manu/mldr-zoomed-100char-total-queries-documents

chunk_id stringlengths 3 9	chunk stringlengths 1 100
57_211	Killed Fong Chun-fai (portrayed by Siu Cheuk-yiu) and Carson Ko (portrayed by Vincent Wong) in
57_212	Chapter 28
57_213	Killed Ar Long (portrayed by Eric Li) and determined to kill Hui Man-him (portrayed by Jessica
57_214	Hsuan) in Chapter 29/30
57_215	Sentenced to prison with the loss of his hearing ability and his right leg in Chapter 30
57_216	See also Gun Metal Grey List of Gun Metal Grey episodes Gun Metal Grey Gun Metal Grey
58_0	Paradise Lost 3: Purgatory is a 2011 American documentary film directed by Joe Berlinger and Bruce
58_1	Sinofsky, and sequel to their films Paradise Lost: The Child Murders at Robin Hood Hills (1996) and
58_2	Paradise Lost 2: Revelations (2000). The three films are about West Memphis Three, three teenage
58_3	boys accused of the May 1993 murders and sexual mutilation of three prepubescent boys as a part of
58_4	an alleged satanic ritual in West Memphis, Arkansas. Purgatory offers an update on the case of the
58_5	West Memphis Three, who were all recognized guilty of the murders in 1994 but kept on claiming
58_6	their innocence since then, before culminating with the trio's attempt at an Alford plea.
58_7	The film premiered at the 2011 Toronto International Film Festival on September 11, 2011, before
58_8	airing on HBO on January 12, 2012. It received a nomination for the Academy Award for Best
58_9	Documentary Feature, as well as Primetime Emmy Award nominations for Exceptional Merit in
58_10	Documentary Filmmaking and Outstanding Directing for Nonfiction Programming.
58_11	Description
58_12	Joe Berlinger and Bruce Sinofsky update the case of the West Memphis Three since the release of
58_13	Paradise Lost 2: Revelations in 2000. Damien Echols's defense team has hired some of the most
58_14	renowned forensic scientists to collect DNA and other evidence that had never been tested during
58_15	the 1994 trials in hopes of getting a new trial. The defense teams and supporters of Echols, Jason
58_16	Baldwin, and Jessie Misskelley have uncovered new details that occurred during the trial that led
58_17	to guilty verdicts against them.
58_18	Central are the allegations of jury misconduct with the jury foreman discussing the case with an
58_19	attorney during the Echols-Baldwin trial and bringing Misskelley's confession into deliberations
58_20	even though it was not let into evidence. The forensic experts have uncovered DNA and new witnesses
58_21	that focus suspicion toward Terry Hobbs, the stepfather of one of the murder victims.
58_22	A hair found in the ligature that bound one of the victims is a match to him, he has told several
58_23	conflicting stories concerning his whereabouts during the time of the murders, and he has a history
58_24	of violence against his wife and possibly his stepson. While many are convinced he should be
58_25	considered a suspect, the West Memphis, Arkansas Police Department have only questioned him and do
58_26	not consider him a suspect.
58_27	Appeals for a new trial based on the new evidence have been denied by the original trial judge. But
58_28	in November 2010, the Arkansas Supreme Court threw out that ruling and granted an evidentary
58_29	hearing scheduled for December 2011, to decide if the evidence is enough for a new trial. This
58_30	brings new hope to the defendants and their supporters that they will finally get the fair trial
58_31	they never got.
58_32	In August 2011, four months before the hearing is to take place, the prosecutors and defense
58_33	lawyers talked over a plea deal that would allow the three men to walk out of prison, on the
58_34	condition that they plead guilty but can maintain their innocence. They reluctantly accept the
58_35	deal, after 18 years and 78 days, they walk free from prison.
58_36	Release
58_37	Originally intended to be another installment in which the three men remained in prison, the film
58_38	was to premiere on the HBO network in November 2011. The world premiere of the film was announced
58_39	to occur at the Toronto International Film Festival in September 2011.
58_40	Due to the sudden August 19 release of the West Memphis Three, the filmmakers decided to postpone
58_41	the film for another two months, to give the series a definitive ending, and a theatrical release,
58_42	potentially allowing qualification for Best Documentary Feature at the 84th Academy Awards.
