manu/mldr-zoomed-100char-total-queries-documents

chunk_id stringlengths 3 9	chunk stringlengths 1 100
146_140	ArtTravellers Exhibition Series I: Decoding Exotic Lands, Art Promotion Office, Hong Kong 2016
146_141	Islands’ Narrative: Literature X Visual Art, 1a space, Hong Kong
146_142	as the leaves fall, Grey and Green Ping Pong Collaboration Art Project, 1a space, Hong Kong
146_143	Art Basel HK 2016, The Hong Kong Convention and Exhibition Centre, Hong Kong 2015
146_144	Recollections, Mur Nomade, Hong Kong
146_145	Ceramic Show by Non-ceramic Artists, 1a space, Cattle Depot Artist Village, Hong Kong
146_146	Painting On and On 6: Gaze of Sins, Koo Ming Kown Gallery, Hong Kong Baptist University, Hong Kong
146_147	2014 Resistance, Online Exhibition on Artshare 2013
146_148	Art Basel HK 2013, The Hong Kong Convention and Exhibition Centre, Hong Kong
146_149	Hong Kong Contemporary Art Awards 2012, Hong Kong Museum of Art, Hong Kong
146_150	Painting On and On 4: Intertextuality, Lingnan University, Hong Kong
146_151	Transformation & 8th Anniversary Show, YY9 Gallery, Hong Kong 2012
146_152	Running on the Sidelines – Hong Kong New Media Art Exhibition, Soka Art Center, Taipei, Taiwan
146_153	The Chronicle of Disappearance, Gallery EXIT, Hong Kong 樓住生活, Blue House, Wan Chai, Hong Kong
146_154	Post-Straight: Contemporary Hong Kong Photography, Hong Kong Heritage Museum, Hong Kong
146_155	Why Do Trees Grow Till the End?, Gallery EXIT - SOUTHSITE, Hong Kong 2011
146_156	Rediscover Photography, China Pingyao International Photography Festival 2011, Pingyao, China 2010
146_157	Exhibiting Experiments. Experimenting Exhibitions, Wrong Place, JCCAC, Hong Kong
146_158	City Flâneur: Social Documentary Photography, Hong Kong Heritage Museum, Hong Kong
146_159	In Details, agnès b.’s LIBRAIRE GALERIE, Hong Kong
146_160	Memory Clothed Here – A Performance, Woofer Ten, Shanghai Street Art Space, Hong Kong 2009
146_161	Intersection, Pao Gallery, Hong Kong Arts Centre, Hong Kong
146_162	Imaging Hong Kong, Hong Kong Central Library / Edge Gallery, Hong Kong 2008
146_163	Women’s Work, Osage Gallery, Hong Kong
146_164	Art Container Project, West Kowloon Cultural District, Hong Kong 2007
146_165	The Preview of New West Kowloon Exhibition Venue, C&G Artpartment, Hong Kong
146_166	October Contemporary 2007, 1a space, Cattle Depot Artist Village, Hong Kong
146_167	A Separate Domain, Hui Gallery, The Chinese University of Hong Kong, Hong Kong
146_168	STABLE- the balance of power, Para/Site (part of Fotanian 2007 Open studios), Hong Kong 2006
146_169	Between the Observer and the Observed, Lianzhou International Photo Festival, Lianzhou, China
146_170	Second Skin, 3 Boxes, Hong Kong Media Art Show, Vasl International Artists’ Collective, Pakistan
146_171	2005 Hong Kong Art Biennial Exhibition, Hong Kong Museum of Art, Hong Kong
146_172	Stained, the eclipsed pattern, Uma-g Gallery, Hong Kong 2005
146_173	Pre-Work, Hong Kong Arts Center, Hong Kong Curiosities, Para/Site, Hong Kong
146_174	Re:wanchi, HKAIR International Artists’ Workshop, Hong Kong
146_175	Britto International Artists’ Workshop, NikeraKori Center, Nungola, Bora, Bangladesh
146_176	Cattle - Can All the Tenants Laugh Efficiently, Artist Commune, Hong Kong 2004
146_177	Dream Garden, Kadoorie Farm and Botanic Garden, Hong Kong 2003
146_178	Meat, 1a space, Cattle Depot Artists Village, Hong Kong Linkage, Calypso, Hong Kong 2002
146_179	Articulation, University of Leeds, United Kingdom 2001
146_180	Wo-Man, Female Artists Installation, Old Ladies House, Macau Girls’ Thing, Fringe Club, Hong Kong
146_181	2000 BAFA 2000 Exhibition, Faculty Gallery, RMIT, Melbourne, Australia
146_182	International Artist Workshops / Artist-in-Residence 2008–2009 Location One, New York City, USA
146_183	2008 The Headlands Center for the Arts, San Francisco, USA 2007
146_184	The Åland Archipelago Guest Artist Residence, Kökar, Åland 2006
146_185	HIAP (Helsinki International Artist Program), Cable Factory, Helsinki, Finland 2005
146_186	HKAIR (International Artists’ Workshop), Hong Kong
146_187	Britto International Artists’ Workshop, Nikera Kori Center, Nungola, Bora, Bangladesh
146_188	Awards 2012 Hong Kong Contemporary Art Award, Young Artists Award, Hong Kong Museum of Art 2007
146_189	Lee Hysan Foundation Fellowship, Asian Cultural Council 2001–2002
146_190	Hong Kong Arts Development Council – FCO Chevening University of Leeds Scholarship
146_191	Publications Ivy Ma: This Room Is Not Still \| Selected Works, 2000-2012 References
