manu/mldr-zoomed-100char-total-queries-documents

chunk_id stringlengths 3 9	chunk stringlengths 1 100
62_215	Enatu Valkkai Anuppavangal'' (English: My Experiences in Life), Autobiography by A. V. Meiyappan.
62_216	External links Website of AVM Productions Website of AVM Rajeswari School
62_217	Website of Avichi Higher Secondary School for girls
62_218	1907 births 1979 deaths Film producers from Chennai 20th-century Indian film directors
62_219	Film directors from Chennai Tamil film producers Tamil film directors
62_220	People from Sivaganga district
63_0	Copenhagen is an independent Canadian-American coming-of-age adventure film. It had its world
63_1	premiere as the opening narrative feature at the 20th anniversary edition of the Slamdance Film
63_2	Festival 2014. The film won the Grand Jury Prize at the Florida Film Festival and Gasparilla Film
63_3	Festival.
63_4	Synopsis
63_5	After weeks of travelling through Europe, the immature American, William, finds himself at
63_6	crossroads in Copenhagen. Copenhagen is not just another European city for William; it is also the
63_7	city of his father's birth. When Effy, working in William's hotel, befriends the twenty-eight
63_8	year-old William they set off on an adventure to deliver a letter written by William's father, to
63_9	his father, after he was abandoned when eight years old. Along the way, thanks to Effy's
63_10	persistence, they uncover William's family's sordid past.
63_11	An attraction builds between William and Effy. They explore a museum where William caresses Effy's
63_12	face and nearly kisses her before they are interrupted. Effy has been evasive about her age, but
63_13	when pressed makes the startling revelation that she is not a hotel employee, but is a 14-year-old
63_14	doing her grammar school praktik (internship) at the hotel.
63_15	One night at a bar William sees Effy being dragged out of the bar by an older man, who is revealed
63_16	to be Effy's mother's boyfriend. William manages to stop the man from dragging Effy away and beats
63_17	him up, causing both him and Effy to flee the scene.
63_18	William sneaks Effy inside his hotel room. After talking with him for a short while, Effy tells
63_19	William that she loves him and asks him if he wants her. He replies yes, but expresses hesitancy
63_20	because of her age. They start undressing and kiss, before William stops, covers the topless Effy
63_21	with a sheet, and holds her close. In the next scene it is morning, and Effy awakes fully clothed.
63_22	William is sitting atop the bedclothes; she is under them.
63_23	Effy translates Daniel's letter to his father for William. He thanks her, and they go their
63_24	separate ways. Effy returns to her mother's apartment, where her mom's boyfriend tries to make up
63_25	with her. Effy evades his touch and says she is going to tell her mother. William soon arrives at
63_26	the home of his grandfather and delivers his father's letter to the grandfather he had never known.
63_27	Back at school, Effy quietly looks at several pictures she had taken with William and smiles at one
63_28	of her sleeping in the hotel room she had shared with William. At the same time, William stands at
63_29	the symbolic Skagen, where the North Sea meets the Baltic.
63_30	Cast Gethin Anthony – William Frederikke Dahl Hansen – Effy Sebastian Armesto – Jeremy
63_31	Olivia Grant – Jennifer Baard Owe – Uncle Mads Mille Dinesen – Effy's mother – Henrik
63_32	Tamzin Merchant – Sandra – Thomas Vinter Sebastian Bull Sarning - Albert – Uncle Peter
63_33	Sune Kofoed – receptionist Madsen Silja Eriksen Jensen – Signe – Berlin girl
63_34	Asbjørn Krogh Nissen – Ivan Zaki Nobel Mehabil – bartender Markus - Thomas Buttenschøn
63_35	Miriam Yeager - school teacher Sune Kaarsberg - office secretary (voice) Kåre Fjalland - priest
63_36	Jane Pejtersen - Dane on bridge Hélène Kuhn - Heather Mads Korsgaard - hostel bartender
63_37	Lars-Bo Johansen - karaoke singer
63_38	Production
63_39	The film was produced by Fidelio Films and Scorched Films. The film was shot in Copenhagen. It is
63_40	the first feature film by Student Academy Award winner Mark Raso. The film was produced by Mauro
63_41	Mueller and Mette Thygesen.
63_42	Release The film premièred in theaters on October 3, 2014 in the US and on December 5 in Canada.
63_43	Reception
63_44	The film received positive reviews upon release. As of March 2021, 88% of the 16 reviews compiled