58_43	Interviews used for the film featuring the newly freed men began shooting the day following their
58_44	release on August 20.
58_45	The film, in its original form, still made its premiere at the Toronto International Film Festival,
58_46	while the re-cut version premiered at the New York Film Festival. The re-cut version premiered on
58_47	October 10, 2011. The three men, accompanied by their families, attorneys, and supporters, attended
58_48	the event.
58_49	In January 2012, Paradise Lost 3: Purgatory was among five documentary features to be nominated for
58_50	an Oscar in the 2012 Academy Awards ceremony.
58_51	Reception
58_52	Critical response
58_53	Paradise Lost 3: Purgatory has an approval rating of 100% on review aggregator website Rotten
58_54	Tomatoes, based on 16 reviews, and an average rating of 7.86/10. It also has a score of 85 out of
58_55	100 on Metacritic, based on 4 critics, indicating "universal acclaim".
58_56	In January 2012, Paradise Lost 3: Purgatory was among five documentary features to be nominated for
58_57	an Oscar in the 2012 Academy Awards ceremony.
58_58	References External links Paradise Lost 3: Purgatory at HBO
58_59	2011 documentary films 2011 films American documentary films American sequel films American films
58_60	Documentary films about crime in the United States Films about miscarriage of justice
58_61	Films set in Arkansas HBO documentary films West Memphis Three Films directed by Bruce Sinofsky
58_62	Films directed by Joe Berlinger Films produced by Joe Berlinger
59_0	SB Centaur is a wooden Thames sailing barge, built in Harwich, Essex, England in 1895. She was used
59_1	to carry various cargoes, mainly grain, for the next 60 years. During the First World War she
59_2	carried food and coal to the French Channel ports. During the Second World War Centaur was damaged
59_3	when sailing to assist with the Dunkirk Evacuation. She did war work for the duration of the
59_4	conflict.
59_5	In 1945 she returned to the grain trade until 1955, when she was derigged. Between 1955 and 1966
59_6	she was used as a lighter until bought in 1966 by Richard Duke to re-rig as a charter barge. She
59_7	was sold in 1973 to the charity Thames Barge Sailing Club (now the Thames Sailing Barge Trust).
59_8	Restored between 1984 and 1993, and further in 2013, she now berths at Hythe Quay, Maldon.
59_9	Description
59_10	Thames sailing barges were commercial sailing vessels once common on the River Thames in London.
59_11	The flat-bottomed barges with a shallow draught and leeboards, were well adapted to the shallow,
59_12	narrow waters of the Thames Estuary and East Anglia. The larger barges were seaworthy vessels, and
59_13	were the largest sailing vessel to be handled by just two men. The average size was about 120 tons
59_14	and they carried from of canvas sail in six working sails. The mainsail was loose-footed and set
59_15	up with a sprit, and was brailed to the mast when not needed. It was sheeted to a horse, as were
59_16	the foresails, so needed no attention when going about (except that the foresail is held back by
59_17	the mate when tacking to help the vessel come about). The topsail was usually the first sail on and
59_18	last sail off, being fixed to the topmast by hoops. In the upper reaches of the rivers and
59_19	constricted harbours it reached into clear air, to catch wind when the air was still at water
59_20	level. When approaching a berth casting off the halliard would drop the topsail immediately,
59_21	killing any forward motion. The mizzen boom was sheeted down to the long shallow rudder, which
59_22	helped the vessels through the wind when tacking. The sails were made of flax; their rust colour
59_23	came from the traditional waterproofing solution; a mixture of ochre, fish oil and urine. The masts
59_24	were mounted in tabernacles so they could be lowered to pass under bridges without losing headway,
59_25	with the anchor windlass used to lower and raise the gear via triple blocks. This took considerable
59_26	effort and to aid in the process "hufflers" were often used; they would come on board to help with
59_27	raising the gear (for a fee). The bowsprit, where fitted, could be "topped" – raised – where space
59_28	was limited.
59_29	The barges were wooden hulled, between long with a beam of around . The hull form was
59_30	flat-bottomed with a degree of flare to the sides and plumb ends. To prevent unwanted (sideways)