146_192	External links Official website: http://www.ivyma.net
146_193	Personal blog: http://perhapsolitude.blogspot.hk
146_194	Hong Kong women artists Hong Kong artists 1973 births Living people
147_0	Spruce Mountain, in eastern West Virginia, USA, is the highest ridge of the Allegheny Mountains. The
147_1	"whale-backed" ridge extends for only about , from northeast to southwest, but several of its peaks
147_2	exceed in elevation. The summit, Spruce Knob (4863 ft; 1482 m), is celebrated as the highest point
147_3	in the state as well as the range, which covers parts of four states.
147_4	Geography
147_5	Spruce Mountain lies mostly within the Spruce Knob-Seneca Rocks National Recreation Area, a U.S.
147_6	National Recreation Area (NRA) located within the Monongahela National Forest (MNF) in Pendleton
147_7	County. It extends from the vicinity of Onego in the north to near Cherry Grove in the south.
147_8	Brushy Run separates Timber Ridge — a spur of the main mountain — to the east. The ridgelines of
147_9	Spruce Mountain and Timber Ridge continue to the north of US Route 33 as Hoffman Ridge and Smith
147_10	Mountain, respectively. To the south (south of West Virginia 28) the line continues as Big
147_11	Mountain.
147_12	Prominent peaks of Spruce Mountain, north to south, are Horse Rock (4536 ft; 1383 m), Spruce
147_13	Mountain Peak (4586 ft; 1398 m), Picea Benchmark (4613 ft; 1406 m), and Spruce Knob itself. Spruce
147_14	Knob is the highest point in the eastern United States between the Adirondacks of New York and
147_15	Mount Rogers (part of the Blue Ridge Mountains) in southern Virginia.
147_16	The summit of Spruce Knob has a definite alpine feel, much more so than most other mountains of the
147_17	southern Appalachians. The upper few hundred feet are covered in a dense spruce forest, a relic
147_18	boreal forest environment similar to those found in northern New England and Canada. The summit is
147_19	accessible both via trails and a paved Forest Service road, and is crowned with a stone lookout
147_20	tower amid a mixture of boulder fields, meadows and trees. A handicap-accessible nature trail half
147_21	a mile (0.8 km) long circles the topmost part of the mountain. High west winds near the summit have
147_22	gnarled the spruce there like Krummholz, flagged with limbs only on their leeward (eastward) side.
147_23	As is typical in the southern Appalachians, the highest point on a ridge is frequently referred to
147_24	as a knob or dome. Spruce Knob is the highest point along a ridge known as the Allegheny Front.
147_25	Dropping steeply to the east, it offers views of the Germany Valley and North Fork Mountain; to the
147_26	west is the Allegheny Plateau. It also is the highest point in the Chesapeake Bay Watershed.
147_27	Geology
147_28	Like the rest of this part of the Appalachian Mountains, Spruce Knob began to form with the breakup
147_29	of Pangea I between 570 and 500 mya. The African Plate separated from the North American Plate
147_30	opening the Proto-Atlantic Ocean. The North American Plate stretched and thinned, allowing it to
147_31	backfill with a shallow inland sea. About 50 million years later, with the Taconic Orogeny, the two
147_32	plates reversed course and began to move towards each other. Mid-ocean subduction created a
147_33	volcanic arc (now known as the Blue Ridge Mountains) which eventually collided with the North
147_34	American Plate. The arc fused onto the continent and the land to the west was uplifted.
147_35	The accumulation of shells and other hard parts of marine organisms (made of CaCO3, calcium
147_36	carbonate) at the bottom of the shallow inland sea cemented into a layer of Greenbrier Limestone.
147_37	The shallow inland sea began to retreat with the uplift. This caused fine grains of mud and silt to
147_38	settle out and lithify into a layer of Mauch Chunk Shale on top of the Greenbrier Limestone. As the
147_39	Blue Ridge eroded, rivers carried sediment down to the low-lying areas that formed a layer of
147_40	Pottsville Conglomerate on top of the shale. The large boulders on the summit are remnants of this
147_41	layer, and outcrops of both Mauch Chunk Shale and Greenbrier Limestone can be found lower on the
147_42	mountain.
147_43	When the North American and African Plates finally collided around 250 mya, it caused a massive
147_44	uplift that folded and faulted these layers of sedimentary rock. Spruce Knob was originally in the

