennors: Gram-Pa / Romeo Stewart: While I Was Walking, 9/1968
- WI 3157 -- Jackie Edwards: You\'re My Girl / Heaven Only Knows, 8/1968
- WI 3158 -- Lloyd And Johnny Melody: My Argument / Johnny Melody: Foey Man, 1968
- WI 3159 -- Derrick Morgan: Hold You Jack / One Morning In May, 1968
- WI 3160 -- D. Tony Lee: It\'s Reggae Time / Errol Dunkley: The Clamp, 1968
#### Sue (WI 4000 series) {#sue_wi_4000_series}
- WI 4001 -- Little Richard: \"Without Love\" b/w \"Dance What You Wanna\", 1966
- WI 4002 -- Tommy Duncan: \"Dance, Dance, Dance\" b/w \"Let\'s Try it Over Again\", 1966
- WI 4003 -- Jerry Butler: \"I Stand Accused\" b/w \"I Don\'t Want to Hear Anymore\", 1966
- WI 4004 -- Jimmy Reed: \"Odds and Ends\" b/w \"Going by the River, Part 1\", 1966
- WI 4005 -- Phil Upchurch Combo: \"You Can\'t Sit Down\" (UK #39, May 1966)
- WI 4006 -- Jimmy Hughes: \"Goodbye My Love\" b/w \"It Was Nice\", 1966
- WI 4007 -- Elmore James: \"I Need You\" b/w \"Mean Mistreating Mama\", 1966
- WI 4008 -- not issued
- WI 4009 -- Jerry Butler: \"Just for You\" b/w \"Believe in Me\", 1966
- WI 4010 -- Ellie Smith: \"Dial That Telephone\", 1966
- WI 4011 -- Ritchie Valens: \"La Bamba\" b/w \"Donna\", unreleased
- WI 4012 -- Billy Preston: Billy\'s Bag, 1966
- WI 4013 -- The Jaybirds: \"Somebody Help Me\" b/w \"The Right Kind\", 1966
- WI 4014 -- Birdlegs and Pauline: \"Spring\" b/w \"In So Many Ways\", 1966
- WI 4015 -- Little Richard: \"It Ain\'t Watcha Do\" b/w \"Crossover\", 1966
- WI 4016 -- Thurston Harris: \"Little Bitty Pretty One\" b/w \"I Hope You Won\'t Hold It Against Me\", 1966
- WI 4017 -- Phil Upchurch Combo: \"Nothing but the Soul\" b/w \"Evad\", 1966
- WI 4018 -- The Righteous Brothers: You Can Have Her / Justine, 1966
- WI 4019 -- The Spidells: \"Find Out What\'s Happening\" b/w \"That Makes My Heart Break\", 1966
- WI 4020 -- The Santells: \"So Fine\" b/w \"These Are Love\", 1966
- WI 4021 -- Little Milton: \"Early in the Morning\" b/w \"Bless Your Heart\", 1966
- WI 4022 -- Shades of Blue: \"Oh! How Happy\" b/w \"Little Orphan Boy\", 1966
- WI 4023 -- Lowell Fulsom: \"Talking Woman\" b/w \"Blues Around Midnight\", 1966
- WI 4024 -- Raymond Parker: \"Ring Around the Roses\" b/w \"She\'s Coming Home\", 1966
- WI 4025 -- Lydia Marcelle: \"Another Kind of Fellow\" b/w \"I\'ve Never Been Hurt Like This Before\", 1966
- WI 4026 -- Gerri Hall: \"Who Can I Run To\" b/w \"I Lost a Key\", 1966
- WI 4027 -- Mr. Dynamite: \"Sh\'mon\", 1967
- WI 4028 -- Barbara Lynn: \"Letter To Mommy And Daddy\" b/w \"Second Fiddle Girl\", Jan. 1967
- WI 4029 -- Sugar Simone: \"Suddenly\" b/w \"King Without a Throne\", 1967
- WI 4030 -- Bob and Earl: \"Don\'t Ever Leave Me\" b/w \"Fancy Free\", 1967
- WI 4031 -- Danny White: \"Keep My Woman Home\" b/w \"I Am Dedicating My Life\", 1967
- WI 4032 -- Don and Dewey: \"Soul Motion\" b/w \"Stretchin\' Out\", March 1967
- WI 4033 -- The Anglos: \"Incense\" b/w \"You\'re Fooling Me\", unreleased
- WI 4034 -- The Kelly Brothers: \"Falling in Love Again\" b/w \"Crying Days Are Over\", April 1967
- WI 4035 -- Theola Kilgore: \"I\'ll Keep Trying\" b/w \"He\'s Coming Back to Me\", April 1967
- WI 4036 -- The Wallace Brothers: \"I\'ll Step Aside\" b/w \"Hold My Hurt for a While\", April 1967
- WI 4037 -- Edgewood Smith and the Fabulous Tailfeathers: \"Ain\'t That Lovin\'\" b/w \"Yeah\", May 1967
- WI 4038 -- Barbara Lynn: \"You\'ll Lose a Good Thing\" b/w \"Lonely Heartaches\", April 1967
- WI 4039 -- Claudine Clark: \"The Strength to Be Strong\" b/w \"Moon Madness\", May 1967
- WI 4040 -- Jackie Day: \"Before it\'s Too Late\" b/w \"Without a Love\", May 1967
- WI 4041 -- Paul Martin: \"Snake in the Grass\" b/w \"I\'ve Got a New Love\", July 1967
- WI 4042 -- John Roberts: \"Sockin\' 1, 2, 3, 4\" b/w \"Sophisticated Funk\", February 1968
- WI 4043 -- O.V. Wright: \"What About You\" b/w \"What Did You Tell This Girl of Mine\", March 1968
- WI 4044 -- Bobby Bland: \"That Did It\" b/w \"A Touch of the Blues\", March 1968
- WI 4045 -- Al King: \"Think Twice Before You Speak\" b/w \"The Winner\", March 1968
- WI 4046 -- Joe Matthews: \"Sorry Ain\'t Good Enough\" b/w \"You Better Mend Your Ways\", March 1968
- WI 4047 -- Thelma Jones: \"Stronger\" b/w \"Never Leave Me\", April 1968
- WI 4048 -- The Lamp Sisters: \"A Woman With the Blues\" b/w \"I Thought it Was All Over\", May 1968
- WI 4049 -- Fascinations: \"Girls Are Out to Get You\" b/w \"You Be Sorry\", June 1968
- WI 4050 -- The Sapphires: \"Who Do You Love\" b/w \"Where is Johnny Now\", unreleased
#### Island WIP series {#island_wip_series}
This series commenced in January 1967 and initially ran alongside the existing WI 3000 series (see above). It coincided with the introduction of a new pink label design (chosen, according to label founder and owner Chris Blackwell, \"because it created a clear break from our Jamaican years\") and the \"P\" in WIP is variously said to stand for \"Pink\" or \"Progressive\", reflecting the fact that this new series was geared towards the new generation of rock/pop acts that Island had begun to accumulate from early 1967 onwards, as well as artists from its traditional roster who were being oriented towards the rock/pop audience, such as Jackie Edwards and Jimmy Cliff. Another change was that releases in the WIP series were normally stereo productions. Major UK top twenty singles\' chart success for the label came very early in the WIP series, with WIP-6002 -- Traffic\'s \"Paper Sun\" (#5, 6/1967), a classic slice of British psychedelia released just in time for the \"summer of love\", but quite a high proportion of the early WIP-series output was by artists who failed to develop as anticipated (e.g. Hard Meat, The Smoke) or represented one-off licensing deals with artists who never again appeared in the Island listings (e.g. WIP-6001, WIP-6013, etc.). The series continued throughout the 1970s and into the early 1980s (see below).
The first of a series of pink label designs was used for singles WIP-6000 to WIP-6051, inclusive. Sometimes referred to as the \"eye\" label design, it featured an orange and black elliptical device on the left-hand side of the label which could be said to resemble a grotesque eyeball when viewed sideways. \"A\" and \"B\" sides were clearly delineated on this early series of pink label singles, thus: WIP-6050-A (Traffic\'s \"Medicated Goo\") and WIP-6050-B (the same band\'s \"Shanghai Noodle Factory\").
Beginning with WIP-6052, a new series of matrix numbers was introduced for 7\" singles. Henceforward, singles\' sides were not usually identified as \"A\" or \"B\", but each bore a unique matrix number in a series starting at wipx 1002. The matrix number appeared on the label, usually upside-down directly beneath the main catalogue number. The matrix numbers seem to have been allocated to each release in numerical sequence, irrespective of the actual or proposed release date of the record; thus the two sides of WIP-6056 (Jethro Tull\'s \"Living In The Past\" b/w \"Driving Song\") have matrix numbers wipx 1010 and wipx 1011, respectively. Initially, the new matrix numbers were used in conjunction with the existing \"eye\" label design, but beginning with releases in June 1969 a new pink label design was introduced, known as the \"block\" design. The new design continued to feature the \"eye\" device in plain black enclosed within the push-out centre of the record, but the company name was now written in capital letters within a rectangular black block in the lower part of the label. The first release to feature the new label design appears to have been WIP-6060 and the last to feature the orange-and-black \"eye\" design WIP-6061, a reissue of \"Incense\" by the Anglos, which had actually been released the previous month. One or two earlier releases which were evidently still selling were re-pressed with the new design (e.g. WIP-6056, which exists with both the orange-and-black \"eye\" and the \"block\" label designs).
Towards the end of 1969, artists signed to Terry Ellis and Chris Wright\'s Chrysalis management company began to be favoured with a special Chrysalis label design -- green with a red Chrysalis butterfly logo. Initially this applied to Jethro Tull and former Tull guitarist Mick Abrahams\' band Blodwyn Pig. These early Chrysalis singles were allotted catalogue and matrix numbers in the main Island WIP and wipx series, respectively, and bore the legend \"manufactured and distributed by island records basing st london\" on the upper circumference of the label. Chrysalis continued to issue singles bearing Island catalogue numbers until Autumn 1971, after which the label broke away completely and began its own series of catalogue numbers in a CHS 2000 series.
- WIP-6000 -- Owen Gray: \"Help Me\" b/w \"Incense\", 14/1/1967
- WIP-6001 -- Rene & Rene: \"Loving You Could Hurt Me So Much\" b/w \"Little Diamonds\", 14/1/1967
- WIP-6002 -- Traffic: \"Paper Sun\" b/w \"Giving to You\", 5/1967 (UK #5, June 1967)
- WIP-6003 -- Ray Cameron: \"Doing My Time\" b/w \"Getaway, Getaway Car\", 1/1967
- WIP-6004 -- Jimmy Cliff: \"Give and Take\" b/w \"Aim And Ambition\", 2/1967
- WIP-6005 -- The V.I.P.\'s: \"Straight Down To The Bottom\" b/w \"In A Dream\", 2/1967
- WIP-6006 -- Wynder K Frog: \"Green Door\" b/w \"Dancing Frog\", 2/1967
- WIP-6007 -- Tim Tam and the Turn-Ons: \"Wait A Minute\" b/w \"Ophelia\", 4/1967
- WIP-6008 -- Jackie Edwards: \"Come Back Girl\" b/w \"Tell Him You Lied\", 4/1967
- WIP-6009 -- Julien Covey and the Machine: \"A Little Bit Hurt\" b/w \"Sweet Bacon\", 4/1967
- WIP-6010 -- Joyce Bond: \"Do The Teasy\" b/w \"Sugar\", 4/1967
- WIP-6011 -- Jimmy Cliff: \"I Got A Feeling\" b/w \"Hard Road To Travel\", 5/1967
- WIP-6012 -- Jackie and Millie: \"In a Dream\" b/w \"Ooh, Ooh\", 6/1967
- WIP-6013 -- The Bill Shepherd Sound: \"Whistling Sailor\" b/w \"March of the Seven Seas\", 1967
- WIP-6014 -- Wynder K Frog: \"I\'m A Man\" b/w \"Shook Shimmy And Shake\", 6/1967
- WIP-6016 -- Nirvana: \"Tiny Goddess\" b/w \"I Believe in Magic\", 7/1967
- WIP-6017 -- Traffic: \"Hole in My Shoe\" b/w \"Smiling Phases\", 8/1967 (early issues in picture sleeve; UK #2, September 1967)
- WIP-6018 -- Joyce Bond: \"This Train\" b/w \"Not So With Me\", 8/1967
- WIP-6019 -- Art: \"What\'s That Sound (For What It\'s Worth)\" b/w \"Rome Take Away Three\", 7/1967
- WIP-6020 -- Nirvana: \"Pentecost Hotel\" b/w \"Feelin\' Shattered\", 9/1967
- WIP-6021 -- Millie Small: \"I Am In Love\" b/w \"You Better Forget\", 10/1967
- WIP-6022 -- Spooky Tooth: \"Sunshine Help Me\" b/w \"Weird\", 1/1968
- WIP-6023 -- The Smoke: \"It Could Be Wonderful\" b/w \"Have Some More Tea\", 11/1967
- WIP-6024 -- Jimmy Cliff: \"That\'s The Way Life Goes\" b/w \"Thank You\", 10/1967
- WIP-6025 -- Traffic: \"Here We Go Round The Mulberry Bush\" b/w \"Coloured Rain\", 11/1967 (first 100,000 in picture sleeve) (UK #8, December 1967)
- WIP-6026 -- Jackie Edwards: \"Julie On My Mind\" b/w \"If This Is Heaven\", 2/1968
- WIP-6027 -- Kytes: \"Running In The Water\" b/w \"The End Of The Day\", 2/1968
- WIP-6028 -- Peter Sarstedt: \"I Must Go On\" b/w \"Mary Jane\", 1/1968
- WIP-6029 -- Nirvana: \"Rainbow Chaser\" b/w \"Flashbulb\", 3/1968 (UK #34, May 1968)
- WIP-6030 -- Traffic: \"No Face, No Name And No Number\" b/w \"Roamin\' Thru\' The Gloamin\' With 40,000 Headmen\", 2/1968 (UK #40, March 1968)
- WIP-6031 -- The Smoke: \"Utterly Simple\" b/w \"Sydney Gill\", 3/1968 (not issued)
- WIP-6032 -- Dave Mason: \"Just For You\" b/w \"Little Woman\", 2/1968
- WIP-6033 -- Emil Dean: \"This Is Our Anniversary\" b/w \"Lonely Boy\", 3/1968
- WIP-6034 -- Santos Morados: \"Tonopah\" b/w \"Anytime\", 3/1968
- WIP-6035 -- Sarolta: \"Open Your Hands\" b/w \"L.O.V.E.\", 4/1968
- WIP-6036 -- Jackie Edwards & Jimmy Cliff: \"Set Me Free\" b/w \"Here I Come\", 6/1968
- WIP-6037 -- Spooky Tooth: \"Love Really Changed Me\" b/w \"Luther\'s Groove\", 6/1968
- WIP-6038 -- Nirvana: \"Girl In The Park\" b/w \"C Side In Ocho Rios\", 6/1968
- WIP-6039 -- Jimmy Cliff: \"Waterfall\" b/w \"Reward\", 7/1968
- WIP-6040 -- Soul People: \"Hummin\'\" b/w \"Soul Drink\", 7/1968
- WIP-6041 -- Traffic: \"You Can All Join In\" b/w \"Withering Tree\", 8/1968 (promo/export issue only -- see reference)
- WIP-6041 -- Traffic: \"Feeling Alright?\" b/w \"Withering Tree\", 9/1968
- WIP-6042 -- Jackie Edwards: \"You My Girl\" b/w Heaven Only Knows, 1968
- WIP-6043 -- Sue and Sunny: \"Set Me Free\" b/w Nirvana Orchestra: \"City Of The South\", 8/1968
- WIP-6043 -- Jethro Tull: \"A Song for Jeffrey\" b/w \"One for John Gee\", 27/9/1968
- WIP-6044 -- Wynder K Frog: \"Jumpin\' Jack Flash\" b/w \"Baldy\", 8/1968
- WIP-6045 -- Nirvana: \"All Of Us (The Touchables)\" b/w \"Trapeze\", 11/1968
- WIP-6046 -- Spooky Tooth: \"The Weight\" b/w \"Do Right People\", 9/1968
- WIP-6047 -- Fairport Convention: \"Meet on the Ledge\" b/w \"Throwaway Street Puzzle\", 12/1968
- WIP-6048 -- Jethro Tull: \"Love Story\" b/w \"Christmas Song\", 29/11/1968 (UK #29, January 1969)
- WIP-6049 -- Heavy Jelly: \"I Keep Singing That Same Old Song\" b/w \"Blue\", 1/1969
- WIP-6050 -- Traffic: \"Medicated Goo\" b/w \"Shanghai Noodle Factory\", 12/1968
- WIP-6051 -- Joyce Bond: \"Ob-La-Di, Ob-La-Da\" b/w Joyce Bond Review: \"Robin Hood Rides Again\", 12/1968
- WIP-6052 -- Nirvana: \"Wings Of Love\" b/w \"Requiem To John Coltrane\", 1/1969
- WIP-6053 -- Bob & Earl: \"Harlem Shuffle\" b/w \"I\'ll Keep Running Back\", 1/1969 (UK #7, March 1969)
- WIP-6054 -- Free: \"Broad Daylight\" b/w \"The Worm\", March 1969
- WIP-6055 -- Clouds: \"Make No Bones About It\" b/w \"Heritage\", 3/1969
- WIP-6056 -- Jethro Tull: \"Living in the Past\" b/w \"Driving Song\", 2/5/1969 (UK #3, May 1969)
- WIP-6057 -- Nirvana: \"Oh! What a Performance\" b/w \"Darling Darlane\", 5/1969
- WIP 6058 -- Spooky Tooth: \"That Was Only Yesterday\" b/w \"Oh! Pretty Woman\", 1969 (believed not issued in U.K. Dutch picture sleeve issues exist with this catalogue number.)
- WIP-6059 -- Blodwyn Pig: \"Dear Jill\" b/w \"Sweet Caroline\", 5/1969
- WIP-6060 -- Spooky Tooth: \"Son Of Your Father\" b/w \"I\'ve Got Enough Heartache\", 6/1969
- WIP-6061 -- Anglos: \"Incense\" b/w \"You\'re Fooling Me\", 5/1969
- WIP-6062 -- Free: \"I\'ll Be Creeping\" b/w \"Sugar for Mr. Morrison\"
- WIP-6064 -- Fairport Convention: \"Si Tu Dois Partir\" b/w \"Genesis Hall\", 7/1969 (UK #21, July 1969)
- WIP-6065 -- Not issued
- WIP-6066 -- Hard Meat: \"Rain\" b/w \"Burning Up Years\", 8/1969
- WIP-6067 -- Clouds: \"Scrapbook\" b/w \"The Carpenter\", 9/1969
- WIP 6068 -- Jethro Tull: \"Bouree\" b/w \"Fat Man\", 1969 (not issued in U.K. French and Belgian issues exist with this catalogue number.)
- WIP-6069 -- Blodwyn Pig: \"Walk On The Water\" b/w \"Summer Day\", 9/1969
- WIP 6070 -- Jethro Tull: \"Sweet Dream\" b/w \"17\", 10/10/1969 (green Chrysalis label) (UK #7, November 1969)
- WIP-6071 -- King Crimson: \"The Court of the Crimson King Part One\" b/w \"The Court of the Crimson King Part Two\", 10/1969
- WIP-6072 -- Mott The Hoople: \"Rock and Roll Queen\" b/w \"Road To Birmingham\", 10/1969
(Series continued under heading **Singles in the 1970s**, below.)
#### IEP series {#iep_series}
Four track EPs in the 1960s
- IEP 701 -- Jackie Edwards: Sacred Hymns Vol. 1, 1966
- IEP 702 -- Jackie Edwards: Sacred Hymns Vol. 2, 1966
- IEP 703 -- Dioris Valladares and his Orchestra -- Meringue!
- IEP 704 -- Ernest Ranglin and the G.B\'s: Just A Little Walk
- IEP 705 -- Millie and her Boyfriends: Roy -- Jackie -- Owen, 1963
- IEP 706 -- The Soul of Ike and Tina Turner (**Sue** subsidiary)
- IEP 707 -- Bam & Charlie Hyatt: Live At The State Theatre Kingston Jamaica -- Rass!, 1966
- IEP 708 -- Jackie Edwards -- Hush, 1966
- IEP 709 -- Chris Farlowe -- Stormy Monday, 1966
- IEP 710 -- Early Otis Redding
- IEP 711 -- Z. Z. Hill / Intentions: Gimmie Gimmie (**Sue** subsidiary)
### LPs of the 1960s {#lps_of_the_1960s}
For LPs the label chose the prefix **ILP** (meaning: Island Long Player) with a number of three figures beginning with **900**, later supplemented by **ILPS** (meaning: Island Long Player Stereo) to distinguish between Mono and Stereo records. Some records were issued in both forms. For those records in stereo, the catalogue number was changed by adding a fourth figure (e.g.: ILP 970 was the mono equivalent of ILPS 9070).
#### ILP/ILPS series {#ilpilps_series}
- ILP 901 -- Keith and Enid: *Keith and Enid Sing*, 1964
the above was the only Island LP released with a black and silver \'flaming sun\' label. All following Island LPs had the white and red \'flaming sun\' label. The Sue label LPs were incorporated into the island numerical system, and had the yellow and red \'bow tie\' labels.
- ILP 902 -- The Mighty Sparrow: *The Slave*, 1964
- ILP 903 -- Derrick Morgan: *Forward March*, 1964
- ILP 904 -- Silver Stars Steel Band: *Silver Stars Steel Band*, 1964
- ILP 905 -- Bryon Lee & The Dragonaires: *Caribbean Joyride*, 1964
- ILP 906 -- Jackie Edwards: *The Most Of Wilfred Jackie Edwards*, 1964
- ILP 907 -- Jimmy McGriff: *I\'ve Got A Woman* (Sue label), 1964
- ILP 908 -- Jimmy McGriff: *Gospel Time* (Sue label), 1964
- ILP 909 -- Ernest Ranglin: *Wranglin*\', 1964
- ILP 910 -- V.A.: *This Is Blue Beat*, 1964
- ILP 911 -- Inez and Charlie Foxx: *Mockingbird*, (Sue label) 1964
- ILP 912 -- Jackie Edwards: *Stand Up For Jesus*, 1965
- ILP 913 -- The Soul Sisters: *The Soul Sisters*, (Sue label) 1965
- ILP 914 -- V.A.: *The Birth of Ska*, 1962 (Unreleased UK version of Treasure Isle LP, White Label only)
- ILP 915 -- Ernest Ranglin: *Reflections*, 1965
- ILP 916 -- Vagabonds: *The Fabulous Vagabonds*, 1965
- ILP 917 -- Huey Piano Smith & The Clowns: *Rockin\' Pneumonia & The Boogie Woogie Flu*, (Sue label) 1965
- ILP 918 -- Elmore James: *The Best of Elmore James*, (Sue label) 1965
- ILP 919 -- V.A.: *Pure Blues Vol. 1*, (Sue label) 1965
- ILP 920 -- V.A.: *50 Minutes 24 Seconds Of Recorded Dynamite* (Sue label), 1965
- ILP 921 -- V.A.: *We Sing The Blues* (Sue Label), 1965
- ILP 922 -- Larry Williams: *On Stage*, (Sue label) 1965
- ILP 923 -- The Blues Busters: *Behold*, 1965
- ILP 924 -- Lee Dorsey: *The Best of Lee Dorsey*, 1965
- ILP 925 -- V.A.: *The Sue Story!*, 1965
- ILP 926 -- Harold McNair: *Affectionate Fink*, 1965
- ILP 927 -- Elmore James: *Memorial Album*, (Sue label) 1965
- ILP 928 -- Derrick Harriott: *The Best Of: Vol. 1*, 1965
- ILP 929 -- Billie Holiday: *Last Live Recording*, 1965 (UK sleeves printed but album released on Sonet Records)
- ILP 930 -- V.A.: *Ska At The Jamaican Playboy Club*, 1966
- ILP 931 -- Jackie Edwards: *Come On Home*, 1965/1966
- ILP 932 -- Charlie Hyatt: *Kiss Me Neck*, 1966
- ILP 933 -- Various: *The Sue Story Vol. 2*, (Sue label) 1966
- ILP 934 -- V.A.: *Soul \'66*, 1966
- ILP 935 -- Billy Preston: *The Most Exciting Organ Ever* (Sue label), ca. 1965
- ILP 936 -- Jackie Edwards: *The Best of Jackie Edwards*, 1966
- ILP 937 -- The Righteous Brothers: *In Action*, (Sue label), 1966
- ILP 938 -- V.A.: *The Sue Story Vol. 3*, (Sue label) 1966
- ILP 939 -- John Foster: *John Foster Sings*, 1966
- ILP 940 -- Jackie Edwards: *By Demand*, 1966
- ILP 941 -- Jackie Edwards/Millie Small: *Pledging My Love*, 1966
- ILP 942 -- Robert Parker: *Barefootin*\', 1966
- ILP 943 -- V.A.: *Doctor Soul*, 1966
- ILP 944 -- Wynder K Frog: *Sunshine Superfrog*, 1966
- ILP 945 -- Various: *Pakistani Soul Session*, 1966
- ILP 946 -- Ray Barretto: *El Watusi*, 1966
- ILP 947 -- The Settlers: *Early Settlers*, 1966
- ILP 948 -- V.A.: *Club Ska \'67*, 1967
- ILP 949 -- Barbara Lynn: *Barbara Lynn Story*, 1967
- ILP 950 -- The Wallace Brothers: *Soul Connection*, (Sue label) 1967
- ILP 951 -- Bob & Earl: *Harlem Shuffle*, (Sue label) 1967
At this point, Island introduced the first of three pink label designs. These next releases had the first pink label, with an orange and black \'eyeball\' logo on the left, unless otherwise indicated:
- ILP 952 -- John Martyn: *London Conversation*, 1967
- ILP 953 -- Millie Small: *The Best of ..*, 1967
- ILP 954 -- V.A.: *Dr. Kitch*, (only on the red/white label) 1967
- ILP 955 -- Derrick Harriott: *Rock Steady Party*, 1967
- ILP 956 -- V.A.: *Club Ska \'67*, (W.I.R.L.-label) 1967
- ILP 957 -- Hopeton Lewis: *Take It Easy*, 1967
- ILP 958 -- V.A.: *Duke Reid\'s Rock Steady*, 1967 (Trojan Records, Orange Label)
- ILP 959/ILPS 9059 -- Nirvana: *The Story of Simon Simopath*, 1967
- ILP 960/ILPS 9060 -- Jackie Edwards: *Premature Golden Sands*, 1967
- ILP 961/ILPS 9061 -- Traffic: *Mr. Fantasy*, 1967
- ILP 962 -- Jimmy Cliff: *Hard Road To Travel*, 1967
- ILP 963 -- Jackie Edwards and Millie Small: *The Best Of, Vol. 2*, 1967
- ILP 964 -- V.A.: *Club Soul*, 1967
- ILP 965 -- V.A. *Club Rock Steady*, 1967
- ILP 966/ILPS 9066 -- V.A.: *British Blue-Eyed Soul*, 1967
- ILP 967 -- Art: *Supernatural Fairy Tales*, 1967
- ILP 968 -- Joyce Bond: *Soul And Ska*, 1967
- ILP 969 -- Lynn Taitt & The Jets: *Sounds Rocksteady*, 1967
- ILP 970/ILPS 9070 -- The Spencer Davis Group: *The Best Of \...*, 1967
- ILP 971 -- Granville Williams Orchestra: *Hi-Life*, 1967
- ILP 972 -- Sonny Burke: *The Sounds Of \...*, 1967
- ILP 973 -- (not used)
- ILP 974 -- Bobby Bland: *A Touch Of The Blues*, 1967
- ILP 975 -- O.V. Wright: *8 Men, 4 Women*, 1967
- ILP 976 -- V.A.: *The Duke And The Peacock*, 1967
- ILP 977 -- V.A.: *Guy Steven\'s Testament Of Rock And Roll*, 1967
- ILP 978 -- V.A.: *Put It On, It\'s Rock Steady*, 1967/68
- ILPS 9079 -- Spontaneous Music Ensemble: *Karyobin Are The Imaginary Birds Said To Live In Paradise*, 1968 (Island/Hexagram label)
- ILPS 9080 -- Spooky Tooth: *It\'s All About*, 1968
- ILPS 9081 T- Traffic: *Traffic*, 1968
- ILPS 9082 -- Wynder K Frog: *Out of the Flying Pan*, 1968
- ILP 983 -- Derrick Harriott/The Crystallites: *The Best Of \...*, 1968
- ILP 984 -- The Merrymen: *Caribbean Treasure Chest*, 1968
- ILP 985/ILPS 9085 -- Jethro Tull: *This Was*, 1968 (mono withdrawn)
- ILP 986 -- V.A.: *Leaping With Mr. Lee*, 1968
- ILPS 9087 -- Nirvana: *All Of Us*, 1968
- ILPS 9088 -- Tramline: *Somewhere Down The Line*, 1968
- ILPS 9089 -- Free: *Tons of Sobs*, 1969;
- ILP 990 -- Derrick Morgan: *Derrick Morgan & Friends*, 1969
- ILPS 9091 -- John Martyn: *The Tumbler*, 1969
- ILPS 9092 -- Fairport Convention: *What We Did on Our Holidays*, 1969
- ILP 993 -- V.A.: *The Unfolding Of The Book Of Life (Volume One)*, 1969
At this point, monaural releases are discontinued. Releases below this text are in stereophonic only.
- ILPS 9094 -- V.A.: *British Blues Adventures Vol.1*, 1969 (France Only)
- ILPS 9095 -- Tramline: *Moves Of Vegetable Centuries*, 1969
- ILPS 9096 -- Bama Winds: *Windy*, 1969
- ILPS 9097 -- Traffic: *Last Exit*, 1969
- ILPS 9098 -- Spooky Tooth: *Spooky Two*, 1969
- ILPS 9099 -- White Noise: *An Electric Storm*, 1969
- ILPS 9100 -- Clouds: *Scrapbook*, 1969
- ILPS 9101 -- Blodwyn Pig: *Ahead Rings Out*, 1969
At this point, Island introduced the second pink label. It is known as the \'black block\' label, as it featured a thick, block-like letter i at the bottom, dotted by a black eyeball in the centre of the label. This was very quickly replaced by the third pink label, featuring a small white letter i logo. Due to variations in catalogue number assignation and the actual release dates of the records, there is a small cross-over period between the three pink label designs. The original label designs for the following LPs are detailed in parentheses.
- ILPS 9102 -- Fairport Convention: *Unhalfbricking*, 1969 (black block label)
- ILPS 9103 -- Jethro Tull: *Stand Up*, 1969 (eyeball label)
- ILPS 9104 -- Free: *Free*, 1969 (white i label)
- ILPS 9105 -- Nick Drake: *Five Leaves Left*, 1969 (black block label)
- ILPS 9106 -- Dr. Strangely Strange: \"Kip of the Serenes\", 1969 (eyeball label)
All following LPs were originally issued on the third pink label, with \'white i\' logo.
- ILPS 9107 -- Spooky Tooth: *Ceremony*, 1969
- ILPS 9108 -- Mott the Hoople: *Mott the Hoople*, 1969
- ILPS 9109 -- V.A.: *British Blues Adventures Vol.2*, 1969 (France Only)
- ILPS 9110 Q- Quintessence: *In Blissful Company*, 1969
- ILPS 9111 -- King Crimson: *In the Court of the Crimson King*, 1969
- ILPS 9112 -- Traffic: *Best of Traffic*, 1969
- ILPS 9113 -- John & Beverley Martyn: *Stormbringer!*, 1970
- ILPS 9114 -- Renaissance: *Renaissance*, 1969
- ILPS 9115 -- Fairport Convention: *Liege & Lief*, 1969
#### IWP/IWPS series {#iwpiwps_series}
During the same period Island Records released some sampler albums with the prefixes **IWP/IWPS**:
- IWPS 2 -- You Can All Join In, 1968
- IWP 3 -- *This Is Sue*
- IWPS 4 -- Jackie Edwards -- *Put Your Tears Away*
- IWP 5 -- *This Is Blues*
- IWPS 6 -- Nice Enough To Eat, 1969
## UK releases 1970s {#uk_releases_1970s}
### Singles in the 1970s {#singles_in_the_1970s}
#### Island WIP series {#island_wip_series_1}
The first release in 1970, WIP-6075, had the \"block\" label design, but the very next one, \"John The Baptist\" by John & Beverley Martyn, featured a third pink label design, characterised by a large white letter \"i\" on the left-hand side. This design was used for the remaining pink label issues, interrupted with increasing frequency by green Chrysalis label releases, as denoted in the listing below. Bronze label singles by artists such as Tony Hazzard and Uriah Heep began to appear in the Island listing from May 1971, for a couple of years until that label\'s own BRO- series was begun. An American record label, Blue Thumb, also released a small number of UK singles with WIP-series numbers in 1972/3. The one-off catalogue number WI-4002 was given to the flexi-single \"Let There Be Drums\" which came with the album *Rock On* by The Bunch in 1972.
In the second half of the decade the character of the label began to change and this is reflected in its singles releases from about 1976 onwards. There was a conscious move back towards the label\'s roots in Jamaican music in the form of commercial reggae aimed at the rock/pop audience. Names such as Bob Marley & the Wailers, Toots & the Maytals and Third World crop up in the listings with increasing frequency. They and others enjoyed considerable commercial success in the U.K. market. There is evidence too of an increasing number of one-off licensing deals featuring (mainly American) soul and R & B singers (e.g. Barbara Pennington and Betty Davis). Island also joined a growing trend amongst U.K.-based record companies at that time towards exploitation of its own back catalogue, and a substantial programme of reissues was undertaken, especially of ska and reggae titles, most of which seem to have been aimed at a small, specialist audience and did not enjoy widespread commercial success.
Also in 1976, another American record label, Shelter Records, began to issue U.K. singles through Island, which received WIP-series catalogue numbers. Artists included the Dwight Twilley Band, J.J. Cale and Tom Petty & the Heartbreakers, the last-named of whom enjoyed some success on the coat-tails of punk. Finally, the Black Swan label was reactivated for certain reggae-styled releases, some of which appeared with WIP-series numbers.
Some numbers were assigned to releases from outside of the United Kingdom; these are noted below.
(N.B. For reasons of continuity, this section of the discography also includes singles numbered in the WIP 6xxx series which were released between 1980 and 1983.)
- WIP-6075 -- Quintessence: \"Notting Hill Gate\" b/w \"Move Into The Light\", 1/1970
- WIP-6076 -- John & Beverley Martyn: \"John The Baptist\" b/w \"The Ocean\", 1/1970
- WIP 6077 -- Jethro Tull: \"The Witch\'s Promise\" b/w \"Teacher\", 16/1/1970 (green Chrysalis label, some in picture sleeve)
- WIP 6078 -- Blodwyn Pig: \"Same Old Story\" b/w \"Slow Down\", 1/1970 (green Chrysalis label)
- WIP 6079 -- Renaissance: \"Island\" b/w \"The Sea\", 1/1970
- WIP-6080 -- King Crimson: \"Cat Food\" b/w \"Groon\", 13/3/1970 (picture sleeve)
- WIP 6081 -- Jethro Tull: \"Inside\" b/w \"Alive And Well And Living In\", 24/4/1970 (green Chrysalis label)
- WIP-6082 -- Free: \"All Right Now\" b/w \"Mouthful of Grass\", 5/1970 (reissued in 1973 with same catalogue number, but \"pink rim\" labels
- WIP 6083 -- If: \"Raise The Level Of Your Conscious Mind\" b/w \"I\'m Reaching Out On All Sides\", 5/1970
- WIP 6084 -- Spooky Tooth: \"Nobody There At All\" b/w Art: \"Room With A View\", 6/1970 (withdrawn, white-label/promo copies exist)
- WIP-6085 -- Fotheringay: \"Peace In The End\" b/w \"Winter Winds\", 6/1970
- WIP-6086 -- Cat Stevens: \"Lady d\'Arbanville\" b/w \"Time/Fill My Eyes\", 6/1970 (some in picture sleeve, which miscredits b-side as \"Katmandu\")
- WIP-6087 -- Jimmy Cliff: \"Wild World\" b/w \"Be Aware\", 8/1970
- WIP 6088 -- High Broom: \"Dancing In The Moonlight\" b/w \"Percy\'s On The Run\", 8/1970
- WIP-6089 -- Fairport Convention: \"Now Be Thankful\" b/w \"Sir B. McKenzie\'s Daughter\'s Lament For The 77th Mounted Lancers\' Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie\", 9/1970
WIP-6089 was the last single to be released with a pink label. The next single, WIP-6090 was on the Chrysalis label, but from the one after that, WIP 6091, the \"pink rim\" palm tree label was introduced.
- WIP 6090 -- Tír na Nóg: \"I\'m Happy To Be (On This Mountain) b/w Let My Love Grow, 10/1970 (green Chrysalis label)
- WIP 6091 -- The Alan Bown!: \"Pyramid\" b/w \"Crash Landing\", 10/1970
- WIP 6092 -- Cat Stevens: \"Father and Son\" b/w \"Moon Shadow\", 9/1970
- WIP-6093 -- Free: \"Stealer\" b/w \"Lying In The Sunshine\", 11/1970
- WIP 6094 -- Not released
- WIP 6095 -- Not released
- WIP 6096 -- Bronco: \"Lazy Now\" b/w \"A Matter Of Perspective\", 11/1970
- WIP 6097 -- Jimmy Cliff: \"Synthetic World\" b/w \"I Go To Pieces\", 12/1970
- WIP 6098 -- Jethro Tull: \"Lick Your Fingers Clean\" b/w \"Up To Me\" (number allocated but not released)
- WIP 6099 -- Not released
- WIP-6100 -- Free: \"My Brother Jake\" b/w \"Only My Soul\", 4/1971
- WIP 6101 -- Mike Heron: \"Call Me Diamond\" b/w \"Lady Wonder\", 5/1971 (some in picture sleeve)
- WIP-6102 -- Cat Stevens: \"Tuesday\'s Dead\" b/w \"Miles From Nowhere\", 9/1971
- WIP 6103 -- Jimmy Cliff: \"Goodbye Yesterday\" b/w \"Breakdown\", 5/1971
- WIP 6104 -- Richard Barnes: \"Coldwater Morning\" b/w \"Suddenly I Know\", 5/1971 (Bronze label)
- WIP-6105 -- Mott the Hoople: \"Midnight Lady\" b/w \"The Debt\", 7/1971 (picture sleeve)
- WIP 6106 -- Jethro Tull: \"Life Is A Long Song\" EP (\"Life Is A Long Song\"/\"Up The Pool\" b/w \"Dr. Bogenbroom\"/\"From Later\"/\"Nursie\"), 19/9/1971 (green Chrysalis label, picture sleeve)
- WIP 6108 -- Paladin: \"Anyway\" b/w \"Giving All My Love\", 7/1971 (Bronze label)
- WIP 6109 -- Luther Grosvenor: \"Here Comes The Queen\" b/w \"Heavy Day\", 9/1971
- WIP 6110 -- Jimmy Cliff: \"Sitting In Limbo\" b/w \"The Bigger They Come The Harder They Fall\", 8/1971
- WIP 6111 -- Uriah Heep: \"Look At Yourself\" b/w \"Simon The Bullet Freak\", 9/1971 (Bronze label)
- WIP-6112 -- Mott the Hoople: \"Downtown\" b/w \"Home\", 9/1971
- WIP 6113 -- Tony Hazzard: \"Woman In The West\" b/w \"Hangover Blues\", 1971 (Bronze label)
- WIP 6115 -- Heads Hands & Feet: \"Warming Up The Band\" b/w \"Silver Mine\", 11/1971
- WIP 6116 -- John Martyn: \"May You Never\" b/w \"Just Now\", 11/1971
- WIP 6117 -- Not released
- WIP 6118 -- Not released
- WIP-6119 -- Mountain: \"Roll Over Beethoven\" b/w \"Crossroader\", 12/1971
- WIP-6120 -- The Sutherland Brothers Band: \"The Pie\" b/w \"Long Long Day\", 1/1972 (picture sleeve)
- WIP 6121 -- Cat Stevens: \"Morning Has Broken\" b/w I Want To Live In A Wigwam, 1/1972
- WIP 6122 -- Claire Hamill: \"When I Was A Child\" b/w \"Alice In The Streets Of Darlington\", 1/1972 (picture sleeve)
- WIP 6123 -- Tony Hazzard: \"Blue Movie Man\" b/w \"Abbot of the Vale\", 1/1972 (Bronze label)
- WIP 6124 -- Luther Grosvenor: \"All The People\" b/w \"Waiting\", 2/1972
- WIP-6125 -- Vinegar Joe: \"Never Met A Dog (That Took To Me)\" b/w \"Speed Queen of Ventura\", 2/1972
- WIP 6126 -- Uriah Heep: \"The Wizard\" b/w \"Gypsy\", 3/1972 (Bronze label)
- WIP 6127 -- Jim Capaldi: \"Eve\" b/w \"Going Down Slow All The Way\", 3/1972
- WIP-6128 -- Fairport Convention: \"John Lee\" b/w \"The Time Is Near\", 2/1972 (picture sleeve)
- WIP-6129 -- Free: \"Little Bit Of Love\" b/w \"Sail On\", 5/1972
- WIP 6130 -- The Bunch: \"When Will I Be Loved\" b/w \"Willie and the Hand Jive\", 4/1972
- WIP 6131 -- Mike McGear: \"Woman\" b/w \"Kill\", 4/1972
- WIP-6132 -- Jimmy Cliff and Jamaica: \"Trapped\" b/w \"Struggling Man\", 4/1972
- WIP 6133 -- Claire Hamill: \"Baseball Blues\" b/w \"Smile Your Blues Away\", 5/1972
- WIP 6134 -- Not released
- WIP 6135 -- Not released
- WIP-6136 -- The Sutherland Brothers Band: \"Sailing\" b/w \"Who\'s Crying Now\", 1972
- WIP 6137 -- Not released
- WIP 6138 -- Picture sleeve exists bearing this catalogue number with details of the next entry (i.e. Jimmy Cliff: \"The Harder They Come\" b/w \"Many Rivers To Cross\") -- see <http://www.45cat.com/record/wip6139>
- WIP-6139 -- Jimmy Cliff: \"The Harder They Come\" b/w \"Many Rivers To Cross\", 7/1972
- WIP 6140 -- Uriah Heep: \"Easy Livin\'\" b/w \"Why\", 7/1972 (Bronze label)
- WIP-6141 -- \"Pass of Arms\" EP (soundtrack), feat. Sandy Denny: \"Here In Silence\" b/w \"Man Of Iron\" plus poem \"Strange Meeting\" read by Christopher Logue, 9/1972 (picture sleeve)
- WIP 6142 -- Sandy Denny: \"Listen, Listen\" b/w \"Tomorrow Is a Long Time\", 10/1972
- WIP 6143 -- The Crusaders: \"Put It Where You Want It\" b/w \"Mosadi Woman\", 1/1973 (Blue Thumb label)
- WIP-6144 -- Roxy Music: \"Virginia Plain\" b/w \"The Numberer\", 8/1972
- WIP-6145 -- The Incredible String Band: \"Black Jack David\" b/w \"Moon Hang Low\", 11/1972
- WIP-6146 -- Free: \"Wishing Well\" b/w \"Let Me Show You\", 12/1972
- WIP 6147 -- Sutherland Brothers: \"Lady Like You\" b/w \"Annie\", 1972
- WIP 6148 -- Vinegar Joe: \"Rock \'N\' Roll Gypsies\" b/w \"So Long\", 11/1972
- WIP 6149 -- Hackensack: \"Moving On\" b/w \"River Boat\", 12/1972
- WIP 6150 -- Not released
- WIP 6151 -- P.C. Plod: \"W.P.C. Hodges\" b/w \"B Side Yourself With Plod\", 24/11/1972 (die-cut picture sleeve. P.C. Plod was John Gorman of The Scaffold -- see next entry.)
