manu/mldr-zoomed-100char-total-queries-documents

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83_84	Television and Radio Company charged that KGEO wanted to "straddle" its transmitter between Enid
83_85	and Oklahoma City to serve both cities, as between 75% and 85% of television set owners in the Enid
83_86	area owners had oriented their home antennas to receive signals from Oklahoma City and the new
83_87	tower would provide improved reception in Enid by allowing the signal to propagate into the area at
83_88	the same direction that these home antennas were aimed, a claim Streets denied. Republic management
83_89	expressed concern that KGEO's move to the Crescent site would create unfair competition that could
83_90	hamper the station's already untenable financial situation.
83_91	Petitions by Republic Television and Radio to set aside the recommendation to grant of the
83_92	transmitter application and to reopen the record and call attention to the issues the move would
83_93	cause was denied by the FCC on December 15, 1955. (The agency later granted the Streets transmitter
83_94	relocation request in a 6–1 vote on May 4, 1956.) That same day, KTVQ suspended operations under
83_95	court order from the Western Oklahoma District Court "until a VHF channel [assignment was] made
83_96	available to it"; the FCC—was considering a proposal to allocate a minimum of three commercial VHF
83_97	channels in all major markets—did not act on KTVQ's request, resulting in the station being forced
83_98	to cease transmissions. Station representatives asked the FCC for special temporary authorization
83_99	to operate on VHF channel 11—which had been assigned to Tulsa as a non-commercial educational
83_100	allocation—until the Oklahoma Educational Television Authority (OETA) could sign on KOED-TV, a
83_101	satellite of its Oklahoma City flagship KETA-TV (channel 13), intending to broadcast over the
83_102	transmitter facility of the then-recently defunct KMPT. Governor Raymond D. Gary was among those
83_103	who supported the proposal; in contrast, OETA and the Joint Committee on Educational Television
83_104	filed objections to the request, contending that the proposal was "tantamount to scrapping the
83_105	whole table of educational television assignments". Sales and acting manager Troy Hoskins stated
83_106	the station's shutdown had resulted in about 80% of ABC's programming lineup being unavailable to
83_107	Oklahoma City viewers.
83_108	The FCC refused the STA request on February 1, 1956; KTVQ management re-submitted the STA request
83_109	for channel 11 on May 11, with the intent to operate the station on that channel either through the
83_110	remainder of the term of the construction permit or until OETA—which had withdrawn its opposition
83_111	to temporary use of the Tulsa channel—was ready to sign on KOED-TV. The station's fate was
83_112	ultimately sealed when the request was rejected for the second time on July 5, 1956. ABC
83_113	programming subsequently returned to WKY-TV as a secondary affiliation (KGEO-TV displaced WKY as
83_114	the network's Oklahoma City affiliate when it moved its operations and changed its city of license
83_115	from Enid to Oklahoma City in 1958).
83_116	Current history of UHF channel 25 in Oklahoma City
83_117	On July 25, 1958, the Republic Television and Radio Company donated the construction permit and
83_118	license to Independent School District No. 89 of Oklahoma County (now Oklahoma City Public
83_119	Schools), while the company was in the midst of protracted hearings regarding KTVQ's bankruptcy.
83_120	Although the FCC reserved the UHF channel 25 allocation in Oklahoma City for commercial
83_121	broadcasting purposes, the school district proposed upon acquiring the permit to operate it as a
83_122	non-commercial educational independent station. The district requested for KOKH-TV—the base of
83_123	which assigned at the time to its public radio station on 88.9 FM (now KYLV)—to be assigned as the
83_124	television station's call letters. KOKH signed on the air on February 2, 1959, with programming
83_125	originally consisting of instructional and lecture-based telecourse programs developed in
83_126	cooperation with the Oklahoma State Department of Education for college credit attribution.
83_127	The school district—citing that operating expenditures outran any benefits and its inability to
83_128	raise $350,000 in matching funds to replace its existing transmission tower—sold the station for
83_129	$3.5 million to Blair Broadcasting (a subsidiary of New York City-based John Blair & Co.) on
83_130	December 14, 1978; Blair later converted KOKH into a general entertainment independent station on
83_131	October 1, 1979, initially carrying a mix of feature films, cartoons, classic sitcoms, religious
83_132	programs, some sports programming, and certain network programs preempted by NBC affiliate KTVY
