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142_79
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2001 - Antonio Buonomo - Born for the drum set * (Instinctive study of the drum set for children
|
142_80
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and beginners) book with CD - BMG Ricordi Editions ISMN M-2151-0569-0;
|
142_81
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2004 - Antonio Buonomo - Beyond the rudiments** When technique becomes music (book with CD) -
|
142_82
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Carisch Editions; ;
|
142_83
|
2009 - Antonio Buonomo - Nati per la musica (Born for the music) book with audio book - Curci
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142_84
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editions. ISMN 979-0-2159-0114-8, ISMN 9790215 105690;
|
142_85
|
2012 - Buonomo - The vibraphone* technique - Italian melodies - jazz improvisation -
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142_86
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Suvini-Zerboni editions;
|
142_87
|
2013 - Antonio Buonomo - The innate instinct of the drums (when to play becomes a spontaneous
|
142_88
|
gesture - book with CD - Curci editions;
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142_89
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2014 - Aldo e Antonio Buonomo - Method for drum and drum-set - Simeoli editions.
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142_90
|
2018 - Antonio Buonomo - Davide Summaria - I CLASSICI DELLA MUSICA ETNICA** (Classics of ethnic
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142_91
|
music) The rhythms of dance in piano teaching - MP3 download - Simeoli editions.
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142_92
|
2019 - Antonio Buonomo - Davide Summaria - DANZE ETNICHE per ensemble di percussioni ** (Ethnic
|
142_93
|
dances for percussion ensemble) - MP3 download - Simeoli editions.
|
142_94
|
2019 - Antonio Buonomo - Biancaneve e le note parlanti* (Snow White and the talking notes) Musical
|
142_95
|
fairytale to read, tell and recite - Simeoli Kids Editions.
|
142_96
|
2019 - Antonio Buonomo - Le mani - Lo strumento naturale per suonare e accompagnare* (Hands The
|
142_97
|
natural instrument for playing and accompanying ) - Simeoli Kids Editions.
|
142_98
|
2020 - Antonio Buonomo - Quando il jazz lo facevano i tamburi* (When jazz was played by drums)
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142_99
|
History, analysis and learning of rhythmic music and the rhythm of words - Simeoli Editions.
|
142_100
|
2021 - Antonio Buonomo - Battute e frasi celebri di musicisti * (Diary of phrases and mottos from
|
142_101
|
Bach to Schömberg ) - Simeoli Editions.
|
142_102
|
2022 - Antonio Buonomo - L'alfabeto del batterista percussionista * (The Percussionist-Drummer’s
|
142_103
|
Alphabet) Methodology from A to Z with video examples - Simeoli Editions.
|
142_104
|
(*) Italian-English text
(**) Italian, English, German and Spanish text
|
142_105
|
Autobiography
|
142_106
|
2010 - Antonio Buonomo - L’arte della fuga in tempo di guerra (The art of the fugue during wartime)
|
142_107
|
- Effepilibri editions.
|
142_108
|
2020 - Antonio Buonomo - Dichiarazioni d'amore e di guerra (Special Centenary Edition) - Simeoli
|
142_109
|
editions.
|
142_110
|
Main compositions – performed and published
|
142_111
|
Spazio zero to search by vocal chords and object-instruments ( RAI premiere 1975);
|
142_112
|
Vuoto for mimes, narrator and audience (premiere at the Exhibition on Avant-garde and Musical
|
142_113
|
Research in Naples during the 1970s);
|
142_114
|
Akwadum work recommended by the jury of the National Contest of Children's Music composition, by
|
142_115
|
the Province of Como, world premiere performance in the concert hall of the Conservatory G. Verdi
|
142_116
|
in Como (Curci editions EC 11352);
|
142_117
|
Afrikania premiere at the Opening “Agimus” season, Naples 1975 (Curci editions EC 11355);
|
142_118
|
Leggenda Valacca elaboration in contemporary style of the famous Angel's Serenade by Gaetano
|
142_119
|
Braga, commissioned to Buonomo by the author's hometown Administration, for the centenary of his
|
142_120
|
death. (Curci editions );
|
142_121
|
Bach for percussion instruments RAI premiere 1976 (Curci editions EC 9867);
|
142_122
|
Kluster premiere in the Concert Season of the Pescara's Music Academy (Curci editions EC11353);
|
142_123
|
La strada del ritorno premiere “Ravello Concerts” (Curci editions EC 11458);
|
142_124
|
Metallo dolce premiere Scarlatti Hall of the Conservatory of Naples;
|
142_125
|
Latino classico premiere Concert Hall S. Cecilia Conservatory - Rome (Curci editions EC 11354);
|
142_126
|
The Battle of Jericho premiere at the Theatre of Arts - Rome (Curci editions EC9908);
|
142_127
|
Skin-deep sounds premiere at the international drum contest of the Conservatory “N. Piccinni” in
|
142_128
|
Bari (Curci editions EC 11548 );
|
142_129
|
4 antiche danze ungheresi (transcription) premiere at the Cilea Theatre Naples (Curci editions
|
142_130
|
EC10314);
|
142_131
|
Deep River premiere at the Theatre of Arts - Rome (Piccola Vela editions);
|
142_132
|
Go Down Moses premiere at the Theatre of Arts - Rome (Piccola Vela editions);
|
142_133
|
Alla turca (transcription - Curci editions EC10314);
|
142_134
|
Oro Cristof* 5 sheets for a timpanist - Curci editions.