57_211

Killed Fong Chun-fai (portrayed by Siu Cheuk-yiu) and Carson Ko (portrayed by Vincent Wong) in

57_212

Chapter 28

57_213

Killed Ar Long (portrayed by Eric Li) and determined to kill Hui Man-him (portrayed by Jessica

57_214

Hsuan) in Chapter 29/30

57_215

Sentenced to prison with the loss of his hearing ability and his right leg in Chapter 30

57_216

See also Gun Metal Grey List of Gun Metal Grey episodes Gun Metal Grey Gun Metal Grey

58_0

Paradise Lost 3: Purgatory is a 2011 American documentary film directed by Joe Berlinger and Bruce

58_1

Sinofsky, and sequel to their films Paradise Lost: The Child Murders at Robin Hood Hills (1996) and

58_2

Paradise Lost 2: Revelations (2000). The three films are about West Memphis Three, three teenage

58_3

boys accused of the May 1993 murders and sexual mutilation of three prepubescent boys as a part of

58_4

an alleged satanic ritual in West Memphis, Arkansas. Purgatory offers an update on the case of the

58_5

West Memphis Three, who were all recognized guilty of the murders in 1994 but kept on claiming

58_6

their innocence since then, before culminating with the trio's attempt at an Alford plea.

58_7

The film premiered at the 2011 Toronto International Film Festival on September 11, 2011, before

58_8

airing on HBO on January 12, 2012. It received a nomination for the Academy Award for Best

58_9

Documentary Feature, as well as Primetime Emmy Award nominations for Exceptional Merit in

58_10

Documentary Filmmaking and Outstanding Directing for Nonfiction Programming.

58_11

Description

58_12

Joe Berlinger and Bruce Sinofsky update the case of the West Memphis Three since the release of

58_13

Paradise Lost 2: Revelations in 2000. Damien Echols's defense team has hired some of the most

58_14

renowned forensic scientists to collect DNA and other evidence that had never been tested during

58_15

the 1994 trials in hopes of getting a new trial. The defense teams and supporters of Echols, Jason

58_16

Baldwin, and Jessie Misskelley have uncovered new details that occurred during the trial that led

58_17

to guilty verdicts against them.

58_18

Central are the allegations of jury misconduct with the jury foreman discussing the case with an

58_19

attorney during the Echols-Baldwin trial and bringing Misskelley's confession into deliberations

58_20

even though it was not let into evidence. The forensic experts have uncovered DNA and new witnesses

58_21

that focus suspicion toward Terry Hobbs, the stepfather of one of the murder victims.

58_22

A hair found in the ligature that bound one of the victims is a match to him, he has told several

58_23

conflicting stories concerning his whereabouts during the time of the murders, and he has a history

58_24

of violence against his wife and possibly his stepson. While many are convinced he should be

58_25

considered a suspect, the West Memphis, Arkansas Police Department have only questioned him and do

58_26

not consider him a suspect.

58_27

Appeals for a new trial based on the new evidence have been denied by the original trial judge. But

58_28

in November 2010, the Arkansas Supreme Court threw out that ruling and granted an evidentary

58_29

hearing scheduled for December 2011, to decide if the evidence is enough for a new trial. This

58_30

brings new hope to the defendants and their supporters that they will finally get the fair trial

58_31

they never got.

58_32

In August 2011, four months before the hearing is to take place, the prosecutors and defense

58_33

lawyers talked over a plea deal that would allow the three men to walk out of prison, on the

58_34

condition that they plead guilty but can maintain their innocence. They reluctantly accept the

58_35

deal, after 18 years and 78 days, they walk free from prison.

58_36

Release

58_37

Originally intended to be another installment in which the three men remained in prison, the film

58_38

was to premiere on the HBO network in November 2011. The world premiere of the film was announced

58_39

to occur at the Toronto International Film Festival in September 2011.

58_40

Due to the sudden August 19 release of the West Memphis Three, the filmmakers decided to postpone

58_41

the film for another two months, to give the series a definitive ending, and a theatrical release,

58_42

potentially allowing qualification for Best Documentary Feature at the 84th Academy Awards.