63_45	by Rotten Tomatoes are positive, and have an average score of 7.1 out of 10.
63_46	New York Times film critic David DeWitt writes that Raso's "absorbing film has a delicate nuance
63_47	that will linger after the popcorn's gone". Joe Leydon for Variety (magazine) writes that "To his
63_48	credit, writer-director Raso provides an answer that is both emotionally and dramatically
63_49	satisfying. Better still, he gets a pitch-perfect performance from Danish up-and-comer Hansen, who
63_50	greatly impresses with her unaffected spontaneity, playing Effy as both precociously wise and
63_51	tremulously vulnerable". The Hollywood Reporter called the film "an impressive feature debut".
63_52	Awards References
63_53	http://filmmakermagazine.com/48072-marc-rasos-microbudget-production-diary-part-1/
63_54	http://filmmakermagazine.com/50735-mark-rasos-microbudget-production-diary-wrap-reflections/
63_55	External links
63_56	2014 films American independent films English-language films American films
63_57	American coming-of-age films Films set in Copenhagen Films shot in Copenhagen 2010s adventure films
64_0	In mathematics, orientability is a property of some topological spaces such as real vector spaces,
64_1	Euclidean spaces, surfaces, and more generally manifolds that allows a consistent definition of
64_2	"clockwise" and "counterclockwise". A space is orientable if such a consistent definition exists.
64_3	In this case, there are two possible definitions, and a choice between them is an orientation of
64_4	the space. Real vector spaces, Euclidean spaces, and spheres are orientable. A space is
64_5	non-orientable if "clockwise" is changed into "counterclockwise" after running through some loops
64_6	in it, and coming back to the starting point. This means that a geometric shape, such as , that
64_7	moves continuously along such a loop is changed in its own mirror image . A Möbius strip is an
64_8	example of a non-orientable space.
64_9	Various equivalent formulations of orientability can be given, depending on the desired application
64_10	and level of generality. Formulations applicable to general topological manifolds often employ
64_11	methods of homology theory, whereas for differentiable manifolds more structure is present,
64_12	allowing a formulation in terms of differential forms. A generalization of the notion of
64_13	orientability of a space is that of orientability of a family of spaces parameterized by some other
64_14	space (a fiber bundle) for which an orientation must be selected in each of the spaces which varies
64_15	continuously with respect to changes in the parameter values.
64_16	Orientable surfaces
64_17	A surface S in the Euclidean space R3 is orientable if a two-dimensional figure (for example, )
64_18	cannot be moved around the surface and back to where it started so that it looks like its own
64_19	mirror image (). Otherwise the surface is non-orientable. An abstract surface (i.e., a
64_20	two-dimensional manifold) is orientable if a consistent concept of clockwise rotation can be
64_21	defined on the surface in a continuous manner. That is to say that a loop going around one way on
64_22	the surface can never be continuously deformed (without overlapping itself) to a loop going around
64_23	the opposite way. This turns out to be equivalent to the question of whether the surface contains
64_24	no subset that is homeomorphic to the Möbius strip. Thus, for surfaces, the Möbius strip may be
64_25	considered the source of all non-orientability.
64_26	For an orientable surface, a consistent choice of "clockwise" (as opposed to counter-clockwise) is
64_27	called an orientation, and the surface is called oriented. For surfaces embedded in Euclidean
64_28	space, an orientation is specified by the choice of a continuously varying surface normal n at
64_29	every point. If such a normal exists at all, then there are always two ways to select it: n or −n.
64_30	More generally, an orientable surface admits exactly two orientations, and the distinction between
64_31	an oriented surface and an orientable surface is subtle and frequently blurred. An orientable
64_32	surface is an abstract surface that admits an orientation, while an oriented surface is a surface
64_33	that is abstractly orientable, and has the additional datum of a choice of one of the two possible
64_34	orientations.
64_35	Examples

62_215

Enatu Valkkai Anuppavangal'' (English: My Experiences in Life), Autobiography by A. V. Meiyappan.