- WIP 6151 -- John Gorman: \"W.P.C. Hodges\" b/w \"I Remember\", 11/5/1973 (reissue of previous entry with different b-side)
- WIP 6152 -- Cat Stevens: \"Can\'t Keep It In\" b/w \"Crab Dance\", 11/1972 (also pressed with later \"orange palm\" label)
- WIP 6153 -- Amazing Blondel -- \"Alleluia (Cantus Firmus To Counterpoint)\" b/w \"Safety In God Alone\", 12/1972
- WIP 6154 -- Claire Hamill: \"Speedbreaker\" b/w \"The Artist\", 2/1973
- WIP-6155 -- Fairport Convention: \"Rosie\" b/w \"Knights Of The Road\", 1/1973
- WIP 6156 -- Mark Allain: \"Be Mine\" b/w \"Best Friend\", 1/1973
- WIP-6157 -- Sutherland Brothers and Quiver: \"(I Don\'t Want to Love You But) You Got Me Anyway\" b/w \"Not Fade Away\", 2/1973
- WIP 6158 -- The Incredible String Band: \"At The Lighthouse Dance\" b/w \"Jigs\", 2/1973
- WIP 6159 -- Roxy Music: \"Pyjamarama\" b/w \"The Pride And The Pain\", 2/1973
- WIP.6160 -- Free: \"Travellin\' In Style\" b/w \"Easy On My Soul\", 3/1973
- WIP 6161 -- Rabbit: \"Broken Arrows\" b/w \"Blues My Guitar\", 4/1973
- WIP 6162 -- A Foot in Coldwater: \"(Isn\'t Love Unkind) In My Life\" b/w \"Deep Freeze\", 3/1973
- WIP 6163 -- Cat Stevens: \"The Hurt\" b/w \"Silent Sunlight\", 7/1973
- WIP 6164 -- The Wailers: \"Concrete Jungle\" b/w \"Reincarnation Soul\", 6/1973
- WIP 6165 -- Jim Capaldi: \"Tricky Dicky Rides Again\" b/w \"Oh How We Danced\", 6/1973
- WIP 6166 -- Not released
- WIP 6167 -- The Wailers: \"Get Up, Stand Up\" b/w \"Slave Driver\", 9/1973
- WIP 6168 -- Spooky Tooth: \"All Sewn Up\" b/w \"As Long As The World Keeps Turning\", 10/1973
- WIP 6169 -- Jimmy Cliff: \"Struggling Man\" b/w \"Many Rivers To Cross\", 1973
- WIP 6170 -- Bryan Ferry: \"A Hard Rain\'s A Gonna Fall\" b/w \"2HB\", 9/1973
- WIP 6171 -- The Pointer Sisters -- \"Yes We Can\" b/w \"Jada\", 11/1973 (Blue Thumb label)
- WIP.6173 -- Roxy Music: \"Street Life\" b/w \"Hula Kula\", 11/1973
- WIP 6174 -- Vinegar Joe: \"Black Smoke From The Calumet\" b/w \"Long Way Round\", 10/1973
- WIP 6175 -- Bryan Ferry: \"These Foolish Things\" b/w \"Chance Meeting\" (not issued)
- WIP.6176 -- Sandy Denny: \"Whispering Grass\" b/w \"Friends\", 11/1973 (some in picture sleeve)
- WIP.6177 -- Not released
- WIP.6178 -- Eno: \"Seven Deadly Finns\" b/w \"Later On\", 3/1974
- WIP 6179 -- The Heptones: \"Book Of Rules\" b/w \"Book Of Rules (version)\", 1973
- WIP 6180 -- Nirvana: \"Rainbow Chaser\" b/w \"Tiny Goddess\" (Reissue -- released 8/1976 on the \"orange palm\" label with picture sleeve in the \"Then!.. \...Now!\" series. Promo copies on \"pink rim\" label exist, suggesting that release was originally scheduled for an earlier date.)
- WIP 6181 -- Zap Pow: \"This Is Reggae Music\" b/w \"Break Down The Barriers\", 2/1974
- WIP.6182 -- Sutherland Brothers and Quiver: \"Dream Kid\" b/w \"Don\'t Mess Up\", 1/1974
- WIP 6183 -- Not released
- WIP 6184 -- Not released
- WIP 6185 -- Owen Gray: \"Jealous Guy\" b/w \"Please Don\'t Let Me Go\", 2/1974
- WIP.6186 -- Richard and Linda Thompson: \"I Want To See The Bright Lights Tonight\" b/w \"When I Get To The Border\", 1/1974
- WIP 6187 -- Elkie Brooks: \"Rescue Me\" b/w \"Sweet Nuthin\'s\", 2/1974
- WIP 6188 -- Bob Dylan: \"On A Night Like This\" b/w \"Forever Young\", 2/1974
- WIP 6189 -- King Crimson: \"The Night Watch\" b/w \"The Great Deceiver\", 2/1974
- WIP.6190 -- Cat Stevens: \"Oh Very Young\" b/w \"100 I Dream\", 3/1974
- WIP 6191 -- Bad Company: \"Can\'t Get Enough\" b/w \"Little Miss Fortune\", 5/1974
- WIP 6192 -- Tranquility: \"Midnight Fortune\" b/w \"One Day Lady\", 4/1974
- WIP 6193 -- Sparks: \"This Town Ain\'t Big Enough For Both Of Us\" b/w \"Barbecutie\", 4/1974
- WIP 6194 -- Kevin Ayers: \"The Up Song\" b/w \"Everybody\'s Sometime and Some People\'s All The Time Blues\", 4/1974
- WIP 6195 -- Sandy Denny: \"Like an Old Fashioned Waltz\" (release cancelled)
- WIP 6196 -- Bryan Ferry: \"The In Crowd\" b/w \"Chance Meeting\", 5/1974 (picture sleeve)
- WIP 6197 -- Andy Mackay: \"Ride Of The Valkyries\" b/w \"Time Regained\", 6/1974
- WIP 6198 -- Jim Capaldi: \"It\'s All Up to You\" b/w \"Whale Meat Again\", 6/1974
- WIP 6199 -- Traffic: \"Hole In My Shoe\" b/w \"Here We Go Round The Mulberry Bush\", 5/1974 (reissue)
- WIP 6200 -- Bryn Haworth: \"Grappenhall Rag\" b/w \"I Won\'t Lie (This Time)\", 1974
- WIP 6201 -- Kevin Ayers: \"After The Show\" b/w \"Thank You Very Much\", 7/1974
- WIP 6202 -- John Cale: \"The Man Who Couldn\'t Afford To Orgy\" b/w \"Sylvia Said\", 7/1974
- WIP 6203 -- Sparks: \"Amateur Hour\" b/w \"Lost And Found\", 7/1974
- WIP 6204 -- Not released
- WIP 6205 -- Bryan Ferry: \"Smoke Gets In Your Eyes\" b/w \"Another Time, Another Place\", 8/1974
- WIP.6206 -- Cat Stevens: \"Another Saturday Night\" b/w \"Home In The Sky\", 8/1974 (picture sleeve)
- WIP 6207 -- Traffic: \"Walking In The Wind\" b/w \"Walking In The Wind (Instrumental)\", 10/1974
- WIP.6208 -- Roxy Music: \"All I Want Is You\" b/w \"Your Application\'s Failed\", 10/1974
- WIP.6209 -- Sutherland Brothers and Quiver: \"Saviour In The Rain\" b/w \"Silver Sister\", 1974
- WIP 6210 -- Not released
- WIP 6211 -- Sparks: \"Never Turn Your Back On Mother Earth\" b/w \"Alabamy Right\", 10/1974 (picture sleeve)
- WIP 6212 -- Bob Marley & The Wailers: \"So Jah Seh\" b/w \"Natty Dread\", 1974 (reissued 6/1975 and repromoted with \"Natty Dread\" as the A-side, picture sleeve on reissue only)
- WIP 6213 -- Georgie Fame: \"Everlovin\' Woman\" b/w \"That Ol\' Rock\'n\'Roll\", 1974
- WIP 6214 -- Rik Kenton: \"Bungalow Love\" b/w \"Lay It On You\", 1974
- WIP 6215 -- Bob Dylan & The Band: \"It Ain\'t Me Babe\" b/w \"All Along The Watchtower\", 11/1974
- WIP 6216 -- Ronnie Lane: \"What Went Down (That Night With You)\" b/w \"Lovely\", 11/1974
- WIP 6217 -- Stonedelight: \"Reach Out For Me\" b/w \"Reach Out For Me (Version)\", 1/1975
- WIP 6218 -- Georgie Fame: \"Ali Shuffle\" b/w \"Round Two\", 12/1974
- WIP 6219 -- Not released
- WIP.6220 -- Richard and Linda Thompson: \"Hokey Pokey (The Ice Cream Song)\" b/w \"I\'ll Regret It All In The Morning\", 2/1975
- WIP.6221 -- Sparks: \"Something For The Girl With Everything\" b/w \"Marry Me\", 1/1975
- WIP 6222 -- Milk\'n\'Cookies: \"Little, Lost And Innocent\" b/w \"Good Friends\", 2/1975
- WIP 6223 -- Bad Company: \"Good Lovin\' Gone Bad\" b/w \"Whisky Bottle\", 3/1975
- WIP 6224 -- Art: \"What\'s That Sound (For What It\'s Worth)\" b/w Flying Anchors, 2/1975
- WIP 6225 -- Chris Spedding: \"My Bucket\'s Got a Hole in It\" b/w \"I Can\'t Boogie\", 2/1975
- WIP 6226 -- Augustus Pablo: \"King Tubby Meets The Rockers Uptown\" b/w Jacob Miller: \"Baby I Love You So\", 2/1975
- WIP 6227 -- The Jess Roden Band: \"Under Suspicion\" b/w \"Ferry Cross\", 3/1975
- WIP 6228 -- Dave & Ansil Collins: \"Gonna Keep On Trying Till I Win Your Love\" b/w \"Keep On Dubbing\", 3/1975
- WIP 6229 -- Ronnie Lane\'s Slim Chance: \"Brother Can You Spare A Dime?\" b/w \"Ain\'t No Lady\", 4/1975
- WIP 6230 -- Speedy Keen: \"Someone To Love\" b/w \"Fighting In The Streets\", 4/1975
- WIP 6231 -- Pete Wingfield: \"Eighteen With a Bullet\" b/w \"Shadow of a Doubt\", 6/1975 (Promo-only picture sleeve. Initial pressings with \"pink rim\" labels, later pressings with \"orange palm\" labels)
- WIP 6232 -- Mike Lesley: \"Come Together\" b/w \"Don\'t Be So Serious\", 5/1975
- WIP 6233 -- Eno: \"The Lion Sleeps Tonight (Wimoweh)\" b/w \"I\'ll Come Running (To Tie Your Shoes)\", 6/1975
- WIP 6234 -- Bryan Ferry: \"You Go To My Head\" b/w \"Re-make Re-model\", 6/1975
- WIP 6235 -- Peter Skellern: \"Hard Times\" b/w \"And Then You\'ll Fall\", 7/1975
- WIP 6236 -- Sparks: \"Get In The Swing\" b/w \"Profile\", 7/1975
- WIP 6237 -- Lorna Bennett: \"Breakfast In Bed\" b/w Scotty & Lorna Bennett: \"Skank In Bed\", 1975
- WIP 6238 -- Cat Stevens: \"Two Fine People\" b/w \"A Bad Penny\", 7/1975
- WIP 6239 -- Rudie Mowatt: \"Love You Baby\" b/w \"Backside (Dub)\", 1975
- WIP 6240 -- Bryn Haworth: \"Give All You\'ve Got To Give\" b/w \"Thank The Lord\", 7/1975
- WIP 6241 -- Fairport Convention: \"White Dress\" b/w \"Tears\", 7/1975
- WIP 6242 -- Bad Company: \"Feel Like Makin\' Love\" b/w \"Wild Fire Women\", 8/1975
- WIP 6243 -- Andy Mackay: \"Wild Weekend\" b/w \"Walking The Whippet\", 8/1975
- WIP 6244 -- Bob Marley & The Wailers: \"No Woman No Cry\" b/w \"Kinky Reggae\", 8/1975 (initial pressings with \"pink rim\" labels, later pressings with \"orange palm\" labels)
- WIP 6245 -- Pete Wingfield: \"A Whole Pot Of Jelly (For A Little Slice Of Toast)\" b/w \"Anytime\", 1975
WIP 6245 is believed to have been the last single released with \"pink rim\" labels as subsequent releases appeared with the \"orange & blue\" palm tree label (referred to in this listing as \"orange palm\").
- WIP 6246 -- Jim Capaldi: \"Love Hurts\" b/w \"Sugar Honey\", 10/1975
- WIP 6247 -- Speedy Keen: \"Bad Boys\" b/w \"Cold Hand Warm Gun\", 9/1975
- WIP 6248 -- Roxy Music: \"Love Is the Drug\" b/w \"Sultanesque\", 9/1975
- WIP 6249 -- Sparks: \"Looks, Looks, Looks\" b/w \"Pineapple\", 9/1975
- WIP 6250 -- Robert Palmer: \"Which Of Us Is The Fool\" b/w \"Get Outside\", 10/1975 (picture sleeve)
- WIP 6251 -- Not released
- WIP 6252 -- Murray Head: \"Say It Ain\'t So Joe\" b/w \"Don\'t Have To\", 10/1975 (A DJ Promo version of this single, featuring an edited version of \"Say It Ain\'t So\", was released in 1/1976.)
- WIP 6253 -- Nasty Pop: \"Crow\" b/w \"Gracie\", 1975
- WIP 6254 -- Joe South: \"To Have, To Hold And Let Go\" b/w \"Midnight Rainbows\", 10/1975
- WIP 6255 -- Betty Davis: \"Shut Off The Light\" b/w \"He Was A Big Freak\", 10/1975
- WIP 6256 -- Third World: \"Railroad Track\" b/w \"Freedom Song\", 1975
- WIP 6257 -- The Chieftains: \"The Timpan Reel\" b/w \"Samhradh, Samhradh\", 11/1975
- WIP 6258 -- Ronnie Lane\'s Slim Chance: \"Don\'t Try\'n\'Change My Mind\" b/w \"Well Well Hello (The Party)\", 1/1976
- WIP 6259 -- Not released
- WIP 6260 -- Peter Skellern: \"Now That I Need You\" b/w \"I Guess You Wished You\'d Gone Home\", 1975
- WIP 6261 -- Justin Hinds & The Dominoes: \"Carry Go, Bring Come\" b/w \"Jezebel\", 28/11/1975
- WIP 6262 -- Roxy Music: \"Both Ends Burning\" b/w \"For Your Pleasure\", 12/1975
- WIP 6263 -- Bad Company: \"Run With The Pack\" b/w \"Do Right By Your Woman\", 3/1976
- WIP 6264 -- Burning Spear: \"Old Marcus Garvey\" b/w \"Tradition\", 1/1976
- WIP 6265 -- Bob Marley & The Wailers: \"Jah Live\" b/w \"Concrete Jungle (live)\", 1/1976
- WIP 6266 -- The Heptones: \"Country Boy\" b/w \"Love Won\'t Come Easy\", 1/1976
- WIP 6267 -- War: \"Low Rider\" b/w \"So\", 1/1976
- WIP 6268 -- The Chieftains: \"Mna Na H Eireann (Women of Ireland)\" b/w \"The Morning Dew\", 1/1976
- WIP 6269 -- Toots & the Maytals: \"Reggae Got Soul\" b/w \"Dog War\", 2/1976
- WIP 6270 -- Eddie and the Hot Rods: \"Writing On The Wall\" b/w \"Cruisin\' (In The Lincoln)\", 2/1976
- WIP 6271 -- Kevin Ayers: \"Falling In Love Again\" b/w \"Everyone Knows The Song\", 2/1976
- WIP 6272 -- Robert Palmer: \"Gimme An Inch\" b/w \"Pressure Drop\", 2/1976
- WIP 6273 -- Jay Dee Bryant: \"Standing Ovation For Love\" b/w \"I Want To Thank You Baby\", 1976
- WIP 6274 -- King Crimson: \"21st Century Schizoid Man\" b/w \"Epitaph\", 2/1976 (picture sleeve)
- WIP 6275 -- Tyrone Taylor: \"Extra, Extra\" b/w \"Life Table Turning\", 1976
- WIP 6276 -- Cat Stevens: \"Banapple Gas\" b/w \"Ghost Town\", 3/1976
- WIP 6277 -- Zap-Pow: \"This Is Reggae Music\" b/w \"Break Down The Barriers\", 3/1976
- WIP 6278 -- Swamp Dogg: \"The Mind Does The Dancing While The Body Pulls The Strings\" (edited version) b/w (long version), 1976
- WIP 6279 -- Georgie Fame: \"Yes Honestly\" b/w \"Lily\", 3/1976
- WIP 6280 -- Barbara Pennington: \"Running In Another Direction\" b/w \"Running Away\", 1976
- WIP 6281 -- The Heptones: \"Mama Say\" b/w \"Love Won\'t Come Easy\", 2/1976
- WIP 6282 -- Sparks: \"I Want to Hold Your Hand\" b/w \"England\", 3/1976 (promo only?)
- WIP 6282 -- Sparks: \"I Want To Hold Your Hand\" b/w \"Under The Table With Her\", 1976 (promo only?)
- WIP 6283 -- Max Romeo & The Upsetters: \"War In A Babylon\" b/w \"Revelation Dub\", 3/1976
- WIP 6284 -- Ken LaRue: \"Peepin\' Juke Box\" b/w \"Peepin\'\", 5/3/1976
- WIP 6285 -- Jackie Edwards: \"Come On Home\" b/w \"I Feel So Bad\", 4/1976
- WIP 6286 -- The Jess Roden Band: \"You Can Leave Your Hat On\" b/w \"On A Winner With You\", 3/1976
- WIP 6287 -- Eddie Jobson: \"Yesterday Boulevard\" b/w \"On A Still Night\", 3/1976
- WIP 6289 -- War: \"Why Can\'t We Be Friends?\" b/w \"In Mazatlan\", 3/1976
- WIP 6290 -- Leon Russell: \"Tight Rope\" b/w \"This Masquerade\", 1/1977
- WIP 6291 -- Trevor White: \"Crazy Kids\" b/w \"Movin\' In The Right Direction\", 6/1976
- WIP 6292 -- The Dodgers: \"Don\'t Let Me Be Wrong\" b/w \"Get To You\", 4/1976
- WIP 6293 -- Rock Follies: \"Glenn Miller Is Missing\" b/w \"Talking Pictures\", 3/1977
- WIP 6294 -- Burning Spear: \"Black Wa-Da-Da (Invasion) (Dub version)\" b/w \"I And I Survive (Slavery Days)\" (Dub version), 12/3/1976 (Double A-side)
- WIP 6295 -- Righteous Foundation: \"Going Back To Ethiopia Zion\" b/w \"Zion\", 1976
- WIP 6296 -- Bob Marley & The Wailers: \"Johnny Was (Woman Hold Her Head And Cry)\" b/w \"Cry To Me\", 4/1976
- WIP 6297 -- Not released
- WIP 6298 -- Not released
- WIP 6299 -- Jim Capaldi: \"Talkin\' About My Baby\" b/w \"Still Talkin\'\", 4/1976
- WIP 6300 -- Peter Skellern: \"Oh What A Night For Love\" b/w \"Down In The Cellar\", 1976
- WIP 6301 -- Automatic Man: \"My Pearl\" b/w \"Wallflower\", 21/5/1976 (picture sleeve) (An edited version for radio play was also released.)
- WIP 6302 -- Not released
- WIP 6303 -- War: \"Me and Baby Brother\" b/w \"In Your Eyes\", 6/1976
- WIP 6304 -- Murray Head: \"Someone\'s Rocking My Dreamboat\" b/w \"She\'s Such A Drag\", 5/1976 (picture sleeve)
- WIP 6305 -- Max Romeo & The Upsetters: \"One Step Forward\" b/w \"One Step Dub\", 5/1976
- WIP 6306 -- Eddie and the Hot Rods: \"Wooly Bully\" b/w \"Horseplay (Weary Of The Schmalz)\", 6/1976 (picture sleeve)
- WIP 6307 -- Bryan Ferry: \"Let\'s Stick Together (Let\'s Work Together)\" b/w \"Sea Breezes\", 28/5/1976
- WIP 6308 -- Roxy Music: \"Do The Strand\" b/w \"War Brides\" (not released)
- WIP 6309 -- Bob Marley & The Wailers: \"Roots Rock Reggae\" b/w \"Them Belly Full (But We Hungry)\", 6/1976
- WIP 6310 -- Rock Follies: \"Sugar Mountain\" b/w \"War Brides\", 6/1976
- WIP 6311 -- Georgie Fame: \"Sweet Perfection\" b/w \"Thanking Heaven\", 6/1976
- WIP 6312 -- Aswad: \"Back To Africa\" b/w \"Africa\", 6/1976
- WIP 6313 -- Burning Spear: \"Man In The Hill\", 1976
- WIP 6314 -- Speedy Keen: \"Your Love\" b/w \"Heaven\", 1976
- WIP 6315 -- War: \"Summer\" b/w \"All Day Music\", 8/1976
- WIP 6316 -- Junior Murvin: \"Police and Thieves\" b/w \"Grumblin Dub\", 12/11/1976 (originally intended for release on 9/7/1976)
- WIP 6317 -- Toots & the Maytals: \"Funky Kingston\", 1977
- WIP 6318 -- The Spencer Davis Group: \"Gimme Some Loving\" b/w \"Gimme Some Loving \'76\", 8/1976 (\"Then!.. \...Now!\" picture sleeve)
- WIP 6319 -- Heads Hands and Feet: \"Warming Up The Band\" b/w \"Silver Mine\", 1976 (\"Then!.. \...Now!\" picture sleeve)
- WIP 6320 -- Bryan Ferry: \"The Price Of Love\" b/w \"Shame Shame Shame\", 1976 (Jukebox special issue of two songs from the \"Price of Love\" EP, IEP 1)
- WIP 6321 -- Dwight Twilley Band: \"I\'m On Fire\" b/w \"Did You See What Happened\", 1976 (Shelter label)
- WIP 6322 -- Not released
- WIP 6323 -- Peter Tosh: \"Legalise It\" (not released)
- WIP 6324 -- Gavin Christopher: \"Dance With Me\" (not released)
- WIP 6325 -- Heptones with The Upsetters: \"Sufferer\'s Time\" b/w \"Sufferer\'s Dub\", 1976
- WIP 6326 -- Lee Perry: \"Roast Fish & Corn Bread\" b/w Upsetters: \"Corn Fish Dub\", 8/1976
- WIP 6327 -- Justin Hinds & the Dominoes: \"Fire\" b/w \"Natty Take Over\", 8/1976
- WIP 6328 -- Scratch & The Upsetters: \"Three In One\" b/w \"Curly Dub\", 8/1976 (Scratch was Lee \"Scratch\" Perry)
- WIP 6329 -- Not released
- WIP 6330 -- Max Romeo: \"Chase The Devil\" b/w The Upsetters featuring Prince Jazzbo: \"Croaking Lizard\", 1976
- WIP 6331 -- Derek and Clive: \"Squatter and the Ant\" b/w \"Sex Crime\", 1976
- WIP 6332 -- Aaron Neville: \"Tell It Like It Is\" b/w \"Been So Wrong\", 1976
- WIP 6333 -- Eddie and the Hot Rods: \"96 Tears\" b/w \"Get Out Of Denver\", 9/1976 (Jukebox special issue of two songs from the \"Live at the Marquee\" EP, IEP 2)
- WIP 6334 -- Dillinger: \"Cokane In My Brain\" b/w \"Power Bank\", 1976
- WIP 6335 -- Julien Covey & the Machine: \"A Little Bit Hurt\" (not released)
- WIP 6336 -- Pete Wingfield: \"Bubbling Under\" b/w \"I Wanna Try\", 1976 (edited version of A-side)
- WIP 6337 -- Sparks: \"Big Boy\" b/w \"Fill \'Er Up\", 10/1976
- WIP 6338 -- Aswad: \"Three Babylon\" b/w \"Ire Woman\", 1976
- WIP 6339 -- J. J. Cale: \"Hey Baby\" b/w \"Magnolia\", 10/1976 (Shelter label)
- WIP 6340 -- War: \"The Cisco Kid\" b/w \"Beetles In The Bog\", 9/1976
- WIP 6341 -- Dwight Twilley Band: \"Could Be Love\" b/w \"Feeling In The Dark\", 1976 (Shelter label)
- WIP 6342 -- The Dodgers: \"Just Wanna Love You\" b/w \"Don\'t Know What You\'re Doing\", 10/1976 (number originally allotted to The Heptones with The Upsetters: \"Party Time\" -- not issued)
- WIP 6343 -- Not released
- WIP 6344 -- Lord Creator: \"Big Pussy Sally\" b/w The Upsetters: \"Big Pussy Dub\", 1976
- WIP 6345 -- Robert Palmer: \"Man Smart, Woman Smarter\" b/w \"From A Whisper To A Scream\", 10/1976
- WIP 6346 -- Burning Spear: \"Lion\" b/w \"Door Peep\", 10/1976
- WIP 6347 -- Bunny Wailer: \"Dream Land\" b/w \"Dream Land Dub\", 10/1976
- WIP 6348 -- Not released
- WIP 6349 -- Not released
- WIP 6350 -- Ultravox!: Proposed title unknown (not released)
- WIP 6351 -- Free: \"The Hunter\" b/w \"Worry\", 11/1976
- WIP 6352 -- Fay Bennett: \"Big Cockey Wally\" b/w The Upsetters: \"Big Cockey Dub\", 1976
- WIP 6353 -- Leroy Smart: \"Ballistic Affair\" b/w \"Ballistic Dub\", 1976
- WIP 6354 -- Eddie and the Hot Rods: \"Teenage Depression\" b/w \"Shake\", 11/1976 (picture sleeve)
- WIP 6355 -- Dillinger: \"Bionic Dread\" b/w \"Eastman Skank\", 1976 (Black Swan label)
- WIP 6356 -- Jah Lion: \"Soldier & Police War\" b/w Glen DaCosta: \"Magic Touch\", 1976
- WIP 6357 -- Sparks: \"I Like Girls\" b/w \"England\", 11/1976
- WIP 6358 -- The Jess Roden Band: \"Stay In Bed\" b/w \"Me And Crystal Eye\", 11/1976
- WIP 6359 -- War: \"Slippin\' into Darkness\" b/w \"Nappy Head\", 12/1976
- WIP 6360 -- The Goodies: \"Elizabeth Rules UK\" b/w \"Blowing Off\", 10/12/1976
- WIP 6361 -- The Dodgers: \"Down\" b/w \"Don\'t Know What You\'re Doing\", 12/1976
- WIP 6362 -- Rico/I Jah Man: \"Gan-jah\" (not released)
- WIP 6364 -- The Heptones: \"Party Time\" b/w \"Deceivers\", 1976
- WIP 6365 -- Leon Russell: \"Slipping Into Christmas\" b/w \"Christmas In Chicago\", 31/12/1976 (Shelter label)
- WIP 6366 -- J. J. Cale: \"Travelin\' Light\" b/w \"Cocaine\", 1/1977 (Shelter label)
- WIP 6367 -- Not released
- WIP 6368 -- Not released
- WIP 6369 -- Not released
- WIP 6370 -- Lee Perry & The Upsetters: \"Dreadlocks In Moonlight\" b/w \"Cut Throat\", 11/1976
- WIP 6371 -- Ras Midass: \"Kude A Bamba\" b/w \"Congo Dub\", 1976 (Black Swan label)
- WIP 6372 -- Not released
- WIP 6373 -- Michael Nesmith: \"Rio\" b/w \"Life, The Unsuspecting Captive\", 3/1977
- WIP 6374 -- Eddie and the Hot Rods: \"All I Need Is Money\" (not released)
- WIP 6375 -- Ultravox!: \"Dangerous Rhythm\" b/w \"My Sex\", 28/1/1977 (later pressings in picture sleeve)
- WIP 6376 -- Bob Marley & the Wailers: \"Smile Jamaica\" (not released)
- WIP 6377 -- Tom Petty and the Heartbreakers: \"American Girl\" b/w \"The Wild One, Forever\", 2/1977 (Shelter label)
- WIP 6378 -- Not released
- WIP 6379 -- Not released
- WIP 6380 -- Dillinger: \"Natty B.Sc.\" b/w \"Buckingham Palace\", 1977 (Black Swan label)
- WIP 6381 -- Bad Company: \"Everything I Need\" b/w \"Too Bad\", 18/2/1977 (picture sleeve)
- WIP 6382 -- Keble Drummond & The Cables: \"What Kind Of World\" b/w \"World Of Dub\", 1977 (Black Swan label)
- WIP 6383 -- Jim Capaldi: \"Goodbye My Love\" b/w \"Baby You\'re Not My Problem\", 3/1977
- WIP 6384 -- Georgie Fame: \"Daylight\" b/w \"Three Legged Mule\", 1977 (B-side credited to Georgie Fame & the Blue Flames)
- WIP 6385 -- John Martyn: \"Over The Hill\" b/w \"Head And Heart\", 2/1977
- WIP 6386 -- Wilton Place Street Band: \"Disco Lucy (I Love Lucy Theme)\" b/w \"You Don\'t Even Know Who We Are\", 1976
- WIP 6387 -- Cat Stevens: \"(Remember The Days Of The) Old School Yard\" b/w \"The Doves\", 3/6/1977 (picture sleeve)
- WIP 6388 -- Eddie and the Hot Rods: \"I Might Be Lying\" b/w \"Ignore Them (Always Crashing In The Same Bar)\", 15/4/1977 (picture sleeve)
- WIP 6389 -- Not released
- WIP 6390 -- Bob Marley & The Wailers: \"Exodus\" b/w \"Exodus (Dub)\", 6/1977
- WIP 6391 -- Sandy Denny: \"Candle in the Wind\" b/w \"Still Waters Run Deep\", 5/1977
- WIP 6392 -- Ultravox!: \"Young Savage\" b/w \"Slipaway\", 5/1977 (picture sleeve)
- WIP 6393 -- J.J. Cale: \"After Midnight\" b/w \"Bringing It Back\", 5/1977 (Shelter label)
- WIP 6394 -- Steve Winwood: \"Time Is Running Out\" b/w \"Penultimate Zone\", 6/1977
- WIP 6395 -- Jim Capaldi: \"Daughter Of The Night\" (not released)
- WIP 6396 -- Tom Petty and the Heartbreakers: \"Anything That\'s Rock \'n\' Roll\" b/w \"Fooled Again (I Don\'t Like It)\", 6/1977 (Shelter label)
- WIP 6397 -- Jimmy Cliff: \"You Can Get It If You Really Want\" b/w \"Many Rivers To Cross\", 5/1977
- WIP 6398 -- Michael Nesmith: \"Navajo Trail\" b/w \"Love\'s First Kiss\", 7/1977
- WIP 6399 -- Rico: \"Africa\" b/w \"Afro Dub\", 1977 (Black Swan label)
- WIP 6400 -- Not released
- WIP 6401 -- Rods: \"Do Anything You Wanna Do\" b/w \"Schoolgirl Love\", 29/7/1977 (picture sleeve)
- WIP 6402 -- Bob Marley & The Wailers: \"Waiting In Vain\" b/w \"Roots\", 7/1977
- WIP 6403 -- Tom Petty and the Heartbreakers: \"American Girl\" b/w \"Luna\", 7/1977 (Shelter label, picture sleeve)
- WIP 6404 -- Ultravox!: \"Rockwrok\" b/w \"Hiroshima Mon Amour\", 10/1977 (picture sleeve)
- WIP 6405 -- Keith Rowe: \"Groovy Situation\" b/w \"Groovy Dub\", 1977 (Black Swan label)
- WIP 6406 -- Jess Roden: \"Misty Roses\" b/w \"In Me Tonight\", 1977
- WIP 6407 -- Cat Stevens: \"Sweet Jamaica\" (not released)
- WIP 6408 -- The Dwight Twilley Band: \"Trying To Find My Baby\" b/w \"Rock And Roll\", 1977 (Shelter label)
- WIP 6409 -- Matthew Moore: \"Savannah\" b/w \"Moondew\", 1977 (Shelter label)
- WIP 6410 -- Bob Marley & the Wailers: \"Jamming\" b/w \"Punky Reggae Party\", 12/1977 (picture sleeve)
- WIP 6411 -- Eddie and the Hot Rods: \"Quit This Town\" b/w \"Distortion May Be Expected\", 12/1977 (picture sleeve)
- WIP 6413 -- Third World: \"96º in the Shade\" b/w \"Human Market Place\", 1977 (number originally allotted to Georgie Fame: \"To Be A Lover\" -- not released)
- WIP 6414 -- John Martyn: \"Dancing\" b/w \"Dealer (version)\", 1/1978
- WIP 6415 -- Grace Jones: \"La Vie En Rose\" b/w \"I Need A Man\", 12/1977
- WIP 6416 -- Dillinger: \"Cokane In My Brain\" b/w \"Buckingham Palace\" & \"Ragnampiza\", 1977 (Black Swan label)
- WIP 6417 -- Ultravox: \"Quirks\" b/w \"Modern Love (live)\", 1977
- WIP 6418 -- Robin Tyner & the Hot Rods: \"Till The Night Is Gone (Let\'s Rock)\" b/w \"Flipside Rock\", 12/1977
- WIP 6419 -- Jess Roden: \"The Hardest Blow\" b/w \"Woman Across The Water\", 1977
- WIP 6420 -- Bob Marley & The Wailers: \"Is This Love\" b/w \"Crisis (version)\", 2/1978 (picture sleeve)
- WIP 6421 -- Not released
- WIP 6422 -- Hi-Tension: \"Hi-Tension\" b/w \"Girl I Betcha\", 5/1978
- WIP 6423 -- Ian Gillan Band: \"Mad Elaine\" b/w \"Mercury High\", 1/1978
- WIP 6424 -- George Faith: \"I\'ve Got The Groove\" b/w \"Opportunity\", 1978
- WIP 6425 -- Robert Palmer: \"Every Kinda People\" b/w \"Keep In Touch\", 3/1978
- WIP 6426 -- Tom Petty & the Heartbreakers: \"I Need To Know\" b/w \"No Second Thoughts\", 6/1978 (Shelter label)
- WIP 6427 -- The Dwight Twilley Band: \"Twilley Don\'t Mind\" b/w \"Looking For The Magic\", 1978 (Shelter label)
- WIP 6428 -- Steel Pulse: \"Ku Klux Klan\" b/w \"Dub\", 1978 (picture sleeve)
- WIP 6429 -- Not released
- WIP 6430 -- Illusion: \"Madonna Blue\" b/w \"Everywhere You Go\", 1977 (picture sleeve)
- WIP 6431 -- Jimmy Lindsay: \"Easy\" b/w \"Easy (Dub)\", 1977 (12\": 12WIP 6431 also includes \"Prophecy\" by Fabian)
- WIP 6432 -- Not released
- WIP 6433 -- Automatics: \"Walking With The Radio On\" b/w \"Watch Her Now\" (not released)
- WIP 6434 -- J.J. Cale: \"I\'m A Gypsy Man\" b/w \"Cherry\", 2/1978 (Shelter label)
- WIP 6435 -- Not released
- WIP 6436 -- Lorna Bennett: \"Breakfast In Bed\" b/w \"Skank In Bed\", 10/3/1978 (reissue)
- WIP 6437 -- The Reaction: \"I Can\'t Resist\" b/w \"I Am A Case\", 6/1978 (picture sleeve)
- WIP 6438 -- Eddie & the Hot Rods: \"Life On The Line\" b/w \"Do Anything You Wanna Do (live)\", 3/1978 (picture sleeve)
- WIP 6439 -- Automatics: \"When The Tanks Roll Over Poland Again\" b/w \"Watch Her Now\", 1978 (picture sleeve)
- WIP 6440 -- Bob Marley & the Wailers: \"Satisfy My Soul\" b/w \"Smile Jamaica\", 5/1978 (picture sleeve)
- WIP 6441 -- Sheila Hylton: \"Don\'t Ask My Neighbour\" b/w \"Jam Down Rocker\", 1978 (picture sleeve)
- WIP 6442 -- Julien Covey & the Machine: \"A Little Bit Hurt\" b/w \"Sweet Bacon\", 1978 (reissue)
- WIP 6443 -- Not released
- WIP 6444 -- Not released
- WIP 6445 -- Robert Palmer: \"Best of Both Worlds\" b/w \"Where Can It Go?\", 21/7/1978 (picture sleeve)
- WIP 6445 -- Robert Palmer: \"Best of Both Worlds\" b/w \"Best of Both Worlds (Dub)\", 9/1978 (promo version of previous entry)
- WIP 6446 -- Hi Tension: \"British Hustle\" b/w \"Peace On Earth\", 8/1978
- WIP 6447 -- Jimmy Cliff: \"Many Rivers To Cross\" b/w The Melodians: \"Rivers Of Babylon\", 6/1978 (picture sleeve)
- WIP 6448 -- Arthur Louis: \"Knockin\' On Heaven\'s Door\" b/w \"The Dealer\", 1978
- WIP 6449 -- Steel Pulse: \"Prodigal Son\" b/w \"Prodigal Son (Dub)\", 6/1978 (picture sleeve)
- WIP 6450 -- Grace Jones: \"Do or Die\" b/w \"Comme Un Oiseau Qui S\'Envoie\", 7/1978 (picture sleeve)
- WIP 6451 -- Zap-Pow: \"Let\'s Fall In Love\" b/w \"Some Sweet Day\", 1978
- WIP 6452 -- Not released
- WIP 6453 -- Not released
- WIP 6454 -- Ultravox: \"Slow Motion\" b/w \"Dislocation\", 8/1978 (picture sleeve)
- WIP 6455 -- Tom Petty & the Heartbreakers: \"Listen To Her Heart\" b/w \"I Don\'t Know What To Say To You\", 9/1978 (Shelter label)
- WIP 6456 -- Sugar: \"Manhattan Fever\" b/w \"Manhattan\", 1978
- WIP 6457 -- Third World: \"Now That We\'ve Found Love\" b/w \"Night Heat\", 9/1978 (picture sleeve)
- WIP 6458 -- I Jah Man: \"Jah Heavy Load (Edited version)\" b/w \"I\'m A Levi (Edited version)\", 1978
- WIP 6459 -- Ultravox: \"Quiet Men\" b/w \"Cross Fade\", 10/1978 (picture sleeve)
- WIP 6460 -- Reaction: \"Telling You\" b/w \"Telling You Part 2\", 1978
- WIP 6461 -- Steel Pulse: \"Prediction\" b/w \"Handsworth Revolution (dub)\", 8/1978
- WIP 6462 -- Hi Tension: \"Autumn Love\" b/w \"Unspoken\", 1978
- WIP 6463 -- Not released
- WIP 6464 -- Eddie + Hot Rods: \"Media Messiahs\" b/w \"Horror Through Straightness\", 1/1979 (picture sleeve)
- WIP 6465 -- Cat Stevens: \"Last Love Song\" b/w \"Nascimento\", 2/1979
- WIP 6466 -- Cristina: \"Disco Clone\" b/w \"Disco \'O\'\", 11/1978 (ZE label)
- WIP 6467 -- The Reasons: \"Hard Day At The Office\" b/w \"Bright Baby Eyes\", 1978
- WIP 6468 -- Not released
- WIP 6469 -- Third World: \"Cool Meditation\" b/w \"Cool Meditation (Part II)\", 12/1978
- 12WIP 6469 -- Third World: \"Cool Meditation\" b/w \"Journey To Addis\" (12\" single)
- WIP 6470 -- Toots & the Maytals: \"Take It From Me\" b/w \"Premature\", 1978
- WIP 6471 -- Not released
- WIP 6472 -- Inner Circle: \"Everything Is Great\" b/w \"Wanted Dead Or Alive\", 2/1979
- WIP 6473 -- Not released
- WIP 6474 -- Eddie + Hot Rods: \"Power And The Glory\" b/w \"Highlands One Hopefuls Two\", 3/1979 (picture sleeve)
- WIP 6475 -- Not released
- WIP 6476 -- Charlie Dore: \"Fear Of Flying\" b/w \"Sweetheart\", 1979 (picture sleeve)
- WIP 6477 -- Toots & the Maytals: \"Famine\" b/w \"Pass The Pipe\", 1978
- WIP 6478 -- Bob Marley & The Wailers: \"Stir It Up\" b/w \"Rat Race\", 1979 (withdrawn and replaced by following entry)
- 12WIP 6478 Bob Marley & The Wailers: \"Stir It Up (live)\" b/w \"War\" and \"No More Trouble\" (both live), 1979 (12\" single)
- WIP 6479 -- J.J. Cale: \"Katy, Kool Lady\" b/w Juan and Maria: \"Juarez Blues\", 6/1979 (Shelter label)
- WIP 6480 -- The Dwight Twilley Band: \"Out Of My Hands\" b/w \"Nothing\'s Ever Gonna Change So Fast\", 23/2/1979 (Shelter label, picture sleeve)
- WIP 6481 -- Robert Palmer: \"Bad Case Of Lovin\' You (Doctor, Doctor)\" b/w \"Love Can Run Faster\", 5/1979
- WIP 6482 -- Not released
- WIP 6483 -- Gibson Brothers: \"Cuba\" b/w \"Club version\", 3/1979
- WIP 6484 -- Phoebe Snow: \"Poetry Man\" b/w \"San Francisco Bay Blues\" (Shelter label)
- WIP 6485 -- Third World: \"One Cold Vibe\" b/w \"Feel A Little Better\" (picture sleeve)
- WIP 6486 -- Not released
- WIP 6487 -- Not released
- WIP 6488 -- Inner Circle: \"Stop Breaking My Heart\" b/w \"Sinners\", 5/1979
- 12XWIP 6489 -- Hi Tension: \"Funktified (long version)\" b/w \"Latin Inspiration\", 1979 (12\" single)
- WIP 6490 -- Steel Pulse: \"Sound System\" b/w \"Crampas Style\", 5/1979
- WIP 6491 -- Marianne Faithfull: \"The Ballad Of Lucy Jordan\" b/w \"Brain Drain\", 10/1979
- WIP 6492 -- Not released
- WIP 6493 -- Hi Tension: \"There\'s A Reason\" b/w \"If It Moves You\", 1979
- WIP 6494 -- Linton Kwesi Johnson: \"Want Fi Goh Rave\" b/w \"Reality Poem\", 5/1979
- WIP 6495 -- John Martyn: \"Johnny Too Bad\" b/w \"Johnny Too Bad (instrumental)\", 10/1980
- WIP 6496 -- Third World: \"Talk To Me\" b/w \"Talk To Me (Part 2)\", 6/1979 (picture sleeve)
- WIP 6497 -- Not released
- WIP 6498 -- Inner Circle: \"We \'A\' Rockers\" b/w \"We \'A\' Rockers (Part 2)\", 1979
- WIP 6499 -- American Standard Band: \"Got What It Takes\" b/w \"Children\'s Island\", 1979 (picture sleeve)
- 12XWIP 6500 -- Tumblack: \"Caraiba\" b/w \"Invocation\", 1979 (picture sleeve)
- WIP 6501 -- The Jags: \"Back Of My Hand\" b/w \"Double Vision\", 6/1979 (picture sleeve)
- 12XWIP 6502 -- Dwight Twilley Band: \"Dwight On White\" (6-track EP: \"I\'m On Fire\"/\"T.V.\"/\"Runaway\" b/w \"Looking For The Magic\"/\"Standin\' In The Shadow Of Love\"/\"Sleeping\"), 1979 (Shelter label, 12\" on white vinyl, picture sleeve)
- WIP 6503 -- Gibson Brothers: \"Ooh! What A Life\" b/w \"You\", 7/1979
- WIP 6504 -- U.S. of A.: \"2--1 (I Bet Ya)\" b/w \"2--1 (I Bet Ya) Instrumental Version\", 1979
- WIP 6505 -- The Slits: \"Typical Girls\" b/w \"I Heard It Through The Grapevine\", 9/1979
- WIP 6506 -- The B-52\'s: \"Rock Lobster\" b/w \"Running Around\", 7/1979
- WIP 6507 -- The In Crowd: \"Reggae Groove\", 1979
- WIP 6508 -- Not released
- WIP 6509 -- Not released
- WIP 6510 -- Bob Marley & The Wailers: \"So Much Trouble In The World\" b/w \"(instrumental)\" 11/1979
- WIP 6511 -- Not released
- WIP 6512 -- Not released
- WIP 6513 -- Not released
- WIP 6514 -- Roland Al & The Soul Brothers: \"Phoenix City\" b/w \"El Pussy Cat\", 1979
- WIP 6515 -- Robert Palmer: \"Jealous\" b/w \"Woman You\'re Wonderful\", 8/1979
- WIP 6516 -- Randy VanWarmer: \"Just When I Needed You Most\" b/w \"Your Light\", 7/1979 (Bearsville label)
- WIP 6517 -- Lone Ranger: \"Barnabas Collins\" b/w \"Part 2 Dub\", 1979
- WIP 6518 -- Serge Gainsbourg: \"Aux Armes Et Caetara\" b/w \"Daisy Temple\", 1979
- WIP 6519 -- Third World: \"Tonight For Me\" b/w \"Irie Ites\", 1979 (picture sleeve)
- WIP 6520 -- Dan-I: \"Monkey Chop\" b/w \"Roller (Do It) Boogie\", 1979
- WIP 6521 -- J.J. Cale: \"Katy, Kool Lady\" b/w \"Juarez Blues\", 8/1979 (Shelter label, picture sleeve) (Reissue of WIP 6479?)