146_140

ArtTravellers Exhibition Series I: Decoding Exotic Lands, Art Promotion Office, Hong Kong 2016

146_141

Islands’ Narrative: Literature X Visual Art, 1a space, Hong Kong

146_142

as the leaves fall, Grey and Green Ping Pong Collaboration Art Project, 1a space, Hong Kong

146_143

Art Basel HK 2016, The Hong Kong Convention and Exhibition Centre, Hong Kong 2015

146_144

Recollections, Mur Nomade, Hong Kong

146_145

Ceramic Show by Non-ceramic Artists, 1a space, Cattle Depot Artist Village, Hong Kong

146_146

Painting On and On 6: Gaze of Sins, Koo Ming Kown Gallery, Hong Kong Baptist University, Hong Kong

146_147

2014 Resistance, Online Exhibition on Artshare 2013

146_148

Art Basel HK 2013, The Hong Kong Convention and Exhibition Centre, Hong Kong

146_149

Hong Kong Contemporary Art Awards 2012, Hong Kong Museum of Art, Hong Kong

146_150

Painting On and On 4: Intertextuality, Lingnan University, Hong Kong

146_151

Transformation & 8th Anniversary Show, YY9 Gallery, Hong Kong 2012

146_152

Running on the Sidelines – Hong Kong New Media Art Exhibition, Soka Art Center, Taipei, Taiwan

146_153

The Chronicle of Disappearance, Gallery EXIT, Hong Kong 樓住生活, Blue House, Wan Chai, Hong Kong

146_154

Post-Straight: Contemporary Hong Kong Photography, Hong Kong Heritage Museum, Hong Kong

146_155

Why Do Trees Grow Till the End?, Gallery EXIT - SOUTHSITE, Hong Kong 2011

146_156

Rediscover Photography, China Pingyao International Photography Festival 2011, Pingyao, China 2010

