text
stringlengths 1
593
⌀ | label
float64 0
3
|
---|---|
"It's easy for me to turn one down."
| 3 |
The surprising thing is that I was.
| 3 |
"Good.
| 1 |
My last show --"
| 3 |
" --was glorious!"
| 1 |
Tasha said.
| 3 |
" --was kindly received,"
| 1 |
" --was kindly received," he said.
| 1 |
"Oh?"
| 2 |
I hoped no one would bring up my last three plays.
| 0 |
No more urchins, dopers, vagrants, or whores.
| 3 |
He spoke quickly, prepared to be rejected.
| 2 |
"Would you permit me to do one of you?
| 1 |
I would pay --"
| 0 |
"Never,"
| 3 |
"Never," I said.
| 2 |
"Ah."
| 0 |
He shrugged lightly.
| 0 |
"Nardo!"
| 2 |
"It's an honor --"
| 1 |
"Of course," I said.
| 3 |
"That's why I cannot take payment."
| 3 |
"Oh?
| 0 |
Oh!
| 2 |
Thank you!"
| 1 |
Malaquez turned to Tasha.
| 1 |
"And you as well?
| 1 |
Perhaps the two of you together?"
| 2 |
Her eyes became circles at the idea of being, as she undoubtedly thought it, immortalized by Emil Malaquez.
| 1 |
There's only one city: called Nuevo Acapulco in La Enciclopedia del Empirio de la Humanidad, it's N'apulco to the locals.
| 1 |
Catching herself, she said casually, "Oh..." And then she smiled, laughed loudly at herself in the way that always made me think how much I loved her, and said, "My God, yes, yes, yes!"
| 2 |
"Oh..."
| 0 |
"My God, yes, yes, yes!"
| 2 |
For a perfect moment, Emil and Tasha and I were one entity, laughing until our lungs hurt.
| 1 |
This is torture.
| 2 |
I had not considered that I might not write to learn, but to punish myself.
| 2 |
Let me abuse the playwright and dismiss the penultimate scene in a few sentences: After giving Emil full rights to a sculpture of Tasha and me, we had a good dinner of curried clam chowder, lobsters boiled on Terra and unstopped still steaming on N'Apulco, and cinnamon custard for desert.
| 0 |
To view a copy of the public domain dedication, visit http://creativecommons.org/licenses/publicdomain/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.
| 0 |
She had studied it in school, so she thought herself as an expert.
| 1 |
I once had a neighbor who played it constantly, loudly, and badly, so I thought I knew it better.
| 0 |
So, I think, did she.
| 3 |
The subject shifted from music to Tasha's obsession with fame, undoubtedly by a leap that I made.
| 1 |
She had no choice but to follow.
| 0 |
(I do not remember any of this well, just now, nor do I care to.
| 0 |
The N'apulcans are mostly emigrants from Polaris II; the only difference between them and their Carribbean ancestors is that the ancestors fleeced NorAm tourists.
| 0 |
Those who are truly curious may look at the last act of "Captured Moments."
| 1 |
Malaquez glanced away, embarrassed.
| 2 |
"I will."
| 1 |
She said, "I feel sorry for you, Nardo.
| 2 |
"I feel sorry for you, Nardo.
| 2 |
I'll see Emil home."
| 3 |
"Yes,"
| 1 |
"Yes," I said, "Do that," and did not care what she did, or why.
| 2 |
"Do that,"
| 3 |
Emil asked, "You're all right?"
| 2 |
"You're all right?"
| 2 |
I muttered something he must have interpreted as assent.
| 0 |
They both walked up to Emil's home while I watched the scarlet moonlight ripple on distant waves.
| 0 |
Disgusted with Tasha but more disgusted with myself, I finally realized she would not return that night and went into The Sleeping Flamingo to drink myself to sleep.
| 2 |
She had not come home when I woke in mid-morning.
| 2 |
I waited, and drank a glass of MorningAfter and three cups of coffee, and wondered whether our affair could survive the events of the night, and whether I wanted it to.
| 2 |
Perhaps I should have invited Emil to stay, but even then I knew that sex was not the problem between Tasha and me.
| 2 |
The problem was that I have trouble distinguishing between compromise and capitulation, between symbols and substance.
| 0 |
Shortly before noon, I climbed the sandy path to Dream's End, rehearsing my apology, slowing only to pluck burrs from between my sandals and my feet.
| 2 |
Malaquez answered the door in blood-red pajamas and a black silk robe.
| 3 |
Sixty years ago in a similar situation, I had broken my knuckles on someone's face.
| 2 |
I merely said, "Is Tasha here?"
| 2 |
"Is Tasha here?"
| 0 |
Now the N'apulcans profit from their Hispanic siblings.
| 2 |
He pursed his lips slightly, then nodded.
| 3 |
"Yes."
| 0 |
"May I see her?"
| 2 |
When he hesitated, I said, "Last night was my fault.
| 3 |
"Last night was my fault.
| 2 |
I hold it against neither of you.
| 0 |
Let me talk to her."
| 3 |
"I --"
| 1 |
"Please."
| 1 |
He looked me and at last said, "Very well."
| 1 |
"Very well."
| 1 |
We walked through his house in silence.
| 0 |
If that was Malaquez's work, it was a very minor effort.
| 3 |
But then, I was in no mood to consider art.
| 3 |
That was easier than despising myself.
| 3 |
I don't mean to sound cynical.
| 3 |
He paused before a bedroom door.
| 0 |
"I should go in first.
| 3 |
I smiled.
| 1 |
"What would it hurt?"
| 3 |
"True.
| 3 |
Go ahead.
| 3 |
Tell her..."
| 2 |
I shrugged.
| 3 |
"Tell her I love her."
| 1 |
I suppose I wish to show that I'm still capable of a certain authorial distance, a semblance of dispassionate observation.
| 3 |
He studied me, then said, "I'm sorry things happened this way, Bernardo.
| 2 |
"I'm sorry things happened this way, Bernardo.
| 2 |
"I'm very good at making things happen this way.
| 3 |
But if Tasha will forgive me --"
| 2 |
He nodded, repeated, "I am sorry," then slipped into the next room.
| 2 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.