- WIP 6522 -- Wailing Souls: \"Something Funny\" b/w Prince Jammy: \"Dub Funny Something\", 1979
- WIP 6523 -- Total Eclipse: \"You Got The Cooties\" b/w \"(Song from the book of) Astrology\", 9/1979 (Shelter label)
- WIP 6524 -- The Buggles: \"Video Killed the Radio Star\" b/w \"Kid Dynamo\", 9/1979
- WIP 6525 -- Gibson Brothers: \"Que Sera Mi Vida (If You Should Go)\" b/w \"Heaven\", 11/1979
- WIP 6526 -- Charlie Dore: \"Pilot Of The Airwaves\" b/w \"Falling\", 1979
- WIP 6527 -- The B-52\'s: \"6060-842\" b/w \"Hero Worship\", 9/1979
- WIP 6528 -- Linton Kwesi Johnson: \"Sonny\'s Lettah (Anti-Sus Poem)\" b/w \"Iron Bar Dub/Tek Chance/Funny Dub\", 9/1979
- WIP 6529 -- Vivian Weathers: \"Just A Game\" b/w \"Cheat Heart Dub\", 1979
- WIP 6530 -- 4\"Be2\": \"One Of The Lads\" b/w \"Ummbaba\", 1979 (picture sleeve)
- WIP 6531 -- The Jags: \"Woman\'s World\" b/w \"Dumb Blonde\", 1/1980 (picture sleeve)
- WIP 6532 -- Sparks: \"This Town Ain\'t Big Enough For The Both Of Us\" b/w \"Looks, Looks, Looks\", 9/1979 (reissue)
- WIP 6533 -- The Distractions: \"It Doesn\'t Bother Me\" b/w \"One Way Love\", 18/1/1980 (picture sleeve)
- 12WIP 6534 -- Third World: \"Story\'s Been Told\" b/w \"Always Around\", 11/1979 (unreleased on 7\", although promotional copies may exist with cat. no. WIP 6534)
- WIP 6535 -- Not released
- WIP 6536 -- Randy VanWarmer: \"Call Me\" b/w \"Forever Loving You\", 1979 (Bearsville label)
- WIP 6537 -- Inner Circle: \"New Age Music\" b/w Music Machine\", 7/1980
- WIP 6538 -- James Vane: \"Judy\'s Gone Down\" b/w \"Jung Lovers\", 9/1979 (picture sleeve))
- WIP 6539 -- Junior Murvin: \"Police and Thieves\" b/w Jah Lion: \"Soldier And Police War\", (12\": 12WIP 6539)
- WIP 6540 -- The Buggles: \"Living in the Plastic Age\" b/w \"Island\", 1/1980
- WIP 6541 -- Not released
- WIP 6542 -- Marianne Faithfull: \"Broken English\" b/w \"What\'s The Hurry\", 1/1980
- WIP 6543 -- Suicide: \"Dream Baby Dream\" b/w \"Radiation\", 11/1979; (12\": 12WIP 6543) (ZE label)
- WIP 6544 -- Toots & the Maytals: \"Chatty, Chatty\" b/w \"Turn It Up\", 1980
- WIP 6545 -- Brian Briggs: \"Nervous Breakdown\" b/w \"Lifer\", 11/1980 (Bearsville label)
- WIP 6546 -- Not released
- WIP 6547 -- John Martyn: \"Johnny Too Bad\" b/w \"Johnny Too Bad (Version)\", 10/1980
- WIP 6548 -- Not released
- WIP 6549 -- Robert Palmer: \"Can We Still Be Friends\" b/w \"Back In My Arms\", 11/1979
- WIP 6550 -- Killing Joke: \"Nervous System\" b/w \"Turn To Red\", 11/1979 (Malicious Damage label)
- 12WIP 6550 -- Killing Joke: \"Nervous System\" b/w \"Almost Red\" (12\" single -- see WIP 6550 for 7\" version)
- WIP 6551 -- The B-52\'s: \"Planet Claire\" b/w \"There\'s a Moon in the Sky (Called The Moon)\", 11/1979 (picture sleeve) (also released as a picture disc with catalogue no. PWIP 6551)
- WIP 6552 -- Not released
- WIP 6553 -- Bob Marley and the Wailers: \"Survival\" b/w \"Wake Up And Live\", 11/1979
- WIP 6554 -- Linton Kwesi Johnson: \"Di Black Petty Booshwah\" b/w \"Straight to Madray\'s Head\", 1980
- WIP 6555 -- Kim Fowley: \"1989: Waiting Around For The Next Ten Years\" b/w \"1987: Lost Like A Lizard In The Show\", 1/1980
- WIP 6556 -- Not released
- WIP 6557 -- Don Armando\'s Second Avenue Rhumba Band: \"I\'m An Indian Too\" b/w \"Deputy Of Love\", 1/1980; (ZE/Island label; 12\": 12WIP 6557; reissied 9/1982 with picture sleeve)
- WIP 6558 -- The Rivits: \"Look All You Like\" b/w \"Multiplay\", 8/1980
- WIP 6559 -- Norma Jean: \"High Society\" b/w \"Hold Me Lonely Boy\", 3/1980 (Bearsville label)
- WIP 6560 -- Cristina: \"Is That All There Is?\" b/w \"Jungle Love\", 1/1980 (ZE/Island label; picture sleeve; 12\": 12WIP 6560)
- WIP 6561 -- Gibson Brothers: \"Cuba\" b/w \"Better Do It Salsa\", 2/1980
- WIP 6562 -- Steel Pulse: \"Don\'t Give In\" b/w \"Don\'t Give In (Instrumental)\", 3/1980
- WIP 6563 -- Carlos Malcolm & the Afro-Caribs: \"Bonanza Ska\" b/w Desmond Dekker: \"Get Up Edina\" / Skatalites: \"Beardman Ska\", 1980
- WIP 6564 -- Davitt Sigerson: \"I Never Fall In Love\" b/w \"Cry For Love\", 7/1980 (ZE/Island label)
- WIP 6565 -- Not released
- WIP 6566 -- Not released
- WIP 6567 -- Not released
- WIP 6568 -- The Distractions: \"Boys Cry (Where No One Can See Them)\" b/w \"Paracetamol Paralysis\", 1980 (picture sleeve)
- WIP 6569 -- Cristina: \"Is That All There Is?\" b/w \"Jungle Love\", 1980
- WIP 6570 -- Not released
- WIP 6571 -- Invisible Man\'s Band: \"All Night Thing\" b/w Instrumental, 6/1980
- WIP 6572 -- Dan-I: \"Hidden Valley\" b/w \"Action\", 1980
- WIP 6573 -- Not released
- WIP 6574 -- Millie: \"My Boy Lollypop\" b/w \"Oh, Henry\" (picture sleeve; also 12\": 12WIP 6574)
- 12WIP 6575 -- Aswad: \"Rainbow Culture\" b/w \"Covenant (Dub)\", 1980
- WIP 6576 -- Charlie Dore: \"Where To Now\" b/w \"Fear Of Flying\", 1979?
- WIP 6577 -- Junior Tucker: \"One Of The Poorest People\" b/w \"Strong Love\", 1980
- WIP 6578 -- Not released
- WIP 6579 -- The B-52\'s: \"Give Me Back My Man\" b/w \"Strobe Light\", 7/1980
- WIP 6580 -- Justin Hinds & the Dominoes: \"Rub Up, Push Up\" b/w The Rulers: \"Copasetic\", 1980
- WIP 6581 -- Utopia: \"Set Me Free\" b/w \"Umbrella\", 3/1980 (Bearsville label)
- WIP 6582 -- Foghat: \"Third Time Lucky\" b/w \"Somebody\'s Been Sleepin\' In My Bed\", 3/1980 (Bearsville label, originally scheduled for release in 1979)
- WIP 6583 -- Not released
- WIP 6584 -- The Buggles: \"Clean Clean\" b/w \"Technopop\", 3/1980
- WIP 6585 -- Not released
- WIP 6586 -- Bernie Tormé: \"The Beat\", 1980 (3-track EP, p/s on pink vinyl)
- WIP-6587 -- The Jags: \"Party Games\" b/w \"She\'s So Considerate\", 1980
- WIP 6588 -- Not released
- WIP 6589 -- Steel Pulse: \"Caught You Dancing\" b/w \"Caught (dub version)\", 5/1980
- WIP 6590 -- Not released
- WIP 6591 -- Grace Jones: \"A Rolling Stone\" b/w \"Sinning\", 1980
- WIP 6592 -- Desmond Dekker: \"007 (Shanty Town)\" b/w Hopeton Lewis: \"Cool Collie\" / Derrick Morgan: \"Judge Dread In Court\", (re-issue of 1960s singles)
- WIP 6593 -- Toots & the Maytals: \"Just Like That\" b/w \"Gone With The Wind\", 1980
- WIP 6594 -- Cat Stevens: \"Morning Has Broken\" b/w \"Moonshadow\", 1980
- WIP 6595 -- King Sounds & Israelites: \"Patches\" b/w \"Happiness\", 1980
- WIP 6596 -- The Ethiopians: \"Train To Skaville\" b/w Roy Shirley: \"Hold Them\" and King Perry: \"Doctor Dick\", 1980
- WIP 6597 -- Bob Marley & The Wailers: \"Zimbabwe\" b/w \"Survival\", 3/1980 (picture sleeve)
- 12WIP 6598 -- Various Artists: \"The Secret Policeman\'s Ball -- The Music\", 1980
- 10WIP 6599 -- Bob & Earl: \"Harlem Shuffle\", Owen Gray: \"You Don\'t Know Like I Know\", Robert Parker: \"Let\'s Go Baby\" b/w Donnie Elbert: \"A Little Piece Of Leather\", Billy Preston: \"Billy\'s Bag\", Righteous Brothers: \"Justine\", 1980 (Sue label, overall title: \"Plundering The Archives Consignment No. 1\")
- WIP 6601 -- U2 \"11 O\'Clock Tick Tock\" b/w \"Touch\", 1980
- WIP 6602 -- Not released
- WIP 6603 -- Bo and the Generals: \"Rich Girl\" b/w \"I Know\", 1980
- WIP 6604 -- Steve Winwood: \"While You See a Chance\" b/w \"Vacant Chair\", 1980 (South African issue)
- WIP 6605 -- Grace Jones: \"Love Is the Drug\" b/w \"Sinning\", 1980 (Swedish issue)
- WIP 6606 -- Robert Palmer: \"Johnny and Mary\" b/w \"What\'s It Take\", 1981 (South African issue)
- WIP 6607 -- Not released
- WIP 6608 -- Not released
- WIP 6609 -- Vane: \"Glamorous Boys\" b/w \"Trails of Error\", 1980
- WIP 6610 -- Bob Marley & The Wailers: \"Could You Be Loved\" b/w \"One Drop\", 5/1980; *Could You Be Loved* (12\": 12WIP 6610)
- WIP 6611 -- Randy Vanwarmer: \"Whatever You Decide\" b/w \"Losing Out On Love\", 7/1980 (Bearsville label)
- WIP 6612 -- Junior Tucker: \"Some Guys Have All the Luck\" b/w \"Spinning Around\", 9/1980
- WIP 6613 -- Bob Marley and the Wailers: \"Is This Love\" b/w \"No Woman, No Cry\", 1981 (South African issue)
- WIP 6614 -- Basement 5: \"Silicon Chip\" b/w \"Chip Butty\", 5/1980 (picture sleeve)
- WIP 6615 -- Robert Parker: \"Barefootin\'\" b/w Julian Covey: \"A Little Bit Hurt\" and The Anglos: \"Incense\"
- 10WIP 6615 -- Robert Parker: \"Barefootin\'\", Julian Covey: \"A Little Bit Hurt\" and THe Soul Sisters: \"I Can\'t Stand It\" b/w The Anglos: \"Incense\", The Righteous Brothers: \"Little Latin Lupe Lu\" and Inez and Charlie Foxx: \"Hurt By Love\", 1980 (Sue label, *Plundering the Archives Consignment No. 2*
- WIP 6617 -- Gibson Brothers: \"Mariana\" b/w \"All I Want Is You\", 7/1980
- WIP 6618 -- Not released
- WIP 6619 -- Kid Creole & The Coconuts: \"Maladie d\'Amour\", 1980
- WIP 6620 -- Marianne Faithfull: \"Sweetheart\" b/w \"Over Here\", 1980 (South African issue)
- WIP 6621 -- Not released
- WIP 6622 -- Robert Palmer: \"Some Guys Have All the Luck\" b/w \"Too Good to Be True\", 1980 (South African issue)
- WIP 6623 -- Not released
- WIP 6624 -- The Buggles: \"Elstree\" b/w \"Johnny on the Monorail\", 11/1980
- WIP 6625 -- Not released
- 12WIP 6626 -- Black Uhuru: \"Sinsemilla\" b/w \"Guess Who\'s Coming to Dinner\", 7/1980
- WIP 6627 -- Not released
- WIP 6628 -- Not released
- WIP 6629 -- Grace Jones: \"Private Life\" b/w \"She\'s Lost Control\", 6/1980 (picture sleeve)
- WIP 6630 -- U2: \"A Day Without Me\" b/w \"Things To Make And Do\", 8/1980
- WIP 6631 -- The Strand: \"Can\'t Look Back\" b/w \"Prisoners in Paradise\", 1980
- WIP 6632 -- Joe Cocker and Jennifer Warnes: \"Up Where We Belong\" b/w Joe Cocker: \"Sweet Little Woman\", 1982 (South African issue)
- WIP 6633 -- Peech Boys: \"Life Is Something Special\" (vocal and instrumental), 1983 (South African issue)
- WIP 6634 -- Not released
- WIP 6635 -- Not released
- WIP 6636 -- Papa Michigan and General Smiley: \"One Love Jam Down\" b/w \"Dub Down\", 1980
- WIP 6637 -- Not released
- WIP 6638 -- Robert Palmer: \"Johnny and Mary\" b/w \"What\'s It Take\", 8/1980 (picture sleeve)
- WIP 6639 -- Not released
- WIP 6640 -- Gibson Brothers: \"Metropolis\" b/w \"Because I Love You\", 1980
- WIP 6641 -- Bob Marley & the Wailers: \"Three Little Birds\" b/w \"Every Need Got An Ego To Feed\", 8/1980 (Tuff Gong)
- WIP 6642 -- Invisible Man\'s Band: \"9 X\'s Out Of Ten\" b/w \"Love Can\'t Come Love Has Come\", 1980
- WIP 6643 -- Davitt Sigerson: \"Twist\" b/w \"Mood Piece\", 1980 (ZE label)
- WIP 6644 -- Galaxy: \"Dancing Tight\", 1983 (South African issue)
- WIP 6645 -- Grace Jones: \"The Hunter Gets Captured by the Game (LP version)\" b/w \"The Hunter Gets Captured by the Game (Part 2)\", 9/1980
- WIP 6646 -- Aswad featuring Tromie and Bami: \"Warrior Charge\" b/w \"Dub Charge\", 1980 (Grove Music)
- WIP 6647 -- Not released
- WIP 6648 -- Not released
- WIP 6649 -- Not released
- WIP 6650 -- The Distractions: \"Something for the Weekend\" b/w \"What\'s the Use?\", 1980
- WIP 6651 -- Robert Palmer: \"Looking for Clues\" b/w \"In Walks Love Again\", 11/1980 (picture sleeve)
- 12WIP 6651 -- Robert Palmer: \"Looking for Clues\" b/w \"Good Care of You\" and \"Style Kills\", 11/1980
- WIP 6653 -- Bob Marley & The Wailers: \"Redemption Song\" b/w \"Redemption Song\" (band version), 10/1980
- WIP 6654 -- Basement 5: \"Last White Christmas\" b/w \"Traffic Dub\", 12/1980
- WIP 6655 -- Steve Winwood: \"While You See A Chance\" b/w \"Vacant Chair\", 12/1980
- WIP 6656 -- U2: \"I Will Follow\" b/w \"Boy-Girl (live)\", 10/1980 (picture sleeve)
- WIP 6657 -- Not released
- WIP 6658 -- Not released
- WIP 6659 -- Gibson Brothers: \"Latin America\" b/w \"Latin America (instrumental version)\", 1980
- WIP 6660 -- Frankie Goes to Hollywood: \"Relax\" b/w \"Ferry Cross the Mersey\", 1984 (South African issue)
- WIP 6661 -- Not released
- WIP 6662 -- Not released
- WIP 6663 -- Toots and the Maytals: \"Monkey Man (Live)\" b/w \"Hallelujah (Live)\", 1980 (picture sleeve, *Live at the Palais* EP)
- WIP 6664 -- Brian Briggs: \"See You On The Other Side\" b/w \"Spy Vs Spy\", 3/1981 (Bearsville label)
- WIP 6665 -- The B-52\'s: \"Strobe Light\" b/w \"Dirty Back Road\", 1980 (picturev sleeve)
- WIP 6666 -- The Jags: \"I Never Was A Beachboy\" b/w \"Tune Into Heaven\", 1/1981 (picture sleeve)
- WIP 6667 -- Not released
- WIP 6668 -- Not released
- WIP 6669 -- Marina Del Ray: \"I Love A Shark\" b/w Sea Chicken: \"Lone Shark\", 1980
- WIP 6670 -- Judy Mowatt: \"My My People\" b/w \"Black Woman\", 30/1/1981
- WIP 6671 -- Sheila Hylton: \"The Bed\'s Too Big Without You\" b/w \"Give Me Your Love\", 1981
- 12WIP 6671 -- Sheila Hylton: \"The Bed\'s Too Big Without You (long version)\" b/w \"Give Me Your Love (long version)\", 1981
- WIP 6672 -- Manu Dibango: \"Happy Feeling\" b/w \"Gore City\", 6/2/1981
- WIP 6673 -- Grace Jones: \"Demolition Man\" b/w \"Warm Leatherette\", 2/1981
- WIP 6674 -- Plastics: \"Peace\" b/w \"Diamond Head\", 3/1981 (promo only?)
- WIP 6675 -- Junior Tucker: \"The Kick (Rock On)\" b/w Compass Point All Stars: \"Peanut Butter\", 9/2/1981
- WIP 6676 -- The Johnny Average Band featuring Nikki Wills: \"Ch Ch Cheri\" b/w \"Gotta Go Home\", 1981 (Bearsville label)
- WIP 6677 -- U2: \"Bad\" b/w \"A Sort of Homecoming\", 1985 (South African issue)
- WIP 6678 -- Robert Palmer: \"Not A Second Time\" b/w \"Woke Up Laughing\", 6/1981 (picture sleeve)
- WIP 6679 -- U2: \"Fire\" b/w \"J.Swallo\", 7/1981 (picture sleeve)
- WIP 6680 -- Steve Winwood: \"Spanish Dancer (remix)\" b/w \"Hold On\", 3/1981 (picture sleeve)
- WIP 6681 -- Not released
- WIP 6682 -- Not released
- WIP 6683 -- The Jags: \"The Sound Of G-O-O-D-B-Y-E\" b/w \"The Hurt\", 10/4/1981
- WIP 6684 -- Not released
- WIP 6685 -- Bunny Wailer: \"Dancing Shoes\" b/w \"Walk The Proud Land\", 12/6/1981
- WIP 6686 -- J.J. Cale: \"Carry On\" b/w \"Cloudy Day\", 3/1981 (Shelter label) (Promo copies had DJ suffix to catalogue number.)
- WIP 6687 -- Not released
- WIP 6688 -- Propaganda: \"Duel\" b/w \"Jewel\", 1985 (South African issue)
- WIP 6689 -- Jimmy Lindsay: \"Easy\" b/w \"Easy (dub)\", 2/1981 (reissue of WIP 6431)
- WIP 6690 -- Not released
- WIP 6691 -- Ultravox: \"Slow Motion\" / \"Quiet Men\" b/w \"Hiroshima Mon Amour\", 3/1981 (also issued as a double-pack with catalogue no. DWIP 6691 and additional track \"Dislocation\")
- WIP 6692 -- Toots and the Maytals: \"Papa Dee Mama Dear\" b/w \"Dilly Dally\", 1981
- WIP 6693 -- Aswad: \"Babylon\" b/w \"Explode\"
- WIP 6694 -- Tom Tom Club: \"Wordy Rappinghood\", 1981
- WIP 6695 -- Black Uhuru: \"Sponji Reggae\", 1981
- WIP 6696 -- Grace Jones: \"Pull Up To The Bumper\"
- WIP 6697 -- J. J. Cale: \"Mama Don\'t\" b/w \"What Did You Expect\", 1981 (Shelter label)
- WIP 6698 -- Aerial FX: \"Take It From Here\" b/w \"Somewhere\", 1981
- WIP 6699 -- Not released
- WIP 6700 -- Grace Jones: \"I\'ve Seen That Face Before (Libertango)\" (English and Spanish versions), 1981
- WIP 6701 -- Jah Wobble/Jaki Liebezeit/Holger Czuckay: \"How Much Are They?\"
- WIP 6702 -- Not released
- WIP 6703 -- Frankie Goes To Hollywood: \"Rage Hard\" b/w \"(Don\'t Lose What\'s Left) Of Your Little Mind\", 1986 (South African issue)
- WIP 6704 -- Gibson Brothers: \"Ooh! What A Life\" b/w \"Que Sera Mi Vida (If You Should Go)\", 1981
- WIP 6705 -- Hi-Tension: \"Hi-Tension\" b/w \"British Hustle\", 1981
- WIP 6706 -- Not released
- WIP 6707 -- Kid Creole and the Coconuts \'Live\': \"There But for the Grace of God Go I\" b/w \"He\'s Not Such a Bad Guy (After All)\", 1981 (ZE label)
- WIP 6708 -- Joe Cocker: \"Sweet Little Woman\" b/w \"Look What You\'ve Done\", 1982
- 12 WIP 6709 -- Was (Not Was): \"Out Come The Freaks\" b/w dub version, 1981 (ZE label)
- WIP 6710 -- Steve Winwood: \"Night Train\", 1981
- WIP 6711 -- Coati Mundi: \"Me No Pop I\" b/w \"Que Pasa\", 1981
- WIP 6712 -- Wailing Souls: \"Sweet Sugar Plum\", 1981
- WIP 6713 -- Material: \"Bustin\' Out\", 1981
- WIP 6714 -- Not released
- WIP 6715 -- Soul Syndicate: \"Natural Dub\" (not released)
- WIP 6716 -- Was (Not Was): \"Wheel me Out\"
- WIP 6717 -- Bits and Pieces: \"Don\'t Stop the Music\" b/w Sly and Robbie: \"Stampede\", 1981
- WIP 6718 -- John Martyn: \"Sweet Little Mystery\" b/w \"Johnny Too Bad\", 1981
- WIP 6719 -- Kid Creole and the Coconuts: \"Latin Music\" b/w \"Music Americana\", 1981
- WIP 6720 -- Pete Shelley: \"Homosapien\" b/w \"Keats\' Song\", 1981 (Genetic label)
- WIP 6720 -- Pete Shelley: \"Homosapien\" b/w \"Love In Vain\", 1982 (reissue with different b-side)
- WIP 6721 -- Down to Earth: \"Interference\" b/w \"Fear is the Thing\", 1981 (Genetic label)
- WIP 6722 -- Ryuichi Sakamoto: \"Warhead\" b/w \"Lexington Queen\", 1981
- WIP 6723 -- Not released
- WIP 6724 -- Prince Miller: \"Mule Train\", 1981
- WIP 6725 -- Alexei\'s Midnight Runners: \"Pop Up Toasters\" b/w The Outer Limits: \"Page 3 Girls\"/20th Century Coyote: \"I\'m Evil (Trouble)\", 1981
- WIP 6726 -- Not released
- WIP 6727 -- The B-52\'s: \"Give Me Back My Man\" b/w \"Party out of Bounds\" (instrumental), 1981
- WIP 6728 -- Kid Creole and the Coconuts: \"I Am\" b/w \"Darrio . . . Can You Get Me Into Studio 54?\", 1981
- WIP 6729 -- The New Philharmonia Orchestra: \"Reprise O Fortuna from \'Carmina Burana\' (Fortuna Imperatrix Mundi)\" b/w \"Prelude Act III \'Lohengrin\'\", 1981
- WIP 6730 -- Not released
- WIP 6731 -- Not released
- WIP 6732 -- Not released
- WIP 6733 -- U2: \"Gloria\", 10/1981
- WIP 6734 -- Pablo: \"Bo Mbanda\" b/w \"Ma Coco\", 1981
- WIP 6735 -- Tom Tom Club: \"Genius Of Love\" b/w \"Lorelei (Instrumental)\", 1981 (picture sleeve; also released as 12\" single with catalogue number 12WIP 6735)
- WIP 6736 -- The Portsmouth Sinfonia: \"Classical Muddly\" b/w \"Hallelujah Chorus\", 1981 (Springtime label)
- WIP 6737 -- Marianne Faithfull: \"Intrigue\" b/w \"For Beautie\'s Sake\", 1981
- WIP 6738 -- Toots and the Maytals: \"Beautiful Woman\", 1981
- WIP 6739 -- Grace Jones: \"Walking In The Rain\"
- WIP 6740 -- Pete Shelley: \"I Don\'t Know What It Is\", 1981
- WIP 6741 -- Not released
- WIP 6742 -- Mathematiques Modernes: \"Disco Rough\", b/w \"A + B = C\", 1981 (Celluoid label)
- WIP 6743 -- Not released
- WIP 6744 -- Alan Vega: \"Jukebox Babe\" b/w \"Lonely\", 1981 (Celluoid label)
- WIP 6745 -- Not released
- WIP 6746 -- Marianne Faithfull: \"Sweetheart\" b/w \"Strange One\", 1981 (Swedish issue)
- WIP 6747 -- Steve Winwood: \"There\'s a River\" b/w \"Two Way Stretch\", 12/1981
- WIP 6748 -- Alton Ellis: \"And I Love Her\" b/w \"Chatty People\", 1981
- WIP 6749 -- Not released
- WIP 6750 -- Cristina: \"Things Fall Apart\" b/w \"Disco Clone\", 1981
- WIP 6751 -- Not released
- WIP 6752 -- Marianne Faithfull: \"Sweetheart\" b/w \"Over Here\", 1981
- WIP 6753 -- Not released
- WIP 6754 -- Robert Palmer: \"Some Guys Have All the Luck\" b/w \"Too Good To Be True\", 1981 (also released as picture disc with catalogue number PWIP 6754)
- WIP 6755 -- Not released
- WIP 6756 -- Kid Creole & The Coconuts: \"I\'m A Wonderful Thing, Baby\" b/w \"Table Manners\", 1982 (Ze label, picture sleeve; also released as 12\" single with catalogue number 12WIP 6756 and picture disc with catalogue number PWIP 6756)
- WIP 6757 -- Gwen Guthrie: \"It Should Have Been You\" b/w \"God Don\'t Like Ugly\", 1982
- WIP 6758 -- Not released
- WIP 6759 -- Wally Badarou: \"Theme from *Countryman*\" b/w \"Revenge of Jah\", 1982
- WIP 6760 -- Not released
- WIP 6761 -- Not released
- WIP 6762 -- Tom Tom Club: \"Under the Boardwalk\" b/w \"On On On On\", 1982
- WIP 6763 -- The Waitresses: \"Christmas Wrapping\" b/w Charlelie Couture: \"Christmas Fever\", 1981 (ZE label)
- WIP 6764 -- Codek: \"Tim Toum\"
- WIP 6765 -- J Walter Negro & The Loose Joints: \"Shoot The Pump\", 1981
- WIP 6766 -- Not released
- WIP 6767 -- Hanna Schygulla and Peer Raben: \"Lili Marleen\" b/w \"Willie\'s Theme, Part 5\", 1982 (Metropolis label)
- WIP 6768 -- Alexei Sayle: \"\'Ullo John! Gotta New Motor?\", 1982
- WIP 6769 -- Cage featuring Nona Hendryx: \"Do What Ya Wanna Do\", 1982 (Metropolis label)
- WIP 6770 -- U2: \"A Celebration\", 3/1982
- WIP 6771 -- Not released
- WIP 6772 -- Pablo: \"Madeleina\" b/w \"Mbongo Mokonzi\", 1982
- WIP 6773 -- The Members: \"Radio\" b/w \"Can\'t Stand Up\", 1982 (Genetic label)
- WIP 6774 -- Bob Marley and the Wailers: \"Natural Mystic\" b/w \"Carry Us Beyond\", 1982
- WIP 6775 -- J.J. Cale: \"City Girls\" b/w \"One Step Ahead Of The Blues\", 3/1982 (Shelter label)
- WIP 6776 -- Was (Not Was): \"Tell Me That I\'m Dreaming\", 1982 (ZE label)
- WIP 6777 -- Dennis Brown: \"Sitting and Watching\" b/w Toots and the Maytals: \"Bam Bam\", 1982
- WIP 6778 -- Not released
- WIP 6779 -- Grace Jones: \"The Apple Stretching\" b/w \"Nipple To The Bottle\", 1982
- WIP 6780 -- Not released
- WIP 6781 -- Not released
- WIP 6782 -- George Nooks: \"We\'re in This Love Together\", 1982
- WIP 6783 -- Space: \"Magic Fly\" b/w \"Save Your Love for Me\", 1982 (Metropolis label)
- WIP 6784 -- Not released
- WIP 6785 -- Snuky Tate: \"He\'s The Groove\"
- WIP 6786 -- Steve Winwood: \"Still In The Game\" b/w \"Dust\", 1982
- WIP 6787 -- Black Uhuru: \"Darkness-Dubness\" b/w \"Dub of Eglington\", 1982 (10\" single)
- WIP 6788 -- Not released
- WIP 6789 -- Not released
- WIP 6790 -- Roy Alton: \"If You Want Me\", 1982
- WIP 6791 -- Not released
- WIP 6792 -- Judy Mowatt: \"Joseph\" b/w \"Down in the Valley\", 1982 (Grove label)
- WIP 6793 -- Kid Creole & The Coconuts: \"Stool Pigeon\", 1982
- WIP 6794 -- Not released
- WIP 6795 -- Not released
- WIP 6796 -- Not released
- WIP 6797 -- Raw Sex Pure Energy: \"Stop The War\" b/w \"Give Sheep A Chance\"
- WIP 6798 -- Not released
- WIP 6799 -- Not released
- WIP 6800 -- Gregory Isaacs: \"Night Nurse\", 1982
- 10 WIP 6800 -- Gregory Isaacs: \"Night Nurse\", 1982
- WIP 6801 -- Kid Creole And The Coconuts: \"Annie I\'m Not Your Daddy\"
- WIP 6802 -- Joe Cocker: \"Many Rivers to Cross\" b/w \"Talking Back to the Night\", 08/1982
- WIP 6803 -- Not released
- WIP 6804 -- Not released
- WIP 6805 -- Not released
- WIP 6806 -- Not released
- WIP 6807 -- Tony Tuff: \"Show On The Road\" b/w \"No More\", 1982 (Grove label)
- WIP 6808 -- Sweet Pea Atkinson: \"Don\'t Walk Away\" b/w \"Dance Or Die\", 1982 (Ze label)
- WIP 6809 -- Not released
- WIP 6810 -- Not released
- WIP 6811 -- Millie: \"Sweet William\" b/w \"Wings of a Dove\", 08/1982
- WIP 6812 -- Barry Reynolds: \"I Scare Myself\" b/w \"Till the Doctor Gets Back\", 08/1982
- WIP 6813 -- Not released
- WIP 6814 -- The Three Courgettes: \"Substitute\" b/w \"Get Off My Back\", 08/1982
- WIP 6815 -- Black Uhuru: \"Mondays\" b/w \"Right Stuff\", 1982
- WIP 6816 -- Not released
- WIP 6817 -- Not released
- WIP 6818 -- Steve Winwood: \"Valerie\" b/w \"Slowdown Sundown\", 09/1982
- WIP 6819 -- Joy: \"State of Independence\" b/w \"Pata Pata\", 08/1982
- WIP 6820 -- Not released
- WIP 6821 -- The Waitresses: \"ZE label)
- WIP 6822 -- Jah Wobble & Ben Mandelsohn: \"Body Music Moliki\"
- WIP 6823 -- Not released
- WIP 6824 -- Not released
- WIP 6825 -- Not released
- WIP 6826 -- King Sunny Ade & His African Beats: \"Ja Funmi\", 1982
- WIP 6827 -- Gwen Guthrie: \"For You (With a Melody Too) (Remix)\" b/w \"Peek a Boo (Remix)\", 10/1982
- WIP 6828 -- Gregory Isaacs: \"Cool Down the Pace\" b/w \"Cool Down the Dub\", 10/1982
- WIP 6829 -- Not released
- WIP 6830 -- Joe Cocker and Jennifer Warnes: \"Up Where We Belong\" b/w Joe Cocker: \"Sweet Little Woman\", 1982
- WIP 6831 -- Not released
- WIP 6832 -- Not released
- WIP 6833 -- Robert Palmer: \"Pride\", 1982
- WIP 6834 -- Not released
- WIP 6835 -- A Cha Cha at the Opera: \"A Cha Cha at the Opera (Disco Concerto)\" b/w \"Concerto No. 2\", 11/1982
- WIP 6836 -- Set The Tone: \"Dance Sucker\" b/w \"Let Loose\", 1982
- WIP 6837 -- Sweet Pea Atkinson: \"Someone Could Lose A Heart Tonight\"
- WIP 6838 -- Not released
- WIP 6839 -- Not released
- WIP 6840 -- Kid Creole And The Coconuts: \"Dear Addy\" b/w \"No Fish Today/Christmas On Riverside Drive\", 1982 (\"Christmas In B\'Dilli Bay\" EP)
- WIP 6841 -- Rita Marley: \"One Draw\", not released
- WIP 6842 -- Not released
- WIP 6843 -- Not released
- WIP 6844 -- Not released
- WIP 6845 -- Not released
- WIP 6846 -- Peech Boys: \"Life Is Something Special (Vocal)\" b/w \"Life Is Something Special (Special Edition)\", 1983
- WIP 6847 -- Not released
- WIP 6848 -- U2: \"New Year\'s Day\" b/w \"Treasure (Whatever Happened To Pete The Chop)\", 1/1983
- WIP 6849 -- Steve Winwood: \"Your Silence Is Your Song\" b/w \"Your Silence Is Your Song (Instrumental)\", 6/1983
#### IDS/IDJ series {#idsidj_series}
The IDS prefix stands for Island Disco Sampler. The series was used for pre-releases in the seconds half of the 1970s, white labels. IDJ was a limited edition series for related releases on the colourful Island label.