146_157

Exhibiting Experiments. Experimenting Exhibitions, Wrong Place, JCCAC, Hong Kong

146_158

City Flâneur: Social Documentary Photography, Hong Kong Heritage Museum, Hong Kong

146_159

In Details, agnès b.’s LIBRAIRE GALERIE, Hong Kong

146_160

Memory Clothed Here – A Performance, Woofer Ten, Shanghai Street Art Space, Hong Kong 2009

146_161

Intersection, Pao Gallery, Hong Kong Arts Centre, Hong Kong

146_162

Imaging Hong Kong, Hong Kong Central Library / Edge Gallery, Hong Kong 2008

146_163

Women’s Work, Osage Gallery, Hong Kong

146_164

Art Container Project, West Kowloon Cultural District, Hong Kong 2007

146_165

The Preview of New West Kowloon Exhibition Venue, C&G Artpartment, Hong Kong

146_166

October Contemporary 2007, 1a space, Cattle Depot Artist Village, Hong Kong

146_167

A Separate Domain, Hui Gallery, The Chinese University of Hong Kong, Hong Kong

146_168

STABLE- the balance of power, Para/Site (part of Fotanian 2007 Open studios), Hong Kong 2006

146_169

Between the Observer and the Observed, Lianzhou International Photo Festival, Lianzhou, China

146_170

Second Skin, 3 Boxes, Hong Kong Media Art Show, Vasl International Artists’ Collective, Pakistan

146_171

2005 Hong Kong Art Biennial Exhibition, Hong Kong Museum of Art, Hong Kong

146_172

Stained, the eclipsed pattern, Uma-g Gallery, Hong Kong 2005

146_173

Pre-Work, Hong Kong Arts Center, Hong Kong Curiosities, Para/Site, Hong Kong

146_174

Re:wanchi, HKAIR International Artists’ Workshop, Hong Kong

146_175

Britto International Artists’ Workshop, NikeraKori Center, Nungola, Bora, Bangladesh

146_176

Cattle - Can All the Tenants Laugh Efficiently, Artist Commune, Hong Kong 2004

146_177

Dream Garden, Kadoorie Farm and Botanic Garden, Hong Kong 2003

146_178

Meat, 1a space, Cattle Depot Artists Village, Hong Kong Linkage, Calypso, Hong Kong 2002

146_179

Articulation, University of Leeds, United Kingdom 2001

146_180

Wo-Man, Female Artists Installation, Old Ladies House, Macau Girls’ Thing, Fringe Club, Hong Kong

146_181

2000 BAFA 2000 Exhibition, Faculty Gallery, RMIT, Melbourne, Australia

146_182

International Artist Workshops / Artist-in-Residence 2008–2009 Location One, New York City, USA

146_183

2008 The Headlands Center for the Arts, San Francisco, USA 2007

146_184

The Åland Archipelago Guest Artist Residence, Kökar, Åland 2006

146_185

HIAP (Helsinki International Artist Program), Cable Factory, Helsinki, Finland 2005

146_186

HKAIR (International Artists’ Workshop), Hong Kong

146_187

Britto International Artists’ Workshop, Nikera Kori Center, Nungola, Bora, Bangladesh

146_188

Awards 2012 Hong Kong Contemporary Art Award, Young Artists Award, Hong Kong Museum of Art 2007

146_189

Lee Hysan Foundation Fellowship, Asian Cultural Council 2001–2002

146_190

Hong Kong Arts Development Council – FCO Chevening University of Leeds Scholarship

146_191

Publications Ivy Ma: This Room Is Not Still | Selected Works, 2000-2012 References

146_192

External links Official website: http://www.ivyma.net

146_193

Personal blog: http://perhapsolitude.blogspot.hk

146_194

Hong Kong women artists Hong Kong artists 1973 births Living people

147_0

Spruce Mountain, in eastern West Virginia, USA, is the highest ridge of the Allegheny Mountains. The

147_1

"whale-backed" ridge extends for only about , from northeast to southwest, but several of its peaks

147_2

exceed in elevation. The summit, Spruce Knob (4863 ft; 1482 m), is celebrated as the highest point

147_3

in the state as well as the range, which covers parts of four states.