|
142_135
|
Pop music compositions
Occhi sognanti (slow song)
Tango del veliero
Bolero classico
Marialù
|
142_136
|
Videos and slideshows
|
142_137
|
Percussion and drums school* The future of technique for percussion instruments 'DVDv and Master
|
142_138
|
Notes (an e-book in pdf format) - Curci editions ;
|
142_139
|
(trailer);
for 5 performers;
for vocal chords and object-instruments;
|
142_140
|
(fragment) Ritual dances for percussion sextet;
for voice solo, chorus and percussion;
|
142_141
|
for voice solo, chorus and percussion;
for percussion instruments;
|
142_142
|
for narrator (voice), percussion and Cello;
for vibraphone, grand piano drums, and celesta;
|
142_143
|
Rhythm variations on Mozartian themes for percussion instruments;
Concert study for Snare Drum;
|
142_144
|
(trailer);
(trailer);
(trailer).
|
142_145
|
(*) Italian-English text
(**) Italian, English, German and Spanish text
|
142_146
|
PoemsThe two souls of the drumLa strada del ritornoVuotoPrimavera all’antica (set to music by D.
|
142_147
|
Summaria)Ritmo amicoFoglie di lacrime (set to music by D. Summaria);
|
142_148
|
Aphorisms
"Rhythm is music's life."
|
142_149
|
"A simple performer can become an artist by turning stage fright into an emotion to convey to the
|
142_150
|
listener."
|
142_151
|
"True music is not what we play or hear, but what gets to the listener without interference."
|
142_152
|
"Everybody can create sounds by beating on any percussion, but only those produced by an expert
|
142_153
|
touch can be called sounds."
|
142_154
|
"A musician must find the real rhythm inside himself: it's the only thing that will lead him to a
|
142_155
|
humanized performance where the metronome is of no use."
|
142_156
|
"Forbidding spontaneous, by ear performance, is the same as to force a child to learn to read
|
142_157
|
before he has learned to speak."
|
142_158
|
"Rhythm is the principle of life and of all arts. Rhythmic music accompanies us in our daily
|
142_159
|
activities, and even babies, as soon as they come into the world, have already
|
142_160
|
assimilated it by inheritance."
|
142_161
|
Main collaborations
Teatro San Carlo Naples (trumpet, timpanist and solo percussionist)
|
142_162
|
Teatro La Fenice Venice (timpanist)
Teatro dell’Opera Rome (assistant conductor)
|
142_163
|
Ensemble Tempo di percussione (conductor and solo percussionist)
|
142_164
|
Italian Symphony Orchestra (timpanist)
Orchestra Pomeriggi Musicali Milan (timpanist)
|
142_165
|
Corpo Musicale Aeronautica Rome (principal trumpet)
|
142_166
|
Orchestra Stabile Napoletana (principal trumpet)
Orchestra Scarlatti RAI Naples (percussionist)
|
142_167
|
Big band “Melodie di mezzo mondo” (principal trumpet)
Havana orquesta (principal trumpet)
|
142_168
|
RAI Orchestra Neapolitan Music (trumpet)
|
142_169
|
News Rudiments
|
142_170
|
A technique needs constant and appropriate study in order to preserve all its potential intact.
|
142_171
|
through time.
|
142_172
|
Rudiments is a study based upon the classics (outdated) that consists in repeating rhythmic models
|
142_173
|
by heart over and over again, gradually gaining speed.
|
142_174
|
There is no rhythmic control of the execution of this kind of monotonous and repetitive practice
|
142_175
|
because the drummer is playing by memory and practically by ear. There is no music being read and
|
142_176
|
practice is aimed solely at one type of execution: “in rhythm”, accentuating the downbeat (which is
|
142_177
|
always the loudest) like when one begins speaking.With new rudiments'' - developed as exercises to
|
142_178
|
be read and practiced through constant and precise acceleration of movements (made possible by the
|
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