- IDS 19 -- Eddy Quansah Disco Sampler (12\"-single sided)
- IDJ 19 -- Eddy Quansah: Che Che Kulu (12\")
#### IPR series {#ipr_series}
These singles were released in the 12\" format during 1977 and 1978.
- IPR 2002 -- Rico: \"Dial Africa\" / \"Dial Dub\"
- IPR 2006 -- Rico: \"Ska Wars\" / \"Ramble\"
- IPR 2014 -- Yamashta Winwood & Shrieve: \"Crossing The Line\" b/w \"Winner/Loser\", 1978
- IPR 2016 -- Rico: \"Take Five\" / \"Soundcheck\"
- IPR 2030 -- Rico: \"Children Of Sanchez\" b/w \"You Really Got Me\" / \"Midnight In Ethiopia\"
#### Black Swan label {#black_swan_label}
Island released in 1976/1977 a small number of 12\" \"limited edition\" singles in a BS series
- BS 1 -- The Congoes: Congo Man / Congo Man Chant, 1977
- BS 2 -- George Faith: To Be A Lover / The Upsetters -- Rastaman Shuffle, 1977
- BS 3 -- George Faith: I\'ve Got the Groove / Diana, 1977
- BS 4 -- George Faith: Midnight Hour / Turn Back The Hands Of Time, 1977
- BS 5 -- George Faith: All The Love I\'ve Got / So Fine, 1977
- BS 6 -- Keith Rowe: Groovy Situation / Groovy Dub, 1977
- BS 7 -- Dillinger: Cocaine In My Brain // Buckingham Palace / Ragnampiza, 1976
- BS 8 -- Jimmy Lindsay: Easy / Fabian: Prophecy, 1977
- BS 9 -- Dillinger: Cokane In My Brain (Raggarave Mix)
- 7BSX 9 -- Dillinger -- Cokane In My Brain (Remix), 7\"
### LPs in the 1970s {#lps_in_the_1970s}
#### ILPS series {#ilps_series}
Following on from the 1960s releases, LPs were originally released with pink labels featuring the \'white i\' logo, except for the two Chrysalis albums (ILPS 9122/3), which had that company\'s green labels with butterfly logo. Possibly as a result of a pressing plant change, Jethro Tull\'s Chrysalis album *Benefit* was also pressed on the pink rim/palm tree Island label sometime between November 1970 (when that label design went into use) and July 1973 (when Tull\'s first four albums, including *Benefit*, were reissued in the Chrysalis CHR 1000 LP series).
Until late 1970 Island LPs were pressed by Polydor. Pressing was then switched to EMI Records before, in late 1975, moving to an unknown, budget manufacturer. EMI pressings can be identified by type-printed Matrix/catalogue numbers pressed into the spare vinyl around the label, whilst later pressings have hand written matrix numbers around label and tend to be pressed on lighter weight vinyl.
- ILPS 9116 -- Traffic: *John Barleycorn Must Die*, 1970
- ILPS 9117 -- Spooky Tooth: *The Last Puff*, 1970
- ILPS 9118 -- Cat Stevens: *Mona Bone Jakon*, 1970
- ILPS 9119 -- Mott the Hoople: *Mad Shadows*, 1970
- ILPS 9120 -- Free: *Fire and Water*, 1970
- ILPS 9121 -- not issued
- ILPS 9122 -- Blodwyn Pig: *Getting To This*, 1970 (Label: Chrysalis)
- ILPS 9123 -- Jethro Tull: *Benefit*, 1970 (Label: Chrysalis)
- ILPS 9124 -- Bronco: *Country Home*, 1970
- ILPS 9125 -- Fotheringay: *Fotheringay*, 1970
- ILPS 9126 -- McDonald & Giles: *McDonald and Giles*, 1970
- ILPS 9127 -- King Crimson: *In the Wake of Poseidon*, 1970
- ILPS 9128 -- Quintessence: *Quintessence*, 1970
- ILPS 9129 -- If: *If*, 1970
- ILPS 9130 -- Fairport Convention: *Full House*, 1970
The pink label was replaced by the \'pink rim/palm tree\' label at this point, but there was a small cross-over period. At the same time, Island changed its main pressing plants from those of Polydor to EMI.
- ILPS 9131 -- The Alan Bown: *Listen*, 1970 (pink rim/palm tree label)
- ILPS 9132 -- Emerson, Lake & Palmer: *Emerson, Lake & Palmer*, 1970 (pink label)
- ILPS 9133 -- John and Beverley Martyn: *The Road to Ruin*, 1970 (pink label)
- ILPS 9134 -- Nick Drake: *Bryter Layter*, 1970 (pink rim/palm tree label)
- ILPS 9135 -- Cat Stevens: *Tea for the Tillerman*, 1970 (pink label)
From this point, all Island releases featured the pink rim/palm tree label. ILPS series albums on the Blue Thumb, Bronze and Chrysalis labels used those labels\' designs.
- ILPS 9136 -- Amazing Blondel: *Evensong*, 1971
- ILPS 9137 -- If: *If 2*, 1971
- ILPS 9138 -- Free: *Highway*, 1970
- ILPS 9139 -- Renaissance: *Illusion*, 1971 (not released in the \*UK)
- ILPS 9140 -- The Incredible String Band: *Be Glad for the Song Has No Ending*, 1971
- ILPS 9141 -- King Crimson: *Lizard*, 1971
- ILPS 9142 -Uriah Heep: *\...Very \'Eavy \...Very \'Umble*, 1971 (Label: Bronze; -- original on Vertigo, 1970)
- ILPS 9143 -- Quintessence: *Dive Deep*, 1971
- ILPS 9144 -- Mott the Hoople: *Wild Life*, 1971
- ILPS 9145 -- Jethro Tull: *Aqualung*, 1971 (Label: Chrysalis)
- ILPS 9146 -- Mike Heron: *Smiling Men with Bad Reputations*, 1971
- ILPS 9147 -- Mick Abrahams: *A Musical Evening with Mick Abrahams* (Label: Chrysalis), 1971
- ILPS 9148 -- Mountain: *Nantucket Sleighride*, 1971
- ILPS 9149 -- Heads Hands & Feet: *Heads Hands & Feet*, 1971
- ILPS 9150 -- Paladin: *Paladin* (Label: Bronze), 1971
- ILPS 9151 -- Clouds: *Watercolour Days* (Label: Chrysalis), 1971
- ILPS 9152 -- Uriah Heep: *Salisbury*, 1971 (Label: Bronze; re-issue, Original on Vertigo)
- ILPS 9153 -- Tír na nÓg: *Tír na nÓg* (Label: Chrysalis), 1971
- ILPS 9154 -- Cat Stevens: *Teaser and the Firecat*, 1971
- ILPS 9155 -- Emerson, Lake & Palmer: *Tarkus*, 1971
- ILPS 9156 -- Amazing Blondel: *Fantasia Lindum*, 1971
- ILPS 9157 -- Juicy Lucy: *Get a Whiff of This*, (Label: Bronze), 1971
- ILPS 9158 -- Procol Harum: *Broken Barricades* (Label: Chrysalis), 1971
- ILPS 9159 -- Jimmy Cliff: Another Cycle, 1971
- ILPS 9160 -- Free: *Free Live!*, 1971
- ILPS 9161 -- Bronco: *Ace of Sunlight*, 1971
- ILPS 9162 -- Fairport Convention: *Angel Delight*, 1971
- ILPS 9163 -- The Alan Bown Set: *Stretching Out*, 1971
- ILPS 9164 -- War: *War*, 1971
- ILPS 9165 -- Sandy Denny: *The North Star Grassman and the Ravens*, 1971
- ILPS 9166 -- Traffic: *Welcome to the Canteen*, 1971 (Credited on labels and cover to Steve Winwood, Jim Capaldi, Dave Mason, Chris Wood, Rick Grech, \"Reebop\" Kwaku Baah, Jim Gordon; with the Traffic symbol, but not the band name)
- ILPS 9167 -- John Martyn: *Bless the Weather*, 1971
- ILPS 9168 -- Luther Grosvenor: *Under Open Skies*, 1971
- ILPS 9169 -- Uriah Heep: *Look at Yourself* (Label: Bronze), 1971
- ILPS 9170 -- Mike Harrison: *Mike Harrison*, 1971
- ILPS 9171 -- War: *The World Is a Ghetto*, 1971
- ILPS 9172 -- The Incredible String Band: *Liquid Acrobat as Regards the Air*, 1971
- ILPS 9173 -- Colosseum: *The Collector\'s Colosseum* (Label: Bronze), 1971
- ILPS 9174 -- Tony Hazzard: *Loadwater House*, (Label: Bronze), 1971
- ILPS 9175 -- King Crimson: *Islands*, 1971
- ILPS 9176 -- Fairport Convention: *\"Babbacombe\" Lee*, 1971
- ILPS 9177 -- War: *All Day Music*, 1971 (catalogue number originally assigned to Emerson, Lake & Palmer: Pictures at an Exhibition, the LP of which was released as HELP 1, but the 8-track of \"Pictures\...\" was released as Y8I 9177)
- ILPS 9178 -- Mott the Hoople: *Brain Capers*, 1971
- ILPS 9179 -- Mountain: *Flowers of Evil* (Live/Studio), 1971
- ILPS 9180 -- Traffic: *The Low Spark of High Heeled Boys*, 1971
- ILPS 9181 -- Sutherland Brothers: *The Sutherland Brothers Band*, 1972
- ILPS 9182 -- Claire Hamill: *One House Left Standing*, 1972
- ILPS 9183 -- Vinegar Joe: *Vinegar Joe*, 1972
- ILPS 9184 -- Nick Drake: *Pink Moon*, 1972
- ILPS 9185 -- Heads Hands & Feet: *Tracks*, 1972
- ILPS 9186 -- Emerson, Lake & Palmer: *Trilogy*, 1972
- ILPS 9186 -- Toots & the Maytals: Funky Kingston, 1972
- ILPS 9187 -- Jim Capaldi: *Oh How We Danced*, 1972
- ILPS 9188 -- Kossoff, Kirke, Tetsu and Rabbit: *Kossoff, Kirke, Tetsu and Rabbit*, 1972
- ILPS 9189 -- The Bunch: *Rock On*, 1972
- ILPS 9190 -- Paladin: *Charge!* (Label: Bronze), 1972
- ILPS 9191 -- Mike McGear: *Woman*, 1972
- ILPS 9192 -- Free: *Free at Last*, 1972
- ILPS 9193 -- Uriah Heep: *Demons and Wizards* (Label: Bronze), 1972;
- ILPS 9194 -- War: *Deliver the World*, 1972
- ILPS 9195 -- not issued
- ILPS 9196 -- Dick Heckstall-Smith: *A Story Ended* (Label: Bronze), 1972
- ILPS 9197 -- Richard Thompson: *Henry the Human Fly*, 1972
- ILPS 9198 -- Smith-Perkins-Smith: Smith-Perkins-Smith, 1972
- ILPS 9199 -- Mountain: *Mountain Live: The Road Goes Ever On*, 1972
##### ILPS 92.. {#ilps_92..}
- ILPS 9200 -- Roxy Music: *Roxy Music*, 1972
- ILPS 9201 -- The Persuasions: *Street Corner Symphony*, 1972 (Label: Blue Thumb)
- ILPS 9202 -- Soundtrack/V.A.: Jimmy Cliff In *The Harder They Come*, 1972
- ILPS 9203 -- Dave Mason: *Headkeeper* (Label: Blue Thumb), 1972
- ILPS 9204 -- Dan Hicks & The Hot Licks: *Striking It Rich* (Label: Blue Thumb), 1972
- ILPS 9205 -- Amazing Blondel: *England*, 1972
- ILPS 9206 -- Cat Stevens: *Catch Bull at Four*, 1972
- ILPS 9207 -- Sandy Denny: *Sandy*, 1972
- ILPS 9208 -- Fairport Convention: *Rosie*, 1972
- ILPS 9209 -- Mike Harrison: *Smokestack Lightning*, 1972
- ILPS 9210 -- Patto: *Roll \'em Smoke \'em Put Another Line Out*, 1972
- ILPS 9211 -- The Incredible String Band: *Earthspan*, 1972
- ILPS 9212 -- The Sutherland Brothers: *Lifeboat*, 1972
- ILPS 9213 -- Uriah Heep: *The Magician\'s Birthday* (Label: Bronze), 1972
- ILPS 9214 -- Vinegar Joe: *Rock & Roll Gypsies*, 1972
- ILPS 9215 -- Mott the Hoople: *Rock and Roll Queen*, 1972
- ILPS 9216 -- not issued
- ILPS 9217 -- Free: *Heartbreaker*, 1972
- ILPS 9218 -- The Crusaders: *The Crusaders*, 1972 (Label: Blue Thumb)
- ILPS 9219 -- Phil Upchurch: *Darkness Darkness* (2LP, Label: Blue Thumb), 1972
- ILPS 9220 -- Tempest: *Tempest* (Label: Bronze), 1972
- ILPS 9221 -- Mike Moran: *Fair Warning* (Label: Bronze), 1973
- ILPS 9222 -- Tony Hazzard: *Was That Alright Then* (Label: Bronze), 1972
- ILPS 9223 -- Ken Hensley: *Proud Words on a Dusty Shelf*, (Label: Bronze), 1973
- ILPS 9224 -- Traffic: *Shoot Out at the Fantasy Factory*, 1973
- ILPS 9225 -- Claire Hamill: *October*, 1973
- ILPS 9226 -- John Martyn: *Solid Air*, 1973
- ILPS 9227 -- Spooky Tooth: *You Broke My Heart So I Busted Your Jaw*, 1973
- ILPS 9228 -- Stomu Yamashta: Soundtrack From \"The Man From The East\", 1973
- ILPS 9229 -- Incredible String Band: *No Ruinous Feud*, 1973
- ILPS 9230 -- King Crimson: *Larks\' Tongues in Aspic*, 1973
- ILPS 9231 -- Toots & the Maytals: *In The Dark*, 1974
- ILPS 9232 -- Roxy Music: *For Your Pleasure*, 1973
- ILPS 9233 -- Sharks: *First Water*, 1973
- ILPS 9234 -- The Scaffold: *Fresh Liver*, 1973
- ILPS 9235 -- Jimmy Cliff: *Struggling Man*, 1973
- ILPS 9236 -- Mountain: *The Best of Mountain*, 1973
- ILPS 9237 -- Morning Glory: *Morning Glory*, 1973
- ILPS 9238 -- Rabbit: *Broken Arrows*, 1973
- ILPS 9239 -- not issued
- ILPS 9240 -- Cat Stevens: *Foreigner*, 1973
- ILPS 9241 -- The Wailers: *Catch a Fire*, 1973 (Original flip-top \"cigarette lighter\" cover credited to \"The Wailers\", later band photo cover credited to \"Bob Marley and The Wailers\")
- ILPS 9242 -- Stomu Yamashta: *Freedom Is Frightening*, 1973
- ILPS 9243 -- The Pointer Sisters: *The Pointer Sisters* (Label: Blue Thumb), 1973
- ILPS 9244 -- McGuinness Flint: *Rainbow* (Label: Bronze), 1973
- ILPS 9245 -- Uriah Heep: *Sweet Freedom*, (Label: Bronze), 1973
- ILPS 9246 -- Fairport Convention: *Nine*, 1973
- ILPS 9247 -- not issued (The Albion Country Band; material later released as HELP 25 in 1976/*Battle of the Field*)
- ILPS 9248 -- Grimms: *Rockin\' Duck*, 1973
- ILPS 9249 -- Bryan Ferry: *These Foolish Things*, 1973
- ILPS 9250 -- The Meters: *Cissy Strut*, 1974
- ILPS 9251 -- V.A.: *This Is Reggae Music*, 1973
- ILPS 9252 -- Roxy Music: *Stranded*, 1973
- ILPS 9253 -- John Martyn: *Inside Out*, 1973
- ILPS 9254 -- Jim Capaldi: *Whale Meat Again*, 1974
- ILPS 9255 -- Spooky Tooth: *Witness*, 1973
- ILPS 9256 -- The Wailers: *Burnin\'*, 1973
- ILPS 9257 -- Blondel: *Blondel*, 1973
- ILPS 9258 -- Sandy Denny: *Like an Old Fashioned Waltz*, 1973
- ILPS 9259 -- Sutherland Brothers & Quiver: *Dream Kid*, 1973
- ILPS 9260 -- Butts Band: *The Butts Band* (Label: Blue Thumb), 1973
- ILPS 9261 -- Bob Dylan: *Planet Waves*, 1974
- ILPS 9262 -- Vinegar Joe: *Six Star General*, 1973
- ILPS 9263 -- Kevin Ayers: *The Confessions of Dr. Dream and Other Stories*, 1974
- ILPS 9264 -- Paul Kossoff: *Back Street Crawler*, 1973
- ILPS 9265 -- Manfred Mann\'s Earth Band: *Solar Fire* (Label: Bronze), 1973
- ILPS 9266 -- Richard & Linda Thompson: *I Want to See the Bright Lights Tonight*, 1974
- ILPS 9267 -- Tempest: *Living In Fear*, (Label: Bronze), 1974
- ILPS 9268 -- Brian Eno: *Here Come the Warm Jets*, 1973
- ILPS 9269 -- Stomu Yamashta: *One By One*, 1974
- ILPS 9270 -- The Incredible String Band: *Hard Rope & Silken Twine*, 1974
- ILPS 9271 -- Sharks: *Jab It in Yore Eye*, 1974
- ILPS 9272 -- Sparks: *Kimono My House*, 1974
- ILPS 9273 -- Traffic: *When the Eagle Flies*, 1974
- ILPS 9274 -- Cat Stevens: *Buddha and the Chocolate Box*, 1974
- ILPS 9275 -- King Crimson: *Starless and Bible Black*, 1974
- ILPS 9276 -- The Pointer Sisters: *That\'s A Plenty* (Label: Blue Thumb), 1974
- ILPS 9277 -- not issued
- ILPS 9278 -- Andy Mackay: *In Search of Eddie Riff*, 1974 (reissued in 1975 with different track listing, but same catalogue number. 1975 version only one released in North America)
- ILPS 9279 -- Bad Company: *Bad Company*, 1974
- ILPS 9280 -- Uriah Heep: *Wonderworld* (Label: Bronze), 1974
- ILPS 9281 -- Bob Marley & The Wailers: *Natty Dread*, 1974
- ILPS 9282 -- Prelude: *After the Gold Rush* (North America edition and title of Dawn Records album *Dutch Courage*), 1974
- ILPS 9283 -- not issued
- ILPS 9284 -- Bryan Ferry: *Another Time, Another Place*, 1974
- ILPS 9285 -- Fairport Convention: *Fairport Live Convention*, 1975 (Called \"A Moveable Feast\" in North America)
- ILPS 9286 -- Jess Roden: *Jess Roden*, 1974
- ILPS 9287 -- Bryn Haworth: *Let the Days Go By*, 1974
- ILPS 9288 -- Sutherland Brothers & Quiver: *Beat of the Street*, 1974
- ILPS 9289 -- Rabbit: *Dark Saloon*, 1974
- ILPS 9290 -- Jade Warrior: *Floating World*, 1974
- ILPS 9291 -- Kevin Ayers, John Cale, Brian Eno and Nico: *June 1, 1974*, 1974
- ILPS 9292 -- Spooky Tooth: *The Mirror*, 1974 (for North America, issued in the UK as Goodear EAR 2001)
- ILPS 9293 -- Georgie Fame: *Georgie Fame*, 1974
- ILPS 9294 -- Robert Palmer: *Sneakin\' Sally Through the Alley*, 1974
- ILPS 9295 -- not issued
- ILPS 9296 -- John Martyn: *Sunday\'s Child*, 1974
- ILPS 9297 -- The Heptones: *Book Of Rules*, 1974
- ILPS 9298 -- Peter Cook & Dudley Moore: *Good Evening* 1974
- ILPS 9299 -- Swamp Dogg: *Have You Heard This Story*, 1975
##### ILPS 93.. {#ilps_93..}
- ILPS 9300 -- New World Electronic Chamber Orchestra: Switched On Beatles, 1974
- ILPS 9301 -- John Cale: Fear, 1974
- ILPS 9302 -- McGuinness Flint: *C\'est La Vie*, (Label: Bronze), 1974
- ILPS 9303 -- Roxy Music: *Country Life*, 1974
- ILPS 9304 -- Bad Company: *Straight Shooter*, 1975
- ILPS 9305 -- Richard & Linda Thompson: *Hokey Pokey*, 1974
- ILPS 9306 -- Manfred Mann\'s Earth Band: *The Good Earth* (Label: Bronze), 1974
- ILPS 9307 -- Ken Hensley: *Eager to Please* (1975) (Label: Bronze), 1974
- ILPS 9308 -- King Crimson: *Red*, 1974
- ILPS 9309 -- Brian Eno: *Taking Tiger Mountain*, 1974
- ILPS 9310 -- Cat Stevens: Greatest Hits, 1975
- ILPS 9311 -- Nico: *The End\...*, 1974
- ILPS 9312 -- Sparks: *Propaganda*, 1974
- ILPS 9313 -- Fairport Convention: *Rising for the Moon*, 1975
- ILPS 9314 -- Gene Pitney: Pitney \'75, (Label: Bronze), 1975
- ILPS 9315 -- Phil Manzanera: *Diamond Head*, 1975
- ILPS 9316 -- King Crimson: *USA* (Live), 1975
- ILPS 9317 -- John Cale: *Slow Dazzle*, 1975
- ILPS 9318 -- Jade Warrior: *Waves*, 1975
- ILPS 9319 -- Stomu Yamashta: Raindog, 1975
- ILPS 9320 -- Milk and Cookies: Milk and Cookies, 1975
- ILPS 9321 -- Ronnie Lane & Slim Chance: *Ronnie Lane\'s Slim Chance*, 1975
- ILPS 9322 -- Kevin Ayers: *Sweet Deceiver*, 1975
- ILPS 9323 -- Franco Battiato: Clic, 1975
- ILPS 9324 -- The Pasadena Roof Orchestra, 1974
- ILPS 9325 -- White Lightning: White Lightning, 1975
- ILPS 9326 -- Blackfoot: *No Reservation*, 1975
- ILPS 9327 -- V.A.: This Is Reggae Music Vol. 2, 1975
- ILPS 9328 -- Joe South: *Midnight Rainbow*, 1975
- ILPS 9329 -- Betty Davis: *Nasty Gal*, 1975
- ILPS 9330 -- Toots & the Maytals: *Funky Kingston*, 1975
- ILPS 9331 -- Fania All-Stars: *The Fania All-Stars*, 1975
- ILPS 9332 -- Bryn Haworth: *Sunny Side Of The Street*, 1975
- ILPS 9333 -- Pete Wingfield: *Breakfast Special*, 1975
- ILPS 9334 -- The Chieftains: *Chieftains V*, 1975
- ILPS 9335 -- Uriah Heep: *Return to Fantasy* (Label: Bronze), 1975
- ILPS 9336 -- Jim Capaldi: *Short Cut Draw Blood*, 1975
- ILPS 9337 -- Manfred Mann\'s Earth Band: *Nightingales and Bombers* (Label: Bronze), 1975
- ILPS 9338 -- Speedy Keen: *Y\'know Wot I Mean*, 1975
- ILPS 9339 -- not issued
- ILPS 9340 -- Nasty Pop: *Nasty Pop*, 1975
- ILPS 9341 -- not issued
- ILPS 9342 -- David Byron: *Take No Prisoners*, 1975
- ILPS 9343 -- John Martyn: *Live at Leeds*, 1975
- ILPS 9344 -- Roxy Music: *Siren*, 1975; [Collectable Records.ru](https://web.archive.org/web/20070918232055/http://www.collectable-records.ru/labels/E_M/Island/17.htm)
- ILPS 9345 -- Sparks: *Indiscreet*, 1975
- ILPS 9346 -- Bad Company: *Run with the Pack*, 1976; [Collectable Records.ru](https://web.archive.org/web/20070918185526/http://www.collectable-records.ru/labels/E_M/Island/35.htm)
- ILPS 9347 -- Murray Head: *Sooner Or Later (Say It Ain\'t So)*, 1975
- ILPS 9348 -- Richard & Linda Thompson: *Pour Down Like Silver*, 1975
- ILPS 9349 -- Jess Roden: *Keep Your Hat On*, 1976
- ILPS 9350 -- John Cale: *Helen of Troy*, 1975
- ILPS 9351 -- Brian Eno: *Another Green World*, 1975
- ILPS 9352 -- Peter Skellern: *Hard Times*, 1975
- ILPS 9353 -- Mike Gibbs: *Only Chrome Waterfall Orchestra* (Label: Bronze), 1975
- ILPS 9354 -- Paco de Lucia: *Paco*, 1975
- ILPS 9355 -- Osibisa: *Welcome Home* (Label: Bronze), 1975
- ILPS 9356 -- Colosseum II: *Strange New Flesh* (Label: Bronze), 1976
- ILPS 9357 -- Manfred Mann\'s Earth Band: *The Roaring Silence* (Label: Bronze), 1976
- ILPS 9358 -- Sutherland Brothers & Quiver: *Sailing*, 1976
- ILPS 9359 -- Mike Harrison: *Rainbow Rider*, 1976 (Cat. no. assigned -- recording issued on \'Goodear Records -- EAR 7002)
- ILPS 9360 -- The Wild Tchoupitoulas: *Wild Tchoupitoulas*, 1976
- ILPS 9361 -- Jorge Ben: *Samba Nova*, 1976
- ILPS 9362 -- Rock Follies: *Rock Follies*, 1976
- ILPS 9363 -- not issued
- ILPS 9364 -- The Chieftains: *The Chieftains 1*, 1976
- ILPS 9365 -- The Chieftains: *The Chieftains 2*, 1976
- ILPS 9366 -- Ronnie Lane & Slim Chance: *One for the Road*, 1976
- ILPS 9367 -- Bryan Ferry: *Let\'s Stick Together*, 1976; [Collectable Records.ru](https://web.archive.org/web/20070918232524/http://www.collectable-records.ru/labels/E_M/Island/23.htm)
- ILPS 9368 -- Spooky Tooth: *Best of Spooky Tooth*, 1976
- ILPS 9369 -- Third World: *Third World*, 1976
- ILPS 9370 -- Cat Stevens: Numbers (album), 1975; [Collectable Records.ru](https://web.archive.org/web/20070930014910/http://www.collectable-records.ru/labels/E_M/Island/38.htm)
- ILPS 9371 -- not issued
- ILPS 9372 -- Robert Palmer: *Pressure Drop*, 1975
- ILPS 9373 -- not issued
- ILPS 9374 -- Toots & the Maytals: *Reggae Got Soul*, 1976
- ILPS 9375 -- Uriah Heep: *Best of Uriah Heep* (Label: Bronze), 1975
- ILPS 9376 -- Bob Marley & The Wailers: *Live At The Lyceum*, 1976; [Collectable Records.ru](https://web.archive.org/web/20070919081517/http://www.collectable-records.ru/labels/E_M/Island/15.htm)
- ILPS 9377 -- Burning Spear: *Marcus Garvey*, 1975
- ILPS 9378 -- War: *Why Can\'t We Be Friends?*, 1976
- ILPS 9379 -- The Chieftains: *The Chieftains 3*, 1976
- ILPS 9380 -- The Chieftains: *Women Of Ireland* (The Chieftains 4), 1976
- ILPS 9381 -- The Heptones: *Night Food*, 1976
- ILPS 9382 -- Burning Spear: *Garvey\'s Ghost*, 1976
- ILPS 9383 -- Bob Marley & The Wailers: *Rastaman Vibration*, 1976
- ILPS 9384 -- Uriah Heep: *High and Mighty* (Label: Bronze), 1976
- ILPS 9385 -- Dillinger: *CB 200*, 1976
- ILPS 9386 -- Jah Lion: *Colombia Colly*, 1976
- ILPS 9387 -- Stomu Yamashta / Steve Winwood / Michael Shrieve: *Go*, 1976
- ILPS 9388 -- Bob Marley -- Rastaman Vibration
- ILPS 9389 -- Fairport featuring Dave Swarbrick: *Gottle O\'Geer*, 1976 (original UK credit -- credited to \"Fairport Convention\" in North America)
- ILPS 9390 -- Jorge Ben: *Tropical*, 1976
- ILPS 9391 -- V.A.: *This Is Reggae Music Vol. 3*, 1976
- ILPS 9392 -- Max Romeo: *War Ina Babylon*, 1976
- ILPS 9393 -- Jade Warrior: *Kites*, 1976
- ILPS 9394 -- Kabaka -- Son Of Africa
- ILPS 9395 -- High Cotton -- High Cotton
- ILPS 9396 -- Osamu Kitajima -- Benzaiten
- ILPS 9397 -- Automatic Man: *Automatic Man*, 1976
- ILPS 9398 -- Gavin Christopher: *Gavin Christopher*, 1976
- ILPS 9399 -- Aswad: *Aswad*, 1976
##### ILPS 94.. {#ilps_94..}
- ILPS 9400 -- Roxy Music: *Viva!*, 1976
- ILPS 9401 -- ILPS 9410 -- not issued
- ILPS 9411 -- Osibisa: *Ojah Awake*, (Label: Bronze) 1976
- ILPS 9412 -- Burning Spear: *Man In The Hills*, 1976
- ILPS 9413 -- War: *Greatest Hits*, 1977
- ILPS 9414 -- Jimmy Cliff: *Jimmy Cliff* (Erstveröff. 1969), 1976
- ILPS 9415 -- Bunny Wailer: *Blackheart Man*, 1976
- ILPS 9416 -- Justin Hinds: *Jezebel*, 1976
- ILPS 9417 -- Upsetters: *Super Ape*, 1976
- ILPS 9418 -- not issued
- ILPS 9419 -- James Montgomery Band: *James Montgomery Band*, 1976
- ILPS 9420 -- Robert Palmer: *Some People Can Do What They Like*, 1976
- ILPS 9421 -- Richard Thompson: *Live (More or Less)*, 1976
- ILPS 9422 -- David Pritchard: *Nocturnal Earthworm Stew/Bouillabaisse Nocturne Aux Vers De Terre*, 1976
- ILPS 9424 -- Various Artists (Allen Toussaint / Earl King / Robert Parker / Professor Longhair): *New Orleans -- Jazz and Heritage Festival 1976*, 1976
- ILPS 9425 -- Michael Nesmith: *Compilation*, 1977
- ILPS 9426 -- Osamu Kitajima: *Osamu*, 1977
- ILPS 9427 -- not issued
- ILPS 9428 -- Michael Nesmith: *The Prison*, 1977
- ILPS 9429 -- Automatic Man: *Visitors*, 1977
- ILPS 9430 -- not issued
- ILPS 9431 -- Burning Spear: *Dry & Heavy*, 1977
- ILPS 9432 -- The Chieftains: *Bonapartes Retreat*, 1977
- ILPS 9433 -- Sandy Denny: *Rendezvous*, 1977
- ILPS 9434 -- Derek and Clive: *Peter Cook & Dudley Moore Present Derek & Clive*, 1976
- ILPS 9435 -- ILPS 9438 -- not issued
- ILPS 9439 -- Michael Nesmith: *And the Hits Just Keep on Coming*, 1977; (originally released by another label in 1972)
- ILPS 9440 -- Michael Nesmith: *Pretty Much Your Standard Ranch Stash*, 1977; (originally released by another label in 1973)
- ILPS 9441 -- Bad Company: *Burnin\' Sky*, 1977
- ILPS 9442 -- Jess Roden: *Play It Dirtz Play It Class*, 1977
- ILPS 9443 -- Third World: *96 Degrees In The Shade*, 1977
- ILPS 9444 -- 801 -- *801 Live*, 1976
- ILPS 9445 -- Sparks: *Big Beat*, 1976
- ILPS 9446 -- Eddie Quansah: *CheCheKule*, 1977
- ILPS 9447 -- Fania All Stars: *Delicate And Jump*, 1976
- ILPS 9448 -- not issued
- ILPS 9449 -- Ultravox: *Ultravox!*, 1977
- ILPS 9450 -- American Standard Band (1979)
- ILPS 9451 -- Cat Stevens: *Izitso*
- ILPS 9452 -- The Goodies: *Nothing to Do with Us*, 1976
- ILPS 9453 -- Free: *Free \'n Easy, Rough \'n Ready*, 1977
- ILPS 9454 -- Booker Little -- *The Legendary Quartet Album*, 1977
- ILPS 9455 -- Dillinger: *Bionic Dread* (Black Swan label), 1976; [Tapir\'s Reggae Discography](http://www.xs4all.nl/~tapirs/blaswlp.htm)
- ILPS 9456 -- The Heptones: *Party Time*, 1977
- ILPS 9457 -- Eddie and the Hot Rods: *Teenage Depression*, 1976
- ILPS 9458 -- not issued
- ILPS 9459 -- John Cale: *Guts*, 1977
- ILPS 9460 -- Heron: *Diamond Of Dreams*, 1977
- ILPS 9461 -- Klaus Schulze: *Mirage*, 1977
- ILPS 9462 -- Kaleidoscope: *When Scopes Collide*, 1976
- ILPS 9463 -- not issued
- ILPS 9464 -- Max Romeo: *Reconstruction*, 1977
- ILPS 9465 -- ILPS 9469 -- not issued
- ILPS 9470 -- Grace Jones: *Portfolio*, 1977
- ILPS 9471 -- not issued
- ILPS 9472 -- not issued
- ILPS 9473 -- not issued
- ILPS 9474 -- Roomful Of Blues: *Roomful Of Blues*, 1977
- ILPS 9475 -- not issued
- ILPS 9476 -- Robert Palmer: *Double Fun*, 1978
- ILPS 9477 -- not issued
- ILPS 9478 -- Brian Eno: *Before And After Science*, 1977
- ILPS 9479 -- ILPS 9482 -- not issued
- ILPS 9483 -- Uriah Heep: *Firefly* (Label: Bronze), 1977
- ILPS 9484 -- John Martyn: *So Far So Good*, 1977
- ILPS 9485 -- Rico: *Man From Wareika*, 1977
- ILPS 9486 -- Michael Nesmith: *From a Radio Engine to the Photon Wing* (Label: Pacific Arts), 1977 (Catalogue number in North America was ILPA 9486)
- ILPS 9487 -- Georgie Fame: *Daylight*, 1977
- ILPS 9488 -- Paco De Lucia: *Almoraima*, 1977
- ILPS 9489 -- Illusion: *Out of the Mist*, 1977
- ILPS 9490 -- Rough Diamond: *Rough Diamond*, 1977
- ILPS 9491 -- Reebop Kwaku Baah & Ganoua: *Trance*, 1977
- ILPS 9492 -- John Martyn: *One World*, 1977
- ILPS 9493 -- Sparks: *The Best Of Sparks*, 1977
- ILPS 9494 -- Steve Winwood: *Steve Winwood*, 1977
- ILPS 9495 -- not issued
- ILPS 9496 -- Jess Roden: *Blowin´* (Live), 1977
- ILPS 9497 -- Jim Capaldi: *Play It by Ear*, 1977
- ILPS 9498 -- Bob Marley & The Wailers: *Exodus*, 1977
- ILPS 9499 -- Junior Murvin: *Police and Thieves*, 1977
##### ILPS 95.. {#ilps_95..}
- ILPS 9500 -- Ian Gillan: *Clear Air Turbulence*, 1977; [Collectable Records.ru](https://web.archive.org/web/20070930014800/http://www.collectable-records.ru/labels/E_M/Island/9.htm)
- ILPS 9501 -- The Chieftains: Chieftains Live, 1977
- ILPS 9502 -- Steel Pulse: Handsworth Revolution, 1977
- ILPS 9503 -- Max Romeo: Reconstruction, 1978
- ILPS 9504 -- George Faith: To Be A Lover (Label: Black Swan), 1976; [Tapir\'s Reggae Discography](http://www.xs4all.nl/~tapirs/blaswlp.htm)
- ILPS 9505 -- Ultravox!: *Ha! Ha! Ha!*, 1977
- ILPS 9506 -- Jess Roden: *The Player Not the Game*, 1977
- ILPS 9507 -- War: Platinum Jazz (2LP), 1977
- ILPS 9508 -- Unknown
- ILPS 9509 -- Eddie and the Hot Rods: Life On The Line, 1977
- ILPS 9510 -- Klaus Schulze: Body Love (Soundtrack), 1977
- ILPS 9511 -- Ian Gillan: *Scarabus*, 1977
- ILPS 9512 -- Bunny Wailer: Protest, 1977
- ILPS 9513 -- Burning Spear: Live, 1977
- ILPS 9514 -- Unknown
- ILPS 9515 -- Warsaw Pakt: Needle Time, 1977
- ILPS 9516 -- Rico Rodriguez: Midnight In Ethiopia (never released)
- ILPS 9517 -- Bob Marley & The Wailers: Kaya, 1978; [Collectable Records.ru](https://web.archive.org/web/20070503102121/http://www.collectable-records.ru/labels/E_M/Island/8.htm)
- ILPS 9518 -- Autograph: *Automation*. 1978
- ILPS 9519 -- Illusion: *Illusion*, 1978
- ILPS 9520 -- MX-80 Sound: Hard Attack, 1977
- ILPS 9521 -- I Jah Man: Haile I Hym, 1978
- ILPS 9522 -- Unknown
- ILPS 9523 -- Wailing Souls: *Wild Suspense*, 1978
- ILPS 9524 -- V.A.: *Intensified! (1962--66)*, 1978
- ILPS 9525 -- Grace Jones: *Fame*, 1978
- ILPS 9526 -- Manu Dibango: *Afrovision*, 1978
- ILPS 9527 -- Roundtree: Roller Disco, 1978
- ILPS 9528 -- Bruce Cockburn: Further Adventures Of, 1978
- ILPS 9529 -- MX-80 Sound: Hard Attack, 1977
- ILPS 9530 -- V.A.: One Big Happy Family, 1978
- ILPS 9531 -- Jess Roden: *Stone Chaser*, 1979
- ILPS 9532 -- Justin Hinds & The Dominoes: Just In Time, 1979
- ILPS 9533 -- Unknown
- ILPS 9534 -- Toots & the Maytals: Pass The Pipe, 1979
- ILPS 9535 -- Joe Higgs: Unity Is Power, 1979
- ILPS 9536 -- Runner: *Runner*, 1979
- ILPS 9537 -- Invisible Man\'s Band: Invisible Man\'s Band, 1979
- ILPS 9538 -- Grace Jones: Muse, 1979
- ILPS 9539 -- Manu Dibango: Gone Clear, 1980
- ILPS 9540 -- American Standard Band: American Standard Band, 1979
- ILPS 9541 -- Pablo Moses: A Song, 1980
- ILPS 9542 -- Bob Marley & The Wailers: Survival, 1979
- ILPS 9543 -- Unknown
- ILPS 9544 -- Robert Palmer: *Secrets*, 1979
- ILPS 9545 -- Ian Gillan: *Live at the Budokan*, 1980
- ILPS 9546 -- Eddie Quinsah: *Awo Awo*, 1978 (Label: Mango)
- ILPS 9547 -- Zap Pow: Zap Pow, 1980
- ILPS 9548 -- Unknown
- ILPS 9549 -- Unknown
- ILPS 9550 -- Darryl Way: Concerto For Electric Violin, 1978
- ILPS 9551 -- Roger McGough: *Summer With Monica*, 1978
- ILPS 9552 -- Jade Warrior: *Way of the Sun*, 1978
- ILPS 9553 -- Unknown
- ILPS 9554 -- Third World: Journey To Addis, 1978
- ILPS 9555 -- Ultravox: Systems Of Romance, 1978
- ILPS 9556 -- Burning Spear: Social Living,1978
- ILPS 9557 -- I Jah Man: Are We A Warrior, 1979
- ILPS 9558 -- Inner Circle: Everything Is Great, 1979
- ILPS 9559 -- Charlie Dore: Where To Now, 1980
- ILPS 9560 -- John Martyn: Grace & Danger, 1980
- ILPS 9561 -- Unknown
- ILPS 9562 -- Unknown
- ILPS 9563 -- Eddie and the Hot Rods: Thriller, 1979
- ILPS 9564 -- Hi-Tension: Hi-Tension, 1978
- ILPS 9565 -- Cat Stevens: *Back to Earth*, 1978
- ILPS 9566 -- Linton Kwesi Johnson: Forces Of Victory, 1979
- ILPS 9567 -- Burning Spear: Harder Than The Best, 1978
- ILPS 9568 -- Steel Pulse: Tribute To The Martyrs, 1979
- ILPS 9569 -- Third World: The Story\'s Been Told, 1979
- ILPS 9570 -- Marianne Faithfull: *Broken English*, 1979
- ILPS 9571 -- Not issued
- ILPS 9572 -- Kim Fowley: *Snake Document Masquerade*, 1979
- ILPS 9573 -- The Slits: Cut, 1979; [Discogs](http://www.discogs.com/release/162244)
- ILPS 9574 -- Third World: Arise In Harmony, 1980
- ILPS 9575 -- Unknown
- ILPS 9576 -- Steve Winwood: *Arc of a Diver*, 1980
- ILPS 9577 -- In Crowd: Man From New Guinea, 1979
- ILPS 9578 -- Unknown
- ILPS 9579 -- Gibson Brothers: Cuba, 1979
- ILPS 9580 -- The B-52\'s: The B-52\'s, 1979
- ILPS 9581 -- Serge Gainsbourg: Aux Armes Et Cetera, 1979
- ILPS 9582 -- Unknown
- ILPS 9583 -- V.A.: Scratch On The Wire, 1979
- ILPS 9584 -- Unknown
- ILPS 9585 -- The Buggles: *The Age of Plastic*, 1980
- ILPS 9586 -- Unknown
- ILPS 9587 -- V.A.: Rockers (Soundtrack), 1979
- ILPS 9588 -- Unknown
- ILPS 9589 -- Unknown
#### HELP series {#help_series}
A series of budget-priced albums. Those on the Island label used a black variation of the \"white i\" label with a pink \"i\" logo and silver print. HELP albums on the Blue Thumb and Bronze labels used their respective designs.