147_4

Geography

147_5

Spruce Mountain lies mostly within the Spruce Knob-Seneca Rocks National Recreation Area, a U.S.

147_6

National Recreation Area (NRA) located within the Monongahela National Forest (MNF) in Pendleton

147_7

County. It extends from the vicinity of Onego in the north to near Cherry Grove in the south.

147_8

Brushy Run separates Timber Ridge — a spur of the main mountain — to the east. The ridgelines of

147_9

Spruce Mountain and Timber Ridge continue to the north of US Route 33 as Hoffman Ridge and Smith

147_10

Mountain, respectively. To the south (south of West Virginia 28) the line continues as Big

147_11

Mountain.

147_12

Prominent peaks of Spruce Mountain, north to south, are Horse Rock (4536 ft; 1383 m), Spruce

147_13

Mountain Peak (4586 ft; 1398 m), Picea Benchmark (4613 ft; 1406 m), and Spruce Knob itself. Spruce

147_14

Knob is the highest point in the eastern United States between the Adirondacks of New York and

147_15

Mount Rogers (part of the Blue Ridge Mountains) in southern Virginia.

147_16

The summit of Spruce Knob has a definite alpine feel, much more so than most other mountains of the

147_17

southern Appalachians. The upper few hundred feet are covered in a dense spruce forest, a relic

147_18

boreal forest environment similar to those found in northern New England and Canada. The summit is

147_19

accessible both via trails and a paved Forest Service road, and is crowned with a stone lookout

147_20

tower amid a mixture of boulder fields, meadows and trees. A handicap-accessible nature trail half

147_21

a mile (0.8 km) long circles the topmost part of the mountain. High west winds near the summit have

147_22

gnarled the spruce there like Krummholz, flagged with limbs only on their leeward (eastward) side.

147_23

As is typical in the southern Appalachians, the highest point on a ridge is frequently referred to

147_24

as a knob or dome. Spruce Knob is the highest point along a ridge known as the Allegheny Front.

147_25

Dropping steeply to the east, it offers views of the Germany Valley and North Fork Mountain; to the

147_26

west is the Allegheny Plateau. It also is the highest point in the Chesapeake Bay Watershed.

147_27

Geology

147_28

Like the rest of this part of the Appalachian Mountains, Spruce Knob began to form with the breakup

147_29

of Pangea I between 570 and 500 mya. The African Plate separated from the North American Plate

147_30

opening the Proto-Atlantic Ocean. The North American Plate stretched and thinned, allowing it to

147_31

backfill with a shallow inland sea. About 50 million years later, with the Taconic Orogeny, the two

147_32

plates reversed course and began to move towards each other. Mid-ocean subduction created a

147_33

volcanic arc (now known as the Blue Ridge Mountains) which eventually collided with the North

147_34

American Plate. The arc fused onto the continent and the land to the west was uplifted.

147_35

The accumulation of shells and other hard parts of marine organisms (made of CaCO3, calcium

147_36

carbonate) at the bottom of the shallow inland sea cemented into a layer of Greenbrier Limestone.

147_37

The shallow inland sea began to retreat with the uplift. This caused fine grains of mud and silt to

147_38

settle out and lithify into a layer of Mauch Chunk Shale on top of the Greenbrier Limestone. As the

147_39

Blue Ridge eroded, rivers carried sediment down to the low-lying areas that formed a layer of

147_40

Pottsville Conglomerate on top of the shale. The large boulders on the summit are remnants of this

147_41

layer, and outcrops of both Mauch Chunk Shale and Greenbrier Limestone can be found lower on the

147_42

mountain.

147_43

When the North American and African Plates finally collided around 250 mya, it caused a massive

147_44

uplift that folded and faulted these layers of sedimentary rock. Spruce Knob was originally in the