manu/mldr-zoomed-100char-total-queries-documents

chunk_id stringlengths 3 9	chunk stringlengths 1 100
142_179	change in figuration) -, drummers will study technique, reading and rhythm at the same time. This
142_180	way, not only will they put an end to that monotonous “in rhythm” practice, they will also develop
142_181	control of the speed of the beats.
142_182	Just by studying the sequences and the various fingering, practicing will prepare the drummer for:
142_183	fundamental rhythmic figures from two to fifteen beats (downbeats and off-beats)
142_184	single, double and triple stroke rolls with accentuated downbeats and off-beats;
142_185	single, double, and triple paradiddles;
142_186	paradiddles with final triple beats and acciaccaturas (flam, drag etc.).
142_187	Lastly, the advantage of practicing without missing a beat: going from division accents to
142_188	subdivision accents: an exercise that will come in very handy when playing in an orchestra where
142_189	the conductor is holding the rhythm by beating the main accents and will also hold the secondary
142_190	rhythm of the subdivision.
142_191	Sequences for drums and drum sets can be read or listened to in CD or practiced with the help of an
142_192	animated video: a kind of Karaoke that allows drummers to check rhythm because the notes light up
142_193	on the screen on the beat while playing.
142_194	References Reviews and testimonials of the world of music
142_195	Editors’ catalogues: Curci, Ricordi, Carisch, Effepilibri Curci in the world
142_196	“Press notes” from p. 6 of the book Sapere per suonare, Curci editions
142_197	Autobiography (Effepilibri editions) Encyclopedia of Neapolitan Music (Magmata Edition)
142_198	Artistic acknowledgements Click on Photo gallery
142_199	External links www.drumsoloartist.com Curci Edition Official Web site
142_200	Antonio Buonomo Official Web site Antonio Buonomo Official Web site
142_201	Edizioni Carisch Official Web site Casa Ricordi Official Web site
142_202	Effepilibri Official Web site Conservatorio S. Cecilia Official Web site
142_203	Conservatorio Luisa D'Annunzio Official Web site Edizioni Suvini-Zerboni Official Web site
142_204	Italian classical composers Italian male classical composers 21st-century classical composers
142_205	Experimental composers Italian percussionists Classical percussionists Classical trumpeters
142_206	Italian bandleaders 1932 births Living people Italian music educators
142_207	20th-century Italian musicians 20th-century trumpeters 21st-century trumpeters
142_208	20th-century Italian male musicians 21st-century Italian male musicians
143_0	Han Seung-won (Hangul 한승원; born 1939) is a South Korean writer. He primarily writes about people who
143_1	struggle against their fate in Jangheung, a county situated off the southern coast of the Korean
143_2	peninsula where Han himself was born. Han's work tends to have a strong sense of place; his stories
143_3	are often set in his coastal hometown and contain the local dialect.
143_4	Life
143_5	Han Seung-won was born in Jangheung County, South Korea in 1939. He is a visiting professor of
143_6	creative writing at Chosun University. He attended Jangheung Middle School, Jangheung High School,
143_7	and Seorabeol Art University for creative writing. Han took a course taught by writer Kim Tong-ni
143_8	and became acquainted with a number of classmates who went onto become writers, including Lee Mun
143_9	Ku, Park Sang-ryoong, Cho Sehee, and Kim Won il. He made his literary debut in 1966 when he won the
143_10	Shina Ilbo New Writer's Contest for his short story “Gajeungseureoun bada” (가증스런 바다 Despicable
143_11	Sea). He began teaching at Jangdongseo Elementary School and has also taught at Kwangyang Middle
143_12	School and Gwangju Dongshin Middle School.
143_13	Han's short story “Mokseon” (목선 Wooden Boat) won a writing contest by Daehan Ilbo in 1968, boosting
143_14	his literary career. In 1972, he founded Soseol Munhak (“fiction and literature”), an association
143_15	of writers based in Gwangju, South Korea. Members included Mun Sun-tae, Kim Sin-un, Kang Sun-sik,
143_16	and Lee Gye-hong. He relocated to Seoul in 1980 and wrote full-time, producing bestsellers such as
143_17	Aje aje bara-aje (아제아제바라아제 Aje aje bara-aje). The novel was made into a movie.
143_18	Over his 50-year career, he has persistently written stories inspired by the shores of his