- HELP 1 -- Emerson, Lake & Palmer: *Pictures at an Exhibition*, 1971 (originally the catalogue number was assigned as ILPS 9177, the LP number of which was later given to and released as War: *All Day Music*. But the 8-track cartridge version of \"Pictures at an Exhibition\" was released as Y8I 9177)
- HELP 2 -- Robin Williamson: *Myrrh*, 1972
- HELP 3 -- Henry Wolff, Nancy Hennings With Drew Gladstone: *Tibetan Bells*, 1972
- HELP 4 -- Colosseum: *Valentyne Suite* (Bronze /UK, Island label /Germany, original on Vertigo)
- HELP 5 -- Ashley Hutchings: *Morris On*, 1972
- HELP 6 -- King Crimson: *Earthbound* (Live), 1972
- HELP 7 -- Habibiyya: *If Man But Knew*, 1972
- HELP 8 -- National Lampoon: *Radio Dinner*, 1972 (Label: Blue Thumb)
- HELP 9 -- V.A.: *The Dynamic Sound Of Jamaica, Volume 1*, 1973 (Label: Dragon)
- HELP 10 -- John Surman: *Westering Home*, 1972
- HELP 11 -- Grimms: *Grimms*, 1973
- HELP 12 -- Stomu Yamash\'ta & Come To The Edge: *Floating Music*, 1973
- HELP 13 -- Sun Treader: *Zin-Zin*, 1973
- HELP 14 -- Third World: *Aiye-Keta*, 1973
- HELP 15 -- V.A.: *Soul Of Jamaica*, 1973
- HELP 16 -- Fripp + Eno: *No Pussyfooting*, 1973
- HELP 17 -- Ashley Hutchings: *The Compleat Dancing Master*, 1973
- HELP 18 -- Basil Kirchin: *Worlds Within Worlds (Parts 3 & 4)*, 1973
- HELP 19 -- Quiet Sun: *Mainstream*, 1975; [Collectable Records.ru](https://web.archive.org/web/20070918233121/http://www.collectable-records.ru/labels/E_M/Island/13.htm)
- HELP 20 -- V.A. (Fania All Stars): *Salsa!*, 1974
- HELP 21 -- Fania All Stars: Salsa Live, 1976
- HELP 22 -- Fripp + Eno: *Evening Star*, 1976
- HELP 23 -- Jorge Ben: *Samba Nova*, 1976
- HELP 24 -- Ashley Hutchings: *Rattlebone & Ploughjack*, 1976
- HELP 25 -- The Albion Country Band: *Battle of the Field*, 1976
- HELP 26 -- James Booker: *Junco Partner*, 1976
- HELP 27 -- Renaissance: *Illusion*, 1976; (original release: 1970)
- HELP 28 -- Fairport Convention: *Live at the L.A. Troubadour*, 1976
- HELP 29 -- Irma Thomas: *Live*, 1976
#### Special \"artist related\" editions {#special_artist_related_editions}
- IBDB 1 -- Bob Dylan and The Band: *Before The Flood* (2LP), 1974
- NDSP 100 -- Nick Drake: *Fruit Tree* (4-LP box set), 1979
- SDSP 100 -- Sandy Denny: *Who Knows Where the Time Goes?* (4-LP box set), 1985
#### ICD series {#icd_series}
The ICD series comprised the following double albums:
- ICD 1/2 -- Colosseum: *Colosseum Live* (2LP; on Bronze label), 1971
- ICD 3/4 -- Fairport Convention: *The History of Fairport Convention* (2LP), 1972
- ICD 5 -- Dave Mason: *Scrapbook* (2LP), 1972
- ICD 6 -- Unknown (not released?)
- ICD 7 -- Unknown (not released?)
- ICD 8 -- Richard Thompson: *(guitar, vocal)* (rec. 1967--1976) (2LP), 1976
- ICD 9 -- various artists: *New Orleans Jazz & Heritage Festival 1976* (2LP), 1976
#### IDP series {#idp_series}
Two \"sampler\" LPs were issued using numbers in this series:
- IDP 1 -- various artists: *Bumpers* (2LP), 1970
- IDLP 1 -- various artists: *El Pea* (2LP), 1971
#### ISLD Series {#isld_series}
This was another series used for the following double albums:
- ISLD 1 -- Uriah Heep: *Uriah Heep Live* (2LP; on Bronze label), 1973
- ISLD 2 -- Traffic: *On the Road* (2LP), 1973 -- disc numbers are ISLD 3.1 and ISLD 3.2, thereby conflicting with *The Free Story* LP number (see below); [Collectable Records.ru](https://web.archive.org/web/20070918232011/http://www.collectable-records.ru/labels/E_M/Island/41.htm)
- ISLD 3 -- Free: *The Free Story* (2LP), 1973 -- ISLD 3 used on low numbered sleeves only; record labels have ISLD 4 due to conflict with *On The Road* disc numbers (see above)
- ISLD 4 -- Free: *The Free Story* (2LP), 1973
- ISLD 5 -- Unknown (not released?)
- ISLD 6 -- Paul Horn: *A Special Edition* (2LP), 1973
- ISLD 7 -- King Crimson: *A Young Person\'s Guide to King Crimson* (2LP), 1975 (rec. 1969--1975) -note: includes previously unreleased Judy Dyble-vocal version of \"I Talk To The Wind\".
- ISLD 8 -- War: *War Live* (2LP), 1973
- ISLD 9 -- Incredible String Band: *Seasons They Change* (2LP), 1976
- ISLD 10 -- Go: *Live From Paris* (2LP), 1976
- ISLD 11 -- Bob Marley & The Wailers: *Babylon By Bus* (2LP), 1978
#### ISS series {#iss_series}
- ISS 2 -- Fairport Convention: *Tour Sampler* -- promotional, limited to 500 copies.
## USA/Canada releases 1970s {#usacanada_releases_1970s}
### LPs on the Island label (distributed by Capitol Records) {#lps_on_the_island_label_distributed_by_capitol_records}
- SW-9178 -- Mott the Hoople: *Brain Capers*, 1971 (Canada only)
- SMAS-9300 -- Bronco: *Country Home*, 1970
- SMAS-9302 -- Blondel: *Evensong*, 1970
- SMAS-9303 -- White Noise: *An Electric Storm*, 1971 (UK release in 1969)
- SW-9304 -- Reebop Kwaku Baah: *Reebop*, 1971
- SMAS-9305 -- Habibiyya: *If Man But Knew*, 1971
- SW-9306 -- Traffic: *The Low Spark of High Heeled Boys*, 1971
- SMAS-9307 -- Nick Drake: *Nick Drake*, 1971 (compilation of tracks from his first two UK albums)
- SW-9308 -- Alan Bown: *Listen*, 1971 (UK release in 1970)
- SMAS-9309 -- Bronco: *Ace Of Sunlight*, 1971
- SW-9310 -- Blondel: *Fantasia Lindum*, 1971
- SMAS-9311 -- John Martyn: *Bless The Weather*, 1971
- SMAS-9312 -- Luther Grosvenor: *Under Open Skies*, 1971
- SMAS-9313 -- Mike Harrison: *Mike Harrison*, 1971
- SW-9314 -- Jim Capaldi: *Oh How We Danced*, 1972
- SW-9315 -- Sutherland Brothers: *Sutherland Brothers Band*, 1972
- SW-9316 -- Claire Hamill: *One House Left Standing*, 1972
- SMAS-9317 -- Smith-Perkins-Smith: *Smith-Perkins-Smith*, 1972
- SMAS-9318 -- Nick Drake: *Pink Moon*, 1972
- SMAS-9319 -- Henry Wolff, Nancy Hennings With Drew Gladstone: *Tibetan Bells*, 1972
- SMAS-9320 -- Kossoff, Kirke, Tetsu and Rabbit: *Kossoff, Kirke, Tetsu and Rabbit*, 1972
- SW-9321 -- Mike Harrison: *Smokestack Lightning*, 1972
- SW-9322 -- Patto: *Roll \'Em, Smoke \'Em, Put Another Line Out*, 1972
- SW-9323 -- Traffic: *Shoot Out at the Fantasy Factory*, 1973
- SW-9324 -- Free: *Heartbreaker*, 1973 (UK release in 1972)
- SW-9325 -- John Martyn: *Solid Air*, 1973 (UK release in 1972)
- SW-9326 -- Sutherland Brothers & Quiver: *Lifeboat*, 1973 (some tracks same as UK Sutherland Brothers LP \[ILPS 9212\], some tracks re-recorded with Quiver, some totally new tracks)
- SW-9327 -- Blondel: *England*, 1973 (UK release in 1972)
- SMAS-9328 -- Rabbit: *Broken Arrows*, 1972
- SW-9329 -- The Wailers: Catch a Fire, 1973 (Original flip-top \"cigarette lighter\" cover)
- SW-9331 -- Claire Hamill: *October*, 1973
- SMAS-9333 -- NO GO! -- Motion Picture Soundtrack, 1973
- SMAS-9334 -- Stomu Yamashta\'s Red Buddha Theatre -- Music From The Play \"The Man From The East\", 1973
- SMAS-9335 -- John Martyn: *Inside Out*, 1973
- SMAS-9336 -- Traffic: *On The Road*, 1973 (single disc version released in North America only)
- SW-9337 -- Spooky Tooth: *Witness*, 1973
- SMAS-9338 -- The Wailers: Burnin\', 1973
- SMAS-9339 -- Blondel: *Blondel*, 1973
- SW-9340 -- Sandy Denny: *Like an Old Fashioned Waltz*, 1974
- SW-9341 -- Sutherland Brothers & Quiver: *Dream Kid*, 1974, (UK release in 1973)
- SW-9343 -- Jimmy Cliff: *Struggling Man*, 1974
### LPs on the Antilles label {#lps_on_the_antilles_label}
- AX-7000 -- various artists: *The Greater Antilles Sampler*, 1976
- AN-7006 -- Henry Wolff, Nancy Hennings With Drew Gladstone: *Tibetan Bells* (reissue), 1976
- AN-7010 -- Nick Drake: *Five Leaves Left* (reissue), 1976
- AN-7011 -- White Noise: *An Electric Storm* (reissue), 1976
- AN-7028 -- Nick Drake: *Bryter Layter* (reissue), 1976
- AN-7071 -- Roomful Of Blues: *Let\'s Have A Party*, 1979
- AN-7076 -- Blackfoot: *No Reservations* (reissue), 1979
- AN-7081 -- John Martyn: *Grace & Danger* (reissue), 1980
## UK releases 1980s {#uk_releases_1980s}
### Singles of the 1980s {#singles_of_the_1980s}
#### WIP series {#wip_series}
For singles released during the years 1980 to 1983, which were numbered in this series, see Singles of the 1970s section, above.
#### IS series {#is_series}
This new series of numbers was introduced in 1983 to replace the long-running WIP series for 7\" singles (and other formats). As the CD format gained ascendancy during the later 1980s, so more and more singles were released with the prefix CID, indicating a CD release, initially alongside the \"standard\" 7\" release.
- IS 101 -- David Joseph: \"You Can\'t Hide (Your Love From me)\"; 12\": 12IS 101
- IS 102 -- The Powell Family: \"No Problem\" / \"Dub Cut\", 1983; 12\": 12IS 102
- IS 104 -- Robert Palmer: \"You Are In My System\", 1983; 12\": 12IS 104
- IS 105 -- Marianne Faithfull: \"Running for Our Lives\", 1983
- IS 106 -- Gwen Guthrie: \"Hopscotch\" / \"You\'re The One\", 1983; 12\": 12IS 106, 12\" Promo: 12IS 106
- IS 107 -- The B-52\'s: \"Future Generation\", 1983; 12\": Island 12IS 107
- IS 108 -- Bob Marley: \"Buffalo Soldier\" / \"Buffalo Dub\", 1983; 12\": Tuff Gong 12IS 108
- IS 109 -- U2: \"Two Hearts Beat as One\", 1983 12\": 12IS 109
- IS 110 -- Set The Tone: \"Rap Your Love\" (12\": 12IS 110), 1983
- IS 111 -- Paul Haig: Heaven Sent (12\": 12IS 111), Label: Les Disques du Crepuscule, 1983
- IS 112 -- Marcia Griffiths: Electric Boogie / Electric Boogie (Long Version) b/w Electric Boogie (Dub 1) / Electric Boogie (Dub 2) / Electric Boogie (Dub 3) (12\": Island 12IS 112), 1983
- IS 113 -- John Cale: \"I Keep a Close Watch\", 1983
- IS 114 -- Le Slow Starring Sophy Cherie: \"Tonight I\'m in the Mood for Love\", Label: ZE, 1983
- IS 115 -- Joe Cocker: \"Threw it Away\", 1983
- IS 116 -- David Joseph: Let\'s Live It Up (12\": 12IS116), 1983
- IS 117 -- Tom Tom Club: The Man With The 4 Way Hips (12\": 12IS 117), 1983
- IS 118 -- not issued
- IS 119 -- Peech Boys: On A Journey (12\": 12IS 119), 1983
- IS 120 -- Big Brother: Adventures In Success Parts 1 & 2 (12\": 12IS 120), 1983
- IS 121 -- Robert Palmer: You Can Have It (Take My Heart) (12\": 12IS 121), 1983
- IS 122 -- King Sunny Ade & His African Beats: Synchro System (12\": 12IS 122), 1983
- IS 123 -- Cat Stevens: Morning has Broken / Moonshadow, 1983
- IS 124 -- Paul Haig: Never Give Up (Party, Party) (12\": 12IS 124), 1983
- IS 125 -- Martha: \"Light Years from Love\", 1983
- IS 126 -- Antena: \"Be Pop\"; 12\": 12IS 126, 1983
- IS 127 -- Louise Bennett: \"Long Time Gal\", 1983
- IS 128 -- David Joseph: \"Be a Star\", 1983
- IS 129 -- Toots Hibbert: Spiritual Healing / Spiritual Healing -- Instrumental b/w Spiritual Healing (Long version) (12\": 12IS 129), 1983
- IS 130 -- Kid Creole & The Coconuts: There\'s Something Wrong In Paradise (12\": 12IS 130), 1983
- IS 132 -- Club House: Do It Again / Billy Jean (12\": 12IS 132), 1983
- IS 133 -- Black Uhuru: Party Next Door / Party In Session (12\": 12IS 133), 1983
- IS 134 -- Will Powers: \"Kissing with Confidence\", 1983
- IS 135 -- Time Zone: The Wildstyle (12\": 12IS 135), Label: Celluloid, 1983
- IS 136 -- not issued
- IS 137 -- not issued
- IS 138 -- Paul Haig: Justice (12\": 12IS 138), Label: Les Disques du Crépuscule, 1983
- IS 139 -- Ruichi Sakamoto: Riot In Lagos (12\": 12IS 139), 1980
- IS 140 -- not issued
- IS 141 -- Tom Waits: \"In the Neighborhood\", 1983
- IS 142 -- Kid Creole and the Coconuts: \"The Lifeboat Party\", Label: ZE, 1983
- IS 143 -- Tomboy: \"Why\" / \"Y-Dub\", 1983
- IS 144 -- not issued
- IS 145 -- Will Powers: Smile (12\": 12IS 145), 1983
- IS 146 -- Grandmixer D.ST.: Crazy Cuts (12\": 12IS 146), 1983
- IS 147 -- Club House: Superstition / Good Times (12\": 12IS147), 1983
- IS 148 -- L.C.G.C.: \"Fill My Cup\", 1983
- IS 149 -- not issued
- IS 150 -- Black Uhuru: \"What Is Life?\" b/w \"Solidarity\" / \"Party Next Door\" (12\": 12IS 150), 1983
- IS 151 -- not issued
- IS 152 -- Aswad: \"African Children\", 1983
- IS 153 -- David Joseph: \"Joys of Life\", 1984
- IS 154 -- Gregory Isaacs: \"Love Me With Feeling\", 1983
- IS 155 -- John Williams: \"Paul McCartney\'s Theme from *The Honorary Consul*\", 1983
- IS 156 -- Will Powers: Adventures In Success (12\": 12IS 156), 1983
- IS 157 -- John Cale: \"Caribbean Island\", Label: ZE, 1984
- IS 158 -- Mel Brooks: To Be Or Not To Be (The Hitler Rap) (12\": IVA 12IS 158), Label: Island Visual Arts, 1983
- IS 159 -- Not issued
- IS 160 -- Aswad: Chasing For The Breeze / Gave You My Love (12\": Island 12IS 160), 1984. -- Aswad: Chasing For The Breeze / Gave You My Love & Aswad: Dub Chase / Have This Dub (2x12\": Island 12 ISX 160), 1984
- IS 161 -- The Philharmonia Orchestra: \"\'Champions\' Theme\" b/w \"Grand National\", Label: Island Visual Arts, 1984
- IS 162 -- Alexei Sayle: \"\'Ullo John! Gotta New Motor?\" (12\": 12IS 162), 1983
- IS 163 -- Not issued
- IS 164 -- Mon Dino: La Danse Des Mots (12\": Disques Zou-A-Ves 12IS 164), 1983
- IS 165 -- Keith LeBlanc: Malcolm X: No Sell Out (12\": Tommy Boy 12IS 165), 1983
- IS 166 -- Not issued
- IS 167 -- The Earons: Land Of Hunger (12\": 12IS 167), 1984
- IS 168 -- Daisy Chain: \"No Time to Stop Believing in Love\", Label: ZE, 1983
- IS 169 -- Bob Marley And The Wailers: \"One Love\" / \"People Get Ready\" (Extended Version) b/w \"So Much Trouble In The World\" / \"Keep On Moving\" (12\": Island 12IS 169), 1984. --- Bob Marley And The Wailers: \"One Love\" / \"People Get Ready\" (Extended Version) (12\": Island 12ISX 169), 1984
- IS 170 -- Aswad: \"54 46 (Was My Number)\" / \"54 46 (Was My Number)\" Horns Revival b/w \"Java\" / \"Warrior Charge\" (Trouble Mix) (12\": Island 12IS 170), 1984
- IS 171 -- Junie Morrison: \"Techno-Freqs; 12\": ZE /Island 12IS 171
- IS 172 -- White China: \"Real World\", 1984
- IS 173 -- not issued
- IS 174 -- Elaine Paige: \"Sometimes\", Label: Island Visual Arts, 1983
- IS 175 -- Mikael Rickfors: \"Blue Fun\", 1984
- IS 176 -- Papa Levi: \"Bonnie & Clyde\" / \"Warning\" (12\": Island 12IS 176), 1984
- IS 177 -- not issued
- IS 178 -- Breakfast Club: \"Rico Mambo\"; 12\": Island 12IS 178
- IS 179 -- not issued
- IS 180 -- Bob Marley & The Wailers: Waiting in Vain / Blackman Redemption b/w Marley Mix Up: Exodus/Positive Vibration/Pimpers Paradise/Punky Reggae Party (12\": Island 12IS 180), 1984
- IS 181 -- King Sunny Ade: \"Ase\"; 12\": Island 12IS 181
- IS 182 -- Amazulu: \"Moonlight Romance\", 1984
- IS 183 -- not issued
- IS 184 -- not issued
- IS 185 -- not issued
- IS 186 -- not issued
- IS 187 -- Beastmaster: \"Lipservice\", Label: Tommy Boy, 1983
- IS 188 -- West Indian Touring Team: \"West Indians Are Back In Town\" / \"Skipper Lloyd\" (12\": Island 12IS 188), 1984
- IS 189 -- Rouen: \"Ordinary Life\" b/w \"Run With You\", 1985
- IS 190 -- Kid Creole and the Coconuts: \"Don\'t Take My Coconuts\" b/w \"Going Places\", 1984
- IS 191 -- Pearl Harbour: \"Hula Love\"; 10\": Island 10IS 191 /UK, 1984
- IS 192 -- Blue in Heaven: \"Julia Cries\" b/w \"The Message\", 1984
- IS 193 -- Animal Nightlife: \"Mr. Solitaire\"; 12\": 12IS 193
- IS 194 -- Special Request: \"Take It To The Max\"; 12\": 12IS 194
- IS 195 -- Force M.D.\'s: \"Tears\", Label: Tommy Boy, 1985
- IS 196 -- Dean Fraser: Redemption Song / Harmour Love (12\": Island 12IS 196), 1984
- IS 197 -- John Cale: \"Ooh La La\", Label: ZE, 1984
- IS 198 -- Paul Haig: \"The Only Truth\"; 12\": 12IS 198
- IS 199 -- Blue in Heaven: \"Across My Heart\", 1984
- IS 200 -- Animal Nightlife: \"Love Is Just The Great Pretender\"; 12\": 12IS 200
- IS 201 -- Amazulu: Excitable, 1985
- IS 202 -- U2: Pride (In the Name of Love) (12\": Island 12IS 202), 1984
- IS 203 -- not issued
- IS 204 -- not issued
- IS 205 -- White China: \"Smiles and Jokes\" b/w \"Seen from Above\", 1985
- IS 206 -- Grace Jones: \"Slave To The Rhythm\"; 12\": 12IS 206
- IS 207 -- Force MC\'s: \"Forgive Me Girl\" / \"Itchin\' For A Scratch\"; 12\": Island 12IS 208
- IS 208 -- Papa Levi: \"Big \'n\' Broad\" / \"\'84 \'tion\"; 12\": Island 12IS 208, 1984
- IS 209 -- John Martyn: \"Over The Rainbow\" b/w \"Rope Soul\'d\", 1984
- IS 210 -- Bob Marley & The Wailers: \"Could You Be Loved\" / \"Jamming\" b/w \"No Woman No Cry\" / \"Coming From The Cold\" (12\": Island 12IS 210), 1984
- IS 211 -- In Tua Nua: \"Take My Hand\" b/w \"Fire in My Heart\", 1984
- IS 212 -- not issued
- IS 213 -- not issued
- IS 214 -- Aswad: \"Need Your Love (Each And Every Day)\" / \"Rainfall, Sunshine\"; 12\": Island 12IS 214, 1984
- IS 215 -- 3-D: \"Greatest Beat Megamix\"; 12\": Island 12IS 215
- IS 216 -- Dumb Guys: \"Rap-O-Matic Rap\"; 12\": Island 12IS 216
- IS 217 -- Rupert Hine: \"Picture Phone\", 1983
- IS 218 -- Martin Ansell: \"The Eighth Wonder\" b/w \"Infidel (For Chrissie)\", 1985
- IS 219 -- Third World: \"Now That We\'ve Found Love\"; also released on 7\": Island ISX 219 (with a remixed version by Paul Hardcastle), 12\": Island 12IS 219, 12\": Mango 12ISX 219, all UK, 1985
- IS 220 -- U2: \"The Unforgettable Fire\" (12\": Island 12IS 220), 1985
- IS 221 -- Free: \"Wishing Well\", 1985
- IS 222 -- Globe & Pow Wow: \"Celebrate! (Evereybody)\"; 12\": Island 12IS 222
- IS 223 -- In Tua Nua: \"Somebody to Love\", 1985
- IS 224 -- Rita Marley: \"Good Girls Culture\", label: Mango, 1985
- IS 225 -- Trevor Jones: \"Theme from *The Last Place on Earth*\", Label: Island Visual Arts, 1985
- IS 226 -- not issued
- IS 227 -- not issued
- IS 228 -- Jah Wobble & Ollie Marland: \"Love Mystery\"; 12\": island 12IS 228
- IS 229 -- G.L.O.B.E. & Whiz Kid: \"He\'s Got The Beat\"; 12\": 12IS 229
- IS 230 -- not issued
- IS 231 -- not issued
- IS 232 -- not issued
- IS 233 -- Amazulu: \"Don\'t You Just Know It\"
- IS 234 -- Michael Winslow: \"I Am My Own Walkman\", 1985
- IS 235 -- Roy Orbison: \"Wild Hearts (Run Out of Time)\", 1985 (Italian issue)
- IS 236 -- Bob Marley and the Wailers: \"Three Little Birds\", 1985
- IS 237 -- The Long Ryders: \"Looking for Lewis and Clark\", 1985
- IS 238 -- Sly and Robbie: \"Get To This, Get To That\"; 12\": Island 12IS238
- IS 239 -- Ini Kamoze: \"Call the Police\" b/w Taxi Gang: \"Maxi Taxi\", Label: Mango, 1985
- IS 240 -- Grace Jones: \"Pull Up To The Bumper\" (Remix); 12\": Island 12IS 240
- CID 318 -- Julian Cope: \"Eve\'s Volcano (Covered In Sin)\" / \"Almost Beautiful Child (I & II)\"/ \"Pulsar N.X. (live)\" / \"Shot Down (live)\", 1987
- IS 241 -- not issued
- IS 242 -- Robert Palmer: \"Discipline of Love\", 1986
- IS 243 -- not issued
- IS 244 -- The Taxi Gang Featuring Bernard Fowler: \"Down on the Corner\", 1985
- IS 245 -- Animal Nightlife: \"Preacher, Preacher\", 1985
- IS 246 -- not issued
- IS 247 -- not issued
- IS 248 -- Baby Go Boom: \"Life (Can Be a Hurtful Thing)\", 1985
- IS 249 -- not issued
- IS 250 -- not issued
- IS 251 -- Sly and Robbie: \"Make \'Em Move\", 1985
- IS 252 -- not issued
- IS 253 -- Tom Waits: \"Downtown Train\", 1985
- IS 254 -- In Tua Nua: \"Blue Eyes Again\", 1985
- IS 255 -- not issued
- IS 256 -- Robert Palmer: \"Riptide\", 1985
- IS 257 -- P.P. Arnold: \"Supergrass\", 1985
- IS 258 -- not issued
- IS 259 -- not issued
- IS 260 -- Tom Waits: \"In the Neighborhood\", 1985
- IS 261 -- not issued
- IS 262 -- not issued
- IS 263 -- The Prime Movers: \"On the Trail\", 1985
- IS 264 -- Trevor Notch: \"Bip Bip Bip Bip Bop Bop Bop\" b/w \"Just Cool\", Label: Mango, 1985
- IS 265 -- John Martyn: \"Angeline\" b/w \"Tight Connection to My Heart\", 1986
- IS 266 -- Grace Jones: \"Love is the Drug (Remix)\", 1986
- IS 267 -- Amazulu: \"The Things The Lonely Do\", 1986
- IS 268 -- not issued
- IS 269 -- Force M.D.\'s: \"Tender Love\", Label: Tommy Boy, 1986
- IS 270 -- Robert Palmer: \"Addicted to Love\", 1986
- IS 271 -- The Prime Movers: \"Dark Western Night\" b/w \"Lost in Your World\", 1986
- IS 272 -- John Martyn: \"Lonely Love\"
- IS 273 -- Grace Jones: \"Private Life\", 1986
- IS 274 -- not issued
- IS 275 -- not issued
- IS 276 -- not issued
- IS 277 -- not issued
- IS 278 -- not issued
- IS 279 -- not issued
- IS 280 -- not issued
- IS 281 -- Dead Dog Ltd: \"Devious Woman\", 1986
- IS 282 -- not issued
- IS 283 -- Robert Palmer: \"I Didn\'t Mean to Turn You On\", 1986
- IS 284 -- Amazulu: \"Too Good to Be Forgotten\", 1986
- IS 285 -- not issued
- IS 286 -- Force M.D.\'s: Here I Go Again, Label: Tommy Boy, 1986
- IS 287 -- not issued
- IS 288 -- Steve Winwood: \"Higher Love\" b/w \"And I Go\", 1986; 12\": Island 12IS 288
- IS 289 -- Ini Kamoze: \"Pirate\", 1986
- IS 290 -- Julian Cope: \"World Shut Your Mouth\", 1986
- IS 291 -- The Christians: \"Forgotten Town\", 1987
- IS 292 -- T.T. Quick: \"Glad All Over\", 1986
- IS 293 -- Amazulu: \"Montego Bay\", 1986
- IS 294 -- Steve Winwood: \"Freedom Overspill\", 1986
- IS 295 -- not issued
- IS 296 -- not issued
- IS 297 -- not issued
- IS 298 -- not issued
- IS 299 -- not issued
- IS 300 -- not issued
- IS 301 -- Courtney Pine Featuring the Vocal of Susaye Greene: \"Children of the Ghetto\", 1986
- IS 302 -- not issued
- IS 303 -- Steve Winwood: \"Back in the High Life Again\", 1987
- IS 304 -- not issued
- IS 305 -- Julian Cope: \"Trampolene\", 1987
- IS 306 -- not issued
- IS 307 -- not issued
- IS 308 -- not issued
- IS 309 -- not issued
- IS 310 -- Amazulu: \"All Over the World\", 1986
- IS 311 -- not issued
- IS 312 -- The Comsat Angels: \"The Cutting Edge\", 1986
- IS 313 -- not issued
- IS 314 -- Shriekback: \"Gunning for the Buddha\", 1986
- IS 315 -- not issued
- IS 316 -- Anthrax: \"I Am the Law\", 1986
- IS 317 -- not issued
- IS 318 -- Julian Cope: \"Eve\'s Volcano\", 1987
- IS 319 -- U2: \"With or Without You\", 1987
- IS 320 -- not issued
- IS 321 -- not issued
- IS 322 -- not issued
- IS 323 -- Marianne Faithfull: \"As Tears Go By\", 1987
- IS 324 -- Fairport Convention: \"Meet on the Ledge\", 1987
- IS 325 -- Anthrax: \"Indians\", 1987
- IS 326 -- The Christians: \"Hooverville (And They Promised Us the World)\", 1987
- IS 327 -- not issued
- IS 328 -- U2: \"I Still Haven\'t Found What I\'m Looking For\", 1987
- IS 329 -- Viola Wills: \"Reggae High\", Label: Mango, 1987
- IS 330 -- The Long Ryders: \"I Want You Bad\", 1987
- IS 331 -- Buckwheat Zydeco: \"Marie, Marie\", 1987
- IS 332 -- not issued
- IS 333 -- not issued
- IS 334 -- Tonto Irie: \"New York Life\", Label: Mango, 1987
- IS 335 -- not issued
- IS 336 -- Steve Winwood: \"Valerie\" b/w \"Talking Back To The Night\", 1987
- IS 337 -- The Triffids: \"Bury Me Deep in Love\", 1987
- IS 338 -- Anthrax: \"I\'m the Man\", 1987
- IS 339 -- The Bedrock Gang: \"The Flintstones Rock\", Label: Mango, 1987
- IS 340 -- U2: \"Where the Streets Have No Name\", 1987
- IS 341 -- Aswad: \"Don\'t Turn Around\", Label: Mango, 1988
- IS 342 -- Andrew Cash: \"Smile Me Down\", 1988
- IS 343 -- Shriekback: \"Get Down Tonight\", 1988
- IS 344 -- Eddie Stockley: \"I Will Always Love You\", Label: Mango Street, 1988
- IS 345 -- not issued
- IS 346 -- Count Prince Miller: \"Mule Train\", Label: Mango, 1987
- IS 347 -- The Christians: \"Ideal World\", 1987
- IS 348 -- not issued
- IS 349 -- not issued
- IS 350 -- The Triffids: \"A Trick of the Light\", 1988
- IS 351 -- not issued
- IS 352 -- Robert Palmer: \"Sweet Lies\", 1988
- IS 353 -- Bourgeois Tagg: \"I Don\'t Mind At All\" b/w \"Pencil and Paper\", 1987
- IS 354 -- not issued
- IS 355 -- MC Smart: Chargin\' Warrior (12\": 12IS 355, Mango label), 1988
- IS 356 -- Melissa Etheridge: \"Similar Features\" b/w \"I Want You\", 1988
- IS 357 -- not issued
- IS 358 -- Aswad: \"Give a Little Love\", 1988
- IS 359 -- not issued
- IS 360 -- Bourgeois Tagg: \"Waiting for the World to Turn\", 1988
- IS 361 -- Marcia Griffiths: \"Fever\", Label: Mango, 1988
- IS 362 -- Traffic: \"Hole in My Shoe\", 1988
- IS 363 -- not issued
- IS 364 -- not issued
- IS 365 -- The Christians: \"Born Again\", 1988
- IS 366 -- not issued
- IS 367 -- The Triffids: \"Holy Water\", 1988
- IS 368 -- not issued
- IS 369 -- Arrow: \"Groove Master\", Label: Mango, 1988
- IS 370 -- Tom Waits: \"16 Shells from a 30.6\", 1988
- IS 371 -- not issued
- IS 372 -- Overlord X: \"The Earth is Moving\", 1988
- IS 373 -- not issued
- IS 374 -- not issued
- IS 375 -- not issued
- IS 376 -- Melissa Etheridge: \"Don\'t You Need\", 1988
- IS 377 -- not issued
- CID 378 -- Reggae Philharmonic Orchestra: Minnie The Moocher (7\" version, 12\" version) / Dangling (instrumental)
- IS 379 -- Anthrax: \"Make Me Laugh\", 1988
- IS 380 -- Julian Cope: \"Charlotte Anne\", 1988
- IS 381 -- Salif Keita: \"Wamba\", 1988
- IS 382 -- Kotch: \"Ooo Baby Baby\", Label: Mango, 1988
- IS 383 -- Aswad: \"Set Them Free\", Label: Mango, 1988
- IS 384 -- not issued
- IS 385 -- Jevetta Steele: \"Calling You\", 1988
- IS 386 -- Buckwheat Zydeco: \"Why Does Love Got to Be So Sad\", 1988
- IS 387 -- Overlord X: 2 Bad (12\": 12IS 387, Mango label), 1988
- IS 388 -- Masters of Ceremony: \"Redder Posse\", 1988
- IS 389 -- not issued
- IS 390 -- not issued
- IS 391 -- Jim Capaldi: \"Some Come Running\", 1988
- IS 392 -- 54-46: \"Ooo La La La\", Label: Mango, 1988
- IS 393 -- Melissa Etheridge: \"Bring Me Some Water\", 1988
- IS 394 -- Balcony Dogs: \"Balcony Dogs\", Label: Bloodline, 1988
- IS 395 -- The Christians: \"Harvest for the World\", 1988
- IS 396 -- Jordan Bailey: \"Don\'t Worry Be Happy\", Label: Mango, 1988
- IS 397 -- not issued
- IS 398 -- not issued
- IS 399 -- Julian Cope: \"5 O\'Clock World\" (10\": 10IS 399 /UK)
- IS 400 -- U2: \"Desire\" b/w \"Hallelujah Here She Comes\", 1988
- IS 401 -- Balcony Dogs: \"Wheels of Fortune\", not issued
- IS 402 -- U2: \"Angel of Harlem\" b/w \"A Room at the Heartbreak Hotel\", 1988
- IS 403 -- Kotch: \"Tears\", Label: Mango, 1988
- IS 404 -- The Kevin McDermott Orchestra: \"Wheels of Wonder\" b/w \"Independence Day\", 1989
- IS 405 -- not issued
- CID 406 -- Julian Cope: \"China Doll\" / \"Crazy Farm Animal\" / \"Rail On\" / \"Desi\", 1989
- IS 407 -- Freshski Dames: Kicking It Live (12\": 12IS 407, Mango Street label), 1989
- CID 408 -- Gavin Friday & The Man Seezer: Each Man Kills the Thing He Loves
- IS 409 -- Anthrax: \"Anti-Social\", 1989
- IS 410 -- David McComb and Adam Peters: \"I Don\'t Need You\", 1989
- IS 411 -- U2: \"When Love Comes To Town\", 1989
- IS 412 -- Buckwheat Zydeco: \"Make a Change\", 1989
- IS 413 -- The Triffids: \"Falling Over You\", not issued
- IS 414 -- not issued
- IS 415 -- Overlord X: Radical Kickbag (12\": 12IS 415, Mango label), 1989
- IS 416 -- Leatherwolf: \"Hideaway\", 1989
- IS 417 -- Claytown Troupe: \"Prayer\", 1989
- IS 418 -- Etta James: \"I Got the Will\", 1989
- IS 419 -- Jim Capaldi: \"Take Me Home\", 1989
- IS 420 -- The Triffids: \"Goodbye Little Boy\", 1989
- IS 421 -- not issued
- IS 422 -- U2: \"All I Want is You\", 1989
- IS 423 -- The Kevin McDermott Orchestra: \"Where We Were Meant to Be\", 1989
- IS 424 -- The Triffids: \"Bury Me Deep in Love\", 1989
- IS 425 -- Misty D: \"Out on a Limb\", Label: Mango Street, 1989
- IS 426 -- And Why Not?: \"Restless Days (She Screams Out Loud)\" b/w \"Hey Na Na (Make it Good)\", 1989
- IS 427 -- Roger Christian: \"Take it From Me\", 1989
- IS 428 -- Claytown Troupe: \"Hey Lord\", 1989
- IS 429 -- not issued
- IS 430 -- Gavin Friday And The Man Seezer: You Take Away The Sun (5\"CD: Island CID 430), 1989
- IS 431 -- Melissa Etheridge: \"No Souvenirs\", 1989
- IS 432 -- Vain: \"Beat the Bullet\", 1989
- IS 433 -- Theophilus P. Wildebeeste and Dee Dee Wilde: \"Don\'t Even Think About It\", 1989
- IS 434 -- Bandera: \"Cruisin\' Down Collins\", 1989
- IS 435 -- Dino: \"I Like It\", 1989
- IS 436 -- not issued
- IS 437 -- Kevin McDermott Orchestra: \"Healing at the Harbour\", 1989
- IS 438 -- Robert Palmer: \"Bad Case of Lovin\' You\", 1989
- IS 439 -- Andrew Cash: \"Boomtown\", 1989
- IS 440 -- Melissa Etheridge: \"The Angels\", 1989
- IS 441 -- not issued
- IS 442 -- Roger Christian: \"Worlds Apart\", 1989
- IS 443 -- Hinterland: \"Dark Hill\", 1989
- IS 444 -- See \"Singles of the 1990s\"
- IS 445 -- not issued
- IS 446 -- See \"Singles of the 1990s\"
- IS 447 -- London Posse: Live Like The Other Half Do (12\": 12IS 447, Mango label), 1989
### LPs of the 1980s {#lps_of_the_1980s}
#### Island ILPS series (1979--1991) {#island_ilps_series_19791991}
During this period Island regained some more important artists on its roster and continued to release 20 to 50 albums a year. The catalogue numbers don\'t follow the release dates as the numbers were given to projects scheduled for release. Usually the \"Day & Night\" label was in use for albums. Some new labels entered the Island distribution and were given Island catalogue numbers received for UK release while retaining their original labels (e.g. ZE, Celluloid).