58_43

Interviews used for the film featuring the newly freed men began shooting the day following their

58_44

release on August 20.

58_45

The film, in its original form, still made its premiere at the Toronto International Film Festival,

58_46

while the re-cut version premiered at the New York Film Festival. The re-cut version premiered on

58_47

October 10, 2011. The three men, accompanied by their families, attorneys, and supporters, attended

58_48

the event.

58_49

In January 2012, Paradise Lost 3: Purgatory was among five documentary features to be nominated for

58_50

an Oscar in the 2012 Academy Awards ceremony.

58_51

Reception

58_52

Critical response

58_53

Paradise Lost 3: Purgatory has an approval rating of 100% on review aggregator website Rotten

58_54

Tomatoes, based on 16 reviews, and an average rating of 7.86/10. It also has a score of 85 out of

58_55

100 on Metacritic, based on 4 critics, indicating "universal acclaim".

58_56

In January 2012, Paradise Lost 3: Purgatory was among five documentary features to be nominated for

58_57

an Oscar in the 2012 Academy Awards ceremony.

58_58

References External links Paradise Lost 3: Purgatory at HBO

58_59

2011 documentary films 2011 films American documentary films American sequel films American films

58_60

Documentary films about crime in the United States Films about miscarriage of justice

58_61

Films set in Arkansas HBO documentary films West Memphis Three Films directed by Bruce Sinofsky

58_62

Films directed by Joe Berlinger Films produced by Joe Berlinger

59_0

SB Centaur is a wooden Thames sailing barge, built in Harwich, Essex, England in 1895. She was used

59_1

to carry various cargoes, mainly grain, for the next 60 years. During the First World War she

59_2

carried food and coal to the French Channel ports. During the Second World War Centaur was damaged

59_3

when sailing to assist with the Dunkirk Evacuation. She did war work for the duration of the

59_4

conflict.

59_5

In 1945 she returned to the grain trade until 1955, when she was derigged. Between 1955 and 1966

59_6

she was used as a lighter until bought in 1966 by Richard Duke to re-rig as a charter barge. She

59_7

was sold in 1973 to the charity Thames Barge Sailing Club (now the Thames Sailing Barge Trust).

59_8

Restored between 1984 and 1993, and further in 2013, she now berths at Hythe Quay, Maldon.

59_9

Description

59_10

Thames sailing barges were commercial sailing vessels once common on the River Thames in London.

59_11

The flat-bottomed barges with a shallow draught and leeboards, were well adapted to the shallow,

59_12

narrow waters of the Thames Estuary and East Anglia. The larger barges were seaworthy vessels, and

59_13

were the largest sailing vessel to be handled by just two men. The average size was about 120 tons

59_14

and they carried from of canvas sail in six working sails. The mainsail was loose-footed and set

59_15

up with a sprit, and was brailed to the mast when not needed. It was sheeted to a horse, as were

59_16

the foresails, so needed no attention when going about (except that the foresail is held back by

59_17

the mate when tacking to help the vessel come about). The topsail was usually the first sail on and

59_18

last sail off, being fixed to the topmast by hoops. In the upper reaches of the rivers and

59_19

constricted harbours it reached into clear air, to catch wind when the air was still at water

59_20

level. When approaching a berth casting off the halliard would drop the topsail immediately,

59_21

killing any forward motion. The mizzen boom was sheeted down to the long shallow rudder, which

59_22

helped the vessels through the wind when tacking. The sails were made of flax; their rust colour

59_23

came from the traditional waterproofing solution; a mixture of ochre, fish oil and urine. The masts

59_24

were mounted in tabernacles so they could be lowered to pass under bridges without losing headway,

59_25

with the anchor windlass used to lower and raise the gear via triple blocks. This took considerable

59_26

effort and to aid in the process "hufflers" were often used; they would come on board to help with

59_27

raising the gear (for a fee). The bowsprit, where fitted, could be "topped" – raised – where space

59_28

was limited.

59_29

The barges were wooden hulled, between long with a beam of around . The hull form was

59_30

flat-bottomed with a degree of flare to the sides and plumb ends. To prevent unwanted (sideways)