62_216

External links Website of AVM Productions Website of AVM Rajeswari School

62_217

Website of Avichi Higher Secondary School for girls

62_218

1907 births 1979 deaths Film producers from Chennai 20th-century Indian film directors

62_219

Film directors from Chennai Tamil film producers Tamil film directors

62_220

People from Sivaganga district

63_0

Copenhagen is an independent Canadian-American coming-of-age adventure film. It had its world

63_1

premiere as the opening narrative feature at the 20th anniversary edition of the Slamdance Film

63_2

Festival 2014. The film won the Grand Jury Prize at the Florida Film Festival and Gasparilla Film

63_3

Festival.

63_4

Synopsis

63_5

After weeks of travelling through Europe, the immature American, William, finds himself at

63_6

crossroads in Copenhagen. Copenhagen is not just another European city for William; it is also the

63_7

city of his father's birth. When Effy, working in William's hotel, befriends the twenty-eight

63_8

year-old William they set off on an adventure to deliver a letter written by William's father, to

63_9

his father, after he was abandoned when eight years old. Along the way, thanks to Effy's

63_10

persistence, they uncover William's family's sordid past.

63_11

An attraction builds between William and Effy. They explore a museum where William caresses Effy's

63_12

face and nearly kisses her before they are interrupted. Effy has been evasive about her age, but

63_13

when pressed makes the startling revelation that she is not a hotel employee, but is a 14-year-old

63_14

doing her grammar school praktik (internship) at the hotel.

63_15

One night at a bar William sees Effy being dragged out of the bar by an older man, who is revealed

63_16

to be Effy's mother's boyfriend. William manages to stop the man from dragging Effy away and beats

63_17

him up, causing both him and Effy to flee the scene.

63_18

William sneaks Effy inside his hotel room. After talking with him for a short while, Effy tells

63_19

William that she loves him and asks him if he wants her. He replies yes, but expresses hesitancy

63_20

because of her age. They start undressing and kiss, before William stops, covers the topless Effy

63_21

with a sheet, and holds her close. In the next scene it is morning, and Effy awakes fully clothed.

63_22

William is sitting atop the bedclothes; she is under them.

63_23

Effy translates Daniel's letter to his father for William. He thanks her, and they go their

63_24

separate ways. Effy returns to her mother's apartment, where her mom's boyfriend tries to make up

63_25

with her. Effy evades his touch and says she is going to tell her mother. William soon arrives at

63_26

the home of his grandfather and delivers his father's letter to the grandfather he had never known.

63_27

Back at school, Effy quietly looks at several pictures she had taken with William and smiles at one

63_28

of her sleeping in the hotel room she had shared with William. At the same time, William stands at

63_29

the symbolic Skagen, where the North Sea meets the Baltic.

63_30

Cast Gethin Anthony – William Frederikke Dahl Hansen – Effy Sebastian Armesto – Jeremy

63_31

Olivia Grant – Jennifer Baard Owe – Uncle Mads Mille Dinesen – Effy's mother – Henrik

63_32

Tamzin Merchant – Sandra – Thomas Vinter Sebastian Bull Sarning - Albert – Uncle Peter

63_33

Sune Kofoed – receptionist Madsen Silja Eriksen Jensen – Signe – Berlin girl

63_34

Asbjørn Krogh Nissen – Ivan Zaki Nobel Mehabil – bartender Markus - Thomas Buttenschøn

63_35

Miriam Yeager - school teacher Sune Kaarsberg - office secretary (voice) Kåre Fjalland - priest

63_36

Jane Pejtersen - Dane on bridge Hélène Kuhn - Heather Mads Korsgaard - hostel bartender

63_37

Lars-Bo Johansen - karaoke singer

63_38

Production

63_39

The film was produced by Fidelio Films and Scorched Films. The film was shot in Copenhagen. It is

63_40

the first feature film by Student Academy Award winner Mark Raso. The film was produced by Mauro

63_41

Mueller and Mette Thygesen.