83_133	(channel 4, now KFOR-TV), ABC affiliate KOCO-TV (channel 5) and CBS affiliate KWTV (channel 9) to
83_134	carry local or syndicated programming. KOKH became a Fox affiliate on August 15, 1991, as a result
83_135	of the Oklahoma Educational Television Authority (OETA)'s purchase of the network's Oklahoma City
83_136	charter affiliate, KAUT (channel 43, now an independent station), which became a PBS member station
83_137	as a companion to OETA flagship station KETA-TV (channel 13). (, KOKH-TV is currently owned by the
83_138	Sinclair Broadcast Group.)
83_139	References
83_140	TVQ (Oklahoma City) Defunct television stations in the United States
83_141	Television channels and stations established in 1953 1953 establishments in Oklahoma
83_142	Television channels and stations disestablished in 1955 1955 disestablishments in Oklahoma TVQ
84_0	The 2000 Toronto International Film Festival, the 25th annual festival, ran from September 7 to
84_1	September 16, 2000. Along with special events to commemorate the anniversary, there were a total of
84_2	330 films screened. There was a special screening of Sergei Eisenstein's Alexander Nevsky featuring
84_3	musical accompaniment by the Toronto Symphony Orchestra with the Toronto Mendelssohn Choir. Also,
84_4	25 digital video shorts were made by attending filmmakers.
84_5	Awards Programmes
84_6	Gala Presentations Almost Famous by Cameron Crowe Best In Show by Christopher Guest
84_7	Bread and Tulips by Silvio Soldini The Contender by Rod Lurie
84_8	Crouching Tiger, Hidden Dragon by Ang Lee The Dish by Rob Sitch
84_9	Dr. T and the Women by Robert Altman The House of Mirth by Terence Davies
84_10	How to Kill Your Neighbor's Dog by Michael Kalesniko In the Mood for Love by Wong Kar-wai
84_11	The Luzhin Defence by Marleen Gorris Men of Honor by George Tillman Jr.
84_12	Pandaemonium by Julien Temple Sexy Beast by Jonathan Glazer Stardom by Denys Arcand
84_13	La Veuve de Saint-Pierre by Patrice Leconte The Weight of Water by Kathryn Bigelow
84_14	Special Presentations Beautiful by Sally Field Before Night Falls by Julian Schnabel
84_15	Chinese Coffee by Al Pacino Dancing at the Blue Iguana by Michael Radford Duets by Bruce Paltrow
84_16	Faithless by Liv Ullmann Greenfingers by Joel Hershman Innocence by Paul Cox
84_17	ivansxtc. (To Live and Die in Hollywood) by Bernard Rose Liam by Stephen Frears
84_18	Lumumba by Raoul Peck Pollock by Ed Harris Possible Worlds by Robert Lepage
84_19	Princes et princesses by Michel Ocelot The Princess and the Warrior by Tom Tykwer
84_20	Shadow of the Vampire by E. Elias Merhige A Shot at Glory by Michael Corrente
84_21	Sous le sable by François Ozon State and Main by David Mamet Tigerland by Joel Schumacher
84_22	The Yards by James Gray You Can Count on Me by Kenneth Lonergan
84_23	Masters Bread and Roses by Ken Loach Brother by Takeshi Kitano La Captive by Chantal Akerman
84_24	Chunhyang by Im Kwontaek Code Inconnu by Michael Haneke Comédie de l'innocence by Raoul Ruiz
84_25	Gohatto by Nagisa Oshima The Legends of Rita by Volker Schlöndorff
84_26	Merci pour le chocolat by Claude Chabrol My Generation by Barbara Kopple
84_27	Such is Life by Arturo Ripstein Turbulence by Ruy Guerra Werckmeister Harmonies by Béla Tarr
84_28	The Wrestlers by Buddhadeb Dasgupta Yi Yi (A One and a Two) by Edward Yang
84_29	Perspective Canada Abe's Manhood by Aubrey Nealon After Eden by John Price
84_30	Atomic Saké by Louise Archambault The Basement Girl by Midi Onodera
84_31	Bowie: One in a Million by Janis Cole Clean Rite Cowboy by Michael Downing
84_32	De l'art et la manière chez Denys Arcand by Georges Dufaux Deeply by Sheri Elwood
84_33	Desire by Colleen Murphy Dinky Menace by Robert Kennedy Ernest by Keith Behrman
84_34	FILM(lode) by Deco Dawson Foxy Lady, Wild Cherry by Ines Buchli Ginger Snaps by John Fawcett
84_35	The Hat (Le Chapeau) by Michèle Cournoyer Hindsight by Susan Shipton
84_36	Landscaping by Paul Carrière The Law of Enclosures by John Greyson
84_37	The Left-Hand Side of the Fridge by Philippe Falardeau
84_38	Like a Dream that Vanishes by Barbara Sternberg The Lost Bundefjord Expedition by Matt Holm
84_39	Love Come Down by Clement Virgo Low Self-Esteem Girl by Blaine Thurier
84_40	Maelström by Denis Villeneuve Marine Life by Anne Wheeler

83_84

Television and Radio Company charged that KGEO wanted to "straddle" its transmitter between Enid

83_85

and Oklahoma City to serve both cities, as between 75% and 85% of television set owners in the Enid

83_86

area owners had oriented their home antennas to receive signals from Oklahoma City and the new

83_87

tower would provide improved reception in Enid by allowing the signal to propagate into the area at

83_88

the same direction that these home antennas were aimed, a claim Streets denied. Republic management

83_89

expressed concern that KGEO's move to the Crescent site would create unfair competition that could

83_90

hamper the station's already untenable financial situation.