143_19	hometown. He moved back to Jangheung in 1997 and has resided there since. His two children, Han
143_20	Kang and Han Dong-rim, are also writers. Both Han Seung-won and Han Kang have won the Yi Sang
143_21	Literary Award and Kim Tong-ni Literary Award.
143_22	Writing
143_23	Han Seung-won's works usually involve characters who are driven mad by desire and struggle against
143_24	their tragic fate. While these characters express a deep sentiment of han, they are not entirely
143_25	helpless against fate. Some destroy themselves in a fit of insanity, while others commit sins to
143_26	fulfill their desires. They become trapped in a vicious cycle of suffering, reinforcing the theme
143_27	of fate in Han's works.
143_28	One of Han's best-known works is the novella Hyebyeonui gilson (해변의 길손 Wanderer on the Shore),
143_29	which is loosely based on an ancient Korean hero myth. The book spans decades from Japanese
143_30	colonial rule through the chaotic post-liberation period to the Korean War, modernization, and
143_31	finally the Gwangju Uprising in the 1980s. The turmoils of modern Korean history is reflected in
143_32	the tragic life of the protagonist Hwang Du-pyo. In a storyline reminiscent of Cain and Abel, the
143_33	novel centers around the conflict between Hwang and his little brother, who is smarter and more
143_34	loved by their parents. Literary critic Wu Han-yong writes: “The tragedy of Hwang Du-pyo’s family
143_35	originates from his inferiority complex and is correlated to Korean modern history; the tragedy of
143_36	an individual expands into that of the nation. Another way to understand the novel is to focus on
143_37	the psychology of its characters. In this kind of reading, one sees how Hwang’s bitter sense of
143_38	inferiority grows as he experiences the tumults of history and how that compromises his integrity.”
143_39	Often set in his coastal hometown of Jangheung County, Han's stories have a strong sense of place.
143_40	The language, people, and environment of his hometown feature heavily in his works. Han has
143_41	described the sea as “the womb of the universe” and the source of his creative inspiration.
143_42	Works Fiction 1. 『앞산도 첩첩하고』, 창작과비평사, 1977. Deep is the Mountain Before Me. Changbi, 1977.
143_43	2. 『바다의 뿔』, 동화출판공사, 1982. Horns of the Sea. Donghwa, 1982. 3. 『불의 딸』, 문학과지성사, 1983.
143_44	The Daughter of Fire. Moonji, 1983. 4. 『그 바다 끓며 넘치며』, 청한문화사, 1983.
143_45	As the Sea Boils Over. Cheonghan Munhwasa, 1983. 5. 『아제아제 바라아제』, 삼성, 1985.
143_46	Aje aje bara-aje. Samsung, 1985. 6. 『우리들의 돌탑』, 문학과지성사, 1988. Our Stone Tower. Moonji, 1988.
143_47	7. 『목선』, 시몬출판사, 1989. Wooden Boat. Simon, 1989. 8. 『왕인의 땅』, 동광출판사, 1989.
143_48	The Land of Wani. Donggwang, 1989. 9. 『낙지같은 여자』, 지양사, 1991.
143_49	The Woman Like an Octopus. Jiyangsa, 1991. 10. 『아제아제 바라아제2』, 범조사, 1991.
143_50	Aje aje bara-aje 2. Beomjosa, 1991. 11. 『아제아제 바라아제3』, 범조사, 1991.
143_51	Aje aje bara-aje 3. Beomjosa, 1991. 12. 『내 고향 남쪽 바다』, 청아출판사, 1992.
143_52	The Southern Seas, My Hometown. Chunga, 1992. 13. 『새터말 사람들』, 문학과지성사, 1993.
143_53	People of the New Settlement. Moonji, 1993. 14. 『시인의 잠』, 문이당, 1994.
143_54	The Poet’s Sleep. Munidang, 1994. 15. 『아버지를 위하여』, 문이당, 1995. For Father. Munidang, 1995.
143_55	16. 『목선:한승원 중단편전집1』, 문이당, 1999.
143_56	Wooden Boat: Short Stories and Novellas by Han Seung-won. Munidang, 1999.
143_57	17. 『아리랑 별곡:한승원 중단편전집2』, 문이당, 1999.
143_58	Arirang Song: Short Stories and Novellas by Han Seung-won 2. Munidang, 1999.
143_59	18. 『누이와 늑대:한승원 중단편전집3』, 문이당, 1999.
143_60	My Sister and the Wolf: Short Stories and Novellas by Han Seung-won 2. Munidang, 1999.
143_61	19. 『해변의 길손:한승원 중단편전집4』, 문이당, 1999.
143_62	Wanderer on the Shore: Short Stories and Novellas by Han Seung-won 4. Munidang, 1999.
143_63	20. 『내 고향 남쪽 바다:한승원 중단편전집5』, 문이당, 1999.
143_64	The Southern Seas, My Hometown: Short Stories and Novellas by Han Seung-won 5. Munidang, 1999.
143_65	21. 『검은댕기 두루미:한승원 중단편전집6』, 문이당, 1999.
143_66	Black-backed Crane: Short Stories and Novellas by Han Seung-won 6. Munidang, 1999.
143_67	22. 『화사』, 작가정신, 2001. Flowering Serpent. Jakkajungsin, 2001. 23. 『초의』, 김영사, 2003.
143_68	Choui. Gimmyoung, 2003. 14. 『소설 원효(전3권)』, 비채, 2006. Wonhyo: A Novel Vol. 1-3. Viche, 2006.
143_69	15. 『추사(전2권)』, 열림원, 2007. Chusa Vol. 1-2. Yolimwon, 2007. 16. 『희망 사진관』, 문학과지성사, 2009.