- ILPS 9590 -- Toots & the Maytals : *Just Like That* (1980)
- ILPS 9591 -- Sugar Minott : *Black Roots* (1979)
- ILPS 9592 -- Grace Jones : *Warm Leatherette* (1980)
- ILPS 9593 -- Black Uhuru : *Sinsemilla* (1980)
- ILPS 9594 -- Strand : Strand (1980)
- ILPS 9595 -- Robert Palmer : *Clues* (1980)
- ILPS 9596 -- Bob Marley & The Wailers : *Uprising* (1980) [Collectable Records.ru](https://web.archive.org/web/20070930014824/http://www.collectable-records.ru/labels/E_M/Island/12.htm)
- ILPS 9597 -- Various Artists : *More Original Ska: 1963--1967* (1980)
- ILPS 9598 -- Various Artists : *Club Ska \'67* (1980)
- ILPS 9599 -- Aswad : *Live & Direct* (1983)
- ILPS 9600 -- not issued
- ILPS 9601 -- Various Artists : *The Secret Policemen\'s Ball* (1980)
- ILPS 9602 -- Utopia : *Adventures in Utopia* (1979)
- ILPS 9603 -- The Jags : *Evening Standards* (1980)
- ILPS 9604 -- The Distractions : *Nobody\'s Perfect* (1980)
- ILPS 9605 -- Linton Kwesi Johnson : *Bass Culture* (1980)
- ILPS 9606 -- Michael Prophet : *Serious Reasoning* (1980)
- ILPS 9607 -- Roger Powell : *Air Pocket* (1980)
- ILPS 9608 -- Inner Circle : *New Age Music* (1980)
- ILPS 9609 -- not issued
- ILPS 9610 -- not issued
- ILPS 9611 -- Aswad : Hulet (1979)
- ILPS 9612 -- not issued
- ILPS 9613 -- Steel Pulse : *Caught You* (1980)
- ILPS 9614 -- Ultravox : *Three Into One* (1979)
- ILPS 9615 -- Vivian Jackson (aka *Yabba U*) : Jah Jah Way (1980)
- ILPS 9616 -- Third World : *Prisoner In The Street* (1980)
- ILPS 9617 -- Rivits : *Multiplay* (1980)
- ILPS 9618 -- Randy Vanwarmer : *Terraform* (1980)
- ILPS 9619 -- Tony Tuff (*aka* Winston Morris): *Tony Tuff* (1980)
- ILPS 9620 -- Gibson Brothers : *On The Riviera* (1980)
- ILPS 9621 -- not issued
- ILPS 9622 -- The B-52\'s : *Wild Planet* (1980)
- ILPS 9623 -- Jacob \"Killer\" Miller : *Mixed Up Moods* (1980)
- ILPS 9624 -- Grace Jones : *Nightclubbing* (1981)
- ILPS 9625 -- Black Uhuru : *Red* (1981)
- ILPS 9626 -- Rockats : *Live At The Ritz* (1981)
- ILPS 9627 -- Plastics : *Welcome Back* (1981)
- ILPS 9628 -- not issued
- ILPS 9629 -- Bunny Wailer : *Bunny Wailer Sings The Wailers* (1981)
- ILPS 9631 -- The Paragons : *Sly & Robbie Meet The Paragons* (1981)
- MLPS 9632 -- Various Artists : *The \"King\" Kong Compilation* (Label: Mango), 1981
- ILPS 9633 -- Pablo Moses -- *Pave The Way* (1981)
- ILPS 9634 -- not issued
- ILPS 9635 -- The Melodians -- *Sweet Sensations* (1981)
- ILPS 9636 -- not issued
- ILPS 9637 -- Foghat -- *Tight Shoes* (1980)
- ILPS 9638 -- not issued
- ILPS 9639 -- not issued
- ILPS 9640 -- Various Artists : *Crucial Reggae Driven By Sly & Robbie* (1981)
- ILPS 9641 -- Basement 5 : *1965--1980* (1980)
- ILPS 9642 -- Utopia : *Deface the Music* (1980)
- ILPS 9643 -- not issued
- ILPS 9644 -- Brian Briggs : *Brian Damage* (1980)
- ILPS 9645 -- not issued
- ILPS 9646 -- U2 : *Boy* (1980)
- ILPS 9647 -- Toots & the Maytals : *Live* (1980)
- ILPS 9648 -- Marianne Faithfull : *Dangerous Acquaintances* (1981)
- ILPS 9649 -- Judy Mowatt : *Black Woman* (label: Island/Grove Muzic) (1980)
- ILPS 9650 -- Linton Kwesi Johnson : *LKJ in Dub* (1980)
- ILPS 9651 -- not issued
- ILPS 9652 -- not issued
- ILPS 9653 -- not issued
- ILPS 9654 -- Kate & Anna McGarrigle -- *French Record* (not issued; transferred to Hannibal HNBL 1302)
- ILPS 9655 -- The Jags : *No Tie Like A Present* (1981)
- ILPS 9656 -- Ryuichi Sakamoto : *B2-Unit* (1980)
- ILPS 9657 -- Todd Rundgren *Healing* (1981)
- ILPS 9658 -- Manu Dibango : Ambassador (1981)
- ILPS 9659 -- not issued
- ILPS 9660 -- not issued
- ILPS 9661 -- not issued
- ILPS 9662 -- Various Artists : *Sly And Robbie Present Taxi* (1981)
- ILPS 9663 -- not issued
- ILPS 9664 -- not issued
- ILPS 9665 -- Robert Palmer : *Maybe It\'s Live*, 1982
- ILPS 9666 -- Was (Not Was) : *Was (Not Was)* (1981)
- ILPS 9667 -- Various Artists : *SeiZE The Beat* (Label: ZE), 1981
- MLPS 9668 -- Sly and Robbie : *The Sixties + Seventies + Eighties = Taxi* (Label: Mango), 1981
- ILPS 9669 -- Gregory Isaacs : *More Gregory*, 1981
- ILPS 9670 -- Toots & the Maytals : *Knock Out*, 1981
- ILPS 9671 -- Jimmy Riley : *Rydim Driven* (Label: Taxi), 1981
- ILPS 9672 -- not issued
- ILPS 9673 -- Sly Dunbar : *Sly-Go-Ville*, 1982
- ILPS 9674 -- not issued
- ILPS 9675 -- Adrian Belew : *Lone Rhino* (1982)
- ILPS 9676 -- Pete Shelley : *Homo Sapiens* (Label: Genetic), 1981
- ILPS 9677 -- not issued
- ILPS 9678 -- not issued
- ILPS 9679 -- not issued
- ILPS 9680 -- U2 : *October*, 1981
- ILPS 9681 -- not issued
- ILPS 9682 -- Excalibur : *Excalibur*, 1981
- ILPS 9683 -- not issued
- ILPS 9684 -- not issued
- ILPS 9685 -- not issued
- ILPS 9686 -- Tom Tom Club : Tom Tom Club, 1981
- XILP 9687 -- Charlélie Couture : *Poèmes Rock*, 1981
- ILPS 9688 -- Elli & Jacno : *Tout Va Sauter* 1980
- ILPS 9689 -- not issued
- ILPS 9690 -- Mathématiques Modernes : *Les Visiteurs Du Soir* (Label: Celluloid), 1981
- ILPS 9691 -- not issued
- ILPS 9692 -- Alan Vega : \"Collision Drive\" (Label: Celluloid), 1981
- ILPS 9693 -- Material : \"Memory Serves\" (Label: Celluloid /Metropolis), 1981
- ILPS 9694 -- not issued
- ILPS 9695 -- not issued
- ILPS 9696 -- Black Uhuru : *Tear It Up*, 1982
- ILPS 9697 -- Various Artists : *Sound d\'Afrique* (Label: Mango), 1982
- ILPS 9698 -- Various Artists : *The Secret Policeman\'s Other Ball (The Music)*, 1982
- ILPS 9699 -- Gwen Guthrie : *Gwen Guthrie*, 1982
- ILPS 9700 -- Joe Cocker : Sheffield Steel, 1982
- ILPS 9701 -- Black Uhuru : Chill Out, 1982
- ILPS 9702 -- not issued
- ILPS 9703 -- not issued
- ILPS 9704 -- not issued
- ILPS 9705 -- Various Artists : Raiders Of The Lost Dub, 1981
- ILPS 9706 -- Cat Stevens : Morning Has Broken, 1981
- ILPS 9707 -- not issued
- ILPS 9708 -- Peer Raben : *Lili Marleen* (Soundtrack) (Label: Metropolis), 1981
- ILPS 9709 -- not issued
- ILPS 9710 -- not issued
- ILPS 9711 -- Aswad : A New Chapter Of Dub, 1982
- ILPS 9712 -- King Sunny Adé : Ju Ju Music, 1982
- ILPS 9713 -- Barry Reynolds : I Scare Myself, 1982
- ILPS 9714 -- Tony Tuff Tuff : Selection, 1982
- ILPS 9715 -- John Martyn -- *The Electric*, 1982
- ILPS 9716 -- not issued
- ILPS 9717 -- Michael Smith : *Mi Cyaan Believe It*, 1982 [Discogs](http://www.discogs.com/Michael-Smith-Mi-Cyaan-Believe-It/release/607747)
- ILPS 9718 -- not issued
- ILPS 9719 -- Free : *Completely Free*, 1982
- ILPS 9720 -- Robert Palmer : *Pride*, 1983
- ILPS 9721 -- Gregory Isaacs : *Night Nurse*, 1982
- ILPS 9722 -- Grace Jones : *Living My Life*, 1982
- ILPS 9723 -- Aswad : *Live and Direct*, 1983
- ILPS 9724 -- not issued
- ILPS 9725 -- not issued
- ILPS 9726 -- not issued
- ILPS 9727 -- not issued
- ILPS 9728 -- not issued
- ILPS 9729 -- not issued
- ILPS 9730 -- Various Artists : *Crucial Reggae -- Driven By Sly & Robbie*, 1982
- ILPS 9731 -- not issued
- ILPS 9732 -- Jackie Genova : *Work That Body*, 1983
- ILPS 9733 -- U2 : *War*, 1983
- ILPS 9734 -- Marianne Faithfull : *A Childs Adventure*, 1983
- ILPS 9735 -- Szajner : *Brute Reason*, 1983
- ILPS 9736 -- Set The Tone : Shiftin\' Air Affair 1983
- ILPS 9737 -- King Sunny Adé : Synchro System, 1983
- ILPS 9738 -- Tom Tom Club : *Close To The Bone*, 1983
- ILPS 9739 -- David Joseph : *The Joys Of Life*, 1983
- ILPS 9740 -- Louise Bennett : *Yes\'m, Dear: Miss Lou Live*, 1983
- ILPS 9741 -- not issued
- ILPS 9742 -- Paul Haig : *Rhythm Of Life*, 1983
- ILPS 9743 -- Kid Creole And The Coconuts : *Doppelganger*, 1983
- ILPS 9744 -- not issued
- ILPS 9745 -- not issued
- ILPS 9746 -- King Sunny Adé : *Aura*, 1984
- ILPS 9747 -- Rupert Hine : *The Wildest Wish To Fly*, 1983
- ILPS 9748 -- Gregory Isaacs : Out Deh!, 1983
- ILPS 9749 -- Jackie Genova : *Work That Body into Ski-Shape*, 1983
- ILPS 9750 -- Joe Cocker : *Sheffield Steel*, 1982
- ILPS 9751 -- Adrian Belew : *Lone Rhino*, 1982
- ILPS 9752 -- Black Uhuru : *Chill Out*, 1983
- ILPS 9753 -- Barry Briggs : *Wide Awake* (Label: Mango), 1983
- ILPS 9754 -- Various Artists : *Sound D\'Afrique* (Label: Mango), 1983
- ILPS 9755 -- not issued
- ILPS 9756 -- Black Uhuru -- *The Dub Factor* (Label: Mango), 1983
- ILPS 9757 -- Various Artists : *They Call it an Accident* (Soundtrack), 1983
- ILPS 9758 -- Gwen Guthrie : *Portrait*, 1983
- ILPS 9759 -- The B-52s : *Whammy*, 1983
- ILPS 9760 -- Bob Marley and the Wailers : *Confrontation*, 1983
- ILPS 9761 -- NYC Peech Boys : *Life Is Something Special*, 1983
- ILPS 9762 -- Tom Waits : *Swordfish Trombones*, 1983
- ILPS 9763 -- not issued
- ILPS 9764 -- not issued
- ILPS 9765 -- Will Powers : *Dancing for Mental Health*, 1983
- ILPS 9766 -- not issued
- ILPS 9767 -- not issued
- ILPS 9768 -- Adrian Belew : *Twang Bar King*, 1983
- ILPS 9769 -- Black Uhuru : *Anthem*, 1984
- ILPS 9770 -- Linton Kwest Johnson : *Making History*, 1984)
- ILPS 9771 -- not issued
- ILPS 9772 -- not issued
- ILPS 9773 -- Black Uhuru : *Anthem (Remixed)*, 1984
- ILPS 9774 -- Lee Perry : *History Mystery Prophesy*, 1984
- ILPS 9775 -- The Skatalites : *Return of the Big Guns*, 1984
- ILPS 9776 -- not issued
- ILPS 9777 -- Steve Winwood : *Talking Back to the Night*, 1982
- ILPS 9778 -- Dean Fraser : *Pumping Air*, 1984
- ILPS 9779 -- John Martyn : *Saffire*, 1984
- ILPS 9780 -- Aswad : *Rebel Souls*, 1984
- ILPS 9781 -- Toots and the Maytals : *Reggae Greats*, 1985
- ILPS 9782 -- Gregory Issacs : *Reggae Greats*, 1985
- ILPS 9783 -- Steel Pulse : *Reggae Greats*, 1985
- ILPS 9784 -- Various Artists : *Reggae Greats*, 1985
- ILPS 9785 -- Burning Spear : *Reggae Greats*, 1985
- ILPS 9786 -- Linton Kwest Johnson : *Reggae Greats*, 1985
- ILPS 9787 -- Sly & Robbie : *Reggae Greats*, 1985
- ILPS 9788 -- Various Artists : *Strictly for Lovers*, 1985
- ILPS 9789 -- Third World : *Reggae Greats*, 1985
- ILPS 9790 -- Pablo Moses : *Reggae Greats*, 1985
- ILPS 9791 -- Jacob Miller : *Reggae Greats*, 1985
- ILPS 9792 -- Lee Perry : *Reggae Greats*, 1985
- ILPS 9793 -- Black Uhuru : *Reggae Greats*, 1985
- ILPS 9794 -- Jimmy Cliff : *Reggae Greats*, 1985
- ILPS 9795 -- Wailers : *Reggae Greats*, 1985
- ILPS 9796 -- Various Artists : *Strictly for Rockerss*, 1985
- ILPS 9797 -- not issued
- ILPS 9798 -- not issued
- ILPS 9799 -- not issued
- ILPS 9800 -- Ini Kamuze : *Statement*, 1984
- ILPS 9801 -- Robert Palmer : *Riptide*, 1985
- ILPS 9802 -- The Long Ryders : *State of our Union*; 1985
- ILPS 9803 -- Tom Waits : *Rain Dogs*, 1985 [Discogs](http://www.discogs.com/release/472126)
- ILPS 9804 -- not issued
- ILPS 9805 -- Rain Parade -- *Crashing Dream*, 1985
- ILPS 9806 -- Anthrax : *Spreading The Disease*, 1985
- ILPS 9807 -- John Martyn : *Piece By Piece*, 1986
- ILPS 9808 -- not issued
- ILPS 9809 -- Arrow : *Knock Dem Dead*, 1985
- ILPS 9810 -- not issued
- ILPS 9811 -- not issued
- ILPS 9812 -- not issued
- ILPS 9813 -- not issued
- ILPS 9814 -- not issued
- ILPS 9815 -- not issued
- ILPS 9816 -- not issued
- ILPS 9817 -- not issued
- ILPS 9818 -- not issued
- ILPS 9819 -- not issued
- ILPS 9820 -- not issued
- ILPS 9821 -- not issued
- ILPS 9822 -- not issued
- ILPS 9823 -- Cat Stevens : *Footsteps in the Dark*, 1984
- ILPS 9824 -- Pearl Harbor : *Pearl\'s Galore*, 1984
- ILPS 9825 -- Various Artists : *Tommy Boy: Greatest Beats*, 1985
- ILPS 9826 -- Nick Drake : *Heaven in a Wildflower: An Explanation of Nick Drake*, 1985
- ILPS 9827 -- Ronald Shannon Jackson & the Decoding Society : *Decode Yourself*, 1985
- ILPS 9828 -- Wobble & Marland : \"Neon Moon\", 1985
- ILPS 9829 -- not issued
- ILPS 9830 -- Animal Nightlife : *Shangri La*, 1985
- ILPS 9831 -- Sly & Robbie : *Language Barrier*, 1985
- ILPS 9832 -- not issued
- ILPS 9833 -- Various Artists : *Power Jam \'85*, 1985
- ILPS 9834 -- Various Artists : *Masters of the Beat*, 1985
- ILPS 9835 -- not issued
- ILPS 9836 -- not issued
- ILPS 9837 -- Force MD\'s : *Tender Love*, 1985
- ILPS 9838 -- not issued
- ILPS 9839 -- not issued
- ILPS 9840 -- not issued
- ILPS 9841 -- not issued
- ILPS 9842 -- not issued
- ILPS 9843 -- Bob Marley & The Wailers : *Rebel Music*, 1986
- ILPS 9844 -- Steve Winwood : *Back in the High Life*, 1986; [Collectable Records.ru](https://web.archive.org/web/20070918232846/http://www.collectable-records.ru/labels/E_M/Island/21.htm)
- ILPS 9845 -- Ini Kamoze -- *Pirate*, 1986
- ILPS 9846 -- Courtney Pine : *Journey To The Urge Within*, 1986
- ILPS 9847 -- not issued
- ILPS 9848 -- not issued
- ILPS 9849 -- Shriekback : *Big Night Music*, 1986
- ILPS 9850 -- not issued
- ILPS 9851 -- Amazulu : *Amazulu*, 1985
- ILPS 9852 -- not issued
- ILPS 9853 -- not issued
- ILPS 9854 -- not issued
- ILPS 9855 -- The Comsat Angels : *Chasing Shadows*, 1986
- ILPS 9856 -- Junior Delgado : *Raggamuffin Year*, 1986
- ILPS 9857 -- not issued
- ILPS 9858 -- not issued
- ILPS 9859 -- not issued
- ILPS 9860 -- not issued
- ILPS 9861 -- Julian Cope : *Saint Julian*. 1987
- ILPS 9862 -- Various Artists : *Taxi Connection: Live in London*, 1986
- ILPS 9863 -- not issued
- ILPS 9864 -- not issued
- ILPS 9865 -- Anthrax : *Among the Living*, 1987
- ILPS 9866 -- not issued
- ILPS 9867 -- not issued
- ILPS 9868 -- not issued
- ILPS 9869 -- The Long Ryders : *Two Fisted Tales*, 1987
- ILPS 9870 -- not issued
- ILPS 9871 -- The B-52\'s : *Bouncing Off the Satellites*, 1986
- ILPS 9872 -- not issued
- ILPS 9873 -- Fairport Convention : *In Real Time (Live \'87)*, 1987
- ILPS 9874 -- Marianne Faithfull : *Strange Weather*, 1987
- ILPS 9875 -- not issued
- ILPS 9876 -- The Christians : *The Christians*, 1987
- ILPS 9877 -- Buckwheat Zydeco : *On a Night Like This*, 1987
- ILPS 9878 -- Various Artists : *Serious Dub*, 1987
- ILPS 9879 -- Melissa Etheridge : *Melissa Etheridge*, 1988
- ILPS 9880 -- not issued
- ILPS 9881 -- not issued
- ILPS 9882 -- not issued
- ILPS 9883 -- Fairport Convention : \"In Real Time: Live \'87\", 1987
- ILPS 9884 -- not issued
- ILPS 9885 -- The Triffids : *Calenture*, 1987
- ILPS 9886 -- not issued
- ILPS 9887 -- not issued
- ILPS 9888 -- not issued
- ILPS 9889 -- not issued
- ILPS 9890 -- not issued
- ILPS 9891 -- not issued
- ILPS 9892 -- not issued
- ILPS 9893 -- not issued
- ILPS 9894 -- not issued
- ILPS 9895 -- not issued
- ILPS 9896 -- not issued
- ILPS 9897 -- Wally Baradou : *Waves of a Mountain*, 1987
- ILPS 9898 -- not issued
- ILPS 9899 -- not issued
- ILPS 9900 -- not issued
- ILPS 9901 -- not issued
- ILPS 9902 -- not issued
- ILPS 9903 -- not issued
- ILPS 9904 -- not issued
- ILPS 9905 -- not issued
- ILPS 9906 -- not issued
- ILPS 9907 -- not issued
- ILPS 9908 -- not issued
- ILPS 9909 -- not issued
- ILPS 9910 -- Shriekback -- *Go Bang!*, 1988
- ILPS 9911 -- not issued
- ILPS 9912 -- not issued
- ILPS 9913 -- not issued
- ILPS 9914 -- not issued
- ILPS 9915 -- not issued
- ILPS 9916 = Anthrax : *State of Euphoria*, 1988
- ILPS 9917 -- Buckwheat Zydeco : *Taking It Home*, 1988
- ILPS/CID 9918 -- Julian Cope : *My Nation Underground*, 1988
- ILPS 9919 -- not issued
- ILPS 9920 -- Kevin McDermott Orchestra : Mother Nature\'s Kitchen, 1989
- ILPS 9921 -- Jim Capaldi : *Some Come Running*, 1988
- ILPS 9922 -- not issued
- ILPS 9923 -- Etta James : *Seven Year Itch*, 1988
- ILPS 9924 -- not issued
- ILPS 9925 -- Gavin Friday : *Each Man Kills The Thing He Loves*, 1989
- ILPS 9926 -- not issued
- ILPS 9927 -- Leatherwolf : *Street Ready*, 1989
- ILPS 9928 = The Triffids : *The Black Swan*, 1989
- ILPS 9929 -- Various Artists: *Scandal Ska*, 1989
- ILPS 9930 -- not issued
- ILPS 9931 -- not issued
- ILPS 9932 -- not issued
- ILPS 9933 -- not issued
- ILPS 9934 -- not issued
- ILPS 9935 -- not issued
- ILPS 9936 -- not issued
- ILPS 9937 -- not issued
- ILPS 9938 -- Vain : *No Respect*, 1989
- ILPS 9939 -- not issued
- ILPS 9940 -- not issued
- ILPS 9941 -- not issued
- ILPS 9942 -- not issued
- ILPS 9943 -- not issued
- ILPS 9944 -- Robert Palmer : *Addictions, Vol. 1*, 1989
- ILPS 9945 -- Free : *The Free Story*, 1989
- ILPS 9946 -- Webb Wilder : *Hybrid Vigor*, 1989
- ILPS 9947 -- not issued
- ILPS 9948 -- The Christians : *Colour*, 1990
- ILPS 9949 -- Hinterland : *Kissing the Roof of Heaven*, 1990
- ILPS 9950 -- not issued
- ILPS 9951 -- not issued
- ILPS 9952 -- not issued
- ILPS 9953 -- not issued
- ILPS 9954 -- not issued
- ILPS 9955 -- not issued
- ILPS 9956 -- not issued
- ILPS 9957 -- not issued
- ILPS 9958 -- John Mayall : *A Sense of Place*, 1990
- ILPS 9959 -- not issued
- ILPS 9960 -- not issued
- ILPS 9961 -- not issued
- ILPS 9962 -- not issued
- ILPS 9963 -- Stevie Salas : *Colorcode*, 1990
- ILPS 9964 -- not issued
- ILPS 9965 -- not issued
- ILPS 9966 -- not issued
- ILPS 9967 -- Anthrax : *Persistence of Time*, 1990
- ILPS 9968 -- not issued
- ILPS 9969 -- not issued
- ILPS 9970 -- not issued
- ILPS/CID 9971 -- Claudia Brücken : *Love: And A Million Other Things* (1991)
- ILPS 9972 -- not issued
- ILPS 9973 -- Nine Inch Nails: *Pretty Hate Machine* (1989)
- ILPS 9974 -- not issued
- ILPS 9975 -- not issued
- ILPS 9976 -- not issued
- ILPS 9977 -- Julian Cope : *Peggy Suicide*, 1991
- ILPS 9978 -- not issued
- ILPS 9979 -- not issued
- ILPS 9980 -- Anthrax : *Attack of the Killer L\'s*, 1991
- ILPS 9981 -- not issued
- ILPS 9982 -- not issued
- ILPS 9983 -- Gavin Friday : *Adam \'N\' Eve*, 1992
- ILPS 9984 -- not issued
- ILPS 9985 -- not issued
- ILPS 9986 -- not issued
- ILPS 9987 -- not issued
- ILPS 9988 -- Ronny Jordan : *The Antidote*, 1992
- ILPS 9989 -- not issued
- ILPS 9990 -- not issued
- ILPS 9991 -- Drivin\' N Cryin\': *Fly Me Courageous* (1991)
- ILPS 9992 -- not issued
- ILPS 9993 -- Tom Waits : *Bone Machine*, 1992
- ILPS 9994 -- not issued
- ILPS 9995 -- not issued
- ILPS 9996 -- not issued
- ILPS 9997 -- Julian Cope : *Jehovahkill*, 1992
- ILPS 9998 -- Courtney Pine : *In the Eyes of Creation*, 1992
- ILPS 9999 -- not issued
#### Island ISSP series {#island_issp_series}
- ISSP 4003 -- V.A.: Sound d\'Afrique, 1981
- *LP: Island ISSP 4003, Side 1 / UK, 1981*
- *LP: Island ISSP 4003, Side 2 / UK, 1981*
- *CD: Mango CCD 9697 /US, ca. 1990*
- ISSP 4004 -- V.A.: Disco Rough (Celluloid label), 1982; [Discogs](http://www.discogs.com/release/358517)
- ISSP 4006 -- The B-52\'s: Mesopotamia, 1982; [Discogs](http://www.discogs.com/release/570768)
- ISSP 4007 -- V.A.: Genius Of Rap, (2LP-set), 1982; [Discogs](http://www.discogs.com/release/184431)
- ISSP 4008 -- V.A.: Sound d\'Afrique Vol. 2, 1982
- *LP: Island ISSP 4008, Side 1 / UK, 1982*
- *LP: Island ISSP 4008, Side 2 / UK, 1982*
- *CD: Mango CCD 9754 /US, ca. 1990*
- ISSP 4012 -- Taxi Gang: Electro Reggae Vol. 1 (Mango label), 1986
#### ISTA series {#ista_series}
This series was used for soundtrack albums that were released on the label and also on a sublabel called Island Visual Arts.
- ISTA 1 -- not issued
- ISTA 2 -- Various Artists: *They Call it an Accident* (Soundtrack), 1983
- ISTA 3 -- Various Artists: *An Officer and a Gentleman* (Soundtrack), 1982
- ISTA 4 -- Philip Glass: *Koyaanisqatsi* (Soundtrack), 1982
- ISTA 5 -- not issued
- ISTA 6 -- Mel Brooks and Anne Bancroft: *To Be or Not to Be* (Soundtrack), 1983
- ISTA 7 -- Carl Davis: *Champions* (Soundtrack), 1984
- ISTA 8 -- Trevor Jones: *The Last Place on Earth* (Soundtrack), 1985
- ISTA 9 -- Various Artists: *Pumping Iron II: The Women* (Soundtrack), 1985
- ISTA 10 -- Various Artists: *The Frog Prince* (Soundtrack), 1985
- ISTA 11 -- Various Artists: *The Supergrass* (Soundtrack), 1985
- ISTA 12 -- John Neschling, Nando Carneiro and Wally Badarou: *Kiss of the Spider Woman* (Original Soundtrack with Music & Dialogue), 1985
- ISTA 13 -- not issued
- ISTA 14 -- Various Artists: *The Big Easy* (Soundtrack), 1987
- ISTA 15 -- Mitchell Froom: *Slam Dance* (Soundtrack), 1987
- ISTA 16 -- Robert Palmer: *Sweet Lies* (Soundtrack), 1988
- ISTA 17 -- Various Artists: *Return of the Living Dead Part II* (Soundtrack), 1988
- ISTA 18 -- Various Artists: *Bagdad Cafe* (Soundtrack), 1988
#### ZE ILPS series {#ze_ilps_series}
Around 1980 Island started to distribute a New York-based label, run by Michael Zilkha and Michael Esteban. In the UK the catalogue numbers were composed by the ILPS prefix and numbers starting at 7000. In the US the label was distributed via Islands Antilles label and division.
- ILPS 7000 -- Casino Music: Jungle Love, 1979
- ILPS 7001 -- Lizzy Mercier Descloux: Press Color, 1979
- ILPS 7002 -- The Contortions: *Buy*, 1979
- ILPS 7003 -- unreleased
- ILPS 7004 -- Cristina: *Cristina*, 1980
- ILPS 7005 -- unreleased
- ILPS 7006 -- unreleased
- ILPS 7007 -- Suicide: *Suicide*, 1980 (second album)
- ILPS 7008 -- James White & The Blacks: *Off White*, 1980
- ILPS 7009 -- unreleased
- ILPS 7010 -- Suicide Romeo, 1980
- ILPS 7011 -- Davitt Sigerson, 1980
- ILPS 7012 -- Kid Creole And The Coconuts: *Off The Coast Of Me*, 1980
- ILPS 7013 -- V.A.: *Mutant Disco*
- ILPS 7014 -- Kid Creole And The Coconuts: *Fresh Fruit In Foreign Places*, 1981
- ILPS 7015 -- Was (Not Was): *Was (Not Was)*, 1981
- ILPS 7016 -- Kid Creole And The Coconuts: *Tropical Gangsters*, 1982
- ILPS 7017 -- V.A.: *A Christmas Record*, 1981
- ILPS 7018 -- Sweet Pea Atkinson: *Don\'t Walk Away*, 1982
- ILPS 7019 -- John Cale: *Music For A New Society*, 1982
- ILPS 7020 -- unreleased
- ILPS 7021 -- unreleased
- ILPS 7022 -- V.A.: *A Christmas Record (Special 1982 Edition)*, 1982
- ILPS 7023 -- James White\'s Flaming Demoniacs, 1983
- ILPS 7024 -- John Cale: *Caribbean Sunset*, 1984
- ILPS 7025 -- Davitt Sigerson: *Falling In Love Again*, 1984
- ILPS 7026 -- John Cale: *Comes Alive*, 1984
#### Artist related editions {#artist_related_editions}
Tom Waits
- ITWCD 4 -- Tom Waits: *Big Time*, 1988
U2
(CD versions add \"CID\" to the beginning)
- U26 -- *The Joshua Tree*, 1987
- U27 -- *Rattle and Hum*, 1988
- U28 -- *Achtung Baby*, 1991
- U29 -- *Zooropa*, 1993
- U210 -- *Pop*, 1997
- U211 -- *Best of 1980--1990*, 1998
- U212 -- *All that you can\'t leave behind*, 2000
- U213 -- *Best of 1990--2000*, 2002
- U214 -- *How to dismantle an atomic bomb*, 2004
- U218 -- *U218 Singles*, 2006
- U219 -- *No Line on the Horizon*, 2009
### Island Reggae Greats {#island_reggae_greats}
In 1985, Island release 15 compilation albums dedicated to reggae, presenting twelve of its best (selling) reggae artists and three styles, \"DJ\", \"lovers\" and \"rockers\", on one disc each. The albums were compiled by Trevor Wyatt, the covers were illustrated by various artists on the basis of paintings and contain extensive liner notes.
This part of the Island Records discography can be found here: Island Reggae Greats
#### Island CID 101 series {#island_cid_101_series}
After the CD format was introduced on the record market Island reacted coolly by releasing only a small number of bestsellers during 1984/1985 introducing the CID (Compact Island Disc) prefix with catalogue numbers starting at 101. Soon after the company started to release new CDs and to re-release older material with the CID prefix and the \"ILPS\" catalogue numbers.
- CID 101 -- Frankie Goes To Hollywood: Welcome To The Pleasuredome (ZTT label), 1985
- CID 102 -- U2: Unforgettable Fire
- CID 103 -- Bob Marley: Legend
- CID 104 -- Wally Badarou: Echoes
- CID 105 -- not issued
- CID 106 -- not issued
- CID 107 -- not issued
- CID 108 -- not issued
- CID 109 -- not issued
- CID 110 -- U2: Boy
- CID 111 -- U2: October
- CID 112 -- U2: War
- CID 113 -- U2: Under A Blood Red Sky
- CID 120 -- Philip Glass: Koyaanisqatsi
- CID 126 -- Propaganda: A Secret Wish (ZTT label)
- CID 127 -- Andrew Poppy: The Beating Of Wings (ZTT label)
- CID 128 -- Sly & Robbie: Language Barrier
- CID 130 -- Robert Palmer: Riptide
- CID 131 -- Tom Waits: *Raindogs*, 1985
- CID 132 -- Grace Jones: Island Life, 1985
#### Island Masters {#island_masters}
In 1989, Island Records was sold to PolyGram. Immediately PolyGram started to re-release parts of the Island catalogue, mainly classics from the 1970s and good selling records from the 1980s within a CD series called Island Masters. The series ran with the prefix IMCD and catalogue numbers starting with 1. The first year of the label has seen more than 70 releases. Finally the catalogue comprised more than 300 titles, from the year 2000 on in re-mastered quality.
The discography can be seen under Island Masters.
## UK releases 1990s and 2000s {#uk_releases_1990s_and_2000s}
### Singles of the 1990s and 2000s {#singles_of_the_1990s_and_2000s}
#### The IS/CID series {#the_iscid_series}
As CD became the preferred format for the majority of sales, singles released in that format were prefixed CID. Otherwise, the series continued the numbering of the IS series begun in the 1980s. Singles released on a variety of vinyl formats (7\", 10\", 12\", etc.) continued to be prefixed IS (or 10IS, 12IS, etc.). Frequently, CD and larger format releases included additional (or sometimes different) songs to those found on the traditional 7\" format.
- IS 444 -- And Why Not?: \"The Face\" b/w \"Let Me Hear It\", January 1990
- IS 446 -- Claytown Troupe: \"Real Life\", January 1990
- CID 463 -- Hinterland: \"Desert Boots\", July 1990
- CID 470 -- Anthrax: \"In My World\", 1990
- CID 471 -- Claudia Brücken: \"Absolut(e)\", 1990; CD; 12\": 12IS 471 / UK
- CID 477 -- This Ragged Jack: \"The Party\'s Over\", 1990; 12\": 12IS 477 / UK
- CID 479 -- Claudia Brücken: \"Kiss Like Ether\", 1990; 12\": 12IS 479 / 878 449--1 /UK; 12\"-Promo: 12IS 479DJ
- CID 482 -- Nine Inch Nails: \"Down In It\", 1990; 12\": 12IS 482 / UK
- IS 483 -- Julian Cope: \"Beautiful Love\" b/w \"Port of Saints\", 2/1991
- CID 484 -- Nine Inch Nails: \"Head Like A Hole\", 1990/1991; 10\"-Picture Disc: 10ISP 484 /UK; 12\": 12IS 484
- CID 490 -- Anthrax: \"Bring The Noise\", 1991; CD; 12\": 12IS 490 / UK
- IS 492 -- Julian Cope: \"East Easy Rider\" b/w \"Butterfly E\", 1991
- CID 496 -- Top: \"Number One Dominator\", 1991
- CID 497 -- Julian Cope: \"Head E.P.\", 1991; 12\": 12IS 497 /UK
- CID 498 -- Robert Palmer: \"Every Kinda People\", 1991; 12\": 12IS 498 /UK
- CID 499 -- Screaming Target: \"Knowledge \'N\' Numbers\", 1991; 12\": 12IS 499 / UK
- CID 500 -- U2: \"The Fly\", 22.10.1991; 12\": 12IS 500 / UK
- IS 524 -- Robert Palmer: \"You\'re In My System\"; 12IS 524 DJ /UK
- IS 548 -- The Cranberries: \"Dreams\" b/w \"What You Were\", 1992; 12\": 12IS 548 (includes extra track \"Liar\")
- IS 550 -- U2: \"Who\'s Gonna Ride Your Wild Horses\", 1992
- CID 559 -- The Cranberries: \"Linger (Live)\" / \"I Still Do (Live)\" b/w Waltzing (Live)\" / \"Pretty (Live)\", 1994; 10\": 10IS 559 / 858 241--0 / UK
- CID 576 -- Sheep On Drugs: \"Let The Good Times Roll\", 1994; 10\": 10IS 576 / UK
- IS 591 -- The Wedding Present: \"It\'s A Gas\" b/w \"Bubbles\", 1994
- ISC 595 -- Pulp: *The Sisters* EP (\"Babies\", \"Your Sister\'s Clothes\" b/w \"Seconds\", \"His\'n\'Hers\"), 1994
- IS 600 -- The Cranberries: \"Zombie\" b/w \"Away\", 1994
- IS 601 -- The Cranberries: \"Ode To My Family\" b/w \"So Cold In Ireland\", 1994
- IS 629 -- V.A.: *Don\'t Be A Menace*; 12\": 12IS 629 DJ / UK promo
- IS 647 -- Lewis Taylor: \"Whoever\"; 12\": 12IS 647 DJ / UK promo
- IS 653 -- Lewis Taylor: \"Bittersweat\"; 12\": 12IS 653 DJ /UK promo
- IS 687 -- Carrie: \"Molly\" b/w \"Split Up Song\", 1998
- IS 689 -- Hinda Hicks: \"If You Want Me\"; 12\": 12IS 689 DJ / UK promo; 12\": 12ISX 689 DJ / UK promo
- IS 700 -- Hinda Hicks: \"You Think You Own me\"; 12\": 12ISX 700 DJ / UK promo
- CID 711 -- Paul Weller: Brand New Start, 1998
- CID 718 -- PJ Harvey: A Perfect Day Elise\', 1998
- CID 721 -- Hinda Hicks: Truly, 1998
- CID 724 -- Talvin Singh: OK, 1998
- IS 738 -- Elcka: \"Pleasure\"; 12\": 12IS 738 DJ / UK promo
- IS 740 -- Witness: \"Scars\" b/w \"More Miles Away\" and \"Long First Chapter\", 1999
- IS 749 -- Witness: \"Audition\" b/w \"Blind Soul Mime\" and \"Could\'ve Had A Time\", 1999
- IS 758 -- Witness: \"Hijacker\" b/w \"Lowjacker\", 1999
- IS 816 -- Bon Garçon: *The E.P.*; 12\": 12IS 816 DJ / UK promo
- IS 849 -- Keane: \"Somewhere Only We Know\" b/w \"Snowed Under\", 2004
#### The Island Jamaica series {#the_island_jamaica_series}
- IJA 2005 -- Chaka Demus & Pliers: *Every Kinda People*, 1996 (IJA 2005DJ: promo 12\" single)
- IJA 2007 -- Luciano meets Jungle Brothers: *Who Could It Be*, 1995
- IJA 2008 -- Luciano: *Life*, 1996 (IJA 2008DJ: promo 12\" single)
- IJA 2009 -- Frankie Oliver: *She Lied To Me*, 1996 (IJA 2009DJ \> promo 12\" single)
- IJCD 2016 -- Frankie Oliver: *Who\'s Gonna Do It*, 1997 (5\"CD-single)
### LPs/CDs in the 1990s and 2000s {#lpscds_in_the_1990s_and_2000s}
#### The CID 8000 series {#the_cid_8000_series}
In 1992, Island had reached catalogue number 9999 for its ILP/ILPS series and continued at number 8000. As the principal medium had changed since several years, CID became the general prefix. The independent catalogue numbers seem to have stopped being assigned to Island albums in June 2006.