83_91

Petitions by Republic Television and Radio to set aside the recommendation to grant of the

83_92

transmitter application and to reopen the record and call attention to the issues the move would

83_93

cause was denied by the FCC on December 15, 1955. (The agency later granted the Streets transmitter

83_94

relocation request in a 6–1 vote on May 4, 1956.) That same day, KTVQ suspended operations under

83_95

court order from the Western Oklahoma District Court "until a VHF channel [assignment was] made

83_96

available to it"; the FCC—was considering a proposal to allocate a minimum of three commercial VHF

83_97

channels in all major markets—did not act on KTVQ's request, resulting in the station being forced

83_98

to cease transmissions. Station representatives asked the FCC for special temporary authorization

83_99

to operate on VHF channel 11—which had been assigned to Tulsa as a non-commercial educational

83_100

allocation—until the Oklahoma Educational Television Authority (OETA) could sign on KOED-TV, a

83_101

satellite of its Oklahoma City flagship KETA-TV (channel 13), intending to broadcast over the

83_102

transmitter facility of the then-recently defunct KMPT. Governor Raymond D. Gary was among those

83_103

who supported the proposal; in contrast, OETA and the Joint Committee on Educational Television

83_104

filed objections to the request, contending that the proposal was "tantamount to scrapping the

83_105

whole table of educational television assignments". Sales and acting manager Troy Hoskins stated

83_106

the station's shutdown had resulted in about 80% of ABC's programming lineup being unavailable to

83_107

Oklahoma City viewers.

83_108

The FCC refused the STA request on February 1, 1956; KTVQ management re-submitted the STA request

83_109

for channel 11 on May 11, with the intent to operate the station on that channel either through the

83_110

remainder of the term of the construction permit or until OETA—which had withdrawn its opposition

83_111

to temporary use of the Tulsa channel—was ready to sign on KOED-TV. The station's fate was

83_112

ultimately sealed when the request was rejected for the second time on July 5, 1956. ABC

83_113

programming subsequently returned to WKY-TV as a secondary affiliation (KGEO-TV displaced WKY as

83_114

the network's Oklahoma City affiliate when it moved its operations and changed its city of license

83_115

from Enid to Oklahoma City in 1958).

83_116

Current history of UHF channel 25 in Oklahoma City

83_117

On July 25, 1958, the Republic Television and Radio Company donated the construction permit and

83_118

license to Independent School District No. 89 of Oklahoma County (now Oklahoma City Public

83_119

Schools), while the company was in the midst of protracted hearings regarding KTVQ's bankruptcy.

83_120

Although the FCC reserved the UHF channel 25 allocation in Oklahoma City for commercial

83_121

broadcasting purposes, the school district proposed upon acquiring the permit to operate it as a

83_122

non-commercial educational independent station. The district requested for KOKH-TV—the base of

83_123

which assigned at the time to its public radio station on 88.9 FM (now KYLV)—to be assigned as the

83_124

television station's call letters. KOKH signed on the air on February 2, 1959, with programming

83_125

originally consisting of instructional and lecture-based telecourse programs developed in

83_126

cooperation with the Oklahoma State Department of Education for college credit attribution.

83_127

The school district—citing that operating expenditures outran any benefits and its inability to

83_128

raise $350,000 in matching funds to replace its existing transmission tower—sold the station for

83_129

$3.5 million to Blair Broadcasting (a subsidiary of New York City-based John Blair & Co.) on

83_130

December 14, 1978; Blair later converted KOKH into a general entertainment independent station on

83_131

October 1, 1979, initially carrying a mix of feature films, cartoons, classic sitcoms, religious

83_132

programs, some sports programming, and certain network programs preempted by NBC affiliate KTVY

83_133

(channel 4, now KFOR-TV), ABC affiliate KOCO-TV (channel 5) and CBS affiliate KWTV (channel 9) to

83_134

carry local or syndicated programming. KOKH became a Fox affiliate on August 15, 1991, as a result

83_135

of the Oklahoma Educational Television Authority (OETA)'s purchase of the network's Oklahoma City

83_136

charter affiliate, KAUT (channel 43, now an independent station), which became a PBS member station

83_137

as a companion to OETA flagship station KETA-TV (channel 13). (, KOKH-TV is currently owned by the

83_138

Sinclair Broadcast Group.)

