text
stringlengths 1
593
⌀ | label
float64 0
3
|
---|---|
"I am sorry,"
| 2 |
"Enter."
| 3 |
I blinked when I opened the door.
| 0 |
Sunlight filled Malaquez's bedroom.
| 1 |
Tasha lay sprawled nude on a rumpled bed.
| 2 |
Her skin seemed as smooth and as polished as the bed's teak frame.
| 1 |
She was looking slightly to my left, smiling with trust and satisfaction like one sexually content.
| 2 |
Malaquez stood near her, pointing something at my chest.
| 0 |
The part of my mind that remembered four months in NorAm during the Great Cleaning sent me rolling across the floor.
| 2 |
Malaquez was not prepared for me to react so quickly, or perhaps he waited too long for an expression I would not have, a gesture I would not make, a poignant moment of repentence, wonder, despair, or love.
| 2 |
The following events may indicate otherwise.
| 3 |
Had he been faster, he could have had rage.
| 2 |
I threw a chair at him.
| 2 |
As he fell, I scrambled onto him, my knees pinning his arms, my fingers probing his neck.
| 3 |
I shouted, "Where is she?
| 2 |
"Where is she?
| 3 |
Tell me, or I'll kill --"
| 3 |
He began to cry.
| 2 |
"She left.
| 2 |
Earlier this morning --"
| 0 |
Her clothes lay by the cube enclosing the bed.
| 2 |
I hit him with the back of my hand.
| 3 |
"Tell me, Malaquez."
| 3 |
"She wanted to be famous.
| 3 |
He seemed to expect me to understand.
| 3 |
"Where!"
| 2 |
I demanded, squeezing his throat until he began jerking his head madly at the sculpture.
| 3 |
I stared at the naked Tasha.
| 0 |
Most of his story I have pieced together since, but I understood enough as I knelt on his chest with my hands tight on his fleshy throat.
| 2 |
In fine tourist tradition, most homes on Vega IV are named.
| 0 |
He had made his name with a home capturador.
| 0 |
He began with small animals and moved on to derelicts and Undersiders, people who would never be missed.
| 1 |
Now he had thought to use vacationers like Tasha and me, and when someone came looking, he would say we had gone island-hopping in our windboat.
| 0 |
Our boat would disappear into the ocean to be found or not as the wind and tides chose.
| 2 |
Mine was The Sleeping Flamingo, and its outer walls were coral pink.
| 0 |
His story would stand in either case.
| 0 |
I wanted him to tell me more, but he babbled, begging me to forgive him, to understand.
| 2 |
I did not listen.
| 3 |
I think I was wondering what it meant to say that a thing was art, so we accepted it as art.
| 3 |
Or perhaps I was thinking about the things that humanity made that would outlive our species.
| 2 |
But I was probably only looking at my reflection in the capturador's lens.
| 0 |
Had he said then that I should use it on myself, I might have.
| 3 |
That moment passed.
| 2 |
I looked at Malaquez.
| 1 |
Were they mood-sensitive, they would have changed as I first viewed them.
| 3 |
His lips contorted as if they had lost their ability to shape sound.
| 0 |
I turned to touch the cube that was Tasha's crypt.
| 2 |
She smiled in trust or pleasure or pride, an erotic Mona Lisa who would smile forever, and I could never know why.
| 1 |
I could free Tasha.
| 3 |
If I did, one of three things would happen.
| 3 |
Most likely: she would be meat --there is a reason why stopboxes are most often used in kitchens.
| 2 |
And the tiniest chance of all: she would blink as if I had just materialized in Emil's bedroom, and then she would laugh and tell me that she was going to be immortal.
| 2 |
The rental agent, an attractive N'apulcan named Tasha Cortez, was not mood-sensitive either.
| 0 |
As I put my hand on the impervious surface of Tasha's stopbox, I heard Malaquez run for the door.
| 3 |
It is strange to know that we can do acts of unrepayable kindness to those we should hate.
| 1 |
Know this, my future self: Thanks to us, Emil Malaquez's name will live as long as his masterpiece, "A Self-Portrait: Anguish," endures.
| 3 |
I could say that I did not dare to take responsibility for her fate.
| 0 |
If science finds a way to safely free the subjects of Emil's art, perhaps the I who reads this file will know that my decision is wise.
| 0 |
But I cannot stop thinking that I was never afraid of losing Tasha to brain damage or death.
| 2 |
My fear is that she would live, and I would learn that I had lost her long before Emil Malaquez translated her into a thing that can be kept, admired, and loved.
| 2 |
For in my way, I have done the same thing.
| 3 |
She said, "It's beautiful, isn't it, Señor Flynn?"
| 1 |
I am ready for the mindwipe now.
| 3 |
"It's beautiful, isn't it, Señor Flynn?"
| 1 |
But she was young and attractive (as I have said and may say again) and eager and so happy to be assisting the infamous Bernardo Flynn that I merely raised an eyebrow in mild scepticism.
| 0 |
And then, because a playwright cannot resist a promising line, I said, "Your Sleeping Flamingo should be put to sleep."
| 3 |
"Your Sleeping Flamingo should be put to sleep."
| 3 |
To say her face fell would do a disservice to Tasha and to literature.
| 3 |
(Allow me my self-indulgences as you would those of a dying man -- when I convince my mindsmith to permit the wipe, there will be another Bernardo Flynn, one who knows no more of Tasha Cortez or Vega IV than he reads here.)
| 3 |
Her lower lip (a trifle too narrow for her face, perhaps her only physical flaw) thrust forward slightly as she started to speak.
| 3 |
She caught herself, slid her jaw infinitesimally back into place, and said, "You don't like it?"
| 3 |
"You don't like it?"
| 2 |
What could I do?
| 2 |
I clapped her shoulder to show I was not laughing at her.
| 1 |
"Like it?
| 1 |
I hate it, despise it, abhor it!
| 2 |
It's gaudy, graceless, pretentious -- That house is an affront to taste and intelligence.
| 2 |
I should buy it to raze it, but I am not so kind-hearted.
| 3 |
I might, however, rent it."
| 0 |
Captured Moments
| 1 |
I think she only heard the last words of my speech.
| 2 |
"You will?"
| 2 |
Show me around, and then I shall decide."
| 3 |
"Of course, Señor Flynn."
| 1 |
"And stop calling me 'señor'.
| 3 |
Not even Los Mundos is so polite.
| 3 |
"If you wish."
| 1 |
"I beg you, change the color of the walls, at the very least."
| 3 |
"But of course!"
| 2 |
I stared.
| 3 |
"How's that?"
| 0 |
I looked at her.
| 0 |
"Worse?"
| 2 |
I remember Papa's stopbox, a teal blue Tiempo Capturado that Mama brought home for his birthday.
| 1 |
I nodded.
| 3 |
"I would not have thought it possible."
| 1 |
She frowned.
| 3 |
"It is rather ugly."
| 2 |
"Thoroughly ugly,"
| 2 |
"Thoroughly ugly," I corrected with smile.
| 2 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.