- CID 8000 -- Julian Cope: Floored Genius, 1992
- CID 8001 -- Apachi Indian: No Reservation, 1993
- CID 8002 -- PJ Harvey: Rid Of Me, 1993
- CID 8003 -- The Cranberries: Everybody Else Is Doing It So, 1993
- CID 8004 -- Nine Inch Nails: Broken, 1992
- CID 8006 -- Sheep On Drugs: Greatest Hits, 1993
- CID 8007 -- Inner Circle feat. Jacob Miller, 1992
- CID 8008 -- Drivin \'n\' Cryin\': Smoke, 193
- CID 8010 -- Melissa Etheridge: Yes I Am, 1993
- CID 8011 -- Kid Creole And The Coconuts: Cre-ole (Best of \...), 1993
- CID 8012 -- Nine Inch Nails: The Downward Spiral, 1993
- CID 8013 -- not issued
- CID 8014 -- The Wedding Present: Watusi, 1994
- CID 8015 -- not issued
- CID 8016 -- Apache Indian: Make Way for the Indian, 1995
- CID 8017 -- Jah Wobble: Take Me To God, 1993
- CID 8018 -- V.A.: Peace Together, 1993
- CID 8019 -- V.A.: Young Americans, 1993
- CID 8020 -- Sheep On Drugs: On Drugs, 1993
- CID 8021 -- Tom Waits: Black Rider,1993
- CIDD 8022 -- The Orb: live ´93, 1993
- CIDX 8023 -- Marianne Faithfull: A Collection of Her Best Recordings, 1994
- CID 8024 -- Ronny Jordan meets DJ Crush: Bad Brothers, 1994
- CID 8025 -- Pulp: His\'n\'Hers, 1994
- CID 8026 -- V.A. (Soundtrack): In The Name Of The Father, 1994
- CID 8027 -- Anthrax: Live -- The Island Years, 1994
- CID 8028 -- deus: Synthology, 1994
- CID 8029 -- The Cranberries: No Need To Argue, 1994
- CID 8030 -- not issued
- CID 8031 -- Deus: My Sister = My Clock, 1995
- CID 8032 -- The Orb: The Orb\'s Adventures Beyond the Underworld, 1991
- CID 8033 -- The Orb: U.F. Orb, 1995
- CID 8034 -- Santana: Brothers, 1994
- CID 8035 -- PJ Harvey: To Bring You My Love, 1995
- CID 8036 -- Gavin Friday: Shag Tobacco, 1995
- CID 8037 -- The Orb: Orbus Terrarum, 1995
- CID 8038 -- Marianne Faithfull: A Secret Life, 1995
- CID 8039 -- Towering Inferno: Kaddish, 1995
- CID 8040 -- Moondog Jr.: Every Day I Wear a Greasy Black Feather on My Hat, 1995
- CID 8041 -- Pulp: Different Class, 1996
- CID 8042 -- Melissa Etheridge: Your Little Secret, 1995
- CID 8043 -- Passengers: Original Soundtracks 1, 1995
- CID 8044 -- Jah Wobble\'s Invaders Of The Heart: Heaven And Earth, 1996
- CID 8045 -- Salt: ausculate
- CID 8046 -- Puressence: Traffic Jam in Memory Lane, 1996
- CID 8047 -- Ronny Jordan: Light to Dark, 1996
- CID 8048 -- The Cranberries: To the Faithful Departed, 1996
- CID 8049 -- Lewis Taylor, 1996
- CID 8050 -- Red House Painters: Songs for a Blue Guitar, 1996
- CID 8051 -- John Parrish & P.J. Harvey: Songs for a Blue Guitar, 1996
- CID 8052 -- Deus: In A Bar, Under The Sea, 1996
- CID 8053 -- Various Artists: Later, Vol. 1, 1996
- CID 8054 -- Various Artists: Later, Vol. 2: Slow Beats, 1996
- CID 8055 -- The Orb: Orblivion, 1997
- CID 8056 -- Salad: Ice Cream, 1997
- CID 8057 -- Elcka: Rubbernecking, 1997
- CID 8058 -- Paul Weller: Heavy Soul, 1997
- CID 8059 -- Morrissey: Maladjusted, 1997
- CID 8060 -- Soul II Soul: Time For Change, 1997
- CID 8061 -- Soundtrack: Face, 1997
- CID 8062 -- not issued
- CID 8063 -- not issued
- CID 8064 -- Puressence: Only Forever, 1997
- CID 8065 -- Various Artists: The Birth of the Cool Seven, 1997
- CID 8066 -- Pulp: This Is Hardcore, 1998
- CID 8067 -- not issued
- CID 8068 -- Hinda Hicks: Hinda, 1998
- CID 8069 -- Carrie: Fear of Sound, 1998
- CIDM 8070 -- Angelique Kidjo: Oremi (Mango label), 1998
- CID 8071 -- Tricky: Angels With Dirty Faces, 1998
- CID 8072 -- not issued
- CID 8073 -- Lodger: A Walk in the Park, 1998
- CID 8074 -- Tindersticks: Donkeys \'92--97, 1998
- CIDM 8075 -- Talvin Singh: O.K. (Mango label), 1998
- CID 8076 -- P.J. Harvey: Is This Desire?, 1998
- CID 8077 -- Soundtrack: Lock, Stock & Two Smoking Barrels, 1998
- CID 8078 -- The Orb: U.F. Off -- The Best of The Orb, 1998
- CID 8079 -- Cat Stevens: Remember -- The Ultimate Collection, 1999
- CID 8080 -- Paul Weller: Modern Classics -- The Greatest Hits, 1998
- CID 8081 -- Deus: The Ideal Crash, 1999
- CID 8082 -- not issued
- CID 8083 -- not issued
- CID 8084 -- Witness: Before the Calm, 1999
- CID 8085 -- Tindersticks: Simple Pleasure, 1999
- CID 8086 -- not issued
- CID 8087 -- Tricky: Juxtapose, 1999
- CID 8088 -- The Little Mothers: Worry, 1999
- CID 8089 -- not issued
- CID 8090 -- Ocean Colour Scene: One From The Modern, 1999
- CID 8091 -- Nine Inch Nails: Fragile, 1999
- CID 8092 -- G:MT -- Greenwich Mean Time (Music From The Film), 1999
- CID 8093 -- Paul Weller: Heliocentric, 2000
- CID 8094 -- The Million Dollar Hotel (Music From The Motion Picture), 1999
- CID 8095 -- Me One: As Far as I\'m Concerned, 2000
- CID 8096 -- Various Artists: Randall & Hopkirk (Deceased), 2000
- CID 8097 -- not issued
- CID 8098 -- Lewis Taylor: Lewis II, 2000
- CID 8099 -- P.J. Harvey: Stories from the City, Stories from the Sea, 2000
- CID 8100 -- The Orb: Cydonia, 2001
- CID 8101 -- Young Love: Too Young to Fight It, 2007
- CID 8102 -- Nine Inch Nails: Things Fall Apart, 2000
- CID 8103 -- Talvin Singh: Ha, 2001
- CID 8104 -- Ocean Colour Scene: Mechanical Number, 2001
- CID 8105 -- not issued
- CID 8106 -- Stereo MC\'s: Deep Down & Dirty, 2001
- CID 8107 -- not issued
- CID 8108 -- not issued
- CID 8109 -- Custom Blue: All Follow Everyone, 2002
- CID 8110 -- Pulp: We Love Life, 2001
- CID 8111 -- Ocean Colour Scene: Songs From the Front Row -- The Best of Ocean Colour Scene, 2001
- CID 8112 -- Frou Frou: Details, 2002
- CID 8113 -- not issued
- CID 8114 -- Tricky: A Ruff Guide, 2002
- CID 8115 -- Ali G Indahouse: Da Soundtrack, 2002
- CID 8116 -- allSTARS\*: allSTARS\*, 2002
- CID 8117 -- not issued
- CID 8118 -- D.J. Shadow: The Private Press, 2002
- CID 8119 -- Martin Grech: Open Heart Zoo, 2002
- CID 8120 -- Naughty by Nature: Licons (Icons), 2002
- CID 8121 -- Default: Fallout, 2002
- CID 8122 -- Sugababes: Angels With Dirty Faces, 2002
- CID 8123 -- Music from the Motion Picture Swimfan, 2002
- CID 8124 -- Puressence: Planet Helpless, 2002
- CID 8125 -- Stereo MC\'s: Retroactive -- The Best of Stereo MC\'s, 2002
- CID 8126 -- Pulp: Hits, 2002
- CID 8127 -- not issued
- CID 8128 -- David Holmes: Analyze That (Soundtrack), 2003
- CID 8129 -- not issued
- CID 8130 -- The Good Thief: Original Soundtrack & Music From The Film, 2003
- ILPSD 8131 -- D.J. Shadow: The Private Repress, 2003
- CID 8132 -- Sevendust: Animosity, 2003
- CID 8133 -- Nothingface: Skeletons, 2003
- CID 8134 -- BellX1: Music in Mouth -- New Version, 2004
- CID 8135 -- Span: Mass Distraction, 2004
- CID 8136 -- Party Monster: Original Motion Picture Soundtrack, 2003
- CID 8137 -- Sugababes: Three, 2003
- CID 8138 -- Love Actually: The Original Soundtrack, 2003
- CID 8139 -- not issued
- CID 8140 -- Sevendust: Seasons, 2003
- CID 8141 -- Nick Drake: Made to Love Magic, 2004
- CID 8142 -- Shaun Of The Dead: Music From The Motion Picture, 2004
- CID 8143 -- P.J. Harvey: Uh Huh Her, 2004
- CID 8144 -- not issued
- CID 8145 -- Keane: Hopes and Fears, 2004
- CID 8146 -- D.J. Shadow: Live! In Tune and On Time, 2004
- CID 8147 -- Chiniki: Lick Your Ticket, 2004
- CID 8148 -- Amy Winehouse: Frank, 2003
- CID 8149 -- Nick Drake: A Treasury -- The Best of Nick Drake, 2004
- CID 8150 -- Bridget Jones: The Edge Of Reason -- The Original Soundtrack, 2004
- CID 8151 -- not issued
- CID 8152 -- not issued
- CID 8153 -- not issued
- CID 8154 -- Dogs: Turn Against This Land, 2005
- CID 8155 -- Nine Inch Nails: With Teeth, 2005
- CID 8156 -- Leaves: Angela Test, 2005
- CID 8157 -- Martin Grech: Unholy, 2005
- CID 8158 -- Nine Black Alps: Everything Is, 2005
- CID 8159 -- not issued
- CID 8160 -- not issued
- CID 8161 -- Bellx1: Flock, 2006
- CID 8162 -- Sugababes: Taller in More Ways, 2005
- CID 8163 -- Ladytrum: Witching Hour
- CID 8164 -- not issued
- CID 8165 -- Fightstar: Grand Unification, 2005
- CID 8166 -- Nine Black Alps: Gutter Gulch EP, 2006
- CID 8167 -- Keane: Under the Iron Sea, 2006
#### Island Jamaica/Island Jamaica Jazz {#island_jamaicaisland_jamaica_jazz}
Island released for a short while Jamaican music on new sub-labels Island Jamaica and Island Jamaica Jazz, the latter one obviously responding to the success of bands like Jazz Jamaica and the music by trombone soloists like Rico Rodriguez.
- IJCD 4002 -- Ernest Ranglin: *Below The Bassline*, 1996
- IJCD 4003 -- Dean Fraser: *Big Up!*, 1997
- IJCD 4004 -- Ernest Ranglin: *Memories Of Barber Mack*, 1997
- IJCD 4005 -- The Skatalites: *Ball Of Fire*, 1997
#### Island Masters {#island_masters_1}
The series that started in the late 1980s continued in the first half of the 1990s releasing more material from Island\'s back catalogue.
The discography can be found under Island Masters.
#### Reggae Refreshers {#reggae_refreshers}
This series started with 26 releases in 1990. Island used the new label to re-issue a part of its reggae catalogue. Confusing was that some of the titles were also released within the Island Masters series or deleted shortly after the release to be re-released otherwise (the Bob Marley & The Wailers catalogue). More titles had been reissued in 1995, while the parent label changed at least for the European releases from Island to Mango. The UK prefixes were RRCD for CD releases and RRCT for cassettes. Numbers started with 1. Two compilations (numbered 101 and 102 respectively) were released to accompany the series.
- RRCDS 101 -- Various Artists: *Reggae Refreshers*, 1990
- RRCD 1 -- The Wailers: *Catch a Fire*
- RRCD 2 -- The Wailers: *Burnin\'*
- RRCD 3 -- Bob Marley & The Wailers: *Natty Dread*
- RRCD 4 -- Bob Marley & The Wailers: *Confrontation*, original release: 1983
- RRCD 5 -- Bob Marley & The Wailers: *Rebel Music*
- RRCD 6 -- Bunny Wailer: *Blackheart Man*
- RRCD 7 -- Bunny Wailer: *Protest*
- RRCD 8 -- Bunny Wailer: *Sings The Wailers*
- RRCD 9 -- Gregory Isaacs: *Night Nurse*
- RRCD 10 -- Lee Perry: *Reggae Greats*
- RRCD 11 -- Jimmy Cliff: *The Harder They Come*
- RRCD 12 -- Black Uhuru: *Sinsemilla*
- RRCD 13 -- Lee Perry: *Super Ape*
- RRCD 14 -- The Heptones: *Party Time*
- RRCD 15 -- Burning Spear: *Man In The Hills*
- RRCD 16 -- Third World: *96 Degrees In The Shade*
- RRCD 17 -- Steel Pulse: *Tribute To The Martyrs*
- RRCD 18 -- Black Uhuru: *Red*
- RRCD 19 -- The Heptones: *Night Food*
- RRCD 20 -- Burning Spear: *Marcus Garvey / Garvey\'s Ghost*
- RRCD 21 -- Toots & The Maytals: *Funky Kingston*
- RRCD 22 -- Jimmy Cliff: *Reggae Greats*
- RRCD 23 -- Max Romeo: *War Ina Babylon*
- RRCD 24 -- Steel Pulse: *Handsworth Revolution*
- RRCD 25 -- Ijahman: *Are We A Warrior*
- RRCD 26 -- Linton Kwesi Johnson: *Bass Culture*
- RRCD 27 -- Aswad: *Distant Thunder*
- RRCD 28 -- Black Uhuru: *The Dub Factor*; [Discogs](http://www.discogs.com/release/202318)
- RRCD 29 -- Sly & Robbie: *A Dub Experience -- Reggae Greats*
- RRCD 30 -- Dillinger: *CB 200*; [Discogs](http://www.discogs.com/release/509874)
- RRCD 31 -- George Faith: *To Be A Lover (Have Mercy)*
- RRCD 32 -- Linton Kwesi Johnson: *Forces Of Victory*
- RRCD 33 -- not issued
- RRCD 34 -- Linton Kwesi Johnson: *LKJ In Dub*
- RRCD 35 -- Ijahman: *Haile I Hymn (Chapter One)*
- RRCD 36 -- Various: *Sly & Robbie Present Taxi*
- RRCD 37 -- Various: *Crucial Reggae -- Driven By Sly & Robbie*
- RRCD 38 -- Dean Fraser: *Pumpin\' Air*, original released in 1984
- RRCD 39 -- Sugar Minott: *Black Roots*
- RRCD 40 -- Burning Spear: *Dry And Heavy*
- RRCD 41 -- Black Uhuru: *Anthem*
- RRCD 42 -- Gregory Isaacs: *Reggae Greats -- Live*
- RRCD 43 -- Black Uhuru: *Chill Out*
- RRCD 44 -- Various Artists: *Countryman-OST*
- RRCD 45 -- Various Artists: *Rockers-Soundtrack*
- RRCD 46 -- Gregory Isaacs: *Out Deh!*
- RRCD 47 -- Jah Lion: *Colombia Colly*
- RRCD 48 -- Michael Prophet: *Serious Reasoning* (With 2 Bonus Track)
- RRCD 49 -- not issued
- RRCDS 102 -- Various Artists: *Reggae Refreshers Vol. 2*, 1995
- RRCD 50 -- Jimmy Cliff: *The Best Of Jimmy Cliff*
- RRCD 51 -- not issued
- RRCD 52 -- Augustus Pablo: *Classic Rockers*
- RRCD 53 -- Wailing Souls: *Wild Suspense*
- RRCD 54 -- Rico: *Roots To The Bone*
- RRCD 55 -- Lee \"Scratch\" Perry: *From The Secret Laboratory*; [Discogs](http://www.discogs.com/release/264034)
- RRCD 56 -- Burning Spear: *Harder Than The Best*
- RRCD 57 -- Junior Murvin: *Police & Thieves*; [Discogs](http://www.discogs.com/release/477823)
- RRCD 58 -- Toots & The Maytals: *Reggae Got Soul*
- RRCD 59 -- Ini Kamoze: *Statement*
- RRCD 60 -- Various Artists: *The Original Soundtrack From Countryman* (New Edition)
- RRCD 61 -- Various Artists: *The Harder They Come \[Original Soundtrack Recording\]* (New Edition)
#### CID/IS series {#cidis_series}
- IS 878 -- U2: \"Vertigo\", 2004
- IS 886 -- U2: \"Sometimes You Can\'t Make It On Your Own\", 2005
#### ISLR series (promotional use only) {#islr_series_promotional_use_only}
- ISLR 15890-2 -- Fefe Dobson: \"Take Me Away\", 2003
- ISLR 15979-2 -- Fefe Dobson: \"Everything\", 2004
- ISLR 16085-2 -- Fefe Dobson: \"Don\'t Go (Girls and Boys)\", 2004
- ISLR 16269-2 -- Fefe Dobson: \"Don\'t Let It Go to Your Head\", 2005
- ISLR 16518-2 -- Fefe Dobson: \"This is My Life\" (MAINSTREAM VERSION), 2006
- ISLR 16521-2 -- Fefe Dobson: \"This is My Life\" (ALBUM VERSION), 2006
#### Island Masters/Island Re-Masters series {#island_mastersisland_re_masters_series}
While there was no clear label policy the Island Masters were reactivated under the title Island Remasters with remastered works of the back catalogue and more reissues to reach the catalogue number 320 in 2005.
The discography can be found under Island Masters.
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7,128,807 |
Namalata
|
`{{no footnotes|date=October 2019}}`{=mediawiki} **Namalata** (`{{IPA|fj|namalata}}`{=mediawiki}) is a village and island in Fiji. It is located in the southern portion of the Vanua Balavu island group, part of Fiji\'s Lau Islands. The village is a constituent of the larger Lomaloma village.
The people of Namalata descend from the original inhabitants of Mago Island, who were displaced in the nineteenth century.
## Chiefly titles {#chiefly_titles}
The Chief of Namalata Village is the *Tui Mago*.
## From Mago to Namalata {#from_mago_to_namalata}
In the mid-19th century, Fiji\'s two dominant chiefs at the time, the Vunivalu of Bau (Seru Epenisa Cakobau) and the Tui Cakau were threatened by the Tongan warlord, Enele Ma\'afu. They sought the help of the Namalata people while Ma\'afu was in Lomaloma, on Vanua Balavu, as they could provide information on his movements.
The island of Mago was then given to Europeans in order to slow Ma\'afu\'s advancement into Fiji, as the threat of retaliation from their respective homelands deterred him from attacking Europeans. When Fiji was ceded to the United Kingdom in 1874, those occupying the island were registered as the rightful owners, thus dispossessing the Namalata people. Mago Island is now owned by actor and film director Mel Gibson.
| 2025-06-20T00:00:00 |
7,128,831 |
Universe (Planet X album)
|
***Universe*** is the first studio album by the instrumental rock/progressive metal band Planet X, released on June 6, 2000 through Inside Out Music. The album is essentially a continuation of keyboardist Derek Sherinian\'s 1999 debut solo release *Planet X*, but this time as a full band effort featuring guitarist Tony MacAlpine and drummer Virgil Donati.
## Critical reception {#critical_reception}
Glenn Astarita at All About Jazz gave *Universe* a positive review, recommending it for both \"technically inclined prog-heads\" and \"those who feel that they\'ve heard it all.\" He praised each musician for their technical prowess, but remarked that it was sometimes difficult to differentiate between MacAlpine\'s guitar and Sherinian\'s keyboard.
Robert Taylor at AllMusic gave *Universe* four stars out of five, saying that \"Some of the selections tend to sound the same, but the inventive soloing of each player more than makes up it\" and calling it \"A fine effort by a very powerful trio\".
## Track listing {#track_listing}
## Personnel
- Tony MacAlpine -- guitar, production
- Derek Sherinian -- keyboard, production
- Virgil Donati -- drums, production
- Tom Kennedy -- bass
- Dick Smothers Jr. -- spoken vocals (track 5)
- Albert Law -- engineering
- T. J. Helmerich -- engineering
- Greg D\'Angelo -- engineering
- Tom Fletcher -- mixing
- Gene Grimaldi -- mastering
| 2025-06-20T00:00:00 |
7,128,844 |
Rashidieh
|
**Rashidieh**, or **Ar-Rashidiyah** is the second most populous Palestinian refugee camp in Lebanon, located on the Mediterranean coast about five kilometres south of the city of Tyre (Sur).
## Etymology
The camps\'s Arabic name, \"الرشيدية\", is variously transliterated as Rashidiya, Rashidiyah, Rachidiye, Rashidiyyeh, Rashadiya, Rashidieh, Reshîdîyeh*,* or Rusheidiyeh with or without a version of the article Al, El, Ar, or Er.
The London-based Palestine Exploration Fund (PEF) and other sources recorded that in the Mid-19th century the settlement was named after its then owner, the Ottoman top-diplomat and politician Mustafa Reşid Pasha, known best as the chief architect behind the regime\'s modernization reforms known as Tanzimat.
## Territory
There is an abundance of fresh water supplies in the area with the springs of Ar-Rashidiyah itself and those of Ras al-Ain nearby.
To its northern side, Ar-Rashidiyah borders the Tyre Coast Nature Reserve.
According to a 1998 fact-finding mission of the Danish Immigration Service, the camp covers an area of 248,426 square meters. Journalist Robert Fisk estimated the size to be four square miles.
## History of the site {#history_of_the_site}
### Prehistoric times {#prehistoric_times}
According to Ali Badawi, the long-time chief-archaeologist for Southern Lebanon at the Directorate-General of Antiquities, it can be generally assumed that all villages around Tyre were established already during prehistoric times of the Neolithic age (5,000 BCE), especially in the fertile area of Ras al-Ain, next to the Tell El-Rashdiyeh (the Hill of Rashidieh).
### Ancient times {#ancient_times}
#### Phoenician times {#phoenician_times}
\[\[<File:TellRashidieh> CineraryUrn PhoenicianInscription 775-700BCE NationalMuseumOfBeirut RomanDeckert06102019.jpg\|thumb\|Cinerary urn from Rashidieh with Phoenician inscription
> *BT LB*\' (House of LB\')
\]\] Many scholars assume that the area of what is now Rashidieh actually used to be the original Ushu (also transliterated Usu or Uzu), founded on the mainland around 2750 BCE as a walled place. It was later called Palaetyrus (also spelled Palaityros or Palaeotyre), meaning \"Old Tyre\" in Ancient Greek, and was the lifeline for Island Tyre as its continental twin sister:
> \"*To an overpopulated island, its mainland territory was a vital necessity, supplying it with agricultural products, drinking water, wood and murex. In isolation the island city was nothing.*\"
One of the reasons to locate Ushu/Palaetyrus in the Rashidieh area is the delineation of its acropolis by Ancient-Greek geographer Strabo, who visited Tyre himself.
The springs of Ras al-Ain were described by later scholars as the \"cisterns of Solomon\" and said to have been commissioned by the legendary King of Israel, who was a close ally of Tyrian king Hiram I.
Very few archaeological excavations have been conducted in Rashidieh. However, the collections of the National Museum of Beirut hold a number of items which were found there. Amongst them is an amphora with Phoenician inscriptions dated to the Iron Age II and a cinerary urn dated 775--750 BCE. The latter was an import from Cyprus and gives evidence that Rashidieh was used as a necropolis as well.
However, Ushu/Palaetyrus apparently suffered great damages when the Neo-Assyrian king Shalmaneser V besieged the twin-city in the 720s BCE. Likewise during the attack by Neo-Babylonian king Nebuchadnezzar II, who started a siege of Tyre in 586 BCE that went on for thirteen years.
#### Hellenistic times {#hellenistic_times}
Reportedly, when Alexander the Great arrived at the gates of Tyre in 332 BCE and proposed to sacrifice to city deity Melqart in the temple on the island, the Tyrian government refused this and instead suggested that Alexander sacrifice at another temple on the mainland at Old Tyre. Angered by this rejection and the city\'s loyalty to Persian king Darius the Great, Alexander started his Siege of Tyre despite its reputation as being impregnable. However, the Macedonian conqueror succeeded after seven months by demolishing the old city on the mainland and using its stones to construct a causeway to the island. This isthmus increased greatly in width over the centuries because of extensive silt depositions on either side, making the former island a permanent peninsula -- based on the ruins and rubble of Palaetyrus.
#### Roman times (64 BCE--395) {#roman_times_64_bce395}
During Roman times, large water reservoirs were built in Ras al-Ain as well as an aqueduct which channeled the water to Tyre. At the same time, the use of the area as a burial ground seems to have continued: a marble sarcophagus from the first or second century CE was discovered there in 1940. It is exhibited at the National Museum in Beirut.
#### Byzantine period (395--640) {#byzantine_period_395640}
According to the Syrian scholar Evagrius Scholasticus (536--596 CE), the hill of what is now Rashidieh was known as *Sinde --* \"*a place where a hermit called Zozyma used to dwell.*\"
Over the course of the 6th century CE, starting in 502, a series of earthquakes shattered Tyre area and left the city diminished. The worst one was the 551 Beirut earthquake. It was accompanied by a Tsunami and probably destroyed also much of what was left in the area of what is now Rashidieh. In addition, the city and its population increasingly suffered during the 6th century from the political chaos that ensued when the Byzantine empire was torn apart by wars. The city remained under Byzantine control until it was captured by the Sassanian shah Khosrow II at the turn from the 6th to the 7th century CE, and then briefly regained until the Muslim conquest of the Levant, when in 640 it was taken by the Arab forces of the Rashidun Caliphate.
### Medieval times {#medieval_times}
#### Early Muslim period (640--1124) {#early_muslim_period_6401124}
As the bearers of Islam restored peace and order, Tyre soon prospered again and continued to do so during half a millennium of Caliphate rule. The Rashidun period only lasted until 661. It was followed by the Umayyad Caliphate (until 750) and the Abbasid Caliphate. In the course of the centuries, Islam spread and Arabic became the language of administration instead of Greek.
At the end of the 11th century, Tyre avoided being attacked by paying tribute to the Crusaders who marched on Jerusalem. However, in late 1111, King Baldwin I of Jerusalem laid siege on the former island city and probably occupied the mainland, including the area that is now Rashidieh, for that purpose. Tyre in response put itself under the protection of the Seljuk military leader Toghtekin. Supported by Fatimid forces, he intervened and forced the Franks to raise the siege in April 1112, after about 2.000 of Baldwin\'s troops had been killed. A decade later, the Fatimids sold Tyre to Toghtekin who installed a garrison there.
#### Crusader period (1124--1291) {#crusader_period_11241291}
On 7 July 1124, in the aftermath of the First Crusade, Tyre was the last city to be eventually conquered by the Christian warriors, a Frankish army on the coast -- i.e. also in today\'s Rashidieh area -- and a fleet of the Venetian Crusade from the sea side. The takeover followed a siege of five and a half months that caused great suffering from hunger to the population. Eventually, Tyre\'s Seljuk ruler Toghtekin negotiated an agreement for surrender with the authorities of the Latin Kingdom of Jerusalem.
Under its new rulers, Tyre and its countryside -- including what is now Rashidieh -- were divided into three parts in accordance with the *Pactum Warmundi*: two-thirds to the royal domain of Baldwin and one third as autonomous trading colonies for the Italian merchant cities of Genoa, Pisa and -- mainly to the Doge of Venice. He had a particular interest in supplying silica sands to the glassmakers of Venice and so it may be assumed that the area of what is now Rashidieh fell into his interest sphere.
#### Mamluk period (1291--1516) {#mamluk_period_12911516}
In 1291, Tyre was again taken, this time by the Mamluk Sultanate\'s army of Al-Ashraf Khalil. He had all fortifications demolished to prevent the Franks from re-entrenching. After Khalil\'s death in 1293 and political instability, Tyre lost its importance and \"*sank into obsurity.*\" When the Moroccan explorer Ibn Batutah visited Tyre in 1355, he found it a mass of ruins.
### Modern times {#modern_times}
#### Ottoman rule (1516--1918) {#ottoman_rule_15161918}
The Ottoman Empire conquered the Levant in 1516, yet the desolate area of Tyre remained untouched for another ninety years until the beginning of the 17th century, when the leadership at the Sublime Porte appointed the Druze leader Fakhreddine II as Emir to administer Jabal Amel (modern-day South Lebanon). He encouraged the systematically discriminated Shiites -- known as the Metwalis -- to settle near Tyre in order to secure the road to Damascus, and thus laid the foundation of Rashidieh\'s 19th century demographics.
However, the development of the Greater Tyre area stalled once again in 1635, when Sultan Murad IV had Fakhreddine executed for his political ambitions. Henceforth, it is unclear how the area of Rashidieh developed in the following 200 years, except that it was apparently called *Tell Habish* (also spelled *Habesh*) during that time, the \"Hill of Habish\":
\"Habish\" may be translated as \"Ethiopian\", which in turn might refer to the Tyrian brothers Frumentius and Edesius, who got shipwrecked on the Eritrean coast in the 4th century CE. While Frumentius has been credited with bringing Christianity to the Kingdom of Aksum and became the first bishop of the Ethiopian Orthodox Tewahedo Church, Edesius returned to Tyre to become a priest. It was then in 1856, according to some sources, that Mustafa Reşid Pasha -- the chief architect behind the Ottoman government reforms known as Tanzimat -- obtained personal ownership of the lands in the area of Tell Habish. This was perhaps when he became Grand Vizier for the fifth time in his career at the end of that year. In any case, the transfer took obviously only place after the Ottoman leadership in Constantinople regained control over Jabal Amel from Muhammad Ali Pasha in 1839 after almost eight years. The army of the rebellious Egyptian Governor was defeated not only with allied support from the British Empire and Austria-Hungary, but mainly by Shiite forces under the leadership of the Ali al-Saghir dynasty.
The PEF *Survey of Western Palestine* (SWP) -- led by Herbert Kitchener at the beginning of his military career -- explored the area in May 1878 and described *Er Rusheidiyeh* as follows:
> \"*It is a hill about sixty feet above the level of the sea. It took its present name a few years ago, Rusheid Pasha (commonly written Reshid Pasha) having acquired the place and built a farm upon it of the old materials which covered the soil.\"*
And:
> \"*A large square building, built by Rusheid Pasha for a factory; now contains about 70 Metawileh, and is surrounded by gardens of olives, figs, pomegranates, and lemons. It stands on a slight hill above the plain, and has two strong springs near, surrounded by masonry.*\"
According to the Bavarian historian and politician Johann Nepomuk Sepp, who in 1874 led an Imperial German mission to Tyre in search of the bones of Holy Roman Emperor Frederick I \"Barbarossa\", the estate was taken over after the death of Reşid Pasha in 1858 by Sultan Abdulaziz.
In 1903, the Greek archaeologist Theodore Makridi Bey, curator of the Imperial Museum at Constantinople conducted archaeological excavations in Rashidieh and discovered a number of cinerary urns with human bones and ashes. Some were locally made while others were imported from Cyprus. These findings were apparently sent to the Ottoman capital.
A map from a 1906 Baedeker travel guide designates the area as \"*Tell Habesh or Reshîdîyeh*\". It showed gardens, a mill and a Khan (a Caravanserai).
### French Mandate colonial rule (1920--1943) {#french_mandate_colonial_rule_19201943}
On the first of September 1920, the colonial French rulers proclaimed the new State of Greater Lebanon. According to an oral history project, the new authorities gave \"*sections of Rashidieh Hill, where there were already two churches*\", to the Catholic Church's Waqf, i.e. its financial endowment. It is unclear though whether this was the Latin-Catholic School or one of its orders like the Franciscans in Tyre, or the Maronite Catholic Archeparchy of Tyre, or the Melkite Greek Catholic Archeparchy of Tyre. The latter has apparently the largest property holdings of the Christian confessions in the area and is commonly just called \"the Catholic church\". In any event, it has been reported that a Lebanese Christian village developed in Rashidieh.
In the following years, survivors of the Armenian genocide started arriving in Tyre, mostly by boat:
> \"*The first agricultural settlement was created in Ra\'s al-\'Ain, near the city of Tyre, in 1926. The operation quickly failed due to the animosity between refugees from different regions, but also between the refugees and the local population. The refugees had therefore to be relocated to Beirut.*\"
Yet more refugees arrived and hence a branch of the Armenian General Benevolent Union was founded in Tyre in 1928. Then, in 1936, the colonial authorities started constructing a camp for Armenian refugees in Rashidieh. According to the above-mentioned oral history project, they were settled on the land which the French authorities had given to the Catholic church. The construction of the camp next to the Lebanese Christian village was planned on a street grid. The two village churches were incorporated into the camp. During the works a number of Phoenician tombs were discovered.
One year later, another camp was constructed in the El Bass area of Tyre.
In 1942, Emir Maurice Chehab (1904--1994) -- \"the father of modern Lebanese archaeology\" who for decades headed the Antiquities Service in Lebanon and was the curator of the National Museum of Beirut -- conducted further excavations in Rashidieh and discovered more cinerary urns from Phoenician times.
### Lebanese independence (since 1943) {#lebanese_independence_since_1943}
#### 1948 Palestinian exodus {#palestinian_exodus}
When the state of Israel was declared in May 1948, the area of Tyre was immediately affected: with the 1948 Palestinian expulsion and flight -- also known as the Nakba -- thousands of Palestinian refugees fled there, often by boat. However, Rashidieh apparently continued to house Armenian refugees, while Palestinians were sheltered in a tented camp at Burj el-Shemali for transit to other places in Lebanon.
> \"*In 1950, a couple of years after arriving in south Lebanon, the Lebanese authorities decided to relocate all Palestinians residing in southern towns (e.g., Tibnine, al-Mansouri, al-Qlayla, and Bint Jbeil) to designated refugee camps. The authorities established one of these camps adjacent to the Armenian camp with nothing but tents. The residents there began to build walls from mud and clay in order to reinforce the tents. For every eight housing units, they built a shared bathroom fifty meters away. A decade later, as Armenian residents began to leave, the Palestinian refugees began moving into those lots. 200 of the 311 Armenian houses remain today and are commonly referred to as the \>Old Camp.\<*\"
In 1963, the United Nations Relief and Works Agency for Palestine Refugees (UNRWA) built a new section in Rashidieh to accommodate Palestine refugees from Deir al-Qassi, Alma, Suhmata, Nahaf, Fara and other villages in Palestine, who were relocated by the Lebanese government from the El Bass refugee camp and from Baalbeck.
> \"*After the 1969 agreement in which the Lebanese government recognized the presence of the Palestine Liberation Organization (PLO) in Lebanon, and its control of the camps, the Rashidieh residents worked the Jaftalak fields surrounding the camp without paying any fees. Each farmer could choose a plot of land to plant and they would come to be (informally) known as the owner of that plot. The Jaftalak land was public land divided between the Ministry of Finance, the Ministry of Education, and other-defined state land. Yet the cultivation of Jaftalak fields was limited to greens: pinto beans, lettuce, parsley, cilantro, radishes, etc. The farmers were prohibited from growing fruit-bearing trees since the land did not legally belong to them. According to Lebanese property law, whoever plants a tree, automatically owns the land it is on.*\"
In 1970, the camp received more Palestinian refugees, this time from Hashemite Kingdom of Jordan following the Black September conflict between Jordanian Armed Forces (JAF) under King Hussein and the PLO led by Yasser Arafat. Rashidieh increasingly became an important recruitment and training center for Al-\'Asifah, the armed wing of Arafat\'s Fatah faction.
In 1974, the Israeli military attacked: on May 19, the Israeli Navy reportedly shelled Rashidieh, killing 5 people and injuring 11. On 20 June, the Israeli Air Force (IAF) bombed the camp. According to the Lebanese army, 5 people were killed and 21 injured in Rashidieh.
In the same year, \"*a rescue excavation*\" was conducted in Rashidieh by Lebanon\'s Department of Antiquities after a mechanical digger was used to build a shelter and five Iron Age tombs were discovered.
#### Lebanese Civil War (1975--1990) {#lebanese_civil_war_19751990}
In January 1975, a unit of the Popular Front for the Liberation of Palestine (PFLP) attacked the Tyre barracks of the Lebanese Army. The assault was denounced by the PLO as \"*a premeditated and reckless act*\".
Two months later, a PLO commando of eight militants sailed from the coast of Tyre to Tel Aviv to mount the Savoy Hotel attack, during which eight civilian Hostages and three Israeli soldiers were killed as well as seven of the attackers. Israel retaliated by launching a string of attacks on Tyre \"*from land, sea and air*\" in August and September 1975.
Then, in 1976, local commanders of the PLO took over the municipal government of Tyre with support from their allies of the Lebanese Arab Army. They occupied the army barracks, set up roadblocks and started collecting customs at the port. However, the new rulers quickly lost support from the Lebanese-Tyrian population because of their \"*arbitrary and often brutal behavior*\".
In 1977, three Lebanese fishermen in Tyre lost their lives in an Israeli attack. Palestinian militants retaliated with rocket fire on the Israeli town of Nahariya, leaving three civilians dead. Israel in turn retaliated by killing \"*over a hundred*\" mainly Lebanese Shiite civilians in the Southern Lebanese countryside. Some sources reported that these lethal events took place in July, whereas others dated them to November. According to the latter, the IDF also conducted heavy airstrikes as well as artillery and gunboat shelling on Tyre and surrounding villages, but especially on the Palestinian refugee camps in Rashidieh, Burj El Shimali and El Bass.
##### 1978 South Lebanon conflict with Israel {#south_lebanon_conflict_with_israel}
On 11 March 1978, Dalal Mughrabi -- a young woman from the Palestinian refugee camp of Sabra in Beirut -- and a dozen Palestinian fedayeen fighter sailed from Tyre to a beach north of Tel Aviv. Their attacks on civilian targets became known as the Coastal Road massacre that killed 38 Israeli civilians, including 13 children, and wounded 71. According to the United Nations,
> PLO *\"claimed responsibility for that raid. In response, Israeli forces invaded Lebanon on the night of 14/15 March, and in a few days occupied the entire southern part of the country except for the city of Tyre and its surrounding area.\"*
Tyre was badly affected in the fighting during the Operation Litani, with civilians bearing the brunt of the war, both in human lives and economically: The Israel Defense Forces (IDF) targeted especially the harbour on claims that the PLO received arms from there and the Palestinian refugee camps.