83_139

References

83_140

TVQ (Oklahoma City) Defunct television stations in the United States

83_141

Television channels and stations established in 1953 1953 establishments in Oklahoma

83_142

Television channels and stations disestablished in 1955 1955 disestablishments in Oklahoma TVQ

84_0

The 2000 Toronto International Film Festival, the 25th annual festival, ran from September 7 to

84_1

September 16, 2000. Along with special events to commemorate the anniversary, there were a total of

84_2

330 films screened. There was a special screening of Sergei Eisenstein's Alexander Nevsky featuring

84_3

musical accompaniment by the Toronto Symphony Orchestra with the Toronto Mendelssohn Choir. Also,

84_4

25 digital video shorts were made by attending filmmakers.

84_5

Awards Programmes

84_6

Gala Presentations Almost Famous by Cameron Crowe Best In Show by Christopher Guest

84_7

Bread and Tulips by Silvio Soldini The Contender by Rod Lurie

84_8

Crouching Tiger, Hidden Dragon by Ang Lee The Dish by Rob Sitch

84_9

Dr. T and the Women by Robert Altman The House of Mirth by Terence Davies

84_10

How to Kill Your Neighbor's Dog by Michael Kalesniko In the Mood for Love by Wong Kar-wai

84_11

The Luzhin Defence by Marleen Gorris Men of Honor by George Tillman Jr.

84_12

Pandaemonium by Julien Temple Sexy Beast by Jonathan Glazer Stardom by Denys Arcand

84_13

La Veuve de Saint-Pierre by Patrice Leconte The Weight of Water by Kathryn Bigelow

84_14

Special Presentations Beautiful by Sally Field Before Night Falls by Julian Schnabel

84_15

Chinese Coffee by Al Pacino Dancing at the Blue Iguana by Michael Radford Duets by Bruce Paltrow

84_16

Faithless by Liv Ullmann Greenfingers by Joel Hershman Innocence by Paul Cox

84_17

ivansxtc. (To Live and Die in Hollywood) by Bernard Rose Liam by Stephen Frears

84_18

Lumumba by Raoul Peck Pollock by Ed Harris Possible Worlds by Robert Lepage

84_19

Princes et princesses by Michel Ocelot The Princess and the Warrior by Tom Tykwer

84_20

Shadow of the Vampire by E. Elias Merhige A Shot at Glory by Michael Corrente

84_21

Sous le sable by François Ozon State and Main by David Mamet Tigerland by Joel Schumacher

84_22

The Yards by James Gray You Can Count on Me by Kenneth Lonergan

84_23

Masters Bread and Roses by Ken Loach Brother by Takeshi Kitano La Captive by Chantal Akerman

84_24

Chunhyang by Im Kwontaek Code Inconnu by Michael Haneke Comédie de l'innocence by Raoul Ruiz

84_25

Gohatto by Nagisa Oshima The Legends of Rita by Volker Schlöndorff

84_26

Merci pour le chocolat by Claude Chabrol My Generation by Barbara Kopple

84_27

Such is Life by Arturo Ripstein Turbulence by Ruy Guerra Werckmeister Harmonies by Béla Tarr

84_28

The Wrestlers by Buddhadeb Dasgupta Yi Yi (A One and a Two) by Edward Yang

84_29

Perspective Canada Abe's Manhood by Aubrey Nealon After Eden by John Price

84_30

Atomic Saké by Louise Archambault The Basement Girl by Midi Onodera

84_31

Bowie: One in a Million by Janis Cole Clean Rite Cowboy by Michael Downing

84_32

De l'art et la manière chez Denys Arcand by Georges Dufaux Deeply by Sheri Elwood

84_33

Desire by Colleen Murphy Dinky Menace by Robert Kennedy Ernest by Keith Behrman

84_34

FILM(lode) by Deco Dawson Foxy Lady, Wild Cherry by Ines Buchli Ginger Snaps by John Fawcett

84_35

The Hat (Le Chapeau) by Michèle Cournoyer Hindsight by Susan Shipton

84_36

Landscaping by Paul Carrière The Law of Enclosures by John Greyson

84_37

The Left-Hand Side of the Fridge by Philippe Falardeau

84_38

Like a Dream that Vanishes by Barbara Sternberg The Lost Bundefjord Expedition by Matt Holm

84_39

Love Come Down by Clement Virgo Low Self-Esteem Girl by Blaine Thurier

84_40

Maelström by Denis Villeneuve Marine Life by Anne Wheeler