142_179

change in figuration) -, drummers will study technique, reading and rhythm at the same time. This

142_180

way, not only will they put an end to that monotonous “in rhythm” practice, they will also develop

142_181

control of the speed of the beats.

142_182

Just by studying the sequences and the various fingering, practicing will prepare the drummer for:

142_183

fundamental rhythmic figures from two to fifteen beats (downbeats and off-beats)

142_184

single, double and triple stroke rolls with accentuated downbeats and off-beats;

142_185

single, double, and triple paradiddles;

142_186

paradiddles with final triple beats and acciaccaturas (flam, drag etc.).

142_187

Lastly, the advantage of practicing without missing a beat: going from division accents to

142_188

subdivision accents: an exercise that will come in very handy when playing in an orchestra where

142_189

the conductor is holding the rhythm by beating the main accents and will also hold the secondary

142_190

rhythm of the subdivision.

142_191

Sequences for drums and drum sets can be read or listened to in CD or practiced with the help of an

142_192

animated video: a kind of Karaoke that allows drummers to check rhythm because the notes light up

142_193

on the screen on the beat while playing.

142_194

References Reviews and testimonials of the world of music

142_195

Editors’ catalogues: Curci, Ricordi, Carisch, Effepilibri Curci in the world

142_196

“Press notes” from p. 6 of the book Sapere per suonare, Curci editions

142_197

Autobiography (Effepilibri editions) Encyclopedia of Neapolitan Music (Magmata Edition)

142_198

Artistic acknowledgements Click on Photo gallery

142_199

External links www.drumsoloartist.com Curci Edition Official Web site

142_200

Antonio Buonomo Official Web site Antonio Buonomo Official Web site

142_201

Edizioni Carisch Official Web site Casa Ricordi Official Web site

142_202

Effepilibri Official Web site Conservatorio S. Cecilia Official Web site

142_203

Conservatorio Luisa D'Annunzio Official Web site Edizioni Suvini-Zerboni Official Web site