63_42

Release The film premièred in theaters on October 3, 2014 in the US and on December 5 in Canada.

63_43

Reception

63_44

The film received positive reviews upon release. As of March 2021, 88% of the 16 reviews compiled

63_45

by Rotten Tomatoes are positive, and have an average score of 7.1 out of 10.

63_46

New York Times film critic David DeWitt writes that Raso's "absorbing film has a delicate nuance

63_47

that will linger after the popcorn's gone". Joe Leydon for Variety (magazine) writes that "To his

63_48

credit, writer-director Raso provides an answer that is both emotionally and dramatically

63_49

satisfying. Better still, he gets a pitch-perfect performance from Danish up-and-comer Hansen, who

63_50

greatly impresses with her unaffected spontaneity, playing Effy as both precociously wise and

63_51

tremulously vulnerable". The Hollywood Reporter called the film "an impressive feature debut".

63_52

Awards References

63_53

http://filmmakermagazine.com/48072-marc-rasos-microbudget-production-diary-part-1/

63_54

http://filmmakermagazine.com/50735-mark-rasos-microbudget-production-diary-wrap-reflections/

63_55

External links

63_56

2014 films American independent films English-language films American films

63_57

American coming-of-age films Films set in Copenhagen Films shot in Copenhagen 2010s adventure films

64_0

In mathematics, orientability is a property of some topological spaces such as real vector spaces,

64_1

Euclidean spaces, surfaces, and more generally manifolds that allows a consistent definition of

64_2

"clockwise" and "counterclockwise". A space is orientable if such a consistent definition exists.

64_3

In this case, there are two possible definitions, and a choice between them is an orientation of

64_4

the space. Real vector spaces, Euclidean spaces, and spheres are orientable. A space is

64_5

non-orientable if "clockwise" is changed into "counterclockwise" after running through some loops

64_6

in it, and coming back to the starting point. This means that a geometric shape, such as , that

64_7

moves continuously along such a loop is changed in its own mirror image . A Möbius strip is an

64_8

example of a non-orientable space.

64_9

Various equivalent formulations of orientability can be given, depending on the desired application

64_10

and level of generality. Formulations applicable to general topological manifolds often employ

64_11

methods of homology theory, whereas for differentiable manifolds more structure is present,

64_12

allowing a formulation in terms of differential forms. A generalization of the notion of

64_13

orientability of a space is that of orientability of a family of spaces parameterized by some other

64_14

space (a fiber bundle) for which an orientation must be selected in each of the spaces which varies

64_15

continuously with respect to changes in the parameter values.

64_16

Orientable surfaces

64_17

A surface S in the Euclidean space R3 is orientable if a two-dimensional figure (for example, )

64_18

cannot be moved around the surface and back to where it started so that it looks like its own

64_19

mirror image (). Otherwise the surface is non-orientable. An abstract surface (i.e., a

64_20

two-dimensional manifold) is orientable if a consistent concept of clockwise rotation can be

64_21

defined on the surface in a continuous manner. That is to say that a loop going around one way on

64_22

the surface can never be continuously deformed (without overlapping itself) to a loop going around

64_23

the opposite way. This turns out to be equivalent to the question of whether the surface contains

64_24

no subset that is homeomorphic to the Möbius strip. Thus, for surfaces, the Möbius strip may be

64_25

considered the source of all non-orientability.

64_26

For an orientable surface, a consistent choice of "clockwise" (as opposed to counter-clockwise) is

64_27

called an orientation, and the surface is called oriented. For surfaces embedded in Euclidean

64_28

space, an orientation is specified by the choice of a continuously varying surface normal n at

64_29

every point. If such a normal exists at all, then there are always two ways to select it: n or −n.

64_30

More generally, an orientable surface admits exactly two orientations, and the distinction between

64_31

an oriented surface and an orientable surface is subtle and frequently blurred. An orientable

64_32

surface is an abstract surface that admits an orientation, while an oriented surface is a surface

64_33

that is abstractly orientable, and has the additional datum of a choice of one of the two possible

64_34

orientations.

64_35

Examples