On 19 March, the UN Security Council adopted resolutions in which decided on the immediate establishment of the United Nations Interim Force in Lebanon (UNIFIL). Its first troops arrived in the area four days later. However, the Palestinian forces were unwilling to give up their positions in and around Tyre. UNIFIL was unable to expel those militants and sustained heavy casualties. It therefore accepted an enclave of Palestinian fighters in its area of operation which was dubbed the \"Tyre Pocket\". In effect, the PLO kept ruling Tyre with its Lebanese allies of the National Lebanese Movement, which was in disarray though after the 1977 assassination of its leader Kamal Jumblatt.
Frequent IDF bombardments of Tyre from ground, sea and air raids continued after 1978. The PLO, on the other side, reportedly converted itself into a regular army by purchasing large weapon systems, including Soviet WWII-era T-34 tanks, which it deployed in the \"Tyre Pocket\" with an estimated 1,500 fighters. From there, and the area around Rashidieh in particular, it kept firing Katyusha rockets across the Southern border into Galilee until a cease-fire in July 1981.
As discontent within the Shiite population about the suffering from the conflict between Israel and the Palestinian factions grew, so did the tensions between the Amal Movement -- the dominant Shia-party -- and the Palestinian militants. The power struggle was exacerbated by the fact that the PLO supported Saddam Hussein\'s camp during the Iraq-Iran-War, whereas Amal sided with Teheran. Eventually, the political polarisation between the former allies escalated into violent clashes in many villages of Southern Lebanon, including the Tyre area.
##### 1982 Lebanon War with Israel and occupation {#lebanon_war_with_israel_and_occupation}
Following an assassination attempt on Israeli ambassador Shlomo Argov in London the IDF invaded Lebanon on 6 June 1982, with heavy fighting in and around Tyre. The first target of the invaders was Rashidieh. There were 15,356 registered Palestinian refugees in the camp at the time, but John Bulloch, then the Beirut-based correspondent of The Daily Telegraph, estimated that it actually housed more than 30,000. Most civilians fled into underground tunnels and bomb shelters, while Palestinian fighters tried to hold off the Israeli army. The militants, however, came under massive fire from air strikes, gunboats and artillery. Bulloch reported that the IDF also dropped US-supplied cluster bombs and shells on Rashidieh.
Noam Chomsky recorded that already by the second day much of Rashidieh \"*had become a field of rubble*.\" he quoted a UNIFIL officer as commenting: *\"It was like shooting sparrows with cannon.*\" On the fourth day, many civilians reportedly left their shelters waving white flags. Those who remained suffered for three more days, until the last guerillas were defeated. Bulloch writes that the Israelis lost nine men. The volunteer nurse Françoise Kesteman, who was a member of the French Communist Party, recounted as exemplary the death of a young Palestinian mother:
> \"*When Mouna left the bomb shelter to fetch food for the children, Israeli bombers ripped apart her small slender body.*\"
For Kesteman, the bloodbath was a turning-point in her life and she joined the Palestinian guerillas after a brief return to France. She was killed two years later when she participated in an attempted attack on Israeli targets off the coast, making her the first French national to die fighting for the Palestinian militants.
When the fighting stopped after one week, more destruction was done *\"systematically*\", as the IDF brought in bulldozers. According to Bulloch, the occupation forces not only barred international correspondents from visiting the camp, but they also refused to allow the delegates of the International Committee of the Red Cross (ICRC) any access for five weeks. Subsequently, the Christian Science Monitor estimated that about sixty percent of the camp were destroyed with some 5,000 refugees living in the ruins:
> \"*Israeli soldiers dynamited air raid shelters built by the Palestine Liberation Organization. The shelters were scattered throughout the camp and their demolition resulted in the destruction of surrounding houses as well*. *\[..\] Many other houses were bulldozed, according to camp residents and UNRWA workers, creating wide swaths leading to the sea.*\"
The Israeli forces then made mass arrests, including women. The male detainees were paraded in front of hooded collaborators who advised the occupation forces whom to detain. Bulloch reported that
> \"*busloads of handcuffed and blindfolded suspects were taken off for interrogation. These men were denied the small comfort of International Red Cross visits since they were not considered prisoners of war, but \'administrative detainees*\'.\"
Thus, the IDF obliterated Rashidieh as the main center of Palestinian operations into Upper Galilee. However, in the following three years, their occupation forces in the Tyre area came instead under the growing pressure from a number of devastating suicide attacks by Amal and -- even more so -- its emerging split-off Hezbollah. By the end of April 1985, the Israelis withdrew from Tyre and instead established a self-declared \"Security Zone\" in Southern Lebanon with its collaborating militia allies of the South Lebanon Army (SLA):
##### 1985--1988 War of the Camps: Amal vs. PLO {#war_of_the_camps_amal_vs._plo}
Tyre was 8 km beyond the security zone and taken over by Amal under the leadership of Nabih Berri.
> \"*The priority of Amal remained to prevent the return of any armed Palestinian presence to the South, primarily because this might provoke renewed Israeli intervention in recently evacuated areas. The approximately 60,000 Palestinian refugees in the camps around Tyre (al-Bass, Rashidiya, Burj al-Shimali) were cut off from the outside world, although Amal never succeeded in fully controlling the camps themselves. In the Sunni \'canton\' of Sidon, the armed PLO returned in force.*\"
Tensions between Amal and Palestinian militants soon exploded into the War of the Camps, which is considered as \"*one of the most brutal episodes in a brutal civil war*\":
In September 1986, a group of Palestinians fired on an Amal patrol at Rashidieh. At the end of September Amal imposed a blockade on the camp. After one month of siege, Amal attacked the camp. It was reportedly assisted by the Progressive Socialist Party of Druze leader Walid Jumblatt as well as by the pro-Syrian Palestinian militias of As-Saiqa and the \"Popular Front for the Liberation of Palestine -- General Command\". Fighting spread and continued for one month. In the words of one Palestinian woman from Rashidieh,
> \"*Amal \[..\] did the same things that the Israelis did.*\"
UNRWA recorded that between 1982 and 1987 in Rashidieh
> \"*more than 600 shelters were totally or partially destroyed and more than 5,000 Palestine refugees were displaced.*\"
By the end of November, with the fighting having spread to Sidon and Beirut, four small camps in Tyre had been destroyed with an estimated 18,000 residents fleeing to the Beqaa. On 24 November the Palestinian factions in Sidon launched an offensive against Amal positions in the strategic village of Maghdouché in an attempt to cut Amal forces around Rashidieh off from their stronghold in West Beirut. Rashidieh was able to withstand the siege better than the camps in Beirut since food was reaching the camp by sea. By the end of the year 8,000 Palestinians had fled to Sidon which was not under Amal control. Around a 1,000 men had been kidnapped from the camps in Tyre.
The conflict ended with the withdrawal of Palestinian forces loyal to PLO leader Arafat from Beirut and their redeployment to the camps in Southern Lebanon. The one in Rashidieh likewise continued to be the \"*main stronghold*\" of Arafat\'s Fatah party and loyalist contingents of other PLO factions, though some forces opposed to them -- including Islamists -- kept a presence and representation there as well.
In February 1988, \"*Amal seemed to lose control*\" when US-Colonel William R. Higgins, who served in a senior position of the United Nations Truce Supervision Organization (UNTSO), was kidnapped on the coastal highway to Naqoura close to Rashidieh by armed men suspected of being affiliated with Hezbollah. The incident took place following a meeting between Higgins and a local Amal leader and led to renewed clashes between Amal and Hezbollah, mainly in Beirut.
Throughout the war, clandestine excavations were conducted in Rashidieh. Many cinerary urns from Phoenician times thus ended up in private collections without any documentation. In addition, Rashidieh\'s beach was subject to sand grabbing and suction.
#### Post-Civil War (since 1990) {#post_civil_war_since_1990}
On 14 June 1990 fierce fighting broke out in the Rashidieh Camp between two factions of the Abu Nidal Organization. The clashes lasted two days with three killed and 15 wounded. Amongst the dead was the leader of the Abu Nidal loyalists in the Camp. His followers evacuated to Ain al-Hilwa Camp.
An Israeli air strike on Rashidieh, 24 October 1990, caused 5 casualties and destroyed a school.
Following the end of the war in March 1991 based on the Taif Agreement, units of the Lebanese Army deployed along the coastal highway and around the Palestinian refugee camps of Tyre.
By the end of the 1990s, the Coalition of Fatah with the Palestinian Liberation Front (PLF), Palestinian Popular Struggle Front (PPSF), and the Palestinian People\'s Party (PPP) in Lebanon was headed by Sultan Abu al-\'Aynayn, who resided in Rashidieh. In 1999, he was sentenced to death in absentia by the Lebanese authorities for inciting armed rebellion and damaging the property of the Lebanese state.
At the time of Israel\'s invasion in the July 2006 Lebanon War, the camp had about 18,000 residents. Reportedly, more than 1,000 Lebanese fled their homes to seek shelter in Rashidieh during the Israeli bombardments of Southern Lebanon:
> \"*It\'s kind of an irony really. It\'s almost a joke what\'s going on,\"* said Ibrahim al-Ali, a 26-year-old Palestinian social worker in the camp. *\"The irony is that refugees are accepting citizens from their own country.*\"
However, on 8 August 2006, the area of Rashidieh was hit by Israeli attack as well.
In May 2020, clashes in Rashidieh left one person dead and five others injured.
On 14 May 2021, shortly after the beginning of the 2021 Israel--Palestine crisis, the Lebanese Army issued a statement saying that they had found three rockets in the Rashidieh area, but that the discovery was not linked to the launch of a number of rockets -- apparently Soviet-era short-range Grad projectiles -- from the nearby coastal area belonging to the Al-Qlailah village a day earlier.
## Demographics
In 2014 Christians made up 99.79% of registered voters in Ar-Rashidiyah. 99.37% of the voters were Armenians.
### Refugees
A 2017 census found that there were 1,510 buildings with 2,417 households in Ar-Rashidiyah.
## Economy
Almost half of those residents of Rashidieh who are in work do low-paid seasonal or occasional jobs on construction sites or as agricultural labourers in the banana, lime and orange orchards of the region.
## Cultural life {#cultural_life}
Unlike most other Palestinian refugee camps in Lebanon, which also house some non-Palestinian residents and Palestinian Christian families, Rashidieh is assumed to be populated entirely by Muslim Palestinians. The two old village churches, which were both partially destroyed during the civil war, are now used for storage.
Like in other camps, Rashidieh\'s visual landscape reflects Palestinian nationalism, as murals, posters and flags express the hope to return homes. In this way they produce and reproduce Palestinian national identity. There have been several other art projects that focused on individual narratives rather than on general symbols. In 2014, for instance, \"Humans of Al Rashidiya\" portrayed ordinary residents online, inspired by the photoblog \"Humans of New York\", with the aim of countering clichés:
> \"*Many people think that our camps are security time bombs, while others haven't even heard of us \[..\]. Stereotypes dating back to the Civil War haven't really faded away, \[..\] despite the fact that most of us have always opposed all forms of violence.*\"
Two years later, the Lebanese artist collective Dictaphone Group created the project *Camp Pause,* commissioned by the Beirut-based Dar El-Nimer foundation of Lebanese-Palestinian art collector Rami el-Nimer. It was exhibited at the Qalandia International Festival 2016 and at the 2017 CounterCurrent Festival in Houston, Texas. A video installation, which was contextualised by multidisciplinary research, centered on portraits of four Rashidieh residents around their everyday routes:
> \"*Along the way, they weave narratives about the history of the land, their arrival, the struggle to build, and everyday life in a camp situated away from the city, bordered by agricultural fields and the sea*. *\[..\] We are reminded through this project that the disregard of people's pain and personal choices, the casual racism and vilification of refugees in Lebanese villages and towns, and the calls for grouping refugees in camps that are easily controlled and ultimately attacked is nothing new. While the whole world is busy discussing what they call the "refugee crisis," we hope to remember the importance of listening to those who are really in that crisis. We also hope to remember that leaving people in limbo with few resources and rights is not a solution but an absence of one.*\"
Meanwhile, the French anthropologist Sylvain Perdigon -- who lived in the Al Bass camp in 2006/2007 and has been a lecturer at the American University of Beirut (AUB) since 2013 -- has researched another kind of a cultural phenomenon that he describes as \"*fairly ordinary*\" amongst many Palestinians in Lebanon: It haunts people in their dreams through different forms, interrupts their lives and is especially feared for causing miscarriages. Perdigon lays out one exemplary case of this phenomenon -- which is known as *Al Qreene* -- from Rashidieh:
> \"*I heard Abu Ali tell of a still fresh encounter with* al-Qreene *during a visit in 2014 to relatives in a Beirut flat. He comes from the secluded camp of Rashidiyye where he lives and works as a foot soldier in the remnants of the PLO armed forces inside the camp. The telling occurred at this point when relatives are done with the business of sharing essential family news, and the conversation starts to wander more lazily. A few months before, in his mid-forties, Abu Ali had started to have dreams of being stuck by himself in his own, emptied camp house with a cat walking in circles and mewing plaintively. There was something unsettling to this cat, yet no matter how hard Abu Ali tried, there also was no getting him out of the house. The dream returned for weeks on end and what was only irksome, even a bit funny, at first gradually turned into a liability as Abu Ali found himself perpetually tired, unfocused, and less and less capable of holding his guard duty properly. An old neighbor, upon hearing of Abu Ali's dream from his wife, recognized* al-Qreene *and advised him to heap small mounds of salt in every corner of his house. Abu Ali followed her advice, the nagging cat disappeared from his dreams, and his focus returned.*\"
## Gallery: Photos from \"Camp Pause\" by the Dictaphone Group {#gallery_photos_from_camp_pause_by_the_dictaphone_group}
<File:Tyre> Rashidieh2017 DictaphoneGroup-CampPause TaniaElKhoury Abir SaksoukSasso 04.jpg <File:Tyre> Rashidieh2017 DictaphoneGroup-CampPause TaniaElKhoury Abir SaksoukSasso 03.jpg <File:Tyre> Rashidieh2017 DictaphoneGroup-CampPause TaniaElKhoury Abir SaksoukSasso 02.jpg
## Notable people {#notable_people}
- Samir El-Youssef (born 1965), writer and critic.
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7,128,856 |
Denis McLaughlin
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**Denis McLaughlin** (born 5 February 1987) is an Irish professional association football player who plays for Muirton AFC as a striker.
He transferred from Berwick Rangers to Hearts, and then from Hearts to Torrelavege. He has also played for Cowdenbeath, Raith Rovers and the Spanish club Gimnástica.
## Career
McLaughlin started his career with Hearts, but was loaned to Berwick Rangers for the first half of the 2006--07 season in order to gain more competitive experience. He rejected the chance to extend this loan in January, instead opting to move to Raith Rovers on loan, where former coach at Hearts John McGlynn had recently been appointed manager. He joined Gimnástica on a 6-month loan deal in August 2007.
After being released by Hearts in the summer of 2009, McLaughlin signed for Second Division side Dumbarton on 30 August but moved on to Albion Rovers in February 2010. He was released at the end of the 2009-10 season and currently plays for Muirton AFC.
## Honours
**Dumbarton**
- **Scottish Division Three (fourth tier):** Winners 2008--09
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7,128,881 |
Ohlanga River
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The **Ohlanga River** is a river in KwaZulu-Natal, South Africa, which empties into the Indian Ocean just north of uMhlanga, north of Durban. The river has extensive reed beds in the estuary at its mouth, which is only 7 km southwest from the mouth of the uMdloti River. Presently, this river is part of the Mvoti to Umzimkulu Water Management Area.
## Umhlanga conservancy {#umhlanga_conservancy}
At the river\'s mouth, a lagoon is surrounded by the Umhlanga Conservancy. This area includes a 26 ha Umhlanga Lagoon Nature Reserve, and a waste treatment works which is publicly accessible. This area contains bushbuck, blue and grey duiker, and numerous birds, including the southernmost occurrence of crested guineafowl.
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7,128,894 |
Clan Sweeney
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**Clan Sweeney** is an Irish clan of Scottish origin. The Mac Suibhne family did not permanently settle in Ireland before the beginning of the 14th century, when they became Gallowglass soldiers for the Ua Domnaill dynasty of Tír Chonaill. The clan also claims an Irish descent from a prince of the Uí Néill dynasty, Ánrothán Ua Néill, son of Áed, son of Flaithbertach Ua Néill, King of Ailech and Cenél nEógain, died 1036. Through this descent the clan can claim a descent from Niall Noigíallach (*Niall of the Nine Hostages*).
## Origins
*Leabhar Clainne Suibhne* states that after Áed\'s death, although his older brother Domnall was the rightful heir, Ánrothán was chosen instead to be king. Ánrothán then gave up the kingship to his brother and made for Argyll, Scotland where he married a daughter of the King of Scotland. Ánrothán\'s great-grandson was Suibhne, from whom the clan derived its name.
The history from *Leabhar Clainne Suibhne* may be a fabrication that provides the clan with a pedigree connecting them to the Milesian kings of Ireland, although historian W. D. H. Sellar believes this history may be genuine.
## MacSweens of Scotland {#macsweens_of_scotland}
In the 13th century the MacSweens controlled lands across central Argyll, extending as far north as Loch Awe and as far south as Loch Fyne. Their principal seats included Lochranza Castle on the Isle of Arran, Skipness Castle and Castle Sween at Knapdale, which may be Scotland\'s oldest surviving stone-built castle.
The MacSweens held this lordship of Knapdale and lands in Kintyre until 1262. That year Dugall MacSween granted to Walter Stewart, Earl of Menteith the lands of Skipnish (Skipness), Killislate (South Knapdale) and other lands in the parish of Kilcalmonell in Kintyre. Following this the Earl granted several churches in Knapdale to the monastery of Kilwinning, showing that he now had control of both North and South Knapdale. Also in the same year Alexander III of Scotland granted Lochranza Castle to Walter Stewart, Earl of Menteith.
In 1263 Haakon IV of Norway sailed down the western coast of Scotland with an invasion fleet from Norway. With the arrival of the royal fleet Norse control in the Western Isles and Argyll was re-established, and the Norwegian king\'s force was strengthened by Islesmen. Among those pressed into his service were the deposed MacSweens of Knapdale, under Murchadh MacSween. The MacSweens seemed to have been of doubtful loyalty as they were forced to also surrender hostages to guarantee their support. Haakon had \"given\" Arran to Murchadh, but ultimately, the Norwegian invasion was defeated at what is known today as the Battle of Largs.
The Earl of Menteith still controlled Knapdale in 1293, and in 1301 Knapdale was being held by his successor, Sir John Stewart (Sir John Menteith). It was then that John MacSween approached Edward I of England, asserting that one of the king\'s enemies, Sir John Menteith, had deprived MacSween of his inheritance. Between 1301 and 1310, John MacSween was in the service of the English in the hope of keeping alive his family\'s claim against the Menteiths.
During the Great Cause, which led to the First War of Scottish Independence, the MacSweens were supporters of the powerful MacDougall Lords of Lorne who supported John Balliol as patriots, as long as John was king of Scotland. However, in 1301, John Macsween, Lord of Knapdale, joined Angus Og Macdonald, by then Lord of the Isles, in a campaign against Alexander MacDougall, Lord of Argyll and Lorne, for his murder of Angus Og\'s elder brother, Alexander Og Macdonald in Ireland in 1299.
After the murder of John Comyn, the nephew of Balliol, by Bruce and his companions in 1306, the First War of Scottish Independence became at one and the same time a civil war. The Balliols, Comyns and MacDougalls taking the side of the English in opposition to the Macdonalds and the Bruce, crowned Robert I of Scotland on 25 March 1306.
This was an era of constantly shifting alliances, and in 1301 John MacSween was in alliance with Aonghus Óg Mac Domhnaill, Lord of Islay (died 1314×1318/c.1330) against the MacDougalls of Lorne. In 1307 the MacDougalls were the bitterest of Robert the Bruce\'s enemies, and the man in command of the rebellion against Bruce was Sir John Menteith, who had previously removed the MacSweens from their castle in Knapdale.
By 1310, when Bruce had most of Argyll and the North Channel in his favour, the English encouraged John MacDougall, the son of Alexander MacDougall and now the ousted Lord of Lorne, to raise a fleet in 1311, based on the eastern coast of Ireland. MacDougall was aided in part by the MacSweens, including John and his brothers Toirdelbach and Murdoch. It was around this time in 1310, that Edward II of England granted John and his brothers their family\'s ancestral lands of Knapdale, provided they could recover it from Sir John Menteith. It is possible, therefore, that this event could have been the \"*tryst of a fleet against Castle Sween*\", recorded in the Book of the Dean of Lismore, which tells of the failed attempt by John MacSween to recapture Castle Sween. With the failure to recapture their lands in Scotland, the MacSweens permanently left for Ireland.
A contingent of the MacSweens eventually re-established themselves at Donegal as Gallowglass mercenary soldiers and became the progenitors of Clan Sweeney. Some of those who stayed on in Scotland formed into the Clan MacQueen, a branch of whom later joined the powerful Chattan Confederation. According to Niall Campbell, 10th Duke of Argyll, other MacSweens who remained in Scotland became known as the MacEwens of Otter, whose chiefly line may have become extinct in the 17th century.
## Arrival in Ireland {#arrival_in_ireland}
The earliest record of a Mac Suibhne, in relation to the clan, is of Murchadh Mac Suibne in 1267. Murchadh\'s father was Máel Muire an Sparáin of Castle Sween in Knapdale, who was himself the son of Suibne. Murchadh became a prisoner of Domnall Ó Conchobair and was handed over to the Earl of Ulster, in whose prison Murchadh is said to have died.
Once established in Ireland the Clan Sween controlled large territories, and was divided into three branches:
- Mac Suibhne Fánad (*Mac Sweeney Fanad*)
- Mac Suibhne na d\'Tuath (*Mac Sweeney Doe*)
- Mac Suibhne Boghaineach (*Mac Sweeney Banagh*)
Rathmullan was the seat of MacSuibhne Fanad for the next 400 years, during which time their influence extended from Donegal into Connacht and Munster. In Donegal their principal seats were Doe Castle and Rahan Castle near Killybegs.
In Scotland the inauguration of the MacSuibhne Clan chiefs had taken place at Iona, where they were also buried. In Ireland they were inaugurated in Kilmacrennan, County Donegal, where MacSuibhne Fanad became influential allies of the O\'Donnell of Tyrconnell. The remains of the Sweeneys who went to Ireland are interred outside the walls of Castle Doe, County Donegal.
The historian James Logan, in *The Scottish Gaël*, remarked how the Mac Swineys were notable for their hospitality. At a seat of theirs, Clodach Castle, there was a stone set near the highway which was inscribed with an open invitation to travellers to make for Clodach for refreshment. At some point, one of the family overturned the stone and subsequently were said to have never prospered. Logan also noted that the war-cry of the Mac Sweins was \"Battalia-abu\" (*The noble staff, victorious*), from the battle-axe they bore in their Arms.
## Branches
### Mac Suibhne Fánad (Mac Sweeney Fanad) {#mac_suibhne_fánad_mac_sweeney_fanad}
Fánad, is the peninsula between Lough Swilly and Mulroy Bay, on the north coast of County Donegal.
The first Mac Suibhne to settle in Tír Conaill was Eoin, grandson of Máel Muire. It was Eoin who expelled the ruling Ó Breisléins from Fánad after 1263, and whose daughter married the Ó Domnaill, king of Tír Conaill. The male line of the ruling Mac Suibhnes soon failed after Eoin, when both his son, Suibne, and his brother, Toirdelbach, died without heirs.
Following the Battle of Bannockburn in 1314 Murchad Mear, great-grandson of Máel Muire an Sparáin and grandson of the Murchadh who died while a prisoner of the Earl of Ulster, arrived at Lough Swilly with his followers.
Murchad Mear was succeeded by his son, Murchad Óc, as lord of the lands east of Bearnas Mór. One of Murchad Óc\'s sons, Máel Muire, became lord of Fanad, and another son, Donnchad Mór, became lord of the Tri Tuatha in north west County Donegal, which had been conquered from the Ó Báegills.
Máel Muire defeated Niall Ó Domhnaill in the battle of Achadh Móna but later became an ally of Ó Domhnaill, when Niall killed his brother, Conchobhar Ó Domhnaill, King of Tír Chonaill in 1342. Because of his aid, Máel Muire was granted the lands of Moross in the north of Fanad.
Máel Muire\'s successor was his son, Toirdhealbhach Caoch, who pledged to Ó Domhnaill, that he and his successors would provide two Gallowglass soldiers for every quarter of land in his territory when the Ó Domhnaills went to war.
Toirdhealbhach Caoch\'s son, Toirdhealbhach Ruadh, succeeded his father in 1399 but only after defeating two uncles who tried to wrest the lordship away from him. Toirdhealbhach Ruadh was aided against his uncles by Toirdhealbhach an Fhíona Ó Domhnaill, king of Tír Conaill. Toirdhealbhach Ruadh accompanied Niall Ó Domhnaill and Domhnall Ó Néill, when they defeated the English Lord Deputy at Meath in 1423. Though there are contradicting sources that record Mac Suibhne of Connacht present at this battle. In 1434 Niall Ó Domhnaill was captured by the English forces in a skirmish, though Toirdhealbhach Ruadh rescued Ó Domhnaill following the defeat at the English\'s hands.
In around 1438 Toirdhealbhach Ruadh is thought to have died, having ruled for thirty nine years. Afterwards his son, Ruaidhrí, succeeded him, though not without dispute. Ruaidhrí\'s uncle, Donnchadh Garbh, claimed the lordship and the two resolved their differences in a wrestling match in which Ruaidhrí was victorious. Ruaidhrí ruled for thirteen years when he died and was succeeded by his brother, Domhnall.
In 1456 Énrí Ó Néill, king of Tír Eoghain, with the sons of Neachtain Ó Domhnaill, invaded Inishowen. The invaders were opposed by the ruling Ó Domhnaill who was aided in part by Maol Mhuire Mac Suibhne, son of Toirdhealbhach Ruadh. Ó Domhnaill was later killed and Maol Mhuire and Ó Domhnaill\'s brother, Aodh Ruadh, were taken prisoner. Neachtain\'s son, Toirdhealbhach Cairbreach Ó Domhnaill, assumed the vacant kingship of Tír Conaill. Domhnall Mac Suibhne was then killed by his nephews (the sons of Ruaidhrí), who proclaimed Domhnall\'s cousin, Toirdhealbhach Bacach, as lord of Fanad.
In 1460 Aodh Ruadh Ó Domhnaill and Maol Mhuire Mac Suibhne were released from captivity, and in the following year they both defeated Toirdhealbhach Cairbreach near Mulroy Bay. On the victory, Aodh Ruadh was inaugurated and made Maol Mhuire lord of Fanad. Maol Mhuire Mac Suibhne ruled for eleven years before being killed on Easter Tuesday, 1472 while fighting alongside Aodh Ruadh against Énrí Ó Néill. After the battle, Maol Mhuire\'s body was taken to Derry for burial, covered in the flag of Mac Domhnaill of Antrim, a captain of Gallowglass captured in the battle.
Ruaidhrí succeeded his deceased father and built Rathmullan castle. Ruaidhrí\'s wife, Máire, was a daughter of Ó Máille, and was known for her piety. Ruaidhrí and Máire built Carmelite priory at Rathmullan which was completed in 1516. Ruaidhrí had many successful campaigns with Ó Domhnaill, though in 1497 Conn Ó Domhnaill was defeated in battle by Tadhg Diarmada and Ruaidhrí was taken prisoner, also in the same year Ó Domhnaill was again defeated and Ruaidhrí\'s son was captured.
When Ruaidhrí died in 1518 the lordship was again contested by members of the leading family. Domhnall Óg, a cousin of Ruaidhrí, was proclaimed lord by the chiefs of Cenél Conaill at Kilmacrenan, but Ruaidhrí\'s son, Toirdhealbhach, defied Domhnall Óg. When Domhnall Óg died in 1529 Toirdhealbhach had himself inaugurated at Kilmacrenan. This angered Aodh Dubh Ó Domhnaill, because he believed, only he alone had the right to inaugurate a sub chief of his. However in 1544 Toirdhealbhach was killed by the sons Domhnall Óg Mac Suibhne, in revenge. It was during this era that *Leabhar Clainne Suibhne* was written.
Domhnall Óg\'s son, Ruaidhrí Carrach, ruled for ten years until 1552 when he and his kin were killed.
In 1557 a Domhnall Gorm Mac Suibhne was leader of \"Slíocht Domhnaill\" and was recorded as being with Calbhach Ó Domhnaill in a victory over Seán an Díomais Ó Néill. Domhnall Gorm was killed in 1568 by his kin and was succeeded by Toirdhealbhach Óg who was a son of Toirdhealbhach who was killed in 1544. Toirdhealbhach Óg was killed in battle in 1570 at Dún na Long on the Foyle, by Toirdhealbhach Luineach Ó Néill. Toirdhealbhach Óg\'s brother, Domhnall, succeeded him and was the last chief inaugurated lord of Fanad. Domhnall lived into the 17th century and witnessed the end of the Gaelic order in Tír Conaill.
In 1599 Domhnall was recorded as taking part in a raid into Thomond.
In March 1601 an English garrison was stationed in Rathmullan and Domhnall submitted to the English. In September he rose against the English but by January 1602 he had again submitted. In 1607 when Ó Néill and Ruaidhrí Ó Domhnaill sailed out of Rathmullan, some of the crew had gone ashore to collect water and Domhnall\'s son attacked the crew but were routed.
In 1608 Domhnall was recorded as being on a list of jurors who indicted the earls of Tyrconnell and Tyrone for treason. For this Domhnall received a grant in the Plantation of Ulster. By 1619 he is recorded as having 2000 acre allotted to him, called Roindoberg and Caroocomony, on which he \"built a good bawne, and a house, all of lime and stone, in which with his family, he dwelleth.\"
Domhnall\'s son, Dormhnall Gorm, married a daughter of Eoghan Óg Mac Suibhne na dTuath and had ten children, before dying in 1637.
Dormhnall Gorm\'s sons, Domhnall Óg and Aodh Buidhe are recorded having lands in Clondavaddog in north Fanad, held forfeit after the Irish Rebellion of 1641.
### Mac Suibhne na d\'Tuath (Mac Sweeney Doe) {#mac_suibhne_na_dtuath_mac_sweeney_doe}
Na Trí Tuatha or Tuatha Toraighe, which was an area west of Fanad (modern day parishes of Gweedore and Tory Island), was controlled by the Ó Baegill until just after 1360, when it was conquered by Clann tSuibhne (*Clan Sweeney*).
Donnchadh Mór, who was son of Murchad Óc, and grandson of Murchad Mear, was the first Suibhne na d\'Tuath. Donnchadh\'s father and grandfather had conquered large tracts of land in Tír Conaill in about 1314. In 1359 when Ó Conchobhair defeated Séan Ó Domhnaill, Donnchadh Mór\'s son, Eoghan Connachtach, was held captive by the son of Ó Conchobhair Shligigh. Later Eoghan was able to help Séan Ó Domhnaill defeat Toirdhealbhach an Fhíona Ó Domhnaill in battle, at Sliabh Malair. Eoghan died as they plundered Glencolumkille \"as a result of his violating the monastery there\".
According to the Book of Ballymote, Eoghan\'s son, Toirdealbhach Óg was lord of Na Tuatha. Another of Eoghan\'s sons drowned in 1413.
Little more is known of Mac Suibhne na d\'Tuath until the middle of the 16th century.
In 1543 MacSuibhne na d\'Tuath and his brother, Brian, were held as prisoners at Inis Mhic an Doirn (Ruthland Island, parish of Templecrone). By 1545 MacSuibhne na d\'Tuath had died the lordship was taken over by his son, Eoghan Óg, who was killed fighting in 1554 at Ceann Salach (in Cloghaneely). The lordship then passed to his son, Murchadh Mall, who in 1567 aided Sir Aodh Ó Domhnaill defeat Séan an Díomuis Ó Néill, in battle, near Letterkenny. Murchadh Mall and Mac Suibhne Fánad (Toirdealbhach Óg) were killed in 1570 by Clann Domhnaill Gallóglaigh, at Dun na Long near Strabane.
After his death, Murchadh, was succeeded by his brother, Eoghan Óg. In 1588 the English were concerned that Eoghan Óg was aiding stranded Spaniards from the Armada. In 1590 Eoghan Óg gave protection to Brian Ó Ruairc of Breifne, after Ó Ruairc\'s defeat at the hands of the English. In 1592 Eoghan Óg attended the inauguration of Aodh Ruadh Ó Domhnaill as lord of Tír Conaill. Eoghan Óg died in 1596 and was succeeded by, Maol Mhuire, a nephew (son of Murchadh Mall).
The last lord of Na Tuatha was Maol Mhuire.
In early 1598 Maol Mhuire took the side of the English against Aodh Ruadh Ó Domhnaill but was defeated and was consequently banished from his lands by Ó Domhnaill. In May 1600 Maol Mhuire was knighted for his support of the English, though later in the same year he had switched sides, sided with Ó Domhnaill, and was then captured by the English. Maol Mhuire was then held prisoner on a ship on the River Foyle, near Derry, but managed to escape with the aid of a prostitute.
Maol Mhuire\'s grandson, Colonel Maol Mhuire Mac Suibhne, was a leading rebel in the Irish Rebellion of 1641, who had his lands in Dunlewy (in the parish of Gweedore) held forfeit for his actions.
### Mac Suibhne Boghaineach (Mac Sweeney Banagh) {#mac_suibhne_boghaineach_mac_sweeney_banagh}
Mac Sweeney Banagh, according to *Leabhar Clainne Suibhne*, were descended from Dubhghall Mac Suibhne, who received the lands of Tír Boghaine from his grandfather Murchadh Mear who died in ca.1320. Boghaine consisted of the modern barony of Banagh in south-west County Donegal and part of Boylagh.
There are contradictory sources for early history of Mac Suibhne Boghaineach. In the Book of Ballymote (c. 1400), six of Dubhghall\'s grandsons are said to belong to the Mac Suibhne of Connacht. The eldest of the grandsons, Toirdhealbhach was also listed as the High Constable of Connacht and was killed with two of his brothers, Donn Sléibhe and Donnchadh in 1397.
By the 16th century the Mac Suibhne Boghaineach was seated at Rahan Castle, (near Dunkineely in County Donegal). In 1524 Niall Mór mac Eoghain (Mac Suibhne Thíre Boghaine) died here, and who was described as \"a constable of hardest hand.\" Also at Rahan, Niall Mór mac Eoghain\'s son Maol Mhuire Mór, lord of Banagh, was killed by another son, Niall Óg, in 1535.
Killybegs (Irish Gaelic: *Na Cealla Beaga*, meaning \'the small churches\'), was also controlled by Mac Suibhne Boghaineach.
In 1513 Killybegs was plundered by Eoghan Ó Máille and the crews of three ships, who were, however, unable to return home to Connacht with their prisoners because of stormy weather. Though the leaders of Banagh were away in Ó Domhnaill\'s army at the time, a youth, called Brian Mac Suibhne, along with some shepherds and farmers, rescued the prisoners and slew Eoghan Ó Máille. Another raid was recorded in 1547, in which the Mac Suibhnes were able to drive off another landing at Rathlin O\'Beirne.
In 1547 Niall Óg was killed at Badhbhdhún Nua by the sons of Maol Mhuire (the brother he slew in 1535). After this, Niall Óg, was succeeded by Toirdhealbhach Meirgeach Mac Suibhne. By 1550 Toirdhealbhach Meirgeach was killed at Baile Mhic Suibhne, by the Clann Coinneigéin. Ruaidhrí Ballach Mac Suibhne then requested to Maghnus Ó Domhnaill to be installed as lord of Banagh, but was refused. In retaliation, Ruaidhrí Ballach then plundered Killybegs. Ruaidhrí Ballach was killed by a Maol Mhuire, who then became the rightful lord.
In 1581 Maol Mhuire and his sons, Murchadh and Toirdhealbhach Meirgeach, and many kinsman were killed fighting under Aodh Ó Domhnaill, against Toirdhealbhach Luineach Ó Néill at Kiltole (near Raphoe).
The lordship then passed to a son of Maol Mhuire, Maol Mhuire Óg who was soon killed, in 1582, by a group of Scots who were present at a meeting near Lough Foyle between Ó Neill and Ó Domhnaill. The next lord was Brian Óg (a son of the Maol Mhuire killed in 1535). Brian Óg was then killed by Niall Meirgeach (son of Maol Mhuire who died in 1581). Niall Meirgeach, like those before him, didn\'t last long and was killed in 1588 at the island of Derryness in the barony of Boylagh, by Donnchadh (son of Maol Mhuire Meirgeach, who died in 1564).
In 1590 when Aodh Ruadh Ó Domhnaill (Red Hugh O\'Donnell) was held in Dublin Castle, his half-brother, Domhnall Ó Domhnaill, attempted to wrest Tír Conaill from his father Aodh. Aodh Ruadh\'s mother, Iníon Dubh, in response mustered a large force of Scots and also the Mac Suibhne branches of Na Tuatha and Fanad to oppose Domhnall. During this time Donnchadh. lord of Banagh took Domhnall\'s side, along with Ó Baoighill. The opposing forces met at the Battle of Doire Leathan near Glencolumbkille, on 14 September 1590, and Domhnall\'s force was defeated. By 1592 Aodh Ruadh was in power of Tír Conaill and it seems as if Donnchadh was pardoned for opposing him, as Donnchadh was present at Aodh Ruadh\'s inauguration at Kilmacrenan.
In late 1601 Mac Suibhne\'s Castle was taken by the English, and then recaptured by Ó Domhnaill. In November Donnchadh submitted to Niall Garbh Ó Domhnaill, who was on the side of the English. In 1608 Donnchadh was part of the jury that indicted Ó Néill and Ruaidhí Ó Domhnaill, earl of Tírconnell, after they fled from Rathmullan in 1607.
During the era of the plantations in Ulster, Donnchadh was allotted 2000 acre in the barony of Kilmacrenan, Donegal. In 1641 Donnchadh\'s son, Niall Meirgeach, was killed in a skirmish near Killybegs by settlers who were under Andrew Knox.
## The chieftaincies of Fanad, Doe, and Banagh {#the_chieftaincies_of_fanad_doe_and_banagh}
- **The chiefly line of Fanad (Mac Suibhne Fánad)**
: Historians maintain that the chiefly line of Fanad had disappeared before 1800.
- **The chiefly line of Doe (Mac Suibhne na d\'Tuath)**
: The chiefly line of Doe is thought to descend from the chiefly line of Fanad. Thomas A. Sweeney claims to be the senior male, directly descending from Maol Mhuire (Sir Myles Mac Sweeney, Chief of Doe, 1596-1630). In 1999 Sweeney petitioned the Office of the Chief Herald of Ireland to be recognized as Chief of the Name of the Mac Sweeneys of Doe. In July 2003, in light of the MacCarthy Mór Scandal, the Genealogical Office discontinued the practice of recognising Chiefs, with Sweeneys petition still pending investigation.
- **The chiefly line of Banagh (Mac Suibhne Boghaineach)**
: Folk tradition of south County Donegal maintains that the last two male descendants of the chiefly line died in Teelin near the end of the nineteenth century.
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7,128,916 |
Daniel Scholl Observatory
|
**Daniel Scholl Observatory** was the astronomical observatory built by Franklin and Marshall College in Lancaster, Pennsylvania. Construction began in 1884 and the building was dedicated June 16, 1886. Total cost of the observatory and equipment was \$13,579. The Observatory was named after Mr. Daniel Scholl of Maryland because his child donated the money for its establishment.
- Building cost- \$3,000
- Steel Dome \$2,000 by Grubb & Sons, Dublin, Ireland
- Equipment cost-\$8,579 total
- \$4,199 for 11\" Repsold Telescope (Hamburg, Germany)
- \$2,200 lens manufactured by Alvan Clark & Sons, Cambridge, Massachusetts
- \$2,180 for chronometer, chronograph, transit, clock and other equipment
Starting in 1889 it was one of the official Pennsylvania weather stations. In 1925 the observatory was moved 200 yards north to make way for a dormitory. The observatory was razed in 1966.
## Directors
- Jefferson E. Kershner
## Telescopes
The observatory contained an 11-inch Clark-Repsold refracting telescope.
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