142_204

Italian classical composers Italian male classical composers 21st-century classical composers

142_205

Experimental composers Italian percussionists Classical percussionists Classical trumpeters

142_206

Italian bandleaders 1932 births Living people Italian music educators

142_207

20th-century Italian musicians 20th-century trumpeters 21st-century trumpeters

142_208

20th-century Italian male musicians 21st-century Italian male musicians

143_0

Han Seung-won (Hangul 한승원; born 1939) is a South Korean writer. He primarily writes about people who

143_1

struggle against their fate in Jangheung, a county situated off the southern coast of the Korean

143_2

peninsula where Han himself was born. Han's work tends to have a strong sense of place; his stories

143_3

are often set in his coastal hometown and contain the local dialect.

143_4

Life

143_5

Han Seung-won was born in Jangheung County, South Korea in 1939. He is a visiting professor of

143_6

creative writing at Chosun University. He attended Jangheung Middle School, Jangheung High School,

143_7

and Seorabeol Art University for creative writing. Han took a course taught by writer Kim Tong-ni

143_8

and became acquainted with a number of classmates who went onto become writers, including Lee Mun

143_9

Ku, Park Sang-ryoong, Cho Sehee, and Kim Won il. He made his literary debut in 1966 when he won the

143_10

Shina Ilbo New Writer's Contest for his short story “Gajeungseureoun bada” (가증스런 바다 Despicable

143_11

Sea). He began teaching at Jangdongseo Elementary School and has also taught at Kwangyang Middle

143_12

School and Gwangju Dongshin Middle School.

143_13

Han's short story “Mokseon” (목선 Wooden Boat) won a writing contest by Daehan Ilbo in 1968, boosting

143_14

his literary career. In 1972, he founded Soseol Munhak (“fiction and literature”), an association

143_15

of writers based in Gwangju, South Korea. Members included Mun Sun-tae, Kim Sin-un, Kang Sun-sik,

143_16

and Lee Gye-hong. He relocated to Seoul in 1980 and wrote full-time, producing bestsellers such as

143_17

Aje aje bara-aje (아제아제바라아제 Aje aje bara-aje). The novel was made into a movie.

143_18

Over his 50-year career, he has persistently written stories inspired by the shores of his

143_19

hometown. He moved back to Jangheung in 1997 and has resided there since. His two children, Han

143_20

Kang and Han Dong-rim, are also writers. Both Han Seung-won and Han Kang have won the Yi Sang

143_21

Literary Award and Kim Tong-ni Literary Award.

143_22

Writing

143_23

Han Seung-won's works usually involve characters who are driven mad by desire and struggle against

143_24

their tragic fate. While these characters express a deep sentiment of han, they are not entirely

143_25

helpless against fate. Some destroy themselves in a fit of insanity, while others commit sins to

143_26

fulfill their desires. They become trapped in a vicious cycle of suffering, reinforcing the theme

143_27

of fate in Han's works.

143_28

One of Han's best-known works is the novella Hyebyeonui gilson (해변의 길손 Wanderer on the Shore),

143_29

which is loosely based on an ancient Korean hero myth. The book spans decades from Japanese

143_30

colonial rule through the chaotic post-liberation period to the Korean War, modernization, and

143_31

finally the Gwangju Uprising in the 1980s. The turmoils of modern Korean history is reflected in

143_32

the tragic life of the protagonist Hwang Du-pyo. In a storyline reminiscent of Cain and Abel, the

143_33

novel centers around the conflict between Hwang and his little brother, who is smarter and more

143_34

loved by their parents. Literary critic Wu Han-yong writes: “The tragedy of Hwang Du-pyo’s family

143_35

originates from his inferiority complex and is correlated to Korean modern history; the tragedy of

143_36

an individual expands into that of the nation. Another way to understand the novel is to focus on

143_37

the psychology of its characters. In this kind of reading, one sees how Hwang’s bitter sense of

143_38

inferiority grows as he experiences the tumults of history and how that compromises his integrity.”

143_39

Often set in his coastal hometown of Jangheung County, Han's stories have a strong sense of place.

143_40

The language, people, and environment of his hometown feature heavily in his works. Han has

143_41

described the sea as “the womb of the universe” and the source of his creative inspiration.

143_42

Works Fiction 1. 『앞산도 첩첩하고』, 창작과비평사, 1977. Deep is the Mountain Before Me. Changbi, 1977.

143_43

2. 『바다의 뿔』, 동화출판공사, 1982. Horns of the Sea. Donghwa, 1982. 3. 『불의 딸』, 문학과지성사, 1983.

143_44

The Daughter of Fire. Moonji, 1983. 4. 『그 바다 끓며 넘치며』, 청한문화사, 1983.

143_45

As the Sea Boils Over. Cheonghan Munhwasa, 1983. 5. 『아제아제 바라아제』, 삼성, 1985.

143_46

Aje aje bara-aje. Samsung, 1985. 6. 『우리들의 돌탑』, 문학과지성사, 1988. Our Stone Tower. Moonji, 1988.

143_47

7. 『목선』, 시몬출판사, 1989. Wooden Boat. Simon, 1989. 8. 『왕인의 땅』, 동광출판사, 1989.

143_48

The Land of Wani. Donggwang, 1989. 9. 『낙지같은 여자』, 지양사, 1991.

143_49

The Woman Like an Octopus. Jiyangsa, 1991. 10. 『아제아제 바라아제2』, 범조사, 1991.

143_50

Aje aje bara-aje 2. Beomjosa, 1991. 11. 『아제아제 바라아제3』, 범조사, 1991.

143_51

Aje aje bara-aje 3. Beomjosa, 1991. 12. 『내 고향 남쪽 바다』, 청아출판사, 1992.

143_52

The Southern Seas, My Hometown. Chunga, 1992. 13. 『새터말 사람들』, 문학과지성사, 1993.

143_53

People of the New Settlement. Moonji, 1993. 14. 『시인의 잠』, 문이당, 1994.

143_54

The Poet’s Sleep. Munidang, 1994. 15. 『아버지를 위하여』, 문이당, 1995. For Father. Munidang, 1995.

143_55

16. 『목선:한승원 중단편전집1』, 문이당, 1999.

143_56

Wooden Boat: Short Stories and Novellas by Han Seung-won. Munidang, 1999.

143_57

17. 『아리랑 별곡:한승원 중단편전집2』, 문이당, 1999.

143_58

Arirang Song: Short Stories and Novellas by Han Seung-won 2. Munidang, 1999.

143_59

18. 『누이와 늑대:한승원 중단편전집3』, 문이당, 1999.

143_60

My Sister and the Wolf: Short Stories and Novellas by Han Seung-won 2. Munidang, 1999.

143_61

19. 『해변의 길손:한승원 중단편전집4』, 문이당, 1999.

143_62

Wanderer on the Shore: Short Stories and Novellas by Han Seung-won 4. Munidang, 1999.

143_63

20. 『내 고향 남쪽 바다:한승원 중단편전집5』, 문이당, 1999.

143_64

The Southern Seas, My Hometown: Short Stories and Novellas by Han Seung-won 5. Munidang, 1999.

143_65

21. 『검은댕기 두루미:한승원 중단편전집6』, 문이당, 1999.

143_66

Black-backed Crane: Short Stories and Novellas by Han Seung-won 6. Munidang, 1999.

143_67

22. 『화사』, 작가정신, 2001. Flowering Serpent. Jakkajungsin, 2001. 23. 『초의』, 김영사, 2003.

143_68

Choui. Gimmyoung, 2003. 14. 『소설 원효(전3권)』, 비채, 2006. Wonhyo: A Novel Vol. 1-3. Viche, 2006.

143_69

15. 『추사(전2권)』, 열림원, 2007. Chusa Vol. 1-2. Yolimwon, 2007. 16. 『희망 사진관』, 문학과지성사, 2009.